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NARRATOR: Previously
on Light as a Feather.

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00:00:08,768 --> 00:00:10,855
‐ It was, like,
exactly the way
you predicted it.

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00:00:10,855 --> 00:00:12,274
‐ I played the game again.
TREY: What?

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00:00:12,274 --> 00:00:14,278
MCKENNA:
Sammi is in danger.

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[door slams]

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00:00:15,489 --> 00:00:17,744
‐ [muffled] Help!
Help, help!

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00:00:17,744 --> 00:00:20,542
‐ Jesus, McKenna.
Are you okay?

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00:00:20,542 --> 00:00:22,253
‐ If only you'd been there.

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00:00:22,253 --> 00:00:24,591
I was probably
just sleepwalking.
It's fine.

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Hey, you need to listen, okay?
‐ Dude, what is your problem?

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00:00:27,346 --> 00:00:29,058
‐ Sammi, you need
to take this seriously.

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‐ Please tell me you didn't
play a game with them.

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‐ Yeah, with McKenna
and a couple other people.

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VIOLET:
No, McKenna, please.

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00:00:34,318 --> 00:00:36,364
McKenna, whatever is in there,
it doesn't affect us!

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Please!

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‐ [screams]

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[soft dramatic music]

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♪ ♪

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‐ The very first time
Isaac Salcedo

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was stung by a wasp, he was 10.

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It hurt at first,
but only a little.

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What he didn't know is that
the more you're stung,

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00:01:01,749 --> 00:01:03,961
the more severe
your reaction will be.

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[mud sloshing]

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[wasps buzzing]

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One is a nuisance.

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Five require medical attention.

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Ten could send the body
into shock.

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‐ [muffled shouting]

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‐ But a whole hive...

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♪ ♪

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Isaac's tongue bloated,

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filling his mouth
till he couldn't breathe.

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His body spasmed,
his eyes swelled,

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his pulse pounded in his head,

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but even that couldn't drown
out the incessant buzzing.

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[wasps buzzing]

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It would be the last thing
Isaac ever heard.

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Light as a feather...
ALL: Stiff as a board.

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Light as feather,

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stiff as a board.

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Light as feather,
stiff as a board.

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He's dying.
He's dying.

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He's dead.
He's dead.

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♪ ♪

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ALEX: Oh, my God.

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Oh, my God, he‐‐
MCKENNA: [gulps]

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ALEX: Who is that?

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‐ Who did you kill?

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‐ No one.
It was an accident.

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‐ Oh, that's a good one.

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‐ You need to tell us
everything, Violet. Now.

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‐ After my boyfriend Marc died,
I had a breakdown,

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and my parents sent me
to Daybridge for some help.

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‐ You mean the place
you sent Candace to die?

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‐ That's where
I first got the chrysalis.

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I knew the rules.

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I knew I had to lead a new game
if I wanted to survive,

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so I ended up playing with
some of the kids there.

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I had no choice.

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‐ You always have a choice.
‐ And you made the same one.

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At least I didn't blame it
on some blackout.

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After I was discharged,

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I kept tabs on all the kids
that played the game.

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It was down between me
and another guy,

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and I thought I was in the
clear until you showed up here.

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I asked him to leave,
but he forced his way in,

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and as I was fighting him off,

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he touched it.

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‐ The chrysalis?

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‐ He was convulsing,
and then he stopped moving.

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I thought that he was dead,

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so I freaked out and‐‐
and I hid his body.

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And then I started wondering

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what if he wasn't
actually dead?

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But by then,
I was too afraid to check.

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And then after a few weeks,
it was gone.

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He had finally died.

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‐ And what was his prediction?

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‐ Starvation.

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[ominous music]

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‐ I'm gonna be sick.

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♪ ♪

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TREY: Wait,
what the hell is that?

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‐ M. A.

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It's Margaret Abbott.

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Isaac's been drawing her too‐‐

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just like him.

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♪ ♪

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[dramatic music]

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♪ ♪

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ALEX: There's still no obituary
for Margaret Abbott,

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but Lena included her
in the file for some reason.

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TREY: Well, we can't exactly
ask her about it.

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No one's seen Lena since
she disappeared with Henry.

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‐ Yeah,
but if Isaac and that guy

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were both seeing
and drawing Margaret‐‐

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I thought you said Isaac touched
the chrysalis by accident.

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‐ He did.

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‐ Well, if you knew that
that would happen,

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you would've been
less careless.

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‐ Unless you wanted him
to touch it.

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‐ Okay, fine.
You wanna know the truth?

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Yeah, I put Isaac
in the coma on purpose.

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He found out that
I was tapping into your laptop,

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and he was gonna tell everyone.

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I had to stop him.
‐ By trying to murder him?

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‐ It happened in the moment.
I swear.

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‐ Wow, kudos to you.

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I'm sure the police
will take that into account.

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‐ [scoffing] Right.
And what are you gonna tell them?

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I poisoned Isaac with
a haunted tumor on my back?

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‐ Maybe I'll start with the
freaking body in your basement.

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‐ Right, and they're really
gonna take you seriously

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after you guys dropped
those charges on me.

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And even if they did, what if
they start asking questions like,

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"What happened to Nadia?"

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‐ Let's go.

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VIOLET:
Wait.

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I'm not the only reason
Isaac is in danger.

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‐ What are you talking about?

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‐ He played the game.

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He was in the red hoodie.

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‐ You're lying.

126
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‐ You invited him to Ridge's
lake house that night
to play the game.

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‐ Wait, that makes no sense.

128
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Why would Mack do that
to Isaac?

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‐ You don't believe me?
Ask him yourself.

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Apparently, he's supposed to
get stung to death by wasps.

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‐ I just checked with Sammi.

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She didn't know Isaac's name,
but I showed her a picture,
and it's true.

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He played the game.

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‐ This whole time,
we thought it was someone
from community service‐‐

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MCKENNA:
It was Isaac.

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Oh, my God.
He's gonna die.

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[sobs]
‐ McKenna, he doesn't have to.

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Listen, I know we've both
done shit that we regret,

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but ending the curse now is the
only way to make things right.

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‐ How?

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‐ The drawings,
Margaret Abbott‐‐

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it's all connected.

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If you just give me a chance

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to talk to Isaac,
I can figure it out.

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I'll tell him everything.
I swear.

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‐ What, you seriously think
we're gonna let you anywhere
near Isaac again?

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‐ I've been fighting
this curse alone for too long.

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[soft dramatic music]

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Please let me help you.

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♪ ♪

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[engine turns over]

152
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[seatbelt clicks]

153
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‐ Look, I know you're upset
about bringing Isaac into this,

154
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but... you were blacked out.

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[gear cranks]

156
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‐ Blackout or not,

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I'm still doing
the same things she did.

158
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Maybe I led everyone here
for a reason.

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I mean, somehow,
I knew there was
a body down there.

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All this time, I've been
so afraid of these blackouts,

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but if I could control them,

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maybe we could learn something.

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‐ Actually, I might know someone
who could help us with that.

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[crickets chirping]

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TREY:
Hey.

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‐ The next words
out of your mouth

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better be a goddamn
amazing explanation, Emory.

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TREY: I'm really sorry.

169
00:07:46,933 --> 00:07:48,854
Things got crazy real fast,

170
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and I just wanted to make sure
you were safe.

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‐ [scoffs]
Yeah, well, lucky me.

172
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Oh, and it looks like
Prince Charming found
what he was looking for.

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It's just great.

174
00:08:02,422 --> 00:08:04,510
TREY: Sammi, wait.

175
00:08:04,510 --> 00:08:07,348
We need to ask you something.

176
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Will you take McKenna
to your aunt's?

177
00:08:09,937 --> 00:08:12,526
I thought your aunt
might be able to help us

178
00:08:12,526 --> 00:08:15,991
since we can't force McKenna
to black out.

179
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She's a hypnotherapist, right?

180
00:08:19,247 --> 00:08:21,251
‐ Seriously?

181
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You left me here
waiting for you all night,

182
00:08:22,838 --> 00:08:24,329
and now you want me
to take her to my aunt?

183
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‐ Look, I know you're mad,
but if McKenna's right about this,

184
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figuring out the blackouts
might be able to help you
out of the curse.

185
00:08:29,769 --> 00:08:32,440
That's all I'm trying to do.
‐ What, so we‐‐

186
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[scoffs] I'm supposed to tell
my aunt about some curse?

187
00:08:35,446 --> 00:08:37,325
Emory, the woman already
believes in chemtrails‐‐

188
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[gasps]

189
00:08:39,162 --> 00:08:41,250
Oh, my God...
[stammers]

190
00:08:41,250 --> 00:08:42,670
What is that thing?

191
00:08:42,670 --> 00:08:44,882
‐ It's like a timer
for the game.

192
00:08:44,882 --> 00:08:46,928
And we don't have
a lot of time, Sammi.
Please.

193
00:08:46,928 --> 00:08:49,892
We need your help.

194
00:08:49,892 --> 00:08:52,230
‐ Okay, okay, okay.
I'll‐‐

195
00:08:52,230 --> 00:08:53,858
I'll‐‐I'll call my aunt,

196
00:08:53,858 --> 00:08:56,698
and I'll tell her
we're dropping by tomorrow.

197
00:08:56,698 --> 00:08:58,117
[sighs]

198
00:09:01,456 --> 00:09:02,876
‐ Peri.

199
00:09:11,769 --> 00:09:13,439
‐ Is everything okay?

200
00:09:13,439 --> 00:09:16,445
I've been trying
to call you all night.

201
00:09:16,445 --> 00:09:18,407
‐ Peri, I'm so sorry.

202
00:09:18,407 --> 00:09:19,827
‐ No...
[stammers]

203
00:09:19,827 --> 00:09:22,457
I don't need an apology.

204
00:09:22,457 --> 00:09:24,419
But an explanation
would be nice.

205
00:09:27,551 --> 00:09:29,972
You did say you were gonna
explain everything, right?

206
00:09:29,972 --> 00:09:32,393
[mutters]

207
00:09:32,393 --> 00:09:34,230
‐ I wish I could
tell you everything.

208
00:09:34,230 --> 00:09:35,651
PERI: Then why don't you?
‐ I really do.

209
00:09:35,651 --> 00:09:38,782
‐ Then why can't you?
‐ [groans]

210
00:09:38,782 --> 00:09:42,706
‐ Trust works both ways, Alex.

211
00:09:42,706 --> 00:09:46,129
And honestly, I'm‐‐

212
00:09:46,129 --> 00:09:49,887
I'm starting to feel like
I'm not getting it from you
right now.

213
00:09:49,887 --> 00:09:52,308
♪ ♪

214
00:09:52,308 --> 00:09:53,770
‐ [sobs]

215
00:09:53,770 --> 00:09:56,818
‐ Good‐bye, Alex.

216
00:09:56,818 --> 00:10:01,076
♪ ♪

217
00:10:05,752 --> 00:10:09,593
[birds chirping]

218
00:10:09,593 --> 00:10:11,764
‐ I'll try to get in contact
with Lena's mom.

219
00:10:11,764 --> 00:10:15,020
Maybe she knows if Lena
found anything else
on Margaret Abbott.

220
00:10:15,020 --> 00:10:16,314
I'll keep you guys posted.

221
00:10:16,314 --> 00:10:18,945
‐ Sounds like a plan.

222
00:10:18,945 --> 00:10:21,241
You sure you guys will be okay?

223
00:10:21,241 --> 00:10:24,289
I know this is a bit of a...
awkward situation.

224
00:10:24,289 --> 00:10:26,251
‐ [laughs]
What?

225
00:10:26,251 --> 00:10:28,422
You think we're gonna
fight over you?

226
00:10:28,422 --> 00:10:31,052
Don't flatter yourself, Emory.
You're not that cute.

227
00:10:33,516 --> 00:10:36,564
Right?

228
00:10:36,564 --> 00:10:38,484
Okay...
[clears throat]

229
00:10:38,484 --> 00:10:40,279
[engine turns over]

230
00:10:40,279 --> 00:10:42,283
[engine whirrs]

231
00:10:42,283 --> 00:10:49,297
♪ ♪

232
00:10:52,513 --> 00:10:54,642
‐ Tell him everything,
or I will.

233
00:10:54,642 --> 00:10:56,646
‐ Like I didn't hear you
the first 20 times.

234
00:11:00,194 --> 00:11:01,531
[door clicks]

235
00:11:05,747 --> 00:11:07,960
‐ I can't believe
you came back.

236
00:11:07,960 --> 00:11:11,926
‐ Oh, Isaac,
I'm so sorry for taking off
like that the other night.

237
00:11:14,347 --> 00:11:16,686
Okay, fine.
You wanna know the truth?

238
00:11:16,686 --> 00:11:19,984
Yeah, I put Isaac
in the coma on purpose.

239
00:11:19,984 --> 00:11:21,779
He found out that I was
tapping into your laptop,

240
00:11:21,779 --> 00:11:23,490
and he was gonna
tell everyone.

241
00:11:23,490 --> 00:11:24,827
I had to stop him.

242
00:11:24,827 --> 00:11:26,706
Isaac, please.
‐ You should go.

243
00:11:26,706 --> 00:11:30,087
‐ Okay, please, just‐‐
listen to me.

244
00:11:30,087 --> 00:11:31,966
You can hate me all you want,

245
00:11:31,966 --> 00:11:34,262
but I found something out about
your visions and drawings,

246
00:11:34,262 --> 00:11:36,433
and you have
to let me help you.

247
00:11:36,433 --> 00:11:37,853
You're in danger.

248
00:11:37,853 --> 00:11:40,609
‐ Get the hell away from me.

249
00:11:40,609 --> 00:11:43,573
♪ ♪

250
00:11:43,573 --> 00:11:45,785
[door slams]

251
00:11:49,543 --> 00:11:52,507
[phone rings]

252
00:11:54,010 --> 00:11:55,429
‐ Hello?

253
00:11:55,429 --> 00:11:57,601
‐ Hi, Mrs. Regan?

254
00:11:57,601 --> 00:12:00,815
Uh, my name is Trey Emory.

255
00:12:00,815 --> 00:12:05,199
My friend Henry went missing
with your daughter Lena.

256
00:12:05,199 --> 00:12:07,495
‐ This isn't a good time.

257
00:12:07,495 --> 00:12:09,332
TREY: Yeah, I'm‐‐
I'm sorry for bothering you.

258
00:12:09,332 --> 00:12:12,213
I was just wondering
if you had any updates on Lena.

259
00:12:12,213 --> 00:12:15,010
‐ My daughter is still missing.

260
00:12:15,010 --> 00:12:17,139
TREY: I‐‐I know.

261
00:12:17,139 --> 00:12:19,561
I‐‐I was just wondering.

262
00:12:22,400 --> 00:12:24,822
‐ [softly]
Sorry about your friend.

263
00:12:24,822 --> 00:12:29,163
♪ ♪

264
00:12:29,163 --> 00:12:32,086
[dial tone beeping]

265
00:12:42,481 --> 00:12:44,570
‐ It's Trey, right?

266
00:12:44,570 --> 00:12:47,701
‐ Yeah.
Are you looking for Alex?

267
00:12:47,701 --> 00:12:51,709
‐ Actually, I'm here for you.

268
00:12:51,709 --> 00:12:55,007
I was on my way to work,
and I couldn't stop thinking.

269
00:12:55,007 --> 00:12:58,055
Maybe you'd be willing
to fill me in?

270
00:12:58,055 --> 00:13:00,017
‐ I think this should
be between you and Alex‐‐

271
00:13:00,017 --> 00:13:01,729
PERI: I‐‐I know, yeah...
[stammers] I agree.

272
00:13:01,729 --> 00:13:05,069
I agree, but...

273
00:13:05,069 --> 00:13:06,572
She won't let me in.

274
00:13:06,572 --> 00:13:08,534
[tender music]

275
00:13:08,534 --> 00:13:11,749
And I care about her, Trey‐‐

276
00:13:11,749 --> 00:13:15,673
like, more than
I've cared about anybody
for a really long time.

277
00:13:18,721 --> 00:13:22,353
And if she's in some
kind of danger, then...

278
00:13:22,353 --> 00:13:24,733
I need to know.

279
00:13:24,733 --> 00:13:28,365
Please.

280
00:13:28,365 --> 00:13:30,703
‐ Thanks for having us stop by.

281
00:13:30,703 --> 00:13:32,123
Your place is really nice.

282
00:13:32,123 --> 00:13:34,127
‐ Oh, thank you.

283
00:13:34,127 --> 00:13:36,507
I'd give you a tour,
but you're pretty much
looking at it.

284
00:13:36,507 --> 00:13:39,095
‐ These look like they have
my name written all over them.

285
00:13:39,095 --> 00:13:42,476
[chuckles]
‐ 'Cause they do.

286
00:13:42,476 --> 00:13:45,482
[glasses clinking]

287
00:13:47,236 --> 00:13:50,033
Sammi, your mom called again.

288
00:13:50,033 --> 00:13:53,206
She wants to talk.

289
00:13:53,206 --> 00:13:55,503
‐ What, does she need someone
to bail her out again?

290
00:13:55,503 --> 00:13:57,006
No, thanks.

291
00:14:01,222 --> 00:14:03,936
‐ Um, so,

292
00:14:03,936 --> 00:14:07,109
Skye, Sammi says
you're a hypnotherapist?

293
00:14:07,109 --> 00:14:09,071
‐ Yes.

294
00:14:09,071 --> 00:14:12,369
I work with people dealing with
behaviors they can't explain‐‐

295
00:14:12,369 --> 00:14:15,000
compulsions, bad habits,
things like that.

296
00:14:15,000 --> 00:14:16,545
Now, I can't tell you
who I've helped,

297
00:14:16,545 --> 00:14:19,133
but I can say that

298
00:14:19,133 --> 00:14:22,641
they are hard keeping up with.

299
00:14:22,641 --> 00:14:24,937
MCKENNA:
Worked with the Kardashians?

300
00:14:24,937 --> 00:14:26,439
‐ You said it.
I didn't.

301
00:14:28,151 --> 00:14:29,863
‐ Um, what‐‐

302
00:14:29,863 --> 00:14:32,159
so, how does it work?

303
00:14:32,159 --> 00:14:34,330
‐ With hypnosis,
we try to unlock

304
00:14:34,330 --> 00:14:37,044
what the subconscious mind
is doing while we're asleep.

305
00:14:37,044 --> 00:14:39,675
We spend about a third
of our lives sleeping,

306
00:14:39,675 --> 00:14:42,012
and who knows what
we're doing during that?

307
00:14:42,012 --> 00:14:44,851
It's like peeling an onion.

308
00:14:44,851 --> 00:14:46,897
We peel back
one layer at a time

309
00:14:46,897 --> 00:14:50,195
until we found out what's
really hiding underneath.

310
00:14:50,195 --> 00:14:53,869
I'm sensing your curiosity
goes deeper than that.

311
00:14:53,869 --> 00:14:57,167
‐ Yeah, actually.

312
00:14:57,167 --> 00:15:00,883
I've been having
these blackouts

313
00:15:00,883 --> 00:15:04,223
and doing things
I can't remember.

314
00:15:04,223 --> 00:15:05,601
‐ Could you help?

315
00:15:05,601 --> 00:15:07,146
‐ [chuckles]

316
00:15:07,146 --> 00:15:11,487
Well, as lovely as it is
seeing my favorite niece,

317
00:15:11,487 --> 00:15:15,037
I figured there was a reason
why you guys stopped by.

318
00:15:15,037 --> 00:15:17,709
So yeah, we can trick
your brain into thinking

319
00:15:17,709 --> 00:15:20,631
it's actually asleep,
and see what happens.

320
00:15:20,631 --> 00:15:23,136
Sound good?
‐ Yeah.

321
00:15:23,136 --> 00:15:25,140
‐ Okay.

322
00:15:25,140 --> 00:15:28,522
All right, let's get started.

323
00:15:28,522 --> 00:15:31,069
[dramatic whooshing]

324
00:15:31,069 --> 00:15:33,824
Concentrate on your breathing.

325
00:15:33,824 --> 00:15:35,452
Inhale.

326
00:15:35,452 --> 00:15:39,043
Two, three, four.

327
00:15:39,043 --> 00:15:40,630
Exhale.

328
00:15:40,630 --> 00:15:43,511
Two, three, four.

329
00:15:43,511 --> 00:15:46,558
It's like you're on a long,
familiar walk,

330
00:15:46,558 --> 00:15:51,317
a walk through the most
comfortable place you know.

331
00:15:51,317 --> 00:15:52,821
Inhale.

332
00:15:52,821 --> 00:15:56,494
Two, three, four.

333
00:15:56,494 --> 00:16:00,962
Now you're on that familiar,
comfortable walk.

334
00:16:00,962 --> 00:16:02,924
Picture it in your mind

335
00:16:02,924 --> 00:16:07,349
as you walk deeper through it.

336
00:16:07,349 --> 00:16:09,395
Exhale.

337
00:16:09,395 --> 00:16:11,567
[voice fading]
Two, three, four.

338
00:16:11,567 --> 00:16:13,236
[thunder booming]

339
00:16:13,236 --> 00:16:14,865
MCKENNA:
Hello?

340
00:16:14,865 --> 00:16:18,413
[rain pattering]

341
00:16:18,413 --> 00:16:20,835
[whooshing sounds]

342
00:16:20,835 --> 00:16:23,298
[eerie music]

343
00:16:23,298 --> 00:16:25,302
Hello?

344
00:16:32,107 --> 00:16:35,113
[floor creaking]

345
00:16:45,551 --> 00:16:48,557
[hissing sounds]

346
00:16:52,147 --> 00:16:59,161
♪ ♪

347
00:17:03,294 --> 00:17:06,300
[insects chittering loudly]

348
00:17:10,225 --> 00:17:11,853
‐ Hey, about Isaac‐‐

349
00:17:11,853 --> 00:17:13,983
I'm sorry things
went down like that.

350
00:17:13,983 --> 00:17:16,697
‐ You mean,
like how you planned it?

351
00:17:16,697 --> 00:17:18,742
ALEX: What do you mean?
‐ Please.

352
00:17:18,742 --> 00:17:22,667
There are three people
who could've sent
that recording to Isaac‐‐

353
00:17:22,667 --> 00:17:25,338
I mean, you, Trey, or McKenna,
and let's face it.

354
00:17:25,338 --> 00:17:27,134
We haven't been
the best of friends, have we?

355
00:17:27,134 --> 00:17:29,430
‐ You think it was me?

356
00:17:29,430 --> 00:17:31,475
Why would I go with you
to Isaac's if‐‐

357
00:17:31,475 --> 00:17:32,895
Dude, slow down.
There's a curve.

358
00:17:32,895 --> 00:17:34,941
‐ I know there's a curve.
Calm down.

359
00:17:34,941 --> 00:17:37,655
[brake clunking]

360
00:17:37,655 --> 00:17:40,368
My brakes aren't working.
They're not working.

361
00:17:40,368 --> 00:17:42,372
‐ That's not freaking funny,
Violet.

362
00:17:42,372 --> 00:17:43,834
‐ No.

363
00:17:43,834 --> 00:17:45,253
‐ Oh, my God.

364
00:17:45,253 --> 00:17:49,094
[tires screeching]

365
00:17:49,094 --> 00:17:50,514
BOTH:
[scream]

366
00:17:55,608 --> 00:17:58,614
[soft dramatic music]

367
00:17:58,614 --> 00:18:01,662
♪ ♪

368
00:18:01,662 --> 00:18:04,416
‐ [gasps]

369
00:18:04,416 --> 00:18:06,713
[whimpers]

370
00:18:06,713 --> 00:18:10,971
[hyperventilating]

371
00:18:10,971 --> 00:18:14,269
[whimpers]
Violet?

372
00:18:14,269 --> 00:18:17,275
[whimpering]

373
00:18:21,367 --> 00:18:22,787
[belt whirrs]

374
00:18:22,787 --> 00:18:24,541
[gags]

375
00:18:24,541 --> 00:18:27,755
[suspenseful music]

376
00:18:27,755 --> 00:18:30,845
‐ [exhales]

377
00:18:30,845 --> 00:18:32,849
[neck cracks]
[groans]

378
00:18:32,849 --> 00:18:39,863
♪ ♪

379
00:18:50,718 --> 00:18:52,471
[grunts]

380
00:18:52,471 --> 00:18:55,477
BOTH:
[panting]

381
00:18:58,901 --> 00:19:01,907
[soft dramatic music]

382
00:19:01,907 --> 00:19:07,417
♪ ♪

383
00:19:07,417 --> 00:19:09,631
ALEX: I thought you were dead.

384
00:19:09,631 --> 00:19:12,512
‐ I wa‐‐I was.

385
00:19:12,512 --> 00:19:15,851
‐ Like in the cabin
when you died and came back?

386
00:19:15,851 --> 00:19:17,897
But that's because
we were still in the game‐‐

387
00:19:17,897 --> 00:19:21,070
‐ It wasn't how I was supposed
to die, and neither is this.

388
00:19:21,070 --> 00:19:24,911
But you were‐‐you were choking.

389
00:19:28,502 --> 00:19:31,633
We're still cursed.

390
00:19:36,852 --> 00:19:38,605
TREY:
I know it's crazy.

391
00:19:38,605 --> 00:19:41,736
You can see why Alex
probably didn't wanna tell you.

392
00:19:41,736 --> 00:19:44,199
‐ Yeah.

393
00:19:44,199 --> 00:19:47,330
‐ But you believe me, right?

394
00:19:47,330 --> 00:19:51,548
‐ I believe that
you guys believe.

395
00:19:51,548 --> 00:19:53,388
TREY: Look,
I know this all sounds...

396
00:19:53,388 --> 00:19:55,427
[phone ringing]

397
00:19:57,602 --> 00:19:59,814
Hey, I was just...

398
00:19:59,814 --> 00:20:02,485
Wait, what?

399
00:20:02,485 --> 00:20:04,323
Okay, I'll be right there.

400
00:20:04,323 --> 00:20:05,659
‐ [stammers]
What is it?

401
00:20:05,659 --> 00:20:07,078
‐ Alex just got into
an accident.

402
00:20:07,078 --> 00:20:09,291
We have to get there right now.

403
00:20:12,213 --> 00:20:14,802
‐ How are we feeling?

404
00:20:19,353 --> 00:20:21,858
‐ Um...

405
00:20:21,858 --> 00:20:24,321
I'm okay.

406
00:20:24,321 --> 00:20:27,243
And I saw a couple flashes‐‐

407
00:20:27,243 --> 00:20:29,414
leaving Isaac's party,

408
00:20:29,414 --> 00:20:31,836
trying to get home,
but, uh, that's it.

409
00:20:31,836 --> 00:20:34,299
That's really
all I can remember.

410
00:20:34,299 --> 00:20:37,515
‐ If you wanna try again,
you can come by whenever‐‐

411
00:20:37,515 --> 00:20:40,478
‐ I think one time's enough.

412
00:20:40,478 --> 00:20:42,692
Thanks.

413
00:20:42,692 --> 00:20:44,904
‐ All good?

414
00:20:44,904 --> 00:20:46,783
‐ Yes.
We're done.

415
00:20:46,783 --> 00:20:50,498
I have more of that tea for
the ride back, if you want it.

416
00:20:50,498 --> 00:20:53,630
[foreboding music]

417
00:20:53,630 --> 00:20:57,763
♪ ♪

418
00:20:57,763 --> 00:21:00,519
SAMMI: Thank you.
You ready?

419
00:21:00,519 --> 00:21:03,065
‐ Yeah.

420
00:21:03,065 --> 00:21:04,484
Um, actually,

421
00:21:04,484 --> 00:21:06,656
you know,
I can drive if you want.

422
00:21:06,656 --> 00:21:07,992
I mean,
you drove all the way here.

423
00:21:07,992 --> 00:21:10,789
It's the least I could do.

424
00:21:10,789 --> 00:21:12,918
‐ Uh, yeah.
Cool with me.

425
00:21:12,918 --> 00:21:14,337
‐ Cool.

426
00:21:14,337 --> 00:21:17,343
Oh, love that band.

427
00:21:24,525 --> 00:21:26,988
[car whirring]

428
00:21:26,988 --> 00:21:29,451
‐ Alex?

429
00:21:29,451 --> 00:21:31,371
Are you okay?

430
00:21:31,371 --> 00:21:34,002
‐ Yeah, thanks for coming.
I didn't wanna call my parents.

431
00:21:34,002 --> 00:21:36,006
[car door slams]

432
00:21:36,006 --> 00:21:38,469
Peri?

433
00:21:38,469 --> 00:21:40,933
What are you doing here?

434
00:21:40,933 --> 00:21:42,978
‐ Trey told me everything.

435
00:21:42,978 --> 00:21:44,857
‐ By everything, you mean‐‐
‐ The curse, the game‐‐

436
00:21:44,857 --> 00:21:47,905
I know everything about it.

437
00:21:47,905 --> 00:21:50,368
‐ You had no right‐‐
‐ Yeah, but I made him tell me.

438
00:21:50,368 --> 00:21:52,455
[indistinct radio chatter]

439
00:21:52,455 --> 00:21:54,000
And I'm sorry
I went behind your back,

440
00:21:54,000 --> 00:21:57,257
but I'm not sorry that
I'm here right now.

441
00:21:57,257 --> 00:21:59,010
‐ [voice shaking] I wanted
to tell you everything.

442
00:21:59,010 --> 00:22:01,223
‐ Shh, I know, I know.
‐ I really did.

443
00:22:01,223 --> 00:22:04,856
I just thought it was
the only way to keep you safe.

444
00:22:04,856 --> 00:22:07,736
Turns out, I don't know
how to do that for myself.

445
00:22:07,736 --> 00:22:11,118
‐ But... you are safe.

446
00:22:11,118 --> 00:22:14,499
I mean, you're not
in the game anymore, right?

447
00:22:14,499 --> 00:22:15,919
‐ That's what we all thought,

448
00:22:15,919 --> 00:22:19,134
but when we crashed,

449
00:22:19,134 --> 00:22:22,558
I saw Violet die and come back,

450
00:22:22,558 --> 00:22:25,438
just like when
I electrocuted her.

451
00:22:25,438 --> 00:22:27,526
The EMTs kept saying
it's a miracle that

452
00:22:27,526 --> 00:22:29,530
she walked
out of that car alive.

453
00:22:29,530 --> 00:22:31,784
And if it weren't for Violet,

454
00:22:31,784 --> 00:22:33,580
I'd be dead too.

455
00:22:33,580 --> 00:22:36,168
‐ Wait.
You were choking?

456
00:22:36,168 --> 00:22:38,548
‐ Wait, what does that mean?

457
00:22:38,548 --> 00:22:40,969
‐ [exhales shakily]
I don't know.

458
00:22:40,969 --> 00:22:43,098
[stammers] I might not be
in this round of the game,

459
00:22:43,098 --> 00:22:46,981
but I guess that's still
how I'm supposed to die.

460
00:22:46,981 --> 00:22:49,987
[soft dramatic music]

461
00:22:49,987 --> 00:22:51,323
♪ ♪

462
00:22:51,323 --> 00:22:53,703
Last chance to run.

463
00:22:53,703 --> 00:22:57,210
‐ No way.

464
00:22:57,210 --> 00:22:59,548
But promise me‐‐

465
00:22:59,548 --> 00:23:03,097
no more secrets, okay?

466
00:23:03,097 --> 00:23:04,850
‐ Deal.
Yeah.

467
00:23:04,850 --> 00:23:06,604
[laughs softly]

468
00:23:09,694 --> 00:23:10,988
[tires squeal]

469
00:23:10,988 --> 00:23:12,908
[engine whirring]

470
00:23:12,908 --> 00:23:14,870
[gear cranks,
engine shuts off]

471
00:23:14,870 --> 00:23:16,373
‐ Where are we?

472
00:23:16,373 --> 00:23:19,505
‐ Oh, the navigation froze.

473
00:23:19,505 --> 00:23:21,801
I just have to reset it.

474
00:23:23,972 --> 00:23:27,228
You okay?
You seem tired.

475
00:23:27,228 --> 00:23:29,734
‐ Yeah, I guess I am.

476
00:23:29,734 --> 00:23:32,656
‐ More tea?
Might help you stay up.

477
00:23:39,920 --> 00:23:42,216
‐ [sighs]
You know,

478
00:23:42,216 --> 00:23:45,932
kinda wish I stuck around
for your hypnosis.

479
00:23:45,932 --> 00:23:49,690
I would've asked
a few questions myself.

480
00:23:49,690 --> 00:23:51,318
‐ Like?
SAMMI: Mm.

481
00:23:51,318 --> 00:23:53,990
Like, why me?

482
00:23:53,990 --> 00:23:56,244
Why...

483
00:23:56,244 --> 00:23:59,250
Why'd you drag me
into all this?

484
00:23:59,250 --> 00:24:02,048
‐ I don't know.

485
00:24:02,048 --> 00:24:05,764
I guess you were just... there.

486
00:24:05,764 --> 00:24:08,268
‐ [scoffs]

487
00:24:08,268 --> 00:24:11,191
Wrong place, wrong time, huh?

488
00:24:11,191 --> 00:24:12,820
[sighs]

489
00:24:12,820 --> 00:24:16,661
Mm, story of my life.

490
00:24:16,661 --> 00:24:18,497
‐ Sammi?

491
00:24:18,497 --> 00:24:25,010
♪ ♪

492
00:24:25,010 --> 00:24:27,390
[sighs]

493
00:24:27,390 --> 00:24:30,396
[crickets chirping]

494
00:24:31,983 --> 00:24:35,448
[tense haunting music]

495
00:24:35,448 --> 00:24:38,621
SINGER:
♪ Ooh, ooh, ooh ♪

496
00:24:38,621 --> 00:24:42,044
♪ Ooh ♪

497
00:24:42,044 --> 00:24:44,382
♪ ♪

498
00:24:44,382 --> 00:24:47,096
[van door clicks]

499
00:24:57,826 --> 00:25:00,999
[foreboding musical chord]

500
00:25:00,999 --> 00:25:03,505
TREY:
Hey, Mack.

501
00:25:03,505 --> 00:25:05,509
I've been trying
to call you guys.

502
00:25:05,509 --> 00:25:07,303
Where's Sammi?

503
00:25:07,303 --> 00:25:09,474
McKenna.

504
00:25:09,474 --> 00:25:13,106
Where's Sammi?

505
00:25:13,106 --> 00:25:15,152
Hey, you okay?
What's going on?

506
00:25:17,406 --> 00:25:19,703
McKenna, you're really
starting to freak me out.

507
00:25:19,703 --> 00:25:21,122
Just tell me what's going on.

508
00:25:21,122 --> 00:25:24,003
‐ I'm sorry, Trey.

509
00:25:24,003 --> 00:25:26,424
But I had to do it.
I had to.

510
00:25:26,424 --> 00:25:29,974
‐ You had to do what?
What did you do?

511
00:25:29,974 --> 00:25:31,519
‐ She‐‐she wasn't gonna
do it herself.

512
00:25:31,519 --> 00:25:32,771
I had to do it for her.

513
00:25:32,771 --> 00:25:35,067
‐ Do what for who?
For Sammi?

514
00:25:35,067 --> 00:25:36,821
‐ For McKenna.

515
00:25:36,821 --> 00:25:38,658
[UNSECRET's
Vendetta plays]

516
00:25:38,658 --> 00:25:42,498
‐ McKenna?

517
00:25:42,498 --> 00:25:45,379
SINGER: ♪ Fool me once
and it's shame on me ♪

518
00:25:45,379 --> 00:25:48,218
♪ But you know you better
tread carefully ♪

519
00:25:48,218 --> 00:25:51,892
♪ Fool me twice,
I'm your enemy ♪

520
00:25:51,892 --> 00:25:54,105
‐ Jennie?
SINGER: ♪ Your enemy ♪

521
00:25:54,105 --> 00:25:57,738
♪ ♪

522
00:25:57,738 --> 00:25:59,783
[keypad beeping, line ringing]

523
00:25:59,783 --> 00:26:02,789
[ominous music]

524
00:26:02,789 --> 00:26:08,383
♪ ♪

525
00:26:08,383 --> 00:26:11,014
[phone vibrating]

526
00:26:11,014 --> 00:26:13,853
SINGER:
♪ If you push ♪

527
00:26:13,853 --> 00:26:16,776
♪ I push back ♪

528
00:26:16,776 --> 00:26:19,657
♪ Try to hide ♪

529
00:26:19,657 --> 00:26:23,038
♪ But I'll hunt you down
like a maniac ♪

530
00:26:23,038 --> 00:26:25,042
♪ Down ♪

531
00:26:25,042 --> 00:26:28,215
♪ You'll go down ♪

532
00:26:28,215 --> 00:26:31,179
♪ So if you hide ♪

533
00:26:31,179 --> 00:26:34,394
♪ I'm gonna hunt you down ♪

534
00:26:34,394 --> 00:26:36,398
♪ Run ♪

535
00:26:36,398 --> 00:26:39,237
♪ You better run ♪

536
00:26:39,237 --> 00:26:42,076
♪ Vendetta, run ♪

537
00:26:42,076 --> 00:26:44,915
♪ You better ♪

538
00:26:44,915 --> 00:26:47,754
♪ Vendetta, run ♪

539
00:26:47,754 --> 00:26:50,760
♪ You better run ♪

540
00:26:50,760 --> 00:26:53,683
♪ Vendetta, run ♪

541
00:26:53,683 --> 00:26:56,522
♪ You better ♪

542
00:26:56,522 --> 00:26:58,150
♪ Vendetta ♪

543
00:26:58,150 --> 00:27:05,164
♪ ♪

544
00:27:05,665 --> 00:27:07,669
[bright tone]