1 00:00:56,083 --> 00:00:59,125 Hello. -Esteban, nice to see you again. 2 00:00:59,791 --> 00:01:03,416 Shall I take your coat? -I'd rather keep him with me. 3 00:01:03,583 --> 00:01:07,125 I'll take you to your table. Come on. 4 00:01:08,208 --> 00:01:09,875 Here? -Shall I help? 5 00:01:10,041 --> 00:01:12,083 I prefer to keep this one here. 6 00:01:12,250 --> 00:01:15,875 Nice to see you again. -Thank you. 7 00:01:18,541 --> 00:01:23,666 What may it be? -Sparkling water with ice and lemon, please. 8 00:01:42,666 --> 00:01:44,666 Hello. -How are you? 9 00:01:44,833 --> 00:01:46,375 Fine. -Have you made a reservation? 10 00:01:46,500 --> 00:01:49,541 In the name of Esteban Martínez, I believe. 11 00:01:49,708 --> 00:01:52,541 Shall I take your coat? -Yes, just a moment. 12 00:01:52,708 --> 00:01:55,666 Your bag too? -Good. 13 00:01:56,333 --> 00:02:00,583 I'll take you to the table. This way, please. 14 00:02:02,333 --> 00:02:04,083 How are you? -Hello. 15 00:02:04,250 --> 00:02:07,000 How are you? -Good. 16 00:02:07,916 --> 00:02:10,750 How nice to see you. -I think so too. 17 00:02:11,333 --> 00:02:14,291 Beautiful place. -Yes? It's very... 18 00:02:14,458 --> 00:02:16,708 It's nice and quiet. 19 00:02:16,875 --> 00:02:20,375 I was here recently and I liked it. -Do you come here often? 20 00:02:20,500 --> 00:02:23,458 Actually... I just moved. 21 00:02:23,625 --> 00:02:25,083 Madam. -Hello. 22 00:02:25,250 --> 00:02:29,333 Welcome. Would you like something to drink? -A beer, please. 23 00:02:30,250 --> 00:02:31,583 Thank you. 24 00:02:32,083 --> 00:02:34,500 How are you? -Good. 25 00:02:34,666 --> 00:02:36,625 Very good. 26 00:02:36,791 --> 00:02:38,583 And with you? -Also good. 27 00:02:42,250 --> 00:02:43,500 Good... -What are we eating? 28 00:02:43,625 --> 00:02:46,708 The verdinas here are excellent. 29 00:02:46,875 --> 00:02:47,916 Okay. 30 00:02:48,750 --> 00:02:51,708 The fish seems tasty to me. -Do you like verdinas? 31 00:02:51,875 --> 00:02:53,166 Yes, too. 32 00:02:54,083 --> 00:02:55,916 I'm going to order that. -Fine. 33 00:02:56,166 --> 00:02:57,791 Do you already know? -Yes. 34 00:02:57,958 --> 00:02:59,750 What will it be? -Verdinas? 35 00:02:59,916 --> 00:03:01,250 Verdinas and the grouper. 36 00:03:01,416 --> 00:03:02,625 Perfect. -Thank you. 37 00:03:02,791 --> 00:03:05,333 Is that enough? 38 00:03:05,500 --> 00:03:06,541 I think so, yes. 39 00:03:07,333 --> 00:03:08,666 Thank you. 40 00:03:11,333 --> 00:03:14,541 You look good. -Well, thanks. 41 00:03:14,708 --> 00:03:18,208 It's also going very well. I'm fine, Emilia. 42 00:03:19,666 --> 00:03:22,083 You too? -Yes, I already said that. 43 00:03:22,708 --> 00:03:24,541 Have you just come from home? -Yes. 44 00:03:24,708 --> 00:03:27,708 Do you work every day? -From Tuesday to Sunday. 45 00:03:28,208 --> 00:03:31,708 And I work in a bar. 46 00:03:32,166 --> 00:03:36,750 But it's okay. I like it so far. 47 00:03:36,916 --> 00:03:39,083 Do they treat you well? -Yes. 48 00:03:40,000 --> 00:03:41,833 So... 49 00:03:42,000 --> 00:03:44,625 I work there, and it's okay. 50 00:03:44,791 --> 00:03:46,500 I'm doing well. 51 00:03:47,166 --> 00:03:49,500 Have you been back for two months now? 52 00:03:49,625 --> 00:03:52,083 Yes, I came back because... 53 00:03:52,250 --> 00:03:54,125 Also for personal reasons. 54 00:03:55,000 --> 00:04:00,541 I wanted to get away from New York. I didn't want to stay there any longer. 55 00:04:00,708 --> 00:04:03,833 I want my children... -Excuse me, Esteban. 56 00:04:04,000 --> 00:04:08,250 Unfortunately we have run out of verdinas. We have to change the entree. 57 00:04:10,000 --> 00:04:11,333 The map. 58 00:04:11,500 --> 00:04:14,708 Too bad, they were delicious -Sorry. 59 00:04:15,833 --> 00:04:18,333 There are shrimp... -Peas? 60 00:04:18,541 --> 00:04:20,041 What do you recommend? 61 00:04:20,791 --> 00:04:23,500 Umberfish tartare. -Perfect. 62 00:04:23,625 --> 00:04:25,500 Thank you. -Thank you. 63 00:04:26,000 --> 00:04:29,875 Where had I gone? Yes, my children. They are happy. 64 00:04:30,041 --> 00:04:32,291 And Alice is... 65 00:04:32,458 --> 00:04:35,333 As an editor she can work anywhere. 66 00:04:35,500 --> 00:04:40,625 I didn't know that. What does she edit? -She edits novels. 67 00:04:41,708 --> 00:04:44,375 She's... You have to meet her. 68 00:04:44,541 --> 00:04:49,583 She is really important in my life and my development. 69 00:04:51,750 --> 00:04:54,000 And you, are you in a relationship? -No. 70 00:04:55,083 --> 00:04:56,708 No relationship. 71 00:04:57,958 --> 00:05:03,166 I have a nice life. But I have no relationship, but a roommate. 72 00:05:04,791 --> 00:05:08,250 We've been friends for a long time. It's going well. 73 00:05:08,416 --> 00:05:13,000 Are you here for the movie or do you want to... Would you like to teach your children Spanish culture? 74 00:05:13,166 --> 00:05:17,041 Both a little. For the movie, because it takes place in Spain. 75 00:05:17,208 --> 00:05:21,250 I have to film here because of the subject. I'll tell you that later. 76 00:05:21,666 --> 00:05:27,333 But I also wanted to get out of there and going somewhere... Well, being here. 77 00:05:28,375 --> 00:05:30,333 Being at home... 78 00:05:30,875 --> 00:05:32,208 and... 79 00:05:32,625 --> 00:05:35,291 also be close to you. 80 00:05:38,583 --> 00:05:42,583 Glad you called to say you came. 81 00:05:42,750 --> 00:05:45,583 We haven't seen each other for a long time. -Thirteen years. 82 00:05:46,958 --> 00:05:49,625 That's very long. -Very long, yes. 83 00:05:53,416 --> 00:05:54,458 And... 84 00:05:54,916 --> 00:05:56,083 Nothing. 85 00:05:57,375 --> 00:06:02,791 You're probably wondering why I called. -I'm curious, yes. 86 00:06:02,958 --> 00:06:04,625 Listen. 87 00:06:04,791 --> 00:06:06,416 First of all... 88 00:06:07,250 --> 00:06:09,958 What do you know about the conflict? in Western Sahara? 89 00:06:10,125 --> 00:06:14,458 You've probably heard about that. -Is this an unexpected quiz? 90 00:06:14,625 --> 00:06:18,791 No, more of an introduction to the story that I want to tell. 91 00:06:18,958 --> 00:06:21,250 It's useful if you know something... 92 00:06:22,000 --> 00:06:25,125 of the context. -The Western Sahara? 93 00:06:25,291 --> 00:06:28,791 Well, Spain had colonized it... 94 00:06:28,958 --> 00:06:32,166 and we Spaniards have been there. I know little about it. 95 00:06:32,333 --> 00:06:36,458 After the Berlin conference they were assigned an area. 96 00:06:36,625 --> 00:06:42,416 At some point they left and left those people to their fate. 97 00:06:42,583 --> 00:06:45,041 In short, they have been abandoned. 98 00:06:45,208 --> 00:06:49,625 Now that we've set the context, I'll tell you about the movie. 99 00:06:50,375 --> 00:06:51,583 Okay. 100 00:06:52,250 --> 00:06:54,083 The film is called Desierto. 101 00:06:55,291 --> 00:07:00,875 In this historical context The movie I want you to play is playing... 102 00:07:01,750 --> 00:07:02,791 submit. 103 00:07:04,041 --> 00:07:07,250 It's 1932. Spain is... 104 00:07:07,416 --> 00:07:12,333 a colonial power in the West Sahara. There is a fortress. 105 00:07:13,125 --> 00:07:17,958 There is a Spanish detachment there. Bernardo is the lieutenant of that detachment. 106 00:07:18,708 --> 00:07:20,958 He's from Madrid. 107 00:07:22,458 --> 00:07:25,791 A bond is created between this lieutenant... 108 00:07:25,958 --> 00:07:32,666 and Salek, who is a shepherd and leader of the Sahrawi tribe near the fort. 109 00:07:32,833 --> 00:07:37,500 They get to know each other and something happens a beautiful bond between them. 110 00:07:37,666 --> 00:07:39,291 Then Gabriela shows up. 111 00:07:40,750 --> 00:07:42,708 Gabriela is thirty years old. 112 00:07:42,875 --> 00:07:45,666 She's known since she was 20 that she is infertile. 113 00:07:45,833 --> 00:07:50,916 She met Bernardo at a party in a military academy... 114 00:07:51,250 --> 00:07:53,625 and six months later they were married. 115 00:07:53,791 --> 00:07:55,625 This is his second marriage. 116 00:07:55,791 --> 00:08:01,291 Gabriela sees it as an opportunity to escape... 117 00:08:01,458 --> 00:08:04,875 to that suffocating atmosphere in Madrid... 118 00:08:05,041 --> 00:08:09,416 and go on an adventure in the desert and to develop... 119 00:08:09,541 --> 00:08:11,500 as a woman, among other things. 120 00:08:12,000 --> 00:08:15,625 By the way, do you know Comet? 121 00:08:15,791 --> 00:08:17,833 Comet? The actor? -Yes. 122 00:08:18,000 --> 00:08:19,458 Not personally. 123 00:08:19,750 --> 00:08:23,416 He plays Bernardo, the Spanish lieutenant... 124 00:08:23,541 --> 00:08:27,708 and the man of your character, Gabriela, if you want the part. 125 00:08:27,875 --> 00:08:30,291 He's great. -Yes, he's very good. 126 00:08:30,458 --> 00:08:34,125 Then you have Captain Moraza and his wife Mercedes... 127 00:08:34,291 --> 00:08:36,958 played by Bárbara Luque and Raúl Oyarzún. 128 00:08:37,791 --> 00:08:39,958 Good enough for you? -What a cast. 129 00:08:40,875 --> 00:08:43,250 Indeed. It's a story... 130 00:08:44,750 --> 00:08:47,833 about betrayal, about abandonment. 131 00:08:49,208 --> 00:08:51,416 It's a love story. 132 00:08:51,541 --> 00:08:56,500 A story about people who love each other can't look him in the eye. 133 00:08:56,625 --> 00:09:01,666 We film in Fuerteventura. In Western Sahara it is impossible. 134 00:09:01,833 --> 00:09:04,750 Sorry, I'm a little... 135 00:09:06,166 --> 00:09:07,583 confused. 136 00:09:07,750 --> 00:09:11,833 It takes me by surprise for just suggesting this to me. 137 00:09:16,625 --> 00:09:19,250 A glass of red wine, please. 138 00:09:23,166 --> 00:09:24,708 Listen... 139 00:09:25,708 --> 00:09:26,916 Let me... 140 00:09:28,833 --> 00:09:30,958 say... Gosh, that's spicy. 141 00:09:31,958 --> 00:09:34,625 It's not spicy. -Yes. Never mind. 142 00:09:34,791 --> 00:09:37,666 It's not too bad, you know. -Listen... 143 00:09:37,833 --> 00:09:41,291 I've looked at a lot of your work. 144 00:09:41,458 --> 00:09:43,666 Your series, your films... -Seriously? 145 00:09:43,833 --> 00:09:45,333 Naturally. 146 00:09:47,208 --> 00:09:49,416 Archivos secretos, for example. 147 00:09:49,541 --> 00:09:52,083 You played a policewoman in it. 148 00:09:52,250 --> 00:09:57,083 I don't judge the series or movies, that's not what it's about right now. 149 00:09:57,250 --> 00:09:58,791 What I want to say... 150 00:09:59,791 --> 00:10:03,500 I find your approach very interesting. 151 00:10:03,666 --> 00:10:08,208 And it is especially difficult in that series to shine, because he is so bad. 152 00:10:08,375 --> 00:10:12,500 Everyone is doing their best but when the lyrics are so complicated... 153 00:10:12,666 --> 00:10:15,208 so contrived, mediocre... 154 00:10:15,375 --> 00:10:19,458 vague and inaccurate and everyone talks the same... 155 00:10:19,583 --> 00:10:25,083 to then find a glimmer of light a glimmer of truth, a glimmer... 156 00:10:25,250 --> 00:10:28,541 of the unpredictable, seems very difficult to me. 157 00:10:28,708 --> 00:10:31,375 You often succeed and... 158 00:10:32,041 --> 00:10:35,708 Really, I wouldn't lie about that. 159 00:10:35,875 --> 00:10:38,416 No, it's okay. -I'm serious. 160 00:10:39,250 --> 00:10:40,583 It's very... 161 00:10:40,750 --> 00:10:44,500 It also makes sense, given your background. 162 00:10:44,666 --> 00:10:47,958 As the daughter of an actress and a director. 163 00:10:48,125 --> 00:10:51,666 There's something in your DNA that works... 164 00:10:51,833 --> 00:10:54,625 that is alert and understands. 165 00:10:54,791 --> 00:10:58,125 I'm sorry haven't had the chance yet... 166 00:10:58,291 --> 00:11:02,000 to really show what I have at home. 167 00:11:02,166 --> 00:11:04,958 Light food enough, but not... 168 00:11:05,916 --> 00:11:11,625 I did work and of course things done, but I'm not proud of it. 169 00:11:11,791 --> 00:11:15,958 Unfortunately, I never have a character that is undergoing development 170 00:11:16,125 --> 00:11:19,791 or a character developed... 171 00:11:19,958 --> 00:11:24,083 with contradictions and its own identity... 172 00:11:25,125 --> 00:11:29,416 I try... If I get a role, I'm going all the way for it. 173 00:11:29,583 --> 00:11:32,125 Do you do auditions? You haven't done much. 174 00:11:32,291 --> 00:11:33,791 Quite a lot. 175 00:11:33,958 --> 00:11:36,125 Quite a lot of what? -Auditions. 176 00:11:40,083 --> 00:11:41,291 So... 177 00:11:42,375 --> 00:11:45,875 So I would like to make this film. 178 00:11:46,041 --> 00:11:47,500 And I'm going to do that too. 179 00:11:48,750 --> 00:11:53,208 It would be great if you got the role from Gabriela accepts. 180 00:11:54,291 --> 00:11:59,625 I think you'll do a great job and I believe I can help you. 181 00:12:00,916 --> 00:12:06,125 I would like that too, because I didn't help you. 182 00:12:08,000 --> 00:12:09,041 I mean... 183 00:12:12,625 --> 00:12:15,083 It would be nice if I could help you. 184 00:12:16,875 --> 00:12:18,833 But if you say yes... 185 00:12:19,916 --> 00:12:25,583 I will be hard and just as demanding are for you as for the rest. 186 00:12:25,750 --> 00:12:28,083 That's what I thought. -So not wrong. 187 00:12:28,500 --> 00:12:30,291 I didn't expect anything different. 188 00:12:31,625 --> 00:12:35,375 I know what you're capable of. 189 00:12:39,916 --> 00:12:42,875 I wanted to ask you one thing. 190 00:12:43,041 --> 00:12:46,500 Does the crew know... 191 00:12:48,541 --> 00:12:51,083 that you are my father? What do they know? 192 00:12:51,250 --> 00:12:56,625 They know what they need to know. But it won't be a problem. 193 00:12:56,791 --> 00:12:58,708 Maybe for me. 194 00:12:59,791 --> 00:13:02,458 You don't have to worry about that. 195 00:13:03,625 --> 00:13:06,125 I help you, my daughter, but... 196 00:13:06,916 --> 00:13:10,958 That doesn't mean I don't for the best actress for this role. 197 00:13:11,125 --> 00:13:14,791 I want you for the role and besides, you are my daughter. 198 00:13:14,958 --> 00:13:20,208 People always have their opinions ready. Some may indeed think... 199 00:13:20,375 --> 00:13:25,291 that I favor you. But what do we care? 200 00:13:25,458 --> 00:13:29,833 The most important thing is that we concentrate on work. 201 00:13:30,000 --> 00:13:32,500 We take it step by step... 202 00:13:32,666 --> 00:13:36,541 and everything will fit together and fall into place. 203 00:13:39,875 --> 00:13:41,833 I am really very grateful to you. 204 00:13:42,000 --> 00:13:45,541 But I want to think about it for a moment. 205 00:13:46,583 --> 00:13:51,750 You can imagine that this surprises me. I haven't seen you for a long time. 206 00:13:57,125 --> 00:14:02,375 I'm doing well now, but I want to think about it. 207 00:14:02,500 --> 00:14:05,500 It sounds great, but it has to sink in for a while. 208 00:14:12,250 --> 00:14:14,291 Have you finished your meal? 209 00:14:14,458 --> 00:14:17,416 Don't eat it if it's spicy. -Oh... 210 00:14:22,625 --> 00:14:26,625 Do you know what I should think about? To our lunch. 211 00:14:27,541 --> 00:14:28,708 On Formentera. 212 00:14:30,416 --> 00:14:33,375 I saw you eating like that and thought about it. 213 00:14:36,458 --> 00:14:38,208 It was fun back then, wasn't it? 214 00:14:39,083 --> 00:14:41,125 I didn't like your rice. 215 00:14:42,333 --> 00:14:44,250 That didn't work out well. 216 00:14:45,250 --> 00:14:50,583 I really didn't like it. -I wasn't able to cook then. 217 00:14:52,666 --> 00:14:54,375 But I tried. 218 00:14:59,250 --> 00:15:00,875 How is Charo? 219 00:15:04,166 --> 00:15:05,625 Good. Very good. 220 00:15:06,583 --> 00:15:07,833 Happy. 221 00:15:14,625 --> 00:15:17,500 Are you still going to the movies? Please say yes. 222 00:15:17,666 --> 00:15:22,083 Naturally. -Many people don't go anymore. Unfortunately. 223 00:15:22,250 --> 00:15:24,291 You're still going anyway. 224 00:15:27,416 --> 00:15:31,375 We can go together sometime. Does that seem like something to you? 225 00:15:31,791 --> 00:15:33,750 For me... 226 00:15:33,916 --> 00:15:38,416 is going to the movies with you one of the memories... 227 00:15:38,541 --> 00:15:42,041 of the few beautiful memories that I have. 228 00:15:43,500 --> 00:15:44,791 Beautiful. 229 00:15:52,541 --> 00:15:55,083 What? -Nothing. 230 00:15:55,250 --> 00:15:58,250 Yes. I see it. Have I hurt you? 231 00:15:58,416 --> 00:16:01,541 I'm glad you see it that way. 232 00:16:01,708 --> 00:16:02,958 Not you then? 233 00:16:03,583 --> 00:16:07,375 I think we remember that time remember differently. 234 00:16:07,541 --> 00:16:09,250 But that's normal. 235 00:16:13,583 --> 00:16:16,791 Won't you eat it? -I'm not hungry anymore. 236 00:16:25,625 --> 00:16:31,000 We can't talk any further if there are any ambiguities. 237 00:16:31,166 --> 00:16:33,708 Your response surprises me. 238 00:16:34,416 --> 00:16:38,666 It's nonsense. You talk about beautiful memories of us in the cinema. 239 00:16:38,833 --> 00:16:43,083 Apparently I don't have that, that's all. 240 00:16:45,666 --> 00:16:47,250 You do remember, right? 241 00:16:48,166 --> 00:16:50,750 What? -Kill Bill 2. 242 00:16:50,916 --> 00:16:53,708 Kill Bill 2? -Maybe you don't remember. 243 00:16:54,625 --> 00:16:57,333 Yes. -You came in drunk and high. 244 00:16:58,375 --> 00:16:59,708 Excuse me? High? 245 00:16:59,875 --> 00:17:02,708 You argued with boys before us. 246 00:17:05,250 --> 00:17:10,500 What are you saying? -You started fighting and we got kicked out. 247 00:17:10,666 --> 00:17:12,166 Don't you remember? 248 00:17:13,125 --> 00:17:17,500 We walked out of the Roxy and would together went to eat, but you had to leave. 249 00:17:17,625 --> 00:17:20,041 You gave me 50 euros for the taxi. 250 00:17:20,208 --> 00:17:24,000 I walked home to kill time... 251 00:17:24,166 --> 00:17:27,500 so I could say mom that we had eaten together... 252 00:17:27,625 --> 00:17:31,750 and she wouldn't blame me that I wanted to see you. 253 00:17:32,833 --> 00:17:34,541 I've got you covered. 254 00:17:36,958 --> 00:17:38,666 Are you ready? 255 00:17:41,208 --> 00:17:44,125 What do you want me to say? -Nothing. 256 00:17:44,291 --> 00:17:47,541 You blame me for... -I don't blame you. 257 00:17:47,708 --> 00:17:51,000 You wanted me to tell I don't blame you. 258 00:17:51,958 --> 00:17:56,875 It's true that we are at Kill Bill 2 and that I had to go to a friend... 259 00:17:57,041 --> 00:18:01,125 because otherwise there would be something wrong with him would expire. I had to go there. 260 00:18:01,291 --> 00:18:03,875 I came back and you were in the cinema. 261 00:18:04,041 --> 00:18:08,958 I put you in a taxi and she dropped you off at your mother's. 262 00:18:09,125 --> 00:18:09,916 Yes, yes. 263 00:18:10,083 --> 00:18:13,875 I wasn't high or drunk and I didn't hit anyone. 264 00:18:14,041 --> 00:18:18,375 Moreover, it was in the Palafox. -No, at the Roxy. 265 00:18:18,500 --> 00:18:23,291 It was at the Roxy. I dared I don't go there anymore because I was ashamed. 266 00:18:24,291 --> 00:18:25,833 My god. 267 00:18:26,000 --> 00:18:31,416 How old were you? 13 years? 12 years? What did you know about being high? 268 00:18:31,583 --> 00:18:33,666 I discovered that later. 269 00:18:35,333 --> 00:18:39,166 That's what they told you. -Now you have to stop. 270 00:18:39,333 --> 00:18:42,416 I don't know. -Now you really have to stop. Do you hear me? 271 00:18:47,125 --> 00:18:48,416 Goddammit. 272 00:18:49,375 --> 00:18:51,541 I know someone... 273 00:18:51,708 --> 00:18:55,500 who likes to make things out of her mind. -Now cut down. 274 00:18:55,625 --> 00:18:57,333 How do you get there? 275 00:18:57,791 --> 00:19:00,541 That's how it really happened. 276 00:19:00,708 --> 00:19:02,791 That's how I remember it. 277 00:19:02,958 --> 00:19:05,666 It's not true. Emilia, that's not possible. 278 00:19:05,833 --> 00:19:08,541 That never happened. You've been told. 279 00:19:08,708 --> 00:19:10,625 Let's stop talking about it. 280 00:19:12,375 --> 00:19:14,541 It wasn't like that. 281 00:19:14,708 --> 00:19:17,250 That's what they told you. -I'm going to smoke. 282 00:19:40,041 --> 00:19:41,416 Excuse me. 283 00:19:41,583 --> 00:19:44,625 We would love to take a selfie with you. 284 00:19:45,166 --> 00:19:46,875 Okay. -If possible. 285 00:19:47,041 --> 00:19:48,416 With you? 286 00:19:48,583 --> 00:19:51,666 Just tell me. 287 00:20:47,083 --> 00:20:49,583 I keep it on, I'm cold. -Okay. 288 00:20:52,625 --> 00:20:54,000 Sorry. 289 00:20:57,750 --> 00:21:00,041 Sorry, I didn't mean to... 290 00:21:02,791 --> 00:21:05,000 Should I let it heat up? -No. 291 00:21:05,166 --> 00:21:08,375 Sorry, this was not the intention. 292 00:21:08,500 --> 00:21:11,291 It's okay, I understand. 293 00:21:15,458 --> 00:21:17,333 Are you okay? -Yes. 294 00:21:27,083 --> 00:21:30,791 THE BELIEVED 295 00:21:35,333 --> 00:21:40,000 Now you haven't eaten. -That's okay, I'll eat at home. 296 00:21:40,166 --> 00:21:42,500 Do you have time to eat at the airport? 297 00:21:42,625 --> 00:21:45,041 I'll look. -Do you have a sandwich with you? 298 00:21:45,208 --> 00:21:48,541 I'll see, Mom. -Otherwise you can eat something there. 299 00:21:48,708 --> 00:21:52,666 Tell me tonight when I call you how is the hotel. 300 00:21:52,833 --> 00:21:55,333 Sorry, just call me when you have time. 301 00:21:56,583 --> 00:21:59,250 We'll see. -Yes, of course. 302 00:22:00,000 --> 00:22:02,458 Do you really mean that? -Yes. 303 00:22:02,583 --> 00:22:05,083 I shouldn't have said that. 304 00:22:05,250 --> 00:22:08,000 Even though I'm not allowed to read the script and call you. 305 00:22:08,166 --> 00:22:12,041 I knew you would say that. -Oh yes? 306 00:22:12,208 --> 00:22:15,291 I have become predictable. -For sure. 307 00:22:16,125 --> 00:22:18,375 You have to get off here. 308 00:22:19,125 --> 00:22:21,416 I don't think so. -Yes. You're blind, Mom. 309 00:22:22,208 --> 00:22:24,541 When will you get your glasses? 310 00:22:24,708 --> 00:22:27,125 When you come back, I'll have it. 311 00:22:28,416 --> 00:22:30,041 I have to get off here. 312 00:23:02,083 --> 00:23:03,750 Take care of yourself. 313 00:23:29,250 --> 00:23:30,791 Water, please. 314 00:23:39,291 --> 00:23:40,833 Get in. 315 00:23:42,125 --> 00:23:43,833 To ride. 316 00:24:12,291 --> 00:24:17,625 Attention, they're coming. Concentration. This is going to be the good one. 317 00:24:17,791 --> 00:24:20,500 Extras, don't look into the camera. 318 00:24:20,625 --> 00:24:22,250 10. The countdown. 319 00:24:22,416 --> 00:24:25,250 9, 8, 7... 320 00:24:30,791 --> 00:24:32,791 One. Here we go. 321 00:24:45,208 --> 00:24:46,083 Damn. 322 00:24:46,708 --> 00:24:49,375 Captain, what do you think? -He's French. 323 00:24:49,500 --> 00:24:51,666 What happened? -He was brought here. 324 00:24:55,083 --> 00:24:57,166 The plane was in Los Lobos. -Spanish area. 325 00:24:57,333 --> 00:24:59,875 In Spanish territory. -Yes, you said that. 326 00:25:00,041 --> 00:25:02,166 Cut the throat? -That's how we found him. 327 00:25:02,333 --> 00:25:04,291 We have to take him... -What... Damn. 328 00:25:04,458 --> 00:25:06,083 End mark. -Sorry. 329 00:25:06,250 --> 00:25:07,500 Don't worry. 330 00:25:07,666 --> 00:25:10,291 Silence, we're still filming. End mark. 331 00:25:10,458 --> 00:25:13,416 11 out of 3, first. -We stopped, thank you. 332 00:25:15,458 --> 00:25:17,208 Not necessary, thanks. 333 00:25:18,083 --> 00:25:19,375 Yes, thanks. 334 00:25:19,500 --> 00:25:21,458 Thanks, Miguel. 335 00:25:36,583 --> 00:25:39,500 It's okay, just a technical detail. 336 00:25:39,625 --> 00:25:44,375 When Bernardo turns to you, he looks at Mercedes first... 337 00:25:44,500 --> 00:25:49,291 then she says her lines and then we go to you. Say your lines a little later. 338 00:25:49,458 --> 00:25:51,500 I waited a little too long. 339 00:25:51,666 --> 00:25:54,208 No, I adapt. -I can wait. 340 00:25:54,375 --> 00:25:56,666 No, it's about focusing. 341 00:25:57,791 --> 00:26:01,083 Bernardo walks to Salek, hears the news, turns around... 342 00:26:01,250 --> 00:26:05,583 to Mercedes, we're focusing on her and then on you. 343 00:26:06,708 --> 00:26:09,750 No, say the text whenever you want. 344 00:26:09,916 --> 00:26:13,208 Malena, come a moment. One second. 345 00:26:13,375 --> 00:26:19,125 She just starts, even if she isn't sharp, and then we focus on her. 346 00:26:19,291 --> 00:26:20,916 That's not necessary. -Yes. 347 00:26:21,083 --> 00:26:22,916 Pablo, again. 348 00:26:23,500 --> 00:26:25,041 A detail. 349 00:26:25,208 --> 00:26:29,583 When you arrive, even if you are out of focus. look at the Sahrawi women... 350 00:26:29,750 --> 00:26:35,125 to their elegance, clothes, accessories. Gabriela is impressed. 351 00:26:35,291 --> 00:26:36,791 Despite the corpse? -Yes. 352 00:26:36,958 --> 00:26:39,458 Gabriela watches everything. 353 00:26:39,583 --> 00:26:41,791 On everything. A bit like you. 354 00:26:41,958 --> 00:26:44,458 Pablo. No, the other one. -Yes? 355 00:26:44,583 --> 00:26:46,416 How are you? -Bad. 356 00:26:46,583 --> 00:26:50,041 But Nico is going to ask for an extra hour. -Thank you. 357 00:26:50,208 --> 00:26:51,958 Camera-wise it was good. -Yes. 358 00:26:54,000 --> 00:26:56,458 Emilia. -What? Yes, I'm coming. 359 00:27:36,500 --> 00:27:39,708 Hello. How are you, darling? 360 00:27:39,875 --> 00:27:41,000 Good? 361 00:27:41,666 --> 00:27:45,791 Actually, I'm not calling you. I don't want to disturb you. 362 00:27:45,958 --> 00:27:47,000 But... 363 00:27:47,791 --> 00:27:49,250 know that I am there. 364 00:27:49,416 --> 00:27:53,875 If you need me, I'm there. Hopefully we'll speak to each other soon. 365 00:27:54,416 --> 00:27:55,958 Okay, hug. 366 00:27:56,208 --> 00:27:59,333 I hope everything goes well, but it will. 367 00:27:59,500 --> 00:28:01,458 You're probably doing very well. 368 00:28:09,250 --> 00:28:10,333 Go on. 369 00:28:10,916 --> 00:28:12,875 Okay. -Go on. 370 00:28:14,791 --> 00:28:17,750 Is it okay? This is very heavy. 371 00:28:17,916 --> 00:28:19,000 Go on. 372 00:28:20,625 --> 00:28:22,375 Hold it tight. 373 00:28:23,541 --> 00:28:25,125 On three... 374 00:28:25,291 --> 00:28:26,541 we pull. 375 00:28:26,791 --> 00:28:28,916 One, two... -You don't pull. 376 00:28:29,083 --> 00:28:30,541 And three. -Like this? 377 00:28:30,916 --> 00:28:34,125 Am I strong or not? -Pull. 378 00:28:37,250 --> 00:28:38,041 Come on. 379 00:28:38,208 --> 00:28:39,125 Cut. 380 00:28:44,375 --> 00:28:46,333 It's nothing, you're fine. 381 00:28:46,500 --> 00:28:48,125 Don't worry. 382 00:28:48,416 --> 00:28:50,541 The boats now straight to the harbour. 383 00:29:03,541 --> 00:29:04,375 Pablo. 384 00:29:13,041 --> 00:29:16,583 The ropes need to be tighter. 385 00:29:17,041 --> 00:29:19,916 Jacob, it needs to be more stable. 386 00:29:47,750 --> 00:29:49,500 We agreed this way. 387 00:29:49,666 --> 00:29:52,875 In the 1930s a man didn't behave like that. 388 00:29:53,041 --> 00:29:55,166 We talked about it in Madrid, right? 389 00:29:55,333 --> 00:29:58,291 I remember everything, for better or for worse. 390 00:29:58,750 --> 00:30:01,666 We need to talk about it again. -Not here. 391 00:30:01,833 --> 00:30:04,875 Water. -Emilia, stay a minute. 392 00:30:05,041 --> 00:30:06,791 It's important. -I'm listening. 393 00:30:06,958 --> 00:30:09,333 Even if you already know, listen. -Yes. 394 00:30:09,500 --> 00:30:12,166 Should I say it with gestures? -What do you mean? 395 00:30:12,333 --> 00:30:15,291 With gestures, so they don't laugh all the time. 396 00:30:15,458 --> 00:30:18,291 That seems better to me. -I don't think so. 397 00:30:18,458 --> 00:30:21,708 They shouldn't be stuck together like that that's stupid. 398 00:30:21,875 --> 00:30:24,500 Can we do it as agreed? 399 00:30:24,666 --> 00:30:28,000 Bernardo is not a talker. -Don't talk like that. 400 00:30:28,166 --> 00:30:32,583 I listened to you. Everyone waits. Come on now. 401 00:30:34,083 --> 00:30:36,458 Okay. -Please. Thank you. 402 00:30:36,583 --> 00:30:38,125 Okay? -Clearly. 403 00:30:38,291 --> 00:30:40,000 We continue. 404 00:30:40,875 --> 00:30:44,708 Attention, we're doing another one. From the beginning. 405 00:30:44,875 --> 00:30:47,750 If I can help, just say so. 406 00:30:48,958 --> 00:30:50,541 It's cold. 407 00:31:01,416 --> 00:31:03,791 Give me two minutes. 408 00:31:03,958 --> 00:31:07,416 Do you want something? -No, thank you. 409 00:31:09,458 --> 00:31:10,833 Good. Quit. 410 00:31:12,333 --> 00:31:14,000 I don't see it. 411 00:31:14,916 --> 00:31:16,958 I just don't see it. 412 00:31:18,166 --> 00:31:22,083 What don't you like about it, Marina? 413 00:31:25,083 --> 00:31:31,500 In the script the scene was very strong. I don't know if it comes across that way now. 414 00:31:31,625 --> 00:31:33,791 Be a bit more precise. 415 00:31:34,208 --> 00:31:36,291 What do you think of her? 416 00:31:40,916 --> 00:31:43,166 What do you think of her? 417 00:31:44,458 --> 00:31:45,958 You don't like her? 418 00:31:48,500 --> 00:31:51,041 Something's missing. 419 00:31:51,208 --> 00:31:54,416 Intensity, maybe. Or self-confidence. 420 00:31:54,958 --> 00:31:59,166 I think she's good. She's only been at it for a week. 421 00:31:59,333 --> 00:32:02,833 What she does is not easy. It'll be fine. 422 00:32:03,000 --> 00:32:07,875 Besides, it's too late now. We've been running for two weeks. 423 00:32:08,041 --> 00:32:10,875 I will as soon as possible watch the rushes. 424 00:32:13,166 --> 00:32:15,041 She'll be fine. 425 00:32:18,208 --> 00:32:19,583 Trust me. 426 00:32:31,375 --> 00:32:34,208 You know I always trust you. 427 00:32:36,541 --> 00:32:38,916 Okay, thanks. 428 00:32:44,291 --> 00:32:45,833 How is your mother? 429 00:32:55,833 --> 00:32:58,750 We're going to test the sound. Say something. 430 00:32:59,541 --> 00:33:03,250 I? Hello. How are you? 1, 2, 3. 431 00:33:03,416 --> 00:33:05,958 Good. -Okay. Just a moment. 432 00:33:11,875 --> 00:33:13,833 Okay, let's start. 433 00:33:14,125 --> 00:33:17,875 Esteban. Finally back in Spain, back home. 434 00:33:18,041 --> 00:33:22,083 Did you feel like you had to do this? did you want to return? 435 00:33:24,000 --> 00:33:28,250 It wasn't supposed to be but the story we tell... 436 00:33:29,583 --> 00:33:33,083 is set in a Spanish colony. The film is about Spain... 437 00:33:33,250 --> 00:33:38,208 so it made sense to have him here to run and co-produce. 438 00:33:38,375 --> 00:33:44,583 But you now have a house in Madrid. So I think you want to stay here. 439 00:33:47,375 --> 00:33:50,458 What kind of reception do you expect? 440 00:33:50,625 --> 00:33:55,000 Your films have always been well received here, the reviews are excellent... 441 00:33:55,166 --> 00:33:58,791 but people see you as the enfant terrible that has left. 442 00:33:58,958 --> 00:34:01,416 How a film is received depends on the movie. 443 00:34:01,583 --> 00:34:04,583 I'm still filming so wait and see. 444 00:34:04,750 --> 00:34:09,416 When you left, you had a rather controversial image. 445 00:34:09,583 --> 00:34:12,208 That can play a role even though it's been a long time. 446 00:34:12,375 --> 00:34:13,625 That has already been discussed. 447 00:34:14,625 --> 00:34:18,375 I have been asked to... -Thank you. Next question. 448 00:34:18,500 --> 00:34:20,875 Okay, Desierto then. -Okay. 449 00:34:21,041 --> 00:34:24,833 Emilia Vera, your daughter, plays a role in the film. 450 00:34:25,000 --> 00:34:29,583 We didn't know you had a daughter, nor that she was an actress. 451 00:34:29,750 --> 00:34:33,833 What's the question? -How did Emilia come into the picture? 452 00:34:35,291 --> 00:34:36,791 Was that your idea? 453 00:34:37,791 --> 00:34:39,791 Was there a casting? 454 00:34:41,541 --> 00:34:45,750 Emilia stars in the film because of her qualities. 455 00:34:45,916 --> 00:34:47,708 We didn't know she was your daughter. 456 00:34:47,875 --> 00:34:51,250 That's your business what you should or shouldn't know. 457 00:34:51,833 --> 00:34:54,166 And we do not determine what you say. 458 00:34:57,166 --> 00:34:58,708 Is this your approach? 459 00:35:00,166 --> 00:35:02,583 What is it like working with your daughter? 460 00:35:02,750 --> 00:35:07,000 He has won two Oscars. Gaan we het over Desierto hebben... 461 00:35:07,166 --> 00:35:10,541 of is dit voor een roddelblad? 462 00:35:10,833 --> 00:35:15,583 Sorry, maar de distributeur blijft bellen. Ik weet niet meer wat ik moet zeggen. 463 00:35:15,750 --> 00:35:18,708 Ze willen je audiocommentaar van Siroco. 464 00:35:23,500 --> 00:35:25,416 Esteban, hoe gaat het? 465 00:35:27,666 --> 00:35:29,708 Ik zou je... 466 00:35:29,875 --> 00:35:32,500 de muziek van het hoofdthema sturen... 467 00:35:32,666 --> 00:35:37,458 maar ik ben nog bezig met de compositie... 468 00:35:37,833 --> 00:35:40,791 en ik loop vast. 469 00:35:40,958 --> 00:35:43,875 Ik denk wel goed op weg te zijn. 470 00:35:44,041 --> 00:35:48,041 Als alles goed gaat, stuur ik je... 471 00:35:48,208 --> 00:35:51,666 een paar eerste ideeën volgende week. 472 00:35:51,833 --> 00:35:54,041 Misschien aan het einde van de week. 473 00:35:56,958 --> 00:36:02,625 Hoi, Olivier. How are you? Send it to me as soon as it's finished. Thank you. 474 00:36:35,166 --> 00:36:38,125 Hey. I believe I see you. Is that possible? 475 00:36:38,291 --> 00:36:40,625 Sorry? -Look across the street. 476 00:36:40,791 --> 00:36:43,000 Do you see an arm waving? 477 00:36:46,458 --> 00:36:47,958 Oh yes, I see you. 478 00:36:50,083 --> 00:36:52,666 How are you? Satisfied? 479 00:36:53,791 --> 00:36:56,875 Good. I'm exhausted, but I'm okay. 480 00:36:57,041 --> 00:36:59,875 Logically, it is your first week of recording. 481 00:37:04,750 --> 00:37:07,625 Tomorrow I'm having dinner with the actors. 482 00:37:07,791 --> 00:37:09,500 Would you like to come along? 483 00:37:10,583 --> 00:37:11,958 Tomorrow? 484 00:37:13,041 --> 00:37:16,708 Yes. It was very nice last week. 485 00:37:16,875 --> 00:37:20,333 It's good for team building and all that. 486 00:37:23,791 --> 00:37:25,333 What do you think? 487 00:37:25,500 --> 00:37:27,791 In the evening I am exhausted. 488 00:37:28,625 --> 00:37:29,625 Yes. 489 00:37:30,416 --> 00:37:34,458 We'll talk more tomorrow. We'll see each other on set. 490 00:37:36,708 --> 00:37:39,833 Just rest. -See you tomorrow. Ciao. 491 00:37:50,875 --> 00:37:55,000 The US supports you. This conversation is pointless. 492 00:37:55,166 --> 00:37:57,583 And France. Nobody cares. -No one? 493 00:37:57,750 --> 00:38:02,916 No, Western Sahara was different already independent. There's phosphate, gas... 494 00:38:03,083 --> 00:38:06,833 Everyone has an opinion and in the meantime you are dying. 495 00:38:07,000 --> 00:38:10,416 You can't solve it with my neighbor to occupy who also starves. 496 00:38:10,583 --> 00:38:13,833 That's demagoguery, they were Not starving after all? 497 00:38:14,000 --> 00:38:16,500 Have you seen their condition? -What nonsense. 498 00:38:16,666 --> 00:38:19,375 Never mind. -No, just say it. 499 00:38:19,541 --> 00:38:21,541 The scale of pity. -What? 500 00:38:21,708 --> 00:38:24,625 You think Moroccans are sad, but the Sahrawis more pathetic. 501 00:38:24,791 --> 00:38:29,416 Right and they don't deserve pity, because they have taken up arms. 502 00:38:29,541 --> 00:38:31,625 They are also desperate. 503 00:38:33,708 --> 00:38:36,416 So we're starting another world war? 504 00:38:37,583 --> 00:38:41,291 Do you think the ratio is fair? between Morocco and Western Sahara? 505 00:38:42,458 --> 00:38:48,333 Did the Sahrawis fare better with you? -Maybe they just had it better. 506 00:38:49,083 --> 00:38:54,458 Alone and without running water? -Maybe. Have you asked them? 507 00:38:57,041 --> 00:38:59,625 You should have taken a Sahrawi actor. 508 00:39:00,166 --> 00:39:03,875 I wanted that too but your audition was so good. 509 00:39:04,041 --> 00:39:08,041 And that wig suits you. -Now that's sex appeal. 510 00:39:10,041 --> 00:39:11,833 Esteban... 511 00:39:12,000 --> 00:39:13,583 A question. 512 00:39:14,208 --> 00:39:15,541 A personal one. 513 00:39:15,708 --> 00:39:17,500 Just saying. 514 00:39:17,666 --> 00:39:19,166 Why Western Sahara? 515 00:39:19,333 --> 00:39:25,500 Whatever the subject of a film, there is always a personal element. 516 00:39:26,375 --> 00:39:31,541 I don't know. Sometimes you find the subject when the film is finished. 517 00:39:32,958 --> 00:39:37,625 What is personal about four Spaniards in a remote corner of the world? 518 00:39:37,791 --> 00:39:40,416 And a Sahrawi shepherd. -Precisely. 519 00:39:42,541 --> 00:39:46,416 What would you like to make a film about? 520 00:39:46,583 --> 00:39:48,875 That is beyond dispute. -What then? 521 00:39:49,041 --> 00:39:52,500 My topic would be the importance be of humility. 522 00:39:54,208 --> 00:39:56,625 Of your humility. And you? 523 00:39:57,541 --> 00:40:00,250 The same. -Humility, of course. 524 00:40:00,416 --> 00:40:01,666 And you? 525 00:40:02,500 --> 00:40:04,666 I'll have to think about that. 526 00:40:06,375 --> 00:40:09,166 Now about how difficult... 527 00:40:10,208 --> 00:40:13,250 life is. -My God. 528 00:40:13,416 --> 00:40:14,791 What does that concern you? 529 00:40:14,958 --> 00:40:16,541 No. -Yes. 530 00:40:16,708 --> 00:40:19,083 They are friends, but he doesn't say it. 531 00:40:19,250 --> 00:40:22,708 We rarely talk to each other anymore. Just tell me. 532 00:40:22,875 --> 00:40:26,041 I think it's worse than we think. -Yes. 533 00:40:26,208 --> 00:40:29,250 You had an argument and you gave him a bloody nose. 534 00:40:29,416 --> 00:40:32,208 It was that simple, right? -Is it true or not? 535 00:40:32,375 --> 00:40:34,625 You grabbed him and... 536 00:40:34,791 --> 00:40:36,208 How? 537 00:40:36,416 --> 00:40:37,875 I had heard that. 538 00:40:38,041 --> 00:40:41,583 Nonsense. Who told you that? 539 00:40:41,750 --> 00:40:45,458 Isn't it true? -No, he grabbed me. 540 00:40:45,583 --> 00:40:47,958 He grabbed me first. 541 00:40:48,125 --> 00:40:51,666 And then what happened happened. 542 00:40:51,833 --> 00:40:53,416 I already told you that. 543 00:40:54,208 --> 00:40:56,541 And you just continued filming? 544 00:40:56,708 --> 00:40:59,583 Of course, we were already in the fourth week. 545 00:41:00,416 --> 00:41:04,791 He had a swollen face and looked just like Elephant Man. 546 00:41:04,958 --> 00:41:07,916 Spent hours on make-up, we ignored each other. 547 00:41:08,083 --> 00:41:12,083 Laurette, the assistant director, was our salvation... 548 00:41:12,250 --> 00:41:16,333 because we didn't talk to each other. She was the mediator. 549 00:41:16,500 --> 00:41:20,208 I said, Tell him to say his lines and get out of the picture. 550 00:41:20,375 --> 00:41:23,750 And she: He doesn't say it and does not go out of view. 551 00:41:24,000 --> 00:41:28,500 And so it went. Clashing egos. But we finished the movie. 552 00:41:28,666 --> 00:41:30,041 And how. 553 00:41:30,458 --> 00:41:32,166 The movie is great. 554 00:41:32,333 --> 00:41:34,541 And he's fantastic. 555 00:41:37,375 --> 00:41:39,958 Thanks to Laurette. 556 00:41:41,083 --> 00:41:43,541 Then suddenly she stopped talking to me. 557 00:41:43,708 --> 00:41:45,625 'Suddenly'? 558 00:41:45,791 --> 00:41:47,750 You don't mean that. 559 00:41:53,958 --> 00:41:56,458 I wasn't doing well at that time. 560 00:41:58,166 --> 00:42:00,125 But a headbutt... 561 00:42:00,291 --> 00:42:03,291 With France's greatest actor. 562 00:42:03,458 --> 00:42:09,166 You should know that man was a real bastard. 563 00:42:09,333 --> 00:42:13,125 He was rude, especially to his assistant. 564 00:42:13,291 --> 00:42:16,583 He arrived late to the set, sometimes drunk. 565 00:42:16,750 --> 00:42:20,958 He grabbed me once, started screaming, drooling all over me... 566 00:42:21,125 --> 00:42:23,083 and I had to push him away. 567 00:42:26,208 --> 00:42:27,916 Don't you believe me? 568 00:42:28,375 --> 00:42:29,791 Yes, of course. 569 00:42:33,041 --> 00:42:37,500 Jammer dat Emilia er niet is die wist vast ook nog wel mooie verhalen. 570 00:42:37,666 --> 00:42:40,291 What does she have? -She must be exhausted. 571 00:42:40,458 --> 00:42:42,666 No, she's focused on the recording. 572 00:42:43,625 --> 00:42:45,125 She's great. 573 00:42:45,291 --> 00:42:47,708 Harde werker, goede actrice. -Yes. 574 00:42:47,875 --> 00:42:53,750 By the way, is Vera's name... -De naam van haar moeder. 575 00:42:53,916 --> 00:42:56,208 Wie wil er koffie? -Sorry. 576 00:43:12,166 --> 00:43:16,916 Hello. I'm Esteban Martínez, screenwriter and director. 577 00:43:17,083 --> 00:43:21,833 Because of the 30th anniversary from the release of our first film... 578 00:43:22,416 --> 00:43:27,791 I was asked the audio commentary te maken voor de Blu-ray. 579 00:43:28,750 --> 00:43:31,000 De film had weinig succes. 580 00:43:31,208 --> 00:43:34,583 Daarom ben ik erg blij... 581 00:43:34,750 --> 00:43:37,541 that he gets a second life. 582 00:43:38,000 --> 00:43:43,250 That's why I look back at these images en neem je mee op deze reis. 583 00:43:43,416 --> 00:43:45,500 I draw from my memories... 584 00:43:45,875 --> 00:43:47,833 en probeer niet... 585 00:43:48,000 --> 00:43:51,083 in nostalgie te vervallen. 586 00:44:30,000 --> 00:44:33,000 Two bottles of sparkling water and ice cubes. 587 00:44:33,166 --> 00:44:34,666 Naturally. -Thank you. 588 00:44:37,708 --> 00:44:39,625 I'll go see if there's any left. 589 00:44:42,375 --> 00:44:46,333 Everything went well, only his name was Gustavo. 590 00:44:47,291 --> 00:44:49,041 De arme man. 591 00:44:49,208 --> 00:44:50,708 Maar plotseling... 592 00:44:50,875 --> 00:44:54,625 Well, Gustavo and I have been together for a month... 593 00:44:54,791 --> 00:44:56,916 if I suddenly miss money. 594 00:44:57,083 --> 00:45:00,958 Ik besluit hem te testen and put 50 euros in the hall. 595 00:45:01,125 --> 00:45:05,250 We go to sleep and the next day: money away. Dus ik denk... 596 00:45:05,416 --> 00:45:07,291 Be careful. -Gustavo, pas op. 597 00:45:07,458 --> 00:45:10,958 Colleagues advise me to talk about it. 598 00:45:11,125 --> 00:45:15,041 But I'm afraid of falsely accusing him. 599 00:45:15,208 --> 00:45:19,541 So I, very awkwardly: 'Gustavo, don't take it the wrong way... 600 00:45:19,708 --> 00:45:24,250 but money disappears.' Gustavo: 'I'm really sorry... 601 00:45:24,416 --> 00:45:28,291 that happens to all my friends. 602 00:45:28,458 --> 00:45:30,208 I sleepwalk.” 603 00:45:31,000 --> 00:45:35,083 And I: 'Sorry, you're a sleepwalker and kleptomaniac, you bastard.' 604 00:45:35,250 --> 00:45:37,666 Honestly. -So I put down Monopoly money. 605 00:45:37,833 --> 00:45:40,291 That night I sleep and I hear... 606 00:45:42,458 --> 00:45:43,666 You were shocked. 607 00:45:44,666 --> 00:45:48,750 So I'm terrified and think of a burglary. 608 00:45:48,916 --> 00:45:53,833 In a panic I stand up, naked, I can't help myself care, run around the apartment... 609 00:45:54,000 --> 00:45:56,166 and see Gustavo in the hall... 610 00:45:57,375 --> 00:46:01,083 He smashed everything. I ask him if he's okay. 611 00:46:01,250 --> 00:46:03,041 And that guy... -Did you wake him up? 612 00:46:03,208 --> 00:46:07,375 Wait. I say: 'Gustavo...' 613 00:46:10,166 --> 00:46:11,708 Wait. And that guy... 614 00:46:12,583 --> 00:46:14,541 I say, 'Gustavo, come to bed.' 615 00:46:14,708 --> 00:46:18,375 So I grab him and take him to bed. 616 00:46:18,500 --> 00:46:22,666 Him: 'Where are we going?' And me: "Take to the streets if you don't calm down." 617 00:46:22,833 --> 00:46:27,375 We go back to sleep and the next day I ask: 'Explain?' 618 00:46:27,541 --> 00:46:31,291 He: 'When I sleepwalk, I don't realize anything. 619 00:46:31,458 --> 00:46:36,500 But if you put down Monopoly money, I understand that it is counterfeit money.' 620 00:46:38,541 --> 00:46:42,666 I threw him out the door naked: "You're nice, but thanks." 621 00:46:42,833 --> 00:46:46,541 That Gustavo. -You won't get anywhere with a guy like that. 622 00:46:46,708 --> 00:46:48,666 Who is that? -I'm not telling you. 623 00:46:48,833 --> 00:46:51,333 He has made a lot of money from her. 624 00:46:57,958 --> 00:47:01,541 Hi, Mom. How are you? I'm doing well. 625 00:47:01,708 --> 00:47:05,291 Sorry I'm only calling now. 626 00:47:06,250 --> 00:47:10,750 I was focused on the recordings and ignored the phone for a bit. 627 00:47:10,916 --> 00:47:12,625 I'm happy... 628 00:47:13,958 --> 00:47:16,666 I'm happy that I can film things that I like. 629 00:47:16,833 --> 00:47:20,375 It feels good to work... 630 00:47:20,500 --> 00:47:22,666 and to be here. 631 00:47:25,500 --> 00:47:29,500 Esteban is doing well. Don't worry. It's going well. 632 00:47:30,333 --> 00:47:34,166 It's crazy. He's different but it's going well. 633 00:47:34,333 --> 00:47:37,541 He does his thing, I do mine. 634 00:47:37,708 --> 00:47:40,666 It's funny to watch him work... 635 00:47:40,833 --> 00:47:44,791 and especially to see how he treats people. 636 00:47:45,458 --> 00:47:47,791 It's strange, but it's going well. 637 00:47:48,458 --> 00:47:50,333 Mom asks if you're coming for dinner. 638 00:47:50,750 --> 00:47:52,416 I'm coming. 639 00:47:52,583 --> 00:47:53,666 Like this. 640 00:48:11,458 --> 00:48:12,250 Cut. 641 00:48:12,416 --> 00:48:13,875 Cut. -Camera stopped. 642 00:48:14,041 --> 00:48:17,333 It's not quite sharp. -I saw that. 643 00:48:17,500 --> 00:48:18,916 Stand a little earlier. 644 00:48:19,083 --> 00:48:20,333 Earlier? -Yes. 645 00:48:20,500 --> 00:48:22,208 Okay. -We continue. 646 00:48:22,375 --> 00:48:25,166 Raúl, can you go to the window? 647 00:48:26,000 --> 00:48:31,291 We adjust the focus. Then we are ready to film. 648 00:48:31,666 --> 00:48:33,416 Perfect, thank you. -Thank you, Malena. 649 00:48:33,583 --> 00:48:35,375 Here we go, pay attention. 650 00:48:38,500 --> 00:48:39,583 Hi. 651 00:48:40,166 --> 00:48:43,000 Are you okay? Am I interrupting? 652 00:48:47,000 --> 00:48:49,750 Silence, please. We're going to film. 653 00:48:51,291 --> 00:48:52,916 Hello. Are you okay? 654 00:48:53,083 --> 00:48:54,125 Camera. 655 00:48:55,166 --> 00:48:57,541 Sound runs. -What time do we eat? 656 00:48:57,708 --> 00:49:00,625 71 to 1, third. -Mark. 657 00:49:00,791 --> 00:49:03,375 In pictures? Around 2 p.m. max. 658 00:49:04,083 --> 00:49:05,291 Action. 659 00:49:12,333 --> 00:49:15,166 Mom asks if you're coming for dinner. -I'm coming. 660 00:49:15,625 --> 00:49:17,000 Like this. 661 00:49:29,833 --> 00:49:31,916 Cut. Raul. -We stopped. 662 00:49:32,083 --> 00:49:34,416 Once again from the beginning. 663 00:49:34,583 --> 00:49:39,583 When you look at your daughter, you get it feeling like you have to get out of here... 664 00:49:39,750 --> 00:49:42,833 that you want to run away. Like you're suffocating here. 665 00:49:46,583 --> 00:49:49,416 Wait a minute. Hey. -What is? 666 00:49:56,875 --> 00:49:58,833 What is? -Nothing. 667 00:49:59,875 --> 00:50:03,166 How are you? Are you eating well, resting enough? 668 00:50:03,333 --> 00:50:05,791 We continue. -Yes. 669 00:50:09,041 --> 00:50:11,125 What are you watching? -Nothing. 670 00:50:14,541 --> 00:50:18,041 What are you doing this weekend? 671 00:50:18,208 --> 00:50:23,375 No idea. The crew organizes a dinner, but I haven't decided anything yet. 672 00:50:23,541 --> 00:50:25,666 My family is coming. 673 00:50:28,041 --> 00:50:33,416 I'd love to meet up so you get to know them. 674 00:50:34,458 --> 00:50:36,875 Drink coffee together or something. 675 00:50:37,750 --> 00:50:42,916 Alice would like to meet you and I would really like it. 676 00:50:43,083 --> 00:50:44,916 Can I come back to it? 677 00:50:45,625 --> 00:50:48,583 Naturally. Do that again. 678 00:50:49,666 --> 00:50:50,791 Yes... -This? 679 00:50:50,958 --> 00:50:52,083 Yes. -What? 680 00:50:52,250 --> 00:50:55,708 I want you to do things like that in the movie. 681 00:50:55,875 --> 00:51:01,083 We discussed that historical films are often stiff. 682 00:51:01,250 --> 00:51:03,041 Everything is stiff, wooden. 683 00:51:04,416 --> 00:51:06,416 Indeed. -For example: 684 00:51:06,541 --> 00:51:09,750 'Your Honor, the mayor has arrived.' 685 00:51:11,166 --> 00:51:13,000 That's ridiculous, isn't it? 686 00:51:13,833 --> 00:51:15,500 That kind of thing... 687 00:51:15,666 --> 00:51:20,541 chest forward, stiff movements. "The mayor has arrived." 688 00:51:20,750 --> 00:51:24,000 So I don't want to see that. -Completely clear. 689 00:51:24,166 --> 00:51:28,041 It makes gestures like this more authentic, more natural. 690 00:51:28,208 --> 00:51:29,708 Very good. 691 00:51:29,875 --> 00:51:33,125 So not that stiff 'Your Honor'. -Perfect. 692 00:51:33,291 --> 00:51:36,916 Will you let me know as soon as you can? 693 00:51:37,458 --> 00:51:39,375 If you know. Thank you. 694 00:51:39,500 --> 00:51:41,916 Thanks, Miguel. -Everthing okay? 695 00:52:14,500 --> 00:52:16,291 Can he go a little faster? 696 00:52:16,458 --> 00:52:18,750 I'm going looking 697 00:52:20,041 --> 00:52:23,791 To everything I want 698 00:52:24,541 --> 00:52:26,041 I break everything down 699 00:52:26,208 --> 00:52:27,750 Fantastic song. 700 00:52:29,000 --> 00:52:32,500 My house and start again 701 00:52:33,708 --> 00:52:36,833 They're all already hiding 702 00:52:38,208 --> 00:52:42,166 Under the eternal night 703 00:52:42,500 --> 00:52:46,000 I know the cosmos 704 00:52:47,166 --> 00:52:50,791 Treats everyone equally 705 00:52:58,250 --> 00:53:02,125 Give me something tonight 706 00:53:02,875 --> 00:53:06,125 This night is special 707 00:53:07,291 --> 00:53:11,041 I will wander through your house 708 00:53:11,208 --> 00:53:12,916 In the dark 709 00:53:35,791 --> 00:53:37,958 Born: March 1, 1969 (56 years old) Madrid 710 00:53:38,125 --> 00:53:39,833 Partner: Alice Akerblom 711 00:53:40,000 --> 00:53:42,333 Children: Albert Martínez, Paul Martínez 712 00:53:42,500 --> 00:53:44,500 Oscar for Best Foreign Film 713 00:53:49,750 --> 00:53:52,375 Martínez is filming in Spain again after 15 years 714 00:53:52,500 --> 00:53:56,208 César Comet, Bárbara Luque and Raúl Oyarzún starring in Desierto. 715 00:54:01,833 --> 00:54:06,291 The French film world defends Martínez: 'This profession is complicated enough' 716 00:54:06,791 --> 00:54:12,041 Martínez: 'My daughter Emilia plays in the film because of her qualities.' 717 00:54:21,250 --> 00:54:24,750 What that guy does... How can I put it... 718 00:54:24,916 --> 00:54:30,333 He's walking around waving his dick. Serious. I can't make it into anything else. 719 00:54:30,583 --> 00:54:32,750 Do you hear us? -Not necessary. 720 00:54:32,916 --> 00:54:36,458 We only say good things. Come join us. 721 00:54:36,625 --> 00:54:37,916 Like this. 722 00:54:38,083 --> 00:54:39,666 I'm coming, whiner. 723 00:54:43,708 --> 00:54:46,541 When did you know? 724 00:54:46,708 --> 00:54:49,375 I don't remember exactly. 725 00:54:50,333 --> 00:54:53,500 Maybe when you saw him win an Oscar? 726 00:54:53,625 --> 00:54:56,958 That certainly played a role but that wasn't the time. 727 00:54:58,250 --> 00:55:00,625 But do you like acting? -Yes. 728 00:55:00,791 --> 00:55:02,916 What do you mean? -I don't know. 729 00:55:03,750 --> 00:55:05,833 It seems like you're not having fun. 730 00:55:06,416 --> 00:55:07,541 Do you think? 731 00:55:08,875 --> 00:55:11,583 That's not true. Don't know. 732 00:55:13,875 --> 00:55:16,333 Have I offended you? -No. 733 00:55:18,250 --> 00:55:21,833 Listen. I don't put him on a pedestal... 734 00:55:22,000 --> 00:55:24,666 but he is the best living director. 735 00:55:25,916 --> 00:55:29,541 He created a masterpiece, Siroco, his first. 736 00:55:29,708 --> 00:55:32,791 His first five films. Inquilino is great. 737 00:55:32,958 --> 00:55:34,541 Inquilino is great. 738 00:55:34,708 --> 00:55:37,708 His best is Siroco. -You didn't even see that one. 739 00:55:37,875 --> 00:55:39,500 Yes, he said that. 740 00:55:39,666 --> 00:55:42,500 Sorry, but Siroco is not the best. 741 00:55:42,666 --> 00:55:44,250 Come on, he's special. 742 00:55:44,416 --> 00:55:49,166 How he is turned, how they live, your father and company. 743 00:55:49,333 --> 00:55:53,291 It was quite an intense time. -Did you say intense? 744 00:55:53,458 --> 00:55:55,208 More or less intense than you? 745 00:55:56,125 --> 00:55:58,125 Okay, Emilia. 746 00:55:59,000 --> 00:56:00,500 They were complacent. 747 00:56:00,666 --> 00:56:05,083 Maradona is called God all the time, eventually you start to believe that. 748 00:56:05,250 --> 00:56:07,583 And so he can make anything? -No. 749 00:56:07,750 --> 00:56:10,833 Malena, Maradona has a lot of people cheated. 750 00:56:11,000 --> 00:56:12,041 Emilia. 751 00:56:13,416 --> 00:56:19,416 What I'm saying is that your father is a human being and has become calmer as a director. 752 00:56:19,583 --> 00:56:24,125 Precisely. I was a little scared because of its reputation, but it's not too bad. 753 00:56:25,291 --> 00:56:26,541 What do you want? 754 00:56:26,708 --> 00:56:29,291 Your father is the very best. 755 00:56:29,458 --> 00:56:32,458 But we all know... 756 00:56:32,583 --> 00:56:37,416 that he used to have a short fuse and got into fights with people. 757 00:56:37,541 --> 00:56:40,083 What? -He fought with a DoP. 758 00:56:40,250 --> 00:56:41,791 How do you know? -Internet. 759 00:56:41,958 --> 00:56:44,666 Come on. -Everyone knows. 760 00:56:44,833 --> 00:56:47,166 Yes, but that was a different time. 761 00:56:47,333 --> 00:56:49,291 For me he is a winner. 762 00:56:51,750 --> 00:56:54,208 The scene where the three of them dance: great. 763 00:56:54,375 --> 00:56:56,000 That actress is crazy. 764 00:56:56,166 --> 00:56:59,541 Yes, I fell in love with her instantly. 765 00:56:59,708 --> 00:57:03,958 That actress and the rest too were amateurs, right? 766 00:57:06,166 --> 00:57:07,416 I'm going to have a smoke. 767 00:57:17,750 --> 00:57:18,916 Cold, huh? 768 00:57:35,125 --> 00:57:36,500 Everything okay? 769 00:57:42,625 --> 00:57:44,250 I like this wind. 770 00:57:50,875 --> 00:57:53,583 The actress from Siroco she is talking about spoke... 771 00:57:54,666 --> 00:57:56,375 is my mother. -Sure. 772 00:57:56,500 --> 00:57:57,833 I swear. 773 00:57:58,000 --> 00:58:00,291 Serious? -Just look. 774 00:58:06,208 --> 00:58:07,666 Look. 775 00:58:07,833 --> 00:58:10,041 Here are the three of us. That's me. 776 00:58:10,208 --> 00:58:13,208 Is she an actress then? -Not anymore. 777 00:58:14,375 --> 00:58:18,833 She stopped when she had to be alone for me and started working for the government. 778 00:58:19,625 --> 00:58:21,375 My mother is wonderful. 779 00:58:23,833 --> 00:58:26,666 That was during the recording of Siroco. 780 00:58:27,750 --> 00:58:29,500 Cool. 781 00:58:29,666 --> 00:58:33,916 I read that those are the most important recordings were of his life. I understand. 782 00:58:34,083 --> 00:58:39,375 For him, yes. It was for my mother it's hell. He drove them crazy. 783 00:58:39,541 --> 00:58:42,166 They broke up shortly afterwards. 784 00:58:42,916 --> 00:58:44,750 Then he disappeared. 785 00:58:45,458 --> 00:58:49,041 What do you mean? -I never saw him again. 786 00:58:49,708 --> 00:58:54,083 I actually just met him when I was 9. 787 00:58:54,250 --> 00:58:57,916 That was the first time that I was with him for a while. 788 00:59:08,458 --> 00:59:11,416 Paul, what did you dish up? So much chocolate. 789 00:59:11,583 --> 00:59:14,666 Eat the orange too, please. 790 00:59:14,833 --> 00:59:17,875 I think about anything and everything. 791 00:59:18,041 --> 00:59:21,916 What is my favorite number between 5 and 10? 792 00:59:22,083 --> 00:59:24,208 I don't know. -Don't you know? 793 00:59:24,583 --> 00:59:27,875 Hey, Esteban, here's a setup for the music... 794 00:59:28,041 --> 00:59:32,375 that we want to record with the orchestra. I hope you like it. 795 00:59:32,583 --> 00:59:34,875 Wait a minute, baby. 796 00:59:35,041 --> 00:59:36,625 Can you count to there? 797 01:01:06,625 --> 01:01:07,708 Dad. 798 01:02:21,500 --> 01:02:24,791 A glass of red wine, please. -One moment. 799 01:02:35,041 --> 01:02:37,166 They are so cute. 800 01:02:37,333 --> 01:02:38,750 That's great. 801 01:02:39,375 --> 01:02:41,583 Look after. Your ice cream is leaking. 802 01:02:44,333 --> 01:02:45,833 Which one do you like most? -That one. 803 01:02:46,000 --> 01:02:49,458 That one is so cute. -There she is. Come. 804 01:02:54,083 --> 01:02:57,000 How are you? -Emilia, Alice. 805 01:02:57,166 --> 01:02:59,708 Nice to meet you. -Likewise. 806 01:03:02,916 --> 01:03:05,375 No, thanks. This is Al. 807 01:03:06,375 --> 01:03:07,458 And Paul. 808 01:03:09,250 --> 01:03:10,666 You guys are so blonde. 809 01:03:11,833 --> 01:03:13,500 They look nothing like you. 810 01:03:14,416 --> 01:03:16,583 I'm more like you. 811 01:03:16,750 --> 01:03:19,250 Right? -Yes. 812 01:03:19,416 --> 01:03:22,041 Lemon is my favorite flavor. 813 01:03:22,208 --> 01:03:24,625 Mine too. -A snack? 814 01:03:24,791 --> 01:03:26,541 No. Another time. 815 01:03:26,708 --> 01:03:28,333 Did you know? -What? 816 01:03:28,500 --> 01:03:30,416 That I liked lemon best? 817 01:03:37,208 --> 01:03:39,166 And? Is it nice, Paul? 818 01:03:39,333 --> 01:03:42,083 Your father, at work, he keeps saying: 819 01:03:42,250 --> 01:03:43,625 Pablo... 820 01:03:44,333 --> 01:03:46,458 Pablo... Paul, that's Pablo, right? 821 01:03:46,583 --> 01:03:48,708 "Pablo, I have to film." 822 01:03:48,875 --> 01:03:51,291 Never mind. -Where have you been? 823 01:03:52,666 --> 01:03:55,125 I had gone for a drink. What do you mean? 824 01:03:57,541 --> 01:04:00,000 Emilia, will you go for a walk? 825 01:04:01,083 --> 01:04:02,500 Yes, of course. 826 01:04:06,041 --> 01:04:08,041 How are the recordings going? 827 01:04:09,458 --> 01:04:13,625 Getting better and better. -Great. You must be happy. 828 01:04:14,875 --> 01:04:16,083 More or less. 829 01:04:18,166 --> 01:04:19,208 What do you mean? 830 01:04:19,958 --> 01:04:22,833 There are more important things than movies. 831 01:04:25,791 --> 01:04:27,125 That's true. 832 01:04:27,458 --> 01:04:30,708 You can't expect that movies solve everything. 833 01:04:34,083 --> 01:04:35,500 It doesn't matter. 834 01:04:44,166 --> 01:04:45,583 Are they sleeping? 835 01:04:50,875 --> 01:04:52,750 Did they say anything? 836 01:04:52,916 --> 01:04:55,958 No, they are still small. 837 01:04:59,583 --> 01:05:02,500 You probably did stupid things too when you were young. 838 01:05:07,000 --> 01:05:09,875 But I hated my father. 839 01:05:21,916 --> 01:05:25,666 My alarm didn't go off. -They have yet to start. 840 01:05:25,833 --> 01:05:29,083 This has never happened to me before. -Don't worry. 841 01:05:29,250 --> 01:05:32,291 Pablo, we're here. Emilia is coming. 842 01:05:36,708 --> 01:05:38,916 Will you get me coffee? -Black with sugar? 843 01:05:39,083 --> 01:05:39,916 Yes. 844 01:05:40,083 --> 01:05:41,625 Emilia is here. 845 01:05:47,875 --> 01:05:51,416 Sorry. -It's okay. They are building up. 846 01:05:59,000 --> 01:06:02,750 Good morning. Have you overslept? Got late yesterday? 847 01:06:02,916 --> 01:06:06,458 Are you rehearsing? -The next scene. Calm down. 848 01:06:07,916 --> 01:06:11,083 Should we leave the table like this? -Yes, that's fine. 849 01:06:13,458 --> 01:06:14,875 Sorry, Pablo. 850 01:06:16,125 --> 01:06:20,291 It doesn't matter. Do you need anything? -Can someone take my coat? 851 01:06:20,458 --> 01:06:21,708 Give it. I'll arrange it. 852 01:06:23,125 --> 01:06:26,000 It becomes asymmetrical. -That's better. Put it there. 853 01:06:26,833 --> 01:06:28,833 Like this. Much better. -Pablo. 854 01:06:29,000 --> 01:06:33,708 How do I get into the scene? -You are in the kitchen as mentioned. 855 01:06:33,875 --> 01:06:36,500 And Miguel gives you the signal. -Super. Thank you. 856 01:06:36,625 --> 01:06:37,458 Are you okay? 857 01:06:37,583 --> 01:06:39,541 Nobody came to watch football. -I was there. 858 01:06:39,708 --> 01:06:41,625 What? -Tell him where he was. 859 01:06:41,791 --> 01:06:45,000 He danced... That dance from your village. 860 01:06:45,166 --> 01:06:47,125 The txalaparta. -The aurresku. 861 01:06:47,291 --> 01:06:50,583 The aurresku. The txalaparta, nonsense. 862 01:06:50,916 --> 01:06:55,500 Hi, Emilia. -Say, that email Nico sent: 863 01:06:55,666 --> 01:07:01,041 'We have received complaints about noise. Please remember that this is a family hotel. 864 01:07:01,208 --> 01:07:03,916 It must be quiet from 11 p.m.' 865 01:07:05,458 --> 01:07:09,791 On the weekend I do my exercises, rehearse my lines... 866 01:07:09,958 --> 01:07:12,541 and I read like Pedro, who loves to read. 867 01:07:21,833 --> 01:07:26,666 It must be very tiring to always be in the spotlight. 868 01:07:41,958 --> 01:07:44,625 Shall we go again? -We're going to film. 869 01:07:47,750 --> 01:07:49,208 I warm up my voice. 870 01:08:26,708 --> 01:08:30,333 I want to show you what we did today. 871 01:08:33,625 --> 01:08:37,833 This is a very difficult scene. Silence please. 872 01:08:38,000 --> 01:08:40,208 I want your focus. 873 01:08:40,541 --> 01:08:42,166 How are you? -Good. 874 01:08:42,750 --> 01:08:46,500 We didn't rehearse much, but are you guys okay with the text? 875 01:08:46,666 --> 01:08:48,916 Good. -No problems? 876 01:08:49,125 --> 01:08:53,041 Shall we start playing then? I want to try some things. 877 01:08:53,208 --> 01:08:55,458 Fine. -Good. First of all. 878 01:08:55,625 --> 01:09:00,958 It is important to Salek and his family to convince that family. 879 01:09:02,000 --> 01:09:05,458 Bernardo and Gabriela need to know whether he is not lying. 880 01:09:05,625 --> 01:09:08,833 They hope so, but they have doubts. Okay? 881 01:09:09,000 --> 01:09:12,416 We'll start with that. Turn the chairs one turn. 882 01:09:12,541 --> 01:09:13,916 Come on, guys. -Come on. 883 01:09:14,083 --> 01:09:15,750 We're going to turn. 884 01:09:15,916 --> 01:09:19,375 Only adjust things if necessary. 885 01:09:19,541 --> 01:09:22,791 And in silence. Please, silence. 886 01:09:24,625 --> 01:09:29,000 Bilal, the coffee is a little hot. Carefully. 887 01:09:29,166 --> 01:09:30,708 Okay. Thank you. 888 01:09:31,750 --> 01:09:33,166 Here. 889 01:09:36,416 --> 01:09:38,541 Come forward a little. 890 01:09:39,416 --> 01:09:41,041 Like this. Thank you. 891 01:09:43,458 --> 01:09:46,250 Set empty, we're going to film. 892 01:09:46,416 --> 01:09:47,625 Camera. 893 01:09:48,458 --> 01:09:50,958 I said 'camera'. -Sound runs. 894 01:09:51,458 --> 01:09:52,875 41 to 1, first. 895 01:09:53,791 --> 01:09:54,791 Mark. 896 01:09:55,625 --> 01:09:56,625 In pictures? 897 01:09:57,541 --> 01:09:58,541 In pictures. 898 01:09:58,708 --> 01:10:00,041 And action. 899 01:10:47,625 --> 01:10:49,375 What? Satisfied? 900 01:10:49,541 --> 01:10:51,541 Yes, very much. -Great. 901 01:10:51,708 --> 01:10:55,500 This shot is beautiful. You're doing very well. 902 01:10:56,333 --> 01:10:58,708 Very good. -Weird, no sound. 903 01:10:58,875 --> 01:11:02,291 Yes, but that's how you see the rhythm of the scene better... 904 01:11:02,458 --> 01:11:05,666 the camera movement and the acting. 905 01:11:05,833 --> 01:11:07,500 In this shot... 906 01:11:08,791 --> 01:11:11,291 something happens inside you and... 907 01:11:12,375 --> 01:11:16,833 I don't know exactly what, but I think, Emilia... 908 01:11:18,083 --> 01:11:21,583 that you weren't doing anything else. Got it? 909 01:11:23,958 --> 01:11:26,000 How did you feel at that moment? 910 01:11:26,166 --> 01:11:28,416 What did you feel? 911 01:11:31,583 --> 01:11:35,166 I was calm, at ease, relaxed. 912 01:11:35,333 --> 01:11:38,583 Calm, at ease, relaxed. See? 913 01:11:39,000 --> 01:11:41,666 Indeed. -Everything's in there. 914 01:11:42,500 --> 01:11:46,375 Everything. I believe it was Liv Ullmann, who said: 915 01:11:46,500 --> 01:11:50,041 'The closer the camera, the more you have to be yourself 916 01:11:50,208 --> 01:11:55,166 Everyone has a mask. Professional, emotional... All kinds. 917 01:11:55,333 --> 01:11:57,500 In your case, I think... 918 01:11:58,958 --> 01:12:01,875 the pleasing colleague... 919 01:12:02,041 --> 01:12:05,250 the insecure actress, of course, logical... 920 01:12:06,833 --> 01:12:10,208 the combative woman... 921 01:12:12,791 --> 01:12:14,708 the evil daughter. 922 01:12:20,833 --> 01:12:22,875 The most important thing... 923 01:12:23,041 --> 01:12:25,208 is that all that... 924 01:12:25,791 --> 01:12:27,375 is not present. 925 01:12:28,166 --> 01:12:33,208 Then the character emerges. Without your experiences. Got it? 926 01:12:34,500 --> 01:12:38,375 Because they hinder the character. 927 01:12:41,000 --> 01:12:43,458 I get it. Whether it will work... 928 01:12:43,625 --> 01:12:48,458 It's a matter of time, experience and patience. Sometimes it works, sometimes it doesn't. 929 01:12:48,791 --> 01:12:50,541 The most important thing is that you... 930 01:12:51,916 --> 01:12:55,291 are confident and relaxed. And I'm here... 931 01:12:55,458 --> 01:12:58,833 to help you as much as possible if necessary. 932 01:13:03,666 --> 01:13:08,000 Could I use your toilet now? -Naturally. 933 01:13:15,791 --> 01:13:18,666 I would like to apologize. 934 01:13:20,875 --> 01:13:22,541 Last... 935 01:13:22,708 --> 01:13:28,291 I thought it wasn't noticeable and I said things I shouldn't have said. 936 01:13:29,958 --> 01:13:31,250 Sorry. 937 01:14:24,291 --> 01:14:27,708 Fine, then I'll go. -Yes, it's late. 938 01:14:30,666 --> 01:14:32,708 One more thing. 939 01:14:35,000 --> 01:14:38,125 It's none of my business, but... 940 01:14:39,625 --> 01:14:43,208 The other day, when I saw you on the boulevard... 941 01:14:44,125 --> 01:14:45,750 that didn't feel right. 942 01:14:47,208 --> 01:14:52,833 I was reminded of when I drank myself to get rid of my father. 943 01:14:53,666 --> 01:14:56,583 Again, I don't know anything about your life. 944 01:14:56,750 --> 01:14:58,791 I don't know if... 945 01:14:58,958 --> 01:15:01,291 it's a habit, but... 946 01:15:01,458 --> 01:15:03,750 I don't know, but I remember... 947 01:15:03,916 --> 01:15:07,375 that you are in the restaurant also drank a bottle of wine. 948 01:15:08,500 --> 01:15:13,125 Once more. I don't know if that's a thing what you do more often. 949 01:15:13,291 --> 01:15:15,291 What I want to say: 950 01:15:15,458 --> 01:15:17,791 Drink ruins everything. 951 01:15:20,416 --> 01:15:21,666 Trust me. 952 01:15:23,083 --> 01:15:25,000 It seems nice... 953 01:15:25,166 --> 01:15:29,458 but actually you are boycotting yourself and you make things difficult for your loved ones. 954 01:15:31,083 --> 01:15:33,583 I would stop drinking. 955 01:15:44,041 --> 01:15:45,750 Thank you. -Don't mention it. 956 01:15:49,583 --> 01:15:50,583 Good night. 957 01:16:24,708 --> 01:16:26,666 This doesn't feel good. 958 01:16:28,208 --> 01:16:31,833 I'm here to work and star in your movie... 959 01:16:32,000 --> 01:16:34,125 not to be your daughter. 960 01:16:35,708 --> 01:16:40,416 Stop talking about personal things and don't compare us. 961 01:16:41,125 --> 01:16:46,666 I can certainly drink less, but I drink no one and don't spoil anyone's life. 962 01:16:51,625 --> 01:16:52,708 See you tomorrow. 963 01:17:05,666 --> 01:17:09,833 Just touch up the make-up and hairstyles. Hurry up. 964 01:17:10,000 --> 01:17:12,958 Fish in the early morning... Good morning. 965 01:17:13,125 --> 01:17:16,125 Mackerel for breakfast. How wonderful. 966 01:17:16,291 --> 01:17:21,875 There may still be bones in it, be careful. -I asked for silence. 967 01:17:22,041 --> 01:17:24,708 Come on. NB. 968 01:17:26,375 --> 01:17:28,791 Silence. The director is here. 969 01:17:41,458 --> 01:17:43,875 Is everyone ready? Thank you. 970 01:17:44,500 --> 01:17:46,541 We're going to film. 971 01:17:46,708 --> 01:17:49,541 Set empty, please. Thank you. 972 01:17:49,708 --> 01:17:51,916 The plates are on the table. 973 01:17:52,250 --> 01:17:54,041 Everyone in their place. 974 01:17:54,791 --> 01:17:56,291 Silence. 975 01:17:56,458 --> 01:17:58,000 Camera. -Camera is running. 976 01:17:58,166 --> 01:17:59,208 Sound runs. 977 01:17:59,375 --> 01:18:01,125 67 to 2, first. 978 01:18:01,291 --> 01:18:03,458 Mark. -In pictures? 979 01:18:03,583 --> 01:18:06,041 In pictures. -And action. 980 01:18:11,375 --> 01:18:14,500 Fishing is one of the attractions of this region. 981 01:18:14,625 --> 01:18:19,166 Of course. Carla likes to go occasionally with us. Right, Carla? 982 01:18:19,333 --> 01:18:22,375 My kids hate it of getting up early. 983 01:18:23,208 --> 01:18:26,041 Don't you say anything? -Cut. Again. 984 01:18:26,208 --> 01:18:27,583 From the beginning. 985 01:18:27,750 --> 01:18:32,125 Pepa, the camera was shaking. Why? -I'm just about to look at it. 986 01:18:34,041 --> 01:18:37,000 César, you're not eating. -I'll eat. 987 01:18:37,166 --> 01:18:39,708 Not true. I see it anyway. 988 01:18:39,875 --> 01:18:41,583 I did eat. -Not true. 989 01:18:41,750 --> 01:18:43,500 Esteban, I ate. -No. 990 01:18:43,666 --> 01:18:45,708 Really eat. Chew. Okay? 991 01:18:46,083 --> 01:18:50,083 We see everything. When I say 'action', then do your thing. 992 01:18:50,250 --> 01:18:52,125 Real. We'll do another one. 993 01:18:52,291 --> 01:18:54,750 Esteban, is my French okay? 994 01:18:54,916 --> 01:18:59,125 Yes, but in Spanish is also good. -Not necessary. 995 01:19:04,291 --> 01:19:06,458 Everyone in their place. 996 01:19:06,625 --> 01:19:07,625 Camera. 997 01:19:21,458 --> 01:19:23,250 And action. 998 01:19:33,125 --> 01:19:34,416 Don't you say anything? 999 01:19:35,708 --> 01:19:36,875 Damn. Stop. 1000 01:19:37,041 --> 01:19:40,083 The camera moved again. -I'll check it out. 1001 01:19:40,250 --> 01:19:42,666 Jacob. Again. 1002 01:19:42,833 --> 01:19:44,708 It doesn't work. -Sorry. It'll be fine. 1003 01:19:44,875 --> 01:19:46,541 Is it that difficult? 1004 01:19:47,250 --> 01:19:48,541 What? -That's what I'm asking you. 1005 01:19:48,708 --> 01:19:50,166 I ate. -Not really. 1006 01:19:50,333 --> 01:19:53,375 Yes. -Do you want to see it? 1007 01:19:53,500 --> 01:19:56,333 Really eat, please. Chew. 1008 01:19:57,375 --> 01:19:59,000 And the children? Are you okay, Carla? 1009 01:19:59,166 --> 01:20:00,375 Pablo? 1010 01:20:00,541 --> 01:20:02,250 Are you okay? -Yes. 1011 01:20:02,500 --> 01:20:04,333 Please help with the children. -Yes. 1012 01:20:04,500 --> 01:20:06,541 Let's start again, please. 1013 01:20:06,708 --> 01:20:07,875 We'll do another one. 1014 01:20:08,291 --> 01:20:10,750 I better not say anything... -It's no use. 1015 01:20:10,916 --> 01:20:13,208 Okay, is everyone ready? 1016 01:20:13,375 --> 01:20:15,333 We clear the set. Camera. 1017 01:20:16,041 --> 01:20:17,833 Camera is running. -Sound runs. 1018 01:20:18,000 --> 01:20:20,041 67 on 2, third. 1019 01:20:20,208 --> 01:20:22,291 Mark. -In pictures? 1020 01:20:22,458 --> 01:20:24,750 In pictures. -And action. 1021 01:20:28,333 --> 01:20:30,958 Fishing is one of the attractions here. 1022 01:20:31,125 --> 01:20:32,458 Indeed. 1023 01:20:32,583 --> 01:20:35,791 Carla would like to come with us. Right, Carla? 1024 01:20:35,958 --> 01:20:39,541 My kids hate it of getting up early. 1025 01:20:39,708 --> 01:20:41,375 Don't you say anything? -Cut. 1026 01:20:41,500 --> 01:20:43,500 We stopped. -Goddammit. 1027 01:20:43,958 --> 01:20:48,250 Jacob, should I take over for you? Less ground, please. 1028 01:20:48,416 --> 01:20:50,750 Damn. You seem like a beginner. 1029 01:20:51,416 --> 01:20:54,458 I actually ate. -But with long teeth. 1030 01:20:54,583 --> 01:20:58,500 Who gets this down their throat at 9 o'clock? No offense intended, mind you. 1031 01:20:58,625 --> 01:21:03,541 You have to eat. At 9 o'clock, at 10 o'clock, at 11 o'clock. At any time. 1032 01:21:03,708 --> 01:21:06,000 Are you a professional or not? 1033 01:21:07,791 --> 01:21:08,916 Yes. 1034 01:21:09,875 --> 01:21:11,125 Okay, then. 1035 01:21:11,291 --> 01:21:13,083 Touch up makeup? -No. 1036 01:21:13,250 --> 01:21:15,875 No, so? -No, Pablo. 1037 01:21:17,833 --> 01:21:20,958 Here we go, everyone pay attention. Camera. 1038 01:21:21,125 --> 01:21:22,375 Running. -Sound too. 1039 01:21:23,291 --> 01:21:25,666 Maybe he'll be happy if I choke on it. 1040 01:21:25,833 --> 01:21:26,833 Mark. 1041 01:21:27,000 --> 01:21:29,291 And action. 1042 01:21:45,000 --> 01:21:46,000 Cut. 1043 01:21:47,791 --> 01:21:48,833 Sorry. 1044 01:21:49,791 --> 01:21:50,791 Boys. 1045 01:21:51,166 --> 01:21:52,291 We stopped. 1046 01:21:59,125 --> 01:22:02,125 Sorry, Esteban. It's alright, I'm done. 1047 01:22:05,166 --> 01:22:06,625 I'm done. 1048 01:22:08,375 --> 01:22:11,375 We're going to run again. -On your mark. 1049 01:22:11,500 --> 01:22:14,375 Everything okay for you? -Yes. 1050 01:22:14,583 --> 01:22:16,666 Here we go, we're going to spin. 1051 01:22:17,041 --> 01:22:18,500 Guys, concentrate. 1052 01:22:18,666 --> 01:22:20,208 We're going to film. 1053 01:22:22,333 --> 01:22:24,041 Are you okay, guys? 1054 01:22:24,208 --> 01:22:26,875 Yes, go ahead. -Good. Here we go. 1055 01:22:27,541 --> 01:22:29,458 And now no more jokes. 1056 01:22:33,416 --> 01:22:35,250 67 on 2, fifth. -Mark. 1057 01:22:36,250 --> 01:22:37,333 In pictures? 1058 01:22:38,666 --> 01:22:41,125 Jeminee, that mackerel. -Action. 1059 01:23:08,458 --> 01:23:09,958 Stop it now. 1060 01:23:15,291 --> 01:23:16,333 Should I stop? 1061 01:23:25,208 --> 01:23:26,666 Up with that fishing rod. 1062 01:23:29,708 --> 01:23:30,958 Why are you stopping? 1063 01:23:31,875 --> 01:23:33,541 I didn't say anything. Go on. 1064 01:23:35,708 --> 01:23:37,041 We're turning. 1065 01:23:46,416 --> 01:23:49,750 When you're ready, maybe we can move on. 1066 01:23:50,958 --> 01:23:53,666 Then we'll finish it. When it suits. 1067 01:24:27,208 --> 01:24:32,916 Don't worry about your colleagues who stand before you in the blazing sun. 1068 01:24:35,416 --> 01:24:40,333 Everyone will wait. That you know that, bunch of professionals. 1069 01:24:42,958 --> 01:24:44,833 The camera is still running. 1070 01:24:46,250 --> 01:24:47,500 Can he? 1071 01:24:51,750 --> 01:24:53,250 Raúl, laughed at? 1072 01:24:53,750 --> 01:24:54,750 Yes. 1073 01:24:55,500 --> 01:24:56,916 Are you sure? -Yes. 1074 01:24:58,000 --> 01:24:59,000 Okay. 1075 01:24:59,791 --> 01:25:01,250 No? Yes. 1076 01:25:03,916 --> 01:25:07,791 The next one who laughs, I'll stick the hell to the wall. 1077 01:25:08,208 --> 01:25:10,291 Now, cut. We're going to run again. 1078 01:25:11,541 --> 01:25:13,541 Can you also speak normally? 1079 01:25:14,833 --> 01:25:15,833 Excuse me? 1080 01:25:16,333 --> 01:25:18,833 You don't have to be so aggressive. 1081 01:25:19,958 --> 01:25:22,416 Don't interfere. -Yes. 1082 01:25:25,458 --> 01:25:27,125 We're going to turn. 1083 01:25:27,291 --> 01:25:28,750 Come on. New recording. 1084 01:25:29,583 --> 01:25:31,125 Be ready. 1085 01:25:33,000 --> 01:25:34,583 I'm fine. Sorry. 1086 01:25:39,750 --> 01:25:41,500 Are you still okay? -Yes. 1087 01:25:41,666 --> 01:25:43,583 Should we stop? -No. 1088 01:25:44,500 --> 01:25:45,666 Are you sure? 1089 01:25:46,375 --> 01:25:49,708 Attention, we are going to film. Camera. 1090 01:25:50,750 --> 01:25:53,041 67 on 2, sixth. Mark. 1091 01:25:54,541 --> 01:25:55,666 In pictures? 1092 01:25:57,291 --> 01:25:58,500 And... 1093 01:26:00,375 --> 01:26:02,000 action. 1094 01:26:21,250 --> 01:26:22,458 Sorry. 1095 01:26:23,458 --> 01:26:24,708 Goddammit. 1096 01:26:24,875 --> 01:26:28,250 Do you break off in the middle of the recording? How do you get it in your head? 1097 01:26:28,416 --> 01:26:31,500 You're right. Sorry. -Only I abort. 1098 01:26:31,625 --> 01:26:36,166 You're making us nervous. -Don't complain and do your job. 1099 01:26:37,000 --> 01:26:40,083 I want one damn good take make today. 1100 01:26:40,250 --> 01:26:42,583 You're in the picture, eat more. -Am I not eating right? 1101 01:26:42,750 --> 01:26:44,208 No, you ate once. -Okay. 1102 01:26:45,125 --> 01:26:47,291 What do you mean by that? 1103 01:26:48,250 --> 01:26:50,625 You're not on the goddamn schoolyard. 1104 01:26:51,458 --> 01:26:53,625 This is a serious shot, Emilia. 1105 01:26:53,791 --> 01:26:56,166 Work is being done here. 1106 01:26:57,291 --> 01:27:00,500 Sorry. -Are you going to play your character? 1107 01:27:00,625 --> 01:27:02,458 Yes. -Are you doing your job? 1108 01:27:02,625 --> 01:27:04,666 Do you behave like a professional? 1109 01:27:06,541 --> 01:27:08,041 I'm curious. 1110 01:27:09,583 --> 01:27:10,625 We're going to film. 1111 01:27:12,750 --> 01:27:14,625 Pay attention, we're going to film. 1112 01:27:14,791 --> 01:27:16,541 Pablo, calm down. 1113 01:27:16,750 --> 01:27:19,750 What do I do with that little one? -Send him away. 1114 01:27:19,916 --> 01:27:23,000 Should I take him out of the scene? -Yes. 1115 01:27:24,875 --> 01:27:26,083 Where is Pepa? -Outside. 1116 01:27:26,250 --> 01:27:29,083 Call her. -Pepa, can you come? 1117 01:27:32,958 --> 01:27:35,666 She's not coming. -She stays outside. 1118 01:27:37,500 --> 01:27:40,916 Yes, Esteban. We take away the sign, the chair. 1119 01:27:41,083 --> 01:27:43,833 We'll take everything away. 1120 01:27:44,000 --> 01:27:45,958 Get the chair and the plates too. 1121 01:27:46,875 --> 01:27:49,125 Everything. The little one doesn't participate. 1122 01:27:49,291 --> 01:27:50,541 What now, Pablo? 1123 01:27:51,458 --> 01:27:55,708 Sorry. Emilia, César, switch places. You, between the two. 1124 01:27:55,875 --> 01:27:58,000 And you, César, among them. 1125 01:27:59,041 --> 01:28:00,125 Here we go. 1126 01:28:00,291 --> 01:28:03,666 Jacob, is it okay? 1127 01:28:04,125 --> 01:28:07,708 Perfect. -Okay. We're going to turn. 1128 01:28:08,000 --> 01:28:09,625 Unbelievable. 1129 01:28:09,791 --> 01:28:11,625 Are you okay? -Pay attention. 1130 01:28:11,791 --> 01:28:13,375 Raquel, not now. 1131 01:28:13,541 --> 01:28:16,625 We'll do another one. Camera. 1132 01:28:16,791 --> 01:28:18,666 Camera. -Camera is running. 1133 01:28:41,666 --> 01:28:43,083 Don't you say anything? 1134 01:28:44,500 --> 01:28:45,583 Go on. 1135 01:28:48,958 --> 01:28:52,250 Emilia. Eat. I want to see you eat. 1136 01:28:53,875 --> 01:28:56,041 Three meters back. 1137 01:28:56,208 --> 01:28:57,708 Jacob, back up. 1138 01:28:57,875 --> 01:28:59,333 Raúl, start again from 'Carla loves...' 1139 01:28:59,583 --> 01:29:02,333 Do you want the chair? -No, no chair. Thank you. 1140 01:29:03,250 --> 01:29:05,583 In pictures? -Camera is running. 1141 01:29:05,750 --> 01:29:07,250 And action. 1142 01:29:09,958 --> 01:29:11,875 Eat normally. Eat, Emilia. 1143 01:29:12,041 --> 01:29:13,625 Eat. 1144 01:29:15,291 --> 01:29:18,333 It must seem real. Like this. 1145 01:29:21,041 --> 01:29:23,666 Emilia, for the last time. Eat normally. 1146 01:29:23,833 --> 01:29:26,500 A little patience please? -Eat. 1147 01:29:26,708 --> 01:29:27,708 Eat. 1148 01:29:33,000 --> 01:29:35,250 Not so. Not with long teeth. 1149 01:29:35,416 --> 01:29:38,000 This looks fake. -What do you want? 1150 01:29:38,166 --> 01:29:40,375 Hold your spoon securely. -Like this? 1151 01:29:41,750 --> 01:29:43,166 Spoon some onto your spoon. 1152 01:29:44,708 --> 01:29:46,708 Put that in your mouth. 1153 01:29:46,875 --> 01:29:48,708 Chewing. Swallow. 1154 01:29:49,416 --> 01:29:51,750 Okay, let's continue with the scene. 1155 01:29:54,208 --> 01:29:56,666 Don't you say anything? -Not now. 1156 01:29:57,208 --> 01:29:59,541 The microphone, damn it. Concentration. 1157 01:29:59,708 --> 01:30:01,500 One moment. -Damn. Again. 1158 01:30:01,958 --> 01:30:03,416 Are you okay? Can he? 1159 01:30:03,541 --> 01:30:06,125 Of course it is possible. -Yes, I can continue. 1160 01:30:06,291 --> 01:30:08,958 From the beginning. -Of course I can continue. 1161 01:30:09,125 --> 01:30:10,833 From the beginning, of course. 1162 01:30:11,000 --> 01:30:13,083 From 'Carla...'? -From the beginning. 1163 01:30:13,250 --> 01:30:15,458 Makeup. -No. 1164 01:30:15,625 --> 01:30:18,500 She's shining. -Who? Doesn't matter. Do this. 1165 01:30:19,916 --> 01:30:22,708 Okay.. -We're filming. I want to wrap up this scene. 1166 01:30:22,958 --> 01:30:26,208 Get this. We continue. 1167 01:30:26,958 --> 01:30:28,583 Like this. Thank you. 1168 01:30:29,583 --> 01:30:30,666 Go on. 1169 01:30:31,791 --> 01:30:33,708 Hold your spoon securely. -Like this? 1170 01:30:33,875 --> 01:30:36,625 No, not like that, but like an adult. 1171 01:30:36,791 --> 01:30:38,750 Not like a little girl. Like this. 1172 01:30:42,666 --> 01:30:46,541 She is a young woman from the Madrid upper class. 1173 01:30:46,708 --> 01:30:49,833 Please. Not a folk girl like you. 1174 01:30:50,000 --> 01:30:51,541 Put the spoon down. 1175 01:30:52,208 --> 01:30:53,708 Good. Again. 1176 01:30:53,875 --> 01:30:55,375 Take the spoon. 1177 01:30:56,583 --> 01:30:58,541 In your mouth. Chew. 1178 01:30:58,708 --> 01:31:01,500 Chew. Swallow. Your text. 1179 01:31:02,000 --> 01:31:03,625 We keep turning. 1180 01:31:04,333 --> 01:31:06,541 We keep turning. Tim, your text. 1181 01:31:17,250 --> 01:31:18,708 Don't you say anything? 1182 01:31:30,416 --> 01:31:33,000 Bernardo, please. -Not right now. 1183 01:34:55,083 --> 01:34:56,708 Is Pepa there? 1184 01:34:56,875 --> 01:34:58,208 The room next door. 1185 01:34:58,375 --> 01:35:00,916 Oh, okay, sorry. -It's okay. 1186 01:35:11,541 --> 01:35:12,625 Hello. 1187 01:35:13,416 --> 01:35:17,125 Can we talk for a moment? -We'll meet in 30 minutes, right? 1188 01:35:17,291 --> 01:35:21,250 Yes, but I want first just talk to you for a moment. 1189 01:35:21,416 --> 01:35:23,583 Just for a moment. Please. 1190 01:35:26,125 --> 01:35:27,583 Just for a moment. 1191 01:35:28,000 --> 01:35:30,083 Okay. Come in. 1192 01:35:30,250 --> 01:35:31,541 Thank you. 1193 01:35:32,541 --> 01:35:34,666 Close the door? -No, leave it open. 1194 01:35:36,041 --> 01:35:39,791 Hey, Jacob. -Can you leave us alone for a moment? 1195 01:35:41,291 --> 01:35:43,708 Are you sure? Okay. 1196 01:35:51,541 --> 01:35:55,291 Okay. Your decision is made or can I say something? 1197 01:35:55,458 --> 01:35:57,416 It's certain. 1198 01:35:58,458 --> 01:36:01,708 But we can talk about it. Me first. 1199 01:36:01,875 --> 01:36:03,166 Okay. 1200 01:36:05,916 --> 01:36:08,208 I'm sorry. Real. 1201 01:36:08,375 --> 01:36:12,416 You have given me a great opportunity. 1202 01:36:12,541 --> 01:36:14,625 I learned a lot. 1203 01:36:16,625 --> 01:36:21,083 I know it sucks. That's why I waited until the weekend. 1204 01:36:21,250 --> 01:36:24,500 Then you can look for a replacement. 1205 01:36:26,000 --> 01:36:29,291 That can't be done in a weekend. 1206 01:36:29,458 --> 01:36:31,583 You'll find someone quickly. 1207 01:36:31,750 --> 01:36:34,750 Listen. I appreciate your apology. 1208 01:36:34,916 --> 01:36:38,500 We agree, it was a bad day. 1209 01:36:38,666 --> 01:36:42,208 It was horrible, Esteban. Unacceptable. 1210 01:36:42,375 --> 01:36:47,041 It was a difficult day, not my best. I'm not proud of it at all. 1211 01:36:47,208 --> 01:36:51,208 I admit that, but it still is no reason to leave. 1212 01:36:51,375 --> 01:36:53,833 No matter how you look at it. -Don't know. 1213 01:36:54,000 --> 01:36:58,000 I'm not used to recordings going like this. -Seriously, Pepa? 1214 01:36:58,166 --> 01:37:01,208 That's just how recordings go. Mine and others. 1215 01:37:01,375 --> 01:37:04,375 Sometimes days are easy, sometimes hard. 1216 01:37:04,500 --> 01:37:09,208 This was different. I want something like that never experience again. Got it? 1217 01:37:09,791 --> 01:37:13,083 I get it and it won't happen again. 1218 01:37:13,750 --> 01:37:16,041 I promise you that. -Good. 1219 01:37:16,208 --> 01:37:20,708 It won't happen again. -Okay. If you say so. 1220 01:37:20,875 --> 01:37:22,916 I got up an hour ago... 1221 01:37:23,083 --> 01:37:28,041 and heard that you and your crew leave three weeks before the end. 1222 01:37:28,750 --> 01:37:31,541 Besides, what does everyone else think? of your crew? 1223 01:37:31,708 --> 01:37:35,333 Does he think it's okay to leave like this? 1224 01:37:35,500 --> 01:37:39,416 Yes. Staying means you accept this. -'This'? 1225 01:37:39,541 --> 01:37:43,125 What are you talking about? All I see... 1226 01:37:43,291 --> 01:37:48,916 is amateurish behavior and an incredible one lack of respect for the entire team... 1227 01:37:49,083 --> 01:37:53,291 and I won't allow that. -You won't allow that? 1228 01:37:53,916 --> 01:37:55,291 Good. 1229 01:37:55,458 --> 01:37:59,083 We'll talk about it downstairs. -Good. And why not now? 1230 01:37:59,250 --> 01:38:02,583 I want there to be witnesses. That's all. 1231 01:38:02,750 --> 01:38:07,291 Have you really thought this through? Because my pants are falling off. 1232 01:38:07,458 --> 01:38:10,500 You can't have it that someone says no. 1233 01:38:10,666 --> 01:38:14,250 You just let me down. -And I'm sorry. 1234 01:38:14,416 --> 01:38:18,291 Okay. And? -It's not easy for me. 1235 01:38:18,458 --> 01:38:20,500 That still needs to be added. 1236 01:38:20,666 --> 01:38:22,583 It's not easy. 1237 01:38:22,750 --> 01:38:25,000 Now get out of my room. 1238 01:38:27,541 --> 01:38:28,791 Good. 1239 01:38:29,000 --> 01:38:33,583 As long as you realize that you let 70 people down. 1240 01:38:34,458 --> 01:38:36,625 I know that. -You know that. Good. 1241 01:38:36,791 --> 01:38:38,708 And I accept the consequences. 1242 01:38:40,625 --> 01:38:42,458 Please get out of my room. 1243 01:38:43,458 --> 01:38:44,541 Go away. 1244 01:38:45,375 --> 01:38:47,708 There are still three weeks to go. 1245 01:38:51,375 --> 01:38:53,041 Do you think it's... 1246 01:38:55,375 --> 01:38:56,375 Good. 1247 01:38:58,333 --> 01:38:59,791 Okay. Thank you. 1248 01:39:00,708 --> 01:39:02,458 Yes. Goodbye. 1249 01:39:03,000 --> 01:39:06,208 What did he say? -He's filming until April. 1250 01:39:06,375 --> 01:39:08,958 Shit. -But he gave an interesting name. 1251 01:39:09,125 --> 01:39:10,750 Who? -Nakai. 1252 01:39:10,916 --> 01:39:13,708 Nakai, yes. Yes, please. 1253 01:39:13,875 --> 01:39:16,250 I like him. -That's what I thought. 1254 01:39:16,416 --> 01:39:19,666 But Nakai has the same agent as Pepa. 1255 01:39:19,833 --> 01:39:21,666 And? -He's not coming. 1256 01:39:22,750 --> 01:39:24,208 Why not, Nico? 1257 01:39:24,541 --> 01:39:25,916 He doesn't feel like it. 1258 01:39:26,083 --> 01:39:28,125 How do you know? Did you call him? 1259 01:39:28,291 --> 01:39:32,041 We can't move forward like this, can we? Sorry. 1260 01:39:32,208 --> 01:39:35,750 We ask him ourselves. Okay? Do you have his number? 1261 01:39:35,916 --> 01:39:37,583 No. -Okay. 1262 01:39:37,916 --> 01:39:40,000 How do we get his number? -I got it. 1263 01:39:40,166 --> 01:39:44,791 Give to Marina. Marina, call him. Ask him to come as soon as possible. 1264 01:39:44,958 --> 01:39:47,833 Sorry. Ask him to come as soon as he can. 1265 01:39:48,000 --> 01:39:50,291 Okay. -Please. 1266 01:39:50,458 --> 01:39:51,875 Inside? 1267 01:39:52,458 --> 01:39:54,916 Yes. Thank you. -You have the number? 1268 01:39:55,083 --> 01:39:57,000 I'll keep you informed. -Thank you. 1269 01:39:59,250 --> 01:40:02,458 One thing is certain: times have changed. 1270 01:40:02,625 --> 01:40:03,916 Say that. 1271 01:40:06,833 --> 01:40:09,125 Everything will be fine. 1272 01:40:16,208 --> 01:40:18,541 You didn't tell me what happened. 1273 01:40:22,125 --> 01:40:23,708 Over the phone, right? 1274 01:40:23,875 --> 01:40:29,458 No, about the scene, but not about what happened between you. 1275 01:40:32,750 --> 01:40:34,916 I know what I heard. 1276 01:40:37,708 --> 01:40:39,541 What did you hear? 1277 01:40:40,958 --> 01:40:43,833 That everyone was tense. 1278 01:40:44,000 --> 01:40:46,916 And she made a scene. 1279 01:40:50,583 --> 01:40:53,916 I wasn't there, that's why I'm asking. -I see. 1280 01:40:54,083 --> 01:40:59,250 You were indeed not there. It's more complicated than that, Marina. 1281 01:40:59,416 --> 01:41:01,625 Why are you acting like this? -What do you mean? 1282 01:41:01,791 --> 01:41:04,500 I'll tell you what I think. 1283 01:41:04,625 --> 01:41:06,250 It's more complicated. 1284 01:41:06,666 --> 01:41:09,708 What's more complicated? 1285 01:41:09,875 --> 01:41:11,083 Serious? 1286 01:41:12,916 --> 01:41:14,333 Life... 1287 01:41:15,041 --> 01:41:19,083 is complicated. And relationships are complicated. 1288 01:41:20,625 --> 01:41:25,500 And don't you want to share that with me? -No. What else do I need to say? 1289 01:41:25,666 --> 01:41:30,666 She's my daughter, I haven't had her for a long time seen and I want to help her. 1290 01:41:30,833 --> 01:41:32,916 What else is there to... 1291 01:41:33,083 --> 01:41:35,208 No idea. How are you feeling? 1292 01:41:37,916 --> 01:41:40,333 How do you feel about her? 1293 01:41:53,583 --> 01:41:56,875 I prefer to keep that to myself. Good? 1294 01:41:58,166 --> 01:41:59,291 Okay. 1295 01:42:00,000 --> 01:42:03,166 I thought your private life also concerned me. 1296 01:42:03,333 --> 01:42:06,291 At least that was the case for years. 1297 01:42:06,458 --> 01:42:08,333 Or have you forgotten that? 1298 01:42:09,750 --> 01:42:13,041 I guess sometimes it's a good thing... 1299 01:42:13,208 --> 01:42:16,916 that the dynamics change. Don't you think so? 1300 01:42:17,166 --> 01:42:18,291 Certainly. 1301 01:42:19,208 --> 01:42:22,500 I'm too old for some things. -Me, too. 1302 01:42:26,500 --> 01:42:29,333 Hello. To the airport. -Yes. 1303 01:42:29,500 --> 01:42:32,750 Should I drop you off somewhere? -No, you don't have to. 1304 01:42:32,916 --> 01:42:36,291 Good. -I'll call you after I talk to Nakai. 1305 01:42:36,458 --> 01:42:40,291 Okay. Thank you. Good flight. Thank you, Marina. 1306 01:43:01,458 --> 01:43:03,125 Hello. 1307 01:43:09,166 --> 01:43:10,875 Everything okay? -With you too? 1308 01:43:11,125 --> 01:43:12,375 I'll just put this down. 1309 01:43:18,416 --> 01:43:21,750 Are we still missing many people? -I don't think so. 1310 01:43:22,250 --> 01:43:25,291 I don't believe there will be more. -Okay. 1311 01:43:30,125 --> 01:43:31,958 Well... Hello. 1312 01:43:35,458 --> 01:43:38,666 In the end it just has to be stopped for two days. 1313 01:43:38,833 --> 01:43:43,500 Thanks to this great duo, Nico and Andrea, and the wonderful Marina Cellier. 1314 01:43:43,625 --> 01:43:46,541 They've worked their asses off. Thank you. 1315 01:43:48,000 --> 01:43:50,541 We're starting again, we're going to film. 1316 01:43:50,708 --> 01:43:54,541 With a killer, James Nakai. 1317 01:43:54,708 --> 01:43:56,500 You probably know him. 1318 01:43:56,666 --> 01:43:58,375 A DoP... 1319 01:43:59,000 --> 01:44:00,583 a master. 1320 01:44:00,750 --> 01:44:01,791 A genius. 1321 01:44:03,250 --> 01:44:05,791 And besides, he's a professional. 1322 01:44:07,291 --> 01:44:10,833 It will be a pleasure to work with him, easy... 1323 01:44:15,916 --> 01:44:19,333 Come quickly. There's room here at the front. 1324 01:44:20,791 --> 01:44:22,625 I just said... It's okay. 1325 01:44:22,791 --> 01:44:27,000 I just said Nakai is a great guy, excited... 1326 01:44:27,166 --> 01:44:30,500 and with wonderful ideas for the film. 1327 01:44:31,250 --> 01:44:34,291 But the most important reason for me... 1328 01:44:34,458 --> 01:44:36,125 for this meeting... 1329 01:44:37,333 --> 01:44:38,958 was... 1330 01:44:40,750 --> 01:44:42,541 to thank you... 1331 01:44:42,708 --> 01:44:46,375 in a more personal way... 1332 01:44:47,916 --> 01:44:49,541 for your efforts... 1333 01:44:49,708 --> 01:44:52,375 and your dedication to the film. 1334 01:44:54,000 --> 01:44:58,500 I have tested you sorely. It wasn't easy. 1335 01:44:59,291 --> 01:45:02,416 Thank you all very much. 1336 01:45:08,666 --> 01:45:10,291 Am I forgetting anything? 1337 01:45:11,416 --> 01:45:13,208 Drinks at seven o'clock. 1338 01:45:13,375 --> 01:45:17,791 Oh yes, we have it at seven o'clock organized a drink... 1339 01:45:17,958 --> 01:45:20,875 with snacks for Nakai and his crew. 1340 01:45:21,041 --> 01:45:25,666 I would like to ask you to come too and say hello. 1341 01:45:25,833 --> 01:45:29,625 Then we can start shooting tomorrow. 1342 01:45:29,791 --> 01:45:31,875 If it works, of course. 1343 01:45:32,041 --> 01:45:33,041 Okay? 1344 01:45:39,166 --> 01:45:43,041 Are there any questions? Do you want to say or know something? 1345 01:45:47,416 --> 01:45:49,708 Thanks for coming. 1346 01:45:52,291 --> 01:45:53,916 Is this how we see each other? 1347 01:45:54,083 --> 01:45:55,416 See you later. 1348 01:45:57,750 --> 01:46:00,250 Talk to your captain. The French... 1349 01:46:00,666 --> 01:46:02,416 Talk to your captain. 1350 01:46:02,541 --> 01:46:04,958 The French will show no mercy. 1351 01:46:46,750 --> 01:46:48,291 'Nice gesture. 1352 01:46:55,083 --> 01:46:58,083 That gesture looks natural in movies. 1353 01:46:59,083 --> 01:47:00,333 It's spontaneous. 1354 01:47:00,500 --> 01:47:04,541 This makes the actors appear no puppets. 1355 01:47:07,541 --> 01:47:08,958 What am I doing? 1356 01:47:10,125 --> 01:47:11,541 I'm ridiculous. 1357 01:47:12,541 --> 01:47:14,708 That's why I make films. 1358 01:47:21,958 --> 01:47:23,750 The gesture you just made... 1359 01:47:24,750 --> 01:47:26,166 do that again. 1360 01:47:29,833 --> 01:47:31,250 Let's see. 1361 01:47:38,250 --> 01:47:39,916 Show that gesture. 1362 01:47:41,416 --> 01:47:42,916 It's beautiful. 1363 01:47:45,083 --> 01:47:46,958 Again. 1364 01:47:48,291 --> 01:47:50,708 I like it because in movies... 1365 01:47:51,041 --> 01:47:53,416 actors must be authentic. 1366 01:47:54,083 --> 01:47:58,041 With such gestures they don't look like stiff, wooden classrooms.' 1367 01:48:08,833 --> 01:48:11,291 I'm going to do a new series with him. -Cool. 1368 01:48:11,458 --> 01:48:14,750 I haven't read the script, but there's a kidnapping... 1369 01:48:14,916 --> 01:48:16,833 I auditioned for that. 1370 01:48:17,000 --> 01:48:20,125 Real? Do you have a role? -I'm still waiting for an answer. 1371 01:48:20,291 --> 01:48:22,458 I'm rooting for you. -I hope so. 1372 01:48:22,583 --> 01:48:24,500 That would be crazy. -And you, Marta? 1373 01:48:24,666 --> 01:48:27,666 I'm going away to get married. -In May. 1374 01:48:27,833 --> 01:48:31,416 We got married during the corona crisis, without a party. We're going to make that right. 1375 01:48:31,541 --> 01:48:36,000 A big wedding? -Just simple, a typical village festival. 1376 01:48:36,166 --> 01:48:38,916 I love marching bands. -Can I come too? 1377 01:48:39,083 --> 01:48:41,583 Do you want that, baby? -If you invite me. 1378 01:48:43,791 --> 01:48:45,750 Hello. How are you? 1379 01:48:47,166 --> 01:48:50,166 Are you equipped? -Yes, and you? 1380 01:48:50,333 --> 01:48:54,500 No. There was such a racket. No idea who they were. 1381 01:48:54,666 --> 01:48:57,458 Englishmen arguing. 1382 01:48:57,583 --> 01:49:00,458 Was that it? -By the pool. A brawl. 1383 01:49:00,625 --> 01:49:03,166 Damn. Hence the noise. 1384 01:49:03,333 --> 01:49:07,666 Are you okay? Does it work? Nice. -It's very easy. 1385 01:49:08,083 --> 01:49:09,375 Very good. 1386 01:49:09,541 --> 01:49:14,500 The wind has risen, so there will be clouds and sun. 1387 01:49:14,625 --> 01:49:17,833 We'll wait and see. -Precisely. We must be patient. 1388 01:49:18,000 --> 01:49:19,708 Are you okay? -Yes. 1389 01:49:19,875 --> 01:49:23,208 How are you feeling? Today is a big day. -Yes. 1390 01:49:23,375 --> 01:49:25,041 Your surrender. -Precisely. 1391 01:49:25,208 --> 01:49:28,375 How does that feel? -Good. I love that scene. 1392 01:49:28,541 --> 01:49:29,916 Doubts? -No. 1393 01:49:30,083 --> 01:49:31,083 Good. 1394 01:49:32,083 --> 01:49:33,125 So... 1395 01:49:35,458 --> 01:49:39,791 Production is aware if you need anything else... 1396 01:49:39,958 --> 01:49:41,916 Water, or something else. 1397 01:49:44,500 --> 01:49:47,416 Thank you. -Thanks, as always... 1398 01:49:48,125 --> 01:49:50,375 for your patience. 1399 01:49:56,500 --> 01:49:59,541 I'm going. If you need something, say so. 1400 01:50:03,625 --> 01:50:04,875 Do we continue? 1401 01:50:06,875 --> 01:50:08,375 One more thing. 1402 01:50:11,083 --> 01:50:14,791 I know the other day was a disaster. 1403 01:50:14,958 --> 01:50:17,041 But your work... 1404 01:50:36,416 --> 01:50:40,583 Your work was impressive. 1405 01:50:40,750 --> 01:50:42,166 I mean it. 1406 01:50:43,458 --> 01:50:45,083 Put it on. 1407 01:50:46,458 --> 01:50:48,833 We'll meet there. See you soon. 1408 01:51:09,500 --> 01:51:10,625 That scene. 1409 01:51:11,333 --> 01:51:14,750 This scene is the one I remember most. 1410 01:51:14,916 --> 01:51:17,791 He was very difficult to film. 1411 01:51:18,708 --> 01:51:20,416 A scene... 1412 01:51:20,583 --> 01:51:21,791 which was very difficult. 1413 01:51:24,875 --> 01:51:26,708 The crew had a hard time. 1414 01:51:28,125 --> 01:51:29,958 Especially the actors. 1415 01:51:30,125 --> 01:51:33,666 We were locked up for two days in this room. 1416 01:51:33,833 --> 01:51:36,875 We all went half crazy. 1417 01:51:46,250 --> 01:51:51,375 The film footage are captured forever... 1418 01:51:51,541 --> 01:51:57,041 but the things you experience during filming sticks out the most. 1419 01:51:58,041 --> 01:52:00,708 This moment has marked us. 1420 01:52:02,833 --> 01:52:05,458 This memory also remains... 1421 01:52:05,625 --> 01:52:07,875 forever etched in our memories. 1422 01:53:58,333 --> 01:54:00,791 What recording is it? -The third. 1423 01:54:00,958 --> 01:54:02,041 The third. 1424 01:54:07,958 --> 01:54:09,000 Can I come in? 1425 01:54:09,833 --> 01:54:12,166 Yes, of course. -It's hell outside. 1426 01:54:12,333 --> 01:54:14,666 But I don't want to disturb you. 1427 01:54:14,833 --> 01:54:16,500 Are you sure? -Yes. 1428 01:54:24,416 --> 01:54:26,125 From the beginning. 1429 01:54:36,583 --> 01:54:39,041 The third, right? -Yes. 1430 01:54:41,666 --> 01:54:44,416 Sorry. -Silence it for a moment. 1431 01:54:45,583 --> 01:54:49,625 I think the wind will continue... 1432 01:54:49,791 --> 01:54:54,166 or even gets worse. We have to think of something. 1433 01:54:55,791 --> 01:54:58,708 We wait half an hour... 1434 01:54:59,541 --> 01:55:02,833 and then we start spinning. -With that wind? 1435 01:55:04,500 --> 01:55:05,500 Yes. 1436 01:55:06,875 --> 01:55:08,041 I can... 1437 01:55:09,166 --> 01:55:11,291 I can film it without the dialogue. 1438 01:55:12,958 --> 01:55:16,541 I can film it without the dialogue and with the wind. 1439 01:55:16,750 --> 01:55:19,041 We wait another half hour. 1440 01:55:19,208 --> 01:55:21,958 Okay. I warn the crew. -Yes, thank you. 1441 01:55:22,125 --> 01:55:23,083 Thank you too. 1442 01:55:28,291 --> 01:55:32,375 Are you okay with it without the dialogues? 1443 01:55:32,500 --> 01:55:35,291 Sure. Naturally. What you want. 1444 01:55:50,833 --> 01:55:52,500 How are you feeling? 1445 01:55:56,875 --> 01:55:58,041 Good. 1446 01:55:59,916 --> 01:56:01,458 Fine. 1447 01:56:07,041 --> 01:56:11,041 I'm happy that we have found a solution... 1448 01:56:11,208 --> 01:56:13,250 and move on. 1449 01:56:15,250 --> 01:56:16,833 How are you? 1450 01:56:19,208 --> 01:56:20,333 Good. 1451 01:56:26,083 --> 01:56:29,333 You're almost done. -Two more days. 1452 01:56:30,750 --> 01:56:34,166 You probably want to go home. -Honestly, yes. 1453 01:56:35,791 --> 01:56:37,875 I feel like going home... 1454 01:56:39,625 --> 01:56:41,750 and to see my mother. 1455 01:56:44,125 --> 01:56:45,500 Naturally. 1456 01:56:52,666 --> 01:56:56,458 I have a sandwich. A piece? -No, thank you. 1457 01:56:56,625 --> 01:56:58,625 Esteban, excuse me for a moment. -Do you? 1458 01:56:58,791 --> 01:57:00,583 No, thank you. I'll be right back they call me. 1459 01:57:00,750 --> 01:57:01,750 Okay. 1460 01:57:04,875 --> 01:57:07,458 It's... -Just do it anyway. 1461 01:57:07,625 --> 01:57:11,583 It's very tasty. Here. A napkin. 1462 01:57:53,541 --> 01:57:58,416 When we were filming on the beach you said something to César that I keep thinking about. 1463 01:58:01,750 --> 01:58:02,958 What? 1464 01:58:04,750 --> 01:58:06,666 That you remembered everything. 1465 01:58:13,500 --> 01:58:14,500 Yes. 1466 01:58:16,125 --> 01:58:17,875 Unfortunately, yes. 1467 01:58:23,208 --> 01:58:24,583 So... 1468 01:58:27,625 --> 01:58:30,458 do you realize what it meant to me... 1469 01:58:35,333 --> 01:58:36,583 all those... 1470 01:58:40,916 --> 01:58:42,958 all that pain? 1471 01:58:48,708 --> 01:58:49,833 There are... 1472 01:58:53,916 --> 01:58:56,750 There are many things you don't know. 1473 01:58:59,291 --> 01:59:02,291 And there are things about you that I don't know. 1474 01:59:03,333 --> 01:59:05,625 That we don't know about each other. 1475 01:59:08,500 --> 01:59:10,916 For example, at that time... 1476 01:59:13,416 --> 01:59:16,458 When you were little, it was very difficult. 1477 01:59:16,625 --> 01:59:18,666 Very heavy. A shitty time. 1478 01:59:21,208 --> 01:59:22,625 Very difficult. 1479 01:59:25,083 --> 01:59:27,041 And you grew up... 1480 01:59:27,208 --> 01:59:29,333 and that makes perfect sense... 1481 01:59:29,500 --> 01:59:31,000 with... 1482 01:59:32,041 --> 01:59:34,541 only one side of the story. 1483 01:59:35,708 --> 01:59:38,166 Please, please don't do that. 1484 01:59:38,333 --> 01:59:40,958 In order to answer, I have to explain. 1485 01:59:41,125 --> 01:59:42,166 Yes... 1486 01:59:45,083 --> 01:59:49,291 But you always say the same thing and that doesn't interest me anymore. 1487 01:59:49,833 --> 01:59:52,791 My answer doesn't interest you? -Yes, Dad. 1488 01:59:54,833 --> 01:59:55,916 Answer me. 1489 01:59:57,416 --> 01:59:59,875 Don't beat around the bush. Give... 1490 02:00:01,208 --> 02:00:03,166 just an answer, nothing more. 1491 02:00:06,208 --> 02:00:09,416 Do you realize what it meant to me... 1492 02:00:11,458 --> 02:00:13,500 that you weren't in my life? 1493 02:00:23,166 --> 02:00:24,500 Yes. 1494 02:00:27,916 --> 02:00:30,375 Yes, I am aware of that. 1495 02:00:32,625 --> 02:00:35,791 I realize I hurt you. 1496 02:00:47,708 --> 02:00:50,041 And that weighs heavily on me. 1497 02:01:16,750 --> 02:01:21,125 Moving on, the director is coming. Be ready. 1498 02:01:40,125 --> 02:01:43,583 Have you seen the rushes? of the past few days? 1499 02:01:43,750 --> 02:01:46,375 I watched everything today. 1500 02:01:48,833 --> 02:01:51,291 And? -It's very good. 1501 02:01:52,750 --> 02:01:55,500 You see no difference with Pepa's work. 1502 02:01:58,166 --> 02:01:59,791 He's very good. 1503 02:02:01,000 --> 02:02:02,708 Are you satisfied? 1504 02:02:05,375 --> 02:02:08,750 He is slow. But I'm satisfied. 1505 02:02:09,708 --> 02:02:11,958 That's not a problem for me. 1506 02:02:35,750 --> 02:02:37,041 Did you know... 1507 02:02:38,666 --> 02:02:41,458 that Emilia left yesterday... 1508 02:02:42,583 --> 02:02:44,625 and we talked... 1509 02:02:45,500 --> 02:02:47,333 before her departure. 1510 02:02:48,875 --> 02:02:50,291 Good thing, too. 1511 02:03:11,333 --> 02:03:13,125 How is your mother? 1512 02:03:13,291 --> 02:03:18,625 Did you manage to find a spot? into that retirement home? 1513 02:03:18,791 --> 02:03:20,791 Yes, that's arranged. 1514 02:03:26,916 --> 02:03:28,708 Okay. Fine. 1515 02:03:34,166 --> 02:03:36,291 We need to talk about editing. 1516 02:03:51,083 --> 02:03:52,208 Can he? 1517 02:04:01,375 --> 02:04:04,333 This is the best take. -Yes, absolutely. 1518 02:04:16,083 --> 02:04:18,375 Can you put music on it? 1519 02:04:18,541 --> 02:04:19,625 Please. 1520 02:04:23,083 --> 02:04:24,500 Let's see. 1521 02:06:52,958 --> 02:06:54,000 Cut. 1522 02:06:56,583 --> 02:06:57,666 Was it good? 1523 02:07:00,333 --> 02:07:02,083 Calm down, Carl. 1524 02:07:05,875 --> 02:07:07,375 Cut. 1525 02:07:13,875 --> 02:07:17,291 In memory to RODRIGO SOROGOYEN REVILLA