1
00:00:17,356 --> 00:00:21,401
MAN: National Television, Steve Shorter,
slate one, take one.

2
00:00:24,279 --> 00:00:26,907
I would just like to say to you all

3
00:00:28,033 --> 00:00:30,619
how happy I am to be back in Britain

4
00:00:31,411 --> 00:00:33,539
after my American tour.

5
00:00:35,040 --> 00:00:36,750
(CROWD CHEERING)

6
00:01:10,117 --> 00:01:13,453
CROWD: (CHANTING) We want Steve!
We want Steve!

7
00:01:31,597 --> 00:01:35,601
NARRATOR: <i>The name of this</i>
<i>young man is Steven Shorter.</i>

8
00:01:35,976 --> 00:01:38,979
<i>He is being given the first
ticker-tape welcome</i>

9
00:01:39,104 --> 00:01:41,189
<i>in the history of Britain.</i>

10
00:01:41,481 --> 00:01:45,110
<i>But Steven Shorter is not a president
or a politician,</i>

11
00:01:45,819 --> 00:01:47,613
<i>he is a pop singer.</i>

12
00:01:58,165 --> 00:01:59,958
(CROWD SCREAMING)

13
00:02:10,052 --> 00:02:12,846
<i>The reason given
for the extreme violence</i>

14
00:02:12,888 --> 00:02:15,849
<i>of the stage act
that you are about to see,</i>

15
00:02:15,974 --> 00:02:19,561
<i>is that it provides the public
with a necessary release</i>

16
00:02:19,686 --> 00:02:22,147
<i>from all the nervous tension caused</i>

17
00:02:22,189 --> 00:02:25,525
<i>by the state of the world outside.</i>

18
00:02:29,237 --> 00:02:33,241
<i>The performance for which
Steven Shorter is now being prepared</i>

19
00:02:33,367 --> 00:02:36,745
<i>is based on the sentence
he once served in prison.</i>

20
00:02:38,372 --> 00:02:41,708
<i>And so successful
has this violent act become,</i>

21
00:02:41,917 --> 00:02:44,670
<i>that Steven Shorter now finds himself</i>

22
00:02:45,504 --> 00:02:49,341
<i>the most desperately loved entertainer
in the world.</i>

23
00:02:59,851 --> 00:03:03,021
<i>Britain. In the near future.</i>

24
00:03:03,105 --> 00:03:04,856
(CROWD CHEERING)

25
00:04:44,164 --> 00:04:45,499
(GRUNTS)

26
00:04:48,960 --> 00:04:50,670
(GIRLS SCREAMING)

27
00:05:21,201 --> 00:05:24,538
♪ I see it all before me

28
00:05:25,372 --> 00:05:28,708
♪ My path's a restless wander

29
00:05:29,543 --> 00:05:32,921
♪ My days and nights are torment

30
00:05:33,713 --> 00:05:36,591
♪ A world of misery

31
00:05:37,759 --> 00:05:41,221
♪ The bonds of retribution

32
00:05:41,930 --> 00:05:44,933
♪ Now laid so carefully

33
00:05:46,059 --> 00:05:49,062
♪ I cannot shed my pain

34
00:05:50,105 --> 00:05:53,525
♪ So easily now

35
00:05:54,234 --> 00:05:56,444
♪ My spirit's broken

36
00:05:57,946 --> 00:06:00,407
♪ No will to live

37
00:06:02,033 --> 00:06:04,578
♪ My body's all aching

38
00:06:05,954 --> 00:06:09,541
♪ My hands are tied

39
00:06:09,958 --> 00:06:12,794
♪ I need my freedom

40
00:06:13,753 --> 00:06:16,798
♪ Not your sympathy

41
00:06:17,883 --> 00:06:21,094
♪ You, you needn't love me

42
00:06:21,887 --> 00:06:24,472
♪ Just set me free

43
00:06:24,764 --> 00:06:28,435
♪ Come on, come on, set me free

44
00:06:28,935 --> 00:06:30,395
♪ Set me free ♪

45
00:06:36,776 --> 00:06:39,905
CROWD: Free! Free! Free!

46
00:06:40,113 --> 00:06:42,949
Free! Free! Free!

47
00:06:43,450 --> 00:06:45,285
Free! Free!

48
00:06:45,410 --> 00:06:49,289
Free! Free! Free! Free!

49
00:06:49,331 --> 00:06:51,124
Free! Free!

50
00:06:51,249 --> 00:06:55,128
Free! Free! Free! Free!

51
00:06:55,253 --> 00:06:58,089
Free! Free! Free!

52
00:06:58,256 --> 00:07:01,927
Free! Free! Free! Free!

53
00:07:01,968 --> 00:07:03,970
Free! Free! Free! Free!

54
00:07:04,012 --> 00:07:06,264
Free! Free!

55
00:07:06,348 --> 00:07:10,143
Free! Free! Free!

56
00:07:10,185 --> 00:07:11,645
Free!

57
00:07:11,770 --> 00:07:13,438
(CROWD CHEERING)

58
00:07:31,498 --> 00:07:34,709
♪ Is there a way out for me?

59
00:07:35,543 --> 00:07:38,838
♪ I kneel before you helpless

60
00:07:39,673 --> 00:07:43,218
♪ Is there somebody out there

61
00:07:43,885 --> 00:07:47,222
♪ To take a chance on me?

62
00:07:48,014 --> 00:07:51,351
♪ I don't pretend to virtue

63
00:07:52,143 --> 00:07:55,480
♪ I don't ask anything

64
00:07:56,189 --> 00:07:59,234
♪ But if you want to help me

65
00:08:00,235 --> 00:08:02,821
♪ My freedom's everything

66
00:08:02,862 --> 00:08:06,574
♪ Now, look, my spirit's broken

67
00:08:08,034 --> 00:08:10,537
♪ No will to live

68
00:08:12,205 --> 00:08:14,666
♪ My body's all aching

69
00:08:16,042 --> 00:08:19,337
♪ My hands are tied

70
00:08:19,379 --> 00:08:23,341
♪ I need, I need my freedom

71
00:08:24,009 --> 00:08:26,678
♪ Not your sympathy

72
00:08:28,388 --> 00:08:30,890
♪ Look, you needn't love me

73
00:08:32,017 --> 00:08:34,728
♪ Just set me free

74
00:08:34,936 --> 00:08:38,732
♪ Come on, come on, please set me free

75
00:08:39,190 --> 00:08:41,192
♪ Set me free ♪

76
00:08:46,614 --> 00:08:48,241
(WOMAN MOANING)

77
00:09:14,225 --> 00:09:15,935
(CROWD CHEERING)

78
00:09:31,451 --> 00:09:33,953
(CROWD SCREAMING IN PROTEST)

79
00:10:04,943 --> 00:10:08,446
♪ I see it all before me

80
00:10:09,114 --> 00:10:12,325
♪ My darkest days of sorrow

81
00:10:12,992 --> 00:10:16,496
♪ Salvation's hand denied me

82
00:10:17,163 --> 00:10:19,999
♪ No hope of liberty

83
00:10:21,167 --> 00:10:24,462
♪ I only ask one question

84
00:10:25,338 --> 00:10:28,216
♪ Please tell me if you can

85
00:10:29,342 --> 00:10:32,512
♪ What good is retribution

86
00:10:33,471 --> 00:10:37,350
♪ Without a helping

87
00:10:38,309 --> 00:10:40,520
♪ hand? ♪

88
00:11:03,543 --> 00:11:05,086
MAN IN AUDIENCE: Bastard!

89
00:11:05,211 --> 00:11:06,754
(CROWD BOOING)

90
00:11:31,571 --> 00:11:35,408
NARRATOR: <i>There is now</i>
<i>a coalition government in Britain,</i>

91
00:11:35,533 --> 00:11:38,536
<i>which has recently asked
all entertainment agencies</i>

92
00:11:38,578 --> 00:11:41,456
<i>to usefully divert
the violence of youth.</i>

93
00:11:41,706 --> 00:11:46,377
<i>"Keep them happy, off the streets</i>
<i>and out of politics.</i> "

94
00:11:56,429 --> 00:11:57,597
ALVIN: But I think, uh...

95
00:11:57,639 --> 00:11:58,765
MARTIN: A very good show tonight,
I thought.

96
00:11:58,806 --> 00:12:01,309
ALVIN: The basic thing is that, uh,

97
00:12:01,434 --> 00:12:02,936
we get this European thing settled down.

98
00:12:02,977 --> 00:12:05,104
By the way, Martin I'd like you to uh...

99
00:12:05,146 --> 00:12:07,482
I'd like to look over
some of the press releases I've got.

100
00:12:07,607 --> 00:12:09,734
This should be the greatest
European tour he's done yet.

101
00:12:09,776 --> 00:12:11,110
MARTIN: I'm glad to hear that.
ALVIN: By the way,

102
00:12:11,236 --> 00:12:14,781
as I mentioned before,
the uh, the Far Eastern thing.

103
00:12:14,906 --> 00:12:16,115
You know the potential there
is tremendous

104
00:12:16,157 --> 00:12:17,242
and we haven't
been there in 18 months...

105
00:12:17,283 --> 00:12:18,326
MARTIN: You should probably
give him a drink.

106
00:12:18,451 --> 00:12:22,163
ALVIN: Yes, I've offered him...
Steve, do you want a drink?

107
00:12:23,248 --> 00:12:25,250
MARTIN: Okay, Superintendent,
you can let them in now, please.

108
00:12:25,291 --> 00:12:26,918
Come in, ladies and gentleman.

109
00:12:26,960 --> 00:12:28,503
Ah! Ah! Ah! Take your time.

110
00:12:28,753 --> 00:12:32,257
NARRATOR: <i>There will shortly be</i>
<i>61 people in this room,</i>

111
00:12:32,966 --> 00:12:37,804
<i>of whom 54 have nothing whatever
to do Steven Shorter.</i>

112
00:12:38,471 --> 00:12:41,808
<i>They're what you might call
professional leaners.</i>

113
00:12:41,849 --> 00:12:43,184
ALVIN: Come on, yes.

114
00:12:43,309 --> 00:12:44,310
That's fine.

115
00:12:44,435 --> 00:12:47,480
ALVIN: All right, take it easy,
that's it. Have a drink, that's on us.

116
00:12:52,652 --> 00:12:56,364
NARRATOR: <i>Vanessa Ritchie,</i>
<i>commissioned by the Ministry of Culture</i>

117
00:12:56,489 --> 00:12:58,616
<i>to paint Steven Shorter.</i>

118
00:13:09,627 --> 00:13:12,880
I first saw Steven Shorter
at a press reception

119
00:13:13,006 --> 00:13:15,508
given for him about three months ago.

120
00:13:15,550 --> 00:13:16,718
I couldn't get very close to him

121
00:13:16,843 --> 00:13:20,054
because of the usual crowd of people
around him.

122
00:13:20,722 --> 00:13:23,474
There was just something about him...

123
00:13:24,142 --> 00:13:26,811
I don't know, it was the way he stood
and looked

124
00:13:26,853 --> 00:13:29,355
in the midst of all those people.

125
00:13:30,732 --> 00:13:32,859
I found a strange sort of

126
00:13:34,319 --> 00:13:38,197
emptiness and...
I just wanted to paint him.

127
00:13:40,199 --> 00:13:42,201
ALVIN: Uh, what was your name?
Kitty, wasn't it?

128
00:13:42,243 --> 00:13:45,079
MAN: It's Betty. It's Betty.

129
00:13:45,204 --> 00:13:46,873
ALVIN: And this is
our American friend visiting,

130
00:13:46,998 --> 00:13:49,417
- John B. Marshall.
- Yeah, I'd like to say howdy, folks...

131
00:13:49,542 --> 00:13:52,378
ALVIN: Right, cool it, John, we'll hear
from you later. Isn't he wild?

132
00:13:52,503 --> 00:13:56,507
All right. Have a good time.
Enjoy it! Have a ball.

133
00:13:56,924 --> 00:13:59,177
All right, hold it!
Hold it, everybody, hold it!

134
00:13:59,218 --> 00:14:02,513
Hold it. Present time, Uncle Julie.
Right now, it's present time.

135
00:14:02,930 --> 00:14:06,434
- Yeah.
- It's your birthday, Uncle Julie. 65.

136
00:14:07,101 --> 00:14:10,688
♪ He's a jolly good fellow
for he's a jolly good fellow

137
00:14:10,730 --> 00:14:12,940
♪ For he's a jolly good fellow ♪

138
00:14:13,066 --> 00:14:15,902
Look, my accountant, do me a favour,
count backwards from there.

139
00:14:16,944 --> 00:14:22,367
NARRATOR: <i>On the left is Alvin Kirsch,</i>
<i>press officer to Steven Shorter</i>

140
00:14:22,867 --> 00:14:28,748
<i>and on the right is Jules Jordan,
music publisher to Steve Shorter,</i>

141
00:14:28,790 --> 00:14:33,211
<i>and grossing £250,000 per year.</i>

142
00:14:33,878 --> 00:14:39,092
JULIE: Just beautiful. Thank you, Steve.
You're so good to me.

143
00:14:44,639 --> 00:14:45,807
You want me to do it again?

144
00:14:45,932 --> 00:14:48,142
ALVIN: A retake of the kiss,
is that too much?

145
00:14:48,267 --> 00:14:50,603
(GUESTS LAUGHING HYSTERICALLY)

146
00:14:50,978 --> 00:14:53,731
NARRATOR: <i>The evening of August 8th.</i>

147
00:14:53,940 --> 00:14:58,611
<i>We are in one of 300
Steven Shorter discotheques</i>

148
00:14:59,404 --> 00:15:03,574
<i>specially built within the last
few years to spread happiness</i>

149
00:15:04,242 --> 00:15:06,077
<i>throughout Britain.</i>

150
00:15:06,119 --> 00:15:10,665
Not in a million, million years.
Look after this, will you?

151
00:15:11,124 --> 00:15:13,626
No, this is not business with us.

152
00:15:13,793 --> 00:15:15,795
We're just one big happy family.

153
00:15:15,920 --> 00:15:21,634
Look at this kid, a doll, a prince.
I love this boy. Beautiful!

154
00:15:21,801 --> 00:15:23,302
We didn't frame it, Uncle Julie,

155
00:15:23,428 --> 00:15:26,806
because we didn't know
where you'd like to put it.

156
00:15:27,473 --> 00:15:29,976
ALVIN: Martin, you're too much!

157
00:15:33,271 --> 00:15:36,149
Vanessa? Vanessa?

158
00:15:37,316 --> 00:15:41,154
NARRATOR: <i>Martin Crossley,</i>
<i>personal manager to Steven Shorter.</i>

159
00:15:41,320 --> 00:15:44,991
Squit, do you find, um,
Miss Ritchie's painting exciting?

160
00:15:46,159 --> 00:15:48,619
Well, I don't really know much
about art.

161
00:15:48,661 --> 00:15:50,371
I, um... Ask me about birds...

162
00:15:50,496 --> 00:15:51,998
- Yeah, I wasn't suggesting...
-...and I'll, I'll...

163
00:15:52,039 --> 00:15:54,792
...that you should know about art,
I just wondered if you had an opinion.

164
00:15:54,834 --> 00:15:57,336
- Freddie, what do you think?
- Oh, well, I don't much about art,

165
00:15:57,378 --> 00:15:59,005
ask me about bees and I'll tell ya.

166
00:15:59,297 --> 00:16:01,632
This adolescent display
is not really called for, you know,

167
00:16:01,674 --> 00:16:03,301
I'm just asking for an opinion.

168
00:16:03,342 --> 00:16:05,344
- About her work?
- NARRATOR: <i>On the right</i>

169
00:16:05,386 --> 00:16:08,848
<i>is Freddie K,
musical director to Steven Shorter</i>

170
00:16:09,140 --> 00:16:10,641
<i>and self-confessed anarchist.</i>

171
00:16:10,683 --> 00:16:13,686
It's not what it's about any more,
is it? Not really, you know?

172
00:16:13,728 --> 00:16:15,313
I mean, if you really go
seriously into it.

173
00:16:15,354 --> 00:16:17,690
And you go in, now what you wanna do
is you wanna go into a place

174
00:16:17,815 --> 00:16:20,693
where something's hanging
that's got a bit of something in it!

175
00:16:20,735 --> 00:16:24,197
You know, not all this Nancy
pansy stuff. I mean, somewhere that's...

176
00:16:24,572 --> 00:16:25,990
Yeah, she knows what I mean that

177
00:16:26,032 --> 00:16:28,242
when you just see it and there's a bit
of somebody young in there

178
00:16:28,367 --> 00:16:30,703
and there's a bit of...
A bit of everything that he's ever done.

179
00:16:30,828 --> 00:16:34,040
A bit, you know, everything like bed
and, excuse me, going to the toilet,

180
00:16:34,081 --> 00:16:36,834
you know everything's in it,
a bit of a man's life.

181
00:16:36,876 --> 00:16:39,045
A bit of his soul, a bit of everything.

182
00:16:39,170 --> 00:16:41,672
That's what it's all about,
it's not this... Isn't it?

183
00:16:42,006 --> 00:16:44,842
I'm sure you'll agree with that.
She'll agree with me when she gets it.

184
00:16:44,884 --> 00:16:46,511
MARTIN: Steven, can we help you?

185
00:16:46,552 --> 00:16:49,555
I was... I'd like to dance.

186
00:16:50,223 --> 00:16:52,350
We were trying to have a conversation
about paintings.

187
00:16:52,391 --> 00:16:53,684
Yeah...

188
00:16:56,395 --> 00:16:59,273
You might ask Miss Ritchie... Steven?

189
00:17:06,739 --> 00:17:11,577
♪ <i>Hey, little girl, I'm in a whirl</i>

190
00:17:11,744 --> 00:17:15,706
♪ <i>I've been a bad, bad boy</i>

191
00:17:15,915 --> 00:17:20,586
♪ <i>I'm on my knees, forgive me, please</i>

192
00:17:20,920 --> 00:17:24,924
♪ <i>I've been a bad, bad boy...</i> ♪

193
00:17:26,551 --> 00:17:28,594
They're all watching you.

194
00:17:32,932 --> 00:17:35,768
Yeah, well, they always are,
aren't they?

195
00:17:37,603 --> 00:17:40,606
I was watching you last night
on television.

196
00:17:41,274 --> 00:17:44,402
I mean, obviously I've seen
your act before, but

197
00:17:44,735 --> 00:17:48,114
this time I was looking at it
much more clearly.

198
00:17:48,906 --> 00:17:51,117
STEVEN: <i>Oh, yeah, I know.</i>

199
00:17:51,242 --> 00:17:53,494
<i>Quite a phenomenon, aren't I?</i>

200
00:17:55,121 --> 00:17:56,664
<i>How does it go?</i>

201
00:17:57,290 --> 00:18:01,252
<i>"His act is nauseating,</i>
<i>it's sadistic...</i> "

202
00:18:02,962 --> 00:18:05,798
There was one girl
they were interviewing.

203
00:18:05,923 --> 00:18:07,592
She was sobbing.

204
00:18:08,801 --> 00:18:12,638
She was saying
she'd kill herself for you.

205
00:18:18,352 --> 00:18:20,021
Yeah, I saw her.

206
00:18:25,151 --> 00:18:26,277
And?

207
00:18:30,323 --> 00:18:32,366
I thought she was lovely.

208
00:18:36,704 --> 00:18:39,123
ALVIN: Step aside, please.
Uh, Alvin's coming through.

209
00:18:39,332 --> 00:18:42,960
Would you please excuse me.
Hey, kids, uh, everything all right?

210
00:18:43,169 --> 00:18:45,671
Listen, I hate to break in at this time,
do you think we could possibly

211
00:18:45,713 --> 00:18:48,507
like, just cool it,
like, for a couple of minutes?

212
00:18:48,633 --> 00:18:52,011
Steve, I'd like to talk to you
and uh, I'd like to uh,

213
00:18:52,136 --> 00:18:54,847
tell you about the agreement I was...

214
00:18:56,140 --> 00:18:59,644
Why don't you... You'd like this, too.

215
00:19:00,061 --> 00:19:01,979
ALVIN: Yeah, although
I think I've got some...

216
00:19:02,021 --> 00:19:04,690
Wildly different decor
which I had a hand in myself...

217
00:19:04,732 --> 00:19:08,486
You notice we've still retained
the chains but I've had the steel...

218
00:19:08,527 --> 00:19:10,529
And the whole thing looks like...

219
00:19:10,655 --> 00:19:12,657
ANNOUNCER ON PA: <i>Closer to you.</i>

220
00:19:12,698 --> 00:19:15,826
<i>Steve's Electrics, guaranteed
for your refrigerator</i>

221
00:19:15,868 --> 00:19:18,579
<i>radiogram, food-mixer,
dishwasher, TV set.</i>

222
00:19:18,704 --> 00:19:22,208
<i>If we haven't got it,
Steve will get it for you.</i>

223
00:19:22,416 --> 00:19:24,377
<i>He will because he can.</i>

224
00:19:24,752 --> 00:19:29,215
<i>Steve genuinely loves dogs.
He knows you do, too,</i>

225
00:19:29,256 --> 00:19:33,219
<i>which is why Steve Chunk dog food
is specially reduced in price</i>

226
00:19:33,344 --> 00:19:36,389
<i>from 10s 6d on the current market
to 8s 6d,</i>

227
00:19:36,555 --> 00:19:40,351
<i>but not reduced in chunky,
tail-wagging nourishment.</i>

228
00:19:40,518 --> 00:19:44,939
NARRATOR: <i>You are now in what is called</i>
<i>a Steve Dream Palace,</i>

229
00:19:45,731 --> 00:19:51,529
<i>but there are 300 of these in Britain,
each designed to keep people happy</i>

230
00:19:51,904 --> 00:19:53,781
<i>and buying British.</i>

231
00:19:53,906 --> 00:19:56,742
MAN ON PA: <i>Steve, his symbol, the arrow,</i>

232
00:19:56,867 --> 00:20:00,246
<i>is your guarantee of satisfaction.</i>

233
00:20:00,287 --> 00:20:05,042
<i>Don't forget that when you buy in here,
you're buying Steven Shorter.</i>

234
00:20:08,254 --> 00:20:10,756
AUTOMATED VOICE: <i>14 stone, 7.</i>

235
00:20:11,716 --> 00:20:13,467
You see the uh,
you see the chick tonight?

236
00:20:13,592 --> 00:20:16,095
- You're certainly putting it on some.
- I'm not putting it on.

237
00:20:16,137 --> 00:20:17,888
It's a little chemical problem,
a little chemical.

238
00:20:18,055 --> 00:20:20,224
The body is still there,
the form is still there.

239
00:20:20,266 --> 00:20:22,643
They run after Steve,
but you know the overflow, uh,

240
00:20:22,768 --> 00:20:24,770
I still get, I want you to know.
That little chemical...

241
00:20:24,937 --> 00:20:26,439
What are you doing
to your teeth so much?

242
00:20:26,480 --> 00:20:27,940
What is it all about,
all that gargling?

243
00:20:28,065 --> 00:20:30,651
Too much, too much, with that stuff.

244
00:20:31,152 --> 00:20:32,653
(GARGLING)

245
00:20:35,656 --> 00:20:38,409
By the way, uh, we got to do something
about his wrists.

246
00:20:38,451 --> 00:20:40,411
JULIE: What wrists?
ALVIN: What do you mean, "What wrists"?

247
00:20:40,453 --> 00:20:43,664
His wrists. They're getting cut up,
they're getting all smashed up.

248
00:20:43,789 --> 00:20:45,958
Why does he have to lose,
like, blood for, for nothing?

249
00:20:46,000 --> 00:20:48,335
GIRL: <i>I've got his name</i>
<i>tattooed all over me.</i>

250
00:20:48,461 --> 00:20:53,299
<i>"Steve, I love you, Steve, wait for me.</i>
<i>Steve, be mine tonight.</i> "

251
00:20:53,591 --> 00:20:56,969
<i>I dream about him a lot.
They're always horrid dreams,</i>

252
00:20:57,178 --> 00:20:59,013
<i>'cause he always dies in the end.</i>

253
00:20:59,680 --> 00:21:02,641
<i>But when I wake up
I say thank you to God,</i>

254
00:21:03,267 --> 00:21:04,602
<i>'cause it was only a dream.</i>

255
00:21:05,478 --> 00:21:07,980
JULIE: "We're falling down
on two items", I said,

256
00:21:08,105 --> 00:21:09,982
"repentance and heart."

257
00:21:10,107 --> 00:21:12,276
- Did they give you anything?
- JULIE: Did they give me anything?

258
00:21:12,318 --> 00:21:14,528
Look, I'm not a knocker
of this kind of music,

259
00:21:14,653 --> 00:21:16,781
but the intro goes
something like this...

260
00:21:16,822 --> 00:21:19,617
♪ Ba de da Ba de da Ba da boom boom

261
00:21:19,992 --> 00:21:22,161
♪ Ba de da Ba de da Ba da boom boom ♪

262
00:21:22,286 --> 00:21:24,121
ALVIN: Hey, is he still giving you
those four-bar intros?

263
00:21:24,163 --> 00:21:25,664
- Eight bars.
- ALVIN: Its four bars, Uncle Julie,

264
00:21:25,790 --> 00:21:27,166
you're counting it in two.
It's four bars.

265
00:21:27,291 --> 00:21:30,669
All right, four bars, eight bars...
Anyway, I said to the boy who wrote it,

266
00:21:30,795 --> 00:21:33,297
what made him think of that kind
of a sound?

267
00:21:33,339 --> 00:21:35,341
How does it come here?

268
00:21:35,382 --> 00:21:36,842
And you know what he said to me?

269
00:21:36,884 --> 00:21:40,012
Look, maybe I'm a bit old-fashioned,
but he said to me,

270
00:21:40,137 --> 00:21:42,181
and you'll never believe this, Alvin,

271
00:21:42,223 --> 00:21:46,519
he said to me that the sound came to him
when he was in a traffic jam.

272
00:21:46,560 --> 00:21:47,812
The hooters were blaring...

273
00:21:47,853 --> 00:21:49,814
(VOCALISING CAR HORNS)

274
00:21:51,065 --> 00:21:54,360
And that's how he came
to the idea of the theme line.

275
00:21:54,401 --> 00:21:56,695
Still, who am I to complain?

276
00:21:57,196 --> 00:22:00,032
His last disc sold 1,200,000.

277
00:22:00,157 --> 00:22:03,202
- ALVIN: Wasn't it 400,000?
-200,000.

278
00:22:03,327 --> 00:22:06,747
Anyway, we got together
and we worked out a song...

279
00:22:07,206 --> 00:22:10,543
Alvin, this could be a minor sensation.

280
00:22:11,377 --> 00:22:16,006
Now. It goes like this. Remember,
the boy is sitting in a prison cell.

281
00:22:16,549 --> 00:22:18,050
- JULIE: You got the picture?
- Mmm.

282
00:22:18,175 --> 00:22:19,552
JULIE: Okay.

283
00:22:19,593 --> 00:22:24,181
♪ Mother, I never thought I'd miss
your kiss... Cooking

284
00:22:26,392 --> 00:22:31,564
♪ Mother, you're the nearest and dearest
to my heart

285
00:22:31,856 --> 00:22:32,898
♪ Mother... ♪

286
00:22:33,023 --> 00:22:34,859
- When does the hook come?
- Wait, wait, wait for it.

287
00:22:34,900 --> 00:22:37,862
♪ Can't you see, Mother ♪

288
00:22:38,404 --> 00:22:42,074
The bridge needs a little work here,
but get the payoff, the last line.

289
00:22:42,199 --> 00:22:48,038
♪ The salt-spray of my tears... ♪

290
00:22:49,456 --> 00:22:50,916
Um...

291
00:22:51,709 --> 00:22:53,878
I want to say that it, uh,

292
00:22:54,253 --> 00:22:56,088
needs a little work...

293
00:22:56,422 --> 00:22:57,798
-♪ Mother...
- But...

294
00:22:57,965 --> 00:23:00,885
♪ Never thought I'd miss your many... ♪

295
00:23:01,927 --> 00:23:03,721
(JULIE VOCALISING)

296
00:23:06,056 --> 00:23:07,099
I'll start again.

297
00:23:07,141 --> 00:23:11,061
♪ Mother, I never thought
I'd miss your cooking ♪

298
00:23:11,103 --> 00:23:12,605
(VOCALISING)

299
00:23:13,272 --> 00:23:18,777
♪ Mother, you're the nearest and dearest
to me, Mother

300
00:23:18,944 --> 00:23:21,739
♪ Can't you see, Mother

301
00:23:22,239 --> 00:23:28,954
♪ The salt-spray of my tears... ♪

302
00:23:30,331 --> 00:23:32,750
- Well, how's that?
- Aye, sir, it's a nice tune,

303
00:23:32,791 --> 00:23:36,086
Uncle Julie. No. Well, no, no,
it's a horrible tune.

304
00:23:36,128 --> 00:23:38,130
Do you know what that tune is,
Uncle Julie?

305
00:23:38,339 --> 00:23:42,676
It's a, it's a...
It's a nostalgic breaking of wind

306
00:23:42,801 --> 00:23:46,138
after a dinner of sentimentality.
I mean, it's nothing.

307
00:23:46,180 --> 00:23:49,475
I mean where's the adventure in it?
This book is about

308
00:23:49,642 --> 00:23:51,852
a fat mother figure
who eats her children

309
00:23:51,977 --> 00:23:55,981
with her sentimental rubbish, you know?
And your tune panders to this.

310
00:23:56,023 --> 00:23:59,443
I mean, the very instruments you play,
their very barrenness is expressed

311
00:23:59,485 --> 00:24:02,363
by the shape... I mean, this,
you know...

312
00:24:02,488 --> 00:24:04,323
There's nothing to 'em at all.

313
00:24:11,538 --> 00:24:14,708
INTERVIEWER: Uh, Mr Hooper,
how would you describe your function

314
00:24:14,833 --> 00:24:17,169
as Mr Shorter's administrator?

315
00:24:17,670 --> 00:24:20,839
Well, one example I can give you.

316
00:24:21,465 --> 00:24:25,678
About 18 months ago, Steven
was threatened with a paternity suit.

317
00:24:25,803 --> 00:24:28,347
INTERVIEWER: So what did you do?

318
00:24:28,681 --> 00:24:31,850
Well, I procured an abortion

319
00:24:32,559 --> 00:24:35,980
and arranged for the young lady
to be paid £500.

320
00:24:37,189 --> 00:24:38,649
(GRUNTS)

321
00:24:39,733 --> 00:24:44,697
INTERVIEWER: I see. And how did you
account for this expenditure?

322
00:24:46,198 --> 00:24:47,866
I put it down to petty cash.

323
00:24:51,704 --> 00:24:54,039
Yeah, good morning, Andrew.

324
00:24:54,331 --> 00:24:57,334
- Good morning, Martin.
- Good morning, Martin.

325
00:24:57,376 --> 00:24:58,919
MAN: How was America?

326
00:25:00,421 --> 00:25:02,256
We'll start with
the American tour, please.

327
00:25:02,381 --> 00:25:04,341
NARRATOR: <i>Andrew Goddard Butler.</i>

328
00:25:04,383 --> 00:25:07,219
<i>Director of a merchant bank
in the city of London</i>

329
00:25:07,511 --> 00:25:11,056
<i>and chairman of Steven Shorter
Enterprises Limited.</i>

330
00:25:15,394 --> 00:25:17,604
Very well, gentleman,
we'll begin by asking Martin

331
00:25:17,730 --> 00:25:20,733
to give us the results
of the American tour.

332
00:25:23,569 --> 00:25:25,571
Uh, right, gentleman.

333
00:25:25,696 --> 00:25:28,407
The tour lasted 25 days

334
00:25:28,532 --> 00:25:32,745
and we covered
some 64,700 miles of travel.

335
00:25:33,412 --> 00:25:38,917
The 25 days resulted in 64 appearances,
14 television appearances

336
00:25:39,585 --> 00:25:43,547
-and nine charity functions.
- How many days off were there?

337
00:25:44,757 --> 00:25:46,425
MARTIN: Three.

338
00:25:49,553 --> 00:25:52,723
(CLEARS THROAT) Is the boy all right?

339
00:25:54,391 --> 00:25:56,101
MARTIN: Have I...

340
00:25:56,894 --> 00:25:59,313
Have I said anything to indicate
that he isn't?

341
00:25:59,438 --> 00:26:04,401
ANDREW: The schedule, uh,
sounds a little punishing.

342
00:26:05,486 --> 00:26:08,781
His schedule had the full approval
of Dr Malcolm.

343
00:26:10,449 --> 00:26:11,950
Gentleman...

344
00:26:12,951 --> 00:26:16,080
Gentleman, let's be quite clear
on one point.

345
00:26:17,790 --> 00:26:20,918
Steven Shorter's personal life
is his own business.

346
00:26:20,959 --> 00:26:22,961
That's as it should be.

347
00:26:24,129 --> 00:26:28,467
But his well being, physical and mental,

348
00:26:28,509 --> 00:26:31,178
is very much of concern to us all.

349
00:26:32,304 --> 00:26:36,600
The last time I saw him, I thought
he seemed nervous and withdrawn.

350
00:26:37,267 --> 00:26:41,772
I hope there's nothing disturbing
the boy of which we have no knowledge.

351
00:26:41,814 --> 00:26:43,524
Stay there, Steve, just relax.
You're a bit tense today

352
00:26:43,649 --> 00:26:44,817
I don't know what's the matter with you,

353
00:26:44,858 --> 00:26:47,820
don't go away. Give him a ball, someone,
throw him a ball, will you?

354
00:26:47,861 --> 00:26:49,363
Get a few of you tossing this ball
up in the air...

355
00:26:49,488 --> 00:26:52,658
ALVIN: Uh, can we get a ball, please?
Someone give him a ball.

356
00:26:52,783 --> 00:26:54,785
Squit, would you give him
the ball, please?

357
00:26:54,827 --> 00:26:56,537
Very nice these ones. That's it, now...

358
00:26:56,662 --> 00:26:58,288
Stretch it out towards me, Steve.

359
00:26:58,330 --> 00:27:00,332
Smile, don't forget to smile.
That's very nice.

360
00:27:00,457 --> 00:27:02,835
Our first problem was naturally
to get rid of, uh,

361
00:27:02,876 --> 00:27:04,878
35 pounds of excess weight.

362
00:27:05,003 --> 00:27:08,841
So we put him on this
special gymnasium-type gymnastic course

363
00:27:08,882 --> 00:27:11,468
with a lot of choppy and exciting
exercises or something,

364
00:27:11,510 --> 00:27:14,680
I don't know what they did,
but they fixed up the problem.

365
00:27:14,805 --> 00:27:19,852
Uh... I'd say it took us about
anywhere from 18 months to two years

366
00:27:20,185 --> 00:27:21,895
to get him into his present
physical shape.

367
00:27:22,020 --> 00:27:25,691
Now, what about taking your jacket off?
That towelling thing you got on, Steve.

368
00:27:25,732 --> 00:27:28,694
Get a few of you in your shorts,
come on, that's a great idea.

369
00:27:28,819 --> 00:27:30,529
Few for the girls.

370
00:27:30,904 --> 00:27:32,072
Do I have to?

371
00:27:32,197 --> 00:27:34,074
Yes, come on, Steve,
what's the matter with you?

372
00:27:34,199 --> 00:27:37,202
You look wonderful! Beautiful day!
Come on!

373
00:27:37,327 --> 00:27:39,538
ALVIN: Steve, just for a couple
of shots. Can you take it off?

374
00:27:39,580 --> 00:27:41,331
- ALVIN: It won't take too long.
- Yeah, I won't take long.

375
00:27:41,373 --> 00:27:44,209
- ALVIN: Just a couple of shots, Steve.
- Just a few, come on now.

376
00:27:44,334 --> 00:27:45,878
- ALVIN: Thanks a lot.
- Come on, that's great.

377
00:27:46,003 --> 00:27:47,087
Wonderful, good.

378
00:27:47,212 --> 00:27:51,717
Now. Now, Steve, smile, nice smile.
Awfully tense, relax. Right.

379
00:27:51,758 --> 00:27:55,095
Now put your chest out, beautiful one
for the girls. That's it now, great.

380
00:27:55,220 --> 00:27:57,264
Now then, Steve, another one and smile.

381
00:27:57,723 --> 00:27:59,933
BILL: Have you got a fridge?
VANESSA: No.

382
00:28:00,058 --> 00:28:03,395
Better buy you one, then.
Steve like his, uh,

383
00:28:04,021 --> 00:28:05,397
chilled tomato juice about 11:00.

384
00:28:05,522 --> 00:28:09,234
NARRATOR: <i>The following morning,</i>
<i>Bill Franks, personal bodyguard</i>

385
00:28:09,359 --> 00:28:13,572
<i>to Steven Shorter and 5' 1</i> 1"
<i>in uplift boots,</i>

386
00:28:13,864 --> 00:28:18,243
<i>inspects the amenities
within Vanessa Ritchie's studio.</i>

387
00:28:18,368 --> 00:28:20,120
Uh, got hot and cold there?

388
00:28:22,539 --> 00:28:24,708
Toilet upstairs, I suppose.

389
00:28:31,256 --> 00:28:33,467
It's a bit strong, innit?

390
00:28:37,596 --> 00:28:38,805
Hmm...

391
00:28:39,806 --> 00:28:42,601
Is this where it all happens, then?

392
00:28:43,810 --> 00:28:45,103
Darling?

393
00:28:49,650 --> 00:28:52,778
Yeah, I suppose this, uh...

394
00:28:52,819 --> 00:28:56,281
Yeah, well, this ought to do us, then.
Darling?

395
00:28:56,323 --> 00:28:59,826
When am I going to have
another session with Steve?

396
00:28:59,952 --> 00:29:04,248
Tomorrow.
Yeah, tomorrow after the commercial.

397
00:29:04,289 --> 00:29:05,457
What commercial?

398
00:29:05,582 --> 00:29:08,627
Apple Marketing Board.

399
00:29:08,961 --> 00:29:12,631
Here, have one.
It's good for your sex life.

400
00:29:13,966 --> 00:29:15,509
Eat a bowl a day, meself.

401
00:29:15,634 --> 00:29:17,427
Well, they don't do much for me.

402
00:29:17,469 --> 00:29:20,639
That's 'cause you don't eat
the pips, innit?

403
00:29:20,973 --> 00:29:23,809
Darling. Innit?

404
00:29:26,645 --> 00:29:27,854
Has...

405
00:29:30,482 --> 00:29:33,610
Has anyone ever told you
you're quite a doll?

406
00:29:34,778 --> 00:29:36,655
Give us a bite, then.

407
00:29:38,532 --> 00:29:41,493
INTERVIEWER: Mr Jackman,
what exactly is the commercial purpose

408
00:29:41,618 --> 00:29:42,869
of today's advertisement?

409
00:29:42,995 --> 00:29:45,497
Well, that's really
quite straightforward.

410
00:29:45,622 --> 00:29:50,377
What we have got is the largest
national apple glut ever.

411
00:29:50,502 --> 00:29:52,337
And unless something drastic is done,

412
00:29:52,379 --> 00:29:57,175
in the next three weeks,
642 million apples will rot.

413
00:29:57,217 --> 00:30:00,679
So, the object of this commercial,

414
00:30:00,804 --> 00:30:03,348
and the 34 others which are planned,

415
00:30:03,473 --> 00:30:06,226
is to get every man, woman and child...

416
00:30:06,351 --> 00:30:07,561
<i>Wind's changed direction,</i>

417
00:30:07,686 --> 00:30:10,314
<i>can you move the fog machine
down to the water please?</i>

418
00:30:10,355 --> 00:30:14,693
MR JACKMAN: ...that is, babes in arms
and old-age pensioners excepted,

419
00:30:14,818 --> 00:30:19,323
to eat six apples a day
for the whole of the summer.

420
00:30:19,364 --> 00:30:21,074
INTERVIEWER: Now, Mr Arbutt,

421
00:30:21,199 --> 00:30:25,829
how would you describe your technique
in shooting this commercial?

422
00:30:25,871 --> 00:30:29,082
Well, I've been very influenced by
the work of the Moscow Art Theatre

423
00:30:29,207 --> 00:30:31,668
and certain of our modern philosophers.

424
00:30:31,710 --> 00:30:34,921
I would describe my approach
as existentialist.

425
00:30:35,047 --> 00:30:37,924
INTERVIEWER: Would you care to
elaborate on that a little?

426
00:30:38,050 --> 00:30:41,845
MR ARBUTT: Oh, yes. Well, for example,
today the actors must all

427
00:30:41,887 --> 00:30:45,932
think apples, be apples
and ultimately become apples.

428
00:30:46,391 --> 00:30:49,353
MR JACKMAN: See, one must remember
that there are millions of viewers

429
00:30:49,394 --> 00:30:53,440
sitting captive in their sitting rooms,
who are yearning for

430
00:30:53,565 --> 00:30:57,903
the reality and tranquillity
and the beauty of the countryside.

431
00:31:02,407 --> 00:31:04,868
MAN: All right. Thank you, Dave.

432
00:31:07,954 --> 00:31:10,248
PHOTOGRAPHER 1: Head up, head up!

433
00:31:13,418 --> 00:31:16,129
Steve, you've go to
learn to come to a slower stop.

434
00:31:16,254 --> 00:31:19,216
Remind me to look at you
walking backwards.

435
00:31:22,886 --> 00:31:25,305
- Alvin.
- Yeah, Steve, one more, please.

436
00:31:25,430 --> 00:31:28,058
- Can you get rid of them, please?
- All right, fellows, fellows!

437
00:31:28,100 --> 00:31:30,060
Fellows, let's take it easy,
they've had enough, fellows.

438
00:31:30,102 --> 00:31:31,436
Let's take it easy, fellows.

439
00:31:31,561 --> 00:31:34,314
Get in the van, happiness time is over.

440
00:31:34,439 --> 00:31:36,483
PHOTOGRAPHER 1: Just one more, Alvin.

441
00:31:36,608 --> 00:31:38,235
- Alvin, get rid of them!
- All right, fellows.

442
00:31:38,276 --> 00:31:39,486
- STEVEN: Get rid of them.
- That's it. Ease off.

443
00:31:39,611 --> 00:31:43,615
ALVIN: Fellows, ease off, that's it.
Fellows, this way. Fellows.

444
00:31:43,657 --> 00:31:45,617
PHOTOGRAPHER 2: Okay.

445
00:31:58,130 --> 00:32:00,257
<i>All right, everyone,
let's have some quiet, please.</i>

446
00:32:00,298 --> 00:32:03,093
<i>We're going to have a few words
from our sponsor.</i>

447
00:32:03,135 --> 00:32:04,678
<i>Our sponsor.</i>

448
00:32:04,803 --> 00:32:06,471
(CROWD CLAPPING)

449
00:32:09,182 --> 00:32:11,476
Thank you very much,
ladies and gentlemen.

450
00:32:11,601 --> 00:32:15,188
This morning I received a telegram
from our real sponsor,

451
00:32:15,313 --> 00:32:18,275
The Ministry of
Agriculture and Fisheries.

452
00:32:18,316 --> 00:32:20,694
And I'm sure that the unit and artists

453
00:32:20,819 --> 00:32:23,989
would like me read it
before we start shooting.

454
00:32:25,657 --> 00:32:29,161
"Good luck today with
commercial number 17. Stop."

455
00:32:29,286 --> 00:32:31,288
MAN: Give me a level on Mr Jackman,
will you?

456
00:32:31,329 --> 00:32:35,500
"Minister delighted,
campaign already bearing fruit."

457
00:32:35,625 --> 00:32:37,043
(PERSON BLOWING RASPBERRY)

458
00:32:37,169 --> 00:32:38,879
(PEOPLE CLAPPING)

459
00:32:41,840 --> 00:32:43,550
<i>Right. Now, stand by, everyone
and quiet,</i>

460
00:32:43,675 --> 00:32:46,303
<i>we're going to have a run-through
from the top with music.</i>

461
00:32:46,344 --> 00:32:47,846
<i>And remember, everyone, please,</i>

462
00:32:47,971 --> 00:32:51,683
<i>for the next 90 seconds
we're all going to be apples.</i>

463
00:32:51,808 --> 00:32:54,186
I reckon the director's a bleeding nut.

464
00:32:54,227 --> 00:32:59,900
<i>All right. Stand by, ducks, stand by,
swans, stand by, early morning mist.</i>

465
00:33:00,025 --> 00:33:02,360
<i>Stand by, Sylvia. Camera!</i>

466
00:33:02,486 --> 00:33:04,154
MAN 1: Running.
MAN 2: Scene.

467
00:33:04,196 --> 00:33:05,572
MAN 3: <i>Mark it!</i>

468
00:33:05,697 --> 00:33:07,199
MAN 4: National Apple Marketing Board.

469
00:33:07,240 --> 00:33:10,368
Scene one, take one.
Running on a guide track.

470
00:33:10,494 --> 00:33:13,079
MAN 3: <i>In this girl's ears,</i>
<i>the clang of war,</i>

471
00:33:13,205 --> 00:33:15,248
<i>her back to the smoke
of her burning childhood.</i>

472
00:33:15,373 --> 00:33:18,335
<i>Her country may be raped,
ravaged and upheaved.</i>

473
00:33:18,376 --> 00:33:20,921
<i>We see it in her eyes.
The ugliness of war.</i>

474
00:33:21,046 --> 00:33:23,006
<i>Man's inhumanity to man.</i>

475
00:33:23,048 --> 00:33:25,759
<i>And then a glade, a glade of peace.</i>

476
00:33:25,884 --> 00:33:28,720
<i>A tortured, hunted look in her eyes
becomes soft.</i>

477
00:33:28,762 --> 00:33:31,056
<i>Peace, beauty, freshness,</i>

478
00:33:31,181 --> 00:33:35,685
<i>the soft touch of morning dew,
the gentle lull, a blossom.</i>

479
00:33:35,727 --> 00:33:37,395
<i>But, what is in her basket?</i>

480
00:33:37,437 --> 00:33:39,773
<i>And why does she stand
as though in expectancy?</i>

481
00:33:39,898 --> 00:33:42,901
<i>Are we eavesdropping in a secret tryst
in the midst of war?</i>

482
00:33:42,943 --> 00:33:45,904
<i>And then, a twig snaps in the forest!</i>

483
00:33:47,364 --> 00:33:50,575
<i>In a minute! Here we are!</i>

484
00:33:50,617 --> 00:33:52,744
<i>He has returned!</i>

485
00:33:52,786 --> 00:33:54,704
<i>He's been riding for 76 days.</i>

486
00:33:54,746 --> 00:33:57,290
<i>Twenty-two horses have dropped
from under him.</i>

487
00:33:57,415 --> 00:34:00,585
<i>His eyes are rimmed with fatigue,
caked with the dust of war.</i>

488
00:34:00,627 --> 00:34:04,089
<i>With his own hands he has wrenched open
the gates of Jerusalem.</i>

489
00:34:04,130 --> 00:34:09,052
<i>With his own hands he has
crushed an Olympic army of 30,000.</i>

490
00:34:09,094 --> 00:34:11,805
<i>He has fought the mighty fight.</i>

491
00:34:11,930 --> 00:34:16,560
<i>He needs sustenance, he needs apples!</i>

492
00:34:16,601 --> 00:34:18,562
<i>Now we know what was in the basket.</i>

493
00:34:18,603 --> 00:34:24,234
<i>He is weary, stumbles after her,
his whole body demanding one thing.</i>

494
00:34:24,276 --> 00:34:26,611
<i>In his eyes, a desperate desire.</i>

495
00:34:26,653 --> 00:34:30,448
<i>She leads him, she leads him
into the glade of apples.</i>

496
00:34:30,490 --> 00:34:33,952
<i>It is this that has given him
his inner strength.</i>

497
00:34:34,077 --> 00:34:39,291
<i>Now we know what has enabled this man
to fight the mighty fight.</i>

498
00:34:39,416 --> 00:34:41,585
<i>We know what it is
that's restricted him,</i>

499
00:34:41,626 --> 00:34:43,628
<i>what it is that sustains him.</i>

500
00:34:43,670 --> 00:34:47,632
<i>What it is that makes his eyes
lose the voracity of war!</i>

501
00:34:47,757 --> 00:34:51,469
<i>It can only be one thing. Apples!</i>

502
00:34:51,511 --> 00:34:55,473
<i>Apples! Apples! Apples!</i>

503
00:34:55,599 --> 00:34:58,602
<i>Apples! Apples!</i>

504
00:34:58,643 --> 00:35:01,146
INTERVIEWER: Mr Jackman,
how did you manage to get

505
00:35:01,187 --> 00:35:03,189
Steven Shorter for your commercial?

506
00:35:03,315 --> 00:35:06,693
Oh, I just had a few words with
his manager, Mr Crossley.

507
00:35:06,818 --> 00:35:10,989
INTERVIEWER: They must have been
very persuasive words, Mr Jackman.

508
00:35:11,031 --> 00:35:12,324
£30,000.

509
00:35:22,834 --> 00:35:24,002
Steve?

510
00:35:25,670 --> 00:35:29,341
Andrew's been very worried
about you lately.

511
00:35:31,885 --> 00:35:37,724
He was saying to me that he thinks
you seem much too nervous.

512
00:35:42,354 --> 00:35:44,481
I think he's wondering if,

513
00:35:44,689 --> 00:35:48,193
well, if there's anything
that might be upsetting you.

514
00:35:51,237 --> 00:35:52,656
Is there?

515
00:35:59,871 --> 00:36:01,414
Is that why...

516
00:36:04,751 --> 00:36:07,170
I suppose that's why they've...

517
00:36:08,672 --> 00:36:10,423
brought you in.

518
00:36:16,680 --> 00:36:20,225
So they can keep tabs on me.

519
00:36:22,602 --> 00:36:24,437
Whose idea was that?
Crossley's, I suppose.

520
00:36:24,562 --> 00:36:27,440
- No, it wasn't.
- Bastard.

521
00:36:27,565 --> 00:36:32,237
If you and Martin don't like each other,
why do you keep working together?

522
00:36:35,073 --> 00:36:37,534
Very simple answer to that.

523
00:36:39,577 --> 00:36:41,705
As far as he's concerned,

524
00:36:46,209 --> 00:36:48,044
he takes 15%.

525
00:36:53,758 --> 00:36:56,761
You'll probably find
that's why Andrew's...

526
00:36:57,929 --> 00:36:59,389
What is it?

527
00:37:00,807 --> 00:37:02,600
Concerned about me.

528
00:37:03,268 --> 00:37:05,311
Steve, what do you mean?

529
00:37:05,645 --> 00:37:07,814
Well, you don't think...

530
00:37:09,983 --> 00:37:14,612
You don't think he's chairman of
Shorter Enterprises for nothing, do you?

531
00:37:15,155 --> 00:37:16,906
Thank you, Alvin.

532
00:37:17,115 --> 00:37:19,909
I wonder if you'd be kind enough
to ask Steven to come in.

533
00:37:19,951 --> 00:37:22,454
I think he ought to hear
what we're now going to discuss.

534
00:37:22,579 --> 00:37:24,080
ALVIN: Right.

535
00:37:27,459 --> 00:37:29,335
Steve, come in please.

536
00:37:35,467 --> 00:37:37,802
MAN 1: Hi, Steve.
MAN 2: How are you, Steven?

537
00:37:43,308 --> 00:37:45,143
Good morning, Steve.

538
00:37:52,192 --> 00:37:53,818
ANDREW: Are you well, Steven?

539
00:37:53,943 --> 00:37:55,028
Yes.

540
00:37:56,362 --> 00:37:57,530
Good.

541
00:37:59,324 --> 00:38:04,162
Now, Miss Crawford, gentlemen, we come
to the central point of today's meeting.

542
00:38:04,996 --> 00:38:06,164
Professor Tatham.

543
00:38:06,289 --> 00:38:08,625
We live in difficult times.

544
00:38:08,666 --> 00:38:10,835
We face on every side
the danger of overthrow

545
00:38:10,960 --> 00:38:13,713
by the forces of communism and anarchy.

546
00:38:14,839 --> 00:38:18,718
We must now, for the sake of
national cohesion and survival,

547
00:38:19,177 --> 00:38:21,721
lock together into a single mould.

548
00:38:23,014 --> 00:38:27,143
We must become one unit
to resist these forces.

549
00:38:28,186 --> 00:38:31,523
And to ensure this move we must,
of necessity,

550
00:38:32,357 --> 00:38:35,860
subdue the critical elements
in the country's youth.

551
00:38:37,695 --> 00:38:41,574
This is why we first made Steven Shorter
more violent than anyone else.

552
00:38:41,699 --> 00:38:44,911
Because we knew this violence
would have a more direct appeal

553
00:38:45,036 --> 00:38:47,205
to the youth of the moment.

554
00:38:48,331 --> 00:38:51,668
Now we're going to use that appeal
by changing it.

555
00:38:53,503 --> 00:38:56,548
Gentlemen, in accordance
with our planned campaign,

556
00:38:56,673 --> 00:39:00,218
and because we've reached
commercial saturation point,

557
00:39:01,094 --> 00:39:06,224
in ten days' time we're going to make
Steven Shorter repent.

558
00:39:07,100 --> 00:39:10,895
We're going to make him say,
"I'm sorry for what I've done."

559
00:39:11,020 --> 00:39:14,774
We're going to make him say,
"Now I want to go back into society.

560
00:39:14,899 --> 00:39:16,568
"Now I will accept law and order,

561
00:39:16,609 --> 00:39:19,737
"no longer will I criticise
or rock the boat."

562
00:39:19,779 --> 00:39:22,907
We're going to make Steven Shorter
say these things,

563
00:39:22,949 --> 00:39:27,954
because we want, as we've always wanted,
the youth of Britain to say them also.

564
00:39:28,788 --> 00:39:33,543
ANDREW: (CLEARS THROAT)
This is excellent. Very exciting.

565
00:39:35,545 --> 00:39:38,631
Now, for clothes and new designs,
Miss Crawford.

566
00:39:41,759 --> 00:39:44,304
(SOFT INSTRUMENTAL PIANO PLAYING)

567
00:39:51,936 --> 00:39:56,065
NARRATOR: <i>August 14th,</i>
<i>item on the agenda,</i>

568
00:39:56,274 --> 00:39:58,610
<i>"The Youth of the Future."</i>

569
00:40:16,002 --> 00:40:17,629
As you can see, gentlemen,

570
00:40:17,754 --> 00:40:22,175
the accent in about ten days' time
will dramatically swing to...

571
00:40:22,300 --> 00:40:24,969
Thank you, Tony. Thank you, Daphne.

572
00:40:25,011 --> 00:40:29,265
To respectability, cleanliness,
social grace,

573
00:40:29,974 --> 00:40:33,102
and above all, a new-found innocence.

574
00:40:33,937 --> 00:40:39,108
The masculine line will become softer,
and the feminine line more feminine.

575
00:40:39,651 --> 00:40:44,030
And gone forever will be
the prison motif. Thank you, Tony.

576
00:40:44,781 --> 00:40:47,951
You will notice that Daphne
no longer wears the penal collar,

577
00:40:47,992 --> 00:40:50,161
but has an open, soft look.

578
00:40:50,828 --> 00:40:53,456
And that Tony no longer has
the restrictive stitching

579
00:40:53,498 --> 00:40:56,626
which imprisoned the body
in the last two years.

580
00:40:56,668 --> 00:40:59,170
He is freer, much freer.

581
00:41:00,046 --> 00:41:02,840
Thank you, Tony. Thank you, Daphne.

582
00:41:04,300 --> 00:41:07,804
In other words, gentlemen,
they are released.

583
00:41:09,681 --> 00:41:11,516
Thank you, gentlemen.

584
00:41:12,725 --> 00:41:15,561
Excellent, quite excellent.

585
00:41:16,312 --> 00:41:18,690
But as we've seen, gentlemen,
we are about to launch

586
00:41:18,815 --> 00:41:22,735
one of the most dramatic changes
of popular image ever seen.

587
00:41:22,860 --> 00:41:26,698
The only problem that remains is,
will the public en mass accept it?

588
00:41:26,739 --> 00:41:29,367
We believe so,
because of Steven's power.

589
00:41:29,492 --> 00:41:31,828
But to make sure,
my research team and I suggest

590
00:41:31,869 --> 00:41:35,540
that when you present Steven
in his new image for the first time,

591
00:41:35,581 --> 00:41:38,668
you do so in conjunction
with an establishment event.

592
00:41:38,710 --> 00:41:43,423
We have compiled a short list
from many dozens of applications.

593
00:41:43,548 --> 00:41:46,259
The Central Office of Information,
The Board of Trade,

594
00:41:46,384 --> 00:41:49,178
The Ministry of Defence,
The British Tourist Board.

595
00:41:49,220 --> 00:41:51,222
Yes, well, I've sounded out
the Foreign Office,

596
00:41:51,347 --> 00:41:53,558
and unofficially they've informed me
that they'd be delighted to

597
00:41:53,599 --> 00:41:56,019
sponsor Steven on a world tour.

598
00:41:56,060 --> 00:41:58,938
The Air Ministry,
The Inland Waterways Board,

599
00:41:59,063 --> 00:42:01,274
and the Commonwealth Office.

600
00:42:02,525 --> 00:42:05,695
ALVIN: Gentlemen, haven't we
forgotten someone?

601
00:42:08,072 --> 00:42:11,242
Haven't we forgotten the one person
who's smiled upon us all?

602
00:42:15,538 --> 00:42:19,208
♪ Onward, onward

603
00:42:19,250 --> 00:42:24,881
♪ Onward, Christian soldiers

604
00:42:24,922 --> 00:42:28,593
♪ Marching as to war

605
00:42:28,718 --> 00:42:34,766
♪ With the cross of Jesus
going on before

606
00:42:34,891 --> 00:42:36,267
♪ On before

607
00:42:38,102 --> 00:42:41,773
♪ Onward, Christian soldiers

608
00:42:41,814 --> 00:42:45,443
♪ Marching as to war

609
00:42:45,568 --> 00:42:51,491
♪ With the cross of Jesus
going on before

610
00:42:51,616 --> 00:42:52,950
♪ On before

611
00:42:53,076 --> 00:42:56,746
♪ Christ the royal Master

612
00:42:56,788 --> 00:42:59,499
♪ Leads against the foe

613
00:43:00,458 --> 00:43:04,253
♪ Forward into battle

614
00:43:04,295 --> 00:43:08,007
♪ See his banners go

615
00:43:08,132 --> 00:43:13,638
♪ Onward, Christian soldiers

616
00:43:13,763 --> 00:43:16,599
♪ Marching as to war

617
00:43:17,475 --> 00:43:23,648
♪ With the cross of Jesus
going on before

618
00:43:23,689 --> 00:43:25,108
♪ On before

619
00:43:39,831 --> 00:43:43,459
♪ Like a mighty army

620
00:43:43,501 --> 00:43:46,170
♪ Moves the church of God

621
00:43:47,505 --> 00:43:53,719
♪ Brother, we are treading
where the saints have trod

622
00:43:53,845 --> 00:43:55,012
♪ Have trod

623
00:43:55,054 --> 00:43:57,723
♪ We are not divided

624
00:43:58,724 --> 00:44:01,561
♪ All one body we

625
00:44:02,311 --> 00:44:09,068
♪ One in hope and doctrine
One in charity

626
00:44:09,861 --> 00:44:15,575
♪ Onward Christian soldiers

627
00:44:15,700 --> 00:44:18,202
♪ Marching as to war

628
00:44:19,370 --> 00:44:26,043
♪ With the cross of Jesus
going on before

629
00:44:26,878 --> 00:44:28,588
♪ Onward
♪ Onward

630
00:44:28,713 --> 00:44:30,506
♪ Onward
♪ Onward

631
00:44:30,548 --> 00:44:32,508
♪ Onward
♪ Onward

632
00:44:32,550 --> 00:44:34,343
♪ Onward
♪ Onward

633
00:44:34,385 --> 00:44:36,220
♪ Onward
♪ Onward

634
00:44:36,262 --> 00:44:38,055
♪ Onward
♪ Onward

635
00:44:38,181 --> 00:44:40,349
♪ Onward
♪ Onward ♪

636
00:44:50,026 --> 00:44:54,906
Was that happiness? Was that happiness?
Was that pure happiness?

637
00:44:54,947 --> 00:44:57,575
Music lovers,
and I know you are music lovers,

638
00:44:57,617 --> 00:45:01,746
I'm sure that even He,
sitting in his celestial sound booth,

639
00:45:01,871 --> 00:45:07,084
would have heard that and said,
"Open thy mouth, judge righteously.

640
00:45:07,585 --> 00:45:11,214
"And plead the cause
of the poor and the needy."

641
00:45:12,089 --> 00:45:17,470
In other words, Reverend Holinesses,
is it a hit or is it a miss?

642
00:45:17,595 --> 00:45:19,597
Oh, a hit. Yes, most definitely hit.

643
00:45:19,639 --> 00:45:20,765
Excellent.

644
00:45:20,806 --> 00:45:23,768
I think you've been influenced
by Count Basie, but excellent.

645
00:45:23,893 --> 00:45:28,731
A trifle noisy, but I think it will
serve our purpose excellently.

646
00:45:28,773 --> 00:45:30,149
Yes. Yes, it certainly will.

647
00:45:30,274 --> 00:45:31,734
Mmm-hmm.

648
00:45:32,443 --> 00:45:33,778
Gentlemen,

649
00:45:34,946 --> 00:45:39,575
aren't we in danger
of losing our spiritual bearings?

650
00:45:39,617 --> 00:45:43,829
We are in the process of launching
Christian Crusade Week.

651
00:45:43,955 --> 00:45:46,916
And the Steven Shorter Management Group

652
00:45:46,958 --> 00:45:50,586
have just agreed to lend us
the services of Shorter.

653
00:45:50,628 --> 00:45:54,757
The decline in church attendances,
according to poll figures, is such

654
00:45:54,799 --> 00:45:58,594
that by 1990 only the clergy
will be coming to church.

655
00:45:59,595 --> 00:46:01,931
This is, of course,
a slight exaggeration.

656
00:46:01,973 --> 00:46:07,436
But we do feel the need of something
radical being done about the situation.

657
00:46:09,313 --> 00:46:13,150
They seem to have more brains
than I gave them credit for.

658
00:46:14,485 --> 00:46:16,112
BISHOP: <i>It's really quite simple.</i>

659
00:46:16,153 --> 00:46:18,781
<i>Steven Shorter has the largest following</i>

660
00:46:18,823 --> 00:46:21,450
<i>in the history of
the entertainment business.</i>

661
00:46:21,492 --> 00:46:25,663
<i>We need a larger audience,
so we're using Steve's.</i>

662
00:46:25,705 --> 00:46:27,540
<i>And we hope that through him,</i>

663
00:46:27,665 --> 00:46:31,002
<i>many of these followers
will return to the Faith.</i>

664
00:46:43,180 --> 00:46:46,142
(WATCH-RADIO PLAYING
ONE OF STEVEN'S SONGS)

665
00:47:15,004 --> 00:47:17,214
Would you mind sitting down?

666
00:47:21,761 --> 00:47:23,012
Sorry.

667
00:47:24,347 --> 00:47:28,059
Is it only you on your radio?
Can we try another station?

668
00:47:30,227 --> 00:47:32,021
(STATION CHANGING)

669
00:47:32,063 --> 00:47:35,399
(THE SAME SONG PLAYS)

670
00:47:40,029 --> 00:47:41,447
And another?

671
00:47:43,574 --> 00:47:46,369
(SAME STEVEN SHORTER SONG PLAYING)

672
00:47:56,545 --> 00:48:00,299
Do you know, that's the first time
I've seen you smile?

673
00:48:00,925 --> 00:48:04,887
Yeah, well, I am human.

674
00:48:10,393 --> 00:48:12,478
I was beginning to wonder.

675
00:48:14,105 --> 00:48:16,482
VANESSA: You're always so tense.

676
00:48:16,774 --> 00:48:18,818
What do you do to relax?

677
00:48:20,277 --> 00:48:22,405
STEVEN: I listen to music.

678
00:48:23,114 --> 00:48:25,157
VANESSA: Always your own?

679
00:48:25,616 --> 00:48:27,118
Yeah.

680
00:48:29,328 --> 00:48:31,414
Do you do anything else?

681
00:48:32,915 --> 00:48:36,585
I mean, if you weren't here now,
what would you be doing?

682
00:48:39,505 --> 00:48:41,799
Well, I'd probably be asleep.

683
00:48:46,095 --> 00:48:48,139
At 3:00 in the afternoon?

684
00:48:49,306 --> 00:48:54,186
Yeah. Uh, I usually sleep
till about 5:00.

685
00:48:56,814 --> 00:48:59,650
Then I get up and watch the television.

686
00:49:01,485 --> 00:49:04,989
Children's programmes are on then.
I like them.

687
00:49:05,489 --> 00:49:07,950
- Are your parents alive?
- Yeah.

688
00:49:10,327 --> 00:49:13,456
Steven, have you been
really close to anyone?

689
00:49:16,125 --> 00:49:18,043
Yeah, well, Alvin and Julie have...

690
00:49:18,169 --> 00:49:22,047
Oh, come off it,
we all know what they're in it for.

691
00:49:25,050 --> 00:49:28,304
Yeah. But I mean, someone's got to

692
00:49:29,472 --> 00:49:31,849
bring me my tea in the mornings,
haven't they?

693
00:49:31,891 --> 00:49:35,895
Well, I wouldn't like to see those two
standing by my bedside.

694
00:49:36,896 --> 00:49:40,483
(CHUCKLES) I suppose you're right.

695
00:49:40,816 --> 00:49:42,985
Especially Uncle Julie.

696
00:49:43,486 --> 00:49:48,866
INTERVIEWER: Uh, Mr Jordan, what can you
tell us about Steven Shorter?

697
00:49:49,658 --> 00:49:52,703
What can I say?
It's like father and son.

698
00:49:53,162 --> 00:49:57,333
It's a family relationship.
Like, brother to brother.

699
00:49:57,374 --> 00:49:59,668
Well, it's the relationship that counts.

700
00:49:59,710 --> 00:50:02,922
I mean, he is unbelievably
adaptable to anything he does.

701
00:50:03,047 --> 00:50:08,052
It's when he calls me Uncle Julie,
it's when he confides in me,

702
00:50:08,719 --> 00:50:11,931
it's like, the other day
when he said to me,

703
00:50:12,056 --> 00:50:15,059
"Uncle Julie, if ever I have a daughter

704
00:50:15,184 --> 00:50:18,395
"I'd like to see her grow up
like your wife Gladys."

705
00:50:18,437 --> 00:50:22,608
Believe me when I tell you,
he never gives us any worries at all.

706
00:50:24,693 --> 00:50:27,738
So you've never really
been close to anyone?

707
00:50:29,406 --> 00:50:30,449
No.

708
00:50:30,908 --> 00:50:36,247
Well, there was this girl.
Once, about a year ago.

709
00:50:39,375 --> 00:50:40,876
She was nice.

710
00:50:42,253 --> 00:50:46,382
But we were on tour at the time,
and Alvin

711
00:50:47,591 --> 00:50:50,052
suggested I stop seeing her.

712
00:50:50,928 --> 00:50:52,429
And you did?

713
00:50:53,389 --> 00:50:54,765
Well, yeah.

714
00:50:55,391 --> 00:50:59,895
I mean, you must understand
that he is, in every sense of the word,

715
00:50:59,937 --> 00:51:01,605
a gilt-edged investment.

716
00:51:01,730 --> 00:51:04,608
I mean,
he is the most important personality

717
00:51:04,733 --> 00:51:06,902
in the entire history of show business.

718
00:51:06,944 --> 00:51:10,573
And therefore, he has to be
watched very carefully indeed.

719
00:51:10,614 --> 00:51:15,077
And as I tell him,
God has given him something

720
00:51:15,411 --> 00:51:18,289
he hasn't given to anyone
in the last 500 years.

721
00:51:18,330 --> 00:51:20,165
He does not belong to himself,

722
00:51:20,291 --> 00:51:22,126
he belongs to the world.

723
00:51:22,251 --> 00:51:26,922
And therefore,
he no longer has any right to himself.

724
00:51:27,673 --> 00:51:31,468
VANESSA: <i>Yesterday he brought</i>
<i>along a framed picture of Alvin.</i>

725
00:51:31,510 --> 00:51:34,138
<i>One that Alvin wanted to give me...</i>

726
00:51:34,972 --> 00:51:38,309
<i>I think Alvin's got a thing about me,
if you know what I mean.</i>

727
00:51:38,434 --> 00:51:41,645
<i>And well,
it had been signed something like,</i>

728
00:51:42,271 --> 00:51:44,982
<i>"With me it's not love but happiness."</i>

729
00:51:45,482 --> 00:51:49,111
<i>You know, I thought this was very funny
and I laughed.</i>

730
00:51:49,653 --> 00:51:52,197
<i>And then he laughed as well and...</i>

731
00:51:52,990 --> 00:51:54,199
<i>Well...</i>

732
00:51:54,450 --> 00:51:55,868
<i>It was nice.</i>

733
00:51:56,827 --> 00:52:00,664
<i>But then he sort of
drew back into himself and it was over.</i>

734
00:52:01,999 --> 00:52:04,335
<i>And that's how it normally is.</i>

735
00:52:05,210 --> 00:52:07,838
<i>It's very difficult to get near him.</i>

736
00:52:08,797 --> 00:52:10,841
<i>Which is why, I suppose,</i>

737
00:52:11,842 --> 00:52:13,552
<i>the painting is...</i>

738
00:52:14,470 --> 00:52:16,680
<i>well, so far, empty.</i>

739
00:52:17,848 --> 00:52:21,018
You may not believe this
but a short while back

740
00:52:21,060 --> 00:52:23,020
we counted every hair on his head.

741
00:52:23,145 --> 00:52:26,690
The reason being is that
we're marketing a Steven Shorter wig

742
00:52:26,815 --> 00:52:31,195
and we like to guarantee that
the placing of every hair is identical.

743
00:52:32,029 --> 00:52:35,032
Another... Another point of interest is

744
00:52:35,157 --> 00:52:38,535
that when we cut Steve's hair,
we do not sell this.

745
00:52:38,577 --> 00:52:42,373
I must make a point of this.
We do not sell the cut hair.

746
00:52:42,414 --> 00:52:43,540
We donate this to charity.

747
00:52:44,583 --> 00:52:47,544
<i>(AVE MARIA</i> PLAYING
ON RECORD PLAYER)

748
00:52:59,056 --> 00:53:00,599
NARRATOR: <i>On August 20th,</i>

749
00:53:01,058 --> 00:53:05,562
<i>the combined churches of Britain
and Steven Shorter Enterprises Ltd.</i>

750
00:53:05,688 --> 00:53:07,731
<i>hold a press conference.</i>

751
00:53:21,537 --> 00:53:25,416
All right, now, ladies and gentlemen,
may I have your attention, please?

752
00:53:25,457 --> 00:53:27,626
Can we have the proper decorum, please?

753
00:53:27,751 --> 00:53:29,712
Gentlemen of the press,
can we cool it with the cigars?

754
00:53:29,753 --> 00:53:33,882
Drink plenty of the champagne,
it's from the Vatican vineyards.

755
00:53:35,926 --> 00:53:38,470
Now, ladies and gentlemen,
you all know about the great events

756
00:53:38,595 --> 00:53:41,640
about to take place next week
in the National Stadium.

757
00:53:41,765 --> 00:53:43,392
Freddie, would you come here
for a second, please?

758
00:53:43,434 --> 00:53:45,269
Now, this is the poster
that will be displayed

759
00:53:45,394 --> 00:53:47,438
in prominent places
throughout the country.

760
00:53:47,563 --> 00:53:48,939
(CHUCKLES) Now, do you notice something

761
00:53:49,064 --> 00:53:50,733
a little different
about Steve's position?

762
00:53:50,774 --> 00:53:52,443
You do, right?
Well, we'll talk about that

763
00:53:52,484 --> 00:53:54,236
and we'll tell you more about that
a little later on.

764
00:53:54,278 --> 00:53:57,239
By the way, at the bottom sits
the picture of the Reverend Jeremy Tate,

765
00:53:57,322 --> 00:53:59,491
who'll be introduced to you
a little later on as well.

766
00:53:59,658 --> 00:54:02,119
Now, you'll notice
that the price of the tickets range from

767
00:54:02,244 --> 00:54:04,455
10 shillings to £25,

768
00:54:04,580 --> 00:54:06,790
for those of us
who are a little more fortunate.

769
00:54:06,915 --> 00:54:07,958
(ALL LAUGH)

770
00:54:08,083 --> 00:54:10,794
At this time, ladies and gentlemen,
I would like to introduce

771
00:54:10,919 --> 00:54:14,298
your friend, my friend,
and certainly God's friend,

772
00:54:15,340 --> 00:54:19,470
a honey of a chap and a million laughs,
let's welcome the Bishop of Essex.

773
00:54:19,511 --> 00:54:21,472
(ALL CLAPPING)

774
00:54:22,306 --> 00:54:23,682
Thank you.

775
00:54:25,142 --> 00:54:30,147
I feel sure, after such an introduction,
that heaven must be round the corner.

776
00:54:30,814 --> 00:54:32,357
Isn't he wild?

777
00:54:33,984 --> 00:54:37,321
Ladies and gentlemen,
it is my pleasant duty

778
00:54:37,446 --> 00:54:41,658
to introduce the brightest star
in our clerical firmament,

779
00:54:41,992 --> 00:54:46,663
who will join with Steven Shorter
in our great drive for God.

780
00:54:47,456 --> 00:54:50,709
I give you the Reverend Jeremy Tate.

781
00:54:51,126 --> 00:54:52,878
Come along, Jeremy.

782
00:54:57,049 --> 00:54:58,509
REPORTER 1: Is there anything
you'd like to tell us

783
00:54:58,550 --> 00:55:00,177
about the Reverend Jeremy Tate?

784
00:55:00,219 --> 00:55:03,138
Yes, he's 35, lives alone,
and loves a good day of fishing.

785
00:55:03,180 --> 00:55:04,515
(CROWD LAUGHING)

786
00:55:04,556 --> 00:55:06,683
In holy waters, naturally.

787
00:55:09,353 --> 00:55:13,023
REPORTER 1: Yes, but hasn't the Reverend
Jeremy Tate got any views himself?

788
00:55:13,148 --> 00:55:15,901
The church's views and those of
the Reverend Jeremy Tate

789
00:55:16,026 --> 00:55:19,363
will be found in the official pamphlet,
pages 3 and 4.

790
00:55:19,404 --> 00:55:21,907
REPORTER 2: My Lord,
isn't the church using Mr Shorter

791
00:55:22,032 --> 00:55:24,493
for the purpose of gaining converts?

792
00:55:24,535 --> 00:55:29,164
At one time, the church used the methods
of the Inquisition to gain converts.

793
00:55:29,248 --> 00:55:32,167
We find Mr Shorter
a little less painful.

794
00:55:32,835 --> 00:55:34,336
Don't we, Jeremy?

795
00:55:34,378 --> 00:55:37,047
ALVIN: You thought I was the only one
with the answers, eh?

796
00:55:37,089 --> 00:55:40,926
Steve, would you like to come up here
for a moment, please?

797
00:55:43,178 --> 00:55:44,721
Steven Shorter.

798
00:55:44,888 --> 00:55:46,557
(CLAPPING)

799
00:55:46,890 --> 00:55:49,893
Now, ladies and gentlemen,
as you can see,

800
00:55:49,935 --> 00:55:52,521
this is the first time
you have ever seen Steven Shorter

801
00:55:52,563 --> 00:55:54,523
wearing the colour red.

802
00:55:54,565 --> 00:55:56,066
Now, let me make this clear.

803
00:55:56,108 --> 00:56:00,571
Red is the colour that is associated
with the release of Steven Shorter,

804
00:56:00,737 --> 00:56:03,907
which will be seen by the public,
next week, at the National Stadium.

805
00:56:04,074 --> 00:56:06,702
But naturally,
for you fine gentlemen of the press,

806
00:56:06,743 --> 00:56:10,622
we are now holding
a sort of pre-release of this release.

807
00:56:10,747 --> 00:56:13,876
Sort of giving him
a slight temporary freedom.

808
00:56:13,917 --> 00:56:17,421
Now, here we have the keys
to Steven's freedom.

809
00:56:17,921 --> 00:56:19,089
Steve.

810
00:56:20,549 --> 00:56:21,967
There's one.

811
00:56:23,552 --> 00:56:24,887
Here we go. There's two.

812
00:56:24,928 --> 00:56:26,930
Steve, would you hold the hands up?
Ladies and gentlemen,

813
00:56:27,055 --> 00:56:28,974
Steven Shorter is released.
Steve, hold those hands up.

814
00:56:32,728 --> 00:56:34,271
STEVEN: What...

815
00:56:35,105 --> 00:56:37,482
What would you say if I...

816
00:56:39,651 --> 00:56:41,653
If I say I wanted to...

817
00:56:43,822 --> 00:56:45,407
I wanted to...

818
00:56:47,284 --> 00:56:48,952
stop all this?

819
00:56:50,078 --> 00:56:52,623
ANDREW: Well, I'd say
it was unfortunate.

820
00:56:52,664 --> 00:56:54,791
More for us than for you.

821
00:56:56,126 --> 00:57:01,465
You see, I believe you play
a very important part

822
00:57:02,341 --> 00:57:04,134
in society, Steven.

823
00:57:07,596 --> 00:57:09,806
How can I explain it to you?

824
00:57:12,476 --> 00:57:13,644
I...

825
00:57:17,314 --> 00:57:18,815
Come with me.

826
00:57:27,950 --> 00:57:30,827
There are millions of people down there.

827
00:57:31,662 --> 00:57:33,830
Millions of little people.

828
00:57:37,125 --> 00:57:40,963
First, we must be quite clear
in our minds about one thing.

829
00:57:42,005 --> 00:57:45,384
That the liberal idea,
that given enough education

830
00:57:45,550 --> 00:57:49,680
these millions will grow
into self-aware, creative human beings

831
00:57:50,806 --> 00:57:53,183
is nothing but an exploded myth.

832
00:57:54,643 --> 00:57:56,478
It can never happen.

833
00:57:58,355 --> 00:58:00,857
They're stunted little creatures,

834
00:58:01,191 --> 00:58:04,903
with primitive emotions
that are in themselves dangerous.

835
00:58:05,570 --> 00:58:08,365
They've got to be harnessed, guided.

836
00:58:10,158 --> 00:58:14,204
We've seen this happen over
and over again for an evil purpose.

837
00:58:14,538 --> 00:58:17,207
Germany, Russia, China...

838
00:58:20,043 --> 00:58:24,089
But now, we've got a chance
to make it work for our own good...

839
00:58:26,216 --> 00:58:27,342
You.

840
00:58:29,553 --> 00:58:31,722
You're our chance, Steven.

841
00:58:32,389 --> 00:58:35,183
They identify with you, they love you.

842
00:58:37,519 --> 00:58:41,189
Steven, you can lead them

843
00:58:41,898 --> 00:58:44,026
into a better way of life.

844
00:58:45,110 --> 00:58:47,195
A fruitful conformity.

845
00:59:16,433 --> 00:59:20,896
Steven, may I say how delighted
we all are to have you with us today?

846
00:59:24,608 --> 00:59:28,945
And I'm sure everybody will join me
in wishing you every success

847
00:59:29,780 --> 00:59:31,615
for tomorrow night.

848
00:59:41,416 --> 00:59:43,293
I'd... I think I'd...

849
00:59:45,087 --> 00:59:47,589
prefer hot chocolate instead.

850
00:59:53,303 --> 00:59:55,764
You would prefer what, Steven?

851
00:59:55,806 --> 00:59:58,475
I'd like some hot chocolate instead.

852
00:59:59,893 --> 01:00:02,646
You'd like some, too, wouldn't you?

853
01:00:07,109 --> 01:00:09,152
Well...

854
01:00:09,236 --> 01:00:11,947
Um, okay, yes.

855
01:00:14,741 --> 01:00:16,743
You'll join us, Andrew?

856
01:00:18,495 --> 01:00:19,996
Yes, why not?

857
01:00:22,582 --> 01:00:23,834
STEVEN: And everybody else, too?

858
01:00:23,917 --> 01:00:26,670
ANDREW: Yes. Everybody else, too.

859
01:00:28,004 --> 01:00:30,257
Hot chocolate for everyone,
please, William.

860
01:00:30,340 --> 01:00:32,467
- Hot chocolate, sir?
- Yes, hot chocolate.

861
01:00:32,509 --> 01:00:34,511
I'd prefer the wine, if you don't mind.

862
01:00:34,594 --> 01:00:38,140
ANDREW: (CHUCKLING) Oh, Martin, come.
You haven't tasted my chocolate.

863
01:00:38,181 --> 01:00:40,767
It has the most exquisite bouquet.

864
01:00:43,353 --> 01:00:46,022
- Thank you, sir.
- Thank you, William.

865
01:00:48,859 --> 01:00:52,529
Martin, can't you see that
what Steven did was a protest?

866
01:00:53,697 --> 01:00:56,199
Don't be absurd, Andrew. He had nothing
whatever to protest about.

867
01:00:56,324 --> 01:00:58,368
- Oh, Martin...
- He was just being extremely tiresome.

868
01:00:58,493 --> 01:00:59,703
It isn't as simple as that.

869
01:00:59,786 --> 01:01:01,121
Now, look, I'm getting sick and tired
of people

870
01:01:01,204 --> 01:01:02,789
of people telling me
how to do my own job.

871
01:01:02,873 --> 01:01:06,501
You won't have a job to do unless
you stop treating him like a machine.

872
01:01:06,543 --> 01:01:07,836
Now, look, Andrew,
let's get one thing straight.

873
01:01:07,878 --> 01:01:10,172
He's a sensitive boy
and not unintelligent.

874
01:01:10,213 --> 01:01:15,218
In two and a half years, I have brought
that boy up from nothing to what he is.

875
01:01:15,343 --> 01:01:17,888
Now, during practically every single day
of that two and a half years,

876
01:01:18,013 --> 01:01:20,557
I have watched and moulded Steven.

877
01:01:21,391 --> 01:01:23,727
And I think I'm going to know better
than anybody else if that boy

878
01:01:23,810 --> 01:01:26,730
is psychologically disturbed
or just being plain bloody-minded...

879
01:01:26,813 --> 01:01:28,398
- What he did today...
- Today, he was just being

880
01:01:28,481 --> 01:01:29,524
plain bloody-minded.

881
01:01:29,566 --> 01:01:32,694
What he did today,
he did out of desperation.

882
01:01:32,903 --> 01:01:35,238
- Desperation...
- Yes, desperation.

883
01:01:35,363 --> 01:01:37,073
I mean, tell me, why don't any of them
do anything?

884
01:01:37,199 --> 01:01:39,326
Why don't they stop me? Any of them!

885
01:01:39,409 --> 01:01:41,244
Just one, Butler or somebody! Why?

886
01:01:41,328 --> 01:01:43,747
I mean, they just take it, don't they?
They just drink the stuff.

887
01:01:43,872 --> 01:01:45,332
Why doesn't Butler stop me?

888
01:01:45,415 --> 01:01:47,000
They probably thought
you had a reason for it, Steve.

889
01:01:47,083 --> 01:01:49,252
- I mean, I thought you had a reason.
- Oh, God! Reason, reason...

890
01:01:49,377 --> 01:01:51,671
I don't need a reason.
None of them got the guts to say,

891
01:01:51,755 --> 01:01:53,924
"Get stuffed, Steve!" once and for all.

892
01:01:54,049 --> 01:01:57,010
They don't need a reason,
they just take it and love it!

893
01:01:57,093 --> 01:01:59,930
We'll drink your marvellous
hot chocolate with our lobster.

894
01:02:00,013 --> 01:02:03,934
And love it! Marvellous!
None of them says no!

895
01:02:04,059 --> 01:02:05,769
Some of them didn't want to do it.

896
01:02:05,894 --> 01:02:07,687
STEVEN: All right, so some of them
didn't want to do it.

897
01:02:07,771 --> 01:02:10,607
But every single one of them did it,
didn't they? Not one refused.

898
01:02:10,690 --> 01:02:12,776
You didn't even stand up
and refuse to do it.

899
01:02:12,859 --> 01:02:16,947
I mean, you're just the same as the rest
of them. You drank the bloody stuff!

900
01:02:17,030 --> 01:02:18,073
- What about you?
- What?

901
01:02:18,114 --> 01:02:19,616
- You never say no, do you?
- What?

902
01:02:19,741 --> 01:02:23,119
I've never heard you say no to anyone.
Not Alvin, Butler, Crossley, anyone.

903
01:02:23,245 --> 01:02:25,538
I mean, I know nobody ever says no
any more, I know that!

904
01:02:25,622 --> 01:02:27,916
But who do you think made this happen?
Who's responsible?

905
01:02:27,958 --> 01:02:29,417
What made it happen? You did!

906
01:02:29,459 --> 01:02:31,628
How am I responsible?
What's so special about me?

907
01:02:31,753 --> 01:02:34,798
Steve, people admire you.
I admire you, Butler admires you.

908
01:02:34,923 --> 01:02:38,468
They look up to you. You represent
something very important to them.

909
01:02:38,593 --> 01:02:41,471
What do you mean, "represent"?
Tell me, what do I represent?

910
01:02:54,484 --> 01:02:59,239
NARRATOR: <i>September 10th,</i>
<i>the National Stadium, in London.</i>

911
01:03:06,454 --> 01:03:08,164
(MEN CHATTERING)

912
01:03:13,920 --> 01:03:15,964
(CHEERLEADERS CHEERING)

913
01:03:33,815 --> 01:03:35,525
(PEOPLE CLAPPING)

914
01:03:54,169 --> 01:03:56,046
BOY: I can't reach it.

915
01:03:57,297 --> 01:03:59,007
I can't reach it!

916
01:04:00,842 --> 01:04:03,386
- There. Now can you reach it?
- Yes.

917
01:04:04,137 --> 01:04:05,347
<i>May...</i>

918
01:04:10,060 --> 01:04:11,853
<i>Mmm. May the...</i>

919
01:04:12,395 --> 01:04:16,399
<i>May the love of God be always with you.
Amen.</i>

920
01:04:17,025 --> 01:04:18,735
(CROWD CHEERING)

921
01:04:27,035 --> 01:04:28,661
NARRATOR: <i>What you are now watching,</i>

922
01:04:28,745 --> 01:04:33,583
<i>is the largest staging of nationalism
in the history of Great Britain.</i>

923
01:04:40,757 --> 01:04:45,929
<i>Now is the beginning
of Christian Crusade Week.</i>

924
01:04:47,180 --> 01:04:50,558
<i>And praise be to God.</i>

925
01:05:05,281 --> 01:05:08,618
NARRATOR: <i>Led by a section</i>
<i>of the Durham Queen's Scouts,</i>

926
01:05:08,701 --> 01:05:12,205
<i>detachments of Christian bodies
from all over the country</i>

927
01:05:12,288 --> 01:05:16,042
<i>pulse with ear-tingling music
and breathless precision</i>

928
01:05:16,126 --> 01:05:19,963
<i>into an unequalled expression
of national solidarity.</i>

929
01:05:20,088 --> 01:05:21,631
(BAND PLAYING)

930
01:06:31,784 --> 01:06:36,164
We calculate that the gate money
from each of these performances

931
01:06:36,206 --> 01:06:40,877
will gross, on average,
approximately £135,000.

932
01:07:27,090 --> 01:07:29,425
NARRATOR: <i>The coalition government</i>
<i>of Britain,</i>

933
01:07:29,509 --> 01:07:32,845
<i>formed because of the complete lack
of difference between the policies</i>

934
01:07:32,929 --> 01:07:35,431
<i>of the Conservative and Labour Parties,</i>

935
01:07:35,515 --> 01:07:38,601
<i>has given both its blessing
and a state subsidy</i>

936
01:07:38,685 --> 01:07:41,312
<i>to the mounting
of Christian Crusade Week.</i>

937
01:07:41,396 --> 01:07:44,566
<i>Because as the official pamphlet states,</i>

938
01:07:44,649 --> 01:07:48,570
<i>"We need no longer have
any disturbing political differences</i>

939
01:07:48,653 --> 01:07:53,866
<i>"when we are all of one faith
and believe in one God and one flag."</i>

940
01:08:41,289 --> 01:08:42,665
(MUSIC STOPS)

941
01:08:49,464 --> 01:08:53,259
<i>This black card will be issued to you</i>

942
01:08:54,177 --> 01:08:56,679
<i>as you leave the stadium tonight.</i>

943
01:08:57,639 --> 01:09:01,476
<i>On it, there are three words.</i>

944
01:09:01,768 --> 01:09:05,688
<i>They are simple words,
but they are vital words.</i>

945
01:09:07,148 --> 01:09:12,570
<i>They are words which we must now,
all of us, begin using.</i>

946
01:09:13,237 --> 01:09:17,492
<i>Because since the end of the war,
we in Britain</i>

947
01:09:17,575 --> 01:09:23,539
<i>have become apathetic, slack,
loose in our morality.</i>

948
01:09:23,998 --> 01:09:29,545
<i>National cohesion
has become unimportant to us!</i>

949
01:09:31,506 --> 01:09:35,677
<i>We must fight this! We must!</i>

950
01:09:36,386 --> 01:09:42,266
<i>Now, all of us begin to use
the words on the card.</i>

951
01:09:42,975 --> 01:09:47,230
<i>We will conform! Those are the words.</i>

952
01:09:48,272 --> 01:09:52,819
<i>We will conform!
And when I say the word "conform",</i>

953
01:09:52,944 --> 01:09:57,907
<i>I want all of you to shout
in one clear voice in reply.</i>

954
01:09:58,533 --> 01:10:01,703
<i>We will conform!</i>

955
01:10:02,286 --> 01:10:04,789
<i>Now, conform.</i>

956
01:10:05,123 --> 01:10:07,500
CROWD: We will conform!

957
01:10:07,583 --> 01:10:09,168
<i>And above all,</i>

958
01:10:09,752 --> 01:10:13,631
<i>we must follow the example
of a young man,</i>

959
01:10:14,132 --> 01:10:19,595
<i>who found repentance, who found faith,
who found God.</i>

960
01:10:20,012 --> 01:10:25,017
<i>Who found all of these things.
Who found the Word.</i>

961
01:10:25,685 --> 01:10:30,106
<i>And now, he's here with you tonight.</i>

962
01:10:33,735 --> 01:10:36,112
<i>To our shining example...</i>

963
01:10:38,281 --> 01:10:39,907
<i>To the light...</i>

964
01:10:40,700 --> 01:10:42,243
<i>To the path...</i>

965
01:10:43,035 --> 01:10:44,537
<i>To the way...</i>

966
01:10:48,374 --> 01:10:50,084
(CROWD CHEERING)

967
01:12:25,137 --> 01:12:29,016
♪ <i>And did those feet</i>

968
01:12:29,600 --> 01:12:34,689
♪ <i>In ancient times</i>

969
01:12:36,107 --> 01:12:41,904
♪ <i>Walk upon England's mountains green?</i>

970
01:12:43,990 --> 01:12:49,412
♪ <i>And was the holy</i>

971
01:12:49,495 --> 01:12:53,165
♪ <i>Lamb of God</i>

972
01:12:55,251 --> 01:13:02,049
♪ <i>On England's pleasant pastures seen?</i>

973
01:13:03,676 --> 01:13:10,725
♪ <i>And did the Countenance Divine</i>

974
01:13:12,810 --> 01:13:17,356
♪ <i>Shine forth upon</i>

975
01:13:17,899 --> 01:13:22,361
♪ <i>A clouded hill?</i>

976
01:13:23,029 --> 01:13:27,950
♪ <i>And was Jerusalem</i>

977
01:13:28,034 --> 01:13:31,913
♪ <i>Builder here</i>

978
01:13:34,165 --> 01:13:40,504
♪ <i>Among these dark satanic mills?</i>

979
01:13:46,969 --> 01:13:51,182
♪ <i>Bring me my bow</i>

980
01:13:51,724 --> 01:13:56,312
♪ <i>Of burning gold!</i>

981
01:13:58,314 --> 01:14:04,403
♪ <i>Bring me my arrows of desire!</i>

982
01:14:06,155 --> 01:14:10,493
♪ <i>Bring me my spear!</i>

983
01:14:10,910 --> 01:14:15,456
♪ <i>O clouds, unfold!</i>

984
01:14:15,790 --> 01:14:23,005
♪ <i>Bring me my chariot of fire!</i>

985
01:14:25,424 --> 01:14:28,719
♪ <i>I will not cease</i>

986
01:14:30,137 --> 01:14:34,308
♪ <i>From mental fight</i>

987
01:14:34,892 --> 01:14:38,396
♪ <i>Nor shall my sword</i>

988
01:14:38,479 --> 01:14:43,067
♪ <i>Sleep in my hand</i>

989
01:14:43,150 --> 01:14:49,573
♪ <i>Till we have built Jerusalem</i>

990
01:14:51,867 --> 01:14:58,457
♪ <i>In England's green and pleasant land</i> ♪

991
01:15:17,268 --> 01:15:19,061
(CROWD APPLAUDING)

992
01:16:12,656 --> 01:16:15,743
ALVIN: <i>Now, it has been suggested</i>
<i>that Steve's song,</i>

993
01:16:15,826 --> 01:16:18,037
<i>which was specially written
for this occasion,</i>

994
01:16:18,120 --> 01:16:21,040
<i>may have certain auto-suggestive
qualities to it,</i>

995
01:16:21,123 --> 01:16:24,919
<i>from which the sick may derive
some internal benefit.</i>

996
01:16:25,002 --> 01:16:27,671
<i>Uh, therefore,
those less fortunate than us</i>

997
01:16:27,755 --> 01:16:30,716
<i>will be brought before Steve
in invalid chairs,</i>

998
01:16:30,800 --> 01:16:35,179
<i>uh, which we shall be providing
if I may say, free of charge.</i>

999
01:17:15,803 --> 01:17:20,349
♪ I see it all before me

1000
01:17:20,432 --> 01:17:24,436
♪ My past of restless wander

1001
01:17:25,187 --> 01:17:29,108
♪ An evil heart within me

1002
01:17:29,859 --> 01:17:33,904
♪ An evil hand to hold

1003
01:17:34,488 --> 01:17:38,993
♪ But in my hour of darkness

1004
01:17:39,076 --> 01:17:43,414
♪ A sun began to shine

1005
01:17:43,664 --> 01:17:48,169
♪ A sweeping spirit moved me

1006
01:17:48,419 --> 01:17:52,381
♪ A shining light was mine

1007
01:17:53,174 --> 01:17:56,886
♪ I see a pasture

1008
01:17:57,553 --> 01:18:01,932
♪ All green and gold

1009
01:18:02,099 --> 01:18:06,061
♪ A shepherd walking

1010
01:18:06,395 --> 01:18:11,233
♪ So brave and bold

1011
01:18:11,317 --> 01:18:15,404
♪ A congregation

1012
01:18:15,821 --> 01:18:20,201
♪ All on their knees

1013
01:18:20,451 --> 01:18:24,538
♪ His arms outstretching

1014
01:18:24,914 --> 01:18:28,459
♪ To you and me

1015
01:18:28,542 --> 01:18:30,878
♪ You and me

1016
01:18:48,395 --> 01:18:52,608
♪ We need his hand to guide us

1017
01:18:53,025 --> 01:18:57,238
♪ Along this chosen road

1018
01:18:57,613 --> 01:19:02,201
♪ We need his love to save us

1019
01:19:02,326 --> 01:19:06,038
♪ And bear our heavy load

1020
01:19:06,789 --> 01:19:11,210
♪ His pain was not for nothing

1021
01:19:11,502 --> 01:19:15,256
♪ His tears were not in vain

1022
01:19:16,090 --> 01:19:20,427
♪ What can a man believe in

1023
01:19:20,761 --> 01:19:25,140
♪ If not in Jesus' name

1024
01:19:25,474 --> 01:19:29,270
♪ I see a chapel

1025
01:19:29,812 --> 01:19:33,315
♪ High in the sky

1026
01:19:34,233 --> 01:19:38,112
♪ Someone is waiting

1027
01:19:38,821 --> 01:19:42,157
♪ A tear in his eye

1028
01:19:43,409 --> 01:19:47,788
♪ I see him calling

1029
01:19:47,955 --> 01:19:52,251
♪ I see him smile

1030
01:19:52,459 --> 01:19:56,463
♪ And in his arms

1031
01:19:57,172 --> 01:20:01,176
♪ A little child

1032
01:20:01,552 --> 01:20:05,264
♪ His door is open

1033
01:20:05,973 --> 01:20:10,144
♪ To everyone

1034
01:20:10,436 --> 01:20:14,732
♪ I kneel, kneel before him

1035
01:20:14,815 --> 01:20:19,320
♪ My time has come

1036
01:20:19,403 --> 01:20:23,240
♪ Oh, Father, Father

1037
01:20:23,615 --> 01:20:28,162
♪ Your children call

1038
01:20:28,245 --> 01:20:31,749
♪ Descend, O, Mother

1039
01:20:31,832 --> 01:20:35,711
♪ Forgive, forgive us all

1040
01:20:35,794 --> 01:20:39,048
♪ Forgive us all ♪

1041
01:21:27,721 --> 01:21:31,475
NARRATOR: <i>In one evening</i>
<i>in the National Stadium,</i>

1042
01:21:31,558 --> 01:21:36,313
<i>forty-nine thousand people
gave themselves to God and flag.</i>

1043
01:21:36,980 --> 01:21:38,982
<i>Through Steven Shorter.</i>

1044
01:22:23,652 --> 01:22:25,028
TATE: <i>Conform!</i>

1045
01:22:25,112 --> 01:22:27,322
CROWD: <i>We will conform!</i>

1046
01:22:27,406 --> 01:22:29,616
TATE: <i>And above all</i>

1047
01:22:29,700 --> 01:22:33,328
<i>we must follow the example
of a young man,</i>

1048
01:22:34,037 --> 01:22:39,543
<i>who found repentance, who found faith,
who found God.</i>

1049
01:22:40,002 --> 01:22:45,007
<i>Who found all of these things.
Who found the Word.</i>

1050
01:22:45,674 --> 01:22:50,012
<i>And now, he's here with you tonight.</i>

1051
01:22:53,599 --> 01:22:56,602
<i>To our shining example...</i>

1052
01:22:58,270 --> 01:22:59,855
<i>To the light...</i>

1053
01:23:00,647 --> 01:23:02,483
<i>To the path...</i>

1054
01:23:02,941 --> 01:23:04,485
<i>To the way...</i>

1055
01:23:07,070 --> 01:23:08,780
(CROWD CHEERING)

1056
01:23:21,668 --> 01:23:23,629
What does he think?

1057
01:23:29,676 --> 01:23:32,137
What does he think I am? A...

1058
01:23:47,361 --> 01:23:48,654
Steve...

1059
01:23:50,781 --> 01:23:53,033
You could stop all this now.

1060
01:23:55,494 --> 01:23:57,246
And I want you to.

1061
01:24:00,916 --> 01:24:02,084
Why?

1062
01:24:04,044 --> 01:24:07,756
Oh, I'm... I'm not asking you
to feel anything for me.

1063
01:24:07,839 --> 01:24:10,384
It's not that at all. It's just that...

1064
01:24:10,467 --> 01:24:11,552
(SNIFFLING)

1065
01:24:11,635 --> 01:24:14,805
I think you must...
You must go away somewhere.

1066
01:24:16,848 --> 01:24:19,142
You really need to. Honestly.

1067
01:24:22,521 --> 01:24:24,940
My parents have got this place
in the country,

1068
01:24:25,023 --> 01:24:28,485
and they're away at the moment and...

1069
01:24:29,403 --> 01:24:31,613
I think we should go there.

1070
01:24:34,825 --> 01:24:36,535
What did you say?

1071
01:24:39,162 --> 01:24:41,707
(VOICE BREAKING) What did you say?

1072
01:24:42,124 --> 01:24:44,626
I said I think we should go away.

1073
01:24:53,010 --> 01:24:54,344
Oh, yeah.

1074
01:24:59,182 --> 01:25:00,767
Like everybody,

1075
01:25:03,478 --> 01:25:06,398
you want something. I mean it's obvious

1076
01:25:06,690 --> 01:25:08,734
what you want, isn't it?

1077
01:25:12,487 --> 01:25:14,072
(WHIMPERS)

1078
01:25:15,907 --> 01:25:17,200
(SOBBING)

1079
01:25:17,284 --> 01:25:18,785
Oh, Steven!

1080
01:25:20,787 --> 01:25:22,706
I know it's not easy.

1081
01:25:32,591 --> 01:25:35,385
VANESSA: I can't stay here. We must go.

1082
01:25:36,219 --> 01:25:37,304
Oh!

1083
01:25:48,357 --> 01:25:50,400
Do you want to come?

1084
01:25:53,153 --> 01:25:54,571
What is it?

1085
01:25:55,280 --> 01:25:57,032
Steve, let me see.

1086
01:26:03,288 --> 01:26:04,498
Steve,

1087
01:26:05,415 --> 01:26:07,250
take your shirt off.

1088
01:26:08,377 --> 01:26:09,670
Come on.

1089
01:26:21,181 --> 01:26:22,474
Oh, God.

1090
01:26:25,644 --> 01:26:28,522
Steve, how long have you been like this?

1091
01:26:33,360 --> 01:26:36,154
I thought your act was only pretending.

1092
01:26:40,867 --> 01:26:43,245
Steve, you've got to stop this.

1093
01:26:43,829 --> 01:26:45,706
You must stop it now.

1094
01:27:15,819 --> 01:27:17,028
Steve,

1095
01:27:18,113 --> 01:27:19,948
what is it you want?

1096
01:27:20,699 --> 01:27:22,367
(STEVEN SOBBING)

1097
01:27:24,369 --> 01:27:26,079
What do you want?

1098
01:27:32,544 --> 01:27:36,465
I then found out
he was seeing this girl, er, secretly.

1099
01:27:37,299 --> 01:27:40,594
And I say secretly,
otherwise I would have known.

1100
01:27:41,052 --> 01:27:42,345
Now, uh,

1101
01:27:44,222 --> 01:27:46,641
yeah, I was about to break it up.

1102
01:27:47,392 --> 01:27:49,770
But I said to myself, "Wait.

1103
01:27:50,312 --> 01:27:53,231
"Isn't he entitled to something?

1104
01:27:53,315 --> 01:27:56,443
"I mean, he gives of himself so much.

1105
01:27:56,526 --> 01:28:00,697
"I mean, isn't he entitled
to his own small corner of the world?"

1106
01:28:01,698 --> 01:28:06,369
But I guess in this deal, there're...
Just there're no small corners.

1107
01:28:19,591 --> 01:28:21,635
What would you say if...

1108
01:28:26,348 --> 01:28:28,517
If I asked you to marry me?

1109
01:28:37,192 --> 01:28:39,236
Steve, it wouldn't work.

1110
01:28:42,864 --> 01:28:44,366
Look, listen.

1111
01:28:46,618 --> 01:28:49,704
I'm very selfish probably
when I say this,

1112
01:28:51,206 --> 01:28:53,708
but it could only be on my terms.

1113
01:28:57,087 --> 01:28:58,463
Come here.

1114
01:28:59,506 --> 01:29:02,050
I'm a very private person.

1115
01:29:04,052 --> 01:29:05,887
I'm very possessive.

1116
01:29:09,099 --> 01:29:11,393
We'd never be alone together,

1117
01:29:12,352 --> 01:29:14,062
not really alone.

1118
01:29:26,825 --> 01:29:28,869
NARRATOR: <i>September 25th,</i>

1119
01:29:28,952 --> 01:29:32,455
<i>the Federated Records
award giving dinner in London.</i>

1120
01:29:32,539 --> 01:29:34,374
REPORTER: Uh, Miss Ritchie...

1121
01:29:34,457 --> 01:29:36,209
Um...

1122
01:29:36,293 --> 01:29:37,836
Is there anything you'd like to say

1123
01:29:37,919 --> 01:29:41,548
concerning Steve's recent
stadium appearance?

1124
01:29:42,215 --> 01:29:44,467
No, I've got nothing to say.

1125
01:29:45,427 --> 01:29:47,971
- REPORTER: Nothing at all?
- No.

1126
01:29:49,514 --> 01:29:53,184
REPORTER: Well, what do you think
about tonight's award?

1127
01:29:55,395 --> 01:29:59,065
I think it's very remarkable.

1128
01:30:01,109 --> 01:30:05,030
Uh, ladies and gentlemen,
may I have your attention, please?

1129
01:30:07,240 --> 01:30:08,617
Thank you.

1130
01:30:08,992 --> 01:30:13,622
Now, this is the moment
you all have been waiting for.

1131
01:30:14,372 --> 01:30:18,627
What else can I say but Steven Shorter!

1132
01:30:18,710 --> 01:30:20,545
(AUDIENCE CHEERING)

1133
01:30:59,501 --> 01:31:03,421
Now, a little known fact,
concerning the gentleman

1134
01:31:03,505 --> 01:31:06,508
about to make the presentation
this evening,

1135
01:31:06,591 --> 01:31:10,595
is that before becoming a director
of Federated Records,

1136
01:31:11,846 --> 01:31:14,182
Leo Stanley was a song writer.

1137
01:31:15,392 --> 01:31:18,061
Now, I don't want to say
that his songs were bad,

1138
01:31:18,144 --> 01:31:20,897
but we had to rewrite them
before he could throw them away.

1139
01:31:20,981 --> 01:31:23,191
(AUDIENCE LAUGHS)

1140
01:31:23,358 --> 01:31:25,819
So at this time,
won't you join me in welcoming

1141
01:31:25,902 --> 01:31:28,655
the darling of the wax world,
Leo Stanley!

1142
01:31:28,738 --> 01:31:30,532
(AUDIENCE CLAPPING)

1143
01:31:33,910 --> 01:31:35,245
MAN: Hey!

1144
01:31:40,667 --> 01:31:43,336
Lords, ladies, gentleman

1145
01:31:44,337 --> 01:31:46,131
and Steven Shorter.

1146
01:31:47,257 --> 01:31:50,802
I think I speak for you all when I say,

1147
01:31:51,469 --> 01:31:54,264
Steve, we are all your fans!

1148
01:31:54,347 --> 01:31:56,182
(AUDIENCE CHEERING)

1149
01:32:03,440 --> 01:32:05,233
What we...

1150
01:32:05,316 --> 01:32:07,027
What we have here

1151
01:32:07,360 --> 01:32:12,240
is but a small token of our respect,
admiration and gratitude.

1152
01:32:13,700 --> 01:32:15,410
In the last three years,

1153
01:32:15,493 --> 01:32:19,581
you've given great pleasure
to an overwhelming number of people.

1154
01:32:19,664 --> 01:32:25,253
And really, what more can I say
but thank you, Steven Shorter.

1155
01:32:26,212 --> 01:32:28,465
You are more than an artist.

1156
01:32:28,757 --> 01:32:30,675
(AUDIENCE APPLAUDING)

1157
01:32:36,014 --> 01:32:37,265
"From...

1158
01:32:39,142 --> 01:32:42,479
"From the staff and executives
of Federated Records

1159
01:32:42,562 --> 01:32:44,105
"and its overseas subsidiaries,

1160
01:32:44,189 --> 01:32:47,859
"in Germany, France, Italy,
Japan, United States,

1161
01:32:47,942 --> 01:32:50,403
"to our platinum boy."

1162
01:32:50,528 --> 01:32:52,322
(CROWD CHEERING)

1163
01:34:09,190 --> 01:34:10,275
Me...

1164
01:34:15,738 --> 01:34:16,906
Me...

1165
01:34:23,788 --> 01:34:24,998
You...

1166
01:34:26,040 --> 01:34:28,168
worship me as if I were...

1167
01:34:33,590 --> 01:34:35,758
As if I were a sort of God!

1168
01:34:38,303 --> 01:34:39,596
But I...

1169
01:34:43,641 --> 01:34:45,101
I'm someone.

1170
01:34:45,810 --> 01:34:47,312
I'm a person.

1171
01:34:47,604 --> 01:34:49,105
I'm a person.

1172
01:34:49,314 --> 01:34:51,232
I'm a person. I'm a person.

1173
01:34:51,316 --> 01:34:55,528
NARRATOR: <i>When asked the reason</i>
<i>for his overwhelming popularity,</i>

1174
01:34:55,612 --> 01:34:59,532
<i>93.5% of the population
of the British Isles</i>

1175
01:34:59,616 --> 01:35:04,287
<i>said that they loved Steven Shorter
because he so generously and willingly</i>

1176
01:35:04,370 --> 01:35:06,915
<i>shared himself with everyone.</i>

1177
01:35:07,207 --> 01:35:08,708
I am nothing.

1178
01:35:10,919 --> 01:35:12,337
This is me.

1179
01:35:14,047 --> 01:35:15,340
Nothing.

1180
01:35:17,217 --> 01:35:18,343
You.

1181
01:35:19,761 --> 01:35:21,512
And this is you.

1182
01:35:23,765 --> 01:35:26,142
Because you've made me nothing.

1183
01:35:32,440 --> 01:35:34,025
And I hate you.

1184
01:35:34,734 --> 01:35:36,152
I hate you.

1185
01:35:36,694 --> 01:35:38,112
I hate you.

1186
01:35:39,364 --> 01:35:40,782
I hate you.

1187
01:35:41,699 --> 01:35:42,784
(RECORD PLAYING)

1188
01:35:42,867 --> 01:35:45,620
♪ <i>Forgive us all</i>

1189
01:35:45,703 --> 01:35:48,081
♪ <i>Forgive us all</i> ♪

1190
01:36:13,022 --> 01:36:14,565
(MUSIC DIES DOWN AND STOPS)

1191
01:36:52,145 --> 01:36:54,647
(ALL CLAMOURING)

1192
01:36:55,481 --> 01:36:59,485
ALVIN: <i>All right, now get back!</i>
<i>Move out. I said move out!</i>

1193
01:36:59,569 --> 01:37:02,780
<i>Now, can we keep back, please?
Can we keep back, please?</i>

1194
01:37:02,864 --> 01:37:04,532
(ALVIN SHOUTING)

1195
01:37:05,366 --> 01:37:07,535
<i>Make them move back, please?
Can we clear the hall...</i>

1196
01:37:07,618 --> 01:37:10,580
NARRATOR: <i>All that Steven Shorter</i>
<i>has just done</i>

1197
01:37:10,663 --> 01:37:14,167
<i>has been to express the wish
to become an individual.</i>

1198
01:37:14,375 --> 01:37:16,919
<i>But that, in an age of conformity,</i>

1199
01:37:17,295 --> 01:37:19,756
<i>can become a social problem.</i>

1200
01:37:20,173 --> 01:37:22,133
ALVIN: <i>Can we please clear this hallway?</i>

1201
01:37:22,216 --> 01:37:24,594
<i>Can we get someone here
to clear this hallway?</i>

1202
01:37:26,012 --> 01:37:28,514
<i>Can we please clear this hallway?</i>

1203
01:37:51,371 --> 01:37:54,874
Alvin, out, please, thank you.
Get them out, Alvin!

1204
01:37:54,957 --> 01:37:56,292
I've had a hell of a row in the office!

1205
01:37:56,376 --> 01:37:58,044
Just had Butler on the telephone.

1206
01:37:58,127 --> 01:37:59,670
You're gonna make a statement tomorrow.

1207
01:37:59,754 --> 01:38:01,464
Come on.
Tell me what you're going to do.

1208
01:38:01,547 --> 01:38:02,590
You were the clever little boy!

1209
01:38:02,673 --> 01:38:04,550
Half an hour earlier, you were
making all the smart remarks.

1210
01:38:04,634 --> 01:38:06,052
- Tell me what you're going to do.
- Leave him alone.

1211
01:38:06,135 --> 01:38:07,220
MARTIN: Why did you do it?

1212
01:38:07,303 --> 01:38:08,805
What do you think you are,
a bloody preacher?

1213
01:38:08,888 --> 01:38:10,264
Have you had a call?
Have you had a vision?

1214
01:38:10,348 --> 01:38:12,517
Why don't you leave him alone?
You've done enough damage already!

1215
01:38:12,600 --> 01:38:14,435
MARTIN: No, don't talk to me
about damage!

1216
01:38:14,519 --> 01:38:16,312
You've done more damage
than is possible to estimate!

1217
01:38:16,396 --> 01:38:19,816
You've put more moronic thoughts
into this boy's mind, it's incredible!

1218
01:38:19,899 --> 01:38:21,692
It's impossible to estimate
how great the damage is!

1219
01:38:21,776 --> 01:38:23,861
You pleased, are you? You pleased?
Yes, I thought you would be.

1220
01:38:23,945 --> 01:38:26,030
I had an idea!
You've done such a good job! Marvellous!

1221
01:38:26,114 --> 01:38:27,865
(MEN CHATTERING)

1222
01:38:27,949 --> 01:38:30,993
MARTIN: Alvin, I've told you
to get those men out of this room!

1223
01:38:31,077 --> 01:38:32,995
MARTIN: Alvin! Get them out!
ALVIN: They're like animals.

1224
01:38:33,079 --> 01:38:34,622
Get them bloody well out of this room!

1225
01:38:37,125 --> 01:38:40,336
NEWS REPORTER: <i>It's now</i>
<i>about 11:30 a.m.,</i>

1226
01:38:40,461 --> 01:38:44,090
<i>and we're outside Steven Shorter
Television Station Number Three</i>

1227
01:38:44,173 --> 01:38:46,551
<i>situated in a suburb near London.</i>

1228
01:38:46,676 --> 01:38:48,845
<i>Late yesterday night,
a statement was issued</i>

1229
01:38:48,928 --> 01:38:52,974
<i>by the Steven Shorter Management Group
to the effect that</i>

1230
01:38:53,057 --> 01:38:56,185
<i>Steven Shorter would make
a special television appearance today</i>

1231
01:38:56,269 --> 01:39:00,606
<i>to explain the statement he made
during yesterday's banquet.</i>

1232
01:39:00,690 --> 01:39:03,025
<i>The crowd are
very angry here today because...</i>

1233
01:39:03,109 --> 01:39:05,278
Please, keep your distance!

1234
01:39:09,866 --> 01:39:12,827
(CROWD CLAMOURING)

1235
01:39:16,247 --> 01:39:20,501
NARRATOR: <i>On September 26th,</i>
<i>with public endorsement,</i>

1236
01:39:20,918 --> 01:39:25,715
<i>Steven Shorter is barred from this and
any further appearance on television,</i>

1237
01:39:26,048 --> 01:39:30,678
<i>just to ensure that he does not again
misuse his position of privilege</i>

1238
01:39:30,761 --> 01:39:34,056
<i>to disturb the public peace of mind.</i>

1239
01:39:37,518 --> 01:39:39,145
(SIREN WAILING)

1240
01:39:50,031 --> 01:39:52,200
The public knows what it feels.

1241
01:39:52,950 --> 01:39:55,745
Its love for Steven has turned to hate,

1242
01:39:56,662 --> 01:40:00,625
that we must accept like an act of God.

1243
01:40:01,417 --> 01:40:05,671
INTERVIEWER: What about your
business interests in Steven Shorter?

1244
01:40:06,339 --> 01:40:10,176
I'll sever my connections
with Steven Shorter Enterprises.

1245
01:40:11,636 --> 01:40:13,638
INTERVIEWER: Do you not feel
that's rather abrupt?

1246
01:40:13,721 --> 01:40:15,348
No, not at all.

1247
01:40:16,224 --> 01:40:19,143
My main responsibility
is to my investors,

1248
01:40:19,727 --> 01:40:23,022
and I think it'd be quite wrong
to keep their money

1249
01:40:23,105 --> 01:40:26,776
in a concern that I now consider
to be a bad investment.

1250
01:40:27,944 --> 01:40:30,863
INTERVIEWER: Mr Butler, do you think
it's possible that

1251
01:40:30,947 --> 01:40:34,575
Steven Shorter could ever
win back his popularity?

1252
01:40:36,869 --> 01:40:39,664
I don't think so.

1253
01:40:41,791 --> 01:40:46,629
Perhaps, in time to come,
after he's dead,

1254
01:40:47,922 --> 01:40:52,134
he may be remembered
with affectionate nostalgia.

1255
01:40:57,139 --> 01:40:58,766
NARRATOR: <i>Within about a year,</i>

1256
01:40:58,849 --> 01:41:03,896
<i>all that remained of Steven Shorter
were a few old records,</i>

1257
01:41:03,980 --> 01:41:06,232
<i>and a piece of archive film,</i>

1258
01:41:07,650 --> 01:41:10,778
<i>with the sound, of course, removed.</i>

1259
01:41:12,989 --> 01:41:16,158
<i>It's going to be a happy year
in Britain,</i>

1260
01:41:16,242 --> 01:41:18,995
<i>this year, in the near future.</i>

1261
01:41:19,078 --> 01:41:20,496
(INAUDIBLE)

1262
01:41:27,336 --> 01:41:31,882
♪ <i>And did those feet</i>

1263
01:41:31,966 --> 01:41:37,221
♪ <i>In ancient times</i>

1264
01:41:38,306 --> 01:41:44,520
♪ <i>Walk upon England's mountains green?</i>

1265
01:41:46,647 --> 01:41:51,444
♪ <i>And was the holy</i>

1266
01:41:51,527 --> 01:41:55,656
♪ <i>Lamb of God</i>

1267
01:41:57,658 --> 01:42:04,915
♪ <i>On England's pleasant pastures seen?</i>

1268
01:42:06,042 --> 01:42:13,299
♪ <i>And did the Countenance Divine</i>

1269
01:42:15,301 --> 01:42:19,805
♪ <i>Shine forth upon</i>

1270
01:42:20,348 --> 01:42:25,144
♪ <i>A clouded hill?</i>

1271
01:42:25,227 --> 01:42:30,566
♪ <i>And was Jerusalem</i>

1272
01:42:30,650 --> 01:42:35,196
♪ <i>Builder here</i>

1273
01:42:36,489 --> 01:42:43,496
♪ <i>Among those dark satanic mills?</i>


