1 00:01:41,410 --> 00:01:43,450 Borders are down. 2 00:01:45,970 --> 00:01:47,990 Borders are down. 3 00:01:50,150 --> 00:01:57,110 Men of belief in crosses and stones. 4 00:01:59,750 --> 00:02:01,710 Borders are down. 5 00:02:03,730 --> 00:02:05,490 Borders are down. Thanks, Mickey. 6 00:02:05,930 --> 00:02:07,250 How are you? 7 00:02:26,820 --> 00:02:32,500 Dear Red Shoes, people say that a long trip is the best way to forget an old 8 00:02:32,500 --> 00:02:33,780 love and find a new one. 9 00:02:36,740 --> 00:02:37,740 Train. 10 00:02:38,580 --> 00:02:40,540 You ever really thought about train? 11 00:02:41,740 --> 00:02:42,740 I do. 12 00:02:43,980 --> 00:02:44,980 Think about them. 13 00:02:45,800 --> 00:02:49,880 No. I dream about trains all the time. 14 00:02:50,800 --> 00:02:52,240 Especially when I'm sad. 15 00:02:53,440 --> 00:02:54,440 Always have. 16 00:02:55,460 --> 00:02:59,140 Ever since I was a little girl, my mother used to take me to visit my 17 00:02:59,140 --> 00:03:00,400 grandmother on the train. 18 00:03:01,420 --> 00:03:05,480 I'd sit there, listening to the sounds of the wheels clattering along the 19 00:03:05,480 --> 00:03:06,480 tracks. 20 00:03:06,620 --> 00:03:09,160 Look out the window and just let my mind drift. 21 00:03:21,100 --> 00:03:24,200 on my way to and from college, I'd always take the train. 22 00:03:25,160 --> 00:03:30,860 It was a way of relaxing, letting go, of forgetting, 23 00:03:31,140 --> 00:03:32,700 of remembering. 24 00:03:41,180 --> 00:03:46,180 And when I'm on the train and when I fantasize for some reason, I always see 25 00:03:46,180 --> 00:03:49,100 myself in black and white or sepia. 26 00:03:50,540 --> 00:03:51,680 Like in old movies. 27 00:03:52,940 --> 00:03:53,980 I don't know. 28 00:03:54,520 --> 00:03:56,580 Just seems more elegant that way. 29 00:03:57,080 --> 00:03:58,240 More sophisticated. 30 00:03:59,300 --> 00:04:01,740 Like Betty Davis or Joan Crawford. 31 00:04:02,600 --> 00:04:03,740 Gives me confidence. 32 00:04:05,380 --> 00:04:07,740 Separates me from my hang-ups and my problems. 33 00:04:08,800 --> 00:04:10,020 And I open up. 34 00:04:10,840 --> 00:04:11,840 And talk. 35 00:04:31,530 --> 00:04:34,830 And sometimes I even talk to strangers. 36 00:04:38,550 --> 00:04:43,010 I want to be possessive, but that's completely ridiculous because I knew 37 00:04:43,010 --> 00:04:44,930 that he was married even when I pursued him. 38 00:04:45,670 --> 00:04:49,610 It was like being thirsty or hungry. My body reacted. 39 00:04:51,630 --> 00:04:58,250 I just began talking to him, a perfect stranger, about things I'd never had the 40 00:04:58,250 --> 00:05:00,030 courage to talk to anyone else about. 41 00:05:02,600 --> 00:05:03,680 What are you staring at? 42 00:05:05,280 --> 00:05:06,280 Your smile. 43 00:05:08,580 --> 00:05:13,440 It was the first thing I noticed about you when I saw you, was your smile. 44 00:05:14,520 --> 00:05:16,280 You had such a beautiful smile. 45 00:05:17,920 --> 00:05:21,320 You know, if I didn't know any better, I'd think that you were trying to seduce 46 00:05:21,320 --> 00:05:22,320 me. 47 00:05:23,080 --> 00:05:30,000 I like your smile, and I'm enjoying your company, and... 48 00:05:31,150 --> 00:05:36,290 I guess I've always had this fantasy of picking up a woman on a train and 49 00:05:36,290 --> 00:05:37,290 seducing her. 50 00:05:41,090 --> 00:05:42,330 Your table is ready, sir. 51 00:05:42,970 --> 00:05:43,970 Thanks. 52 00:05:46,610 --> 00:05:48,470 Would you like to have dinner with me? 53 00:06:13,450 --> 00:06:14,530 Do you know what I dream about? 54 00:06:17,770 --> 00:06:20,190 I dream about a man who wouldn't play games with me. 55 00:06:21,790 --> 00:06:23,990 Telling me how wonderful my smile is. 56 00:06:25,990 --> 00:06:29,590 You know, I bet you noticed my ass before you noticed my smile. 57 00:06:30,290 --> 00:06:32,570 Really? You underestimate yourself. 58 00:06:33,890 --> 00:06:35,510 I never look at a man's ass. 59 00:06:35,790 --> 00:06:36,790 Oh, sure you do. 60 00:06:37,190 --> 00:06:38,190 Come on. 61 00:06:38,330 --> 00:06:39,330 No, I don't. 62 00:06:40,350 --> 00:06:41,710 I look at his eyes first. 63 00:06:42,890 --> 00:06:44,230 And then I look at his hands. 64 00:06:45,630 --> 00:06:46,990 And I listen to what he says. 65 00:06:48,550 --> 00:06:51,330 Because I need to know exactly what I'm going to be touched with. 66 00:06:52,630 --> 00:06:53,630 So what do you want? 67 00:06:55,690 --> 00:06:57,170 I want a man I can talk to. 68 00:06:58,350 --> 00:07:00,330 I want a man I can trust. 69 00:07:02,410 --> 00:07:04,370 And I want a man who can excite me. 70 00:07:05,750 --> 00:07:06,750 What about sex? 71 00:07:16,110 --> 00:07:21,250 When it's good sex, it's like losing yourself, being lost, found. 72 00:07:23,430 --> 00:07:26,570 It's like getting so high above everything else that you don't ever want 73 00:07:26,570 --> 00:07:27,570 to come down. 74 00:07:28,150 --> 00:07:29,150 Okay, then. 75 00:07:29,350 --> 00:07:30,750 The perfect seduction. 76 00:07:32,550 --> 00:07:33,570 Tell me about it. 77 00:07:38,690 --> 00:07:40,190 Do you want to be taken from behind? 78 00:07:42,110 --> 00:07:43,950 Or do you want a man to go down on you? 79 00:07:47,690 --> 00:07:49,770 Do you fantasize about being with another woman? 80 00:07:51,630 --> 00:07:52,630 Huh? 81 00:07:53,050 --> 00:07:57,470 Do you want to make love in bed with your clothes on or with your clothes 82 00:07:57,470 --> 00:07:59,650 off? On the beach floor? 83 00:08:01,690 --> 00:08:02,690 Blindfolded? 84 00:08:03,090 --> 00:08:04,230 Or tied down? 85 00:08:05,850 --> 00:08:07,630 On top or on bottom? 86 00:08:08,970 --> 00:08:12,790 Do you want to be made love too tenderly or savagely? 87 00:08:13,670 --> 00:08:15,610 And be in control or just lose control? 88 00:08:16,840 --> 00:08:18,040 I want to be transported. 89 00:08:20,160 --> 00:08:23,260 And I want the man I'm with to be there when I wake up in the morning. 90 00:08:25,880 --> 00:08:26,880 What about you? 91 00:08:27,980 --> 00:08:29,260 What do you want from a woman? 92 00:08:30,540 --> 00:08:34,280 I want a woman that I can trust. 93 00:08:36,260 --> 00:08:41,740 And I want a woman I can talk to more than anything I want a woman to say. 94 00:08:52,940 --> 00:08:53,940 Ask me to dance? 95 00:08:59,560 --> 00:09:00,900 Nobody else is dancing. 96 00:09:03,940 --> 00:09:04,940 Me? 97 00:09:10,080 --> 00:09:11,140 Would you dance with me? 98 00:10:10,060 --> 00:10:11,600 I like your hand on my back. 99 00:10:16,360 --> 00:10:17,360 Move it. 100 00:10:25,500 --> 00:10:31,520 If you really want to know what I fantasize about the most, it's telling a 101 00:10:31,520 --> 00:10:33,360 man exactly how to make love to me. 102 00:10:34,960 --> 00:10:39,460 Where to touch me, when, for how long. 103 00:10:40,030 --> 00:10:41,470 So you want to be in control. 104 00:10:42,750 --> 00:10:46,230 Well, at least until I lose myself. 105 00:10:47,610 --> 00:10:48,910 I want it both ways. 106 00:10:49,690 --> 00:10:51,430 In control and out of control. 107 00:10:52,510 --> 00:10:55,290 But most of the time my insecurities inhibit me. 108 00:11:07,010 --> 00:11:09,250 When you close your eyes, what do you see? 109 00:11:10,830 --> 00:11:12,030 Be a man and a woman. 110 00:11:13,110 --> 00:11:14,490 And they're dancing together. 111 00:11:17,210 --> 00:11:18,790 Looked like it could be you and I. 112 00:11:22,610 --> 00:11:24,850 And they're pressed very close together. 113 00:11:43,980 --> 00:11:46,000 I see his mouth on her. 114 00:12:18,570 --> 00:12:19,570 Now your turn. 115 00:12:22,770 --> 00:12:28,730 I see a woman standing in front of a candle. 116 00:12:30,050 --> 00:12:32,490 She's staring at him. 117 00:12:34,710 --> 00:12:39,570 And the more she stares at him, the more he hungers for her. 118 00:12:44,090 --> 00:12:45,610 What did the woman do? 119 00:12:48,400 --> 00:12:49,480 They begin dancing. 120 00:12:50,920 --> 00:12:57,160 And then, almost imperceptibly, 121 00:12:57,160 --> 00:13:04,060 so slowly, she begins to move her hips back and 122 00:13:04,060 --> 00:13:05,060 forth. 123 00:13:06,100 --> 00:13:10,300 Unable to control herself, she gets aroused. 124 00:13:31,630 --> 00:13:32,630 and burn him. 125 00:13:33,970 --> 00:13:36,090 But he's unable to do that. 126 00:14:08,650 --> 00:14:10,190 Feel like I'm about to lose control. 127 00:14:18,550 --> 00:14:21,930 To give so much to someone that you don't even know. 128 00:14:24,730 --> 00:14:26,850 To give so much to a complete stranger. 129 00:17:30,160 --> 00:17:31,600 He asked to see me again. 130 00:17:35,960 --> 00:17:37,580 And I said yes. 131 00:18:15,240 --> 00:18:16,240 Oh, you look lovely. 132 00:18:17,880 --> 00:18:18,880 Come on in. 133 00:18:26,140 --> 00:18:27,400 The place is beautiful. 134 00:18:28,280 --> 00:18:29,280 Thank you. 135 00:18:41,940 --> 00:18:43,240 Same taste of music. 136 00:18:48,170 --> 00:18:49,170 Picture this. 137 00:18:51,890 --> 00:18:56,450 A Major D sets a man down across from a woman on a train. 138 00:18:58,510 --> 00:19:03,510 And it just may turn out that they're meant for each other. 139 00:19:06,090 --> 00:19:07,570 What are the chances of that? 140 00:19:10,850 --> 00:19:15,530 You were probably just as frightened as I was that what happened on that train 141 00:19:15,530 --> 00:19:16,530 between us... 142 00:19:17,350 --> 00:19:18,410 was just a dream. 143 00:19:20,570 --> 00:19:24,170 And that neither one of us could ever live up to each other's expectations. 144 00:19:37,990 --> 00:19:42,370 There's a man standing in front of a window in a new suit. 145 00:19:44,620 --> 00:19:46,940 And a woman asks him to take his jacket off. 146 00:20:02,120 --> 00:20:06,780 All last week, you were all I could think about. 147 00:20:09,680 --> 00:20:11,700 And I thought, why? 148 00:20:14,320 --> 00:20:17,880 Why can't real life be as exciting as your fantasies? 149 00:20:21,760 --> 00:20:27,140 And I imagined you there in that same window. 150 00:20:28,900 --> 00:20:35,840 And I imagined you taking off your shirt and undoing the buttons of your pants. 151 00:21:42,160 --> 00:21:43,680 I loved seeing him again. 152 00:21:46,860 --> 00:21:49,260 He dreamed of meeting someone on a train. 153 00:21:49,560 --> 00:21:52,360 So did I. 154 00:21:53,840 --> 00:21:57,600 And I'm sure he found me in black and white, with Phoebe. 155 00:22:20,370 --> 00:22:22,450 This dress is on its way. 156 00:22:28,150 --> 00:22:30,250 This dress is on its way. 157 00:22:40,110 --> 00:22:42,590 Feel eyes through hands. 158 00:22:43,650 --> 00:22:44,650 Smile. 159 00:23:03,100 --> 00:23:05,780 So many more of those things. 160 00:23:07,480 --> 00:23:09,400 This church is on its way. 161 00:23:15,240 --> 00:23:17,220 This church is on its way. 162 00:23:23,560 --> 00:23:27,660 Who's gonna give us the one way ticket to the island? 163 00:23:30,820 --> 00:23:35,700 Who's gonna get the road to hell? 164 00:23:52,680 --> 00:23:53,680 Same dream. 165 00:23:55,400 --> 00:23:57,660 What are the chances of that, Red Shoes? 166 00:23:58,840 --> 00:24:05,060 A fantasy turns to reality, to fantasy, to reality over and over again until the 167 00:24:05,060 --> 00:24:10,140 lines between them blur and they find out they really do like each other and 168 00:24:10,140 --> 00:24:13,100 trust each other and maybe even love each other. 169 00:24:14,140 --> 00:24:15,800 What do you think, Red Shoes? 170 00:24:16,300 --> 00:24:18,820 Not bad for a chance meeting, wouldn't you say? 171 00:24:21,710 --> 00:24:22,710 Yeah, I'd say. 172 00:24:24,130 --> 00:24:25,130 Come on, Stella.