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Dear Red Shoes, I feel your pain.

2
00:01:47,440 --> 00:01:52,280
And I know that sometimes the pain can
be so great that fantasy takes the place

3
00:01:52,280 --> 00:01:53,280
of reality.

4
00:01:55,060 --> 00:01:56,380
Especially when you're alone.

5
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I know because for a long time I thought
I was living my life truthfully.

6
00:02:03,760 --> 00:02:07,240
That I thought I was pushing myself as
hard as I could.

7
00:02:09,800 --> 00:02:10,800
Yet.

8
00:02:12,270 --> 00:02:13,270
I know that lie.

9
00:02:16,310 --> 00:02:17,550
September 8th.

10
00:02:18,410 --> 00:02:20,290
My time in L.A. is almost up.

11
00:02:21,690 --> 00:02:24,850
Either I get this Freedom Williams video
or it's back home for me.

12
00:02:26,490 --> 00:02:30,730
See, I promised my mom when I left, if
things didn't start to move in six

13
00:02:30,730 --> 00:02:33,250
months, I'd come home and get a real
job.

14
00:02:35,070 --> 00:02:36,570
I've gotten close a few times.

15
00:02:37,470 --> 00:02:38,750
But for some reason...

16
00:02:39,320 --> 00:02:42,040
Something inside always stops me from
letting go.

17
00:02:44,060 --> 00:02:47,520
Maybe it's because there's just so many
really good dancers out here.

18
00:02:48,140 --> 00:02:50,280
I mean really good dancers.

19
00:02:52,620 --> 00:02:58,600
Or maybe it's because deep down, I just
don't believe I'm good enough.

20
00:03:00,160 --> 00:03:01,200
I don't know.

21
00:03:03,120 --> 00:03:04,880
And to make things even worse,

22
00:03:05,740 --> 00:03:09,040
The moment I laid eyes on freedom, I
knew I was in trouble.

23
00:03:10,420 --> 00:03:13,700
He's just so focused, so disciplined.

24
00:03:15,360 --> 00:03:19,400
Every time he looks at me, it's like
he's looking right through me.

25
00:03:20,820 --> 00:03:21,840
Here's what's happening.

26
00:03:23,560 --> 00:03:24,620
Everybody know AC?

27
00:03:24,840 --> 00:03:25,840
AC, where are you?

28
00:03:26,100 --> 00:03:27,500
AC is a choreographer.

29
00:03:27,760 --> 00:03:30,240
He's in from New York. Take it from the
top, really strong.

30
00:03:30,480 --> 00:03:33,440
This is Tampa. She's the casting
director.

31
00:03:34,460 --> 00:03:35,500
How long have you been dancing?

32
00:03:35,740 --> 00:03:37,700
All my life. All my life.

33
00:03:38,780 --> 00:03:39,780
I'm the director.

34
00:03:39,860 --> 00:03:43,160
What we're going to be doing is we're
going to be interviewing most of you.

35
00:03:43,340 --> 00:03:44,800
Right. Name, place of birth.

36
00:03:45,260 --> 00:03:46,260
Paul of the Neath.

37
00:03:46,460 --> 00:03:47,460
Allison Kramer.

38
00:03:47,600 --> 00:03:49,120
Emily Johnson, Columbus, Ohio.

39
00:03:49,840 --> 00:03:50,840
Tony Reed.

40
00:03:51,420 --> 00:03:54,700
Faster. Los Angeles, California.

41
00:03:55,460 --> 00:03:58,420
Faster. We're talking energy here. Emily
Johnson, Columbus, Ohio.

42
00:03:58,620 --> 00:03:59,620
How old are you, Allison Kramer?

43
00:03:59,860 --> 00:04:00,860
I'm 22.

44
00:04:03,470 --> 00:04:04,470
20-something.

45
00:04:04,890 --> 00:04:06,050
20-something, huh?

46
00:04:07,190 --> 00:04:10,710
Then cut those interviews against the
footage that we're doing for the video.

47
00:04:10,910 --> 00:04:12,590
We're also going to film the whole
thing.

48
00:04:13,290 --> 00:04:15,050
How long do you give yourself to make
it, Emily?

49
00:04:15,670 --> 00:04:16,950
Six months, a year.

50
00:04:18,269 --> 00:04:19,390
What if it takes you longer?

51
00:04:20,649 --> 00:04:22,110
Well, if it's meant to be, it'll happen.

52
00:04:22,950 --> 00:04:23,950
What if it doesn't?

53
00:04:25,590 --> 00:04:26,830
I wouldn't have any pain.

54
00:04:29,050 --> 00:04:30,230
Then I'll do something else.

55
00:04:30,570 --> 00:04:32,670
I don't even want to think about it.

56
00:04:33,080 --> 00:04:34,080
Okay.

57
00:04:34,120 --> 00:04:35,120
That's a good attitude.

58
00:04:36,160 --> 00:04:37,160
Good luck.

59
00:04:38,400 --> 00:04:39,400
Now,

60
00:04:40,760 --> 00:04:42,420
I'm going to ask you to get up.

61
00:04:42,840 --> 00:04:45,700
Go up against that wall. I'm going to
say a word to you. I want you to say the

62
00:04:45,700 --> 00:04:47,040
first thing that comes into your mind,
okay?

63
00:04:48,480 --> 00:04:49,480
Freedom.

64
00:04:50,280 --> 00:04:51,540
Equality. Moving.

65
00:04:55,840 --> 00:04:57,140
Move for me, honey. It's okay.

66
00:04:59,200 --> 00:05:01,600
Come on. I want to see it in your body.
You're a dancer. Move.

67
00:05:02,390 --> 00:05:04,130
Freedom. How does it make you feel?

68
00:05:04,990 --> 00:05:05,990
Alive. Free.

69
00:05:06,250 --> 00:05:07,250
Good, good. Move.

70
00:05:08,070 --> 00:05:09,810
Good. Freedom. Say it.

71
00:05:10,110 --> 00:05:11,110
Freedom.

72
00:05:11,550 --> 00:05:12,690
Screaming. Freedom!

73
00:05:14,150 --> 00:05:18,530
Dancing. Do not give me attitude. Tell
me the first thing that comes into your

74
00:05:18,530 --> 00:05:21,450
mind. Honey, that is the first thing
that comes to my mind.

75
00:05:22,910 --> 00:05:23,910
Freedom.

76
00:05:25,930 --> 00:05:26,930
I don't know.

77
00:05:27,630 --> 00:05:28,630
Freedom.

78
00:05:29,030 --> 00:05:30,030
One, two.

79
00:05:30,570 --> 00:05:33,930
Three, down four. You're looking at the
floor. Right hand goes on the back.

80
00:05:34,330 --> 00:05:36,670
Bring the butt up. Can we change the
lights? Get some atmosphere.

81
00:05:37,030 --> 00:05:38,050
Put some smoke in.

82
00:05:39,990 --> 00:05:41,230
Put on some dark music.

83
00:05:41,470 --> 00:05:42,470
Something dark.

84
00:05:42,870 --> 00:05:43,870
Whenever you're ready.

85
00:05:48,210 --> 00:05:49,210
Really sick.

86
00:07:45,000 --> 00:07:46,380
You're going to dance, Lee.

87
00:07:46,980 --> 00:07:48,020
I'm going to give you the AC.

88
00:07:48,260 --> 00:07:49,260
You know Freedom.

89
00:07:49,380 --> 00:07:50,380
How you doing?

90
00:07:51,200 --> 00:07:52,200
You did great.

91
00:07:52,480 --> 00:07:53,480
Thanks.

92
00:08:02,440 --> 00:08:03,440
Pat.

93
00:08:06,840 --> 00:08:07,840
Let me know.

94
00:08:29,740 --> 00:08:30,740
Yeah,

95
00:08:43,900 --> 00:08:45,500
and there's a story that goes with it,
too.

96
00:08:46,200 --> 00:08:47,660
Emily's going to be dancing lead.

97
00:08:48,120 --> 00:08:49,540
She's going to be playing Freedom's
girlfriend.

98
00:08:49,800 --> 00:08:51,900
The back story is she was brought up in
the projects.

99
00:08:52,280 --> 00:08:55,720
She was a really talented dancer, but
she's gotten really frustrated lately,

100
00:08:55,860 --> 00:08:59,300
so she's fallen on the bad times, and
she's got a gangster boyfriend now.

101
00:09:00,880 --> 00:09:04,760
But Freedom, who also grew up in the
projects and really, really loved this

102
00:09:04,760 --> 00:09:09,480
girl, and this girl loved him, has just
cut a new song, you know, because he's

103
00:09:09,480 --> 00:09:11,980
left the projects and he's worked really
hard, and he's come back because he

104
00:09:11,980 --> 00:09:15,960
knows how great a dancer this girl is,
and he begs her to dance in the video

105
00:09:15,960 --> 00:09:16,960
with him.

106
00:09:17,010 --> 00:09:20,530
Gangster finds out about it, he goes
ballistic because he's frightened of

107
00:09:20,530 --> 00:09:23,830
losing the girl. He doesn't want to hear
about freedom, so you know bad things

108
00:09:23,830 --> 00:09:24,830
are going to happen.

109
00:09:25,950 --> 00:09:32,070
So what you got? You got your bad guys,
you got your gangster, you got freedom.

110
00:09:35,190 --> 00:09:36,190
Who's the hero?

111
00:09:37,350 --> 00:09:38,630
And you got the girl in between.

112
00:09:52,270 --> 00:09:53,430
I want to bring the gangsters in.

113
00:09:54,550 --> 00:09:55,369
Come on in.

114
00:09:55,370 --> 00:09:57,810
I want to show you exactly what we're
going to do. Let's do this first, okay?

115
00:09:59,090 --> 00:10:00,090
Emily.

116
00:10:01,290 --> 00:10:02,290
Come on in.

117
00:10:03,810 --> 00:10:05,010
Okay, you guys are over here.

118
00:10:05,850 --> 00:10:06,850
You're here. Come here.

119
00:10:07,430 --> 00:10:08,430
Freedom's over here.

120
00:10:08,570 --> 00:10:09,570
Okay, here's what happens.

121
00:10:09,630 --> 00:10:10,489
You ready?

122
00:10:10,490 --> 00:10:11,510
I'm going to be you, okay?

123
00:10:11,910 --> 00:10:12,910
You come back.

124
00:10:13,350 --> 00:10:15,690
The first thing that's going to happen
is you want to keep Emily here.

125
00:10:16,730 --> 00:10:20,310
Let her be on her own for a second, and
then you're going to come in here. And

126
00:10:20,310 --> 00:10:21,450
you're going to come in here, and you're
going to, okay.

127
00:10:21,790 --> 00:10:22,489
I want you.

128
00:10:22,490 --> 00:10:23,810
No, you stay there. Stay there.

129
00:10:24,490 --> 00:10:26,450
Okay. And you're here. Just do that.

130
00:10:26,890 --> 00:10:29,290
Now, she's going to try to go away.
You're going to go like this. I'm going

131
00:10:29,290 --> 00:10:30,290
to be you now. You go.

132
00:10:30,450 --> 00:10:33,850
You go like this. You stop her. Come in
and stop her. But it's a dance.

133
00:10:34,070 --> 00:10:35,750
And then you move back like that, okay?

134
00:10:36,450 --> 00:10:39,230
At the same time that this is happening,
you keep doing this.

135
00:10:39,670 --> 00:10:42,530
You come in. Boom. Put the piece on her.
Put it on her, man.

136
00:10:43,330 --> 00:10:47,010
But you don't want to shoot her, man.
Because what are you going to tell your

137
00:10:47,010 --> 00:10:48,470
mother? What are you going to tell your
mother, huh?

138
00:10:48,710 --> 00:10:51,490
You're not going to say, what am I going
to tell my mother?

139
00:10:52,080 --> 00:10:54,700
Don't make me shoot you. Don't make me
shoot you. Don't make me shoot you like

140
00:10:54,700 --> 00:10:55,700
that.

141
00:10:58,000 --> 00:10:59,420
Come on now. Do this. Do this.

142
00:11:00,220 --> 00:11:02,700
Right away, you guys take freedom. Boom.

143
00:11:03,220 --> 00:11:04,220
Get him. Go.

144
00:11:04,840 --> 00:11:05,840
Go. Go.

145
00:11:06,400 --> 00:11:09,880
Now what you want to happen, begin to
spinner, spinner, spinner, spinner,

146
00:11:09,940 --> 00:11:11,520
spinner. Back over to that corner.

147
00:11:12,820 --> 00:11:13,820
Onto the floor.

148
00:11:14,740 --> 00:11:17,880
That's it. Now we'll crawl to freedom.
You see him with a gun.

149
00:11:18,540 --> 00:11:19,640
Get down. Get down.

150
00:11:22,499 --> 00:11:27,460
happens that's it okay and freedom at a
certain time man it's attitude man just

151
00:11:27,460 --> 00:11:31,220
get you know this guy's got a fucking
gun on you man but keep him moving keep

152
00:11:31,220 --> 00:11:33,600
him moving keep him moving get an
attitude

153
00:12:20,720 --> 00:12:21,720
I'm sorry.

154
00:12:23,020 --> 00:12:24,240
Just give me a minute. I'll get it.

155
00:12:26,680 --> 00:12:28,940
I feel it. It's just not coming out. I'm
sorry.

156
00:12:29,260 --> 00:12:30,159
It's okay.

157
00:12:30,160 --> 00:12:34,120
It's okay. Just go over a routine with
her. Yeah, you just got to listen to the

158
00:12:34,120 --> 00:12:35,320
music. Get the routine.

159
00:12:35,660 --> 00:12:37,840
Just feel it. It's not a problem, man.

160
00:12:38,640 --> 00:12:39,760
She knows the moves.

161
00:12:41,180 --> 00:12:42,180
Right?

162
00:12:42,960 --> 00:12:43,960
Yeah.

163
00:12:44,820 --> 00:12:45,820
I know.

164
00:12:46,200 --> 00:12:48,800
I had the same problem, too, when I was
starting out. See?

165
00:12:50,030 --> 00:12:51,670
I felt all this emotion inside.

166
00:12:52,530 --> 00:12:56,910
Then one day, I was at this club, right,
in the sky, yo.

167
00:12:58,050 --> 00:13:00,090
Fly. There's a moon.

168
00:13:00,950 --> 00:13:02,450
We got crazy moons.

169
00:13:03,430 --> 00:13:07,990
So I stepped to him. I said, yo, man,
what's your secret? He said, simple.

170
00:13:10,170 --> 00:13:15,270
If you ever got blocked up in his mind,
right, you pick out somebody you knew

171
00:13:15,270 --> 00:13:16,610
and fuck me.

172
00:13:17,040 --> 00:13:19,960
They kind of like fly him up against the
wall like this for you. What's up, man?

173
00:13:20,120 --> 00:13:23,900
What's up? Come with me. Come with me.
Come on. You a daddy's boy? What's up?

174
00:13:23,980 --> 00:13:25,120
You sure? You sure?

175
00:13:25,420 --> 00:13:27,080
Yeah, just like that.

176
00:13:27,900 --> 00:13:29,240
You know what I'm saying? Real simple.

177
00:13:29,600 --> 00:13:33,860
If he said his emotion would start to
send to him, and his juices would start

178
00:13:33,860 --> 00:13:37,960
to flow, sort of like a jump start, like
a boost. You know what I'm saying? You

179
00:13:37,960 --> 00:13:38,960
know what I mean?

180
00:13:40,720 --> 00:13:43,380
Do you know what I'm trying to say? You
can push me.

181
00:13:44,349 --> 00:13:45,349
Come on.

182
00:13:45,730 --> 00:13:46,930
Just push me.

183
00:13:47,530 --> 00:13:48,489
Push me.

184
00:13:48,490 --> 00:13:51,550
Just let it go. Don't be scared.

185
00:13:52,330 --> 00:13:54,770
Come on, baby. I'm all yours. Push me.

186
00:13:55,130 --> 00:13:56,130
Come for me.

187
00:13:57,630 --> 00:13:58,630
Come for me.

188
00:13:59,150 --> 00:14:00,129
Here it is.

189
00:14:00,130 --> 00:14:01,130
All here you go.

190
00:14:02,410 --> 00:14:03,410
Come on. Come on.

191
00:14:05,850 --> 00:14:07,070
You've got to release yourself.

192
00:14:07,930 --> 00:14:09,070
You've got to stop thinking.

193
00:14:09,310 --> 00:14:10,630
Everything's held up tight.

194
00:14:10,950 --> 00:14:12,430
Release it. Let it go.

195
00:14:24,240 --> 00:14:25,240
We're going to break for today.

196
00:14:27,000 --> 00:14:30,020
And AC, make it work. We're back
tomorrow.

197
00:14:30,820 --> 00:14:31,820
Eight o'clock.

198
00:14:39,120 --> 00:14:40,120
This is it.

199
00:14:41,480 --> 00:14:42,560
I'm so nervous.

200
00:14:44,260 --> 00:14:45,740
I can barely breathe.

201
00:14:48,680 --> 00:14:49,800
No more excuses.

202
00:14:52,220 --> 00:14:53,220
Freedom's right.

203
00:14:54,060 --> 00:14:57,180
I've got to rise above my technique and
let my emotions flow.

204
00:14:59,640 --> 00:15:04,880
All I can say is, I just wish I could
see what other people see in me.

205
00:15:38,120 --> 00:15:41,260
I got this damn one to play for you, all
right? Hold on, I'm going to win. I'm

206
00:15:41,260 --> 00:15:42,280
going to win. I'm going to play for you.

207
00:15:45,980 --> 00:15:47,220
Yo, man, let me call you back.

208
00:15:48,200 --> 00:15:49,199
Five minutes.

209
00:15:49,200 --> 00:15:51,720
Joe, trust me. I'm going to call you
back. Five minutes. I'm going to win.

210
00:15:53,500 --> 00:15:54,520
What are you doing here?

211
00:15:56,760 --> 00:15:57,820
I'm out of clean underwear.

212
00:15:58,800 --> 00:15:59,800
Like you.

213
00:16:00,060 --> 00:16:01,060
Hmm.

214
00:16:01,440 --> 00:16:05,440
Guess I just never imagined someone like
you doing his own underwear.

215
00:16:06,260 --> 00:16:07,580
Well, who gets it wrong, sweetheart?

216
00:16:08,040 --> 00:16:09,040
Somebody's got to do it.

217
00:16:09,500 --> 00:16:12,660
I mean, I'm not that famous yet. And
even if I was, I wouldn't be handing out

218
00:16:12,660 --> 00:16:13,960
my underwear for somebody to clean.

219
00:16:16,900 --> 00:16:18,380
Yeah. You're welcome.

220
00:16:18,900 --> 00:16:20,540
Thanks for being so understanding today.

221
00:16:21,500 --> 00:16:23,620
It's no problem. Don't mention it.
You're going to be great.

222
00:16:24,300 --> 00:16:26,820
You just got to... Got to what?

223
00:16:27,720 --> 00:16:28,720
You got to release.

224
00:16:28,900 --> 00:16:30,340
You got to rise to the occasion.

225
00:16:31,140 --> 00:16:32,140
I know.

226
00:16:32,820 --> 00:16:35,960
I mean, I understand it. Nothing like
this has happened before.

227
00:16:36,440 --> 00:16:37,439
It's like...

228
00:16:37,440 --> 00:16:40,580
I feel all the emotion. I feel all the
energy, you know, and then, boom,

229
00:16:40,700 --> 00:16:42,900
something happens, and I just, I mean,
it's gone.

230
00:16:44,440 --> 00:16:46,580
Yeah, that's probably because you've
never been pushed before.

231
00:16:47,880 --> 00:16:50,880
No, I'm pushed, you know. I'm used to
being pushed.

232
00:16:51,260 --> 00:16:55,120
I don't know. Not the way it looked
today. Not under this much pressure. I

233
00:16:55,120 --> 00:16:58,700
don't think so. Ah, you're one pompous,
one of a bitch. Ah, you should try what

234
00:16:58,700 --> 00:16:59,700
I suggested.

235
00:17:00,080 --> 00:17:01,019
Go ahead.

236
00:17:01,020 --> 00:17:02,020
Push.

237
00:17:02,560 --> 00:17:03,560
Push me.

238
00:17:04,420 --> 00:17:06,319
Come on. I'm telling you, you'll be
surprised.

239
00:17:07,099 --> 00:17:10,700
The things you'll find when everything
just comes out. Pow!

240
00:17:11,599 --> 00:17:13,960
Push. Freedom, I'm not going to push
you.

241
00:17:14,200 --> 00:17:15,260
Come on. Push.

242
00:17:15,960 --> 00:17:19,540
Push. That's ridiculous. I'm not going
to push you. All right.

243
00:17:20,040 --> 00:17:21,040
I understand.

244
00:17:21,160 --> 00:17:22,839
We'll be doing this for the next ten
years.

245
00:17:23,480 --> 00:17:27,980
Yeah, it is. You've got to rise above
the inhibition. Come from out of water.

246
00:17:29,140 --> 00:17:30,200
Fuck you.

247
00:17:30,500 --> 00:17:31,540
Oh. Oh.

248
00:17:33,510 --> 00:17:38,530
Seriously look around. There's no one
here but this sound and you and me. Step

249
00:17:38,530 --> 00:17:41,090
one, two, three. What a perfect harmony.

250
00:17:41,310 --> 00:17:46,410
Step one with all those years of
practicing so hide your tears. Step two,

251
00:17:46,430 --> 00:17:53,350
believe in you and do not forget what to
do. Do, do, do. Come on, come on, come

252
00:17:53,350 --> 00:17:56,170
on. You can do it. You can. Check it
out.

253
00:17:57,410 --> 00:18:01,550
Step three is the hard part and it
requires the heart.

254
00:18:01,960 --> 00:18:06,680
You must have it from the start if you
believe in your art. All in all, there

255
00:18:06,680 --> 00:18:12,720
is no clue of exactly what to do. You
must reach for the stars and hold on to

256
00:18:12,720 --> 00:18:17,140
them like glue. This is the part that
will sing most. Running home back to the

257
00:18:17,140 --> 00:18:21,200
coast with their tails between their
legs. All broke up like scrambled eggs.

258
00:18:21,260 --> 00:18:26,880
So come on, push, push, push. You can do
it. Come on, come on. You can do it. Do

259
00:18:26,880 --> 00:18:29,420
it. Come on. See this? Just take it.

260
00:18:29,660 --> 00:18:31,420
Take it. Just take it. There it is.

261
00:18:31,710 --> 00:18:32,830
Come on. Come on.

262
00:18:33,070 --> 00:18:35,990
Release. I know you can do it. I
wouldn't push you if I didn't believe

263
00:18:35,990 --> 00:18:38,010
you can do it. Come on. Come on.

264
00:18:38,270 --> 00:18:41,010
Release. If I didn't want you to, I
wouldn't ask you to.

265
00:18:41,430 --> 00:18:42,430
We wouldn't be here.

266
00:18:42,630 --> 00:18:44,830
Come on. I won't stop until you commit.

267
00:18:45,070 --> 00:18:48,450
You've got to get this part. Come on.
See? There it is. I see it.

268
00:18:48,770 --> 00:18:49,990
Come on. Come on.

269
00:18:50,370 --> 00:18:51,309
Come on.

270
00:18:51,310 --> 00:18:52,310
Push it.

271
00:18:54,570 --> 00:18:55,209
That's it.

272
00:18:55,210 --> 00:18:56,410
That's it. That's it.

273
00:18:57,150 --> 00:18:58,150
Come on now.

274
00:18:58,650 --> 00:18:59,730
You know you can do it.

275
00:19:00,430 --> 00:19:01,590
That's what you got to do.

276
00:19:02,070 --> 00:19:03,110
You got to commit.

277
00:19:03,910 --> 00:19:04,910
This will be hard.

278
00:19:05,750 --> 00:19:08,210
All that anger and tension you got is
bottled up.

279
00:19:08,850 --> 00:19:09,850
It's bottled up.

280
00:19:11,010 --> 00:19:12,010
Come on.

281
00:19:12,190 --> 00:19:13,190
That's it.

282
00:19:13,470 --> 00:19:14,470
You got to reach.

283
00:19:14,970 --> 00:19:16,130
You got to dig deep.

284
00:19:17,390 --> 00:19:18,950
You can be whatever you want to be.

285
00:19:20,130 --> 00:19:21,150
But you got to believe.

286
00:19:23,850 --> 00:19:25,410
You know how beautiful you look today?

287
00:19:26,170 --> 00:19:27,170
Good man.

288
00:20:11,880 --> 00:20:12,920
The next day.

289
00:20:14,060 --> 00:20:15,060
D-Day.

290
00:20:16,540 --> 00:20:17,740
The day of the shoot.

291
00:20:19,200 --> 00:20:20,200
Couldn't sleep.

292
00:20:20,520 --> 00:20:21,520
Can't eat.

293
00:20:23,220 --> 00:20:24,600
Still too nervous.

294
00:20:53,200 --> 00:20:54,200
What's happening?

295
00:20:54,300 --> 00:20:56,780
H.E. Yeah, what's up? Talk to me.

296
00:20:57,900 --> 00:20:58,900
You ready?

297
00:20:59,220 --> 00:21:00,220
You girls ready?

298
00:21:02,720 --> 00:21:03,720
Let's do it.

299
00:21:04,580 --> 00:21:07,460
Everybody up here, let's see what it
looks like.

300
00:22:03,150 --> 00:22:04,150
With a new track.

301
00:22:04,430 --> 00:22:05,970
This ain't fiction, it's fact.

302
00:22:06,170 --> 00:22:09,430
I made the rules that'll make you wanna
groove. That'll make you wanna prove my

303
00:22:09,430 --> 00:22:10,430
moves and all that.

304
00:22:10,490 --> 00:22:12,410
Dance to your feel like I feel now.

305
00:22:12,630 --> 00:22:14,530
Grab your girl and then move. That's
how.

306
00:22:14,790 --> 00:22:18,350
Now is the time. Now is the year. And
this is the world premiere.

307
00:22:35,470 --> 00:22:36,610
It's time for a relief.

308
00:22:37,030 --> 00:22:40,790
A piece of this, this dial is what I'm
giving to save the leaf. I'm a beast

309
00:22:40,790 --> 00:22:42,990
from the east and there's more to speak.

310
00:22:43,310 --> 00:22:44,690
Just dance to my expertise.

311
00:22:45,090 --> 00:22:48,850
I did it before and I'm going to do it
once more. Or I'll die on the dance

312
00:22:48,850 --> 00:22:52,530
floor. So when you wave your hands, you
better come for the kill. Because when I

313
00:22:52,530 --> 00:22:54,270
dance, I'm ill. No rules allowed.

314
00:22:54,510 --> 00:22:58,150
The whole part. Just dance till you wet
your pants and that's hard. Like Bobby

315
00:22:58,150 --> 00:23:01,890
Brown. I'm on my own and I'm back to the
phone.

316
00:23:18,000 --> 00:23:19,100
Break it down for me, brother.

317
00:23:37,100 --> 00:23:40,440
One more is three. Here we go. You want
to flow? Join with me.

318
00:23:40,640 --> 00:23:43,540
Wave your hands in the air from side to
side and chill.

319
00:23:43,820 --> 00:23:44,820
Yeah, that's ill.

320
00:23:45,020 --> 00:23:46,120
My rock vernacular.

321
00:23:46,560 --> 00:23:47,560
Spectacular.

322
00:23:47,720 --> 00:23:48,940
Manufacturer. Smooth as Dracula.

323
00:23:49,300 --> 00:23:50,980
I'm on a mission. Full of ambition.

324
00:23:51,260 --> 00:23:53,380
Competition. Conditions. On me a damn
station.

325
00:23:53,680 --> 00:23:57,400
So I'm G-Shake. You're off, you little
chump. Move a little bit or I'm gonna

326
00:23:57,400 --> 00:24:00,140
bump. There's no shame to claim the fame
that I've attained.

327
00:24:00,500 --> 00:24:01,960
To everybody scream that name.

328
00:24:35,760 --> 00:24:36,920
I thought you had this worked out.

329
00:24:38,140 --> 00:24:40,200
She'll get it. Just give us one more
chance, man. Chill.

330
00:24:40,500 --> 00:24:41,459
It's no problem.

331
00:24:41,460 --> 00:24:42,520
Just give us ten minutes, man.

332
00:24:42,800 --> 00:24:45,880
I don't have ten minutes. Let's do the
European version.

333
00:24:46,880 --> 00:24:49,840
The unrated version. Let's do it now.

334
00:24:50,340 --> 00:24:53,000
Hold on, hold on. She can do it, man.
She can do it. All right, listen up.

335
00:24:53,020 --> 00:24:54,140
We're doing the European version.

336
00:24:54,540 --> 00:24:57,160
Emily, clothes off. You're going to need
body makeup. What? What?

337
00:24:57,440 --> 00:25:00,820
Hey, you sign the nudity rider. All you
girls sign the nudity rider.

338
00:25:01,200 --> 00:25:02,500
I'm not taking off my clothes.

339
00:25:03,040 --> 00:25:05,720
All right. Just give us ten more
minutes, man. I'm telling you. We don't

340
00:25:05,720 --> 00:25:09,140
have ten more minutes. We've got so much
time. We've got so much money. I don't

341
00:25:09,140 --> 00:25:11,700
want you to do anything you're not
comfortable with. Listen, then if that's

342
00:25:11,700 --> 00:25:13,540
your attitude... No, no, wait a minute.
I got another girl here.

343
00:25:13,780 --> 00:25:14,780
Great. Come on.

344
00:25:15,260 --> 00:25:17,420
No, no, no, no, no, no, no, no. Let me
take your hair.

345
00:25:18,480 --> 00:25:19,159
I'm out.

346
00:25:19,160 --> 00:25:20,300
That's it, man.

347
00:25:20,600 --> 00:25:24,660
Jesus Christ, man. Get a grip on it.
Where's the stuff you spoke to? I don't

348
00:25:24,660 --> 00:25:26,320
care. I really don't care.

349
00:25:27,260 --> 00:25:28,680
Unrated version now.

350
00:25:29,200 --> 00:25:32,540
Put the music on. Put the music on.
European version. Let's go.

351
00:25:41,440 --> 00:25:42,000
Let me

352
00:25:42,000 --> 00:25:54,080
know.

353
00:26:21,360 --> 00:26:22,600
You don't give a shit?

354
00:26:23,240 --> 00:26:25,360
Bullshit! You full of shit! I'm telling
you!

355
00:26:25,740 --> 00:26:29,600
Leave me alone, okay? I had my chance. I
blew it. No, you didn't blow anything.

356
00:26:29,840 --> 00:26:32,880
But you know what you're doing? You're
blowing it right now. All of a sudden,

357
00:26:32,900 --> 00:26:34,980
it's not comfortable, so you're just
going to bail out on me?

358
00:26:35,740 --> 00:26:40,260
Wall to wall, the price is high. You
might meet that type of guy or type of

359
00:26:40,260 --> 00:26:44,420
girl who rock your world and trade your
diamonds for their pearls. You can stand

360
00:26:44,420 --> 00:26:47,340
and end the day picking up their sexy
ways.

361
00:26:47,580 --> 00:26:51,240
You might have to paraphrase what you
call the better days.

362
00:26:51,440 --> 00:26:53,140
All in all, there is no clue.

363
00:26:53,640 --> 00:26:55,060
The sex is good. Take two.

364
00:26:55,340 --> 00:26:59,620
Sometimes I don't know what to do. I
might explode all over you, all over

365
00:26:59,620 --> 00:27:04,900
you. All over you, all over you. What
was that last night?

366
00:27:05,120 --> 00:27:08,860
You knew I was down and you took
advantage of me. If that was me taking

367
00:27:08,860 --> 00:27:12,800
advantage of you last night, then I need
to check myself into a loony bin for an

368
00:27:12,800 --> 00:27:15,240
overhaul. You're right. Could you do it?
Send the bill to me.

369
00:27:16,240 --> 00:27:17,240
Okay.

370
00:27:17,580 --> 00:27:19,840
I understand now. This is okay.

371
00:27:20,380 --> 00:27:22,500
Thank you. European person, please.

372
00:27:23,740 --> 00:27:27,200
No problem. That's the way you want to
do it. You want a good European version?

373
00:27:27,380 --> 00:27:30,600
Let's do it. We can do it right now. All
right. It's not a problem. It's not a

374
00:27:30,600 --> 00:27:31,600
problem. What do you want?

375
00:27:32,200 --> 00:27:34,440
What? I'm going to hit you. I'm going to
hit you.

376
00:27:34,740 --> 00:27:37,280
What? What do you want? I'll hit you.

377
00:27:37,480 --> 00:27:38,479
Hit you.

378
00:27:38,480 --> 00:27:43,280
I'll hit you. That's exactly it. Now
just take that passion, honey, and just

379
00:27:43,280 --> 00:27:46,240
start to dance. Does this make you
happy? Take all that emotion you're

380
00:27:46,240 --> 00:27:49,380
feeling and just start to dance. That's
it. Just reach down.

381
00:27:49,620 --> 00:27:50,299
You got it.

382
00:27:50,300 --> 00:27:55,170
You got it. Now what I want to do. as I
want to pick up the video exactly where

383
00:27:55,170 --> 00:27:56,169
we left off.

384
00:27:56,170 --> 00:28:00,610
Everybody just get it in the position.
That's it, honey. Just reach down. You

385
00:28:00,610 --> 00:28:01,489
got it.

386
00:28:01,490 --> 00:28:04,410
Just reach down. I want to pick it up on
three.

387
00:29:58,190 --> 00:29:59,450
Andrew, I remember that.

388
00:29:59,870 --> 00:30:03,110
You little sneak. You finally got what
you wanted, huh?

389
00:30:03,410 --> 00:30:04,590
You bet your ass.

390
00:30:05,190 --> 00:30:06,190
I did.

391
00:30:06,350 --> 00:30:07,570
I got what I wanted.

392
00:30:08,350 --> 00:30:09,430
Now what do I do?

393
00:30:10,530 --> 00:30:13,530
Not with my career, but the way I feel
about freedom.

394
00:30:14,830 --> 00:30:15,850
Rule number one.

395
00:30:16,730 --> 00:30:22,210
The last thing my mother said before I
left home was, never, never fall in love

396
00:30:22,210 --> 00:30:23,210
with a rock star.

397
00:30:24,110 --> 00:30:25,210
And if you do...

398
00:30:25,740 --> 00:30:27,760
Then go immediately to rule number two.

399
00:30:28,760 --> 00:30:32,080
If you gotta love him, take it one day
at a time.

400
00:30:38,380 --> 00:30:42,660
Somehow what I learned from him was to
push past what I thought my limits were.

401
00:30:43,520 --> 00:30:45,520
And most importantly, to trust myself.

402
00:30:48,860 --> 00:30:51,080
I'd love to learn to trust myself, too.

