1 00:00:12,400 --> 00:00:14,133 PREVIOUSLY ON... 2 00:00:14,167 --> 00:00:16,633 I HAVE ANOTHER CHILD, LYNETTE. 3 00:00:16,667 --> 00:00:18,433 (Carlos) YOU'RE THE ONE THAT GAVE ME PERMISSION, REMEMBER? 4 00:00:18,467 --> 00:00:20,233 (Gabrielle) NOT TO SLEEP WITH THE WOMAN 5 00:00:20,267 --> 00:00:22,733 WHO'S CARRYING OUR CHILD! FOR SOME, LOVE WILL WITHER... 6 00:00:22,767 --> 00:00:26,167 (Bree) DO I KNOW YOU? ORSON HODGE, SUSAN'S DENTIST FRIEND. 7 00:00:26,200 --> 00:00:28,633 WHILE OTHERS WILL WAIT FOR LOVE. 8 00:00:28,667 --> 00:00:31,500 FOR OTHERS, NEW LOVE WILL BLOOM... 9 00:00:36,633 --> 00:00:39,200 THAT MAY NEVER ARRIVE. 10 00:00:42,367 --> 00:00:44,700 (Mary Alice) SOMETHING AWFUL HAPPENED 11 00:00:44,733 --> 00:00:46,800 ON LAKE VIEW DRIVE LAST YEAR. 12 00:00:46,833 --> 00:00:50,500 TO UNDERSTAND WHY, YOU NEED TO KNOW 13 00:00:50,533 --> 00:00:52,633 THAT WHEN ALMA HODGE AWOKE THAT MORNING, 14 00:00:52,667 --> 00:00:55,333 SHE HAD NO IDEA THIS WOULD BE THE DAY 15 00:00:55,367 --> 00:00:56,667 SHE'D LEAVE HER HUSBAND. 16 00:00:56,700 --> 00:00:59,767 CERTAINLY, IT BEGAN NORMALLY ENOUGH. 17 00:00:59,800 --> 00:01:04,133 SHE PUT AWAY THE GROCERIES PER HIS INSTRUCTIONS. 18 00:01:04,167 --> 00:01:09,200 SHE HUNG HIS DRY CLEANING EXACTLY AS HE HAD REQUESTED. 19 00:01:09,233 --> 00:01:14,200 SHE FOLDED THE TOWELS JUST AS HE HAD TAUGHT HER. 20 00:01:14,233 --> 00:01:18,600 IT WAS JUST BEFORE NOON... 21 00:01:18,633 --> 00:01:22,233 MAMA LOVES HER BABY. DOES THE BABY LOVE MAMA? 22 00:01:22,267 --> 00:01:23,267 MAMA! 23 00:01:23,300 --> 00:01:25,600 SOMETHING INSIDE ALMA BROKE, 24 00:01:25,633 --> 00:01:28,533 AND SHE DECIDED IT WAS TIME... 25 00:01:28,567 --> 00:01:31,433 TO FLY AWAY. 26 00:01:31,467 --> 00:01:35,533 OF COURSE, SHE KNEW BETTER THAN TO SAY THIS TO HER HUSBAND. 27 00:01:35,567 --> 00:01:37,700 HE THOUGHT ALMA WAS HAPPY, 28 00:01:37,733 --> 00:01:42,733 AND ORSON HODGE DID NOT LIKE TO BE CONTRADICTED. 29 00:01:42,767 --> 00:01:45,767 SO SHE WAITED TILL HE LEFT FOR WORK, 30 00:01:45,800 --> 00:01:48,233 AND THEN... 31 00:01:53,233 --> 00:01:55,233 OH! 32 00:01:55,267 --> 00:01:58,767 (squawks) 33 00:02:06,100 --> 00:02:09,633 BABY, YOU GOTTA COME DOWN NOW. MAMA'S IN A HURRY. 34 00:02:09,667 --> 00:02:11,500 HURRY! HURRY! 35 00:02:13,067 --> 00:02:15,833 IF YOU DON'T GET BACK IN YOUR CAGE RIGHT NOW, 36 00:02:15,867 --> 00:02:18,067 I'M GONNA HAVE TO LEAVE YOU BEHIND. PLEASE! 37 00:02:19,767 --> 00:02:21,400 (gasps) 38 00:02:28,400 --> 00:02:30,700 (squawks) 39 00:02:36,867 --> 00:02:41,400 THE NEXT DAY, CAROLYN BIGSBY STOPPED BY, 40 00:02:41,433 --> 00:02:43,600 AND LIKE MOST NOSY NEIGHBORS, 41 00:02:43,633 --> 00:02:45,633 SHE KNEW YOU LEARNED MORE 42 00:02:45,667 --> 00:02:47,600 IF YOU DIDN'T KNOCK. 43 00:02:47,633 --> 00:02:51,200 ALMA? ARE YOU HOME? 44 00:02:53,833 --> 00:02:55,367 CAROLYN? 45 00:02:55,400 --> 00:02:57,300 I'M JUST LOOKING FOR ALMA. 46 00:02:57,333 --> 00:03:00,400 WE HAD A COFFEE DATE THIS MORNING. SHE NEVER SHOWED. 47 00:03:00,433 --> 00:03:04,200 UH, ALMA LEFT YESTERDAY. 48 00:03:04,233 --> 00:03:05,700 LEFT? 49 00:03:05,733 --> 00:03:07,700 WE HAD A BIT OF A ROW. 50 00:03:07,733 --> 00:03:10,833 OH. HARVEY AND I THOUGHT WE HEARD SOME RAISED VOICES. 51 00:03:10,867 --> 00:03:13,467 SO WHERE'D SHE GO? 52 00:03:13,500 --> 00:03:15,767 DON'T KNOW, BUT I WOULDN'T WORRY ABOUT IT. 53 00:03:15,800 --> 00:03:17,333 I'M SURE SHE'S FINE. 54 00:03:17,367 --> 00:03:19,067 (parrot) ORSON, NO! 55 00:03:22,100 --> 00:03:24,200 ORSON, NO! 56 00:03:26,100 --> 00:03:27,567 (parrot squawking) 57 00:03:29,267 --> 00:03:31,800 SO IF I HEAR FROM ALMA, 58 00:03:31,833 --> 00:03:34,600 I'LL LET HER KNOW THAT YOU DROPPED BY. 59 00:03:44,300 --> 00:03:46,200 YES, ORSON HODGE WAS A MAN 60 00:03:46,233 --> 00:03:50,167 WHO DID NOT LIKE TO BE CONTRADICTED... 61 00:03:51,767 --> 00:03:53,767 BY ANYONE. 62 00:04:01,700 --> 00:04:05,233 IT DOESN'T RAIN VERY OFTEN IN THE TOWN OF FAIRVIEW, 63 00:04:05,267 --> 00:04:07,333 BUT WHEN IT DOES, 64 00:04:07,367 --> 00:04:09,500 IT POURS. 65 00:04:09,533 --> 00:04:13,333 IT WAS ON JUST SUCH A DAY THAT BREE VAN DE KAMP 66 00:04:13,367 --> 00:04:17,733 WENT ON HER FIRST DATE WITH HER NEW FRIEND ORSON HODGE-- 67 00:04:17,767 --> 00:04:22,133 A DATE THAT ENDED WITH A KISS IN THE RAIN. 68 00:04:22,167 --> 00:04:25,667 THIS OCCURRED JUST AS GABRIELLE SOLIS WAS CONFERRING 69 00:04:25,700 --> 00:04:27,700 WITH HER NEW DIVORCE LAWYER 70 00:04:27,733 --> 00:04:29,733 AND DESCRIBING IN VIVID DETAIL 71 00:04:29,767 --> 00:04:33,100 HER HUSBAND'S AFFAIR WITH THEIR MAID, 72 00:04:33,133 --> 00:04:36,733 WHO ALSO HAPPENED TO BE THEIR SURROGATE. 73 00:04:36,767 --> 00:04:39,433 MEANWHILE... 74 00:04:39,467 --> 00:04:41,367 LYNETTE SCAVO WAS BUSY MEETING 75 00:04:41,400 --> 00:04:44,567 HER HUSBAND'S ILLEGITIMATE DAUGHTER... 76 00:04:44,600 --> 00:04:46,500 HERE, YOU CAN HAVE THIS. 77 00:04:46,533 --> 00:04:51,433 WHILE RESISTING THE URGE TO STRANGLE THE GIRL'S MOTHER. 78 00:04:51,467 --> 00:04:54,700 THIS HAPPENED JUST AFTER SUSAN MAYER LEARNED 79 00:04:54,733 --> 00:04:57,267 MIKE DELFINO HAD BEEN BADLY INJURED 80 00:04:57,300 --> 00:04:59,767 IN A HIT-AND-RUN ACCIDENT 81 00:04:59,800 --> 00:05:03,767 AND WAS NOW IN A COMA AT FAIRVIEW MEMORIAL HOSPITAL. 82 00:05:03,800 --> 00:05:06,267 AT THAT SAME MOMENT, 83 00:05:06,300 --> 00:05:09,067 EDIE BRITT WAS PUTTING UP A "FOR SALE" SIGN 84 00:05:09,067 --> 00:05:12,733 ON THE LAWN OF THE HOUSE WHERE I ONCE LIVED. 85 00:05:12,767 --> 00:05:15,300 EDIE HAD ALSO PLANNED TO SPRUCE UP THE PROPERTY 86 00:05:15,333 --> 00:05:18,200 BY WASHING DOWN THE DRIVEWAY. 87 00:05:18,233 --> 00:05:20,133 BUT SHE WAS PLEASED TO SEE 88 00:05:20,167 --> 00:05:23,333 THE RAIN HAD ALREADY TAKEN CARE OF THAT. 89 00:05:23,367 --> 00:05:27,067 THIS IS WHAT RAINY DAYS ARE GOOD FOR. 90 00:05:27,100 --> 00:05:30,100 THEY MAKE EVERYTHING CLEAN AGAIN, 91 00:05:30,133 --> 00:05:35,467 WHICH IS NECESSARY ON A STREET LIKE WISTERIA LANE... 92 00:05:35,500 --> 00:05:40,800 WHERE EVERYTHING CAN GET SO MESSY. 93 00:05:44,100 --> 00:05:47,167 (thunder crashes) 94 00:05:56,433 --> 00:06:00,633 WELCOME, WELCOME. OH. 95 00:06:00,667 --> 00:06:03,300 DON'T WORRY ABOUT THE WATER. THE FLOORS ARE LAMINATED. 96 00:06:03,333 --> 00:06:05,200 HERE'S A FLYER. 97 00:06:05,233 --> 00:06:06,433 (Mrs. McCluskey) AND THEN THE POLICE 98 00:06:06,467 --> 00:06:08,500 FOUND HER SEVERED FINGERS IN THE GARAGE. (woman) OH, NO! 99 00:06:08,533 --> 00:06:10,433 AND THEY NEVER FOUND FELICIA'S BODY. 100 00:06:10,467 --> 00:06:13,100 I WOULDN'T BE SURPRISED IF SOMEDAY YOU OPENED A CABINET, 101 00:06:13,133 --> 00:06:14,600 AND... HELLO! 102 00:06:14,633 --> 00:06:17,067 KAREN, DEAR. HAVE YOU SEEN THE MARBLE BACKSPLASH? 103 00:06:17,100 --> 00:06:20,500 OH, I JUST MUST SHOW IT TO YOU. EXCUSE US. 104 00:06:20,533 --> 00:06:23,400 WHAT ARE YOU TRYING TO DO TO ME, YOU BACKSTABBING COW? 105 00:06:23,433 --> 00:06:25,333 THEY ASKED WHY THE OWNER WAS SELLING. 106 00:06:25,367 --> 00:06:29,133 I TOLD THEM THAT PAUL YOUNG WAS IN JAIL. THEY ASKED WHY. 107 00:06:29,167 --> 00:06:30,300 CONVERSATION HAS A FLOW. 108 00:06:30,333 --> 00:06:32,067 WELL, KNOCK IT OFF. 109 00:06:32,067 --> 00:06:34,133 I'VE BEEN TRYING TO UNLOAD THIS HOUSE OF HORRORS 110 00:06:34,167 --> 00:06:36,700 FOR MONTHS NOW, AND YOU ARE NOT HELPING. 111 00:06:36,733 --> 00:06:39,133 AH-AH-AH! THOSE ARE FOR POTENTIAL BUYERS, 112 00:06:39,167 --> 00:06:40,533 YOU WITHERED OLD MOOCH. 113 00:06:40,567 --> 00:06:42,467 GOOD LUCK TRYING TO FIND ONE OF THOSE. 114 00:06:42,500 --> 00:06:45,367 MAYBE YOU'LL HAVE AN EASIER TIME WITH THE APPLEWHITE HOUSE 115 00:06:45,400 --> 00:06:47,300 AND THAT REC ROOM IN THE BASEMENT. 116 00:06:47,333 --> 00:06:48,800 GET OUT. GET OUT. 117 00:06:48,833 --> 00:06:51,700 GET OUT, GET OUT, GET OUT! 118 00:06:51,733 --> 00:06:53,633 (man) EDIE, UH, DO YOU HAVE A MOMENT? 119 00:06:53,667 --> 00:06:55,667 YES, YES, YES, YES. 120 00:06:58,100 --> 00:06:59,167 (boy) YEAH! YEAH! 121 00:06:59,200 --> 00:07:00,300 GUYS. 122 00:07:00,333 --> 00:07:01,267 SETTLE DOWN. 123 00:07:01,300 --> 00:07:03,633 (boy) COME ON! 124 00:07:03,667 --> 00:07:04,733 IS KAYLA READY YET? 125 00:07:04,767 --> 00:07:06,433 (Nora) JUST A SEC. 126 00:07:06,467 --> 00:07:08,367 (lowers voice) HONEY, THANK YOU FOR THIS. 127 00:07:08,400 --> 00:07:10,533 I KNOW IT'S A LITTLE WEIRD, I MEAN, TO SEND OUT 128 00:07:10,567 --> 00:07:13,300 A FAMILY CHRISTMAS PHOTO WITH YOUR HUSBAND'S LOVE CHILD, 129 00:07:13,333 --> 00:07:16,300 BUT IT MEANS A LOT TO HER TO FEEL INCLUDED. NO PROBLEM. SHE'S A GREAT LITTLE GIRL. 130 00:07:16,333 --> 00:07:19,133 OKAY? ALL RIGHT, LET'S DO THIS. 131 00:07:19,167 --> 00:07:23,167 I AM JUST GOING TO, UM, CHECK THE FOCUS. 132 00:07:24,367 --> 00:07:26,200 NORA. 133 00:07:26,233 --> 00:07:27,833 LYNETTE. 134 00:07:27,867 --> 00:07:31,167 (chuckles nervously) WHAT ARE YOU DOING THERE? 135 00:07:31,200 --> 00:07:34,500 WELL, IT'S A FAMILY PHOTO, RIGHT? 136 00:07:34,533 --> 00:07:39,667 TOM, COULD I--COULD I-- COULD I CHECK YOUR TIE AGAIN? 137 00:07:39,700 --> 00:07:42,400 SHE SAT DOWN SO QUICKLY, I DIDN'T KNOW WHAT TO SAY. 138 00:07:42,433 --> 00:07:44,767 HOW ABOUT, "YOU'RE IN THE FRAME, BITCH. MOVE"? 139 00:07:44,800 --> 00:07:46,167 LYNETTE... 140 00:07:46,200 --> 00:07:47,733 NO, I AM SORRY. 141 00:07:47,767 --> 00:07:50,200 HOW MUCH OF HER CRAP DO I HAVE TO PUT UP WITH? 142 00:07:50,233 --> 00:07:52,067 FIRST, IT'S THE LITTLE DROP-BYS. 143 00:07:52,067 --> 00:07:54,500 THEN SHE'S INVITING HERSELF TO DINNER THREE TIMES A WEEK. 144 00:07:54,533 --> 00:07:56,400 NOW SHE WANTS TO BE IN OUR CHRISTMAS PHOTO? 145 00:07:56,433 --> 00:07:58,467 I'M SORRY. NO, THAT'S NOT HAPPENING. HEY, GUYS. 146 00:07:58,500 --> 00:08:00,633 DON'T FIGHT. IT'S THE HOLIDAYS. 147 00:08:02,700 --> 00:08:06,267 NORA... THIS IS JUST FOR OUR FAMILY. 148 00:08:06,300 --> 00:08:09,500 I WOULD PREFER IF YOU WEREN'T IN IT. 149 00:08:11,667 --> 00:08:13,067 OH. 150 00:08:14,633 --> 00:08:16,733 OKAY. 151 00:08:16,767 --> 00:08:21,833 KAYLA, HONEY, WE GOTTA GO. THEY'RE KICKING US OUT. 152 00:08:21,867 --> 00:08:24,733 WE DIDN'T SAY THAT KAYLA COULDN'T BE IN IN THE PHOTO. 153 00:08:24,767 --> 00:08:26,267 YEAH, WELL, YOU KNOW WHAT? 154 00:08:26,300 --> 00:08:29,267 I'M I'M NOT YOUR FAMILY, THEN SHE'S NOT YOUR FAMILY. 155 00:08:32,367 --> 00:08:35,333 IT'S OKAY. I DON'T HAVE TO BE IN THE PICTURE. 156 00:08:36,600 --> 00:08:38,800 FINE! 157 00:08:38,833 --> 00:08:40,667 FINE. NO, ABSOLUTELY FINE. 158 00:08:40,700 --> 00:08:42,600 (lowers voice) PUT CRAZY AT THE END, 159 00:08:42,633 --> 00:08:44,300 AND WE CAN CROP HER OUT LATER. 160 00:08:44,333 --> 00:08:46,267 FAIR ENOUGH. FAIR ENOUGH. HEY, EVERYTHING'S OKAY. 161 00:08:46,300 --> 00:08:49,267 IT'S OKAY. COME ON, GUYS. COME ON BACK. 162 00:08:49,300 --> 00:08:51,200 (Nora) THANK YOU, LYNETTE. 163 00:08:51,233 --> 00:08:54,733 BACK TO THE CHRISTMAS SPIRIT THAT I WAS LOOKING FOR. 164 00:08:54,767 --> 00:08:56,733 TEN SECONDS! 165 00:08:56,767 --> 00:09:00,233 (camera beeping) 166 00:09:01,567 --> 00:09:03,133 (sighs) I THINK THIS IS A LITTLE STIFF. 167 00:09:03,167 --> 00:09:05,667 I HAVE A REALLY FUN IDEA. (giggles) 168 00:09:05,700 --> 00:09:07,300 (gasps) (boys) UGH! 169 00:09:07,333 --> 00:09:09,467 (camera shutter clicks) 170 00:09:15,433 --> 00:09:17,400 WHERE ARE MY CRACKERS? 171 00:09:17,433 --> 00:09:20,633 WE'RE OUT, BUT I GOT YOU A PICKLE. 172 00:09:20,667 --> 00:09:23,567 PICKLES AND SOUP? WHO EATS THAT? 173 00:09:23,600 --> 00:09:24,833 YOU KNOW, THAT'S ALL I GOT. 174 00:09:24,867 --> 00:09:27,233 EVER HEARD OF A STORE? 175 00:09:32,400 --> 00:09:34,600 YOU DID NOT JUST DO THAT. 176 00:09:34,633 --> 00:09:37,100 I HATE PICKLES. PICK IT UP. 177 00:09:37,133 --> 00:09:39,800 DOCTOR SAY I ONLY GET OUT OF BED TO PEE. 178 00:09:39,833 --> 00:09:44,133 BETTER FOR BABY, REMEMBER? 179 00:09:49,700 --> 00:09:51,500 DON'T GO. 180 00:09:51,533 --> 00:09:55,600 I NEED YOU TO RUB MY FEET. THEY'RE SORE, AND DOCTOR SAY-- 181 00:09:55,633 --> 00:09:58,500 OH, CUT IT OUT, XIAO-MEI. THE DOCTOR DIDN'T SAY ANYTHING 182 00:09:58,533 --> 00:10:00,433 ABOUT RUBBING YOUR CHUBBY STUMPS. 183 00:10:00,467 --> 00:10:02,133 RUB 'EM YOURSELF. 184 00:10:02,167 --> 00:10:04,833 YOU TREAT ME LIKE DIRT. 185 00:10:04,867 --> 00:10:09,300 WOULD YOU RATHER GO LIVE WITH MR. SOLIS 186 00:10:09,333 --> 00:10:11,233 IN A DINGY ONE-BEDROOM APARTMENT 187 00:10:11,267 --> 00:10:15,100 WITH NO AIR CONDITIONING AND NO CABLE, HUH? 188 00:10:15,133 --> 00:10:18,367 NO, I DIDN'T THINK SO. 189 00:10:18,400 --> 00:10:20,200 YOU ARE MEANEST PERSON I KNOW. 190 00:10:20,233 --> 00:10:22,133 I AM THE MEANEST PERSON. 191 00:10:22,167 --> 00:10:24,067 YOU'VE BEEN IN THIS COUNTRY A YEAR. 192 00:10:24,100 --> 00:10:26,133 MODIFY YOUR NOUNS, DAMN IT! 193 00:10:26,167 --> 00:10:29,033 WHAT... A... BITCH. 194 00:10:32,400 --> 00:10:35,467 I CAN'T WAIT FOR YOU TO POP OUT THAT BABY, 195 00:10:35,500 --> 00:10:36,833 BECAUSE WHEN YOU DO, 196 00:10:36,867 --> 00:10:39,600 I AM PUTTING YOU ON THE FIRST PLANE BACK TO SHANGHAI, 197 00:10:39,633 --> 00:10:42,700 AND YOU'RE GONNA BE ON ALL FOURS IN A RICE PADDY 198 00:10:42,733 --> 00:10:44,567 BEFORE THE EPIDURAL WEARS OFF! 199 00:10:44,600 --> 00:10:48,167 BUT YOU PROMISED TO GET ME APARTMENT IN CHINATOWN, 200 00:10:48,200 --> 00:10:51,367 SO I CAN WORK FOR MY FRIEND IN RESTAURANT, START A NEW LIFE. 201 00:10:51,400 --> 00:10:54,233 TELL IT TO MY CHINESE FRIEND-- 202 00:10:54,267 --> 00:10:56,167 SUE ME! 203 00:11:05,300 --> 00:11:07,567 YOU KNOW, WE DO HAVE PEOPLE HERE IN THE HOSPITAL 204 00:11:07,600 --> 00:11:11,067 WHO COULD DO THAT. BUT I LIKE DOING IT. I THINK MIKE WOULD WANT ME TO. 205 00:11:11,100 --> 00:11:12,700 OOPS. OH. 206 00:11:17,800 --> 00:11:20,833 SO HAVE YOU GOT THE RESULTS OF HIS LATEST M.R.I. YET? 207 00:11:20,867 --> 00:11:23,200 I'M AFRAID THERE WAS NO CHANGE. 208 00:11:23,233 --> 00:11:26,333 OH. WELL, HOW LONG UNTIL YOU CAN DO ANOTHER ONE? 209 00:11:26,367 --> 00:11:29,333 I DON'T WANT TO TELL YOU NOT TO BE OPTIMISTIC, BUT-- 210 00:11:29,367 --> 00:11:31,267 LOOK, I KNOW IT'S BEEN SIX MONTHS, 211 00:11:31,300 --> 00:11:33,400 BUT HE COULD STILL COME OUT OF IT, RIGHT? 212 00:11:33,433 --> 00:11:35,400 I SAW IN THE NEWS THERE WAS THIS WOMAN IN PERU. 213 00:11:35,433 --> 00:11:37,500 SHE WOKE UP AFTER TEN YEARS. THERE'S A REASON THAT MADE THE NEWS. 214 00:11:37,533 --> 00:11:39,433 YOU MIGHT THINK I'M NAIVE, 215 00:11:39,467 --> 00:11:41,400 BUT I KNOW HE'S COMING BACK TO ME. 216 00:11:41,433 --> 00:11:43,167 SUSAN-- 217 00:11:43,200 --> 00:11:45,533 DON'T SAY IT. YOU JUST KEEP DOING YOUR JOB, 218 00:11:45,567 --> 00:11:47,600 AND I'LL KEEP DOING MINE. OOPS. 219 00:11:53,800 --> 00:11:56,800 (thunder rumbling) 220 00:11:58,633 --> 00:12:01,833 THAT RISOTTO WAS PERFECT. 221 00:12:01,867 --> 00:12:04,633 JUST LIKE YOU. 222 00:12:04,667 --> 00:12:07,333 LISTEN, I HOPE YOU SAVED ROOM FOR DESSERT. 223 00:12:07,367 --> 00:12:09,267 I GOT US SOMETHING SPECIAL 224 00:12:09,300 --> 00:12:11,167 FROM A WONDERFUL LITTLE BAKERY DOWNTOWN. 225 00:12:11,200 --> 00:12:12,200 OH! 226 00:12:15,333 --> 00:12:16,633 THAT IS SO ADORABLE, 227 00:12:16,667 --> 00:12:19,200 BUT I DON'T THINK I CAN EAT ANOTHER BITE. 228 00:12:19,233 --> 00:12:21,167 WELL, HERE, LET ME TAKE HALF. 229 00:12:25,467 --> 00:12:27,700 WHAT DO YOU SAY, BREE? 230 00:12:27,733 --> 00:12:29,133 WILL YOU MARRY ME? 231 00:12:31,600 --> 00:12:35,600 (exhales deeply) THIS IS A LITTLE SUDDEN, ISN'T IT? 232 00:12:35,633 --> 00:12:37,533 WE'VE ONLY KNOWN EACH OTHER SIX MONTHS, 233 00:12:37,567 --> 00:12:41,200 BUT I'VE LOVED YOU EVERY MINUTE OF IT. 234 00:12:41,233 --> 00:12:44,333 BUT IF YOU DON'T SHARE MY FEELINGS-- 235 00:12:44,367 --> 00:12:47,067 NO, NO. UM... 236 00:12:47,067 --> 00:12:48,100 I DO. 237 00:12:48,133 --> 00:12:50,267 IT'S JUST THAT, UM, I CAN'T HELP BEING CAUTIOUS. 238 00:12:50,300 --> 00:12:54,633 SINCE REX, I HAVEN'T BEEN EXACTLY LUCKY IN LOVE. 239 00:12:54,667 --> 00:12:56,567 I USED TO FEEL THE SAME WAY. 240 00:12:56,600 --> 00:12:58,733 WHEN ALMA LEFT ME, I WAS SHATTERED, 241 00:12:58,767 --> 00:13:01,300 BUT I REALIZE NOW IT WAS THE LUCKIEST DAY OF MY LIFE 242 00:13:01,333 --> 00:13:05,400 BECAUSE IT MEANT I WAS FREE WHEN I MET YOU. 243 00:13:06,633 --> 00:13:09,167 LUCK CAN CHANGE, BREE. 244 00:13:09,200 --> 00:13:11,167 LET ME CHANGE YOURS. 245 00:13:15,400 --> 00:13:16,700 YES. 246 00:13:16,733 --> 00:13:18,633 YES? 247 00:13:18,667 --> 00:13:22,667 YES, I WILL MARRY YOU, ORSON. 248 00:13:49,133 --> 00:13:51,333 IAN HAINSWORTH HAD BEEN MISERABLE 249 00:13:51,367 --> 00:13:55,800 EVER SINCE A TRAGIC HORSEBACK RIDING ACCIDENT 250 00:13:55,833 --> 00:13:59,467 HAD LEFT HIS WIFE JANE IN A COMA. 251 00:13:59,500 --> 00:14:01,400 FOR THE NEXT THREE YEARS, 252 00:14:01,433 --> 00:14:04,667 HE SHIED AWAY FROM ALL SOCIAL CONTACT 253 00:14:04,700 --> 00:14:08,300 BECAUSE HE WANTED TO BE ALONE WITH HIS GRIEF. 254 00:14:08,333 --> 00:14:14,133 THEN ONE DAY, HE MET SUSAN MAYER, 255 00:14:14,167 --> 00:14:16,200 WHO, BECAUSE OF HER OWN TRAGEDY, 256 00:14:16,233 --> 00:14:20,200 WAS JUST AS MISERABLE AS HE WAS. 257 00:14:22,633 --> 00:14:25,800 AND A FRIENDSHIP SLOWLY BLOSSOMED, 258 00:14:25,833 --> 00:14:28,400 BECAUSE AS EVERYONE KNOWS, 259 00:14:28,433 --> 00:14:30,600 MISERY LOVES COMPANY, 260 00:14:30,633 --> 00:14:34,300 AND IAN WAS LOVING THIS COMPANY... 261 00:14:35,367 --> 00:14:38,633 MORE AND MORE EVERY DAY. 262 00:14:42,067 --> 00:14:44,600 TWO... 263 00:14:44,633 --> 00:14:46,833 THREE--OH, ITCH, ITCH, ITCH, ITCH, ITCH. OOH! 264 00:14:46,867 --> 00:14:48,767 ITCH, ITCH, ITCH. 265 00:14:48,800 --> 00:14:50,433 DO THE NURSES KNOW YOU DO THIS? 266 00:14:50,467 --> 00:14:52,833 OH, HEY! UM, YOU WEREN'T SUPPOSED TO SEE THAT. 267 00:14:52,867 --> 00:14:55,333 WELL, CLEARLY. NOW, YOU CAN BUY MY SILENCE 268 00:14:55,367 --> 00:14:57,600 IF YOU'LL HAVE COFFEE WITH ME. 269 00:14:57,633 --> 00:15:00,400 OH, I WOULD LOVE TO, BUT I THINK I'M IN A RUSH HERE. 270 00:15:00,433 --> 00:15:01,800 I'M SUPPOSED TO MEET 271 00:15:01,833 --> 00:15:03,733 MY GIRLFRIENDS FOR LUNCH AT 1:00. IS IT 1:00 YET? 272 00:15:03,767 --> 00:15:05,067 WELL, YOU TELL ME. 273 00:15:05,067 --> 00:15:08,067 I NOTICE YOU'RE ALWAYS RUSHING INTO THE HALL TO CHECK THE TIME, 274 00:15:08,067 --> 00:15:10,533 SO I, UM... WELL, I BOUGHT YOU THIS. 275 00:15:10,567 --> 00:15:11,833 OH! WOW. 276 00:15:11,867 --> 00:15:13,433 (chuckles nervously) UM... 277 00:15:13,467 --> 00:15:15,733 I-I-I CAN'T ACCEPT THIS. THIS IS TOO EXTRAVAGANT. 278 00:15:15,767 --> 00:15:17,400 OH, NO, IT'S NOTHING. 279 00:15:17,433 --> 00:15:19,233 THERE WAS A GUY ON THE SIDEWALK-- 280 00:15:19,267 --> 00:15:21,167 HAD A BUNCH OF THEM LAID OUT ON A BLANKET. 281 00:15:21,200 --> 00:15:23,100 IF YOU LOOK CLOSELY, IT SAYS "FOLEX." 282 00:15:23,133 --> 00:15:24,433 (chuckles) STILL, I-- 283 00:15:24,467 --> 00:15:27,800 PLEASE, IT WOULD MAKE ME SO HAPPY IF YOU TOOK IT. 284 00:15:29,667 --> 00:15:32,600 WELL, IN THAT CASE, THANK YOU FOR MY CHEAP KNOCKOFF. 285 00:15:32,633 --> 00:15:33,567 (laughs) 286 00:15:33,600 --> 00:15:35,700 OH, MY GOD. I'M LATE. 287 00:15:48,767 --> 00:15:50,100 HI! HI, HI, HI. 288 00:15:50,133 --> 00:15:51,067 HI! 289 00:15:51,100 --> 00:15:52,833 I'M SO SORRY I'M LATE. 290 00:15:52,867 --> 00:15:55,633 NO, THAT'S FINE. WOW, WHITE GLOVES. 291 00:15:55,667 --> 00:15:57,567 WHAT, ARE WE HAVING LUNCHEON IN THE 1880s? 292 00:15:57,600 --> 00:16:00,067 WELL, IT'S A VERY ELEGANT CLUB. 293 00:16:00,100 --> 00:16:02,267 YOU KNOW, ORSON'S BEEN A MEMBER HERE FOR YEARS. 294 00:16:02,300 --> 00:16:04,533 IT'LL BE EVEN NICER WHEN THEY FINISH THE CONSTRUCTION. 295 00:16:04,567 --> 00:16:06,533 SO YOU WERE VERY MYSTERIOUS ON THE PHONE. 296 00:16:06,567 --> 00:16:08,067 WHY DID YOU WANNA HAVE LUNCH? 297 00:16:08,067 --> 00:16:10,067 WELL, I WANTED TO INVITE YOU TO A DINNER 298 00:16:10,100 --> 00:16:12,133 THAT ORSON AND I ARE HAVING THIS SATURDAY. 299 00:16:12,167 --> 00:16:15,067 SO YOU ASKED US TO A MEAL TO ANNOUNCE ANOTHER MEAL? 300 00:16:15,067 --> 00:16:17,667 THAT'S SO... BREE OF YOU. 301 00:16:17,700 --> 00:16:19,567 (chuckles) WHAT'S THE OCCASION? 302 00:16:19,600 --> 00:16:22,533 OH, UM, NO OCCASION. JUST A LITTLE GET-TOGETHER. 303 00:16:22,567 --> 00:16:24,400 WHAT ARE YOU BEING SO COY ABOUT? 304 00:16:24,433 --> 00:16:26,267 I'M NOT BEING COY. 305 00:16:26,300 --> 00:16:27,700 SHE SAID COYLY. 306 00:16:27,733 --> 00:16:30,267 IF YOU DON'T TELL US, WE'RE NOT COMING. 307 00:16:31,500 --> 00:16:34,067 OH, ALL RIGHT. 308 00:16:34,067 --> 00:16:37,400 I WANTED TO WAIT AND MAKE A PROPER ANNOUNCEMENT, BUT... 309 00:16:39,267 --> 00:16:40,733 ORSON AND I ARE ENGAGED. 310 00:16:40,767 --> 00:16:42,600 OH, MY GOSH! 311 00:16:42,633 --> 00:16:44,467 OH, LET ME SEE! (Lynette) WOW! 312 00:16:44,500 --> 00:16:46,467 YOU MOVE FAST. I KNOW IT'S QUICK, 313 00:16:46,500 --> 00:16:48,367 BUT IT JUST FEELS SO RIGHT. 314 00:16:48,400 --> 00:16:54,233 ORSON IS JUST THE MOST WARM, WONDERFUL, GENEROUS MAN. 315 00:16:54,267 --> 00:16:57,067 OH, GENEROUS. THAT MEANS HE'S GOOD IN THE SACK. 316 00:16:57,067 --> 00:17:00,067 ACTUALLY, UH, NO. WE HAVEN'T HAD SEX YET. 317 00:17:00,067 --> 00:17:01,800 WE'RE WAITING UNTIL WE GET MARRIED. 318 00:17:01,833 --> 00:17:05,667 (laughing loudly) 319 00:17:08,067 --> 00:17:10,633 OH, MY GOD. YOU'RE SERIOUS? 320 00:17:12,300 --> 00:17:13,600 (Gabrielle) NO SEX AT ALL? 321 00:17:13,633 --> 00:17:14,800 NOT EVEN... 322 00:17:14,833 --> 00:17:17,067 WHATEVER YOU'RE ALLUDING TO, NO. 323 00:17:17,100 --> 00:17:18,833 BUT--BUT YOU'RE GONNA GET MARRIED. 324 00:17:18,867 --> 00:17:20,767 YOU WOULDN'T BUY A CAR 325 00:17:20,800 --> 00:17:22,733 WITHOUT AT LEAST TAKING IT FOR A LITTLE TEST DRIVE. 326 00:17:22,767 --> 00:17:25,200 IT'S NOT LIKE YOU'VE NEVER SLEPT WITH A GUY 327 00:17:25,233 --> 00:17:27,133 YOU WEREN'T MARRIED TO. 328 00:17:27,167 --> 00:17:29,500 TRUE. UH, I HAVE IN THE PAST GIVEN MYSELF AWAY TOO FREELY. 329 00:17:29,533 --> 00:17:31,600 HOW CHARMING OF YOU TO BRING THAT UP 330 00:17:31,633 --> 00:17:33,533 WHILE I'M ANNOUNCING MY ENGAGEMENT. 331 00:17:33,567 --> 00:17:35,333 BUT I LIKE TO THINK THAT I HAVE LEARNED FROM MY MISTAKES. 332 00:17:35,367 --> 00:17:37,267 SO THE DINNER IS AT 8:00, 333 00:17:37,300 --> 00:17:39,200 AND WHEN WE MAKE THE ANNOUNCEMENT, 334 00:17:39,233 --> 00:17:41,667 PLEASE, EVERYBODY, LOOK SURPRISED. OKAY. 335 00:17:41,700 --> 00:17:44,533 NO, DON'T WORRY. I'M JUST GONNA REPLAY THE LOOK I HAD 336 00:17:44,567 --> 00:17:48,067 WHEN I FOUND OUT YOU HADN'T BANGED HIM YET. (gasps) 337 00:17:48,067 --> 00:17:51,067 (helium inflating loudly) 338 00:17:53,133 --> 00:17:55,067 (high-pitched voice) HEY, SEXY MAMA. 339 00:17:55,100 --> 00:17:57,467 (laughs) THAT'S CUTE. 340 00:17:57,500 --> 00:17:59,400 (normal voice) SO YOU INVITED KAYLA 341 00:17:59,433 --> 00:18:01,333 TO PARKER'S BIRTHDAY PARTY, RIGHT? 342 00:18:01,367 --> 00:18:02,300 OF COURSE. 343 00:18:02,333 --> 00:18:03,467 AND? AND? 344 00:18:03,500 --> 00:18:05,400 WHAT DID YOU TELL NORA? 345 00:18:05,433 --> 00:18:08,067 I TOLD HER THAT WE WERE PICKING UP KAYLA 346 00:18:08,100 --> 00:18:09,833 FOR A QUIET AFTERNOON AT HOME. 347 00:18:09,867 --> 00:18:10,633 YOU LIED? 348 00:18:10,667 --> 00:18:12,733 YEAH, YOU'RE DAMN STRAIGHT I LIED. 349 00:18:12,767 --> 00:18:14,100 I WILL NOT HAVE THAT LUNATIC 350 00:18:14,133 --> 00:18:16,067 RUINING ONE MORE FAMILY GATHERING. 351 00:18:16,067 --> 00:18:18,767 BUT KAYLA'S GONNA, YOU KNOW, TELL NORA THAT WE HAD A PARTY, 352 00:18:18,800 --> 00:18:21,800 AND I'M JUST AFRAID THAT NORA'S GONNA BLOW A GASKET. 353 00:18:23,833 --> 00:18:26,167 WHAT? SO WHAT ARE YOU SAYING, 354 00:18:26,200 --> 00:18:29,100 YOU'RE MORE AFRAID OF NORA THAN YOU ARE OF ME? 355 00:18:29,133 --> 00:18:31,100 IS--IS THAT WHAT YOU THINK I MEANT? 356 00:18:31,133 --> 00:18:32,733 BECAUSE THAT IS SO NOT WHAT I MEANT. 357 00:18:32,767 --> 00:18:35,667 YOU SCARE THE HELL OUT OF ME, BABY. 358 00:18:35,700 --> 00:18:37,367 THANK YOU. 359 00:18:40,767 --> 00:18:42,667 THE COFFEE MACHINE WAS BROKEN, 360 00:18:42,700 --> 00:18:44,600 SO I GOT US A COUPLE OF SMOOTHIES. 361 00:18:44,633 --> 00:18:46,533 THEY HAD STRAWBERRY AND STRAWBERRY. 362 00:18:46,567 --> 00:18:49,533 WELL, I HATE STRAWBERRY, SO GIVE ME THE STRAWBERRY. 363 00:18:49,567 --> 00:18:52,767 (chuckles) 364 00:18:55,200 --> 00:18:57,433 HI, JANE. (Ian) NOTHING-- NOTHING AGAINST SMOOTHIES, 365 00:18:57,467 --> 00:18:59,733 BUT I WOULDN'T MIND HAVING SOME REAL FOOD SOMETIME. 366 00:18:59,767 --> 00:19:02,133 MAY--MAYBE WE COULD GO TO A RESTAURANT. 367 00:19:02,167 --> 00:19:04,500 YOU MEAN, LIKE, OUTSIDE THE HOSPITAL? 368 00:19:04,533 --> 00:19:05,800 YEAH, YOU KNOW, L-LIKE A DATE. 369 00:19:05,833 --> 00:19:07,433 A DATE? (gasps) 370 00:19:07,467 --> 00:19:09,300 OH, UM... 371 00:19:09,333 --> 00:19:11,267 THERE'S A LOVELY LITTLE BISTRO DOWN THE STREET. 372 00:19:11,300 --> 00:19:13,533 (whispers) I'M SORRY. I'M REALLY, REALLY SORRY. 373 00:19:13,567 --> 00:19:17,067 (normal voice) UH, WELL, THAT SOUNDS, UH, JUST-- 374 00:19:17,067 --> 00:19:19,733 THAT SOUNDS GREAT! 375 00:19:19,767 --> 00:19:22,100 I MEAN, I HOPE THAT'S OKAY. 376 00:19:22,133 --> 00:19:23,700 YEAH! UH... 377 00:19:26,600 --> 00:19:28,500 SO, I WAS, UM, I WAS THINKING ABOUT 378 00:19:28,533 --> 00:19:32,333 HOW THAT SOUNDED JUST NOW-- THE, UH, THE--THE DATE THING. 379 00:19:32,367 --> 00:19:34,600 I REALLY SPRANG IT ON YOU OUT OF NOWHERE. 380 00:19:34,633 --> 00:19:37,333 YES, YOU DID. 381 00:19:42,067 --> 00:19:45,133 JANE LOOKED COLD. 382 00:19:45,167 --> 00:19:46,800 OH. THANKS. 383 00:19:46,833 --> 00:19:51,500 LOOK, WE'RE, UM, WE'RE BOTH IN DIFFICULT SITUATIONS. 384 00:19:51,533 --> 00:19:54,400 I'VE BEEN IN MINE A LOT LONGER THAN YOU HAVE, 385 00:19:54,433 --> 00:19:56,267 SO, UH, IF YOU'RE NOT READY, I UNDERSTAND. 386 00:19:56,300 --> 00:19:58,267 IF YOU EVER SHOULD BE, 387 00:19:58,300 --> 00:20:00,667 UH, LET--LET ME KNOW. 388 00:20:00,700 --> 00:20:02,833 ALL RIGHT. (sighs) 389 00:20:02,867 --> 00:20:04,767 WOW, I AM REALLY HUNGRY. 390 00:20:04,800 --> 00:20:07,267 WELL, THEN LET'S, UM, LET'S GO TO THE BLOOD BANK 391 00:20:07,300 --> 00:20:09,467 AND SWIPE SOME-- SOME SUGAR COOKIES. 392 00:20:11,700 --> 00:20:15,533 OH, UH, YOU MIGHT WANT TO GIVE JANE A SPONGE BATH 393 00:20:15,567 --> 00:20:18,733 'CAUSE SHE HAD A LITTLE... ACCIDENT. 394 00:20:22,700 --> 00:20:26,567 (children screaming and laughing) 395 00:20:28,367 --> 00:20:31,333 (telephone rings) HELLO? 396 00:20:31,367 --> 00:20:32,800 HEY, LYNETTE, IT'S ME. 397 00:20:32,833 --> 00:20:34,667 HEY, NORA. 398 00:20:34,700 --> 00:20:37,700 (children screaming and laughing) 399 00:20:37,733 --> 00:20:39,633 ARE YOU HAVING A PARTY? 400 00:20:39,667 --> 00:20:42,467 SHH! SHH! (whispers loudly) QUIET, QUIET, QUIET, QUIET! 401 00:20:42,500 --> 00:20:45,400 Shh! Yeah, no, no, of course not. In fact, 402 00:20:45,433 --> 00:20:49,400 WE'RE JUST HAVING A QUIET AFTERNOON AT HOME. 403 00:20:49,433 --> 00:20:51,200 Um, the kids are so bored. 404 00:20:51,233 --> 00:20:53,200 TOM AND I WERE THINKING OF TAKING 'EM OUT FOR ICE CREAM. 405 00:20:53,233 --> 00:20:56,067 WELL, WOULD YOU TELL KAYLA THAT MOMMY CALLED 406 00:20:56,100 --> 00:20:57,767 TO CHECK ON HER? 407 00:20:57,800 --> 00:20:59,733 OH, I WILL, I WILL, AND I'LL SEE YOU TONIGHT. 408 00:20:59,767 --> 00:21:03,100 OKAY. BYE. 409 00:21:03,133 --> 00:21:05,200 YOU THINK SHE BOUGHT IT? 410 00:21:05,233 --> 00:21:08,767 NO. I THINK SHE'LL BE OVER HERE IN TEN MINUTES. 411 00:21:08,800 --> 00:21:11,500 OKAY, LET'S MOVE! LET'S MOVE! I'VE GOT 10 BUCKS HERE 412 00:21:11,533 --> 00:21:15,300 FOR THE KID WHO CAN CARRY THE MOST STUFF, OKAY? 413 00:21:16,433 --> 00:21:19,067 HEY, GABY, IT'S LYNETTE. GOT A LITTLE EMERGENCY HERE. 414 00:21:19,100 --> 00:21:22,133 IS IT OKAY IF WE USE YOUR BACKYARD? 415 00:21:22,167 --> 00:21:24,700 GREAT. GREAT. 416 00:21:24,733 --> 00:21:26,633 AND WE TAKE COMPLETE RESPONSIBILITY 417 00:21:26,667 --> 00:21:28,667 FOR WHATEVER THE PONY DOES. 418 00:21:28,700 --> 00:21:31,367 HOPE YOU GET THIS MESSAGE SOON. 419 00:21:31,400 --> 00:21:33,333 OH! 420 00:21:33,367 --> 00:21:36,600 MY ONLY CONCERN WOULD BE THE NEIGHBORHOOD. 421 00:21:36,633 --> 00:21:40,067 WE REALLY NEED A QUIET PLACE FOR OUR RETIREMENT. 422 00:21:40,100 --> 00:21:42,067 OH, ARE YOU KIDDING? 423 00:21:42,067 --> 00:21:45,267 THERE'S NO PLACE IN FAIRVIEW THAT'S MORE PEACEFUL. 424 00:21:45,300 --> 00:21:48,167 (Lynette) STAY OFF THE PONY! OKAY, GUYS, COME ON, COME ON! 425 00:21:48,200 --> 00:21:49,600 COME ON! 426 00:21:49,633 --> 00:21:51,533 (children screaming and laughing) 427 00:21:51,567 --> 00:21:53,433 LET ME SHOW YOU THE MEDIA ROOM. 428 00:21:53,467 --> 00:21:56,333 OKAY, GO ON IN. GOT THE BALLOONS? 429 00:21:56,367 --> 00:21:58,333 GOOD. GOOD. ALL RIGHT. 430 00:21:58,367 --> 00:22:02,500 OKAY, ALL RIGHT, THAT'S IT. EVERYBODY'S IN. 431 00:22:02,533 --> 00:22:04,367 WHERE'S THE CAKE? 432 00:22:04,400 --> 00:22:07,067 OH, CRAP! 433 00:22:11,067 --> 00:22:12,767 (Nora) YOO-HOO! 434 00:22:12,800 --> 00:22:15,300 ANYBODY HOME? 435 00:22:20,067 --> 00:22:21,833 HELLO? HEY, NORA. 436 00:22:21,867 --> 00:22:25,333 WOW. WE WEREN'T EXPECTING YOU UNTIL 7:00. 437 00:22:25,367 --> 00:22:27,133 SO WHERE'S KAYLA? 438 00:22:27,167 --> 00:22:29,433 I THOUGHT I TOLD YOU. TOM TOOK THE KIDS TO THE MOVIES. 439 00:22:29,467 --> 00:22:33,333 UNH-UNH. YOU SAID ICE CREAM. 440 00:22:33,367 --> 00:22:34,667 UH-HUH. AFTER THE MOVIES. 441 00:22:34,700 --> 00:22:38,567 MOVIES, THEN ICE CREAM-- AN AMERICAN TRADITION. 442 00:22:38,600 --> 00:22:41,567 SO, IS SOMETHING WRONG? 443 00:22:46,267 --> 00:22:48,133 TO BE HONEST, I THOUGHT THAT YOU WERE LYING 444 00:22:48,167 --> 00:22:51,133 AND HAVING A PARTY. I GUESS I WAS WRONG. 445 00:22:51,167 --> 00:22:54,767 OH, APOLOGY ACCEPTED. WANT ME TO WALK YOU TO YOUR CAR? 446 00:22:54,800 --> 00:22:57,200 (toilet flushes) 447 00:23:00,700 --> 00:23:02,800 WHERE DID EVERYBODY GO? 448 00:23:04,533 --> 00:23:06,433 NORA, LOOK, I AM SORRY I LIED, 449 00:23:06,467 --> 00:23:09,433 BUT YOU KNOW, YOU GAVE ME NO CHOICE, AND-- 450 00:23:09,467 --> 00:23:12,233 LYNETTE, I WANT MY DAUGHTER. 451 00:23:12,267 --> 00:23:14,600 WHERE'S THE DAMN PARTY? 452 00:23:14,633 --> 00:23:16,133 NO, I'M NOT TELLING. 453 00:23:16,167 --> 00:23:19,233 WHERE'S THE PARTY? (sighs) 454 00:23:31,533 --> 00:23:33,233 NO! NO, NO! 455 00:23:33,267 --> 00:23:36,067 IF YOU WANT IN, YOU'RE GONNA HAVE TO GO THROUGH ME. 456 00:23:36,100 --> 00:23:39,200 I WANT MY KID, LYNETTE. KAYLA! 457 00:23:39,233 --> 00:23:41,733 KAYLA, COME OUT HERE NOW! 458 00:23:41,767 --> 00:23:43,733 WHAT IS GOING ON? 459 00:23:43,767 --> 00:23:46,633 WELL, FIRST YOU HAVE A PARTY, AND YOU DON'T INVITE ME, 460 00:23:46,667 --> 00:23:49,667 AND THEN YOU LIE ABOUT IT, SO NOW WE'RE LEAVIN'. 461 00:23:49,700 --> 00:23:51,767 WELL, WAIT A MINUTE. 462 00:23:51,800 --> 00:23:54,267 HOLD ON, HOLD ON, HOLD ON, HOLD ON, KAYLA. 463 00:23:54,300 --> 00:23:57,167 I'M SORRY. WE'RE--WE'RE SORRY. 464 00:23:57,200 --> 00:23:59,433 WE--WE SHOULDN'T HAVE DONE THAT. 465 00:23:59,467 --> 00:24:02,067 BUT LOOK, KAYLA IS HAVING SUCH A GOOD TIME. 466 00:24:02,100 --> 00:24:03,833 WHY DON'T WE ALL JUST COME ON IN AND HAVE SOME CAKE, 467 00:24:03,867 --> 00:24:05,767 AND WE CAN JUST-- LYNETTE, LYNETTE. 468 00:24:05,800 --> 00:24:07,700 WE CAN JUST HAVE FUN. 469 00:24:07,733 --> 00:24:09,567 COULD YOU EXCUSE ME FOR ONE SECOND? 470 00:24:09,600 --> 00:24:11,233 LYNETTE. 471 00:24:11,267 --> 00:24:13,800 OKAY, OKAY, I KNOW, BUT WHAT ELSE COULD I DO? 472 00:24:13,833 --> 00:24:15,667 I'M JUST THINKING OF KAYLA. 473 00:24:15,700 --> 00:24:18,567 I KNOW YOU ARE, TOM, AND I KNOW YOU LOVE HER. 474 00:24:18,600 --> 00:24:20,500 WHY ELSE DO YOU THINK 475 00:24:20,533 --> 00:24:22,600 I'M WILLING TO PUT UP WITH ALL THIS FOR SIX MONTHS? 476 00:24:22,633 --> 00:24:24,833 WHY DO YOU THINK I'M WILLING TO SAY TO MY COLLEGE ROOMMATES, 477 00:24:24,867 --> 00:24:26,767 "YES, THAT'S MY HUSBAND'S LOVE CHILD AND HER MOTHER 478 00:24:26,800 --> 00:24:28,133 IN OUR CHRISTMAS PICTURE"? 479 00:24:28,167 --> 00:24:30,333 BECAUSE I AM YOUR WIFE! 480 00:24:30,367 --> 00:24:32,467 YOU ALWAYS COME FIRST WITH ME. 481 00:24:34,500 --> 00:24:38,067 DO I STILL COME FIRST WITH YOU? 482 00:24:45,233 --> 00:24:47,133 I GUESS I'LL SEE YOU LATER, NORA. 483 00:24:47,167 --> 00:24:49,333 WELL... I'M TAKING KAYLA. 484 00:24:49,367 --> 00:24:51,067 WELL, THAT'S A SHAME. 485 00:24:51,067 --> 00:24:54,700 I'VE GOTTA GO HOIST A PIÑATA. 486 00:24:54,733 --> 00:24:57,133 MOMMY, THEY HAVE A PIÑATA. 487 00:25:05,667 --> 00:25:08,233 FINE! 488 00:25:08,267 --> 00:25:09,600 I'LL BE BACK AT 7:00. 489 00:25:09,633 --> 00:25:12,267 BUT THERE HAD BETTER BE A CORNER PIECE OF CAKE 490 00:25:12,300 --> 00:25:14,067 WAITING FOR ME. 491 00:25:16,433 --> 00:25:18,367 COME ON, KAYLA. GO--GO HAVE SOME FUN. 492 00:25:18,400 --> 00:25:20,067 GO HAVE SOME... 493 00:25:26,433 --> 00:25:27,767 THANK YOU FOR THAT. 494 00:25:27,800 --> 00:25:29,600 SURE. 495 00:25:29,633 --> 00:25:31,533 I'LL BE BACK IN 20 MINUTES. 496 00:25:31,567 --> 00:25:33,300 GONNA GO BUY A PIÑATA? 497 00:25:33,333 --> 00:25:35,067 I SURE AM. 498 00:25:40,633 --> 00:25:42,533 XIAO-MEI? 499 00:25:42,567 --> 00:25:44,733 COME ON OUT! I HAVE YOUR LUNCH. 500 00:25:46,500 --> 00:25:50,200 XIAO-MEI, YOUR FAVORITE SOAP IS ON. 501 00:25:50,233 --> 00:25:52,100 THERE'S A DOCTOR FONDLING A PATIENT 502 00:25:52,133 --> 00:25:53,267 ON THE OPERATING TABLE. 503 00:25:53,300 --> 00:25:56,300 YOU'RE MISSING IT! XIAO-MEI? 504 00:25:56,333 --> 00:25:58,233 (man on TV) OH, I'LL HAVE TO EXAMINE YOU. 505 00:25:58,267 --> 00:25:59,800 (woman) OH, AGAIN? 506 00:25:59,833 --> 00:26:01,733 XIAO-MEI? 507 00:26:15,367 --> 00:26:17,067 HEY, QUICK QUESTION. 508 00:26:17,067 --> 00:26:21,067 HAVE YOU, BY ANY CHANCE, SEEN XIAO-MEI? 509 00:26:21,100 --> 00:26:23,067 I CAN'T BELIEVE YOU LOST OUR BABY. 510 00:26:23,100 --> 00:26:24,833 I DID NOT LOSE OUR BABY. STOP SAYING THAT. 511 00:26:24,867 --> 00:26:27,833 I KNOW EXACTLY WHERE IT IS-- INSIDE SOME CRAZY CHINESE WOMAN 512 00:26:27,867 --> 00:26:30,600 WHO ALSO STOLE HALF A CHICKEN FROM MY FRIDGE. 513 00:26:30,633 --> 00:26:33,633 (all speaking loudly in Chinese) 514 00:26:37,267 --> 00:26:39,633 HI! HI. 515 00:26:39,667 --> 00:26:42,767 LI WANG, RIGHT? REMEMBER ME? 516 00:26:42,800 --> 00:26:45,233 XIAO-MEI LIVES WITH ME. YOU CAME OVER. WE HAD LUNCH. 517 00:26:45,267 --> 00:26:47,700 YOU GOT SOME NERVE SHOWING YOUR FACE HERE. GET OUT. 518 00:26:47,733 --> 00:26:49,633 WHOA, WHOA, WHOA, WHOA! HEY! 519 00:26:49,667 --> 00:26:52,067 UH, WHAT HAPPENED TO THAT FAMOUS CHINESE HOSPITALITY? 520 00:26:52,067 --> 00:26:53,433 XIAO-MEI CALLED ME. 521 00:26:53,467 --> 00:26:56,333 SHE SAID YOU THREATENED TO SEND HER BACK TO CHINA 522 00:26:56,367 --> 00:26:59,333 TO WORK AS A SLAVE IN A RICE PADDY. 523 00:26:59,367 --> 00:27:02,300 I... I MAY HAVE MENTIONED DEPORTATION, 524 00:27:02,333 --> 00:27:04,633 BUT I DIDN'T THINK SHE'D TAKE IT PERSONALLY. 525 00:27:04,667 --> 00:27:07,167 ARE YOU CRAZY? IT WAS BANTER. 526 00:27:07,200 --> 00:27:08,700 I MEAN, HAS THIS COUNTRY 527 00:27:08,733 --> 00:27:11,700 COME TO THE POINT WHERE YOU CAN'T JOKE WITH THE HELP? 528 00:27:11,733 --> 00:27:13,600 YOU TREAT XIAO-MEI LIKE DIRT. 529 00:27:13,633 --> 00:27:15,533 SHE'S JUST A POOR, INNOCENT GIRL 530 00:27:15,567 --> 00:27:17,467 TRYING TO LIVE THE AMERICAN DREAM, 531 00:27:17,500 --> 00:27:19,400 JUST LIKE YOUR ANCESTORS. 532 00:27:19,433 --> 00:27:22,233 OH, DON'T GIVE ME THAT "WE ARE THE WORLD" CRAP. 533 00:27:22,267 --> 00:27:24,433 THAT WOMAN'S UTERUS IS HARBORING A STOLEN BABY. 534 00:27:24,467 --> 00:27:26,467 SO IF YOU KNOW WHERE SHE IS, YOU BETTER START TALKING, 535 00:27:26,500 --> 00:27:28,833 OR ELSE I'M GONNA GET THE HEALTH DEPARTMENT DOWN HERE 536 00:27:28,867 --> 00:27:32,433 AND TAKE A CLOSER LOOK AT WHAT YOU'RE SERVING AS MU SHU PORK. 537 00:27:37,200 --> 00:27:41,100 BOY, THOSE PEOPLE JUST DON'T HAVE A SENSE OF HUMOR, DO THEY? 538 00:27:41,133 --> 00:27:42,467 I'M TELLING YOU, 539 00:27:42,500 --> 00:27:44,400 AT THIS NUMBER, IT'S NOT GONNA LAST LONG. 540 00:27:44,433 --> 00:27:46,233 WELL, WE LIKE THE NEIGHBORHOOD, 541 00:27:46,267 --> 00:27:48,167 BUT WE'VE HEARD THAT SOME ODD THINGS 542 00:27:48,200 --> 00:27:50,467 HAVE GONE ON WITH THIS HOUSE. COMPLETE FABRICATION. 543 00:27:50,500 --> 00:27:52,367 MALICIOUS LIES SPREAD BY JEALOUS COMPETITORS. 544 00:27:52,400 --> 00:27:54,300 NOW YOU'VE GOTTA CHECK OUT THIS STORAGE. 545 00:27:54,333 --> 00:27:57,800 YOU'RE NOT GONNA BELIEVE WHAT YOU CAN FIT IN HERE. 546 00:28:01,500 --> 00:28:04,467 AND NOW THE MEDIA ROOM. 547 00:28:04,500 --> 00:28:07,267 WOW, YOU CERTAINLY DEVOURED THAT ICE CREAM. 548 00:28:07,300 --> 00:28:09,200 CAN I GET YOU ANYTHING ELSE? 549 00:28:09,233 --> 00:28:10,400 YOU TELL ME. 550 00:28:10,433 --> 00:28:11,500 HMM. 551 00:28:11,533 --> 00:28:12,467 ORSON... 552 00:28:12,500 --> 00:28:14,267 MMM. 553 00:28:14,300 --> 00:28:16,767 MMM. MMM. 554 00:28:16,800 --> 00:28:18,100 I THOUGHT WE... 555 00:28:18,133 --> 00:28:19,167 ORSON. 556 00:28:19,200 --> 00:28:21,633 MM? OH, I JUST ASSUMED NOW THAT WE'RE ENGAGED... 557 00:28:21,667 --> 00:28:24,067 WELL, DOES THAT CHANGE OUR CORE VALUES? 558 00:28:24,100 --> 00:28:27,633 NO. BUT WHEN I SAW YOU STANDING IN FRONT OF THE FREEZER 559 00:28:27,667 --> 00:28:30,300 WITH A CLINGY SILK DRESS, LET'S JUST SAY, 560 00:28:30,333 --> 00:28:31,467 WELL, THAT CHALLENGED THEM. 561 00:28:31,500 --> 00:28:33,400 (chuckles) WELL, I THOUGHT WE AGREED 562 00:28:33,433 --> 00:28:36,067 WE WANTED OUR WEDDING NIGHT TO BE PERFECT. 563 00:28:36,100 --> 00:28:38,233 YES, BUT ACTORS WANT OPENING NIGHT TO BE PERFECT. 564 00:28:38,267 --> 00:28:39,767 THAT'S WHY THEY REHEARSE. 565 00:28:39,800 --> 00:28:43,333 (chuckles) IT'LL BE BETTER THIS WAY. 566 00:28:43,367 --> 00:28:46,333 NOW... CAN I GET YOU SOME MORE ICE CREAM? 567 00:28:46,367 --> 00:28:49,567 NOT IN THAT DRESS. 568 00:29:03,267 --> 00:29:05,067 HI. 569 00:29:12,533 --> 00:29:15,733 SO I NEED TO ASK YOU SOMETHING. 570 00:29:15,767 --> 00:29:19,567 IAN, YOU KNOW, FROM ACROSS THE HALL-- 571 00:29:19,600 --> 00:29:22,467 YOU MET HIM. 572 00:29:22,500 --> 00:29:28,200 ANYWAY... HE SORT OF ASKED ME OUT... 573 00:29:28,233 --> 00:29:31,167 ON A DATE. 574 00:29:31,200 --> 00:29:33,667 I KNOW YOU'RE THROWN. 575 00:29:33,700 --> 00:29:35,467 I WAS THROWN, TOO. 576 00:29:35,500 --> 00:29:37,600 BUT HE'S REALLY NICE, AND... 577 00:29:39,733 --> 00:29:43,067 I COULD SORT OF USE SOMEONE TO TALK TO... 578 00:29:45,367 --> 00:29:48,233 WHO ALSO TALKS BACK. 579 00:29:53,233 --> 00:29:54,733 THE THING IS... 580 00:29:54,767 --> 00:29:58,700 I'M SORT OF LONELY... 581 00:29:58,733 --> 00:30:02,600 AND THE PAST SIX MONTHS HAVE BEEN REALLY HARD ON ME. 582 00:30:04,400 --> 00:30:06,400 SO WHAT I NEED IS... 583 00:30:08,167 --> 00:30:10,300 I NEED TO KNOW THAT IT'S OKAY WITH YOU 584 00:30:10,333 --> 00:30:13,167 IF I GO OUT WITH HIM. 585 00:30:15,267 --> 00:30:18,067 BECAUSE IF IT'S NOT, I WON'T. 586 00:30:18,100 --> 00:30:20,600 IN FACT, I'D LIKE NOTHING BETTER THAN FOR YOU 587 00:30:20,633 --> 00:30:22,533 TO JUST WAKE UP RIGHT NOW 588 00:30:22,567 --> 00:30:24,633 AND TELL ME NOT TO GO OUT WITH HIM. 589 00:30:24,667 --> 00:30:28,500 JUST WAKE UP AND TELL ME. WAKE UP. PLEASE! 590 00:30:34,167 --> 00:30:37,333 ALL RIGHT. 591 00:30:37,367 --> 00:30:39,800 (sighs) 592 00:30:39,833 --> 00:30:41,800 I'LL SEE YOU TOMORROW. 593 00:30:43,333 --> 00:30:45,067 I LOVE YOU. 594 00:30:53,333 --> 00:30:56,533 IT IS REALLY JUST DINNER. 595 00:31:09,200 --> 00:31:10,333 I'M JUST DROPPING OFF CARLOS, 596 00:31:10,367 --> 00:31:12,267 AND THEN I'LL BE BY TO PICK HER UP. 597 00:31:12,300 --> 00:31:15,233 OKAY, THANKS, EDIE. 598 00:31:15,267 --> 00:31:17,833 XIAO-MEI'S FINE. CRISIS AVERTED. NO HARM, NO FOUL. 599 00:31:17,867 --> 00:31:19,767 HOW CAN YOU SAY THAT? 600 00:31:19,800 --> 00:31:22,367 YOU ENDANGERED THE LIFE OF OUR BABY TODAY. 601 00:31:22,400 --> 00:31:24,300 DON'T YOU DARE GIVE ME THAT ATTITUDE. 602 00:31:24,333 --> 00:31:26,567 YOU HAVE NO IDEA WHAT I'VE BEEN GOING THROUGH 603 00:31:26,600 --> 00:31:27,833 THESE PAST SIX MONTHS. 604 00:31:27,867 --> 00:31:29,367 (sighs) HERE WE GO. 605 00:31:29,400 --> 00:31:31,700 I HAVE HAD TO WAIT HAND AND FOOT ON YOUR MISTRESS. 606 00:31:31,733 --> 00:31:33,233 I MEAN, IMAGINE IF 607 00:31:33,267 --> 00:31:35,300 THE DAY AFTER YOU FOUND OUT ABOUT JOHN ROWLAND, 608 00:31:35,333 --> 00:31:37,233 YOU HAD TO MAKE HIS LUNCH AND RUB HIS FEET. 609 00:31:37,267 --> 00:31:39,600 YEAH, WELL, JOHN ROWLAND WASN'T CARRYING OUR KID. 610 00:31:39,633 --> 00:31:42,800 FORGIVE ME FOR BEING CONCERNED ABOUT OUR SURROGATE. 611 00:31:42,833 --> 00:31:45,400 XIAO-MEI IS GOING TO BE FINE. 612 00:31:45,433 --> 00:31:47,767 ONCE THAT BABY COMES, HER SLATE IS WIPED CLEAN. 613 00:31:47,800 --> 00:31:49,467 SHE'S GONNA WALK AWAY, 614 00:31:49,500 --> 00:31:51,800 GO OFF AND LIVE HER AMERICAN DREAM. 615 00:31:51,833 --> 00:31:53,633 ME? I'M GONNA BE STUCK, A SINGLE MOTHER 616 00:31:53,667 --> 00:31:55,367 RAISING A CHILD ALONE, 617 00:31:55,400 --> 00:31:58,533 HAGGLING WITH LAWYERS ON WHO GETS THE KID AT CHRISTMAS. 618 00:32:00,533 --> 00:32:03,600 MY AMERICAN DREAM IS OFFICIALLY DEAD. 619 00:32:06,867 --> 00:32:08,767 I'M SORRY. 620 00:32:08,800 --> 00:32:11,567 THANK YOU. 621 00:32:11,600 --> 00:32:13,733 BUT JUST SO YOU KNOW, MY DREAM HASN'T EXACTLY-- 622 00:32:13,767 --> 00:32:17,567 (tires screech, engine roars) 623 00:32:21,333 --> 00:32:23,233 OKAY, SO WE WILL SEE YOU SATURDAY, 624 00:32:23,267 --> 00:32:29,067 AND PLEASE PRETEND TO BE SURPRISED. BYE. 625 00:32:29,067 --> 00:32:30,233 YOU TOLD SOMEONE ELSE? 626 00:32:30,267 --> 00:32:32,733 BREE, I THOUGHT THE WHOLE POINT OF THE PARTY 627 00:32:32,767 --> 00:32:34,667 WAS TO ANNOUNCE OUR ENGAGEMENT. 628 00:32:34,700 --> 00:32:37,667 I JUST CAN'T HELP IT. I LIKE TELLING PEOPLE. 629 00:32:37,700 --> 00:32:39,633 MAKES ME FEEL... I DON'T KNOW. 630 00:32:39,667 --> 00:32:42,333 MAKES ME FEEL LIKE I'M STARTING OVER. 631 00:32:42,367 --> 00:32:43,500 IT FEELS GOOD. 632 00:32:43,533 --> 00:32:45,433 FEELS GOOD TO ME, TOO, THOUGH. 633 00:32:45,467 --> 00:32:46,400 HMM. 634 00:32:46,433 --> 00:32:47,567 (chuckles) 635 00:32:47,600 --> 00:32:50,133 AH, NO HANDS. SEE? AHEM. 636 00:32:50,167 --> 00:32:51,500 HMM. 637 00:32:53,067 --> 00:32:54,133 HMM. 638 00:32:54,167 --> 00:32:56,733 OH, YOU DON'T HAVE TO WASH THOSE. 639 00:32:56,767 --> 00:32:58,100 I ALREADY DID THEM. 640 00:32:58,133 --> 00:33:00,067 OH, I FOUND SOME STREAKS, 641 00:33:00,067 --> 00:33:04,400 SO I'M WIPING THEM DOWN WITH UNDILUTED RED WINE VINEGAR. 642 00:33:04,433 --> 00:33:06,300 I'VE NEVER HEARD OF THAT. 643 00:33:06,333 --> 00:33:07,767 OH, SURE. 644 00:33:07,800 --> 00:33:10,367 FOR TOUGHER SPOTS, I USE A 50-50 MIX 645 00:33:10,400 --> 00:33:12,367 OF DENATURED ALCOHOL AND WATER. 646 00:33:12,400 --> 00:33:14,800 AH. 647 00:33:14,833 --> 00:33:18,167 AND FOR THOSE REALLY INTRACTABLE STAINS-- 648 00:33:18,200 --> 00:33:20,633 I MEAN, WE'RE TALKING SHOWER DOORS-- 649 00:33:20,667 --> 00:33:24,067 I WIPE ON LACQUER THINNER WITH A TOWEL. 650 00:33:29,067 --> 00:33:30,067 BREE? 651 00:33:30,067 --> 00:33:32,200 (gasps) 652 00:33:32,233 --> 00:33:35,233 (moaning) 653 00:33:37,233 --> 00:33:40,733 (moaning continues) 654 00:33:40,767 --> 00:33:43,067 OH, ORSON. 655 00:33:44,233 --> 00:33:45,767 OHH! 656 00:33:45,800 --> 00:33:47,633 (grunting) 657 00:33:47,667 --> 00:33:49,500 (giggling) 658 00:33:49,533 --> 00:33:52,533 (groaning) 659 00:33:55,333 --> 00:33:57,233 UH... EXCUSE ME. 660 00:33:57,267 --> 00:33:58,467 HMM? 661 00:33:58,500 --> 00:34:00,533 DID YOU LOSE SOMETHING? 662 00:34:00,567 --> 00:34:05,067 NO. I JUST THOUGHT... FOR YOU... 663 00:34:05,700 --> 00:34:08,600 OH! UM, I DON'T DO THAT. 664 00:34:08,633 --> 00:34:09,633 WHY NOT? 665 00:34:09,667 --> 00:34:11,167 I'M A REPUBLICAN. 666 00:34:11,200 --> 00:34:12,533 I'M A LIBERTARIAN. 667 00:34:12,567 --> 00:34:15,067 I BELIEVE IN MINIMIZING THE ROLE OF THE STATE 668 00:34:15,067 --> 00:34:17,267 AND MAXIMIZING INDIVIDUAL RIGHTS. 669 00:34:17,300 --> 00:34:19,700 BUT, ORSON! 670 00:34:19,733 --> 00:34:23,300 TRUST ME. I KNOW WHAT I'M DOING. 671 00:34:23,333 --> 00:34:25,133 OKAY. 672 00:34:39,333 --> 00:34:41,300 AAH! OH, NO! 673 00:34:41,333 --> 00:34:44,267 WHAT, YOU DIDN'T JUST CRACK THAT VENEER AGAIN, DID YOU? 674 00:34:44,300 --> 00:34:46,400 I HAVE TO GO. 675 00:34:46,433 --> 00:34:49,533 GO? GO WHERE? 676 00:34:49,567 --> 00:34:53,067 AND THEN IT WAS LIKE SOMETHING INSIDE RUPTURED. 677 00:34:53,100 --> 00:34:55,667 WELL, NOT SO MUCH A RUPTURE AS A SPASM. 678 00:34:55,700 --> 00:34:58,667 WAVES OF THIS HOT CLUTCHING. 679 00:34:58,700 --> 00:35:01,367 I THINK I MIGHT HAVE HAD A SMALL STROKE. 680 00:35:01,400 --> 00:35:03,267 HOW SEVERE WERE THE PAINS? 681 00:35:03,300 --> 00:35:04,767 WELL, THAT'S THE ODD THING. 682 00:35:04,800 --> 00:35:06,700 I MEAN, THERE WAS NO PAIN PER SE. 683 00:35:06,733 --> 00:35:09,200 IN FACT, IT WASN'T ENTIRELY UNPLEASANT. 684 00:35:09,233 --> 00:35:13,133 WHAT WERE YOU DOING AT THE TIME? 685 00:35:13,167 --> 00:35:15,233 I WAS, UH, WITH MY FIANCé. 686 00:35:15,267 --> 00:35:19,100 WE WERE LYING DOWN... RESTING. 687 00:35:19,133 --> 00:35:21,067 I'M GONNA TAKE A WILD SWING HERE. 688 00:35:21,067 --> 00:35:22,800 WERE YOU HAVING SEX? 689 00:35:24,400 --> 00:35:25,467 SORT OF. 690 00:35:25,500 --> 00:35:29,500 MS. VAN DE KAMP, I THINK YOU MAY HAVE HAD AN ORGASM. 691 00:35:29,533 --> 00:35:32,400 NO, NO, NO. I HAD ORGASMS BEFORE. 692 00:35:32,433 --> 00:35:34,100 MM, HOW WOULD YOU DESCRIBE THEM? 693 00:35:34,133 --> 00:35:36,067 OH, YOU KNOW, THAT WARM SENSATION, 694 00:35:36,067 --> 00:35:38,400 THAT TINGLING FEELING OF RELIEF WHEN IT'S OVER. 695 00:35:38,433 --> 00:35:40,767 NO, NO, THIS WAS MUCH... 696 00:35:40,800 --> 00:35:42,267 BETTER? 697 00:35:42,300 --> 00:35:43,300 YES. 698 00:35:43,333 --> 00:35:47,467 THAT'S 'CAUSE IT WAS AN ORGASM. 699 00:35:47,500 --> 00:35:50,367 OH. 700 00:35:50,400 --> 00:35:53,367 WELL, I'LL BE DARNED. 701 00:36:10,567 --> 00:36:11,700 LET ME HAVE ONE OF THOSE. 702 00:36:11,733 --> 00:36:14,067 HERE YOU GO. 703 00:36:14,067 --> 00:36:16,633 (Mrs. McCluskey) IT'S A PRETTY GOOD TURNOUT. 704 00:36:16,667 --> 00:36:18,367 (indistinct conversations) 705 00:36:18,400 --> 00:36:19,667 OH! 706 00:36:19,700 --> 00:36:21,633 OH, MY, IT'S HUGE. 707 00:36:21,667 --> 00:36:23,267 (laughs) 708 00:36:23,300 --> 00:36:28,200 (doorbell rings) 709 00:36:28,233 --> 00:36:30,533 HI. CAN I HELP YOU? 710 00:36:30,567 --> 00:36:32,400 ARE YOU BREE VAN DE KAMP? 711 00:36:32,433 --> 00:36:33,667 YES, AND YOU ARE? 712 00:36:33,700 --> 00:36:37,533 CAROLYN BIGSBY. I WAS ORSON'S NEIGHBOR. 713 00:36:37,567 --> 00:36:38,800 OH, WELL, COME ON IN. 714 00:36:38,833 --> 00:36:41,300 LET'S DRY YOU OFF AND GET YOU A DRINK. 715 00:36:41,333 --> 00:36:46,267 I DIDN'T COME HERE TO CELEBRATE. 716 00:36:46,300 --> 00:36:47,533 CAROLYN. 717 00:36:47,567 --> 00:36:50,400 ENGAGED AGAIN? THAT WAS QUICK WORK. 718 00:36:52,200 --> 00:36:54,800 DOES SHE KNOW YOU KILLED YOUR WIFE? 719 00:36:56,433 --> 00:37:00,533 MY WIFE LEFT ME. 720 00:37:00,567 --> 00:37:02,500 AND NO ONE EVER HEARD FROM HER AGAIN. 721 00:37:02,533 --> 00:37:05,400 NOT ME, NOT HER FAMILY. 722 00:37:05,433 --> 00:37:07,433 JUST DROPPED OFF THE FACE OF THE EARTH. 723 00:37:10,600 --> 00:37:13,400 ORSON, WHAT IS SHE TALKING ABOUT? 724 00:37:13,433 --> 00:37:15,167 DIDN'T TELL YOU THAT PART, DID HE? 725 00:37:15,200 --> 00:37:17,767 ALL RIGHT, CAROLYN, YOU'VE MADE YOUR LITTLE SCENE. 726 00:37:17,800 --> 00:37:21,667 YOU KEEP YOUR HANDS OFF ME. DON'T LET HIM FOOL YOU. 727 00:37:21,700 --> 00:37:24,667 GET AWAY FROM HIM NOW WHILE YOU CAN. 728 00:37:27,500 --> 00:37:29,367 PLEASE LEAVE MY HOUSE. 729 00:37:29,400 --> 00:37:34,100 FINE. BE A FOOL. MARRY HIM. 730 00:37:34,133 --> 00:37:36,400 JUST DON'T BE SURPRISED WHEN YOU GO MISSING, TOO. 731 00:37:55,200 --> 00:37:57,467 I'M SORRY YOU HAD TO ENDURE THAT. 732 00:38:02,067 --> 00:38:04,333 YOUR WIFE... 733 00:38:04,367 --> 00:38:05,767 DISAPPEARED? 734 00:38:05,800 --> 00:38:09,300 I TRIED TO FIND HER. 735 00:38:09,333 --> 00:38:13,067 HER FAMILY CLAIMED NOT TO HAVE HEARD FROM HER. 736 00:38:13,067 --> 00:38:16,500 PERSONALLY, I THINK SHE WAS JUST TRYING TO PUNISH ME. 737 00:38:16,533 --> 00:38:19,400 SO... 738 00:38:19,433 --> 00:38:21,100 ARE YOU STILL MARRIED? 739 00:38:21,133 --> 00:38:25,167 NO, I WAS GRANTED A DIVORCE ON GROUNDS OF ABANDONMENT. 740 00:38:26,867 --> 00:38:29,067 BREE... 741 00:38:30,667 --> 00:38:32,500 YOU CAN'T POSSIBLY THINK THAT-- 742 00:38:32,533 --> 00:38:34,633 NO, OF COURSE NOT. 743 00:38:36,500 --> 00:38:39,833 I LOVE YOU. 744 00:38:39,867 --> 00:38:43,367 AND I LOVE YOU. 745 00:38:46,067 --> 00:38:48,100 ORSON... 746 00:38:48,133 --> 00:38:49,433 MY HAND. 747 00:39:03,867 --> 00:39:07,067 (speaking indistinctly) 748 00:39:15,133 --> 00:39:17,600 THE BUFFET IS OPEN. 749 00:39:17,633 --> 00:39:20,100 BREE... 750 00:39:45,600 --> 00:39:49,067 EVERY STORM BRINGS WITH IT HOPE... 751 00:39:49,100 --> 00:39:51,200 THAT SOMEHOW BY MORNING, 752 00:39:51,233 --> 00:39:54,200 EVERYTHING WILL BE MADE CLEAN AGAIN, 753 00:39:54,233 --> 00:39:56,467 AND EVEN THE MOST TROUBLING STAINS 754 00:39:56,500 --> 00:39:58,800 WILL HAVE DISAPPEARED, 755 00:39:58,833 --> 00:40:02,600 LIKE THE DOUBTS OVER HIS INNOCENCE... 756 00:40:04,333 --> 00:40:08,600 OR THE CONSEQUENCE OF HIS MISTAKE... 757 00:40:12,467 --> 00:40:16,400 LIKE THE SCARS OF HIS BETRAYAL... 758 00:40:20,867 --> 00:40:25,033 OR THE MEMORY OF HIS KISS. 759 00:40:27,800 --> 00:40:30,767 SO WE WAIT FOR THE STORM TO PASS, 760 00:40:30,800 --> 00:40:33,567 HOPING FOR THE BEST. 761 00:40:37,700 --> 00:40:42,600 EVEN THOUGH WE KNOW IN OUR HEARTS... 762 00:40:42,633 --> 00:40:47,067 SOME STAINS ARE SO INDELIBLE... 763 00:40:47,100 --> 00:40:50,400 NOTHING CAN WASH THEM AWAY.