1
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♪ ♪

2
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JOAN <i>They say
places you knew as a child</i>

3
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<i>seem smaller when you see them again.</i>

4
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<i>It's not true.</i>

5
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<i>It's just as I left it.</i>

6
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Keep the change.

7
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Cut.

8
00:00:49,236 --> 00:00:52,171
Beautiful. Ladies and gentlemen,

9
00:00:52,371 --> 00:00:54,131
Miss Joan Crawford,
our one-take wonder.

10
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- Okay, next set up.
- Wait, Bob,

11
00:00:58,644 --> 00:00:59,780
don't you want me to try it again?

12
00:00:59,980 --> 00:01:00,980
No need, Joanie. You nailed it.

13
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- Are you sure?
- Absolutely.

14
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Well done.

15
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There's nothing as exciting

16
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as the first day on a set, is there?

17
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It's my fifth day, but sure.

18
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<i>They're like bunny rabbits.</i>

19
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<i>It's past midnight. They've been at it</i>

20
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since we got home from dinner.

21
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Miss Joan, you have an
early call tomorrow.

22
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You must rest.

23
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Well, how can I sleep

24
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when my director and co-star

25
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are engaged in some tawdry bacchanal

26
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30 feet away?

27
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Have a nightcap.

28
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I told you, Mamacita,

29
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I am not drinking on this production.

30
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I need a clear head.

31
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I could sing a lullaby.

32
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I'll call the front desk.

33
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Go to sleep, Mamacita.

34
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I don't care what they do in private,

35
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but staying up partying like teenagers

36
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can only detract from the
quality of their work

37
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and, by extension, mine.

38
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And that I cannot abide.

39
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No, no, no, no.

40
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I'll simply go over
there and politely ask

41
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them to consider the
labors that lie ahead

42
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and encourage them to make
more responsible choices.

43
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Should I wait up?

44
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Oh!

45
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Oh, my, my, Bette. Oh,
you've caused a terrible...

46
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Ready? This is the one.

47
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Yeah. Okay.

48
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This is it. Here we go.

49
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Oh!

50
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And keep the change.

51
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Oh!

52
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Take it.

53
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Stop teasing me.

54
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Ow. Damn it.

55
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Give it up, Bette.

56
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You're never gonna be able to do it.

57
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I don't know how she managed
to do all that business

58
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- in one take.
- Oh, my goodness.

59
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If I didn't know better,
I'd think you admire her.

60
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Well, why shouldn't she?
It's no accident

61
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Joan's been a star since the silents.

62
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She's an artist.

63
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- Between the sheets.
- Oh!

64
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My, my, Bette.

65
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I thought your rivalry was
put on for the press.

66
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I don't know what you're talking about.
What rivalry?

67
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I got to hand it to you, Bette.

68
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After all you've been through,

69
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giving Joan the Oscar
bait this go-around?

70
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It's mighty white of you.

71
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The picture is called

72
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<i>Hush... Hush, Sweet Charlotte.</i>

73
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- There you go.
<i>- I</i> play Charlotte.

74
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Oh, well, then, let me congratulate you

75
00:03:31,798 --> 00:03:34,835
on your divine work in<i> All
About Margo Channing.</i>

76
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Joan's playing the villain,

77
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and villains always
have the meatier roles.

78
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She's the mastermind.

79
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That's true.

80
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You guys, stop teasing her now.

81
00:03:43,976 --> 00:03:45,179
Nobody's teasing anyone.

82
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Agnes, shouldn't you
be giving me your...

83
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Sweetheart, it's fabulous.

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♪ ♪

85
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- sync and corrections by Mr. C -
- www.addic7ed.com

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♪ ♪

87
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♪ ♪

88
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I hope you had a good breakfast.

89
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I do wish you'd give me a
crack at those brows, Joan.

90
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The brows are mine. And the mouth.

91
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Let's get started on the lashes.

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No.

93
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No.

94
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Yes.

95
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- I'll just take...
- Mmm! Don't.

96
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<i>"Why wouldn't I</i>

97
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"tell him that his...

98
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"his pure, darling little girl

99
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was having a dirty little
affair with a married man?"

100
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"You're a vile,
sorry little bitch."

101
00:06:21,312 --> 00:06:22,848
Freshen me up, Mamacita.

102
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BETTE
Well, God bless your heart.

103
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Here's Cousin Miriam

104
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all dolled up from
tip-top to her toenails.

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Welcome.

106
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Well, I wanted to make sure

107
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that my look would survive the humidity.

108
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I didn't realize you were
in this scene, Bette.

109
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I'm not.

110
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<i>Often at night,</i>

111
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she sits up, dressed...

112
00:06:46,538 --> 00:06:48,506
as if she was still young,

113
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expecting a beau.

114
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I seem to remember

115
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once expecting something
like that myself.

116
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You gonna be all right here?

117
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I could stay over.

118
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You've been content

119
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to let me get by on my
own all these years.

120
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Another night won't kill me.

121
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You're not gonna let her
do it that way, are you?

122
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Cut.

123
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- What? What happened?
- Nothing. Nothing.

124
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We'll get... We're gonna go
again straightaway, Joanie.

125
00:07:13,932 --> 00:07:15,867
Maybe you don't even need this scene.
I mean, it seems like

126
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it might not be necessary.

127
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You have something to say
about my performance?

128
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Then say it to me.

129
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All right.

130
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This scene isn't really necessary,

131
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and you're telegraphing that
Miriam is up to no good

132
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when the audience, at this point,

133
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has to think she's a saint.

134
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This is my performance.

135
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I have worked very hard

136
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- on this.
- Joan, can we just shoot the scene?

137
00:07:36,554 --> 00:07:38,590
Let's worry about cutting
and changing later on.

138
00:07:38,790 --> 00:07:39,924
Can you do it this time

139
00:07:40,124 --> 00:07:41,559
as if butter wouldn't
melt in your mouth.

140
00:07:41,759 --> 00:07:42,727
- Good idea.
- Okay.

141
00:07:42,927 --> 00:07:44,563
Reset.

142
00:07:46,965 --> 00:07:50,602
I need to process your note, Bob.

143
00:07:50,802 --> 00:07:53,806
In my trailer.

144
00:07:59,110 --> 00:08:01,580
<i>What the hell is
she doing on this set</i>

145
00:08:01,780 --> 00:08:02,980
during my scene? Running
off at the mouth

146
00:08:03,180 --> 00:08:04,482
about my performance?

147
00:08:04,682 --> 00:08:06,484
And you, you just sitting there

148
00:08:06,684 --> 00:08:07,886
like a wet dog.

149
00:08:08,086 --> 00:08:09,754
Where the hell are your balls?

150
00:08:09,954 --> 00:08:10,955
Bette can say whatever she wants.

151
00:08:11,155 --> 00:08:12,491
She's a producer.

152
00:08:12,691 --> 00:08:14,793
What?

153
00:08:14,993 --> 00:08:17,228
I made her associate producer.
It was the only way

154
00:08:17,428 --> 00:08:19,664
to get her to sign on. She was
holding the picture hostage.

155
00:08:19,864 --> 00:08:20,832
No, I don't want that!

156
00:08:21,032 --> 00:08:22,233
Goddamn it.

157
00:08:22,433 --> 00:08:23,501
Go on, Mamacita.

158
00:08:23,701 --> 00:08:24,468
Leave us alone.

159
00:08:24,668 --> 00:08:26,670
You made her a producer?

160
00:08:26,870 --> 00:08:28,073
Joanie, the title's meaningless.

161
00:08:28,273 --> 00:08:30,641
Bette just needs to
feel she has authority.

162
00:08:30,841 --> 00:08:34,248
I have been working day and night
to prepare for this role.

163
00:08:34,448 --> 00:08:36,539
Nothing's changed. You're
still gonna be great.

164
00:08:36,739 --> 00:08:38,108
You have no idea how much harder

165
00:08:38,308 --> 00:08:41,652
I have to work to be taken
seriously as an actress.

166
00:08:41,852 --> 00:08:42,853
I didn't get my start

167
00:08:43,053 --> 00:08:46,091
in the theater, like Miss Bette Davis.

168
00:08:46,291 --> 00:08:49,126
I broke in shaking my
fringe in nightclubs.

169
00:08:49,326 --> 00:08:51,163
I'd come home after a gig

170
00:08:51,363 --> 00:08:52,764
with scotch on my dress,

171
00:08:52,964 --> 00:08:55,333
and I'll always have that stain on me

172
00:08:55,533 --> 00:08:58,536
and I'll always have to prove
them wrong, and I can't...

173
00:08:58,736 --> 00:09:01,372
do it on<i> Charlotte</i>

174
00:09:01,572 --> 00:09:03,708
- because she won't let me.
- Joanie, you have to let go

175
00:09:03,908 --> 00:09:06,111
of that anger to her. You
can't give her the fight.

176
00:09:06,311 --> 00:09:08,045
I am not angry with her!

177
00:09:08,245 --> 00:09:09,881
I'm angry with you.

178
00:09:10,081 --> 00:09:12,550
God, I must have been such a fool,

179
00:09:12,750 --> 00:09:16,188
thinking that you were
paying me this great tribute

180
00:09:16,388 --> 00:09:18,323
by promising me top billing.

181
00:09:18,523 --> 00:09:19,623
And all the while,

182
00:09:19,823 --> 00:09:21,726
behind my back, you were promising her

183
00:09:21,926 --> 00:09:25,463
exactly what she deserved: producer.

184
00:09:25,663 --> 00:09:27,063
Well, Bob...

185
00:09:28,499 --> 00:09:31,969
do you think I deserve it, too?

186
00:09:32,169 --> 00:09:35,306
Joanie, don't put me on the spot.

187
00:09:35,506 --> 00:09:39,910
You know what I'm going to enjoy?

188
00:09:40,110 --> 00:09:43,548
I'm going to enjoy watching you learn

189
00:09:43,748 --> 00:09:46,318
just how meaningless

190
00:09:46,518 --> 00:09:50,555
Bette thinks this title is.

191
00:09:59,964 --> 00:10:01,198
Where's Joan?

192
00:10:01,398 --> 00:10:04,236
Oh, she's out catching groundhogs.

193
00:10:04,436 --> 00:10:05,737
To replenish her wig supply.

194
00:10:05,937 --> 00:10:08,205
You have to catch them
in the dead of night.

195
00:10:08,405 --> 00:10:10,442
Why do you keep saying that?

196
00:10:10,642 --> 00:10:11,910
It's not nice.

197
00:10:12,110 --> 00:10:13,712
It's hard for a woman.

198
00:10:13,912 --> 00:10:15,679
Losing her hair.

199
00:10:15,879 --> 00:10:17,048
Her femin-in...

200
00:10:17,248 --> 00:10:18,349
Femin-in-inity.

201
00:10:18,549 --> 00:10:20,919
You should be nice.

202
00:10:21,119 --> 00:10:22,786
It's a joke, Victor.

203
00:10:22,986 --> 00:10:24,256
Oh, my God.

204
00:10:24,456 --> 00:10:25,957
Stop drinking. It's making you soft.

205
00:10:26,157 --> 00:10:27,726
Oh, you should have seen

206
00:10:27,926 --> 00:10:30,862
how the most beautiful
woman that ever lived

207
00:10:31,062 --> 00:10:33,097
treated me back in the day.

208
00:10:33,297 --> 00:10:35,065
And I remember thinking then,

209
00:10:35,265 --> 00:10:38,069
"Beauty fades.

210
00:10:38,269 --> 00:10:39,871
Just wait."

211
00:10:40,071 --> 00:10:41,472
And it did.

212
00:10:41,672 --> 00:10:43,574
Well, I remember seeing
her in<i> Humoresque.</i>

213
00:10:43,774 --> 00:10:45,776
Shunned by John Garfield,

214
00:10:45,976 --> 00:10:47,779
marching into the ocean,

215
00:10:47,979 --> 00:10:50,714
every hair in place.

216
00:10:50,914 --> 00:10:53,617
Beauty, dignity and death,

217
00:10:53,817 --> 00:10:56,887
all in one exquisite pose.

218
00:10:57,087 --> 00:11:00,724
She marched into the sea to her death...

219
00:11:00,924 --> 00:11:04,161
...and never
got her hair wet.

220
00:11:04,361 --> 00:11:06,365
Well...

221
00:11:09,267 --> 00:11:11,270
It meant a lot to me.

222
00:11:17,808 --> 00:11:20,612
<i>Turndown service, Miss Davis?</i>

223
00:11:20,812 --> 00:11:23,347
I wish I had known for a single day

224
00:11:23,547 --> 00:11:26,751
what it feels like to walk into a room

225
00:11:26,951 --> 00:11:30,789
and knock them out
without a single word.

226
00:11:30,989 --> 00:11:32,623
Bette, you don't even know yourself.

227
00:11:32,823 --> 00:11:34,125
You've been too long in this business.

228
00:11:34,325 --> 00:11:35,492
Oh, you have no idea what it's like

229
00:11:35,692 --> 00:11:36,761
to be a woman in this business,

230
00:11:36,961 --> 00:11:38,362
with the constant scrutiny

231
00:11:38,562 --> 00:11:39,963
and competition.

232
00:11:40,163 --> 00:11:42,132
Ah, do we have to go through
this melodrama right now?

233
00:11:42,332 --> 00:11:43,535
Fuck you, Bob.

234
00:11:43,735 --> 00:11:45,303
All right, tell me. Then tell me.

235
00:11:45,503 --> 00:11:48,006
No. You tell me, Mr. Director Man.

236
00:11:48,206 --> 00:11:49,973
Have you ever been rebuffed

237
00:11:50,173 --> 00:11:51,876
by a woman because of how you look?

238
00:11:52,076 --> 00:11:53,344
I'm betting no.

239
00:11:53,544 --> 00:11:56,014
I'm guessing that your
success was enough,

240
00:11:56,214 --> 00:11:58,183
that they fucked you
despite your beer gut

241
00:11:58,383 --> 00:11:59,718
and your middle-age sag.

242
00:11:59,918 --> 00:12:00,819
Am I right?

243
00:12:01,019 --> 00:12:03,220
I don't make up the rules.

244
00:12:05,590 --> 00:12:10,160
My first screen test with Jack Warner,

245
00:12:10,360 --> 00:12:11,496
I stuck around and I hid behind a door

246
00:12:11,696 --> 00:12:13,631
because I wanted to hear his reaction.

247
00:12:13,831 --> 00:12:17,669
Did he see my talent, my
humor, my intelligence,

248
00:12:17,869 --> 00:12:21,673
my brave attack on the scene?

249
00:12:21,873 --> 00:12:23,040
But he wasn't interested in any of that.

250
00:12:23,240 --> 00:12:24,476
- Guess what he said.
- What did he say?

251
00:12:24,676 --> 00:12:27,045
He said I had zero sex appeal.

252
00:12:27,245 --> 00:12:31,115
He said, "Who would want to fuck that?"

253
00:12:34,451 --> 00:12:36,353
I was 22.

254
00:12:36,553 --> 00:12:40,458
And nobody ever had.

255
00:12:47,297 --> 00:12:50,369
You should go to bed.

256
00:13:08,653 --> 00:13:12,624
Guess who he said
he wished I looked like?

257
00:13:14,625 --> 00:13:16,794
Joan Crawford.

258
00:13:22,667 --> 00:13:24,670
♪ ♪

259
00:13:34,946 --> 00:13:38,583
Why wouldn't I tell him that
his pure, darling little girl

260
00:13:38,783 --> 00:13:41,819
was having a dirty little
affair with a married man?

261
00:13:42,019 --> 00:13:44,488
You vile, sorry little bitch.

262
00:13:44,688 --> 00:13:46,824
How did I know it was
going to end in murder

263
00:13:47,024 --> 00:13:48,392
with John being butchered?

264
00:13:48,592 --> 00:13:51,328
Cut. Fantastic, Joanie, fantastic.

265
00:13:51,528 --> 00:13:52,597
Okay, turning around on Bette.

266
00:13:52,797 --> 00:13:54,998
You all right?

267
00:13:55,198 --> 00:13:58,069
No. I'm fine. It's just so hot.

268
00:13:58,269 --> 00:13:59,737
Yeah. It's a little different down here

269
00:13:59,937 --> 00:14:01,673
than the freezing cold soundstage.

270
00:14:01,873 --> 00:14:04,575
Bob. Bob. Where do you want me

271
00:14:04,775 --> 00:14:06,678
- for Bette's off-camera?
- You know, I don't think I need you.

272
00:14:06,878 --> 00:14:09,580
It's tight. I can have the
script girl give me your lines.

273
00:14:09,780 --> 00:14:11,516
But it's our scene.

274
00:14:11,716 --> 00:14:13,117
I mean, don't you want me here

275
00:14:13,317 --> 00:14:14,919
to give you something to build on?

276
00:14:15,119 --> 00:14:16,487
You already have. Why don't you find

277
00:14:16,687 --> 00:14:18,822
a dark air-conditioned
spot and lie down?

278
00:15:02,567 --> 00:15:04,568
Ooh.

279
00:15:38,269 --> 00:15:40,272
♪ ♪

280
00:16:02,426 --> 00:16:04,429
Hello?

281
00:16:09,966 --> 00:16:12,837
Hello!

282
00:16:16,006 --> 00:16:17,408
Lucille.

283
00:16:17,608 --> 00:16:19,043
This entire production

284
00:16:19,243 --> 00:16:20,612
is an elaborate opportunity

285
00:16:20,812 --> 00:16:22,145
for you to humiliate me, isn't it?

286
00:16:22,345 --> 00:16:24,048
- What are you talking about?
- You, Bob,

287
00:16:24,248 --> 00:16:26,650
the whole fucking crew abandoned me

288
00:16:26,850 --> 00:16:28,453
out at that plantation.

289
00:16:28,653 --> 00:16:30,121
Mamacita had to find

290
00:16:30,321 --> 00:16:32,656
- a phone and call a city cab
- Jesus, Joan.

291
00:16:32,856 --> 00:16:34,058
- to bring us back.
- I had no idea.

292
00:16:34,258 --> 00:16:36,126
No, I don't believe you.

293
00:16:36,326 --> 00:16:38,762
The proclaimed alliance
back in Los Angeles,

294
00:16:38,962 --> 00:16:41,899
you never had any intention of honoring.

295
00:16:42,099 --> 00:16:43,066
That is not true.

296
00:16:43,266 --> 00:16:44,468
Christ, what a fool I was

297
00:16:44,668 --> 00:16:46,269
to sign up for this picture.

298
00:16:46,469 --> 00:16:49,006
And a bigger fool to think
I could ever trust you.

299
00:16:49,206 --> 00:16:50,641
I need you to be brilliant.

300
00:16:50,841 --> 00:16:52,243
I'm just trying to help you get there.

301
00:16:52,443 --> 00:16:54,344
Oh, you're giving me a hand up?

302
00:16:54,544 --> 00:16:57,314
Because you're the superior talent.

303
00:16:57,514 --> 00:16:58,983
Well, I don't want your help.

304
00:16:59,183 --> 00:17:01,084
You've always been overrated.

305
00:17:01,284 --> 00:17:03,587
I guess that explains my
11 Oscar nominations.

306
00:17:03,787 --> 00:17:06,591
The Academy doesn't reward
you for your talent,

307
00:17:06,791 --> 00:17:08,092
for Christ's sakes, Bette.

308
00:17:08,292 --> 00:17:09,927
They reward you

309
00:17:10,127 --> 00:17:12,095
because they see how hard you sweat.

310
00:17:12,295 --> 00:17:14,465
They don't see the character,
they see the acting.

311
00:17:14,665 --> 00:17:15,833
And they don't see you at all

312
00:17:16,033 --> 00:17:17,768
because of all your glamour makeup.

313
00:17:17,968 --> 00:17:20,470
Well, let me give you a tip.

314
00:17:20,670 --> 00:17:22,673
The answer to feeling unattractive

315
00:17:22,873 --> 00:17:25,342
isn't to make yourself even uglier.

316
00:17:35,253 --> 00:17:37,254
I'm a character actress.

317
00:17:39,924 --> 00:17:43,393
Well, I said what I came to say.

318
00:17:43,593 --> 00:17:46,797
I'm going to bed.

319
00:17:46,997 --> 00:17:49,033
Joan.

320
00:17:55,673 --> 00:18:00,078
How did it feel to be the most
beautiful girl in the world?

321
00:18:05,917 --> 00:18:09,387
It was wonderful.

322
00:18:09,587 --> 00:18:13,256
The most joyous thing
you could ever imagine.

323
00:18:13,456 --> 00:18:15,459
And it was never enough.

324
00:18:19,530 --> 00:18:21,164
Well, what about you?

325
00:18:21,364 --> 00:18:25,936
How did it feel to be the most
talented girl in the world?

326
00:18:28,872 --> 00:18:32,176
Great.

327
00:18:32,376 --> 00:18:36,214
And it was never enough.

328
00:18:49,415 --> 00:18:50,282
From Mr. Aldrich.

329
00:18:50,482 --> 00:18:53,284
Oh, thank you, driver.

330
00:18:53,484 --> 00:18:57,255
Well, at least he remembered
to send a car this time.

331
00:18:57,594 --> 00:18:58,788
Maybe now that we are
back in Los Angeles

332
00:18:58,988 --> 00:19:00,189
things will go more smooth.

333
00:19:00,389 --> 00:19:02,058
Call sheet for Monday.

334
00:19:02,258 --> 00:19:03,760
Let me see.

335
00:19:03,960 --> 00:19:06,795
Report to 20th Century Fox,

336
00:19:06,995 --> 00:19:09,232
stage seven,

337
00:19:09,432 --> 00:19:12,202
scene 42, 6:00 a.m.

338
00:19:12,402 --> 00:19:14,236
Scene 42.

339
00:19:14,436 --> 00:19:17,773
Oh, that's my scene with Mr. Cotten.

340
00:19:17,973 --> 00:19:20,743
The seduction scene,
it's a wonderful scene.

341
00:19:20,943 --> 00:19:23,612
And Bette's not in it.

342
00:19:23,812 --> 00:19:25,881
What's this?

343
00:19:26,081 --> 00:19:28,150
Script revisions?

344
00:19:28,350 --> 00:19:31,286
For what?

345
00:19:31,486 --> 00:19:34,490
Where is my monologue?

346
00:19:36,158 --> 00:19:39,428
What? It's all been cut.

347
00:19:39,628 --> 00:19:41,263
This is her doing.

348
00:19:41,463 --> 00:19:43,765
And Bob is colluding with her.

349
00:19:43,965 --> 00:19:44,934
That's why he sent the car.

350
00:19:45,134 --> 00:19:46,168
To soften the blow.

351
00:19:46,368 --> 00:19:47,236
Driver.

352
00:19:47,436 --> 00:19:49,004
I'm not going to Brentwood.

353
00:19:49,204 --> 00:19:51,507
Take me to Cedars-Sinai Hospital.

354
00:19:51,707 --> 00:19:55,111
I'm suddenly feeling very, very ill.

355
00:19:57,547 --> 00:19:58,982
Well, according to her doctors,

356
00:19:59,182 --> 00:20:00,350
it's respiratory.

357
00:20:00,550 --> 00:20:01,583
Respiratory?

358
00:20:01,783 --> 00:20:02,819
What a load of shit.

359
00:20:03,019 --> 00:20:04,320
She's faking it.

360
00:20:04,520 --> 00:20:06,121
She's mad because we trimmed
a few of her lines,

361
00:20:06,321 --> 00:20:07,490
so she's holding up production.

362
00:20:07,690 --> 00:20:08,925
I used to play the same tricks

363
00:20:09,125 --> 00:20:10,659
when I was at Warner's under contract.

364
00:20:10,859 --> 00:20:12,294
We can't let her get away with it.

365
00:20:12,494 --> 00:20:14,196
Mother, Jeremy and I
need to speak to you.

366
00:20:14,396 --> 00:20:15,697
Say hello to Mr. Aldrich, B.D.

367
00:20:15,897 --> 00:20:18,033
Yeah. Hello, Mr. Aldrich.

368
00:20:18,233 --> 00:20:20,169
And this is her elderly
playmate, Jerome.

369
00:20:20,369 --> 00:20:21,803
It's Jeremy, actually.

370
00:20:22,003 --> 00:20:23,606
He's got an accent.

371
00:20:23,806 --> 00:20:25,475
What is it, B.D.?

372
00:20:25,675 --> 00:20:27,142
I'm managing a crisis.

373
00:20:27,342 --> 00:20:28,844
Your whole life is managing a crisis.

374
00:20:29,044 --> 00:20:30,612
I just need you to sign
these consent forms.

375
00:20:30,812 --> 00:20:32,048
Consent for what?

376
00:20:32,248 --> 00:20:33,850
For Jeremy and I to get married.

377
00:20:34,050 --> 00:20:36,985
Don't be ridiculous;
you're 16 years old.

378
00:20:37,185 --> 00:20:38,721
And wise quite beyond her years.

379
00:20:38,921 --> 00:20:40,490
And that's a credit to you as a mother.

380
00:20:40,690 --> 00:20:42,524
Ah, don't sweet-talk me, bub.

381
00:20:42,724 --> 00:20:44,293
That English accent might
thrill the little girls,

382
00:20:44,493 --> 00:20:45,628
but it does nothing for me.

383
00:20:45,828 --> 00:20:47,830
I played Elizabeth I, twice.

384
00:20:48,030 --> 00:20:49,799
You're not marrying a 40-year-old man.

385
00:20:49,999 --> 00:20:51,700
- I'm 29, actually.
- You're twice her age.

386
00:20:51,900 --> 00:20:54,169
Old enough to give your daughter
everything she deserves.

387
00:20:54,369 --> 00:20:57,240
Protection, affection and
financial stability.

388
00:20:57,440 --> 00:20:59,242
I give her all that.

389
00:20:59,442 --> 00:21:00,842
We're in love, Mother.

390
00:21:01,042 --> 00:21:02,378
And we're getting married,

391
00:21:02,578 --> 00:21:03,979
whether it's now or two years from now

392
00:21:04,179 --> 00:21:05,715
when we won't need your permission.

393
00:21:05,915 --> 00:21:08,051
You don't want my permission,
you want my attention.

394
00:21:08,251 --> 00:21:10,820
Now you have it, and the answer is no.

395
00:21:11,020 --> 00:21:12,821
Fine! Force your daughter
into a life of sin,

396
00:21:13,021 --> 00:21:14,590
- if that's what you want.
- It is what I want.

397
00:21:14,790 --> 00:21:16,592
In fact, march yourself up those stairs

398
00:21:16,792 --> 00:21:19,529
to my bedroom and grab my copy
of<i> The Feminine Mystique,</i>

399
00:21:19,729 --> 00:21:21,898
and read it before you ruin your life.

400
00:21:22,098 --> 00:21:24,434
What life? I have no life.

401
00:21:24,634 --> 00:21:26,101
Come on, Jeremy.

402
00:21:26,301 --> 00:21:28,204
A pleasure to have met you.

403
00:21:28,404 --> 00:21:30,106
Christ. I thought we had reached

404
00:21:30,306 --> 00:21:32,242
some kind of détente, but
it's always a battle.

405
00:21:32,442 --> 00:21:35,277
But she's not going to
win, not this time, Bob.

406
00:21:35,477 --> 00:21:37,112
Jesus, Bette.

407
00:21:37,312 --> 00:21:39,349
It's not a competition,
she's your daughter.

408
00:21:39,549 --> 00:21:42,385
No. I meant Crawford.

409
00:21:42,585 --> 00:21:44,520
She's not going to shut down production.

410
00:21:44,720 --> 00:21:47,723
Not for one single day.

411
00:21:49,125 --> 00:21:51,593
<i>Dateline: Hollywood, California.</i>

412
00:21:51,793 --> 00:21:55,264
<i>Production on 20th Century
Fox's lavish Gothic drama</i>

413
00:21:55,464 --> 00:21:58,700
Hush... Hush, Sweet Charlotte,
<i>continues despite rumblings</i>

414
00:21:58,900 --> 00:22:02,371
<i>that the back of a stand-in
is doing the work of a star.</i>

415
00:22:02,571 --> 00:22:03,706
Action!

416
00:22:03,906 --> 00:22:05,875
Miriam?

417
00:22:06,075 --> 00:22:08,610
I just can't believe it.

418
00:22:08,810 --> 00:22:10,979
You look marvelous.

419
00:22:11,179 --> 00:22:13,483
What is it you can't believe, Drew?

420
00:22:13,683 --> 00:22:16,151
That I'm here or that
I look the way I do?

421
00:22:16,351 --> 00:22:17,754
Ah, come on, Miriam.

422
00:22:17,954 --> 00:22:19,755
Don't make fun of an old man.

423
00:22:19,955 --> 00:22:21,323
Cut!

424
00:22:21,523 --> 00:22:23,325
<i>Whispers of a production shutdown</i>

425
00:22:23,525 --> 00:22:25,794
<i>have been dogging the
project in recent weeks.</i>

426
00:22:25,994 --> 00:22:29,498
<i>And not far away, one of the
picture's stars, Joan Crawford,</i>

427
00:22:29,698 --> 00:22:33,302
<i>recovers from what her doctors
are calling a mystery ailment.</i>

428
00:22:33,502 --> 00:22:34,936
<i>Insiders say that Joan</i>

429
00:22:35,136 --> 00:22:37,840
<i>may just have a bad case of the B.D.s,</i>

430
00:22:38,040 --> 00:22:39,942
<i>as in Bette Davis.</i>

431
00:22:40,142 --> 00:22:41,577
<i>Rumors are that Bette's new role</i>

432
00:22:41,777 --> 00:22:43,245
<i>as a producer on the picture</i>

433
00:22:43,445 --> 00:22:45,782
<i>have made her even more
demanding than ever.</i>

434
00:22:45,982 --> 00:22:48,484
<i>And after a string of
lackluster follow-ups</i>

435
00:22:48,684 --> 00:22:50,686
<i>to the triumph of</i> Baby Jane,

436
00:22:50,886 --> 00:22:52,955
<i>Bette really needs this one to work.</i>

437
00:22:53,155 --> 00:22:54,823
<i>Nobody should be praying harder</i>

438
00:22:55,023 --> 00:22:57,994
<i>for Joan's speedy recovery
than Bette Davis.</i>

439
00:22:58,194 --> 00:22:59,995
<i>Hedda, darling,</i>

440
00:23:00,195 --> 00:23:01,930
tell your readers this:

441
00:23:02,130 --> 00:23:04,700
I am bedded here with the
script, making notes

442
00:23:04,900 --> 00:23:08,036
and coming up with all
sorts of wonderful ideas

443
00:23:08,236 --> 00:23:09,638
for improvements.

444
00:23:09,838 --> 00:23:12,675
And, as a result of my convalescence,

445
00:23:12,875 --> 00:23:15,945
<i>Charlotte</i> is sure to be
a much better picture

446
00:23:16,145 --> 00:23:18,915
once I recover.

447
00:23:24,419 --> 00:23:27,055
♪<i> I don't tell you what to say</i> ♪

448
00:23:27,255 --> 00:23:30,493
♪<i> I don't tell you what to do</i> ♪

449
00:23:30,693 --> 00:23:34,464
Well, Bob, what a lovely surprise.

450
00:23:34,664 --> 00:23:35,665
Mamacita, turn that off.

451
00:23:35,865 --> 00:23:37,966
♪<i> That's all I ask...</i> ♪

452
00:23:38,166 --> 00:23:41,404
Uh, c-could you give us
a few moments, please?

453
00:23:43,606 --> 00:23:46,908
Seeing you is a tonic.

454
00:23:47,108 --> 00:23:49,311
Has it really been 12 days?

455
00:23:49,511 --> 00:23:51,347
I would have come sooner, Joanie, but...

456
00:23:51,547 --> 00:23:54,015
I've been busy trying to
keep a train on track.

457
00:23:54,215 --> 00:23:57,253
Well, I'm touched you could
find a spare moment.

458
00:23:57,453 --> 00:23:59,821
I have nothing but spare moments.

459
00:24:00,021 --> 00:24:02,692
I've run out of material to shoot.

460
00:24:02,892 --> 00:24:05,360
If I don't roll cameras
on you tomorrow morning,

461
00:24:05,560 --> 00:24:08,331
the studio's threatening
to close us down.

462
00:24:08,531 --> 00:24:10,332
I need you to come back to work, Joanie.

463
00:24:10,532 --> 00:24:12,368
Bob, you know that's all I want.

464
00:24:12,568 --> 00:24:13,836
Great.

465
00:24:14,036 --> 00:24:15,071
Now, Bette's agreed to behave herself.

466
00:24:15,271 --> 00:24:17,540
So, tomorrow: 7:00 a.m. on set.

467
00:24:17,740 --> 00:24:20,575
Otherwise the show's off.

468
00:24:20,775 --> 00:24:22,043
Or is that what you want?

469
00:24:22,243 --> 00:24:24,513
Perhaps now would be a good time

470
00:24:24,713 --> 00:24:27,783
to discuss some of my
thoughts about the script.

471
00:24:27,983 --> 00:24:29,718
I've given it a very close read

472
00:24:29,918 --> 00:24:32,187
and I have a few
suggestions that I think

473
00:24:32,387 --> 00:24:33,856
could make all the difference.

474
00:24:34,056 --> 00:24:36,626
First of all, Bob,

475
00:24:36,826 --> 00:24:39,861
we know so little about Miriam.

476
00:24:40,061 --> 00:24:43,698
Wouldn't it be wonderful to see
her in the bloom of her youth?

477
00:24:43,898 --> 00:24:45,400
Is it really believable

478
00:24:45,600 --> 00:24:48,303
that Miriam has only one suitor?

479
00:24:48,503 --> 00:24:50,572
Shouldn't she have more beaus?

480
00:24:50,772 --> 00:24:52,108
How many more beaus?

481
00:24:52,308 --> 00:24:53,376
Two.

482
00:24:53,576 --> 00:24:55,544
A politician and an attorney.

483
00:24:55,744 --> 00:24:57,580
And, really,

484
00:24:57,780 --> 00:24:59,948
her entrance into the picture?

485
00:25:00,148 --> 00:25:02,150
Oh, it's all wrong.

486
00:25:02,350 --> 00:25:04,152
A taxi cab, Bob? No.

487
00:25:04,352 --> 00:25:06,288
Well, how about a flying carpet?

488
00:25:07,656 --> 00:25:08,890
Oh, Bob.

489
00:25:09,090 --> 00:25:11,427
No, but it is the South.

490
00:25:11,627 --> 00:25:14,062
She should be greeted back home

491
00:25:14,262 --> 00:25:16,565
with a big Southern ball.

492
00:25:16,765 --> 00:25:18,667
I mean, just think of
the production value.

493
00:25:18,867 --> 00:25:19,901
Think of the money.

494
00:25:20,101 --> 00:25:20,902
But, of course,

495
00:25:21,102 --> 00:25:22,638
I'm not a producer.

496
00:25:22,838 --> 00:25:24,639
I'm only an actress.

497
00:25:24,839 --> 00:25:26,609
But it would be money well spent.

498
00:25:26,809 --> 00:25:27,976
Charlotte's a recluse.

499
00:25:28,176 --> 00:25:29,445
She wouldn't be hosting a ball

500
00:25:29,645 --> 00:25:30,612
in a decaying mansion.

501
00:25:30,812 --> 00:25:33,115
I'm not suggesting she host it.

502
00:25:33,315 --> 00:25:34,817
She can be there, of course.

503
00:25:35,017 --> 00:25:36,985
In a corner, hidden.

504
00:25:37,185 --> 00:25:39,754
Under the stairs, watching.

505
00:25:39,954 --> 00:25:42,058
All we see are her big eyes.

506
00:25:44,560 --> 00:25:46,027
You know, Joan,

507
00:25:46,227 --> 00:25:48,798
the last time I let an
actor call all the shots,

508
00:25:48,998 --> 00:25:50,366
I made<i> 4 for Texas.</i>

509
00:25:50,566 --> 00:25:52,802
I can't afford another bomb.

510
00:25:53,002 --> 00:25:56,339
If<i> Charlotte</i> doesn't work,
I'm back making crap TV.

511
00:25:56,539 --> 00:25:59,375
So I suggest you put
down your fucking script

512
00:25:59,575 --> 00:26:01,209
and pick up your fucking contract

513
00:26:01,409 --> 00:26:04,179
and give that a close fucking read.

514
00:26:06,214 --> 00:26:07,817
Tomorrow morning, 7:00 a.m.,

515
00:26:08,017 --> 00:26:10,853
and not a minute later.

516
00:26:20,162 --> 00:26:21,731
Oh, Jake, how great to see you.

517
00:26:21,931 --> 00:26:23,032
Thank you.

518
00:26:23,232 --> 00:26:26,369
Oh, Sonny, nice to see you again.

519
00:26:26,569 --> 00:26:28,204
Christ on a crutch.

520
00:26:29,838 --> 00:26:31,741
She thinks we're still
doing the last picture.

521
00:26:31,941 --> 00:26:33,708
Oh!

522
00:26:33,908 --> 00:26:35,343
This is good here, dear.

523
00:26:35,543 --> 00:26:37,546
Oh, yes, thank you.

524
00:26:43,685 --> 00:26:46,421
Oh, thank you, thank you all so much.

525
00:26:46,621 --> 00:26:48,991
I can't tell you what it
means to me to be back here.

526
00:26:49,191 --> 00:26:51,394
I guess this old workhorse
is only really happy

527
00:26:51,594 --> 00:26:53,529
when she's out in the field.

528
00:27:05,307 --> 00:27:07,909
Welcome back, Lucille.

529
00:27:08,109 --> 00:27:10,112
I removed the thorns.

530
00:27:13,214 --> 00:27:14,583
<i>And... action.</i>

531
00:27:14,783 --> 00:27:16,017
Oh, come on, Miriam.

532
00:27:16,217 --> 00:27:18,920
Don't make fun of an old man.

533
00:27:19,120 --> 00:27:21,724
You know I never was any
good at expressin' myself.

534
00:27:21,924 --> 00:27:23,725
Well, that's not so at all, Drew.

535
00:27:23,925 --> 00:27:26,027
You were always very quick
with your compliments.

536
00:27:26,227 --> 00:27:29,965
It was your intentions that
sometimes were a little vague.

537
00:27:30,165 --> 00:27:31,900
We used to slide down this banister,

538
00:27:32,100 --> 00:27:33,735
the three of us, and I was

539
00:27:33,935 --> 00:27:35,236
always the champion.

540
00:27:35,436 --> 00:27:36,606
Oh, we just let you win

541
00:27:36,806 --> 00:27:38,139
'cause you were the youngest.

542
00:27:38,339 --> 00:27:39,708
- Stop it.
- Cut.

543
00:27:39,908 --> 00:27:41,977
What?

544
00:27:42,177 --> 00:27:43,946
I'm sorry, it's too long.
I mean, she's here

545
00:27:44,146 --> 00:27:45,982
to see Charlotte, she
should just get on with it.

546
00:27:46,182 --> 00:27:47,649
No, I have another page of dialogue

547
00:27:47,849 --> 00:27:49,051
with Mr. Cotten.

548
00:27:49,251 --> 00:27:51,020
Yes, we should cut that.

549
00:27:52,687 --> 00:27:55,424
You okay, Joan?

550
00:27:55,624 --> 00:27:58,226
No, I just felt a little
dizzy, I'm sorry. I...

551
00:27:58,426 --> 00:28:02,264
I had a rather light breakfast.

552
00:28:04,133 --> 00:28:06,703
Oh...

553
00:28:08,270 --> 00:28:10,272
I can't breathe.

554
00:28:16,779 --> 00:28:18,613
I can't believe you let
her get away with it.

555
00:28:18,813 --> 00:28:20,483
You know I was right about the scene.

556
00:28:20,683 --> 00:28:22,818
You know what, Bette? Being
right doesn't mean shit

557
00:28:23,018 --> 00:28:24,619
if you're driving talent off the stage.

558
00:28:24,819 --> 00:28:27,622
You want to be a producer?
Well, a producer gets results.

559
00:28:27,822 --> 00:28:29,925
You want to be a lion tamer? Great.

560
00:28:30,125 --> 00:28:31,994
Go tame the goddamn lion.

561
00:28:33,896 --> 00:28:35,898
That's a wrap!

562
00:28:43,204 --> 00:28:44,674
<i>You won't have to bother now.</i>

563
00:28:44,874 --> 00:28:47,776
<i>Oh, yes, I do. My share...</i>

564
00:28:47,976 --> 00:28:49,177
Fine.

565
00:28:49,377 --> 00:28:50,780
You can get married,

566
00:28:50,980 --> 00:28:53,383
but I'm in charge of everything.

567
00:29:01,949 --> 00:29:03,851
- Better, Joan?
- Thank you.

568
00:29:04,051 --> 00:29:06,835
Ray, is there some reason
we're not getting started?

569
00:29:07,035 --> 00:29:08,196
It's very taxing

570
00:29:08,396 --> 00:29:09,836
for Miss Crawford to be out
of bed in her condition.

571
00:29:10,036 --> 00:29:13,186
Bed is the last place
that woman gets any rest.

572
00:29:13,386 --> 00:29:14,955
- Gentlemen.
- Miss Davis,

573
00:29:15,155 --> 00:29:17,124
please remember what we discussed.

574
00:29:19,460 --> 00:29:21,561
Gentlemen.

575
00:29:21,761 --> 00:29:24,799
There's now been 29 days since
Miss Crawford completed

576
00:29:24,999 --> 00:29:27,233
a full day's work on
<i>Charlotte,</i> resulting in

577
00:29:27,433 --> 00:29:30,236
expensive delays and cost
overruns for this studio.

578
00:29:30,436 --> 00:29:32,973
Our insurer, to this point,

579
00:29:33,173 --> 00:29:35,542
has covered those losses on the basis

580
00:29:35,742 --> 00:29:37,211
of Miss Crawford's diagnosis

581
00:29:37,411 --> 00:29:38,945
of a rare form of pneumonia.

582
00:29:39,145 --> 00:29:42,617
But her health does not
seem to be improving.

583
00:29:42,817 --> 00:29:43,718
That's because her condition is mental.

584
00:29:43,918 --> 00:29:45,152
Is Miss Davis' presence

585
00:29:45,352 --> 00:29:47,053
in this meeting
constructive or necessary?

586
00:29:47,253 --> 00:29:49,423
I'm a producer on this picture.
I'm in all the meetings

587
00:29:49,623 --> 00:29:50,957
whether your client likes it or not.

588
00:29:51,157 --> 00:29:53,260
According to Bob, it's a vanity title.

589
00:29:53,460 --> 00:29:56,129
It was. And that was my fault.

590
00:29:56,329 --> 00:29:58,732
But not anymore.

591
00:29:58,932 --> 00:30:01,969
From now on, my stamp is on everything.

592
00:30:02,169 --> 00:30:05,005
As I was saying, given that
Miss Crawford's condition

593
00:30:05,205 --> 00:30:07,074
does not seem to be improving,

594
00:30:07,274 --> 00:30:09,443
the studio would like to give
her the freedom to devote

595
00:30:09,643 --> 00:30:11,678
all her energy to getting well again.

596
00:30:11,878 --> 00:30:14,482
In that spirit, we're offering
to release her from all

597
00:30:14,682 --> 00:30:16,282
contractual obligations.

598
00:30:16,482 --> 00:30:18,085
Mr. Aldrich is ready to start looking

599
00:30:18,285 --> 00:30:19,854
for somebody else to play Miriam.

600
00:30:20,054 --> 00:30:22,423
Ray, we all know there is no

601
00:30:22,623 --> 00:30:24,157
<i>Hush... Hush, Sweet Charlotte</i>

602
00:30:24,357 --> 00:30:26,359
without a reteaming of
Crawford and Davis.

603
00:30:26,559 --> 00:30:28,762
Wrong. This is not a
sequel to<i> Baby Jane.</i>

604
00:30:28,962 --> 00:30:31,499
And there will be no need to
resort to a poor substitute.

605
00:30:31,699 --> 00:30:34,135
Miss Crawford is following all
her doctor's instructions

606
00:30:34,335 --> 00:30:35,970
to the letter, with
the genuine intention

607
00:30:36,170 --> 00:30:39,040
of returning to work
as soon as possible.

608
00:30:39,240 --> 00:30:41,174
Well, Leonard, I'll be candid.

609
00:30:41,374 --> 00:30:42,843
Our insurer has doubts

610
00:30:43,043 --> 00:30:45,645
about how genuine those intentions are.

611
00:30:45,845 --> 00:30:47,647
They insist that your client

612
00:30:47,847 --> 00:30:49,817
submit to an independent medical exam.

613
00:30:50,017 --> 00:30:52,118
Tiny Tim over there isn't
going to let your doctors

614
00:30:52,318 --> 00:30:54,320
get anywhere near her.

615
00:30:54,520 --> 00:30:56,991
She's gassing us all with
her VapoRub for show.

616
00:30:57,191 --> 00:30:59,126
She's not sick. She's on strike.

617
00:30:59,326 --> 00:31:02,629
Until Bob accepts all her
loony script changes

618
00:31:02,829 --> 00:31:04,632
and makes her the star of<i> Charlotte.</i>

619
00:31:04,832 --> 00:31:07,534
Miss Davis, if you're incapable
of restraining yourself,

620
00:31:07,734 --> 00:31:09,570
I'll have to ask you to leave.

621
00:31:16,343 --> 00:31:18,212
I would be perfectly happy

622
00:31:18,412 --> 00:31:21,347
to submit to an independent exam.

623
00:31:21,547 --> 00:31:23,349
Very well.

624
00:31:23,549 --> 00:31:25,853
But before you reject our initial offer,

625
00:31:26,053 --> 00:31:27,988
know that if our doctor

626
00:31:28,188 --> 00:31:30,090
clears Miss Crawford to return to work

627
00:31:30,290 --> 00:31:32,559
and she fails to do so, we will sue her

628
00:31:32,759 --> 00:31:36,029
to recoup every cent of our losses.

629
00:31:39,633 --> 00:31:42,569
Splendid. And I want chimes to ring

630
00:31:42,769 --> 00:31:44,204
the moment they become man and wife.

631
00:31:44,404 --> 00:31:46,507
Just as their lips touch.
Can that be arranged?

632
00:31:46,707 --> 00:31:49,510
We have bells at the church. They toll.

633
00:31:49,710 --> 00:31:51,611
Oh, I don't want a funeral bell.

634
00:31:51,811 --> 00:31:54,581
I want a glorious, joyful chime.

635
00:31:54,781 --> 00:31:55,750
Uh...

636
00:31:55,950 --> 00:31:57,251
what do you think of that, B.D.?

637
00:31:57,451 --> 00:31:58,851
Sure.

638
00:32:00,287 --> 00:32:01,955
Do you like it or not?
It's your wedding.

639
00:32:02,155 --> 00:32:04,091
Whatever you think's best.

640
00:32:05,759 --> 00:32:07,795
Could you all please go
into the dining room

641
00:32:07,995 --> 00:32:10,196
and give us a moment? Thank you.

642
00:32:10,396 --> 00:32:13,299
Darling, I want you to
answer me truthfully,

643
00:32:13,499 --> 00:32:17,270
and don't for a second worry
about the consequences.

644
00:32:17,470 --> 00:32:19,572
Are you having second thoughts

645
00:32:19,772 --> 00:32:21,375
about marrying Jeremy?

646
00:32:21,575 --> 00:32:23,610
What? No. I just don't see

647
00:32:23,810 --> 00:32:27,047
why we have to make such a big
production out of the wedding.

648
00:32:27,247 --> 00:32:30,151
Well, I'll tell you why.

649
00:32:30,351 --> 00:32:32,552
A wedding is a big,
special party because

650
00:32:32,752 --> 00:32:35,388
everything after that is
hard work and repetition.

651
00:32:35,588 --> 00:32:38,424
It's work to keep a house.

652
00:32:38,624 --> 00:32:41,328
It's work to fix him the
same goddamn glass of scotch

653
00:32:41,528 --> 00:32:44,799
every night and feign interest
while he rants about his boss.

654
00:32:44,999 --> 00:32:46,966
It's work to tolerate

655
00:32:47,166 --> 00:32:49,136
his forgetting to ask
you about your day,

656
00:32:49,336 --> 00:32:51,137
and your feelings, and your thoughts.

657
00:32:51,337 --> 00:32:54,575
And it's work to feel
like a staging ground

658
00:32:54,775 --> 00:32:56,976
for someone else's ambitions.

659
00:32:57,176 --> 00:32:59,579
You just described my life with you.

660
00:33:01,382 --> 00:33:04,986
Well, then I've prepared
you to be a good wife.

661
00:33:06,386 --> 00:33:09,289
And I'm gonna miss you
terribly when you're gone.

662
00:33:12,326 --> 00:33:14,295
This wedding is something
I can give you.

663
00:33:14,495 --> 00:33:16,463
And if you want it,

664
00:33:16,663 --> 00:33:19,633
I want it to be perfect.

665
00:33:19,833 --> 00:33:23,037
Your first wedding is the one
that you remember the most.

666
00:33:23,237 --> 00:33:26,540
My first wedding?

667
00:33:26,740 --> 00:33:27,808
Jeremy and I are forever.

668
00:33:28,008 --> 00:33:29,143
Of course, darling, I...

669
00:33:29,343 --> 00:33:30,476
Of course.

670
00:33:30,676 --> 00:33:34,280
And however long that forever lasts,

671
00:33:34,480 --> 00:33:36,783
I want you know that you will always

672
00:33:36,983 --> 00:33:38,452
have a place to come home to.

673
00:33:38,652 --> 00:33:40,553
Christ, is that why
you agreed to this...

674
00:33:40,753 --> 00:33:42,223
because you thought I'd
come running back?

675
00:33:42,423 --> 00:33:44,992
- No, no, no, no, no, no...
- No, Mother.

676
00:33:45,192 --> 00:33:46,694
I'm leaving.

677
00:33:46,894 --> 00:33:50,363
I'm going to be Jeremy's
wife, not yours.

678
00:33:50,563 --> 00:33:52,633
Oh, and guess what...

679
00:33:52,833 --> 00:33:54,167
for your information,

680
00:33:54,367 --> 00:33:57,037
my first wedding<i> was</i> perfect.

681
00:33:57,237 --> 00:33:58,339
It was Saturday.

682
00:33:58,539 --> 00:34:00,406
At City Hall.

683
00:34:00,606 --> 00:34:03,142
We did it the minute you
signed the consent form.

684
00:34:03,342 --> 00:34:06,013
And there were no chimes
for our first kiss

685
00:34:06,213 --> 00:34:07,714
and it was beautiful.

686
00:34:07,914 --> 00:34:09,749
So all of this...

687
00:34:09,949 --> 00:34:11,919
you're not doing it for me.

688
00:34:12,119 --> 00:34:14,555
You're doing it for you.

689
00:34:30,536 --> 00:34:33,006
Just a slightly elevated temperature.

690
00:34:33,206 --> 00:34:36,176
Really? I feel so warm. Feverish.

691
00:34:36,376 --> 00:34:38,345
Do you suppose it's neurological?

692
00:34:38,545 --> 00:34:39,747
What other symptoms
are you experiencing?

693
00:34:39,947 --> 00:34:41,548
Well, light-headedness and...

694
00:34:41,748 --> 00:34:46,487
dizzy spells in the most
inopportune moments.

695
00:34:47,554 --> 00:34:49,956
Breathe in.

696
00:34:50,958 --> 00:34:52,793
Deeper, please.

697
00:34:54,427 --> 00:34:56,430
Oh.

698
00:34:56,630 --> 00:34:58,365
Excuse me.

699
00:34:58,565 --> 00:35:02,970
Lately I've only been
able to manage the...

700
00:35:03,170 --> 00:35:06,507
shallowest of breaths.

701
00:35:10,409 --> 00:35:12,379
Bob can call me if he needs, but
there's really not much to it.

702
00:35:12,579 --> 00:35:14,714
Officially, she's completely clear.

703
00:35:14,914 --> 00:35:16,383
You've got to be kidding me.

704
00:35:16,583 --> 00:35:18,419
- Good luck with her.
- Thank you.

705
00:35:18,619 --> 00:35:22,622
Well, he says you can
come back to work, Joan.

706
00:35:22,822 --> 00:35:25,225
Said he'll clear you for
a marathon, if you want.

707
00:35:25,425 --> 00:35:26,961
He's the studio's doctor.

708
00:35:27,161 --> 00:35:28,729
What did you expect him to say?

709
00:35:28,929 --> 00:35:30,464
He also said you tried to seduce him.

710
00:35:30,664 --> 00:35:33,232
That is ridiculous and offensive.

711
00:35:33,432 --> 00:35:35,468
Mamacita, take me to the car.

712
00:35:35,668 --> 00:35:39,339
This whole experience has
been very fatiguing.

713
00:35:39,539 --> 00:35:41,975
I'm asking you as a fan.

714
00:35:42,175 --> 00:35:43,410
Do not do this to yourself.

715
00:35:43,610 --> 00:35:45,812
And what is it you imagine I'm doing?

716
00:35:46,012 --> 00:35:48,414
Losing every ally. They
are going to sue you.

717
00:35:48,614 --> 00:35:50,751
No one will stop them.
You're ending your career.

718
00:35:50,951 --> 00:35:53,921
How dare you? You're a secretary.

719
00:35:54,121 --> 00:35:56,823
Stop following me around,
nipping at my heels,

720
00:35:57,023 --> 00:35:58,658
impugning my integrity.

721
00:35:58,858 --> 00:36:00,861
The moment I get home, I'm calling Bob

722
00:36:01,061 --> 00:36:03,263
and demanding you be
taken off of<i> Charlotte.</i>

723
00:36:03,463 --> 00:36:06,633
Don't bother. I've already told
Bob that I am done after this.

724
00:36:06,833 --> 00:36:08,301
I came out here to work.

725
00:36:08,501 --> 00:36:10,970
That seems to be the last thing
that anyone cares about.

726
00:36:11,170 --> 00:36:13,207
I don't know if this town
attracts narcissists

727
00:36:13,407 --> 00:36:14,975
or actually creates them.

728
00:36:15,175 --> 00:36:16,676
But I have no intention
of sticking around

729
00:36:16,876 --> 00:36:18,880
to find out.

730
00:36:21,148 --> 00:36:23,149
Good luck, Joan.

731
00:36:23,349 --> 00:36:24,984
<i>What did I think</i>

732
00:36:25,184 --> 00:36:26,319
of what Joan did?

733
00:36:26,519 --> 00:36:27,988
I thought it was pretty great.

734
00:36:28,188 --> 00:36:30,723
You didn't think it was...
undignified?

735
00:36:30,923 --> 00:36:32,059
Faking sick?

736
00:36:32,259 --> 00:36:34,327
Let me tell you something.

737
00:36:34,527 --> 00:36:37,330
At a certain point, a
woman becomes invisible.

738
00:36:37,530 --> 00:36:39,665
You get fat or old...

739
00:36:39,865 --> 00:36:42,669
people don't even see you anymore.

740
00:36:42,869 --> 00:36:45,339
Oh, come on, think of it this way:

741
00:36:45,539 --> 00:36:48,341
you've been eating in a
restaurant your whole life.

742
00:36:48,541 --> 00:36:50,077
You're a great customer.

743
00:36:50,277 --> 00:36:52,345
Good tipper. Staff loves you.

744
00:36:52,545 --> 00:36:54,180
You spend all your money there.

745
00:36:54,380 --> 00:36:57,251
And then one day, they won't serve you.

746
00:36:57,451 --> 00:36:58,852
Won't take your money.

747
00:36:59,052 --> 00:37:01,588
Won't even let you see the menu.

748
00:37:01,788 --> 00:37:04,591
Well, who could blame you

749
00:37:04,791 --> 00:37:07,760
for wanting to stand up and
rip the tablecloth off?

750
00:37:11,398 --> 00:37:13,600
Mamacita?

751
00:37:13,800 --> 00:37:16,035
Will you get the door?

752
00:37:16,235 --> 00:37:18,873
Tell them I'm in the bath.

753
00:37:22,608 --> 00:37:24,978
Mamacita!

754
00:37:47,900 --> 00:37:49,403
Yes?

755
00:37:49,603 --> 00:37:51,738
Good morning, ma'am. Are
you Miss Joan Crawford?

756
00:37:51,938 --> 00:37:54,073
They make me ask that.

757
00:37:54,273 --> 00:37:55,542
Please sign for documents

758
00:37:55,742 --> 00:37:57,945
from 20th Century Fox.

759
00:37:59,445 --> 00:38:01,448
- What is it?
- That's above my pay grade.

760
00:38:01,648 --> 00:38:03,783
I just make sure you can't
deny receipt in court.

761
00:38:03,983 --> 00:38:05,752
Have a happy day, ma'am.

762
00:38:39,031 --> 00:38:40,837
♪ ♪

763
00:38:41,037 --> 00:38:43,339
<i>Wearing a
$100,000 sapphire necklace</i>

764
00:38:43,539 --> 00:38:46,174
<i>over a hospital gown by Dior,</i>

765
00:38:46,374 --> 00:38:49,011
<i>Joan Crawford is the most
glamorous and popular patient</i>

766
00:38:49,211 --> 00:38:52,065
<i>in the celebrity wing of
Cedars-Sinai Hospital.</i>

767
00:38:52,265 --> 00:38:55,001
<i>Each day, doctors and nurses
line up for the privilege</i>

768
00:38:55,201 --> 00:38:57,836
<i>of taking care of the
ailing movie queen.</i>

769
00:38:58,036 --> 00:39:00,440
<i>Meanwhile, production
on her latest picture,</i>

770
00:39:00,640 --> 00:39:03,608
<i>20th Century Fox's</i> Hush...
Hush, Sweet Charlotte

771
00:39:03,808 --> 00:39:05,777
<i>has been halted indefinitely.</i>

772
00:39:05,977 --> 00:39:08,514
<i>And with cast and crew
still on full salary,</i>

773
00:39:08,714 --> 00:39:11,951
Charlotte's<i> shaping up to be one
of 20th's priciest pictures</i>

774
00:39:12,151 --> 00:39:15,288
<i>this year.</i>

775
00:39:15,488 --> 00:39:17,456
What can you possibly hope to
gain by delaying production

776
00:39:17,656 --> 00:39:18,858
any further?

777
00:39:19,058 --> 00:39:20,360
You'll get no concessions.

778
00:39:20,560 --> 00:39:22,295
Concessions? Oh, no.

779
00:39:22,495 --> 00:39:24,963
We're way beyond that. I
don't want concessions.

780
00:39:25,163 --> 00:39:27,367
I want blood. I want to
shut this picture down.

781
00:39:27,567 --> 00:39:30,003
Oh, Joan.

782
00:39:30,203 --> 00:39:33,005
I'll lose hundreds of
thousands of dollars

783
00:39:33,205 --> 00:39:35,440
but so will Bette.

784
00:39:35,640 --> 00:39:40,112
And I can live happily and
frugally just knowing that.

785
00:39:40,312 --> 00:39:44,717
And Bob Aldrich can shutter
his production company

786
00:39:44,917 --> 00:39:48,153
and end his career directing
shitty television.

787
00:39:48,353 --> 00:39:50,523
Fuck them both.

788
00:39:50,723 --> 00:39:52,958
You were always ambitious.

789
00:39:53,158 --> 00:39:55,795
But when did you become so vindictive?

790
00:39:55,995 --> 00:39:58,463
I've always been valued for my beauty.

791
00:39:58,663 --> 00:40:01,134
And more times than not,

792
00:40:01,334 --> 00:40:02,902
nothing else.

793
00:40:03,102 --> 00:40:05,905
But now the only bed I
can find any power in

794
00:40:06,105 --> 00:40:08,141
is this hospital bed.

795
00:40:08,341 --> 00:40:11,476
Well, why don't you free
yourself from all this?

796
00:40:11,676 --> 00:40:13,713
Tell 'em you're too ill to continue.

797
00:40:13,913 --> 00:40:15,380
Let them recast the role.

798
00:40:15,580 --> 00:40:17,717
Oh, they've already tried. I know that.

799
00:40:17,917 --> 00:40:21,019
They've gone out to Loretta
Young, to Stanwyck.

800
00:40:21,219 --> 00:40:23,856
Both dear friends of mine. No,
there isn't an actress in town

801
00:40:24,056 --> 00:40:26,492
who would take food out of my mouth.

802
00:40:26,692 --> 00:40:28,728
That's because most of them don't eat.

803
00:40:30,363 --> 00:40:33,098
Don't fool yourself, Joanie.

804
00:40:34,132 --> 00:40:36,269
You watch and see, George.

805
00:40:36,469 --> 00:40:38,938
Next week at this time,

806
00:40:39,138 --> 00:40:42,208
that picture will be canceled,

807
00:40:42,408 --> 00:40:45,777
and Joan Crawford will make a sudden

808
00:40:45,977 --> 00:40:49,415
and remarkable recovery.

809
00:40:53,986 --> 00:40:56,688
Tell Zanuck no. Absolutely not!

810
00:40:56,888 --> 00:40:59,025
I am not going to do
this slice of Americana

811
00:40:59,225 --> 00:41:01,427
with the very British Miss Vivien Leigh.

812
00:41:01,627 --> 00:41:03,528
Who would believe her
as a Southern belle?

813
00:41:03,728 --> 00:41:04,797
She played Scarlett O'Hara.

814
00:41:04,997 --> 00:41:06,431
Unconvincingly.

815
00:41:06,631 --> 00:41:07,867
Do you want to make this movie, Bette,

816
00:41:08,067 --> 00:41:10,235
- or don't you?
- I don't want to just make it.

817
00:41:10,435 --> 00:41:12,405
I want to make it properly.
And it's got to be

818
00:41:12,605 --> 00:41:14,474
someone I can work with.
Someone I trust.

819
00:41:14,674 --> 00:41:17,275
Someone who's right
for the goddamn part.

820
00:41:17,475 --> 00:41:18,875
Now call her!

821
00:41:21,614 --> 00:41:23,248
Darlings,

822
00:41:23,448 --> 00:41:25,818
I'm so flattered you thought about me.

823
00:41:26,018 --> 00:41:27,652
But it's impossible.

824
00:41:27,852 --> 00:41:30,990
I've only just aired out my
Swiss chalet for the season.

825
00:41:31,190 --> 00:41:35,594
And, besides, I've done my
turn at Grand Guignol already.

826
00:41:35,794 --> 00:41:37,929
♪
♪

827
00:41:38,129 --> 00:41:39,331
<i>Help!</i>

828
00:41:39,531 --> 00:41:40,833
Please help!

829
00:41:41,033 --> 00:41:44,436
I'm trapped in a small private elevator!

830
00:41:44,636 --> 00:41:48,608
The whole experience just left
me feeling... humiliated,

831
00:41:48,808 --> 00:41:50,275
and I'd rather not repeat it.

832
00:41:50,475 --> 00:41:52,777
<i>Oh, no, Olivia. This
is completely different.</i>

833
00:41:52,977 --> 00:41:54,514
This time you're not the victim.

834
00:41:54,714 --> 00:41:56,481
You'd be the villainess.

835
00:41:56,681 --> 00:41:58,483
<i>Oh, no. I don't do bitches.</i>

836
00:41:58,683 --> 00:42:00,652
<i>They make me so unhappy.</i>

837
00:42:00,852 --> 00:42:02,855
You should call my sister.

838
00:42:05,156 --> 00:42:06,291
<i>So you can imagine my surprise</i>

839
00:42:06,491 --> 00:42:09,128
two days later when I opened my door

840
00:42:09,328 --> 00:42:12,130
to a very disheveled Mr. Robert Aldrich.

841
00:42:12,330 --> 00:42:15,434
He had taken three planes, a train,

842
00:42:15,634 --> 00:42:19,304
a taxi up a goat trail,
just to get to see me.

843
00:42:19,504 --> 00:42:21,507
So of course I heard him out.

844
00:42:21,707 --> 00:42:24,342
And, what do you know, he
had a very different image

845
00:42:24,542 --> 00:42:27,379
for Cousin Miriam.

846
00:42:34,819 --> 00:42:36,621
<i>News from Tinseltown!</i>

847
00:42:36,821 --> 00:42:39,791
<i>It looks like 20th Century
Fox's beleaguered production,</i>

848
00:42:39,991 --> 00:42:42,695
Hush... Hush, Sweet
Charlotte<i> is back on again.</i>

849
00:42:42,895 --> 00:42:45,364
<i>The studio is saying
bye-bye, Joan Crawford,</i>

850
00:42:45,564 --> 00:42:47,867
<i>and hello to Miss Olivia de Havilland!</i>

851
00:42:48,067 --> 00:42:50,302
<i>- Miss de Havilland, another two-time</i>
- They can't do that.

852
00:42:50,502 --> 00:42:52,838
<i>Academy Award-winning actress,</i>

853
00:42:53,038 --> 00:42:55,407
<i>- joins her old pal, Bette Davis.</i>
- No!

854
00:42:55,607 --> 00:42:58,262
<i>The pair last worked together
in 1942 on</i> In This Our Life.

855
00:42:58,462 --> 00:42:59,244
No! No!

856
00:42:59,444 --> 00:43:01,079
<i>They played sisters whose
lives are destroyed...</i>

857
00:43:01,279 --> 00:43:03,216
Oh, no!

858
00:43:10,055 --> 00:43:13,592
No! No.

859
00:43:13,792 --> 00:43:16,061
Wait, what are you doing?

860
00:43:16,261 --> 00:43:18,231
- Mamacita.
- Leaving.

861
00:43:18,431 --> 00:43:21,233
I told you the next time you
throw something at my head,

862
00:43:21,433 --> 00:43:22,668
I leave.

863
00:43:22,868 --> 00:43:23,902
Now I leave.

864
00:43:24,102 --> 00:43:26,204
No! No, wait!

865
00:43:26,404 --> 00:43:28,440
No. Mamacita, wait!

866
00:43:28,640 --> 00:43:30,041
Please.

867
00:43:30,241 --> 00:43:33,878
You can't leave me now!

868
00:43:34,078 --> 00:43:35,947
Not after what they've done to me.

869
00:43:36,147 --> 00:43:37,617
You have done this to yourself.

870
00:43:37,817 --> 00:43:39,552
No!

871
00:43:39,752 --> 00:43:42,054
♪<i> Hush, hush, sweet Charlotte</i> ♪

872
00:43:42,254 --> 00:43:44,289
No!

873
00:43:44,489 --> 00:43:46,291
♪<i> Charlotte</i> ♪

874
00:43:46,491 --> 00:43:50,295
♪<i> Don't you cry</i> ♪

875
00:43:50,495 --> 00:43:55,934
♪<i> Hush, hush, sweet Charlotte</i> ♪

876
00:43:56,134 --> 00:43:59,938
♪<i> He'll love you till he dies</i> ♪

877
00:44:00,138 --> 00:44:01,539
Livvie!

878
00:44:01,739 --> 00:44:04,409
♪<i> Oh, hold him, darling</i> ♪

879
00:44:04,609 --> 00:44:07,813
- ♪<i> Please hold him tight</i> ♪
- Livvie! Oh, my darling.

880
00:44:08,013 --> 00:44:09,382
♪<i> And brush the tear from your eye</i> ♪

881
00:44:09,582 --> 00:44:10,949
<i>And do you feel guilty at all</i>

882
00:44:11,149 --> 00:44:12,717
<i>about ending Joan Crawford's career?</i>

883
00:44:12,917 --> 00:44:16,422
Time did that all on its own.

884
00:44:17,422 --> 00:44:19,391
As it does to us all.

885
00:44:19,591 --> 00:44:24,230
♪<i> You dreamed that he said good-bye</i> ♪

886
00:44:24,430 --> 00:44:29,568
♪<i> Hush, hush, sweet Charlotte</i> ♪

887
00:44:29,768 --> 00:44:32,570
♪<i> He'll love you</i> ♪

888
00:44:32,770 --> 00:44:38,411
♪<i> Till he dies.</i> ♪

889
00:44:38,611 --> 00:44:40,613
♪ ♪

890
00:44:42,773 --> 00:44:45,500
- sync and corrections by Mr. C -
- www.addic7ed.com


