1
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(Street World Fighter: Directors' War)

2
00:00:10,382 --> 00:00:13,081
(This program contains indirect advertisements.)

3
00:00:13,082 --> 00:00:14,721
(Signature choreography takeover match)

4
00:00:14,722 --> 00:00:17,022
(BADA 4, INGYOO 5)

5
00:00:22,192 --> 00:00:23,502
This is brutal.

6
00:00:27,572 --> 00:00:29,632
I was overflowing with confidence.

7
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This is the first time I lost my choreography...

8
00:00:32,342 --> 00:00:35,442
and failed to win my rival's.

9
00:00:35,542 --> 00:00:37,282
I was confused.

10
00:00:38,312 --> 00:00:39,541
(Signature choreography takeover match)

11
00:00:39,542 --> 00:00:40,751
(Back Koo Young 9, Kasper 0)

12
00:00:40,752 --> 00:00:43,582
Something's gone wrong.

13
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(Heavy-hearted)

14
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I started feeling anxious...

15
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after seeing the public's reaction.

16
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"He's wobbling too much. Is he an earthworm?"

17
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"That doesn't look any different from the original."

18
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(Kasper's new "Love Shot" received harsh criticisms.)

19
00:00:56,662 --> 00:00:59,231
(When announcing the result)

20
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(He didn't receive a single vote.)

21
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On top of that, it was a total defeat.

22
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(Looking away)

23
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Everyone turned their backs on me.

24
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I wanted to hide.

25
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(Simeez 9, Renan 0)

26
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This is tough.

27
00:01:16,782 --> 00:01:18,822
Is it okay to turn off the light?

28
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The feeling of all that time I spent on "Armageddon..."

29
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felt denied.

30
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That really upset me.

31
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(Heavy-hearted)

32
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(Yelling)

33
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(Glancing)

34
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(Cheers cut through the silence.)

35
00:01:33,932 --> 00:01:35,172
It's over now.

36
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I was happy to hear...

37
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that my name will appear as a choreographer.

38
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I was like, "What? Maybe I did a really good job."

39
00:01:41,742 --> 00:01:44,612
I'm going to win the Director's Credit next.

40
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(INGYOO's room is filled with his humming.)

41
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It felt amazing.

42
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(On cloud nine)

43
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(Laughing)

44
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It requires my choreography in general.

45
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The situation is...

46
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in my favor.

47
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I'm going to enjoy it and have more fun.

48
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(BABYZOO 5, NaiN 4)

49
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I won the choreographer title.

50
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And I need to win the Director Credit too.

51
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I began planning immediately.

52
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(He's about to crush the mission song.)

53
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(Planning mode)

54
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After winning, it got me thinking,

55
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I do have a weapon,

56
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but Hash's good at directing.

57
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I can never be off guard.

58
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I think my performance...

59
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mixed with MIN JUN's choreography...

60
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will feel cooler and fresher.

61
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The signature choreography is a bummer.

62
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It's not over until it's over.

63
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It'll be a matter...

64
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of how creatively each person handles it.

65
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I feel confident...

66
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about developing it and turning the choreography I lost even cooler.

67
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If I lose again,

68
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it'll be like getting kicked out...

69
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to the street naked.

70
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I'll win by 9 to 0 this time.

71
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(Street World Fighter: Directors' War)

72
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(To be continued)

73
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All the results have been announced...

74
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for the signature choreography takeover match.

75
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The first choreographers to have their names...

76
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on the credit board for choreographer are...

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Simeez, BABYZOO,

78
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JEONG MIN JUN, INGYOO,

79
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and Back Koo Young.

80
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Now, both signature parts...

81
00:03:22,112 --> 00:03:23,571
will compose of the winner's choreography.

82
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You'll work based on that.

83
00:03:26,842 --> 00:03:29,982
It'll be obvious that I'm working on someone else's choreography.

84
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It's not even my choreography.

85
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My pride isn't hurt. It's rotting.

86
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I've hit rock bottom.

87
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Although I lost my choreography,

88
00:03:37,862 --> 00:03:40,662
I'll win the director title.

89
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I'll get the Director Credit.

90
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In the last run to determine the final director,

91
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the judges will evaluate you...

92
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based on your choreography,

93
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a number of dancers, space structure,

94
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and the ability to direct a large group.

95
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Judges' evaluation?

96
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This is a directing battle.

97
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I might not become a director?

98
00:04:01,482 --> 00:04:03,411
That's not good. I can never accept that.

99
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The cards aren't in my hands.

100
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I'm worried about it.

101
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I can't lose it. Losing that will be a nightmare.

102
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Becoming a director with my choreography won't be easy.

103
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It'll be hard. It'll be tough.

104
00:04:13,562 --> 00:04:15,861
Now, you'll cast dancers...

105
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to complete the work with you.

106
00:04:18,732 --> 00:04:20,101
Oh, we get to cast them?

107
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Because everyone wants to cast talented dancers,

108
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a battle will break out.

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(1-on-1 Signature 400 Mission)

110
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(To complete the final stage)

111
00:04:27,442 --> 00:04:30,612
I will tell you how the dancer casting works.

112
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There will be a total of 80 dancers per round.

113
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You'll choose five from each round...

114
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with a total of 40 dancers to form a team.

115
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Depending on the direction of your work,

116
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you may cast ten additional dancers.

117
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A team can have up to 50 dancers.

118
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You must come up...

119
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with the best strategy to complete your work.

120
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It's either one.

121
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Either excel or make it even more brutal.

122
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"Renan's the best director ever."

123
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I will have to do my best.

124
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Well, thanks for your choreography.

125
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But I am the director.

126
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(Next morning)

127
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(Back to Directors' Lab)

128
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Dancer casting?

129
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That's the most important.

130
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A director could create a masterpiece...

131
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if they make good use of talented dancers.

132
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Dancers over a choreography.

133
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Dancer casting is the key.

134
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What matters the most in dancer casting is...

135
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a body that can absorb anything.

136
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Spella? No way. She's mine for sure.

137
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I'm good at making use of the dancers' strength.

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Dancers with strong presence and identity.

139
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I want someone with ambition and distinct character.

140
00:05:39,012 --> 00:05:41,552
Is this the list of dancers for me and Hash?

141
00:05:41,882 --> 00:05:42,981
Lip J?

142
00:05:42,982 --> 00:05:44,151
(Lip J?)

143
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I fell silent.

144
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What is Lip J doing in there?

145
00:05:48,622 --> 00:05:49,622
For real?

146
00:05:49,623 --> 00:05:51,921
Lip J is good.

147
00:05:51,922 --> 00:05:54,362
She's already earned the public's approval.

148
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Lip J was number one on my list.

149
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I have to get her for sure.

150
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I want to work with Rian so bad.

151
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(Rian!)

152
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(Simeez runs to Rian as soon as she sees her name.)

153
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- I can never lose Rian. - I choose Rian.

154
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(Renan also sees Rian.)

155
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I have to win this time. I couldn't give up.

156
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For sure.

157
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HANYA members for sure.

158
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Since he got the signature choreography, he'll give up on this.

159
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I can never give up.

160
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Why would I? Never.

161
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Who said that?

162
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Wait. Lee Jung?

163
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(Laughing)

164
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Lee Jung's here.

165
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Wait. Mood Dog?

166
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(Passing out)

167
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This is crazy.

168
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(Mood Dog of YGX participated as a rookie class main dancer...)

169
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(in "Street Man Fighter.")

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(BABYZOO, Lee Jung, and Mood Dog are...)

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(known for being friends.)

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I can never give up on them.

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I'm going for Lee Jung.

174
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Wait a minute.

175
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I'm not as kind as you think, you know?

176
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First, I need Nino.

177
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It's weird to see Nino...

178
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in someone else's team.

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So what are you going to do?

180
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Are you going there or staying here?

181
00:06:49,982 --> 00:06:51,182
(A fierce battle over Nino)

182
00:06:51,282 --> 00:06:53,582
Oh, Shuri?

183
00:06:53,682 --> 00:06:55,752
All directors here want him.

184
00:06:56,152 --> 00:06:58,762
- Shuri's coming? - Shuri?

185
00:06:58,892 --> 00:07:00,161
I want Shuri.

186
00:07:00,162 --> 00:07:01,591
- I want him too. - Oh, Shuri.

187
00:07:01,592 --> 00:07:03,031
- No. - No way.

188
00:07:03,032 --> 00:07:04,032
You can't take him.

189
00:07:04,033 --> 00:07:05,532
I've worked with him before.

190
00:07:05,632 --> 00:07:06,762
Shuri, I live in Japan.

191
00:07:06,862 --> 00:07:08,631
What are you saying? Shuri's mine.

192
00:07:08,632 --> 00:07:09,801
- Hey. - What are you doing?

193
00:07:09,802 --> 00:07:11,341
- He's mine. - I know.

194
00:07:11,342 --> 00:07:14,212
I brought him from Japan.

195
00:07:14,312 --> 00:07:15,771
He's like my son.

196
00:07:15,772 --> 00:07:18,511
(The Japanese dancer who captivated Korea's dance scene)

197
00:07:18,512 --> 00:07:21,111
(Shuri's known for his big physique and strong expression.)

198
00:07:21,112 --> 00:07:23,451
I call him a weapon. My weapon.

199
00:07:23,452 --> 00:07:25,752
Vata's my highest priority.

200
00:07:25,852 --> 00:07:27,252
Vata's here too.

201
00:07:27,352 --> 00:07:29,252
Oh, Tatter!

202
00:07:30,092 --> 00:07:32,692
She's the anchor of my team.

203
00:07:32,792 --> 00:07:34,692
She'll be my highest priority.

204
00:07:35,132 --> 00:07:36,862
I can cast Tatter?

205
00:07:37,462 --> 00:07:39,102
Tatter is my highest priority.

206
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If he takes Tatter?

207
00:07:41,132 --> 00:07:42,471
Then she'll be my spy.

208
00:07:42,472 --> 00:07:44,202
I'll tell her to report...

209
00:07:44,302 --> 00:07:45,772
every detail of INGYOO's plan.

210
00:07:46,202 --> 00:07:47,811
(Ten chairs for directors are...)

211
00:07:47,812 --> 00:07:49,471
(placed in Directors' Lab.)

212
00:07:49,472 --> 00:07:50,472
Oh, there are chairs.

213
00:07:50,473 --> 00:07:52,411
(And the dummies...)

214
00:07:52,412 --> 00:07:54,012
(come alive.)

215
00:07:55,612 --> 00:07:59,722
(An endless rows of dancers)

216
00:08:00,482 --> 00:08:03,252
(Global dancers gathered for Street World Fighter: Directors' War.)

217
00:08:03,352 --> 00:08:06,222
(1-on-1 Signature Mission with 400 Dancers)

218
00:08:06,662 --> 00:08:08,392
- I'm scared. - This is so much pressure.

219
00:08:08,792 --> 00:08:09,792
(Gasping)

220
00:08:12,062 --> 00:08:13,102
This is crazy.

221
00:08:13,862 --> 00:08:15,002
Gosh.

222
00:08:17,102 --> 00:08:18,402
(The first 80 dancers have entered.)

223
00:08:19,772 --> 00:08:21,342
So they're the first round of dancers.

224
00:08:21,442 --> 00:08:22,511
(Exclaiming)

225
00:08:22,512 --> 00:08:23,612
This is awesome.

226
00:08:25,212 --> 00:08:26,481
The first match is...

227
00:08:26,482 --> 00:08:28,182
Simeez versus Renan.

228
00:08:29,052 --> 00:08:30,481
(1-on-1 Signature 400 Mission Dancer Casting)

229
00:08:30,482 --> 00:08:31,482
This is going to be fun.

230
00:08:31,483 --> 00:08:32,822
- Isn't that Rian? - That's Rian.

231
00:08:33,482 --> 00:08:34,922
She's a very famous dancer...

232
00:08:35,022 --> 00:08:36,922
and a dazzling player.

233
00:08:37,892 --> 00:08:40,691
She's a very strong performer.

234
00:08:40,692 --> 00:08:41,692
(Rian is strong at choreography performance.)

235
00:08:42,032 --> 00:08:43,091
There's Spella.

236
00:08:43,092 --> 00:08:44,302
I know. Spella's here too.

237
00:08:44,832 --> 00:08:47,401
Spella's good at soft moves...

238
00:08:47,402 --> 00:08:48,972
as well as strong moves.

239
00:08:49,402 --> 00:08:51,972
I think she's good at performing.

240
00:08:52,842 --> 00:08:54,071
I see JAYME.

241
00:08:54,072 --> 00:08:56,112
Don't you think you're eyeing someone who's too good?

242
00:08:56,272 --> 00:09:00,012
JAYME has a very wide range.

243
00:09:00,612 --> 00:09:02,751
He nails it just by standing there.

244
00:09:02,752 --> 00:09:04,722
He's one and only.

245
00:09:04,752 --> 00:09:07,622
We might end up fighting, pulling each other's hair to get him.

246
00:09:08,092 --> 00:09:09,391
- Hello. - Hello.

247
00:09:09,392 --> 00:09:10,962
- I'm Simeez. - I'm Renan.

248
00:09:11,822 --> 00:09:13,722
My signature song is IVE's "BANG BANG."

249
00:09:13,822 --> 00:09:15,461
And Renan's signature song is...

250
00:09:15,462 --> 00:09:16,961
aespa's "Armageddon."

251
00:09:16,962 --> 00:09:18,361
The song's been rearranged.

252
00:09:18,362 --> 00:09:20,531
The song is very intense in general.

253
00:09:20,532 --> 00:09:22,731
The final theme is destruction and awakening.

254
00:09:22,732 --> 00:09:23,771
The final battle.

255
00:09:23,772 --> 00:09:26,041
I really liked Varang...

256
00:09:26,042 --> 00:09:28,441
from "Avatar: Fire and Ash."

257
00:09:28,442 --> 00:09:30,172
That's what I'm thinking about in terms of visualization.

258
00:09:30,572 --> 00:09:32,981
When I heard her theme, I was kind of worried.

259
00:09:32,982 --> 00:09:35,882
I'll tell you about my concept.

260
00:09:36,082 --> 00:09:38,021
I wanted to express...

261
00:09:38,022 --> 00:09:41,151
someone who lives the way he wants...

262
00:09:41,152 --> 00:09:44,492
regardless of what others say.

263
00:09:44,592 --> 00:09:46,391
The biggest difference is...

264
00:09:46,392 --> 00:09:48,532
that I have a clear concept.

265
00:09:48,632 --> 00:09:51,332
Her direction is a shame.

266
00:09:51,962 --> 00:09:55,401
Simeez's concept was clear.

267
00:09:55,402 --> 00:09:57,471
I was like, "That sounds cool."

268
00:09:57,472 --> 00:09:58,801
I could picture it in my head.

269
00:09:58,802 --> 00:10:01,742
I can't tell what Renan wants to do.

270
00:10:02,042 --> 00:10:03,511
Because I must win,

271
00:10:03,512 --> 00:10:05,841
I need dancers with definite style...

272
00:10:05,842 --> 00:10:07,712
and abilities to pull off the dance.

273
00:10:08,312 --> 00:10:09,811
Although I lost the signature choreography,

274
00:10:09,812 --> 00:10:11,181
to turn it around,

275
00:10:11,182 --> 00:10:13,422
I need good dancers.

276
00:10:13,682 --> 00:10:14,692
First.

277
00:10:14,822 --> 00:10:18,722
(Who will get to cast first?)

278
00:10:18,922 --> 00:10:20,961
(1 hour ago)

279
00:10:20,962 --> 00:10:22,762
What do you want to do?

280
00:10:22,862 --> 00:10:23,992
What do you want to do?

281
00:10:24,102 --> 00:10:27,802
Is there any dancer you must have?

282
00:10:27,972 --> 00:10:29,801
Unless we had the same dancer candidates,

283
00:10:29,802 --> 00:10:32,272
it didn't matter who went first.

284
00:10:32,372 --> 00:10:34,972
I'm thinking BIGGY and JAYME.

285
00:10:35,072 --> 00:10:37,941
I need Rian for sure.

286
00:10:37,942 --> 00:10:39,881
And I need Spella.

287
00:10:39,882 --> 00:10:41,882
I want BIGGY and JAYME.

288
00:10:42,212 --> 00:10:43,482
How can she do that?

289
00:10:43,582 --> 00:10:45,222
That's everyone.

290
00:10:46,952 --> 00:10:48,451
How can she be so selfish?

291
00:10:48,452 --> 00:10:50,092
How can she be so inconsiderate?

292
00:10:50,992 --> 00:10:53,221
They're here for me.

293
00:10:53,222 --> 00:10:55,192
I don't want to lose them.

294
00:10:56,292 --> 00:10:58,632
I'm planning on many unique angles.

295
00:11:01,002 --> 00:11:03,232
I had no intention of giving in.

296
00:11:03,332 --> 00:11:05,441
JAYME has his own style.

297
00:11:05,442 --> 00:11:06,871
I need someone more than just being a good dancer.

298
00:11:06,872 --> 00:11:09,412
I needed someone with star quality and personality.

299
00:11:10,812 --> 00:11:13,442
I just couldn't give up on JAYME.

300
00:11:13,812 --> 00:11:15,582
Dancer casting is important...

301
00:11:15,682 --> 00:11:17,981
because I like creating main characters.

302
00:11:17,982 --> 00:11:20,581
So for Rian, JAYME, and Spella,

303
00:11:20,582 --> 00:11:22,491
I plan to give them characters.

304
00:11:22,492 --> 00:11:24,721
I was planning to...

305
00:11:24,722 --> 00:11:28,291
give them a different style among the other dancers.

306
00:11:28,292 --> 00:11:30,292
But...

307
00:11:31,132 --> 00:11:33,002
when I do something hip during the song,

308
00:11:33,102 --> 00:11:34,472
I need BIGGY.

309
00:11:36,002 --> 00:11:37,802
I can never give in.

310
00:11:38,602 --> 00:11:40,502
I need BIGGY too.

311
00:11:40,672 --> 00:11:43,242
This is so stressful.

312
00:11:43,612 --> 00:11:45,442
- BIGGY and JAYME? - Yes.

313
00:11:46,342 --> 00:11:49,481
JAYME looks cool even when he just stretches his arm.

314
00:11:49,482 --> 00:11:51,151
He could be my strong weapon.

315
00:11:51,152 --> 00:11:53,022
So I didn't want to lose him.

316
00:11:53,822 --> 00:11:54,952
(Groaning)

317
00:11:57,152 --> 00:11:58,222
This is crazy.

318
00:12:00,932 --> 00:12:03,491
I knew going first was more advantageous.

319
00:12:03,492 --> 00:12:04,801
Because I couldn't lose them.

320
00:12:04,802 --> 00:12:07,232
I knew I had to get them first.

321
00:12:07,572 --> 00:12:09,372
First. Choreographer Renan...

322
00:12:09,472 --> 00:12:11,372
will begin casting the dancers.

323
00:12:11,702 --> 00:12:12,971
(Renan casts the dancers first.)

324
00:12:12,972 --> 00:12:15,541
Simeez! You lost it.

325
00:12:15,542 --> 00:12:18,241
I got the signature choreography,

326
00:12:18,242 --> 00:12:21,512
and I can always come up with new characters. So I gave in.

327
00:12:21,782 --> 00:12:24,881
The first person to cast is...

328
00:12:24,882 --> 00:12:27,592
JAYME.

329
00:12:28,892 --> 00:12:29,922
(Grunting)

330
00:12:31,162 --> 00:12:33,161
I really want to work with you.

331
00:12:33,162 --> 00:12:35,062
I'd like to cast you.

332
00:12:35,362 --> 00:12:38,662
No.

333
00:12:39,362 --> 00:12:41,802
- Thank you. - Thank you.

334
00:12:42,272 --> 00:12:45,542
Seeing her taking JAYME in front of me,

335
00:12:45,702 --> 00:12:47,612
it got me thinking, "Why did I give up JAYME?"

336
00:12:47,842 --> 00:12:49,572
(Scanning)

337
00:12:49,812 --> 00:12:50,982
It still upsets me.

338
00:12:51,342 --> 00:12:53,011
I still regret...

339
00:12:53,012 --> 00:12:54,082
not taking JAYME the most.

340
00:12:54,452 --> 00:12:57,282
Why did I do that? I must've lost it at the time.

341
00:12:57,982 --> 00:13:01,291
And BIGGY.

342
00:13:01,292 --> 00:13:02,452
I'll cast her.

343
00:13:03,192 --> 00:13:04,661
- Are you casting me? - Yes.

344
00:13:04,662 --> 00:13:05,862
(The second dancer she casts is BIGGY.)

345
00:13:06,122 --> 00:13:08,432
No. She's taking everyone.

346
00:13:09,062 --> 00:13:10,332
Why did I let her go first?

347
00:13:10,592 --> 00:13:11,961
If I could go back in time,

348
00:13:11,962 --> 00:13:13,632
I would go first.

349
00:13:13,832 --> 00:13:17,431
I was so happy...

350
00:13:17,432 --> 00:13:19,072
to cast good dancers first.

351
00:13:20,542 --> 00:13:22,072
JEONG MIN JUN versus Hash.

352
00:13:22,272 --> 00:13:24,281
We'll now begin the dancer casting.

353
00:13:24,282 --> 00:13:25,282
(The dancers are warming up.)

354
00:13:26,112 --> 00:13:27,512
(Welcoming)

355
00:13:27,882 --> 00:13:29,882
(Good luck.)

356
00:13:30,612 --> 00:13:32,182
(Greeting)

357
00:13:33,782 --> 00:13:34,791
Who's that?

358
00:13:34,792 --> 00:13:35,892
(A dancer with 19 years of experience?)

359
00:13:36,252 --> 00:13:37,252
Who's that?

360
00:13:37,492 --> 00:13:39,122
I said hi to Lip J.

361
00:13:39,222 --> 00:13:41,032
- Is that Lip J? - Yes.

362
00:13:41,262 --> 00:13:42,861
Lip J's here?

363
00:13:42,862 --> 00:13:43,862
(Lip J of PROWDMON)

364
00:13:44,332 --> 00:13:47,002
She's the top waacker in Korea.

365
00:13:47,462 --> 00:13:50,702
Every gesture she makes is charismatic.

366
00:13:50,932 --> 00:13:53,672
The first dancer to choose was Lip J.

367
00:13:53,772 --> 00:13:55,312
Lip J was my highest priority.

368
00:13:56,112 --> 00:13:57,812
(1 hour ago)

369
00:13:57,982 --> 00:14:00,112
What do we do? Who are you going to pick?

370
00:14:01,152 --> 00:14:03,051
First, Lip J.

371
00:14:03,052 --> 00:14:04,052
Really?

372
00:14:04,452 --> 00:14:09,392
But I should have her.

373
00:14:09,752 --> 00:14:12,162
(Laughing)

374
00:14:12,322 --> 00:14:15,761
Then whoever picks Lip J gives up on five people.

375
00:14:15,762 --> 00:14:16,862
(Give up on five dancers.)

376
00:14:16,992 --> 00:14:18,661
Let's spin the roulette.

377
00:14:18,662 --> 00:14:19,662
(They suddenly spin the roulette.)

378
00:14:19,962 --> 00:14:21,031
Gosh.

379
00:14:21,032 --> 00:14:22,032
(Nervous)

380
00:14:23,602 --> 00:14:25,072
Please.

381
00:14:25,902 --> 00:14:27,242
(JEONG MIN JUN wins.)

382
00:14:27,812 --> 00:14:29,042
(Groaning)

383
00:14:29,542 --> 00:14:31,012
(Joy)

384
00:14:31,212 --> 00:14:33,312
But why?

385
00:14:33,512 --> 00:14:36,452
I'd like to work...

386
00:14:36,682 --> 00:14:40,622
with Korea's top waacker, Lip J.

387
00:14:40,752 --> 00:14:42,221
I'd really appreciate it...

388
00:14:42,222 --> 00:14:43,321
- if you could join me. - Are you casting me?

389
00:14:43,322 --> 00:14:44,461
Yes. I'd really appreciate it.

390
00:14:44,462 --> 00:14:46,322
Can I dance?

391
00:14:47,522 --> 00:14:48,561
Let's go.

392
00:14:48,562 --> 00:14:49,562
(Lip J's ceremony)

393
00:14:50,162 --> 00:14:51,701
So cool!

394
00:14:51,702 --> 00:14:53,702
(Featured by Street World Fighter: Directors' War waacker, BABYZOO)

395
00:14:53,862 --> 00:14:55,372
(Who can refuse this combination?)

396
00:14:59,972 --> 00:15:02,042
Oh, my gosh.

397
00:15:03,612 --> 00:15:04,882
(Immersed)

398
00:15:05,112 --> 00:15:06,712
(I'll show you what waacking is.)

399
00:15:10,052 --> 00:15:11,052
Yes.

400
00:15:15,392 --> 00:15:16,892
What? They're like twins.

401
00:15:19,522 --> 00:15:21,331
(In sync)

402
00:15:21,332 --> 00:15:24,032
Yes!

403
00:15:24,732 --> 00:15:26,462
(A fantastic collaboration of Lip J and BABYZOO)

404
00:15:26,502 --> 00:15:28,432
(Amazed)

405
00:15:28,672 --> 00:15:30,572
That's unbelievable.

406
00:15:30,872 --> 00:15:33,672
I kind of sighed because I was jealous.

407
00:15:33,842 --> 00:15:36,512
I've gained a powerful ally.

408
00:15:37,342 --> 00:15:39,682
(JEONG MIN JUN's first dancer to cast is Lip J.)

409
00:15:40,082 --> 00:15:43,712
I have someone on my mind.

410
00:15:44,782 --> 00:15:46,181
(While going over the dancer profiles)

411
00:15:46,182 --> 00:15:47,322
Jung Min?

412
00:15:47,752 --> 00:15:49,492
He was a member of MIN JUN's team.

413
00:15:50,022 --> 00:15:52,261
I knew I had to get Jung Min...

414
00:15:52,262 --> 00:15:54,362
since he was close to MIN JUN.

415
00:15:54,732 --> 00:15:56,792
I have to do MIN JUN's choreography in the end.

416
00:15:57,162 --> 00:15:59,361
From what I heard, he pulls off MIN JUN's choreography...

417
00:15:59,362 --> 00:16:01,062
better than MIN JUN does.

418
00:16:01,302 --> 00:16:03,272
So I'm going to make him stand out...

419
00:16:03,372 --> 00:16:04,802
when he does MIN JUN's choreography.

420
00:16:05,872 --> 00:16:06,872
Please.

421
00:16:07,602 --> 00:16:09,772
Please.

422
00:16:10,912 --> 00:16:12,141
(Laughing)

423
00:16:12,142 --> 00:16:17,052
- Please. No! - MIN JUN's...

424
00:16:17,352 --> 00:16:22,052
I choose MIN JUN's best friend.

425
00:16:22,292 --> 00:16:23,722
- Yes. - No.

426
00:16:24,592 --> 00:16:26,292
- Who is he? - He was a member...

427
00:16:26,392 --> 00:16:27,962
- Really? - of MIN JUN's team.

428
00:16:28,232 --> 00:16:30,691
- No. - Sorry.

429
00:16:30,692 --> 00:16:31,801
(Hash's first dancer to cast is Jung Min.)

430
00:16:31,802 --> 00:16:33,631
I'll treat you nicely.

431
00:16:33,632 --> 00:16:37,072
I was worried about Jung Min the most.

432
00:16:37,132 --> 00:16:39,602
I knew I had to cast him.

433
00:16:40,342 --> 00:16:43,872
She strategically took my card.

434
00:16:44,242 --> 00:16:48,612
Because Hash cast Jung Min...

435
00:16:48,852 --> 00:16:50,111
(Anxious)

436
00:16:50,112 --> 00:16:53,222
I selected a few.

437
00:16:53,852 --> 00:16:54,992
I'm looking forward to working with you.

438
00:16:55,552 --> 00:16:57,292
No.

439
00:16:58,722 --> 00:16:59,722
Who is he?

440
00:17:00,192 --> 00:17:04,091
I found a dancer from COME HERE.

441
00:17:04,092 --> 00:17:05,601
I'm taking this card.

442
00:17:05,602 --> 00:17:06,661
(I won't be beaten.)

443
00:17:06,662 --> 00:17:07,872
I'm looking forward to working with you.

444
00:17:08,332 --> 00:17:09,602
(JEONG MIN JUN's second dancer to cast is TAEM.)

445
00:17:10,002 --> 00:17:12,972
(In despair)

446
00:17:13,002 --> 00:17:15,472
MIN JUN just cast a member of COME HERE.

447
00:17:15,572 --> 00:17:17,842
You're right. What are they doing?

448
00:17:17,942 --> 00:17:19,411
They should cast their own team first.

449
00:17:19,412 --> 00:17:20,842
- That's what I mean. - If they're in different teams,

450
00:17:20,942 --> 00:17:22,012
it's a disaster.

451
00:17:22,912 --> 00:17:25,682
Gosh. What am I going to do?

452
00:17:26,382 --> 00:17:28,622
It felt like the end of the world.

453
00:17:28,752 --> 00:17:33,092
We ended up competing...

454
00:17:33,192 --> 00:17:34,962
with each other's most precious team members.

455
00:17:35,632 --> 00:17:36,832
What am I going to do?

456
00:17:36,932 --> 00:17:38,732
I'm different from others.

457
00:17:38,832 --> 00:17:43,172
I'm going to keep adding my styles...

458
00:17:43,432 --> 00:17:46,572
and come up with a performance that only I can do.

459
00:17:46,672 --> 00:17:47,972
I can hold my own...

460
00:17:48,072 --> 00:17:50,942
because I have Lip J with me.

461
00:17:51,682 --> 00:17:54,912
(Max confidence)

462
00:17:55,782 --> 00:17:58,882
I totally stole Renan's signature choreography.

463
00:17:59,982 --> 00:18:01,691
It's driving me crazy.

464
00:18:01,692 --> 00:18:03,892
My anger was up here.

465
00:18:03,992 --> 00:18:06,392
I had to win this time.

466
00:18:06,592 --> 00:18:08,791
I'm confident about a large group performance.

467
00:18:08,792 --> 00:18:10,491
I want to show the difference...

468
00:18:10,492 --> 00:18:11,802
in the signature choreography structure.

469
00:18:11,902 --> 00:18:13,431
Although she took my signature choreography,

470
00:18:13,432 --> 00:18:15,601
I'll put my name...

471
00:18:15,602 --> 00:18:17,202
in the Director Credit.

472
00:18:17,302 --> 00:18:20,302
I really want this of all time.

473
00:18:22,042 --> 00:18:24,881
I'm going to pour in...

474
00:18:24,882 --> 00:18:26,282
everything I have and everything I'm good at.

475
00:18:26,382 --> 00:18:27,982
Because I'm here to fight as a director.

476
00:18:28,212 --> 00:18:29,752
I'll make it a clean sweep.

477
00:18:29,982 --> 00:18:30,982
(Street World Fighter: Directors' War)

478
00:18:30,983 --> 00:18:34,122
Now, we'll have time to teach the new choreography...

479
00:18:34,222 --> 00:18:35,321
of "Armageddon..."

480
00:18:35,322 --> 00:18:37,391
that won the signature choreography takeover match.

481
00:18:37,392 --> 00:18:38,592
(Simeez begins teaching the new "Armageddon" choreography.)

482
00:18:38,892 --> 00:18:41,331
I have sad news.

483
00:18:41,332 --> 00:18:44,031
Simeez and I had a mission.

484
00:18:44,032 --> 00:18:46,101
We were supposed to steal...

485
00:18:46,102 --> 00:18:47,462
each other's signature choreography.

486
00:18:48,072 --> 00:18:51,202
I had a clean sweep.

487
00:18:51,972 --> 00:18:52,972
Awesome.

488
00:18:53,302 --> 00:18:57,042
My choreography won't be used.

489
00:18:57,442 --> 00:18:59,711
It hurt my pride...

490
00:18:59,712 --> 00:19:02,752
to say that I lost it...

491
00:19:02,852 --> 00:19:06,152
to someone else.

492
00:19:06,282 --> 00:19:07,752
It made me really dogged.

493
00:19:08,152 --> 00:19:09,421
I'd better nail it,

494
00:19:09,422 --> 00:19:10,792
so everyone would want to join my team.

495
00:19:10,892 --> 00:19:12,461
- I want to prove it. - You want to prove it?

496
00:19:12,462 --> 00:19:13,891
That my choreography is better.

497
00:19:13,892 --> 00:19:16,791
A director's job starts with teaching.

498
00:19:16,792 --> 00:19:19,032
I need to teach my choreography in a fun, flavorful way.

499
00:19:19,132 --> 00:19:21,162
- Hello. - Hello.

500
00:19:21,602 --> 00:19:22,671
Hello.

501
00:19:22,672 --> 00:19:23,771
(Clapping without looking)

502
00:19:23,772 --> 00:19:27,341
I'll teach it to you super fast and head out.

503
00:19:27,342 --> 00:19:29,772
Play the music, please. I'll show you.

504
00:19:29,872 --> 00:19:31,912
(Renan also has to learn the choreography from Simeez.)

505
00:19:32,012 --> 00:19:34,342
Music.

506
00:19:35,182 --> 00:19:39,881
It felt a bit awkward. I was intimidated without realizing it.

507
00:19:39,882 --> 00:19:41,322
Let me play the track for you once.

508
00:19:43,092 --> 00:19:46,792
When teaching, giving a shocking demonstration has a real impact.

509
00:19:47,022 --> 00:19:48,892
Learning the choreography of "Armageddon..."

510
00:19:48,992 --> 00:19:52,631
from another choreographer...

511
00:19:52,632 --> 00:19:53,932
was really stressful.

512
00:19:54,032 --> 00:19:56,801
"This is the fun choreography you are going to dance."

513
00:19:56,802 --> 00:19:58,142
I need to show it to them in an impressive way.

514
00:20:01,872 --> 00:20:02,872
(Amazed)

515
00:20:03,412 --> 00:20:06,042
(The new "Armageddon," reborn in Simeez's style)

516
00:20:06,682 --> 00:20:07,781
Honestly, she's good.

517
00:20:07,782 --> 00:20:08,782
- Right. - She's so talented.

518
00:20:08,783 --> 00:20:10,482
She's really cool. She's incredible.

519
00:20:12,322 --> 00:20:14,821
All the dancers loved it,

520
00:20:14,822 --> 00:20:16,452
so I felt a bit down.

521
00:20:16,752 --> 00:20:20,691
I want to build a different formation...

522
00:20:20,692 --> 00:20:22,962
to prove that Renan is the better director...

523
00:20:23,062 --> 00:20:24,292
after all.

524
00:20:24,862 --> 00:20:26,261
My goal during the lesson...

525
00:20:26,262 --> 00:20:28,902
was to assess the dancers.

526
00:20:29,002 --> 00:20:30,931
They followed along better than I expected.

527
00:20:30,932 --> 00:20:32,541
But while they execute it well,

528
00:20:32,542 --> 00:20:34,372
they didn't seem to have any distinct features.

529
00:20:34,572 --> 00:20:36,272
Their individuality and charm fall flat.

530
00:20:36,442 --> 00:20:38,782
My dancers have strong, distinct characters.

531
00:20:38,912 --> 00:20:41,011
I need those with solid technique.

532
00:20:41,012 --> 00:20:42,182
Scorpion.

533
00:20:42,552 --> 00:20:43,852
This is like "Star King."

534
00:20:44,282 --> 00:20:45,621
Where have you been all this time?

535
00:20:45,622 --> 00:20:48,251
I thought I should show how people across various genres...

536
00:20:48,252 --> 00:20:51,992
with great and strong individuality can unite into one.

537
00:20:52,362 --> 00:20:55,891
It looks like she's trying to blend multiple genres together.

538
00:20:55,892 --> 00:20:58,301
If you mix too many colors in,

539
00:20:58,302 --> 00:20:59,831
it just turns into a weird, muddy color.

540
00:20:59,832 --> 00:21:02,331
The most crucial thing in a mega crew performance is...

541
00:21:02,332 --> 00:21:03,831
the synchronization among the dancers.

542
00:21:03,832 --> 00:21:06,341
Working on all those details in a short period of time?

543
00:21:06,342 --> 00:21:07,342
That's impossible.

544
00:21:07,343 --> 00:21:09,071
She's going to regret it.

545
00:21:09,072 --> 00:21:11,011
Since it's an all-genre mega crew performance,

546
00:21:11,012 --> 00:21:13,811
I need to make versatile use of technical formations.

547
00:21:13,812 --> 00:21:15,282
(Team Simeez's practice room)

548
00:21:15,452 --> 00:21:16,782
(Floor technique)

549
00:21:17,212 --> 00:21:18,251
Yes!

550
00:21:18,252 --> 00:21:19,252
(Acrobatics)

551
00:21:19,253 --> 00:21:21,221
Technical styles like tutting, locking, waacking.

552
00:21:21,222 --> 00:21:23,952
I want to use everyone's personal weapons as our specialties.

553
00:21:24,052 --> 00:21:25,662
We're going to look so cool.

554
00:21:27,092 --> 00:21:28,292
The choreography is amazing.

555
00:21:28,662 --> 00:21:30,032
Please express yourselves.

556
00:21:30,262 --> 00:21:32,862
(How will Team Simeez, blending various genres, turn out?)

557
00:21:32,962 --> 00:21:35,101
(Out of sync)

558
00:21:35,102 --> 00:21:38,032
Maybe it's because we focused heavily on individuality.

559
00:21:38,242 --> 00:21:39,902
We do need to sync up our timing a bit.

560
00:21:40,002 --> 00:21:41,101
Since it's a mega crew mission,

561
00:21:41,102 --> 00:21:43,072
we'll need time to get in sync.

562
00:21:43,212 --> 00:21:45,182
Since my team had distinct characters...

563
00:21:45,282 --> 00:21:47,581
and many different genres,

564
00:21:47,582 --> 00:21:49,452
the movements didn't seem to sync well.

565
00:21:49,952 --> 00:21:51,011
(And so, Team Simeez started working on the details.)

566
00:21:51,012 --> 00:21:52,252
I think we should practice here more.

567
00:21:53,452 --> 00:21:54,452
(Stepping back)

568
00:21:54,453 --> 00:21:55,621
(Spotted)

569
00:21:55,622 --> 00:21:57,751
This way, Rina.

570
00:21:57,752 --> 00:22:00,422
You need to move in further here, Rina.

571
00:22:01,392 --> 00:22:02,392
Rina!

572
00:22:02,393 --> 00:22:05,061
(Rina is called out repeatedly for consecutive mistakes.)

573
00:22:05,062 --> 00:22:09,002
I cast Rina because of her technique.

574
00:22:09,932 --> 00:22:11,232
(Where have you been all this time?)

575
00:22:11,402 --> 00:22:13,071
Her technical skills were great,

576
00:22:13,072 --> 00:22:15,742
but she ended up in the front row for the most crucial part.

577
00:22:16,012 --> 00:22:19,012
Rina, you have to practice more. Please.

578
00:22:19,142 --> 00:22:20,142
Practice. Okay?

579
00:22:20,442 --> 00:22:22,081
No more mistakes from here on out.

580
00:22:22,082 --> 00:22:23,152
- Okay. - Okay.

581
00:22:23,282 --> 00:22:26,051
She'd been locked into one specific style for so long.

582
00:22:26,052 --> 00:22:27,922
She'd worn the same clothes for decades,

583
00:22:28,052 --> 00:22:30,952
so trying on a different style was tough for her, of course.

584
00:22:31,192 --> 00:22:33,222
I'm in trouble. This is our biggest hurdle.

585
00:22:33,862 --> 00:22:36,632
(The mistakes keep happening even after time passes.)

586
00:22:37,162 --> 00:22:38,231
It's this way, not that way.

587
00:22:38,232 --> 00:22:39,732
Your foot.

588
00:22:39,802 --> 00:22:41,262
This is crazy. Is it even going to work?

589
00:22:41,432 --> 00:22:42,902
It was pure despair.

590
00:22:42,972 --> 00:22:46,042
Everything had to be perfectly in sync,

591
00:22:46,202 --> 00:22:47,702
but the moves weren't coming together.

592
00:22:48,102 --> 00:22:49,112
Rina!

593
00:22:49,342 --> 00:22:52,142
I really didn't want to get on Rina's case.

594
00:22:52,342 --> 00:22:54,082
Can I have a moment with you, Rina?

595
00:22:55,412 --> 00:22:56,811
I think your timing is...

596
00:22:56,812 --> 00:22:58,222
a little bit different.

597
00:22:58,622 --> 00:23:01,622
I think we have to change your position...

598
00:23:01,722 --> 00:23:03,421
- with another person. - Okay.

599
00:23:03,422 --> 00:23:06,221
Messing up in the front row...

600
00:23:06,222 --> 00:23:08,232
throws off the entire choreography.

601
00:23:08,532 --> 00:23:10,492
I was having a total mental breakdown.

602
00:23:10,862 --> 00:23:11,901
(Groaning)

603
00:23:11,902 --> 00:23:13,962
We can do this!

604
00:23:14,062 --> 00:23:15,671
- Let's go! - Let's go!

605
00:23:15,672 --> 00:23:17,302
(Hang in there, Simeez!)

606
00:23:18,002 --> 00:23:19,942
I really want us to pull this off.

607
00:23:21,612 --> 00:23:23,172
Maybe I shouldn't have gone with all-genre dancers.

608
00:23:23,972 --> 00:23:26,042
Casting dancers is also part of a director's capability.

609
00:23:26,312 --> 00:23:28,081
Let's work on the intro choreography first.

610
00:23:28,082 --> 00:23:30,981
I think it would be great if we did it like crazy people.

611
00:23:30,982 --> 00:23:32,851
I want to bring out the crazy vibe.

612
00:23:32,852 --> 00:23:35,051
The intro. To me, that's my second highlight.

613
00:23:35,052 --> 00:23:36,622
I consider it a second chorus.

614
00:23:37,252 --> 00:23:38,392
We will start like this.

615
00:23:38,492 --> 00:23:39,621
(Dropping to our knees right from the start?)

616
00:23:39,622 --> 00:23:40,622
Yes.

617
00:23:40,623 --> 00:23:41,632
What?

618
00:23:41,792 --> 00:23:42,832
What's going on?

619
00:23:43,232 --> 00:23:45,502
We'll dance while moving like this.

620
00:23:45,702 --> 00:23:48,802
- Oh, my goodness. - A bit like a crazy person.

621
00:23:51,302 --> 00:23:52,841
That's crazy.

622
00:23:52,842 --> 00:23:53,842
I got absolute chills.

623
00:23:54,202 --> 00:23:57,771
That psycho-like madness is the point of my choreography.

624
00:23:57,772 --> 00:24:01,111
I thought about how to make it look unhinged.

625
00:24:01,112 --> 00:24:03,451
I was resting in my hotel room all drowsy.

626
00:24:03,452 --> 00:24:04,951
And I suddenly tried moving like this.

627
00:24:04,952 --> 00:24:07,622
As soon as I saw it, I went, "This is it."

628
00:24:08,022 --> 00:24:09,391
We're going to win for sure.

629
00:24:09,392 --> 00:24:11,352
This is nice. We look crazy.

630
00:24:11,492 --> 00:24:13,692
What if we try lying all the way down?

631
00:24:14,222 --> 00:24:16,291
The 1st 5 seconds must be enchanting for people to keep watching.

632
00:24:16,292 --> 00:24:17,391
This is pretty.

633
00:24:17,392 --> 00:24:19,102
The intro decides everything.

634
00:24:19,432 --> 00:24:21,002
(Chills)

635
00:24:21,532 --> 00:24:23,272
(That's how Renan's signature crazy intro was born.)

636
00:24:23,602 --> 00:24:24,632
Are you a genius?

637
00:24:26,442 --> 00:24:27,542
This is so cool.

638
00:24:27,702 --> 00:24:30,342
The dancers seem so well in sync.

639
00:24:30,742 --> 00:24:31,781
I think we can win this.

640
00:24:31,782 --> 00:24:32,782
(I think we can win this.)

641
00:24:32,882 --> 00:24:34,682
(Directors' Room for Simeez)

642
00:24:34,782 --> 00:24:36,852
The formation is way too off. What do I do?

643
00:24:37,452 --> 00:24:39,451
No matter how many times we adjusted it, it was off.

644
00:24:39,452 --> 00:24:41,281
It kept going right back to square one.

645
00:24:41,282 --> 00:24:44,152
I think it's my mistake that I went all-genre.

646
00:24:44,592 --> 00:24:46,062
What a headache.

647
00:24:49,362 --> 00:24:54,232
I want to create a truly legendary video.

648
00:24:54,432 --> 00:24:55,702
I just really want to do well.

649
00:24:56,232 --> 00:24:58,302
- You're good. - I will be good.

650
00:24:58,802 --> 00:25:00,102
Don't worry. It'll turn out great.

651
00:25:01,812 --> 00:25:04,042
I took a sneak peek at the practice video.

652
00:25:05,112 --> 00:25:06,441
- Varang. - Varang.

653
00:25:06,442 --> 00:25:07,442
Like this.

654
00:25:07,842 --> 00:25:09,782
It fits your face well, which I really like.

655
00:25:10,082 --> 00:25:11,552
It could come off as a bit childish.

656
00:25:13,022 --> 00:25:14,581
That's why I tried not to overemphasize the concept.

657
00:25:14,582 --> 00:25:16,451
I just want to show that I was inspired by it.

658
00:25:16,452 --> 00:25:18,792
You can emphasize it. It suits you well.

659
00:25:18,892 --> 00:25:20,991
There's an area of directing I excel at,

660
00:25:20,992 --> 00:25:22,032
which is concept utilization.

661
00:25:22,062 --> 00:25:25,562
Using props is my strong suit.

662
00:25:25,662 --> 00:25:28,532
I reworked the formation to match...

663
00:25:28,632 --> 00:25:30,271
the concept properly.

664
00:25:30,272 --> 00:25:32,172
(Perfect synchronization)

665
00:25:32,272 --> 00:25:33,942
When you have something in your hands,

666
00:25:34,042 --> 00:25:35,711
even simple movements look...

667
00:25:35,712 --> 00:25:37,572
visually full and satisfying.

668
00:25:37,972 --> 00:25:40,942
- There's something I'd like to get. - Yes.

669
00:25:41,242 --> 00:25:44,352
I need something like flat boards.

670
00:25:44,452 --> 00:25:45,852
I think it will look great.

671
00:25:46,352 --> 00:25:47,681
(Amazed)

672
00:25:47,682 --> 00:25:50,291
It felt like the grandeur was multiplied.

673
00:25:50,292 --> 00:25:53,021
When utilizing props, I figured...

674
00:25:53,022 --> 00:25:54,421
I should compete through visuals and formation...

675
00:25:54,422 --> 00:25:56,492
rather than dancing.

676
00:25:57,432 --> 00:26:00,131
Something's popping up on screen. There's going to be something.

677
00:26:00,132 --> 00:26:02,401
The 1-on-1 Signature 400 Mission Practice Video.

678
00:26:02,402 --> 00:26:03,702
Oh, my goodness!

679
00:26:04,172 --> 00:26:06,341
Are they shaking our minds like this?

680
00:26:06,342 --> 00:26:07,702
Honestly, that's what I wanted to see the most.

681
00:26:07,742 --> 00:26:10,611
This is going to be fun.

682
00:26:10,612 --> 00:26:11,881
Oh, gosh.

683
00:26:11,882 --> 00:26:13,582
"Predict the win or loss and directors for each matchup."

684
00:26:13,982 --> 00:26:15,852
I have to win. I put everything into making this.

685
00:26:16,012 --> 00:26:18,752
The one I'm most curious about is Simeez and Renan.

686
00:26:19,452 --> 00:26:21,252
It looked like they were doing something grand.

687
00:26:21,722 --> 00:26:23,752
It must be super flashy, true to Simeez's style.

688
00:26:24,822 --> 00:26:26,062
They're watching mine now.

689
00:26:26,122 --> 00:26:27,122
(Simeez's choreography practice)

690
00:26:27,123 --> 00:26:28,322
Gosh, hang on.

691
00:26:28,992 --> 00:26:31,632
Right from the very start.

692
00:26:32,032 --> 00:26:33,632
This is insane.

693
00:26:34,032 --> 00:26:36,001
She managed to get something incredible.

694
00:26:36,002 --> 00:26:38,031
She seems skilled at using props.

695
00:26:38,032 --> 00:26:40,341
The solar panels look great.

696
00:26:40,342 --> 00:26:41,442
Is that Waackxxxy?

697
00:26:42,612 --> 00:26:44,772
Locking!

698
00:26:45,412 --> 00:26:48,082
In the newly arranged section,

699
00:26:48,182 --> 00:26:50,412
the dance genres were utilized so appropriately.

700
00:26:50,512 --> 00:26:54,452
Watching the beginning, I was a little worried.

701
00:26:54,552 --> 00:26:56,691
I was thinking, "Oh no, what do we do?"

702
00:26:56,692 --> 00:26:59,622
But as it progressed toward the end, I felt like...

703
00:26:59,722 --> 00:27:00,821
we actually had a shot.

704
00:27:00,822 --> 00:27:02,292
But the synchronization is the issue.

705
00:27:02,392 --> 00:27:04,892
As it went on, I noticed that they were out of sync.

706
00:27:05,132 --> 00:27:07,131
Anyway, our team is well in sync.

707
00:27:07,132 --> 00:27:08,832
Let's go, Renan.

708
00:27:09,272 --> 00:27:11,631
Starting with the hand movements?

709
00:27:11,632 --> 00:27:12,642
(Renan's choreography practice)

710
00:27:12,942 --> 00:27:14,372
My goodness. That's so terrifying.

711
00:27:14,572 --> 00:27:16,742
Look at this. They look like ghosts.

712
00:27:17,412 --> 00:27:19,182
(100 percent satisfied)

713
00:27:19,412 --> 00:27:22,582
The intro is so overwhelming.

714
00:27:22,882 --> 00:27:24,552
The intro has an incredible impact.

715
00:27:24,782 --> 00:27:27,052
I don't really feel much of a clear concept.

716
00:27:27,152 --> 00:27:30,691
It feels like the tension drops during the "Bang Bang" part.

717
00:27:30,692 --> 00:27:33,362
They show the entire "Bang Bang" part from the front.

718
00:27:33,462 --> 00:27:35,021
It's like a dragging point.

719
00:27:35,022 --> 00:27:38,562
It seems she placed a lot of weight on utilizing JAYME.

720
00:27:38,732 --> 00:27:41,002
I don't think she fully understands JAYME's strengths.

721
00:27:41,932 --> 00:27:45,502
JAYME isn't the type who shines when doing the same choreography.

722
00:27:46,542 --> 00:27:47,542
The predicted credits?

723
00:27:48,142 --> 00:27:49,711
I think our team's greatest strength is our synchronization.

724
00:27:49,712 --> 00:27:52,082
I came up with such an impactful intro.

725
00:27:52,382 --> 00:27:53,982
I'm going to win this no matter what.

726
00:27:54,242 --> 00:27:55,582
I cannot lose.

727
00:27:56,112 --> 00:27:58,182
I have to take the Director Credit.

728
00:27:58,412 --> 00:27:59,621
Those who love crazy...

729
00:27:59,622 --> 00:28:01,382
and high-impact vibes...

730
00:28:01,622 --> 00:28:03,321
will probably love mine.

731
00:28:03,322 --> 00:28:05,391
I think it comes down to a matter of personal taste.

732
00:28:05,392 --> 00:28:07,162
It's not about personal taste. I want to be...

733
00:28:07,322 --> 00:28:09,162
overwhelmingly better.

734
00:28:12,262 --> 00:28:14,302
(Shocked)

735
00:28:15,672 --> 00:28:17,272
(Sighing)

736
00:28:17,932 --> 00:28:19,271
I assumed I would win.

737
00:28:19,272 --> 00:28:21,142
I was sure it would be me.

738
00:28:21,202 --> 00:28:24,442
Choreographer, Simeez. Director, Simeez.

739
00:28:25,412 --> 00:28:28,512
I'm sad because the opponent is so strong.

740
00:28:30,412 --> 00:28:32,022
Gosh, that was too loud.

741
00:28:32,152 --> 00:28:35,151
Having my name listed on both the Director...

742
00:28:35,152 --> 00:28:36,221
and Choreographer Credits...

743
00:28:36,222 --> 00:28:37,552
felt amazing.

744
00:28:37,852 --> 00:28:39,262
Was I being too excited?

745
00:28:39,722 --> 00:28:41,162
(Shouting)

746
00:28:41,362 --> 00:28:44,231
(Simeez's shout echoes all the way into Renan's room.)

747
00:28:44,232 --> 00:28:45,232
(Feeling bitter)

748
00:28:45,233 --> 00:28:48,201
I kept wondering why things weren't working out,

749
00:28:48,202 --> 00:28:50,732
and my confidence hit rock bottom.

750
00:28:51,372 --> 00:28:52,642
I came here to be ambitious, after all.

751
00:28:52,702 --> 00:28:55,372
I got the Choreographer Credit to claim this.

752
00:28:55,572 --> 00:28:58,742
"The momentum in the later part leaves much to be desired."

753
00:28:58,942 --> 00:29:01,212
"The flow drags during the 'Bang Bang' part."

754
00:29:02,112 --> 00:29:04,251
"It's disappointing that the tension drops toward the end,"

755
00:29:04,252 --> 00:29:06,222
"causing the focus to fade." I see.

756
00:29:06,822 --> 00:29:09,652
(Troubled)

757
00:29:11,152 --> 00:29:13,291
There are standout dancers on the team,

758
00:29:13,292 --> 00:29:16,361
but the way they were utilized didn't seem good enough.

759
00:29:16,362 --> 00:29:19,462
There's a specific dance I could've showcased in the front,

760
00:29:19,502 --> 00:29:22,072
so performing the full choreography felt like a waste.

761
00:29:22,302 --> 00:29:23,631
It's a dance break,

762
00:29:23,632 --> 00:29:26,071
but I don't think it feels distinct from what came before.

763
00:29:26,072 --> 00:29:29,612
If I get just ten seconds, I can tear up the entire stage.

764
00:29:29,812 --> 00:29:32,881
It's disappointing that I appear for only about 0.5 seconds.

765
00:29:32,882 --> 00:29:36,412
I wonder if that was a good card to play.

766
00:29:39,382 --> 00:29:41,622
Could you please turn off the lights?

767
00:29:43,122 --> 00:29:46,522
(The lights are out in Renan's Directors' Room.)

768
00:29:47,322 --> 00:29:49,291
Even if she hears it the day before...

769
00:29:49,292 --> 00:29:51,891
I mean, your mindset can awaken,

770
00:29:51,892 --> 00:29:53,762
but it's hard to turn the tables with the piece itself in a day.

771
00:29:54,002 --> 00:29:56,572
(Renan is lost in deep thought.)

772
00:29:57,632 --> 00:29:58,971
(The night of the mid-point review)

773
00:29:58,972 --> 00:30:00,872
It's not easy.

774
00:30:02,442 --> 00:30:03,541
(Sighing)

775
00:30:03,542 --> 00:30:05,412
I was really confident,

776
00:30:05,912 --> 00:30:07,142
but why isn't this working out?

777
00:30:08,952 --> 00:30:10,211
(Street World Fighter: Directors' War)

778
00:30:10,212 --> 00:30:12,052
(1-on-1 Signature 400 Mission)

779
00:30:14,282 --> 00:30:18,321
(Who will claim the Director Credit?)

780
00:30:18,322 --> 00:30:19,861
(The 10 choreographers are entering the stage.)

781
00:30:19,862 --> 00:30:22,062
Once I stepped up there, the nerves really hit me.

782
00:30:23,062 --> 00:30:25,762
I don't think I've felt this nervous anytime recently.

783
00:30:25,932 --> 00:30:27,632
Simeez is here.

784
00:30:28,162 --> 00:30:29,901
Why does she have to be right next to me?

785
00:30:29,902 --> 00:30:31,702
It did get on my nerves.

786
00:30:33,502 --> 00:30:34,602
She's so scary.

787
00:30:34,872 --> 00:30:36,511
She's terrifying.

788
00:30:36,512 --> 00:30:38,812
Simeez, it looks like you're going to eat Renan alive.

789
00:30:39,142 --> 00:30:41,341
Seeing Simeez's outfit,

790
00:30:41,342 --> 00:30:43,051
the quality was so high...

791
00:30:43,052 --> 00:30:45,582
that I felt quite intimidated.

792
00:30:45,822 --> 00:30:47,052
I have to win.

793
00:30:47,252 --> 00:30:48,521
There's this particular feeling, you know.

794
00:30:48,522 --> 00:30:50,152
The burning rage of being wronged.

795
00:30:50,392 --> 00:30:53,291
There is a distinct fury known only to those who have lost.

796
00:30:53,292 --> 00:30:55,562
I am going to win this, no matter what.

797
00:30:57,192 --> 00:30:58,862
Hash is here.

798
00:31:00,702 --> 00:31:04,672
MIN JUN had a gentler look in his eyes at first.

799
00:31:05,072 --> 00:31:08,301
But the look in his eyes changed. He looks so determined...

800
00:31:08,302 --> 00:31:10,242
to beat me down.

801
00:31:10,872 --> 00:31:13,841
If I said I was confident, it would be a lie.

802
00:31:13,842 --> 00:31:17,282
You can never underestimate someone with an extensive career.

803
00:31:17,482 --> 00:31:18,882
I'm keeping a close eye on her.

804
00:31:20,022 --> 00:31:22,251
- Hello. - Hi.

805
00:31:22,252 --> 00:31:23,252
Hello.

806
00:31:23,253 --> 00:31:24,722
(Looking away)

807
00:31:25,862 --> 00:31:28,591
I saw an uncomfortable energy, so I tried to stay relaxed.

808
00:31:28,592 --> 00:31:29,592
(Exclaiming)

809
00:31:29,732 --> 00:31:32,961
Deep down, I felt an intense sense of crisis...

810
00:31:32,962 --> 00:31:34,301
and competitiveness,

811
00:31:34,302 --> 00:31:37,202
but I hid it and kept practicing mental control.

812
00:31:37,702 --> 00:31:38,742
(Surprised)

813
00:31:39,542 --> 00:31:40,701
The judges are here.

814
00:31:40,702 --> 00:31:41,702
Who are they?

815
00:31:41,703 --> 00:31:42,711
(Surprised)

816
00:31:42,712 --> 00:31:43,942
(The first judge for the Last Run enters.)

817
00:31:45,242 --> 00:31:47,312
(Passionate welcome)

818
00:31:50,152 --> 00:31:52,012
(Monika left a powerful impression through "Street Woman Fighter.")

819
00:31:52,352 --> 00:31:53,851
A director with distinct visual pictures, clear themes,

820
00:31:53,852 --> 00:31:55,152
and storytelling.

821
00:31:55,852 --> 00:31:57,992
A director who is active across various fields...

822
00:31:58,222 --> 00:32:00,392
and respected by everyone.

823
00:32:01,122 --> 00:32:02,561
Monika!

824
00:32:02,562 --> 00:32:03,562
(Heart)

825
00:32:03,563 --> 00:32:06,331
When Monika came out, I felt a slight twinge.

826
00:32:06,332 --> 00:32:09,702
Because Lip J was on MIN JUN's team.

827
00:32:09,932 --> 00:32:11,331
We haven't been in touch for five days.

828
00:32:11,332 --> 00:32:13,602
Please make sure to spread the word that I'll be fair.

829
00:32:13,942 --> 00:32:16,771
She is sharp, detail-oriented, and decisive.

830
00:32:16,772 --> 00:32:19,682
I thought she would deliver a decisive opinion for one side.

831
00:32:20,112 --> 00:32:21,241
(Next, the second judge for the Last Run enters.)

832
00:32:21,242 --> 00:32:22,451
(Jae Won?)

833
00:32:22,452 --> 00:32:23,912
Jae Won!

834
00:32:24,212 --> 00:32:25,622
It's Jae Won. This is crazy.

835
00:32:25,682 --> 00:32:28,321
He is someone every SM Entertainment fan knows.

836
00:32:28,322 --> 00:32:31,951
In Korea, he is like the cornerstone of performance directing.

837
00:32:31,952 --> 00:32:33,492
The best performance director.

838
00:32:34,162 --> 00:32:35,431
(Starting with "Into the New World" by Girls' Generation)

839
00:32:35,432 --> 00:32:36,491
(SHINee in 2008)

840
00:32:36,492 --> 00:32:37,492
(EXO in 2012)

841
00:32:37,492 --> 00:32:38,492
(Red Velvet in 2014)

842
00:32:38,493 --> 00:32:39,502
(aespa in 2020)

843
00:32:39,832 --> 00:32:41,502
(The choreographer who established the standard for SM's performances)

844
00:32:42,272 --> 00:32:44,332
(The person who directs every single moment on stage)

845
00:32:44,602 --> 00:32:46,872
(Performance Director Shim Jae Won)

846
00:32:47,372 --> 00:32:48,771
He's worked as a performance director for a long.

847
00:32:48,772 --> 00:32:51,511
I believe he will accurately evaluate...

848
00:32:51,512 --> 00:32:53,611
the qualities and role of a director.

849
00:32:53,612 --> 00:32:55,082
It felt reassuring.

850
00:32:55,582 --> 00:32:57,911
- Jae Won! - Jae Won!

851
00:32:57,912 --> 00:32:58,921
Did you know about this?

852
00:32:58,922 --> 00:32:59,922
I had no idea.

853
00:32:59,923 --> 00:33:01,321
(Sighing)

854
00:33:01,322 --> 00:33:02,921
I thought I wouldn't be nervous.

855
00:33:02,922 --> 00:33:04,452
But cold sweat was dripping down my spine.

856
00:33:04,652 --> 00:33:08,361
Jae Won helped me tremendously in my growth.

857
00:33:08,362 --> 00:33:10,231
He's a master who gave me...

858
00:33:10,232 --> 00:33:11,391
so many teachings.

859
00:33:11,392 --> 00:33:13,331
With Koo Young on my right...

860
00:33:13,332 --> 00:33:15,971
and Jae Won sitting there judging us,

861
00:33:15,972 --> 00:33:17,672
an overwhelming emotion suddenly rushed over me.

862
00:33:17,802 --> 00:33:19,902
I wanted to prove myself with performances.

863
00:33:20,372 --> 00:33:21,702
(Surprised)

864
00:33:21,942 --> 00:33:23,412
The person who's meant to come is finally here.

865
00:33:23,742 --> 00:33:24,742
(The third judge enters next.)

866
00:33:26,112 --> 00:33:27,881
Anthony!

867
00:33:27,882 --> 00:33:29,511
I really didn't expect him to come.

868
00:33:29,512 --> 00:33:30,512
My name is Anthony,

869
00:33:30,513 --> 00:33:31,611
representing the KINJAZ crew.

870
00:33:31,612 --> 00:33:33,152
I'm also one of the creative directors.

871
00:33:34,752 --> 00:33:37,452
He is someone leading the global trend of performance.

872
00:33:37,792 --> 00:33:39,122
(The core creator of KINJAZ)

873
00:33:40,192 --> 00:33:41,962
(For his unrivaled, world-class directing skills,)

874
00:33:42,632 --> 00:33:44,162
(Anthony Lee is recognized globally as a world-renowned director.)

875
00:33:44,732 --> 00:33:48,532
Being able to tell a story through my own piece was a huge opportunity.

876
00:33:49,672 --> 00:33:52,441
I was so glad to see him because I love KINJAZ so much.

877
00:33:52,442 --> 00:33:55,172
But I got nervous because I had to be evaluated.

878
00:33:55,302 --> 00:33:58,041
They are all prominent figures in the scene.

879
00:33:58,042 --> 00:34:01,041
I thought we had the rightful judges.

880
00:34:01,042 --> 00:34:02,711
I'm going to get evaluated properly.

881
00:34:02,712 --> 00:34:04,351
I think it started to hit me.

882
00:34:04,352 --> 00:34:06,122
"It's really starting now."

883
00:34:06,682 --> 00:34:09,221
In the 1-on-1 Signature 400 Mission,

884
00:34:09,222 --> 00:34:10,951
choreographers will be evaluated...

885
00:34:10,952 --> 00:34:13,321
on how they reinterpreted the same signature choreography,

886
00:34:13,322 --> 00:34:14,821
by assessing formations and compositions,

887
00:34:14,822 --> 00:34:16,891
the utilization of main and supporting characters,

888
00:34:16,892 --> 00:34:19,901
and the overall impact delivered on stage.

889
00:34:19,902 --> 00:34:23,731
Only one winning choreographer from each matchup...

890
00:34:23,732 --> 00:34:27,171
will leave their name on the Director Credit.

891
00:34:27,172 --> 00:34:29,472
The 1-on-1 Signature 400 Mission.

892
00:34:29,712 --> 00:34:32,141
We will start the Last Run.

893
00:34:32,142 --> 00:34:33,712
(1-on-1 Signature 400 Mission)

894
00:34:34,112 --> 00:34:35,242
Let's go!

895
00:34:35,712 --> 00:34:38,052
My goal is to get my name up there as Director too.

896
00:34:38,182 --> 00:34:41,052
The most important thing was to get my name on the Director Credit.

897
00:34:41,182 --> 00:34:42,792
I have to get it up there, no matter what.

898
00:34:43,592 --> 00:34:44,752
(1-on-1 Signature 400 Mission, the 1st matchup)

899
00:34:44,892 --> 00:34:48,392
We will now begin the Last Run for the Simeez versus Renan matchup.

900
00:34:49,132 --> 00:34:50,632
Don't be nervous.

901
00:34:50,832 --> 00:34:51,832
We have to do this.

902
00:34:51,833 --> 00:34:52,962
We have to nail it.

903
00:34:53,162 --> 00:34:56,571
Entering together like this made me so nervous.

904
00:34:56,572 --> 00:34:59,271
The pressure was real.

905
00:34:59,272 --> 00:35:02,271
But the look in my crew's eyes and their fierce drive...

906
00:35:02,272 --> 00:35:03,611
gave me confidence,

907
00:35:03,612 --> 00:35:05,812
which eased a lot of my nerves.

908
00:35:07,412 --> 00:35:11,512
The dancers' energy gave me an extra boost of strength.

909
00:35:12,152 --> 00:35:13,882
This feels like a Korea-Japan showdown.

910
00:35:14,382 --> 00:35:15,752
I'm going to win for sure.

911
00:35:15,922 --> 00:35:17,022
No one can beat me.

912
00:35:17,422 --> 00:35:19,021
Team Simeez will enter first.

913
00:35:19,022 --> 00:35:20,062
(Team Simeez)

914
00:35:20,162 --> 00:35:21,821
(Team Renan)

915
00:35:21,822 --> 00:35:24,792
Dancers, please move to the standing area.

916
00:35:26,132 --> 00:35:27,301
(Team Simeez versus Team Renan, the dancers' entry is complete.)

917
00:35:27,302 --> 00:35:28,731
Renan is the best!

918
00:35:28,732 --> 00:35:30,172
- Renan is the best! - Renan is the best!

919
00:35:30,202 --> 00:35:31,601
- Renan is the best! - Renan is the best!

920
00:35:31,602 --> 00:35:33,072
(Happy)

921
00:35:33,402 --> 00:35:36,011
Having my dancers behind me...

922
00:35:36,012 --> 00:35:38,412
gave me a boost of confidence without even realizing it.

923
00:35:38,612 --> 00:35:41,411
- Renan is the best! - Simeez!

924
00:35:41,412 --> 00:35:44,812
- Renan is the best! - Simeez!

925
00:35:44,952 --> 00:35:46,522
We are going to kill it.

926
00:35:47,022 --> 00:35:50,592
We will now begin the Last Run for the Simeez versus Renan matchup.

927
00:35:51,522 --> 00:35:52,792
Look at her costume.

928
00:35:55,092 --> 00:35:56,792
(The 8 teams' green rooms are on air.)

929
00:35:57,262 --> 00:35:58,762
Their outfits are so intense.

930
00:35:59,232 --> 00:36:00,502
I bet Simeez is going to win.

931
00:36:00,602 --> 00:36:01,902
She's just so overwhelming.

932
00:36:02,162 --> 00:36:03,871
The impact is seriously strong.

933
00:36:03,872 --> 00:36:05,031
(Overwhelming)

934
00:36:05,032 --> 00:36:08,172
It's the toes for me. It's the shoes that make it crazy.

935
00:36:08,502 --> 00:36:10,612
I paid attention all the way down to the shoes.

936
00:36:11,612 --> 00:36:12,982
She painted her feet.

937
00:36:13,282 --> 00:36:14,782
She came in with determination.

938
00:36:14,842 --> 00:36:15,882
But...

939
00:36:16,012 --> 00:36:19,181
Renan has so many original moves up her sleeve.

940
00:36:19,182 --> 00:36:21,251
She's a director who excels so much at composition.

941
00:36:21,252 --> 00:36:22,592
She is a dark horse.

942
00:36:22,822 --> 00:36:26,462
I'll deliver an even greater impact through versatile formations.

943
00:36:26,962 --> 00:36:29,962
The Last Run of the 1-on-1 Signature 400 Mission,

944
00:36:30,262 --> 00:36:31,632
Simeez versus Renan.

945
00:36:32,032 --> 00:36:35,232
We will start with Renan's Last Run first!

946
00:36:35,262 --> 00:36:36,471
(Simeez versus Renan, 1-on-1 Signature 400 Mission)

947
00:36:36,472 --> 00:36:37,801
My goodness!

948
00:36:37,802 --> 00:36:39,471
It's starting now.

949
00:36:39,472 --> 00:36:40,801
I'm so nervous.

950
00:36:40,802 --> 00:36:42,172
We can do this.

951
00:36:42,812 --> 00:36:44,542
It won't be easy for Renan...

952
00:36:44,812 --> 00:36:46,582
to erase the original choreography of "Bang Bang."

953
00:36:48,142 --> 00:36:51,382
The whole process was far from easy.

954
00:36:51,712 --> 00:36:54,782
My pride and confidence hit rock bottom.

955
00:36:54,952 --> 00:36:57,421
Simeez crafted the choreography so well.

956
00:36:57,422 --> 00:36:58,992
I have to give credit where credit is due.

957
00:36:59,192 --> 00:37:01,921
What winning factors do I even have?

958
00:37:01,922 --> 00:37:03,791
Props? Concept?

959
00:37:03,792 --> 00:37:04,932
There were none.

960
00:37:05,162 --> 00:37:07,002
(Rehearsal D-1)

961
00:37:07,432 --> 00:37:10,502
I have some unfortunate news.

962
00:37:10,632 --> 00:37:13,672
We need a massive overhaul of "Bang Bang."

963
00:37:14,372 --> 00:37:18,142
Yes. There will be major revisions.

964
00:37:18,412 --> 00:37:20,012
I'm shocked as well.

965
00:37:20,242 --> 00:37:21,542
It broke my heart.

966
00:37:21,682 --> 00:37:23,182
What if it brings everyone down?

967
00:37:23,912 --> 00:37:26,521
We were confident, thinking that...

968
00:37:26,522 --> 00:37:28,722
we were cool and we would win.

969
00:37:29,222 --> 00:37:31,092
My heart felt so heavy.

970
00:37:31,992 --> 00:37:33,361
Please go to your initial positions...

971
00:37:33,362 --> 00:37:35,792
- for "Bang Bang." - The initial positions.

972
00:37:36,932 --> 00:37:38,661
It starts like this.

973
00:37:38,662 --> 00:37:41,301
I needed to try a different vibe, which is bigger and more powerful.

974
00:37:41,302 --> 00:37:44,432
One, two, three, four, five, six...

975
00:37:45,172 --> 00:37:46,541
I'm sorry. We need to take this out.

976
00:37:46,542 --> 00:37:47,901
- Forget about it. - Okay.

977
00:37:47,902 --> 00:37:49,311
I was hitting a wall right from the start.

978
00:37:49,312 --> 00:37:51,941
Could we make the front row into a horizontal line like this?

979
00:37:51,942 --> 00:37:53,081
With JAYME in the center.

980
00:37:53,082 --> 00:37:54,082
I see.

981
00:37:54,083 --> 00:37:55,542
I'm sorry. This isn't it.

982
00:37:55,782 --> 00:37:57,582
Can we try this move right here?

983
00:37:59,322 --> 00:38:01,281
Or can you try raising your arms?

984
00:38:01,282 --> 00:38:02,282
One, two.

985
00:38:02,283 --> 00:38:03,491
Can you try it while standing up?

986
00:38:03,492 --> 00:38:04,591
One, two.

987
00:38:04,592 --> 00:38:06,062
Hang on a second.

988
00:38:06,462 --> 00:38:08,962
Her energy wasn't going up. She was being sensitive.

989
00:38:09,092 --> 00:38:11,162
It feels like our energy is draining.

990
00:38:11,462 --> 00:38:13,462
My mind is checked out right now.

991
00:38:13,732 --> 00:38:17,132
Time is running out, but my brain just won't work.

992
00:38:17,872 --> 00:38:20,542
I can see the dancers getting exhausted.

993
00:38:21,372 --> 00:38:22,612
This isn't easy.

994
00:38:23,072 --> 00:38:24,772
Can we take a quick five-minute break?

995
00:38:25,012 --> 00:38:26,512
I'm sorry. Wait a moment.

996
00:38:27,912 --> 00:38:30,282
We're ruined.

997
00:38:30,852 --> 00:38:32,152
We're in trouble.

998
00:38:34,452 --> 00:38:37,721
(In the end, she bursts into tears.)

999
00:38:37,722 --> 00:38:39,721
Tears started flowing before I even realized it.

1000
00:38:39,722 --> 00:38:41,422
I was so heartbroken and overwhelmed.

1001
00:38:41,762 --> 00:38:45,061
I kept pretending to be fine...

1002
00:38:45,062 --> 00:38:47,332
and tried my hardest not to show it.

1003
00:38:48,062 --> 00:38:49,572
I worked really hard.

1004
00:38:52,472 --> 00:38:55,401
As bad results kept repeating,

1005
00:38:55,402 --> 00:38:56,972
my mental state was shattered,

1006
00:38:57,372 --> 00:39:00,242
and I felt like giving up.

1007
00:39:01,042 --> 00:39:02,141
Is she going to be okay?

1008
00:39:02,142 --> 00:39:03,411
(The practice room remains frozen in place.)

1009
00:39:03,412 --> 00:39:04,582
(Walking on eggshells)

1010
00:39:04,952 --> 00:39:09,152
Shall we keep working on the poses like this?

1011
00:39:09,952 --> 00:39:11,522
How about working on the poses?

1012
00:39:11,822 --> 00:39:13,921
We can do this. Something like this.

1013
00:39:13,922 --> 00:39:14,961
It's not that hard, is it?

1014
00:39:14,962 --> 00:39:16,961
- Like this. - Make it.

1015
00:39:16,962 --> 00:39:18,932
It would be beautiful if you make it a little better.

1016
00:39:19,502 --> 00:39:21,702
- You got this. - Great.

1017
00:39:21,932 --> 00:39:23,932
That's when I came to my senses.

1018
00:39:24,332 --> 00:39:25,731
I'm the director.

1019
00:39:25,732 --> 00:39:27,941
There's a performance I'm in charge of,

1020
00:39:27,942 --> 00:39:29,971
and there are dancers under my wing,

1021
00:39:29,972 --> 00:39:32,212
so I can't give up like this.

1022
00:39:33,112 --> 00:39:35,782
Because I've got the teammates who got my back,

1023
00:39:36,182 --> 00:39:37,852
I have to try everything I can.

1024
00:39:38,682 --> 00:39:41,322
I apologize for the major change.

1025
00:39:41,452 --> 00:39:43,122
But it's all for a good result.

1026
00:39:43,392 --> 00:39:45,391
- Let's do it! - Let's go!

1027
00:39:45,392 --> 00:39:46,761
(Our team's the best!)

1028
00:39:46,762 --> 00:39:49,231
It had to be easy enough for them to learn in a day,

1029
00:39:49,232 --> 00:39:50,361
and the moves had to be clear.

1030
00:39:50,362 --> 00:39:52,092
And the dancers had to shine.

1031
00:39:52,392 --> 00:39:53,832
I sized up the team.

1032
00:39:54,162 --> 00:39:55,661
I fixed the moves to be as flashy as possible...

1033
00:39:55,662 --> 00:39:57,532
and made the movements bigger.

1034
00:39:58,702 --> 00:40:00,742
JAYME will do some voguing in his part.

1035
00:40:01,602 --> 00:40:05,072
I changed the choreography to utilize each dancer's strength.

1036
00:40:05,372 --> 00:40:07,041
(The quality improves as she fixes the choreography one at a time.)

1037
00:40:07,042 --> 00:40:09,282
Seeing everyone happy made me happy.

1038
00:40:09,682 --> 00:40:11,012
I'm glad I made the changes.

1039
00:40:11,112 --> 00:40:13,551
If they see the changes I've made in a day,

1040
00:40:13,552 --> 00:40:15,022
they will say I'm mad.

1041
00:40:15,752 --> 00:40:17,852
Team Renan will enter now.

1042
00:40:19,392 --> 00:40:20,491
Now I just need to make sure...

1043
00:40:20,492 --> 00:40:21,592
- everything goes smoothly on site. - Okay.

1044
00:40:21,992 --> 00:40:23,032
Renan.

1045
00:40:23,592 --> 00:40:27,131
I've seen her a couple of times when working with aespa.

1046
00:40:27,132 --> 00:40:29,371
I remember her as someone who's good at composition.

1047
00:40:29,372 --> 00:40:31,601
It's fascinating to see the process.

1048
00:40:31,602 --> 00:40:32,802
She must be shocked...

1049
00:40:32,902 --> 00:40:34,772
that we are watching the rehearsal.

1050
00:40:35,472 --> 00:40:37,541
You have an hour and 20 minutes to rehearse.

1051
00:40:37,542 --> 00:40:39,281
(The 1-hour-and-20-minute rehearsal countdown begins.)

1052
00:40:39,282 --> 00:40:40,942
Who's going up to the second floor?

1053
00:40:41,082 --> 00:40:42,541
Should we check the path?

1054
00:40:42,542 --> 00:40:43,551
Yes!

1055
00:40:43,552 --> 00:40:44,711
She's got JAYME.

1056
00:40:44,712 --> 00:40:46,752
I guess JAYME appears from the second floor.

1057
00:40:47,282 --> 00:40:50,251
If she's using the second floor, time will be very tight.

1058
00:40:50,252 --> 00:40:52,051
- She has to check the distance too. - Right.

1059
00:40:52,052 --> 00:40:53,921
It's quite a distance, so she should consider the timing.

1060
00:40:53,922 --> 00:40:55,092
It's very hard.

1061
00:40:56,162 --> 00:40:58,262
Let's dance to the music.

1062
00:40:58,362 --> 00:40:59,362
Okay.

1063
00:40:59,363 --> 00:41:01,801
She's watching from the judges' point of view.

1064
00:41:01,802 --> 00:41:03,101
She is aware of...

1065
00:41:03,102 --> 00:41:04,631
who she's showing it to.

1066
00:41:04,632 --> 00:41:05,831
That's what's great.

1067
00:41:05,832 --> 00:41:07,872
It seems she's got the habit of looking at the big picture.

1068
00:41:08,472 --> 00:41:10,111
- There goes JAYME. - Yes.

1069
00:41:10,112 --> 00:41:11,272
That must be the spot.

1070
00:41:11,612 --> 00:41:12,712
Let's see.

1071
00:41:14,182 --> 00:41:15,682
Goodness.

1072
00:41:15,982 --> 00:41:17,052
(Flustered)

1073
00:41:17,612 --> 00:41:19,822
- He missed the timing. - That's just too far.

1074
00:41:20,322 --> 00:41:22,351
JAYME, it's too tough to go to the second floor, isn't it?

1075
00:41:22,352 --> 00:41:23,722
- I didn't make it. - Right?

1076
00:41:24,392 --> 00:41:25,852
(After the dance break on the floor,)

1077
00:41:26,022 --> 00:41:27,962
(he had 13 seconds to travel.)

1078
00:41:28,862 --> 00:41:29,992
Gosh, too far!

1079
00:41:30,792 --> 00:41:32,132
(When is he coming?)

1080
00:41:32,262 --> 00:41:33,532
Goodness, this won't work!

1081
00:41:33,932 --> 00:41:35,132
This won't work!

1082
00:41:37,102 --> 00:41:39,472
It's hard to use the second floor.

1083
00:41:39,802 --> 00:41:42,272
You need to lose it if it's not going to work.

1084
00:41:42,602 --> 00:41:44,441
Instead of going to the back, can I go this way?

1085
00:41:44,442 --> 00:41:45,742
You can.

1086
00:41:47,742 --> 00:41:49,712
(He uses the front stairs instead.)

1087
00:41:50,082 --> 00:41:51,212
(Sprinting)

1088
00:41:51,352 --> 00:41:52,882
Please, please.

1089
00:41:52,922 --> 00:41:55,182
(In the dark, JAYME runs up the stairs.)

1090
00:41:56,022 --> 00:41:57,022
Let's see.

1091
00:41:57,023 --> 00:41:58,222
(Fully locked in)

1092
00:41:58,422 --> 00:41:59,622
This has to work out.

1093
00:42:00,722 --> 00:42:01,862
(He appears.)

1094
00:42:04,632 --> 00:42:05,931
He had enough time.

1095
00:42:05,932 --> 00:42:07,162
(After two tries, he got the timing perfectly.)

1096
00:42:07,432 --> 00:42:08,531
(Relieved)

1097
00:42:08,532 --> 00:42:09,532
Thank you.

1098
00:42:09,533 --> 00:42:11,671
What she did well was addressing the problems quickly.

1099
00:42:11,672 --> 00:42:13,601
- They rehearsed well. - They did.

1100
00:42:13,602 --> 00:42:15,402
It will improve the quality of the performance.

1101
00:42:15,502 --> 00:42:18,111
No matter what happens, we did our very best.

1102
00:42:18,112 --> 00:42:19,341
Let's show them that.

1103
00:42:19,342 --> 00:42:20,342
- Okay. - Okay.

1104
00:42:20,343 --> 00:42:22,811
- Let's go! - Let's go!

1105
00:42:22,812 --> 00:42:24,012
(Go, Team Renan!)

1106
00:42:25,682 --> 00:42:26,852
- Goodness. JAYME! - JAYME!

1107
00:42:27,282 --> 00:42:28,552
What is he going to do?

1108
00:42:28,622 --> 00:42:30,452
There are lots of moves JAYME can do.

1109
00:42:30,652 --> 00:42:32,422
She will need to come up with a good strategy.

1110
00:42:32,922 --> 00:42:34,821
The quality of the performance...

1111
00:42:34,822 --> 00:42:38,362
greatly depends on the director. I will show them that.

1112
00:42:38,992 --> 00:42:41,862
As a director, I can win no matter what.

1113
00:42:42,002 --> 00:42:44,172
- Today, everyone is... - Very serious.

1114
00:42:44,732 --> 00:42:48,202
All the time we spent working hard won't betray us.

1115
00:42:48,372 --> 00:42:49,412
Let's show them.

1116
00:42:49,842 --> 00:42:51,242
- Let's go! - Let's go!

1117
00:42:51,412 --> 00:42:54,482
I can already feel Renan's dark energy.

1118
00:42:55,142 --> 00:42:56,312
I'm curious about what Renan will show us.

1119
00:42:56,812 --> 00:42:57,982
Ready, fight.

1120
00:42:58,682 --> 00:43:00,482
Renan might just crush it.

1121
00:43:00,852 --> 00:43:02,181
(Dawn: From Dystopia to Utopia)

1122
00:43:02,182 --> 00:43:03,491
(Choreographer of the signature part of "Armageddon": Simeez)

1123
00:43:03,492 --> 00:43:04,822
(Choreographer of the signature part of "BANG BANG": Simeez)

1124
00:43:05,222 --> 00:43:06,592
The intro is strong.

1125
00:43:07,822 --> 00:43:09,292
It's the first pose of "Armageddon."

1126
00:43:12,592 --> 00:43:14,032
- It's strong. - What's this?

1127
00:43:15,362 --> 00:43:16,372
What?

1128
00:43:17,172 --> 00:43:18,202
That's crazy.

1129
00:43:19,232 --> 00:43:20,872
They're walking on their knees. It's crazy.

1130
00:43:23,612 --> 00:43:24,672
That's...

1131
00:43:25,612 --> 00:43:26,612
Wow.

1132
00:43:28,742 --> 00:43:29,852
That's mad.

1133
00:43:30,382 --> 00:43:32,412
The intro is really tight. It keeps you locked in.

1134
00:43:32,552 --> 00:43:33,621
(Getting...)

1135
00:43:33,622 --> 00:43:34,752
(absorbed)

1136
00:43:35,782 --> 00:43:37,852
- I'm so excited. - Let's go.

1137
00:43:39,792 --> 00:43:41,062
It's straight up "Salmokji: Whispering Water."

1138
00:43:44,192 --> 00:43:45,531
They are like a warrior tribe.

1139
00:43:45,532 --> 00:43:46,532
(Gosh!)

1140
00:43:48,402 --> 00:43:50,402
She chose that dancer in the center cleverly.

1141
00:43:51,402 --> 00:43:52,402
(Amazing)

1142
00:43:53,102 --> 00:43:54,942
- Overall, it's well-designed. - Right.

1143
00:43:57,412 --> 00:43:59,012
I love its composition.

1144
00:44:00,212 --> 00:44:01,241
There she goes.

1145
00:44:01,242 --> 00:44:05,712
(Simeez's signature choreography part in "Armageddon")

1146
00:44:07,182 --> 00:44:09,122
I didn't feel nervous.

1147
00:44:09,352 --> 00:44:10,651
(Simeez's signature choreography part in "Armageddon")

1148
00:44:10,652 --> 00:44:11,692
There she goes.

1149
00:44:12,792 --> 00:44:15,022
Renan has more impact than I expected.

1150
00:44:16,192 --> 00:44:17,462
She's determined.

1151
00:44:18,462 --> 00:44:19,902
It seems like she really didn't want to lose.

1152
00:44:24,102 --> 00:44:25,202
(Shocked)

1153
00:44:25,572 --> 00:44:27,402
I thought it was slow motion.

1154
00:44:31,042 --> 00:44:32,842
This slow-motion action is incredible.

1155
00:44:35,612 --> 00:44:37,882
And the formations are really well designed for a mega crew.

1156
00:44:41,782 --> 00:44:42,921
(Amazing)

1157
00:44:42,922 --> 00:44:43,922
It's crazy.

1158
00:44:55,732 --> 00:44:57,572
Didn't she do a good job here?

1159
00:44:59,232 --> 00:45:00,602
She made great use of space and levels.

1160
00:45:00,902 --> 00:45:03,142
I haven't seen a true mega crew stage like this for a while.

1161
00:45:05,142 --> 00:45:07,212
(Their jaws drop.)

1162
00:45:09,682 --> 00:45:11,611
- There he is. - He's here.

1163
00:45:11,612 --> 00:45:12,682
It's crazy.

1164
00:45:14,322 --> 00:45:15,352
JAYME!

1165
00:45:15,782 --> 00:45:17,422
Go!

1166
00:45:18,752 --> 00:45:22,192
- Yes, JAYME! - Let's go!

1167
00:45:22,862 --> 00:45:23,862
(Cheering)

1168
00:45:24,332 --> 00:45:27,832
(Simeez's signature choreography part in "BANG BANG")

1169
00:45:28,032 --> 00:45:30,272
She gave JAYME all the signature moves.

1170
00:45:30,472 --> 00:45:32,031
All the energy gets drawn to the center.

1171
00:45:32,032 --> 00:45:33,471
That's why he stands out.

1172
00:45:33,472 --> 00:45:35,342
She utilized the dancer well.

1173
00:45:36,372 --> 00:45:37,972
JAYME is ridiculously good.

1174
00:45:39,782 --> 00:45:41,842
What?

1175
00:45:45,452 --> 00:45:46,782
That's straight up "BANG BANG."

1176
00:45:47,222 --> 00:45:48,922
They’ve got all the heavy hitters in one place.

1177
00:45:49,152 --> 00:45:50,222
She really took it up a notch.

1178
00:45:51,822 --> 00:45:53,321
JAYME is too good.

1179
00:45:53,322 --> 00:45:54,921
JAYME!

1180
00:45:54,922 --> 00:45:56,531
Let's go!

1181
00:45:56,532 --> 00:45:57,662
Let's go, BIGGY!

1182
00:46:02,732 --> 00:46:03,732
Goodness.

1183
00:46:08,572 --> 00:46:10,242
Why is she so cool?

1184
00:46:13,082 --> 00:46:14,111
(What's this?)

1185
00:46:14,112 --> 00:46:15,511
When did JAYME get up there?

1186
00:46:15,512 --> 00:46:16,782
Did he take the elevator?

1187
00:46:17,082 --> 00:46:18,082
What?

1188
00:46:18,083 --> 00:46:19,412
His character is insane.

1189
00:46:24,522 --> 00:46:25,722
I think she was clever to change it.

1190
00:46:25,922 --> 00:46:27,022
It's well-developed.

1191
00:46:27,092 --> 00:46:28,992
It got much cooler than before.

1192
00:46:29,362 --> 00:46:30,432
I got nervous.

1193
00:46:32,662 --> 00:46:34,062
Let's go, JAYME!

1194
00:46:35,432 --> 00:46:36,432
(Surprised)

1195
00:46:36,572 --> 00:46:37,632
They went all in on sheer presence.

1196
00:46:39,332 --> 00:46:40,542
It's insane.

1197
00:46:40,902 --> 00:46:42,042
Renan is good.

1198
00:46:43,942 --> 00:46:45,172
Amazing!

1199
00:46:49,042 --> 00:46:50,282
Amazing!

1200
00:46:50,952 --> 00:46:52,081
She might win.

1201
00:46:52,082 --> 00:46:53,221
(Team Renan Dancers)

1202
00:46:53,222 --> 00:46:54,321
(BIGGY, JAYME, Emily, Pitu,)

1203
00:46:54,322 --> 00:46:55,452
(Maria, Ryuki, Sera and more)

1204
00:46:55,722 --> 00:46:56,722
That was crazy.

1205
00:46:57,122 --> 00:46:59,792
The knee-walking was mad.

1206
00:46:59,862 --> 00:47:01,221
(Ta-ta-ta-ta-ta-ta)

1207
00:47:01,222 --> 00:47:02,391
Choosing JAYME was clever.

1208
00:47:02,392 --> 00:47:04,331
It was completely different from the rehearsal.

1209
00:47:04,332 --> 00:47:05,332
It's ridiculous.

1210
00:47:05,333 --> 00:47:06,901
- Its quality is very different. - Yes.

1211
00:47:06,902 --> 00:47:07,962
Very different. Yes.

1212
00:47:08,232 --> 00:47:09,362
That felt cathartic.

1213
00:47:09,732 --> 00:47:11,031
The great response made...

1214
00:47:11,032 --> 00:47:13,702
all that work of redesigning "BANG BANG" worth it.

1215
00:47:14,042 --> 00:47:15,372
She had made a lot of changes.

1216
00:47:15,602 --> 00:47:17,742
I came in fully prepared too.

1217
00:47:17,872 --> 00:47:19,242
I will pull it off perfectly.

1218
00:47:20,112 --> 00:47:22,242
Bring the platform. Where is the platform?

1219
00:47:22,782 --> 00:47:24,511
- Where's the platform? - The platform is here.

1220
00:47:24,512 --> 00:47:26,282
Let's bring the platform first.

1221
00:47:26,522 --> 00:47:30,121
My work involves a big object.

1222
00:47:30,122 --> 00:47:31,252
(Surprised)

1223
00:47:31,352 --> 00:47:32,521
She got ambitious.

1224
00:47:32,522 --> 00:47:34,291
When you use something like that, it gets predictable.

1225
00:47:34,292 --> 00:47:36,062
I'm curious to see how she will use it.

1226
00:47:36,162 --> 00:47:37,792
They're very good at creating the looks.

1227
00:47:38,032 --> 00:47:39,591
They care greatly about the looks.

1228
00:47:39,592 --> 00:47:41,101
- It will give them a good position. - If...

1229
00:47:41,102 --> 00:47:44,232
they express it through the style, it might be better.

1230
00:47:44,502 --> 00:47:46,571
We tried to keep the stylishness of "Avatar."

1231
00:47:46,572 --> 00:47:48,071
To match the character Varang.

1232
00:47:48,072 --> 00:47:50,342
You can color it in a straight line like this.

1233
00:47:50,412 --> 00:47:52,741
Like I said earlier, you need to draw a cross...

1234
00:47:52,742 --> 00:47:53,911
on the neck with red paint.

1235
00:47:53,912 --> 00:47:55,141
Do we paint our necks too?

1236
00:47:55,142 --> 00:47:56,481
- It would be nice if you do. - Okay.

1237
00:47:56,482 --> 00:47:58,212
We will go with blue then.

1238
00:47:58,452 --> 00:48:00,581
The dancers who belong to the water tribe are wearing blue.

1239
00:48:00,582 --> 00:48:02,481
All the other dancers...

1240
00:48:02,482 --> 00:48:04,452
will paint their bodies in red.

1241
00:48:04,492 --> 00:48:05,921
The last touch...

1242
00:48:05,922 --> 00:48:07,722
really changes the quality of the performance.

1243
00:48:07,892 --> 00:48:09,061
We have to win.

1244
00:48:09,062 --> 00:48:10,832
Losing isn't an option for me.

1245
00:48:11,532 --> 00:48:13,302
- What's that? - What's that?

1246
00:48:14,362 --> 00:48:15,802
That's incredible.

1247
00:48:16,372 --> 00:48:18,431
Even if you use a prop,

1248
00:48:18,432 --> 00:48:20,542
you need to use it well.

1249
00:48:20,702 --> 00:48:23,142
But do they really need it? There's risk.

1250
00:48:23,372 --> 00:48:24,912
It will shock you.

1251
00:48:25,142 --> 00:48:27,182
I guess they were surprised by how much we prepared.

1252
00:48:27,382 --> 00:48:28,542
I am confident.

1253
00:48:28,982 --> 00:48:30,012
I'm excited.

1254
00:48:30,212 --> 00:48:32,051
If they utilize the object well,

1255
00:48:32,052 --> 00:48:33,722
they will produce a grand scene.

1256
00:48:34,122 --> 00:48:35,882
They need to do better than they did yesterday.

1257
00:48:36,492 --> 00:48:37,721
What do you think will happen?

1258
00:48:37,722 --> 00:48:39,722
It depends on how Simeez does it.

1259
00:48:39,922 --> 00:48:41,792
I'm so curious. I hope they are strong too.

1260
00:48:42,362 --> 00:48:44,632
I wanted to show everyone everything we prepared.

1261
00:48:45,062 --> 00:48:47,562
Simeez will take the Director Credit.

1262
00:48:48,002 --> 00:48:49,331
It won't happen.

1263
00:48:49,332 --> 00:48:51,272
I need to win the Director Credit.

1264
00:48:51,702 --> 00:48:53,672
Ready, fight.

1265
00:48:53,702 --> 00:48:54,941
(The Armageddon War)

1266
00:48:54,942 --> 00:48:56,141
(Choreographer of the signature part of "Armageddon": Simeez)

1267
00:48:56,142 --> 00:48:57,371
(Choreographer of the signature part of "BANG BANG": Simeez)

1268
00:48:57,372 --> 00:48:58,671
(Inspired by "Avatar: Fire and Ash")

1269
00:48:58,672 --> 00:49:00,212
(Performance by Team Simeez)

1270
00:49:03,712 --> 00:49:05,752
- Wow, holy. - Oh, gosh. What is it?

1271
00:49:09,482 --> 00:49:11,952
(Crazy intro)

1272
00:49:14,262 --> 00:49:15,321
That's crazy.

1273
00:49:15,322 --> 00:49:16,361
She's amazing.

1274
00:49:16,362 --> 00:49:17,662
Simeez, you are truly great.

1275
00:49:21,702 --> 00:49:24,432
- It's the first scene of "Avatar." - Right.

1276
00:49:24,532 --> 00:49:26,201
She went all in.

1277
00:49:26,202 --> 00:49:29,402
It was so shocking that I was a little worried.

1278
00:49:34,282 --> 00:49:35,842
It's as if she came out of the movie.

1279
00:49:40,922 --> 00:49:42,452
I got goosebumps.

1280
00:49:46,122 --> 00:49:47,461
I want our stage...

1281
00:49:47,462 --> 00:49:48,791
to leave a lasting impression.

1282
00:49:48,792 --> 00:49:51,232
(Simeez's signature choreography part in "Armageddon")

1283
00:49:52,462 --> 00:49:53,462
Nice.

1284
00:49:53,463 --> 00:49:54,561
They're scary.

1285
00:49:54,562 --> 00:49:55,662
This is a legendary performance.

1286
00:50:01,572 --> 00:50:03,312
It's the sword dance.

1287
00:50:09,882 --> 00:50:11,582
Just look at that.

1288
00:50:16,282 --> 00:50:18,622
Seriously, what can't she do?

1289
00:50:24,462 --> 00:50:26,291
Gosh.

1290
00:50:26,292 --> 00:50:27,301
Goodness.

1291
00:50:27,302 --> 00:50:29,262
Renan must be very frustrated.

1292
00:50:30,032 --> 00:50:31,671
I feel like she's going to beat us to death.

1293
00:50:31,672 --> 00:50:33,542
(Loving it)

1294
00:50:36,402 --> 00:50:37,542
They copied our shouting.

1295
00:50:52,722 --> 00:50:54,221
Must be the water tribe.

1296
00:50:54,222 --> 00:50:55,422
Rivalry?

1297
00:50:55,862 --> 00:50:57,061
It's Rian!

1298
00:50:57,062 --> 00:50:58,531
She's here.

1299
00:50:58,532 --> 00:50:59,662
Waackxxxy and Spella?

1300
00:51:01,302 --> 00:51:02,302
Let's go.

1301
00:51:02,303 --> 00:51:03,331
(Simeez's signature choreography part in "Bang Bang")

1302
00:51:03,332 --> 00:51:05,002
Waackxxxy!

1303
00:51:06,232 --> 00:51:08,402
No wonder the energy was exploding.

1304
00:51:09,372 --> 00:51:10,372
Let's go!

1305
00:51:12,542 --> 00:51:14,042
Oh, my goodness.

1306
00:51:17,882 --> 00:51:18,882
(100 percent absorbed)

1307
00:51:27,692 --> 00:51:28,992
She's a genius.

1308
00:51:30,162 --> 00:51:32,062
- Punch Bunny! - Punch Bunny!

1309
00:51:33,632 --> 00:51:34,632
Oh?

1310
00:51:34,633 --> 00:51:36,131
She appeared for a second.

1311
00:51:36,132 --> 00:51:38,572
I would've utilized her a little more.

1312
00:51:40,472 --> 00:51:41,542
Crazy.

1313
00:51:44,612 --> 00:51:46,541
Her movement is sensual,

1314
00:51:46,542 --> 00:51:47,781
so there are a lot of really captivating moves.

1315
00:51:47,782 --> 00:51:49,212
(In love with Simeez)

1316
00:51:57,192 --> 00:51:58,952
She's the exact opposite of me.

1317
00:52:05,862 --> 00:52:07,362
- Yes! - Yes!

1318
00:52:10,502 --> 00:52:11,631
She's really good at these things.

1319
00:52:11,632 --> 00:52:12,801
Let's go, Simeez!

1320
00:52:12,802 --> 00:52:14,602
I can feel the aura from Simeez.

1321
00:52:19,912 --> 00:52:21,742
- Goodness. - She's good at hitting the beats.

1322
00:52:37,692 --> 00:52:38,931
It was just like "Avatar."

1323
00:52:38,932 --> 00:52:40,032
Well done!

1324
00:52:40,362 --> 00:52:41,502
They killed it!

1325
00:52:41,732 --> 00:52:43,061
She's crazy.

1326
00:52:43,062 --> 00:52:44,172
(Watch the comparison video on "The CHOOM" and "Mnet Plus.")

1327
00:52:44,602 --> 00:52:45,631
We did really well.

1328
00:52:45,632 --> 00:52:46,741
We had good teamwork.

1329
00:52:46,742 --> 00:52:48,371
It was flashy,

1330
00:52:48,372 --> 00:52:51,241
but I feel like it lacked dance moves.

1331
00:52:51,242 --> 00:52:53,711
Is it already over?

1332
00:52:53,712 --> 00:52:55,011
It was a show.

1333
00:52:55,012 --> 00:52:56,952
They had lots of highlights too.

1334
00:52:57,252 --> 00:52:58,351
As for me, it made me...

1335
00:52:58,352 --> 00:53:01,081
realize once again how passionate...

1336
00:53:01,082 --> 00:53:02,221
Simeez really is.

1337
00:53:02,222 --> 00:53:03,451
It's knee-walking versus...

1338
00:53:03,452 --> 00:53:05,752
mirror standing.

1339
00:53:06,452 --> 00:53:07,462
Yo.

1340
00:53:07,862 --> 00:53:09,991
- That was difficult for me. - It's so difficult.

1341
00:53:09,992 --> 00:53:11,861
- Yes, that was difficult. - Different styles.

1342
00:53:11,862 --> 00:53:14,331
I thought they would be surprised to see our performance.

1343
00:53:14,332 --> 00:53:16,001
I thought my performance had the power to win them over.

1344
00:53:16,002 --> 00:53:17,171
We did everything we could,

1345
00:53:17,172 --> 00:53:18,801
and we gave it our best.

1346
00:53:18,802 --> 00:53:20,902
What would the judges think?

1347
00:53:21,142 --> 00:53:22,742
(What would the judges say about the two choreographers?)

1348
00:53:22,902 --> 00:53:25,612
You two ladies, this is going to be a difficult one.

1349
00:53:25,772 --> 00:53:27,811
Simeez, what was good in your show...

1350
00:53:27,812 --> 00:53:30,181
was weak in Renan's show.

1351
00:53:30,182 --> 00:53:32,981
And what was good in your show was weak in her show.

1352
00:53:32,982 --> 00:53:36,151
That makes it complicated, and that makes it fun at the same time.

1353
00:53:36,152 --> 00:53:39,291
So it just depends on what we're going to put value in today.

1354
00:53:39,292 --> 00:53:40,522
(Agreeing)

1355
00:53:40,692 --> 00:53:42,492
(What's the judges' choice?)

1356
00:53:42,622 --> 00:53:44,391
I think Renan's show was just better...

1357
00:53:44,392 --> 00:53:46,161
and there was a more mature offering of movement.

1358
00:53:46,162 --> 00:53:48,762
I think there was more uniqueness. I think it started off strong.

1359
00:53:49,002 --> 00:53:51,432
(Renan's intro captured attention from the start.)

1360
00:53:51,532 --> 00:53:53,471
As each phrase built, the way they unleashed...

1361
00:53:53,472 --> 00:53:55,771
more and more energy...

1362
00:53:55,772 --> 00:53:57,412
looked incredible.

1363
00:53:57,912 --> 00:54:01,481
They created such a powerful stage picture...

1364
00:54:01,482 --> 00:54:04,352
that it made me want to be up there with them.

1365
00:54:04,912 --> 00:54:07,981
It made me realize that the energy I wanted to convey...

1366
00:54:07,982 --> 00:54:09,081
really came across.

1367
00:54:09,082 --> 00:54:12,122
Here's my impression of Simeez's performance.

1368
00:54:13,092 --> 00:54:16,561
I thought the intro was impactful enough...

1369
00:54:16,562 --> 00:54:19,862
to make me think of a Las Vegas show.

1370
00:54:22,032 --> 00:54:24,431
She drew inspiration from the Avatar characters,

1371
00:54:24,432 --> 00:54:26,771
introducing the Fire Tribe and the Water Tribe...

1372
00:54:26,772 --> 00:54:28,901
and setting up a clear conflict between them.

1373
00:54:28,902 --> 00:54:31,972
I thought it was a very intuitive and effective way to stage it.

1374
00:54:35,912 --> 00:54:37,111
How did she think of pulling off a concept like this...

1375
00:54:37,112 --> 00:54:38,881
in such a short given time?

1376
00:54:38,882 --> 00:54:41,622
She's got some serious guts.

1377
00:54:41,922 --> 00:54:45,151
She chose the lift a female dancer would usually avoid.

1378
00:54:45,152 --> 00:54:48,092
She chose an object that's too big to handle.

1379
00:54:48,122 --> 00:54:50,361
I think she constantly wants to break something.

1380
00:54:50,362 --> 00:54:52,531
Seeing her creating what she wants to do...

1381
00:54:52,532 --> 00:54:53,761
and continuing to challenge herself,

1382
00:54:53,762 --> 00:54:55,931
I admire her.

1383
00:54:55,932 --> 00:54:58,832
I believe it's the virtue a choreographer must possess.

1384
00:54:59,732 --> 00:55:02,441
I was very grateful to her for recognizing the challenge I took on.

1385
00:55:02,442 --> 00:55:04,041
It made me realize that my decision was right.

1386
00:55:04,042 --> 00:55:05,211
Ten years from now,

1387
00:55:05,212 --> 00:55:08,081
if you ask me to describe your show,

1388
00:55:08,082 --> 00:55:10,181
I will be able to describe your show easily.

1389
00:55:10,182 --> 00:55:14,082
I also gave a lot of points in props which were memorable.

1390
00:55:14,522 --> 00:55:17,551
The judges praised Simeez's performance.

1391
00:55:17,552 --> 00:55:20,292
I wasn't sure what was going to happen.

1392
00:55:21,062 --> 00:55:23,191
I think it boils down to the difference in energy.

1393
00:55:23,192 --> 00:55:24,331
- Difference in energy. - Yes.

1394
00:55:24,332 --> 00:55:25,332
Who do you think will win?

1395
00:55:25,333 --> 00:55:26,362
Raise your hand if it's Simeez.

1396
00:55:26,832 --> 00:55:28,002
Raise your hand if it's Renan.

1397
00:55:28,962 --> 00:55:30,502
It's hard to tell.

1398
00:55:32,202 --> 00:55:33,901
Here's what I don't understand.

1399
00:55:33,902 --> 00:55:35,801
There was still room for improvement.

1400
00:55:35,802 --> 00:55:37,141
Yes, she's a dancer with quality.

1401
00:55:37,142 --> 00:55:39,211
But she was abandoned after just one use.

1402
00:55:39,212 --> 00:55:40,581
I believe it's the director's role...

1403
00:55:40,582 --> 00:55:42,381
- to lead the team stably. - Yes.

1404
00:55:42,382 --> 00:55:44,911
But when we consider the result,

1405
00:55:44,912 --> 00:55:47,551
it would've been better if her show had had something...

1406
00:55:47,552 --> 00:55:49,122
that was strong enough to overwhelm us.

1407
00:55:49,352 --> 00:55:51,521
It would've been good if she had been bold enough...

1408
00:55:51,522 --> 00:55:53,321
to take the risk of taking a different path.

1409
00:55:53,322 --> 00:55:55,392
Actually, that's what's fun.

1410
00:55:55,492 --> 00:55:57,691
I feel like it's a little cheesy.

1411
00:55:57,692 --> 00:56:00,031
I just don't think she did it well enough.

1412
00:56:00,032 --> 00:56:01,362
- Right. - Right.

1413
00:56:01,902 --> 00:56:05,002
Why is the meeting getting longer?

1414
00:56:05,102 --> 00:56:07,642
I have to win here.

1415
00:56:07,702 --> 00:56:12,042
It would be devastating if I can't perform...

1416
00:56:12,842 --> 00:56:14,682
in front of an audience.

1417
00:56:14,912 --> 00:56:17,351
They put their trust in me and followed my lead.

1418
00:56:17,352 --> 00:56:20,622
I was worried that my conviction might have been wrong.

1419
00:56:21,552 --> 00:56:23,622
1-on-1 Signature 400 Mission.

1420
00:56:23,792 --> 00:56:26,861
Who will be able to showcase her work to the audience...

1421
00:56:26,862 --> 00:56:30,432
and put her name on the Credit Board?

1422
00:56:30,592 --> 00:56:32,061
(Hands held tightly together)

1423
00:56:32,062 --> 00:56:33,732
(It has to be us.)

1424
00:56:34,632 --> 00:56:37,972
The choreographer whose name will go on the Credit Board is...

1425
00:56:38,472 --> 00:56:41,041
Renan showcased a variety of things.

1426
00:56:41,042 --> 00:56:42,042
Renan did such a good job.

1427
00:56:42,043 --> 00:56:45,312
In terms of development and flow, Simeez did better.

1428
00:56:45,442 --> 00:56:46,612
It's...

1429
00:56:46,672 --> 00:56:48,481
I have to win.

1430
00:56:48,482 --> 00:56:50,412
It has to be my name.

1431
00:56:50,782 --> 00:56:52,051
The director?

1432
00:56:52,052 --> 00:56:53,452
It has to be Simeez.

1433
00:56:54,452 --> 00:56:55,452
It's...

1434
00:56:55,453 --> 00:56:58,092
(To be continued)

1435
00:56:58,552 --> 00:57:00,761
1-on-1 Signature 400 Mission.

1436
00:57:00,762 --> 00:57:03,831
Who will be able to showcase her work to the audience...

1437
00:57:03,832 --> 00:57:07,302
and put her name on the Credit Board?

1438
00:57:07,562 --> 00:57:09,001
(Hands held tightly together)

1439
00:57:09,002 --> 00:57:10,672
(It has to be us.)

1440
00:57:11,432 --> 00:57:12,502
It's...

1441
00:57:12,702 --> 00:57:14,501
I have to win.

1442
00:57:14,502 --> 00:57:16,542
It has to be my name.

1443
00:57:16,802 --> 00:57:18,071
The director?

1444
00:57:18,072 --> 00:57:19,372
It has to be Simeez.

1445
00:57:20,482 --> 00:57:21,512
It's...

1446
00:57:25,612 --> 00:57:26,852
(Renan wins.)

1447
00:57:28,182 --> 00:57:29,821
It's Renan.

1448
00:57:29,822 --> 00:57:33,452
(Renan put her name on the Director Credit.)

1449
00:57:40,062 --> 00:57:41,201
(Walking on his knees)

1450
00:57:41,202 --> 00:57:42,832
(The result shocks everyone.)

1451
00:57:43,032 --> 00:57:45,271
My name, "Renan" was on the screen.

1452
00:57:45,272 --> 00:57:46,631
I thought I was dreaming.

1453
00:57:46,632 --> 00:57:50,371
I was thrilled beyond words.

1454
00:57:50,372 --> 00:57:51,411
I was so happy.

1455
00:57:51,412 --> 00:57:53,272
(Feeling sorry)

1456
00:57:53,472 --> 00:57:58,682
(Team Renan's dancers enjoy the victory with her.)

1457
00:57:59,512 --> 00:58:00,822
Thank you.

1458
00:58:02,152 --> 00:58:04,151
In terms of utilizing dancers,

1459
00:58:04,152 --> 00:58:06,451
Renan's choice...

1460
00:58:06,452 --> 00:58:08,062
hit home for me.

1461
00:58:08,322 --> 00:58:11,161
I agree with what she said about the dancer utilization.

1462
00:58:11,162 --> 00:58:13,861
The way that she should've debut Waackxxxy...

1463
00:58:13,862 --> 00:58:15,101
It should've been a blowup.

1464
00:58:15,102 --> 00:58:16,102
- That's right. - Yes.

1465
00:58:16,103 --> 00:58:18,331
But she kind of just walks forward, and she's not in the center.

1466
00:58:18,332 --> 00:58:19,601
And you're like, is there...

1467
00:58:19,602 --> 00:58:21,201
I agree wholeheartedly.

1468
00:58:21,202 --> 00:58:23,771
JAYME? Seeing him up there, the way that he...

1469
00:58:23,772 --> 00:58:26,011
The way he walks in front, I'm like,

1470
00:58:26,012 --> 00:58:28,241
that's a blowup. That's a powerful way to have...

1471
00:58:28,242 --> 00:58:30,081
It's not even just dancer utilization.

1472
00:58:30,082 --> 00:58:32,151
It's the setup, the formation, the transition.

1473
00:58:32,152 --> 00:58:33,851
(She agrees.)

1474
00:58:33,852 --> 00:58:36,422
The charm of JAYME...

1475
00:58:36,582 --> 00:58:38,292
was expressed very well.

1476
00:58:38,492 --> 00:58:41,021
I really liked how you used the second floor.

1477
00:58:41,022 --> 00:58:43,762
I was deeply moved by that.

1478
00:58:44,132 --> 00:58:46,892
It was worth redoing the whole "BANG BANG" part.

1479
00:58:47,662 --> 00:58:48,832
Choreographer Renan.

1480
00:58:49,062 --> 00:58:51,571
You became the director of the first mission,

1481
00:58:51,572 --> 00:58:54,342
and you'll be able to showcase your performance to the audience.

1482
00:58:54,802 --> 00:58:57,741
Last night, I prayed for a miracle...

1483
00:58:57,742 --> 00:58:59,272
before I went to bed.

1484
00:58:59,712 --> 00:59:02,341
I changed the choreography over and over again,

1485
00:59:02,342 --> 00:59:05,111
and it gave me the chance to grow.

1486
00:59:05,112 --> 00:59:09,452
I'd like to thank everyone who gave me such a good opportunity.

1487
00:59:09,782 --> 00:59:10,822
Thank you.

1488
00:59:11,192 --> 00:59:14,691
(You're so cool, Director Renan!)

1489
00:59:14,692 --> 00:59:18,132
Actually, losing wasn't an option, so I'm...

1490
00:59:19,492 --> 00:59:21,232
- You did well. - Yes.

1491
00:59:21,362 --> 00:59:22,761
(You're the best, Simeez.)

1492
00:59:22,762 --> 00:59:26,302
I'm just glad I was able to work with all of them.

1493
00:59:26,772 --> 00:59:28,672
Thank you so much.

1494
00:59:28,802 --> 00:59:30,712
I love you!

1495
00:59:32,772 --> 00:59:35,682
I did take over the signature choreography,

1496
00:59:35,842 --> 00:59:37,711
and I didn't expect to lose.

1497
00:59:37,712 --> 00:59:41,622
I'm sad that my name didn't go up on the Credit Board as the director.

1498
00:59:41,782 --> 00:59:43,681
- Captain! - Good job.

1499
00:59:43,682 --> 00:59:45,952
- You're cool. - You're cool.

1500
00:59:46,692 --> 00:59:48,192
Good job.

1501
00:59:48,762 --> 00:59:50,761
The only choreographer...

1502
00:59:50,762 --> 00:59:53,132
who successfully left her name on this stage...

1503
00:59:53,332 --> 00:59:55,732
was Renan.

1504
00:59:55,932 --> 00:59:58,102
Renan, please prepare your performance.

1505
00:59:58,202 --> 01:00:00,442
- Thank you. - You worked hard.

1506
01:00:00,842 --> 01:00:01,872
Thank you.

1507
01:00:03,502 --> 01:00:04,941
(The battle between the two heated rivals...)

1508
01:00:04,942 --> 01:00:06,712
(ends with Renan's victory.)

1509
01:00:06,942 --> 01:00:08,512
- Good job. - Good job.

1510
01:00:08,842 --> 01:00:10,412
Good job.

1511
01:00:10,712 --> 01:00:11,712
Good job.

1512
01:00:12,412 --> 01:00:14,852
- You did so well. - You're the best.

1513
01:00:15,582 --> 01:00:17,121
Don't cry. You did so well.

1514
01:00:17,122 --> 01:00:19,121
- My gosh. - You were so cool.

1515
01:00:19,122 --> 01:00:22,692
I must've made too many risky moves.

1516
01:00:22,862 --> 01:00:24,191
No, you didn't.

1517
01:00:24,192 --> 01:00:25,962
It's just a matter of preference.

1518
01:00:26,092 --> 01:00:27,902
I wanted to make something that would bridge the gap.

1519
01:00:28,032 --> 01:00:29,232
- You did well. - That's not true.

1520
01:00:29,402 --> 01:00:31,771
You'd feel very upset.

1521
01:00:31,772 --> 01:00:33,731
No. We were cool.

1522
01:00:33,732 --> 01:00:35,342
I'm so sorry.

1523
01:00:35,572 --> 01:00:37,972
I said we wouldn't lose.

1524
01:00:39,542 --> 01:00:42,011
I thought we wouldn't lose.

1525
01:00:42,012 --> 01:00:43,951
(She's sorry she didn't win them the victory as promised.)

1526
01:00:43,952 --> 01:00:45,282
- I'm sorry. - No, we're okay.

1527
01:00:45,482 --> 01:00:48,882
It got me thinking that I was doing something wrong.

1528
01:00:49,422 --> 01:00:52,022
I felt bad for the dancers.

1529
01:00:56,322 --> 01:00:57,861
Simeez the best director.

1530
01:00:57,862 --> 01:00:59,131
Thank you so much.

1531
01:00:59,132 --> 01:01:00,762
Seriously, thank you so much.

1532
01:01:01,302 --> 01:01:03,731
They were comforting me.

1533
01:01:03,732 --> 01:01:05,101
It was so touching.

1534
01:01:05,102 --> 01:01:07,242
(It was so touching.)

1535
01:01:07,342 --> 01:01:08,471
(If I lose, I'll die.)

1536
01:01:08,472 --> 01:01:09,472
(The conflict with the dancers arise.)

1537
01:01:09,472 --> 01:01:10,472
(You're being annoying.)

1538
01:01:10,472 --> 01:01:11,472
(I've said this 10 times.)

1539
01:01:11,473 --> 01:01:13,311
(Everyone is running the same way except you.)

1540
01:01:13,312 --> 01:01:15,441
(We need to practice the group dance more.)

1541
01:01:15,442 --> 01:01:16,442
(We have a time limit.)

1542
01:01:16,443 --> 01:01:17,851
(Was my team very inefficient?)

1543
01:01:17,852 --> 01:01:18,981
(Why won't you say this...)

1544
01:01:18,982 --> 01:01:20,211
(when I ask if there's any problem?)

1545
01:01:20,212 --> 01:01:21,551
(I told you to check things like this.)

1546
01:01:21,552 --> 01:01:22,552
(Am I...)

1547
01:01:22,552 --> 01:01:23,552
(too overbearing?)

1548
01:01:24,692 --> 01:01:26,121
(I don't know if they have that big impact.)

1549
01:01:26,122 --> 01:01:27,221
(If I lose, with the kind of personality I have,)

1550
01:01:27,222 --> 01:01:28,822
(I can't leave.)

1551
01:01:28,992 --> 01:01:34,902
(Which 5 performances will they get to showcase to the audience?)

1552
01:01:35,162 --> 01:01:36,162
(1st day of practice)

1553
01:01:36,163 --> 01:01:37,302
You're doing well.

1554
01:01:37,602 --> 01:01:38,871
(Team BADA is practicing.)

1555
01:01:38,872 --> 01:01:40,501
(And so is Team INGYOO.)

1556
01:01:40,502 --> 01:01:43,002
(All the teams are busy practicing.)

1557
01:01:43,172 --> 01:01:45,772
One, two, three, four,

1558
01:01:46,212 --> 01:01:48,782
five, six, seven, eight.

1559
01:01:48,812 --> 01:01:49,842
Lift it up.

1560
01:01:50,482 --> 01:01:51,881
What is happening?

1561
01:01:51,882 --> 01:01:53,921
I'm screwed. Did I join the wrong team?

1562
01:01:53,922 --> 01:01:55,422
We don't have much time.

1563
01:01:55,982 --> 01:01:58,022
I got all the performances as I'd planned.

1564
01:01:58,192 --> 01:02:00,221
(This is his planned performance?)

1565
01:02:00,222 --> 01:02:01,791
Because in my performance,

1566
01:02:01,792 --> 01:02:03,622
I'm the main character.

1567
01:02:03,792 --> 01:02:06,262
(Back Koo Young's concept sheet is full of "I.")

1568
01:02:06,732 --> 01:02:09,302
I'm making full use of myself.

1569
01:02:09,962 --> 01:02:12,571
You need the main character to lead the story,

1570
01:02:12,572 --> 01:02:15,402
and I'm confident as a dancer too.

1571
01:02:16,102 --> 01:02:19,511
I need to do a perfect performance in just six days.

1572
01:02:19,512 --> 01:02:21,981
Can I make 40 Back Koo Youngs? No.

1573
01:02:21,982 --> 01:02:25,011
In a large-group performance, instead of their unique characters,

1574
01:02:25,012 --> 01:02:27,111
it's important to make the overall picture look nice...

1575
01:02:27,112 --> 01:02:29,182
by working together.

1576
01:02:29,452 --> 01:02:32,122
So rather than giving characters to the dancers,

1577
01:02:32,222 --> 01:02:35,061
I decided to use them as an element of the whole picture.

1578
01:02:35,062 --> 01:02:36,862
The keyword is...

1579
01:02:37,122 --> 01:02:38,531
"Back Koo Young's inside."

1580
01:02:38,532 --> 01:02:39,832
(Back Koo Young's inside?)

1581
01:02:39,962 --> 01:02:42,301
You are my cells.

1582
01:02:42,302 --> 01:02:43,362
(I am Back Koo Young's cell?)

1583
01:02:43,462 --> 01:02:45,431
- Some will swim, - Two, three, four.

1584
01:02:45,432 --> 01:02:47,541
some will lift others,

1585
01:02:47,542 --> 01:02:49,501
and some will do the scorpion pose.

1586
01:02:49,502 --> 01:02:51,511
I had it planned long ago.

1587
01:02:51,512 --> 01:02:55,411
That's why I let Kasper choose first.

1588
01:02:55,412 --> 01:02:57,751
About him taking those five dancers,

1589
01:02:57,752 --> 01:02:59,682
it didn't mean much to me.

1590
01:03:00,012 --> 01:03:02,752
As long as my dancers have a strong foundation,

1591
01:03:02,852 --> 01:03:04,022
I'll have no issue with directing them.

1592
01:03:04,092 --> 01:03:05,251
(During the casting session,)

1593
01:03:05,252 --> 01:03:06,922
(Back Koo Young tested them on the basic moves.)

1594
01:03:07,052 --> 01:03:08,461
- He's really doing that. - Five, six, seven, eight.

1595
01:03:08,462 --> 01:03:10,561
- One, two. - What you must practice the most...

1596
01:03:10,562 --> 01:03:11,632
is the basic, fundamental movements.

1597
01:03:11,662 --> 01:03:13,831
That leads to your skills.

1598
01:03:13,832 --> 01:03:14,832
(This is why...)

1599
01:03:14,833 --> 01:03:16,561
(he chose based on the basic moves only.)

1600
01:03:16,562 --> 01:03:18,732
But that aside,

1601
01:03:18,832 --> 01:03:20,942
more than anything, teamwork is most important.

1602
01:03:21,072 --> 01:03:22,971
- Let's do this. - Let's do this.

1603
01:03:22,972 --> 01:03:25,012
(He brings up the excitement with a cheer before the practice starts.)

1604
01:03:25,042 --> 01:03:27,111
Since a lot of them are inexperienced,

1605
01:03:27,112 --> 01:03:29,911
I wanted to give them confidence...

1606
01:03:29,912 --> 01:03:31,152
that they can do well.

1607
01:03:31,312 --> 01:03:33,251
(Confidence up!)

1608
01:03:33,252 --> 01:03:35,351
Everyone is working hard,

1609
01:03:35,352 --> 01:03:36,452
and I don't want them to get hurt.

1610
01:03:36,582 --> 01:03:39,522
I emphasized a lot on the dancers' conditions.

1611
01:03:39,592 --> 01:03:41,121
(Back Koo Young's dancers have gathered in one corner.)

1612
01:03:41,122 --> 01:03:42,821
(And a mysterious box)

1613
01:03:42,822 --> 01:03:44,631
(They're knee pads.)

1614
01:03:44,632 --> 01:03:46,031
(Back Koo Young's flex for the 40 hardworking dancers)

1615
01:03:46,032 --> 01:03:47,401
(You're awesome, Koo Young!)

1616
01:03:47,402 --> 01:03:49,101
A lot of performances require them...

1617
01:03:49,102 --> 01:03:50,671
to kneel.

1618
01:03:50,672 --> 01:03:53,101
It really hurts if you practice those moves...

1619
01:03:53,102 --> 01:03:55,902
without any protective gear.

1620
01:03:55,972 --> 01:03:57,171
Are you wearing the knee pads?

1621
01:03:57,172 --> 01:03:58,172
- Yes. - Yes.

1622
01:03:58,173 --> 01:03:59,972
- Are you wearing the knee pads? - Yes.

1623
01:04:00,112 --> 01:04:03,211
We need to be injury-free to practice together.

1624
01:04:03,212 --> 01:04:05,212
It helps with the quality of the work as well.

1625
01:04:05,382 --> 01:04:06,681
Enabling the dancers...

1626
01:04:06,682 --> 01:04:09,151
to dance as freely as they can...

1627
01:04:09,152 --> 01:04:11,152
is a director's job as well.

1628
01:04:11,292 --> 01:04:13,152
Now, I need to do well.

1629
01:04:13,422 --> 01:04:16,091
As a director, of course,

1630
01:04:16,092 --> 01:04:19,162
but I want to do my part as a dancer as well.

1631
01:04:19,292 --> 01:04:22,532
I run, dance, and run again.

1632
01:04:22,702 --> 01:04:25,071
It will be exhausting. It's very exhausting.

1633
01:04:25,072 --> 01:04:27,172
But I should do it since it's my choreography.

1634
01:04:27,342 --> 01:04:29,401
I dance as the main character,

1635
01:04:29,402 --> 01:04:31,571
and the dancers come together to form a scenery.

1636
01:04:31,572 --> 01:04:33,771
That way, I'm sure I can make a good performance...

1637
01:04:33,772 --> 01:04:36,212
without many outstanding dancers.

1638
01:04:36,512 --> 01:04:37,781
I don't agree.

1639
01:04:37,782 --> 01:04:40,252
I hate using them as random Dancer 1, Dancer 2.

1640
01:04:40,352 --> 01:04:42,581
They shouldn't just act as backup dancers.

1641
01:04:42,582 --> 01:04:44,051
They should become a scene...

1642
01:04:44,052 --> 01:04:47,051
and make a story. I think they have important roles.

1643
01:04:47,052 --> 01:04:48,361
So I gave them characters.

1644
01:04:48,362 --> 01:04:49,961
(Kasper, the true self who tries to maintain the inner peace)

1645
01:04:49,962 --> 01:04:52,032
In the concept I came up with,

1646
01:04:52,332 --> 01:04:55,862
I'll depict the "me" that I want to show others.

1647
01:04:56,162 --> 01:04:58,402
Shuri is my evil self.

1648
01:04:58,702 --> 01:05:01,602
The dancers are evil energy.

1649
01:05:01,702 --> 01:05:03,271
(Evil energy?)

1650
01:05:03,272 --> 01:05:06,972
And the bosses of the evil energy, the four kings.

1651
01:05:07,172 --> 01:05:08,781
(We're the four kings?)

1652
01:05:08,782 --> 01:05:10,081
By giving them character,

1653
01:05:10,082 --> 01:05:11,751
it helps them to get immersed more.

1654
01:05:11,752 --> 01:05:14,352
It gives them responsibilities too.

1655
01:05:14,822 --> 01:05:17,321
We must win no matter what.

1656
01:05:17,322 --> 01:05:18,551
If we lose,

1657
01:05:18,552 --> 01:05:19,852
this performance will be gone.

1658
01:05:20,022 --> 01:05:21,691
Since we came here, we must perform on stage.

1659
01:05:21,692 --> 01:05:22,692
Exactly.

1660
01:05:22,693 --> 01:05:23,761
Shuri.

1661
01:05:23,762 --> 01:05:25,462
Three from Penrose.

1662
01:05:25,592 --> 01:05:26,592
Nino.

1663
01:05:26,593 --> 01:05:28,101
Their dancing and vibe...

1664
01:05:28,102 --> 01:05:30,301
It's of the highest caliber.

1665
01:05:30,302 --> 01:05:32,131
The first important part...

1666
01:05:32,132 --> 01:05:33,871
will be performed by dancers from Penrose.

1667
01:05:33,872 --> 01:05:36,472
Shuri and Nino will dance powerfully...

1668
01:05:36,602 --> 01:05:38,541
and give off the strong energy.

1669
01:05:38,542 --> 01:05:41,241
For the highlight, where it needs to explode,

1670
01:05:41,242 --> 01:05:43,842
Shuri and I will give off the energy.

1671
01:05:44,212 --> 01:05:45,251
How is it?

1672
01:05:45,252 --> 01:05:46,252
(Thumbs up!)

1673
01:05:46,253 --> 01:05:47,881
(Feeling proud)

1674
01:05:47,882 --> 01:05:49,521
"It's impossible for me to lose." Or so I thought.

1675
01:05:49,522 --> 01:05:51,392
But things don't always go according to plan.

1676
01:05:51,592 --> 01:05:53,692
Number 1, Number 2.

1677
01:05:54,052 --> 01:05:55,122
Again.

1678
01:05:55,222 --> 01:05:57,861
Number 1, Number 2.

1679
01:05:57,862 --> 01:06:00,761
Again. You're slow.

1680
01:06:00,762 --> 01:06:02,132
(Me?)

1681
01:06:02,462 --> 01:06:04,472
It wasn't a difficult part,

1682
01:06:04,632 --> 01:06:06,272
but she couldn't do it.

1683
01:06:06,532 --> 01:06:07,972
To be honest, I was frustrated.

1684
01:06:08,142 --> 01:06:09,172
Again.

1685
01:06:09,842 --> 01:06:11,611
(Dancer Noura keeps making the same mistake.)

1686
01:06:11,612 --> 01:06:12,612
Hold on.

1687
01:06:13,142 --> 01:06:14,911
Let's focus, shall we?

1688
01:06:14,912 --> 01:06:16,512
(Noura holds the group back by making the same mistake.)

1689
01:06:16,882 --> 01:06:17,911
(Glancing)

1690
01:06:17,912 --> 01:06:18,912
(Frustrated)

1691
01:06:18,913 --> 01:06:21,681
Some may do their best in every given moment,

1692
01:06:21,682 --> 01:06:23,382
but some may not.

1693
01:06:23,552 --> 01:06:24,791
There's a villain in the team.

1694
01:06:24,792 --> 01:06:29,262
Everyone is talking about the same person.

1695
01:06:29,422 --> 01:06:31,292
We need to do something about Noura.

1696
01:06:32,132 --> 01:06:33,962
We got off on the wrong foot.

1697
01:06:34,062 --> 01:06:35,502
- Alexandra. - Here.

1698
01:06:35,862 --> 01:06:38,102
(They started the first day practice in an upbeat mood.)

1699
01:06:39,302 --> 01:06:41,272
Noura?

1700
01:06:41,572 --> 01:06:42,741
(Looking around)

1701
01:06:42,742 --> 01:06:43,742
Noura?

1702
01:06:44,372 --> 01:06:45,541
Noura isn't here.

1703
01:06:45,542 --> 01:06:47,371
She was late to the first practice.

1704
01:06:47,372 --> 01:06:50,411
I already know she's not the best dancer.

1705
01:06:50,412 --> 01:06:51,412
The formation too...

1706
01:06:51,413 --> 01:06:52,552
(During "Love Shot" formation practice)

1707
01:06:54,322 --> 01:06:56,722
- And go this way. - Why?

1708
01:06:57,892 --> 01:06:59,021
Move to the right.

1709
01:06:59,022 --> 01:07:00,452
(She runs in between them!)

1710
01:07:00,622 --> 01:07:03,262
Noura. Don't stay there. Move immediately.

1711
01:07:03,562 --> 01:07:06,031
Penrose members need to walk to the front,

1712
01:07:06,032 --> 01:07:07,501
and she's still running across.

1713
01:07:07,502 --> 01:07:08,961
If she can't do it,

1714
01:07:08,962 --> 01:07:10,971
she should come in early to practice or something.

1715
01:07:10,972 --> 01:07:14,471
But she keeps checking herself in the mirror and brushing her hair.

1716
01:07:14,472 --> 01:07:16,601
It's the problem of attitude and will.

1717
01:07:16,602 --> 01:07:18,342
That got me angrier.

1718
01:07:18,742 --> 01:07:21,541
Whether your role is big or small, in front or behind,

1719
01:07:21,542 --> 01:07:23,541
you need to do your part...

1720
01:07:23,542 --> 01:07:25,182
for this to become perfect.

1721
01:07:25,552 --> 01:07:27,481
Think of this as your own stage.

1722
01:07:27,482 --> 01:07:29,982
We're all working together to make this performance.

1723
01:07:30,552 --> 01:07:32,251
I hope you'll focus.

1724
01:07:32,252 --> 01:07:33,252
- Okay. - Okay.

1725
01:07:33,622 --> 01:07:34,791
Let's dance to the song.

1726
01:07:34,792 --> 01:07:35,822
- Okay. - Okay.

1727
01:07:36,062 --> 01:07:37,532
(Keeping an eye on her)

1728
01:07:38,592 --> 01:07:40,362
(Noura makes the same mistake again.)

1729
01:07:43,202 --> 01:07:45,272
(What is it?)

1730
01:07:45,372 --> 01:07:46,632
When is your timing?

1731
01:07:48,472 --> 01:07:51,511
(Noura can't answer.)

1732
01:07:51,512 --> 01:07:52,971
I was at a loss for words.

1733
01:07:52,972 --> 01:07:56,041
If your mistake is holding everyone back,

1734
01:07:56,042 --> 01:07:57,342
you should work harder.

1735
01:07:58,452 --> 01:07:59,881
I have no intention to lose,

1736
01:07:59,882 --> 01:08:02,282
but at this rate, I might actually lose.

1737
01:08:04,892 --> 01:08:06,592
Koo Young and Kasper.

1738
01:08:06,922 --> 01:08:08,091
I can't wait to watch them.

1739
01:08:08,092 --> 01:08:10,262
Okay. Let's go, Koo Young.

1740
01:08:10,392 --> 01:08:11,632
I wonder what he did.

1741
01:08:12,332 --> 01:08:13,962
Let's see how impressive it is.

1742
01:08:14,302 --> 01:08:15,302
(Back Koo Young's choreography practice)

1743
01:08:15,303 --> 01:08:16,362
My gosh.

1744
01:08:18,572 --> 01:08:21,872
(Everyone is surprised at the extraordinary intro.)

1745
01:08:22,302 --> 01:08:23,672
I like this choreography.

1746
01:08:24,042 --> 01:08:27,012
How did he train the dancers with this technique?

1747
01:08:27,172 --> 01:08:28,342
Goodness.

1748
01:08:29,512 --> 01:08:31,311
His moves are similar to mine.

1749
01:08:31,312 --> 01:08:33,211
He really made full use of himself.

1750
01:08:33,212 --> 01:08:35,621
Koo Young is so passionate.

1751
01:08:35,622 --> 01:08:37,722
He meant it when he wrote "making full use of Back Koo Young."

1752
01:08:39,022 --> 01:08:42,022
All I can remember is him running.

1753
01:08:42,392 --> 01:08:44,161
He keeps running.

1754
01:08:44,162 --> 01:08:45,792
(He keeps running.)

1755
01:08:46,092 --> 01:08:47,832
Make full use of Back Koo Young.

1756
01:08:48,762 --> 01:08:49,931
The chorus is in perfect sync.

1757
01:08:49,932 --> 01:08:53,632
The perfect sync gives stability.

1758
01:08:54,842 --> 01:08:57,202
(How did Kasper react to Back Koo Young's performance?)

1759
01:08:57,912 --> 01:08:59,911
(Having mixed feelings)

1760
01:08:59,912 --> 01:09:00,912
Okay.

1761
01:09:00,913 --> 01:09:02,712
I felt very worried.

1762
01:09:02,942 --> 01:09:04,282
Koo Young is watching mine.

1763
01:09:04,982 --> 01:09:06,412
I'm looking forward to it.

1764
01:09:06,512 --> 01:09:08,222
I'm so curious.

1765
01:09:08,682 --> 01:09:10,151
I'll watch reverently.

1766
01:09:10,152 --> 01:09:11,292
(Changing her seating position)

1767
01:09:12,192 --> 01:09:14,052
My gosh.

1768
01:09:14,362 --> 01:09:15,422
Nice.

1769
01:09:16,892 --> 01:09:18,131
I like that mirroring.

1770
01:09:18,132 --> 01:09:19,832
(Back Koo Young watches Kasper's video closely.)

1771
01:09:20,092 --> 01:09:21,902
(He's smiling?)

1772
01:09:23,332 --> 01:09:25,471
(The dancers are not in sync.)

1773
01:09:25,472 --> 01:09:27,072
(Oh, dear.)

1774
01:09:28,272 --> 01:09:29,642
I don't know.

1775
01:09:29,842 --> 01:09:30,972
It's so disappointing.

1776
01:09:31,172 --> 01:09:33,041
I get what they're doing,

1777
01:09:33,042 --> 01:09:35,711
and he has a lot of choreography and formations,

1778
01:09:35,712 --> 01:09:39,312
but the dancers are not ready.

1779
01:09:39,452 --> 01:09:41,451
They only have one day left, but this...

1780
01:09:41,452 --> 01:09:45,192
I don't think they can pull it off on the stage.

1781
01:09:45,722 --> 01:09:48,191
I can't face Kasper if I beat him in this too.

1782
01:09:48,192 --> 01:09:49,962
(Gosh, Kasper...)

1783
01:09:50,462 --> 01:09:51,891
(Back Koo Young is voted as the expected director.)

1784
01:09:51,892 --> 01:09:53,092
(Did you see that, Kasper?)

1785
01:09:55,732 --> 01:09:59,032
(I won again!)

1786
01:10:00,872 --> 01:10:02,642
The expected director is Koo Young?

1787
01:10:03,142 --> 01:10:05,211
(He became even more concerned with the result.)

1788
01:10:05,212 --> 01:10:06,572
What should I do?

1789
01:10:07,512 --> 01:10:08,941
(The votes were 7 to 1 for Back Koo Young.)

1790
01:10:08,942 --> 01:10:10,811
The dancers aren't ready.

1791
01:10:10,812 --> 01:10:13,311
Kasper's performance has a risk.

1792
01:10:13,312 --> 01:10:15,782
It is affected way too much by the dancers' skills.

1793
01:10:16,052 --> 01:10:18,492
I'm so grateful for my dancers once again.

1794
01:10:19,952 --> 01:10:21,892
(He stares at the expected Credit Board for a long time.)

1795
01:10:22,092 --> 01:10:23,291
How should I overcome...

1796
01:10:23,292 --> 01:10:24,361
this hurdle?

1797
01:10:24,362 --> 01:10:25,932
I'm at a loss.

1798
01:10:25,962 --> 01:10:27,462
(Kasper becomes more worried. How will the match go?)

1799
01:10:27,962 --> 01:10:29,261
Hello!

1800
01:10:29,262 --> 01:10:31,101
Come in, everyone.

1801
01:10:31,102 --> 01:10:32,731
They're starting smoothly and immediately.

1802
01:10:32,732 --> 01:10:34,871
It's funny how I'm judging them.

1803
01:10:34,872 --> 01:10:36,242
(Their direct senior is watching them.)

1804
01:10:36,302 --> 01:10:37,772
You of all people are here.

1805
01:10:38,372 --> 01:10:41,541
How long have you worked with Koo Young and Kasper?

1806
01:10:41,542 --> 01:10:43,212
More than 20 years.

1807
01:10:43,412 --> 01:10:45,212
I've seen them since they were a novice.

1808
01:10:45,352 --> 01:10:46,412
(Laughing)

1809
01:10:46,582 --> 01:10:47,722
They'll do well.

1810
01:10:47,922 --> 01:10:50,621
Does the countdown start now?

1811
01:10:50,622 --> 01:10:52,691
The 1-hour-20-minute countdown starts now.

1812
01:10:52,692 --> 01:10:55,991
Okay. Dancers, have your free time.

1813
01:10:55,992 --> 01:10:57,292
(Free time?)

1814
01:10:57,422 --> 01:10:58,431
See you later.

1815
01:10:58,432 --> 01:10:59,432
(Back Koo Young goes somewhere, leaving the dancers behind.)

1816
01:10:59,433 --> 01:11:02,562
As soon as I went in, I said bye to the dancers.

1817
01:11:02,702 --> 01:11:06,271
I told them to do as they liked for 5 to 10 minutes.

1818
01:11:06,272 --> 01:11:08,501
Check the backstage...

1819
01:11:08,502 --> 01:11:11,742
and go up the second floor for those who'll be going there.

1820
01:11:11,842 --> 01:11:14,711
A lot of my dancers have little experience being on stage.

1821
01:11:14,712 --> 01:11:17,711
So I taught them how to check the blocking...

1822
01:11:17,712 --> 01:11:18,982
on stage.

1823
01:11:19,182 --> 01:11:21,851
I made the rule for moving in the backstage.

1824
01:11:21,852 --> 01:11:24,081
If you're going to the front, walk inside.

1825
01:11:24,082 --> 01:11:25,721
If you're going to the back, walk outside.

1826
01:11:25,722 --> 01:11:28,321
So your paths don't cross.

1827
01:11:28,322 --> 01:11:31,361
The light fixtures, the staff members' chairs,

1828
01:11:31,362 --> 01:11:33,161
the cameras they're not using.

1829
01:11:33,162 --> 01:11:34,531
You could find these stuff there.

1830
01:11:34,532 --> 01:11:37,871
You need to check those out and block based on that.

1831
01:11:37,872 --> 01:11:39,601
You must remember this...

1832
01:11:39,602 --> 01:11:42,041
to use the 80 minutes effectively tomorrow.

1833
01:11:42,042 --> 01:11:43,172
- Okay. - Okay.

1834
01:11:43,442 --> 01:11:45,541
Where's the stage manager?

1835
01:11:45,542 --> 01:11:47,141
I want to check the lighting.

1836
01:11:47,142 --> 01:11:49,981
I'm going to find the stage manager as soon as I go in...

1837
01:11:49,982 --> 01:11:50,982
to check the lighting.

1838
01:11:50,983 --> 01:11:54,151
Can I check the lighting for each scene?

1839
01:11:54,152 --> 01:11:56,681
- That's good. - He gives off the veteran vibe.

1840
01:11:56,682 --> 01:12:00,291
I'll discuss the lighting cues with the stage manager,

1841
01:12:00,292 --> 01:12:03,291
and once it's done, we'll check it over...

1842
01:12:03,292 --> 01:12:04,562
with the music.

1843
01:12:04,892 --> 01:12:07,132
Ten minutes have passed.

1844
01:12:07,232 --> 01:12:09,901
I'll join as a dancer to rehearse.

1845
01:12:09,902 --> 01:12:10,902
He's joining them.

1846
01:12:10,903 --> 01:12:12,301
- He should check first. - Exactly.

1847
01:12:12,302 --> 01:12:13,401
He should check overall.

1848
01:12:13,402 --> 01:12:16,401
(The first rehearsal starts with Back Koo Young's technique.)

1849
01:12:16,402 --> 01:12:17,672
(The dancers need to enter from the backstage.)

1850
01:12:17,972 --> 01:12:19,271
Gosh, stay focused.

1851
01:12:19,272 --> 01:12:20,411
- Oh, dear. - My gosh.

1852
01:12:20,412 --> 01:12:21,612
What to do with them?

1853
01:12:22,042 --> 01:12:23,042
Goodness.

1854
01:12:23,242 --> 01:12:24,951
You can't see that when you're on stage yourself.

1855
01:12:24,952 --> 01:12:26,482
(The first blocking rehearsal ends like that.)

1856
01:12:26,512 --> 01:12:28,151
Is there any problem so far?

1857
01:12:28,152 --> 01:12:29,152
(Me!)

1858
01:12:29,153 --> 01:12:31,152
I couldn't make it in time.

1859
01:12:31,322 --> 01:12:33,221
It was too far, so I exited this way.

1860
01:12:33,222 --> 01:12:35,162
- Did you check the backstage? - Yes.

1861
01:12:35,222 --> 01:12:36,361
- Did you run? - Yes.

1862
01:12:36,362 --> 01:12:38,432
Try it again.

1863
01:12:38,632 --> 01:12:39,661
Try using the backstage corridor.

1864
01:12:39,662 --> 01:12:41,632
You should have enough time to make it.

1865
01:12:41,732 --> 01:12:44,301
Koo Young is both a dancer and a director.

1866
01:12:44,302 --> 01:12:45,631
He can't switch the mode quickly enough.

1867
01:12:45,632 --> 01:12:50,002
(He couldn't spot the blocking issue at the back because he was dancing.)

1868
01:12:50,102 --> 01:12:52,171
Because he's playing two roles at the same time.

1869
01:12:52,172 --> 01:12:53,941
The clash happens from being a dancer and a director...

1870
01:12:53,942 --> 01:12:55,741
at the same time.

1871
01:12:55,742 --> 01:12:57,412
Let's try it again.

1872
01:12:57,912 --> 01:13:00,551
(After the initial technique,)

1873
01:13:00,552 --> 01:13:04,922
(he runs out of the stage.)

1874
01:13:05,022 --> 01:13:06,222
He stepped out.

1875
01:13:06,622 --> 01:13:07,891
He should check the overall performance.

1876
01:13:07,892 --> 01:13:09,222
He's checking the overall stage now.

1877
01:13:11,892 --> 01:13:12,992
What was that?

1878
01:13:13,832 --> 01:13:15,431
(The dancers moving toward the same direction collided.)

1879
01:13:15,432 --> 01:13:16,701
(What was that?)

1880
01:13:16,702 --> 01:13:18,272
That kind of mistake makes you angry.

1881
01:13:19,072 --> 01:13:20,701
- Their timing is off. - They're not in sync.

1882
01:13:20,702 --> 01:13:22,741
(His face slowly hardens from the mistakes.)

1883
01:13:22,742 --> 01:13:24,841
(The problematic part)

1884
01:13:24,842 --> 01:13:26,412
(His eyes are moving fast.)

1885
01:13:27,172 --> 01:13:29,712
(The back-right dancers come in late again.)

1886
01:13:30,312 --> 01:13:31,582
(He spots them.)

1887
01:13:31,782 --> 01:13:33,012
Why is this happening?

1888
01:13:33,152 --> 01:13:34,722
What went wrong?

1889
01:13:35,352 --> 01:13:37,482
Who couldn't make it?

1890
01:13:37,622 --> 01:13:38,951
Are you guys running?

1891
01:13:38,952 --> 01:13:40,821
Or did you guys stop over there?

1892
01:13:40,822 --> 01:13:41,861
We just stopped right there.

1893
01:13:41,862 --> 01:13:43,261
Why did you stop over there?

1894
01:13:43,262 --> 01:13:45,261
Hyun Seo needs to go to the front,

1895
01:13:45,262 --> 01:13:48,402
so we stop for a while and wait until she passes.

1896
01:13:48,532 --> 01:13:49,861
Why would you stop there?

1897
01:13:49,862 --> 01:13:50,961
You can stop here.

1898
01:13:50,962 --> 01:13:53,432
You can come here and wait.

1899
01:13:53,632 --> 01:13:56,271
Why do you think I gave you ten minutes...

1900
01:13:56,272 --> 01:13:58,411
to check the backstage?

1901
01:13:58,412 --> 01:14:00,112
So you can check stuff like this.

1902
01:14:00,312 --> 01:14:01,511
I got sensitive.

1903
01:14:01,512 --> 01:14:02,741
In the practice room,

1904
01:14:02,742 --> 01:14:06,051
I taught them how to check the timing...

1905
01:14:06,052 --> 01:14:09,682
for running backstage, and we practiced it as well.

1906
01:14:09,722 --> 01:14:11,081
There are five entrances.

1907
01:14:11,082 --> 01:14:12,091
Two on the left,

1908
01:14:12,092 --> 01:14:13,251
two on the right,

1909
01:14:13,252 --> 01:14:14,351
and one in the middle.

1910
01:14:14,352 --> 01:14:16,062
They're all on the first floor.

1911
01:14:16,162 --> 01:14:18,392
You need to come in like this.

1912
01:14:18,932 --> 01:14:20,331
Do you get it? Understand?

1913
01:14:20,332 --> 01:14:24,062
You must walk in between the blue tapes.

1914
01:14:24,162 --> 01:14:27,272
You need to calculate the speed of running.

1915
01:14:27,332 --> 01:14:28,941
Even on the site,

1916
01:14:28,942 --> 01:14:31,041
I gave them time to check the backstage,

1917
01:14:31,042 --> 01:14:32,471
but the problem still arose,

1918
01:14:32,472 --> 01:14:35,242
which made me become sensitive.

1919
01:14:36,142 --> 01:14:38,882
Do I need to tell you every single thing?

1920
01:14:39,482 --> 01:14:41,721
I gave you time to check so I don't need to do that.

1921
01:14:41,722 --> 01:14:43,421
Don't do that.

1922
01:14:43,422 --> 01:14:45,752
Who went in late just now? I saw you too.

1923
01:14:45,892 --> 01:14:48,591
Think. Is this actually a problem?

1924
01:14:48,592 --> 01:14:51,191
Is it really impossible to make it on time when you run?

1925
01:14:51,192 --> 01:14:52,361
If yes, I'll change it.

1926
01:14:52,362 --> 01:14:53,661
- He's angry. - If yes, I'll change it.

1927
01:14:53,662 --> 01:14:55,001
- Understandable. - You have no willpower.

1928
01:14:55,002 --> 01:14:56,002
Understandable.

1929
01:14:56,003 --> 01:14:57,732
- Can you run and make it? - Yes.

1930
01:14:57,932 --> 01:15:00,701
- Then do it. You must make it work. - Okay.

1931
01:15:00,702 --> 01:15:02,142
- Make it work. - Okay.

1932
01:15:02,302 --> 01:15:05,171
When you have limited time for the rehearsal,

1933
01:15:05,172 --> 01:15:07,211
you can't help but become sensitive.

1934
01:15:07,212 --> 01:15:10,511
Acting sensitive and making the performance successful...

1935
01:15:10,512 --> 01:15:12,352
- It's better. - is definitely better.

1936
01:15:12,582 --> 01:15:14,821
What wasn't an issue in the practice room...

1937
01:15:14,822 --> 01:15:17,921
became an issue on stage.

1938
01:15:17,922 --> 01:15:19,521
We need to go back to the practice room...

1939
01:15:19,522 --> 01:15:21,791
and go over every detail again.

1940
01:15:21,792 --> 01:15:23,622
(Right after the blocking rehearsal, they're back in the practice room.)

1941
01:15:23,922 --> 01:15:25,831
We'll do it slowly from the start.

1942
01:15:25,832 --> 01:15:26,861
(Fine-tuning the details)

1943
01:15:26,862 --> 01:15:28,932
We checked each and every detail again.

1944
01:15:29,632 --> 01:15:30,661
Eleni, you were fast.

1945
01:15:30,662 --> 01:15:31,772
(Fast Eleni admits fast.)

1946
01:15:31,872 --> 01:15:34,171
You can't make a mistake with something like this.

1947
01:15:34,172 --> 01:15:35,172
- Okay. - Okay.

1948
01:15:35,173 --> 01:15:37,242
(Perfectly in sync)

1949
01:15:37,572 --> 01:15:40,411
You must practice perfectly before performing on stage.

1950
01:15:40,412 --> 01:15:42,042
I'll make it work until the end.

1951
01:15:42,842 --> 01:15:44,782
(Back Koo Young versus Kasper)

1952
01:15:45,152 --> 01:15:47,282
- We'll do a warm-up together. - One, two, three.

1953
01:15:47,752 --> 01:15:49,051
Five, six.

1954
01:15:49,052 --> 01:15:51,522
Don't mind what others do. Focus on yourself.

1955
01:15:51,552 --> 01:15:53,091
He must've given it his all,

1956
01:15:53,092 --> 01:15:54,722
but so did we.

1957
01:15:54,992 --> 01:15:57,122
I can show them the difference.

1958
01:15:57,322 --> 01:15:58,462
The difference?

1959
01:15:58,992 --> 01:15:59,992
The class?

1960
01:15:59,993 --> 01:16:01,291
We're in different classes.

1961
01:16:01,292 --> 01:16:02,601
I think he's in middle class.

1962
01:16:02,602 --> 01:16:04,061
We're in super heavy class.

1963
01:16:04,062 --> 01:16:06,832
- Gosh, Koo Young. - Hello.

1964
01:16:07,432 --> 01:16:09,272
- He's wearing white. - Out of all colors.

1965
01:16:09,402 --> 01:16:10,802
You look cool.

1966
01:16:11,972 --> 01:16:14,212
(The dancers enter the stage.)

1967
01:16:15,542 --> 01:16:17,011
We'll kill them.

1968
01:16:17,012 --> 01:16:18,512
This is going to be so fun. I can't wait.

1969
01:16:18,782 --> 01:16:20,551
I'm not nervous at all.

1970
01:16:20,552 --> 01:16:21,781
We'll do great.

1971
01:16:21,782 --> 01:16:22,981
Yes. Let's do this.

1972
01:16:22,982 --> 01:16:24,352
Let's do this.

1973
01:16:25,592 --> 01:16:26,792
He's handsome.

1974
01:16:28,422 --> 01:16:29,621
(He's handsome.)

1975
01:16:29,622 --> 01:16:31,432
You're handsome!

1976
01:16:32,162 --> 01:16:34,632
(They finally meet on stage.)

1977
01:16:37,032 --> 01:16:38,331
They must be nervous.

1978
01:16:38,332 --> 01:16:39,332
My gosh.

1979
01:16:39,333 --> 01:16:41,272
I'm nervous.

1980
01:16:42,442 --> 01:16:46,472
Koo Young. You've watched each other's rehearsal.

1981
01:16:46,812 --> 01:16:50,311
What's one thing that worries you the most?

1982
01:16:50,312 --> 01:16:52,852
About his performance, you mean?

1983
01:16:53,182 --> 01:16:54,882
Just now,

1984
01:16:55,982 --> 01:16:58,291
instead of watching his performance, I closed my eyes...

1985
01:16:58,292 --> 01:16:59,622
and ran a simulation in my head as I listened to the music.

1986
01:17:02,622 --> 01:17:04,322
(During Team Kasper's dress rehearsal)

1987
01:17:04,362 --> 01:17:06,631
We get to watch each other's rehearsal.

1988
01:17:06,632 --> 01:17:08,561
It's another chance to run through my own...

1989
01:17:08,562 --> 01:17:10,862
as I listen to the music while he performs.

1990
01:17:11,332 --> 01:17:12,801
(Anthony Lee laughs.)

1991
01:17:12,802 --> 01:17:15,172
He's sick. Sick and smart.

1992
01:17:16,442 --> 01:17:18,071
I was confident I'd win,

1993
01:17:18,072 --> 01:17:19,472
so I wasn't annoyed by him.

1994
01:17:20,242 --> 01:17:21,372
I wanted to show him.

1995
01:17:21,712 --> 01:17:23,242
I'll crush him.

1996
01:17:24,012 --> 01:17:27,281
1-on-1 Signature 400 Mission, Last Run.

1997
01:17:27,282 --> 01:17:30,952
We'll check out Back Koo Young's performance first.

1998
01:17:31,252 --> 01:17:34,551
Back Koo Young and his dancers, please get ready to perform.

1999
01:17:34,552 --> 01:17:35,691
- Let's do this. - Good luck.

2000
01:17:35,692 --> 01:17:36,822
Let's have fun.

2001
01:17:37,692 --> 01:17:39,991
My dancers are much more in sync.

2002
01:17:39,992 --> 01:17:43,462
I'm confident that I made a better performance.

2003
01:17:43,932 --> 01:17:45,332
That's why I must win.

2004
01:17:46,402 --> 01:17:48,701
I know Koo Young will put up an amazing performance.

2005
01:17:48,702 --> 01:17:49,972
So I was worried.

2006
01:17:51,812 --> 01:17:53,011
That's a cool start.

2007
01:17:53,012 --> 01:17:54,912
Ready, fight.

2008
01:17:55,342 --> 01:17:56,811
I'm excited.

2009
01:17:56,812 --> 01:17:58,011
Let's go, Koo Young.

2010
01:17:58,012 --> 01:17:59,151
Let's go.

2011
01:17:59,152 --> 01:18:00,381
("Trace" by Back Koo Young)

2012
01:18:00,382 --> 01:18:01,581
(Choreographer of the signature part of "Guilty": Back Koo Young)

2013
01:18:01,582 --> 01:18:02,751
(Choreographer of the signature part of "Love Shot": Back Koo Young)

2014
01:18:02,752 --> 01:18:03,952
(Depiction of the internal turmoil of Back Koo Young)

2015
01:18:04,122 --> 01:18:05,252
(Performance by Team Back Koo Young)

2016
01:18:09,262 --> 01:18:10,992
The choreography requires a difficult technique.

2017
01:18:12,862 --> 01:18:13,931
Hey!

2018
01:18:13,932 --> 01:18:15,401
Oh, my gosh. They're doing the backstroke.

2019
01:18:15,402 --> 01:18:16,632
It feels great, Koo Young.

2020
01:18:17,632 --> 01:18:18,732
That's amazing.

2021
01:18:20,032 --> 01:18:21,271
Yes!

2022
01:18:21,272 --> 01:18:22,302
That's insane.

2023
01:18:23,742 --> 01:18:25,142
Gosh, the expression is insane.

2024
01:18:26,512 --> 01:18:28,342
The density of the moves feels different.

2025
01:18:29,812 --> 01:18:31,782
Gosh, I want to see this up close.

2026
01:18:31,852 --> 01:18:32,882
Gosh!

2027
01:18:38,822 --> 01:18:39,922
They're all in sync.

2028
01:18:42,062 --> 01:18:43,792
The judges had great reactions.

2029
01:18:48,332 --> 01:18:50,162
(Back Koo Young's signature choreography part in "Guilty")

2030
01:18:51,872 --> 01:18:53,272
Why is he so sexy?

2031
01:18:54,072 --> 01:18:55,072
Yes!

2032
01:18:58,772 --> 01:19:00,342
- That's insane. - That's so impressive.

2033
01:19:04,142 --> 01:19:05,452
Gosh, that was done in sync.

2034
01:19:07,582 --> 01:19:08,622
The formation looks nice.

2035
01:19:14,122 --> 01:19:15,161
(Clearing his sight)

2036
01:19:15,162 --> 01:19:16,361
How are they this good together?

2037
01:19:16,362 --> 01:19:17,362
(Impressed)

2038
01:19:17,422 --> 01:19:18,732
Sexy guy!

2039
01:19:20,132 --> 01:19:21,702
The choreography itself is so good.

2040
01:19:24,532 --> 01:19:25,772
They're really moving as one.

2041
01:19:27,732 --> 01:19:29,902
- How is it this neat? - He's amazing.

2042
01:19:33,572 --> 01:19:35,342
- Let's go! - There she is!

2043
01:19:36,142 --> 01:19:37,212
It's no:ze!

2044
01:19:44,422 --> 01:19:45,422
She's so pretty.

2045
01:19:49,322 --> 01:19:50,492
Gosh, it's so neat.

2046
01:19:54,432 --> 01:19:55,662
Gosh, he won't stop running.

2047
01:19:58,132 --> 01:20:01,741
(Back Koo Young's signature choreography part in "Love Shot")

2048
01:20:01,742 --> 01:20:03,042
"Love Shot!"

2049
01:20:04,742 --> 01:20:06,042
This is the goosebump point!

2050
01:20:11,012 --> 01:20:13,212
- Let's go, no:ze! - Oh, my gosh!

2051
01:20:15,852 --> 01:20:17,422
She has a great presence.

2052
01:20:26,032 --> 01:20:27,132
What? He went up.

2053
01:20:30,462 --> 01:20:32,402
- I love the presentation. - Right.

2054
01:20:35,102 --> 01:20:36,602
Okay! Take it off!

2055
01:20:37,102 --> 01:20:38,342
- Gosh! - Nice!

2056
01:20:43,142 --> 01:20:44,612
They're so good.

2057
01:20:45,612 --> 01:20:47,411
- Gosh, they did a great job. - Right.

2058
01:20:47,412 --> 01:20:49,852
- How are they so good together? - They must've practiced so hard.

2059
01:20:52,192 --> 01:20:54,421
He definitely disappeared just now. How did he come out from there?

2060
01:20:54,422 --> 01:20:55,562
This is a magic show.

2061
01:20:56,762 --> 01:20:58,632
- He's running again. - He won't stop running.

2062
01:20:59,892 --> 01:21:00,992
Macho!

2063
01:21:06,672 --> 01:21:09,842
Gosh, there you go! They're so good!

2064
01:21:13,972 --> 01:21:15,112
- They're moving as one. - Yes!

2065
01:21:15,282 --> 01:21:17,141
- The formation is perfect. - They're so good.

2066
01:21:17,142 --> 01:21:18,411
There we go.

2067
01:21:18,412 --> 01:21:19,812
Gosh, it's so neat.

2068
01:21:23,422 --> 01:21:24,482
They keep running.

2069
01:21:27,322 --> 01:21:28,462
Yes!

2070
01:21:35,132 --> 01:21:36,701
(Team Back Koo Young's dancers)

2071
01:21:36,702 --> 01:21:37,761
- I got goosebumps. - Gosh.

2072
01:21:37,762 --> 01:21:40,271
(no:ze, Kevin Choi, Mun Kyeong, Yoon Ji and more)

2073
01:21:40,272 --> 01:21:41,272
"Love Shot!"

2074
01:21:41,273 --> 01:21:42,441
(Amazed)

2075
01:21:42,442 --> 01:21:44,272
There's something new every three seconds.

2076
01:21:44,442 --> 01:21:45,442
That's insane.

2077
01:21:45,443 --> 01:21:46,872
He ground his teeth.

2078
01:21:47,042 --> 01:21:48,782
What a great ending. I love that.

2079
01:21:48,982 --> 01:21:50,312
Nice.

2080
01:21:50,582 --> 01:21:52,082
Koo Young was really neat.

2081
01:21:52,582 --> 01:21:54,511
He must feel so nervous about having to dance...

2082
01:21:54,512 --> 01:21:55,581
after watching that.

2083
01:21:55,582 --> 01:21:57,922
Gosh, Kasper must feel so nervous right now.

2084
01:21:58,282 --> 01:22:00,552
My breathing got heavier,

2085
01:22:00,792 --> 01:22:03,422
but I was determined to win.

2086
01:22:04,692 --> 01:22:05,792
Hello.

2087
01:22:06,332 --> 01:22:07,932
- Great work, Koo Young. - Hey, Kasper.

2088
01:22:08,632 --> 01:22:10,962
- Good luck. - Thank you.

2089
01:22:11,162 --> 01:22:12,931
- Great work. - Thank you.

2090
01:22:12,932 --> 01:22:14,301
You're sweating.

2091
01:22:14,302 --> 01:22:15,741
- You should've slacked off. - Good luck.

2092
01:22:15,742 --> 01:22:17,072
You should've slacked off.

2093
01:22:17,542 --> 01:22:19,071
All right, everyone. Gather up.

2094
01:22:19,072 --> 01:22:20,142
- Okay. - Okay.

2095
01:22:20,472 --> 01:22:22,682
They're starting. Their session has begun.

2096
01:22:22,942 --> 01:22:24,212
- It has begun. - All right.

2097
01:22:24,412 --> 01:22:26,551
Please mark the positions.

2098
01:22:26,552 --> 01:22:28,111
- We'll do a number check. - Okay.

2099
01:22:28,112 --> 01:22:29,821
Please check the numbers.

2100
01:22:29,822 --> 01:22:32,892
Could we check the lights first?

2101
01:22:33,122 --> 01:22:34,191
That's wise.

2102
01:22:34,192 --> 01:22:35,421
While taking the lead,

2103
01:22:35,422 --> 01:22:37,161
he asked the others to take control of the field.

2104
01:22:37,162 --> 01:22:39,261
If this supportive structure isn't formed,

2105
01:22:39,262 --> 01:22:40,591
it's really hard to lead the group.

2106
01:22:40,592 --> 01:22:43,532
With the spotlight on, I want the mood to be dark.

2107
01:22:44,162 --> 01:22:45,732
- The surroundings will be darker. - Right.

2108
01:22:45,802 --> 01:22:47,531
This is how it should be done. You must work with the lights.

2109
01:22:47,532 --> 01:22:48,601
For a technical rehearsal,

2110
01:22:48,602 --> 01:22:49,901
the lights must come first.

2111
01:22:49,902 --> 01:22:53,241
The lights must be seen first for the cameras to catch up.

2112
01:22:53,242 --> 01:22:54,741
The lights must be accurate...

2113
01:22:54,742 --> 01:22:56,241
for the work you want to express to be displayed clearly.

2114
01:22:56,242 --> 01:22:57,712
That's how the cameras will capture that.

2115
01:22:58,312 --> 01:23:01,381
My priorities for this rehearsal...

2116
01:23:01,382 --> 01:23:03,182
are the blackout timing, silhouette lights, and spotlight.

2117
01:23:03,682 --> 01:23:06,622
I always focus a lot on the lights.

2118
01:23:06,892 --> 01:23:08,792
During "The Jennifer Hudson Show,"

2119
01:23:08,922 --> 01:23:10,421
I was in the lighting room...

2120
01:23:10,422 --> 01:23:11,961
when he performed "Long Way Home."

2121
01:23:11,962 --> 01:23:14,392
I want to battle it out with those details.

2122
01:23:14,562 --> 01:23:16,131
I'm certain that performances using lights...

2123
01:23:16,132 --> 01:23:18,501
will shine brighter on the stage.

2124
01:23:18,502 --> 01:23:21,232
Can we see what the complete blackout is like?

2125
01:23:21,372 --> 01:23:22,872
Let's check the complete blackout.

2126
01:23:23,402 --> 01:23:25,272
Can the dancers turn on the lights?

2127
01:23:26,442 --> 01:23:28,642
Okay. Let's check the first formation.

2128
01:23:28,982 --> 01:23:30,011
I have a bad feeling about this.

2129
01:23:30,012 --> 01:23:32,051
When using objects like those, it must be completely dark.

2130
01:23:32,052 --> 01:23:33,252
Then, they won't be able to see.

2131
01:23:33,712 --> 01:23:36,522
That can become a risk.

2132
01:23:37,622 --> 01:23:39,221
(They try the flashlight part during the blackout.)

2133
01:23:39,222 --> 01:23:41,292
- Can you see? - I can't see at all.

2134
01:23:42,762 --> 01:23:45,132
- The center is right here. - No. This won't work.

2135
01:23:45,732 --> 01:23:46,732
This won't work.

2136
01:23:46,733 --> 01:23:48,731
They had to be in formation during the blackout,

2137
01:23:48,732 --> 01:23:50,301
but they couldn't, as they weren't able to see.

2138
01:23:50,302 --> 01:23:51,401
We'll stop here.

2139
01:23:51,402 --> 01:23:53,032
It's hard to see where we are.

2140
01:23:53,332 --> 01:23:56,402
Dancers, can you see the marks?

2141
01:23:56,742 --> 01:23:59,041
- It's hard to see. - It's hard to see?

2142
01:23:59,042 --> 01:24:00,841
How do the silhouette lights sound?

2143
01:24:00,842 --> 01:24:02,441
The formation had to be neat.

2144
01:24:02,442 --> 01:24:05,251
The prism colors are seen with the silhouette lights,

2145
01:24:05,252 --> 01:24:06,482
creating a unique vibe.

2146
01:24:06,852 --> 01:24:08,281
The silhouette lights were only used...

2147
01:24:08,282 --> 01:24:10,822
right before the flashlight part.

2148
01:24:11,222 --> 01:24:12,792
I think this will work.

2149
01:24:13,852 --> 01:24:15,122
Was the glitch effect used on purpose?

2150
01:24:15,392 --> 01:24:16,621
He did a really good job.

2151
01:24:16,622 --> 01:24:18,732
He's very quick to adapt.

2152
01:24:18,762 --> 01:24:20,431
He provides a solution right away.

2153
01:24:20,432 --> 01:24:21,762
- Those lights look nice. - Right.

2154
01:24:22,062 --> 01:24:24,802
Kasper moves differently with the lights.

2155
01:24:25,132 --> 01:24:26,971
The lights determine...

2156
01:24:26,972 --> 01:24:28,542
the angles of the performance.

2157
01:24:28,772 --> 01:24:30,741
As Kasper has experience with concerts,

2158
01:24:30,742 --> 01:24:32,642
he knows how important the lights are.

2159
01:24:33,172 --> 01:24:34,412
How many minutes do we have left, Shuri?

2160
01:24:34,512 --> 01:24:35,712
- We have 59 minutes left. - We have 59 minutes left.

2161
01:24:36,182 --> 01:24:37,611
Shall we try that part?

2162
01:24:37,612 --> 01:24:38,612
- Yes. - Yes.

2163
01:24:39,352 --> 01:24:40,581
(During the transition section...)

2164
01:24:40,582 --> 01:24:41,811
(when the Penrose members move forward,)

2165
01:24:41,812 --> 01:24:43,552
(one dancer is late to move out.)

2166
01:24:44,522 --> 01:24:46,622
Noura made a mistake again.

2167
01:24:47,592 --> 01:24:49,621
The Penrose members had to move forward,

2168
01:24:49,622 --> 01:24:51,792
but she kept getting in the way on her own.

2169
01:24:52,162 --> 01:24:54,292
That kept causing a problem with the movement.

2170
01:24:55,462 --> 01:24:57,502
(During every "Love Shot" practice session,)

2171
01:24:57,632 --> 01:24:59,071
(Noura kept forgetting her line and position.)

2172
01:24:59,072 --> 01:25:00,331
(Move right here.)

2173
01:25:00,332 --> 01:25:01,332
Noura.

2174
01:25:01,333 --> 01:25:02,401
(Move to the right!)

2175
01:25:02,402 --> 01:25:03,902
(Running right through the middle)

2176
01:25:04,142 --> 01:25:05,142
(Noura!)

2177
01:25:05,143 --> 01:25:06,872
(Don't stay there. Move immediately.)

2178
01:25:06,972 --> 01:25:09,912
We already knew she lacked skill.

2179
01:25:10,042 --> 01:25:11,782
(Again. You're slow.)

2180
01:25:12,482 --> 01:25:16,382
(Noura keeps making mistakes with the moves and timing.)

2181
01:25:17,182 --> 01:25:19,692
Noura! Why are you moving out late?

2182
01:25:20,752 --> 01:25:21,992
You have to be faster to move away.

2183
01:25:22,292 --> 01:25:24,462
You have to think it'll be death if you don't move away.

2184
01:25:24,592 --> 01:25:26,862
It ruins the formation for the next part.

2185
01:25:28,292 --> 01:25:29,501
(They keep trying that part.)

2186
01:25:29,502 --> 01:25:30,901
Boom, two, three, four,

2187
01:25:30,902 --> 01:25:33,102
- Are you listening to the song? - five, six, seven, eight.

2188
01:25:33,932 --> 01:25:35,131
(Sighing)

2189
01:25:35,132 --> 01:25:37,542
Hold on. I'll take that part.

2190
01:25:37,702 --> 01:25:40,712
(Kasper ends up going down to take Noura's part.)

2191
01:25:40,742 --> 01:25:42,111
(Feeling nervous)

2192
01:25:42,112 --> 01:25:44,042
I want to know why Kasper is going down.

2193
01:25:44,142 --> 01:25:46,351
- He called out someone's name. - I see.

2194
01:25:46,352 --> 01:25:47,912
She'll be trembling right now.

2195
01:25:48,452 --> 01:25:50,821
Make the formation for the outro of "Love Shot."

2196
01:25:50,822 --> 01:25:52,192
(Moving in perfect order)

2197
01:25:52,292 --> 01:25:53,752
Did you two keep getting into each other?

2198
01:25:54,522 --> 01:25:56,821
We got into each other when I moved this way.

2199
01:25:56,822 --> 01:25:58,632
But she moved behind me just now.

2200
01:25:59,032 --> 01:26:00,062
Move out.

2201
01:26:01,262 --> 01:26:02,362
Play the song...

2202
01:26:02,962 --> 01:26:05,332
at around 1 minute and 15 seconds.

2203
01:26:06,032 --> 01:26:08,132
This is a mindset problem in the end.

2204
01:26:08,232 --> 01:26:09,771
"It won't work."

2205
01:26:09,772 --> 01:26:12,072
But you haven't tried everything you could.

2206
01:26:13,012 --> 01:26:15,512
(He tries that part instead of Noura.)

2207
01:26:16,182 --> 01:26:18,611
(Kasper moves away without any problems.)

2208
01:26:18,612 --> 01:26:21,211
It works. I saw it with my own eyes.

2209
01:26:21,212 --> 01:26:22,852
But she kept saying it wouldn't work.

2210
01:26:23,952 --> 01:26:25,622
I got away right away, didn't I?

2211
01:26:26,492 --> 01:26:30,292
If I move to that side at the last part...

2212
01:26:31,222 --> 01:26:33,962
It should be like this, but...

2213
01:26:34,092 --> 01:26:35,262
It's like that for everyone.

2214
01:26:36,202 --> 01:26:37,832
It's not just you. It's like that for everyone.

2215
01:26:38,632 --> 01:26:39,702
Right.

2216
01:26:40,202 --> 01:26:42,172
Just run out.

2217
01:26:42,672 --> 01:26:45,471
- Nothing is impossible, everyone. - Right.

2218
01:26:45,472 --> 01:26:47,512
You must not wander around.

2219
01:26:47,772 --> 01:26:51,041
Kasper is precise with his standards.

2220
01:26:51,042 --> 01:26:54,612
If a part doesn't match what he imagined,

2221
01:26:54,682 --> 01:26:56,951
he's the type to be harsh on his juniors.

2222
01:26:56,952 --> 01:26:59,221
He's someone...

2223
01:26:59,222 --> 01:27:01,951
who wants to express exactly what he imagined.

2224
01:27:01,952 --> 01:27:03,892
I believe that's positive to a certain extent.

2225
01:27:04,622 --> 01:27:07,932
I worked on the details of the lights and movement.

2226
01:27:08,132 --> 01:27:09,332
I felt anxious.

2227
01:27:10,032 --> 01:27:11,961
Get ready for the rehearsal.

2228
01:27:11,962 --> 01:27:13,272
- Okay. - Rehearsal.

2229
01:27:13,432 --> 01:27:15,542
Let's get into the intro formation quickly.

2230
01:27:16,042 --> 01:27:18,001
Make sure to hide your flashlights.

2231
01:27:18,002 --> 01:27:19,041
- Okay. - Okay.

2232
01:27:19,042 --> 01:27:20,172
You must not get it wrong.

2233
01:27:21,072 --> 01:27:24,182
(The dress rehearsal of Team Kasper begins.)

2234
01:27:24,882 --> 01:27:26,181
(However,)

2235
01:27:26,182 --> 01:27:28,582
(some of the flashlights can be seen.)

2236
01:27:28,852 --> 01:27:31,221
The lights looked so messy.

2237
01:27:31,222 --> 01:27:32,521
That looks quite messy.

2238
01:27:32,522 --> 01:27:33,591
(Shaking her head)

2239
01:27:33,592 --> 01:27:34,592
(Noura)

2240
01:27:34,592 --> 01:27:35,592
(During the problematic part,)

2241
01:27:35,592 --> 01:27:36,592
(Noura moves out late again.)

2242
01:27:36,593 --> 01:27:37,622
Gosh!

2243
01:27:38,192 --> 01:27:39,492
Noura! Why...

2244
01:27:40,662 --> 01:27:41,662
We won.

2245
01:27:41,663 --> 01:27:43,831
I thought that the quality of our performance...

2246
01:27:43,832 --> 01:27:46,201
was much better.

2247
01:27:46,202 --> 01:27:47,372
What was the problem?

2248
01:27:47,532 --> 01:27:49,841
Noura. You got in the way when you moved out.

2249
01:27:49,842 --> 01:27:51,472
I forgot again.

2250
01:27:51,602 --> 01:27:53,842
You have to move away as the others are coming in.

2251
01:27:56,042 --> 01:27:58,542
(The waiting room is silent after the dress rehearsal.)

2252
01:27:59,052 --> 01:28:00,982
Did you work on moving away, Noura?

2253
01:28:01,512 --> 01:28:03,182
I forgot. I'm sorry.

2254
01:28:04,952 --> 01:28:06,252
Are you going to constantly say...

2255
01:28:06,852 --> 01:28:08,922
you're sorry after messing up in the actual performance?

2256
01:28:10,092 --> 01:28:12,632
- I'll work harder. - That's not what's important.

2257
01:28:13,132 --> 01:28:14,892
Who won't work hard here?

2258
01:28:15,902 --> 01:28:18,032
It's important not to make a mistake today.

2259
01:28:18,702 --> 01:28:20,872
Where should you position yourself to move out perfectly?

2260
01:28:21,972 --> 01:28:24,002
I'll recover from my stress.

2261
01:28:24,342 --> 01:28:26,011
- What? - I'll recover...

2262
01:28:26,012 --> 01:28:28,842
- from my stress. - Right.

2263
01:28:29,282 --> 01:28:30,511
Rather than that...

2264
01:28:30,512 --> 01:28:31,912
- I'll do a better job. - Hey, keep quiet.

2265
01:28:32,912 --> 01:28:33,912
What was that?

2266
01:28:34,782 --> 01:28:36,322
I'll do a better job.

2267
01:28:37,482 --> 01:28:40,122
(Noura is about to shed tears.)

2268
01:28:41,892 --> 01:28:43,222
Don't cry.

2269
01:28:44,092 --> 01:28:45,892
Crying won't change anything.

2270
01:28:48,692 --> 01:28:51,261
(She ends up shedding tears.)

2271
01:28:51,262 --> 01:28:52,271
That's not it.

2272
01:28:52,272 --> 01:28:53,802
(Reading the room)

2273
01:28:59,812 --> 01:29:02,281
She made the same mistake even during the last rehearsal.

2274
01:29:02,282 --> 01:29:05,382
I was standing on the edge of a cliff.

2275
01:29:05,552 --> 01:29:07,552
A simple push would make me fall over.

2276
01:29:08,082 --> 01:29:10,551
It won't matter if I lose against something amazing.

2277
01:29:10,552 --> 01:29:12,122
But that isn't the case.

2278
01:29:12,392 --> 01:29:13,491
Right now,

2279
01:29:13,492 --> 01:29:16,192
I'm starting to think that we're going to lose.

2280
01:29:16,592 --> 01:29:18,291
The one who fails will continue to fail.

2281
01:29:18,292 --> 01:29:21,162
This is a matter of failing to concentrate.

2282
01:29:21,662 --> 01:29:24,261
"Oh, I made a mistake." This means nothing.

2283
01:29:24,262 --> 01:29:27,532
Between a dancer and director,

2284
01:29:27,572 --> 01:29:30,171
the dancer who gets the job done...

2285
01:29:30,172 --> 01:29:33,011
will be given another chance to work with me.

2286
01:29:33,012 --> 01:29:35,311
It's all up to you, not me.

2287
01:29:35,312 --> 01:29:37,712
"I will work hard." This won't mean anything to me.

2288
01:29:38,012 --> 01:29:41,212
Getting your job done is all you can do.

2289
01:29:43,052 --> 01:29:44,151
I can't lose.

2290
01:29:44,152 --> 01:29:46,621
I'm already at the edge of a cliff. One more wrong step...

2291
01:29:46,622 --> 01:29:47,822
will get me killed.

2292
01:29:47,952 --> 01:29:49,061
I'm confident.

2293
01:29:49,062 --> 01:29:50,262
I must win.

2294
01:29:50,522 --> 01:29:52,491
But I think this team can win.

2295
01:29:52,492 --> 01:29:54,832
The lights can change the game.

2296
01:29:55,092 --> 01:29:58,561
The dancers came out sweating buckets.

2297
01:29:58,562 --> 01:30:00,031
It's the fog!

2298
01:30:00,032 --> 01:30:01,332
It'll look great, right?

2299
01:30:01,402 --> 01:30:02,402
Gosh!

2300
01:30:02,742 --> 01:30:03,972
Let's hurry.

2301
01:30:04,172 --> 01:30:05,471
And now,

2302
01:30:05,472 --> 01:30:07,741
it's time for Kasper's Last Run.

2303
01:30:07,742 --> 01:30:08,942
Are you ready?

2304
01:30:09,142 --> 01:30:10,742
(He's ready.)

2305
01:30:11,342 --> 01:30:13,282
Ready, fight!

2306
01:30:15,282 --> 01:30:16,321
(Synopsis: Expression of mutual destruction...)

2307
01:30:16,322 --> 01:30:17,351
(of human duality and inevitable contradiction)

2308
01:30:17,352 --> 01:30:18,421
(Main characters: Kasper, ego that tries to maintain inner peace,)

2309
01:30:18,422 --> 01:30:19,452
(Shuri, the conflicting ego that destroys oneself)

2310
01:30:19,492 --> 01:30:20,592
(Performance by Team Kasper)

2311
01:30:24,622 --> 01:30:25,691
Gosh, check out the presentation.

2312
01:30:25,692 --> 01:30:27,032
He disappeared.

2313
01:30:27,132 --> 01:30:28,732
(Focused)

2314
01:30:28,832 --> 01:30:31,062
That's so impressive! Oh, my gosh!

2315
01:30:38,442 --> 01:30:39,772
The fog was well used.

2316
01:30:41,172 --> 01:30:42,781
He's filming a music video.

2317
01:30:42,782 --> 01:30:44,512
He went epic.

2318
01:30:46,852 --> 01:30:49,951
This one feels like a show with the movement of the lights.

2319
01:30:49,952 --> 01:30:51,221
It's like watching a concert.

2320
01:30:51,222 --> 01:30:53,392
Kasper is taking TAEMIN's role.

2321
01:30:56,762 --> 01:30:58,862
(Cheering)

2322
01:30:59,032 --> 01:31:00,631
- He made it eye-catching. - Right.

2323
01:31:00,632 --> 01:31:02,602
I believe our performance was more impressive.

2324
01:31:04,262 --> 01:31:07,101
(Back Koo Young's signature choreography part in "Guilty")

2325
01:31:07,102 --> 01:31:08,531
He has been possessed by TAEMIN.

2326
01:31:08,532 --> 01:31:10,101
It feels completely different.

2327
01:31:10,102 --> 01:31:12,742
This one makes you focus even more.

2328
01:31:19,152 --> 01:31:20,182
I like it.

2329
01:31:22,422 --> 01:31:23,582
I like this formation.

2330
01:31:23,722 --> 01:31:24,952
(Satisfied)

2331
01:31:26,392 --> 01:31:28,251
They're against each other.

2332
01:31:28,252 --> 01:31:30,462
It's the mirror image!

2333
01:31:30,792 --> 01:31:33,731
This seems like the signature part. It was planned out well.

2334
01:31:33,732 --> 01:31:36,462
There was a diagonal transition and it turned out well.

2335
01:31:37,902 --> 01:31:39,231
Shuri, the super dancer.

2336
01:31:39,232 --> 01:31:41,532
Someone has come inside Shuri.

2337
01:31:45,542 --> 01:31:47,112
Gosh, there you go, Shuri!

2338
01:31:50,612 --> 01:31:52,881
- Hey! - They worked hard with the lights.

2339
01:31:52,882 --> 01:31:54,312
He's using the lights really well.

2340
01:31:56,852 --> 01:31:58,582
I thought my team could be in danger.

2341
01:31:58,822 --> 01:31:59,852
(Screaming)

2342
01:32:00,052 --> 01:32:02,522
He's not an easy opponent. He won't go down.

2343
01:32:12,002 --> 01:32:13,802
He's flying around.

2344
01:32:19,672 --> 01:32:21,312
(Amazed by the lights)

2345
01:32:21,812 --> 01:32:23,042
The lights are insane.

2346
01:32:26,612 --> 01:32:31,622
(Back Koo Young's signature choreography part in "Love Shot")

2347
01:32:32,252 --> 01:32:35,592
He made it feel more like a fantasy.

2348
01:32:36,492 --> 01:32:38,522
Are they making an arrow for "Love Shot?"

2349
01:32:39,692 --> 01:32:40,692
They're the two suns.

2350
01:32:40,693 --> 01:32:42,562
This team used the lights really well.

2351
01:32:50,802 --> 01:32:52,102
So clean.

2352
01:32:56,982 --> 01:32:58,712
- Let's go. - Let's go.

2353
01:32:58,742 --> 01:33:00,152
Let's go, Penrose!

2354
01:33:00,252 --> 01:33:01,681
Come on, Penrose!

2355
01:33:01,682 --> 01:33:03,221
- Gosh, I'm a huge fan. - Let's go!

2356
01:33:03,222 --> 01:33:05,352
- Let's go! - Let's go!

2357
01:33:05,722 --> 01:33:06,952
Let's go, Penrose!

2358
01:33:07,622 --> 01:33:09,292
Gosh, they're so good!

2359
01:33:10,222 --> 01:33:11,592
The pop can be seen from here.

2360
01:33:13,362 --> 01:33:14,431
He brought these three?

2361
01:33:14,432 --> 01:33:15,461
How can they dance like that?

2362
01:33:15,462 --> 01:33:16,632
They're such great dancers.

2363
01:33:19,502 --> 01:33:20,671
(Audience satisfaction: 100 percent)

2364
01:33:20,672 --> 01:33:21,772
Nino!

2365
01:33:25,042 --> 01:33:27,642
It feels like this team has more talented dancers.

2366
01:33:27,772 --> 01:33:29,011
Shuri is insane.

2367
01:33:29,012 --> 01:33:30,512
He's such a great dancer.

2368
01:33:30,782 --> 01:33:32,412
Let's go! Yes!

2369
01:33:33,052 --> 01:33:34,112
There we go.

2370
01:33:39,992 --> 01:33:41,791
It looks nice with the two tall ones.

2371
01:33:41,792 --> 01:33:42,792
That's insane.

2372
01:33:46,862 --> 01:33:49,102
Hold on. It's completely different from the rehearsal.

2373
01:33:57,602 --> 01:34:00,411
- That was great! - Awesome!

2374
01:34:00,412 --> 01:34:02,111
Nice!

2375
01:34:02,112 --> 01:34:04,611
(Watch the comparison video on "The CHOOM" and "Mnet Plus.")

2376
01:34:04,612 --> 01:34:05,612
(Kasper's performance is over.)

2377
01:34:05,613 --> 01:34:07,511
The energy for the ending was great.

2378
01:34:07,512 --> 01:34:08,812
- Right. - The ending was great.

2379
01:34:09,122 --> 01:34:12,451
The lights were definitely captivating.

2380
01:34:12,452 --> 01:34:13,492
Right.

2381
01:34:14,252 --> 01:34:15,892
The lights were insane.

2382
01:34:16,022 --> 01:34:19,192
The lights were really important for this performance.

2383
01:34:19,362 --> 01:34:20,492
Yummy lights.

2384
01:34:20,592 --> 01:34:22,931
Do you know what's incredible?

2385
01:34:22,932 --> 01:34:24,802
I had Koo Young in my mind as the winner.

2386
01:34:25,062 --> 01:34:26,231
Has your mind changed?

2387
01:34:26,232 --> 01:34:27,332
I think it will.

2388
01:34:27,772 --> 01:34:28,932
I prefer Koo Young's performance.

2389
01:34:29,702 --> 01:34:31,472
There was something thrilling about it.

2390
01:34:32,172 --> 01:34:34,141
- This is a win by a landslide. - This one?

2391
01:34:34,142 --> 01:34:35,312
It's the opposite for me.

2392
01:34:35,982 --> 01:34:40,182
I'm not sure what the Judges will think about the lights.

2393
01:34:40,712 --> 01:34:43,021
It will be a headache for them.

2394
01:34:43,022 --> 01:34:44,622
I don't know what to expect.

2395
01:34:46,492 --> 01:34:48,352
Please come up to the stage, Back Koo Young.

2396
01:34:51,692 --> 01:34:53,062
Great job.

2397
01:34:55,132 --> 01:34:56,901
We will hear the evaluation...

2398
01:34:56,902 --> 01:34:59,602
on Back Koo Young's Last Run.

2399
01:34:59,802 --> 01:35:01,701
The whole show as a thing,

2400
01:35:01,702 --> 01:35:03,601
so much happened in the first half...

2401
01:35:03,602 --> 01:35:05,101
that I was kind of just like...

2402
01:35:05,102 --> 01:35:06,671
I will say that I didn't like...

2403
01:35:06,672 --> 01:35:08,441
transitioning like this...

2404
01:35:08,442 --> 01:35:10,412
or running like this.

2405
01:35:11,412 --> 01:35:13,682
(The transitions were done in a stooped posture.)

2406
01:35:13,952 --> 01:35:15,251
But I know you're more talented than that...

2407
01:35:15,252 --> 01:35:17,152
and I know where you're telling us to focus.

2408
01:35:17,282 --> 01:35:19,752
You just have to know that you're still...

2409
01:35:19,992 --> 01:35:21,091
You're always performing.

2410
01:35:21,092 --> 01:35:23,062
It feels very...

2411
01:35:23,592 --> 01:35:26,162
I dont know. College level?

2412
01:35:27,032 --> 01:35:28,191
Gosh.

2413
01:35:28,192 --> 01:35:29,702
I felt a chill down my spine.

2414
01:35:30,032 --> 01:35:32,201
He wasn't able to make a good start.

2415
01:35:32,202 --> 01:35:33,332
There's a gap.

2416
01:35:33,472 --> 01:35:35,771
I didn't feel anything crazy...

2417
01:35:35,772 --> 01:35:37,802
until the girl showed up in the middle...

2418
01:35:37,972 --> 01:35:39,441
and then feel something...

2419
01:35:39,442 --> 01:35:40,941
in the second half. That's what I got.

2420
01:35:40,942 --> 01:35:43,081
That girl showed up and I went, "Woah."

2421
01:35:43,082 --> 01:35:45,581
And then she ends up over there, and I'm like, "Wow!"

2422
01:35:45,582 --> 01:35:48,311
"This is great!" I even told them, "That was so cool!"

2423
01:35:48,312 --> 01:35:50,621
I was like, "That was so cool!" Amazing job.

2424
01:35:50,622 --> 01:35:51,622
(Satisfied)

2425
01:35:51,722 --> 01:35:54,921
While watching the rehearsal yesterday,

2426
01:35:54,922 --> 01:35:57,891
it felt like you were struggling as you tried to take care of...

2427
01:35:57,892 --> 01:36:00,891
many different things on your own. That was disappointing to see.

2428
01:36:00,892 --> 01:36:02,931
But with today's performance,

2429
01:36:02,932 --> 01:36:06,671
I believe you've done a lot with your own abilities.

2430
01:36:06,672 --> 01:36:09,841
With you as an experienced lead,

2431
01:36:09,842 --> 01:36:13,842
it was impressive how the performance was well-structered.

2432
01:36:14,172 --> 01:36:17,241
As the story was expressed well,

2433
01:36:17,242 --> 01:36:20,582
the meaning of the running made sense.

2434
01:36:20,912 --> 01:36:23,581
I was impressed by the expression of...

2435
01:36:23,582 --> 01:36:26,422
how the man and woman failed to meet each other.

2436
01:36:26,722 --> 01:36:27,921
Was there a significant reason...

2437
01:36:27,922 --> 01:36:31,361
for the music to be struck exactly on the beat?

2438
01:36:31,362 --> 01:36:32,562
Gosh, that's sharp.

2439
01:36:32,862 --> 01:36:36,032
There were quite a lot of dancers without any stage experience.

2440
01:36:36,762 --> 01:36:38,801
I didn't make the rhythm-making feel difficult.

2441
01:36:38,802 --> 01:36:40,831
I came up with a choreography that was on the beat...

2442
01:36:40,832 --> 01:36:44,102
and uniformized the dancers to be seen as one big chunk.

2443
01:36:44,472 --> 01:36:46,871
It was the process to bring up the quality as much as possible.

2444
01:36:46,872 --> 01:36:48,241
That point...

2445
01:36:48,242 --> 01:36:50,681
was right up my alley.

2446
01:36:50,682 --> 01:36:53,481
I noticed that you tried to fit the density of that energy...

2447
01:36:53,482 --> 01:36:54,482
in one beat.

2448
01:36:54,483 --> 01:36:57,222
I want to give you a big round of applause for the quality.

2449
01:36:59,492 --> 01:37:02,922
I felt so grateful that she noticed those things.

2450
01:37:02,962 --> 01:37:05,021
The Judges are so sharp.

2451
01:37:05,022 --> 01:37:07,732
Gosh, I never thought about losing.

2452
01:37:08,332 --> 01:37:10,762
I felt a rush of anxiety.

2453
01:37:10,862 --> 01:37:12,202
Gosh, I'm feeling nervous.

2454
01:37:12,362 --> 01:37:14,002
(What did they think about Kasper's Last Run?)

2455
01:37:14,232 --> 01:37:17,101
You're also a person who likes making challenges.

2456
01:37:17,102 --> 01:37:18,541
This was the challenge you made.

2457
01:37:18,542 --> 01:37:21,511
The objects you must have used many different times before...

2458
01:37:21,512 --> 01:37:23,711
were placed at an important part.

2459
01:37:23,712 --> 01:37:26,611
The expressions you wanted to make of the ego...

2460
01:37:26,612 --> 01:37:28,781
were clearly presented.

2461
01:37:28,782 --> 01:37:31,051
You understood many different types of lights.

2462
01:37:31,052 --> 01:37:33,222
You did well to use those lights...

2463
01:37:34,252 --> 01:37:35,821
in an effective way.

2464
01:37:35,822 --> 01:37:37,791
I learned a lot from you. Thank you.

2465
01:37:37,792 --> 01:37:39,431
I loved that you started small.

2466
01:37:39,432 --> 01:37:41,591
Especially because the stage is so big.

2467
01:37:41,592 --> 01:37:44,201
You took the lighting away. You took everything away.

2468
01:37:44,202 --> 01:37:48,331
Small dramatics. The smoke came in, and then all the dancers showed up.

2469
01:37:48,332 --> 01:37:50,772
It just took me into your world.

2470
01:37:51,002 --> 01:37:52,672
A lot of good things were said to me.

2471
01:37:52,812 --> 01:37:54,841
"I did it. I survived."

2472
01:37:54,842 --> 01:37:56,311
I've got to admit.

2473
01:37:56,312 --> 01:37:58,482
The first half was better than the second half.

2474
01:37:58,782 --> 01:38:01,452
"What? What's going on all of a sudden?"

2475
01:38:01,552 --> 01:38:04,521
You're making me feel like my heart is beating...

2476
01:38:04,522 --> 01:38:05,881
"Oh, my gosh! What's going to happen?"

2477
01:38:05,882 --> 01:38:08,292
And then, when the beat drops and the moment happens...

2478
01:38:08,452 --> 01:38:10,622
(The buildup phase)

2479
01:38:11,922 --> 01:38:13,931
It just doesn't make me explode...

2480
01:38:13,932 --> 01:38:15,562
the way you're making me feel the setup.

2481
01:38:15,762 --> 01:38:17,231
Your setups are so good.

2482
01:38:17,232 --> 01:38:20,032
You need to be able to pay it off right when you get to the top. Okay?

2483
01:38:20,332 --> 01:38:23,342
It made me wonder if I was going to lose again.

2484
01:38:23,872 --> 01:38:25,841
The moment I heard the evaluations from the judges,

2485
01:38:25,842 --> 01:38:27,211
I thought I was going to win.

2486
01:38:27,212 --> 01:38:28,872
I was certain that I was going to win.

2487
01:38:29,012 --> 01:38:31,311
When you compare the formation of their performances,

2488
01:38:31,312 --> 01:38:32,982
Kasper's performance was more varied.

2489
01:38:33,152 --> 01:38:35,481
But from a judge's perspective,

2490
01:38:35,482 --> 01:38:38,252
I'd say that this guy's performance made a greater impact.

2491
01:38:38,352 --> 01:38:39,792
- Sounds good. - Okay.

2492
01:38:40,092 --> 01:38:41,151
Let's do that.

2493
01:38:41,152 --> 01:38:43,492
Kasper definitely came up with better setups.

2494
01:38:43,792 --> 01:38:47,192
But wasn't his storyline a bit less clear than Koo Young's?

2495
01:38:47,432 --> 01:38:48,691
Koo Young's performance had a solid storyline.

2496
01:38:48,692 --> 01:38:51,131
But Kasper just had a high level of performance. Right?

2497
01:38:51,132 --> 01:38:53,132
Earlier in the 1-on-1 Signature 400 Mission,

2498
01:38:53,272 --> 01:38:54,331
the choreographers faced off...

2499
01:38:54,332 --> 01:38:56,202
in the signature choreography takeover match.

2500
01:38:56,502 --> 01:38:58,242
Koo Young took the win,

2501
01:38:58,402 --> 01:39:00,612
and the song, "Guilty," went to Koo Young.

2502
01:39:00,812 --> 01:39:03,081
Will Koo Young be able to keep the momentum going...

2503
01:39:03,082 --> 01:39:06,082
and secure his spot on the Credit Board as a director?

2504
01:39:06,282 --> 01:39:07,282
It was my choreography.

2505
01:39:07,283 --> 01:39:09,312
I couldn't let him become the director.

2506
01:39:09,522 --> 01:39:10,951
Or will Kasper turn the tables...

2507
01:39:10,952 --> 01:39:13,721
and establish himself as a director?

2508
01:39:13,722 --> 01:39:16,522
I believe my name deserves to go to the board as the director.

2509
01:39:16,922 --> 01:39:18,262
We'll reveal it now.

2510
01:39:18,592 --> 01:39:19,692
- Yes! - Let's go!

2511
01:39:20,392 --> 01:39:22,492
- Oh, please. - This is making me nervous.

2512
01:39:22,762 --> 01:39:24,102
- Please. - I'm getting more nervous for him.

2513
01:39:24,602 --> 01:39:25,902
I think Kasper is going to win.

2514
01:39:26,062 --> 01:39:27,971
I'd say Koo Young's performance...

2515
01:39:27,972 --> 01:39:29,171
exploded with an wow factor.

2516
01:39:29,172 --> 01:39:30,842
It's neck and neck.

2517
01:39:33,542 --> 01:39:35,212
I have no idea how this is going to pan out.

2518
01:39:35,542 --> 01:39:37,842
I'll win for sure. It's impossible to lose with this performance.

2519
01:39:37,982 --> 01:39:39,552
I can definitely turn the tables around.

2520
01:39:39,812 --> 01:39:41,612
(1-on-1 Signature 400 Mission)

2521
01:39:46,822 --> 01:39:47,851
What?

2522
01:39:47,852 --> 01:39:48,992
For real? Why?

2523
01:39:49,092 --> 01:39:51,562
(1-on-1 Signature 400 Mission)

2524
01:39:51,622 --> 01:39:53,732
(Kasper wins.)

2525
01:39:54,062 --> 01:39:58,361
- Yes! - Yes!

2526
01:39:58,362 --> 01:40:00,032
I heard people cheering.

2527
01:40:00,732 --> 01:40:02,502
(Cheering)

2528
01:40:03,172 --> 01:40:04,172
(Screaming)

2529
01:40:07,272 --> 01:40:09,072
There was a huge burst of cheering.

2530
01:40:09,412 --> 01:40:10,512
(Checking the results)

2531
01:40:12,112 --> 01:40:13,112
(Feeling proud)

2532
01:40:13,582 --> 01:40:14,612
I won.

2533
01:40:18,052 --> 01:40:19,922
(Koo Young checks the final results too.)

2534
01:40:20,352 --> 01:40:21,622
(Nodding)

2535
01:40:22,552 --> 01:40:23,692
(Well done.)

2536
01:40:23,792 --> 01:40:24,861
- Kasper! - Kasper!

2537
01:40:24,862 --> 01:40:27,232
It was a well-earned victory.

2538
01:40:27,432 --> 01:40:28,562
Well done. Great work.

2539
01:40:28,792 --> 01:40:30,732
- Yes! - Yes!

2540
01:40:31,102 --> 01:40:33,001
A wave of mixed feelings came over me.

2541
01:40:33,002 --> 01:40:34,372
- Kasper! - I was happy.

2542
01:40:34,872 --> 01:40:35,901
- But I was concerned about him too. - Kasper!

2543
01:40:35,902 --> 01:40:38,401
- Kasper! - Kasper!

2544
01:40:38,402 --> 01:40:39,541
- Kasper! - Kasper.

2545
01:40:39,542 --> 01:40:41,842
- Kasper! - How do you feel now?

2546
01:40:50,122 --> 01:40:52,822
(Kasper is having a hard time finding his words.)

2547
01:41:03,432 --> 01:41:04,501
My goodness.

2548
01:41:04,502 --> 01:41:06,772
(He bursts into tears he's been holding back.)

2549
01:41:08,272 --> 01:41:10,701
(Koo Young can't bring himself to look at Kasper who's crying now.)

2550
01:41:10,702 --> 01:41:12,872
(Koo Young can't bring himself to look at Kasper who's crying now.)

2551
01:41:17,842 --> 01:41:18,842
To be honest, during this mission,

2552
01:41:19,782 --> 01:41:22,082
I felt like I was standing on the edge of a cliff.

2553
01:41:22,382 --> 01:41:26,822
I did all this to prove to people who the real director was.

2554
01:41:28,692 --> 01:41:30,462
(Fumbling)

2555
01:41:30,922 --> 01:41:32,591
(During the signature choreography takeover match,)

2556
01:41:32,592 --> 01:41:34,632
(he faced crisis after crisis.)

2557
01:41:35,192 --> 01:41:36,502
I lost with the score of 9 to 0.

2558
01:41:37,602 --> 01:41:39,302
My expected rank during the mid-point review...

2559
01:41:39,672 --> 01:41:40,702
(In disbelief)

2560
01:41:41,302 --> 01:41:43,542
I lost again with 7 to 1.

2561
01:41:44,042 --> 01:41:45,272
It made me wonder...

2562
01:41:46,512 --> 01:41:47,672
if I shouldn't have joined this show at all.

2563
01:41:48,672 --> 01:41:49,742
I thought...

2564
01:41:50,242 --> 01:41:51,882
I was doing a good job as a director.

2565
01:41:52,042 --> 01:41:53,481
But afterward, I kept doubting myself...

2566
01:41:53,482 --> 01:41:55,381
and thought I was wrong.

2567
01:41:55,382 --> 01:41:56,382
But now,

2568
01:41:57,182 --> 01:41:59,181
it feels like I finally got the validation...

2569
01:41:59,182 --> 01:42:02,452
that I was right. So I'm very grateful for that.

2570
01:42:09,662 --> 01:42:10,802
He handled this crisis really well.

2571
01:42:12,402 --> 01:42:14,732
I'm very happy right now.

2572
01:42:15,032 --> 01:42:18,441
I felt this way even before getting evaluated.

2573
01:42:18,442 --> 01:42:20,512
It didn't matter who won. Me or Kasper.

2574
01:42:20,672 --> 01:42:22,542
I knew I was going to be happy no matter what.

2575
01:42:22,642 --> 01:42:25,382
Now that it happened, I'm actually very happy for him.

2576
01:42:27,552 --> 01:42:29,052
This is odd, isn't it?

2577
01:42:30,952 --> 01:42:33,322
(During Kasper's performance)

2578
01:42:33,422 --> 01:42:34,551
Clap a lot when he finishes.

2579
01:42:34,552 --> 01:42:35,552
- Okay. - Okay.

2580
01:42:35,692 --> 01:42:39,061
As you saw, Kasper went through a lot...

2581
01:42:39,062 --> 01:42:40,392
to pull off this performance.

2582
01:42:40,992 --> 01:42:44,532
I could see how hard it was for him in his eyes.

2583
01:42:46,602 --> 01:42:49,501
I ended up rooting for Kasper before I realized it.

2584
01:42:49,502 --> 01:42:50,702
That's a cool way to end the performance.

2585
01:42:52,102 --> 01:42:55,312
I prayed with the others that he would finish strong.

2586
01:42:56,212 --> 01:42:59,042
So in a way, I'm happy it turned out this way.

2587
01:42:59,242 --> 01:43:01,482
Kasper got more confidence from this.

2588
01:43:01,882 --> 01:43:04,022
So I'm satisfied with it.

2589
01:43:06,392 --> 01:43:07,622
I was so happy.

2590
01:43:07,852 --> 01:43:11,222
I was incredibly happy to show Koo Young that I had improved.

2591
01:43:11,292 --> 01:43:14,762
I could feel that he was sincerely congratulating me.

2592
01:43:14,932 --> 01:43:16,032
I was so grateful.

2593
01:43:18,862 --> 01:43:23,642
Judging the two of you took a heavy emotional toll...

2594
01:43:24,772 --> 01:43:26,741
on me.

2595
01:43:26,742 --> 01:43:28,911
Actually, this is still taxing on me.

2596
01:43:28,912 --> 01:43:30,541
I know better than anyone...

2597
01:43:30,542 --> 01:43:33,381
how you guys grew as choreographers and about your struggles.

2598
01:43:33,382 --> 01:43:36,312
Watching you perform gave me a lot to think about.

2599
01:43:36,522 --> 01:43:38,552
But this is still a competition.

2600
01:43:38,722 --> 01:43:42,492
I tried my best to judge your performances objectively.

2601
01:43:42,622 --> 01:43:44,761
Both of you are outstanding dancers...

2602
01:43:44,762 --> 01:43:47,031
as performers and players in this competition.

2603
01:43:47,032 --> 01:43:48,661
Your dance skills are on par with each other.

2604
01:43:48,662 --> 01:43:49,702
However...

2605
01:43:49,932 --> 01:43:51,361
To me, I think it is this difference.

2606
01:43:51,362 --> 01:43:53,801
If this was a dance competition,

2607
01:43:53,802 --> 01:43:55,101
then I think this one wins.

2608
01:43:55,102 --> 01:43:56,102
- Right. - Please interpret.

2609
01:43:56,103 --> 01:43:57,771
You also got to understand...

2610
01:43:57,772 --> 01:44:00,212
you're not just talking to dancers. You're talking to the whole world.

2611
01:44:00,412 --> 01:44:02,741
So a non-dancer who watches this...

2612
01:44:02,742 --> 01:44:04,841
What are they going to be able to describe from this? So...

2613
01:44:04,842 --> 01:44:06,312
I feel the same way.

2614
01:44:06,512 --> 01:44:08,211
When I considered the fact that this would air all around the world,

2615
01:44:08,212 --> 01:44:09,922
not just in Korea,

2616
01:44:10,022 --> 01:44:11,921
I thought Kasper came up with...

2617
01:44:11,922 --> 01:44:14,451
more interesting setups that we hadn't seen before.

2618
01:44:14,452 --> 01:44:16,421
The utilization of the dancers...

2619
01:44:16,422 --> 01:44:20,532
was more dynamic and colorful. With that in mind,

2620
01:44:20,632 --> 01:44:22,732
I voted for Kasper.

2621
01:44:24,162 --> 01:44:25,832
(Thank you.)

2622
01:44:28,702 --> 01:44:30,741
In the end, the sole choreographer...

2623
01:44:30,742 --> 01:44:33,111
who successfully got his name on the Credit Board...

2624
01:44:33,112 --> 01:44:35,042
as a director was Kasper.

2625
01:44:37,242 --> 01:44:39,412
- Great job. - Say goodbye to your dancers.

2626
01:44:40,552 --> 01:44:42,212
(Shim Jae Won showers the choreographers with applause.)

2627
01:44:42,552 --> 01:44:43,982
(My team is the best!)

2628
01:44:46,592 --> 01:44:48,752
(I did it!)

2629
01:44:48,922 --> 01:44:50,291
- Kasper! - Kasper!

2630
01:44:50,292 --> 01:44:53,332
(You're such a crybaby)

2631
01:44:53,562 --> 01:44:54,832
(The crybaby is just happy.)

2632
01:44:55,132 --> 01:44:57,761
I felt bad that I might have hurt their feelings...

2633
01:44:57,762 --> 01:44:59,502
by being so blunt.

2634
01:44:59,562 --> 01:45:01,632
For some reason, I felt bad.

2635
01:45:02,202 --> 01:45:03,542
Of course, I was grateful.

2636
01:45:03,602 --> 01:45:06,512
(Enjoying the victory to the fullest)

2637
01:45:07,312 --> 01:45:08,872
Well done, no:ze.

2638
01:45:09,012 --> 01:45:10,811
Seriously. You did a great job.

2639
01:45:10,812 --> 01:45:11,841
You were great, Koo Young.

2640
01:45:11,842 --> 01:45:13,211
Great job, everyone.

2641
01:45:13,212 --> 01:45:14,811
- Good work. - Good work.

2642
01:45:14,812 --> 01:45:16,752
Of course, I'm disappointed. This is a competition.

2643
01:45:17,022 --> 01:45:18,752
I feel bad that we lost.

2644
01:45:19,082 --> 01:45:21,852
My dancers worked really hard.

2645
01:45:22,892 --> 01:45:27,062
I bet everyone got five bruises each.

2646
01:45:27,592 --> 01:45:28,592
They didn't have any stage experience,

2647
01:45:28,593 --> 01:45:30,161
and we met for the first time during this mission.

2648
01:45:30,162 --> 01:45:32,932
I honestly didn't expect them to keep up this well.

2649
01:45:33,302 --> 01:45:34,702
They worked hard...

2650
01:45:34,902 --> 01:45:36,872
to help me win.

2651
01:45:37,142 --> 01:45:39,912
I could totally feel their energy.

2652
01:45:40,142 --> 01:45:41,812
I was really touched.

2653
01:45:43,212 --> 01:45:46,851
We came behind in the judges' evaluation.

2654
01:45:46,852 --> 01:45:49,752
But what we can do is remember this process...

2655
01:45:50,022 --> 01:45:52,452
and we can hopefully meet again.

2656
01:45:53,152 --> 01:45:55,421
- Great job. - Good work!

2657
01:45:55,422 --> 01:45:57,592
(Thank you!)

2658
01:45:58,892 --> 01:46:00,632
Here you go. It's nothing big.

2659
01:46:01,162 --> 01:46:02,532
Thank you.

2660
01:46:02,892 --> 01:46:04,902
- Gosh, no. - Koo Young has handwritten letters.

2661
01:46:05,132 --> 01:46:06,731
(Koo Young wrote a letter by hand for every dancer...)

2662
01:46:06,732 --> 01:46:08,002
(to show his gratitude.)

2663
01:46:08,102 --> 01:46:10,972
I was really grateful that my dancers worked hard.

2664
01:46:11,642 --> 01:46:13,472
I wanted to express my gratitude.

2665
01:46:13,872 --> 01:46:17,242
I thanked everyone in the letters.

2666
01:46:18,082 --> 01:46:19,182
This is so sad.

2667
01:46:23,382 --> 01:46:25,881
If we ever get to work together again, I'll make us win.

2668
01:46:25,882 --> 01:46:28,392
(If we ever get to work together again, I'll make us win.)

2669
01:46:29,292 --> 01:46:31,762
(They're on the verge of tears.)

2670
01:46:36,932 --> 01:46:37,962
My goodness. What is this?

2671
01:46:38,132 --> 01:46:40,532
- Great job, Koo Young. - Thank you.

2672
01:46:40,802 --> 01:46:42,932
- Thank you! - Great job!

2673
01:46:43,772 --> 01:46:45,102
Today was...

2674
01:46:45,502 --> 01:46:47,942
a painful day, but I was happy at the same time.

2675
01:46:48,872 --> 01:46:52,042
The memories I made with them...

2676
01:46:52,182 --> 01:46:55,452
would be my own trophy from this mission.

2677
01:46:56,782 --> 01:46:58,122
JEONG MIN JUN versus Hash.

2678
01:46:58,352 --> 01:47:00,252
I was able to protect my choreography...

2679
01:47:00,692 --> 01:47:02,292
and take over Hash's choreography too.

2680
01:47:02,822 --> 01:47:04,522
She said I might be going home early.

2681
01:47:04,792 --> 01:47:05,962
I'm just getting started.

2682
01:47:06,832 --> 01:47:08,991
(I'll bring everything out in my brain.)

2683
01:47:08,992 --> 01:47:11,362
The director spot wasn't filled yet.

2684
01:47:11,462 --> 01:47:13,832
I really wanted to take the credit as the director.

2685
01:47:14,132 --> 01:47:15,931
My brain started doing its thing.

2686
01:47:15,932 --> 01:47:17,271
"How should I direct this performance?"

2687
01:47:17,272 --> 01:47:20,241
A new performance with features...

2688
01:47:20,242 --> 01:47:21,572
of MIN JUN's choreography.

2689
01:47:21,872 --> 01:47:25,682
I thought that approach might be cooler and more original.

2690
01:47:26,142 --> 01:47:28,851
I felt confident that I could put on...

2691
01:47:28,852 --> 01:47:31,921
a performance where all 40 dancers moving as one.

2692
01:47:31,922 --> 01:47:34,751
Hash wasn't able to take the credit as the choreographer.

2693
01:47:34,752 --> 01:47:37,692
So she'll have to work harder to get credited as the director.

2694
01:47:38,492 --> 01:47:42,132
All right. I'm going to teach you the choreography today.

2695
01:47:42,492 --> 01:47:44,102
First of all, this isn't my choreography.

2696
01:47:44,402 --> 01:47:46,931
I took down Hash in a landslide victory.

2697
01:47:46,932 --> 01:47:48,131
I totally beat her.

2698
01:47:48,132 --> 01:47:49,902
(MIN JUN is the best.)

2699
01:47:50,042 --> 01:47:51,242
I have to learn it too.

2700
01:47:52,072 --> 01:47:56,712
I was worried about how my dancers would think of me.

2701
01:47:56,912 --> 01:47:58,782
So I couldn't look at them.

2702
01:47:59,442 --> 01:48:01,311
Let's start from the top.

2703
01:48:01,312 --> 01:48:02,552
Inhale as much as you can.

2704
01:48:02,752 --> 01:48:05,522
I tried to make it look like I was doing my best to teach them...

2705
01:48:05,722 --> 01:48:07,292
while I deliberately held back.

2706
01:48:07,822 --> 01:48:09,322
(Flustered)

2707
01:48:09,592 --> 01:48:10,721
One, two...

2708
01:48:10,722 --> 01:48:12,022
This was a choreography workshop.

2709
01:48:12,322 --> 01:48:13,592
I wasn't required to teach them every detail.

2710
01:48:13,692 --> 01:48:15,161
One, two, three, four.

2711
01:48:15,162 --> 01:48:17,662
That's it. The steps. And boom.

2712
01:48:18,132 --> 01:48:19,762
(Unable to understand the moves)

2713
01:48:19,902 --> 01:48:22,631
MIN JUN's teaching was just awful.

2714
01:48:22,632 --> 01:48:24,101
When we're performing as a big group,

2715
01:48:24,102 --> 01:48:27,671
we have to execute the same moves in perfect sync.

2716
01:48:27,672 --> 01:48:29,412
Hitting the counts is super crucial.

2717
01:48:30,142 --> 01:48:32,182
(He's not counting the beats at all.)

2718
01:48:32,382 --> 01:48:34,781
So you put your right hand down...

2719
01:48:34,782 --> 01:48:36,781
right after we count six.

2720
01:48:36,782 --> 01:48:38,151
- Right after six. - I was frustrated.

2721
01:48:38,152 --> 01:48:41,021
So I intervened during the workshop and tried to clear things up.

2722
01:48:41,022 --> 01:48:42,821
Three, four, and a five. What was that?

2723
01:48:42,822 --> 01:48:44,191
- Three, four, and a five. - Three, four, and a five.

2724
01:48:44,192 --> 01:48:45,292
Yes.

2725
01:48:45,592 --> 01:48:47,892
How could you be a director...

2726
01:48:48,192 --> 01:48:49,692
if you can't stay on count?

2727
01:48:49,792 --> 01:48:52,462
Getting crafty was my strategy.

2728
01:48:52,862 --> 01:48:54,271
All right, here's what we'll do.

2729
01:48:54,272 --> 01:48:56,702
Hash, could you show us what you have so far?

2730
01:48:56,842 --> 01:48:58,442
- What? Me? - Yes.

2731
01:48:58,672 --> 01:49:02,242
MIN JUN kept trying to provoke me.

2732
01:49:02,342 --> 01:49:03,441
Of course, I feel threatened by her.

2733
01:49:03,442 --> 01:49:04,842
She's my rival. That's only natural.

2734
01:49:05,312 --> 01:49:07,511
Me? Why don't we do it together?

2735
01:49:07,512 --> 01:49:08,911
I'm not feeling well.

2736
01:49:08,912 --> 01:49:10,621
I'm not feeling well either.

2737
01:49:10,622 --> 01:49:12,421
But you have to lead your team.

2738
01:49:12,422 --> 01:49:14,221
It didn't feel good.

2739
01:49:14,222 --> 01:49:17,292
I didn't want to show him any moves I developed at all.

2740
01:49:17,392 --> 01:49:19,392
So I was going to dance exactly what he taught me.

2741
01:49:19,692 --> 01:49:21,832
My choreography is quite hard to learn.

2742
01:49:27,572 --> 01:49:28,602
(Cheering)

2743
01:49:28,732 --> 01:49:29,732
Wow

2744
01:49:32,102 --> 01:49:34,542
(Perfectly copying MIN JUN's choreography)

2745
01:49:34,842 --> 01:49:36,042
(A feast for the eyes)

2746
01:49:36,782 --> 01:49:38,681
I was surprised too. She was good.

2747
01:49:38,682 --> 01:49:41,152
After watching her dance, I was quite worried.

2748
01:49:41,382 --> 01:49:44,251
MIN JUN, when you were teaching the choreography, it was so clear...

2749
01:49:44,252 --> 01:49:45,551
that I was going to win.

2750
01:49:45,552 --> 01:49:48,822
Here's the biggest reason why Team Hash will win.

2751
01:49:49,092 --> 01:49:50,791
Everyone, check out that guy over there.

2752
01:49:50,792 --> 01:49:53,962
He's the youngest dancer of my crew, COME HERE, Yoo Seung Ho.

2753
01:49:55,032 --> 01:49:58,132
I got COME HERE to join us.

2754
01:49:58,302 --> 01:49:59,801
Based on the direction of your performance,

2755
01:49:59,802 --> 01:50:02,731
you may recruit up to ten extra dancers.

2756
01:50:02,732 --> 01:50:06,642
As for my strategy, I'm going to need my crew.

2757
01:50:06,702 --> 01:50:08,171
They've been executing my choreography...

2758
01:50:08,172 --> 01:50:11,441
and performing with me for years and on.

2759
01:50:11,442 --> 01:50:14,752
I don't think I can compare them to anyone else.

2760
01:50:15,382 --> 01:50:16,451
MIN JUN.

2761
01:50:16,452 --> 01:50:19,282
Be honest. Aren't you scared that you're going up against me?

2762
01:50:19,622 --> 01:50:21,222
But Hash doesn't have The Stories.

2763
01:50:21,392 --> 01:50:23,592
My strategy is recruiting my crew.

2764
01:50:24,162 --> 01:50:25,821
My crew takes pride in...

2765
01:50:25,822 --> 01:50:28,162
creating high-quality performances.

2766
01:50:28,592 --> 01:50:29,732
This is my choreography.

2767
01:50:31,002 --> 01:50:32,601
My crew will do a great job executing my choreography.

2768
01:50:32,602 --> 01:50:34,672
I'll bring them in and show people how great my crew is.

2769
01:50:35,832 --> 01:50:37,442
But there's one thing...

2770
01:50:37,502 --> 01:50:40,842
about MIN JUN that I consider as a real threat.

2771
01:50:41,512 --> 01:50:43,811
It's the impact Lip J will bring.

2772
01:50:43,812 --> 01:50:45,542
(Team JEONG MIN JUN's powerful weapon, Lip J)

2773
01:50:48,412 --> 01:50:49,781
Let's try it.

2774
01:50:49,782 --> 01:50:52,421
One, two, three, four, five, six.

2775
01:50:52,422 --> 01:50:54,192
(The dancers including Lip J are sitting on the floor.)

2776
01:50:54,752 --> 01:50:57,191
One, two, three, four, five, six.

2777
01:50:57,192 --> 01:50:58,922
One, two, three, four.

2778
01:50:59,262 --> 01:51:01,691
(While they're practicing nonstop,)

2779
01:51:01,716 --> 01:51:04,226
(these dancers have been on standby for 30 minutes.)

2780
01:51:05,232 --> 01:51:08,001
The dancers are sitting on the floor because they have nothing to do.

2781
01:51:08,002 --> 01:51:09,072
Or they're just resting.

2782
01:51:09,872 --> 01:51:10,971
Okay.

2783
01:51:10,972 --> 01:51:13,441
Could you guys count with me?

2784
01:51:13,442 --> 01:51:16,071
- One, two, three, four, five, six. - One, two, three, four, five, six.

2785
01:51:16,072 --> 01:51:17,541
One, two, three, four...

2786
01:51:17,542 --> 01:51:20,412
I was wondering how he planned to utilize me in the performance.

2787
01:51:21,812 --> 01:51:23,452
Raise your hands if you're in the intro.

2788
01:51:23,982 --> 01:51:25,151
Could you come over here?

2789
01:51:25,152 --> 01:51:26,921
I want the rest of you to stand here...

2790
01:51:26,922 --> 01:51:28,192
(Do we have to count again?)

2791
01:51:28,392 --> 01:51:30,691
Wait, no. Let me finish this up quickly.

2792
01:51:30,692 --> 01:51:32,422
I'll call you guys in afterward.

2793
01:51:33,262 --> 01:51:35,661
When we were waiting, I would have appreciated it...

2794
01:51:35,662 --> 01:51:37,061
if he gave us a clear plan...

2795
01:51:37,062 --> 01:51:39,002
like telling us how long it would take.

2796
01:51:39,632 --> 01:51:42,772
He made poor and inefficient decisions.

2797
01:51:43,302 --> 01:51:44,442
Next...

2798
01:51:45,802 --> 01:51:46,842
Let me see.

2799
01:51:47,642 --> 01:51:48,672
Okay.

2800
01:51:49,812 --> 01:51:51,142
I'm sorry.

2801
01:51:53,282 --> 01:51:56,411
One, two, three.

2802
01:51:56,412 --> 01:51:58,321
(Stopping)

2803
01:51:58,322 --> 01:52:00,591
MIN JUN came up with a lot of ideas.

2804
01:52:00,592 --> 01:52:03,391
Let me show you the hand movements. One, two, three, four.

2805
01:52:03,392 --> 01:52:04,562
I changed them just now.

2806
01:52:05,622 --> 01:52:07,161
He tried something, and when he didn't like it,

2807
01:52:07,162 --> 01:52:08,191
he changed it.

2808
01:52:08,192 --> 01:52:09,791
But as for Director Hash,

2809
01:52:09,792 --> 01:52:12,731
she has a clear plan for her setups and choreography.

2810
01:52:12,732 --> 01:52:15,371
She runs the sessions more efficiently.

2811
01:52:15,372 --> 01:52:17,071
That's where I noticed the gap between them.

2812
01:52:17,072 --> 01:52:19,672
One, two, three, four, five, six.

2813
01:52:20,212 --> 01:52:22,372
I'm sorry. One, two, three...

2814
01:52:25,882 --> 01:52:28,252
To be honest, his teaching wasn't smooth.

2815
01:52:28,412 --> 01:52:30,821
When evaluating a director,

2816
01:52:30,822 --> 01:52:33,051
the overall composition and choreography matter a lot.

2817
01:52:33,052 --> 01:52:36,321
But how a director supports and manages dancers...

2818
01:52:36,322 --> 01:52:39,091
is another major part of their skill set.

2819
01:52:39,092 --> 01:52:40,591
Compares to Hash,

2820
01:52:40,592 --> 01:52:43,462
his ability as a director falls short.

2821
01:52:44,662 --> 01:52:49,172
(Kalvin, the leader of The Stories, is observing MIN JUN direct.)

2822
01:52:49,572 --> 01:52:51,872
Here's what I've noticed about you.

2823
01:52:51,972 --> 01:52:55,072
The biggest difference between you and the rest comes down to...

2824
01:52:55,312 --> 01:52:56,472
dancer management.

2825
01:52:56,712 --> 01:52:58,141
Gosh, it's really tough.

2826
01:52:58,142 --> 01:52:59,382
How do I manage them?

2827
01:53:00,382 --> 01:53:03,752
I'm not really used to managing new dancers.

2828
01:53:04,282 --> 01:53:06,922
I'm having a hard time figuring out what to do.

2829
01:53:08,752 --> 01:53:10,151
How is it for you?

2830
01:53:10,152 --> 01:53:11,621
It was my first time...

2831
01:53:11,622 --> 01:53:13,221
- directing 40 dancers. - Yes.

2832
01:53:13,222 --> 01:53:16,132
I don't know how to bring them together as one team.

2833
01:53:17,362 --> 01:53:19,701
I watched you today. And this question kept popping in.

2834
01:53:19,702 --> 01:53:22,702
"Will everyone enjoy performing your choreography?"

2835
01:53:22,972 --> 01:53:25,172
That question nagged at me.

2836
01:53:25,402 --> 01:53:27,572
(Feeling bitter)

2837
01:53:28,372 --> 01:53:31,241
There must be dancers who might not enjoy it.

2838
01:53:31,242 --> 01:53:32,312
(He kept fixing his choreography to no end.)

2839
01:53:33,612 --> 01:53:34,811
I don't know...

2840
01:53:34,812 --> 01:53:36,711
how to approach them or bond with them.

2841
01:53:36,712 --> 01:53:38,681
I'm so lost when it comes to that.

2842
01:53:38,682 --> 01:53:40,822
I really want to try it, but I don't know where to start.

2843
01:53:42,192 --> 01:53:43,622
What is it for you?

2844
01:53:43,822 --> 01:53:45,022
It's the sense of belonging.

2845
01:53:46,122 --> 01:53:47,992
It's nice to start with small things.

2846
01:53:49,092 --> 01:53:50,802
I'll give it a try.

2847
01:53:50,902 --> 01:53:52,001
Thank you.

2848
01:53:52,002 --> 01:53:53,162
(He finishes the phone call with Kalvin.)

2849
01:53:53,802 --> 01:53:54,802
(Sighing)

2850
01:53:54,803 --> 01:53:56,301
It felt like I missed a huge mistake.

2851
01:53:56,302 --> 01:53:58,772
I treated them strictly as colleagues.

2852
01:53:58,842 --> 01:54:00,072
I realized that...

2853
01:54:00,912 --> 01:54:03,512
I had missed a lot of things as a director.

2854
01:54:04,882 --> 01:54:06,912
(MIN JUN is deep in thought.)

2855
01:54:07,012 --> 01:54:10,921
I kept trying to figure out a way to bring my team together...

2856
01:54:10,922 --> 01:54:12,882
like a family

2857
01:54:14,152 --> 01:54:15,291
Hello.

2858
01:54:15,292 --> 01:54:17,861
Did you get my letters?

2859
01:54:17,862 --> 01:54:18,992
- Yes! - Yes!

2860
01:54:19,462 --> 01:54:20,592
I cried.

2861
01:54:20,962 --> 01:54:22,092
Thank you.

2862
01:54:22,732 --> 01:54:26,031
It was just a small gesture to express...

2863
01:54:26,032 --> 01:54:28,632
how grateful and sorry I was.

2864
01:54:28,732 --> 01:54:30,602
(He wrote letters from the bottom of his heart after their practice.)

2865
01:54:31,072 --> 01:54:33,642
I apologized for not giving them clear explanations.

2866
01:54:34,472 --> 01:54:36,772
I wrote a letter, so they'd open up to me.

2867
01:54:38,142 --> 01:54:39,211
Did you like the food?

2868
01:54:39,212 --> 01:54:40,451
- Yes. - Really?

2869
01:54:40,452 --> 01:54:41,551
How's the practice going?

2870
01:54:41,552 --> 01:54:43,412
- How's the practice going? - It's fun.

2871
01:54:43,452 --> 01:54:44,722
- Really? - Yes.

2872
01:54:44,852 --> 01:54:45,852
(Touched and proud)

2873
01:54:46,122 --> 01:54:48,691
We formed a bond too.

2874
01:54:48,692 --> 01:54:51,321
It felt like I became a director they could rely on.

2875
01:54:51,322 --> 01:54:52,362
I was so happy.

2876
01:54:52,692 --> 01:54:55,032
Team Hash will begin their rehearsal.

2877
01:54:55,192 --> 01:54:57,802
- Hello. - Hello.

2878
01:54:58,132 --> 01:55:00,472
It looks like they have experience in performing as a big group.

2879
01:55:00,572 --> 01:55:01,731
They have a dress code.

2880
01:55:01,732 --> 01:55:03,172
They're trained for competitions like this.

2881
01:55:03,602 --> 01:55:06,441
I remember her being super original.

2882
01:55:06,442 --> 01:55:07,772
I'm looking forward to it.

2883
01:55:07,842 --> 01:55:10,711
I read her synopsis and her strategy for dancer management.

2884
01:55:10,712 --> 01:55:12,482
She was definitely ambitious.

2885
01:55:12,812 --> 01:55:15,211
It's the clash between the ego and the unconscious.

2886
01:55:15,212 --> 01:55:16,981
The ego and the unconscious.

2887
01:55:16,982 --> 01:55:18,322
This is such a complicated idea.

2888
01:55:18,582 --> 01:55:19,781
It's indeed a profound idea to explore.

2889
01:55:19,782 --> 01:55:21,622
She can show all this just in 2 minutes and 15 seconds?

2890
01:55:22,092 --> 01:55:24,492
But I must say I'm curious about her approach.

2891
01:55:24,592 --> 01:55:26,922
Since she had formal dance training, her technique level must be high.

2892
01:55:27,392 --> 01:55:29,532
She might be able to show us a crazy performance.

2893
01:55:29,932 --> 01:55:32,531
MIN JUN, I gave it my all...

2894
01:55:32,532 --> 01:55:33,561
to beat you.

2895
01:55:33,562 --> 01:55:36,302
There's a technique I'd like everyone to try.

2896
01:55:36,672 --> 01:55:39,372
Five, six, seven, eight. One.

2897
01:55:39,802 --> 01:55:40,871
This is it.

2898
01:55:40,872 --> 01:55:41,872
Are you all right?

2899
01:55:41,873 --> 01:55:44,681
It's our secret move. We have to do it. How could we not?

2900
01:55:44,682 --> 01:55:47,551
It only takes a day to learn it, but it looks super advanced.

2901
01:55:47,552 --> 01:55:48,781
But other dancers rarely does this move.

2902
01:55:48,782 --> 01:55:50,682
I know a lot of these moves.

2903
01:55:50,922 --> 01:55:52,621
I'm certain that this move will work.

2904
01:55:52,622 --> 01:55:54,851
She used a professional-level move in this group routine.

2905
01:55:54,852 --> 01:55:56,051
The technique level is quite high.

2906
01:55:56,052 --> 01:55:59,092
We're not used to seeing moves like this. It's quite interesting.

2907
01:55:59,392 --> 01:56:01,792
The vision I had in mind was coming to life.

2908
01:56:02,162 --> 01:56:03,961
The details are just perfect.

2909
01:56:03,962 --> 01:56:05,001
There's a real thrill to it.

2910
01:56:05,002 --> 01:56:06,501
- Because they're in perfect sync. - Right.

2911
01:56:06,502 --> 01:56:08,571
It's clear that they practiced a lot for this.

2912
01:56:08,572 --> 01:56:11,902
It does make me think that watching this live will hit hard.

2913
01:56:12,072 --> 01:56:14,842
Good teamwork is crucial for us to win this match.

2914
01:56:15,872 --> 01:56:17,112
They're in sync.

2915
01:56:17,712 --> 01:56:19,082
It's as expected from The Stories.

2916
01:56:19,482 --> 01:56:22,411
They had perfect teamwork and great energy.

2917
01:56:22,412 --> 01:56:24,382
Their performance looked so complete.

2918
01:56:24,752 --> 01:56:27,851
We can't overlook The Stories' teamwork.

2919
01:56:27,852 --> 01:56:30,491
We have to keep pushing and making harmony...

2920
01:56:30,492 --> 01:56:32,692
more than The Stories. Okay?

2921
01:56:33,392 --> 01:56:35,031
The details, angles, and teamwork.

2922
01:56:35,032 --> 01:56:37,702
I can make sure we don't lose to MIN JUN.

2923
01:56:38,902 --> 01:56:40,471
Putting dancers on the railing is a novel idea.

2924
01:56:40,472 --> 01:56:41,931
They can pull it off because they're classically trained.

2925
01:56:41,932 --> 01:56:43,901
Seeing dancers on the second floor would grab people's attention

2926
01:56:43,902 --> 01:56:46,502
So the dancers on the second floor had to be in perfect sync.

2927
01:56:47,912 --> 01:56:50,241
But they're still making mistakes.

2928
01:56:50,242 --> 01:56:52,541
Dancers on the second floor.

2929
01:56:52,542 --> 01:56:55,852
Please try a little harder. You guys have to look sharper.

2930
01:56:56,352 --> 01:56:58,082
Let's try it. Go.

2931
01:56:58,222 --> 01:57:00,022
One, two, three, four.

2932
01:57:00,252 --> 01:57:01,921
You're a little late.

2933
01:57:01,922 --> 01:57:03,751
Let's try one more time. Let's start here.

2934
01:57:03,752 --> 01:57:05,322
One, two, three, four, five, six.

2935
01:57:05,762 --> 01:57:07,431
Don't point your toes. Flex them.

2936
01:57:07,432 --> 01:57:09,561
Five, six, seven, eight.

2937
01:57:09,562 --> 01:57:11,501
No. Four, five,

2938
01:57:11,502 --> 01:57:13,361
- six, seven, eight. - This is all part of the process.

2939
01:57:13,362 --> 01:57:14,971
Your legs must come out on one.

2940
01:57:14,972 --> 01:57:16,101
Did you get that?

2941
01:57:16,102 --> 01:57:18,571
Putting your legs out before one... No.

2942
01:57:18,572 --> 01:57:19,572
One last time.

2943
01:57:19,572 --> 01:57:20,572
Let's try one more time.

2944
01:57:20,573 --> 01:57:21,712
We should do it again.

2945
01:57:21,812 --> 01:57:23,172
Let's try one last time. I swear.

2946
01:57:23,272 --> 01:57:26,081
Their mistakes are so subtle that others won't pick up on it.

2947
01:57:26,082 --> 01:57:28,612
But I can't tolerate that.

2948
01:57:28,712 --> 01:57:31,382
- I want them to be in perfect sync. - Bring them close.

2949
01:57:31,482 --> 01:57:33,482
- One, two, three, four. - I spent a lot of time on that.

2950
01:57:34,052 --> 01:57:36,291
"This is what real original choreography is."

2951
01:57:36,292 --> 01:57:37,861
"And this is how you put on a real performance."

2952
01:57:37,862 --> 01:57:40,021
I really wanted to show this to a certain someone. Who?

2953
01:57:40,022 --> 01:57:41,092
MIN JUN.

2954
01:57:42,462 --> 01:57:43,862
(1-on-1 Signature 400 Mission)

2955
01:57:44,132 --> 01:57:46,032
(JEONG MIN JUN versus Hash)

2956
01:57:46,202 --> 01:57:49,131
- Team Hash, let's go! - Team Hash, let's go!

2957
01:57:49,132 --> 01:57:50,971
Okay. Let's go!

2958
01:57:50,972 --> 01:57:52,941
Let's have fun and leave no regrets. Okay?

2959
01:57:52,942 --> 01:57:54,012
- Yes! - Yes!

2960
01:57:54,872 --> 01:57:56,372
(Glancing over)

2961
01:57:56,672 --> 01:57:58,141
I know this for sure. We're going to win.

2962
01:57:58,142 --> 01:57:59,212
(Smirking)

2963
01:57:59,782 --> 01:58:01,112
It's a battle between two offensive players.

2964
01:58:01,212 --> 01:58:02,911
But I think Hash doesn't have...

2965
01:58:02,912 --> 01:58:04,582
the sharp offensive edge that we have.

2966
01:58:05,282 --> 01:58:06,821
He has never been my rival.

2967
01:58:06,822 --> 01:58:08,091
He never worked as a director.

2968
01:58:08,092 --> 01:58:09,791
He's just a choreographer.

2969
01:58:09,792 --> 01:58:11,692
Sure, Hash was my teacher once.

2970
01:58:11,722 --> 01:58:13,462
I can beat Hash.

2971
01:58:14,232 --> 01:58:15,632
Please come in now.

2972
01:58:16,732 --> 01:58:18,102
I won't leave any regrets.

2973
01:58:18,402 --> 01:58:19,902
I'm still confident that we'll win.

2974
01:58:20,162 --> 01:58:22,832
Let's go, let's go!

2975
01:58:23,572 --> 01:58:24,602
Let's go.

2976
01:58:25,472 --> 01:58:27,002
Let's go, Hash!

2977
01:58:27,242 --> 01:58:28,612
I'm nervous.

2978
01:58:29,442 --> 01:58:30,982
(Everyone's here.)

2979
01:58:31,342 --> 01:58:33,711
Now, we'll have the Last Run...

2980
01:58:33,712 --> 01:58:35,612
between JEONG MIN JUN and Hash.

2981
01:58:36,012 --> 01:58:38,621
Could both choreographers please come onto the stage?

2982
01:58:38,622 --> 01:58:40,521
- Hash! - Hash!

2983
01:58:40,522 --> 01:58:42,221
Everyone was screaming, "Hash is the best!"

2984
01:58:42,222 --> 01:58:43,591
That gave me so much strength.

2985
01:58:43,592 --> 01:58:45,421
- JEONG MIN JUN! - JEONG MIN JUN!

2986
01:58:45,422 --> 01:58:46,622
I really want to be the one who wins.

2987
01:58:46,892 --> 01:58:48,562
It's already a big match.

2988
01:58:48,832 --> 01:58:50,801
I'm really looking forward to this.

2989
01:58:50,802 --> 01:58:53,462
They're really preparing for a real competition.

2990
01:58:53,632 --> 01:58:55,272
I think MIN JUN's crew is going to win.

2991
01:58:55,432 --> 01:58:57,902
That crew's synchronization is no joke.

2992
01:58:58,202 --> 01:59:00,842
I have a feeling she did well. She's such an obsessive person.

2993
01:59:01,172 --> 01:59:03,441
What's the thing you're most concerned about?

2994
01:59:03,442 --> 01:59:07,181
MIN JUN's choreography was selected for this mission.

2995
01:59:07,182 --> 01:59:09,211
I feel like MIN JUN's choreography...

2996
01:59:09,212 --> 01:59:12,482
is a little lacking in energy...

2997
01:59:12,982 --> 01:59:14,292
I'm just speechless.

2998
01:59:14,452 --> 01:59:18,321
Energy and synchronization were the things I was concerned about.

2999
01:59:18,322 --> 01:59:19,421
That's why I said that.

3000
01:59:19,422 --> 01:59:20,931
I came to compete in this even though I'm a co-director.

3001
01:59:20,932 --> 01:59:22,091
(I came to compete in this even though I'm a co-director.)

3002
01:59:22,092 --> 01:59:25,032
I want to show...

3003
01:59:25,132 --> 01:59:27,901
that overwhelming moment of beating Hash as a director.

3004
01:59:27,902 --> 01:59:30,702
We'll see who's the best performer in Korea.

3005
01:59:31,572 --> 01:59:33,042
(A declaration of war)

3006
01:59:33,802 --> 01:59:34,912
He's tough.

3007
01:59:34,972 --> 01:59:38,442
It doesn't even make sense that we're competing against each other.

3008
01:59:38,542 --> 01:59:40,181
I hope you feel honored.

3009
01:59:40,182 --> 01:59:43,281
Hash is someone I'm destined to defeat.

3010
01:59:43,282 --> 01:59:46,351
I think Hash has the advantage over the co-director.

3011
01:59:46,352 --> 01:59:47,821
MIN JUN is a genius.

3012
01:59:47,822 --> 01:59:49,592
I thought MIN JUN was going to win.

3013
01:59:49,722 --> 01:59:52,462
- This is going to be hard. - It's impossible to predict.

3014
01:59:53,062 --> 01:59:55,892
I want to show a whole other level of performance.

3015
01:59:56,362 --> 01:59:59,662
I'm confident in my work.

3016
01:59:59,862 --> 02:00:02,232
I have faith in my performance.

3017
02:00:02,802 --> 02:00:05,502
Now, it's time for Hash's Last Run.

3018
02:00:05,642 --> 02:00:06,702
Are you ready?

3019
02:00:06,902 --> 02:00:08,472
- Yes! - Yes!

3020
02:00:08,742 --> 02:00:09,871
I'm looking forward to Hash's performance.

3021
02:00:09,872 --> 02:00:11,612
It doesn't get any more exciting than this.

3022
02:00:11,812 --> 02:00:13,142
Ready, fight.

3023
02:00:13,612 --> 02:00:14,951
Will we be able to see everything she has in her brain?

3024
02:00:14,952 --> 02:00:16,351
There'll be a lot there.

3025
02:00:16,352 --> 02:00:17,681
(UNBECOMING: Crash, Hash)

3026
02:00:17,682 --> 02:00:18,951
(Choreographer of the signature part of "Iron": JEONG MIN JUN)

3027
02:00:18,952 --> 02:00:20,322
(Choreographer of the signature part of "Dream State": JEONG MIN JUN)

3028
02:00:21,092 --> 02:00:23,092
("Iron" and "Dream State" performed by Team Hash)

3029
02:00:25,892 --> 02:00:27,962
- What's that? - Subconscious?

3030
02:00:33,362 --> 02:00:34,532
I got chills.

3031
02:00:38,002 --> 02:00:39,042
- Awesome. - Gosh.

3032
02:00:39,802 --> 02:00:40,841
Did they all hit that perfectly?

3033
02:00:40,842 --> 02:00:41,972
(Does that actually work?)

3034
02:00:42,112 --> 02:00:43,272
The technique...

3035
02:00:46,012 --> 02:00:47,512
Goodness.

3036
02:00:47,682 --> 02:00:49,412
How did she get them all to practice that?

3037
02:00:50,082 --> 02:00:51,582
- It's crazy. - No way.

3038
02:00:51,622 --> 02:00:53,422
(That actually works.)

3039
02:00:59,162 --> 02:01:00,291
(JEONG MIN JUN's signature choreography part in "Iron")

3040
02:01:00,292 --> 02:01:02,162
She's dominating it from the start with their synchronized moves.

3041
02:01:02,732 --> 02:01:04,762
(Their synchronization is crazy.)

3042
02:01:06,332 --> 02:01:10,371
(JEONG MIN JUN's signature choreography part in "Iron")

3043
02:01:10,372 --> 02:01:15,971
(JEONG MIN JUN's signature choreography part in "Iron")

3044
02:01:15,972 --> 02:01:17,012
Goodness.

3045
02:01:17,242 --> 02:01:18,742
This really feels like a choreography competition.

3046
02:01:21,452 --> 02:01:22,512
They're good!

3047
02:01:25,222 --> 02:01:26,222
(They're mesmerized.)

3048
02:01:26,222 --> 02:01:27,222
What's that?

3049
02:01:27,223 --> 02:01:28,321
(This is it!)

3050
02:01:28,322 --> 02:01:29,792
She really came prepared.

3051
02:01:34,762 --> 02:01:35,832
That's so cool!

3052
02:01:37,092 --> 02:01:38,832
That's right, they should do that at least once.

3053
02:01:41,532 --> 02:01:42,872
- Goodness. - Gosh.

3054
02:01:42,972 --> 02:01:44,202
That's really powerful.

3055
02:01:44,442 --> 02:01:45,502
It's unbelievable.

3056
02:01:45,542 --> 02:01:46,772
She's a member of COME HERE.

3057
02:01:46,902 --> 02:01:48,972
She also has a great sense of texture in her movement.

3058
02:01:51,112 --> 02:01:52,112
That's right!

3059
02:01:55,082 --> 02:01:56,281
She directed this really well.

3060
02:01:56,282 --> 02:01:57,982
MIN JUN's signature part.

3061
02:02:01,352 --> 02:02:07,261
(JEONG MIN JUN's new signature choreography part in "Dream State")

3062
02:02:07,262 --> 02:02:08,391
That's good.

3063
02:02:08,392 --> 02:02:10,362
(JEONG MIN JUN's new signature choreography part in "Dream State")

3064
02:02:11,832 --> 02:02:16,631
(JEONG MIN JUN's new signature choreography part in "Dream State")

3065
02:02:16,632 --> 02:02:17,641
- They're really good. - Gosh.

3066
02:02:17,642 --> 02:02:25,511
(JEONG MIN JUN's new signature choreography part in "Dream State")

3067
02:02:25,512 --> 02:02:26,542
They're really sharp.

3068
02:02:33,982 --> 02:02:35,092
This gives me chills.

3069
02:02:35,822 --> 02:02:36,892
Nice.

3070
02:02:40,962 --> 02:02:42,032
What's going on?

3071
02:02:43,062 --> 02:02:44,362
The dancers from "Stage Fighter."

3072
02:02:49,302 --> 02:02:50,472
Are they dancers?

3073
02:02:52,242 --> 02:02:53,472
This is the best part.

3074
02:02:53,602 --> 02:02:55,512
That's right!

3075
02:02:55,872 --> 02:02:56,872
(This is what I'm talking about.)

3076
02:02:56,873 --> 02:02:58,082
(His eyes are shaking.)

3077
02:02:59,582 --> 02:03:01,481
Their techniques are just crazy.

3078
02:03:01,482 --> 02:03:02,552
The queen is here.

3079
02:03:04,152 --> 02:03:06,422
It feels more powerful because they have so many dancers.

3080
02:03:06,822 --> 02:03:07,822
They're good.

3081
02:03:11,462 --> 02:03:12,892
Those were three clean turns.

3082
02:03:18,302 --> 02:03:20,661
(They're shocked.)

3083
02:03:20,662 --> 02:03:22,302
What's happening up there? What's with the second floor?

3084
02:03:27,772 --> 02:03:28,912
- What? - What?

3085
02:03:29,372 --> 02:03:30,442
What's that?

3086
02:03:31,982 --> 02:03:33,082
What's going on?

3087
02:03:33,782 --> 02:03:34,912
That just gave me chills.

3088
02:03:35,852 --> 02:03:37,382
She's a genius.

3089
02:03:40,552 --> 02:03:41,692
That looks nice.

3090
02:03:41,822 --> 02:03:43,052
The piano keys look nice.

3091
02:03:49,732 --> 02:03:50,901
(Team Hash dancers: Yun Hyeok Jung, Park Jin Ho,)

3092
02:03:50,902 --> 02:03:52,061
(Jahyo, Jeong Min, Nancho, Hye Ju, Ione, Yeon Woo, Unu, Lorien, Kaze,)

3093
02:03:52,062 --> 02:03:53,161
(Milly, Lisu, Si Eun, Tuffy, Maddy, Seo Ho, Siko, Da Yoon, Ruslan,)

3094
02:03:53,162 --> 02:03:54,232
(Junki, Rudy, Seung Min, Hye Won, Sigan, Yu Bin, Paco, Sophia, Naya)

3095
02:03:54,872 --> 02:03:58,471
(A silence falls after the performance.)

3096
02:03:58,472 --> 02:03:59,572
(Exhaling)

3097
02:04:00,802 --> 02:04:01,842
They did well.

3098
02:04:02,712 --> 02:04:03,772
They did so well.

3099
02:04:04,012 --> 02:04:05,342
That was crazy.

3100
02:04:08,012 --> 02:04:10,012
I got chills.

3101
02:04:10,282 --> 02:04:12,021
What was that with the piano keys?

3102
02:04:12,022 --> 02:04:13,622
- That was really strong. - It's just crazy.

3103
02:04:13,882 --> 02:04:16,091
How did she even come up with such ideas?

3104
02:04:16,092 --> 02:04:17,121
I know, right?

3105
02:04:17,122 --> 02:04:20,822
The things in her brain are just amazing.

3106
02:04:21,392 --> 02:04:23,192
I think Hash is going to win.

3107
02:04:23,532 --> 02:04:24,831
Don't get discouraged.

3108
02:04:24,832 --> 02:04:25,862
We're the best.

3109
02:04:27,972 --> 02:04:30,272
I'm proud of it. We really put on a mega performance.

3110
02:04:30,532 --> 02:04:32,401
This was a real mega performance.

3111
02:04:32,402 --> 02:04:33,902
When it comes to the mega performance,

3112
02:04:34,142 --> 02:04:37,881
ours is much more dynamic.

3113
02:04:37,882 --> 02:04:39,211
She said she'll show us everything she has in her brain.

3114
02:04:39,212 --> 02:04:40,412
She really did.

3115
02:04:40,582 --> 02:04:41,912
I think it's going to be a tough battle.

3116
02:04:42,112 --> 02:04:43,281
Let's do this. Team MIN JUN,

3117
02:04:43,282 --> 02:04:44,821
- Team MIN JUN! - Team MIN JUN!

3118
02:04:44,822 --> 02:04:47,521
- Let's go! - Let's go!

3119
02:04:47,522 --> 02:04:48,522
Let's go!

3120
02:04:48,692 --> 02:04:50,921
It's my first time seeing MIN JUN.

3121
02:04:50,922 --> 02:04:52,191
Is he 23 years old?

3122
02:04:52,192 --> 02:04:55,061
I looked MIN JUN up after hearing that he'll be on the show.

3123
02:04:55,062 --> 02:04:56,731
He was in The Stories.

3124
02:04:56,732 --> 02:04:58,231
I think that's why he can do this.

3125
02:04:58,232 --> 02:04:59,632
To come here at a young age.

3126
02:04:59,802 --> 02:05:00,802
I'm looking forward to what he'll do.

3127
02:05:00,803 --> 02:05:03,572
This is the starting point of a person who's growing.

3128
02:05:04,072 --> 02:05:07,272
Okay, those entering have to wait here.

3129
02:05:07,642 --> 02:05:09,042
You can enter here.

3130
02:05:09,342 --> 02:05:10,671
(JEONG MIN JUN runs off somewhere...)

3131
02:05:10,672 --> 02:05:12,141
(after checking the stage blocking.)

3132
02:05:12,142 --> 02:05:13,381
(He suddenly heads offstage.)

3133
02:05:13,382 --> 02:05:14,612
(Where are you going, MIN JUN?)

3134
02:05:15,212 --> 02:05:17,611
Let's start from the part David and Goliath face each other.

3135
02:05:17,612 --> 02:05:19,281
He went there because that's the judge's seat.

3136
02:05:19,282 --> 02:05:20,522
He's thinking about the judge's perspective.

3137
02:05:20,882 --> 02:05:22,692
Let's start with the face-off section.

3138
02:05:23,392 --> 02:05:24,392
(The rehearsal begins.)

3139
02:05:24,393 --> 02:05:26,621
- One, two, three, four. - There's a fight going on.

3140
02:05:26,622 --> 02:05:28,362
- One, two, three, four. - There's a fight going on.

3141
02:05:28,492 --> 02:05:30,191
- Five, six, seven, eight. - The theme...

3142
02:05:30,192 --> 02:05:32,002
is David and Goliath.

3143
02:05:32,102 --> 02:05:35,301
David represents a small, seemingly weak boy,

3144
02:05:35,302 --> 02:05:37,901
while Goliath represents a giant.

3145
02:05:37,902 --> 02:05:39,601
I get inspiration from my own life...

3146
02:05:39,602 --> 02:05:41,742
for everything I create.

3147
02:05:41,872 --> 02:05:43,741
Everyone has had a time when they were the underdog,

3148
02:05:43,742 --> 02:05:46,011
and eventually, there's a moment when they overcome something...

3149
02:05:46,012 --> 02:05:47,411
they never thought they could beat.

3150
02:05:47,412 --> 02:05:49,751
It tells a story of David growing...

3151
02:05:49,752 --> 02:05:52,181
as he defeats the giant Goliath...

3152
02:05:52,182 --> 02:05:54,722
with nothing but his own conviction.

3153
02:05:54,992 --> 02:05:56,292
The underdog's rebellion.

3154
02:05:56,492 --> 02:05:59,492
I'll complete my story in a really cool way...

3155
02:05:59,592 --> 02:06:01,762
and beat her using my story.

3156
02:06:02,492 --> 02:06:04,431
I never imagined that David would be Lip J.

3157
02:06:04,432 --> 02:06:07,202
The key here is whether they convey the theme.

3158
02:06:07,302 --> 02:06:08,802
I wonder how they'll convey it.

3159
02:06:09,102 --> 02:06:11,772
When Lip J enters, the dancers open up a path.

3160
02:06:12,102 --> 02:06:13,302
She appeared.

3161
02:06:13,702 --> 02:06:15,241
(JEONG MIN JUN isn't satisfied with something.)

3162
02:06:15,242 --> 02:06:16,271
Producer?

3163
02:06:16,272 --> 02:06:17,572
(A brief pause)

3164
02:06:17,982 --> 02:06:20,112
I want there to be a single top light over here.

3165
02:06:20,282 --> 02:06:22,311
For this part,

3166
02:06:22,312 --> 02:06:23,782
we need a spotlight just on Lip J.

3167
02:06:24,212 --> 02:06:25,751
The scene only makes sense...

3168
02:06:25,752 --> 02:06:27,921
once the lighting comes in.

3169
02:06:27,922 --> 02:06:29,121
Lighting is really important.

3170
02:06:29,122 --> 02:06:31,862
You have to show where the protagonist is with lighting.

3171
02:06:32,022 --> 02:06:34,691
He made directions to make sure the lighting was set.

3172
02:06:34,692 --> 02:06:37,492
Let's start with the part where Lip J enters from the bamboo forest.

3173
02:06:37,562 --> 02:06:38,932
(Spotlight on)

3174
02:06:39,862 --> 02:06:42,172
- This looks way cooler. - It's different.

3175
02:06:42,402 --> 02:06:43,801
There's someone leading the story now.

3176
02:06:43,802 --> 02:06:45,272
We just need to watch.

3177
02:06:45,342 --> 02:06:46,902
It's saying, "Look right here."

3178
02:06:47,302 --> 02:06:48,972
If the lighting does 50 percent of the work,

3179
02:06:49,172 --> 02:06:51,442
the other 50 percent is our real weapon.

3180
02:06:51,782 --> 02:06:53,842
Our only weapon is dance.

3181
02:06:54,182 --> 02:06:56,451
Hash's strengths are her solid composition...

3182
02:06:56,452 --> 02:06:57,921
and those explosive moments that amaze you.

3183
02:06:57,922 --> 02:07:00,351
Since I know I can't beat her in those areas,

3184
02:07:00,352 --> 02:07:02,621
I'll set myself apart with the quality of my choreography.

3185
02:07:02,622 --> 02:07:03,852
We'll dominate with our energy.

3186
02:07:04,152 --> 02:07:05,721
So for my signature part,

3187
02:07:05,722 --> 02:07:08,162
I chose a small group of dancers with strong energy...

3188
02:07:08,292 --> 02:07:10,492
and designed it to really pull the audience in.

3189
02:07:10,632 --> 02:07:11,861
They're doing the same choreography,

3190
02:07:11,862 --> 02:07:14,162
but the formations are different. Their dynamics are so much better.

3191
02:07:14,362 --> 02:07:16,432
The depth and density of the composition are better.

3192
02:07:16,532 --> 02:07:18,042
Let's begin now.

3193
02:07:18,142 --> 02:07:19,942
One, two, three, four.

3194
02:07:20,042 --> 02:07:21,872
Five, six, seven, eight.

3195
02:07:21,972 --> 02:07:23,111
Yes!

3196
02:07:23,112 --> 02:07:24,681
Their performance is really tight even in rehearsal.

3197
02:07:24,682 --> 02:07:26,811
I heard The Stories has an atmosphere...

3198
02:07:26,812 --> 02:07:28,211
where they relentlessly practice.

3199
02:07:28,212 --> 02:07:29,551
Can we do it with more power?

3200
02:07:29,552 --> 02:07:30,552
- Okay! - Okay!

3201
02:07:30,553 --> 02:07:32,081
One, two, three, four.

3202
02:07:32,082 --> 02:07:33,421
- That's the culture of that team. - Five, six, seven,

3203
02:07:33,422 --> 02:07:34,551
- eight. - They keep going full force.

3204
02:07:34,552 --> 02:07:35,552
One, two, three.

3205
02:07:36,152 --> 02:07:37,422
Seven, eight, one.

3206
02:07:37,492 --> 02:07:38,792
Let's do it one more time. One last time.

3207
02:07:39,262 --> 02:07:41,691
The dancers have to maintain the quality of the choreography...

3208
02:07:41,692 --> 02:07:43,361
for it to really shine.

3209
02:07:43,362 --> 02:07:46,332
The dancers practiced until the choreography was ingrained in them.

3210
02:07:47,332 --> 02:07:49,071
- We'll do it with the music. - Okay.

3211
02:07:49,072 --> 02:07:50,271
Will MIN JUN join?

3212
02:07:50,272 --> 02:07:51,501
- Will he be on stage? - Will he join?

3213
02:07:51,502 --> 02:07:53,201
(He joins the final rehearsal.)

3214
02:07:53,202 --> 02:07:54,711
Since he's good,

3215
02:07:54,712 --> 02:07:56,642
he just needs to do it once after doing the directing.

3216
02:08:02,552 --> 02:08:04,722
- Gosh. - I like the density there.

3217
02:08:05,752 --> 02:08:07,182
I can see the story now.

3218
02:08:07,382 --> 02:08:08,752
The quality is great.

3219
02:08:08,992 --> 02:08:10,152
It has a story.

3220
02:08:12,892 --> 02:08:14,992
(Exclaiming)

3221
02:08:16,092 --> 02:08:18,301
(The dancers gave it their all...)

3222
02:08:18,302 --> 02:08:20,302
(even through the final rehearsal.)

3223
02:08:24,502 --> 02:08:26,141
The rehearsal...

3224
02:08:26,142 --> 02:08:27,972
has ended for now.

3225
02:08:29,572 --> 02:08:30,742
(Exclaiming)

3226
02:08:31,912 --> 02:08:33,581
There haven't been many times in my life...

3227
02:08:33,582 --> 02:08:35,752
when a dance performance almost made me cry.

3228
02:08:36,912 --> 02:08:39,481
You created a masterpiece...

3229
02:08:39,482 --> 02:08:41,492
that's really among the best I've seen in my life.

3230
02:08:41,522 --> 02:08:43,952
Thank you so much.

3231
02:08:44,452 --> 02:08:47,121
We went full out 6 to 7 times from start to finish.

3232
02:08:47,122 --> 02:08:48,631
I could see them trying their best to put in more energy...

3233
02:08:48,632 --> 02:08:50,732
even when they had no strength left.

3234
02:08:51,092 --> 02:08:53,402
I could see that from where I was.

3235
02:08:53,602 --> 02:08:55,672
I was very grateful.

3236
02:08:55,702 --> 02:08:58,172
We did the best we could, with all our strength.

3237
02:08:58,572 --> 02:09:01,272
- Team MIN JUN! - Team MIN JUN!

3238
02:09:01,372 --> 02:09:02,641
(Bring up...)

3239
02:09:02,642 --> 02:09:04,242
(the energy.)

3240
02:09:04,512 --> 02:09:07,142
- Let's go! - Let's go!

3241
02:09:07,282 --> 02:09:08,911
- Let's go. - Okay, let's go!

3242
02:09:08,912 --> 02:09:10,081
Let's go!

3243
02:09:10,082 --> 02:09:11,182
Ambitious boy.

3244
02:09:11,352 --> 02:09:12,752
The choreography is his.

3245
02:09:13,422 --> 02:09:15,791
Now, we'll have...

3246
02:09:15,792 --> 02:09:18,362
JEONG MIN JUN's Last Run.

3247
02:09:18,392 --> 02:09:20,091
I trusted my team members,

3248
02:09:20,092 --> 02:09:21,592
and I was confident that we were going to win.

3249
02:09:21,832 --> 02:09:24,362
I'm not that concerned.

3250
02:09:24,562 --> 02:09:26,602
Ready, fight.

3251
02:09:26,702 --> 02:09:27,832
Is this a competition?

3252
02:09:27,902 --> 02:09:30,002
It's like a competition.

3253
02:09:32,042 --> 02:09:33,301
("David" produced by JEONG MIN JUN)

3254
02:09:33,302 --> 02:09:34,611
(Choreographer of the signature part of "Iron": JEONG MIN JUN)

3255
02:09:34,612 --> 02:09:35,871
(Choreographer of the signature part of "Dream State": JEONG MIN JUN)

3256
02:09:35,872 --> 02:09:37,342
("Iron" and "Dream State" performed by Team JEONG MIN JUN)

3257
02:09:40,512 --> 02:09:41,682
- Goodness. - Gosh.

3258
02:09:42,112 --> 02:09:43,182
That's what I'm talking about.

3259
02:09:43,212 --> 02:09:44,722
How are they so in sync?

3260
02:09:47,522 --> 02:09:48,591
This is a scam.

3261
02:09:48,592 --> 02:09:49,922
That's neat.

3262
02:09:50,622 --> 02:09:51,961
There's structure right from the start.

3263
02:09:51,962 --> 02:09:53,621
It feels like they're carrying a story forward.

3264
02:09:53,622 --> 02:09:54,832
Is he a genius?

3265
02:10:00,462 --> 02:10:01,531
It's so powerful!

3266
02:10:01,532 --> 02:10:02,532
Lip J!

3267
02:10:02,533 --> 02:10:03,802
Lip J is here.

3268
02:10:04,432 --> 02:10:06,201
It's so interesting how he cast her as David.

3269
02:10:06,202 --> 02:10:07,342
The formation is just beautiful.

3270
02:10:07,402 --> 02:10:09,341
The music is just too good.

3271
02:10:09,342 --> 02:10:11,882
The cinematic music makes it feel more like a movie.

3272
02:10:15,112 --> 02:10:16,552
Goodness.

3273
02:10:18,052 --> 02:10:19,281
It's MIN JUN's choreography.

3274
02:10:19,282 --> 02:10:21,521
(JEONG MIN JUN's signature choreography part in "Iron")

3275
02:10:21,522 --> 02:10:22,721
This is a feedback competition.

3276
02:10:22,722 --> 02:10:23,751
They're amazing.

3277
02:10:23,752 --> 02:10:25,091
They're really good with the formations.

3278
02:10:25,092 --> 02:10:26,262
That's so cool.

3279
02:10:26,322 --> 02:10:29,192
I think we were much better.

3280
02:10:36,832 --> 02:10:38,302
I like how dense it is.

3281
02:10:38,942 --> 02:10:40,771
That's right. Making the rhythm.

3282
02:10:40,772 --> 02:10:41,811
It's so cool.

3283
02:10:41,812 --> 02:10:42,971
Why are they so in sync?

3284
02:10:42,972 --> 02:10:43,972
(Getting nervous)

3285
02:10:45,382 --> 02:10:46,541
- It's a competition. - This is a real competition.

3286
02:10:46,542 --> 02:10:47,581
It's a competition.

3287
02:10:47,582 --> 02:10:49,282
- Lip J. - This is crazy.

3288
02:10:49,782 --> 02:10:51,421
Lip J is determined.

3289
02:10:51,422 --> 02:10:52,422
(The anticipation is building.)

3290
02:10:56,692 --> 02:10:57,821
That's cool.

3291
02:10:57,822 --> 02:10:59,222
This is just insane.

3292
02:11:01,492 --> 02:11:03,132
(Lip J's class)

3293
02:11:03,262 --> 02:11:04,432
What was the pop at the end?

3294
02:11:07,862 --> 02:11:09,832
It's the signature part.

3295
02:11:11,502 --> 02:11:14,241
That's right!

3296
02:11:14,242 --> 02:11:16,012
The Stories is just amazing!

3297
02:11:16,112 --> 02:11:17,472
I got chills!

3298
02:11:17,642 --> 02:11:20,941
(JEONG MIN JUN's signature choreography part in "Dream State")

3299
02:11:20,942 --> 02:11:22,112
Isn't that crazy?

3300
02:11:22,212 --> 02:11:23,212
What's with the energy?

3301
02:11:23,213 --> 02:11:24,281
MIN JUN...

3302
02:11:24,282 --> 02:11:25,521
That's right.

3303
02:11:25,522 --> 02:11:26,922
MIN JUN even acts now.

3304
02:11:31,222 --> 02:11:33,091
The energy and the output are amazing.

3305
02:11:33,092 --> 02:11:34,492
Their dancing is amazing.

3306
02:11:35,492 --> 02:11:36,792
How are they so perfectly in sync?

3307
02:11:37,592 --> 02:11:39,331
How is this possible in just a week?

3308
02:11:39,332 --> 02:11:40,762
(A world-class choreographer's rehearsal period)

3309
02:11:42,332 --> 02:11:43,701
How do you do that?

3310
02:11:43,702 --> 02:11:44,802
I got chills.

3311
02:11:45,902 --> 02:11:49,172
He's really smart. He does the parts that he can pull off.

3312
02:11:49,242 --> 02:11:51,512
He let the visuals do the rest. That's so smart.

3313
02:11:57,952 --> 02:11:59,152
- Goodness! - That's right!

3314
02:11:59,752 --> 02:12:01,352
It's so neat.

3315
02:12:03,622 --> 02:12:04,691
That part was nice.

3316
02:12:04,692 --> 02:12:06,222
MIN JUN is really good.

3317
02:12:08,432 --> 02:12:09,592
Let's go!

3318
02:12:10,062 --> 02:12:11,601
(Everyone is in shock.)

3319
02:12:11,602 --> 02:12:13,132
That's cheating!

3320
02:12:13,262 --> 02:12:14,361
Their energy and synchronization...

3321
02:12:14,362 --> 02:12:15,632
were concerning.

3322
02:12:16,132 --> 02:12:17,402
Let's go!

3323
02:12:19,502 --> 02:12:20,741
They're coming together through the group choreography.

3324
02:12:20,742 --> 02:12:22,042
This is a mega crew.

3325
02:12:22,412 --> 02:12:23,912
It's so neat.

3326
02:12:26,242 --> 02:12:27,882
This is like the VIBE Dance Competition.

3327
02:12:28,612 --> 02:12:29,951
(They move like one.)

3328
02:12:29,952 --> 02:12:31,151
(Exclaiming)

3329
02:12:31,152 --> 02:12:32,251
It's not over!

3330
02:12:32,252 --> 02:12:33,421
It's not over yet.

3331
02:12:33,422 --> 02:12:35,392
This part is nice.

3332
02:12:39,262 --> 02:12:40,791
They're insane.

3333
02:12:40,792 --> 02:12:41,832
The details.

3334
02:12:42,362 --> 02:12:43,962
(Looking concerned)

3335
02:12:48,272 --> 02:12:49,402
This is giving me chills.

3336
02:12:49,502 --> 02:12:50,572
This is crazy.

3337
02:12:50,872 --> 02:12:52,001
How did they get this in sync?

3338
02:12:52,002 --> 02:12:53,101
The texture is in sync.

3339
02:12:53,102 --> 02:12:54,502
(Breathing as one)

3340
02:12:59,812 --> 02:13:01,212
(He's startled.)

3341
02:13:04,882 --> 02:13:06,322
Crazy MIN JUN.

3342
02:13:06,722 --> 02:13:08,421
You're good, MIN JUN.

3343
02:13:08,422 --> 02:13:09,992
Seriously. He's so good.

3344
02:13:10,852 --> 02:13:12,061
Let's go!

3345
02:13:12,062 --> 02:13:14,522
(The JEONG MIN JUN vs. Hash match performances end.)

3346
02:13:14,832 --> 02:13:16,061
(Watch the comparison video on "The CHOOM" and "Mnet Plus.")

3347
02:13:16,062 --> 02:13:17,492
That was great.

3348
02:13:18,162 --> 02:13:19,962
He's such an obsessive person.

3349
02:13:20,602 --> 02:13:22,301
I could say that was perfect.

3350
02:13:22,302 --> 02:13:23,631
It felt so short.

3351
02:13:23,632 --> 02:13:24,772
Why is it so short?

3352
02:13:24,802 --> 02:13:26,202
I guess it was because the choreography was good.

3353
02:13:26,502 --> 02:13:28,212
They're no joke.

3354
02:13:28,342 --> 02:13:30,212
This is moving.

3355
02:13:30,312 --> 02:13:31,911
If the public...

3356
02:13:31,912 --> 02:13:33,081
saw this kind of performance,

3357
02:13:33,082 --> 02:13:34,682
they'd go, "What is all this?"

3358
02:13:34,742 --> 02:13:35,982
That's why he wanted to come.

3359
02:13:36,312 --> 02:13:38,081
Right. These kinds of talents should come here.

3360
02:13:38,082 --> 02:13:40,022
Their highlight was clearer,

3361
02:13:40,122 --> 02:13:42,551
and they had a great overall structure of the performance.

3362
02:13:42,552 --> 02:13:44,151
- That's right. - Hash's team had a strong...

3363
02:13:44,152 --> 02:13:45,192
- sense of progression. - Right.

3364
02:13:45,622 --> 02:13:46,891
But the signature choreography...

3365
02:13:46,892 --> 02:13:49,062
MIN JUN was surely amazing at it.

3366
02:13:49,562 --> 02:13:51,162
His energy was clearly different.

3367
02:13:51,462 --> 02:13:53,132
So difficult.

3368
02:13:53,532 --> 02:13:54,561
- This one? - Yes.

3369
02:13:54,562 --> 02:13:56,231
- No. - Did you decide?

3370
02:13:56,232 --> 02:13:57,432
Yes, but no.

3371
02:13:58,032 --> 02:13:59,741
We watched them yesterday.

3372
02:13:59,742 --> 02:14:01,571
It seemed different...

3373
02:14:01,572 --> 02:14:03,511
watching them from this perspective.

3374
02:14:03,512 --> 02:14:04,742
That's why it feels difficult.

3375
02:14:05,342 --> 02:14:07,042
Very good, though.

3376
02:14:08,982 --> 02:14:11,982
Both choreographers, please come to the stage.

3377
02:14:12,782 --> 02:14:14,352
You're so pretty, Hash!

3378
02:14:14,422 --> 02:14:16,052
MIN JUN!

3379
02:14:16,792 --> 02:14:19,692
(Heated cheers for both of them)

3380
02:14:22,162 --> 02:14:23,832
We did good. Hash is the best.

3381
02:14:23,862 --> 02:14:25,161
The underdog's rebellion.

3382
02:14:25,162 --> 02:14:27,032
They'll have no choice but to acknowledge it.

3383
02:14:27,102 --> 02:14:28,972
How were they so different with the same choreography?

3384
02:14:29,072 --> 02:14:30,772
So difficult.

3385
02:14:31,202 --> 02:14:33,072
It was very good, though.

3386
02:14:33,442 --> 02:14:35,412
(A serious look)

3387
02:14:35,572 --> 02:14:39,681
(Whose name will be on the Director Credit?)

3388
02:14:39,682 --> 02:14:43,351
I really enjoyed both of your performances.

3389
02:14:43,352 --> 02:14:46,981
They were the kind of performances I really like,

3390
02:14:46,982 --> 02:14:48,221
so I was immersed in them.

3391
02:14:48,222 --> 02:14:50,721
First, speaking about MIN JUN,

3392
02:14:50,722 --> 02:14:53,421
I saw some truly exceptional impact in your performance.

3393
02:14:53,422 --> 02:14:55,592
The energy was so powerful, I was almost envious.

3394
02:14:56,062 --> 02:14:59,161
I also liked how you tried to condense that energy.

3395
02:14:59,162 --> 02:15:01,771
I was impressed by the moments where you explored...

3396
02:15:01,772 --> 02:15:05,501
the texture of the strings and the beats...

3397
02:15:05,502 --> 02:15:06,972
in such depth.

3398
02:15:07,342 --> 02:15:09,871
I also think the outfit was really well chosen.

3399
02:15:09,872 --> 02:15:13,811
The lighting added so much dimension,

3400
02:15:13,812 --> 02:15:15,811
making the choreography stand out, feel bigger,

3401
02:15:15,812 --> 02:15:18,111
and have even more impact.

3402
02:15:18,112 --> 02:15:20,852
So I thought it was a great idea and a great choice.

3403
02:15:21,152 --> 02:15:22,952
I was relieved. He noticed that.

3404
02:15:23,492 --> 02:15:25,591
"This isn't right."

3405
02:15:25,592 --> 02:15:27,492
I was worried.

3406
02:15:27,522 --> 02:15:29,592
MIN JUN was so...

3407
02:15:29,632 --> 02:15:30,892
I'm not sure if I can say this,

3408
02:15:30,962 --> 02:15:32,301
but you looked so beautiful.

3409
02:15:32,302 --> 02:15:34,232
(That's right.)

3410
02:15:34,332 --> 02:15:36,501
You're so beautiful, MIN JUN!

3411
02:15:36,502 --> 02:15:38,231
(Feeling shy)

3412
02:15:38,232 --> 02:15:40,942
My beloved muse,

3413
02:15:41,102 --> 02:15:43,312
Lip J, looked so different.

3414
02:15:43,772 --> 02:15:45,581
Thank you for transforming her...

3415
02:15:45,582 --> 02:15:48,551
into such an unexpected character that it allowed me...

3416
02:15:48,552 --> 02:15:50,012
to imagine her in a completely different way.

3417
02:15:50,482 --> 02:15:52,851
You brought out her hidden talent.

3418
02:15:52,852 --> 02:15:54,022
You showed great qualities...

3419
02:15:54,082 --> 02:15:56,152
as a director.

3420
02:15:56,392 --> 02:15:57,852
That's right, MIN JUN.

3421
02:15:58,222 --> 02:16:00,192
Who would've thought I could do something like that?

3422
02:16:00,922 --> 02:16:02,791
She's such a high-profile figure.

3423
02:16:02,792 --> 02:16:04,732
It felt like he used her just for that purpose.

3424
02:16:05,062 --> 02:16:07,832
I think this is also an element of directing.

3425
02:16:08,332 --> 02:16:10,501
When we saw Hash's performance,

3426
02:16:10,502 --> 02:16:12,872
we were a little worried about it.

3427
02:16:13,372 --> 02:16:14,541
"I'm in trouble. What should I do?"

3428
02:16:14,542 --> 02:16:15,672
That's what I thought.

3429
02:16:16,012 --> 02:16:17,071
This piece...

3430
02:16:17,072 --> 02:16:20,341
explores what humans have made of themselves in their pursuit...

3431
02:16:20,342 --> 02:16:23,251
of becoming something, and what they've lost along the way.

3432
02:16:23,252 --> 02:16:24,582
This is too difficult.

3433
02:16:25,152 --> 02:16:27,021
I think she tried to say a lot with it.

3434
02:16:27,022 --> 02:16:28,322
It's too difficult for the audience to follow.

3435
02:16:29,152 --> 02:16:32,261
I was worried about whether the message would come across.

3436
02:16:32,262 --> 02:16:33,421
The moment I saw the performance,

3437
02:16:33,422 --> 02:16:34,721
I realized I had nothing...

3438
02:16:34,722 --> 02:16:36,431
to worry about.

3439
02:16:36,432 --> 02:16:39,832
I think I'm good at creating standout moments.

3440
02:16:39,902 --> 02:16:41,932
I'm good at expressing things.

3441
02:16:42,072 --> 02:16:45,271
I really liked how you conveyed...

3442
02:16:45,272 --> 02:16:46,842
the emotion and essence of the dance...

3443
02:16:46,942 --> 02:16:48,312
that formed the foundation of your performance.

3444
02:16:48,572 --> 02:16:51,342
The last part where you end up on the stage with all those legs.

3445
02:16:53,282 --> 02:16:55,381
Visually, I thought that was the strongest thing.

3446
02:16:55,382 --> 02:16:57,911
You understand how to make simple movements.

3447
02:16:57,912 --> 02:17:00,022
You frame them the right way.

3448
02:17:00,082 --> 02:17:01,691
You take technical movement,

3449
02:17:01,692 --> 02:17:04,452
you frame stories around characters with it.

3450
02:17:04,892 --> 02:17:06,821
But it was the most visually fun thing that I saw,

3451
02:17:06,822 --> 02:17:08,262
and I'm just letting you know that.

3452
02:17:08,322 --> 02:17:10,361
Your performance...

3453
02:17:10,362 --> 02:17:14,102
felt more like pain and desperation for emancipation.

3454
02:17:14,532 --> 02:17:16,972
I was so immersed in it...

3455
02:17:17,572 --> 02:17:18,871
that I almost cried.

3456
02:17:18,872 --> 02:17:20,371
The way you portrayed the pain...

3457
02:17:20,372 --> 02:17:22,842
The quality was incredible. I was so immersed.

3458
02:17:22,942 --> 02:17:26,042
I could see that the choreographer had a clear goal.

3459
02:17:26,142 --> 02:17:27,181
It was a relief.

3460
02:17:27,182 --> 02:17:29,482
I was grateful that she noticed that.

3461
02:17:29,782 --> 02:17:31,582
It left me feeling a little unsettled.

3462
02:17:32,052 --> 02:17:33,821
To be clear,

3463
02:17:33,822 --> 02:17:35,692
this battle was surely for 1st and 2nd place.

3464
02:17:35,852 --> 02:17:37,252
That's clear.

3465
02:17:37,292 --> 02:17:38,421
The quality was really good.

3466
02:17:38,422 --> 02:17:39,792
I think this is going to be a real neck-and-neck battle.

3467
02:17:40,392 --> 02:17:43,232
I think the point of all this...

3468
02:17:43,332 --> 02:17:45,601
is to evaluate their abilities as directors.

3469
02:17:45,602 --> 02:17:46,631
The director's intention...

3470
02:17:46,632 --> 02:17:47,961
and the ability to convey that.

3471
02:17:47,962 --> 02:17:50,301
These two things meant a lot to me.

3472
02:17:50,302 --> 02:17:52,971
I think the person with more convincing movements...

3473
02:17:52,972 --> 02:17:54,572
was MIN JUN.

3474
02:17:54,672 --> 02:17:57,772
I think it's a moment where I can prove my abilities.

3475
02:17:57,812 --> 02:17:58,911
When Hash started,

3476
02:17:58,912 --> 02:18:00,341
I really thought that she was just going to win...

3477
02:18:00,342 --> 02:18:02,582
because I just felt like it was more powerful.

3478
02:18:02,612 --> 02:18:03,751
I'm so sure of it.

3479
02:18:03,752 --> 02:18:04,912
I'm going to win.

3480
02:18:04,982 --> 02:18:07,252
This match is so hard.

3481
02:18:07,322 --> 02:18:09,122
These people are no joke.

3482
02:18:09,192 --> 02:18:11,491
1-on-1 Signature 400 Mission.

3483
02:18:11,492 --> 02:18:14,191
Who will be the choreographer to showcase their work...

3484
02:18:14,192 --> 02:18:15,891
to the audience and see their name listed as a director...

3485
02:18:15,892 --> 02:18:17,592
on the Credit Board?

3486
02:18:17,662 --> 02:18:19,231
Let's see the result now.

3487
02:18:19,232 --> 02:18:21,102
(JEONG MIN JUN vs Hash, who will be the director?)

3488
02:18:21,162 --> 02:18:22,301
I think I'll win.

3489
02:18:22,302 --> 02:18:23,402
I think I'll win.

3490
02:18:23,732 --> 02:18:25,032
My goodness.

3491
02:18:25,872 --> 02:18:27,071
Hash is the best.

3492
02:18:27,072 --> 02:18:28,402
You're the best.

3493
02:18:28,742 --> 02:18:30,312
They're neck and neck.

3494
02:18:30,372 --> 02:18:31,781
His storytelling is really good.

3495
02:18:31,782 --> 02:18:33,841
I think MIN JUN will win.

3496
02:18:33,842 --> 02:18:35,211
She's simply on a completely different level.

3497
02:18:35,212 --> 02:18:36,552
Hash will win.

3498
02:18:36,812 --> 02:18:39,421
- JEONG MIN JUN! - JEONG MIN JUN!

3499
02:18:39,422 --> 02:18:41,722
- Hash! - Hash!

3500
02:18:42,252 --> 02:18:43,821
I felt like throwing up.

3501
02:18:43,822 --> 02:18:45,361
I deliberately didn't look up.

3502
02:18:45,362 --> 02:18:46,792
Because I thought I'd be disappointed.

3503
02:18:51,192 --> 02:18:52,501
(Shocking!)

3504
02:18:52,502 --> 02:18:55,002
(JEONG MIN JUN vs Hash, who will be the winner?)

3505
02:18:55,132 --> 02:18:57,602
(JEONG MIN JUN vs Hash, who will be the winner?)

3506
02:18:57,702 --> 02:19:00,102
(JEONG MIN JUN!)

3507
02:19:00,372 --> 02:19:02,242
(Hash!)

3508
02:19:03,272 --> 02:19:04,741
I felt like throwing up.

3509
02:19:04,742 --> 02:19:06,241
I deliberately didn't look up.

3510
02:19:06,242 --> 02:19:07,482
Because I thought I'd be disappointed.

3511
02:19:12,022 --> 02:19:13,221
(Shocking!)

3512
02:19:13,222 --> 02:19:14,522
(1-on-1 Signature 400 Mission)

3513
02:19:15,022 --> 02:19:16,022
(JEONG MIN JUN wins.)

3514
02:19:16,023 --> 02:19:17,392
It's JEONG MIN JUN!

3515
02:19:20,922 --> 02:19:23,632
(JEONG MIN JUN got his name on the Director Credit.)

3516
02:19:24,532 --> 02:19:26,761
(Screaming)

3517
02:19:26,762 --> 02:19:29,131
(An emotional hug)

3518
02:19:29,132 --> 02:19:31,271
(Clapping with a sense of regret)

3519
02:19:31,272 --> 02:19:32,842
Good job, Hash!

3520
02:19:33,202 --> 02:19:34,541
Well done!

3521
02:19:34,542 --> 02:19:36,372
I was surprised. It was shocking.

3522
02:19:38,372 --> 02:19:40,282
I couldn't believe it for a second.

3523
02:19:40,312 --> 02:19:44,782
- Team MIN JUN! - Team MIN JUN!

3524
02:19:49,422 --> 02:19:53,292
(An overwhelming surge of emotion upon facing the dancers)

3525
02:19:55,232 --> 02:19:57,862
(The team members are deeply moved as if they could feel him.)

3526
02:20:00,932 --> 02:20:04,872
A flood of thoughts and emotions washed over me.

3527
02:20:05,402 --> 02:20:06,901
David symbolizes...

3528
02:20:06,902 --> 02:20:09,142
a very small and seemingly weak boy...

3529
02:20:09,242 --> 02:20:13,112
who appears incapable of overcoming anything.

3530
02:20:13,482 --> 02:20:17,152
I faced a lot of criticism for being here...

3531
02:20:17,312 --> 02:20:20,082
as a co-director.

3532
02:20:20,882 --> 02:20:23,251
(He summoned the courage to enter the Directors' Lab.)

3533
02:20:23,252 --> 02:20:25,262
Wouldn't he be at the very bottom?

3534
02:20:25,762 --> 02:20:27,422
I think he's weak.

3535
02:20:27,492 --> 02:20:28,661
Gosh.

3536
02:20:28,662 --> 02:20:30,032
I think he'll be the first to leave.

3537
02:20:30,132 --> 02:20:31,631
He can leave.

3538
02:20:31,632 --> 02:20:32,802
Because he's still young.

3539
02:20:32,862 --> 02:20:34,831
Your parents are worrying about you.

3540
02:20:34,832 --> 02:20:36,272
He's still a baby.

3541
02:20:37,032 --> 02:20:38,602
Everyone had a similar reaction.

3542
02:20:38,872 --> 02:20:40,571
They weren't lying.

3543
02:20:40,572 --> 02:20:43,612
I haven't built as much experience as those people.

3544
02:20:43,942 --> 02:20:46,982
I'm a David among many Goliaths.

3545
02:20:47,642 --> 02:20:50,211
I was significantly lacking in that regard.

3546
02:20:50,212 --> 02:20:52,581
So it felt like a heavy burden, and I was very worried.

3547
02:20:52,582 --> 02:20:53,882
In a way,

3548
02:20:54,522 --> 02:20:57,322
I, a David who might appear inadequate and weak,

3549
02:20:57,552 --> 02:21:00,622
defeated the giant Goliath.

3550
02:21:01,322 --> 02:21:05,132
I naturally became emotional.

3551
02:21:05,432 --> 02:21:07,932
I was truly grateful to the team members.

3552
02:21:08,132 --> 02:21:09,731
- Don't cry! - Don't cry!

3553
02:21:09,732 --> 02:21:11,802
- I think I'm going to cry too. - Don't cry!

3554
02:21:12,142 --> 02:21:13,741
Well done.

3555
02:21:13,742 --> 02:21:15,242
(Well done, MIN JUN.)

3556
02:21:16,872 --> 02:21:19,481
Everyone cheered with one heart and one mind.

3557
02:21:19,482 --> 02:21:22,652
Is it okay for me to receive so much energy from these people?

3558
02:21:23,282 --> 02:21:25,852
(Though clumsy, he reached out to the dancers with all his heart.)

3559
02:21:26,382 --> 02:21:27,781
These are the people...

3560
02:21:27,782 --> 02:21:30,191
who helped me in a battle where I had nothing...

3561
02:21:30,192 --> 02:21:32,162
and it seemed impossible to win.

3562
02:21:32,262 --> 02:21:34,122
We became a family.

3563
02:21:34,392 --> 02:21:35,631
I mean it.

3564
02:21:35,632 --> 02:21:36,661
(Team JEONG MIN JUN finally became a united force.)

3565
02:21:36,662 --> 02:21:38,801
In fact, the quality of the work itself...

3566
02:21:38,802 --> 02:21:41,001
was very high for both of you.

3567
02:21:41,002 --> 02:21:42,102
But...

3568
02:21:42,132 --> 02:21:43,971
this is a broadcast.

3569
02:21:43,972 --> 02:21:45,701
I think Hash needs to be...

3570
02:21:45,702 --> 02:21:47,572
a little kinder.

3571
02:21:47,872 --> 02:21:49,711
Mass appeal was a significant factor for me.

3572
02:21:49,712 --> 02:21:52,541
Judging by the synopsis, the story was...

3573
02:21:52,542 --> 02:21:53,581
overly long-winded.

3574
02:21:53,582 --> 02:21:56,451
I wondered if she could capture this...

3575
02:21:56,452 --> 02:21:57,811
within such a short time.

3576
02:21:57,812 --> 02:21:59,721
The synopsis was too difficult for me too.

3577
02:21:59,722 --> 02:22:02,752
I thought Team MIN JUN was kinder in that sense.

3578
02:22:03,252 --> 02:22:06,962
The aspect of mass appeal was mentioned the most.

3579
02:22:07,022 --> 02:22:09,931
How much would people seeing this for the first time...

3580
02:22:09,932 --> 02:22:12,502
be able to understand without reading the synopsis?

3581
02:22:12,632 --> 02:22:14,331
Ultimately, it's about layers.

3582
02:22:14,332 --> 02:22:16,532
Can ordinary people get this?

3583
02:22:16,702 --> 02:22:17,731
Mass appeal?

3584
02:22:17,732 --> 02:22:20,071
My perspective on the performance...

3585
02:22:20,072 --> 02:22:23,641
differs slightly from that of the judges.

3586
02:22:23,642 --> 02:22:26,011
They frequently mentioned "mass appeal."

3587
02:22:26,012 --> 02:22:28,242
Actually, I had time to change it.

3588
02:22:28,442 --> 02:22:29,681
(At the time of mid-point review)

3589
02:22:29,682 --> 02:22:31,212
Is it really 4 to 4?

3590
02:22:31,312 --> 02:22:32,952
I won't change it.

3591
02:22:33,222 --> 02:22:35,552
The reason I didn't change it...

3592
02:22:35,822 --> 02:22:38,151
was that I wanted to win...

3593
02:22:38,152 --> 02:22:39,362
over the public.

3594
02:22:39,592 --> 02:22:41,761
Let's stick to what I have...

3595
02:22:41,762 --> 02:22:43,962
and show it as it is.

3596
02:22:44,032 --> 02:22:47,231
If it had been the competition I usually participate in,

3597
02:22:47,232 --> 02:22:48,232
I would have won.

3598
02:22:48,233 --> 02:22:49,302
No doubt.

3599
02:22:51,032 --> 02:22:53,041
- I'll... - Yes.

3600
02:22:53,042 --> 02:22:54,642
show them on the scene.

3601
02:22:56,042 --> 02:22:58,041
I'm serious. I'll show them.

3602
02:22:58,042 --> 02:22:59,082
Right away.

3603
02:22:59,142 --> 02:23:01,542
I think we put on an amazing performance.

3604
02:23:01,982 --> 02:23:04,382
Yes. So I'm really grateful.

3605
02:23:04,882 --> 02:23:06,481
I'll make you win...

3606
02:23:06,482 --> 02:23:08,621
a different competition in the future.

3607
02:23:08,622 --> 02:23:10,592
(We trust you.)

3608
02:23:11,022 --> 02:23:12,661
Thank you so much.

3609
02:23:12,662 --> 02:23:14,322
(Hash expresses heartfelt gratitude.)

3610
02:23:14,492 --> 02:23:16,162
(Next week)

3611
02:23:16,292 --> 02:23:17,762
(Why am I here?)

3612
02:23:17,932 --> 02:23:19,201
(It feels like being pushed out...)

3613
02:23:19,202 --> 02:23:20,502
(into a wasteland.)

3614
02:23:22,772 --> 02:23:24,201
(Are you ready?)

3615
02:23:24,202 --> 02:23:26,342
(Team BADA)

3616
02:23:26,942 --> 02:23:30,041
(It was a ritual intended to make the world dance.)

3617
02:23:30,042 --> 02:23:31,142
(Team INGYOO, screaming)

3618
02:23:31,912 --> 02:23:34,541
(Team BADA makes a sortie.)

3619
02:23:34,542 --> 02:23:36,552
(Team INGYOO makes a sortie.)

3620
02:23:36,782 --> 02:23:39,322
(I'm not afraid of the directors' fight.)

3621
02:23:41,522 --> 02:23:43,651
(Because there's a difference in physicality,)

3622
02:23:43,652 --> 02:23:45,661
(I have a better chance of winning.)

3623
02:23:45,662 --> 02:23:47,591
(There will be a battle of physique,)

3624
02:23:47,592 --> 02:23:49,631
(but that won't be a problem.)

3625
02:23:49,632 --> 02:23:50,662
(It's already over.)

3626
02:23:50,832 --> 02:23:52,231
(Dumbfounded)

3627
02:23:52,232 --> 02:23:53,401
(They're copying us!)

3628
02:23:53,402 --> 02:23:55,002
(Why does he keep acting so childish?)

3629
02:23:55,332 --> 02:23:56,401
(She's possessed.)

3630
02:23:56,402 --> 02:23:57,402
(It seemed like she was calling ghosts.)

3631
02:23:57,403 --> 02:23:58,602
(She looked like she was going to perform necromancy.)

3632
02:23:58,732 --> 02:24:00,271
(There's a dancer who lacks the fundamentals.)

3633
02:24:00,272 --> 02:24:01,572
(I'm like a stick.)

3634
02:24:01,602 --> 02:24:02,871
(Like a stick?)

3635
02:24:02,872 --> 02:24:04,242
(I'm like a stick.)

3636
02:24:04,672 --> 02:24:05,841
(What am I going to do?)

3637
02:24:05,842 --> 02:24:07,481
(I've never prepared a performance...)

3638
02:24:07,482 --> 02:24:09,252
(with a dancer like this.)

3639
02:24:09,582 --> 02:24:10,611
(What's wrong?)

3640
02:24:10,612 --> 02:24:13,281
(She's wondering if you have any more choreography for her.)

3641
02:24:13,282 --> 02:24:15,521
(I don't want to know.)

3642
02:24:15,522 --> 02:24:16,951
(My goodness.)

3643
02:24:16,952 --> 02:24:19,391
(What? What's going on?)

3644
02:24:19,392 --> 02:24:21,292
(This isn't just a show. It's a competition.)

3645
02:24:21,362 --> 02:24:22,662
(If I mess up, I'll get cut here.)

3646
02:24:22,832 --> 02:24:24,391
(Please don't make a mistake.)

3647
02:24:24,392 --> 02:24:26,732
(It's a bit overwhelming.)

3648
02:24:27,032 --> 02:24:29,471
(Is my level too low?)

3649
02:24:29,472 --> 02:24:31,201
(BABYZOO vs NaiN)

3650
02:24:31,202 --> 02:24:32,601
(BADA vs INGYOO)

3651
02:24:32,602 --> 02:24:34,542
(A fierce Last Run toward the Director Credit)

3652
02:24:36,212 --> 02:24:38,071
(I'll take the Director Credit.)

3653
02:24:38,072 --> 02:24:39,441
(Honestly, I'm going to win.)

3654
02:24:39,442 --> 02:24:40,982
(My heart is going to burst.)

3655
02:24:41,082 --> 02:24:42,782
(I'll win no matter what.)

3656
02:24:43,452 --> 02:24:44,611
(Wait, NaiN. This time,)

3657
02:24:44,612 --> 02:24:45,921
(we're the mannequins.)

3658
02:24:45,922 --> 02:24:46,951
(Dancer?)

3659
02:24:46,952 --> 02:24:47,952
(It's the dancer!)

3660
02:24:47,953 --> 02:24:49,352
(We are becoming the dancers!)

3661
02:24:49,422 --> 02:24:51,121
(There is one director.)

3662
02:24:51,122 --> 02:24:53,061
(This is the Directors' Version of the Class Mission.)

3663
02:24:53,062 --> 02:24:54,062
(The second mission)

3664
02:24:54,063 --> 02:24:55,661
(Title Sequence Film Mission)

3665
02:24:55,662 --> 02:24:57,892
(A choreographer will be eliminated.)

3666
02:24:58,192 --> 02:24:59,231
Gosh!

3667
02:24:59,232 --> 02:25:01,031
(The first choreographer to be eliminated)

3668
02:25:01,032 --> 02:25:02,831
(Final survival showdown)

3669
02:25:02,832 --> 02:25:04,431
(Application for on-site audience of "Last Stage: 24H")

3670
02:25:04,432 --> 02:25:05,701
(There is...)

3671
02:25:05,702 --> 02:25:07,372
(only one condition.)

3672
02:25:07,472 --> 02:25:08,541
(You have...)

3673
02:25:08,542 --> 02:25:09,612
(24 hours.)

3674
02:25:11,142 --> 02:25:12,481
(Are they crazy?)

3675
02:25:12,482 --> 02:25:15,481
(The final director holds the authority to decide...)

3676
02:25:15,482 --> 02:25:17,481
(which candidates are up for elimination.)

3677
02:25:17,482 --> 02:25:19,851
(Can they demonstrate the process of their efforts...)

3678
02:25:19,852 --> 02:25:21,651
(to the director?)

3679
02:25:21,652 --> 02:25:22,991
(Wouldn't that be the ultimate power?)

3680
02:25:22,992 --> 02:25:24,251
(I should become a director.)

3681
02:25:24,252 --> 02:25:25,561
(I don't want to be a dancer.)

3682
02:25:25,562 --> 02:25:28,021
(Directors are getting directed.)

3683
02:25:28,022 --> 02:25:29,791
("Over there, towards the back left. To the back.")

3684
02:25:29,792 --> 02:25:32,231
(If I have to put up with this,)

3685
02:25:32,232 --> 02:25:33,232
(I might as well just go home.)

3686
02:25:33,233 --> 02:25:35,131
(It's been so long since I've been...)

3687
02:25:35,132 --> 02:25:36,701
(directed by anyone.)

3688
02:25:36,702 --> 02:25:40,601
(Draft Creation Mission given to 10 choreographers)

3689
02:25:40,602 --> 02:25:42,511
(We need to find a good dancer for the Draft.)

3690
02:25:42,512 --> 02:25:44,141
(The 9 characters need to be clearly visible.)

3691
02:25:44,142 --> 02:25:46,381
(Vata should be the one to replace BADA.)

3692
02:25:46,382 --> 02:25:48,581
(Here is Vata who will play BADA.)

3693
02:25:48,582 --> 02:25:49,582
(I have to call them.)

3694
02:25:49,583 --> 02:25:51,181
(I called around right away.)

3695
02:25:51,182 --> 02:25:54,151
(I'll use Rozalin as BABYZOO.)

3696
02:25:54,152 --> 02:25:55,281
("Street Woman Fighter," Rozalin of WANT)

3697
02:25:55,282 --> 02:25:56,721
(As BABYZOO...)

3698
02:25:56,722 --> 02:25:58,251
(Who did Back Koo Young choose as BABYZOO?)

3699
02:25:58,252 --> 02:25:59,421
("Street Man Fighter," ROOT of 1MILLION)

3700
02:25:59,422 --> 02:26:01,561
(BADA, Simeez, Renan, BABYZOO)

3701
02:26:01,562 --> 02:26:02,591
(They all called me.)

3702
02:26:02,592 --> 02:26:04,531
(I need to get him before they do.)

3703
02:26:04,532 --> 02:26:05,661
(It's war.)

3704
02:26:05,662 --> 02:26:07,901
(Koo Young is the hardest.)

3705
02:26:07,902 --> 02:26:09,631
(Pick up the phone, Choi Young Jun.)

3706
02:26:09,632 --> 02:26:10,632
(Hello, Koo Young!)

3707
02:26:10,633 --> 02:26:11,831
(Hello, INGYOO!)

3708
02:26:11,832 --> 02:26:12,871
(Help me.)

3709
02:26:12,872 --> 02:26:13,901
(Can you please help me?)

3710
02:26:13,902 --> 02:26:15,501
(As a dancer?)

3711
02:26:15,502 --> 02:26:18,011
(I need you as Koo Young.)

3712
02:26:18,012 --> 02:26:19,941
(Mine has to be picked.)

3713
02:26:19,942 --> 02:26:21,341
(I'm really confident.)

3714
02:26:21,342 --> 02:26:22,651
(They'll like it.)

3715
02:26:22,652 --> 02:26:23,681
(I'm confident.)

3716
02:26:23,682 --> 02:26:25,621
(I must be the director no matter what.)

3717
02:26:25,622 --> 02:26:27,022
(The choreographic staging...)

3718
02:26:27,322 --> 02:26:28,352
(wasn't so good.)

3719
02:26:28,382 --> 02:26:30,151
(It was the standardized format...)

3720
02:26:30,152 --> 02:26:32,221
(required in K-pop videos.)

3721
02:26:32,222 --> 02:26:34,061
(I felt like he was looking down on me.)

3722
02:26:34,062 --> 02:26:35,591
(How can he look down on K-pop,)

3723
02:26:35,592 --> 02:26:36,762
(when he's so young?)

3724
02:26:36,862 --> 02:26:38,791
(Which part are you talking about?)

3725
02:26:38,792 --> 02:26:41,131
(I was expecting a cinematic presentation.)

3726
02:26:41,132 --> 02:26:42,132
(What about you?)

3727
02:26:42,132 --> 02:26:43,132
(Let's see how well you do.)

3728
02:26:43,133 --> 02:26:45,001
(The feeling like a cinema)

3729
02:26:45,002 --> 02:26:46,071
(It comes down to the variety of...)

3730
02:26:46,072 --> 02:26:47,141
(focal lengths and directorial choices.)

3731
02:26:47,142 --> 02:26:49,871
(It felt like a college midterm assignment.)

3732
02:26:49,872 --> 02:26:52,141
(He'll probably think it's really groundbreaking.)

3733
02:26:52,142 --> 02:26:54,181
(He'll probably think of himself...)

3734
02:26:54,182 --> 02:26:55,282
(as an idea bank.)

3735
02:26:55,342 --> 02:26:57,511
(2 candidates for the director position...)

3736
02:26:57,512 --> 02:26:58,851
(will be selected from among the 10 choreographers.)

3737
02:26:58,852 --> 02:27:01,551
(Videos of the two final draft versions released in advance)

3738
02:27:01,552 --> 02:27:04,251
(Who will be the 2 director candidates?)

3739
02:27:04,252 --> 02:27:06,421
(Why does it look like BABYZOO's choreography?)

3740
02:27:06,422 --> 02:27:08,521
(It strongly gives off a Back Koo Young vibe.)

3741
02:27:08,522 --> 02:27:11,431
(It’s got that total Director INGYOO vibe.)

3742
02:27:11,432 --> 02:27:13,661
(This was BADA's choreography. I knew it.)

3743
02:27:13,662 --> 02:27:15,771
(This gives off a Renan vibe.)

3744
02:27:15,772 --> 02:27:19,241
(Who will claim the final director spot?)

3745
02:27:19,242 --> 02:27:21,901
(The result of this...)

3746
02:27:21,902 --> 02:27:23,442
(is just amazing.)

3747
02:27:23,572 --> 02:27:25,011
(Worst Director Candidate)

3748
02:27:25,012 --> 02:27:26,542
(BABYZOO)

3749
02:27:27,382 --> 02:27:29,652
(I'm in trouble.)