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Music

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00:00:30,000 --> 00:00:52,040
And how was the flight?

3
00:00:52,480 --> 00:00:53,320
Very pleasant.

4
00:00:54,580 --> 00:00:58,680
Well, Mr. Roberts, let's head out now
to the studio and look at the samples?

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00:00:58,780 --> 00:01:00,480
Or what do you mean?

6
00:01:01,540 --> 00:01:02,860
No, I think that's still a bit too
early.

7
00:01:03,440 --> 00:01:04,220
Well.

8
00:01:04,320 --> 00:01:05,320
Can I make a phone call somewhere?

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00:01:05,820 --> 00:01:08,920
Well, at the front of the hall, on the left
On the side are the telephone booths.

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00:01:09,360 --> 00:01:10,200
Okay, see you soon.

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A difficult guy.

12
00:01:12,380 --> 00:01:13,660
How are you going to convince him?

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00:01:14,480 --> 00:01:15,720
Well, the movie isn't bad.

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00:01:17,340 --> 00:01:18,940
And what if he doesn't respond at all?

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00:01:20,340 --> 00:01:21,440
Then I still have you.

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This is Mr. Roberts, just arrived
from New York. Film salesman.

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00:01:34,800 --> 00:01:37,813
His negotiating partners Jerry Larson,
Film producer, with his

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00:01:37,913 --> 00:01:39,080
Managing Director Jenny.

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The problem of the two, 450,000 marks
missing for the production of your

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00:01:43,589 --> 00:01:44,429
film project.

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00:01:51,800 --> 00:01:55,359
Well, so what can I offer you?
Let's go have a little something to eat

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00:01:55,459 --> 00:01:56,880
or do we go straight to the office?

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00:01:56,980 --> 00:02:00,480
It definitely has to be in the office after that
long flight?

24
00:02:01,620 --> 00:02:04,100
I suggest we go to my place. There
can we have something to drink.

25
00:02:04,440 --> 00:02:05,780
I have the documents with me anyway.

26
00:02:07,200 --> 00:02:08,460
Well, if it's okay with you, Mr. Rolls.

27
00:02:08,560 --> 00:02:09,400
Sure, okay.

28
00:02:09,640 --> 00:02:10,480
All right.

29
00:02:12,060 --> 00:02:12,900
So then.

30
00:02:22,800 --> 00:02:24,200
So, here are the final documents.

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00:02:24,300 --> 00:02:25,320
You can see everything there.

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00:02:25,860 --> 00:02:26,700
Yes, thanks.

33
00:02:27,740 --> 00:02:31,156
Well, we've been shooting for 20 days now
and, as I said, are far below that

34
00:02:31,256 --> 00:02:32,900
remained what we calculated.

35
00:02:33,380 --> 00:02:34,400
You have a nice apartment here.

36
00:02:34,540 --> 00:02:35,060
Thanks.

37
00:02:35,160 --> 00:02:35,940
Please.

38
00:02:36,040 --> 00:02:38,574
Well, Mr. Roberts would be fine, of course
nice when you see the finished pattern

39
00:02:38,674 --> 00:02:39,540
would already look at.

40
00:02:40,020 --> 00:02:41,700
Then you would have a better insight into
our work.

41
00:02:42,020 --> 00:02:43,300
Yes, I have a question.

42
00:02:43,400 --> 00:02:44,100
What do you think about this?

43
00:02:44,200 --> 00:02:46,900
How many days of filming do you think?
do you still need for this film project?

44
00:02:48,540 --> 00:02:51,140
Well, we're expecting around 20 more
shooting days.

45
00:02:53,000 --> 00:02:54,060
So pay attention.

46
00:02:55,020 --> 00:02:55,940
I make you a suggestion.

47
00:02:56,040 --> 00:02:58,940
You finish your film, I'll watch
him to me.

48
00:02:59,720 --> 00:03:01,300
If I like the movie, the money is yours
sure.

49
00:03:02,260 --> 00:03:04,480
Otherwise, you must understand me.

50
00:03:07,800 --> 00:03:09,240
Who is the director anyway?

51
00:03:10,280 --> 00:03:11,780
Ted Orfield, an Englishman.

52
00:03:12,360 --> 00:03:13,200
A really good man.

53
00:03:14,220 --> 00:03:15,060
I do not know.

54
00:03:16,600 --> 00:03:18,400
Does he have major feature films in England?
turned?

55
00:03:19,860 --> 00:03:20,820
I'll answer it.

56
00:03:21,140 --> 00:03:23,520
Well, Mr. Roberts, this is for me
of course a big risk,

57
00:03:23,620 --> 00:03:24,220
to keep turning,

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00:03:24,220 --> 00:03:25,600
without final production being secured.

59
00:03:25,700 --> 00:03:26,540
Do you understand.

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00:03:26,920 --> 00:03:27,760
Jenny here.

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00:03:29,080 --> 00:03:29,960
Maxi, howdy.

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00:03:31,960 --> 00:03:34,460
No, you, we're in a meeting.
Does it have to be now?

63
00:03:35,780 --> 00:03:38,060
Well, good. Jerry, for you. It's Maxi's turn.

64
00:03:44,700 --> 00:03:45,540
Yes?

65
00:03:47,640 --> 00:03:49,780
That can't be true. What is
are we going again now?

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00:03:51,220 --> 00:03:52,340
Does that have to be the case, Maxi?

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00:03:52,440 --> 00:03:57,080
Well, okay, I'll be in fifteen minutes
I'm outside, all clear

68
00:03:57,180 --> 00:04:01,778
Well, Mr. Roberts, I'm just hearing from you
my production manager, we have one

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00:04:01,878 --> 00:04:03,200
a few small problems

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00:04:03,300 --> 00:04:05,400
I'm going out there

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00:04:05,500 --> 00:04:08,240
I probably won't come back

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00:04:08,340 --> 00:04:10,580
I'll call you again tomorrow

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00:04:10,680 --> 00:04:13,180
Jenny will take care of you, I'm sorry
sorry

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00:04:13,280 --> 00:04:14,520
Ciao

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00:04:14,620 --> 00:04:17,300
Be a little nice to him, you know
what it's about

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00:04:17,400 --> 00:04:18,300
I'll do it, see you then

77
00:04:18,400 --> 00:04:22,460
Well, Mr. Roberts, that's it
probably done

78
00:04:22,560 --> 00:04:24,620
And what do we do now?

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00:04:25,140 --> 00:04:28,420
Well, if you don't mind, I'll invite you
for dinner

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00:04:28,520 --> 00:04:31,160
Yes, that's a good idea, I'll retire
just around

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00:04:31,260 --> 00:04:32,620
You excuse me

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00:04:48,400 --> 00:04:53,690
Ah, Mr. Roberts? Mr Roberts? You can

83
00:04:53,790 --> 00:04:56,620
help me please?

84
00:05:00,220 --> 00:05:02,140
Could you please fasten my bra?

85
00:05:08,720 --> 00:05:10,840
The food can wait a while,
right?

86
00:05:11,380 --> 00:05:13,400
But of course. Secure.

87
00:05:18,400 --> 00:05:23,400
Oh, mom.

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00:05:48,400 --> 00:06:17,820
Oh, Mr Roberts.

89
00:06:18,400 --> 00:06:20,400
Ski!

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00:06:30,400 --> 00:06:32,400
Oh, nice!

91
00:06:48,400 --> 00:07:18,300
Oh my God.

92
00:07:18,400 --> 00:07:48,300
Yes, yes.

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00:07:48,400 --> 00:07:50,740
How am I... how beautiful is it to me.

94
00:08:02,740 --> 00:08:03,420
Ah, cool.

95
00:08:03,420 --> 00:08:05,420
Jerry?

96
00:08:17,420 --> 00:08:20,420
You, I think, the money for them
Final production is secured.

97
00:08:22,420 --> 00:08:23,420
And I'll explain that to you tomorrow.

98
00:08:24,420 --> 00:08:25,420
Ciao.

99
00:08:28,420 --> 00:08:31,067
It will be finished in 14 days. The
Thing must be secured. What should I do?

100
00:08:31,167 --> 00:08:31,420
make?

101
00:08:31,420 --> 00:08:32,120
What should I do?

102
00:08:32,220 --> 00:08:33,520
Everything is already in place.

103
00:08:33,640 --> 00:08:34,140
Go ahead.

104
00:08:34,140 --> 00:08:35,180
Okay, okay, okay.

105
00:08:36,300 --> 00:08:36,940
And now to you.

106
00:08:37,040 --> 00:08:37,880
Who are you?

107
00:08:38,180 --> 00:08:38,860
I'm Lorraine.

108
00:08:38,960 --> 00:08:39,900
How many times do I have to say that?

109
00:08:40,520 --> 00:08:42,260
Okay, Maxi, take a nice picture of it
you, yes?

110
00:08:42,660 --> 00:08:44,760
Uh, yeah, that's, yeah, pretty good.

111
00:08:44,940 --> 00:08:45,940
Okay, yes, yes, yes.

112
00:08:46,480 --> 00:08:47,340
Please stand up.

113
00:08:47,820 --> 00:08:49,340
Well, a bit big, isn't it?

114
00:08:50,000 --> 00:08:50,640
And.

115
00:08:50,740 --> 00:08:51,780
Uh, Jeff, what do you think?

116
00:08:54,200 --> 00:08:55,040
Hmm, well not.

117
00:08:55,140 --> 00:08:59,241
Well, what are we going to do? Maxi bring the lady

118
00:08:59,341 --> 00:09:05,183
please get out Not so good, well Jerry that w
then here the n

119
00:09:05,983 --> 00:09:06,823
Give her a kiss.

120
00:09:08,183 --> 00:09:09,423
So, down and pull.

121
00:09:09,742 --> 00:09:10,582
Thanks.

122
00:09:11,043 --> 00:09:12,103
Yes, great, very nice.

123
00:09:12,783 --> 00:09:13,623
Great job, Jerry.

124
00:09:13,723 --> 00:09:14,723
Yes, we can get involved right away.

125
00:09:15,082 --> 00:09:15,683
Take a look at her.

126
00:09:15,783 --> 00:09:16,623
What do you think?

127
00:09:16,942 --> 00:09:18,222
Can't I just introduce myself?

128
00:09:18,322 --> 00:09:18,982
Well, what are they called?

129
00:09:19,082 --> 00:09:19,503
Claudia.

130
00:09:19,603 --> 00:09:20,342
All right.

131
00:09:20,442 --> 00:09:21,283
Very nice, yes.

132
00:09:22,523 --> 00:09:23,363
Yes, Jerry, what is it?

133
00:09:23,862 --> 00:09:24,462
Do we commit to something?

134
00:09:24,462 --> 00:09:25,763
Don't you want to show me what?
she can?

135
00:09:26,322 --> 00:09:27,163
Oh, yes, of course.

136
00:09:28,622 --> 00:09:29,563
Please stand up.

137
00:09:30,603 --> 00:09:32,383
Now give me a pass.

138
00:09:32,763 --> 00:09:33,603
Completely natural.

139
00:09:33,763 --> 00:09:35,063
Really passionate.

140
00:09:35,783 --> 00:09:38,003
Imagine you're playing in
a love film.

141
00:09:38,122 --> 00:09:38,962
Stronger, stronger.

142
00:09:39,563 --> 00:09:40,763
No, no, sit down again
there.

143
00:09:40,942 --> 00:09:41,563
That doesn't work.

144
00:09:41,663 --> 00:09:42,603
Come a little closer, like this.

145
00:09:44,183 --> 00:09:45,023
There isn't either.

146
00:09:46,223 --> 00:09:47,283
Jerry, I don't think that's possible.

147
00:09:47,383 --> 00:09:49,342
She's a bit uptight
Camera, the light here.

148
00:09:49,442 --> 00:09:50,983
I have to go with her for five minutes
next door.

149
00:09:51,483 --> 00:09:52,383
Believe me, she'll do it.

150
00:09:52,383 --> 00:09:53,223
Absolutely, yes.

151
00:09:54,183 --> 00:09:56,683
Just five minutes, okay? Then she manages
believe me.

152
00:09:56,862 --> 00:09:57,702
Come with me.

153
00:10:04,883 --> 00:10:07,103
Well, Max, let's just wait for the five of us
minutes.

154
00:10:08,442 --> 00:10:09,242
Cigarette?

155
00:10:09,342 --> 00:10:10,842
No thanks. Thank you.

156
00:10:12,603 --> 00:10:13,622
Do you think she can do it?

157
00:10:14,462 --> 00:10:17,643
Well, Max, Ted Orfield is a good man.
Made great films.

158
00:10:20,242 --> 00:10:21,602
Look, little one, you have to
understand.

159
00:10:21,702 --> 00:10:25,323
If I hire you for a film
wants, after all it should be a nice one

160
00:10:25,423 --> 00:10:26,263
become a film.

161
00:10:27,082 --> 00:10:28,342
And for that we just need beautiful ones
people.

162
00:10:28,462 --> 00:10:29,303
Do you understand that?

163
00:10:29,803 --> 00:10:30,643
Do you understand?

164
00:10:30,923 --> 00:10:32,462
Well, if you think so...

165
00:10:32,563 --> 00:10:33,403
Sure.

166
00:10:51,702 --> 00:10:52,702
Yes.

167
00:11:21,702 --> 00:11:51,602
This is a little better.

168
00:11:51,702 --> 00:11:55,082
Okay, kid, I think the movie's yours
sure.

169
00:12:21,702 --> 00:12:35,423
Am I doing it right?

170
00:12:36,503 --> 00:12:37,822
Well, just carry on.

171
00:12:41,903 --> 00:12:43,822
Come on, Wexchen, take a look at what they're doing there
drive.

172
00:12:43,923 --> 00:12:44,863
This just takes too long.

173
00:12:45,183 --> 00:12:46,143
This all costs my money.

174
00:12:46,903 --> 00:12:47,783
Okay, I'll do it.

175
00:12:47,783 --> 00:12:53,728
Ted, that's not possible. The producer
waiting next door. And you, you're doing it here

176
00:12:53,828 --> 00:12:55,023
with the little one.

177
00:12:55,442 --> 00:12:59,143
Oh well, he can do me. A little
Movies have to be fun, right?

178
00:12:59,603 --> 00:13:00,443
I'm just listening to one thing.

179
00:13:01,243 --> 00:13:02,083
Yes, I mean.

180
00:13:03,523 --> 00:13:04,363
Hey, what's going on?

181
00:13:04,663 --> 00:13:06,485
What do you mean, what's going on? I pay
After all, not for yours

182
00:13:06,585 --> 00:13:07,425
Banging conditions over there.

183
00:13:07,442 --> 00:13:08,283
Well, it's okay.

184
00:13:09,423 --> 00:13:11,223
Come on, what are you waiting for? Bring me those
next.

185
00:13:11,442 --> 00:13:12,442
Yes, it's okay, you can do me.

186
00:13:17,783 --> 00:13:23,783
May I introduce myself?

187
00:13:24,702 --> 00:13:26,462
I'm the producer Jerry Larsen.

188
00:13:27,263 --> 00:13:28,803
And this is Ted Orfield, our director.

189
00:13:29,322 --> 00:13:30,163
It's nice that you're here.

190
00:13:31,283 --> 00:13:32,402
Come on, take a nice picture.

191
00:13:37,202 --> 00:13:38,503
What's actually going on here, tell me?

192
00:13:39,122 --> 00:13:41,223
Is this a welcoming ceremony or
what?

193
00:13:42,223 --> 00:13:44,263
I don't know what to do with you anyway
should start.

194
00:13:44,822 --> 00:13:47,322
Not that bad, but unfortunately that works
not.

195
00:13:47,783 --> 00:13:49,223
Jerry, take a look at her.

196
00:13:49,383 --> 00:13:50,223
That's not possible, is it?

197
00:13:50,543 --> 00:13:51,762
This is no nonsense. Make something of her.

198
00:13:51,862 --> 00:13:54,142
Make something of her. Make something of her. Her
be good.

199
00:13:55,322 --> 00:13:56,163
Stand up, please.

200
00:13:57,263 --> 00:13:58,283
Yes, get up, I said.

201
00:13:58,702 --> 00:14:00,699
Yes, maybe we could get them from the
Page. What do you think? That's also quite

202
00:14:00,799 --> 00:14:00,983
beautiful.

203
00:14:00,983 --> 00:14:02,983
Am I the director or is that you?
So.

204
00:14:03,223 --> 00:14:04,063
It's nothing.

205
00:14:05,663 --> 00:14:06,642
And now to you.

206
00:14:07,043 --> 00:14:09,543
Give me a passionate hug.
Really passionate.

207
00:14:12,283 --> 00:14:13,923
Well, it's okay. Sit down
back again.

208
00:14:15,983 --> 00:14:17,642
Jerry, that's not possible. That really works
not.

209
00:14:17,783 --> 00:14:22,483
No, no, Jerry, I can do that with that face
don't start anything.

210
00:14:22,942 --> 00:14:24,922
Just take a look at them. That's it
no face for a romance film.

211
00:14:25,022 --> 00:14:28,082
Oh, I beg you, what's the point of that?
Look, that face.

212
00:14:28,483 --> 00:14:31,043
Take a close look at the woman. There
You can do something with it, right?

213
00:14:32,423 --> 00:14:35,723
Please turn to the left.
Look at. And now to the right.

214
00:14:36,663 --> 00:14:39,742
Nice. And now let's go straight ahead.
Terrific.

215
00:14:40,962 --> 00:14:41,803
Please stay like that.

216
00:14:43,003 --> 00:14:43,843
Nice.

217
00:14:44,582 --> 00:14:47,683
I have a feeling from this girl
you could really do something.

218
00:14:47,783 --> 00:14:51,522
I don't know what you want.

219
00:14:52,763 --> 00:14:54,862
For me she is the perfect one
Leading actress.

220
00:14:56,923 --> 00:14:59,263
Look at this young, innocent one
face on.

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00:15:00,263 --> 00:15:03,371
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