1 00:00:01,001 --> 00:00:05,011 Minnie Riperton's Lovin' You playing 2 00:00:05,005 --> 00:00:08,585 3 00:00:08,592 --> 00:00:11,762 Lovin' you 4 00:00:11,762 --> 00:00:15,682 Is easy 'cause you're beautiful 5 00:00:16,558 --> 00:00:18,978 Makin' love with you 6 00:00:19,520 --> 00:00:22,980 Is all I wanna do 7 00:00:24,066 --> 00:00:26,986 Lovin' you 8 00:00:26,985 --> 00:00:30,985 Is more than just a dream come true 9 00:00:31,740 --> 00:00:33,700 And everything that I do 10 00:00:33,700 --> 00:00:35,040 [sighs heavily] 11 00:00:35,035 --> 00:00:37,995 Is out of lovin' you 12 00:00:39,581 --> 00:00:40,961 ‐ Making a playlist 13 00:00:41,875 --> 00:00:43,085 is a delicate art. 14 00:00:45,546 --> 00:00:47,006 It's like writing a love letter, 15 00:00:47,756 --> 00:00:49,296 but better in a way. 16 00:00:50,717 --> 00:00:52,677 You get to say what you want to say 17 00:00:54,304 --> 00:00:55,684 without actually saying it. 18 00:00:57,891 --> 00:01:00,981 You get to use someone else's poetry to express how you feel. 19 00:01:04,106 --> 00:01:05,726 And then there are the rules. 20 00:01:06,775 --> 00:01:08,105 It's gotta be entertaining. 21 00:01:08,819 --> 00:01:10,029 You gotta tell a story. 22 00:01:11,697 --> 00:01:13,237 You can't be too obvious but, 23 00:01:14,992 --> 00:01:16,622 you can't be too obscure either. 24 00:01:17,578 --> 00:01:19,788 You can't double up on songs by the same artist, 25 00:01:19,788 --> 00:01:21,458 unless, of course, that's your theme. 26 00:01:24,376 --> 00:01:25,586 Anyway, 27 00:01:26,211 --> 00:01:27,501 a good compilation, 28 00:01:28,005 --> 00:01:30,005 like so many things in life, 29 00:01:32,676 --> 00:01:33,966 is hard to do. 30 00:01:36,597 --> 00:01:37,967 [song stops] 31 00:01:42,144 --> 00:01:43,984 We'll put that on the "maybe" pile for now. 32 00:01:44,855 --> 00:01:48,025 ‐ Uh, hey, Rob. Um, wh‐what are you up to? 33 00:01:48,609 --> 00:01:49,859 ‐ Just makin' a playlist. 34 00:01:49,860 --> 00:01:51,700 ‐ Oh, cool. Well, what's it for? 35 00:01:53,238 --> 00:01:55,908 ‐ You know, I'm thinking of taking a road trip, so. 36 00:01:58,493 --> 00:01:59,623 ‐ Cool. 37 00:02:00,120 --> 00:02:02,710 Um, I don't want to interrupt you, but I think you'd better come through. 38 00:02:02,706 --> 00:02:03,616 ‐ What's up? 39 00:02:04,041 --> 00:02:05,291 ‐ We need a ruling. 40 00:02:08,504 --> 00:02:09,884 ‐ Hey. What's, what's going on? 41 00:02:09,880 --> 00:02:12,800 ‐ This... person who's clearly never been 42 00:02:12,799 --> 00:02:14,299 on the internet is trying to buy 43 00:02:14,301 --> 00:02:17,641 a fucking Michael Jackson album for her boyfriend. 44 00:02:18,055 --> 00:02:19,925 ‐ Shit. ‐ It's his birthday. 45 00:02:19,932 --> 00:02:21,432 ‐ Which album? ‐ Which album? 46 00:02:21,433 --> 00:02:23,693 ‐ Off The Wall? Do you guys have it? 47 00:02:26,104 --> 00:02:29,024 ‐ [sighs heavily] Yeah, we have it. We do. Um‐‐ 48 00:02:35,322 --> 00:02:37,572 I'm very sorry, but I don't think I can sell that to you. 49 00:02:38,283 --> 00:02:39,873 ‐ Oh, okay. 50 00:02:41,119 --> 00:02:44,459 ‐ Oh, but those fuckin' horn charts on Workin' Day and Night. 51 00:02:44,456 --> 00:02:46,996 All right, all right, yeah. Fuck it. Fuck it. Let's do it. 52 00:02:47,000 --> 00:02:48,090 ‐ Okay, great! 53 00:02:48,085 --> 00:02:51,415 ‐ Hold up, hold up, hold up. So this man gets a pass for horn charts? 54 00:02:51,421 --> 00:02:53,721 ‐ I'll give a pass to anyone who's scaled Mount Olympus, Cherise. 55 00:02:53,715 --> 00:02:55,425 ‐ They were Quincy's charts, anyway. ROB: Exactly. 56 00:02:55,425 --> 00:02:58,595 How does it benefit society to hold Quincy's genius hostage 57 00:02:58,595 --> 00:03:00,095 just because the dude that sang over his shit 58 00:03:00,097 --> 00:03:01,467 ended up being a full‐blown child molester? 59 00:03:01,473 --> 00:03:03,313 ‐ Allegedly. LEWIS: Whoa! 60 00:03:03,308 --> 00:03:05,728 ‐ Where'd you get that from, Rob, huh? 61 00:03:05,727 --> 00:03:08,607 From fuckin', fuckin' "Convenient‐Opinions‐R‐Us"? 62 00:03:08,605 --> 00:03:10,935 ‐ Okay, you still listen to a dude who raps in a MAGA hat, so‐‐ 63 00:03:10,941 --> 00:03:13,401 ‐ Are you fucking serious? [Lewis chuckles] 64 00:03:13,402 --> 00:03:16,952 Having shitty politics and a second‐grade understanding of American history 65 00:03:16,947 --> 00:03:19,697 is a tiny bit different than being a goddamn child molester. 66 00:03:19,700 --> 00:03:21,830 ‐ Allegedly. ‐ Jesus! 67 00:03:21,827 --> 00:03:24,407 ‐ Kanye West has a mental health issue! 68 00:03:24,413 --> 00:03:26,713 ‐ You don't think Michael Jackson had a fucking mental health issue? 69 00:03:26,707 --> 00:03:28,827 ‐ Okay, cool. Great, great, great. So this is what I'm gonna do. 70 00:03:28,834 --> 00:03:31,924 I'm just gonna pop on some Charles Manson, and we can all just vibe out to that. 71 00:03:31,920 --> 00:03:34,130 ‐That sound cool for you? ‐ Charles Manson made music? 72 00:03:34,506 --> 00:03:36,626 ‐ Why, would you like to buy that for your boyfriend, too? 73 00:03:36,633 --> 00:03:37,893 ‐ It's actually oddly good. ‐ It is. 74 00:03:37,885 --> 00:03:40,295 ‐ You know what, Simon‐‐ ‐ But, Cherise, what if 75 00:03:40,304 --> 00:03:42,144 the only artists that we were allowed to listen to 76 00:03:42,139 --> 00:03:45,349 were inarguably nice people, right, 77 00:03:45,350 --> 00:03:48,060 with, with unassailably perfect ethics? 78 00:03:48,061 --> 00:03:50,231 We'd have to destroy every record in existence except for‐‐ 79 00:03:50,230 --> 00:03:51,770 ‐ Bono. ‐ Phil Collins. 80 00:03:51,773 --> 00:03:53,283 ‐ Michael Stipe. ‐ Sufjan Stevens. 81 00:03:53,275 --> 00:03:56,895 ‐ Hey, can you guys... sell me the record? 82 00:03:57,446 --> 00:04:00,156 How does that work... here? 83 00:04:05,537 --> 00:04:07,287 ‐ [chuckles] You guys figure this out. 84 00:04:08,248 --> 00:04:10,878 See you, Lewis. ‐ Yo, you guys should just shoot for it. 85 00:04:10,876 --> 00:04:12,166 ‐ Fine. ‐ Fine, come over here. 86 00:04:13,754 --> 00:04:15,304 BOTH: Rock, paper, scissors, and‐‐ 87 00:04:15,297 --> 00:04:16,257 [Cherise grunts] 88 00:04:16,256 --> 00:04:19,836 Ho99o9's War is Hell playing 89 00:04:19,843 --> 00:04:22,973 90 00:04:22,971 --> 00:04:26,431 Anarchy and chaos bombs come and shake the ground 91 00:04:26,433 --> 00:04:29,603 Horror world collide might die with the thunder sound 92 00:04:29,603 --> 00:04:31,443 I'll break it down with fire rounds 93 00:04:31,438 --> 00:04:33,108 Rolling through to lay you down 94 00:04:33,106 --> 00:04:35,186 Pound for pound get up in your ass 95 00:04:35,192 --> 00:04:36,532 Slash, buck and a half 96 00:04:36,527 --> 00:04:39,487 Reap what you sow when the guns start blazing 97 00:04:39,488 --> 00:04:41,408 Full time motherfuckin' maniac 98 00:04:41,406 --> 00:04:42,526 [exhales sharply] 99 00:04:43,283 --> 00:04:46,293 Givin' birth to my seeds Meet the children of the corn 100 00:04:46,620 --> 00:04:48,750 Yo. I'm out. Lock up, okay? 101 00:04:48,997 --> 00:04:51,457 ‐ You're leaving? It's Friday. No drinks? ‐ No, man. 102 00:04:51,917 --> 00:04:52,667 ‐ Seriously? 103 00:04:53,502 --> 00:04:55,172 ‐ I'm going home. ‐ Why? 104 00:04:55,546 --> 00:04:56,586 ‐ You'll be fine. 105 00:04:59,299 --> 00:05:00,339 Change it up. 106 00:05:01,134 --> 00:05:03,604 [doorbell tinkling] 107 00:05:04,346 --> 00:05:07,386 ‐ Yo, does she seem sadder than usual or is it the sweater? 108 00:05:08,267 --> 00:05:09,387 ‐ Sweater. 109 00:05:11,019 --> 00:05:12,899 ‐ Oh, my god, you about to cry. 110 00:05:12,896 --> 00:05:14,356 ‐ Weren't you about to do some work? 111 00:05:19,319 --> 00:05:20,609 David Bowie's Modern Love playing 112 00:05:20,612 --> 00:05:22,912 ‐ The most important track is Number One. 113 00:05:23,574 --> 00:05:25,034 It's gotta be familiar, 114 00:05:25,868 --> 00:05:27,158 but also unexpected. 115 00:05:29,621 --> 00:05:30,961 But most importantly, 116 00:05:32,875 --> 00:05:34,415 it's gotta make you feel good. 117 00:05:35,878 --> 00:05:37,458 I know when to go out 118 00:05:38,630 --> 00:05:40,090 I know when to stay in 119 00:05:41,633 --> 00:05:42,593 Get things done 120 00:05:42,593 --> 00:05:43,973 "I know when to go out. 121 00:05:43,969 --> 00:05:46,139 I know when to stay in." 122 00:05:46,638 --> 00:05:49,178 I catch a paper boy 123 00:05:49,683 --> 00:05:51,563 David Bowie really had his shit together. 124 00:05:52,060 --> 00:05:54,310 I'm standing in the wind 125 00:05:54,771 --> 00:05:56,981 But I never wave bye‐bye 126 00:05:56,982 --> 00:05:58,322 ROB: Okay, here's what I got. 127 00:05:59,735 --> 00:06:01,275 Ziggy Stardust, Hunky Dory, 128 00:06:01,278 --> 00:06:04,028 Let's Dance, Aladdin Sane, 129 00:06:04,031 --> 00:06:05,571 and Station to Station. 130 00:06:05,574 --> 00:06:06,494 ‐ What about Blackstar? 131 00:06:06,992 --> 00:06:08,792 I know, I thought about that, but what am I gonna do, 132 00:06:08,785 --> 00:06:10,155 not have Station to Station? MAC: Oh, my god! 133 00:06:10,162 --> 00:06:11,412 I can't believe you'd do that. 134 00:06:11,413 --> 00:06:14,543 You told me Blackstar was the best record of the last 20 years. 135 00:06:14,541 --> 00:06:16,341 ‐ I know‐‐ ‐ How he "burned out" 136 00:06:16,335 --> 00:06:18,545 instead of fading away. ‐ I know. I said that. You're right. 137 00:06:18,545 --> 00:06:21,665 ‐ How he "absorbed the best of his modern influences 138 00:06:21,673 --> 00:06:23,633 "while still maintaining the core ‐ Oh, is that what I sound like? 139 00:06:23,634 --> 00:06:25,304 ‐ of who he was as an artist." ‐ Is that what I sound like? 140 00:06:25,302 --> 00:06:28,932 ‐ And how he "used his death as reflexive creation, 141 00:06:28,931 --> 00:06:32,021 and invited us in the innermost private experience a human being could have." 142 00:06:32,017 --> 00:06:34,227 ‐ Rude! ‐And how "the drums were the baddest thing ever." 143 00:06:34,228 --> 00:06:36,648 ‐ The drums were sick. ‐ Oh, my god, I was rooting for you. 144 00:06:37,356 --> 00:06:38,476 ‐ Stop! 145 00:06:40,359 --> 00:06:41,989 ‐ I gotta go stir the sauce. 146 00:06:44,738 --> 00:06:45,988 ‐ Okay. 147 00:06:47,324 --> 00:06:49,874 ‐ Why can't it just be "Top Six"? ‐ Very funny. 148 00:06:52,079 --> 00:06:54,039 MAC: Do you want some more wine? ROB: Yes, please. 149 00:06:56,166 --> 00:06:57,456 MAC: There you go. ‐ Thank you. 150 00:06:57,459 --> 00:06:58,999 [wine sloshing] 151 00:07:01,505 --> 00:07:04,965 The, uh, The Kills are playing a show at Music Hall tonight. You wanna go? 152 00:07:07,010 --> 00:07:08,260 ‐ Oh, uh, 153 00:07:09,137 --> 00:07:10,217 yeah, I mean, 154 00:07:10,848 --> 00:07:12,768 I guess I could hit pause on the Bolognese. 155 00:07:14,017 --> 00:07:16,227 ‐ No, that's okay. We'll stay. We'll stay in. 156 00:07:16,854 --> 00:07:18,154 ‐ Okay. Good. 157 00:07:18,522 --> 00:07:20,902 It's gonna be a shitshow anyway. I'd rather just hang with you. 158 00:07:21,275 --> 00:07:23,605 ‐ I mean, I don't, I don't know if it's gonna be a "shitshow." 159 00:07:23,610 --> 00:07:25,740 It's gonna be a show. There'll be people there. 160 00:07:25,737 --> 00:07:27,027 That's kinda part of the whole show thing. 161 00:07:27,906 --> 00:07:29,406 ‐ I mean, do you wanna go? 162 00:07:35,414 --> 00:07:36,424 ‐ It's very good. 163 00:07:36,415 --> 00:07:37,415 ‐ Thank you. 164 00:07:39,459 --> 00:07:40,999 ‐ No, no, we'll stay in. We'll stay. 165 00:07:42,629 --> 00:07:43,629 MAC: Okay. 166 00:07:45,591 --> 00:07:46,761 ‐ All right, well, um, 167 00:07:47,759 --> 00:07:51,429 in that case, I'm gonna go slip into something a little more domestic. 168 00:07:53,015 --> 00:07:54,555 MAC: Uh‐oh. ‐ It's gonna be hot. 169 00:07:55,017 --> 00:07:57,267 It's gonna involve sweatpants. ‐ Oh! 170 00:07:57,269 --> 00:07:58,769 ‐ And granny panties. ‐ Uh‐oh. 171 00:07:58,770 --> 00:07:59,980 ‐ Oof! ‐ Oh! 172 00:08:00,439 --> 00:08:02,979 I think the ball's on the bed, but the chain is at the cleaners. 173 00:08:02,983 --> 00:08:04,113 [chuckling] 174 00:08:04,109 --> 00:08:05,359 ‐ Stupid. 175 00:08:05,360 --> 00:08:07,360 Modern Love continues 176 00:08:12,492 --> 00:08:13,742 [sniffs] 177 00:08:34,306 --> 00:08:36,016 ‐ [thunder rumbling] ‐ [cell phone buzzing] 178 00:08:36,016 --> 00:08:37,426 Modern Love 179 00:08:37,434 --> 00:08:38,944 Walks on by 180 00:08:38,936 --> 00:08:40,226 Modern Love 181 00:08:40,229 --> 00:08:43,899 Gets me to the church on time 182 00:08:43,899 --> 00:08:44,979 [music stops] 183 00:08:46,944 --> 00:08:48,114 ‐ Voicemail. 184 00:08:48,111 --> 00:08:49,571 CHERISE: Well, we tried. 185 00:08:49,571 --> 00:08:51,321 So what, you gonna go to DeSalle's tonight? 186 00:08:51,323 --> 00:08:53,783 ‐ Oh, maybe. Or might, you know, change it up. 187 00:08:54,409 --> 00:08:56,369 There's an underground catstep show in Red Hook. 188 00:08:56,370 --> 00:08:57,330 ‐ The fuck! 189 00:08:57,329 --> 00:08:58,749 SIMON: It's a sub‐genre of filthstep, 190 00:08:58,747 --> 00:09:01,957 hasn't really caught on yet, but... you know, it could, someday. 191 00:09:01,959 --> 00:09:04,799 You? ‐ Oh, I'm changin' it up fo'sho. 192 00:09:04,795 --> 00:09:07,255 I might check out this house party in Bed‐Stuy, 193 00:09:07,256 --> 00:09:08,626 but that could be lame. 194 00:09:08,632 --> 00:09:10,802 Or there's this experimental dance group 195 00:09:10,801 --> 00:09:12,511 that my homie Bodhi's in. 196 00:09:13,512 --> 00:09:15,602 But you know what, as I say that shit out loud, 197 00:09:15,597 --> 00:09:17,387 it's probably gonna be wack as fuck, 198 00:09:17,391 --> 00:09:18,891 so... I don't know. 199 00:09:18,892 --> 00:09:22,522 ‐ I may actually go check on Rob. She's been kinda... something today. 200 00:09:22,521 --> 00:09:24,271 ‐ She's always a little something. 201 00:09:24,273 --> 00:09:26,613 ‐ Yeah, I don't know. She's started smoking again. 202 00:09:26,608 --> 00:09:28,358 She's been listening to Minnie Riperton. 203 00:09:29,152 --> 00:09:32,452 She's been working on this playlist, said something about a, like, "road trip." 204 00:09:32,906 --> 00:09:34,196 She just seems kinda 205 00:09:34,867 --> 00:09:35,777 something. 206 00:09:35,784 --> 00:09:37,584 ‐ Minnie Riperton? ‐ Uh‐huh. 207 00:09:37,578 --> 00:09:38,658 ‐ Shit. 208 00:09:39,538 --> 00:09:40,658 ‐ Okay. 209 00:09:41,456 --> 00:09:42,536 Track two. 210 00:09:43,542 --> 00:09:47,382 There needs to be an element of... 211 00:09:47,379 --> 00:09:49,419 Prototype by OutKast playing 212 00:09:49,423 --> 00:09:50,723 surprise. 213 00:09:52,384 --> 00:09:54,144 Because what you're saying here is: 214 00:09:55,512 --> 00:09:56,762 keep listening. 215 00:09:57,806 --> 00:09:59,806 There might be more here than you thought. 216 00:10:01,393 --> 00:10:03,023 [knocking on door] 217 00:10:05,814 --> 00:10:06,864 [banging on door] 218 00:10:09,234 --> 00:10:10,364 How'd you get in the building? 219 00:10:11,361 --> 00:10:13,411 You still have my key. ‐ I keep it for emergencies. 220 00:10:13,405 --> 00:10:14,945 [Cherise chuckles] 221 00:10:15,282 --> 00:10:17,912 CHERISE: Whoa, speaking of emergency. 222 00:10:17,910 --> 00:10:19,660 Yo, what the fuck, Rob! 223 00:10:19,661 --> 00:10:20,951 You need a maid! 224 00:10:20,954 --> 00:10:23,874 Ooh, OutKast! 225 00:10:23,874 --> 00:10:27,134 Amen, sister. Hey! 226 00:10:31,465 --> 00:10:33,715 ‐ Is... is this all for the playlist? 227 00:10:34,176 --> 00:10:36,216 ‐ It is indeed, yes. CHERISE: Yo, I gotta tell you the truth, 228 00:10:36,553 --> 00:10:37,973 I like Sad Rob. 229 00:10:37,971 --> 00:10:39,771 Now, Sad Rob has good taste. 230 00:10:39,765 --> 00:10:41,515 ‐ You know, you really shouldn't keep them piled up like this, 231 00:10:41,517 --> 00:10:42,677 'cause it gets really pressured. 232 00:10:42,684 --> 00:10:45,024 ‐ Oh, no, you gotta get King Curtis on your playlist! 233 00:10:45,020 --> 00:10:47,190 A must. A fucking must. ‐ What's up, guys? 234 00:10:47,523 --> 00:10:48,653 ‐ Oh, uh, 235 00:10:49,274 --> 00:10:51,154 we're gonna go check out this guy Liam's show at DeSalle's. 236 00:10:51,485 --> 00:10:54,775 It's sort of like Unknown Mortal Orchestra meets Frank Ocean kind of vibe. 237 00:10:54,780 --> 00:10:56,410 but not like Channel Orange Frank Ocean, 238 00:10:56,406 --> 00:10:57,736 more like Blonde Frank Ocean, 239 00:10:57,741 --> 00:10:59,991 with, like, just this large hint of Jeff Buckley. 240 00:11:04,831 --> 00:11:07,841 ‐ Yeah, I‐I think I'm good. I think I'm gonna stay in. 241 00:11:08,585 --> 00:11:09,455 ‐ She's busy. 242 00:11:10,045 --> 00:11:12,255 All right, well, listen, we about to rip this shit up. 243 00:11:12,256 --> 00:11:14,466 So, you know what, if you just want to stay here and die alone‐‐ 244 00:11:14,466 --> 00:11:16,636 ‐ Cherise, we're just‐‐ we're gonna get out of your hair. 245 00:11:16,635 --> 00:11:18,465 Come on. ‐ Yo, what is this shit? 246 00:11:18,470 --> 00:11:19,680 It's fire. 247 00:11:19,680 --> 00:11:21,520 ROB: It's fucking wine, Cherise. ‐ Mn‐mn. 248 00:11:22,558 --> 00:11:24,478 It's fucking unicorn juice. It's delicious. 249 00:11:26,144 --> 00:11:27,564 Thanks for stopping by, kids. 250 00:11:27,563 --> 00:11:28,863 SIMON: You got it. 251 00:11:28,856 --> 00:11:30,066 You know where we'll be. 252 00:11:30,065 --> 00:11:31,395 See you... sometime. 253 00:11:31,400 --> 00:11:33,190 CHERISE: Love you. Mean it. 254 00:11:34,820 --> 00:11:36,070 [door closes] 255 00:11:36,071 --> 00:11:37,201 [sighs] 256 00:11:39,575 --> 00:11:40,775 [music stops] 257 00:11:43,495 --> 00:11:44,995 ‐ I need to change it up. 258 00:11:46,331 --> 00:11:49,631 Tonight is about quiet contemplation. 259 00:11:52,671 --> 00:11:54,171 [exhales heavily] 260 00:11:54,173 --> 00:11:55,633 Tonight I go deep. 261 00:11:58,802 --> 00:12:02,472 Tonight... I go Prince deep. 262 00:12:03,307 --> 00:12:05,307 MAC: Babe, dinner's ready. 263 00:12:10,689 --> 00:12:13,399 ‐ Hey. I'm just gonna run down to the bodega real fast. 264 00:12:13,734 --> 00:12:14,694 ‐ What, now? 265 00:12:14,693 --> 00:12:17,533 ‐ Yeah, we're out of cat food, so I, I'm just gonna run down. 266 00:12:18,030 --> 00:12:19,620 ‐ Okay. You know dinner's, like, ready. 267 00:12:19,615 --> 00:12:21,155 ‐ Yeah, I'll be back in a minute. 268 00:12:21,158 --> 00:12:22,278 ‐ Okay. 269 00:12:22,284 --> 00:12:24,754 So Blue by Prince playing 270 00:12:27,289 --> 00:12:28,249 [softly] ‐ Fuck. 271 00:12:29,541 --> 00:12:30,791 CARLOS: What's up, Rob? ‐ What's up? 272 00:12:31,627 --> 00:12:37,377 You meant the world 273 00:12:37,758 --> 00:12:40,588 To me 274 00:12:44,556 --> 00:12:46,766 Um... Liza Minnelli. 275 00:12:47,935 --> 00:12:48,935 ‐ Huh? 276 00:12:51,063 --> 00:12:52,023 You were doing so well. 277 00:12:52,022 --> 00:12:53,442 ‐ Did I say the password? 278 00:12:53,440 --> 00:12:55,030 CARLOS: Yeah. ‐ So sell me the fucking pack. 279 00:12:56,109 --> 00:12:57,109 [sighs] 280 00:12:59,571 --> 00:13:00,781 [cash register dings] 281 00:13:01,657 --> 00:13:03,907 ‐ Hey, Carlos, can I ask you a question? 282 00:13:03,909 --> 00:13:05,539 You think you're gonna get married someday? 283 00:13:05,536 --> 00:13:08,996 ‐ Yeah, probably when I'm... grown up. 284 00:13:12,960 --> 00:13:14,250 ‐ Can I get another one, Nick? 285 00:13:18,173 --> 00:13:19,473 NICK: Big night out, huh? 286 00:13:19,967 --> 00:13:21,127 ‐ Yeah. 287 00:13:21,969 --> 00:13:23,009 I do have a cat. 288 00:13:23,387 --> 00:13:24,177 NICK: Cool. 289 00:13:26,181 --> 00:13:28,851 [indiscernible conversation] 290 00:13:28,851 --> 00:13:30,601 GIRL: Yeah, me too. NICK: You got it. 291 00:13:30,602 --> 00:13:33,652 292 00:13:34,064 --> 00:13:37,614 I spend my days 293 00:13:37,609 --> 00:13:42,319 Crying over you 294 00:13:43,824 --> 00:13:45,244 ‐ Yeah, I need to get out of here. 295 00:13:49,705 --> 00:13:52,245 ‐ Hey! Ten minutes and 27 seconds. 296 00:13:52,249 --> 00:13:54,789 Pay up, sucker. ‐ No, you said under ten minutes. 297 00:13:54,793 --> 00:13:56,253 ‐ Yeah, and that includes the tenth minute. 298 00:13:58,380 --> 00:14:01,430 ‐ I've decided it's actually easier for me to pay you than to argue with you. 299 00:14:03,552 --> 00:14:05,682 ‐ Hey, yo, Rob, you do know that that's not supposed to be 300 00:14:05,679 --> 00:14:07,009 an outside sweater, right? 301 00:14:07,848 --> 00:14:08,888 [chuckles] 302 00:14:10,934 --> 00:14:13,024 ‐ [sighs heavily] Okay. 303 00:14:13,562 --> 00:14:14,652 Next track. 304 00:14:14,646 --> 00:14:15,396 Paul McCartney and Wings' Arrow Through Me playing 305 00:14:15,397 --> 00:14:16,687 Ooh baby 306 00:14:17,232 --> 00:14:21,152 You couldn't have done a worse thing to me 307 00:14:21,653 --> 00:14:23,573 If you'da taken an arrow 308 00:14:23,572 --> 00:14:26,742 And run it right through me, ooh 309 00:14:27,743 --> 00:14:29,203 CHERISE: Mm, mm. CARLOS: What's up, Rob? 310 00:14:29,203 --> 00:14:30,413 ROB: What's up? ‐ Cool sweater. 311 00:14:30,412 --> 00:14:32,712 ‐ Unpopular opinion, Carlos. But thank you. 312 00:14:32,706 --> 00:14:33,706 Can I get a pack? 313 00:14:34,374 --> 00:14:35,634 I know. I know. 314 00:14:36,126 --> 00:14:37,996 I am a failure. 315 00:14:39,296 --> 00:14:41,126 ‐ Should I just put this on your tab, or? 316 00:14:43,050 --> 00:14:44,010 ‐ Yeah. 317 00:14:44,593 --> 00:14:46,803 This one's on you, baby. 318 00:14:47,763 --> 00:14:50,813 ‐ Oh, man, we're coming in at, like, a solid six today. 319 00:14:50,807 --> 00:14:51,807 ‐ Damn. Really? 320 00:14:51,808 --> 00:14:54,228 ‐ Yeah, six. Six and a half even, if I'm being honest. 321 00:14:54,228 --> 00:14:55,478 ‐ Yeah, I'll do six and a half. CARLOS: Yeah? 322 00:14:55,479 --> 00:14:57,979 ‐ Six and a half? All right, we're gonna go with six and a half, Carlos. 323 00:14:57,981 --> 00:15:00,821 ‐ Sh‐‐ I don't smell shit, like, at all. 324 00:15:00,817 --> 00:15:03,107 ‐ Actually, you're lucky because today 325 00:15:03,111 --> 00:15:04,571 it's got a little fishy top note. 326 00:15:04,571 --> 00:15:05,781 I'm not feelin' it. 327 00:15:05,781 --> 00:15:08,161 ‐ But it has an accent of, um, what is that? What is that? 328 00:15:10,285 --> 00:15:12,405 ‐ Like old lettuce? CHERISE/SIMON: Old lettuce. 329 00:15:12,412 --> 00:15:14,712 Old lettuce. ‐ Old lettuce? Okay. 330 00:15:14,706 --> 00:15:15,866 ROB: Thanks, man. 331 00:15:16,750 --> 00:15:17,750 Next track. 332 00:15:17,751 --> 00:15:19,801 I've heard of him. Sounds like a punk rock dude, right? 333 00:15:19,795 --> 00:15:20,915 ‐ From Galilee, yeah. 334 00:15:20,921 --> 00:15:22,671 ‐ Galileo 335 00:15:23,882 --> 00:15:25,382 ‐ Oh, what up, Turner? TURNER: Chillin'. 336 00:15:25,384 --> 00:15:26,974 ‐ Ooh, shit, I'm gonna be right back, y'all. 337 00:15:26,969 --> 00:15:28,389 Hold on for me. Wait. 338 00:15:28,387 --> 00:15:29,757 Yo, T, hold up! Hold up, hold up, hold up. 339 00:15:29,763 --> 00:15:32,473 Is it Any Wonder? by Durand Jones and The Indications playing 340 00:15:32,474 --> 00:15:34,144 This road 341 00:15:34,142 --> 00:15:37,022 Is gone take us back now 342 00:15:41,400 --> 00:15:43,360 ‐ So is there a theme to your road trip playlist? 343 00:15:45,112 --> 00:15:46,152 ‐ There's no road trip, man. 344 00:15:46,738 --> 00:15:47,738 ‐ Yeah, I know. 345 00:15:50,033 --> 00:15:51,493 So the theme is? 346 00:15:53,370 --> 00:15:54,500 ‐ Love, I guess. 347 00:15:55,038 --> 00:15:56,418 ‐ Cool, yeah. That's classic. 348 00:15:56,415 --> 00:16:00,955 They say my child... 349 00:16:02,504 --> 00:16:03,514 ‐ I ran into Mac. 350 00:16:04,631 --> 00:16:05,881 ‐ Oh, shit. 351 00:16:06,800 --> 00:16:07,840 When? 352 00:16:07,843 --> 00:16:10,683 ‐ Um, the other night, before my date with the Vest. 353 00:16:10,679 --> 00:16:11,719 ‐ Fuck. 354 00:16:13,098 --> 00:16:14,978 Okay. So... so Mac's back? 355 00:16:15,559 --> 00:16:18,849 ‐ Yup. He's... he's back. 356 00:16:19,188 --> 00:16:21,148 ‐ Yikes. Okay, what's on it? 357 00:16:25,194 --> 00:16:26,954 Is it any wonder... 358 00:16:26,945 --> 00:16:28,735 Prince, Ariel Pink‐‐ 359 00:16:28,739 --> 00:16:29,779 ‐ I'm on the fence about that one. 360 00:16:29,781 --> 00:16:33,831 ‐ Ooh, Durand Jones and The Indications. That's an excellent choice. 361 00:16:33,827 --> 00:16:35,867 ‐ I thought so. ‐ You got a closer? 362 00:16:35,871 --> 00:16:37,751 ‐ No, and it's killing me! 363 00:16:37,748 --> 00:16:39,748 ‐ Yeah, closers are tough. ‐ Closers are tough. 364 00:16:41,543 --> 00:16:42,593 ‐ So, you gonna send it to him? 365 00:16:42,586 --> 00:16:44,246 ‐ No! God, no, no, no. 366 00:16:44,254 --> 00:16:47,264 It's like, um... it's like therapy, you know, for me. 367 00:16:48,258 --> 00:16:50,138 ‐ It's good. Yeah. Makes sense. 368 00:16:50,135 --> 00:16:51,505 ‐ Yo, Cherise! Come on, man! 369 00:16:51,512 --> 00:16:52,602 ‐ All right, all right, hold on. 370 00:16:52,596 --> 00:16:54,886 ‐ So... so how was it, 371 00:16:54,890 --> 00:16:56,350 you know, seeing him, running into him? 372 00:16:57,726 --> 00:16:59,306 ‐ You know that scene at the end of Braveheart 373 00:16:59,311 --> 00:17:00,771 where they rip all his entrails out, 374 00:17:00,771 --> 00:17:02,611 and he's like, "Freedom!" 375 00:17:02,606 --> 00:17:04,896 But it's like a positive thing, you know, because he, like, 376 00:17:04,900 --> 00:17:05,980 inspired his people or whatever? 377 00:17:05,984 --> 00:17:06,824 ‐ Yeah. 378 00:17:07,236 --> 00:17:08,946 ‐ Like that, but without the silver lining. 379 00:17:08,946 --> 00:17:10,446 ‐ All entrails, no freedom. ‐ Yeah, exactly. 380 00:17:10,447 --> 00:17:12,367 ‐ Pizza delivery, motherfuckers! 381 00:17:12,366 --> 00:17:14,276 ROB: Hmm! ‐ That good shit! 382 00:17:14,284 --> 00:17:15,494 [Rob chuckles] 383 00:17:15,494 --> 00:17:16,664 The Notorious B.I.G. Me and My Bitch playing 384 00:17:16,662 --> 00:17:18,622 When I met you, I admit, my first thoughts was to trick 385 00:17:18,622 --> 00:17:21,502 You look so good, huh, I suck on your daddy's dick 386 00:17:21,500 --> 00:17:23,290 I never felt that way in my life 387 00:17:23,293 --> 00:17:25,753 It didn't take long before I made you my wife 388 00:17:26,088 --> 00:17:28,838 Got no rings and shit just my main squeeze 389 00:17:28,841 --> 00:17:31,511 Comin' to the crib even had a set a keys 390 00:17:31,510 --> 00:17:34,180 During the days you helped me bag up my nickels 391 00:17:34,179 --> 00:17:36,849 In the process, I admit, I tricked a little 392 00:17:36,849 --> 00:17:38,059 But you was my bitch 393 00:17:38,559 --> 00:17:42,689 [indiscernible conversation] 394 00:17:42,688 --> 00:17:45,648 And I admit, when the time is right, the wine is right 395 00:17:45,649 --> 00:17:47,359 ‐ Hey, did you hear they're closing Rafaela's? 396 00:17:47,901 --> 00:17:49,571 ‐ Another one B's the D. 397 00:17:49,570 --> 00:17:51,530 Oh, I swear to god, they close this down, 398 00:17:51,530 --> 00:17:52,950 whoo, I'm losing my shit! 399 00:17:52,948 --> 00:17:55,328 ‐ They close this place, I'm burning the neighborhood down. 400 00:17:56,535 --> 00:17:58,695 We're not just being dramatic. This is the spot. 401 00:17:58,704 --> 00:18:02,084 I used to DJ here for years. I've been to more sick shows here than I can count. 402 00:18:02,541 --> 00:18:05,171 It's just one of the only places that feels like old New York to me. 403 00:18:07,421 --> 00:18:10,591 Plus, Me and Mac had our first kiss here, so... there's that. 404 00:18:14,428 --> 00:18:15,638 What's up, dude? ‐ How you doing? 405 00:18:15,637 --> 00:18:17,057 ‐ How you doing? ‐ I'm good. 406 00:18:17,055 --> 00:18:19,305 Like you want me to 407 00:18:20,184 --> 00:18:21,944 ‐ Is that Boyz II Fuckin' Men? 408 00:18:22,477 --> 00:18:23,557 ‐ Mm‐hmm. 409 00:18:25,314 --> 00:18:27,074 I'll make love to you 410 00:18:27,065 --> 00:18:29,605 Like you want me to 411 00:18:29,610 --> 00:18:32,280 And I'll hold you tight 412 00:18:32,988 --> 00:18:37,158 All through the night I'll make love to you 413 00:18:37,159 --> 00:18:39,829 When you want me to 414 00:18:39,828 --> 00:18:42,828 And I will not let go 415 00:18:42,831 --> 00:18:45,041 Till you tell me to 416 00:18:47,503 --> 00:18:52,553 'Cause tonight is your night 417 00:18:52,549 --> 00:18:57,299 And I will do you right 418 00:18:57,304 --> 00:19:02,064 Make a wish on your night 419 00:19:02,518 --> 00:19:03,768 Anything that you ask 420 00:19:03,769 --> 00:19:05,099 ‐ I used to hate this song. 421 00:19:05,812 --> 00:19:06,902 SIMON/CHERISE: Yeah. 422 00:19:07,439 --> 00:19:08,519 ‐ Now I kinda love it. 423 00:19:09,149 --> 00:19:10,149 SIMON/CHERISE: Yeah. 424 00:19:10,150 --> 00:19:12,650 I'll make love to you 425 00:19:12,653 --> 00:19:15,283 Like you want me to 426 00:19:15,280 --> 00:19:17,740 And I'll hold you tight 427 00:19:18,617 --> 00:19:22,697 All through the night I'll make love to you 428 00:19:23,121 --> 00:19:24,581 ‐ There you go. Cheers. Thank you. GIRL: Thanks. 429 00:19:24,581 --> 00:19:26,291 ‐ Enjoy. ‐ Amazing set. 430 00:19:26,291 --> 00:19:27,501 ‐ Fresh as fuck, man. 431 00:19:27,501 --> 00:19:29,251 ‐ Has anyone ever told you you remind them of Jagwar Ma? 432 00:19:29,253 --> 00:19:32,593 ‐ I'm sorry. He likes to impress people with his musical knowledge. 433 00:19:32,589 --> 00:19:34,009 ‐ Does he? Do you? 434 00:19:34,007 --> 00:19:35,877 Well, listen, man. Keep going! 'Cause it's working. 435 00:19:35,884 --> 00:19:37,554 ‐ All right, you guys, let's get out of the line. 436 00:19:37,553 --> 00:19:38,893 ‐ Uh, you like records? 437 00:19:40,973 --> 00:19:43,313 ‐ Records? ‐ Albums. Vinyls. Records? 438 00:19:43,308 --> 00:19:45,848 ‐ Oh, records, yeah. Yeah, yeah, of course. Yeah, records. 439 00:19:45,853 --> 00:19:47,153 ‐ Yeah. She has a record shop! 440 00:19:47,145 --> 00:19:49,355 SIMON: Championship Vinyl. CHERISE: Three blocks away! 441 00:19:49,356 --> 00:19:50,726 SIMON: Yeah, we all work there! CHERISE: You should come check it out! 442 00:19:51,024 --> 00:19:53,154 ‐ All right, let's‐‐ ‐ Yeah, cool. Yeah, I will, for sure. 443 00:19:53,151 --> 00:19:54,031 ‐ Okay. Let's go. 444 00:19:54,027 --> 00:19:56,527 ‐ Um, so just so you know, it's called Championship Vinyl. 445 00:19:56,530 --> 00:19:58,070 ROB: Okay. ‐ "Championship Vinyl." 446 00:19:58,073 --> 00:19:59,493 I got it. Thank you. 447 00:19:59,491 --> 00:20:01,831 ‐ I enjoyed your set, man. ‐ Cheers. Thank you. 448 00:20:01,827 --> 00:20:03,157 I'm Liam, by the way. 449 00:20:03,871 --> 00:20:05,871 ‐ Oh, I'm Rob. LIAM: Cool. 450 00:20:05,873 --> 00:20:08,923 ‐ Let me give, let me give you the record 451 00:20:08,917 --> 00:20:09,997 and a couple buttons. 452 00:20:10,002 --> 00:20:11,342 ‐ Yo, can we get three whiskeys? 453 00:20:11,879 --> 00:20:13,709 Dude, why'd you have to tell him about the shop? 454 00:20:13,714 --> 00:20:15,344 ‐ The fuck are you talkin' about? 455 00:20:15,340 --> 00:20:17,630 I... I didn't think it was classified information. 456 00:20:17,634 --> 00:20:19,014 We have no customers. 457 00:20:19,011 --> 00:20:20,891 I thought that was a bad thing, not a business strategy! 458 00:20:20,888 --> 00:20:22,718 ‐ Hey, you guys wanna go see Hot Chip DJ? 459 00:20:22,723 --> 00:20:24,023 I'm about to get the location. 460 00:20:24,016 --> 00:20:25,346 ‐ Yeah. We know the location: 461 00:20:25,350 --> 00:20:27,060 2007. The fuck. 462 00:20:28,645 --> 00:20:30,105 I go out every night 463 00:20:30,105 --> 00:20:31,105 ‐ I gotta go. 464 00:20:31,106 --> 00:20:34,436 And sleep all day 465 00:20:34,443 --> 00:20:35,403 You guys are the best. 466 00:20:37,613 --> 00:20:40,033 ‐ Mmm. Our little girl is better. 467 00:20:41,867 --> 00:20:43,237 ‐ That's an excellent choice. 468 00:20:45,120 --> 00:20:47,040 Since you been gone... 469 00:20:47,039 --> 00:20:48,829 ‐ Closers are fuckin' tough. 470 00:20:48,832 --> 00:20:50,212 It's the last thing they're gonna hear, 471 00:20:50,209 --> 00:20:52,039 and thus, the only thing they're gonna remember. 472 00:20:53,337 --> 00:20:55,007 So you've got to bring your message home. 473 00:20:55,005 --> 00:20:59,045 It's been so lonely without you here 474 00:20:59,051 --> 00:21:00,721 [thunder rumbling] 475 00:21:00,719 --> 00:21:03,809 Like a bird without a song 476 00:21:03,805 --> 00:21:07,175 477 00:21:07,184 --> 00:21:08,194 [cat meows] 478 00:21:10,479 --> 00:21:11,519 [whispering] I'm sorry. 479 00:21:11,522 --> 00:21:14,612 Nothing can stop these lonely tears from falling 480 00:21:15,526 --> 00:21:17,856 Tell me, baby 481 00:21:18,529 --> 00:21:21,409 Where did I go wrong 482 00:21:24,576 --> 00:21:30,536 I could put my arms around every boy I see 483 00:21:32,835 --> 00:21:35,335 But they'd only remind me of you 484 00:21:35,337 --> 00:21:38,047 485 00:21:48,016 --> 00:21:49,016 Mac. 486 00:21:50,269 --> 00:21:51,559 ‐ Where the fuck have you been? 487 00:21:51,979 --> 00:21:53,189 ‐ I was at the bar. 488 00:21:54,356 --> 00:21:55,606 ‐ You stink of cigarettes. 489 00:21:56,441 --> 00:21:57,731 ‐ I needed to think. 490 00:22:02,030 --> 00:22:03,990 [thunder rumbling] 491 00:22:09,997 --> 00:22:11,247 I found the ring. 492 00:22:14,668 --> 00:22:16,628 [exhales heavily] 493 00:22:24,636 --> 00:22:26,556 ‐ Why didn't you just say something, Rob? ‐ I am. 494 00:22:26,555 --> 00:22:27,675 I'm‐‐ 495 00:22:28,599 --> 00:22:29,639 That's what I'm doing. 496 00:22:38,108 --> 00:22:40,028 It scared the shit out of me. 497 00:22:40,444 --> 00:22:41,864 ‐ Yeah, I can see that. 498 00:22:47,159 --> 00:22:50,079 But we could've just talked about it, no? 499 00:22:50,078 --> 00:22:53,168 All the flowers that you planted, mama 500 00:22:54,625 --> 00:22:57,085 In the back yard 501 00:22:57,085 --> 00:22:58,375 ‐ I'm not scared. 502 00:23:00,756 --> 00:23:01,756 Anymore. 503 00:23:03,217 --> 00:23:04,427 So, listen, um, 504 00:23:07,846 --> 00:23:09,006 let's get married. 505 00:23:14,228 --> 00:23:15,768 If you're still into that idea. 506 00:23:18,774 --> 00:23:19,904 ‐ Yeah. 507 00:23:20,859 --> 00:23:23,739 I'm... super into that idea. 508 00:23:23,737 --> 00:23:24,987 ‐ Yeah? ‐ Mm‐hmm. 509 00:23:25,614 --> 00:23:28,834 He said, girl, you better try to have fun 510 00:23:28,825 --> 00:23:29,735 Yeah, I am. 511 00:23:29,743 --> 00:23:31,833 No matter what you do 512 00:23:31,828 --> 00:23:33,328 But he's a fool 513 00:23:33,330 --> 00:23:37,130 'Cause nothing compares 514 00:23:38,585 --> 00:23:44,585 Nothing compares to you 515 00:23:44,591 --> 00:23:47,591 516 00:23:59,398 --> 00:24:03,028 517 00:24:12,536 --> 00:24:13,746 [song fades out] 518 00:24:36,518 --> 00:24:38,518 519 00:24:39,813 --> 00:24:41,653 ‐ More coffee? ‐ Yeah, no, I'm good. 520 00:24:41,648 --> 00:24:42,648 Don't worry about me. 521 00:24:42,649 --> 00:24:46,069 Still enjoying my allotted half cup of coffee, so‐‐ 522 00:24:46,069 --> 00:24:47,989 ‐ You over it? ‐ What, the miracle of life? 523 00:24:48,405 --> 00:24:49,155 A little, yeah. 524 00:24:49,489 --> 00:24:50,869 ‐ I'll bring mimosas to the hospital. 525 00:24:51,241 --> 00:24:53,331 ‐ I'm gonna need something stronger than fuckin' mimosas. 526 00:24:56,038 --> 00:24:57,158 [clears throat] 527 00:24:57,873 --> 00:25:00,043 So, listen. ROB: What's up? 528 00:25:00,501 --> 00:25:01,501 ‐ Something I wanted to talk to you about. 529 00:25:02,044 --> 00:25:04,254 ‐ Is that why we're having brunch? We never have brunch. 530 00:25:04,254 --> 00:25:05,884 ‐ I told you brunch was weird. 531 00:25:06,965 --> 00:25:07,965 ‐ What? 532 00:25:09,343 --> 00:25:10,593 ‐ Mac moved back to New York. 533 00:25:11,178 --> 00:25:12,598 We had dinner with him the other week. 534 00:25:12,596 --> 00:25:13,636 I was just trying to be civil. 535 00:25:13,639 --> 00:25:15,679 I'm not trying to be like "friends" again or anything, 536 00:25:15,682 --> 00:25:17,272 but Nikki thought you should know. 537 00:25:17,267 --> 00:25:19,977 ‐ We... thought you should know. 538 00:25:20,354 --> 00:25:22,194 ‐ Right. ‐ Well, first of all, thanks, guys. 539 00:25:22,606 --> 00:25:24,016 But I, I already know. 540 00:25:24,358 --> 00:25:25,528 I ran into him on the street. 541 00:25:25,526 --> 00:25:26,986 ‐ Oh, shit. 542 00:25:27,361 --> 00:25:28,361 How was that? 543 00:25:28,362 --> 00:25:29,822 ‐ Mmm, kinda like Braveheart. 544 00:25:31,782 --> 00:25:34,282 Never mind. Um, it was fine. It was good. We caught up. 545 00:25:34,910 --> 00:25:36,500 No problem. It's all good. 546 00:25:37,120 --> 00:25:40,330 And, yo, Cam, you do not have to get in the middle of this again, okay? 547 00:25:40,666 --> 00:25:42,876 It's not your problem. And there's no problem. 548 00:25:42,876 --> 00:25:44,246 ‐ I know there's no problem. I just‐‐ 549 00:25:45,379 --> 00:25:46,629 I wanted you to know that I have your back. 550 00:25:47,005 --> 00:25:48,915 ‐ I know that. Thank you. It's all good. 551 00:25:48,924 --> 00:25:50,514 [mumbling] It is all good. 552 00:25:50,509 --> 00:25:52,219 It's cool he's back in town. CAM: Okay. Good. 553 00:25:52,219 --> 00:25:54,099 So you're not gonna kill yourself or anything? 554 00:25:54,096 --> 00:25:55,596 ‐ No, I'm not gonna kill myself. 555 00:25:55,597 --> 00:25:56,887 [laughter] 556 00:25:56,890 --> 00:25:58,140 Thank you. ‐ Okay. Good. 557 00:25:58,851 --> 00:25:59,891 And honestly, 558 00:26:00,644 --> 00:26:02,694 we were both so "whatever" about that Lily girl. 559 00:26:12,155 --> 00:26:13,235 [clears throat] 560 00:26:14,491 --> 00:26:15,741 ‐ I'm just gonna go to the bathroom. 561 00:26:19,913 --> 00:26:21,213 ‐ You idiot. 562 00:26:23,083 --> 00:26:24,713 [sighs] 563 00:26:32,676 --> 00:26:34,846 ‐ She just left, didn't she? ‐ Yeah, definitely. 564 00:26:37,514 --> 00:26:38,564 [sighs] 565 00:26:42,644 --> 00:26:46,324 [screaming] ‐ What... fucking... Lily... girl! 566 00:26:47,191 --> 00:26:49,071 Ooh baby 567 00:26:49,067 --> 00:26:52,737 You couldn't have done a worse thing to me 568 00:26:53,488 --> 00:26:57,278 If you'd have taken an arrow and run it right through me 569 00:26:57,868 --> 00:26:59,118 Ooh! 570 00:26:59,745 --> 00:27:01,115 Ooh baby 571 00:27:01,705 --> 00:27:05,535 A bird in the hand is worth two flying 572 00:27:06,084 --> 00:27:09,554 But when it came to love I knew you'd be lying 573 00:27:10,797 --> 00:27:13,677 It could have been a finer fling 574 00:27:13,675 --> 00:27:16,545 Would have been a major attraction 575 00:27:16,553 --> 00:27:19,353 With no other thing 576 00:27:19,348 --> 00:27:22,518 Offering a note of distraction 577 00:27:22,518 --> 00:27:25,398 Come on, get up, get under way 578 00:27:25,395 --> 00:27:29,935 And bring your love 579 00:27:30,609 --> 00:27:32,529 Ooh baby 580 00:27:32,528 --> 00:27:36,368 You wouldn't have found a more down hero 581 00:27:36,907 --> 00:27:38,777 If you'd have started at nothing...