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In the 90s,
There is an active rebellion

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against all conventions that

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were established
in the 80s.

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It's an explosion of
independent cinema.

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Films that are brave,
that are real,

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who don't have all that
corporate polishing

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in favor of something that
look authentic.

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It was bolder,
it was dirtier, it was

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a little more self-aware.

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An allegorical means, then
he pushes a lot

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of buttons.

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The 90s were very
self-reflective.

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Who stars in The Exorcist 2: The Heretic?

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This is crazy!

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Movies have tried things
new with the terror that

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had never been done before.

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The public was
really interested in

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see what could be done.

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Possibilities,
a new world opened

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A stage world,
gaping in darkness.

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This is a moment of total escape.

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Once you are
involved in the real genre,

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you can then
appreciate the craft of it

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and the tour.

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It's a great trip.

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That's why we give money
for the popcorn we buy.

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Finding your way
to the horror section.

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Obscure horror films
that I've never heard of.

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They encouraged the expansion of their

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taste.

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Surprise!

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It's not so bad that it's good, it's

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about understanding that
low budget and

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It's do it yourself.

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This is the aesthetic he seeks.

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What's next
terrible, disgusting,

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hilarious, exciting,
highly inventive

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way you can
find to kill someone?

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I like the bad ones.

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Is it good?

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No.

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Is it fun?

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Absolutely.

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Oh my God!

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This gives me goosebumps.

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It's dark now! I can see!

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It's that kind of film,

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It's a horror film.

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It was a good time to be a

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teenager and a young man
adult in the 90s

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to horror.

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The industry is changing
both on a large scale

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screen and on the small screen in

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deep shapes and
comprehensive in the 90s.

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That would change the industry

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forever.

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This social element
of what it meant

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go to the theater and go to

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a video store in
90s, that was everything.

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It was a glorious time to be a

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fan of films.

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Be my victim.

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In Search of DARKNESS 1990-1994

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A journey into horror
from the iconic 90s

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by Charada

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I think the first years in

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the 90s were a
kind of feeling

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of what comes next.

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We knew we were
ready for something else,

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but find out what
it was this new thing

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It will take a few years to

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discover.

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We will create a new life.

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Everything seems like this

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strange period of
recovery where the

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excesses and a little of
real punk fun

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from the 80s are
starting to disappear.

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And the decade is trying to find

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your own identity too.

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Who the hell are you?

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I can't believe you still don't know.

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The 90s proved to be one of the

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longer periods of time
training in my

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life.

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You know, what I
I think about music, what

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I think about movies, like what I

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I still think about fashion today, it's for

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better or worse informed
through the 90s

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experience completely.

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Hey, do you want to get
some borrowed pants,

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Boss?

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First impressions and all.

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All trends do not change in this

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January 1, 1990, obviously.

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But I really stayed
happy to see the shoulder

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the pads disappear.

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Wow!

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Now this is what I
I call it romantic!

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This fashion that kind of goes away

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Seattle and leaves the grunge scene

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in the 90s, flannels, you know, that

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oversized type
I don't give a damn

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look, that was
beautifully expressed as

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the music kind of came out of that

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Bright pop vibe
and sparkling you are

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arriving in the late 80s.

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We have MTV, but we are
getting this mix

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90s rock,
90s grunge mixed

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with that kind of
90s bubblegum pop.

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We also have YO! MTV Raps, and that

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It kind of explodes.

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In the real world, we are dealing with

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things like riots
in Los Angeles.

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Rodney King, we are
dealing with the Gulf

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War.

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So the world around us
around is getting very

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seriously.

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The trickle down economy
It's not a drip

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down, and the people
are feeling it, and

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our art is beginning
to reflect this.

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It's pretty brutal here.

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We are advising
our customers to put

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everything they have
in canned food

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and shotguns.

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If the 80s were cocaine,
the 90s were heroine.

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When I think about the beginning
from the 90s, I

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Also think about a change of tone.

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Things are kinda
dark and I'm angry

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because I was ignored
or am I angry

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because the system does not
do you care about me or

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oppresses me.

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And, you know, we have to
do something

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about it.

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It's time to fight.

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Young people are
becoming more active in

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politics or, you know, Rock the Vote

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comes to mind.

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To fight!

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To fight!

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To fight!

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I think there was a kind of

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rebellion that gave
start to much of what

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happened in the 90s.

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This, in a way,
was a refutation to

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some of the most popular things that

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were happening in the 80s.

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For God's sake, Chucky, drag yourself

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in the 90s.

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Stabbings happened
with Bundy and Dahmer.

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You look like Martha Stewart in that

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thing.

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There was a lot of change too

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happening in the years
90 or no deck on

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happen in the 90s in terms of

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race, in terms of
queer representation.

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Like, we were coming out of AIDS

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crisis at the end of the 80s.

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The Gulf War created
a new global crisis

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awareness of the
people who had the luxury

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Don't think about it for a number

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of years.

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And this manifests itself in
in a certain way throughout

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decade in different
horror films.

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You saw something almost dystopian

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of, type, class
different worker

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communities going together
against the others.

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And there's still a class
dominant that is

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above the fray.

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And this is ripe material for

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narrative in general, and
much less gender.

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What a great opportunity
to enjoy a little

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these characters and
then make them turn

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the mirror or lens back into

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public with a lot of self-reference

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things inside.

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It's just murder, man.

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All God's creatures
they do it somehow

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or other.

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I mean, we just
We call this an industry, don't we?

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murder.

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I think I really
we get involved in this

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time, questioning who we are.

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'Cause there's a way
for the horror to leave

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there, the other, and the horror within

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us.

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Who are we?

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We are not living
a Sutter Cane story!

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This is not reality!
It's not reality!

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As I think there was
a feeling of

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settlement of accounts in
society, there was a feeling

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of reckoning
to some extent in horror

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movies.

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The early 90s were a bit

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of a period of hangover
to the golden age

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killers.

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There were certain people who didn't know

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the party was over.

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Let's go!

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The bandits of the years
80 are still alive

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and reaching the 90s.

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It was very difficult to take them down

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their pedestals and create
a new franchise

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stars.

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Every city has an Elm Street.

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You had Freddy, you
Had Jason, did you have

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Michael, you had Chucky, Pinhead.

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Sneaked into the decade
90 before delivering the

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pass the baton to the
new icons of terror, which

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would be Leprechaun,
Candyman, Ghostface.

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But in fact, the icons
80s horror never

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really went away.

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They kept their
claws and their factions

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and your kitchen knives
as deeply as

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they could.

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The guys who manage
these franchises know

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that do not launch a new offer

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It's leaving money on the table.

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You know it costs so much and

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will do this a lot, and � 

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just math.

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You will keep doing this, and

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Their fans are waiting for them.

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There is an ecosystem
That's where it has to be

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served.

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00:09:00,623 --> 00:09:02,708
What is wonderful about us
90s is that you still

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00:09:02,708 --> 00:09:04,710
there are people if
trying my best to

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original ideas, for new ideas.

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Candyman is a great example of this.

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00:09:09,090 --> 00:09:11,717
Our night
congregation will witness a

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new miracle.

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We were allowed to say something

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politician who was dangerous, who

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00:09:17,932 --> 00:09:19,684
resonated with a public that

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00:09:19,684 --> 00:09:21,185
desperately needed
hear what we were

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talking about.

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The more money they
won, the greedier they were.

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00:09:23,604 --> 00:09:24,063
they did it.

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00:09:24,480 --> 00:09:26,649
The greedier they
they got, the crazier they got

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00:09:26,649 --> 00:09:26,941
caught it.

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00:09:27,024 --> 00:09:30,528
The horror genre, such
how it was built in

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00:09:30,528 --> 00:09:33,072
the 80s, that era has come to an end

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definitive end and the
Only way forward

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00:09:35,324 --> 00:09:37,785
It's deconstruct it and make something

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new.

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00:09:38,119 --> 00:09:39,662
He kind of
used to being Freddy

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00:09:39,662 --> 00:09:43,040
now then he decided
cross out

247
00:09:43,040 --> 00:09:44,959
of films in our reality.

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00:09:45,126 --> 00:09:46,252
The horror gets very clever.

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00:09:46,544 --> 00:09:48,296
They are all the same,
some stupid killer

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00:09:48,296 --> 00:09:50,214
chasing a girl
busty who can't

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00:09:50,214 --> 00:09:51,424
act, which is always
going up the stairs

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when she should be
coming out the front

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door.

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00:09:52,842 --> 00:09:54,260
The public became more
sophisticated in relation

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00:09:54,260 --> 00:09:55,428
what were they
watching, then the filmmakers

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I had to speak that language back

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for them.

258
00:10:00,558 --> 00:10:02,893
Why does this seem so familiar?

259
00:10:03,185 --> 00:10:05,438
There's almost like a meta riff that

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starts to happen.

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00:10:06,272 --> 00:10:08,399
What's fun about
a film full of ugly things,

262
00:10:08,691 --> 00:10:10,901
slimy, stingy and sticky

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00:10:10,901 --> 00:10:12,820
monsters that run wild and attack

264
00:10:12,820 --> 00:10:13,237
innocent?

265
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That was the tone of

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90s, this idea
of what's in front

267
00:10:18,200 --> 00:10:19,744
the camera and what is
behind the camera.

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00:10:19,827 --> 00:10:21,996
What does the public know about the

269
00:10:21,996 --> 00:10:24,040
industry and what is happening in the

270
00:10:24,040 --> 00:10:24,415
screen?

271
00:10:24,624 --> 00:10:26,500
No, please
 Don't kill me, Mr. Ghostface.

272
00:10:27,001 --> 00:10:28,085
I want to participate in the continuation.

273
00:10:28,461 --> 00:10:29,712
Come with me if you want to live.

274
00:10:29,712 --> 00:10:32,506
Digital visual effects,
for better or

275
00:10:32,506 --> 00:10:35,009
worse, enter the scene
in the 90s in

276
00:10:35,009 --> 00:10:36,469
a seismic form.

277
00:10:39,180 --> 00:10:40,640
Everyone thought that
they could do anything

278
00:10:40,640 --> 00:10:41,557
inside a computer.

279
00:10:44,518 --> 00:10:46,437
We were worried,
You know, with the transformation,

280
00:10:46,437 --> 00:10:46,854
you know, all of it.

281
00:10:46,937 --> 00:10:48,230
What does this mean?
for our jobs?

282
00:10:48,230 --> 00:10:48,773
as an actor?

283
00:10:50,816 --> 00:10:54,320
Suddenly the effect
itself is calling

284
00:10:54,320 --> 00:10:55,696
direct attention to yourself.

285
00:10:55,905 --> 00:10:57,323
You have to see what they did.

286
00:11:02,578 --> 00:11:04,163
And that's why you
there were people lined up

287
00:11:04,163 --> 00:11:06,040
outside Jurassic Park.

288
00:11:08,209 --> 00:11:10,795
And it's impossible to talk about the 90s

289
00:11:10,795 --> 00:11:12,505
without recognizing the incredible

290
00:11:12,505 --> 00:11:15,091
market impact
home video.

291
00:11:15,174 --> 00:11:17,385
Be the first to
receive your copy of

292
00:11:17,385 --> 00:11:20,429
Steven's Jurassic Park
Spielberg, now showing

293
00:11:20,429 --> 00:11:21,097
videotapes.

294
00:11:21,263 --> 00:11:23,182
And in particular, the video store.

295
00:11:25,309 --> 00:11:26,936
Make this a successful night.

296
00:11:26,936 --> 00:11:30,314
Curation is not
only from this collection of

297
00:11:30,314 --> 00:11:32,650
films that came before and making

298
00:11:32,650 --> 00:11:35,695
they make sense,
putting them out there

299
00:11:35,695 --> 00:11:38,739
in such a way that it inspired this

300
00:11:38,739 --> 00:11:40,783
type of community
fandom to start

301
00:11:40,783 --> 00:11:42,034
interacting with yourself.

302
00:11:44,328 --> 00:11:46,163
Terror keeps the industry active.

303
00:11:46,747 --> 00:11:48,374
It is a profitable business.

304
00:11:48,999 --> 00:11:49,834
The cost is low.

305
00:11:50,209 --> 00:11:51,877
The profit potential is high.

306
00:11:52,420 --> 00:11:54,463
And whether or not it is the golden age

307
00:11:54,463 --> 00:11:56,132
of horror or horror
having a lull,

308
00:11:56,132 --> 00:11:57,550
producers do not give
the least for any of that.

309
00:11:57,717 --> 00:11:58,551
They will keep doing this

310
00:11:58,551 --> 00:11:58,801
movies.

311
00:11:59,009 --> 00:12:01,137
All these movies
horror you watch.

312
00:12:01,345 --> 00:12:03,431
Does death, death, death make sense?

313
00:12:03,764 --> 00:12:05,224
There are a lot of good things in terms
of film production and

314
00:12:05,224 --> 00:12:06,934
narrative that happened
in the 90s, and

315
00:12:06,934 --> 00:12:10,813
It took fans about 30 years

316
00:12:10,813 --> 00:12:13,399
to really delve
what this decade has

317
00:12:13,399 --> 00:12:13,816
to offer.

318
00:12:14,066 --> 00:12:14,775
Do you want to date?

319
00:12:15,234 --> 00:12:16,152
Are you going out?

320
00:12:17,069 --> 00:12:18,028
Looking for action?

321
00:12:32,334 --> 00:12:32,877
Leather face.

322
00:12:33,461 --> 00:12:35,713
The Texas Chainsaw Massacre 3.

323
00:12:36,756 --> 00:12:39,049
The Serra Massacre
Electrical directed by

324
00:12:39,049 --> 00:12:40,760
Tobe Hooper is one of the greatest

325
00:12:40,760 --> 00:12:42,052
horror movies ever made.

326
00:12:44,221 --> 00:12:46,557
And the problem is that you don't see anything

327
00:12:46,557 --> 00:12:47,516
Do you think so?

328
00:12:47,641 --> 00:12:49,560
It's all off-screen.

329
00:12:49,894 --> 00:12:50,394
Bright.

330
00:12:50,811 --> 00:12:52,188
Tobe never achieved that.

331
00:12:52,354 --> 00:12:54,523
Because I don't think
his personality is

332
00:12:54,523 --> 00:12:56,066
like what you need to get through

333
00:12:56,066 --> 00:12:56,442
Hollywood.

334
00:12:56,442 --> 00:12:57,526
That's my feeling.

335
00:12:57,568 --> 00:12:58,486
He's really cool.

336
00:13:01,697 --> 00:13:03,783
Unfortunately, Tobe Hooper didn't have

337
00:13:03,783 --> 00:13:07,244
any contribution really
creative in any of

338
00:13:07,244 --> 00:13:09,497
Chainsaw Movies
after Chainsaw 2.

339
00:13:12,875 --> 00:13:13,417
Leather face.

340
00:13:13,542 --> 00:13:14,960
The Texas Chainsaw Massacre 3.

341
00:13:15,461 --> 00:13:17,129
Directed by the late Jeff Burr.

342
00:13:17,296 --> 00:13:20,424
A couple ends up
finding on the other side of the

343
00:13:20,424 --> 00:13:21,842
Chainsaw house in the forest.

344
00:13:21,842 --> 00:13:23,302
However, it is a situation
completely different

345
00:13:23,302 --> 00:13:25,513
family except Leatherface and except

346
00:13:25,513 --> 00:13:26,013
for grandpa.

347
00:13:26,430 --> 00:13:28,516
And it's never really
explained why.

348
00:13:32,228 --> 00:13:36,106
It's really brutal,
pessimistic and unpleasant

349
00:13:36,106 --> 00:13:38,859
film like the original Chainsaw.

350
00:13:38,984 --> 00:13:41,195
And that's what Jeff Burr
I was trying to do

351
00:13:41,195 --> 00:13:41,487
do.

352
00:13:41,695 --> 00:13:47,243
Junior likes these intimate parts.
He knows what to do with them.

353
00:13:47,409 --> 00:13:50,287
The film was filmed in California.

354
00:13:50,412 --> 00:13:51,330
It wasn't filmed in Texas.

355
00:13:51,789 --> 00:13:52,957
Daddy's little girl
From California, huh?

356
00:13:53,624 --> 00:13:55,459
The bitch says to
fill it, I'll fill it

357
00:13:55,584 --> 00:13:56,377
for you, mascara.

358
00:13:57,002 --> 00:13:58,295
The good side of the Texas chainsaw

359
00:13:58,295 --> 00:14:00,256
Massacre 3 has
fantastic actors

360
00:14:00,256 --> 00:14:00,506
in it.

361
00:14:00,589 --> 00:14:02,591
Viggo Mortensen is present
in one of his first roles.

362
00:14:02,716 --> 00:14:04,510
The difference is that it's not a good idea

363
00:14:04,510 --> 00:14:06,095
be playing with these
secondary roads

364
00:14:06,095 --> 00:14:07,471
night when you don't
you know where you're going.

365
00:14:07,888 --> 00:14:09,348
Ken Foree is in it.

366
00:14:09,431 --> 00:14:12,017
How many idiots like you are

367
00:14:12,017 --> 00:14:12,560
outside?

368
00:14:12,768 --> 00:14:13,894
Hey, baby, I just got
one thing to say

369
00:14:13,894 --> 00:14:14,311
say to you.

370
00:14:14,395 --> 00:14:14,895
Do you know what this is?

371
00:14:15,688 --> 00:14:17,189
I don't like the tone of your voice.

372
00:14:17,189 --> 00:14:19,400
Kate Hodge plays the
main role, assuming

373
00:14:19,400 --> 00:14:21,318
by Marilyn Burns and Caroline Williams

374
00:14:21,318 --> 00:14:22,570
as the final girl.

375
00:14:22,862 --> 00:14:23,779
She's very good at it.

376
00:14:28,742 --> 00:14:31,203
And then RA Mihailoff takes on the role

377
00:14:31,203 --> 00:14:33,414
by Leatherface, being
the third person to

378
00:14:33,414 --> 00:14:34,415
actually play the role.

379
00:14:37,501 --> 00:14:39,628
Jeff tried to bring
Gunnar Hansen back

380
00:14:39,628 --> 00:14:41,338
because he wanted to try to connect it

381
00:14:41,338 --> 00:14:42,339
for the original film.

382
00:14:42,339 --> 00:14:44,466
But the stadium doesn't
was willing to pay

383
00:14:44,466 --> 00:14:46,802
more than scale
SAG for him to reprise

384
00:14:46,802 --> 00:14:47,136
the paper.

385
00:14:47,303 --> 00:14:49,179
So, in principle,
he wouldn't do that.

386
00:14:51,515 --> 00:14:53,767
It was fun to work
in these films at the beginning

387
00:14:53,767 --> 00:14:55,519
in our career because
it was a continuation

388
00:14:55,519 --> 00:14:57,479
for some movies
classics we love,

389
00:14:57,563 --> 00:14:58,522
and I loved the first two.

390
00:14:58,731 --> 00:15:00,608
People running around
being sawed with a chainsaw

391
00:15:00,608 --> 00:15:02,484
and murdered in horrible ways.

392
00:15:04,320 --> 00:15:06,363
For us, it was a
opportunity to show

393
00:15:06,363 --> 00:15:07,531
some cool effects.

394
00:15:07,615 --> 00:15:08,908
And then, in the long run, they all

395
00:15:08,908 --> 00:15:09,700
it was cut anyway.

396
00:15:09,700 --> 00:15:11,994
So it was like, you
you know, why

397
00:15:11,994 --> 00:15:12,453
brother?

398
00:15:15,956 --> 00:15:18,500
New Line Cinema
Had Texas rights

399
00:15:18,500 --> 00:15:20,920
The Texas Chainsaw Massacre
will make sequences around

400
00:15:20,920 --> 00:15:21,545
this time.

401
00:15:21,795 --> 00:15:23,964
The problem is the version that is

402
00:15:23,964 --> 00:15:25,841
available, and it is a censored version.

403
00:15:26,008 --> 00:15:29,553
Because when Jeff Burr
had to find your

404
00:15:29,553 --> 00:15:32,806
Delivery date of
Halloween and the boss

405
00:15:32,806 --> 00:15:36,185
sales abroad
from New Line saw the

406
00:15:36,185 --> 00:15:38,312
premiere, he lost his mind

407
00:15:38,312 --> 00:15:40,439
because he was like,
I can't sell this

408
00:15:40,439 --> 00:15:41,065
foreign film.

409
00:15:41,231 --> 00:15:42,441
It's very violent.

410
00:15:42,650 --> 00:15:43,692
It's very dark.

411
00:15:46,153 --> 00:15:49,281
So Bob Shaye from
New Line Cinema came

412
00:15:49,281 --> 00:15:51,158
to the editing room and started

413
00:15:51,158 --> 00:15:53,744
cutting the film negative.

414
00:15:57,206 --> 00:15:59,541
You would hate to work
into something and then

415
00:15:59,541 --> 00:16:01,919
is in the editing room and no one

416
00:16:01,919 --> 00:16:02,711
You've seen this.

417
00:16:09,009 --> 00:16:10,928
I know Jeff Burr wanted your name

418
00:16:10,928 --> 00:16:12,304
out of the film because it was too

419
00:16:12,304 --> 00:16:12,846
confused.

420
00:16:16,558 --> 00:16:18,978
Leatherface, I think,
It's a worthy entry

421
00:16:18,978 --> 00:16:19,812
in the series.

422
00:16:20,104 --> 00:16:21,855
Not as good as the two Tobe

423
00:16:21,855 --> 00:16:23,774
Hooper's films that preceded him and

424
00:16:23,774 --> 00:16:25,275
Jeff would have been the first to admit

425
00:16:25,275 --> 00:16:27,611
that because he was
facing huge

426
00:16:27,611 --> 00:16:29,446
probabilities for
could fulfill their

427
00:16:29,446 --> 00:16:31,031
delivery date, which
they lost, at least

428
00:16:31,031 --> 00:16:32,825
way, and get an R rating.

429
00:16:34,284 --> 00:16:35,369
I like Texas.

430
00:16:44,044 --> 00:16:48,215
Tremors. Tremors was the
strangest amalgam

431
00:16:48,215 --> 00:16:49,049
of genres.

432
00:16:49,550 --> 00:16:51,260
Part Western, Part Ironic

433
00:16:51,260 --> 00:16:52,803
part comedy, part horror.

434
00:16:53,595 --> 00:16:56,056
It was a monster movie,
and the good old

435
00:16:56,056 --> 00:16:58,559
-type I monster movie

436
00:16:58,559 --> 00:17:00,102
I used to watch it when I was a kid.

437
00:17:00,269 --> 00:17:01,270
There must be a million of them!

438
00:17:03,522 --> 00:17:04,857
No, just one.

439
00:17:07,067 --> 00:17:10,362
Within a few days of the Family

440
00:17:10,362 --> 00:17:13,323
Closing party
from the series Ties, I

441
00:17:13,323 --> 00:17:15,784
was on the set of Tremors in Lone

442
00:17:15,784 --> 00:17:17,953
Pine, California, with Kevin Bacon and

443
00:17:17,953 --> 00:17:21,373
Fred Ward and Reba and the wonderful Ron

444
00:17:21,373 --> 00:17:23,208
Underwood, who is the director, S.S.

445
00:17:23,250 --> 00:17:25,586
Wilson and Brent Maddock,
the writers,

446
00:17:25,711 --> 00:17:28,505
who had faith and trust
enough in me,

447
00:17:28,630 --> 00:17:31,508
even though you see me being very sweet,

448
00:17:31,675 --> 00:17:33,594
understanding father seven years ago

449
00:17:33,594 --> 00:17:34,303
Family ties.

450
00:17:34,303 --> 00:17:37,306
Just say the magic words...

451
00:17:37,306 --> 00:17:38,348
Oh, man, man.

452
00:17:38,682 --> 00:17:40,434
...and that's it.

453
00:17:41,268 --> 00:17:41,477
Oops.

454
00:17:41,935 --> 00:17:44,855
I think the tone is always set in

455
00:17:44,855 --> 00:17:45,689
the top, okay?

456
00:17:45,773 --> 00:17:47,357
So you have a
director who is not a

457
00:17:47,357 --> 00:17:50,778
screamer, who is not crazy, two

458
00:17:50,778 --> 00:17:54,615
writers who are receptive to listening

459
00:17:54,615 --> 00:17:57,076
an actor says, hey, what if we try

460
00:17:57,076 --> 00:17:57,451
this one?

461
00:17:58,035 --> 00:17:59,745
There were no crazy people there.

462
00:17:59,912 --> 00:18:02,456
They were all
receptive to the whole

463
00:18:02,456 --> 00:18:03,165
experience.

464
00:18:05,084 --> 00:18:06,293
Mark, be careful.

465
00:18:06,502 --> 00:18:07,753
Ew, it's not real.

466
00:18:08,587 --> 00:18:09,254
Where did you get this?

467
00:18:10,089 --> 00:18:11,215
I didn't know we had that.

468
00:18:11,423 --> 00:18:13,092
All the different
people who lived

469
00:18:13,092 --> 00:18:15,302
Perfection, this sense
of community, this

470
00:18:15,302 --> 00:18:18,347
sense of cooperation, I have always loved

471
00:18:18,347 --> 00:18:19,014
on the piece.

472
00:18:19,139 --> 00:18:20,891
I'll give you boys $5 for this.

473
00:18:21,558 --> 00:18:21,975
$20.

474
00:18:22,226 --> 00:18:22,851
Okay, $10.

475
00:18:23,477 --> 00:18:23,977
$15.

476
00:18:25,938 --> 00:18:26,939
Okay, $15.

477
00:18:27,106 --> 00:18:29,149
The beautiful thing about Tremors is that

478
00:18:29,149 --> 00:18:31,485
It takes time to let you

479
00:18:31,485 --> 00:18:34,113
meet these characters
on your own

480
00:18:34,113 --> 00:18:34,488
world.

481
00:18:34,613 --> 00:18:35,989
It's like Shark on dry land.

482
00:18:36,115 --> 00:18:37,324
They come from beneath the earth

483
00:18:37,324 --> 00:18:37,908
and they grab him.

484
00:18:37,950 --> 00:18:39,409
They feel the slightest vibration

485
00:18:39,409 --> 00:18:41,662
across the floor, even footsteps.

486
00:18:42,246 --> 00:18:43,038
That's how they hunt.

487
00:18:43,163 --> 00:18:45,124
How the hell do you avoid one of these?

488
00:18:45,124 --> 00:18:47,626
those sandworms
Tremble when you are

489
00:18:47,626 --> 00:18:49,086
walking the Earth and they can

490
00:18:49,086 --> 00:18:51,463
literally appear in
anywhere and anytime?

491
00:18:51,588 --> 00:18:53,674
So this element
surprise is a little

492
00:18:53,674 --> 00:18:55,092
a horrifying concept.

493
00:18:57,386 --> 00:18:57,886
Drug!

494
00:19:01,515 --> 00:19:03,934
When Chang dies, it's a big

495
00:19:03,934 --> 00:19:05,853
heartbreaking scene
because you want it

496
00:19:05,853 --> 00:19:08,188
be pulled back and not eaten, and

497
00:19:08,188 --> 00:19:10,399
This raises the stakes so much that

498
00:19:10,399 --> 00:19:12,609
anyone in this
cast may die, and

499
00:19:12,609 --> 00:19:13,944
brilliantly done.

500
00:19:16,238 --> 00:19:18,782
I could speak to
always about the character

501
00:19:18,782 --> 00:19:20,576
by Burt Gummer because I love him so much

502
00:19:20,576 --> 00:19:20,868
a lot.

503
00:19:20,951 --> 00:19:21,577
What type of fuse is this?

504
00:19:22,244 --> 00:19:23,120
You can infuse.

505
00:19:23,579 --> 00:19:24,538
What the hell do you use it for?

506
00:19:24,538 --> 00:19:25,873
My cannon.

507
00:19:26,290 --> 00:19:28,417
Who would have thought that I
I would have to protect myself

508
00:19:28,417 --> 00:19:29,751
against something that is buried

509
00:19:29,751 --> 00:19:33,088
underground and in my prepper

510
00:19:33,088 --> 00:19:33,630
paradise?

511
00:19:36,508 --> 00:19:39,344
I prepared for everything,
less for what I'm

512
00:19:39,344 --> 00:19:40,345
facing today.

513
00:19:45,434 --> 00:19:48,687
Once that thing
passed through the wall, she

514
00:19:48,687 --> 00:19:50,397
it would take a day to
they put it

515
00:19:50,397 --> 00:19:52,399
back and reshoot, and all I

516
00:19:52,399 --> 00:19:54,693
I kept thinking
with myself, oh no

517
00:19:54,693 --> 00:19:56,028
Let me fuck myself up here.

518
00:19:56,195 --> 00:19:57,946
You don't want to be the one who

519
00:19:57,946 --> 00:19:58,780
ruin everything.

520
00:20:01,074 --> 00:20:02,451
These are practical effects.

521
00:20:02,701 --> 00:20:05,245
It's great for these actors to be

522
00:20:05,245 --> 00:20:07,414
interacting with something that is real,

523
00:20:07,539 --> 00:20:08,707
that they can see and that they can

524
00:20:08,707 --> 00:20:10,000
honestly be terrified by.

525
00:20:12,586 --> 00:20:15,380
Simply wonderful,
wonderful, beautifully

526
00:20:15,380 --> 00:20:17,174
photographed work.

527
00:20:17,507 --> 00:20:19,051
It was available for
just a week.

528
00:20:19,301 --> 00:20:21,178
I think people never
they knew exactly what to do

529
00:20:21,178 --> 00:20:23,305
do with Tremors,
including the stadium.

530
00:20:25,015 --> 00:20:27,643
It was advertised and promoted as a

531
00:20:27,643 --> 00:20:29,853
straight horror movie, where it was so

532
00:20:29,853 --> 00:20:30,687
much more than that.

533
00:20:30,771 --> 00:20:32,814
Didn't really find it
your life until

534
00:20:32,814 --> 00:20:34,399
VHS market.

535
00:20:34,650 --> 00:20:35,734
That's when things caught on.

536
00:20:35,817 --> 00:20:37,653
It took a few years
so that people

537
00:20:37,653 --> 00:20:40,864
find him, reward him
and then he will have

538
00:20:40,864 --> 00:20:43,408
your afterlife,
Of course, at home

539
00:20:43,408 --> 00:20:44,076
video market.

540
00:20:44,284 --> 00:20:46,370
Broke into the wrong recreation room,

541
00:20:46,453 --> 00:20:47,579
Isn't that right, you bastard?

542
00:20:55,921 --> 00:20:56,296
Night Breed.

543
00:20:57,214 --> 00:20:59,591
Clive Barker, there is an incredible,

544
00:20:59,758 --> 00:21:03,553
sexual psychedelic, super distorted

545
00:21:03,553 --> 00:21:06,181
psychology in its
writings and stories.

546
00:21:06,431 --> 00:21:08,767
With Nightbreed, we are
presented to everyone

547
00:21:08,767 --> 00:21:10,727
these archetypes of different

548
00:21:10,727 --> 00:21:14,398
representations of
things that scare and

549
00:21:14,398 --> 00:21:16,525
They also possess the human spirit.

550
00:21:16,650 --> 00:21:19,778
Are you prepared
to be judged by

551
00:21:19,778 --> 00:21:20,237
gods?

552
00:21:20,237 --> 00:21:23,782
Nightbreed is fundamentally
a love story,

553
00:21:23,949 --> 00:21:26,034
a love story
between a girl and a

554
00:21:26,034 --> 00:21:26,576
dead guy.

555
00:21:26,743 --> 00:21:29,871
Add a psychopath psychiatrist and

556
00:21:29,871 --> 00:21:31,832
a bunch of crazy people living under a

557
00:21:31,832 --> 00:21:32,291
cemetery.

558
00:21:32,624 --> 00:21:35,669
You're below now
with Nightbreed, the

559
00:21:35,669 --> 00:21:37,879
last survivors
of the great tribes.

560
00:21:38,088 --> 00:21:40,465
Clive developed the script for

561
00:21:40,465 --> 00:21:41,883
his novel Cabal.

562
00:21:42,050 --> 00:21:42,968
God is an astronaut.

563
00:21:44,469 --> 00:21:46,096
Oz is over the rainbow.

564
00:21:47,514 --> 00:21:49,766
Midi� is where the monsters live.

565
00:21:49,975 --> 00:21:52,561
The race, the freaks, the weirdos,

566
00:21:52,769 --> 00:21:56,064
they are a little human,
not exactly human, all

567
00:21:56,064 --> 00:21:58,025
It comes from Clive, without a doubt.

568
00:21:58,608 --> 00:22:02,029
I was interpreting
Lylesburg, which, in my head,

569
00:22:02,195 --> 00:22:03,405
I called Moses.

570
00:22:04,156 --> 00:22:06,575
He was the guardian of the law and

571
00:22:06,575 --> 00:22:10,454
he wanted to maintain the social fabric

572
00:22:10,454 --> 00:22:11,413
of the breed.

573
00:22:11,538 --> 00:22:14,082
Tonight, you let
the natural world

574
00:22:14,082 --> 00:22:14,416
ago.

575
00:22:14,416 --> 00:22:18,462
The life you lived will be a dream.

576
00:22:18,545 --> 00:22:20,422
It was also very
exciting, certainly for

577
00:22:20,422 --> 00:22:23,675
me, have David Cronenberg coming

578
00:22:23,675 --> 00:22:23,967
the film.

579
00:22:24,134 --> 00:22:26,803
What's not to love
in a serial killer

580
00:22:26,803 --> 00:22:27,846
psychiatrist?

581
00:22:28,638 --> 00:22:31,099
He gives a wonderful, icy,

582
00:22:31,391 --> 00:22:32,809
dispassionate performance.

583
00:22:33,060 --> 00:22:34,770
Murder is very, very real.

584
00:22:36,063 --> 00:22:39,441
It may start in the mind, but then

585
00:22:39,441 --> 00:22:40,776
she turns into flesh and blood.

586
00:22:41,026 --> 00:22:43,445
There were days in
behind the scenes at Nightbreed

587
00:22:43,445 --> 00:22:46,823
which were absolute chaos because there

588
00:22:46,823 --> 00:22:49,201
there were so many prosthetic makeups

589
00:22:49,201 --> 00:22:50,619
registrations in progress.

590
00:22:50,702 --> 00:22:51,411
To go out!

591
00:22:51,661 --> 00:22:53,038
Boone, I'm not leaving you.

592
00:22:53,997 --> 00:22:56,249
Boone's makeup
made by Craig Sheffer on

593
00:22:56,249 --> 00:22:58,001
days when he was
with your prosthesis

594
00:22:58,001 --> 00:22:59,002
-up was even longer.

595
00:23:02,422 --> 00:23:04,091
Clive formed a
very close relationship

596
00:23:04,091 --> 00:23:06,051
relationship with
Chris Figg, who had

597
00:23:06,051 --> 00:23:08,261
produced Hellraiser and Hellbound, and

598
00:23:08,261 --> 00:23:09,471
was producing Nightbreed.

599
00:23:09,721 --> 00:23:11,556
There was a strange day when we

600
00:23:11,556 --> 00:23:13,975
I arrived to work and
people were saying,

601
00:23:14,101 --> 00:23:14,559
Have you heard?

602
00:23:14,768 --> 00:23:15,268
Have you heard?

603
00:23:15,644 --> 00:23:17,521
And Chris Figg was fired.

604
00:23:18,230 --> 00:23:19,856
This also meant
we finished the movie

605
00:23:19,856 --> 00:23:22,317
with my first
experience working with

606
00:23:22,317 --> 00:23:25,654
finances on set, and the director is now

607
00:23:25,654 --> 00:23:28,740
being surpassed by
voice of finance in

608
00:23:28,740 --> 00:23:29,074
set.

609
00:23:29,324 --> 00:23:31,660
It's a miserable way to work.

610
00:23:35,038 --> 00:23:38,250
Then, in post-production, Fox and Morgan

611
00:23:38,250 --> 00:23:40,419
Creek was determined
getting a horror

612
00:23:40,419 --> 00:23:42,003
film whatever happens.

613
00:23:42,003 --> 00:23:45,799
The basic point about Nightbreed is that

614
00:23:45,799 --> 00:23:47,717
the monsters are the good guys and the

615
00:23:47,717 --> 00:23:48,802
humans are the monsters.

616
00:23:49,219 --> 00:23:50,053
They didn't accept that.

617
00:23:50,679 --> 00:23:52,222
So there was a lot of new stuff

618
00:23:52,222 --> 00:23:54,433
filmed to reinforce the race,

619
00:23:54,599 --> 00:23:56,935
make them more aggressive,
make them more

620
00:23:56,935 --> 00:24:00,105
violent, to try to move David

621
00:24:00,105 --> 00:24:02,023
Cronenberg's character in the heart of

622
00:24:02,023 --> 00:24:05,193
the story, because they
they wanted to sell

623
00:24:05,193 --> 00:24:06,403
like a slasher.

624
00:24:10,532 --> 00:24:12,492
And the way the movie had been

625
00:24:12,492 --> 00:24:14,828
edited made a lot
of things around the

626
00:24:14,828 --> 00:24:17,205
Race just didn't make sense.

627
00:24:17,706 --> 00:24:19,708
Thank God, at some point,

628
00:24:20,041 --> 00:24:23,086
Did anyone find this
printed work of

629
00:24:23,086 --> 00:24:25,589
Pinewood, what did it mean
we finally got it

630
00:24:25,589 --> 00:24:27,841
the Cabal Cut, which is the
as close as possible

631
00:24:27,841 --> 00:24:30,927
you will reach a
director's cut

632
00:24:30,927 --> 00:24:31,803
of Night Breed.

633
00:24:34,556 --> 00:24:36,224
It's an incredible film.

634
00:24:36,349 --> 00:24:37,476
Visually, it is surprising.

635
00:24:37,726 --> 00:24:39,561
There are so many things
extraordinary in it.

636
00:24:41,897 --> 00:24:43,773
There are great ideas in
game, big ideas

637
00:24:43,773 --> 00:24:46,985
about mental illnesses
and relationships

638
00:24:46,985 --> 00:24:49,446
and who we are like
people, identity.

639
00:24:49,696 --> 00:24:50,697
Welcome to the club.

640
00:24:50,906 --> 00:24:52,073
I'm not so sure I want to be

641
00:24:52,073 --> 00:24:52,574
at the club.

642
00:24:53,158 --> 00:24:55,285
You find the way
back here to the

643
00:24:55,285 --> 00:24:56,453
for the same reason I did.

644
00:24:56,745 --> 00:24:57,662
We belong here.

645
00:24:57,746 --> 00:24:59,789
As Clive himself is gay, there is

646
00:24:59,789 --> 00:25:02,584
there was a lot of analysis of Nightbreed in

647
00:25:02,584 --> 00:25:04,961
in relation to a homosexual subplot.

648
00:25:05,128 --> 00:25:06,713
I think this is
absolutely perfect

649
00:25:06,713 --> 00:25:07,130
sense.

650
00:25:07,130 --> 00:25:10,217
It's fundamentally the other, and I think

651
00:25:10,217 --> 00:25:12,511
That's what makes Nightbreed

652
00:25:12,511 --> 00:25:15,055
work, that you can
do whatever you want

653
00:25:15,055 --> 00:25:15,472
want.

654
00:25:15,680 --> 00:25:18,141
I was born to destroy the uterus and

655
00:25:18,141 --> 00:25:19,142
the breed together.

656
00:25:20,143 --> 00:25:21,186
You are crazy!

657
00:25:21,436 --> 00:25:24,481
I will never discourage the

658
00:25:24,481 --> 00:25:26,483
notion that there are
monster tribes

659
00:25:26,483 --> 00:25:28,360
that exist in our fights

660
00:25:28,360 --> 00:25:30,570
society as we speak,
and who knows, maybe

661
00:25:30,570 --> 00:25:32,239
someday they will take this place back

662
00:25:32,239 --> 00:25:32,864
and fix things.

663
00:25:34,032 --> 00:25:36,868
Aaron Boone, the moon tribes have

664
00:25:36,868 --> 00:25:38,203
hugged you.

665
00:25:44,960 --> 00:25:46,086
He's all excited.

666
00:25:48,338 --> 00:25:50,924
This time, he is not alone.

667
00:25:51,383 --> 00:25:54,219
Most Part IIs are
usually just remakes of

668
00:25:54,219 --> 00:25:55,637
Part I, and I didn't want to go

669
00:25:55,637 --> 00:25:56,054
this route.

670
00:25:56,263 --> 00:25:57,430
What am I going to do, have them

671
00:25:57,430 --> 00:25:59,349
go to another seedy hotel?

672
00:25:59,975 --> 00:26:02,269
But then I thought,
wait a minute, what

673
00:26:02,269 --> 00:26:04,271
if I involve them with a gang

674
00:26:04,271 --> 00:26:05,188
of real freaks?

675
00:26:05,355 --> 00:26:06,690
So it was a great idea, so I

676
00:26:06,690 --> 00:26:07,107
I loved it.

677
00:26:09,776 --> 00:26:11,695
They fell from the window,
they should be

678
00:26:11,695 --> 00:26:13,655
dead, they are in the hospital, and I

679
00:26:13,655 --> 00:26:15,782
I wanted them
escape, but watch a

680
00:26:15,782 --> 00:26:17,659
their story on television is this

681
00:26:17,659 --> 00:26:18,702
wife, Grandma Ruth.

682
00:26:19,160 --> 00:26:20,954
Why would she have
Interested in freaks?

683
00:26:21,496 --> 00:26:21,830
Oh yes.

684
00:26:22,581 --> 00:26:27,335
Kids, we have a new
member in our community.

685
00:26:27,669 --> 00:26:30,505
I can spend two
hours with Annie Ross

686
00:26:30,505 --> 00:26:31,923
stories and how incredible she is.

687
00:26:32,173 --> 00:26:35,552
I understand your pain, but tear the

688
00:26:35,552 --> 00:26:37,971
face people
may not be in your

689
00:26:37,971 --> 00:26:39,180
best interest.

690
00:26:39,472 --> 00:26:42,100
Kevin Van Hentenryck was a pleasure

691
00:26:42,100 --> 00:26:44,728
to work, and the
that I didn't realize

692
00:26:44,728 --> 00:26:47,022
with him was how funny he was.

693
00:26:47,063 --> 00:26:48,023
Do you think she recognized me?

694
00:26:48,064 --> 00:26:49,107
I don't think she recognized me.

695
00:26:49,274 --> 00:26:50,817
She didn't say anything, she didn't act

696
00:26:50,817 --> 00:26:51,735
as if she recognized me.

697
00:26:51,860 --> 00:26:53,278
And I put it in
Brain Damage too

698
00:26:53,278 --> 00:26:55,363
for no reason other than me

699
00:26:55,363 --> 00:26:56,156
wanted to do that.

700
00:26:59,659 --> 00:27:00,660
I had good actors.

701
00:27:00,910 --> 00:27:03,288
I'm not afraid of you, nor him, nor

702
00:27:03,288 --> 00:27:03,955
any of you.

703
00:27:04,164 --> 00:27:05,915
Sometimes they said to me:

704
00:27:05,915 --> 00:27:06,791
Is this supposed to be funny?

705
00:27:06,916 --> 00:27:10,545
I said, no, no to
you or anyone

706
00:27:10,545 --> 00:27:12,547
filming this, but
for the public, yes.

707
00:27:13,256 --> 00:27:14,299
And they understood immediately.

708
00:27:14,591 --> 00:27:15,884
Okay, I'll wait.

709
00:27:16,926 --> 00:27:17,344
Drug!

710
00:27:17,761 --> 00:27:19,304
One hundred smackeroos!

711
00:27:19,554 --> 00:27:19,846
Wow!

712
00:27:20,513 --> 00:27:22,515
I told Gabe Bartalos
that he had a book

713
00:27:22,515 --> 00:27:24,017
of life's aberrations
real, and I said, I

714
00:27:24,017 --> 00:27:24,517
I don't want them.

715
00:27:24,643 --> 00:27:27,646
I want every freak
be it a cartoon, a

716
00:27:27,646 --> 00:27:28,605
head that sings opera.

717
00:27:31,900 --> 00:27:33,151
This, that, do this.

718
00:27:33,443 --> 00:27:34,027
A half moon.

719
00:27:34,110 --> 00:27:35,153
Bang, bang!

720
00:27:35,445 --> 00:27:38,657
Anything that borders on the real, you

721
00:27:38,657 --> 00:27:39,699
You know, I didn't want that.

722
00:27:39,783 --> 00:27:40,575
I just didn't want that.

723
00:27:40,659 --> 00:27:41,993
Sit down and say cheese!

724
00:27:43,912 --> 00:27:45,580
I thought we would have so much fun

725
00:27:45,580 --> 00:27:48,208
showing two mutants making out.

726
00:27:51,169 --> 00:27:53,546
I remember one foot kept shaking.

727
00:27:53,713 --> 00:27:55,799
We were worried,
this is my big one

728
00:27:55,799 --> 00:27:58,593
kidding, I don't want
Let the MPAA cut it.

729
00:27:58,593 --> 00:27:59,260
Oh!

730
00:28:00,345 --> 00:28:00,637
Oh!

731
00:28:00,970 --> 00:28:01,388
Oh!

732
00:28:02,263 --> 00:28:04,766
I think it's an artistic crime

733
00:28:04,766 --> 00:28:05,433
organization.

734
00:28:05,892 --> 00:28:09,062
When we made Basketball
Case 2, they came

735
00:28:09,062 --> 00:28:11,356
so quick back with
an R rating that

736
00:28:11,356 --> 00:28:12,816
Jim Glickenhaus doesn't think they

737
00:28:12,816 --> 00:28:13,733
watched the film.

738
00:28:15,276 --> 00:28:16,945
So we didn't have to
worry about

739
00:28:16,945 --> 00:28:17,237
anything.

740
00:28:19,698 --> 00:28:22,242
The freedom to do,
not just a horror

741
00:28:22,242 --> 00:28:24,953
movie, but a movie
crazy, that in all

742
00:28:24,953 --> 00:28:28,415
level is completely meaningless.

743
00:28:29,207 --> 00:28:30,917
Did we run away?

744
00:28:33,294 --> 00:28:35,672
Or do we fight?

745
00:28:36,005 --> 00:28:38,383
It was just a big joke, and we

746
00:28:38,383 --> 00:28:39,092
got away with it.

747
00:28:39,175 --> 00:28:40,260
You should see yourself.

748
00:28:41,344 --> 00:28:42,804
Now you're a freak too.

749
00:28:54,149 --> 00:28:55,442
Blood Moon.

750
00:28:56,401 --> 00:28:59,362
Blood Moon is an Australian slasher

751
00:28:59,362 --> 00:29:02,407
photo with a killer
with barbed wire

752
00:29:02,407 --> 00:29:02,991
thing

753
00:29:02,991 --> 00:29:05,702
that he is using
to kill students in

754
00:29:05,702 --> 00:29:06,745
a school for girls.

755
00:29:07,162 --> 00:29:07,412
Oh!

756
00:29:07,871 --> 00:29:08,413
Oh!

757
00:29:09,664 --> 00:29:09,998
Oh!

758
00:29:10,165 --> 00:29:12,751
The era of the main slashers
it was practically finished

759
00:29:12,751 --> 00:29:14,627
at this point, and certainly Australia

760
00:29:14,627 --> 00:29:16,880
was not known for
produce many horror films

761
00:29:16,880 --> 00:29:17,172
movies.

762
00:29:17,297 --> 00:29:17,964
What did you find?

763
00:29:18,256 --> 00:29:19,632
A rich kid's fist.

764
00:29:20,175 --> 00:29:20,967
Winchester again?

765
00:29:21,384 --> 00:29:22,260
He should be there.

766
00:29:22,469 --> 00:29:23,887
We were beating him up.

767
00:29:24,012 --> 00:29:27,015
It was directed by Alec Mills, who was

768
00:29:27,015 --> 00:29:29,809
a camera operator
very prestigious

769
00:29:29,809 --> 00:29:32,145
worked in tons
of James Bond films and

770
00:29:32,145 --> 00:29:33,188
great films.

771
00:29:33,730 --> 00:29:35,565
I don't know why he ended up here

772
00:29:35,565 --> 00:29:38,026
Australia driving
a late Australian

773
00:29:38,026 --> 00:29:39,319
killer, but he did.

774
00:29:42,363 --> 00:29:44,240
They really were
forward with some

775
00:29:44,240 --> 00:29:45,241
of the deaths in this film.

776
00:29:49,412 --> 00:29:51,372
Brian May's music, which was a

777
00:29:51,372 --> 00:29:54,167
of film composers
most prolific in the world

778
00:29:54,167 --> 00:29:56,252
the history of Ozploitation,
but he is not

779
00:29:56,252 --> 00:29:58,004
to be confused with
Brian May of Queen.

780
00:29:58,296 --> 00:30:00,089
Cooper's Bay is basically
a quiet area,

781
00:30:00,298 --> 00:30:01,633
peaceful little town with no problems.

782
00:30:01,633 --> 00:30:04,469
But then, suddenly,
not one, not two, but

783
00:30:04,469 --> 00:30:05,970
three girls disappear
mysteriously.

784
00:30:06,304 --> 00:30:08,515
The cool thing about this is that

785
00:30:08,515 --> 00:30:10,558
they marketed it
like a mystery.

786
00:30:10,683 --> 00:30:12,685
Why are all cars
in Sheffield are the last

787
00:30:12,685 --> 00:30:14,896
graduation photography
arrived in California

788
00:30:14,896 --> 00:30:15,605
vehicle plates?

789
00:30:17,982 --> 00:30:20,193
But it's pretty obvious who the killer is

790
00:30:20,193 --> 00:30:21,611
from the beginning of the film.

791
00:30:21,736 --> 00:30:23,571
But to double that,

792
00:30:23,905 --> 00:30:25,740
they had a scare, what is it?

793
00:30:25,740 --> 00:30:27,659
something that goes back to William

794
00:30:27,659 --> 00:30:29,285
Castle, but also
did this for The

795
00:30:29,285 --> 00:30:31,454
The Beast Must Die,
the Amicus who was the

796
00:30:31,454 --> 00:30:32,205
werewolf movie.

797
00:30:32,497 --> 00:30:34,999
And they actually stopped
the movie for a while

798
00:30:34,999 --> 00:30:37,210
minute and you had to
guess who it was

799
00:30:37,210 --> 00:30:39,170
the killer was
that minute and then

800
00:30:39,170 --> 00:30:39,838
returned.

801
00:30:39,921 --> 00:30:41,840
So that was the type
really unique thing

802
00:30:41,840 --> 00:30:42,674
thing with this film.

803
00:30:49,430 --> 00:30:51,850
The only real revelation is that there is a

804
00:30:51,850 --> 00:30:53,560
guy who collects globes
eyepieces in a pot.

805
00:30:53,810 --> 00:30:55,812
He may, may or may not, be the

806
00:30:55,812 --> 00:30:57,856
killer in opposition
to normal people

807
00:30:57,856 --> 00:30:58,565
walking around.

808
00:30:58,565 --> 00:30:59,691
You decide.

809
00:31:08,199 --> 00:31:09,450
It's just a dream.

810
00:31:10,785 --> 00:31:11,995
It's just a dream.

811
00:31:13,371 --> 00:31:18,001
A young restorer
of art you will see

812
00:31:18,001 --> 00:31:20,962
a traveling troupe
of magical and kind

813
00:31:20,962 --> 00:31:23,131
of carnival artists
becomes the object

814
00:31:23,131 --> 00:31:27,135
of affection from one of the owners of

815
00:31:27,135 --> 00:31:27,927
this carnival.

816
00:31:30,805 --> 00:31:32,765
Meridian probably
It's in my top ten

817
00:31:32,765 --> 00:31:34,767
favorite movies
when I look back.

818
00:31:39,314 --> 00:31:41,774
Less because I bought a castle

819
00:31:41,774 --> 00:31:42,692
outside of Rome.

820
00:31:42,817 --> 00:31:43,401
It seems crazy.

821
00:31:43,443 --> 00:31:44,235
I don't have that anymore.

822
00:31:44,485 --> 00:31:45,737
And I wanted to make a film there.

823
00:31:45,945 --> 00:31:46,321
I don't know.

824
00:31:46,487 --> 00:31:47,488
It's kind of scary.

825
00:31:47,739 --> 00:31:49,407
I've always been drawn here since I

826
00:31:49,407 --> 00:31:50,116
it was a little girl.

827
00:31:50,325 --> 00:31:52,744
I love themed movies
of paranormal romance.

828
00:31:53,036 --> 00:31:54,078
We had a wonderful script.

829
00:31:54,162 --> 00:31:55,246
It was kind of like Beauty and the Beast

830
00:31:55,246 --> 00:31:57,081
story and I was lucky enough to get

831
00:31:57,081 --> 00:31:59,083
Sherilyn Fenn as
protagonist that I was

832
00:31:59,083 --> 00:32:01,210
I'm a big fan of Twin Peaks.

833
00:32:06,424 --> 00:32:09,302
It was kind of incredible that Charlie

834
00:32:09,302 --> 00:32:11,596
The kind of world below
band budget

835
00:32:11,596 --> 00:32:13,681
cinematography that
this movie had so much

836
00:32:13,681 --> 00:32:16,267
wealth and lots of eroticism.

837
00:32:16,684 --> 00:32:17,977
I need you to love me.

838
00:32:19,520 --> 00:32:22,065
That was an experience
magic for me

839
00:32:22,065 --> 00:32:24,317
because we stayed in the castle that was

840
00:32:24,317 --> 00:32:24,609
huge.

841
00:32:24,734 --> 00:32:25,944
It was 100,000 square feet.

842
00:32:26,194 --> 00:32:27,528
The cast stayed at the castle.

843
00:32:27,528 --> 00:32:28,363
Some crew members.

844
00:32:28,738 --> 00:32:29,989
And depending on what
we were filming

845
00:32:29,989 --> 00:32:32,033
we went up or down to the set

846
00:32:32,033 --> 00:32:33,451
who was also in the castle.

847
00:32:33,618 --> 00:32:35,745
Then it was so luxurious and so

848
00:32:35,745 --> 00:32:37,080
as cool as possible.

849
00:32:41,209 --> 00:32:43,628
This character
transforms into the beast and

850
00:32:43,628 --> 00:32:46,214
he has one or two love scenes with

851
00:32:46,214 --> 00:32:47,507
Character by Sheryl Fenn.

852
00:32:49,717 --> 00:32:52,470
So we needed a
really trustworthy boss

853
00:32:52,470 --> 00:32:53,388
toe costume.

854
00:32:53,763 --> 00:32:55,682
But the price was very, very

855
00:32:55,682 --> 00:32:57,558
expensive because the hair had to be

856
00:32:57,558 --> 00:32:57,976
real.

857
00:32:58,309 --> 00:33:00,019
It's not cheap.

858
00:33:05,024 --> 00:33:07,360
Oscar winner Greg Cannom

859
00:33:07,819 --> 00:33:09,696
fantastic guy, he did it
some movies for us.

860
00:33:09,946 --> 00:33:12,073
And to Meridian he said
that just finished

861
00:33:12,073 --> 00:33:14,283
Dracula by Francis Ford Coppola and

862
00:33:14,283 --> 00:33:16,411
There is a creature just like you

863
00:33:16,411 --> 00:33:18,371
describe it and I would carve one

864
00:33:18,371 --> 00:33:20,665
different face for
your actor, but we

865
00:33:20,665 --> 00:33:21,624
I could wear that suit.

866
00:33:21,708 --> 00:33:24,794
This suit cost US$
40,000 to be made

867
00:33:24,794 --> 00:33:25,586
Coppola's film.

868
00:33:25,586 --> 00:33:27,088
He said well, since
that you don't tell.

869
00:33:27,088 --> 00:33:29,132
Well, luckily I guess
that the statute has

870
00:33:29,132 --> 00:33:30,383
executed three decades ago.

871
00:33:30,508 --> 00:33:31,509
So that's what we did.

872
00:33:45,940 --> 00:33:48,818
The Guardian is about
a young couple who

873
00:33:48,818 --> 00:33:51,446
entrust the care of your child to a

874
00:33:51,446 --> 00:33:53,906
mysterious woman who is not

875
00:33:53,906 --> 00:33:56,534
everything they think
that she is and in fact

876
00:33:56,534 --> 00:33:59,245
is in alliance with
supernatural forces

877
00:33:59,245 --> 00:34:01,164
that they couldn't
have dreamed that it was

878
00:34:01,164 --> 00:34:01,539
possible.

879
00:34:01,539 --> 00:34:02,206
Look!

880
00:34:03,833 --> 00:34:06,669
I was approached for the first time
time to adapt it for

881
00:34:06,669 --> 00:34:08,421
Joe Wizan, the producer I don't

882
00:34:08,421 --> 00:34:10,423
I know that at that time
it had been William

883
00:34:10,423 --> 00:34:12,800
Friedkin's agent and
he had a book called

884
00:34:12,800 --> 00:34:15,136
The Nanny written by
Dan Greenburg and me

885
00:34:15,136 --> 00:34:17,388
first developed it
as a kind of comedy

886
00:34:17,388 --> 00:34:19,223
horror with Sam Raimi.

887
00:34:19,640 --> 00:34:21,434
We really want to do this

888
00:34:21,434 --> 00:34:23,478
that kind of Omen-esque,
I remember that

889
00:34:23,478 --> 00:34:25,063
being a word that everyone would use

890
00:34:25,063 --> 00:34:25,354
around.

891
00:34:28,524 --> 00:34:30,943
Sam ended up leaving
to make Darkman

892
00:34:30,943 --> 00:34:33,362
and I went to Los Angeles and met

893
00:34:33,362 --> 00:34:35,490
with William Friedkin.
You know, the hurricane

894
00:34:35,490 --> 00:34:37,617
Billy, all the legends
are true.

895
00:34:40,411 --> 00:34:42,371
Dan Greenburg's mythology in the book

896
00:34:42,371 --> 00:34:43,998
it didn't work very well
because it was kind of

897
00:34:43,998 --> 00:34:45,875
a ghost that doesn't
was a ghost and none

898
00:34:45,875 --> 00:34:47,335
of we could discover
what exactly was

899
00:34:47,335 --> 00:34:47,794
happening.

900
00:34:49,921 --> 00:34:52,590
It was basically a
bizarre fairy tale

901
00:34:52,590 --> 00:34:54,383
make her
sacrifice for the

902
00:34:54,383 --> 00:34:54,926
trees.

903
00:34:55,343 --> 00:34:57,053
It was kind of the dark side

904
00:34:57,053 --> 00:34:57,804
of paganism.

905
00:35:01,724 --> 00:35:03,601
Death gives you life.

906
00:35:03,768 --> 00:35:05,978
The nanny interpreted
by Jenny Seagrove

907
00:35:05,978 --> 00:35:06,521
called Camila.

908
00:35:06,771 --> 00:35:09,607
She had that type
almost from Mary Poppins

909
00:35:09,607 --> 00:35:12,276
type of straightness, type of distance and

910
00:35:12,276 --> 00:35:15,196
unfathomable and enigmatic and I think

911
00:35:15,196 --> 00:35:16,656
she was a great choice for this.

912
00:35:16,781 --> 00:35:18,407
They are your best friends.

913
00:35:19,700 --> 00:35:21,494
And the couple Dwier Brown and Carey

914
00:35:21,494 --> 00:35:23,121
Lowell I think they
they were a perfect couple

915
00:35:23,121 --> 00:35:25,039
at the time because they seemed

916
00:35:25,039 --> 00:35:27,291
like a golden couple
to whom nothing can

917
00:35:27,291 --> 00:35:27,708
go wrong.

918
00:35:27,792 --> 00:35:29,544
I want to say that now
we know that in these

919
00:35:29,544 --> 00:35:30,795
kind of film where everything goes

920
00:35:30,795 --> 00:35:31,295
go wrong.

921
00:35:34,757 --> 00:35:36,801
Sam Raimi always said
that the work of

922
00:35:36,801 --> 00:35:38,803
horror is creating people you like

923
00:35:38,803 --> 00:35:40,179
and then put them in hell.

924
00:35:40,471 --> 00:35:42,181
So that was what I
I was trying to keep

925
00:35:42,181 --> 00:35:43,808
in a way, to Sam's dictation.

926
00:35:47,728 --> 00:35:50,690
I think it's a fear
very fundamental

927
00:35:50,690 --> 00:35:52,233
fear for your child.

928
00:35:55,653 --> 00:35:58,364
I remembered a movie
TV show based on The

929
00:35:58,364 --> 00:36:00,366
Ash Tree by MR James where there is

930
00:36:00,366 --> 00:36:02,160
it was a big shot
famous person who scared the

931
00:36:02,160 --> 00:36:03,244
shit me when I saw this

932
00:36:03,244 --> 00:36:04,954
on TV and there are some babies there

933
00:36:04,954 --> 00:36:07,999
the trees and I counted
this for Friedkin.

934
00:36:08,291 --> 00:36:09,792
He didn't just say
This is great, let's go

935
00:36:09,792 --> 00:36:11,627
do it, he said that's it!
That's it

936
00:36:11,627 --> 00:36:12,628
The key to this whole movie.

937
00:36:13,337 --> 00:36:14,255
It's all about trees.

938
00:36:14,547 --> 00:36:15,965
She is sacrificing
this for the trees.

939
00:36:16,090 --> 00:36:18,342
Since Billy has
an idea, it cannot be

940
00:36:18,342 --> 00:36:19,719
shaken by this and
he said look at

941
00:36:19,719 --> 00:36:22,346
those trees down there
on Ventura Boulevard you

942
00:36:22,346 --> 00:36:24,348
look at them and they have holes

943
00:36:24,348 --> 00:36:25,683
you know they are like vaginas.

944
00:36:25,933 --> 00:36:28,394
So it's my fault and I have to

945
00:36:28,394 --> 00:36:28,811
live with it.

946
00:36:31,814 --> 00:36:33,691
Roger Ebert said that
The Guardian was

947
00:36:33,691 --> 00:36:35,526
the only horror film
that he saw where a

948
00:36:35,526 --> 00:36:37,904
the chainsaw was really
used for its proper use

949
00:36:37,904 --> 00:36:41,365
purpose I think
that it was really

950
00:36:41,365 --> 00:36:42,408
charming and funny.

951
00:36:42,575 --> 00:36:44,243
This is the first film
of terror in which

952
00:36:44,243 --> 00:36:45,995
a chainsaw is used
against a tree.

953
00:36:46,204 --> 00:36:48,080
William Friedkin �s
Sometimes I didn't know

954
00:36:48,080 --> 00:36:49,498
what he wanted from
one day to the next

955
00:36:49,498 --> 00:36:51,292
next, but I had to pinch

956
00:36:51,292 --> 00:36:53,753
myself and I think
here I am a guy

957
00:36:53,753 --> 00:36:55,713
of the southern valleys of
Wales never

958
00:36:55,713 --> 00:36:57,757
I thought it was possible
get my name

959
00:36:57,757 --> 00:36:59,926
on a film working
with an Oscar winner

960
00:36:59,926 --> 00:37:01,552
director in Hollywood, you know.

961
00:37:01,761 --> 00:37:04,180
It was an experience
It's amazing that I'm going

962
00:37:04,180 --> 00:37:04,805
never forget.

963
00:37:14,857 --> 00:37:19,904
Mirror, Mirror of Mine
1990 directed by

964
00:37:19,904 --> 00:37:20,947
Marina Sargenti.

965
00:37:21,280 --> 00:37:24,200
This is a film about a girl who

966
00:37:24,200 --> 00:37:26,035
moves to a new
city with mom

967
00:37:26,035 --> 00:37:27,828
who is played by Karen Black.

968
00:37:27,828 --> 00:37:29,413
I think it's important to make new friends.

969
00:37:29,580 --> 00:37:31,832
and get a mirror
haunted that is a

970
00:37:31,832 --> 00:37:33,417
portal to hell
and she thinks this is

971
00:37:33,417 --> 00:37:35,670
his late father returning to

972
00:37:35,670 --> 00:37:37,421
communicate with her, but it's not.

973
00:37:43,135 --> 00:37:46,222
The name of the protagonist,
Rainbow Harvest, it's kind

974
00:37:46,222 --> 00:37:47,807
of a Winona Ryder imitation.

975
00:37:48,140 --> 00:37:49,934
She's half goth and half punk

976
00:37:49,934 --> 00:37:51,769
archetype who goes to school

977
00:37:51,769 --> 00:37:54,772
real normie, you
You know, normal, stupid kids

978
00:37:54,772 --> 00:37:56,274
and stands out as a
injured thumb.

979
00:37:59,902 --> 00:38:01,821
I think she's already dressed for a

980
00:38:01,821 --> 00:38:02,154
funeral.

981
00:38:02,905 --> 00:38:05,241
Also in the film is
Yvonne De Carlo known

982
00:38:05,241 --> 00:38:08,119
for Lily Munster at
Munsters TV series.

983
00:38:08,369 --> 00:38:11,122
She plays a
antique shop that is trying

984
00:38:11,122 --> 00:38:12,498
to get that mirror
back and save this

985
00:38:12,498 --> 00:38:12,999
poor girl.

986
00:38:13,499 --> 00:38:15,126
And then there is William Sanderson who

987
00:38:15,126 --> 00:38:16,711
appears and is always reliable

988
00:38:16,711 --> 00:38:17,545
character actor.

989
00:38:17,670 --> 00:38:19,130
I must be having
flashbacks again.

990
00:38:19,630 --> 00:38:21,465
The iconic moment in
Mirror, Mirror of Mine

991
00:38:21,465 --> 00:38:23,092
when the monster gets through it

992
00:38:23,092 --> 00:38:23,426
mirror.

993
00:38:26,887 --> 00:38:29,056
And it's simply incredible and practical

994
00:38:29,056 --> 00:38:29,557
effect.

995
00:38:29,807 --> 00:38:31,225
It is cheaply made and the mirror

996
00:38:31,225 --> 00:38:33,769
it only bleeds and the main character is

997
00:38:33,769 --> 00:38:36,147
having a moment
How is this real? Is it fake?

998
00:38:36,564 --> 00:38:37,523
What's happening to me?

999
00:38:38,983 --> 00:38:40,359
Get rid of this mess.

1000
00:38:40,776 --> 00:38:42,903
The Mirror suit,
Mirror of Mine have been directed

1001
00:38:42,903 --> 00:38:45,156
and written by women
and all over the world

1002
00:38:45,156 --> 00:38:47,867
more than half of
production was by women.

1003
00:38:48,159 --> 00:38:49,702
That's why I think Mirror Mirror has

1004
00:38:49,702 --> 00:38:51,954
this angle around the narrative and

1005
00:38:51,954 --> 00:38:53,331
development of
character you don't

1006
00:38:53,331 --> 00:38:54,957
normally appears
in many horror films

1007
00:38:54,957 --> 00:38:55,750
around that time.

1008
00:38:56,042 --> 00:38:57,877
And it's super fun and
bloody too.

1009
00:39:07,678 --> 00:39:11,182
Def by Temptation Ela
will love you to def.

1010
00:39:11,432 --> 00:39:14,060
Def by Temptation is about that

1011
00:39:14,060 --> 00:39:16,062
young religious man from the interior who

1012
00:39:16,062 --> 00:39:18,105
visits his cousin in the big city and

1013
00:39:18,105 --> 00:39:20,816
have to deal with
Incubus, a sexual demon.

1014
00:39:21,067 --> 00:39:22,818
Her name is Temptation and she is

1015
00:39:22,818 --> 00:39:24,945
haunting his family for generations.

1016
00:39:25,154 --> 00:39:28,532
I have a feeling that
our destinies are intertwined.

1017
00:39:28,783 --> 00:39:30,910
Directed by James Bond the third.

1018
00:39:31,243 --> 00:39:32,703
It was a horror film about faith.

1019
00:39:32,703 --> 00:39:34,747
Was like a black exorcist

1020
00:39:34,747 --> 00:39:37,917
thus using faith to stop a

1021
00:39:37,917 --> 00:39:38,125
demon.

1022
00:39:40,836 --> 00:39:42,671
Def by Temptation Eu
was the director of photography

1023
00:39:43,464 --> 00:39:45,674
Spike Lee made a movie
called School Daze

1024
00:39:45,674 --> 00:39:48,052
which was the film that
he did after She

1025
00:39:48,052 --> 00:39:49,845
Gotta Have It and it's set in a

1026
00:39:49,845 --> 00:39:52,640
African American College in the South and

1027
00:39:52,640 --> 00:39:54,392
one of the actors was James

1028
00:39:54,392 --> 00:39:55,184
Link the third.

1029
00:39:55,476 --> 00:39:57,186
He got some money ago

1030
00:39:57,186 --> 00:39:58,354
him and make a horror film.

1031
00:40:00,439 --> 00:40:03,234
Being a big fan of
Mario Bava, I have

1032
00:40:03,234 --> 00:40:06,112
I always tried to use image and color

1033
00:40:07,029 --> 00:40:07,571
expressionistically.

1034
00:40:07,905 --> 00:40:09,365
Even the films I made with Spike

1035
00:40:09,365 --> 00:40:11,909
we tried many
techniques just for

1036
00:40:11,909 --> 00:40:13,494
convey the sensation.

1037
00:40:15,913 --> 00:40:18,707
Sam Jackson, who
I met him for the first time

1038
00:40:18,707 --> 00:40:19,625
School Daze set.

1039
00:40:19,834 --> 00:40:21,460
Bill Nunn, who I met
for the first time in

1040
00:40:21,460 --> 00:40:22,336
School Daze set.

1041
00:40:22,670 --> 00:40:25,881
Kadeem Hardison, who
I met him for the first time

1042
00:40:25,881 --> 00:40:28,759
set of Territory
Enemy before he did

1043
00:40:28,759 --> 00:40:29,301
School confusion.

1044
00:40:29,718 --> 00:40:31,804
There was no relationship between Cynthia and

1045
00:40:31,804 --> 00:40:32,179
James.

1046
00:40:32,346 --> 00:40:34,265
It was just a
coincidence that they had

1047
00:40:34,265 --> 00:40:35,224
the same surname.

1048
00:40:35,349 --> 00:40:36,934
If you are looking
to the girl over there

1049
00:40:36,934 --> 00:40:38,686
in that red dress with the boy

1050
00:40:38,686 --> 00:40:42,440
let me tell you man,
She's bad news.

1051
00:40:42,565 --> 00:40:44,066
It was great to see them

1052
00:40:44,066 --> 00:40:46,902
work and shine in
leads when this was

1053
00:40:46,902 --> 00:40:48,320
practically a time
in which they would not

1054
00:40:48,320 --> 00:40:49,405
had these opportunities.

1055
00:40:49,905 --> 00:40:53,576
You have lips like wine and I want

1056
00:40:53,576 --> 00:40:55,119
to get drunk tonight.

1057
00:40:55,953 --> 00:40:57,955
Shot on a budget
very low in

1058
00:40:57,955 --> 00:40:58,747
neighborhoods of Brooklyn.

1059
00:40:59,165 --> 00:41:00,708
This is the movie I filmed now

1060
00:41:00,708 --> 00:41:02,168
before doing Do the Right Thing and

1061
00:41:02,168 --> 00:41:04,044
it was a neighborhood horror film.

1062
00:41:04,253 --> 00:41:06,005
All locations were
within walking distance

1063
00:41:06,005 --> 00:41:07,465
distance from each other.

1064
00:41:07,631 --> 00:41:09,717
The main house where we filmed was

1065
00:41:09,717 --> 00:41:11,719
actually owned
by Laurence Fishburne.

1066
00:41:11,844 --> 00:41:13,929
He was one of a kind
from unnamed producer

1067
00:41:13,929 --> 00:41:14,555
in the film.

1068
00:41:14,805 --> 00:41:16,098
It was a sandstone house
where he lived

1069
00:41:16,098 --> 00:41:17,683
the renewal process.

1070
00:41:17,850 --> 00:41:18,601
We'll get you.

1071
00:41:19,977 --> 00:41:22,396
James was an actor and had no idea

1072
00:41:22,396 --> 00:41:25,232
how to configure
horror sequences so that

1073
00:41:25,232 --> 00:41:26,233
It was kind of my decision.

1074
00:41:26,400 --> 00:41:27,485
One of the main
movies I was

1075
00:41:27,485 --> 00:41:29,487
the reference in that
moment was The Hunger.

1076
00:41:29,695 --> 00:41:30,738
It was Tony Scott's first film.

1077
00:41:30,946 --> 00:41:32,740
I was also looking at Evil Dead 2

1078
00:41:32,740 --> 00:41:34,450
so that was a
great influence on me.

1079
00:41:34,742 --> 00:41:36,577
I took a little
borrowed from an old

1080
00:41:36,577 --> 00:41:38,871
Val's horror movie
Lewton called The Leopard

1081
00:41:38,871 --> 00:41:39,246
Man.

1082
00:41:41,457 --> 00:41:44,418
My favorite death is when Kadeem

1083
00:41:44,418 --> 00:41:46,462
Hardison's character
is back in your

1084
00:41:46,462 --> 00:41:48,422
apartment and your TV spontaneously

1085
00:41:48,422 --> 00:41:51,383
comes in and he's on TV

1086
00:41:51,383 --> 00:41:53,594
and he's waving
for yourself and go to

1087
00:41:53,594 --> 00:41:56,305
the TV that in retrospect is like no

1088
00:41:56,305 --> 00:41:58,140
Great, don't do that and the TV will eat

1089
00:41:58,140 --> 00:41:59,183
him and it was incredible.

1090
00:42:01,936 --> 00:42:05,731
I love TVs taking revenge

1091
00:42:05,731 --> 00:42:06,065
people.

1092
00:42:06,232 --> 00:42:07,983
It's the media that consumes you, you're not

1093
00:42:07,983 --> 00:42:09,109
consuming the media.

1094
00:42:10,528 --> 00:42:12,279
We don't really think
that this would happen

1095
00:42:12,279 --> 00:42:12,696
go anywhere.

1096
00:42:13,030 --> 00:42:14,823
At first there was no distributor.

1097
00:42:15,241 --> 00:42:17,576
Troma, by Lloyd Kaufman,
returned to the subject later

1098
00:42:17,576 --> 00:42:19,119
and actually received
good writing in

1099
00:42:19,119 --> 00:42:20,037
The New York Times.

1100
00:42:20,204 --> 00:42:22,373
I was a little surprised, so that was it.

1101
00:42:22,957 --> 00:42:23,791
quite surprising.

1102
00:42:33,676 --> 00:42:35,219
Frankenhooker is one of my favorites

1103
00:42:35,219 --> 00:42:36,512
films released in the 90s.

1104
00:42:36,679 --> 00:42:38,138
I think Frank
Henenlotter is a genius.

1105
00:42:38,472 --> 00:42:40,307
It's kind of a return to those

1106
00:42:40,307 --> 00:42:42,810
science fiction films
exaggerated 50s

1107
00:42:42,810 --> 00:42:44,061
Universal horror monsters.

1108
00:42:45,771 --> 00:42:48,440
It's this whore who is mounted

1109
00:42:48,440 --> 00:42:51,193
by a mad scientist
and she walks around

1110
00:42:51,193 --> 00:42:53,362
New York City asking
To people Want a date?

1111
00:42:53,779 --> 00:42:54,655
Are you going out?

1112
00:42:55,614 --> 00:42:56,574
Looking for action?

1113
00:42:56,782 --> 00:42:57,700
A little bit of camping.

1114
00:42:57,825 --> 00:42:58,784
It's very horror.

1115
00:42:59,368 --> 00:43:00,786
It has many twists

1116
00:43:00,786 --> 00:43:01,537
genre itself.

1117
00:43:01,745 --> 00:43:02,496
I love this movie.

1118
00:43:02,830 --> 00:43:03,414
Do you have money?

1119
00:43:03,914 --> 00:43:04,415
Money?

1120
00:43:04,540 --> 00:43:04,748
No.

1121
00:43:04,915 --> 00:43:05,833
I don't have money.

1122
00:43:07,501 --> 00:43:10,838
I always wanted to do
a Frankenstein movie

1123
00:43:10,838 --> 00:43:12,798
and I wanted to do one that I

1124
00:43:12,798 --> 00:43:14,216
It could have a laboratory scene.

1125
00:43:14,550 --> 00:43:17,469
Luckily I got one
sufficient budget for

1126
00:43:17,469 --> 00:43:19,471
James Glickenhaus and his company.

1127
00:43:19,722 --> 00:43:21,265
He said he would give you three million

1128
00:43:21,265 --> 00:43:23,767
dollars film two
movies because I had

1129
00:43:23,767 --> 00:43:26,395
I told him I had two ideas and

1130
00:43:26,395 --> 00:43:28,063
one was Frankenhooker
and I knew he

1131
00:43:28,063 --> 00:43:30,024
I wanted Basket Case
also because everyone

1132
00:43:30,024 --> 00:43:30,357
did.

1133
00:43:30,524 --> 00:43:31,567
He said which one do you want

1134
00:43:31,567 --> 00:43:31,692
do?

1135
00:43:31,734 --> 00:43:32,776
And I said let's shoot them both.

1136
00:43:32,985 --> 00:43:35,070
I can make you
the central goddess of

1137
00:43:35,070 --> 00:43:35,696
the century.

1138
00:43:36,196 --> 00:43:37,489
You just need the right parts.

1139
00:43:37,740 --> 00:43:39,783
When I was doing
Brain Damage or crack

1140
00:43:39,783 --> 00:43:42,161
epidemic was over
of reaching New York and we

1141
00:43:42,161 --> 00:43:44,371
they were filming on 30-something street.

1142
00:43:44,663 --> 00:43:46,707
At night it was Hooker Central.

1143
00:43:47,082 --> 00:43:48,751
So when I went there in the morning

1144
00:43:48,751 --> 00:43:50,502
I heard this horrible sound.

1145
00:43:50,919 --> 00:43:53,714
One was crushing
and the other one was grinding

1146
00:43:53,714 --> 00:43:55,841
and that means I've been stepped on

1147
00:43:55,841 --> 00:43:58,260
a used condom
or a bottle of crack.

1148
00:43:58,761 --> 00:44:00,596
It's a bad joke
I like making a film

1149
00:44:00,596 --> 00:44:03,599
about making a monster
feminine as base

1150
00:44:03,599 --> 00:44:04,350
of crack.

1151
00:44:04,516 --> 00:44:06,769
This super crack will
solve the problem

1152
00:44:06,769 --> 00:44:07,478
much faster.

1153
00:44:07,686 --> 00:44:09,229
How can I make him kill one

1154
00:44:09,229 --> 00:44:11,440
bunch of prostitutes without an audience

1155
00:44:11,440 --> 00:44:13,150
hating him deeply
and wouldn't it be funny?

1156
00:44:13,484 --> 00:44:14,943
And then I thought: what if he invents

1157
00:44:14,943 --> 00:44:17,404
super crack that makes
girls explode?

1158
00:44:17,613 --> 00:44:18,697
She's going to explode!

1159
00:44:19,865 --> 00:44:20,824
Get down and take cover!

1160
00:44:20,949 --> 00:44:22,534
It's getting really hot in here.

1161
00:44:23,952 --> 00:44:26,622
And this sequence where they explode is

1162
00:44:26,622 --> 00:44:28,540
My favorite piece I've ever done.

1163
00:44:28,624 --> 00:44:30,042
I want that on my tombstone.

1164
00:44:30,167 --> 00:44:33,087
I want him to have
killed six prostitutes in one

1165
00:44:33,087 --> 00:44:33,754
hotel room.

1166
00:44:39,760 --> 00:44:42,388
You know it's a
one of the funniest things

1167
00:44:42,388 --> 00:44:43,055
that I've already done.

1168
00:44:43,430 --> 00:44:45,891
I think it's the best and it worked.

1169
00:44:50,229 --> 00:44:52,940
I direct very few actors.

1170
00:44:53,273 --> 00:44:54,692
If I chose the right ones, they would

1171
00:44:54,692 --> 00:44:55,067
I know that.

1172
00:44:55,067 --> 00:44:56,819
And everything I said
Patty was two

1173
00:44:56,819 --> 00:44:57,653
things I want to do.

1174
00:44:57,945 --> 00:44:59,988
I want to show you
the Karloff Shuffle.

1175
00:45:03,075 --> 00:45:04,868
And she understood and I said and

1176
00:45:04,868 --> 00:45:06,453
so I want you
you do some kind

1177
00:45:06,453 --> 00:45:07,996
of her face and she just
turned to me

1178
00:45:07,996 --> 00:45:09,915
and that's it, you
You got it, you're ready.

1179
00:45:10,165 --> 00:45:11,417
I don't need any more discussion.

1180
00:45:12,000 --> 00:45:12,751
She got the joke.

1181
00:45:12,960 --> 00:45:16,213
Oh, honey, look at Ms. Thang.

1182
00:45:18,465 --> 00:45:21,093
Lorinz, we were
banging your head often

1183
00:45:21,093 --> 00:45:22,636
the beginning of that film because it

1184
00:45:22,636 --> 00:45:23,887
it was really going off script.

1185
00:45:24,263 --> 00:45:25,597
So what I told him is James

1186
00:45:25,597 --> 00:45:27,099
Let's make a deal.

1187
00:45:27,516 --> 00:45:29,268
Improvise as much as you want
while we are getting ready

1188
00:45:29,268 --> 00:45:30,519
enlarge the scenes and lights.

1189
00:45:30,894 --> 00:45:32,312
And if I like it, I'll laugh.

1190
00:45:32,938 --> 00:45:34,189
And if I don't do it, don't use it.

1191
00:45:34,440 --> 00:45:36,483
And then he even transformed the script

1192
00:45:36,483 --> 00:45:38,736
dialogue that sounds like an improvisation.

1193
00:45:39,445 --> 00:45:40,320
So he's fantastic.

1194
00:45:40,571 --> 00:45:42,364
I want to apologize to everyone here.

1195
00:45:42,489 --> 00:45:42,865
Please.

1196
00:45:43,699 --> 00:45:45,159
I'm going to get everyone back together.

1197
00:45:45,325 --> 00:45:46,160
I promise.

1198
00:45:46,410 --> 00:45:49,121
The special participation of
Zacherley came because he did the

1199
00:45:49,121 --> 00:45:50,873
voice of Aylmer in Brain Damage.

1200
00:45:51,039 --> 00:45:52,583
Ready to beg for it, Brian?

1201
00:45:53,500 --> 00:45:55,961
Ready to crawl
on the floor and beg

1202
00:45:55,961 --> 00:45:56,795
for my juice?

1203
00:45:57,087 --> 00:45:58,464
Right before the camera rolled he said

1204
00:45:58,464 --> 00:45:59,423
How do you want me to do this?

1205
00:45:59,506 --> 00:46:02,050
I said just to tell
time like Zacherley

1206
00:46:02,050 --> 00:46:02,426
would be.

1207
00:46:02,760 --> 00:46:03,844
He understood immediately.

1208
00:46:05,262 --> 00:46:06,138
All good.

1209
00:46:06,221 --> 00:46:06,430
All good.

1210
00:46:06,472 --> 00:46:06,847
Let's go.

1211
00:46:06,930 --> 00:46:07,222
Let's go.

1212
00:46:07,306 --> 00:46:09,224
And it was simply
perfect and I was

1213
00:46:09,224 --> 00:46:11,852
So happy that he was who I was.

1214
00:46:12,144 --> 00:46:14,229
And perfect for you crazy doctors

1215
00:46:14,229 --> 00:46:14,480
there.

1216
00:46:17,399 --> 00:46:21,153
This is a real Frankenhooker speaking

1217
00:46:21,153 --> 00:46:22,237
box from that time.

1218
00:46:22,404 --> 00:46:24,823
And here it also says press.

1219
00:46:25,532 --> 00:46:28,535
This was entirely
by James Glickenhaus

1220
00:46:28,702 --> 00:46:29,077
idea.

1221
00:46:29,536 --> 00:46:31,622
I'm surprised that William
Castle hasn't sat down

1222
00:46:31,622 --> 00:46:33,540
in your coffin and say oh me

1223
00:46:33,540 --> 00:46:34,500
should have done that.

1224
00:46:34,625 --> 00:46:35,292
This is brilliant.

1225
00:46:35,667 --> 00:46:37,461
I'm at Video Shack one day and like

1226
00:46:37,461 --> 00:46:39,463
I'm climbing the stairs
and I'm listening.

1227
00:46:39,630 --> 00:46:40,631
Want a date? Want one
date? Want a date?

1228
00:46:44,635 --> 00:46:46,512
And everyone is there
just pressing these

1229
00:46:46,512 --> 00:46:46,887
things.

1230
00:46:47,221 --> 00:46:49,056
A perfect example of
perfect marketing.

1231
00:46:53,477 --> 00:46:56,355
Oh, that was wonderful.

1232
00:47:02,694 --> 00:47:05,364
The real terror is back.

1233
00:47:05,614 --> 00:47:06,198
George C. Scott

1234
00:47:06,323 --> 00:47:09,034
in William Peter Blatty

1235
00:47:09,034 --> 00:47:10,327
The Exorcist 3.

1236
00:47:10,619 --> 00:47:11,912
They approached me to direct.

1237
00:47:12,371 --> 00:47:14,164
I could have done something with this if

1238
00:47:14,164 --> 00:47:16,208
Did you do a little more like the

1239
00:47:16,208 --> 00:47:17,167
original version.

1240
00:47:17,459 --> 00:47:19,169
But there was William Peter Blatty.

1241
00:47:19,378 --> 00:47:22,130
He is the original author
from The Exorcist.

1242
00:47:22,130 --> 00:47:24,633
He didn't want me to drive.

1243
00:47:24,925 --> 00:47:26,343
He wanted to direct it.

1244
00:47:26,593 --> 00:47:28,804
So he did everything
what could you do

1245
00:47:28,804 --> 00:47:30,013
Of course I wasn't the one who directed it.

1246
00:47:30,222 --> 00:47:31,974
And he wouldn't change his mind about the

1247
00:47:31,974 --> 00:47:32,266
end.

1248
00:47:32,766 --> 00:47:34,601
He wouldn't change his mind about the

1249
00:47:34,601 --> 00:47:34,893
film.

1250
00:47:35,269 --> 00:47:37,604
That's what he had in his head

1251
00:47:37,604 --> 00:47:39,565
So I thought: God bless you.

1252
00:47:42,860 --> 00:47:45,362
The Exorcist is considered
by many as

1253
00:47:45,362 --> 00:47:47,072
among the most
scary ones ever made.

1254
00:47:47,239 --> 00:47:48,782
It's a classic in every way

1255
00:47:48,782 --> 00:47:49,074
the word.

1256
00:47:49,241 --> 00:47:50,659
You left her alone to die!

1257
00:47:50,826 --> 00:47:51,243
Shut up!

1258
00:47:52,452 --> 00:47:55,789
Expectations for
Exorcist 3 are low

1259
00:47:55,789 --> 00:47:57,916
based on the previous film.

1260
00:47:58,292 --> 00:48:00,335
Once the wings
brushed you, you are

1261
00:48:00,335 --> 00:48:01,169
mine forever.

1262
00:48:01,503 --> 00:48:04,423
The Exorcist 3 is great.

1263
00:48:05,048 --> 00:48:08,302
You are getting a
ambitious, distinguished,

1264
00:48:08,802 --> 00:48:11,346
fascinating procedure
of a serial killer who

1265
00:48:11,346 --> 00:48:14,182
It is also a look
fascinating about the demonic

1266
00:48:14,182 --> 00:48:14,725
possession.

1267
00:48:17,895 --> 00:48:21,857
Tells the story 15 years after the

1268
00:48:21,857 --> 00:48:23,901
events of the first
Exorcist with what I

1269
00:48:23,901 --> 00:48:24,860
I think it's one of George C.

1270
00:48:24,943 --> 00:48:26,153
Scott's best performances.

1271
00:48:26,486 --> 00:48:29,031
It's funny, it's full
of nuances, it's dark, it's

1272
00:48:29,031 --> 00:48:29,990
sad, it's scary.

1273
00:48:30,198 --> 00:48:31,199
There you are, blaming God.

1274
00:48:31,450 --> 00:48:32,284
Who should I blame?

1275
00:48:32,409 --> 00:48:32,951
Phil Rizzuto?

1276
00:48:33,118 --> 00:48:33,994
Wouldn't you like to
live forever.

1277
00:48:34,286 --> 00:48:34,912
Yes, I would.

1278
00:48:35,037 --> 00:48:35,996
No, you wouldn't do that,
you would be bored.

1279
00:48:36,330 --> 00:48:37,122
I have hobbies.

1280
00:48:37,456 --> 00:48:40,125
He is investigating
a series of murders

1281
00:48:40,125 --> 00:48:42,377
in Georgetown which
carry a stranger

1282
00:48:42,377 --> 00:48:44,755
similarity to those of a serial killer

1283
00:48:44,755 --> 00:48:47,591
who was executed and called
from Twin Killer.

1284
00:48:47,799 --> 00:48:48,592
Are you Karras?

1285
00:48:49,343 --> 00:48:51,803
I am the Killer of
Gemini, James Veneman.

1286
00:48:52,554 --> 00:48:53,639
The Gemini is dead.

1287
00:48:53,931 --> 00:48:56,600
In a movie full of
great performances, you

1288
00:48:56,600 --> 00:48:59,436
I have to mention
specifically Brad Dourif

1289
00:48:59,436 --> 00:49:00,896
like the Twin Killer.

1290
00:49:01,063 --> 00:49:02,481
I'm not!

1291
00:49:02,522 --> 00:49:03,315
I'm alive!

1292
00:49:03,899 --> 00:49:04,942
I continue!

1293
00:49:05,150 --> 00:49:06,360
I breathe!

1294
00:49:06,735 --> 00:49:07,527
Look at me!

1295
00:49:07,778 --> 00:49:08,236
Jorge C.

1296
00:49:08,320 --> 00:49:10,155
Scott is a titanic actor.

1297
00:49:10,280 --> 00:49:12,115
He is a powerful actor.

1298
00:49:12,783 --> 00:49:16,703
And he's sitting there still listening

1299
00:49:16,703 --> 00:49:17,496
Brad Dourif.

1300
00:49:17,663 --> 00:49:20,707
Sometimes I do things
special with my

1301
00:49:20,707 --> 00:49:21,208
victims.

1302
00:49:22,000 --> 00:49:23,043
Things that are creative.

1303
00:49:23,418 --> 00:49:25,921
Whose face is that?
enter this broken light?

1304
00:49:25,921 --> 00:49:28,423
with what feels like a perpetual tear

1305
00:49:28,423 --> 00:49:30,801
this is just
coming out of your eyes

1306
00:49:30,801 --> 00:49:32,135
He's laughing, smiling.

1307
00:49:32,344 --> 00:49:34,680
It's so tortured and scary and

1308
00:49:34,680 --> 00:49:36,181
hypnotic performance.

1309
00:49:36,473 --> 00:49:40,769
As he watches
as I tear and cut

1310
00:49:40,769 --> 00:49:42,813
and maim the innocent!

1311
00:49:42,813 --> 00:49:45,524
The set pieces, the scares, are

1312
00:49:45,524 --> 00:49:47,859
phenomenally executed.

1313
00:49:53,407 --> 00:49:55,909
There is a famous sequence to this

1314
00:49:55,909 --> 00:49:58,453
hospital that remains today

1315
00:49:58,453 --> 00:50:00,205
one of the best examples of how

1316
00:50:00,205 --> 00:50:03,750
build, sustain
and pay the tension that

1317
00:50:03,750 --> 00:50:05,877
I've seen it in a movie

1318
00:50:05,877 --> 00:50:06,920
always.

1319
00:50:07,379 --> 00:50:08,130
Without a doubt.

1320
00:50:14,678 --> 00:50:16,805
Blatty encounters, let's call it that

1321
00:50:16,805 --> 00:50:19,516
interference from
studio, in the third act of

1322
00:50:19,516 --> 00:50:20,434
The Exorcist 3.

1323
00:50:20,559 --> 00:50:22,269
And he is forced to do
something creative

1324
00:50:22,269 --> 00:50:24,354
changes to the image, including the

1325
00:50:24,354 --> 00:50:26,773
addition of an exorcism
that was not part

1326
00:50:26,773 --> 00:50:27,274
of the plan.

1327
00:50:27,524 --> 00:50:30,444
Sworn enemy of the entire human race.

1328
00:50:33,488 --> 00:50:35,782
Even the decisions
where can I see the

1329
00:50:35,782 --> 00:50:37,409
interference from
stadium and I can see the

1330
00:50:37,409 --> 00:50:39,786
problems, the film
it simply works.

1331
00:50:40,203 --> 00:50:42,539
And although I can only imagine what it is

1332
00:50:42,539 --> 00:50:45,333
his preferred pure version would have

1333
00:50:45,333 --> 00:50:47,252
It looked like the theatrical release of

1334
00:50:47,252 --> 00:50:49,796
The Exorcist 3 is still great and

1335
00:50:49,796 --> 00:50:51,381
continues to be, I think, one of the most

1336
00:50:51,381 --> 00:50:52,758
underrated sequels already made.

1337
00:50:52,924 --> 00:50:56,386
Now I call it
exhibitionism, Lieutenant.

1338
00:51:04,728 --> 00:51:06,104
Leitão.

1339
00:51:06,646 --> 00:51:08,774
The Suckling was directed by Francis

1340
00:51:08,774 --> 00:51:09,024
Skin.

1341
00:51:09,274 --> 00:51:11,610
Independent, outside the
studio system,

1342
00:51:11,610 --> 00:51:14,321
everything is DIY, it's a passion

1343
00:51:14,321 --> 00:51:14,780
project.

1344
00:51:17,657 --> 00:51:20,494
The Suckling is about a couple who go

1345
00:51:20,494 --> 00:51:24,289
to a brothel/clinic
of abortion, I put

1346
00:51:24,289 --> 00:51:25,373
the word lightly

1347
00:51:25,582 --> 00:51:29,795
Are you pregnant? Only she enters.

1348
00:51:29,920 --> 00:51:30,587
to have an abortion,

1349
00:51:30,712 --> 00:51:33,215
and the girl doesn't want one and

1350
00:51:33,215 --> 00:51:35,592
the boyfriend does it, which is crazy

1351
00:51:35,592 --> 00:51:37,511
Why does he say that?
it will be easier.

1352
00:51:38,178 --> 00:51:39,805
Of course it's not easy.

1353
00:51:40,013 --> 00:51:41,765
Now get rid of it
like I showed you.

1354
00:51:41,932 --> 00:51:45,352
The baby is thrown into a sewer

1355
00:51:45,352 --> 00:51:49,231
toxic mud and then comes to life

1356
00:51:50,482 --> 00:51:54,528
for this incredible
articulated, with claws,

1357
00:51:54,611 --> 00:51:56,071
Razor-sharp teeth, baby.

1358
00:51:57,114 --> 00:51:58,824
What I love about The Suckling is that

1359
00:51:58,824 --> 00:52:01,076
has an incredible number of practices

1360
00:52:01,076 --> 00:52:01,535
effects.

1361
00:52:01,701 --> 00:52:03,703
There is a toxic sewage
fully articulated

1362
00:52:03,703 --> 00:52:04,454
mud baby.

1363
00:52:04,788 --> 00:52:05,664
Like, what else do you need?

1364
00:52:05,872 --> 00:52:07,541
I need to get out of here alive!

1365
00:52:08,583 --> 00:52:11,628
The creature is just a work of art.

1366
00:52:11,795 --> 00:52:13,755
It has teeth, it has claws, it has

1367
00:52:13,755 --> 00:52:15,799
those big eyes,
very expressive face.

1368
00:52:15,966 --> 00:52:18,385
It crawls, moves,
It's super sticky.

1369
00:52:18,677 --> 00:52:20,846
You can't believe that
this was done for a penny

1370
00:52:20,971 --> 00:52:22,222
You know, it looks so professional.

1371
00:52:25,767 --> 00:52:28,103
What I find incredible about this is

1372
00:52:28,103 --> 00:52:29,729
that really puts
both sides of

1373
00:52:29,729 --> 00:52:31,940
abortion argument one
against each other, for

1374
00:52:31,940 --> 00:52:32,524
for better or for worse.

1375
00:52:32,607 --> 00:52:33,775
I won't kill him!

1376
00:52:33,900 --> 00:52:36,194
There are no eyes, no ears, no fingers.

1377
00:52:37,154 --> 00:52:38,405
It's not human.

1378
00:52:39,281 --> 00:52:40,157
Not yet.

1379
00:52:40,323 --> 00:52:42,117
On the one hand, if a
woman is not in

1380
00:52:42,117 --> 00:52:44,327
charge of your own
body, then horrors

1381
00:52:44,327 --> 00:52:44,703
happen.

1382
00:52:45,203 --> 00:52:46,663
On the other hand, if you have to

1383
00:52:46,663 --> 00:52:48,039
have an abortion, horrors happen.

1384
00:52:48,290 --> 00:52:49,875
So no side
wins, but you know who

1385
00:52:49,875 --> 00:52:50,250
victories?

1386
00:52:50,750 --> 00:52:51,084
Public.

1387
00:53:00,927 --> 00:53:04,347
Night of the Living Dead
by George Romero

1388
00:53:05,849 --> 00:53:07,767
Night of the Living Dead is one of the

1389
00:53:07,767 --> 00:53:09,394
the few films that
really gave me

1390
00:53:09,394 --> 00:53:09,853
Nightmares.

1391
00:53:10,103 --> 00:53:10,979
And I was in college.

1392
00:53:13,565 --> 00:53:16,026
Night of the Living Dead
was probably the

1393
00:53:16,026 --> 00:53:17,694
beginning of the modern era of horror.

1394
00:53:18,028 --> 00:53:20,447
This is the film that
really started a

1395
00:53:20,447 --> 00:53:21,489
a totally different era.

1396
00:53:23,783 --> 00:53:25,035
People were like, what?

1397
00:53:25,160 --> 00:53:25,785
This is a classic.

1398
00:53:26,161 --> 00:53:28,413
How dare you remake
a classic, ok?

1399
00:53:28,872 --> 00:53:31,374
I'll come get you, Barbara.

1400
00:53:33,460 --> 00:53:36,004
How do I stop the zombies
be scary again?

1401
00:53:36,546 --> 00:53:38,298
You had the commercial
of beer from Joe Piscopo,

1402
00:53:38,465 --> 00:53:39,549
Michael Jackson thriller.

1403
00:53:39,925 --> 00:53:41,718
Zombies were almost funny.

1404
00:53:47,682 --> 00:53:49,559
At that time, George
I was saying, this is

1405
00:53:49,559 --> 00:53:50,894
It will be a frame by frame remake

1406
00:53:50,894 --> 00:53:52,145
from Night of the Living Dead.

1407
00:53:52,437 --> 00:53:53,271
I didn't want to do that.

1408
00:53:53,313 --> 00:53:54,105
And I said, you know what?

1409
00:53:54,147 --> 00:53:55,523
Why don't we bring
Barbara back?

1410
00:53:55,607 --> 00:53:57,108
And if she survives and comes back and

1411
00:53:57,108 --> 00:53:58,610
give some a beating
of these people?

1412
00:54:00,487 --> 00:54:02,864
Because I had seen
Alien and Sigourney

1413
00:54:02,864 --> 00:54:03,281
Weaver.

1414
00:54:03,490 --> 00:54:05,450
A heroine for me was what I

1415
00:54:05,450 --> 00:54:07,535
I needed Barbara
were, not brain dead

1416
00:54:07,535 --> 00:54:09,329
tweet that Judith O'Dea made.

1417
00:54:09,496 --> 00:54:11,706
That's why everyone
the actors of my Night

1418
00:54:11,706 --> 00:54:13,541
of the Living Dead look like the actors

1419
00:54:13,541 --> 00:54:15,418
from the original, except Barbara,

1420
00:54:15,752 --> 00:54:16,795
because I knew I was going to do it

1421
00:54:16,795 --> 00:54:17,879
something different with Barbara.

1422
00:54:21,716 --> 00:54:23,343
Here's who did the
test me for this

1423
00:54:23,343 --> 00:54:23,927
part of Ben.

1424
00:54:24,678 --> 00:54:27,347
Larry Fishburne, Eric
LaSalle de Plantão Médico.

1425
00:54:27,973 --> 00:54:30,141
Then on the last day of the last

1426
00:54:30,141 --> 00:54:32,769
casting session, I was nervous.

1427
00:54:33,061 --> 00:54:33,687
Who will Ben be?

1428
00:54:34,020 --> 00:54:35,146
Tony Todd enters.

1429
00:54:35,313 --> 00:54:37,190
He lifted me by the lapels.

1430
00:54:37,565 --> 00:54:38,608
You have to read me.

1431
00:54:38,692 --> 00:54:39,276
Well, we're done.

1432
00:54:39,317 --> 00:54:40,068
No, no, no, no, no, no.

1433
00:54:40,443 --> 00:54:41,069
You have to read me.

1434
00:54:41,152 --> 00:54:41,945
I gave him the script.

1435
00:54:41,945 --> 00:54:43,071
He goes out into the hallway.

1436
00:54:44,155 --> 00:54:45,865
Five minutes later, he returns without

1437
00:54:45,865 --> 00:54:47,909
the script, knows every line and

1438
00:54:47,909 --> 00:54:48,868
produced tears.

1439
00:54:49,202 --> 00:54:49,828
I closed the book.

1440
00:54:50,120 --> 00:54:50,745
That's it.

1441
00:54:50,912 --> 00:54:52,080
I won't look any further.

1442
00:54:52,414 --> 00:54:52,998
This is Ben.

1443
00:54:53,248 --> 00:54:55,083
This is something no one has ever done

1444
00:54:55,083 --> 00:54:56,918
heard about it and no one has ever seen it

1445
00:54:56,918 --> 00:54:57,294
before.

1446
00:54:57,544 --> 00:54:59,504
Before making the film, I made 600

1447
00:54:59,504 --> 00:55:01,715
storyboards, the entire film.

1448
00:55:02,048 --> 00:55:03,925
George came in and said, well, these

1449
00:55:03,925 --> 00:55:05,885
are wonderful, but you
has a period of six weeks

1450
00:55:05,885 --> 00:55:08,054
movie up there, and
you only have four

1451
00:55:08,054 --> 00:55:08,888
weeks to film.

1452
00:55:09,264 --> 00:55:10,390
So they started cutting things.

1453
00:55:10,598 --> 00:55:11,433
And I was like, but
wait a minute.

1454
00:55:11,766 --> 00:55:12,976
You don't know what our pace is

1455
00:55:12,976 --> 00:55:14,102
to be, how many
settings let's do

1456
00:55:14,102 --> 00:55:14,269
do.

1457
00:55:14,352 --> 00:55:16,855
My thought was, unless
that you are watching

1458
00:55:16,855 --> 00:55:18,315
My Dinner with André,
with two people

1459
00:55:18,315 --> 00:55:20,108
talking, you know, the dialogue wasn't

1460
00:55:20,108 --> 00:55:21,860
important to me
as being visually

1461
00:55:21,860 --> 00:55:22,485
splendid.

1462
00:55:26,072 --> 00:55:28,116
My goal was
impress the hell

1463
00:55:28,116 --> 00:55:29,868
of George with what
I was doing.

1464
00:55:29,993 --> 00:55:32,037
He was there the first day in

1465
00:55:32,037 --> 00:55:32,746
the cemetery.

1466
00:55:33,204 --> 00:55:33,830
So he had to go.

1467
00:55:33,872 --> 00:55:35,081
He had to go and write Dark Half.

1468
00:55:35,123 --> 00:55:35,665
He had a deadline.

1469
00:55:39,210 --> 00:55:43,965
My memory is of two
weeks and a half working with them and

1470
00:55:43,965 --> 00:55:44,883
enjoying.

1471
00:55:45,216 --> 00:55:46,301
I was killing it.

1472
00:55:46,426 --> 00:55:47,260
I was going crazy.

1473
00:55:47,802 --> 00:55:49,137
Then suddenly I'm in

1474
00:55:49,137 --> 00:55:51,097
in the middle of a divorce,
and everything I could

1475
00:55:51,097 --> 00:55:52,724
I thought I was
losing my daughter.

1476
00:55:52,891 --> 00:55:54,851
I'm losing my bank account.

1477
00:55:55,310 --> 00:55:57,354
How to deal with this divorce when

1478
00:55:57,354 --> 00:55:58,855
Am I directing a movie?

1479
00:55:59,314 --> 00:56:00,899
When you drive a
movie, you have to

1480
00:56:00,899 --> 00:56:02,471
be there 24 hours
per day, 7 days a

1481
00:56:02,484 --> 00:56:04,027
week, even when
are sleeping

1482
00:56:04,027 --> 00:56:04,527
in your bed.

1483
00:56:04,569 --> 00:56:05,820
You're thinking about scenes, you know?

1484
00:56:09,115 --> 00:56:11,201
So, in the last week and a half or

1485
00:56:11,201 --> 00:56:13,453
So from that footage, I
I really wanted

1486
00:56:13,453 --> 00:56:14,329
to get out of there.

1487
00:56:18,291 --> 00:56:20,543
A real producer
viscous who worked on

1488
00:56:20,543 --> 00:56:22,379
that thing, if he
enter this room,

1489
00:56:22,462 --> 00:56:24,047
he would have to stop me
to strangle the

1490
00:56:24,047 --> 00:56:24,714
life outside of it.

1491
00:56:24,964 --> 00:56:26,257
He would call George and say:

1492
00:56:26,549 --> 00:56:28,134
Hey, Tom already has this scene ready.

1493
00:56:28,134 --> 00:56:29,386
It will take 4 hours.

1494
00:56:29,886 --> 00:56:31,096
It would take 20 minutes.

1495
00:56:31,596 --> 00:56:32,806
George would say, don't let him do that,

1496
00:56:32,889 --> 00:56:33,681
and that was it.

1497
00:56:33,681 --> 00:56:34,265
I couldn't do that.

1498
00:56:34,349 --> 00:56:35,308
We can still make it.

1499
00:56:35,308 --> 00:56:36,434
No, I can't.

1500
00:56:37,394 --> 00:56:38,311
I'm very hurt.

1501
00:56:40,397 --> 00:56:41,731
Come on, get out of here.

1502
00:56:42,065 --> 00:56:44,526
But I hear from everyone that this

1503
00:56:44,526 --> 00:56:47,112
It's one of the best
sequels or remakes

1504
00:56:47,112 --> 00:56:48,196
that they saw.

1505
00:56:48,530 --> 00:56:50,240
Sometimes they say it better than the

1506
00:56:50,240 --> 00:56:50,490
original.

1507
00:56:50,615 --> 00:56:51,950
The original is a classic, of course.

1508
00:56:52,242 --> 00:56:53,785
I aimed too high, and
what did you get

1509
00:56:53,785 --> 00:56:56,496
it was a piece of us aiming high.

1510
00:56:56,788 --> 00:56:58,248
So maybe it's because
that's what works.

1511
00:56:58,415 --> 00:57:00,166
This is the real hell on Earth.

1512
00:57:13,012 --> 00:57:15,306
Jacob's Ladder was
a really bold film

1513
00:57:15,306 --> 00:57:17,267
do, and I liked the feeling.

1514
00:57:17,350 --> 00:57:18,810
It was a crazy movie.

1515
00:57:18,935 --> 00:57:20,145
Anyone there?

1516
00:57:21,020 --> 00:57:22,021
Anyone at home?

1517
00:57:22,147 --> 00:57:25,066
There are two branches
of horror films.

1518
00:57:25,525 --> 00:57:27,235
You have the branch that is fun

1519
00:57:27,652 --> 00:57:30,613
for a wider audience
young man who really wants

1520
00:57:30,613 --> 00:57:32,490
there are many types of
exciting jumps

1521
00:57:32,490 --> 00:57:32,949
scares.

1522
00:57:33,950 --> 00:57:36,494
But then there is this other branch of

1523
00:57:36,494 --> 00:57:39,205
horror that begins to really enter

1524
00:57:39,205 --> 00:57:42,208
dark psychological places, and the

1525
00:57:42,208 --> 00:57:45,420
antiheroes are often
mentally ill or have

1526
00:57:45,420 --> 00:57:48,423
problems that were exacerbated by

1527
00:57:48,423 --> 00:57:51,384
some experiences
really rotten in their

1528
00:57:51,384 --> 00:57:52,886
own lives that
they were really real.

1529
00:57:55,388 --> 00:57:58,600
Jacob's Ladder is about
a Vietnam veteran

1530
00:57:58,600 --> 00:58:01,936
struggling with extreme PTSD and

1531
00:58:01,936 --> 00:58:04,355
battle over where
your soul is going

1532
00:58:04,355 --> 00:58:04,481
go.

1533
00:58:04,564 --> 00:58:06,357
So there is a spiritual aspect to this

1534
00:58:06,357 --> 00:58:06,691
too.

1535
00:58:09,652 --> 00:58:11,196
It is visually brilliant.

1536
00:58:11,446 --> 00:58:12,989
Tim Robbins is incredible.

1537
00:58:13,364 --> 00:58:16,242
It was a film that told something

1538
00:58:16,242 --> 00:58:18,620
that was very cerebral,
so it wasn't a

1539
00:58:18,620 --> 00:58:20,830
kind of straight horror movie.

1540
00:58:21,039 --> 00:58:25,752
You know you look like an angel,
Louie? Like a grown cherub.

1541
00:58:26,127 --> 00:58:28,838
It was very scary
and very disturbing,

1542
00:58:29,088 --> 00:58:30,173
and of course this is one of those

1543
00:58:30,173 --> 00:58:31,883
films that would have called themselves

1544
00:58:31,883 --> 00:58:33,384
psychological thriller as opposed to a

1545
00:58:33,384 --> 00:58:35,094
horror movie, but if
you look at everyone

1546
00:58:35,094 --> 00:58:37,347
the faces of the creatures and all

1547
00:58:37,347 --> 00:58:39,349
people walking around and everything

1548
00:58:39,349 --> 00:58:40,767
nightmare images, I mean, � 

1549
00:58:40,767 --> 00:58:42,519
leaving directly from the
horror manual.

1550
00:58:46,606 --> 00:58:48,733
Directed by Adrian Lyne, who directed

1551
00:58:48,733 --> 00:58:50,610
Fatal Attraction, he knew what it was

1552
00:58:50,610 --> 00:58:50,860
doing.

1553
00:58:50,985 --> 00:58:52,487
He knew how to create tension.

1554
00:58:52,695 --> 00:58:55,990
He knew how to create that feeling of

1555
00:58:55,990 --> 00:58:58,326
imminent doom.

1556
00:58:58,535 --> 00:58:59,536
Have you seen them?

1557
00:59:00,537 --> 00:59:03,623
I saw them too. In
everywhere like a plague.

1558
00:59:03,915 --> 00:59:06,417
Some really fascinating stuff.

1559
00:59:07,126 --> 00:59:07,627
Nightmarish.

1560
00:59:11,464 --> 00:59:11,881
Demon!

1561
00:59:12,840 --> 00:59:15,552
At the party, the dance sequence, and he

1562
00:59:15,552 --> 00:59:18,137
see the demon's tail,
those quick images

1563
00:59:18,137 --> 00:59:19,681
Thus, it is a brilliant edition.

1564
00:59:19,847 --> 00:59:21,266
It's happening in a
way that you don't

1565
00:59:21,266 --> 00:59:23,142
really know what
is happening, but not

1566
00:59:23,142 --> 00:59:23,810
stay with you.

1567
00:59:26,854 --> 00:59:28,481
All the shit that
was happening with

1568
00:59:28,481 --> 00:59:30,441
Tim Robbins, being thrown onto the ice

1569
00:59:30,441 --> 00:59:32,360
bath, for the love of
God, you are in

1570
00:59:32,360 --> 00:59:34,571
edge of your seat
saying, I don't have

1571
00:59:34,571 --> 00:59:35,572
idea of what's going on.

1572
00:59:35,780 --> 00:59:36,155
Stop it! Stop with
That's it, you're killing me!

1573
00:59:41,494 --> 00:59:43,162
There are a lot of things they

1574
00:59:43,162 --> 00:59:43,913
cut out of it.

1575
00:59:44,163 --> 00:59:46,207
I think really cutting it

1576
00:59:46,207 --> 00:59:47,875
the way they did
the final film, I think

1577
00:59:47,875 --> 00:59:48,543
they ruined everything.

1578
00:59:48,668 --> 00:59:50,461
The battle that was
in the original film

1579
00:59:50,461 --> 00:59:51,462
it was really powerful.

1580
00:59:51,754 --> 00:59:52,589
They should have kept it.

1581
00:59:55,341 --> 00:59:57,302
What's brilliant about that?

1582
00:59:57,302 --> 01:00:00,263
the film is here
Adrian Lyne telling a

1583
01:00:00,263 --> 01:00:02,056
horror story, but
what he really is

1584
01:00:02,056 --> 01:00:04,559
talking about what
it was done with people

1585
01:00:04,559 --> 01:00:05,226
during Vietnam.

1586
01:00:05,560 --> 01:00:08,938
He is really
exploding this idea that is

1587
01:00:08,938 --> 01:00:10,607
featured in films
like Coming Home or

1588
01:00:10,607 --> 01:00:12,317
The Deer Hunter: Our guys were

1589
01:00:12,317 --> 01:00:14,152
experienced during Vietnam?

1590
01:00:14,402 --> 01:00:16,321
Now we all know
about that, but here it is

1591
01:00:16,321 --> 01:00:18,656
a horror film exposing this.

1592
01:00:19,324 --> 01:00:20,491
Get me out of here.

1593
01:00:20,908 --> 01:00:23,786
The 90s begin to
say you can say

1594
01:00:23,786 --> 01:00:25,830
something really special,
can you say

1595
01:00:25,830 --> 01:00:28,416
something important as long as you

1596
01:00:28,416 --> 01:00:30,752
remember to entertain the audience.

1597
01:00:38,593 --> 01:00:42,639
Child's play
2 I was always afraid

1598
01:00:42,639 --> 01:00:45,016
of inanimate objects
becoming excited,

1599
01:00:45,725 --> 01:00:48,353
and something about dolls, many of us

1600
01:00:48,353 --> 01:00:49,062
share this fear.

1601
01:00:54,525 --> 01:00:57,028
The violence perpetrated by this

1602
01:00:57,028 --> 01:00:59,781
Possessed doll, so scary.

1603
01:01:04,827 --> 01:01:05,870
How can a doll do this?

1604
01:01:06,996 --> 01:01:09,624
It's a small thing,
and they always come

1605
01:01:09,624 --> 01:01:11,209
with a creative way he was

1606
01:01:11,209 --> 01:01:12,460
able to gain an advantage.

1607
01:01:12,627 --> 01:01:13,628
Embrace it.

1608
01:01:18,132 --> 01:01:20,426
Child's Play 2 was like a 55,

1609
01:01:20,968 --> 01:01:24,514
60 days of filming, the
that looks insanely

1610
01:01:24,514 --> 01:01:26,140
luxurious for me now.

1611
01:01:26,432 --> 01:01:29,102
It was my first
experience on set with

1612
01:01:29,102 --> 01:01:30,812
John LaFia directing.

1613
01:01:31,354 --> 01:01:34,232
He was very generous
with me, leaving me

1614
01:01:34,232 --> 01:01:35,733
be around and absorb a little

1615
01:01:35,733 --> 01:01:36,442
experience.

1616
01:01:40,071 --> 01:01:42,782
Child's Play 2
followed Andy further

1617
01:01:42,782 --> 01:01:45,201
adventures now in one
adoptive family, and

1618
01:01:45,201 --> 01:01:48,121
Chucky returns to
torment Andy once again

1619
01:01:48,121 --> 01:01:48,454
again.

1620
01:01:48,621 --> 01:01:50,289
I got a new sports game.

1621
01:01:50,581 --> 01:01:54,877
It's called Hide the Soul.

1622
01:01:55,086 --> 01:01:57,672
The adoptive parents were
played by Gerrit

1623
01:01:57,672 --> 01:02:00,299
Graham and Jenny Agutter,
well known for

1624
01:02:00,299 --> 01:02:03,553
fans of the genre through
from De Palma's Phantom

1625
01:02:03,553 --> 01:02:05,555
Paradise and the American Werewolf in

1626
01:02:05,555 --> 01:02:05,888
London.

1627
01:02:06,013 --> 01:02:08,433
For God's sake, Joanne, the child

1628
01:02:08,433 --> 01:02:09,767
need professional help!

1629
01:02:09,767 --> 01:02:11,561
Oh, stop pretending that
you are right about

1630
01:02:11,561 --> 01:02:11,853
Hello.

1631
01:02:12,019 --> 01:02:14,188
They were both, for some reason,

1632
01:02:15,148 --> 01:02:17,483
visibly unhappy
making that movie,

1633
01:02:17,775 --> 01:02:21,320
largely due
the script was rewritten

1634
01:02:21,320 --> 01:02:23,030
while we were filming.

1635
01:02:23,197 --> 01:02:25,116
You start filming
a movie, you get

1636
01:02:25,116 --> 01:02:28,161
late, and when that happens

1637
01:02:28,161 --> 01:02:31,289
a movie with Chucky in the title, � 

1638
01:02:31,289 --> 01:02:33,291
It is not the material of
Chucky who will catch

1639
01:02:33,291 --> 01:02:33,708
cut.

1640
01:02:33,708 --> 01:02:35,543
Am I becoming human again?

1641
01:02:36,669 --> 01:02:38,045
If I don't get out of this body

1642
01:02:38,045 --> 01:02:39,338
So, I'm screwed.

1643
01:02:39,672 --> 01:02:42,300
Christine Elise also remains a believer

1644
01:02:42,300 --> 01:02:43,801
favorite from Child's Play 2.

1645
01:02:43,885 --> 01:02:46,721
She played the sister
Andy's adoptive, Kyle.

1646
01:02:47,013 --> 01:02:48,306
I wanted to try it.

1647
01:02:48,765 --> 01:02:50,600
Be realistic, the taste
It's shit, okay?

1648
01:02:50,725 --> 01:02:52,101
These things are very
bad for you.

1649
01:02:52,268 --> 01:02:54,729
She and Alex remain friends to this day,

1650
01:02:54,771 --> 01:02:55,772
which is really cute.

1651
01:02:56,147 --> 01:02:57,732
There was a certain honesty in his

1652
01:02:57,732 --> 01:03:00,234
relationship, a type of
no-nonsense relationship

1653
01:03:00,234 --> 01:03:02,904
something mutual that they
had been happening.

1654
01:03:02,904 --> 01:03:04,155
This only makes me stronger.

1655
01:03:04,864 --> 01:03:06,783
Because it reminds me that the only

1656
01:03:06,783 --> 01:03:08,326
I can count on myself.

1657
01:03:08,493 --> 01:03:11,037
Children fight against
insecurity, fear,

1658
01:03:11,287 --> 01:03:12,705
loneliness, isolation, depression,

1659
01:03:12,872 --> 01:03:14,624
anxiety, all these
things with Chucky

1660
01:03:14,624 --> 01:03:16,250
rings when it gets into your head

1661
01:03:16,250 --> 01:03:17,126
and starts messing with you.

1662
01:03:17,335 --> 01:03:19,420
Oh, this thing is
really very rich.

1663
01:03:19,545 --> 01:03:21,339
It was this bad man who came in

1664
01:03:21,339 --> 01:03:22,381
my good boy doll.

1665
01:03:22,548 --> 01:03:23,591
It's a scary dream.

1666
01:03:24,634 --> 01:03:25,551
It was.

1667
01:03:25,802 --> 01:03:29,305
The primary appeal of
Children's Play

1668
01:03:29,305 --> 01:03:32,433
The setting is the archetypal
of the boy who cries wolf.

1669
01:03:33,100 --> 01:03:35,770
Children feeling like they don't have a voice.

1670
01:03:36,270 --> 01:03:37,814
You know, that's powerful stuff.

1671
01:03:38,231 --> 01:03:40,024
But I didn't do what I swore.

1672
01:03:40,066 --> 01:03:40,441
No?

1673
01:03:40,691 --> 01:03:41,651
So who did this?

1674
01:03:43,861 --> 01:03:45,988
Don't even think about it.

1675
01:03:46,030 --> 01:03:47,990
I think one of
best deaths

1676
01:03:47,990 --> 01:03:50,326
the entire franchise is Miss

1677
01:03:50,326 --> 01:03:51,369
Death of Kettlewell.

1678
01:03:51,661 --> 01:03:51,953
Oh!

1679
01:03:52,370 --> 01:03:53,037
Oh!

1680
01:03:53,871 --> 01:03:54,497
Oh!

1681
01:03:57,583 --> 01:03:58,084
Oh!

1682
01:03:58,668 --> 01:04:00,920
So, whenever
Chucky is passing by

1683
01:04:00,920 --> 01:04:02,338
space, this is very important.

1684
01:04:02,713 --> 01:04:05,383
John designed this
very cool camera

1685
01:04:05,383 --> 01:04:07,260
movement where the camera approaches

1686
01:04:07,260 --> 01:04:09,011
his face as he says his line.

1687
01:04:09,720 --> 01:04:14,141
You were very naughty, miss.

1688
01:04:14,141 --> 01:04:15,017
Kettlewell.

1689
01:04:15,560 --> 01:04:19,146
John LaFia really knew how to shoot

1690
01:04:19,146 --> 01:04:21,858
Chucky, defining much of the look

1691
01:04:21,858 --> 01:04:24,318
grammar for the Chucky franchise.

1692
01:04:24,610 --> 01:04:24,944
Oh!

1693
01:04:26,279 --> 01:04:27,071
Oh!

1694
01:04:29,448 --> 01:04:29,866
Oh!

1695
01:04:31,659 --> 01:04:34,537
Also great support
to Kevin Yagher because

1696
01:04:34,537 --> 01:04:36,539
the doll was fantastic.

1697
01:04:36,831 --> 01:04:39,667
There was more expression on his face.

1698
01:04:39,792 --> 01:04:41,335
He also had a lot more dialogue.

1699
01:04:41,586 --> 01:04:43,337
I mean, once
we were successful in

1700
01:04:43,337 --> 01:04:46,424
our hands, gave us dispensation to go

1701
01:04:46,424 --> 01:04:49,010
to the city and just
write pages and pages

1702
01:04:49,010 --> 01:04:49,802
of dialogue.

1703
01:04:51,345 --> 01:04:52,388
The fun is over.

1704
01:04:52,722 --> 01:04:53,389
Brad Dourif.

1705
01:04:53,472 --> 01:04:55,474
The success of this franchise, I think,

1706
01:04:55,725 --> 01:04:58,519
It is largely due
to him and his performance

1707
01:04:58,519 --> 01:05:01,105
of the character is not very specific

1708
01:05:01,105 --> 01:05:03,149
kind of funny anger.

1709
01:05:03,357 --> 01:05:07,403
Just shut up and
drive before I kick

1710
01:05:07,403 --> 01:05:08,529
your damn teeth in.

1711
01:05:09,155 --> 01:05:10,865
There is something scary and

1712
01:05:10,865 --> 01:05:12,700
It's funny to see this little doll that is

1713
01:05:12,700 --> 01:05:16,954
just, like, frustrated
because he needs one

1714
01:05:16,954 --> 01:05:19,582
driver to take you
around town so he

1715
01:05:19,582 --> 01:05:21,542
It might kill someone or something.

1716
01:05:21,792 --> 01:05:24,086
I think this gives this particular

1717
01:05:24,086 --> 01:05:26,964
slasher has a unique appeal.

1718
01:05:29,216 --> 01:05:31,552
I thought their promotion

1719
01:05:31,552 --> 01:05:32,595
the film was brilliant.

1720
01:05:33,346 --> 01:05:35,723
I loved Sorry Jack, Chucky's Back.

1721
01:05:37,308 --> 01:05:40,061
Sorry, Jack, Chucky's back.

1722
01:05:40,394 --> 01:05:42,146
And the film was a success.

1723
01:05:49,236 --> 01:05:52,573
Reviews were mixed
during the day, what

1724
01:05:52,573 --> 01:05:53,658
it was to be expected.

1725
01:05:53,824 --> 01:05:55,785
It's a good film, but it made me feel

1726
01:05:55,785 --> 01:05:58,245
unclean and disturbed
while I watched

1727
01:05:58,245 --> 01:05:59,705
that, and I could only
imagine the effect

1728
01:05:59,705 --> 01:06:01,040
may have an effect on young children.

1729
01:06:01,165 --> 01:06:02,583
It's interesting that now it's

1730
01:06:02,583 --> 01:06:04,502
considered one of the best films

1731
01:06:04,502 --> 01:06:06,087
in the franchise, if not the best.

1732
01:06:06,212 --> 01:06:07,546
Snap out of it.

1733
01:06:07,880 --> 01:06:09,340
You act like you never
had seen a dead man

1734
01:06:09,340 --> 01:06:10,383
body before.

1735
01:06:20,851 --> 01:06:23,396
As a child, I didn't really like

1736
01:06:23,396 --> 01:06:24,105
clowns.

1737
01:06:24,188 --> 01:06:27,233
I think it's universally
true that a lot

1738
01:06:27,233 --> 01:06:29,443
of children, including
I found something

1739
01:06:29,443 --> 01:06:30,820
Kinda scary about them.

1740
01:06:30,903 --> 01:06:32,571
Won't you say hi?

1741
01:06:34,782 --> 01:06:36,450
Don't you want a balloon?

1742
01:06:36,993 --> 01:06:39,829
It's a kind of
generational horror story

1743
01:06:39,829 --> 01:06:42,957
This is about a group of kids in

1744
01:06:42,957 --> 01:06:46,043
a small town in
Maine who began to

1745
01:06:46,043 --> 01:06:50,172
be terrified by
this thing that is capable

1746
01:06:50,172 --> 01:06:52,591
to face your
individual fears.

1747
01:06:52,842 --> 01:06:53,676
Come here, son.

1748
01:06:53,843 --> 01:06:55,177
You'll like it there.

1749
01:06:56,303 --> 01:06:57,930
You will never have to grow up.

1750
01:06:59,974 --> 01:07:02,309
But it also tells their story

1751
01:07:02,309 --> 01:07:05,354
as adults having to
look back and

1752
01:07:05,354 --> 01:07:07,481
confront the same
thing that terrified

1753
01:07:07,481 --> 01:07:08,816
them in their childhood.

1754
01:07:08,899 --> 01:07:11,193
The story itself is
about nostalgia, a

1755
01:07:11,193 --> 01:07:12,528
terrifying version of nostalgia.

1756
01:07:12,778 --> 01:07:13,571
My boat.

1757
01:07:14,071 --> 01:07:14,613
George.

1758
01:07:15,614 --> 01:07:16,991
It's all your fault.

1759
01:07:17,199 --> 01:07:18,909
The miniseries is sublime.

1760
01:07:19,243 --> 01:07:20,870
It's hanging from a
of the works of Stephen King

1761
01:07:20,870 --> 01:07:22,830
greatest strengths
as a writer, who is

1762
01:07:22,830 --> 01:07:25,332
how to create characters
that move in

1763
01:07:25,332 --> 01:07:26,042
your heart.

1764
01:07:26,208 --> 01:07:28,586
And these children
The Losers Club, us

1765
01:07:28,586 --> 01:07:29,795
it was all these kids.

1766
01:07:30,087 --> 01:07:32,465
We've all had
the feeling of being

1767
01:07:32,465 --> 01:07:34,425
outcast or being different.

1768
01:07:34,717 --> 01:07:35,760
We are a kind of club.

1769
01:07:39,805 --> 01:07:41,098
Yes, the Losers' Club.

1770
01:07:41,390 --> 01:07:44,435
When it reached me,

1771
01:07:44,435 --> 01:07:47,229
was created as a
two-night miniseries,

1772
01:07:47,396 --> 01:07:49,940
which really says a lot about a

1773
01:07:49,940 --> 01:07:51,067
1,000-page novel.

1774
01:07:51,317 --> 01:07:54,445
It was originally
created and prayed for

1775
01:07:55,237 --> 01:07:57,031
three or maybe even four nights

1776
01:07:57,031 --> 01:07:57,948
miniseries.

1777
01:07:58,365 --> 01:08:00,367
Then I knew we had
our work cut

1778
01:08:00,367 --> 01:08:01,202
for us.

1779
01:08:01,368 --> 01:08:02,453
And we're out, right, Tom?

1780
01:08:02,495 --> 01:08:03,329
We have a break.

1781
01:08:03,621 --> 01:08:05,498
And I hope that still
we have a position

1782
01:08:05,498 --> 01:08:05,831
bow.

1783
01:08:05,915 --> 01:08:08,709
The easy and somewhat lazy journalist

1784
01:08:08,709 --> 01:08:11,837
Stephen's approach
King is, oh, he is the

1785
01:08:11,837 --> 01:08:12,838
master of horror.

1786
01:08:13,089 --> 01:08:15,800
In fact, I feel that
Stephen King is one of the

1787
01:08:15,800 --> 01:08:18,260
our great
novelists, and he is the master

1788
01:08:18,260 --> 01:08:19,386
of childhood.

1789
01:08:19,887 --> 01:08:22,431
He is the master of rites of passage,

1790
01:08:22,640 --> 01:08:25,976
of early friendships,
of bonds, when

1791
01:08:25,976 --> 01:08:29,271
every little thing means a lot.

1792
01:08:29,438 --> 01:08:30,731
You don't need to do that.

1793
01:08:31,190 --> 01:08:32,316
My father says you
you have to know when

1794
01:08:32,316 --> 01:08:33,067
to take a stand.

1795
01:08:33,400 --> 01:08:36,112
That was my opinion on the thing,

1796
01:08:36,112 --> 01:08:37,363
make a human story.

1797
01:08:37,488 --> 01:08:39,198
The horror would take care of itself.

1798
01:08:44,745 --> 01:08:47,581
Tim Curry, man, this
it was a blow, a

1799
01:08:47,581 --> 01:08:48,541
casting scam.

1800
01:08:48,707 --> 01:08:50,501
I knew we were
about to face something

1801
01:08:50,501 --> 01:08:53,003
good, and he didn't disappoint.

1802
01:08:54,296 --> 01:08:56,006
Here I am, Wheezy.

1803
01:08:57,675 --> 01:09:00,469
Hey, you'll like it here.

1804
01:09:00,636 --> 01:09:03,180
The cast is fun
when you're in fantasy

1805
01:09:03,180 --> 01:09:03,722
internship.

1806
01:09:03,973 --> 01:09:06,684
After we generate
this list, with all

1807
01:09:06,684 --> 01:09:08,769
types of names, Malcolm McDowell and

1808
01:09:08,769 --> 01:09:11,021
Alice Cooper and all
others, as soon as possible

1809
01:09:11,021 --> 01:09:13,649
when I discovered that we could get

1810
01:09:13,649 --> 01:09:16,861
Tim Curry, it was like, God, yes, let's go

1811
01:09:16,861 --> 01:09:17,695
Go with Tim.

1812
01:09:17,945 --> 01:09:20,406
Leave before it gets dark tonight.

1813
01:09:21,282 --> 01:09:23,325
You're too old to stop me.

1814
01:09:23,325 --> 01:09:27,246
Tim has a skill
Single swing

1815
01:09:27,246 --> 01:09:30,374
a heartbeat of
genuinely nice to

1816
01:09:30,374 --> 01:09:32,793
sinister and frightening.

1817
01:09:33,002 --> 01:09:34,879
I am all nightmares
that you ever had.

1818
01:09:35,337 --> 01:09:38,424
I am everything you
He was always afraid.

1819
01:09:38,507 --> 01:09:40,301
We chose very carefully.

1820
01:09:40,759 --> 01:09:43,762
I believed that these
children grew up and became

1821
01:09:43,762 --> 01:09:46,640
these adults, and that
It's no small thing

1822
01:09:46,640 --> 01:09:47,016
feat.

1823
01:09:47,099 --> 01:09:48,475
I think it was our secret weapon.

1824
01:09:48,809 --> 01:09:50,895
Hello, Losers' Club.

1825
01:09:51,187 --> 01:09:51,562
All good.

1826
01:09:51,562 --> 01:09:52,521
For the Losers' Club.

1827
01:09:52,521 --> 01:09:55,941
I am not a master of
gore, then they weren't there

1828
01:09:55,941 --> 01:09:58,736
any real danger
having to edit

1829
01:09:58,736 --> 01:09:59,361
heavily.

1830
01:09:59,570 --> 01:10:01,655
I did exactly what
what I wanted to do.

1831
01:10:02,072 --> 01:10:02,406
Hey!

1832
01:10:03,282 --> 01:10:03,741
Oh!

1833
01:10:07,203 --> 01:10:10,623
I could have wished
something bigger and better

1834
01:10:10,623 --> 01:10:12,666
climax than a giant spider.

1835
01:10:13,042 --> 01:10:15,002
I know that my
reaction to the novel was:

1836
01:10:15,127 --> 01:10:15,294
really?

1837
01:10:15,544 --> 01:10:17,213
Does it all come down to this big spider?

1838
01:10:17,421 --> 01:10:19,632
But that's what's in the novel.

1839
01:10:24,220 --> 01:10:26,805
Although no one ever hits their head,

1840
01:10:27,014 --> 01:10:30,434
It's also a story
about children's secrets

1841
01:10:30,434 --> 01:10:33,771
molestation and sordid affairs that

1842
01:10:33,771 --> 01:10:35,231
no one wants to talk about it.

1843
01:10:35,439 --> 01:10:37,274
I guess that's what Stephen King was

1844
01:10:37,274 --> 01:10:39,401
getting there, is that the
secrets can be

1845
01:10:39,401 --> 01:10:41,779
deadly and can
turn into monsters

1846
01:10:41,779 --> 01:10:44,406
if not treated in some way.

1847
01:10:44,573 --> 01:10:46,575
Swear to me that if I'm not dead,

1848
01:10:48,118 --> 01:10:49,328
We will be back.

1849
01:10:49,328 --> 01:10:52,039
I think we at least opened the door

1850
01:10:52,039 --> 01:10:55,709
for the suits in the networks to look

1851
01:10:55,709 --> 01:10:57,711
in Stephen King from a
slightly different shape

1852
01:10:57,711 --> 01:10:58,170
light.

1853
01:10:58,420 --> 01:11:01,423
I believe I did other series that

1854
01:11:01,423 --> 01:11:04,593
followed possible to
open television.

1855
01:11:04,802 --> 01:11:08,305
And when you are
Down here, you will float

1856
01:11:08,305 --> 01:11:09,431
too!

1857
01:11:17,856 --> 01:11:19,733
Join the club.

1858
01:11:22,653 --> 01:11:25,864
Silent Night,
Deadly Night 4: Initiation.

1859
01:11:26,907 --> 01:11:29,702
Shrouded in a mystery,
a woman stays

1860
01:11:29,702 --> 01:11:33,580
involved with a cult
extreme of Lilith

1861
01:11:33,580 --> 01:11:34,665
feminists based on

1862
01:11:34,832 --> 01:11:35,249
Lilith (Love)

1863
01:11:35,666 --> 01:11:37,459
She was the serpent that tempted Eve,

1864
01:11:38,043 --> 01:11:39,712
spirit of all proles.

1865
01:11:39,795 --> 01:11:42,047
Maud Adams, a Bond girl, she was the

1866
01:11:42,047 --> 01:11:43,882
one we needed for the title of

1867
01:11:43,882 --> 01:11:45,634
the box cover and of course the box

1868
01:11:45,634 --> 01:11:47,469
the cover doesn't look like it
nothing like the film.

1869
01:11:47,678 --> 01:11:50,055
There is a quality
parasitic in men,

1870
01:11:50,222 --> 01:11:51,640
and you have to take it away

1871
01:11:51,640 --> 01:11:53,642
to gain power for themselves.

1872
01:11:53,809 --> 01:11:55,477
Clint Howard was great in it.

1873
01:11:55,602 --> 01:11:57,104
We have become
friends through this.

1874
01:11:57,229 --> 01:11:58,314
Santa Claus Killer!

1875
01:11:59,440 --> 01:12:01,692
I didn't want to do
a Christmas thing,

1876
01:12:01,984 --> 01:12:02,693
So I didn't.

1877
01:12:02,943 --> 01:12:04,695
So I even did the
main character being Jewish.

1878
01:12:04,987 --> 01:12:07,406
It didn't make any sense.

1879
01:12:07,823 --> 01:12:09,325
It happened around Christmas.

1880
01:12:09,658 --> 01:12:12,578
Richard Gladstein was an executive at

1881
01:12:12,578 --> 01:12:13,746
Live entertainment.

1882
01:12:14,079 --> 01:12:17,041
He got the rights
from Silent Night, Deadly

1883
01:12:17,041 --> 01:12:17,958
Nocturnal continuations.

1884
01:12:18,083 --> 01:12:21,003
He was the one who bought the Bride

1885
01:12:21,003 --> 01:12:23,130
from Re-Animator, and he said, hey, you

1886
01:12:23,130 --> 01:12:25,424
I want to do the next one
Silent, Deadly Night

1887
01:12:25,424 --> 01:12:25,716
Night?

1888
01:12:26,717 --> 01:12:28,052
Enter now!

1889
01:12:29,636 --> 01:12:32,473
It was as if there was no
money, and we were

1890
01:12:32,473 --> 01:12:34,308
kinda out of control and out of control

1891
01:12:34,308 --> 01:12:34,850
our minds.

1892
01:12:35,100 --> 01:12:36,518
Someone should have stopped us.

1893
01:12:40,064 --> 01:12:42,858
With Screaming Mad
George, we've come so far

1894
01:12:42,858 --> 01:12:45,611
with these visual ideas, and in this

1895
01:12:45,611 --> 01:12:48,155
if it were a simulacrum,
this whole idea of

1896
01:12:48,155 --> 01:12:50,949
trying to see two things
at the same time, seeing

1897
01:12:50,949 --> 01:12:52,785
things from another angle.

1898
01:12:53,202 --> 01:12:55,037
There's a lot really, really

1899
01:12:55,037 --> 01:12:56,705
disgusting effects on him.

1900
01:12:56,789 --> 01:12:58,916
While she is being
started, it really

1901
01:12:58,916 --> 01:13:00,417
chokes a larva.

1902
01:13:03,879 --> 01:13:06,006
And then it becomes a larva.

1903
01:13:06,256 --> 01:13:07,966
It's like being reborn in a

1904
01:13:07,966 --> 01:13:08,217
path.

1905
01:13:08,425 --> 01:13:12,304
I like this type
disturbing body

1906
01:13:12,304 --> 01:13:13,639
metamorphosis and mutations.

1907
01:13:14,515 --> 01:13:16,058
I'm not very fond of

1908
01:13:16,058 --> 01:13:17,935
bugs, but I can use them.

1909
01:13:18,143 --> 01:13:20,521
We made a lot of cockroaches in

1910
01:13:20,521 --> 01:13:22,439
that movie, and we
we made the big cockroach,

1911
01:13:22,523 --> 01:13:24,691
so I did Metamorphosis
because I like

1912
01:13:24,691 --> 01:13:25,442
this story.

1913
01:13:25,859 --> 01:13:27,528
This gives me a certain pleasure.

1914
01:13:27,653 --> 01:13:29,363
It gives me kind of a shiver

1915
01:13:29,363 --> 01:13:31,865
see that cockroach and see it

1916
01:13:31,865 --> 01:13:33,742
under the bed and then in the flesh

1917
01:13:33,742 --> 01:13:36,662
closet with Clint with that nose.

1918
01:13:36,745 --> 01:13:37,955
Put an end to the dark room.

1919
01:13:39,915 --> 01:13:41,834
It's like chasing a static.

1920
01:13:42,334 --> 01:13:44,670
I was a little disappointed in myself

1921
01:13:44,670 --> 01:13:47,673
in that movie because I thought,

1922
01:13:47,798 --> 01:13:49,383
Dude, you didn't know what
what I was doing.

1923
01:13:49,383 --> 01:13:51,593
You were going too far.

1924
01:13:51,802 --> 01:13:54,680
Since then, I have
I became a little

1925
01:13:54,680 --> 01:13:57,808
positive response to this, and this is

1926
01:13:57,808 --> 01:13:59,309
It has been very rewarding.

1927
01:13:59,601 --> 01:14:00,936
You have been initiated.

1928
01:14:01,937 --> 01:14:02,354
You will.

1929
01:14:03,105 --> 01:14:03,313
Now.

1930
01:14:12,990 --> 01:14:13,490
God, I

1931
01:14:13,490 --> 01:14:13,949
I love you.

1932
01:14:14,116 --> 01:14:16,201
Stephen's film
King, Misery, starred

1933
01:14:16,201 --> 01:14:19,329
Kathy Bates as Annie
Wilkes catching

1934
01:14:19,329 --> 01:14:22,040
your favorite author who falls into

1935
01:14:22,040 --> 01:14:23,584
snow in the middle of winter and after

1936
01:14:23,584 --> 01:14:25,627
holds him hostage so he

1937
01:14:25,627 --> 01:14:27,129
changed the book because she didn't like it

1938
01:14:27,129 --> 01:14:28,297
the end of the next book.

1939
01:14:28,547 --> 01:14:30,716
You dirty bird.

1940
01:14:31,341 --> 01:14:32,426
How could you?

1941
01:14:32,926 --> 01:14:35,846
Misery Chastain can't be dead.

1942
01:14:35,846 --> 01:14:37,389
This was a very
scary for me.

1943
01:14:37,598 --> 01:14:38,849
One of the most
interesting about

1944
01:14:38,849 --> 01:14:40,851
Misery went to see Rob Reiner directing.

1945
01:14:40,893 --> 01:14:42,019
What a great change of pace.

1946
01:14:42,227 --> 01:14:42,978
You did it!

1947
01:14:43,228 --> 01:14:44,062
You did it!

1948
01:14:44,480 --> 01:14:45,981
You murdered my Misery!

1949
01:14:46,523 --> 01:14:46,815
Annie!

1950
01:14:48,275 --> 01:14:49,693
Very different things.

1951
01:14:49,818 --> 01:14:51,111
How do you tell a story of two

1952
01:14:51,111 --> 01:14:53,322
people in a room and
keep it interesting

1953
01:14:53,322 --> 01:14:55,449
minute after minute,
keep the story

1954
01:14:55,449 --> 01:14:56,241
moving forward?

1955
01:14:56,658 --> 01:14:57,910
First of all, you
starts with a great

1956
01:14:57,910 --> 01:14:59,119
Screenplay by William Goldman.

1957
01:14:59,661 --> 01:15:01,413
Don't even think about anyone coming to

1958
01:15:01,413 --> 01:15:03,332
you because I never
I called them.

1959
01:15:04,666 --> 01:15:05,751
No one knows you're here.

1960
01:15:06,043 --> 01:15:08,003
James Caan and Kathy Bates were

1961
01:15:08,003 --> 01:15:09,296
absolutely magnificent.

1962
01:15:09,755 --> 01:15:12,216
Fatal attraction of a fan, I won't

1963
01:15:12,216 --> 01:15:13,008
let you go.

1964
01:15:13,091 --> 01:15:15,552
It's terribly,
terribly scary

1965
01:15:15,552 --> 01:15:19,848
film for an actor because there is

1966
01:15:19,848 --> 01:15:22,476
people out there who
feel like they have a

1967
01:15:22,476 --> 01:15:22,935
celebrity.

1968
01:15:23,227 --> 01:15:23,936
The return of misery?

1969
01:15:25,312 --> 01:15:26,688
I know you didn't want
say this when you

1970
01:15:26,688 --> 01:15:29,066
killed her, and now you
will fix this.

1971
01:15:29,358 --> 01:15:31,693
The way Kathy
Bates criticized his

1972
01:15:31,693 --> 01:15:33,946
writing, your choice of what to do with

1973
01:15:33,946 --> 01:15:36,073
your characters in Misery, I have

1974
01:15:36,073 --> 01:15:37,741
criticized in the same way by fans.

1975
01:15:38,408 --> 01:15:39,660
Why are you
playing a different

1976
01:15:39,660 --> 01:15:40,077
character?

1977
01:15:40,410 --> 01:15:41,870
Why do you have to
interpret someone who is

1978
01:15:41,870 --> 01:15:43,747
bad, mostly
on family days

1979
01:15:43,747 --> 01:15:44,373
Ties, right?

1980
01:15:44,414 --> 01:15:46,291
I was at their house
playing every week

1981
01:15:46,291 --> 01:15:47,376
a very sweet man.

1982
01:15:47,626 --> 01:15:49,503
I would try to explain to people what

1983
01:15:49,503 --> 01:15:51,296
I owe you the best I can

1984
01:15:51,296 --> 01:15:53,549
interpretation of
character that I am

1985
01:15:53,549 --> 01:15:53,924
playing.

1986
01:15:54,216 --> 01:15:55,968
I can't give you the
same character day

1987
01:15:55,968 --> 01:15:56,677
inside and outside of the day.

1988
01:15:56,969 --> 01:15:58,011
It's boring for me.

1989
01:15:58,095 --> 01:15:58,929
It's not interesting.

1990
01:16:02,599 --> 01:16:03,892
Now don't be afraid.

1991
01:16:04,184 --> 01:16:06,270
This person will
kill if I don't do it?

1992
01:16:06,270 --> 01:16:07,312
do things their way?

1993
01:16:07,479 --> 01:16:10,566
It was the person at the door
next door, the person

1994
01:16:10,566 --> 01:16:14,653
Who says I love you, but do it

1995
01:16:14,653 --> 01:16:15,487
my way.

1996
01:16:15,487 --> 01:16:17,864
This is something very scary.

1997
01:16:17,948 --> 01:16:19,866
Don't you see that this is what God wants?

1998
01:16:20,200 --> 01:16:22,077
We were placed in this
land to help people,

1999
01:16:22,411 --> 01:16:25,372
Paul, as if I
was trying to help you.

2000
01:16:25,706 --> 01:16:27,666
How much of Annie
hides within us?

2001
01:16:28,000 --> 01:16:30,252
We have the potential or ability to

2002
01:16:30,252 --> 01:16:32,379
be so obsessed
for one thing or one

2003
01:16:32,379 --> 01:16:37,134
person who would break the rules of

2004
01:16:37,134 --> 01:16:39,678
what is acceptable
to make it ours?

2005
01:16:39,845 --> 01:16:41,513
This scares the hell out of me.

2006
01:16:46,393 --> 01:16:47,936
The violence you do

2007
01:16:47,936 --> 01:16:50,188
against James Caan
really painful

2008
01:16:50,188 --> 01:16:50,772
think about.

2009
01:16:50,939 --> 01:16:53,775
These types of characters
that seem very

2010
01:16:53,775 --> 01:16:55,986
normal on the outside and then there are these

2011
01:16:55,986 --> 01:16:58,947
really terrible,
terrible psychological

2012
01:16:58,947 --> 01:17:01,408
problems capable of anything.

2013
01:17:01,575 --> 01:17:02,492
You left your room.

2014
01:17:04,077 --> 01:17:04,953
No, I didn't do that.

2015
01:17:05,037 --> 01:17:07,706
Paul, my little one
ceramic penguin in

2016
01:17:07,706 --> 01:17:09,416
the study is always
facing south.

2017
01:17:09,541 --> 01:17:11,335
So Kathy Bates has this sledgehammer and

2018
01:17:11,335 --> 01:17:13,837
James Caan is tied to the bed and

2019
01:17:13,837 --> 01:17:16,256
she puts the block between
his ankle.

2020
01:17:16,465 --> 01:17:18,842
Eventually she
just walk away and you

2021
01:17:18,842 --> 01:17:21,053
look at that ankle
completely folded.

2022
01:17:21,219 --> 01:17:21,970
For God's sake!

2023
01:17:22,346 --> 01:17:23,263
It's for the best.

2024
01:17:23,388 --> 01:17:24,056
Annie, please!

2025
01:17:24,806 --> 01:17:27,017
It's just a quick moment and it's

2026
01:17:27,017 --> 01:17:29,353
as effective, but without
blood, it was just

2027
01:17:29,353 --> 01:17:32,481
a sound effect, a
rubber leg and the

2028
01:17:32,481 --> 01:17:33,273
actors acting.

2029
01:17:33,649 --> 01:17:34,524
God, I love you.

2030
01:17:35,150 --> 01:17:37,861
That bent leg gag
just turned into a

2031
01:17:37,861 --> 01:17:39,988
classic moment that
everyone just

2032
01:17:39,988 --> 01:17:41,365
I freak out every time this happens.

2033
01:17:41,782 --> 01:17:43,408
Originally in
story, in the original

2034
01:17:43,408 --> 01:17:45,243
book, she cuts his ankles.

2035
01:17:45,410 --> 01:17:46,662
Rob didn't want to do that.

2036
01:17:46,745 --> 01:17:47,496
It was very bloody.

2037
01:17:52,626 --> 01:17:53,418
I'm very playful.

2038
01:17:53,585 --> 01:17:55,879
Kathy Bates was a
great horror faith in

2039
01:17:55,879 --> 01:17:58,674
at that time it was
really instant

2040
01:17:58,674 --> 01:18:00,467
connection between us and her in

2041
01:18:00,467 --> 01:18:02,803
studio when she
came to your head

2042
01:18:02,803 --> 01:18:03,553
cast and everything.

2043
01:18:03,929 --> 01:18:06,014
We originally did tests
of burning around her

2044
01:18:06,014 --> 01:18:07,891
mouth because it pushes the burn

2045
01:18:07,891 --> 01:18:09,935
manuscript in your mouth and all

2046
01:18:09,935 --> 01:18:11,812
but then the whole thing with the leg

2047
01:18:11,812 --> 01:18:12,979
was the main thing.

2048
01:18:12,979 --> 01:18:14,231
Eat until you choke!

2049
01:18:14,856 --> 01:18:17,484
You sick, perverted, son of a bitch!

2050
01:18:17,651 --> 01:18:20,278
What came to be known
like toxic fandom

2051
01:18:20,278 --> 01:18:22,989
It is something that has certainly been demonstrated

2052
01:18:22,989 --> 01:18:23,615
in Misery.

2053
01:18:23,907 --> 01:18:26,451
Now you can be
toxic very easily.

2054
01:18:26,743 --> 01:18:28,870
You don't need to re-capture

2055
01:18:28,870 --> 01:18:29,413
someone.

2056
01:18:29,579 --> 01:18:31,790
You can destroy
someone on the screen if you

2057
01:18:31,790 --> 01:18:32,290
how.

2058
01:18:32,457 --> 01:18:34,334
And many people seem
like this too

2059
01:18:34,334 --> 01:18:34,960
blood sport.

2060
01:18:35,168 --> 01:18:36,420
Ah, this whole house will stay

2061
01:18:36,420 --> 01:18:37,713
full of romance.

2062
01:18:38,213 --> 01:18:40,090
I'm going to put on my Liberace records.

2063
01:18:47,556 --> 01:18:49,683
There was a lot of hangover from the 80s

2064
01:18:49,683 --> 01:18:53,228
in the 90s, and no one in the stadiums

2065
01:18:53,228 --> 01:18:55,981
I liked everything about
horror films, except

2066
01:18:55,981 --> 01:18:57,816
the money they
won, so they didn't

2067
01:18:57,816 --> 01:18:58,525
respect that.

2068
01:18:58,775 --> 01:19:01,153
Yes, there were great classics of the

2069
01:19:01,153 --> 01:19:03,071
time, but it was
surrounded by a lot

2070
01:19:03,071 --> 01:19:03,655
of straw.

2071
01:19:03,989 --> 01:19:05,073
Trash day!

2072
01:19:05,699 --> 01:19:05,949
Huh?

2073
01:19:06,199 --> 01:19:06,742
No!

2074
01:19:07,159 --> 01:19:10,454
And this straw, this
gutter work, came to

2075
01:19:10,454 --> 01:19:12,998
represent what the
horror was defined.

2076
01:19:15,876 --> 01:19:17,461
They didn't want

2077
01:19:17,461 --> 01:19:19,129
say they were
making terror, then they

2078
01:19:19,129 --> 01:19:21,214
would give him some other
genre title,

2079
01:19:21,381 --> 01:19:23,175
like, oh, is it a thriller or a

2080
01:19:23,175 --> 01:19:24,301
psychological thriller.

2081
01:19:27,471 --> 01:19:28,513
This is marketing.

2082
01:19:28,889 --> 01:19:30,682
I mean, it's like trying
make people

2083
01:19:30,682 --> 01:19:31,933
interested in that.

2084
01:19:36,313 --> 01:19:38,607
Horror is a big
umbrella that can

2085
01:19:38,607 --> 01:19:40,525
covers a lot, just like science

2086
01:19:40,525 --> 01:19:43,779
fiction, as well as
drama, so it's really

2087
01:19:43,779 --> 01:19:47,574
strange to me that
the horror is often

2088
01:19:48,450 --> 01:19:50,160
bastardized, and people
look at this with,

2089
01:19:50,243 --> 01:19:51,703
like, embarrassment and shame.

2090
01:19:53,622 --> 01:19:55,248
Makes an executive feel

2091
01:19:55,248 --> 01:19:56,875
Better to say it's a thriller.

2092
01:19:57,459 --> 01:20:00,086
This also makes them
really better when

2093
01:20:00,086 --> 01:20:01,713
they make a shitload of money

2094
01:20:01,713 --> 01:20:02,380
the cinema.

2095
01:20:08,553 --> 01:20:10,722
Mike Gingold in Fangoria
started a column

2096
01:20:10,722 --> 01:20:12,516
called It's not a movie
of terror because he

2097
01:20:12,516 --> 01:20:15,018
I got so tired of
listen to advertisers talking

2098
01:20:15,018 --> 01:20:17,145
he that his movie
terror was not a

2099
01:20:17,145 --> 01:20:18,730
horror movie then
they are calling

2100
01:20:18,730 --> 01:20:19,815
psychological thriller.

2101
01:20:20,190 --> 01:20:21,900
It is a drama with horror elements,

2102
01:20:22,025 --> 01:20:23,527
anything but a horror film.

2103
01:20:23,693 --> 01:20:24,486
What is that smell?

2104
01:20:26,154 --> 01:20:28,365
A horror movie will do that

2105
01:20:28,365 --> 01:20:28,615
a lot.

2106
01:20:28,865 --> 01:20:30,534
A thriller will do that a lot, so what?

2107
01:20:30,534 --> 01:20:31,117
would you call that?

2108
01:20:31,159 --> 01:20:33,245
And we like the
our categories, then we

2109
01:20:33,245 --> 01:20:34,496
I like to put them in boxes.

2110
01:20:40,293 --> 01:20:41,419
By drawing these lines between

2111
01:20:41,419 --> 01:20:43,588
horror and suspense, which invites us

2112
01:20:43,588 --> 01:20:45,215
to ask what is a horror

2113
01:20:45,215 --> 01:20:46,424
film and what isn't
a horror film.

2114
01:20:53,056 --> 01:20:55,016
Obviously there is some congruence

2115
01:20:55,684 --> 01:20:58,895
between horror and suspense, which is

2116
01:20:58,895 --> 01:21:01,731
terrifying, which is horrible, which is

2117
01:21:01,731 --> 01:21:02,315
terrifying.

2118
01:21:02,649 --> 01:21:05,068
These are the elements
who make the bridge

2119
01:21:05,902 --> 01:21:07,529
suspense and horror.

2120
01:21:07,654 --> 01:21:09,531
Hey, lady of the house, we're coming.

2121
01:21:09,906 --> 01:21:11,491
You just need to decide
if he's coming

2122
01:21:11,491 --> 01:21:12,993
with us, and fast.

2123
01:21:13,660 --> 01:21:15,203
For me, horror is an emotion.

2124
01:21:15,495 --> 01:21:17,080
Is Home Invasion a horror for you?

2125
01:21:17,205 --> 01:21:17,914
Because it's for me.

2126
01:21:18,081 --> 01:21:19,457
Is Breakdown a horror film?

2127
01:21:19,916 --> 01:21:20,750
For me it is.

2128
01:21:21,084 --> 01:21:22,544
It's the worst thing I can imagine.

2129
01:21:22,794 --> 01:21:25,088
But it's also easy
call Breakdown

2130
01:21:25,088 --> 01:21:27,132
suspense, or a drama,
or an action movie.

2131
01:21:27,465 --> 01:21:29,426
But I watch Breakdown
and I'm anxious.

2132
01:21:29,676 --> 01:21:31,136
I mean, that
scares more than vampires

2133
01:21:31,136 --> 01:21:31,469
do.

2134
01:21:31,845 --> 01:21:34,347
Our car broke down and he stopped,

2135
01:21:35,015 --> 01:21:37,267
offered to help,
took my wife to a

2136
01:21:37,267 --> 01:21:38,768
public telephone, but
She never showed up.

2137
01:21:38,935 --> 01:21:41,396
So I think the
horror has to be a

2138
01:21:41,396 --> 01:21:43,398
label that each of
we define for yourself.

2139
01:21:43,732 --> 01:21:45,066
What do you think
It's horror and what I think

2140
01:21:45,066 --> 01:21:46,109
I think the horror
may not be the same

2141
01:21:46,109 --> 01:21:47,152
thing, but we're both right.

2142
01:21:52,032 --> 01:21:54,159
You don't necessarily
will be in a video

2143
01:21:54,159 --> 01:21:57,996
store and view a
section for psychological

2144
01:21:57,996 --> 01:21:58,580
action movie.

2145
01:21:58,788 --> 01:22:00,290
You will see suspense and you will see

2146
01:22:00,290 --> 01:22:00,624
horror.

2147
01:22:01,166 --> 01:22:03,585
And there will be some crossover as to

2148
01:22:03,585 --> 01:22:04,920
where do you put which title.

2149
01:22:08,340 --> 01:22:10,050
Fire Walk With Me
definitely a horror

2150
01:22:10,050 --> 01:22:11,927
film for me, and any
someone else would call

2151
01:22:11,927 --> 01:22:13,386
It's a psychological thriller.

2152
01:22:13,553 --> 01:22:15,180
They wouldn't dare
call a David Lynch

2153
01:22:15,180 --> 01:22:16,056
film a horror film.

2154
01:22:18,975 --> 01:22:21,811
The greatness of a
great horror movie

2155
01:22:21,811 --> 01:22:24,814
resides in how long
can you prolong this

2156
01:22:24,814 --> 01:22:28,193
idea of me
watching something real or

2157
01:22:28,193 --> 01:22:29,903
I'm watching something that lives in

2158
01:22:29,903 --> 01:22:30,654
another kingdom.

2159
01:22:30,820 --> 01:22:32,238
Now you are in this submerged place.

2160
01:22:32,697 --> 01:22:34,324
Thriller would be horror.

2161
01:22:34,616 --> 01:22:36,034
It would be scary.

2162
01:22:36,534 --> 01:22:38,078
That would make you scared.

2163
01:22:38,536 --> 01:22:39,871
It's disturbing, perhaps.

2164
01:22:40,080 --> 01:22:42,916
But if you pick up a thriller and the

2165
01:22:42,916 --> 01:22:46,211
killer starts to
cut people off, well,

2166
01:22:46,378 --> 01:22:49,130
you kind of crossed over into horror

2167
01:22:49,130 --> 01:22:52,175
side, and many people don't want

2168
01:22:52,175 --> 01:22:53,051
to look at this.

2169
01:22:55,345 --> 01:22:57,347
You can go from any
way with some of them

2170
01:22:57,347 --> 01:22:59,057
these films, but I
I think just the

2171
01:22:59,057 --> 01:23:01,977
blood spatter
very explicit is what

2172
01:23:01,977 --> 01:23:05,063
really, in my
opinion, differentiates horror

2173
01:23:05,063 --> 01:23:06,731
of a horrible thriller.

2174
01:23:10,276 --> 01:23:11,611
It's a fine line.

2175
01:23:11,611 --> 01:23:12,779
It's all labeling.

2176
01:23:13,071 --> 01:23:15,031
You label this as
a horror film,

2177
01:23:15,031 --> 01:23:17,242
kind of bargain stuff.

2178
01:23:17,534 --> 01:23:19,035
If you say you are a
thriller, okay, that's it

2179
01:23:19,035 --> 01:23:20,328
elevate it because Hitchcock did

2180
01:23:20,328 --> 01:23:21,162
thrillers, yes.

2181
01:23:24,582 --> 01:23:26,167
Funny, I really
I valued that a lot

2182
01:23:26,167 --> 01:23:27,711
of thought when
I did Fever that's what

2183
01:23:27,711 --> 01:23:29,129
what is the difference
between a thriller and

2184
01:23:29,129 --> 01:23:31,131
a horror film and why so many

2185
01:23:31,131 --> 01:23:33,258
thrillers movies
horror classifiable?

2186
01:23:33,425 --> 01:23:35,135
I think Repulsion and
The Tenant are two

2187
01:23:35,135 --> 01:23:36,469
the most obvious ones that come to mind.

2188
01:23:36,886 --> 01:23:38,596
I would say that Psycho is really a

2189
01:23:38,596 --> 01:23:40,223
suspense underneath it all and that's

2190
01:23:40,223 --> 01:23:41,933
of which Hitchcock is a master.

2191
01:23:41,975 --> 01:23:43,351
He is the master of suspense

2192
01:23:43,351 --> 01:23:44,853
and he made one of the greatest
hits of all time

2193
01:23:44,853 --> 01:23:47,313
great horror films,
so I think Psychosis is

2194
01:23:47,313 --> 01:23:49,107
your litmus test
because you could look

2195
01:23:49,107 --> 01:23:50,066
at it like anyone else.

2196
01:23:53,403 --> 01:23:56,948
In a good thriller
terror, you're right

2197
01:23:56,948 --> 01:23:58,992
there spinning that chair

2198
01:23:58,992 --> 01:24:00,577
Psychopath and finding
the skeleton of

2199
01:24:00,577 --> 01:24:00,744
mother.

2200
01:24:00,869 --> 01:24:02,078
You are there in the house.

2201
01:24:02,412 --> 01:24:03,997
In Fatal Attraction, that's why the

2202
01:24:03,997 --> 01:24:04,956
the public goes crazy.

2203
01:24:05,206 --> 01:24:07,917
It's a visceral response and the horror is

2204
01:24:07,917 --> 01:24:09,335
all about a visceral response.

2205
01:24:11,755 --> 01:24:14,924
I think Fatal Attraction
That's what woke you up

2206
01:24:14,924 --> 01:24:16,843
the stadiums to how much money there is

2207
01:24:16,843 --> 01:24:18,845
Could be done by letting someone go

2208
01:24:18,845 --> 01:24:24,142
completely crazy
disguised as something

2209
01:24:24,142 --> 01:24:26,186
that felt a little more suburban

2210
01:24:26,186 --> 01:24:28,021
friendly to
couples who just wanted

2211
01:24:28,021 --> 01:24:29,272
go see a movie later
of a difficult night

2212
01:24:29,272 --> 01:24:32,067
working day and that
brought a lot of things

2213
01:24:32,067 --> 01:24:35,195
from films like Fatal Attraction through

2214
01:24:35,195 --> 01:24:35,820
the 90s.

2215
01:24:35,862 --> 01:24:37,238
We caught them one and
again and again

2216
01:24:41,117 --> 01:24:43,953
You had Hand That
Rocks Cradle, you had

2217
01:24:43,953 --> 01:24:45,872
Sleeping with the Enemy,
Did you have one of

2218
01:24:45,872 --> 01:24:47,540
my favorites Instinct
Wild, that's

2219
01:24:47,540 --> 01:24:49,918
Verhoeven, who is a
master of high and low

2220
01:24:55,006 --> 01:24:56,841
and pasting it to the critical film

2221
01:24:56,841 --> 01:24:57,383
community.

2222
01:24:57,592 --> 01:24:59,135
Have you ever had sex using cocaine, Nick?

2223
01:25:02,514 --> 01:25:03,765
Films have a kind of inherent

2224
01:25:03,765 --> 01:25:07,102
depravity for them
while they're kind of

2225
01:25:07,102 --> 01:25:09,437
studio rate
conventionally acceptable.

2226
01:25:12,482 --> 01:25:14,526
I think in one
thriller, they know that

2227
01:25:14,526 --> 01:25:16,111
maybe you have to
that scene that is

2228
01:25:16,111 --> 01:25:19,030
really shocking and
maybe even very bloody.

2229
01:25:21,157 --> 01:25:23,034
I never felt like that was the reason

2230
01:25:23,034 --> 01:25:24,410
that we all went to the theater to

2231
01:25:24,410 --> 01:25:25,912
see this, while
I know with horror that

2232
01:25:25,912 --> 01:25:27,497
It's the reason why they
are receiving a lot

2233
01:25:27,497 --> 01:25:28,790
of the people in the seats
is that they are

2234
01:25:28,790 --> 01:25:29,916
like, oh my god, bad
can I wait for

2235
01:25:29,916 --> 01:25:31,126
see what happens,
what are they going to do

2236
01:25:31,126 --> 01:25:32,919
do it, you'll get sick! And then

2237
01:25:32,919 --> 01:25:34,587
Yes, and then they are happy.

2238
01:25:38,007 --> 01:25:39,717
That's why I
I'm really going to watch

2239
01:25:39,717 --> 01:25:42,303
thrillers with a little
less anxiety

2240
01:25:42,303 --> 01:25:44,889
than I go movies
scary because I know

2241
01:25:44,889 --> 01:25:45,932
The blood will be there, but it won't

2242
01:25:45,932 --> 01:25:47,016
be the kind of thing where I have

2243
01:25:47,016 --> 01:25:49,018
to really hide
under my sweater.

2244
01:25:52,355 --> 01:25:54,774
I would say the horror
of the river basin

2245
01:25:54,774 --> 01:25:57,735
90s thriller
who most influenced

2246
01:25:57,735 --> 01:25:59,154
of the films that came after it

2247
01:25:59,154 --> 01:25:59,988
The Silence of the Lambs.

2248
01:26:00,071 --> 01:26:02,282
It is simply a masterpiece, and it is

2249
01:26:02,282 --> 01:26:04,284
undeniably a thriller, and it's

2250
01:26:04,284 --> 01:26:05,451
undeniably a horror film.

2251
01:26:08,413 --> 01:26:10,415
Guess you had a new crop

2252
01:26:10,415 --> 01:26:12,375
of filmmakers who were
taking it away

2253
01:26:12,375 --> 01:26:14,669
as well as the stadiums
saying let's do

2254
01:26:14,669 --> 01:26:16,504
more of these things because, you know,

2255
01:26:16,504 --> 01:26:17,839
earn money and we can go to

2256
01:26:17,839 --> 01:26:18,590
the Oscar.

2257
01:26:18,631 --> 01:26:19,966
He made me do it.

2258
01:26:20,341 --> 01:26:21,801
He put that thing in me.

2259
01:26:23,803 --> 01:26:25,430
He told me to fuck her.

2260
01:26:25,513 --> 01:26:27,891
Look, I think the
stadiums run away from

2261
01:26:27,891 --> 01:26:29,517
the idea of a film being horror

2262
01:26:29,517 --> 01:26:29,809
film.

2263
01:26:30,143 --> 01:26:31,519
They can run as much as they want.

2264
01:26:31,895 --> 01:26:33,313
We know what it is
a horror film.

2265
01:26:33,438 --> 01:26:35,356
The public feels what
It's a horror film

2266
01:26:35,356 --> 01:26:35,690
 �.

2267
01:26:37,734 --> 01:26:39,819
The great thing about
the terror is that he

2268
01:26:39,819 --> 01:26:41,654
always remains indefinable.

2269
01:26:41,821 --> 01:26:44,115
Trying to define
exactly what is horror

2270
01:26:44,115 --> 01:26:46,034
is nailing jelly to the wall.

2271
01:26:46,242 --> 01:26:48,244
In many ways, he refuses to

2272
01:26:48,244 --> 01:26:50,496
be squeezed into a
box, and so fast

2273
01:26:50,496 --> 01:26:52,332
as you did this,
is starting to

2274
01:26:52,332 --> 01:26:54,042
leak all over the place, and I

2275
01:26:54,042 --> 01:26:56,294
I think this is something
to be celebrated.

2276
01:26:56,753 --> 01:27:01,549
A thriller, a film
horror, a monster

2277
01:27:01,549 --> 01:27:03,343
film, call it whatever you want.

2278
01:27:03,509 --> 01:27:05,970
The business of cinema,
all of this is aimed at

2279
01:27:05,970 --> 01:27:06,304
money.

2280
01:27:06,471 --> 01:27:09,098
They decided that this
It's the best way

2281
01:27:09,098 --> 01:27:11,434
to sell a film,
so we're changing that

2282
01:27:11,434 --> 01:27:11,976
for suspense.

2283
01:27:12,518 --> 01:27:15,146
Maybe next year,
Let's go back to horror.

2284
01:27:15,855 --> 01:27:17,315
That doesn't mean anything.

2285
01:27:17,857 --> 01:27:18,441
It doesn't make sense.

2286
01:27:32,872 --> 01:27:38,586
Popcorn! Buy a bag!

2287
01:27:39,087 --> 01:27:43,341
Some students decide
have a party all night

2288
01:27:43,341 --> 01:27:46,302
horror-thon for
raise funds for

2289
01:27:46,302 --> 01:27:47,136
your cinema program.

2290
01:27:47,303 --> 01:27:49,138
We do a marathon
of terror that lasts all night.

2291
01:27:49,305 --> 01:27:50,932
Hey guys, I have a better idea.

2292
01:27:51,015 --> 01:27:52,725
Why don't we put on a play?

2293
01:27:52,934 --> 01:27:54,352
Let's convert the
old barn in a

2294
01:27:54,352 --> 01:27:54,769
theater.

2295
01:27:55,061 --> 01:27:57,397
Everything starts very well
and then it goes a lot

2296
01:27:57,397 --> 01:28:01,943
bad, because they are being
chased by a

2297
01:28:01,943 --> 01:28:02,235
killer.

2298
01:28:02,443 --> 01:28:04,362
He might just be
lurking somewhere

2299
01:28:04,362 --> 01:28:06,155
this theater is just waiting
to attack us.

2300
01:28:06,197 --> 01:28:08,658
I had done Wes
Craven Chiller, The

2301
01:28:08,658 --> 01:28:11,577
Stepfather, Phantom of the Opera with

2302
01:28:11,577 --> 01:28:13,997
Robert Englund, Cutting Classes with

2303
01:28:13,997 --> 01:28:17,000
Donovan Leach, Brad Pitt.
The Curse II,

2304
01:28:18,001 --> 01:28:20,003
and then popcorn appeared.

2305
01:28:23,381 --> 01:28:24,882
My thoughts on popcorn are

2306
01:28:24,882 --> 01:28:25,300
mixed.

2307
01:28:25,508 --> 01:28:27,885
You know, very symbolic popcorn going

2308
01:28:27,885 --> 01:28:29,637
like that, literally.

2309
01:28:30,054 --> 01:28:32,098
It was more or less like this
that the set ended up with

2310
01:28:32,098 --> 01:28:34,225
the change of directors and leaders

2311
01:28:34,225 --> 01:28:35,184
actresses.

2312
01:28:39,564 --> 01:28:42,942
I only got into the film halfway through.

2313
01:28:43,067 --> 01:28:44,777
They were in the middle of filming

2314
01:28:44,777 --> 01:28:45,278
Jamaica.

2315
01:28:49,574 --> 01:28:52,618
The actors are just sitting,

2316
01:28:52,952 --> 01:28:55,621
waiting for a new director and a new

2317
01:28:55,621 --> 01:28:56,622
main actress.

2318
01:28:57,165 --> 01:29:00,376
They would remake the
masters, then you

2319
01:29:00,376 --> 01:29:03,212
could see me as
part of being there.

2320
01:29:03,588 --> 01:29:06,174
So they never
re-filmed the close-up of

2321
01:29:06,174 --> 01:29:07,133
the other actors.

2322
01:29:07,759 --> 01:29:11,012
That, for me, was
quite shocking.

2323
01:29:11,012 --> 01:29:11,512
times.

2324
01:29:11,512 --> 01:29:12,930
I mean, I can see it in the

2325
01:29:12,930 --> 01:29:13,181
film.

2326
01:29:13,556 --> 01:29:14,140
Come...

2327
01:29:16,851 --> 01:29:17,435
in...

2328
01:29:18,770 --> 01:29:19,354
my...

2329
01:29:19,437 --> 01:29:19,937
hand.

2330
01:29:21,105 --> 01:29:23,566
Popcorn is a real
horror film, but the

2331
01:29:23,566 --> 01:29:26,611
What's so good about this is that it's not

2332
01:29:26,611 --> 01:29:30,114
pretending not to also have fun with the

2333
01:29:30,114 --> 01:29:31,324
films within the film.

2334
01:29:31,741 --> 01:29:33,201
I thought they were fantastic.

2335
01:29:33,659 --> 01:29:36,788
I couldn't believe
how good they were.

2336
01:29:36,871 --> 01:29:37,455
God bless you.

2337
01:29:40,625 --> 01:29:43,211
Copying this style of film from

2338
01:29:43,211 --> 01:29:44,170
the 50s.

2339
01:29:44,253 --> 01:29:45,630
They mocked themselves.

2340
01:29:46,381 --> 01:29:48,841
I'm high voltage, he says.

2341
01:29:49,342 --> 01:29:51,928
Bernie has always been a source
high voltage for me.

2342
01:29:52,136 --> 01:29:54,722
I think many people
identify with

2343
01:29:54,722 --> 01:29:58,059
the main villain because we have a

2344
01:29:58,059 --> 01:30:01,062
empathy for your
situation, that he was a

2345
01:30:01,062 --> 01:30:04,273
victim, and that being a victim made him

2346
01:30:04,273 --> 01:30:07,777
physically grotesque,
and that's why he has this

2347
01:30:07,777 --> 01:30:08,653
unresolved pain.

2348
01:30:09,153 --> 01:30:10,196
You don't like it, do you?

2349
01:30:10,613 --> 01:30:12,198
You don't need to look!

2350
01:30:13,199 --> 01:30:14,242
Don't look!

2351
01:30:14,450 --> 01:30:16,911
And I think the
character I played

2352
01:30:16,911 --> 01:30:18,955
in the movie, Maggie, she would

2353
01:30:18,955 --> 01:30:21,499
survive and maintain your empathy.

2354
01:30:21,791 --> 01:30:23,334
It's not a script I wrote

2355
01:30:23,334 --> 01:30:23,626
writing.

2356
01:30:24,043 --> 01:30:26,379
My unconscious has been trying to make me

2357
01:30:26,379 --> 01:30:28,589
relive my past to
that I can remember him.

2358
01:30:29,507 --> 01:30:32,927
The Popcorn poster, I think it's a

2359
01:30:32,927 --> 01:30:34,345
fantastic poster.

2360
01:30:34,345 --> 01:30:37,348
Buy a bag and come back
home in a box.

2361
01:30:37,640 --> 01:30:39,767
I don't know why you didn't get one

2362
01:30:39,767 --> 01:30:42,103
fire at the time, because it was on,

2363
01:30:42,145 --> 01:30:44,188
like, the sides of all the buses.

2364
01:30:44,522 --> 01:30:45,440
There were billboards.

2365
01:30:45,523 --> 01:30:46,816
I mean, it was everywhere.

2366
01:30:47,150 --> 01:30:48,985
I have my own
problems here!

2367
01:30:49,777 --> 01:30:51,821
I have to make a film here!

2368
01:30:52,029 --> 01:30:55,741
I really stay
moved by the fans,

2369
01:30:55,867 --> 01:31:00,621
because whoever knew the
people all over the world

2370
01:31:00,621 --> 01:31:03,791
world that loves horror
found this movie

2371
01:31:03,791 --> 01:31:04,709
love?

2372
01:31:04,876 --> 01:31:08,671
So let's kill her or let's

2373
01:31:08,671 --> 01:31:11,090
spare this maiden?

2374
01:31:11,090 --> 01:31:14,051
I have so much love for everyone

2375
01:31:14,051 --> 01:31:17,638
faith base, because
they are a gift

2376
01:31:17,638 --> 01:31:20,683
who continues to contribute
with our lives.

2377
01:31:20,850 --> 01:31:23,644
Without memory there can be no

2378
01:31:23,644 --> 01:31:25,062
retribution.

2379
01:31:25,813 --> 01:31:28,191
It's as if there was a
pilot light on,

2380
01:31:28,399 --> 01:31:30,485
and as the years went by, the

2381
01:31:30,485 --> 01:31:32,403
The pilot light never went out.

2382
01:31:32,820 --> 01:31:34,363
Hats off to video stores.

2383
01:31:35,698 --> 01:31:36,908
It's half an hour until midnight.

2384
01:31:37,617 --> 01:31:40,077
I still have a little time to kill.

2385
01:31:47,668 --> 01:31:50,838
I was much more
interested in films that

2386
01:31:50,838 --> 01:31:53,132
dealt with psychology
of the characters,

2387
01:31:53,341 --> 01:31:55,718
of a character getting into the head

2388
01:31:55,718 --> 01:31:57,178
and scare the hell out of someone else

2389
01:31:57,178 --> 01:31:57,678
character.

2390
01:31:58,054 --> 01:32:01,057
What does this monster awaken in us?

2391
01:32:01,307 --> 01:32:03,559
What part of this evil
Do we share?

2392
01:32:03,559 --> 01:32:05,228
What causes a Jeffrey Dahmer?

2393
01:32:05,436 --> 01:32:06,854
Where does this come from?

2394
01:32:12,485 --> 01:32:14,153
The Silence of the Lambs was touching

2395
01:32:14,153 --> 01:32:15,655
kind of scared of a serial
killer who really

2396
01:32:15,655 --> 01:32:16,697
started in the 70s.

2397
01:32:16,822 --> 01:32:18,199
There was this kind of
growing malaise

2398
01:32:18,199 --> 01:32:19,867
that his own home was not safe.

2399
01:32:19,992 --> 01:32:21,452
Obviously Manson kicked everything

2400
01:32:21,452 --> 01:32:22,912
off, but it took a while
a minute for this

2401
01:32:22,912 --> 01:32:24,288
to achieve something as acceptable

2402
01:32:24,288 --> 01:32:26,832
dominant culture, and that's what

2403
01:32:26,832 --> 01:32:27,875
The Silence of the Lambs did that.

2404
01:32:28,000 --> 01:32:29,335
Dr Hannibal Lecter.

2405
01:32:31,671 --> 01:32:33,464
As far as stadiums are concerned,

2406
01:32:33,464 --> 01:32:35,508
gave credibility to the stereotype
of the serial killer.

2407
01:32:35,633 --> 01:32:36,884
Pulled him out of the gutter.

2408
01:32:36,884 --> 01:32:40,096
Legitimized what could
look very grand

2409
01:32:40,096 --> 01:32:41,847
guignol, very vile otherwise.

2410
01:32:41,931 --> 01:32:43,015
Do not approach the glass.

2411
01:32:43,182 --> 01:32:44,600
You don't pass him
nothing but soft paper.

2412
01:32:44,809 --> 01:32:46,227
No pencils or pens.

2413
01:32:46,602 --> 01:32:48,312
There are no staples or clips
paper on your paper.

2414
01:32:48,479 --> 01:32:49,605
Great source material.

2415
01:32:49,939 --> 01:32:52,108
Thomas' work
Harris is wonderful.

2416
01:32:52,817 --> 01:32:55,069
Gene Hackman had in fact purchased the

2417
01:32:55,069 --> 01:32:56,821
book rights before these plans

2418
01:32:56,821 --> 01:32:57,071
changed.

2419
01:32:57,572 --> 01:32:59,949
The doctors managed
readjust your jaw more

2420
01:32:59,949 --> 01:33:01,826
or less, except one eye.

2421
01:33:02,451 --> 01:33:03,953
His pulse never went above 85.

2422
01:33:04,453 --> 01:33:06,581
We almost got one
very different film

2423
01:33:06,581 --> 01:33:09,083
because originally
Hackman wanted to play

2424
01:33:09,083 --> 01:33:11,544
Hannibal Lecter, and he also wanted

2425
01:33:11,544 --> 01:33:12,378
direct the film.

2426
01:33:12,628 --> 01:33:14,880
Tell me, mother, when
your little girl is

2427
01:33:14,880 --> 01:33:17,300
on the slab, where does it go
tickle you?

2428
01:33:17,550 --> 01:33:21,345
Thinking about Jonathan Demme and

2429
01:33:21,345 --> 01:33:24,348
Stop making sense
and something wild, that

2430
01:33:24,348 --> 01:33:27,518
might think he
would be silent

2431
01:33:27,518 --> 01:33:28,311
the Innocents?

2432
01:33:28,352 --> 01:33:29,979
You still wake up sometimes, don't you?

2433
01:33:30,771 --> 01:33:33,774
Wake up in the dark and hear the

2434
01:33:33,774 --> 01:33:35,276
cries of the lambs.

2435
01:33:35,276 --> 01:33:40,114
Hannibal Lecter, he
had respect for

2436
01:33:40,114 --> 01:33:42,658
Jodie Foster's character Clarice.

2437
01:33:43,034 --> 01:33:46,329
Why do you think
he removes their skins,

2438
01:33:46,954 --> 01:33:47,788
Agent Starling?

2439
01:33:48,122 --> 01:33:50,875
Everyone in that movie,
these characters,

2440
01:33:51,667 --> 01:33:54,545
These were the people who
had very high levels

2441
01:33:54,545 --> 01:33:59,091
IQ, high intelligence
mixed with a

2442
01:33:59,091 --> 01:34:02,053
vulnerability, someone
that could get

2443
01:34:02,053 --> 01:34:04,013
through someone
because they are more

2444
01:34:04,013 --> 01:34:04,472
real.

2445
01:34:04,472 --> 01:34:06,557
I just want the majority
refuse to cooperate.

2446
01:34:07,308 --> 01:34:08,601
I want you to see
behind him again

2447
01:34:08,601 --> 01:34:09,435
today in the asylum.

2448
01:34:09,602 --> 01:34:10,436
Who is the subject?

2449
01:34:11,103 --> 01:34:12,688
The psychiatrist, Hannibal Lecter.

2450
01:34:12,813 --> 01:34:17,610
Hopkins owns this
character, then

2451
01:34:17,610 --> 01:34:18,110
completely.

2452
01:34:18,486 --> 01:34:21,906
That first moment
where Jodie Foster walks

2453
01:34:21,906 --> 01:34:25,284
down, and still there's this, smiling

2454
01:34:25,284 --> 01:34:25,534
creature.

2455
01:34:26,369 --> 01:34:28,746
I think it's one of the great

2456
01:34:28,746 --> 01:34:30,665
performances in the history of cinema.

2457
01:34:30,915 --> 01:34:32,667
Dr. Lecter, my name
 � Clarice Starling.

2458
01:34:33,084 --> 01:34:33,709
Can I talk to you?

2459
01:34:33,709 --> 01:34:35,711
You're one of the Jack Crawfords, aren't you?

2460
01:34:36,420 --> 01:34:37,046
Yes I am.

2461
01:34:37,505 --> 01:34:38,631
Can I see your credentials?

2462
01:34:39,090 --> 01:34:40,174
The voice is strange.

2463
01:34:40,466 --> 01:34:42,635
Someone would be needed
with the genius of Hopkins

2464
01:34:42,635 --> 01:34:44,387
to make this work.

2465
01:34:44,637 --> 01:34:47,098
When you think about
who is Lecter, what

2466
01:34:47,098 --> 01:34:49,809
Lecter does, that high pitch

2467
01:34:49,809 --> 01:34:50,768
monotonous...

2468
01:34:50,768 --> 01:34:52,186
This expires in one week.

2469
01:34:52,978 --> 01:34:54,855
You're not really FBI, are you?

2470
01:34:54,939 --> 01:34:56,816
...seems like a very strange choice.

2471
01:34:57,066 --> 01:34:58,693
I'm going to do my bad imitation.

2472
01:34:58,818 --> 01:35:00,736
I'm offering you
a psychological profile

2473
01:35:00,736 --> 01:35:02,571
of Buffalo Bill based on the case

2474
01:35:02,571 --> 01:35:03,072
evidence.

2475
01:35:03,072 --> 01:35:05,157
I'll help you get it, Clarice.

2476
01:35:05,866 --> 01:35:08,536
It gets you completely
unprepared, and

2477
01:35:08,536 --> 01:35:10,121
part of Hopkins' genius

2478
01:35:10,371 --> 01:35:12,373
performance that he is capable of

2479
01:35:12,373 --> 01:35:14,875
find that voice, dare to do it

2480
01:35:14,875 --> 01:35:17,211
voice, but own it and make it work.

2481
01:35:17,336 --> 01:35:20,256
You can't imagine
Hannibal in another way

2482
01:35:20,256 --> 01:35:20,631
path.

2483
01:35:20,923 --> 01:35:23,926
I ate his liver with some broad beans

2484
01:35:23,926 --> 01:35:26,053
and a good Chianti.

2485
01:35:28,681 --> 01:35:31,934
What does Hannibal do?
in that ballroom with

2486
01:35:31,934 --> 01:35:33,978
a bird cage in the middle of it is

2487
01:35:33,978 --> 01:35:35,521
the realm of horror films.

2488
01:35:39,608 --> 01:35:40,359
Buffalo Bill.

2489
01:35:40,443 --> 01:35:42,236
You have this guy who is literally

2490
01:35:42,236 --> 01:35:45,156
skinning women so that
he can become a woman.

2491
01:35:47,783 --> 01:35:49,785
And not only skin them, but not

2492
01:35:49,785 --> 01:35:51,829
feed them so that
get thinner then

2493
01:35:51,829 --> 01:35:53,873
their flesh will come loose

2494
01:35:53,873 --> 01:35:56,292
bodies, plus things
than a seamstress

2495
01:35:56,292 --> 01:35:57,001
would need.

2496
01:35:57,251 --> 01:35:59,545
He rubs the lotion into the skin or

2497
01:35:59,545 --> 01:36:01,255
otherwise he takes the hose again.

2498
01:36:01,255 --> 01:36:05,176
There is a terrible thing so remarkable

2499
01:36:05,176 --> 01:36:05,843
The Silence of the Lambs.

2500
01:36:05,968 --> 01:36:07,678
It's so juicy.

2501
01:36:11,682 --> 01:36:14,143
When she is in
Buffalo Bill's house and

2502
01:36:14,143 --> 01:36:17,521
so when she
realizes that it is he, she

2503
01:36:17,521 --> 01:36:18,439
terror.

2504
01:36:18,689 --> 01:36:18,939
Freeze!

2505
01:36:20,316 --> 01:36:22,693
Place your hands over your head and turn

2506
01:36:22,693 --> 01:36:23,027
around.

2507
01:36:23,152 --> 01:36:23,903
Open your legs.

2508
01:36:25,404 --> 01:36:27,156
Jodie Foster is like that with the gun.

2509
01:36:27,364 --> 01:36:30,367
She is shaking
completely and almost

2510
01:36:30,367 --> 01:36:31,994
seems out of control.

2511
01:36:32,453 --> 01:36:35,247
You wonder how
she got it

2512
01:36:35,247 --> 01:36:35,956
instinct.

2513
01:36:36,290 --> 01:36:37,082
It's brilliant.

2514
01:36:40,085 --> 01:36:41,337
It's a horror film.

2515
01:36:41,420 --> 01:36:44,632
The guy is cutting the
women's skin for

2516
01:36:44,632 --> 01:36:45,132
make a suit.

2517
01:36:45,549 --> 01:36:48,135
It's a horror film, but I don't think

2518
01:36:48,135 --> 01:36:50,012
many people would call The Silence

2519
01:36:50,012 --> 01:36:51,931
of the Innocents a film
of terror despite

2520
01:36:51,931 --> 01:36:53,557
fact that it is.

2521
01:36:57,686 --> 01:37:00,898
And it also stands out as a

2522
01:37:00,898 --> 01:37:03,526
horror movie that
won several Oscars.

2523
01:37:03,984 --> 01:37:06,612
Best Film, Best
Actor, Best Actress,

2524
01:37:07,029 --> 01:37:07,613
and more.

2525
01:37:07,822 --> 01:37:09,865
And that is so rare.

2526
01:37:10,241 --> 01:37:12,201
The Silence of the Lambs.

2527
01:37:13,577 --> 01:37:15,412
Nobody thought they would win

2528
01:37:15,412 --> 01:37:16,413
any Oscar.

2529
01:37:16,539 --> 01:37:18,249
He won every Oscar.

2530
01:37:18,749 --> 01:37:20,751
With good reason, in fact, because it is

2531
01:37:20,751 --> 01:37:21,836
a true masterpiece.

2532
01:37:22,169 --> 01:37:23,546
I wish we could
talk a little

2533
01:37:23,546 --> 01:37:27,216
a little more, but
I'm having an old friend

2534
01:37:27,216 --> 01:37:27,842
for dinner.

2535
01:37:34,223 --> 01:37:37,977
Are we having fun yet?

2536
01:37:40,437 --> 01:37:42,857
Every movie you make at the end of

2537
01:37:42,857 --> 01:37:44,567
production, you talk
about a sequel.

2538
01:37:44,775 --> 01:37:46,360
It's just one thing
fun to do.

2539
01:37:46,652 --> 01:37:48,821
Re-Animator Bride
It is the continuation of

2540
01:37:48,821 --> 01:37:49,488
Reanimator.

2541
01:37:49,864 --> 01:37:52,825
We are providing
homage to Frankenstein and

2542
01:37:52,825 --> 01:37:54,159
The Bride of Frankenstein.

2543
01:37:54,285 --> 01:37:55,160
You are alive.

2544
01:37:58,998 --> 01:37:59,623
Alive.

2545
01:37:59,832 --> 01:38:03,711
Stuart Gordon was
really on the rise after

2546
01:38:03,711 --> 01:38:04,461
Reanimator.

2547
01:38:04,795 --> 01:38:06,589
Many meetings in the stadiums.

2548
01:38:07,172 --> 01:38:10,050
I was still thinking
in Bride of Re-Animator

2549
01:38:10,050 --> 01:38:13,929
and Stuart at one point told me

2550
01:38:13,929 --> 01:38:15,723
That he said, no,
my agent says I

2551
01:38:15,723 --> 01:38:16,724
do not make continuations.

2552
01:38:17,224 --> 01:38:18,517
I wanted to direct it.

2553
01:38:19,518 --> 01:38:19,935
Oh!

2554
01:38:20,477 --> 01:38:20,728
Oh!

2555
01:38:21,395 --> 01:38:25,274
Herbert West has now decided that he has

2556
01:38:25,274 --> 01:38:28,444
progressed from an initial neutral

2557
01:38:28,444 --> 01:38:31,530
bodies, and now he will create a new one

2558
01:38:31,530 --> 01:38:34,950
person bringing disparate bodies together

2559
01:38:34,950 --> 01:38:37,620
parts, and he begins
with Meg's heart.

2560
01:38:37,828 --> 01:38:44,209
We can create a new
life starting with

2561
01:38:44,209 --> 01:38:44,919
Meg's heart.

2562
01:38:45,044 --> 01:38:47,963
We had a scene
opening with Megan

2563
01:38:47,963 --> 01:38:50,382
starting right when
the last movie ended,

2564
01:38:51,091 --> 01:38:53,052
but Barbara Crampton didn't want to do it

2565
01:38:53,052 --> 01:38:54,720
That, of course, would have been

2566
01:38:54,720 --> 01:38:57,222
really disappointing
not having Jeffrey

2567
01:38:57,222 --> 01:38:57,932
Comb him.

2568
01:38:58,015 --> 01:39:00,768
Fortunately, he was able to board.

2569
01:39:01,101 --> 01:39:04,021
My hands, I created the
that no one's mind

2570
01:39:04,021 --> 01:39:06,148
or the woman's womb could wait

2571
01:39:06,148 --> 01:39:06,607
achieve.

2572
01:39:06,815 --> 01:39:10,152
It is based on the original element

2573
01:39:10,152 --> 01:39:12,738
Lovecraft Stories
where Herbert West has

2574
01:39:12,738 --> 01:39:16,075
your morbid and carnal kind of

2575
01:39:16,075 --> 01:39:18,327
curiosities that he does, and so I

2576
01:39:18,327 --> 01:39:20,245
called it doodling
with body parts.

2577
01:39:20,454 --> 01:39:25,084
We can create a new life.

2578
01:39:26,585 --> 01:39:28,420
The Re-Animator Bride had many

2579
01:39:28,420 --> 01:39:29,755
different effects, guys.

2580
01:39:29,964 --> 01:39:32,925
There was KNB, there was Screaming

2581
01:39:32,925 --> 01:39:35,219
Crazy George, because
I bring you to do

2582
01:39:35,219 --> 01:39:36,095
strange things.

2583
01:39:37,304 --> 01:39:37,888
No!

2584
01:39:40,432 --> 01:39:44,228
I had a lot of fun designing
this failed project

2585
01:39:44,228 --> 01:39:45,062
experiment.

2586
01:39:45,396 --> 01:39:47,982
Herbert West, I can
do so many different things

2587
01:39:47,982 --> 01:39:50,567
ideas about placing different pieces

2588
01:39:50,567 --> 01:39:51,151
together.

2589
01:39:55,197 --> 01:40:00,035
The design comes as outrageous as

2590
01:40:00,035 --> 01:40:00,577
possible.

2591
01:40:00,869 --> 01:40:04,039
I made a drawing with the two heads, and

2592
01:40:04,039 --> 01:40:05,708
then another is the butt.

2593
01:40:05,874 --> 01:40:08,752
Every piece, very hands
small here, big

2594
01:40:08,752 --> 01:40:09,586
hands there.

2595
01:40:09,753 --> 01:40:12,423
I had so much fun designing this

2596
01:40:12,423 --> 01:40:13,048
character.

2597
01:40:16,051 --> 01:40:18,387
That creature with
finger eye, which was

2598
01:40:18,387 --> 01:40:21,140
basically Tony Dublin, but the stop

2599
01:40:21,140 --> 01:40:22,891
the move was made by Dave Allen.

2600
01:40:23,017 --> 01:40:25,310
I understand that you
has some radical ideas

2601
01:40:25,310 --> 01:40:29,690
ideas about reanimation of the dead

2602
01:40:29,690 --> 01:40:30,274
fabric.

2603
01:40:30,524 --> 01:40:32,943
Dr. Hill with wings
bat was definitely a

2604
01:40:32,943 --> 01:40:35,029
dangerous, dangerous thing to do.

2605
01:40:35,404 --> 01:40:39,366
West, you stupid biped!

2606
01:40:40,409 --> 01:40:42,327
It was because we were
trying to find out

2607
01:40:42,327 --> 01:40:44,455
how to make it move.

2608
01:40:44,538 --> 01:40:46,331
He didn't have one
body, then we think,

2609
01:40:46,498 --> 01:40:48,542
oh, let's merge one
hand on your neck,

2610
01:40:48,625 --> 01:40:50,210
and he can crawl across the floor.

2611
01:40:50,836 --> 01:40:53,505
But it looks so pitiful.

2612
01:40:53,881 --> 01:40:55,549
Then, on the other hand, it was just

2613
01:40:55,549 --> 01:40:57,468
like, you know, just go ahead

2614
01:40:57,468 --> 01:40:57,593
this.

2615
01:40:59,887 --> 01:41:00,846
It's questionable.

2616
01:41:04,308 --> 01:41:06,852
Like many people,
I tend to try

2617
01:41:06,852 --> 01:41:08,312
do more than I can.

2618
01:41:08,812 --> 01:41:10,606
And then you push
things, you don't know

2619
01:41:10,606 --> 01:41:12,649
if it will work or
no, but you push

2620
01:41:12,649 --> 01:41:15,319
them, and I think
part of making films,

2621
01:41:15,527 --> 01:41:18,072
and especially guide them, it's you

2622
01:41:18,072 --> 01:41:19,573
you have to take risks.

2623
01:41:22,826 --> 01:41:25,370
For Bride of Re-Animator,
we were honored

2624
01:41:25,370 --> 01:41:27,039
because we were given the task of

2625
01:41:27,039 --> 01:41:27,831
creating the bride.

2626
01:41:31,210 --> 01:41:32,586
I made you.

2627
01:41:33,087 --> 01:41:35,172
She was a challenge
because we had to

2628
01:41:35,172 --> 01:41:37,758
apply what turned out to be
a period of nine hours

2629
01:41:37,758 --> 01:41:40,677
application initially on Kathleen

2630
01:41:40,677 --> 01:41:43,680
Kinmont, and she had to get naked

2631
01:41:43,680 --> 01:41:44,431
all the time.

2632
01:41:44,431 --> 01:41:45,724
You made me.

2633
01:41:46,100 --> 01:41:47,434
I made you.

2634
01:41:47,810 --> 01:41:49,061
It was a difficult shoot, but we had

2635
01:41:49,061 --> 01:41:49,353
fun.

2636
01:41:49,478 --> 01:41:50,771
It was a fun film to work on.

2637
01:41:51,980 --> 01:41:54,149
We could have done more, you know,

2638
01:41:54,233 --> 01:41:54,441
improve.

2639
01:41:54,691 --> 01:41:56,068
It was very, very busy.

2640
01:41:56,276 --> 01:41:57,611
That's what you want!

2641
01:41:58,862 --> 01:42:01,490
I regretted having so little

2642
01:42:01,490 --> 01:42:04,660
trust in the bride that I only had

2643
01:42:04,660 --> 01:42:06,036
she appeared at the end of

2644
01:42:06,036 --> 01:42:08,747
film because later
When the film ends, I

2645
01:42:08,747 --> 01:42:10,165
I thought, well, she's the one
best character,

2646
01:42:10,290 --> 01:42:12,376
and she didn't come back for an hour

2647
01:42:12,376 --> 01:42:12,960
or more.

2648
01:42:12,960 --> 01:42:15,212
Your girlfriend doesn't stand a chance.

2649
01:42:16,755 --> 01:42:17,923
Our girl is superior.

2650
01:42:20,384 --> 01:42:23,011
I think the biggest challenge was whether

2651
01:42:23,011 --> 01:42:25,097
would Re-Animator be enough for the

2652
01:42:25,097 --> 01:42:25,514
f�s.

2653
01:42:25,722 --> 01:42:28,767
How do you capture
this special thing?

2654
01:42:28,892 --> 01:42:32,146
Don't ever do that again, you crazy man

2655
01:42:32,146 --> 01:42:32,729
dwarf!

2656
01:42:32,896 --> 01:42:35,232
Re-Animator's Bride,
there are a lot of things that are

2657
01:42:35,232 --> 01:42:37,693
very clumsy and
not very good at it,

2658
01:42:37,818 --> 01:42:39,987
and I know that, but there are things

2659
01:42:39,987 --> 01:42:41,071
that's good too.

2660
01:42:41,196 --> 01:42:43,031
There are things I really like about

2661
01:42:43,031 --> 01:42:43,282
this.

2662
01:42:43,740 --> 01:42:46,702
Received Fangoria's Chainsaw Award

2663
01:42:46,702 --> 01:42:49,705
magazine, and that was really great.

2664
01:42:49,830 --> 01:42:52,624
There is my creation!

2665
01:43:02,676 --> 01:43:05,220
Deep Night made by Fabio Salerno.

2666
01:43:05,345 --> 01:43:08,182
In the 80s and 90s, he produced

2667
01:43:08,182 --> 01:43:09,933
dozens and dozens of shorts and

2668
01:43:09,933 --> 01:43:12,853
characteristics, all
filmed in 16, all made in

2669
01:43:12,853 --> 01:43:15,314
their parents' house, and
he lived in his

2670
01:43:15,314 --> 01:43:17,232
defined, then it always
had a set of cameras

2671
01:43:17,232 --> 01:43:18,817
up, he always
had lights installed

2672
01:43:18,817 --> 01:43:21,111
basically he could
shoot whenever you want

2673
01:43:21,111 --> 01:43:22,487
taste and whenever creativity

2674
01:43:22,487 --> 01:43:23,155
hit him.

2675
01:43:23,614 --> 01:43:26,366
So he was constantly
shooting at your house

2676
01:43:26,366 --> 01:43:26,783
in Milan.

2677
01:43:29,828 --> 01:43:32,080
Deep Night is about a cartoonist who

2678
01:43:32,080 --> 01:43:34,583
find a pyramid
mysterious that possesses

2679
01:43:34,583 --> 01:43:36,543
him, and he begins to see these evils

2680
01:43:36,543 --> 01:43:38,253
he acts, and no one believes him.

2681
01:43:41,965 --> 01:43:44,343
You're never sure
if he's really mad

2682
01:43:44,343 --> 01:43:46,428
and doing the killing and almost always

2683
01:43:46,428 --> 01:43:49,181
there is trauma around
an abandoned lover.

2684
01:43:52,267 --> 01:43:54,311
Fabio Salerno, I would say
that he is a mixture

2685
01:43:54,311 --> 01:43:57,147
of some cinematographic production
experimental, a little

2686
01:43:57,147 --> 01:43:59,316
a little bit of George
Kuchar, a lot of Argento.

2687
01:43:59,858 --> 01:44:01,902
There are beautiful lights, everything is

2688
01:44:01,902 --> 01:44:03,904
scary, everything
surreal and silent,

2689
01:44:04,404 --> 01:44:05,614
and then there are moments of blood.

2690
01:44:08,992 --> 01:44:10,827
He did all the effects himself.

2691
01:44:11,245 --> 01:44:13,038
He edited, he filmed,
he drove, he

2692
01:44:13,038 --> 01:44:13,372
wrote.

2693
01:44:13,538 --> 01:44:15,916
This is a filmmaker
that you can feel

2694
01:44:15,916 --> 01:44:18,085
as if that were something
what he had to do.

2695
01:44:18,168 --> 01:44:20,212
He is overcoming some trauma and

2696
01:44:20,212 --> 01:44:21,296
It's all there on the screen.

2697
01:44:25,634 --> 01:44:28,804
It's just a window
fascinating for a

2698
01:44:28,804 --> 01:44:30,597
psyche of the filmmaker,
I think, but also

2699
01:44:30,597 --> 01:44:32,432
It's simply beautifully filmed.

2700
01:44:32,516 --> 01:44:34,059
Its cinematography is incredible.

2701
01:44:48,782 --> 01:44:52,035
The opportunity to interpret
these evil demons

2702
01:44:52,035 --> 01:44:54,496
ghost punks
hell and work with the

2703
01:44:54,496 --> 01:44:56,373
how Stephen King was
a dream come true

2704
01:44:56,373 --> 01:44:56,999
true for me.

2705
01:44:56,999 --> 01:44:58,208
Do you want to go through
This tunnel, boy?

2706
01:44:59,710 --> 01:45:00,585
You will have to pay.

2707
01:45:00,794 --> 01:45:02,629
I worked with Michael Murphy.

2708
01:45:02,963 --> 01:45:05,424
He produced Nightmare
on Elm Street Part II,

2709
01:45:05,590 --> 01:45:08,552
and that's how they brought me to

2710
01:45:08,552 --> 01:45:10,429
audition for the role of Lawson.

2711
01:45:10,595 --> 01:45:11,555
Are you Richard Lawson?

2712
01:45:11,805 --> 01:45:13,140
Live and in person, Mr. Norman.

2713
01:45:14,266 --> 01:45:15,434
I just got back from Milford.

2714
01:45:16,059 --> 01:45:17,311
I am very happy to
be here, sir.

2715
01:45:17,519 --> 01:45:20,314
Working in Kansas
City during winter

2716
01:45:20,314 --> 01:45:22,607
It was a feat in itself.

2717
01:45:22,816 --> 01:45:24,901
Of all the films I've made, sometimes

2718
01:45:24,901 --> 01:45:27,029
They come back as one of the most beautiful,

2719
01:45:27,195 --> 01:45:30,073
better lit,
most beautifully photographed

2720
01:45:30,073 --> 01:45:30,490
film.

2721
01:45:30,699 --> 01:45:33,618
This was an opportunity
very cool for me

2722
01:45:33,618 --> 01:45:35,370
to finally become the monster.

2723
01:45:36,788 --> 01:45:38,290
Rock time, Chuck.

2724
01:45:40,250 --> 01:45:42,919
I had done things
makeup with special effects

2725
01:45:42,919 --> 01:45:44,921
before, but I was never the villain.

2726
01:45:45,255 --> 01:45:47,549
I managed to imitate Robert Englund

2727
01:45:47,549 --> 01:45:49,009
when I was
going through makeup

2728
01:45:49,009 --> 01:45:51,011
transformation, and I took this great

2729
01:45:51,011 --> 01:45:52,220
feat in these children.

2730
01:45:52,763 --> 01:45:54,431
There were all these
children outside

2731
01:45:54,431 --> 01:45:57,392
makeup trailer
one night because I had

2732
01:45:57,392 --> 01:45:59,519
told some kids, hey, if

2733
01:45:59,519 --> 01:46:01,063
you guys want to see a cool monster,

2734
01:46:01,480 --> 01:46:02,606
he will come out in a few minutes

2735
01:46:02,606 --> 01:46:03,315
hours, you know?

2736
01:46:06,651 --> 01:46:07,778
Hello, Mrs. Norman.

2737
01:46:08,362 --> 01:46:09,529
Can Jimmy come out and play?

2738
01:46:09,654 --> 01:46:11,990
And when I finished with

2739
01:46:11,990 --> 01:46:14,993
makeup, there was more
of 100 children outside

2740
01:46:14,993 --> 01:46:17,829
waiting to see the monster, and it was

2741
01:46:17,829 --> 01:46:20,082
It's incredible because boom, boom, boom, boom.

2742
01:46:20,374 --> 01:46:21,792
I caught everyone's attention.

2743
01:46:21,958 --> 01:46:23,794
I was hitting the
door, getting up

2744
01:46:23,794 --> 01:46:26,546
closer and moving
up and acting like they

2745
01:46:26,546 --> 01:46:28,840
I had courage and then
I just came

2746
01:46:28,840 --> 01:46:29,091
out.

2747
01:46:29,299 --> 01:46:29,508
Arrhhhhhh!!!

2748
01:46:30,675 --> 01:46:31,093
Do you know?

2749
01:46:32,511 --> 01:46:33,804
Hello, baby!

2750
01:46:34,805 --> 01:46:37,766
And I scared everyone, including

2751
01:46:37,766 --> 01:46:38,392
the parents.

2752
01:46:42,354 --> 01:46:45,273
I had a lot of fun
making this film.

2753
01:47:00,122 --> 01:47:03,708
Shinya Tsukamoto with
Tetsuo and Tetsuo 2 and

2754
01:47:03,708 --> 01:47:06,795
later Hiruko the
Goblin has really changed

2755
01:47:06,795 --> 01:47:09,172
as we saw what the
body horror could

2756
01:47:09,172 --> 01:47:09,923
really be.

2757
01:47:12,342 --> 01:47:14,719
The camera does not move away and

2758
01:47:14,719 --> 01:47:15,929
There's nowhere to hide with effects.

2759
01:47:15,929 --> 01:47:17,264
It is a complete art.

2760
01:47:17,472 --> 01:47:19,057
There is Cronenberg, but there is also

2761
01:47:19,057 --> 01:47:19,474
Tsukamoto.

2762
01:47:22,227 --> 01:47:24,271
Tsukamoto really
put body art

2763
01:47:24,271 --> 01:47:25,480
horror on the map.

2764
01:51:04,532 --> 01:51:09,120
The Well and the Pendulum. � 
a piece of history.

2765
01:51:09,287 --> 01:51:12,207
For me, in the entire universe
full moon movies,

2766
01:51:12,374 --> 01:51:15,335
a director really
stands out above all others

2767
01:51:15,502 --> 01:51:16,503
and this is Stuart Gordon.

2768
01:51:16,711 --> 01:51:20,340
Stuart understood Poe and loved the genre.

2769
01:51:20,465 --> 01:51:23,635
I will baptize my new
device with your

2770
01:51:23,635 --> 01:51:24,052
blood.

2771
01:51:24,302 --> 01:51:25,720
We have a relationship
wonderful with

2772
01:51:25,720 --> 01:51:27,305
Stuart Gordon, starting with

2773
01:51:27,305 --> 01:51:29,307
Re-Animator, and From Beyond and Dolls.

2774
01:51:29,432 --> 01:51:30,517
Do you want a witch?

2775
01:51:30,934 --> 01:51:32,936
I'm a witch!

2776
01:51:33,311 --> 01:51:35,397
The casting of Oliver Reed to Lance

2777
01:51:35,397 --> 01:51:38,274
Henriksen to Jeffrey Combs was so

2778
01:51:38,274 --> 01:51:39,609
committed to the film.

2779
01:51:39,818 --> 01:51:43,071
Your holiness is old
and lost his zeal.

2780
01:51:43,321 --> 01:51:46,616
He is the Pope and I am the

2781
01:51:46,616 --> 01:51:47,200
Inquisition.

2782
01:51:47,200 --> 01:51:49,035
This was a very
more expensive than

2783
01:51:49,035 --> 01:51:50,662
Meridian, which was a smaller story.

2784
01:51:50,787 --> 01:51:52,872
Back to the castle
that I possess

2785
01:51:52,872 --> 01:51:54,749
for a while, we thought,
well we can shoot

2786
01:51:54,749 --> 01:51:55,709
in the castle.

2787
01:51:55,792 --> 01:51:58,253
Just like Meridian, the
cast, as well as Lance

2788
01:51:58,253 --> 01:51:59,921
Henriksen, we would all stay there.

2789
01:52:03,591 --> 01:52:06,052
Living in the castle and
kinda enjoying it

2790
01:52:06,052 --> 01:52:08,012
your own company,
you know, day after day

2791
01:52:08,012 --> 01:52:09,597
day, and that was the best thing about

2792
01:52:09,597 --> 01:52:11,766
filming in Italy or in
anywhere in the world

2793
01:52:11,766 --> 01:52:13,518
location, is that
you're kind of there

2794
01:52:13,518 --> 01:52:15,603
with your cast, and if they click, � 

2795
01:52:15,603 --> 01:52:16,688
an incredible experience.

2796
01:52:16,688 --> 01:52:18,398
Why did you rip out her tongue?

2797
01:52:18,523 --> 01:52:19,315
We didn't do that.

2798
01:52:19,482 --> 01:52:20,692
We don't do languages.

2799
01:52:20,775 --> 01:52:21,359
Of course not.

2800
01:52:22,068 --> 01:52:23,862
How can they confess if they don't have

2801
01:52:23,862 --> 01:52:24,279
languages?

2802
01:52:24,529 --> 01:52:25,780
You know, it was a period piece, and

2803
01:52:25,780 --> 01:52:27,282
we had all kinds
of torture devices

2804
01:52:27,282 --> 01:52:28,366
scattered all over the place.

2805
01:52:28,491 --> 01:52:30,368
Does she bear the mark of Satan?

2806
01:52:31,619 --> 01:52:32,871
It was a madhouse.

2807
01:52:34,831 --> 01:52:37,792
Oliver Reed, an incredible actor, was

2808
01:52:37,792 --> 01:52:38,918
also staying in the castle.

2809
01:52:39,127 --> 01:52:44,007
How can you conceive of posing with such

2810
01:52:44,007 --> 01:52:44,424
agony?

2811
01:52:44,424 --> 01:52:47,385
Between the actor, the actors
main, some

2812
01:52:47,385 --> 01:52:48,887
of crew members,
there was probably

2813
01:52:48,887 --> 01:52:51,681
20 people staying
in the castle, and we

2814
01:52:51,681 --> 01:52:53,308
would serve dinner
every night in one

2815
01:52:53,308 --> 01:52:56,019
table, you know, at this
amazing ballroom

2816
01:52:56,019 --> 01:52:58,855
that had to be 9
meters long.

2817
01:52:59,606 --> 01:53:01,858
And, of course, the actors
they just seemed

2818
01:53:01,858 --> 01:53:04,235
generally exaggerate and drink a lot

2819
01:53:04,235 --> 01:53:04,736
fucking wine.

2820
01:53:04,903 --> 01:53:07,697
We passed boxes of
wine every day

2821
01:53:07,697 --> 01:53:08,239
Single night.

2822
01:53:08,323 --> 01:53:09,783
It was strange.

2823
01:53:09,783 --> 01:53:11,451
If you looked with
attention, you would notice

2824
01:53:11,451 --> 01:53:12,994
that every now and then
someone stood

2825
01:53:12,994 --> 01:53:14,078
get up and go piss.

2826
01:53:14,329 --> 01:53:16,289
Oliver never left the chair.

2827
01:53:16,664 --> 01:53:18,458
So here's the guy who drank the most

2828
01:53:18,458 --> 01:53:19,000
than anyone.

2829
01:53:19,250 --> 01:53:21,044
He had a kind
bottle underneath

2830
01:53:21,044 --> 01:53:22,545
the table, and when he
I had to pee,

2831
01:53:22,712 --> 01:53:23,379
he urinated in the bottle.

2832
01:53:23,505 --> 01:53:24,380
Nobody knew he did it.

2833
01:53:24,506 --> 01:53:25,840
Sometimes he left the
bottle, then these

2834
01:53:25,840 --> 01:53:28,051
people with little
cleaning has a bottle of

2835
01:53:28,051 --> 01:53:29,594
urinates under the fucking table.

2836
01:53:29,761 --> 01:53:30,512
Terrible story.

2837
01:53:31,054 --> 01:53:31,763
Sorry, Oliver.

2838
01:53:32,013 --> 01:53:34,098
We must scourge the Church of Vanity.

2839
01:53:34,682 --> 01:53:35,099
No!

2840
01:53:36,309 --> 01:53:36,726
No!

2841
01:53:47,654 --> 01:53:50,365
Nekromantik 2 has a
legal subtitle, which

2842
01:53:50,365 --> 01:53:52,534
It's called The Return
of the Living Dead.

2843
01:53:52,867 --> 01:53:55,745
It's a love story
between three people, and

2844
01:53:55,745 --> 01:53:56,371
one is dead.

2845
01:53:56,496 --> 01:53:58,957
A very poetic film
about necrophilia.

2846
01:54:01,668 --> 01:54:04,712
We were a little surprised by the success

2847
01:54:04,712 --> 01:54:05,713
Nekromantik had it.

2848
01:54:05,880 --> 01:54:08,383
Not all the money was
into our pockets.

2849
01:54:08,550 --> 01:54:10,468
Many smugglers
they also became rich,

2850
01:54:10,552 --> 01:54:12,887
because the film was and still is banned

2851
01:54:12,887 --> 01:54:13,972
in many countries.

2852
01:54:13,972 --> 01:54:17,141
So people were
asking for a continuation, which

2853
01:54:17,141 --> 01:54:19,310
in my point of view
It was crazy, because

2854
01:54:19,310 --> 01:54:21,813
there is no commercial

2855
01:54:21,813 --> 01:54:23,606
appeal to an underground film.

2856
01:54:26,401 --> 01:54:28,653
The first film I made
after Nekromantik

2857
01:54:28,653 --> 01:54:30,446
it was The King of Death, Der Todesking,

2858
01:54:30,655 --> 01:54:32,782
which is an episode
totally different

2859
01:54:32,782 --> 01:54:34,242
film about suicide.

2860
01:54:37,120 --> 01:54:39,622
When we finally decided to do

2861
01:54:39,622 --> 01:54:41,749
Nekromantik 2, it was
one more joke.

2862
01:54:42,041 --> 01:54:43,376
So if you watch
to the movie, you can

2863
01:54:43,376 --> 01:54:45,920
see I'm taking
make fun of people

2864
01:54:45,920 --> 01:54:46,588
expectations.

2865
01:54:46,588 --> 01:54:51,092
They have to sit still
for minutes making love

2866
01:54:51,092 --> 01:54:54,888
and honeymoon scenes until then

2867
01:54:54,888 --> 01:54:55,847
It's a drop of blood.

2868
01:54:58,766 --> 01:55:01,311
It was too provocative for horror

2869
01:55:01,311 --> 01:55:03,146
the public when they watched the film in

2870
01:55:03,146 --> 01:55:03,980
the first place.

2871
01:55:04,063 --> 01:55:05,690
This might be the most shocking thing about

2872
01:55:05,690 --> 01:55:08,359
these films, which
they deal with so much

2873
01:55:08,359 --> 01:55:09,819
normal relationships.

2874
01:55:14,991 --> 01:55:17,619
That was one of the intentions, to make

2875
01:55:17,619 --> 01:55:20,788
a film that plays with the role of

2876
01:55:20,788 --> 01:55:22,332
the victim in horror films.

2877
01:55:22,540 --> 01:55:24,417
The strong female characters in

2878
01:55:24,417 --> 01:55:26,878
Nekromantik 1 and 2 were kind of mine

2879
01:55:26,878 --> 01:55:30,089
response to violence
against women in

2880
01:55:30,089 --> 01:55:32,216
all these movies
terrible terror I

2881
01:55:32,216 --> 01:55:33,092
I liked it a lot.

2882
01:55:36,179 --> 01:55:38,181
This is the true subversion, which the

2883
01:55:38,181 --> 01:55:39,515
first Nekromantik and the second

2884
01:55:39,515 --> 01:55:42,352
Nekromantik, these films
present the main

2885
01:55:42,352 --> 01:55:45,521
actors, the so-called bandits, in a

2886
01:55:45,521 --> 01:55:47,732
very normal way, and
you can connect to

2887
01:55:47,732 --> 01:55:49,400
them, and that's the scariest thing, I

2888
01:55:49,400 --> 01:55:49,651
think.

2889
01:55:52,320 --> 01:55:55,073
We never work on
a movie studio, so

2890
01:55:55,073 --> 01:55:58,201
It's always the living room
of someone we made

2891
01:55:58,201 --> 01:55:59,118
this mess, you know?

2892
01:55:59,118 --> 01:56:01,496
We never had any
shooting authorization or

2893
01:56:01,496 --> 01:56:03,539
things, so always
we had to hide

2894
01:56:03,539 --> 01:56:06,250
private apartments
to make our films.

2895
01:56:10,004 --> 01:56:13,049
In Nekromantik 2, they
invaded a cinema,

2896
01:56:13,341 --> 01:56:15,343
confiscated the copy of the
film, and that was

2897
01:56:15,343 --> 01:56:15,760
in Munich.

2898
01:56:16,010 --> 01:56:17,845
The case is that they really wanted

2899
01:56:17,845 --> 01:56:20,723
destroy the film, and
they were trying

2900
01:56:20,723 --> 01:56:24,102
to accuse me of a
supposed glorification

2901
01:56:24,102 --> 01:56:24,852
violence.

2902
01:56:24,852 --> 01:56:28,314
And glorifying violence is a crime

2903
01:56:28,314 --> 01:56:32,694
act in Germany. This
law was invented to

2904
01:56:32,694 --> 01:56:35,321
get Nazi propaganda
and other things,

2905
01:56:35,405 --> 01:56:36,531
glorifying violence.

2906
01:56:36,739 --> 01:56:39,158
But it was a very good tool for

2907
01:56:39,158 --> 01:56:40,994
Also get rid of horror films.

2908
01:56:41,285 --> 01:56:43,413
The Serra Massacre
Electrical 1 and 2, all

2909
01:56:43,413 --> 01:56:45,081
these films, they
were having the same

2910
01:56:45,081 --> 01:56:45,415
problems.

2911
01:56:46,124 --> 01:56:48,376
But of course Tobe
Hooper was laughing

2912
01:56:48,376 --> 01:56:50,086
your head in the USA when your

2913
01:56:50,086 --> 01:56:51,295
the film was banned in Germany.

2914
01:56:51,421 --> 01:56:52,714
He couldn't
matter less, I think.

2915
01:56:52,714 --> 01:56:56,050
But for me it was
dangerous, because they

2916
01:56:56,050 --> 01:56:58,302
were invading our
houses, they were trying

2917
01:56:58,302 --> 01:57:00,096
to destroy the negatives.

2918
01:57:00,471 --> 01:57:02,515
It was, of course, the end of my

2919
01:57:02,515 --> 01:57:04,642
career I went into
accused of criminal

2920
01:57:04,642 --> 01:57:06,561
to make these films, so it was

2921
01:57:06,561 --> 01:57:07,020
depressing.

2922
01:57:11,357 --> 01:57:13,776
This case was so
unusual, because they

2923
01:57:13,776 --> 01:57:16,571
I did so many things wrong, that a lot

2924
01:57:16,571 --> 01:57:18,156
of people thought,
well, that's how

2925
01:57:18,156 --> 01:57:20,241
Back in the Third Reich, you know?

2926
01:57:20,241 --> 01:57:22,827
People burning films and books.

2927
01:57:23,036 --> 01:57:24,620
We can't do that in Germany.

2928
01:57:25,079 --> 01:57:27,331
The result was quite
positive after two

2929
01:57:27,331 --> 01:57:28,875
years of legal proceedings.

2930
01:57:29,125 --> 01:57:31,961
The judge ordered a statement from a

2931
01:57:31,961 --> 01:57:35,798
film historian, and
he testified in court

2932
01:57:35,798 --> 01:57:38,092
that Nekromantik 2 is art.

2933
01:57:38,509 --> 01:57:41,262
And now I was an artist, and the

2934
01:57:41,262 --> 01:57:43,723
the film was back
free, because a judge

2935
01:57:43,723 --> 01:57:46,350
sentenced me to be
an artist then me

2936
01:57:46,350 --> 01:57:48,394
I could get away with my films.

2937
01:57:56,027 --> 01:57:56,652
Subspecies.

2938
01:57:57,403 --> 01:57:59,697
The night has fangs.

2939
01:57:59,906 --> 01:58:01,991
In addition to Bela Lugosi's version

2940
01:58:01,991 --> 01:58:04,619
Dracula and the Hammer movie Dracula,,

2941
01:58:04,744 --> 01:58:06,871
the film that really impressed me

2942
01:58:06,871 --> 01:58:09,832
the most famous film was
Vampyr, by Dreyer, and also

2943
01:58:09,832 --> 01:58:10,374
Nosferatus

2944
01:58:11,375 --> 01:58:13,336
For me, these were
the vampires who were

2945
01:58:13,336 --> 01:58:15,088
the monstrous creatures of mine

2946
01:58:15,088 --> 01:58:15,671
imagination.

2947
01:58:19,258 --> 01:58:21,094
Subspecies is basically
the story of

2948
01:58:21,094 --> 01:58:23,179
three young students who come to

2949
01:58:23,179 --> 01:58:26,140
Transylvania to
study the folklore of

2950
01:58:26,140 --> 01:58:26,724
vampires.

2951
01:58:28,935 --> 01:58:30,812
We study history
medieval together in

2952
01:58:30,812 --> 01:58:31,020
school.

2953
01:58:32,105 --> 01:58:33,147
We are smarter
than we seem.

2954
01:58:33,356 --> 01:58:35,358
Little do they know that there is a

2955
01:58:35,358 --> 01:58:37,985
real vampire living
in a castle nearby

2956
01:58:37,985 --> 01:58:40,488
by those who are fixated on them.

2957
01:58:43,407 --> 01:58:45,326
At that time, you
have to understand that

2958
01:58:45,326 --> 01:58:47,537
Romania was a country
problematic and communist.

2959
01:58:47,537 --> 01:58:48,329
country.

2960
01:58:48,663 --> 01:58:49,789
It was a place you were warned about

2961
01:58:49,789 --> 01:58:51,791
never travel as an American citizen

2962
01:58:51,791 --> 01:58:52,792
in the early 90s.

2963
01:58:52,959 --> 01:58:54,919
Then one day, at an AFM, a guy

2964
01:58:54,919 --> 01:58:57,213
appears from Romania,
and he said: Look,

2965
01:58:57,547 --> 01:58:59,882
right now, because of the revolution and

2966
01:58:59,882 --> 01:59:01,092
all the madness, there's a big

2967
01:59:01,092 --> 01:59:01,592
opportunity.

2968
01:59:02,093 --> 01:59:04,387
People need
work, where you can shoot,

2969
01:59:04,595 --> 01:59:06,597
say, a movie
vampires in Romania.

2970
01:59:06,597 --> 01:59:09,308
We made a deal, and the film that

2971
01:59:09,308 --> 01:59:11,018
I conjured because I had the title

2972
01:59:11,018 --> 01:59:12,311
for a time, it was Subspecies.

2973
01:59:15,314 --> 01:59:17,483
When Charlie Band me
showed for the first time the

2974
01:59:17,483 --> 01:59:20,069
poster of a vampire
standing on a bunch

2975
01:59:20,069 --> 01:59:21,946
of little minions
demons who were

2976
01:59:21,946 --> 01:59:24,657
taking a girl to some village

2977
01:59:24,657 --> 01:59:26,284
We were arriving
near, and he said: I am

2978
01:59:26,284 --> 01:59:28,077
very excited about this material, but

2979
01:59:28,077 --> 01:59:30,454
we can't just
make a classic vampire

2980
01:59:30,454 --> 01:59:30,746
film?

2981
01:59:30,830 --> 01:59:32,248
Do you really need
of these subspecies?

2982
01:59:32,415 --> 01:59:33,875
I said, we need
much of the subspecies.

2983
01:59:33,875 --> 01:59:34,667
This is the poster.

2984
01:59:34,876 --> 01:59:35,835
I have to make the poster.

2985
01:59:36,335 --> 01:59:38,045
Charlie just looked
For me how, what are

2986
01:59:38,045 --> 01:59:38,880
Are you crazy?

2987
01:59:39,255 --> 01:59:40,673
That's how I sold the film.

2988
01:59:44,051 --> 01:59:46,929
At first, we imagined that

2989
01:59:46,929 --> 01:59:49,765
would do like The Gate and
would be big size

2990
01:59:49,765 --> 01:59:53,352
sets and humans in the subspecies

2991
01:59:53,352 --> 01:59:54,020
fantasies.

2992
01:59:54,437 --> 01:59:57,273
In fact, when
we arrived in Romania, we

2993
01:59:57,273 --> 01:59:59,692
had all these
Romanian dancers and

2994
01:59:59,692 --> 02:00:01,194
stunt doubles who would play the

2995
02:00:01,194 --> 02:00:01,652
characters.

2996
02:00:01,652 --> 02:00:05,031
I called action and
they came running

2997
02:00:05,031 --> 02:00:07,992
like a bunch of
drunken sailors, just

2998
02:00:07,992 --> 02:00:11,370
ridiculously exaggerating
in their roles, and

2999
02:00:11,370 --> 02:00:12,914
I was like, cut,
cut, cut, cut, cut.

3000
02:00:13,206 --> 02:00:15,374
In the third shot, her skin color

3001
02:00:15,374 --> 02:00:19,587
latex bodies
they were black with dirt

3002
02:00:19,587 --> 02:00:21,923
of the Romanian soundscape.

3003
02:00:22,131 --> 02:00:23,758
I sent the footage back
to the United States,

3004
02:00:24,050 --> 02:00:27,887
Charlie saw it, and it was the second

3005
02:00:27,887 --> 02:00:30,014
time in Subspecies
that Charlie was like,

3006
02:00:30,097 --> 02:00:30,765
what the hell?

3007
02:00:30,765 --> 02:00:33,768
So Charlie asked
help from your friend

3008
02:00:33,768 --> 02:00:36,354
David Allen, who was a stop-motion

3009
02:00:36,354 --> 02:00:38,064
animation genius.

3010
02:00:42,026 --> 02:00:43,861
Everything is truly achieved with

3011
02:00:43,861 --> 02:00:44,779
practical effects.

3012
02:00:45,112 --> 02:00:47,990
makeup effects,
blood effects, shadow

3013
02:00:47,990 --> 02:00:49,325
movement and things like that.

3014
02:00:49,492 --> 02:00:51,410
With Subspecies, I was able to kind of

3015
02:00:51,410 --> 02:00:53,579
explore not only the
type of appearance

3016
02:00:53,579 --> 02:00:57,166
a vampire, but the style
of internal life and

3017
02:00:57,166 --> 02:00:59,710
the weight of immortality
in a creature.

3018
02:00:59,710 --> 02:01:02,713
Anders Hove took these inspirations and

3019
02:01:02,713 --> 02:01:05,675
created this indelible vampire.

3020
02:01:05,967 --> 02:01:07,927
Your time has passed.

3021
02:01:08,261 --> 02:01:10,805
We climb Angus Scrimm
to play King

3022
02:01:10,805 --> 02:01:12,723
Vladislav, Radu's father.

3023
02:01:12,932 --> 02:01:14,517
I was waiting for the Tall Man

3024
02:01:14,517 --> 02:01:17,603
Ghost, and on
I was like that

3025
02:01:17,603 --> 02:01:20,356
kind and sweet actor.

3026
02:01:20,606 --> 02:01:23,609
You are not happy
to live in peace,

3027
02:01:23,776 --> 02:01:24,151
They work.

3028
02:01:24,610 --> 02:01:26,112
You wish evil.

3029
02:01:26,112 --> 02:01:29,156
The benefit of filming in Romania was

3030
02:01:29,156 --> 02:01:33,536
the incredible variety
from places we

3031
02:01:33,536 --> 02:01:34,662
managed to shoot.

3032
02:01:34,829 --> 02:01:36,998
Everything was possible in those days if

3033
02:01:36,998 --> 02:01:38,624
you have greased the right palms.

3034
02:01:38,791 --> 02:01:40,876
It all gave it such a good look

3035
02:01:40,876 --> 02:01:43,004
and atmosphere for the film.

3036
02:01:43,713 --> 02:01:46,549
The disadvantage of
work in Romania in

3037
02:01:46,549 --> 02:01:49,385
1990 was the equipment was all

3038
02:01:49,385 --> 02:01:50,386
old-fashioned.

3039
02:01:50,594 --> 02:01:52,179
You couldn't get good food.

3040
02:01:52,179 --> 02:01:55,099
The crew was not
accustomed to working in

3041
02:01:55,099 --> 02:01:56,100
the western style.

3042
02:01:56,309 --> 02:01:59,562
So work on
Romania was an ordeal

3043
02:01:59,562 --> 02:02:01,439
for me and the entire cast.

3044
02:02:01,564 --> 02:02:02,857
The hotels were horrible.

3045
02:02:03,190 --> 02:02:05,192
When I leave, I
I was like, thank God

3046
02:02:05,192 --> 02:02:06,277
I'm out of this place.

3047
02:02:09,905 --> 02:02:11,782
We finished the film and it was

3048
02:02:11,782 --> 02:02:13,701
successful, but it seemed
in a very short time

3049
02:02:13,701 --> 02:02:13,993
order.

3050
02:02:14,076 --> 02:02:15,161
It was like we had to go back

3051
02:02:15,161 --> 02:02:16,954
and make more films in Romania.

3052
02:02:17,163 --> 02:02:18,831
We went back and decided, why not

3053
02:02:18,831 --> 02:02:19,332
make two?

3054
02:02:19,332 --> 02:02:21,584
Why not do the
Subspecies 2 and 3?

3055
02:02:21,709 --> 02:02:23,127
And that was another great adventure that

3056
02:02:23,127 --> 02:02:25,296
Ted will say, 20 times better than me.

3057
02:02:25,421 --> 02:02:28,424
And somewhere in
all of this, I got involved

3058
02:02:28,424 --> 02:02:30,301
buying land there and building a

3059
02:02:30,301 --> 02:02:30,551
stadium.

3060
02:02:30,968 --> 02:02:33,262
And I think we made 140 films in

3061
02:02:33,262 --> 02:02:36,265
1990-91 Romania
until when I sold

3062
02:02:36,265 --> 02:02:37,516
the stadium in 2000.

3063
02:02:47,193 --> 02:02:48,235
Regulate it!

3064
02:02:50,029 --> 02:02:52,531
Of all our iconic slashers

3065
02:02:52,531 --> 02:02:54,742
characters, Chucky is the one who has

3066
02:02:54,742 --> 02:02:56,452
never been alone
turning your wheels or

3067
02:02:56,452 --> 02:02:57,328
resting on our laurels.

3068
02:02:57,453 --> 02:02:59,121
Don Mancini is always
taking Chucky to

3069
02:02:59,121 --> 02:03:00,498
a new space and make
new and interesting things

3070
02:03:00,498 --> 02:03:01,082
things with him.

3071
02:03:05,795 --> 02:03:07,588
Don't play with Chuck!

3072
02:03:07,713 --> 02:03:10,007
Don did a job
really interesting

3073
02:03:10,007 --> 02:03:12,218
serializing the journey
of Chucky and mapping

3074
02:03:12,218 --> 02:03:13,803
all these different
concerns and themes

3075
02:03:13,803 --> 02:03:15,638
about this, what do you
you might think it's a

3076
02:03:15,638 --> 02:03:17,431
very limited character, and created

3077
02:03:17,431 --> 02:03:18,182
something really special.

3078
02:03:18,182 --> 02:03:19,141
You have potential.

3079
02:03:19,392 --> 02:03:22,144
I always say, kill is
good, clean fun

3080
02:03:22,144 --> 02:03:23,229
for the whole family.

3081
02:03:23,479 --> 02:03:27,775
So Child's Play
3 happens with soap

3082
02:03:27,775 --> 02:03:29,693
opera speed.

3083
02:03:30,194 --> 02:03:32,321
Suddenly, we advanced a little towards the

3084
02:03:32,321 --> 02:03:34,865
future, so that
can we get Andy

3085
02:03:34,865 --> 02:03:36,867
Character Barclay aged 16.

3086
02:03:36,992 --> 02:03:38,119
Do you know who I am?

3087
02:03:39,829 --> 02:03:40,204
Hi Shelton!

3088
02:03:40,454 --> 02:03:42,790
This is Lieutenant Colonel
Shelton to you,

3089
02:03:42,873 --> 02:03:43,290
Idiot!

3090
02:03:43,290 --> 02:03:46,752
A young actor named
Justin Whalin took over

3091
02:03:46,752 --> 02:03:47,920
about Andy's role.

3092
02:03:48,212 --> 02:03:52,133
Make him a teenager
was an attempt to

3093
02:03:52,133 --> 02:03:54,468
mix things up and
do something different.

3094
02:03:55,052 --> 02:03:57,763
Andy, how you've grown.

3095
02:03:57,972 --> 02:04:00,683
I also thought that
a military academy

3096
02:04:00,683 --> 02:04:03,811
it looked like a playground
fun for Chucky

3097
02:04:03,811 --> 02:04:05,896
be in, rather than just a loud

3098
02:04:05,896 --> 02:04:06,230
school.

3099
02:04:08,232 --> 02:04:10,985
So I think I was more explicit

3100
02:04:10,985 --> 02:04:15,489
influenced by Damien:
Omen II, why is this

3101
02:04:15,489 --> 02:04:17,867
was a sequence of
horror that happened

3102
02:04:17,867 --> 02:04:19,869
partly at a military academy.

3103
02:04:21,537 --> 02:04:23,289
You're dead, rookie.

3104
02:04:23,581 --> 02:04:24,415
Fucking nerd.

3105
02:04:24,540 --> 02:04:27,334
The military academy
just provided a lot

3106
02:04:27,334 --> 02:04:30,379
of authority figures
to take down.

3107
02:04:32,006 --> 02:04:33,716
Oh my God!

3108
02:04:35,551 --> 02:04:38,637
Andy Robinson played
Sergeant Botnick,

3109
02:04:38,804 --> 02:04:43,017
the kind of crazy guy who gives everyone

3110
02:04:43,017 --> 02:04:45,811
haircuts, and he
Give one to Chucky.

3111
02:04:46,187 --> 02:04:48,147
When was the last time
Did you trim your hair?

3112
02:04:48,647 --> 02:04:48,814
huh?

3113
02:04:49,148 --> 02:04:51,484
We managed to make a
Very fun Sweeney

3114
02:04:51,484 --> 02:04:52,651
Todd's Rifinho.

3115
02:04:55,613 --> 02:04:56,238
Brief.

3116
02:04:56,572 --> 02:04:57,781
You are dead.

3117
02:04:57,948 --> 02:04:59,158
We all have hair
crew cut.

3118
02:04:59,700 --> 02:05:02,578
I shaved my hair
along with the rest

3119
02:05:02,578 --> 02:05:03,162
of the actors.

3120
02:05:03,162 --> 02:05:05,456
I'm actually in the movie, in the war

3121
02:05:05,456 --> 02:05:07,082
game scene in the forest, which was

3122
02:05:07,082 --> 02:05:09,960
In fact, he shot
back at Universal on stage,

3123
02:05:10,002 --> 02:05:10,961
all wooden things.

3124
02:05:11,295 --> 02:05:12,713
So it was fun.

3125
02:05:12,922 --> 02:05:14,173
Barclay was right.

3126
02:05:14,632 --> 02:05:15,883
You're not a nice guy.

3127
02:05:16,383 --> 02:05:17,343
Sorry, kid.

3128
02:05:17,426 --> 02:05:18,177
You got me.

3129
02:05:19,220 --> 02:05:20,262
I'm bad.

3130
02:05:20,638 --> 02:05:23,015
Chucky's act of changing the paint

3131
02:05:23,015 --> 02:05:25,601
pellets with ammunition
real is exactly the type

3132
02:05:25,601 --> 02:05:29,063
of wicked business
What do we want him to do?

3133
02:05:29,063 --> 02:05:29,730
get up to.

3134
02:05:29,939 --> 02:05:31,982
That should slow the idiots down.

3135
02:05:31,982 --> 02:05:35,069
I'm still surprised
with the value of production

3136
02:05:35,069 --> 02:05:36,570
that they have.

3137
02:05:36,695 --> 02:05:39,365
They just rented
a fair and set it up

3138
02:05:39,365 --> 02:05:39,573
above.

3139
02:05:39,990 --> 02:05:42,618
The interior of the Devil's Lair was

3140
02:05:42,618 --> 02:05:45,412
built into the stage
from Universal, and was

3141
02:05:45,412 --> 02:05:46,288
really impressive.

3142
02:05:50,459 --> 02:05:53,629
Toy's problems
Assassin 3 were the script

3143
02:05:53,629 --> 02:05:54,088
problems.

3144
02:05:54,380 --> 02:05:55,589
I think it was still a little

3145
02:05:55,589 --> 02:05:56,507
the same as always, the same as always.

3146
02:05:56,632 --> 02:05:59,468
It's still Chucky who
want to transfer your

3147
02:05:59,468 --> 02:06:01,971
soul in a human body, and yet it is

3148
02:06:01,971 --> 02:06:05,891
kind of that same structure and tone.

3149
02:06:06,600 --> 02:06:08,811
Tyler, get out, get out, where
whatever you are

3150
02:06:08,811 --> 02:06:09,228
are.

3151
02:06:09,395 --> 02:06:11,438
In my own defense,
we really did it

3152
02:06:11,438 --> 02:06:12,022
fast.

3153
02:06:12,314 --> 02:06:13,983
I mean, simply
there wasn't enough time

3154
02:06:13,983 --> 02:06:16,485
because they wanted
Child's Play 3

3155
02:06:16,485 --> 02:06:16,902
leave.

3156
02:06:17,278 --> 02:06:18,946
It was released nine months later.

3157
02:06:23,033 --> 02:06:26,203
Jack Bender directed
this movie, and Jack

3158
02:06:26,203 --> 02:06:28,080
Bender became one of

3159
02:06:28,080 --> 02:06:30,374
greatest television directors, then

3160
02:06:30,374 --> 02:06:32,251
obviously he wasn't the problem.

3161
02:06:32,251 --> 02:06:35,212
There was a change in the
stadium regime while we

3162
02:06:35,212 --> 02:06:35,838
they were shooting.

3163
02:06:36,505 --> 02:06:38,424
It was clear they didn't believe

3164
02:06:38,424 --> 02:06:38,924
in the film.

3165
02:06:39,425 --> 02:06:42,219
Child's Play 3 was
my first experience

3166
02:06:42,219 --> 02:06:45,514
with this type of studio policy.

3167
02:06:45,681 --> 02:06:47,766
Pampering with the mail � 
a federal practice

3168
02:06:47,766 --> 02:06:48,517
offense.

3169
02:06:48,684 --> 02:06:49,184
Sorry.

3170
02:06:49,518 --> 02:06:52,146
The film barely managed to return to its

3171
02:06:52,146 --> 02:06:54,773
budget, and then it was
definitely one

3172
02:06:54,773 --> 02:06:55,858
financial failure.

3173
02:06:56,275 --> 02:06:58,652
It was just an experience
disappointing,

3174
02:06:58,861 --> 02:07:00,863
and for me, it was as if
everything had happened

3175
02:07:00,863 --> 02:07:03,490
collapsing where I had two films,

3176
02:07:03,657 --> 02:07:05,534
like, oh, it's always like this

3177
02:07:05,534 --> 02:07:07,328
be, and will not always be

3178
02:07:07,328 --> 02:07:07,995
be it so.

3179
02:07:08,203 --> 02:07:10,623
Now just sit back and
watch the sparks

3180
02:07:10,623 --> 02:07:11,165
fly.

3181
02:07:11,457 --> 02:07:13,584
But we're back strong six years later

3182
02:07:13,584 --> 02:07:15,711
because then Bride of Chucky in 98

3183
02:07:16,420 --> 02:07:19,340
continues to be today
the highest grossing film

3184
02:07:19,340 --> 02:07:20,132
Chucky movie.

3185
02:07:20,382 --> 02:07:22,843
Size doesn't matter, you asshole.

3186
02:07:23,302 --> 02:07:24,511
What matters is what
you do with it.

3187
02:07:35,064 --> 02:07:37,733
Freddy is dead: The ultimate nightmare.

3188
02:07:38,108 --> 02:07:41,487
Freddy's Dead would be the
first time I

3189
02:07:41,487 --> 02:07:44,114
was sitting in a
cinema to watch

3190
02:07:44,114 --> 02:07:45,282
a film in the Elm Street series.

3191
02:07:45,491 --> 02:07:48,118
I'll catch you,
my beautiful, and your little one

3192
02:07:48,118 --> 02:07:49,286
soul too!

3193
02:07:50,037 --> 02:07:53,832
I remember having those 3D glasses and

3194
02:07:53,832 --> 02:07:57,002
being counted by this
teen theater

3195
02:07:57,002 --> 02:07:59,171
employee that I
would know when to put

3196
02:07:59,171 --> 02:08:00,547
them because the character in

3197
02:08:00,547 --> 02:08:02,049
movie would put on your 3-D glasses,

3198
02:08:02,216 --> 02:08:03,634
and when I see those 3-D glasses

3199
02:08:03,634 --> 02:08:05,511
disappear, that means
that I should have mine

3200
02:08:05,511 --> 02:08:05,803
on.

3201
02:08:10,391 --> 02:08:12,309
Freddy is dead: The ultimate nightmare,

3202
02:08:12,643 --> 02:08:14,645
It's the last Nightmare on Elm Street

3203
02:08:14,645 --> 02:08:16,730
installment directed by Rachel Talalay,

3204
02:08:17,231 --> 02:08:20,109
and in this film, Freddy is dead.

3205
02:08:20,442 --> 02:08:20,901
He dies.

3206
02:08:24,780 --> 02:08:25,906
The entire Nightmare on Elm Street

3207
02:08:25,906 --> 02:08:28,242
the franchise was produced
by Bob Shaye and

3208
02:08:28,242 --> 02:08:30,703
Sara Risher of New
Line Cinema, and they

3209
02:08:30,703 --> 02:08:32,621
were really
responsible for bringing the

3210
02:08:32,621 --> 02:08:34,832
writers for the scripts and also

3211
02:08:34,832 --> 02:08:36,417
hiring the
directors, and they always

3212
02:08:36,417 --> 02:08:40,963
looking for young people,
hungry, really talented

3213
02:08:40,963 --> 02:08:43,799
people who didn't receive as much

3214
02:08:43,799 --> 02:08:46,301
opportunities in Hollywood
so far, and

3215
02:08:46,301 --> 02:08:48,262
in this way, they
probably got one

3216
02:08:48,262 --> 02:08:50,556
good deal, but also
were able to

3217
02:08:50,556 --> 02:08:53,267
like harvesting a lot of things
really creative

3218
02:08:53,267 --> 02:08:55,936
people who were
willing to work in a

3219
02:08:55,936 --> 02:08:57,646
horror film and
bring everything they

3220
02:08:57,646 --> 02:08:58,147
had to do this.

3221
02:08:58,147 --> 02:09:02,401
Now be a good puppy and go

3222
02:09:02,401 --> 02:09:02,985
search!

3223
02:09:03,152 --> 02:09:05,779
I worked with Rachel Talalay on

3224
02:09:05,779 --> 02:09:07,281
Original Nightmare on Elm Street.

3225
02:09:07,531 --> 02:09:09,658
She was an accountant's assistant,

3226
02:09:09,992 --> 02:09:11,618
and there were many moments when she

3227
02:09:11,618 --> 02:09:13,912
would beg me to,
Like, can we just

3228
02:09:13,912 --> 02:09:16,081
forgot your deadline
eight hour delivery time?

3229
02:09:16,540 --> 02:09:18,333
And I'm like, okay, Rachel.

3230
02:09:18,667 --> 02:09:19,501
Like, you know, she
it had to be one

3231
02:09:19,501 --> 02:09:21,420
a little bit of the executor, and then she

3232
02:09:21,420 --> 02:09:23,005
moved to the
production department,

3233
02:09:23,380 --> 02:09:26,091
associated producer,
line producer and

3234
02:09:26,091 --> 02:09:29,386
then producer Bob
Shaye and Sara Risher

3235
02:09:29,386 --> 02:09:31,597
I had a lot of trust in her

3236
02:09:31,597 --> 02:09:32,389
creativity.

3237
02:09:32,723 --> 02:09:34,516
She was the kind of person
that probably

3238
02:09:34,516 --> 02:09:36,852
they had a million
ideas, so they were smart

3239
02:09:36,852 --> 02:09:39,062
and decided to give it a chance

3240
02:09:39,062 --> 02:09:41,023
direct Freddy's Dead,
Nightmare on Elm

3241
02:09:41,023 --> 02:09:41,982
Street Part 6.

3242
02:09:42,274 --> 02:09:44,318
Now I'm playing with power!

3243
02:09:46,904 --> 02:09:49,531
Finally, after five
episodes with men

3244
02:09:49,531 --> 02:09:52,117
directors, it's great that
a woman did this

3245
02:09:52,117 --> 02:09:53,660
have a chance to leave your mark

3246
02:09:53,660 --> 02:09:54,620
the Nightmare series.

3247
02:09:54,620 --> 02:09:55,370
Oh!

3248
02:09:57,331 --> 02:09:59,500
Good to hear from you, Carlos.

3249
02:10:00,000 --> 02:10:02,669
In Freddy's Dead, you discover that

3250
02:10:02,669 --> 02:10:04,463
Freddy has an heir.

3251
02:10:04,630 --> 02:10:05,672
He had a son.

3252
02:10:05,881 --> 02:10:08,217
This is where they took their son.

3253
02:10:08,425 --> 02:10:09,051
What child?

3254
02:10:09,510 --> 02:10:12,012
Taken away, placed
in an orphanage in the city.

3255
02:10:12,137 --> 02:10:14,681
The plot wasn't the point
main, as well as the

3256
02:10:14,681 --> 02:10:16,892
hook that they were going to kill Freddy

3257
02:10:16,892 --> 02:10:18,060
Krueger. That was it.

3258
02:10:18,143 --> 02:10:20,020
This was the end of the franchise.

3259
02:10:20,896 --> 02:10:21,980
Freddy will die.

3260
02:10:22,356 --> 02:10:24,107
It's the ultimate nightmare.

3261
02:10:24,107 --> 02:10:25,692
It's right there on the poster.

3262
02:10:26,693 --> 02:10:29,947
I remember Lisa Zane
and the great battle

3263
02:10:29,947 --> 02:10:32,115
that they have at the end.

3264
02:10:35,452 --> 02:10:37,663
At Freddy's death, right when the

3265
02:10:37,663 --> 02:10:39,957
growing up, Freddy will die,

3266
02:10:40,207 --> 02:10:42,376
they have a very
to put on glasses

3267
02:10:42,376 --> 02:10:45,003
moment that moved the public

3268
02:10:45,212 --> 02:10:47,172
with a moment of
history of cinema that

3269
02:10:47,172 --> 02:10:48,966
will never be forgotten.

3270
02:10:53,220 --> 02:10:54,221
Freddy is dead.

3271
02:10:54,638 --> 02:10:57,641
After Freddy
died, Rachel began to

3272
02:10:57,641 --> 02:11:00,018
direct Ghost in the Machine, and then

3273
02:11:00,018 --> 02:11:02,229
everyone was really
impressed with what she did

3274
02:11:02,229 --> 02:11:03,063
did with Tank Girl.

3275
02:11:03,272 --> 02:11:04,898
There simply wasn't
many women

3276
02:11:04,898 --> 02:11:08,068
directors, especially
in horror films.

3277
02:11:08,861 --> 02:11:11,572
Her story is a
perfect example of how

3278
02:11:11,572 --> 02:11:13,740
a very person
hardworking, very intelligent,

3279
02:11:13,991 --> 02:11:16,785
brilliant person can,
you know, hang in there

3280
02:11:16,785 --> 02:11:18,328
It's really wonderful there

3281
02:11:18,328 --> 02:11:18,954
opportunities.

3282
02:11:18,954 --> 02:11:21,540
And I think the story
Hers is very inspiring.

3283
02:11:21,665 --> 02:11:23,250
I broke my record.

3284
02:11:24,001 --> 02:11:25,294
Ha, ha, ha!

3285
02:11:34,553 --> 02:11:35,929
Puppet Master 3.

3286
02:11:36,680 --> 02:11:37,389
From Toulon

3287
02:11:37,764 --> 02:11:38,307
Revenge.

3288
02:11:38,682 --> 02:11:40,392
There is a certain kind of charm that

3289
02:11:40,392 --> 02:11:42,102
comes with a movie
by Charlie Band.

3290
02:11:42,311 --> 02:11:44,187
You kind of know
the vibe you're in

3291
02:11:44,187 --> 02:11:44,771
staying, right?

3292
02:11:44,855 --> 02:11:46,607
It's this silent exchange.

3293
02:11:48,901 --> 02:11:51,111
The best thing about
Puppet Master

3294
02:11:51,111 --> 02:11:53,488
the series is the puppets, obviously.

3295
02:11:53,864 --> 02:11:55,365
Like, they're all so unique

3296
02:11:55,365 --> 02:11:57,159
character, then you
has this essential

3297
02:11:57,159 --> 02:11:58,243
puppet army.

3298
02:11:58,368 --> 02:12:00,203
But with each new film
from Puppet Master,

3299
02:12:00,412 --> 02:12:02,497
you get one or two
new characters.

3300
02:12:02,873 --> 02:12:04,541
Um, mm, mm.

3301
02:12:05,459 --> 02:12:06,460
I love Blade.

3302
02:12:06,501 --> 02:12:07,920
He is a kind of
puppet leader

3303
02:12:07,920 --> 02:12:08,253
time.

3304
02:12:08,795 --> 02:12:09,212
Oh!

3305
02:12:09,755 --> 02:12:10,297
Oh!

3306
02:12:10,964 --> 02:12:11,590
Oh!

3307
02:12:12,174 --> 02:12:14,885
I don't regret
none of the many puppets

3308
02:12:14,885 --> 02:12:16,803
Master films, but
if we knew, ok,

3309
02:12:16,887 --> 02:12:18,096
this will be more than 30

3310
02:12:18,096 --> 02:12:20,599
type of franchise
a year, we would have had

3311
02:12:20,599 --> 02:12:22,976
some kind of bow
of history that would

3312
02:12:22,976 --> 02:12:24,686
were carried out and consistent.

3313
02:12:24,937 --> 02:12:26,563
It's all on top of
map because we were

3314
02:12:26,563 --> 02:12:28,106
improvising as we go.

3315
02:12:34,196 --> 02:12:35,447
I played the Puppet Master.

3316
02:12:35,614 --> 02:12:36,281
I financed it.

3317
02:12:36,365 --> 02:12:37,366
I took it to Paramount.

3318
02:12:37,950 --> 02:12:39,368
It was a big success and they wanted

3319
02:12:39,368 --> 02:12:39,701
more.

3320
02:12:41,370 --> 02:12:43,413
Paramount had a
incredible distribution

3321
02:12:43,413 --> 02:12:44,122
mechanism.

3322
02:12:44,122 --> 02:12:45,248
They were very good at it.

3323
02:12:45,332 --> 02:12:46,625
There was a lot of money in direct

3324
02:12:46,625 --> 02:12:48,835
-for-video, like today,
where the digital type

3325
02:12:48,835 --> 02:12:49,836
crap for filmmakers.

3326
02:12:50,087 --> 02:12:51,838
Imagine the dozens of
thousands of videos

3327
02:12:51,838 --> 02:12:53,840
stores that existed in
early 90s.

3328
02:12:54,007 --> 02:12:56,426
At that time, you
shipped 100,000 units of

3329
02:12:56,426 --> 02:12:59,388
Puppet Master 2 or 3 at $30 each,

3330
02:12:59,471 --> 02:13:00,931
and that was a lot of money that

3331
02:13:00,931 --> 02:13:01,890
has to be divided.

3332
02:13:01,974 --> 02:13:03,225
No mercy, my friends.

3333
02:13:03,976 --> 02:13:05,143
No mercy.

3334
02:13:05,435 --> 02:13:07,187
Something works, you
go, ok, guys and

3335
02:13:07,187 --> 02:13:08,188
Fans really like this.

3336
02:13:08,313 --> 02:13:10,691
So, Puppet Master 2,
I knew we were

3337
02:13:10,691 --> 02:13:11,900
will receive a
incredible amount of

3338
02:13:11,900 --> 02:13:13,944
innovative stop-motion and everything, � 

3339
02:13:13,944 --> 02:13:14,653
there was no doubt.

3340
02:13:14,778 --> 02:13:16,154
But what story are we going to tell?

3341
02:13:16,238 --> 02:13:17,072
How are we going to tie him to

3342
02:13:17,072 --> 02:13:17,656
the first?

3343
02:13:17,781 --> 02:13:22,703
The secrets of Os�ris
will be revealed once again

3344
02:13:22,703 --> 02:13:24,871
animate what has no life.

3345
02:13:24,955 --> 02:13:26,999
Dave Allen did a good
work, very different,

3346
02:13:27,165 --> 02:13:29,209
featuring Torch as a character.

3347
02:13:29,418 --> 02:13:30,961
There are some of
best photos, some

3348
02:13:30,961 --> 02:13:32,254
the best stop-motion, I think, in

3349
02:13:32,254 --> 02:13:32,754
the series.

3350
02:13:37,050 --> 02:13:39,845
Puppet Master 3,
considered by many as

3351
02:13:39,845 --> 02:13:41,805
the best Master of
Puppets, directed by

3352
02:13:41,805 --> 02:13:43,682
Dave DeCoteau, who is
a close friend, and

3353
02:13:43,682 --> 02:13:45,726
That was when the Full Moon had the only

3354
02:13:45,726 --> 02:13:47,394
a brief year where we felt like, okay,

3355
02:13:47,561 --> 02:13:49,104
We have money in the bank and

3356
02:13:49,104 --> 02:13:51,148
everything is amazing, so there's kind of leftovers

3357
02:13:51,148 --> 02:13:52,899
no expenses, let's go
make a big puppet

3358
02:13:52,899 --> 02:13:54,067
Master in Puppet Master 3.

3359
02:13:54,317 --> 02:13:54,776
Fire!

3360
02:13:57,195 --> 02:13:59,906
We rent the Universal backlot

3361
02:13:59,906 --> 02:14:02,284
Stadiums because they had buildings and

3362
02:14:02,284 --> 02:14:04,995
things that were vintage
of the Second World War.

3363
02:14:05,537 --> 02:14:07,831
Just being in that
backlot with things

3364
02:14:07,831 --> 02:14:09,791
dressed like they should
be with Nazis

3365
02:14:09,791 --> 02:14:12,878
flags, it was a
incredible feeling to sit

3366
02:14:12,878 --> 02:14:14,087
There we go, yeah,
well we are here in

3367
02:14:14,087 --> 02:14:16,339
Universal soon
to film this big

3368
02:14:16,339 --> 02:14:17,799
-ass Puppet Master movie.

3369
02:14:17,966 --> 02:14:19,426
What joke is this?

3370
02:14:23,805 --> 02:14:26,099
This worked very well and worked

3371
02:14:26,099 --> 02:14:27,851
very well, but could I
continue for a decade

3372
02:14:27,851 --> 02:14:30,187
per decade and talk
about, we filmed a

3373
02:14:30,187 --> 02:14:32,314
The movie Puppet Master on
China, we were all

3374
02:14:32,314 --> 02:14:33,732
over the planet with
these Puppet Master

3375
02:14:33,732 --> 02:14:34,149
movies.

3376
02:14:48,330 --> 02:14:51,792
Michele Soavi was the
great hope of

3377
02:14:51,792 --> 02:14:55,087
Italian horror in this
time in the 90s.

3378
02:14:55,295 --> 02:14:55,921
Mary!

3379
02:14:57,923 --> 02:14:59,424
You did it!

3380
02:14:59,549 --> 02:15:01,384
They were looking
by young blood,

3381
02:15:01,468 --> 02:15:03,512
and Michele Soavi was
hope, then

3382
02:15:03,512 --> 02:15:05,972
having made his debut
on StageFright for

3383
02:15:05,972 --> 02:15:08,683
Joe D'Amato, and then
The Church for Darius

3384
02:15:08,683 --> 02:15:09,267
Silver.

3385
02:15:09,351 --> 02:15:10,936
Scream until you go crazy!

3386
02:15:12,270 --> 02:15:15,065
The Cult was the second film he

3387
02:15:15,065 --> 02:15:18,443
made under Dario Argento Presents

3388
02:15:18,443 --> 02:15:19,069
flag.

3389
02:15:21,947 --> 02:15:25,450
A film based on nightmares that

3390
02:15:25,450 --> 02:15:27,410
Michele Soavi used to have this

3391
02:15:27,410 --> 02:15:28,662
house where he grew up.

3392
02:15:28,787 --> 02:15:30,539
It's the family home in the Catacombs

3393
02:15:30,539 --> 02:15:31,373
Rome area.

3394
02:15:31,581 --> 02:15:33,333
It was on the basis of this well that he

3395
02:15:33,333 --> 02:15:36,086
There was an old one under the kitchen

3396
02:15:36,086 --> 02:15:38,296
Well, where did your grandmother
used to tell him

3397
02:15:38,296 --> 02:15:39,798
at dinner what if he
didn't finish your

3398
02:15:39,798 --> 02:15:41,883
green, where would a devil come from?

3399
02:15:41,883 --> 02:15:43,844
the well under their house and get

3400
02:15:43,844 --> 02:15:44,052
him.

3401
02:15:47,013 --> 02:15:48,807
It is also a species
from Rosemary's Baby

3402
02:15:48,807 --> 02:15:50,559
story, where a woman will be

3403
02:15:50,559 --> 02:15:52,936
giving birth to the devil's son.

3404
02:15:54,229 --> 02:15:55,188
He was born!

3405
02:15:57,190 --> 02:15:59,818
The film stars
Kelly Curtis, Jamie Lee

3406
02:15:59,818 --> 02:16:01,862
Curtis's sister,
daughter of Janet Leigh,

3407
02:16:02,112 --> 02:16:04,281
continuing that idea
that worked so well

3408
02:16:04,281 --> 02:16:06,867
on Halloween with Janet Leigh from

3409
02:16:06,867 --> 02:16:08,577
The psychopath's daughter is the star.

3410
02:16:08,827 --> 02:16:10,120
They will get the other daughter

3411
02:16:10,120 --> 02:16:11,246
to star in The Sect.

3412
02:16:11,454 --> 02:16:12,497
What's happening to me?

3413
02:16:13,373 --> 02:16:14,916
Why did the old man call me?

3414
02:16:15,041 --> 02:16:16,835
She's not quite Jamie
Leigh, but I think

3415
02:16:16,835 --> 02:16:18,378
She does very well in

3416
02:16:18,378 --> 02:16:18,587
film.

3417
02:16:20,797 --> 02:16:23,592
It also stars
Herbert Lom in an ending

3418
02:16:23,592 --> 02:16:26,511
- career role as
a kind of strange old man

3419
02:16:26,511 --> 02:16:28,346
man, and he really kills it

3420
02:16:28,346 --> 02:16:28,680
the water.

3421
02:16:28,930 --> 02:16:32,893
His whole life was
planned for this

3422
02:16:32,893 --> 02:16:33,310
moment.

3423
02:16:33,310 --> 02:16:36,062
Herbert Lom has a lot
gender pedigree

3424
02:16:36,062 --> 02:16:38,106
from The Phantom of the Opera, the Hammer

3425
02:16:38,106 --> 02:16:39,524
movie he was in, And Now The

3426
02:16:39,524 --> 02:16:40,984
He starts to scream, but he
It's probably also

3427
02:16:40,984 --> 02:16:43,528
most famous for being
in Pink Panther

3428
02:16:43,528 --> 02:16:44,738
films with Peter Sellers.

3429
02:16:49,117 --> 02:16:51,203
Probably the moment
most famous in The

3430
02:16:51,203 --> 02:16:53,538
Sect is where they have this kind of

3431
02:16:53,538 --> 02:16:56,249
contraption where they put
hooks in everything

3432
02:16:56,249 --> 02:16:59,336
around that person's face

3433
02:16:59,336 --> 02:17:01,588
slab, and you can
simply twist it and

3434
02:17:01,588 --> 02:17:03,006
pull it out and it pulls the whole

3435
02:17:03,006 --> 02:17:03,506
face.

3436
02:17:05,884 --> 02:17:08,136
There is a very
impressive where she

3437
02:17:08,136 --> 02:17:10,180
is attacked by a
kind of stork creature,

3438
02:17:10,347 --> 02:17:11,681
which is more or less
what Michelle was

3439
02:17:11,681 --> 02:17:12,599
bringing to the genre.

3440
02:17:12,724 --> 02:17:15,101
He was bringing this
very exclusive set

3441
02:17:15,101 --> 02:17:16,811
pieces, even if the whole is not

3442
02:17:16,811 --> 02:17:18,230
necessarily stay together.

3443
02:17:18,313 --> 02:17:20,607
We never needed it
in Italian horror.

3444
02:17:22,192 --> 02:17:22,734
No!

3445
02:17:23,401 --> 02:17:25,528
A fantastic and fun filmmaker.

3446
02:17:26,529 --> 02:17:27,030
No!

3447
02:17:27,739 --> 02:17:27,989
No!

3448
02:17:37,499 --> 02:17:40,877
People Under
Staircase, by Wes Craven.

3449
02:17:41,211 --> 02:17:43,672
Wes Craven always
exceeded the limits

3450
02:17:43,672 --> 02:17:45,674
at the cinema, and he
always been a stranger

3451
02:17:45,674 --> 02:17:47,259
artist, and I have always had a lot

3452
02:17:47,259 --> 02:17:49,344
admiration for him, and he was always

3453
02:17:49,344 --> 02:17:52,472
infusing big ideas
in the things he was

3454
02:17:52,472 --> 02:17:53,014
working on.

3455
02:17:53,139 --> 02:17:54,933
The Last Family on Lenox Avenue

3456
02:17:54,933 --> 02:17:56,977
building, then it's
Of course it needs to be demolished.

3457
02:17:57,477 --> 02:17:59,729
We built a condominium
beautiful and organized, we get

3458
02:17:59,729 --> 02:18:01,064
clean people inside.

3459
02:18:01,064 --> 02:18:04,317
The People Under the
Stairs is a wide

3460
02:18:04,317 --> 02:18:08,321
and yet a look
hyperfocused and horrible

3461
02:18:08,321 --> 02:18:11,157
the disparity between the
the way people in

3462
02:18:11,157 --> 02:18:13,076
the United States was living in

3463
02:18:13,076 --> 02:18:17,789
1990s, at a time
in which racial inequality

3464
02:18:17,789 --> 02:18:20,625
created situations
horrible, especially

3465
02:18:20,625 --> 02:18:22,460
when it came to
real estate crisis.

3466
02:18:25,880 --> 02:18:29,175
You have a story
quite contained with

3467
02:18:29,175 --> 02:18:32,095
quite a set
robust and really great

3468
02:18:32,095 --> 02:18:35,598
actors in a world
which is completely

3469
02:18:35,598 --> 02:18:37,517
representing
metaphorically what it was

3470
02:18:37,517 --> 02:18:38,476
happening at that moment.

3471
02:18:38,768 --> 02:18:41,062
She is feeding
that thing between

3472
02:18:41,062 --> 02:18:41,771
walls again.

3473
02:18:43,940 --> 02:18:45,692
Remember not to
hurt her face.

3474
02:18:46,151 --> 02:18:48,987
The most exciting types
of horror are

3475
02:18:48,987 --> 02:18:50,822
those who treat
of the human condition,

3476
02:18:51,281 --> 02:18:53,283
and what does this horror
causes and what it

3477
02:18:53,283 --> 02:18:55,702
reminds us of our own lives.

3478
02:18:55,702 --> 02:18:57,037
Don't put me there!

3479
02:18:57,454 --> 02:18:57,746
No!

3480
02:18:59,331 --> 02:19:03,335
And then you add
this element of just

3481
02:19:03,335 --> 02:19:07,922
strangeness that is so
leaning towards you like

3482
02:19:07,922 --> 02:19:08,715
an audience member.

3483
02:19:12,719 --> 02:19:15,472
Like a young horror-loving nigga

3484
02:19:15,472 --> 02:19:18,558
growing up, I didn't
I had seen nothing like it

3485
02:19:18,558 --> 02:19:21,102
that was someone from mine
age it seemed

3486
02:19:21,102 --> 02:19:23,813
I could be the protagonist
from a horror movie

3487
02:19:23,813 --> 02:19:25,357
film and live.

3488
02:19:27,192 --> 02:19:27,650
Oh!

3489
02:19:29,694 --> 02:19:32,405
You had Brandon Adams, who was the

3490
02:19:32,405 --> 02:19:32,822
protagonist.

3491
02:19:33,114 --> 02:19:34,074
There must be another way out.

3492
02:19:34,866 --> 02:19:36,117
Further into the house.

3493
02:19:36,409 --> 02:19:37,327
It's the only way here.

3494
02:19:38,119 --> 02:19:39,996
Daddy is too big
to follow and he's scared

3495
02:19:39,996 --> 02:19:40,663
of what's inside.

3496
02:19:40,830 --> 02:19:42,832
People Under the Stairs
also gave us Ving

3497
02:19:42,832 --> 02:19:46,044
Rhames pre-Pulp Fiction,
so if you saw

3498
02:19:46,044 --> 02:19:47,545
People under the stairs,
Did you know how

3499
02:19:47,545 --> 02:19:49,756
he was talented even before he was

3500
02:19:49,756 --> 02:19:50,548
Marcelo Wallace.

3501
02:19:50,799 --> 02:19:52,592
It's good to see the rich get rich

3502
02:19:52,592 --> 02:19:52,884
too.

3503
02:19:53,551 --> 02:19:56,137
Brandon Adams had
old enough at the time

3504
02:19:56,137 --> 02:19:58,932
where did he know what
Is it real and what isn't

3505
02:19:58,932 --> 02:19:59,307
real.

3506
02:19:59,599 --> 02:20:01,518
Wes didn't need to talk to him, having

3507
02:20:01,518 --> 02:20:04,020
to explain to him the
which is a dog attacking

3508
02:20:04,020 --> 02:20:05,730
or something like that, as if
you had a puppet,

3509
02:20:06,064 --> 02:20:07,065
they will react differently

3510
02:20:07,065 --> 02:20:08,108
because they are very young.

3511
02:20:10,360 --> 02:20:13,988
Wendy Robie and Everett
McGill as the mother

3512
02:20:13,988 --> 02:20:15,907
and dad, it was really cool to see

3513
02:20:15,907 --> 02:20:18,159
the two together because they too

3514
02:20:18,159 --> 02:20:19,911
play a couple in Twin Peaks.

3515
02:20:21,162 --> 02:20:22,997
Sorry, honey, I didn't see that there.

3516
02:20:23,123 --> 02:20:25,250
You stepped on my crosswalk!

3517
02:20:25,500 --> 02:20:28,169
People under the stairs,
strangely, given its

3518
02:20:28,169 --> 02:20:30,880
premise and its setting,
It's a lot of fun

3519
02:20:30,880 --> 02:20:34,259
film, especially
when you get to Everett

3520
02:20:34,259 --> 02:20:37,178
McGill is 100% full steam ahead

3521
02:20:37,178 --> 02:20:38,346
performance.

3522
02:20:38,638 --> 02:20:40,723
I got him, I got him, I got him

3523
02:20:40,723 --> 02:20:41,224
him, I got him!

3524
02:20:41,683 --> 02:20:45,562
It gradually increases
and go crazy like

3525
02:20:45,562 --> 02:20:46,646
the characters go crazy.

3526
02:20:49,649 --> 02:20:51,651
At a time when People
Under the Stairs

3527
02:20:51,651 --> 02:20:53,862
was made, cinema
conventional commercial

3528
02:20:53,862 --> 02:20:56,948
it wasn't having many nuances,

3529
02:20:56,948 --> 02:20:58,283
sophisticated or complicated

3530
02:20:58,283 --> 02:21:00,869
conversations about socioeconomic

3531
02:21:00,869 --> 02:21:03,163
disparity in the States
United, racial inequality

3532
02:21:03,163 --> 02:21:04,747
inequality in the United States.

3533
02:21:04,831 --> 02:21:06,082
You and your brother own

3534
02:21:06,082 --> 02:21:08,209
more than 50 buildings
In this city, everyone

3535
02:21:08,209 --> 02:21:09,586
that you allowed
deteriorated into

3536
02:21:09,586 --> 02:21:11,504
hells infested with
mice while you stay

3537
02:21:11,504 --> 02:21:12,797
rich people charging ridiculous rents.

3538
02:21:12,881 --> 02:21:14,007
I was looking at the present.

3539
02:21:14,007 --> 02:21:16,426
What is happening in the present?

3540
02:21:16,843 --> 02:21:19,929
Why is the situation still
Is it so complicated?

3541
02:21:20,096 --> 02:21:21,973
There is no community here.

3542
02:21:23,183 --> 02:21:25,727
All I see are some no...

3543
02:21:25,727 --> 02:21:28,271
Wes Craven, he's
making films about

3544
02:21:28,271 --> 02:21:30,773
something that you are passionate about, that is

3545
02:21:30,773 --> 02:21:34,569
he is watching our
society disintegrating

3546
02:21:34,569 --> 02:21:36,988
some degree and also worshiping the

3547
02:21:36,988 --> 02:21:38,364
villain, worshiping the enemy.

3548
02:21:38,573 --> 02:21:40,241
I love People
Under the Stairs, he

3549
02:21:40,241 --> 02:21:41,701
I never tried to make one
continuation, like this

3550
02:21:41,701 --> 02:21:43,995
That's right, I already left
clear my point.

3551
02:21:45,038 --> 02:21:47,207
Shut the fuck up!

3552
02:21:55,381 --> 02:21:58,801
I'm always thrilled
for being exposed to new things

3553
02:21:58,801 --> 02:22:01,513
ways of making films,
for new ways of

3554
02:22:01,513 --> 02:22:04,641
tell a story, a
new technology that allows

3555
02:22:04,641 --> 02:22:06,851
you to do something more realistic

3556
02:22:06,851 --> 02:22:07,519
happen.

3557
02:22:10,396 --> 02:22:12,565
The 90s were a great time of

3558
02:22:12,565 --> 02:22:15,068
technological experimentation and

3559
02:22:15,068 --> 02:22:18,238
discovery of transformation
and the creation of CGI, which

3560
02:22:18,238 --> 02:22:18,863
that kind of thing.

3561
02:22:18,947 --> 02:22:21,491
That's what Ray
Harryhausen did it in the 90s

3562
02:22:21,491 --> 02:22:23,785
went to the 50s,
creating stop-motion

3563
02:22:23,785 --> 02:22:26,746
creatures, the cyclopes,
these are incredible

3564
02:22:26,746 --> 02:22:29,249
things to see in context.

3565
02:22:29,457 --> 02:22:31,834
Sinbad help me! Help!

3566
02:22:31,834 --> 02:22:35,046
Digital visual effects
evil are coming

3567
02:22:35,046 --> 02:22:37,173
to the mainstream at the end of

3568
02:22:37,173 --> 02:22:39,676
80s, but in the 90s, suddenly

3569
02:22:39,676 --> 02:22:42,053
suddenly it becomes real and becomes

3570
02:22:42,053 --> 02:22:43,429
real in a way that will change

3571
02:22:43,429 --> 02:22:44,347
the industry forever.

3572
02:22:44,681 --> 02:22:47,100
It happens between type one-two

3573
02:22:47,100 --> 02:22:49,894
punch of Terminator 2 and Jurassic Park.

3574
02:22:51,854 --> 02:22:54,899
In 1992, there was this
tool where you

3575
02:22:54,899 --> 02:22:57,151
could really do
a metamorphosis happens

3576
02:22:57,151 --> 02:22:59,320
put it on the camera and
no need to cut

3577
02:22:59,320 --> 02:23:01,197
far from it as in the old Werewolf

3578
02:23:01,197 --> 02:23:01,573
movies.

3579
02:23:05,952 --> 02:23:07,579
And to be able to do this in

3580
02:23:07,579 --> 02:23:09,581
a monster movie
It was a revelation.

3581
02:23:09,581 --> 02:23:13,293
The police officer, deputy
Andy, see Charles Brady

3582
02:23:13,293 --> 02:23:15,461
driving, and he
turns into a bunch of

3583
02:23:15,461 --> 02:23:17,422
different faces,
including a sleepwalker

3584
02:23:17,422 --> 02:23:19,424
face and baby face.

3585
02:23:19,591 --> 02:23:21,426
The baby was the son of the visual

3586
02:23:21,426 --> 02:23:23,011
effects supervisor, by the way.

3587
02:23:23,303 --> 02:23:25,013
Andy says: what the fuck?

3588
02:23:25,138 --> 02:23:27,265
And the whole audience was already saying

3589
02:23:27,265 --> 02:23:28,850
this to each other, and they just

3590
02:23:28,850 --> 02:23:29,934
exploded.

3591
02:23:30,435 --> 02:23:32,353
They had never seen anything like it

3592
02:23:32,353 --> 02:23:33,563
before, and it was exciting.

3593
02:23:36,274 --> 02:23:37,775
It is similar to magic.

3594
02:23:37,775 --> 02:23:39,777
You can't believe the
that you see at the first moment

3595
02:23:39,777 --> 02:23:40,320
It's time for you to see this.

3596
02:23:40,486 --> 02:23:42,447
The transitions between practice

3597
02:23:42,447 --> 02:23:45,033
effects, which reached
an incredible level

3598
02:23:45,033 --> 02:23:47,702
sophistication in the 80s, and this new

3599
02:23:47,702 --> 02:23:50,330
generated digital technology
by computer to

3600
02:23:50,330 --> 02:23:53,291
visual effects, the
seams are so difficult to

3601
02:23:53,291 --> 02:23:56,878
detect and when it is
correctly deployed

3602
02:23:56,878 --> 02:23:58,713
like this kind of balance between

3603
02:23:58,713 --> 02:24:00,673
incredible practical effects and

3604
02:24:00,673 --> 02:24:03,343
invisible digital effects,
what do you get

3605
02:24:03,343 --> 02:24:04,886
It's changing the industry.

3606
02:24:09,474 --> 02:24:12,226
There was a bootleg tape that circulated

3607
02:24:12,226 --> 02:24:15,063
around the city, the test
T-Rex for Jurassic

3608
02:24:15,063 --> 02:24:15,438
Park.

3609
02:24:15,688 --> 02:24:17,148
At that moment, we
we thought, oh, that

3610
02:24:17,148 --> 02:24:18,816
It is the beginning of the end, and all

3611
02:24:18,816 --> 02:24:21,194
the film had to be all CGI, and

3612
02:24:21,194 --> 02:24:23,154
So you saw our business decline

3613
02:24:23,154 --> 02:24:23,571
a little bit.

3614
02:24:26,658 --> 02:24:28,868
They took all
great potters and

3615
02:24:28,868 --> 02:24:29,994
people in stop motion,
and they brought them

3616
02:24:29,994 --> 02:24:31,788
to ILM, and they trained them in

3617
02:24:31,788 --> 02:24:33,623
Silicon machines
Graphic and said, that

3618
02:24:33,623 --> 02:24:35,291
That's what you'll do from now on.

3619
02:24:39,962 --> 02:24:42,090
The creatures are realistic, they have

3620
02:24:42,090 --> 02:24:43,966
weight, they have weight,
because they had

3621
02:24:43,966 --> 02:24:45,593
the money to make
That's right, they had

3622
02:24:45,593 --> 02:24:47,512
the talent to do
right, they had

3623
02:24:47,512 --> 02:24:49,013
the passion to do it right.

3624
02:24:53,559 --> 02:24:55,645
This, like everything else, is a

3625
02:24:55,645 --> 02:24:57,939
double-edged sword,
because instantly,

3626
02:24:58,189 --> 02:25:00,316
The public is saying,
more, more, more,

3627
02:25:00,358 --> 02:25:02,443
more of this incredible computer generated

3628
02:25:02,443 --> 02:25:03,277
visual effects.

3629
02:25:03,569 --> 02:25:04,987
Producers and filmmakers
are saying: I

3630
02:25:04,987 --> 02:25:06,072
I want to do it, I want to play

3631
02:25:06,072 --> 02:25:07,490
in this sandbox, I
I want to do something

3632
02:25:07,490 --> 02:25:08,700
that otherwise
would be completely

3633
02:25:08,700 --> 02:25:10,993
impossible for me
do, and then you

3634
02:25:10,993 --> 02:25:14,831
see this explosion of
90s visual effects

3635
02:25:14,831 --> 02:25:15,456
movies.

3636
02:25:19,127 --> 02:25:21,629
Many executives
stadium, as they are

3637
02:25:21,629 --> 02:25:23,923
want to do sometimes,
misinterpret the

3638
02:25:23,923 --> 02:25:25,883
situation, it's like, oh, CGI, like, we

3639
02:25:25,883 --> 02:25:27,677
Can you do CGI?
cheaper, it will be

3640
02:25:27,677 --> 02:25:28,177
faster.

3641
02:25:31,180 --> 02:25:33,558
Thinking that you will save

3642
02:25:33,558 --> 02:25:35,685
and get the same effect,
you are being

3643
02:25:35,685 --> 02:25:36,144
nonsense.

3644
02:25:36,144 --> 02:25:38,229
See you later, darling.

3645
02:25:43,192 --> 02:25:45,695
When computer graphics
arrived and digital technology

3646
02:25:45,695 --> 02:25:47,530
arrived, you will notice a change in

3647
02:25:47,530 --> 02:25:50,116
having three or four
or five months

3648
02:25:50,116 --> 02:25:52,118
preparing for a film,
even on a low budget

3649
02:25:52,118 --> 02:25:54,412
film, suddenly,
It's a question of

3650
02:25:54,412 --> 02:25:55,955
weeks, that's all
preparation you receive.

3651
02:25:56,164 --> 02:25:56,789
Shut up.

3652
02:25:58,916 --> 02:26:01,127
The quality of these effects varies

3653
02:26:01,127 --> 02:26:04,046
a lot, and when it doesn't work, oh

3654
02:26:04,046 --> 02:26:05,548
wow, that's a lot.

3655
02:26:10,386 --> 02:26:12,680
And then you get kinda
that like Windows

3656
02:26:12,680 --> 02:26:15,224
screen protection films,
as The Lawmower Man.

3657
02:26:15,349 --> 02:26:16,934
You did it!

3658
02:26:17,143 --> 02:26:19,562
Many of these 90s movies

3659
02:26:19,562 --> 02:26:22,398
need to be forgiven
because they didn't know

3660
02:26:22,398 --> 02:26:25,526
what they do, but they also need

3661
02:26:25,526 --> 02:26:27,612
be placed in a
context of, look, we are

3662
02:26:27,612 --> 02:26:29,113
learning how to do this.

3663
02:26:31,949 --> 02:26:34,452
I discovered that CG is a kind of

3664
02:26:34,452 --> 02:26:36,078
a cool tool as a director.

3665
02:26:36,078 --> 02:26:38,080
At Wishmaster, I
I used it for the first time

3666
02:26:38,080 --> 02:26:38,414
time.

3667
02:26:41,876 --> 02:26:44,045
There was definitely
things we could

3668
02:26:44,045 --> 02:26:45,755
do something that I don't
I could do it traditionally.

3669
02:26:47,673 --> 02:26:49,967
With Wes Craven's New Nightmare, there is

3670
02:26:49,967 --> 02:26:52,929
there were some CGI moments that

3671
02:26:52,929 --> 02:26:54,847
probably not today
they hold up very well,

3672
02:26:55,014 --> 02:26:57,141
but I'm always surprised
with how well

3673
02:26:57,141 --> 02:26:58,476
people still like them.

3674
02:26:58,726 --> 02:27:00,603
They still keep them
in their hearts like

3675
02:27:00,603 --> 02:27:02,480
a really cool moment in the film.

3676
02:27:03,940 --> 02:27:07,235
Death Becomes Good
a great example of

3677
02:27:07,235 --> 02:27:10,029
Bob Zemeckis using
CG in a way that

3678
02:27:10,029 --> 02:27:11,405
had never been used before.

3679
02:27:11,572 --> 02:27:13,282
You can make a
hole in someone's body

3680
02:27:13,282 --> 02:27:15,201
body and see through it.

3681
02:27:15,201 --> 02:27:19,247
This was completely unnecessary.

3682
02:27:19,413 --> 02:27:21,833
Meryl Streep's face contorted

3683
02:27:21,833 --> 02:27:23,417
looking behind her.

3684
02:27:23,543 --> 02:27:23,876
Ernesto!

3685
02:27:24,585 --> 02:27:27,296
You pushed me down the stairs.

3686
02:27:27,922 --> 02:27:30,216
Just all of these
tricks that could never

3687
02:27:30,216 --> 02:27:32,176
have been made before in the hands of

3688
02:27:32,176 --> 02:27:32,718
magicians.

3689
02:27:37,431 --> 02:27:39,934
I think we also saw at the end

3690
02:27:39,934 --> 02:27:42,770
90s coming to
extreme when The

3691
02:27:42,770 --> 02:27:43,938
The haunting left.

3692
02:27:44,063 --> 02:27:45,147
The doors, Eleanor.

3693
02:27:45,648 --> 02:27:47,024
Only the doors can hold it.

3694
02:27:47,233 --> 02:27:50,736
People were 100%
sadly perplexed by

3695
02:27:50,736 --> 02:27:51,779
all these effects.

3696
02:27:55,658 --> 02:27:58,494
I think the public
I was just having fun

3697
02:27:58,494 --> 02:28:00,621
a buffet where you just want to stop

3698
02:28:00,621 --> 02:28:02,874
eating and they don't
they will stop feeding you

3699
02:28:02,874 --> 02:28:05,084
and the food is crazy
rich and exaggerated

3700
02:28:05,084 --> 02:28:05,585
the top.

3701
02:28:05,751 --> 02:28:07,295
Let's see you leaving
through this door.

3702
02:28:11,549 --> 02:28:13,384
People burn out quickly

3703
02:28:13,384 --> 02:28:13,718
digital.

3704
02:28:13,885 --> 02:28:16,095
It is no longer spectacular if there is

3705
02:28:16,095 --> 02:28:17,388
There is no more spectacle.

3706
02:28:21,767 --> 02:28:24,228
Since it wasn't
the new tool and

3707
02:28:24,228 --> 02:28:26,606
new toy that everyone
the filmmakers used it as

3708
02:28:26,606 --> 02:28:29,025
a crutch, the effects
practitioners started

3709
02:28:29,025 --> 02:28:30,443
to come back especially with the

3710
02:28:30,443 --> 02:28:32,820
filmmakers who were
really big fans

3711
02:28:32,820 --> 02:28:35,197
practical effects
classics like Guillermo

3712
02:28:35,197 --> 02:28:37,366
do Touro or JJ Abrams.

3713
02:28:39,368 --> 02:28:41,162
They like to mix and have

3714
02:28:41,162 --> 02:28:42,204
a little of both there.

3715
02:28:42,288 --> 02:28:44,081
So I think he
came back gradually and

3716
02:28:44,081 --> 02:28:45,666
now it's like a good mix.

3717
02:28:47,919 --> 02:28:49,837
I think the refutation is CG

3718
02:28:49,837 --> 02:28:52,506
largely mistaken
and will be seen as such

3719
02:28:52,506 --> 02:28:53,591
There at the end of the road because I think

3720
02:28:53,591 --> 02:28:54,926
the public simply
will like the films you watch

3721
02:28:54,926 --> 02:28:56,844
how and will there be a good art house

3722
02:28:56,844 --> 02:28:58,429
films and films that
didn't work much

3723
02:28:58,429 --> 02:29:00,264
well and I think the
people will look back

3724
02:29:00,264 --> 02:29:02,516
in the films they gave
right in the 90s

3725
02:29:02,516 --> 02:29:04,310
with much love for

3726
02:29:04,310 --> 02:29:05,019
movies that worked.

3727
02:29:07,980 --> 02:29:10,524
I'm sure in 20 or 30 years

3728
02:29:10,524 --> 02:29:11,901
Let's remember that time

3729
02:29:11,901 --> 02:29:13,194
and be like, Look at the Avatar!

3730
02:29:13,527 --> 02:29:15,237
What a waste of resources!

3731
02:29:15,363 --> 02:29:16,072
It looks so bad!

3732
02:29:16,155 --> 02:29:18,240
So this is the nature
of film production

3733
02:29:18,240 --> 02:29:20,326
and technology and how they always

3734
02:29:20,326 --> 02:29:21,369
were intertwined together.

3735
02:29:21,744 --> 02:29:23,579
That's the big thing
about the magic of cinema

3736
02:29:23,579 --> 02:29:25,331
It's you accepting the unacceptable.

3737
02:29:25,831 --> 02:29:27,708
You make the unreal real.

3738
02:29:28,084 --> 02:29:29,794
Now we're at that point where

3739
02:29:29,794 --> 02:29:32,046
I haven't crossed the uncanny valley yet

3740
02:29:32,046 --> 02:29:36,258
to create a human character, but it is

3741
02:29:36,258 --> 02:29:37,760
it will happen and it will be

3742
02:29:37,760 --> 02:29:40,096
wonderful and terrible
at the same time.

3743
02:29:42,640 --> 02:29:44,684
It's getting very scary.

3744
02:29:45,226 --> 02:29:47,269
So if you think about AI You think

3745
02:29:47,269 --> 02:29:51,023
of the thing that imitates humans and

3746
02:29:51,023 --> 02:29:53,567
human efforts and human art.

3747
02:29:53,859 --> 02:29:54,819
Now, is this great?

3748
02:29:54,944 --> 02:29:55,569
I don't know.

3749
02:29:55,987 --> 02:29:57,029
I want to be human.

3750
02:29:57,363 --> 02:29:58,572
I don't want an imitation.

3751
02:29:59,657 --> 02:30:00,282
No!

3752
02:30:01,701 --> 02:30:03,703
Tales from the Crypt, we made an episode

3753
02:30:03,703 --> 02:30:06,330
called You Murderer
that Alan Katz and I

3754
02:30:06,330 --> 02:30:09,542
wrote and Bob Zemeckis directed and

3755
02:30:09,542 --> 02:30:11,502
starring Humphrey Bogart

3756
02:30:11,502 --> 02:30:13,129
It seems like fate
gave a helping hand.

3757
02:30:13,462 --> 02:30:15,047
who had already passed away a long time ago.

3758
02:30:15,423 --> 02:30:17,758
We bought Humphrey Bogart clips.

3759
02:30:17,925 --> 02:30:21,220
Now, today with AI
I suspect that all

3760
02:30:21,220 --> 02:30:22,555
the process would be very different.

3761
02:30:22,972 --> 02:30:25,307
I'm very nervous
about what it means

3762
02:30:25,307 --> 02:30:27,601
and what will it do to
actors' rights.

3763
02:30:27,768 --> 02:30:29,603
I do not want to infringe or configure

3764
02:30:29,603 --> 02:30:32,023
an infringement on the actors
or anyone else

3765
02:30:32,023 --> 02:30:33,607
for this subject in
terms of who we are

3766
02:30:33,607 --> 02:30:34,066
creating.

3767
02:30:34,316 --> 02:30:36,944
It's really a question
of respect for the actor

3768
02:30:36,944 --> 02:30:38,571
and respect for the family.

3769
02:30:38,779 --> 02:30:39,864
I thought you might show up.

3770
02:30:40,281 --> 02:30:42,324
If my image is
used after I die

3771
02:30:42,324 --> 02:30:45,661
being controlled by
some AI for sales

3772
02:30:45,661 --> 02:30:47,663
purposes well, they
remembered me enough

3773
02:30:47,663 --> 02:30:49,749
wanting to use me and that's something.

3774
02:30:50,082 --> 02:30:52,084
That, I suppose, trumps everything else.

3775
02:30:52,084 --> 02:30:54,670
out because even the biggest actors in

3776
02:30:54,670 --> 02:30:57,506
all times are not
remembered more than one

3777
02:30:57,506 --> 02:30:58,049
hundred years.

3778
02:30:58,049 --> 02:31:00,634
However, the product
that I might be selling,

3779
02:31:00,843 --> 02:31:02,845
the film in which I can
be may not be

3780
02:31:02,845 --> 02:31:05,431
have been my desires in this world and

3781
02:31:05,431 --> 02:31:07,099
That's why I think it's terrible.

3782
02:31:10,603 --> 02:31:13,481
The biggest fear is that
eventually once

3783
02:31:13,481 --> 02:31:16,317
your image is captured and digitized

3784
02:31:16,317 --> 02:31:18,319
can be used in
any way possible

3785
02:31:18,319 --> 02:31:20,529
you can think and you won't

3786
02:31:20,529 --> 02:31:22,448
has some power over
how it is used.

3787
02:31:22,615 --> 02:31:23,866
I have this fear.

3788
02:31:24,033 --> 02:31:25,951
I'll just bash your brains out.

3789
02:31:26,869 --> 02:31:28,746
I'm going to beat them up right now

3790
02:31:28,746 --> 02:31:29,163
in.

3791
02:31:29,955 --> 02:31:32,708
I really believe that
no matter how hard

3792
02:31:32,708 --> 02:31:35,503
people try
make avatars of us to

3793
02:31:35,503 --> 02:31:38,631
act in programs
of television or films or

3794
02:31:38,631 --> 02:31:40,800
games or any
virtual realities that

3795
02:31:40,800 --> 02:31:42,134
we will be in it will be

3796
02:31:42,134 --> 02:31:44,970
missing that spark
of life somehow

3797
02:31:44,970 --> 02:31:46,472
that I think the
people will be able to

3798
02:31:46,472 --> 02:31:46,931
detect.

3799
02:31:50,684 --> 02:31:52,853
I just feel that the
people really like

3800
02:31:52,853 --> 02:31:53,687
see real people.

3801
02:31:54,105 --> 02:31:55,648
You could do
an 18 year old young man

3802
02:31:55,648 --> 02:31:58,317
Nancy stars in a
new movie, but I

3803
02:31:58,317 --> 02:31:59,568
I don't have any problem with that.

3804
02:31:59,735 --> 02:32:02,071
I created a fictional character for a

3805
02:32:02,071 --> 02:32:04,281
company and they
paid to do this

3806
02:32:04,281 --> 02:32:05,074
and they own it.

3807
02:32:05,199 --> 02:32:06,700
That's the only thing I think

3808
02:32:06,700 --> 02:32:08,744
many actors forget that you

3809
02:32:08,744 --> 02:32:10,996
volunteer to do
part of an industry where

3810
02:32:10,996 --> 02:32:13,707
It's your image they're using

3811
02:32:13,707 --> 02:32:16,127
and buy when they pay you.

3812
02:32:16,377 --> 02:32:18,045
Knowing it will be interesting

3813
02:32:18,045 --> 02:32:19,713
see if there is any law
contract that comes

3814
02:32:19,713 --> 02:32:23,175
in play to reuse
your image as a

3815
02:32:23,175 --> 02:32:23,843
18 years old.

3816
02:32:24,051 --> 02:32:26,095
I would hope it existed and

3817
02:32:26,095 --> 02:32:28,347
I hope people
be compensated

3818
02:32:28,347 --> 02:32:28,764
for that.

3819
02:32:28,848 --> 02:32:29,807
I think it's fair.

3820
02:32:30,057 --> 02:32:31,892
However, I won't count on that.

3821
02:32:32,143 --> 02:32:35,187
I think it's always
a mistake making a deposit

3822
02:32:35,187 --> 02:32:35,855
in Hollywood.

3823
02:32:36,313 --> 02:32:39,024
Film production
changes every two years.

3824
02:32:39,400 --> 02:32:40,401
Change is eternal.

3825
02:32:40,693 --> 02:32:42,736
Has changed since the first

3826
02:32:42,736 --> 02:32:43,279
cameras.

3827
02:32:43,737 --> 02:32:45,447
People who fight against
changes are stupid.

3828
02:32:45,823 --> 02:32:48,784
People who only think this is a

3829
02:32:48,784 --> 02:32:51,120
easy way out are also idiots.

3830
02:32:53,414 --> 02:32:55,666
We are always
wondering what will be next

3831
02:32:55,666 --> 02:32:57,418
technology will do
with our jobs

3832
02:32:57,418 --> 02:32:59,670
and our industry,
but I don't think we

3833
02:32:59,670 --> 02:33:01,714
should stop people from trying

3834
02:33:01,714 --> 02:33:03,757
create incredible visuals.

3835
02:33:04,175 --> 02:33:06,468
Every painter, every sculptor always

3836
02:33:06,468 --> 02:33:08,721
I wanted to present something that

3837
02:33:08,721 --> 02:33:10,806
the public has never seen before and be

3838
02:33:10,806 --> 02:33:11,182
exclusive.

3839
02:33:15,978 --> 02:33:17,771
I think this will become a trend

3840
02:33:17,771 --> 02:33:19,773
which we will see continue forever.

3841
02:33:33,621 --> 02:33:37,374
Basket Case 3 it's time to build one

3842
02:33:37,374 --> 02:33:38,584
bigger basket.

3843
02:33:38,918 --> 02:33:40,544
Basket Case 2 was like a well

3844
02:33:40,544 --> 02:33:41,503
-oiled machine.

3845
02:33:41,837 --> 02:33:43,839
We all carry on
saying we would like to have

3846
02:33:43,839 --> 02:33:44,924
a third to do.

3847
02:33:45,049 --> 02:33:47,051
We all wanted
scroll straight to another

3848
02:33:47,051 --> 02:33:47,468
film.

3849
02:33:47,676 --> 02:33:49,261
I thought we were going to see Belial.

3850
02:33:49,762 --> 02:33:51,472
I have to explain
things for him.

3851
02:33:51,472 --> 02:33:53,766
All masks now
were made and we

3852
02:33:53,766 --> 02:33:55,017
they were filming in the summer.

3853
02:33:55,017 --> 02:33:57,561
Now we freaked out
wranglers for all

3854
02:33:57,561 --> 02:33:59,230
people and they would have faith.

3855
02:33:59,230 --> 02:34:01,523
Each mask had a
opening they could get

3856
02:34:01,523 --> 02:34:02,274
cold air coming in.

3857
02:34:02,441 --> 02:34:03,692
You have to worry about that.

3858
02:34:03,901 --> 02:34:06,612
Your brother's girlfriend is pregnant.

3859
02:34:07,238 --> 02:34:09,448
Does that mean I'm going to be an uncle?

3860
02:34:09,823 --> 02:34:11,867
Eve was pregnant,
then they embarked

3861
02:34:11,867 --> 02:34:13,702
School bus to visit uncle

3862
02:34:13,702 --> 02:34:15,162
Hal in Georgia.

3863
02:34:16,330 --> 02:34:18,207
He is the only doctor in
who would I trust for a

3864
02:34:18,207 --> 02:34:19,250
delicate case like this.

3865
02:34:19,291 --> 02:34:20,751
I thought, why don't I do a musical?

3866
02:34:20,751 --> 02:34:21,043
number?

3867
02:34:21,085 --> 02:34:21,961
I always wanted to.

3868
02:34:22,127 --> 02:34:23,212
If I don't do this now,
I will never make it again

3869
02:34:23,212 --> 02:34:23,545
do this.

3870
02:34:23,796 --> 02:34:25,673
I told Annie, that
How do you sing?

3871
02:34:25,673 --> 02:34:26,340
Personality?

3872
02:34:26,340 --> 02:34:27,758
She says, "I loved it."

3873
02:34:32,221 --> 02:34:34,765
Lloyd Price, who wrote
the music, he owned it

3874
02:34:34,765 --> 02:34:34,974
this.

3875
02:34:35,182 --> 02:34:36,642
He asked: who is singing?

3876
02:34:36,850 --> 02:34:39,436
They said, Annie
Ross, he went, holy shit,

3877
02:34:39,603 --> 02:34:39,853
really?

3878
02:34:40,229 --> 02:34:42,398
Oh my God, oh my God, you

3879
02:34:42,398 --> 02:34:43,440
you can have it for a dollar.

3880
02:34:48,153 --> 02:34:50,614
Basketball Case 2 was a
colossal problem.

3881
02:34:50,864 --> 02:34:53,075
They didn't like the
birth scene I wrote

3882
02:34:53,075 --> 02:34:55,703
which continued and
went on and on and on

3883
02:34:55,703 --> 02:34:56,912
They said, we want to cut it.

3884
02:34:57,121 --> 02:34:57,746
I said, why?

3885
02:34:57,830 --> 02:34:59,415
And they said: you
It will offend women.

3886
02:34:59,748 --> 02:35:02,293
I said, no, the
women will understand

3887
02:35:02,293 --> 02:35:02,543
scene.

3888
02:35:02,835 --> 02:35:05,337
Oh, she's beautiful.

3889
02:35:06,213 --> 02:35:09,091
Originally, I wanted
a plastic tarp

3890
02:35:09,091 --> 02:35:11,135
throughout the room and
every time we are

3891
02:35:11,135 --> 02:35:12,678
inside the things
are squirting.

3892
02:35:12,970 --> 02:35:14,805
Different colors, that's different,

3893
02:35:15,139 --> 02:35:15,597
different from that.

3894
02:35:15,681 --> 02:35:17,349
I lost 11 pages, I need to recover

3895
02:35:17,349 --> 02:35:17,975
with something else.

3896
02:35:18,475 --> 02:35:21,103
The guy who played
Grandma Ruth's son with

3897
02:35:21,103 --> 02:35:23,314
the 11 arms were
played by Jim O'Doherty.

3898
02:35:23,522 --> 02:35:25,524
You have to take out all the babies

3899
02:35:25,524 --> 02:35:27,276
a thread, on a rope.

3900
02:35:27,568 --> 02:35:29,570
What if you do it in rhyme?

3901
02:35:29,862 --> 02:35:32,156
She had five and is still alive.

3902
02:35:32,448 --> 02:35:33,574
I need to smoke a cigarette.

3903
02:35:33,824 --> 02:35:35,326
It's the funniest thing in the film.

3904
02:35:35,451 --> 02:35:36,160
Sextuplets

3905
02:35:37,077 --> 02:35:38,954
she's popping them
like they were Pez candy.

3906
02:35:39,121 --> 02:35:39,455
Seven.

3907
02:35:40,039 --> 02:35:41,832
Number seven, all from heaven.

3908
02:35:42,082 --> 02:35:43,959
I just try not to laugh.

3909
02:35:44,084 --> 02:35:45,878
I always ruin my own movie

3910
02:35:45,878 --> 02:35:46,378
laughing.

3911
02:35:46,628 --> 02:35:48,422
Number eight, straighten them out.

3912
02:35:48,672 --> 02:35:50,716
Number nine, my boyfriend.

3913
02:35:51,759 --> 02:35:54,094
Yes, they were
shooting RoboCop 3

3914
02:35:54,094 --> 02:35:56,347
in Atlanta, right next door
from where we were,

3915
02:35:56,472 --> 02:35:58,432
and I thought, let's make a Robo-Belial,

3916
02:35:58,640 --> 02:35:59,475
which is hilarious.

3917
02:36:02,728 --> 02:36:05,147
Originally, I
I wanted to go back to the part

3918
02:36:05,147 --> 02:36:07,566
one and give them one
true X rating

3919
02:36:07,566 --> 02:36:08,317
bloody movie.

3920
02:36:08,525 --> 02:36:10,361
Then they told me that
they really want one

3921
02:36:10,361 --> 02:36:11,570
PG now for this one.

3922
02:36:11,862 --> 02:36:12,363
What do you do?

3923
02:36:12,571 --> 02:36:14,573
So we had effects
who were kind of

3924
02:36:14,573 --> 02:36:15,657
unfinished in the film.

3925
02:36:17,993 --> 02:36:20,287
There is a scene where
Belial squeeze it

3926
02:36:20,287 --> 02:36:23,916
guy's head and it just looks like a

3927
02:36:23,916 --> 02:36:25,209
bad fake head.

3928
02:36:25,751 --> 02:36:27,336
Originally, it was supposed to be a

3929
02:36:27,336 --> 02:36:28,212
waterfall of blood.

3930
02:36:32,800 --> 02:36:34,468
Basically we had to do a
bloodless operation

3931
02:36:34,468 --> 02:36:37,805
movie, which, you know,
I didn't like it very much.

3932
02:36:44,436 --> 02:36:46,480
I can put serious things there, but

3933
02:36:46,480 --> 02:36:48,023
I'm not trying to make it intellectual

3934
02:36:48,023 --> 02:36:49,024
art films.

3935
02:36:49,316 --> 02:36:51,860
I'm doing something crazy
in the style of Mad magazine

3936
02:36:51,860 --> 02:36:52,319
movies.

3937
02:36:55,447 --> 02:36:58,909
When I was in Japan,
they were showing

3938
02:36:58,909 --> 02:36:59,827
all three.

3939
02:36:59,993 --> 02:37:03,080
There was a child
seriously disfigured and

3940
02:37:03,080 --> 02:37:04,832
they asked me,
Well, what's the meaning

3941
02:37:04,832 --> 02:37:05,457
from the film?

3942
02:37:06,333 --> 02:37:08,544
And I said, well, you
heard what grandma

3943
02:37:08,544 --> 02:37:09,128
Ruth said.

3944
02:37:10,295 --> 02:37:12,840
It's their world too,
and if we don't

3945
02:37:12,840 --> 02:37:14,925
We like it, we cross the street.

3946
02:37:15,134 --> 02:37:17,052
If you see us walking down the street

3947
02:37:17,052 --> 02:37:19,138
and you don't like it, get out of here

3948
02:37:19,138 --> 02:37:19,721
our way.

3949
02:37:20,055 --> 02:37:21,432
We are here to stay.

3950
02:37:32,693 --> 02:37:35,320
Jean-Pierre Jeunet and Marc Caro

3951
02:37:35,320 --> 02:37:38,198
Delicatessen is a remarkable film

3952
02:37:38,198 --> 02:37:40,409
those films that won me over

3953
02:37:40,409 --> 02:37:42,161
four-minute opening.

3954
02:37:42,536 --> 02:37:45,664
It starts with a man if
hiding inside

3955
02:37:45,664 --> 02:37:48,876
a trash can where
he is found by

3956
02:37:48,876 --> 02:37:50,627
the owner of the building he is

3957
02:37:50,627 --> 02:37:53,422
living in whom the
greets with an ax

3958
02:37:53,422 --> 02:37:54,131
on the face.

3959
02:37:55,466 --> 02:37:58,552
It's about a post-apocalyptic world

3960
02:37:58,552 --> 02:38:02,264
where meat is food
most sought after and

3961
02:38:02,264 --> 02:38:03,474
sacred thing.

3962
02:38:03,807 --> 02:38:06,685
And there is a butcher who is also the owner

3963
02:38:06,685 --> 02:38:09,855
a building that needs
constantly new

3964
02:38:09,855 --> 02:38:12,024
person to be the
superintendent of it

3965
02:38:12,024 --> 02:38:14,234
building because he
keeps making them fat

3966
02:38:14,234 --> 02:38:16,612
and then cut them to feed

3967
02:38:16,612 --> 02:38:17,821
for everyone in the building.

3968
02:38:24,953 --> 02:38:28,624
This movie goes places
that you won't

3969
02:38:28,624 --> 02:38:31,043
I never saw it coming
a million years

3970
02:38:31,043 --> 02:38:34,588
especially when
you arrive at the entrance

3971
02:38:34,588 --> 02:38:37,508
by Dominique Pinon, a
unemployed clown

3972
02:38:37,508 --> 02:38:39,218
and by the way where would a clown go

3973
02:38:39,218 --> 02:38:41,595
get work in a
post-apocalyptic world that

3974
02:38:41,595 --> 02:38:44,097
you know, but he also
It's a good solution

3975
02:38:44,097 --> 02:38:46,475
-It's the guy and he also has a little

3976
02:38:46,475 --> 02:38:48,685
meat on the bones then
this might work

3977
02:38:48,685 --> 02:38:49,478
for everyone.

3978
02:38:54,191 --> 02:38:55,817
There is a scene in the film that

3979
02:38:55,817 --> 02:38:58,904
It is a musical sequence where a

3980
02:38:58,904 --> 02:39:01,490
daily activities
building normals

3981
02:39:01,823 --> 02:39:05,118
all these things if
make them so beautiful

3982
02:39:05,118 --> 02:39:09,748
symphony of percussive ideas and the

3983
02:39:09,748 --> 02:39:13,126
the entire building
is kind of singing

3984
02:39:13,126 --> 02:39:13,669
itself.

3985
02:39:21,552 --> 02:39:24,012
One of the greatest horror moments

3986
02:39:24,012 --> 02:39:26,974
you have our hero and the young girl

3987
02:39:26,974 --> 02:39:28,892
he fell in love with
they are trapped

3988
02:39:28,892 --> 02:39:31,436
in a bathroom that is
filling slowly

3989
02:39:31,436 --> 02:39:32,020
with water.

3990
02:39:32,229 --> 02:39:34,773
They will drown
inside a bathroom

3991
02:39:34,773 --> 02:39:37,401
which is on the top floor of the building

3992
02:39:37,401 --> 02:39:40,195
as the monster approaches and comes

3993
02:39:40,195 --> 02:39:40,696
for them.

3994
02:39:42,573 --> 02:39:43,156
Ahhh!

3995
02:39:44,908 --> 02:39:47,619
It's the film version
Amlie's horror story.

3996
02:39:47,995 --> 02:39:49,788
You won't be able to turn around

3997
02:39:49,788 --> 02:39:51,456
of this film you will watch all

3998
02:39:51,456 --> 02:39:52,040
way through.

3999
02:40:08,682 --> 02:40:12,477
Stephen's Sleepwalkers
King Stephen King

4000
02:40:12,477 --> 02:40:16,064
It is allowed to have the power to do

4001
02:40:16,064 --> 02:40:18,150
something that is simply
very fun.

4002
02:40:18,150 --> 02:40:19,318
Espiga Kebab!

4003
02:40:20,569 --> 02:40:23,113
Or something personal to him and

4004
02:40:23,113 --> 02:40:25,449
something deeply
emotionally rooted as

4005
02:40:25,449 --> 02:40:26,074
The Shining.

4006
02:40:26,325 --> 02:40:27,659
Here's Johnny!

4007
02:40:28,619 --> 02:40:31,538
Sleepwalkers is about
human-cat hybrids

4008
02:40:31,538 --> 02:40:33,040
who are on the run.

4009
02:40:33,290 --> 02:40:35,334
They feed on
vital force of the virgin

4010
02:40:35,334 --> 02:40:39,755
human females and they
have a mortal fear

4011
02:40:39,755 --> 02:40:42,841
of and destroyed by the scratch of a

4012
02:40:42,841 --> 02:40:43,175
cat.

4013
02:40:44,343 --> 02:40:44,968
Ahhh!

4014
02:40:47,304 --> 02:40:49,598
This was right after Twin Peaks

4015
02:40:49,598 --> 02:40:52,351
M�dchen Amick, but
she was so charming and so

4016
02:40:52,351 --> 02:40:55,020
winner and so perfect in the room.

4017
02:40:55,187 --> 02:40:58,023
She was sexy for
Damn, but I knew how to play

4018
02:40:58,023 --> 02:41:00,442
the virgin girl who was innocent and

4019
02:41:00,442 --> 02:41:00,817
the similar.

4020
02:41:04,529 --> 02:41:06,823
Brian Krause was over
to make Return to the

4021
02:41:06,823 --> 02:41:09,785
Blue Lagoon for
Colombia, so he was under

4022
02:41:09,785 --> 02:41:10,702
contract with them.

4023
02:41:10,869 --> 02:41:12,788
We put it together
with M�dchen, and the

4024
02:41:12,788 --> 02:41:15,165
the chemistry was very good and of course

4025
02:41:15,165 --> 02:41:18,126
Alice Krige completing this trifecta

4026
02:41:18,126 --> 02:41:21,296
brought so many levels and layers.

4027
02:41:21,546 --> 02:41:23,632
This simply
increased tremendously.

4028
02:41:23,840 --> 02:41:25,467
You have a very nice house, Mrs.

4029
02:41:25,550 --> 02:41:25,842
Brady, what is this?

4030
02:41:28,804 --> 02:41:31,390
Tanya's parents were
played by Cindy

4031
02:41:31,390 --> 02:41:34,059
Pickett and Lyman Ward,
who were married

4032
02:41:34,059 --> 02:41:35,394
in real life at that time.

4033
02:41:35,602 --> 02:41:37,771
They interpreted the
Ferris Bueller's parents.

4034
02:41:37,938 --> 02:41:39,231
Nobody likes a
Smart Tanya.

4035
02:41:40,399 --> 02:41:42,609
She's smart, darling, and
I'm smart enough

4036
02:41:42,609 --> 02:41:44,027
know that this is yours
first meeting with

4037
02:41:44,027 --> 02:41:44,986
a new kid in town.

4038
02:41:45,278 --> 02:41:47,531
My relationship with
Stephen King during

4039
02:41:47,531 --> 02:41:49,574
the creation of Sleepwalkers
it was a long

4040
02:41:49,574 --> 02:41:50,325
distance one.

4041
02:41:50,534 --> 02:41:51,535
He was in Maine.

4042
02:41:52,035 --> 02:41:53,370
I was in Los Angeles.

4043
02:41:53,787 --> 02:41:55,706
There were telephones and fax machines and

4044
02:41:55,706 --> 02:41:56,915
that was how we communicated.

4045
02:41:57,124 --> 02:41:59,042
He had seen Psycho IV and that was

4046
02:41:59,042 --> 02:42:01,503
the reason why he
thought I was capable of

4047
02:42:01,503 --> 02:42:02,838
directing Son�mbulos.

4048
02:42:03,130 --> 02:42:03,922
I don't know.

4049
02:42:04,005 --> 02:42:05,549
I think it was part
of a son of a bitch

4050
02:42:05,549 --> 02:42:07,175
trilogy that remains unfinished.

4051
02:42:07,384 --> 02:42:09,052
It's started again, mom.

4052
02:42:09,469 --> 02:42:10,137
Don't worry.

4053
02:42:10,887 --> 02:42:11,805
Don't worry.

4054
02:42:11,805 --> 02:42:13,515
I have to feed you.

4055
02:42:13,640 --> 02:42:15,642
The only time we really saw each other

4056
02:42:15,642 --> 02:42:18,270
That's when he left for two hours

4057
02:42:18,270 --> 02:42:20,272
to do the scene
special participation.

4058
02:42:20,397 --> 02:42:22,274
Friend, I'm not going to assume
the blame for this.

4059
02:42:22,357 --> 02:42:23,567
I lock this place up every night.

4060
02:42:23,650 --> 02:42:25,318
It's not my fault if you're all perverted,

4061
02:42:25,610 --> 02:42:26,778
weird, don't talk to me.

4062
02:42:26,945 --> 02:42:28,196
Go talk to someone responsible.

4063
02:42:28,321 --> 02:42:30,699
Those who knew were
thinking, wait,

4064
02:42:30,907 --> 02:42:31,700
That's Stephen King.

4065
02:42:31,867 --> 02:42:32,993
Wait, that's Tobe Hooper.

4066
02:42:33,243 --> 02:42:34,453
Wait, that's Clive Barker.

4067
02:42:34,828 --> 02:42:37,456
Horror fans
want to be part of

4068
02:42:37,456 --> 02:42:40,041
your films and if you
are interested

4069
02:42:40,041 --> 02:42:42,377
joke that has Joe Dante and John

4070
02:42:42,377 --> 02:42:44,713
Landis in one scene, this caused

4071
02:42:44,713 --> 02:42:46,089
a tremendous buzz.

4072
02:42:46,214 --> 02:42:47,632
So the camera was moving?

4073
02:42:48,467 --> 02:42:48,967
No.

4074
02:42:49,217 --> 02:42:50,886
See, the background and clothes are

4075
02:42:50,886 --> 02:42:51,261
in focus.

4076
02:42:51,511 --> 02:42:53,597
Each of these deaths
it was written like this

4077
02:42:53,597 --> 02:42:54,389
path for the King.

4078
02:42:58,935 --> 02:43:00,562
You can read on the page how much

4079
02:43:00,562 --> 02:43:01,772
he had fun writing it.

4080
02:43:03,774 --> 02:43:05,859
It is certainly the only
movie I know

4081
02:43:05,859 --> 02:43:07,694
with death from corn cobs.

4082
02:43:07,861 --> 02:43:08,862
There's blood everywhere.

4083
02:43:13,325 --> 02:43:15,702
Even something as audacious as

4084
02:43:15,702 --> 02:43:17,954
Sleepwalkers about
feline monsters where

4085
02:43:17,954 --> 02:43:20,624
mother and son have sex for power

4086
02:43:20,624 --> 02:43:23,043
to feed the
vital essence of the virgin

4087
02:43:23,043 --> 02:43:25,796
to continue to
line, characters

4088
02:43:25,796 --> 02:43:26,755
played fair.

4089
02:43:27,005 --> 02:43:27,964
Please don't kill me.

4090
02:43:28,924 --> 02:43:31,551
The movie is crazier
than I imagined

4091
02:43:31,551 --> 02:43:33,345
it was when we were
doing this, but the

4092
02:43:33,345 --> 02:43:35,222
performances and the approach to

4093
02:43:35,222 --> 02:43:37,641
the performances were
taking it as if it were

4094
02:43:37,641 --> 02:43:38,099
Shakespeare.

4095
02:43:38,308 --> 02:43:39,017
What do you think happened?

4096
02:43:41,019 --> 02:43:43,480
I don't know, but someone
you definitely don't know

4097
02:43:43,480 --> 02:43:44,231
like cats.

4098
02:43:44,481 --> 02:43:46,650
The Sleepwalkers poster art was

4099
02:43:46,650 --> 02:43:47,442
very interesting.

4100
02:43:47,776 --> 02:43:50,278
This was an era of
death of real art

4101
02:43:50,278 --> 02:43:53,573
instead of Photoshop, where
you simply get

4102
02:43:53,573 --> 02:43:55,283
a bunch of faces, put them together

4103
02:43:55,283 --> 02:43:57,828
in one order, and there is your poster.

4104
02:43:58,495 --> 02:44:00,038
But this was evocative.

4105
02:44:00,372 --> 02:44:02,457
First written story
by Stephen King

4106
02:44:02,457 --> 02:44:04,584
expressly for The Scream.

4107
02:44:04,793 --> 02:44:06,586
It was definitely the end of an era

4108
02:44:06,586 --> 02:44:08,338
for horror poster art.

4109
02:44:15,637 --> 02:44:20,725
Cursed Cemetery 2
The thing about the King

4110
02:44:20,725 --> 02:44:23,228
writing, it's so good because it's so

4111
02:44:23,228 --> 02:44:23,770
internal.

4112
02:44:24,062 --> 02:44:25,981
It's all about the processes
of thought of

4113
02:44:25,981 --> 02:44:28,233
their characters and why
they think this way

4114
02:44:28,233 --> 02:44:30,402
they do and why
they do things

4115
02:44:30,402 --> 02:44:32,487
they do and the madness that is

4116
02:44:32,487 --> 02:44:33,488
descending upon them.

4117
02:44:33,572 --> 02:44:35,407
And it's very difficult to write one

4118
02:44:35,407 --> 02:44:37,868
itinerary for and much
difficult to accomplish

4119
02:44:37,868 --> 02:44:38,702
on the screen.

4120
02:44:38,702 --> 02:44:41,788
Come on, doctor.

4121
02:44:42,581 --> 02:44:44,207
We have places to go.

4122
02:44:44,541 --> 02:44:47,252
Mary Lambert did it
magnificently, I

4123
02:44:47,252 --> 02:44:49,421
I thought, with Pet Sematary,
the first Pet Sematary.

4124
02:44:50,130 --> 02:44:53,550
She really captured
the abject sadness of

4125
02:44:53,550 --> 02:44:56,303
losing a child, this pain that causes

4126
02:44:56,303 --> 02:44:58,305
them to bury the child in the Pet

4127
02:44:58,305 --> 02:45:00,223
Sematary and then he comes back and of course

4128
02:45:00,223 --> 02:45:01,266
Of course, it's not their son.

4129
02:45:01,349 --> 02:45:03,602
It's just an animated demon or something

4130
02:45:03,602 --> 02:45:04,185
that is.

4131
02:45:04,352 --> 02:45:05,937
And does terrible things to Herman

4132
02:45:05,937 --> 02:45:08,648
Munster, which was very upsetting.

4133
02:45:11,693 --> 02:45:13,695
Then the sequence arrives and I'm

4134
02:45:13,695 --> 02:45:16,823
reading this and thinking, oh, wow, I

4135
02:45:16,823 --> 02:45:18,116
I don't think I want to do horror

4136
02:45:18,116 --> 02:45:18,700
continued.

4137
02:45:19,242 --> 02:45:20,660
They said, well,
Who is driving? Mary

4138
02:45:20,660 --> 02:45:21,077
Lamberto.

4139
02:45:21,202 --> 02:45:22,787
I said: Maria, why
Are you doing this?

4140
02:45:22,787 --> 02:45:23,872
You are a great director.

4141
02:45:24,080 --> 02:45:25,540
And she said, that's the only thing

4142
02:45:25,540 --> 02:45:26,166
that was offered to me.

4143
02:45:26,374 --> 02:45:28,126
She had no illusions about what kind

4144
02:45:28,126 --> 02:45:29,002
of the film she was directing.

4145
02:45:29,127 --> 02:45:30,921
She knew better
was driving Pet

4146
02:45:30,921 --> 02:45:33,882
Sematary 2 as O
Godfather 2 or Empire

4147
02:45:33,882 --> 02:45:34,466
Counterattack.

4148
02:45:34,549 --> 02:45:35,091
Hello, Junior.

4149
02:45:35,091 --> 02:45:36,217
Shit.

4150
02:45:36,635 --> 02:45:37,469
Do I want to play?

4151
02:45:38,553 --> 02:45:41,514
It starts in a horror movie and

4152
02:45:41,514 --> 02:45:44,392
our protagonist in the horror film

4153
02:45:44,392 --> 02:45:47,103
has an accident on set and she is

4154
02:45:47,103 --> 02:45:47,395
dead.

4155
02:45:51,066 --> 02:45:53,985
So start by saying that this is

4156
02:45:53,985 --> 02:45:55,362
It won't be Cursed Cemetery.

4157
02:45:55,612 --> 02:45:57,822
This will be a commentary on

4158
02:45:57,822 --> 02:45:58,990
horror films.

4159
02:45:59,157 --> 02:46:01,076
No brain, no pain.

4160
02:46:01,701 --> 02:46:02,535
Think about it.

4161
02:46:03,119 --> 02:46:06,706
The living husband and the
son come home

4162
02:46:06,706 --> 02:46:08,875
to your hometown
and he is a veterinarian.

4163
02:46:09,167 --> 02:46:11,628
In Pet Sematary 2 I
I play Gus Gilbert,

4164
02:46:11,920 --> 02:46:12,545
the sheriff.

4165
02:46:12,921 --> 02:46:16,049
Maybe he had a
fall by Anthony Edwards

4166
02:46:16,049 --> 02:46:18,802
and the movie star
death of Edward Furlong

4167
02:46:18,802 --> 02:46:19,511
wife.

4168
02:46:19,761 --> 02:46:21,221
Your mother and I were boyfriends.

4169
02:46:21,554 --> 02:46:21,888
Really?

4170
02:46:22,597 --> 02:46:23,515
Prom, back to school.

4171
02:46:24,099 --> 02:46:25,141
Nine whole meters.

4172
02:46:25,392 --> 02:46:27,936
He is Edward Furlong's stepfather

4173
02:46:27,936 --> 02:46:28,728
best friend.

4174
02:46:28,937 --> 02:46:31,231
He tolerates his stepson and, you know,

4175
02:46:31,272 --> 02:46:33,233
try to make a man out of him.

4176
02:46:33,400 --> 02:46:34,818
I thought we were going to tone it down

4177
02:46:34,818 --> 02:46:35,902
on your saggy ass.

4178
02:46:36,194 --> 02:46:39,072
Hey, I'm sorry, I'm not the stud

4179
02:46:39,072 --> 02:46:39,614
you are.

4180
02:46:39,656 --> 02:46:43,034
And he doesn't like the dog because they

4181
02:46:43,034 --> 02:46:45,036
threaten your bunnies.

4182
02:46:45,203 --> 02:46:46,663
The damn dog stuck
the snout in my face

4183
02:46:46,663 --> 02:46:47,038
rabbits.

4184
02:46:47,414 --> 02:46:48,123
They united against him.

4185
02:46:48,289 --> 02:46:49,874
I swear this dog is
dumber than a lobster

4186
02:46:49,874 --> 02:46:50,208
bait.

4187
02:46:50,500 --> 02:46:52,419
So he kills the dog and they

4188
02:46:52,419 --> 02:46:54,004
go bury the dog
in the animal cemetery.

4189
02:46:54,212 --> 02:46:56,548
The dog comes back and kills Sheriff Gus

4190
02:46:56,548 --> 02:46:56,923
Gilbert.

4191
02:46:59,050 --> 02:47:02,303
The boys are like,
oh no, we kill

4192
02:47:02,303 --> 02:47:02,929
your stepfather.

4193
02:47:02,929 --> 02:47:04,973
So they get Gus Gilbert and they

4194
02:47:04,973 --> 02:47:07,058
bury him in the cemetery
of pets.

4195
02:47:07,726 --> 02:47:10,103
He comes back and kills everyone.

4196
02:47:16,985 --> 02:47:19,029
It's just one absurdity after another,

4197
02:47:19,237 --> 02:47:20,822
after another, after
from the other and you have

4198
02:47:20,822 --> 02:47:21,823
to enjoy.

4199
02:47:21,906 --> 02:47:23,241
It's just supposed to be fun.

4200
02:47:30,415 --> 02:47:32,417
This is the shit that could happen

4201
02:47:32,417 --> 02:47:35,670
when rabbits are
dead people and fat children are

4202
02:47:35,670 --> 02:47:36,796
buried by potatoes.

4203
02:47:41,801 --> 02:47:43,178
And Stephen hated it.

4204
02:47:43,303 --> 02:47:45,180
But if he hates that
movie, it's his fault

4205
02:47:45,180 --> 02:47:45,430
missing.

4206
02:47:45,597 --> 02:47:46,598
He created the world.

4207
02:47:46,723 --> 02:47:47,682
He created the rules.

4208
02:47:48,016 --> 02:47:48,641
I'm melting.

4209
02:47:51,561 --> 02:47:54,022
Steve Johnson, the
effects makeup artist,

4210
02:47:54,147 --> 02:47:55,565
he had gone to work
in Innocent Blood.

4211
02:47:55,857 --> 02:47:58,068
And then we made a bet that

4212
02:47:58,068 --> 02:48:00,570
Pet Sematary 2 would yield
more money than

4213
02:48:00,570 --> 02:48:02,113
Innocent Blood and I won.

4214
02:48:02,322 --> 02:48:03,740
But I can't remember
what we bet.

4215
02:48:21,091 --> 02:48:23,468
Twin Peaks was a phenomenon

4216
02:48:23,468 --> 02:48:25,512
television in the early 90s.

4217
02:48:25,720 --> 02:48:28,681
Quirky in a fun way.

4218
02:48:30,850 --> 02:48:33,311
As much as a series
about a child

4219
02:48:33,311 --> 02:48:35,647
molester father murdering his daughter

4220
02:48:35,647 --> 02:48:36,147
it could be.

4221
02:48:40,485 --> 02:48:43,905
And the last episode of Twin Peaks is

4222
02:48:43,905 --> 02:48:46,241
probably the thing
scariest thing I've ever experienced

4223
02:48:46,241 --> 02:48:47,075
seen on television.

4224
02:48:53,957 --> 02:48:56,376
Twin Peaks is so much more
than a murder

4225
02:48:56,376 --> 02:48:57,293
of a young woman.

4226
02:48:57,585 --> 02:48:59,045
It's much more than the secrets of a

4227
02:48:59,045 --> 02:48:59,587
small town.

4228
02:48:59,754 --> 02:49:01,631
It's much more than just strange people

4229
02:49:01,631 --> 02:49:03,258
dancing in a cafe
roadside.

4230
02:49:03,675 --> 02:49:06,010
This is a story about the

4231
02:49:06,010 --> 02:49:09,556
human experience in
a level we cannot

4232
02:49:09,556 --> 02:49:11,766
adequately evoke
just with dialogue.

4233
02:49:16,020 --> 02:49:17,856
There's something about David Lynch that

4234
02:49:17,856 --> 02:49:19,941
It always attracted and seduced me

4235
02:49:19,941 --> 02:49:23,736
brought me to the world
him without any effort

4236
02:49:23,736 --> 02:49:26,197
and I think it's because he talks to

4237
02:49:26,197 --> 02:49:27,157
dream language.

4238
02:49:31,161 --> 02:49:33,538
In a way that no one has done

4239
02:49:33,538 --> 02:49:33,872
before.

4240
02:49:38,126 --> 02:49:40,712
So here comes Fire Walk with Me and

4241
02:49:40,712 --> 02:49:42,005
This is a film that takes it all

4242
02:49:42,005 --> 02:49:44,090
characters and all
this story that we

4243
02:49:44,090 --> 02:49:45,592
we know and we think we know and we

4244
02:49:45,592 --> 02:49:47,677
I think we are
starting to understand and that

4245
02:49:47,677 --> 02:49:48,636
set it on fire.

4246
02:49:55,894 --> 02:49:57,896
Counts the last seven days of the

4247
02:49:57,896 --> 02:49:59,272
life of Laura Palmer.

4248
02:50:03,902 --> 02:50:06,112
I think David Lynch
told the story that

4249
02:50:06,112 --> 02:50:07,197
he wanted to tell.

4250
02:50:07,280 --> 02:50:09,616
He would not give in to what the

4251
02:50:09,616 --> 02:50:11,367
network ratings
would have liked if that

4252
02:50:11,367 --> 02:50:13,077
it was a new season of Twin Peaks.

4253
02:50:13,244 --> 02:50:16,247
He wanted to go and unravel
what happened

4254
02:50:16,247 --> 02:50:18,625
for Laura Palmer, but
also starts before

4255
02:50:18,625 --> 02:50:21,211
this also with the previous victim

4256
02:50:21,211 --> 02:50:22,045
Teresa Banks.

4257
02:50:26,674 --> 02:50:28,218
And it's a nightmare.

4258
02:50:28,885 --> 02:50:30,553
That's what it's really about
scary and beautiful

4259
02:50:30,553 --> 02:50:32,388
about Fire Walk with Me.

4260
02:50:33,056 --> 02:50:34,724
When you watch
a horror film

4261
02:50:34,724 --> 02:50:36,017
and it will scare you.

4262
02:50:39,604 --> 02:50:42,732
You get a double
totally different from the FBI

4263
02:50:43,191 --> 02:50:45,109
played by Kiefer
Sutherland and Chris

4264
02:50:45,109 --> 02:50:46,945
Isaak and this incredible scene with

4265
02:50:46,945 --> 02:50:48,780
David Bowie, where did he come from?

4266
02:50:48,780 --> 02:50:50,531
vision of the past that then transitions

4267
02:50:50,531 --> 02:50:53,117
in a room above
a grocery store where

4268
02:50:53,117 --> 02:50:55,078
all the people who end up in

4269
02:50:55,078 --> 02:50:55,870
the Black Lodge.

4270
02:50:59,791 --> 02:51:02,794
And then go to Twin Peaks and

4271
02:51:02,794 --> 02:51:05,964
Laura Palmer and the life of

4272
02:51:05,964 --> 02:51:08,591
prom queen that's not quite like that

4273
02:51:08,591 --> 02:51:10,885
no matter how ideal it looks in the photo

4274
02:51:10,885 --> 02:51:12,762
which is in a prominent place in

4275
02:51:12,762 --> 02:51:14,264
the school trophy cabinet.

4276
02:51:14,973 --> 02:51:16,557
These hands are dirty.

4277
02:51:18,393 --> 02:51:20,770
There's a dirt path underneath it

4278
02:51:20,770 --> 02:51:21,354
nail.

4279
02:51:21,729 --> 02:51:24,732
The sequence of the murder
in itself is also just

4280
02:51:24,732 --> 02:51:27,610
really disturbing and mind-blowing.

4281
02:51:31,239 --> 02:51:33,116
You know, that's the premise of

4282
02:51:33,116 --> 02:51:34,784
the whole show begins
with the murder of

4283
02:51:34,784 --> 02:51:37,870
Laura Palmer for
really see this in

4284
02:51:37,870 --> 02:51:39,747
this kind of vision
nightmare with everything

4285
02:51:39,747 --> 02:51:41,958
this kind of demons from another world

4286
02:51:41,958 --> 02:51:44,085
if you want, it was
really something else.

4287
02:51:47,297 --> 02:51:49,257
It's the stuff of nightmares. Give me one

4288
02:51:49,257 --> 02:51:49,590
break.

4289
02:51:53,886 --> 02:51:57,598
Terrifying and intense and poetic and

4290
02:51:57,598 --> 02:52:00,310
beautiful as something by Jean Cocteau

4291
02:52:00,310 --> 02:52:02,812
or something like that and didn't do it
absolutely nothing

4292
02:52:02,812 --> 02:52:04,772
sense, but you know
which I think is this

4293
02:52:04,772 --> 02:52:07,317
Lynch says. If life
It doesn't make sense, why

4294
02:52:07,317 --> 02:52:08,151
Do movies need it?

4295
02:52:10,278 --> 02:52:12,238
I think they called the
firewalk movie

4296
02:52:12,238 --> 02:52:13,906
With me because after an hour of

4297
02:52:13,906 --> 02:52:15,700
movie would you rather
walk on hot coals.

4298
02:52:15,950 --> 02:52:17,785
The interesting thing was that
both critics

4299
02:52:17,785 --> 02:52:19,912
and Twin Peaks fans hated it.

4300
02:52:20,330 --> 02:52:22,123
So basically there was no audience left

4301
02:52:22,123 --> 02:52:24,292
for this movie except like the real

4302
02:52:24,292 --> 02:52:26,878
Niche hardcore fans of David Lynch.

4303
02:52:31,466 --> 02:52:33,426
But he is a real
artist, I mean

4304
02:52:33,426 --> 02:52:35,887
as has been proven by
Twin Peaks: The Return

4305
02:52:35,887 --> 02:52:37,805
when he just agreed
to do this when

4306
02:52:37,805 --> 02:52:40,892
he got full control
creative and that is a

4307
02:52:40,892 --> 02:52:42,935
show that really goes much further.

4308
02:52:48,149 --> 02:52:50,151
Interestingly I was in
screening of the film in Cannes

4309
02:52:50,151 --> 02:52:52,195
from the first episode
from The Return as

4310
02:52:52,195 --> 02:52:54,447
well and everyone was giving it a 10

4311
02:52:54,447 --> 02:52:55,198
one-minute ovation.

4312
02:52:55,406 --> 02:52:56,866
It kind of showed
that everyone had

4313
02:52:56,866 --> 02:52:59,327
finally kinda
achieved 25 years later

4314
02:52:59,327 --> 02:53:01,537
what Twin Peaks is about
it really was and

4315
02:53:01,537 --> 02:53:03,498
what was really the
David Lynch style

4316
02:53:03,498 --> 02:53:03,831
about.

4317
02:53:08,628 --> 02:53:10,338
Who knows where or when.

4318
02:53:20,098 --> 02:53:22,558
The Other Dimension is by Fabio Salerno

4319
02:53:22,558 --> 02:53:25,686
anthology that follows
three stories, one

4320
02:53:25,686 --> 02:53:27,897
many of them about
obsession and madness.

4321
02:53:35,238 --> 02:53:37,532
My favorite is the opener which is

4322
02:53:37,532 --> 02:53:40,034
about a guy who
meets his ex-lover

4323
02:53:40,034 --> 02:53:42,537
who left him and he you know

4324
02:53:42,537 --> 02:53:43,663
kill her.

4325
02:53:46,165 --> 02:53:48,501
Then keep laying it down
spooning in bed.

4326
02:53:51,754 --> 02:53:53,297
You're not sure
if she is dead or

4327
02:53:53,297 --> 02:53:55,049
if she is alive,
but you know there is

4328
02:53:55,049 --> 02:53:56,884
something very wrong with him and you

4329
02:53:56,884 --> 02:53:59,137
I definitely see some
evil spirits while

4330
02:53:59,137 --> 02:54:00,888
He's struggling with the guilt of what

4331
02:54:00,888 --> 02:54:01,389
he finished.

4332
02:54:04,058 --> 02:54:06,602
With this anthology there is an incredible

4333
02:54:06,602 --> 02:54:09,188
scene where the main character falls

4334
02:54:09,188 --> 02:54:11,691
open a door and there is
a meat eater

4335
02:54:11,691 --> 02:54:12,442
beast.

4336
02:54:15,903 --> 02:54:17,447
With Fabio Salerno's films you

4337
02:54:17,447 --> 02:54:18,948
definitely see one
filmmaker working

4338
02:54:18,948 --> 02:54:19,490
through trauma.

4339
02:54:19,866 --> 02:54:21,033
There are films, there is always something

4340
02:54:21,033 --> 02:54:22,827
around depression
or madness or

4341
02:54:22,827 --> 02:54:23,286
obsession.

4342
02:54:26,914 --> 02:54:28,583
He ended up taking his own life

4343
02:54:28,583 --> 02:54:31,461
in 1993, so when
Do you know this information?

4344
02:54:31,461 --> 02:54:32,879
and you look back on your work

4345
02:54:32,879 --> 02:54:34,422
definitely influences
the way you see.

4346
02:54:37,758 --> 02:54:40,178
Your writing style and
cinematographic production and

4347
02:54:40,178 --> 02:54:41,220
what he was going through.

4348
02:54:47,143 --> 02:54:48,895
Fabio Salerno is absolutely about the

4349
02:54:48,895 --> 02:54:51,272
slow burn that creates tension creates

4350
02:54:51,272 --> 02:54:53,900
suspense and then you have this blood

4351
02:54:53,900 --> 02:54:54,525
centerpiece

4352
02:54:58,571 --> 02:55:00,573
that you didn't see was coming

4353
02:55:00,573 --> 02:55:01,866
For me it's like a sign of a

4354
02:55:01,866 --> 02:55:02,408
great filmmaker.

4355
02:55:12,376 --> 02:55:16,589
Clive Barker presents
Hellraiser III: Hell on Earth

4356
02:55:17,632 --> 02:55:19,967
Hellraiser III: Inferno
on Earth, we caught

4357
02:55:19,967 --> 02:55:23,137
the idea of division between Pinhead

4358
02:55:23,137 --> 02:55:24,472
and Elliot Spencer.

4359
02:55:24,639 --> 02:55:26,432
Pinhead is trapped in the Pillar of Souls

4360
02:55:26,432 --> 02:55:28,768
and by the good graces of J.P.

4361
02:55:28,893 --> 02:55:31,354
Monroe played by
Kevin Bernhardt, Pinhead

4362
02:55:31,354 --> 02:55:31,729
released.

4363
02:55:36,984 --> 02:55:38,277
Shall we start?

4364
02:55:38,736 --> 02:55:40,613
Now he is free
from the box, he is free

4365
02:55:40,613 --> 02:55:42,156
of the rules and he can
do whatever you want

4366
02:55:42,156 --> 02:55:42,782
he likes it.

4367
02:55:46,536 --> 02:55:49,455
New World Pictures who produced

4368
02:55:49,455 --> 02:55:51,832
Hellraiser and Hellbound went out of business.

4369
02:55:51,832 --> 02:55:54,418
So who holds
the rights to Hellraiser?

4370
02:55:54,544 --> 02:55:57,129
Clive Barker was
thinking correctly, no

4371
02:55:57,129 --> 02:55:59,382
doubt that as the main creator the

4372
02:55:59,382 --> 02:56:00,299
the rights would return to him.

4373
02:56:00,299 --> 02:56:02,510
And then Larry Kuppin emerged from the

4374
02:56:02,510 --> 02:56:05,346
New World wrecks
waving a piece of

4375
02:56:05,346 --> 02:56:07,431
article which, according to
Larry, I wanted to say that

4376
02:56:07,431 --> 02:56:08,849
he had the rights to Hellraiser.

4377
02:56:09,100 --> 02:56:11,727
So that meant
that Hellraiser III went ahead

4378
02:56:11,727 --> 02:56:13,771
without any direct involvement of

4379
02:56:13,771 --> 02:56:14,272
Clive.

4380
02:56:14,564 --> 02:56:16,148
This was difficult for me.

4381
02:56:20,987 --> 02:56:23,322
Tony Randel directed Hellbound,

4382
02:56:23,322 --> 02:56:25,616
now he would direct Hellraiser III.

4383
02:56:25,866 --> 02:56:28,327
That didn't work and it was too late

4384
02:56:28,327 --> 02:56:31,455
in the play Tony Hickox
parachuted

4385
02:56:31,455 --> 02:56:31,747
in.

4386
02:56:31,998 --> 02:56:35,251
Unfortunately the deceased
Tony Hickox. I loved Tony

4387
02:56:35,251 --> 02:56:37,503
I got along very well with
I liked him a lot

4388
02:56:37,503 --> 02:56:38,254
working with him.

4389
02:56:38,337 --> 02:56:40,715
Oh, I like making you bleed.

4390
02:56:42,049 --> 02:56:45,720
And I will like to make you like it.

4391
02:56:45,928 --> 02:56:47,888
It was very exciting for me to come

4392
02:56:47,888 --> 02:56:49,974
and work in America
for the first time.

4393
02:56:50,182 --> 02:56:54,437
Now suddenly I'm
alone surrounded

4394
02:56:54,437 --> 02:56:55,313
by the Americans.

4395
02:56:55,688 --> 02:56:58,065
Terry Farrell who
plays Joey Summerskill

4396
02:56:58,065 --> 02:56:59,275
at the heart of the film.

4397
02:56:59,734 --> 02:57:01,485
I loved working with Terry.

4398
02:57:02,028 --> 02:57:04,280
Obviously we had
many scenes together

4399
02:57:04,280 --> 02:57:07,158
both Pinhead and Elliot.

4400
02:57:07,408 --> 02:57:09,118
There is a gateway
to Hell through which

4401
02:57:09,118 --> 02:57:11,162
he can be taken
back, he wants

4402
02:57:11,162 --> 02:57:12,580
close that door forever.

4403
02:57:12,788 --> 02:57:15,082
The days I spent at Pilar de

4404
02:57:15,082 --> 02:57:17,209
Souls was interesting challenging

4405
02:57:17,209 --> 02:57:19,962
exciting, slightly
comic and very

4406
02:57:19,962 --> 02:57:20,546
uncomfortable.

4407
02:57:20,921 --> 02:57:23,591
If things are
happening here, I can't

4408
02:57:23,591 --> 02:57:24,300
really see this.

4409
02:57:24,425 --> 02:57:25,968
And if I have to talk to someone

4410
02:57:25,968 --> 02:57:29,305
Who is here I cannot know.

4411
02:57:29,680 --> 02:57:32,099
Imagine a world of the body as a canvas

4412
02:57:32,099 --> 02:57:35,102
the body like clay
your will and mine

4413
02:57:35,102 --> 02:57:36,771
like the brush and the knife.

4414
02:57:36,979 --> 02:57:38,814
This is the joy of
make horror films.

4415
02:57:38,814 --> 02:57:40,566
When else will I get the

4416
02:57:40,566 --> 02:57:43,444
opportunity to do
part of the Pillar of

4417
02:57:43,444 --> 02:57:46,113
Souls tormented and sucking the skin

4418
02:57:46,113 --> 02:57:48,616
young involuntary to digest.

4419
02:57:52,495 --> 02:57:54,497
Welcome to Hell, that's the fun of it.

4420
02:57:58,459 --> 02:58:01,962
Because we are exploring
the idea that

4421
02:58:01,962 --> 02:58:05,132
Pinhead is operating
more like a rebel

4422
02:58:05,132 --> 02:58:07,968
and he is not limited by the box and

4423
02:58:07,968 --> 02:58:11,305
the rules no more now
he makes his own

4424
02:58:11,305 --> 02:58:11,889
Cenobites

4425
02:58:12,139 --> 02:58:14,141
He describes them as a shadow of the

4426
02:58:14,141 --> 02:58:15,935
old Cenobites he apologizes.

4427
02:58:16,143 --> 02:58:19,855
They are made by hand
Joey, a shadow of mine

4428
02:58:19,855 --> 02:58:20,606
former troops.

4429
02:58:20,856 --> 02:58:23,275
So Pinhead gets it
create your new model

4430
02:58:23,275 --> 02:58:24,068
army.

4431
02:58:26,904 --> 02:58:30,408
Kane Hodder maintains
a careful count of

4432
02:58:30,408 --> 02:58:33,369
their deaths and he liked
to tease lightly

4433
02:58:33,369 --> 02:58:35,454
me because he thought
that Pinhead was a little

4434
02:58:35,454 --> 02:58:36,872
of an idiot because he really doesn't

4435
02:58:36,872 --> 02:58:38,082
kill a lot of people and we went

4436
02:58:38,082 --> 02:58:39,834
having this conversation and suddenly I

4437
02:58:39,834 --> 02:58:43,504
I thought, Oh, Hellraiser
III, how many people

4438
02:58:43,504 --> 02:58:45,548
you fit into a nightclub in a

4439
02:58:45,548 --> 02:58:46,757
Ordinary Kane on Friday night?

4440
02:58:47,091 --> 02:58:50,678
3, 4, 500 people
maybe because I cleaned

4441
02:58:50,678 --> 02:58:51,512
them all out.

4442
02:58:55,850 --> 02:59:00,938
Miramax appeared and
they were buying

4443
02:59:00,938 --> 02:59:04,108
horror franchises and
they were forming

4444
02:59:04,108 --> 02:59:07,862
Dimension Films and them
they wanted to sell

4445
02:59:07,862 --> 02:59:10,364
Hellraiser III as
Hellraiser by Clive Barker

4446
02:59:10,364 --> 02:59:13,200
III and Clive said,
OK, but I want

4447
02:59:13,200 --> 02:59:14,660
to see what I'm in
putting my name

4448
02:59:14,660 --> 02:59:17,788
then this means that
Clive is back on board

4449
02:59:17,788 --> 02:59:20,875
as executive producer
and he's on set.

4450
02:59:26,797 --> 02:59:29,258
Hellraiser III too
gave me my first

4451
02:59:29,258 --> 02:59:31,594
Hollywood debut
which was kind of fun

4452
02:59:31,594 --> 02:59:35,014
looks like an american horror movie

4453
02:59:35,014 --> 02:59:37,099
think in a way that Hellraiser and

4454
02:59:37,099 --> 02:59:38,225
Not Hellbound.

4455
02:59:42,521 --> 02:59:44,857
I really liked the film, it had everything

4456
02:59:44,857 --> 02:59:47,485
the energy that Tony Hickox brought

4457
02:59:47,485 --> 02:59:48,736
for that there was a lot of laughter

4458
02:59:48,736 --> 02:59:50,780
and lots of gambling in Hellraiser III

4459
02:59:50,780 --> 02:59:52,740
too, but a lot of hard work

4460
02:59:52,740 --> 02:59:53,365
too.

4461
02:59:53,365 --> 02:59:58,412
Demons are not real.
So what the fuck?

4462
03:00:06,921 --> 03:00:09,006
Horror films have
a bad reputation

4463
03:00:09,006 --> 03:00:12,092
in Germany in the 80s.
When the revolution

4464
03:00:12,092 --> 03:00:14,762
In video came the
rental companies that only had

4465
03:00:14,762 --> 03:00:17,973
vulgar horror films and
pornographic films. When

4466
03:00:17,973 --> 03:00:21,227
parents of children in
German school age

4467
03:00:21,227 --> 03:00:24,855
I discovered that they
they had tapes at home

4468
03:00:24,855 --> 03:00:26,816
that they shouldn't
see, the politicians

4469
03:00:26,816 --> 03:00:29,819
reacted strongly and
banned a lot of things

4470
03:00:29,819 --> 03:00:30,653
of films.

4471
03:00:33,948 --> 03:00:35,324
I always photographed in Super 8

4472
03:00:35,324 --> 03:00:38,869
or 16mm. Other filmmakers
Germans did

4473
03:00:38,869 --> 03:00:40,663
Things mainly
on video and why

4474
03:00:40,663 --> 03:00:43,249
they came a little
later. From an American

4475
03:00:43,249 --> 03:00:45,459
point of view seems perhaps a

4476
03:00:45,459 --> 03:00:46,544
movement.

4477
03:00:50,381 --> 03:00:52,091
On a camcorder, for example, you

4478
03:00:52,091 --> 03:00:54,426
can really run
loose and that's what

4479
03:00:54,426 --> 03:00:56,595
are you seeing us
90s in Germany with

4480
03:00:56,595 --> 03:00:58,138
splash movies and things that are

4481
03:00:58,138 --> 03:01:00,516
incredibly offensive and exploitative and

4482
03:01:00,516 --> 03:01:02,434
people really
run freely with

4483
03:01:02,434 --> 03:01:03,519
medium.

4484
03:01:05,771 --> 03:01:07,815
Olaf Ittenbach, a
very angry man

4485
03:01:07,815 --> 03:01:10,526
German as best I can
say why your

4486
03:01:10,526 --> 03:01:14,488
the films are full
of brutality and just

4487
03:01:14,488 --> 03:01:15,698
general anger.

4488
03:01:23,664 --> 03:01:25,875
He was probably in
ribbon trading market

4489
03:01:25,875 --> 03:01:27,877
and trying to find
the most extreme things

4490
03:01:27,877 --> 03:01:29,587
and decided when he would leave

4491
03:01:29,587 --> 03:01:30,796
there and make your own
movie he was

4492
03:01:30,796 --> 03:01:33,132
will make this the movie
more extreme than

4493
03:01:33,132 --> 03:01:35,342
had already been done.

4494
03:01:36,552 --> 03:01:37,803
The Burning Moon is

4495
03:01:37,803 --> 03:01:40,014
It's a kind of movie
definitive horror

4496
03:01:40,014 --> 03:01:41,307
filmed.

4497
03:01:45,185 --> 03:01:46,687
This is a horror anthology

4498
03:01:46,687 --> 03:01:49,565
film and the
framing is an addict

4499
03:01:49,565 --> 03:01:51,692
who is taking over
of his younger sister and

4500
03:01:51,692 --> 03:01:53,694
telling your stories
at bedtime. Ittenbach

4501
03:01:53,694 --> 03:01:54,820
he himself plays the addict.

4502
03:01:59,909 --> 03:02:00,576
One is about

4503
03:02:00,576 --> 03:02:02,494
an escaped serial killer
doing terrible things

4504
03:02:02,494 --> 03:02:03,495
things for a family

4505
03:02:08,000 --> 03:02:09,084
and the other

4506
03:02:09,084 --> 03:02:11,587
He's a country priest
in a rape and

4507
03:02:11,587 --> 03:02:13,130
wave of murders
who goes to hell.

4508
03:02:17,384 --> 03:02:20,346
Tom Savini's books
things like that I imagine

4509
03:02:20,346 --> 03:02:22,431
that Olaf Ittenbach
probably had Grand

4510
03:02:22,431 --> 03:02:24,475
Illusions and I learned a lot of them

4511
03:02:24,475 --> 03:02:26,310
tricks because they are all there and

4512
03:02:26,310 --> 03:02:27,811
the effects I have to say are good

4513
03:02:27,811 --> 03:02:29,647
very good too. This is not just like

4514
03:02:29,647 --> 03:02:31,398
Rip off heads
mannequins and things like that

4515
03:02:31,398 --> 03:02:33,901
that he is really
making suitable effects

4516
03:02:37,613 --> 03:02:40,074
There's a lot of evil in that, but

4517
03:02:40,074 --> 03:02:43,953
that last sequence
25 minutes from hell

4518
03:02:43,953 --> 03:02:44,787
different from anything.

4519
03:02:49,792 --> 03:02:50,626
That's what

4520
03:02:50,626 --> 03:02:53,629
the hell of Hellraiser
it should be. � 

4521
03:02:53,629 --> 03:02:55,547
very, very disgusting things.

4522
03:02:57,633 --> 03:02:58,676
That's what really

4523
03:02:58,676 --> 03:03:00,719
puts The Burning Moon at the top

4524
03:03:00,719 --> 03:03:03,222
Escalations of horror filmed on video.

4525
03:03:18,904 --> 03:03:21,740
For me, as a young man
filmmaker, there was no

4526
03:03:21,740 --> 03:03:24,493
most important film
that La Femme Nikita

4527
03:03:29,957 --> 03:03:32,042
When I saw that Anne

4528
03:03:32,042 --> 03:03:33,919
Parillaud would follow this

4529
03:03:33,919 --> 03:03:37,339
in America with a
John Landis film

4530
03:03:37,339 --> 03:03:40,676
and a John Landis vampire film

4531
03:03:40,676 --> 03:03:44,054
you couldn't have
sharpened my appetite

4532
03:03:44,054 --> 03:03:45,055
Hey, what are you, some kind of

4533
03:03:45,055 --> 03:03:45,389
crazy?

4534
03:03:50,144 --> 03:03:52,354
Anne's performance
Parillaud in that film

4535
03:03:52,354 --> 03:03:54,690
It's unparalleled. One of the biggest

4536
03:03:54,690 --> 03:03:56,734
vampires already placed on the screen.

4537
03:03:56,734 --> 03:03:58,527
You dress like a
pimp and talks like one

4538
03:03:58,527 --> 03:04:00,487
idiot. What makes you news?

4539
03:04:01,030 --> 03:04:03,615
Excuse me? She is from
out of town, Sal

4540
03:04:03,615 --> 03:04:05,409
And Robert Loggia never
met a piece of

4541
03:04:05,409 --> 03:04:07,077
scenario that he doesn't
could chew

4542
03:04:07,286 --> 03:04:08,162
Please God Sally

4543
03:04:08,162 --> 03:04:11,081
No, please!

4544
03:04:11,290 --> 03:04:12,041
Don't play with me!

4545
03:04:12,041 --> 03:04:14,668
John Landis really let him go

4546
03:04:14,668 --> 03:04:17,921
on that one and he really delivers

4547
03:04:17,921 --> 03:04:21,175
Don't play Virgin Mary with me

4548
03:04:21,383 --> 03:04:22,885
It's basically a

4549
03:04:22,885 --> 03:04:24,762
mafia movie with vampires

4550
03:04:24,970 --> 03:04:26,138
Someone tried

4551
03:04:26,138 --> 03:04:27,723
hit me. I don't know
who is behind this

4552
03:04:27,723 --> 03:04:30,225
The Gambinos, the Feds,
they put me out

4553
03:04:30,225 --> 03:04:30,851
in the morgue!

4554
03:04:31,060 --> 03:04:32,811
Film by John Landis. Big John

4555
03:04:32,811 --> 03:04:35,481
Landis's faith. Mine
goal was what I wanted

4556
03:04:35,481 --> 03:04:38,108
impress him so much
how much Rick impressed him

4557
03:04:38,108 --> 03:04:40,152
with the Werewolf
American who is virtually

4558
03:04:40,152 --> 03:04:41,153
impossible.

4559
03:04:42,112 --> 03:04:43,781
Turn off the fucking lights

4560
03:04:43,781 --> 03:04:44,948
I went to his office
at Universal and I'm

4561
03:04:44,948 --> 03:04:46,992
What do their teeth look like?

4562
03:04:47,201 --> 03:04:48,744
They don't have teeth, they don't have

4563
03:04:48,744 --> 03:04:50,496
prey. I'm like,
What are you talking about?

4564
03:04:50,496 --> 03:04:52,039
They are vampires. How do they go

4565
03:04:52,831 --> 03:04:54,625
eat and drink blood? And he will

4566
03:04:54,625 --> 03:04:56,960
You'll love this, they
simply destroy

4567
03:04:56,960 --> 03:04:59,088
It's even more violent.
So I'm like great

4568
03:04:59,088 --> 03:05:00,130
Now we have to do
all these necks

4569
03:05:00,130 --> 03:05:02,341
Ripping effects? Okay.
No, it's cool, I get it.

4570
03:05:04,676 --> 03:05:05,177
Don't fucking move!

4571
03:05:05,385 --> 03:05:05,803
I'm fine, what should I do?

4572
03:05:05,803 --> 03:05:06,553
What are their eyes like?

4573
03:05:06,678 --> 03:05:07,679
I don't know. Make them
yellow or red

4574
03:05:07,679 --> 03:05:08,514
or something that I don't care about.

4575
03:05:08,722 --> 03:05:08,972
I'm like John

4576
03:05:08,972 --> 03:05:10,808
If they don't have teeth, we have to

4577
03:05:10,808 --> 03:05:12,351
do something to make it back
this is really very

4578
03:05:12,351 --> 03:05:14,103
stand out. Give me
six weeks I think

4579
03:05:14,103 --> 03:05:16,021
Can I make a lens
contact, so that

4580
03:05:16,021 --> 03:05:18,273
we can design through
of your eyes and

4581
03:05:18,273 --> 03:05:20,859
we make it work.
Fucking amazing.

4582
03:05:20,859 --> 03:05:22,528
I'm going to eat your face like a chicken

4583
03:05:23,445 --> 03:05:25,155
Any colored gel
that we put in the light

4584
03:05:25,155 --> 03:05:27,116
the eyes would be like that
color then when

4585
03:05:27,116 --> 03:05:29,493
we filmed the sex scene
with Anne Parillaud

4586
03:05:29,493 --> 03:05:31,537
your eyes are
gently pulsating and

4587
03:05:31,537 --> 03:05:33,413
changing color while
she is having orgasm. � 

4588
03:05:33,413 --> 03:05:35,165
very cool. There was no
digital at that time, so

4589
03:05:35,165 --> 03:05:37,501
people would be amazed

4590
03:05:37,501 --> 03:05:38,961
say how the hell did they do it?

4591
03:05:38,961 --> 03:05:40,546
That's what I always
I want to photograph

4592
03:05:40,546 --> 03:05:42,297
to show the public something they

4593
03:05:42,297 --> 03:05:44,007
Couldn't imagine themselves

4594
03:05:44,007 --> 03:05:46,009
That's the job

4595
03:05:46,176 --> 03:05:46,593
Oh!

4596
03:05:46,760 --> 03:05:47,261
Oh!

4597
03:05:48,804 --> 03:05:50,806
We filmed in Pittsburgh
in winter, at night

4598
03:05:50,806 --> 03:05:53,225
shoot. Not a single
day, not a single

4599
03:05:53,225 --> 03:05:54,977
day, then we all
we turn into vampires

4600
03:05:54,977 --> 03:05:57,020
ourselves because
we would wake up at sunset

4601
03:05:57,020 --> 03:05:58,939
and go to sleep when the sun comes up

4602
03:05:58,939 --> 03:05:59,690
basically.

4603
03:05:59,898 --> 03:06:01,233
You girls look
good enough

4604
03:06:01,233 --> 03:06:03,026
to eat.

4605
03:06:03,235 --> 03:06:03,986
There!

4606
03:06:04,194 --> 03:06:07,114
The hilarious scene after Don Rickles

4607
03:06:07,281 --> 03:06:08,907
character is dead and his widow says

4608
03:06:08,907 --> 03:06:10,868
Manny, Manny, them
They murdered my Manny!

4609
03:06:11,076 --> 03:06:11,160
What?

4610
03:06:11,326 --> 03:06:13,245
He killed him! He ate my Manny!

4611
03:06:13,245 --> 03:06:15,289
Don's transformation
Rickles He's so funny

4612
03:06:15,289 --> 03:06:16,832
It's a lot of fun to work with him and

4613
03:06:16,832 --> 03:06:19,126
we had to torture this poor old man

4614
03:06:19,626 --> 03:06:19,877
Oh!

4615
03:06:21,044 --> 03:06:21,461
Oh!

4616
03:06:22,754 --> 03:06:24,381
Remember that he
is eighty years old and

4617
03:06:24,381 --> 03:06:26,300
put all these
devices and he was

4618
03:06:26,300 --> 03:06:27,676
A great sport about it.

4619
03:06:27,885 --> 03:06:28,760
Oh!

4620
03:06:28,927 --> 03:06:29,052
Oh!

4621
03:06:29,761 --> 03:06:29,845
Oh!

4622
03:06:30,012 --> 03:06:30,429
Aaaaaah!

4623
03:06:31,972 --> 03:06:35,434
It was a great and very fun film

4624
03:06:35,434 --> 03:06:36,393
Leave me alone.

4625
03:06:36,602 --> 03:06:37,394
Close the door

4626
03:06:37,603 --> 03:06:37,936
Yes, but

4627
03:06:37,936 --> 03:06:38,937
you are in the freezer.

4628
03:06:39,146 --> 03:06:39,188
Oh!

4629
03:06:39,396 --> 03:06:41,190
Right. Turn the fucking lights off!

4630
03:06:47,696 --> 03:06:50,782
Candyman You don't have to believe it.

4631
03:06:51,408 --> 03:06:56,288
Candy Man Candy Man
Candy Man Candy Man

4632
03:06:56,288 --> 03:06:57,956
Candy Man Candy Man

4633
03:07:00,292 --> 03:07:01,251
Of course not, I won't

4634
03:07:01,251 --> 03:07:02,336
look in the mirror and say Candyman

4635
03:07:02,336 --> 03:07:04,463
five times I'm not stupid.

4636
03:07:04,630 --> 03:07:05,088
Candy Man Candy Man

4637
03:07:06,590 --> 03:07:07,716
Why should I
challenge fate?

4638
03:07:07,966 --> 03:07:09,259
This is ridiculous.

4639
03:07:09,801 --> 03:07:11,136
Candyman Oh, you

4640
03:07:11,303 --> 03:07:14,765
chicken! You have to
do this five times

4641
03:07:14,765 --> 03:07:17,851
Candyman directed by Bernard Rose

4642
03:07:17,851 --> 03:07:21,521
Original short story by Clive Barker.

4643
03:07:21,521 --> 03:07:24,733
Clive set his original tale in

4644
03:07:24,733 --> 03:07:27,945
Liverpool that now
was transferred to

4645
03:07:27,945 --> 03:07:30,614
the south side of Chicago to Cabrini

4646
03:07:30,614 --> 03:07:33,533
Green with all
urban elements and

4647
03:07:33,533 --> 03:07:36,245
racial elements that
that brings with it

4648
03:07:36,245 --> 03:07:38,580
I heard that you are
looking for the Candyman, bitch

4649
03:07:39,331 --> 03:07:41,333
Well you found it

4650
03:07:41,541 --> 03:07:43,460
Candyman is about a

4651
03:07:43,460 --> 03:07:46,380
urban legend, a man
that appears in a

4652
03:07:46,380 --> 03:07:48,340
mirror if you say
his name five times

4653
03:07:48,340 --> 03:07:51,260
who has a hook in his hand and

4654
03:07:51,260 --> 03:07:54,388
breathes on your neck
and it will split

4655
03:07:54,388 --> 03:07:56,723
you from your button to your throat.

4656
03:08:01,979 --> 03:08:02,646
He is

4657
03:08:02,646 --> 03:08:06,900
a kind of figure
romantic in the classic

4658
03:08:06,900 --> 03:08:09,945
Edgar Allen Poe sense.
Your motivation is

4659
03:08:09,945 --> 03:08:13,532
love in a way
strange and revenge.

4660
03:08:13,532 --> 03:08:15,033
His death will be a
story to scare

4661
03:08:15,033 --> 03:08:18,370
children, to do the
lovers get more attached

4662
03:08:18,370 --> 03:08:19,329
his rapture.

4663
03:08:19,538 --> 03:08:21,081
And he's probably not real.

4664
03:08:21,081 --> 03:08:21,999
Help me!

4665
03:08:22,207 --> 03:08:23,500
Help me!

4666
03:08:24,334 --> 03:08:25,836
This is not possible.

4667
03:08:26,044 --> 03:08:27,337
People were actively

4668
03:08:27,337 --> 03:08:29,881
living in fear of something that was

4669
03:08:29,881 --> 03:08:32,175
really out of your
control and so on

4670
03:08:32,175 --> 03:08:34,469
to deal with the situation where

4671
03:08:34,469 --> 03:08:36,638
they were living
they kind of created

4672
03:08:36,638 --> 03:08:38,390
something scarier than it was

4673
03:08:38,390 --> 03:08:39,725
supernatural.

4674
03:08:39,933 --> 03:08:42,269
Candyman is not real. He is

4675
03:08:42,269 --> 03:08:45,147
just a story,
you know, like Dracula or

4676
03:08:46,398 --> 03:08:47,149
Frankenstein.

4677
03:08:47,316 --> 03:08:48,734
You have to call
for Candyman. He

4678
03:08:48,734 --> 03:08:50,777
doesn't just come, he
It's not just turning around

4679
03:08:50,777 --> 03:08:52,321
until he kills you, and he doesn't kill

4680
03:08:52,321 --> 03:08:54,156
you for moralistic reasons like having

4681
03:08:54,156 --> 03:08:56,158
sex or something. He
doesn't care about that.

4682
03:08:59,036 --> 03:09:00,495
But he is interested
in Helen because

4683
03:09:00,495 --> 03:09:02,331
he is in love with
her, and that too

4684
03:09:02,331 --> 03:09:04,416
I was what made him
interesting as a

4685
03:09:04,416 --> 03:09:05,792
character.

4686
03:09:05,959 --> 03:09:08,420
Allow me at least one kiss.

4687
03:09:08,587 --> 03:09:09,588
Just one

4688
03:09:09,880 --> 03:09:11,381
exquisite kiss.

4689
03:09:11,590 --> 03:09:13,592
Here is this white lady

4690
03:09:13,592 --> 03:09:16,303
entering this world
predominantly African

4691
03:09:16,303 --> 03:09:17,763
American atmosphere, right?

4692
03:09:17,971 --> 03:09:20,098
And she is doing her study.
That's right

4693
03:09:20,098 --> 03:09:22,601
theoretical thing, and suddenly it's

4694
03:09:22,601 --> 03:09:25,604
dumped in the middle of
a real race

4695
03:09:25,604 --> 03:09:28,148
problem that goes back to the beginning

4696
03:09:28,148 --> 03:09:28,732
of our nation.

4697
03:09:28,940 --> 03:09:29,691
You know, white people don't

4698
03:09:29,691 --> 03:09:31,193
never come here except
to cause us a

4699
03:09:31,193 --> 03:09:31,735
problem.

4700
03:09:31,943 --> 03:09:33,820
Believe me, that's not what we

4701
03:09:33,820 --> 03:09:34,988
want to do.

4702
03:09:35,197 --> 03:09:37,699
Candyman saw us so clearly

4703
03:09:37,699 --> 03:09:38,658
in that film.

4704
03:09:38,867 --> 03:09:39,993
What are you going to say?

4705
03:09:40,702 --> 03:09:41,745
That we are bad?

4706
03:09:42,037 --> 03:09:42,829
Did we steal?

4707
03:09:42,829 --> 03:09:44,581
We're all on drugs, aren't we?

4708
03:09:44,873 --> 03:09:47,042
The producers were
daring to allow me

4709
03:09:47,042 --> 03:09:48,960
to do this, and
Clive was too

4710
03:09:48,960 --> 03:09:50,796
bringing these elements
into it. I think

4711
03:09:50,796 --> 03:09:52,714
That's why the film
still has a wealth

4712
03:09:52,714 --> 03:09:54,257
in terms of its themes.

4713
03:09:54,466 --> 03:09:55,175
Two people receive

4714
03:09:55,175 --> 03:09:56,802
brutally murdered and
the police don't do anything

4715
03:09:56,802 --> 03:09:58,387
While a white woman walks in there and

4716
03:09:58,387 --> 03:09:59,596
It's attacked and they close the place down.

4717
03:09:59,596 --> 03:10:02,182
Bernard, he is a director who makes

4718
03:10:02,182 --> 03:10:04,976
Don't seem to care
breaking limits and

4719
03:10:04,976 --> 03:10:06,603
Limits on production
traditional cinematography

4720
03:10:06,603 --> 03:10:09,189
practices. Incredibly
observer about

4721
03:10:09,189 --> 03:10:10,857
human nature.

4722
03:10:15,612 --> 03:10:16,488
If you catch Philip

4723
03:10:16,488 --> 03:10:20,242
Glass to mark one
movie, that's something

4724
03:10:20,242 --> 03:10:23,120
this is incredibly
rare and surprising, but

4725
03:10:23,120 --> 03:10:25,664
that he scored a horror film � 

4726
03:10:25,664 --> 03:10:28,959
absolutely without
precedents, but this is a

4727
03:10:28,959 --> 03:10:31,211
testament to Bernard and what he is

4728
03:10:31,211 --> 03:10:32,462
able to do.

4729
03:10:35,257 --> 03:10:38,009
He's here.

4730
03:10:38,009 --> 03:10:40,595
You can't talk about
Candyman without speaking

4731
03:10:40,595 --> 03:10:43,598
about the bees in the mouth.

4732
03:10:45,892 --> 03:10:47,352
Tony Todd

4733
03:10:47,352 --> 03:10:51,481
there were real bees
in the mouth. God bless you

4734
03:10:51,481 --> 03:10:54,192
I don't know how he did it
go through it

4735
03:10:54,192 --> 03:10:56,945
but he was a soldier
fucking. I'm staying

4736
03:10:56,945 --> 03:10:58,738
I get goosebumps just talking about it.

4737
03:11:00,949 --> 03:11:01,950
It was a

4738
03:11:01,950 --> 03:11:04,453
intense thing to do.
There was a lot of that

4739
03:11:04,453 --> 03:11:07,414
brilliant man called
Norman Gary who is a

4740
03:11:07,414 --> 03:11:09,958
entomology professor. He had

4741
03:11:09,958 --> 03:11:13,044
synthesized pheromone
of the queen of beans and the

4742
03:11:13,044 --> 03:11:14,754
the bees would treat
you as if you were

4743
03:11:14,754 --> 03:11:17,132
the queen and them
would crowd you

4744
03:11:17,132 --> 03:11:20,886
and not attack you. The myth that Tony

4745
03:11:20,886 --> 03:11:24,181
was paid $1,000 per sting - a

4746
03:11:24,181 --> 03:11:28,018
example of a myth. No
has absolutely nothing

4747
03:11:28,018 --> 03:11:30,520
based on facts. Tony
had a dental dam

4748
03:11:30,520 --> 03:11:32,189
so he couldn't
inhale them and they

4749
03:11:32,189 --> 03:11:33,690
couldn't swallow it, but

4750
03:11:33,690 --> 03:11:35,734
obviously certainly
being poked inside

4751
03:11:35,734 --> 03:11:38,987
your mouth would be very intense and

4752
03:11:38,987 --> 03:11:40,447
unpleasant experience.

4753
03:11:40,655 --> 03:11:41,281
Virginia was

4754
03:11:41,281 --> 03:11:43,658
in fact she was
allergic to it so she was

4755
03:11:43,658 --> 03:11:45,410
probably in greater
risk, but she never put

4756
03:11:45,410 --> 03:11:46,995
some bee in the mouth
her, they were just

4757
03:11:46,995 --> 03:11:49,789
over her face. She was beautiful

4758
03:11:49,789 --> 03:11:51,500
brave doing this.

4759
03:11:55,962 --> 03:11:56,755
When I saw the film,

4760
03:11:56,755 --> 03:11:58,507
this surprised me. I still think

4761
03:11:58,507 --> 03:12:00,091
one of the best films
horror I've ever seen

4762
03:12:00,091 --> 03:12:02,427
I was inside. Always
I was very proud of

4763
03:12:02,427 --> 03:12:04,804
the movie, I know that
Clive always loved very much

4764
03:12:04,804 --> 03:12:07,557
too. There was a
outperform theirs

4765
03:12:07,557 --> 03:12:10,143
expectations, I guess,
but not universally

4766
03:12:10,143 --> 03:12:12,395
I liked it well I would say
the evaluations were

4767
03:12:12,395 --> 03:12:14,898
mediocre rather than great, but it is a

4768
03:12:14,898 --> 03:12:17,067
horror film. This
it was a degraded genre

4769
03:12:17,067 --> 03:12:19,277
especially in the 90s.

4770
03:12:19,486 --> 03:12:20,737
Come with me and

4771
03:12:20,737 --> 03:12:22,656
be immortal.

4772
03:12:29,204 --> 03:12:30,163
Are you okay?

4773
03:12:34,167 --> 03:12:37,587
Ghostwatch is a special
BBC television in

4774
03:12:37,587 --> 03:12:40,507
that a team of
external broadcasters and

4775
03:12:40,507 --> 03:12:43,134
fine personalities
acquaintances descend to

4776
03:12:43,134 --> 03:12:45,512
most haunted house
from England broadcasting

4777
03:12:45,512 --> 03:12:48,473
a special program on
Halloween night 1992

4778
03:12:49,224 --> 03:12:51,434
The program you
you're about to watch a

4779
03:12:51,434 --> 03:12:54,020
unique live investigation of the

4780
03:12:54,020 --> 03:12:56,231
supernatural is a program that pretends

4781
03:12:56,231 --> 03:12:58,149
be a transmission to the
I live from a haunted place

4782
03:12:58,149 --> 03:13:01,069
home, but actually
a scripted drama

4783
03:13:01,069 --> 03:13:03,154
that's just pulling it out

4784
03:13:03,154 --> 03:13:04,281
in the public eye.

4785
03:13:09,953 --> 03:13:12,539
It had a similar effect to that

4786
03:13:12,539 --> 03:13:14,207
happened to Orson
Welles and War of

4787
03:13:14,207 --> 03:13:17,127
Worlds in 1938 where
people really

4788
03:13:17,127 --> 03:13:18,712
I thought aliens
they were invading because

4789
03:13:18,712 --> 03:13:20,338
as it was presented in the

4790
03:13:20,338 --> 03:13:21,881
radio. It was that kind of thing with

4791
03:13:21,881 --> 03:13:23,800
the BBC where people
really thought

4792
03:13:23,800 --> 03:13:25,010
they were watching
the real thing and

4793
03:13:25,010 --> 03:13:26,803
then they were complaining after

4794
03:13:26,803 --> 03:13:27,846
they were deceived.

4795
03:13:35,061 --> 03:13:37,272
There was no exemption
of responsibility at the beginning and

4796
03:13:37,272 --> 03:13:38,648
even if there was a
disclaimer in

4797
03:13:38,648 --> 03:13:40,317
starting like someone told me no

4798
03:13:40,317 --> 03:13:41,610
everyone watches the beginning of a

4799
03:13:41,610 --> 03:13:42,152
program.

4800
03:13:42,360 --> 03:13:45,196
Please, we don't want to give
sleepless nights for anyone

4801
03:13:45,405 --> 03:13:46,865
We don't want to cause panic

4802
03:13:47,073 --> 03:13:48,575
Don't let your imagination run wild

4803
03:13:49,284 --> 03:13:52,245
Ghostwatch was originally
presented to the BBC as a

4804
03:13:52,245 --> 03:13:55,415
six-part drama
about a TV crew from

4805
03:13:55,415 --> 03:13:57,459
documentary filmmakers investigating a

4806
03:13:57,459 --> 03:13:59,711
haunted house,
but the BBC didn't like it

4807
03:13:59,711 --> 03:14:02,255
investing in six hours
of drama that were

4808
03:14:02,255 --> 03:14:03,381
supernatural.

4809
03:14:09,596 --> 03:14:11,681
is prejudice and
snobbery ever.

4810
03:14:11,681 --> 03:14:13,975
is against gender
but I said what

4811
03:14:13,975 --> 03:14:16,895
if we did the episode
six and episode six

4812
03:14:16,895 --> 03:14:19,356
that I had planned
it was a live broadcast

4813
03:14:19,356 --> 03:14:20,482
of a haunted house.

4814
03:14:20,690 --> 03:14:22,484
Who's there? Who's staring at me?

4815
03:14:22,817 --> 03:14:23,652
My work as

4816
03:14:23,652 --> 03:14:25,445
the screenwriter kind of forgot everything

4817
03:14:25,445 --> 03:14:27,530
all those rules
exposure scenes

4818
03:14:27,530 --> 03:14:28,782
that you would normally cut from a

4819
03:14:28,782 --> 03:14:30,575
script is exactly
how did you have to do

4820
03:14:30,575 --> 03:14:32,327
tell this story
in particular. That was the

4821
03:14:32,327 --> 03:14:34,162
the grace was to tell a
ghost story

4822
03:14:34,162 --> 03:14:35,705
in a different way.

4823
03:14:39,209 --> 03:14:40,669
In part, Ghostwatch is

4824
03:14:40,669 --> 03:14:42,045
what you trust. Do you trust

4825
03:14:42,045 --> 03:14:43,546
What are you being told? You
trust what you

4826
03:14:43,546 --> 03:14:46,007
see? You know that
Do you trust this caption?

4827
03:14:46,007 --> 03:14:48,134
which says that this person
Are you an expert? We

4828
03:14:48,134 --> 03:14:49,803
we live in an era
of fake news, right?

4829
03:14:49,803 --> 03:14:52,847
But even so
we trust what someone

4830
03:14:52,847 --> 03:14:54,265
says it's just because they
It's on the news

4831
03:14:54,265 --> 03:14:55,892
program being interviewed, you know?

4832
03:14:55,892 --> 03:14:56,893
I get so angry when
you can still do it

4833
03:14:56,893 --> 03:14:58,269
people out there denying that these

4834
03:14:58,269 --> 03:14:59,270
things even happen.

4835
03:14:59,479 --> 03:15:00,355
Lin Pascoe will be

4836
03:15:00,355 --> 03:15:02,107
giving her the right to
comment with expert

4837
03:15:02,107 --> 03:15:03,108
throughout the program.

4838
03:15:03,316 --> 03:15:03,900
The main presenter

4839
03:15:03,900 --> 03:15:05,735
of the stadium was at the end

4840
03:15:05,735 --> 03:15:07,821
for Michael Parkinson,
who is a very good man

4841
03:15:07,821 --> 03:15:10,198
-well-known presenter
talk show. He got it

4842
03:15:10,198 --> 03:15:11,991
immediately. He knew
exactly what we were

4843
03:15:11,991 --> 03:15:13,868
doing and how it would work and being

4844
03:15:13,868 --> 03:15:16,454
a Yorkshireman, he is
very dark, very depressed

4845
03:15:16,454 --> 03:15:18,707
to the earth, very
skeptical what was perfect

4846
03:15:18,707 --> 03:15:19,541
for the really part.

4847
03:15:19,749 --> 03:15:20,417
Yes, well, something

4848
03:15:20,417 --> 03:15:22,377
went very wrong with
that ghost story

4849
03:15:22,377 --> 03:15:24,379
probably our poltergeist.
What do you

4850
03:15:24,379 --> 03:15:25,046
Do you think Dr. Pascoe?

4851
03:15:25,171 --> 03:15:27,632
The TV team's extended family is

4852
03:15:27,632 --> 03:15:30,343
really became
even more vivid by the fact

4853
03:15:30,343 --> 03:15:33,263
that we used a real-life couple who

4854
03:15:33,263 --> 03:15:35,181
are well known by
viewers in England

4855
03:15:35,181 --> 03:15:36,725
Mike Smith and Sarah Greene.

4856
03:15:36,933 --> 03:15:37,183
I mean, I

4857
03:15:37,183 --> 03:15:38,476
I think this is the right environment for

4858
03:15:38,476 --> 03:15:39,894
study these things. Yes,
That's why I get

4859
03:15:39,894 --> 03:15:41,187
sent here to the front line and

4860
03:15:41,187 --> 03:15:43,231
you are all comfortable
and safe and secure

4861
03:15:43,231 --> 03:15:44,399
in the stadium, right?

4862
03:15:44,482 --> 03:15:46,693
I was really adamant
that nothing scary

4863
03:15:46,693 --> 03:15:48,737
will happen for 45 minutes

4864
03:15:48,737 --> 03:15:50,447
of 90 minutes. You
can you imagine how

4865
03:15:50,447 --> 03:15:51,614
what happened.

4866
03:15:55,994 --> 03:15:57,370
My logic was that we would define

4867
03:15:57,370 --> 03:15:58,872
all the little things
what is happening

4868
03:15:58,872 --> 03:16:01,207
to pay in the second semester where

4869
03:16:01,207 --> 03:16:03,084
cameras are where
they are getting

4870
03:16:03,084 --> 03:16:04,711
sound, temperature gauges,

4871
03:16:04,711 --> 03:16:06,296
technology, the history behind.

4872
03:16:06,504 --> 03:16:07,088
He had several

4873
03:16:07,088 --> 03:16:09,674
convictions for abuse, aggravated

4874
03:16:09,674 --> 03:16:11,384
abuse, kidnapping of minors.

4875
03:16:11,593 --> 03:16:12,343
He should never

4876
03:16:12,343 --> 03:16:14,345
were left nearby
of any community.

4877
03:16:14,345 --> 03:16:16,473
All these things are secretly

4878
03:16:16,473 --> 03:16:18,558
preparing you for
be a bit distorted

4879
03:16:18,558 --> 03:16:20,226
in the second half

4880
03:16:20,435 --> 03:16:21,770
It's hurting me!

4881
03:16:21,978 --> 03:16:22,270
Get off me!

4882
03:16:22,312 --> 03:16:26,232
Mom, help me! Don't leave me, mommy!

4883
03:16:26,357 --> 03:16:27,484
Children are

4884
03:16:27,609 --> 03:16:29,527
vulnerable. The
presenters become

4885
03:16:29,527 --> 03:16:31,237
dependents of one
another you know and

4886
03:16:31,237 --> 03:16:33,072
becomes a symbiotic relationship

4887
03:16:33,072 --> 03:16:35,533
and then we became
the other outer circle

4888
03:16:35,533 --> 03:16:37,494
because we are watching
and we are receiving

4889
03:16:37,494 --> 03:16:39,579
a kind of pleasure
voyeuristic about

4890
03:16:39,579 --> 03:16:41,998
observing what is
going wrong, you know

4891
03:16:41,998 --> 03:16:44,292
We are instrumental in the terror that is

4892
03:16:44,292 --> 03:16:46,002
happening in the house and we take

4893
03:16:46,252 --> 03:16:47,170
responsibility for this?

4894
03:16:47,295 --> 03:16:49,005
In a way, this
It is a question that

4895
03:16:49,005 --> 03:16:50,965
hovers over many
reality TV, I guess.

4896
03:16:52,967 --> 03:16:54,385
Microphone!

4897
03:16:54,844 --> 03:16:56,262
My God, what happened?

4898
03:16:56,888 --> 03:16:58,973
The telephone lines were
crowded with people

4899
03:16:58,973 --> 03:17:00,767
complaining about this all Sunday

4900
03:17:00,767 --> 03:17:03,144
the newspapers were full
Furthermore, heads must roll

4901
03:17:03,144 --> 03:17:04,854
on the BBC. is like the

4902
03:17:04,854 --> 03:17:07,732
The BBC closed its doors
and said you

4903
03:17:07,732 --> 03:17:09,275
you know what never
we would like to mention this

4904
03:17:09,275 --> 03:17:11,027
program again,
many people were

4905
03:17:11,027 --> 03:17:13,446
upset about this and let's
pretend it didn't happen

4906
03:17:13,446 --> 03:17:14,697
occurred.

4907
03:17:17,826 --> 03:17:19,994
I'm very proud of the legacy

4908
03:17:19,994 --> 03:17:20,870
from Ghostwatch.

4909
03:17:21,037 --> 03:17:22,455
It's literally incredible

4910
03:17:22,455 --> 03:17:24,207
think that people
they still talk about it

4911
03:17:24,207 --> 03:17:26,459
and they still tell me that they discovered

4912
03:17:26,459 --> 03:17:28,461
thirty years after it was made

4913
03:17:28,461 --> 03:17:30,672
something that came out when you know and

4914
03:17:30,672 --> 03:17:32,090
people are still
talking about it.

4915
03:17:36,928 --> 03:17:37,345
Why

4916
03:17:37,345 --> 03:17:39,389
the way it seemed,
although people

4917
03:17:39,389 --> 03:17:41,891
I know it's not real, you kind of ignore it

4918
03:17:41,891 --> 03:17:45,019
your critical faculties and for more

4919
03:17:45,019 --> 03:17:46,646
they say to themselves
that this is not really

4920
03:17:46,646 --> 03:17:48,815
happening, nature
visual of what is

4921
03:17:48,815 --> 03:17:50,859
before your eyes
go to a different one

4922
03:17:50,859 --> 03:17:52,902
part of the cerebellum.

4923
03:17:53,069 --> 03:17:54,195
Do you think Mr.

4924
03:17:54,195 --> 03:17:55,488
Pipes came to hurt you?

4925
03:17:56,072 --> 03:17:57,907
I think he came to
hurt everyone.

4926
03:17:57,907 --> 03:18:00,034
I think he wants to do it
unpleasant things.

4927
03:18:08,293 --> 03:18:09,294
Dracula

4928
03:18:11,629 --> 03:18:14,632
Coppola is by far mine
favorite american

4929
03:18:14,632 --> 03:18:15,508
filmmaker.

4930
03:18:15,675 --> 03:18:18,094
With Dracula, Coppola
just dived

4931
03:18:18,094 --> 03:18:19,804
in. It's almost more like
a filmed opera

4932
03:18:19,804 --> 03:18:22,056
As if you could
Easily see him picking this up

4933
03:18:22,056 --> 03:18:24,183
production and do it live at the Met.

4934
03:18:28,062 --> 03:18:30,607
It's epic and large-scale

4935
03:18:30,607 --> 03:18:32,609
and it's like you're
at the Grand Guignol

4936
03:18:32,609 --> 03:18:34,193
Theater in Paris and
are you watching

4937
03:18:34,193 --> 03:18:38,781
something spectacular.

4938
03:18:38,781 --> 03:18:40,116
Hook and Dracula my two big ones

4939
03:18:40,325 --> 03:18:41,159
both were projects

4940
03:18:41,159 --> 03:18:42,368
that I wanted to do this were

4941
03:18:42,368 --> 03:18:44,245
refused years and years and years and

4942
03:18:44,245 --> 03:18:44,454
years.

4943
03:18:44,662 --> 03:18:45,580
Nobody wanted to make Peter an adult

4944
03:18:45,580 --> 03:18:47,457
Pan. Nobody wanted to do Dracula.

4945
03:18:47,665 --> 03:18:47,749
I was

4946
03:18:47,749 --> 03:18:49,751
I actually let it go
by my agency because I

4947
03:18:49,751 --> 03:18:51,502
he was very old and had nothing

4948
03:18:51,502 --> 03:18:53,630
produced. Winona Ryder she wanted

4949
03:18:53,630 --> 03:18:55,173
change your image. She
gave the script to

4950
03:18:55,173 --> 03:18:57,425
Coppola as a call
makeup for the Godfather

4951
03:18:57,425 --> 03:18:59,510
III. Francisco, it turned out
which had been a big

4952
03:18:59,510 --> 03:19:00,762
fan of the book Dracula.

4953
03:19:00,970 --> 03:19:01,638
Godfather III had

4954
03:19:01,638 --> 03:19:03,681
It's been difficult. I think
What a Dracula, he felt

4955
03:19:03,681 --> 03:19:05,475
it was an opportunity to do something

4956
03:19:05,475 --> 03:19:07,185
different from what was commercial.

4957
03:19:07,477 --> 03:19:08,561
I am Dracula

4958
03:19:09,062 --> 03:19:10,772
Mike Medavoy came in and got it

4959
03:19:10,772 --> 03:19:11,981
in the studio and read the script and

4960
03:19:11,981 --> 03:19:13,691
wait a minute this is big then

4961
03:19:13,691 --> 03:19:16,277
suddenly overnight
One day I owned Sony Studios

4962
03:19:16,277 --> 03:19:18,529
every sound stage was Hook or

4963
03:19:18,529 --> 03:19:18,905
Dracula

4964
03:19:19,113 --> 03:19:20,782
My golf cart
there was Hook and Dracula

4965
03:19:20,782 --> 03:19:22,116
in it and one day there was a

4966
03:19:22,116 --> 03:19:24,243
wreck in the stadium
between a hook and

4967
03:19:24,243 --> 03:19:25,578
Dracula's golf cart.

4968
03:19:29,916 --> 03:19:30,541
Stoker wrote a

4969
03:19:30,541 --> 03:19:33,044
incredibly breathtaking
erotic romantic

4970
03:19:33,044 --> 03:19:35,672
gothic romance everything we did in

4971
03:19:35,672 --> 03:19:37,507
Dracula was in the old book

4972
03:19:37,507 --> 03:19:40,009
the green smoke
big bat the wolf

4973
03:19:40,009 --> 03:19:41,344
It's all in the book.

4974
03:19:44,138 --> 03:19:46,182
Gary Oldman really

4975
03:19:46,182 --> 03:19:48,685
announced himself as an actor and

4976
03:19:48,685 --> 03:19:50,645
one of those iconic performances where

4977
03:19:50,645 --> 03:19:54,023
once you see this you
can't imagine anyone

4978
03:19:54,023 --> 03:19:56,150
will never play that role again.

4979
03:19:56,359 --> 03:19:57,026
The luckiest

4980
03:19:57,026 --> 03:19:59,237
the man who walks this earth is the

4981
03:19:59,237 --> 03:20:02,490
someone who finds
true love.

4982
03:20:02,699 --> 03:20:04,659
He's playing the

4983
03:20:04,659 --> 03:20:07,412
decrepit shell, he
is playing the manly

4984
03:20:07,412 --> 03:20:10,415
tell me, he is playing
the damaged battle

4985
03:20:10,415 --> 03:20:14,460
warrior who hates
God, time crushed

4986
03:20:14,460 --> 03:20:18,047
lover. The line I crossed oceans of

4987
03:20:18,047 --> 03:20:21,092
time to find you
It's the most romantic

4988
03:20:21,092 --> 03:20:22,552
line ever.

4989
03:20:22,719 --> 03:20:26,681
I crossed oceans of time

4990
03:20:26,681 --> 03:20:27,598
to find you.

4991
03:20:27,807 --> 03:20:29,308
The prince, Gary

4992
03:20:29,308 --> 03:20:31,144
London streets using
sunglasses on

4993
03:20:31,144 --> 03:20:33,104
in broad daylight to give
on top of girls and choose

4994
03:20:33,104 --> 03:20:35,481
Winona up.
Francis fought for it

4995
03:20:35,481 --> 03:20:37,775
scene, the studio does not
I wish Dracula

4996
03:20:37,775 --> 03:20:39,318
walk around in the light
of the day and for your

4997
03:20:39,318 --> 03:20:40,653
credit he defended the script because

4998
03:20:40,653 --> 03:20:41,612
It's in the book.

4999
03:20:41,821 --> 03:20:42,613
Such a lovely woman

5000
03:20:42,613 --> 03:20:45,241
and not smart
should be walking

5001
03:20:45,241 --> 03:20:47,160
London streets without their gentleman.

5002
03:20:47,160 --> 03:20:49,328
Eiko Ishioka won an Oscar for

5003
03:20:49,328 --> 03:20:51,330
Best outfits, she
was very reverent towards

5004
03:20:51,330 --> 03:20:53,416
the script she would come to me and

5005
03:20:53,416 --> 03:20:55,376
show me all
colors she assigned

5006
03:20:55,376 --> 03:20:57,545
for the actors. He was
as soon as she approached

5007
03:20:57,545 --> 03:20:59,213
fantasies.

5008
03:21:01,424 --> 03:21:02,008
Gary's favorite

5009
03:21:02,008 --> 03:21:04,177
look at Dracula was the old man, a

5010
03:21:04,177 --> 03:21:05,803
a lot of people didn't understand Gary

5011
03:21:05,803 --> 03:21:08,139
hairstyle, but that was
Eiko returning to

5012
03:21:08,139 --> 03:21:10,058
its Asian-Mongol roots.

5013
03:21:16,355 --> 03:21:18,524
When you see Dracula and
the shadows are making

5014
03:21:18,524 --> 03:21:20,985
strange things, this is the
Francis with a tribute

5015
03:21:20,985 --> 03:21:23,154
for Nosferatu, for which
he was very influenced.

5016
03:21:27,325 --> 03:21:29,368
Dracula generated a lot of parodies

5017
03:21:29,368 --> 03:21:30,328
although my favorite was The Simpsons

5018
03:21:33,414 --> 03:21:34,874
and the shadows are making
all kinds of crazy things

5019
03:21:34,874 --> 03:21:37,168
His hairstyle looks so weird.

5020
03:21:37,376 --> 03:21:37,794
I heard it!

5021
03:21:37,794 --> 03:21:38,878
It was the boy!

5022
03:21:39,087 --> 03:21:40,296
When Francisco hired

5023
03:21:40,296 --> 03:21:42,882
Sir Anthony Hopkins,
Francisco wanted him

5024
03:21:42,882 --> 03:21:45,218
play Van Helsing
a certain way it was

5025
03:21:45,218 --> 03:21:47,303
basically a species
with a loose canon, there is

5026
03:21:47,303 --> 03:21:48,638
an advantage and a
true to what he is

5027
03:21:48,638 --> 03:21:49,388
dictation.

5028
03:21:49,430 --> 03:21:51,682
Yes, she was in a lot of pain,
so they cut off his head

5029
03:21:51,891 --> 03:21:55,019
and drove a stake through his heart
and burned her, so she found peace.

5030
03:21:55,478 --> 03:21:57,355
He was so involved
on paper and it was

5031
03:21:57,355 --> 03:21:58,898
It's great to have him on set because

5032
03:21:58,898 --> 03:22:00,775
he brought an A game to everyone.

5033
03:22:00,983 --> 03:22:01,984
Do it now.

5034
03:22:02,193 --> 03:22:03,194
Oh!

5035
03:22:03,694 --> 03:22:06,322
Greg Cannom won an Oscar for his

5036
03:22:06,322 --> 03:22:08,407
work on Dracula.
Francis didn't want any

5037
03:22:08,407 --> 03:22:10,201
CG, he wanted it to be an old man

5038
03:22:10,201 --> 03:22:12,411
-modern film, then
all you saw was

5039
03:22:12,411 --> 03:22:14,330
an illusion.

5040
03:22:17,875 --> 03:22:18,960
He wanted the special effects

5041
03:22:18,960 --> 03:22:20,503
to have a story
for them he wanted

5042
03:22:20,503 --> 03:22:22,213
let it be the old cinema that

5043
03:22:22,213 --> 03:22:24,132
we did things in
camera, we use

5044
03:22:24,132 --> 03:22:26,467
miniatures, sets
of forced perspective,

5045
03:22:26,467 --> 03:22:28,010
There's even a scene where they invert

5046
03:22:28,010 --> 03:22:31,848
Rotate the film and do double exposure.

5047
03:22:31,848 --> 03:22:33,516
We're filming that
scene where he opens his

5048
03:22:33,516 --> 03:22:35,518
chest and turns to
Winona and then turns around

5049
03:22:35,518 --> 03:22:36,602
for the bat.

5050
03:22:38,980 --> 03:22:40,314
All the same lines except

5051
03:22:40,314 --> 03:22:42,608
the one who himself
Gary created, he's in

5052
03:22:42,608 --> 03:22:43,901
the bat costume
Saying Jim, wait until you

5053
03:22:43,901 --> 03:22:44,861
see what I will do for you

5054
03:22:44,861 --> 03:22:47,530
and in the middle of the scene in

5055
03:22:47,530 --> 03:22:49,866
the bat costume
with the actors in

5056
03:22:49,866 --> 03:22:50,825
moment when he says:
Look what your god did to me.

5057
03:22:56,330 --> 03:22:57,081
That's it.

5058
03:22:57,331 --> 03:23:00,751
The actor found the only line that was

5059
03:23:00,751 --> 03:23:03,421
the true soul of
character and that

5060
03:23:03,421 --> 03:23:05,214
it had to do with Greg's makeup.

5061
03:23:07,925 --> 03:23:08,759
Dracula

5062
03:23:08,759 --> 03:23:11,220
I almost got a rating
X because of Dracula

5063
03:23:11,220 --> 03:23:13,306
take a child to
home to feed her

5064
03:23:13,306 --> 03:23:15,349
brides. We had close-ups, we had to

5065
03:23:15,349 --> 03:23:17,727
take them out. It looks mild today. Back

5066
03:23:17,727 --> 03:23:19,770
so it was like oh, we can't have

5067
03:23:19,770 --> 03:23:21,981
you eating babies on the screen.

5068
03:23:24,901 --> 03:23:25,568
I was

5069
03:23:25,568 --> 03:23:27,486
extremely lucky as a screenwriter

5070
03:23:27,486 --> 03:23:28,529
I had the experience I had with

5071
03:23:28,529 --> 03:23:30,823
Francisco. He assured
for the writer to be part of

5072
03:23:30,823 --> 03:23:33,159
of the process. It's not always that

5073
03:23:33,159 --> 03:23:34,660
experience we have
as writers in

5074
03:23:34,660 --> 03:23:35,912
this business and I think that's what I

5075
03:23:35,912 --> 03:23:37,330
I learned from him to be
fearless when the

5076
03:23:37,330 --> 03:23:39,165
the studio wanted
replace it or close it

5077
03:23:39,165 --> 03:23:40,833
down, he was fearless.

5078
03:23:44,879 --> 03:23:45,755
The film premiered

5079
03:23:45,755 --> 03:23:47,506
weekend and broke
records. For me it was

5080
03:23:47,506 --> 03:23:49,592
a great vindication and validation.
I have

5081
03:23:49,592 --> 03:23:51,469
trying to make this film since 1977.

5082
03:23:51,469 --> 03:23:53,554
It was a great lesson for me, wasn't it?

5083
03:23:53,554 --> 03:23:55,473
give up if the stars
if they align you are

5084
03:23:55,473 --> 03:23:56,891
I will take your opportunity and it was

5085
03:23:56,891 --> 03:23:58,559
a great opportunity for me.

5086
03:24:10,863 --> 03:24:14,033
There is no pejorative in
Trash film term

5087
03:24:14,033 --> 03:24:16,285
movement. I think it's a movie

5088
03:24:16,285 --> 03:24:18,871
honor delineation and
I'm sure John

5089
03:24:18,871 --> 03:24:20,706
Waters, among many
others would agree.

5090
03:24:20,706 --> 03:24:23,709
You are no longer alive.

5091
03:24:25,419 --> 03:24:26,087
I think back

5092
03:24:26,087 --> 03:24:27,964
for films like Children
Mustn't Play

5093
03:24:27,964 --> 03:24:30,883
with Dead Things and
films that seemed

5094
03:24:30,883 --> 03:24:32,885
as if someone had
put your hands on a

5095
03:24:32,885 --> 03:24:35,346
camcorder or old equipment

5096
03:24:35,346 --> 03:24:38,307
and just had
passion and desire to

5097
03:24:38,307 --> 03:24:40,101
You're going to do something scary.

5098
03:24:42,061 --> 03:24:43,271
What rubbish

5099
03:24:43,271 --> 03:24:46,065
horror indeed
means it is independent

5100
03:24:46,065 --> 03:24:48,734
Outside the studio system, everything is

5101
03:24:48,734 --> 03:24:51,445
DIY is a passion project.
You didn't have

5102
03:24:51,445 --> 03:24:53,614
Help, maybe you
never done this before.

5103
03:24:53,614 --> 03:24:55,199
You can have something that is really

5104
03:24:55,199 --> 03:24:57,451
elegant and really
average in being trash

5105
03:24:57,451 --> 03:24:59,662
horror made in a way
independent outside of any

5106
03:24:59,662 --> 03:25:01,289
type of financing
stadium. You could have

5107
03:25:01,289 --> 03:25:02,581
Something that is like done in your

5108
03:25:02,581 --> 03:25:04,667
backyard with your friends at Super 8.

5109
03:25:09,422 --> 03:25:11,716
Everything they have in common I guess

5110
03:25:11,716 --> 03:25:14,552
It's passion and ambition and no kind of

5111
03:25:14,552 --> 03:25:16,345
recognition of limitations.

5112
03:25:21,475 --> 03:25:24,603
I really admired the
insight and motivation

5113
03:25:24,603 --> 03:25:26,772
and the exuberance of
children who simply

5114
03:25:26,772 --> 03:25:27,982
take a camera and just

5115
03:25:27,982 --> 03:25:29,025
do something.

5116
03:25:29,233 --> 03:25:31,360
We plan to be together forever.

5117
03:25:31,569 --> 03:25:33,612
I want her to be with
the best possible appearance!

5118
03:25:33,779 --> 03:25:34,905
With these lows

5119
03:25:34,905 --> 03:25:36,490
cheap horror movies, whatever

5120
03:25:36,490 --> 03:25:38,284
want to call it, without
budget, micro budget,

5121
03:25:38,284 --> 03:25:41,078
Do it yourself, horror
regional backyard, I think a

5122
03:25:41,078 --> 03:25:43,664
thing to remember is that they didn't have

5123
03:25:43,664 --> 03:25:45,875
resources. They probably
must have read

5124
03:25:45,875 --> 03:25:47,251
something in a book
library they checked

5125
03:25:47,251 --> 03:25:49,045
on how to make a practical effect

5126
03:25:49,045 --> 03:25:51,464
on the screen or they
they just improvised and

5127
03:25:51,464 --> 03:25:53,382
set off a firework
on a mannequin's head

5128
03:25:53,382 --> 03:25:54,967
that they found on the side of the

5129
03:25:54,967 --> 03:25:56,927
road and it was kind of cool,
right and we are

5130
03:25:56,927 --> 03:25:57,762
I will film.

5131
03:25:59,972 --> 03:26:01,307
I have a weekend

5132
03:26:01,307 --> 03:26:02,933
and I'm going to make this film.

5133
03:26:02,933 --> 03:26:04,769
What do you call Goregasm?

5134
03:26:04,894 --> 03:26:07,063
A level of love that
you will never know.

5135
03:26:07,063 --> 03:26:08,981
Many of these filmmakers
filmed on video

5136
03:26:08,981 --> 03:26:10,983
specifically distributed, they

5137
03:26:10,983 --> 03:26:13,152
both had business
mail order and they

5138
03:26:13,152 --> 03:26:15,237
would place an ad in Fangoria or

5139
03:26:15,237 --> 03:26:17,823
Psychotronics or they
they would go door to door

5140
03:26:17,823 --> 03:26:19,867
door of a rental store
of family videos

5141
03:26:19,867 --> 03:26:21,369
and just hand them out and they would

5142
03:26:21,369 --> 03:26:23,079
I only make about a hundred copies.

5143
03:26:26,624 --> 03:26:27,375
I love

5144
03:26:27,375 --> 03:26:29,794
that there is a subculture
of weirdos who

5145
03:26:29,794 --> 03:26:32,088
are collecting these
ribbons and I hope

5146
03:26:32,088 --> 03:26:34,465
saving them and
digitizing them so that others

5147
03:26:34,465 --> 03:26:35,424
people can see them.

5148
03:26:35,591 --> 03:26:36,133
It's all fun and

5149
03:26:36,133 --> 03:26:39,929
games is not until
someone lose an eye.

5150
03:26:41,764 --> 03:26:44,266
Not having money took many people

5151
03:26:44,266 --> 03:26:46,477
make video movies
because the video was

5152
03:26:46,477 --> 03:26:49,730
accessible and you can record hours of

5153
03:26:49,730 --> 03:26:51,857
footage, but that was the
main problem I

5154
03:26:51,857 --> 03:26:53,901
think. When I did
I had my films

5155
03:26:53,901 --> 03:26:56,070
to pay for film stock, if I

5156
03:26:56,070 --> 03:26:58,489
I turned on the camera
I could tell you know

5157
03:26:58,489 --> 03:27:00,157
one dollar two dollars
three dollars four

5158
03:27:00,157 --> 03:27:02,868
dollar, I could hear
money running

5159
03:27:02,868 --> 03:27:05,704
I had to prepare
before filming something.

5160
03:27:10,251 --> 03:27:12,711
It's not so bad that it's good, it's

5161
03:27:12,711 --> 03:27:15,005
about understanding filmmakers and

5162
03:27:15,005 --> 03:27:17,383
what that entailed. The type

5163
03:27:17,383 --> 03:27:19,677
of the limitations that
they had and still

5164
03:27:19,677 --> 03:27:21,679
blooming and doing
honestly a

5165
03:27:21,679 --> 03:27:23,639
a fun work of art.

5166
03:27:26,016 --> 03:27:28,060
It's very punk

5167
03:27:28,060 --> 03:27:30,354
for me and this is the
static that's happening

5168
03:27:30,354 --> 03:27:31,188
for.

5169
03:27:35,234 --> 03:27:36,986
There is this American spirit

5170
03:27:36,986 --> 03:27:40,489
kind of courage,
your own strength, go

5171
03:27:40,489 --> 03:27:42,616
do something, we don't have
budget, we are

5172
03:27:42,616 --> 03:27:44,326
let's put it on tape, let's do it

5173
03:27:44,326 --> 03:27:46,287
so many units and we will...If we

5174
03:27:46,287 --> 03:27:47,955
can sell so many, will do it

5175
03:27:47,955 --> 03:27:49,957
Now, if anyone has the
impression that I am

5176
03:27:49,957 --> 03:27:52,084
doing here by Mark Borchardt from

5177
03:27:52,084 --> 03:27:54,503
incredible seminal film
American Movie

5178
03:27:54,503 --> 03:27:56,839
Chris Smith, they will understand how much

5179
03:27:56,839 --> 03:27:59,133
love I have and any
one who has seen

5180
03:27:59,133 --> 03:28:01,677
that the film has in the spirit of

5181
03:28:01,677 --> 03:28:03,387
independent cinema
that is brought to

5182
03:28:03,387 --> 03:28:04,597
life in American cinema.

5183
03:28:04,805 --> 03:28:05,347
You have to

5184
03:28:05,347 --> 03:28:08,309
It looks threatening. You
Could it be more threatening?

5185
03:28:08,309 --> 03:28:10,769
Some guys led by this

5186
03:28:10,769 --> 03:28:12,688
particular guy
who is so passionate

5187
03:28:12,688 --> 03:28:15,816
about making films that won't stop

5188
03:28:15,816 --> 03:28:18,360
them to do their
horror masterpiece

5189
03:28:18,861 --> 03:28:20,988
Coven, not to be confused with "coven"

5190
03:28:20,988 --> 03:28:23,365
because "coven" sounds
like "oven", about a

5191
03:28:23,365 --> 03:28:26,494
recovering guy
of vice that is caught

5192
03:28:26,494 --> 03:28:30,498
in this cult of satanic murderers and

5193
03:28:30,498 --> 03:28:35,085
this guy takes years
to make your self

5194
03:28:35,085 --> 03:28:39,131
think of a 35 film
40 minutes that is filmed

5195
03:28:39,131 --> 03:28:43,302
at Super 8 and is on its own

5196
03:28:43,302 --> 03:28:45,679
one of the most important

5197
03:28:45,679 --> 03:28:47,556
contributions to the awareness of

5198
03:28:47,556 --> 03:28:49,308
film production
at that time.

5199
03:28:55,105 --> 03:28:57,942
I think the film
American is impressive

5200
03:28:57,942 --> 03:29:00,694
example of filmmakers who do this

5201
03:29:00,694 --> 03:29:03,364
work, doing something
low budget, they will

5202
03:29:03,364 --> 03:29:05,866
in doubt because for
they are a passion,

5203
03:29:05,866 --> 03:29:07,868
for them this is a
need for them

5204
03:29:07,868 --> 03:29:09,411
you have to do it and film
really american

5205
03:29:09,411 --> 03:29:11,288
encapsulates the process of making a

5206
03:29:11,288 --> 03:29:14,458
film and the type of sacrifices and

5207
03:29:14,458 --> 03:29:16,794
maybe a little illusion that will

5208
03:29:16,794 --> 03:29:17,294
into it.

5209
03:29:17,461 --> 03:29:19,088
Here we have mad men putting

5210
03:29:19,088 --> 03:29:21,340
scarecrows in front
God knows why they

5211
03:29:21,340 --> 03:29:23,259
has no purpose
pragmatic for the show, but

5212
03:29:23,259 --> 03:29:24,885
I like to keep the troops motivated.

5213
03:29:24,885 --> 03:29:27,096
Before doing anything
thing I watch

5214
03:29:27,096 --> 03:29:29,640
this film. He inspires me, he says

5215
03:29:29,640 --> 03:29:31,850
whatever you are
willing to do to get your

5216
03:29:31,850 --> 03:29:33,644
project done you have to do it.

5217
03:29:33,852 --> 03:29:33,978
Conventicle

5218
03:29:33,978 --> 03:29:35,312
Man, we gotta finish
with this crap, right?

5219
03:29:35,312 --> 03:29:38,065
Seriously. Last night,
man, I was so

5220
03:29:38,065 --> 03:29:39,775
drunk I was
calling the guy from Morocco.

5221
03:29:39,984 --> 03:29:40,150
I think

5222
03:29:40,150 --> 03:29:42,319
It's a perfect example
where the passion comes from

5223
03:29:42,319 --> 03:29:44,071
and art meet.
You kind of have to

5224
03:29:44,071 --> 03:29:45,781
stay blind to everyone
who are saying that you

5225
03:29:45,781 --> 03:29:47,366
can't do that,
you just have to go

5226
03:29:47,366 --> 03:29:49,368
for this and it is a huge risk.

5227
03:29:49,368 --> 03:29:51,620
Would you buy this
movie for $14.95?

5228
03:29:51,829 --> 03:29:51,870
Yes

5229
03:29:51,870 --> 03:29:52,580
Of course yes

5230
03:29:52,788 --> 03:29:54,039
if I can find 3,000

5231
03:29:54,039 --> 03:29:56,000
people like you in
all over the country, man

5232
03:29:56,000 --> 03:29:57,001
I'm in the business.

5233
03:29:57,209 --> 03:29:58,252
Movies are a headache

5234
03:29:58,252 --> 03:30:00,254
the ass to do,
they are exhausting, they

5235
03:30:00,254 --> 03:30:02,464
exhaust you mentally,
physically,

5236
03:30:02,464 --> 03:30:05,217
in terms of relationships,
they drain your bank

5237
03:30:05,217 --> 03:30:07,303
account, your spirit, they are very

5238
03:30:07,303 --> 03:30:09,513
difficult things. You
you have to really want it.

5239
03:30:09,513 --> 03:30:11,432
You're not going to leave me here, are you?

5240
03:30:14,268 --> 03:30:15,436
I think about Sam Raimi doing

5241
03:30:15,436 --> 03:30:17,730
Evil Dead having the camera stuck in a

5242
03:30:17,730 --> 03:30:20,524
board because he
couldn't pay one

5243
03:30:20,524 --> 03:30:22,276
steadicam and running through the forest

5244
03:30:22,276 --> 03:30:26,030
with the camera in a
board, that type

5245
03:30:26,030 --> 03:30:27,781
by necessity being the mother of

5246
03:30:27,781 --> 03:30:30,492
invention always creates
good results, I think.

5247
03:30:35,664 --> 03:30:37,082
Sam Raimi was a great

5248
03:30:37,082 --> 03:30:39,251
influence. Evil Dead,
Evil Dead 2, Army of

5249
03:30:39,251 --> 03:30:40,586
Darkness all those
movies had that

5250
03:30:40,586 --> 03:30:44,131
Tilted camera angles
and that came into play

5251
03:30:44,131 --> 03:30:46,925
many films filmed on video.

5252
03:30:51,930 --> 03:30:54,350
I have no problems
in using influences

5253
03:30:54,350 --> 03:30:56,477
on your sleeves how are you going to do how

5254
03:30:56,477 --> 03:30:57,978
as long as it is
fun, as long as

5255
03:30:57,978 --> 03:30:59,146
you're having fun and we can

5256
03:30:59,146 --> 03:31:00,648
feel it, as long as
that you care about

5257
03:31:00,648 --> 03:31:03,192
this, and you are not
being ironic then I

5258
03:31:03,192 --> 03:31:04,652
I will be very careful with this.

5259
03:31:09,073 --> 03:31:11,575
I think you have
that get into these types

5260
03:31:11,575 --> 03:31:14,078
of films with the acceptance of what

5261
03:31:14,078 --> 03:31:15,913
you will see. You won't

5262
03:31:15,913 --> 03:31:18,207
see the state of the art
film production you

5263
03:31:18,207 --> 03:31:19,917
you should know what
is getting involved when

5264
03:31:19,917 --> 03:31:21,669
you are entering a
shot on video film

5265
03:31:21,669 --> 03:31:23,754
this is essentially
an amateur production

5266
03:31:23,754 --> 03:31:25,381
What if you can really do something

5267
03:31:25,381 --> 03:31:27,383
that is watchable and
much less fun

5268
03:31:27,383 --> 03:31:29,259
well, that's definitely
important

5269
03:31:29,259 --> 03:31:30,678
achievement in my eyes.

5270
03:31:30,844 --> 03:31:33,806
Who are you? Shut up,
you know who I am.

5271
03:31:35,933 --> 03:31:37,101
Anyone who starts from

5272
03:31:37,101 --> 03:31:39,103
the title and comes to an end

5273
03:31:39,103 --> 03:31:40,854
a hero, it's not for me to judge

5274
03:31:40,854 --> 03:31:43,482
your work. If the
story is good, it can

5275
03:31:43,482 --> 03:31:44,358
survive a lot.

5276
03:31:44,566 --> 03:31:45,901
You are the beginning of

5277
03:31:45,901 --> 03:31:47,695
the new order.

5278
03:31:47,861 --> 03:31:52,491
Through you, I will change
the face of the world.

5279
03:31:52,491 --> 03:31:55,160
Any completed film
It's an absolute miracle.

5280
03:31:55,160 --> 03:31:56,912
It's an absolute miracle
that if you can

5281
03:31:56,912 --> 03:31:58,747
make a short or if you make a

5282
03:31:58,747 --> 03:32:01,291
90-minute feature film,
like Hail Satan, you choose.

5283
03:32:01,291 --> 03:32:05,546
Hell sent me,
I'm Frank the Tank.

5284
03:32:06,505 --> 03:32:08,757
To belittle something
that I had no budget

5285
03:32:08,757 --> 03:32:10,509
I think there is a way
very narrow-minded

5286
03:32:10,509 --> 03:32:12,511
thinking. You will lose a lot

5287
03:32:12,511 --> 03:32:15,264
titles for not giving
micro budget or not

5288
03:32:15,264 --> 03:32:16,765
low cost movies a chance.

5289
03:32:16,974 --> 03:32:17,975
You act like trash,

5290
03:32:18,726 --> 03:32:21,478
you are treated like trash.

5291
03:32:38,203 --> 03:32:39,663
Leprechaun

5292
03:32:39,747 --> 03:32:43,417
We often think
in elves as cute and

5293
03:32:43,417 --> 03:32:45,836
as a serial mascot
and here you have

5294
03:32:45,836 --> 03:32:48,881
he killing people for fun

5295
03:32:52,050 --> 03:32:54,636
I think a leprechaun is legitimately

5296
03:32:54,636 --> 03:32:57,181
different from a living doll, but the

5297
03:32:57,181 --> 03:33:00,476
notion of a species
absurd diminutive

5298
03:33:00,476 --> 03:33:04,271
villain you know
says funny things

5299
03:33:04,271 --> 03:33:06,774
while he's killing you.

5300
03:33:11,779 --> 03:33:12,571
Yes, I

5301
03:33:12,571 --> 03:33:15,240
I think they were
taking advantage of our advantage

5302
03:33:15,240 --> 03:33:17,743
a little, but not at all

5303
03:33:17,743 --> 03:33:19,161
That didn't seem fair.

5304
03:33:26,960 --> 03:33:30,047
Written and directed by
Mark Jones, Leprechaun was

5305
03:33:30,047 --> 03:33:32,549
really inspired
by Critters coming

5306
03:33:32,549 --> 03:33:36,094
in how this film is set, there is

5307
03:33:36,094 --> 03:33:38,514
a reason why
there is terror here because

5308
03:33:38,514 --> 03:33:40,224
there is no one to help you.
You are in

5309
03:33:40,224 --> 03:33:43,435
a very isolated place
which also helps

5310
03:33:43,435 --> 03:33:44,436
with budget.

5311
03:33:44,645 --> 03:33:45,646
Ah, it looks like you're hurt.

5312
03:33:46,313 --> 03:33:49,066
Let's play surgeon!

5313
03:33:49,233 --> 03:33:49,691
No!

5314
03:33:49,942 --> 03:33:50,567
To have! To have! To have!

5315
03:33:51,443 --> 03:33:53,362
Warwick Davis simply
devours the landscape

5316
03:33:53,529 --> 03:33:54,029
It's not cool

5317
03:33:54,029 --> 03:33:55,864
to make fun of a leprechaun

5318
03:33:56,073 --> 03:33:56,657
and people's legs

5319
03:34:00,244 --> 03:34:02,371
Jennifer Aniston before Friends does

5320
03:34:02,371 --> 03:34:04,373
his film debut this

5321
03:34:04,581 --> 03:34:04,832
Okay, hi

5322
03:34:04,832 --> 03:34:07,000
I would like to make a reservation

5323
03:34:07,209 --> 03:34:07,501
Yes, I would

5324
03:34:07,501 --> 03:34:08,877
I wish it was a really tall room

5325
03:34:08,877 --> 03:34:09,711
and I want it to be very beautiful

5326
03:34:10,337 --> 03:34:10,838
Great!

5327
03:34:11,046 --> 03:34:13,590
Mark Holton, who you may recognize

5328
03:34:13,590 --> 03:34:17,427
as Francis, the bad guy from Pee-Wee's

5329
03:34:17,427 --> 03:34:20,430
Big Adventure really
plays a nice guy

5330
03:34:20,430 --> 03:34:20,806
in this one.

5331
03:34:20,973 --> 03:34:22,057
There's an elf in the

5332
03:34:22,057 --> 03:34:24,768
basement Ah, there's an elf in the basement!

5333
03:34:24,977 --> 03:34:26,520
And you can thank Warwick Davis

5334
03:34:26,520 --> 03:34:29,690
for this film to be so
funny as it seems

5335
03:34:29,690 --> 03:34:31,775
Even if he's a murderer

5336
03:34:31,775 --> 03:34:33,861
psychopath who wants all the money.

5337
03:34:34,027 --> 03:34:35,445
I want to go!

5338
03:34:37,239 --> 03:34:38,782
It's so strange. The scene

5339
03:34:38,782 --> 03:34:40,826
of him destroying the
kitchen is probably

5340
03:34:40,826 --> 03:34:43,036
my favorite thing about
all times. He finds

5341
03:34:43,036 --> 03:34:44,955
the cereal and he freaks out about it

5342
03:34:49,543 --> 03:34:52,796
Mark Jones would also create

5343
03:34:52,796 --> 03:34:54,590
a film called Rumpelstiltskin.

5344
03:34:54,798 --> 03:34:58,051
Little killer running
around making jokes and

5345
03:34:58,051 --> 03:35:00,387
finding various and diverse
ways to murder

5346
03:35:00,387 --> 03:35:00,929
you.

5347
03:35:00,929 --> 03:35:01,471
Magic!

5348
03:35:03,265 --> 03:35:05,392
You can tell that Warwick's

5349
03:35:05,392 --> 03:35:07,144
having a lot of fun with it and

5350
03:35:07,144 --> 03:35:09,438
He's like meh I'll never do it

5351
03:35:09,438 --> 03:35:14,234
another one of those, much to his chagrin.

5352
03:35:16,612 --> 03:35:19,489
For a born slasher
in the 90s I think

5353
03:35:19,489 --> 03:35:21,533
Leprechaun is a species
deliciously elf

5354
03:35:21,533 --> 03:35:24,494
Retro agreement and sets tone early

5355
03:35:24,494 --> 03:35:27,331
and does what it promises

5356
03:35:27,331 --> 03:35:29,666
consistently in
a very crazy situation

5357
03:35:29,666 --> 03:35:31,001
chronology of sequels.

5358
03:35:31,209 --> 03:35:32,085
It had to be gold, right?

5359
03:35:32,085 --> 03:35:34,379
hooded thieves! You
has more loot than

5360
03:35:34,379 --> 03:35:37,382
Tiger Woods. Shoot
on that son of a bitch!

5361
03:35:38,050 --> 03:35:40,761
For those who are
counting points, Leprechaun

5362
03:35:40,761 --> 03:35:43,472
went to space
before Jason, before

5363
03:35:43,472 --> 03:35:46,183
Amityville, he did it first.

5364
03:35:50,395 --> 03:35:51,146
This is

5365
03:35:51,146 --> 03:35:53,649
this little movie
strange that there was so much

5366
03:35:53,649 --> 03:35:55,734
a life after is lovely.

5367
03:35:55,943 --> 03:35:58,445
Now that was fun!

5368
03:36:05,118 --> 03:36:06,495
The Disappearance

5369
03:36:08,497 --> 03:36:10,040
The original Vanishing, a really

5370
03:36:10,040 --> 03:36:12,876
interesting film
psychological terror of

5371
03:36:12,876 --> 03:36:15,462
George Sluizer, he is
Dutch, he redid it

5372
03:36:15,462 --> 03:36:17,339
what is so interesting
that a director

5373
03:36:17,339 --> 03:36:18,799
can remake his film.

5374
03:36:19,007 --> 03:36:19,341
Look maybe

5375
03:36:19,341 --> 03:36:20,676
Can someone help me my girlfriend

5376
03:36:20,676 --> 03:36:24,346
disappeared. Has anyone seen her?
Please ma'am, please

5377
03:36:24,554 --> 03:36:25,722
In The Disappearance, Jeff

5378
03:36:25,722 --> 03:36:29,101
Bridges is a serial
killer in development

5379
03:36:29,101 --> 03:36:32,938
trying to find out
how to perfect your

5380
03:36:32,938 --> 03:36:37,401
bait, how to appear not dangerous

5381
03:36:37,401 --> 03:36:40,529
as modest as possible
to be able to obtain

5382
03:36:40,529 --> 03:36:42,447
your prey to reach
a little closer. �

5383
03:36:42,447 --> 03:36:44,700
really a vision
incredible how he puts it

5384
03:36:44,700 --> 03:36:45,826
all of this together.

5385
03:36:46,034 --> 03:36:48,829
Henley, that's what I don't
could remember. Thanks. You will

5386
03:36:48,829 --> 03:36:51,373
like this? Here it is
my car, I can give

5387
03:36:51,373 --> 03:36:53,291
give you a ride. Oh
No, it's okay.

5388
03:36:53,291 --> 03:36:56,420
That looking guy
common that is so cruel

5389
03:36:56,420 --> 03:36:58,588
killer who kidnaps
people and bury them

5390
03:36:58,588 --> 03:36:59,172
alive.

5391
03:36:59,381 --> 03:37:00,382
No!

5392
03:37:01,633 --> 03:37:04,720
The scary thing is that this

5393
03:37:04,720 --> 03:37:06,179
guy is someone you wouldn't look at

5394
03:37:06,179 --> 03:37:07,848
twice. He could
be the boy next door.

5395
03:37:07,848 --> 03:37:10,392
This is your lucky day,
I can feel it.

5396
03:37:12,269 --> 03:37:14,229
Jeff Bridges and Sandra Bullock. This

5397
03:37:14,229 --> 03:37:16,773
was one of the tactics
that Ted Bundy used

5398
03:37:16,773 --> 03:37:19,151
feeling weak with a cast on your arm

5399
03:37:19,151 --> 03:37:21,278
and try to get someone to help you and then

5400
03:37:21,278 --> 03:37:23,447
push it in
of a car and leave

5401
03:37:23,447 --> 03:37:27,200
You can come in and give me a hand.
To enter?

5402
03:37:27,492 --> 03:37:27,826
Yes.

5403
03:37:27,993 --> 03:37:30,454
Kiefer Sutherland
Do you feel his pain?

5404
03:37:30,454 --> 03:37:34,082
Man, do you feel how
Broken and desperate he is

5405
03:37:34,082 --> 03:37:35,751
is to discover the truth.

5406
03:37:35,959 --> 03:37:39,379
I swear to God I wanted
that she was dead

5407
03:37:39,379 --> 03:37:40,881
You don't know what it's like to not know

5408
03:37:40,881 --> 03:37:42,424
You know you just need to be careful

5409
03:37:42,424 --> 03:37:44,551
that you find in
gas stations.

5410
03:37:44,718 --> 03:37:45,177
No!

5411
03:37:45,385 --> 03:37:45,677
No!

5412
03:37:46,845 --> 03:37:47,095
No!

5413
03:37:47,304 --> 03:37:50,265
That really boosted
this idea that

5414
03:37:50,265 --> 03:37:51,892
you can't just
look at someone and say

5415
03:37:51,892 --> 03:37:53,560
that they are murderers.
I am the man you are

5416
03:37:53,560 --> 03:37:56,438
Looking for. I'm Barney.

5417
03:37:57,230 --> 03:37:59,691
Until they reveal

5418
03:37:59,691 --> 03:38:00,484
themselves.

5419
03:38:00,692 --> 03:38:01,651
No!

5420
03:38:02,778 --> 03:38:03,111
Bastard!

5421
03:38:03,904 --> 03:38:04,071
Easy!

5422
03:38:04,196 --> 03:38:04,571
No!

5423
03:38:05,155 --> 03:38:05,572
No!

5424
03:38:05,781 --> 03:38:09,534
Bundy was a master of you will never

5425
03:38:09,534 --> 03:38:12,162
see the real me
until I'm squeezing the

5426
03:38:12,162 --> 03:38:14,331
Last drop of your fucking life

5427
03:38:14,331 --> 03:38:17,292
body. That's the shit
that is scary

5428
03:38:17,292 --> 03:38:20,253
I crossed that line and there is no

5429
03:38:20,253 --> 03:38:21,421
returning.

5430
03:38:27,052 --> 03:38:29,221
Your mother ate my dog!

5431
03:38:29,387 --> 03:38:30,138
Living Dead

5432
03:38:30,347 --> 03:38:32,140
Before Peter Jackson

5433
03:38:32,140 --> 03:38:33,058
today

5434
03:38:33,266 --> 03:38:36,686
You must not pass!

5435
03:38:36,895 --> 03:38:39,648
This is yesterday's Peter Jackson

5436
03:38:39,648 --> 03:38:40,273
Oh Shit!

5437
03:38:40,524 --> 03:38:42,818
I was about to
pop my cookies!

5438
03:38:43,110 --> 03:38:45,278
That is a man who was incredibly

5439
03:38:45,278 --> 03:38:47,114
ambitious with practical effects

5440
03:38:49,616 --> 03:38:50,867
Living Dead

5441
03:38:50,867 --> 03:38:55,080
is a shining example
of blood and latex

5442
03:38:56,957 --> 03:38:59,459
Up to this point, Peter
Jackson had done

5443
03:38:59,459 --> 03:39:01,711
Bad taste and know the weak who are

5444
03:39:01,711 --> 03:39:04,172
both effects films
practical heavy, heavy

5445
03:39:04,172 --> 03:39:06,216
So, for me, this is the culmination of

5446
03:39:06,216 --> 03:39:07,717
these two films together.

5447
03:39:10,971 --> 03:39:12,264
Living Dead

5448
03:39:12,264 --> 03:39:15,725
also known as
Braindead is the story of Henpecked

5449
03:39:15,725 --> 03:39:18,687
Lionel who was
extremely blocked by

5450
03:39:18,687 --> 03:39:19,104
his mother

5451
03:39:19,312 --> 03:39:20,605
I thought I told you to

5452
03:39:20,605 --> 03:39:23,108
spray this house, the
place is infested

5453
03:39:23,108 --> 03:39:24,860
with worms. I will start
right now, mom

5454
03:39:24,860 --> 03:39:26,570
He falls in love with a

5455
03:39:26,570 --> 03:39:28,238
very attractive spanish girl

5456
03:39:28,238 --> 03:39:28,905
local store

5457
03:39:29,114 --> 03:39:30,282
Do you want to go to the

5458
03:39:30,282 --> 03:39:30,490
good?

5459
03:39:30,740 --> 03:39:31,324
Yes please

5460
03:39:31,533 --> 03:39:32,701
It's a coming of age story

5461
03:39:32,701 --> 03:39:35,203
for him. He wants to express himself with

5462
03:39:35,203 --> 03:39:36,955
this girlfriend but of course his mother

5463
03:39:36,955 --> 03:39:38,165
will not allow this.

5464
03:39:41,418 --> 03:39:42,586
His mother was bitten by a

5465
03:39:42,586 --> 03:39:43,378
rat monkey

5466
03:39:46,131 --> 03:39:47,174
and becomes a zombie

5467
03:39:48,717 --> 03:39:49,134
which

5468
03:39:49,134 --> 03:39:52,262
complicates things and
he has to hide

5469
03:39:52,262 --> 03:39:54,055
this fact of the world and try

5470
03:39:54,055 --> 03:39:54,848
contain it.

5471
03:39:55,056 --> 03:39:56,766
So you found
your father's old man

5472
03:39:56,766 --> 03:39:58,185
stag movies, huh?

5473
03:39:59,311 --> 03:40:02,105
It's a romantic comedy with blood and

5474
03:40:02,105 --> 03:40:03,106
At the end of the day they are just

5475
03:40:03,106 --> 03:40:04,316
will cover me with a lot of things

5476
03:40:04,316 --> 03:40:08,403
of things and they with
they sure did that

5477
03:40:13,074 --> 03:40:15,202
It has a certain shine with a

5478
03:40:15,202 --> 03:40:17,996
definitive filter of a
New Zealand type

5479
03:40:17,996 --> 03:40:19,372
comic tone

5480
03:40:19,539 --> 03:40:22,042
They're not exactly dead

5481
03:40:22,042 --> 03:40:24,794
they're kind of rotting

5482
03:40:25,003 --> 03:40:25,670
Peter was

5483
03:40:25,670 --> 03:40:27,297
very good at capturing
that he was very

5484
03:40:27,297 --> 03:40:29,132
good to say this is what makes us

5485
03:40:29,132 --> 03:40:30,592
laugh let's see the rest of the

5486
03:40:30,592 --> 03:40:31,927
the world thinks

5487
03:40:33,803 --> 03:40:34,512
That ear falling in

5488
03:40:34,512 --> 03:40:36,139
creamy and rich and creamy

5489
03:40:36,348 --> 03:40:36,848
Just the way

5490
03:40:36,848 --> 03:40:37,766
I like that

5491
03:40:37,933 --> 03:40:38,642
This is...

5492
03:40:38,642 --> 03:40:40,602
you just don't see
this nowhere else

5493
03:40:41,478 --> 03:40:43,146
It's my mother

5494
03:40:43,313 --> 03:40:45,357
In 1991 with a 16mm

5495
03:40:45,357 --> 03:40:47,442
camera we were just
making a huge

5496
03:40:47,442 --> 03:40:48,652
quantity with very little

5497
03:40:48,818 --> 03:40:49,319
All in

5498
03:40:49,319 --> 03:40:50,946
This movie is on camera

5499
03:40:55,492 --> 03:40:55,867
By

5500
03:40:55,867 --> 03:40:58,328
saving money
doing this in 16mm he

5501
03:40:58,328 --> 03:41:00,872
I had more money
to play on Richard

5502
03:41:00,872 --> 03:41:03,166
Taylor's team is here
that Weta Workshop

5503
03:41:03,166 --> 03:41:07,170
took flight, I suppose
What could you say

5504
03:41:07,337 --> 03:41:09,881
They have to do and
try everything. Puppets

5505
03:41:09,881 --> 03:41:12,217
pulling strings and
forced perspectives

5506
03:41:12,217 --> 03:41:14,386
and thumbnails of all the tricks in the

5507
03:41:14,386 --> 03:41:17,305
the trade Peter was in
applying it to that film then

5508
03:41:17,305 --> 03:41:20,267
as a young actor
I had the privilege of

5509
03:41:20,267 --> 03:41:22,310
basically learn
all these things

5510
03:41:25,063 --> 03:41:25,855
It's like that

5511
03:41:25,855 --> 03:41:28,108
very fun, it's a lot of gore and that

5512
03:41:28,108 --> 03:41:29,943
the film is super quotable

5513
03:41:30,151 --> 03:41:31,653
I kick ass for the Lord

5514
03:41:31,820 --> 03:41:33,363
The real star of the show

5515
03:41:33,363 --> 03:41:35,657
It's the zombie baby

5516
03:41:38,952 --> 03:41:39,911
Not exaggerated

5517
03:41:39,911 --> 03:41:42,038
even start to
describe how exaggerated

5518
03:41:42,038 --> 03:41:44,082
this element is

5519
03:41:46,209 --> 03:41:46,835
The film had a kind of

5520
03:41:46,835 --> 03:41:49,087
ran out of money and
the guarantors had

5521
03:41:49,087 --> 03:41:51,047
told Peter that you
you don't need this scene

5522
03:41:51,047 --> 03:41:53,425
to tell the story,
but Peter is not someone

5523
03:41:53,425 --> 03:41:56,428
this goes oh yes you
That's right he will

5524
03:41:56,428 --> 03:41:59,139
nah this is a great scene that has

5525
03:41:59,139 --> 03:42:01,808
to be shot then
after we wrap it

5526
03:42:01,808 --> 03:42:03,476
we gathered some of us together and said

5527
03:42:03,476 --> 03:42:05,395
let's film this scene
anyway

5528
03:42:08,898 --> 03:42:09,691
People

5529
03:42:09,691 --> 03:42:12,193
are literally sliding on the floor

5530
03:42:12,193 --> 03:42:13,903
fake blood I think it's something like 80

5531
03:42:13,903 --> 03:42:15,655
gallons of fake blood
used in this film

5532
03:42:19,117 --> 03:42:20,910
Often, when
we were filming and we were

5533
03:42:20,910 --> 03:42:23,747
doing one more take
for more blood or

5534
03:42:23,747 --> 03:42:25,915
more splashes or what
whatever we were

5535
03:42:25,915 --> 03:42:26,833
everyone standing around
you really need it

5536
03:42:26,833 --> 03:42:28,293
another one he's going this one is to the

5537
03:42:28,293 --> 03:42:28,835
F�s!

5538
03:42:31,963 --> 03:42:33,590
In that sequence of
carnage we had two

5539
03:42:33,590 --> 03:42:35,508
units running at
At the same time, they were often

5540
03:42:35,508 --> 03:42:37,427
filming on the upper level
while we were

5541
03:42:37,427 --> 03:42:38,845
filming something below and I would be

5542
03:42:38,845 --> 03:42:41,014
running between two
units I would take my

5543
03:42:41,014 --> 03:42:43,641
fantasy outside at night
all that blood and

5544
03:42:43,641 --> 03:42:46,144
splashes I would
work and my pants

5545
03:42:46,144 --> 03:42:48,438
it would be like cardboard and then fantasy

5546
03:42:48,438 --> 03:42:50,607
would come in and spray me then

5547
03:42:50,607 --> 03:42:52,400
that the pants would loosen a little

5548
03:42:52,400 --> 03:42:54,444
I could walk again
and walk again

5549
03:42:54,444 --> 03:42:56,696
get ready and keep going and do more

5550
03:42:59,949 --> 03:43:00,325
But

5551
03:43:00,325 --> 03:43:02,202
I must say that after six weeks

5552
03:43:02,202 --> 03:43:04,746
of that blood and gore
clotted sitting there

5553
03:43:04,746 --> 03:43:07,332
studio and in your clothes under studio

5554
03:43:07,332 --> 03:43:09,751
lights got really smelly. There were

5555
03:43:09,751 --> 03:43:12,754
definitely a process
of fermentation happening

5556
03:43:12,754 --> 03:43:16,091
and yes, I couldn't
get close to the edge

5557
03:43:16,091 --> 03:43:17,884
syrup for a long time after that

5558
03:43:21,721 --> 03:43:22,180
When

5559
03:43:22,180 --> 03:43:24,182
I made this film in 1991.

5560
03:43:24,182 --> 03:43:26,309
I would have no idea that this film

5561
03:43:26,309 --> 03:43:29,020
would have the useful life it had

5562
03:43:32,607 --> 03:43:35,819
The American version
was slightly reduced

5563
03:43:35,819 --> 03:43:38,029
for censorship reasons, then it is not the

5564
03:43:38,029 --> 03:43:40,073
full version

5565
03:43:40,281 --> 03:43:41,116
The film was

5566
03:43:41,116 --> 03:43:43,660
originally titled
Braindead, but there is

5567
03:43:43,660 --> 03:43:47,038
a 1990 film starring
by Bill Pullman titled

5568
03:43:47,038 --> 03:43:49,165
Braindead movie very different very

5569
03:43:49,165 --> 03:43:51,793
different vibe then
we renamed it to Dead Alive

5570
03:43:52,001 --> 03:43:53,253
The marketing of this is very

5571
03:43:53,253 --> 03:43:56,297
smart because you
can't help but stop

5572
03:43:56,297 --> 03:43:58,716
and look at the key art for this

5573
03:44:01,719 --> 03:44:03,805
The images they chose are

5574
03:44:03,805 --> 03:44:06,182
quite confronting, seriously

5575
03:44:06,182 --> 03:44:07,809
scary horror

5576
03:44:08,351 --> 03:44:10,687
In the end, the fan base

5577
03:44:10,687 --> 03:44:13,314
It's so connected and communicative that

5578
03:44:13,314 --> 03:44:15,275
It's all a matter of
word of mouth, so if

5579
03:44:15,275 --> 03:44:16,693
It's called Dead Alive or Braindead

5580
03:44:16,693 --> 03:44:18,528
it didn't really matter
was what is this

5581
03:44:18,528 --> 03:44:18,820
film?

5582
03:44:19,028 --> 03:44:21,406
oh how great I'll tell you
for two friends

5583
03:44:21,406 --> 03:44:23,616
they will count to two
friends and stuff

5584
03:44:23,616 --> 03:44:25,827
become classics
cult like this In the end

5585
03:44:25,827 --> 03:44:26,786
The party is over

5586
03:44:37,839 --> 03:44:38,840
Dark Army

5587
03:44:40,717 --> 03:44:41,718
Dark Army

5588
03:44:41,801 --> 03:44:43,511
It's about Ashley J.

5589
03:44:43,720 --> 03:44:46,139
Williams getting sucked
to the past and

5590
03:44:46,139 --> 03:44:48,808
having to fight against
medieval deadites with

5591
03:44:48,808 --> 03:44:49,976
your boomstick

5592
03:44:50,185 --> 03:44:53,521
This is my boomstick!

5593
03:44:53,646 --> 03:44:54,898
It's horror, but it's also

5594
03:44:54,898 --> 03:44:57,734
adventure and comedy and slapstick

5595
03:45:00,445 --> 03:45:01,029
which

5596
03:45:01,029 --> 03:45:03,323
It's what Sam Raimi is known for and

5597
03:45:03,323 --> 03:45:06,034
Bruce Campbell
incredible and simply brings

5598
03:45:06,034 --> 03:45:08,244
not every time
matter what Sam Raimi

5599
03:45:08,244 --> 03:45:09,746
do with him.

5600
03:45:09,913 --> 03:45:12,707
How about some chocolate
hot, huh? Ha! Ha! Ha!

5601
03:45:12,832 --> 03:45:18,463
Army of Darkness is a
film that is essentially

5602
03:45:18,463 --> 03:45:21,925
Evil Dead Part 3 but it's so far away

5603
03:45:21,925 --> 03:45:24,302
stylistically removed,
I think, from

5604
03:45:24,302 --> 03:45:26,095
the first two Evil
Deads that really

5605
03:45:26,095 --> 03:45:27,931
stands on its own as its own

5606
03:45:27,931 --> 03:45:29,265
singular film

5607
03:45:33,144 --> 03:45:34,687
When they finally

5608
03:45:34,687 --> 03:45:36,981
we decided to do this,
we were so

5609
03:45:36,981 --> 03:45:38,691
excited because we had so much fun

5610
03:45:38,691 --> 03:45:40,527
working on Evil
Dead 2 and those two

5611
03:45:40,527 --> 03:45:42,237
Evil Dead 2 and Army of Darkness films

5612
03:45:42,237 --> 03:45:44,322
were the best
moments I've lived

5613
03:45:44,322 --> 03:45:45,490
was in a movie

5614
03:45:49,786 --> 03:45:51,204
Tony Gardner was also

5615
03:45:51,204 --> 03:45:53,164
involved he was
doing Evil Ash

5616
03:45:53,164 --> 03:45:55,542
effects and we were
making the whole army

5617
03:45:55,542 --> 03:45:57,126
the rest of these things

5618
03:46:01,297 --> 03:46:01,923
Every night we

5619
03:46:01,923 --> 03:46:04,676
were exploding
things, there were guys in

5620
03:46:04,676 --> 03:46:06,803
on horseback there were sword fights we

5621
03:46:06,803 --> 03:46:09,639
skeleton puppets
children puppets in one

5622
03:46:09,639 --> 03:46:11,766
candy shop in a store
of toys just having

5623
03:46:11,766 --> 03:46:12,725
very fun

5624
03:46:15,061 --> 03:46:16,771
Say hello to the 21st century

5625
03:46:17,605 --> 03:46:18,606
Yeah, yeah!

5626
03:46:19,649 --> 03:46:21,651
I think Army of
Darkness is very similar

5627
03:46:21,651 --> 03:46:24,529
a great film
1960s adventure

5628
03:46:28,575 --> 03:46:31,244
Army of Darkness
quite shocking and

5629
03:46:31,244 --> 03:46:33,162
outrageous for a studio film is

5630
03:46:33,162 --> 03:46:35,331
It is important to remember that filmmakers

5631
03:46:35,748 --> 03:46:39,836
made more original and stranger

5632
03:46:39,836 --> 03:46:41,045
things they do today

5633
03:46:45,842 --> 03:46:50,138
I think my scene
Favorite in the movie - Ash

5634
03:46:50,138 --> 03:46:52,348
ends up breaking one
mirror looking inside

5635
03:46:52,348 --> 03:46:54,517
of this and that is the error because everything

5636
03:46:54,517 --> 03:46:56,853
from these little ashes they run away

5637
03:46:56,853 --> 03:46:57,562
and attacking him

5638
03:47:03,860 --> 03:47:06,279
It's like the old way
to take effect

5639
03:47:06,279 --> 03:47:08,781
This is just practical and fun and

5640
03:47:08,781 --> 03:47:10,491
wonderful and you believe it

5641
03:47:17,165 --> 03:47:17,749
When

5642
03:47:17,749 --> 03:47:19,667
the glass breaks and the small versions

5643
03:47:19,667 --> 03:47:21,294
of him jumping out of the mirror that

5644
03:47:21,294 --> 03:47:22,712
was made by Tony Gardner and was

5645
03:47:22,712 --> 03:47:25,548
a bunch of stuntmen in pairs do

5646
03:47:25,548 --> 03:47:26,799
-ups to look like Bruce

5647
03:47:27,008 --> 03:47:27,800
The entire sequence

5648
03:47:27,800 --> 03:47:29,594
where he grows the globe
eyepiece that is right

5649
03:47:29,594 --> 03:47:31,638
outside The Manster

5650
03:47:31,846 --> 03:47:33,598
Then it grows

5651
03:47:33,598 --> 03:47:35,516
head and then it became the thing with

5652
03:47:35,516 --> 03:47:36,059
Two heads

5653
03:47:36,225 --> 03:47:37,685
Sam is obviously pulling from

5654
03:47:37,685 --> 03:47:39,729
all these films that
he liked it when he

5655
03:47:39,729 --> 03:47:40,855
was a child

5656
03:47:43,775 --> 03:47:45,735
Sam punishes Bruce and almost

5657
03:47:45,735 --> 03:47:48,363
happily have fun with it

5658
03:47:52,075 --> 03:47:52,867
Wizard

5659
03:47:52,867 --> 03:47:54,577
It's always great to work
with him, he is simply

5660
03:47:54,577 --> 03:47:57,288
so funny that he
is always having fun

5661
03:47:57,330 --> 03:48:01,084
Ahem!

5662
03:48:01,751 --> 03:48:02,377
The thing about Bruce

5663
03:48:02,418 --> 03:48:04,170
he is also the producer of these films

5664
03:48:04,170 --> 03:48:06,631
so anything
that moves the film forward

5665
03:48:06,631 --> 03:48:09,592
and helps to finish the
one day he will do it

5666
03:48:14,430 --> 03:48:15,515
Being on the set of Army of

5667
03:48:15,515 --> 03:48:17,850
The darkness was a
unbelievable kick in the

5668
03:48:17,850 --> 03:48:20,311
pants and got to see Sam at work

5669
03:48:20,311 --> 03:48:21,896
and Bruce at work
and watch the path

5670
03:48:21,896 --> 03:48:23,773
these two work together and how

5671
03:48:23,773 --> 03:48:25,900
sophisticated the relationship between him

5672
03:48:25,900 --> 03:48:27,944
and Bruce Campbell was in terms of

5673
03:48:27,944 --> 03:48:30,113
getting the results they needed

5674
03:48:30,113 --> 03:48:32,532
understand that they were hyperphysical and hyper

5675
03:48:32,532 --> 03:48:33,991
-technician at the same time

5676
03:48:34,200 --> 03:48:35,201
Are you me?

5677
03:48:36,119 --> 03:48:39,372
I am Bad Ash and you are Good Ash

5678
03:48:39,455 --> 03:48:43,000
I think I play one, two, three, four

5679
03:48:43,000 --> 03:48:44,419
characters from that movie

5680
03:48:44,627 --> 03:48:45,878
You can count on my action

5681
03:48:46,087 --> 03:48:47,547
Most people
can you identify me

5682
03:48:47,547 --> 03:48:49,215
two but they don't know
that I'm in another

5683
03:48:49,215 --> 03:48:49,924
two too

5684
03:48:50,133 --> 03:48:51,843
I'm afraid there's only one of us

5685
03:48:52,051 --> 03:48:52,844
I don't want to die

5686
03:48:52,969 --> 03:48:55,263
I'm very proud
of having a single line in it

5687
03:48:55,430 --> 03:48:56,889
I climb the battlement to

5688
03:48:56,889 --> 03:48:58,182
Bruce and say Lord!

5689
03:48:58,558 --> 03:48:59,642
There's a second division approaching

5690
03:48:59,642 --> 03:49:00,393
from the south

5691
03:49:00,601 --> 03:49:01,769
What's beautiful about that

5692
03:49:01,769 --> 03:49:04,480
beyond humor and madness

5693
03:49:04,480 --> 03:49:06,691
puppet combination
and stop motion

5694
03:49:06,691 --> 03:49:10,319
and VFX is that this was really low

5695
03:49:10,319 --> 03:49:12,488
low cost film
to what you see on the screen

5696
03:49:12,488 --> 03:49:15,074
It's this little film that seems

5697
03:49:15,074 --> 03:49:18,244
like an epic because Sam filmed it like that

5698
03:49:18,244 --> 03:49:19,245
skillfully

5699
03:49:25,418 --> 03:49:27,003
This was intentional

5700
03:49:27,211 --> 03:49:28,838
The idea was to give him

5701
03:49:28,838 --> 03:49:31,340
a vibration that made it seem very

5702
03:49:31,340 --> 03:49:34,051
like a photo of Ray
1960s Harryhausen

5703
03:49:37,305 --> 03:49:39,432
I think my moment
favorite was simply being in

5704
03:49:39,432 --> 03:49:41,058
the post-production studio

5705
03:49:41,267 --> 03:49:41,934
So I entered

5706
03:49:41,934 --> 03:49:44,437
the stadium many days
just to sit there

5707
03:49:44,437 --> 03:49:45,646
adding voices

5708
03:49:45,855 --> 03:49:47,982
So most voices stop

5709
03:49:47,982 --> 03:49:51,235
example of all the monsters inside

5710
03:49:51,235 --> 03:49:54,280
This film was made by me and Bruce

5711
03:49:54,280 --> 03:49:55,448
Campbell going

5712
03:49:55,615 --> 03:49:57,408
You know all this

5713
03:49:57,492 --> 03:49:58,701
I don't want to die

5714
03:49:58,868 --> 03:50:00,036
All that kind of stuff

5715
03:50:00,203 --> 03:50:01,496
Let's get out of here and everything

5716
03:50:01,496 --> 03:50:02,955
that kind of crazy stuff

5717
03:50:06,834 --> 03:50:08,336
We had a

5718
03:50:08,336 --> 03:50:10,755
loop group comes from
guys who were

5719
03:50:10,755 --> 03:50:13,466
authentically British
who did a lot

5720
03:50:13,466 --> 03:50:15,635
those background voices
that we would like

5721
03:50:15,635 --> 03:50:17,386
probably sucks at doing it

5722
03:50:17,595 --> 03:50:18,513
But beyond that

5723
03:50:18,513 --> 03:50:19,931
that it was mainly us

5724
03:50:20,139 --> 03:50:21,349
That's a good memory

5725
03:50:21,557 --> 03:50:23,434
Here we were behaving like

5726
03:50:23,434 --> 03:50:25,853
It was still 1980 and we were in

5727
03:50:25,853 --> 03:50:27,772
someone's basement
trying to add voices

5728
03:50:27,772 --> 03:50:29,315
for a movie so it was fun

5729
03:50:30,817 --> 03:50:31,400
Cool

5730
03:50:31,609 --> 03:50:33,778
Army of Darkness has two endings

5731
03:50:33,986 --> 03:50:34,654
one where Ash

5732
03:50:34,654 --> 03:50:37,532
Williams sleeps too much and misses the target

5733
03:50:37,532 --> 03:50:38,991
20th century and ends in

5734
03:50:38,991 --> 03:50:41,744
21st in this dystopian hell

5735
03:50:41,911 --> 03:50:43,079
So they test the film

5736
03:50:43,287 --> 03:50:43,913
They like it, but

5737
03:50:43,913 --> 03:50:45,248
they say it's depressing

5738
03:50:45,456 --> 03:50:45,873
Have you been

5739
03:50:45,873 --> 03:50:47,208
building them up to the
moment when he

5740
03:50:47,208 --> 03:50:48,793
come back and then at the very end

5741
03:50:48,793 --> 03:50:50,211
he doesn't come back

5742
03:50:50,419 --> 03:50:51,170
No!

5743
03:50:51,337 --> 03:50:51,671
No!

5744
03:50:52,296 --> 03:50:54,006
I slept too much!

5745
03:50:54,966 --> 03:50:57,134
The new ending shows
that he is back

5746
03:50:57,343 --> 03:50:58,511
He's still fighting
against monsters

5747
03:50:58,719 --> 03:50:59,762
He learned something

5748
03:50:59,971 --> 03:51:01,264
All of this meant something

5749
03:51:01,264 --> 03:51:03,099
end because he
got a girl etc.

5750
03:51:03,224 --> 03:51:03,391
etc.

5751
03:51:03,599 --> 03:51:06,394
The first one he doesn't get anything that I

5752
03:51:06,394 --> 03:51:08,563
I think it's infinite
more interesting, but

5753
03:51:09,188 --> 03:51:10,189
it's just me

5754
03:51:10,398 --> 03:51:11,691
Who the hell are you?

5755
03:51:12,441 --> 03:51:13,776
The name is Ash

5756
03:51:13,985 --> 03:51:15,278
Household items

5757
03:51:15,486 --> 03:51:17,738
But it's important

5758
03:51:17,738 --> 03:51:19,365
to remember that that film didn't make

5759
03:51:19,365 --> 03:51:21,033
well at the box office in everything I

5760
03:51:21,033 --> 03:51:23,286
I think he got it back
money, but only

5761
03:51:23,286 --> 03:51:24,912
I barely think people
they didn't know what to do

5762
03:51:24,912 --> 03:51:25,454
do it

5763
03:51:25,663 --> 03:51:26,581
And I'm not sure about that

5764
03:51:26,581 --> 03:51:27,832
was very well promoted

5765
03:51:28,040 --> 03:51:28,291
I seem

5766
03:51:28,291 --> 03:51:30,209
remember it was
Promoted like this madness

5767
03:51:30,209 --> 03:51:32,378
comedy but no one understood why

5768
03:51:32,378 --> 03:51:34,714
it was a medieval comedy
with people they

5769
03:51:34,714 --> 03:51:36,132
I had never heard of it before

5770
03:51:36,340 --> 03:51:36,799
Very strange

5771
03:51:36,799 --> 03:51:41,345
Hey, you slut! Let's go!

5772
03:51:51,439 --> 03:51:55,067
Schramm is about a
serial killer who is alive

5773
03:51:55,067 --> 03:51:58,446
next to a beautiful
girl and he is a

5774
03:51:58,446 --> 03:52:01,657
taxi driver and him
has a lot of problems

5775
03:52:01,657 --> 03:52:03,242
I would say

5776
03:52:07,246 --> 03:52:08,539
The idea behind Schramm

5777
03:52:08,539 --> 03:52:11,667
is showing a
true serial killer with everything

5778
03:52:11,667 --> 03:52:13,294
the problems he has, you know

5779
03:52:13,502 --> 03:52:13,628
What do I

5780
03:52:13,628 --> 03:52:15,880
I always wondered how I could

5781
03:52:15,880 --> 03:52:18,633
someone lives when he killed someone

5782
03:52:18,633 --> 03:52:20,718
And you can see that people like Ted

5783
03:52:20,718 --> 03:52:24,347
Bundy was living a
perfectly normal life

5784
03:52:24,347 --> 03:52:26,849
but they were
always killing people

5785
03:52:27,058 --> 03:52:29,685
And for me that was
totally unthinkable

5786
03:52:29,894 --> 03:52:32,188
So I was trying
capture the blame of one

5787
03:52:32,188 --> 03:52:34,690
serial killer in my film Schramm

5788
03:52:37,944 --> 03:52:39,862
It's more like Henry:
Portrait of a Serial

5789
03:52:39,862 --> 03:52:42,239
Murderer or even
a very good film

5790
03:52:42,239 --> 03:52:44,951
from the beginning of the years
80 called Angst's

5791
03:52:44,951 --> 03:52:45,284
Austria

5792
03:52:49,330 --> 03:52:50,498
The self-mutilation scene is

5793
03:52:50,831 --> 03:52:53,417
there to portray guilt
that he is living

5794
03:52:53,417 --> 03:52:55,544
with because he is a
rapist and he is

5795
03:52:55,544 --> 03:52:58,214
leaving your dick
unusable by placing a

5796
03:52:58,214 --> 03:52:59,382
nail in foreskin

5797
03:53:03,094 --> 03:53:04,095
When you do bloody

5798
03:53:04,220 --> 03:53:06,138
scenes are always funny
if you shoot

5799
03:53:06,138 --> 03:53:07,598
They have nothing to do with the

5800
03:53:07,598 --> 03:53:08,641
final product

5801
03:53:08,849 --> 03:53:10,559
We made a plaster of wood

5802
03:53:10,559 --> 03:53:13,020
the main actor and then
he nailed it

5803
03:53:13,020 --> 03:53:13,729
rubber dick

5804
03:53:13,938 --> 03:53:15,064
It's not a big deal

5805
03:53:15,231 --> 03:53:17,525
the hardest thing was that the blood

5806
03:53:17,525 --> 03:53:22,613
was leaving at the right time

5807
03:53:22,822 --> 03:53:25,700
It's not easy to find
people to do this

5808
03:53:25,700 --> 03:53:27,660
things you see in my movies

5809
03:53:27,868 --> 03:53:28,202
So it's

5810
03:53:28,202 --> 03:53:29,954
especially my friends

5811
03:53:30,162 --> 03:53:31,372
The main actor of

5812
03:53:31,372 --> 03:53:31,872
Schramm

5813
03:53:32,081 --> 03:53:33,874
Florian Koerner von Gustorf

5814
03:53:34,083 --> 03:53:35,209
that's his name

5815
03:53:35,418 --> 03:53:36,961
He did this work just to

5816
03:53:36,961 --> 03:53:38,087
do me a favor

5817
03:53:38,295 --> 03:53:39,380
In real life he

5818
03:53:39,380 --> 03:53:41,590
He is the drummer of an underground band

5819
03:53:41,590 --> 03:53:42,550
called Mutter

5820
03:53:42,758 --> 03:53:43,134
Mom

5821
03:53:43,342 --> 03:53:44,427
But in your real work

5822
03:53:44,427 --> 03:53:45,720
he is a film producer

5823
03:53:45,928 --> 03:53:48,055
He didn't ask for any money

5824
03:53:48,222 --> 03:53:49,682
He just did it and to

5825
03:53:49,682 --> 03:53:52,727
to a certain extent he was
risking your reputation

5826
03:53:52,727 --> 03:53:53,978
I have to say

5827
03:53:58,482 --> 03:54:00,484
When Schramm left

5828
03:54:00,693 --> 03:54:02,319
I was in the middle

5829
03:54:02,319 --> 03:54:04,572
to go to trial for my film

5830
03:54:04,572 --> 03:54:05,573
Nekromantic 2

5831
03:54:05,781 --> 03:54:07,658
At that time the community
cinematographic

5832
03:54:07,658 --> 03:54:10,828
and some directors of
festivals were being

5833
03:54:10,828 --> 03:54:12,663
very supportive of me

5834
03:54:12,872 --> 03:54:14,123
So they invited

5835
03:54:14,123 --> 03:54:16,917
Schramm for festivals
important because

5836
03:54:16,917 --> 03:54:19,045
they wanted to emphasize that it is not

5837
03:54:19,045 --> 03:54:21,297
right to ban my films

5838
03:54:21,505 --> 03:54:22,798
So Schramm got it

5839
03:54:22,798 --> 03:54:25,509
very good feedback because everyone

5840
03:54:25,509 --> 03:54:27,219
was feeling bad for me

5841
03:54:37,772 --> 03:54:41,025
Bloodstone: Subspecies 2

5842
03:54:41,233 --> 03:54:43,569
When we finish editing

5843
03:54:43,569 --> 03:54:46,572
Subspecies was amazing
for me how good

5844
03:54:46,572 --> 03:54:49,742
Paramount executives
responded to the film

5845
03:54:49,950 --> 03:54:51,660
Paramount then came to Charlie and

5846
03:54:51,660 --> 03:54:54,705
I said let's do one
continued and Charlie said

5847
03:54:54,705 --> 03:54:56,916
yes, let's do two
continuations at once

5848
03:54:57,041 --> 03:55:00,836
At that time, my memories
from Romania they were all sweet

5849
03:55:01,045 --> 03:55:04,340
Mommy, you don't have love in your

5850
03:55:04,340 --> 03:55:06,884
heart for your most faithful son?

5851
03:55:07,218 --> 03:55:09,595
Subspecies 2 and 3
were another adventure

5852
03:55:09,595 --> 03:55:11,847
in film production
post-communist

5853
03:55:12,056 --> 03:55:12,640
We decide

5854
03:55:12,640 --> 03:55:15,476
to make it like a
continuous story. So

5855
03:55:15,476 --> 03:55:17,728
Part 2 begins
exactly where Part 1

5856
03:55:17,728 --> 03:55:20,356
stopped and Part 3 where Part 2

5857
03:55:20,356 --> 03:55:21,482
left out

5858
03:55:21,690 --> 03:55:25,277
I curse you for your beauty

5859
03:55:25,277 --> 03:55:28,697
Now it becomes the battle between Radu

5860
03:55:28,697 --> 03:55:31,867
and its incipient and gradual descent

5861
03:55:31,867 --> 03:55:35,246
from Michelle to
vampirism and Radu's

5862
03:55:35,246 --> 03:55:38,249
trying to make her become yours

5863
03:55:38,249 --> 03:55:39,375
willing freshman

5864
03:55:39,583 --> 03:55:40,751
You are my puppy

5865
03:55:41,836 --> 03:55:45,381
Hold me like your master and everything

5866
03:55:45,381 --> 03:55:46,841
what is mine will be yours

5867
03:55:47,007 --> 03:55:47,341
In a way

5868
03:55:47,341 --> 03:55:50,344
It's about the light infecting the

5869
03:55:50,344 --> 03:55:52,721
darkness because
Michelle is hanging

5870
03:55:52,721 --> 03:55:54,223
for your humanity

5871
03:55:54,390 --> 03:55:55,724
Becky, help me

5872
03:55:55,933 --> 03:55:57,059
Michelle, what happened?

5873
03:55:57,184 --> 03:55:59,436
Laura Tate kind of
gave up after

5874
03:55:59,436 --> 03:56:01,605
the first because she
I was creating two

5875
03:56:01,605 --> 03:56:02,439
small children

5876
03:56:02,648 --> 03:56:03,774
Then we found Denice Duff

5877
03:56:03,774 --> 03:56:05,609
which ended up being a
wonderful addition

5878
03:56:05,609 --> 03:56:07,361
for the series

5879
03:56:07,570 --> 03:56:09,822
Teach me how to fly

5880
03:56:09,822 --> 03:56:10,281
you do

5881
03:56:10,489 --> 03:56:12,032
Patience, beautiful

5882
03:56:12,199 --> 03:56:14,660
Melanie Shatner, daughter
by William Shatner, was

5883
03:56:14,660 --> 03:56:16,996
another great addition to the series for

5884
03:56:16,996 --> 03:56:18,664
gives us a little point of view

5885
03:56:18,664 --> 03:56:20,958
of humanity kind of looking at the

5886
03:56:20,958 --> 03:56:21,750
world of vampires

5887
03:56:21,959 --> 03:56:22,793
The Blood Stone

5888
03:56:22,960 --> 03:56:23,377
Blood Stone

5889
03:56:23,377 --> 03:56:27,047
A mythical relic that
says dripping blood of saints

5890
03:56:27,256 --> 03:56:28,632
One of the things about having

5891
03:56:28,632 --> 03:56:31,927
a vampire like Radu is a movie

5892
03:56:31,927 --> 03:56:33,762
doesn't seem complete
until you have

5893
03:56:33,762 --> 03:56:34,889
destroyed the vampire

5894
03:56:35,055 --> 03:56:35,890
But then one of

5895
03:56:35,890 --> 03:56:37,933
the problem is that you
has the sequence and you

5896
03:56:37,933 --> 03:56:39,768
I don't want to cast a new guy because

5897
03:56:39,768 --> 03:56:42,771
Anders Hove is the villain of Subspecies

5898
03:56:42,897 --> 03:56:44,732
So you have to find
a way to get

5899
03:56:44,732 --> 03:56:47,151
who come back together

5900
03:56:50,529 --> 03:56:51,363
My fight with

5901
03:56:51,363 --> 03:56:54,200
Subspecies it's not that I hate it

5902
03:56:54,200 --> 03:56:54,950
Subspecies

5903
03:56:55,159 --> 03:56:56,911
is that the vampire is a

5904
03:56:56,911 --> 03:56:59,330
good enough monster in film

5905
03:56:59,538 --> 03:57:04,210
You don't need these
small creatures

5906
03:57:04,418 --> 03:57:04,460
ONE.

5907
03:57:04,543 --> 03:57:06,045
They don't fit
in the story that I

5908
03:57:06,045 --> 03:57:07,087
I was waiting to tell

5909
03:57:07,254 --> 03:57:08,714
They're a big pain in the ass

5910
03:57:08,881 --> 03:57:10,633
They were like a side note, you

5911
03:57:10,633 --> 03:57:10,883
know

5912
03:57:11,050 --> 03:57:12,593
And eventually the side note goes

5913
03:57:12,593 --> 03:57:14,428
away and you just want to focus on

5914
03:57:14,428 --> 03:57:15,930
the backbone of the story

5915
03:57:21,143 --> 03:57:22,728
Nudity

5916
03:57:22,728 --> 03:57:25,940
It's definitely part
of a vampire story

5917
03:57:25,940 --> 03:57:27,483
And it's not just nudity

5918
03:57:27,650 --> 03:57:29,985
There's something about the kind of lugubrious

5919
03:57:29,985 --> 03:57:33,155
perversion of a vampire
who cries for it

5920
03:57:33,155 --> 03:57:36,492
Now I'm not a prude, but I

5921
03:57:36,492 --> 03:57:38,202
I don't want to ask
people take

5922
03:57:38,202 --> 03:57:39,870
your clothes for stupid reasons

5923
03:57:40,037 --> 03:57:41,789
You close the set,
you are as sensitive as

5924
03:57:41,789 --> 03:57:42,706
possible

5925
03:57:42,915 --> 03:57:45,960
Europeans are much more

5926
03:57:45,960 --> 03:57:47,419
free over their bodies

5927
03:57:47,628 --> 03:57:47,920
And that's it

5928
03:57:47,920 --> 03:57:50,297
It's refreshing to be able to do what you want

5929
03:57:50,297 --> 03:57:52,508
have to do it for the film without feeling

5930
03:57:52,508 --> 03:57:54,760
as if you were someone
kind of evil pervert

5931
03:57:54,760 --> 03:57:59,306
There's a ship here that feeds the lake

5932
03:57:59,515 --> 03:58:00,849
Subspecies No.

5933
03:58:00,975 --> 03:58:03,102
1 was basically my second feature

5934
03:58:03,269 --> 03:58:04,603
TerrorVision being my first

5935
03:58:04,812 --> 03:58:05,437
Did you see that?

5936
03:58:05,646 --> 03:58:06,897
This guy likes metal!

5937
03:58:07,523 --> 03:58:09,984
By Subspecies 2, I understood that we

5938
03:58:09,984 --> 03:58:11,568
I needed to increase the pace a little

5939
03:58:11,568 --> 03:58:14,488
a little and like, have
more locations and try

5940
03:58:14,488 --> 03:58:16,407
to make a film
that seems a little

5941
03:58:16,407 --> 03:58:18,993
a little more exciting
and I hope we can

5942
03:58:18,993 --> 03:58:20,369
got this

5943
03:58:23,664 --> 03:58:25,082
And I learned a lot

5944
03:58:25,082 --> 03:58:27,918
about how to fix your mistakes

5945
03:58:28,127 --> 03:58:28,585
I found

5946
03:58:28,585 --> 03:58:30,587
that it doesn't matter what
mistake you make

5947
03:58:30,587 --> 03:58:33,716
There is always an editorial solution for

5948
03:58:33,716 --> 03:58:35,384
And so it was, for me, it was

5949
03:58:35,384 --> 03:58:37,261
as the greatest benefit of all

5950
03:58:37,386 --> 03:58:41,598
Love is for mortals

5951
03:58:47,438 --> 03:58:47,980
Be quiet

5952
03:58:48,022 --> 03:58:49,982
Without shouting

5953
03:58:52,401 --> 03:58:53,610
Hocus Pocus, this one,

5954
03:58:53,652 --> 03:58:55,362
Like, it spoke to my soul

5955
03:58:57,197 --> 03:58:58,365
Another glorious

5956
03:58:58,365 --> 03:58:59,325
morning

5957
03:58:59,491 --> 03:59:01,201
Makes me sick!

5958
03:59:01,577 --> 03:59:04,413
Every year I watch, like, maybe

5959
03:59:04,413 --> 03:59:06,582
five times at the lower end

5960
03:59:06,790 --> 03:59:07,624
All Saints

5961
03:59:07,624 --> 03:59:09,793
The eve has become
a night of fun

5962
03:59:10,002 --> 03:59:12,629
Where children wear
fantasies and run wild

5963
03:59:12,713 --> 03:59:14,548
I would say that I am, in fact, a

5964
03:59:14,548 --> 03:59:16,550
certified Hocus Pocus nut

5965
03:59:17,009 --> 03:59:17,384
Crazy!

5966
03:59:17,551 --> 03:59:19,887
Fury, fury, fury, fury, fury

5967
03:59:20,095 --> 03:59:20,804
People tend

5968
03:59:20,804 --> 03:59:23,640
to discard Hocus Pocus
like something like that, it's for

5969
03:59:23,640 --> 03:59:25,267
children, it's a children's film

5970
03:59:25,392 --> 03:59:27,311
But there are a lot of horror elements in

5971
03:59:27,311 --> 03:59:27,603
this

5972
03:59:27,811 --> 03:59:29,355
So I feel like
if you claim

5973
03:59:29,355 --> 03:59:32,024
that you are a hardcore fan
of terror, then

5974
03:59:32,024 --> 03:59:33,692
you should give a
chance at Hocus Pocus

5975
03:59:33,692 --> 03:59:36,612
It's just a lot of Hocus Pocus!

5976
03:59:37,321 --> 03:59:39,323
When I was hired
originally to write

5977
03:59:39,323 --> 03:59:41,325
Abracadabra, David Kirshner, the

5978
03:59:41,325 --> 03:59:43,494
producer, made An American Tail,

5979
03:59:43,619 --> 03:59:46,288
which was a film
animation for Amblin. I

5980
03:59:46,288 --> 03:59:48,248
working on Amazing Stories for

5981
03:59:48,248 --> 03:59:51,085
Amblin And so we were thrown together

5982
03:59:53,587 --> 03:59:55,506
Towards the night sky!

5983
03:59:58,342 --> 04:00:01,053
David Kirschner also produced the

5984
04:00:01,053 --> 04:00:03,555
Child's Play
original and all

5985
04:00:03,555 --> 04:00:04,681
sequences that followed

5986
04:00:04,890 --> 04:00:05,599
He originally had

5987
04:00:05,599 --> 04:00:07,810
wrote a story
for Muppet magazine

5988
04:00:07,810 --> 04:00:09,520
called Halloween House

5989
04:00:09,728 --> 04:00:10,771
We released this to

5990
04:00:10,771 --> 04:00:14,024
Spielberg and David had the table set

5991
04:00:14,024 --> 04:00:16,693
with all these fall items and

5992
04:00:16,693 --> 04:00:20,155
Halloween and pumpkins
and then Spielberg

5993
04:00:20,155 --> 04:00:22,074
I realized that Disney
was involved and

5994
04:00:22,074 --> 04:00:24,201
Said, no, I don't
I want to work with

5995
04:00:24,201 --> 04:00:24,451
they

5996
04:00:24,660 --> 04:00:24,952
Billy, my God!

5997
04:00:25,160 --> 04:00:26,036
Listen to me!

5998
04:00:26,412 --> 04:00:28,622
Follow these children,
your larvae museum

5999
04:00:28,622 --> 04:00:30,290
and take my book!

6000
04:00:30,374 --> 04:00:32,209
Basically Hocus Pocus and Halloween

6001
04:00:32,209 --> 04:00:33,544
Home is the same story

6002
04:00:33,752 --> 04:00:34,420
 � about these

6003
04:00:34,420 --> 04:00:37,548
three witches who were defeated

6004
04:00:37,548 --> 04:00:40,050
and they return when the black flame

6005
04:00:40,050 --> 04:00:43,595
candle is lit by
modern teenagers

6006
04:00:43,595 --> 04:00:45,639
in Salem, Massachusetts

6007
04:00:50,144 --> 04:00:51,854
We're home!

6008
04:00:52,229 --> 04:00:55,607
And they return to
collect the souls of children

6009
04:00:55,816 --> 04:00:56,942
Get out, my dear

6010
04:00:57,151 --> 04:00:57,734
You won't

6011
04:00:57,734 --> 04:00:58,610
hurt me

6012
04:00:58,819 --> 04:01:00,779
We love children!

6013
04:01:01,572 --> 04:01:03,657
Originally, it was
a little darker

6014
04:01:03,657 --> 04:01:06,452
Billy Butcherson was a little more

6015
04:01:07,161 --> 04:01:09,997
more evil than the
benevolent clown that he is

6016
04:01:09,997 --> 04:01:11,039
became

6017
04:01:11,248 --> 04:01:12,416
Hello, Billy

6018
04:01:12,624 --> 04:01:13,876
Get those kids!

6019
04:01:14,751 --> 04:01:15,252
Get up!

6020
04:01:15,627 --> 04:01:18,255
It's a great drug
entrance to horror films

6021
04:01:18,255 --> 04:01:20,799
I mean, there is a
headless zombie

6022
04:01:20,799 --> 04:01:23,719
For the love of God

6023
04:01:23,927 --> 04:01:24,928
Yes!

6024
04:01:25,179 --> 04:01:27,264
But it's a terror for the whole family

6025
04:01:27,473 --> 04:01:28,182
Danny, wake up!

6026
04:01:28,557 --> 04:01:29,141
Get your shoes!

6027
04:01:31,852 --> 04:01:34,271
Scenario, originally,
Halloween House and

6028
04:01:34,271 --> 04:01:37,733
so Hocus Pocus in Salem was a

6029
04:01:37,733 --> 04:01:40,652
masterstroke idea
which was David's idea

6030
04:01:40,652 --> 04:01:43,030
that I tried to make the most of

6031
04:01:43,238 --> 04:01:45,491
And Kenny Ortega directed, not me,

6032
04:01:45,866 --> 04:01:48,285
but he did a great job

6033
04:01:52,164 --> 04:01:56,668
It is an old example of
90s girl power

6034
04:01:56,877 --> 04:01:59,630
It's really a woman's strength

6035
04:01:59,630 --> 04:02:02,257
characters that kinda
who became one

6036
04:02:02,257 --> 04:02:04,426
war cry

6037
04:02:04,635 --> 04:02:09,139
It's become a Halloween staple

6038
04:02:09,348 --> 04:02:11,600
It's incredible to have created

6039
04:02:11,808 --> 04:02:15,020
something that was a modest success, for

6040
04:02:15,020 --> 04:02:16,688
speaking lightly

6041
04:02:22,402 --> 04:02:24,530
It's the strangest feeling
that you can imagine

6042
04:02:24,530 --> 04:02:27,282
why it disappeared
for years and when

6043
04:02:27,282 --> 04:02:29,117
started airing on Disney Channel

6044
04:02:29,117 --> 04:02:32,329
started this
momentum that was built

6045
04:02:32,329 --> 04:02:34,081
and built since
then and now there are

6046
04:02:34,081 --> 04:02:35,165
shows at Disneyland

6047
04:02:35,332 --> 04:02:36,208
have merchandise

6048
04:02:36,208 --> 04:02:38,252
everywhere there is
fantasies everywhere

6049
04:02:45,133 --> 04:02:48,136
The most serious horror fans in 1993

6050
04:02:48,887 --> 04:02:51,098
Maybe I didn't appreciate it as much

6051
04:02:51,098 --> 04:02:53,767
because it is so capricious and playful

6052
04:02:56,728 --> 04:02:58,772
And many people like
of dark terror,

6053
04:02:59,064 --> 04:03:01,400
but it's really a
crossover film that

6054
04:03:01,400 --> 04:03:02,859
plays like a success.

6055
04:03:12,661 --> 04:03:18,166
John Carpenter presents
body bags

6056
04:03:19,251 --> 04:03:23,338
Body Bags is a set of
three stories of corpses whose

6057
04:03:23,338 --> 04:03:26,216
stories come to life in the hands of

6058
04:03:26,216 --> 04:03:29,219
a very strange coroner
played by John

6059
04:03:29,219 --> 04:03:31,346
Carpenter

6060
04:03:31,513 --> 04:03:36,435
It was a fun project to do

6061
04:03:36,643 --> 04:03:38,687
The entire cast of Body Bags

6062
04:03:38,687 --> 04:03:39,646
it was sensational

6063
04:03:39,855 --> 04:03:42,232
We have people who wanted to do this

6064
04:03:47,446 --> 04:03:48,822
Why

6065
04:03:48,822 --> 04:03:51,617
scary and sinister
and these types of

6066
04:03:51,617 --> 04:03:54,286
comic stuff
who lent themselves to

6067
04:03:54,286 --> 04:03:55,621
humor being there

6068
04:03:55,787 --> 04:03:57,164
Anything that starts

6069
04:03:57,164 --> 04:04:00,125
one of your stories
with a woman whose

6070
04:04:00,125 --> 04:04:02,711
the breasts are trapped
in the drawer because of

6071
04:04:02,711 --> 04:04:04,588
silicone you know, how serious you are

6072
04:04:04,588 --> 04:04:06,214
will be in your wraparounds

6073
04:04:06,423 --> 04:04:08,300
Obviously these drawers
were built before the chest

6074
04:04:08,300 --> 04:04:10,260
the implants
became so popular

6075
04:04:10,427 --> 04:04:12,012
These must be recycled

6076
04:04:12,220 --> 04:04:13,263
I was unsure about

6077
04:04:13,263 --> 04:04:15,432
memorizing my lines
so that I could have them in my hands

6078
04:04:15,432 --> 04:04:18,226
teleprompter but I ended up not using it

6079
04:04:18,226 --> 04:04:18,560
they

6080
04:04:18,769 --> 04:04:21,021
Ah, sorry, I couldn't use that

6081
04:04:21,229 --> 04:04:22,564
Rick Baker did my makeup

6082
04:04:22,731 --> 04:04:23,440
I had to go through

6083
04:04:23,440 --> 04:04:24,941
all this crap every day

6084
04:04:25,150 --> 04:04:26,443
Dude you are ugly

6085
04:04:26,652 --> 04:04:28,654
We all know that's not what

6086
04:04:28,654 --> 04:04:29,655
person looks

6087
04:04:29,863 --> 04:04:31,323
What matters is what's inside

6088
04:04:31,531 --> 04:04:32,908
The hours it took to make

6089
04:04:32,908 --> 04:04:33,492
your makeup

6090
04:04:33,700 --> 04:04:35,118
I think he swore never again

6091
04:04:35,118 --> 04:04:36,078
doing it again

6092
04:04:36,244 --> 04:04:37,329
I think now he imagines

6093
04:04:37,329 --> 04:04:39,039
he aged into the role

6094
04:04:39,247 --> 04:04:40,165
You have no hope

6095
04:04:40,165 --> 04:04:42,793
You should have had a lobotomy

6096
04:04:43,001 --> 04:04:44,425
Let's see what others
fun things

6097
04:04:44,438 --> 04:04:45,504
we can find to do

6098
04:04:45,712 --> 04:04:46,672
When we made Body Bags we

6099
04:04:46,672 --> 04:04:48,632
I wanted to create a logo for

6100
04:04:48,632 --> 04:04:49,675
the company

6101
04:04:49,883 --> 04:04:52,469
187 Corp and 187 means corpse

6102
04:04:52,886 --> 04:04:58,392
so they suggested
I wanted to do that and I did

6103
04:04:58,600 --> 04:04:59,226
exaggerated

6104
04:05:04,147 --> 04:05:06,441
It was fun to drive
the ones I directed

6105
04:05:06,441 --> 04:05:09,194
The Hair, Stacy Keach

6106
04:05:09,444 --> 04:05:10,987
Just leave me

6107
04:05:11,279 --> 04:05:12,739
We had a lot of fun

6108
04:05:12,906 --> 04:05:13,615
great moment

6109
04:05:13,824 --> 04:05:15,784
I can't let you touch this

6110
04:05:15,951 --> 04:05:16,743
If I leave you

6111
04:05:16,743 --> 04:05:19,746
touch it, I'll have to
let everyone touch it

6112
04:05:20,539 --> 04:05:23,250
In the episode Hair, everyone

6113
04:05:23,250 --> 04:05:25,919
the little killer
alien fur ended up

6114
04:05:25,919 --> 04:05:28,839
moving animation
by Jim Danforth who had

6115
04:05:28,839 --> 04:05:31,091
come to Harryhausen

6116
04:05:36,054 --> 04:05:38,640
You earthlings and your vanity

6117
04:05:38,849 --> 04:05:41,727
The gas station had many
guest stars appearing

6118
04:05:41,727 --> 04:05:46,481
Sam Raimi fell from a
closet on top of a girl

6119
04:05:48,692 --> 04:05:50,652
Wes was there

6120
04:05:50,861 --> 04:05:52,195
Wes Craven

6121
04:05:54,531 --> 04:05:56,158
Pack of Coronados

6122
04:05:56,366 --> 04:05:58,410
But the cast itself

6123
04:05:58,410 --> 04:06:00,495
I knew it was great

6124
04:06:00,662 --> 04:06:02,998
simply sensational

6125
04:06:03,206 --> 04:06:06,668
There was an episode called Eye

6126
04:06:06,877 --> 04:06:09,004
directed by my neighbor

6127
04:06:09,004 --> 04:06:11,548
friend Tobe Hooper
starring Mark Hamill

6128
04:06:11,548 --> 04:06:12,215
and Twiggy

6129
04:06:12,424 --> 04:06:13,341
It was fantastic

6130
04:06:13,550 --> 04:06:14,926
John wouldn't like you

6131
04:06:15,093 --> 04:06:17,012
I have his eye, did you know?

6132
04:06:17,012 --> 04:06:19,264
I see what John Randall saw

6133
04:06:19,431 --> 04:06:21,892
It didn't work as a series

6134
04:06:22,100 --> 04:06:23,185
Body bags, because

6135
04:06:23,185 --> 04:06:25,437
they wanted to move it to Canada

6136
04:06:25,437 --> 04:06:26,980
save money

6137
04:06:30,192 --> 04:06:32,277
Showtime was a network they

6138
04:06:32,277 --> 04:06:33,987
I wanted to make a series of this

6139
04:06:33,987 --> 04:06:36,448
but if you reduced
the budget they

6140
04:06:36,448 --> 04:06:39,075
I wanted to do it and then I shot

6141
04:06:39,075 --> 04:06:41,495
of the country in Canada you could not

6142
04:06:41,495 --> 04:06:44,956
turn around and do it with
that people like Tom

6143
04:06:44,956 --> 04:06:47,292
Arnold and Tobe Hooper and there's someone

6144
04:06:47,292 --> 04:06:48,126
work for a day

6145
04:06:48,126 --> 04:06:48,960
It just didn't seem

6146
04:06:48,960 --> 04:06:51,171
feasible for us to do this and obtain

6147
04:06:51,171 --> 04:06:52,756
the money on the screen

6148
04:06:52,964 --> 04:06:55,258
Ooh, severe trauma to the
abdomen, I would say

6149
04:06:55,467 --> 04:06:55,926
Really?

6150
04:06:56,134 --> 04:06:56,843
What's your first clue?

6151
04:06:58,345 --> 04:06:59,429
Here, give me that saw

6152
04:06:59,429 --> 04:07:00,305
I said guys

6153
04:07:00,305 --> 04:07:02,808
no, no, no, let's film here

6154
04:07:03,016 --> 04:07:03,642
if we shoot him

6155
04:07:03,850 --> 04:07:04,351
they didn't want

6156
04:07:04,351 --> 04:07:05,685
do it so well

6157
04:07:05,852 --> 04:07:07,229
What a bunch of idiots

6158
04:07:07,437 --> 04:07:09,022
I want you to think

6159
04:07:09,022 --> 04:07:10,398
about it while
I'm going to have a drink

6160
04:07:18,573 --> 04:07:23,495
Jason Goes To
Inferno: Final Friday

6161
04:07:23,495 --> 04:07:26,081
We have the mask of
hockey, here's Jason, but

6162
04:07:26,081 --> 04:07:27,707
we are doing something different

6163
04:07:32,420 --> 04:07:35,048
How many chase movies
and death will we witness?

6164
04:07:35,048 --> 04:07:36,842
watch with a mask
of hockey in the forest?

6165
04:07:36,967 --> 04:07:38,301
How many times will we see this?

6166
04:07:41,763 --> 04:07:43,515
And by the way for the public who

6167
04:07:43,515 --> 04:07:44,474
want exactly that

6168
04:07:44,683 --> 04:07:45,892
listen, I respect you

6169
04:07:46,059 --> 04:07:48,228
you have a lot of
movies to watch

6170
04:07:48,228 --> 04:07:52,691
That's it

6171
04:07:52,858 --> 04:07:54,526
I was a

6172
04:07:54,526 --> 04:07:56,361
I was going to look, I've had enough

6173
04:07:56,361 --> 04:07:57,571
the same flavor

6174
04:07:57,779 --> 04:07:58,572
if I could have

6175
04:07:58,572 --> 04:08:01,074
I would have kept the mask
longer, but

6176
04:08:01,074 --> 04:08:02,742
I Couldn't by Sean Cunningham

6177
04:08:02,951 --> 04:08:03,243
I brought

6178
04:08:03,243 --> 04:08:06,371
he a movie called
Johnny Zombie and that

6179
04:08:06,371 --> 04:08:08,164
the film ended up being
sold to Disney

6180
04:08:08,498 --> 04:08:11,418
Sean made a lot of money doing a

6181
04:08:11,418 --> 04:08:12,961
eight and a half million
of Disney dollars

6182
04:08:12,961 --> 04:08:15,755
film called My
Boyfriend's Back that is

6183
04:08:15,755 --> 04:08:19,050
when Sean owed me
my directing work and

6184
04:08:19,050 --> 04:08:21,177
Friday the 13th was the
next thing he did

6185
04:08:21,177 --> 04:08:23,555
was going to do it and Sean didn't do it

6186
04:08:23,555 --> 04:08:25,807
wants to direct the film
then he handed it over

6187
04:08:25,807 --> 04:08:27,809
to me and told me if you

6188
04:08:27,809 --> 04:08:29,394
can you take the shit out
hockey mask

6189
04:08:29,394 --> 04:08:30,562
the film I will leave
you write and direct

6190
04:08:30,562 --> 04:08:34,524
In my opinion
professional, this guy

6191
04:08:34,524 --> 04:08:35,650
dead shit

6192
04:08:35,817 --> 04:08:37,652
 � Pamela Voorhees'

6193
04:08:37,736 --> 04:08:38,153
little boy?

6194
04:08:38,278 --> 04:08:40,280
Yes, partly it is, but

6195
04:08:40,280 --> 04:08:42,991
the other part is some other force

6196
04:08:43,199 --> 04:08:45,493
some other demon and if suddenly

6197
04:08:45,493 --> 04:08:48,455
Jason Voorhees came straight from hell

6198
04:08:48,455 --> 04:08:51,082
it could be anything
because he's not that

6199
04:08:51,082 --> 04:08:51,958
earth

6200
04:08:55,962 --> 04:08:57,756
The whole story was that Jason was

6201
04:08:57,756 --> 04:09:00,300
moving from the traditional look to

6202
04:09:00,300 --> 04:09:02,677
other bodies and do things you

6203
04:09:02,677 --> 04:09:04,804
you know when I read the script
for the first time?

6204
04:09:04,804 --> 04:09:06,473
it was like yeah dude that
It's less time to

6205
04:09:06,473 --> 04:09:08,266
me on the screen

6206
04:09:12,020 --> 04:09:13,021
The little parasite that

6207
04:09:13,021 --> 04:09:14,606
comes out of their mouths and goes

6208
04:09:14,606 --> 04:09:15,607
for each other

6209
04:09:15,815 --> 04:09:16,942
we literally did this

6210
04:09:16,942 --> 04:09:19,235
controlled creature
by radio leaving

6211
04:09:19,235 --> 04:09:21,279
his mouth has a lot of phallic things

6212
04:09:21,279 --> 04:09:23,323
in the film

6213
04:09:26,451 --> 04:09:28,328
Jason's look was interesting

6214
04:09:28,536 --> 04:09:30,747
very very difficult to work with

6215
04:09:30,747 --> 04:09:32,999
all that suit, but
you know it was

6216
04:09:32,999 --> 04:09:34,793
a good look

6217
04:09:37,170 --> 04:09:38,213
Yes, and it continues

6218
04:09:38,213 --> 04:09:39,881
appearing in everyone
reflective objects

6219
04:09:39,881 --> 04:09:42,342
what was my idea
to keep the mask

6220
04:09:42,342 --> 04:09:44,678
somewhere in the movie

6221
04:09:45,553 --> 04:09:47,430
When it comes to

6222
04:09:47,430 --> 04:09:49,391
The Book of the Dead were items

6223
04:09:49,391 --> 04:09:52,268
that I thought
Pamela Voorhees would

6224
04:09:52,268 --> 04:09:55,772
somehow want
put your hands on yourself

6225
04:09:55,772 --> 04:09:57,816
could mean
resurrect your child

6226
04:10:01,903 --> 04:10:03,405
I thought I'd talk to some of the

6227
04:10:03,405 --> 04:10:05,323
other actors who would have the

6228
04:10:05,323 --> 04:10:08,576
Essence of Jason
them and give them a

6229
04:10:08,576 --> 04:10:11,579
idea of something to do
a little peculiarity

6230
04:10:11,579 --> 04:10:14,416
or a small movement
trademark that, oh yeah

6231
04:10:14,416 --> 04:10:16,001
It's still Jason, even though it seems

6232
04:10:16,001 --> 04:10:17,085
like someone else

6233
04:10:17,293 --> 04:10:18,253
none of them none of them

6234
04:10:18,253 --> 04:10:20,463
the actors hugged
this idea all of them

6235
04:10:20,463 --> 04:10:23,174
I said no, man
Jason wouldn't do that

6236
04:10:23,383 --> 04:10:24,634
well, ok

6237
04:10:29,431 --> 04:10:30,765
I understand, I understand that

6238
04:10:30,974 --> 04:10:32,684
which usually comes from an actor

6239
04:10:32,684 --> 04:10:35,145
who isn't a big horror fan

6240
04:10:37,647 --> 04:10:40,025
So I interpreted
one of the SWAT guys

6241
04:10:40,233 --> 04:10:42,444
type of security guard who called Jason

6242
04:10:42,444 --> 04:10:45,238
pussy and I paid the price for it

6243
04:10:45,405 --> 04:10:47,032
He was nothing but a
old sissy anyway

6244
04:10:47,657 --> 04:10:50,035
Tonight Jason Voorhees

6245
04:10:50,243 --> 04:10:51,661
Dead or Mortal

6246
04:10:51,870 --> 04:10:54,164
The amount of effects
gags he had in this

6247
04:10:54,164 --> 04:10:55,957
movie was crazy

6248
04:10:56,166 --> 04:10:58,293
That made it so much fun.

6249
04:10:58,293 --> 04:10:59,836
for us and challenging for us

6250
04:11:00,045 --> 04:11:02,756
The campers are doing
sex near Crystal Lake and

6251
04:11:02,756 --> 04:11:06,301
Jason grabs a pole
fence and hits him

6252
04:11:06,301 --> 04:11:09,220
through the girl and
then divide it into two

6253
04:11:11,931 --> 04:11:12,724
This was a complement

6254
04:11:12,891 --> 04:11:15,643
The film had nothing
that connected Crystal

6255
04:11:15,643 --> 04:11:17,187
Lake for this then
they added this in

6256
04:11:17,187 --> 04:11:18,354
in the post

6257
04:11:19,481 --> 04:11:21,941
Oh huh? Are you thinking about
smoke some weed?

6258
04:11:22,150 --> 04:11:23,818
Have some sex
before the wedding?

6259
04:11:23,985 --> 04:11:25,695
And be massacred?

6260
04:11:25,695 --> 04:11:28,198
No one, I mean,
no one on planet Earth

6261
04:11:28,198 --> 04:11:30,450
knew that Freddy's glove would

6262
04:11:30,450 --> 04:11:31,534
appears at the end of this film

6263
04:11:31,534 --> 04:11:32,660
Nobody

6264
04:11:37,665 --> 04:11:38,917
They jumped to their feet

6265
04:11:39,125 --> 04:11:40,335
People were applauding in

6266
04:11:40,335 --> 04:11:40,752
theater

6267
04:11:40,960 --> 04:11:42,545
By the way, New Line didn't ask

6268
04:11:42,545 --> 04:11:43,171
I do this

6269
04:11:43,379 --> 04:11:44,047
I really emerged

6270
04:11:44,047 --> 04:11:45,548
with this idea because
I went wait a minute

6271
04:11:45,757 --> 04:11:47,133
they just killed Freddy and New

6272
04:11:47,133 --> 04:11:48,176
The line owns Freddy

6273
04:11:48,384 --> 04:11:49,260
How cool is it if

6274
04:11:49,260 --> 04:11:51,596
Freddy and Jason are
fighting in hell

6275
04:11:54,057 --> 04:11:56,684
The Jason Goes poster
to Hell is horrible

6276
04:11:56,684 --> 04:12:00,355
It's a giant, furious penis in the

6277
04:12:00,355 --> 04:12:01,815
through a hockey mask

6278
04:12:01,981 --> 04:12:02,440
It's simply

6279
04:12:02,440 --> 04:12:03,566
But here's the question

6280
04:12:03,775 --> 04:12:04,400
That poster received

6281
04:12:04,400 --> 04:12:05,735
banned in 13 states

6282
04:12:05,944 --> 04:12:06,694
It got everyone

6283
04:12:06,694 --> 04:12:09,739
teenager saying oooh
What is this I am

6284
04:12:09,739 --> 04:12:10,865
not allowed to see

6285
04:12:11,074 --> 04:12:11,699
We had a huge

6286
04:12:11,699 --> 04:12:12,450
opening weekend

6287
04:12:12,617 --> 04:12:13,576
We came second, we

6288
04:12:13,576 --> 04:12:14,744
didn't come first in the box

6289
04:12:14,744 --> 04:12:16,913
office because
Fugitive had opened

6290
04:12:16,913 --> 04:12:18,331
the weekend we have ahead of us

6291
04:12:18,540 --> 04:12:19,415
The greatness of

6292
04:12:19,415 --> 04:12:22,127
This is the Monday variety

6293
04:12:22,293 --> 04:12:25,547
The headline was
first place goes to The

6294
04:12:25,547 --> 04:12:27,882
Box office remainder
fugitive goes to hell

6295
04:12:28,633 --> 04:12:29,634
Sorry, I'll take it

6296
04:12:29,843 --> 04:12:30,468
How many people

6297
04:12:30,468 --> 04:12:32,011
really take the chance
to say whatever

6298
04:12:32,011 --> 04:12:34,389
they want Jason Voorhees

6299
04:12:34,556 --> 04:12:38,268
How are you, you worm
Blown hard, fuck?

6300
04:12:43,815 --> 04:12:45,733
I killed my wife

6301
04:12:45,942 --> 04:12:47,569
Is this wrong?

6302
04:12:47,777 --> 04:12:50,363
Hey, these things happen

6303
04:12:50,572 --> 04:12:52,866
Fraser Heston, Charlton

6304
04:12:52,866 --> 04:12:55,285
Heston's son directs
Needful Things based

6305
04:12:55,285 --> 04:12:56,452
about Stephen King's novel

6306
04:12:56,661 --> 04:12:57,287
It's all about one

6307
04:12:57,287 --> 04:12:59,998
store opening in Castle Rock and

6308
04:12:59,998 --> 04:13:02,083
the store owner may or may not

6309
04:13:02,083 --> 04:13:03,126
don't be the devil

6310
04:13:03,334 --> 04:13:04,544
You must realize what

6311
04:13:04,544 --> 04:13:06,671
It's a deep pleasure
do business with you

6312
04:13:08,047 --> 04:13:10,175
They have Max von Sydow as

6313
04:13:10,175 --> 04:13:12,135
Leland Gaunt, the store owner

6314
04:13:12,218 --> 04:13:15,346
Ed Harris plays
Alan Pangborn, who is the

6315
04:13:15,346 --> 04:13:16,764
Castle Rock sheriff

6316
04:13:16,931 --> 04:13:17,765
also a character

6317
04:13:17,765 --> 04:13:19,893
that appeared in other
stories of the King like

6318
04:13:19,893 --> 04:13:21,936
The Dark Half and the Sun Dog

6319
04:13:22,103 --> 04:13:23,188
Leland Gaunt

6320
04:13:23,188 --> 04:13:25,857
looking for a way
to enter each

6321
04:13:25,857 --> 04:13:28,151
member of this community placing

6322
04:13:28,151 --> 04:13:30,612
something on the shelves they find

6323
04:13:30,612 --> 04:13:31,446
they need

6324
04:13:31,654 --> 04:13:32,947
This jacket you

6325
04:13:33,156 --> 04:13:34,908
could you recover

6326
04:13:35,074 --> 04:13:36,868
retrace your steps

6327
04:13:37,076 --> 04:13:39,078
take control of
your life again

6328
04:13:39,287 --> 04:13:40,246
and that's your way of

6329
04:13:40,246 --> 04:13:41,748
get in there and do them

6330
04:13:41,748 --> 04:13:44,083
start to compromise
systematically your

6331
04:13:44,083 --> 04:13:45,627
values and its morality

6332
04:13:45,835 --> 04:13:46,794
And here's the argument

6333
04:13:47,003 --> 04:13:49,130
He uses In the Hall of

6334
04:13:49,130 --> 04:13:51,591
King of the Mountain about
this montage of this

6335
04:13:51,591 --> 04:13:59,182
an escalating series of pranks that

6336
04:13:59,182 --> 04:14:01,309
are really attacks
within the city and

6337
04:14:01,309 --> 04:14:03,353
this sequence I think
which was a highlight

6338
04:14:03,353 --> 04:14:04,979
of the film always

6339
04:14:05,188 --> 04:14:06,439
You killed my little dog

6340
04:14:06,439 --> 04:14:07,148
your bitch

6341
04:14:07,357 --> 04:14:09,192
you broke my microwave you

6342
04:14:09,192 --> 04:14:10,276
crazy fuck

6343
04:14:11,486 --> 04:14:13,529
Other wonderful moments I think

6344
04:14:13,738 --> 04:14:15,490
comes specifically from Max von

6345
04:14:15,490 --> 04:14:17,492
Sydow's performance
like Leland Gaunt

6346
04:14:17,492 --> 04:14:19,661
character just says
Jesus when they

6347
04:14:19,661 --> 04:14:22,121
realize how insidious
he is and he is kind

6348
04:14:22,121 --> 04:14:24,582
turns around and says: Oh, the carpenter of

6349
04:14:24,582 --> 04:14:29,337
Nazar� I knew him
very promising young man

6350
04:14:29,504 --> 04:14:30,880
he died badly

6351
04:14:31,631 --> 04:14:32,757
For the King nerds

6352
04:14:32,757 --> 04:14:35,843
like me, there is a
very great satisfaction

6353
04:14:35,843 --> 04:14:38,596
little moment in it
where Ed Harris as

6354
04:14:38,596 --> 04:14:41,224
Alan Pangborn enters the store and Leland

6355
04:14:41,224 --> 04:14:43,017
Gaunt tells him what
I can do to help

6356
04:14:43,017 --> 04:14:48,147
you find it and harris says hey oh nothing

6357
04:14:48,147 --> 04:14:49,899
I have everything I need. It's a single

6358
04:14:49,899 --> 04:14:51,192
phrase that defines this whole

6359
04:14:51,192 --> 04:14:54,237
character and establishes
that these two

6360
04:14:54,237 --> 04:14:55,655
the characters will be
on collision course

6361
04:14:55,863 --> 04:14:58,449
you look out of place
here, actually

6362
04:14:58,658 --> 04:15:00,743
Well, you don't care
let me say this

6363
04:15:00,743 --> 04:15:01,869
you too, Leland

6364
04:15:02,036 --> 04:15:02,954
Necessary Things is a

6365
04:15:02,954 --> 04:15:06,040
very cool example of
a story that was

6366
04:15:06,040 --> 04:15:09,460
kinda too big to fit in one

6367
04:15:09,460 --> 04:15:10,837
theatrical feature film

6368
04:15:11,045 --> 04:15:11,671
appears in

6369
04:15:11,671 --> 04:15:14,007
cable and the film is different

6370
04:15:14,007 --> 04:15:16,968
film is much longer
you get this mini

6371
04:15:16,968 --> 04:15:19,512
series experience
of a theatrical film

6372
04:15:19,512 --> 04:15:21,597
that we've all seen

6373
04:15:21,806 --> 04:15:22,473
friends are

6374
04:15:22,682 --> 04:15:25,977
recording on VHS and sitting there

6375
04:15:25,977 --> 04:15:28,146
I cut obediently
the commercials to try

6376
04:15:28,146 --> 04:15:32,191
to create this extended copy
from Needful Things VHS

6377
04:15:32,400 --> 04:15:34,110
That was part of the joy.

6378
04:15:34,110 --> 04:15:37,196
at that time was being able to pursue

6379
04:15:37,196 --> 04:15:39,157
things like that down

6380
04:15:39,365 --> 04:15:40,742
yes sir, we are

6381
04:15:40,742 --> 04:15:42,535
having fun now

6382
04:15:49,584 --> 04:15:50,668
you just killed a man

6383
04:15:50,835 --> 04:15:52,045
you just killed a man

6384
04:15:52,253 --> 04:15:55,131
Set in the 90s
It's Riot Grrrl time

6385
04:16:02,055 --> 04:16:04,557
Women are with
angry because they were ignored

6386
04:16:04,557 --> 04:16:05,850
they were attacked they were

6387
04:16:05,850 --> 04:16:07,810
oppressed we are fed up
and tired of it then

6388
04:16:07,810 --> 04:16:09,354
the Riot Grrrl movement is coming

6389
04:16:09,354 --> 04:16:11,397
music has Bratmobile and Bikini Kill

6390
04:16:11,397 --> 04:16:13,483
and in this there is also the
film production

6391
04:16:13,691 --> 04:16:16,361
Sarah Jacobson for
I am the voice of Riot Grrrl

6392
04:16:16,569 --> 04:16:17,945
budget cuts
for individual families

6393
04:16:17,945 --> 04:16:20,156
social assistance beneficiaries and
financing for public services

6394
04:16:20,156 --> 04:16:22,784
schools have groups of
upset women

6395
04:16:22,992 --> 04:16:24,369
I was a teenage serial killer

6396
04:16:24,577 --> 04:16:25,203
is literally what

6397
04:16:25,203 --> 04:16:27,413
It looks like a teenager who is

6398
04:16:27,413 --> 04:16:28,831
just sick and tired
to be pushed

6399
04:16:28,831 --> 04:16:29,332
around

6400
04:16:29,499 --> 04:16:31,834
tired of sexist guys tired of

6401
04:16:31,834 --> 04:16:34,837
patriarchy and she
let go as fuck

6402
04:16:35,046 --> 04:16:37,965
you impress me
right now it's impressive

6403
04:16:38,132 --> 04:16:41,469
every guy in there
get what you deserve

6404
04:16:43,763 --> 04:16:46,891
Kristin Calabrese plays
Mary, the serial killer

6405
04:16:46,891 --> 04:16:48,851
and she is fierce

6406
04:16:50,520 --> 04:16:51,646
Sarah Jacobson did

6407
04:16:51,646 --> 04:16:52,814
doesn't pull punches, you know

6408
04:16:53,022 --> 04:16:55,775
the content of this film
it really seems

6409
04:16:55,775 --> 04:16:57,485
things that happened
with her, you know

6410
04:16:57,485 --> 04:16:58,986
a guy who doesn't want to use a condom

6411
04:16:58,986 --> 04:17:00,363
and don't tell her about it

6412
04:17:00,571 --> 04:17:01,989
well I don't really like them

6413
04:17:02,198 --> 04:17:03,741
Who the hell do you think you are?

6414
04:17:03,950 --> 04:17:05,034
what nonsense is this

6415
04:17:05,576 --> 04:17:08,162
and these are things that
happen to women

6416
04:17:08,371 --> 04:17:09,956
how dare you take off the condom

6417
04:17:09,956 --> 04:17:11,165
while we are having sex

6418
04:17:11,332 --> 04:17:11,958
this is a short

6419
04:17:11,958 --> 04:17:13,167
it was filmed in super 8

6420
04:17:13,376 --> 04:17:13,918
Sarah Jacobson

6421
04:17:13,918 --> 04:17:15,753
was actually a student of George Kuchar

6422
04:17:15,753 --> 04:17:18,339
so your style of doing
movies is very similar to

6423
04:17:18,339 --> 04:17:20,091
experimental punk

6424
04:17:20,299 --> 04:17:22,051
Really? Yes

6425
04:17:23,136 --> 04:17:24,011
Sarah Jacobson

6426
04:17:24,011 --> 04:17:26,055
unfortunately a lot was taken from us

6427
04:17:26,055 --> 04:17:29,183
right after cancer,
but she had this incredible

6428
04:17:29,183 --> 04:17:31,936
angry voice putting on the screen what

6429
04:17:31,936 --> 04:17:34,105
us women, no
we could say in the 90s

6430
04:17:34,313 --> 04:17:35,773
no one wants to hear my

6431
04:17:35,773 --> 04:17:37,692
story and then I
I'm angry that

6432
04:17:37,692 --> 04:17:39,485
I don't have permission
to express why

6433
04:17:39,485 --> 04:17:41,654
It is not certain that a
woman has any

6434
04:17:41,654 --> 04:17:43,906
anger. I was a killer
teen series

6435
04:17:43,948 --> 04:17:46,325
I think it's a great
example of if you

6436
04:17:46,325 --> 04:17:48,870
ignore everything
low budget or

6437
04:17:48,870 --> 04:17:50,997
experimental or black
and white in super

6438
04:17:50,997 --> 04:17:52,331
8 what is this movie

6439
04:17:52,540 --> 04:17:53,541
you will completely

6440
04:17:53,541 --> 04:17:57,211
I miss some
incredible work that I

6441
04:17:57,211 --> 04:17:58,588
I think it has an important message

6442
04:17:58,796 --> 04:18:00,339
Thanks for the compliment, you asshole

6443
04:18:07,180 --> 04:18:08,097
Scared

6444
04:18:08,097 --> 04:18:10,433
soon in a theater

6445
04:18:10,641 --> 04:18:12,018
Scared. ugly ass

6446
04:18:12,018 --> 04:18:12,852
but funny

6447
04:18:13,060 --> 04:18:15,813
Freaked is about a naughty child

6448
04:18:15,813 --> 04:18:19,192
star that goes to
South America to do

6449
04:18:19,192 --> 04:18:21,360
lots of money selling
a toxic chemical

6450
04:18:21,360 --> 04:18:24,906
and is captured by a
circus salesman who

6451
04:18:24,906 --> 04:18:27,325
run and create your own
freak show

6452
04:18:27,408 --> 04:18:30,620
I don't just display freaks

6453
04:18:30,828 --> 04:18:32,205
I make them

6454
04:18:32,371 --> 04:18:35,458
and then this poor
actor and his friends who

6455
04:18:35,458 --> 04:18:38,419
were transformed into
mutants have to invent an escape

6456
04:18:42,089 --> 04:18:43,132
My directing partner at

6457
04:18:43,132 --> 04:18:45,051
time that Tom Stern and
I were doing

6458
04:18:45,051 --> 04:18:47,053
short films and music videos and everything

6459
04:18:47,053 --> 04:18:49,096
kinds of crazy things from NYU to

6460
04:18:49,096 --> 04:18:51,349
years and we teamed up with Sam Raimi

6461
04:18:51,349 --> 04:18:53,184
from a film we made at NYU

6462
04:18:53,184 --> 04:18:54,852
called Death Scream

6463
04:18:59,148 --> 04:18:59,815
We wanted to do

6464
04:18:59,815 --> 04:19:03,194
at that time a cross
very low budget

6465
04:19:03,194 --> 04:19:07,156
between a chainsaw
from Texas and a punk rock

6466
04:19:07,156 --> 04:19:08,824
musical film because
The Butthole Surfers

6467
04:19:08,824 --> 04:19:10,409
we will interpret
all characters

6468
04:19:10,618 --> 04:19:12,787
I would be the guy who
goes and mutates

6469
04:19:12,995 --> 04:19:13,829
no one was interested

6470
04:19:14,038 --> 04:19:14,163
Meanwhile

6471
04:19:14,163 --> 04:19:15,623
We're doing Bill and Ted 2

6472
04:19:15,831 --> 04:19:16,207
I'm winning

6473
04:19:16,207 --> 04:19:16,916
some prestige

6474
04:19:17,124 --> 04:19:18,709
we move towards the 20th century

6475
04:19:18,709 --> 04:19:20,127
Fox and we sell like 12

6476
04:19:20,127 --> 04:19:23,172
PG-13 million dollar movie
of dollars and now they

6477
04:19:23,172 --> 04:19:24,590
say yes and now we have to really

6478
04:19:24,590 --> 04:19:26,133
go write like this. Could you give

6479
04:19:26,133 --> 04:19:28,803
I like a Rodney
too big? I am a

6480
04:19:28,803 --> 04:19:31,305
mad scientist friend
is not a miracle worker

6481
04:19:31,514 --> 04:19:33,766
Then suddenly two
25 year old boys who were

6482
04:19:33,766 --> 04:19:36,310
basically the filmmakers
punk rock had it all

6483
04:19:36,310 --> 04:19:37,353
the keys to the kingdom

6484
04:19:37,562 --> 04:19:37,979
we were doing

6485
04:19:37,979 --> 04:19:40,523
at that time,
far, the greatest practice

6486
04:19:40,523 --> 04:19:42,692
effects film that
was being done in all

6487
04:19:42,692 --> 04:19:43,442
in the city

6488
04:19:43,609 --> 04:19:45,903
I destroy freaks to pieces

6489
04:19:46,070 --> 04:19:48,239
kill those you always hated

6490
04:19:48,406 --> 04:19:49,490
It was a huge

6491
04:19:49,490 --> 04:19:51,617
film but always
heart a renegade

6492
04:19:51,617 --> 04:19:55,121
film and we got
despite the PG-13 rating

6493
04:19:55,329 --> 04:19:56,622
to get a lot of blood

6494
04:19:56,622 --> 04:19:58,833
and a lot of scary things

6495
04:19:58,833 --> 04:20:01,502
and to maintain the spirit of the original

6496
04:20:01,502 --> 04:20:03,379
film that we had written in this type

6497
04:20:03,379 --> 04:20:05,047
of popular comedy

6498
04:20:10,261 --> 04:20:13,264
I love prosthetics, I love playing radical

6499
04:20:13,264 --> 04:20:15,850
characters I had seven and a half hours

6500
04:20:15,850 --> 04:20:17,768
just with makeup
from time to time and then

6501
04:20:17,768 --> 04:20:19,395
I had to act and then I had

6502
04:20:19,395 --> 04:20:20,980
to co-direct and so I had to

6503
04:20:20,980 --> 04:20:23,190
sleep somewhere
There then in a certain

6504
04:20:23,190 --> 04:20:25,860
point where I stopped
to take off makeup

6505
04:20:25,860 --> 04:20:27,862
because it would save me three hours

6506
04:20:27,862 --> 04:20:29,071
the end of the day that during the

6507
04:20:29,071 --> 04:20:30,406
the week's course would add up to so much

6508
04:20:30,406 --> 04:20:31,991
I drove to the
work and came back with

6509
04:20:31,991 --> 04:20:34,243
this giant Ricky
head on and I would

6510
04:20:34,243 --> 04:20:35,953
sleep on it until it rots and falls

6511
04:20:35,953 --> 04:20:38,956
I had a mouthpiece
huge for the teeth

6512
04:20:39,165 --> 04:20:42,460
and I had mine, like a hook
pulling my mouth back.

6513
04:20:42,668 --> 04:20:44,875
On the first day of
filming when needed

6514
04:20:44,888 --> 04:20:47,006
talk, I'm
filming with Megan Ward.

6515
04:20:47,506 --> 04:20:49,383
I open my mouth to say my dialogue.

6516
04:20:49,467 --> 04:20:52,303
The hook literally
tear my whole mouth

6517
04:20:52,553 --> 04:20:54,180
like from here to here.

6518
04:20:54,388 --> 04:20:56,307
Blood and lint come out.

6519
04:20:57,266 --> 04:20:59,018
I try to say my line

6520
04:20:59,143 --> 04:21:00,102
those giant teeth

6521
04:21:00,269 --> 04:21:03,147
and that, er, er, er, ker,
ker. That's what it seems.

6522
04:21:03,314 --> 04:21:06,025
And Megan is looking at
me and she's starting to laugh

6523
04:21:06,150 --> 04:21:08,569
and then starts to cry,
because it's something horrible

6524
04:21:08,653 --> 04:21:10,571
I'm obviously in a lot of pain.

6525
04:21:10,738 --> 04:21:13,616
It's just horrible, like
if the camera was right on her.

6526
04:21:14,033 --> 04:21:15,910
But everything is dubbed, obviously.

6527
04:21:15,993 --> 04:21:17,578
You wanted to see the freak show.

6528
04:21:17,662 --> 04:21:19,497
I thought I had
I told you to shut up!

6529
04:21:20,081 --> 04:21:23,084
And there I was,
basically disabled.

6530
04:21:23,417 --> 04:21:24,752
I thought, let's go.

6531
04:21:24,752 --> 04:21:25,795
The makeup was incredible.

6532
04:21:25,878 --> 04:21:27,164
We were very lucky
that we have achieved

6533
04:21:27,177 --> 04:21:28,506
all this money
to make this film.

6534
04:21:28,714 --> 04:21:30,800
Let's do this and I
I'll find out on the other side

6535
04:21:31,008 --> 04:21:33,177
On the other side, I was
in bed for a year

6536
04:21:33,344 --> 04:21:36,639
I am Ortiz, the dog boy

6537
04:21:37,139 --> 04:21:38,891
Leader of the crazy

6538
04:21:39,100 --> 04:21:40,851
kinda like the boss

6539
04:21:40,851 --> 04:21:44,063
Poor Keanu covered
of dog hair

6540
04:21:44,271 --> 04:21:46,273
120 degrees 100% humidity

6541
04:21:46,482 --> 04:21:47,608
having just passed

6542
04:21:47,608 --> 04:21:49,944
three hours with each strand
with hair glued to your

6543
04:21:49,944 --> 04:21:52,988
man and I was like I feel so

6544
04:21:52,988 --> 04:21:55,116
sorry about this guy,
this is like his

6545
04:21:55,116 --> 04:21:55,950
idea of hell

6546
04:21:56,158 --> 04:21:57,827
12 milkmen is theoretically

6547
04:21:57,827 --> 04:21:58,911
possible

6548
04:21:59,078 --> 04:22:00,329
13 is nonsense

6549
04:22:00,538 --> 04:22:02,331
Keanu has always been

6550
04:22:02,331 --> 04:22:04,458
supposedly it's quite
unrecognizable

6551
04:22:04,458 --> 04:22:06,293
was part of the joke so he didn't

6552
04:22:06,293 --> 04:22:08,629
There's a credit to that

6553
04:22:08,838 --> 04:22:11,590
Nobody moves, nobody gets hurt

6554
04:22:11,799 --> 04:22:14,844
We were doing a
very strange thing

6555
04:22:14,844 --> 04:22:17,263
strange movie on the system
studio and we

6556
04:22:17,263 --> 04:22:19,598
We weren't idiots
we knew that we knew

6557
04:22:19,598 --> 04:22:21,225
that shit was going to hit the fan

6558
04:22:21,225 --> 04:22:23,227
there was a kind of disconnect between

6559
04:22:23,227 --> 04:22:25,563
what do stadiums do
and what we were doing

6560
04:22:32,695 --> 04:22:34,780
Tom and I passed by
hell with

6561
04:22:34,780 --> 04:22:37,408
release because it was trapped in kind

6562
04:22:37,408 --> 04:22:38,993
of politics in the stadium and

6563
04:22:38,993 --> 04:22:40,745
the new president does not
liked it and we got it

6564
04:22:40,745 --> 04:22:42,872
Our liberation killed what was said

6565
04:22:42,872 --> 04:22:44,331
the film immediately
started to look good

6566
04:22:44,331 --> 04:22:46,542
reviews and some
warnings and Fox became

6567
04:22:46,542 --> 04:22:48,335
very favorable to the film honestly

6568
04:22:48,335 --> 04:22:50,921
almost immediately
they didn't decide

6569
04:22:50,921 --> 04:22:53,424
launch it on 3,000 screens as they

6570
04:22:53,424 --> 04:22:55,301
initially they had
promised but didn't do it

6571
04:22:55,301 --> 04:22:57,303
support us so that
be released on HBO

6572
04:22:57,303 --> 04:22:59,221
and festivals and theaters and

6573
04:22:59,221 --> 04:23:00,931
eventually won the
cult of followers

6574
04:23:00,931 --> 04:23:02,266
what you have today

6575
04:23:02,475 --> 04:23:03,434
Thanks worm

6576
04:23:03,434 --> 04:23:04,852
I don't know how to repay this

6577
04:23:04,852 --> 04:23:07,188
Could you wipe my ass

6578
04:23:07,396 --> 04:23:08,898
What a comedian

6579
04:23:19,533 --> 04:23:22,536
The 90s were a period of immense

6580
04:23:22,536 --> 04:23:25,623
productivity for
full moon and only for

6581
04:23:25,623 --> 04:23:29,168
work in that studio
It was exciting every day.

6582
04:23:29,168 --> 04:23:31,545
day to work
your movie to see

6583
04:23:31,545 --> 04:23:33,631
other people working
in his films for

6584
04:23:33,631 --> 04:23:36,634
have this kind of
creative composite everything

6585
04:23:36,634 --> 04:23:39,845
in one place was a time
really wonderful

6586
04:23:43,599 --> 04:23:44,934
The terminator is here

6587
04:23:45,142 --> 04:23:45,893
I don't know how

6588
04:23:45,893 --> 04:23:48,938
Charlie ended up getting attached to so many

6589
04:23:48,938 --> 04:23:51,315
franchises but there was Puppet Master

6590
04:23:51,315 --> 04:23:53,692
There were subspecies, there were demons

6591
04:23:53,692 --> 04:23:54,151
Toys

6592
04:23:54,360 --> 04:23:56,821
I can walk, I can talk, I

6593
04:23:56,821 --> 04:23:58,572
I might even shit my pants

6594
04:23:58,781 --> 04:23:58,989
huh

6595
04:23:59,198 --> 04:23:59,573
Once you

6596
04:23:59,573 --> 04:24:01,867
have a somewhat addicted audience

6597
04:24:01,867 --> 04:24:04,620
a story that they
are hungry for more

6598
04:24:04,620 --> 04:24:06,205
especially if it really
aroused your curiosity

6599
04:24:06,205 --> 04:24:07,081
imagination

6600
04:24:07,289 --> 04:24:07,957
Hello friend

6601
04:24:08,165 --> 04:24:09,041
Did you see a girl

6602
04:24:09,041 --> 04:24:12,002
around here more or less
my size?

6603
04:24:12,211 --> 04:24:12,503
Huh

6604
04:24:12,711 --> 04:24:13,462
I thought

6605
04:24:13,462 --> 04:24:16,131
the first days of
Full Moon features were

6606
04:24:16,131 --> 04:24:18,133
like 90s Marvel Comics

6607
04:24:18,133 --> 04:24:20,135
I wanted to create
characters I wanted

6608
04:24:20,135 --> 04:24:21,804
Cross them over the only one I was

6609
04:24:21,804 --> 04:24:23,973
able to do was
Dollman vs the Demonic

6610
04:24:23,973 --> 04:24:25,850
Toys that was
very fun to do

6611
04:24:25,850 --> 04:24:27,434
Jesus Christ!

6612
04:24:27,518 --> 04:24:28,894
Not really a slut!

6613
04:24:31,063 --> 04:24:31,939
Tim Thompson

6614
04:24:31,939 --> 04:24:33,899
and I have known each other for a long time

6615
04:24:33,899 --> 04:24:35,734
a film called
Metalstorm than Universal

6616
04:24:35,734 --> 04:24:37,903
released and then Tim is Jack Deth

6617
04:24:38,070 --> 04:24:40,447
the protagonist of the five
Trancer movies we made

6618
04:24:40,447 --> 04:24:42,491
so we did Dollman and he always

6619
04:24:42,491 --> 04:24:44,368
dreamed of having a film where Dollman

6620
04:24:44,368 --> 04:24:46,287
I would kick Jack Deth's ass and of course

6621
04:24:46,287 --> 04:24:47,705
he would play both
characters who were

6622
04:24:47,705 --> 04:24:48,747
one of our jokes

6623
04:24:52,501 --> 04:24:53,919
This is a movie if you look

6624
04:24:53,919 --> 04:24:55,963
that, you know, without
CGI, no tricks,

6625
04:24:56,046 --> 04:24:57,006
everything was built.

6626
04:24:57,131 --> 04:24:58,966
If you needed a
huge watch, you had

6627
04:24:58,966 --> 04:24:59,758
to build the clock.

6628
04:24:59,925 --> 04:25:01,844
If there were a set
oversized and a

6629
04:25:01,844 --> 04:25:03,470
girl, you had to
build the big

6630
04:25:03,470 --> 04:25:03,762
set.

6631
04:25:03,888 --> 04:25:06,640
And it was interesting
because Dollman, like

6632
04:25:06,640 --> 04:25:09,643
Dollman, 30 centimeters
tall, had to fight against the

6633
04:25:09,643 --> 04:25:11,103
puppets from Demonic Toys.

6634
04:25:11,103 --> 04:25:13,230
We had a baby Oopsie from
almost two and a half meters tall

6635
04:25:13,230 --> 04:25:14,982
that sounded really good, and it was

6636
04:25:14,982 --> 04:25:16,317
absolutely fantastic.

6637
04:25:19,403 --> 04:25:21,572
We did a show, I couldn't do it,

6638
04:25:21,614 --> 04:25:23,115
called Master of
Puppets versus the Demon

6639
04:25:23,115 --> 04:25:23,532
Toys.

6640
04:25:23,908 --> 04:25:26,660
And I was passing by
really difficult times

6641
04:25:26,660 --> 04:25:29,121
where a company
external came to me and

6642
04:25:29,121 --> 04:25:30,706
Said, Charlie, we want to do this

6643
04:25:30,706 --> 04:25:31,123
film.

6644
04:25:33,918 --> 04:25:35,628
We can simply
buy the rights to make

6645
04:25:35,628 --> 04:25:37,755
this independent film
from the Puppet Master?

6646
04:25:37,796 --> 04:25:39,006
And I needed the
money and I said:

6647
04:25:39,298 --> 04:25:39,882
by all means.

6648
04:25:39,882 --> 04:25:41,383
So they went out and
they made that movie,

6649
04:25:41,550 --> 04:25:42,760
which honestly I didn't even see.

6650
04:25:50,392 --> 04:25:53,812
As a small independent,
always poor in money,

6651
04:25:54,396 --> 04:25:56,398
no matter how smart
you be, if you are

6652
04:25:56,398 --> 04:25:58,067
make six or eight films in a year,

6653
04:25:58,275 --> 04:26:00,110
you know, there is the question
of cash flow,

6654
04:26:00,569 --> 04:26:02,363
yes you can make one and hand it in

6655
04:26:02,363 --> 04:26:04,073
and take your money and this, but this

6656
04:26:04,073 --> 04:26:04,865
it takes a long time.

6657
04:26:04,949 --> 04:26:07,534
So when you
crosses three, four films

6658
04:26:07,534 --> 04:26:09,578
in pre-production, two
in production, two

6659
04:26:09,578 --> 04:26:12,039
in the post, suddenly you
is out, even back

6660
04:26:12,039 --> 04:26:13,248
then a few million dollars.

6661
04:26:13,374 --> 04:26:14,875
As an independent filmmaker,
are you in

6662
04:26:14,875 --> 04:26:16,043
constant need
of financing.

6663
04:26:17,962 --> 04:26:20,172
But I had a lot of projects that

6664
04:26:20,172 --> 04:26:22,800
were the projects of
crossover that would be

6665
04:26:22,800 --> 04:26:24,802
impossible to do later
from the Paramount days

6666
04:26:24,802 --> 04:26:26,220
because they demand
just a little more

6667
04:26:26,220 --> 04:26:26,428
money.

6668
04:26:26,679 --> 04:26:28,138
It was a fun and entertaining time

6669
04:26:28,138 --> 04:26:30,140
time to make that crossover movie.

6670
04:26:30,474 --> 04:26:32,267
This is the best goodbye
single guy

6671
04:26:32,267 --> 04:26:33,394
could ask.

6672
04:26:42,987 --> 04:26:45,739
Love never dies.

6673
04:26:45,739 --> 04:26:47,908
I love Return of the Living Dead.

6674
04:26:48,283 --> 04:26:50,661
I think Dan O'Bannon
showed us how

6675
04:26:50,661 --> 04:26:52,830
to put EC Comics in the movies.

6676
04:26:53,247 --> 04:26:55,666
He cracked the code and made a

6677
04:26:55,666 --> 04:26:58,210
incredibly film
fun and cheeky

6678
04:26:58,210 --> 04:26:59,003
horror film.

6679
04:27:01,505 --> 04:27:05,134
When the second had
lower performance, the

6680
04:27:05,134 --> 04:27:09,138
the value of the security actually fell and

6681
04:27:09,138 --> 04:27:11,724
It was so low that I was

6682
04:27:11,724 --> 04:27:12,891
considered for this.

6683
04:27:17,980 --> 04:27:22,693
I thought I was doing
the second sequence

6684
04:27:22,693 --> 04:27:26,030
for the sequence
alternative to the iconic

6685
04:27:26,030 --> 04:27:28,157
film from our Times of Horror.

6686
04:27:31,410 --> 04:27:34,747
I wanted to be of service to George

6687
04:27:34,747 --> 04:27:37,666
Classic by Romero and Dan O'Bannon.

6688
04:27:37,750 --> 04:27:39,752
I was really excited for it.

6689
04:27:42,337 --> 04:27:43,922
God, I don't know what I'm going to do

6690
04:27:43,922 --> 04:27:44,339
become.

6691
04:27:44,631 --> 04:27:47,384
And I asked the
Trimark folks, what is

6692
04:27:47,384 --> 04:27:48,135
the requirement?

6693
04:27:48,802 --> 04:27:49,845
And they said, well,
you have to have

6694
04:27:49,845 --> 04:27:52,431
trioxin and you have to have a brain

6695
04:27:52,431 --> 04:27:52,681
eating.

6696
04:27:54,850 --> 04:27:55,893
Brains, brains.

6697
04:27:56,185 --> 04:27:58,771
I received offers from
about, my God, 20

6698
04:27:58,771 --> 04:27:59,271
writers.

6699
04:27:59,646 --> 04:28:02,107
And John Penny came in and he had

6700
04:28:02,107 --> 04:28:04,943
this idea of a
story of Romeo and Juliet

6701
04:28:04,943 --> 04:28:07,613
Where is Juliet?
turning against

6702
04:28:07,613 --> 04:28:10,824
father background
of the child being part

6703
04:28:10,824 --> 04:28:13,619
of a project for
make these undead

6704
04:28:13,619 --> 04:28:15,954
the characters go to
the battlefield.

6705
04:28:18,457 --> 04:28:20,250
I didn't make it funny.

6706
04:28:20,459 --> 04:28:22,294
I mean, I think
It is satirical, but in

6707
04:28:22,294 --> 04:28:24,046
In this case, I think
I was trying

6708
04:28:24,046 --> 04:28:26,882
do more like Romero,
but with all

6709
04:28:26,882 --> 04:28:28,050
Dan O'Bannon by.

6710
04:28:31,678 --> 04:28:34,681
Of course, I tried to do the type

6711
04:28:34,681 --> 04:28:38,185
of cool zombies that
Dan O'Bannon had,

6712
04:28:38,310 --> 04:28:40,354
as if Tar Man were
probably the best

6713
04:28:40,354 --> 04:28:40,771
one.

6714
04:28:43,315 --> 04:28:45,567
This character is really cool.

6715
04:28:45,818 --> 04:28:47,152
I want it to be like an icon

6716
04:28:47,152 --> 04:28:47,778
monster.

6717
04:28:50,948 --> 04:28:55,035
With Julie, she is
in pain and just two

6718
04:28:55,035 --> 04:28:57,246
things can ease the pain.

6719
04:28:57,246 --> 04:29:01,166
One is love and the other is pain.

6720
04:29:01,416 --> 04:29:05,254
To maintain your identity,
she would hurt

6721
04:29:05,254 --> 04:29:07,422
herself, she
would cut it, or she could

6722
04:29:07,422 --> 04:29:10,384
be in love, but she
is becoming, you know,

6723
04:29:10,551 --> 04:29:11,051
inhumane.

6724
04:29:13,137 --> 04:29:16,014
And then with the glass and the scars

6725
04:29:16,014 --> 04:29:18,267
everywhere, I knew it would be the

6726
04:29:18,267 --> 04:29:20,060
poster because I thought, this is a

6727
04:29:20,060 --> 04:29:22,396
monster is very friendly.

6728
04:29:22,563 --> 04:29:23,438
Don't leave me.

6729
04:29:24,273 --> 04:29:25,566
Get out of the way, son.

6730
04:29:28,277 --> 04:29:31,822
I worked with Steve
Johnson to do it

6731
04:29:31,822 --> 04:29:32,197
invent.

6732
04:29:32,489 --> 04:29:35,659
The effects process
makeup for Julie

6733
04:29:35,659 --> 04:29:37,119
It was probably six hours.

6734
04:29:40,414 --> 04:29:42,833
John and I really
we went to some of them

6735
04:29:42,833 --> 04:29:44,501
these fetish clubs,
you know, to

6736
04:29:44,501 --> 04:29:45,127
search.

6737
04:29:45,294 --> 04:29:47,421
From that, I realized a lot of the

6738
04:29:47,421 --> 04:29:50,924
scarification and
body modification and

6739
04:29:50,924 --> 04:29:51,341
thing.

6740
04:29:51,341 --> 04:29:53,969
It's a question of personal identity.

6741
04:29:58,724 --> 04:30:01,059
I thought I could
function theatrically

6742
04:30:01,059 --> 04:30:02,436
because I think the film works.

6743
04:30:04,980 --> 04:30:07,482
But then, of course,
Trimark had its

6744
04:30:07,482 --> 04:30:10,444
lower performance than
Warlock 2, and so on

6745
04:30:10,444 --> 04:30:12,112
they simply
they backed away and turned around

6746
04:30:12,112 --> 04:30:14,031
for video stores.

6747
04:30:14,031 --> 04:30:15,282
But I think it's a very good film

6748
04:30:15,282 --> 04:30:15,991
on your own.

6749
04:30:27,127 --> 04:30:29,254
The other way that needs to be discussed

6750
04:30:29,254 --> 04:30:31,506
when you talk about
90s, out of the years

6751
04:30:31,506 --> 04:30:32,841
what's happening in cinemas

6752
04:30:32,841 --> 04:30:34,718
and in video stores, that's what

6753
04:30:34,718 --> 04:30:35,761
happening at home.

6754
04:30:35,886 --> 04:30:38,597
Because entertainment
domestic evolved

6755
04:30:38,597 --> 04:30:41,016
incredibly as
Fast forward to the 90s.

6756
04:30:41,183 --> 04:30:43,185
Look at the cable,
because the cable is now.

6757
04:30:43,518 --> 04:30:44,228
The cable is cool.

6758
04:30:44,561 --> 04:30:46,772
Cable television changed everything.

6759
04:30:46,772 --> 04:30:49,566
You have this pipeline
giant that has

6760
04:30:49,566 --> 04:30:50,651
increased the number of available

6761
04:30:50,651 --> 04:30:52,694
channels a hundred times more.

6762
04:30:53,820 --> 04:30:56,448
Well, it's interesting how in the 90s

6763
04:30:56,448 --> 04:30:58,367
many platforms existed and how

6764
04:30:58,367 --> 04:31:00,244
television was changing.

6765
04:31:00,577 --> 04:31:02,496
And distribution, which has become very

6766
04:31:02,496 --> 04:31:04,998
important to generate
money for the studio,

6767
04:31:05,207 --> 04:31:07,542
not just show reruns and sell

6768
04:31:07,542 --> 04:31:10,462
film and series packages, but for

6769
04:31:10,462 --> 04:31:11,964
create original programming.

6770
04:31:14,508 --> 04:31:15,759
Freddy's nightmares.

6771
04:31:15,759 --> 04:31:17,636
Freddy Krueger had his
own TV show.

6772
04:31:19,805 --> 04:31:21,598
Robert Englund, he played our

6773
04:31:21,640 --> 04:31:22,224
Freddy Krueger.

6774
04:31:22,224 --> 04:31:24,017
He demonstrated great
interest in working with us

6775
04:31:24,017 --> 04:31:24,393
in this.

6776
04:31:24,559 --> 04:31:26,311
How about a face lift?

6777
04:31:27,062 --> 04:31:29,690
It was less violent, but violent.

6778
04:31:29,898 --> 04:31:32,025
And it was less bloody, but bloody.

6779
04:31:32,025 --> 04:31:35,237
Very narrow path
to ensure that we

6780
04:31:35,237 --> 04:31:37,781
accommodated the fans of
Freddy Krueger, but

6781
04:31:37,781 --> 04:31:39,449
we do not offend the
television staff

6782
04:31:39,449 --> 04:31:40,742
who may be watching.

6783
04:31:40,742 --> 04:31:42,869
Put this in your VCR.

6784
04:31:43,078 --> 04:31:45,205
The horror presenters
were still happening.

6785
04:31:45,706 --> 04:31:47,666
And one of mine
favorite was Rhonda

6786
04:31:47,666 --> 04:31:50,502
Shearer, who presented
USA Up All Night.

6787
04:31:50,502 --> 04:31:51,753
And you have to say it this way.

6788
04:31:51,920 --> 04:31:54,798
Hello, welcome to USA Up All Night.

6789
04:31:54,881 --> 04:31:57,301
She, kind of in that sexy vein of

6790
04:31:57,301 --> 04:31:59,720
Elvira, it would be very funny,

6791
04:31:59,928 --> 04:32:02,556
beautiful hostess for some of the most

6792
04:32:02,556 --> 04:32:05,600
bizarre movies you've ever seen.

6793
04:32:09,730 --> 04:32:12,649
Joe Bob Briggs, in this
At the time, I was doing

6794
04:32:12,649 --> 04:32:14,318
a huge name for yourself and

6795
04:32:14,318 --> 04:32:17,154
influencing many
children my age with

6796
04:32:17,154 --> 04:32:19,740
Monster Vision on TNT, just like Joe

6797
04:32:19,740 --> 04:32:20,657
Bob's summer school.

6798
04:32:20,824 --> 04:32:22,868
Sign up now for
Monster Vision Summer

6799
04:32:22,868 --> 04:32:23,243
School.

6800
04:32:23,493 --> 04:32:25,245
Ten weeks of the best
monster movies

6801
04:32:25,245 --> 04:32:27,372
around, analyzed
by Professor Joe Bob

6802
04:32:27,372 --> 04:32:28,623
Briggs and guest speakers.

6803
04:32:28,915 --> 04:32:32,294
When I started
sell my programs,

6804
04:32:32,377 --> 04:32:34,421
trying to find
support on television, a

6805
04:32:34,421 --> 04:32:36,173
of the things I heard was that

6806
04:32:36,173 --> 04:32:37,966
Terror has never been
successful on TV.

6807
04:32:38,300 --> 04:32:39,551
And for a child of the 90s, this

6808
04:32:39,551 --> 04:32:41,762
It was one of the craziest things for

6809
04:32:41,762 --> 04:32:42,929
an executive to say.

6810
04:32:43,138 --> 04:32:45,807
It's like you don't
was there, right?

6811
04:32:45,807 --> 04:32:48,101
Horror on television in the 90s was

6812
04:32:48,101 --> 04:32:50,604
excellent and covered the whole gamut.

6813
04:32:58,195 --> 04:33:00,989
The X-Files makes the genre sophisticated,

6814
04:33:01,698 --> 04:33:03,575
and it's covering everything.

6815
04:33:03,825 --> 04:33:04,785
He's doing science fiction.

6816
04:33:04,951 --> 04:33:05,911
It's making monsters.

6817
04:33:06,203 --> 04:33:07,079
He's doing comedy.

6818
04:33:07,329 --> 04:33:09,539
It's making werewolves and vampires and

6819
04:33:09,539 --> 04:33:11,583
ghosts, killers, mutants.

6820
04:33:11,708 --> 04:33:12,876
It's simply everything.

6821
04:33:12,876 --> 04:33:16,088
The X-Files is just a playground for

6822
04:33:16,088 --> 04:33:18,006
the genre, and is done as prestige

6823
04:33:18,006 --> 04:33:18,590
television.

6824
04:33:22,761 --> 04:33:25,138
It was one of those first shows where

6825
04:33:25,138 --> 04:33:29,184
you had a bow
comprehensive serialized,

6826
04:33:29,434 --> 04:33:31,353
but you still had the monster of

6827
04:33:31,353 --> 04:33:33,146
week, which was like Kolchak: The Night

6828
04:33:33,146 --> 04:33:34,815
Stalker, that's where
Chris Carter got it

6829
04:33:34,815 --> 04:33:36,024
the original inspiration.

6830
04:33:39,152 --> 04:33:41,154
Oh, let's talk about Mulder?

6831
04:33:41,154 --> 04:33:41,571
backstory?

6832
04:33:41,780 --> 04:33:42,781
Let's touch the alien

6833
04:33:42,781 --> 04:33:43,865
conspiracy this week?

6834
04:33:43,990 --> 04:33:46,326
You had to do
question of watching

6835
04:33:46,326 --> 04:33:47,244
the shows for that.

6836
04:33:47,244 --> 04:33:48,620
But even if you don't
have done this, you still have

6837
04:33:48,620 --> 04:33:51,206
a great episode of
monster of the week, gentle

6838
04:33:51,206 --> 04:33:53,875
of how Home, the episode
that aired once

6839
04:33:53,875 --> 04:33:55,919
and it was never aired again.

6840
04:33:56,711 --> 04:33:59,756
Broke many network rules

6841
04:33:59,756 --> 04:34:00,215
television.

6842
04:34:01,466 --> 04:34:03,260
Inbred cannibals and rednecks.

6843
04:34:03,718 --> 04:34:05,846
It starts out weird, and then you get to

6844
04:34:05,846 --> 04:34:06,763
that moment.

6845
04:34:09,224 --> 04:34:10,517
For me, when
teenager, I thought:

6846
04:34:10,600 --> 04:34:12,227
I'm upset and I like it.

6847
04:34:12,352 --> 04:34:13,728
That's the kind of reaction I

6848
04:34:13,728 --> 04:34:15,397
wants to invoke in people.

6849
04:34:15,856 --> 04:34:20,819
Pride, when you
you know your son will do

6850
04:34:20,819 --> 04:34:22,904
anything for his mother.

6851
04:34:23,071 --> 04:34:26,032
In the early 1990s, NBC and Dan

6852
04:34:26,032 --> 04:34:28,618
Curtis teamed up to
bring back the

6853
04:34:28,618 --> 04:34:29,911
Classic Dark Shadows.

6854
04:34:31,496 --> 04:34:34,708
The late and great
Ben Cross was Barnabas

6855
04:34:34,708 --> 04:34:35,709
Collins on that.

6856
04:34:35,959 --> 04:34:38,211
Lisette Anthony was Angelique.

6857
04:34:38,420 --> 04:34:41,840
It only lasted one
season, but this show

6858
04:34:41,840 --> 04:34:44,843
it was tough when it came to the blood,

6859
04:34:44,926 --> 04:34:46,636
reached sensuality.

6860
04:34:49,097 --> 04:34:52,642
One of the biggest phenomena of the 90s

6861
04:34:52,642 --> 04:34:54,519
It was Buffy the Vampire Slayer.

6862
04:34:54,686 --> 04:34:56,938
I'm Buffy the Vampire Slayer, and you're

6863
04:34:56,938 --> 04:34:57,063
are?

6864
04:35:00,317 --> 04:35:03,361
Joss Whedon took the
Kristy Swanson movie

6865
04:35:03,361 --> 04:35:05,906
which had Luke Perry and Rutger Hauer and

6866
04:35:05,906 --> 04:35:09,701
remade history
main for one of the

6867
04:35:09,701 --> 04:35:14,206
best horror series
of all time.

6868
04:35:18,793 --> 04:35:21,463
He went to places with
Buffy I wouldn't

6869
04:35:21,463 --> 04:35:23,590
I never thought they
could go, what

6870
04:35:23,590 --> 04:35:25,842
included an episode
totally musical.

6871
04:35:31,848 --> 04:35:34,684
A completely silent episode.

6872
04:35:37,103 --> 04:35:39,648
You made a character
discover that they were

6873
04:35:39,648 --> 04:35:42,817
gays, and they were a
important character in

6874
04:35:42,817 --> 04:35:43,235
the show.

6875
04:35:47,489 --> 04:35:48,365
I am fine.

6876
04:35:50,283 --> 04:35:54,329
On HBO, you also had the adult

6877
04:35:54,329 --> 04:35:56,540
horror from Tales from the Crypt.

6878
04:36:01,002 --> 04:36:05,340
Bloody horror TV, and it was

6879
04:36:05,340 --> 04:36:07,926
exciting, and it was naughty, and it was

6880
04:36:07,926 --> 04:36:09,886
it was strange and extreme.

6881
04:36:13,807 --> 04:36:16,810
We made 93 episodes and I have 93

6882
04:36:16,810 --> 04:36:17,352
favourites.

6883
04:36:21,982 --> 04:36:24,067
Based on a story
comic written on

6884
04:36:24,067 --> 04:36:26,570
50s, we took the
stories and distort them

6885
04:36:26,570 --> 04:36:27,779
them, and we make them so much more

6886
04:36:27,779 --> 04:36:29,155
complicated and more involved.

6887
04:36:29,489 --> 04:36:30,865
And we will create it so that

6888
04:36:30,865 --> 04:36:34,244
It's scary,
funny, it's distorted and

6889
04:36:34,244 --> 04:36:34,744
It's sexy.

6890
04:36:34,995 --> 04:36:36,663
And that was the mantra we had

6891
04:36:36,663 --> 04:36:37,747
when getting into it.

6892
04:36:40,667 --> 04:36:42,043
They are morality tales.

6893
04:36:42,335 --> 04:36:43,628
We also want to give you an idea

6894
04:36:43,628 --> 04:36:45,046
humor about it
so you can

6895
04:36:45,046 --> 04:36:46,089
Kinda smiles about it.

6896
04:36:46,298 --> 04:36:48,466
The tone was really crucial to

6897
04:36:48,466 --> 04:36:49,509
Alan Katz and me.

6898
04:36:49,676 --> 04:36:50,760
Alan was my writing partner.

6899
04:36:50,844 --> 04:36:52,137
We have to keep him there.

6900
04:36:52,137 --> 04:36:53,388
The ratings are very high.

6901
04:36:55,515 --> 04:36:57,225
If we hadn't had you
pulled in

6902
04:36:57,225 --> 04:36:59,352
in the first five
minutes, my attitude was,

6903
04:36:59,477 --> 04:37:00,145
we are going to lose you.

6904
04:37:00,854 --> 04:37:05,775
Sticks, stones and lumberjacks come.

6905
04:37:06,276 --> 04:37:08,403
We were able to attract actors who wanted

6906
04:37:08,403 --> 04:37:09,904
to direct, be it Michael J.

6907
04:37:09,988 --> 04:37:12,782
Fox or Tom Hanks or Arnold.

6908
04:37:12,907 --> 04:37:16,745
A twisted story that
we call it The Switch.

6909
04:37:16,911 --> 04:37:18,830
I thought if I gave
an opportunity for actors

6910
04:37:18,830 --> 04:37:20,498
to do something they normally do

6911
04:37:20,498 --> 04:37:22,917
they were not given the
opportunity to do, they

6912
04:37:22,917 --> 04:37:24,628
I would be attracted to
participate in the show.

6913
04:37:24,711 --> 04:37:26,171
Show that you love me.

6914
04:37:28,173 --> 04:37:29,841
I love The Crypt Keeper and I love

6915
04:37:29,841 --> 04:37:31,301
John Kassir, the voice of The Crypt

6916
04:37:31,301 --> 04:37:33,470
Guardian, and I adore the
people who manage

6917
04:37:33,470 --> 04:37:34,137
the puppets.

6918
04:37:34,429 --> 04:37:36,181
I drove practically every

6919
04:37:36,181 --> 04:37:38,266
The wraps
Crypt Keeper, the head

6920
04:37:38,266 --> 04:37:39,851
and the tail of it, and I love it

6921
04:37:39,851 --> 04:37:40,602
this process.

6922
04:37:40,769 --> 04:37:43,355
Just to show the
you, if you want

6923
04:37:43,355 --> 04:37:46,232
to sell yourself, take a look at the

6924
04:37:46,232 --> 04:37:47,275
mirror first.

6925
04:37:47,651 --> 04:37:48,943
On the other side of the world

6926
04:37:48,943 --> 04:37:51,154
spectrum, and just as influential, was

6927
04:37:51,154 --> 04:37:53,323
Nickelodeon, which is
performing Are You Afraid

6928
04:37:53,323 --> 04:37:54,824
of the Dark, which is one of the

6929
04:37:54,824 --> 04:37:58,787
most exciting shows
for entry terror

6930
04:37:58,787 --> 04:38:00,372
that ever existed.

6931
04:38:05,460 --> 04:38:07,253
It's an anthological horror series.

6932
04:38:07,504 --> 04:38:08,797
You have this group
of children, they are

6933
04:38:08,797 --> 04:38:10,256
called the Midnight Society.

6934
04:38:10,590 --> 04:38:12,592
They meet around
a bonfire once a week,

6935
04:38:12,676 --> 04:38:14,344
and they just tell you things
scary to each other

6936
04:38:14,344 --> 04:38:14,969
stories.

6937
04:38:15,053 --> 04:38:17,681
We count all types of
horror stories about

6938
04:38:17,681 --> 04:38:19,432
demons and ghosts and other things.

6939
04:38:19,599 --> 04:38:21,434
Submitted to In approval

6940
04:38:21,434 --> 04:38:22,644
Dark Quest 90s.

6941
04:38:22,894 --> 04:38:25,522
I call this story
Thank God for Gateway

6942
04:38:25,522 --> 04:38:25,897
Horror.

6943
04:38:27,440 --> 04:38:29,693
It is a collective scar of our

6944
04:38:29,693 --> 04:38:31,695
generation in the best possible way.

6945
04:38:31,903 --> 04:38:33,822
One of my episodes
favorites happens

6946
04:38:33,822 --> 04:38:34,698
in a cinema.

6947
04:38:35,156 --> 04:38:37,534
is an on-screen Nosferatu character,

6948
04:38:37,617 --> 04:38:39,494
and he leaves the screen.

6949
04:38:44,416 --> 04:38:46,793
Scared the hell out of me, and

6950
04:38:46,793 --> 04:38:47,752
I was obsessed.

6951
04:38:49,546 --> 04:38:51,673
To imagine a moment
of my life in which

6952
04:38:51,673 --> 04:38:53,466
I was enjoying
Are You Afraid of the

6953
04:38:53,466 --> 04:38:56,344
Dark with the same
enthusiasm that I was

6954
04:38:56,344 --> 04:38:58,513
enjoy Tales from the
Crypto is really a

6955
04:38:58,513 --> 04:39:00,181
It's a beautiful time, you know?

6956
04:39:00,348 --> 04:39:01,766
It's a wonderful moment
in a boy's life.

6957
04:39:06,896 --> 04:39:08,606
One of the most
cool things about Tales

6958
04:39:08,606 --> 04:39:10,483
of the Crypt was that they had Tales

6959
04:39:10,483 --> 04:39:11,359
of the Crypt Keeper.

6960
04:39:16,030 --> 04:39:18,867
What was your excited cousin who would

6961
04:39:18,867 --> 04:39:20,869
show you, you
you know, a kind of more

6962
04:39:20,869 --> 04:39:23,371
family version of these scary

6963
04:39:23,371 --> 04:39:23,913
stories.

6964
04:39:24,038 --> 04:39:25,749
Hello, boys and girls.

6965
04:39:26,249 --> 04:39:27,792
I'm glad you
managed to come to me

6966
04:39:27,792 --> 04:39:28,752
Crypt Day Feast.

6967
04:39:29,085 --> 04:39:31,421
I was kind of
planting the seed

6968
04:39:31,421 --> 04:39:33,923
children who, wow,
when they have one

6969
04:39:33,923 --> 04:39:36,134
a little older,
I mean the show on HBO

6970
04:39:36,134 --> 04:39:39,804
has foul language,
nudity and violence.

6971
04:39:40,054 --> 04:39:42,056
Oh, I can grow up and see that.

6972
04:39:45,894 --> 04:39:48,897
My obsession with the book Goosebumps

6973
04:39:48,897 --> 04:39:51,775
series, I still have them today.

6974
04:39:51,816 --> 04:39:53,234
I wore out those books.

6975
04:39:57,447 --> 04:39:59,616
If you were a
child of the 90s and you

6976
04:39:59,616 --> 04:40:02,035
even remotely
Did you like horror?

6977
04:40:02,035 --> 04:40:03,870
probably had fur
least 50 of these books

6978
04:40:03,870 --> 04:40:04,913
sitting at home.

6979
04:40:05,163 --> 04:40:06,456
Fox comes out with the Goosebumps

6980
04:40:06,456 --> 04:40:07,791
television series.

6981
04:40:07,999 --> 04:40:10,335
They were somehow
shape by kneading a whole

6982
04:40:10,335 --> 04:40:12,754
book in 20 minutes,
which means there is

6983
04:40:12,754 --> 04:40:13,671
very cut.

6984
04:40:13,713 --> 04:40:15,548
Ah, a mental monster!

6985
04:40:15,924 --> 04:40:17,133
It kind of whets your appetite.

6986
04:40:17,133 --> 04:40:18,593
You can read the book and get

6987
04:40:18,593 --> 04:40:19,260
all the details.

6988
04:40:19,385 --> 04:40:20,345
Thank you, RL Stine.

6989
04:40:25,016 --> 04:40:27,393
is another great example of the gateway

6990
04:40:27,393 --> 04:40:29,395
horror that existed on television in

6991
04:40:29,395 --> 04:40:31,105
90s, and I'm trying to attract you.

6992
04:40:34,651 --> 04:40:37,695
People make a
big fuss about how

6993
04:40:37,695 --> 04:40:39,656
influenced some of the
later genre programs

6994
04:40:39,656 --> 04:40:41,616
were with Walking
Dead or American Horror

6995
04:40:41,616 --> 04:40:42,033
History.

6996
04:40:42,325 --> 04:40:44,369
There was some level of invention

6997
04:40:44,369 --> 04:40:46,120
happening in the years
90, however, this was

6998
04:40:46,120 --> 04:40:48,998
absolutely unique
for that time, and it was

6999
04:40:48,998 --> 04:40:51,000
a very moment
exciting to watch TV.

7000
04:40:51,292 --> 04:40:55,213
Until next time, boys and ghouls.

7001
04:41:15,733 --> 04:41:19,404
I am the son of the tradition that springs

7002
04:41:19,404 --> 04:41:20,738
from the pages of things like Celebrities

7003
04:41:20,738 --> 04:41:22,907
Monsters of Cinema India,
scary, scary, the

7004
04:41:22,907 --> 04:41:24,492
old Universal Monster movies.

7005
04:41:25,076 --> 04:41:26,995
Kronos, this reminded me of something that

7006
04:41:26,995 --> 04:41:29,414
evoked and paid homage to tradition

7007
04:41:29,414 --> 04:41:31,416
horror narrative
in the cinema, but it was

7008
04:41:31,416 --> 04:41:33,042
different from anything I
I had already seen it before, and that

7009
04:41:33,042 --> 04:41:35,169
had different characters
of what I was seeing

7010
04:41:35,169 --> 04:41:37,005
in what was happening
at that time in

7011
04:41:37,005 --> 04:41:37,255
horror.

7012
04:41:44,387 --> 04:41:46,306
It doesn't make sense, in my opinion,

7013
04:41:46,306 --> 04:41:48,850
telling a story of
vampire if you are not

7014
04:41:48,850 --> 04:41:50,852
I will bring something new and

7015
04:41:50,852 --> 04:41:52,395
thoughtful about it, both in the same

7016
04:41:52,395 --> 04:41:54,105
way that a film
like, say, The Hunger

7017
04:41:54,105 --> 04:41:55,523
look at vampirism.

7018
04:41:55,815 --> 04:41:57,108
Guillermo del Toro, of course, isn't he?

7019
04:41:57,108 --> 04:41:58,359
I'll do it the same way I always do

7020
04:41:58,359 --> 04:41:58,902
boring way.

7021
04:42:05,825 --> 04:42:10,079
This mystical object that unites the

7022
04:42:10,079 --> 04:42:12,373
character and then instills this evil

7023
04:42:12,373 --> 04:42:18,838
power, which is vampiric, takes us

7024
04:42:18,838 --> 04:42:20,798
this is really horrible and incredible

7025
04:42:20,798 --> 04:42:21,215
journey.

7026
04:42:26,804 --> 04:42:27,972
And it was a time when I was

7027
04:42:27,972 --> 04:42:29,307
really discovering
an actor like Ron

7028
04:42:29,307 --> 04:42:30,683
Perlman, who I knew from Beauty and

7029
04:42:30,683 --> 04:42:32,644
the Beast, but never
had actually reached

7030
04:42:32,644 --> 04:42:34,270
familiar with, and
then he was exploding

7031
04:42:34,270 --> 04:42:36,022
with films of the time, such as Cidade de

7032
04:42:36,022 --> 04:42:37,774
Lost Children, and became a

7033
04:42:37,774 --> 04:42:39,692
staple in del Toro's set.

7034
04:42:45,531 --> 04:42:47,283
Obviously there are so many things about

7035
04:42:47,283 --> 04:42:48,952
Guillermo del Toro that make him a

7036
04:42:48,952 --> 04:42:51,829
incredible filmmaker, but
its ability to

7037
04:42:51,829 --> 04:42:56,084
tie into all the machinations and the

7038
04:42:56,084 --> 04:42:57,961
mechanical things that surround us in a

7039
04:42:57,961 --> 04:42:59,545
day to day in something that

7040
04:42:59,545 --> 04:43:01,130
It seems magical and mystical, which

7041
04:43:01,130 --> 04:43:04,133
transcend and continue
through all your

7042
04:43:04,133 --> 04:43:06,511
stories, from the
mythologies from Hellboy to

7043
04:43:06,511 --> 04:43:08,262
the mythologies of the Labyrinth
of the Faun, and you

7044
04:43:08,262 --> 04:43:12,684
see how the characters
young people can be

7045
04:43:12,684 --> 04:43:14,811
faced with something
totally terrifying

7046
04:43:14,811 --> 04:43:18,022
scenarios and situations, and do so with

7047
04:43:18,022 --> 04:43:22,276
a lot of courage and depth and

7048
04:43:22,276 --> 04:43:25,363
complexity, which we
that we are now

7049
04:43:25,363 --> 04:43:28,491
adults, unfortunately,
remember as children.

7050
04:43:28,950 --> 04:43:31,035
We had big
ideas and let's see things

7051
04:43:31,035 --> 04:43:33,204
this really us
scared, and it wasn't

7052
04:43:33,204 --> 04:43:35,790
simplified or
simplified, and was not

7053
04:43:35,790 --> 04:43:36,541
caricatured.

7054
04:43:42,505 --> 04:43:44,257
Cronos is also a film that I think

7055
04:43:44,257 --> 04:43:46,009
went completely unnoticed.

7056
04:43:46,300 --> 04:43:48,761
I think the public is looking

7057
04:43:48,761 --> 04:43:50,388
something that doesn't follow the same

7058
04:43:50,388 --> 04:43:52,140
formulas and criteria.

7059
04:43:52,140 --> 04:43:54,642
Filmmakers like del Toro, they were

7060
04:43:54,642 --> 04:43:56,310
willing to break the mold along the way

7061
04:43:56,310 --> 04:43:58,896
we saw a story if
unwind normally.

7062
04:44:08,114 --> 04:44:10,908
Night of the Demons 2.

7063
04:44:11,200 --> 04:44:12,785
Demons 2 was a total shock.

7064
04:44:13,161 --> 04:44:14,746
It was a shock to the system.

7065
04:44:15,830 --> 04:44:18,916
Demons 1 probably
It's a lot of fun

7066
04:44:18,916 --> 04:44:21,586
watch because we, like
actors, we think that no one

7067
04:44:21,586 --> 04:44:22,253
I would never see that.

7068
04:44:24,547 --> 04:44:27,925
And from the looks of it,

7069
04:44:27,925 --> 04:44:30,845
much better than
we thought we were

7070
04:44:30,845 --> 04:44:32,972
were doing, and it was
surprisingly good

7071
04:44:32,972 --> 04:44:33,389
reviews.

7072
04:44:33,598 --> 04:44:35,683
But yet I never dreamed that

7073
04:44:35,683 --> 04:44:36,559
it would be a Demons 2.

7074
04:44:36,726 --> 04:44:38,644
And when they said,
let's do one

7075
04:44:38,644 --> 04:44:40,605
sequence, and you are the
Only cast member

7076
04:44:40,605 --> 04:44:42,398
that we are bringing
back, I was

7077
04:44:42,398 --> 04:44:43,149
shocked.

7078
04:44:45,693 --> 04:44:48,654
Night of the Demons 2 was directed by

7079
04:44:48,654 --> 04:44:50,740
the brilliant and wonderful Brian

7080
04:44:50,740 --> 04:44:53,034
Trenchard-Smith, who
had just done

7081
04:44:53,034 --> 04:44:54,994
Duende Part 3.

7082
04:44:57,080 --> 04:44:59,248
We have a new cast of characters.

7083
04:44:59,582 --> 04:45:01,751
I had a little sister
that I was having

7084
04:45:01,751 --> 04:45:04,962
nightmares about your
evil older sister

7085
04:45:04,962 --> 04:45:08,382
that disappeared after
lots of dark rumors.

7086
04:45:08,674 --> 04:45:10,843
They say it's because she came down

7087
04:45:10,843 --> 04:45:13,054
hell, body and soul.

7088
04:45:14,180 --> 04:45:15,473
And now she is Satan's favorite.

7089
04:45:15,807 --> 04:45:18,476
And the story was told
in a Catholic newspaper

7090
04:45:18,476 --> 04:45:19,060
school.

7091
04:45:19,060 --> 04:45:22,605
The more repressed
children are in a

7092
04:45:22,605 --> 04:45:25,233
situation, the more fun it will be

7093
04:45:25,233 --> 04:45:27,276
when they stay
completely wild.

7094
04:45:35,284 --> 04:45:38,454
I spent two years in
a Catholic school.

7095
04:45:38,704 --> 04:45:40,164
I had a good idea of what

7096
04:45:40,164 --> 04:45:42,250
happens in Catholic schools.

7097
04:45:42,458 --> 04:45:45,336
So Part 2 was
simply delicious.

7098
04:45:45,586 --> 04:45:46,129
My name is Kurt.

7099
04:45:46,754 --> 04:45:47,672
Women call me King Cobra.

7100
04:45:47,672 --> 04:45:48,589
Oh really?

7101
04:45:49,132 --> 04:45:50,550
I heard they call you Inchworm.

7102
04:45:50,925 --> 04:45:53,427
The more evil and
unpleasant they were,

7103
04:45:53,553 --> 04:45:55,304
It reminded me more of high school.

7104
04:45:55,596 --> 04:45:57,807
And how much easier it was to want

7105
04:45:57,807 --> 04:45:59,642
do disgusting things to them.

7106
04:46:02,687 --> 04:46:05,064
Anyone who was
in high school, they can

7107
04:46:05,064 --> 04:46:05,690
identify.

7108
04:46:06,107 --> 04:46:08,317
I'm not killing randomly.

7109
04:46:08,651 --> 04:46:09,569
They deserve it.

7110
04:46:09,735 --> 04:46:10,695
No, take me home.

7111
04:46:10,987 --> 04:46:11,904
I can't go here.

7112
04:46:12,071 --> 04:46:13,281
Could someone please make her shut up?

7113
04:46:13,364 --> 04:46:15,283
Except my little sister, Mouse, who

7114
04:46:15,283 --> 04:46:16,367
She was a brilliant actress.

7115
04:46:16,367 --> 04:46:18,536
Merle Kennedy is her name.

7116
04:46:18,995 --> 04:46:21,205
I'm sorry for everyone
my readers

7117
04:46:21,205 --> 04:46:23,457
and people who accompany
my work with animals and

7118
04:46:23,457 --> 04:46:25,459
my spiritual work and
my charity work,

7119
04:46:25,585 --> 04:46:27,336
but I ripped her face off and ate it

7120
04:46:27,336 --> 04:46:27,545
this.

7121
04:46:31,048 --> 04:46:32,758
I think there must be a lot

7122
04:46:32,758 --> 04:46:34,343
catharsis in these things.

7123
04:46:36,929 --> 04:46:38,848
Trying to get over what I did in Part

7124
04:46:38,848 --> 04:46:39,932
1 was not easy.

7125
04:46:40,057 --> 04:46:41,726
When I got it
do the crazy dance

7126
04:46:41,726 --> 04:46:44,270
at the table, I was
channeling my inner self

7127
04:46:44,270 --> 04:46:46,063
Treat Williams from Hair.

7128
04:46:46,898 --> 04:46:48,024
Outside my door!

7129
04:46:51,777 --> 04:46:55,198
They don't really tell me
they let the food kick,

7130
04:46:55,323 --> 04:46:56,741
but they let me take the

7131
04:46:56,741 --> 04:46:58,284
punch bowl and
pour it on my dress.

7132
04:46:58,951 --> 04:47:01,746
And that was an improvement
complete and total

7133
04:47:01,746 --> 04:47:02,205
comedy.

7134
04:47:03,664 --> 04:47:05,333
Ah, where is the referee
When do you need one?

7135
04:47:05,458 --> 04:47:06,167
Lack of technique!

7136
04:47:06,292 --> 04:47:09,295
Many of the scares are
simply wild

7137
04:47:09,295 --> 04:47:10,129
creativity.

7138
04:47:10,338 --> 04:47:11,339
They have to be.

7139
04:47:11,422 --> 04:47:13,049
Are you doing something
low budget and

7140
04:47:13,049 --> 04:47:14,467
you are trying to do something that is

7141
04:47:14,467 --> 04:47:16,219
will surprise the public.

7142
04:47:16,219 --> 04:47:17,345
This has never been done before.

7143
04:47:17,553 --> 04:47:19,013
Things like going to the bathroom.

7144
04:47:20,640 --> 04:47:22,558
Or there's a scene where my hand comes

7145
04:47:22,558 --> 04:47:24,810
through the couch to grab the guy

7146
04:47:24,810 --> 04:47:25,311
groin.

7147
04:47:27,104 --> 04:47:29,607
Not to mention
be able to have sex with a

7148
04:47:29,607 --> 04:47:30,816
gorgeous actor.

7149
04:47:33,527 --> 04:47:37,114
In Demons 1, the scene
of Linnea's lipstick

7150
04:47:37,114 --> 04:47:39,992
one of the most iconic pieces of cinema

7151
04:47:39,992 --> 04:47:41,994
in the history of cinema
of terror, and always

7152
04:47:41,994 --> 04:47:42,411
will be.

7153
04:47:42,411 --> 04:47:45,248
So in Demons 2, in
true we have Zoey

7154
04:47:45,248 --> 04:47:47,124
Trilling's breasts
turn into hands.

7155
04:47:50,002 --> 04:47:53,005
The hands come out of her, come out of

7156
04:47:53,005 --> 04:47:53,881
a fake chest.

7157
04:47:53,965 --> 04:47:55,716
I believe it was a guy standing still

7158
04:47:55,716 --> 04:47:58,636
behind her he thrust his hands,

7159
04:47:58,886 --> 04:48:00,221
and it's scary.

7160
04:48:02,390 --> 04:48:05,935
The type of effort
group that involves

7161
04:48:05,935 --> 04:48:09,021
these movies is something you can't

7162
04:48:09,021 --> 04:48:10,022
underestimate.

7163
04:48:15,027 --> 04:48:18,906
I have makeup on
has been charging for 27 and a half hours,

7164
04:48:19,365 --> 04:48:22,159
glued to a seesaw, tied to a

7165
04:48:22,159 --> 04:48:24,120
trench, and I'm
completely unrecognizable

7166
04:48:24,120 --> 04:48:24,912
as a human being.

7167
04:48:24,996 --> 04:48:25,830
Where are you going?

7168
04:48:26,330 --> 04:48:27,832
The party has just begun.

7169
04:48:28,040 --> 04:48:30,251
And if anything I
I already filmed on mine

7170
04:48:30,251 --> 04:48:31,794
life, it's that scene with the snake.

7171
04:48:31,919 --> 04:48:34,797
This is my happiest moment
wonderful and most proud.

7172
04:48:35,089 --> 04:48:36,299
And it's scary.

7173
04:48:38,467 --> 04:48:40,511
I don't have permission
to have favorites.

7174
04:48:40,678 --> 04:48:42,388
I enjoyed making all three films

7175
04:48:42,388 --> 04:48:42,471
Demons.

7176
04:48:42,471 --> 04:48:43,180
I liked them because
different reasons.

7177
04:48:43,848 --> 04:48:45,933
But when people
they ask, was there a

7178
04:48:45,933 --> 04:48:46,350
favorite?

7179
04:48:46,517 --> 04:48:47,268
There would be two.

7180
04:48:47,476 --> 04:48:48,352
It would be the second part.

7181
04:48:48,602 --> 04:48:50,354
How about a little head, tiger?

7182
04:48:57,903 --> 04:49:00,072
The maddening thriller
by Dario Argento,

7183
04:49:00,740 --> 04:49:01,490
Trauma.

7184
04:49:01,907 --> 04:49:03,617
Trauma by Dario Argento.

7185
04:49:03,868 --> 04:49:06,245
He's a visual stylist, okay?

7186
04:49:09,081 --> 04:49:11,083
I made an effect for him, and I

7187
04:49:11,083 --> 04:49:13,044
use this as an example at my school

7188
04:49:13,044 --> 04:49:16,297
about how it's always
It is true that the limitations

7189
04:49:16,297 --> 04:49:17,715
make you more creative.

7190
04:49:17,923 --> 04:49:19,967
There's not enough time,
There are not enough people, no

7191
04:49:19,967 --> 04:49:21,635
sufficient materials,
not enough money.

7192
04:49:21,969 --> 04:49:24,180
These limitations make
you are more creative.

7193
04:49:28,476 --> 04:49:30,978
Piper Laurie, she
played Carrie's mother

7194
04:49:30,978 --> 04:49:31,687
in the movie Carrie.

7195
04:49:31,896 --> 04:49:33,564
Her head has to leave her body,

7196
04:49:34,023 --> 04:49:35,608
roll on the floor and rest

7197
04:49:35,608 --> 04:49:36,525
against a wall.

7198
04:49:36,817 --> 04:49:38,778
And as it rolls on the floor,

7199
04:49:39,236 --> 04:49:41,781
every time your face
appeared, Dario

7200
04:49:41,781 --> 04:49:43,491
I wanted her to say
the word Nicholas,

7201
04:49:43,824 --> 04:49:45,785
Nicholas, Nicholas.

7202
04:49:46,035 --> 04:49:48,537
Well I'm thinking,
How the hell am I

7203
04:49:48,537 --> 04:49:49,663
are you going to do this?

7204
04:49:56,045 --> 04:49:59,632
And then Piper Laurie
appears, and she is

7205
04:49:59,632 --> 04:50:00,424
claustrophobic.

7206
04:50:00,800 --> 04:50:02,134
We cannot release her head.

7207
04:50:02,510 --> 04:50:04,428
I can't make one
Piper's fake head

7208
04:50:04,428 --> 04:50:04,762
Licio.

7209
04:50:05,054 --> 04:50:07,431
Here's the mindset
that you need to have to

7210
04:50:07,431 --> 04:50:09,141
be a makeup artist
special effects.

7211
04:50:09,141 --> 04:50:11,394
What do I need to see to do

7212
04:50:11,394 --> 04:50:13,020
make me believe that the
What I'm seeing is really

7213
04:50:13,020 --> 04:50:13,437
happening?

7214
04:50:13,604 --> 04:50:16,232
This translates into: the
What do I have to do?

7215
04:50:16,232 --> 04:50:18,401
show people
to make them believe that

7216
04:50:18,401 --> 04:50:19,652
what are they seeing
Is it really happening?

7217
04:50:19,985 --> 04:50:21,695
And that's it, again,
what a magician does.

7218
04:50:25,491 --> 04:50:26,534
So what do I need to see?

7219
04:50:26,617 --> 04:50:27,618
Well, I need to see her head arrive

7220
04:50:27,618 --> 04:50:27,827
off.

7221
04:50:27,910 --> 04:50:29,286
Well, okay, I can put on a wig

7222
04:50:29,286 --> 04:50:30,830
any head and do it
roll away

7223
04:50:30,830 --> 04:50:33,332
the body, although
took 17 shots.

7224
04:50:33,749 --> 04:50:35,918
So I took Piper Laurie and put

7225
04:50:35,918 --> 04:50:38,379
a device in your
neck to do it

7226
04:50:38,379 --> 04:50:40,840
your own head seems
a severed head.

7227
04:50:41,465 --> 04:50:43,134
And we painted her skin black.

7228
04:50:43,259 --> 04:50:44,427
She was wearing a black costume.

7229
04:50:44,927 --> 04:50:47,179
I placed it on a bench that

7230
04:50:47,179 --> 04:50:47,555
rotate.

7231
04:50:48,347 --> 04:50:49,807
And I had the effects, the mechanics

7232
04:50:49,807 --> 04:50:52,184
the effects guy
take the ground and build

7233
04:50:52,184 --> 04:50:53,394
vertically and place it on wheels.

7234
04:50:53,644 --> 04:50:55,729
So I could spin
the floor behind her

7235
04:50:55,729 --> 04:50:58,023
while turning her around in the chair.

7236
04:50:58,482 --> 04:51:01,610
And she said: Nicholas, Nicholas,

7237
04:51:01,986 --> 04:51:03,446
every time his head came.

7238
04:51:03,654 --> 04:51:05,156
So that helped with the illusion.

7239
04:51:09,618 --> 04:51:13,456
Then Darius arrived, the
What are you doing?

7240
04:51:13,539 --> 04:51:15,332
He had no idea,
the chair, the bench,

7241
04:51:15,416 --> 04:51:15,749
the floor.

7242
04:51:16,250 --> 04:51:17,751
And we showed him the test on video.

7243
04:51:18,085 --> 04:51:19,086
We did it in quick motion.

7244
04:51:20,963 --> 04:51:24,133
Ah, he understood the magic of

7245
04:51:24,133 --> 04:51:24,508
effect.

7246
04:51:24,967 --> 04:51:26,760
And from that day
onwards, he called me,

7247
04:51:26,886 --> 04:51:29,805
in Italian, the volcano of the mind.

7248
04:51:30,014 --> 04:51:31,682
But I think he's a volcano of

7249
04:51:31,682 --> 04:51:31,932
the mind!

7250
04:51:46,363 --> 04:51:48,449
Creatures of the Abyss by Al Passari.

7251
04:51:48,824 --> 04:51:50,284
is a group of
teenagers who receive

7252
04:51:50,284 --> 04:51:52,536
stranded in a
raft and then are saved

7253
04:51:52,536 --> 04:51:54,538
when they see a
boat, which is actually

7254
04:51:54,538 --> 04:51:57,750
a laboratory that comes
carrying out experiments in

7255
04:51:57,750 --> 04:52:00,127
fish, transforming them into ferocious

7256
04:52:00,127 --> 04:52:00,669
monsters.

7257
04:52:05,216 --> 04:52:07,510
The production value is quite high.

7258
04:52:07,676 --> 04:52:09,428
It is an Italian production that was

7259
04:52:09,428 --> 04:52:11,931
Filmed in Miami, fully dubbed.

7260
04:52:11,931 --> 04:52:15,351
Secret of the Abyss,
unknown animals,

7261
04:52:16,352 --> 04:52:17,102
ichthyology.

7262
04:52:18,020 --> 04:52:19,021
Now, don't tell me you're going to read

7263
04:52:19,021 --> 04:52:19,563
this crap.

7264
04:52:19,688 --> 04:52:22,441
It has a very 80s feel.

7265
04:52:22,525 --> 04:52:23,484
There is a lot of nudity.

7266
04:52:23,776 --> 04:52:26,153
The girls are
bikini all the time,

7267
04:52:26,195 --> 04:52:27,655
where the guys are
fully dressed.

7268
04:52:27,696 --> 04:52:28,572
How does this happen?

7269
04:52:28,781 --> 04:52:30,616
And it is a kind of return to those

7270
04:52:30,616 --> 04:52:32,868
Teen comedies
idiots from the 80s, except now

7271
04:52:32,868 --> 04:52:33,619
they are on a boat.

7272
04:52:33,869 --> 04:52:36,038
Know the differences
between a blowjob

7273
04:52:36,038 --> 04:52:37,081
and a ham sandwich?

7274
04:52:37,331 --> 04:52:37,706
What?

7275
04:52:38,165 --> 04:52:39,583
Let's have dinner today
night, I'll show you.

7276
04:52:39,583 --> 04:52:40,209
Oh.

7277
04:52:41,335 --> 04:52:43,879
My favorite scene is when a

7278
04:52:43,879 --> 04:52:44,838
couple is having sex.

7279
04:52:45,214 --> 04:52:46,757
The guy is possessed by the fish

7280
04:52:46,757 --> 04:52:49,260
monster and you take a fish stick

7281
04:52:49,260 --> 04:52:49,718
of the mouth.

7282
04:52:54,181 --> 04:52:56,976
And you take thorns out of your back

7283
04:52:56,976 --> 04:52:58,978
and, you know, the guy
turns into this

7284
04:52:58,978 --> 04:53:00,854
creature and the girl is like

7285
04:53:00,854 --> 04:53:04,275
mortified and horrified
and attacked by

7286
04:53:04,275 --> 04:53:05,359
a fish monster.

7287
04:53:10,656 --> 04:53:12,783
It's definitely
inspired by Rick Baker,

7288
04:53:13,075 --> 04:53:14,326
American Werewolf, of course.

7289
04:53:14,577 --> 04:53:15,578
And it looks incredible.

7290
04:53:18,789 --> 04:53:20,916
Sam Raimi definitely
influenced this

7291
04:53:20,916 --> 04:53:21,250
film.

7292
04:53:21,458 --> 04:53:23,252
Every time you had
the point of view of

7293
04:53:23,252 --> 04:53:24,753
fish creature, where there is like

7294
04:53:24,753 --> 04:53:27,089
this fish lens
literally on camera,

7295
04:53:27,256 --> 04:53:29,133
and it just passes
quickly, you know,

7296
04:53:29,174 --> 04:53:31,218
moving straight to the next victim.

7297
04:53:34,930 --> 04:53:36,557
It has an incredible soundtrack.

7298
04:53:36,849 --> 04:53:37,516
It's all synthesizers.

7299
04:53:37,975 --> 04:53:39,143
It gives a lot of energy.

7300
04:53:39,560 --> 04:53:42,938
Die, you sons of bitches!

7301
04:53:44,023 --> 04:53:44,481
THE!

7302
04:53:47,151 --> 04:53:48,902
Everything around is so dynamic.

7303
04:53:49,069 --> 04:53:49,903
There are many editions.

7304
04:53:50,070 --> 04:53:51,280
The creature is fantastic.

7305
04:53:51,405 --> 04:53:52,114
It's super fun.

7306
04:53:52,281 --> 04:53:53,490
Sometimes you just want a jerk

7307
04:53:53,490 --> 04:53:54,158
party movie.

7308
04:53:54,366 --> 04:53:55,951
Creatures of the Abyss is absolutely

7309
04:53:55,951 --> 04:53:56,577
that film.

7310
04:54:07,671 --> 04:54:08,631
Phantom 3.

7311
04:54:09,673 --> 04:54:10,633
Coming soon.

7312
04:54:11,342 --> 04:54:13,385
So the first film
of the Phantom I saw was

7313
04:54:13,385 --> 04:54:14,053
Phantom 2.

7314
04:54:16,680 --> 04:54:18,766
I was too young to be able

7315
04:54:18,766 --> 04:54:20,434
to enter that
theater at that time.

7316
04:54:20,559 --> 04:54:21,477
But I did it anyway.

7317
04:54:21,852 --> 04:54:25,105
It was a really cool mashup for me.

7318
04:54:25,105 --> 04:54:28,233
of horror, type of Gothic narrative,

7319
04:54:28,233 --> 04:54:29,693
and science fiction.

7320
04:54:33,947 --> 04:54:35,866
And the first time I saw the big

7321
04:54:35,866 --> 04:54:38,827
Angus Scrimm enters the
frame, I knew that

7322
04:54:38,827 --> 04:54:39,870
I was witnessing greatness.

7323
04:54:41,622 --> 04:54:43,540
Universal wanted someone with more

7324
04:54:43,540 --> 04:54:45,125
experience or a bigger name.

7325
04:54:45,125 --> 04:54:48,212
So they went with
James LeGros for Mike

7326
04:54:48,212 --> 04:54:49,922
in the second film.

7327
04:54:56,595 --> 04:54:59,264
Phantasm 3 was the
return of a michael

7328
04:54:59,264 --> 04:55:03,018
Baldwin as Mike, who
gave rise to the paper.

7329
04:55:06,397 --> 04:55:08,774
It was great to see you back with

7330
04:55:08,774 --> 04:55:09,566
Reggie Bannister is an American actor.

7331
04:55:09,983 --> 04:55:12,027
And this chemistry these two had

7332
04:55:12,027 --> 04:55:14,113
from that original film, trying

7333
04:55:14,113 --> 04:55:16,740
survive and discover the mystery of

7334
04:55:16,740 --> 04:55:17,366
tall man.

7335
04:55:24,415 --> 04:55:26,959
Continuing with the
Phantasm 3, not having

7336
04:55:26,959 --> 04:55:29,044
participated in Fantasma 2, was

7337
04:55:29,044 --> 04:55:29,545
bittersweet.

7338
04:55:29,712 --> 04:55:30,546
There's no doubt about that.

7339
04:55:30,629 --> 04:55:32,172
I'm not the first
actor who didn't understand

7340
04:55:32,172 --> 04:55:33,924
the part he should
have achieved or thought

7341
04:55:33,924 --> 04:55:34,425
he should have made it.

7342
04:55:34,466 --> 04:55:36,009
I'm the billionth guy like that.

7343
04:55:36,218 --> 04:55:37,928
So, you know, yeah
a choice of just

7344
04:55:37,928 --> 04:55:39,972
being professional enough
to be able to take a step

7345
04:55:39,972 --> 04:55:40,681
come in and go.

7346
04:55:40,681 --> 04:55:42,558
Now is the time, boy.

7347
04:55:43,308 --> 04:55:44,768
Don Coscarelli and I, of course, have

7348
04:55:44,768 --> 04:55:47,104
making films together since 1975,

7349
04:55:47,813 --> 04:55:48,063
approximately.

7350
04:55:50,566 --> 04:55:51,942
Don and I have known each other for

7351
04:55:51,942 --> 04:55:52,651
as long as.

7352
04:55:52,776 --> 04:55:54,528
And Reggie Bannister and Bill Thornberry,

7353
04:55:54,862 --> 04:55:58,198
this makes the day
fun work

7354
04:55:58,198 --> 04:55:59,616
because we all have a lot of history

7355
04:55:59,616 --> 04:55:59,950
together.

7356
04:56:00,117 --> 04:56:01,452
So this is an element that you don't

7357
04:56:01,452 --> 04:56:02,995
necessarily happens all
days in film production.

7358
04:56:07,499 --> 04:56:09,793
Angus Scrimm, name
artistic by Rory Guy,

7359
04:56:09,793 --> 04:56:12,796
while he played
a threatening and frightening role

7360
04:56:12,796 --> 04:56:15,966
alien, it was a love
person in real life

7361
04:56:15,966 --> 04:56:18,886
life and a gentleman and very erudite

7362
04:56:18,886 --> 04:56:21,680
and polite and a guy
lovely, lovely and

7363
04:56:21,680 --> 04:56:22,264
a good friend.

7364
04:56:24,933 --> 04:56:27,561
The two colored women entering the

7365
04:56:27,561 --> 04:56:29,688
The ghost world is fantastic and a

7366
04:56:29,688 --> 04:56:30,731
Wonderful addition.

7367
04:56:30,856 --> 04:56:32,649
Some people never
they know when they give

7368
04:56:32,649 --> 04:56:33,108
above.

7369
04:56:35,027 --> 04:56:36,487
Now look who's talking.

7370
04:56:36,487 --> 04:56:38,697
Unfortunately, Sarah Scott Davis, she

7371
04:56:38,697 --> 04:56:39,656
dies very quickly.

7372
04:56:43,160 --> 04:56:43,744
Sent.

7373
04:56:44,787 --> 04:56:47,581
But fortunately, the beautiful and

7374
04:56:47,581 --> 04:56:49,833
the charming Gloria Lynn Henry lives.

7375
04:56:49,958 --> 04:56:51,084
She goes to the end

7376
04:56:51,084 --> 04:56:51,960
with their nunchucks.

7377
04:56:55,214 --> 04:56:57,007
There's definitely comic relief, isn't there?

7378
04:56:57,007 --> 04:56:57,633
question about it.

7379
04:57:01,678 --> 04:57:04,890
Fortunately for me, the
Mike's character does

7380
04:57:04,890 --> 04:57:06,433
not have to participate in any of the

7381
04:57:06,433 --> 04:57:07,017
comic relief.

7382
04:57:10,604 --> 04:57:13,857
He is able to remain
sincere and direct

7383
04:57:13,857 --> 04:57:15,317
your serious approach.

7384
04:57:22,866 --> 04:57:24,493
I think Reggie even
use a plunger,

7385
04:57:24,535 --> 04:57:25,994
Isn't it he, to defend himself from a

7386
04:57:25,994 --> 04:57:26,245
sphere?

7387
04:57:26,495 --> 04:57:27,037
Comic relief.

7388
04:57:27,246 --> 04:57:27,955
Okay, that's smart.

7389
04:57:33,669 --> 04:57:36,088
A special thanks
to Carey Pryor, filmmaker,

7390
04:57:36,338 --> 04:57:37,881
special effects guy, talented.

7391
04:57:38,257 --> 04:57:40,300
He did all these
spheres in Phantasm III

7392
04:57:40,300 --> 04:57:41,593
and are well designed.

7393
04:57:44,096 --> 04:57:45,389
Many people would be surprised

7394
04:57:45,389 --> 04:57:47,266
discover that many
of these spheres are

7395
04:57:47,266 --> 04:57:48,475
only in monofilament.

7396
04:57:48,600 --> 04:57:50,352
They are like a fishing rod and

7397
04:57:50,352 --> 04:57:52,938
He's in the back rocking them,

7398
04:57:53,021 --> 04:57:53,647
making them look good.

7399
04:57:53,814 --> 04:57:55,107
I probably
should have gotten one of them

7400
04:57:55,107 --> 04:57:56,233
these things when
we were doing this

7401
04:57:56,233 --> 04:57:57,734
movie, but I don't know, I wasn't

7402
04:57:57,734 --> 04:57:58,485
thinking about it.

7403
04:58:02,364 --> 04:58:05,158
Phantasm III has what
I'm sure it is

7404
04:58:05,158 --> 04:58:07,244
a twist on Guinness
Book of World Records

7405
04:58:07,244 --> 04:58:07,411
this.

7406
04:58:07,494 --> 04:58:09,997
The hearse makes a
tube ramp jump and

7407
04:58:09,997 --> 04:58:12,124
that night I thought
that stunt driver

7408
04:58:12,124 --> 04:58:13,375
was dead, Bob Ivy.

7409
04:58:13,667 --> 04:58:16,336
There was no way he could survive

7410
04:58:16,336 --> 04:58:18,213
that and he survived and he

7411
04:58:18,213 --> 04:58:20,632
limped out of that car with

7412
04:58:20,632 --> 04:58:23,218
assistance, you know, like blood coming out

7413
04:58:23,218 --> 04:58:24,177
of your eyes.

7414
04:58:24,553 --> 04:58:26,305
I'm not kidding, it was horrible.

7415
04:58:31,810 --> 04:58:34,938
I would say this is the longest tube

7416
04:58:34,938 --> 04:58:38,817
ramp jump distance that
a hearse has already driven

7417
04:58:38,817 --> 04:58:39,151
taken.

7418
04:58:39,234 --> 04:58:40,527
So it's coming like this and it's going

7419
04:58:40,527 --> 04:58:42,821
like that and it's very good.

7420
04:58:45,908 --> 04:58:47,868
This was one of the
most incredible things

7421
04:58:47,868 --> 04:58:49,077
stunts I've ever seen.

7422
04:58:49,494 --> 04:58:51,788
So Bob Ivy, you're the man.

7423
04:58:54,708 --> 04:58:56,835
It never ends.

7424
04:59:04,009 --> 04:59:09,014
Stephen's Stand
King Well, The Stand

7425
04:59:09,014 --> 04:59:11,350
was originally a
Stephen King novel

7426
04:59:11,350 --> 04:59:13,393
It was 800 pages long.

7427
04:59:13,769 --> 04:59:16,355
People tried
do this for years.

7428
04:59:16,939 --> 04:59:19,399
For a long time,
George Romero was

7429
04:59:19,399 --> 04:59:20,943
to do this and
they decided to try

7430
04:59:20,943 --> 04:59:22,319
and turn it into two films.

7431
04:59:22,694 --> 04:59:24,404
Nobody could
figure out how to contain it.

7432
04:59:24,488 --> 04:59:25,364
Seal the base, Capian.

7433
04:59:25,739 --> 04:59:26,573
Is the main gate still open?

7434
04:59:26,698 --> 04:59:27,074
Shut up!

7435
04:59:27,866 --> 04:59:28,450
Yes sir.

7436
04:59:28,742 --> 04:59:30,869
We are dying like
flies down here.

7437
04:59:30,869 --> 04:59:32,704
Stephen King fell in love with the idea

7438
04:59:32,704 --> 04:59:34,957
of miniseries because they were being

7439
04:59:34,957 --> 04:59:37,417
sold as a novel
for television.

7440
04:59:37,709 --> 04:59:40,295
When it became a miniseries, suddenly

7441
04:59:40,295 --> 04:59:41,046
became doable.

7442
04:59:41,296 --> 04:59:42,339
Now, take it easy.

7443
04:59:42,631 --> 04:59:44,174
Deep malfunction,
otherwise we would have

7444
04:59:44,174 --> 04:59:45,133
died in the complex.

7445
04:59:46,301 --> 04:59:47,135
Blue Project.

7446
04:59:48,887 --> 04:59:52,182
ABC, after the success of It, decided

7447
04:59:52,182 --> 04:59:53,308
be very ambitious.

7448
04:59:53,684 --> 04:59:55,769
Once King had
the script in shape and

7449
04:59:55,769 --> 04:59:57,980
we had the green light,
we had a lot

7450
04:59:57,980 --> 04:59:59,940
little interference from the network or

7451
04:59:59,940 --> 05:00:00,691
anyone else.

7452
05:00:05,821 --> 05:00:08,532
It became a huge production.

7453
05:00:08,824 --> 05:00:11,410
We shot in 16mm to
save money.

7454
05:00:11,660 --> 05:00:14,788
It was a miniseries
US$ 28 million, which in

7455
05:00:14,788 --> 05:00:18,000
1993 was a busy year.

7456
05:00:18,208 --> 05:00:22,087
It was filmed in six
states, 126 speaking

7457
05:00:22,087 --> 05:00:24,923
parties, 95 locations with itinerary.

7458
05:00:24,923 --> 05:00:26,842
I mean, it was a mother.

7459
05:00:31,722 --> 05:00:33,932
We were closing off a world that was

7460
05:00:33,932 --> 05:00:36,143
not disconnect to create a world that

7461
05:00:36,143 --> 05:00:38,437
had been killed by the superflu.

7462
05:00:38,562 --> 05:00:41,398
They are all dead and
you are here to take them

7463
05:00:41,398 --> 05:00:41,857
take care of me.

7464
05:00:41,940 --> 05:00:42,315
Is that it?

7465
05:00:42,858 --> 05:00:43,734
Hole in one.

7466
05:00:46,194 --> 05:00:49,281
In 1993, we were
telling the story of

7467
05:00:49,281 --> 05:00:53,243
COVID in your sense
as extreme as possible,

7468
05:00:53,243 --> 05:00:56,496
who killed everyone, what

7469
05:00:56,496 --> 05:00:58,040
fortunately it didn't happen.

7470
05:00:58,206 --> 05:00:59,249
I'll tell you something,
Portland, it seems

7471
05:00:59,249 --> 05:01:00,083
the Marines disembarked.

7472
05:01:00,208 --> 05:01:01,084
They don't look very happy.

7473
05:01:01,209 --> 05:01:03,170
This is a joke, right?

7474
05:01:03,253 --> 05:01:04,296
I mean, this has to be a

7475
05:01:04,296 --> 05:01:04,504
joke.

7476
05:01:04,713 --> 05:01:05,839
I don't think so, Frannie.

7477
05:01:06,089 --> 05:01:08,300
There are a handful of people left, the

7478
05:01:08,300 --> 05:01:09,676
good and evil.

7479
05:01:09,760 --> 05:01:12,054
The well represented
by Mother Abigail,

7480
05:01:12,220 --> 05:01:15,682
who is 108 years old and the other side

7481
05:01:15,682 --> 05:01:18,143
is attracted to a
character named Randall

7482
05:01:18,143 --> 05:01:20,896
Flagg, which very well may be, if not

7483
05:01:20,896 --> 05:01:22,564
the devil, one of his minions.

7484
05:01:22,564 --> 05:01:24,399
Drive them away if they come, mother.

7485
05:01:26,109 --> 05:01:27,194
Follow my advice.

7486
05:01:28,320 --> 05:01:29,029
Drive them away.

7487
05:01:29,279 --> 05:01:31,406
And finally, there will be a

7488
05:01:31,406 --> 05:01:33,700
battle for the end of the earth between

7489
05:01:33,700 --> 05:01:34,409
good and bad.

7490
05:01:34,534 --> 05:01:38,830
It's time to take a stand.

7491
05:01:38,955 --> 05:01:41,541
The cast was very important.

7492
05:01:41,833 --> 05:01:44,377
A huge set of
actors, all of them

7493
05:01:44,377 --> 05:01:46,463
work in styles
very different, but they were

7494
05:01:46,463 --> 05:01:49,132
brought together by gigantic size

7495
05:01:49,132 --> 05:01:51,593
of this miniseries, and they interacted

7496
05:01:51,593 --> 05:01:53,512
beautifully with each other, and that

7497
05:01:53,512 --> 05:01:57,891
became a story
genuinely emotional

7498
05:01:57,891 --> 05:01:58,266
counted.

7499
05:01:58,350 --> 05:02:01,228
If he wants me
drink, he will send

7500
05:02:01,228 --> 05:02:01,520
rain.

7501
05:02:01,770 --> 05:02:03,980
Do you know how crazy that sounds?

7502
05:02:04,397 --> 05:02:06,691
I had never filmed
nothing on a large scale

7503
05:02:06,691 --> 05:02:09,111
before, and I'm thrown into footage

7504
05:02:09,111 --> 05:02:12,447
scenes with 600 extras on the streets of

7505
05:02:12,447 --> 05:02:13,115
Las Vegas.

7506
05:02:13,406 --> 05:02:15,283
It was a wonderful trial by fire.

7507
05:02:20,247 --> 05:02:22,207
The king was there for a good half of the

7508
05:02:22,207 --> 05:02:24,793
filming, from time to time
when, and he was

7509
05:02:24,793 --> 05:02:26,128
Leads as a cheerleader.

7510
05:02:26,336 --> 05:02:27,504
Well, you were having a nightmare.

7511
05:02:28,296 --> 05:02:29,840
It must have really been a surprise

7512
05:02:29,840 --> 05:02:30,173
sound.

7513
05:02:31,133 --> 05:02:31,925
Is it about him?

7514
05:02:32,217 --> 05:02:35,303
The horror elements
were amplified by

7515
05:02:35,303 --> 05:02:37,514
makeup effects done by Steve

7516
05:02:37,514 --> 05:02:39,599
Johnson and Billy Corso and their team.

7517
05:02:39,724 --> 05:02:41,810
Before I finish
with you, you are bad

7518
05:02:41,810 --> 05:02:42,519
to tell me.

7519
05:02:43,311 --> 05:02:45,272
There were so many places in

7520
05:02:45,272 --> 05:02:45,939
world where you could
see that horror

7521
05:02:45,939 --> 05:02:48,608
could come from, and yet
so all of them,

7522
05:02:48,942 --> 05:02:50,861
even the most
their supernatural, came

7523
05:02:50,861 --> 05:02:52,821
from a very place
human, a very

7524
05:02:52,821 --> 05:02:54,406
identifiable place.

7525
05:02:54,614 --> 05:02:55,198
Dave Roberts!

7526
05:02:55,657 --> 05:02:56,491
Oh, God!

7527
05:02:56,992 --> 05:02:58,160
You bastard!

7528
05:02:59,661 --> 05:03:01,413
I mean, there are bodies piled up like

7529
05:03:01,413 --> 05:03:03,415
cordwood, as character
by Stephen King

7530
05:03:03,415 --> 05:03:06,376
tells me in The Stand, and the

7531
05:03:06,376 --> 05:03:09,963
loss of people close to you and

7532
05:03:09,963 --> 05:03:13,383
way it is portrayed
in a very human way

7533
05:03:13,383 --> 05:03:15,635
way makes it painful.

7534
05:03:15,802 --> 05:03:17,971
I love inflicting pain on the public.

7535
05:03:18,388 --> 05:03:18,680
No!

7536
05:03:19,264 --> 05:03:21,224
Oh, it's too late to
say no, darling.

7537
05:03:23,310 --> 05:03:24,728
Too late.

7538
05:03:24,936 --> 05:03:27,147
To be able to communicate
a story where

7539
05:03:27,147 --> 05:03:28,982
you feel it as much as you watch it

7540
05:03:28,982 --> 05:03:31,401
That's what The Stand has always been,

7541
05:03:31,443 --> 05:03:32,402
even as a book.

7542
05:03:32,986 --> 05:03:35,864
To do something so
important so soon

7543
05:03:35,864 --> 05:03:38,158
in my career and
make this happen

7544
05:03:38,158 --> 05:03:41,703
how he did it successfully, that's how it was

7545
05:03:41,703 --> 05:03:42,495
an education.

7546
05:03:42,495 --> 05:03:45,207
Hopefully,
using this knowledge and

7547
05:03:45,207 --> 05:03:47,751
share this knowledge
in such a way that

7548
05:03:47,751 --> 05:03:50,128
we made something that lives.

7549
05:03:50,212 --> 05:03:56,843
We are dead, and this is hell.

7550
05:04:07,270 --> 05:04:09,689
Dark Waters
definitely unique

7551
05:04:09,689 --> 05:04:10,065
vision.

7552
05:04:10,315 --> 05:04:12,776
It fits into the
Lovecraftian world.

7553
05:04:13,068 --> 05:04:14,486
She falls into the exploitation of nuns.

7554
05:04:17,072 --> 05:04:18,740
A girl's father died.

7555
05:04:18,865 --> 05:04:20,533
She goes to this island to find out

7556
05:04:20,533 --> 05:04:23,119
what happened, and is inhabited by a

7557
05:04:23,119 --> 05:04:25,455
group of nuns in
an old monastery and

7558
05:04:25,455 --> 05:04:27,874
many evils that
they are doing

7559
05:04:27,874 --> 05:04:28,333
until�.

7560
05:04:31,294 --> 05:04:33,838
Louise Salter plays
the English protagonist who

7561
05:04:33,838 --> 05:04:34,756
arrives on the island.

7562
05:04:34,923 --> 05:04:36,258
You know, when I was a kid, I

7563
05:04:36,258 --> 05:04:37,342
I was afraid of nuns.

7564
05:04:38,385 --> 05:04:40,053
They gave me goosebumps.

7565
05:04:40,178 --> 05:04:42,013
We also saw her in Interview with a

7566
05:04:42,013 --> 05:04:42,472
Vampire.

7567
05:04:44,557 --> 05:04:47,435
Dark Waters is filmed
by Mariano Baino.

7568
05:04:47,602 --> 05:04:49,896
Makes incredible use of the locations in

7569
05:04:49,896 --> 05:04:51,481
Ukraine and the coast.

7570
05:04:54,401 --> 05:04:56,528
Mariano Baino managed to place the

7571
05:04:56,528 --> 05:04:58,697
joint financing
to make this film of his

7572
05:04:58,697 --> 05:04:59,030
path.

7573
05:04:59,155 --> 05:05:01,199
It is much more the work of an author.

7574
05:05:04,244 --> 05:05:05,870
It's an Italian film through and through

7575
05:05:05,870 --> 05:05:06,079
through.

7576
05:05:06,288 --> 05:05:08,748
He's a guy who doesn't want to leave

7577
05:05:08,748 --> 05:05:10,333
influence when he is
making a movie, what

7578
05:05:10,333 --> 05:05:11,876
It's probably because
That's what he didn't do many

7579
05:05:11,876 --> 05:05:13,753
movies, because movies are expensive, and

7580
05:05:13,753 --> 05:05:15,880
It's hard to do that
when you are not

7581
05:05:15,880 --> 05:05:16,756
a known quantity.

7582
05:05:19,718 --> 05:05:21,553
It is one of the films that Lovecraft

7583
05:05:21,553 --> 05:05:23,930
fans really have a
very high regard

7584
05:05:23,930 --> 05:05:25,557
among the films that
are inspired by

7585
05:05:25,557 --> 05:05:26,057
Lovecraft.

7586
05:05:26,057 --> 05:05:27,642
All

7587
05:05:27,642 --> 05:05:39,446
of

7588
05:05:41,448 --> 05:05:43,867
classic monsters
were being redone in

7589
05:05:43,867 --> 05:05:46,119
in the 90s, and I think because of the

7590
05:05:46,119 --> 05:05:48,955
influence of the masterpiece that was

7591
05:05:48,955 --> 05:05:50,415
Bram Stoker's Dracula.

7592
05:05:50,832 --> 05:05:55,170
It was an emotional moment.

7593
05:05:57,088 --> 05:05:59,674
The fact that Mike Nichols took over

7594
05:05:59,674 --> 05:06:01,718
a werewolf movie
For me it was already happening,

7595
05:06:01,843 --> 05:06:02,302
I'm there.

7596
05:06:02,594 --> 05:06:03,595
Wolf was fantastic.

7597
05:06:06,306 --> 05:06:09,517
Wolf is about a man
passing through a

7598
05:06:09,517 --> 05:06:11,603
midlife crisis,
interpreted by

7599
05:06:11,603 --> 05:06:13,021
incomparable Jack Nicholson.

7600
05:06:13,229 --> 05:06:15,440
You are such a polite toady, and

7601
05:06:15,440 --> 05:06:16,691
It takes my breath away.

7602
05:06:17,067 --> 05:06:18,902
And I kiss it as I see it.

7603
05:06:18,985 --> 05:06:20,904
Nicholson plays
Will Randall, who is the

7604
05:06:20,904 --> 05:06:22,572
editor-in-chief of a
New York publisher

7605
05:06:22,572 --> 05:06:25,533
house owned by the ever iconic

7606
05:06:25,533 --> 05:06:26,451
Christopher Plummer.

7607
05:06:26,576 --> 05:06:27,535
You're a nice person, Will.

7608
05:06:28,244 --> 05:06:29,412
Thank God I replaced you.

7609
05:06:29,537 --> 05:06:34,834
He is bitten by a
wolf and suddenly it's

7610
05:06:34,834 --> 05:06:36,378
now becoming a werewolf.

7611
05:06:38,588 --> 05:06:41,758
And then there's the added intrigue of

7612
05:06:41,758 --> 05:06:44,135
his meeting with Michelle Pfeiffer.

7613
05:06:44,302 --> 05:06:45,845
Not while you are
your own problem.

7614
05:06:46,304 --> 05:06:48,264
I'm not surprised by your attention

7615
05:06:48,264 --> 05:06:51,142
perception and suddenly
challenged by you.

7616
05:06:51,142 --> 05:06:52,936
It's almost like a romantic horror,

7617
05:06:53,228 --> 05:06:55,688
where the relationship
is taking the center

7618
05:06:55,688 --> 05:06:57,774
stage, then comes James Spader,

7619
05:06:57,899 --> 05:07:00,235
who is bitten and if
becomes the antagonist.

7620
05:07:03,196 --> 05:07:05,115
Nicholson, I mean, he
he was having a lot of fun.

7621
05:07:05,323 --> 05:07:08,201
He captured the emotions of what the

7622
05:07:08,201 --> 05:07:10,078
transformation and the
feelings are like.

7623
05:07:10,161 --> 05:07:10,912
I can't take it anymore.

7624
05:07:11,246 --> 05:07:11,788
I just can't take it anymore.

7625
05:07:11,788 --> 05:07:12,372
We'll take care of it.

7626
05:07:12,747 --> 05:07:13,206
See you later.

7627
05:07:13,581 --> 05:07:16,000
He does this in a
very physical shape

7628
05:07:16,000 --> 05:07:19,003
showing a man
older and kinda slower.

7629
05:07:19,003 --> 05:07:22,549
And according to the film
advance, your hair becomes

7630
05:07:22,549 --> 05:07:23,091
darker.

7631
05:07:23,425 --> 05:07:25,260
He becomes more aggressive.

7632
05:07:25,677 --> 05:07:29,472
Here the wolf's bite invigorates this

7633
05:07:29,472 --> 05:07:29,848
man.

7634
05:07:29,973 --> 05:07:32,016
The worm has turned and now
is packing

7635
05:07:32,016 --> 05:07:32,892
an Uzi, Mary.

7636
05:07:33,852 --> 05:07:35,437
It's about time, sir.

7637
05:07:35,812 --> 05:07:37,439
I think the point of
facing this

7638
05:07:37,439 --> 05:07:40,442
when Jack, who is taking on more

7639
05:07:40,442 --> 05:07:43,987
canine features, turns
and suddenly marks

7640
05:07:43,987 --> 05:07:46,072
your territory pissing on James

7641
05:07:46,072 --> 05:07:49,367
Spader shoes with
absolutely the best

7642
05:07:49,367 --> 05:07:52,871
Serious face, just fuck you, this has

7643
05:07:52,871 --> 05:07:54,205
He has already committed himself to cinema.

7644
05:07:55,039 --> 05:07:56,416
What are you, crazy?

7645
05:07:57,208 --> 05:08:01,004
No, I'm just
marking my territory.

7646
05:08:01,379 --> 05:08:04,507
All these things are
intensifying as

7647
05:08:04,507 --> 05:08:07,760
he is slowly but
surely, turning into a

7648
05:08:07,760 --> 05:08:08,219
werewolf.

7649
05:08:11,431 --> 05:08:13,766
Rick Baker, that scene
of transformation into

7650
05:08:13,766 --> 05:08:15,727
American werewolf
in London still

7651
05:08:15,727 --> 05:08:16,019
splendid.

7652
05:08:16,019 --> 05:08:17,645
We didn't have CG, we didn't have anything.

7653
05:08:17,770 --> 05:08:18,396
It was all physical.

7654
05:08:18,563 --> 05:08:20,231
And the work he
did with Nicholson in

7655
05:08:20,231 --> 05:08:21,357
I thought Wolf was spectacular.

7656
05:08:25,195 --> 05:08:28,114
Are you wanting
see the faces of these

7657
05:08:28,114 --> 05:08:28,698
characters.

7658
05:08:29,115 --> 05:08:31,451
James Spader simply
it really seems

7659
05:08:31,451 --> 05:08:33,953
scary about it, and it's really cool

7660
05:08:33,953 --> 05:08:34,412
effect.

7661
05:08:34,662 --> 05:08:36,498
If you find me so attractive, how about

7662
05:08:36,498 --> 05:08:37,665
I'm going to fuck you to death?

7663
05:08:38,333 --> 05:08:41,419
Work on this film
certainly showed

7664
05:08:41,419 --> 05:08:44,380
not just like him
really refined the

7665
05:08:44,380 --> 05:08:47,383
craftsmanship and was able
to use effects

7666
05:08:47,383 --> 05:08:49,844
subtly, but then,
when you arrive

7667
05:08:49,844 --> 05:08:53,556
until the end, you see
this great revelation

7668
05:08:53,556 --> 05:08:55,808
of the final wolf piece.

7669
05:08:55,934 --> 05:08:57,477
You are very well rewarded.

7670
05:09:03,566 --> 05:09:05,652
That's when it really comes into play

7671
05:09:05,652 --> 05:09:07,779
your own and becomes
as a complete

7672
05:09:07,779 --> 05:09:08,696
monster movie.

7673
05:09:09,113 --> 05:09:11,824
That just became the story
Werewolf upside down

7674
05:09:11,824 --> 05:09:14,953
head, and if it had been
any other person,

7675
05:09:14,953 --> 05:09:17,580
Jack Nicholson, I don't know if he had

7676
05:09:17,580 --> 05:09:18,706
rang, you know?

7677
05:09:27,715 --> 05:09:29,717
You haven't seen anything yet

7678
05:09:31,719 --> 05:09:32,720
Born Killers

7679
05:09:33,972 --> 05:09:36,307
Natural Born Killers
by Oliver Stone was

7680
05:09:36,307 --> 05:09:38,601
your comment about trash TV.

7681
05:09:38,768 --> 05:09:41,104
Hi Jack, Nicky is back.

7682
05:09:41,312 --> 05:09:43,731
Well, that's exactly what
idiot I want to see.

7683
05:09:43,773 --> 05:09:46,776
The obsession with trash TV seems to be

7684
05:09:46,776 --> 05:09:48,236
something that is simply primitive.

7685
05:09:48,236 --> 05:09:50,613
We, as an audience, just wanted to see

7686
05:09:50,613 --> 05:09:54,117
people are terrible on TV.

7687
05:09:54,409 --> 05:09:56,077
Listen, you slut,
I don't want you.

7688
05:09:56,244 --> 05:09:57,912
If I had to
choose between you and

7689
05:09:57,912 --> 05:09:59,414
a pit bull with three legs and one

7690
05:09:59,414 --> 05:10:00,498
Look, I would choose the pit bull.

7691
05:10:00,790 --> 05:10:03,918
It was the bottom tabloid

7692
05:10:03,918 --> 05:10:05,003
shitty headline.

7693
05:10:05,169 --> 05:10:06,713
It was simply horrible.

7694
05:10:07,005 --> 05:10:09,048
It's just to see people
shouting at each other

7695
05:10:09,048 --> 05:10:09,757
another, I think.

7696
05:10:09,924 --> 05:10:11,676
He's going to run to California with

7697
05:10:11,676 --> 05:10:12,302
you, bitch!

7698
05:10:12,677 --> 05:10:15,013
Instead of taking on the
responsibility for

7699
05:10:15,013 --> 05:10:16,723
your actions or your
words, they just

7700
05:10:16,723 --> 05:10:18,099
start throwing chairs.

7701
05:10:22,478 --> 05:10:25,148
Networks and studios discovered the

7702
05:10:25,148 --> 05:10:27,817
the behavior was worse
on TV, greater era

7703
05:10:27,817 --> 05:10:28,443
the ratings.

7704
05:10:28,610 --> 05:10:30,528
This will be the most talked about event

7705
05:10:30,528 --> 05:10:32,030
in the history of television.

7706
05:10:32,113 --> 05:10:34,574
Natural Born Killers
It was almost prescient

7707
05:10:34,574 --> 05:10:39,829
in your vision of
multimedia and how they

7708
05:10:39,829 --> 05:10:43,166
pursue the most
brazen and violent

7709
05:10:43,166 --> 05:10:45,960
history, and they will celebrate the

7710
05:10:45,960 --> 05:10:47,420
villain and deify them.

7711
05:10:47,754 --> 05:10:50,131
Mickey and Mallory. The best
thing that happened to the masses

7712
05:10:50,131 --> 05:10:51,049
killers since Manson.

7713
05:10:51,049 --> 05:10:52,300
Yes, but they are much cooler.

7714
05:10:52,592 --> 05:10:55,928
And then don't think
absolutely nothing or

7715
05:10:55,928 --> 05:10:56,929
consolation to the victims.

7716
05:10:57,221 --> 05:10:59,349
Mike f***ing Griffin
who are these mistaken

7717
05:10:59,349 --> 05:11:00,683
Assholes should
be revering.

7718
05:11:00,808 --> 05:11:02,101
Killed in service by these

7719
05:11:02,101 --> 05:11:04,729
degenerate assholes and
cock suckers.

7720
05:11:04,729 --> 05:11:07,231
Oliver Stone says, hmm, I'll tell you one

7721
05:11:07,231 --> 05:11:10,026
story about hip killers.

7722
05:11:13,196 --> 05:11:15,281
What if they were Bonnie and Clyde

7723
05:11:15,281 --> 05:11:16,824
that era, and you wanted to be in it

7724
05:11:16,824 --> 05:11:18,117
the car with Bonnie and Clyde?

7725
05:11:18,368 --> 05:11:19,077
And you know what?

7726
05:11:19,369 --> 05:11:21,537
What I'm really after is

7727
05:11:21,537 --> 05:11:23,790
media that makes them Bonnie and Clyde.

7728
05:11:23,831 --> 05:11:25,750
You're not even a monkey,
you are a journalist

7729
05:11:25,750 --> 05:11:26,292
person.

7730
05:11:27,085 --> 05:11:28,878
The media is like the weather,
it's just the man

7731
05:11:28,878 --> 05:11:29,253
-done.

7732
05:11:29,545 --> 05:11:31,172
Murder is pure.

7733
05:11:31,506 --> 05:11:33,257
And let's be honest,
That's our average.

7734
05:11:33,257 --> 05:11:34,801
I mean, that's what
we are all doing.

7735
05:11:34,926 --> 05:11:37,387
We are elevating these monsters.

7736
05:11:40,973 --> 05:11:44,268
It was the type
cultural impact

7737
05:11:44,268 --> 05:11:47,563
and the impact of the media
that Mickey and Mallory

7738
05:11:47,563 --> 05:11:48,314
I had.

7739
05:11:51,943 --> 05:11:54,862
It's an incredible reflection of where

7740
05:11:54,862 --> 05:11:55,780
the culture was leaving.

7741
05:11:55,988 --> 05:11:58,199
Really making the series stand out

7742
05:11:58,199 --> 05:11:58,950
murderous culture.

7743
05:11:59,450 --> 05:12:01,119
Put Charles Manson
on a t-shirt.

7744
05:12:01,119 --> 05:12:03,663
Made it okay for Gacy to be like this

7745
05:12:03,663 --> 05:12:04,872
art icon.

7746
05:12:05,164 --> 05:12:07,917
The real ones
consequences, the true

7747
05:12:07,917 --> 05:12:11,045
catastrophes that are
destroying lives.

7748
05:12:11,170 --> 05:12:13,840
It is fodder for the grain machine.

7749
05:12:14,132 --> 05:12:15,717
This film sums it up.

7750
05:12:22,348 --> 05:12:25,893
Natural Born Killers
It's a very stylized film

7751
05:12:25,893 --> 05:12:26,269
film.

7752
05:12:30,565 --> 05:12:33,234
This dissertation
absolute on how to use

7753
05:12:33,234 --> 05:12:35,069
different types of
film, how to splice

7754
05:12:35,069 --> 05:12:36,946
them, how to shoot them, how to look

7755
05:12:36,946 --> 05:12:37,321
for them.

7756
05:12:37,697 --> 05:12:42,034
It became the movie
ultimate grindhouse.

7757
05:12:47,915 --> 05:12:50,001
Natural Born Killers
by Oliver Stone

7758
05:12:50,001 --> 05:12:51,586
attempt to make orange
Mechanics, in mine

7759
05:12:51,586 --> 05:12:51,878
opinion.

7760
05:12:52,044 --> 05:12:53,796
Something that is literally entering

7761
05:12:53,796 --> 05:12:55,506
your head and in your house.

7762
05:12:55,590 --> 05:12:56,466
This is pure horror.

7763
05:12:56,591 --> 05:12:58,718
You don't get the
benefit of distancing

7764
05:12:58,718 --> 05:12:58,885
yourself.

7765
05:12:58,885 --> 05:12:59,594
You distance yourself from what is

7766
05:12:59,594 --> 05:13:00,970
happening on the screen.

7767
05:13:05,892 --> 05:13:09,228
That was so hilarious and anarchistic

7768
05:13:09,228 --> 05:13:12,482
film and he told me a lot about

7769
05:13:12,482 --> 05:13:13,149
America.

7770
05:13:13,524 --> 05:13:16,944
It's such an image
insane that people

7771
05:13:16,944 --> 05:13:19,238
like Mickey and Mallory
you can just go

7772
05:13:19,238 --> 05:13:23,201
somewhere, get one
gun and start shooting, you know.

7773
05:13:26,537 --> 05:13:29,624
For the Germans, this
It is not understandable.

7774
05:13:29,999 --> 05:13:31,959
In real life, these
things happen now.

7775
05:13:32,210 --> 05:13:34,420
Then the world transformed a little

7776
05:13:34,420 --> 05:13:36,380
Natural Born Killers, in the film.

7777
05:13:38,257 --> 05:13:39,258
You are it!

7778
05:13:39,509 --> 05:13:41,928
The reason we are terrible

7779
05:13:41,928 --> 05:13:43,805
for each other is because we are

7780
05:13:43,805 --> 05:13:45,473
constantly judging
each other.

7781
05:13:45,598 --> 05:13:46,974
This is reflected in our politics.

7782
05:13:47,350 --> 05:13:49,727
This is reflected on social media.

7783
05:13:49,727 --> 05:13:54,649
It all started from
from that false core

7784
05:13:54,649 --> 05:13:54,899
outrage.

7785
05:13:55,525 --> 05:13:57,193
And then it just had to be bigger,

7786
05:13:57,652 --> 05:13:58,069
worse.

7787
05:13:58,194 --> 05:13:59,487
It was crazy, you know?

7788
05:13:59,570 --> 05:14:00,863
And we thought: where will this end?

7789
05:14:00,988 --> 05:14:02,782
And we're still doing
this question.

7790
05:14:03,032 --> 05:14:03,699
Shit, man.

7791
05:14:04,826 --> 05:14:06,536
I'm a born killer.

7792
05:14:17,380 --> 05:14:19,090
What happened to
Nightmare was what it was

7793
05:14:19,090 --> 05:14:20,842
happening culturally
in changing

7794
05:14:20,842 --> 05:14:21,926
from the 80s to the 90s.

7795
05:14:22,009 --> 05:14:24,345
The 90s were very
self-reflective and me

7796
05:14:24,345 --> 05:14:26,597
find out what
Craven did, similar to

7797
05:14:26,597 --> 05:14:28,891
what Tarantino did, not in horror

7798
05:14:28,891 --> 05:14:31,310
area, he was very artistic and

7799
05:14:31,310 --> 05:14:34,689
played imaginatively
with this idea of,

7800
05:14:34,856 --> 05:14:37,441
What does the public know about the

7801
05:14:37,441 --> 05:14:39,527
industry and what is happening in the

7802
05:14:39,527 --> 05:14:39,944
screen?

7803
05:14:42,071 --> 05:14:45,157
Heather Langenkamp as
Heather Langenkamp.

7804
05:14:45,199 --> 05:14:47,159
Robert Englund as Robert Englund.

7805
05:14:47,243 --> 05:14:49,161
Wes Craven as himself.

7806
05:14:49,829 --> 05:14:53,833
In a world where the
Elm Street franchise

7807
05:14:53,833 --> 05:14:56,878
exists, it starts as a film about

7808
05:14:56,878 --> 05:14:59,171
Heather's interaction with the fandom and

7809
05:14:59,171 --> 05:15:01,841
the invasion of this fandom on her

7810
05:15:01,841 --> 05:15:03,217
personal life as an actor.

7811
05:15:06,387 --> 05:15:09,891
Your discomfort with the
genre of horror

7812
05:15:09,891 --> 05:15:12,685
the Elm Street franchise
infiltrating her

7813
05:15:12,685 --> 05:15:16,939
home as a mother, and specifically she

7814
05:15:16,939 --> 05:15:20,276
little son being
exposed to the type of

7815
05:15:20,276 --> 05:15:22,361
films that built his career.

7816
05:15:29,243 --> 05:15:33,539
These were real ideas
and important about

7817
05:15:33,539 --> 05:15:35,833
our relationship with horror and horror

7818
05:15:35,833 --> 05:15:38,961
relationship with the public and its

7819
05:15:38,961 --> 05:15:40,963
creators, and their architects, and the

7820
05:15:40,963 --> 05:15:41,464
its actors.

7821
05:15:44,467 --> 05:15:46,719
When Wes Craven me
showed the script, he

7822
05:15:46,719 --> 05:15:49,722
It was very difficult to accept the idea.

7823
05:15:50,097 --> 05:15:51,933
This brought out the whole
kind of weird things

7824
05:15:51,933 --> 05:15:54,769
questions on my own
brain about what I

7825
05:15:54,769 --> 05:15:56,520
was doing to me
same, with my life and

7826
05:15:56,520 --> 05:15:57,063
my family.

7827
05:15:57,688 --> 05:16:00,441
But I left it
aside and really

7828
05:16:00,441 --> 05:16:01,400
I wanted to work on it.

7829
05:16:01,442 --> 05:16:02,526
A few weeks ago,
I received a call

7830
05:16:02,526 --> 05:16:04,111
from Wes, and he
actually released this

7831
05:16:04,111 --> 05:16:05,071
exciting idea.

7832
05:16:05,154 --> 05:16:07,406
And I started thinking, who better to

7833
05:16:07,406 --> 05:16:09,200
resurrect Freddy
than its creator?

7834
05:16:09,367 --> 05:16:12,244
The main appeal was
that I realized how

7835
05:16:12,244 --> 05:16:14,538
It was rare to play a character

7836
05:16:14,538 --> 05:16:16,791
her life, how to watch
all your stages

7837
05:16:16,791 --> 05:16:18,960
of life evolve in front of the public.

7838
05:16:19,293 --> 05:16:21,629
Your adolescence, your youth

7839
05:16:21,629 --> 05:16:24,215
professional year, and
now your life as

7840
05:16:24,215 --> 05:16:24,465
mother.

7841
05:16:24,757 --> 05:16:26,175
But now I have a son and...

7842
05:16:26,175 --> 05:16:26,384
So?

7843
05:16:26,801 --> 05:16:29,887
So I'm not sure
about making horror.

7844
05:16:30,096 --> 05:16:31,973
Of course I wouldn't
let this happen

7845
05:16:31,973 --> 05:16:33,933
go unnoticed or
let someone else play

7846
05:16:33,933 --> 05:16:34,141
paper.

7847
05:16:34,642 --> 05:16:36,060
I would never have left
this happens.

7848
05:16:37,687 --> 05:16:38,437
Do you miss me?

7849
05:16:41,232 --> 05:16:43,359
Robert is a very theatrical person.

7850
05:16:43,609 --> 05:16:44,652
He loves art.

7851
05:16:44,819 --> 05:16:47,321
He appreciates the best
things in life,

7852
05:16:47,446 --> 05:16:49,240
and in the world, and restaurants.

7853
05:16:49,699 --> 05:16:52,243
And I think the Robert you see

7854
05:16:52,243 --> 05:16:55,037
It is a perfect extension of the persona

7855
05:16:55,037 --> 05:16:57,331
that Robert presents to us
in your reality

7856
05:16:57,331 --> 05:16:57,707
life.

7857
05:16:57,790 --> 05:16:58,499
Today is not a good day.

7858
05:16:58,666 --> 05:17:01,460
There's something I need to finish.

7859
05:17:04,505 --> 05:17:06,841
New Line Cinema
moved to a very

7860
05:17:06,841 --> 05:17:09,510
office building
chic in Robertson

7861
05:17:09,510 --> 05:17:10,845
Boulevard in Los Angeles.

7862
05:17:11,137 --> 05:17:12,304
And then the day we filmed

7863
05:17:12,304 --> 05:17:16,058
there, it was like a
hive of frenzy

7864
05:17:16,058 --> 05:17:17,393
nervousness.

7865
05:17:17,560 --> 05:17:19,395
I go into the office to see Bob

7866
05:17:19,395 --> 05:17:19,729
Escape.

7867
05:17:20,062 --> 05:17:21,397
He has a proposal for me.

7868
05:17:21,397 --> 05:17:23,733
And I'm treated like a superstar.

7869
05:17:24,150 --> 05:17:25,609
You know, I'll go straight
to his office.

7870
05:17:25,943 --> 05:17:28,320
But it was never really like that.

7871
05:17:28,612 --> 05:17:29,947
Look, Heather, let it go
I get straight to the point.

7872
05:17:30,573 --> 05:17:32,283
Would you like to join us at

7873
05:17:32,283 --> 05:17:33,951
the ultimate nightmare?

7874
05:17:34,326 --> 05:17:35,995
Wes Craven had the luxury of having a

7875
05:17:35,995 --> 05:17:38,039
team that was
beside him when he was

7876
05:17:38,039 --> 05:17:38,372
acting.

7877
05:17:38,748 --> 05:17:40,708
They didn't have
squeamish about telling you that

7878
05:17:40,708 --> 05:17:41,709
he needed another take.

7879
05:17:41,917 --> 05:17:43,377
And they knew he
I would be mortified

7880
05:17:43,377 --> 05:17:44,420
if it wasn't perfect.

7881
05:17:44,462 --> 05:17:46,297
He was kept in
captivity practically like

7882
05:17:46,297 --> 05:17:47,381
Freddie in A Nightmare on Elm Street

7883
05:17:47,381 --> 05:17:47,798
series.

7884
05:17:47,798 --> 05:17:50,551
But now that the movies are over, the

7885
05:17:50,551 --> 05:17:51,343
the genie came out of the lamp.

7886
05:17:51,469 --> 05:17:53,220
My son is interpreted
by Miko Hughes.

7887
05:17:53,554 --> 05:17:55,139
And I knew Miko when he was

7888
05:17:55,139 --> 05:17:56,724
just four years old
working on set

7889
05:17:56,724 --> 05:17:57,475
from the Pet Cemetery.

7890
05:17:57,892 --> 05:18:00,394
My husband, David
Anderson, was doing everything

7891
05:18:00,394 --> 05:18:02,480
makeup effects
to the Pet Cemetery in

7892
05:18:02,480 --> 05:18:02,855
the time.

7893
05:18:02,980 --> 05:18:04,732
So when I saw him
again, he was

7894
05:18:04,732 --> 05:18:08,611
so open and eyes
bright, still

7895
05:18:08,611 --> 05:18:11,113
really looking forward to your McDonald's

7896
05:18:11,113 --> 05:18:11,781
Happy Meal.

7897
05:18:11,906 --> 05:18:13,699
And he was just as good, if not better,

7898
05:18:13,699 --> 05:18:15,993
than all of us on the set at

7899
05:18:15,993 --> 05:18:16,952
terms of your work.

7900
05:18:16,952 --> 05:18:18,913
Rex keeps him down there.

7901
05:18:21,749 --> 05:18:23,959
The evil old man with claws.

7902
05:18:24,126 --> 05:18:25,836
I heard that he
was scared by

7903
05:18:25,836 --> 05:18:26,587
Freddie's makeup.

7904
05:18:26,879 --> 05:18:30,466
Have you ever played Skin the Cat?

7905
05:18:30,716 --> 05:18:32,927
I mean, Robert
quickly dispel it

7906
05:18:32,927 --> 05:18:35,179
because he usually
there are some really

7907
05:18:35,179 --> 05:18:37,223
hilarious story or a
joke or some way

7908
05:18:37,223 --> 05:18:38,599
to dissolve it.

7909
05:18:38,849 --> 05:18:40,684
But any child would be afraid of

7910
05:18:40,684 --> 05:18:41,227
see this.

7911
05:18:44,939 --> 05:18:46,690
I'm sitting next
from Dylan's bed.

7912
05:18:46,690 --> 05:18:48,150
And it's the first time you've seen me

7913
05:18:48,150 --> 05:18:48,526
sleep.

7914
05:18:48,859 --> 05:18:50,528
And as you know, in
any nightmare movie,

7915
05:18:50,653 --> 05:18:52,238
when sleep comes,
something bad is happening

7916
05:18:52,238 --> 05:18:52,696
to happen.

7917
05:18:54,323 --> 05:18:57,201
And then he just
keep shooting

7918
05:18:57,201 --> 05:18:59,495
fire hydrant vomiting all over me.

7919
05:19:02,081 --> 05:19:03,541
It was just disgusting.

7920
05:19:03,874 --> 05:19:06,085
And it was a return to The

7921
05:19:06,085 --> 05:19:06,752
Exorcist.

7922
05:19:08,754 --> 05:19:11,549
That was just a
little wave to everyone

7923
05:19:11,549 --> 05:19:12,925
the mothers and fathers out there who

7924
05:19:12,925 --> 05:19:15,636
have to clean up projectile vomit

7925
05:19:15,636 --> 05:19:16,929
your child from time to time.

7926
05:19:20,599 --> 05:19:22,518
I think a lot of people are seeing

7927
05:19:22,518 --> 05:19:25,312
Wes' New Nightmare
Craven as an adult, a

7928
05:19:25,312 --> 05:19:27,398
real adult, like later
to go through a lot

7929
05:19:27,398 --> 05:19:30,860
of adult things and really enjoying

7930
05:19:30,860 --> 05:19:33,195
most of all
different, more subtle

7931
05:19:33,195 --> 05:19:35,072
horror that is there psychologically.

7932
05:19:35,531 --> 05:19:37,533
It's smart, it's scary, and it's

7933
05:19:37,533 --> 05:19:38,576
curiously thought-provoking.

7934
05:19:38,659 --> 05:19:40,494
It didn't provoke a single
thinking about me

7935
05:19:40,494 --> 05:19:40,703
head.

7936
05:19:40,744 --> 05:19:41,328
Oh, come, come, come.

7937
05:19:41,328 --> 05:19:41,745
No, no, no.

7938
05:19:41,787 --> 05:19:42,913
I think we all
we thought this would happen

7939
05:19:42,913 --> 05:19:43,998
to make our
careers and we go,

7940
05:19:43,998 --> 05:19:45,749
you know, be swimming
in cash, right?

7941
05:19:45,833 --> 05:19:47,168
And that didn't happen, actually.

7942
05:19:49,587 --> 05:19:50,880
Pulp Fiction was released in the same

7943
05:19:50,880 --> 05:19:51,255
weekend.

7944
05:19:51,797 --> 05:19:54,550
So I always, you
You know, I think about Quentin

7945
05:19:54,550 --> 05:19:56,802
Tarantino robbed us
our grand opening

7946
05:19:56,802 --> 05:19:58,429
that we could have
had otherwise.

7947
05:19:58,762 --> 05:19:59,889
But I don't regret it.

7948
05:20:00,181 --> 05:20:01,849
I think the film
won people over.

7949
05:20:02,099 --> 05:20:03,809
And it's not uncommon to hear someone say

7950
05:20:03,809 --> 05:20:05,686
that the New Nightmare of
Wes Craven is theirs

7951
05:20:05,686 --> 05:20:05,978
favorite.

7952
05:20:06,896 --> 05:20:07,938
I touched it.

7953
05:20:20,075 --> 05:20:22,161
I wrote a movie
in the mid 80s

7954
05:20:22,161 --> 05:20:23,787
directed by Ken
Russell, who was called

7955
05:20:23,787 --> 05:20:25,581
The Gothic, which was about the formation

7956
05:20:25,581 --> 05:20:28,083
history session
ghosts that Mary Shelley and

7957
05:20:28,083 --> 05:20:30,252
Byron passed by the shores of the Lake

7958
05:20:30,252 --> 05:20:32,379
Geneva, where it emerged
the idea of Frankenstein

7959
05:20:32,379 --> 05:20:33,839
occurred to her.

7960
05:20:34,298 --> 05:20:36,550
So when I heard that
Kenneth Branagh was

7961
05:20:36,550 --> 05:20:39,345
direct Frankenstein,
this excited me

7962
05:20:39,345 --> 05:20:40,888
to see what he would do with mine

7963
05:20:40,888 --> 05:20:42,014
favorite book of all time.

7964
05:20:44,558 --> 05:20:47,770
Mary Shelley's book
It's an incredible work

7965
05:20:47,770 --> 05:20:50,564
moment in literature
in which she kind of

7966
05:20:50,564 --> 05:20:52,858
creates science fiction alone

7967
05:20:52,858 --> 05:20:55,653
and terror in a book,
and she is 19 years old.

7968
05:21:02,117 --> 05:21:04,703
Mary's Frankenstein
Shelley was a result

7969
05:21:04,703 --> 05:21:06,080
of Dracula's success.

7970
05:21:06,538 --> 05:21:08,415
Francisco always wanted to do

7971
05:21:08,415 --> 05:21:08,999
Frankenstein.

7972
05:21:09,959 --> 05:21:11,126
It's alive.

7973
05:21:12,127 --> 05:21:13,837
I wanted to do
Frankenstein a long time ago,

7974
05:21:14,004 --> 05:21:15,422
but the way it has never been done, the

7975
05:21:15,422 --> 05:21:16,966
whole novel, a lot
similar to what we were

7976
05:21:16,966 --> 05:21:17,508
end Dracula.

7977
05:21:17,800 --> 05:21:19,176
Karloff's version is not the book.

7978
05:21:19,260 --> 05:21:19,885
Where?

7979
05:21:21,178 --> 05:21:22,179
Quiet, you idiot!

7980
05:21:23,806 --> 05:21:25,683
Steph Lady's script
had a unique character

7981
05:21:25,683 --> 05:21:26,600
approach to this.

7982
05:21:26,725 --> 05:21:27,935
I worked on it a little and then

7983
05:21:27,935 --> 05:21:28,978
We brought in Frank Darabont.

7984
05:21:29,186 --> 05:21:30,437
It was always his favorite book.

7985
05:21:30,688 --> 05:21:32,022
Then Frank came in and
did a killer job

7986
05:21:32,022 --> 05:21:32,439
draft.

7987
05:21:32,773 --> 05:21:34,316
It was the last script he wrote

7988
05:21:34,316 --> 05:21:34,984
he didn't drive.

7989
05:21:35,276 --> 05:21:36,777
He was on his way to Shawshank.

7990
05:21:36,902 --> 05:21:38,904
The studio brought Ken Branagh to

7991
05:21:38,904 --> 05:21:39,321
direct.

7992
05:21:39,488 --> 05:21:41,782
He wanted to make a
Hollywood's biggest movie.

7993
05:21:41,782 --> 05:21:43,575
I think the stadium
was ready to take over

7994
05:21:43,575 --> 05:21:44,076
the chance.

7995
05:21:44,285 --> 05:21:45,202
He learned a lot from it.

7996
05:21:45,369 --> 05:21:46,745
Francisco did not try to interfere, but

7997
05:21:46,745 --> 05:21:48,747
maybe once and let it
do what you want.

7998
05:21:48,956 --> 05:21:50,499
We can create a being that will not

7999
05:21:50,499 --> 05:21:52,376
get old or sick,
the one who will be

8000
05:21:52,376 --> 05:21:53,711
stronger than us, better than us.

8001
05:21:54,336 --> 05:21:56,213
Frank's script wasn't written.

8002
05:21:56,463 --> 05:21:58,299
It's not his vision, which is a shame.

8003
05:21:58,590 --> 05:22:01,885
Darabont really made history

8004
05:22:01,885 --> 05:22:02,886
the creature's point of view.

8005
05:22:03,012 --> 05:22:04,763
It's about a resident of
street that was climbed

8006
05:22:04,763 --> 05:22:07,599
in society, and the
society made him a

8007
05:22:07,599 --> 05:22:07,891
monster.

8008
05:22:12,938 --> 05:22:15,441
In the book, Victor Frankenstein in his

8009
05:22:15,441 --> 05:22:17,943
diary says, in that
moment, I knew that

8010
05:22:17,943 --> 05:22:18,819
I was the monster.

8011
05:22:19,320 --> 05:22:20,029
What did I do?

8012
05:22:20,487 --> 05:22:23,240
Dr. Frankenstein, your
arrogance to create

8013
05:22:23,240 --> 05:22:25,993
life, he realizes his mistake when he

8014
05:22:25,993 --> 05:22:29,121
realize you put
this steamroller in

8015
05:22:29,121 --> 05:22:29,538
land.

8016
05:22:32,708 --> 05:22:33,292
No!

8017
05:22:34,418 --> 05:22:36,170
A brute you feel sympathy for

8018
05:22:36,170 --> 05:22:38,297
Sometimes, but a brute nonetheless, and

8019
05:22:38,297 --> 05:22:40,382
So, you know, kind of subhuman.

8020
05:22:42,301 --> 05:22:45,095
Kenneth Branagh, as
director, find the

8021
05:22:45,095 --> 05:22:47,973
pathos, finds what was there in the

8022
05:22:47,973 --> 05:22:49,767
original book, the difference in horror

8023
05:22:49,767 --> 05:22:52,186
between the other and the
monster in us.

8024
05:22:56,815 --> 05:22:58,525
It's still a very stylish film.

8025
05:22:58,734 --> 05:22:59,651
I love watching.

8026
05:22:59,735 --> 05:23:01,612
I love seeing De Niro with his beauty

8027
05:23:01,612 --> 05:23:02,654
as part of the creature.

8028
05:23:02,780 --> 05:23:04,531
What part of me did
this knowledge

8029
05:23:04,531 --> 05:23:05,074
reside?

8030
05:23:06,533 --> 05:23:07,743
In these hands?

8031
05:23:09,328 --> 05:23:10,454
In that mind?

8032
05:23:10,454 --> 05:23:15,209
Brave and bold portrait of the monster.

8033
05:23:15,334 --> 05:23:17,419
It's really incredible that
he had some

8034
05:23:17,419 --> 05:23:19,963
humanity in him, and
was confused by the

8035
05:23:19,963 --> 05:23:20,255
world.

8036
05:23:20,589 --> 05:23:22,841
God, I really
I felt very sorry for him.

8037
05:23:22,966 --> 05:23:25,427
Incredible, incredible performance.

8038
05:23:28,639 --> 05:23:32,976
The sea of ice, I will find you

8039
05:23:32,976 --> 05:23:33,394
there.

8040
05:23:33,519 --> 05:23:37,022
When he gives the speech to Victor

8041
05:23:37,022 --> 05:23:37,773
build him a bride.

8042
05:23:37,981 --> 05:23:39,775
There's something I want.

8043
05:23:39,775 --> 05:23:40,859
A female.

8044
05:23:41,652 --> 05:23:43,028
Someone like me.

8045
05:23:43,195 --> 05:23:44,822
He just wants someone with
who can leave

8046
05:23:44,822 --> 05:23:47,116
with, away, leave everyone alone,

8047
05:23:47,282 --> 05:23:47,991
and have love.

8048
05:23:48,158 --> 05:23:50,160
I have in me the love that

8049
05:23:50,160 --> 05:23:54,540
that you can barely imagine.

8050
05:23:55,040 --> 05:23:56,667
Darabont came up with the wonderful

8051
05:23:56,667 --> 05:23:58,502
innovation of the bride also being

8052
05:23:58,502 --> 05:23:59,253
Victor's wife.

8053
05:23:59,503 --> 05:24:00,754
He wanted to bring her back to life.

8054
05:24:00,879 --> 05:24:01,880
She is beautiful.

8055
05:24:02,548 --> 05:24:03,465
She is not for you.

8056
05:24:03,882 --> 05:24:06,677
The diary that the captain
from the sea wrote

8057
05:24:06,677 --> 05:24:08,720
about meeting with
the creature in the North

8058
05:24:08,720 --> 05:24:10,431
Pole when the ship is stuck in the

8059
05:24:10,431 --> 05:24:11,515
ice, this is Shelley.

8060
05:24:16,103 --> 05:24:17,938
I know what's not in Frankenstein.

8061
05:24:18,188 --> 05:24:20,107
This does not mean that the public does not

8062
05:24:20,107 --> 05:24:22,443
find this pleasant
and satisfactory, and

8063
05:24:22,443 --> 05:24:23,402
revealing experience.

8064
05:24:23,652 --> 05:24:24,945
So there is a part
that's what I want

8065
05:24:24,945 --> 05:24:26,280
we managed to maintain.

8066
05:24:29,241 --> 05:24:31,326
The Frankenstein version
by Kenneth Branagh

8067
05:24:31,326 --> 05:24:34,913
it was a real comeback
exciting than the

8068
05:24:34,913 --> 05:24:36,999
the book was about the type of opera

8069
05:24:36,999 --> 05:24:38,750
scope of the story.

8070
05:24:38,750 --> 05:24:41,003
I think, unfortunately,
what happened was

8071
05:24:41,003 --> 05:24:42,796
there was something unbalanced about

8072
05:24:42,796 --> 05:24:44,923
the scale, the spectacle and the

8073
05:24:44,923 --> 05:24:46,758
explosiveness of the visuals, the

8074
05:24:46,758 --> 05:24:48,051
sumptuousness of the visuals.

8075
05:24:48,218 --> 05:24:50,304
He seemed a little indulgent in

8076
05:24:50,304 --> 05:24:52,097
a shape, or
self-indulgent, I think

8077
05:24:52,097 --> 05:24:55,058
It was a shame because everything about it

8078
05:24:55,058 --> 05:24:56,935
should have worked
and it should have been

8079
05:24:56,935 --> 05:25:00,063
bright but still
so it fell short.

8080
05:25:01,273 --> 05:25:01,732
Frankenstein!

8081
05:25:10,574 --> 05:25:11,033
Interview.

8082
05:25:13,827 --> 05:25:16,079
I read Interview with
the Vampire and I freaked out

8083
05:25:16,079 --> 05:25:16,371
out.

8084
05:25:16,622 --> 05:25:18,415
They weren't the vampires we knew

8085
05:25:18,415 --> 05:25:19,833
and I grew up at the Drive-In

8086
05:25:19,833 --> 05:25:20,250
movies.

8087
05:25:23,337 --> 05:25:24,421
Don't be afraid.

8088
05:25:24,922 --> 05:25:27,591
Anne Rice really
explored a market

8089
05:25:27,591 --> 05:25:29,843
that everyone thought was tacky and

8090
05:25:29,843 --> 05:25:30,219
cheap.

8091
05:25:30,385 --> 05:25:32,471
She typed in a sleek and physical,

8092
05:25:33,096 --> 05:25:38,018
terrifying way,
sexy and visceral of being a

8093
05:25:38,018 --> 05:25:38,352
vampire.

8094
05:25:43,190 --> 05:25:47,569
He was influential in the idea of a

8095
05:25:47,569 --> 05:25:49,696
vampire story
told, not from the point of view

8096
05:25:49,696 --> 05:25:51,615
view of the victims, but
yes from the point of view

8097
05:25:51,615 --> 05:25:53,033
the monsters themselves.

8098
05:25:53,200 --> 05:25:55,494
Flesh and bone, but not human.

8099
05:25:56,703 --> 05:25:59,122
I haven't been human for 200 years.

8100
05:25:59,373 --> 05:26:01,542
At that time, in the 90s, Anne Rice

8101
05:26:01,542 --> 05:26:04,294
It was a huge, huge phenomenon.

8102
05:26:04,711 --> 05:26:05,879
Everyone was
reading her books.

8103
05:26:07,381 --> 05:26:10,384
Romantic, gothic,
all the things that

8104
05:26:10,384 --> 05:26:13,887
make great romances
made everyone really

8105
05:26:13,887 --> 05:26:15,013
ready to watch the movies.

8106
05:26:15,180 --> 05:26:17,474
I mean, that was
Definitely what we all

8107
05:26:17,474 --> 05:26:18,433
were thinking.

8108
05:26:18,475 --> 05:26:19,476
When will the film premiere?

8109
05:26:19,560 --> 05:26:20,519
Who will play the roles?

8110
05:26:20,644 --> 05:26:23,146
And, of course, they threw them into a

8111
05:26:23,146 --> 05:26:23,480
T.

8112
05:26:29,069 --> 05:26:31,822
Suddenly it was a
privilege and a cool thing

8113
05:26:31,822 --> 05:26:34,908
cling to some elegant and elevated

8114
05:26:34,908 --> 05:26:35,409
kind of horror.

8115
05:26:36,243 --> 05:26:38,036
Pretend you're drinking, at least.

8116
05:26:38,620 --> 05:26:40,539
What I love about the cast of

8117
05:26:40,539 --> 05:26:42,457
Tom Cruise in Interview
with a Vampire

8118
05:26:42,457 --> 05:26:44,251
Yeah, you know, everyone imagines

8119
05:26:44,251 --> 05:26:45,294
themselves playing a vampire.

8120
05:26:45,460 --> 05:26:47,129
I mean, everyone
I wanted to be a vampire

8121
05:26:47,129 --> 05:26:49,965
for Halloween in
at some point, and that is

8122
05:26:49,965 --> 05:26:52,342
the chance for an actor
that really, you

8123
05:26:52,342 --> 05:26:54,386
you know, you could do
anything you wanted.

8124
05:26:54,636 --> 05:26:55,929
He was just the only one
thing that could

8125
05:26:55,929 --> 05:26:56,597
bring you peace.

8126
05:26:56,930 --> 05:26:58,098
Do you call that peace?

8127
05:26:58,265 --> 05:26:58,932
We are predators.

8128
05:26:59,182 --> 05:27:00,767
It was our eye that saw for me

8129
05:27:00,767 --> 05:27:01,727
give them detachment.

8130
05:27:01,935 --> 05:27:03,729
I remember when
I heard for the first time that he

8131
05:27:03,729 --> 05:27:06,440
was cast as Lestat,
my reaction was,

8132
05:27:06,690 --> 05:27:06,940
what?

8133
05:27:07,274 --> 05:27:08,150
What are they doing?

8134
05:27:08,609 --> 05:27:11,153
No, no, no, no,
you can't do that.

8135
05:27:11,153 --> 05:27:13,405
And I thought he
he was excellent in it.

8136
05:27:13,655 --> 05:27:15,490
Changed my opinion
about him as an actor,

8137
05:27:15,616 --> 05:27:15,991
certainly.

8138
05:27:16,199 --> 05:27:16,950
It's a coffin!

8139
05:27:17,743 --> 05:27:18,452
A coffin!

8140
05:27:18,785 --> 05:27:23,040
It's your coffin, my love.

8141
05:27:23,123 --> 05:27:23,665
Enjoy it.

8142
05:27:23,790 --> 05:27:25,417
Brad Pitt, of course, you
see anything

8143
05:27:25,417 --> 05:27:27,794
that he is, so why
who is not a vampire

8144
05:27:27,794 --> 05:27:28,170
film?

8145
05:27:28,295 --> 05:27:30,005
And I loved seeing the whole A-list

8146
05:27:30,005 --> 05:27:32,049
stars taking over
these roles where they

8147
05:27:32,049 --> 05:27:33,592
played characters
more evil.

8148
05:27:33,967 --> 05:27:35,469
They also want
mix things up and

8149
05:27:35,469 --> 05:27:37,262
they want to get dirty
their bodies of blood

8150
05:27:37,262 --> 05:27:37,638
prey.

8151
05:27:37,638 --> 05:27:39,640
That's - they want to be able to

8152
05:27:39,640 --> 05:27:40,849
see what it's like to steal

8153
05:27:40,849 --> 05:27:41,475
someone's head.

8154
05:27:49,232 --> 05:27:51,902
Neil Jordan made a
amazing work on this

8155
05:27:51,902 --> 05:27:52,194
film.

8156
05:27:52,611 --> 05:27:53,862
It looks beautiful.

8157
05:27:54,029 --> 05:27:55,113
It's a beautiful feeling.

8158
05:27:55,405 --> 05:27:58,116
It seems like you were
moving through the

8159
05:27:58,116 --> 05:27:58,533
decades.

8160
05:27:58,867 --> 05:28:00,035
It wasn't the first time
that he was in

8161
05:28:00,035 --> 05:28:02,037
genre, having made In the Company of

8162
05:28:02,037 --> 05:28:02,287
Wolves.

8163
05:28:02,746 --> 05:28:05,749
Coming off his success with The Crying

8164
05:28:05,749 --> 05:28:08,335
Game, the fact that they gave him this

8165
05:28:08,335 --> 05:28:10,128
told you that they
they were taking it

8166
05:28:10,128 --> 05:28:10,587
seriously.

8167
05:28:10,796 --> 05:28:12,255
They told you they would

8168
05:28:12,255 --> 05:28:14,091
show this story
how is she, what

8169
05:28:14,091 --> 05:28:15,592
It was a beautiful love story.

8170
05:28:15,759 --> 05:28:16,510
Yes, they are vampires.

8171
05:28:16,843 --> 05:28:17,594
Yes, they are immortal.

8172
05:28:17,803 --> 05:28:18,428
Yes, they kill.

8173
05:28:18,553 --> 05:28:21,306
But the love story,
don't just come in

8174
05:28:21,306 --> 05:28:24,518
Claudia, who technically
has hundreds of

8175
05:28:24,518 --> 05:28:27,896
years old, and Louise,
but also between

8176
05:28:27,896 --> 05:28:30,148
all other male actors.

8177
05:28:30,524 --> 05:28:32,234
Souls will love each other through

8178
05:28:32,234 --> 05:28:34,069
decades, no matter what happens.

8179
05:28:34,069 --> 05:28:35,654
I was mortal to you.

8180
05:28:37,489 --> 05:28:39,241
You gave me your immortal kiss.

8181
05:28:39,491 --> 05:28:40,784
I think this is the part
most successful

8182
05:28:40,784 --> 05:28:42,619
of the film, what Neil did in casting

8183
05:28:42,619 --> 05:28:44,705
Kirsten Dunst in this role, and she

8184
05:28:44,705 --> 05:28:45,080
killed him.

8185
05:28:45,163 --> 05:28:46,248
One of you did it!

8186
05:28:46,915 --> 05:28:48,834
Which of you made me the way

8187
05:28:48,834 --> 05:28:49,418
Am I?

8188
05:28:49,459 --> 05:28:51,586
Antonio Banderas was
Armand, theater of

8189
05:28:51,586 --> 05:28:52,129
the vampires.

8190
05:28:52,421 --> 05:28:59,177
Maybe this is the only real evil

8191
05:28:59,177 --> 05:28:59,803
left.

8192
05:28:59,970 --> 05:29:02,222
And Stephen Rea, he
He was a great villain.

8193
05:29:02,389 --> 05:29:03,515
He was very, very good.

8194
05:29:03,515 --> 05:29:06,935
For you, vitality
in a box, the only

8195
05:29:06,935 --> 05:29:08,854
company would be their screams.

8196
05:29:09,146 --> 05:29:11,606
They brought all the A, A,

8197
05:29:11,606 --> 05:29:12,399
production values.

8198
05:29:12,566 --> 05:29:15,068
A period drama and horror mixed

8199
05:29:15,068 --> 05:29:17,487
It is, for me, the perfect combination.

8200
05:29:17,863 --> 05:29:19,072
Sometimes you can fly.

8201
05:29:19,114 --> 05:29:21,616
You can walk by
a� with giant capes

8202
05:29:21,616 --> 05:29:23,160
and all those hats.

8203
05:29:24,077 --> 05:29:25,287
In fact, one of my
good friends made a

8204
05:29:25,287 --> 05:29:26,747
lots of hats to
an interview with

8205
05:29:26,747 --> 05:29:27,164
a vampire.

8206
05:29:27,914 --> 05:29:29,207
She lent me one once for a

8207
05:29:29,207 --> 05:29:31,668
Halloween party at
Rick Baker's, and I will

8208
05:29:31,668 --> 05:29:32,335
never forget that.

8209
05:29:32,377 --> 05:29:33,128
I have this photo.

8210
05:29:33,754 --> 05:29:35,881
I have this photo in my office.

8211
05:29:36,256 --> 05:29:37,716
Now, you brought me here for a

8212
05:29:37,716 --> 05:29:38,425
reason, right?

8213
05:29:38,759 --> 05:29:40,051
And what would that reason be?

8214
05:29:40,594 --> 05:29:41,470
Do you want company?

8215
05:29:41,595 --> 05:29:43,346
One of the things that kind of gets lost

8216
05:29:43,346 --> 05:29:45,557
Therein lies the fact that
that the River Phoenix

8217
05:29:45,557 --> 05:29:47,517
was to play Daniel, the young

8218
05:29:47,517 --> 05:29:50,145
reporter, and then passed away

8219
05:29:50,145 --> 05:29:51,354
before production
could happen.

8220
05:29:52,022 --> 05:29:53,148
Obviously, they
bring Christianity

8221
05:29:53,148 --> 05:29:56,067
Slater, who was a
worthy substitute, but

8222
05:29:56,067 --> 05:29:57,694
It's just one of those things you

8223
05:29:57,694 --> 05:29:59,821
think now when you watch this

8224
05:29:59,821 --> 05:30:01,782
film, is a reflection of how River

8225
05:30:01,782 --> 05:30:02,574
would have played.

8226
05:30:02,574 --> 05:30:03,575
It's almost bittersweet.

8227
05:30:03,700 --> 05:30:07,621
You demon. A happy family.

8228
05:30:09,164 --> 05:30:16,004
In the 90s, it is an era

8229
05:30:16,004 --> 05:30:18,507
of deconstruction, and it is an era where

8230
05:30:18,507 --> 05:30:21,843
you sometimes see the masters of

8231
05:30:21,843 --> 05:30:24,387
genre that helped
set in the 80s,

8232
05:30:24,471 --> 05:30:27,015
like Wes Craven, who built the

8233
05:30:27,015 --> 05:30:28,725
supernatural killer model.

8234
05:30:28,725 --> 05:30:31,770
You see him dismantle,
piece by piece,

8235
05:30:31,937 --> 05:30:35,190
these institutions that
he built a career

8236
05:30:35,190 --> 05:30:38,109
and subvert them
completely, take them

8237
05:30:38,109 --> 05:30:39,486
separate them and rebuild them.

8238
05:30:39,611 --> 05:30:42,239
It is a radically advanced and

8239
05:30:42,239 --> 05:30:44,032
retrograde decade like that.

8240
05:30:44,199 --> 05:30:46,409
Mrs. Voorhees was
a great actress in a series

8241
05:30:46,409 --> 05:30:47,661
killer, and there is always room for

8242
05:30:47,661 --> 05:30:48,495
Candyman's daughter.

8243
05:30:48,745 --> 05:30:51,581
Moving the middle to
front, stripping it

8244
05:30:51,581 --> 05:30:53,416
back to basics and building something

8245
05:30:53,416 --> 05:30:55,293
new, and this leads to some of the

8246
05:30:55,293 --> 05:30:57,504
film production
more inventive you will do

8247
05:30:57,504 --> 05:30:57,838
find.

8248
05:30:57,838 --> 05:31:00,799
I would say that since
late 60s and 70s,

8249
05:31:01,007 --> 05:31:04,553
when Hollywood was
so excited about the risk

8250
05:31:04,553 --> 05:31:07,055
and about doing things
that were different

8251
05:31:07,055 --> 05:31:10,225
and not just following the formula of

8252
05:31:10,225 --> 05:31:11,685
what they believed
that it was necessary to be

8253
05:31:11,685 --> 05:31:13,687
successful, what do I
I think it really defines

8254
05:31:13,687 --> 05:31:15,939
the Reagan era and the years
80 in particular.

8255
05:31:19,109 --> 05:31:20,819
As we move forward
for the second half of

8256
05:31:20,819 --> 05:31:22,153
the 90s, of course, the internet

8257
05:31:22,153 --> 05:31:23,196
the revolution begins.

8258
05:31:23,363 --> 05:31:25,073
Welcome to America Online.

8259
05:31:25,073 --> 05:31:27,242
And movies like Scream
and Blair Witch

8260
05:31:27,242 --> 05:31:29,244
Project completely reinvigorates the

8261
05:31:29,244 --> 05:31:29,578
gender.

8262
05:31:33,456 --> 05:31:36,918
At the same time, the
Y2K concerns

8263
05:31:36,918 --> 05:31:38,962
began to grow as
that we advanced towards the

8264
05:31:38,962 --> 05:31:41,298
new millennium and perhaps the end of the

8265
05:31:41,298 --> 05:31:41,631
world.

8266
05:31:45,135 --> 05:31:47,137
You had new voices
as Guillermo del

8267
05:31:47,137 --> 05:31:49,514
Bull, David Fincher,

8268
05:31:49,639 --> 05:31:51,600
M. Night Shyamalan,
and these are people who

8269
05:31:51,600 --> 05:31:53,560
not only helped shape
that decade, but

8270
05:31:53,560 --> 05:31:55,854
they are still half
that leading the genre

8271
05:31:55,854 --> 05:31:58,148
conversation today, 30 years later.

8272
05:31:59,983 --> 05:32:01,943
One of the big things
about the 90s

8273
05:32:01,943 --> 05:32:04,988
Ultimately, it is
that this created a

8274
05:32:04,988 --> 05:32:07,616
generation of filmmakers
to know that

8275
05:32:07,616 --> 05:32:09,701
smart horror,
horror that knows what it is

8276
05:32:09,701 --> 05:32:11,745
Yes, it is a reliable industry.

8277
05:32:13,538 --> 05:32:18,668
Some of my first
jobs, I worked in

8278
05:32:18,668 --> 05:32:20,545
a cinema in the 90s.

8279
05:32:20,629 --> 05:32:22,797
I worked at Cineplex
Odeon and Suncoast

8280
05:32:22,797 --> 05:32:24,132
Video at the mall.

8281
05:32:24,132 --> 05:32:27,761
These jobs for
I weren't just about

8282
05:32:27,761 --> 05:32:29,638
earning a little money.

8283
05:32:30,013 --> 05:32:32,432
These jobs also
They were my education.

8284
05:32:32,766 --> 05:32:34,809
Do you want to learn about
cinema, are you

8285
05:32:34,809 --> 05:32:37,187
doing it in the theater,
are you doing

8286
05:32:37,187 --> 05:32:38,563
than at the video store.

8287
05:32:41,441 --> 05:32:44,069
As someone who was
recognizing that it is

8288
05:32:44,069 --> 05:32:45,528
like, do you know where
are my talents

8289
05:32:45,528 --> 05:32:47,739
on the page and in writing,
that was

8290
05:32:47,739 --> 05:32:50,116
of the writer,
As incredible as it may seem.

8291
05:32:50,283 --> 05:32:51,701
When you arrive at
mid 90s,

8292
05:32:51,743 --> 05:32:53,745
When Scream came out, it was Kevin

8293
05:32:53,745 --> 05:32:55,956
Williamson, and that was
very important to me

8294
05:32:55,956 --> 05:32:58,124
see a writer
terror that was part of

8295
05:32:58,124 --> 05:32:58,500
the marketing.

8296
05:32:58,750 --> 05:33:01,044
And that was really
a validation for me

8297
05:33:01,044 --> 05:33:02,879
from an early age to be like, oh,

8298
05:33:02,963 --> 05:33:05,340
ok, so the writer
can be recognized

8299
05:33:05,340 --> 05:33:07,008
even if they are not
a star or a

8300
05:33:07,008 --> 05:33:07,801
film director.

8301
05:33:07,968 --> 05:33:10,261
Like, okay, it's horror for me.

8302
05:33:10,679 --> 05:33:12,430
And then I took that
ball and simply

8303
05:33:12,430 --> 05:33:13,723
I took this into my career.

8304
05:33:18,937 --> 05:33:21,690
The people who emerged in the 90s,

8305
05:33:21,856 --> 05:33:23,608
love horror, watch horror and

8306
05:33:23,608 --> 05:33:25,735
and what they want to do
horror also now has

8307
05:33:25,735 --> 05:33:27,696
tools in your hands that your

8308
05:33:27,696 --> 05:33:30,031
Previous generation didn't have to go

8309
05:33:30,031 --> 05:33:31,241
go out and do these things, go and

8310
05:33:31,241 --> 05:33:31,658
learn this.

8311
05:33:31,950 --> 05:33:33,493
My mother doesn't know anything.

8312
05:33:34,160 --> 05:33:35,078
Hail Satan.

8313
05:33:35,912 --> 05:33:37,706
There are lessons from 90s horror

8314
05:33:37,706 --> 05:33:40,834
that definitely
collectively prepare a

8315
05:33:40,834 --> 05:33:42,919
very optimistic path
for the next

8316
05:33:42,919 --> 05:33:43,712
generation of filmmakers.