1
00:00:02,001 --> 00:00:03,403
- MY NAME
IS MICHAEL WESTEN.

2
00:00:03,436 --> 00:00:05,538
I USED TO BE
A SPY UNTIL...

3
00:00:05,573 --> 00:00:06,639
[phone rings]
- WE GOT A BURN NOTICE ON YOU.

4
00:00:06,674 --> 00:00:08,576
YOU'RE BLACKLISTED.
- [whistles]

5
00:00:08,609 --> 00:00:10,977
WHEN YOU'RE BURNED,
YOU'VE GOT NOTHING.

6
00:00:11,010 --> 00:00:13,214
NO CASH, NO CREDIT,
NO JOB HISTORY.

7
00:00:13,246 --> 00:00:15,548
YOU'RE STUCK IN WHATEVER CITY
THEY DECIDE TO DUMP YOU IN.

8
00:00:15,583 --> 00:00:18,051
WHERE AM I?
- MIAMI.

9
00:00:18,085 --> 00:00:20,321
- YOU DO WHATEVER WORK
COMES YOUR WAY.

10
00:00:20,353 --> 00:00:22,589
YOU RELY ON ANYONE
WHO'S STILL TALKING TO YOU...

11
00:00:22,623 --> 00:00:24,057
[laughs]

12
00:00:24,091 --> 00:00:25,092
A TRIGGER-HAPPY GIRLFRIEND...

13
00:00:25,126 --> 00:00:26,393
- SHOULD WE SHOOT THEM?

14
00:00:26,426 --> 00:00:28,396
- AN OLD FRIEND WHO USED
TO INFORM ON YOU TO THE FBI...

15
00:00:28,428 --> 00:00:31,164
- YOU KNOW SPIES--
BUNCH OF BITCHY LITTLE GIRLS.

16
00:00:31,199 --> 00:00:32,432
- FAMILY TOO...

17
00:00:32,466 --> 00:00:33,433
[phone rings]
- HEY, IS THAT YOUR MOM AGAIN?

18
00:00:33,466 --> 00:00:34,435
- IF YOU'RE DESPERATE.

19
00:00:34,468 --> 00:00:35,603
- SOMEONE NEEDS YOUR HELP,
MICHAEL.

20
00:00:35,636 --> 00:00:38,671
- AND A DOWN-AND-OUT SPY
YOU MET ALONG THE WAY.

21
00:00:38,706 --> 00:00:40,173
- THAT'S HOW WE DO IT,
PEOPLE.

22
00:00:40,207 --> 00:00:43,009
- BOTTOM LINE,
AS LONG AS YOU'RE BURNED,

23
00:00:43,042 --> 00:00:46,079
YOU'RE NOT GOING ANYWHERE.

24
00:00:46,113 --> 00:00:47,515
- IT'S A DEEP COVER JOB.

25
00:00:47,548 --> 00:00:49,350
WE'RE GOING AFTER THE LEADER
OF A TERRORIST NETWORK.

26
00:00:49,383 --> 00:00:52,018
I NEED YOU TO BRING THEM DOWN
NO MATTER WHAT.

27
00:00:52,051 --> 00:00:53,286
- TWO-HOUR NOTICE TO GET TO CUBA

28
00:00:53,320 --> 00:00:55,356
TO BUST SOMEBODY OUT
OF A RUSSIAN BLACK SITE?

29
00:00:55,389 --> 00:00:57,357
- IT'S A WOMAN.
THAT'S ALL I KNOW.

30
00:00:57,390 --> 00:00:58,926
- SHE MUST BE
PRETTY DAMN IMPORTANT.

31
00:00:58,959 --> 00:01:00,893
- SHE COULD BE THE KEY
TO WHAT HIS GROUP IS UP TO.

32
00:01:00,927 --> 00:01:03,197
- PULLING SONYA LEBEDENKO
OUT OF CUBA

33
00:01:03,231 --> 00:01:05,198
PUTS OUR OPERATION
ON A WHOLE NEW LEVEL.

34
00:01:05,233 --> 00:01:09,602
SHE'S A DIRECT LINK
TO THE TOP OF THIS NETWORK.

35
00:01:09,637 --> 00:01:11,605
- I WANT A SEAT
AT THE TABLE, SONYA.

36
00:01:11,638 --> 00:01:13,941
I'VE BEEN WORKING
FOR YOUR PEOPLE LONG ENOUGH.

37
00:01:13,974 --> 00:01:15,442
I WANT TO MEET
THE MAN IN CHARGE.

38
00:01:15,475 --> 00:01:17,545
- TO DO WHAT WE DO,
YOU HAVE TO BE WILLING

39
00:01:17,578 --> 00:01:18,879
TO GIVE UP EVERYTHING.

40
00:01:18,912 --> 00:01:20,548
- I HAVE NOTHING.

41
00:01:20,581 --> 00:01:23,384
MY FRIENDS, THEY MOVED ON.

42
00:01:23,417 --> 00:01:26,254
YOU'RE THE ONLY THING
I HAVE LEFT.

43
00:01:26,287 --> 00:01:30,623
- THAT'S ONE THING
WE HAVE IN COMMON.

44
00:01:32,793 --> 00:01:36,329
- SO?

45
00:01:37,930 --> 00:01:41,100
- I'LL MAKE THE CALL.

46
00:01:46,473 --> 00:01:49,075
- IN A LONG-TERM UNDERCOVER JOB,

47
00:01:49,109 --> 00:01:51,912
THE MOST DIFFICULT CHALLENGES
AREN'T PROFESSIONAL.

48
00:01:51,944 --> 00:01:53,414
THEY'RE PERSONAL.

49
00:01:53,447 --> 00:01:55,915
YOU HAVE TO TRY TO REMEMBER
WHERE THE LINE IS

50
00:01:55,948 --> 00:01:57,418
BETWEEN WHO YOU NEED TO BE

51
00:01:57,450 --> 00:01:59,453
AND WHO YOU REALLY ARE,

52
00:01:59,486 --> 00:02:01,754
BECAUSE, WHEN THAT LINE
STARTS TO BLUR,

53
00:02:01,789 --> 00:02:04,257
IT AFFECTS EVERYONE AROUND YOU.

54
00:02:04,292 --> 00:02:05,825
- HEY.

55
00:02:05,858 --> 00:02:07,594
- HEY.
THANKS FOR COMING.

56
00:02:07,628 --> 00:02:09,430
- WHAT WAS SO URGENT
THAT I HAD

57
00:02:09,462 --> 00:02:12,432
TO RUN OUT
IN THE MIDDLE OF A JOB?

58
00:02:12,466 --> 00:02:13,866
- THERE ARE THINGS
THAT YOU NEED TO KNOW

59
00:02:13,901 --> 00:02:15,368
I DIDN'T THINK COULD WAIT.

60
00:02:15,402 --> 00:02:17,204
- HERE I AM.

61
00:02:17,237 --> 00:02:20,007
- THE MISSION, GETTING IN
WITH THIS ORGANIZATION,

62
00:02:20,039 --> 00:02:21,040
I HAVE A LOT RIDING ON IT.

63
00:02:21,074 --> 00:02:22,710
- I KNOW.

64
00:02:22,742 --> 00:02:25,612
WE ALL DO.

65
00:02:25,646 --> 00:02:29,449
- SOMETIMES IT'S NOT EASY
KNOWING HOW FAR TO GO

66
00:02:29,483 --> 00:02:31,818
TO BUILD TRUST.

67
00:02:31,852 --> 00:02:34,788
THE D.R., CUBA, HERE.

68
00:02:34,822 --> 00:02:38,057
THERE ARE THINGS
I'VE DONE,

69
00:02:38,091 --> 00:02:40,260
CHOICES I'VE HAD TO MAKE.

70
00:02:45,332 --> 00:02:48,901
LAST NIGHT, SONYA AND I...

71
00:02:50,337 --> 00:02:51,372
FI--

72
00:02:51,405 --> 00:02:54,707
- WHY ARE YOU TELLING ME THIS,
MICHAEL?

73
00:02:54,741 --> 00:02:58,145
- I'VE ASKED SO MUCH
OF YOU ALREADY.

74
00:02:58,177 --> 00:03:00,146
I COULDN'T ASK FOR YOU
TO BE PART OF THIS OPERATION

75
00:03:00,180 --> 00:03:02,849
WITHOUT YOU KNOWING EVERYTHING.

76
00:03:02,883 --> 00:03:04,183
- ARE YOU WORRIED
ABOUT THE OPERATION?

77
00:03:04,217 --> 00:03:08,187
OR ARE YOU ASKING
WHETHER IT'S OKAY

78
00:03:08,222 --> 00:03:09,823
FOR YOU TO SLEEP
WITH THE ENEMY?

79
00:03:09,856 --> 00:03:11,324
I MEAN,
SHE IS STILL THE ENEMY, RIGHT?

80
00:03:11,359 --> 00:03:12,825
- THE MISSION HASN'T CHANGED.

81
00:03:12,860 --> 00:03:14,762
- REALLY?
- YES.

82
00:03:14,794 --> 00:03:16,430
THE MEETING WITH THE HEAD
OF HER ORGANIZATION

83
00:03:16,463 --> 00:03:17,497
WILL HAPPEN SOON.

84
00:03:17,531 --> 00:03:21,669
- YOU'RE PLAYING WITH FIRE.

85
00:03:21,701 --> 00:03:23,704
BUT YOU KNOW THAT.

86
00:03:36,716 --> 00:03:39,486
[boat horn blows]

87
00:03:42,756 --> 00:03:44,925
- FOR A SPY,
PREPARING A JOB HISTORY

88
00:03:44,957 --> 00:03:48,528
IS A LOT MORE COMPLICATED
THAN UPDATING A RESUME.

89
00:03:48,562 --> 00:03:50,897
BECAUSE OFFICIAL FILES
ARE CLASSIFIED,

90
00:03:50,930 --> 00:03:54,033
YOU HAVE TO WRITE A DETAILED
ACCOUNT OF YOUR ENTIRE CAREER,

91
00:03:54,067 --> 00:03:55,536
AN ACCOUNT THAT WILL BE CHECKED
AND RE-CHECKED

92
00:03:55,569 --> 00:03:57,771
FOR EVEN
THE SLIGHTEST DECEPTION.

93
00:04:02,310 --> 00:04:03,911
IF YOU CAN KEEP
YOUR FACTS STRAIGHT,

94
00:04:03,943 --> 00:04:04,978
YOU'LL BE FINE.

95
00:04:05,012 --> 00:04:06,546
IF YOU CAN'T,
YOU MIGHT NOT LIVE

96
00:04:06,580 --> 00:04:08,048
THROUGH THE PROCESS.

97
00:04:08,080 --> 00:04:10,418
[door opens]

98
00:04:13,454 --> 00:04:15,055
- DID YOU FINISH YOUR HOMEWORK?

99
00:04:15,087 --> 00:04:16,723
- ALMOST DONE.
JUST MAKING SURE

100
00:04:16,757 --> 00:04:18,257
IT'S COMPLETE.

101
00:04:18,292 --> 00:04:21,093
- COMPLETE IS IMPORTANT.

102
00:04:21,127 --> 00:04:24,464
EVERYTHING NEEDS TO BE IN THERE.
- YEAH, ABOUT THAT...

103
00:04:24,497 --> 00:04:26,334
DO I MENTION LAST NIGHT?

104
00:04:26,367 --> 00:04:29,569
- EVERYTHING MEANS EVERYTHING.

105
00:04:29,603 --> 00:04:32,004
I MAY CATCH SOME HEAT FOR IT,

106
00:04:32,038 --> 00:04:36,009
BUT THE RULE IS,
YOU KISS, YOU TELL.

107
00:04:36,043 --> 00:04:38,846
- IN ANY INFILTRATION,

108
00:04:38,879 --> 00:04:40,581
BECOMING COMFORTABLE
WITH YOUR TARGET

109
00:04:40,613 --> 00:04:42,350
IS A CRUCIAL PART
OF GETTING INFORMATION.

110
00:04:42,382 --> 00:04:44,418
YOU WANT THEM FEELING SECURE

111
00:04:44,451 --> 00:04:46,519
SO THAT YOUR EVENTUAL BETRAYAL

112
00:04:46,553 --> 00:04:48,689
WILL COME AS A TOTAL SURPRISE.

113
00:04:48,721 --> 00:04:51,290
SO YOU SAID I WAS MEETING
THE HEAD OF YOUR ORGANIZATION.

114
00:04:51,324 --> 00:04:52,959
- YOU WILL.

115
00:04:52,992 --> 00:04:55,028
- WELL, ARE YOU GOING TO TELL ME
WHERE I'M GOING,

116
00:04:55,062 --> 00:04:58,130
OR WHEN I'M SUPPOSED
TO BE THERE?

117
00:04:58,165 --> 00:05:01,569
- WE'LL TAKE CARE OF THAT.

118
00:05:02,636 --> 00:05:04,036
- [groans]

119
00:05:04,071 --> 00:05:05,605
OF COURSE THAT ASSUMES

120
00:05:05,639 --> 00:05:07,475
THEY DON'T SURPRISE YOU FIRST.

121
00:05:19,920 --> 00:05:22,923
- SIT DOWN.
- OW.

122
00:05:25,324 --> 00:05:27,860
- MICHAEL ALLEN WESTEN, WELCOME.

123
00:05:27,894 --> 00:05:30,197
MY APOLOGIES
FOR THE TRAVEL ARRANGEMENTS.

124
00:05:30,230 --> 00:05:32,800
- YEAH, I WOULD HAVE BEEN
WILLING TO COME HERE

125
00:05:32,832 --> 00:05:35,636
WITHOUT THE 50,000 VOLTS
RUNNING THROUGH MY BODY.

126
00:05:35,668 --> 00:05:38,038
- NECESSARY PRECAUTION.
YOU UNDERSTAND?

127
00:05:38,071 --> 00:05:40,307
- I'M TRYING.

128
00:05:40,340 --> 00:05:44,076
AND YOU ARE?

129
00:05:44,110 --> 00:05:47,213
- I AM THE MAN
YOU'VE BEEN WAITING TO MEET.

130
00:05:47,247 --> 00:05:48,649
- DO I GET A NAME?

131
00:05:48,682 --> 00:05:50,817
- ONE DAY.

132
00:05:50,850 --> 00:05:52,052
PERHAPS.

133
00:05:52,084 --> 00:05:56,524
BUT WE'RE NOT HERE
TO TALK ABOUT ME.

134
00:05:56,557 --> 00:05:58,858
WE'RE HERE TO TALK ABOUT YOU.

135
00:05:58,891 --> 00:06:00,394
- IS THAT REALLY NECESSARY?

136
00:06:00,427 --> 00:06:02,730
EVERYTHING YOU WANT TO KNOW
IS ALREADY IN THE NOTES.

137
00:06:02,762 --> 00:06:04,665
- NOT EVERYTHING.

138
00:06:04,697 --> 00:06:07,334
BUT IT IS A START.

139
00:06:07,367 --> 00:06:10,002
SHALL WE BEGIN?

140
00:06:10,036 --> 00:06:12,673
WHAT IS YOUR FULL NAME?
- YOU ALREADY KNOW MY NAME.

141
00:06:12,706 --> 00:06:14,341
SERIOUSLY, THIS IS A WASTE
OF TIME.

142
00:06:14,374 --> 00:06:17,043
- WE HAVE ALL THE TIME
IN THE WORLD TO GET THIS RIGHT.

143
00:06:17,076 --> 00:06:19,012
- I PROVED
WHAT I'M WILLING TO DO.

144
00:06:19,045 --> 00:06:21,048
WITH BURKE,
WITH SONYA.

145
00:06:21,081 --> 00:06:23,016
THAT SHOULD COUNT
FOR SOMETHING.

146
00:06:23,050 --> 00:06:24,851
- YOU PROVED YOUR SKILLS.

147
00:06:24,884 --> 00:06:26,553
AND THAT ONLY GETS YOU
IN THIS ROOM.

148
00:06:26,586 --> 00:06:29,021
THIS IS WHERE WE GO DEEPER
THAN YOUR SKILLS.

149
00:06:29,055 --> 00:06:32,292
THIS IS WHERE YOU AND I
TOGETHER...

150
00:06:32,324 --> 00:06:34,927
WE LEARN IF YOU ARE THE MAN
YOU SAY YOU ARE.

151
00:06:34,961 --> 00:06:38,899
NOW, WHAT IS YOUR FULL NAME?

152
00:06:43,437 --> 00:06:48,074
- MY NAME
IS MICHAEL ALLEN WESTEN.

153
00:06:48,108 --> 00:06:50,209
AN INTERROGATION
IS ALL ABOUT RHYTHM

154
00:06:50,242 --> 00:06:51,778
AND REPETITION.

155
00:06:51,812 --> 00:06:54,481
EXPERIENCED INTERROGATORS
WILL ESTABLISH THE PACE

156
00:06:54,514 --> 00:06:57,084
OF QUESTIONING
TO ESTABLISH CONTROL.

157
00:06:57,117 --> 00:07:00,420
- BUT WHEN WERE YOU RECRUITED BY
THE CENTRAL INTELLIGENCE AGENCY?

158
00:07:00,454 --> 00:07:03,055
- DURING MY DEPLOYMENT
IN PANAMA THREE WEEKS LATER,

159
00:07:03,089 --> 00:07:04,791
I WAS SENT TO THE FARM.

160
00:07:04,824 --> 00:07:06,726
- AND DESCRIBE YOUR RELATIONSHIP
WITH MR. CARD.

161
00:07:06,759 --> 00:07:08,728
- HE BETRAYED ME,
SO I KILLED HIM.

162
00:07:08,762 --> 00:07:10,230
ONCE THEY HAVE CONTROL,

163
00:07:10,262 --> 00:07:12,800
THEY CAN PROBE
FOR MORE DETAILED INFORMATION,

164
00:07:12,833 --> 00:07:15,968
EXACTLY WHERE YOU'VE BEEN
AND WHAT YOU'VE DONE.

165
00:07:16,002 --> 00:07:18,572
- FIRST TIME THAT YOU WORKED
WITH SAM AXE?

166
00:07:18,605 --> 00:07:21,675
- NO, WE MET DURING
A HOSTAGE RESCUE IN BOLIVIA.

167
00:07:21,709 --> 00:07:26,413
WOULD YOU LIKE ME TO GO OVER
THE DETAILS OF THAT MISSION?

168
00:07:26,446 --> 00:07:27,781
- NO, THAT'S ENOUGH FOR NOW.

169
00:07:27,814 --> 00:07:32,653
[siren blaring]

170
00:07:32,685 --> 00:07:34,954
TECHNIQUES
SUCH AS SLEEP DEPRIVATION,

171
00:07:34,987 --> 00:07:38,324
NOISE IRRITATION,
AND SENSORY OVERLOAD ARE USED

172
00:07:38,358 --> 00:07:44,031
TO DISORIENT YOU, TO MAKE IT
HARDER TO RESIST QUESTIONING.

173
00:07:44,064 --> 00:07:46,266
THE GENEVA CONVENTION
DOESN'T CONSIDER THESE METHODS

174
00:07:46,298 --> 00:07:49,302
TO BE TORTURE, BUT
WHEN YOU'RE EXPERIENCING THEM,

175
00:07:49,336 --> 00:07:52,338
IT SURE FEELS LIKE IT.

176
00:07:54,807 --> 00:07:58,278
THE IDEA IS THAT,
THE MORE WORN OUT YOU BECOME,

177
00:07:58,310 --> 00:08:00,814
THE MORE LIKELY YOU ARE
TO MAKE A MISTAKE

178
00:08:00,848 --> 00:08:03,283
YOUR INTERROGATOR
CAN POUNCE ON.

179
00:08:03,315 --> 00:08:04,951
- I WANT TO TALK TO YOU
ABOUT AFRICA.

180
00:08:04,985 --> 00:08:09,990
YOU WERE THERE TO NEGOTIATE
OIL INTERESTS FOR THE CIA.

181
00:08:10,023 --> 00:08:12,358
WHAT WERE THE NAMES
OF THE WARLORDS

182
00:08:12,391 --> 00:08:13,860
WHO RECEIVED PAYOFFS?

183
00:08:13,894 --> 00:08:16,963
- KWAME ALAKA
AND CHIDI BUHARI.

184
00:08:16,997 --> 00:08:21,000
- NOW BEFORE YOU SAID
YOU NEGOTIATED WITH THREE.

185
00:08:21,033 --> 00:08:22,134
NOW IT'S JUST TWO.

186
00:08:22,168 --> 00:08:27,807
- I NEGOTIATED WITH...

187
00:08:27,841 --> 00:08:30,711
THREE.

188
00:08:30,744 --> 00:08:34,648
BUT THE THIRD NEVER RECEIVED
THE PAYOFF.

189
00:08:34,682 --> 00:08:37,985
MY BURN NOTICE
INTERRUPTED THE DEAL.

190
00:08:38,018 --> 00:08:42,254
[siren blaring]

191
00:08:42,288 --> 00:08:45,091
BUT AT A CERTAIN POINT,
KEEPING YOUR STORY STRAIGHT

192
00:08:45,125 --> 00:08:47,259
IS NEXT TO IMPOSSIBLE
WHEN YOU'RE ALSO STRUGGLING

193
00:08:47,293 --> 00:08:49,897
TO MAINTAIN YOUR SANITY.

194
00:08:49,929 --> 00:08:54,735
[siren continues blaring]

195
00:09:00,072 --> 00:09:03,176
- RRAH!
RRRAH!

196
00:09:03,210 --> 00:09:05,913
- NO, THE CHARLIE-REX
DID IT AGAIN.

197
00:09:05,946 --> 00:09:07,514
HI, UNCLE JESSE.

198
00:09:07,547 --> 00:09:09,582
- HEY, MADDIE.
CHARL-AY!

199
00:09:09,616 --> 00:09:10,750
HEY, YOU BETTER WATCH
THOSE RAPTORS, MAN.

200
00:09:10,783 --> 00:09:13,419
THEY LOOK A LITTLE HUNGRY.

201
00:09:13,452 --> 00:09:14,855
- DID YOU COME BY
TO PLAY DINOSAURS?

202
00:09:14,888 --> 00:09:16,456
- NO. NOT QUITE.
I WAS HOPING YOU KNEW

203
00:09:16,489 --> 00:09:18,225
WHERE MIKE WAS.
- PRESENTLY, NO.

204
00:09:18,258 --> 00:09:19,359
WHY DON'T YOU TRY CALLING HIM?

205
00:09:19,392 --> 00:09:21,729
- I DID.
HE HASN'T HIT ME BACK.

206
00:09:21,761 --> 00:09:23,764
I THOUGHT HE MIGHT BE HERE.

207
00:09:23,797 --> 00:09:25,698
SO HE HASN'T CALLED
OR LEFT ANY MESSAGES

208
00:09:25,732 --> 00:09:27,100
OR ANYTHING LIKE THAT?

209
00:09:27,134 --> 00:09:28,400
- NO.
THAT'S NOT UNUSUAL.

210
00:09:28,434 --> 00:09:30,604
HE DISAPPEARED
FOR NINE MONTHS, REMEMBER?

211
00:09:30,638 --> 00:09:32,139
- YEAH, YOU'RE RIGHT.
YOU'RE RIGHT.

212
00:09:32,172 --> 00:09:33,539
HE PROBABLY JUST GOT BUSY,

213
00:09:33,572 --> 00:09:36,677
FORGOT TO CHECK IN.

214
00:09:38,445 --> 00:09:41,447
- JESSE.

215
00:09:47,254 --> 00:09:49,056
WHAT IS GOING ON?
IS MICHAEL IN TROUBLE?

216
00:09:49,088 --> 00:09:50,890
- NO.
NO, IT'S LIKE YOU SAID.

217
00:09:50,923 --> 00:09:53,159
HE'S NOT THE EASIEST GUY
TO GET A HOLD OF THESE DAYS.

218
00:09:53,192 --> 00:09:54,894
- YOU HAVE
A TERRIBLE POKER FACE.

219
00:09:54,927 --> 00:09:56,830
DON'T MAKE ME YELL AT YOU
IN FRONT OF CHARLIE.

220
00:09:56,864 --> 00:09:58,498
JUST TELL ME.

221
00:09:58,530 --> 00:10:01,634
- HE'S BEEN MISSING
SINCE THURSDAY.

222
00:10:01,668 --> 00:10:03,436
WE KNOW HE WAS GOING TO MEET
WITH THE HEAD

223
00:10:03,470 --> 00:10:05,972
OF THE ORGANIZATION
HE'S TRYING TO TAKE DOWN,

224
00:10:06,005 --> 00:10:07,640
BUT THEN HE JUST DROPPED
OFF THE GRID.

225
00:10:07,674 --> 00:10:09,142
- WHAT DOES THAT MEAN,
"DROPPED OFF THE GRID?"

226
00:10:09,176 --> 00:10:10,409
WHAT HAPPENED?

227
00:10:10,442 --> 00:10:11,610
- THAT'S WHAT WE'RE TRYING
TO FIND OUT.

228
00:10:11,644 --> 00:10:12,980
SAM AND FI ARE OUT LOOKING
FOR HIM RIGHT NOW.

229
00:10:13,013 --> 00:10:14,413
IF HE GETS IN CONTACT
WITH YOU, CALL ME.

230
00:10:14,447 --> 00:10:15,783
OKAY?
PLEASE.

231
00:10:15,816 --> 00:10:18,951
- JESSE,
IF MICHAEL'S MISSING,

232
00:10:18,985 --> 00:10:20,821
JUST TELL ME WHAT TO DO.

233
00:10:20,854 --> 00:10:23,423
- JUST STAY HERE,
TAKE CARE OF CHARLIE.

234
00:10:23,456 --> 00:10:25,591
WE'LL FIND HIM.

235
00:10:25,625 --> 00:10:28,796
BE GOOD, CHARLIE.
[door opening and shutting]

236
00:10:32,231 --> 00:10:33,834
- ALL RIGHT,
I CHECKED THE STORAGE SPACE,

237
00:10:33,866 --> 00:10:36,003
THE EMERGENCY SPOT,
NO SIGN OF MIKE.

238
00:10:36,036 --> 00:10:38,938
ANY ACTION AT THE LOFT?

239
00:10:38,971 --> 00:10:40,273
- SONYA AND FRIEND
JUST SHOWED UP

240
00:10:40,307 --> 00:10:42,676
AND STARTED DRAGGING THINGS
OUT OF THERE.

241
00:10:47,681 --> 00:10:49,316
- OKAY, SO FIRST
MIKE DISAPPEARS,

242
00:10:49,349 --> 00:10:51,283
THEN SONYA SHOWS UP
WITH A CLEAN CAR

243
00:10:51,317 --> 00:10:52,619
EMPTYING
ALL OF HIS STUFF OUT.

244
00:10:52,652 --> 00:10:53,854
WE GOTTA DO SOMETHING.

245
00:10:53,886 --> 00:10:55,221
- WE'RE NOT SUPPOSED
TO DO ANYTHING

246
00:10:55,254 --> 00:10:56,523
THAT WILL JEOPARDIZE THE OP.

247
00:10:56,556 --> 00:10:59,558
WE'RE SUPPOSED TO JUST LAY LOW,
LET THIS PLAY OUT.

248
00:10:59,591 --> 00:11:02,129
- DO YOU KNOW WHAT "LAY LOW"
MEANS IN CIA SPEAK?

249
00:11:02,162 --> 00:11:05,664
SEE IF SOMEBODY DIES.

250
00:11:05,698 --> 00:11:08,668
- LOOK, STRONG DIDN'T SAY WE
COULDN'T KEEP AN EYE ON SONYA.

251
00:11:08,701 --> 00:11:10,537
LET'S TAKE MY CAR,
WE'LL FOLLOW HER,

252
00:11:10,570 --> 00:11:13,405
AND SEE IF SHE LEADS US
TO MICHAEL.

253
00:11:13,440 --> 00:11:15,142
- ALL RIGHT, FINE.

254
00:11:15,174 --> 00:11:19,546
I JUST HOPE MIKE IS IN ONE PIECE
WHEN WE FIND HIM.

255
00:11:24,951 --> 00:11:28,989
- [grunts]

256
00:11:29,022 --> 00:11:30,923
STOP!

257
00:11:30,957 --> 00:11:33,326
JUST...STOP!

258
00:11:33,360 --> 00:11:36,196
ALL RIGHT?
- MICHAEL, CALM DOWN.

259
00:11:38,065 --> 00:11:41,033
WE'RE DONE WITH THIS.

260
00:11:41,067 --> 00:11:42,769
- SO THIS IS OVER?

261
00:11:42,802 --> 00:11:44,504
- THE FIRST PART, YES.

262
00:11:44,537 --> 00:11:48,775
- [sighs]

263
00:11:48,808 --> 00:11:51,211
- SET OUR SIGHTS
ON NEW HORIZONS.

264
00:11:51,244 --> 00:11:53,245
THIS IS GONNA LOOSEN YOU UP.

265
00:11:57,649 --> 00:12:03,123
IT'S A CHEMICAL RELATIVE
OF BENZODIAZEPINE...

266
00:12:03,155 --> 00:12:06,426
MIXED WITH
A SYNTHETIC HALLUCINOGEN.

267
00:12:06,458 --> 00:12:09,028
- DRUGS WILL ONLY MAKE THIS
MORE COMPLICATED.

268
00:12:09,062 --> 00:12:10,697
I'LL TELL YOU WHATEVER
YOU WANT TO KNOW.

269
00:12:10,730 --> 00:12:14,868
- YES, YOU WILL.

270
00:12:14,902 --> 00:12:17,136
TRUST THE PROCESS, MICHAEL.

271
00:12:17,169 --> 00:12:20,039
YOU MIGHT BE SURPRISED
AT WHAT WE DISCOVER.

272
00:12:20,072 --> 00:12:21,908
GIVE ME YOUR HAND.

273
00:12:21,942 --> 00:12:25,044
WE'LL GO THROUGH THIS TOGETHER.

274
00:12:25,077 --> 00:12:28,748
GIVE ME YOUR HAND.

275
00:12:31,250 --> 00:12:33,220
I'M NOT GONNA LIE TO YOU.

276
00:12:33,253 --> 00:12:36,556
THIS IS GONNA HIT YOU
PRETTY HARD...

277
00:12:36,588 --> 00:12:38,591
AND YOU'RE NOT GONNA BE ABLE
TO TELL THE DIFFERENCE

278
00:12:38,625 --> 00:12:41,794
BETWEEN WHAT IS REAL
AND WHAT IS NOT REAL.

279
00:12:44,130 --> 00:12:46,933
TRICK IS NOT TO RESIST.

280
00:12:46,966 --> 00:12:48,936
JUST LEAN INTO IT.

281
00:12:54,106 --> 00:12:57,476
[voice echoes]
WE'LL RECONVENE IN A FEW HOURS.

282
00:13:06,186 --> 00:13:09,956
[alarm blares]

283
00:13:09,990 --> 00:13:11,591
[alarm stops]

284
00:13:11,624 --> 00:13:14,861
[alarm blares]

285
00:13:14,894 --> 00:13:16,897
[alarm stops]

286
00:13:22,302 --> 00:13:24,303
- WHO IS IT?

287
00:13:27,340 --> 00:13:29,042
FI?

288
00:13:29,076 --> 00:13:31,278
- MICHAEL.

289
00:13:31,311 --> 00:13:35,315
- HOW ARE YOU HERE?

290
00:13:35,347 --> 00:13:38,817
- I'M NOT HERE.

291
00:13:38,851 --> 00:13:41,620
- FI, I...I CAN'T TAKE IT.

292
00:13:41,653 --> 00:13:46,393
I CAN'T TAKE ANY MORE.

293
00:13:46,426 --> 00:13:51,865
- YES, YOU CAN.

294
00:13:51,899 --> 00:13:55,368
YOURS ISN'T THE ONLY LIFE
ON THE LINE.

295
00:13:55,402 --> 00:13:59,972
IF YOU TELL THEM EVERYTHING...
WE ALL DIE.

296
00:14:00,006 --> 00:14:01,640
- I KNOW.

297
00:14:01,673 --> 00:14:03,643
THE DRUGS ARE SO STRONG.

298
00:14:03,676 --> 00:14:05,812
I CAN'T TAKE IT MUCH MORE.

299
00:14:05,845 --> 00:14:06,812
- YES, YOU CAN.

300
00:14:06,846 --> 00:14:11,817
- HELP ME.
I NEED YOU.

301
00:14:11,850 --> 00:14:15,322
- NO...YOU DON'T NEED ME.

302
00:14:15,355 --> 00:14:18,825
- I DO.

303
00:14:18,857 --> 00:14:19,993
I NEED YOU.

304
00:14:20,027 --> 00:14:23,931
- IF YOU TELL THEM EVERYTHING,
WE ALL DIE.

305
00:14:26,865 --> 00:14:29,336
- COME BACK.

306
00:14:29,369 --> 00:14:31,370
COME BACK!

307
00:14:37,945 --> 00:14:41,514
- IF YOU'RE GIVEN PSYCHOACTIVE
DRUGS DURING AN INTERROGATION,

308
00:14:41,548 --> 00:14:42,915
IT DOESN'T AUTOMATICALLY
MAKE YOU SPILL

309
00:14:42,950 --> 00:14:45,217
EVERY SECRET YOU'VE EVER HAD.

310
00:14:45,251 --> 00:14:48,020
DRUGS ARE YOU USED LESS
TO MAKE YOU TELL THE TRUTH

311
00:14:48,054 --> 00:14:51,057
THAN TO MAKE IT HARD TO LIE.

312
00:14:51,091 --> 00:14:57,063
[pouring water amplified]

313
00:14:57,096 --> 00:14:58,398
[water stops pouring]

314
00:14:58,431 --> 00:14:59,899
WITHOUT A CLEAR HEAD,
IT'S DIFFICULT

315
00:14:59,932 --> 00:15:02,201
TO MAKE UP A STORY
AND STICK TO IT.

316
00:15:02,235 --> 00:15:03,269
- DON'T FIGHT THIS, MICHAEL.

317
00:15:03,302 --> 00:15:07,374
RELAX, BREATHE.

318
00:15:07,407 --> 00:15:10,277
LOOK AT ME.
LOOK AT ME.

319
00:15:10,309 --> 00:15:12,544
THERE YOU ARE.
WATER.

320
00:15:12,578 --> 00:15:16,883
WE'VE LEARNED A LOT ABOUT YOU,
WHAT YOU'VE DONE.

321
00:15:16,916 --> 00:15:18,717
BUT FOR MY PURPOSES,

322
00:15:18,750 --> 00:15:22,121
THE WHAT IS LESS IMPORTANT
THAN THE WHY.

323
00:15:22,154 --> 00:15:24,456
- IT'S IN THERE.
IT'S ALL IN THERE.

324
00:15:24,490 --> 00:15:26,826
- WELL, WE'VE GONE OVER IT.

325
00:15:26,859 --> 00:15:30,998
YOU'VE GIVEN ME THE NAMES,
THE PLACES, A LITTLE HISTORY.

326
00:15:31,030 --> 00:15:34,466
BUT NOW WE NEED
TO GO MUCH DEEPER.

327
00:15:34,500 --> 00:15:38,971
WE NEED TO FIND OUT HOW YOU
BECAME THE MAN YOU ARE TODAY.

328
00:15:39,005 --> 00:15:41,774
- I DON'T UNDERSTAND.

329
00:15:41,807 --> 00:15:43,909
- HERE'S WHAT I'M CURIOUS ABOUT,
MICHAEL.

330
00:15:43,942 --> 00:15:49,015
WHEN THE CIA RECRUITED YOU,
YOUR TEST SCORES WERE GOOD.

331
00:15:49,048 --> 00:15:51,951
YOUR FIELD WORK?
STRONG ENOUGH.

332
00:15:51,985 --> 00:15:55,187
BUT THEN WHEN YOU WERE OPERATING
IN EASTERN EUROPE,

333
00:15:55,221 --> 00:15:56,822
YOU ELEVATED YOUR GAME.

334
00:15:56,855 --> 00:15:59,192
YOU WENT FROM A SLIGHTLY
ABOVE AVERAGE OPERATIVE

335
00:15:59,225 --> 00:16:01,094
TO A LIVING LEGEND.

336
00:16:01,128 --> 00:16:03,796
NOW...HOW DOES THAT HAPPEN?
- I FOLLOWED ORDERS.

337
00:16:03,830 --> 00:16:04,998
I DID WHAT I HAD TO DO.

338
00:16:05,032 --> 00:16:07,033
IT JUST HAPPENED.
- I DON'T THINK SO.

339
00:16:07,067 --> 00:16:10,437
THE CIA WOULD NEVER GIVE
THE HIGHEST PRIORITY OPERATIONS

340
00:16:10,470 --> 00:16:13,505
TO THE MICHAEL WESTEN
THAT THEY RECRUITED.

341
00:16:13,539 --> 00:16:17,809
YOU EVOLVED INTO SOMETHING
THAT THEY NEVER EXPECTED.

342
00:16:17,844 --> 00:16:21,813
SOMETHING INSIDE OF YOU,
IT SHIFTED.

343
00:16:21,847 --> 00:16:24,650
WHAT WAS IT?
WHAT DO YOU THINK IT WAS?

344
00:16:24,683 --> 00:16:28,955
- MY TRAINING KICKED IN.

345
00:16:28,988 --> 00:16:30,557
LOOK AT MY TIME IN KIEV.

346
00:16:30,590 --> 00:16:34,461
THAT MANY HIGH-RISK OPS
IN SEVEN MONTHS,

347
00:16:34,494 --> 00:16:37,230
YOU GROW STRONGER OR YOU DIE.

348
00:16:37,264 --> 00:16:40,167
- GRADUAL IMPROVEMENTS THAT COME
WITH TRAINING AND EXPERIENCE

349
00:16:40,200 --> 00:16:42,568
HAD SOMETHING TO DO WITH IT,
BUT THAT IS ONLY

350
00:16:42,601 --> 00:16:44,037
THE ICING ON THE CAKE.

351
00:16:44,071 --> 00:16:49,008
[flames crackle]

352
00:16:53,011 --> 00:16:56,415
WHAT'S HAPPENING?
WHAT ARE YOU SEEING?

353
00:16:57,884 --> 00:16:59,485
- I DON'T--I DON'T KNOW.

354
00:16:59,519 --> 00:17:02,855
I--
[chuckles]

355
00:17:08,027 --> 00:17:12,030
- MICHAEL...

356
00:17:14,601 --> 00:17:17,836
YOU ONLY NEED
TO PUT YOURSELF THERE

357
00:17:17,869 --> 00:17:19,672
TO FIND THE ANSWERS.

358
00:17:19,705 --> 00:17:23,375
[Larry laughing]

359
00:17:25,912 --> 00:17:28,013
- THEY'RE TALKING
ABOUT ME, KID.

360
00:17:28,047 --> 00:17:30,450
I AM THE ANSWER.

361
00:17:30,482 --> 00:17:32,951
- NO, NO, NO, NO, NO.

362
00:17:32,984 --> 00:17:36,288
- I'M THE ONLY ONE WHO EVER
REALLY BELIEVED IN YOU.

363
00:17:36,323 --> 00:17:38,191
I MADE YOU.

364
00:17:38,224 --> 00:17:39,692
- THAT IS NOT TRUE.

365
00:17:39,726 --> 00:17:42,261
- AWW, THE HELL IT ISN'T.
YOU CAN'T LIE TO ME, KID.

366
00:17:42,295 --> 00:17:44,730
I AM IN YOUR HEAD.

367
00:17:44,763 --> 00:17:47,900
YOU KNOW EXACTLY HOW MUCH TIME
AND EFFORT I PUT INTO YOU.

368
00:17:47,933 --> 00:17:50,702
- YOU DIDN'T DO ANYTHING.
- OH, PLEASE.

369
00:17:50,737 --> 00:17:54,406
EVERYONE THOUGHT YOU HAD
THE HEART OF A BOY SCOUT.

370
00:17:54,441 --> 00:17:58,310
BUT I SAW YOUR TRUE COLORS.

371
00:17:58,345 --> 00:18:02,882
I DISCOVERED
THAT HOMEGROWN ANGER,

372
00:18:02,914 --> 00:18:05,384
THE RESENTMENT,
ALL THAT STUFF

373
00:18:05,417 --> 00:18:07,586
YOU KEPT BOTTLED UP
INSIDE OF YOU,

374
00:18:07,619 --> 00:18:11,223
AND I TAUGHT YOU
HOW TO USE IT.

375
00:18:11,258 --> 00:18:13,226
OH, YOU'RE WELCOME,
BY THE WAY.

376
00:18:13,259 --> 00:18:15,127
- YOU DON'T KNOW
WHAT YOU'RE SAYING.

377
00:18:15,162 --> 00:18:17,564
- OH, I KNOW EXACTLY
WHAT I'M SAYING.

378
00:18:17,596 --> 00:18:20,333
I WAS THERE, KID.

379
00:18:20,366 --> 00:18:22,301
I REMEMBER HOW FAST
YOU TOOK TO IT,

380
00:18:22,335 --> 00:18:26,272
HOW MUCH YOU LOVED IT.

381
00:18:26,306 --> 00:18:29,909
- YOU ARE NOT REAL.
GET OUT OF HERE.

382
00:18:29,942 --> 00:18:32,612
- YOU SHOW SOME GODDAMN RESPECT
FOR THE DEAD!

383
00:18:32,644 --> 00:18:34,947
I'M NOT ASKING
FOR A CANDLELIGHT VIGIL,

384
00:18:34,980 --> 00:18:38,285
BUT AT LEAST HONOR MY UNTIMELY
PASSING BY ADMITTING THE TRUTH.

385
00:18:38,317 --> 00:18:40,920
YOU ARE WHO I MADE YOU!

386
00:18:40,952 --> 00:18:44,990
AND THAT IS ALL I EVER WANTED,
MICHAEL...

387
00:18:45,023 --> 00:18:50,363
FOR YOU TO ACCEPT WHO YOU ARE.

388
00:18:50,396 --> 00:18:51,597
- YOU'RE WRONG!
- WHO'S WRONG?

389
00:18:51,631 --> 00:18:53,799
WHO'S THERE?
- I DON'T KNOW.

390
00:18:53,833 --> 00:18:55,835
I JUST--
[stammers]

391
00:18:55,867 --> 00:18:57,703
IT'S THE DRUG.
I'M NOT THINKING STRAIGHT.

392
00:18:57,737 --> 00:19:00,539
- MICHAEL,
DON'T THINK STRAIGHT.

393
00:19:00,573 --> 00:19:05,010
JUST LET WHATEVER FLOATS
THROUGH YOUR MIND

394
00:19:05,044 --> 00:19:07,279
COME OUT UNFILTERED,

395
00:19:07,314 --> 00:19:08,681
AND YOU FOCUS
ON THE QUESTION.

396
00:19:08,714 --> 00:19:13,653
HOW DID YOU BECOME
THE CIA'S ACE?

397
00:19:13,685 --> 00:19:16,955
- JUST TELL HIM.

398
00:19:16,989 --> 00:19:18,625
- [whispering] STOP IT.
STOP IT.

399
00:19:18,657 --> 00:19:20,058
STOP--
- COME ON.

400
00:19:20,092 --> 00:19:23,296
WHAT'S THE HARM IN GIVING CREDIT
WHERE CREDIT IS DUE?

401
00:19:23,329 --> 00:19:26,132
- STOP IT! STOP IT!
IT'S IN THE PAST!

402
00:19:26,164 --> 00:19:29,134
THIS DOESN'T MATTER!
- OH, YES, IT DOES.

403
00:19:29,167 --> 00:19:31,337
IT MATTERS TO YOU.

404
00:19:31,371 --> 00:19:33,472
OTHERWISE WE WOULDN'T BE HERE
TOGETHER.

405
00:19:33,506 --> 00:19:34,906
NOW JUST LET IT OUT.

406
00:19:34,941 --> 00:19:37,042
- JUST STOP!

407
00:19:37,076 --> 00:19:38,711
- WHAT?

408
00:19:38,744 --> 00:19:40,579
OH, YOU THINK
HE'S GONNA HATE YOU

409
00:19:40,613 --> 00:19:43,415
IF HE KNOWS
WHO YOU REALLY ARE?

410
00:19:43,450 --> 00:19:45,684
COME ON, TELL HIM
HOW MUCH FUN WE HAD.

411
00:19:45,718 --> 00:19:48,520
THAT'S WHAT HE WANTS.

412
00:19:48,555 --> 00:19:53,492
SAY MY NAME, AND I PROMISE YOU
YOU'LL FEEL BETTER.

413
00:19:53,526 --> 00:19:55,728
SAY IT, KID.

414
00:19:55,761 --> 00:19:59,731
SAY MY NAME!

415
00:19:59,766 --> 00:20:02,602
- LARRY!

416
00:20:07,038 --> 00:20:10,509
- WELL, ISN'T THAT INTERESTING?

417
00:20:10,542 --> 00:20:13,945
THERE'S A LARRY SIZEMORE
IN YOUR NOTES...

418
00:20:13,980 --> 00:20:17,784
LISTED AS A FIELD OFFICER.

419
00:20:17,817 --> 00:20:19,852
BUT THAT'S ALL.

420
00:20:19,885 --> 00:20:21,421
NOTHING SPECIAL.

421
00:20:21,453 --> 00:20:26,593
- HE WAS A SPECIAL...
SPECIAL KIND OF MONSTER.

422
00:20:26,625 --> 00:20:31,397
- WELL, YOU WORKED
WITH PLENTY OF MONSTERS.

423
00:20:31,431 --> 00:20:33,199
WHAT WAS SO SPECIAL
ABOUT THIS ONE?

424
00:20:33,231 --> 00:20:36,403
- HE WAS DANGEROUS,

425
00:20:36,435 --> 00:20:37,970
AND I WAS AFRAID.

426
00:20:38,003 --> 00:20:41,540
- WHAT WERE YOU AFRAID OF?

427
00:20:41,574 --> 00:20:46,712
- I WAS AFRAID
I WAS BECOMING LIKE HIM.

428
00:20:46,746 --> 00:20:51,451
AND I WAS AFRAID
I WAS STARTING TO LIKE IT.

429
00:21:00,026 --> 00:21:04,262
- FINALLY,
WE'RE MAKING PROGRESS.

430
00:21:22,449 --> 00:21:24,115
- I DON'T SEE HER, SAM.

431
00:21:24,150 --> 00:21:26,251
- I'M TELLING YOU, FI,
SHE PULLED IN HERE.

432
00:21:26,285 --> 00:21:27,653
- WELL,
WE SHOULD GET MOVING.

433
00:21:27,686 --> 00:21:28,755
THE LONGER WE WAIT,
THE FURTHER SHE'LL--

434
00:21:28,788 --> 00:21:31,824
- HEY, RIGHT THERE.
BINGO!

435
00:21:31,857 --> 00:21:34,961
- WHAT THE HELL IS SHE DOING?
- SHE'S GONNA BURN MIKE'S STUFF.

436
00:21:34,993 --> 00:21:36,596
THERE'S AN INCINERATOR
IN THERE.

437
00:21:36,628 --> 00:21:39,097
FI, WE CAN'T LOSE HER AGAIN.
WE GOT TO STAY CLOSER.

438
00:21:39,131 --> 00:21:41,601
- I HAVE SOME SKIP TRACING
EQUIPMENT IN THE TRUNK.

439
00:21:41,634 --> 00:21:42,769
- IF WE PLANT SOMETHING
IN HER CAR--

440
00:21:42,801 --> 00:21:44,936
- NO, FI, YOU KNOW,
HOW THOROUGH SHE IS.

441
00:21:44,971 --> 00:21:46,705
IF SHE SWEEPS HER CAR
FOR TRACKERS

442
00:21:46,739 --> 00:21:47,874
AND FINDS SOMETHING,
THIS IS OVER.

443
00:21:47,906 --> 00:21:49,008
- WHO SAID ANYTHING
ABOUT TRACKERS?

444
00:21:49,040 --> 00:21:50,509
I HAVE AN INFRARED STROBE
WE CAN USE.

445
00:21:50,542 --> 00:21:52,044
- WELL, IT'S A GREAT IDEA,
BUT THAT MEANS YOU GOT TO GET

446
00:21:52,077 --> 00:21:54,780
ACCESS TO THE CAR,
A DECENT POWER SOURCE.

447
00:21:54,814 --> 00:21:57,249
- HAVE A LITTLE FAITH,
SAM.

448
00:22:04,056 --> 00:22:05,791
HOW AM I LOOKING?
- PRETTY GOOD FOR NOW,

449
00:22:05,825 --> 00:22:07,159
BUT KEEP MOVING.

450
00:22:07,192 --> 00:22:10,229
THEY'RE GONNA RUN OUT OF STUFF
TO BURN PRETTY SOON.

451
00:22:12,330 --> 00:22:14,901
AND WHERE THE HELL DID YOU GET
AN I.R. STROBE, ANYWAY?

452
00:22:14,933 --> 00:22:16,234
ISN'T THAT
A MILITARY TOY?

453
00:22:16,268 --> 00:22:18,170
- I'M A ONE-WOMAN ARMY.

454
00:22:18,203 --> 00:22:20,406
STROBE'S IN PLACE.

455
00:22:20,440 --> 00:22:22,442
- OKAY.

456
00:22:24,276 --> 00:22:26,011
ALL RIGHT.

457
00:22:26,045 --> 00:22:28,279
RUDOLPH MIGHT BE OUT OF A JOB.
IT'S SHINING BRIGHT.

458
00:22:29,749 --> 00:22:31,884
FI, YOU GOT COMPANY.
GET OUT OF THERE NOW.

459
00:22:31,917 --> 00:22:34,019
- ONE MORE BOLT.
- FI, I'M TELLIN' YOU,

460
00:22:34,052 --> 00:22:35,721
YOU GOT, LIKE, TEN SECONDS
AND THEN

461
00:22:35,755 --> 00:22:38,758
THEY'RE GONNA BE CLOSE ENOUGH
TO HELP YOU FINISH.

462
00:22:47,032 --> 00:22:48,500
[car engine starting]

463
00:22:48,535 --> 00:22:53,271
ALL RIGHT, FI, GET BACK HERE.
WE GOTTA MOVE.

464
00:22:57,710 --> 00:22:59,711
- SO I LOOKED INTO YOUR FRIEND,
LARRY.

465
00:22:59,746 --> 00:23:02,381
MUST SAY THAT THE FILES
I PULLED ON YOUR OPS TOGETHER

466
00:23:02,414 --> 00:23:06,251
WERE...
VERY, VERY INTRIGUING.

467
00:23:06,285 --> 00:23:08,287
HERE'S WHAT WE NEED,
MICHAEL--

468
00:23:08,319 --> 00:23:11,990
WE NEED TO UNDERSTAND
WHO HE WAS TO YOU.

469
00:23:13,960 --> 00:23:15,961
- WHAT DO YOU WANT
TO KNOW?

470
00:23:15,994 --> 00:23:18,565
- WHY DID YOU AND LARRY
STOP WORKING TOGETHER?

471
00:23:18,597 --> 00:23:23,569
- [sniffles]
I ALREADY TOLD YOU.

472
00:23:23,603 --> 00:23:28,039
- WELL, YOU CAN'T DENY
THAT YOU WERE A POWERFUL TEAM,

473
00:23:28,074 --> 00:23:32,377
AND THE CIA WOULDN'T LET YOU
SPLIT UP WITHOUT GOOD REASON.

474
00:23:32,411 --> 00:23:34,413
- I WAS NEEDED
IN THE MIDDLE EAST,

475
00:23:34,447 --> 00:23:36,883
SO THAT'S WHERE I WENT.

476
00:23:36,915 --> 00:23:42,421
- TALK TO ME ABOUT VEDENO,
NOVEMBER, '95.

477
00:23:42,454 --> 00:23:44,891
WHAT HAPPENED THERE?

478
00:23:44,923 --> 00:23:48,627
YOU AND LARRY WERE NEVER
ON RECORD WORKING TOGETHER AGAIN

479
00:23:48,661 --> 00:23:51,396
AFTER THAT OP.
TALK ME ABOUT THAT.

480
00:23:51,430 --> 00:23:55,334
- RECON MISSION.
- RECON?

481
00:23:55,366 --> 00:23:57,302
THEN WHY WERE YOU
SENT HOME

482
00:23:57,336 --> 00:23:59,739
SIX MONTHS BEFORE YOUR POSTING
WAS FINISHED?

483
00:23:59,771 --> 00:24:02,608
- I MADE
A TACTICAL MISTAKE.

484
00:24:02,642 --> 00:24:05,644
- WHAT'D THAT MISTAKE
LOOK LIKE?

485
00:24:05,678 --> 00:24:09,781
- WE TRUSTED
A LOCAL MILITARY COMMANDER,

486
00:24:09,816 --> 00:24:11,116
BUT HE BETRAYED US.

487
00:24:11,150 --> 00:24:13,085
- OH, SO YOU GOT PLAYED
BY AN ASSET.

488
00:24:13,118 --> 00:24:15,821
OPS HAVE GONE BAD
ON YOU BEFORE.

489
00:24:15,855 --> 00:24:19,325
WHAT MAKES THIS ONE
SO UNIQUE?

490
00:24:26,999 --> 00:24:28,535
MICHAEL.

491
00:24:28,567 --> 00:24:29,536
MICHAEL?

492
00:24:29,568 --> 00:24:31,369
[snaps fingers]
MICHAEL!

493
00:24:31,403 --> 00:24:33,338
PAY ATTENTION!

494
00:24:33,372 --> 00:24:36,776
YOU AND LARRY,
BETRAYED BY YOUR CONTACT,

495
00:24:36,808 --> 00:24:38,611
THEN WHAT?

496
00:24:38,644 --> 00:24:41,948
- WE HAD TO FIND HIM.

497
00:24:41,980 --> 00:24:46,653
THE INTEL HE HAD
COULD EXPOSE EVERYONE.

498
00:24:46,685 --> 00:24:48,654
- THAT BASTARD.

499
00:24:48,688 --> 00:24:50,155
HE COULDN'T HAVE GOTTEN FAR.

500
00:24:50,189 --> 00:24:53,192
LET'S MOVE.

501
00:24:54,894 --> 00:24:59,065
WE TRACKED HIM DOWN.
STANDARD OP.

502
00:24:59,097 --> 00:25:01,400
LOCATE, CORNER,
NEUTRALIZE.

503
00:25:01,432 --> 00:25:03,970
- NOW YOU'RE JUST
PARROTING ORDERS.

504
00:25:04,002 --> 00:25:07,006
WHAT DID YOU AND LARRY DO?

505
00:25:07,038 --> 00:25:10,809
- AH, KID,
IT HAPPENED.

506
00:25:10,843 --> 00:25:12,711
YOU KNOW, YOU CAN DENY IT
ALL YOU WANT,

507
00:25:12,744 --> 00:25:17,316
BUT NOTHING IS GONNA
CHANGE THE FACTS.

508
00:25:17,348 --> 00:25:20,051
WHY DON'T YOU WANT
TO TALK ABOUT IT?

509
00:25:20,086 --> 00:25:23,521
HEY, YOU KNOW, THESE--
THESE WERE OUR GLORY DAYS.

510
00:25:23,556 --> 00:25:25,692
THIS WAS BEAUTIFUL.

511
00:25:25,724 --> 00:25:27,727
THIS WAS SOMETHING
TO BE PROUD OF.

512
00:25:27,759 --> 00:25:29,327
- GET OUT OF MY HEAD,
LARRY.

513
00:25:29,361 --> 00:25:30,730
I'M NOT LISTENING TO YOU
ANYMORE.

514
00:25:30,762 --> 00:25:31,998
- [laughs]

515
00:25:32,030 --> 00:25:34,165
- [coughs]

516
00:25:34,200 --> 00:25:37,769
- AH, DON'T LOOK AT ME
LIKE THAT.

517
00:25:37,804 --> 00:25:41,240
THESE...
ARE NOT INNOCENTS.

518
00:25:41,272 --> 00:25:44,676
THEY WERE HIDING AN ENEMY.
OUR ENEMY!

519
00:25:44,711 --> 00:25:46,377
- THAT WASN'T HOW
IT WAS SUPPOSED TO HAPPEN!

520
00:25:46,412 --> 00:25:51,049
- WHAT HAPPENED?
WHAT HAPPENED, TELL ME.

521
00:25:51,083 --> 00:25:53,619
- WE INTERROGATED
THE VILLAGERS.

522
00:25:53,653 --> 00:25:54,753
THEY HAD HELPED HIM ESCAPE.

523
00:25:54,787 --> 00:25:56,454
THEY WERE JUST FARMERS.

524
00:25:56,488 --> 00:26:00,192
DIDN'T TAKE LONG TO FIGURE OUT
WHERE THEY HAD HID HIM.

525
00:26:00,226 --> 00:26:02,628
HE HAD BARRICADED HIMSELF
INSIDE OF A FACTORY.

526
00:26:02,662 --> 00:26:05,530
- HE DOESN'T WANT
TACTICAL DETAILS.

527
00:26:05,564 --> 00:26:08,200
HE'S NOT GONNA STOP UNTIL YOU
GIVE HIM WHAT'S INSIDE!

528
00:26:08,233 --> 00:26:10,201
- IT WAS TOO RISKY
TO BREACH AND EXTRACT,

529
00:26:10,236 --> 00:26:12,203
SO WE NEUTRALIZED
THE SITUATION.

530
00:26:12,238 --> 00:26:14,707
- DAMN IT!
AGAIN, WITH "NEUTRALIZE"!

531
00:26:14,740 --> 00:26:17,743
FOR THE LOVE OF GOD,
USE REAL WORDS!

532
00:26:17,777 --> 00:26:19,645
THE MAN WAS HIDING
LIKE A COWARD!

533
00:26:19,679 --> 00:26:22,448
WAS IT WORTH RISKING OUR LIVES
TO SILENCE HIM?

534
00:26:22,480 --> 00:26:26,152
HELL, NO!
SO TELL HIM HOW YOU SOLVED IT.

535
00:26:26,184 --> 00:26:28,621
TELL HIM WHAT YOU DID.

536
00:26:30,923 --> 00:26:34,226
- I BLEW IT UP.
I BLEW UP THE BUILDING.

537
00:26:34,259 --> 00:26:37,563
- THAT WHAT'S BOTHERING YOU,
IS THAT YOU BLEW UP A BUILDING.

538
00:26:37,596 --> 00:26:40,165
THERE IS MORE TO IT
THAN THAT.

539
00:26:40,199 --> 00:26:42,734
YOU'RE SAFE HERE,
YOU CAN TELL ME.

540
00:26:42,769 --> 00:26:46,739
- GO ON.
COME ON.

541
00:26:46,772 --> 00:26:48,907
TELL HIM WHY
YOU RAN AWAY FROM ME.

542
00:26:48,941 --> 00:26:50,742
- I DIDN'T KNOW
THERE WERE PEOPLE IN THERE.

543
00:26:50,777 --> 00:26:53,244
- STOP RIGHT THERE.
YOU KNEW.

544
00:26:53,278 --> 00:26:55,948
- I COULDN'T SEE INSIDE!
- ARE YOU KIDDING ME?

545
00:26:55,981 --> 00:26:57,083
YOU COULD HAVE LOOKED
THROUGH THE WINDOW.

546
00:26:57,115 --> 00:26:59,484
YOU COULD HAVE COUNTED CARS
IN THE LOT!

547
00:26:59,518 --> 00:27:01,452
BUT YOU DIDN'T!

548
00:27:01,487 --> 00:27:03,422
NO, YOU WANT TO TRY AND PLAY
THE BOY SCOUT AND TELL YOURSELF,

549
00:27:03,454 --> 00:27:05,457
"OH, IT WAS AN ACCIDENT,"
BUT I KNOW BETTER,

550
00:27:05,490 --> 00:27:06,959
'CAUSE I SAW THE LOOK
IN YOUR EYE,

551
00:27:06,992 --> 00:27:10,429
THAT KILLER INSTINCT.
YOU KNEW THEY WERE THERE!

552
00:27:10,461 --> 00:27:13,700
- I DIDN'T CARE!

553
00:27:16,367 --> 00:27:18,470
I LOST CONTROL,
I WAS ANGRY.

554
00:27:18,503 --> 00:27:21,507
MY FRIENDS--
MY FRIENDS WERE GONNA DIE.

555
00:27:24,977 --> 00:27:27,212
I DIDN'T CARE WHAT IT TOOK
OR WHO STOOD IN MY WAY,

556
00:27:27,246 --> 00:27:29,949
I WAS GONNA MAKE SURE
THAT SON OF A BITCH WAS DEAD.

557
00:27:29,981 --> 00:27:32,751
I LET MY FEELINGS
BLIND ME.

558
00:27:38,356 --> 00:27:40,226
I NEVER WANTED THAT
TO HAPPEN AGAIN.

559
00:27:40,259 --> 00:27:42,260
- [chuckles]

560
00:27:44,063 --> 00:27:47,098
AND THAT IS WHY...

561
00:27:49,769 --> 00:27:53,740
YOU ALWAYS GET THE JOB DONE
WITHOUT COLLATERAL DAMAGE.

562
00:27:53,772 --> 00:27:58,477
- THE PEOPLE...
IN THE FACTORY,

563
00:27:58,509 --> 00:28:00,311
SOMETIMES,
I HEAR THEM SCREAM.

564
00:28:00,346 --> 00:28:03,982
- THEY NEVER STOP.

565
00:28:04,016 --> 00:28:07,553
THEY CAN GET QUIETER,
BUT THEY NEVER STOP.

566
00:28:07,586 --> 00:28:09,756
MICHAEL,
I WANT YOU TO UNDERSTAND,

567
00:28:09,788 --> 00:28:11,923
WHAT YOU'VE DONE HERE TODAY,
IT'S VERY IMPORTANT,

568
00:28:11,958 --> 00:28:13,491
BECAUSE I CAN'T PROTECT YOU
UNLESS I KNOW

569
00:28:13,525 --> 00:28:16,028
WHAT'S DRIVING YOU.

570
00:28:16,061 --> 00:28:19,431
YOU SHARE YOUR BURDEN...

571
00:28:19,464 --> 00:28:21,166
I WILL HELP YOU CARRY IT.

572
00:28:21,200 --> 00:28:25,003
NOW, YOU GET SOME REST
BECAUSE IT IS CLEAR TO ME

573
00:28:25,037 --> 00:28:27,506
THERE ARE MORE DEMONS
INSIDE OF YOU,

574
00:28:27,538 --> 00:28:32,878
AND I WILL DO WHATEVER IT TAKES
TO DIG THEM OUT.

575
00:28:39,384 --> 00:28:40,752
- A SPY IS TRAINED

576
00:28:40,787 --> 00:28:43,189
TO DEAL WITH A WIDE RANGE
OF EXTERNAL THREATS--

577
00:28:43,221 --> 00:28:47,526
COMBAT, PURSUIT, CAPTURE,
INTERROGATION, EVEN TORTURE.

578
00:28:47,558 --> 00:28:49,361
TRAINING IS DESIGNED
TO EXPOSE YOU

579
00:28:49,394 --> 00:28:51,297
TO AS MANY SITUATIONS
AS POSSIBLE

580
00:28:51,329 --> 00:28:55,902
SO THAT WHEN YOU ENCOUNTER THEM
IN THE REAL WORLD, YOU'RE READY.

581
00:28:55,934 --> 00:29:00,105
THERE ARE SITUATIONS, THOUGH,
YOU SIMPLY CAN'T PREPARE FOR.

582
00:29:00,138 --> 00:29:03,075
NO AMOUNT OF EXPERIENCE
OR TRAINING CAN HELP YOU

583
00:29:03,108 --> 00:29:06,244
WHEN THE THREAT COMES
FROM INSIDE YOUR OWN MIND.

584
00:29:06,278 --> 00:29:07,746
[glass breaking]

585
00:29:07,779 --> 00:29:10,215
- FRANK, STOP IT, YOU'RE DRUNK.
JUST CALM DOWN!

586
00:29:10,249 --> 00:29:12,483
- NATE, GO NEXT DOOR, NOW.
[glass breaking]

587
00:29:12,518 --> 00:29:13,885
- HE'LL HURT YOU.

588
00:29:13,920 --> 00:29:15,320
- NO, HE WON'T.
I'LL BE FINE.

589
00:29:15,354 --> 00:29:17,222
- NO.
- GO.

590
00:29:17,256 --> 00:29:20,159
- [grunts]
GET OUTTA MY WAY, BITCH!

591
00:29:20,192 --> 00:29:22,193
[slaps]
UGH!

592
00:29:31,136 --> 00:29:33,739
- YOU STILL HAVE EYES ON SONYA?
- I SURE DO.

593
00:29:33,771 --> 00:29:37,076
SHE JUST TOOK A RIGHT
ON 5TH.

594
00:29:37,108 --> 00:29:39,278
TRAFFIC IS LIGHT ON 4TH.

595
00:29:39,310 --> 00:29:40,746
TAKE A RIGHT HERE,
WE'LL PICK HER UP AGAIN.

596
00:29:40,778 --> 00:29:42,080
- DAMN IT, RED LIGHT.

597
00:29:42,114 --> 00:29:43,315
- WHAT,
IS THAT A PROBLEM?

598
00:29:43,348 --> 00:29:45,651
- NO, MORE OF A WARNING.

599
00:29:45,683 --> 00:29:49,255
- OH!
OH, FI, WHAT THE HELL?

600
00:29:49,288 --> 00:29:50,689
[car horn honking]

601
00:29:50,721 --> 00:29:52,723
JESUS, FI!

602
00:29:54,660 --> 00:29:56,362
[tires screeching]

603
00:29:56,394 --> 00:29:57,363
[car horn honking]

604
00:29:57,395 --> 00:29:58,463
- YOU SEE HER?

605
00:29:58,497 --> 00:30:00,499
WE SHOULD BE GOING
PARALLEL TO HER NOW.

606
00:30:00,531 --> 00:30:01,767
- NOTHING YET.
IT'D BE A LOT EASIER

607
00:30:01,799 --> 00:30:03,335
IF YOU WEREN'T DRIVING
LIKE MARIO ANDRETTI.

608
00:30:03,368 --> 00:30:04,536
- WHAT ARE YOU TALKING
ABOUT?

609
00:30:04,569 --> 00:30:07,439
MARIO ANDRETTI
NEVER HAD A CAR LIKE THIS.

610
00:30:07,472 --> 00:30:08,840
[tires screeching]

611
00:30:11,676 --> 00:30:12,810
- THERE SHE IS,
GO LEFT.

612
00:30:13,811 --> 00:30:18,884
[tires screeching]

613
00:30:22,153 --> 00:30:23,821
OKAY.

614
00:30:23,855 --> 00:30:27,659
I THINK MY LIVER'S IN MY THROAT,
BUT...GOOD JOB, FI.

615
00:30:31,829 --> 00:30:34,032
- WHAT'S ON THE OTHER SIDE
OF THAT GATE?

616
00:30:34,066 --> 00:30:37,469
- LOOKS LIKE A ROAD
THAT LEADS TO A PRIVATE ISLAND.

617
00:30:37,502 --> 00:30:40,172
- I DON'T KNOW
IF WE CAN STAY WITH SONYA.

618
00:30:40,205 --> 00:30:42,407
THOSE GUARDS COULD TIP HER OFF
IF WE TRY TO GET BY.

619
00:30:42,441 --> 00:30:44,911
- ALL RIGHT,
WELL, HOW ABOUT THIS? LOOK...

620
00:30:44,943 --> 00:30:46,845
SEE HOW THE ISLAND
JUTS OUT TO THE HARBOR?

621
00:30:46,878 --> 00:30:49,480
I THINK OUR BEST VIEW
OF THE PLACE IS FROM THE WATER.

622
00:30:49,515 --> 00:30:51,817
- YOU'RE PROPOSING WE SWIM?
- NO, WE DON'T HAVE TO GET WET.

623
00:30:51,849 --> 00:30:53,051
ELSA OWNS A SPEEDBOAT.

624
00:30:53,085 --> 00:30:54,653
IT'S DOCKED
ON THE OTHER SIDE OF THE BAY.

625
00:30:54,685 --> 00:30:56,488
MAYBE JESSE CAN COME
AND PICK US UP.

626
00:30:56,521 --> 00:30:58,924
I'LL JUST CALL ELSA
AND SET IT UP.

627
00:30:58,958 --> 00:31:00,826
- FINE, BUT HURRY.

628
00:31:00,858 --> 00:31:03,694
I DON'T LIKE THE THOUGHT
OF MICHAEL IN THERE ALONE.

629
00:31:07,732 --> 00:31:10,336
- RELAX.

630
00:31:10,368 --> 00:31:11,369
BREATHE.

631
00:31:11,403 --> 00:31:13,940
- [inhales]

632
00:31:16,541 --> 00:31:18,544
THERE.

633
00:31:20,211 --> 00:31:22,914
ONE OF THE REASONS
YOU ARE HERE IS BECAUSE

634
00:31:22,949 --> 00:31:28,186
YOUR CAREER IS MARKED
WITH AN EXTRAORDINARY DEGREE...

635
00:31:28,220 --> 00:31:31,022
OF LOYALTY.

636
00:31:31,057 --> 00:31:35,693
LOYALTY...
TO THE AGENCY.

637
00:31:35,727 --> 00:31:38,297
LOYALTY
TO YOUR FELLOW OPERATIVES.

638
00:31:38,329 --> 00:31:40,398
LOYALTY
TO YOUR FRIENDS.

639
00:31:40,432 --> 00:31:43,535
THAT IS A GOOD THING...

640
00:31:43,568 --> 00:31:46,538
BUT IT'S ALSO A PROBLEM.

641
00:31:46,572 --> 00:31:48,740
OLD LOYALTIES DIE HARD.

642
00:31:48,773 --> 00:31:52,177
AND I NEED TO KNOW
THAT YOU'VE LEFT YOURS BEHIND.

643
00:31:55,146 --> 00:31:57,883
- THEY ARE.
I'M ALL ALONE.

644
00:31:57,915 --> 00:31:59,718
- THAT'S AN EASY THING TO SAY.

645
00:31:59,750 --> 00:32:01,287
'CAUSE I KNOW HOW HARD
IT CAN BE

646
00:32:01,319 --> 00:32:02,989
TO CUT TIES.

647
00:32:03,021 --> 00:32:04,923
ESPECIALLY WHEN YOU'VE
BEEN IN THE GAME

648
00:32:04,957 --> 00:32:06,959
AS LONG AS YOU HAVE.

649
00:32:06,992 --> 00:32:11,230
- LOOK AT THE WORK I'VE DONE
WITH SONYA AND BURKE.

650
00:32:11,262 --> 00:32:13,565
I'VE BEEN LOYAL TO YOU.

651
00:32:13,598 --> 00:32:15,233
- YOU WERE USEFUL TO US.

652
00:32:15,267 --> 00:32:17,568
I'M GRATEFUL FOR THAT.

653
00:32:17,603 --> 00:32:21,106
BUT WHEN BURKE FOUND YOU,

654
00:32:21,140 --> 00:32:22,974
YOU NEEDED SOMETHING.

655
00:32:23,009 --> 00:32:25,144
SOMETHING TO HOLD ON TO.

656
00:32:25,176 --> 00:32:27,246
WE GAVE YOU THAT.

657
00:32:27,278 --> 00:32:29,280
LOYALTY AND NEED--
THEY'RE NOT THE SAME THING.

658
00:32:29,315 --> 00:32:30,749
YOU DON'T KNOW OUR CAUSE.

659
00:32:30,781 --> 00:32:33,751
YOU CAN'T BLINDLY
DEDICATE YOURSELF TO SOMETHING

660
00:32:33,785 --> 00:32:35,186
THAT QUICKLY.

661
00:32:35,221 --> 00:32:36,887
NOT YET, ANYWAY.

662
00:32:38,957 --> 00:32:41,292
MICHAEL...

663
00:32:41,326 --> 00:32:43,996
IF YOU'RE A PART
OF SOMETHING ELSE...

664
00:32:44,029 --> 00:32:45,330
THEN YOU NEED TO TELL ME.

665
00:32:45,364 --> 00:32:47,333
- MICHAEL!

666
00:32:48,799 --> 00:32:51,369
MICHAEL!
WHERE THE HELL ARE YOU?

667
00:32:56,674 --> 00:32:58,943
MICHAEL.

668
00:32:58,977 --> 00:33:00,078
- MICHAEL?

669
00:33:01,146 --> 00:33:03,115
I KNOW IT'S HARD.

670
00:33:03,148 --> 00:33:05,483
JUST TRUST ME.

671
00:33:05,517 --> 00:33:08,619
IT IS BETTER FOR BOTH OF US
IF YOU JUST TELL ME NOW.

672
00:33:08,653 --> 00:33:09,654
- MICHAEL!

673
00:33:09,688 --> 00:33:10,788
[clatter]

674
00:33:10,821 --> 00:33:12,290
MICHAEL!

675
00:33:12,324 --> 00:33:14,726
DAMN IT, LOOK AT ME
WHEN I AM TALKING TO YOU, SON!

676
00:33:14,759 --> 00:33:15,826
- DAD?

677
00:33:19,998 --> 00:33:22,201
YOU CAN'T BE HERE.

678
00:33:22,233 --> 00:33:24,369
- WHY?
'CAUSE I'M DEAD?

679
00:33:24,403 --> 00:33:26,404
YOU CAN'T GET RID OF ME
THAT EASILY, MICHAEL.

680
00:33:26,438 --> 00:33:28,406
- MICHAEL!

681
00:33:28,440 --> 00:33:31,042
YOU'RE HOLDING ON
TO SOMETHING.

682
00:33:31,076 --> 00:33:32,677
WHAT IS IT?

683
00:33:32,711 --> 00:33:35,580
- IT'S JUST ME.
IT'S--IT'S...

684
00:33:35,614 --> 00:33:37,482
IT'S OVER.

685
00:33:37,516 --> 00:33:38,817
I DON'T--
- TELL HIM.

686
00:33:38,849 --> 00:33:41,153
GO ON, TELL HIM
WHAT YOU CARE ABOUT THE MOST.

687
00:33:41,186 --> 00:33:42,820
IT SURE AS HELL
AIN'T YOUR FAMILY!

688
00:33:42,854 --> 00:33:45,022
YOU NEVER GAVE A DAMN
ABOUT ME

689
00:33:45,057 --> 00:33:47,025
OR YOUR MOTHER OR NATE.

690
00:33:47,058 --> 00:33:48,493
SO WHAT IS IT, MICHAEL?

691
00:33:48,527 --> 00:33:50,496
COME ON, I WANT TO HEAR YOU
SAY IT OUT LOUD!

692
00:33:50,528 --> 00:33:53,499
- I AM NOT DOING THIS.

693
00:33:53,531 --> 00:33:55,166
- YOU'RE NOT DOING WHAT?

694
00:33:55,201 --> 00:33:58,203
WHAT ARE YOU RESISTING?

695
00:33:59,871 --> 00:34:02,374
- YOU DEDICATED YOUR ENTIRE LIFE
TO THAT AGENCY.

696
00:34:02,407 --> 00:34:04,509
OKAY?
THAT GODDAMN AGENCY!

697
00:34:04,542 --> 00:34:06,211
AND NOW IT IS TIME
TO COME CLEAN!

698
00:34:06,244 --> 00:34:07,712
- NO!

699
00:34:10,715 --> 00:34:13,018
- YOU MIGHT NOT LIKE ME,
BUT YOU WILL--

700
00:34:13,050 --> 00:34:15,721
HEY! YOU WILL LISTEN
TO YOUR FATHER!

701
00:34:17,556 --> 00:34:20,057
[scoffs] YOU WANNA
PLAY TOUGH WITH ME NOW?

702
00:34:20,092 --> 00:34:21,693
'CAUSE I DON'T MIND
POUNDING THE TRUTH OUT OF YOU.

703
00:34:21,726 --> 00:34:22,728
- OHH!

704
00:34:22,760 --> 00:34:24,963
- YOU LEFT HOME FOR THE CIA.
- UHH!

705
00:34:24,996 --> 00:34:27,298
- YOU LOST FIONA
FOR THE CIA.

706
00:34:27,333 --> 00:34:30,536
AND YOU GOT YOUR OWN BROTHER
KILLED FOR THE CIA.

707
00:34:30,568 --> 00:34:32,971
AND NOW YOU'RE SURE AS HELL
GONNA GIVE THEM CREDIT FOR IT!

708
00:34:33,003 --> 00:34:34,106
- STOP!
- SO TELL THEM, MICHAEL!

709
00:34:34,139 --> 00:34:36,375
YOU TELL HIM!
- DON'T DO THIS! STOP!

710
00:34:36,407 --> 00:34:39,445
- THIS ALL STOPS
WHEN YOU START TALKING.

711
00:34:42,681 --> 00:34:43,715
- UHH!

712
00:34:43,748 --> 00:34:47,353
[gasping]

713
00:34:51,289 --> 00:34:54,293
OHH.
[sighs]

714
00:34:54,326 --> 00:34:56,594
[running footsteps]

715
00:34:56,628 --> 00:35:00,266
[grunts]
[running footsteps approach]

716
00:35:00,298 --> 00:35:01,400
- WHAT DID YOU TELL HIM?

717
00:35:01,432 --> 00:35:02,733
MICHAEL, WHAT DID YOU
TELL HIM?

718
00:35:02,768 --> 00:35:04,469
- WHAT?
- BEFORE YOU PASSED OUT.

719
00:35:04,503 --> 00:35:06,405
BEFORE THEY THREW YOU IN HERE.
YOU SAID SOMETHING.

720
00:35:06,438 --> 00:35:08,005
WHAT DID YOU TELL HIM?

721
00:35:11,610 --> 00:35:12,577
- I DON'T KNOW.

722
00:35:12,610 --> 00:35:14,079
I DON'T REMEMBER.

723
00:35:14,112 --> 00:35:15,614
- WHATEVER IT IS, IT'S BAD.

724
00:35:15,646 --> 00:35:16,981
HE KNOWS, MICHAEL.

725
00:35:17,014 --> 00:35:18,684
- [groans]
- HE KNOWS YOU BETRAYED US.

726
00:35:18,717 --> 00:35:20,652
HE'S GOING TO KILL YOU.

727
00:35:20,686 --> 00:35:22,454
WE HAVE TO GO.

728
00:35:31,128 --> 00:35:33,030
- WE HAVE TO KEEP MOVING.

729
00:35:33,063 --> 00:35:34,199
IT WON'T BE LONG
BEFORE SOMEBODY

730
00:35:34,233 --> 00:35:35,934
REALIZES
THAT YOU'RE MISSING.

731
00:35:35,967 --> 00:35:38,103
- I CAN'T WALK.
I CAN'T MAKE IT.

732
00:35:38,135 --> 00:35:39,471
- YOU CAN AND YOU WILL.

733
00:35:39,505 --> 00:35:42,307
[door shuts]

734
00:35:42,340 --> 00:35:44,443
OTHERWISE, WE'RE BOTH DEAD.

735
00:35:44,476 --> 00:35:46,311
[indistinct voices]

736
00:35:51,650 --> 00:35:53,818
- WHY ARE YOU RISKING
YOUR LIFE FOR ME?

737
00:35:53,851 --> 00:35:56,322
- BECAUSE YOU RISKED YOUR LIFE
TO GET ME OUT OF THAT PRISON.

738
00:35:56,355 --> 00:35:57,989
I OWE YOU.

739
00:35:58,023 --> 00:35:59,791
AND I PAY MY DEBTS.

740
00:35:59,824 --> 00:36:01,059
COME ON.

741
00:36:01,092 --> 00:36:03,394
COME ON, WESTON, ONE FOOT
IN FRONT OF THE OTHER.

742
00:36:30,389 --> 00:36:31,657
- OKAY, WAIT A MINUTE.

743
00:36:31,690 --> 00:36:32,757
HANG ON,
I GOT SOMETHING RIGHT THERE.

744
00:36:32,791 --> 00:36:35,226
MIKE AND SONYA.

745
00:36:35,260 --> 00:36:37,896
[man shouting in distance]

746
00:36:37,929 --> 00:36:39,530
- WE HAVE TO MOVE FASTER.

747
00:36:39,565 --> 00:36:41,166
COME ON.

748
00:36:41,199 --> 00:36:42,601
- NOW WE KNOW
WHAT THEY'RE RUNNING FROM.

749
00:36:42,634 --> 00:36:46,070
I COUNT SIX ARMED GUARDS
COMING IN ON THEM.

750
00:36:46,103 --> 00:36:47,838
WHAT ARE YOU DOING?
- WHAT DO YOU THINK I'M DOING?

751
00:36:47,873 --> 00:36:48,873
I'M BACKING THEM UP.

752
00:36:48,907 --> 00:36:50,509
- SAM, WE'RE TOO FAR AWAY.

753
00:36:50,541 --> 00:36:52,943
- WHAT THE HELL ELSE
ARE WE SUPPOSED TO DO?

754
00:36:52,978 --> 00:36:55,380
I'VE MADE HARDER SHOTS.

755
00:37:01,786 --> 00:37:03,554
- IS THAT IT?

756
00:37:03,588 --> 00:37:05,190
YOU'VE GOT NOTHING ELSE
TO SAY TO YOUR FATHER?

757
00:37:05,222 --> 00:37:07,125
- NO, SIR.

758
00:37:07,157 --> 00:37:08,393
- WHAT'S THAT? SPEAK UP.
I CAN'T HEAR YOU.

759
00:37:08,427 --> 00:37:10,161
- NO, SIR!

760
00:37:24,775 --> 00:37:27,244
- WHAT DID YOU TELL HIM?

761
00:37:30,248 --> 00:37:33,150
- I DIDN'T TELL HIM ANYTHING.

762
00:37:33,184 --> 00:37:37,222
[whispering]
I NEVER TELL HIM ANYTHING.

763
00:37:37,255 --> 00:37:39,958
- MICHAEL, COME ON.
MOVE YOUR FEET!

764
00:37:39,990 --> 00:37:41,960
LET'S GO.
COME ON.

765
00:37:41,992 --> 00:37:43,894
- I'M NOT LEAVING.
- WHAT ARE YOU TALKING ABOUT?

766
00:37:43,929 --> 00:37:45,396
YOU NEED TO HELP ME
WITH THE BOAT--

767
00:37:45,431 --> 00:37:46,565
- I HAVE TO GO BACK.

768
00:37:46,597 --> 00:37:47,833
- YOU CAN'T GO BACK.
HE'LL KILL YOU.

769
00:37:47,865 --> 00:37:49,233
MICHAEL, PLEASE,
YOU'RE NOT THINKING--

770
00:37:49,266 --> 00:37:51,068
- SONYA, LISTEN TO ME.

771
00:37:51,101 --> 00:37:52,070
I'M SORRY.

772
00:37:52,103 --> 00:37:53,338
I'M SORRY.
- MICHAEL.

773
00:37:53,371 --> 00:37:54,572
MICHAEL!

774
00:37:54,606 --> 00:37:56,574
- WHAT THE HELL IS HE DOING?

775
00:37:56,608 --> 00:37:58,143
- LOOKS LIKE HE'S GIVING UP.
WHY WOULD HE DO THAT?

776
00:37:58,175 --> 00:37:59,577
- BECAUSE HE DOESN'T KNOW
THAT WE'RE HERE TO HELP HIM,

777
00:37:59,610 --> 00:38:00,679
THAT'S WHY.

778
00:38:00,711 --> 00:38:02,648
- STOP RIGHT THERE.
ON YOUR KNEES.

779
00:38:02,681 --> 00:38:03,648
- [panting]

780
00:38:03,681 --> 00:38:04,983
- SAM, DON'T.

781
00:38:05,016 --> 00:38:06,117
- FI, LET GO OF MY ARM.

782
00:38:06,150 --> 00:38:07,418
- IT'S TOO LATE.

783
00:38:07,452 --> 00:38:09,019
THEY'VE GOT HIM.

784
00:38:13,525 --> 00:38:15,793
- DON'T TOUCH ME!

785
00:38:17,128 --> 00:38:18,797
- UHH!

786
00:38:18,829 --> 00:38:20,030
[groans]

787
00:38:20,065 --> 00:38:21,333
- OH, MICHAEL.

788
00:38:23,802 --> 00:38:26,538
I DIDN'T WANT
TO DO THIS.

789
00:38:26,572 --> 00:38:29,440
YOU ARE AN IMPRESSIVE
OPERATIVE.

790
00:38:29,474 --> 00:38:31,275
[cartridge snaps]
YOU LIED TO ME.

791
00:38:31,309 --> 00:38:32,478
YOU BETRAYED ME.

792
00:38:34,144 --> 00:38:36,815
- YOU WON'T PULL
THAT TRIGGER.

793
00:38:36,847 --> 00:38:37,815
- WHY?

794
00:38:37,849 --> 00:38:41,286
- BECAUSE I'M HERE.

795
00:38:41,318 --> 00:38:44,456
I HAVE NO REASON TO RUN.

796
00:38:44,489 --> 00:38:46,023
AND I HAVE NOTHING TO HIDE.

797
00:38:46,056 --> 00:38:47,992
- WISH I COULD BELIEVE YOU.

798
00:38:48,025 --> 00:38:50,461
- OH, YOU CAN.

799
00:38:50,496 --> 00:38:51,829
YOU CAN QUESTION ME,

800
00:38:51,862 --> 00:38:54,800
DRUG ME, TORTURE ME.

801
00:38:54,833 --> 00:38:56,333
IT WON'T MATTER.

802
00:38:59,070 --> 00:39:01,606
BECAUSE I KNOW WHO I AM.

803
00:39:05,543 --> 00:39:07,545
- A MAN
WHO HAS NO SECRETS

804
00:39:07,579 --> 00:39:11,315
CAN TRUST HIMSELF.

805
00:39:11,349 --> 00:39:14,318
I'M GLAD YOU'RE
THAT KIND OF MAN.

806
00:39:14,351 --> 00:39:16,554
- I TOLD YOU.

807
00:39:18,690 --> 00:39:21,527
THIS ONE'S A KEEPER.

808
00:39:21,559 --> 00:39:23,728
- MICHAEL...

809
00:39:23,762 --> 00:39:26,030
I'M JAMES.

810
00:39:32,237 --> 00:39:33,972
WELCOME TO THE FAMILY.

811
00:39:54,224 --> 00:39:55,427
- HEY, SO HOW'S MIKE DOING?

812
00:39:55,460 --> 00:39:57,429
IS HE STILL
SLEEPING IT OFF?

813
00:39:57,463 --> 00:39:59,297
- MADELINE'S BEEN
TAKING CARE OF HIM,

814
00:39:59,329 --> 00:40:01,032
BUT HE'S PRETTY OUT OF IT.
- HE SAY ANYTHING ELSE?

815
00:40:01,065 --> 00:40:02,800
- HIS BRAIN'S STILL SCRAMBLED
FROM THE DRUGS

816
00:40:02,833 --> 00:40:04,268
IN HIS SYSTEM.

817
00:40:04,302 --> 00:40:06,103
FI TRIED TALKING TO HIM,
HE TOOK ONE LOOK AT HER...

818
00:40:06,137 --> 00:40:08,106
STARTED CRYING.
COULDN'T STOP.

819
00:40:08,139 --> 00:40:09,239
YOU FIND ANYTHING?

820
00:40:09,273 --> 00:40:10,576
- KIND OF.

821
00:40:10,608 --> 00:40:13,945
I WENT TO THE HOUSE
WHERE MIKE WAS HELD.

822
00:40:13,978 --> 00:40:16,715
WELL, SEE FOR YOURSELF.

823
00:40:16,748 --> 00:40:18,617
- WHAT AM I LOOKING AT?

824
00:40:18,650 --> 00:40:20,318
- THE HOUSE IS GONE.

825
00:40:20,351 --> 00:40:21,887
- GONE?
- WHAT?

826
00:40:21,920 --> 00:40:23,221
- THEY MUST
HAVE DEMOLISHED IT

827
00:40:23,253 --> 00:40:24,889
THE MINUTE THEY DUMPED
MIKE ON THE DOCKS.

828
00:40:24,922 --> 00:40:26,958
- THIS JAMES DUDE LEVELED
A $10 MILLION MANSION

829
00:40:26,992 --> 00:40:28,059
JUST TO COVER HIS TRACKS?

830
00:40:28,092 --> 00:40:30,728
- THAT'S WHAT I THINK.

831
00:40:30,762 --> 00:40:33,831
- WHAT THE HELL HAS MICHAEL
GOTTEN HIMSELF INTO?

832
00:40:54,885 --> 00:40:56,755
- HI.

833
00:40:56,788 --> 00:40:58,657
- [groans]

834
00:40:58,690 --> 00:41:01,326
- HI, BABY.

835
00:41:01,358 --> 00:41:04,762
CHARLIE'S SO EXCITED
HIS UNCLE MIKE IS STAYING OVER.

836
00:41:04,795 --> 00:41:06,364
I COULDN'T GET HIM
TO SLEEP IN HIS OWN BED,

837
00:41:06,396 --> 00:41:09,668
SO HE WANTED TO STAY HERE
WITH YOU UNTIL YOU WOKE UP.

838
00:41:12,538 --> 00:41:14,505
HOW YOU FEELING?

839
00:41:14,539 --> 00:41:17,108
- I'VE HAD BETTER DAYS.

840
00:41:17,141 --> 00:41:19,677
- I'VE SEEN YOU LOOK ROUGH
BEFORE, MICHAEL...

841
00:41:19,710 --> 00:41:22,847
BUT NOTHING LIKE THIS.

842
00:41:22,880 --> 00:41:25,449
WHAT DID THEY DO TO YOU?

843
00:41:25,483 --> 00:41:28,452
- THEY TRIED TO GET INSIDE
MY HEAD.

844
00:41:28,485 --> 00:41:31,623
THEY WANTED ME TO TELL THEM
EVERYTHING.

845
00:41:31,657 --> 00:41:34,159
- YOU HELD OUT?

846
00:41:34,192 --> 00:41:37,027
- BARELY.

847
00:41:37,061 --> 00:41:38,730
THEY GAVE ME DRUGS.

848
00:41:38,764 --> 00:41:40,030
I SAW THINGS.

849
00:41:40,065 --> 00:41:42,032
I REMEMBERED MOMENTS,

850
00:41:42,067 --> 00:41:44,068
PEOPLE...

851
00:41:49,206 --> 00:41:51,409
- IS THAT WHY
YOU LOOK SO LOST?

852
00:41:55,079 --> 00:41:57,248
- I SAW DAD.

853
00:42:00,585 --> 00:42:03,889
- I CAN IMAGINE HOW HARD
THAT MUST HAVE BEEN.

854
00:42:03,922 --> 00:42:05,724
- SEEING HIM WASN'T
THE HARD PART, MA.

855
00:42:13,197 --> 00:42:15,733
IT WAS REALIZING...

856
00:42:15,766 --> 00:42:17,902
HE WAS THE ONLY REASON
I SURVIVED.


