1 00:00:00,000 --> 00:00:02,400 Good night, sweetheart. 2 00:00:02,740 --> 00:00:07,000 All my prayers are for you. 3 00:00:07,200 --> 00:00:10,180 Good night, sweetheart. 4 00:00:10,620 --> 00:00:14,640 I'll be watching all you. 5 00:00:15,000 --> 00:00:20,840 Tears and parting may make us alone. 6 00:00:21,680 --> 00:00:24,640 But with the dawn, 7 00:00:25,360 --> 00:00:28,440 a new day is born. 8 00:00:33,980 --> 00:00:34,779 Mm -hmm. 9 00:00:34,780 --> 00:00:38,020 Mobile phone, file of facts, Greenpeace newsletter. 10 00:00:38,260 --> 00:00:39,860 Oh, and condoms. Oh, yes. 11 00:00:40,440 --> 00:00:41,960 New man is off to the office. 12 00:00:42,340 --> 00:00:43,340 Mark, if you wish. 13 00:00:43,580 --> 00:00:44,479 Yeah, I was. 14 00:00:44,480 --> 00:00:47,040 And I don't need your permission, thank you. It's in lieu of rent. 15 00:00:48,120 --> 00:00:50,400 So, what does a new man do at lunchtime? 16 00:00:50,660 --> 00:00:53,240 I mean, after the tai chi lesson and the tofu salad. 17 00:00:53,580 --> 00:00:54,680 You got time for a quick pint? 18 00:00:55,080 --> 00:00:56,880 A real organic ale, obviously. 19 00:00:57,120 --> 00:00:58,340 All the hops humanely killed. 20 00:00:58,920 --> 00:01:01,060 Sorry, thought I'd pop down to Camden Lock. 21 00:01:01,420 --> 00:01:02,520 Sonia's going to do the cards. 22 00:01:03,200 --> 00:01:04,200 Your lousy cards. 23 00:01:04,440 --> 00:01:05,440 Tarot cards. 24 00:01:05,960 --> 00:01:07,220 I bet you still lose. 25 00:01:09,160 --> 00:01:10,139 Sonia, right? 26 00:01:10,140 --> 00:01:11,980 So, what, Stella really is history, then? 27 00:01:12,980 --> 00:01:15,060 I think Sonia could be my sort of woman. 28 00:01:15,560 --> 00:01:18,340 She's very together and very, very well adjusted. 29 00:01:18,900 --> 00:01:20,600 Is this the one with the four therapists? 30 00:01:21,560 --> 00:01:23,780 Well, at least she's been adjusted by professionals. 31 00:01:25,320 --> 00:01:27,780 Speaking of which, I'll be out of your space this weekend. 32 00:01:28,160 --> 00:01:30,520 I have enrolled in a manhood workshop. 33 00:01:32,400 --> 00:01:33,780 It's crucial stuff, Gary. 34 00:01:34,280 --> 00:01:38,700 I'll be learning how to access my inner chemical reservoir and eventually be 35 00:01:38,700 --> 00:01:41,680 able to control my own testosterone levels by the sheer power of thought. 36 00:01:42,240 --> 00:01:43,780 Awesome stuff, eh, Gary? 37 00:01:45,000 --> 00:01:49,180 Yes, the consequences are frightening, Ron. No, the consequences are a new 38 00:01:49,180 --> 00:01:53,040 order built on genuine love and total sensitivity towards each other. 39 00:01:53,860 --> 00:01:59,140 This weekend, we are taking to the forest to absorb the he elements from 40 00:01:59,240 --> 00:02:01,040 so strengthening our male bonding. 41 00:02:03,610 --> 00:02:06,690 So basically, it's into the woods, and I'll show you mine if you show me yours. 42 00:02:07,910 --> 00:02:11,630 Radical. Hey, it's good that somebody's got work to go to. Hey, Ron. Well, 43 00:02:11,630 --> 00:02:12,630 that's right, isn't it, Yvonne? 44 00:02:13,030 --> 00:02:16,070 You see, what we have here is a part -time knocker and collector of negative 45 00:02:16,070 --> 00:02:17,070 vibes. Really? 46 00:02:17,370 --> 00:02:18,370 Tell me about it. 47 00:02:18,670 --> 00:02:19,609 Neanderthal, Yvonne. 48 00:02:19,610 --> 00:02:20,710 An Iron Age reject. 49 00:02:21,570 --> 00:02:23,290 Well, I'll be seeing you. 50 00:02:24,890 --> 00:02:26,590 I'll bring the organic wine later. 51 00:02:27,190 --> 00:02:28,230 And don't worry, Yvonne. 52 00:02:28,590 --> 00:02:30,410 Some of us are still evolving. 53 00:02:31,010 --> 00:02:32,010 Oh. 54 00:02:37,210 --> 00:02:41,010 Evolving. He means revolving. Going around in circles looking for himself. 55 00:02:41,030 --> 00:02:42,030 at least he's making the effort. 56 00:02:42,650 --> 00:02:46,350 Amazing. Just that. A woman has rejected him. I know he's trying to be better 57 00:02:46,350 --> 00:02:47,350 for the next woman to come along. 58 00:02:47,710 --> 00:02:49,150 I have to applaud that, Gary. 59 00:02:49,550 --> 00:02:51,170 Ronnie's trying to raise his threshold. 60 00:02:51,810 --> 00:02:54,810 No, he's not. Ronnie's trying to raise his chances of getting his leg over. 61 00:02:55,650 --> 00:02:59,090 All this new age stuff is just a ploy to see if he can get into somebody's new 62 00:02:59,090 --> 00:03:00,090 age knickers. 63 00:03:00,530 --> 00:03:04,330 It's a blag. He still thinks the Rainbow Warrior is one of the gladiators. 64 00:03:05,770 --> 00:03:07,630 A notter and collector of negative vibes. 65 00:03:07,990 --> 00:03:11,350 He's right, isn't he? Well, personally, I think Ron is turning into a very aware 66 00:03:11,350 --> 00:03:12,750 and sincere human being. 67 00:03:12,990 --> 00:03:15,650 Well, personally, I think Ron should go. The sooner the better. 68 00:03:16,090 --> 00:03:18,030 Phone Stella, see if she'll have him back. 69 00:03:18,470 --> 00:03:20,790 Tell her there's a few quid in it for her if she'll take him back by the 70 00:03:20,790 --> 00:03:23,970 weekend. Go on, speak to her. No, I won't. Well, she's supposed to be your 71 00:03:23,970 --> 00:03:26,330 friend. Well, I can see it from Ron's side as well now. 72 00:03:26,970 --> 00:03:29,190 And besides, I'm not sure I know Stella anymore. 73 00:03:29,410 --> 00:03:33,110 I haven't spoken to her since this sudden sexual liberation, since she 74 00:03:33,110 --> 00:03:34,650 carving notches on her bedhead. 75 00:03:35,230 --> 00:03:36,950 But she might have calmed down a bit. 76 00:03:37,230 --> 00:03:37,989 She might. 77 00:03:37,990 --> 00:03:41,070 Or she might have whittled the whole bed away by now and be rolling around in 78 00:03:41,070 --> 00:03:42,150 sawdust and shavings. 79 00:03:42,410 --> 00:03:43,410 See you later. 80 00:03:45,330 --> 00:03:48,630 Happy birthday to you. 81 00:03:52,940 --> 00:03:55,500 and blow the icing off and all. We had a whip round for all that sugar. 82 00:04:04,120 --> 00:04:05,120 Lil's birthday. 83 00:04:05,860 --> 00:04:07,840 Oh, don't tell me you forgot the chocolate. 84 00:04:09,420 --> 00:04:11,040 Haven't you got anything for her? 85 00:04:11,420 --> 00:04:13,020 Well, there's this, but this was for you. 86 00:04:13,380 --> 00:04:14,380 Well, what is it? 87 00:04:15,880 --> 00:04:17,339 Harry, would you put that... 88 00:04:23,180 --> 00:04:26,060 You'd better not give this to Lil. Her husband could have a heart attack. 89 00:04:26,520 --> 00:04:28,620 I wouldn't mind risking one myself a bit later on. 90 00:04:28,840 --> 00:04:31,100 Yeah, well, I'd like to sing her a song instead. 91 00:04:31,460 --> 00:04:32,459 Lil! 92 00:04:32,460 --> 00:04:35,280 Um, Gary's going to sing you a song for your birthday. 93 00:04:35,960 --> 00:04:36,960 Thanks for the pressure. 94 00:04:37,200 --> 00:04:39,300 What's that been mean? You know hundreds of songs. 95 00:04:40,820 --> 00:04:41,820 How old are we, Lil? 96 00:04:41,980 --> 00:04:44,000 She's 63, aren't you, Lil? 97 00:04:44,620 --> 00:04:45,620 63. 98 00:04:46,100 --> 00:04:47,260 Yeah, that's close enough. 99 00:04:49,220 --> 00:04:52,320 When I get older, there is in my head... 100 00:04:53,740 --> 00:05:00,480 years from now will you still be sending me a valentine birthday greeting 101 00:05:00,480 --> 00:05:07,120 bottle of wine if i stay out till quarter to three would you lock the 102 00:05:07,120 --> 00:05:13,220 door will you still need me will you still feed me when i'm 64 103 00:05:18,670 --> 00:05:19,670 Ain't the bullet all wet? 104 00:05:19,990 --> 00:05:20,969 Sidney Wick. 105 00:05:20,970 --> 00:05:24,810 And before you ask, no, I will not play fourth down the bill to some drunken 106 00:05:24,810 --> 00:05:28,390 fire -eater at a flea pit in Deptford. Now, would I ask a thing like that? Yes, 107 00:05:28,490 --> 00:05:29,490 you would. 108 00:05:29,710 --> 00:05:33,510 Harry wants to concentrate on his songwriting side of things. As so he 109 00:05:33,590 --> 00:05:37,270 so he should. I mean, that was an A1, little number, yes. Maybe with a few 110 00:05:37,270 --> 00:05:40,390 verses, that could be perfect for my latest discovery. 111 00:05:41,430 --> 00:05:45,350 George Formby, you didn't discover him. You're just a ghastly freak of nature. 112 00:05:46,220 --> 00:05:49,720 Here, here. You are talking about a star, a stage, screen, a radio. 113 00:05:50,000 --> 00:05:54,120 A living legend. A musical millionaire. He could be worth a lot of money to me. 114 00:05:54,340 --> 00:05:58,980 And he's one of Reggie's favourites. Oh, and one of Reggie's favourites. Oh, Mr. 115 00:05:59,080 --> 00:06:02,500 Woo. What can I do? Thanks, Reg. Shut it. 116 00:06:02,990 --> 00:06:06,030 I queued up all night once on Charles III Avenue for tickets for George. 117 00:06:06,230 --> 00:06:08,010 Yeah, well, he inspires that kind of dedication. 118 00:06:08,290 --> 00:06:09,710 I hope you got the tickets. I did, yes. 119 00:06:10,270 --> 00:06:11,770 Unfortunately, I was in the wrong queue. 120 00:06:12,190 --> 00:06:14,070 Ivan Avella's good, but he's not as funny. 121 00:06:15,050 --> 00:06:18,010 Right, well, let's have no more disparagement. The man is a genius. 122 00:06:18,290 --> 00:06:22,650 He has raised the status of the ukulele to the level of the symphony orchestra. 123 00:06:22,930 --> 00:06:25,930 Well, I wouldn't do that. Well, I would. That kind of talk sells tickets. 124 00:06:26,530 --> 00:06:29,610 How come he's appearing courtesy of you? Because I'm paying him money. 125 00:06:29,850 --> 00:06:30,850 Well, that's a first. 126 00:06:31,320 --> 00:06:36,120 I am paying him what nobody else in London would pay him. You wouldn't 127 00:06:36,120 --> 00:06:39,960 what I'm paying him. I don't believe what I'm paying him. But I shall be 128 00:06:39,960 --> 00:06:43,180 as the man who brought George Formick to London during the war, regardless of 129 00:06:43,180 --> 00:06:45,400 the cost. Everyone will know Sidney Wicks. 130 00:06:46,080 --> 00:06:50,720 In a week from now, I could be the most notorious bankrupt in town. 131 00:06:53,150 --> 00:06:56,610 You mentioned something about one of Gary's songs. No, I don't think he did. 132 00:06:56,610 --> 00:06:59,890 think he did, actually, Gary. Yeah, I'm sure I did. What was that called? When 133 00:06:59,890 --> 00:07:00,890 I'm 64? 134 00:07:01,070 --> 00:07:04,570 Yeah, you know, that might have been written specially for George Vorley. 135 00:07:04,630 --> 00:07:07,770 I can assure you it wasn't. Yeah, but you can hear him singing it, can't you? 136 00:07:07,890 --> 00:07:10,710 Yeah, well, of course, he might want to change a word or two here or there, put 137 00:07:10,710 --> 00:07:12,110 it in a verse of his own, maybe. 138 00:07:12,350 --> 00:07:13,350 No, no, he can't. 139 00:07:13,490 --> 00:07:14,930 But he's a star, Gary. 140 00:07:15,350 --> 00:07:16,350 A star. 141 00:07:16,770 --> 00:07:19,450 Oh, I'd love George to hear that number. I really would. 142 00:07:19,980 --> 00:07:22,640 Yeah, I'll tell you what. I'll bring you round to meet you. 143 00:07:23,100 --> 00:07:23,939 What, here? 144 00:07:23,940 --> 00:07:24,939 Yeah. 145 00:07:24,940 --> 00:07:27,160 George Formby in my pub. 146 00:07:27,440 --> 00:07:32,420 What? I... Tell Mr Formby there will be police presence at all times. 147 00:07:33,160 --> 00:07:34,720 Excellent. How about tomorrow, then? 148 00:07:35,000 --> 00:07:37,280 No, sorry, Wixie. Some of us have got better things to do. 149 00:07:37,540 --> 00:07:39,840 Oh. Um, just a minute. 150 00:07:40,360 --> 00:07:41,420 Gary, get over here. 151 00:07:41,860 --> 00:07:42,860 Now. 152 00:07:43,640 --> 00:07:46,560 Um, better things to do. Gary. 153 00:07:47,580 --> 00:07:51,120 George Formby is coming here to meet you in person. What could you possibly be 154 00:07:51,120 --> 00:07:52,120 doing that's better? 155 00:07:52,240 --> 00:07:55,160 Oh, washing my hair, ironing a shirt, knitting a parachute. 156 00:07:55,480 --> 00:07:57,000 No, you listen to me, Gareth Sparrow. 157 00:07:57,480 --> 00:08:00,580 Your songs could get us out of here on the road to a new life. 158 00:08:01,020 --> 00:08:04,380 Now, we talked about this ages ago, Gary. You can't have forgotten so 159 00:08:04,560 --> 00:08:05,560 No, no, of course not. 160 00:08:05,680 --> 00:08:10,460 Well, then, having a song taken up by someone like George Formby could be the 161 00:08:10,460 --> 00:08:11,379 making of you. 162 00:08:11,380 --> 00:08:13,000 Yeah, but not that song. 163 00:08:13,500 --> 00:08:15,380 Well, why not? Have you got anything better for him? 164 00:08:16,240 --> 00:08:18,420 I suppose we could try him out on great balls of fire. 165 00:08:18,760 --> 00:08:20,180 What? Yeah, nothing. 166 00:08:20,560 --> 00:08:21,560 Well, then. 167 00:08:21,780 --> 00:08:26,520 I mean, this is our big chance, Gary, so you just find the time to meet him. 168 00:08:30,800 --> 00:08:32,380 Be glad to meet George Formby. 169 00:08:33,159 --> 00:08:36,100 In fact, it's been an ambition of his for a very long time. 170 00:08:44,100 --> 00:08:45,260 Cancelled my manhood workshop. 171 00:08:46,670 --> 00:08:49,030 Thought I'd let my testosterone find its own level. 172 00:08:49,810 --> 00:08:51,810 Can always dilute it with lager if I have to. 173 00:08:52,950 --> 00:08:56,190 Tarot reading didn't go too good either. All doom and gloom. 174 00:08:56,990 --> 00:08:58,950 Apparently a period of celibacy looms. 175 00:08:59,210 --> 00:09:00,290 Well, the card said that. 176 00:09:00,510 --> 00:09:01,670 No, Sonia said that. 177 00:09:03,470 --> 00:09:06,050 Saturday the 14th of February, 1942. 178 00:09:07,610 --> 00:09:08,610 You going? 179 00:09:09,870 --> 00:09:12,830 Judging by the worried and depressed look on your face, I'd say you must have 180 00:09:12,830 --> 00:09:15,010 tickets. Now you're going to see George Formby. 181 00:09:15,390 --> 00:09:17,310 It's worse than that, Ron. He's going to see me. 182 00:09:17,830 --> 00:09:19,350 What, you started performing again? 183 00:09:19,570 --> 00:09:21,150 Where is it this time? The Palladium? 184 00:09:21,390 --> 00:09:23,970 No, I just happen to play when I'm 64. 185 00:09:24,230 --> 00:09:25,450 You know, totally innocent. 186 00:09:25,710 --> 00:09:29,590 Except, as usual, you claimed you wrote it, which, let's face it, isn't totally 187 00:09:29,590 --> 00:09:30,590 innocent. 188 00:09:30,710 --> 00:09:34,650 In fact, let's really face it, it's deception, copyright theft and fraud, 189 00:09:34,650 --> 00:09:35,189 go on. 190 00:09:35,190 --> 00:09:38,790 Well, that's it. I play the song, then up pops Sidney Wicks, and the next thing 191 00:09:38,790 --> 00:09:40,430 I know, it's audition time at the Royal Oak. 192 00:09:40,770 --> 00:09:42,790 But what if George Pornby liked the song? 193 00:09:43,280 --> 00:09:45,460 I can't let that happen, Ron. That's messing with history. 194 00:09:45,960 --> 00:09:47,060 Yeah, but not a lot. 195 00:09:47,840 --> 00:09:51,360 I mean, it just means that Paul McCartney won't bother writing it 196 00:09:51,360 --> 00:09:53,260 grew up hearing George Formby singing it. 197 00:09:53,840 --> 00:09:54,840 It'll still exist. 198 00:09:55,360 --> 00:09:57,140 British culture will remain intact. 199 00:09:57,620 --> 00:09:59,120 No, I've got to get out of this one, Ron. 200 00:09:59,780 --> 00:10:03,160 Well, don't go back. Stand him up. I don't do that. Phoebe had never forgiven 201 00:10:03,160 --> 00:10:05,060 me. Well, that's it, then. 202 00:10:05,360 --> 00:10:06,920 George Formby sings the Beatles. 203 00:10:08,520 --> 00:10:10,460 A collector's item if ever I heard one. 204 00:10:12,720 --> 00:10:15,500 Do you think you could get him to sing Strawberry Fields Forever? I think I'd 205 00:10:15,500 --> 00:10:16,500 like that. 206 00:10:16,980 --> 00:10:20,180 I know this is all a big joke to you, but you can't go messing around with 207 00:10:20,180 --> 00:10:23,120 history. That's a knock -on effect and very serious consequences. 208 00:10:24,200 --> 00:10:25,059 I take. 209 00:10:25,060 --> 00:10:26,060 How much? 210 00:10:26,820 --> 00:10:27,820 Well, 211 00:10:27,980 --> 00:10:29,600 I'm not sure. You don't see many of those about. 212 00:10:30,420 --> 00:10:31,600 Well, you wouldn't, you know. 213 00:10:32,520 --> 00:10:36,140 George Formby never played the Hackney Empire. 214 00:10:40,900 --> 00:10:42,020 Well, do you have to go now? 215 00:10:42,300 --> 00:10:45,740 Well, yeah, he's a weekend market sort of person. You know, if I don't catch 216 00:10:45,740 --> 00:10:47,500 now, it's a trip up to Nottingham midweek. 217 00:10:48,240 --> 00:10:49,520 Oh, yeah, go on then, twist my hair. 218 00:10:51,160 --> 00:10:52,160 Thank you. 219 00:10:52,200 --> 00:10:53,200 May I say something? 220 00:10:53,420 --> 00:10:54,420 No. 221 00:10:54,920 --> 00:10:58,540 In order to remove the cloudiness, that wine has been filtered through the dried 222 00:10:58,540 --> 00:10:59,820 innards of a deceased fish. 223 00:11:01,500 --> 00:11:04,600 Really? Well, now it's being filtered through me. Personally, I'd be more 224 00:11:04,600 --> 00:11:05,600 worried about it after that. 225 00:11:06,900 --> 00:11:08,220 I don't expect you to care. 226 00:11:08,760 --> 00:11:11,020 But I know Yvonne appreciates my little health tips. 227 00:11:11,440 --> 00:11:15,060 She is, after all, Yvonne, isn't she? 228 00:11:16,320 --> 00:11:17,320 Ciao. 229 00:11:21,340 --> 00:11:24,180 I told you, he's definitely getting a thing for you. No. 230 00:11:24,500 --> 00:11:25,580 Yes. No. 231 00:11:25,800 --> 00:11:29,440 Yes. Mind you, he's getting a bit much, isn't he? Can't even enjoy a drink 232 00:11:29,440 --> 00:11:31,100 without having to swallow all the sordid details. 233 00:11:31,400 --> 00:11:34,380 And if I am told that one more thing is a desecration of the Brazilian 234 00:11:34,380 --> 00:11:37,040 rainforest... I know. Look, it is time to phone Stella. 235 00:11:37,240 --> 00:11:38,240 Yes. 236 00:11:38,350 --> 00:11:40,830 No later when you've gone. Oh, right, I've gone, I've gone. 237 00:11:47,750 --> 00:11:49,530 Stella, it's Yvonne. 238 00:11:50,270 --> 00:11:54,210 Look, I don't suppose you want to talk about things, but... Stella? 239 00:11:55,670 --> 00:11:56,970 Stella, hey, it's OK. 240 00:11:58,210 --> 00:11:59,970 Yeah, we'll talk, we'll talk. 241 00:12:01,290 --> 00:12:03,650 Of course, it's getting deeper out there. 242 00:12:04,590 --> 00:12:07,690 I hope your visitors are going to make it. Oh, don't worry. What's the battle 243 00:12:07,690 --> 00:12:09,350 for a blizzard if there's a few bob involved? 244 00:12:10,070 --> 00:12:11,850 George Formby coming here. 245 00:12:12,490 --> 00:12:14,650 They were so nervous. I could do with a drink. 246 00:12:14,950 --> 00:12:16,650 I could do with a transfer to the Russian front. 247 00:12:16,990 --> 00:12:20,290 Oh, come on, Gary. You can't hate him that much. You've never met him. 248 00:12:20,510 --> 00:12:22,650 I've never met Hitler, but I don't send him a birthday card. 249 00:12:23,130 --> 00:12:27,210 That is not the same thing at all, Gary, and you know it. George is very, very 250 00:12:27,210 --> 00:12:29,170 popular. He's filled the Empire tomorrow. 251 00:12:29,510 --> 00:12:30,510 Not with soundbites. 252 00:12:30,650 --> 00:12:33,970 Gary? You just behave yourself when they come. Be nice. 253 00:12:34,310 --> 00:12:37,350 I mean, this could be the day when your career takes a step forward. 254 00:12:37,950 --> 00:12:42,030 One small step for man, one giant leap for mankind. 255 00:12:42,730 --> 00:12:47,970 Brilliant! That's a song, isn't it? I'm coming to recognise a Gary Sparrow song 256 00:12:47,970 --> 00:12:49,690 in the making. Yes, that's right, Reg. 257 00:12:49,990 --> 00:12:51,430 It's called Walking on the Moon. 258 00:12:52,450 --> 00:12:57,450 Ladies and gentlemen, may I present the great George Holmby. 259 00:12:59,230 --> 00:13:00,230 Good morning. 260 00:13:02,000 --> 00:13:03,860 He looks more assertive in a frock, doesn't he? 261 00:13:04,340 --> 00:13:06,160 What do you call it after noon around here? 262 00:13:06,600 --> 00:13:07,600 How do you do? 263 00:13:08,360 --> 00:13:09,360 How do you do? 264 00:13:09,860 --> 00:13:10,940 Turned out nice again. 265 00:13:11,740 --> 00:13:12,900 Brilliant, brilliant. 266 00:13:13,760 --> 00:13:15,480 George, come sit down here, dear. 267 00:13:15,960 --> 00:13:17,080 Away from the bar. 268 00:13:17,640 --> 00:13:21,460 And the very lovely Mrs Beryl for me, obviously. 269 00:13:21,900 --> 00:13:24,420 Obviously. No show without punch, eh, Reg? 270 00:13:24,800 --> 00:13:27,760 The, er, the piano's over here. 271 00:13:28,240 --> 00:13:29,240 No, that's no good. 272 00:13:29,480 --> 00:13:30,480 You can't play one. 273 00:13:30,910 --> 00:13:33,950 Oh, but Gary can play, so play on, Gary. Let's hear this song. 274 00:13:34,350 --> 00:13:36,090 I want to see the words written down first. 275 00:13:36,730 --> 00:13:37,469 Don't we? 276 00:13:37,470 --> 00:13:38,470 That's right. 277 00:13:38,490 --> 00:13:40,950 I don't want George doing anything that might offend. 278 00:13:41,310 --> 00:13:44,330 Really? Mr Woo's solicitor's not been in touch yet, then? 279 00:13:45,450 --> 00:13:46,450 Beg your pardon? 280 00:13:47,350 --> 00:13:48,910 Words, please. That's how we work. 281 00:13:49,110 --> 00:13:51,890 Yeah, well, Gary prefers to play it. That's how we work. 282 00:13:52,430 --> 00:13:56,150 Play it. How do you feel about that, George? Play it loud, for God's sake. 283 00:13:56,150 --> 00:13:57,150 her out. 284 00:14:01,440 --> 00:14:02,560 Mine forevermore. 285 00:14:03,600 --> 00:14:05,180 Will you still need me? 286 00:14:05,420 --> 00:14:08,320 Will you still feed me? When I'm 64. 287 00:14:09,440 --> 00:14:10,440 Oh! 288 00:14:11,240 --> 00:14:12,940 Encore! Encore! 289 00:14:13,460 --> 00:14:16,440 No, no, no, I'm sorry. We don't do encore in private. 290 00:14:17,420 --> 00:14:20,180 It's perfect for George. Just perfect. 291 00:14:20,940 --> 00:14:24,860 That'll be the top number in all the promenade booths from Yarmouth to 292 00:14:24,860 --> 00:14:25,860 Blackpool. 293 00:14:25,920 --> 00:14:27,040 It is the sort of thing you need. 294 00:14:27,660 --> 00:14:29,380 Something for the old ones, so to speak. 295 00:14:29,620 --> 00:14:33,360 Well, Gary can write songs for people of all ages. He's very professional. 296 00:14:33,800 --> 00:14:36,840 Listen, George, I might want to change a few things. 297 00:14:37,160 --> 00:14:38,800 Might you? Well, I might. 298 00:14:39,480 --> 00:14:42,500 Well, Gary, actually, I definitely will. 299 00:14:43,320 --> 00:14:44,880 Don't get me wrong, it's a lovely song. 300 00:14:45,220 --> 00:14:47,400 A bit old -fashioned, but we can still sort that out. 301 00:14:47,680 --> 00:14:50,980 But that bit that goes, birthday greetings, bottle of wine. 302 00:14:51,740 --> 00:14:53,080 Who drinks wine, lad? 303 00:14:53,660 --> 00:14:56,590 No, no, no, no, no. That should be... bottle of stout. 304 00:14:57,110 --> 00:14:59,470 You see, that's my audience, Gary. 305 00:14:59,790 --> 00:15:00,950 Man of the people, mate. 306 00:15:01,170 --> 00:15:04,590 Yeah, but George Stout won't really rhyme with Valentine, will it? 307 00:15:04,970 --> 00:15:08,770 No, no, but it does need to be a bit cheekier somehow. 308 00:15:09,170 --> 00:15:11,370 Something about, um, out for nowt. 309 00:15:12,040 --> 00:15:12,759 I see. 310 00:15:12,760 --> 00:15:14,920 And out for nowt is cheekier. 311 00:15:15,340 --> 00:15:16,680 Well, it will be when I do it. 312 00:15:18,200 --> 00:15:20,820 Yes, it's the sheer sophistication that staggers me. 313 00:15:21,180 --> 00:15:24,620 Look, George, let me think about it. I'll work on it, represent it at a later 314 00:15:24,620 --> 00:15:28,080 date, OK? I mean, it's not even written down. There's no going back now, Gary 315 00:15:28,080 --> 00:15:29,440 lad. It's all up here now. 316 00:15:30,060 --> 00:15:31,240 Never forget a lyric, mate. 317 00:15:32,000 --> 00:15:33,260 Well, not unless I've had a few. 318 00:15:34,300 --> 00:15:35,820 Fancy a swift half, just for starters? 319 00:15:36,940 --> 00:15:37,980 I can't. 320 00:15:40,080 --> 00:15:41,160 What are you two muttering about? 321 00:15:41,400 --> 00:15:43,060 Nothing, Petal, just music, dog. 322 00:15:45,380 --> 00:15:47,840 How Bentley's parked out there. 323 00:15:48,120 --> 00:15:49,420 How lovely new Bentley. 324 00:15:49,920 --> 00:15:51,420 We haven't had it in five minutes. 325 00:15:52,940 --> 00:15:53,940 George. 326 00:15:54,280 --> 00:15:55,280 Oh, George! 327 00:16:17,500 --> 00:16:18,500 legend. 328 00:16:23,840 --> 00:16:24,860 Are you OK? 329 00:16:25,380 --> 00:16:26,380 How are you feeling? 330 00:16:26,980 --> 00:16:31,120 Oh, so -so. Oh, really? So -so used to be a code for passing me the razor 331 00:16:32,240 --> 00:16:33,240 Excuse me. 332 00:16:33,320 --> 00:16:34,320 Another one of these. 333 00:16:37,300 --> 00:16:38,480 Oh, look, Yvonne. 334 00:16:39,020 --> 00:16:42,120 I'm really sorry about that outburst on the phone. It's just that you were the 335 00:16:42,120 --> 00:16:43,120 only one to ring. 336 00:16:43,340 --> 00:16:45,660 Do you know, I haven't heard from Chrissie in over a fortnight. 337 00:16:46,090 --> 00:16:47,750 What's with Lindsay? Is she away or what? 338 00:16:48,110 --> 00:16:50,430 Well, nobody quite knew what to say. 339 00:16:50,950 --> 00:16:53,050 I mean, you just surprised us, that's all. 340 00:16:53,750 --> 00:16:56,650 Well, you know, dragging in every passing bloke and banging them up 341 00:16:56,650 --> 00:17:01,410 wall. I mean, it's just, um... Is it tiring? 342 00:17:02,290 --> 00:17:04,290 I mean, do you have to take extra business or what? 343 00:17:04,650 --> 00:17:06,030 Just don't forget who you is. 344 00:17:06,589 --> 00:17:08,310 It was Chris you wanted, not me. 345 00:17:08,990 --> 00:17:12,950 Oh, come on, I understand and I respect your privacy. You know that. 346 00:17:17,230 --> 00:17:18,230 it first to your back. 347 00:17:18,630 --> 00:17:20,050 It was Lindsay who wondered. 348 00:17:20,390 --> 00:17:22,050 Hey, Fawn. Oh, come on. 349 00:17:22,349 --> 00:17:25,609 We don't care what you do in your own home or in the park. 350 00:17:25,950 --> 00:17:28,170 As long as it's after closing time and you don't break the swings. 351 00:17:29,310 --> 00:17:30,830 Oh, look, as long as you're happy. 352 00:17:32,310 --> 00:17:33,510 You're not happy, are you? 353 00:17:35,050 --> 00:17:38,270 Come on, Stella. If it makes you this miserable, don't do it. 354 00:17:38,950 --> 00:17:39,950 I don't. 355 00:17:40,050 --> 00:17:41,050 Hey. 356 00:17:42,510 --> 00:17:44,830 The chair's in some way more salubrious. 357 00:17:45,440 --> 00:17:47,040 I wouldn't know the meaning of the word, Gary. 358 00:17:47,380 --> 00:17:48,380 I told you. 359 00:17:48,560 --> 00:17:49,560 Man of the people, me. 360 00:17:52,040 --> 00:17:53,040 Who's that lot there? 361 00:17:53,960 --> 00:17:54,960 It's the people. 362 00:17:57,440 --> 00:17:58,780 Turn down the ice again. 363 00:17:59,300 --> 00:18:04,580 It doesn't take much, does it? 364 00:18:07,520 --> 00:18:10,620 What? None of them? Not even that guy Keith who everyone had? 365 00:18:11,580 --> 00:18:12,580 Well, nearly everyone. 366 00:18:15,440 --> 00:18:16,440 about him as well. 367 00:18:16,800 --> 00:18:18,460 Going through the car wash, remember? 368 00:18:18,800 --> 00:18:21,500 You said you'd never had a hot wax like it. Did I? 369 00:18:22,040 --> 00:18:24,000 Well, I lost track. I'm a lousy liar. 370 00:18:24,720 --> 00:18:27,360 I invented the first bloke just to cheer myself up. 371 00:18:27,660 --> 00:18:30,280 Then it got a bit out of hand and I couldn't remember what I'd said to who. 372 00:18:30,820 --> 00:18:32,420 But did you come to actually believe it? 373 00:18:32,720 --> 00:18:34,040 No, you did. 374 00:18:34,680 --> 00:18:38,660 Right. And gradually the phone stopped ringing and I was all on my own. 375 00:18:39,080 --> 00:18:40,560 I realised I'd overdone it. 376 00:18:40,880 --> 00:18:42,100 Over -egged the pudding. 377 00:18:42,300 --> 00:18:45,340 Oh, talking of the pudding, it's still in our spare room. Oh, yeah, I heard. 378 00:18:45,840 --> 00:18:47,480 I hope you haven't eaten absolutely everything. 379 00:18:47,800 --> 00:18:51,140 Not absolutely everything, no. We've still got some of those square things 380 00:18:51,280 --> 00:18:52,159 Cream crackers? 381 00:18:52,160 --> 00:18:53,160 No place, Matt. 382 00:18:54,420 --> 00:18:56,840 But did you have to throw Ron out just to have a fantasy? 383 00:18:57,240 --> 00:18:59,680 Well, I didn't know it was going to be just a fantasy, did I? 384 00:19:00,700 --> 00:19:03,180 Remember my boss, the bloke at your fancy dress -do? 385 00:19:03,400 --> 00:19:05,900 The one that Ron beat up because he thought you were having an affair with? 386 00:19:06,120 --> 00:19:09,400 I was. Well, nearly. But not with him, with his brother. He used to be our area 387 00:19:09,400 --> 00:19:11,490 manager. We were about to. 388 00:19:11,810 --> 00:19:12,810 Or so I thought. 389 00:19:13,410 --> 00:19:16,290 He kept offering me weekends away. 390 00:19:17,070 --> 00:19:18,970 Brighton, Bournemouth, Paris even. 391 00:19:19,170 --> 00:19:21,810 Well, I couldn't very well have hidden that from Ron. I'm rotten at all that 392 00:19:21,810 --> 00:19:22,810 deception stuff. 393 00:19:23,110 --> 00:19:25,990 So I thought it was more honest just to check him out. 394 00:19:26,190 --> 00:19:29,030 What, leave the decks clear, ready for action? So what happened? 395 00:19:29,450 --> 00:19:31,790 Nothing. He got transferred to head office. 396 00:19:31,990 --> 00:19:35,110 And a week later he was spotted in Bournemouth with the personnel officer. 397 00:19:35,470 --> 00:19:36,790 God, men are bastards. 398 00:19:37,290 --> 00:19:40,150 Bastards. Hey, you, another one of these, now. 399 00:19:41,670 --> 00:19:42,670 Bastards. 400 00:19:43,230 --> 00:19:46,110 You see, Gary, women are like that. 401 00:19:47,130 --> 00:19:48,130 Possessive. 402 00:19:48,590 --> 00:19:50,430 Can't live with them, can't live without them. 403 00:19:53,130 --> 00:19:54,130 That's wonderful. 404 00:19:54,270 --> 00:19:55,530 I'll buy that one, too. 405 00:19:56,070 --> 00:19:58,050 You come up with the words and I'll sing them. 406 00:19:58,630 --> 00:20:05,370 Can't live with them, can't... Oh, this is grand, Gary. Do you know, I haven't 407 00:20:05,370 --> 00:20:07,590 had this much fun since, um... 408 00:20:08,040 --> 00:20:09,260 Since the last time you did it? 409 00:20:10,020 --> 00:20:11,020 Oh, yeah. 410 00:20:12,080 --> 00:20:13,360 Yeah, and you know why? 411 00:20:14,040 --> 00:20:15,040 Beryl. 412 00:20:15,300 --> 00:20:16,300 Possessive. 413 00:20:16,560 --> 00:20:17,780 Women are like that, Gary. 414 00:20:19,080 --> 00:20:20,700 Can't live with them, can't live without them. 415 00:20:21,260 --> 00:20:24,340 I love that one, too. 416 00:20:25,240 --> 00:20:26,240 Brilliant. 417 00:20:26,600 --> 00:20:29,240 Fantastic. Quick, write them all down. I'll do them all. 418 00:20:30,340 --> 00:20:32,180 You're starting to forget things, are we, Josh? 419 00:20:32,500 --> 00:20:33,500 Eh? 420 00:20:33,860 --> 00:20:37,220 Nothing. Come on, drink up. Then it's either the black swan or the lemon flag. 421 00:20:39,020 --> 00:20:40,020 Flag and lag. 422 00:20:41,920 --> 00:20:42,920 Flag and lag. 423 00:20:44,220 --> 00:20:48,700 Flag and... I think we'd better make it. The black swan, I can tell you that. 424 00:20:50,600 --> 00:20:51,600 Well, 425 00:20:52,300 --> 00:20:53,940 cliche classics, Yvonne. 426 00:20:54,140 --> 00:20:57,740 You find a bloke and you think, he could be great, with a bit of help and 427 00:20:57,740 --> 00:21:00,960 encouragement, a bit of a trim here and there. Yeah, but we're morph men. It's 428 00:21:00,960 --> 00:21:02,800 six inches off the gut and half a yard off the ego. 429 00:21:03,200 --> 00:21:06,840 And the minute you show an interest, he thinks he must be great already, and 430 00:21:06,840 --> 00:21:07,840 it's downhill all the way. 431 00:21:08,490 --> 00:21:09,850 But Ron wasn't that bad, was he? 432 00:21:10,210 --> 00:21:11,210 No. 433 00:21:11,450 --> 00:21:13,950 I mean, like most blokes, he talks a good relationship. 434 00:21:14,810 --> 00:21:17,970 What he really means is, if I lay you, will you be me mum? 435 00:21:20,870 --> 00:21:22,050 But you have to be realistic. 436 00:21:22,250 --> 00:21:23,250 I mean, Gary's OK. 437 00:21:23,370 --> 00:21:26,410 He's a workaholic. He's never at home because he's always in his shop. 438 00:21:27,210 --> 00:21:29,390 Frankly, I think he lives in the past. 439 00:21:37,870 --> 00:21:40,130 Hey, George, what about a song, eh? 440 00:21:41,590 --> 00:21:42,590 No, 441 00:21:43,850 --> 00:21:44,709 no, no, George. 442 00:21:44,710 --> 00:21:47,170 See, no lamppost. No lamppost there, right? 443 00:21:47,650 --> 00:21:50,910 Oh, no. What about that song, When I'm 64? 444 00:21:51,830 --> 00:21:53,390 Eh? You what? 445 00:21:54,570 --> 00:21:56,170 Oh, Mr. Woo. 446 00:21:56,850 --> 00:22:00,970 I think we'd better get you back to base. 447 00:22:01,210 --> 00:22:04,350 No. Come on, then. 448 00:22:08,659 --> 00:22:11,460 No. Oh, to the flag -a -lag. 449 00:22:12,740 --> 00:22:13,740 Flag -a -lag. 450 00:22:13,800 --> 00:22:15,120 See, I can see it now. 451 00:22:15,340 --> 00:22:16,340 Come on. 452 00:22:16,420 --> 00:22:17,420 No, no, George. 453 00:22:17,480 --> 00:22:19,040 No, you don't want to go to the flag -a -lag. 454 00:22:19,320 --> 00:22:20,700 You wouldn't like it down there. 455 00:22:21,480 --> 00:22:23,500 In your state, I don't think I'd be too keen on you. 456 00:22:23,980 --> 00:22:24,980 Really? 457 00:22:25,120 --> 00:22:26,300 Everybody loves George. 458 00:22:26,780 --> 00:22:27,780 That's Beryl. 459 00:22:28,020 --> 00:22:29,020 That's my agent. 460 00:22:29,520 --> 00:22:33,140 Come on. Mr. Wicks. All right, all right, Mr. Formby. Simmer down. 461 00:22:33,840 --> 00:22:34,840 You'll kill him. 462 00:22:34,940 --> 00:22:36,080 Beryl will kill him. 463 00:22:37,160 --> 00:22:39,700 I should worry about him. She'll kill all of us. 464 00:22:41,360 --> 00:22:42,960 I don't feel very well. 465 00:22:48,540 --> 00:22:49,540 Stella! 466 00:22:50,340 --> 00:22:51,440 You look happy. 467 00:22:52,980 --> 00:22:55,200 Oh, my God, what a mess! 468 00:22:57,000 --> 00:23:00,360 Yvonne, tell her, I am wearing nothing that has caused animal cruelty or 469 00:23:00,360 --> 00:23:01,500 diminished the world's resources. 470 00:23:01,880 --> 00:23:05,440 Or has ever been anywhere near an iron or a washing machine. I know, I can see 471 00:23:05,440 --> 00:23:09,800 that. You look... Totally recycled. Well, he knows where all the appliances 472 00:23:09,800 --> 00:23:10,800 kept. 473 00:23:11,320 --> 00:23:14,560 Stella, without you, an appliance is just white goods. 474 00:23:14,840 --> 00:23:16,220 A thing of no meaning. 475 00:23:16,580 --> 00:23:18,620 Oh, he's right, you know. 476 00:23:18,820 --> 00:23:20,600 I do give meaning to his life. 477 00:23:21,100 --> 00:23:24,360 Oh, look at him. He obviously needs me. 478 00:23:24,960 --> 00:23:26,240 Oh, I do need you. 479 00:23:33,480 --> 00:23:36,240 Nearly as much as I need a chicken vindaloo and a can of lager. 480 00:23:37,960 --> 00:23:38,960 That's my boy. 481 00:23:39,740 --> 00:23:40,740 Come on. 482 00:23:41,800 --> 00:23:44,120 It's all you can eat for a fiver down the star of Bengal. 483 00:23:48,820 --> 00:23:54,680 I blame your fella for this. 484 00:23:55,480 --> 00:23:56,860 Don't you have any control over him? 485 00:23:57,300 --> 00:23:59,220 They did slip out together, remember? 486 00:24:00,460 --> 00:24:02,840 This is turning out to be a right Fred car. No, this is... 487 00:24:03,260 --> 00:24:08,520 Carl bashed up, him gone AWOL, and here am I, stuck in one of the worst parts of 488 00:24:08,520 --> 00:24:11,540 London. Do you mind? There's a lot worse than this. 489 00:24:12,000 --> 00:24:14,280 We've never been treated like this in the North. Oh, no. 490 00:24:15,820 --> 00:24:17,060 People look up to us. 491 00:24:17,540 --> 00:24:18,680 People look after us. 492 00:24:19,540 --> 00:24:22,200 Hospitality. Little sandwiches and butterfly buns. 493 00:24:22,680 --> 00:24:26,300 Well, there's a war on down here. Or didn't they tell you about it? 494 00:24:26,580 --> 00:24:28,640 Well, I'm playing in windows. 495 00:24:29,580 --> 00:24:32,220 Look at that! Just look at the state of that! 496 00:24:33,100 --> 00:24:34,240 For the flag of land. 497 00:24:34,580 --> 00:24:36,120 Oh, Gary, how could you? 498 00:24:36,960 --> 00:24:38,940 And what kind of an answer is that? 499 00:24:39,680 --> 00:24:43,240 You can't live with them, and you can't live without them. 500 00:24:44,220 --> 00:24:47,520 I've heard enough. Mr. Wick, fetch us a cab. Get us out of here, please. Now, 501 00:24:47,520 --> 00:24:50,020 now, now, let's not be hasty, dear lady. 502 00:24:50,340 --> 00:24:52,520 Yeah, I mean, that's right. What about the thongs? Thongs? 503 00:24:53,020 --> 00:24:54,020 From him? 504 00:24:54,180 --> 00:24:57,000 The sooner my George is away from him, the better. In fact, don't even stand 505 00:24:57,000 --> 00:24:58,000 near him. 506 00:24:58,020 --> 00:24:59,340 Oh, see you, Gary. 507 00:25:00,580 --> 00:25:01,580 He's my pal. 508 00:25:02,090 --> 00:25:05,810 You're always getting rid of my power. Can we try and keep some sort of order? 509 00:25:05,830 --> 00:25:06,830 Any order ado. 510 00:25:06,990 --> 00:25:08,930 Gary, have you got nothing at all to say? 511 00:25:09,690 --> 00:25:15,310 Only that I am deeply sorry for any upset that I may have caused. 512 00:25:15,510 --> 00:25:19,450 And if Mrs. Formby wanted to leave right now, no one would blame her. 513 00:25:21,930 --> 00:25:25,190 apologise. That's right. Now, let's not make a mountain out of a molehill. 514 00:25:25,610 --> 00:25:27,970 And let's not pass up the chance of some new material. 515 00:25:28,170 --> 00:25:29,730 A good song can't be easy to find. 516 00:25:29,930 --> 00:25:33,550 Yeah, and Gary writes some of the best songs going. I mean, Gary Sparrow is a 517 00:25:33,550 --> 00:25:35,850 name for tomorrow. Isn't that right, Mr Wiggs? That's right. 518 00:25:36,330 --> 00:25:39,230 And they don't ever have to meet. We can see to that. 519 00:25:39,690 --> 00:25:43,550 Yeah, but if Mrs Formby wanted to stick to her guns and leave right now, I'm 520 00:25:43,550 --> 00:25:44,550 sure we'd all understand. 521 00:25:44,750 --> 00:25:45,750 Harry! 522 00:25:46,250 --> 00:25:47,310 Business is business. 523 00:25:47,690 --> 00:25:48,770 We must be sensible. 524 00:25:49,930 --> 00:25:54,030 Well, that's right. I mean, life goes on. The world has to keep on turning. 525 00:25:54,310 --> 00:25:55,450 Hey, no, don't let it. 526 00:25:56,870 --> 00:26:01,590 Look, Wixie, the song isn't even public. No problem, I'll do it on Monday. In 527 00:26:01,590 --> 00:26:02,790 fact, it isn't even written down. 528 00:26:06,350 --> 00:26:07,430 Go on then, Gary. 529 00:26:08,850 --> 00:26:10,450 This could be your first big break. 530 00:26:10,890 --> 00:26:12,690 They might be singing this song in years to come. 531 00:26:13,950 --> 00:26:15,430 Go on, she could be right, Reg. 532 00:26:19,400 --> 00:26:20,400 Oh, yeah. 533 00:26:20,520 --> 00:26:23,200 I don't suppose you have a bottle of champagne, Andy? 534 00:26:23,600 --> 00:26:25,380 Good. Then you won't be disappointed. 535 00:26:25,800 --> 00:26:27,740 Sorry, some of us have done enough celebrating. 536 00:26:29,600 --> 00:26:30,620 Are we, Gary? 537 00:26:31,240 --> 00:26:32,600 Is that right, pal? 538 00:26:33,800 --> 00:26:38,840 Hey, I say, it's just that... Well, in the short time I've known him, I've come 539 00:26:38,840 --> 00:26:42,660 to realise that he is a very special, warm, wonderful human being. 540 00:26:43,060 --> 00:26:46,180 I saw this muttering over there. Business, George, that's business. 541 00:26:46,620 --> 00:26:47,620 Well, you see... 542 00:26:47,760 --> 00:26:49,240 I worry about the bad publicity. 543 00:26:49,800 --> 00:26:52,680 If it should ever come out about all my convictions. 544 00:26:53,880 --> 00:26:58,800 Convictions? Well, things I am really, really ashamed of now. But would the 545 00:26:58,800 --> 00:26:59,900 people see it that way? 546 00:27:00,300 --> 00:27:03,860 Hey, I'm not allowed to mutter in corners with the dancers. 547 00:27:04,500 --> 00:27:06,860 Why are you muttering to me? Steady on, George, steady. 548 00:27:08,580 --> 00:27:11,880 How dare you mutter with my wife? 549 00:27:13,980 --> 00:27:15,560 Steady on, Red, steady on. 550 00:27:15,930 --> 00:27:17,330 Drunk and disorderly, this is. 551 00:27:17,730 --> 00:27:20,070 Assault, even, or grievous. What's his name? 552 00:27:20,270 --> 00:27:23,310 Gary, are you all right? Yeah, and finally just flew past me and went into 553 00:27:23,310 --> 00:27:24,910 fireplace. You daft bat. 554 00:27:25,150 --> 00:27:27,290 That's your strumming hand. Could be out for weeks. 555 00:27:27,670 --> 00:27:29,450 No, not possible. 556 00:27:30,110 --> 00:27:31,390 The Act of the Empire, Deborah. 557 00:27:31,690 --> 00:27:32,449 Could be broken. 558 00:27:32,450 --> 00:27:35,690 Well, but anything is broken for men, surely. I mean, even bleeding broken 559 00:27:35,690 --> 00:27:38,010 hearts can mend, for God's sake. Yeah, now would you know. 560 00:27:38,210 --> 00:27:41,930 I blame you for this. Oh, that's right, you turnin' him as well. You're as bad 561 00:27:41,930 --> 00:27:42,889 as these two. 562 00:27:42,890 --> 00:27:47,460 I mean, if that's what fame does for people, I'd... Rather not, no. Reg, 563 00:27:47,460 --> 00:27:48,279 them out. 564 00:27:48,280 --> 00:27:52,140 You can't do that to us. Oh, yes, I can actually, Beryl, because in here I'm the 565 00:27:52,140 --> 00:27:54,760 boss. Reg, chop, chop. They are on their way, Phoebe. 566 00:27:55,080 --> 00:27:57,700 Nothing personal, Mr. Formby. I'm a big fan of myself. 567 00:27:57,940 --> 00:27:59,760 I suppose an autograph would be out of the question. 568 00:28:00,120 --> 00:28:02,880 He needs his head seen to. He needs his head seen to. 569 00:28:03,200 --> 00:28:08,680 He may have a broken hand, but I have a handful of broken dreams. 570 00:28:11,080 --> 00:28:14,300 So that's why George Formby never played the Hackney Empire. 571 00:28:15,310 --> 00:28:17,270 He -he. Turned out nice again. 572 00:28:17,650 --> 00:28:20,270 Good night, sweetheart. 573 00:28:20,930 --> 00:28:24,390 Sleep will banish sorrow. 574 00:28:24,790 --> 00:28:28,250 Good night, sweetheart. 575 00:28:28,850 --> 00:28:31,710 Till we meet tomorrow. 576 00:28:32,970 --> 00:28:35,990 Dreams and fall due. 577 00:28:36,770 --> 00:28:39,910 In memory I'll fold you. 578 00:28:40,330 --> 00:28:43,230 Good night, sweetheart.