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Documentary director Katsura Arakawa

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Recorded since 2006

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The daily life of animated film master Hayao Miyazaki

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as usual

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Hayao Miyazaki arrived at his personal studio at 10 a.m.

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good morning

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His day begins with a strange ritual

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good morning

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But there's no one in the studio

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Mr. Miyazaki, who are you greeting?

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people who live here

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people who live here

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yes

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Don't know who they are but they live here

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Hayao Miyazaki's last film "Howl's Moving Castle"

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2 years have passed

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Hayao Miyazaki alone in his personal studio

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Planning the next film

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Preparations for the film are about to begin

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He allowed us to document his creative process

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But it can only be shot by Arakawa alone

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Hayao Miyazaki’s daily work and life are very regular

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First make a cup of coffee

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and then with an assistant

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Move the wooden bench to the front of the studio

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The trap is set

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That old lady didn't come today

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Can't hang around here anymore

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It doesn’t look that good now

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Hayao Miyazaki started drawing, but it wasn't the original manuscript for his next movie

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But for his favorite

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Cartoons drawn from British Children's Book Exhibition

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This is not a job, it is a hobby

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Soon he found something new to do

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Click this?

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Do you want to put it on the car now?

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Hayao Miyazaki decided to install a camera in his car

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I want to record the scenery I see every day

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I want to learn from the daily scenery I see every day

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Discover the extraordinary side

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So excited

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It would be nice to lower the lens a little lower. All I can capture now is the sky.

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I want to take the images I want

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he tried again

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I can't stay in front of my desk and create.

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Most of my inspiration comes from places unrelated to work

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I recorded this just for fun

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A day has passed and there is no progress on the new movie.

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In his studio, among the dozens of sketches on the wall

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There is an interesting little painting called "Ponyo"

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How are you preparing for the new movie?

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Still on hold

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No time to worry about it now

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no time at all

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What am I worried about?

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2 weeks have passed and there is no progress on the new movie

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He came to the animation studio

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It only takes 3 minutes to walk from his personal studio to here

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Production on another movie comes to an end

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They are deciding on the color scheme

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The film was directed by Hayao Miyazaki's eldest son Goro

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He ignored his father's objections

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Directed his first animated film

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are you still alive

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I came to meet my friends, but when I saw Goro, I ran away.

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Hope they finish it soon

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Don't you guys meet each other?

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It's better not to interfere with him

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why

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Because he always makes me feel uncomfortable

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I'm not a particularly mature person

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In early May, Hayao Miyazaki finally started work

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Here it comes

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2 production team members

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Visited Hayao Miyazaki’s personal studio

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They started working on a new movie

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Kondo's job is to give life to the characters

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Yoshida is responsible for animation background

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They are the preliminary preparation team

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Once you have a framework, you need to start creating based on it.

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Pressure is our motivation

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Hayao Miyazaki reveals plot for new movie

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The film is mainly about a human-faced fish named Ponyo.

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After being washed ashore, he was rescued by a boy named Sosuke.

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Ponyo likes Sosuke

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this is the key

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This is Ponyo, a human-faced fish

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5-year-old Zongsuke is another protagonist

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The story of this movie is set at sea

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Specific details remain to be added

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But I hope the overall style of the movie is happy

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At present, Miyazaki still doesn’t know how the story will unfold.

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He began to paint a single original painting

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Animated films usually start with a script

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But Hayao Miyazaki’s movies start from original paintings

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This is the secret of Hayao Miyazaki's movies

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This is a concept image from Hayao Miyazaki's movie "Spirited Away"

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in concept map

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Hayao Miyazaki strives to push the boundaries of imagination

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Find the most attractive images

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No constraints of script

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Hayao Miyazaki has great creative freedom

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Hayao Miyazaki is trying to challenge the limits

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He drew a boat drifting in the waves

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The first attempt quickly failed

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There is no show today. If you shoot, it will be in vain.

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Don’t think you can always get what you want

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I'm sleepy. I'm going to take a nap.

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You go to sleep

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Concept drawings bring his genius imagination to life

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Translated into core concepts in the film

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he thinks

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Creating is like hanging a fishing line from your brain

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Hayao Miyazaki wakes up

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I don't know. I'm a little stuck.

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This morning I thought I had the beginning figured out

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But now I'm starting to hesitate again

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Maybe we should start with Sousuke.

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But I want a shot of Ponyo sticking her head in the bottle

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Hayao Miyazaki can't decide how to open the show

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It is easier to understand starting with the daily life of a boy

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It's fun to start with Ponyo

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But the audience may not understand

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I should probably start with Sousuke.

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I'm actually not interested in traditional openings

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Simple and easy-to-understand movies are boring

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If you want a logical storyline, you have to sacrifice creativity.

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I want to break the rules

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Children can understand, they are not logical.

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It should be fun to open with a swarm of jellyfish

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Just like a science fiction movie

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like this

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Ponyo is right here

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She doesn't belong here

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Hayao Miyazaki still listened to his instincts

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The fantasy scene with Ponyo as the protagonist became the first scene of the film

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The next morning, when Arakawa came to the studio

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The first concept drawing is almost complete

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You can tell from the opening scene that this is no ordinary movie

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This is a funny picture of Ponyo riding a giant jellyfish

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Because of this concept map, more inspiration began to emerge

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Next he drew a boat

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One morning a fishing boat roared in

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Ponyo was awakened by the sound of fishing boats

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But 3 days later

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This is wrong, it's not like this

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Not that simple

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He rejected the idea

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Wrong

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Back to where we started

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Film production resumes

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Hayao Tomisaki works amid doubt and anxiety

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How can we make the story

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Capture the audience's heart from the beginning

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how are you

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Not bad

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Producer Toshio Suzuki came to visit

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He has worked with Hayao Miyazaki for more than 30 years

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He looked at the large group

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Jellyfish opening

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This opening is quite strange.

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i like

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Really?

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It’s good to start from the sea

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The producers said so, it must be true

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Then use this

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use it as an opening

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You see, Suzuki is fascinated.

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Even if it’s just a concept drawing

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As long as the audience finds it interesting

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If it makes people feel bored, that's the end of it.

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Preparations have been going on for 3 weeks

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Hayao Miyazaki's collection of concept images takes shape

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This is the scene where Zongsuke and Ponyo go to the Undersea City

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This is Ponyo's mysterious father

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But Hayao Miyazaki is still depressed

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Still can't finalize it, I feel like I'm drifting

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Hayao Miyazaki wants to be in the new work

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create something new

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Since first directing a film

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Hayao Miyazaki is known for his detailed images

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Astonish the whole world

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Hayao Miyazaki's extraordinary skill and artistry

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Popular videos in 2001

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Reaching the pinnacle in "Spirited Away"

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but a trip to england

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Let him be deeply inspired

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He was visiting Tate Britain

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Pre-Raphaelite paintings on display in the museum

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made him stop

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Especially a painting called Ophelia

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He was shocked by the artist's attention to detail

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Shocked by the brightness and darkness of the picture with the light

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subtle changes

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My paintings are incomparable compared to theirs.

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I'm really shocked

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That's when I understood

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Our animation style can no longer be so static

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All along, we have actually realized

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This won't work

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He put a lot of effort into polishing the visual effects of his work

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He must step out of his familiar territory, but where is the way?

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No

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I know this won't work

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Talent will be exhausted in the day-to-day work

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Inspiration is the most important thing

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I don't know what I did wrong

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Hayao Miyazaki always adheres to a creed when making movies

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We must create sincerely and not be pretentious.

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Although we create entertainment films

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But whether you want it or not

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All works reflect the creator’s thoughts

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This is unavoidable

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If you are not true to your heart when creating, you will regret it in the end.

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Then I won't be able to create movies anymore

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thank you

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This thing is so heavy. She helped me a lot.

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Grandpa’s beard is so beautiful

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Thank you for drawing "Howl's Moving Castle"

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you're welcome

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That night, Miyazaki put the concept drawing aside

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Turn to other works

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As if he wanted to cheer himself up

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He played Wagner's "Ride of the Valkyrie"

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Hayao Miyazaki wrote a few words to the staff about this new film

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We must be realists who never give up on our ideals

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There are so many realists without dreams

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This kind of person is the worst

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I don't want our team to be like that

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Many friends who share the same beliefs as Hayao Miyazaki

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Already left the studio

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The burden of age is beginning to show on him

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His grip strength is only half what it was when he was younger

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He therefore had to use softer pencils

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I feel inadequate every day

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It takes a long time to do things now

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There's nothing we can do about it

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There is no need to keep this matter in mind

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Hayao Miyazaki wrote this in his notes when creating a new movie

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"I'm too detail oriented"

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"It's time to try a more rustic style"

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It's sunny today

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The world is still so beautiful

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Hayao Miyazaki begins production of key scenes

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Concept illustration of a large tsunami scene

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will form the core of the film

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Is it too much?

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This is the scene where Ponyo stands on the big fish

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He did not draw the tsunami scene

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Instead, a group of strange fish were used to show the power of the tsunami.

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He said this would be the climax of the film

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Ponyo and Zongsuke will reunite here

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The scary Ponyo rushing towards Sousuke

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Is that okay?

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Where did this inspiration come from?

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I probably thought of it after listening to "Ride of the Valkyrie"

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Hayao Miyazaki pulls out a set of old color powder sticks

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He had never drawn with pastel sticks before

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Which one to use?

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A little excited

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This color is not showy enough

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He's trying to make simple animations

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- It looks different. - That's interesting.

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It's a bit scary. What a strange painting.

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Use a pencil

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He traced the edges with a pencil

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I have to make the picture simple.

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I could add shadows and highlights, but I don't want to do that

269
00:27:11,350 --> 00:27:13,450
That will become the old style again

270
00:27:16,820 --> 00:27:18,790
I don't want to make movies like that again.

271
00:27:19,260 --> 00:27:22,390
Although I don’t hate it, I don’t want to follow the same old path with this movie.

272
00:27:27,060 --> 00:27:29,430
So scary. No, it's cute.

273
00:27:30,170 --> 00:27:32,340
Hope this mix will work well

274
00:27:32,640 --> 00:27:33,940
Let's find a good place to stick it up

275
00:27:45,420 --> 00:27:49,620
Pictures without shadows and highlights look a bit monotonous

276
00:27:50,350 --> 00:27:53,590
Hayao Miyazaki decided to bet on returning to nature

277
00:27:57,090 --> 00:27:59,560
He named it "Ponyo is Coming"

278
00:28:04,900 --> 00:28:06,540
How would the production team evaluate the painting?

279
00:28:12,510 --> 00:28:13,310
over there

280
00:28:13,910 --> 00:28:15,310
Oh my god

281
00:28:16,010 --> 00:28:17,250
you found the answer

282
00:28:32,330 --> 00:28:34,600
I don’t know how it was drawn.

283
00:28:35,430 --> 00:28:36,530
Don't know

284
00:28:42,740 --> 00:28:45,510
Creating simple yet gripping animations is no easy task

285
00:28:45,780 --> 00:28:49,080
This means creating new techniques from scratch

286
00:28:50,480 --> 00:28:52,720
The essence of this movie is that painting

287
00:28:56,620 --> 00:29:01,020
Although I have drawn so many, they are all appearances.

288
00:29:01,160 --> 00:29:02,860
That painting is the essence of the movie

289
00:29:03,660 --> 00:29:06,330
I finally made a final drawing for the movie

290
00:29:08,830 --> 00:29:11,470
This is a painting that challenges the limits of imagination

291
00:29:12,470 --> 00:29:15,040
This is the first original painting of the movie

292
00:29:19,810 --> 00:29:22,750
Hayao Miyazaki seems to have broken free of his shackles

293
00:29:31,420 --> 00:29:34,120
Simple lines reveal warmth

294
00:29:40,900 --> 00:29:42,400
a bit strange

295
00:29:47,170 --> 00:29:50,070
Concept drawing work is progressing rapidly

296
00:30:01,650 --> 00:30:05,590
Hayao Miyazaki goes to a preview of his son's first film

297
00:30:18,800 --> 00:30:21,540
The animator looks restless

298
00:30:28,280 --> 00:30:30,180
His son Wulang came to the venue

299
00:30:35,890 --> 00:30:37,950
Come on let's go in

300
00:30:39,590 --> 00:30:43,230
Color designer Michio Yasuda, who has worked with Hayao Miyazaki for many years

301
00:30:43,390 --> 00:30:44,530
Introduce him to the venue

302
00:31:03,150 --> 00:31:06,780
Hayao Miyazaki once objected to his son directing this film

303
00:31:13,020 --> 00:31:16,030
Goro has never participated in the production of an animated film before

304
00:31:16,230 --> 00:31:18,730
Dad doesn't think he's ready yet

305
00:31:22,800 --> 00:31:27,300
Without further ado, the preview will begin soon

306
00:31:27,800 --> 00:31:32,010
Please enjoy director Goro Miyazaki's debut film "Earthsea"

307
00:32:00,770 --> 00:32:04,010
An hour after the screening started, Hayao Miyazaki suddenly walked out

308
00:32:06,910 --> 00:32:09,040
You shouldn't make a film based on personal feelings

309
00:32:15,320 --> 00:32:18,490
son's movie

310
00:32:18,490 --> 00:32:20,220
Nods to his father’s films abound

311
00:32:25,530 --> 00:32:26,900
The veteran film director

312
00:32:26,930 --> 00:32:30,530
In the past, I focused on work and rarely spent time with my children.

313
00:32:33,800 --> 00:32:36,510
Wu Lang’s contact with his father when he was growing up

314
00:32:36,570 --> 00:32:39,540
Mainly by watching my father’s movies

315
00:32:42,210 --> 00:32:43,880
I feel like I've been sitting there for 3 hours

316
00:32:50,150 --> 00:32:51,420
let's go back

317
00:33:25,960 --> 00:33:29,430
Golang's film is very philosophical, don't you think?

318
00:33:55,650 --> 00:33:56,720
what do you want to ask

319
00:33:58,890 --> 00:34:00,490
Can you tell me your thoughts about the film?

320
00:34:07,700 --> 00:34:09,460
I'm looking after my child

321
00:34:11,230 --> 00:34:12,230
your child

322
00:34:16,510 --> 00:34:17,740
he hasn't grown up yet

323
00:34:23,680 --> 00:34:24,650
That's it

324
00:34:33,290 --> 00:34:35,190
"Want to be a film director

325
00:34:35,220 --> 00:34:38,330
You must be prepared to devote your life to it."

326
00:34:42,030 --> 00:34:45,970
Golang insisted on directing this film despite his father's objections.

327
00:34:50,340 --> 00:34:52,610
Hayao Miyazaki sent a message to his son

328
00:34:53,080 --> 00:34:55,510
He said "very sincere and great"

329
00:35:05,760 --> 00:35:08,820
"Not bad for a debut film" is an insult.

330
00:35:10,590 --> 00:35:13,100
You must be determined to change the world with movies

331
00:35:14,130 --> 00:35:15,600
Even if nothing changes

332
00:35:16,930 --> 00:35:21,940
This is what it means to be a filmmaker

333
00:35:24,370 --> 00:35:26,410
Wu Lang's movie has been successfully released

334
00:35:26,640 --> 00:35:29,010
Now it's Hayao Miyazaki's turn to be tested

335
00:35:34,180 --> 00:35:36,820
In 3 weeks, Studio Ghibli will start

336
00:35:36,820 --> 00:35:39,620
important animation work

337
00:35:46,800 --> 00:35:47,860
a few days later

338
00:35:51,370 --> 00:35:54,340
Hayao Miyazaki comes to the Seto Inland Sea

339
00:36:04,310 --> 00:36:06,080
Film preparations nearing completion

340
00:36:06,120 --> 00:36:07,980
He began a life of isolation

341
00:36:16,360 --> 00:36:19,630
He will stay at a friend's beach house for a week

342
00:36:28,770 --> 00:36:31,410
Hello I'm back

343
00:36:32,880 --> 00:36:33,680
welcome back

344
00:36:36,710 --> 00:36:37,810
I miss you so much

345
00:36:40,120 --> 00:36:42,820
Hayao Miyazaki likes the sea view here

346
00:36:51,190 --> 00:36:53,800
He went out for a walk before the sun went down.

347
00:36:57,830 --> 00:36:59,270
It's great to meet you

348
00:37:01,770 --> 00:37:05,970
I thought it was you

349
00:37:06,180 --> 00:37:09,380
Hayao Miyazaki knows many locals

350
00:37:19,860 --> 00:37:23,860
He buys groceries, cooks and does the laundry himself

351
00:37:49,690 --> 00:37:53,790
At home, my wife won't let me eat this, saying it contains too much salt.

352
00:37:56,360 --> 00:37:59,060
Hayao Miyazaki cherishes this loneliness

353
00:38:23,320 --> 00:38:24,320
So salty

354
00:38:25,120 --> 00:38:25,720
OK

355
00:38:34,360 --> 00:38:35,600
Day 2 Arakawa

356
00:38:35,630 --> 00:38:37,400
Trying to film Hayao Miyazaki

357
00:38:49,750 --> 00:38:51,810
Stop filming. This is not work.

358
00:38:53,480 --> 00:38:56,290
Isn't this work?

359
00:39:08,300 --> 00:39:11,270
Hayao Miyazaki is not in the mood for filming today

360
00:39:11,470 --> 00:39:13,540
Don't shoot today

361
00:39:18,810 --> 00:39:21,280
As the animation production stage approaches

362
00:39:21,440 --> 00:39:24,310
Hayao Miyazaki begins to try his best

363
00:39:34,760 --> 00:39:36,790
He keeps looking for the seascape he likes

364
00:39:49,570 --> 00:39:52,510
Growing impatient with Arakawa's camera

365
00:39:56,850 --> 00:40:00,280
Don't you know sometimes someone wants to be alone?

366
00:40:00,720 --> 00:40:05,590
Photographers should consider how to shoot at such times.

367
00:40:06,490 --> 00:40:07,320
That's right

368
00:40:07,460 --> 00:40:09,960
You always ask me what I think

369
00:40:13,360 --> 00:40:17,030
That night, Arakawa visited again

370
00:40:20,370 --> 00:40:23,410
Mr. Miyazaki, can you interrupt me for a few minutes?

371
00:40:32,750 --> 00:40:34,120
What's going on

372
00:40:34,780 --> 00:40:38,090
I have another question

373
00:40:38,590 --> 00:40:47,260
Does making a movie necessarily require time alone?

374
00:40:47,830 --> 00:40:50,830
How do I know? Everyone is different.

375
00:40:57,310 --> 00:41:01,310
I have a bad temper, but this is who I am

376
00:41:03,550 --> 00:41:05,750
I want to immerse myself in my own world

377
00:41:07,820 --> 00:41:09,750
But this would be unacceptable to society

378
00:41:09,790 --> 00:41:11,990
That's why I put a smile on my face

379
00:41:16,390 --> 00:41:17,830
Everyone feels this way, right?

380
00:41:18,730 --> 00:41:23,700
Why do you have to smile when you are creating?

381
00:41:25,070 --> 00:41:26,940
The movie was created at a time like this

382
00:41:32,510 --> 00:41:34,910
The more immersed I am in creating, the more irritable I become.

383
00:41:41,220 --> 00:41:43,490
Okay, that's it.

384
00:42:03,970 --> 00:42:06,780
Filmmaking enters next stage

385
00:42:12,520 --> 00:42:13,580
from today

386
00:42:13,620 --> 00:42:16,850
Hayao Miyazaki will create at animation studio

387
00:42:29,000 --> 00:42:32,370
His team has over 100 animators

388
00:42:34,940 --> 00:42:38,410
The animation production process will be long and arduous

389
00:42:43,150 --> 00:42:44,680
The foundation of team creation

390
00:42:44,710 --> 00:42:48,080
50 concept images drawn by Hayao Miyazaki

391
00:42:52,190 --> 00:42:54,990
This is the seed of a new movie

392
00:43:06,300 --> 00:43:09,570
Hayao Miyazaki goes to work without saying a word

393
00:43:13,540 --> 00:43:17,450
He storyboarded each scene with a pencil

394
00:43:23,520 --> 00:43:25,490
Everything revolves around him

395
00:43:30,730 --> 00:43:33,430
Hayao Miyazaki's expression changed

396
00:43:38,630 --> 00:43:42,900
This is the expression of the artist challenging the limits

397
00:43:51,150 --> 00:43:52,010
Wrong

398
00:44:09,770 --> 00:44:10,770
Not going well

399
00:44:17,740 --> 00:44:26,210
This time we want to try a new style

400
00:44:26,480 --> 00:44:30,650
So he is more nervous than before

401
00:44:32,420 --> 00:44:34,860
but it's worth it

402
00:44:35,360 --> 00:44:42,430
It's normal for him to be more anxious than usual

403
00:44:46,270 --> 00:44:56,140
He seems to be boiling in another way

404
00:44:56,250 --> 00:45:01,120
There will always be thoughts in his mind

405
00:45:01,520 --> 00:45:07,790
Weird and even crazy ideas

406
00:45:11,630 --> 00:45:13,860
That's it for today. Goodbye.

407
00:45:31,310 --> 00:45:35,550
After 11 months of creation, one frame of animation was finally completed

408
00:45:39,420 --> 00:45:44,130
Ponyo riding a jellyfish is the first picture drawn by Hayao Miyazaki

409
00:45:48,130 --> 00:45:50,870
This movie was released in 2008

410
00:45:51,130 --> 00:45:53,540
and received wide acclaim

411
00:45:56,470 --> 00:45:59,540
Hayao Miyazaki's solo exploration continues

412
00:46:17,660 --> 00:46:24,600
Hayao Miyazaki has made many different types of movies

413
00:46:25,500 --> 00:46:31,710
The most popular character is Totoro

414
00:46:31,970 --> 00:46:36,610
No character can surpass My Neighbor Totoro

415
00:46:37,110 --> 00:46:39,750
This troubled him very much

416
00:46:40,650 --> 00:46:43,690
"My Neighbor Totoro" is Hayao Miyazaki's imaginary enemy

417
00:46:44,290 --> 00:46:48,260
He really wanted to create a character beyond Totoro

418
00:46:48,460 --> 00:46:52,630
So the birth of Ponyo went through countless reinventions.

419
00:46:52,630 --> 00:46:54,760
It takes a lot of time

420
00:46:55,430 --> 00:46:57,620
I remember this very clearly

421
00:46:57,770 --> 00:47:00,940
He locked himself in a borrowed room

422
00:47:00,970 --> 00:47:04,240
Devote yourself to preparation

423
00:47:04,640 --> 00:47:07,980
I think everyone is like this

424
00:47:08,210 --> 00:47:13,650
Stay in the same environment all the time

425
00:47:13,780 --> 00:47:17,150
It is difficult to generate new inspiration

426
00:47:17,400 --> 00:47:23,610
This is why travel inspires

427
00:47:28,200 --> 00:47:32,870
We agreed to be photographed but on one condition

428
00:47:33,140 --> 00:47:36,540
Only one person can shoot, not the crew

429
00:47:37,040 --> 00:47:40,040
The TV station agreed and the filming started like this

430
00:47:40,480 --> 00:47:44,010
Director Arakawa is very special

431
00:47:44,850 --> 00:47:47,250
It's like he can eliminate his own breath

432
00:47:47,750 --> 00:47:49,420
Make people unaware of his presence

433
00:47:49,750 --> 00:47:51,150
So Miyazaki started chatting

434
00:47:51,320 --> 00:47:55,990
When he hits a creative block, he seeks help from others.

435
00:47:56,190 --> 00:47:59,960
He will also ask Arakawa’s opinion

436
00:48:00,200 --> 00:48:04,330
Arakawa became a member of the studio

437
00:48:04,900 --> 00:48:09,440
When Hayao Miyazaki is really at his lowest point, the camera will make him irritated

438
00:48:09,710 --> 00:48:13,370
So he would let Arakawa go out

439
00:48:13,540 --> 00:48:16,580
Even in that situation, Arakawa still insisted on filming

440
00:48:16,680 --> 00:48:18,180
Really awesome

441
00:48:18,510 --> 00:48:24,720
For foreign Ghibli fans

442
00:48:24,790 --> 00:48:29,060
This documentary can also be considered a behind-the-scenes featurette

443
00:48:29,110 --> 00:48:31,840
If this documentary can give fans a deeper understanding of the creative process

444
00:48:31,890 --> 00:48:34,960
I would be very happy and honored