1 00:00:12,000 --> 00:00:14,067 PREVIOUSLY ON... 2 00:00:14,100 --> 00:00:17,367 NORA LOOKED FOR TROUBLE AND FOUND IT... 3 00:00:17,400 --> 00:00:19,533 YOU WILL NEVER AGAIN SEE MY HUSBAND. 4 00:00:19,567 --> 00:00:20,700 JULIE GOT TO KNOW EDIE'S NEPHEW... 5 00:00:20,733 --> 00:00:23,767 SHE COULDN'T TAKE HER EYES OFF MY ABS. I FELT VIOLATED. 6 00:00:23,800 --> 00:00:25,600 SUSAN AND IAN MADE PLANS... 7 00:00:25,633 --> 00:00:28,533 I'D LOVE TO GO TO FRANCE SOMEDAY. WOULD YOU LIKE TO GO NEXT MONTH? 8 00:00:28,567 --> 00:00:30,600 GABRIELLE AND CARLOS REUNITED... 9 00:00:30,633 --> 00:00:32,167 IT'S BEEN A LONG TIME. 10 00:00:32,200 --> 00:00:33,433 AND DINNER WITH THE BIGSBYS... 11 00:00:33,467 --> 00:00:36,833 THAT'S THE POLICE REPORT THAT ALMA FILED AFTER ORSON HIT HER. 12 00:00:36,867 --> 00:00:38,433 ...WAS FULL OF SURPRISES. 13 00:00:38,467 --> 00:00:40,800 LOOK, I'M GOING THROUGH SOMETHING. I HAD AN AFFAIR. 14 00:00:51,500 --> 00:00:54,367 (Mary Alice) IT WAS SUPPOSED TO BE AN ORDINARY DAY 15 00:00:54,400 --> 00:00:56,400 FOR CAROLYN BIGSBY. 16 00:00:56,433 --> 00:00:59,767 SHE HAD PLANNED TO BAKE HER HUSBAND A STRUDEL, 17 00:00:59,800 --> 00:01:02,400 GIVE HER DOG A BATH 18 00:01:02,433 --> 00:01:05,667 AND WATER HER AFRICAN VIOLETS. 19 00:01:05,700 --> 00:01:09,467 YES, CAROLYN HAD PLANNED TO DO ALL SORTS OF THINGS 20 00:01:09,500 --> 00:01:11,667 SHE THOUGHT MATTERED. 21 00:01:11,700 --> 00:01:15,600 BUT EARLIER THAT DAY, A WOMAN WHO WASN'T HER FRIEND 22 00:01:15,633 --> 00:01:20,167 TOLD CAROLYN SOMETHING SHE WASN'T SUPPOSED TO HEAR. 23 00:01:20,200 --> 00:01:23,533 FROM THAT MOMENT ON, 24 00:01:23,567 --> 00:01:29,067 CAROLYN FELT NOTHING REALLY MATTERED ANYMORE. 25 00:01:32,533 --> 00:01:34,767 (Susan) HELLO, CAROLYN. YEAH, HEY, HOW ARE YA? 26 00:01:44,067 --> 00:01:46,800 CAROLYN? WHAT ARE YOU DOING HERE? 27 00:01:46,833 --> 00:01:48,333 I'VE BEEN THINKING, HARVEY, 28 00:01:48,367 --> 00:01:50,267 THAT IF YOU LOVED THIS MONIQUE WOMAN SO MUCH, 29 00:01:50,300 --> 00:01:52,200 MAYBE YOU SHOULD BE WITH HER. 30 00:01:52,233 --> 00:01:54,733 FOR GOD SAKES, CAROLYN, SHE'S DEAD. 31 00:01:54,767 --> 00:01:57,667 YEAH, I KNOW. 32 00:01:57,700 --> 00:01:59,533 OH! 33 00:02:02,700 --> 00:02:08,067 YES, CAROLYN BIGSBY HAD PLANNED ON IT BEING AN ORDINARY DAY... 34 00:02:08,067 --> 00:02:09,233 HARVEY! 35 00:02:09,267 --> 00:02:11,733 YOU COME OUT OF THERE, DAMN IT! 36 00:02:11,767 --> 00:02:14,167 BUT AS EVERY HOUSEWIFE KNOWS... 37 00:02:14,200 --> 00:02:16,467 DOWN. NOBODY GOES ANYWHERE. 38 00:02:18,533 --> 00:02:20,200 PLANS CHANGE. 39 00:02:28,733 --> 00:02:32,833 LYNETTE SCAVO HAD A DREAM LAST NIGHT. 40 00:02:32,867 --> 00:02:37,067 IT WAS ONE SHE'D HAD MANY TIMES BEFORE. 41 00:02:38,067 --> 00:02:41,700 SHE DREAMT OF THE LAST TIME SHE SAW ME... 42 00:02:44,433 --> 00:02:47,533 AND OF THE LAST TIME WE SPOKE. 43 00:02:47,567 --> 00:02:49,200 HEY! 44 00:02:49,233 --> 00:02:52,200 MARY ALICE, ARE YOU OKAY? 45 00:02:52,233 --> 00:02:55,400 YES, THANK YOU. 46 00:02:55,433 --> 00:02:57,133 I'M FINE. 47 00:03:03,767 --> 00:03:08,667 OKAY. SEE YOU LATER. 48 00:03:08,700 --> 00:03:11,333 (Mary Alice) IT WAS STILL HARD FOR LYNETTE TO ACCEPT 49 00:03:11,367 --> 00:03:16,533 THAT THIS UNREMARKABLE EXCHANGE HAD BEEN OUR LAST, 50 00:03:16,567 --> 00:03:20,500 OR THAT MOMENTS LATER, I WOULD ENTER MY HOUSE 51 00:03:20,533 --> 00:03:22,767 AND PUT A BULLET THROUGH MY BRAIN. 52 00:03:22,800 --> 00:03:23,700 (gunshot) 53 00:03:23,733 --> 00:03:25,100 (gasps) 54 00:03:25,133 --> 00:03:28,133 (panting) 55 00:03:35,800 --> 00:03:38,400 I HAD THE MARY ALICE DREAM AGAIN LAST NIGHT. 56 00:03:38,433 --> 00:03:42,133 OH, HON, AGAIN? I HAVEN'T HAD IT FOR MONTHS. I DON'T KNOW WHY IT CAME BACK. 57 00:03:42,167 --> 00:03:44,067 WELL, SOMEBODY JUST BOUGHT HER OLD HOUSE. 58 00:03:44,100 --> 00:03:47,167 MAYBE THAT TRIGGERED SOMETHING. IT WAS AWFUL, AS ALWAYS. 59 00:03:47,200 --> 00:03:50,067 I SAW SHE WAS IN PAIN, AND I JUST WALKED AWAY AND... 60 00:03:50,100 --> 00:03:52,667 THERE WAS NOTHING YOU COULD DO. 61 00:03:52,700 --> 00:03:54,700 AND THAT'S WHAT I DID--NOTHING. 62 00:03:58,433 --> 00:04:01,400 HEY, IS THAT THE NEW NEIGHBOR? 63 00:04:01,433 --> 00:04:03,400 OH, HE'S CUTE! 64 00:04:03,433 --> 00:04:05,100 EDIE SAID HE'S A BACHELOR... 65 00:04:05,133 --> 00:04:07,200 KEEP TALKIN'. WHO LIVES WITH HIS INVALID SISTER. 66 00:04:07,233 --> 00:04:09,100 YOU CAN STOP NOW. 67 00:04:10,733 --> 00:04:12,700 SHOULD WE GO INTRODUCE OURSELVES? 68 00:04:12,733 --> 00:04:15,100 YEAH, LET'S GIVE HIM THE SCOOP ON THE NEIGHBORHOOD. 69 00:04:15,133 --> 00:04:16,367 (chuckles) 70 00:04:16,400 --> 00:04:20,367 DO YOU THINK HE KNOWS MARY ALICE SHOT HERSELF IN HIS LIVING ROOM? 71 00:04:20,400 --> 00:04:24,100 THEN AGAIN, HE PROBABLY WANTS SOME TIME TO UNPACK. 72 00:04:30,067 --> 00:04:31,800 ORSON? IF YOU HAVE A MOMENT, 73 00:04:31,833 --> 00:04:34,433 THERE'S SOMETHING I'D LIKE YOUR THOUGHTS ON. CERTAINLY. 74 00:04:34,467 --> 00:04:37,067 WHAT IS IT? THE MENU FOR OUR HOLIDAY OPEN HOUSE? 75 00:04:37,100 --> 00:04:38,833 NO, IT'S THE POLICE REPORT 76 00:04:38,867 --> 00:04:42,067 FROM THE NIGHT YOU BEAT YOUR FIRST WIFE. 77 00:04:42,100 --> 00:04:44,133 I'M STILL WORKING ON THE MENU. 78 00:04:46,267 --> 00:04:48,567 I ASSURE YOU, I DID NOT BEAT MY WIFE. 79 00:04:48,600 --> 00:04:50,500 SHE SUFFERED THESE INJURIES IN A FALL. 80 00:04:50,533 --> 00:04:53,367 OH, HOW DID SHE FALL? I PUSHED HER. 81 00:04:53,400 --> 00:04:56,500 IT WAS SELF-DEFENSE. SHE ATTACKED ME. 82 00:04:56,533 --> 00:04:57,833 WHY WOULD SHE ATTACK YOU? 83 00:04:57,867 --> 00:05:00,800 (sighs) SHE SPILLED SOME RED WINE ON A WHITE TABLECLOTH. 84 00:05:00,833 --> 00:05:03,533 SHE WAS TRYING TO CLEAN IT UP WITH DISH SOAP. 85 00:05:03,567 --> 00:05:05,467 WHEN I POINTED OUT HER MISTAKE, 86 00:05:05,500 --> 00:05:07,400 SHE STARTED SCREAMING, "SHUT UP, SHUT UP!" 87 00:05:07,433 --> 00:05:10,200 AND STRIKING ME REPEATEDLY WITH A SAUTé PAN. 88 00:05:10,233 --> 00:05:11,600 WELL, LOOK... 89 00:05:11,633 --> 00:05:14,133 THE POLICE DROPPED THE CHARGES. 90 00:05:14,167 --> 00:05:16,133 WHERE DID YOU GET THIS? 91 00:05:16,167 --> 00:05:17,300 CAROLYN. 92 00:05:17,333 --> 00:05:19,767 WELL, OF COURSE. WHO ELSE? 93 00:05:19,800 --> 00:05:22,667 IF SHE PAID THIS MUCH ATTENTION TO HER OWN MARRIAGE, 94 00:05:22,700 --> 00:05:24,600 MAYBE HARVEY WOULDN'T HAVE CHEATED ON HER. 95 00:05:24,633 --> 00:05:25,600 HARVEY CHEATED? 96 00:05:25,633 --> 00:05:29,300 YES, WITH SOME FLIGHT ATTENDANT NAMED MONIQUE. 97 00:05:30,600 --> 00:05:34,567 DARLING, I COULD NEVER STRIKE A WOMAN. 98 00:05:36,500 --> 00:05:39,300 WELL, YOU DO BELIEVE ME, DON'T YOU? 99 00:05:42,800 --> 00:05:47,633 ALL RIGHT, I ACCEPT YOUR EXPLANATION. 100 00:05:47,667 --> 00:05:51,367 I JUST WISH THERE WERE FEWER THINGS FOR YOU TO EXPLAIN. 101 00:05:53,167 --> 00:05:55,500 BY THE WAY, TO REMOVE A RED WINE STAIN, 102 00:05:55,533 --> 00:05:58,167 YOU SPRINKLE SALT TO ABSORB IT. 103 00:05:58,200 --> 00:06:03,167 THAT'S JUST WHAT I WAS SAYING TO ALMA WHEN SHE CLOCKED ME. 104 00:06:03,200 --> 00:06:05,700 (brakes squeal) 105 00:06:05,733 --> 00:06:07,633 (car door shuts) 106 00:06:07,667 --> 00:06:09,633 WHOA, WHAT FRESH HELL IS THIS? 107 00:06:09,667 --> 00:06:11,267 HEY, TOM-- 108 00:06:11,300 --> 00:06:14,067 WHOA, WHOA, WHOA! YOU HAVE STEPPED ONTO MY PROPERTY, 109 00:06:14,067 --> 00:06:16,467 AND YOU'VE TALKED TO TOM. 110 00:06:16,500 --> 00:06:18,133 THAT'S TWO RULES YOU'VE BROKEN, AND I'M NOT SURE 111 00:06:18,167 --> 00:06:21,733 THAT TOP DOESN'T MAKE THREE. WOULD YOU TELL YOUR LUNATIC WIFE I'M NOT TALKING TO HER? 112 00:06:21,767 --> 00:06:23,667 YOU'RE THE LUNATIC IF YOU THINK 113 00:06:23,700 --> 00:06:27,067 I'M LETTING YOU ANYWHERE NEAR MY HUSBAND. JUST DROP KAYLA OFF AND GO. 114 00:06:27,067 --> 00:06:30,300 KAYLA WON'T BE VISITING TODAY. WE'RE MOVING. 115 00:06:30,333 --> 00:06:33,500 AND HERE'S WHERE YOU CAN SEND THE CHILD SUPPORT. 116 00:06:38,533 --> 00:06:40,067 MEXICO? 117 00:06:40,100 --> 00:06:42,800 MM, AN OLD FRIEND OF MINE GOT ME A SWEET JOB 118 00:06:42,833 --> 00:06:44,733 DANCING AT A NIGHTCLUB IN TIJUANA. 119 00:06:44,767 --> 00:06:47,133 GREAT, AND YOU'RE TAKING KAYLA? 120 00:06:47,167 --> 00:06:48,400 THANK YOUR WIFE. 121 00:06:48,433 --> 00:06:51,200 SHE'S BEEN ITCHING TO GET RID OF US EVER SINCE WE GOT HERE. 122 00:06:51,233 --> 00:06:53,667 (gasps) SHE FINALLY GOT HER WAY. 123 00:06:53,700 --> 00:06:58,567 WAVE BYE-BYE TO YOUR DADDY, HONEY. 124 00:06:58,600 --> 00:07:01,567 NORA, CAN'T-- CAN'T WE JUST TALK ABOUT THIS? 125 00:07:03,067 --> 00:07:05,600 OH, WE'RE NOT ALLOWED TO TALK. REMEMBER? 126 00:07:05,633 --> 00:07:07,533 SHE'S TOM'S DAUGHTER. 127 00:07:07,567 --> 00:07:09,667 YOU CAN'T JUST TAKE HER OUT OF THE COUNTRY. 128 00:07:09,700 --> 00:07:11,200 WATCH ME. 129 00:07:11,233 --> 00:07:13,100 (engine starts) 130 00:07:18,367 --> 00:07:20,633 (judge) DOES EITHER PARTY HAVE ANYTHING TO ADD 131 00:07:20,667 --> 00:07:23,733 BEFORE I RULE ON THE DIVISION OF ASSETS AND ALIMONY? 132 00:07:23,767 --> 00:07:25,733 NO, WE'RE CONFIDENT THAT YOUR RULING WILL REFLECT 133 00:07:25,767 --> 00:07:29,500 THE PAIN AND SUFFERING ENDURED BY MY CLIENT. 134 00:07:29,533 --> 00:07:31,767 YOUR HONOR, DOES THE DEFINITION OF "SUFFERING" 135 00:07:31,800 --> 00:07:36,133 ENCOMPASS THE SEDUCTION OF MY CLIENT FOUR DAYS AGO? 136 00:07:36,167 --> 00:07:38,133 EXCUSE ME? SHE THOUGHT HE WAS COMING INTO SOME MONEY 137 00:07:38,167 --> 00:07:41,767 AND HOPED TO STALL THE DIVORCE UNTIL SHE COULD CLAIM HER SHARE. 138 00:07:41,800 --> 00:07:44,333 HOW DARE YOU! THAT IS A VICIOUS LIE. 139 00:07:44,367 --> 00:07:47,500 (Gabrielle) OH, CARLOS, GIVE IT TO ME! 140 00:07:47,533 --> 00:07:50,700 CARLOS! YES! YES! 141 00:07:50,733 --> 00:07:54,300 CARLOS-- YOU RECORDED OUR LOVEMAKING? 142 00:07:54,333 --> 00:07:56,367 IT'S ALL RIGHT HERE, YOUR HONOR. WHEN SHE CLIMAXES, 143 00:07:56,400 --> 00:07:59,067 SHE ACTUALLY STARTS SCREAMING OUT DOLLAR AMOUNTS. 144 00:07:59,067 --> 00:08:03,267 MRS. SOLIS... WOULD YOU LIKE TO RESPOND? 145 00:08:03,300 --> 00:08:06,667 AS A MATTER OF FACT, I DO HAVE A FEW THOUGHTS. 146 00:08:06,700 --> 00:08:10,067 CARLOS, YOU'RE A DEAD MAN! DO YOU HEAR ME?! OH, THE RULING SEEMS FAIR TO ME. 147 00:08:10,067 --> 00:08:11,533 YOU GET THE HOUSE. 148 00:08:11,567 --> 00:08:13,467 (chuckles) I JUST GET EVERYTHING IN IT. 149 00:08:13,500 --> 00:08:15,100 I SAID DEAD! 150 00:08:15,133 --> 00:08:17,300 NO ALIMONY. THAT'S A DRAG. 151 00:08:17,333 --> 00:08:19,233 BUT, HEY, YOU LIKE TO WORK, RIGHT? 152 00:08:19,267 --> 00:08:21,333 COME ON, JUST GIVE ME ONE CLEAN SHOT AT HIM. 153 00:08:21,367 --> 00:08:23,133 I'M WILLING TO DO THE TIME! 154 00:08:24,433 --> 00:08:26,333 MOM, I WAS PACKING YOUR SUITCASE, 155 00:08:26,367 --> 00:08:29,067 AND YOU'RE TOTALLY OUT OF TOOTHPASTE. 156 00:08:29,067 --> 00:08:31,567 DO YOU WANT ME TO GO TO THE STORE AND GET SOME? 157 00:08:31,600 --> 00:08:33,200 WHAT IS THIS? 158 00:08:33,233 --> 00:08:35,667 OH, UM, IT WAS AUSTIN'S, OKAY? 159 00:08:35,700 --> 00:08:39,067 EDIE'S NEPHEW? SINCE WHEN ARE YOU FRIENDS WITH HIM? UH, WE ARE NOT FRIENDS. 160 00:08:39,067 --> 00:08:40,800 I WAS TUTORING HIM, HE BROUGHT BEER, 161 00:08:40,833 --> 00:08:44,367 I TOLD HIM TO THROW IT OUT, AND HE DID. END OF STORY. DID YOU HAVE ANY? 162 00:08:44,400 --> 00:08:46,167 (scoffs) 163 00:08:46,200 --> 00:08:48,733 OH, I CANNOT BELIEVE YOUR TIMING. 164 00:08:48,767 --> 00:08:50,733 I'M ABOUT TO FLY OFF TO PARIS, 165 00:08:50,767 --> 00:08:52,800 AND YOU'RE INVITING BOYS OVER FOR OKTOBERFEST. 166 00:08:52,833 --> 00:08:55,633 OH, THAT'S IT! GO TO YOUR ROOM AND FINISHING PACKING. 167 00:08:55,667 --> 00:08:57,833 THIS CONVERSATION'S OVER. (laughs) LAST TIME I CHECKED, I WAS THE PARENT. 168 00:08:57,867 --> 00:09:00,467 YEAH, WELL, THE LAST TIME I CHECKED, I WAS THE DAUGHTER 169 00:09:00,500 --> 00:09:03,300 WHO NEVER GAVE YOU ANY REASON TO DOUBT HER. OKAY, I-I KNOW I-- 170 00:09:03,333 --> 00:09:05,233 AND DON'T PLAY THE PARENT CARD WITH ME. 171 00:09:05,267 --> 00:09:07,167 I JUST FINISHED PACKING YOUR SUITCASE, 172 00:09:07,200 --> 00:09:09,100 DOING YOUR LAUNDRY AND BALANCING YOUR CHECKBOOK. 173 00:09:09,133 --> 00:09:12,067 AND NOW I'M GOING TO THE STORE TO BUY YOUR TOOTHPASTE. 174 00:09:12,100 --> 00:09:14,267 WELL, A SIMPLE "NO, I DIDN'T DRINK ANY BEER" 175 00:09:14,300 --> 00:09:16,800 WOULD'VE SUFFICED. 176 00:09:19,533 --> 00:09:20,800 (sighs) 177 00:09:20,833 --> 00:09:23,467 BREE! YOU HAVEN'T RETURNED ANY OF MY CALLS. 178 00:09:23,500 --> 00:09:24,600 I'VE BEEN WORRIED. 179 00:09:24,633 --> 00:09:26,633 HAVE YOU TOLD THE WIFE-BEATER YOU'RE LEAVING HIM YET? 180 00:09:26,667 --> 00:09:28,267 SORRY, NO. 181 00:09:28,300 --> 00:09:31,067 TURNS OUT HE HAS AN EXPLANATION FOR THE POLICE REPORT. 182 00:09:31,100 --> 00:09:32,133 OH, COME ON. 183 00:09:32,167 --> 00:09:34,600 THERE'S NEVER A GOOD REASON FOR HITTING A WOMAN. 184 00:09:34,633 --> 00:09:37,467 I USED TO THINK THAT, TOO. THEN I MET YOU. GOOD DAY. 185 00:09:37,500 --> 00:09:39,067 I'M TRYING TO HELP YOU. 186 00:09:39,100 --> 00:09:42,600 YOU'RE LIVING IN A FOOL'S PARADISE. WELL, I GUESS THAT MAKES US NEIGHBORS. 187 00:09:42,633 --> 00:09:45,467 WHAT'S THAT SUPPOSED TO MEAN? 188 00:09:45,500 --> 00:09:47,600 IT MEANS YOU SHOULD STOP WORRYING ABOUT MY MARRIAGE 189 00:09:47,633 --> 00:09:49,633 AND START WORRYING ABOUT YOUR OWN. 190 00:09:53,267 --> 00:09:55,433 (tires squeal) 191 00:09:59,733 --> 00:10:02,700 DON'T PLAY COY WITH ME. 192 00:10:02,733 --> 00:10:05,600 YOU'VE GOT SOMETHING TO SAY, THEN JUST SAY IT. 193 00:10:05,633 --> 00:10:08,767 OKAY. DOES THE NAME "MONIQUE" MEAN ANYTHING TO YOU? 194 00:10:15,733 --> 00:10:17,333 HEY, I FOUND THIS SITE 195 00:10:17,367 --> 00:10:19,833 THAT OFFERS REALLY CHEAP FARES TO TIJUANA, 196 00:10:19,867 --> 00:10:22,333 BUT SHOULD I EVEN BE THINKING OF GOING TO TIJUANA? 197 00:10:22,367 --> 00:10:23,533 IT'S FINE WITH ME, 198 00:10:23,567 --> 00:10:25,767 SOON AS YOU FIGURE OUT A WAY TO LEAVE YOUR GENITALS HERE. 199 00:10:25,800 --> 00:10:27,700 WHAT ARE YOU SAYING, LYNETTE? 200 00:10:27,733 --> 00:10:30,033 I'M NOT ALLOWED TO VISIT MY DAUGHTER? WHAT? 201 00:10:30,067 --> 00:10:33,100 SEE? THIS IS EXACTLY WHAT SHE WANTS. 202 00:10:33,133 --> 00:10:37,600 SHE TAKES KAYLA, AND I GET BLAMED. 203 00:10:37,633 --> 00:10:40,267 WELL, SCREW HER. LET'S SUE FOR CUSTODY. 204 00:10:40,300 --> 00:10:43,067 FULL CUSTODY? YOU--YOU'D GO FOR THAT? 205 00:10:43,100 --> 00:10:44,567 YOU BET I WOULD. 206 00:10:44,600 --> 00:10:47,233 KAYLA WILL BE MUCH BETTER OFF WITHOUT "CRAZY" IN HER LIFE. 207 00:10:47,267 --> 00:10:48,600 SO WILL WE. 208 00:10:48,633 --> 00:10:50,533 I'M--I AM RIGHT THERE WITH YOU. 209 00:10:50,567 --> 00:10:52,833 I JUST--I NEVER THOUGHT YOU'D WANT A FIFTH KID. 210 00:10:52,867 --> 00:10:55,233 I DON'T, BUT I DIDN'T WANT THE FIRST FOUR, 211 00:10:55,267 --> 00:10:58,100 AND THEY'RE STARTING TO GROW ON ME. 212 00:11:07,467 --> 00:11:10,333 HEY, LOOK WHOSE PLASTIC HANDCUFFS GOT TAKEN OFF. 213 00:11:10,367 --> 00:11:13,267 OKAY, YOU'RE CLEARLY STILL A LITTLE MIFFED 214 00:11:13,300 --> 00:11:14,667 ABOUT THE SETTLEMENT. 215 00:11:14,700 --> 00:11:16,333 BUT COME ON, BE FAIR. 216 00:11:16,367 --> 00:11:20,067 I DID BUY MOST OF THE STUFF IN THIS HOUSE, HONEY. 217 00:11:20,100 --> 00:11:23,100 (glass shattering) 218 00:11:28,667 --> 00:11:31,567 WHAT THE HELL ARE YOU DOING?! 219 00:11:31,600 --> 00:11:33,267 OH, I'M HELPING YOU PACK. 220 00:11:33,300 --> 00:11:35,700 THINK OF ALL THE MONEY YOU'RE GONNA SAVE ON BUBBLE WRAP. 221 00:11:35,733 --> 00:11:39,400 HEY! DO YOU KNOW HOW MUCH THAT WAS WORTH?! 222 00:11:39,433 --> 00:11:40,833 AAH! 223 00:11:40,867 --> 00:11:42,767 DO YOU KNOW HOW MUCH I WAS WORTH?! 224 00:11:42,800 --> 00:11:45,667 WHEN WE MET, I WAS ON THE COVER OF MAGAZINES. 225 00:11:45,700 --> 00:11:47,600 I HAD A CAREER AND A FUTURE, 226 00:11:47,633 --> 00:11:50,500 BUT I GAVE IT ALL UP FOR YOU, AND WHAT DID I GET IN RETURN? 227 00:11:50,533 --> 00:11:53,567 IF YOU BREAK ONE MORE THING, SO HELP ME... 228 00:11:53,600 --> 00:11:56,067 WHAT? WHAT ARE YOU GONNA DO? 229 00:12:02,167 --> 00:12:05,233 (banging on wall) 230 00:12:05,267 --> 00:12:07,467 (glass shatters) 231 00:12:07,500 --> 00:12:08,733 (gasps) 232 00:12:08,767 --> 00:12:12,567 CARLOS, HAVE YOU LOST YOUR MIND?! 233 00:12:12,600 --> 00:12:14,700 WELL, YOU'RE HELPING ME PACK MY STUFF. 234 00:12:14,733 --> 00:12:17,433 I'M HELPING YOU REMODEL YOUR HOUSE. 235 00:12:17,467 --> 00:12:19,400 (grunting) 236 00:12:19,433 --> 00:12:22,500 YOU KNOW, I DON'T KNOW ABOUT YOU, 237 00:12:22,533 --> 00:12:24,200 BUT I ALWAYS THOUGHT 238 00:12:24,233 --> 00:12:26,600 THERE SHOULD BE A WINDOW THAT WAS RIGHT THERE. 239 00:12:26,633 --> 00:12:30,300 (grunting) 240 00:12:32,100 --> 00:12:35,533 WE CAN STOP THIS RIGHT NOW, OR WE CAN KEEP ON PLAYING. 241 00:12:35,567 --> 00:12:37,167 YOUR CALL. 242 00:12:39,200 --> 00:12:41,600 (glass shatters) 243 00:12:49,233 --> 00:12:51,067 TOOTHPASTE, MOUTHWASH... 244 00:12:51,100 --> 00:12:52,833 DID SOMEBODY GET AN ANONYMOUS E-MAIL? 245 00:12:52,867 --> 00:12:54,767 SAID THE BOY WITH THE ECONOMY-SIZED ACNE CREAM. 246 00:12:54,800 --> 00:12:57,667 THERE YOU GO AGAIN, CHECKING OUT MY BASKET. UGH, GO AWAY. 247 00:12:57,700 --> 00:13:00,567 DO YOU KNOW HOW MUCH TROUBLE YOUR STUPID BEER CAN GOT ME IN? 248 00:13:00,600 --> 00:13:02,500 WELL, THEN LET ME MAKE IT UP TO YOU. 249 00:13:02,533 --> 00:13:03,433 I'LL CARRY YOUR STUFF. 250 00:13:03,467 --> 00:13:05,167 (scoffs) WHATEVER. 251 00:13:13,633 --> 00:13:15,200 (sighs) 252 00:13:23,500 --> 00:13:24,833 (cell phone rings) 253 00:13:24,867 --> 00:13:27,133 YEAH? Harvey, it's me. 254 00:13:27,167 --> 00:13:30,067 HEY, HON, I'M IN THE MIDDLE OF SOMETHING HERE, SO, UM... 255 00:13:30,067 --> 00:13:32,400 I KNOW ABOUT MONIQUE. 256 00:13:34,500 --> 00:13:37,333 UM, COULD YOU EXCUSE ME A SECOND? THANKS. 257 00:13:37,367 --> 00:13:41,700 (woman) ATTENTION, SHOPPERS, WELCOME TO FIELDS MARKET... 258 00:13:41,733 --> 00:13:44,833 LOOK, I DON'T KNOW WHO YOU'VE BEEN TALKING TO, 259 00:13:44,867 --> 00:13:45,800 but, um-- 260 00:13:45,833 --> 00:13:47,533 DID YOU LOVE HER? 261 00:13:47,567 --> 00:13:49,200 SHE WAS JUST A FRIEND, 262 00:13:49,233 --> 00:13:51,433 and she disappeared eight months ago. 263 00:13:51,467 --> 00:13:54,300 THE POLICE JUST FOUND HER BODY. EIGHT MONTHS AGO. 264 00:13:54,333 --> 00:13:56,467 THAT'S RIGHT WHEN YOU FELL INTO THAT BIG DEPRESSION. 265 00:13:56,500 --> 00:13:58,167 AND I KEPT THINKING, 266 00:13:58,200 --> 00:14:01,067 "WHY IS HARVEY SO BLUE? HOW DO I CHEER HIM UP?" 267 00:14:01,100 --> 00:14:02,833 THAT WAS ABOUT HER, WASN'T IT? 268 00:14:02,867 --> 00:14:06,067 IT'S OVER. SHE'S DEAD. 269 00:14:07,367 --> 00:14:09,500 BUT IF SHE WEREN'T, 270 00:14:09,533 --> 00:14:12,267 WHO WOULD YOU BE WITH-- ME OR HER? 271 00:14:15,067 --> 00:14:16,767 SHE'S DEAD. 272 00:14:18,400 --> 00:14:22,300 (woman) THAT'LL BE $12.99. I'LL TAKE YOUR FIELDS CARD. 273 00:14:26,500 --> 00:14:27,367 (sighs) 274 00:14:30,633 --> 00:14:33,233 COULDN'T KEEP YOUR WALLET IN YOUR PANTS? 275 00:14:33,267 --> 00:14:35,067 MR. BIGSBY? 276 00:14:37,467 --> 00:14:39,733 LOOK, UM... 277 00:14:39,767 --> 00:14:41,400 I GOTTA GO. 278 00:14:41,433 --> 00:14:43,567 (line disconnects) 279 00:14:57,067 --> 00:14:59,200 (car engine starts) 280 00:14:59,233 --> 00:15:00,667 MOMMY, LOOK AT US! 281 00:15:00,700 --> 00:15:03,433 I'LL LOOK AS SOON AS I GET BACK FROM THE STORE. 282 00:15:03,467 --> 00:15:04,667 BYE, MOM! 283 00:15:07,633 --> 00:15:10,633 (cell phone rings) 284 00:15:10,667 --> 00:15:12,400 (panting) THIS IS EDIE. 285 00:15:12,433 --> 00:15:13,733 YEAH, I'M HIS AUNT. 286 00:15:13,767 --> 00:15:16,733 HE SHOPLIFTED WHAT?! 287 00:15:16,767 --> 00:15:19,633 YEAH, YEAH, YEAH. BE RIGHT THERE. 288 00:15:24,600 --> 00:15:27,467 YOU'RE STILL PACKING? WE'RE-- WELL, WE'RE GOING TO BE LATE. NOPE, WE'RE FINE. 289 00:15:27,500 --> 00:15:29,433 BESIDES, I CAN'T LEAVE UNTIL JULIE GETS BACK 290 00:15:29,467 --> 00:15:31,633 WITH MY TOOTHPASTE. OH, WE DON'T NEED IT. 291 00:15:31,667 --> 00:15:33,567 I PACKED A LARGE TUBE AND SOME DENTAL FLOSS. 292 00:15:33,600 --> 00:15:35,367 REALLY? 293 00:15:35,400 --> 00:15:36,833 WHAT--WHY ARE AMERICANS SO AMAZED 294 00:15:36,867 --> 00:15:38,367 WHEN THE ENGLISH DISPLAY 295 00:15:38,400 --> 00:15:41,200 THE SLIGHTEST ACQUAINTANCE WITH DENTAL HYGIENE? 296 00:15:41,233 --> 00:15:44,067 OKAY, I'M GONNA NEED SOME HELP WITH THIS BIG BABY. 297 00:15:44,067 --> 00:15:46,633 (exhales deeply) 298 00:15:46,667 --> 00:15:49,400 GO! ZIP, ZIP, ZIP! UH, SUSAN, DO--DO YOU REALLY NEED ALL THIS? 299 00:15:49,433 --> 00:15:52,300 I MEAN, WE'RE NOT EMIGRATING. IT'S MY FIRST TIME IN PARIS. 300 00:15:52,333 --> 00:15:55,067 I WANT IT TO BE MAGICAL, AND THAT MEANS ACCESSORIES, 301 00:15:55,100 --> 00:15:56,467 SO BACK OFF. 302 00:15:56,500 --> 00:15:58,467 IT'S THE FASHION CAPITAL OF THE WORLD. 303 00:15:58,500 --> 00:16:01,133 UH, WHILE I'M WORKING, YOU CAN TAKE MY CREDIT CARD 304 00:16:01,167 --> 00:16:03,833 AND BUY SOME NEW THINGS. NO, NO, I AM NOT GONNA SPEND YOUR MONEY. 305 00:16:03,867 --> 00:16:06,200 I HAVE AN EXPENSE ACCOUNT. 306 00:16:06,233 --> 00:16:08,467 AND YOU JUST TELL ME THIS NOW? 307 00:16:08,500 --> 00:16:09,700 (sighs) 308 00:16:09,733 --> 00:16:11,633 I'LL TELL THE DRIVER YOU'LL BE A MINUTE. 309 00:16:11,667 --> 00:16:12,733 (laughs) 310 00:16:12,767 --> 00:16:15,467 (telephone rings) 311 00:16:15,500 --> 00:16:17,233 HELLO? 312 00:16:17,267 --> 00:16:20,133 YES, THIS IS HER MOTHER. 313 00:16:20,167 --> 00:16:22,100 WHAT?! 314 00:16:25,467 --> 00:16:28,667 (Lynette) WELL, YOU'RE GONNA LOVE THE NEIGHBORHOOD. 315 00:16:28,700 --> 00:16:30,200 OH? ARE YOU ALL MOVED IN? 316 00:16:30,233 --> 00:16:31,533 UH, PRETTY MUCH. 317 00:16:31,567 --> 00:16:33,600 JUST WAITING ON SOME MEDICAL EQUIPMENT FOR MY SISTER. 318 00:16:33,633 --> 00:16:35,500 OH, YEAH, I HEARD SHE ISN'T WELL. 319 00:16:35,533 --> 00:16:38,367 CAN I ASK WHAT'S WRONG WITH HER? OH, OF COURSE. 320 00:16:38,400 --> 00:16:41,167 UNFORTUNATELY, SHE HAS THIS RARE DEGENERATIVE-- 321 00:16:41,200 --> 00:16:43,567 OH, THAT'S ROUGH. EXCUSE ME. 322 00:16:45,067 --> 00:16:47,467 YOU TOLD ME YOU WEREN'T EVEN FRIENDS WITH HIM. 323 00:16:47,500 --> 00:16:49,400 NOW YOU'RE SHOPLIFTING TOGETHER? 324 00:16:49,433 --> 00:16:52,300 MOM, YOU KNOW I WOULDN'T STEAL. YEAH, I WANNA BELIEVE THAT, 325 00:16:52,333 --> 00:16:55,767 BUT SUDDENLY YOU'RE HAVING BOYS OVER, YOU'RE DRINKING BEER-- AND SOON SHE'LL BE LISTENING 326 00:16:55,800 --> 00:16:57,700 TO THAT ROCK 'N' ROLL MUSIC EVERYBODY'S TALKING ABOUT. 327 00:16:57,733 --> 00:16:58,767 AAH! 328 00:16:58,800 --> 00:17:01,433 SO HOW ARE WE GONNA HANDLE THIS? 329 00:17:01,467 --> 00:17:04,167 LISTEN, I HAVE SOMEBODY IN THE CAR WHO'S LATE FOR A PLANE. 330 00:17:04,200 --> 00:17:05,667 CAN YOU GIVE ME TWO MINUTES? MOM-- 331 00:17:05,700 --> 00:17:08,167 I AM SO DISAPPOINTED IN YOU. 332 00:17:09,833 --> 00:17:11,833 HELLO, CAROLYN. 333 00:17:11,867 --> 00:17:14,333 YEAH, HEY, HOW ARE YA? 334 00:17:20,467 --> 00:17:22,367 LOOK, MAKE HIM WORK IT OFF. 335 00:17:22,400 --> 00:17:24,367 YOU GET A FREE STOCK BOY FOR A MONTH. 336 00:17:24,400 --> 00:17:26,567 A MONTH? IT WAS A $10 BOTTLE OF WHISKEY. 337 00:17:26,600 --> 00:17:29,467 EXACTLY. YOU WEREN'T EVEN SMART ENOUGH TO STEAL THE GOOD STUFF. 338 00:17:29,500 --> 00:17:31,067 HARVEY, DON'T WALK AWAY. 339 00:17:31,100 --> 00:17:33,967 COME ON. LET'S SORT THIS OUT. 340 00:17:37,700 --> 00:17:40,633 HEY, NORA. HOW'S TRICKS? 341 00:17:40,667 --> 00:17:42,800 I THOUGHT IT WAS YOUR CAR I SAW IN THE LOT. 342 00:17:42,833 --> 00:17:45,700 YOU'RE A CONNIVING BITCH. AH, I SEE YOU'VE HEARD FROM OUR LAWYER. 343 00:17:45,733 --> 00:17:48,600 SO IT'S NOT ENOUGH THAT YOU RUN ME OUT OF TOWN. 344 00:17:48,633 --> 00:17:50,500 YOU GOTTA STEAL MY DAMN KID. 345 00:17:50,533 --> 00:17:53,133 CAROLYN, WHAT ARE YOU DOING HERE? I'VE BEEN THINKING, HARVEY, 346 00:17:53,167 --> 00:17:55,833 THAT IF YOU LOVED THIS MONIQUE WOMAN SO MUCH... 347 00:17:55,867 --> 00:17:59,267 EVEN YOU HAVE TO ADMIT KAYLA WOULD BE BETTER OFF WITH US 348 00:17:59,300 --> 00:18:02,200 THAN IN A DINGY APARTMENT OVER A TIJUANA STRIP CLUB. 349 00:18:02,233 --> 00:18:05,833 BELIEVE ME, LYNETTE, YOU DO NOT WANNA SCREW WITH ME. 350 00:18:05,867 --> 00:18:07,667 YOU WENT AFTER MY HUSBAND. 351 00:18:07,700 --> 00:18:10,600 IF ANYONE SHOULD BE AFRAID, IT'S YOU. 352 00:18:10,633 --> 00:18:11,733 (gunshot) 353 00:18:13,267 --> 00:18:14,567 (screams) 354 00:18:14,600 --> 00:18:17,067 GO! GO! 355 00:18:17,067 --> 00:18:18,200 GO! 356 00:18:20,200 --> 00:18:22,200 (crowd screams) 357 00:18:23,667 --> 00:18:25,267 HARVEY! 358 00:18:26,600 --> 00:18:29,633 HARVEY, YOU COME OUT OF THERE, DAMN IT! 359 00:18:32,067 --> 00:18:35,233 DOWN. EVERYBODY DOWN. 360 00:18:35,267 --> 00:18:37,333 NOBODY GOES ANYWHERE. 361 00:18:43,333 --> 00:18:45,133 DON'T MOVE. GET DOWN. 362 00:18:48,533 --> 00:18:50,300 YOU CAN'T BE SERIOUS. 363 00:18:50,333 --> 00:18:52,700 WE HAVE TICKETS. THE PLANE LEAVES IN TWO HOURS. 364 00:18:52,733 --> 00:18:53,667 I'M SORRY. 365 00:18:53,700 --> 00:18:55,733 I KNOW, JULIE PICKED A LOUSY TIME TO REBEL. 366 00:18:55,767 --> 00:18:58,633 I'M... I JUST CAN'T FLY OFF AND IGNORE IT. 367 00:18:58,667 --> 00:18:59,600 YOU'RE OVERREACTING. 368 00:18:59,633 --> 00:19:01,300 IT'S AN ADOLESCENT PRANK, 369 00:19:01,333 --> 00:19:03,433 AND YOU'RE TURNING IT INTO SOME GREAT BLOODY CRISIS. 370 00:19:03,467 --> 00:19:05,367 YOU HAVE A LOT OF MEETINGS ANYWAY. 371 00:19:05,400 --> 00:19:07,067 WE'LL GO SOME OTHER TIME. 372 00:19:07,067 --> 00:19:10,167 I CAN'T LEAVE JULIE RIGHT NOW. WE'LL TAKE HER WITH US. 373 00:19:10,200 --> 00:19:11,500 OH, THAT'S RESPONSIBLE PARENTING. 374 00:19:11,533 --> 00:19:13,100 STEALING WHISKEY? 375 00:19:13,133 --> 00:19:15,333 "THAT'S IT, YOUNG LADY. I'M TAKING YOU TO PARIS." 376 00:19:15,367 --> 00:19:17,267 AH, AH, BUT THAT'S JUST SOME RUSE. 377 00:19:17,300 --> 00:19:19,200 ONCE WE GET HER ON THE PLANE, 378 00:19:19,233 --> 00:19:21,600 WE'LL MAKE HER FLY COACH-- MIDDLE SEAT, NO MERCY. 379 00:19:21,633 --> 00:19:24,333 I'M SORRY. 380 00:19:24,367 --> 00:19:27,633 IT WON'T BE PARIS WITHOUT YOU. 381 00:19:27,667 --> 00:19:29,700 HEY. 382 00:19:29,733 --> 00:19:31,233 WHAT THE HELL'S GOING ON? 383 00:19:31,267 --> 00:19:32,800 IT'S MRS. BIGSBY. SHE HAS A GUN. 384 00:19:32,833 --> 00:19:34,300 WHAT? 385 00:19:34,333 --> 00:19:36,200 I SAID NOBODY MOVE! 386 00:19:36,233 --> 00:19:38,800 SHE'S AT THE BACK. 387 00:19:38,833 --> 00:19:41,133 I THINK WE CAN MAKE IT. 388 00:19:44,533 --> 00:19:46,100 HEY! OW! 389 00:19:54,100 --> 00:19:55,133 ATTENTION, SHOPPERS, 390 00:19:55,167 --> 00:19:57,733 WE'RE HAVING A SPECIAL TODAY ON NOT GETTING SHOT, 391 00:19:57,767 --> 00:20:01,533 BUT IT'S ONLY AVAILABLE AT THE BACK OF THE STORE! 392 00:20:05,067 --> 00:20:08,133 HEY, HOW ARE YA? THANKS FOR JOINING US. 393 00:20:08,167 --> 00:20:09,500 DO I KNOW YOU? 394 00:20:09,533 --> 00:20:11,833 MY SON JORDAN'S IN YOUR SUNDAY SCHOOL CLASS. 395 00:20:11,867 --> 00:20:13,767 OH, HE'S A GREAT LITTLE BOY, 396 00:20:13,800 --> 00:20:15,300 SO DON'T DO ANYTHING 397 00:20:15,333 --> 00:20:19,200 THAT'LL MAKE HIM WAKE UP TOMORROW WITHOUT A MOMMY. 398 00:20:21,067 --> 00:20:23,267 UM, FOR THE REST OF YOU, HI, I'M CAROLYN. 399 00:20:23,300 --> 00:20:25,367 I'M SORRY FOR PUTTING A CRIMP IN YOUR DAY, 400 00:20:25,400 --> 00:20:27,300 BUT I'M PRETTY SURE THAT MY CHEATING HUSBAND 401 00:20:27,333 --> 00:20:29,233 IS IN HERE RIGHT NOW PHONING THE POLICE, 402 00:20:29,267 --> 00:20:32,100 SO I'M COUNTING ON ALL YOU FOLKS TO HELP ME KEEP THEM OUTSIDE 403 00:20:32,133 --> 00:20:35,467 TILL HARVEY AND I HAVE A CHANCE TO... TALK THINGS OVER. 404 00:20:35,500 --> 00:20:37,300 HARVEY! 405 00:20:37,333 --> 00:20:39,133 YOU'RE INCONVENIENCING YOUR CUSTOMERS. 406 00:20:39,167 --> 00:20:40,333 GET OUT HERE! 407 00:20:40,367 --> 00:20:42,467 YEAH, SHE'S GOT HOSTAGES! 408 00:20:42,500 --> 00:20:43,800 OH, MY GOD. 409 00:20:43,833 --> 00:20:46,300 AUSTIN'S THERE, AND JULIE! 410 00:20:46,333 --> 00:20:48,633 GET YOUR ASS OUT THERE BEFORE SOMEONE GETS HURT! 411 00:20:48,667 --> 00:20:50,567 WHAT AM I, A MORON? SHE'LL SHOOT ME. 412 00:20:50,600 --> 00:20:53,467 SHE HAS GOT TEN INNOCENT PEOPLE OUT THERE. 413 00:20:53,500 --> 00:20:56,600 SOMETIMES YOU'VE GOT TO TAKE ONE FOR THE TEAM. 414 00:20:56,633 --> 00:21:00,367 (telephone rings) 415 00:21:00,400 --> 00:21:01,333 (ring) 416 00:21:01,367 --> 00:21:02,733 PASS ME THAT LEGO. HELLO? 417 00:21:02,767 --> 00:21:05,400 HELLO. SWEETIE, IT'S MOMMY. I NEED TO TALK TO DADDY. 418 00:21:05,433 --> 00:21:07,333 PORTER'S HOGGING ALL THE LEGOS. 419 00:21:07,367 --> 00:21:10,733 TELL 'EM I SAID TO SHARE. NOW PUT DADDY ON. 420 00:21:10,767 --> 00:21:15,500 I DID TELL THEM, BUT HE SAYS HE NEEDS THEM ALL FOR HIS ROBOT. 421 00:21:15,533 --> 00:21:18,700 PUT DADDY ON, AND I'LL BUY YOU A REAL ROBOT. 422 00:21:18,733 --> 00:21:19,767 YOU WILL? 423 00:21:19,800 --> 00:21:23,667 A BIG ONE WITH LASER BEAM EYES. NOW GO GET DADDY! 424 00:21:23,700 --> 00:21:26,433 I'M GETTING A REAL ROBOT! 425 00:21:26,467 --> 00:21:29,267 (Parker) A REAL ROBOT? (Porter) COME ON, THAT'S NOT FAIR. 426 00:21:30,467 --> 00:21:32,100 (gasps) 427 00:21:34,300 --> 00:21:36,200 I'M HAVING A REAL BAD DAY HERE. 428 00:21:36,233 --> 00:21:38,667 IS A LITTLE COOPERATION TOO MUCH TO ASK? 429 00:21:42,467 --> 00:21:45,533 (Tom) Lynette? Lynette? 430 00:21:48,433 --> 00:21:50,067 IT'S TERRIBLE. 431 00:21:50,100 --> 00:21:52,100 (siren wails) 432 00:21:53,367 --> 00:21:55,800 (crowd speaking indistinctly) 433 00:21:55,833 --> 00:21:58,333 EXCUSE ME, WHAT'S GOING-- WHAT'S GOING ON? 434 00:21:58,367 --> 00:22:00,767 (woman) CRAZY WOMAN WITH A GUN! (woman) IN THERE! 435 00:22:06,433 --> 00:22:08,400 OKAY, I NEED YOU TO LOOK AT ME. 436 00:22:09,533 --> 00:22:12,100 (man) NO, NO, NO! STAY BACK! STAY BACK! 437 00:22:12,133 --> 00:22:14,467 CAROLYN! OPEN UP! MY DAUGHTER'S INSIDE! 438 00:22:14,500 --> 00:22:16,100 SORRY, STORE'S CLOSED. 439 00:22:16,133 --> 00:22:19,133 YEAH, BUT THERE'S A CRAZY WOMAN IN THERE! YEAH, I KNOW. 440 00:22:26,700 --> 00:22:29,767 (doorbell rings) 441 00:22:29,800 --> 00:22:32,067 YEAH? QUICK, TURN ON THE TV. 442 00:22:32,100 --> 00:22:34,200 IT'S KINDA ON THE FRITZ. 443 00:22:34,233 --> 00:22:37,433 WELL, TURN ON YOUR RADIO. IF ONLY YOU'D COME TEN MINUTES EARLIER. 444 00:22:37,467 --> 00:22:38,233 SOME WOMAN IS SHOOTING UP FIELDS MARKET. 445 00:22:38,267 --> 00:22:40,500 SHE'S GOT HOSTAGES. OH, MY GOD! 446 00:22:40,533 --> 00:22:44,767 YEAH, WE'RE ALL WATCHING IT OVER AT BREE'S HOUSE, AND... 447 00:22:48,167 --> 00:22:50,400 UH, IS EVERYTHING OKAY HERE? (crashing and shattering in distance) 448 00:22:50,433 --> 00:22:53,467 YEAH, EVERYTHING'S FINE. HAVING A LITTLE SQUABBLE. 449 00:22:53,500 --> 00:22:58,233 (chain saw buzzing) 450 00:22:58,267 --> 00:23:00,267 GIVE US A MINUTE. 451 00:23:00,300 --> 00:23:02,833 CARLOS, WHERE DO YOU THINK YOU'RE GOING WITH THAT?! 452 00:23:02,867 --> 00:23:04,767 INFORMATION IS VERY THIN AT THIS TIME. 453 00:23:04,800 --> 00:23:07,600 WE DO NOT SEE ANYBODY IN THE FRONT OF THE BUILDING 454 00:23:07,633 --> 00:23:09,500 AT THIS HOUR... COFFEE'S ALMOST READY, 455 00:23:09,533 --> 00:23:11,700 AND IF YOU'D PREFER TO WATCH THE COVERAGE ON CHANNEL 9, 456 00:23:11,733 --> 00:23:13,367 IT'S ON IN THE DEN. 457 00:23:13,400 --> 00:23:15,400 (doorbell rings) 458 00:23:15,433 --> 00:23:17,700 UH, ORSON, GRETA NEEDS A COASTER. 459 00:23:17,733 --> 00:23:21,200 WE'LL BE KEEPING YOU POSTED RIGHT HERE LIVE ON THE AIR. 460 00:23:21,233 --> 00:23:23,067 BREE, HAVE YOU HEARD? 461 00:23:23,067 --> 00:23:25,233 OH, IT'S JUST AWFUL. DEVILED EGG? 462 00:23:25,267 --> 00:23:27,433 OH, THANK YOU. (chuckles) 463 00:23:28,700 --> 00:23:31,733 I TOLD YOU SHE'D HAVE FOOD. 464 00:23:39,433 --> 00:23:42,333 I'M SURE SOME OF YOU 465 00:23:42,367 --> 00:23:45,733 MIGHT BE THINKING THAT THIS IS ALL MY FAULT 466 00:23:45,767 --> 00:23:48,833 AND THAT I'M THE BAD GUY HERE, BUT I'M NOT. HE IS. 467 00:23:48,867 --> 00:23:50,433 (cell phone rings) 468 00:23:50,467 --> 00:23:52,367 WILL YOU PEOPLE STOP CALLING ME? 469 00:23:52,400 --> 00:23:54,733 I'M RIGHT IN THE MIDDLE OF SOMETHING. 470 00:23:54,767 --> 00:23:57,067 HE HUMILIATED ME. 471 00:23:57,100 --> 00:24:00,200 FIRST HE CHEATED ON ME WITH A STEWARDESS NAMED MONIQUE. 472 00:24:00,233 --> 00:24:01,567 HOW CLICHé IS THAT? 473 00:24:01,600 --> 00:24:04,667 AND THEN HE TOLD PEOPLE ABOUT IT. 474 00:24:04,700 --> 00:24:06,767 NOW THERE ARE NEWS TRUCKS OUT THERE. 475 00:24:06,800 --> 00:24:09,600 JUDY POPE'S HUSBAND HAS AN AFFAIR--NOBODY FINDS OUT. 476 00:24:09,633 --> 00:24:11,733 MINE CHEATS, AND THEY BREAK INTO PROGRAMMING! 477 00:24:15,367 --> 00:24:17,267 THE WHOLE TOWN IS LAUGHING AT ME! 478 00:24:17,300 --> 00:24:18,667 YOU HEAR THAT, HARVEY?! 479 00:24:18,700 --> 00:24:20,700 I ONLY TOLD ONE PERSON. 480 00:24:20,733 --> 00:24:23,433 WELL, IT WAS CLEARLY THE WRONG ONE. 481 00:24:23,467 --> 00:24:24,800 (cell phone rings) 482 00:24:24,833 --> 00:24:26,733 I TOLD YOU TO STOP CALLING ME-- 483 00:24:26,767 --> 00:24:29,800 TISH, I'M SORRY. I THOUGHT IT WAS SOMEBODY ELSE. 484 00:24:29,833 --> 00:24:33,067 OH, MY GOD, WAS THAT TODAY? I'M SO SORRY. 485 00:24:33,067 --> 00:24:34,433 I KNOW, TISH. YEAH, I KNOW. 486 00:24:34,467 --> 00:24:36,367 I KNOW I VOLUNTEERED FOR THE WINTER FAIR... 487 00:24:36,400 --> 00:24:40,100 HOW CAN YOU LOOK SO CALM? AREN'T YOU SCARED? 488 00:24:40,133 --> 00:24:45,500 NO, BECAUSE I'M NOT GONNA DIE TODAY... 489 00:24:45,533 --> 00:24:47,467 AND NEITHER ARE YOU. 490 00:24:47,500 --> 00:24:49,767 (Carolyn) WELL, NO, ESPECIALLY... 491 00:24:49,800 --> 00:24:54,167 TISH, I REALLY DON'T THINK THAT I CAN. 492 00:24:54,200 --> 00:24:56,633 I'M TELLING YOU, UM... 493 00:24:56,667 --> 00:25:01,200 OH, TISH, FOR GOD SAKES, TURN ON YOUR DAMN TV! 494 00:25:01,233 --> 00:25:04,233 (chatter over police radio) 495 00:25:06,300 --> 00:25:08,200 EXCUSE ME, MY NAME IS SUSAN MAYER-- 496 00:25:08,233 --> 00:25:10,433 MA'AM, THIS IS A RESTRICTED AREA. 497 00:25:10,467 --> 00:25:13,467 I WOULD LIKE TO TRADE PLACES WITH ONE OF THE PEOPLE INSIDE. 498 00:25:13,500 --> 00:25:16,333 DON'T--DON'T YOU DO THAT? OH, YOU MEAN OUR HOSTAGE EXCHANGE PROGRAM? 499 00:25:16,367 --> 00:25:18,733 OKAY, YOU DON'T HAVE TO BE NASTY. 500 00:25:18,767 --> 00:25:21,633 MY DAUGHTER IS INSIDE THERE. MA'AM, WE'RE DOING EVERYTHING WE CAN TO GET HER OUT SAFELY. 501 00:25:21,667 --> 00:25:23,467 NOW PLEASE STEP BACK. 502 00:25:33,833 --> 00:25:35,733 I WANT THE PERIMETER LOCKED DOWN. 503 00:25:35,767 --> 00:25:38,633 NOBODY GOES IN, NOBODY GOES OUT, AND SEE IF YOU CAN GET ME 504 00:25:38,667 --> 00:25:42,067 AN OPEN PHONE LINE WITH THE MANAGER'S OFFICE. 505 00:25:50,767 --> 00:25:52,133 (bullhorn feedback whines) 506 00:25:52,167 --> 00:25:55,467 (Susan) ATTENTION! ATTENTION, CAROLYN BIGSBY! 507 00:25:55,500 --> 00:25:57,767 WHERE'S THAT COMING FROM? 508 00:25:57,800 --> 00:26:00,433 THIS IS SUSAN MAYER... AGAIN. 509 00:26:00,467 --> 00:26:04,367 FIRST OF ALL, I'M SORRY FOR THE "CRAZY LADY" REMARK. 510 00:26:04,400 --> 00:26:07,100 SECOND, I HAVE A PROPOSITION FOR YOU. 511 00:26:07,133 --> 00:26:08,300 FIND HER NOW! 512 00:26:08,333 --> 00:26:12,767 LET JULIE GO AND TAKE ME INSTEAD. 513 00:26:12,800 --> 00:26:14,767 REPEAT, TAKE ME. 514 00:26:14,800 --> 00:26:17,300 I WILL BE A MODEL HOSTAGE. 515 00:26:17,333 --> 00:26:20,833 IF WE HAVE A DEAL, SIGNAL BY SENDING JULIE TO THE-- 516 00:26:20,867 --> 00:26:22,767 NO, TAKE YOUR HANDS OFF ME! 517 00:26:22,800 --> 00:26:26,500 CAROLYN, CAROLYN! CALL MY CELL! IT'S 572--OH! 518 00:26:30,667 --> 00:26:32,567 NOW WE DON'T KNOW WHERE ANYONE IS 519 00:26:32,600 --> 00:26:34,500 INSIDE THE BUILDING RIGHT NOW, 520 00:26:34,533 --> 00:26:37,067 BUT WE ARE STANDING BY, WAITING FOR INFORMATION. 521 00:26:37,100 --> 00:26:38,833 I'M HOPING TO TALK TO THE CHIEF OF POLICE 522 00:26:38,867 --> 00:26:41,100 IN JUST A COUPLE OF MINUTES, GET A FEW MORE DETAILS... (telephone rings) 523 00:26:41,133 --> 00:26:43,433 ANDREW, HONEY, WOULD YOU PLEASE GET THE PHONE? 524 00:26:43,467 --> 00:26:46,400 (ring) 525 00:26:46,433 --> 00:26:50,300 POLICE HAVE JUST RELEASED THE NAME OF THE HOSTAGE TAKER. 526 00:26:50,333 --> 00:26:51,500 IT'S CAROLYN BIGSBY, 527 00:26:51,533 --> 00:26:53,433 WIFE OF STORE OWNER HARVEY BIGSBY. 528 00:26:53,467 --> 00:26:55,433 HARVEY HAS INFORMED POLICE 529 00:26:55,467 --> 00:26:57,267 THAT HE IS BARRICADED INSIDE THE STORE... 530 00:26:57,300 --> 00:26:59,300 OH, MY GOD, BREE, DON'T YOU KNOW HER? 531 00:26:59,333 --> 00:27:01,667 UH, YES, UM... 532 00:27:01,700 --> 00:27:04,700 I JUST... RAN INTO HER THIS MORNING. 533 00:27:04,733 --> 00:27:07,433 (man) THAT WAS LESLIE GIBBONS LIVE AT THE SCENE... 534 00:27:07,467 --> 00:27:09,067 (Andrew) UH, MOM? 535 00:27:10,667 --> 00:27:12,567 THAT WAS EDIE BRITT ON THE PHONE. 536 00:27:12,600 --> 00:27:14,633 SHE'S INSIDE THE MARKET. 537 00:27:14,667 --> 00:27:16,533 (gasps) IS SHE ALL RIGHT? 538 00:27:16,567 --> 00:27:19,467 YEAH, UH, SHE'S LOCKED INSIDE THE MANAGER'S OFFICE, 539 00:27:19,500 --> 00:27:21,300 BUT SHE SAID THAT 540 00:27:21,333 --> 00:27:24,667 JULIE MAYER AND MRS. SCAVO ARE WITH THE HOSTAGES. 541 00:27:24,700 --> 00:27:28,133 ...DETAILS AVAILABLE. 542 00:27:28,167 --> 00:27:30,067 (doorbell rings) 543 00:27:30,067 --> 00:27:32,667 (exhales deeply) 544 00:27:32,700 --> 00:27:35,700 BREE, WOULD YOU MIND WATCHING THE KIDS? 545 00:27:35,733 --> 00:27:37,767 I'VE GOT A DOCTOR'S APPOINTMENT, 546 00:27:37,800 --> 00:27:41,233 AND LYNETTE IS TAKING HER SWEET TIME AT THE MARKET. 547 00:27:43,433 --> 00:27:47,300 I'M SORRY. ARE YOU GUYS HAVING A PARTY? 548 00:27:49,667 --> 00:27:51,567 WE CONTINUE TO REPORT LIVE ON THE SCENE 549 00:27:51,600 --> 00:27:53,667 AS THE HOSTAGE STANDOFF AT FIELDS MARKET 550 00:27:53,700 --> 00:27:55,633 ENTERS ITS THIRD HOUR. 551 00:27:55,667 --> 00:27:57,300 ACCORDING TO A POLICE SPOKESMAN, 552 00:27:57,333 --> 00:27:59,567 THERE HAS BEEN NO FURTHER CONTACT FROM THE HOSTAGE TAKER. 553 00:27:59,600 --> 00:28:03,233 WE CONTINUE TO WAIT FOR THE LATEST INFORMATION. 554 00:28:03,267 --> 00:28:04,567 NO NEW NEWS AT THIS POINT. 555 00:28:04,600 --> 00:28:06,433 WE WILL BRING YOU THE LATEST 556 00:28:06,467 --> 00:28:09,133 AS SOON AS IT BECOMES AVAILABLE. 557 00:28:13,333 --> 00:28:14,667 ARE YOU ALL RIGHT? 558 00:28:14,700 --> 00:28:17,233 I'M FINE. I JUST, UH, I'M RUNNING OUT OF FOOD, 559 00:28:17,267 --> 00:28:20,233 AND IT'S NOT AS IF I CAN GO TO THE GROCERY STORE. 560 00:28:20,267 --> 00:28:22,167 BREE... THANK GOD I FOUND THIS STALE BAGUETTE 561 00:28:22,200 --> 00:28:23,667 SO I CAN MAKE BRUSCHETTA, 562 00:28:23,700 --> 00:28:25,600 AND THERE'S SHRIMP IN THE FREEZER, 563 00:28:25,633 --> 00:28:28,067 SO I'M GONNA MAKE MY RICE AND SEAFOOD DISH-- 564 00:28:28,067 --> 00:28:30,367 BREE, THIS IS NOT YOUR FAULT. 565 00:28:30,400 --> 00:28:32,600 I HAD TO TELL HER. 566 00:28:32,633 --> 00:28:35,500 SHE HURT ME, SO I HURT HER BACK. 567 00:28:35,533 --> 00:28:39,433 IF ANYTHING SHOULD HAPPEN TO JULIE OR LYNETTE... 568 00:28:41,400 --> 00:28:43,300 IS THERE ANYTHING I CAN DO? 569 00:28:43,333 --> 00:28:45,667 YOU CAN PEEL A CLOVE OF GARLIC. 570 00:28:45,700 --> 00:28:48,667 OKAY. 571 00:28:53,700 --> 00:28:56,367 (all shouting over each other) (officer) EVERYBODY BACK! 572 00:28:56,400 --> 00:28:58,333 JUST--THEY NEED SPACE! 573 00:28:58,367 --> 00:29:00,267 (crowd continues shouting indistinctly) 574 00:29:07,200 --> 00:29:09,567 I WANTED KIDS. 575 00:29:09,600 --> 00:29:11,567 I WANTED KIDS SO BADLY, 576 00:29:11,600 --> 00:29:14,367 BUT HARVEY HAD TWO FROM HIS FIRST WIFE. 577 00:29:14,400 --> 00:29:16,400 (laughs) 578 00:29:16,433 --> 00:29:19,333 HE SAID IT MADE HER FAT. 579 00:29:19,367 --> 00:29:22,233 HARVEY LIKES THEM LEAN. 580 00:29:22,267 --> 00:29:25,333 I RUN 4 MILES A DAY. 581 00:29:25,367 --> 00:29:27,267 THIS IS MY FIRST COOKIE IN SIX YEARS. 582 00:29:27,300 --> 00:29:28,800 YOU HEAR THAT, HARVEY? 583 00:29:28,833 --> 00:29:29,867 I'M BREAKING MY DIET! 584 00:29:29,900 --> 00:29:33,233 SHE'S STARTING TO LOSE IT OUT THERE. WHAT DO I DO? 585 00:29:33,267 --> 00:29:35,667 JUST KEEP HER CALM, TELL HER YOU'RE SORRY 586 00:29:35,700 --> 00:29:37,600 AND SEE IF YOU CAN GET HER 587 00:29:37,633 --> 00:29:39,600 TO RELEASE THE KIDS AND OLD PEOPLE. 588 00:29:39,633 --> 00:29:41,467 OKAY, I'LL TRY. 589 00:29:45,500 --> 00:29:46,567 CAROLYN... 590 00:29:46,600 --> 00:29:48,400 (Harvey) HONEY... 591 00:29:48,433 --> 00:29:50,400 UH, IT'S ME, HARVEY. 592 00:29:50,433 --> 00:29:52,267 LOOK, I'M REALLY SORRY. 593 00:29:52,300 --> 00:29:53,767 WHAT I DID... 594 00:29:53,800 --> 00:29:55,267 WAS WRONG, 595 00:29:55,300 --> 00:29:57,633 BUT I STILL LOVE YOU A LOT. 596 00:29:57,667 --> 00:29:58,733 CUT THE CRAP. 597 00:29:58,767 --> 00:30:01,700 I HAD MY HAIR DONE THIS MORNING. DID YOU NOTICE? HUH? 598 00:30:01,733 --> 00:30:03,400 DID YOU EVEN NOTICE? 599 00:30:03,433 --> 00:30:04,600 WELL, I WAS DISTRACTED. 600 00:30:04,633 --> 00:30:06,300 YOU WERE SHOOTING AT ME. 601 00:30:06,333 --> 00:30:07,500 TELL HER... 602 00:30:07,533 --> 00:30:09,167 (Edie) LET THE KIDS GO. 603 00:30:09,200 --> 00:30:11,233 WHO THE HELL WAS THAT?! 604 00:30:12,567 --> 00:30:15,700 YOU GOT A WOMAN IN THERE? SHE'S A CUSTOMER! 605 00:30:15,733 --> 00:30:17,267 DON'T LIE TO ME, HARVEY! 606 00:30:17,300 --> 00:30:19,600 SHE'S ANOTHER ONE OF YOUR WHORES, ISN'T SHE? 607 00:30:19,633 --> 00:30:22,067 (Edie) OH, FANTASTIC! 608 00:30:22,100 --> 00:30:24,200 CAROLYN, I SWEAR-- 609 00:30:24,233 --> 00:30:25,467 SHUT UP. 610 00:30:25,500 --> 00:30:27,800 I HOPE YOU'RE HAVING A GOOD TIME IN THERE, WHORE, 611 00:30:27,833 --> 00:30:30,000 'CAUSE I GOT A BULLET FOR YOU, TOO. 612 00:30:37,833 --> 00:30:40,067 (exhales deeply) 613 00:30:40,100 --> 00:30:42,367 GOD, WHAT A NIGHTMARE. 614 00:30:42,400 --> 00:30:45,100 YOU KNOW WHAT THE WEIRD PART IS? 615 00:30:45,133 --> 00:30:47,767 WHAT? 616 00:30:47,800 --> 00:30:50,667 I KEEP THINKING ABOUT THAT CRAZY LADY IN THE MARKET, 617 00:30:50,700 --> 00:30:52,733 AND I UNDERSTAND HER. 618 00:30:54,400 --> 00:30:57,533 I-I COULD BE HER. 619 00:30:57,567 --> 00:30:59,167 COME ON. 620 00:31:01,567 --> 00:31:03,733 NO, I MEAN IT. 621 00:31:03,767 --> 00:31:06,633 THE RAGE THAT I HAVE FELT IN THESE PAST SIX MONTHS... 622 00:31:06,667 --> 00:31:09,233 IF I HAD HAD A GUN IN THE COURTHOUSE TODAY... 623 00:31:09,267 --> 00:31:10,800 YOU COULD NEVER SHOOT ME. 624 00:31:10,833 --> 00:31:14,633 I DON'T KNOW WHAT I'M CAPABLE OF ANYMORE. 625 00:31:14,667 --> 00:31:18,500 THIS DIVORCE HAS TURNED ME INTO THIS... 626 00:31:18,533 --> 00:31:21,267 BITTER, HATEFUL PERSON, AND I DON'T LIKE HER. 627 00:31:21,300 --> 00:31:23,567 HEY, BABY. 628 00:31:23,600 --> 00:31:25,500 AND FOR WHAT IT'S WORTH, 629 00:31:25,533 --> 00:31:28,433 I DON'T LIKE WHAT IT'S TURNED YOU INTO EITHER. 630 00:31:28,467 --> 00:31:33,100 THEN LET'S STOP BEING THOSE PEOPLE. 631 00:31:37,133 --> 00:31:39,233 OKAY. 632 00:31:39,267 --> 00:31:40,233 OKAY. 633 00:31:40,267 --> 00:31:41,533 (sniffles) 634 00:31:47,133 --> 00:31:50,133 HEY, JUST SO YOU KNOW... 635 00:31:50,167 --> 00:31:53,800 I HEARD THE WOMAN IN THERE TEACHES SUNDAY SCHOOL. 636 00:31:53,833 --> 00:31:56,233 OH. 637 00:31:56,267 --> 00:31:59,433 A SUNDAY SCHOOL TEACHER WOULD NEVER HURT A KID. 638 00:31:59,467 --> 00:32:00,533 NO WAY. 639 00:32:00,567 --> 00:32:02,433 THANK YOU. 640 00:32:04,233 --> 00:32:06,533 I'M SURE LYNETTE'S GONNA BE FINE, TOO. 641 00:32:06,567 --> 00:32:08,467 OH, I'M NOT WORRIED ABOUT LYNETTE. 642 00:32:08,500 --> 00:32:10,400 (laughs) HELL, WITH LYNETTE IN THERE, 643 00:32:10,433 --> 00:32:12,333 THEY DON'T EVEN NEED THAT NEGOTIATOR. (laughs) 644 00:32:12,367 --> 00:32:14,267 YOU PUT LYNETTE IN A ROOM 645 00:32:14,300 --> 00:32:17,233 WITH A WOMAN WHO WANTS TO SHOOT HER HUSBAND, 646 00:32:17,267 --> 00:32:21,500 SHE'LL HAVE THEM RENEWING THEIR VOWS. RIGHT, LYNETTE IS VERY PERSUASIVE. 647 00:32:21,533 --> 00:32:24,467 I GIVE IT AN HOUR, TOPS. 648 00:32:26,267 --> 00:32:31,067 THEN WE'LL ALL BE BACK HOME EATING OUR HAMBURGERS. 649 00:32:31,067 --> 00:32:33,800 SHE WAS GONNA GO TO THE STORE TOMORROW, 650 00:32:33,833 --> 00:32:37,433 BUT WE WERE OUT OF HAMBURGER. 651 00:32:37,467 --> 00:32:41,467 I WANTED HAMBURGERS. 652 00:32:47,667 --> 00:32:50,633 I HOPE ALL THIS IS GIVING YOU 653 00:32:50,667 --> 00:32:52,567 A LITTLE PERSPECTIVE ON OUR SITUATION. 654 00:32:52,600 --> 00:32:55,800 SHH! SHE TOLD US NOT TO TALK. 655 00:32:57,300 --> 00:32:59,333 YOU'RE THINKING ABOUT YOUR KIDS, RIGHT? 656 00:32:59,367 --> 00:33:01,267 HOW AWFUL IT'D BE TO NEVER SEE THEM AGAIN. 657 00:33:01,300 --> 00:33:03,567 WELL, THAT'S WHAT YOU'RE ASKING ME TO FEEL, 658 00:33:03,600 --> 00:33:06,567 BUT FOR THE REST OF MY LIFE! (lowered voice) NORA! NORA, PLEASE! 659 00:33:06,600 --> 00:33:08,600 HEY, WHAT'D I SAY? 660 00:33:10,367 --> 00:33:12,600 (normal voice) SORRY. I'M SORRY. WE'LL--WE'LL BE QUIET. 661 00:33:12,633 --> 00:33:16,200 YOU AND YOUR FRIEND ARE REALLY STARTING TO BUG ME. 662 00:33:16,233 --> 00:33:18,400 SHE'S NOT MY FRIEND. 663 00:33:18,433 --> 00:33:20,067 SHE'S TRYING TO STEAL MY KID. 664 00:33:20,067 --> 00:33:21,400 NORA, SHUT UP! 665 00:33:21,433 --> 00:33:23,733 IS THAT TRUE? 666 00:33:23,767 --> 00:33:26,367 NO! I--WE'RE--WE HAD-- WE'RE SHARING CUSTODY, 667 00:33:26,400 --> 00:33:29,067 AND THEN SHE TRIED TO SEDUCE MY HUSBAND, SO-- 668 00:33:29,100 --> 00:33:30,833 SHE PUT THE MOVES ON YOUR HUSBAND? 669 00:33:30,867 --> 00:33:32,600 WHY DIDN'T YOU SAY SO? 670 00:33:32,633 --> 00:33:35,267 (gasps) AAH! AAH! 671 00:33:35,300 --> 00:33:39,467 (gasping) 672 00:33:41,100 --> 00:33:42,433 (gasps) 673 00:33:42,467 --> 00:33:44,567 THAT WAS A SHOT! WE JUST HEARD A SHOT FIRED 674 00:33:44,600 --> 00:33:46,433 INSIDE THE BUILDING. 675 00:33:46,467 --> 00:33:48,367 A SHOT HAS BEEN FIRED. 676 00:33:48,400 --> 00:33:52,800 (gasping) 677 00:33:57,433 --> 00:34:01,400 I BELIEVE THE PHRASE YOU'RE LOOKING FOR IS "THANK YOU." 678 00:34:05,400 --> 00:34:07,300 (reporter) WE JUST HAD A SHOT. 679 00:34:07,333 --> 00:34:09,233 WE HEARD A SHOT FIRED INSIDE THE MARKET. 680 00:34:09,267 --> 00:34:10,667 YOU CAN SEE POLICE ARE RESPONDING, 681 00:34:10,700 --> 00:34:12,600 TAKING THIS VERY SERIOUSLY. 682 00:34:12,633 --> 00:34:14,533 WE ARE GOING TO JUST CONTINUE 683 00:34:14,567 --> 00:34:18,133 TO STAND AND WATCH AND WAIT AND SEE WHAT HAPPENS. 684 00:34:18,167 --> 00:34:20,100 (crowd shouting indistinctly) 685 00:34:20,133 --> 00:34:22,700 IT WAS ON TELEVISION AT THE AIRPORT. 686 00:34:22,733 --> 00:34:25,067 I CAME AS SOON AS I COULD. 687 00:34:25,067 --> 00:34:29,367 THE LAST THING I SAID TO HER WAS THAT SHE DISAPPOINTED ME. 688 00:34:29,400 --> 00:34:32,533 POLICE HAVE JUST CONFIRMED THAT A HOSTAGE HAS BEEN SHOT. 689 00:34:32,567 --> 00:34:35,233 REPEAT, A HOSTAGE HAS BEEN SHOT. 690 00:34:35,267 --> 00:34:37,133 THERE'S NO WORD ON THE NAME OF THE VICTIM AT THIS TIME, 691 00:34:37,167 --> 00:34:39,767 BUT IT IS BELIEVED TO BE FEMALE. (Parker) MRS. HODGE? 692 00:34:39,800 --> 00:34:41,167 THE MOOD HERE AT THE MARKET, 693 00:34:41,200 --> 00:34:43,633 WHICH HAS BEEN VERY UNEASY ALL MORNING... 694 00:34:43,667 --> 00:34:47,667 WHEN'S MOMMY GONNA BE BACK FROM THE STORE? (man) THANK YOU, LESLIE. 695 00:34:49,067 --> 00:34:51,833 I'M--I'M SURE SHE'LL BE BACK SOON. 696 00:34:51,867 --> 00:34:54,367 WHY DON'T WE, UH, GO HAVE SOME COOKIES? 697 00:34:54,400 --> 00:34:56,367 MOMMY SAID WE CAN'T HAVE COOKIES BEFORE DINNER. 698 00:34:56,400 --> 00:34:58,567 WELL, UH... 699 00:34:58,600 --> 00:35:01,200 I'M SURE SHE WON'T MIND. COME ON. 700 00:35:01,233 --> 00:35:04,333 LET'S GO. COME ON. 701 00:35:04,367 --> 00:35:06,767 OKAY, I GOTTA KEEP THE PRESSURE UP TO STOP THE BLEEDING! 702 00:35:06,800 --> 00:35:08,833 (Nora groans) 703 00:35:08,867 --> 00:35:10,267 WELL... (sniffles) 704 00:35:10,300 --> 00:35:12,833 GOOD NEWS IS YOU WON'T NEED THAT LAWYER NOW. 705 00:35:12,867 --> 00:35:15,067 YOU ARE GONNA GET THROUGH THIS JUST FINE. 706 00:35:15,067 --> 00:35:17,533 THERE IS A PARKING LOT FULL OF AMBULANCES OUT THERE. 707 00:35:17,567 --> 00:35:20,233 YOU GOTTA LET US TAKE HER OUT OF HERE! 708 00:35:20,267 --> 00:35:22,333 NO ONE'S LEAVING. 709 00:35:22,367 --> 00:35:24,067 (Nora) LISTEN TO ME... 710 00:35:24,100 --> 00:35:26,333 LYNETTE... 711 00:35:26,367 --> 00:35:27,800 ABOUT KAYLA-- 712 00:35:27,833 --> 00:35:30,433 OH, FORGET IT! FORGET IT! WE'LL WORK THAT OUT LATER. 713 00:35:30,467 --> 00:35:34,167 NO! I DON'T HAVE-- HAVE LATER, YOU STUPID BITCH. 714 00:35:34,200 --> 00:35:35,800 OKAY? SO LISTEN. 715 00:35:35,833 --> 00:35:37,500 OKAY, I'M LISTENING. 716 00:35:37,533 --> 00:35:42,800 KAYLA'S THE ONLY GOOD THING THAT I'VE EVER DONE 717 00:35:42,833 --> 00:35:44,600 IN MY WHOLE LIFE. 718 00:35:44,633 --> 00:35:47,233 (crying) 719 00:35:47,267 --> 00:35:53,133 I NEED YOU TO REALLY TAKE REALLY GOOD CARE... OF HER. 720 00:35:53,167 --> 00:35:54,433 OKAY? 721 00:35:56,667 --> 00:35:58,533 I DON'T HAVE ALL DAY. COME ON. 722 00:35:58,567 --> 00:36:01,167 YEAH, YES, I WILL. I WILL, I WILL. 723 00:36:01,200 --> 00:36:04,500 I WILL LOVE HER LIKE SHE IS MY OWN. I WILL, NORA. 724 00:36:04,533 --> 00:36:07,167 NORA? 725 00:36:07,200 --> 00:36:09,200 NORA! 726 00:36:09,233 --> 00:36:10,433 (Lynette sobbing) 727 00:36:18,500 --> 00:36:22,567 OH, DON'T LOOK AT ME THAT WAY. YOU KNOW YOU WANTED HER DEAD. 728 00:36:22,600 --> 00:36:24,500 HOW CAN YOU SAY THAT? 729 00:36:24,533 --> 00:36:26,400 WELL, YOU TOLD ME ABOUT HER AND YOUR HUSBAND 730 00:36:26,433 --> 00:36:29,767 AFTER I MADE IT PRETTY CLEAR WHERE I STAND ON WHORES. 731 00:36:29,800 --> 00:36:30,833 I DID NOT WANT THIS. 732 00:36:30,867 --> 00:36:34,067 DON'T YOU DARE SAY THAT I WANTED THIS. SHUT UP! 733 00:36:34,100 --> 00:36:35,833 NO, I WILL NOT SHUT UP! 734 00:36:35,867 --> 00:36:39,067 WHAT'S THE MATTER WITH YOU?! HAVE YOU NOT BEEN PAYING ATTENTION? 735 00:36:39,067 --> 00:36:42,467 MY HUSBAND CHEATED ON ME! WHO CARES?! WHO CARES? WE ALL HAVE PAIN! 736 00:36:42,500 --> 00:36:45,367 EVERYONE IN HERE HAS PAIN, BUT WE DEAL WITH IT! 737 00:36:45,400 --> 00:36:48,133 WE SWALLOW IT AND GET GOING WITH OUR LIVES! 738 00:36:48,167 --> 00:36:50,500 WHAT WE DON'T DO IS GO AROUND SHOOTING STRANGERS! 739 00:36:50,533 --> 00:36:54,100 SHE DESERVED IT! WELL, MAYBE YOU DESERVED TO BE CHEATED ON! 740 00:37:03,533 --> 00:37:07,567 I'M--I'M... I'M SORRY. I-I SHOULDN'T HAVE SAID THAT. 741 00:37:08,667 --> 00:37:11,333 YEAH, YOU SHOULDN'T HAVE. 742 00:37:12,333 --> 00:37:14,533 AAH! AAH! 743 00:37:14,567 --> 00:37:16,267 (all screaming) 744 00:37:16,300 --> 00:37:19,533 (grunting) 745 00:37:29,467 --> 00:37:32,400 (all scream and gasp) 746 00:37:56,800 --> 00:38:01,333 *** 747 00:39:08,800 --> 00:39:13,267 LYNETTE SCAVO HAD A DREAM THAT NIGHT. 748 00:39:13,300 --> 00:39:17,067 IT WAS ONE SHE'D HAD MANY TIMES BEFORE. 749 00:39:23,300 --> 00:39:24,500 HEY! 750 00:39:24,533 --> 00:39:27,400 MARY ALICE, ARE YOU OKAY? 751 00:39:27,433 --> 00:39:30,733 YES, THANK YOU. 752 00:39:30,767 --> 00:39:32,267 I'M FINE. 753 00:39:32,300 --> 00:39:35,167 OKAY. I'LL SEE YOU LATER. 754 00:39:35,200 --> 00:39:39,333 (Mary Alice) BUT THIS NIGHT, SOMETHING CHANGED. 755 00:39:47,700 --> 00:39:52,067 NO, YOU'RE NOT. I CAN TELL. 756 00:39:53,633 --> 00:39:56,567 PLEASE... 757 00:39:56,600 --> 00:39:59,267 TELL ME WHAT'S WRONG. 758 00:39:59,300 --> 00:40:01,733 LET ME SAVE YOU. 759 00:40:01,767 --> 00:40:03,133 YOU CAN'T. 760 00:40:03,167 --> 00:40:05,733 WHY NOT? 761 00:40:05,767 --> 00:40:10,633 SWEETIE, WE CAN'T PREVENT WHAT WE CAN'T PREDICT. 762 00:40:10,667 --> 00:40:13,467 (crying) ISN'T THERE ANYTHING I CAN DO? 763 00:40:13,500 --> 00:40:16,700 YES. YES. 764 00:40:16,733 --> 00:40:20,633 YOU CAN ENJOY THIS BEAUTIFUL DAY. 765 00:40:20,667 --> 00:40:24,100 WE GET SO FEW OF THEM. 766 00:40:24,133 --> 00:40:26,333 (chuckles) 767 00:40:43,267 --> 00:40:47,500 THIS WAS THE LAST TIME LYNETTE WOULD EVER DREAM OF ME, 768 00:40:47,533 --> 00:40:50,533 AND FOR HER SAKE, I AM GRATEFUL.