1
00:03:30,145 --> 00:03:31,346
[GLASS CLINKING]

2
00:03:31,746 --> 00:03:34,699
YOU GUYS? SORRY.
UM, I JUST WANT TO
TAKE A SECOND

3
00:03:34,699 --> 00:03:38,203
TO THANK EVERYBODY
FOR COMING OUT TONIGHT

4
00:03:38,703 --> 00:03:42,707
TO HELP US CELEBRATE
OUR FIFTH WEDDING
ANNIVERSARY.

5
00:03:43,208 --> 00:03:48,213
IT'’’S NOT OFTEN THAT,
UM, YOU MEET THE GIRL
OF YOUR DREAMS,

6
00:03:48,213 --> 00:03:49,714
MUCH LESS GET A CHANCE
TO MARRY HER.

7
00:03:50,215 --> 00:03:50,715
Guests: AW.

8
00:03:51,216 --> 00:03:55,220
MARRIAGE THESE DAYS,
UM, IS--IS--

9
00:03:55,220 --> 00:03:59,224
AS MOST OF YOU KNOW,
IS NOT ANY EASY THING
TO GET RIGHT.

10
00:03:59,224 --> 00:04:04,029
IT TAKES LOVE
AND HUMOR AND ATTRACTION

11
00:04:04,529 --> 00:04:08,533
AND A REAL WILLINGNESS
TO REALLY, REALLY
LET YOURSELF

12
00:04:09,034 --> 00:04:10,535
BE SEEN BY SOMEONE.

13
00:04:10,535 --> 00:04:12,537
I KNOW PEOPLE WHO
HAVE SEARCHED THEIR
WHOLE LIVES

14
00:04:12,537 --> 00:04:16,458
FOR WHAT WE HAVE,
AND I'’’M JUST GLAD
TO HAVE IT WITH YOU.

15
00:04:16,458 --> 00:04:17,826
I LOVE YOU, AUDREY.

16
00:04:17,826 --> 00:04:20,328
Guests: OH. AW.

17
00:04:20,328 --> 00:04:21,830
Same man:
HAPPY ANNIVERSARY.

18
00:04:21,830 --> 00:04:23,331
OH, AND WAIT. SORRY.

19
00:04:23,331 --> 00:04:26,835
I WANT TO ALSO THANK
OUR GOOD FRIEND
NORA WILDER,

20
00:04:26,835 --> 00:04:28,536
WHO INTRODUCED US,

21
00:04:28,536 --> 00:04:31,923
AND WITHOUT HER
THERE WOULDN'’’T BE AN "US."

22
00:04:32,424 --> 00:04:36,928
MAY THERE BE MANY
YEARS OF CELEBRATION.
CHEERS, EVERYBODY.

23
00:04:37,429 --> 00:04:38,430
Guests: CHEERS.

24
00:04:38,430 --> 00:04:40,932
WHEN ARE YOU GONNA
GIVE US SOME GRANDCHILDREN?

25
00:04:40,932 --> 00:04:42,934
[LAUGHTER]

26
00:04:48,940 --> 00:04:49,941
HI.

27
00:04:49,941 --> 00:04:50,942
OH, HI, BABY.

28
00:04:50,942 --> 00:04:51,943
HI, MOM.

29
00:04:51,943 --> 00:04:52,944
YOU LOOK LOVELY.

30
00:04:52,944 --> 00:04:54,446
OH, THANK YOU.
SO DO YOU.

31
00:04:54,946 --> 00:04:55,947
GIVE ME A HUG.

32
00:04:55,947 --> 00:04:57,949
HI, IRVING.
HI.

33
00:04:57,949 --> 00:04:58,950
HOW ARE YOU?

34
00:04:58,950 --> 00:05:00,452
I'’’M GONNA GET
YOU A DRINK.

35
00:05:00,452 --> 00:05:01,453
YOU WANT ONE?

36
00:05:01,453 --> 00:05:02,454
UH, CHAMPAGNE.

37
00:05:02,454 --> 00:05:03,455
3 COMING UP.

38
00:05:03,455 --> 00:05:05,957
THANK YOU.

39
00:05:05,957 --> 00:05:09,461
OH, I DIDN'’’T MEAN
TO EMBARRASS YOU.

40
00:05:09,461 --> 00:05:10,962
Mom: I WISH YOU
WOULD HAVE
MARRIED MARK.

41
00:05:11,463 --> 00:05:12,464
OH, MOM.

42
00:05:12,464 --> 00:05:14,966
HE WAS ALWAYS SO
CRAZY ABOUT YOU.
YOU KNOW THAT.

43
00:05:14,966 --> 00:05:16,468
IT WOULD HAVE
BEEN PERFECT.

44
00:05:16,468 --> 00:05:17,469
GOOD FAMILY
AND FRIENDS.

45
00:05:17,469 --> 00:05:20,472
L.
HE'’’S SO HANDSOME,
AND HE'’’S SUCCESSFU

46
00:05:20,972 --> 00:05:23,975
HE HAS A TERRIFIC
TRUST FUND.

47
00:05:24,476 --> 00:05:25,977
AUDREY'’’S NEVER GON
NA HAVE TO WORK AGAIN
IN HER LIFE

48
00:05:25,977 --> 00:05:28,980
IF SHE DOESN'’’T
FEEL LIKE IT.

49
00:05:28,980 --> 00:05:31,483
YOU KNOW, I DON'’’T
KNOW WHY THEY HAVEN'’’T

50
00:05:31,483 --> 00:05:33,985
STARTED A FAMILY YET,
THOUGH.

51
00:05:33,985 --> 00:05:35,487
IT'’’S REALLY ODD.

52
00:05:36,988 --> 00:05:39,491
YOU SHOULD NEVER HAVE
INTRODUCED THEM.

53
00:05:39,491 --> 00:05:40,992
AUDREY'’’S MY BEST FRIEND.
MARK'’’S MY FRIEND.

54
00:05:40,992 --> 00:05:42,994
THEY'’’RE REALLY
HAPPY TOGETHER.

55
00:05:42,994 --> 00:05:43,995
YOU KNOW I LOVE
AUDREY.

56
00:05:43,995 --> 00:05:45,497
SHE'’’S PRACTICALLY
PART OF THE FAMILY.

57
00:05:45,497 --> 00:05:47,999
I'’’M ONLY SAYING
THAT, YOU KNOW,

58
00:05:47,999 --> 00:05:51,002
SHE KNEW A GOOD THING
WHEN SHE SAW IT.

59
00:05:52,504 --> 00:05:57,008
THE GOOD ONES GET
SNAPPED UP SO QUICKLY
AT YOUR AGE.

60
00:06:12,740 --> 00:06:13,541
[TELEPHONE RINGING FAINTLY]

61
00:06:22,450 --> 00:06:25,353
GOOD AFTERNOON.
GUEST RELATIONS.
THIS IS NORA.

62
00:06:25,353 --> 00:06:27,589
OH, HI, MR. HARRIS.
HOW ARE YOU?

63
00:06:27,589 --> 00:06:30,091
I'’’M GOOD, THANKS.
HOW CAN I HELP YOU?

64
00:06:30,091 --> 00:06:33,461
[INDISTINCT]

65
00:06:33,461 --> 00:06:36,865
6 PEOPLE AT 8:00
TONIGHT AT NOUVEAU

66
00:06:36,865 --> 00:06:37,665
MIGHT BE A LITTLE TRICKY.

67
00:06:37,665 --> 00:06:39,667
IS THERE A BACKUP
YOU'’’D LIKE?

68
00:06:39,667 --> 00:06:42,470
NO? WELL, LET ME TRY
TO WORK SOME OF MY MAGIC,

69
00:06:42,887 --> 00:06:45,073
AND I'’’LL CALL YOU BACK
WITH AN ANSWER.

70
00:06:45,473 --> 00:06:47,876
YOU'’’RE WELCOME. BYE.

71
00:06:47,876 --> 00:06:49,477
YOUR JOB
IS SO WEIRD.

72
00:06:49,477 --> 00:06:51,079
NO KIDDING.

73
00:06:53,314 --> 00:06:55,583
KNOCK, KNOCK, KNOCK.

74
00:06:55,583 --> 00:06:57,185
HEY, GLEN. WHAT'’’S UP?

75
00:06:57,185 --> 00:06:58,786
YOU WEREN'’’T ANSWERING
YOUR PHONE,

76
00:06:58,786 --> 00:07:00,855
AND MR. GABLE
IS CHECKING IN,

77
00:07:00,855 --> 00:07:02,857
AND HE'’’S NOT HAPPY
WITH HIS ROOM,

78
00:07:02,857 --> 00:07:05,260
AND HE'’’S BEING REALLY
HIGH-MAINTENANCE
ABOUT IT,

79
00:07:05,260 --> 00:07:06,060
AND I DON'’’T KNOW
WHAT TO DO WITH HIM.

80
00:07:06,461 --> 00:07:08,997
I'’’LL TAKE CARE OF IT.

81
00:07:08,997 --> 00:07:10,682
OH, HEY, AUDREY.

82
00:07:13,218 --> 00:07:15,220
[TELEPHONE RINGS FAINTLY]

83
00:07:17,722 --> 00:07:19,440
SORRY. I COULD TRY
ANOTHER NAME.

84
00:07:19,440 --> 00:07:21,175
TRY KURT VONNEGUT.

85
00:07:23,411 --> 00:07:24,729
I'’’M SORRY.
THERE'’’S NOTHING.

86
00:07:24,729 --> 00:07:27,649
WELL, WHAT OTHER NAME COULD
I HAVE CHECKED IN UNDER?

87
00:07:28,850 --> 00:07:30,485
TRY WALT WHITMAN.

88
00:07:30,485 --> 00:07:31,402
IT'’’S NOT IN HERE.

89
00:07:31,402 --> 00:07:33,404
MR. GABLE?
I'’’M NORA WILDER,

90
00:07:33,404 --> 00:07:36,157
MANAGER OF GUEST
RELATIONS AND
SPECIAL SERVICES.

91
00:07:36,157 --> 00:07:37,158
IS THERE A PROBLEM?

92
00:07:37,158 --> 00:07:38,159
YEAH, THERE IS A PROBLEM.

93
00:07:38,159 --> 00:07:39,661
I USUALLY GET A ROOM
ON THE FIFTH FLOOR.

94
00:07:40,161 --> 00:07:41,663
MY ASSISTANT OR MY MANAGER
OR SOMEONE SCREWED UP,

95
00:07:42,163 --> 00:07:43,948
AND NOW IT'’’S APPARENTLY
NOT THERE,

96
00:07:43,948 --> 00:07:47,752
AND IT'’’S GOT, LIKE,
ARCHED WINDOWS,
WOOD FLOORS.

97
00:07:47,752 --> 00:07:48,753
DO YOU KNOW WHAT
I'’’M TALKING ABOUT?

98
00:07:49,254 --> 00:07:50,255
YEAH. I THOUGHT
THERE MIGHT HAVE BEEN
SOME MIX-UP.

99
00:07:50,255 --> 00:07:51,756
THE ROOM YOU USUALLY
STAY IN IS OCCUPIED
RIGHT NOW,

100
00:07:51,756 --> 00:07:53,041
BUT I CAN SHOW YOU
SOMETHING ON
THE SEVENTH FLOOR

101
00:07:53,041 --> 00:07:55,009
THAT'’’S VERY SIMILAR.

102
00:07:55,410 --> 00:07:56,261
ALL RIGHT.

103
00:07:56,261 --> 00:07:57,262
YEAH?
YEAH.

104
00:07:57,262 --> 00:07:58,763
GREAT.

105
00:07:58,763 --> 00:08:00,515
I DON'’’T WANT TO SEEM
LIKE A PAIN IN THE ASS
OR ANYTHING, BUT...

106
00:08:00,515 --> 00:08:01,966
NO. IT'’’S NOT
A BIG DEAL.

107
00:08:01,966 --> 00:08:04,969
YEAH, WELL, HE'’’S MAKING
ME FEEL LIKE A NAZI.

108
00:08:06,471 --> 00:08:09,274
YEAH. WE'’’LL TAKE CARE
OF IT RIGHT NOW.

109
00:08:11,993 --> 00:08:13,645
ANYWAY...

110
00:08:14,045 --> 00:08:15,863
I HOPE THIS IS
GOOD FOR YOU.

111
00:08:20,368 --> 00:08:22,370
YEAH. OK. THIS IS GOOD.
IT'’’S COOL.

112
00:08:22,870 --> 00:08:24,872
IT'’’S BETTER LIGHT.
THIS ONE I CAN HAVE?

113
00:08:25,373 --> 00:08:27,075
YEAH.
GOOD.

114
00:08:27,575 --> 00:08:28,843
GREAT. LIFE IS SO
MUCH BETTER.

115
00:08:29,243 --> 00:08:30,962
I'’’LL JUST GET SOMEONE
TO BRING UP YOUR BAGS.

116
00:08:30,962 --> 00:08:32,463
OH, THAT'’’D BE RAD.

117
00:08:32,463 --> 00:08:33,965
HEY, THANK YOU FOR
BEING SO SWEET.

118
00:08:33,965 --> 00:08:35,466
NO PROBLEM.

119
00:08:35,466 --> 00:08:36,467
WHAT DO YOU DO HERE?

120
00:08:36,968 --> 00:08:41,472
YOU JUST DEAL WITH PROFESSIONAL
COMPLAINERS LIKE ME?

121
00:08:41,472 --> 00:08:44,309
I DEAL WITH V.I.P.s
AND THEIR NEEDS
AND WANTS.

122
00:08:44,309 --> 00:08:46,344
SO I'’’M A V.I.P.

123
00:08:46,344 --> 00:08:47,845
OF COURSE YOU ARE.

124
00:08:49,147 --> 00:08:51,149
SO IF I NEED ANYTHING,
I CAN JUST ASK YOU?

125
00:08:51,149 --> 00:08:53,134
YOU CAN ASK AT
THE FRONT DESK
OR THE CONCIERGE,

126
00:08:53,134 --> 00:08:55,770
BUT I'’’M IN CHARGE
OF ALL THAT STUFF.

127
00:08:55,770 --> 00:08:57,822
HOW COME I'’’VE NEVER
SEEN YOU HERE BEFORE?

128
00:08:57,822 --> 00:08:59,874
I'’’VE TAKEN CARE
OF THINGS FOR YOU
IN THE PAST.

129
00:09:00,274 --> 00:09:02,276
YOU JUST DIDN'’’T KNOW
BECAUSE THERE'’’S NEVER
BEEN A PROBLEM.

130
00:09:02,276 --> 00:09:04,679
OH. THANKS.

131
00:09:05,079 --> 00:09:05,913
SURE.

132
00:09:07,699 --> 00:09:09,951
OH, SHIT.

133
00:09:09,951 --> 00:09:10,752
WHAT?

134
00:09:10,752 --> 00:09:14,055
CAN I ASK YOU FOR
ONE LITTLE FAVOR?

135
00:09:14,055 --> 00:09:15,657
SURE.

136
00:09:15,657 --> 00:09:17,258
WILL YOU GO TO
DINNER WITH ME?

137
00:09:20,061 --> 00:09:21,429
UH...

138
00:09:21,896 --> 00:09:24,465
OR DO THEY NOT
LET YOU DO THAT HERE?

139
00:09:28,603 --> 00:09:29,854
SURE. I GUESS SO.

140
00:09:29,854 --> 00:09:31,706
GREAT.

141
00:09:32,106 --> 00:09:34,108
HOW ABOUT TOMORROW NIGHT?

142
00:09:34,108 --> 00:09:35,109
YEAH.

143
00:09:35,610 --> 00:09:36,611
SWEET.

144
00:09:37,111 --> 00:09:39,313
I'’’LL JUST CALL DOWN
AND GET SOMEONE
TO BRING UP YOUR BAGS.

145
00:09:39,714 --> 00:09:40,515
OK.

146
00:09:43,951 --> 00:09:45,903
GOOD AFTERNOON.
FRONT DESK.
THIS IS GLEN.

147
00:09:45,903 --> 00:09:49,907
HEY, GLEN.
COULD YOU BRING UP MR.
GABLE'’’S BAGS, PLEASE?

148
00:09:49,907 --> 00:09:54,629
Woman on TV:
TAKE A BIG BREATH IN
AND EXHALE A BIG SIGH.

149
00:09:54,629 --> 00:09:56,631
Women on TV: AHH.

150
00:09:57,131 --> 00:09:58,132
Nora:
DID YOU HAVE A GOOD
TIME THE OTHER NIGHT?

151
00:09:58,132 --> 00:10:02,637
I GUESS. MARK DID.

152
00:10:02,637 --> 00:10:06,591
THE WHOLE ANDREWS
FAMILY DID.

153
00:10:06,591 --> 00:10:08,393
I'’’M SO STUPID.

154
00:10:08,393 --> 00:10:10,395
I THINK I'’’M HAVING
A PERSONAL CRISIS.

155
00:10:10,395 --> 00:10:12,180
Woman on TV: ...AS YOU EXHALE,
BEGIN TO BEND THE KNEES.

156
00:10:12,180 --> 00:10:15,933
A LITTLE BIT OF SPACE BETWEEN
YOUR HANDS AND THUMB.

157
00:10:15,933 --> 00:10:17,435
I HAVEN'’’T SLEPT
WITHOUT A DRINK
OR SLEEPING PILL

158
00:10:17,435 --> 00:10:18,786
SINCE I CAN
REMEMBER.

159
00:10:18,786 --> 00:10:20,822
JOIN THE CLUB.

160
00:10:21,222 --> 00:10:22,156
NO, REALLY.

161
00:10:24,659 --> 00:10:27,161
I THINK MY MARRIAGE
IS FALLING APART.

162
00:10:27,161 --> 00:10:28,362
YOU DON'’’T THINK
IT'’’S JUST P.M.S.?

163
00:10:28,362 --> 00:10:30,865
NO. HE'’’S DRIVING
ME NUTS.

164
00:10:30,865 --> 00:10:32,166
ALL HE CARES ABOUT
IS RECOGNITION

165
00:10:32,166 --> 00:10:34,786
AND GOING TO PARTIES
AND WINNING AWARDS,

166
00:10:34,786 --> 00:10:37,205
INSTEAD OF JUST
DOING IT BECAUSE
IT MAKES HIM HAPPY.

167
00:10:37,205 --> 00:10:39,741
I MEAN, WE USED TO
LAUGH ABOUT THAT STUFF.

168
00:10:41,342 --> 00:10:44,212
G.
I'’’M SORRY.
IT'’’S JUST SO DEPRESSIN

169
00:10:44,212 --> 00:10:45,713
WHAT'’’S GOING ON
WITH YOU?

170
00:10:47,498 --> 00:10:49,000
I GOT ASKED OUT
ON A DATE.

171
00:10:49,000 --> 00:10:51,502
YOU DID? BY WHO?

172
00:10:51,502 --> 00:10:55,356
THIS GUY--NICK GABLE,
THAT ACTOR.

173
00:10:55,356 --> 00:10:58,259
HE'’’S THE HITMAN.
HE'’’S INTHE HITMAN.

174
00:10:58,760 --> 00:11:00,728
THAT MR. GABLE?

175
00:11:01,229 --> 00:11:02,730
YOU'’’RE GOING OUT
WITH A HOTEL GUEST.

176
00:11:02,730 --> 00:11:04,732
ARE YOU ALLOWED TO
DATE HOTEL GUESTS?

177
00:11:04,732 --> 00:11:07,835
I DON'’’T KNOW.
DO YOU THINK THAT'’’S CREEPY?

178
00:11:07,835 --> 00:11:09,270
JUST DON'’’T
SLEEP WITH HIM
ON THE FIRST DATE.

179
00:11:09,270 --> 00:11:11,506
OH, NO.

180
00:11:11,506 --> 00:11:13,441
THAT WOULD BE
SO AVAILABLE.

181
00:11:13,441 --> 00:11:15,443
I DON'’’T THINK
IT'’’S LIKE THAT.

182
00:11:23,518 --> 00:11:24,318
[WOMAN SPEAKS JAPANESE]

183
00:11:24,719 --> 00:11:25,920
ARIGATO.

184
00:11:32,693 --> 00:11:34,679
DO YOU LIVE IN L.A.?

185
00:11:34,679 --> 00:11:36,848
YEAH. I HATE IT.

186
00:11:36,848 --> 00:11:37,849
OH.

187
00:11:37,849 --> 00:11:38,850
IT'’’S AWFUL.

188
00:11:38,850 --> 00:11:41,152
I MEAN, IT'’’S COOL
ONCE YOU FIND

189
00:11:41,152 --> 00:11:43,938
YOUR LITTLE
COFFEE SPOTS,
BLAH BLAH BLAH.

190
00:11:43,938 --> 00:11:46,073
ANYWAY, I'’’M GONNA
BE HERE FOR, LIKE,
FOREVER.

191
00:11:46,073 --> 00:11:47,575
WHAT ARE YOU
WORKING ON?

192
00:11:47,575 --> 00:11:51,012
I AM WORKING ON
A MOVIE CALLED
RAIN DANCER,

193
00:11:51,412 --> 00:11:54,215
WHERE I PLAY
A MEDICINE MAN,
ANWAHATU,

194
00:11:54,615 --> 00:11:57,034
WHO'’’S A MEMBER
OF THE CHOCTAW
TRIBE.

195
00:11:57,034 --> 00:11:58,536
THERE'’’S ACTUALLY
A WHOLE TRIBE OF
MEDICINE MEN

196
00:11:58,536 --> 00:12:00,037
THAT USED TO
BASICALLY
TRAVEL AROUND

197
00:12:00,538 --> 00:12:02,340
SORT OF POISONING
THE EUROPEAN SETTLERS.

198
00:12:02,340 --> 00:12:03,291
OH, MY GOD.

199
00:12:03,291 --> 00:12:04,525
YEAH, I KNOW.

200
00:12:04,525 --> 00:12:05,726
HE'’’S KIND OF
A VILLAIN, I GUESS.

201
00:12:06,127 --> 00:12:07,862
DO YOU LIKE
PLAYING BAD GUYS?

202
00:12:07,862 --> 00:12:09,630
YEAH. YOU KNOW,
IT WOULD BE NICE

203
00:12:09,630 --> 00:12:11,432
TO TAKE A SHOT
FOR LEADING MAN
EVERY NOW AND AGAIN.

204
00:12:11,432 --> 00:12:12,733
MM-HMM.

205
00:12:13,134 --> 00:12:14,635
DON'’’T WANT TO GET
PIGEONHOLED.

206
00:12:15,136 --> 00:12:17,638
I MEAN, I'’’M GRATEF
UL FOR WORKING.

207
00:12:18,139 --> 00:12:19,640
THAT'’’S SO COOL.

208
00:12:19,640 --> 00:12:22,476
THANKS.

209
00:12:22,476 --> 00:12:23,694
HOW ABOUT YOU?

210
00:12:24,195 --> 00:12:25,196
ARE YOU INTERESTED
IN THE HOTEL BIZ?

211
00:12:25,646 --> 00:12:27,949
YEAH. UH, I'’’VE BEEN
WORKING AT THE HOTEL

212
00:12:28,349 --> 00:12:30,351
FOR ABOUT 6 YEARS,
SINCE IT OPENED.

213
00:12:30,751 --> 00:12:35,156
OH, MY GOD. 6 YEARS.
THAT'’’S, LIKE,
FOREVER.

214
00:12:35,156 --> 00:12:36,357
IT'’’S AWESOME.

215
00:12:36,757 --> 00:12:38,759
SO IS THERE, LIKE,
A HOTEL SCHOOL
FOR THAT

216
00:12:39,160 --> 00:12:40,027
OR SOMETHING?

217
00:12:40,027 --> 00:12:42,847
[LAUGHS]

218
00:12:43,264 --> 00:12:47,401
NO. UM, I WENT TO
SARAH LAWRENCE.

219
00:12:47,401 --> 00:12:49,003
OH. SARAH LAWRENCE.

220
00:12:49,403 --> 00:12:51,405
I GOT A LIBERAL
ARTS DEGREE,

221
00:12:51,405 --> 00:12:52,607
AND I WAS AN ARTS
MAJOR THERE.

222
00:12:52,607 --> 00:12:55,376
I THOUGHT I'’’D DO
SOMETHING IN THE ART WORLD.

223
00:12:56,978 --> 00:12:58,579
SO NOW YOU DO
JUST HOTEL STUFF,

224
00:12:58,980 --> 00:13:00,314
WHICH IS COOL.

225
00:13:00,314 --> 00:13:01,916
YEAH.
YEAH.

226
00:13:03,517 --> 00:13:05,920
I MEAN, YOU CAN'’’T
JUST SAY YOU'’’RE
GONNA BE AN ACTOR.

227
00:13:05,920 --> 00:13:06,721
YOU KNOW, YOU'’’VE
GOT TO, LIKE,

228
00:13:07,188 --> 00:13:08,823
REALLY DEDICATE
YOURSELF TO IT.

229
00:13:08,823 --> 00:13:11,325
YOU'’’VE GOT TO, LIK
E, GO TO SCHOOL FOR IT.

230
00:13:11,325 --> 00:13:12,827
YOU CAN'’’T JUST
WALK IN AND DO IT.

231
00:13:12,827 --> 00:13:13,828
YOU GOT TO STUDY,
YOU KNOW?

232
00:13:14,328 --> 00:13:16,931
I STUDIED FOR...
6 MONTHS.

233
00:13:17,365 --> 00:13:19,834
I DID, LIKE,
THIS INTENSIVE THING
ON "MELROSE PLACE"

234
00:13:19,834 --> 00:13:22,536
WHERE YOU JUST,
FROM 10:00 TO 3:00
EVERY DAY,

235
00:13:22,536 --> 00:13:24,038
YOU'’’RE IN THERE JU
ST DOING MONOLOGUES

236
00:13:24,038 --> 00:13:25,539
AND DOING SCENES
FROM TV SHOWS,

237
00:13:25,539 --> 00:13:27,041
AND IT'’’S UNBELIEVABLE.

238
00:13:27,041 --> 00:13:28,542
IT'’’S HARD WORK.

239
00:13:28,542 --> 00:13:29,543
YEAH. OF COURSE,
I THINK I'’’M GONNA
JUST WALK

240
00:13:30,044 --> 00:13:31,545
INTO SOME CASTING
DIRECTOR'’’S OFFICE

241
00:13:31,545 --> 00:13:32,546
WHEN I GRADUATE

242
00:13:33,030 --> 00:13:34,015
AND, YOU KNOW,
JUST GET SOME BIG
HUGE ROLE

243
00:13:34,515 --> 00:13:35,516
AND BECOME
A BIG STAR.

244
00:13:35,516 --> 00:13:37,652
OH, DEFINITELY.
I KNOW WHAT YOU MEAN.

245
00:13:37,652 --> 00:13:39,687
HEY, WHEN I WAS
MUCH YOUNGER,

246
00:13:39,687 --> 00:13:41,389
I THOUGHT THAT
I WOULD BE MARRIED,

247
00:13:41,389 --> 00:13:43,641
I'’’D HAVE KIDS, YOU KNOW,
BY THE TIME I WAS 30

248
00:13:44,141 --> 00:13:47,128
AND I'’’D HAVE THE EXACT
CAREER THAT I WANTED.

249
00:13:47,128 --> 00:13:50,281
I STILL DON'’’T KNOW
WHAT I WANT TO BE
WHEN I GROW UP.

250
00:13:53,601 --> 00:13:56,003
I'’’M SO GLAD
I MET YOU.

251
00:13:56,003 --> 00:13:57,605
ME, TOO.

252
00:13:57,605 --> 00:14:00,508
NO, I'’’M SERIOUS.
I THINK YOU'’’RE
TOTALLY REFRESHING.

253
00:14:00,508 --> 00:14:02,109
[CHUCKLES]

254
00:14:02,109 --> 00:14:04,345
YEAH.

255
00:14:04,345 --> 00:14:05,997
WHAT DO YOU SAY
WE GET OUT OF HERE?

256
00:14:08,149 --> 00:14:10,217
[SLURRED]
YOU KNOW WHAT [MUMBLING]
SAYS ABOUT [INDISTINCT]?

257
00:14:10,217 --> 00:14:13,220
THAT 3 ARE TOO MANY
AND ONE IS NOT ENOUGH.

258
00:14:13,220 --> 00:14:14,021
WHO SAYS THAT?

259
00:14:14,021 --> 00:14:16,190
HEFNER. HUGH HEFNER.

260
00:14:16,190 --> 00:14:17,892
[GIGGLING]

261
00:14:17,892 --> 00:14:19,226
THE GUY SHOULD TALK.

262
00:14:19,226 --> 00:14:20,561
HE'’’S ONLY GOT
19 GIRLFRIENDS.

263
00:14:20,962 --> 00:14:23,064
[BOTH LAUGHING]

264
00:14:26,934 --> 00:14:29,837
DO YOU KNOW
HOW PRETTY YOU ARE?

265
00:14:29,837 --> 00:14:31,522
THANK YOU. I THINK
THAT YOU'’’RE REALLY CUTE

266
00:14:32,023 --> 00:14:34,108
AND THAT YOU'’’RE
A REALLY GOOD ACTOR

267
00:14:34,108 --> 00:14:36,911
AND THAT YOU'’’RE GONNA
BE REALLY SUCCESSFUL.

268
00:14:37,311 --> 00:14:38,913
I THINK SO, TOO,

269
00:14:38,913 --> 00:14:40,114
ABOUT YOU.

270
00:14:51,792 --> 00:14:53,294
I'’’M SORRY.

271
00:14:53,294 --> 00:14:57,031
WHY? WHY?

272
00:14:57,031 --> 00:15:00,051
I SHOULD HAVE
ASKED YOU IF I
SHOULD KISS YOU.

273
00:15:00,551 --> 00:15:02,803
[SLURRED]
OH, DON'’’T WORRY
ABOUT IT.

274
00:15:02,803 --> 00:15:05,272
I'’’M THE SPECIAL
SERVICES DIRECTOR,

275
00:15:05,673 --> 00:15:10,511
AND I WANT YOU TO KNOW
THAT I DON'’’T JUST
GO AROUND KISSING GUESTS.

276
00:15:10,511 --> 00:15:15,016
DO YOU KNOW YOU ARE
A V.I.P.?

277
00:15:15,016 --> 00:15:16,617
[BOTH CHUCKLING]

278
00:15:16,617 --> 00:15:18,285
THANK YOU.

279
00:15:25,526 --> 00:15:26,727
MMM.

280
00:15:26,727 --> 00:15:27,962
MMM.

281
00:15:44,678 --> 00:15:45,479
[WHISPERING]
Fuck.

282
00:16:27,521 --> 00:16:29,290
[DOORBELL RINGS]

283
00:16:29,290 --> 00:16:30,091
[DOOR CLOSES]

284
00:16:30,091 --> 00:16:31,692
LOOK WHO'’’S
HERE--NORA.

285
00:16:31,692 --> 00:16:32,693
Woman:
OH, MY GOODNESS.

286
00:16:32,693 --> 00:16:35,996
HEY, DARLING.
COME ON IN.

287
00:16:36,447 --> 00:16:37,948
YOU REMEMBER
ELEANOR, DON'’’T YOU?

288
00:16:38,449 --> 00:16:38,949
NORA.

289
00:16:39,450 --> 00:16:41,452
OF COURSE.
HOW ARE YOU?

290
00:16:41,452 --> 00:16:43,454
SIT DOWN, NORA.
I'’’LL GET YOU
A DRINK.

291
00:16:43,454 --> 00:16:47,958
WE'’’VE JUST BEEN BRAGGING
ABOUT YOUR GLAMOROUS LIFE.

292
00:16:47,958 --> 00:16:48,959
YOU REMEMBER BILL,
DON'’’T YOU?

293
00:16:48,959 --> 00:16:49,960
HELLO, NORA.
IT'’’S GOOD TO SEE YOU.

294
00:16:50,461 --> 00:16:53,464
YOU, TOO. YOU, TOO.

295
00:16:53,464 --> 00:17:01,972
SO IS IT JUST EXCITING,
RUNNING THAT LITTLE
CHIC HOTEL OF YOURS?

296
00:17:02,473 --> 00:17:04,975
WELL, I DON'’’T
ACTUALLY RUN IT, BUT--

297
00:17:04,975 --> 00:17:05,976
Mom: OH, SURE, SHE DOES.

298
00:17:05,976 --> 00:17:07,478
SHE DOES EVERYTHING
OVER THERE.

299
00:17:07,478 --> 00:17:09,980
SHE PLANS ALL THEIR PARTIES,
ALL OF THE SPECIAL EVENTS.

300
00:17:09,980 --> 00:17:12,733
THEY'’’RE A PRETTY
SPOILED GROUP.

301
00:17:13,234 --> 00:17:15,102
THAT'’’S MY JOB.

302
00:17:15,102 --> 00:17:17,238
NORA.

303
00:17:17,238 --> 00:17:19,006
DO YOU HAVE
SOMEONE SPECIAL?

304
00:17:21,408 --> 00:17:25,045
WELL, UH, ACTUALLY,
I HAVE STARTED
TO SEE SOMEONE.

305
00:17:25,045 --> 00:17:27,915
HE'’’S, UM--HE'’’S AN ACTOR.

306
00:17:27,915 --> 00:17:29,116
ANYONE WE KNOW?

307
00:17:29,116 --> 00:17:31,785
HIS NAME IS NICK GABLE.
HE'’’S INTHE HITMAN.

308
00:17:31,785 --> 00:17:33,003
OH, WE JUST SAW THAT
LAST WEEK.

309
00:17:33,003 --> 00:17:34,788
IT WAS TERRIFIC.

310
00:17:34,788 --> 00:17:35,723
I LOVED THAT MOVIE.

311
00:17:35,723 --> 00:17:39,593
REALLY? YEAH.
HE'’’S THE HITMAN.

312
00:17:39,593 --> 00:17:40,594
WELL, THAT'’’S
WONDERFUL.

313
00:17:40,594 --> 00:17:42,229
WELL, WHY DON'’’T YOU
INVITE HIM OVER?

314
00:17:42,229 --> 00:17:44,098
WE WOULD JUST LOVE
TO MEET HIM.

315
00:17:44,098 --> 00:17:46,534
YOU KNOW, WE COULD
HAVE MAYBE A LITTLE
DINNER PARTY.

316
00:17:46,967 --> 00:17:47,468
THAT WOULD BE GREAT.

317
00:17:47,968 --> 00:17:48,836
LET'’’S HAVE A TOAST
TO CELEBRATE

318
00:17:48,836 --> 00:17:50,988
NORA HAVING
A NEW BOYFRIEND.

319
00:17:51,906 --> 00:17:53,724
HEY--NICK AND NORA.

320
00:17:54,141 --> 00:17:56,026
OH, YOU'’’RE
DATING YOURSELF.

321
00:17:56,026 --> 00:17:57,027
[LAUGHTER]

322
00:17:57,027 --> 00:17:58,529
A LITTLE BIT.

323
00:18:02,616 --> 00:18:05,019
WHO'’’S THAT?

324
00:18:05,019 --> 00:18:07,021
I DON'’’T KNOW.
LISA SOMEONE.

325
00:18:07,021 --> 00:18:10,224
SOME TV ACTRESS.
SHE SCARES ME.

326
00:18:10,624 --> 00:18:13,427
SHE'’’S SO TACKY.
LOOK AT THOSE LIPS.

327
00:18:13,427 --> 00:18:16,230
IT'’’S THE ONLY PART
OF HER FACE
THAT CAN MOVE.

328
00:18:16,230 --> 00:18:17,431
WHAT AN IDIOT.

329
00:18:17,831 --> 00:18:19,033
YOU TWO ARE THE MOST
JUDGMENTAL PEOPLE
IN THE WORLD.

330
00:18:19,033 --> 00:18:21,835
WHO WATCHES THESE
STUPID ENTERTAINMENT SHOWS?

331
00:18:21,835 --> 00:18:23,437
IT'’’S BETTER THAN
WATCHING THE NEWS.

332
00:18:23,437 --> 00:18:24,922
PROPAGANDA NIGHTMARE.

333
00:18:27,408 --> 00:18:29,727
OH, LOOK. TURN IT UP.

334
00:18:29,727 --> 00:18:32,229
OH.

335
00:18:32,229 --> 00:18:34,081
PEOPLE WONDER WHAT'’
’S INSIDE THE MIND

336
00:18:34,081 --> 00:18:35,282
OF A HITMAN.

337
00:18:35,282 --> 00:18:37,685
YOU KNOW,
THESE GUYS ARE SICK,
SICK GUYS.

338
00:18:37,685 --> 00:18:40,821
YOU KNOW, AS
A RESULT, THEY SPEND
A LOT OF TIME ALONE,

339
00:18:40,821 --> 00:18:45,392
SO MOST OF MY SCENES
WERE SHOT VIRTUALLY
BY MYSELF, YOU KNOW.

340
00:18:45,793 --> 00:18:47,394
I THINK I'’’M GONNA
BE OK, THOUGH.

341
00:18:47,795 --> 00:18:48,996
OOH.

342
00:18:48,996 --> 00:18:51,398
Woman on TV: DON'’’T
FEEL TOO SORRY
FOR THIS GUY.

343
00:18:51,398 --> 00:18:54,168
HE'’’S BEEN DATING HIS
SEXYHITMANCOSTAR
SERENA HILL.

344
00:18:54,168 --> 00:18:56,237
SERENA. OH, GOD.

345
00:18:56,237 --> 00:18:57,438
OH, SERENA--SHE'’’S
A GREAT WOMAN.

346
00:18:57,438 --> 00:19:00,241
SHE'’’S TOTALLY
REFRESHING,

347
00:19:00,241 --> 00:19:03,043
AND, UH, I'’’M
CRAZY ABOUT HER.

348
00:19:03,043 --> 00:19:05,045
WHAT ELSE CAN I SAY?

349
00:19:05,045 --> 00:19:06,647
THAT'’’S PROBABLY AL
L I SHOULD SAY,

350
00:19:06,647 --> 00:19:08,249
YOU KNOW
WHAT I'’’M SAYING?

351
00:19:11,852 --> 00:19:13,053
WHAT IS WRONG WITH ME?

352
00:19:13,053 --> 00:19:13,854
WHY CAN'’’T I MEET
SOMEONE NICE?

353
00:19:14,255 --> 00:19:15,639
THERE'’’S NOTHING
WRONG WITH YOU,
NORA.

354
00:19:15,639 --> 00:19:17,358
YOU JUST GO OUT
WITH THE WRONG
PEOPLE.

355
00:19:17,358 --> 00:19:19,893
STOP DATING ACTORS.
THEY'’’RE CRAZY.

356
00:19:19,893 --> 00:19:21,595
NO, THAT'’’S
ACTRESSES.

357
00:19:21,996 --> 00:19:23,998
I SHOULDN'’’T GO OUT
WITH ANYONE ANYMORE.

358
00:19:24,398 --> 00:19:26,200
I'’’M GOING HOME.

359
00:19:26,700 --> 00:19:30,204
HEY, DON'’’T FEEL BAD.
THAT GUY'’’S A JERK.

360
00:19:30,204 --> 00:19:31,205
I LOVE YOU.

361
00:19:31,205 --> 00:19:33,073
ME, TOO.

362
00:19:33,073 --> 00:19:34,491
OK, I'’’LL CALL YOU.

363
00:19:34,491 --> 00:19:35,492
OK.

364
00:19:39,997 --> 00:19:40,998
OH, GOD.

365
00:19:40,998 --> 00:19:43,500
POOR NORA.
SHE HAS THE WORST
TIME WITH MEN.

366
00:19:43,500 --> 00:19:44,501
YOU KNOW,
I LOVE NORA,

367
00:19:44,501 --> 00:19:46,003
BUT SHE HAS NO
INSIGHT WHEN IT
COMES TO MEN.

368
00:19:46,003 --> 00:19:47,004
SHE DOESN'’’T
UNDERSTAND THE HUNT.

369
00:19:47,504 --> 00:19:49,006
MEN LIKE
A CHALLENGE.

370
00:19:49,006 --> 00:19:51,008
LIKE A BITCH,
LIKE ME?

371
00:19:55,012 --> 00:19:56,430
KINDA.

372
00:19:56,430 --> 00:19:57,815
YOU THINK I'’’M A BITCH?

373
00:19:57,815 --> 00:20:01,318
COME ON, BABY.
DON'’’T FIGHT ME
ALL THE TIME.

374
00:20:01,318 --> 00:20:02,820
I THINK YOU'’’RE GREAT.
I WORSHIP YOU.

375
00:20:02,820 --> 00:20:04,822
I PUT YOU
ON A PEDESTAL.

376
00:20:04,822 --> 00:20:06,323
LIKE AN OBJECT.

377
00:20:06,323 --> 00:20:07,808
SHUT UP.

378
00:20:36,303 --> 00:20:38,939
HONEY, DO YOU FEEL
ALL RIGHT?

379
00:20:38,939 --> 00:20:40,274
YOU LOOK PALE.

380
00:20:40,274 --> 00:20:42,443
I'’’M OK.

381
00:20:42,443 --> 00:20:44,845
YOU DON'’’T THINK
YOU SHOULD SEE
THE DOCTOR?

382
00:20:45,245 --> 00:20:46,480
NO. NO. I'’’M FINE.
REALLY.

383
00:20:46,480 --> 00:20:48,148
THANK YOU, THOUGH.

384
00:20:48,148 --> 00:20:49,350
I'’’VE JUST BEEN
WORKING TOO HARD

385
00:20:49,350 --> 00:20:53,120
AND JUST DRINKING
TOO MUCH, SMOKING
TOO MUCH.

386
00:20:53,120 --> 00:20:56,023
YOU KNOW WHAT I HEARD
ABOUT YOUR LIVER?

387
00:20:56,023 --> 00:20:58,459
YOU SHOULD NOT HAVE
ANYTHING TO DRINK

388
00:20:58,459 --> 00:21:00,127
TWO DAYS A WEEK.

389
00:21:00,127 --> 00:21:02,363
THEY DON'’’T HAVE TO
BE CONSECUTIVE.

390
00:21:03,564 --> 00:21:06,734
AND OF COURSE YOU KNOW
SMOKING IS SUICIDE.

391
00:21:06,734 --> 00:21:07,968
MM-HMM.

392
00:21:08,919 --> 00:21:11,889
HOW ARE THINGS
WITH YOUR BOYFRIEND?

393
00:21:11,889 --> 00:21:13,390
OH, IT'’’S OVER.

394
00:21:15,075 --> 00:21:17,694
OH, IS THAT WHY
YOU'’’RE DEPRESSED?

395
00:21:21,698 --> 00:21:25,102
NO, THAT'’’S NOT IT.

396
00:21:25,102 --> 00:21:26,720
I JUST FEEL LIKE
I HAVE THE WORST
LUCK IN THE WORLD

397
00:21:26,720 --> 00:21:28,789
WHEN IT COMES
TO MEN.

398
00:21:32,826 --> 00:21:35,763
I THINK I MUST BE
DOING SOMETHING
HORRIBLY WRONG,

399
00:21:35,763 --> 00:21:38,165
BUT I DON'’’T KNOW
WHAT IT IS.

400
00:21:38,565 --> 00:21:40,167
WHAT HAPPENED?

401
00:21:40,167 --> 00:21:43,303
OH, HE HAS
A GIRLFRIEND.

402
00:21:43,303 --> 00:21:44,621
OH.

403
00:21:47,257 --> 00:21:50,043
YOU KNOW, I CAN'’’T
QUIT THINKING ABOUT

404
00:21:50,043 --> 00:21:54,515
HOW HARD IT MUST BE
FOR YOUNG WOMEN NOWADAYS.

405
00:21:54,515 --> 00:21:57,951
I MEAN, ON THE ONE HAND,
THE WORLD IS WIDE OPEN
TO YOU.

406
00:21:58,352 --> 00:21:59,553
ALL THE CHOICES YOU WANT.

407
00:21:59,553 --> 00:22:01,955
I THINK THERE ARE
TOO MANY CHOICES, REALLY.

408
00:22:01,955 --> 00:22:04,858
IT JUST MUST BE
VERY CONFUSING

409
00:22:05,259 --> 00:22:07,661
TO TRY TO FIND
A PATH THROUGH ALL OF THAT,

410
00:22:08,061 --> 00:22:10,464
ESPECIALLY WITH MEN,

411
00:22:10,464 --> 00:22:13,917
THOUGH YOU HAVE HAD
SOME VERY NICE BOYFRIENDS.

412
00:22:13,917 --> 00:22:16,870
I KNOW...

413
00:22:16,870 --> 00:22:18,872
BUT THAT WAS COLLEGE.

414
00:22:20,507 --> 00:22:22,509
I DON'’’T KNOW
WHAT HAPPENED.

415
00:22:25,712 --> 00:22:28,115
I FEEL SO CLOSED OFF,

416
00:22:28,582 --> 00:22:31,084
SO DESPERATE TO FIND
SOMEONE TO LOVE.

417
00:22:31,485 --> 00:22:32,836
OH, HONEY.

418
00:22:32,836 --> 00:22:35,856
EVEN I CAN'’’T STAND
THE SIGHT OF
MY OWN DESPERATION.

419
00:22:35,856 --> 00:22:38,659
HONEY, HEY,
YOU KNOW WHAT?

420
00:22:39,092 --> 00:22:41,094
YOU'’’RE IN A FUNK,
THAT'’’S ALL,

421
00:22:41,094 --> 00:22:42,796
AND THERE'’’S ONLY
ONE WAY TO GET
OUT OF A FUNK,

422
00:22:43,197 --> 00:22:44,798
AND THAT IS TO
ENGAGE.

423
00:22:44,798 --> 00:22:47,968
EVEN IF YOU DON'’’T
FEEL LIKE IT,
JUST FAKE IT.

424
00:22:47,968 --> 00:22:50,404
JUST GO OUT AND GET
THE HIGHEST HEELS IN TOWN

425
00:22:50,854 --> 00:22:53,157
AND SOME NEW LIPSTICK
AND GO EVERYPLACE.

426
00:22:53,157 --> 00:22:54,658
[LAUGHS]

427
00:22:54,658 --> 00:22:57,161
SMILE. ACT LIKE
YOU'’’RE HAVING THE TIME
OF YOUR LIFE.

428
00:22:57,161 --> 00:22:59,913
BUT DON'’’T ALWAYS GO
WITH MARRIED COUPLES.

429
00:22:59,913 --> 00:23:02,316
YOU'’’RE NEVER GONNA
MEET ANYONE THAT WAY.

430
00:23:04,334 --> 00:23:06,620
SURE. I'’’LL GIVE IT
A TRY, YOU KNOW.

431
00:23:10,090 --> 00:23:10,958
YOU KNOW...

432
00:23:11,959 --> 00:23:13,861
I COULD FIX YOU UP.

433
00:23:13,861 --> 00:23:14,678
NO.

434
00:23:14,678 --> 00:23:16,964
NOW, JUST LISTEN
TO ME FOR A MINUTE.

435
00:23:17,464 --> 00:23:18,765
YOU KNOW MEGAN ROSS,
MY FRIEND.

436
00:23:19,166 --> 00:23:21,168
SHE HAS A SON.
I DON'’’T THINK YOU'’’VE
EVER MET HIM.

437
00:23:21,168 --> 00:23:24,371
NICE-LOOKING,
SUCCESSFUL,

438
00:23:24,771 --> 00:23:29,059
AND I KNOW HE'’’S NOT
SEEING ANYONE
RIGHT NOW.

439
00:23:29,560 --> 00:23:30,060
ARE YOU NORA?

440
00:23:30,561 --> 00:23:31,061
YES.

441
00:23:31,562 --> 00:23:32,062
I'’’M CHARLIE ROSS.

442
00:23:32,563 --> 00:23:33,063
HI.
HI.

443
00:23:33,564 --> 00:23:36,066
NICE TO MEET YOU.
YOU, TOO.

444
00:23:36,066 --> 00:23:40,070
IT'’’S PRETTY FUNNY
THAT OUR MOMS
SET US UP.

445
00:23:40,070 --> 00:23:42,823
YOU DON'’’T KNOW
THE IRONY BEHIND IT.

446
00:23:43,240 --> 00:23:45,459
I'’’M GLAD.

447
00:23:45,459 --> 00:23:47,127
ME, TOO.

448
00:23:50,864 --> 00:23:52,633
I HAVEN'’’T SEEN THIS
MOVIE IN A REALLY
LONG TIME.

449
00:23:52,633 --> 00:23:54,134
IT'’’S ONE OF
MY FAVORITE FILMS.

450
00:23:54,134 --> 00:23:55,636
YEAH? NO, I LOVE
THIS FILM, TOO.

451
00:23:56,136 --> 00:23:57,137
I'’’VE NEVER SEEN IT
IN A THEATER, THOUGH.

452
00:23:57,137 --> 00:23:59,640
REALLY?
YEAH.

453
00:23:59,640 --> 00:24:02,759
UH, SHOULD WE GO IN
AND GET SEATS?

454
00:24:02,759 --> 00:24:03,760
YEAH.

455
00:24:09,766 --> 00:24:13,453
Woman: YESTERDAY,
ABOUT 3 P.M.

456
00:24:13,453 --> 00:24:15,455
I WANTED YOU TO THINK
ABOUT IT TWICE, TOO.

457
00:24:15,856 --> 00:24:17,457
[ROMANTIC MUSIC PLAYING]

458
00:24:23,196 --> 00:24:25,632
Man: I'’’VE BEEN LOOKING
FOR SOMEONE FOR
A LONG TIME.

459
00:24:29,236 --> 00:24:30,120
I LOVE THAT MOVIE.

460
00:24:30,621 --> 00:24:32,472
IT REALLY HOLDS UP.

461
00:24:32,472 --> 00:24:35,425
BOGART REMINDS ME
OF MY DAD.

462
00:24:35,425 --> 00:24:36,927
I MET YOUR DAD ONCE.

463
00:24:36,927 --> 00:24:38,929
HE SEEMED LIKE
A GREAT GUY.

464
00:24:38,929 --> 00:24:39,930
M.
I'’’M SORRY ABOUT HI

465
00:24:39,930 --> 00:24:42,933
YEAH, ME, TOO.
I REALLY MISS HIM.

466
00:24:43,433 --> 00:24:45,936
I FEEL LUCKY TO HAVE
HAD HIM AT ALL, REALLY.

467
00:24:45,936 --> 00:24:48,438
NOW MY MOM HAS IRVING,
SO SHE'’’S NOT ALONE.

468
00:24:48,939 --> 00:24:52,943
YEAH. MY MOM DOESN'’
’T REALLY DATE ANYONE
ANYMORE.

469
00:24:52,943 --> 00:24:53,944
SHE WENT THROUGH
A STRING OF THEM

470
00:24:53,944 --> 00:24:55,262
AFTER MY PARENTS
DIVORCED,

471
00:24:55,262 --> 00:24:57,664
BUT SHE ALWAYS
DRIVES THEM AWAY,

472
00:24:57,664 --> 00:25:00,450
ON PURPOSE,
I THINK.

473
00:25:00,450 --> 00:25:03,470
I WONDER IF WE ALWAYS
TURN INTO OUR PARENTS.

474
00:25:03,470 --> 00:25:07,474
I LIKE TO THINK
OF IT AS WHERE MY
PARENTS LEFT OFF.

475
00:25:07,474 --> 00:25:09,643
THAT'’’S A GREAT WAY
OF PUTTING IT.

476
00:25:13,747 --> 00:25:15,349
OH, SHIT.

477
00:25:15,349 --> 00:25:16,149
Nora: WHAT?

478
00:25:16,633 --> 00:25:17,634
UH, NOTHING.
IT'’’S JUST MY E
X, JENNIFER.

479
00:25:17,634 --> 00:25:18,635
Y.
SHE'’’S TOTALLY CRAZ

480
00:25:18,635 --> 00:25:19,636
IS IT GONNA BE OK?

481
00:25:19,636 --> 00:25:20,637
HI, JENNIFER.

482
00:25:20,637 --> 00:25:21,638
HELLO, CHARLIE.

483
00:25:21,638 --> 00:25:22,639
HOW ARE YOU?
THIS IS NORA.

484
00:25:23,140 --> 00:25:24,641
"HOW ARE YOU?"
HOW AM I?

485
00:25:25,125 --> 00:25:26,393
I'’’M FUCKING
GREAT, CHARLIE.
HOW ARE YOU?

486
00:25:26,393 --> 00:25:27,894
AND NORA?

487
00:25:27,894 --> 00:25:28,895
WE'’’RE GOOD.
WE'’’RE GOOD.

488
00:25:28,895 --> 00:25:30,397
WE JUST WENT
TO THE MOVIES.

489
00:25:30,397 --> 00:25:32,899
HE TOOK YOU TO SEE
AN OLD ROMANTIC MOVIE.

490
00:25:32,899 --> 00:25:34,201
IT'’’S HIS SIGNATURE
MOVE, YOU KNOW.

491
00:25:34,201 --> 00:25:35,485
MY MOM WAS--

492
00:25:35,485 --> 00:25:37,487
CAN I TALK TO YOU
FOR A MINUTE?

493
00:25:37,487 --> 00:25:38,989
WILL YOU EXCUSE ME
FOR ONE SECOND?

494
00:25:38,989 --> 00:25:40,490
I'’’M SORRY.

495
00:25:40,490 --> 00:25:41,491
Charlie: WHY
ARE YOU DOING THIS?

496
00:25:41,491 --> 00:25:42,492
Jennifer: WHAT
ARE YOU DOING HERE?

497
00:25:42,492 --> 00:25:43,443
WHAT DO YOU MEAN--

498
00:25:43,443 --> 00:25:44,244
I JUST TALKED TO YOU
THIS MORNING.

499
00:25:44,645 --> 00:25:45,529
YOU SAID YOU WEREN'’’T
DATING ANYBODY.

500
00:25:45,529 --> 00:25:46,880
Charlie: I'’’M NOT
DATING ANYBODY.

501
00:25:46,880 --> 00:25:48,749
SHE'’’S THE DAUGHTER
OF MY MOM'’’S FRIEND.

502
00:25:48,749 --> 00:25:51,585
I THINK I BROUGHT
HER HERE BECAUSE I...

503
00:25:51,985 --> 00:25:54,421
I WAS MISSING YOU,
AND THIS REMINDED ME
OF OUR FIRST DATE.

504
00:25:54,421 --> 00:25:57,424
DON'’’T TOUCH ME.

505
00:25:57,424 --> 00:25:59,926
.
HEY, WE'’’RE LEAVING

506
00:26:04,431 --> 00:26:05,716
ARE YOU OK?

507
00:26:05,716 --> 00:26:06,717
LOOK, I'’’M SO SORRY
YOU HAD TO SEE THAT.

508
00:26:06,717 --> 00:26:09,219
WHAT HAPPENED?

509
00:26:09,219 --> 00:26:10,721
WE HAVEN'’’T BEEN
BROKEN UP THAT LONG.

510
00:26:10,721 --> 00:26:14,474
IT'’’S--IT'’’S BEEN
REALLY HARD.

511
00:26:14,474 --> 00:26:21,048
YOU'’’RE ACTUALLY
THE FIRST PERSON I'’’VE
DATED SINCE JENNIFER.

512
00:26:21,448 --> 00:26:23,050
I THINK I'’’M STILL
IN LOVE WITH HER.

513
00:26:23,050 --> 00:26:26,536
I'’’M--I'’’M SO SORRY.
THIS WAS--IT WAS
TOO SOON.

514
00:26:28,789 --> 00:26:32,459
UM, YOU KNOW, I THINK
I'’’M JUST GONNA GO.

515
00:26:32,859 --> 00:26:35,762
I'’’M JUST SO, YOU KNOW,
OUT OF IT.

516
00:26:36,163 --> 00:26:37,831
IS IT OK IF I JUST
PUT YOU IN A CAB?

517
00:26:38,265 --> 00:26:39,466
YEAH.

518
00:26:42,669 --> 00:26:45,672
I'’’M REALLY SORRY.
YOU'’’RE SO NICE.

519
00:27:01,021 --> 00:27:04,224
Nora: MEN HATE ME.

520
00:27:04,224 --> 00:27:05,926
YOU HATE YOURSELF.

521
00:27:05,926 --> 00:27:07,661
NO, I DON'’’T.
WHY DO YOU SAY THAT?

522
00:27:07,661 --> 00:27:08,862
YOU'’’VE GOT TO STOP
PUNISHING YOURSELF
ALL THE TIME

523
00:27:08,862 --> 00:27:10,313
FOR NOT HAVING
A BOYFRIEND.

524
00:27:10,313 --> 00:27:11,698
EVERYONE ELSE IS
IN A RELATIONSHIP.

525
00:27:11,698 --> 00:27:13,300
WHY CAN'’’T I
BE IN ONE?

526
00:27:13,300 --> 00:27:16,503
YOU'’’LL MEET SOMEONE.
JUST DON'’’T GO NUTS
NEXT TIME.

527
00:27:16,503 --> 00:27:18,105
IT'’’S LIKE THE ONLY
THING THAT MATTERS
IS FINDING THIS GUY.

528
00:27:18,105 --> 00:27:20,006
IT DOESN'’’T EVEN MATTER
WHO IT IS.

529
00:27:20,006 --> 00:27:22,008
NOT EVERY GUY YOU MEET
HAS TO BE YOUR
FUTURE HUSBAND.

530
00:27:22,008 --> 00:27:23,210
BELIEVE ME.
DO SOMETHING ELSE.

531
00:27:23,610 --> 00:27:25,011
GO TO YOGA OR SOMETHING.

532
00:27:25,011 --> 00:27:27,414
YOU'’’RE RIGHT.
I'’’M BEING A TOTAL
FREAK.

533
00:27:27,414 --> 00:27:28,615
I HAVE TO CALM DOWN.

534
00:27:28,615 --> 00:27:31,518
I LOVE YOU.
I DON'’’T LIKE TO
SEE YOU LIKE THIS.

535
00:27:31,518 --> 00:27:32,419
[CELL PHONE MUSIC PLAYS]

536
00:27:32,819 --> 00:27:35,055
OH, GOD. ONE MINUTE.

537
00:27:35,055 --> 00:27:37,057
YEAH. UH-HUH.

538
00:27:37,057 --> 00:27:40,277
OK.

539
00:27:40,277 --> 00:27:41,778
IT'’’S MARK. HE'’’LL BE HERE
IN TWO MINUTES.

540
00:27:41,778 --> 00:27:43,063
WHERE WAS HE?

541
00:27:43,063 --> 00:27:46,533
MMM. HAVING A MEETING WITH
THAT ACTRESS CAITLIN FOX.

542
00:27:46,533 --> 00:27:47,334
OH, NO.

543
00:27:47,334 --> 00:27:48,568
YEAH. SHE WANTS HIM
TO DIRECT HER

544
00:27:48,568 --> 00:27:50,320
IN A MOVIE
ABOUT FAIRIES.

545
00:27:50,320 --> 00:27:51,621
BARF.

546
00:27:51,621 --> 00:27:52,973
I KNOW.

547
00:27:54,574 --> 00:27:56,576
I DON'’’T WANT TO SOUND
LIKE A BROKEN RECORD.

548
00:27:56,977 --> 00:27:59,379
I JUST FEEL LIKE
WE'’’RE NOT BEST FRIENDS
ANYMORE.

549
00:27:59,780 --> 00:28:00,981
DO YOU TALK ABOUT IT?

550
00:28:00,981 --> 00:28:02,182
YEAH, WE HAVE BEEN.

551
00:28:02,582 --> 00:28:04,501
HE THINKS EVERYTHING
IS FINE AND THAT I'’’M
JUST FREAKING OUT.

552
00:28:05,001 --> 00:28:06,953
I SWEAR, IF HE BLAMES IT
ON MY HORMONES
ONE MORE TIME,

553
00:28:06,953 --> 00:28:08,155
I'’’M GONNA LOSE IT.

554
00:28:08,555 --> 00:28:11,591
HE'’’S THE ONE WHO'’’S
HESITANT ABOUT HAVING KIDS.

555
00:28:11,591 --> 00:28:13,093
REALLY?

556
00:28:15,529 --> 00:28:16,730
.
I DIDN'’’T KNOW THAT

557
00:28:16,730 --> 00:28:18,331
YEAH, WHATEVER.
I DON'’’T WANT TO
TALK ABOUT IT.

558
00:28:18,732 --> 00:28:20,150
LET'’’S JUST DROP IT.

559
00:28:23,103 --> 00:28:24,738
BUT I CAN'’’T BELIEVE
YOU'’’RE NOT COMING
TO MIAMI WITH US.

560
00:28:24,738 --> 00:28:26,406
PLEASE COME.
MARK WILL PAY.

561
00:28:26,406 --> 00:28:28,008
I JUST DON'’’T
FEEL LIKE IT.

562
00:28:28,408 --> 00:28:30,277
I JUST WANT TO
STAY HERE.

563
00:28:31,778 --> 00:28:33,680
LADIES. I'’’M DOING
THE FAIRY MOVIE.

564
00:28:33,680 --> 00:28:36,349
[CHUCKLING]

565
00:28:36,349 --> 00:28:37,951
[MUSIC PLAYING ON TV]

566
00:28:42,038 --> 00:28:43,540
Woman on TV:
I'’’M JILL SCOTT.

567
00:28:43,540 --> 00:28:45,959
HAMBURGERS AND HOT DOGS
ARE A STANDARD FOR
JULY FOURTH WEEKEND,

568
00:28:45,959 --> 00:28:47,711
BUT IF YOU'’’RE LOOKING
TO SPICE UP YOUR HOLIDAY...

569
00:28:47,711 --> 00:28:48,962
[TELEPHONE RINGS]

570
00:28:48,962 --> 00:28:50,564
JOINING ME NOW WITH
SOME NEW IDEAS OF THINGS

571
00:28:50,564 --> 00:28:52,682
YOU CAN COOK ON THE GRILL
IS ANITA LOWE FROM ANITA'’’S
RESTAURANT.

572
00:28:52,682 --> 00:28:53,900
HI, ANITA. HOW ARE YOU?

573
00:28:54,301 --> 00:28:55,502
.
Answering machine:
HI, IT'’’S NORA. LEAVE A MESSAGE

574
00:28:55,902 --> 00:28:56,703
[ANSWERING MACHINE BEEPS]

575
00:28:57,103 --> 00:28:59,272
HEY, NORA, IT'’’S
GLEN FROM WORK,

576
00:28:59,272 --> 00:29:01,308
AND I GOT MY PARTY
SATURDAY NIGHT,

577
00:29:01,308 --> 00:29:02,909
AND I WANT TO MAKE SURE
YOU KNOW ABOUT IT.

578
00:29:03,310 --> 00:29:04,911
I LEFT A FLIER
IN YOUR MAILBOX

579
00:29:04,911 --> 00:29:08,181
AND ALSO STUCK ONE
IN YOUR PURSE.

580
00:29:08,181 --> 00:29:11,451
IT'’’S GONNA BE GREAT,
SO HOPE TO SEE YOU.

581
00:29:11,451 --> 00:29:12,369
BYE!

582
00:29:12,369 --> 00:29:14,371
[ANSWERING MACHINE BEEPS]

583
00:29:14,871 --> 00:29:16,373
Anita on TV: THIS IS
A JAPANESE VERSION OF
BUFFALO CHICKEN WINGS.

584
00:29:16,373 --> 00:29:19,409
THEY'’’RE MARINATED WITH
A GOOD [SPEAKING JAPANESE]

585
00:29:19,910 --> 00:29:21,595
WHICH IS A JAPANESE...

586
00:29:22,796 --> 00:29:24,798
[DOGS BARKING]

587
00:29:52,826 --> 00:29:53,827
Glen on voicemail:
HEY, NORA. IT'’’S GLEN.

588
00:29:53,827 --> 00:29:56,329
I THINK I CALLED
YOU ALREADY.
I'’’M NOT SURE.

589
00:29:56,329 --> 00:29:57,831
I'’’M JUST TAKING
A HEAD COUNT--

590
00:30:01,301 --> 00:30:03,703
[CLASSICAL MUSIC PLAYING]

591
00:30:09,309 --> 00:30:11,311
[MEDITATION TAPE PLAYING]

592
00:30:16,116 --> 00:30:17,317
[TELEPHONE RINGING]

593
00:30:35,969 --> 00:30:36,903
NORA.

594
00:30:36,903 --> 00:30:37,904
HI.

595
00:30:37,904 --> 00:30:39,906
OH, MY GOD.
WHAT A SURPRISE.

596
00:30:39,906 --> 00:30:41,408
WOW. YOU LOOK GREAT.

597
00:30:41,408 --> 00:30:43,410
THANK YOU.

598
00:30:43,410 --> 00:30:46,413
WOW. JEEZ.

599
00:30:46,413 --> 00:30:48,415
I WAS BEGINNING TO
FEEL LIKE THE LAST
PERSON ON EARTH,

600
00:30:48,415 --> 00:30:51,051
SO I THOUGHT
I'’’D COME BY.

601
00:30:51,051 --> 00:30:52,552
WELL, THIS IS THE PLACE.

602
00:30:53,053 --> 00:30:54,054
IT'’’S A NICE PLACE,
GLEN.

603
00:30:54,054 --> 00:30:56,556
VE
OH, THANKS.
I JUST CAN'’’T BELIE

604
00:30:56,556 --> 00:30:57,557
THAT YOU'’’RE NOT
OUT OF TOWN.

605
00:30:57,557 --> 00:30:59,559
I JUST DIDN'’’T
FEEL LIKE IT THIS YEAR.

606
00:30:59,559 --> 00:31:02,562
OH. WELL, I'’’M GLAD
THAT YOU'’’RE HERE.

607
00:31:03,063 --> 00:31:04,564
HEY, UH, I'’’LL
GET YOU A DRINK,

608
00:31:04,564 --> 00:31:06,816
AND I'’’LL INTRODUCE
YOU TO SOME PEOPLE.

609
00:31:06,816 --> 00:31:08,818
THIS IS, UM, UH...

610
00:31:08,818 --> 00:31:10,820
CARL.

611
00:31:10,820 --> 00:31:13,323
HI.

612
00:31:13,823 --> 00:31:15,825
YOU'’’RE KIND OF
PRETTY.

613
00:31:15,825 --> 00:31:17,827
DO YOU, UH--DO YOU
WORK WITH GLEN?

614
00:31:17,827 --> 00:31:19,829
YEAH.

615
00:31:20,330 --> 00:31:20,830
HOTEL BUSINESS?

616
00:31:21,331 --> 00:31:23,833
MM-HMM. I HAVE TO
GET MY DRINK.

617
00:31:25,835 --> 00:31:26,836
HOT.

618
00:31:31,841 --> 00:31:33,843
Man: IT'’’S A FINE DAY

619
00:31:33,843 --> 00:31:36,846
TO ESCAPE FROM
A BAD DREAM...

620
00:31:42,852 --> 00:31:46,356
HI. THERE YOU ARE.
ARE YOU HAVING
A GOOD TIME?

621
00:31:46,856 --> 00:31:49,359
YEAH. I'’’M EXHAUSTED.

622
00:31:49,359 --> 00:31:50,860
REALLY?

623
00:31:50,860 --> 00:31:51,861
I'’’M GONNA GO.

624
00:31:51,861 --> 00:31:52,862
REALLY?

625
00:31:52,862 --> 00:31:53,863
YEAH.

626
00:31:53,863 --> 00:31:54,864
OH, COME ON. STAY.
HAVE ONE DRINK.

627
00:31:54,864 --> 00:31:55,865
I'’’M SO TIRED.

628
00:31:55,865 --> 00:31:56,866
PLEASE? WITH ME.

629
00:31:56,866 --> 00:31:58,368
YOU KNOW, WE NEVER
GET A CHANCE
TO DO THIS.

630
00:31:58,368 --> 00:32:01,371
I KNOW. THANK YOU
SO MUCH FOR INVITING ME.

631
00:32:01,371 --> 00:32:03,873
I'’’M SO GLAD
THAT YOU CAME.

632
00:32:03,873 --> 00:32:05,375
?
ARE YOU SURE YOU
DON'’’T WANT TO STAY

633
00:32:05,875 --> 00:32:07,377
COME ON.
IT'’’LL BE FUN.

634
00:32:07,377 --> 00:32:09,379
PLEASE? JUST ONE
LITTLE DRINK.

635
00:32:09,379 --> 00:32:10,380
HEY.

636
00:32:10,380 --> 00:32:11,381
JULIAN!

637
00:32:11,381 --> 00:32:13,383
CÇÇA VA? SALUT!

638
00:32:13,383 --> 00:32:15,385
HEY, NORA, NORA.

639
00:32:15,385 --> 00:32:16,886
JULIAN, I WANT YOU
TO MEET SOMEONE.

640
00:32:16,886 --> 00:32:19,389
NORA, THIS IS JULIAN.

641
00:32:19,389 --> 00:32:20,390
HELLO, NORA.

642
00:32:20,390 --> 00:32:21,891
HI.

643
00:32:21,891 --> 00:32:23,893
IS THIS YOUR FIANCEE?

644
00:32:23,893 --> 00:32:25,678
NO. WE WORK TOGETHER.

645
00:32:26,096 --> 00:32:29,099
OH. COOL. WOULD YOU HAVE
ANOTHER DRINK WITH ME?

646
00:32:29,099 --> 00:32:30,600
NORA HAS GOT
TO LEAVE.

647
00:32:30,600 --> 00:32:32,685
NO! WHY? WHY ARE
YOU LEAVING?

648
00:32:32,685 --> 00:32:34,687
I'’’M TIRED.
I'’’M EXHAUSTED.

649
00:32:34,687 --> 00:32:35,688
IT WAS NICE
MEETING YOU,
THOUGH.

650
00:32:35,688 --> 00:32:37,690
WHAT ARE YOU
DOING?

651
00:32:37,690 --> 00:32:38,691
CONVINCING YOU
TO STAY.

652
00:32:38,691 --> 00:32:41,694
COME ON,
FOR JUST ONE DRINK.

653
00:32:41,694 --> 00:32:42,695
PLEASE.

654
00:32:47,700 --> 00:32:49,202
OK.

655
00:32:50,703 --> 00:32:53,206
Glen: HA HA HA!
MON AMI.

656
00:32:53,206 --> 00:32:54,207
HOW DO YOU KNOW
THIS GUY?

657
00:32:54,707 --> 00:32:55,708
WELL, I LIVED
FOR A YEAR

658
00:32:55,708 --> 00:32:57,210
WITH HIS FAMILY
IN FRANCE.

659
00:32:57,210 --> 00:32:58,711
IT'’’S A LONG STORY.

660
00:33:05,218 --> 00:33:07,887
SO, UM, CAN I GET
YOU GUYS A DRINK?

661
00:33:07,887 --> 00:33:11,674
YEAH. I'’’LL HAVE
A VODKA STRAIGHT UP
WITH A TWIST.

662
00:33:11,674 --> 00:33:13,643
OOH. ET JULIAN?

663
00:33:14,127 --> 00:33:15,862
YEAH, I'’’LL HAVE
THE SAME.

664
00:33:16,262 --> 00:33:17,063
OK.

665
00:33:17,063 --> 00:33:18,798
CÇÇA VA?

666
00:33:18,798 --> 00:33:20,483
YEAH, SAY VA.

667
00:33:20,483 --> 00:33:23,603
YOU KNOW,
I SAW YOU BEFORE.

668
00:33:23,603 --> 00:33:25,205
REALLY? WHERE?

669
00:33:25,205 --> 00:33:26,806
IN A HOTEL.

670
00:33:27,207 --> 00:33:29,609
YOU WERE WITH A MAN
WHO HAD A PILLOW.

671
00:33:32,412 --> 00:33:34,013
OH, YEAH.

672
00:33:35,465 --> 00:33:37,467
HI.

673
00:33:37,467 --> 00:33:38,468
[SPEAKING FRENCH]

674
00:33:38,468 --> 00:33:40,970
[SPEAKING FRENCH]

675
00:33:46,025 --> 00:33:46,893
[GLEN LAUGHS]

676
00:33:51,815 --> 00:33:53,299
YOU DON'’’T
SPEAK FRENCH?

677
00:33:53,299 --> 00:33:55,435
NO.

678
00:33:55,435 --> 00:33:58,505
A LITTLE
IN HIGH SCHOOL,
BUT NO, NOT REALLY.

679
00:33:58,505 --> 00:34:02,108
TU ES TREÈÈS JOLIE,
NORA.

680
00:34:02,108 --> 00:34:03,309
THANKS.

681
00:34:04,277 --> 00:34:06,146
YOU DON'’’T BELIEVE ME?

682
00:34:06,546 --> 00:34:07,747
NO, I BELIEVE YOU.

683
00:34:07,747 --> 00:34:11,184
I JUST DON'’’T THINK
YOU'’’RE PROBABLY
THAT PICKY.

684
00:34:11,184 --> 00:34:13,186
I DON'’’T UNDERSTAND.

685
00:34:13,186 --> 00:34:15,121
FORGET IT.

686
00:34:15,121 --> 00:34:16,623
I'’’M GLAD YOU ARE HERE.

687
00:34:16,623 --> 00:34:19,926
ONE MORE MINUTE,
AND WE WOULD HAVE
MISSED EACH OTHER.

688
00:34:19,926 --> 00:34:23,596
IT'’’S FATE TO SEE YOU
AGAIN, DON'’’T YOU THINK?

689
00:34:23,596 --> 00:34:25,598
WHY DO YOU LAUGH?

690
00:34:25,598 --> 00:34:27,100
YOU ARE AFRAID?

691
00:34:29,669 --> 00:34:32,872
YOU KNOW, YOUR
APPROACH IS JUST
REALLY INTENSE.

692
00:34:38,061 --> 00:34:39,562
DO YOU WANT
ANOTHER DRINK?

693
00:34:39,562 --> 00:34:40,563
YEAH.

694
00:34:49,572 --> 00:34:50,573
OH.

695
00:34:50,573 --> 00:34:52,659
[ROCK MUSIC PLAYING]

696
00:35:04,871 --> 00:35:08,308
SO, WHAT ARE YOU DOING
IN NEW YORK?

697
00:35:08,308 --> 00:35:11,177
I CAME HERE
TO MEET YOU.

698
00:35:11,177 --> 00:35:12,378
NO. REALLY.

699
00:35:12,378 --> 00:35:14,013
NO, REALLY,
I CAME HERE TO DO
SOME WORK

700
00:35:14,013 --> 00:35:17,200
ON A PROJECT,
ON A FILM.

701
00:35:17,200 --> 00:35:18,401
YOU'’’RE NOT
AN ACTOR, ARE YOU?

702
00:35:18,401 --> 00:35:19,219
NO.

703
00:35:19,219 --> 00:35:20,420
GOOD.

704
00:35:24,991 --> 00:35:25,992
YOU KNOW, ONCE
YOU'’’RE CALM,

705
00:35:25,992 --> 00:35:27,994
YOU'’’RE NOT THAT BAD.

706
00:35:27,994 --> 00:35:28,995
WHY?

707
00:35:28,995 --> 00:35:29,996
WHY WHAT?

708
00:35:29,996 --> 00:35:31,497
WHY WAS I BAD?

709
00:35:31,497 --> 00:35:33,499
NO, I'’’M SAYING THAT
YOU'’’RE NOT BAD.

710
00:35:33,499 --> 00:35:35,001
OH. COOL.

711
00:35:38,004 --> 00:35:39,706
LET'’’S GO SOMEWHERE.

712
00:35:41,874 --> 00:35:42,875
I DON'’’T THINK SO.

713
00:35:42,875 --> 00:35:43,876
WHY NOT?

714
00:35:45,878 --> 00:35:47,380
I'’’M NOT LOOKING
FOR ANYTHING.

715
00:35:47,380 --> 00:35:48,248
LIKE WHAT?

716
00:35:48,248 --> 00:35:49,182
TROUBLE.

717
00:35:49,182 --> 00:35:52,418
TROUBLE?
I'’’M NO TROUBLE.

718
00:35:52,418 --> 00:35:54,020
I'’’M NOT LOOKING
FOR TROUBLE.

719
00:35:59,225 --> 00:36:00,994
WHERE DO YOU
WANT TO GO?

720
00:36:03,780 --> 00:36:06,266
SHOW ME SOMETHING.

721
00:36:06,266 --> 00:36:07,066
LIKE WHAT?

722
00:36:07,467 --> 00:36:10,370
I DON'’’T KNOW.
SOMETHING...

723
00:36:10,370 --> 00:36:11,871
VERY NEW YORK.

724
00:36:18,044 --> 00:36:19,045
[DOOR CLOSES]

725
00:36:19,045 --> 00:36:21,547
[WHIRRING]

726
00:36:30,556 --> 00:36:31,557
NO.

727
00:36:32,058 --> 00:36:34,060
WHAT?

728
00:36:34,060 --> 00:36:37,563
I DON'’’T WANT YOU
TO KISS ME.

729
00:36:37,563 --> 00:36:38,564
I TOLD YOU NO.

730
00:36:38,564 --> 00:36:40,066
WHY?

731
00:36:40,566 --> 00:36:41,567
OH.

732
00:36:41,567 --> 00:36:42,568
BUT I JUST WANT
TO KISS YOU.

733
00:36:43,069 --> 00:36:44,570
NO.

734
00:36:46,072 --> 00:36:47,073
NO.

735
00:36:47,073 --> 00:36:48,074
COME ON.

736
00:36:48,074 --> 00:36:50,076
NO. I'’’M SORRY.

737
00:36:50,576 --> 00:36:51,911
EXCUSE ME.

738
00:36:59,369 --> 00:37:00,820
[DOOR OPENS]

739
00:37:05,008 --> 00:37:06,009
OK, YOU DON'’’T LIKE ME.

740
00:37:06,009 --> 00:37:09,012
IT'’’S MORE LIKE
I DON'’’T WANT Y
OU TO KISS ME.

741
00:37:09,012 --> 00:37:10,513
WHY NOT?

742
00:37:11,014 --> 00:37:13,016
I DON'’’T KNOW.
BECAUSE.

743
00:37:14,517 --> 00:37:15,518
I DON'’’T KNOW.
WE WERE HAVING
SOME FUN,

744
00:37:15,518 --> 00:37:17,303
AND YOU ARE
SO BEAUTIFUL.

745
00:37:17,303 --> 00:37:18,304
I JUST WANTED
TO KISS YOU.

746
00:37:18,304 --> 00:37:19,305
WELL...

747
00:37:21,808 --> 00:37:23,309
LISTEN, I HAD
A GREAT NIGHT
WITH YOU TONIGHT,

748
00:37:23,309 --> 00:37:24,310
BUT I JUST
WANT TO GO HOME.

749
00:37:24,744 --> 00:37:25,561
OH, NO.
COME ON, NORA.

750
00:37:25,561 --> 00:37:28,014
I'’’M EXCITING
TO BE WITH YOU.

751
00:37:29,282 --> 00:37:31,918
IT'’’S LATE.

752
00:37:31,918 --> 00:37:33,119
THERE'’’S NOTHING
TO DO.

753
00:37:33,119 --> 00:37:34,020
I WOULDN'’’T KNOW
WHAT TO DO.

754
00:37:34,020 --> 00:37:35,905
BUT WE'’’LL FIND
SOMETHING.

755
00:37:35,905 --> 00:37:38,408
COME ON.
IT'’’S A BEAUTIFUL NIGHT.

756
00:37:39,409 --> 00:37:41,027
I PROMISE.

757
00:37:46,916 --> 00:37:47,917
WHAT DO YOU WANT
TO DO?

758
00:37:47,917 --> 00:37:49,419
WHERE DO YOU
WANT TO GO?

759
00:37:49,919 --> 00:37:50,420
WE'’’LL GO IN HERE.

760
00:37:50,920 --> 00:37:51,921
HERE?

761
00:37:53,423 --> 00:37:55,975
[LOUD ROCK MUSIC PLAYING]

762
00:37:55,975 --> 00:37:56,976
NORA, DANCE WITH ME.

763
00:37:56,976 --> 00:38:00,480
OH, NO, NO.
BREAK. BREAK.

764
00:38:00,980 --> 00:38:02,982
UH, TWO SHOTS
OF TEQUILA.

765
00:38:02,982 --> 00:38:03,983
IS THAT OK WITH YOU?

766
00:38:03,983 --> 00:38:04,984
YEAH.

767
00:38:04,984 --> 00:38:05,985
OK.

768
00:38:07,987 --> 00:38:09,489
[MUSIC PLAYING]

769
00:38:40,019 --> 00:38:42,522
ALL I NEED IS
SOMETHING TO DRINK.

770
00:38:49,529 --> 00:38:50,029
BOBBY.

771
00:38:50,530 --> 00:38:52,031
NORA.
HEY, BABY.

772
00:38:52,031 --> 00:38:53,533
WHAT ARE YOU
DOING HERE?

773
00:38:53,533 --> 00:38:55,535
I WAS ON TOUR
IN PHILLY.
I HAD THE NIGHT OFF.

774
00:38:55,535 --> 00:38:57,537
I CAME BACK.
I HAD TO DO A FEW THINGS.

775
00:38:58,037 --> 00:38:59,038
WHAT ARE YOU DOING?

776
00:38:59,539 --> 00:39:01,541
ACTUALLY, I HAVE
HIM WITH ME.

777
00:39:04,043 --> 00:39:06,045
VERY NICE.

778
00:39:06,045 --> 00:39:08,548
SO YOU WANT TO BE
ALONE, NO?

779
00:39:08,548 --> 00:39:10,550
NO. YOU KNOW WHAT?
THIS IS PERFECT.

780
00:39:18,057 --> 00:39:19,025
[LAUGHTER]

781
00:39:19,025 --> 00:39:23,679
OH, MY GOD.
IT'’’S SO CRAZY.

782
00:39:23,679 --> 00:39:24,680
AY, AY, AY.

783
00:39:24,680 --> 00:39:26,182
AND YOU, JULIAN.
WHAT ARE YOU DOING HERE?

784
00:39:26,182 --> 00:39:28,100
ARE YOU ON VACATION?

785
00:39:28,100 --> 00:39:29,735
Nora: HE'’’S WORKING
ON A MOVIE.

786
00:39:29,735 --> 00:39:31,337
HE'’’S NOT AN ACTOR, THOUGH.

787
00:39:31,337 --> 00:39:33,940
Bobby: NO?

788
00:39:33,940 --> 00:39:35,441
I CAME HERE
FOR A WOMAN.

789
00:39:35,942 --> 00:39:38,911
AY, DIOS MIO.
NO, PLEASE. OK.

790
00:39:38,911 --> 00:39:41,330
TELL ME. LET'’’S GO.

791
00:39:41,330 --> 00:39:45,201
SHE WAS MY GIRLFRIEND,
SHE'’’S AN ACTRESS,

792
00:39:45,601 --> 00:39:49,005
AND SHE CAME HERE
TO DO A MOVIE,

793
00:39:49,505 --> 00:39:53,860
SO I TAKE A JOB
ON THE MOVIE SO I CAN
BE CLOSE TO HER.

794
00:39:53,860 --> 00:39:58,264
BUT THEN SHE LEAVES ME
FOR THE ACTOR
IN THE MOVIE.

795
00:39:58,764 --> 00:40:01,701
[SPEAKING SPANISH]

796
00:40:03,052 --> 00:40:05,021
THAT'’’S TERRIBLE.

797
00:40:05,021 --> 00:40:07,440
SO YOU'’’RE NO GOOD
AT LOVE, TOO, HUH?

798
00:40:07,440 --> 00:40:10,343
NO. TREÈÈS MAUVAIS.

799
00:40:18,384 --> 00:40:21,487
OK. KIDDIES,
I GOT TO GO.

800
00:40:21,487 --> 00:40:22,388
IT'’’S GETTING LATE.

801
00:40:22,788 --> 00:40:24,207
IT'’’S SO LATE,
IT'’’S ALMOST EARLY.

802
00:40:24,207 --> 00:40:25,024
IT WAS A PLEASURE
MEETING YOU.

803
00:40:25,024 --> 00:40:26,325
I HOPE TO SEE YOU
AROUND MORE.

804
00:40:26,325 --> 00:40:27,827
OK, AND THANK YOU
FOR THE SMOKE.

805
00:40:28,327 --> 00:40:28,828
AH.

806
00:40:29,328 --> 00:40:30,329
CIAO.

807
00:40:32,832 --> 00:40:35,234
Bobby: OH.

808
00:40:35,718 --> 00:40:37,336
SHE'’’S A VERY
GOOD GIRL, OK?

809
00:40:37,737 --> 00:40:39,338
YES. I KNOW.

810
00:40:39,338 --> 00:40:41,374
OK. CIAO BELLO.

811
00:42:13,983 --> 00:42:15,484
HI.

812
00:42:15,484 --> 00:42:18,437
WHAT ARE YOU DOING HERE?

813
00:42:18,437 --> 00:42:19,772
I'’’M MAKING YOU COFFEE?

814
00:42:20,272 --> 00:42:21,607
I THOUGHT YOU LEFT.

815
00:42:22,008 --> 00:42:24,143
NO. I'’’M HERE.

816
00:42:27,747 --> 00:42:29,498
YOU HAVE PLANS
FOR TODAY?

817
00:42:31,000 --> 00:42:34,754
UH, NO. NO.
I GUESS NOT.

818
00:42:34,754 --> 00:42:36,188
IT'’’S OK, THEN?

819
00:42:38,724 --> 00:42:41,043
YEAH. YEAH.

820
00:42:47,550 --> 00:42:48,868
[GLASS CLATTERS]

821
00:42:48,868 --> 00:42:50,603
GOD.

822
00:42:51,003 --> 00:42:52,972
SO, WHAT DO YOU
WANT TO DO?

823
00:42:53,472 --> 00:42:54,974
I'’’M ANGRY.

824
00:42:56,976 --> 00:42:57,977
YEAH? ABOUT WHAT?

825
00:42:58,477 --> 00:43:00,980
I DON'’’T KNOW.
ANYTHING.

826
00:43:01,981 --> 00:43:03,482
WHAT?

827
00:43:03,983 --> 00:43:04,984
I'’’M ANGRY.

828
00:43:06,485 --> 00:43:08,988
OH, YOU'’’RE HUNGRY. OH.

829
00:43:08,988 --> 00:43:10,489
I THOUGHT YOU SAID
YOU WERE ANGRY.

830
00:43:10,489 --> 00:43:13,993
OH, NO. NEVER.
NEVER.

831
00:43:13,993 --> 00:43:15,995
SO WHERE DO YOU
WANT TO EAT?

832
00:43:18,998 --> 00:43:22,501
FOOD. MANJA.

833
00:43:22,501 --> 00:43:24,003
COME ON.

834
00:43:27,306 --> 00:43:29,842
I HAD A NICE TIME
WITH YOU LAST NIGHT.

835
00:43:29,842 --> 00:43:30,810
REALLY?

836
00:43:30,810 --> 00:43:31,761
YEAH, SURE.

837
00:43:35,514 --> 00:43:37,900
EVEN THOUGH
WE DIDN'’’T HAVE SEX?

838
00:43:37,900 --> 00:43:39,985
OF COURSE.

839
00:43:39,985 --> 00:43:41,487
WHY NOT?

840
00:43:44,023 --> 00:43:45,624
DO YOU THINK
IF YOU DON'’’T HAVE
SEX WITH A MAN,

841
00:43:46,025 --> 00:43:47,760
HE DOES NOT
LIKE YOU?

842
00:43:47,760 --> 00:43:49,078
NO.

843
00:43:54,417 --> 00:43:56,368
I DON'’’T KNOW. MAYBE.

844
00:43:56,368 --> 00:43:58,370
I THINK IT JUST
DEPENDS ON THE GUY.

845
00:43:59,972 --> 00:44:02,875
YOU DON'’’T HAVE ANY
HANG-UPS, DO YOU?

846
00:44:02,875 --> 00:44:04,794
WHAT IS HANG-UPS?

847
00:44:04,794 --> 00:44:08,280
PROBLEMS, FEARS,
THINGS THAT SCARE YOU.

848
00:44:08,280 --> 00:44:10,216
LIKE WHAT THINGS?

849
00:44:10,216 --> 00:44:11,517
I DON'’’T KNOW.

850
00:44:11,517 --> 00:44:16,322
UH, HEART ATTACKS,
TERRORISM,

851
00:44:16,322 --> 00:44:20,326
RANDOM
ACTS OF VIOLENCE,

852
00:44:20,326 --> 00:44:23,629
WORRYING ABOUT
WHAT OTHER PEOPLE THINK,

853
00:44:23,629 --> 00:44:25,397
NOT SUCCEEDING
IN LIFE.

854
00:44:25,397 --> 00:44:28,484
WOW. THAT'’’S A LOT.

855
00:44:30,169 --> 00:44:33,155
NO. WHEN I WAS
8 YEARS OLD,

856
00:44:33,155 --> 00:44:35,708
MY MOTHER DIED,
AND MY FATHER
TOLD ME

857
00:44:35,708 --> 00:44:38,110
THAT LIFE WAS
SOMETHING SHORT

858
00:44:38,110 --> 00:44:40,679
AND TO ALWAYS MAKE
SOME VALUE IN IT.

859
00:44:41,080 --> 00:44:43,349
WHEN MY FATHER DIED,
I THINK I DID THE OPPOSITE.

860
00:44:46,418 --> 00:44:47,920
IS HE STILL ALIVE,
YOUR DAD?

861
00:44:48,420 --> 00:44:51,841
YES. HE LIVES
IN THE SOUTH OF FRANCE.

862
00:44:51,841 --> 00:44:52,842
MARSEILLES.

863
00:44:55,027 --> 00:44:56,228
MARSEILLES?

864
00:44:59,315 --> 00:45:00,816
COME ON, NORA.

865
00:45:01,300 --> 00:45:03,102
YOU'’’VE GOT TO
GO SOMEWHERE.

866
00:45:04,970 --> 00:45:06,639
I KNOW. YOU'’’RE RIGHT.

867
00:45:15,164 --> 00:45:16,165
WE'’’VE BEEN
WALKING A LOT.

868
00:45:16,165 --> 00:45:17,166
ARE YOU TIRED
OF WALKING?

869
00:45:17,166 --> 00:45:18,167
NO. IT'’’S PERFECT.

870
00:45:18,167 --> 00:45:19,668
YEAH?

871
00:45:29,879 --> 00:45:31,380
I KNOW WHAT WE CAN DO.

872
00:45:36,569 --> 00:45:38,170
Nora: I LOVE THESE PENGUINS.

873
00:45:40,172 --> 00:45:41,373
SOMETIMES WHEN I'’’M SAD,
I COME HERE

874
00:45:41,373 --> 00:45:43,526
AND JUST WATCH THEM.

875
00:45:44,860 --> 00:45:46,362
THEY MAKE ME FEEL BETTER.

876
00:45:49,865 --> 00:45:51,367
COME HERE.

877
00:45:55,087 --> 00:45:56,572
COME HERE.

878
00:46:03,379 --> 00:46:04,880
I WANT TO KISS YOU.

879
00:46:46,956 --> 00:46:47,957
[LAUGHING]

880
00:46:47,957 --> 00:46:48,958
LA PIROUETTE.

881
00:46:48,958 --> 00:46:49,959
LA PIROUETTE.

882
00:46:49,959 --> 00:46:50,960
BIEN. PIROUETTE.

883
00:46:50,960 --> 00:46:51,944
PWE WET.

884
00:46:51,944 --> 00:46:53,145
PWE WET?

885
00:46:53,145 --> 00:46:54,430
[LAUGHING]

886
00:46:54,430 --> 00:46:56,882
[SPEAKING FRENCH]

887
00:46:59,418 --> 00:47:00,619
WHAT WOULD YOU SAY
TO A FRENCH GIRL

888
00:47:00,619 --> 00:47:02,655
IF YOU WERE HAVING
SEX WITH HER?

889
00:47:02,655 --> 00:47:04,757
I WOULD SAY, "OH! OH!

890
00:47:04,757 --> 00:47:07,109
C'’’EST TREÈÈS BON!"

891
00:47:07,109 --> 00:47:09,612
AH! HA HA HA!

892
00:47:13,115 --> 00:47:14,617
ARE YOU STARTING
TO LOVE ME?

893
00:47:15,117 --> 00:47:16,118
HA HA! I'’’M NOT READY

894
00:47:16,118 --> 00:47:18,621
TO GIVE OUT THAT
INFORMATION AT THIS TIME.

895
00:47:20,623 --> 00:47:24,126
.
NORA, YOU ARE THE EXACT
GIRL THAT'’’S ON MY MIND

896
00:47:24,610 --> 00:47:25,911
[LAUGHING]

897
00:47:26,412 --> 00:47:30,549
SHH. SHH. SHH.

898
00:47:54,039 --> 00:47:55,441
Julian:
WHAT ARE YOU THINKING?

899
00:47:58,477 --> 00:47:59,311
HEY.

900
00:48:02,815 --> 00:48:04,316
NOTHING.

901
00:48:07,219 --> 00:48:08,821
I WAS JUST THINKING
ABOUT HOW I WAS TELLING
MY FRIEND AUDREY

902
00:48:08,821 --> 00:48:11,323
THAT I WASN'’’T GONNA
SEE ANYONE.

903
00:48:11,323 --> 00:48:14,126
AND I CHANGED
YOUR MIND?

904
00:48:14,126 --> 00:48:16,128
ARE YOU SEEING
ANYONE RIGHT NOW?

905
00:48:16,128 --> 00:48:20,899
NO, NOT NOW.
JUST YOU.

906
00:48:20,899 --> 00:48:23,168
BUT YOU DO SEE
OTHER WOMEN.

907
00:48:23,569 --> 00:48:25,971
IF I MEET SOMEONE
I LIKE, YES.

908
00:48:30,776 --> 00:48:33,579
WHY? WHAT?

909
00:48:33,979 --> 00:48:35,581
NOTHING.
OF COURSE YOU DO.

910
00:48:35,581 --> 00:48:37,182
BUT YOU DON'’’T?

911
00:48:41,186 --> 00:48:43,989
WHAT IS THIS?
WHAT ARE WE
DOING HERE?

912
00:48:44,390 --> 00:48:46,058
WE TAKE A BATH.

913
00:48:46,058 --> 00:48:46,859
WHY DO YOU TALK
ABOUT LOVE?

914
00:48:47,259 --> 00:48:48,060
WHEN?

915
00:48:48,060 --> 00:48:51,296
BEFORE.

916
00:48:51,296 --> 00:48:52,498
I'’’M JUST TRYING
TO FIGURE OUT

917
00:48:52,498 --> 00:48:53,699
IF THIS IS SUPPOSED
TO MEAN SOMETHING.

918
00:48:54,099 --> 00:48:55,768
I DON'’’T KNOW, NORA.

919
00:48:55,768 --> 00:48:57,219
WE HAVE NO CONTRACT.

920
00:48:57,636 --> 00:49:00,339
WE ARE JUST MEETING
EACH OTHER.

921
00:49:03,542 --> 00:49:06,095
YOU'’’RE RIGHT.
I'’’M SORRY,
I'’’M SORRY.

922
00:49:12,434 --> 00:49:14,937
YOU STILL DIDN'’’T
TELL ME WHAT YOU DO.

923
00:49:14,937 --> 00:49:16,939
I START TO RECORD
SOUND ON MOVIES.

924
00:49:17,439 --> 00:49:19,441
AH. MYSTERY SOLVED.

925
00:49:19,441 --> 00:49:20,442
DO YOU LIKE IT?
IS IT FUN?

926
00:49:20,943 --> 00:49:22,444
YES, I LIKE IT.

927
00:49:22,444 --> 00:49:24,630
I LIKE TO LISTEN
TO PEOPLE,

928
00:49:25,030 --> 00:49:28,033
TO HEAR THEIR VOICE,
HOW THEY FEEL,

929
00:49:28,534 --> 00:49:29,835
AND I GET TO TRAVEL.

930
00:49:32,621 --> 00:49:33,622
BUT THERE'’’S
NOT ONLY WORK.

931
00:49:33,622 --> 00:49:34,940
I ALSO PLAY
SOME MUSIC.

932
00:49:35,340 --> 00:49:38,343
UGH. I'’’M SO GLAD
I DON'’’T HAVE
AN ACOUSTIC GUITAR.

933
00:49:49,304 --> 00:49:51,306
NORA?

934
00:49:51,306 --> 00:49:53,308
GUY, HI.
HOW ARE YOU?

935
00:49:53,308 --> 00:49:54,810
I'’’M GREAT.
HOW ARE YOU?

936
00:49:54,810 --> 00:49:55,811
GOOD. HOW ARE YOU?

937
00:49:55,811 --> 00:49:57,312
I'’’M GREAT.
I JUST GOT BACK

938
00:49:57,312 --> 00:49:59,314
FROM A WEDDING
IN ROME LAST NIGHT.

939
00:49:59,314 --> 00:50:00,816
YOU KNOW JIM, RIGHT?
YEAH.

940
00:50:00,816 --> 00:50:01,817
YEAH. IT WAS
HIS WEDDING.

941
00:50:02,317 --> 00:50:03,318
IT WAS TOTALLY
INSANE.

942
00:50:03,318 --> 00:50:04,620
THAT SOUNDS GREAT.

943
00:50:04,620 --> 00:50:08,624
YEAH. HEY.
UH, I'’’M GUY.

944
00:50:08,624 --> 00:50:09,625
SORRY.

945
00:50:10,125 --> 00:50:11,126
HI. I'’’M JULIAN.

946
00:50:12,628 --> 00:50:14,129
YOU, UH, YOU
AROUND THIS SUMMER?

947
00:50:14,630 --> 00:50:16,131
YEAH. YEAH.
I HAVE NO PLANS.

948
00:50:16,131 --> 00:50:17,633
I'’’M JUST WORKING,
YOU KNOW?

949
00:50:17,633 --> 00:50:19,885
OK. WELL, COOL.

950
00:50:19,885 --> 00:50:21,220
UM, I'’’M HERE
AND AT THE BEACH,

951
00:50:21,220 --> 00:50:22,221
SO I'’’LL GIVE YOU
A CALL.

952
00:50:22,221 --> 00:50:23,722
GREAT.
NICE TO MEET YOU,
MAN.

953
00:50:23,722 --> 00:50:24,723
NICE TO MEET YOU.

954
00:50:24,723 --> 00:50:26,225
SEE YOU.
BYE.

955
00:50:35,234 --> 00:50:39,188
I'’’LL HAVE, UM,
HALF A DOZEN

956
00:50:39,188 --> 00:50:41,690
OF THE WHITE COOKIES
WITH THE SPRINKLES

957
00:50:41,690 --> 00:50:44,693
AND, UM--THEY'’’RE
FAMOUS FOR THEIR
CANNOLIS.

958
00:50:44,693 --> 00:50:46,578
I'’’LL HAVE A HALF
A DOZEN OF THOSE

959
00:50:46,578 --> 00:50:47,496
AND, UM...

960
00:50:47,496 --> 00:50:49,498
[HISSING]

961
00:50:59,174 --> 00:51:01,059
I'’’M SO SORRY.
I WAS SO RUDE.

962
00:51:01,059 --> 00:51:03,061
I DON'’’T KNOW
WHAT HAPPENED.

963
00:51:05,497 --> 00:51:07,132
I'’’M JUST SO STUPID
SOMETIMES.

964
00:51:07,132 --> 00:51:08,734
I JUST GOT CAUGHT
OFF GUARD.

965
00:51:08,734 --> 00:51:12,070
I'’’M JUST NOT USED
TO BEING WITH SOMEONE.

966
00:51:12,070 --> 00:51:14,072
I MEAN, NOT THAT WE'’’RE
TOGETHER OR ANYTHING,

967
00:51:14,072 --> 00:51:16,074
BUT I'’’M JUST NOT
THAT EXPERIENCED

968
00:51:16,074 --> 00:51:19,378
IN HOW TO ACT
WITH A GUY.

969
00:51:19,378 --> 00:51:20,729
IT'’’S JUST SO WEIRD
YOU COME INTO MY LIFE,

970
00:51:20,729 --> 00:51:23,232
AND--I DON'’’T KNOW--
YOU'’’VE...

971
00:51:28,987 --> 00:51:30,322
I HAVE TO GO
TO THE BATHROOM.

972
00:51:40,299 --> 00:51:41,800
[WHISPERING]
What are you doing here?

973
00:51:41,800 --> 00:51:43,569
I'’’m such a freak.

974
00:51:46,505 --> 00:51:49,341
I'’’VE TURNED INTO
SUCH A BITCH.

975
00:51:49,841 --> 00:51:50,842
[INDISTINCT]

976
00:51:54,346 --> 00:51:56,798
[DOOR CREAKING]

977
00:51:58,817 --> 00:52:01,220
[WATER RUNNING]

978
00:52:01,220 --> 00:52:04,022
[DOOR CREAKING]

979
00:52:06,825 --> 00:52:07,826
ARE YOU OK?

980
00:52:07,826 --> 00:52:09,995
YEAH.

981
00:52:10,395 --> 00:52:11,597
.
I'’’M NOT MAD AT YOU

982
00:52:11,597 --> 00:52:14,399
OH, GOOD.
I'’’M RELIEVED.

983
00:52:14,800 --> 00:52:17,603
SOMETHING WRONG?

984
00:52:17,603 --> 00:52:19,288
I JUST WANT TO
GO HOME.

985
00:52:23,759 --> 00:52:25,143
HEY. I DON'’’T THINK
YOU'’’RE OK.

986
00:52:25,143 --> 00:52:28,380
I'’’M OK. I JUST WANT
TO GO HOME.

987
00:52:28,380 --> 00:52:29,881
DO YOU RUN FROM ME?
NO.

988
00:52:30,382 --> 00:52:31,383
DO YOU FEEL SICK?

989
00:52:31,883 --> 00:52:33,385
YES, I FEEL SICK.

990
00:52:33,385 --> 00:52:34,886
I FEEL LIKE I'’’M
GOING TO DIE.

991
00:52:43,328 --> 00:52:44,313
WHAT ARE YOU DOING?

992
00:52:44,313 --> 00:52:45,314
OH, COME ON, NO.
WHAT ARE YOU DOING?

993
00:52:45,314 --> 00:52:46,315
NO, NO!
GIVE IT TO ME!

994
00:52:46,815 --> 00:52:47,816
GIVE IT TO ME!
I'’’M NOT GONNA KILL MYSELF!

995
00:52:47,816 --> 00:52:49,318
I'’’M JUST GONNA
TAKE ONE!

996
00:52:54,323 --> 00:52:55,324
[PILLS RATTLE]

997
00:52:55,824 --> 00:52:58,327
[WATER RUNNING]

998
00:53:26,638 --> 00:53:27,606
ARE YOU OK?

999
00:53:31,109 --> 00:53:32,311
I WILL BE.

1000
00:53:35,247 --> 00:53:38,050
IS THERE SOMETHING
WRONG WITH YOU?

1001
00:53:38,050 --> 00:53:39,651
YEAH. I'’’M A FREAK.

1002
00:53:42,854 --> 00:53:44,856
I HAD
AN ANXIETY ATTACK.

1003
00:53:48,860 --> 00:53:49,761
DO YOU WANT ME
TO STAY WITH YOU,

1004
00:53:50,162 --> 00:53:53,365
OR DO YOU WANT
TO BE ALONE?

1005
00:53:53,365 --> 00:53:54,566
YOU CAN STAY.

1006
00:54:00,105 --> 00:54:01,707
I'’’M NOT GOOD FOR A
NY ACTION, THOUGH.

1007
00:54:15,404 --> 00:54:18,824
THAT HASN'’’T HAPPEN
ED IN A REALLY
LONG TIME.

1008
00:54:19,224 --> 00:54:20,425
IT'’’S REALLY SCARY.

1009
00:54:42,848 --> 00:54:44,449
JULIAN?

1010
00:54:50,922 --> 00:54:52,274
JULIAN?

1011
00:55:58,173 --> 00:55:59,174
HI.

1012
00:55:59,174 --> 00:56:03,178
HEY. YOU CAME BACK.

1013
00:56:03,678 --> 00:56:05,180
I'’’M--I'’’M VERY SORRY
FOR WHAT I DID.

1014
00:56:05,180 --> 00:56:07,682
NO. I'’’M SORRY.
I'’’M JUST AN IDIOT.

1015
00:56:07,682 --> 00:56:09,184
YOU DIDN'’’T DO
ANYTHING.

1016
00:56:09,184 --> 00:56:11,803
I JUST BLEW THINGS
OUT OF PROPORTION.

1017
00:56:11,803 --> 00:56:13,188
WE WERE HAVING
SO MUCH FUN.

1018
00:56:13,188 --> 00:56:14,189
I'’’M FINE NOW.

1019
00:56:18,193 --> 00:56:20,645
YOU KNOW, NORA,
I'’’M LEAVING TOMORROW,

1020
00:56:20,645 --> 00:56:23,849
AND I THOUGHT MAYBE
WE COULD SPEND THIS NIGHT
TOGETHER IF YOU WANT.

1021
00:56:23,849 --> 00:56:25,333
TOMORROW?

1022
00:56:25,333 --> 00:56:26,835
YES. VERY EARLY.

1023
00:56:34,843 --> 00:56:37,312
I HAD THE BEST TIME
WITH YOU, NORA.

1024
00:56:37,729 --> 00:56:40,398
ME, TOO.

1025
00:56:40,398 --> 00:56:42,384
COME WITH ME.
COME TO SEE PARIS.

1026
00:56:42,384 --> 00:56:43,385
COME ON THE PLANE
TOMORROW

1027
00:56:43,885 --> 00:56:44,886
AND RUN AWAY
WITH ME.

1028
00:56:45,387 --> 00:56:46,388
NO. I CAN'’’T.

1029
00:56:46,388 --> 00:56:47,889
I CAN'’’T.
WHY NOT?

1030
00:56:47,889 --> 00:56:49,391
A MILLION REASONS.

1031
00:56:49,391 --> 00:56:50,892
LIKE, I COULDN'’’T
POSSIBLY BE READY
TO DO THAT IN TIME.

1032
00:56:50,892 --> 00:56:53,395
I--I HAVE TO WORK.
I HAVE OBLIGATIONS.

1033
00:56:53,395 --> 00:56:55,397
THOSE ARE ONLY SOME
EXCUSES, ALL RIGHT?

1034
00:56:55,897 --> 00:56:56,898
I WANT YOU TO COME.

1035
00:56:56,898 --> 00:56:57,899
WHAT ARE YOU
GONNA DO?

1036
00:56:57,899 --> 00:56:59,901
STAY ALL YOUR LIFE,
DO THE SAME THING?

1037
00:56:59,901 --> 00:57:03,905
NO. I'’’M--I'’’M JUST
BEING REALISTIC.

1038
00:57:03,905 --> 00:57:06,408
WE'’’VE ONLY
KNOWN EACH OTHER
FOR A COUPLE OF DAYS.

1039
00:57:06,408 --> 00:57:07,409
I CAN'’’T JUST PRETEND
THAT EVERYTHING

1040
00:57:07,909 --> 00:57:08,910
WOULD JUST MAGICALLY
WORK ITSELF OUT.

1041
00:57:09,411 --> 00:57:10,412
I KNOW BETTER.

1042
00:57:14,416 --> 00:57:16,418
YOU SHOULDN'’’T MAKE
PROMISES THAT YOU
CAN'’’T KEEP.

1043
00:57:16,418 --> 00:57:18,737
WHY NOT?

1044
00:57:18,737 --> 00:57:21,540
I DON'’’T KNOW.
UH...

1045
00:57:21,540 --> 00:57:23,391
IT'’’S JUST NOT WHAT
I IMAGINED FOR MYSELF.

1046
00:57:23,391 --> 00:57:25,176
I'’’M NOT LIKE THAT.

1047
00:57:25,176 --> 00:57:27,112
WHY? BECAUSE
I'’’M FRENCH,

1048
00:57:27,112 --> 00:57:27,979
BECAUSE I'’’M YOUNGE
R THAN YOU?

1049
00:57:28,480 --> 00:57:30,949
WHAT IS IT?

1050
00:57:31,349 --> 00:57:33,351
YEAH. YOU LIVE
IN ANOTHER COUNTRY.

1051
00:57:39,357 --> 00:57:41,426
WE'’’VE HAD
A REALLY NICE WEEKEND.

1052
00:57:44,229 --> 00:57:47,465
YOU SHOULDN'’’T FEEL
BAD ABOUT IT.

1053
00:57:47,465 --> 00:57:49,534
I DON'’’T WANT TO
FIGHT ABOUT THIS NOW.

1054
00:57:51,620 --> 00:57:53,121
I'’’LL COME TO PARIS
WITH YOU

1055
00:57:53,121 --> 00:57:57,626
AND WE'’’LL JUST SEE
HOW IT GOES SOMETIME
IN THE FUTURE.

1056
00:57:57,626 --> 00:57:59,010
YOU PROMISE?

1057
00:58:01,763 --> 00:58:02,264
YEAH.

1058
00:58:10,405 --> 00:58:12,407
[ALARM CLOCK BUZZING]

1059
00:58:58,336 --> 00:59:00,071
OK, NORA.
I HAVE TO GO.

1060
00:59:04,392 --> 00:59:06,044
I HAD A GREAT TIME
WITH YOU.

1061
00:59:10,048 --> 00:59:11,449
DON'’’T CRY.

1062
00:59:15,487 --> 00:59:18,289
I LEFT MY CELL PHONE
NUMBER NEXT
TO YOUR BED.

1063
00:59:18,289 --> 00:59:19,891
[CRYING]

1064
00:59:19,891 --> 00:59:22,677
COME HERE.

1065
00:59:22,677 --> 00:59:23,678
KISS ME.

1066
01:00:02,634 --> 01:00:03,435
[DOOR CLOSES]

1067
01:00:15,847 --> 01:00:17,849
WHAT?

1068
01:00:17,849 --> 01:00:18,850
YOU NEED TO GO
ON A DATE.

1069
01:00:19,350 --> 01:00:21,352
UGH. NO.
MM-HMM.

1070
01:00:21,853 --> 01:00:22,854
DUTY DATING.

1071
01:00:23,354 --> 01:00:24,355
WHAT'’’S THAT?

1072
01:00:24,355 --> 01:00:25,857
THERE'’’S A THEORY
THAT YOU SHOULD
GO OUT

1073
01:00:25,857 --> 01:00:27,358
WITH GUYS
WHO ASK YOU OUT,

1074
01:00:27,358 --> 01:00:29,861
EVEN IF YOU KNOW
YOU DON'’’T LIKE THE
M IN THAT WAY.

1075
01:00:29,861 --> 01:00:31,362
FOR PRACTICE.

1076
01:00:31,362 --> 01:00:34,365
THAT IS THE SADDEST
THING I THINK I'’’VE
EVER HEARD.

1077
01:00:34,365 --> 01:00:36,367
NO, IT'’’S NOT.

1078
01:00:36,367 --> 01:00:38,169
YOU NEED TO
GET OUT THERE AGAIN.

1079
01:00:38,169 --> 01:00:39,671
OTHERWISE, YOU'’’RE
JUST GONNA RETREAT.

1080
01:00:39,671 --> 01:00:41,439
I KNOW YOU, NORA.

1081
01:00:41,439 --> 01:00:43,441
NOBODY'’’S ASKING
ME OUT.

1082
01:00:43,441 --> 01:00:44,876
UH-UH

1083
01:00:45,176 --> 01:00:49,047
STEVE, YOU TELL NORA
YOU WERE AN ARCHITECT?

1084
01:00:49,047 --> 01:00:52,550
YEAH. I WAS DOING
PRIVATE HOMES
AND OFFICE BUILDINGS.

1085
01:00:52,984 --> 01:00:55,804
I MOSTLY BUILD
BOUTIQUE HOTELS NOW.

1086
01:00:55,804 --> 01:00:59,691
I HAVE TO SAY,
IT'’’S REALLY
CHALLENGING, YOU KNOW...

1087
01:00:59,691 --> 01:01:02,894
MM-HMM.
MAKING EACH ONE
DIFFERENT.

1088
01:01:02,894 --> 01:01:03,695
MM.

1089
01:01:06,498 --> 01:01:08,399
NORA WORKS
IN A HOTEL,
SULLIVAN HOUSE.

1090
01:01:08,900 --> 01:01:11,402
IS THAT RIGHT?

1091
01:01:11,402 --> 01:01:13,138
YEAH.

1092
01:01:13,138 --> 01:01:14,739
DO YOU LIKE IT?

1093
01:01:17,942 --> 01:01:19,144
NO.

1094
01:01:20,745 --> 01:01:21,946
NOT REALLY.

1095
01:01:33,975 --> 01:01:35,443
HI, NORA.

1096
01:01:35,443 --> 01:01:36,728
YOU GOT A MINUTE?

1097
01:01:36,728 --> 01:01:38,062
YEAH.

1098
01:01:38,062 --> 01:01:40,064
I JUST WANTED TO TALK
TO YOU SERIOUSLY

1099
01:01:40,565 --> 01:01:42,267
JUST FOR A BIT.

1100
01:01:42,267 --> 01:01:45,186
OK.

1101
01:01:45,186 --> 01:01:47,839
I WAS WONDERING, UM,
HOW IT'’’S GOING,

1102
01:01:47,839 --> 01:01:52,510
HOW YOU'’’RE DOING
WITH THE PLANNING
OF THE COMPANY PICNIC.

1103
01:01:52,510 --> 01:01:54,145
OH. THAT.

1104
01:01:54,145 --> 01:01:59,217
UM, I, UH, HAVEN'’’T
REALLY GOTTEN
AROUND TO IT YET.

1105
01:01:59,217 --> 01:02:02,420
WE'’’VE BEEN
KIND OF SWAMPED.

1106
01:02:02,420 --> 01:02:05,356
HAVEN'’’T GOT
AROUND TO IT YET?

1107
01:02:05,356 --> 01:02:08,510
UH, NORA, THERE'’’S
ONLY 5 WEEKS LEFT.

1108
01:02:08,510 --> 01:02:09,511
I MEAN, THERE'’’S
A LOT MORE TO IT

1109
01:02:10,011 --> 01:02:12,797
THAN--THAN JUST
LOCATIONS ALONE.

1110
01:02:12,797 --> 01:02:14,883
I MEAN, YOU'’’VE GOT FOOD
AND INVITES, BUSES,

1111
01:02:14,883 --> 01:02:16,885
GAMES,
EMPLOYEE OF THE MONTH.

1112
01:02:16,885 --> 01:02:19,904
HAVE YOU EVEN VOTED
FOR THE EMPLOYEE
OF THE MONTH YET?

1113
01:02:19,904 --> 01:02:21,506
NOT YET.

1114
01:02:21,906 --> 01:02:24,609
WELL, WHEN WERE YOU
PLANNING ON DOING
ALL OF THIS?

1115
01:02:24,609 --> 01:02:28,213
T.
I DON'’’T KNOW.
I'’’M SORRY. I FORGO

1116
01:02:28,213 --> 01:02:29,531
LOOK. YOU KNOW WHAT?
I DON'’’T UNDERSTAND
WHAT'’’S WRONG

1117
01:02:29,531 --> 01:02:30,532
WITH YOU LATELY, NORA.

1118
01:02:31,032 --> 01:02:33,034
YOU WERE ALWAYS
SO RELIABLE,

1119
01:02:33,034 --> 01:02:34,285
AND NOW YOU DON'’’T EVEN
COME AROUND ANYMORE.

1120
01:02:34,285 --> 01:02:37,155
NOBODY'’’S SEEN YOU.
WHAT'’’S WRONG WITH YOU?

1121
01:02:37,155 --> 01:02:39,240
IS EVERYTHING OK?

1122
01:02:39,724 --> 01:02:42,560
BECAUSE YOU CANNOT
GO ON LIKE THIS.

1123
01:02:42,560 --> 01:02:44,162
YOU KNOW
WHAT, PERRY?
YOU'’’RE RIGHT.

1124
01:02:44,162 --> 01:02:45,830
I CAN'’’T GO ON
LIKE THIS.

1125
01:02:45,830 --> 01:02:47,632
I'’’VE BEEN AWFUL.

1126
01:02:47,632 --> 01:02:49,901
I CAN'’’T DO THIS
ANYMORE.

1127
01:02:49,901 --> 01:02:51,502
DO WHAT?

1128
01:02:51,502 --> 01:02:55,256
THIS! I CAN'’’T
DO THIS ANYMORE!

1129
01:03:43,888 --> 01:03:46,391
I SEE SOMETHING
IN YOU.

1130
01:03:46,391 --> 01:03:48,393
HUH?

1131
01:03:48,393 --> 01:03:50,862
I CAN TELL YOU THINGS
ABOUT YOUR LIFE.

1132
01:03:55,033 --> 01:03:59,320
YOUR FATHER
MISSES YOU.

1133
01:03:59,821 --> 01:04:02,624
YOU WERE HIS FAVORITE
PERSON IN THE WORLD.

1134
01:04:02,624 --> 01:04:04,125
[SOBS]

1135
01:04:06,628 --> 01:04:09,314
HE KNOWS HOW LONELY
YOU ARE,

1136
01:04:09,714 --> 01:04:13,718
AND HE WANTS ME
TO HELP YOU.

1137
01:04:13,718 --> 01:04:15,219
COME INSIDE.

1138
01:04:20,725 --> 01:04:24,228
Audrey:
SO WAIT A MINUTE.

1139
01:04:24,228 --> 01:04:26,230
YOU WENT TO
A PSYCHIC TO HAVE

1140
01:04:26,230 --> 01:04:27,732
A CURSE PUT ON YOU.

1141
01:04:27,732 --> 01:04:30,601
PLEASE. I'’’M HUMILIATED
ENOUGH AS IT IS.

1142
01:04:31,002 --> 01:04:31,803
SHE DIDN'’’T PUT
A CURSE ON ME.

1143
01:04:31,803 --> 01:04:33,404
SHE REMOVED A CURSE.

1144
01:04:33,821 --> 01:04:35,173
DID YOU PAY HER?

1145
01:04:35,173 --> 01:04:36,491
I DON'’’T WANT TO
TALK ABOUT IT.

1146
01:04:36,491 --> 01:04:38,242
NO. PLEASE.
I HAVE TO KNOW

1147
01:04:38,643 --> 01:04:40,745
SO I CAN UNDERSTAND
YOUR INSANITY.

1148
01:04:40,745 --> 01:04:42,747
I DON'’’T KNOW.

1149
01:04:43,147 --> 01:04:44,882
I'’’M GOING
TOTALLY CRAZY.

1150
01:04:44,882 --> 01:04:46,951
YOU'’’LL BE FINE.

1151
01:04:46,951 --> 01:04:49,020
NO, I WON'’’T.
I QUIT MY JOB,

1152
01:04:49,420 --> 01:04:52,223
AND I WENT
TO A WITCHDOCTOR.

1153
01:04:52,223 --> 01:04:54,325
I CAN'’’T BELIEVE
YOU QUIT YOUR JOB.

1154
01:04:54,325 --> 01:04:56,344
I KNOW.

1155
01:04:56,344 --> 01:04:58,496
DO YOU THINK THAT
WAS THE RIGHT THING
TO DO?

1156
01:05:02,100 --> 01:05:03,701
MAYBE IT WAS.

1157
01:05:06,504 --> 01:05:10,108
MAYBE I SHOULD HAVE
GONE WITH JULIAN.

1158
01:05:10,108 --> 01:05:13,311
WHY DIDN'’’T YOU?

1159
01:05:13,311 --> 01:05:14,512
I'’’M A COWARD.

1160
01:05:16,948 --> 01:05:20,585
SO...WHAT ARE YOU
GONNA DO ABOUT IT?

1161
01:05:25,456 --> 01:05:27,959
IS THIS SAFE?

1162
01:05:27,959 --> 01:05:29,961
IT'’’S FINE. RELAX.

1163
01:05:29,961 --> 01:05:31,462
WE DON'’’T EVEN KNOW
WHAT'’’S IN HERE.

1164
01:05:31,462 --> 01:05:32,463
?
WHAT IF IT'’’S DRUGS

1165
01:05:32,463 --> 01:05:34,465
IT IS NOT DRUGS.
MY PARENTS KNOW THE GUY.

1166
01:05:34,465 --> 01:05:36,434
I CAN'’’T BELIEVE
WE'’’RE DOING THIS.

1167
01:05:36,434 --> 01:05:38,469
LISTEN. IT WAS THE ONLY
CHEAP TICKET. I SWEAR.

1168
01:05:38,970 --> 01:05:40,755
OH! I HATE MARK.

1169
01:05:40,755 --> 01:05:44,075
HE'’’S MAD THAT WE'’’RE
DOING THIS COURIER SHIT,

1170
01:05:44,075 --> 01:05:46,477
RIDING COACH. OY.

1171
01:06:00,992 --> 01:06:03,995
Audrey: UH, HI.
WE'’’RE NOT SURE
WHERE TO GO.

1172
01:06:03,995 --> 01:06:05,997
UM, WE NEED A SMALL,
LITTLE HOTEL

1173
01:06:06,497 --> 01:06:11,502
IN THE MIDDLE
OF TOWN THAT'’’S NOT
VERY EXPENSIVE.

1174
01:06:11,502 --> 01:06:13,504
I DON'’’T THINK HE
UNDERSTANDS YOU.

1175
01:06:13,504 --> 01:06:15,006
OH, NO.
I THINK HE DOES.

1176
01:06:15,006 --> 01:06:17,008
THEY JUST PRETEND
NOT TO UNDERSTAND.

1177
01:06:17,008 --> 01:06:18,009
WATCH THIS.

1178
01:06:18,009 --> 01:06:20,011
EXCUSEZ-MOI.
VOUS COMPRENDRE?

1179
01:06:20,011 --> 01:06:23,514
OUI, OUI.
I UNDERSTAND.

1180
01:06:23,514 --> 01:06:24,515
HMM?

1181
01:06:46,654 --> 01:06:48,156
MERCI BEAUCOUP.

1182
01:06:50,158 --> 01:06:51,659
THANK YOU
VERY MUCH.

1183
01:06:52,160 --> 01:06:55,163
I HOPE YOU FIND
HAPPINESS.

1184
01:06:55,163 --> 01:06:56,664
A PENIS?

1185
01:06:56,664 --> 01:06:57,665
YES.

1186
01:07:12,180 --> 01:07:14,182
OH...

1187
01:07:14,182 --> 01:07:15,683
SKANKY.

1188
01:07:22,440 --> 01:07:24,942
WELL, AT LEAST IT
HAS A BATHROOM.

1189
01:07:24,942 --> 01:07:27,445
THIS REALLY SUCKS.
I'’’M SORRY, AUDREY.

1190
01:07:27,445 --> 01:07:28,946
DON'’’T BE RIDICULOUS.
WE'’’RE IN PARIS.

1191
01:07:28,946 --> 01:07:30,448
WE'’’RE GONNA FIND
JULIAN.

1192
01:07:30,448 --> 01:07:32,450
LET'’’S DELIVER THES
E PACKAGES FIRST,

1193
01:07:32,450 --> 01:07:33,951
GET IT OUT
OF THE WAY.

1194
01:07:33,951 --> 01:07:35,453
WE'’’RE SO CRAZY
FOR DOING THIS.

1195
01:07:35,453 --> 01:07:37,455
.
I KNOW.
IT'’’S TOTALLY CRAZY

1196
01:07:37,455 --> 01:07:40,458
YOU KNOW, WE COULD
PROBABLY GET A MAP
DOWNSTAIRS.

1197
01:07:40,458 --> 01:07:41,876
OH, YOU'’’RE SO ON IT.

1198
01:07:42,376 --> 01:07:43,377
WELL, IT'’’S PROBABL
Y JUST EASIER FOR ME

1199
01:07:43,377 --> 01:07:45,379
TO BE OBJECTIVE
RIGHT NOW.

1200
01:07:45,379 --> 01:07:47,381
WHEN SHOULD WE MEET
BACK HERE?

1201
01:07:47,381 --> 01:07:48,883
I DON'’’T KNOW.
LIKE AN HOUR,
AN HOUR AND A HALF?

1202
01:07:48,883 --> 01:07:51,385
BUT IF WE GET
HELD UP, LET'’’S JUS
T CALL THE HOTEL

1203
01:07:51,385 --> 01:07:53,387
AND TOUCH BASE, OK?
OK.

1204
01:07:53,387 --> 01:07:55,890
OK. NOW WHICH WAY
IS THE SEINE?

1205
01:07:55,890 --> 01:07:58,893
BECAUSE I AM GOING
THE OPPOSITE
DIRECTION.

1206
01:08:07,401 --> 01:08:09,403
EXCUSEZ-MOI.
OUI?

1207
01:08:09,403 --> 01:08:11,405
DO YOU SPEAK ENGLISH?
A LITTLE.

1208
01:08:11,405 --> 01:08:12,907
COULD YOU TELL ME
WHERE THE HOTEL MEURICE IS?

1209
01:08:12,907 --> 01:08:14,408
UH, IT'’’S JUST
OVER THERE.

1210
01:08:14,408 --> 01:08:15,409
OK. GREAT.

1211
01:08:29,924 --> 01:08:30,925
[NO AUDIO]

1212
01:08:35,396 --> 01:08:37,215
[NO AUDIO]

1213
01:09:01,272 --> 01:09:02,873
MADAME GRENELLE?

1214
01:09:11,616 --> 01:09:13,351
MADAME GRENELLE?

1215
01:09:15,920 --> 01:09:18,105
QUI EST LAÁÁ?

1216
01:09:18,105 --> 01:09:20,224
Nora: UH, I'’’M SORRY.

1217
01:09:20,224 --> 01:09:22,960
JE NE PARLEZ FRANCÇÇAIS.

1218
01:09:22,960 --> 01:09:24,962
DO YOU SPEAK ENGLISH?

1219
01:09:24,962 --> 01:09:26,564
OF COURSE I SPEAK
ENGLISH.

1220
01:09:26,564 --> 01:09:29,367
WHAT DO YOU WANT?

1221
01:09:29,367 --> 01:09:31,769
MY NAME IS NORA.
I HAVE A PACKAGE FOR YOU.

1222
01:09:31,769 --> 01:09:33,371
THE DOOR WAS OPEN.

1223
01:09:33,371 --> 01:09:35,373
WELL, BRING IT
TO ME.

1224
01:09:41,879 --> 01:09:43,881
I HOPE I'’’M NOT
BOTHERING YOU.

1225
01:09:45,616 --> 01:09:48,419
IT'’’S BEEN
A LONG TIME.

1226
01:09:48,419 --> 01:09:49,220
EXCUSE ME?

1227
01:09:49,620 --> 01:09:50,821
[KNOCK ON DOOR]

1228
01:09:56,227 --> 01:09:57,728
MR. LARSON?

1229
01:09:57,728 --> 01:09:59,730
HI. I'’’M AUDREY.

1230
01:09:59,730 --> 01:10:01,232
COME IN.

1231
01:10:07,738 --> 01:10:09,240
PLEASE SIT DOWN.

1232
01:10:16,247 --> 01:10:17,748
THANK YOU VERY MUCH.

1233
01:10:24,255 --> 01:10:27,758
I WOULDN'’’T ENTRUST THI
S TO THE REGULAR MAIL.

1234
01:10:29,260 --> 01:10:33,264
BUT I HAVE TO SAY
I DIDN'’’T IMAGINE
SOMEONE LIKE YOU

1235
01:10:33,264 --> 01:10:34,865
DELIVERING IT TO ME.

1236
01:10:45,076 --> 01:10:47,878
ARE YOU SURPRISED?

1237
01:10:48,279 --> 01:10:49,080
YES.

1238
01:10:53,701 --> 01:10:56,203
ARE YOU HUNGRY?

1239
01:11:00,257 --> 01:11:05,930
UM, ACTUALLY,
YEAH, I AM.

1240
01:11:05,930 --> 01:11:06,831
LET'’’S GO.

1241
01:11:20,978 --> 01:11:24,982
YOU TURNED OUT
VERY PRETTY.

1242
01:11:24,982 --> 01:11:26,434
THANK YOU.

1243
01:11:28,936 --> 01:11:33,441
YOU KNOW, YOUR MOTHER
NEVER LET ME SEE YOU MUCH.

1244
01:11:33,441 --> 01:11:36,527
I THINK SHE WAS
ASHAMED OF ME,

1245
01:11:36,527 --> 01:11:38,129
AND SHE MOVED
TO AMERICA.

1246
01:11:38,529 --> 01:11:43,334
SHE WAS ALWAYS TAKING
THESE WILD CHANCES,

1247
01:11:43,334 --> 01:11:47,138
AND YOUR FATHER
WAS QUITE HANDSOME.

1248
01:11:50,207 --> 01:11:51,709
WHERE DO YOU LIVE?

1249
01:11:52,209 --> 01:11:53,711
NEW YORK CITY.

1250
01:11:53,711 --> 01:11:55,212
ARE YOU MARRIED?

1251
01:11:55,212 --> 01:11:56,213
NO.

1252
01:11:56,647 --> 01:11:59,049
BUT YOU WANT TO BE.

1253
01:11:59,049 --> 01:12:00,718
YEAH. I GUESS SO.

1254
01:12:00,718 --> 01:12:03,187
WHY?

1255
01:12:03,187 --> 01:12:04,455
I DON'’’T KNOW.

1256
01:12:04,455 --> 01:12:06,457
I, UM...

1257
01:12:06,457 --> 01:12:11,595
I GUESS THEN I WOULD
REALLY KNOW THAT
SOMEONE LOVED ME.

1258
01:12:11,595 --> 01:12:14,565
MARRIAGE IS A CONTRACT,

1259
01:12:14,565 --> 01:12:18,736
BUT TO FEEL LOVE IS
SOMETHING ELSE ENTIRELY.

1260
01:12:21,138 --> 01:12:24,241
I DON'’’T THINK I'’’
VE EVER REALLY BEEN
IN LOVE.

1261
01:12:24,241 --> 01:12:28,646
YOU HAVE PROBABLY
BEEN IN LOVE
LOTS OF TIMES.

1262
01:12:28,646 --> 01:12:33,984
BESIDES, YOU ARE YOUNG.
YOU HAVE TIME.

1263
01:12:33,984 --> 01:12:36,854
BUT I'’’M GETTING
OLDER.

1264
01:12:36,854 --> 01:12:39,657
YOU WILL BE FINE.
YOU ARE FROM GOOD STOCK.

1265
01:12:39,657 --> 01:12:42,860
DON'’’T LET ANYONE
TELL YOU OTHERWISE.

1266
01:12:43,260 --> 01:12:45,513
YOU WILL GET NOWHERE
IN THIS WORLD

1267
01:12:45,513 --> 01:12:47,948
BY FEELING SORRY
FOR YOURSELF.

1268
01:12:52,002 --> 01:12:56,574
SO WHAT WILL HAPPEN
TO YOU WHEN YOUR FRIEND
FINDS THIS MAN?

1269
01:12:56,574 --> 01:12:59,360
DEPENDING ON HOW
HAPPY HE IS
TO SEE HER,

1270
01:12:59,360 --> 01:13:01,362
EITHER I'’’LL LEAVE
ON MY OWN,

1271
01:13:01,362 --> 01:13:02,863
OR I'’’LL TAKE
NORA WITH ME.

1272
01:13:05,282 --> 01:13:07,318
I LOVE BEING
IN PARIS.

1273
01:13:08,919 --> 01:13:11,088
MY WIFE
LOVES IT HERE.

1274
01:13:11,088 --> 01:13:14,291
SOMETIMES COMES
WITH OUR CHILDREN.

1275
01:13:14,291 --> 01:13:17,561
AND SHE DOESN'’’T MI
ND YOU TAKING ANOTHER
WOMAN TO LUNCH?

1276
01:13:17,561 --> 01:13:19,313
NOT AT ALL.

1277
01:13:19,313 --> 01:13:23,634
DOES YOUR FIANCEÉÉ MIND
YOU GOING TO LUNCH
WITH ME?

1278
01:13:23,634 --> 01:13:25,703
YEAH. I DON'’’T THIN
K HE'’’D BE TOO CRAZY

1279
01:13:25,703 --> 01:13:27,188
ABOUT ME HAVING
LUNCH

1280
01:13:27,188 --> 01:13:30,608
WITH A HANDSOME
STRANGER IN PARIS.

1281
01:13:30,608 --> 01:13:32,026
NO.

1282
01:13:32,026 --> 01:13:34,311
D.
AND HE'’’S MY HUSBAN

1283
01:13:34,311 --> 01:13:36,947
I JUST FORGOT
TO WEAR MY RING.

1284
01:13:39,400 --> 01:13:42,286
IS THAT TERRIBLE?

1285
01:13:42,286 --> 01:13:45,890
YOU KNOW, I THINK
IN RELATIONSHIPS

1286
01:13:45,890 --> 01:13:49,493
THERE ARE THINGS
YOU ARE HONEST ABOUT

1287
01:13:49,493 --> 01:13:53,097
AND THINGS YOU CHOOSE
TO KEEP TO YOURSELF.

1288
01:13:53,097 --> 01:13:57,101
ARE YOU GOOD
AT KEEPING SECRETS, AUDREY?

1289
01:14:02,006 --> 01:14:03,007
I HAVE TO CALL
MY FRIEND.

1290
01:14:03,507 --> 01:14:06,243
CAN I BORROW YOUR
CELL PHONE, PLEASE?

1291
01:14:13,584 --> 01:14:15,586
[MUFFLED VOICES]

1292
01:14:23,193 --> 01:14:25,596
[DOOR OPENS]

1293
01:14:25,996 --> 01:14:27,998
[AUDREY SIGHS]

1294
01:14:27,998 --> 01:14:29,600
SORRY I'’’M LATE.

1295
01:14:35,789 --> 01:14:38,292
WHAT'’’S GOING ON
HERE?

1296
01:14:38,292 --> 01:14:40,611
WHAT HAPPENED?

1297
01:14:40,611 --> 01:14:41,812
NORA, WHAT HAPPENED?

1298
01:14:42,212 --> 01:14:43,814
DID WE GET ROBBED
OR SOMETHING?

1299
01:14:46,617 --> 01:14:48,218
I LOST THE PIECE
OF PAPER

1300
01:14:48,619 --> 01:14:52,222
WITH JULIAN'’’S
NUMBER ON IT.

1301
01:14:52,222 --> 01:14:53,023
WHAT?

1302
01:14:53,023 --> 01:14:55,025
I LOOKED EVERYWHERE.

1303
01:14:55,025 --> 01:14:57,428
LOOK AT THIS PLACE.

1304
01:14:57,428 --> 01:14:59,280
IT'’’S GONE.

1305
01:14:59,280 --> 01:15:01,782
OK. WE'’’LL FIND IT.

1306
01:15:02,283 --> 01:15:03,284
YOU DON'’’T UNDERSTAND.

1307
01:15:03,284 --> 01:15:07,371
I LOOKED EVERYWHERE
20 TIMES.

1308
01:15:07,371 --> 01:15:10,574
WELL, I'’’LL LOOK AGAIN
WITH FRESH EYES, OK?

1309
01:15:10,574 --> 01:15:13,444
WHAT ABOUT
THE PHONE BOOK
OR INFORMATION?

1310
01:15:13,444 --> 01:15:15,446
[GROANS]

1311
01:15:15,446 --> 01:15:18,248
HIS LAST NAME
IS DURAND.

1312
01:15:18,248 --> 01:15:21,051
IT'’’S LIKE THE SMITH
OF FRANCE.

1313
01:15:21,452 --> 01:15:24,855
THEN I TALKED
TO THE CONCIERGE
FOR, LIKE, AN HOUR.

1314
01:15:24,855 --> 01:15:28,926
I'’’VE TRIED EVERYTHING.

1315
01:15:29,326 --> 01:15:33,330
I EVEN CALLED GLEN.
HE WASN'’’T THERE.

1316
01:15:33,731 --> 01:15:35,332
[GROANS]

1317
01:15:35,332 --> 01:15:36,567
ARE YOU OK?

1318
01:15:42,239 --> 01:15:45,242
WELL, I WANT TO
FEEL THAT WAY, TOO.

1319
01:15:45,242 --> 01:15:46,443
ALL RIGHT.

1320
01:15:49,363 --> 01:15:51,865
THIS.

1321
01:15:51,865 --> 01:15:53,367
I'’’M GONNA GO TAKE
A SHOWER.

1322
01:15:53,367 --> 01:15:54,368
I'’’LL BE BACK.

1323
01:15:54,785 --> 01:15:55,586
OK.

1324
01:16:02,660 --> 01:16:04,511
[SHOWER RUNNING]

1325
01:16:47,871 --> 01:16:51,875
Audrey: I'’’M SORRY
ABOUT TODAY.

1326
01:16:51,875 --> 01:16:54,678
YOU CALLED.

1327
01:16:54,678 --> 01:16:56,280
TOMORROW
WILL BE FUN.

1328
01:16:59,483 --> 01:17:01,485
THANKS FOR COMING
WITH ME.

1329
01:17:03,887 --> 01:17:06,290
I LOVE YOU, NORA.

1330
01:17:06,290 --> 01:17:08,292
I LOVE YOU, TOO.

1331
01:17:11,095 --> 01:17:12,296
GOOD NIGHT.

1332
01:17:27,111 --> 01:17:29,379
GOOD MORNING.

1333
01:17:29,880 --> 01:17:32,816
WHOA. YOU'’’RE
PRETTY CHIPPER TODAY.

1334
01:17:32,816 --> 01:17:35,619
YEAH. THIS IS
RIDICULOUS.

1335
01:17:36,019 --> 01:17:38,021
I CAME HERE TO
SURPRISE SOME GUY
I HARDLY KNOW

1336
01:17:38,021 --> 01:17:40,424
THAT I CAN'’’T FIND,
BUT SO WHAT?

1337
01:17:40,424 --> 01:17:41,225
WE'’’RE IN PARIS.

1338
01:17:41,625 --> 01:17:43,627
YEAH. WE'’’VE ALWAYS
WANTED TO DO THIS.

1339
01:17:43,627 --> 01:17:46,029
YEAH. SO LET'’’S
JUST ENJOY IT.

1340
01:17:46,029 --> 01:17:47,631
IT'’’S TIME I GOT MY
SENSE OF HUMOR BACK.

1341
01:17:48,031 --> 01:17:50,033
GOOD FOR YOU.

1342
01:17:50,033 --> 01:17:51,235
I THINK WE SHOULD
STILL LOOK AROUND TOWN

1343
01:17:51,235 --> 01:17:52,035
FOR YOUR MYSTERY MAN.

1344
01:17:52,436 --> 01:17:53,637
YOU NEVER KNOW.
WE MAY RUN INTO HIM.

1345
01:17:54,037 --> 01:17:55,672
YEAH. WHAT DO I
HAVE TO LOSE
AT THIS POINT?

1346
01:17:55,672 --> 01:17:56,540
NOTHING.

1347
01:17:56,940 --> 01:17:59,343
PLUS WE CAN GO
SHOPPING.

1348
01:17:59,343 --> 01:18:00,544
RIGHT.

1349
01:18:00,544 --> 01:18:02,546
[THUNDER]

1350
01:18:03,747 --> 01:18:06,150
Audrey: OHH.
I CAN'’’T BELIEVE

1351
01:18:06,150 --> 01:18:09,353
IT'’’S RAINING
IN PARIS.

1352
01:18:09,353 --> 01:18:13,056
I CAN'’’T BELIEVE
I THOUGHT I'’’D FIND
JULIAN IN THESE PLACES

1353
01:18:13,056 --> 01:18:15,559
UNLESS HE'’’S
INTO WOMEN'’’S CLOTHES.

1354
01:18:18,562 --> 01:18:22,065
DO YOU WANT TO GET
A TEA OR SOMETHING?

1355
01:18:22,065 --> 01:18:24,067
A TEA?

1356
01:18:24,067 --> 01:18:25,068
THAT'’’S FUNNY.

1357
01:18:25,068 --> 01:18:26,069
HA HA HA!

1358
01:18:26,069 --> 01:18:29,990
THANK YOU.
MERCI.

1359
01:18:30,390 --> 01:18:32,042
DID YOU SEE WHAT
WAS IN THE PACKAGE?

1360
01:18:34,444 --> 01:18:36,914
JUST SOME
BUSINESS PAPERS.

1361
01:18:36,914 --> 01:18:37,714
WHAT ABOUT YOU?

1362
01:18:37,714 --> 01:18:40,517
NO. NOTHING
TOO EXCITING.

1363
01:18:40,517 --> 01:18:42,920
THE OLD LADY WAS
REALLY COOL.

1364
01:18:45,722 --> 01:18:48,125
SHE THOUGHT I WAS
HER GRANDDAUGHTER.

1365
01:18:48,125 --> 01:18:50,928
GOD. THAT KIND OF THING
ONLY HAPPENS TO YOU, NORA.

1366
01:18:51,428 --> 01:18:53,831
HA HA!

1367
01:18:53,831 --> 01:18:55,432
AHH.

1368
01:18:55,849 --> 01:18:57,317
MARK CALLED
THIS MORNING.

1369
01:18:59,369 --> 01:19:00,687
HE SAID HE MISSED ME.

1370
01:19:01,138 --> 01:19:04,908
WANTED TO KNOW
IF I WANTED TO WORK
ON OUR RELATIONSHIP.

1371
01:19:04,908 --> 01:19:07,711
DO YOU?

1372
01:19:08,111 --> 01:19:10,147
I SUPPOSE.

1373
01:19:10,147 --> 01:19:11,899
I MEAN, I GUESS
I JUST SHOULDN'’’T THROW
MY MARRIAGE AWAY

1374
01:19:11,899 --> 01:19:14,167
WITHOUT TRYING.

1375
01:19:14,585 --> 01:19:17,020
I MEAN, I DO
REALLY LOVE HIM.

1376
01:19:17,020 --> 01:19:18,255
MAYBE I JUST SHOULDN'’’T
BE SO CRITICAL

1377
01:19:18,255 --> 01:19:19,456
JUST BECAUSE THINGS AREN'’’T
IN THE GREATEST PLACE,

1378
01:19:19,456 --> 01:19:22,259
YOU KNOW?

1379
01:19:22,259 --> 01:19:24,261
I THINK THAT'’’S
GREAT, AUDREY.

1380
01:19:34,922 --> 01:19:36,924
OK.

1381
01:19:38,926 --> 01:19:39,927
LET'’’S DO IT.

1382
01:19:44,181 --> 01:19:46,233
AUDREY...

1383
01:19:46,233 --> 01:19:47,718
I KNOW I'’’M CRAZY,

1384
01:19:47,718 --> 01:19:50,520
BUT I THINK I'’’M
GONNA STAY.

1385
01:19:50,921 --> 01:19:52,773
[DROPS SUITCASE]

1386
01:19:52,773 --> 01:19:55,425
NORA, I AM
YOUR FRIEND,
AND I LOVE YOU,

1387
01:19:55,425 --> 01:19:57,194
BUT THIS JUST ISN'’’
T WORKING OUT.

1388
01:19:59,863 --> 01:20:03,367
YOU GOT TO
GIVE THIS UP.

1389
01:20:03,367 --> 01:20:06,169
I CAN'’’T.

1390
01:20:06,169 --> 01:20:07,170
YOU GO.

1391
01:20:07,170 --> 01:20:09,172
I KNOW MARK IS
WAITING FOR YOU.

1392
01:20:09,172 --> 01:20:10,908
NORA, YOU HAVE
NO SENSE
OF DIRECTION,

1393
01:20:10,908 --> 01:20:13,143
AND YOU ARE
WAY TOO SHY.

1394
01:20:13,543 --> 01:20:14,745
DO YOU WANT ME TO
STAY WITH YOU?

1395
01:20:14,745 --> 01:20:16,013
BECAUSE I WILL.

1396
01:20:16,513 --> 01:20:20,517
NO. I HAVE TO DO
THIS FOR MYSELF.

1397
01:20:20,517 --> 01:20:22,519
I HAVE TO STOP RELYING
ON OTHER PEOPLE

1398
01:20:22,519 --> 01:20:24,454
TO MAKE DECISIONS
FOR ME.

1399
01:20:26,306 --> 01:20:27,808
YOU'’’RE GONNA COME
HOME, AREN'’’T YOU?

1400
01:20:27,808 --> 01:20:30,811
YEAH. I HAVE NO JOB
AND NO MONEY.

1401
01:20:30,811 --> 01:20:32,813
I HAVE TO COME BACK
TO REALITY SOON.

1402
01:20:34,314 --> 01:20:36,199
WHAT ARE YOU
GONNA DO?

1403
01:20:36,199 --> 01:20:37,951
I DON'’’T KNOW.

1404
01:20:38,452 --> 01:20:41,455
SOMETHING I FEEL LIKE
DOING, I GUESS.

1405
01:20:41,455 --> 01:20:44,958
WELL, I'’’M REALLY
PROUD OF YOU.

1406
01:20:48,462 --> 01:20:49,463
I GOT TO GO.

1407
01:20:49,463 --> 01:20:50,964
I KNOW.

1408
01:20:52,966 --> 01:20:54,468
OK.

1409
01:20:58,889 --> 01:21:01,124
I'’’LL CALL YOU.

1410
01:21:01,525 --> 01:21:02,426
YOU WEIRDO.

1411
01:22:02,202 --> 01:22:03,704
[NO AUDIO]

1412
01:22:47,497 --> 01:22:52,002
[SPEAKING FRENCH]

1413
01:22:52,002 --> 01:22:53,503
I DON'’’T SPEAK
FRENCH.

1414
01:22:53,503 --> 01:22:57,007
AH. I SAID,
"IT MAKES ME
WANT TO CRY."

1415
01:22:57,007 --> 01:22:58,008
YOU ARE AMERICAN?

1416
01:23:01,011 --> 01:23:03,013
WHAT ARE YOU DOING
IN PARIS?

1417
01:23:03,513 --> 01:23:05,015
JUST LOOKING.
JUST LOOKING?

1418
01:23:05,015 --> 01:23:07,517
YOU LIKE ART.

1419
01:23:07,517 --> 01:23:09,970
[KNOCK ON WINDOW]

1420
01:23:10,470 --> 01:23:12,472
AH. I GO
WITH MY FRIENDS.

1421
01:23:12,973 --> 01:23:13,974
WE GO HAVE
A COFFEE.

1422
01:23:13,974 --> 01:23:15,475
YOU WANT TO COME
WITH US?

1423
01:23:15,475 --> 01:23:16,476
NO, THANK YOU.

1424
01:23:16,977 --> 01:23:17,978
OK. WELL, IF YOU
CHANGE YOUR MIND,

1425
01:23:17,978 --> 01:23:20,480
WE'’’LL BE JUST
ACROSS THE STREET, OK?

1426
01:23:20,480 --> 01:23:21,982
OK.
I'’’LL SEE
YOU THERE.

1427
01:23:28,872 --> 01:23:30,874
[MAN SPEAKING FRENCH]

1428
01:23:39,883 --> 01:23:42,636
[SPEAKING FRENCH]

1429
01:23:42,636 --> 01:23:45,639
AH, SI, SI.
EH, COME, COME.

1430
01:23:50,427 --> 01:23:51,344
HI.
HI.

1431
01:23:51,845 --> 01:23:53,346
SIT DOWN,
SIT DOWN.

1432
01:23:53,346 --> 01:23:54,848
WHAT'’’S YOUR NAME?

1433
01:23:54,848 --> 01:23:55,849
NORA.
NORA, HI.

1434
01:23:55,849 --> 01:23:57,350
I'’’M GUILLAUME.
GUILLAUME.

1435
01:23:57,350 --> 01:23:58,351
THIS IS SEÉÉBASTIEN.

1436
01:23:58,852 --> 01:23:59,352
NICE TO MEET YOU.

1437
01:23:59,853 --> 01:24:01,354
AND THAT'’’S KARIM.
ENCHANTEÉÉ.

1438
01:24:01,354 --> 01:24:02,856
WOULD YOU LIKE
A GLASS OF WINE?

1439
01:24:03,340 --> 01:24:06,443
YES?

1440
01:24:06,443 --> 01:24:07,444
LET'’’S TOAST.

1441
01:24:07,444 --> 01:24:09,946
[SPEAKS FRENCH]

1442
01:24:10,447 --> 01:24:11,948
NO, NO, NO.
NO CROSSING.

1443
01:24:11,948 --> 01:24:13,950
GO FIRST.

1444
01:24:13,950 --> 01:24:14,951
AND THEN
THE OTHERS.

1445
01:24:14,951 --> 01:24:15,952
VOILAÁÁ!

1446
01:24:15,952 --> 01:24:17,454
IS THAT CROSSING
IF I DO THAT?

1447
01:24:17,454 --> 01:24:19,506
NO.
NO, NO. THAT'’’S FINE.

1448
01:24:19,506 --> 01:24:21,508
IT'’’S DIRECT LINE.

1449
01:24:21,508 --> 01:24:23,510
WE DRINK NOW.
HA HA HA!

1450
01:24:26,012 --> 01:24:28,014
SO WHAT ARE YOU
DOING IN PARIS, NORA?

1451
01:24:28,014 --> 01:24:29,015
I'’’M LOOKING
FOR SOMEONE.

1452
01:24:29,015 --> 01:24:30,016
AND DID YOU
FIND HIM?

1453
01:24:30,016 --> 01:24:31,518
NO. NO.

1454
01:24:31,518 --> 01:24:34,237
WELL, YOU'’’RE NOT
SO BAD RIGHT NOW.

1455
01:24:34,237 --> 01:24:36,673
NOT BAD.

1456
01:24:36,673 --> 01:24:38,024
ARE ALL FRENCH GUYS
LIKE THIS?

1457
01:24:38,024 --> 01:24:39,025
LIKE WHAT?

1458
01:24:39,025 --> 01:24:41,528
UM, PASSIONATE,
INTERESTED, UH...

1459
01:24:42,028 --> 01:24:43,029
MM-HMM.

1460
01:24:43,029 --> 01:24:44,531
ATTENTIVE

1461
01:24:44,531 --> 01:24:46,349
BUT KIND OF LIKE
DOGS, TOO?

1462
01:24:46,349 --> 01:24:47,584
NO, NO.
DOGS?

1463
01:24:47,584 --> 01:24:49,452
THE WOMEN--THE WOMEN
ARE THE ONES, YOU KNOW?

1464
01:24:49,452 --> 01:24:50,954
THE LAST TIME
I HAD A GIRLFRIEND,

1465
01:24:50,954 --> 01:24:51,955
ALL THE TIME
WE HAD SOME FIGHT.

1466
01:24:51,955 --> 01:24:54,724
SHE TRIED TO JUMP
OUT OF THE WINDOW
ALL THE TIME.

1467
01:24:54,724 --> 01:24:56,193
YEAH. HA HA!
NO.

1468
01:24:56,593 --> 01:24:57,994
THAT WAS SUPER-SCARY.
IT WASN'’’T FUNNY, YOU KNOW,

1469
01:24:57,994 --> 01:24:59,996
ESPECIALLY FOR ME.
SORRY.

1470
01:24:59,996 --> 01:25:02,432
THERE'’’S ONE, SHE TRIED
TO STOP ME.

1471
01:25:02,432 --> 01:25:03,800
YEAH, BUT THAT WAS
CRAZY, YOU KNOW.

1472
01:25:03,800 --> 01:25:05,802
IT'’’S TRUE.

1473
01:25:05,802 --> 01:25:07,304
DID YOU EVER THINK
THAT MAYBE YOU WERE
THE ONES

1474
01:25:07,304 --> 01:25:09,072
DRIVING THEM CRAZY?

1475
01:25:09,072 --> 01:25:11,391
NO, NO, NO, NO.
I DON'’’T THINK SO, NO.

1476
01:25:11,808 --> 01:25:12,676
NOT LIKE THIS.

1477
01:25:12,676 --> 01:25:14,177
BECAUSE I'’’VE HEARD
DIFFERENTLY.

1478
01:25:14,177 --> 01:25:16,179
YEAH?
YEAH.

1479
01:25:16,179 --> 01:25:18,181
BECAUSE
OF THE FRENCH MOTHERS.

1480
01:25:18,682 --> 01:25:20,483
WHAT, UH--WHAT
ABOUT THE FRENCH
MOTHERS?

1481
01:25:20,483 --> 01:25:22,936
THEY, UM, THEY'’’RE
IN LOVE WITH THEIR SONS.

1482
01:25:23,353 --> 01:25:24,955
AND THE AMERICAN
MOTHERS ARE NOT?

1483
01:25:25,355 --> 01:25:26,239
NOT AS MUCH.

1484
01:25:26,239 --> 01:25:27,741
I THINK BECAUSE
OF THE FOOD.

1485
01:25:51,214 --> 01:25:52,015
HERE YOU GO.

1486
01:25:52,015 --> 01:25:53,216
MERCI.

1487
01:26:01,658 --> 01:26:04,094
Bartender:
BONSOIR, MONSIEUR.

1488
01:26:04,094 --> 01:26:06,162
BONSOIR,
MADEMOISELLE.

1489
01:26:06,162 --> 01:26:08,164
BONSOIR.

1490
01:26:08,565 --> 01:26:10,967
ARE YOU AMERICAN?

1491
01:26:10,967 --> 01:26:12,168
YES. WHY?

1492
01:26:12,569 --> 01:26:14,971
BECAUSE YOU LOOK
A VERY BEAUTIFUL
AMERICAN WOMAN

1493
01:26:14,971 --> 01:26:17,774
SITTING ALONE
IN THIS BAR.

1494
01:26:17,774 --> 01:26:19,776
MAYBE I'’’M WAITING
FOR SOMEONE.

1495
01:26:20,176 --> 01:26:22,579
WELL, BUT YOU
LOOK ALONE.

1496
01:26:22,979 --> 01:26:26,182
NO?

1497
01:26:26,182 --> 01:26:28,184
MY NAME IS
JEAN PAUL CLAREMONT.

1498
01:26:28,184 --> 01:26:28,985
WHAT'’’S YOURS?

1499
01:26:29,386 --> 01:26:30,720
NORA WILDER.

1500
01:26:31,121 --> 01:26:32,005
NICE TO MEET YOU,
NORA.

1501
01:26:32,005 --> 01:26:33,323
NICE TO MEET YOU.

1502
01:26:33,323 --> 01:26:35,358
MAY I OFFER YOU
ANOTHER DRINK?

1503
01:26:35,358 --> 01:26:37,761
SURE. WELL,
AFTER THIS ONE.

1504
01:26:39,763 --> 01:26:40,563
CHEERS.

1505
01:26:42,565 --> 01:26:46,970
I MEAN, WHAT WERE
THE CHANCES THAT
I WOULD FIND HIM?

1506
01:26:47,370 --> 01:26:48,972
BUT, YOU KNOW,
THE FUNNY THING IS

1507
01:26:48,972 --> 01:26:53,376
AFTER A WHILE
I WASN'’’T EVEN
LOOKING FOR JULIAN.

1508
01:26:53,376 --> 01:26:56,579
I WAS JUST DOING
MY OWN THING,
AND IT FELT GOOD.

1509
01:26:56,579 --> 01:26:59,783
IT'’’S NOT WRONG
TO WANT SOMEONE
TO LOVE YOU.

1510
01:27:00,183 --> 01:27:01,785
MOST PEOPLE
ARE TOGETHER

1511
01:27:01,785 --> 01:27:03,787
JUST SO THEY
ARE NOT ALONE,

1512
01:27:04,187 --> 01:27:07,557
BUT SOME PEOPLE
WANT MAGIC.

1513
01:27:07,557 --> 01:27:10,760
I THINK YOU ARE ONE
OF THOSE PEOPLE.

1514
01:27:11,161 --> 01:27:12,362
NOTHING WRONG
WITH THAT?

1515
01:27:12,362 --> 01:27:17,167
NOTHING,
BUT IT DOESN'’’T
HAPPEN ALL THE TIME.

1516
01:27:17,567 --> 01:27:20,370
DOES IT EVER HAPPEN?

1517
01:27:20,370 --> 01:27:23,573
FIRST, NORA,
YOU MUST FIND LOVE

1518
01:27:23,573 --> 01:27:25,692
AND HAPPINESS
IN YOURSELF.

1519
01:27:25,692 --> 01:27:29,312
DO YOU UNDERSTAND?

1520
01:27:29,713 --> 01:27:31,715
I THINK SO.

1521
01:27:32,115 --> 01:27:35,318
OH. WE ARE
BOTH DRUNK.

1522
01:27:35,719 --> 01:27:39,322
I WILL PUT YOU
IN A TAXI TO YOUR HOTEL.

1523
01:27:39,322 --> 01:27:40,924
IT'’’S TIME TO GO.

1524
01:27:50,133 --> 01:27:53,737
Jean Paul: TOMORROW,
YOU WILL START
YOUR LIFE AGAIN.

1525
01:27:53,737 --> 01:27:56,539
I DON'’’T KNOW WHY,
BUT I WILL NEVER
FORGET YOU.

1526
01:27:56,539 --> 01:27:58,141
I'’’LL NEVER FORGET
YOU EITHER.

1527
01:27:58,541 --> 01:27:59,342
NEVER.

1528
01:28:08,485 --> 01:28:11,321
[TELEPHONE RINGING]

1529
01:28:11,821 --> 01:28:12,822
HELLO?

1530
01:28:12,822 --> 01:28:13,823
Audrey: HEY, NORA.
IT'’’S ME.

1531
01:28:13,823 --> 01:28:14,824
AUDREY, HI.

1532
01:28:14,824 --> 01:28:15,825
HOW'’’S IT GOING?

1533
01:28:15,825 --> 01:28:17,694
EVERYTHING'’’S OK.

1534
01:28:17,694 --> 01:28:19,295
I'’’M JUST LEAVING
FOR THE AIRPORT
IN A COUPLE OF MINUTES.

1535
01:28:19,696 --> 01:28:20,497
WELL, DID YOU
FIND HIM?

1536
01:28:20,497 --> 01:28:21,748
NO, I DIDN'’’T,
BUT I'’’M ALL RIGHT.

1537
01:28:21,748 --> 01:28:23,500
REALLY?
YEAH, I REALLY AM.

1538
01:28:23,500 --> 01:28:24,334
OK. GOOD.

1539
01:28:24,734 --> 01:28:25,935
LISTEN. I GOT TO GO,
BUT I'’’LL CALL YOU

1540
01:28:25,935 --> 01:28:27,137
ON THE WAY
TO THE AIRPORT, OK?

1541
01:28:27,137 --> 01:28:28,338
OK. I MISS YOU.

1542
01:28:28,738 --> 01:28:29,556
OH, I MISS YOU, TOO.

1543
01:28:29,556 --> 01:28:31,274
FLY SAFE, OK?
OK.

1544
01:28:31,274 --> 01:28:32,075
ALL RIGHT. BYE.

1545
01:28:32,475 --> 01:28:33,343
BYE.

1546
01:29:49,002 --> 01:29:51,504
HI.

1547
01:29:51,504 --> 01:29:53,506
NORA.

1548
01:29:53,506 --> 01:29:54,507
.
I CAN'’’T BELIEVE IT

1549
01:29:54,507 --> 01:29:57,510
WHAT ARE YOU
DOING HERE?

1550
01:29:57,510 --> 01:30:01,014
WELL, I'’’M--I'’’M GOING
TO A SOUND EXPO
AT LE BOURGET,

1551
01:30:01,514 --> 01:30:03,516
BUT WHAT ARE YOU
DOING HERE?

1552
01:30:03,516 --> 01:30:05,518
I--I'’’M GOING
TO THE AIRPORT.

1553
01:30:12,525 --> 01:30:15,528
WHAT TIME IS
YOUR FLIGHT?

1554
01:30:15,528 --> 01:30:17,030
IN 3 HOURS.

1555
01:30:18,815 --> 01:30:21,201
THEY MAKE YOU GET
TO THE AIRPORT
SO EARLY NOW.

1556
01:31:18,791 --> 01:31:21,294
[MAN SPEAKS FRENCH]

1557
01:31:21,294 --> 01:31:22,295
[JULIAN SPEAKS
FRENCH]

1558
01:31:31,804 --> 01:31:32,805
MERCI.

1559
01:31:39,963 --> 01:31:44,100
OK. I JUST WANT TO ASK
WHAT YOU ARE DOING HERE.

1560
01:31:44,100 --> 01:31:45,868
DID YOU COME
TO SEE ME?

1561
01:31:46,369 --> 01:31:46,869
BECAUSE I DON'’’T
UNDERSTAND.

1562
01:31:47,370 --> 01:31:48,371
I LIKE YOU SO MUCH,

1563
01:31:48,805 --> 01:31:50,540
AND I NEVER HEAR
ANYTHING FROM YOU,

1564
01:31:50,940 --> 01:31:51,741
AND THEN YOU ARE
JUST HERE

1565
01:31:51,741 --> 01:31:53,092
IN FRONT OF ME NOW.

1566
01:31:53,092 --> 01:31:54,310
WHY?

1567
01:31:54,310 --> 01:31:55,628
IT'’’S REALLY
COMPLICATED.

1568
01:31:55,628 --> 01:31:57,630
OK, BUT TRY
TO EXPLAIN.

1569
01:32:01,317 --> 01:32:03,353
I CAME HERE
TO FIND YOU.

1570
01:32:05,755 --> 01:32:09,125
THEN I LOST
YOUR NUMBER.

1571
01:32:09,125 --> 01:32:11,144
[SIGHS]

1572
01:32:11,144 --> 01:32:12,645
YOU CAME HERE
TO SEE ME?

1573
01:32:16,332 --> 01:32:17,583
AND YOU NEVER
FIND ME?

1574
01:32:20,903 --> 01:32:22,505
BUT THEN YOU
FIND ME?

1575
01:32:26,142 --> 01:32:27,477
AND NOW YOU LEAVE?

1576
01:32:41,624 --> 01:32:43,226
SO YOU LIKE ME?

1577
01:32:47,230 --> 01:32:48,031
YES.

1578
01:32:53,436 --> 01:32:56,005
WOULD YOU STAY WITH ME
FOR ANOTHER DRINK?

1579
01:33:00,510 --> 01:33:02,362
BUT YOU KNOW YOU'’’RE
GONNA MISS YOUR FLIGHT?

1580
01:33:04,914 --> 01:33:06,199
I KNOW.

1581
01:33:25,501 --> 01:33:28,004
?
COULD HAVE COME THROUGH ?

1582
01:33:30,506 --> 01:33:32,008
ANYTIME

1583
01:33:34,010 --> 01:33:36,012
COLD, LONELY

1584
01:33:38,014 --> 01:33:41,517
PURITAN

1585
01:33:41,517 --> 01:33:44,020
WHAT ARE YOU

1586
01:33:46,022 --> 01:33:49,525
FIGHTING FOR?

1587
01:33:50,026 --> 01:33:52,028
IT'’’S NOT MY

1588
01:33:53,529 --> 01:33:57,033
SECURITY

1589
01:33:57,033 --> 01:34:00,536
IT'’’S JUST AN OLD WAR

1590
01:34:00,536 --> 01:34:05,041
NOT EVEN A COLD WAR

1591
01:34:05,041 --> 01:34:08,544
??
DON'’’T SAY IT IN RUSSIAN

1592
01:34:08,544 --> 01:34:13,049
??
DON'’’T SAY IT IN GERMAN

1593
01:34:13,049 --> 01:34:21,057
SAY IT IN BROKEN ENGLISH

1594
01:34:21,057 --> 01:34:28,064
SAY IT IN BROKEN ENGLISH

1595
01:34:37,573 --> 01:34:39,075
LOSE YOUR FATHER

1596
01:34:41,577 --> 01:34:44,080
YOUR HUSBAND

1597
01:34:45,581 --> 01:34:47,583
YOUR MOTHER

1598
01:34:49,585 --> 01:34:52,088
YOUR CHILDREN

1599
01:34:53,589 --> 01:34:55,591
WHAT ARE YOU

1600
01:34:58,094 --> 01:35:00,096
DYING FOR?

1601
01:35:01,597 --> 01:35:03,599
IT'’’S NOT MY

1602
01:35:05,601 --> 01:35:08,604
REALITY

1603
01:35:08,604 --> 01:35:12,608
IT'’’S JUST AN OLD WAR

1604
01:35:12,608 --> 01:35:16,612
NOT EVEN A COLD WAR

1605
01:35:16,612 --> 01:35:20,616
??
DON'’’T SAY IT IN RUSSIAN

1606
01:35:20,616 --> 01:35:24,620
??
DON'’’T SAY IT IN GERMAN

1607
01:35:24,620 --> 01:35:33,129
SAY IT IN BROKEN ENGLISH

1608
01:35:33,129 --> 01:35:40,136
SAY IT IN BROKEN ENGLISH

1609
01:35:41,137 --> 01:35:45,141
WHAT ARE YOU FIGHTING FOR?

1610
01:35:45,141 --> 01:35:49,145
WHAT ARE YOU FIGHTING FOR?

1611
01:35:49,145 --> 01:35:53,149
WHAT ARE YOU FIGHTING FOR?

1612
01:35:53,149 --> 01:35:56,152
WHAT ARE YOU FIGHTING FOR?

1613
01:36:05,161 --> 01:36:07,663
?
COULD HAVE COME THROUGH ?

1614
01:36:10,166 --> 01:36:12,168
ANYTIME

1615
01:36:13,669 --> 01:36:15,671
COLD, LONELY

1616
01:36:18,174 --> 01:36:21,677
PURITAN

1617
01:36:21,677 --> 01:36:23,679
WHAT ARE YOU

1618
01:36:26,182 --> 01:36:29,685
FIGHTING FOR?

1619
01:36:29,685 --> 01:36:31,687
IT'’’S NOT MY

1620
01:36:33,689 --> 01:36:36,692
SECURITY

1621
01:36:36,692 --> 01:36:40,696
IT'’’S JUST AN OLD WAR

1622
01:36:40,696 --> 01:36:44,700
NOT EVEN A COLD WAR

1623
01:36:44,700 --> 01:36:48,704
??
DON'’’T SAY IT IN RUSSIAN

1624
01:36:48,704 --> 01:36:52,708
??
DON'’’T SAY IT IN GERMAN

1625
01:36:53,209 --> 01:37:01,217
SAY IT IN BROKEN ENGLISH

1626
01:37:01,217 --> 01:37:09,225
SAY IT IN BROKEN ENGLISH

1627
01:37:09,225 --> 01:37:13,229
WHAT ARE YOU FIGHTING FOR?

1628
01:37:13,229 --> 01:37:17,233
WHAT ARE YOU FIGHTING FOR?

1629
01:37:17,233 --> 01:37:21,237
WHAT ARE YOU FIGHTING FOR?

1630
01:37:21,237 --> 01:37:24,540
WHAT ARE YOU FIGHTING FOR?

1631
01:37:24,540 --> 01:37:27,743
WHAT ARE YOU FIGHTING FOR?