1 00:00:03,090 --> 00:00:07,730 >> Narrator: ON THIS EPISODE OF "MYTHBUSTERS," IT'S A DOG'S LIFE. 2 00:00:07,720 --> 00:00:09,390 "MYTHBUSTERS," IT'S A DOG'S LIFE. THE TEAM IS ON THE TRAIL OF 3 00:00:09,390 --> 00:00:10,890 LIFE. THE TEAM IS ON THE TRAIL OF THREE CANINE CONUNDRUMS. 4 00:00:10,890 --> 00:00:12,430 THE TEAM IS ON THE TRAIL OF THREE CANINE CONUNDRUMS. >> IT'S A DOG-EAT-CONVICT 5 00:00:12,430 --> 00:00:13,490 THREE CANINE CONUNDRUMS. >> IT'S A DOG-EAT-CONVICT WORLD OUT THERE. 6 00:00:13,500 --> 00:00:15,160 >> IT'S A DOG-EAT-CONVICT WORLD OUT THERE. >> Narrator: FIRST UP, IT'S 7 00:00:15,170 --> 00:00:17,070 WORLD OUT THERE. >> Narrator: FIRST UP, IT'S PRISON BREAK, MYTHBUSTERS-STYLE, 8 00:00:17,070 --> 00:00:18,500 >> Narrator: FIRST UP, IT'S PRISON BREAK, MYTHBUSTERS-STYLE, AS ADAM AND JAMIE SNIFF 9 00:00:18,500 --> 00:00:20,200 PRISON BREAK, MYTHBUSTERS-STYLE, AS ADAM AND JAMIE SNIFF OUT WHETHER YOU CAN BEAT THE 10 00:00:20,200 --> 00:00:21,000 AS ADAM AND JAMIE SNIFF OUT WHETHER YOU CAN BEAT THE BLOODHOUND. 11 00:00:21,000 --> 00:00:22,600 OUT WHETHER YOU CAN BEAT THE BLOODHOUND. >> MAN, THAT'S INCREDIBLE. 12 00:00:22,610 --> 00:00:23,600 BLOODHOUND. >> MAN, THAT'S INCREDIBLE. >> [ GROWLING ] 13 00:00:23,610 --> 00:00:25,410 >> MAN, THAT'S INCREDIBLE. >> [ GROWLING ] >> Narrator: THEN KARI, GRANT, 14 00:00:25,410 --> 00:00:26,770 >> [ GROWLING ] >> Narrator: THEN KARI, GRANT, AND TORY TEST MYTHICAL 15 00:00:26,780 --> 00:00:28,380 >> Narrator: THEN KARI, GRANT, AND TORY TEST MYTHICAL TECHNIQUES TO SNEAK PAST A GUARD 16 00:00:28,380 --> 00:00:28,740 AND TORY TEST MYTHICAL TECHNIQUES TO SNEAK PAST A GUARD DOG. 17 00:00:28,750 --> 00:00:30,090 TECHNIQUES TO SNEAK PAST A GUARD DOG. >> OH, MY GOD, THIS IS NOT 18 00:00:30,080 --> 00:00:31,550 DOG. >> OH, MY GOD, THIS IS NOT WORKING, THIS IS NOT WORKING, 19 00:00:31,550 --> 00:00:32,610 >> OH, MY GOD, THIS IS NOT WORKING, THIS IS NOT WORKING, THIS IS NOT WORKING. 20 00:00:32,620 --> 00:00:33,150 WORKING, THIS IS NOT WORKING, THIS IS NOT WORKING. >> MUSH. 21 00:00:33,150 --> 00:00:34,650 THIS IS NOT WORKING. >> MUSH. >> Narrator: FINALLY, ADAM AND 22 00:00:34,650 --> 00:00:36,220 >> MUSH. >> Narrator: FINALLY, ADAM AND JAMIE TEST THE PROVERB THAT YOU 23 00:00:36,220 --> 00:00:37,550 >> Narrator: FINALLY, ADAM AND JAMIE TEST THE PROVERB THAT YOU CAN'T TEACH AN OLD DOG NEW 24 00:00:37,550 --> 00:00:38,050 JAMIE TEST THE PROVERB THAT YOU CAN'T TEACH AN OLD DOG NEW TRICKS. 25 00:00:38,060 --> 00:00:39,530 CAN'T TEACH AN OLD DOG NEW TRICKS. >> SIT. 26 00:00:39,520 --> 00:00:43,860 TRICKS. >> SIT. [ LAUGHS ] 27 00:00:43,860 --> 00:00:45,130 >> SIT. [ LAUGHS ] >> Narrator: WHO ARE THE 28 00:00:45,130 --> 00:00:45,860 [ LAUGHS ] >> Narrator: WHO ARE THE MYTHBUSTERS? 29 00:00:45,860 --> 00:00:46,690 >> Narrator: WHO ARE THE MYTHBUSTERS? ADAM SAVAGE... 30 00:00:46,700 --> 00:00:48,030 MYTHBUSTERS? ADAM SAVAGE... >> IS EVERYBODY READY FOR 31 00:00:48,030 --> 00:00:48,560 ADAM SAVAGE... >> IS EVERYBODY READY FOR DIVING? 32 00:00:48,570 --> 00:00:49,610 >> IS EVERYBODY READY FOR DIVING? >> Narrator: ...AND 33 00:00:49,600 --> 00:00:50,430 DIVING? >> Narrator: ...AND JAMIE HYNEMAN. 34 00:00:50,430 --> 00:00:51,870 >> Narrator: ...AND JAMIE HYNEMAN. >> GETS ME ALL WORKED UP JUST 35 00:00:51,870 --> 00:00:52,670 JAMIE HYNEMAN. >> GETS ME ALL WORKED UP JUST LOOKING AT IT. 36 00:00:52,670 --> 00:00:53,770 >> GETS ME ALL WORKED UP JUST LOOKING AT IT. >> THAT WAS BEAUTIFUL! 37 00:00:53,770 --> 00:00:55,300 LOOKING AT IT. >> THAT WAS BEAUTIFUL! >> Narrator: BETWEEN THEM, MORE 38 00:00:55,310 --> 00:00:56,180 >> THAT WAS BEAUTIFUL! >> Narrator: BETWEEN THEM, MORE THAN 30 YEARS OF 39 00:00:56,170 --> 00:00:58,540 >> Narrator: BETWEEN THEM, MORE THAN 30 YEARS OF SPECIAL-EFFECTS EXPERIENCE. 40 00:00:58,540 --> 00:00:59,640 THAN 30 YEARS OF SPECIAL-EFFECTS EXPERIENCE. >> THAT WAS HEAVY. 41 00:00:59,640 --> 00:01:01,140 SPECIAL-EFFECTS EXPERIENCE. >> THAT WAS HEAVY. >> Narrator: JOINING THEM, 42 00:01:01,140 --> 00:01:02,140 >> THAT WAS HEAVY. >> Narrator: JOINING THEM, GRANT IMAHARA... 43 00:01:02,150 --> 00:01:03,590 >> Narrator: JOINING THEM, GRANT IMAHARA... >> ARE YOU FEELIN' LUCKY, PUNK? 44 00:01:03,580 --> 00:01:04,980 GRANT IMAHARA... >> ARE YOU FEELIN' LUCKY, PUNK? >> Narrator: ...TORY BELLECI... 45 00:01:04,980 --> 00:01:06,210 >> ARE YOU FEELIN' LUCKY, PUNK? >> Narrator: ...TORY BELLECI... >> DID SOMEBODY ORDER SOME 46 00:01:06,220 --> 00:01:07,050 >> Narrator: ...TORY BELLECI... >> DID SOMEBODY ORDER SOME EXPLODING PANTS? 47 00:01:07,050 --> 00:01:08,480 >> DID SOMEBODY ORDER SOME EXPLODING PANTS? >> Narrator: ...AND KARI BYRON. 48 00:01:08,490 --> 00:01:09,560 EXPLODING PANTS? >> Narrator: ...AND KARI BYRON. >> HIGH EXPLOSIVES AND 49 00:01:09,550 --> 00:01:10,450 >> Narrator: ...AND KARI BYRON. >> HIGH EXPLOSIVES AND ELECTRICITY, WHOO! 50 00:01:10,450 --> 00:01:11,750 >> HIGH EXPLOSIVES AND ELECTRICITY, WHOO! >> Narrator: THEY DON'T JUST 51 00:01:11,760 --> 00:01:12,560 ELECTRICITY, WHOO! >> Narrator: THEY DON'T JUST TELL THE MYTHS. 52 00:01:12,560 --> 00:01:14,990 >> Narrator: THEY DON'T JUST TELL THE MYTHS. THEY PUT THEM TO THE TEST. 53 00:01:21,930 --> 00:01:25,770 >> HAVE YOU HEARD THE ONE ABOUT THE DYSLEXIC PHILOSOPHERS CONVENTION? 54 00:01:25,770 --> 00:01:26,270 THE DYSLEXIC PHILOSOPHERS CONVENTION? >> NO. 55 00:01:26,270 --> 00:01:27,970 CONVENTION? >> NO. >> THE TOP OF DISCUSSION IS, IS 56 00:01:27,970 --> 00:01:28,840 >> NO. >> THE TOP OF DISCUSSION IS, IS THERE A DOG? 57 00:01:28,840 --> 00:01:30,640 >> THE TOP OF DISCUSSION IS, IS THERE A DOG? >> WHAT ARE YOU GOING ON ABOUT? 58 00:01:30,640 --> 00:01:31,540 THERE A DOG? >> WHAT ARE YOU GOING ON ABOUT? >> IT'S TIME. 59 00:01:31,540 --> 00:01:32,940 >> WHAT ARE YOU GOING ON ABOUT? >> IT'S TIME. WE'RE DOING AN ALL-DOGS 60 00:01:32,940 --> 00:01:34,510 >> IT'S TIME. WE'RE DOING AN ALL-DOGS "MYTHBUSTERS" DOG SPECIAL. 61 00:01:34,510 --> 00:01:35,810 WE'RE DOING AN ALL-DOGS "MYTHBUSTERS" DOG SPECIAL. WE HAVE BEEN INUNDATED WITH 62 00:01:35,810 --> 00:01:37,240 "MYTHBUSTERS" DOG SPECIAL. WE HAVE BEEN INUNDATED WITH MYTHS FROM THE FANS AND ON THE 63 00:01:37,250 --> 00:01:38,650 WE HAVE BEEN INUNDATED WITH MYTHS FROM THE FANS AND ON THE WEBSITE, AND NOW IT'S TIME TO 64 00:01:38,650 --> 00:01:39,710 MYTHS FROM THE FANS AND ON THE WEBSITE, AND NOW IT'S TIME TO PUT THEM INTO A SHOW. 65 00:01:39,720 --> 00:01:40,950 WEBSITE, AND NOW IT'S TIME TO PUT THEM INTO A SHOW. >> OKAY. SOUNDS LIKE FUN. 66 00:01:40,950 --> 00:01:47,420 PUT THEM INTO A SHOW. >> OKAY. SOUNDS LIKE FUN. >> YEAH. 67 00:01:47,420 --> 00:01:48,690 >> OKAY. SOUNDS LIKE FUN. >> YEAH. [ DOG BARKING ] 68 00:01:48,690 --> 00:01:50,020 >> YEAH. [ DOG BARKING ] OKAY, HERE'S WHAT I SEE. 69 00:01:50,030 --> 00:01:51,660 [ DOG BARKING ] OKAY, HERE'S WHAT I SEE. IT'S ANOTHER IN A LONG LINE OF 70 00:01:51,660 --> 00:01:53,190 OKAY, HERE'S WHAT I SEE. IT'S ANOTHER IN A LONG LINE OF ADAGES LIKE "A ROLLING STONE 71 00:01:53,200 --> 00:01:54,900 IT'S ANOTHER IN A LONG LINE OF ADAGES LIKE "A ROLLING STONE GATHERS NO MOSS" AND "FINDING A 72 00:01:54,900 --> 00:01:56,130 ADAGES LIKE "A ROLLING STONE GATHERS NO MOSS" AND "FINDING A NEEDLE IN A HAYSTACK." 73 00:01:56,130 --> 00:01:57,870 GATHERS NO MOSS" AND "FINDING A NEEDLE IN A HAYSTACK." WE SHOULD TEST THE MYTH THAT YOU 74 00:01:57,870 --> 00:01:59,300 NEEDLE IN A HAYSTACK." WE SHOULD TEST THE MYTH THAT YOU CAN'T TEACH AN OLD DOG NEW 75 00:01:59,300 --> 00:01:59,870 WE SHOULD TEST THE MYTH THAT YOU CAN'T TEACH AN OLD DOG NEW TRICKS. 76 00:01:59,870 --> 00:02:01,240 CAN'T TEACH AN OLD DOG NEW TRICKS. YOU READY, OLD DOG? 77 00:02:01,240 --> 00:02:01,900 TRICKS. YOU READY, OLD DOG? >> ARF! 78 00:02:01,910 --> 00:02:04,580 YOU READY, OLD DOG? >> ARF! >> [ Laughing ] LET'S GO. 79 00:02:04,570 --> 00:02:06,540 >> ARF! >> [ Laughing ] LET'S GO. >> Narrator: MAN'S BEST FRIEND. 80 00:02:06,540 --> 00:02:08,540 >> [ Laughing ] LET'S GO. >> Narrator: MAN'S BEST FRIEND. THEY'RE SMART, THEY'RE TALENTED, 81 00:02:08,550 --> 00:02:10,520 >> Narrator: MAN'S BEST FRIEND. THEY'RE SMART, THEY'RE TALENTED, AND CRUCIALLY, THEY'RE QUICK TO 82 00:02:10,510 --> 00:02:11,810 THEY'RE SMART, THEY'RE TALENTED, AND CRUCIALLY, THEY'RE QUICK TO PICK UP NEW TRICKS. 83 00:02:11,820 --> 00:02:13,620 AND CRUCIALLY, THEY'RE QUICK TO PICK UP NEW TRICKS. BUT THE QUESTION IS, ARE OUR 84 00:02:13,620 --> 00:02:15,620 PICK UP NEW TRICKS. BUT THE QUESTION IS, ARE OUR CANINE COMPANIONS' LEARNING DAYS 85 00:02:15,620 --> 00:02:17,580 BUT THE QUESTION IS, ARE OUR CANINE COMPANIONS' LEARNING DAYS BEHIND THEM WHEN THEY REACH OLD 86 00:02:17,590 --> 00:02:20,050 CANINE COMPANIONS' LEARNING DAYS BEHIND THEM WHEN THEY REACH OLD AGE? 87 00:02:20,060 --> 00:02:20,690 BEHIND THEM WHEN THEY REACH OLD AGE? >> ARF! 88 00:02:20,690 --> 00:02:22,020 AGE? >> ARF! >> WHAT'S THAT, YOU SAY? 89 00:02:22,030 --> 00:02:23,030 >> ARF! >> WHAT'S THAT, YOU SAY? WHAT'S THE PLAN? 90 00:02:23,030 --> 00:02:24,120 >> WHAT'S THAT, YOU SAY? WHAT'S THE PLAN? EXCELLENT QUESTION. 91 00:02:24,130 --> 00:02:25,260 WHAT'S THE PLAN? EXCELLENT QUESTION. I THINK IT'S PRETTY 92 00:02:25,260 --> 00:02:26,230 EXCELLENT QUESTION. I THINK IT'S PRETTY STRAIGHTFORWARD. 93 00:02:26,230 --> 00:02:27,630 I THINK IT'S PRETTY STRAIGHTFORWARD. I THINK WE BRING IN A COUPLE OF 94 00:02:27,630 --> 00:02:29,060 STRAIGHTFORWARD. I THINK WE BRING IN A COUPLE OF DOGS, AND WE SEE IF WE CAN TEACH 95 00:02:29,070 --> 00:02:29,910 I THINK WE BRING IN A COUPLE OF DOGS, AND WE SEE IF WE CAN TEACH THEM SOME TRICKS. 96 00:02:29,900 --> 00:02:31,130 DOGS, AND WE SEE IF WE CAN TEACH THEM SOME TRICKS. >> WELL, THEY GOT TO BE OLD 97 00:02:31,130 --> 00:02:32,530 THEM SOME TRICKS. >> WELL, THEY GOT TO BE OLD DOGS, 'CAUSE, AFTER ALL, THAT'S 98 00:02:32,540 --> 00:02:33,470 >> WELL, THEY GOT TO BE OLD DOGS, 'CAUSE, AFTER ALL, THAT'S WHAT THIS IS ABOUT. 99 00:02:33,470 --> 00:02:34,700 DOGS, 'CAUSE, AFTER ALL, THAT'S WHAT THIS IS ABOUT. MAYBE WE CAN EACH TAKE ONE. 100 00:02:34,700 --> 00:02:35,970 WHAT THIS IS ABOUT. MAYBE WE CAN EACH TAKE ONE. WE'LL TRAIN THEM SEPARATELY. 101 00:02:35,970 --> 00:02:37,540 MAYBE WE CAN EACH TAKE ONE. WE'LL TRAIN THEM SEPARATELY. >> THEY SHOULD BE ALSO AS CLOSE 102 00:02:37,540 --> 00:02:38,570 WE'LL TRAIN THEM SEPARATELY. >> THEY SHOULD BE ALSO AS CLOSE IN AGE AS POSSIBLE. 103 00:02:38,580 --> 00:02:40,150 >> THEY SHOULD BE ALSO AS CLOSE IN AGE AS POSSIBLE. I MEAN, PREFERABLY THEY'RE FROM 104 00:02:40,140 --> 00:02:41,480 IN AGE AS POSSIBLE. I MEAN, PREFERABLY THEY'RE FROM THE SAME LITTER, COUPLE OF 105 00:02:41,480 --> 00:02:42,940 I MEAN, PREFERABLY THEY'RE FROM THE SAME LITTER, COUPLE OF BROTHERS, BROTHER AND SISTER, 106 00:02:42,950 --> 00:02:44,040 THE SAME LITTER, COUPLE OF BROTHERS, BROTHER AND SISTER, SOMETHING LIKE THAT. 107 00:02:44,050 --> 00:02:45,550 BROTHERS, BROTHER AND SISTER, SOMETHING LIKE THAT. >> AND WE CAN DO SOME KIND OF, 108 00:02:45,550 --> 00:02:46,510 SOMETHING LIKE THAT. >> AND WE CAN DO SOME KIND OF, LIKE, A DOG SHOW. 109 00:02:46,520 --> 00:02:47,380 >> AND WE CAN DO SOME KIND OF, LIKE, A DOG SHOW. WHAT DO YOU THINK? 110 00:02:47,380 --> 00:02:48,750 LIKE, A DOG SHOW. WHAT DO YOU THINK? >> A MYTHBUSTERS DOG SHOW AT THE 111 00:02:48,750 --> 00:02:49,080 WHAT DO YOU THINK? >> A MYTHBUSTERS DOG SHOW AT THE END? 112 00:02:49,090 --> 00:02:51,960 >> A MYTHBUSTERS DOG SHOW AT THE END? THAT'S PERFECT. LET'S DO IT. 113 00:02:51,960 --> 00:02:53,930 END? THAT'S PERFECT. LET'S DO IT. >> Narrator: AND JUST AS PERFECT 114 00:02:53,920 --> 00:02:56,220 THAT'S PERFECT. LET'S DO IT. >> Narrator: AND JUST AS PERFECT ARE THESE BEAUTIFUL OLD DOGS, 115 00:02:56,230 --> 00:02:58,760 >> Narrator: AND JUST AS PERFECT ARE THESE BEAUTIFUL OLD DOGS, BOBO AND CECE, AN UNTRAINED 116 00:02:58,760 --> 00:03:00,430 ARE THESE BEAUTIFUL OLD DOGS, BOBO AND CECE, AN UNTRAINED 7-YEAR-OLD BROTHER-AND-SISTER 117 00:03:00,430 --> 00:03:00,930 BOBO AND CECE, AN UNTRAINED 7-YEAR-OLD BROTHER-AND-SISTER PAIR. 118 00:03:00,930 --> 00:03:02,700 7-YEAR-OLD BROTHER-AND-SISTER PAIR. >> BOBO AND CECE APPEAR TO BE 119 00:03:02,700 --> 00:03:03,900 PAIR. >> BOBO AND CECE APPEAR TO BE ALASKAN MALAMUTES. 120 00:03:03,900 --> 00:03:05,700 >> BOBO AND CECE APPEAR TO BE ALASKAN MALAMUTES. NOW, THIS BREED IS NOTORIOUSLY 121 00:03:05,700 --> 00:03:06,830 ALASKAN MALAMUTES. NOW, THIS BREED IS NOTORIOUSLY DIFFICULT TO TRAIN. 122 00:03:06,840 --> 00:03:10,200 NOW, THIS BREED IS NOTORIOUSLY DIFFICULT TO TRAIN. THEY'RE HEADSTRONG, SO IF WE CAN 123 00:03:10,210 --> 00:03:11,910 DIFFICULT TO TRAIN. THEY'RE HEADSTRONG, SO IF WE CAN TRAIN THESE OLD DOGS, THIS BEING 124 00:03:11,910 --> 00:03:13,640 THEY'RE HEADSTRONG, SO IF WE CAN TRAIN THESE OLD DOGS, THIS BEING A WORST-CASE SCENARIO, WE SHOULD 125 00:03:13,640 --> 00:03:17,080 TRAIN THESE OLD DOGS, THIS BEING A WORST-CASE SCENARIO, WE SHOULD BE ABLE TO TRAIN ANY OLD DOGS. 126 00:03:17,080 --> 00:03:19,380 A WORST-CASE SCENARIO, WE SHOULD BE ABLE TO TRAIN ANY OLD DOGS. >> MUSH. 127 00:03:19,380 --> 00:03:21,750 BE ABLE TO TRAIN ANY OLD DOGS. >> MUSH. >> [ LAUGHS ] 128 00:03:21,750 --> 00:03:23,620 >> MUSH. >> [ LAUGHS ] >> Narrator: ADAM AND JAMIE HAVE 129 00:03:23,620 --> 00:03:25,190 >> [ LAUGHS ] >> Narrator: ADAM AND JAMIE HAVE JUST ONE WEEK TO GET THESE 130 00:03:25,190 --> 00:03:27,050 >> Narrator: ADAM AND JAMIE HAVE JUST ONE WEEK TO GET THESE HOMELESS FURBALLS PULLING IN THE 131 00:03:27,060 --> 00:03:28,660 JUST ONE WEEK TO GET THESE HOMELESS FURBALLS PULLING IN THE RIGHT DIRECTION, SO THEY'RE 132 00:03:28,660 --> 00:03:30,790 HOMELESS FURBALLS PULLING IN THE RIGHT DIRECTION, SO THEY'RE GOING TO NEED SOME EXPERT HELP. 133 00:03:30,930 --> 00:03:33,060 ADAM AND CECE HAVE ENLISTED DOG 134 00:03:33,060 --> 00:03:35,330 TRAINER BEVERLY ULBRICH. 135 00:03:35,330 --> 00:03:36,900 >> SO WHAT WE'VE GOT IS SOMEWHAT 136 00:03:36,900 --> 00:03:38,370 OF A CONTEST BETWEEN JAMIE AND 137 00:03:38,370 --> 00:03:40,670 I, AND WHAT I NEED YOUR HELP 138 00:03:40,670 --> 00:03:42,900 WITH IS TO GET CECE HERE TO 139 00:03:42,910 --> 00:03:45,270 LEARN HOW TO HEEL, SIT, STAY, 140 00:03:45,280 --> 00:03:47,180 DOWN, AND SHAKE HANDS ALL IN THE 141 00:03:47,180 --> 00:03:48,280 NEXT WEEK. 142 00:03:48,410 --> 00:03:52,010 CAN WE DO THAT? >> I SURE HOPE SO. LET'S GIVE IT A SHOT. 143 00:03:52,020 --> 00:03:53,560 >> I SURE HOPE SO. LET'S GIVE IT A SHOT. A LITTLE BLING-BLING HERE. 144 00:03:53,550 --> 00:03:55,380 LET'S GIVE IT A SHOT. A LITTLE BLING-BLING HERE. >> Narrator: WITH HER SHINY, NEW 145 00:03:55,390 --> 00:03:57,130 A LITTLE BLING-BLING HERE. >> Narrator: WITH HER SHINY, NEW TRAINING COLLAR, CECE IS READY 146 00:03:57,120 --> 00:03:58,550 >> Narrator: WITH HER SHINY, NEW TRAINING COLLAR, CECE IS READY FOR LESSON NUMBER ONE -- 147 00:03:58,560 --> 00:03:59,160 TRAINING COLLAR, CECE IS READY FOR LESSON NUMBER ONE -- HEELING. 148 00:03:59,160 --> 00:04:00,860 FOR LESSON NUMBER ONE -- HEELING. >> THE IDEA WITH THE WALK IS YOU 149 00:04:00,860 --> 00:04:02,520 HEELING. >> THE IDEA WITH THE WALK IS YOU WANT THE DOG PAYING ATTENTION TO 150 00:04:02,530 --> 00:04:04,200 >> THE IDEA WITH THE WALK IS YOU WANT THE DOG PAYING ATTENTION TO YOU, NOT EVERYTHING ELSE AROUND 151 00:04:04,190 --> 00:04:04,590 WANT THE DOG PAYING ATTENTION TO YOU, NOT EVERYTHING ELSE AROUND YOU. 152 00:04:04,590 --> 00:04:05,960 YOU, NOT EVERYTHING ELSE AROUND YOU. IF YOU THINK ABOUT, LIKE, HOW A 153 00:04:05,960 --> 00:04:07,290 YOU. IF YOU THINK ABOUT, LIKE, HOW A PACK TRAVELS, THERE'S ONE PACK 154 00:04:07,300 --> 00:04:08,700 IF YOU THINK ABOUT, LIKE, HOW A PACK TRAVELS, THERE'S ONE PACK LEADER, AND THE REST OF THE DOGS 155 00:04:08,700 --> 00:04:10,000 PACK TRAVELS, THERE'S ONE PACK LEADER, AND THE REST OF THE DOGS ARE BEHIND IT, JUST FOLLOWING 156 00:04:10,000 --> 00:04:10,960 LEADER, AND THE REST OF THE DOGS ARE BEHIND IT, JUST FOLLOWING NATURALLY AND EASILY. 157 00:04:10,970 --> 00:04:12,300 ARE BEHIND IT, JUST FOLLOWING NATURALLY AND EASILY. AND OBVIOUSLY RIGHT NOW, SHE'S 158 00:04:12,300 --> 00:04:13,800 NATURALLY AND EASILY. AND OBVIOUSLY RIGHT NOW, SHE'S TRYING TO BE THAT PACK LEADER. 159 00:04:13,800 --> 00:04:15,270 AND OBVIOUSLY RIGHT NOW, SHE'S TRYING TO BE THAT PACK LEADER. >> BEVERLY'S THEORY ABOUT DOG 160 00:04:15,270 --> 00:04:16,670 TRYING TO BE THAT PACK LEADER. >> BEVERLY'S THEORY ABOUT DOG TRAINING IS TO LET THEM KNOW 161 00:04:16,670 --> 00:04:17,870 >> BEVERLY'S THEORY ABOUT DOG TRAINING IS TO LET THEM KNOW YOU'RE THE PACK LEADER. 162 00:04:17,870 --> 00:04:19,870 TRAINING IS TO LET THEM KNOW YOU'RE THE PACK LEADER. SO IT'S ALL ABOUT CONDITIONING 163 00:04:19,880 --> 00:04:21,680 YOU'RE THE PACK LEADER. SO IT'S ALL ABOUT CONDITIONING THE DOG BOTH POSITIVELY AND 164 00:04:21,680 --> 00:04:23,780 SO IT'S ALL ABOUT CONDITIONING THE DOG BOTH POSITIVELY AND NEGATIVELY IN WAYS THAT THE PACK 165 00:04:23,780 --> 00:04:24,540 THE DOG BOTH POSITIVELY AND NEGATIVELY IN WAYS THAT THE PACK LEADER WOULD DO. 166 00:04:24,550 --> 00:04:25,750 NEGATIVELY IN WAYS THAT THE PACK LEADER WOULD DO. YOU GIVE THEM AFFECTION WHEN 167 00:04:25,750 --> 00:04:27,080 LEADER WOULD DO. YOU GIVE THEM AFFECTION WHEN THEY DO RIGHT, AND YOU GIVE THEM 168 00:04:27,080 --> 00:04:28,420 YOU GIVE THEM AFFECTION WHEN THEY DO RIGHT, AND YOU GIVE THEM A SCRUFF ON THE NECK, JUST LIKE 169 00:04:28,420 --> 00:04:29,680 THEY DO RIGHT, AND YOU GIVE THEM A SCRUFF ON THE NECK, JUST LIKE THE PACK LEADER WOULD DO, WHEN 170 00:04:29,690 --> 00:04:30,920 A SCRUFF ON THE NECK, JUST LIKE THE PACK LEADER WOULD DO, WHEN THEY DO WRONG, AND AS LONG AS 171 00:04:30,920 --> 00:04:32,190 THE PACK LEADER WOULD DO, WHEN THEY DO WRONG, AND AS LONG AS YOU REPEATEDLY DO THAT AND YOU 172 00:04:32,190 --> 00:04:34,660 THEY DO WRONG, AND AS LONG AS YOU REPEATEDLY DO THAT AND YOU DO THAT EXACTLY WHEN THEY'RE 173 00:04:34,660 --> 00:04:35,960 YOU REPEATEDLY DO THAT AND YOU DO THAT EXACTLY WHEN THEY'RE DOING STUFF RIGHT AND EXACTLY 174 00:04:35,960 --> 00:04:37,360 DO THAT EXACTLY WHEN THEY'RE DOING STUFF RIGHT AND EXACTLY WHEN THEY'RE DOING STUFF WRONG, 175 00:04:37,360 --> 00:04:38,460 DOING STUFF RIGHT AND EXACTLY WHEN THEY'RE DOING STUFF WRONG, THEY'LL BECOME MUCH MORE 176 00:04:38,460 --> 00:04:39,860 WHEN THEY'RE DOING STUFF WRONG, THEY'LL BECOME MUCH MORE MANAGEABLE 'CAUSE THEY ALL WANT 177 00:04:39,860 --> 00:04:41,530 THEY'LL BECOME MUCH MORE MANAGEABLE 'CAUSE THEY ALL WANT TO BE PART OF A TEAM. 178 00:04:41,530 --> 00:04:43,500 MANAGEABLE 'CAUSE THEY ALL WANT TO BE PART OF A TEAM. >> Narrator: THAT'S THE THEORY, 179 00:04:43,500 --> 00:04:45,430 TO BE PART OF A TEAM. >> Narrator: THAT'S THE THEORY, AND FOR OLD DOG CECE, IT SEEMS 180 00:04:45,440 --> 00:04:46,480 >> Narrator: THAT'S THE THEORY, AND FOR OLD DOG CECE, IT SEEMS TO BE WORKING. 181 00:04:46,470 --> 00:04:48,170 AND FOR OLD DOG CECE, IT SEEMS TO BE WORKING. ALREADY SHE'S SURPRISINGLY 182 00:04:48,170 --> 00:04:50,740 TO BE WORKING. ALREADY SHE'S SURPRISINGLY "WELL-HEELED," WHICH BEGS THE 183 00:04:50,740 --> 00:04:51,940 ALREADY SHE'S SURPRISINGLY "WELL-HEELED," WHICH BEGS THE QUESTION... 184 00:04:51,940 --> 00:04:53,340 "WELL-HEELED," WHICH BEGS THE QUESTION... >> HOW OLD IS "OLD" WHEN IT 185 00:04:53,340 --> 00:04:54,140 QUESTION... >> HOW OLD IS "OLD" WHEN IT COMES TO DOGS? 186 00:04:54,140 --> 00:04:55,680 >> HOW OLD IS "OLD" WHEN IT COMES TO DOGS? >> WELL, HOW OLD IS "OLD" WHEN 187 00:04:55,680 --> 00:04:56,710 COMES TO DOGS? >> WELL, HOW OLD IS "OLD" WHEN IT COMES TO PEOPLE? 188 00:04:56,710 --> 00:04:57,910 >> WELL, HOW OLD IS "OLD" WHEN IT COMES TO PEOPLE? IT'S PRETTY SUBJECTIVE. 189 00:04:57,910 --> 00:04:59,850 IT COMES TO PEOPLE? IT'S PRETTY SUBJECTIVE. HOWEVER, THE BEST ESTIMATES THAT 190 00:04:59,850 --> 00:05:01,580 IT'S PRETTY SUBJECTIVE. HOWEVER, THE BEST ESTIMATES THAT THE VET HAS IS THAT BOBO AND 191 00:05:01,580 --> 00:05:03,520 HOWEVER, THE BEST ESTIMATES THAT THE VET HAS IS THAT BOBO AND CECE WERE BORN ABOUT SEVEN YEARS 192 00:05:03,520 --> 00:05:05,390 THE VET HAS IS THAT BOBO AND CECE WERE BORN ABOUT SEVEN YEARS AGO, WHICH, IN HUMAN TERMS, FOR 193 00:05:05,390 --> 00:05:06,820 CECE WERE BORN ABOUT SEVEN YEARS AGO, WHICH, IN HUMAN TERMS, FOR THEIR SIZE, MAKES THEM 194 00:05:06,820 --> 00:05:08,490 AGO, WHICH, IN HUMAN TERMS, FOR THEIR SIZE, MAKES THEM APPROXIMATELY 50 YEARS OLD. 195 00:05:08,490 --> 00:05:09,990 THEIR SIZE, MAKES THEM APPROXIMATELY 50 YEARS OLD. >> THAT'D BE ABOUT IN THE BUTTER 196 00:05:09,990 --> 00:05:10,920 APPROXIMATELY 50 YEARS OLD. >> THAT'D BE ABOUT IN THE BUTTER ZONE FOR OUR TEST. 197 00:05:10,930 --> 00:05:12,990 >> THAT'D BE ABOUT IN THE BUTTER ZONE FOR OUR TEST. >> INDEED. 198 00:05:13,000 --> 00:05:14,390 ZONE FOR OUR TEST. >> INDEED. >> Narrator: OUTSIDE, AND 199 00:05:14,400 --> 00:05:16,000 >> INDEED. >> Narrator: OUTSIDE, AND SCHOOL'S STARTING FOR OLD DOGS 200 00:05:16,000 --> 00:05:17,430 >> Narrator: OUTSIDE, AND SCHOOL'S STARTING FOR OLD DOGS JAMIE AND BOBO. 201 00:05:17,570 --> 00:05:20,030 AND HEAD TEACH JEAN DONALDSEN 202 00:05:20,040 --> 00:05:22,440 FROM THE SPCA CONFIRMS WE'RE 203 00:05:22,440 --> 00:05:24,470 STARTING FROM SCRATCH. 204 00:05:24,610 --> 00:05:28,180 >> BOBO. [ CLICKS TONGUE ] CAN YOU SIT? HE PROBABLY HAS NEVER BEEN 205 00:05:28,180 --> 00:05:28,710 [ CLICKS TONGUE ] CAN YOU SIT? HE PROBABLY HAS NEVER BEEN TAUGHT. 206 00:05:28,710 --> 00:05:30,310 HE PROBABLY HAS NEVER BEEN TAUGHT. YOU MAY AS WELL BE SAYING IT IN 207 00:05:30,310 --> 00:05:30,910 TAUGHT. YOU MAY AS WELL BE SAYING IT IN SWAHILI. 208 00:05:30,910 --> 00:05:32,550 YOU MAY AS WELL BE SAYING IT IN SWAHILI. HE HAS NO CLUE. 209 00:05:32,550 --> 00:05:34,210 SWAHILI. HE HAS NO CLUE. >> Narrator: UNDAUNTED, JAMIE 210 00:05:34,220 --> 00:05:35,920 HE HAS NO CLUE. >> Narrator: UNDAUNTED, JAMIE AND JEAN GET CLASSES STARTED. 211 00:05:35,920 --> 00:05:37,480 >> Narrator: UNDAUNTED, JAMIE AND JEAN GET CLASSES STARTED. AND AT THIS DOG SCHOOL, THE 212 00:05:37,490 --> 00:05:38,820 AND JEAN GET CLASSES STARTED. AND AT THIS DOG SCHOOL, THE CURRICULUM IS SLIGHTLY 213 00:05:38,820 --> 00:05:41,250 AND AT THIS DOG SCHOOL, THE CURRICULUM IS SLIGHTLY DIFFERENT. 214 00:05:41,260 --> 00:05:43,090 CURRICULUM IS SLIGHTLY DIFFERENT. >> JEAN'S TECHNIQUE IS 215 00:05:43,090 --> 00:05:45,460 DIFFERENT. >> JEAN'S TECHNIQUE IS INFLUENCED BY PAVLOV, SKINNER, 216 00:05:45,460 --> 00:05:46,390 >> JEAN'S TECHNIQUE IS INFLUENCED BY PAVLOV, SKINNER, EVEN DARWIN. 217 00:05:46,400 --> 00:05:48,360 INFLUENCED BY PAVLOV, SKINNER, EVEN DARWIN. WE COULD TALK ABOUT IT IN TERMS 218 00:05:48,370 --> 00:05:50,110 EVEN DARWIN. WE COULD TALK ABOUT IT IN TERMS OF OPERANT CONDITIONING AND 219 00:05:50,100 --> 00:05:52,130 WE COULD TALK ABOUT IT IN TERMS OF OPERANT CONDITIONING AND OTHER THINGS, BUT IT BOILS DOWN 220 00:05:52,140 --> 00:05:54,110 OF OPERANT CONDITIONING AND OTHER THINGS, BUT IT BOILS DOWN TO THAT, IF THE DOG'S BEHAVIOR 221 00:05:54,100 --> 00:05:55,670 OTHER THINGS, BUT IT BOILS DOWN TO THAT, IF THE DOG'S BEHAVIOR IS GOOD, YOU REWARD IT. 222 00:05:55,670 --> 00:05:57,470 TO THAT, IF THE DOG'S BEHAVIOR IS GOOD, YOU REWARD IT. IF IT'S BAD, YOU IGNORE IT. 223 00:05:57,470 --> 00:06:00,240 IS GOOD, YOU REWARD IT. IF IT'S BAD, YOU IGNORE IT. >> SO I'VE GOT LEVERAGE IN MY 224 00:06:00,240 --> 00:06:01,740 IF IT'S BAD, YOU IGNORE IT. >> SO I'VE GOT LEVERAGE IN MY HAND, AND AT THE MOMENT, HE'S 225 00:06:01,750 --> 00:06:03,320 >> SO I'VE GOT LEVERAGE IN MY HAND, AND AT THE MOMENT, HE'S NOT GONNA GIVE ME A FULL DOWN, 226 00:06:03,310 --> 00:06:04,850 HAND, AND AT THE MOMENT, HE'S NOT GONNA GIVE ME A FULL DOWN, BUT I GOT TO PACE SOME THINGS. 227 00:06:04,850 --> 00:06:06,180 NOT GONNA GIVE ME A FULL DOWN, BUT I GOT TO PACE SOME THINGS. THIS IS CALLED SHAPING BY 228 00:06:06,180 --> 00:06:07,510 BUT I GOT TO PACE SOME THINGS. THIS IS CALLED SHAPING BY SUCCESS OF APPROXIMATION. 229 00:06:07,520 --> 00:06:09,020 THIS IS CALLED SHAPING BY SUCCESS OF APPROXIMATION. SO I'M WAITING FOR THAT RIGHT 230 00:06:09,020 --> 00:06:09,680 SUCCESS OF APPROXIMATION. SO I'M WAITING FOR THAT RIGHT FRONT LEG. 231 00:06:09,690 --> 00:06:11,850 SO I'M WAITING FOR THAT RIGHT FRONT LEG. AS SOON AS HE CROSSES IT, I'M 232 00:06:11,860 --> 00:06:13,100 FRONT LEG. AS SOON AS HE CROSSES IT, I'M GONNA PAY HIM. 233 00:06:13,090 --> 00:06:15,360 AS SOON AS HE CROSSES IT, I'M GONNA PAY HIM. WAITING FOR THE LEG. 234 00:06:15,360 --> 00:06:16,760 GONNA PAY HIM. WAITING FOR THE LEG. THERE'S THE LEG. 235 00:06:16,760 --> 00:06:18,660 WAITING FOR THE LEG. THERE'S THE LEG. >> Narrator: WITH BOBO GETTING 236 00:06:18,660 --> 00:06:20,490 THERE'S THE LEG. >> Narrator: WITH BOBO GETTING DOWN AND CECE ALSO RESPONDING 237 00:06:20,500 --> 00:06:22,500 >> Narrator: WITH BOBO GETTING DOWN AND CECE ALSO RESPONDING WELL TO THE FIRST DAY'S LESSONS, 238 00:06:22,500 --> 00:06:24,400 DOWN AND CECE ALSO RESPONDING WELL TO THE FIRST DAY'S LESSONS, DOESN'T THAT MEAN THIS MYTH IS 239 00:06:24,400 --> 00:06:25,500 WELL TO THE FIRST DAY'S LESSONS, DOESN'T THAT MEAN THIS MYTH IS ALREADY BUSTED? 240 00:06:25,500 --> 00:06:27,130 DOESN'T THAT MEAN THIS MYTH IS ALREADY BUSTED? >> I THINK THE MYTH IS LOOKING 241 00:06:27,140 --> 00:06:28,540 ALREADY BUSTED? >> I THINK THE MYTH IS LOOKING PRETTY BAD AT THIS POINT. 242 00:06:28,540 --> 00:06:30,000 >> I THINK THE MYTH IS LOOKING PRETTY BAD AT THIS POINT. THE REAL TEST WILL COME, I 243 00:06:30,010 --> 00:06:32,840 PRETTY BAD AT THIS POINT. THE REAL TEST WILL COME, I THINK, WITH THE HANDSHAKE. 244 00:06:32,840 --> 00:06:33,910 THE REAL TEST WILL COME, I THINK, WITH THE HANDSHAKE. I THINK ALL THE OTHER STUFF -- 245 00:06:33,910 --> 00:06:36,710 THINK, WITH THE HANDSHAKE. I THINK ALL THE OTHER STUFF -- HEEL, SIT, STAY -- 246 00:06:36,710 --> 00:06:40,010 I THINK ALL THE OTHER STUFF -- HEEL, SIT, STAY -- THOSE ARE YOUR PACK COMMANDS. 247 00:06:40,020 --> 00:06:41,280 HEEL, SIT, STAY -- THOSE ARE YOUR PACK COMMANDS. JUST GETTING THE DOG TO 248 00:06:41,280 --> 00:06:42,850 THOSE ARE YOUR PACK COMMANDS. JUST GETTING THE DOG TO UNDERSTAND YOUR WORDS FOR WHAT 249 00:06:42,850 --> 00:06:44,180 JUST GETTING THE DOG TO UNDERSTAND YOUR WORDS FOR WHAT IT NATURALLY WANTS TO DO. 250 00:06:44,190 --> 00:06:45,090 UNDERSTAND YOUR WORDS FOR WHAT IT NATURALLY WANTS TO DO. BUT SHAKING HANDS? 251 00:06:45,090 --> 00:06:46,520 IT NATURALLY WANTS TO DO. BUT SHAKING HANDS? THAT DOESN'T HAPPEN IN THE WILD. 252 00:06:46,520 --> 00:06:47,890 BUT SHAKING HANDS? THAT DOESN'T HAPPEN IN THE WILD. I THINK THAT'S REALLY GONNA BE 253 00:06:47,890 --> 00:06:49,320 THAT DOESN'T HAPPEN IN THE WILD. I THINK THAT'S REALLY GONNA BE WHERE THE RUBBER MEETS THE ROAD 254 00:06:49,330 --> 00:06:50,700 I THINK THAT'S REALLY GONNA BE WHERE THE RUBBER MEETS THE ROAD AND WHETHER OR NOT THESE DOGS 255 00:06:50,690 --> 00:06:52,630 WHERE THE RUBBER MEETS THE ROAD AND WHETHER OR NOT THESE DOGS CAN LEARN A REAL TRICK. 256 00:06:59,900 --> 00:07:04,140 [ DOG BARKING ] >> OUR NEXT MYTH COULD GET YOU RIPPED LIMB FROM LIMB. 257 00:07:04,140 --> 00:07:06,210 >> OUR NEXT MYTH COULD GET YOU RIPPED LIMB FROM LIMB. >> COOL! WHAT IS IT? 258 00:07:06,210 --> 00:07:08,070 RIPPED LIMB FROM LIMB. >> COOL! WHAT IS IT? >> WE'RE GOING TO THE DOGS. 259 00:07:08,080 --> 00:07:10,180 >> COOL! WHAT IS IT? >> WE'RE GOING TO THE DOGS. IT'S TIME TO TEST MYTHICAL WAYS 260 00:07:10,180 --> 00:07:11,980 >> WE'RE GOING TO THE DOGS. IT'S TIME TO TEST MYTHICAL WAYS TO GET PAST THE GUARD DOG. 261 00:07:11,980 --> 00:07:13,510 IT'S TIME TO TEST MYTHICAL WAYS TO GET PAST THE GUARD DOG. >> OH, COOL -- LIKE THROWING 262 00:07:13,520 --> 00:07:14,850 TO GET PAST THE GUARD DOG. >> OH, COOL -- LIKE THROWING THEM A BIG, JUICY STEAK. 263 00:07:14,850 --> 00:07:16,550 >> OH, COOL -- LIKE THROWING THEM A BIG, JUICY STEAK. >> WE HAVE A WHOLE LIST OF IDEAS 264 00:07:16,550 --> 00:07:18,050 THEM A BIG, JUICY STEAK. >> WE HAVE A WHOLE LIST OF IDEAS FOR TRYING TO GET PAST GUARD 265 00:07:18,050 --> 00:07:18,520 >> WE HAVE A WHOLE LIST OF IDEAS FOR TRYING TO GET PAST GUARD DOGS. 266 00:07:18,520 --> 00:07:19,950 FOR TRYING TO GET PAST GUARD DOGS. >> MAN, THIS SOUNDS DANGEROUS. 267 00:07:19,960 --> 00:07:21,090 DOGS. >> MAN, THIS SOUNDS DANGEROUS. >> ALL RIGHT. WE'RE IN. 268 00:07:21,090 --> 00:07:22,360 >> MAN, THIS SOUNDS DANGEROUS. >> ALL RIGHT. WE'RE IN. [ DOG BARKING ] 269 00:07:22,490 --> 00:07:23,660 >> Narrator: WHEN IT COMES TO 270 00:07:23,660 --> 00:07:25,190 BREAKING AND ENTERING, THE 271 00:07:25,200 --> 00:07:26,970 MYTHBUSTERS ARE UNSURPRISINGLY 272 00:07:26,960 --> 00:07:28,130 EXPERTS. 273 00:07:28,130 --> 00:07:30,160 THEIR CRIMINAL RECORD INCLUDES 274 00:07:30,170 --> 00:07:32,030 SAFE CRACKING, CLIMBING AIR 275 00:07:32,040 --> 00:07:34,040 DUCTS, AND BEATING LASER-BEAM 276 00:07:34,040 --> 00:07:35,470 ALARMS. 277 00:07:35,600 --> 00:07:39,740 [ ALARM RINGING ] >> ALL RIGHT, LET'S GET OUT OF HERE BEFORE THE COPS COME. 278 00:07:39,740 --> 00:07:41,410 >> ALL RIGHT, LET'S GET OUT OF HERE BEFORE THE COPS COME. >> Narrator: BUT TODAY THEY'RE 279 00:07:41,410 --> 00:07:42,780 HERE BEFORE THE COPS COME. >> Narrator: BUT TODAY THEY'RE FILLING THE GAP IN THEIR 280 00:07:42,780 --> 00:07:44,140 >> Narrator: BUT TODAY THEY'RE FILLING THE GAP IN THEIR CRIMINAL C.V. BY TESTING 281 00:07:44,150 --> 00:07:46,410 FILLING THE GAP IN THEIR CRIMINAL C.V. BY TESTING MYTHICAL METHODS TO BYPASS A 282 00:07:46,420 --> 00:07:47,450 CRIMINAL C.V. BY TESTING MYTHICAL METHODS TO BYPASS A GUARD DOG. 283 00:07:47,450 --> 00:07:48,980 MYTHICAL METHODS TO BYPASS A GUARD DOG. >> OKAY, GUYS, WHAT'S THE PLAN? 284 00:07:48,990 --> 00:07:50,360 GUARD DOG. >> OKAY, GUYS, WHAT'S THE PLAN? >> I THINK THE FIRST STEP IS 285 00:07:50,350 --> 00:07:50,920 >> OKAY, GUYS, WHAT'S THE PLAN? >> I THINK THE FIRST STEP IS OBVIOUS. 286 00:07:50,920 --> 00:07:52,420 >> I THINK THE FIRST STEP IS OBVIOUS. WE NEED TO GET OURSELVES A DOG, 287 00:07:52,420 --> 00:07:53,820 OBVIOUS. WE NEED TO GET OURSELVES A DOG, AND I DON'T WANT TO USE JUST 288 00:07:53,820 --> 00:07:54,590 WE NEED TO GET OURSELVES A DOG, AND I DON'T WANT TO USE JUST VICIOUS PETS. 289 00:07:54,590 --> 00:07:56,020 AND I DON'T WANT TO USE JUST VICIOUS PETS. I WANT TO GO FIND A GUARD DOG 290 00:07:56,030 --> 00:07:57,500 VICIOUS PETS. I WANT TO GO FIND A GUARD DOG TRAINING SCHOOL AND GET A REAL 291 00:07:57,490 --> 00:07:58,120 I WANT TO GO FIND A GUARD DOG TRAINING SCHOOL AND GET A REAL GUARD DOG. 292 00:07:58,130 --> 00:07:59,060 TRAINING SCHOOL AND GET A REAL GUARD DOG. >> THIS IS GONNA BE FUN. 293 00:07:59,060 --> 00:08:00,260 GUARD DOG. >> THIS IS GONNA BE FUN. >> OH, YEAH, AS LONG AS WE DON'T 294 00:08:00,260 --> 00:08:00,760 >> THIS IS GONNA BE FUN. >> OH, YEAH, AS LONG AS WE DON'T GET BITTEN. 295 00:08:00,760 --> 00:08:01,190 >> OH, YEAH, AS LONG AS WE DON'T GET BITTEN. >> YEAH. 296 00:08:01,200 --> 00:08:02,630 GET BITTEN. >> YEAH. [ DOG BARKING ] 297 00:08:02,760 --> 00:08:04,100 >> Narrator: THE RESEARCHERS 298 00:08:04,100 --> 00:08:05,600 HAVE FOUND JUST THE PLACE TO GET 299 00:08:05,600 --> 00:08:07,330 THIS MYTH OFF THE GROUND -- 300 00:08:07,340 --> 00:08:09,100 WITMER TYSON KENNELS, WHERE 301 00:08:09,110 --> 00:08:10,980 POLICE AND GUARD DOGS GO TO 302 00:08:10,970 --> 00:08:12,540 SCHOOL, AND IN CASE YOU'RE 303 00:08:12,540 --> 00:08:14,170 WONDERING, "WHO LET THE DOG 304 00:08:14,180 --> 00:08:14,670 OUT?" 305 00:08:14,680 --> 00:08:16,280 MIKE THE HANDLER DID. 306 00:08:16,280 --> 00:08:17,640 >> THIS IS EEWAN. 307 00:08:17,650 --> 00:08:18,810 HE'S A 5-YEAR-OLD GERMAN 308 00:08:18,820 --> 00:08:20,290 SHEPHERD, AND WHAT WE CAN DO IS 309 00:08:20,280 --> 00:08:21,750 WE CAN GIVE YOU A DEMONSTRATION 310 00:08:21,750 --> 00:08:23,350 ON HOW HE STOPS PEOPLE. 311 00:08:23,490 --> 00:08:27,960 ONE OF OUR MAIN TRAINERS HERE IS JIM. HE'S GONNA PLAY THE BAD GUY, AND 312 00:08:27,960 --> 00:08:29,520 JIM. HE'S GONNA PLAY THE BAD GUY, AND HE'S GONNA TRY AND ESCAPE. 313 00:08:29,530 --> 00:08:30,590 HE'S GONNA PLAY THE BAD GUY, AND HE'S GONNA TRY AND ESCAPE. >> COOL! 314 00:08:30,590 --> 00:08:32,690 HE'S GONNA TRY AND ESCAPE. >> COOL! [ LAUGHTER ] 315 00:08:32,700 --> 00:08:34,740 >> COOL! [ LAUGHTER ] >> Narrator: JIM MANAGES JUST A 316 00:08:34,730 --> 00:08:36,600 [ LAUGHTER ] >> Narrator: JIM MANAGES JUST A FEW PACES BEFORE EEWAN IS ON 317 00:08:36,600 --> 00:08:38,530 >> Narrator: JIM MANAGES JUST A FEW PACES BEFORE EEWAN IS ON HIM IN A FLASH OF FUR AND TEETH. 318 00:08:38,540 --> 00:08:40,240 FEW PACES BEFORE EEWAN IS ON HIM IN A FLASH OF FUR AND TEETH. AND IT'S ONLY THAT SPECIALLY 319 00:08:40,240 --> 00:08:42,000 HIM IN A FLASH OF FUR AND TEETH. AND IT'S ONLY THAT SPECIALLY DESIGNED PROTECTIVE SUIT THAT 320 00:08:42,010 --> 00:08:43,680 AND IT'S ONLY THAT SPECIALLY DESIGNED PROTECTIVE SUIT THAT PREVENTS HIM FROM BEING THE 321 00:08:43,670 --> 00:08:45,310 DESIGNED PROTECTIVE SUIT THAT PREVENTS HIM FROM BEING THE DOG'S DINNER. 322 00:08:45,310 --> 00:08:47,770 PREVENTS HIM FROM BEING THE DOG'S DINNER. >> [ GROWLING ] 323 00:08:47,780 --> 00:08:49,680 DOG'S DINNER. >> [ GROWLING ] >> Narrator: SO, WHO'S GONNA BE 324 00:08:49,680 --> 00:08:51,880 >> [ GROWLING ] >> Narrator: SO, WHO'S GONNA BE DESSERT? 325 00:08:51,880 --> 00:08:54,010 >> Narrator: SO, WHO'S GONNA BE DESSERT? >> ANYBODY WANT TO TRY IT? 326 00:08:54,020 --> 00:08:56,050 DESSERT? >> ANYBODY WANT TO TRY IT? >> YEAH, TORY VOLUNTEERS. 327 00:08:56,050 --> 00:08:56,850 >> ANYBODY WANT TO TRY IT? >> YEAH, TORY VOLUNTEERS. [ LAUGHTER ] 328 00:08:56,850 --> 00:08:58,590 >> YEAH, TORY VOLUNTEERS. [ LAUGHTER ] >> Narrator: GRANT WORKS ON THE 329 00:08:58,590 --> 00:09:00,290 [ LAUGHTER ] >> Narrator: GRANT WORKS ON THE PRINCIPLE THAT ALTHOUGH THERE'S 330 00:09:00,290 --> 00:09:01,890 >> Narrator: GRANT WORKS ON THE PRINCIPLE THAT ALTHOUGH THERE'S NO "I" IN "TEAM," THERE IS A 331 00:09:01,890 --> 00:09:02,360 PRINCIPLE THAT ALTHOUGH THERE'S NO "I" IN "TEAM," THERE IS A "ME." 332 00:09:02,360 --> 00:09:04,090 NO "I" IN "TEAM," THERE IS A "ME." >> DANG! 333 00:09:04,090 --> 00:09:06,360 "ME." >> DANG! THIS IS GETTING SCARY. 334 00:09:06,360 --> 00:09:07,960 >> DANG! THIS IS GETTING SCARY. >> Narrator: AND TORY IS, ONCE 335 00:09:07,960 --> 00:09:09,400 THIS IS GETTING SCARY. >> Narrator: AND TORY IS, ONCE AGAIN, IN THE FIRING LINE. 336 00:09:09,400 --> 00:09:12,900 >> Narrator: AND TORY IS, ONCE AGAIN, IN THE FIRING LINE. >> WHOA. HEY, GOOD BOY. 337 00:09:12,900 --> 00:09:14,670 AGAIN, IN THE FIRING LINE. >> WHOA. HEY, GOOD BOY. GOOD BOY. 338 00:09:14,670 --> 00:09:17,570 >> WHOA. HEY, GOOD BOY. GOOD BOY. WHOA, THIS DOG'S GOT SOME BITE. 339 00:09:17,570 --> 00:09:19,910 GOOD BOY. WHOA, THIS DOG'S GOT SOME BITE. OH, YEAH, I CAN FEEL THE 340 00:09:19,910 --> 00:09:22,140 WHOA, THIS DOG'S GOT SOME BITE. OH, YEAH, I CAN FEEL THE PRESSURE ON MY ARM. 341 00:09:22,150 --> 00:09:24,490 OH, YEAH, I CAN FEEL THE PRESSURE ON MY ARM. [ SIGHS ] 342 00:09:24,480 --> 00:09:25,780 PRESSURE ON MY ARM. [ SIGHS ] YEAH, YOU GOT THE BIG SUIT ON 343 00:09:25,780 --> 00:09:27,110 [ SIGHS ] YEAH, YOU GOT THE BIG SUIT ON THAT'S GONNA PROTECT YOU, BUT, 344 00:09:27,120 --> 00:09:28,480 YEAH, YOU GOT THE BIG SUIT ON THAT'S GONNA PROTECT YOU, BUT, MAN, YOU SEE THAT DOG BARRELING 345 00:09:28,480 --> 00:09:29,680 THAT'S GONNA PROTECT YOU, BUT, MAN, YOU SEE THAT DOG BARRELING DOWN ON YOU WITH HIS TEETH 346 00:09:29,690 --> 00:09:31,050 MAN, YOU SEE THAT DOG BARRELING DOWN ON YOU WITH HIS TEETH EXPOSED, AND IT'S GROWLING, AND 347 00:09:31,050 --> 00:09:32,320 DOWN ON YOU WITH HIS TEETH EXPOSED, AND IT'S GROWLING, AND THEN IT TAKES A BITE ON YOU. 348 00:09:32,320 --> 00:09:33,220 EXPOSED, AND IT'S GROWLING, AND THEN IT TAKES A BITE ON YOU. IT'S PRETTY SCARY. 349 00:09:33,220 --> 00:09:34,520 THEN IT TAKES A BITE ON YOU. IT'S PRETTY SCARY. AND THEN THERE'S A COUPLE OF 350 00:09:34,520 --> 00:09:35,860 IT'S PRETTY SCARY. AND THEN THERE'S A COUPLE OF POINTS WHERE HE GOT HIS TEETH 351 00:09:35,860 --> 00:09:37,290 AND THEN THERE'S A COUPLE OF POINTS WHERE HE GOT HIS TEETH AROUND MY ARM, AND I COULD FEEL 352 00:09:37,290 --> 00:09:38,590 POINTS WHERE HE GOT HIS TEETH AROUND MY ARM, AND I COULD FEEL THE PRESSURE BITE DOWN ON MY 353 00:09:38,600 --> 00:09:38,970 AROUND MY ARM, AND I COULD FEEL THE PRESSURE BITE DOWN ON MY ARM. 354 00:09:38,960 --> 00:09:40,390 THE PRESSURE BITE DOWN ON MY ARM. YOU KNOW, IT WASN'T -- THE TEETH 355 00:09:40,400 --> 00:09:41,860 ARM. YOU KNOW, IT WASN'T -- THE TEETH WEREN'T PIERCING INTO MY SKIN OR 356 00:09:41,860 --> 00:09:42,430 YOU KNOW, IT WASN'T -- THE TEETH WEREN'T PIERCING INTO MY SKIN OR ANYTHING. 357 00:09:42,430 --> 00:09:43,760 WEREN'T PIERCING INTO MY SKIN OR ANYTHING. BUT YOU COULD DEFINITELY FEEL 358 00:09:43,770 --> 00:09:44,460 ANYTHING. BUT YOU COULD DEFINITELY FEEL THE PRESSURE. 359 00:09:44,470 --> 00:09:45,270 BUT YOU COULD DEFINITELY FEEL THE PRESSURE. [ DOG BARKS ] 360 00:09:45,270 --> 00:09:46,870 THE PRESSURE. [ DOG BARKS ] >> Narrator: SO THAT'S EEWAN THE 361 00:09:46,870 --> 00:09:47,530 [ DOG BARKS ] >> Narrator: SO THAT'S EEWAN THE GUARD DOG. 362 00:09:47,540 --> 00:09:49,370 >> Narrator: SO THAT'S EEWAN THE GUARD DOG. FAST, FOCUSED, AND FURIOUS. 363 00:09:49,370 --> 00:09:51,340 GUARD DOG. FAST, FOCUSED, AND FURIOUS. AND THE TEAM NOW KNOW WHAT THE 364 00:09:51,340 --> 00:09:52,710 FAST, FOCUSED, AND FURIOUS. AND THE TEAM NOW KNOW WHAT THE MYTH IS UP AGAINST. 365 00:09:52,710 --> 00:09:54,240 AND THE TEAM NOW KNOW WHAT THE MYTH IS UP AGAINST. >> OOH, THAT PINCHED THE SKIN! 366 00:09:54,240 --> 00:09:54,910 MYTH IS UP AGAINST. >> OOH, THAT PINCHED THE SKIN! [ DOG BARKING ] 367 00:09:54,910 --> 00:09:55,980 >> OOH, THAT PINCHED THE SKIN! [ DOG BARKING ] >> IT LOOKS LIKE WE'VE GOT 368 00:09:55,980 --> 00:09:57,080 [ DOG BARKING ] >> IT LOOKS LIKE WE'VE GOT OURSELVES A GOOD GUARD DOG. 369 00:09:57,080 --> 00:09:58,350 >> IT LOOKS LIKE WE'VE GOT OURSELVES A GOOD GUARD DOG. EEWAN IS VICIOUS. 370 00:09:58,350 --> 00:10:00,280 OURSELVES A GOOD GUARD DOG. EEWAN IS VICIOUS. >> YEAH, THAT DOG WAS BITING 371 00:10:00,280 --> 00:10:01,920 EEWAN IS VICIOUS. >> YEAH, THAT DOG WAS BITING WITH OVER 550 POUNDS OF 372 00:10:01,920 --> 00:10:02,720 >> YEAH, THAT DOG WAS BITING WITH OVER 550 POUNDS OF PRESSURE. 373 00:10:02,720 --> 00:10:04,020 WITH OVER 550 POUNDS OF PRESSURE. >> YEAH, I WOULDN'T WANT THAT 374 00:10:04,020 --> 00:10:05,350 PRESSURE. >> YEAH, I WOULDN'T WANT THAT BITING ON MY LEG, SO WHAT KIND 375 00:10:05,360 --> 00:10:06,630 >> YEAH, I WOULDN'T WANT THAT BITING ON MY LEG, SO WHAT KIND OF MYTHICAL TECHNIQUES DO WE 376 00:10:06,620 --> 00:10:07,620 BITING ON MY LEG, SO WHAT KIND OF MYTHICAL TECHNIQUES DO WE HAVE TO GET PAST HIM? 377 00:10:07,620 --> 00:10:09,060 OF MYTHICAL TECHNIQUES DO WE HAVE TO GET PAST HIM? >> WE HAVE DISTRACTING THEM WITH 378 00:10:09,060 --> 00:10:10,420 HAVE TO GET PAST HIM? >> WE HAVE DISTRACTING THEM WITH A BIG, JUICY STEAK. 379 00:10:10,430 --> 00:10:12,430 >> WE HAVE DISTRACTING THEM WITH A BIG, JUICY STEAK. WE HAVE ACTING AGGRESSIVE, 380 00:10:12,430 --> 00:10:13,930 A BIG, JUICY STEAK. WE HAVE ACTING AGGRESSIVE, ACTING SUBMISSIVE. 381 00:10:13,930 --> 00:10:16,300 WE HAVE ACTING AGGRESSIVE, ACTING SUBMISSIVE. WE ALSO HAVE WOLF URINE. 382 00:10:16,300 --> 00:10:18,970 ACTING SUBMISSIVE. WE ALSO HAVE WOLF URINE. WE HAVE SCENT OF A LACTATING 383 00:10:18,970 --> 00:10:19,430 WE ALSO HAVE WOLF URINE. WE HAVE SCENT OF A LACTATING BITCH. 384 00:10:19,440 --> 00:10:19,980 WE HAVE SCENT OF A LACTATING BITCH. >> WHAT? 385 00:10:19,970 --> 00:10:21,400 BITCH. >> WHAT? >> IT'S SUPPOSED TO CALM THEM 386 00:10:21,400 --> 00:10:21,840 >> WHAT? >> IT'S SUPPOSED TO CALM THEM DOWN. 387 00:10:21,840 --> 00:10:23,900 >> IT'S SUPPOSED TO CALM THEM DOWN. WE ALSO HAVE URINE FROM A BITCH 388 00:10:23,910 --> 00:10:25,740 DOWN. WE ALSO HAVE URINE FROM A BITCH IN HEAT, WHICH IS OBVIOUSLY 389 00:10:25,740 --> 00:10:27,510 WE ALSO HAVE URINE FROM A BITCH IN HEAT, WHICH IS OBVIOUSLY SUPPOSED TO DISTRACT THEM. 390 00:10:27,510 --> 00:10:29,880 IN HEAT, WHICH IS OBVIOUSLY SUPPOSED TO DISTRACT THEM. >> WELL, HE IS A MALE DOG. 391 00:10:29,880 --> 00:10:31,240 SUPPOSED TO DISTRACT THEM. >> WELL, HE IS A MALE DOG. >> WELL, WE CAN'T FORGET THE 392 00:10:31,250 --> 00:10:32,780 >> WELL, HE IS A MALE DOG. >> WELL, WE CAN'T FORGET THE ENCLOSURE THAT WE'RE SUPPOSED TO 393 00:10:32,780 --> 00:10:34,150 >> WELL, WE CAN'T FORGET THE ENCLOSURE THAT WE'RE SUPPOSED TO BUILD TO DO OUR EXPERIMENTS. 394 00:10:34,150 --> 00:10:35,320 ENCLOSURE THAT WE'RE SUPPOSED TO BUILD TO DO OUR EXPERIMENTS. >> WELL, LET'S KEEP THAT SIMPLE. 395 00:10:35,320 --> 00:10:36,620 BUILD TO DO OUR EXPERIMENTS. >> WELL, LET'S KEEP THAT SIMPLE. WE'LL CLOSE OFF AN AREA WITH A 396 00:10:36,620 --> 00:10:37,880 >> WELL, LET'S KEEP THAT SIMPLE. WE'LL CLOSE OFF AN AREA WITH A CHAIN-LINK FENCE, WE'LL PUT A 397 00:10:37,890 --> 00:10:39,290 WE'LL CLOSE OFF AN AREA WITH A CHAIN-LINK FENCE, WE'LL PUT A SAFE IN THE MIDDLE, PUT TREASURE 398 00:10:39,290 --> 00:10:40,550 CHAIN-LINK FENCE, WE'LL PUT A SAFE IN THE MIDDLE, PUT TREASURE IN IT, AND THEN WE'LL TRY OUR 399 00:10:40,560 --> 00:10:41,860 SAFE IN THE MIDDLE, PUT TREASURE IN IT, AND THEN WE'LL TRY OUR DIFFERENT TECHNIQUES TO SEE IF 400 00:10:41,860 --> 00:10:43,190 IN IT, AND THEN WE'LL TRY OUR DIFFERENT TECHNIQUES TO SEE IF WE CAN GET TO THE SAFE, GET THE 401 00:10:43,190 --> 00:10:49,300 DIFFERENT TECHNIQUES TO SEE IF WE CAN GET TO THE SAFE, GET THE TREASURE, AND GET OUT SAFELY. 402 00:10:49,300 --> 00:10:50,830 WE CAN GET TO THE SAFE, GET THE TREASURE, AND GET OUT SAFELY. >> Narrator: KARI, GRANT, AND 403 00:10:50,830 --> 00:10:52,270 TREASURE, AND GET OUT SAFELY. >> Narrator: KARI, GRANT, AND TORY ARE ATTEMPTING TO BEAT 404 00:10:52,270 --> 00:10:54,070 >> Narrator: KARI, GRANT, AND TORY ARE ATTEMPTING TO BEAT EEWAN THE WELL-TRAINED GUARD 405 00:10:54,070 --> 00:10:54,570 TORY ARE ATTEMPTING TO BEAT EEWAN THE WELL-TRAINED GUARD DOG. 406 00:10:54,570 --> 00:10:56,400 EEWAN THE WELL-TRAINED GUARD DOG. THEY'RE GOING TO TEST SEVERAL 407 00:10:56,410 --> 00:10:58,200 DOG. THEY'RE GOING TO TEST SEVERAL TECHNIQUES TO SNEAK PAST THE 408 00:10:58,210 --> 00:11:00,140 THEY'RE GOING TO TEST SEVERAL TECHNIQUES TO SNEAK PAST THE FOUR-LEGGED GUARDIAN, GET INTO 409 00:11:00,140 --> 00:11:01,980 TECHNIQUES TO SNEAK PAST THE FOUR-LEGGED GUARDIAN, GET INTO THE SAFE IN THE CENTER OF THE 410 00:11:01,980 --> 00:11:04,010 FOUR-LEGGED GUARDIAN, GET INTO THE SAFE IN THE CENTER OF THE COMPOUND, AND THEN ESCAPE SAFELY 411 00:11:04,010 --> 00:11:05,110 THE SAFE IN THE CENTER OF THE COMPOUND, AND THEN ESCAPE SAFELY WITH THE LOOT. 412 00:11:05,110 --> 00:11:06,910 COMPOUND, AND THEN ESCAPE SAFELY WITH THE LOOT. >> THE FIRST TACTIC I'M GOING TO 413 00:11:06,920 --> 00:11:08,180 WITH THE LOOT. >> THE FIRST TACTIC I'M GOING TO UTILIZE IS DIVERSION. 414 00:11:08,180 --> 00:11:09,450 >> THE FIRST TACTIC I'M GOING TO UTILIZE IS DIVERSION. I'VE GOT SOME STEAKS. 415 00:11:09,450 --> 00:11:10,880 UTILIZE IS DIVERSION. I'VE GOT SOME STEAKS. I'M GONNA CHUCK IT IN ONE SIDE 416 00:11:10,890 --> 00:11:12,390 I'VE GOT SOME STEAKS. I'M GONNA CHUCK IT IN ONE SIDE OF THE YARD, AND THEN I'M GONNA 417 00:11:12,390 --> 00:11:13,620 I'M GONNA CHUCK IT IN ONE SIDE OF THE YARD, AND THEN I'M GONNA TRY TO MAKE A RUN FOR IT. 418 00:11:13,620 --> 00:11:14,220 OF THE YARD, AND THEN I'M GONNA TRY TO MAKE A RUN FOR IT. >> I SEE. 419 00:11:14,220 --> 00:11:15,720 TRY TO MAKE A RUN FOR IT. >> I SEE. AND THAT'S SUPPOSED TO DRAW THE 420 00:11:15,730 --> 00:11:17,170 >> I SEE. AND THAT'S SUPPOSED TO DRAW THE DOG'S ATTENTION AWAY FROM YOU? 421 00:11:17,160 --> 00:11:18,660 AND THAT'S SUPPOSED TO DRAW THE DOG'S ATTENTION AWAY FROM YOU? >> IT ALWAYS WORKS IN THE 422 00:11:18,660 --> 00:11:19,360 DOG'S ATTENTION AWAY FROM YOU? >> IT ALWAYS WORKS IN THE CARTOONS. 423 00:11:19,360 --> 00:11:20,730 >> IT ALWAYS WORKS IN THE CARTOONS. >> GOOD LUCK WITH THAT. 424 00:11:20,730 --> 00:11:22,530 CARTOONS. >> GOOD LUCK WITH THAT. >> Narrator: KARI GETS INTO THE 425 00:11:22,530 --> 00:11:24,800 >> GOOD LUCK WITH THAT. >> Narrator: KARI GETS INTO THE DOG-PROOF SAFETY SUIT AND THEN 426 00:11:24,800 --> 00:11:26,670 >> Narrator: KARI GETS INTO THE DOG-PROOF SAFETY SUIT AND THEN GIVES IT A TEST RUN. 427 00:11:26,670 --> 00:11:29,600 DOG-PROOF SAFETY SUIT AND THEN GIVES IT A TEST RUN. >> [ LAUGHS ] 428 00:11:29,610 --> 00:11:30,610 GIVES IT A TEST RUN. >> [ LAUGHS ] >> THAT'S FUNNY. 429 00:11:30,610 --> 00:11:32,310 >> [ LAUGHS ] >> THAT'S FUNNY. >> Narrator: WITH KARI ABOUT AS 430 00:11:32,310 --> 00:11:34,010 >> THAT'S FUNNY. >> Narrator: WITH KARI ABOUT AS MOBILE AS A DOG'S CHEW TOY, SHE 431 00:11:34,010 --> 00:11:35,280 >> Narrator: WITH KARI ABOUT AS MOBILE AS A DOG'S CHEW TOY, SHE ADAPTS HER HEIST PLAN. 432 00:11:35,280 --> 00:11:36,780 MOBILE AS A DOG'S CHEW TOY, SHE ADAPTS HER HEIST PLAN. >> I'M NOT GONNA BE ABLE TO 433 00:11:36,780 --> 00:11:38,210 ADAPTS HER HEIST PLAN. >> I'M NOT GONNA BE ABLE TO THROW ANYTHING WITH THIS. 434 00:11:38,210 --> 00:11:39,950 >> I'M NOT GONNA BE ABLE TO THROW ANYTHING WITH THIS. I'M GONNA GET ONE OF THE BOYS TO 435 00:11:39,950 --> 00:11:41,680 THROW ANYTHING WITH THIS. I'M GONNA GET ONE OF THE BOYS TO GO OVER THE CORNER AND THROW IT. 436 00:11:41,680 --> 00:11:42,880 I'M GONNA GET ONE OF THE BOYS TO GO OVER THE CORNER AND THROW IT. THAT'S NOT CHEATING. 437 00:11:42,890 --> 00:11:44,430 GO OVER THE CORNER AND THROW IT. THAT'S NOT CHEATING. EVERYBODY'S GOT A PARTNER IN 438 00:11:44,420 --> 00:11:44,950 THAT'S NOT CHEATING. EVERYBODY'S GOT A PARTNER IN CRIME. 439 00:11:44,950 --> 00:11:46,620 EVERYBODY'S GOT A PARTNER IN CRIME. >> Narrator: TORY GETS THE PLAN 440 00:11:46,620 --> 00:11:48,220 CRIME. >> Narrator: TORY GETS THE PLAN UNDER WAY BY INTERESTING EEWAN 441 00:11:48,220 --> 00:11:50,460 >> Narrator: TORY GETS THE PLAN UNDER WAY BY INTERESTING EEWAN IN HIS MEATY TREAT. 442 00:11:50,460 --> 00:11:51,590 UNDER WAY BY INTERESTING EEWAN IN HIS MEATY TREAT. >> OOH, LOOK. HE LIKES. 443 00:11:51,590 --> 00:11:52,560 IN HIS MEATY TREAT. >> OOH, LOOK. HE LIKES. >> HE'S LICKING IT. 444 00:11:52,560 --> 00:11:54,490 >> OOH, LOOK. HE LIKES. >> HE'S LICKING IT. >> OH, YOU LIKEY. 445 00:11:54,500 --> 00:11:56,600 >> HE'S LICKING IT. >> OH, YOU LIKEY. YOU LIKE THE MEAT. 446 00:11:56,600 --> 00:11:58,130 >> OH, YOU LIKEY. YOU LIKE THE MEAT. I THINK YOU GUYS SHOULD PROBABLY 447 00:11:58,130 --> 00:11:59,070 YOU LIKE THE MEAT. I THINK YOU GUYS SHOULD PROBABLY GO FOR IT NOW, NO? 448 00:11:59,070 --> 00:12:03,340 I THINK YOU GUYS SHOULD PROBABLY GO FOR IT NOW, NO? >> OKAY, GO, GO, GO. 449 00:12:03,470 --> 00:12:05,540 >> Narrator: TORY'S TASTY T-BONE 450 00:12:05,540 --> 00:12:07,540 TAUNTING HAS BOUGHT KARI ENOUGH 451 00:12:07,540 --> 00:12:09,710 TIME TO GET TO THE SAFE. 452 00:12:09,850 --> 00:12:17,690 >> [ Laughing ] IT'S WORKING. >> Narrator: BUT THEN KARI'S ACCOMPLICE TURNS NASTY AS TORY 453 00:12:17,690 --> 00:12:19,390 >> Narrator: BUT THEN KARI'S ACCOMPLICE TURNS NASTY AS TORY THROWS THE STEAK INTO THE 454 00:12:19,390 --> 00:12:20,190 ACCOMPLICE TURNS NASTY AS TORY THROWS THE STEAK INTO THE COMPOUND. 455 00:12:20,190 --> 00:12:22,590 THROWS THE STEAK INTO THE COMPOUND. >> NOT AT ME! NOT AT ME! 456 00:12:22,590 --> 00:12:24,390 COMPOUND. >> NOT AT ME! NOT AT ME! >> Narrator: IT'S A POOR THROW, 457 00:12:24,390 --> 00:12:26,160 >> NOT AT ME! NOT AT ME! >> Narrator: IT'S A POOR THROW, BUT EEWAN STAYS FOCUSED ON THE 458 00:12:26,160 --> 00:12:27,960 >> Narrator: IT'S A POOR THROW, BUT EEWAN STAYS FOCUSED ON THE MEAT AND STARTS TO CHOW DOWN AS 459 00:12:27,960 --> 00:12:29,630 BUT EEWAN STAYS FOCUSED ON THE MEAT AND STARTS TO CHOW DOWN AS KARI HEADS FOR AN UNOFFICIAL 460 00:12:29,630 --> 00:12:31,230 MEAT AND STARTS TO CHOW DOWN AS KARI HEADS FOR AN UNOFFICIAL EXIT ON THE FAR SIDE OF THE 461 00:12:31,230 --> 00:12:32,830 KARI HEADS FOR AN UNOFFICIAL EXIT ON THE FAR SIDE OF THE COMPOUND, BUT IT'S LOCKED. 462 00:12:32,840 --> 00:12:34,680 EXIT ON THE FAR SIDE OF THE COMPOUND, BUT IT'S LOCKED. >> HURRY, HE'S EATING THE MEAT. 463 00:12:34,670 --> 00:12:36,440 COMPOUND, BUT IT'S LOCKED. >> HURRY, HE'S EATING THE MEAT. >> Narrator: MEANWHILE, EEWAN 464 00:12:36,440 --> 00:12:38,170 >> HURRY, HE'S EATING THE MEAT. >> Narrator: MEANWHILE, EEWAN HAS FINISHED THE FIRST COURSE 465 00:12:38,170 --> 00:12:40,270 >> Narrator: MEANWHILE, EEWAN HAS FINISHED THE FIRST COURSE AND GOES BACK TO TORY FOR MORE. 466 00:12:40,280 --> 00:12:42,040 HAS FINISHED THE FIRST COURSE AND GOES BACK TO TORY FOR MORE. BUT WHEN TORY DOESN'T HAVE 467 00:12:42,040 --> 00:12:44,140 AND GOES BACK TO TORY FOR MORE. BUT WHEN TORY DOESN'T HAVE ANOTHER STEAK READY, EEWAN GOES 468 00:12:44,150 --> 00:12:45,280 BUT WHEN TORY DOESN'T HAVE ANOTHER STEAK READY, EEWAN GOES TO WORK. 469 00:12:45,280 --> 00:12:45,910 ANOTHER STEAK READY, EEWAN GOES TO WORK. >> OHH! 470 00:12:45,920 --> 00:12:47,720 TO WORK. >> OHH! >> NO! 471 00:12:47,720 --> 00:12:50,350 >> OHH! >> NO! [ LAUGHTER ] 472 00:12:50,350 --> 00:12:53,190 >> NO! [ LAUGHTER ] >> OKAY, OKAY, OKAY. 473 00:12:53,190 --> 00:12:54,850 [ LAUGHTER ] >> OKAY, OKAY, OKAY. GET HIM, GET HIM, GET HIM. 474 00:12:54,860 --> 00:12:56,190 >> OKAY, OKAY, OKAY. GET HIM, GET HIM, GET HIM. OH, THAT WAS GREAT. 475 00:12:56,190 --> 00:12:57,420 GET HIM, GET HIM, GET HIM. OH, THAT WAS GREAT. IT TOTALLY WORKED. 476 00:12:57,430 --> 00:12:59,030 OH, THAT WAS GREAT. IT TOTALLY WORKED. >> Narrator: WELL, KIND OF. 477 00:12:59,160 --> 00:13:00,990 THE DELICIOUS DIVERSION DID 478 00:13:01,000 --> 00:13:02,930 DISTRACT EEWAN LONG ENOUGH TO 479 00:13:02,930 --> 00:13:04,930 GET TO THE SAFE AND SECURE THE 480 00:13:04,930 --> 00:13:06,730 LOOT, BUT POOR PLANNING MEANT 481 00:13:06,740 --> 00:13:08,600 THAT KARI ENDED UP AS THE MAIN 482 00:13:08,600 --> 00:13:09,540 COURSE. 483 00:13:09,670 --> 00:13:13,710 >> BUT THE NECKLACE IS SOMEWHERE INSIDE THE SUIT. I SWEAR IT'S IN HERE. 484 00:13:13,710 --> 00:13:14,570 INSIDE THE SUIT. I SWEAR IT'S IN HERE. I GRABBED IT. 485 00:13:14,580 --> 00:13:16,240 I SWEAR IT'S IN HERE. I GRABBED IT. >> Narrator: SO IT'S PLAUSIBLE 486 00:13:16,250 --> 00:13:17,850 I GRABBED IT. >> Narrator: SO IT'S PLAUSIBLE TO DISTRACT A GUARD DOG WITH 487 00:13:17,850 --> 00:13:18,710 >> Narrator: SO IT'S PLAUSIBLE TO DISTRACT A GUARD DOG WITH TASTY TREATS. 488 00:13:18,710 --> 00:13:20,250 TO DISTRACT A GUARD DOG WITH TASTY TREATS. BUT WITHOUT THAT SUIT, KARI 489 00:13:20,250 --> 00:13:21,710 TASTY TREATS. BUT WITHOUT THAT SUIT, KARI WOULD HAVE BEEN BREAKFAST. 490 00:13:21,720 --> 00:13:22,580 BUT WITHOUT THAT SUIT, KARI WOULD HAVE BEEN BREAKFAST. >> WELL DONE. 491 00:13:22,590 --> 00:13:24,330 WOULD HAVE BEEN BREAKFAST. >> WELL DONE. >> Narrator: NEXT UP, GRANT AND 492 00:13:24,320 --> 00:13:26,120 >> WELL DONE. >> Narrator: NEXT UP, GRANT AND TORY ARE TACKLING TWO MYTHS 493 00:13:26,120 --> 00:13:28,120 >> Narrator: NEXT UP, GRANT AND TORY ARE TACKLING TWO MYTHS WHICH AN ANIMAL BEHAVIORIST AND 494 00:13:28,120 --> 00:13:29,960 TORY ARE TACKLING TWO MYTHS WHICH AN ANIMAL BEHAVIORIST AND FAN OF THE SHOW SUGGESTED. 495 00:13:29,960 --> 00:13:32,990 WHICH AN ANIMAL BEHAVIORIST AND FAN OF THE SHOW SUGGESTED. >> [ GROWLING ] 496 00:13:33,000 --> 00:13:34,670 FAN OF THE SHOW SUGGESTED. >> [ GROWLING ] >> Narrator: AND THEY'RE BOTH 497 00:13:34,660 --> 00:13:36,300 >> [ GROWLING ] >> Narrator: AND THEY'RE BOTH BASED ON THE CONCEPT THAT, BY 498 00:13:36,300 --> 00:13:37,900 >> Narrator: AND THEY'RE BOTH BASED ON THE CONCEPT THAT, BY USING BODY LANGUAGE, YOU CAN 499 00:13:37,900 --> 00:13:39,570 BASED ON THE CONCEPT THAT, BY USING BODY LANGUAGE, YOU CAN PERSUADE THE DOG TO LEAVE YOU 500 00:13:39,570 --> 00:13:40,100 USING BODY LANGUAGE, YOU CAN PERSUADE THE DOG TO LEAVE YOU ALONE. 501 00:13:40,100 --> 00:13:42,000 PERSUADE THE DOG TO LEAVE YOU ALONE. FIRST INTO THE RING IS GRANT, 502 00:13:42,000 --> 00:13:43,840 ALONE. FIRST INTO THE RING IS GRANT, AND THE THEORY IS EEWAN WILL 503 00:13:43,840 --> 00:13:45,840 FIRST INTO THE RING IS GRANT, AND THE THEORY IS EEWAN WILL TAKE GRANT'S SUBMISSIVE POSTURE 504 00:13:45,840 --> 00:13:48,510 AND THE THEORY IS EEWAN WILL TAKE GRANT'S SUBMISSIVE POSTURE AS PROOF HE'S NOT A THREAT. 505 00:13:48,510 --> 00:13:49,780 TAKE GRANT'S SUBMISSIVE POSTURE AS PROOF HE'S NOT A THREAT. >> OH, MY GOD, THIS IS NOT 506 00:13:49,780 --> 00:13:51,140 AS PROOF HE'S NOT A THREAT. >> OH, MY GOD, THIS IS NOT WORKING, THIS IS NOT WORKING, 507 00:13:51,150 --> 00:13:52,150 >> OH, MY GOD, THIS IS NOT WORKING, THIS IS NOT WORKING, THIS IS NOT WORKING. 508 00:13:52,150 --> 00:13:53,750 WORKING, THIS IS NOT WORKING, THIS IS NOT WORKING. >> I DON'T THINK IT'S WORKING. 509 00:13:53,750 --> 00:13:55,220 THIS IS NOT WORKING. >> I DON'T THINK IT'S WORKING. >> Narrator: BUT IT DOESN'T 510 00:13:55,220 --> 00:13:55,820 >> I DON'T THINK IT'S WORKING. >> Narrator: BUT IT DOESN'T WORK. 511 00:13:55,820 --> 00:13:57,720 >> Narrator: BUT IT DOESN'T WORK. NEXT, TORY ATTEMPTS TO TAKE 512 00:13:57,720 --> 00:13:59,620 WORK. NEXT, TORY ATTEMPTS TO TAKE ALPHA-DOG STATUS BY GETTING 513 00:13:59,620 --> 00:14:00,550 NEXT, TORY ATTEMPTS TO TAKE ALPHA-DOG STATUS BY GETTING AGGRESSIVE. 514 00:14:00,560 --> 00:14:02,220 ALPHA-DOG STATUS BY GETTING AGGRESSIVE. >> AAH! AAH! AAH! 515 00:14:02,230 --> 00:14:04,700 AGGRESSIVE. >> AAH! AAH! AAH! >> Narrator: BUT HIS TOP-DOG 516 00:14:04,690 --> 00:14:06,860 >> AAH! AAH! AAH! >> Narrator: BUT HIS TOP-DOG IMPRESSION SIMPLY RESULTS IN HIM 517 00:14:06,860 --> 00:14:08,600 >> Narrator: BUT HIS TOP-DOG IMPRESSION SIMPLY RESULTS IN HIM BEING THE DOG'S LUNCH. 518 00:14:08,600 --> 00:14:10,800 IMPRESSION SIMPLY RESULTS IN HIM BEING THE DOG'S LUNCH. WITH THE SCORE MYTHBUSTERS 1, 519 00:14:10,800 --> 00:14:13,070 BEING THE DOG'S LUNCH. WITH THE SCORE MYTHBUSTERS 1, GUARD DOG 2, IT'S BACK TO ADAM 520 00:14:13,070 --> 00:14:16,570 WITH THE SCORE MYTHBUSTERS 1, GUARD DOG 2, IT'S BACK TO ADAM AND JAMIE. 521 00:14:16,570 --> 00:14:18,470 GUARD DOG 2, IT'S BACK TO ADAM AND JAMIE. >> SO, HOW OLD IS THE PHRASE 522 00:14:18,470 --> 00:14:20,540 AND JAMIE. >> SO, HOW OLD IS THE PHRASE "YOU CAN'T TEACH AN OLD DOG NEW 523 00:14:20,540 --> 00:14:21,270 >> SO, HOW OLD IS THE PHRASE "YOU CAN'T TEACH AN OLD DOG NEW TRICKS"? 524 00:14:21,280 --> 00:14:23,010 "YOU CAN'T TEACH AN OLD DOG NEW TRICKS"? >> WELL, IT'S PRETTY OLD. 525 00:14:23,010 --> 00:14:24,840 TRICKS"? >> WELL, IT'S PRETTY OLD. IT ORIGINATED FROM SOME GUY 526 00:14:24,850 --> 00:14:26,810 >> WELL, IT'S PRETTY OLD. IT ORIGINATED FROM SOME GUY NAMED FITZHERBERT WHO WROTE A 527 00:14:26,820 --> 00:14:28,720 IT ORIGINATED FROM SOME GUY NAMED FITZHERBERT WHO WROTE A PAPER ON ANIMAL HUSBANDRY IN 528 00:14:28,720 --> 00:14:29,280 NAMED FITZHERBERT WHO WROTE A PAPER ON ANIMAL HUSBANDRY IN 1523. 529 00:14:29,290 --> 00:14:29,960 PAPER ON ANIMAL HUSBANDRY IN 1523. >> THAT'S IT. 530 00:14:29,950 --> 00:14:30,450 1523. >> THAT'S IT. >> YEAH. 531 00:14:30,450 --> 00:14:31,120 >> THAT'S IT. >> YEAH. >> ALL RIGHT. 532 00:14:31,120 --> 00:14:34,050 >> YEAH. >> ALL RIGHT. "THE DOGGE MUST LEARN IT WHEN HE 533 00:14:34,060 --> 00:14:36,990 >> ALL RIGHT. "THE DOGGE MUST LEARN IT WHEN HE IS A WHELPE OR ELS IT WYL NOT BE 534 00:14:36,990 --> 00:14:39,790 "THE DOGGE MUST LEARN IT WHEN HE IS A WHELPE OR ELS IT WYL NOT BE FOR IT IS HARDE TO MAKE AN OLD 535 00:14:39,800 --> 00:14:41,540 IS A WHELPE OR ELS IT WYL NOT BE FOR IT IS HARDE TO MAKE AN OLD DOGGE TO STOUPE." 536 00:14:41,530 --> 00:14:43,660 FOR IT IS HARDE TO MAKE AN OLD DOGGE TO STOUPE." >> LIKE I SAID, "YOU CAN'T TEACH 537 00:14:43,670 --> 00:14:45,300 DOGGE TO STOUPE." >> LIKE I SAID, "YOU CAN'T TEACH AN OLD DOG NEW TRICKS." 538 00:14:45,300 --> 00:14:46,970 >> LIKE I SAID, "YOU CAN'T TEACH AN OLD DOG NEW TRICKS." >> Narrator: IT'S AN AGE-OLD 539 00:14:46,970 --> 00:14:48,870 AN OLD DOG NEW TRICKS." >> Narrator: IT'S AN AGE-OLD ADAGE, AND THE MYTHBUSTERS CAN'T 540 00:14:48,870 --> 00:14:50,640 >> Narrator: IT'S AN AGE-OLD ADAGE, AND THE MYTHBUSTERS CAN'T RESIST PUTTING IT TO THE TEST. 541 00:14:50,640 --> 00:14:52,540 ADAGE, AND THE MYTHBUSTERS CAN'T RESIST PUTTING IT TO THE TEST. ON DAY ONE, THE TRAINING WENT SO 542 00:14:52,540 --> 00:14:54,270 RESIST PUTTING IT TO THE TEST. ON DAY ONE, THE TRAINING WENT SO WELL, THE MYTH LOOKED BUSTED. 543 00:14:54,280 --> 00:14:55,380 ON DAY ONE, THE TRAINING WENT SO WELL, THE MYTH LOOKED BUSTED. >> SIT. 544 00:14:55,380 --> 00:14:56,680 WELL, THE MYTH LOOKED BUSTED. >> SIT. GOOD GIRL. 545 00:14:56,680 --> 00:14:58,240 >> SIT. GOOD GIRL. >> Narrator: BUT IN TODAY'S 546 00:14:58,250 --> 00:14:59,880 GOOD GIRL. >> Narrator: BUT IN TODAY'S SESSION, WITHOUT PACK LEADERS 547 00:14:59,880 --> 00:15:01,550 >> Narrator: BUT IN TODAY'S SESSION, WITHOUT PACK LEADERS BEVERLY AND JEAN TO SHOW THEM 548 00:15:01,550 --> 00:15:02,420 SESSION, WITHOUT PACK LEADERS BEVERLY AND JEAN TO SHOW THEM WHO'S BOSS... 549 00:15:02,420 --> 00:15:05,590 BEVERLY AND JEAN TO SHOW THEM WHO'S BOSS... >> CECE, SIT. [ LAUGHS ] 550 00:15:05,590 --> 00:15:07,420 WHO'S BOSS... >> CECE, SIT. [ LAUGHS ] >> Narrator: ...WELL, THE DOGS' 551 00:15:07,420 --> 00:15:08,920 >> CECE, SIT. [ LAUGHS ] >> Narrator: ...WELL, THE DOGS' PERSONALITIES ARE PROVING 552 00:15:08,930 --> 00:15:09,830 >> Narrator: ...WELL, THE DOGS' PERSONALITIES ARE PROVING OBSTRUCTIVE. 553 00:15:09,830 --> 00:15:11,630 PERSONALITIES ARE PROVING OBSTRUCTIVE. >> WE'RE A LITTLE TOO EXCITED 554 00:15:11,630 --> 00:15:12,560 OBSTRUCTIVE. >> WE'RE A LITTLE TOO EXCITED THIS MORNING. 555 00:15:12,560 --> 00:15:13,460 >> WE'RE A LITTLE TOO EXCITED THIS MORNING. >> BOBO'S A BRAT. 556 00:15:13,460 --> 00:15:14,960 THIS MORNING. >> BOBO'S A BRAT. FIRST OF ALL, I DON'T THINK HE'S 557 00:15:14,960 --> 00:15:16,030 >> BOBO'S A BRAT. FIRST OF ALL, I DON'T THINK HE'S AS SMART AS HE SEEMS. 558 00:15:16,030 --> 00:15:17,260 FIRST OF ALL, I DON'T THINK HE'S AS SMART AS HE SEEMS. I CAN SEE IT IN HIS EYES. 559 00:15:17,270 --> 00:15:18,330 AS SMART AS HE SEEMS. I CAN SEE IT IN HIS EYES. HE'S A LITTLE LIKE... 560 00:15:18,330 --> 00:15:20,300 I CAN SEE IT IN HIS EYES. HE'S A LITTLE LIKE... [ DOG PANTING ] 561 00:15:20,300 --> 00:15:21,500 HE'S A LITTLE LIKE... [ DOG PANTING ] YEAH, YOU CAN CUT THAT WITH A 562 00:15:21,500 --> 00:15:22,070 [ DOG PANTING ] YEAH, YOU CAN CUT THAT WITH A SHOT OF HIM. 563 00:15:22,070 --> 00:15:23,270 YEAH, YOU CAN CUT THAT WITH A SHOT OF HIM. YOU'LL SEE IT LOOKS THE SAME. 564 00:15:23,270 --> 00:15:25,410 SHOT OF HIM. YOU'LL SEE IT LOOKS THE SAME. CECE IS A VERY SHY DOG. 565 00:15:25,410 --> 00:15:27,710 YOU'LL SEE IT LOOKS THE SAME. CECE IS A VERY SHY DOG. SHE IS SUBMISSIVE, USED TO BEING 566 00:15:27,710 --> 00:15:29,880 CECE IS A VERY SHY DOG. SHE IS SUBMISSIVE, USED TO BEING SUBMISSIVE, AND IT'S VERY EASY 567 00:15:29,880 --> 00:15:31,380 SHE IS SUBMISSIVE, USED TO BEING SUBMISSIVE, AND IT'S VERY EASY FOR HER TO JUST SHUT DOWN 568 00:15:31,380 --> 00:15:32,080 SUBMISSIVE, AND IT'S VERY EASY FOR HER TO JUST SHUT DOWN ENTIRELY. 569 00:15:32,080 --> 00:15:33,350 FOR HER TO JUST SHUT DOWN ENTIRELY. OH. 570 00:15:33,350 --> 00:15:34,110 ENTIRELY. OH. [ LAUGHTER ] 571 00:15:34,120 --> 00:15:35,680 OH. [ LAUGHTER ] >> Narrator: CLEARLY, ADAM AND 572 00:15:35,690 --> 00:15:36,990 [ LAUGHTER ] >> Narrator: CLEARLY, ADAM AND JAMIE NEED HELP FROM THE 573 00:15:36,990 --> 00:15:37,720 >> Narrator: CLEARLY, ADAM AND JAMIE NEED HELP FROM THE PROFESSIONALS. 574 00:15:37,720 --> 00:15:38,990 JAMIE NEED HELP FROM THE PROFESSIONALS. >> WHAT I'M SEEING HERE THAT 575 00:15:38,990 --> 00:15:40,350 PROFESSIONALS. >> WHAT I'M SEEING HERE THAT MIGHT BE HAPPENING IS SHE MIGHT 576 00:15:40,360 --> 00:15:41,750 >> WHAT I'M SEEING HERE THAT MIGHT BE HAPPENING IS SHE MIGHT BE A LITTLE MORE INTIMIDATED BY 577 00:15:41,760 --> 00:15:42,090 MIGHT BE HAPPENING IS SHE MIGHT BE A LITTLE MORE INTIMIDATED BY YOU. 578 00:15:42,090 --> 00:15:43,220 BE A LITTLE MORE INTIMIDATED BY YOU. A LOT OF TIMES, A DOG, 579 00:15:43,230 --> 00:15:44,600 YOU. A LOT OF TIMES, A DOG, ESPECIALLY IF SHE'S A FEMALE 580 00:15:44,590 --> 00:15:45,730 A LOT OF TIMES, A DOG, ESPECIALLY IF SHE'S A FEMALE DOG -- SHE MAY BE MORE 581 00:15:45,730 --> 00:15:47,130 ESPECIALLY IF SHE'S A FEMALE DOG -- SHE MAY BE MORE INTIMIDATED BY MALES, EITHER 582 00:15:47,130 --> 00:15:48,490 DOG -- SHE MAY BE MORE INTIMIDATED BY MALES, EITHER JUST BY NATURE OR BECAUSE 583 00:15:48,500 --> 00:15:50,130 INTIMIDATED BY MALES, EITHER JUST BY NATURE OR BECAUSE WHATEVER MEN SHE'S BEEN WITH IN 584 00:15:50,130 --> 00:15:51,600 JUST BY NATURE OR BECAUSE WHATEVER MEN SHE'S BEEN WITH IN HER LIFE HAVE BEEN A LITTLE 585 00:15:51,600 --> 00:15:53,130 WHATEVER MEN SHE'S BEEN WITH IN HER LIFE HAVE BEEN A LITTLE ROUGH ON HER OR FIRM WITH HER 586 00:15:53,140 --> 00:15:54,640 HER LIFE HAVE BEEN A LITTLE ROUGH ON HER OR FIRM WITH HER SUCH THAT SHE'S FEELING THAT 587 00:15:54,640 --> 00:15:55,030 ROUGH ON HER OR FIRM WITH HER SUCH THAT SHE'S FEELING THAT WAY. 588 00:15:55,040 --> 00:15:56,570 SUCH THAT SHE'S FEELING THAT WAY. >> Narrator: BUT A SESSION OR 589 00:15:56,570 --> 00:15:58,100 WAY. >> Narrator: BUT A SESSION OR TWO WITH CONFIDENCE-INSPIRING 590 00:15:58,110 --> 00:15:59,870 >> Narrator: BUT A SESSION OR TWO WITH CONFIDENCE-INSPIRING BEVERLY, AND TIMID CECE IS 591 00:15:59,880 --> 00:16:01,620 TWO WITH CONFIDENCE-INSPIRING BEVERLY, AND TIMID CECE IS RESPONDING NOT ONLY TO THE 592 00:16:01,610 --> 00:16:02,280 BEVERLY, AND TIMID CECE IS RESPONDING NOT ONLY TO THE EXPERT... 593 00:16:02,280 --> 00:16:03,410 RESPONDING NOT ONLY TO THE EXPERT... >> WE'RE GONNA SIT. 594 00:16:03,410 --> 00:16:04,110 EXPERT... >> WE'RE GONNA SIT. GOOD BABY. 595 00:16:04,110 --> 00:16:04,940 >> WE'RE GONNA SIT. GOOD BABY. >> GOOD GIRL. 596 00:16:04,950 --> 00:16:06,650 GOOD BABY. >> GOOD GIRL. >> Narrator: ...SHE'S LISTENING 597 00:16:06,650 --> 00:16:07,480 >> GOOD GIRL. >> Narrator: ...SHE'S LISTENING TO ADAM. 598 00:16:07,480 --> 00:16:08,350 >> Narrator: ...SHE'S LISTENING TO ADAM. >> DOWN. 599 00:16:08,350 --> 00:16:10,420 TO ADAM. >> DOWN. >> THERE YOU GO. GOOD DOWN. 600 00:16:10,420 --> 00:16:11,380 >> DOWN. >> THERE YOU GO. GOOD DOWN. GOOD DOWN. 601 00:16:11,390 --> 00:16:13,420 >> THERE YOU GO. GOOD DOWN. GOOD DOWN. NOW SHE'S REALLY ENGAGING. 602 00:16:13,420 --> 00:16:14,420 GOOD DOWN. NOW SHE'S REALLY ENGAGING. THIS IS GREAT. 603 00:16:14,420 --> 00:16:16,290 NOW SHE'S REALLY ENGAGING. THIS IS GREAT. >> Narrator: OUTSIDE, JEAN HAS 604 00:16:16,290 --> 00:16:18,220 THIS IS GREAT. >> Narrator: OUTSIDE, JEAN HAS BOBO THE BRAT FOCUSED, AND HE'S 605 00:16:18,230 --> 00:16:20,060 >> Narrator: OUTSIDE, JEAN HAS BOBO THE BRAT FOCUSED, AND HE'S FLYING THROUGH ALL HIS LESSONS. 606 00:16:20,060 --> 00:16:21,790 BOBO THE BRAT FOCUSED, AND HE'S FLYING THROUGH ALL HIS LESSONS. AND JAMIE'S NOT DOING SO BAD, 607 00:16:21,800 --> 00:16:22,360 FLYING THROUGH ALL HIS LESSONS. AND JAMIE'S NOT DOING SO BAD, EITHER. 608 00:16:22,370 --> 00:16:23,210 AND JAMIE'S NOT DOING SO BAD, EITHER. >> NICE JOB. 609 00:16:23,200 --> 00:16:24,630 EITHER. >> NICE JOB. I TELL YOU -- I'VE SEEN A 610 00:16:24,630 --> 00:16:26,330 >> NICE JOB. I TELL YOU -- I'VE SEEN A MILLION GENIUS DOGS GO NOWHERE 611 00:16:26,340 --> 00:16:27,880 I TELL YOU -- I'VE SEEN A MILLION GENIUS DOGS GO NOWHERE 'CAUSE OF CRAPPY TRAINING. 612 00:16:27,870 --> 00:16:29,640 MILLION GENIUS DOGS GO NOWHERE 'CAUSE OF CRAPPY TRAINING. >> Narrator: WITH FOUR DAYS OF 613 00:16:29,640 --> 00:16:31,570 'CAUSE OF CRAPPY TRAINING. >> Narrator: WITH FOUR DAYS OF TRAINING COMPLETE, OUR ELDERLY 614 00:16:31,570 --> 00:16:33,440 >> Narrator: WITH FOUR DAYS OF TRAINING COMPLETE, OUR ELDERLY ALASKAN MALAMUTES HAVE COME A 615 00:16:33,440 --> 00:16:34,870 TRAINING COMPLETE, OUR ELDERLY ALASKAN MALAMUTES HAVE COME A LONG WAY. 616 00:16:34,880 --> 00:16:36,280 ALASKAN MALAMUTES HAVE COME A LONG WAY. >> GIVE HIM IT. 617 00:16:36,280 --> 00:16:38,540 LONG WAY. >> GIVE HIM IT. THAT'S IT. GOOD. 618 00:16:38,550 --> 00:16:39,210 >> GIVE HIM IT. THAT'S IT. GOOD. >> GOOD BOY. 619 00:16:39,220 --> 00:16:40,660 THAT'S IT. GOOD. >> GOOD BOY. >> Narrator: BUT THE PROOF WILL 620 00:16:40,650 --> 00:16:42,980 >> GOOD BOY. >> Narrator: BUT THE PROOF WILL COME IN THE FINAL EXAM WHEN ADAM 621 00:16:42,990 --> 00:16:45,160 >> Narrator: BUT THE PROOF WILL COME IN THE FINAL EXAM WHEN ADAM AND CECE GO HEAD-TO-HEAD WITH 622 00:16:45,150 --> 00:16:47,250 COME IN THE FINAL EXAM WHEN ADAM AND CECE GO HEAD-TO-HEAD WITH JAMIE AND BOBO IN A SHOW-DOG 623 00:16:47,260 --> 00:16:47,890 AND CECE GO HEAD-TO-HEAD WITH JAMIE AND BOBO IN A SHOW-DOG SHOWDOWN. 624 00:16:47,890 --> 00:16:49,520 JAMIE AND BOBO IN A SHOW-DOG SHOWDOWN. >> BOBO, YOU'VE GOT TO BEHAVE, 625 00:16:49,530 --> 00:16:51,130 SHOWDOWN. >> BOBO, YOU'VE GOT TO BEHAVE, OR WE'RE GONNA MAKE YOU INTO A 626 00:16:51,130 --> 00:16:58,400 >> BOBO, YOU'VE GOT TO BEHAVE, OR WE'RE GONNA MAKE YOU INTO A COAT. 627 00:16:58,400 --> 00:16:59,870 OR WE'RE GONNA MAKE YOU INTO A COAT. >> Narrator: ADAM AND JAMIE ARE 628 00:16:59,870 --> 00:17:01,200 COAT. >> Narrator: ADAM AND JAMIE ARE COMPETING IN THE MYTHBUSTERS 629 00:17:01,200 --> 00:17:03,470 >> Narrator: ADAM AND JAMIE ARE COMPETING IN THE MYTHBUSTERS "BEST IN SHOW" DOG TRIAL. 630 00:17:03,470 --> 00:17:05,870 COMPETING IN THE MYTHBUSTERS "BEST IN SHOW" DOG TRIAL. THEY'VE GONE HEAD-TO-HEAD TO SEE 631 00:17:05,880 --> 00:17:08,150 "BEST IN SHOW" DOG TRIAL. THEY'VE GONE HEAD-TO-HEAD TO SEE WHETHER IT'S REALLY IMPOSSIBLE 632 00:17:08,140 --> 00:17:10,480 THEY'VE GONE HEAD-TO-HEAD TO SEE WHETHER IT'S REALLY IMPOSSIBLE TO TEACH AN OLD DOG NEW TRICKS. 633 00:17:10,480 --> 00:17:11,880 WHETHER IT'S REALLY IMPOSSIBLE TO TEACH AN OLD DOG NEW TRICKS. >> THIS IS THEIR FINAL EXAM. 634 00:17:11,880 --> 00:17:13,450 TO TEACH AN OLD DOG NEW TRICKS. >> THIS IS THEIR FINAL EXAM. WE HAVE SET UP A LITTLE DOG SHOW 635 00:17:13,450 --> 00:17:14,110 >> THIS IS THEIR FINAL EXAM. WE HAVE SET UP A LITTLE DOG SHOW PLACE HERE. 636 00:17:14,120 --> 00:17:15,250 WE HAVE SET UP A LITTLE DOG SHOW PLACE HERE. WE HAVE A SCORE CARD. 637 00:17:15,250 --> 00:17:16,720 PLACE HERE. WE HAVE A SCORE CARD. WE HAVE FIVE TRICKS THAT WE'VE 638 00:17:16,720 --> 00:17:17,450 WE HAVE A SCORE CARD. WE HAVE FIVE TRICKS THAT WE'VE TAUGHT THEM. 639 00:17:17,450 --> 00:17:18,890 WE HAVE FIVE TRICKS THAT WE'VE TAUGHT THEM. WE'RE GONNA SEE HOW WELL THEY 640 00:17:18,890 --> 00:17:19,350 TAUGHT THEM. WE'RE GONNA SEE HOW WELL THEY DO. 641 00:17:19,360 --> 00:17:21,400 WE'RE GONNA SEE HOW WELL THEY DO. >> Narrator: WITH MYTHTERN JESS 642 00:17:21,390 --> 00:17:23,390 DO. >> Narrator: WITH MYTHTERN JESS IN POSITION AS JUDGE AND JURY, 643 00:17:23,390 --> 00:17:25,460 >> Narrator: WITH MYTHTERN JESS IN POSITION AS JUDGE AND JURY, EVERYONE AND EVERY DOG IS READY. 644 00:17:25,460 --> 00:17:27,290 IN POSITION AS JUDGE AND JURY, EVERYONE AND EVERY DOG IS READY. >> ALL RIGHT, EVERYBODY, AND 645 00:17:27,300 --> 00:17:29,130 EVERYONE AND EVERY DOG IS READY. >> ALL RIGHT, EVERYBODY, AND WELCOME TO THE "OLD DOG, NEW 646 00:17:29,130 --> 00:17:30,400 >> ALL RIGHT, EVERYBODY, AND WELCOME TO THE "OLD DOG, NEW TRICK" FINAL EXAM. 647 00:17:30,400 --> 00:17:32,430 WELCOME TO THE "OLD DOG, NEW TRICK" FINAL EXAM. ADAM AND CECE, YOU'RE UP FIRST. 648 00:17:32,440 --> 00:17:34,280 TRICK" FINAL EXAM. ADAM AND CECE, YOU'RE UP FIRST. LET'S START WITH THE HEEL. 649 00:17:34,270 --> 00:17:35,330 ADAM AND CECE, YOU'RE UP FIRST. LET'S START WITH THE HEEL. >> GOOD GIRL. 650 00:17:35,340 --> 00:17:37,400 LET'S START WITH THE HEEL. >> GOOD GIRL. >> Narrator: WITH CECE IN GOOD 651 00:17:37,410 --> 00:17:39,510 >> GOOD GIRL. >> Narrator: WITH CECE IN GOOD POSITION ALONGSIDE ADAM AND NOT 652 00:17:39,510 --> 00:17:41,640 >> Narrator: WITH CECE IN GOOD POSITION ALONGSIDE ADAM AND NOT PULLING ON THE LEAD, JUDGE JESS 653 00:17:41,640 --> 00:17:43,280 POSITION ALONGSIDE ADAM AND NOT PULLING ON THE LEAD, JUDGE JESS HANDS OUT FULL MARKS. 654 00:17:43,280 --> 00:17:44,780 PULLING ON THE LEAD, JUDGE JESS HANDS OUT FULL MARKS. >> NICE WORK, ADAM. 655 00:17:44,780 --> 00:17:46,780 HANDS OUT FULL MARKS. >> NICE WORK, ADAM. >> Narrator: AND THAT'S THE 656 00:17:46,780 --> 00:17:48,710 >> NICE WORK, ADAM. >> Narrator: AND THAT'S THE STORY OF CECE'S DAY. 657 00:17:48,720 --> 00:17:50,120 >> Narrator: AND THAT'S THE STORY OF CECE'S DAY. >> SIT. GOOD GIRL. 658 00:17:50,120 --> 00:17:52,090 STORY OF CECE'S DAY. >> SIT. GOOD GIRL. >> Narrator: SHE OBEDIENTLY 659 00:17:52,090 --> 00:17:54,290 >> SIT. GOOD GIRL. >> Narrator: SHE OBEDIENTLY FOLLOWS ALL OF ADAM'S COMMANDS. 660 00:17:54,290 --> 00:17:56,390 >> Narrator: SHE OBEDIENTLY FOLLOWS ALL OF ADAM'S COMMANDS. >> DOWN. 661 00:17:56,390 --> 00:17:57,990 FOLLOWS ALL OF ADAM'S COMMANDS. >> DOWN. GOOD DOWN. 662 00:17:57,990 --> 00:17:59,690 >> DOWN. GOOD DOWN. GOOD DOWN. BACK UP. 663 00:17:59,700 --> 00:18:00,900 GOOD DOWN. GOOD DOWN. BACK UP. OKAY. SHAKE. 664 00:18:00,900 --> 00:18:02,400 GOOD DOWN. BACK UP. OKAY. SHAKE. GOOD SHAKE. VERY GOOD. 665 00:18:02,400 --> 00:18:04,330 OKAY. SHAKE. GOOD SHAKE. VERY GOOD. >> Narrator: PROVING THAT, IN 666 00:18:04,330 --> 00:18:05,500 GOOD SHAKE. VERY GOOD. >> Narrator: PROVING THAT, IN JUST ONE WEEK... 667 00:18:05,500 --> 00:18:06,230 >> Narrator: PROVING THAT, IN JUST ONE WEEK... >> STAY. 668 00:18:06,240 --> 00:18:08,310 JUST ONE WEEK... >> STAY. >> Narrator: ...SHE'S LEARNT ALL 669 00:18:08,300 --> 00:18:10,340 >> STAY. >> Narrator: ...SHE'S LEARNT ALL FIVE OF THE NEW TRICKS. 670 00:18:10,340 --> 00:18:12,610 >> Narrator: ...SHE'S LEARNT ALL FIVE OF THE NEW TRICKS. >> OKAY. AND EAT IT. 671 00:18:12,610 --> 00:18:16,680 FIVE OF THE NEW TRICKS. >> OKAY. AND EAT IT. GOOD GIRL. VERY GOOD GIRL. 672 00:18:16,680 --> 00:18:18,410 >> OKAY. AND EAT IT. GOOD GIRL. VERY GOOD GIRL. >> Narrator: THE PRESSURE'S ON. 673 00:18:18,410 --> 00:18:19,550 GOOD GIRL. VERY GOOD GIRL. >> Narrator: THE PRESSURE'S ON. JAMIE HATES LOSING. 674 00:18:19,550 --> 00:18:21,150 >> Narrator: THE PRESSURE'S ON. JAMIE HATES LOSING. HE'LL BE DETERMINED TO MATCH 675 00:18:21,150 --> 00:18:23,050 JAMIE HATES LOSING. HE'LL BE DETERMINED TO MATCH ADAM'S FAULTLESS PERFORMANCE. 676 00:18:23,050 --> 00:18:25,890 HE'LL BE DETERMINED TO MATCH ADAM'S FAULTLESS PERFORMANCE. >> DOWN. DOWN. 677 00:18:25,890 --> 00:18:28,090 ADAM'S FAULTLESS PERFORMANCE. >> DOWN. DOWN. GOOD. SHAKE. 678 00:18:28,090 --> 00:18:28,860 >> DOWN. DOWN. GOOD. SHAKE. GOOD BOY. 679 00:18:28,860 --> 00:18:30,720 GOOD. SHAKE. GOOD BOY. >> Narrator: BOBO SUCCEEDS IN 680 00:18:30,730 --> 00:18:32,020 GOOD BOY. >> Narrator: BOBO SUCCEEDS IN ALL OF THE TASKS TO 681 00:18:32,030 --> 00:18:33,830 >> Narrator: BOBO SUCCEEDS IN ALL OF THE TASKS TO JUDGE JESS'S SATISFACTION... 682 00:18:33,830 --> 00:18:37,030 ALL OF THE TASKS TO JUDGE JESS'S SATISFACTION... >> BOBO, STAY. STAY. 683 00:18:37,030 --> 00:18:39,000 JUDGE JESS'S SATISFACTION... >> BOBO, STAY. STAY. >> Narrator: ...UNTIL THE STAY. 684 00:18:39,000 --> 00:18:40,870 >> BOBO, STAY. STAY. >> Narrator: ...UNTIL THE STAY. MAYBE JAMIE'S FUR-COAT THREAT 685 00:18:40,870 --> 00:18:42,700 >> Narrator: ...UNTIL THE STAY. MAYBE JAMIE'S FUR-COAT THREAT BACKFIRED. 686 00:18:42,710 --> 00:18:45,110 MAYBE JAMIE'S FUR-COAT THREAT BACKFIRED. >> YOU STAY THERE. 687 00:18:45,110 --> 00:18:46,910 BACKFIRED. >> YOU STAY THERE. >> Narrator: BOBO WOULDN'T HOLD 688 00:18:46,910 --> 00:18:48,740 >> YOU STAY THERE. >> Narrator: BOBO WOULDN'T HOLD FOR THE REQUIRED 20 SECONDS, BUT 689 00:18:48,740 --> 00:18:50,540 >> Narrator: BOBO WOULDN'T HOLD FOR THE REQUIRED 20 SECONDS, BUT JUDGE JESS HAS GENEROUSLY GIVEN 690 00:18:50,550 --> 00:18:54,010 FOR THE REQUIRED 20 SECONDS, BUT JUDGE JESS HAS GENEROUSLY GIVEN HIM A 1/2 POINT FOR HIS EFFORTS. 691 00:18:54,020 --> 00:18:55,880 JUDGE JESS HAS GENEROUSLY GIVEN HIM A 1/2 POINT FOR HIS EFFORTS. >> 9 1/2 OUT OF 10 AIN'T BAD AT 692 00:18:55,890 --> 00:18:57,730 HIM A 1/2 POINT FOR HIS EFFORTS. >> 9 1/2 OUT OF 10 AIN'T BAD AT ALL, SO IT SEEMS TO ME THAT YOU 693 00:18:57,720 --> 00:18:59,520 >> 9 1/2 OUT OF 10 AIN'T BAD AT ALL, SO IT SEEMS TO ME THAT YOU CAN, IN FACT, TEACH AN OLD DOG 694 00:18:59,520 --> 00:19:00,420 ALL, SO IT SEEMS TO ME THAT YOU CAN, IN FACT, TEACH AN OLD DOG NEW TRICKS. 695 00:19:00,420 --> 00:19:01,350 CAN, IN FACT, TEACH AN OLD DOG NEW TRICKS. >> I AGREE. 696 00:19:01,360 --> 00:19:03,290 NEW TRICKS. >> I AGREE. THIS ONE'S TOTALLY BUSTED AND 697 00:19:03,290 --> 00:19:05,160 >> I AGREE. THIS ONE'S TOTALLY BUSTED AND ONE OF THE MORE CUDDLY MYTHS 698 00:19:05,160 --> 00:19:07,660 THIS ONE'S TOTALLY BUSTED AND ONE OF THE MORE CUDDLY MYTHS WE'VE EVER DONE. 699 00:19:07,660 --> 00:19:09,160 ONE OF THE MORE CUDDLY MYTHS WE'VE EVER DONE. >> Narrator: WITH OLD DOGS 700 00:19:09,170 --> 00:19:10,740 WE'VE EVER DONE. >> Narrator: WITH OLD DOGS BUSTED, ADAM AND JAMIE HAVE 701 00:19:10,730 --> 00:19:15,030 >> Narrator: WITH OLD DOGS BUSTED, ADAM AND JAMIE HAVE SNIFFED OUT ANOTHER MUTT MYTH. 702 00:19:15,040 --> 00:19:16,200 BUSTED, ADAM AND JAMIE HAVE SNIFFED OUT ANOTHER MUTT MYTH. >> SO, CAN YOU CLEARLY 703 00:19:16,210 --> 00:19:17,750 SNIFFED OUT ANOTHER MUTT MYTH. >> SO, CAN YOU CLEARLY COMMUNICATE WHAT CLEVER CANINE 704 00:19:17,740 --> 00:19:19,110 >> SO, CAN YOU CLEARLY COMMUNICATE WHAT CLEVER CANINE CONUNDRUM YOU'RE CURRENTLY 705 00:19:19,110 --> 00:19:20,140 COMMUNICATE WHAT CLEVER CANINE CONUNDRUM YOU'RE CURRENTLY CONCOCTING? 706 00:19:20,140 --> 00:19:21,010 CONUNDRUM YOU'RE CURRENTLY CONCOCTING? >> WHAT? 707 00:19:21,010 --> 00:19:22,580 CONCOCTING? >> WHAT? >> WHAT'S THE MYTH? 708 00:19:22,580 --> 00:19:23,340 >> WHAT? >> WHAT'S THE MYTH? >> BLOODHOUNDS. 709 00:19:23,350 --> 00:19:24,290 >> WHAT'S THE MYTH? >> BLOODHOUNDS. >> WHAT ABOUT THEM? 710 00:19:24,280 --> 00:19:25,680 >> BLOODHOUNDS. >> WHAT ABOUT THEM? >> WE'RE GONNA TEST WHETHER YOU 711 00:19:25,680 --> 00:19:27,080 >> WHAT ABOUT THEM? >> WE'RE GONNA TEST WHETHER YOU CAN TRICK BLOODHOUNDS LIKE THEY 712 00:19:27,080 --> 00:19:27,980 >> WE'RE GONNA TEST WHETHER YOU CAN TRICK BLOODHOUNDS LIKE THEY SHOW IN THE MOVIES. 713 00:19:27,980 --> 00:19:29,120 CAN TRICK BLOODHOUNDS LIKE THEY SHOW IN THE MOVIES. >> YOU AND I GET TO PLAY 714 00:19:29,120 --> 00:19:29,720 SHOW IN THE MOVIES. >> YOU AND I GET TO PLAY FUGITIVES? 715 00:19:29,720 --> 00:19:30,780 >> YOU AND I GET TO PLAY FUGITIVES? >> SOMETHING LIKE THAT. 716 00:19:30,790 --> 00:19:33,890 FUGITIVES? >> SOMETHING LIKE THAT. >> OH, COOL! 717 00:19:33,890 --> 00:19:35,920 >> SOMETHING LIKE THAT. >> OH, COOL! >> Narrator: BLOODHOUNDS ARE THE 718 00:19:35,930 --> 00:19:37,800 >> OH, COOL! >> Narrator: BLOODHOUNDS ARE THE ULTIMATE CANINE SUPERSLEUTHS. 719 00:19:37,790 --> 00:19:39,690 >> Narrator: BLOODHOUNDS ARE THE ULTIMATE CANINE SUPERSLEUTHS. USED FOR POLICE WORK ALL OVER 720 00:19:39,700 --> 00:19:41,570 ULTIMATE CANINE SUPERSLEUTHS. USED FOR POLICE WORK ALL OVER THE WORLD, THEIR CAPACITY FOR 721 00:19:41,560 --> 00:19:43,630 USED FOR POLICE WORK ALL OVER THE WORLD, THEIR CAPACITY FOR SNIFFING OUT A HUMAN TRAIL IS 722 00:19:43,630 --> 00:19:45,400 THE WORLD, THEIR CAPACITY FOR SNIFFING OUT A HUMAN TRAIL IS LEGENDARY, AND WHERE THERE'S 723 00:19:45,400 --> 00:19:48,300 SNIFFING OUT A HUMAN TRAIL IS LEGENDARY, AND WHERE THERE'S LEGEND, THERE'S MYTH. 724 00:19:48,300 --> 00:19:49,670 LEGENDARY, AND WHERE THERE'S LEGEND, THERE'S MYTH. >> SO, WHAT'S THE PLAN WITH THIS 725 00:19:49,670 --> 00:19:50,000 LEGEND, THERE'S MYTH. >> SO, WHAT'S THE PLAN WITH THIS ONE? 726 00:19:50,010 --> 00:19:51,350 >> SO, WHAT'S THE PLAN WITH THIS ONE? >> WELL, WE GOT TO GET A TRAINED 727 00:19:51,340 --> 00:19:51,940 ONE? >> WELL, WE GOT TO GET A TRAINED BLOODHOUND. 728 00:19:51,940 --> 00:19:52,610 >> WELL, WE GOT TO GET A TRAINED BLOODHOUND. >> ALL RIGHT. 729 00:19:52,610 --> 00:19:53,940 BLOODHOUND. >> ALL RIGHT. AND THEN I GUESS WE JUST RUN HIM 730 00:19:53,940 --> 00:19:55,110 >> ALL RIGHT. AND THEN I GUESS WE JUST RUN HIM THROUGH THE PACES OF THINGS 731 00:19:55,110 --> 00:19:56,410 AND THEN I GUESS WE JUST RUN HIM THROUGH THE PACES OF THINGS WE'VE SEEN THEM GET TRICKED BY 732 00:19:56,410 --> 00:19:57,680 THROUGH THE PACES OF THINGS WE'VE SEEN THEM GET TRICKED BY IN THE MOVIES -- BACKTRACKING, 733 00:19:57,680 --> 00:19:58,880 WE'VE SEEN THEM GET TRICKED BY IN THE MOVIES -- BACKTRACKING, RUNNING INTO RIVER, CHANGING 734 00:19:58,880 --> 00:19:59,480 IN THE MOVIES -- BACKTRACKING, RUNNING INTO RIVER, CHANGING YOUR SCENT. 735 00:19:59,480 --> 00:20:00,080 RUNNING INTO RIVER, CHANGING YOUR SCENT. >> YEAH. 736 00:20:00,080 --> 00:20:01,810 YOUR SCENT. >> YEAH. >> ALL RIGHT, WELL, WHICH ONE OF 737 00:20:01,820 --> 00:20:03,180 >> YEAH. >> ALL RIGHT, WELL, WHICH ONE OF US SHOULD BE THE RUNNER? 738 00:20:03,190 --> 00:20:04,930 >> ALL RIGHT, WELL, WHICH ONE OF US SHOULD BE THE RUNNER? >> WELL, SOMETHING TELLS ME THAT 739 00:20:04,920 --> 00:20:06,920 US SHOULD BE THE RUNNER? >> WELL, SOMETHING TELLS ME THAT YOU'D BE BETTER AT LAYING DOWN A 740 00:20:06,920 --> 00:20:08,520 >> WELL, SOMETHING TELLS ME THAT YOU'D BE BETTER AT LAYING DOWN A SCENT TRAIL THAN I WOULD. 741 00:20:08,520 --> 00:20:09,660 YOU'D BE BETTER AT LAYING DOWN A SCENT TRAIL THAN I WOULD. >> [ Laughing ] OKAY. 742 00:20:09,660 --> 00:20:11,220 SCENT TRAIL THAN I WOULD. >> [ Laughing ] OKAY. I'M GONNA SAY YES JUST 'CAUSE I 743 00:20:11,230 --> 00:20:12,020 >> [ Laughing ] OKAY. I'M GONNA SAY YES JUST 'CAUSE I WANT TO DO IT. 744 00:20:12,030 --> 00:20:13,490 I'M GONNA SAY YES JUST 'CAUSE I WANT TO DO IT. LET'S GET STRAIGHT INTO THIS. 745 00:20:13,500 --> 00:20:15,040 WANT TO DO IT. LET'S GET STRAIGHT INTO THIS. >> Narrator: STRAIGHT INTO IT? 746 00:20:15,030 --> 00:20:16,960 LET'S GET STRAIGHT INTO THIS. >> Narrator: STRAIGHT INTO IT? SURE. 747 00:20:16,970 --> 00:20:19,130 >> Narrator: STRAIGHT INTO IT? SURE. >> CAN YOU GUESS WHAT MY ROLE IS 748 00:20:19,130 --> 00:20:19,770 SURE. >> CAN YOU GUESS WHAT MY ROLE IS TODAY? 749 00:20:19,770 --> 00:20:23,970 >> CAN YOU GUESS WHAT MY ROLE IS TODAY? I AM THE CHASEE, AND I'M GONNA 750 00:20:23,970 --> 00:20:25,400 TODAY? I AM THE CHASEE, AND I'M GONNA GO OVER THERE AND TRY EVERY 751 00:20:25,410 --> 00:20:27,040 I AM THE CHASEE, AND I'M GONNA GO OVER THERE AND TRY EVERY TRICK IN THE BOOK TO THROW THESE 752 00:20:27,040 --> 00:20:28,070 GO OVER THERE AND TRY EVERY TRICK IN THE BOOK TO THROW THESE DOGS OFF MY TRAIL. 753 00:20:28,080 --> 00:20:29,640 TRICK IN THE BOOK TO THROW THESE DOGS OFF MY TRAIL. WE'RE GONNA SEE WHAT WORKS AND 754 00:20:29,650 --> 00:20:31,490 DOGS OFF MY TRAIL. WE'RE GONNA SEE WHAT WORKS AND WHAT DOESN'T. 755 00:20:31,480 --> 00:20:32,980 WE'RE GONNA SEE WHAT WORKS AND WHAT DOESN'T. >> Narrator: PRISON BREAKEE 756 00:20:32,980 --> 00:20:34,580 WHAT DOESN'T. >> Narrator: PRISON BREAKEE ADAM'S ALL SUITED UP TO BE THE 757 00:20:34,580 --> 00:20:36,220 >> Narrator: PRISON BREAKEE ADAM'S ALL SUITED UP TO BE THE FUGITIVE, AND HERE'S WHAT HE'S 758 00:20:36,220 --> 00:20:37,650 ADAM'S ALL SUITED UP TO BE THE FUGITIVE, AND HERE'S WHAT HE'S FACING. 759 00:20:37,790 --> 00:20:39,060 >> THIS IS MORGAN. 760 00:20:39,050 --> 00:20:40,490 HE'S A 2 1/2-YEAR-OLD 761 00:20:40,490 --> 00:20:42,290 BLOODHOUND, AND HE CURRENTLY 762 00:20:42,290 --> 00:20:44,260 WORKS WITH THE SAN MATEO COUNTY 763 00:20:44,260 --> 00:20:46,230 SHERIFF'S OFFICE CANINE UNIT IN 764 00:20:46,230 --> 00:20:47,490 SAN MATEO. 765 00:20:47,630 --> 00:20:51,960 >> Narrator: MORGAN, HANDLER MATT, AND JAMIE ARE GOING TO NEED ALL THEIR TRACKING 766 00:20:51,970 --> 00:20:53,670 HANDLER MATT, AND JAMIE ARE GOING TO NEED ALL THEIR TRACKING EXPERIENCE BECAUSE THERE ARE SIX 767 00:20:53,670 --> 00:20:57,070 GOING TO NEED ALL THEIR TRACKING EXPERIENCE BECAUSE THERE ARE SIX MYTHS THAT THEY'RE UP AGAINST. 768 00:20:57,070 --> 00:20:59,070 EXPERIENCE BECAUSE THERE ARE SIX MYTHS THAT THEY'RE UP AGAINST. SOURCED FROM THE MOVIES AND 769 00:20:59,070 --> 00:21:01,010 MYTHS THAT THEY'RE UP AGAINST. SOURCED FROM THE MOVIES AND FAN E-MAILS, EACH ONE WILL 770 00:21:01,010 --> 00:21:03,240 SOURCED FROM THE MOVIES AND FAN E-MAILS, EACH ONE WILL SUPPOSEDLY CONFUSE AND CONFOUND 771 00:21:03,250 --> 00:21:06,120 FAN E-MAILS, EACH ONE WILL SUPPOSEDLY CONFUSE AND CONFOUND THE TRAILING HOUND. 772 00:21:06,120 --> 00:21:08,090 SUPPOSEDLY CONFUSE AND CONFOUND THE TRAILING HOUND. LOOKING MORE LIKE AN EXTRA IN A 773 00:21:08,080 --> 00:21:09,780 THE TRAILING HOUND. LOOKING MORE LIKE AN EXTRA IN A GEORGE CLOONEY MOVIE, IT'S 774 00:21:09,790 --> 00:21:11,660 LOOKING MORE LIKE AN EXTRA IN A GEORGE CLOONEY MOVIE, IT'S NEARLY TIME TO SAY "OH, ADAM, 775 00:21:11,650 --> 00:21:12,820 GEORGE CLOONEY MOVIE, IT'S NEARLY TIME TO SAY "OH, ADAM, WHERE ART THOU?" 776 00:21:12,820 --> 00:21:15,990 NEARLY TIME TO SAY "OH, ADAM, WHERE ART THOU?" BUT FIRST, THE PLAN. 777 00:21:15,990 --> 00:21:17,390 WHERE ART THOU?" BUT FIRST, THE PLAN. >> NOW, THE DOG AND HIS OWNER 778 00:21:17,390 --> 00:21:18,690 BUT FIRST, THE PLAN. >> NOW, THE DOG AND HIS OWNER ARE JUST OVER THERE, SO I'M 779 00:21:18,690 --> 00:21:20,130 >> NOW, THE DOG AND HIS OWNER ARE JUST OVER THERE, SO I'M GONNA HAVE TO WHISPER THE NEXT 780 00:21:20,130 --> 00:21:21,660 ARE JUST OVER THERE, SO I'M GONNA HAVE TO WHISPER THE NEXT TEST 'CAUSE THEY DON'T KNOW WHAT 781 00:21:21,660 --> 00:21:23,160 GONNA HAVE TO WHISPER THE NEXT TEST 'CAUSE THEY DON'T KNOW WHAT THIS IS. 782 00:21:23,170 --> 00:21:25,040 TEST 'CAUSE THEY DON'T KNOW WHAT THIS IS. THIS NEXT TEST, I AM GONNA BE 783 00:21:25,030 --> 00:21:26,570 THIS IS. THIS NEXT TEST, I AM GONNA BE ZIGZAGGING, I'M GONNA BE 784 00:21:26,570 --> 00:21:28,400 THIS NEXT TEST, I AM GONNA BE ZIGZAGGING, I'M GONNA BE DOUBLING BACK ON MY TRAIL, AND 785 00:21:28,400 --> 00:21:30,100 ZIGZAGGING, I'M GONNA BE DOUBLING BACK ON MY TRAIL, AND I'M GONNA FINISH OFF WITH A 786 00:21:30,110 --> 00:21:32,010 DOUBLING BACK ON MY TRAIL, AND I'M GONNA FINISH OFF WITH A LOVELY CLIMBING OF THE TREE. 787 00:21:32,010 --> 00:21:33,340 I'M GONNA FINISH OFF WITH A LOVELY CLIMBING OF THE TREE. >> Narrator: WHOA. 788 00:21:33,340 --> 00:21:35,410 LOVELY CLIMBING OF THE TREE. >> Narrator: WHOA. SO LET THE GAMES BEGIN. 789 00:21:35,410 --> 00:21:37,480 >> Narrator: WHOA. SO LET THE GAMES BEGIN. ADAM HAS FIVE MINUTES TO GET AS 790 00:21:37,480 --> 00:21:39,580 SO LET THE GAMES BEGIN. ADAM HAS FIVE MINUTES TO GET AS FAR AWAY AS HE POSSIBLY CAN FROM 791 00:21:39,580 --> 00:21:41,410 ADAM HAS FIVE MINUTES TO GET AS FAR AWAY AS HE POSSIBLY CAN FROM MORGAN, THE HUMAN-SEEKING 792 00:21:41,420 --> 00:21:44,920 FAR AWAY AS HE POSSIBLY CAN FROM MORGAN, THE HUMAN-SEEKING MISSILE. 793 00:21:44,920 --> 00:21:48,020 MORGAN, THE HUMAN-SEEKING MISSILE. >> OKAY. THAT WAS THE ZIGZAG. 794 00:21:48,020 --> 00:21:49,990 MISSILE. >> OKAY. THAT WAS THE ZIGZAG. >> Narrator: ADAM, LOOKING LIKE 795 00:21:49,990 --> 00:21:51,890 >> OKAY. THAT WAS THE ZIGZAG. >> Narrator: ADAM, LOOKING LIKE A RECENTLY ESCAPED BENNY HILL 796 00:21:51,890 --> 00:21:53,690 >> Narrator: ADAM, LOOKING LIKE A RECENTLY ESCAPED BENNY HILL CHARACTER, LAYS DOWN AS MANY 797 00:21:53,700 --> 00:21:56,630 A RECENTLY ESCAPED BENNY HILL CHARACTER, LAYS DOWN AS MANY ZIGS, ZAGS, AND DOUBLE-BACKS AS 798 00:21:56,630 --> 00:21:58,530 CHARACTER, LAYS DOWN AS MANY ZIGS, ZAGS, AND DOUBLE-BACKS AS HE CAN BEFORE SCAMPERING UP A 799 00:21:58,530 --> 00:21:59,270 ZIGS, ZAGS, AND DOUBLE-BACKS AS HE CAN BEFORE SCAMPERING UP A TREE... 800 00:21:59,270 --> 00:22:00,500 HE CAN BEFORE SCAMPERING UP A TREE... >> Hello, team. 801 00:22:00,500 --> 00:22:02,770 TREE... >> Hello, team. This is convict one. I'm hidden. 802 00:22:02,770 --> 00:22:04,740 >> Hello, team. This is convict one. I'm hidden. >> Narrator: ...WHICH MEANS IT'S 803 00:22:04,740 --> 00:22:06,640 This is convict one. I'm hidden. >> Narrator: ...WHICH MEANS IT'S TIME TO RELEASE THE HOUND, AND 804 00:22:06,640 --> 00:22:08,410 >> Narrator: ...WHICH MEANS IT'S TIME TO RELEASE THE HOUND, AND MATT'S FIRST MOVE IS TO SHOW 805 00:22:08,410 --> 00:22:09,480 TIME TO RELEASE THE HOUND, AND MATT'S FIRST MOVE IS TO SHOW MORGAN WHAT THE 806 00:22:09,480 --> 00:22:11,410 MATT'S FIRST MOVE IS TO SHOW MORGAN WHAT THE SEARCH-AND-RESCUE COMMUNITY KNOW 807 00:22:11,410 --> 00:22:12,750 MORGAN WHAT THE SEARCH-AND-RESCUE COMMUNITY KNOW AS THE SCENT ARTICLE. 808 00:22:12,750 --> 00:22:13,880 SEARCH-AND-RESCUE COMMUNITY KNOW AS THE SCENT ARTICLE. >> SMELL. GET HIM. 809 00:22:13,880 --> 00:22:15,480 AS THE SCENT ARTICLE. >> SMELL. GET HIM. >> Narrator: IN ACTUAL FACT, 810 00:22:15,480 --> 00:22:17,020 >> SMELL. GET HIM. >> Narrator: IN ACTUAL FACT, IT'S ONE OF ADAM'S UNWASHED 811 00:22:17,020 --> 00:22:17,720 >> Narrator: IN ACTUAL FACT, IT'S ONE OF ADAM'S UNWASHED T-SHIRTS. 812 00:22:17,720 --> 00:22:19,220 IT'S ONE OF ADAM'S UNWASHED T-SHIRTS. TO GET AN UNDERSTANDING OF 813 00:22:19,220 --> 00:22:21,390 T-SHIRTS. TO GET AN UNDERSTANDING OF EXACTLY HOW MORGAN CAN FIND ADAM 814 00:22:21,390 --> 00:22:23,590 TO GET AN UNDERSTANDING OF EXACTLY HOW MORGAN CAN FIND ADAM FROM SNIFFING HIS DIRTY LAUNDRY, 815 00:22:23,590 --> 00:22:25,020 EXACTLY HOW MORGAN CAN FIND ADAM FROM SNIFFING HIS DIRTY LAUNDRY, LET'S GO TO A GRAPHIC. 816 00:22:25,030 --> 00:22:26,930 FROM SNIFFING HIS DIRTY LAUNDRY, LET'S GO TO A GRAPHIC. THE SCENT A BLOODHOUND DETECTS 817 00:22:26,930 --> 00:22:28,790 LET'S GO TO A GRAPHIC. THE SCENT A BLOODHOUND DETECTS ARE THE MILLIONS OF SKIN CELLS 818 00:22:28,800 --> 00:22:30,700 THE SCENT A BLOODHOUND DETECTS ARE THE MILLIONS OF SKIN CELLS WE'RE CONSTANTLY SHEDDING. 819 00:22:30,700 --> 00:22:32,870 ARE THE MILLIONS OF SKIN CELLS WE'RE CONSTANTLY SHEDDING. THESE MINUTE PARTICLES CARRY A 820 00:22:32,870 --> 00:22:35,130 WE'RE CONSTANTLY SHEDDING. THESE MINUTE PARTICLES CARRY A PERSON'S UNIQUE SCENT SIGNATURE. 821 00:22:35,140 --> 00:22:37,070 THESE MINUTE PARTICLES CARRY A PERSON'S UNIQUE SCENT SIGNATURE. THEY RUB OFF ON ANYTHING WE COME 822 00:22:37,070 --> 00:22:38,940 PERSON'S UNIQUE SCENT SIGNATURE. THEY RUB OFF ON ANYTHING WE COME INTO CONTACT WITH, AND WE LEAVE 823 00:22:38,940 --> 00:22:42,710 THEY RUB OFF ON ANYTHING WE COME INTO CONTACT WITH, AND WE LEAVE A TRAIL OF THEM WHEREVER WE GO. 824 00:22:42,710 --> 00:22:44,180 INTO CONTACT WITH, AND WE LEAVE A TRAIL OF THEM WHEREVER WE GO. ADAM MAY AS WELL HAVE LEFT 825 00:22:44,180 --> 00:22:45,950 A TRAIL OF THEM WHEREVER WE GO. ADAM MAY AS WELL HAVE LEFT SIGNPOSTS, BECAUSE WHAT'S 826 00:22:45,950 --> 00:22:48,150 ADAM MAY AS WELL HAVE LEFT SIGNPOSTS, BECAUSE WHAT'S IMMEDIATELY STRIKING IS THE PACE 827 00:22:48,150 --> 00:22:49,750 SIGNPOSTS, BECAUSE WHAT'S IMMEDIATELY STRIKING IS THE PACE AT WHICH MORGAN WORKS. 828 00:22:49,750 --> 00:22:51,980 IMMEDIATELY STRIKING IS THE PACE AT WHICH MORGAN WORKS. MATT AND JAMIE, NOT TO MENTION 829 00:22:51,990 --> 00:22:54,350 AT WHICH MORGAN WORKS. MATT AND JAMIE, NOT TO MENTION THE UNFIT CREW, ARE AT FULL PACE 830 00:22:54,360 --> 00:22:55,520 MATT AND JAMIE, NOT TO MENTION THE UNFIT CREW, ARE AT FULL PACE TRYING TO KEEP UP. 831 00:22:55,520 --> 00:22:56,590 THE UNFIT CREW, ARE AT FULL PACE TRYING TO KEEP UP. >> WHERE IS HE? 832 00:22:56,590 --> 00:22:58,460 TRYING TO KEEP UP. >> WHERE IS HE? >> I'M SENSING MAYBE ADAM DID A 833 00:22:58,460 --> 00:22:59,830 >> WHERE IS HE? >> I'M SENSING MAYBE ADAM DID A LITTLE DOUBLING BACK. 834 00:22:59,830 --> 00:23:01,530 >> I'M SENSING MAYBE ADAM DID A LITTLE DOUBLING BACK. >> Narrator: JAMIE'S ON THE 835 00:23:01,530 --> 00:23:03,360 LITTLE DOUBLING BACK. >> Narrator: JAMIE'S ON THE RIGHT TRACK, BUT IT'S MORGAN'S 836 00:23:03,370 --> 00:23:05,010 >> Narrator: JAMIE'S ON THE RIGHT TRACK, BUT IT'S MORGAN'S NOSE THAT GOT HIM THERE. 837 00:23:05,000 --> 00:23:07,100 RIGHT TRACK, BUT IT'S MORGAN'S NOSE THAT GOT HIM THERE. AND PRETTY SOON OUR POLICE POOCH 838 00:23:07,100 --> 00:23:09,270 NOSE THAT GOT HIM THERE. AND PRETTY SOON OUR POLICE POOCH IS BARKING UP THE RIGHT TREE. 839 00:23:09,270 --> 00:23:10,370 AND PRETTY SOON OUR POLICE POOCH IS BARKING UP THE RIGHT TREE. >> AWESOME! GOOD BOY! 840 00:23:10,370 --> 00:23:11,170 IS BARKING UP THE RIGHT TREE. >> AWESOME! GOOD BOY! WHERE'D HE GO? 841 00:23:11,170 --> 00:23:12,510 >> AWESOME! GOOD BOY! WHERE'D HE GO? AWESOME! GOOD BOY! 842 00:23:12,510 --> 00:23:14,110 WHERE'D HE GO? AWESOME! GOOD BOY! WHERE IS HE? GOOD BOY. 843 00:23:14,110 --> 00:23:15,980 AWESOME! GOOD BOY! WHERE IS HE? GOOD BOY. >> Narrator: SO THAT'S MYTH 844 00:23:15,980 --> 00:23:17,610 WHERE IS HE? GOOD BOY. >> Narrator: SO THAT'S MYTH NUMBER ONE BUSTED, AND ADAM IS 845 00:23:17,610 --> 00:23:19,040 >> Narrator: SO THAT'S MYTH NUMBER ONE BUSTED, AND ADAM IS ON HIS WAY BACK TO PRISON, 846 00:23:19,050 --> 00:23:20,580 NUMBER ONE BUSTED, AND ADAM IS ON HIS WAY BACK TO PRISON, ALTHOUGH HE DOESN'T SEEM ALL 847 00:23:20,580 --> 00:23:21,480 ON HIS WAY BACK TO PRISON, ALTHOUGH HE DOESN'T SEEM ALL THAT UPSET. 848 00:23:21,480 --> 00:23:23,620 ALTHOUGH HE DOESN'T SEEM ALL THAT UPSET. >> I JUST WANT TO SAY -- IF THIS 849 00:23:23,620 --> 00:23:25,550 THAT UPSET. >> I JUST WANT TO SAY -- IF THIS LOOKS LIKE FUN, IT'S TWICE AS 850 00:23:25,550 --> 00:23:27,320 >> I JUST WANT TO SAY -- IF THIS LOOKS LIKE FUN, IT'S TWICE AS MUCH FUN AS IT LOOKS LIKE. 851 00:23:27,320 --> 00:23:29,560 LOOKS LIKE FUN, IT'S TWICE AS MUCH FUN AS IT LOOKS LIKE. THIS IS LIKE -- WHO HASN'T 852 00:23:29,560 --> 00:23:31,490 MUCH FUN AS IT LOOKS LIKE. THIS IS LIKE -- WHO HASN'T WANTED TO TRY THIS? 853 00:23:37,400 --> 00:23:42,200 >> Narrator: PUT A PUPPY IN A HAT AND GET TO IT YODEL, AND IT'S NO WONDER THAT DOGS ARE 854 00:23:42,200 --> 00:23:43,400 HAT AND GET TO IT YODEL, AND IT'S NO WONDER THAT DOGS ARE A MAN'S BEST FRIEND. 855 00:23:43,410 --> 00:23:45,180 IT'S NO WONDER THAT DOGS ARE A MAN'S BEST FRIEND. BUT AS KARI, TORY, AND GRANT ARE 856 00:23:45,170 --> 00:23:46,840 A MAN'S BEST FRIEND. BUT AS KARI, TORY, AND GRANT ARE FINDING OUT, THAT'S NOT ALWAYS 857 00:23:46,840 --> 00:23:48,770 BUT AS KARI, TORY, AND GRANT ARE FINDING OUT, THAT'S NOT ALWAYS THE CASE. 858 00:23:48,780 --> 00:23:50,740 FINDING OUT, THAT'S NOT ALWAYS THE CASE. THEY'RE TESTING MYTHICAL WAYS 859 00:23:50,750 --> 00:23:52,650 THE CASE. THEY'RE TESTING MYTHICAL WAYS TO BEAT A VICIOUS GUARD DOG. 860 00:23:52,650 --> 00:23:54,550 THEY'RE TESTING MYTHICAL WAYS TO BEAT A VICIOUS GUARD DOG. DISTRACTION BY DINNER PROVED 861 00:23:54,550 --> 00:23:56,550 TO BEAT A VICIOUS GUARD DOG. DISTRACTION BY DINNER PROVED SUCCESSFUL, BUT CHANGING THEIR 862 00:23:56,550 --> 00:23:59,050 DISTRACTION BY DINNER PROVED SUCCESSFUL, BUT CHANGING THEIR BEHAVIOR WAS A DOG'S BREAKFAST. 863 00:23:59,050 --> 00:24:00,650 SUCCESSFUL, BUT CHANGING THEIR BEHAVIOR WAS A DOG'S BREAKFAST. >> SO, THE NEXT THING WE'RE 864 00:24:00,660 --> 00:24:01,790 BEHAVIOR WAS A DOG'S BREAKFAST. >> SO, THE NEXT THING WE'RE GONNA MOVE ON TO. 865 00:24:01,790 --> 00:24:02,520 >> SO, THE NEXT THING WE'RE GONNA MOVE ON TO. >> SCENTS. 866 00:24:02,520 --> 00:24:03,290 GONNA MOVE ON TO. >> SCENTS. >> SCENTS. 867 00:24:03,290 --> 00:24:04,590 >> SCENTS. >> SCENTS. >> Both: MAKES "SENSE." 868 00:24:04,590 --> 00:24:06,160 >> SCENTS. >> Both: MAKES "SENSE." >> All: AHH! 869 00:24:06,160 --> 00:24:07,530 >> Both: MAKES "SENSE." >> All: AHH! >> Narrator: OH-HO-HO! 870 00:24:07,530 --> 00:24:09,260 >> All: AHH! >> Narrator: OH-HO-HO! SO THE TEAM ARE GOING TO TEST 871 00:24:09,260 --> 00:24:10,860 >> Narrator: OH-HO-HO! SO THE TEAM ARE GOING TO TEST THREE THEORIES FROM THE FAN 872 00:24:10,870 --> 00:24:11,360 SO THE TEAM ARE GOING TO TEST THREE THEORIES FROM THE FAN SITE. 873 00:24:11,370 --> 00:24:13,200 THREE THEORIES FROM THE FAN SITE. WITH A SPRITZ OF THE SCENT OF A 874 00:24:13,200 --> 00:24:15,070 SITE. WITH A SPRITZ OF THE SCENT OF A LACTATING DOG MOTHER, EEWAN WILL 875 00:24:15,070 --> 00:24:17,200 WITH A SPRITZ OF THE SCENT OF A LACTATING DOG MOTHER, EEWAN WILL BE A PUPPY IN GRANT'S HANDS. 876 00:24:17,210 --> 00:24:19,210 LACTATING DOG MOTHER, EEWAN WILL BE A PUPPY IN GRANT'S HANDS. KARI WILL DOUSE HERSELF IN 877 00:24:19,210 --> 00:24:21,410 BE A PUPPY IN GRANT'S HANDS. KARI WILL DOUSE HERSELF IN WOLF URINE TO INTIMIDATE HIM, 878 00:24:21,410 --> 00:24:23,540 KARI WILL DOUSE HERSELF IN WOLF URINE TO INTIMIDATE HIM, AND A HINT OF SCENT OF A HOT 879 00:24:23,550 --> 00:24:25,690 WOLF URINE TO INTIMIDATE HIM, AND A HINT OF SCENT OF A HOT LADY DOG, AND OUR ALPHA MALE 880 00:24:25,680 --> 00:24:27,880 AND A HINT OF SCENT OF A HOT LADY DOG, AND OUR ALPHA MALE WILL BE DISTRACTED ENOUGH FOR 881 00:24:27,880 --> 00:24:30,150 LADY DOG, AND OUR ALPHA MALE WILL BE DISTRACTED ENOUGH FOR TORY TO SLIP BY UNNOTICED. 882 00:24:30,150 --> 00:24:32,120 WILL BE DISTRACTED ENOUGH FOR TORY TO SLIP BY UNNOTICED. FIRST UP IS GRANT WITH 883 00:24:32,120 --> 00:24:33,790 TORY TO SLIP BY UNNOTICED. FIRST UP IS GRANT WITH EAU DE DOG MOTHER. 884 00:24:33,790 --> 00:24:35,960 FIRST UP IS GRANT WITH EAU DE DOG MOTHER. >> WHAT'S THE THEORY BEHIND 885 00:24:35,960 --> 00:24:36,620 EAU DE DOG MOTHER. >> WHAT'S THE THEORY BEHIND THIS? 886 00:24:36,630 --> 00:24:38,470 >> WHAT'S THE THEORY BEHIND THIS? >> WELL, THE LACTATING 887 00:24:38,460 --> 00:24:40,830 THIS? >> WELL, THE LACTATING MOTHER SMELL -- THEY SECRETE A 888 00:24:40,830 --> 00:24:43,330 >> WELL, THE LACTATING MOTHER SMELL -- THEY SECRETE A PHEROMONE THAT MAKES THE PUPPIES 889 00:24:43,330 --> 00:24:44,560 MOTHER SMELL -- THEY SECRETE A PHEROMONE THAT MAKES THE PUPPIES FEEL MORE AT EASE. 890 00:24:44,570 --> 00:24:45,870 PHEROMONE THAT MAKES THE PUPPIES FEEL MORE AT EASE. IT CALMS THEM DOWN. 891 00:24:45,870 --> 00:24:47,770 FEEL MORE AT EASE. IT CALMS THEM DOWN. >> SO THIS IS SUPPOSED TO CALM 892 00:24:47,770 --> 00:24:49,070 IT CALMS THEM DOWN. >> SO THIS IS SUPPOSED TO CALM THE GUARD DOG DOWN? 893 00:24:49,070 --> 00:24:50,040 >> SO THIS IS SUPPOSED TO CALM THE GUARD DOG DOWN? >> YEAH. 894 00:24:50,040 --> 00:24:51,400 THE GUARD DOG DOWN? >> YEAH. >> Narrator: GRANT AND HIS 895 00:24:51,410 --> 00:24:52,970 >> YEAH. >> Narrator: GRANT AND HIS PHEROMONES ENTER THE COMPOUND, 896 00:24:52,980 --> 00:24:54,450 >> Narrator: GRANT AND HIS PHEROMONES ENTER THE COMPOUND, BUT EEWAN IS NO ONE'S PUPPY. 897 00:24:54,440 --> 00:24:55,540 PHEROMONES ENTER THE COMPOUND, BUT EEWAN IS NO ONE'S PUPPY. >> IT'S NOT WORKING. 898 00:24:55,540 --> 00:24:56,640 BUT EEWAN IS NO ONE'S PUPPY. >> IT'S NOT WORKING. >> IT'S NOT WORKING. 899 00:24:56,650 --> 00:24:58,250 >> IT'S NOT WORKING. >> IT'S NOT WORKING. >> Narrator: THAT'S ANOTHER ONE 900 00:24:58,250 --> 00:24:59,180 >> IT'S NOT WORKING. >> Narrator: THAT'S ANOTHER ONE BUSTED. 901 00:24:59,310 --> 00:25:00,850 WHAT'S NEXT, KARI? 902 00:25:00,980 --> 00:25:05,080 >> NOW, THIS IS A MYTH THAT QUITE A FEW PEOPLE BELIEVE, SO I'M REALLY INTERESTED TO SEE IF 903 00:25:05,090 --> 00:25:06,650 QUITE A FEW PEOPLE BELIEVE, SO I'M REALLY INTERESTED TO SEE IF IT'S TRUE, SEE IF IT WORKS -- 904 00:25:06,660 --> 00:25:08,130 I'M REALLY INTERESTED TO SEE IF IT'S TRUE, SEE IF IT WORKS -- WOLF URINE. 905 00:25:08,120 --> 00:25:09,760 IT'S TRUE, SEE IF IT WORKS -- WOLF URINE. [ WOLF HOWLING ] 906 00:25:09,760 --> 00:25:12,420 WOLF URINE. [ WOLF HOWLING ] >> NOW, URINE IS A BIG 907 00:25:12,430 --> 00:25:14,030 [ WOLF HOWLING ] >> NOW, URINE IS A BIG COMMUNICATOR IN THE CANINE 908 00:25:14,030 --> 00:25:15,830 >> NOW, URINE IS A BIG COMMUNICATOR IN THE CANINE WORLD, AS I'M SURE YOU'VE SEEN 909 00:25:15,830 --> 00:25:17,530 COMMUNICATOR IN THE CANINE WORLD, AS I'M SURE YOU'VE SEEN DOGS MARKING THEIR TERRITORY 910 00:25:17,530 --> 00:25:18,360 WORLD, AS I'M SURE YOU'VE SEEN DOGS MARKING THEIR TERRITORY EVERYWHERE. 911 00:25:18,370 --> 00:25:19,970 DOGS MARKING THEIR TERRITORY EVERYWHERE. IMAGINE A WOLF MARKS ITS 912 00:25:19,970 --> 00:25:21,870 EVERYWHERE. IMAGINE A WOLF MARKS ITS TERRITORY WHERE A SMALLER DOG 913 00:25:21,870 --> 00:25:23,140 IMAGINE A WOLF MARKS ITS TERRITORY WHERE A SMALLER DOG IS. 914 00:25:23,140 --> 00:25:24,700 TERRITORY WHERE A SMALLER DOG IS. >> Narrator: BASICALLY, WITH A 915 00:25:24,710 --> 00:25:26,340 IS. >> Narrator: BASICALLY, WITH A SPLASH OF STINKY WOLF WEE FRESH 916 00:25:26,340 --> 00:25:27,940 >> Narrator: BASICALLY, WITH A SPLASH OF STINKY WOLF WEE FRESH FROM THE INTERNET -- WHERE ELSE 917 00:25:27,940 --> 00:25:29,580 SPLASH OF STINKY WOLF WEE FRESH FROM THE INTERNET -- WHERE ELSE DO YOU GET IT? -- KARI'S TRYING 918 00:25:29,580 --> 00:25:31,180 FROM THE INTERNET -- WHERE ELSE DO YOU GET IT? -- KARI'S TRYING TO INTIMIDATE EEWAN BY SMELLING 919 00:25:31,180 --> 00:25:32,340 DO YOU GET IT? -- KARI'S TRYING TO INTIMIDATE EEWAN BY SMELLING LIKE THE BIG BAD WOLF. 920 00:25:32,350 --> 00:25:32,880 TO INTIMIDATE EEWAN BY SMELLING LIKE THE BIG BAD WOLF. >> UGH! 921 00:25:32,880 --> 00:25:33,680 LIKE THE BIG BAD WOLF. >> UGH! >> [ LAUGHS ] 922 00:25:33,680 --> 00:25:35,250 >> UGH! >> [ LAUGHS ] >> Narrator: AND AT THIS POINT, 923 00:25:35,250 --> 00:25:36,680 >> [ LAUGHS ] >> Narrator: AND AT THIS POINT, YOU CAN FEEL LUCKY YOU'RE ON 924 00:25:36,690 --> 00:25:38,560 >> Narrator: AND AT THIS POINT, YOU CAN FEEL LUCKY YOU'RE ON THE OTHER SIDE OF THE SCREEN. 925 00:25:38,550 --> 00:25:39,750 YOU CAN FEEL LUCKY YOU'RE ON THE OTHER SIDE OF THE SCREEN. >> THAT'S STRONG. 926 00:25:39,760 --> 00:25:40,430 THE OTHER SIDE OF THE SCREEN. >> THAT'S STRONG. >> HOO! 927 00:25:40,420 --> 00:25:42,390 >> THAT'S STRONG. >> HOO! >> Narrator: BUT WILL OUR GUARD 928 00:25:42,390 --> 00:25:44,220 >> HOO! >> Narrator: BUT WILL OUR GUARD DOG BE SCARED OFF? 929 00:25:44,230 --> 00:25:45,720 >> Narrator: BUT WILL OUR GUARD DOG BE SCARED OFF? >> OH, OH, OH. 930 00:25:45,730 --> 00:25:47,230 DOG BE SCARED OFF? >> OH, OH, OH. >> WAIT, WAIT. 931 00:25:47,230 --> 00:25:47,790 >> OH, OH, OH. >> WAIT, WAIT. OH! 932 00:25:47,800 --> 00:25:49,230 >> WAIT, WAIT. OH! OH, IT'S WORKING! 933 00:25:49,230 --> 00:25:50,260 OH! OH, IT'S WORKING! >> YEAH! 934 00:25:50,270 --> 00:25:51,470 OH, IT'S WORKING! >> YEAH! >> NO WAY! 935 00:25:51,470 --> 00:25:53,100 >> YEAH! >> NO WAY! >> OH, NO, NO. 936 00:25:53,100 --> 00:25:54,570 >> NO WAY! >> OH, NO, NO. >> Narrator: INSTEAD OF 937 00:25:54,570 --> 00:25:56,340 >> OH, NO, NO. >> Narrator: INSTEAD OF IMMEDIATELY TAKING A PIECE OF 938 00:25:56,340 --> 00:25:58,100 >> Narrator: INSTEAD OF IMMEDIATELY TAKING A PIECE OF KARI, EEWAN HESITATED, BUT IN 939 00:25:58,110 --> 00:25:59,840 IMMEDIATELY TAKING A PIECE OF KARI, EEWAN HESITATED, BUT IN THE END, HE WASN'T FOOLED BY 940 00:25:59,840 --> 00:26:01,710 KARI, EEWAN HESITATED, BUT IN THE END, HE WASN'T FOOLED BY KARI IN THE WOLF'S URINE-SOAKED 941 00:26:01,710 --> 00:26:02,440 THE END, HE WASN'T FOOLED BY KARI IN THE WOLF'S URINE-SOAKED CLOTHING. 942 00:26:02,440 --> 00:26:04,180 KARI IN THE WOLF'S URINE-SOAKED CLOTHING. >> IF YOU WOULD TAKE A BATH IN 943 00:26:04,180 --> 00:26:05,740 CLOTHING. >> IF YOU WOULD TAKE A BATH IN WOLF PEE, YOU MIGHT SURVIVE 944 00:26:05,750 --> 00:26:07,480 >> IF YOU WOULD TAKE A BATH IN WOLF PEE, YOU MIGHT SURVIVE BEING ATTACKED BY A GUARD DOG. 945 00:26:07,480 --> 00:26:09,180 WOLF PEE, YOU MIGHT SURVIVE BEING ATTACKED BY A GUARD DOG. >> BUT I WOULD DEFINITELY SAY 946 00:26:09,180 --> 00:26:10,750 BEING ATTACKED BY A GUARD DOG. >> BUT I WOULD DEFINITELY SAY PLAUSIBLE BECAUSE THERE WAS 947 00:26:10,750 --> 00:26:12,250 >> BUT I WOULD DEFINITELY SAY PLAUSIBLE BECAUSE THERE WAS SERIOUS HESITATION THERE. 948 00:26:12,250 --> 00:26:14,120 PLAUSIBLE BECAUSE THERE WAS SERIOUS HESITATION THERE. >> Narrator: NEXT, AND THE GUYS 949 00:26:14,120 --> 00:26:15,920 SERIOUS HESITATION THERE. >> Narrator: NEXT, AND THE GUYS ARE GOING TO TRY AND DISTRACT 950 00:26:15,920 --> 00:26:17,790 >> Narrator: NEXT, AND THE GUYS ARE GOING TO TRY AND DISTRACT EEWAN WITH EAU DE HOT LADY DOG. 951 00:26:17,790 --> 00:26:19,430 ARE GOING TO TRY AND DISTRACT EEWAN WITH EAU DE HOT LADY DOG. >> THIS IS "FRESH FROM THE 952 00:26:19,430 --> 00:26:21,430 EEWAN WITH EAU DE HOT LADY DOG. >> THIS IS "FRESH FROM THE KENNEL" "BITCH IN HEAT" URINE. 953 00:26:21,430 --> 00:26:23,060 >> THIS IS "FRESH FROM THE KENNEL" "BITCH IN HEAT" URINE. >> Narrator: MMM. TASTY. 954 00:26:23,070 --> 00:26:24,510 KENNEL" "BITCH IN HEAT" URINE. >> Narrator: MMM. TASTY. BUT WHAT'S THE PLAN? 955 00:26:24,500 --> 00:26:26,600 >> Narrator: MMM. TASTY. BUT WHAT'S THE PLAN? >> THE THEORY IS THAT THAT SCENT 956 00:26:26,600 --> 00:26:27,830 BUT WHAT'S THE PLAN? >> THE THEORY IS THAT THAT SCENT WILL ATTRACT HIM. 957 00:26:27,840 --> 00:26:29,600 >> THE THEORY IS THAT THAT SCENT WILL ATTRACT HIM. HE'LL THINK THAT THERE'S A 958 00:26:29,610 --> 00:26:31,550 WILL ATTRACT HIM. HE'LL THINK THAT THERE'S A FEMALE DOG PRESENT, AND HE'LL 959 00:26:31,540 --> 00:26:34,510 HE'LL THINK THAT THERE'S A FEMALE DOG PRESENT, AND HE'LL WANT TO GO...GET NASTY. 960 00:26:34,510 --> 00:26:36,210 FEMALE DOG PRESENT, AND HE'LL WANT TO GO...GET NASTY. AND THEN I WILL SNEAK BY HIM 961 00:26:36,210 --> 00:26:37,840 WANT TO GO...GET NASTY. AND THEN I WILL SNEAK BY HIM WHILE HE'S LOOKING FOR THAT 962 00:26:37,850 --> 00:26:38,440 AND THEN I WILL SNEAK BY HIM WHILE HE'S LOOKING FOR THAT FEMALE. 963 00:26:38,450 --> 00:26:39,850 WHILE HE'S LOOKING FOR THAT FEMALE. >> Narrator: KARI WAFTS THE 964 00:26:39,850 --> 00:26:41,350 FEMALE. >> Narrator: KARI WAFTS THE TEMPTING ODOR UNDER THE GUARD 965 00:26:41,350 --> 00:26:42,250 >> Narrator: KARI WAFTS THE TEMPTING ODOR UNDER THE GUARD DOG'S NOSE. 966 00:26:42,250 --> 00:26:43,180 TEMPTING ODOR UNDER THE GUARD DOG'S NOSE. >> OH, YEAH. 967 00:26:43,190 --> 00:26:45,230 DOG'S NOSE. >> OH, YEAH. >> Narrator: AND SUDDENLY EEWAN 968 00:26:45,220 --> 00:26:47,050 >> OH, YEAH. >> Narrator: AND SUDDENLY EEWAN HAS HIS MIND ON ANOTHER JOB. 969 00:26:47,060 --> 00:26:48,460 >> Narrator: AND SUDDENLY EEWAN HAS HIS MIND ON ANOTHER JOB. >> COME ON, BIG BOY. 970 00:26:48,460 --> 00:26:50,220 HAS HIS MIND ON ANOTHER JOB. >> COME ON, BIG BOY. COME OVER HERE. YOU SMELL THAT? 971 00:26:50,230 --> 00:26:51,830 >> COME ON, BIG BOY. COME OVER HERE. YOU SMELL THAT? >> Narrator: HE'S DEFINITELY 972 00:26:51,830 --> 00:26:53,790 COME OVER HERE. YOU SMELL THAT? >> Narrator: HE'S DEFINITELY INTERESTED, AND KARI UPS THE 973 00:26:53,800 --> 00:26:55,870 >> Narrator: HE'S DEFINITELY INTERESTED, AND KARI UPS THE STAKES WITH A URINE-SOAKED RAG 974 00:26:55,860 --> 00:26:57,760 INTERESTED, AND KARI UPS THE STAKES WITH A URINE-SOAKED RAG AND A LITTLE TRAIL OF SCENT 975 00:26:57,770 --> 00:26:59,300 STAKES WITH A URINE-SOAKED RAG AND A LITTLE TRAIL OF SCENT ALONG THE FENCE LINE. 976 00:26:59,300 --> 00:27:01,200 AND A LITTLE TRAIL OF SCENT ALONG THE FENCE LINE. TORY TIPPY-TOES INSIDE, AND 977 00:27:01,200 --> 00:27:03,370 ALONG THE FENCE LINE. TORY TIPPY-TOES INSIDE, AND INCREDIBLY, THE PLAN APPEARS TO 978 00:27:03,370 --> 00:27:05,470 TORY TIPPY-TOES INSIDE, AND INCREDIBLY, THE PLAN APPEARS TO BE WORKING. 979 00:27:05,470 --> 00:27:07,270 INCREDIBLY, THE PLAN APPEARS TO BE WORKING. EEWAN, OBLIVIOUS TO THE 980 00:27:07,280 --> 00:27:09,690 BE WORKING. EEWAN, OBLIVIOUS TO THE INTRUDER, IS SIMPLY THINKING HOT 981 00:27:09,680 --> 00:27:10,880 EEWAN, OBLIVIOUS TO THE INTRUDER, IS SIMPLY THINKING HOT LADY DOG THOUGHTS. 982 00:27:10,880 --> 00:27:12,780 INTRUDER, IS SIMPLY THINKING HOT LADY DOG THOUGHTS. >> LOOK AT THE DROOL COMING OFF 983 00:27:12,780 --> 00:27:13,680 LADY DOG THOUGHTS. >> LOOK AT THE DROOL COMING OFF OF THAT DOG. 984 00:27:13,680 --> 00:27:16,020 >> LOOK AT THE DROOL COMING OFF OF THAT DOG. THOSE CHOPS ARE SOAKED. 985 00:27:16,020 --> 00:27:17,580 OF THAT DOG. THOSE CHOPS ARE SOAKED. >> I CAN'T BELIEVE IT. 986 00:27:17,590 --> 00:27:19,620 THOSE CHOPS ARE SOAKED. >> I CAN'T BELIEVE IT. WE JUST DID BITCH IN HEAT, AND 987 00:27:19,620 --> 00:27:20,490 >> I CAN'T BELIEVE IT. WE JUST DID BITCH IN HEAT, AND IT WORKED. 988 00:27:20,490 --> 00:27:22,550 WE JUST DID BITCH IN HEAT, AND IT WORKED. THE DOG WAS TOTALLY DISTRACTED. 989 00:27:22,560 --> 00:27:24,420 IT WORKED. THE DOG WAS TOTALLY DISTRACTED. HE HAD HIS FACE DOWN IN THE 990 00:27:24,430 --> 00:27:25,490 THE DOG WAS TOTALLY DISTRACTED. HE HAD HIS FACE DOWN IN THE URINE THE WHOLE TIME. 991 00:27:25,490 --> 00:27:26,960 HE HAD HIS FACE DOWN IN THE URINE THE WHOLE TIME. EVERY ONCE IN A WHILE, HE WOULD 992 00:27:26,960 --> 00:27:28,460 URINE THE WHOLE TIME. EVERY ONCE IN A WHILE, HE WOULD LOOK UP, CHECK ME OUT, SEE WHAT 993 00:27:28,460 --> 00:27:29,900 EVERY ONCE IN A WHILE, HE WOULD LOOK UP, CHECK ME OUT, SEE WHAT I WAS DOING, BUT THEN HE WOULD 994 00:27:29,900 --> 00:27:30,960 LOOK UP, CHECK ME OUT, SEE WHAT I WAS DOING, BUT THEN HE WOULD GO BACK TO THE URINE. 995 00:27:30,970 --> 00:27:32,460 I WAS DOING, BUT THEN HE WOULD GO BACK TO THE URINE. I JUST SLOWLY WALKED OVER TO THE 996 00:27:32,470 --> 00:27:34,670 GO BACK TO THE URINE. I JUST SLOWLY WALKED OVER TO THE SAFE, GOT THE JEWELS, AND SLOWLY 997 00:27:34,670 --> 00:27:35,600 I JUST SLOWLY WALKED OVER TO THE SAFE, GOT THE JEWELS, AND SLOWLY WALKED OUT. 998 00:27:35,600 --> 00:27:37,200 SAFE, GOT THE JEWELS, AND SLOWLY WALKED OUT. I MEAN, HE DIDN'T EVEN ACT LIKE 999 00:27:37,210 --> 00:27:38,780 WALKED OUT. I MEAN, HE DIDN'T EVEN ACT LIKE HE WAS GONNA TRY TO ATTACK ME. 1000 00:27:38,770 --> 00:27:42,940 I MEAN, HE DIDN'T EVEN ACT LIKE HE WAS GONNA TRY TO ATTACK ME. IT WAS PRETTY IMPRESSIVE. 1001 00:27:42,940 --> 00:27:44,880 HE WAS GONNA TRY TO ATTACK ME. IT WAS PRETTY IMPRESSIVE. >> YEAH! 1002 00:27:44,880 --> 00:27:45,740 IT WAS PRETTY IMPRESSIVE. >> YEAH! >> YEAH! 1003 00:27:45,750 --> 00:27:46,980 >> YEAH! >> YEAH! >> IT WORKED! 1004 00:27:46,980 --> 00:27:48,450 >> YEAH! >> IT WORKED! >> BITCH IN HEAT. 1005 00:27:48,450 --> 00:27:49,720 >> IT WORKED! >> BITCH IN HEAT. GIVE IT UP. 1006 00:27:49,720 --> 00:27:50,720 >> BITCH IN HEAT. GIVE IT UP. >> NICE. 1007 00:27:50,720 --> 00:27:53,450 GIVE IT UP. >> NICE. >> Narrator: WHILE TORY SHAKES 1008 00:27:53,460 --> 00:27:55,760 >> NICE. >> Narrator: WHILE TORY SHAKES HIS BOOTY AFTER SECURING THE... 1009 00:27:55,760 --> 00:27:57,860 >> Narrator: WHILE TORY SHAKES HIS BOOTY AFTER SECURING THE... BOOTY, THE FINAL RESULTS FOR 1010 00:27:57,860 --> 00:28:00,290 HIS BOOTY AFTER SECURING THE... BOOTY, THE FINAL RESULTS FOR BEATING THE GUARD DOG ARE IN. 1011 00:28:00,300 --> 00:28:02,910 BOOTY, THE FINAL RESULTS FOR BEATING THE GUARD DOG ARE IN. BUT THIS SHAGGY DOG STORY AIN'T 1012 00:28:02,900 --> 00:28:07,030 BEATING THE GUARD DOG ARE IN. BUT THIS SHAGGY DOG STORY AIN'T OVER YET. 1013 00:28:07,170 --> 00:28:09,270 MANY MYTHBUSTERS MOONS AGO, IN 1014 00:28:09,270 --> 00:28:11,370 THE STORY OF THE SALSA ESCAPE, 1015 00:28:11,370 --> 00:28:13,610 ADAM PROVED THAT HE'S A DAB HAND 1016 00:28:13,610 --> 00:28:15,340 AT LITERALLY BREAKING OUT OF 1017 00:28:15,340 --> 00:28:16,440 PRISON. 1018 00:28:16,580 --> 00:28:21,210 >> AND I ESCAPED! >> Narrator: BUT NOW THE TEAM IS TESTING THE MYTH THAT, ON THE 1019 00:28:21,220 --> 00:28:22,350 >> Narrator: BUT NOW THE TEAM IS TESTING THE MYTH THAT, ON THE RESULTING MANHUNT... 1020 00:28:22,350 --> 00:28:23,950 TESTING THE MYTH THAT, ON THE RESULTING MANHUNT... >> YEAH, ZIGZAGGING DIDN'T WORK 1021 00:28:23,950 --> 00:28:24,480 RESULTING MANHUNT... >> YEAH, ZIGZAGGING DIDN'T WORK AT ALL. 1022 00:28:24,490 --> 00:28:26,090 >> YEAH, ZIGZAGGING DIDN'T WORK AT ALL. >> Narrator: ...THE BLOODHOUNDS 1023 00:28:26,090 --> 00:28:27,390 AT ALL. >> Narrator: ...THE BLOODHOUNDS CAN BE FOILED WITH A FEW 1024 00:28:27,390 --> 00:28:32,260 >> Narrator: ...THE BLOODHOUNDS CAN BE FOILED WITH A FEW FIENDISH TRICKS. 1025 00:28:32,260 --> 00:28:33,690 CAN BE FOILED WITH A FEW FIENDISH TRICKS. >> SO, GENTLEMEN, THIS IS LIKE A 1026 00:28:33,700 --> 00:28:34,770 FIENDISH TRICKS. >> SO, GENTLEMEN, THIS IS LIKE A GAME OF HIDE-AND-SEEK. 1027 00:28:34,760 --> 00:28:35,690 >> SO, GENTLEMEN, THIS IS LIKE A GAME OF HIDE-AND-SEEK. JUST FACE THE TREE. 1028 00:28:35,700 --> 00:28:37,130 GAME OF HIDE-AND-SEEK. JUST FACE THE TREE. JAMIE, LET ME KNOW EVERY MINUTE, 1029 00:28:37,130 --> 00:28:38,500 JUST FACE THE TREE. JAMIE, LET ME KNOW EVERY MINUTE, YOU KNOW, THAT I'M GONE, UP TO 1030 00:28:38,500 --> 00:28:39,470 JAMIE, LET ME KNOW EVERY MINUTE, YOU KNOW, THAT I'M GONE, UP TO FIVE MINUTES, OKAY? 1031 00:28:39,470 --> 00:28:39,970 YOU KNOW, THAT I'M GONE, UP TO FIVE MINUTES, OKAY? >> OKAY. 1032 00:28:39,970 --> 00:28:41,330 FIVE MINUTES, OKAY? >> OKAY. >> AND TRY AND NOT LET THE DOG 1033 00:28:41,340 --> 00:28:42,300 >> OKAY. >> AND TRY AND NOT LET THE DOG SEE WHERE I'M GOING. 1034 00:28:42,300 --> 00:28:43,340 >> AND TRY AND NOT LET THE DOG SEE WHERE I'M GOING. >> OKAY. 1035 00:28:43,340 --> 00:28:44,670 SEE WHERE I'M GOING. >> OKAY. LOOK AT THE TREE. 1036 00:28:44,670 --> 00:28:46,540 >> OKAY. LOOK AT THE TREE. >> Narrator: AND HE'S OFF. 1037 00:28:46,540 --> 00:28:48,640 LOOK AT THE TREE. >> Narrator: AND HE'S OFF. WITH A FIVE-MINUTE HEAD START, 1038 00:28:48,640 --> 00:28:50,440 >> Narrator: AND HE'S OFF. WITH A FIVE-MINUTE HEAD START, ADAM ATTEMPTS TO LOSE HIS 1039 00:28:50,450 --> 00:28:52,420 WITH A FIVE-MINUTE HEAD START, ADAM ATTEMPTS TO LOSE HIS PURSUERS WITH MULTIPLE RIVER 1040 00:28:52,410 --> 00:28:53,310 ADAM ATTEMPTS TO LOSE HIS PURSUERS WITH MULTIPLE RIVER CROSSINGS. 1041 00:28:53,320 --> 00:28:55,290 PURSUERS WITH MULTIPLE RIVER CROSSINGS. AND JUST LIKE THE MOVIES, HE 1042 00:28:55,280 --> 00:28:57,450 CROSSINGS. AND JUST LIKE THE MOVIES, HE MAKES HIS WAY UP ONE STREAM FOR 1043 00:28:57,450 --> 00:28:59,650 AND JUST LIKE THE MOVIES, HE MAKES HIS WAY UP ONE STREAM FOR AT LEAST 100 FEET BEFORE GETTING 1044 00:28:59,650 --> 00:29:02,090 MAKES HIS WAY UP ONE STREAM FOR AT LEAST 100 FEET BEFORE GETTING BACK TO DRY LAND. 1045 00:29:02,090 --> 00:29:04,690 AT LEAST 100 FEET BEFORE GETTING BACK TO DRY LAND. BUT DID HIS TACTIC WASH AWAY THE 1046 00:29:04,690 --> 00:29:05,490 BACK TO DRY LAND. BUT DID HIS TACTIC WASH AWAY THE TRAIL? 1047 00:29:05,490 --> 00:29:07,890 BUT DID HIS TACTIC WASH AWAY THE TRAIL? AT THE FIRST WATERY OBSTACLE, 1048 00:29:07,900 --> 00:29:09,730 TRAIL? AT THE FIRST WATERY OBSTACLE, THE EVIDENCE IS NO... 1049 00:29:09,730 --> 00:29:11,000 AT THE FIRST WATERY OBSTACLE, THE EVIDENCE IS NO... >> OH, GREAT. 1050 00:29:11,000 --> 00:29:12,770 THE EVIDENCE IS NO... >> OH, GREAT. >> Narrator: ...BECAUSE MORGAN 1051 00:29:12,770 --> 00:29:14,000 >> OH, GREAT. >> Narrator: ...BECAUSE MORGAN DOESN'T EVEN PAUSE. 1052 00:29:14,000 --> 00:29:15,830 >> Narrator: ...BECAUSE MORGAN DOESN'T EVEN PAUSE. HE'S FOLLOWING AND FINDING ADAM 1053 00:29:15,840 --> 00:29:18,670 DOESN'T EVEN PAUSE. HE'S FOLLOWING AND FINDING ADAM LIKE HE HAS A HOMING DEVICE. 1054 00:29:18,670 --> 00:29:20,770 HE'S FOLLOWING AND FINDING ADAM LIKE HE HAS A HOMING DEVICE. >> THAT'S A GOOD BOY! 1055 00:29:20,780 --> 00:29:24,080 LIKE HE HAS A HOMING DEVICE. >> THAT'S A GOOD BOY! THAT'S A GOOD BOY! 1056 00:29:24,080 --> 00:29:25,580 >> THAT'S A GOOD BOY! THAT'S A GOOD BOY! >> NO WAY! 1057 00:29:25,580 --> 00:29:27,850 THAT'S A GOOD BOY! >> NO WAY! THAT'S IMPOSSIBLE! 1058 00:29:27,850 --> 00:29:29,950 >> NO WAY! THAT'S IMPOSSIBLE! >> WHAT A GOOD BOY YOU ARE. 1059 00:29:29,950 --> 00:29:33,520 THAT'S IMPOSSIBLE! >> WHAT A GOOD BOY YOU ARE. >> DUDE, THAT TOOK HIM LESS TIME 1060 00:29:33,520 --> 00:29:34,990 >> WHAT A GOOD BOY YOU ARE. >> DUDE, THAT TOOK HIM LESS TIME THAN THE FIRST TWO TESTS. 1061 00:29:34,990 --> 00:29:36,590 >> DUDE, THAT TOOK HIM LESS TIME THAN THE FIRST TWO TESTS. >> YOU'RE JUST A STINKY GUY. 1062 00:29:36,590 --> 00:29:37,560 THAN THE FIRST TWO TESTS. >> YOU'RE JUST A STINKY GUY. WHAT CAN I SAY? 1063 00:29:37,560 --> 00:29:38,420 >> YOU'RE JUST A STINKY GUY. WHAT CAN I SAY? >> [ LAUGHS ] 1064 00:29:38,430 --> 00:29:39,060 WHAT CAN I SAY? >> [ LAUGHS ] >> [ LAUGHS ] 1065 00:29:39,060 --> 00:29:40,260 >> [ LAUGHS ] >> [ LAUGHS ] >> I GUESS ALL THE SWEAT FROM 1066 00:29:40,260 --> 00:29:41,360 >> [ LAUGHS ] >> I GUESS ALL THE SWEAT FROM RUNNING EQUALS, YOU KNOW, A 1067 00:29:41,360 --> 00:29:42,490 >> I GUESS ALL THE SWEAT FROM RUNNING EQUALS, YOU KNOW, A BUNCH OF FEAR PHEROMONES OR 1068 00:29:42,500 --> 00:29:43,030 RUNNING EQUALS, YOU KNOW, A BUNCH OF FEAR PHEROMONES OR SOMETHING. 1069 00:29:43,030 --> 00:29:44,260 BUNCH OF FEAR PHEROMONES OR SOMETHING. MAN, THAT'S INCREDIBLE. 1070 00:29:44,270 --> 00:29:45,100 SOMETHING. MAN, THAT'S INCREDIBLE. >> [ LAUGHS ] 1071 00:29:45,100 --> 00:29:46,700 MAN, THAT'S INCREDIBLE. >> [ LAUGHS ] >> IT'S A DOG-EAT-CONVICT WORLD 1072 00:29:46,700 --> 00:29:47,370 >> [ LAUGHS ] >> IT'S A DOG-EAT-CONVICT WORLD OUT THERE. 1073 00:29:47,370 --> 00:29:48,170 >> IT'S A DOG-EAT-CONVICT WORLD OUT THERE. >> [ LAUGHS ] 1074 00:29:48,170 --> 00:29:50,100 OUT THERE. >> [ LAUGHS ] AT THIS POINT, THE WATER DOESN'T 1075 00:29:50,110 --> 00:29:52,010 >> [ LAUGHS ] AT THIS POINT, THE WATER DOESN'T LOOK LIKE A TERRIBLY GOOD THING 1076 00:29:52,010 --> 00:29:53,740 AT THIS POINT, THE WATER DOESN'T LOOK LIKE A TERRIBLY GOOD THING TO TRY AND USE BECAUSE, FROM 1077 00:29:53,740 --> 00:29:55,710 LOOK LIKE A TERRIBLY GOOD THING TO TRY AND USE BECAUSE, FROM WHAT WE'VE LEARNED ABOUT TALKING 1078 00:29:55,710 --> 00:29:57,640 TO TRY AND USE BECAUSE, FROM WHAT WE'VE LEARNED ABOUT TALKING WITH THESE GUYS AND WHAT WE JUST 1079 00:29:57,650 --> 00:29:59,440 WHAT WE'VE LEARNED ABOUT TALKING WITH THESE GUYS AND WHAT WE JUST SAW, WATER ACTUALLY LIKES THE 1080 00:29:59,450 --> 00:30:00,010 WITH THESE GUYS AND WHAT WE JUST SAW, WATER ACTUALLY LIKES THE SCENT. 1081 00:30:00,020 --> 00:30:03,260 SAW, WATER ACTUALLY LIKES THE SCENT. THE SCENT IS, YOU KNOW, KIND OF 1082 00:30:03,250 --> 00:30:04,720 SCENT. THE SCENT IS, YOU KNOW, KIND OF HYDROPHILIC, APPARENTLY. 1083 00:30:04,720 --> 00:30:06,290 THE SCENT IS, YOU KNOW, KIND OF HYDROPHILIC, APPARENTLY. IT LIKES TO COLLECT IN LOW 1084 00:30:06,290 --> 00:30:08,120 HYDROPHILIC, APPARENTLY. IT LIKES TO COLLECT IN LOW AREAS, LIKE WHERE THE WATER IS. 1085 00:30:08,120 --> 00:30:09,860 IT LIKES TO COLLECT IN LOW AREAS, LIKE WHERE THE WATER IS. WATER'S NO GUARANTEE THAT THE 1086 00:30:09,860 --> 00:30:11,220 AREAS, LIKE WHERE THE WATER IS. WATER'S NO GUARANTEE THAT THE SCENT'S GONNA GO AWAY. 1087 00:30:11,230 --> 00:30:13,060 WATER'S NO GUARANTEE THAT THE SCENT'S GONNA GO AWAY. >> Narrator: INCREDIBLY, THAT'S 1088 00:30:13,060 --> 00:30:13,560 SCENT'S GONNA GO AWAY. >> Narrator: INCREDIBLY, THAT'S TRUE. 1089 00:30:13,560 --> 00:30:15,090 >> Narrator: INCREDIBLY, THAT'S TRUE. AS LONG AS THE WATER IS 1090 00:30:15,100 --> 00:30:17,130 TRUE. AS LONG AS THE WATER IS SLOW-MOVING OR STILL, IT HAS THE 1091 00:30:17,130 --> 00:30:19,000 AS LONG AS THE WATER IS SLOW-MOVING OR STILL, IT HAS THE POTENTIAL TO RETAIN THE TRAIL 1092 00:30:19,000 --> 00:30:20,400 SLOW-MOVING OR STILL, IT HAS THE POTENTIAL TO RETAIN THE TRAIL BETTER THAN DRY LAND. 1093 00:30:20,400 --> 00:30:22,430 POTENTIAL TO RETAIN THE TRAIL BETTER THAN DRY LAND. SO THE MYTH THAT WATER WILL FOIL 1094 00:30:22,440 --> 00:30:24,600 BETTER THAN DRY LAND. SO THE MYTH THAT WATER WILL FOIL A BLOODHOUND DOESN'T -- WELL, 1095 00:30:24,610 --> 00:30:26,370 SO THE MYTH THAT WATER WILL FOIL A BLOODHOUND DOESN'T -- WELL, DOESN'T HOLD ANY WATER. 1096 00:30:26,370 --> 00:30:27,970 A BLOODHOUND DOESN'T -- WELL, DOESN'T HOLD ANY WATER. QUITE SIMPLY, MORGAN IS JUST 1097 00:30:27,980 --> 00:30:29,740 DOESN'T HOLD ANY WATER. QUITE SIMPLY, MORGAN IS JUST TOO NOSEY. 1098 00:30:29,740 --> 00:30:31,240 QUITE SIMPLY, MORGAN IS JUST TOO NOSEY. >> LET'S PAUSE FOR A MINUTE AND 1099 00:30:31,250 --> 00:30:32,710 TOO NOSEY. >> LET'S PAUSE FOR A MINUTE AND CONSIDER THE AMAZING OLFACTORY 1100 00:30:32,710 --> 00:30:34,250 >> LET'S PAUSE FOR A MINUTE AND CONSIDER THE AMAZING OLFACTORY CAPABILITIES OF THE BLOODHOUND. 1101 00:30:34,250 --> 00:30:35,480 CONSIDER THE AMAZING OLFACTORY CAPABILITIES OF THE BLOODHOUND. FOR COMPARISON, A HUMAN'S 1102 00:30:35,480 --> 00:30:36,920 CAPABILITIES OF THE BLOODHOUND. FOR COMPARISON, A HUMAN'S OLFACTORY CENTER IS ABOUT THE 1103 00:30:36,920 --> 00:30:39,020 FOR COMPARISON, A HUMAN'S OLFACTORY CENTER IS ABOUT THE SIZE OF A POSTAGE STAMP. 1104 00:30:39,020 --> 00:30:41,120 OLFACTORY CENTER IS ABOUT THE SIZE OF A POSTAGE STAMP. WHEREAS A BLOODHOUND'S IS ABOUT 1105 00:30:41,120 --> 00:30:42,990 SIZE OF A POSTAGE STAMP. WHEREAS A BLOODHOUND'S IS ABOUT THE SIZE OF A HANDKERCHIEF. 1106 00:30:42,990 --> 00:30:44,260 WHEREAS A BLOODHOUND'S IS ABOUT THE SIZE OF A HANDKERCHIEF. THIS DIFFERENCE GIVES A 1107 00:30:44,260 --> 00:30:45,820 THE SIZE OF A HANDKERCHIEF. THIS DIFFERENCE GIVES A BLOODHOUND ALMOST 1,000 TIMES 1108 00:30:45,830 --> 00:30:47,390 THIS DIFFERENCE GIVES A BLOODHOUND ALMOST 1,000 TIMES THE SMELLING CAPABILITIES OF A 1109 00:30:47,400 --> 00:30:47,900 BLOODHOUND ALMOST 1,000 TIMES THE SMELLING CAPABILITIES OF A HUMAN. 1110 00:30:47,900 --> 00:30:48,860 THE SMELLING CAPABILITIES OF A HUMAN. >> THAT'S A LOT. 1111 00:30:48,860 --> 00:30:54,570 HUMAN. >> THAT'S A LOT. >> YEAH. 1112 00:30:54,570 --> 00:30:56,340 >> THAT'S A LOT. >> YEAH. >> Narrator: ADAM IS ONCE AGAIN 1113 00:30:56,340 --> 00:30:57,140 >> YEAH. >> Narrator: ADAM IS ONCE AGAIN ON THE RUN. 1114 00:30:57,140 --> 00:30:58,970 >> Narrator: ADAM IS ONCE AGAIN ON THE RUN. MAYBE HE ESCAPED BEFORE HE HAD A 1115 00:30:58,970 --> 00:31:01,440 ON THE RUN. MAYBE HE ESCAPED BEFORE HE HAD A CHANCE TO USE THE PRISON GYM. 1116 00:31:01,440 --> 00:31:03,580 MAYBE HE ESCAPED BEFORE HE HAD A CHANCE TO USE THE PRISON GYM. >> [ BREATHING HEAVILY ] 1117 00:31:03,580 --> 00:31:05,280 CHANCE TO USE THE PRISON GYM. >> [ BREATHING HEAVILY ] >> Narrator: COULD THIS BE THE 1118 00:31:05,280 --> 00:31:06,910 >> [ BREATHING HEAVILY ] >> Narrator: COULD THIS BE THE METHOD THAT MESSES UP MORGAN? 1119 00:31:06,920 --> 00:31:08,160 >> Narrator: COULD THIS BE THE METHOD THAT MESSES UP MORGAN? >> THIS TIME I USED 1120 00:31:08,150 --> 00:31:09,720 METHOD THAT MESSES UP MORGAN? >> THIS TIME I USED "MYTHBUSTERS" BRAND GROUND 1121 00:31:09,720 --> 00:31:10,350 >> THIS TIME I USED "MYTHBUSTERS" BRAND GROUND PEPPER. 1122 00:31:10,350 --> 00:31:12,180 "MYTHBUSTERS" BRAND GROUND PEPPER. I HAD A CONFIDANT OF MINE STASH 1123 00:31:12,190 --> 00:31:14,050 PEPPER. I HAD A CONFIDANT OF MINE STASH IT IN THIS BARN WHERE I KNEW IT 1124 00:31:14,060 --> 00:31:15,930 I HAD A CONFIDANT OF MINE STASH IT IN THIS BARN WHERE I KNEW IT WOULD BE, AND I SPRINKLED IT ALL 1125 00:31:15,920 --> 00:31:17,590 IT IN THIS BARN WHERE I KNEW IT WOULD BE, AND I SPRINKLED IT ALL OVER THE FLOOR OF THE WHOLE 1126 00:31:17,590 --> 00:31:19,160 WOULD BE, AND I SPRINKLED IT ALL OVER THE FLOOR OF THE WHOLE BARN, AND I JUMPED OUT THE 1127 00:31:19,160 --> 00:31:19,790 OVER THE FLOOR OF THE WHOLE BARN, AND I JUMPED OUT THE WINDOW. 1128 00:31:19,790 --> 00:31:21,630 BARN, AND I JUMPED OUT THE WINDOW. AND THE THEORY -- THIS IS RIGHT 1129 00:31:21,630 --> 00:31:23,430 WINDOW. AND THE THEORY -- THIS IS RIGHT FROM THE MOVIES -- IS THAT THE 1130 00:31:23,430 --> 00:31:24,600 AND THE THEORY -- THIS IS RIGHT FROM THE MOVIES -- IS THAT THE DOG SMELLS PEPPER. 1131 00:31:24,600 --> 00:31:26,160 FROM THE MOVIES -- IS THAT THE DOG SMELLS PEPPER. [ IMITATES SNEEZING ] 1132 00:31:26,170 --> 00:31:29,030 DOG SMELLS PEPPER. [ IMITATES SNEEZING ] CAN'T SMELL HUMAN SMELL ANYMORE. 1133 00:31:29,040 --> 00:31:30,700 [ IMITATES SNEEZING ] CAN'T SMELL HUMAN SMELL ANYMORE. [ DOG BARKING ] 1134 00:31:30,710 --> 00:31:33,020 CAN'T SMELL HUMAN SMELL ANYMORE. [ DOG BARKING ] >> Narrator: WITH HIS TRAIL TRAP 1135 00:31:33,010 --> 00:31:35,010 [ DOG BARKING ] >> Narrator: WITH HIS TRAIL TRAP OF NASAL DISASTER SET, ADAM 1136 00:31:35,010 --> 00:31:38,040 >> Narrator: WITH HIS TRAIL TRAP OF NASAL DISASTER SET, ADAM HUNKERS DOWN IN HIS HIDEY-HOLE, 1137 00:31:38,050 --> 00:31:40,180 OF NASAL DISASTER SET, ADAM HUNKERS DOWN IN HIS HIDEY-HOLE, AND MORGAN AND HIS TEAM OF HUMAN 1138 00:31:40,180 --> 00:31:41,750 HUNKERS DOWN IN HIS HIDEY-HOLE, AND MORGAN AND HIS TEAM OF HUMAN HANDLERS, IGNORING THE 1139 00:31:41,750 --> 00:31:43,880 AND MORGAN AND HIS TEAM OF HUMAN HANDLERS, IGNORING THE SPECTACULAR SCENERY, SOON ARRIVE 1140 00:31:43,890 --> 00:31:44,860 HANDLERS, IGNORING THE SPECTACULAR SCENERY, SOON ARRIVE AT THE BARN. 1141 00:31:44,850 --> 00:31:47,750 SPECTACULAR SCENERY, SOON ARRIVE AT THE BARN. >> WHERE DID HE GO? 1142 00:31:47,760 --> 00:31:48,690 AT THE BARN. >> WHERE DID HE GO? WHERE DID HE GO? 1143 00:31:48,690 --> 00:31:49,990 >> WHERE DID HE GO? WHERE DID HE GO? >> COULDN'T BE IN THERE. 1144 00:31:49,990 --> 00:31:51,190 WHERE DID HE GO? >> COULDN'T BE IN THERE. >> LET'S GO. COME ON. 1145 00:31:51,190 --> 00:31:52,120 >> COULDN'T BE IN THERE. >> LET'S GO. COME ON. WHERE DID HE GO? 1146 00:31:52,130 --> 00:31:53,730 >> LET'S GO. COME ON. WHERE DID HE GO? >> Narrator: BUT AFTER A COUPLE 1147 00:31:53,730 --> 00:31:55,230 WHERE DID HE GO? >> Narrator: BUT AFTER A COUPLE OF CIRCUITS AND NO SNEEZING, 1148 00:31:55,230 --> 00:31:57,030 >> Narrator: BUT AFTER A COUPLE OF CIRCUITS AND NO SNEEZING, MORGAN FINDS THE TRAIL LEADING 1149 00:31:57,030 --> 00:31:58,900 OF CIRCUITS AND NO SNEEZING, MORGAN FINDS THE TRAIL LEADING AWAY FROM THE SHED AND RIGHT TO 1150 00:31:58,900 --> 00:32:01,100 MORGAN FINDS THE TRAIL LEADING AWAY FROM THE SHED AND RIGHT TO A VERY BUSTED ADAM. 1151 00:32:01,100 --> 00:32:04,270 AWAY FROM THE SHED AND RIGHT TO A VERY BUSTED ADAM. >> [ Laughing ] WHOA! 1152 00:32:04,270 --> 00:32:06,000 A VERY BUSTED ADAM. >> [ Laughing ] WHOA! YOU FOUND ME. 1153 00:32:06,010 --> 00:32:07,440 >> [ Laughing ] WHOA! YOU FOUND ME. [ LAUGHS ] 1154 00:32:07,440 --> 00:32:09,340 YOU FOUND ME. [ LAUGHS ] >> Narrator: DESPITE THE PEPPERY 1155 00:32:09,340 --> 00:32:11,210 [ LAUGHS ] >> Narrator: DESPITE THE PEPPERY PROBLEM, MORGAN ONCE AGAIN GETS 1156 00:32:11,210 --> 00:32:11,780 >> Narrator: DESPITE THE PEPPERY PROBLEM, MORGAN ONCE AGAIN GETS HIS MAN. 1157 00:32:11,780 --> 00:32:13,280 PROBLEM, MORGAN ONCE AGAIN GETS HIS MAN. >> WELL, I THINK WE'VE PROVED 1158 00:32:13,280 --> 00:32:14,410 HIS MAN. >> WELL, I THINK WE'VE PROVED THAT IT DOESN'T WORK. 1159 00:32:14,420 --> 00:32:15,750 >> WELL, I THINK WE'VE PROVED THAT IT DOESN'T WORK. >> IT DIDN'T HURT MORGAN. 1160 00:32:15,750 --> 00:32:16,620 THAT IT DOESN'T WORK. >> IT DIDN'T HURT MORGAN. SO WHAT'S NEXT? 1161 00:32:16,620 --> 00:32:17,980 >> IT DIDN'T HURT MORGAN. SO WHAT'S NEXT? >> I GOT ANOTHER ONE UP MY 1162 00:32:17,990 --> 00:32:19,550 SO WHAT'S NEXT? >> I GOT ANOTHER ONE UP MY SLEEVE, BUT I'M NOT GONNA TELL 1163 00:32:19,550 --> 00:32:20,420 >> I GOT ANOTHER ONE UP MY SLEEVE, BUT I'M NOT GONNA TELL YOU WHAT IT IS. 1164 00:32:20,420 --> 00:32:26,220 SLEEVE, BUT I'M NOT GONNA TELL YOU WHAT IT IS. >> I CAN'T WAIT. 1165 00:32:26,230 --> 00:32:27,860 YOU WHAT IT IS. >> I CAN'T WAIT. >> Narrator: KARI, GRANT, AND 1166 00:32:27,860 --> 00:32:29,360 >> I CAN'T WAIT. >> Narrator: KARI, GRANT, AND TORY HAVE BEATEN THE GUARD 1167 00:32:29,360 --> 00:32:29,900 >> Narrator: KARI, GRANT, AND TORY HAVE BEATEN THE GUARD DOG... 1168 00:32:29,900 --> 00:32:30,960 TORY HAVE BEATEN THE GUARD DOG... >> BITCH IN HEAT. 1169 00:32:30,970 --> 00:32:31,730 DOG... >> BITCH IN HEAT. GIVE IT UP. 1170 00:32:31,730 --> 00:32:32,530 >> BITCH IN HEAT. GIVE IT UP. >> NICE. 1171 00:32:32,530 --> 00:32:34,730 GIVE IT UP. >> NICE. >> Narrator: ...AND BEEN BITTEN 1172 00:32:34,740 --> 00:32:36,300 >> NICE. >> Narrator: ...AND BEEN BITTEN BY THE GUARD DOG. 1173 00:32:36,300 --> 00:32:37,700 >> Narrator: ...AND BEEN BITTEN BY THE GUARD DOG. [ DOG BARKING ] 1174 00:32:37,710 --> 00:32:39,270 BY THE GUARD DOG. [ DOG BARKING ] >> YOU KNOW WHAT? 1175 00:32:39,270 --> 00:32:40,910 [ DOG BARKING ] >> YOU KNOW WHAT? THE MOST OBVIOUS ONE -- USING A 1176 00:32:40,910 --> 00:32:42,610 >> YOU KNOW WHAT? THE MOST OBVIOUS ONE -- USING A STEAK -- ACTUALLY BEAT THE GUARD 1177 00:32:42,610 --> 00:32:43,010 THE MOST OBVIOUS ONE -- USING A STEAK -- ACTUALLY BEAT THE GUARD DOG. 1178 00:32:43,010 --> 00:32:44,410 STEAK -- ACTUALLY BEAT THE GUARD DOG. AND THE BITCH-IN-HEAT SCENT -- 1179 00:32:44,410 --> 00:32:45,610 DOG. AND THE BITCH-IN-HEAT SCENT -- THAT ONE WORKED, AS WELL. 1180 00:32:45,610 --> 00:32:47,050 AND THE BITCH-IN-HEAT SCENT -- THAT ONE WORKED, AS WELL. >> AND, YOU KNOW, I REALLY FEEL 1181 00:32:47,050 --> 00:32:48,510 THAT ONE WORKED, AS WELL. >> AND, YOU KNOW, I REALLY FEEL THAT IF YOU WERE COVERED HEAD TO 1182 00:32:48,520 --> 00:32:49,950 >> AND, YOU KNOW, I REALLY FEEL THAT IF YOU WERE COVERED HEAD TO TOE IN THE WOLF URINE, WE WOULD 1183 00:32:49,950 --> 00:32:51,250 THAT IF YOU WERE COVERED HEAD TO TOE IN THE WOLF URINE, WE WOULD HAVE GOTTEN A BETTER RESULT. 1184 00:32:51,250 --> 00:32:53,820 TOE IN THE WOLF URINE, WE WOULD HAVE GOTTEN A BETTER RESULT. >> HA! IF YOU COULD STAND IT. 1185 00:32:53,820 --> 00:32:55,920 HAVE GOTTEN A BETTER RESULT. >> HA! IF YOU COULD STAND IT. BUT AFTER WATCHING ALL OF THESE 1186 00:32:55,920 --> 00:32:57,790 >> HA! IF YOU COULD STAND IT. BUT AFTER WATCHING ALL OF THESE TECHNIQUES, I THINK THAT WE 1187 00:32:57,790 --> 00:32:59,360 BUT AFTER WATCHING ALL OF THESE TECHNIQUES, I THINK THAT WE COULD RAMP THIS ONE UP 1188 00:32:59,360 --> 00:33:00,390 TECHNIQUES, I THINK THAT WE COULD RAMP THIS ONE UP MYTHBUSTERS STYLE. 1189 00:33:00,400 --> 00:33:01,900 COULD RAMP THIS ONE UP MYTHBUSTERS STYLE. >> WE'RE GONNA BUILD OUR OWN 1190 00:33:01,900 --> 00:33:03,600 MYTHBUSTERS STYLE. >> WE'RE GONNA BUILD OUR OWN TECHNIQUE TO BEAT THE GUARD DOG? 1191 00:33:03,600 --> 00:33:05,130 >> WE'RE GONNA BUILD OUR OWN TECHNIQUE TO BEAT THE GUARD DOG? >> YEAH, AND I'VE ALREADY GOT 1192 00:33:05,130 --> 00:33:06,130 TECHNIQUE TO BEAT THE GUARD DOG? >> YEAH, AND I'VE ALREADY GOT SOME GREAT IDEAS. 1193 00:33:06,130 --> 00:33:07,600 >> YEAH, AND I'VE ALREADY GOT SOME GREAT IDEAS. >> Narrator: WITH THE MYTHS 1194 00:33:07,600 --> 00:33:08,830 SOME GREAT IDEAS. >> Narrator: WITH THE MYTHS TESTED, THE TEAM HAS A 1195 00:33:08,840 --> 00:33:09,740 >> Narrator: WITH THE MYTHS TESTED, THE TEAM HAS A CHALLENGE. 1196 00:33:09,740 --> 00:33:11,800 TESTED, THE TEAM HAS A CHALLENGE. CAN THEY BUILD SOMETHING THAT 1197 00:33:11,810 --> 00:33:13,740 CHALLENGE. CAN THEY BUILD SOMETHING THAT WOULD LET THEM SNEAK PAST A 1198 00:33:13,740 --> 00:33:15,540 CAN THEY BUILD SOMETHING THAT WOULD LET THEM SNEAK PAST A WHOLE PACK OF GUARD DOGS? 1199 00:33:15,540 --> 00:33:17,110 WOULD LET THEM SNEAK PAST A WHOLE PACK OF GUARD DOGS? >> OKAY, IT WILL ATTACH TO 1200 00:33:17,110 --> 00:33:18,940 WHOLE PACK OF GUARD DOGS? >> OKAY, IT WILL ATTACH TO ITSELF, SO ONCE WE GET GOING, I 1201 00:33:18,950 --> 00:33:20,180 >> OKAY, IT WILL ATTACH TO ITSELF, SO ONCE WE GET GOING, I THINK IT'LL BE GOOD. 1202 00:33:20,180 --> 00:33:21,850 ITSELF, SO ONCE WE GET GOING, I THINK IT'LL BE GOOD. >> Narrator: KARI, AFTER TWO 1203 00:33:21,850 --> 00:33:23,520 THINK IT'LL BE GOOD. >> Narrator: KARI, AFTER TWO DAYS OF HARD WORK, HAS BUILT 1204 00:33:23,520 --> 00:33:25,350 >> Narrator: KARI, AFTER TWO DAYS OF HARD WORK, HAS BUILT WHAT CAN ONLY BE DESCRIBED AS A 1205 00:33:25,350 --> 00:33:26,950 DAYS OF HARD WORK, HAS BUILT WHAT CAN ONLY BE DESCRIBED AS A HUMAN HAMSTER BALL. 1206 00:33:26,960 --> 00:33:29,000 WHAT CAN ONLY BE DESCRIBED AS A HUMAN HAMSTER BALL. MEANWHILE, GRANT HAS GONE 1207 00:33:28,990 --> 00:33:29,990 HUMAN HAMSTER BALL. MEANWHILE, GRANT HAS GONE HIGH-TECH. 1208 00:33:29,990 --> 00:33:30,960 MEANWHILE, GRANT HAS GONE HIGH-TECH. >> [ LAUGHS ] 1209 00:33:30,960 --> 00:33:32,820 HIGH-TECH. >> [ LAUGHS ] >> Narrator: HE'S MOUNTING HIS 1210 00:33:32,830 --> 00:33:34,490 >> [ LAUGHS ] >> Narrator: HE'S MOUNTING HIS BATTLEBOT WITH A TAXIDERMY 1211 00:33:34,500 --> 00:33:35,230 >> Narrator: HE'S MOUNTING HIS BATTLEBOT WITH A TAXIDERMY TABBY. 1212 00:33:35,230 --> 00:33:37,200 BATTLEBOT WITH A TAXIDERMY TABBY. TO MAKE IT MORE LIFELIKE, 1213 00:33:37,200 --> 00:33:39,400 TABBY. TO MAKE IT MORE LIFELIKE, DR. FRANKEN-GRANT IS USING A 1214 00:33:39,400 --> 00:33:40,970 TO MAKE IT MORE LIFELIKE, DR. FRANKEN-GRANT IS USING A LITTLE ROBOTIC WIZARDRY. 1215 00:33:40,970 --> 00:33:43,940 DR. FRANKEN-GRANT IS USING A LITTLE ROBOTIC WIZARDRY. >> HE'S ALIVE -- ALIVE! 1216 00:33:43,940 --> 00:33:45,770 LITTLE ROBOTIC WIZARDRY. >> HE'S ALIVE -- ALIVE! [ LAUGHS EVILLY ] 1217 00:33:45,770 --> 00:33:47,610 >> HE'S ALIVE -- ALIVE! [ LAUGHS EVILLY ] >> Narrator: AND TORY, WELL, 1218 00:33:47,610 --> 00:33:49,570 [ LAUGHS EVILLY ] >> Narrator: AND TORY, WELL, HE'S SCRAPING THE BOTTOM OF THE 1219 00:33:49,580 --> 00:33:50,240 >> Narrator: AND TORY, WELL, HE'S SCRAPING THE BOTTOM OF THE BARREL. 1220 00:33:50,250 --> 00:33:51,520 HE'S SCRAPING THE BOTTOM OF THE BARREL. >> WELL, I'M DONE. 1221 00:33:51,510 --> 00:33:54,180 BARREL. >> WELL, I'M DONE. AND, UH, REALLY, IT SPEAKS FOR 1222 00:33:54,180 --> 00:33:56,080 >> WELL, I'M DONE. AND, UH, REALLY, IT SPEAKS FOR ITSELF. 1223 00:33:56,080 --> 00:33:57,720 AND, UH, REALLY, IT SPEAKS FOR ITSELF. >> Narrator: BACK AT THE 1224 00:33:57,720 --> 00:33:59,950 ITSELF. >> Narrator: BACK AT THE ENCLOSURE, GRANT IS FIRST UP. 1225 00:33:59,950 --> 00:34:02,220 >> Narrator: BACK AT THE ENCLOSURE, GRANT IS FIRST UP. >> I THINK, INITIALLY, THE DOG 1226 00:34:02,220 --> 00:34:04,390 ENCLOSURE, GRANT IS FIRST UP. >> I THINK, INITIALLY, THE DOG WILL BE SOMEWHAT CONFUSED BY 1227 00:34:04,390 --> 00:34:06,790 >> I THINK, INITIALLY, THE DOG WILL BE SOMEWHAT CONFUSED BY ROBOCAT, AS MOST PEOPLE ARE, BUT 1228 00:34:06,800 --> 00:34:10,040 WILL BE SOMEWHAT CONFUSED BY ROBOCAT, AS MOST PEOPLE ARE, BUT THAT PRIMAL INSTINCT OF CHASING 1229 00:34:10,030 --> 00:34:13,370 ROBOCAT, AS MOST PEOPLE ARE, BUT THAT PRIMAL INSTINCT OF CHASING THE CAT, OR THE FURRY SHAPE THAT 1230 00:34:13,370 --> 00:34:16,440 THAT PRIMAL INSTINCT OF CHASING THE CAT, OR THE FURRY SHAPE THAT IS IN CAT FORM, WILL KICK IN, 1231 00:34:16,440 --> 00:34:19,810 THE CAT, OR THE FURRY SHAPE THAT IS IN CAT FORM, WILL KICK IN, AND IT WON'T BE ABLE TO RESIST 1232 00:34:19,810 --> 00:34:21,540 IS IN CAT FORM, WILL KICK IN, AND IT WON'T BE ABLE TO RESIST GOING AFTER IT, AND THAT IS THE 1233 00:34:21,540 --> 00:34:23,240 AND IT WON'T BE ABLE TO RESIST GOING AFTER IT, AND THAT IS THE MOMENT WHEN I'LL SEND TORY IN, 1234 00:34:23,240 --> 00:34:26,810 GOING AFTER IT, AND THAT IS THE MOMENT WHEN I'LL SEND TORY IN, AND HE'LL GET THE JEWELS. 1235 00:34:26,820 --> 00:34:27,820 MOMENT WHEN I'LL SEND TORY IN, AND HE'LL GET THE JEWELS. I FEEL IT. 1236 00:34:27,820 --> 00:34:30,320 AND HE'LL GET THE JEWELS. I FEEL IT. OR THE DOG WILL BITE HIS JEWELS, 1237 00:34:30,320 --> 00:34:32,080 I FEEL IT. OR THE DOG WILL BITE HIS JEWELS, WHICH WILL ALSO BE FUNNY. 1238 00:34:32,090 --> 00:34:32,980 OR THE DOG WILL BITE HIS JEWELS, WHICH WILL ALSO BE FUNNY. OKAY. 1239 00:34:32,990 --> 00:34:34,990 WHICH WILL ALSO BE FUNNY. OKAY. GO AHEAD AND RELEASE THE DOG. 1240 00:34:35,120 --> 00:34:36,760 >> Narrator: EEWAN IS RELEASED, 1241 00:34:36,760 --> 00:34:38,220 AND THAT AGE-OLD CAT-AND-DOG 1242 00:34:38,230 --> 00:34:39,360 STORY BEGINS. 1243 00:34:39,360 --> 00:34:40,960 CAT RUNS AWAY FROM DOG. 1244 00:34:41,100 --> 00:34:47,640 DOG CHASES ROBOTICALLY CONTROLLED DEAD CAT. IT'S A PERFECT CAT-BURGLAR PLAN 1245 00:34:47,640 --> 00:34:49,540 CONTROLLED DEAD CAT. IT'S A PERFECT CAT-BURGLAR PLAN UNTIL ONE LITTLE MISSTEP BY 1246 00:34:49,540 --> 00:34:51,500 IT'S A PERFECT CAT-BURGLAR PLAN UNTIL ONE LITTLE MISSTEP BY REMOTE-CONTROL KINGPIN GRANT 1247 00:34:51,510 --> 00:34:54,670 UNTIL ONE LITTLE MISSTEP BY REMOTE-CONTROL KINGPIN GRANT MEANS ACCOMPLICE TORY IS BRUNCH. 1248 00:34:54,680 --> 00:34:56,010 REMOTE-CONTROL KINGPIN GRANT MEANS ACCOMPLICE TORY IS BRUNCH. >> UH-OH! OH, OH, OH! 1249 00:34:56,010 --> 00:34:57,010 MEANS ACCOMPLICE TORY IS BRUNCH. >> UH-OH! OH, OH, OH! RUN, RUN, RUN! 1250 00:34:57,010 --> 00:35:00,010 >> UH-OH! OH, OH, OH! RUN, RUN, RUN! >> "RUN, RUN, RUN." OKAY. 1251 00:35:00,010 --> 00:35:01,810 RUN, RUN, RUN! >> "RUN, RUN, RUN." OKAY. >> Narrator: YEAH, IT'S KIND OF 1252 00:35:01,820 --> 00:35:03,680 >> "RUN, RUN, RUN." OKAY. >> Narrator: YEAH, IT'S KIND OF HARD TO RUN WITH AN 80-POUND DOG 1253 00:35:03,690 --> 00:35:05,130 >> Narrator: YEAH, IT'S KIND OF HARD TO RUN WITH AN 80-POUND DOG USING YOU AS A CHEW TOY. 1254 00:35:05,120 --> 00:35:06,080 HARD TO RUN WITH AN 80-POUND DOG USING YOU AS A CHEW TOY. >> DUDE, DUDE. 1255 00:35:06,090 --> 00:35:07,720 USING YOU AS A CHEW TOY. >> DUDE, DUDE. I DON'T THINK IT'S WORKING, 1256 00:35:07,720 --> 00:35:08,250 >> DUDE, DUDE. I DON'T THINK IT'S WORKING, GRANT. 1257 00:35:08,260 --> 00:35:09,890 I DON'T THINK IT'S WORKING, GRANT. I DON'T KNOW. JUST A GUESS. 1258 00:35:09,890 --> 00:35:11,490 GRANT. I DON'T KNOW. JUST A GUESS. >> OH! OH! YEAH! 1259 00:35:11,490 --> 00:35:13,390 I DON'T KNOW. JUST A GUESS. >> OH! OH! YEAH! GOOD DRIVING, KITTY. 1260 00:35:13,390 --> 00:35:15,730 >> OH! OH! YEAH! GOOD DRIVING, KITTY. >> I DON'T THINK YOU KNOW. 1261 00:35:15,730 --> 00:35:17,430 GOOD DRIVING, KITTY. >> I DON'T THINK YOU KNOW. THIS IS NOT YOUR FUN TIME TO 1262 00:35:17,430 --> 00:35:19,060 >> I DON'T THINK YOU KNOW. THIS IS NOT YOUR FUN TIME TO PLAY WITH YOUR LITTLE CAT. 1263 00:35:19,070 --> 00:35:20,570 THIS IS NOT YOUR FUN TIME TO PLAY WITH YOUR LITTLE CAT. THERE'S A DOG ON MY ARM. 1264 00:35:20,570 --> 00:35:22,170 PLAY WITH YOUR LITTLE CAT. THERE'S A DOG ON MY ARM. >> Narrator: SO THAT'S 1-0 TO 1265 00:35:22,170 --> 00:35:23,470 THERE'S A DOG ON MY ARM. >> Narrator: SO THAT'S 1-0 TO EEWAN THE GUARD DOG. 1266 00:35:23,470 --> 00:35:25,270 >> Narrator: SO THAT'S 1-0 TO EEWAN THE GUARD DOG. TORY'S NEXT, AND HE'S BROUGHT 1267 00:35:25,270 --> 00:35:26,570 EEWAN THE GUARD DOG. TORY'S NEXT, AND HE'S BROUGHT HIS ARMORED TIN CAN. 1268 00:35:26,570 --> 00:35:28,470 TORY'S NEXT, AND HE'S BROUGHT HIS ARMORED TIN CAN. >> AS YOU CAN TELL, I WATCHED A 1269 00:35:28,480 --> 00:35:30,380 HIS ARMORED TIN CAN. >> AS YOU CAN TELL, I WATCHED A LOT OF "A-TEAM" GROWING UP, AND 1270 00:35:30,380 --> 00:35:34,080 >> AS YOU CAN TELL, I WATCHED A LOT OF "A-TEAM" GROWING UP, AND I THINK THAT'S KIND OF WHERE I 1271 00:35:34,080 --> 00:35:35,380 LOT OF "A-TEAM" GROWING UP, AND I THINK THAT'S KIND OF WHERE I CAME UP WITH THIS GUY. 1272 00:35:35,380 --> 00:35:36,850 I THINK THAT'S KIND OF WHERE I CAME UP WITH THIS GUY. >> Narrator: IT MIGHT BE A 1273 00:35:36,850 --> 00:35:38,580 CAME UP WITH THIS GUY. >> Narrator: IT MIGHT BE A BARREL OF LAUGHS AND TORY, BUT, 1274 00:35:38,590 --> 00:35:40,290 >> Narrator: IT MIGHT BE A BARREL OF LAUGHS AND TORY, BUT, FOR THIS TEST, HE ISN'T WEARING 1275 00:35:40,290 --> 00:35:41,920 BARREL OF LAUGHS AND TORY, BUT, FOR THIS TEST, HE ISN'T WEARING THE SAFETY SUIT, SO THERE'S A 1276 00:35:41,920 --> 00:35:43,360 FOR THIS TEST, HE ISN'T WEARING THE SAFETY SUIT, SO THERE'S A REAL ELEMENT OF DANGER. 1277 00:35:43,360 --> 00:35:44,790 THE SAFETY SUIT, SO THERE'S A REAL ELEMENT OF DANGER. >> OKAY, HERE HE COMES. 1278 00:35:44,790 --> 00:35:47,630 REAL ELEMENT OF DANGER. >> OKAY, HERE HE COMES. >> IT'S COMING AT YOU, BUT 1279 00:35:47,630 --> 00:35:48,890 >> OKAY, HERE HE COMES. >> IT'S COMING AT YOU, BUT DOESN'T KNOW WHAT TO DO. 1280 00:35:48,900 --> 00:35:50,300 >> IT'S COMING AT YOU, BUT DOESN'T KNOW WHAT TO DO. >> Narrator: IT'S ALL GOING 1281 00:35:50,300 --> 00:35:51,900 DOESN'T KNOW WHAT TO DO. >> Narrator: IT'S ALL GOING ACCORDING TO PLAN, BUT THERE ARE 1282 00:35:51,900 --> 00:35:53,500 >> Narrator: IT'S ALL GOING ACCORDING TO PLAN, BUT THERE ARE A FEW SCARY MOMENTS. 1283 00:35:53,500 --> 00:35:55,530 ACCORDING TO PLAN, BUT THERE ARE A FEW SCARY MOMENTS. >> HOW'S IT GOING IN THERE? 1284 00:35:55,540 --> 00:35:58,100 A FEW SCARY MOMENTS. >> HOW'S IT GOING IN THERE? >> Uh...it's not good. 1285 00:35:58,110 --> 00:35:59,540 >> HOW'S IT GOING IN THERE? >> Uh...it's not good. >> OH! 1286 00:35:59,540 --> 00:36:02,010 >> Uh...it's not good. >> OH! >> [ LAUGHS ] 1287 00:36:02,010 --> 00:36:03,480 >> OH! >> [ LAUGHS ] >> Narrator: BUT TORY MANAGES TO 1288 00:36:03,480 --> 00:36:05,140 >> [ LAUGHS ] >> Narrator: BUT TORY MANAGES TO INCH HIS WAY OVER TO THE SAFE 1289 00:36:05,150 --> 00:36:08,150 >> Narrator: BUT TORY MANAGES TO INCH HIS WAY OVER TO THE SAFE SAFELY AND SECURE THE LOOT. 1290 00:36:08,150 --> 00:36:09,780 INCH HIS WAY OVER TO THE SAFE SAFELY AND SECURE THE LOOT. >> I got it. 1291 00:36:09,780 --> 00:36:11,050 SAFELY AND SECURE THE LOOT. >> I got it. >> YEAH! 1292 00:36:11,050 --> 00:36:12,320 >> I got it. >> YEAH! >> YEAH! 1293 00:36:12,320 --> 00:36:14,150 >> YEAH! >> YEAH! >> Narrator: IT'S DURING TORY'S 1294 00:36:14,160 --> 00:36:16,030 >> YEAH! >> Narrator: IT'S DURING TORY'S SLOW CRAWL HOME THAT EEWAN WORKS 1295 00:36:16,020 --> 00:36:17,790 >> Narrator: IT'S DURING TORY'S SLOW CRAWL HOME THAT EEWAN WORKS OUT, BY GRIPPING THE WHEEL, HE 1296 00:36:17,790 --> 00:36:19,720 SLOW CRAWL HOME THAT EEWAN WORKS OUT, BY GRIPPING THE WHEEL, HE CAN GET MORE LEVERAGE. 1297 00:36:19,730 --> 00:36:21,030 OUT, BY GRIPPING THE WHEEL, HE CAN GET MORE LEVERAGE. >> AAH! HERE. 1298 00:36:21,030 --> 00:36:23,160 CAN GET MORE LEVERAGE. >> AAH! HERE. >> Narrator: AND MIKE THE 1299 00:36:23,160 --> 00:36:25,130 >> AAH! HERE. >> Narrator: AND MIKE THE HANDLER CALLS IT OFF BEFORE TORY 1300 00:36:25,130 --> 00:36:26,630 >> Narrator: AND MIKE THE HANDLER CALLS IT OFF BEFORE TORY GETS INJURED BY EEWAN'S 1301 00:36:26,630 --> 00:36:30,400 HANDLER CALLS IT OFF BEFORE TORY GETS INJURED BY EEWAN'S 550-POUND BITE FORCE. 1302 00:36:30,410 --> 00:36:31,110 GETS INJURED BY EEWAN'S 550-POUND BITE FORCE. >> I GOT IT. 1303 00:36:31,110 --> 00:36:32,250 550-POUND BITE FORCE. >> I GOT IT. >> NO, NO, YOU DIDN'T. 1304 00:36:32,240 --> 00:36:33,670 >> I GOT IT. >> NO, NO, YOU DIDN'T. >> MAN, YOU THREW THE TOWEL IN 1305 00:36:33,680 --> 00:36:34,280 >> NO, NO, YOU DIDN'T. >> MAN, YOU THREW THE TOWEL IN TOO SOON. 1306 00:36:34,280 --> 00:36:35,020 >> MAN, YOU THREW THE TOWEL IN TOO SOON. I WAS ROBBED. 1307 00:36:35,010 --> 00:36:36,340 TOO SOON. I WAS ROBBED. [ Imitating Marlon Brando ] 1308 00:36:36,340 --> 00:36:38,040 I WAS ROBBED. [ Imitating Marlon Brando ] I COULDA BEEN A CONTENDER. 1309 00:36:38,050 --> 00:36:40,080 [ Imitating Marlon Brando ] I COULDA BEEN A CONTENDER. >> Narrator: WHILE TORY TELLS US 1310 00:36:40,080 --> 00:36:41,850 I COULDA BEEN A CONTENDER. >> Narrator: WHILE TORY TELLS US ABOUT THE "COULDA, SHOULDA, 1311 00:36:41,850 --> 00:36:43,820 >> Narrator: WHILE TORY TELLS US ABOUT THE "COULDA, SHOULDA, WOULDAs," EEWAN THE CHAMP IS 1312 00:36:43,820 --> 00:36:45,980 ABOUT THE "COULDA, SHOULDA, WOULDAs," EEWAN THE CHAMP IS WARMING UP FOR ROUND THREE WITH 1313 00:36:45,990 --> 00:36:48,020 WOULDAs," EEWAN THE CHAMP IS WARMING UP FOR ROUND THREE WITH KARI, THE HUMAN HAMSTER. 1314 00:36:48,020 --> 00:36:50,720 WARMING UP FOR ROUND THREE WITH KARI, THE HUMAN HAMSTER. >> DOG IS IN. 1315 00:36:50,860 --> 00:36:52,520 >> I SEE THE DOG. 1316 00:36:52,530 --> 00:36:54,190 >> HE DOESN'T EVEN SEE YOU. 1317 00:36:54,200 --> 00:36:55,740 >> Narrator: EEWAN LOOKS 1318 00:36:55,730 --> 00:36:57,200 CONFUSED. 1319 00:36:57,330 --> 00:37:01,070 >> HE'S CHECKING YOU OUT, BUT APPARENTLY... >> HE DOESN'T EVEN SEE HER. 1320 00:37:01,070 --> 00:37:02,370 APPARENTLY... >> HE DOESN'T EVEN SEE HER. >> ...YOU ARE INVISIBLE. 1321 00:37:02,370 --> 00:37:03,440 >> HE DOESN'T EVEN SEE HER. >> ...YOU ARE INVISIBLE. IS THAT THE BALL OF 1322 00:37:03,440 --> 00:37:04,240 >> ...YOU ARE INVISIBLE. IS THAT THE BALL OF INVISIBILITY? 1323 00:37:04,240 --> 00:37:05,800 IS THAT THE BALL OF INVISIBILITY? >> Narrator: BUT IT'S NOT LONG 1324 00:37:05,810 --> 00:37:07,940 INVISIBILITY? >> Narrator: BUT IT'S NOT LONG BEFORE HE WORKS OUT A HIGH-TECH 1325 00:37:07,940 --> 00:37:10,140 >> Narrator: BUT IT'S NOT LONG BEFORE HE WORKS OUT A HIGH-TECH HUMAN HAMSTER IS TRYING TO SNEAK 1326 00:37:10,140 --> 00:37:12,210 BEFORE HE WORKS OUT A HIGH-TECH HUMAN HAMSTER IS TRYING TO SNEAK ACROSS HIS YARD, AND HE STARTS 1327 00:37:12,210 --> 00:37:14,010 HUMAN HAMSTER IS TRYING TO SNEAK ACROSS HIS YARD, AND HE STARTS TEARING INTO KARI'S BALL. 1328 00:37:14,020 --> 00:37:16,890 ACROSS HIS YARD, AND HE STARTS TEARING INTO KARI'S BALL. >> HE'S BITING AT THE PLASTIC. 1329 00:37:17,020 --> 00:37:18,750 >> Narrator: KARI HAD BUILT THE 1330 00:37:18,750 --> 00:37:20,550 HAMSTER BALL WITH AN EASY ACCESS 1331 00:37:20,560 --> 00:37:21,960 HATCH, BUT IT'S JUST TOO 1332 00:37:21,960 --> 00:37:23,690 DANGEROUS FOR HER TO USE IT AND 1333 00:37:23,690 --> 00:37:26,760 EXPOSE HER UNPROTECTED ARM. 1334 00:37:26,760 --> 00:37:28,660 SO SHE HAS TO CUT A SMALLER 1335 00:37:28,660 --> 00:37:30,760 HOLE INSTEAD, AND SURE ENOUGH, 1336 00:37:30,770 --> 00:37:33,210 SHE GETS THE GOODS. 1337 00:37:33,330 --> 00:37:36,530 >> GOT THE NECKLACE! >> SHE GOT IT. >> OKAY. 1338 00:37:36,540 --> 00:37:37,470 >> SHE GOT IT. >> OKAY. I BEAT YOU, MUTT. 1339 00:37:37,470 --> 00:37:38,700 >> OKAY. I BEAT YOU, MUTT. I'M GETTING OUT OF HERE. 1340 00:37:38,710 --> 00:37:40,170 I BEAT YOU, MUTT. I'M GETTING OUT OF HERE. >> Narrator: BACK AT THE DOOR, 1341 00:37:40,170 --> 00:37:42,540 I'M GETTING OUT OF HERE. >> Narrator: BACK AT THE DOOR, THE DEADLY DEFECT IN KARI'S PLAN 1342 00:37:42,540 --> 00:37:43,480 >> Narrator: BACK AT THE DOOR, THE DEADLY DEFECT IN KARI'S PLAN BECOMES EVIDENT. 1343 00:37:43,480 --> 00:37:45,110 THE DEADLY DEFECT IN KARI'S PLAN BECOMES EVIDENT. >> THE MAJOR FLAW IN MY PLAN IS 1344 00:37:45,110 --> 00:37:46,480 BECOMES EVIDENT. >> THE MAJOR FLAW IN MY PLAN IS THAT THE DOG WILL NOT STOP 1345 00:37:46,480 --> 00:37:48,080 >> THE MAJOR FLAW IN MY PLAN IS THAT THE DOG WILL NOT STOP ATTACKING LONG ENOUGH FOR ME TO 1346 00:37:48,080 --> 00:37:49,080 THAT THE DOG WILL NOT STOP ATTACKING LONG ENOUGH FOR ME TO GET OUT THE DOOR. 1347 00:37:49,080 --> 00:37:50,250 ATTACKING LONG ENOUGH FOR ME TO GET OUT THE DOOR. >> THAT IS A PROBLEM. 1348 00:37:50,250 --> 00:37:51,880 GET OUT THE DOOR. >> THAT IS A PROBLEM. >> Narrator: IT'S NOT A PROBLEM 1349 00:37:51,890 --> 00:37:53,490 >> THAT IS A PROBLEM. >> Narrator: IT'S NOT A PROBLEM FOR HER WILLING TEAMMATES, WHO 1350 00:37:53,490 --> 00:37:55,150 >> Narrator: IT'S NOT A PROBLEM FOR HER WILLING TEAMMATES, WHO HAPPILY RELIEVE HER OF THE LOOT. 1351 00:37:55,160 --> 00:37:56,420 FOR HER WILLING TEAMMATES, WHO HAPPILY RELIEVE HER OF THE LOOT. >> PASS US THE JEWELS. 1352 00:37:56,420 --> 00:37:59,820 HAPPILY RELIEVE HER OF THE LOOT. >> PASS US THE JEWELS. >> CAN YOU GET THE DOOR... 1353 00:37:59,830 --> 00:38:00,790 >> PASS US THE JEWELS. >> CAN YOU GET THE DOOR... >> NICE. OKAY. 1354 00:38:00,800 --> 00:38:02,100 >> CAN YOU GET THE DOOR... >> NICE. OKAY. ALL RIGHT, GOOD LUCK. 1355 00:38:02,100 --> 00:38:03,090 >> NICE. OKAY. ALL RIGHT, GOOD LUCK. YOU'RE ON YOUR OWN. 1356 00:38:03,100 --> 00:38:03,900 ALL RIGHT, GOOD LUCK. YOU'RE ON YOUR OWN. NICE WORK. 1357 00:38:03,900 --> 00:38:04,600 YOU'RE ON YOUR OWN. NICE WORK. >> NICE! 1358 00:38:04,600 --> 00:38:05,360 NICE WORK. >> NICE! >> SWEET! 1359 00:38:05,370 --> 00:38:06,060 >> NICE! >> SWEET! >> YEAH! 1360 00:38:06,070 --> 00:38:07,770 >> SWEET! >> YEAH! >> Narrator: TORY AND GRANT 1361 00:38:07,770 --> 00:38:09,700 >> YEAH! >> Narrator: TORY AND GRANT HAPPILY MAKE OFF WITH THE LOOT. 1362 00:38:09,700 --> 00:38:11,670 >> Narrator: TORY AND GRANT HAPPILY MAKE OFF WITH THE LOOT. BUT WITH KARI FAILING TO ESCAPE, 1363 00:38:11,670 --> 00:38:14,070 HAPPILY MAKE OFF WITH THE LOOT. BUT WITH KARI FAILING TO ESCAPE, THAT'S 3 TO EEWAN AND A BIG FAT 1364 00:38:14,080 --> 00:38:16,820 BUT WITH KARI FAILING TO ESCAPE, THAT'S 3 TO EEWAN AND A BIG FAT 0 TO THE MYTHBUSTERS. 1365 00:38:16,810 --> 00:38:18,410 THAT'S 3 TO EEWAN AND A BIG FAT 0 TO THE MYTHBUSTERS. >> YOU KNOW, GUYS, I THINK THIS 1366 00:38:18,410 --> 00:38:19,810 0 TO THE MYTHBUSTERS. >> YOU KNOW, GUYS, I THINK THIS COULD WORK IF WE WORKED IN 1367 00:38:19,810 --> 00:38:23,750 >> YOU KNOW, GUYS, I THINK THIS COULD WORK IF WE WORKED IN CONJUNCTION WITH EACH OTHER. 1368 00:38:23,750 --> 00:38:24,720 COULD WORK IF WE WORKED IN CONJUNCTION WITH EACH OTHER. >> WELL, IT LOOKS LIKE OUR 1369 00:38:24,720 --> 00:38:25,850 CONJUNCTION WITH EACH OTHER. >> WELL, IT LOOKS LIKE OUR TECHNIQUES FOR BEATING THE GUARD 1370 00:38:25,850 --> 00:38:27,120 >> WELL, IT LOOKS LIKE OUR TECHNIQUES FOR BEATING THE GUARD DOG HAD A FEW DESIGN FLAWS. 1371 00:38:27,120 --> 00:38:28,450 TECHNIQUES FOR BEATING THE GUARD DOG HAD A FEW DESIGN FLAWS. >> LIKE TRYING TO GET OUT OF 1372 00:38:28,460 --> 00:38:29,320 DOG HAD A FEW DESIGN FLAWS. >> LIKE TRYING TO GET OUT OF THE HAMSTER BALL? 1373 00:38:29,320 --> 00:38:30,790 >> LIKE TRYING TO GET OUT OF THE HAMSTER BALL? >> YOU KNOW, I THOUGHT MY BARREL 1374 00:38:30,790 --> 00:38:32,160 THE HAMSTER BALL? >> YOU KNOW, I THOUGHT MY BARREL WAS GONNA WORK, BUT IT LOOKED 1375 00:38:32,160 --> 00:38:33,560 >> YOU KNOW, I THOUGHT MY BARREL WAS GONNA WORK, BUT IT LOOKED LIKE THE DOG HAD FIGURED OUT A 1376 00:38:33,560 --> 00:38:34,630 WAS GONNA WORK, BUT IT LOOKED LIKE THE DOG HAD FIGURED OUT A WAY TO TIP IT OVER. 1377 00:38:34,630 --> 00:38:36,160 LIKE THE DOG HAD FIGURED OUT A WAY TO TIP IT OVER. >> AND HE WASN'T FOOLED AT ALL 1378 00:38:36,160 --> 00:38:37,300 WAY TO TIP IT OVER. >> AND HE WASN'T FOOLED AT ALL BY ROBOCAT'S LIFELIKE 1379 00:38:37,300 --> 00:38:38,000 >> AND HE WASN'T FOOLED AT ALL BY ROBOCAT'S LIFELIKE APPEARANCE. 1380 00:38:38,000 --> 00:38:39,200 BY ROBOCAT'S LIFELIKE APPEARANCE. >> YEAH. I KNOW I WAS. 1381 00:38:39,200 --> 00:38:40,700 APPEARANCE. >> YEAH. I KNOW I WAS. >> WELL, I THINK PEOPLE TOTALLY 1382 00:38:40,700 --> 00:38:41,970 >> YEAH. I KNOW I WAS. >> WELL, I THINK PEOPLE TOTALLY UNDERESTIMATE THESE DOGS. 1383 00:38:41,970 --> 00:38:43,370 >> WELL, I THINK PEOPLE TOTALLY UNDERESTIMATE THESE DOGS. THEY'RE REALLY WELL-TRAINED. 1384 00:38:43,370 --> 00:38:44,700 UNDERESTIMATE THESE DOGS. THEY'RE REALLY WELL-TRAINED. >> YEAH, MIKE WAS SAYING THAT 1385 00:38:44,710 --> 00:38:45,970 THEY'RE REALLY WELL-TRAINED. >> YEAH, MIKE WAS SAYING THAT YOU CAN ACTUALLY TRAIN THESE 1386 00:38:45,970 --> 00:38:47,410 >> YEAH, MIKE WAS SAYING THAT YOU CAN ACTUALLY TRAIN THESE DOGS TO IGNORE THINGS, SO I BET 1387 00:38:47,410 --> 00:38:48,810 YOU CAN ACTUALLY TRAIN THESE DOGS TO IGNORE THINGS, SO I BET IF WE DID THIS TEST AGAIN, THEY 1388 00:38:48,810 --> 00:38:50,240 DOGS TO IGNORE THINGS, SO I BET IF WE DID THIS TEST AGAIN, THEY WOULDN'T EVEN LOOK TWICE AT THAT 1389 00:38:50,240 --> 00:38:50,680 IF WE DID THIS TEST AGAIN, THEY WOULDN'T EVEN LOOK TWICE AT THAT STEAK. 1390 00:38:50,680 --> 00:38:52,010 WOULDN'T EVEN LOOK TWICE AT THAT STEAK. >> ALL I KNOW IS THAT I DON'T 1391 00:38:52,010 --> 00:38:53,380 STEAK. >> ALL I KNOW IS THAT I DON'T WANT TO BE ANYWHERE NEAR THESE 1392 00:38:53,380 --> 00:38:54,610 >> ALL I KNOW IS THAT I DON'T WANT TO BE ANYWHERE NEAR THESE DOGS WITHOUT THE BITE SUIT. 1393 00:38:54,620 --> 00:38:55,520 WANT TO BE ANYWHERE NEAR THESE DOGS WITHOUT THE BITE SUIT. THEY'RE VICIOUS. 1394 00:38:55,520 --> 00:38:57,050 DOGS WITHOUT THE BITE SUIT. THEY'RE VICIOUS. >> WELL, TAKING THAT AND ALL OF 1395 00:38:57,050 --> 00:38:58,450 THEY'RE VICIOUS. >> WELL, TAKING THAT AND ALL OF OUR TECHNIQUES INTO ACCOUNT, 1396 00:38:58,450 --> 00:38:59,880 >> WELL, TAKING THAT AND ALL OF OUR TECHNIQUES INTO ACCOUNT, WHAT DO YOU GUYS WANT TO CALL 1397 00:38:59,890 --> 00:39:00,490 OUR TECHNIQUES INTO ACCOUNT, WHAT DO YOU GUYS WANT TO CALL THIS ONE? 1398 00:39:00,490 --> 00:39:01,820 WHAT DO YOU GUYS WANT TO CALL THIS ONE? >> I THINK WE HAVE TO CALL 1399 00:39:01,820 --> 00:39:02,890 THIS ONE? >> I THINK WE HAVE TO CALL THIS ONE PLAUSIBLE. 1400 00:39:02,890 --> 00:39:04,490 >> I THINK WE HAVE TO CALL THIS ONE PLAUSIBLE. >> YEAH, I AGREE, BECAUSE WE CAN 1401 00:39:04,490 --> 00:39:06,120 THIS ONE PLAUSIBLE. >> YEAH, I AGREE, BECAUSE WE CAN DISTRACT THE DOGS, BUT YOU DON'T 1402 00:39:06,130 --> 00:39:07,730 >> YEAH, I AGREE, BECAUSE WE CAN DISTRACT THE DOGS, BUT YOU DON'T KNOW HOW LONG THEY'RE GONNA STAY 1403 00:39:07,730 --> 00:39:08,430 DISTRACT THE DOGS, BUT YOU DON'T KNOW HOW LONG THEY'RE GONNA STAY DISTRACTED. 1404 00:39:08,430 --> 00:39:09,530 KNOW HOW LONG THEY'RE GONNA STAY DISTRACTED. IT'S JUST TOO RISKY. 1405 00:39:09,530 --> 00:39:11,460 DISTRACTED. IT'S JUST TOO RISKY. >> AND CRIME DOESN'T PAY. 1406 00:39:19,240 --> 00:39:24,540 >> Narrator: ADAM IS THREE DOWN AGAINST MORGAN, THE WORLD'S MOST SENSITIVE SNIFFER, BUT THAT'S NO 1407 00:39:24,550 --> 00:39:26,550 AGAINST MORGAN, THE WORLD'S MOST SENSITIVE SNIFFER, BUT THAT'S NO SURPRISE BECAUSE HIS HOOTER HAS 1408 00:39:26,550 --> 00:39:28,380 SENSITIVE SNIFFER, BUT THAT'S NO SURPRISE BECAUSE HIS HOOTER HAS OVER 1,000 YEARS OF BREEDING 1409 00:39:28,380 --> 00:39:29,280 SURPRISE BECAUSE HIS HOOTER HAS OVER 1,000 YEARS OF BREEDING BEHIND HIM. 1410 00:39:29,280 --> 00:39:31,050 OVER 1,000 YEARS OF BREEDING BEHIND HIM. >> [ Laughing ] YOU FOUND ME. 1411 00:39:31,050 --> 00:39:36,620 BEHIND HIM. >> [ Laughing ] YOU FOUND ME. [ LAUGHS ] 1412 00:39:36,620 --> 00:39:38,190 >> [ Laughing ] YOU FOUND ME. [ LAUGHS ] >> LET'S TALK ABOUT THE ORIGIN 1413 00:39:38,190 --> 00:39:39,220 [ LAUGHS ] >> LET'S TALK ABOUT THE ORIGIN OF THE BLOODHOUND. 1414 00:39:39,230 --> 00:39:39,820 >> LET'S TALK ABOUT THE ORIGIN OF THE BLOODHOUND. >> OKAY. 1415 00:39:39,830 --> 00:39:41,990 OF THE BLOODHOUND. >> OKAY. WELL, WE HAVE CITATIONS REFERRED 1416 00:39:42,000 --> 00:39:44,060 >> OKAY. WELL, WE HAVE CITATIONS REFERRED TO "SLEUTH HOUNDS" HUNTING MEN 1417 00:39:44,070 --> 00:39:46,070 WELL, WE HAVE CITATIONS REFERRED TO "SLEUTH HOUNDS" HUNTING MEN AS EARLY AS THE 13th CENTURY. 1418 00:39:46,070 --> 00:39:47,900 TO "SLEUTH HOUNDS" HUNTING MEN AS EARLY AS THE 13th CENTURY. >> YEAH, BUT BACK THEN, NOBLEMEN 1419 00:39:47,900 --> 00:39:49,500 AS EARLY AS THE 13th CENTURY. >> YEAH, BUT BACK THEN, NOBLEMEN MAINLY USED THEM FOR HUNTING 1420 00:39:49,500 --> 00:39:50,400 >> YEAH, BUT BACK THEN, NOBLEMEN MAINLY USED THEM FOR HUNTING DEER OR BOAR. 1421 00:39:50,410 --> 00:39:52,110 MAINLY USED THEM FOR HUNTING DEER OR BOAR. >> AND IT IS COMMONLY BELIEVED 1422 00:39:52,110 --> 00:39:53,840 DEER OR BOAR. >> AND IT IS COMMONLY BELIEVED THAT THE BREED WAS REFINED AND 1423 00:39:53,840 --> 00:39:54,910 >> AND IT IS COMMONLY BELIEVED THAT THE BREED WAS REFINED AND ORIGINATED AT THE 1424 00:39:54,910 --> 00:39:56,370 THAT THE BREED WAS REFINED AND ORIGINATED AT THE SAINT-HUBERT MONASTERY IN 1425 00:39:56,380 --> 00:39:58,010 ORIGINATED AT THE SAINT-HUBERT MONASTERY IN BELGIUM IN THE 11th CENTURY. 1426 00:39:58,010 --> 00:39:59,710 SAINT-HUBERT MONASTERY IN BELGIUM IN THE 11th CENTURY. >> HUH. 1427 00:39:59,710 --> 00:40:02,810 BELGIUM IN THE 11th CENTURY. >> HUH. >> WHAT'S NEXT IS WASHING OFF 1428 00:40:02,820 --> 00:40:05,380 >> HUH. >> WHAT'S NEXT IS WASHING OFF AND CHANGING MY CLOTHES. 1429 00:40:05,390 --> 00:40:07,090 >> WHAT'S NEXT IS WASHING OFF AND CHANGING MY CLOTHES. WE HAVE A SECRET LOCATION ABOUT 1430 00:40:07,090 --> 00:40:08,390 AND CHANGING MY CLOTHES. WE HAVE A SECRET LOCATION ABOUT TWO MINUTES FROM HERE. 1431 00:40:08,390 --> 00:40:09,920 WE HAVE A SECRET LOCATION ABOUT TWO MINUTES FROM HERE. WE'VE GOT A WASH BASIN AND A 1432 00:40:09,920 --> 00:40:11,690 TWO MINUTES FROM HERE. WE'VE GOT A WASH BASIN AND A WHOLE NEW SET OF CLOTHES FOR ME. 1433 00:40:11,690 --> 00:40:13,360 WE'VE GOT A WASH BASIN AND A WHOLE NEW SET OF CLOTHES FOR ME. I'M GONNA FIND IT, WASH MYSELF 1434 00:40:13,360 --> 00:40:15,090 WHOLE NEW SET OF CLOTHES FOR ME. I'M GONNA FIND IT, WASH MYSELF OFF, CHANGE MY CLOTHES, TAKE OFF 1435 00:40:15,100 --> 00:40:16,530 I'M GONNA FIND IT, WASH MYSELF OFF, CHANGE MY CLOTHES, TAKE OFF IN A DIFFERENT DIRECTION. 1436 00:40:16,530 --> 00:40:19,000 OFF, CHANGE MY CLOTHES, TAKE OFF IN A DIFFERENT DIRECTION. WE'LL SEE IF THAT FOOLS THE DOG. 1437 00:40:19,000 --> 00:40:20,770 IN A DIFFERENT DIRECTION. WE'LL SEE IF THAT FOOLS THE DOG. I HAVE NO DOUBT HE CAN FIND MY 1438 00:40:20,770 --> 00:40:21,600 WE'LL SEE IF THAT FOOLS THE DOG. I HAVE NO DOUBT HE CAN FIND MY WASH BASIN. 1439 00:40:21,600 --> 00:40:23,370 I HAVE NO DOUBT HE CAN FIND MY WASH BASIN. THE QUESTION IS, CAN HE FOLLOW 1440 00:40:23,370 --> 00:40:25,140 WASH BASIN. THE QUESTION IS, CAN HE FOLLOW ME FROM THERE? 1441 00:40:25,140 --> 00:40:26,470 THE QUESTION IS, CAN HE FOLLOW ME FROM THERE? >> Narrator: AS PREDICTED, 1442 00:40:26,470 --> 00:40:29,540 ME FROM THERE? >> Narrator: AS PREDICTED, MORGAN FINDS THE WASH LOCATION. 1443 00:40:29,540 --> 00:40:32,910 >> Narrator: AS PREDICTED, MORGAN FINDS THE WASH LOCATION. >> OH, WHAT A GOOD BOY. 1444 00:40:32,910 --> 00:40:34,110 MORGAN FINDS THE WASH LOCATION. >> OH, WHAT A GOOD BOY. THAT'S A GOOD BOY. 1445 00:40:34,120 --> 00:40:35,220 >> OH, WHAT A GOOD BOY. THAT'S A GOOD BOY. WHERE DID HE GO? 1446 00:40:35,220 --> 00:40:37,050 THAT'S A GOOD BOY. WHERE DID HE GO? >> Narrator: BUT FOR THE FIRST 1447 00:40:37,050 --> 00:40:38,950 WHERE DID HE GO? >> Narrator: BUT FOR THE FIRST TIME, OUR INTREPID TRACKERS ARE 1448 00:40:38,950 --> 00:40:39,580 >> Narrator: BUT FOR THE FIRST TIME, OUR INTREPID TRACKERS ARE STUMPED. 1449 00:40:39,590 --> 00:40:41,220 TIME, OUR INTREPID TRACKERS ARE STUMPED. BUT IT'S NOT BECAUSE ADAM HAS 1450 00:40:41,220 --> 00:40:42,490 STUMPED. BUT IT'S NOT BECAUSE ADAM HAS WASHED HIS SCENT OFF. 1451 00:40:42,490 --> 00:40:44,260 BUT IT'S NOT BECAUSE ADAM HAS WASHED HIS SCENT OFF. IT'S BECAUSE THERE'S TOO MUCH OF 1452 00:40:44,260 --> 00:40:44,660 WASHED HIS SCENT OFF. IT'S BECAUSE THERE'S TOO MUCH OF IT. 1453 00:40:44,660 --> 00:40:46,090 IT'S BECAUSE THERE'S TOO MUCH OF IT. >> I'M GUESSING HE TOOK A 1454 00:40:46,090 --> 00:40:47,230 IT. >> I'M GUESSING HE TOOK A SHOWER. 1455 00:40:47,230 --> 00:40:48,460 >> I'M GUESSING HE TOOK A SHOWER. THIS JUST MIGHT BE A LOT OF 1456 00:40:48,460 --> 00:40:48,860 SHOWER. THIS JUST MIGHT BE A LOT OF SCENT. 1457 00:40:48,860 --> 00:40:50,130 THIS JUST MIGHT BE A LOT OF SCENT. I DON'T KNOW IF WE'RE HAVING 1458 00:40:50,130 --> 00:40:51,400 SCENT. I DON'T KNOW IF WE'RE HAVING TROUBLE GETTING OUT OF IT OR 1459 00:40:51,400 --> 00:40:51,760 I DON'T KNOW IF WE'RE HAVING TROUBLE GETTING OUT OF IT OR WHAT. 1460 00:40:51,770 --> 00:40:53,000 TROUBLE GETTING OUT OF IT OR WHAT. >> Narrator: ADAM'S ODOR IS 1461 00:40:53,000 --> 00:40:54,870 WHAT. >> Narrator: ADAM'S ODOR IS OVERWHELMING BECAUSE OF ALL THE 1462 00:40:54,870 --> 00:40:56,730 >> Narrator: ADAM'S ODOR IS OVERWHELMING BECAUSE OF ALL THE WATER AND THE AMOUNT OF TIME HE 1463 00:40:56,740 --> 00:40:57,700 OVERWHELMING BECAUSE OF ALL THE WATER AND THE AMOUNT OF TIME HE SPENT THERE. 1464 00:40:57,710 --> 00:40:59,280 WATER AND THE AMOUNT OF TIME HE SPENT THERE. >> I KNOW. WHERE IS HE? 1465 00:40:59,270 --> 00:41:01,270 SPENT THERE. >> I KNOW. WHERE IS HE? >> Narrator: MATT REALIZES THIS 1466 00:41:01,280 --> 00:41:03,250 >> I KNOW. WHERE IS HE? >> Narrator: MATT REALIZES THIS AND WORKS MORGAN OVER THE AREA 1467 00:41:03,240 --> 00:41:04,780 >> Narrator: MATT REALIZES THIS AND WORKS MORGAN OVER THE AREA LOOKING FOR THE EXIT POINT. 1468 00:41:04,780 --> 00:41:06,510 AND WORKS MORGAN OVER THE AREA LOOKING FOR THE EXIT POINT. MEANWHILE, ADAM, WITH SOME TIME 1469 00:41:06,510 --> 00:41:08,350 LOOKING FOR THE EXIT POINT. MEANWHILE, ADAM, WITH SOME TIME ON HIS HANDS, RELAXES. 1470 00:41:08,350 --> 00:41:11,050 MEANWHILE, ADAM, WITH SOME TIME ON HIS HANDS, RELAXES. [ DOG BARKING ] 1471 00:41:11,050 --> 00:41:12,980 ON HIS HANDS, RELAXES. [ DOG BARKING ] >> Narrator: BUT MORGAN REMAINS 1472 00:41:12,990 --> 00:41:13,650 [ DOG BARKING ] >> Narrator: BUT MORGAN REMAINS FOCUSED. 1473 00:41:13,650 --> 00:41:15,220 >> Narrator: BUT MORGAN REMAINS FOCUSED. IN FACT, THE BLOODHOUND IS 1474 00:41:15,220 --> 00:41:16,920 FOCUSED. IN FACT, THE BLOODHOUND IS FAMOUS FOR BEING PATIENT AND 1475 00:41:16,920 --> 00:41:18,720 IN FACT, THE BLOODHOUND IS FAMOUS FOR BEING PATIENT AND STUBBORN -- CHARACTERISTICS THAT 1476 00:41:18,730 --> 00:41:20,530 FAMOUS FOR BEING PATIENT AND STUBBORN -- CHARACTERISTICS THAT HAVE BEEN SELECTED FOR JUST THIS 1477 00:41:20,530 --> 00:41:25,130 STUBBORN -- CHARACTERISTICS THAT HAVE BEEN SELECTED FOR JUST THIS PURPOSE. 1478 00:41:25,130 --> 00:41:27,270 HAVE BEEN SELECTED FOR JUST THIS PURPOSE. >> THAT'S A GOOD BOY! 1479 00:41:27,270 --> 00:41:29,070 PURPOSE. >> THAT'S A GOOD BOY! THAT'S A GOOD BOY! 1480 00:41:29,070 --> 00:41:30,070 >> THAT'S A GOOD BOY! THAT'S A GOOD BOY! OH, GOOD BOY! 1481 00:41:30,070 --> 00:41:31,200 THAT'S A GOOD BOY! OH, GOOD BOY! >> FOILED AGAIN. 1482 00:41:31,210 --> 00:41:34,380 OH, GOOD BOY! >> FOILED AGAIN. >> WHAT A GOOD BOY YOU ARE. 1483 00:41:34,380 --> 00:41:35,180 >> FOILED AGAIN. >> WHAT A GOOD BOY YOU ARE. >> NICE SUIT. 1484 00:41:35,180 --> 00:41:36,570 >> WHAT A GOOD BOY YOU ARE. >> NICE SUIT. >> [ Laughing ] THANK YOU. 1485 00:41:36,580 --> 00:41:37,010 >> NICE SUIT. >> [ Laughing ] THANK YOU. WHOA. 1486 00:41:37,010 --> 00:41:38,710 >> [ Laughing ] THANK YOU. WHOA. WHAT THE WELL-DRESSED ESCAPEE IS 1487 00:41:38,710 --> 00:41:39,740 WHOA. WHAT THE WELL-DRESSED ESCAPEE IS WEARING THIS YEAR. 1488 00:41:39,750 --> 00:41:41,450 WHAT THE WELL-DRESSED ESCAPEE IS WEARING THIS YEAR. >> MORGAN DID REALLY WELL ON THE 1489 00:41:41,450 --> 00:41:42,280 WEARING THIS YEAR. >> MORGAN DID REALLY WELL ON THE TEST OVERALL. 1490 00:41:42,280 --> 00:41:43,880 >> MORGAN DID REALLY WELL ON THE TEST OVERALL. IT LOOKED LIKE WE HAD A LITTLE 1491 00:41:43,890 --> 00:41:45,530 TEST OVERALL. IT LOOKED LIKE WE HAD A LITTLE BIT OF PROBLEM AT THE SHED, BUT 1492 00:41:45,520 --> 00:41:47,150 IT LOOKED LIKE WE HAD A LITTLE BIT OF PROBLEM AT THE SHED, BUT ACTUALLY, IN REALITY, THE THING 1493 00:41:47,150 --> 00:41:48,850 BIT OF PROBLEM AT THE SHED, BUT ACTUALLY, IN REALITY, THE THING I LIKED ABOUT IT IS MORGAN NEVER 1494 00:41:48,860 --> 00:41:49,450 ACTUALLY, IN REALITY, THE THING I LIKED ABOUT IT IS MORGAN NEVER GAVE UP. 1495 00:41:49,460 --> 00:41:50,720 I LIKED ABOUT IT IS MORGAN NEVER GAVE UP. YOU CAN SEE ON THE TAPE HE'S 1496 00:41:50,730 --> 00:41:52,030 GAVE UP. YOU CAN SEE ON THE TAPE HE'S ALWAYS LOOKING FOR THE SCENT, 1497 00:41:52,030 --> 00:41:53,320 YOU CAN SEE ON THE TAPE HE'S ALWAYS LOOKING FOR THE SCENT, AND HE'S ALWAYS SEARCHING FOR 1498 00:41:53,330 --> 00:41:53,630 ALWAYS LOOKING FOR THE SCENT, AND HE'S ALWAYS SEARCHING FOR IT. 1499 00:41:53,630 --> 00:41:55,130 AND HE'S ALWAYS SEARCHING FOR IT. AND THE TWO TRAILS THAT WENT IN 1500 00:41:55,130 --> 00:41:56,560 IT. AND THE TWO TRAILS THAT WENT IN AND WENT OUT WERE ACTUALLY, I 1501 00:41:56,560 --> 00:41:58,000 AND THE TWO TRAILS THAT WENT IN AND WENT OUT WERE ACTUALLY, I THINK, FROM THE WAY HE WORKED 1502 00:41:58,000 --> 00:41:59,130 AND WENT OUT WERE ACTUALLY, I THINK, FROM THE WAY HE WORKED REALLY CLOSE TOGETHER. 1503 00:41:59,130 --> 00:42:00,670 THINK, FROM THE WAY HE WORKED REALLY CLOSE TOGETHER. SO HE JUST KEPT WORKING UNTIL HE 1504 00:42:00,670 --> 00:42:02,130 REALLY CLOSE TOGETHER. SO HE JUST KEPT WORKING UNTIL HE FOUND THE WAY OUT, AND ONCE HE 1505 00:42:02,140 --> 00:42:03,700 SO HE JUST KEPT WORKING UNTIL HE FOUND THE WAY OUT, AND ONCE HE FOUND THE WAY OUT, HE NAILED IT. 1506 00:42:03,700 --> 00:42:05,170 FOUND THE WAY OUT, AND ONCE HE FOUND THE WAY OUT, HE NAILED IT. >> HOW MANY MORE TRICKS YOU DO 1507 00:42:05,170 --> 00:42:06,200 FOUND THE WAY OUT, HE NAILED IT. >> HOW MANY MORE TRICKS YOU DO HAVE UP YOUR SLEEVE? 1508 00:42:06,210 --> 00:42:09,840 >> HOW MANY MORE TRICKS YOU DO HAVE UP YOUR SLEEVE? >> I HAVE EXACTLY TWO LEFT. 1509 00:42:09,840 --> 00:42:10,580 HAVE UP YOUR SLEEVE? >> I HAVE EXACTLY TWO LEFT. >> [ CHUCKLES ] 1510 00:42:10,580 --> 00:42:11,640 >> I HAVE EXACTLY TWO LEFT. >> [ CHUCKLES ] WELL, GOOD LUCK, BUDDY. 1511 00:42:11,650 --> 00:42:17,980 >> [ CHUCKLES ] WELL, GOOD LUCK, BUDDY. >> [ Laughing ] THANKS. 1512 00:42:17,990 --> 00:42:19,860 WELL, GOOD LUCK, BUDDY. >> [ Laughing ] THANKS. EVERYBODY KNOWS FROM THE MOVIES 1513 00:42:19,850 --> 00:42:21,720 >> [ Laughing ] THANKS. EVERYBODY KNOWS FROM THE MOVIES THAT COFFEE IS SUPPOSED TO MASK 1514 00:42:21,720 --> 00:42:23,320 EVERYBODY KNOWS FROM THE MOVIES THAT COFFEE IS SUPPOSED TO MASK SHIPPED DRUGS. 1515 00:42:23,320 --> 00:42:25,990 THAT COFFEE IS SUPPOSED TO MASK SHIPPED DRUGS. IT'S SUPPOSED TO MASK THE SMELL 1516 00:42:25,990 --> 00:42:28,630 SHIPPED DRUGS. IT'S SUPPOSED TO MASK THE SMELL FROM SNIFFING DOGS, AND IT IS A 1517 00:42:28,630 --> 00:42:30,330 IT'S SUPPOSED TO MASK THE SMELL FROM SNIFFING DOGS, AND IT IS A VERY STRONG SCENT. 1518 00:42:30,330 --> 00:42:32,130 FROM SNIFFING DOGS, AND IT IS A VERY STRONG SCENT. AND SO, I GUESS, THE THEORY IS 1519 00:42:32,130 --> 00:42:34,030 VERY STRONG SCENT. AND SO, I GUESS, THE THEORY IS THAT IT WILL OVERPOWER THE DOG'S 1520 00:42:34,040 --> 00:42:35,810 AND SO, I GUESS, THE THEORY IS THAT IT WILL OVERPOWER THE DOG'S OLFACTORY ABILITIES AND CAN'T 1521 00:42:35,800 --> 00:42:37,370 THAT IT WILL OVERPOWER THE DOG'S OLFACTORY ABILITIES AND CAN'T PICK UP MY SCENT. 1522 00:42:37,370 --> 00:42:39,200 OLFACTORY ABILITIES AND CAN'T PICK UP MY SCENT. AND THE COLOGNE, AGAIN, IS ALSO 1523 00:42:39,210 --> 00:42:41,070 PICK UP MY SCENT. AND THE COLOGNE, AGAIN, IS ALSO SOMETHING THAT WE'RE HOPING WILL 1524 00:42:41,080 --> 00:42:42,920 AND THE COLOGNE, AGAIN, IS ALSO SOMETHING THAT WE'RE HOPING WILL OVERPOWER MY ODOR AND THROW HIM 1525 00:42:42,910 --> 00:42:45,880 SOMETHING THAT WE'RE HOPING WILL OVERPOWER MY ODOR AND THROW HIM OFF THE TRAIL. 1526 00:42:45,880 --> 00:42:47,510 OVERPOWER MY ODOR AND THROW HIM OFF THE TRAIL. >> DID YOU SMELL THAT? 1527 00:42:47,520 --> 00:42:50,120 OFF THE TRAIL. >> DID YOU SMELL THAT? >> EVEN I CAN SMELL THAT ONE. 1528 00:42:50,120 --> 00:42:51,750 >> DID YOU SMELL THAT? >> EVEN I CAN SMELL THAT ONE. >> Narrator: UNLIKE THE SPICY 1529 00:42:51,750 --> 00:42:53,350 >> EVEN I CAN SMELL THAT ONE. >> Narrator: UNLIKE THE SPICY PEPPER EXPERIMENT, WHICH WAS 1530 00:42:53,350 --> 00:42:54,920 >> Narrator: UNLIKE THE SPICY PEPPER EXPERIMENT, WHICH WAS DESIGNED TO BLIND THE DOG'S 1531 00:42:54,920 --> 00:42:57,160 PEPPER EXPERIMENT, WHICH WAS DESIGNED TO BLIND THE DOG'S SENSE OF SMELL, THIS COFFEE AND 1532 00:42:57,160 --> 00:42:58,990 DESIGNED TO BLIND THE DOG'S SENSE OF SMELL, THIS COFFEE AND COLOGNE TEST IS ALL ABOUT 1533 00:42:58,990 --> 00:43:00,730 SENSE OF SMELL, THIS COFFEE AND COLOGNE TEST IS ALL ABOUT MASKING ADAM'S ODOR AND 1534 00:43:00,730 --> 00:43:04,930 COLOGNE TEST IS ALL ABOUT MASKING ADAM'S ODOR AND CONFUSING POOR OLD MORGAN. 1535 00:43:04,930 --> 00:43:07,070 MASKING ADAM'S ODOR AND CONFUSING POOR OLD MORGAN. [ DOG HOWLING ] 1536 00:43:07,070 --> 00:43:08,700 CONFUSING POOR OLD MORGAN. [ DOG HOWLING ] >> OH, NO. 1537 00:43:08,700 --> 00:43:09,770 [ DOG HOWLING ] >> OH, NO. NO. 1538 00:43:09,770 --> 00:43:11,400 >> OH, NO. NO. [ LAUGHS ] 1539 00:43:11,410 --> 00:43:12,710 NO. [ LAUGHS ] >> THAT'S A GOOD BOY! 1540 00:43:12,710 --> 00:43:13,540 [ LAUGHS ] >> THAT'S A GOOD BOY! >> GOOD BOY! 1541 00:43:13,540 --> 00:43:15,710 >> THAT'S A GOOD BOY! >> GOOD BOY! >> WHAT A GOOD DOG! 1542 00:43:15,710 --> 00:43:18,310 >> GOOD BOY! >> WHAT A GOOD DOG! >> HE SMELLED LIKE A CHEAP DATE, 1543 00:43:18,310 --> 00:43:20,850 >> WHAT A GOOD DOG! >> HE SMELLED LIKE A CHEAP DATE, BUT, YOU KNOW, AT THE END OF IT 1544 00:43:20,850 --> 00:43:22,780 >> HE SMELLED LIKE A CHEAP DATE, BUT, YOU KNOW, AT THE END OF IT ALL, UNLESS YOU'RE A CHEAP DATE 1545 00:43:22,780 --> 00:43:24,520 BUT, YOU KNOW, AT THE END OF IT ALL, UNLESS YOU'RE A CHEAP DATE TRYING TO ESCAPE, THIS ISN'T 1546 00:43:24,520 --> 00:43:26,180 ALL, UNLESS YOU'RE A CHEAP DATE TRYING TO ESCAPE, THIS ISN'T GONNA HELP YOU OUT BECAUSE 1547 00:43:26,190 --> 00:43:31,490 TRYING TO ESCAPE, THIS ISN'T GONNA HELP YOU OUT BECAUSE MORGAN FOUND HIM RIGHT AWAY. 1548 00:43:31,490 --> 00:43:32,690 GONNA HELP YOU OUT BECAUSE MORGAN FOUND HIM RIGHT AWAY. >> I SUPPOSE THE SECRET'S OUT 1549 00:43:32,690 --> 00:43:33,960 MORGAN FOUND HIM RIGHT AWAY. >> I SUPPOSE THE SECRET'S OUT ABOUT WHAT THIS TEST IS ABOUT. 1550 00:43:33,960 --> 00:43:35,230 >> I SUPPOSE THE SECRET'S OUT ABOUT WHAT THIS TEST IS ABOUT. >> YEAH, THIS IS JUST DOWNRIGHT 1551 00:43:35,230 --> 00:43:35,590 ABOUT WHAT THIS TEST IS ABOUT. >> YEAH, THIS IS JUST DOWNRIGHT MEAN. 1552 00:43:35,600 --> 00:43:36,290 >> YEAH, THIS IS JUST DOWNRIGHT MEAN. >> OH, REALLY? 1553 00:43:36,300 --> 00:43:36,890 MEAN. >> OH, REALLY? >> OH, YEAH. 1554 00:43:36,900 --> 00:43:37,500 >> OH, REALLY? >> OH, YEAH. [ LAUGHTER ] 1555 00:43:37,500 --> 00:43:38,560 >> OH, YEAH. [ LAUGHTER ] >> THIS IS A HARD ONE. 1556 00:43:38,570 --> 00:43:39,960 [ LAUGHTER ] >> THIS IS A HARD ONE. >> YEAH, FOR US, THIS IS HARD. 1557 00:43:39,970 --> 00:43:41,030 >> THIS IS A HARD ONE. >> YEAH, FOR US, THIS IS HARD. SOME PEOPLE, NOT HARD. 1558 00:43:41,040 --> 00:43:42,880 >> YEAH, FOR US, THIS IS HARD. SOME PEOPLE, NOT HARD. FOR US, THIS IS HARD. 1559 00:43:42,870 --> 00:43:44,400 SOME PEOPLE, NOT HARD. FOR US, THIS IS HARD. >> THE URBAN ENVIRONMENT THEORY 1560 00:43:44,410 --> 00:43:45,910 FOR US, THIS IS HARD. >> THE URBAN ENVIRONMENT THEORY IS THAT IT MAKES IT HARDER FOR 1561 00:43:45,910 --> 00:43:47,240 >> THE URBAN ENVIRONMENT THEORY IS THAT IT MAKES IT HARDER FOR THE DOG TO FIND ME FOR TWO 1562 00:43:47,240 --> 00:43:47,810 IS THAT IT MAKES IT HARDER FOR THE DOG TO FIND ME FOR TWO REASONS. 1563 00:43:47,810 --> 00:43:49,440 THE DOG TO FIND ME FOR TWO REASONS. ONE IS THAT THE AREA IS HEAVILY 1564 00:43:49,440 --> 00:43:50,880 REASONS. ONE IS THAT THE AREA IS HEAVILY TRAFFICKED BY OTHER PEOPLE. 1565 00:43:50,880 --> 00:43:52,410 ONE IS THAT THE AREA IS HEAVILY TRAFFICKED BY OTHER PEOPLE. THE OTHER IS THAT IT'S HARDER 1566 00:43:52,410 --> 00:43:53,880 TRAFFICKED BY OTHER PEOPLE. THE OTHER IS THAT IT'S HARDER FOR HIM TO SMELL MY SCENT ON 1567 00:43:53,880 --> 00:43:55,450 THE OTHER IS THAT IT'S HARDER FOR HIM TO SMELL MY SCENT ON PAVEMENT. 1568 00:43:55,450 --> 00:43:57,120 FOR HIM TO SMELL MY SCENT ON PAVEMENT. >> Narrator: ADAM HAS LAID DOWN 1569 00:43:57,120 --> 00:43:58,620 PAVEMENT. >> Narrator: ADAM HAS LAID DOWN A SIX-BLOCK URBAN MAZE OF A 1570 00:43:58,620 --> 00:44:01,290 >> Narrator: ADAM HAS LAID DOWN A SIX-BLOCK URBAN MAZE OF A TRAIL -- THE ULTIMATE TEST FOR A 1571 00:44:01,290 --> 00:44:02,890 A SIX-BLOCK URBAN MAZE OF A TRAIL -- THE ULTIMATE TEST FOR A BLOODHOUND. 1572 00:44:02,890 --> 00:44:03,990 TRAIL -- THE ULTIMATE TEST FOR A BLOODHOUND. [ DOG HOWLS ] 1573 00:44:03,990 --> 00:44:05,390 BLOODHOUND. [ DOG HOWLS ] >> GOOD BOY. 1574 00:44:05,390 --> 00:44:06,890 [ DOG HOWLS ] >> GOOD BOY. [ DOG HOWLS ] 1575 00:44:06,890 --> 00:44:08,130 >> GOOD BOY. [ DOG HOWLS ] COME HERE. 1576 00:44:08,130 --> 00:44:11,130 [ DOG HOWLS ] COME HERE. SMELL. GET HIM! 1577 00:44:11,130 --> 00:44:12,500 COME HERE. SMELL. GET HIM! >> Narrator: STRAIGHTAWAY, IT'S 1578 00:44:12,500 --> 00:44:13,900 SMELL. GET HIM! >> Narrator: STRAIGHTAWAY, IT'S APPARENT THAT MORGAN IS A LITTLE 1579 00:44:13,900 --> 00:44:14,900 >> Narrator: STRAIGHTAWAY, IT'S APPARENT THAT MORGAN IS A LITTLE DISTRACTED BY ALL THE 1580 00:44:14,900 --> 00:44:18,270 APPARENT THAT MORGAN IS A LITTLE DISTRACTED BY ALL THE INTERESTING BIG-CITY SMELLS. 1581 00:44:18,270 --> 00:44:19,900 DISTRACTED BY ALL THE INTERESTING BIG-CITY SMELLS. >> LEAVE IT. LET'S GO. 1582 00:44:19,910 --> 00:44:21,170 INTERESTING BIG-CITY SMELLS. >> LEAVE IT. LET'S GO. WHERE DID HE GO? 1583 00:44:21,180 --> 00:44:23,450 >> LEAVE IT. LET'S GO. WHERE DID HE GO? LEAVE IT. LET'S GO. GET TO WORK. 1584 00:44:23,440 --> 00:44:26,640 WHERE DID HE GO? LEAVE IT. LET'S GO. GET TO WORK. >> TOO MUCH STUFF GOING ON HERE. 1585 00:44:26,650 --> 00:44:28,010 LEAVE IT. LET'S GO. GET TO WORK. >> TOO MUCH STUFF GOING ON HERE. >> Narrator: MATT, REALIZING 1586 00:44:28,020 --> 00:44:29,420 >> TOO MUCH STUFF GOING ON HERE. >> Narrator: MATT, REALIZING MORGAN HAS LOST HIS FOCUS AND 1587 00:44:29,420 --> 00:44:30,110 >> Narrator: MATT, REALIZING MORGAN HAS LOST HIS FOCUS AND THE TRAIL... 1588 00:44:30,120 --> 00:44:31,250 MORGAN HAS LOST HIS FOCUS AND THE TRAIL... >> LEAVE IT. LET'S GO. 1589 00:44:31,250 --> 00:44:31,950 THE TRAIL... >> LEAVE IT. LET'S GO. GET TO WORK. 1590 00:44:31,950 --> 00:44:33,450 >> LEAVE IT. LET'S GO. GET TO WORK. >> Narrator: ...BRINGS HIM BACK 1591 00:44:33,450 --> 00:44:34,820 GET TO WORK. >> Narrator: ...BRINGS HIM BACK TO THE START IN AN EFFORT TO 1592 00:44:34,820 --> 00:44:37,120 >> Narrator: ...BRINGS HIM BACK TO THE START IN AN EFFORT TO PICK UP ON THE SCENT AGAIN. 1593 00:44:37,120 --> 00:44:38,860 TO THE START IN AN EFFORT TO PICK UP ON THE SCENT AGAIN. >> SMELL. GET HIM. LET'S GO. 1594 00:44:38,860 --> 00:44:40,460 PICK UP ON THE SCENT AGAIN. >> SMELL. GET HIM. LET'S GO. >> Narrator: THE TEAM HAVE 1595 00:44:40,460 --> 00:44:42,190 >> SMELL. GET HIM. LET'S GO. >> Narrator: THE TEAM HAVE CLEARLY FOLLOWED A DIFFERENT 1596 00:44:42,200 --> 00:44:43,900 >> Narrator: THE TEAM HAVE CLEARLY FOLLOWED A DIFFERENT ROUTE TO ADAM, BUT AFTER 90 1597 00:44:43,900 --> 00:44:45,600 CLEARLY FOLLOWED A DIFFERENT ROUTE TO ADAM, BUT AFTER 90 MINUTES OF FALSE LEADS, THEY 1598 00:44:45,600 --> 00:44:47,230 ROUTE TO ADAM, BUT AFTER 90 MINUTES OF FALSE LEADS, THEY FINALLY FIND THEIR FURTIVE 1599 00:44:47,230 --> 00:44:49,270 MINUTES OF FALSE LEADS, THEY FINALLY FIND THEIR FURTIVE FUGITIVE. 1600 00:44:49,270 --> 00:44:51,970 FINALLY FIND THEIR FURTIVE FUGITIVE. >> [ LAUGHS ] 1601 00:44:51,970 --> 00:44:53,770 FUGITIVE. >> [ LAUGHS ] >> THAT'S A GOOD BOY! 1602 00:44:53,770 --> 00:44:54,840 >> [ LAUGHS ] >> THAT'S A GOOD BOY! >> [ LAUGHS ] 1603 00:44:54,840 --> 00:44:57,010 >> THAT'S A GOOD BOY! >> [ LAUGHS ] >> Narrator: AN INCREDIBLE FIND, 1604 00:44:57,010 --> 00:44:58,510 >> [ LAUGHS ] >> Narrator: AN INCREDIBLE FIND, BUT AS ADAM POINTS OUT, THERE 1605 00:44:58,510 --> 00:45:00,180 >> Narrator: AN INCREDIBLE FIND, BUT AS ADAM POINTS OUT, THERE WAS AN ELEMENT OF LUCK INVOLVED. 1606 00:45:00,180 --> 00:45:01,650 BUT AS ADAM POINTS OUT, THERE WAS AN ELEMENT OF LUCK INVOLVED. >> WELL, I'M AMAZED THAT YOU 1607 00:45:01,650 --> 00:45:03,280 WAS AN ELEMENT OF LUCK INVOLVED. >> WELL, I'M AMAZED THAT YOU FOUND ME 'CAUSE I DIDN'T GO THAT 1608 00:45:03,280 --> 00:45:03,680 >> WELL, I'M AMAZED THAT YOU FOUND ME 'CAUSE I DIDN'T GO THAT WAY. 1609 00:45:03,680 --> 00:45:04,620 FOUND ME 'CAUSE I DIDN'T GO THAT WAY. I CAME THAT WAY. 1610 00:45:04,620 --> 00:45:06,080 WAY. I CAME THAT WAY. I CAME THROUGH A CAR PARK, AND, 1611 00:45:06,090 --> 00:45:07,550 I CAME THAT WAY. I CAME THROUGH A CAR PARK, AND, IN FACT, I EVEN LEFT A COUPLE OF 1612 00:45:07,560 --> 00:45:08,600 I CAME THROUGH A CAR PARK, AND, IN FACT, I EVEN LEFT A COUPLE OF SCENT POOLS FOR YOU. 1613 00:45:08,590 --> 00:45:09,920 IN FACT, I EVEN LEFT A COUPLE OF SCENT POOLS FOR YOU. I GOT DOWN ON THE GROUND AND 1614 00:45:09,920 --> 00:45:11,160 SCENT POOLS FOR YOU. I GOT DOWN ON THE GROUND AND GRINDED AROUND, GAVE YOU A 1615 00:45:11,160 --> 00:45:11,890 I GOT DOWN ON THE GROUND AND GRINDED AROUND, GAVE YOU A LITTLE GIMME. 1616 00:45:11,890 --> 00:45:13,520 GRINDED AROUND, GAVE YOU A LITTLE GIMME. AND I CAME THROUGH AN ALLEY BACK 1617 00:45:13,530 --> 00:45:14,830 LITTLE GIMME. AND I CAME THROUGH AN ALLEY BACK THERE AND CAME THIS WAY. 1618 00:45:14,830 --> 00:45:16,260 AND I CAME THROUGH AN ALLEY BACK THERE AND CAME THIS WAY. I WOULDN'T CHALK THIS UP TO 1619 00:45:16,260 --> 00:45:18,700 THERE AND CAME THIS WAY. I WOULDN'T CHALK THIS UP TO SHEER LUCK. 1620 00:45:18,700 --> 00:45:20,200 I WOULDN'T CHALK THIS UP TO SHEER LUCK. BUT I WOULDN'T CALL IT 100% 1621 00:45:20,200 --> 00:45:21,030 SHEER LUCK. BUT I WOULDN'T CALL IT 100% FIND, EITHER. 1622 00:45:21,040 --> 00:45:22,440 BUT I WOULDN'T CALL IT 100% FIND, EITHER. I'D SAY IT'S SOMEWHERE IN 1623 00:45:22,440 --> 00:45:23,030 FIND, EITHER. I'D SAY IT'S SOMEWHERE IN BETWEEN. 1624 00:45:23,040 --> 00:45:24,700 I'D SAY IT'S SOMEWHERE IN BETWEEN. AND MORGAN'S STILL A YOUNG DOG, 1625 00:45:24,710 --> 00:45:26,110 BETWEEN. AND MORGAN'S STILL A YOUNG DOG, STILL WORK-IN-PROGRESS TO 1626 00:45:26,110 --> 00:45:27,510 AND MORGAN'S STILL A YOUNG DOG, STILL WORK-IN-PROGRESS TO LEARNING WHAT HE'S DOING. 1627 00:45:27,510 --> 00:45:29,070 STILL WORK-IN-PROGRESS TO LEARNING WHAT HE'S DOING. AND THIS IS, WITHOUT A DOUBT, 1628 00:45:29,080 --> 00:45:30,710 LEARNING WHAT HE'S DOING. AND THIS IS, WITHOUT A DOUBT, THE MOST DIFFICULT ENVIRONMENT 1629 00:45:30,710 --> 00:45:32,240 AND THIS IS, WITHOUT A DOUBT, THE MOST DIFFICULT ENVIRONMENT FOR HIM TO TRACK SOMEONE IN. 1630 00:45:32,250 --> 00:45:33,610 THE MOST DIFFICULT ENVIRONMENT FOR HIM TO TRACK SOMEONE IN. >> MORGAN AND I HAVEN'T YET 1631 00:45:33,610 --> 00:45:34,710 FOR HIM TO TRACK SOMEONE IN. >> MORGAN AND I HAVEN'T YET CONCENTRATED ON URBAN 1632 00:45:34,720 --> 00:45:36,220 >> MORGAN AND I HAVEN'T YET CONCENTRATED ON URBAN ENVIRONMENTS, SO IT'S POSSIBLE 1633 00:45:36,220 --> 00:45:37,680 CONCENTRATED ON URBAN ENVIRONMENTS, SO IT'S POSSIBLE THAT IF YOU DID IT WITH A DOG 1634 00:45:37,690 --> 00:45:39,230 ENVIRONMENTS, SO IT'S POSSIBLE THAT IF YOU DID IT WITH A DOG WITH MORE URBAN EXPERIENCE, YOU 1635 00:45:39,220 --> 00:45:42,350 THAT IF YOU DID IT WITH A DOG WITH MORE URBAN EXPERIENCE, YOU MIGHT GET A DIFFERENT RESULT. 1636 00:45:42,360 --> 00:45:43,290 WITH MORE URBAN EXPERIENCE, YOU MIGHT GET A DIFFERENT RESULT. [ DOG HOWLING ] 1637 00:45:43,290 --> 00:45:44,620 MIGHT GET A DIFFERENT RESULT. [ DOG HOWLING ] >> Narrator: IT'S TRUE. 1638 00:45:44,630 --> 00:45:46,500 [ DOG HOWLING ] >> Narrator: IT'S TRUE. THERE ARE PLENTY OF DOCUMENTED 1639 00:45:46,490 --> 00:45:47,830 >> Narrator: IT'S TRUE. THERE ARE PLENTY OF DOCUMENTED CASES OF BLOODHOUNDS 1640 00:45:47,830 --> 00:45:49,690 THERE ARE PLENTY OF DOCUMENTED CASES OF BLOODHOUNDS SUCCESSFULLY FOLLOWING A TRAIL 1641 00:45:49,700 --> 00:45:51,700 CASES OF BLOODHOUNDS SUCCESSFULLY FOLLOWING A TRAIL THROUGH HEAVILY POPULATED AREAS, 1642 00:45:51,700 --> 00:45:53,430 SUCCESSFULLY FOLLOWING A TRAIL THROUGH HEAVILY POPULATED AREAS, BUT THERE'S NO DOUBTING IT'S 1643 00:45:53,430 --> 00:45:54,030 THROUGH HEAVILY POPULATED AREAS, BUT THERE'S NO DOUBTING IT'S TOUGH. 1644 00:45:54,030 --> 00:45:55,430 BUT THERE'S NO DOUBTING IT'S TOUGH. >> I DON'T KNOW ABOUT YOU, BUT 1645 00:45:55,440 --> 00:45:56,900 TOUGH. >> I DON'T KNOW ABOUT YOU, BUT I'VE HAD ENOUGH RUNNING FOR LIKE 1646 00:45:56,900 --> 00:45:57,570 >> I DON'T KNOW ABOUT YOU, BUT I'VE HAD ENOUGH RUNNING FOR LIKE THREE MYTHS. 1647 00:45:57,570 --> 00:45:58,800 I'VE HAD ENOUGH RUNNING FOR LIKE THREE MYTHS. I'M GONNA CHANGE BACK INTO 1648 00:45:58,810 --> 00:46:00,270 THREE MYTHS. I'M GONNA CHANGE BACK INTO CIVILIAN CLOTHES AND SLEEP FOR A 1649 00:46:00,270 --> 00:46:00,940 I'M GONNA CHANGE BACK INTO CIVILIAN CLOTHES AND SLEEP FOR A COUPLE DAYS. 1650 00:46:00,940 --> 00:46:02,610 CIVILIAN CLOTHES AND SLEEP FOR A COUPLE DAYS. >> ALL RIGHT. LET'S CLEAR OUT. 1651 00:46:02,610 --> 00:46:04,240 COUPLE DAYS. >> ALL RIGHT. LET'S CLEAR OUT. >> Narrator: AS THE TEAM HEAD 1652 00:46:04,250 --> 00:46:05,890 >> ALL RIGHT. LET'S CLEAR OUT. >> Narrator: AS THE TEAM HEAD HOME AFTER A HARD DAY HUNTING 1653 00:46:05,880 --> 00:46:07,950 >> Narrator: AS THE TEAM HEAD HOME AFTER A HARD DAY HUNTING AND BEING HUNTED, JAMIE DECIDES 1654 00:46:07,950 --> 00:46:09,710 HOME AFTER A HARD DAY HUNTING AND BEING HUNTED, JAMIE DECIDES THAT THE OLD FILM-INDUSTRY 1655 00:46:09,720 --> 00:46:11,380 AND BEING HUNTED, JAMIE DECIDES THAT THE OLD FILM-INDUSTRY PROVERB "NEVER WORK WITH 1656 00:46:11,390 --> 00:46:13,130 THAT THE OLD FILM-INDUSTRY PROVERB "NEVER WORK WITH ANIMALS" IS TOTALLY BUSTED. 1657 00:46:13,120 --> 00:46:14,750 PROVERB "NEVER WORK WITH ANIMALS" IS TOTALLY BUSTED. >> THIS HAS BEEN REALLY A 1658 00:46:14,760 --> 00:46:16,530 ANIMALS" IS TOTALLY BUSTED. >> THIS HAS BEEN REALLY A WONDERFUL EXPERIENCE FOR US 1659 00:46:16,520 --> 00:46:18,490 >> THIS HAS BEEN REALLY A WONDERFUL EXPERIENCE FOR US BECAUSE, YOU KNOW, WORKING WITH 1660 00:46:18,490 --> 00:46:20,390 WONDERFUL EXPERIENCE FOR US BECAUSE, YOU KNOW, WORKING WITH AN ANIMAL LIKE THIS THAT IS SO 1661 00:46:20,390 --> 00:46:22,630 BECAUSE, YOU KNOW, WORKING WITH AN ANIMAL LIKE THIS THAT IS SO AMAZING, I MEAN, MORGAN WAS -- 1662 00:46:22,630 --> 00:46:24,830 AN ANIMAL LIKE THIS THAT IS SO AMAZING, I MEAN, MORGAN WAS -- IT'S LIKE MAGIC WHAT THIS DOG 1663 00:46:24,830 --> 00:46:25,660 AMAZING, I MEAN, MORGAN WAS -- IT'S LIKE MAGIC WHAT THIS DOG CAN DO. 1664 00:46:25,670 --> 00:46:27,830 IT'S LIKE MAGIC WHAT THIS DOG CAN DO. IT'S ALSO REALLY IMPRESSIVE TO 1665 00:46:27,840 --> 00:46:30,080 CAN DO. IT'S ALSO REALLY IMPRESSIVE TO SEE A MAN WORKING WITH THE DOG. 1666 00:46:30,070 --> 00:46:31,970 IT'S ALSO REALLY IMPRESSIVE TO SEE A MAN WORKING WITH THE DOG. IT STRIKES ME AS SOMETHING 1667 00:46:31,970 --> 00:46:33,370 SEE A MAN WORKING WITH THE DOG. IT STRIKES ME AS SOMETHING THAT'S MORE LIKE AN ART. 1668 00:46:33,370 --> 00:46:35,070 IT STRIKES ME AS SOMETHING THAT'S MORE LIKE AN ART. THIS ISN'T JUST LIKE A MACHINE 1669 00:46:35,080 --> 00:46:36,680 THAT'S MORE LIKE AN ART. THIS ISN'T JUST LIKE A MACHINE THAT'S PICKING UP SCENTS. 1670 00:46:36,810 --> 00:46:38,810 THIS IS, YOU KNOW, A COMBINATION 1671 00:46:38,810 --> 00:46:40,750 OF THE MAN AND HIS RELATIONSHIP 1672 00:46:40,750 --> 00:46:42,250 WITH THE ANIMAL, TAKING 1673 00:46:42,250 --> 00:46:44,220 ADVANTAGE OF WHAT THE ANIMAL CAN 1674 00:46:44,220 --> 00:46:46,220 DO, PICKING UP THOSE LITTLE TINY 1675 00:46:46,220 --> 00:46:48,690 HINTS OF WHAT'S GOING ON, AND 1676 00:46:48,690 --> 00:46:51,320 TRYING TO PULL IT TOGETHER INTO 1677 00:46:51,330 --> 00:46:53,000 A COMPOSITION THAT ENDS UP 1678 00:46:52,990 --> 00:46:54,390 CATCHING THE BAD GUY. 1679 00:46:54,400 --> 00:46:57,340 IT'S REALLY SOMETHING SPECIAL. 1680 00:46:57,330 --> 00:46:58,630 >> LET'S RECAP ALL THE WAYS WE 1681 00:46:58,630 --> 00:46:59,960 TRIED TO BEAT THE BLOODHOUND -- 1682 00:46:59,970 --> 00:47:01,100 BACKTRACKING, ZIGZAGGING, 1683 00:47:01,100 --> 00:47:01,870 CLIMBING A TREE. 1684 00:47:01,870 --> 00:47:02,430 >> BUSTED. 1685 00:47:02,440 --> 00:47:03,300 >> RIVER CROSSING. 1686 00:47:03,300 --> 00:47:03,870 >> BUSTED. 1687 00:47:03,870 --> 00:47:05,140 >> WASHING OFF YOUR SMELL AND 1688 00:47:05,140 --> 00:47:05,940 CHANGING CLOTHES. 1689 00:47:05,940 --> 00:47:06,500 >> BUSTED. 1690 00:47:06,510 --> 00:47:07,740 >> COVERING YOUR TRACKS WITH 1691 00:47:07,740 --> 00:47:08,170 PEPPER? 1692 00:47:08,180 --> 00:47:08,750 >> BUSTED. 1693 00:47:08,740 --> 00:47:10,070 >> MASKING YOUR SCENT WITH 1694 00:47:10,080 --> 00:47:11,110 COLOGNE AND COFFEE. 1695 00:47:11,110 --> 00:47:11,780 >> BUSTED. 1696 00:47:11,780 --> 00:47:13,080 >> AND URBAN ENVIRONMENT. 1697 00:47:13,080 --> 00:47:14,850 >> THAT WOULD BE PLAUSIBLE. 1698 00:47:14,850 --> 00:47:16,250 >> HE DID AMAZINGLY. 1699 00:47:16,250 --> 00:47:18,050 >> YEP, A GOOD DOG'S HARD TO 1700 00:47:18,050 --> 00:47:18,620 FOOL. 1701 00:47:18,620 --> 00:47:28,760 >> CORRECTOMUNDO. 1702 00:47:28,760 --> 00:47:29,960 YOU KNOW, THE WHOLE IDEA FOR 1703 00:47:29,960 --> 00:47:31,100 DOING THE MYTH OF TEACHING 1704 00:47:31,100 --> 00:47:32,430 AN OLD DOG NEW TRICKS CAME FROM 1705 00:47:32,430 --> 00:47:33,130 MY DOG TRAINER. 1706 00:47:33,130 --> 00:47:34,430 >> WELL, A GOOD IDEA IS A GOOD 1707 00:47:34,440 --> 00:47:34,810 IDEA. 1708 00:47:34,800 --> 00:47:36,100 WE'LL TAKE THEM WHEREVER WE CAN 1709 00:47:36,100 --> 00:47:36,600 GET THEM. 1710 00:47:36,600 --> 00:47:37,740 >> WELL, IN FACT, IN A FEW 1711 00:47:37,740 --> 00:47:39,040 EPISODES' TIME, WE'RE GONNA BE 1712 00:47:39,040 --> 00:47:40,270 DOING AN ENTIRE EPISODE BASED 1713 00:47:40,270 --> 00:47:42,040 SOLELY ON VIEWER SUBMISSIONS. 1714 00:47:42,040 --> 00:47:43,880 >> SO IF YOU HAVE AN IDEA, LOG 1715 00:47:43,880 --> 00:47:45,780 ONTO discovery.com/mythbusters, 1716 00:47:45,780 --> 00:47:47,680 AND IF IT'S ANY GOOD, WE'LL PUT 1717 00:47:47,680 --> 00:47:48,710 IT ON THE SHOW. 1718 00:47:48,720 --> 00:47:50,750 >> WE PROMISE.