1 00:00:03,537 --> 00:00:06,740 [MACK THE KNIFE INSTRUMENTAL PLAYS] 2 00:00:24,092 --> 00:00:27,295 CAPTIONING MADE POSSIBLE BY WARNER BROS. 3 00:02:11,632 --> 00:02:14,502 WHY, FRANCIE? 4 00:02:14,502 --> 00:02:15,503 WHY? 5 00:02:17,871 --> 00:02:18,872 IT'D HAVE BROKEN 6 00:02:18,872 --> 00:02:21,542 YOUR POOR MOTHER'S HEART. 7 00:02:24,745 --> 00:02:27,481 I'M SORRY, MR. LEDDY. 8 00:02:27,481 --> 00:02:28,882 Francie: WHEN I WAS A YOUNG LAD, 9 00:02:28,882 --> 00:02:31,452 20 OR 30 OR 40 YEARS AGO, 10 00:02:31,452 --> 00:02:32,986 I LIVED IN A SMALL TOWN 11 00:02:32,986 --> 00:02:34,255 WHERE THEY WERE ALL AFTER ME 12 00:02:34,255 --> 00:02:37,258 ON ACCOUNT OF WHAT I'D DONE ON MRS. NUGENT. 13 00:02:37,258 --> 00:02:38,826 IF SHE HADN'T POKED HER NOSE 14 00:02:38,826 --> 00:02:40,060 IN BETWEEN ME AND JOE, 15 00:02:40,060 --> 00:02:41,895 EVERYTHING WOULD'VE BEEN ALL RIGHT. 16 00:02:47,301 --> 00:02:49,837 ME GERONIMO. WHO ARE YOU? 17 00:02:49,837 --> 00:02:50,838 SITTING BULL. 18 00:02:50,838 --> 00:02:52,740 LET'S DO WAR CRY. 19 00:02:52,740 --> 00:02:54,742 [WAR CRIES] 20 00:02:59,347 --> 00:03:02,850 NOW, LOOK ROUND FOR WHITE MAN. 21 00:03:05,152 --> 00:03:07,288 [INDIAN WAR CRIES] 22 00:03:15,363 --> 00:03:17,164 Francie: OF ALL THE WRONG THINGS I DONE, 23 00:03:17,164 --> 00:03:19,132 I SUPPOSE THE APPLES WERE THE FIRST. 24 00:03:19,132 --> 00:03:20,868 THEY STARTED ALL THE TROUBLE. 25 00:03:20,868 --> 00:03:23,804 AND FRANCIE BRADY DIDN'T NEED ANY OLD SNAKE 26 00:03:23,804 --> 00:03:25,306 TO GIVE HIM ONE. 27 00:03:25,306 --> 00:03:26,907 HE ROBBED THEM HIMSELF. 28 00:03:26,907 --> 00:03:27,908 COME ON, JOE. 29 00:03:27,908 --> 00:03:29,076 COME ON. 30 00:03:29,076 --> 00:03:30,177 WHAT DO YOU MEAN, COME ON? 31 00:03:30,177 --> 00:03:31,712 COME ON, IT'S NOT THAT HIGH. 32 00:03:31,712 --> 00:03:33,714 DON'T WORRY, KEMOSABE, I GOT YOU. 33 00:03:33,714 --> 00:03:35,015 COME ON, FRANCIE, 34 00:03:35,015 --> 00:03:36,750 GET A MOVE ON. COME ON! 35 00:03:36,750 --> 00:03:37,751 RIGHT, JOE. 36 00:03:39,320 --> 00:03:41,322 SO HOW MANY HAVE WE GOT NOW? 37 00:03:41,322 --> 00:03:42,823 JUST KEEP SHAKING, FRANCIE. 38 00:03:42,823 --> 00:03:45,793 I'LL SHAKE THE LIVING SHITE OUT OF HER, JOE. 39 00:03:45,793 --> 00:03:47,328 ANOTHER HUNDRED, AND WE'RE RIGHT. 40 00:03:47,328 --> 00:03:48,929 THEM NUGENTS AREN'T GONNA GET THE BETTER OF US. 41 00:03:48,929 --> 00:03:50,030 NO WAY, BOY. 42 00:03:50,030 --> 00:03:52,333 Francie: AND WHO BUTTS IN? ONLY PHILLIP NUGENT, 43 00:03:52,333 --> 00:03:53,667 HIS HEAD FULL OF AMAZING FACTS, 44 00:03:53,667 --> 00:03:55,235 LIKE THE BOILING POINT OF WATER 45 00:03:55,235 --> 00:03:56,770 AND THE NUMBER OF EYES ON A FLY HEAD... 46 00:03:56,770 --> 00:03:58,339 SURE, IT'S YOURSELF, PHILLIP, ISN'T IT? 47 00:03:58,339 --> 00:04:01,909 DOIN' A BIT OF READING NOW? 48 00:04:01,909 --> 00:04:03,210 COMICS, FRANCIE. 49 00:04:03,210 --> 00:04:04,545 WE'VE GOT TO HAVE THEM, JOE. 50 00:04:04,545 --> 00:04:06,213 TELL YOU WHAT, PHILLIP. 51 00:04:06,213 --> 00:04:07,281 WE'LL SWAP. 52 00:04:07,281 --> 00:04:11,218 ONE OF YOUR MA'S COX'S PIPPINS... 53 00:04:11,218 --> 00:04:13,287 FOR ALL OF THEM COMICS. 54 00:04:13,287 --> 00:04:14,755 IT'S ONLY FAIR, PHILLIP. 55 00:04:14,755 --> 00:04:16,089 NOW, JOE, 56 00:04:16,089 --> 00:04:17,958 HE ISN'T REALLY THAT BAD. 57 00:04:17,958 --> 00:04:18,859 WHAT ARE YOU DOING? 58 00:04:18,859 --> 00:04:20,694 JESUS, FRANCIE, IT'S MRS. NUGENT! 59 00:04:20,694 --> 00:04:21,495 GET OUT! 60 00:04:21,495 --> 00:04:24,031 COME ON, JOE, RUN LIKE FUCK! 61 00:04:39,713 --> 00:04:41,982 YIKES. 62 00:04:41,982 --> 00:04:43,784 IT HAS GOT NOTHING TO DO 63 00:04:43,784 --> 00:04:47,187 WITH KNOWIN' KIDS OR ANYTHING ELSE. 64 00:04:47,187 --> 00:04:48,656 I KNEW THE KIND OF YOUR LOT 65 00:04:48,656 --> 00:04:51,091 LONG BEFORE I WENT TO ENGLAND. 66 00:04:51,091 --> 00:04:52,860 I SHOULD HAVE HAD MORE SENSE 67 00:04:52,860 --> 00:04:54,828 THAN TO LET MY PHILLIP NEAR THE LIKES OF HIM. 68 00:04:54,828 --> 00:04:57,297 NOT THAT IT'S THE POOR CHILD'S FAULT. 69 00:04:57,297 --> 00:04:58,599 WHAT DO YOU EXPECT FROM A HOUSE 70 00:04:58,599 --> 00:04:59,967 WHERE THE FATHER'S NEVER IN? 71 00:04:59,967 --> 00:05:02,035 LYIN' ABOUT IN PUBS FROM MORNING TILL NIGHT. 72 00:05:02,035 --> 00:05:04,104 HE'S NO BETTER THAN A PIG. 73 00:05:04,104 --> 00:05:05,773 IT IS SMALL WONDER 74 00:05:05,773 --> 00:05:08,008 THAT THE BOY IS THE WAY HE IS. 75 00:05:08,008 --> 00:05:09,677 WHAT CHANCE HAS HE GOT LIVING IN A PIGSTY, 76 00:05:09,677 --> 00:05:10,844 BUT IF HE'S SEEN NEAR MY PHILLIP AGAIN, 77 00:05:10,844 --> 00:05:12,746 THERE'LL BE TROUBLE, MARK MY WORDS. 78 00:05:13,981 --> 00:05:15,916 PIGS! 79 00:05:15,916 --> 00:05:17,150 THAT'S ALL YOU ARE! 80 00:05:17,150 --> 00:05:19,420 THE WHOLE TOWN KNOWS THAT. 81 00:05:24,291 --> 00:05:26,360 WELL, THAT OLD MRS. NUGENT, 82 00:05:26,360 --> 00:05:27,428 WHAT ARE WE GONNA DO ABOUT HER? 83 00:05:27,428 --> 00:05:28,862 I DON'T KNOW, BUT BY CHRIST-- 84 00:05:28,862 --> 00:05:30,764 [ALL SHOUTING] 85 00:05:32,800 --> 00:05:34,402 Francie: WELL, I DON'T KNOW KNOW 86 00:05:34,402 --> 00:05:35,703 IF MY DA WAS A PIG OR NOT, 87 00:05:35,703 --> 00:05:37,905 BUT ONE THING SHE WAS RIGHT ABOUT, 88 00:05:37,905 --> 00:05:38,939 HE SURE COULD DRINK. 89 00:05:38,939 --> 00:05:42,710 HE WAS THE BEST DRINKER IN THE TOWN. 90 00:05:42,710 --> 00:05:45,779 TV announcer: AND HOW. MAN HAS REALIZED HIS DREAM. 91 00:05:45,779 --> 00:05:48,549 NOW HE MUST CONTROL IT. 92 00:05:48,549 --> 00:05:50,751 WHAT WOULD YOU DO, JOE, 93 00:05:50,751 --> 00:05:52,019 IF YOU WON A MILLION BILLION 94 00:05:52,019 --> 00:05:52,953 TRILLION DOLLARS? 95 00:05:52,953 --> 00:05:55,322 I'D BUY A MILLION BILLION TRILLION 96 00:05:55,322 --> 00:05:56,924 FLASH BARS, FRANCIE. 97 00:05:56,924 --> 00:05:58,291 YA! 98 00:05:58,291 --> 00:05:59,460 HEY, A FISH. 99 00:05:59,460 --> 00:06:01,061 DO YOU KNOW WHAT I'M GOING TO TELL YA? 100 00:06:01,061 --> 00:06:01,995 FUCK OFF! 101 00:06:01,995 --> 00:06:04,364 NOW, FISH, WHAT DO YOU THINK OF THAT? 102 00:06:04,364 --> 00:06:06,066 HEY, COME BACK WITH MY ARROW! 103 00:06:28,889 --> 00:06:32,826 DO YOU KNOW YOU WERE ONLY 5 POUNDS WEIGHT 104 00:06:32,826 --> 00:06:35,529 WHEN YOU WERE BORN, FRANCIE? 105 00:06:35,529 --> 00:06:39,667 MA, WHAT'S THE CHAIR DOIN' ON THE TABLE? 106 00:06:41,635 --> 00:06:44,171 YOU'D NEVER LET ME DOWN, FRANCIE. 107 00:06:44,171 --> 00:06:45,305 WOULD YA? 108 00:06:45,305 --> 00:06:47,975 YOU KNOW I WOULDN'T, MA. 109 00:06:53,614 --> 00:06:56,316 OH, I'M WAY OFF UP THE TOWN, FRANCIE. 110 00:06:56,316 --> 00:06:57,585 I HAVE TO GET THE BAKING STARTED 111 00:06:57,585 --> 00:06:59,753 FOR YOUR UNCLE ALO'S CHRISTMAS PARTY. 112 00:07:02,823 --> 00:07:04,892 YOU DROPPED YOUR TABLETS, MA. 113 00:07:07,461 --> 00:07:10,664 DR. BOYD SAID THEY'D CURE ME. 114 00:07:10,664 --> 00:07:13,801 I THINK THEY'RE MAKIN' ME WORSE. 115 00:07:17,337 --> 00:07:19,039 COME ON, ANNIE. 116 00:07:29,483 --> 00:07:31,018 WELL, THERE YOU GO, JOE. 117 00:07:31,018 --> 00:07:32,786 THAT'S MA OFF ON HER TRAVELS THEN. 118 00:07:32,786 --> 00:07:34,788 WHERE IS SHE OFF TO, FRANCIE? 119 00:07:34,788 --> 00:07:36,757 THEY SAY SHE HAD A BREAKDOWN, JOE. 120 00:07:36,757 --> 00:07:39,493 WHAT'S A BREAKDOWN? 121 00:07:39,493 --> 00:07:41,495 THAT'S WHEN YOU'RE TOOK OFF TO THE GARAGE, 122 00:07:41,495 --> 00:07:43,664 WHERE A TRUCK COMES AND TOWS YOU AWAY. 123 00:07:44,632 --> 00:07:47,701 I TELL YA, THERE'S SOME CRACK IN THIS TOWN. 124 00:07:47,701 --> 00:07:49,837 THERE SURE IS. THE GARAGE. 125 00:07:49,837 --> 00:07:51,705 HAND ME DOWN A SPANNER, EH, MIKE? 126 00:07:51,705 --> 00:07:54,742 I THINK MRS. BRADY'S ANKLE NEEDS TIGHTENING. 127 00:07:54,742 --> 00:07:55,843 JOE. 128 00:07:55,843 --> 00:07:56,810 HMM? 129 00:07:56,810 --> 00:07:58,512 DO YOU THINK THE ONE-ARMED MAN DID IT? 130 00:07:58,512 --> 00:08:00,681 DO YOU KNOW, HE PROBABLY DID. 131 00:08:00,681 --> 00:08:04,217 THAT BASTARD. I'M GONNA KILL HIM. 132 00:08:07,855 --> 00:08:10,123 Francie: NOW THE THING ABOUT MRS. NUGENT IS 133 00:08:10,123 --> 00:08:11,324 SHE CAME BACK FROM ENGLAND 134 00:08:11,324 --> 00:08:12,626 WITH ALL THESE AIRS AND GRACES 135 00:08:12,626 --> 00:08:15,529 AND WALKED AROUND AS IF SHE OWNED THE TOWN. 136 00:08:15,529 --> 00:08:17,565 BUT HERE'S ONE LITTLE PIG 137 00:08:17,565 --> 00:08:19,466 THAT'S GOING TO TEACH HER DIFFERENT. 138 00:08:19,466 --> 00:08:21,368 AH, THERE YOU ARE, MRS. NUGENT, PHILLIP. 139 00:08:21,368 --> 00:08:23,804 JUST LET ME BY, PLEASE. 140 00:08:23,804 --> 00:08:25,405 OF COURSE, BUT THAT'LL BE A SHILLING. 141 00:08:25,405 --> 00:08:26,807 A SHILLING? 142 00:08:26,807 --> 00:08:28,609 WHAT ARE YOU TALKING ABOUT? 143 00:08:28,609 --> 00:08:30,744 AND HALF FOR PHILLIP. 144 00:08:30,744 --> 00:08:32,680 SO THAT'S ONE SHILLING FOR YOU AND SIXPENCE FOR PHILLIP. 145 00:08:32,680 --> 00:08:33,681 ALL TOGETHER 1 AND 6. 146 00:08:33,681 --> 00:08:34,982 1 AND 6, PLEASE. 147 00:08:34,982 --> 00:08:36,584 FOR HEAVEN'S SAKE, YOU DON'T HAVE TO PAY MONEY 148 00:08:36,584 --> 00:08:37,851 TO GO BY HERE. 149 00:08:37,851 --> 00:08:39,653 I'M SORRY, MRS. NUGENT, BUT A TAX IS A TAX. 150 00:08:39,653 --> 00:08:40,954 IF YOU DON'T PAY, IT'S NOT GONNA BE FAIR 151 00:08:40,954 --> 00:08:42,522 TO EVERYBODY ELSE, IS IT? 152 00:08:42,522 --> 00:08:43,657 TAX? 153 00:08:43,657 --> 00:08:45,626 WHAT ARE YOU TALKING ABOUT, TAX? 154 00:08:45,626 --> 00:08:47,427 THE PIG TOLL TAX, MRS. NUGENT. 155 00:08:47,427 --> 00:08:48,495 I'VE WORK TO DO. 156 00:08:48,495 --> 00:08:49,763 I CANNOT SIT ABOUT HERE ALL DAY, 157 00:08:49,763 --> 00:08:52,833 SO COME ON NOW. ONE SHILLING PLUS SIXPENCE. 158 00:08:52,833 --> 00:08:54,301 WOULD YOU RUN AWAY HOME NOW 159 00:08:54,301 --> 00:08:56,269 AND STOP ALL THIS NONSENSE. 160 00:08:57,504 --> 00:08:59,707 I'LL TELL YOU WHAT, MRS. NUGENT. 161 00:08:59,707 --> 00:09:01,374 I'LL LET YOU GO THIS TIME, 162 00:09:01,374 --> 00:09:02,810 BUT YOU REMEMBER NOW IN FUTURE, 163 00:09:02,810 --> 00:09:04,945 YOU MAKE SURE YOU HAVE THAT PIG TOLL TAX READY. 164 00:09:06,880 --> 00:09:08,982 AND I AIN'T FOOLIN', MRS. NUGE. 165 00:09:14,888 --> 00:09:16,489 DO YOU KNOW WHAT IT IS, JOE? 166 00:09:16,489 --> 00:09:17,758 IT'S A BAD STATE OF AFFAIRS, 167 00:09:17,758 --> 00:09:19,526 WHEN PEOPLE WON'T PAY A TAX TO GET BY, HUH? 168 00:09:19,526 --> 00:09:21,028 WHAT TAX IS THAT, FRANCIE? 169 00:09:21,028 --> 00:09:22,830 DON'T YOU START, NOW, JOE. 170 00:09:23,631 --> 00:09:25,799 Woman: THANK YOU, MR. LEDDY. 171 00:09:28,468 --> 00:09:29,970 HELLO, MR. LEDDY. 172 00:09:29,970 --> 00:09:31,071 FRANCIE. 173 00:09:31,071 --> 00:09:33,974 AH, THERE YOU ARE, MY LADIES. 174 00:09:33,974 --> 00:09:35,075 AH, FRANCIE. 175 00:09:35,075 --> 00:09:35,876 THERE YOU ARE. 176 00:09:35,876 --> 00:09:37,344 I'M NOWHERE ELSE, LADIES. 177 00:09:37,344 --> 00:09:39,613 I'LL HAVE 2 TINS OF SARDINES AND A LOAF OF BREAD, PLEASE. 178 00:09:39,613 --> 00:09:42,282 HOW'S YOUR MOTHER, FRANCIE? 179 00:09:42,282 --> 00:09:43,751 OH, SHE'S FLYIN'. SHE'S ABOVE IN THE GARAGE, 180 00:09:43,751 --> 00:09:45,085 AND IT WON'T BE LONG NOW TILL SHE'S HOME. 181 00:09:45,085 --> 00:09:46,553 THEY'RE GONNA GIVE HER A SERVICE. 182 00:09:46,553 --> 00:09:48,121 HAND ME DOWN A SPANNER, MIKE. 183 00:09:48,121 --> 00:09:50,758 I THINK MRS. BRADY'S HEAD NEEDS TIGHTENING. 184 00:09:50,758 --> 00:09:53,526 FRANCIE, THAT'S A GOOD ONE. 185 00:09:53,526 --> 00:09:55,562 KEEPIN' THE HOME FIRES BURNIN', FRANCIE? 186 00:09:55,562 --> 00:09:57,030 THE INCREDIBLE FRANCIE BRADY. 187 00:09:57,030 --> 00:09:59,332 NOW, IF YOU LADIES WILL EXCUSE ME, 188 00:09:59,332 --> 00:10:01,434 I MUST BE OFF UP TO TOWN ON TOLL TAX BUSINESS. 189 00:10:01,434 --> 00:10:03,704 TOLL TAX? I NEVER HEARD OF THAT, 190 00:10:03,704 --> 00:10:05,205 FRANCIE. WHAT WOULD THAT BE? 191 00:10:05,205 --> 00:10:06,606 IT WAS INVENTED BY ME, 192 00:10:06,606 --> 00:10:08,075 BUT, OF COURSE, NUGENT WON'T PAY IT. 193 00:10:08,075 --> 00:10:10,410 YOU MIGHT AS WELL BE TRYING TO GET BLOOD OUT OF A STONE. 194 00:10:10,410 --> 00:10:11,411 NUGENT. MRS. NUGENT? 195 00:10:11,411 --> 00:10:12,746 BE IT ON HER OWN HEAD. 196 00:10:12,746 --> 00:10:14,247 SHE'LL NOT BE GETTIN' BY SO EASY THE NEXT TIME-- 197 00:10:14,247 --> 00:10:16,784 GETTIN' BY? GETTIN' BY WHERE, FRANCIE? 198 00:10:16,784 --> 00:10:17,951 ON THE FOOTPATH. 199 00:10:17,951 --> 00:10:19,119 WHERE ELSE WOULD YOU WANT TO GET PAST? 200 00:10:19,119 --> 00:10:20,453 THERE'S NO DENYIN', FRANCIE, 201 00:10:20,453 --> 00:10:21,621 YOU'RE A RARE CHARACTER. 202 00:10:21,621 --> 00:10:22,890 Francie: OH, NOW. 203 00:10:28,295 --> 00:10:30,798 [PLAYING WILLIAM TELL OVERTURE] 204 00:10:56,489 --> 00:10:57,958 IT'S A DUD, FRANCIE. 205 00:10:57,958 --> 00:11:00,227 A DUD FROM THE DAY I GOT IT. 206 00:11:00,227 --> 00:11:02,429 A FUCKIN' DUD, DAD. THAT'S WHAT IT IS. 207 00:11:02,429 --> 00:11:03,697 I SHOULD'VE KNOWN BETTER 208 00:11:03,697 --> 00:11:05,999 THAN TO TRUST THE LIKES OF TRAYNOR. 209 00:11:07,100 --> 00:11:08,902 BEGOD, HE'LL NOT SELL ME A DUD TELEVISION 210 00:11:08,902 --> 00:11:10,603 AND GET AWAY WITH IT. 211 00:11:10,603 --> 00:11:12,639 WORK! 212 00:11:12,639 --> 00:11:16,276 BE CHRIST, IT'LL NOT BEST ME! 213 00:11:16,276 --> 00:11:19,446 YEEEE! HA! 214 00:11:19,446 --> 00:11:21,448 [PLAYS OH, MY PAPA] 215 00:11:23,751 --> 00:11:25,618 Francie: YOUR FATHER WAS A GREAT MAN 216 00:11:25,618 --> 00:11:26,887 ONE TIME, THEY'D SAY. 217 00:11:26,887 --> 00:11:28,922 BY CHRIST, A GREAT MUSICIANOR. 218 00:11:28,922 --> 00:11:31,024 HE COULD'VE BEEN SOMEONE, SURE, 219 00:11:31,024 --> 00:11:32,760 HADN'T HE MET EDDIE CALVERT. 220 00:11:32,760 --> 00:11:34,594 AND WHO THE FUCK IS EDDIE CALVERT, 221 00:11:34,594 --> 00:11:35,996 I'D ASK THEM. 222 00:11:37,798 --> 00:11:40,868 WELL, THAT'S THE END OF THE COWBOYS, I GUESS. 223 00:11:42,435 --> 00:11:44,938 DAD, THERE'S NOTHING BUT DRY BREAD IN THE HOUSE. 224 00:11:44,938 --> 00:11:47,174 THERE'S NOT EVEN A RASHER. 225 00:11:47,174 --> 00:11:48,375 ARE YOU DEAF? 226 00:11:52,880 --> 00:11:55,115 I GUESS IT'S ALL DOWN TO FRANCIE NOW. 227 00:11:55,115 --> 00:11:58,485 THE INCREDIBLE FRANCIE BRADY. 228 00:12:10,798 --> 00:12:14,001 NO MORE COWBOYS, JOE. COWBOYS, GOOD LUCK. 229 00:12:14,001 --> 00:12:15,268 WHY NOT, FRANCIE? 230 00:12:15,268 --> 00:12:18,671 DA, HE FIXED THE TELLY GOOD AND PROPER. 231 00:12:18,671 --> 00:12:20,607 WE WON'T BE SEEING JOHN WAYNE 232 00:12:20,607 --> 00:12:22,009 ROUND HERE AGAIN. 233 00:12:22,009 --> 00:12:26,513 AH, HACK A BIT OF ICE THERE, FRANCIE. GO ON. 234 00:12:26,513 --> 00:12:28,148 HACKIN' AWAY, BOYS, HUH? 235 00:12:28,148 --> 00:12:30,217 OH, HACKIN' AWAY THERE, FATHER. 236 00:12:30,217 --> 00:12:31,484 THAT'S A COLD ONE, ISN'T IT? 237 00:12:31,484 --> 00:12:33,620 WOULD YOU SAY THAT'S A COLD ONE, YOUNG BRADY? 238 00:12:33,620 --> 00:12:35,455 I'D SAY IT'S THE COLDEST YET. 239 00:12:35,455 --> 00:12:36,689 HA HA HA! 240 00:12:36,689 --> 00:12:39,326 THE COLDEST YET, HE SAYS. 241 00:12:39,326 --> 00:12:40,327 OH, HE DOES. 242 00:12:40,327 --> 00:12:41,895 AH, HE DOES. 243 00:12:41,895 --> 00:12:43,663 HOW'S YOUR FATHER? 244 00:12:43,663 --> 00:12:45,933 OH, THE BEST. NEVER BETTER. 245 00:12:45,933 --> 00:12:48,869 GOOD, GOOD. AND YOUR MOTHER WILL BE HOME SOON? 246 00:12:48,869 --> 00:12:50,437 SHE WILL. SHE'LL BE BACK ON THE ROAD 247 00:12:50,437 --> 00:12:51,271 BY CHRISTMAS. 248 00:12:51,271 --> 00:12:52,439 SHE HAS TO GET THE CAKES READY 249 00:12:52,439 --> 00:12:53,841 FOR UNCLE ALO'S PARTY. 250 00:12:53,841 --> 00:12:55,242 OH, UNCLE ALO. 251 00:12:55,242 --> 00:12:56,910 NOW, THIS TOWN SHOULD BE PROUD OF HIM. 252 00:12:56,910 --> 00:12:58,078 YOUR MOTHER TOLD ME 253 00:12:58,078 --> 00:12:59,880 ABOUT THE GREAT JOB HE HAS IN LONDON. 254 00:12:59,880 --> 00:13:01,114 AYE, 10 MEN UNDER HIM. 255 00:13:01,114 --> 00:13:03,984 OH, WELL, I BEST BE OFF. 256 00:13:03,984 --> 00:13:07,787 I HAVE THE GOOD LORD HERE FOR BENNY MAGUIRE. 257 00:13:07,787 --> 00:13:09,656 GOOD LUCK NOW. 258 00:13:10,557 --> 00:13:13,060 WHAT DOES BENNY MAGUIRE WANT WITH THE GOOD LORD? 259 00:13:13,060 --> 00:13:15,495 I THINK HE FELL OFF HIS BUCKRAKE. 260 00:13:15,495 --> 00:13:18,398 THEM BUCKRAKES ARE A CURSE. 261 00:13:19,232 --> 00:13:21,201 Announcer: RICHARD KIMBLE PONDERS HIS FATE 262 00:13:21,201 --> 00:13:23,603 AS HE LOOKS AT THE WORLD FOR THE LAST TIME 263 00:13:23,603 --> 00:13:25,605 AND SEES ONLY DARKNESS. 264 00:13:25,605 --> 00:13:27,007 BUT IN THAT DARKNESS, 265 00:13:27,007 --> 00:13:29,977 FATE MOVES ITS HUGE HAND. 266 00:13:42,822 --> 00:13:45,092 GO ON, FUGITIVE. GO ON, RUN. 267 00:13:45,092 --> 00:13:47,194 YOU'RE ONLY A HOPPITY BASTARD, ONE-ARMED MAN! 268 00:13:47,194 --> 00:13:48,896 YEAH, HOPPITY BOLLOCKS. 269 00:13:48,896 --> 00:13:51,764 AT LEAST RICHARD KIMBLE HAS 2 ARMS. 270 00:13:51,764 --> 00:13:52,866 SHE'S COMING! 271 00:13:52,866 --> 00:13:54,467 THE BITCH! 272 00:13:58,038 --> 00:14:01,708 Francie: NOW, IF THERE'S ONE THING WORSE THAN A PIG, 273 00:14:01,708 --> 00:14:02,976 IT'S A BOGMAN, 274 00:14:02,976 --> 00:14:04,244 UP FROM THE COUNTRY FOR THE DAY 275 00:14:04,244 --> 00:14:05,913 TO DO THE CHRISTMAS SHOPPING. 276 00:14:05,913 --> 00:14:07,114 WE SEE THEM IN THE CAFE 277 00:14:07,114 --> 00:14:08,581 WITH THEIR CAPS AND THEIR BOOTS 278 00:14:08,581 --> 00:14:10,117 AND THEIR BONY ARSES. 279 00:14:10,117 --> 00:14:11,351 THEY CALLED IT DANCIN'. 280 00:14:11,351 --> 00:14:13,987 IT LOOKED MORE LIKE WADIN' THROUGH MANURE. 281 00:14:13,987 --> 00:14:16,389 WHAT'S THAT DANCE THEY'RE DOIN', FRANCIE? 282 00:14:16,389 --> 00:14:18,926 IT'S CALLED THE BOGMAN TANGO, JOE. 283 00:14:18,926 --> 00:14:20,493 THE BOGMAN TANGO? 284 00:14:20,493 --> 00:14:22,862 OUT WITH THE BACKSIDE, UP WITH THE NOSE. 285 00:14:22,862 --> 00:14:26,599 WELL, HERE'S MY FACE, AND MY ARSE IS COMIN'. 286 00:14:30,137 --> 00:14:32,039 THE INCREDIBLE JOE PURCELL, 287 00:14:32,039 --> 00:14:33,106 LADIES AND GENTLEMEN, 288 00:14:33,106 --> 00:14:35,142 AND HIS PARTNER, FRANCIE BRADY. 289 00:14:35,142 --> 00:14:36,643 THE BOGMAN TANGO. 290 00:14:36,643 --> 00:14:38,011 YEE-HA! 291 00:14:38,011 --> 00:14:41,148 * HE WILL NOT STAY * 292 00:14:41,148 --> 00:14:45,285 * I WISH, I WISH * 293 00:14:45,285 --> 00:14:50,023 * BUT I WISH IN VAIN * 294 00:14:50,023 --> 00:14:54,995 * I WISH I WAS A MAID AGAIN * 295 00:14:54,995 --> 00:14:57,164 MA, YOU'RE BACK! 296 00:14:57,164 --> 00:14:59,432 LOOK AT YOU. GOD! 297 00:14:59,432 --> 00:15:02,235 BY CHRIST, THAT MUST BE SOME GARAGE, SERGEANT. 298 00:15:02,235 --> 00:15:04,004 BACK ON THE ROAD BETTER THAN EVER, EH, MA? 299 00:15:04,004 --> 00:15:05,205 BETTER THAN EVER. 300 00:15:05,205 --> 00:15:06,873 COME ON, I'VE GOT SOMETHING TO SHOW YOU. 301 00:15:06,873 --> 00:15:08,075 COME ON NOW. 302 00:15:08,075 --> 00:15:09,476 THANK YOU, SERGEANT, FOR TAKING ME HOME. 303 00:15:09,476 --> 00:15:11,678 ANYTHING WE CAN DO FOR YOU, ANNIE. 304 00:15:11,678 --> 00:15:12,912 YOU KNOW THAT. 305 00:15:12,912 --> 00:15:14,181 THANK YOU. 306 00:15:14,181 --> 00:15:15,882 COME ON, MA. COME ON. 307 00:15:15,882 --> 00:15:17,917 I'VE GOT A SURPRISE FOR US. 308 00:15:18,918 --> 00:15:20,253 Francie: BACK FROM THE GARAGE, 309 00:15:20,253 --> 00:15:21,421 THERE WAS NO HOLDIN' MA. 310 00:15:21,421 --> 00:15:23,223 WHIZ HERE ONE MINUTE, THERE THE NEXT. 311 00:15:23,223 --> 00:15:24,824 AND HADN'T SHE BOUGHT THE BOGMAN RECORD 312 00:15:24,824 --> 00:15:26,226 THEY WERE PLAYIN' IN THE CAFE. 313 00:15:26,226 --> 00:15:28,361 AND THAT'S WHEN THE BUNS BEGAN. 314 00:15:28,361 --> 00:15:30,297 UNCLE ALO WAS COMIN' HOME FOR CHRISTMAS 315 00:15:30,297 --> 00:15:32,265 FROM HIS BIG JOB IN LONDON, 316 00:15:32,265 --> 00:15:33,967 AND THE HOUSE STARTED FILLIN' UP WITH CAKES 317 00:15:33,967 --> 00:15:36,069 AND BUNS FOR THE CHRISTMAS PARTY. 318 00:15:36,069 --> 00:15:37,870 CAKES, CAKES, CAKES. 319 00:15:37,870 --> 00:15:39,806 BUNS, BUNS, BUNS. 320 00:15:39,806 --> 00:15:41,774 MY MA, THE BUN WOMAN. 321 00:15:41,774 --> 00:15:44,711 * AND CALLING TO * 322 00:15:44,711 --> 00:15:45,845 I ASK YOU, JOE. 323 00:15:45,845 --> 00:15:48,215 HOW MANY CAKES CAN UNCLE ALO EAT? 324 00:15:48,215 --> 00:15:50,650 BEATS THE HELL OUT OF ME, COMPADRE. 325 00:15:50,650 --> 00:15:53,220 HO, I SEE WHAT YOU MEAN. 326 00:15:54,654 --> 00:15:55,788 SEE YOU, JOE. 327 00:15:55,788 --> 00:15:57,457 SEE YOU, FRANCIE. 328 00:15:58,858 --> 00:16:01,995 [RECORD PLAYING] 329 00:16:01,995 --> 00:16:05,132 Francie: WELL, IF I HEARD THAT BUTCHER BOY ONCE, 330 00:16:05,132 --> 00:16:06,566 I HEARD IT A HUNDRED TIMES. 331 00:16:06,566 --> 00:16:07,800 AND IF YOU SAID TO ME, WOULD YOU LIKE TO HEAR IT AGAIN? 332 00:16:07,800 --> 00:16:09,102 I KNOW WHAT I WOULD HAVE SAID. 333 00:16:09,102 --> 00:16:10,603 NO, THANK YOU. 334 00:16:10,603 --> 00:16:11,571 [ARGUING, PLATES BREAKING] 335 00:16:11,571 --> 00:16:13,140 Da: COULDN'T EVEN GET A HAM SANDWICH?! 336 00:16:13,140 --> 00:16:14,674 I'M FUCKIN' STARVIN'! 337 00:16:17,210 --> 00:16:21,981 * I WISH I WAS * 338 00:16:21,981 --> 00:16:25,818 * A MAID AGAIN * 339 00:16:25,818 --> 00:16:30,790 * BUT MAID AGAIN * 340 00:16:30,790 --> 00:16:33,026 IS THAT WHAT THEY DO TO YOU IN THE GARAGE, MA-- 341 00:16:33,026 --> 00:16:35,062 TURN YOU INTO A CAKE MACHINE? 342 00:16:35,062 --> 00:16:36,663 ALO LOVES CAKES. 343 00:16:36,663 --> 00:16:39,532 IF THERE'S ONE THING YOUR UNCLE LOVES, 344 00:16:39,532 --> 00:16:40,767 IT'S CAKE. 345 00:16:40,767 --> 00:16:43,070 AND BUTTERFLY BUNS? 346 00:16:43,903 --> 00:16:45,172 YOU'RE RIGHT. 347 00:16:45,172 --> 00:16:47,240 I'LL MAKE SOME MORE. 348 00:16:50,877 --> 00:16:52,979 HA HA HA! 349 00:16:52,979 --> 00:16:56,083 AH, THE MEN. HARD AT IT, EH? 350 00:16:56,083 --> 00:16:57,317 HARD AT IT, HE SAYS. 351 00:16:57,317 --> 00:16:59,419 I DON'T SUPPOSE THERE'S ROOM 352 00:16:59,419 --> 00:17:01,020 FOR AN OLD FELLOW LIKE MESELF, HUH? 353 00:17:01,020 --> 00:17:02,522 SURE, ANY AMOUNT, FATHER. 354 00:17:02,522 --> 00:17:04,023 HA HA HA HA! 355 00:17:04,023 --> 00:17:07,327 SO, NOTHING STRANGE ANYWAY, LADS, HUH? 356 00:17:07,327 --> 00:17:08,461 I TELL YOU, FATHER, 357 00:17:08,461 --> 00:17:09,829 IF UNCLE ALO DOESN'T COME SOON, 358 00:17:09,829 --> 00:17:11,164 THE HOUSE IS GONNA BURST. 359 00:17:11,164 --> 00:17:12,832 HOW'S IT GOING TO BURST, FRANCIE? 360 00:17:12,832 --> 00:17:13,866 WITH CAKES. 361 00:17:13,866 --> 00:17:15,468 NOT TO MENTION BUTTERFLY BUNS. 362 00:17:15,468 --> 00:17:17,337 NOTHIN' BUT THE BEST FOR UNCLE ALO, 363 00:17:17,337 --> 00:17:19,839 COMIN' ALL THE WAY FROM HIS JOB IN LONDON, EH? 364 00:17:19,839 --> 00:17:21,108 10 MEN UNDER HIM. 365 00:17:21,108 --> 00:17:22,642 10 MEN UNDER HIM. 366 00:17:22,642 --> 00:17:24,677 UNCLE ALO! FUCK! 367 00:17:26,213 --> 00:17:28,014 MERRY CHRISTMAS, FATHER. 368 00:17:28,014 --> 00:17:29,182 GOD BLESS YOU NOW. 369 00:17:29,182 --> 00:17:30,183 Francie: SEE YOU, JOE. 370 00:17:30,183 --> 00:17:32,285 SEE YOU, FRANCIE. 371 00:17:39,592 --> 00:17:43,696 I--I DON'T KNOW WHAT THEY MUST HAVE THOUGHT OF US. 372 00:17:43,696 --> 00:17:46,933 A RIGHT-LOOKING TRIBE TO BE LANDING IN BUNDORAN. 373 00:17:46,933 --> 00:17:48,635 NOT TO MENTION THIS MAN HERE. 374 00:17:48,635 --> 00:17:49,969 SURE, WASN'T HE THE STAR OF THE SHOW? 375 00:17:49,969 --> 00:17:51,104 PLAYIN' THAT TRUMPET EVERY NIGHT 376 00:17:51,104 --> 00:17:52,239 FOR THEM BELOW IN THE PARLOR. 377 00:17:52,239 --> 00:17:53,273 AM I RIGHT, ANNIE? 378 00:17:53,273 --> 00:17:55,208 OH, THAT'S RIGHT. SURELY, ALO. 379 00:17:55,208 --> 00:17:56,909 I HEARD ALL ABOUT IT. 380 00:17:56,909 --> 00:17:57,944 ISN'T THAT RIGHT, CHARLIE? 381 00:17:57,944 --> 00:17:59,512 OH, INDEED IT IS. 382 00:17:59,512 --> 00:18:01,981 THE SUN SHONE OUT OF BENNY BRADY 383 00:18:01,981 --> 00:18:03,950 FOR MRS. THOMPSON. 384 00:18:03,950 --> 00:18:07,187 LOVEBIRDS, HE USED TO CALL THEM. 385 00:18:07,187 --> 00:18:08,988 LOVEBIRDS. BUCKING LOVEBIRDS. 386 00:18:08,988 --> 00:18:10,022 ALO! 387 00:18:10,022 --> 00:18:11,324 AYE, AND HE PLAYED THE TRUMPET 388 00:18:11,324 --> 00:18:13,326 EVERY NIGHT OF THE HONEYMOON. 389 00:18:13,326 --> 00:18:14,527 AIN'T THAT RIGHT, BENNY? 390 00:18:14,527 --> 00:18:17,964 WELL, I DARESAY I PLAYED A FEW WEE TUNES. 391 00:18:17,964 --> 00:18:19,666 AH, INDEED YOU DID. 392 00:18:19,666 --> 00:18:21,534 AND THAT'S NOT ALL. RIGHT, CHARLIE? 393 00:18:21,534 --> 00:18:23,436 OH, YOU'RE RIGHT, ALL RIGHT. 394 00:18:23,436 --> 00:18:25,205 LOOK AT THIS HERE, GIRLS. LOOK. 395 00:18:25,205 --> 00:18:27,006 THE BOLD BENNY AND MYSELF AND ANNIE 396 00:18:27,006 --> 00:18:28,441 WERE GOIN' ALONG THE BEACH. 397 00:18:28,441 --> 00:18:30,977 AND OUT COMES THIS FELLOW. 2 AND 6. 398 00:18:30,977 --> 00:18:32,345 "2 AND 6," SAYS THE MAN, 399 00:18:32,345 --> 00:18:34,314 "AND YOU CAN BE KING OF THE JUNGLE." 400 00:18:34,314 --> 00:18:35,682 WELL, I'LL TELL YA, GIRLS, 401 00:18:35,682 --> 00:18:37,584 YOU'VE NEVER SEEN THE LIKE OF IT. 402 00:18:37,584 --> 00:18:38,785 BENNY HERE, 403 00:18:38,785 --> 00:18:40,520 WITH HIS HEAD STUCK OUT THROUGH THE CARDBOARD HOLE, 404 00:18:40,520 --> 00:18:42,255 AND THE BODY OF TARZAN ON HIM. 405 00:18:42,255 --> 00:18:43,590 AND HE WAS SHOUTING, 406 00:18:43,590 --> 00:18:47,059 "I'LL GET YOU, McGLONE," HE SAID. "I'LL GET YOU." 407 00:18:47,059 --> 00:18:48,261 GET YOU, McGLONE. 408 00:18:48,261 --> 00:18:50,230 I'LL GET YOU. 409 00:18:50,230 --> 00:18:52,732 IS THAT TRUE, DA, YOU IN A TARZAN'S BODY? 410 00:18:52,732 --> 00:18:55,568 SOME TARZAN, NOW. 411 00:18:55,568 --> 00:18:57,737 SOME JANE. 412 00:18:57,737 --> 00:18:59,806 McGlone: OH, MAN, IT WAS THE BEST HOLIDAY 413 00:18:59,806 --> 00:19:02,141 MAY AND ME EVER SPENT. DO YOU KNOW THAT? 414 00:19:02,141 --> 00:19:03,343 AND FOR YOU PAIR OF TRICKSTERS 415 00:19:03,343 --> 00:19:05,412 TO COME ALONG ON YOUR HONEYMOON. 416 00:19:05,412 --> 00:19:07,647 WILL YOU EVER FORGET IT, BENNY? 417 00:19:07,647 --> 00:19:08,648 NO. 418 00:19:08,648 --> 00:19:09,449 TARZAN BRADY. 419 00:19:09,449 --> 00:19:12,752 GOD, YOU'RE AN AWFUL MAN! 420 00:19:12,752 --> 00:19:15,288 AND YOU JANE, WAS IT? 421 00:19:15,288 --> 00:19:18,891 COME ON, WE'LL SING. 422 00:19:21,828 --> 00:19:23,730 BEAUTIFUL BUNDORAN. 423 00:19:25,632 --> 00:19:27,534 [PIANO PLAYS] 424 00:19:27,534 --> 00:19:32,539 * BEAUTIFUL BUNDORAN * 425 00:19:32,539 --> 00:19:36,042 * BY THE SILVERY SEA * 426 00:19:36,042 --> 00:19:39,579 * YOUR GOLDEN STRAND * 427 00:19:39,579 --> 00:19:41,581 * CHARMS SO GRAND * 428 00:19:41,581 --> 00:19:45,718 * EVER CALLIN' ME * 429 00:19:45,718 --> 00:19:49,989 * YOUR WELCOME'S ALWAYS WAITING * 430 00:19:49,989 --> 00:19:54,093 * AND HAPPINESS FOR ALL * 431 00:19:54,093 --> 00:19:58,331 * IN BEAUTIFUL BUNDORAN * 432 00:19:58,331 --> 00:20:04,937 * THE PRIDE OF DONEGAL * 433 00:20:06,339 --> 00:20:07,707 [NEW SONG PLAYS] 434 00:20:07,707 --> 00:20:11,143 * YOU MUST NEVER DO A TANGO WITH AN ESKIMO * 435 00:20:11,143 --> 00:20:12,412 * NO, NO, NO * 436 00:20:12,412 --> 00:20:14,046 * OH, DEAR, NO * 437 00:20:14,046 --> 00:20:15,582 * WHEN A LADY FROM NEBRASKA * 438 00:20:15,582 --> 00:20:17,216 * IS AT A PARTY IN ALASKA * 439 00:20:17,216 --> 00:20:18,818 * SHE MUST NEVER DO A TANGO * 440 00:20:18,818 --> 00:20:20,186 * WITH AN ESKIMO * 441 00:20:20,186 --> 00:20:23,356 * SHE CAN DO IT WITH A LATIN FROM MANILA TO MANHATTAN * 442 00:20:23,356 --> 00:20:25,958 * SHE CAN DO IT WITH A GAUCHO FROM BRAZIL * 443 00:20:25,958 --> 00:20:29,496 * BUT IF ONCE THOSE ESKIMOSES START TO WIGGLIN' THEIR TOESES * 444 00:20:29,496 --> 00:20:32,432 * YOU CAN BET YOUR LIFE YOU'RE GONNA GET A CHILL * 445 00:20:39,472 --> 00:20:42,709 [ALO SINGING SOFTLY TO HIMSELF] 446 00:20:48,648 --> 00:20:50,883 * THE VILLAGE CHURCH WAS CROWDED * 447 00:20:50,883 --> 00:20:54,654 * AND THE FUNERAL MASS WAS SAID * 448 00:20:54,654 --> 00:20:57,757 * AND HERE WAS I ON BROADWAY * 449 00:20:57,757 --> 00:21:01,394 * BUILDING BRICKS, MY LOVE * 450 00:21:06,866 --> 00:21:10,102 * HIS HUMAN HEART WAS LONELY * 451 00:21:10,102 --> 00:21:12,972 * ITS GRIEF WILL EVER BE... * 452 00:21:24,384 --> 00:21:26,386 ANOTHER WEE DROP BEFORE WE GO. 453 00:21:26,386 --> 00:21:29,622 THE NIGHT IS YOUNG YET, EH, BENNY? 454 00:21:29,622 --> 00:21:32,291 WELL, MY DEAR, EVERY TIME I THINK OF IT, 455 00:21:32,291 --> 00:21:33,493 THE PAIR OF YOU STANDING THERE 456 00:21:33,493 --> 00:21:35,194 WITH YOUR HEADS STICKING OUT THE HOLES, 457 00:21:35,194 --> 00:21:36,929 TARZAN AND JANE BUCKIN' BRADY. 458 00:21:36,929 --> 00:21:38,665 SHUT UP ABOUT IT, SHUT UP ABOUT IT NOW! 459 00:21:38,665 --> 00:21:40,367 SURE, BENNY, I'M ONLY CODDIN'. 460 00:21:40,367 --> 00:21:41,701 A BIT OF A SONG, EH? 461 00:21:41,701 --> 00:21:43,370 THERE'S BEEN ENOUGH SINGIN'. 462 00:21:43,370 --> 00:21:44,904 WHATEVER HAPPENED TO JOE REILLY? 463 00:21:44,904 --> 00:21:45,838 DO YOU REMEMBER JOE? 464 00:21:45,838 --> 00:21:48,174 WHO DO YOU THINK YOU'RE FOOLIN', ALO? 465 00:21:48,174 --> 00:21:50,443 LOOK AT HIM WITH HIS WEE RED HANKY. 466 00:21:50,443 --> 00:21:52,479 DID THE WIFE IRON IT FOR YOU? 467 00:21:52,479 --> 00:21:53,480 BENNY, DON'T. 468 00:21:53,480 --> 00:21:54,481 I WARNED HIM. 469 00:21:54,481 --> 00:21:56,115 CARRYIN' ON WITH MARY 470 00:21:56,115 --> 00:21:57,316 LIKE SOME SCHOOLBOY HALF-WIT. 471 00:21:57,316 --> 00:21:59,652 HADN'T THE GUTS TO ASK HER TO MARRY HIM. 472 00:21:59,652 --> 00:22:01,053 Francie: IT WAS A GRAND PARTY, 473 00:22:01,053 --> 00:22:03,423 BUT TO TELL YOU THE TRUTH, I WAS GETTIN' A BIT TIRED. 474 00:22:03,423 --> 00:22:04,991 SINGIN'S ALL RIGHT, SINGIN'S GRAND, 475 00:22:04,991 --> 00:22:07,093 BUT I THINK 5 BEAUTIFUL BUNDORANS 476 00:22:07,093 --> 00:22:08,327 IS ENOUGH FOR ME, 477 00:22:08,327 --> 00:22:10,863 NOT TO MENTION 2 OLD BOG ROADS 478 00:22:10,863 --> 00:22:12,599 AND ONE NEVER DO A TANGO WITH AN ESKIMO. 479 00:22:12,599 --> 00:22:15,234 DON'T BLAME IT ON HIM. DON'T BLAME ALO 480 00:22:15,234 --> 00:22:17,169 BECAUSE YOU WERE PUT IN A HOME. 481 00:22:17,169 --> 00:22:19,038 JESUS, BENNY, LET IT END. 482 00:22:19,038 --> 00:22:21,240 Francie: AHEM, EXCUSE ME. 483 00:22:21,240 --> 00:22:22,675 Alo: I MUST BE OFF. 484 00:22:22,675 --> 00:22:24,076 YES, IT'S ME, FRANCIE. 485 00:22:24,076 --> 00:22:26,345 I DO BELIEVE I SHALL BE OFF TO SLUMBERDOWN MANSIONS, 486 00:22:26,345 --> 00:22:28,415 IF YOU PLEASE. 487 00:22:28,415 --> 00:22:30,617 I'VE HAD RATHER A LONG DAY, BEGGIN' YOUR PARDON. 488 00:22:30,617 --> 00:22:32,051 BUT, SURE, YOU MIGHT AS WELL BE TALKIN' TO THE WALLS 489 00:22:32,051 --> 00:22:33,686 AS TRYIN' TO TELL THEM IT WAS TIME FOR BED. 490 00:22:33,686 --> 00:22:35,154 OHH! 491 00:22:35,154 --> 00:22:39,258 MAY THE CURSE OF CHRIST LIGHT UPON YOU, YOU BITCH! 492 00:22:39,258 --> 00:22:42,495 THE DAY I TOOK YOU OUT OF THAT HOLE OF A SHOP IN DERRY 493 00:22:42,495 --> 00:22:44,330 WAS A BITTER ONE FOR ME. 494 00:22:44,330 --> 00:22:48,968 I'M SICK OF HIM! SICK OF HIM! SICK OF HIM! 495 00:22:52,505 --> 00:22:54,841 YES, I DO BELIEVE I SHALL BE OFF 496 00:22:54,841 --> 00:22:56,042 ON MY TRAVELS. 497 00:22:56,042 --> 00:22:59,045 EXCUSE ME, DID YOU HAPPEN TO SEE MR. FRANCIS BRADY 498 00:22:59,045 --> 00:23:00,179 BY ANY CHANCE? 499 00:23:00,179 --> 00:23:02,682 I'M SORRY, OLD BEAN, BUT I REALLY WOULDN'T KNOW. 500 00:23:02,682 --> 00:23:04,316 I HOPE HE'S NOT GONE TRAVELING 501 00:23:04,316 --> 00:23:06,118 THROUGH THE WASTES OF SPACE AND TIME 502 00:23:06,118 --> 00:23:07,487 WITH ALGERNON CARRUTHERS. 503 00:23:07,487 --> 00:23:09,055 DON'T YOU WORRY, KEMOSABE. 504 00:23:09,055 --> 00:23:10,457 I'LL BE BACK. 505 00:23:10,457 --> 00:23:12,759 YOU HAVEN'T SEEN THE LAST OF FRANCITO BRADY. 506 00:23:12,759 --> 00:23:15,394 YOU UNDERSTAND ME, SEÑOR JOE? 507 00:23:28,307 --> 00:23:32,211 SURE, THEM COMMUNISTS ARE TAKIN' KENNEDY FOR A RIDE. 508 00:23:32,211 --> 00:23:33,412 THERE'S ONLY ONE WAY TO DEAL 509 00:23:33,412 --> 00:23:35,081 WITH THE LIKES OF THEM BOYS. 510 00:23:35,081 --> 00:23:36,415 YOU GO IN FIRST. 511 00:23:36,415 --> 00:23:37,950 ONE BOMB IS ALL IT TAKES. 512 00:23:37,950 --> 00:23:41,454 WONDER HOW MANY NUNS THEY'D INTERFERE WITH THEN, HUH? 513 00:23:41,454 --> 00:23:42,622 THAT'D SETTLE THEM, WOULDN'T IT? 514 00:23:42,622 --> 00:23:44,356 INDEED, BY CHRIST, IT WOULD. 515 00:23:44,356 --> 00:23:46,526 I'D KNOCK 7 DIFFERENT KINDS OF SHITE 516 00:23:46,526 --> 00:23:48,194 OUT OF THAT KHRUSHCHEV BASTARD. 517 00:23:48,194 --> 00:23:50,830 GO ON, KHRUSHCHEV, YOU BASTARD! 518 00:24:02,108 --> 00:24:03,543 IS THIS REALLY DUBLIN? 519 00:24:03,543 --> 00:24:05,277 YEAH, IT IS. WHERE'D YOU THINK IT WAS, 520 00:24:05,277 --> 00:24:06,979 FOR JESUS' SAKE? 521 00:24:06,979 --> 00:24:08,981 FOR JESUS' SAKE. 522 00:24:27,867 --> 00:24:29,702 Francie: THE WAY THEY WERE GOIN' ACROSS THAT BRIDGE, 523 00:24:29,702 --> 00:24:31,003 YOU'D THINK SOMEONE HAD SAID, 524 00:24:31,003 --> 00:24:33,172 EXCUSE ME, BUT I'M GONNA LET OFF AN ATOMIC BOMB 525 00:24:33,172 --> 00:24:34,641 ANY MINUTE NOW. 526 00:24:37,276 --> 00:24:38,645 THERE YOU GO. 527 00:24:38,645 --> 00:24:39,879 THANKS, MUM. 528 00:24:39,879 --> 00:24:41,948 THERE'S DAMN ALL WRONG WITH THE COMMUNISTS. 529 00:24:41,948 --> 00:24:43,683 THEY'RE NO WORSE THAN THE REST OF THEM. 530 00:24:43,683 --> 00:24:45,685 YOU SAID IT, MISSUS. 531 00:24:45,685 --> 00:24:47,854 2 SONS IN ENGLAND. 532 00:24:47,854 --> 00:24:49,956 YOU THINK THEY'D SEND YA A COUPLE O' SHILLIN'S. 533 00:24:49,956 --> 00:24:52,825 NOT IF IT WAS TO SAVE THEIR OWN LIVES. 534 00:24:52,825 --> 00:24:54,761 WHAT'S YOUR NAME, SON? 535 00:24:54,761 --> 00:24:55,995 ALGERNON CARRUTHERS. 536 00:24:55,995 --> 00:24:59,331 I KNEW BY THE LOOK OF YOU YOU HAD MANNERS. 537 00:24:59,331 --> 00:25:01,133 YOU'D SEND A COUPLE O' SHILLIN'S. 538 00:25:01,133 --> 00:25:03,402 YOU'D LOOK AFTER YOUR MOTHER. 539 00:25:03,402 --> 00:25:04,537 Francie: LOOK, MISSUS, 540 00:25:04,537 --> 00:25:05,838 WILL YOU STOP TALKIN' ABOUT MOTHERS 541 00:25:05,838 --> 00:25:07,273 AND GET ME THEM CHIPS? 542 00:25:07,273 --> 00:25:08,841 I REALLY DO NOT HAVE TIME TO TALK TO WOMEN WITH BEARDS 543 00:25:08,841 --> 00:25:10,710 ABOUT MOTHERS, IF YOU DON'T MIND. 544 00:25:10,710 --> 00:25:13,312 THAT'S ONE SHILLING, ALGERNON. 545 00:25:13,312 --> 00:25:14,313 THERE YOU GO. 546 00:25:14,313 --> 00:25:15,882 I'M OFF. 547 00:25:15,882 --> 00:25:16,683 BYE. 548 00:25:16,683 --> 00:25:17,684 SMOKED COD AND CHIPS. 549 00:25:17,684 --> 00:25:19,619 ALL RIGHT, SIR. 550 00:25:26,926 --> 00:25:27,960 OH! 551 00:25:28,928 --> 00:25:31,130 YOU PEOPLE HAVE SMALL LIVES. 552 00:25:31,130 --> 00:25:33,332 YOU ARE UNABLE TO GRASP THE IMPORTANCE 553 00:25:33,332 --> 00:25:34,734 OF TODAY'S EVENTS. 554 00:25:34,734 --> 00:25:36,736 Francie: THERE WAS ONE OF THEM ALIENS. 555 00:25:36,736 --> 00:25:39,271 HE HAD A HUMAN BODY HE STOLE OFF A SNOTTY-NOSED DOCTOR, 556 00:25:39,271 --> 00:25:41,741 BUT YOU KNEW BY THE CUT OF HIM THAT, INSIDE, 557 00:25:41,741 --> 00:25:43,342 HE WAS MRS. NUGENT. 558 00:25:43,342 --> 00:25:44,744 NAH. ONLY JOKIN'. 559 00:25:44,744 --> 00:25:46,846 INSIDE, HE WAS A FAT GREEN BLOB 560 00:25:46,846 --> 00:25:50,549 WITH ARMS LIKE AN OCTOPUS AND HIS FACE ALL SCALES. 561 00:25:50,549 --> 00:25:51,918 AAH! 562 00:25:51,918 --> 00:25:53,953 AH! DAVE! 563 00:25:53,953 --> 00:25:55,688 OHH! AAH! 564 00:25:55,688 --> 00:25:58,991 AAH! AAH! AAH! 565 00:25:58,991 --> 00:26:00,526 COME ON, YOU ALIEN BASTARDS! 566 00:26:00,526 --> 00:26:02,795 ONE BOMB IS ALL IT TAKES. 567 00:26:07,399 --> 00:26:09,602 [MUSIC BOX PLAYS] 568 00:26:12,772 --> 00:26:15,775 IT'S £2, 10 FOR THE IRISH COTTAGE, SONNY. 569 00:26:15,775 --> 00:26:18,778 Francie: THE THING ABOUT RUNNING AWAY FROM HOME 570 00:26:18,778 --> 00:26:21,781 IS YOU CAN'T BRING YOUR MOTHER WITH YOU. 571 00:26:21,781 --> 00:26:24,784 IT'D BE GRAND IF YOU COULD, BUT I'M SORRY, OLD BEAN, 572 00:26:24,784 --> 00:26:27,787 THAT'S JUST NOT THE WAY IT IS. 573 00:26:27,787 --> 00:26:30,790 I HOPE YOUR MOTHER LIKES THE PRESENT, SON. 574 00:26:30,790 --> 00:26:32,191 DON'T WORRY, SHE WILL. 575 00:26:32,191 --> 00:26:35,327 THE GOOD LORD DOES HIS HARVESTING 576 00:26:35,327 --> 00:26:36,395 AND FORGETS NO ONE. 577 00:26:36,395 --> 00:26:37,396 TRUE ENOUGH. 578 00:26:37,396 --> 00:26:38,397 [BELL TOLLS] 579 00:26:38,397 --> 00:26:40,867 YOU'D BEST GET OFF HERE, SON. 580 00:26:40,867 --> 00:26:42,669 AH. 581 00:26:42,669 --> 00:26:44,003 THANKS, ANYWAY. 582 00:26:51,811 --> 00:26:53,579 GOOD LORD DOES HIS HARVESTING 583 00:26:53,579 --> 00:26:55,682 AND FORGETS NO ONE. 584 00:26:55,682 --> 00:26:58,284 AH, GOD LOVE YA, SON. 585 00:27:05,157 --> 00:27:06,358 MA. 586 00:27:09,028 --> 00:27:10,029 MA. 587 00:27:12,564 --> 00:27:13,966 MA! 588 00:27:18,470 --> 00:27:19,939 JOE. 589 00:27:19,939 --> 00:27:22,041 JOE. 590 00:27:23,743 --> 00:27:26,879 FRANCIE, WHERE WERE YA? 591 00:27:30,449 --> 00:27:33,853 LOOK WHAT I GOT HER, JOE. 592 00:27:33,853 --> 00:27:36,055 LOOK WHAT I GOT HER. 593 00:27:37,456 --> 00:27:41,060 WELL, YOUR MOTHER'S WITH OUR LADY NOW, FRANCIE, 594 00:27:41,060 --> 00:27:43,062 AND SHE'LL LOOK AFTER HER, 595 00:27:43,062 --> 00:27:45,865 AND SHE'LL LOOK AFTER YOU, TOO, FRANCIE, 596 00:27:45,865 --> 00:27:48,467 IF YOU PRAY TO HER EVERY DAY. 597 00:27:48,467 --> 00:27:50,236 GOOD BOY. 598 00:27:53,072 --> 00:27:55,074 AHH, BENNY. 599 00:27:55,074 --> 00:27:57,009 BENNY. 600 00:27:57,009 --> 00:27:59,746 GET A GOOD REST FOR YOURSELF NOW, EH? 601 00:27:59,746 --> 00:28:02,348 AND MAKE SURE FRANCIE GETS A GOOD REST. 602 00:28:02,348 --> 00:28:03,716 GOD BLESS. 603 00:28:20,432 --> 00:28:22,902 THEY FOUND HER AT THE BOTTOM OF THE RIVER 604 00:28:22,902 --> 00:28:25,104 NEAR THE MADHOUSE. 605 00:28:28,307 --> 00:28:30,910 WASN'T ENOUGH TO PUT HER THERE, WAS IT? 606 00:28:30,910 --> 00:28:34,713 YOU HAD TO WRECK HER FUNERAL, TOO. 607 00:28:36,048 --> 00:28:39,618 YOU CAN DO ONE BAD THING, CAN'T YOU, JOE? 608 00:28:39,618 --> 00:28:42,054 YOU CAN DO ONE BAD THING, 609 00:28:42,054 --> 00:28:45,057 BUT THAT DOESN'T MEAN FOR THE REST OF YOUR LIFE 610 00:28:45,057 --> 00:28:48,027 EVERYONE'S GONNA SAY, "HE DID IT. IT'S HIM. 611 00:28:48,027 --> 00:28:49,962 HE DID THE BAD THING." 612 00:28:49,962 --> 00:28:52,965 NO, AND EVEN IF THEY DID SAY THAT, 613 00:28:52,965 --> 00:28:54,533 WHAT WE SAY IS THAT WE DON'T CARE. 614 00:28:54,533 --> 00:28:55,534 WE'RE TOO BUSY. 615 00:28:55,534 --> 00:28:57,503 THAT'S WHAT WE WOULD SAY. 616 00:28:57,503 --> 00:28:58,938 WE'D SAY, "EXCUSE US. 617 00:28:58,938 --> 00:29:00,339 WE'RE TOO BUSY." 618 00:29:00,339 --> 00:29:03,042 YEAH, AND WE'D SAY, "MIND YOUR OWN BUSINESS." 619 00:29:09,949 --> 00:29:13,085 I HOPE HE'S PROUD OF HIMSELF NOW, THE PIG, 620 00:29:13,085 --> 00:29:17,023 AFTER WHAT HE'S DONE TO HIS POOR MOTHER. 621 00:29:18,958 --> 00:29:21,093 Francie: MUSIC, MUSIC, MUSIC. 622 00:29:21,093 --> 00:29:23,796 WHAT'S THAT PHILLIP NUGENT GOT TO DO WITH MUSIC? 623 00:29:23,796 --> 00:29:25,898 NOTHING. THAT'S WHAT. 624 00:29:27,967 --> 00:29:29,969 THAT'S SOME MUSIC CASE, PHILLIP. 625 00:29:29,969 --> 00:29:32,104 FRANCIE, I HAVE TO GO. I'M LATE. 626 00:29:32,104 --> 00:29:34,440 PHILLIP, DO YOU LIKE ME? 627 00:29:34,440 --> 00:29:36,708 YES, BUT I HAVE TO GO. 628 00:29:36,708 --> 00:29:38,110 'CAUSE I LIKE YOU. 629 00:29:38,110 --> 00:29:39,711 I THINK YOU'RE A SMASHING CHAP. 630 00:29:39,711 --> 00:29:41,713 YOU THINK I'M A SMASHING CHAP, PHILLIP? 631 00:29:41,713 --> 00:29:43,049 YES. 632 00:29:43,049 --> 00:29:45,251 EXCUSE ME, PHILLIP, BUT DO YOU MEAN, "OH, YES"? 633 00:29:45,251 --> 00:29:46,052 YES. 634 00:29:46,052 --> 00:29:48,254 GO ON, THEN. SAY IT. 635 00:29:48,254 --> 00:29:49,088 SAY WHAT? 636 00:29:49,088 --> 00:29:50,522 FOR GOD'S SAKE, PHILLIP, 637 00:29:50,522 --> 00:29:53,259 JUST SAY, "OH, YES! I THINK YOU ARE A SMASHING CHAP." 638 00:29:53,259 --> 00:29:55,127 OH, YES, I THINK YOU ARE A SMASHING CHAP. 639 00:29:55,127 --> 00:29:57,864 I KNOW I AM, PHILLIP, AND THAT IS SOME MUSIC CASE. 640 00:29:57,864 --> 00:29:59,031 THINK I COULD HAVE A LOOK AT IT? 641 00:29:59,031 --> 00:30:00,432 I DON'T KNOW. MY MOTHER SAYS-- 642 00:30:00,432 --> 00:30:02,501 I DON'T THINK I LIKE YOU NOW, PHILLIP. 643 00:30:02,501 --> 00:30:03,735 NO, FRANCIE, HERE. TAKE IT. 644 00:30:03,735 --> 00:30:04,770 YOU CAN HAVE IT. 645 00:30:04,770 --> 00:30:05,872 THANK YOU, PHILLIP. 646 00:30:05,872 --> 00:30:07,739 YOU REALLY ARE A SMASHING CHAP. 647 00:30:07,739 --> 00:30:10,742 YOU KNOW, I MAY BE A [SNORT] PIG, 648 00:30:10,742 --> 00:30:12,178 BUT I CAN STILL BE YOUR FRIEND, 649 00:30:12,178 --> 00:30:14,280 NO MATTER WHAT MRS. NUGE SAYS. 650 00:30:14,280 --> 00:30:15,347 YES, FRANCIE. 651 00:30:15,347 --> 00:30:16,615 WHAT AM I, PHILLIP? 652 00:30:16,615 --> 00:30:17,884 YOU REALLY ARE A SMASHING CHAP. 653 00:30:17,884 --> 00:30:19,085 THANK YOU. 654 00:30:19,085 --> 00:30:21,553 YOU KNOW, I'M SORRY I STOLE YOUR COMICS, 655 00:30:21,553 --> 00:30:24,090 BUT NOW THAT WE'RE GETTIN' ON LIKE A HOUSE ON FIRE, 656 00:30:24,090 --> 00:30:25,824 I'M GONNA GIVE THEM BACK TO YA. 657 00:30:25,824 --> 00:30:26,825 ARE YOU, FRANCIE? 658 00:30:26,825 --> 00:30:28,227 ON ONE CONDITION. 659 00:30:28,227 --> 00:30:30,496 YOU DON'T TELL ANYBODY WHERE YOU GOT THEM, OK? 660 00:30:30,496 --> 00:30:31,530 OK. 661 00:30:31,530 --> 00:30:34,100 OK, LET'S GO, PARTNER. 662 00:30:34,100 --> 00:30:37,203 Francie: OOH, IT WAS DARK INSIDE THAT CHICKEN HOUSE 663 00:30:37,203 --> 00:30:40,206 WITH ALL THEM CHICKS GOIN' "BARBLE, BARBLE," 664 00:30:40,206 --> 00:30:42,708 AND PHILLIP GOIN', "OOH, FRANCIE, IT'S DARK IN HERE." 665 00:30:42,708 --> 00:30:44,710 OOH, FRANCIE, IT'S DARK IN HERE. 666 00:30:44,710 --> 00:30:45,978 IT SURE IS, PHILLIP. DON'T WORRY. 667 00:30:45,978 --> 00:30:47,513 IT'LL BE WORTH IT WHEN YOU SEE THOSE COMICS. 668 00:30:54,186 --> 00:30:55,922 FRANCIE, IS THAT WHERE THEY ARE? 669 00:30:55,922 --> 00:30:56,923 RIGHT HERE. 670 00:30:56,923 --> 00:30:58,524 NO! FRANCIE! NO! 671 00:30:58,524 --> 00:30:59,926 FRANCIE, WHY? 672 00:30:59,926 --> 00:31:01,793 WHY ARE YOU DOING THIS TO ME? 673 00:31:01,793 --> 00:31:03,195 DON'T SAY NOTHIN', 674 00:31:03,195 --> 00:31:04,396 OR IT'S GONNA BE WORSE FROM NOW ON! 675 00:31:04,396 --> 00:31:05,932 YOU WON'T SAY NOTHIN', RIGHT? 676 00:31:05,932 --> 00:31:07,166 YES, FRANCIE! 677 00:31:12,804 --> 00:31:14,206 YOU'VE DONE IT NOW! 678 00:31:14,206 --> 00:31:15,807 YOU'VE REALLY GONE AND DONE IT NOW! 679 00:31:15,807 --> 00:31:16,943 BUT, JOE, I MISSED HIM. 680 00:31:16,943 --> 00:31:18,577 I ONLY PRETENDED TO HIT HIM. 681 00:31:18,577 --> 00:31:21,147 YOU DID LIKE FUCK! 682 00:31:21,147 --> 00:31:23,349 PHILLIP, YOU'RE GONNA GO HOME AND TELL YOUR MOTHER 683 00:31:23,349 --> 00:31:24,816 THAT YOU FELL OUT OF THE APPLE TREE. 684 00:31:24,816 --> 00:31:26,218 DO YOU HEAR ME? 685 00:31:26,218 --> 00:31:27,753 BECAUSE WE'VE HAD HER COMIN' AFTER US BEFORE, 686 00:31:27,753 --> 00:31:29,088 AND WE DON'T WANT IT AGAIN! 687 00:31:29,088 --> 00:31:30,689 DO YOU HEAR ME? 688 00:31:30,689 --> 00:31:31,890 YES, JOE. 689 00:31:33,359 --> 00:31:35,694 JESUS, FRANCIE, WHY DIDN'T YOU LET ME KNOW?! 690 00:31:35,694 --> 00:31:36,828 I'M SORRY, JOE. 691 00:31:36,828 --> 00:31:38,230 GET IN THERE! 692 00:31:38,230 --> 00:31:40,566 AND KNEEL DOWN, WILL YA? 693 00:31:42,234 --> 00:31:43,035 AAH! 694 00:31:43,035 --> 00:31:44,136 YOU GOT TO PROMISE, FRANCIE. 695 00:31:44,136 --> 00:31:45,171 YOU GOT TO SWEAR 696 00:31:45,171 --> 00:31:46,505 BY THE BLOOD OF THE APACHE 697 00:31:46,505 --> 00:31:48,040 THAT YOU'LL NEVER GO NEAR HIM AGAIN! 698 00:31:48,040 --> 00:31:49,075 I SWEAR, JOE. 699 00:31:49,075 --> 00:31:50,809 BY THE BLOOD OF THE APACHE. 700 00:31:50,809 --> 00:31:53,112 BY THE BLOOD OF THE APACHE. 701 00:31:53,112 --> 00:31:54,713 NOW GIVE ME YOUR HAND. 702 00:31:54,713 --> 00:31:57,316 GIVE ME YOUR HAND! 703 00:31:57,316 --> 00:31:58,784 AAH! JOE! 704 00:31:58,784 --> 00:32:00,852 WHAT'D YOU DO THAT FOR? 705 00:32:00,852 --> 00:32:03,255 AH! AH! JESUS. 706 00:32:03,255 --> 00:32:05,357 ALL RIGHT, ALL RIGHT, GIVE ME YOUR HAND, 707 00:32:05,357 --> 00:32:06,258 WILL YA? 708 00:32:06,258 --> 00:32:08,860 GIVE ME YOUR HAND, WILL YA? 709 00:32:08,860 --> 00:32:10,529 BLOOD BROTHERS, FRANCIE, 710 00:32:10,529 --> 00:32:12,131 UNTIL THE END OF TIME! 711 00:32:12,131 --> 00:32:13,865 UNTIL THE END OF TIME, JOE. 712 00:32:13,865 --> 00:32:15,134 AS LONG AS YOU SWEAR 713 00:32:15,134 --> 00:32:16,468 NEVER TO GO NEAR HIM AGAIN. 714 00:32:16,468 --> 00:32:17,603 I WON'T, JOE. 715 00:32:17,603 --> 00:32:19,905 BLOOD BROTHERS, FRANCIE. 716 00:32:19,905 --> 00:32:22,141 BLOOD BROTHERS, JOE. 717 00:32:22,141 --> 00:32:24,343 [YELLING UNDERWATER] 718 00:32:25,577 --> 00:32:26,578 HEY, FISH! 719 00:32:26,578 --> 00:32:27,579 FISH! 720 00:32:27,579 --> 00:32:28,580 FUCK OFF! 721 00:32:28,580 --> 00:32:30,349 NOW, FISH. 722 00:32:30,349 --> 00:32:32,284 Francie: WELL, THE FISH FUCKED OFF, ALL RIGHT, 723 00:32:32,284 --> 00:32:33,885 BUT MRS. NUGENT DIDN'T. 724 00:32:33,885 --> 00:32:35,287 HER AND HER 2 BOGMAN BROTHERS 725 00:32:35,287 --> 00:32:36,555 CAME ALONG TO TEACH ME A LESSON. 726 00:32:36,555 --> 00:32:39,091 BY CRIPES, I'LL HOLD HIM DOWN TILL HE DROWNS! 727 00:32:39,091 --> 00:32:40,892 WE'VE NO ARGUMENT AGAINST YOU, PURCELL, 728 00:32:40,892 --> 00:32:44,030 BUT THAT LITTLE BLEEDER HAS ME SISTER'S NERVES IN TATTERS. 729 00:32:44,030 --> 00:32:45,397 TAKE PHILLIP'S COMICS, WOULD YA? 730 00:32:45,397 --> 00:32:46,698 YOU'D GO FOR HIM ON YOUR OWN, HUH? 731 00:32:46,698 --> 00:32:49,768 YOU'LL NEVER TOUCH A NUGENT AGAIN, I SWEAR. 732 00:32:49,768 --> 00:32:51,970 THAT'S THE END OF YOUR GALLOP! 733 00:32:53,072 --> 00:32:55,041 COME ON, BOY. 734 00:32:55,041 --> 00:32:57,509 COME ON, WILL YA? WAKE UP. 735 00:32:57,509 --> 00:32:58,544 FRANCIE. 736 00:32:58,544 --> 00:32:59,911 A LITTLE GULP OF WATER NEVER HURT ANYBODY. 737 00:32:59,911 --> 00:33:02,181 Second man: YA DONE IT NOW. COME ON! 738 00:33:04,616 --> 00:33:05,551 COME ON! 739 00:33:05,551 --> 00:33:06,785 JESUS! WHAT HAS SHE GOT US INTO NOW? 740 00:33:06,785 --> 00:33:07,886 IT WASN'T MY IDEA. 741 00:33:07,886 --> 00:33:10,122 LOOK WHAT YOU DONE! 742 00:33:10,122 --> 00:33:11,957 FRANCIE, PLEASE! 743 00:33:11,957 --> 00:33:13,959 OH, FRANCIE, PLEASE, FRANCIE. 744 00:33:13,959 --> 00:33:14,960 PLEASE, FRANCIE! 745 00:33:14,960 --> 00:33:16,795 COME ON, PLEASE! 746 00:33:16,795 --> 00:33:17,796 PLEASE. 747 00:33:17,796 --> 00:33:19,198 THAT'S A LESSON, JOE. 748 00:33:19,198 --> 00:33:20,466 NEVER TRUST THAT PHILLIP NUGENT. 749 00:33:20,466 --> 00:33:23,402 OH, JESUS! WHAT THE HELL DID YOU DO THAT FOR? 750 00:33:32,211 --> 00:33:33,745 WHAT DO YOU WANT? 751 00:33:33,745 --> 00:33:36,948 YOU KNOW, MRS. NUGENT. I HAVE EARS, YOU KNOW. 752 00:33:36,948 --> 00:33:39,885 I SAID, WHAT DO YOU WANT? 753 00:33:39,885 --> 00:33:42,121 YOU SEE, I JUST HAVE TO SEE PHILLIP. 754 00:33:42,121 --> 00:33:43,555 PHILLIP IS DOIN' HIS LESSONS. 755 00:33:43,555 --> 00:33:45,757 TELL HIM IT'S A VERY IMPORTANT MATTER, 756 00:33:45,757 --> 00:33:47,626 MRS. NUGENT. 757 00:33:47,626 --> 00:33:48,927 PHILLIP, AMAZING FACTS! 758 00:33:48,927 --> 00:33:51,930 THE MOON-- 90 MILLION MILES AWAY! 759 00:33:51,930 --> 00:33:53,265 AND THE COLORADO BEETLE. 760 00:33:53,265 --> 00:33:55,167 DID YOU EVER HEAR OF HIM, MRS. NUGENT? 761 00:33:55,167 --> 00:33:56,202 NO, I DIDN'T. 762 00:33:56,202 --> 00:33:58,270 WATCH OUT FOR HIM, MRS. NUGENT. 763 00:33:58,270 --> 00:33:59,438 HE'S A DISASTER! 764 00:33:59,438 --> 00:34:02,174 BEWARE OF THE COLORADO BEETLE, PHILLIP! 765 00:34:02,174 --> 00:34:03,375 AND YOU THINK PIGS ARE BAD? 766 00:34:03,375 --> 00:34:05,144 THERE'S DAMN THE HELL WRONG WITH PIGS! 767 00:34:05,144 --> 00:34:07,313 AT LEAST HE WOULDN'T EAT YOUR HOUSE AND YOU. 768 00:34:07,313 --> 00:34:08,947 [SNORTING AND SNARLING] 769 00:34:09,915 --> 00:34:14,453 YOU SEE, MRS. NUGENT, A PIG JUST CAN'T DO IT. 770 00:34:14,453 --> 00:34:16,355 [SNORTING] 771 00:34:16,355 --> 00:34:17,623 CAKES! 772 00:34:17,623 --> 00:34:19,425 OOH! 773 00:34:20,259 --> 00:34:22,661 PHILLIP, JUST WHERE HAVE YOU BEEN? 774 00:34:22,661 --> 00:34:24,863 YOUR UNCLES GAVE ME A RIGHT GOIN' OVER. 775 00:34:24,863 --> 00:34:26,265 GET OUT! GET OUT! 776 00:34:26,265 --> 00:34:28,267 Francie: WELL, I NEVER SEEN SUCH PUSHIN' AND SHOVIN' 777 00:34:28,267 --> 00:34:29,635 AS WENT ON THAT DAY. 778 00:34:29,635 --> 00:34:31,503 THEY WERE ABOUT THE WORST PUSHERS I HAD EVER SEEN. 779 00:34:31,503 --> 00:34:32,971 MRS. NUGENT, I JUST DON'T KNOW 780 00:34:32,971 --> 00:34:35,741 WHAT I'M GONNA DO WITH YOU. 781 00:34:37,176 --> 00:34:39,077 [HONK HONK] 782 00:34:45,684 --> 00:34:48,454 Francie: IT WAS THE CAKES THAT CLINCHED IT. 783 00:34:48,454 --> 00:34:51,523 I DIDN'T KNOW MRS. NUGENT WAS A BUN WOMAN, TOO. 784 00:34:51,523 --> 00:34:52,724 MRS. NUGENT, 785 00:34:52,724 --> 00:34:57,129 THE MOST FAMOUS BUN WOMAN OF ALL TIME, I DO BELIEVE. 786 00:34:59,898 --> 00:35:01,900 Francie: WELCOME TO NUGENT'S, 787 00:35:01,900 --> 00:35:03,302 MR. FRANCIE BRADY! 788 00:35:03,302 --> 00:35:05,304 THANK YOU. THANK YOU VERY MUCH. 789 00:35:05,304 --> 00:35:07,373 IT GIVES ME GREAT PLEASURE TO BE STANDIN' HERE 790 00:35:07,373 --> 00:35:09,040 ON THESE BLACK AND WHITE TILES 791 00:35:09,040 --> 00:35:11,910 IN THE SCULLERY OF MRS. NUGENT'S! 792 00:35:11,910 --> 00:35:13,312 Francie: OH, NOT AT ALL, FRANCIE. 793 00:35:13,312 --> 00:35:14,913 WE'RE DELIGHTED TO HAVE YOU. 794 00:35:14,913 --> 00:35:17,115 NOW, YOU MUST MEET EVERYONE. 795 00:35:17,115 --> 00:35:18,350 SURE, DON'T I KNOW THEM ALL? 796 00:35:18,350 --> 00:35:20,386 YOUR HUSBAND, MR. 10-TON HOPPITY BOLLOCKS! 797 00:35:20,386 --> 00:35:22,688 AND YOUR SON...PHILLIP! 798 00:35:22,688 --> 00:35:23,789 AAH! 799 00:35:23,789 --> 00:35:26,325 I'M GONNA HAVE TO HAND IT TO YOU, MRS. NUGENT. 800 00:35:26,325 --> 00:35:28,527 WHEN IT COMES TO POLISHING--FLIES! OHH! 801 00:35:28,527 --> 00:35:30,296 NOT IN YOUR HOUSE, MRS. NUGENT. 802 00:35:30,296 --> 00:35:31,630 ANY CAKES UNDER LOCK AND KEY, 803 00:35:31,630 --> 00:35:33,965 WHERE MR. FLY AND HIS CRONIES CAN'T GET AT THEM! 804 00:35:33,965 --> 00:35:35,734 AH! 805 00:35:37,769 --> 00:35:41,072 TV announcer: A SUBMARINE BOMB EXPLODED IN A HARBOR 806 00:35:41,072 --> 00:35:43,375 MIGHT AFFECT A CITY. 807 00:35:43,375 --> 00:35:45,211 THE AFFECTED AREA WOULD BE A POOR PICNIC SITE. 808 00:35:45,211 --> 00:35:46,412 AMAZING FACTS. 809 00:35:46,412 --> 00:35:48,146 Francie: BUT DO YOU THINK THOSE NUGENTS 810 00:35:48,146 --> 00:35:49,281 WOULD EVER PAY ATTENTION? 811 00:35:49,281 --> 00:35:51,450 AMAZING FACTS IS WASTED ON THAT LOT. 812 00:35:51,450 --> 00:35:53,219 GOOD HEAVEN'S, PHILLIP, YOU'RE NOT LISTENING. 813 00:35:53,219 --> 00:35:55,020 RIGHT, THAT'S IT. WRITE IT OUT 20 TIMES. 814 00:35:55,020 --> 00:35:56,488 NOW, "PHILLIP IS A PIG." 815 00:35:56,488 --> 00:35:58,590 * PHILLIP IS A PIG, PHILLIP IS A PIG * 816 00:35:58,590 --> 00:35:59,991 * PIG, PIG, PIG, PIG * 817 00:35:59,991 --> 00:36:01,227 * PHILLIP IS A PIG... * 818 00:36:01,227 --> 00:36:03,862 TV announcer: IT'S A BOMB! DUCK AND COVER! 819 00:36:03,862 --> 00:36:05,264 TONY KNOWS THE BOMB 820 00:36:05,264 --> 00:36:08,166 CAN EXPLODE ANY TIME OF THE YEAR, DAY OR NIGHT. 821 00:36:08,166 --> 00:36:09,568 DUCK AND COVER! 822 00:36:09,568 --> 00:36:12,271 WE MUST BE READY EVERY DAY, ALL THE TIME. 823 00:36:12,271 --> 00:36:13,405 IT'S A BOMB. 824 00:36:13,405 --> 00:36:15,307 DUCK AND COVER. 825 00:36:15,307 --> 00:36:17,876 DUCK AND COVER. 826 00:36:17,876 --> 00:36:20,446 Francie: ALL RIGHT, THEN, ENOUGH ABOUT BOMBS. 827 00:36:20,446 --> 00:36:22,848 TODAY WE'RE GOIN' TO DO THE FARMYARD. 828 00:36:22,848 --> 00:36:24,650 NOW, CAN ANYONE TELL ME 829 00:36:24,650 --> 00:36:28,186 WHAT ANIMALS WE FIND IN THE FARMYARD? 830 00:36:28,186 --> 00:36:29,455 COWS? 831 00:36:29,455 --> 00:36:32,658 COWS. YES, INDEED. WE DO FIND COWS. 832 00:36:32,658 --> 00:36:33,659 SHEEP? 833 00:36:33,659 --> 00:36:35,627 AND WHAT ELSE? 834 00:36:35,627 --> 00:36:36,628 PIGS. 835 00:36:36,628 --> 00:36:39,197 PIGS! YOU ARE ABSOLUTELY RIGHT, PHILLIP. 836 00:36:39,197 --> 00:36:41,600 AND WHAT DO PIGS DO, PHILLIP? 837 00:36:41,600 --> 00:36:42,601 [SNORT] 838 00:36:42,601 --> 00:36:44,370 THEY RUN ROUND THE FARMYARD. 839 00:36:44,370 --> 00:36:46,204 ANY TAKERS AT THE BACK? 840 00:36:46,204 --> 00:36:47,806 GIVE US RASHERS? 841 00:36:47,806 --> 00:36:48,840 WELL, THAT'S TRUE, 842 00:36:48,840 --> 00:36:50,175 BUT THAT'S NOT THE ANSWER I'M LOOKING FOR. 843 00:36:50,175 --> 00:36:53,078 MRS. NUGENT, I CAN TELL IT'S COMING. 844 00:36:53,078 --> 00:36:54,079 THEY DO... 845 00:36:54,079 --> 00:36:56,214 NO, MRS. NUGENT. OUT WITH IT. 846 00:36:56,214 --> 00:36:57,816 THAT'S NOT GOOD ENOUGH. 847 00:36:57,816 --> 00:36:59,451 WHAT DO PIGS DO? 848 00:36:59,451 --> 00:37:02,288 HOW MANY TIMES DO I HAVE TO GO OVER IT? 849 00:37:03,622 --> 00:37:06,692 NOW, MRS. NUGENT, DON'T BE SHY. 850 00:37:06,692 --> 00:37:08,827 YOU CAN DO IT. 851 00:37:19,037 --> 00:37:21,707 5...4...3... 852 00:37:21,707 --> 00:37:23,108 2... 853 00:37:23,108 --> 00:37:24,109 1... 854 00:37:24,109 --> 00:37:25,243 [BOOM] 855 00:37:25,243 --> 00:37:28,314 [SQUEALING] 856 00:37:29,915 --> 00:37:31,783 AHH! 857 00:37:33,118 --> 00:37:35,654 AH, MRS. NUGENT, CATCH ANYTHING? 858 00:37:35,654 --> 00:37:37,656 Francie: WELL, THAT MRS. NUGENT. 859 00:37:37,656 --> 00:37:40,125 HOW WAS I TO RUN A PROPER PIG SCHOOL 860 00:37:40,125 --> 00:37:42,461 WITH ALL THESE INTERRUPTIONS? 861 00:37:42,461 --> 00:37:44,930 DISGUSTING BOY! 862 00:37:44,930 --> 00:37:46,532 DISGUSTING! 863 00:37:47,666 --> 00:37:51,403 THANK CHRIST YOUR MOTHER ISN'T HERE TO SEE THIS. 864 00:37:51,403 --> 00:37:53,672 OH, SHE'S IN THE LAKE! IT WAS ME WHO PUT HER THERE. 865 00:37:53,672 --> 00:37:55,674 FRANCIE. IT WAS JUST A MISTAKE, WASN'T IT? 866 00:37:55,674 --> 00:37:58,744 YOU DIDN'T TOUCH PHILLIP NUGENT, DID YA? 867 00:37:58,744 --> 00:38:01,447 JOE, I'M INNOCENT. I DIDN'T MEAN ANY HARM. 868 00:38:01,447 --> 00:38:03,315 I JUST WANTED A PIECE OF CAKE. 869 00:38:03,315 --> 00:38:05,684 BLOOD BROTHERS, FRANCIE, UNTIL THE END OF TIME! 870 00:38:05,684 --> 00:38:07,919 UNTIL THE END OF TIME, JOE. JOE! 871 00:38:07,919 --> 00:38:09,721 JOE! 872 00:38:13,291 --> 00:38:15,961 WHY DID YOU HAVE TO DO IT, SON? 873 00:38:15,961 --> 00:38:19,831 WHY DID YOU HAVE TO DO THE LIKES OF THAT? 874 00:38:25,303 --> 00:38:27,706 Francie: UP SHE ROSE OUT OF NOWHERE, 875 00:38:27,706 --> 00:38:29,341 THE HOUSE WITH THE HAUNTED WINDOWS, 876 00:38:29,341 --> 00:38:30,609 JUST LIKE THE ONE 877 00:38:30,609 --> 00:38:33,612 WHERE DA AND ALO SPENT ALL THOSE HAPPY DAYS, 878 00:38:33,612 --> 00:38:35,781 AND WHAT'S GOOD ENOUGH FOR DA AND ALO 879 00:38:35,781 --> 00:38:37,916 MUST BE GOOD ENOUGH FOR FRANCIE. 880 00:38:39,718 --> 00:38:43,188 SO THIS IS THE FAMOUS FRANCIE BRADY, HMM? 881 00:38:43,188 --> 00:38:44,490 AYE, THAT'S RIGHT, FATHER. THAT'S ME. 882 00:38:44,490 --> 00:38:46,191 SPEAK WHEN YOU'RE SPOKEN TO! 883 00:38:46,191 --> 00:38:47,459 CHRIST, IF YOU WERE ONE OF MINE, 884 00:38:47,459 --> 00:38:48,727 I'D BREAK EVERY BONE IN YOUR BODY. 885 00:38:48,727 --> 00:38:49,995 IT'S ALL RIGHT, SERGEANT. 886 00:38:49,995 --> 00:38:51,930 YOU'LL HAVE NO WORRIES ABOUT THIS FELLA. 887 00:38:51,930 --> 00:38:53,999 I'LL LOOK AFTER HIM. GOD BLESS NOW. 888 00:38:53,999 --> 00:38:55,100 RIGHT, FATHER. 889 00:38:55,100 --> 00:38:56,802 BYE, SERGEANT. LOOK OUT FOR THEM ROBBERS, NOW. 890 00:38:56,802 --> 00:38:58,003 THAT'S ENOUGH OUT OF YOU. 891 00:38:58,003 --> 00:39:00,271 THEM ROBBERS. YOU CAN'T BE UP TO THEM-- 892 00:39:00,271 --> 00:39:01,473 AAH! 893 00:39:03,174 --> 00:39:07,813 WELL, WHAT DO YOU MAKE OF YOUR NEW HOME, MR. BRADY? 894 00:39:07,813 --> 00:39:08,614 IT'S GRAND. 895 00:39:08,614 --> 00:39:10,215 GOOD ENOUGH FOR PIGS. 896 00:39:10,215 --> 00:39:12,751 YOU'LL FIND NO PIGS HERE. 897 00:39:12,751 --> 00:39:15,854 THE INCREDIBLE SCHOOL FOR PIGS. 898 00:39:15,854 --> 00:39:17,723 HMM? 899 00:39:18,524 --> 00:39:19,925 VERY WELL, THEN. 900 00:39:19,925 --> 00:39:23,795 I'LL EXPECT YOU IN CHAPEL FOR PRAYERS BEFORE TEA. 901 00:39:29,935 --> 00:39:32,270 WE'RE HERE THE LONGEST IN THIS SCHOOL, 902 00:39:32,270 --> 00:39:33,405 ISN'T THAT RIGHT, BOYS? 903 00:39:33,405 --> 00:39:34,740 THAT'S RIGHT. 904 00:39:34,740 --> 00:39:36,141 ANYONE GIVES YOU TROUBLE, YOU JUST COME TELL US. 905 00:39:36,141 --> 00:39:37,242 ISN'T THAT RIGHT, BOYS? 906 00:39:37,242 --> 00:39:38,410 THAT'S RIGHT. 907 00:39:38,410 --> 00:39:39,244 SO DOES THAT MEAN YOUSE'LL PROTECT ME? 908 00:39:39,244 --> 00:39:40,579 AYE.AYE. AYE. 909 00:39:40,579 --> 00:39:43,148 THE GREAT AL CAPONE BOUGHT MY PROTECTION RACKET. 910 00:39:43,148 --> 00:39:44,382 WHO'S AL CAPONE? 911 00:39:44,382 --> 00:39:47,385 WHO'S AL CAPONE? WHO'S AL CAPONE? 912 00:39:47,385 --> 00:39:48,386 HEY, BOYS. 913 00:39:48,386 --> 00:39:49,488 WHAT? WHAT? 914 00:39:49,488 --> 00:39:52,157 WHAT DOES ONE FLEA SAY TO ANOTHER? 915 00:39:52,157 --> 00:39:53,158 I DON'T KNOW. 916 00:39:53,158 --> 00:39:55,093 WILL WE WALK OR TAKE THE DOG? 917 00:39:55,093 --> 00:39:56,161 HA HA HA! 918 00:39:56,161 --> 00:39:57,563 TAKE THE DOG! 919 00:39:57,563 --> 00:39:59,565 WHERE DID YA HEAR THAT JOKE? 920 00:39:59,565 --> 00:40:01,166 WHAT'S YOUR NAME? 921 00:40:01,166 --> 00:40:02,200 ALGERNON CARRUTHERS. 922 00:40:02,200 --> 00:40:03,234 PLEASED TO MEET YOU, ALGERNON. 923 00:40:03,234 --> 00:40:05,103 ANYONE ANNOYS YOU, YOU TELL US, 924 00:40:05,103 --> 00:40:06,738 'CAUSE WE'RE THE LONGEST IN THIS SCHOOL. 925 00:40:06,738 --> 00:40:08,306 ISN'T THAT RIGHT, FELLAS? 926 00:40:08,306 --> 00:40:10,175 WELL, IF YOUSE ARE GONNA PROTECT ME, 927 00:40:10,175 --> 00:40:11,977 YOUSE BETTER FOLLOW ME. 928 00:40:11,977 --> 00:40:15,581 Francie: WELL, I NEVER SEEN ANYTHING LIKE THOSE BOGMEN, 929 00:40:15,581 --> 00:40:17,182 THEIR BONY ASSES COCKED IN THE AIR 930 00:40:17,182 --> 00:40:18,383 LIKE THEY WERE CARRYIN' 931 00:40:18,383 --> 00:40:19,718 AN INVISIBLE SACK OF SPUDS AT THE BACK. 932 00:40:19,718 --> 00:40:22,120 OUT WITH THE BACKSIDE, UP WITH THE NOSE, 933 00:40:22,120 --> 00:40:24,523 AND WE'LL KNOCK 7 DIFFERENT KINDS OF SHITE 934 00:40:24,523 --> 00:40:27,893 OUT OF ANYONE WHO LAYS A FINGER ON FRANCIE BRADY. 935 00:40:27,893 --> 00:40:29,194 COME ON, BOYS. 936 00:40:30,996 --> 00:40:34,332 Francie: WELL, IT WAS SURE GOOD IN THAT OLD SCHOOL-- 937 00:40:34,332 --> 00:40:36,001 ALL IN LINE LIKE APACHES 938 00:40:36,001 --> 00:40:38,670 AND FATHER BUBBLES WITH THE BIG RED COUNTRY FACE ON HIM 939 00:40:38,670 --> 00:40:41,339 LIKE A BEAUTY-OF-BATH APPLE FROM THE WALKIN', 940 00:40:41,339 --> 00:40:43,341 AND ME GIVIN' THE BOGMEN LESSONS 941 00:40:43,341 --> 00:40:44,876 IN HOW TO TALK LIKE AL CAPONE. 942 00:40:44,876 --> 00:40:48,013 OK, BOGMEN, LET'S HEAR SOME OF THAT AL CAPONE LINGO. 943 00:40:48,013 --> 00:40:49,615 THOSE GUYS EVER COME ROUND HERE AGAIN, 944 00:40:49,615 --> 00:40:50,949 WE'LL KICK THEIR ARSES 945 00:40:50,949 --> 00:40:51,750 INTO THEIR NECKS. 946 00:40:51,750 --> 00:40:52,851 ISN'T THAT RIGHT, FRANCIE? 947 00:40:52,851 --> 00:40:54,620 NO! WE'LL RUB THEM OUT, I TOLD YA! 948 00:40:54,620 --> 00:40:56,622 NO, I TOLD YA, YOU BOLLOCKS, YA. 949 00:40:56,622 --> 00:40:58,223 HEY, SHUT YOUR MOUTH! 950 00:41:00,626 --> 00:41:02,961 WHAT THE BLOODY HELL ARE YOU AT? 951 00:41:05,230 --> 00:41:08,500 I WANT TO SEE THE FOUR OF YA IN MY OFFICE AFTER TEA. 952 00:41:08,500 --> 00:41:11,670 AND YOU STACK THEM PROPERLY, YOU FOOL, YOU. 953 00:41:12,904 --> 00:41:14,906 OH, THAT'S GREAT WORK, FRANCIE. 954 00:41:14,906 --> 00:41:17,108 AH, YOU'D NEVER BE FINISHED, 955 00:41:17,108 --> 00:41:18,844 YOU KNOW THAT, FATHER. 956 00:41:19,845 --> 00:41:20,979 OH, NOW. 957 00:41:22,914 --> 00:41:25,917 [SNORING] 958 00:41:31,056 --> 00:41:33,291 Francie: AS SOON AS THE LIGHTS WENT OUT, 959 00:41:33,291 --> 00:41:34,926 WHEEZE, WHEEZE, WHEEZE. 960 00:41:34,926 --> 00:41:37,763 SLEEP FOR THEM, BUT NOT FOR FRANCIE BRADY. 961 00:41:37,763 --> 00:41:39,531 A SAINT IN EVERY WINDOWSILL 962 00:41:39,531 --> 00:41:41,667 SNORIN' 10 TO THE DOZEN, TOO. 963 00:41:41,667 --> 00:41:43,769 QUIT BREATHIN', YOUSE BASTARDS! 964 00:41:44,803 --> 00:41:47,038 Francie: "OH, FRANCIE BRADY," 965 00:41:47,038 --> 00:41:49,274 JESUS WAS SAYIN', "ISN'T IT A TERRIBLE PITY?" 966 00:41:49,274 --> 00:41:50,942 ISN'T WHAT A TERRIBLE PITY? 967 00:41:50,942 --> 00:41:52,277 OOH, AH, AH... 968 00:41:52,277 --> 00:41:54,079 I'M ONLY SAYIN', HE SAYS. 969 00:41:54,079 --> 00:41:56,381 NO. YOU DIDN'T ANSWER ME. ISN'T WHAT A TERRIBLE PITY? 970 00:41:56,381 --> 00:41:58,383 OH, NOTHIN'. I DIDN'T SAY ANYTHING. 971 00:41:58,383 --> 00:41:59,751 DID YOU, PATRICK? 972 00:41:59,751 --> 00:42:00,819 NO, NO. IT MUST HAVE BEEN GABRIEL. 973 00:42:00,819 --> 00:42:02,754 HE SAYS, FUCK OFF, WILL YOUSE? 974 00:42:02,754 --> 00:42:05,023 NOW, MIND YOUR LANGUAGE, PLEASE, FRANCIE. 975 00:42:05,023 --> 00:42:07,693 YOU THINK THEY'D GET THEIR SHOES DIRTY? 976 00:42:07,693 --> 00:42:09,761 OH, NO. OH, NO. 977 00:42:09,761 --> 00:42:11,462 WALKIN' AROUND IN THEIR BLACK SKIRTS 978 00:42:11,462 --> 00:42:12,698 AND THEIR PENGUIN COLORS. 979 00:42:12,698 --> 00:42:14,365 LET THEM CUT THEIR OWN GRASS VERGES. 980 00:42:14,365 --> 00:42:16,768 THAT'S A HARDY DAY, ISN'T IT? 981 00:42:16,768 --> 00:42:18,704 THINK THEY'D DO IT? NO. 982 00:42:18,704 --> 00:42:19,971 BUT THEY'RE QUICK ENOUGH TO ANNOY ME 983 00:42:19,971 --> 00:42:21,940 WHEN THEY TAKE THE NOTION. 984 00:42:21,940 --> 00:42:23,942 "OOH, YOU MISSED A BIT HERE," HE SAYS. 985 00:42:23,942 --> 00:42:25,076 "YOU MISSED A BIT THERE." 986 00:42:25,076 --> 00:42:27,679 FUCK HIM AND HIS GRASS VERGES. 987 00:42:27,679 --> 00:42:29,180 ME THAT FOUGHT WITH MICHAEL COLLINS 988 00:42:29,180 --> 00:42:30,315 IN THE TROUBLED TIMES. 989 00:42:30,315 --> 00:42:31,717 WHICH COLLINS WAS THAT NOW? 990 00:42:31,717 --> 00:42:33,118 AH, THERE YOU ARE, JIMMY. 991 00:42:33,118 --> 00:42:34,019 I WAS JUST WONDERING 992 00:42:34,019 --> 00:42:35,420 ABOUT THIS GRASS VERGE OVER HERE 993 00:42:35,420 --> 00:42:36,722 AT THE SIDE, HMM? 994 00:42:36,722 --> 00:42:39,124 OH, AYE, SURELY, FATHER. DO YOU KNOW WHAT? 995 00:42:39,124 --> 00:42:40,992 WASN'T I ABOUT TO CUT IT THIS VERY MINUTE? 996 00:42:40,992 --> 00:42:42,894 WELL, YOU HAVE TO KEEP ON TOP OF THEM. 997 00:42:42,894 --> 00:42:44,362 YOU CAN'T AFFORD TO LET THEM GO FOR A MINUTE. 998 00:42:44,362 --> 00:42:46,197 NO, YOU CANNOT, INDEED, FATHER. 999 00:42:48,800 --> 00:42:51,603 Francie: WELL, THEM BOGMEN LIKED THEIR PORRIDGE, 1000 00:42:51,603 --> 00:42:52,804 THEY CERTAINLY DID. 1001 00:42:52,804 --> 00:42:55,073 MIND YOU, THE OLD SCHOOL WASN'T THAT BAD, 1002 00:42:55,073 --> 00:42:57,142 AND IT WAS THE BEST SCHOOL IN THE WORLD 1003 00:42:57,142 --> 00:42:59,945 THE DAY THAT OLD LETTER CAME FROM JOE. 1004 00:43:02,748 --> 00:43:05,483 YOU KNOW WHERE I MET JOE FIRST? 1005 00:43:05,483 --> 00:43:07,085 JOE WHO? 1006 00:43:07,085 --> 00:43:08,119 WHO DO YOU THINK? 1007 00:43:08,119 --> 00:43:09,054 JOE PURCELL! 1008 00:43:09,054 --> 00:43:10,822 I DON'T KNOW ANY JOE PURCELL. 1009 00:43:10,822 --> 00:43:13,324 MAN, BUT YOU'RE A BOGMAN. 1010 00:43:13,324 --> 00:43:15,526 JOE PURCELL, THE BOY WHO WROTE THIS LETTER. 1011 00:43:15,526 --> 00:43:17,929 I NEVER GET ANY LETTERS. 1012 00:43:17,929 --> 00:43:19,631 WELL, AREN'T YOUSE GONNA ASK ME? 1013 00:43:19,631 --> 00:43:20,699 ASK YOU WHAT? 1014 00:43:20,699 --> 00:43:22,467 WHERE I MET HIM FIRST? 1015 00:43:22,467 --> 00:43:24,870 WHERE DID YOU MEET HIM FIRST? 1016 00:43:24,870 --> 00:43:27,673 IT WAS AT THE FOUNTAIN. 1017 00:43:27,673 --> 00:43:29,675 IT WAS AT THE FOUNTAIN. 1018 00:43:29,675 --> 00:43:31,076 THERE AREN'T ANY FOUNTAINS ROUND OUR WAY. 1019 00:43:31,076 --> 00:43:34,279 Francie: "DEAR FRANCIE, YOU IDIOT. 1020 00:43:34,279 --> 00:43:35,413 "WHAT WERE YOU DOIN'? 1021 00:43:35,413 --> 00:43:37,683 "WERE YOU TRYIN' TO BURN DOWN THE NUGENTS' HOUSE? 1022 00:43:37,683 --> 00:43:39,685 "THERE'S ALL SORTS OF STORIES ABOUT YA. 1023 00:43:39,685 --> 00:43:41,419 "YOU'LL HAVE TO LAY OFF PHILLIP. 1024 00:43:41,419 --> 00:43:42,821 PHILLIP ISN'T THAT BAD." 1025 00:43:42,821 --> 00:43:45,824 AT FIRST I THOUGHT IT WAS A JOKE. 1026 00:43:45,824 --> 00:43:48,226 JOE SAYIN' PHILLIP WON A GOLDFISH AT THE CARNIVAL 1027 00:43:48,226 --> 00:43:49,160 AND GAVE IT TO HIM. 1028 00:43:49,160 --> 00:43:51,229 PHILLIP AT THE CARNIVAL WITH JOE? 1029 00:43:51,229 --> 00:43:52,530 I KNEW IT WAS A JOKE, 1030 00:43:52,530 --> 00:43:54,700 BUT THEN I SAYS, MAYBE IT WASN'T. 1031 00:43:54,700 --> 00:43:56,968 MAYBE PHILLIP DID WIN A GOLDFISH, 1032 00:43:56,968 --> 00:43:59,738 AND, WORST OF ALL, MAYBE JOE TOOK IT. 1033 00:43:59,738 --> 00:44:01,973 "TIMES ARE TOUGH, JIMMY," HE SAYS. 1034 00:44:01,973 --> 00:44:04,575 A SHILLING RISE IS ALL HE COULD MANAGE. 1035 00:44:04,575 --> 00:44:05,744 MAYBE NEXT YEAR. 1036 00:44:05,744 --> 00:44:07,713 FUCKIN' SKY PILOT! 1037 00:44:07,713 --> 00:44:09,647 I'D GIVE THEM THAT! 1038 00:44:09,647 --> 00:44:11,116 SEE? HUH? 1039 00:44:11,116 --> 00:44:13,118 IF YOU WERE FRIENDS WITH SOMEONE 1040 00:44:13,118 --> 00:44:16,722 AND THIS OTHER PERSON GAVE YOU A GOLDFISH, 1041 00:44:16,722 --> 00:44:20,325 THE OTHER PERSON YOU WERE FRIENDS WITH, 1042 00:44:20,325 --> 00:44:22,327 WOULD YOU TAKE IT? 1043 00:44:22,327 --> 00:44:24,329 IF WHO GAVE IT TO YA? 1044 00:44:24,329 --> 00:44:25,731 THE OTHER FELLA. 1045 00:44:25,731 --> 00:44:27,733 OH, BEDAD NOW, I WOULDN'T KNOW. 1046 00:44:27,733 --> 00:44:29,735 I WOULDN'T KNOW MUCH ABOUT GOLDFISHES, 1047 00:44:29,735 --> 00:44:31,369 IN THE HEEL OF THE HUNT TO BE STRAIGHT WITH YA. 1048 00:44:31,369 --> 00:44:32,738 OK. 1049 00:44:32,738 --> 00:44:34,740 IT DOESN'T MATTER ANYWAY. 1050 00:44:34,740 --> 00:44:37,142 Francie: I THOUGHT ABOUT IT FOR A WHILE, 1051 00:44:37,142 --> 00:44:39,377 AND THEN I SAYS I WON'T THINK ABOUT IT AGAIN. 1052 00:44:39,377 --> 00:44:40,846 I WON'T, I WON'T, I WON'T. 1053 00:44:40,846 --> 00:44:42,347 THERE WON'T BE NO MORE ABOUT GOLDFISH 1054 00:44:42,347 --> 00:44:43,581 AND CARNIVALS FOR ME. 1055 00:44:43,581 --> 00:44:45,884 GOLDFISH AND CARNIVALS, THE END. 1056 00:44:45,884 --> 00:44:49,821 I'M GLAD TO SEE YOU'RE LEARNING MANNERS, FRANCIE. 1057 00:44:49,821 --> 00:44:51,689 THANK YOU, FATHER. 1058 00:44:54,359 --> 00:44:55,761 OH, NOW... 1059 00:44:55,761 --> 00:44:58,163 AND SO I'VE SEEN THEM ALL COME AND GO 1060 00:44:58,163 --> 00:45:00,165 SINCE THE VERY FIRST DAY I CAME HERE 1061 00:45:00,165 --> 00:45:01,499 AS A FRESH YOUNG CURATE MYSELF. 1062 00:45:01,499 --> 00:45:05,503 THERE'S OUR FOUNDER, FRANCIE, NOW, FATHER CLEARY. 1063 00:45:05,503 --> 00:45:07,038 IS IT NOW, INDEED, FATHER? 1064 00:45:07,038 --> 00:45:09,040 Francie: WAS IT HIM THAT FOUNDED THE SCHOOL 1065 00:45:09,040 --> 00:45:11,376 FOR BOGMEN WITH BONY ASSES, I SAYS. 1066 00:45:11,376 --> 00:45:12,778 I DID LIKE FUCK. 1067 00:45:12,778 --> 00:45:15,180 FATHER CLEARY HAD A SAYING. 1068 00:45:15,180 --> 00:45:16,314 NO BOY IS SO BAD 1069 00:45:16,314 --> 00:45:18,349 THAT YOU CAN'T FIND A SCRAP OF GOODNESS IN HIM. 1070 00:45:18,349 --> 00:45:19,785 MM-HMM. 1071 00:45:19,785 --> 00:45:22,788 Francie: BUT WHAT DID JOE HAVE TO TAKE IT FOR? 1072 00:45:22,788 --> 00:45:25,123 WHY? WHY? WHY? WHY DIDN'T HE SAY, 1073 00:45:25,123 --> 00:45:27,192 "SORRY, PHILLIP, YOU CAN KEEP YOUR GOLDFISH. 1074 00:45:27,192 --> 00:45:29,394 YOU'RE NOTHIN' TO DO WITH US." 1075 00:45:29,394 --> 00:45:30,929 THEN IT CAME TO ME. 1076 00:45:30,929 --> 00:45:32,931 JOE ONLY TOOK THE GOLDFISH 1077 00:45:32,931 --> 00:45:34,065 SO THERE WOULD BE PEACE BETWEEN US ALL. 1078 00:45:34,065 --> 00:45:36,067 AND WHEN I CAME HOME, ME AND JOE 1079 00:45:36,067 --> 00:45:37,335 WOULD JUST CARRY ON THE WAY WE HAD. 1080 00:45:37,335 --> 00:45:39,404 THE DEVIL MAKES WORK FOR IDLE HANDS, 1081 00:45:39,404 --> 00:45:40,638 YOU SEE, FRANCIE. 1082 00:45:40,638 --> 00:45:43,541 AND THERE'S NO FLITTER OF BADNESS 1083 00:45:43,541 --> 00:45:44,976 THAT GOOD, FRESH COUNTRY AIR 1084 00:45:44,976 --> 00:45:46,812 AND HARD WORK CAN'T CURE. 1085 00:45:46,812 --> 00:45:48,213 Francie: AND THAT WAS THE END OF THE GOLDFISH. 1086 00:45:48,213 --> 00:45:50,081 BECAUSE, FROM NOW ON, I WAS GOING TO BE GOOD, 1087 00:45:50,081 --> 00:45:52,483 AND IF ANYONE WAS LOOKING FOR FRANCIE THE BAD BASTARD, 1088 00:45:52,483 --> 00:45:54,219 THEY WOULDN'T FIND HIM, BECAUSE HE WAS BUSY GETTIN' 1089 00:45:54,219 --> 00:45:57,322 THE "FRANCIE NOT A BAD BASTARD ANYMORE" DIPLOMA. 1090 00:45:57,322 --> 00:46:00,358 AND SOON I WOULD BE OUT, AND WHERE WOULD I BE THEN? 1091 00:46:00,358 --> 00:46:01,359 RIGHT AT THE FOUNTAIN 1092 00:46:01,359 --> 00:46:03,394 WITH THE ONE AND ONLY JOE PURCELL, 1093 00:46:03,394 --> 00:46:05,030 KING OF ALL TIME. 1094 00:46:05,030 --> 00:46:07,032 WHEN I SEE YOU OUT THERE IN THE BOG, FRANCIE, 1095 00:46:07,032 --> 00:46:09,000 BENDING YOUR BACK, 1096 00:46:09,000 --> 00:46:12,303 I KNOW THERE'S GOODNESS IN YOU. 1097 00:46:12,303 --> 00:46:14,039 BUT, FATHER... 1098 00:46:15,841 --> 00:46:17,242 YES, FRANCIE? 1099 00:46:17,242 --> 00:46:20,846 DO YOU KNOW WHAT I'D LIKE TO DO BETTER 1100 00:46:20,846 --> 00:46:24,682 THAN CUTTIN' TURF AND GRASS VERGES? 1101 00:46:24,682 --> 00:46:25,884 WHAT, FRANCIE? 1102 00:46:27,385 --> 00:46:31,990 I'D LIKE TO BE AN ALTAR BOY, FATHER. 1103 00:46:37,795 --> 00:46:39,998 BEGOD, FRANCIE... 1104 00:46:39,998 --> 00:46:42,200 YOU'RE FULL OF SURPRISES, HUH? 1105 00:46:43,234 --> 00:46:44,836 Francie: AND THE FRANCIE BRADY 1106 00:46:44,836 --> 00:46:48,940 "NOT A BAD BASTARD ANYMORE" AWARD GOES TO... 1107 00:46:48,940 --> 00:46:52,277 BEGOD! I THINK IT'S FRANCIE BRADY. 1108 00:47:05,390 --> 00:47:09,494 AND SO IT WAS THAT THE BLESSED VIRGIN MARY 1109 00:47:09,494 --> 00:47:15,833 APPEARED TO 3 SMALL CHILDREN WHO WERE CHOSEN BY HER, 1110 00:47:15,833 --> 00:47:18,103 3 BEAUTIFUL LITTLE SERVANTS OF GOD 1111 00:47:18,103 --> 00:47:22,707 CHOSEN TO DELIVER HER SPECIAL MESSAGE, 1112 00:47:22,707 --> 00:47:27,112 FOR SHE KNEW THAT THE SOUL OF A CHILD 1113 00:47:27,112 --> 00:47:30,015 IS THE PUREST OF ALL. 1114 00:47:42,727 --> 00:47:44,329 WHAT DO YOU SEE? 1115 00:47:44,329 --> 00:47:45,330 WHAT DO YOU SEE? 1116 00:47:45,330 --> 00:47:46,731 WHAT IS IT? 1117 00:47:46,731 --> 00:47:49,334 WHAT THE HELL IS GOING ON HERE? 1118 00:47:50,735 --> 00:47:52,737 WHAT ARE YOU LOOKING AT, FRANCIE? 1119 00:47:52,737 --> 00:47:54,139 GET BACK TO WORK WHEN YOU'RE TOLD TO! 1120 00:47:54,139 --> 00:47:55,941 GET BACK TO WORK WHEN YOU'RE TOLD TO! 1121 00:48:02,880 --> 00:48:05,483 DID SHE SPEAK TO YOU, FRANCIS? 1122 00:48:05,483 --> 00:48:07,152 NO. SHE JUST LOOKED. 1123 00:48:07,152 --> 00:48:09,354 I THINK SHE MIGHT SPEAK THE NEXT TIME. 1124 00:48:09,354 --> 00:48:10,956 OH, FRANCIS... 1125 00:48:12,157 --> 00:48:17,162 I THINK YOU'VE UNLOCKED SOMETHING VERY PRECIOUS. 1126 00:48:17,162 --> 00:48:18,563 THANK YOU, FATHER. 1127 00:48:18,563 --> 00:48:20,966 COME ON INSIDE. TELL ME ALL ABOUT IT. 1128 00:48:22,567 --> 00:48:25,736 SO YOU'VE UNLOCKED SOMETHING VERY PRECIOUS, HAVE YA? 1129 00:48:25,736 --> 00:48:26,938 THE OLD BOLLOCKS. 1130 00:48:26,938 --> 00:48:29,374 THE BALUBAS DIDN'T GIVE 'EM HALF ENOUGH. 1131 00:48:29,374 --> 00:48:30,175 THE BALUBAS? 1132 00:48:30,175 --> 00:48:31,276 YEAH, THE BALUBAS. 1133 00:48:31,276 --> 00:48:32,710 THEY HAD THEIR CLOTHES AND ALL OFF 1134 00:48:32,710 --> 00:48:34,045 FROM OVER IN AFRICA 1135 00:48:34,045 --> 00:48:35,180 AND IN THE COOKING POT ABOUT TO LIGHT THE STICKS 1136 00:48:35,180 --> 00:48:36,581 WHEN THE ARMY COME. 1137 00:48:36,581 --> 00:48:39,384 YOU DON'T THINK HE WAS LIKE THAT ALL HIS LIFE, DO YA? 1138 00:48:39,384 --> 00:48:41,319 [SPITS] 1139 00:48:42,787 --> 00:48:44,389 FRESH DAY, FRANCIE. 1140 00:48:45,790 --> 00:48:46,992 GOOD BOY. 1141 00:49:02,807 --> 00:49:04,809 HELLO, FRANCIE. 1142 00:49:04,809 --> 00:49:06,411 HELLO, OUR LADY. 1143 00:49:06,411 --> 00:49:07,878 HOW ARE THINGS? 1144 00:49:07,878 --> 00:49:09,614 UH, NOT SO BAD, 1145 00:49:09,614 --> 00:49:11,983 BUT I WAS A BIT WORRIED THERE FOR A WHILE. 1146 00:49:11,983 --> 00:49:13,218 BUT I'M OK NOW. 1147 00:49:13,218 --> 00:49:15,220 WORRIED, FRANCIE? 1148 00:49:15,220 --> 00:49:17,422 WHAT WERE YOU WORRIED ABOUT? 1149 00:49:17,422 --> 00:49:19,824 THE GOLDFISH. 1150 00:49:19,824 --> 00:49:21,226 THE GOLDFISH? 1151 00:49:21,226 --> 00:49:22,827 WHAT GOLDFISH, FRANCIE? 1152 00:49:22,827 --> 00:49:25,330 THE GOLDFISH PHILLIP GAVE TO JOE. 1153 00:49:25,330 --> 00:49:26,297 OH. 1154 00:49:26,297 --> 00:49:29,234 FRANCIE, YOU KNOW YOU SHOULDN'T WORRY 1155 00:49:29,234 --> 00:49:30,835 ABOUT THOSE THINGS. 1156 00:49:30,835 --> 00:49:35,440 JOE'S YOUR FRIEND, ISN'T HE? 1157 00:49:35,440 --> 00:49:36,841 YES, OUR LADY. 1158 00:49:36,841 --> 00:49:38,143 OF COURSE HE IS. 1159 00:49:38,143 --> 00:49:40,445 OF COURSE HE IS. 1160 00:49:50,221 --> 00:49:54,859 YOU KNOW, THERE'S A PARTICULAR REASON 1161 00:49:54,859 --> 00:49:56,861 WHY SHE CHOSE YOU, FRANCIE. 1162 00:49:56,861 --> 00:49:59,264 IT'S BECAUSE YOU'RE SO SPECIAL. 1163 00:49:59,264 --> 00:50:02,867 WORRYING MY HEAD ABOUT GOLDFISH. 1164 00:50:02,867 --> 00:50:05,270 SHE SAYS I'VE NO SENSE. 1165 00:50:05,270 --> 00:50:09,274 A YOUNG FELLA LIKE YOU WITH HIS LIFE BEFORE HIM? 1166 00:50:09,274 --> 00:50:12,477 WHAT CALL HAVE YOU TO BE WORRIED? 1167 00:50:15,480 --> 00:50:16,481 FRANCIS. 1168 00:50:16,481 --> 00:50:17,482 YES, FATHER? 1169 00:50:18,883 --> 00:50:21,886 WOULD YOU TELL ME ABOUT IT AGAIN? 1170 00:50:21,886 --> 00:50:24,289 THE FIRST TIME YOU SAW HER. 1171 00:50:24,289 --> 00:50:28,893 WELL, THE FIRST TIME THERE WAS THIS PERFUME, 1172 00:50:28,893 --> 00:50:30,895 AND THEN THERE WAS THIS SMELL. 1173 00:50:30,895 --> 00:50:33,898 I DIDN'T KNOW WHAT IT WAS 1174 00:50:33,898 --> 00:50:35,300 UNTIL THESE ROSE PETALS 1175 00:50:35,300 --> 00:50:37,302 STARTED FALLING OUT OF THE SKY. 1176 00:50:37,302 --> 00:50:39,704 Francie: SO, THERE I AM, TELLING HIM THE STORY, 1177 00:50:39,704 --> 00:50:42,307 AND THE NEXT THING, HIS HAND IS JIGGLING IN HIS POCKET. 1178 00:50:42,307 --> 00:50:44,309 WHAT ARE YOU DOING THERE, FATHER TIDDLY? 1179 00:50:44,309 --> 00:50:46,311 PAY ATTENTION. YOU'RE WORSE THAN THE BLOODY NUGENTS. 1180 00:50:46,311 --> 00:50:48,913 THIS IS AMAZING FACTS ABOUT OUR LADY I'M TELLING YOU, 1181 00:50:48,913 --> 00:50:50,715 AND YOU'RE JIGGLING AWAY THERE. 1182 00:50:50,715 --> 00:50:52,717 COME ON, DEAR. WHAT ARE YOU PLAYING AT? 1183 00:50:52,717 --> 00:50:54,319 THE NEXT THING, HE BENDS OVER SHAKING. 1184 00:50:54,319 --> 00:50:55,720 I THOUGHT HE WAS GONNA BREAK INTO 2 HALVES. 1185 00:50:55,720 --> 00:50:57,455 I'D BE IN A RIGHT FIX IF THAT HAPPENED. 1186 00:50:57,455 --> 00:50:59,924 JUST WHAT IS ONE HALF OF FATHER TIDDLY 1187 00:50:59,924 --> 00:51:01,192 DOING OVER BY THE BOOKCASE 1188 00:51:01,192 --> 00:51:02,560 AND THE OTHER HALF ON THE FLOOR? 1189 00:51:02,560 --> 00:51:04,929 DON'T YOU BE BOTHERIN' YOUR HEAD ABOUT IT, FATHER. 1190 00:51:04,929 --> 00:51:07,532 COME OUT FROM UNDER THOSE HANDS NOW. 1191 00:51:07,532 --> 00:51:09,134 [WHIMPERING] 1192 00:51:10,735 --> 00:51:13,738 WHAT I DON'T KNOW IS WHY DOES SHE NEVER APPEAR TO US? 1193 00:51:13,738 --> 00:51:16,341 MAYBE IT'S ONLY TO FELLAS CALLED FRANCIE. 1194 00:51:16,341 --> 00:51:17,942 WHAT, DO YOU THINK SHE'S NOTHING BETTER TO DO 1195 00:51:17,942 --> 00:51:19,644 THAN APPEAR TO MUCKSAVAGE BOLLOCKSES 1196 00:51:19,644 --> 00:51:21,146 LIKE YOU? 1197 00:51:22,113 --> 00:51:23,548 * 1198 00:51:23,548 --> 00:51:25,550 * 1199 00:51:31,556 --> 00:51:33,158 [DOOR OPENS] 1200 00:51:34,959 --> 00:51:36,227 HERE'S THE BOY NOW. 1201 00:51:36,227 --> 00:51:37,762 COMING ALONG GRAND HE IS, TOO. 1202 00:51:37,762 --> 00:51:41,366 UP AT 7:00 EVERY MORNING SERVING MASS. 1203 00:51:41,366 --> 00:51:43,701 HE'S A CREDIT, MR. BRADY. 1204 00:51:44,769 --> 00:51:47,372 Francie: THERE WAS DA IN HIS AL CAPONE COAT. 1205 00:51:47,372 --> 00:51:48,773 HOW ARE YOU, FATHER? 1206 00:51:48,773 --> 00:51:50,141 NO, THAT'S NOT A BOTTLE OF WHISKEY IN ME POCKET. 1207 00:51:50,141 --> 00:51:51,376 I KNOW HOW TO BEHAVE MYSELF. 1208 00:51:51,376 --> 00:51:52,777 SURE, WASN'T I IN A HOME LIKE THIS WITH ALO 1209 00:51:52,777 --> 00:51:54,245 ALL THOSE YEARS AGO? 1210 00:52:07,792 --> 00:52:09,594 [BIRDS CHIRPING] 1211 00:52:09,594 --> 00:52:13,798 THEY'RE LOVEBIRDS, FRANCIE. 1212 00:52:13,798 --> 00:52:16,801 ALO WAS RIGHT, YOU KNOW. 1213 00:52:16,801 --> 00:52:19,604 DON'T TALK ABOUT ALO. 1214 00:52:19,604 --> 00:52:21,806 THERE WAS NO ROWS THOSE DAYS. 1215 00:52:21,806 --> 00:52:23,408 NO WHISKEY, NOTHING. 1216 00:52:25,210 --> 00:52:28,813 THE WAR WAS JUST OVER, AND EVERYONE WAS HAPPY. 1217 00:52:30,215 --> 00:52:34,785 BUT ALO WAS ONLY HALF RIGHT, FRANCIE. 1218 00:52:35,620 --> 00:52:38,623 I MET HER 3 TIMES IN BUNDORAN, 1219 00:52:38,623 --> 00:52:40,825 AND ALWAYS IN THE BOARDINGHOUSE 1220 00:52:40,825 --> 00:52:42,627 OVER THE WAVES, 1221 00:52:42,627 --> 00:52:45,230 WHERE THERE WAS MUSIC IN THE EVENING. 1222 00:52:45,230 --> 00:52:46,831 SHUT UP. 1223 00:52:46,831 --> 00:52:49,634 SHUT UP ABOUT IT. 1224 00:52:49,634 --> 00:52:52,237 I JUST STARTED A BRASS BAND AT THE TIME, FRANCIE, 1225 00:52:52,237 --> 00:52:54,439 THE TIME I MET EDDIE CALVERT. 1226 00:52:56,641 --> 00:52:58,843 SOMETIMES YOU GET TO THINKING, SON, 1227 00:52:58,843 --> 00:53:00,845 ABOUT THE OLD DAYS. 1228 00:53:00,845 --> 00:53:02,847 WELL, THEY'RE GONE. 1229 00:53:05,250 --> 00:53:06,651 THE PAIR OF US 1230 00:53:06,651 --> 00:53:09,254 LIKE A COUPLE OF YOUNGSTERS... 1231 00:53:09,254 --> 00:53:12,657 "YOU PUT YOUR HEAD IN, BENNY," HE SAYS. 1232 00:53:12,657 --> 00:53:15,460 CAN YOU IMAGINE ME AS TARZAN? 1233 00:53:16,861 --> 00:53:18,463 McGLONE EGGIN' HER ON. 1234 00:53:21,266 --> 00:53:23,468 THERE WAS NO WHISKEY THEN, SON. 1235 00:53:26,271 --> 00:53:30,275 ONLY THE SEA AND THE WAVES. 1236 00:53:30,275 --> 00:53:35,880 WE SAID THE ROSARY ON THE ROCKS, 1237 00:53:35,880 --> 00:53:37,482 US AND THE McGLONES. 1238 00:53:41,286 --> 00:53:43,087 WE SAID THE ROSARY ON THE ROCKS. 1239 00:53:43,087 --> 00:53:46,691 I DON'T WANT TO HEAR ABOUT THE ROSARY ON THE ROCKS. 1240 00:53:46,691 --> 00:53:49,660 WASN'T ALWAYS LIKE THIS, SON. 1241 00:53:49,660 --> 00:53:53,964 YOU'LL NEVER KNOW HOW MUCH I LOVED THAT WOMAN. 1242 00:53:53,964 --> 00:53:57,935 "MAY THE CURSE OF CHRIST LIGHT UPON YE, YA BITCH. 1243 00:53:57,935 --> 00:54:01,138 "THE DAY I TOOK YOU OUT OF THAT HOLE OF A SHOP IN DERRY 1244 00:54:01,138 --> 00:54:02,707 WAS A BITTER ONE FOR ME." 1245 00:54:02,707 --> 00:54:05,510 I CAME HERE TO SEE YA, SON. 1246 00:54:05,510 --> 00:54:06,911 IF ONLY YOU KNEW. 1247 00:54:06,911 --> 00:54:08,446 YOU HAVE NO SON. 1248 00:54:08,446 --> 00:54:12,917 YOU PUT ME IN A HOME LIKE HER. 1249 00:54:12,917 --> 00:54:14,184 WHAT DID I DO? 1250 00:54:14,184 --> 00:54:18,623 WHAT DID I DO? 1251 00:54:21,726 --> 00:54:26,531 I LOVED YOU LIKE NO FATHER EVER LOVED A SON, FRANCIE. 1252 00:54:27,365 --> 00:54:30,935 Francie: IT WAS HARD FOR HIM TO SAY IT. 1253 00:54:30,935 --> 00:54:32,737 I COULD BARELY HEAR HIM. 1254 00:54:32,737 --> 00:54:36,941 IT WOULD'VE BEEN BETTER IF HE DREW OUT AND HIT ME. 1255 00:54:49,354 --> 00:54:51,356 WELL, FRANCIS, 1256 00:54:51,356 --> 00:54:53,724 THAT WAS A NICE SURPRISE. 1257 00:55:00,765 --> 00:55:03,768 SURE. IF YOU CAN'T HAVE A BIT OF A LAUGH, 1258 00:55:03,768 --> 00:55:06,371 WHAT CAN YOU HAVE? ISN'T THAT RIGHT? 1259 00:55:06,371 --> 00:55:08,373 THAT'S RIGHT, FATHER. 1260 00:55:08,373 --> 00:55:10,975 YOU'D NEVER BELIEVE THIS, FRANCIE, 1261 00:55:10,975 --> 00:55:13,378 BUT MY OWN MOTHER 1262 00:55:13,378 --> 00:55:16,981 HAD A BONNET NEARLY THE VERY SAME. 1263 00:55:16,981 --> 00:55:18,383 IS THAT RIGHT? 1264 00:55:18,383 --> 00:55:19,384 YEAH. 1265 00:55:19,384 --> 00:55:22,987 YEAH. IT HAD RIBBONS, TOO. 1266 00:55:24,989 --> 00:55:26,524 FRANCIE... 1267 00:55:27,792 --> 00:55:30,995 DID YOUR MOTHER WEAR A BONNET? 1268 00:55:30,995 --> 00:55:32,997 NO. 1269 00:55:32,997 --> 00:55:36,000 SHE ONLY WORE SCARVES. 1270 00:55:36,000 --> 00:55:37,034 JUST SCARVES. 1271 00:55:37,034 --> 00:55:39,804 WELL, SHE MUST'VE WORN A BONNET SOMETIMES. 1272 00:55:39,804 --> 00:55:41,806 ARE YOU SURE SHE DIDN'T WEAR ONE? 1273 00:55:41,806 --> 00:55:44,008 MAYBE AT CHRISTMAS OR EASTER. 1274 00:55:44,008 --> 00:55:45,410 OH, SHE MUST HAVE. 1275 00:55:45,410 --> 00:55:49,013 NO, SHE DIDN'T WEAR BONNETS, FATHER. 1276 00:55:49,013 --> 00:55:51,949 I ALWAYS LIKED A BONNET. 1277 00:55:51,949 --> 00:55:54,819 A BONNET IS NICE. 1278 00:55:54,819 --> 00:55:58,823 I SAID SHE DIDN'T WEAR BONNETS, FATHER. 1279 00:55:58,823 --> 00:56:01,426 DID SHE WEAR RIBBONS LIKE THIS? 1280 00:56:01,426 --> 00:56:04,629 LITTLE RIBBONS COMING DOWN HERE. 1281 00:56:08,833 --> 00:56:12,437 FRANCIE, I WANT YOU TO TELL ME NOW 1282 00:56:12,437 --> 00:56:14,539 THE WORST THING YOU EVER DONE. 1283 00:56:14,539 --> 00:56:16,441 I DID NOTHIN' BAD. 1284 00:56:16,441 --> 00:56:19,544 SOMETHING SO BAD, SO AWFUL 1285 00:56:19,544 --> 00:56:21,579 YOU WOULDN'T TELL YOUR OWN MOTHER. 1286 00:56:21,579 --> 00:56:23,080 WHAT DID I DO THAT'S SO BAD? 1287 00:56:23,080 --> 00:56:24,081 YOU BASTARD! 1288 00:56:24,081 --> 00:56:26,651 I DID NOTHIN' BAD! 1289 00:56:32,457 --> 00:56:34,525 GOD FORGIVE US. 1290 00:56:39,464 --> 00:56:43,033 WELL, BY CHRIST, YOU'RE THE GOOD ONE. 1291 00:56:43,033 --> 00:56:44,068 IT'S ONLY A PITY 1292 00:56:44,068 --> 00:56:45,936 YOU DIDN'T CUT THE TODGER OFF HIM ENTIRELY. 1293 00:56:45,936 --> 00:56:48,205 THEM AND THEIR GRASS FUCKIN' VERGES. 1294 00:56:48,205 --> 00:56:49,474 THEY'RE SHITTIN' THEMSELVES NOW, 1295 00:56:49,474 --> 00:56:51,476 IN CASE THE NEWSPAPERS HEAR ABOUT IT. 1296 00:56:51,476 --> 00:56:52,710 BE CHRIST, FRANCIE. 1297 00:56:52,710 --> 00:56:54,979 THERE HASN'T BEEN AS MUCH CRACK ROUND HERE 1298 00:56:54,979 --> 00:56:57,515 SINCE BULL McQUAID RODE THE GOAT. 1299 00:57:00,184 --> 00:57:01,786 HERE WE ARE. 1300 00:57:04,188 --> 00:57:05,790 A GREAT MAN. 1301 00:57:07,592 --> 00:57:09,126 A WONDERFUL MAN. 1302 00:57:09,994 --> 00:57:13,197 BUT WE ALL HAVE OUR PROBLEMS, DON'T WE? 1303 00:57:14,599 --> 00:57:17,001 THE PRIESTHOOD IS A LONELY LOT, 1304 00:57:17,001 --> 00:57:20,204 AND THERE'S NOT ONE OF US THAT'S PERFECT. 1305 00:57:35,620 --> 00:57:38,623 FATHER SULLIVAN WAS A GREAT MAN, YOU KNOW. 1306 00:57:38,623 --> 00:57:41,225 THE NIGHT HE WENT IN THE MISSION, 1307 00:57:41,225 --> 00:57:42,627 I REMEMBER IT WELL, 1308 00:57:42,627 --> 00:57:44,829 SO HE HAD US IN STITCHES LAUGHING, YOU KNOW? 1309 00:57:44,829 --> 00:57:46,230 FATHER... 1310 00:57:46,230 --> 00:57:47,632 YES, FRANCIE? 1311 00:57:47,632 --> 00:57:52,036 I WANT ONE OF THESE CUSTARD CREAMS. 1312 00:57:52,036 --> 00:57:54,505 YOU CAN, FRANCIE. TAKE 2. THEY'RE SMALL. 1313 00:57:54,505 --> 00:57:56,240 TAKE 2, THEY'RE SMALL. 1314 00:57:57,241 --> 00:57:59,577 UH...HA HA! 1315 00:57:59,577 --> 00:58:00,678 HA HA HA! 1316 00:58:00,678 --> 00:58:02,079 SURE, A BIT OF A LAUGH NOW AND THEN 1317 00:58:02,079 --> 00:58:05,049 IS WHAT MOST OF US NEED, I SUPPOSE. 1318 00:58:05,049 --> 00:58:08,653 BUT FATHER SULLIVAN NOW WILL BE OFF TO SOME SPEND TIME 1319 00:58:08,653 --> 00:58:10,655 WITH HIS SISTER IN DUBLIN. 1320 00:58:10,655 --> 00:58:13,658 AFTER A REST, SURE, HE'LL BE RIGHT AS RAIN AGAIN. 1321 00:58:13,658 --> 00:58:16,794 FATHER, THESE ARE GRAND CUSTARD CREAMS. 1322 00:58:16,794 --> 00:58:20,665 FRANCIE, THERE'S SOMETHING I WANT TO TELL YOU NOW, 1323 00:58:20,665 --> 00:58:26,871 AND, WELL, I DON'T WANT YOU TO BREATHE IT TO A SOUL. 1324 00:58:26,871 --> 00:58:28,873 EH? 1325 00:58:28,873 --> 00:58:31,876 UM... 1326 00:58:31,876 --> 00:58:33,077 AHEM. 1327 00:58:33,077 --> 00:58:36,080 FATHER DOYLE WAS JUST SAYING LAST NIGHT 1328 00:58:36,080 --> 00:58:38,549 HOW WELL YOU'RE COMING ON, YOU KNOW. 1329 00:58:38,549 --> 00:58:42,086 AND I SUPPOSE REALLY WHAT I'M TRYING TO SAY 1330 00:58:42,086 --> 00:58:46,023 IS THAT, UH, YOU KNOW, IF YOU KEEP THIS UP, 1331 00:58:46,023 --> 00:58:48,092 WELL, I WOULDN'T BE SURPRISED 1332 00:58:48,092 --> 00:58:49,694 IF YOU DIDN'T HAVE A LITTLE SURPRISE 1333 00:58:49,694 --> 00:58:52,296 AT THE END OF THE-- 1334 00:58:52,296 --> 00:58:53,698 OH, BOY! 1335 00:58:53,698 --> 00:58:58,068 AT THE END OF THE WEEK, REALLY, YOU KNOW? 1336 00:58:59,704 --> 00:59:01,105 Francie: POOR OLD BUBBLES. 1337 00:59:01,105 --> 00:59:02,707 WHAT HE WAS REALLY TRYING TO SAY WAS, 1338 00:59:02,707 --> 00:59:04,008 FRANCIE, YOU CAN HAVE 1339 00:59:04,008 --> 00:59:06,310 THE FRANCIE "NOT A BAD BASTARD ANYMORE" DIPLOMA 1340 00:59:06,310 --> 00:59:07,311 AS LONG AS YOU GET OUT OF HERE 1341 00:59:07,311 --> 00:59:08,545 AND KEEP YOUR MOUTH SHUT. 1342 00:59:08,545 --> 00:59:09,714 YOU'RE LIKE A FUNGUS GROWING ON THE WALLS, 1343 00:59:09,714 --> 00:59:11,115 AND WE WANT THEM WASHED CLEAN. 1344 00:59:11,115 --> 00:59:12,850 ISN'T THAT RIGHT, FATHER BUBBLES? 'TIS, INDEED. 1345 00:59:12,850 --> 00:59:16,787 YOU'RE A TERROR FOR THE CUSTARD CREAMS, HUH? 1346 00:59:18,322 --> 00:59:19,724 Francie: OFF I WENT, 1347 00:59:19,724 --> 00:59:21,759 RIDIN' DOWN THE FRESH, CRUNCHY ROAD. 1348 00:59:21,759 --> 00:59:24,929 YEP, IT WAS SURE GOOD TO BE BACK IN THAT TOWN. 1349 00:59:24,929 --> 00:59:26,330 YEE-HAH! 1350 00:59:33,738 --> 00:59:35,673 WHAT ARE YOU DOING HERE, MISTER? 1351 00:59:35,673 --> 00:59:37,274 THAT'S OUR FOUNTAIN! 1352 00:59:37,274 --> 00:59:39,343 IS IT YOURS? IS IT? 1353 00:59:39,343 --> 00:59:41,746 YES. WE'RE IN CHARGE OF IT. 1354 00:59:41,746 --> 00:59:42,747 ME AND BRANDY. 1355 00:59:42,747 --> 00:59:45,349 OK. I WON'T TOUCH IT ANYMORE. 1356 00:59:45,349 --> 00:59:46,583 I RECKON, MISTER. 1357 00:59:46,583 --> 00:59:48,753 I'LL LET YOU GO THIS TIME. 1358 00:59:48,753 --> 00:59:51,155 IT MIGHT BE YOUR FOUNTAIN NOW, 1359 00:59:51,155 --> 00:59:53,357 BUT DO YOU KNOW WHO IT USED TO BELONG TO? 1360 00:59:53,357 --> 00:59:54,424 NO. WHO? 1361 00:59:54,424 --> 00:59:56,060 ME AND JOE PURCELL, THAT'S WHO. 1362 00:59:56,060 --> 00:59:57,762 WELL, YOU DON'T OWN IT NOW. 1363 00:59:57,762 --> 01:00:00,364 WHO THE HELL DOES HE THINK HE IS, 1364 01:00:00,364 --> 01:00:01,431 COMIN' IN HERE? 1365 01:00:01,431 --> 01:00:02,566 YEAH, TAKING OVER OUR FOUNTAIN. 1366 01:00:02,566 --> 01:00:04,635 LET HIM GET HIS OWN BLOODY FOUNTAIN. 1367 01:00:04,635 --> 01:00:07,171 WHY DID THEY LOCK YOU IN THE BOILER HOUSE FOR? 1368 01:00:07,171 --> 01:00:09,774 THE BOILER HOUSE WAS JUST ONE THING, JOE. 1369 01:00:09,774 --> 01:00:11,175 IT WAS JUST ONE THING. 1370 01:00:11,175 --> 01:00:13,778 BUT WHY DID THEY LOCK YOU IN THERE? 1371 01:00:13,778 --> 01:00:15,780 I KNOW YOU'RE IN A BIT OF A BAD MOOD, JOE. 1372 01:00:15,780 --> 01:00:17,782 IT'S THE THING WITH THE GOLDFISH, ISN'T IT? 1373 01:00:17,782 --> 01:00:18,783 WHAT GOLDFISH? 1374 01:00:18,783 --> 01:00:19,950 WHAT GOLDFISH? 1375 01:00:19,950 --> 01:00:23,187 YOU'RE SOME MAN, JOE. "WHAT GOLDFISH?" 1376 01:00:23,187 --> 01:00:25,189 THE THING ABOUT THE GOLDFISH IS 1377 01:00:25,189 --> 01:00:27,925 THAT IT DOESN'T MATTER IN THE SLIGHTEST. 1378 01:00:27,925 --> 01:00:29,994 JUST FORGET ABOUT IT, OK? 1379 01:00:29,994 --> 01:00:31,295 OK. 1380 01:00:31,295 --> 01:00:33,798 OK, NOW, THE BOILER HOUSE-- WHY DID THEY LOCK ME IN THERE? 1381 01:00:33,798 --> 01:00:36,801 WELL, FATHER TIDDLY AND HIS BLOODY MICKEY. WHY ELSE? 1382 01:00:36,801 --> 01:00:39,469 IMAGINE IT, JOE, A PRIEST WANTING YOU TO WEAR BONNETS. 1383 01:00:39,469 --> 01:00:41,806 I SAID, "NO, FATHER. NO BONNETS, 1384 01:00:41,806 --> 01:00:43,674 NOT UNTIL YOU FORK OUT THE CHOCOLATES." 1385 01:00:43,674 --> 01:00:47,812 MAN, JOE, YOU SHOULD'VE SEEN THE FACE ON HIM. 1386 01:00:47,812 --> 01:00:49,279 I'VE GOT TO GO NOW. 1387 01:00:49,279 --> 01:00:50,414 WHAT? 1388 01:00:50,414 --> 01:00:51,415 I HAVE ESSAYS TO DO. 1389 01:00:51,415 --> 01:00:52,817 ESSAYS? 1390 01:00:52,817 --> 01:00:54,218 WHATEVER THEY ARE. 1391 01:00:54,218 --> 01:00:57,421 WELL, I GUESS I'LL SEE YOU ON SATURDAY, THEN. 1392 01:00:57,421 --> 01:00:58,655 JOE... 1393 01:00:58,655 --> 01:01:00,424 YOU DIDN'T BELIEVE ME ABOUT FATHER TIDDLY 1394 01:01:00,424 --> 01:01:01,826 AND ALL THAT, NOW, DID YA? 1395 01:01:01,826 --> 01:01:03,627 HEY, THAT WAS SOME LAUGH, MAKING THAT UP. 1396 01:01:03,627 --> 01:01:07,832 IMAGINE IT, JOE, A PRIEST WANTING TO DO THE LIKE OF THAT. 1397 01:01:07,832 --> 01:01:09,466 SOME HOPE, EH, JOE? 1398 01:01:09,466 --> 01:01:11,235 SOME HOPE. 1399 01:01:21,645 --> 01:01:24,448 THEY LOVED ME TONIGHT, SON. 1400 01:01:26,250 --> 01:01:28,853 [PLAYING SMOOTHLY] 1401 01:01:35,059 --> 01:01:37,061 Francie: AND THERE WAS DA AGAIN, 1402 01:01:37,061 --> 01:01:39,063 PLAYING THAT LOVELY TRUMPET. 1403 01:01:39,063 --> 01:01:42,066 WHEN I HEARD HIM, IT BROUGHT BACK MA 1404 01:01:42,066 --> 01:01:44,068 AND ALL THE BEAUTIFUL THINGS, 1405 01:01:44,068 --> 01:01:47,071 LIKE SNOWDROPS AND ROSES AND FLASH BARS, 1406 01:01:47,071 --> 01:01:49,073 AND ME AND JOE BY THE LAKE, 1407 01:01:49,073 --> 01:01:52,409 AS IF GOLDFISH AND NUGENTS HAD NEVER BEEN INVENTED. 1408 01:01:53,677 --> 01:01:55,880 I'M SORRY, SON. 1409 01:01:57,281 --> 01:01:58,282 I'M SORRY. 1410 01:01:59,683 --> 01:02:01,886 [COUGHING] 1411 01:02:07,124 --> 01:02:09,760 DA. DA. 1412 01:02:21,371 --> 01:02:25,309 LEDDY WANTS YOU TO START TOMORROW, SON. 1413 01:02:27,577 --> 01:02:29,313 [SQUEALING] 1414 01:02:31,715 --> 01:02:32,817 [GUNSHOT] 1415 01:02:32,817 --> 01:02:34,718 I CAN HELP IF YOU LIKE, MR. LEDDY. 1416 01:02:34,718 --> 01:02:36,120 NOT NOW, SON. 1417 01:02:36,120 --> 01:02:39,323 YOU JUST CLEAN UP AROUND. LEAVE THIS TO ME. 1418 01:02:39,323 --> 01:02:41,125 [SQUIRT] 1419 01:02:41,125 --> 01:02:43,327 THEY DON'T LIKE IT WHEN YOU DO THAT TO 'EM, MR. LEDDY. 1420 01:02:43,327 --> 01:02:44,328 WHAT, SON? 1421 01:02:44,328 --> 01:02:45,329 CUT THEIR THROAT. 1422 01:02:45,329 --> 01:02:46,797 INDEED, THEY DO NOT. 1423 01:02:46,797 --> 01:02:48,933 NOT ONE BIT. 1424 01:02:50,868 --> 01:02:52,736 AH, HELLO, LADIES. 1425 01:02:52,736 --> 01:02:54,738 WELL, WOULD YOU LOOK AT WHO'S HERE. 1426 01:02:54,738 --> 01:02:55,806 FRANCIE, YOU'RE BACK. 1427 01:02:55,806 --> 01:02:57,141 WE THINK YOU WERE AT THE SCHOOL. 1428 01:02:57,141 --> 01:02:58,876 AH. ALL OVER NOW, LADIES. 1429 01:02:58,876 --> 01:03:00,878 FRANCIE BRADY, BACK IN ACTION. 1430 01:03:00,878 --> 01:03:01,979 KNOW WHAT IT IS, FRANCIE? 1431 01:03:01,979 --> 01:03:02,980 I THINK YOU'RE GETTING BIG. 1432 01:03:02,980 --> 01:03:03,981 HE IS, INDEED, 1433 01:03:03,981 --> 01:03:05,715 HIM WITH THE BIG JOB AND ALL. 1434 01:03:05,715 --> 01:03:07,751 FRANCIE BRADY, THE BUTCHER BOY. 1435 01:03:07,751 --> 01:03:09,553 Woman: AH, FRANCIE, YOU'RE A TICKET. 1436 01:03:09,553 --> 01:03:14,258 WHAT KIND OF TICKET WOULD THAT BE, NOW, LADIES, HUH? 1437 01:03:16,760 --> 01:03:19,496 A BUS TICKET MAYBE, YEAH? YEAH? 1438 01:03:20,764 --> 01:03:23,367 MAYBE A TRAIN TICKET! 1439 01:03:24,768 --> 01:03:26,636 OR A ONE-WAY TICKET, AM I? 1440 01:03:26,636 --> 01:03:28,372 IS THAT WHAT I AM? 1441 01:03:31,808 --> 01:03:34,811 I HAD YOU THERE, LADIES, HADN'T I? 1442 01:03:34,811 --> 01:03:36,380 A TICKET! HAH! 1443 01:03:36,380 --> 01:03:37,181 A TICKET. 1444 01:03:37,181 --> 01:03:39,383 YES, ALL RIGHT, A TICKET. 1445 01:03:39,383 --> 01:03:41,118 HA HA HA! 1446 01:03:41,118 --> 01:03:45,122 THERE'S ONE PIG THAT'S COME TO THE END OF THE ROAD ANYWAY. 1447 01:03:46,790 --> 01:03:48,893 SHE WAS AN AWFUL WOMAN, YOUR MOTHER. 1448 01:03:48,893 --> 01:03:51,261 THE SQUEALS OF HER IN THE WATER. 1449 01:03:51,261 --> 01:03:52,396 SQUEALING, DA? 1450 01:03:52,396 --> 01:03:54,798 AND THE McGLONES LAUGHING THEIR HEADS OFF AT US. 1451 01:03:54,798 --> 01:03:57,401 HERE, DA. HAVE SOME MORE TEA. 1452 01:03:59,203 --> 01:04:01,305 YOU'RE THE BEST WEE SON THAT EVER WAS, FRANCIE. 1453 01:04:01,305 --> 01:04:03,407 [COUGHING] 1454 01:04:08,812 --> 01:04:11,381 SQUEALING HER HEAD OFF! 1455 01:04:15,385 --> 01:04:17,787 FRANCIE, WHERE'D YOU GET THE MONEY? 1456 01:04:17,787 --> 01:04:18,788 FROM LEDDY. 1457 01:04:18,788 --> 01:04:20,624 I'M A WORKING MAN NOW, JOE. 1458 01:04:20,624 --> 01:04:23,827 SAVING UP FOR A MILLION TRILLION FLASH BARS. 1459 01:04:23,827 --> 01:04:24,995 BUT THE THING IS, JOE, 1460 01:04:24,995 --> 01:04:26,830 THE MAIN THING IS, 1461 01:04:26,830 --> 01:04:29,433 THINGS WILL BE ALWAYS LIKE THE OLD DAYS. 1462 01:04:29,433 --> 01:04:30,834 AH, MAYBE. 1463 01:04:30,834 --> 01:04:32,236 NO MAYBES ABOUT IT, JOE. 1464 01:04:32,236 --> 01:04:34,838 GO ON. SAY IT THE WAY YOU USED TO SAY IT. 1465 01:04:34,838 --> 01:04:35,872 SAY WHAT? 1466 01:04:35,872 --> 01:04:38,842 OK, FELLAS, WE'RE RIDIN' OUT! 1467 01:04:38,842 --> 01:04:42,846 OK, FELLAS, WE'RE RIDIN' OUT! 1468 01:04:42,846 --> 01:04:44,848 DEATH TO ALL DOGS WHO ENTER HERE! 1469 01:04:44,848 --> 01:04:46,450 YOU SAID IT. 1470 01:04:46,450 --> 01:04:47,451 HEY, FISH! 1471 01:04:47,451 --> 01:04:48,352 FUCK OFF! 1472 01:04:48,352 --> 01:04:49,319 WHAT DO YOU THINK OF THAT, FISH?! 1473 01:04:49,319 --> 01:04:50,854 YOU SPERMY LITTLE BASTARDS! 1474 01:04:50,854 --> 01:04:53,257 Francie: WE HAD SOME LAUGHS OUT THERE, 1475 01:04:53,257 --> 01:04:55,125 ME AND JOE, JUST LIKE THE OLD DAYS. 1476 01:04:55,125 --> 01:04:56,493 AND IF I EVER THOUGHT 1477 01:04:56,493 --> 01:04:58,462 I HAD IMAGINED THE OLD DAYS WITH JOE, I WAS WRONG. 1478 01:04:58,462 --> 01:05:00,264 I SURE WAS. 1479 01:05:00,264 --> 01:05:03,267 BUT I HADN'T RECKONED ON MRS. NUGENT, HAD I? 1480 01:05:03,267 --> 01:05:05,869 SENDING HER BOGMAN BROTHERS AFTER ME 1481 01:05:05,869 --> 01:05:07,271 FOR SHITTIN' ON HER FLOOR. 1482 01:05:07,271 --> 01:05:08,705 ISN'T THIS OUR LUCKY DAY? 1483 01:05:08,705 --> 01:05:10,640 BACK OFF, YOUNG JOE. 1484 01:05:10,640 --> 01:05:12,977 YOU'RE GONNA BE SORRY NOW. 1485 01:05:12,977 --> 01:05:14,278 WHO'S GONNA MAKE ME SORRY? 1486 01:05:14,278 --> 01:05:15,879 FRANCIE, PLEASE DON'T START ANY TROUBLE. 1487 01:05:15,879 --> 01:05:17,447 GO ON, BUTTSY! 1488 01:05:18,482 --> 01:05:19,483 OH, SHIT. 1489 01:05:19,483 --> 01:05:21,885 OH, JESUS! 1490 01:05:21,885 --> 01:05:23,487 AAH! 1491 01:05:24,888 --> 01:05:26,190 SHE CAN'T EVEN LEAVE THE HOUSE! 1492 01:05:26,190 --> 01:05:27,691 WHY COULDN'T YOU LET HER ALONE? 1493 01:05:27,691 --> 01:05:30,694 AYE, YOU CAN GIVE IT, BUT YOU CAN'T TAKE IT! 1494 01:05:30,694 --> 01:05:33,063 THAT'S ALL YOU'RE GOOD FOR! 1495 01:05:33,063 --> 01:05:34,364 LEAVE ME ALONE! 1496 01:05:34,364 --> 01:05:35,432 GET BACK HERE! 1497 01:05:35,432 --> 01:05:36,700 AAH! 1498 01:05:36,700 --> 01:05:38,102 LOOK AT YOUR BUDDY! 1499 01:05:38,102 --> 01:05:40,570 LOOK AT YOUR BUDDY FROM THE TERRACE, PURCELL! 1500 01:05:40,570 --> 01:05:41,405 AAH! 1501 01:05:41,405 --> 01:05:42,706 COME ON, PURCELL, LOOK AT HIM! 1502 01:05:42,706 --> 01:05:45,109 WHY ARE YOU HANGING AROUND WITH HIM FOR ANYWAY? 1503 01:05:45,109 --> 01:05:47,111 WHAT DOES YOUR OLD MAN SAY? 1504 01:05:47,111 --> 01:05:49,146 I'M NOT HANGING AROUND WITH HIM! 1505 01:05:49,146 --> 01:05:50,514 I USED TO HANG AROUND WITH HIM. 1506 01:05:50,514 --> 01:05:53,717 HE KEEPS CALLING. HE WON'T LEAVE ME ALONE. 1507 01:05:53,717 --> 01:05:54,718 HEE HEE HEE! 1508 01:05:55,719 --> 01:05:57,487 AAH! 1509 01:05:57,487 --> 01:05:58,989 OH, JEEZ! 1510 01:05:59,990 --> 01:06:01,191 OHH! 1511 01:06:01,992 --> 01:06:03,927 NO, FRANCIE! 1512 01:06:03,927 --> 01:06:06,330 FRANCIE, NO! FRANCIE! 1513 01:06:07,731 --> 01:06:09,133 WHAT'D YOU MEAN, JOE? 1514 01:06:09,133 --> 01:06:10,734 WHY DID YOU SAY THAT? 1515 01:06:14,538 --> 01:06:16,740 JOE WOULDN'T HAVE SAID THAT BUT FOR YOU! 1516 01:06:16,740 --> 01:06:17,907 YOU BASTARD! 1517 01:06:17,907 --> 01:06:19,343 AAH! 1518 01:06:33,157 --> 01:06:35,559 THAT WAS A GOOD ONE, JOE, 1519 01:06:35,559 --> 01:06:38,595 PRETENDING YOU USED TO HANG AROUND WITH ME. 1520 01:06:38,595 --> 01:06:41,298 GAVE ME MY CHANCE AND SMACK WITH THE ROCK! 1521 01:06:41,298 --> 01:06:45,202 HE HADN'T RECKONED THAT US BE BLOOD BROTHERS, EH, JOE? 1522 01:06:47,171 --> 01:06:49,106 WHY DID YOU SAY THAT, JOE? 1523 01:06:49,106 --> 01:06:52,376 COULDN'T IT HAVE BEEN SOMETHING ELSE? 1524 01:06:54,978 --> 01:06:56,813 YOU DIDN'T MEAN IT, DID YOU, JOE? 1525 01:06:56,813 --> 01:06:59,249 NO, FRANCIE. 1526 01:06:59,249 --> 01:07:00,750 BLOOD BROTHERS, JOE. 1527 01:07:09,159 --> 01:07:11,595 Francie: SO LONG, TONTO. 1528 01:07:11,595 --> 01:07:16,400 THIS IS YOUR OLD PAL, THE LONE RANGER. 1529 01:07:26,143 --> 01:07:29,079 YOU TAKE ALL OF MY FISH. 1530 01:07:33,617 --> 01:07:35,819 YOU'RE A FRIEND OF JOE PURCELL'S, 1531 01:07:35,819 --> 01:07:36,820 AREN'T YOU? 1532 01:07:36,820 --> 01:07:37,821 SHE FANCIES HIM. 1533 01:07:37,821 --> 01:07:39,623 LIAR. I DO NOT. 1534 01:07:39,623 --> 01:07:42,626 WILL YOU GIVE HIM A MESSAGE FOR HER? 1535 01:07:42,626 --> 01:07:46,230 GO ON. YOU'RE HIS FRIEND, AREN'T YOU? 1536 01:07:46,230 --> 01:07:47,831 I USED TO BE. 1537 01:08:01,245 --> 01:08:03,247 I DON'T MEAN TO ANNOY YOU, MR. PURCELL, 1538 01:08:03,247 --> 01:08:04,848 BUT I'VE GOT SOMETHING FOR JOE. 1539 01:08:04,848 --> 01:08:06,250 JOE'S NOT HERE, FRANCIE. 1540 01:08:06,250 --> 01:08:07,851 HE'S GONE AWAY TO CARRICK TO HIS AUNTIE'S. 1541 01:08:07,851 --> 01:08:08,852 OH. 1542 01:08:30,874 --> 01:08:32,676 Francie: AND OUT OF THE MISTS 1543 01:08:32,676 --> 01:08:35,279 COMES DR. BOYD IN HIS DRACULA OUTFIT, 1544 01:08:35,279 --> 01:08:37,281 LOOKING FOR HIS PINT OF BLOOD. 1545 01:08:37,281 --> 01:08:39,283 STICK OUT YOUR TONGUE AND SAY AH, 1546 01:08:39,283 --> 01:08:41,285 AND WHILE YOU'RE AT IT, CAN I BITE YOUR NECK? 1547 01:08:41,285 --> 01:08:43,887 FUCK OFF, DR. BOYD, YOU WANKER. 1548 01:08:45,222 --> 01:08:48,625 THERE WAS ONLY ONE GOOD MUSICIANOR IN THIS TOWN, 1549 01:08:48,625 --> 01:08:51,695 AND THAT WAS DA, BUT THAT WAS ALL OVER NOW. 1550 01:08:51,695 --> 01:08:54,831 ALL OVER, THAT IS, ONLY FOR THE FLIES. 1551 01:08:54,831 --> 01:08:57,301 FLIES, FLIES... 1552 01:08:57,301 --> 01:08:59,303 IS THAT ALL THERE'S EVER GONNA BE? 1553 01:08:59,303 --> 01:09:00,704 WHY DON'T YOU JUST GO SOMEWHERE, 1554 01:09:00,704 --> 01:09:04,308 AND FOR GOD'S SAKE, LET THE POOR MAN SLEEP? 1555 01:09:04,308 --> 01:09:05,709 GOD, WHY DO YOUSE 1556 01:09:05,709 --> 01:09:08,512 HAVE TO STICK YOUR NOSES IN HERE? 1557 01:09:10,714 --> 01:09:13,717 DON'T YOU WORRY YOUR HEAD ABOUT THEM, DA. 1558 01:09:13,717 --> 01:09:16,920 DON'T YOU BE BOTHERIN' YOUR HEAD AND WORRYIN'. 1559 01:09:16,920 --> 01:09:19,323 WANT TO LISTEN TO THE WIRELESS? 1560 01:09:19,323 --> 01:09:21,191 THEN THE WIRELESS IT IS. 1561 01:09:23,327 --> 01:09:25,329 Announcer: CUBA IS BEING TURNED 1562 01:09:25,329 --> 01:09:26,930 INTO A SOVIET NUCLEAR BASE. 1563 01:09:26,930 --> 01:09:27,931 DIRTY COMMUNISTS! 1564 01:09:27,931 --> 01:09:29,065 [CLICKS OFF] 1565 01:09:29,065 --> 01:09:31,935 WE'LL MAKE OUR OWN MUSIC, DA. 1566 01:09:33,937 --> 01:09:36,340 I SAW YOUR MOTHER, FRANCIE. 1567 01:09:36,340 --> 01:09:40,344 THEY'RE SAYING A PRAYER FOR US BOTH 1568 01:09:40,344 --> 01:09:44,281 DOWN AT THE ROCKS IN BUNDORAN. 1569 01:09:53,890 --> 01:09:59,195 Francie: THE BEST MUSIC MAN THAT EVER LIVED, MY DA. 1570 01:10:01,365 --> 01:10:04,568 [PLAYING OH, MY PAPA] 1571 01:10:18,248 --> 01:10:19,849 President Kennedy: WE WILL NOT PREMATURELY 1572 01:10:19,849 --> 01:10:21,385 OR UNNECESSARILY 1573 01:10:21,385 --> 01:10:24,388 RISK THE COURSE OF WORLDWIDE NUCLEAR WAR, 1574 01:10:24,388 --> 01:10:26,390 IN WHICH EVEN THE FRUITS OF VICTORY 1575 01:10:26,390 --> 01:10:28,792 WOULD BE ASHES IN OUR MOUTHS, 1576 01:10:28,792 --> 01:10:30,994 BUT NEITHER WILL WE SHRINK FROM THAT-- 1577 01:10:30,994 --> 01:10:32,095 HELLO, LADIES. 1578 01:10:32,095 --> 01:10:34,398 DOING A BIT OF SHOPPING, FRANCIE? 1579 01:10:34,398 --> 01:10:36,400 AYE, THAT'S RIGHT, MRS. CANNING. 1580 01:10:36,400 --> 01:10:38,067 I'M IN CHARGE NOW. 1581 01:10:38,067 --> 01:10:40,069 YOUR DADDY HAS ENOUGH ON HIS PLATE. 1582 01:10:40,069 --> 01:10:41,471 YEAH, HE HAS, INDEED. 1583 01:10:41,471 --> 01:10:43,473 WELL, WHAT DO YOU THINK OF ALL THIS? 1584 01:10:43,473 --> 01:10:45,609 WILL THE WORLD COME TO AN END OR NOT? 1585 01:10:45,609 --> 01:10:47,677 THE THING IS, FRANCIE, YOU DON'T KNOW 1586 01:10:47,677 --> 01:10:49,879 THE TYPE OF PEOPLE YOU'RE DEALING WITH. 1587 01:10:49,879 --> 01:10:51,281 FATHER DOMINICK SAYS 1588 01:10:51,281 --> 01:10:53,283 THE THINGS HE'S SEEN THEM COMMUNISTS DO, 1589 01:10:53,283 --> 01:10:54,684 YOU WOULDN'T BELIEVE. 1590 01:10:54,684 --> 01:10:56,553 OH, SURE, DON'T I KNOW THAT, MRS. CANNING. 1591 01:10:56,553 --> 01:10:58,154 IF THEY WANT TO PUSH THE BUTTON, 1592 01:10:58,154 --> 01:10:59,556 THEN PUSH IT THEY WILL. 1593 01:10:59,556 --> 01:11:00,824 THE LIKES OF YOU OR ME WON'T STOP THEM. 1594 01:11:00,824 --> 01:11:03,427 YOU CAN BE SURE OF THAT NOW, FRANCIE. 1595 01:11:03,427 --> 01:11:05,829 I GOT A HALF DOZEN OF EGGS, 1596 01:11:05,829 --> 01:11:07,431 A COUPLE SLICES OF HAM, AND A BAG OF TEA. 1597 01:11:07,431 --> 01:11:09,032 IT'LL BE A BITTER DAY FOR THIS TOWN 1598 01:11:09,032 --> 01:11:10,434 IF THE WORLD COMES TO AN END, 1599 01:11:10,434 --> 01:11:11,868 THAT'S ALL I CAN SAY. 1600 01:11:11,868 --> 01:11:13,470 IF YOUSE ASK ME, IT'LL COME TO NO END, 1601 01:11:13,470 --> 01:11:14,704 FOR OUR LADY WON'T LET IT. 1602 01:11:14,704 --> 01:11:15,972 WOULDN'T I BE RIGHT THERE, FRANCIE? 1603 01:11:15,972 --> 01:11:18,975 YOU NEVER SPOKE A TRUER WORD, MRS. CANNING. 1604 01:11:18,975 --> 01:11:22,178 BUT BEST BE OFF. HAVE TO GET THE TEA ON. 1605 01:11:22,178 --> 01:11:23,179 TA-RA NOW. SEE YOUSE. 1606 01:11:24,080 --> 01:11:27,451 WHAT CHANCE DID HE EVER HAVE, THE POOR CREATURE? 1607 01:11:27,451 --> 01:11:30,053 Kennedy: AN ATTACK BY THE SOVIET UNION 1608 01:11:30,053 --> 01:11:31,555 ON THE UNITED STATES. 1609 01:11:34,591 --> 01:11:37,594 Francie: IF ONLY THE NUGENTS HADN'T COME TO TOWN. 1610 01:11:37,594 --> 01:11:40,196 IF ONLY THEY'D LEFT US ALONE. 1611 01:11:40,196 --> 01:11:42,799 THAT WAS ALL THEY HAD TO DO. 1612 01:11:42,799 --> 01:11:44,067 MUSIC? 1613 01:11:44,067 --> 01:11:45,201 JOE? 1614 01:11:45,201 --> 01:11:48,171 [OH, MY PAPA PLAYS] 1615 01:11:48,171 --> 01:11:49,573 THE TEA IS DONE. 1616 01:11:49,573 --> 01:11:52,576 I DON'T MIND PHIL GIVIN' HIM GOLDFISH, 1617 01:11:52,576 --> 01:11:54,578 AS GOD IS MY JUDGE, 1618 01:11:54,578 --> 01:11:55,979 BUT DON'T LET HIM START THINKIN' 1619 01:11:55,979 --> 01:11:58,982 THAT HE CAN GET IN WITH US THROUGH MUSIC! 1620 01:11:58,982 --> 01:12:01,184 THAT ISN'T THE WAY IT WORKS WITH BLOOD BROTHERS. 1621 01:12:01,184 --> 01:12:02,952 [KNOCK ON DOOR] 1622 01:12:05,321 --> 01:12:06,723 YOU'D THINK THEY'D EVER 1623 01:12:06,723 --> 01:12:09,726 JUST LEAVE THE TWO OF US ALONE, EH, DA? 1624 01:12:09,726 --> 01:12:12,929 JUST LEAVE THE 2 OF US ALONE. 1625 01:12:15,231 --> 01:12:16,366 HELLO, FRANCIE. 1626 01:12:16,366 --> 01:12:17,767 HELLO, DR. BOYD. 1627 01:12:17,767 --> 01:12:20,370 YOUR FATHER WAS MEANT TO COME AND SEE ME 1628 01:12:20,370 --> 01:12:21,771 A WEEK AGO. 1629 01:12:21,771 --> 01:12:23,640 BE KIND OF IMPORTANT THAT I SEE HIM, FRANCIE. 1630 01:12:23,640 --> 01:12:25,208 HOW COULD YOU SEE HIM, DR. BOYD? 1631 01:12:25,208 --> 01:12:26,976 ISN'T HE GONE TO ENGLAND? 1632 01:12:26,976 --> 01:12:29,245 ENGLAND? 1633 01:12:29,245 --> 01:12:30,647 WHAT'S HE DOING IN ENGLAND? 1634 01:12:30,647 --> 01:12:32,048 GONE TO SEE UNCLE ALO. 1635 01:12:32,048 --> 01:12:34,651 WELL, HE MUST BE BETTER THAN I THOUGHT. 1636 01:12:34,651 --> 01:12:37,253 AYE. HE'S MADE OF STRONG STUFF, DR. BOYD. 1637 01:12:37,253 --> 01:12:39,122 WELL, WHEN HE COMES BACK, 1638 01:12:39,122 --> 01:12:40,724 TELL HIM I WANT TO SEE HIM. 1639 01:12:40,724 --> 01:12:41,725 MMM. 1640 01:12:43,427 --> 01:12:46,430 OH, YES, YOU WOULD HAVE TO COME ALONG 1641 01:12:46,430 --> 01:12:48,432 AND SPOIL IT, DR. BOYD, WOULDN'T YOU? 1642 01:12:48,432 --> 01:12:49,833 ASKING ALL YOUR QUESTIONS. 1643 01:12:49,833 --> 01:12:52,636 THAT'S WHERE YOU'RE WRONG. YOU WON'T! 1644 01:12:55,271 --> 01:12:56,673 DON'T WORRY, DA. 1645 01:12:56,673 --> 01:12:59,676 I WON'T LET THEM NEAR US. 1646 01:12:59,676 --> 01:13:02,145 YOU SEE, I LOVE YOU, DA. 1647 01:13:03,212 --> 01:13:05,682 Francie: WHAT ELSE HAD CHANGED 1648 01:13:05,682 --> 01:13:07,617 SINCE I WAS LOOKIN' AFTER DA? 1649 01:13:07,617 --> 01:13:10,620 THE TOWN. IT WAS A GREAT BIG OCEAN LINER 1650 01:13:10,620 --> 01:13:12,822 THAT HAD BEEN LYING SUNK AT THE BOTTOM OF THE OCEAN 1651 01:13:12,822 --> 01:13:16,426 AND NOW WAS RISING UP ALL LIT UP WITH THE LIGHTS 1652 01:13:16,426 --> 01:13:19,028 AND READY TO SAIL WHEREVER WE WANTED TO GO. 1653 01:13:19,028 --> 01:13:20,430 ANYWHERE YOU SAY, JOE. 1654 01:13:20,430 --> 01:13:22,832 YEP. YOU JUST GOT TO SAY, JOE, OLD BUDDY. 1655 01:13:22,832 --> 01:13:24,534 EXCEPT JOE WASN'T ON THE SHIP. 1656 01:13:24,534 --> 01:13:26,936 IT WOULD'VE BEEN GOOD IF HE WAS, BUT HE WASN'T, 1657 01:13:26,936 --> 01:13:28,938 SO THERE WAS NO USE THINKING ABOUT IT. 1658 01:13:28,938 --> 01:13:30,674 I SAY, BRADY, HAVE YOU A LOCK OF SHILLINGS? 1659 01:13:30,674 --> 01:13:33,142 ME AND YOU, BRADY? 1660 01:13:33,142 --> 01:13:34,343 WELL, HO, YOU BOY, YA. 1661 01:13:34,343 --> 01:13:36,546 UP SHE FLEW, AND THE COCK FLATTENED HER. 1662 01:13:36,546 --> 01:13:37,714 FLATTENED HER, BE CHRIST. 1663 01:13:37,714 --> 01:13:39,115 AYE, FOR THE DANCE. 1664 01:13:39,115 --> 01:13:41,117 I'M LOOKIN' FOR A HUSSY, AND I'M NOT VERY FUSSY. 1665 01:13:41,117 --> 01:13:42,719 ARE YOU COMIN' FOR A SLITHER ON THE BOARDS? 1666 01:13:42,719 --> 01:13:44,120 YOU DON'T BE LOOKIN' 1667 01:13:44,120 --> 01:13:45,722 AT THE MANTELPIECE WHEN YOU'RE POKIN' THE FIRE. 1668 01:13:45,722 --> 01:13:47,724 THE FUCKIN' MANTELPIECE, HE SAYS! 1669 01:13:47,724 --> 01:13:51,928 OH, MY DEAR, BE CRIPES! THAT MAN'S HIS FATHER'S SON! 1670 01:13:51,928 --> 01:13:52,929 2, PLEASE. 1671 01:13:52,929 --> 01:13:55,198 ME AND FRANCIE BRADY. THANKS VERY MUCH. 1672 01:13:55,198 --> 01:13:58,468 * ALWAYS THE SAME * 1673 01:13:58,468 --> 01:14:00,336 * THE SEA OF HEARTBREAK * 1674 01:14:00,336 --> 01:14:02,338 * LOST LOVE, LONELINESS * 1675 01:14:02,338 --> 01:14:06,743 * THE SEA OF-- THE SEA OF-- * 1676 01:14:06,743 --> 01:14:07,944 WOULD YOU LIKE TO DANCE? 1677 01:14:07,944 --> 01:14:08,978 NO, THANK YOU. 1678 01:14:08,978 --> 01:14:10,580 WELL, WHYN'T YOU BRING YOUR KNITTIN' THEN? 1679 01:14:10,580 --> 01:14:12,582 WHYN'T YOU BRING YOUR KNITTIN'? 1680 01:14:12,582 --> 01:14:14,350 BY GOD, BRADY. 1681 01:14:14,350 --> 01:14:15,752 * THE SEA OF HEARTBREAK * 1682 01:14:15,752 --> 01:14:17,153 * THE SEA OF LONELINESS * 1683 01:14:17,153 --> 01:14:19,756 WE'RE UP FROM THE BOGS IN OUR BOOTS AND OUR TOGS! 1684 01:14:19,756 --> 01:14:22,959 AND WE'LL FIX 'EM-- WHAT ARE YOU LOOKING AT? 1685 01:14:24,761 --> 01:14:26,763 Francie: AND THEY WERE ALL OVER ME, 1686 01:14:26,763 --> 01:14:28,765 LIKE THE APACHES OVER JOHN WAYNE. 1687 01:14:28,765 --> 01:14:31,367 JOE, HELP, I SHOUT. CALL OUT THE POSSE! 1688 01:14:31,367 --> 01:14:32,769 GET THE CAVALRY! 1689 01:14:32,769 --> 01:14:35,371 WHO'S GOIN' TO GET ME OUT OF HERE 1690 01:14:35,371 --> 01:14:36,773 IF IT'S NOT JOE PURCELL? 1691 01:14:36,773 --> 01:14:39,776 BUT HE DIDN'T COME, DID HE? 1692 01:14:39,776 --> 01:14:42,378 Man: DON'T FUCKIN' WELL COME BACK! 1693 01:14:42,378 --> 01:14:43,913 UH! 1694 01:14:43,913 --> 01:14:46,916 Kennedy: THE COST OF FREEDOM IS ALWAYS HIGH, 1695 01:14:46,916 --> 01:14:49,519 BUT AMERICANS HAVE ALWAYS PAID IT. 1696 01:14:49,519 --> 01:14:52,522 AND ONE PATH WE SHALL NEVER CHOOSE, 1697 01:14:52,522 --> 01:14:55,925 AND THAT IS THE PATH OF SURRENDER, SUBMISSION. 1698 01:14:55,925 --> 01:14:58,928 OUR GOAL IS NOT THE VICTORY OF MIGHT, 1699 01:14:58,928 --> 01:15:01,931 BUT THE VINDICATION OF RIGHT. 1700 01:15:01,931 --> 01:15:04,934 NOT PEACE AT THE EXPENSE OF FREEDOM, 1701 01:15:04,934 --> 01:15:07,136 BUT BOTH PEACE AND FREEDOM 1702 01:15:07,136 --> 01:15:08,538 HERE IN THIS HEMISPHERE. 1703 01:15:08,538 --> 01:15:12,542 DID I EVER TELL YOU WHAT SHE TOLD ME, DA? 1704 01:15:12,542 --> 01:15:16,980 I WAS ONLY 5-POUND WEIGHT WHEN I WAS BORN. 1705 01:15:19,683 --> 01:15:20,784 CHEERS, MISSUS! 1706 01:15:20,784 --> 01:15:23,186 SO JOE DIDN'T WANT THE GOLDFISH? 1707 01:15:23,186 --> 01:15:25,388 AH, MISSUS, GOLDFISH ARE NOTHIN' TO DO 1708 01:15:25,388 --> 01:15:26,790 WITH ME AND JOE. 1709 01:15:26,790 --> 01:15:28,658 HOW MANY DID YOU GET HIM, FRANCIE? 1710 01:15:28,658 --> 01:15:30,259 A MILLION BILLION TRILLION. 1711 01:15:30,259 --> 01:15:31,527 OHH. 1712 01:15:31,527 --> 01:15:33,863 TOO MANY. 1713 01:15:37,033 --> 01:15:41,170 OH, MISSUS, ME EYES ARE GETTING SO HEAVY. 1714 01:15:41,170 --> 01:15:45,041 DON'T WORRY, FRANCIE. JOE IS COMING. 1715 01:15:45,041 --> 01:15:46,175 WHEN, MISSUS? 1716 01:15:46,175 --> 01:15:48,645 LITTLE FRANCIE. 1717 01:15:48,645 --> 01:15:50,246 WHEN DO YOU THINK? 1718 01:15:50,246 --> 01:15:51,681 HE'S AT THE WINDOW. 1719 01:15:53,049 --> 01:15:56,252 IT'S GOING TO BE ALL RIGHT, FRANCIE. 1720 01:15:56,252 --> 01:15:57,253 JOE IS HERE. 1721 01:15:57,253 --> 01:15:58,454 JOE! 1722 01:15:58,454 --> 01:15:59,856 OH, NO! 1723 01:15:59,856 --> 01:16:01,057 NO! 1724 01:16:01,057 --> 01:16:04,260 IT'S OK, SON. IT'S OK. IT'S OK. 1725 01:16:04,260 --> 01:16:05,662 I LET DA DOWN, SERGEANT. 1726 01:16:05,662 --> 01:16:06,663 I'M SORRY, FRANCIE. 1727 01:16:06,663 --> 01:16:07,997 I LET HIM DOWN. 1728 01:16:07,997 --> 01:16:09,132 AAH! 1729 01:16:09,132 --> 01:16:10,533 DA! DA! 1730 01:16:10,533 --> 01:16:12,135 EASY NOW, EASY. 1731 01:16:12,135 --> 01:16:14,103 DA! DA! 1732 01:16:14,103 --> 01:16:15,271 THAT'S THE BOY. 1733 01:16:15,271 --> 01:16:16,405 DA! 1734 01:16:16,405 --> 01:16:18,241 THAT'S THE BOY. 1735 01:16:28,685 --> 01:16:34,691 * WHERE ARE YOU? * 1736 01:16:34,691 --> 01:16:41,197 * WHERE HAVE YOU GONE WITHOUT ME? * 1737 01:16:42,098 --> 01:16:47,904 * I THOUGHT YOU CARED ABOUT ME * 1738 01:16:49,438 --> 01:16:52,441 * WHERE ARE YOU? * 1739 01:16:52,441 --> 01:16:53,710 THERE YOU ARE! 1740 01:16:53,710 --> 01:16:54,878 I WAS LOOKIN' FOR YOU. 1741 01:16:54,878 --> 01:16:58,047 JOE, IS THAT THE LAKE BEHIND YOU? 1742 01:16:58,047 --> 01:17:02,919 WHAT DO YOU THINK IT IS, THE RIO GRANDE? 1743 01:17:02,919 --> 01:17:03,920 JESUS! 1744 01:17:03,920 --> 01:17:07,757 * WHERE IS THE DREAM WE STARTED? * 1745 01:17:10,126 --> 01:17:15,965 * I CAN'T BELIEVE WE'RE PARTED * 1746 01:17:16,866 --> 01:17:18,467 * WHERE ARE YOU? * 1747 01:17:18,467 --> 01:17:21,204 OH, NO! NOT THE COMMUNISTS! 1748 01:17:30,747 --> 01:17:33,316 I GOT A FUNNY FEELIN' ABOUT THIS, JOE. 1749 01:17:33,316 --> 01:17:35,118 YEP. SOMETHIN'S NOT RIGHT. 1750 01:17:35,118 --> 01:17:37,320 Dr. Boyd: YOUR FATHER WAS MEANT TO COME AND SEE ME 1751 01:17:37,320 --> 01:17:38,755 A WEEK AGO. 1752 01:17:38,755 --> 01:17:39,889 [JINGLES] 1753 01:17:39,889 --> 01:17:41,324 Mrs. Canning: THE THING IS, FRANCIE, 1754 01:17:41,324 --> 01:17:44,493 YOU DON'T KNOW THE TYPE OF PEOPLE YOU'RE DEALING WITH. 1755 01:17:44,493 --> 01:17:46,295 YOUR DADDY HAS ENOUGH ON HIS PLATE. 1756 01:17:46,295 --> 01:17:48,497 THIS THING IS BIGGER THAN THE BOTH OF US, JOE. 1757 01:17:48,497 --> 01:17:50,333 BETTER CALL IN THE FEDS. 1758 01:17:50,333 --> 01:17:52,535 Mary: IF THEY WANT TO PUSH THE BUTTON, 1759 01:17:52,535 --> 01:17:54,537 THEN PUSH IT THEY WILL. 1760 01:17:54,537 --> 01:17:55,939 SO WHO'S A PIG NOW, LADIES? 1761 01:17:55,939 --> 01:17:57,640 IT'LL BE A BITTER DAY FOR THIS TOWN 1762 01:17:57,640 --> 01:18:00,643 IF THE WORLD COMES TO AN END. 1763 01:18:00,643 --> 01:18:02,045 FATHER DOMINICK SAYS 1764 01:18:02,045 --> 01:18:03,646 THE THINGS HE'S SEEN THE COMMUNIST DO. 1765 01:18:03,646 --> 01:18:05,214 TIME TO RIDE OUT, I GUESS. 1766 01:18:05,214 --> 01:18:06,015 YEAH. 1767 01:18:06,015 --> 01:18:08,617 THIS OLD TOWN HAS HAD IT. 1768 01:18:08,617 --> 01:18:11,220 Francie: THANK GOD I HAD JOE. 1769 01:18:11,220 --> 01:18:12,621 ME AND JOE PURCELL, 1770 01:18:12,621 --> 01:18:15,024 THE LAST TWO IN THE UNIVERSE 1771 01:18:15,024 --> 01:18:18,627 ON THIS BITTER, BITTER DAY FOR THE LOVELY TOWN 1772 01:18:18,627 --> 01:18:20,429 WHEN THE WORLD HAD ENDED. 1773 01:18:29,405 --> 01:18:30,606 [WHINNIES] 1774 01:18:30,606 --> 01:18:36,012 OH, FRANCIS, YOU'VE UNLOCKED SOMETHING VERY PRECIOUS. 1775 01:18:36,012 --> 01:18:36,946 RUN! 1776 01:18:36,946 --> 01:18:40,583 AND YOU SAY THE ALIEN LOOKED LIKE... 1777 01:18:40,583 --> 01:18:42,986 WELL, A LITTLE LIKE YOURSELF, DOC, 1778 01:18:42,986 --> 01:18:44,988 TO TELL YOU THE TRUTH. 1779 01:18:44,988 --> 01:18:47,991 THEN AGAIN, A LITTLE LIKE FATHER SULL. 1780 01:18:47,991 --> 01:18:50,559 MAYBE HE TOOK OVER AN ORDINARY PRIEST'S BODY. 1781 01:18:50,559 --> 01:18:52,161 I DON'T KNOW. 1782 01:18:52,161 --> 01:18:53,229 HMM. 1783 01:18:53,229 --> 01:18:55,664 MAYBE WE SHOULD GET OUT OF HERE, DOC, 1784 01:18:55,664 --> 01:18:57,266 BEFORE IT'S TOO LATE. 1785 01:18:57,266 --> 01:18:58,501 MMM. 1786 01:19:01,237 --> 01:19:04,240 WELL, WELL, WE MEET AGAIN. YOU'RE A LONG WAY 1787 01:19:04,240 --> 01:19:06,442 FROM THE LOW FIELD IN THE SCHOOL FOR PIGS. 1788 01:19:06,442 --> 01:19:07,844 WHAT WAS THAT, FRANCIS? 1789 01:19:07,844 --> 01:19:08,912 WHO DO YOU THINK, DOC? 1790 01:19:08,912 --> 01:19:10,914 OUR LADY ON THE WALL BEHIND YOU. 1791 01:19:13,349 --> 01:19:15,518 ME AND OUR LADY GO BACK A LONG WAY. 1792 01:19:15,518 --> 01:19:19,455 IT'S NOT EVERY SHITEHAWK SHE'LL APPEAR TO, YOU KNOW. 1793 01:19:19,455 --> 01:19:22,125 MMM. 1794 01:19:29,866 --> 01:19:32,869 WHAT DO YOU PLAN ON DOIN' NOW, DOC? 1795 01:19:33,970 --> 01:19:36,873 Francie: SO THIS WAS THE GARAGE? 1796 01:19:36,873 --> 01:19:40,276 ONE BLAST, AND I WAS AWAY OFF THROUGH HYPERSPACE! 1797 01:19:40,276 --> 01:19:42,879 HELLO THERE, EGYPTIANS, PYRAMIDS AND ALL! 1798 01:19:42,879 --> 01:19:44,881 PHARAOH CAN'T COME TODAY, SO IT'S ME INSTEAD, 1799 01:19:44,881 --> 01:19:47,483 FRANCIE FROM THE TERRACE. 1800 01:19:47,483 --> 01:19:50,019 AAH! 1801 01:19:50,019 --> 01:19:52,021 WHERE DO THEY BE TAKIN' YA? 1802 01:19:52,021 --> 01:19:53,622 CRIPES, MORE BOGMEN! 1803 01:19:53,622 --> 01:19:54,924 YOU NEEDN'T THINK YOU'RE NOT SEEN. 1804 01:19:54,924 --> 01:19:57,460 THEY TAKE ME TO THE TIME TRAVEL ROOM, OLD BEAN, 1805 01:19:57,460 --> 01:20:00,196 WHERE I TRAVEL THROUGH THE WASTES OF SPACE AND TIME 1806 01:20:00,196 --> 01:20:01,330 COURTESY OF ALGERNON CARRUTHERS! 1807 01:20:01,330 --> 01:20:03,799 I KNEW YOU WERE A COWERING CUR 1808 01:20:03,799 --> 01:20:05,401 THE MINUTE I SET EYES ON YOU. 1809 01:20:05,401 --> 01:20:06,302 BOGMEN, BOGMEN! 1810 01:20:06,302 --> 01:20:07,436 WILL SOMEBODY SAVE ME FROM BOGMEN? 1811 01:20:07,436 --> 01:20:08,471 LOOKIE HERE! 1812 01:20:08,471 --> 01:20:10,473 THEY'RE GOING TO GIVE YOU THE TREATMENT. 1813 01:20:10,473 --> 01:20:12,075 THEY'LL SOON WIPE THAT GRIN OFF YOUR FACE 1814 01:20:12,075 --> 01:20:13,676 WHEN THEY PUT THEM HOLES IN YOUR HEAD. 1815 01:20:13,676 --> 01:20:14,677 WHAT HOLES? 1816 01:20:14,677 --> 01:20:15,845 I SEEN THE LAST FELLA. 1817 01:20:15,845 --> 01:20:18,081 HE USED TO STAND BY THE WINDOW ALL DAY 1818 01:20:18,081 --> 01:20:19,248 EATING BITS OF PAPER. 1819 01:20:19,248 --> 01:20:21,650 OFFICER, GET THIS BOGMAN OUT OF HERE! 1820 01:20:21,650 --> 01:20:23,452 YOU LIKE PAPER? 1821 01:20:23,452 --> 01:20:26,555 WELL, YOU BETTER START GETTIN' TO LIKE IT. 1822 01:20:26,555 --> 01:20:28,157 YOU BETTER LIKE IT! 1823 01:20:28,157 --> 01:20:30,493 AAH! 1824 01:20:31,494 --> 01:20:34,697 Francie: THE TREE TRUNKS HAD TO HAUL ME OFF HIM. 1825 01:20:34,697 --> 01:20:36,465 IT'S A DISGRACE A PERSON CAN'T GET 1826 01:20:36,465 --> 01:20:37,500 A BIT OF SLEEP HERE. 1827 01:20:37,500 --> 01:20:40,169 WITHOUT BEIN' ATTACKED BY BONY-ASS BOGMEN! 1828 01:20:41,971 --> 01:20:43,372 THAT BOGMAN BASTARD 1829 01:20:43,372 --> 01:20:45,074 SAYS YOU'RE GOING TO PUT HOLES IN MY HEAD. 1830 01:20:45,074 --> 01:20:47,076 NO, NO, FRANCIS. NOTHING LIKE THAT. 1831 01:20:47,076 --> 01:20:50,079 COME HERE. I WANT TO SHOW YOU THESE. 1832 01:20:50,079 --> 01:20:52,681 I WANT YOU TO LOOK AT THEM AND TELL ME 1833 01:20:52,681 --> 01:20:54,951 WHAT YOU THINK. YEAH? 1834 01:20:57,120 --> 01:20:58,721 LOOKS LIKE YOU'LL BE WRITIN' NO MORE MESSAGES 1835 01:20:58,721 --> 01:20:59,989 ON THIS PAPER, DOC. 1836 01:20:59,989 --> 01:21:01,590 AND WHY IS THAT, FRANCIS? 1837 01:21:01,590 --> 01:21:03,960 LOOK AT IT. IT'S DESTROYED! 1838 01:21:03,960 --> 01:21:07,163 Francie: LIFT YOUR SPECS AND REPEAT AFTER ME. 1839 01:21:07,163 --> 01:21:08,297 MMM. 1840 01:21:08,297 --> 01:21:09,598 MMM. 1841 01:21:11,334 --> 01:21:13,336 [SHOUTING] 1842 01:21:19,008 --> 01:21:22,145 INTO THE BACK OF THE NET WITH HER! 1843 01:21:22,145 --> 01:21:25,414 BY CHRIST, THIS YEAR'S TEAM IS THE BEST YET! 1844 01:21:25,414 --> 01:21:27,616 Francie: AND THAT'S THE GARAGE FOR YOU. 1845 01:21:27,616 --> 01:21:29,018 BOGMEN AT MASS, 1846 01:21:29,018 --> 01:21:31,020 THINKIN' THEY'RE AT A FOOTBALL MATCH. 1847 01:21:31,020 --> 01:21:33,022 AND THAT'S WHEN I SAYS WHATEVER IT TAKES, 1848 01:21:33,022 --> 01:21:36,092 FRANCIE BRADY'S GETTIN' OUT OF THE GARAGE FOR PIGS. 1849 01:21:36,092 --> 01:21:37,260 HERE, BOGMAN, HOLD THIS. 1850 01:21:37,260 --> 01:21:39,795 AND STOP SHAKIN', WILL YA? 1851 01:21:39,795 --> 01:21:40,930 THE THING ABOUT CAVAN PEOPLE 1852 01:21:40,930 --> 01:21:43,166 IS NOT ONE OF THEM WOULDN'T GIVE YOU 1853 01:21:43,166 --> 01:21:45,768 THE LAST HA'PENNY OUT OF THEIR POCKET. 1854 01:21:45,768 --> 01:21:47,170 BEST MEN EVER WALKED IN HERE 1855 01:21:47,170 --> 01:21:48,704 WERE THE CAVAN MEN. 1856 01:21:48,704 --> 01:21:50,106 HEY, BOGMAN. 1857 01:21:50,106 --> 01:21:51,640 YOU'RE NOT GOING TO BITE ME AGAIN, ARE YOU? 1858 01:21:51,640 --> 01:21:53,442 NO, NOT IF YOU TELL THEM 1859 01:21:53,442 --> 01:21:55,244 THAT I'VE GONE TO DUBLIN, RIGHT? 1860 01:21:55,244 --> 01:21:56,045 RIGHT. 1861 01:21:56,045 --> 01:21:57,346 YEAH. OK. 1862 01:21:58,147 --> 01:22:00,116 SEE YOU IN BORNEO. 1863 01:22:03,052 --> 01:22:05,454 Francie: HERE I WAS BACK HOME 1864 01:22:05,454 --> 01:22:07,056 AND NO MORE ABOUT HOLES IN THE HEAD, 1865 01:22:07,056 --> 01:22:08,791 WHEN I MET JIMMY THE SKITE... 1866 01:22:08,791 --> 01:22:10,059 YOU HAVE HALF A DOLLAR? 1867 01:22:10,059 --> 01:22:11,060 AND I THOUGHT I WAS BACK INSIDE AGAIN. 1868 01:22:11,060 --> 01:22:12,461 SORRY, WE'RE CLOSED. 1869 01:22:12,461 --> 01:22:13,796 YOU'RE WHAT? WHAT ARE YOU TALKIN' ABOUT? 1870 01:22:13,796 --> 01:22:15,198 THE FRANCIE BRADY BANK IS CLOSED, 1871 01:22:15,198 --> 01:22:16,599 AND THAT'S ALL ABOUT IT. 1872 01:22:16,599 --> 01:22:19,602 GO ON BACK TO THE GARAGE, YOU FUCKIN' LUMP, YA. 1873 01:22:19,602 --> 01:22:23,406 BACK OFF, YOU FUCKIN' ROUND TUB OF GUINNESS! 1874 01:22:23,406 --> 01:22:24,540 [BELL TOLLS] 1875 01:22:24,540 --> 01:22:26,442 [KNOCK ON DOOR] 1876 01:22:26,442 --> 01:22:27,643 [KNOCKING] 1877 01:22:29,212 --> 01:22:31,247 AH, HELLO, MR. PURCELL. 1878 01:22:31,247 --> 01:22:32,848 WELL, HELLO THERE, FRANCIE. 1879 01:22:32,848 --> 01:22:35,184 I WAS WONDERIN' IF JOE'S IN. 1880 01:22:35,184 --> 01:22:36,485 SURE, JOE'S AWAY IN BOARDIN' SCHOOL 1881 01:22:36,485 --> 01:22:37,920 IN BUNDORAN THESE LAST 3 MONTHS. 1882 01:22:37,920 --> 01:22:40,289 HIMSELF AND PHILLIP WENT AFTER THE EXAMS. 1883 01:22:40,289 --> 01:22:41,224 PHILLIP? 1884 01:22:41,224 --> 01:22:42,191 AYE. YOU KNOW THE YOUNG NUGENT FELLA 1885 01:22:42,191 --> 01:22:43,926 HE HANGS AROUND WITH. 1886 01:22:43,926 --> 01:22:46,729 SON, YOU SHOULDN'T BE ON YOUR OWN. 1887 01:22:46,729 --> 01:22:48,931 AREN'T YOU SUPPOSED TO BE IN THE HOSPITAL, FRANCIE? 1888 01:22:48,931 --> 01:22:50,366 MR. PURCELL, I WISH YOU'D STOP ALL THIS. 1889 01:22:50,366 --> 01:22:52,368 I JUST WANT TO TALK TO JOE. 1890 01:22:52,368 --> 01:22:54,370 I TOLD YOU, FRANCIE. HE'S AWAY IN BUNDORAN. 1891 01:22:54,370 --> 01:22:55,971 I'M SORRY, MR. PURCELL, BUT I'M FED UP 1892 01:22:55,971 --> 01:22:57,173 WITH PEOPLE TELLIN' ME LIES! 1893 01:22:57,173 --> 01:22:59,175 HE USED TO NEVER DO THAT, MR. PURCELL. 1894 01:22:59,175 --> 01:23:00,576 ISN'T IT TRUE? ISN'T IT? 1895 01:23:00,576 --> 01:23:02,411 COME HERE, FRANCIE. I'M NOT TELLIN' YOU LIES. 1896 01:23:02,411 --> 01:23:04,013 HE NEVER WOULD'VE IN THE OLD DAYS. 1897 01:23:04,013 --> 01:23:05,348 IT'S ONLY FOR HER! 1898 01:23:05,348 --> 01:23:07,016 IT WAS FINE UNTIL SHE CAME ALONG 1899 01:23:07,016 --> 01:23:08,084 AND STARTED INTERFERING AND CAUSING TROUBLE! 1900 01:23:08,084 --> 01:23:10,786 FRANCIE, COME ON NOW. CALM DOWN. 1901 01:23:10,786 --> 01:23:12,421 I KNOW YOU DON'T MEAN TO BE LIKE THIS, MR. PURCELL. 1902 01:23:12,421 --> 01:23:14,523 ONLY FOR MRS. NUGENT, IT'D BE ALL OK. 1903 01:23:14,523 --> 01:23:16,725 ALL LIKE THE OLD DAYS WAY BACK LONG AGO, 1904 01:23:16,725 --> 01:23:18,094 LIKE THE WAY IT USED TO BE. 1905 01:23:18,094 --> 01:23:19,495 IT WAS ALL OK. 1906 01:23:19,495 --> 01:23:21,497 Francie: THAT OLD MRS. NUGENT, 1907 01:23:21,497 --> 01:23:26,402 SHE WAS TAKIN' OVER THE WHOLE TOWN BIT BY BIT. 1908 01:23:26,402 --> 01:23:28,003 EVERYTHING I'D EVER LIKED. 1909 01:23:28,003 --> 01:23:30,539 I JUST COULDN'T BELIEVE IT. 1910 01:23:30,539 --> 01:23:34,009 I SAT DOWN IN THAT OLD KITCHEN 1911 01:23:34,009 --> 01:23:35,411 AND MADE A LIST 1912 01:23:35,411 --> 01:23:39,048 OF ALL THE PEOPLE THAT WERE GONE ON ME NOW. 1913 01:23:52,161 --> 01:23:54,763 AH, FRANCIE, FOR FUCK'S SAKE, 1914 01:23:54,763 --> 01:23:56,565 THAT'S THE BEST ONE YET. 1915 01:23:56,565 --> 01:23:58,401 SURE, HOW COULD JOE BE GONE ON YOU? 1916 01:23:58,401 --> 01:24:00,203 AREN'T YOU BLOOD BROTHERS? 1917 01:24:01,770 --> 01:24:04,507 I'M AFRAID HE'S GONE, MISSUS. 1918 01:24:05,908 --> 01:24:07,510 THEY'RE ALL GONE. 1919 01:24:07,510 --> 01:24:09,478 FIRST MA, 1920 01:24:09,478 --> 01:24:11,180 THEN DA. 1921 01:24:11,180 --> 01:24:13,149 THEN ALO. 1922 01:24:13,149 --> 01:24:14,183 NOW JOE. 1923 01:24:14,183 --> 01:24:16,519 GONE WHERE? 1924 01:24:16,519 --> 01:24:18,487 BUNDORAN. 1925 01:24:18,487 --> 01:24:25,328 * BEAUTIFUL BUNDORAN * 1926 01:24:26,129 --> 01:24:31,734 * BY THE SILVERY SEA * 1927 01:24:31,734 --> 01:24:36,071 * YOUR GOLDEN STRAND * 1928 01:24:36,071 --> 01:24:37,473 * CHARMS SO GRAND * 1929 01:24:37,473 --> 01:24:41,377 YOU'VE GIVEN ME AN IDEA, MISSUS. 1930 01:24:49,218 --> 01:24:50,353 HELLO THERE! 1931 01:24:50,353 --> 01:24:51,954 JESUS, MARY, AND JOSEPH! 1932 01:24:51,954 --> 01:24:54,557 I THOUGHT YOU WERE THE COMMUNISTS. 1933 01:24:54,557 --> 01:24:55,491 ANY NEWS? 1934 01:24:55,491 --> 01:24:57,092 TURN BACK WHILE YOU STILL CAN. 1935 01:24:57,092 --> 01:24:58,494 COME 12:00 TOMORROW, 1936 01:24:58,494 --> 01:25:01,096 THERE WON'T BE A BULLOCK STANDIN'. 1937 01:25:01,096 --> 01:25:02,231 KHRUSHCHEV. 1938 01:25:02,231 --> 01:25:05,201 DID YOU SEE THEM ROCKETS ON THE NEWS? 1939 01:25:05,201 --> 01:25:06,602 FIT TO BLOW UP CHINA! 1940 01:25:06,602 --> 01:25:09,805 DO YOU THINK IT'LL BE SAFE IN BUNDORAN. 1941 01:25:09,805 --> 01:25:10,939 BUNDORAN? 1942 01:25:10,939 --> 01:25:13,376 WHERE THE FLEAS ATE THE MISSIONER? 1943 01:25:49,712 --> 01:25:53,349 AAH AAH AAH AAH! 1944 01:26:06,295 --> 01:26:08,297 CAN I HELP YOU, SIR? 1945 01:26:08,297 --> 01:26:09,698 YOU USED TO LEAVE THE KEY 1946 01:26:09,698 --> 01:26:10,899 UNDER THAT MAT THERE FOR THEM, 1947 01:26:10,899 --> 01:26:12,435 BENNY AND ANNIE BRADY. 1948 01:26:12,435 --> 01:26:14,603 THE LOVEBIRDS, YOU CALLED THEM. 1949 01:26:16,305 --> 01:26:18,907 OH, YES, WE HAD THEM ALL HERE. 1950 01:26:18,907 --> 01:26:20,309 Francie: OVER THE WAVES, 1951 01:26:20,309 --> 01:26:23,912 OVER THE WAVES, THIS IS WHERE IT ALL BEGAN. 1952 01:26:23,912 --> 01:26:25,714 I COULD STILL HEAR HIS MUSIC 1953 01:26:25,714 --> 01:26:27,716 PLAYIN' THROUGH THE DINING ROOM. 1954 01:26:27,716 --> 01:26:29,718 DA SAID THEY'D LIE ON THE BED UPSTAIRS 1955 01:26:29,718 --> 01:26:32,721 AND LISTEN TO THE SEA UNTIL IT GOT BRIGHT. 1956 01:26:32,721 --> 01:26:34,923 WE HAD MUSICAL EVENIN'S TO BEAT THE BAND. 1957 01:26:34,923 --> 01:26:36,325 LOVELY, LOVELY PEOPLE. 1958 01:26:36,325 --> 01:26:39,428 YOU ACQUIRE A REPUTATION, YOU SEE. 1959 01:26:43,332 --> 01:26:45,934 THERE THEY ARE! THERE THEY ARE, MISSUS! 1960 01:26:46,935 --> 01:26:48,937 OH. 1961 01:26:48,937 --> 01:26:50,939 THAT'S THEM. 1962 01:26:50,939 --> 01:26:52,074 THE BRADYS. 1963 01:26:52,074 --> 01:26:54,943 THE LOVEBIRDS, YOU CALLED THEM. 1964 01:26:54,943 --> 01:26:56,812 THE LOVEBIRDS, AYE. 1965 01:26:56,812 --> 01:27:00,283 YOU USED TO LEAVE THE KEY UNDER THE MAT FOR THEM. 1966 01:27:00,283 --> 01:27:01,684 YES, THE KEY. WELL, 1967 01:27:01,684 --> 01:27:03,886 SOME PEOPLE COME IN LATER THAN OTHERS, SON. 1968 01:27:03,886 --> 01:27:07,089 PLEASE, MISSUS, DON'T GO LIKE MRS. NUGENT ON ME. 1969 01:27:07,089 --> 01:27:09,658 MRS. NUGENT, WAS SHE WITH THEM? 1970 01:27:09,658 --> 01:27:10,859 MRS. NUGENT? 1971 01:27:10,859 --> 01:27:14,630 HA! THERE WAS NO MRS. NUGENTS IN THEM DAYS, MISSUS. 1972 01:27:14,630 --> 01:27:15,964 THEY WERE HERE WITH THE McGLONES. 1973 01:27:15,964 --> 01:27:17,333 TOO MANY PEOPLE, SON, 1974 01:27:17,333 --> 01:27:18,701 OVER THE YEARS. 1975 01:27:18,701 --> 01:27:21,804 SURE, WHAT WOULD I KNOW ABOUT A COUPLE LIKE THAT? 1976 01:27:25,374 --> 01:27:27,376 A COUPLE LIKE WHAT? 1977 01:27:27,376 --> 01:27:29,378 LOVELY PEOPLE. ALL OF THEM. 1978 01:27:29,378 --> 01:27:31,447 JUST TELL ME, MISSUS. 1979 01:27:31,447 --> 01:27:32,881 JUST TELL ME. 1980 01:27:32,881 --> 01:27:33,982 PLEASE, SON. 1981 01:27:33,982 --> 01:27:35,384 YOU WERE SAYING, MISSUS, THE COUPLE LIKE WHAT? 1982 01:27:35,384 --> 01:27:37,520 WHAT CAN I SAY ABOUT A MAN 1983 01:27:37,520 --> 01:27:38,787 NOT SOBER ON THE DAY OF HIS HONEYMOON? 1984 01:27:38,787 --> 01:27:41,123 POOR CHARLIE McGLONE, HIS HOLIDAY RUINED, 1985 01:27:41,123 --> 01:27:42,558 CARTIN' HIM OUT OF PUBS. 1986 01:27:42,558 --> 01:27:43,792 AS FOR HER, WHAT COULD YOU DO 1987 01:27:43,792 --> 01:27:45,394 BUT PITY HER THE WAY HE TREATED HER? 1988 01:27:45,394 --> 01:27:46,762 NO BETTER THAN A PIG! 1989 01:27:55,003 --> 01:27:56,305 OH, GOD. 1990 01:27:56,305 --> 01:27:58,741 I'M SORRY, SON. I-- 1991 01:28:12,755 --> 01:28:13,889 [DOOR SLAMS] 1992 01:28:17,826 --> 01:28:20,429 EXCUSE ME, JANE, EXCUSE ME, TARZAN. 1993 01:28:20,429 --> 01:28:22,431 I WANT TO WARN YOU, PLEASE. 1994 01:28:22,431 --> 01:28:25,968 I WANT TO SORT OUT THIS MATTER ONCE AND FOR ALL. 1995 01:28:25,968 --> 01:28:29,638 WHAT, YOU HAVE TO MAKE AN APPOINTMENT NOW, DO YOU? 1996 01:28:30,506 --> 01:28:32,107 YOU FUCKIN' BASTARDS! THERE! 1997 01:28:32,107 --> 01:28:33,709 YOU'RE A FUCKIN' SHITE! 1998 01:28:33,709 --> 01:28:35,911 AAH! AAH! 1999 01:28:35,911 --> 01:28:36,979 OOH! AAH! 2000 01:28:36,979 --> 01:28:39,615 WHO WANTS TO BE MR. AND MRS. MONKEY ANYHOW? 2001 01:28:39,615 --> 01:28:41,950 MA! 2002 01:28:46,755 --> 01:28:48,824 DA! 2003 01:28:48,824 --> 01:28:52,828 Francie: YES, INDEED, IT WAS THE END OF THE LINE. 2004 01:28:52,828 --> 01:28:55,431 EXCUSE ME, MOON. HAVE YOU GOT SOMETHING TO SAY 2005 01:28:55,431 --> 01:28:57,666 OR ARE YOU SAYIN' THE ROSARY, TOO? 2006 01:28:59,568 --> 01:29:02,571 YEP, JOE, IT'S THE END OF THE LINE. 2007 01:29:02,571 --> 01:29:05,574 FRANCIE'S COMIN' TO GET YOU OUT OF THIS. 2008 01:29:05,574 --> 01:29:07,976 IT'S EITHER THEM OR US, JOE. 2009 01:29:20,188 --> 01:29:21,590 HEY, WHAT THE HELL 2010 01:29:21,590 --> 01:29:23,191 YOU THINK YOUSE ARE DOIN' UP THERE, 2011 01:29:23,191 --> 01:29:24,593 PUTTIN' OUT THEM LIGHTS? 2012 01:29:24,593 --> 01:29:27,029 HOW AM I GOIN' TO FIND JOE PURCELL? 2013 01:29:27,029 --> 01:29:28,130 [THUD] 2014 01:29:29,598 --> 01:29:31,199 WHAT'S ALL THIS, 2015 01:29:31,199 --> 01:29:33,201 A HUNDRED SLEEPING BOGMEN? 2016 01:29:33,201 --> 01:29:35,137 NOT FOR LONG. 2017 01:29:38,206 --> 01:29:40,609 OK, BOGMEN, DON'T TRY ANY TRICKS, 2018 01:29:40,609 --> 01:29:42,210 AND NOBODY'LL GET HURT! 2019 01:29:42,210 --> 01:29:44,813 IF ANYBODY MOVES OUT OF THEIR SPERMY LITTLE BEDS, 2020 01:29:44,813 --> 01:29:47,416 I'LL BLOW THEIR FUCKIN' BOGMEN BRAINS OUT! 2021 01:29:47,416 --> 01:29:48,551 ALL RIGHT! 2022 01:29:48,551 --> 01:29:51,153 YOU SEE, I JUST GOT TO FIND JOE. 2023 01:29:51,153 --> 01:29:52,555 YOU UNDERSTAND ME, DON'T YA? 2024 01:29:52,555 --> 01:29:54,957 WHERE ARE YOU, JOE, BOY? 2025 01:29:54,957 --> 01:29:57,159 COME HERE, JOE! COME ON! LET'S SADDLE UP! 2026 01:29:57,159 --> 01:29:58,494 WE'LL RIDE OUT, JOE! 2027 01:29:58,494 --> 01:29:59,628 WE CAN RIDE OUT TO THE MOUNTAINS, EH, JOE? 2028 01:29:59,628 --> 01:30:01,630 WE CAN TRACK FOR DAYS! 2029 01:30:01,630 --> 01:30:04,232 WE CAN LISTEN TO THE COYOTES AT NIGHT. 2030 01:30:04,232 --> 01:30:05,634 AAAAAAAH! 2031 01:30:05,634 --> 01:30:08,637 WHAT THE HELL IS GOING ON IN HERE?! 2032 01:30:08,637 --> 01:30:10,639 JESUS, NO NEED TO CURSE, FATHER. 2033 01:30:10,639 --> 01:30:12,240 I'M JUST LOOKING FOR JOE. 2034 01:30:12,240 --> 01:30:14,242 CAN YOU FIND HIM FOR ME, PLEASE? 2035 01:30:14,242 --> 01:30:15,544 [ALL TALKING] 2036 01:30:15,544 --> 01:30:18,180 SHUT THE FUCK UP, YOU SPERMY LITTLE BASTARDS! 2037 01:30:18,180 --> 01:30:19,314 JOE! 2038 01:30:19,314 --> 01:30:20,649 FUCK! 2039 01:30:23,085 --> 01:30:24,453 EXCUSE ME. DO YOU MIND? 2040 01:30:24,453 --> 01:30:26,489 JOE, TELL THE SKY PILOT HERE TO STEP ASIDE, 2041 01:30:26,489 --> 01:30:28,190 AND WE'LL BE OUT OF HERE. 2042 01:30:28,190 --> 01:30:30,526 PURCELL! 2043 01:30:31,660 --> 01:30:32,861 COME HERE A MOMENT, WOULD YOU? 2044 01:30:32,861 --> 01:30:35,664 LIFE IS GOING SO GRAND NOW, HEY, JOE? 2045 01:30:35,664 --> 01:30:37,666 THE INTERROGATION. DON'T LET THEM BREAK YOU, JOE. 2046 01:30:37,666 --> 01:30:39,267 WILL YOU SHUT UP? 2047 01:30:39,267 --> 01:30:40,335 SORRY, FATHER. 2048 01:30:40,335 --> 01:30:42,705 PURCELL, DO YOU KNOW THIS PERSON? 2049 01:30:42,705 --> 01:30:45,040 OH, NO, FATHER, HOW WOULD HE KNOW ME? 2050 01:30:45,040 --> 01:30:47,242 YOU KNOW, I'M JUST HIS BEST FRIEND. 2051 01:30:47,242 --> 01:30:48,243 YES, FATHER. 2052 01:30:48,243 --> 01:30:50,045 HIS NAME IS FRANCIE BRADY. 2053 01:30:50,045 --> 01:30:52,447 SERGEANT FRANCIE BRADY, "B" COMPANY, SIR! 2054 01:30:52,447 --> 01:30:53,849 AND DO YOU HAVE ANY IDEA 2055 01:30:53,849 --> 01:30:55,050 WHAT HE'S DOING HERE? 2056 01:30:55,050 --> 01:30:56,018 NO, FATHER. 2057 01:30:56,018 --> 01:30:57,586 Good trick, Joe. You keep him talking. 2058 01:30:57,586 --> 01:30:59,187 We'll make a run for it, OK? 2059 01:30:59,187 --> 01:31:00,288 DID YOU HEAR THAT? 2060 01:31:00,288 --> 01:31:01,524 OH, YES, FATHER. Brilliant, Joe. 2061 01:31:01,524 --> 01:31:03,959 WHAT DO YOU WANT? WHAT DO YOU WANT ME FOR? 2062 01:31:03,959 --> 01:31:06,895 ARE YOU DAFT OR SOMETHING? WHAT DO YOU WANT ME FOR? 2063 01:31:06,895 --> 01:31:08,296 Joe, don't give it too much. 2064 01:31:08,296 --> 01:31:09,331 He'll start believin' you. 2065 01:31:09,331 --> 01:31:10,432 Don't go overboard, Joe, boy. 2066 01:31:10,432 --> 01:31:12,434 LOOK, THIS HAS GONE ON LONG ENOUGH. 2067 01:31:12,434 --> 01:31:13,836 FOR THE LAST TIME, PURCELL, 2068 01:31:13,836 --> 01:31:17,640 IS THIS OR IS THIS NOT A FRIEND OF YOURS? 2069 01:31:27,916 --> 01:31:29,484 NO, FATHER. 2070 01:31:31,520 --> 01:31:32,921 JOE, PLEASE, JOE! 2071 01:31:32,921 --> 01:31:35,791 DON'T PRETEND ANYMORE! JUST TELL 'EM STRAIGHT! 2072 01:31:35,791 --> 01:31:36,925 JOE! 2073 01:31:36,925 --> 01:31:38,060 PLEASE, JOE! 2074 01:31:38,060 --> 01:31:38,927 STOP HIM! 2075 01:31:38,927 --> 01:31:41,429 WHAT ARE YOU LOOKIN' AT, NUGENT? 2076 01:31:41,429 --> 01:31:42,865 WHY ARE YOU ALWAYS LOOKING?! 2077 01:31:42,865 --> 01:31:44,199 IS THAT ALL YOU CAN DO, YOU WANKER--LOOK, LOOK, LOOK?! 2078 01:31:44,199 --> 01:31:45,934 Priest: GET BACK TO SLEEP! 2079 01:31:45,934 --> 01:31:49,071 JOE! 2080 01:31:49,071 --> 01:31:51,073 JOE! 2081 01:31:51,073 --> 01:31:52,875 BE ON YOUR WAY NOW. 2082 01:31:52,875 --> 01:31:55,077 THAT WASN'T JOE, FATHER. 2083 01:31:55,077 --> 01:31:56,879 THEN WHO WAS IT, THEN? 2084 01:31:56,879 --> 01:32:00,482 I KNOW IT LOOKED LIKE HIM, 2085 01:32:00,482 --> 01:32:02,350 BUT IT WASN'T. 2086 01:32:02,350 --> 01:32:05,988 GO HOME, SON, FOR THE LOVE OF GOD. 2087 01:32:07,756 --> 01:32:09,758 MAYBE THE COMMUNISTS TOOK HIM. 2088 01:32:09,758 --> 01:32:12,360 OR WAS IT THE NUGENTS? 2089 01:32:12,360 --> 01:32:14,997 MAYBE THE ALIENS. 2090 01:32:17,365 --> 01:32:19,367 ONE THING IS FOR SURE, 2091 01:32:19,367 --> 01:32:21,069 IT WASN'T HIM. 2092 01:32:28,510 --> 01:32:31,113 [MAN SINGS AVE MARIA] 2093 01:32:41,056 --> 01:32:44,059 HEY, BOY, WHERE YOU GOING WITH THEM SAINTS? 2094 01:32:44,059 --> 01:32:46,194 IF THE PRIEST SEES YOU, YOU'LL GET IT. 2095 01:32:46,194 --> 01:32:48,396 YOUNG TRAYNOR SEEN THE BLESSED VIRGIN. 2096 01:32:48,396 --> 01:32:50,398 SHE'S COMING WITH A MESSAGE 2097 01:32:50,398 --> 01:32:51,800 TO DO WITH THE END OF THE WORLD. 2098 01:32:51,800 --> 01:32:53,802 DON'T TALK TO ME ABOUT THE END OF THE WORLD. 2099 01:32:53,802 --> 01:32:55,203 I'D BEST TEAR ON, FRANCIE. 2100 01:32:55,203 --> 01:32:57,405 WE'VE MORE TO DO THAN DRINK WITH THE WAY THINGS ARE. 2101 01:32:57,405 --> 01:32:58,807 THERE'S PRAYIN' TO BE DONE. 2102 01:32:58,807 --> 01:33:00,208 Francie: IF ONLY THEY KNEW, 2103 01:33:00,208 --> 01:33:01,810 STRAINING THEIR NECKS LIKE CHICKENS 2104 01:33:01,810 --> 01:33:03,278 TO SEE WAS SHE COMING. 2105 01:33:03,278 --> 01:33:05,013 MIGHT AS WELL BE WAITIN' FOR THE ALIENS TO ARRIVE. 2106 01:33:05,013 --> 01:33:07,015 AND MY GOD-- THEY'RE HERE, 2107 01:33:07,015 --> 01:33:09,618 TAKING OVER THE BODY OF MRS. NUGENT, 2108 01:33:09,618 --> 01:33:12,087 THE GREATEST ALIEN OF ALL TIME, I DO BELIEVE. 2109 01:33:16,024 --> 01:33:18,426 WHERE THE HELL HAVE YOU BEEN? 2110 01:33:18,426 --> 01:33:21,630 MESELF AND DR. BOYD WERE LOOKIN' EVERYWHERE FOR YOU. 2111 01:33:21,630 --> 01:33:23,632 ON MY TRAVELS, MR. LEDDY. 2112 01:33:23,632 --> 01:33:25,167 OH, YOU AND YOUR TRAVELS. 2113 01:33:25,167 --> 01:33:26,902 THE HOSPITAL RANG LOOKING FOR YOU. 2114 01:33:26,902 --> 01:33:29,537 LOOK, I'M DESPERATE TO FINISH HERE. 2115 01:33:29,537 --> 01:33:31,940 WANT TO GO HOME, GET READY FOR OUR LADY. 2116 01:33:31,940 --> 01:33:34,309 YOU GO WATCH THE END OF THE WORLD, 2117 01:33:34,309 --> 01:33:35,644 SURE, MR. LEDDY. 2118 01:33:35,644 --> 01:33:37,412 I'LL LOOK AFTER THINGS HERE. 2119 01:33:37,412 --> 01:33:38,446 FAIR PLAY TO YA, SON. 2120 01:33:38,446 --> 01:33:40,348 IT'S THE LEAST I COULD DO NOW. 2121 01:33:46,254 --> 01:33:47,856 GOOD LUCK NOW. 2122 01:33:57,065 --> 01:34:00,402 * THE QUEEN OF HEAVEN * 2123 01:34:00,402 --> 01:34:04,272 * THE OCEAN STAR... * 2124 01:34:04,272 --> 01:34:05,173 SHE TOLD YOUNG TRAYNOR 2125 01:34:05,173 --> 01:34:07,075 SHE'D BE HERE ON THE DOT OF 6:00. 2126 01:34:07,075 --> 01:34:09,077 THIS IS THE HAPPIEST DAY OF MY LIFE. 2127 01:34:09,077 --> 01:34:13,749 P.A.: HELLO. HELLO. TESTING. TESTING. HELLO. 2128 01:34:16,084 --> 01:34:18,286 SO WHAT DO YOU THINK, PIGS? 2129 01:34:18,286 --> 01:34:20,088 WILL OUR LADY COME OR NO? 2130 01:34:20,088 --> 01:34:23,091 SHE SAID NOTHING TO ME ABOUT IT. 2131 01:34:23,091 --> 01:34:25,293 DID SHE SAY ANYTHING TO YOU? 2132 01:34:25,293 --> 01:34:28,797 WHAT? WHAT? 2133 01:34:28,797 --> 01:34:32,534 OH, SO SHE MUSTN'T BE COMING THEN. 2134 01:34:32,534 --> 01:34:34,536 WELL, IT BEATS THE HELL OUT OF ME 2135 01:34:34,536 --> 01:34:36,705 WHY THEM IDIOTS IS UP THERE PRAYING. 2136 01:34:46,314 --> 01:34:47,916 NOW WE'RE RIGHT, MISSUS. 2137 01:34:55,257 --> 01:34:57,860 Francie: THEN OFF I WENT ON ME TRAVELS. 2138 01:34:57,860 --> 01:35:01,129 EVERYBODY WAS ALL HOLY NOW. 2139 01:35:01,129 --> 01:35:04,666 WE'RE ALL IN THIS TOGETHER, PEOPLE OF THE TOWN, 2140 01:35:04,666 --> 01:35:06,735 BOGMEN TAKING OFF THEIR CAPS, 2141 01:35:06,735 --> 01:35:09,772 THE WOMEN LOOKING AT THE PRAMS AND EVERYTHING. 2142 01:35:09,772 --> 01:35:11,774 THIS IS THE HOLIEST TOWN IN THE WORLD. 2143 01:35:11,774 --> 01:35:13,742 THEY SHOULD'VE PUT THAT UP ON A BANNER. 2144 01:35:13,742 --> 01:35:16,144 NEVER SAW THE TOWN LOOKIN' SO WELL, 2145 01:35:16,144 --> 01:35:18,747 AND IT LOOKED LIKE THE BRIGHTEST, HAPPIEST TOWN 2146 01:35:18,747 --> 01:35:20,148 IN THE WHOLE WORLD. 2147 01:35:20,148 --> 01:35:23,151 ...AT THE HOUR OF OUR DEATH. AMEN. 2148 01:35:23,151 --> 01:35:25,754 HAIL, MARY, FULL OF GRACE. 2149 01:35:25,754 --> 01:35:27,355 THE LORD IS WITH... 2150 01:35:43,371 --> 01:35:44,372 AAH. 2151 01:35:44,372 --> 01:35:45,774 IT'S ME, MRS. NUGENT. 2152 01:35:45,774 --> 01:35:46,775 MY GOD! 2153 01:35:46,775 --> 01:35:48,376 DON'T WORRY, MRS. NUGENT. 2154 01:35:48,376 --> 01:35:50,512 YOU WON. JOE'S GONE. 2155 01:35:52,314 --> 01:35:54,316 ONE LITTLE PIGGY WENT TO THE MARKET. 2156 01:35:54,316 --> 01:35:56,318 ONE LITTLE PIGGY STAYED AT HOME. 2157 01:35:56,318 --> 01:35:58,386 ONE LITTLE PIGGY HAD BREAD AND BEEF. 2158 01:35:58,386 --> 01:35:59,888 ONE LITTLE PIGGY GOT NONE. 2159 01:36:08,797 --> 01:36:10,198 NO SIGN OF HER YET, LADIES? 2160 01:36:10,198 --> 01:36:12,000 I'M SURE SHE HAS A LOT ON HER PLATE, FRANCIE, 2161 01:36:12,000 --> 01:36:13,601 WITH THE WAY THINGS ARE IN THE WORLD. 2162 01:36:13,601 --> 01:36:14,937 PLEASE GOD, SHE WON'T BE LONG NOW. 2163 01:36:14,937 --> 01:36:17,806 AS THE MONKEY SAID WHEN HE GOT HIS TAIL CUT OFF. 2164 01:36:17,806 --> 01:36:19,207 AFTER ALL ME PRAYING, 2165 01:36:19,207 --> 01:36:21,209 SHE DIDN'T BOTHER HER ARSE COMIN'. 2166 01:36:21,209 --> 01:36:23,211 HAVE YOU THE MONEY FOR A DRINK, LAD? 2167 01:36:23,211 --> 01:36:24,813 I HAVE ME HANDS FULL HERE. 2168 01:36:24,813 --> 01:36:27,149 FUCK OFF, YOU AND HER! 2169 01:36:28,817 --> 01:36:31,219 THERE'S ONLY ONE PLACE FOR ALIENS, 2170 01:36:31,219 --> 01:36:33,822 AND THAT'S UNDERNEATH THE ROTTEN CABBAGES 2171 01:36:33,822 --> 01:36:35,423 IN THE BROCK HEAP. 2172 01:36:37,826 --> 01:36:42,030 [WOMAN SCREAMS] 2173 01:36:44,266 --> 01:36:45,300 OH, GOD! 2174 01:36:45,300 --> 01:36:48,103 OH, GOD! OH, GOD! 2175 01:36:48,103 --> 01:36:49,571 HAVE YOU SEEN HER, MRS. COYLE? 2176 01:36:49,571 --> 01:36:50,973 YOU'VE SEEN OUR LADY? 2177 01:36:50,973 --> 01:36:52,841 OH, SO YOUNG TRAYNOR GOT IT WRONG. 2178 01:36:52,841 --> 01:36:54,342 THE SQUARE, HOW ARE YA? 2179 01:36:54,342 --> 01:36:57,179 Man: OUR LADY, I KNEW YOU WOULDN'T LET US DOWN. 2180 01:36:59,948 --> 01:37:01,816 [WOMAN CRIES] 2181 01:37:08,656 --> 01:37:10,859 Francie: WELL, OUR LADY MIGHTN'T HAVE SHOWN UP, 2182 01:37:10,859 --> 01:37:12,527 BUT FRANCIE BRADY DIDN'T LET THEM DOWN. 2183 01:37:12,527 --> 01:37:15,497 THAT WAS THE BEST SHOW THAT OLD TOWN HAD EVER SEEN. 2184 01:37:15,497 --> 01:37:17,099 Man: EVERYBODY BACK. 2185 01:37:19,267 --> 01:37:22,470 EXCUSE ME IF YOUSE DON'T MIND. 2186 01:37:25,340 --> 01:37:28,911 YOU DID IT! YOU FUCKIN', FUCKIN'-- 2187 01:37:28,911 --> 01:37:30,278 JESUS CHRIST! 2188 01:37:30,278 --> 01:37:32,147 I HOPE YOU'RE GOING TO PAY FOR THE FURNITURE. 2189 01:37:32,147 --> 01:37:33,415 SHUT YOUR FUCKIN' MOUTH! 2190 01:37:33,415 --> 01:37:35,683 SERGEANT, THERE'S NO NEED FOR THAT LANGUAGE! 2191 01:37:35,683 --> 01:37:37,585 JESUS, MARY, AND JOSEPH. 2192 01:37:52,901 --> 01:37:54,903 WILL YOU TELL US WHAT YOU'VE DONE WITH HER? 2193 01:37:54,903 --> 01:37:56,004 WHO? 2194 01:37:56,004 --> 01:37:58,306 JESUS CHRIST! WILL YOU STOP THIS? 2195 01:37:58,306 --> 01:38:01,109 THIS IS DOING NOBODY ANY GOOD. 2196 01:38:07,715 --> 01:38:10,318 WILL YOU, SON, PLEASE? 2197 01:38:13,922 --> 01:38:15,924 SORRY ABOUT ALL THIS, SERGEANT. 2198 01:38:15,924 --> 01:38:18,126 YOU THINK THEY'LL HANG ME? 2199 01:38:19,327 --> 01:38:21,796 I'M AFRAID THERE'S NO MORE HANGING. 2200 01:38:21,796 --> 01:38:24,066 SERGEANT, WHAT'S THIS WORLD COMING TO? 2201 01:38:24,066 --> 01:38:31,473 [MACK THE KNIFE INSTRUMENTAL PLAYS] 2202 01:38:31,473 --> 01:38:34,943 I DIDN'T KNOW YOU WERE A CHOPPER-UP, TOO, FRANCIE. 2203 01:38:34,943 --> 01:38:36,911 YOU KNOW MARY'S SHOP? 2204 01:38:36,911 --> 01:38:38,947 WILL YOUSE DO ME A MESSAGE? 2205 01:38:38,947 --> 01:38:40,648 SURE, BUT ONLY IF YOU SAY 2206 01:38:40,648 --> 01:38:42,150 NO MORE CHOPPING UP. 2207 01:38:42,150 --> 01:38:44,119 MRS. NUGENT AND MY MA 2208 01:38:44,119 --> 01:38:45,153 WERE GOOD FRIENDS, YOU KNOW. 2209 01:38:45,153 --> 01:38:46,854 OK, THEN. CHOPPIN' UP THE END. 2210 01:38:46,854 --> 01:38:48,356 COMMANDOS, PLEASE. 2211 01:38:48,356 --> 01:38:50,558 BANZAI, YOU YELLOW SONS OF NIPPON DOGS. 2212 01:38:50,558 --> 01:38:52,027 YEAH! 2213 01:38:55,497 --> 01:38:59,101 WE'RE ALL GATHERED HERE TO PRAY FOR THE REDEMPTION 2214 01:38:59,101 --> 01:39:03,238 OF FRANCIS BRADY FOR HIS TERRIBLE CRIME. 2215 01:39:03,238 --> 01:39:04,839 YOU'RE DOING THE RIGHT THING, FRANCIE. 2216 01:39:04,839 --> 01:39:06,108 THANK GOD. 2217 01:39:06,108 --> 01:39:08,476 THAT'S ENOUGH TALK. LET'S GET IT OVER WITH. 2218 01:39:13,515 --> 01:39:14,916 SHE'S RIGHT DOWN HERE. 2219 01:39:14,916 --> 01:39:16,118 KEEP GOIN'. 2220 01:39:17,519 --> 01:39:20,322 FOR GOD'S SAKE. WHO PUT THAT THERE? 2221 01:39:20,322 --> 01:39:21,123 WHAT? 2222 01:39:21,123 --> 01:39:22,324 THIS. OH, GOD! 2223 01:39:24,492 --> 01:39:25,493 COME! 2224 01:39:25,493 --> 01:39:26,494 OK. I'LL GET HIM. 2225 01:39:26,494 --> 01:39:29,431 FRANCIE BRADY ESCAPES. READ ALL ABOUT IT. 2226 01:39:29,431 --> 01:39:31,033 COME BACK HERE! 2227 01:39:32,334 --> 01:39:33,335 COME HERE! 2228 01:39:54,456 --> 01:39:56,558 FUGITIVE FRANCIE BRADY STILL AT LARGE. 2229 01:39:56,558 --> 01:39:58,760 THERE'S A REPORT THAT RICHARD KIMBLE 2230 01:39:58,760 --> 01:39:59,761 ONLY LAST NIGHT SAID, 2231 01:39:59,761 --> 01:40:01,163 "I HAVE TO ADMIT IT. 2232 01:40:01,163 --> 01:40:03,165 FRANCIE BRADY BEATS ME HANDS DOWN." 2233 01:40:03,165 --> 01:40:04,766 Boy: WHAT DO YOU SEE? WHAT DO YOU SEE? 2234 01:40:04,766 --> 01:40:06,000 NOTHING. 2235 01:40:06,000 --> 01:40:07,969 COME ON, THERE MUST BE SOME CLUES IN THERE. 2236 01:40:07,969 --> 01:40:09,037 NO. NOTHING. 2237 01:40:09,037 --> 01:40:10,572 CALL YOURSELF A DETECTIVE, HUH? 2238 01:40:10,572 --> 01:40:11,973 HEY, BOYS. 2239 01:40:11,973 --> 01:40:13,375 YOUSE WANT TO FIND 2240 01:40:13,375 --> 01:40:14,976 A MILLION BILLION FLASH BARS, YEAH? 2241 01:40:14,976 --> 01:40:16,378 THEY'RE LOOKING EVERYWHERE FOR YOU. 2242 01:40:16,378 --> 01:40:18,380 DO YOU WANT THEM OR DON'T YOU? 2243 01:40:18,380 --> 01:40:20,515 I SUPPOSE SO. WHERE ARE THEY, THEN? 2244 01:40:20,515 --> 01:40:22,717 IN A DUNG HEAP BEHIND LEDDY'S. 2245 01:40:30,192 --> 01:40:32,194 HOUSE, YOU ARE A DISGRACE! 2246 01:40:32,194 --> 01:40:34,196 I HAVE SO MUCH TIDYING UP TO DO, 2247 01:40:34,196 --> 01:40:36,398 I DON'T KNOW WHERE TO START. 2248 01:40:38,200 --> 01:40:41,403 [WILLIAM TELL OVERTURE PLAYS] 2249 01:41:00,355 --> 01:41:02,557 HOW MANY DID HE SAY? 2250 01:41:02,557 --> 01:41:03,825 I FORGET. 2251 01:41:03,825 --> 01:41:06,828 I KNOW IT WAS A LOT, THOUGH. 2252 01:41:11,633 --> 01:41:15,237 AND NOW FOR THE MOST AMAZING FRANCIE BRADY BONFIRE... 2253 01:41:15,237 --> 01:41:16,838 OF ALL TIME. 2254 01:41:18,840 --> 01:41:20,375 HEIGH-HO, SILVER! 2255 01:41:20,375 --> 01:41:22,277 AWAY! 2256 01:41:28,250 --> 01:41:30,118 THAT'S MRS. NUGENT'S HEAD! 2257 01:41:30,118 --> 01:41:31,719 SO THAT'S WHERE SHE WENT. 2258 01:41:31,719 --> 01:41:35,357 YAAAAA! 2259 01:41:38,460 --> 01:41:41,163 WELL, WHAT ABOUT THE FLASH BARS? 2260 01:41:41,963 --> 01:41:43,865 [BELL CLANGS] 2261 01:41:57,279 --> 01:41:59,514 THERE'S SOMEBODY IN THERE! 2262 01:42:00,682 --> 01:42:02,217 STAY BACK! 2263 01:42:04,552 --> 01:42:07,889 COME ON. COME ON. HANG ON. HANG ON. 2264 01:42:08,756 --> 01:42:11,025 MOVE BACK! MOVE BACK! CLEAR THE WAY! 2265 01:42:11,025 --> 01:42:13,761 CLEAR THE WAY! WE FOUND FRANCIE BRADY! 2266 01:42:13,761 --> 01:42:14,596 CLEAR THE WAY. 2267 01:42:14,596 --> 01:42:16,298 YOUSE AREN'T BURNED, ARE YOUSE? 2268 01:42:16,298 --> 01:42:17,665 IT'S ALL RIGHT FOR YOU. 2269 01:42:17,665 --> 01:42:19,701 AND YOU WENT IN TO SAVE THE WEE FELLA BY YOURSELF? 2270 01:42:19,701 --> 01:42:21,903 ACTUALLY, YOU WOULD'VE DONE THE VERY SAME. 2271 01:42:21,903 --> 01:42:23,070 I WOULD'VE NOT. 2272 01:42:23,070 --> 01:42:24,306 I WOULD'VE BEEN SCARED OUT OF ME LIFE. 2273 01:42:24,306 --> 01:42:25,573 JESUS, FRANCIE, 2274 01:42:25,573 --> 01:42:27,742 I THINK YOU DESERVE A DRAG OF THE CIGARETTE. 2275 01:42:27,742 --> 01:42:29,544 OH, SURE. THANKS. 2276 01:42:29,544 --> 01:42:32,747 OR MAYBE YOU'D LIKE SOME MORE SWEETS. 2277 01:42:32,747 --> 01:42:33,748 HUH? 2278 01:42:33,748 --> 01:42:34,749 YEAH, SURE. 2279 01:42:36,718 --> 01:42:39,721 Francie: WELL, THAT WAS ALL A LONG, LONG TIME AGO. 2280 01:42:39,721 --> 01:42:41,723 AH, SURE, YOU'RE A GRAND OL' TOPPER. 2281 01:42:41,723 --> 01:42:45,727 THEY PUT FRANCIE BRADY IN THE GARAGE FOR BAD BASTARDS 2282 01:42:45,727 --> 01:42:48,330 AND GAVE HIM A NEW JOB MAKING BASKETS. 2283 01:42:48,330 --> 01:42:51,333 AND AFTER HE MADE A MILLION TRILLION BASKETS, 2284 01:42:51,333 --> 01:42:53,335 THEY SAID THEY'D LET HIM OUT AGAIN. 2285 01:42:53,335 --> 01:42:55,937 YOU'RE GOING BACK INTO THE WORLD, FRANCIE. 2286 01:42:55,937 --> 01:42:57,739 WE THINK YOU'RE READY FOR IT. 2287 01:42:57,739 --> 01:43:01,343 YOU'LL BE IN WHAT WE CALL A HALFWAY HOUSE, 2288 01:43:01,343 --> 01:43:04,346 BETWEEN THIS ONE AND THE NEXT ONE. 2289 01:43:04,346 --> 01:43:05,947 THE NEXT WORLD, DOC? 2290 01:43:05,947 --> 01:43:08,950 THE REAL WORLD, FRANCIE. 2291 01:43:08,950 --> 01:43:11,953 IT'S TIME YOU JOINED IT. 2292 01:43:13,955 --> 01:43:15,290 IT'LL TAKE SOME ADJUSTMENT. 2293 01:43:15,290 --> 01:43:17,692 BUT AS LONG AS WE ANTICIPATE ALL OF THE PROBLEMS, 2294 01:43:17,692 --> 01:43:19,694 THEN EVERYTHING SHOULD BE FINE. 2295 01:43:19,694 --> 01:43:23,365 I HAVEN'T SEEN FIELDS FOR SO LONG, DOC. 2296 01:43:27,569 --> 01:43:30,538 Francie: MAN, BUT IT WAS SURE GOOD 2297 01:43:30,538 --> 01:43:31,773 OUTSIDE THAT OLD GARAGE. 2298 01:43:31,773 --> 01:43:34,175 THE SHEEP WERE MUNCHING AWAY AT THE GRASS, 2299 01:43:34,175 --> 01:43:35,577 THE BREEZE WAS BLOWING, 2300 01:43:35,577 --> 01:43:38,780 AND THE SEA WAS SINGING SWISH, SWISH ALONG WITH IT. 2301 01:43:38,780 --> 01:43:39,981 FRANCIE BRADY HAD GOT 2302 01:43:39,981 --> 01:43:43,184 THE "NOT A BAD BASTARD ANYMORE" AWARD AT LAST. 2303 01:43:43,184 --> 01:43:45,052 AND HE WISHES FATHER BUBBLES 2304 01:43:45,052 --> 01:43:46,421 COULD SEE HIM NOW. 2305 01:43:46,421 --> 01:43:48,556 NO MORE ALIENS OR CHOPPING UP 2306 01:43:48,556 --> 01:43:50,458 OR ANY OF THAT OLD SHITE. 2307 01:43:50,458 --> 01:43:51,859 AND IF ANYONE THOUGHT FRANCIE BRADY 2308 01:43:51,859 --> 01:43:53,861 WAS GETTIN' IN TROUBLE AGAIN, THEY WERE WRONG. 2309 01:43:53,861 --> 01:43:56,063 TROUBLE. NO, THANK YOU. 2310 01:43:56,063 --> 01:43:57,332 SO THERE IT IS, 2311 01:43:57,332 --> 01:44:01,202 FRANCIE BRADY, BUTCHER BOY, THE END. 2312 01:44:01,202 --> 01:44:04,639 OH, FUCK! OH, MOTHER OF JESUS. 2313 01:44:08,810 --> 01:44:09,811 HELLO, STRANGER. 2314 01:44:09,811 --> 01:44:11,212 HOW ARE YOU, FRANCIE? 2315 01:44:11,212 --> 01:44:14,616 HAVEN'T SEEN YOU FOR A POWER OF YEARS. 2316 01:44:14,616 --> 01:44:18,219 IT'S NOT THAT I HAVEN'T BEEN THINKING ABOUT YOU, FRANCIE. 2317 01:44:18,219 --> 01:44:20,221 SO WHAT ARE YOU DOIN', MISSUS... 2318 01:44:20,221 --> 01:44:22,223 STILL TALKING TO THE LIKES OF ME? 2319 01:44:22,223 --> 01:44:24,526 GOD LOVES EVERY ONE OF US, FRANCIE. 2320 01:44:24,526 --> 01:44:27,829 BUT YOU KNOW SOMETHING, FRANCIE? 2321 01:44:27,829 --> 01:44:31,633 HE HAS A VERY SPECIAL PLACE IN HIS HEART FOR YOU. 2322 01:44:31,633 --> 01:44:34,235 AH, NOW, MISSUS. YOU'LL HAVE TO STOP 2323 01:44:34,235 --> 01:44:36,237 THIS APPEARING AND DISAPPEARING CRACK, 2324 01:44:36,237 --> 01:44:38,640 OR THEY'LL PUT ME BACK IN THERE. 2325 01:44:38,640 --> 01:44:42,243 JOE LOVES YOU, TOO, FRANCIE. 2326 01:44:42,243 --> 01:44:44,245 BUT THE WORLD GOES ONE WAY, 2327 01:44:44,245 --> 01:44:45,847 AND WE GO ANOTHER. 2328 01:44:45,847 --> 01:44:47,849 DO YOU GET MY MEANING? 2329 01:44:51,786 --> 01:44:53,688 SO DON'T GO BOTHERING YOUR HEAD 2330 01:44:53,688 --> 01:44:56,391 ABOUT GOLDFISH ANYMORE, ALL RIGHT? 2331 01:44:56,391 --> 01:44:59,260 OR A HUNDRED MILLION FLASH BARS. 2332 01:44:59,260 --> 01:45:01,062 PROMISE ME, FRANCIE? 2333 01:45:01,062 --> 01:45:04,332 TELL ME SOMETHING, MISSUS. 2334 01:45:05,667 --> 01:45:07,669 ARE ALL THE BEAUTIFUL THINGS GONE? 2335 01:45:07,669 --> 01:45:11,673 OH, NO, FRANCIE. THEY'RE ALL STILL HERE. 2336 01:45:11,673 --> 01:45:14,642 LOOK. HERE'S ONE OF THEM. 2337 01:45:33,695 --> 01:45:39,634 * WHERE ARE YOU? * 2338 01:45:40,568 --> 01:45:46,741 * WHERE HAVE YOU GONE WITHOUT ME? * 2339 01:45:47,709 --> 01:45:50,712 * I THOUGHT YOU CARED ABOUT ME * 2340 01:45:50,712 --> 01:45:53,180 PICKED A FLOWER, DID YOU, FRANCIE? 2341 01:45:53,180 --> 01:45:55,182 SNOWDROP. 2342 01:45:55,182 --> 01:45:56,317 * WHERE * 2343 01:45:56,317 --> 01:45:57,919 THEY'RE LATE THIS YEAR. 2344 01:45:57,919 --> 01:46:01,188 * ARE YOU? * 2345 01:46:01,188 --> 01:46:05,927 * WHERE'S MY HEART? * 2346 01:46:08,930 --> 01:46:13,668 * WHERE IS THE DREAM WE STARTED? * 2347 01:46:15,336 --> 01:46:20,842 * I CAN'T BELIEVE WE'RE PARTED * 2348 01:46:22,243 --> 01:46:27,982 * WHERE ARE YOU? * 2349 01:46:29,517 --> 01:46:35,890 * WHEN WE SAID GOOD-BYE, LOVE * 2350 01:46:37,091 --> 01:46:41,963 * WHAT HAD WE TO GAIN? * 2351 01:46:43,364 --> 01:46:49,737 * WHEN I GAVE YOU MY LOVE * 2352 01:46:51,238 --> 01:46:57,779 * WAS IT ALL IN VAIN? * 2353 01:46:57,779 --> 01:47:03,785 * ALL LIFE THROUGH * 2354 01:47:04,786 --> 01:47:10,758 * MUST I GO ON PRETENDING? * 2355 01:47:11,926 --> 01:47:18,466 * WHERE IS MY HAPPY ENDING? * 2356 01:47:19,534 --> 01:47:24,906 * WHERE ARE YOU? * 2357 01:47:25,807 --> 01:47:31,378 * WHEN WE SAID GOOD-BYE, LOVE * 2358 01:47:31,378 --> 01:47:36,518 * WHAT HAD WE TO GAIN? * 2359 01:47:37,552 --> 01:47:42,624 * WHEN I GAVE YOU MY LOVE * 2360 01:47:43,658 --> 01:47:53,167 * WAS IT ALL IN VAIN? * 2361 01:47:54,702 --> 01:48:01,843 * ALL LIFE THROUGH * 2362 01:48:01,843 --> 01:48:07,649 * MUST I GO ON PRETENDING? * 2363 01:48:08,583 --> 01:48:15,089 * WHERE IS THAT HAPPY ENDING? * 2364 01:48:16,090 --> 01:48:22,329 * WHERE ARE YOU? * 2365 01:48:22,329 --> 01:48:32,874 * WHERE ARE YOU? * 2366 01:48:32,874 --> 01:48:35,677 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2367 01:48:35,677 --> 01:48:39,013 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.