1
00:00:01,001 --> 00:00:05,011
Minnie Riperton's Lovin' You playing
2
00:00:05,005 --> 00:00:08,585
3
00:00:08,592 --> 00:00:11,762
Lovin' you
4
00:00:11,762 --> 00:00:15,682
Is easy 'cause you're beautiful
5
00:00:16,558 --> 00:00:18,978
Makin' love with you
6
00:00:19,520 --> 00:00:22,980
Is all I wanna do
7
00:00:24,066 --> 00:00:26,986
Lovin' you
8
00:00:26,985 --> 00:00:30,985
Is more than just a dream come true
9
00:00:31,740 --> 00:00:33,700
And everything that I do
10
00:00:33,700 --> 00:00:35,040
[sighs heavily]
11
00:00:35,035 --> 00:00:37,995
Is out of lovin' you
12
00:00:39,581 --> 00:00:40,961
‐ Making a playlist
13
00:00:41,875 --> 00:00:43,085
is a delicate art.
14
00:00:45,546 --> 00:00:47,006
It's like writing a love letter,
15
00:00:47,756 --> 00:00:49,296
but better in a way.
16
00:00:50,717 --> 00:00:52,677
You get to say what you want to say
17
00:00:54,304 --> 00:00:55,684
without actually saying it.
18
00:00:57,891 --> 00:01:00,981
You get to use someone else's poetry
to express how you feel.
19
00:01:04,106 --> 00:01:05,726
And then there are the rules.
20
00:01:06,775 --> 00:01:08,105
It's gotta be entertaining.
21
00:01:08,819 --> 00:01:10,029
You gotta tell a story.
22
00:01:11,697 --> 00:01:13,237
You can't be too obvious but,
23
00:01:14,992 --> 00:01:16,622
you can't be too obscure either.
24
00:01:17,578 --> 00:01:19,788
You can't double up on songs
by the same artist,
25
00:01:19,788 --> 00:01:21,458
unless, of course, that's your theme.
26
00:01:24,376 --> 00:01:25,586
Anyway,
27
00:01:26,211 --> 00:01:27,501
a good compilation,
28
00:01:28,005 --> 00:01:30,005
like so many things in life,
29
00:01:32,676 --> 00:01:33,966
is hard to do.
30
00:01:36,597 --> 00:01:37,967
[song stops]
31
00:01:42,144 --> 00:01:43,984
We'll put that
on the "maybe" pile for now.
32
00:01:44,855 --> 00:01:48,025
‐ Uh, hey, Rob. Um, wh‐what are you up to?
33
00:01:48,609 --> 00:01:49,859
‐ Just makin' a playlist.
34
00:01:49,860 --> 00:01:51,700
‐ Oh, cool. Well, what's it for?
35
00:01:53,238 --> 00:01:55,908
‐ You know, I'm thinking
of taking a road trip, so.
36
00:01:58,493 --> 00:01:59,623
‐ Cool.
37
00:02:00,120 --> 00:02:02,710
Um, I don't want to interrupt you,
but I think you'd better come through.
38
00:02:02,706 --> 00:02:03,616
‐ What's up?
39
00:02:04,041 --> 00:02:05,291
‐ We need a ruling.
40
00:02:08,504 --> 00:02:09,884
‐ Hey. What's, what's going on?
41
00:02:09,880 --> 00:02:12,800
‐ This... person who's clearly never been
42
00:02:12,799 --> 00:02:14,299
on the internet is trying to buy
43
00:02:14,301 --> 00:02:17,641
a fucking Michael Jackson album
for her boyfriend.
44
00:02:18,055 --> 00:02:19,925
‐ Shit.
‐ It's his birthday.
45
00:02:19,932 --> 00:02:21,432
‐ Which album?
‐ Which album?
46
00:02:21,433 --> 00:02:23,693
‐ Off The Wall? Do you guys have it?
47
00:02:26,104 --> 00:02:29,024
‐ [sighs heavily]
Yeah, we have it. We do. Um‐‐
48
00:02:35,322 --> 00:02:37,572
I'm very sorry, but I don't think
I can sell that to you.
49
00:02:38,283 --> 00:02:39,873
‐ Oh, okay.
50
00:02:41,119 --> 00:02:44,459
‐ Oh, but those fuckin' horn charts
on Workin' Day and Night.
51
00:02:44,456 --> 00:02:46,996
All right, all right, yeah.
Fuck it. Fuck it. Let's do it.
52
00:02:47,000 --> 00:02:48,090
‐ Okay, great!
53
00:02:48,085 --> 00:02:51,415
‐ Hold up, hold up, hold up.
So this man gets a pass for horn charts?
54
00:02:51,421 --> 00:02:53,721
‐ I'll give a pass to anyone
who's scaled Mount Olympus, Cherise.
55
00:02:53,715 --> 00:02:55,425
‐ They were Quincy's charts, anyway.
ROB: Exactly.
56
00:02:55,425 --> 00:02:58,595
How does it benefit society
to hold Quincy's genius hostage
57
00:02:58,595 --> 00:03:00,095
just because the dude
that sang over his shit
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00:03:00,097 --> 00:03:01,467
ended up being
a full‐blown child molester?
59
00:03:01,473 --> 00:03:03,313
‐ Allegedly.
LEWIS: Whoa!
60
00:03:03,308 --> 00:03:05,728
‐ Where'd you get that from, Rob, huh?
61
00:03:05,727 --> 00:03:08,607
From fuckin', fuckin'
"Convenient‐Opinions‐R‐Us"?
62
00:03:08,605 --> 00:03:10,935
‐ Okay, you still listen to a dude
who raps in a MAGA hat, so‐‐
63
00:03:10,941 --> 00:03:13,401
‐ Are you fucking serious?
[Lewis chuckles]
64
00:03:13,402 --> 00:03:16,952
Having shitty politics and a second‐grade
understanding of American history
65
00:03:16,947 --> 00:03:19,697
is a tiny bit different than being
a goddamn child molester.
66
00:03:19,700 --> 00:03:21,830
‐ Allegedly.
‐ Jesus!
67
00:03:21,827 --> 00:03:24,407
‐ Kanye West has a mental health issue!
68
00:03:24,413 --> 00:03:26,713
‐ You don't think Michael Jackson
had a fucking mental health issue?
69
00:03:26,707 --> 00:03:28,827
‐ Okay, cool. Great, great, great.
So this is what I'm gonna do.
70
00:03:28,834 --> 00:03:31,924
I'm just gonna pop on some Charles Manson,
and we can all just vibe out to that.
71
00:03:31,920 --> 00:03:34,130
‐That sound cool for you?
‐ Charles Manson made music?
72
00:03:34,506 --> 00:03:36,626
‐ Why, would you like to buy that
for your boyfriend, too?
73
00:03:36,633 --> 00:03:37,893
‐ It's actually oddly good.
‐ It is.
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00:03:37,885 --> 00:03:40,295
‐ You know what, Simon‐‐
‐ But, Cherise, what if
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00:03:40,304 --> 00:03:42,144
the only artists that
we were allowed to listen to
76
00:03:42,139 --> 00:03:45,349
were inarguably nice people, right,
77
00:03:45,350 --> 00:03:48,060
with, with unassailably perfect ethics?
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00:03:48,061 --> 00:03:50,231
We'd have to destroy every record
in existence except for‐‐
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00:03:50,230 --> 00:03:51,770
‐ Bono.
‐ Phil Collins.
80
00:03:51,773 --> 00:03:53,283
‐ Michael Stipe.
‐ Sufjan Stevens.
81
00:03:53,275 --> 00:03:56,895
‐ Hey, can you guys... sell me the record?
82
00:03:57,446 --> 00:04:00,156
How does that work... here?
83
00:04:05,537 --> 00:04:07,287
‐ [chuckles]
You guys figure this out.
84
00:04:08,248 --> 00:04:10,878
See you, Lewis.
‐ Yo, you guys should just shoot for it.
85
00:04:10,876 --> 00:04:12,166
‐ Fine.
‐ Fine, come over here.
86
00:04:13,754 --> 00:04:15,304
BOTH: Rock, paper, scissors, and‐‐
87
00:04:15,297 --> 00:04:16,257
[Cherise grunts]
88
00:04:16,256 --> 00:04:19,836
Ho99o9's War is Hell playing
89
00:04:19,843 --> 00:04:22,973
90
00:04:22,971 --> 00:04:26,431
Anarchy and chaos
bombs come and shake the ground
91
00:04:26,433 --> 00:04:29,603
Horror world collide
might die with the thunder sound
92
00:04:29,603 --> 00:04:31,443
I'll break it down with fire rounds
93
00:04:31,438 --> 00:04:33,108
Rolling through to lay you down
94
00:04:33,106 --> 00:04:35,186
Pound for pound get up in your ass
95
00:04:35,192 --> 00:04:36,532
Slash, buck and a half
96
00:04:36,527 --> 00:04:39,487
Reap what you sow
when the guns start blazing
97
00:04:39,488 --> 00:04:41,408
Full time motherfuckin' maniac
98
00:04:41,406 --> 00:04:42,526
[exhales sharply]
99
00:04:43,283 --> 00:04:46,293
Givin' birth to my seeds
Meet the children of the corn
100
00:04:46,620 --> 00:04:48,750
Yo. I'm out. Lock up, okay?
101
00:04:48,997 --> 00:04:51,457
‐ You're leaving? It's Friday. No drinks?
‐ No, man.
102
00:04:51,917 --> 00:04:52,667
‐ Seriously?
103
00:04:53,502 --> 00:04:55,172
‐ I'm going home.
‐ Why?
104
00:04:55,546 --> 00:04:56,586
‐ You'll be fine.
105
00:04:59,299 --> 00:05:00,339
Change it up.
106
00:05:01,134 --> 00:05:03,604
[doorbell tinkling]
107
00:05:04,346 --> 00:05:07,386
‐ Yo, does she seem sadder than usual
or is it the sweater?
108
00:05:08,267 --> 00:05:09,387
‐ Sweater.
109
00:05:11,019 --> 00:05:12,899
‐ Oh, my god, you about to cry.
110
00:05:12,896 --> 00:05:14,356
‐ Weren't you about to do some work?
111
00:05:19,319 --> 00:05:20,609
David Bowie's Modern Love playing
112
00:05:20,612 --> 00:05:22,912
‐ The most important track is Number One.
113
00:05:23,574 --> 00:05:25,034
It's gotta be familiar,
114
00:05:25,868 --> 00:05:27,158
but also unexpected.
115
00:05:29,621 --> 00:05:30,961
But most importantly,
116
00:05:32,875 --> 00:05:34,415
it's gotta make you feel good.
117
00:05:35,878 --> 00:05:37,458
I know when to go out
118
00:05:38,630 --> 00:05:40,090
I know when to stay in
119
00:05:41,633 --> 00:05:42,593
Get things done
120
00:05:42,593 --> 00:05:43,973
"I know when to go out.
121
00:05:43,969 --> 00:05:46,139
I know when to stay in."
122
00:05:46,638 --> 00:05:49,178
I catch a paper boy
123
00:05:49,683 --> 00:05:51,563
David Bowie really had his shit together.
124
00:05:52,060 --> 00:05:54,310
I'm standing in the wind
125
00:05:54,771 --> 00:05:56,981
But I never wave bye‐bye
126
00:05:56,982 --> 00:05:58,322
ROB: Okay, here's what I got.
127
00:05:59,735 --> 00:06:01,275
Ziggy Stardust, Hunky Dory,
128
00:06:01,278 --> 00:06:04,028
Let's Dance, Aladdin Sane,
129
00:06:04,031 --> 00:06:05,571
and Station to Station.
130
00:06:05,574 --> 00:06:06,494
‐ What about Blackstar?
131
00:06:06,992 --> 00:06:08,792
‐ I know, I thought about that,
but what am I gonna do,
132
00:06:08,785 --> 00:06:10,155
not have Station to Station?
MAC: Oh, my god!
133
00:06:10,162 --> 00:06:11,412
I can't believe you'd do that.
134
00:06:11,413 --> 00:06:14,543
You told me Blackstar was
the best record of the last 20 years.
135
00:06:14,541 --> 00:06:16,341
‐ I know‐‐
‐ How he "burned out"
136
00:06:16,335 --> 00:06:18,545
instead of fading away.
‐ I know. I said that. You're right.
137
00:06:18,545 --> 00:06:21,665
‐ How he "absorbed the best
of his modern influences
138
00:06:21,673 --> 00:06:23,633
"while still maintaining the core
‐ Oh, is that what I sound like?
139
00:06:23,634 --> 00:06:25,304
‐ of who he was as an artist."
‐ Is that what I sound like?
140
00:06:25,302 --> 00:06:28,932
‐ And how he "used his death
as reflexive creation,
141
00:06:28,931 --> 00:06:32,021
and invited us in the innermost private
experience a human being could have."
142
00:06:32,017 --> 00:06:34,227
‐ Rude!
‐And how "the drums were
the baddest thing ever."
143
00:06:34,228 --> 00:06:36,648
‐ The drums were sick.
‐ Oh, my god, I was rooting for you.
144
00:06:37,356 --> 00:06:38,476
‐ Stop!
145
00:06:40,359 --> 00:06:41,989
‐ I gotta go stir the sauce.
146
00:06:44,738 --> 00:06:45,988
‐ Okay.
147
00:06:47,324 --> 00:06:49,874
‐ Why can't it just be "Top Six"?
‐ Very funny.
148
00:06:52,079 --> 00:06:54,039
MAC: Do you want some more wine?
ROB: Yes, please.
149
00:06:56,166 --> 00:06:57,456
MAC: There you go.
‐ Thank you.
150
00:06:57,459 --> 00:06:58,999
[wine sloshing]
151
00:07:01,505 --> 00:07:04,965
The, uh, The Kills are playing a show
at Music Hall tonight. You wanna go?
152
00:07:07,010 --> 00:07:08,260
‐ Oh, uh,
153
00:07:09,137 --> 00:07:10,217
yeah, I mean,
154
00:07:10,848 --> 00:07:12,768
I guess I could hit pause
on the Bolognese.
155
00:07:14,017 --> 00:07:16,227
‐ No, that's okay.
We'll stay. We'll stay in.
156
00:07:16,854 --> 00:07:18,154
‐ Okay. Good.
157
00:07:18,522 --> 00:07:20,902
It's gonna be a shitshow anyway.
I'd rather just hang with you.
158
00:07:21,275 --> 00:07:23,605
‐ I mean, I don't, I don't know
if it's gonna be a "shitshow."
159
00:07:23,610 --> 00:07:25,740
It's gonna be a show.
There'll be people there.
160
00:07:25,737 --> 00:07:27,027
That's kinda part of the whole show thing.
161
00:07:27,906 --> 00:07:29,406
‐ I mean, do you wanna go?
162
00:07:35,414 --> 00:07:36,424
‐ It's very good.
163
00:07:36,415 --> 00:07:37,415
‐ Thank you.
164
00:07:39,459 --> 00:07:40,999
‐ No, no, we'll stay in. We'll stay.
165
00:07:42,629 --> 00:07:43,629
MAC: Okay.
166
00:07:45,591 --> 00:07:46,761
‐ All right, well, um,
167
00:07:47,759 --> 00:07:51,429
in that case, I'm gonna go slip
into something a little more domestic.
168
00:07:53,015 --> 00:07:54,555
MAC: Uh‐oh.
‐ It's gonna be hot.
169
00:07:55,017 --> 00:07:57,267
It's gonna involve sweatpants.
‐ Oh!
170
00:07:57,269 --> 00:07:58,769
‐ And granny panties.
‐ Uh‐oh.
171
00:07:58,770 --> 00:07:59,980
‐ Oof!
‐ Oh!
172
00:08:00,439 --> 00:08:02,979
I think the ball's on the bed,
but the chain is at the cleaners.
173
00:08:02,983 --> 00:08:04,113
[chuckling]
174
00:08:04,109 --> 00:08:05,359
‐ Stupid.
175
00:08:05,360 --> 00:08:07,360
Modern Love continues
176
00:08:12,492 --> 00:08:13,742
[sniffs]
177
00:08:34,306 --> 00:08:36,016
‐ [thunder rumbling]
‐ [cell phone buzzing]
178
00:08:36,016 --> 00:08:37,426
Modern Love
179
00:08:37,434 --> 00:08:38,944
Walks on by
180
00:08:38,936 --> 00:08:40,226
Modern Love
181
00:08:40,229 --> 00:08:43,899
Gets me to the church on time
182
00:08:43,899 --> 00:08:44,979
[music stops]
183
00:08:46,944 --> 00:08:48,114
‐ Voicemail.
184
00:08:48,111 --> 00:08:49,571
CHERISE: Well, we tried.
185
00:08:49,571 --> 00:08:51,321
So what, you gonna go
to DeSalle's tonight?
186
00:08:51,323 --> 00:08:53,783
‐ Oh, maybe. Or might,
you know, change it up.
187
00:08:54,409 --> 00:08:56,369
There's an underground
catstep show in Red Hook.
188
00:08:56,370 --> 00:08:57,330
‐ The fuck!
189
00:08:57,329 --> 00:08:58,749
SIMON:
It's a sub‐genre of filthstep,
190
00:08:58,747 --> 00:09:01,957
hasn't really caught on yet,
but... you know, it could, someday.
191
00:09:01,959 --> 00:09:04,799
You?
‐ Oh, I'm changin' it up fo'sho.
192
00:09:04,795 --> 00:09:07,255
I might check out
this house party in Bed‐Stuy,
193
00:09:07,256 --> 00:09:08,626
but that could be lame.
194
00:09:08,632 --> 00:09:10,802
Or there's this experimental dance group
195
00:09:10,801 --> 00:09:12,511
that my homie Bodhi's in.
196
00:09:13,512 --> 00:09:15,602
But you know what,
as I say that shit out loud,
197
00:09:15,597 --> 00:09:17,387
it's probably gonna be wack as fuck,
198
00:09:17,391 --> 00:09:18,891
so... I don't know.
199
00:09:18,892 --> 00:09:22,522
‐ I may actually go check on Rob.
She's been kinda... something today.
200
00:09:22,521 --> 00:09:24,271
‐ She's always a little something.
201
00:09:24,273 --> 00:09:26,613
‐ Yeah, I don't know.
She's started smoking again.
202
00:09:26,608 --> 00:09:28,358
She's been listening to Minnie Riperton.
203
00:09:29,152 --> 00:09:32,452
She's been working on this playlist,
said something about a, like, "road trip."
204
00:09:32,906 --> 00:09:34,196
She just seems kinda
205
00:09:34,867 --> 00:09:35,777
something.
206
00:09:35,784 --> 00:09:37,584
‐ Minnie Riperton?
‐ Uh‐huh.
207
00:09:37,578 --> 00:09:38,658
‐ Shit.
208
00:09:39,538 --> 00:09:40,658
‐ Okay.
209
00:09:41,456 --> 00:09:42,536
Track two.
210
00:09:43,542 --> 00:09:47,382
There needs to be an element of...
211
00:09:47,379 --> 00:09:49,419
Prototype by OutKast playing
212
00:09:49,423 --> 00:09:50,723
surprise.
213
00:09:52,384 --> 00:09:54,144
Because what you're saying here is:
214
00:09:55,512 --> 00:09:56,762
keep listening.
215
00:09:57,806 --> 00:09:59,806
There might be more here than you thought.
216
00:10:01,393 --> 00:10:03,023
[knocking on door]
217
00:10:05,814 --> 00:10:06,864
[banging on door]
218
00:10:09,234 --> 00:10:10,364
How'd you get in the building?
219
00:10:11,361 --> 00:10:13,411
You still have my key.
‐ I keep it for emergencies.
220
00:10:13,405 --> 00:10:14,945
[Cherise chuckles]
221
00:10:15,282 --> 00:10:17,912
CHERISE:
Whoa, speaking of emergency.
222
00:10:17,910 --> 00:10:19,660
Yo, what the fuck, Rob!
223
00:10:19,661 --> 00:10:20,951
You need a maid!
224
00:10:20,954 --> 00:10:23,874
Ooh, OutKast!
225
00:10:23,874 --> 00:10:27,134
Amen, sister. Hey!
226
00:10:31,465 --> 00:10:33,715
‐ Is... is this all for the playlist?
227
00:10:34,176 --> 00:10:36,216
‐ It is indeed, yes.
CHERISE: Yo, I gotta tell you the truth,
228
00:10:36,553 --> 00:10:37,973
I like Sad Rob.
229
00:10:37,971 --> 00:10:39,771
Now, Sad Rob has good taste.
230
00:10:39,765 --> 00:10:41,515
‐ You know, you really shouldn't
keep them piled up like this,
231
00:10:41,517 --> 00:10:42,677
'cause it gets really pressured.
232
00:10:42,684 --> 00:10:45,024
‐ Oh, no, you gotta get
King Curtis on your playlist!
233
00:10:45,020 --> 00:10:47,190
A must. A fucking must.
‐ What's up, guys?
234
00:10:47,523 --> 00:10:48,653
‐ Oh, uh,
235
00:10:49,274 --> 00:10:51,154
we're gonna go check out
this guy Liam's show at DeSalle's.
236
00:10:51,485 --> 00:10:54,775
It's sort of like Unknown Mortal Orchestra
meets Frank Ocean kind of vibe.
237
00:10:54,780 --> 00:10:56,410
but not like Channel Orange Frank Ocean,
238
00:10:56,406 --> 00:10:57,736
more like Blonde Frank Ocean,
239
00:10:57,741 --> 00:10:59,991
with, like, just this large hint
of Jeff Buckley.
240
00:11:04,831 --> 00:11:07,841
‐ Yeah, I‐I think I'm good.
I think I'm gonna stay in.
241
00:11:08,585 --> 00:11:09,455
‐ She's busy.
242
00:11:10,045 --> 00:11:12,255
All right, well, listen,
we about to rip this shit up.
243
00:11:12,256 --> 00:11:14,466
So, you know what, if you just want
to stay here and die alone‐‐
244
00:11:14,466 --> 00:11:16,636
‐ Cherise, we're just‐‐
we're gonna get out of your hair.
245
00:11:16,635 --> 00:11:18,465
Come on.
‐ Yo, what is this shit?
246
00:11:18,470 --> 00:11:19,680
It's fire.
247
00:11:19,680 --> 00:11:21,520
ROB: It's fucking wine, Cherise.
‐ Mn‐mn.
248
00:11:22,558 --> 00:11:24,478
It's fucking unicorn juice.
It's delicious.
249
00:11:26,144 --> 00:11:27,564
Thanks for stopping by, kids.
250
00:11:27,563 --> 00:11:28,863
SIMON: You got it.
251
00:11:28,856 --> 00:11:30,066
You know where we'll be.
252
00:11:30,065 --> 00:11:31,395
See you... sometime.
253
00:11:31,400 --> 00:11:33,190
CHERISE:
Love you. Mean it.
254
00:11:34,820 --> 00:11:36,070
[door closes]
255
00:11:36,071 --> 00:11:37,201
[sighs]
256
00:11:39,575 --> 00:11:40,775
[music stops]
257
00:11:43,495 --> 00:11:44,995
‐ I need to change it up.
258
00:11:46,331 --> 00:11:49,631
Tonight is about quiet contemplation.
259
00:11:52,671 --> 00:11:54,171
[exhales heavily]
260
00:11:54,173 --> 00:11:55,633
Tonight I go deep.
261
00:11:58,802 --> 00:12:02,472
Tonight... I go Prince deep.
262
00:12:03,307 --> 00:12:05,307
MAC:
Babe, dinner's ready.
263
00:12:10,689 --> 00:12:13,399
‐ Hey. I'm just gonna run down
to the bodega real fast.
264
00:12:13,734 --> 00:12:14,694
‐ What, now?
265
00:12:14,693 --> 00:12:17,533
‐ Yeah, we're out of cat food,
so I, I'm just gonna run down.
266
00:12:18,030 --> 00:12:19,620
‐ Okay. You know dinner's, like, ready.
267
00:12:19,615 --> 00:12:21,155
‐ Yeah, I'll be back in a minute.
268
00:12:21,158 --> 00:12:22,278
‐ Okay.
269
00:12:22,284 --> 00:12:24,754
So Blue by Prince playing
270
00:12:27,289 --> 00:12:28,249
[softly]
‐ Fuck.
271
00:12:29,541 --> 00:12:30,791
CARLOS: What's up, Rob?
‐ What's up?
272
00:12:31,627 --> 00:12:37,377
You meant the world
273
00:12:37,758 --> 00:12:40,588
To me
274
00:12:44,556 --> 00:12:46,766
Um... Liza Minnelli.
275
00:12:47,935 --> 00:12:48,935
‐ Huh?
276
00:12:51,063 --> 00:12:52,023
You were doing so well.
277
00:12:52,022 --> 00:12:53,442
‐ Did I say the password?
278
00:12:53,440 --> 00:12:55,030
CARLOS: Yeah.
‐ So sell me the fucking pack.
279
00:12:56,109 --> 00:12:57,109
[sighs]
280
00:12:59,571 --> 00:13:00,781
[cash register dings]
281
00:13:01,657 --> 00:13:03,907
‐ Hey, Carlos,
can I ask you a question?
282
00:13:03,909 --> 00:13:05,539
You think you're gonna get
married someday?
283
00:13:05,536 --> 00:13:08,996
‐ Yeah, probably when I'm... grown up.
284
00:13:12,960 --> 00:13:14,250
‐ Can I get another one, Nick?
285
00:13:18,173 --> 00:13:19,473
NICK: Big night out, huh?
286
00:13:19,967 --> 00:13:21,127
‐ Yeah.
287
00:13:21,969 --> 00:13:23,009
I do have a cat.
288
00:13:23,387 --> 00:13:24,177
NICK: Cool.
289
00:13:26,181 --> 00:13:28,851
[indiscernible conversation]
290
00:13:28,851 --> 00:13:30,601
GIRL: Yeah, me too.
NICK: You got it.
291
00:13:30,602 --> 00:13:33,652
292
00:13:34,064 --> 00:13:37,614
I spend my days
293
00:13:37,609 --> 00:13:42,319
Crying over you
294
00:13:43,824 --> 00:13:45,244
‐ Yeah, I need to get out of here.
295
00:13:49,705 --> 00:13:52,245
‐ Hey!
Ten minutes and 27 seconds.
296
00:13:52,249 --> 00:13:54,789
Pay up, sucker.
‐ No, you said under ten minutes.
297
00:13:54,793 --> 00:13:56,253
‐ Yeah, and that includes
the tenth minute.
298
00:13:58,380 --> 00:14:01,430
‐ I've decided it's actually easier for me
to pay you than to argue with you.
299
00:14:03,552 --> 00:14:05,682
‐ Hey, yo, Rob, you do know that
that's not supposed to be
300
00:14:05,679 --> 00:14:07,009
an outside sweater, right?
301
00:14:07,848 --> 00:14:08,888
[chuckles]
302
00:14:10,934 --> 00:14:13,024
‐ [sighs heavily]
Okay.
303
00:14:13,562 --> 00:14:14,652
Next track.
304
00:14:14,646 --> 00:14:15,396
Paul McCartney and Wings'
Arrow Through Me playing
305
00:14:15,397 --> 00:14:16,687
Ooh baby
306
00:14:17,232 --> 00:14:21,152
You couldn't have done
a worse thing to me
307
00:14:21,653 --> 00:14:23,573
If you'da taken an arrow
308
00:14:23,572 --> 00:14:26,742
And run it right through me, ooh
309
00:14:27,743 --> 00:14:29,203
CHERISE: Mm, mm.
CARLOS: What's up, Rob?
310
00:14:29,203 --> 00:14:30,413
ROB: What's up?
‐ Cool sweater.
311
00:14:30,412 --> 00:14:32,712
‐ Unpopular opinion, Carlos.
But thank you.
312
00:14:32,706 --> 00:14:33,706
Can I get a pack?
313
00:14:34,374 --> 00:14:35,634
I know. I know.
314
00:14:36,126 --> 00:14:37,996
I am a failure.
315
00:14:39,296 --> 00:14:41,126
‐ Should I just put this on your tab, or?
316
00:14:43,050 --> 00:14:44,010
‐ Yeah.
317
00:14:44,593 --> 00:14:46,803
This one's on you, baby.
318
00:14:47,763 --> 00:14:50,813
‐ Oh, man, we're coming in
at, like, a solid six today.
319
00:14:50,807 --> 00:14:51,807
‐ Damn. Really?
320
00:14:51,808 --> 00:14:54,228
‐ Yeah, six. Six and a half even,
if I'm being honest.
321
00:14:54,228 --> 00:14:55,478
‐ Yeah, I'll do six and a half.
CARLOS: Yeah?
322
00:14:55,479 --> 00:14:57,979
‐ Six and a half? All right, we're
gonna go with six and a half, Carlos.
323
00:14:57,981 --> 00:15:00,821
‐ Sh‐‐ I don't smell shit, like, at all.
324
00:15:00,817 --> 00:15:03,107
‐ Actually, you're lucky because today
325
00:15:03,111 --> 00:15:04,571
it's got a little fishy top note.
326
00:15:04,571 --> 00:15:05,781
I'm not feelin' it.
327
00:15:05,781 --> 00:15:08,161
‐ But it has an accent of, um,
what is that? What is that?
328
00:15:10,285 --> 00:15:12,405
‐ Like old lettuce?
CHERISE/SIMON: Old lettuce.
329
00:15:12,412 --> 00:15:14,712
Old lettuce.
‐ Old lettuce? Okay.
330
00:15:14,706 --> 00:15:15,866
ROB: Thanks, man.
331
00:15:16,750 --> 00:15:17,750
Next track.
332
00:15:17,751 --> 00:15:19,801
I've heard of him.
Sounds like a punk rock dude, right?
333
00:15:19,795 --> 00:15:20,915
‐ From Galilee, yeah.
334
00:15:20,921 --> 00:15:22,671
‐ Galileo
335
00:15:23,882 --> 00:15:25,382
‐ Oh, what up, Turner?
TURNER: Chillin'.
336
00:15:25,384 --> 00:15:26,974
‐ Ooh, shit, I'm gonna be
right back, y'all.
337
00:15:26,969 --> 00:15:28,389
Hold on for me. Wait.
338
00:15:28,387 --> 00:15:29,757
Yo, T, hold up! Hold up, hold up, hold up.
339
00:15:29,763 --> 00:15:32,473
Is it Any Wonder? by Durand Jones
and The Indications playing
340
00:15:32,474 --> 00:15:34,144
This road
341
00:15:34,142 --> 00:15:37,022
Is gone take us back now
342
00:15:41,400 --> 00:15:43,360
‐ So is there a theme
to your road trip playlist?
343
00:15:45,112 --> 00:15:46,152
‐ There's no road trip, man.
344
00:15:46,738 --> 00:15:47,738
‐ Yeah, I know.
345
00:15:50,033 --> 00:15:51,493
So the theme is?
346
00:15:53,370 --> 00:15:54,500
‐ Love, I guess.
347
00:15:55,038 --> 00:15:56,418
‐ Cool, yeah. That's classic.
348
00:15:56,415 --> 00:16:00,955
They say my child...
349
00:16:02,504 --> 00:16:03,514
‐ I ran into Mac.
350
00:16:04,631 --> 00:16:05,881
‐ Oh, shit.
351
00:16:06,800 --> 00:16:07,840
When?
352
00:16:07,843 --> 00:16:10,683
‐ Um, the other night,
before my date with the Vest.
353
00:16:10,679 --> 00:16:11,719
‐ Fuck.
354
00:16:13,098 --> 00:16:14,978
Okay. So... so Mac's back?
355
00:16:15,559 --> 00:16:18,849
‐ Yup. He's... he's back.
356
00:16:19,188 --> 00:16:21,148
‐ Yikes. Okay, what's on it?
357
00:16:25,194 --> 00:16:26,954
Is it any wonder...
358
00:16:26,945 --> 00:16:28,735
Prince, Ariel Pink‐‐
359
00:16:28,739 --> 00:16:29,779
‐ I'm on the fence about that one.
360
00:16:29,781 --> 00:16:33,831
‐ Ooh, Durand Jones and The Indications.
That's an excellent choice.
361
00:16:33,827 --> 00:16:35,867
‐ I thought so.
‐ You got a closer?
362
00:16:35,871 --> 00:16:37,751
‐ No, and it's killing me!
363
00:16:37,748 --> 00:16:39,748
‐ Yeah, closers are tough.
‐ Closers are tough.
364
00:16:41,543 --> 00:16:42,593
‐ So, you gonna send it to him?
365
00:16:42,586 --> 00:16:44,246
‐ No! God, no, no, no.
366
00:16:44,254 --> 00:16:47,264
It's like, um... it's like therapy,
you know, for me.
367
00:16:48,258 --> 00:16:50,138
‐ It's good. Yeah. Makes sense.
368
00:16:50,135 --> 00:16:51,505
‐ Yo, Cherise! Come on, man!
369
00:16:51,512 --> 00:16:52,602
‐ All right, all right, hold on.
370
00:16:52,596 --> 00:16:54,886
‐ So... so how was it,
371
00:16:54,890 --> 00:16:56,350
you know, seeing him, running into him?
372
00:16:57,726 --> 00:16:59,306
‐ You know that scene
at the end of Braveheart
373
00:16:59,311 --> 00:17:00,771
where they rip all his entrails out,
374
00:17:00,771 --> 00:17:02,611
and he's like, "Freedom!"
375
00:17:02,606 --> 00:17:04,896
But it's like a positive thing,
you know, because he, like,
376
00:17:04,900 --> 00:17:05,980
inspired his people or whatever?
377
00:17:05,984 --> 00:17:06,824
‐ Yeah.
378
00:17:07,236 --> 00:17:08,946
‐ Like that, but without
the silver lining.
379
00:17:08,946 --> 00:17:10,446
‐ All entrails, no freedom.
‐ Yeah, exactly.
380
00:17:10,447 --> 00:17:12,367
‐ Pizza delivery, motherfuckers!
381
00:17:12,366 --> 00:17:14,276
ROB: Hmm!
‐ That good shit!
382
00:17:14,284 --> 00:17:15,494
[Rob chuckles]
383
00:17:15,494 --> 00:17:16,664
The Notorious B.I.G.
Me and My Bitch playing
384
00:17:16,662 --> 00:17:18,622
When I met you, I admit,
my first thoughts was to trick
385
00:17:18,622 --> 00:17:21,502
You look so good, huh,
I suck on your daddy's dick
386
00:17:21,500 --> 00:17:23,290
I never felt that way in my life
387
00:17:23,293 --> 00:17:25,753
It didn't take long
before I made you my wife
388
00:17:26,088 --> 00:17:28,838
Got no rings and shit
just my main squeeze
389
00:17:28,841 --> 00:17:31,511
Comin' to the crib
even had a set a keys
390
00:17:31,510 --> 00:17:34,180
During the days
you helped me bag up my nickels
391
00:17:34,179 --> 00:17:36,849
In the process,
I admit, I tricked a little
392
00:17:36,849 --> 00:17:38,059
But you was my bitch
393
00:17:38,559 --> 00:17:42,689
[indiscernible conversation]
394
00:17:42,688 --> 00:17:45,648
And I admit, when the time is right,
the wine is right
395
00:17:45,649 --> 00:17:47,359
‐ Hey, did you hear
they're closing Rafaela's?
396
00:17:47,901 --> 00:17:49,571
‐ Another one B's the D.
397
00:17:49,570 --> 00:17:51,530
Oh, I swear to god, they close this down,
398
00:17:51,530 --> 00:17:52,950
whoo, I'm losing my shit!
399
00:17:52,948 --> 00:17:55,328
‐ They close this place,
I'm burning the neighborhood down.
400
00:17:56,535 --> 00:17:58,695
We're not just being dramatic.
This is the spot.
401
00:17:58,704 --> 00:18:02,084
I used to DJ here for years. I've been
to more sick shows here than I can count.
402
00:18:02,541 --> 00:18:05,171
It's just one of the only places
that feels like old New York to me.
403
00:18:07,421 --> 00:18:10,591
Plus, Me and Mac had
our first kiss here, so... there's that.
404
00:18:14,428 --> 00:18:15,638
What's up, dude?
‐ How you doing?
405
00:18:15,637 --> 00:18:17,057
‐ How you doing?
‐ I'm good.
406
00:18:17,055 --> 00:18:19,305
Like you want me to
407
00:18:20,184 --> 00:18:21,944
‐ Is that Boyz II Fuckin' Men?
408
00:18:22,477 --> 00:18:23,557
‐ Mm‐hmm.
409
00:18:25,314 --> 00:18:27,074
I'll make love to you
410
00:18:27,065 --> 00:18:29,605
Like you want me to
411
00:18:29,610 --> 00:18:32,280
And I'll hold you tight
412
00:18:32,988 --> 00:18:37,158
All through the night
I'll make love to you
413
00:18:37,159 --> 00:18:39,829
When you want me to
414
00:18:39,828 --> 00:18:42,828
And I will not let go
415
00:18:42,831 --> 00:18:45,041
Till you tell me to
416
00:18:47,503 --> 00:18:52,553
'Cause tonight is your night
417
00:18:52,549 --> 00:18:57,299
And I will do you right
418
00:18:57,304 --> 00:19:02,064
Make a wish on your night
419
00:19:02,518 --> 00:19:03,768
Anything that you ask
420
00:19:03,769 --> 00:19:05,099
‐ I used to hate this song.
421
00:19:05,812 --> 00:19:06,902
SIMON/CHERISE: Yeah.
422
00:19:07,439 --> 00:19:08,519
‐ Now I kinda love it.
423
00:19:09,149 --> 00:19:10,149
SIMON/CHERISE: Yeah.
424
00:19:10,150 --> 00:19:12,650
I'll make love to you
425
00:19:12,653 --> 00:19:15,283
Like you want me to
426
00:19:15,280 --> 00:19:17,740
And I'll hold you tight
427
00:19:18,617 --> 00:19:22,697
All through the night
I'll make love to you
428
00:19:23,121 --> 00:19:24,581
‐ There you go. Cheers. Thank you.
GIRL: Thanks.
429
00:19:24,581 --> 00:19:26,291
‐ Enjoy.
‐ Amazing set.
430
00:19:26,291 --> 00:19:27,501
‐ Fresh as fuck, man.
431
00:19:27,501 --> 00:19:29,251
‐ Has anyone ever told you
you remind them of Jagwar Ma?
432
00:19:29,253 --> 00:19:32,593
‐ I'm sorry. He likes to impress people
with his musical knowledge.
433
00:19:32,589 --> 00:19:34,009
‐ Does he? Do you?
434
00:19:34,007 --> 00:19:35,877
Well, listen, man. Keep going!
'Cause it's working.
435
00:19:35,884 --> 00:19:37,554
‐ All right, you guys,
let's get out of the line.
436
00:19:37,553 --> 00:19:38,893
‐ Uh, you like records?
437
00:19:40,973 --> 00:19:43,313
‐ Records?
‐ Albums. Vinyls. Records?
438
00:19:43,308 --> 00:19:45,848
‐ Oh, records, yeah.
Yeah, yeah, of course. Yeah, records.
439
00:19:45,853 --> 00:19:47,153
‐ Yeah. She has a record shop!
440
00:19:47,145 --> 00:19:49,355
SIMON: Championship Vinyl.
CHERISE: Three blocks away!
441
00:19:49,356 --> 00:19:50,726
SIMON: Yeah, we all work there!
CHERISE: You should come check it out!
442
00:19:51,024 --> 00:19:53,154
‐ All right, let's‐‐
‐ Yeah, cool. Yeah, I will, for sure.
443
00:19:53,151 --> 00:19:54,031
‐ Okay. Let's go.
444
00:19:54,027 --> 00:19:56,527
‐ Um, so just so you know,
it's called Championship Vinyl.
445
00:19:56,530 --> 00:19:58,070
ROB: Okay.
‐ "Championship Vinyl."
446
00:19:58,073 --> 00:19:59,493
I got it. Thank you.
447
00:19:59,491 --> 00:20:01,831
‐ I enjoyed your set, man.
‐ Cheers. Thank you.
448
00:20:01,827 --> 00:20:03,157
I'm Liam, by the way.
449
00:20:03,871 --> 00:20:05,871
‐ Oh, I'm Rob.
LIAM: Cool.
450
00:20:05,873 --> 00:20:08,923
‐ Let me give,
let me give you the record
451
00:20:08,917 --> 00:20:09,997
and a couple buttons.
452
00:20:10,002 --> 00:20:11,342
‐ Yo, can we get three whiskeys?
453
00:20:11,879 --> 00:20:13,709
Dude, why'd you have to tell him
about the shop?
454
00:20:13,714 --> 00:20:15,344
‐ The fuck are you talkin' about?
455
00:20:15,340 --> 00:20:17,630
I... I didn't think
it was classified information.
456
00:20:17,634 --> 00:20:19,014
We have no customers.
457
00:20:19,011 --> 00:20:20,891
I thought that was a bad thing,
not a business strategy!
458
00:20:20,888 --> 00:20:22,718
‐ Hey, you guys wanna go see Hot Chip DJ?
459
00:20:22,723 --> 00:20:24,023
I'm about to get the location.
460
00:20:24,016 --> 00:20:25,346
‐ Yeah. We know the location:
461
00:20:25,350 --> 00:20:27,060
2007. The fuck.
462
00:20:28,645 --> 00:20:30,105
I go out every night
463
00:20:30,105 --> 00:20:31,105
‐ I gotta go.
464
00:20:31,106 --> 00:20:34,436
And sleep all day
465
00:20:34,443 --> 00:20:35,403
You guys are the best.
466
00:20:37,613 --> 00:20:40,033
‐ Mmm. Our little girl is better.
467
00:20:41,867 --> 00:20:43,237
‐ That's an excellent choice.
468
00:20:45,120 --> 00:20:47,040
Since you been gone...
469
00:20:47,039 --> 00:20:48,829
‐ Closers are fuckin' tough.
470
00:20:48,832 --> 00:20:50,212
It's the last thing they're gonna hear,
471
00:20:50,209 --> 00:20:52,039
and thus, the only thing
they're gonna remember.
472
00:20:53,337 --> 00:20:55,007
So you've got to bring your message home.
473
00:20:55,005 --> 00:20:59,045
It's been so lonely
without you here
474
00:20:59,051 --> 00:21:00,721
[thunder rumbling]
475
00:21:00,719 --> 00:21:03,809
Like a bird without a song
476
00:21:03,805 --> 00:21:07,175
477
00:21:07,184 --> 00:21:08,194
[cat meows]
478
00:21:10,479 --> 00:21:11,519
[whispering] I'm sorry.
479
00:21:11,522 --> 00:21:14,612
Nothing can stop
these lonely tears from falling
480
00:21:15,526 --> 00:21:17,856
Tell me, baby
481
00:21:18,529 --> 00:21:21,409
Where did I go wrong
482
00:21:24,576 --> 00:21:30,536
I could put my arms
around every boy I see
483
00:21:32,835 --> 00:21:35,335
But they'd only remind me of you
484
00:21:35,337 --> 00:21:38,047
485
00:21:48,016 --> 00:21:49,016
Mac.
486
00:21:50,269 --> 00:21:51,559
‐ Where the fuck have you been?
487
00:21:51,979 --> 00:21:53,189
‐ I was at the bar.
488
00:21:54,356 --> 00:21:55,606
‐ You stink of cigarettes.
489
00:21:56,441 --> 00:21:57,731
‐ I needed to think.
490
00:22:02,030 --> 00:22:03,990
[thunder rumbling]
491
00:22:09,997 --> 00:22:11,247
I found the ring.
492
00:22:14,668 --> 00:22:16,628
[exhales heavily]
493
00:22:24,636 --> 00:22:26,556
‐ Why didn't you just say something, Rob?
‐ I am.
494
00:22:26,555 --> 00:22:27,675
I'm‐‐
495
00:22:28,599 --> 00:22:29,639
That's what I'm doing.
496
00:22:38,108 --> 00:22:40,028
It scared the shit out of me.
497
00:22:40,444 --> 00:22:41,864
‐ Yeah, I can see that.
498
00:22:47,159 --> 00:22:50,079
But we could've just talked about it, no?
499
00:22:50,078 --> 00:22:53,168
All the flowers that you planted, mama
500
00:22:54,625 --> 00:22:57,085
In the back yard
501
00:22:57,085 --> 00:22:58,375
‐ I'm not scared.
502
00:23:00,756 --> 00:23:01,756
Anymore.
503
00:23:03,217 --> 00:23:04,427
So, listen, um,
504
00:23:07,846 --> 00:23:09,006
let's get married.
505
00:23:14,228 --> 00:23:15,768
If you're still into that idea.
506
00:23:18,774 --> 00:23:19,904
‐ Yeah.
507
00:23:20,859 --> 00:23:23,739
I'm... super into that idea.
508
00:23:23,737 --> 00:23:24,987
‐ Yeah?
‐ Mm‐hmm.
509
00:23:25,614 --> 00:23:28,834
He said, girl,
you better try to have fun
510
00:23:28,825 --> 00:23:29,735
Yeah, I am.
511
00:23:29,743 --> 00:23:31,833
No matter what you do
512
00:23:31,828 --> 00:23:33,328
But he's a fool
513
00:23:33,330 --> 00:23:37,130
'Cause nothing compares
514
00:23:38,585 --> 00:23:44,585
Nothing compares to you
515
00:23:44,591 --> 00:23:47,591
516
00:23:59,398 --> 00:24:03,028
517
00:24:12,536 --> 00:24:13,746
[song fades out]
518
00:24:36,518 --> 00:24:38,518
519
00:24:39,813 --> 00:24:41,653
‐ More coffee?
‐ Yeah, no, I'm good.
520
00:24:41,648 --> 00:24:42,648
Don't worry about me.
521
00:24:42,649 --> 00:24:46,069
Still enjoying my allotted
half cup of coffee, so‐‐
522
00:24:46,069 --> 00:24:47,989
‐ You over it?
‐ What, the miracle of life?
523
00:24:48,405 --> 00:24:49,155
A little, yeah.
524
00:24:49,489 --> 00:24:50,869
‐ I'll bring mimosas to the hospital.
525
00:24:51,241 --> 00:24:53,331
‐ I'm gonna need something stronger
than fuckin' mimosas.
526
00:24:56,038 --> 00:24:57,158
[clears throat]
527
00:24:57,873 --> 00:25:00,043
So, listen.
ROB: What's up?
528
00:25:00,501 --> 00:25:01,501
‐ Something I wanted to talk to you about.
529
00:25:02,044 --> 00:25:04,254
‐ Is that why we're having brunch?
We never have brunch.
530
00:25:04,254 --> 00:25:05,884
‐ I told you brunch was weird.
531
00:25:06,965 --> 00:25:07,965
‐ What?
532
00:25:09,343 --> 00:25:10,593
‐ Mac moved back to New York.
533
00:25:11,178 --> 00:25:12,598
We had dinner with him the other week.
534
00:25:12,596 --> 00:25:13,636
I was just trying to be civil.
535
00:25:13,639 --> 00:25:15,679
I'm not trying to be like
"friends" again or anything,
536
00:25:15,682 --> 00:25:17,272
but Nikki thought you should know.
537
00:25:17,267 --> 00:25:19,977
‐ We... thought you should know.
538
00:25:20,354 --> 00:25:22,194
‐ Right.
‐ Well, first of all, thanks, guys.
539
00:25:22,606 --> 00:25:24,016
But I, I already know.
540
00:25:24,358 --> 00:25:25,528
I ran into him on the street.
541
00:25:25,526 --> 00:25:26,986
‐ Oh, shit.
542
00:25:27,361 --> 00:25:28,361
How was that?
543
00:25:28,362 --> 00:25:29,822
‐ Mmm, kinda like Braveheart.
544
00:25:31,782 --> 00:25:34,282
Never mind. Um, it was fine.
It was good. We caught up.
545
00:25:34,910 --> 00:25:36,500
No problem. It's all good.
546
00:25:37,120 --> 00:25:40,330
And, yo, Cam, you do not have to get
in the middle of this again, okay?
547
00:25:40,666 --> 00:25:42,876
It's not your problem.
And there's no problem.
548
00:25:42,876 --> 00:25:44,246
‐ I know there's no problem. I just‐‐
549
00:25:45,379 --> 00:25:46,629
I wanted you to know
that I have your back.
550
00:25:47,005 --> 00:25:48,915
‐ I know that. Thank you. It's all good.
551
00:25:48,924 --> 00:25:50,514
[mumbling] It is all good.
552
00:25:50,509 --> 00:25:52,219
It's cool he's back in town.
CAM: Okay. Good.
553
00:25:52,219 --> 00:25:54,099
So you're not gonna
kill yourself or anything?
554
00:25:54,096 --> 00:25:55,596
‐ No, I'm not gonna kill myself.
555
00:25:55,597 --> 00:25:56,887
[laughter]
556
00:25:56,890 --> 00:25:58,140
Thank you.
‐ Okay. Good.
557
00:25:58,851 --> 00:25:59,891
And honestly,
558
00:26:00,644 --> 00:26:02,694
we were both so "whatever"
about that Lily girl.
559
00:26:12,155 --> 00:26:13,235
[clears throat]
560
00:26:14,491 --> 00:26:15,741
‐ I'm just gonna go to the bathroom.
561
00:26:19,913 --> 00:26:21,213
‐ You idiot.
562
00:26:23,083 --> 00:26:24,713
[sighs]
563
00:26:32,676 --> 00:26:34,846
‐ She just left, didn't she?
‐ Yeah, definitely.
564
00:26:37,514 --> 00:26:38,564
[sighs]
565
00:26:42,644 --> 00:26:46,324
[screaming]
‐ What... fucking... Lily... girl!
566
00:26:47,191 --> 00:26:49,071
Ooh baby
567
00:26:49,067 --> 00:26:52,737
You couldn't have done
a worse thing to me
568
00:26:53,488 --> 00:26:57,278
If you'd have taken an arrow
and run it right through me
569
00:26:57,868 --> 00:26:59,118
Ooh!
570
00:26:59,745 --> 00:27:01,115
Ooh baby
571
00:27:01,705 --> 00:27:05,535
A bird in the hand is worth two flying
572
00:27:06,084 --> 00:27:09,554
But when it came to love
I knew you'd be lying
573
00:27:10,797 --> 00:27:13,677
It could have been a finer fling
574
00:27:13,675 --> 00:27:16,545
Would have been a major attraction
575
00:27:16,553 --> 00:27:19,353
With no other thing
576
00:27:19,348 --> 00:27:22,518
Offering a note of distraction
577
00:27:22,518 --> 00:27:25,398
Come on, get up, get under way
578
00:27:25,395 --> 00:27:29,935
And bring your love
579
00:27:30,609 --> 00:27:32,529
Ooh baby
580
00:27:32,528 --> 00:27:36,368
You wouldn't have found
a more down hero
581
00:27:36,907 --> 00:27:38,777
If you'd have started at nothing...