1 00:00:03,852 --> 00:00:06,852 [♪♪♪] 2 00:01:51,351 --> 00:01:53,226 [WIND WHISTLING] 3 00:01:53,310 --> 00:01:55,310 [SAMWELL SHIVERING] 4 00:01:58,059 --> 00:01:59,143 NORTHMAN 1: Oi! 5 00:02:00,976 --> 00:02:02,018 NORTHMAN 2: Mind out. 6 00:02:04,310 --> 00:02:05,310 Move! 7 00:02:08,852 --> 00:02:11,852 [♪♪♪] 8 00:02:14,893 --> 00:02:16,934 [MEN CHATTERING INDISTINCTLY] 9 00:02:20,310 --> 00:02:22,810 NORTHMAN: Look, on the west wall! 10 00:02:22,893 --> 00:02:24,810 SOLDIER: Get down to the crypt! 11 00:02:24,893 --> 00:02:26,518 [BABY CRYING] 12 00:02:27,852 --> 00:02:29,059 SOLDIER: Just hold. 13 00:02:30,143 --> 00:02:31,351 MAN: We'll take him. 14 00:02:35,810 --> 00:02:38,059 -Come on, help the lads! SOLDIER 1: Yes, my lady. 15 00:02:38,143 --> 00:02:41,310 LYANNA: Quickly, now! Quickly! Get those in position. 16 00:02:41,393 --> 00:02:44,476 SOLDIER 1: Come on. SOLDIER 2: Close the gate! 17 00:02:44,560 --> 00:02:46,184 SOLDIER 3: That's it. 18 00:02:46,268 --> 00:02:49,226 [♪♪♪] 19 00:03:02,101 --> 00:03:03,393 [GRUNTS] 20 00:03:34,643 --> 00:03:36,602 [WIND WHISTLING] 21 00:03:46,101 --> 00:03:47,184 [EXHALES HEAVILY] 22 00:04:07,852 --> 00:04:09,059 [GASPS SOFTLY] 23 00:04:09,143 --> 00:04:11,143 [DRAGON ROARING] 24 00:04:15,101 --> 00:04:17,143 [SOLDIERS SHOUTING INDISTINCTLY] 25 00:04:42,310 --> 00:04:44,310 [HORSES SNORTING] 26 00:05:22,727 --> 00:05:23,727 [CLEARS THROAT] 27 00:05:25,393 --> 00:05:28,934 Oh, for fuck's sake. You took your time. 28 00:05:30,268 --> 00:05:31,893 [HORSE NEIGHS] 29 00:05:37,643 --> 00:05:39,560 [SNORTING] 30 00:06:00,560 --> 00:06:02,476 [WIND WHISTLING] 31 00:06:13,184 --> 00:06:15,143 [DRAGONS GROWLING] 32 00:06:52,643 --> 00:06:55,643 [♪♪♪] 33 00:07:32,560 --> 00:07:34,518 Do you speak their tongue? 34 00:07:38,101 --> 00:07:40,518 Tell them to lift their swords. 35 00:07:45,184 --> 00:07:47,143 [WIND WHISTLING] 36 00:07:53,476 --> 00:07:55,435 [SPEAKS IN DOTHRAKI] 37 00:07:56,934 --> 00:07:58,893 [WEAPONS CLINKING] 38 00:08:13,143 --> 00:08:16,101 [♪♪♪] 39 00:08:17,268 --> 00:08:19,268 [SPEAKING IN HIGH VALYRIAN] 40 00:08:34,893 --> 00:08:36,810 [SOLDIERS EXCLAIMING] 41 00:08:36,893 --> 00:08:39,893 [♪♪♪] 42 00:09:18,393 --> 00:09:20,810 [♪♪♪] 43 00:09:24,226 --> 00:09:25,852 Valar morghulis. 44 00:09:25,934 --> 00:09:27,852 Valar dohaeris. 45 00:09:42,643 --> 00:09:43,768 Open the gate! 46 00:09:43,852 --> 00:09:45,268 SOLDIER 1: Open the gate! 47 00:09:45,351 --> 00:09:47,351 SOLDIER 2: Open the gate! 48 00:10:02,351 --> 00:10:04,143 MAN 1: Come. Come on. 49 00:10:05,518 --> 00:10:06,518 Easy. 50 00:10:10,059 --> 00:10:13,018 [♪♪♪] 51 00:10:33,101 --> 00:10:35,893 There's no need to execute me, Ser Davos. 52 00:10:35,976 --> 00:10:38,560 I'll be dead before the dawn. 53 00:10:40,727 --> 00:10:43,727 [♪♪♪] 54 00:10:59,059 --> 00:11:01,226 [SOLDIER SHOUTING INDISTINCTLY] 55 00:11:02,226 --> 00:11:04,226 [DOTHRAKI ULULATING] 56 00:12:38,310 --> 00:12:41,685 SOLDIER [IN DOTHRAKI]: 57 00:12:50,476 --> 00:12:52,393 [WIND WHISTLING] 58 00:13:38,226 --> 00:13:40,226 [HOOFBEATS POUNDING] 59 00:13:43,184 --> 00:13:44,393 [NEIGHS HOARSELY] 60 00:13:47,643 --> 00:13:50,602 [♪♪♪] 61 00:13:51,893 --> 00:13:53,893 [HORSES NEIGHING] 62 00:14:19,143 --> 00:14:20,435 [GASPS] 63 00:14:21,768 --> 00:14:23,643 The Night King is coming. 64 00:14:25,393 --> 00:14:27,393 The dead are already here. 65 00:14:30,810 --> 00:14:33,143 [DRAGON ROARS] 66 00:14:56,976 --> 00:14:59,976 [♪♪♪] 67 00:15:04,351 --> 00:15:06,310 [WIND WHISTLING] 68 00:15:23,685 --> 00:15:25,393 [GREY WORM SPEAKS IN VALYRIAN] 69 00:15:25,476 --> 00:15:26,643 [UNSULLIED GRUNT] 70 00:15:32,018 --> 00:15:34,018 [SOLDIERS GRUNTING] 71 00:15:37,602 --> 00:15:39,560 [WIGHTS SNARLING] 72 00:15:47,560 --> 00:15:49,184 [YELLS] 73 00:15:52,059 --> 00:15:53,727 Stand your ground! 74 00:15:53,810 --> 00:15:55,810 [SOLDIERS CLAMORING] 75 00:16:07,602 --> 00:16:08,602 [SCREAMS] 76 00:16:08,685 --> 00:16:09,727 [GRUNTS] 77 00:16:11,310 --> 00:16:12,893 [SCREAMS] 78 00:16:13,893 --> 00:16:16,893 [♪♪♪] 79 00:17:13,268 --> 00:17:15,226 [WIND WHISTLING] 80 00:17:38,727 --> 00:17:41,476 [♪♪♪] 81 00:17:43,101 --> 00:17:44,852 ARYA: Get down to the crypt. 82 00:17:46,143 --> 00:17:48,059 SANSA: I'm not abandoning my people. 83 00:17:48,143 --> 00:17:49,643 ARYA: Take this and go. 84 00:17:53,184 --> 00:17:54,810 I don't know how to use it. 85 00:17:56,018 --> 00:17:57,810 Stick them with the pointy end. 86 00:18:04,393 --> 00:18:07,310 [♪♪♪] 87 00:18:07,393 --> 00:18:09,351 [SOLDIERS GRUNTING] 88 00:19:15,518 --> 00:19:17,226 [SOLDIER SHOUTS INDISTINCTLY] 89 00:19:24,518 --> 00:19:25,893 SAMWELL: Edd! 90 00:19:27,059 --> 00:19:28,351 Edd! 91 00:19:29,518 --> 00:19:31,059 [WHIMPERING] 92 00:19:47,268 --> 00:19:48,560 EDD: Sam, get up! 93 00:19:52,184 --> 00:19:53,435 [GASPING] 94 00:19:53,518 --> 00:19:55,768 Oh, God. Sam. 95 00:19:57,435 --> 00:19:59,059 [SNARLS] 96 00:19:59,934 --> 00:20:01,310 WOMAN [SCREAMS]: Edd! 97 00:20:03,934 --> 00:20:06,268 [DOOR CLOSES, THEN LOCKS] 98 00:20:11,268 --> 00:20:13,310 [PEOPLE WHISPERING INDISTINCTLY] 99 00:20:52,476 --> 00:20:54,476 [WIND WHISTLING] 100 00:21:02,560 --> 00:21:03,685 [JON GRUNTS] 101 00:21:15,435 --> 00:21:16,602 [DAENERYS GRUNTS] 102 00:21:16,685 --> 00:21:18,852 [JON GRUNTS] 103 00:21:36,852 --> 00:21:39,852 [♪♪♪] 104 00:21:42,893 --> 00:21:45,560 Fall back! Fall back! 105 00:21:47,852 --> 00:21:49,934 Fall back! 106 00:21:50,018 --> 00:21:51,101 SOLDIER: Come on! 107 00:21:52,810 --> 00:21:53,768 Open the gate! 108 00:21:53,852 --> 00:21:55,768 SOLDIER 1: Open the gate! 109 00:21:55,852 --> 00:21:57,059 SOLDIER 2: Let us in! 110 00:21:59,268 --> 00:22:00,768 SOLDIER 1: Open the gate! 111 00:22:00,852 --> 00:22:02,226 SOLDIER 3: Open the gate! 112 00:22:05,059 --> 00:22:06,226 SOLDIER 4: Keep moving! 113 00:22:10,018 --> 00:22:11,351 SOLDIER 5: Come on! 114 00:22:14,560 --> 00:22:17,143 LYANNA: Keep moving, fast. SOLDIER 5: To your posts. 115 00:22:17,226 --> 00:22:19,226 SOLDIER 6: Go! SOLDIER 7: Keep moving! 116 00:22:21,059 --> 00:22:22,810 SOLDIER 1: Come on, run! 117 00:22:22,893 --> 00:22:24,059 Keep moving! 118 00:22:30,685 --> 00:22:32,727 [IN VALYRIAN] 119 00:22:38,768 --> 00:22:39,976 [UNSULLIED GRUNT] 120 00:22:55,101 --> 00:22:57,101 [SOLDIERS CLAMORING] 121 00:23:15,184 --> 00:23:17,143 [♪♪♪] 122 00:23:19,435 --> 00:23:20,810 Dany! 123 00:23:33,268 --> 00:23:35,184 [WIND WHISTLING] 124 00:23:47,602 --> 00:23:49,518 SOLDIER 1: Grab your weapon now! 125 00:23:49,602 --> 00:23:51,184 SOLDIER 2: Guard the barricades! 126 00:23:51,268 --> 00:23:53,518 SOLDIER 3: Through that pass! 127 00:23:53,602 --> 00:23:55,101 BRIENNE: Hey! Hey! Hey! 128 00:23:55,184 --> 00:23:56,602 SOLDIER 4: Close up the gaps! 129 00:23:56,685 --> 00:23:59,602 Go! Hey! Go! Go! 130 00:23:59,685 --> 00:24:01,602 Get in! Get in! 131 00:24:01,685 --> 00:24:03,351 Get in! Come on! 132 00:24:06,184 --> 00:24:07,768 [GREY WORM SHOUTING INDISTINCTLY] 133 00:24:07,852 --> 00:24:09,059 [UNSULLIED GRUNTING] 134 00:24:24,310 --> 00:24:27,310 [♪♪♪] 135 00:24:38,143 --> 00:24:39,768 SOLDIER 1: Move! 136 00:24:53,226 --> 00:24:55,184 [SNARLING] 137 00:25:04,893 --> 00:25:06,226 [SOLDIER WHIMPERING] 138 00:25:09,560 --> 00:25:13,101 SOLDIER 1 [IN VALYRIAN]: 139 00:25:13,184 --> 00:25:14,685 SOLDIER 2 [IN VALYRIAN]: 140 00:25:14,768 --> 00:25:16,810 SOLDIER 1 [IN ENGLISH]: Come on! SOLDIER 2 [IN ENGLISH]: Come on! 141 00:25:16,893 --> 00:25:18,435 SOLDIER 1: Come on! SOLDIER 3: Come on! 142 00:25:19,893 --> 00:25:21,226 LYANNA: Protect the gate! 143 00:25:21,310 --> 00:25:23,351 SOLDIER 1: Protect the gate! 144 00:25:23,435 --> 00:25:25,934 They're coming! Come on! 145 00:25:26,018 --> 00:25:27,602 Fall back! 146 00:25:33,560 --> 00:25:35,435 [PANTING] 147 00:25:47,518 --> 00:25:48,560 Light the trench! 148 00:25:49,351 --> 00:25:50,768 Light the trench! 149 00:25:52,059 --> 00:25:54,476 SOLDIER 2: Wait! SOLDIER 3: Light the trench! 150 00:26:07,643 --> 00:26:08,476 [GRUNTS] 151 00:26:08,560 --> 00:26:11,518 [♪♪♪] 152 00:26:23,810 --> 00:26:25,018 She can't see us. 153 00:26:26,768 --> 00:26:27,810 Light the trenches! 154 00:26:42,310 --> 00:26:44,435 SOLDIER 1: With a torch, light the trenches! 155 00:26:44,518 --> 00:26:46,976 -Right there. SOLDIER 2: Torch it! 156 00:26:48,602 --> 00:26:49,685 Light the trenches! 157 00:27:09,934 --> 00:27:11,518 [GRUNTING] 158 00:27:14,643 --> 00:27:16,643 [SNARLING] 159 00:27:16,727 --> 00:27:18,518 [SHOUTS INDISTINCTLY] 160 00:27:20,727 --> 00:27:22,727 [SHOUTING INDISTINCTLY] 161 00:27:28,351 --> 00:27:30,476 [UNSULLIED GRUNT] 162 00:27:30,560 --> 00:27:32,768 [MAN SHOUTING INDISTINCTLY] 163 00:27:42,018 --> 00:27:43,351 [SPEAKS IN VALYRIAN] 164 00:27:43,435 --> 00:27:44,518 [UNSULLIED GRUNT] 165 00:27:54,393 --> 00:27:56,393 [SPEAKING IN HIGH VALYRIAN] 166 00:28:41,101 --> 00:28:43,101 [♪♪♪] 167 00:29:12,852 --> 00:29:15,059 [SCREECHING] 168 00:29:15,143 --> 00:29:17,685 [SOLDIERS SHOUTING INDISTINCTLY] 169 00:29:34,560 --> 00:29:35,518 Clegane. 170 00:29:37,852 --> 00:29:39,810 [BABY CRYING] 171 00:29:41,685 --> 00:29:44,685 WOMAN [SOFTLY]: You must try not to worry yourself. 172 00:29:56,685 --> 00:29:59,852 [SIGHS] At least we're already in a crypt. 173 00:30:04,560 --> 00:30:06,518 If we were up there, 174 00:30:06,602 --> 00:30:10,101 we might see something everyone else is missing. 175 00:30:11,560 --> 00:30:13,184 Something that makes a difference. 176 00:30:13,268 --> 00:30:15,976 -[SCOFFS] -What? 177 00:30:16,059 --> 00:30:17,685 Remember the Battle of Blackwater? 178 00:30:17,768 --> 00:30:19,101 I brought us through the Mud Gate. 179 00:30:19,184 --> 00:30:20,602 And got your face cut in half. 180 00:30:20,685 --> 00:30:22,393 And it made a difference. 181 00:30:24,893 --> 00:30:26,476 If I was out there right now... 182 00:30:26,560 --> 00:30:27,934 You'd die. 183 00:30:30,268 --> 00:30:32,268 There's nothing you can do. 184 00:30:35,852 --> 00:30:38,143 You might be surprised at the lengths I'd go 185 00:30:38,226 --> 00:30:40,643 to avoid joining the Army of the Dead. 186 00:30:40,727 --> 00:30:43,934 I could think of no organization less suited to my talents. 187 00:30:44,018 --> 00:30:46,435 Witty remarks won't make a difference. 188 00:30:48,810 --> 00:30:51,976 That's why we're down here, none of us can do anything. 189 00:30:53,810 --> 00:30:54,893 It's the truth. 190 00:30:56,143 --> 00:30:58,934 It's the most heroic thing we can do now... 191 00:31:00,393 --> 00:31:02,435 look the truth in the face. 192 00:31:07,268 --> 00:31:09,685 Maybe we should have stayed married. 193 00:31:09,768 --> 00:31:11,602 You were the best of them. 194 00:31:12,810 --> 00:31:14,976 What a terrifying thought. 195 00:31:21,934 --> 00:31:23,435 It wouldn't work between us. 196 00:31:24,768 --> 00:31:26,435 Why not? 197 00:31:26,518 --> 00:31:27,934 The Dragon Queen. 198 00:31:29,934 --> 00:31:33,310 Your divided loyalties would become a problem. 199 00:31:34,310 --> 00:31:36,059 MISSANDEI: Yes. 200 00:31:36,143 --> 00:31:38,976 Without the Dragon Queen, there'd be no problem at all. 201 00:31:40,101 --> 00:31:41,685 We'd all be dead already. 202 00:31:50,852 --> 00:31:52,810 [WIND WHISTLING] 203 00:32:03,435 --> 00:32:05,310 They lit the trench. 204 00:32:19,018 --> 00:32:20,018 Bran... 205 00:32:25,435 --> 00:32:27,351 I just want you to know... 206 00:32:31,518 --> 00:32:32,476 I wish-- 207 00:32:33,727 --> 00:32:35,059 The things I did-- 208 00:32:35,143 --> 00:32:38,059 Everything you did brought you where you are now. 209 00:32:40,351 --> 00:32:41,727 Where you belong. 210 00:32:43,852 --> 00:32:45,018 Home. 211 00:32:55,727 --> 00:32:57,893 I'm going to go now. 212 00:33:00,560 --> 00:33:01,560 Go where? 213 00:33:03,893 --> 00:33:06,893 [♪♪♪] 214 00:33:08,727 --> 00:33:10,727 [RAVENS CAWING] 215 00:33:32,518 --> 00:33:34,476 [♪♪♪] 216 00:34:32,810 --> 00:34:34,810 [♪♪♪] 217 00:34:50,310 --> 00:34:51,643 Man the walls! 218 00:34:52,685 --> 00:34:54,310 SOLDIER 1: Man the walls! 219 00:35:02,518 --> 00:35:04,685 SOLDIER 2: Man the wall! 220 00:35:04,768 --> 00:35:06,351 Man the walls! 221 00:35:08,184 --> 00:35:09,934 Come on! 222 00:35:10,018 --> 00:35:12,810 Get out there! Get moving! 223 00:35:12,893 --> 00:35:15,018 Come on. Come on! Come on! 224 00:35:18,476 --> 00:35:20,852 Go, go, go! 225 00:35:20,934 --> 00:35:22,393 BRIENNE: Come on! 226 00:35:49,893 --> 00:35:52,226 [ROARS] 227 00:36:01,893 --> 00:36:03,768 SOLDIER 1: They're against the wall! 228 00:36:07,893 --> 00:36:10,101 Get more men up here! 229 00:36:14,268 --> 00:36:16,351 -Fill the gaps, quickly! -Get in there! 230 00:36:16,435 --> 00:36:17,976 SOLDIER 2: They're climbing the walls! 231 00:36:18,059 --> 00:36:20,602 -Relieve the archers! SOLDIER 2: Relieve the archers! 232 00:36:22,476 --> 00:36:23,852 Archers on top! 233 00:36:23,934 --> 00:36:26,685 SOLDIER 1: Move up! SOLDIER 2: Go, go! Come here! 234 00:36:26,768 --> 00:36:28,310 -Come on! SOLDIER 3: Move back! 235 00:36:28,393 --> 00:36:30,310 SOLDIER 4: Stand away! SOLDIER 2: Go on, go on. Go! Go. 236 00:36:30,393 --> 00:36:32,727 SOLDIER 3: Step back. SOLDIER 4: All the way, archers! 237 00:36:36,101 --> 00:36:37,476 [SPEAKS IN VALYRIAN] 238 00:36:42,893 --> 00:36:44,476 [SNARLING] 239 00:36:48,435 --> 00:36:49,685 SOLDIER 1: Hold the wall! 240 00:36:49,768 --> 00:36:51,310 SOLDIER 2: The wall, they're coming up! 241 00:36:51,393 --> 00:36:54,852 SOLDIER 3: Hold the wall! SOLDIER 4: Hold the wall! 242 00:36:54,934 --> 00:36:56,101 Draw! 243 00:37:20,810 --> 00:37:21,976 Come on! 244 00:37:55,976 --> 00:37:58,976 [♪♪♪] 245 00:38:05,059 --> 00:38:06,143 [YELLS] 246 00:38:12,852 --> 00:38:14,184 SOLDIER: They're coming up! 247 00:38:26,393 --> 00:38:27,560 Look out! 248 00:38:31,852 --> 00:38:33,226 [WHIMPERING] 249 00:39:27,268 --> 00:39:29,226 [SHUDDERING] 250 00:39:42,643 --> 00:39:44,934 [♪♪♪] 251 00:39:53,476 --> 00:39:54,643 [YELLS] 252 00:39:55,976 --> 00:39:57,976 [GRUNTING] 253 00:40:06,560 --> 00:40:07,685 Clegane! 254 00:40:09,143 --> 00:40:10,268 Clegane! 255 00:40:42,018 --> 00:40:43,393 [SCREAMS] 256 00:40:48,268 --> 00:40:49,351 [GRUNTS] 257 00:41:20,768 --> 00:41:22,685 BERIC: Clegane! 258 00:41:22,768 --> 00:41:24,976 Clegane, we need you! 259 00:41:25,059 --> 00:41:26,310 You can't give up on us. 260 00:41:26,393 --> 00:41:28,602 Fuck off! We can't beat them. 261 00:41:28,685 --> 00:41:31,184 Don't you see that, you stupid whore? 262 00:41:31,268 --> 00:41:32,976 We're fighting Death! 263 00:41:33,059 --> 00:41:34,393 They can't beat Death. 264 00:41:39,310 --> 00:41:40,560 Tell her that. 265 00:41:50,727 --> 00:41:52,310 [PANTING] 266 00:41:52,393 --> 00:41:53,934 [SCREAMING] 267 00:42:04,184 --> 00:42:06,101 [GASPING] 268 00:42:15,685 --> 00:42:16,976 [YELLS] 269 00:42:37,852 --> 00:42:40,018 [ROARS] 270 00:42:52,226 --> 00:42:55,184 [♪♪♪] 271 00:43:09,018 --> 00:43:11,976 [♪♪♪] 272 00:43:24,184 --> 00:43:26,351 [DAENERYS WHIMPERING] 273 00:43:39,852 --> 00:43:41,685 [GRUNTING] 274 00:43:43,560 --> 00:43:46,518 [♪♪♪] 275 00:44:43,351 --> 00:44:45,268 [PANTING] 276 00:44:46,268 --> 00:44:48,310 [FOOTSTEPS] 277 00:46:06,226 --> 00:46:09,184 [♪♪♪] 278 00:46:47,476 --> 00:46:49,435 [WIGHT CROAKS] 279 00:47:00,852 --> 00:47:02,435 [SNARLING] 280 00:47:18,602 --> 00:47:19,852 [GASPS SOFTLY] 281 00:47:31,476 --> 00:47:33,435 [WIND WHISTLING] 282 00:47:42,768 --> 00:47:44,768 [SNARLING IN DISTANCE] 283 00:47:46,351 --> 00:47:48,310 [BREATHING SHAKILY] 284 00:47:58,393 --> 00:48:00,310 [SNARLING] 285 00:48:03,101 --> 00:48:04,602 [PANTING] 286 00:48:32,727 --> 00:48:35,934 [WIGHTS SNARLING IN DISTANCE] [MEN YELLING IN DISTANCE] 287 00:49:11,643 --> 00:49:13,101 [DOOR THUDS] 288 00:49:13,184 --> 00:49:14,976 [ALL GASPING] 289 00:49:15,059 --> 00:49:16,351 SOLDIER 1: Open the door! 290 00:49:18,976 --> 00:49:20,310 SOLDIER 2: Open the door! 291 00:49:20,393 --> 00:49:22,143 SOLDIER 3: Come on! SOLDIER 4: Open the door! 292 00:49:22,226 --> 00:49:23,643 Open the door! 293 00:49:28,435 --> 00:49:30,268 Please! 294 00:49:30,351 --> 00:49:31,518 Open it! 295 00:49:31,602 --> 00:49:33,727 [SOLDIERS SCREAMING INDISTINCTLY] 296 00:49:35,685 --> 00:49:37,685 [SCREAMING FADES] 297 00:49:46,435 --> 00:49:48,393 [WIND WHISTLING] 298 00:50:04,560 --> 00:50:06,518 [OBJECT CLATTERS IN DISTANCE] 299 00:50:21,934 --> 00:50:23,602 -[OBJECT THUDS] -[GASPS] 300 00:50:24,810 --> 00:50:26,893 [WIGHTS SNARLING IN DISTANCE] 301 00:50:44,934 --> 00:50:46,893 [SCREAMING] 302 00:50:48,602 --> 00:50:50,268 Rah! 303 00:50:57,018 --> 00:50:58,101 Aah! 304 00:51:00,476 --> 00:51:02,435 [GRUNTING] 305 00:51:06,310 --> 00:51:08,893 Come on! Go! 306 00:51:08,976 --> 00:51:11,852 -Come on! BERIC: Run! 307 00:51:38,059 --> 00:51:39,351 We've gotta go! 308 00:51:41,685 --> 00:51:44,685 [♪♪♪] 309 00:52:16,184 --> 00:52:18,184 [PANTING] 310 00:52:25,893 --> 00:52:27,393 [SPEAKS INDISTINCTLY] 311 00:52:40,768 --> 00:52:43,852 MELISANDRE: The Lord brought him back for a purpose. 312 00:52:48,226 --> 00:52:50,435 Now that purpose has been served. 313 00:52:52,852 --> 00:52:55,810 [♪♪♪] 314 00:52:55,893 --> 00:52:56,893 I know you. 315 00:53:02,602 --> 00:53:03,768 And I know you. 316 00:53:11,560 --> 00:53:13,852 You said we'd meet again. 317 00:53:13,934 --> 00:53:15,143 And here we are. 318 00:53:16,184 --> 00:53:17,476 At the end of the world. 319 00:53:19,602 --> 00:53:21,560 You said I'd shut many eyes forever. 320 00:53:23,226 --> 00:53:24,768 You were right about that too. 321 00:53:25,852 --> 00:53:27,685 Brown eyes... 322 00:53:27,768 --> 00:53:28,976 green eyes... 323 00:53:31,310 --> 00:53:32,643 and blue eyes. 324 00:53:38,268 --> 00:53:40,310 [WIGHTS SNARLING AND THUDDING ON DOOR] 325 00:53:52,101 --> 00:53:54,810 What do we say to the God of Death? 326 00:53:59,059 --> 00:54:00,143 Not today. 327 00:54:01,768 --> 00:54:04,768 [♪♪♪] 328 00:54:15,018 --> 00:54:16,976 [WIND WHISTLING] 329 00:54:18,268 --> 00:54:19,810 [WIGHTS SNARLING] 330 00:54:19,893 --> 00:54:21,268 [GASPS SOFTLY] 331 00:54:25,643 --> 00:54:26,685 Here they come! 332 00:54:30,435 --> 00:54:31,518 Steady, lads. 333 00:54:32,893 --> 00:54:33,976 Steady now. 334 00:54:36,810 --> 00:54:38,184 Make every shot count. 335 00:54:39,226 --> 00:54:41,685 [♪♪♪] 336 00:54:47,602 --> 00:54:48,685 MAN 1: Over there! 337 00:54:51,934 --> 00:54:52,976 MAN 2: There! 338 00:54:54,852 --> 00:54:57,852 [♪♪♪] 339 00:55:33,435 --> 00:55:34,727 JON: Get off. 340 00:55:49,059 --> 00:55:50,643 [GRUNTING] 341 00:56:22,727 --> 00:56:23,810 [JON GRUNTS] 342 00:56:27,685 --> 00:56:29,059 [GROANS] 343 00:56:29,143 --> 00:56:31,143 [PANTING] 344 00:56:33,810 --> 00:56:35,518 [ROARS] 345 00:56:40,810 --> 00:56:43,143 [DRAGON ROARING] 346 00:56:56,101 --> 00:56:59,101 [♪♪♪] 347 00:57:11,934 --> 00:57:13,018 Dracarys. 348 00:57:17,476 --> 00:57:20,476 [♪♪♪] 349 00:58:04,143 --> 00:58:07,101 [♪♪♪] 350 00:58:14,268 --> 00:58:15,685 [DAENERYS GRUNTS] 351 00:59:08,852 --> 00:59:10,810 [♪♪♪] 352 00:59:12,226 --> 00:59:14,143 [PANTING] 353 00:59:43,476 --> 00:59:45,435 [WIND WHISTLING] 354 00:59:53,518 --> 00:59:56,143 [ALL GRUNTING] 355 01:00:39,435 --> 01:00:41,393 [♪♪♪] 356 01:00:55,268 --> 01:00:56,685 [JON YELLS] 357 01:01:21,560 --> 01:01:23,560 [WIGHTS RUSTLING] 358 01:01:27,143 --> 01:01:28,268 [GASPS] 359 01:01:29,893 --> 01:01:31,810 [SNARLING] 360 01:01:39,602 --> 01:01:41,602 [BABY CRYING] 361 01:01:49,727 --> 01:01:51,727 [PEOPLE SCREAMING] 362 01:01:56,893 --> 01:01:58,435 Come on! Come on! 363 01:02:00,602 --> 01:02:02,934 No! No, no, no! 364 01:02:21,560 --> 01:02:22,934 [GRUNTING] 365 01:02:39,059 --> 01:02:41,976 [♪♪♪] 366 01:02:52,810 --> 01:02:55,184 -Bran! DAENERYS: Go! 367 01:03:00,310 --> 01:03:02,351 [WIGHTS SNARLING] [DROGON ROARING] 368 01:03:27,476 --> 01:03:29,435 [DROGON SCREECHES] 369 01:03:44,643 --> 01:03:45,727 [GRUNTS] 370 01:04:03,560 --> 01:04:04,518 [WHIMPERS] 371 01:04:17,643 --> 01:04:20,602 [♪♪♪] 372 01:04:37,602 --> 01:04:39,727 [YELLING INDISTINCTLY] 373 01:04:40,602 --> 01:04:41,602 [GRUNTS] 374 01:04:42,435 --> 01:04:44,268 [SAMWELL SCREAMING] 375 01:05:22,310 --> 01:05:24,310 [HISSING AND SNARLING] 376 01:05:53,018 --> 01:05:54,351 [YELLS] 377 01:06:19,560 --> 01:06:21,268 [SCREAMING] 378 01:06:37,893 --> 01:06:39,893 [PANTING] 379 01:07:02,101 --> 01:07:04,101 [♪♪♪] 380 01:07:28,476 --> 01:07:29,602 [EXHALES SHARPLY] 381 01:07:34,976 --> 01:07:36,435 [DRAGON ROARS] 382 01:07:46,976 --> 01:07:48,143 [GRUNTS] 383 01:08:13,143 --> 01:08:14,184 Jorah! 384 01:08:48,435 --> 01:08:50,351 [ROARING] 385 01:08:53,685 --> 01:08:54,852 [GRUNTS] 386 01:09:45,268 --> 01:09:46,518 [YELLS] 387 01:09:46,602 --> 01:09:48,560 [SNIFFLING] 388 01:10:13,351 --> 01:10:14,268 [GASPS] 389 01:10:59,768 --> 01:11:00,934 BRAN: Theon. 390 01:11:12,768 --> 01:11:14,310 You're a good man. 391 01:11:20,351 --> 01:11:21,351 Thank you. 392 01:11:56,393 --> 01:11:58,727 [YELLING] 393 01:12:15,059 --> 01:12:16,184 [GRUNTING] 394 01:13:34,560 --> 01:13:35,643 [GRUNTS] 395 01:14:12,685 --> 01:14:14,518 [VISERION ROARS] 396 01:15:25,101 --> 01:15:26,810 [YELLS] 397 01:15:38,810 --> 01:15:40,059 [YELLS] 398 01:15:46,852 --> 01:15:47,976 [GRUNTS] 399 01:15:53,602 --> 01:15:55,059 [GASPS] 400 01:16:09,184 --> 01:16:12,810 [♪♪♪] 401 01:16:45,184 --> 01:16:46,852 I'm hurt. 402 01:17:22,059 --> 01:17:25,059 [♪♪♪] 403 01:17:41,560 --> 01:17:42,893 [SOBBING] 404 01:18:13,268 --> 01:18:15,268 [GROWLING SOFTLY] 405 01:20:04,518 --> 01:20:07,560 [♪♪♪] 406 01:21:16,268 --> 01:21:18,560 (FIRE CRACKLING) 407 01:21:21,893 --> 01:21:24,101 ♪ (DRAMATIC MUSIC PLAYS) ♪ 408 01:21:25,226 --> 01:21:27,310 DAENERYS TARGARYEN: We have won the Great War. 409 01:21:29,143 --> 01:21:30,727 Now, we will win the last war. 410 01:21:30,810 --> 01:21:31,727 (CHEERING) 411 01:21:31,810 --> 01:21:34,435 ♪ (MUSIC INTENSIFIES) ♪ 412 01:21:38,727 --> 01:21:40,810 DAENERYS: We'll rip her out root and stem. 413 01:21:46,518 --> 01:21:49,143 -(WHIMPERS) -MAN: Mind out! 414 01:21:51,476 --> 01:21:52,393 Move. 415 01:21:52,727 --> 01:21:54,976 We've been building towards this for so long now. 416 01:21:55,059 --> 01:21:56,893 You think back to the very beginning 417 01:21:56,976 --> 01:21:58,184 of the very first episode, 418 01:21:58,476 --> 01:22:01,727 and it's beyond the Wall where the White Walkers are stalking. 419 01:22:01,810 --> 01:22:02,810 They're a group of rangers. 420 01:22:03,226 --> 01:22:05,435 So, this is the culmination of one of the key storylines 421 01:22:05,518 --> 01:22:06,810 in-- in the whole show. 422 01:22:07,727 --> 01:22:09,268 And this is for everything. 423 01:22:09,602 --> 01:22:11,268 We've been talking for a long time, 424 01:22:11,351 --> 01:22:13,768 how Night King's forces have been growing in power, 425 01:22:13,852 --> 01:22:15,226 and most of the living have been kind of 426 01:22:15,310 --> 01:22:18,184 openly disdainful of the threat, and now there's no choice 427 01:22:18,268 --> 01:22:19,059 but to fight it. 428 01:22:19,143 --> 01:22:21,893 ♪ (DRAMATIC MUSIC PLAYING) ♪ 429 01:22:24,768 --> 01:22:25,852 DAVID BENIOFF: I really love the way 430 01:22:25,934 --> 01:22:27,727 the first ten minutes or so plays out, 431 01:22:27,810 --> 01:22:29,059 because there's so much tension 432 01:22:29,143 --> 01:22:31,602 before there's any encounter with the enemy. 433 01:22:31,685 --> 01:22:32,768 BOY: Come on! 434 01:22:32,852 --> 01:22:34,101 (INDISTINCT SHOUTING) 435 01:22:34,310 --> 01:22:36,268 BENIOFF: You know, as much as they try to conceal it, 436 01:22:36,351 --> 01:22:38,768 people are terrified, because this is... 437 01:22:38,852 --> 01:22:40,476 this is death coming for them. 438 01:22:40,560 --> 01:22:42,727 You know, so much of it is just kind of, on one hand, 439 01:22:42,810 --> 01:22:44,435 setting the mood for the episode, 440 01:22:44,518 --> 01:22:46,768 and the other hand, showing us where these characters are gonna be. 441 01:22:46,852 --> 01:22:49,059 The entire episode takes place in Winterfell. 442 01:22:49,143 --> 01:22:52,268 And you have 19 or 20 characters all involved 443 01:22:52,351 --> 01:22:54,226 in a very chaotic situation, 444 01:22:54,310 --> 01:22:57,893 that needs many, many locations to service it. 445 01:23:01,560 --> 01:23:03,976 BENIOFF: Because it's such a long battle in this episode, 446 01:23:04,059 --> 01:23:06,310 it's important that we feel the ebb and flow. 447 01:23:06,393 --> 01:23:07,893 And so, there are moments when you think things 448 01:23:07,976 --> 01:23:09,560 are going a little bit better for the living. 449 01:23:09,643 --> 01:23:10,852 Tell them to lift their swords. 450 01:23:11,393 --> 01:23:15,685 We felt like it was important to have that moment of hope, 451 01:23:15,768 --> 01:23:18,435 when Mel comes in and lights up their arakh, 452 01:23:18,893 --> 01:23:20,768 and they all ride off into battle. 453 01:23:20,852 --> 01:23:23,059 (SPEAKS VALYRIAN) 454 01:23:26,184 --> 01:23:27,351 (SOLDIERS GASP) 455 01:23:27,727 --> 01:23:29,476 (INDISTINCT SHOUTING) 456 01:23:29,560 --> 01:23:31,226 D.B. WEISS: We wanted our characters to feel, like, 457 01:23:31,310 --> 01:23:33,059 that this-- maybe this is all gonna work out, 458 01:23:33,143 --> 01:23:34,435 maybe things are all gonna be okay. 459 01:23:34,976 --> 01:23:38,976 We've seen how devastating a Dothraki charge can be just with their regular swords, 460 01:23:39,059 --> 01:23:40,852 and now when they're galloping into combat 461 01:23:40,934 --> 01:23:42,976 with, uh, flaming arakhs, it's-- it's-- 462 01:23:43,059 --> 01:23:45,351 Uh... What could possibly stand against that? 463 01:23:45,435 --> 01:23:47,268 (HORSE WHINNIES) 464 01:23:48,727 --> 01:23:50,059 BENIOFF: What they see is just 465 01:23:50,143 --> 01:23:52,143 the end of the Dothraki, essentially. 466 01:23:53,018 --> 01:23:54,810 WEISS: They have a plan, and it's important 467 01:23:54,893 --> 01:23:57,101 to wait for the Night King to reveal himself, 468 01:23:57,184 --> 01:23:59,435 and then have two dragons against one dragon, 469 01:23:59,518 --> 01:24:01,934 and a really good chance of-- of defeating him. 470 01:24:02,018 --> 01:24:03,476 One thing that they couldn't have foreseen 471 01:24:03,560 --> 01:24:07,351 was Daeny's reaction to seeing the Dothraki decimated. 472 01:24:07,435 --> 01:24:10,435 Jon is the person who wants to stick to the plan, 473 01:24:10,518 --> 01:24:11,852 but the Dothraki are not Jon's; 474 01:24:11,934 --> 01:24:13,810 they're not loyal to Jon, they're loyal to Daeny, 475 01:24:13,893 --> 01:24:18,018 and I think that Daeny can't bring herself to just watch them die, 476 01:24:18,101 --> 01:24:20,934 and so the plan starts to fall apart 477 01:24:21,018 --> 01:24:23,435 the second she gets on her dragon, 478 01:24:23,518 --> 01:24:26,685 so he does too, and then we take it from there. 479 01:24:26,768 --> 01:24:29,852 ♪ (TENSE MUSIC PLAYING) ♪ 480 01:24:38,226 --> 01:24:40,184 (SNARLING) 481 01:24:40,393 --> 01:24:43,393 BENIOFF: We knew this episode was gonna be almost entirely battle, 482 01:24:43,476 --> 01:24:45,852 and that can get really boring really quickly. 483 01:24:45,934 --> 01:24:48,934 You can watch it for a certain number of minutes 484 01:24:49,018 --> 01:24:51,393 before the effect starts to dampen. 485 01:24:51,476 --> 01:24:54,059 Part of it was making sure that we really stayed focused on the characters, 486 01:24:54,143 --> 01:24:56,934 and so whether it's Arya's storyline, 487 01:24:57,018 --> 01:24:59,435 or Sansa and Tyrion down the crypt, 488 01:24:59,518 --> 01:25:02,768 or Jon Snow and Daeny up on the dragons. 489 01:25:02,852 --> 01:25:05,393 Kinda like all these separate little battles within the... 490 01:25:05,476 --> 01:25:06,727 within the greater battle. 491 01:25:07,351 --> 01:25:09,643 -(SWORDS CLANKING) -(SNARLING) 492 01:25:10,602 --> 01:25:13,727 Lyanna Mormont was supposed to be a one-scene character, 493 01:25:13,810 --> 01:25:15,310 and then we met Bella Ramsay, 494 01:25:15,393 --> 01:25:19,018 and we realized that we would not be doing our jobs 495 01:25:19,101 --> 01:25:21,351 if we kept her as a one-scene character. 496 01:25:21,560 --> 01:25:24,602 My mother wasn't a great beauty or any other kind of beauty. 497 01:25:24,852 --> 01:25:26,268 She was a great warrior, though. 498 01:25:26,351 --> 01:25:28,518 She died fighting for your brother, Robb. 499 01:25:29,101 --> 01:25:30,934 WEISS: We knew that you can't give a-- 500 01:25:31,018 --> 01:25:34,018 a big death to everybody who dies in this battle, 501 01:25:34,101 --> 01:25:36,768 'cause it would've-- It just would've been too much, 502 01:25:36,852 --> 01:25:38,351 but there-- Also, if she were to die, 503 01:25:38,435 --> 01:25:42,059 there was no way to-- to not make a moment of it, so... 504 01:25:42,310 --> 01:25:44,893 that's where the zombie giant comes in. 505 01:25:46,310 --> 01:25:49,852 It just did add a whole level of complexity 506 01:25:49,934 --> 01:25:52,476 to that moment, that I'm sure a lot of people 507 01:25:52,560 --> 01:25:55,643 would've been okay with not having there, 508 01:25:55,727 --> 01:25:57,518 if we had demanded to cut it, 509 01:25:57,602 --> 01:26:00,101 but I think they also understood why we needed 510 01:26:00,184 --> 01:26:03,893 to give one of the strongest smaller people in the show 511 01:26:03,976 --> 01:26:06,059 a chance to go out taking down 512 01:26:06,143 --> 01:26:08,768 one of the strongest larger things we've, uh, 513 01:26:08,852 --> 01:26:10,059 we've ever seen in the show. 514 01:26:10,143 --> 01:26:13,685 -(LYANNA SCREAMS) -(ZOMBIE GIANT GROWLS) 515 01:26:20,727 --> 01:26:21,643 (ARYA SHRIEKS) 516 01:26:23,351 --> 01:26:26,018 WEISS: In any situation where people are fighting, 517 01:26:26,101 --> 01:26:27,768 Arya needs to play a central role, 518 01:26:27,852 --> 01:26:29,059 'cause she's one of the best at it, 519 01:26:29,143 --> 01:26:31,393 and she's one of the most fun to watch doing it. 520 01:26:31,476 --> 01:26:32,685 -(ARYA GRUNTS) -BENIOFF: Even for Arya, 521 01:26:32,768 --> 01:26:35,560 she can't take on a horde of wights by herself, 522 01:26:35,643 --> 01:26:37,685 and especially when her head gets smacked, 523 01:26:37,768 --> 01:26:39,018 she's no longer at 100 percent. 524 01:26:39,226 --> 01:26:41,476 It's just about survival at that point. 525 01:26:41,560 --> 01:26:44,184 WEISS: Otherwise, she's completely unstoppable, 526 01:26:44,268 --> 01:26:45,476 and she never loses her cool, 527 01:26:45,560 --> 01:26:47,852 and it's amazing, and it's a lot of fun to watch, 528 01:26:47,934 --> 01:26:49,727 but it's also-- it's one note, 529 01:26:49,810 --> 01:26:54,560 so we decided that almost rewinding the clock on who Arya Stark is 530 01:26:54,643 --> 01:26:58,934 to back before she became this sort of magical figure that she's become 531 01:26:59,018 --> 01:27:00,476 would really be interesting, 532 01:27:00,560 --> 01:27:02,518 and would also give us a chance to change up 533 01:27:02,602 --> 01:27:05,435 the nature of the story we were telling. 534 01:27:07,476 --> 01:27:09,685 We talked about Winterfell as kind of the home for the show, 535 01:27:09,768 --> 01:27:11,727 and, uh, one of the things that always struck us 536 01:27:11,810 --> 01:27:14,351 as a horrific aspect of this is that these hallways 537 01:27:14,435 --> 01:27:16,560 and rooms where we spent a lot of good times 538 01:27:16,643 --> 01:27:19,184 and-- and quiet times with characters that we care about, 539 01:27:19,268 --> 01:27:20,893 has now become a horror set, 540 01:27:20,976 --> 01:27:23,768 because it's been invaded by undead soldiers. 541 01:27:24,685 --> 01:27:25,934 (SNARLS) 542 01:27:26,018 --> 01:27:27,226 WEISS: Before that point, 543 01:27:27,310 --> 01:27:29,435 there's sort of an agoraphobia to the whole thing 544 01:27:29,518 --> 01:27:32,184 where you have this giant wide-open space 545 01:27:32,268 --> 01:27:36,018 and everywhere you look you-- there's something 546 01:27:36,101 --> 01:27:37,476 that could be coming to kill you. 547 01:27:37,560 --> 01:27:39,893 Once you get inside Winterfell, everything contracts, 548 01:27:39,976 --> 01:27:43,351 and the-- the walls literally start to close in around you, 549 01:27:43,435 --> 01:27:45,268 and something is there in the dark with you, 550 01:27:45,351 --> 01:27:47,268 but you don't know exactly where it is. 551 01:27:47,351 --> 01:27:49,101 And we thought that the pace change 552 01:27:49,184 --> 01:27:51,059 and the tonal change was really important 553 01:27:51,351 --> 01:27:54,018 to have that in this episode, 554 01:27:54,101 --> 01:27:56,184 otherwise the episode would start to feel... 555 01:27:56,518 --> 01:27:58,351 would start to feel monotonous. 556 01:28:01,560 --> 01:28:02,810 Dracarys. 557 01:28:03,018 --> 01:28:04,268 WEISS: We thought it was important that, 558 01:28:04,351 --> 01:28:07,393 whatever the plan was, that it not just work out, 559 01:28:07,476 --> 01:28:09,268 'cause that would be kind of dull. 560 01:28:09,351 --> 01:28:11,643 While there's no reason to know for certain that 561 01:28:11,727 --> 01:28:14,893 the fire wouldn't kill or destroy the Night King, 562 01:28:14,976 --> 01:28:17,810 there's also no particular reason to believe that it would. 563 01:28:18,018 --> 01:28:20,351 And then, a few moments after this happens, 564 01:28:20,518 --> 01:28:22,476 the Night King brings them a whole new, 565 01:28:22,560 --> 01:28:26,143 larger undead problem by taking all of their own 566 01:28:26,226 --> 01:28:28,976 who have been killed in the course of this battle, 567 01:28:29,059 --> 01:28:30,685 and turning them into the enemy. 568 01:28:36,018 --> 01:28:38,310 BENIOFF: I mean, we talked about various endings for Jorah 569 01:28:38,393 --> 01:28:40,560 for a long time, but, you know, you think about Jorah, 570 01:28:40,643 --> 01:28:43,226 from the very first time we met him, he was with Daeny, 571 01:28:43,310 --> 01:28:46,059 and from that time, he's been mostly by her side. 572 01:28:46,143 --> 01:28:47,476 Part of Jorah's tragedy is 573 01:28:47,560 --> 01:28:50,184 that he was in love with a woman who couldn't love him back, 574 01:28:50,268 --> 01:28:52,268 but he's accepted that for quite a long time, 575 01:28:52,351 --> 01:28:54,351 at the same time he was going to fight for her 576 01:28:54,435 --> 01:28:56,643 as long as he could and as well as he could. 577 01:28:56,727 --> 01:29:00,518 There'd never been a moment where she more needed someone 578 01:29:00,602 --> 01:29:02,643 to fight to protect her than this moment. 579 01:29:02,727 --> 01:29:05,643 And if he could've chosen a way to die, 580 01:29:05,727 --> 01:29:07,643 this is how he would've chosen to die. 581 01:29:07,727 --> 01:29:12,643 So, it was something we thought would be powerful to give him. 582 01:29:13,184 --> 01:29:16,768 -(DAENERYS SOBS) -(DRAGON EXHALES) 583 01:29:19,685 --> 01:29:21,226 BENIOFF: The reason the Godswood was chosen 584 01:29:21,310 --> 01:29:22,976 is because it's such a source of power 585 01:29:23,059 --> 01:29:26,560 for those who believe in the old gods, and for Bran in particular, 586 01:29:26,643 --> 01:29:28,852 so we know the weirwood tree and the three-eyed raven 587 01:29:28,934 --> 01:29:30,351 have a very deep connection. 588 01:29:30,435 --> 01:29:32,852 That was always the location where Bran was going 589 01:29:32,934 --> 01:29:34,685 to be waiting for the Night King. 590 01:29:35,018 --> 01:29:36,268 I just want you to know... 591 01:29:38,101 --> 01:29:40,101 -the things I did-- -Everything you did 592 01:29:40,184 --> 01:29:41,643 brought you where you are now. 593 01:29:43,768 --> 01:29:44,810 Where you belong. 594 01:29:47,435 --> 01:29:48,268 Home. 595 01:29:48,602 --> 01:29:50,643 WEISS: It's not like the show is entirely about 596 01:29:50,727 --> 01:29:53,727 people redeeming themselves and then it's all over, 597 01:29:53,810 --> 01:29:55,893 but if you-- if the canvas is big enough, 598 01:29:55,976 --> 01:29:59,393 there are spaces for those redemptive moments. 599 01:29:59,476 --> 01:30:01,393 I think what was really important for Theon 600 01:30:01,476 --> 01:30:03,768 at the end was hearing that thank you from Bran, 601 01:30:03,852 --> 01:30:05,560 because Bran knows what's gonna happen. 602 01:30:05,643 --> 01:30:06,476 BRAN: Theon. 603 01:30:11,226 --> 01:30:12,602 You're a good man. 604 01:30:13,560 --> 01:30:14,351 Thank you. 605 01:30:14,810 --> 01:30:16,602 He knows he's dead, he knows he's not gonna be able 606 01:30:16,685 --> 01:30:19,351 to kill the Night King, but I think what's really heroic 607 01:30:19,435 --> 01:30:21,393 about his action is that we're all gonna die, 608 01:30:21,476 --> 01:30:23,393 and we know we're not gonna be able to defeat death at the end, 609 01:30:23,476 --> 01:30:25,976 but, you know, it's-- it's how you face those final moments, 610 01:30:26,059 --> 01:30:27,727 and he chooses to run straight at it, 611 01:30:27,810 --> 01:30:31,393 and I think he dies in a way that, um, makes us 612 01:30:31,476 --> 01:30:34,685 really proud of him and the journey he's gone through. 613 01:30:39,184 --> 01:30:41,602 -(ARYA SCREAMS) -BENIOFF: For-- 614 01:30:41,685 --> 01:30:43,643 God, I think it's probably three years now or something, 615 01:30:43,727 --> 01:30:46,101 we've known that it was gonna be Arya 616 01:30:46,184 --> 01:30:48,268 who delivers that-- that fatal blow. 617 01:30:48,351 --> 01:30:49,934 WEISS: She seemed like the best candidate, 618 01:30:50,018 --> 01:30:52,852 provided we weren't thinking about her in that moment. 619 01:30:52,934 --> 01:30:54,602 One of the great things about having this many people 620 01:30:54,685 --> 01:30:57,268 you care about in a sequence together 621 01:30:57,351 --> 01:30:59,310 is that it can kind of pull people's attention 622 01:30:59,393 --> 01:31:01,602 and focus to people that they care about a lot, 623 01:31:01,685 --> 01:31:04,602 like Jon, like Daeny, Theon, and Bran, 624 01:31:04,685 --> 01:31:06,643 not to mention Tyrion and Sansa in the crypt, 625 01:31:06,727 --> 01:31:07,852 so you're going all over the place 626 01:31:07,934 --> 01:31:09,768 with people who you're desperately worried for, 627 01:31:09,852 --> 01:31:13,435 and, uh, hopefully you forget about the fact that 628 01:31:13,518 --> 01:31:15,602 Arya Stark ran out of that castle 629 01:31:15,685 --> 01:31:16,893 with the battle drums playing, 630 01:31:16,976 --> 01:31:18,685 going towards some purpose, 631 01:31:18,768 --> 01:31:20,727 and we don't know what until it happens. 632 01:31:20,810 --> 01:31:22,643 BENIOFF: We hoped to kind of avoid the expected, 633 01:31:22,727 --> 01:31:24,476 and Jon Snow has always been the hero, 634 01:31:24,560 --> 01:31:25,976 the one who's been the savior, 635 01:31:26,059 --> 01:31:29,310 but it just didn't seem right to us, for this-- 636 01:31:29,393 --> 01:31:30,351 for this moment. 637 01:31:31,059 --> 01:31:33,310 We knew it had to be Valyrian steel, to the exact spot where 638 01:31:33,393 --> 01:31:37,310 the child of the forest put the dragonglass blade to create the Night King, 639 01:31:37,393 --> 01:31:40,976 and he is uncreated by the Valyrian steel. 640 01:31:41,059 --> 01:31:42,643 At the end of it, it's still-- 641 01:31:42,727 --> 01:31:45,727 It's a victory for the living, but at great cost, 642 01:31:45,810 --> 01:31:48,934 because some of our favorite characters fall along the way. 643 01:31:50,226 --> 01:31:51,476 WEISS: We knew from the beginning, 644 01:31:51,560 --> 01:31:54,643 once we'd handed the outline in, what we were in for. 645 01:31:54,727 --> 01:31:58,101 The director, Miguel Sapochnik, took what we were doing 646 01:31:58,184 --> 01:32:00,101 and defined this episode. 647 01:32:00,184 --> 01:32:02,476 Miguel did a tremendous amount of 648 01:32:02,560 --> 01:32:04,518 heroic heavy lifting on this front. 649 01:32:04,602 --> 01:32:06,518 He knew that if the planning wasn't there, 650 01:32:06,602 --> 01:32:10,018 we never would've ended up with the consistent excellence 651 01:32:10,101 --> 01:32:11,143 that he delivered. 652 01:32:11,226 --> 01:32:13,059 It is to their immense credit that-- 653 01:32:13,143 --> 01:32:14,976 not only that they endured it, um, 654 01:32:15,059 --> 01:32:18,476 but that they did such a great job the whole time they were there. 655 01:32:18,560 --> 01:32:21,727 WEISS: It's a real testament to the entire Belfast crew 656 01:32:21,810 --> 01:32:24,893 who gave us something that no amount of money could ever buy.