1 00:00:06,550 --> 00:00:09,639 [Music] When you want to run away 2 00:00:09,639 --> 00:00:12,920 First of all, no. Listen to all this with your right foot 3 00:00:12,920 --> 00:00:17,030 The ball is coming. 4 00:00:17,030 --> 00:00:19,050 [Music] 5 00:00:22,880 --> 00:00:25,160 If you just remember this much, you will lose the ball. 6 00:00:25,160 --> 00:00:28,560 It will decrease. 7 00:00:30,279 --> 00:00:32,520 Good evening. Good evening. 8 00:00:32,520 --> 00:00:35,520 Well, as for the content, well, this time it's about hoodsal, so, well, my 9 00:00:37,360 --> 00:00:37,640 YouTube 10 00:00:37,640 --> 00:00:40,640 I'm sure there are some people who are watching this, but I would like to tell everyone about futsal, which is a completely different form of competitive futsal than what I'm showing. 11 00:00:50,600 --> 00:00:52,719 Well, actually, a lot of people play futsal. 12 00:00:52,719 --> 00:00:55,520 I think I'm teaching the Kanto area. 13 00:00:55,520 --> 00:00:57,280 Futsal level and futsal in Kansai 14 00:00:57,280 --> 00:00:59,120 After all, there is a considerable difference in the level [music], 15 00:00:59,120 --> 00:01:02,719 , I have experienced so many things here. 16 00:01:02,719 --> 00:01:04,519 I'll pass on the [music] from your table. 17 00:01:04,519 --> 00:01:06,680 I hope to see you there, so please take care of me today. 18 00:01:06,680 --> 00:01:09,920 Please. Today is my first experience, 19 00:01:09,920 --> 00:01:11,520 Rather than a theme [music], it's more like 20 00:01:11,520 --> 00:01:14,240 The real touch part is the most important part of the foot monkey. 21 00:01:14,240 --> 00:01:17,960 Although it is a part of the individual, it is surprisingly not communicated. 22 00:01:17,960 --> 00:01:20,520 However, I would like to do a little bit of that, so 23 00:01:20,520 --> 00:01:23,000 Later, there were individual tactics, well, wantz. 24 00:01:23,000 --> 00:01:24,560 Everyone, whether it's parallel or block. 25 00:01:24,560 --> 00:01:26,560 But, well, I'm sure you've heard it before, but... 26 00:01:26,560 --> 00:01:29,079 , there are various deep techniques and IQ 27 00:01:29,079 --> 00:01:31,320 I think it's necessary and I would like to convey that again. 28 00:01:31,320 --> 00:01:33,720 So, let's talk about it a little bit personally first. 29 00:01:33,720 --> 00:01:36,920 I'll go. So the first thing we'll do is play the ball. 30 00:01:36,920 --> 00:01:39,920 How to hold it. my own ball first 31 00:01:39,920 --> 00:01:42,079 It's how you hold it. Well, it's futsal, so the soles of the feet 32 00:01:42,079 --> 00:01:44,320 Basically, everyone uses it and plays it. 33 00:01:44,320 --> 00:01:46,320 I think you know that. Then most likely 34 00:01:46,320 --> 00:01:48,640 The most troublesome part of Foot Monkey is Ross. 35 00:01:48,640 --> 00:01:50,600 The [music] part that happens is pressure on the enemy. 36 00:01:50,600 --> 00:01:54,680 When I was eaten, I couldn't escape because I didn't know what to do. 37 00:01:54,680 --> 00:01:56,320 I get pressured and end up being taken. Ma 38 00:01:56,320 --> 00:01:57,399 , Wood Sail is already far away. 39 00:01:57,399 --> 00:02:00,320 Because it's close, this is the reason why I lose the most [music] 40 00:02:00,320 --> 00:02:04,640 It is. For that purpose, first of all, we need to 41 00:02:04,640 --> 00:02:06,759 It only moves in these four directions. 42 00:02:06,759 --> 00:02:09,038 I think, but basically, 43 00:02:09,038 --> 00:02:10,758 I'll tell you how it works today [music] 44 00:02:10,758 --> 00:02:15,359 . First, let's go back and forth. 45 00:02:16,680 --> 00:02:19,120 When moving forward [music], cross your legs 46 00:02:19,120 --> 00:02:23,280 Create a state and carry it forward. So, next time when I'm behind you 47 00:02:23,280 --> 00:02:27,319 If you are right-minded, put the ball on the right side as seen from you. 48 00:02:27,319 --> 00:02:31,518 Go down while pulling. 49 00:02:39,680 --> 00:02:43,239 In the previous time, he crossed the front and moved forward. 50 00:02:43,239 --> 00:02:45,319 when behind 51 00:02:45,319 --> 00:02:48,440 Pull it out and put it inside yourself. From the front 52 00:02:48,440 --> 00:02:51,680 Let's start. Start from the front. 53 00:02:51,680 --> 00:02:53,680 yes. You only need to touch the back once. 54 00:02:53,680 --> 00:02:58,280 You only need to touch it once. before. yes. 55 00:02:58,280 --> 00:03:03,120 behind. yes. yes. before. 56 00:03:03,440 --> 00:03:06,440 yes. behind. yes. yes. behind. before. Back front. oh yeah. Yeah, yeah. Pull back. nice. before. Okay. stop. In the previous case, you will be crossing each other, so your body will be slightly facing away from you. 57 00:03:27,720 --> 00:03:30,040 So, when I step back [music], like this 58 00:03:30,040 --> 00:03:32,400 It goes down, so it's always facing this way. 59 00:03:32,400 --> 00:03:34,840 Right. If you do this, you're in your own direction 60 00:03:34,840 --> 00:03:36,879 Now that it's decided [music], here we go 61 00:03:36,879 --> 00:03:40,280 When you want to go to 62 00:03:40,280 --> 00:03:42,720 Look forward. Step forward in this state [music] 63 00:03:42,720 --> 00:03:46,239 . So, what direction do you want to go in? 64 00:03:46,239 --> 00:03:49,319 Weapon facing forward. I've already seen all of this 65 00:03:49,319 --> 00:03:53,439 Opens only when going down, yet all the way forward 66 00:03:53,439 --> 00:03:55,640 Create a situation where you can see. [Music] 67 00:03:55,640 --> 00:03:58,959 So, I look forward to this kind of image again. 68 00:03:58,959 --> 00:04:02,400 Opens when going down. I'll pull it. 69 00:04:02,400 --> 00:04:03,840 Please be a little more aware of this. 70 00:04:03,840 --> 00:04:07,519 It's okay to slow down. at first 1 71 00:04:07,519 --> 00:04:10,840 Return while opening. 72 00:04:10,840 --> 00:04:17,040 This is positive. Return while opening. So, look forward 73 00:04:17,040 --> 00:04:19,040 Oh? I'll go. Come forward. Ah, yes 74 00:04:19,040 --> 00:04:23,080 That's right. Only when it goes down. own 75 00:04:23,080 --> 00:04:25,400 Turn to the right. 76 00:04:25,400 --> 00:04:28,400 This time I look forward. Turn your navel facing forward. When going down, change the direction of your navel. yes. Look forward. yes. So, this time I'll twist it. Twist. Twist. Twist. It's a shame. Look forward. yes. Twist. Ah, yes, yes. It's really good. It's really good. It's really good. yes. When twisting in front. yes. Twist this. oh. good. good. Open at this time. open. Change the direction of the object to your own direction. 77 00:04:54,800 --> 00:04:57,800 At this time, before 78 00:04:58,160 --> 00:05:01,160 Everyone, this is a really important point, but I feel pressured. For example, when you want to run backwards, step backwards first. 79 00:05:06,720 --> 00:05:07,880 NG 80 00:05:07,880 --> 00:05:10,880 The reason for this is that your ball is exposed to the opponent who is coming at you, so if you want to get cut, you won't be able to escape. 81 00:05:16,840 --> 00:05:21,120 So when Hoodsal goes down, it pivots forward. 82 00:05:21,120 --> 00:05:24,199 I want to quickly create a situation where I can take it. When it happens 83 00:05:24,199 --> 00:05:27,039 If you can pull the ball and create this situation 84 00:05:27,039 --> 00:05:30,960 When pressure comes, this kind of evasion arrow 85 00:05:30,960 --> 00:05:36,198 If it turns towards you, you can run to the left or right. 86 00:05:40,000 --> 00:05:42,600 If it's a match, it's going down 87 00:05:42,600 --> 00:05:45,680 If you already have an ally on the front line, you can also pass. 88 00:05:45,680 --> 00:05:48,080 However, if it goes down like this, I will pass from here. 89 00:05:48,080 --> 00:05:52,120 It's also difficult to dodge in an ecological state. 90 00:05:52,120 --> 00:05:54,600 So, first and foremost, music is absolutely important. 91 00:05:54,600 --> 00:05:58,880 . When descending, be sure to open your body to the side of your listening leg. 92 00:05:58,880 --> 00:06:01,680 It goes down. Just remember this [music] 93 00:06:01,680 --> 00:06:05,160 First of all, ball loss will be reduced. So, before 94 00:06:05,160 --> 00:06:07,639 When I was about to go, I asked why this was a bad idea. 95 00:06:07,639 --> 00:06:10,759 This is also the same, the ball runs away from me. 96 00:06:10,759 --> 00:06:12,960 This is how you carry it because it takes shape. 97 00:06:12,960 --> 00:06:15,479 Basically I don't. Basically when carrying it forward 98 00:06:15,479 --> 00:06:17,284 You can escape from this cross shape 99 00:06:17,284 --> 00:06:20,639 [Music], you can escape, you can touch. always close 100 00:06:20,639 --> 00:06:23,639 Without the ball, a momentary press can turn everything into a situation. 101 00:06:23,639 --> 00:06:26,240 I won't run away from myself because I'll change 102 00:06:26,240 --> 00:06:28,160 Today [music] let's do some training first 103 00:06:28,160 --> 00:06:31,960 Masu. This video is provided by our partner 104 00:06:31,960 --> 00:06:35,400 We are sending it to you. 105 00:06:35,400 --> 00:06:38,560 Next time I'll go sideways. It's a little difficult here between right and left. 106 00:06:38,560 --> 00:06:40,639 But right now, this time I'm looking at the right side. 107 00:06:40,639 --> 00:06:46,319 When going, open the side step 108 00:06:46,319 --> 00:06:48,800 I am aware of this first. all my own 109 00:06:48,800 --> 00:06:53,800 The ball is on the listening side. There's a ball. 110 00:06:53,800 --> 00:06:56,584 There's a ball. I heard all this with my right foot. 111 00:06:56,584 --> 00:06:57,879 The ball is coming to [MUSIC] 112 00:06:57,879 --> 00:07:00,720 . What is important is how you can create this. Roughly 113 00:07:00,720 --> 00:07:02,360 Anyone who loses the ball immediately goes to the left. 114 00:07:02,360 --> 00:07:04,360 Or [music], I'm not good at this. 115 00:07:04,360 --> 00:07:06,400 Do it, then do it again on the right side to make sure your position is right. 116 00:07:06,400 --> 00:07:08,379 Collapse. This is not the best anymore so always 117 00:07:08,379 --> 00:07:09,720 [Music] 118 00:07:09,720 --> 00:07:13,160 Place the ball on the right side. Place the ball on the right side. 119 00:07:13,160 --> 00:07:15,160 Place it on the right so you can pass quickly like this 120 00:07:15,160 --> 00:07:16,879 Like. One more thing to keep in mind 121 00:07:16,879 --> 00:07:19,639 I'll go twice. Ah, that's nice. Is this so? 122 00:07:19,639 --> 00:07:21,879 . yes. 123 00:07:21,879 --> 00:07:24,639 I won't stop one time at a time. I won't stop one time at a time 124 00:07:24,639 --> 00:07:27,319 . Just like this all at once. 125 00:07:27,319 --> 00:07:29,335 Yeah, yeah, yeah, yeah, yeah. That's fine. The soles of my feet. Yes, cross. Yes, it opens. I'll do it in a very small space. It better be true. yes. 126 00:07:29,335 --> 00:07:31,354 [laughter] 127 00:07:40,479 --> 00:07:40,639 1 128 00:07:40,639 --> 00:07:43,639 Change it yourself. Yes, yes, yes, yes, yes, yes. Ah, that's nice. That's nice. Yes. The soles of my feet when outside. The soles of my feet when outside. All on the soles of the feet. 129 00:07:53,720 --> 00:07:54,599 1 time 1 time 130 00:07:54,599 --> 00:07:57,479 times. Don't use the inside either. I don't use out either. 131 00:07:57,479 --> 00:08:01,800 Feels good. This fits. Once at a time if possible 132 00:08:01,800 --> 00:08:05,039 Take this with you. yes. 133 00:08:05,039 --> 00:08:07,159 1 time. Ah, yes, yes. From here 134 00:08:07,159 --> 00:08:10,159 That's a really important point. This behavior is 135 00:08:10,159 --> 00:08:13,120 There are many people who do this, and it's probably a normal thing to do. 136 00:08:13,120 --> 00:08:16,199 However, there is a big pitfall and there is a big hole on the outside. 137 00:08:16,199 --> 00:08:18,280 When I go, for example, I'm facing this way. Well, 138 00:08:18,280 --> 00:08:19,770 In a match, for example, on the other side of the goal. 139 00:08:19,770 --> 00:08:21,360 [Music] Tara is facing this way. over here 140 00:08:21,360 --> 00:08:23,560 When I went to the goal, I looked at the goal. 141 00:08:23,560 --> 00:08:25,120 I'm gonna go outside here with my face facing me 142 00:08:25,120 --> 00:08:26,919 It doesn't happen that often. Not 143 00:08:26,919 --> 00:08:28,840 Go in the direction you want to go with [music] 144 00:08:28,840 --> 00:08:31,759 Turn your navel. 145 00:08:31,759 --> 00:08:35,839 So, when is it okay to use side steps in a match? 146 00:08:35,839 --> 00:08:39,240 If you are right-handed, look at the left side as seen from you. 147 00:08:39,240 --> 00:08:41,679 Side step only when going to the ball. It's now 148 00:08:41,679 --> 00:08:43,159 If it were me, I would choose this [music] 149 00:08:43,159 --> 00:08:45,440 I sometimes use side steps when I go. 150 00:08:45,440 --> 00:08:49,080 . When going forward, backward, right, as seen from yourself, go to the side. 151 00:08:49,080 --> 00:08:50,839 It is generally better not to use steps. 152 00:08:50,839 --> 00:08:53,160 This will be a disadvantage. How to hold this. 153 00:08:53,160 --> 00:08:55,279 So what should I do? Open it up. 154 00:08:55,279 --> 00:08:58,399 A short run. 155 00:08:58,399 --> 00:09:00,920 When I go this way, I side step to the left. 156 00:09:00,920 --> 00:09:03,079 Right. [Music] When I go to my own right 157 00:09:03,079 --> 00:09:05,160 A short run. 158 00:09:05,160 --> 00:09:07,079 The reason for this is the side step. 159 00:09:07,079 --> 00:09:09,399 If you do this, it will be difficult to pass during this time. 160 00:09:09,399 --> 00:09:13,839 . If there is a slight bounce, you can always kick it and you can deal with it. 161 00:09:13,839 --> 00:09:15,959 It becomes easier to do. This for next [music] 162 00:09:15,959 --> 00:09:18,160 Flying time becomes a disadvantage 163 00:09:18,160 --> 00:09:21,200 When you go to the right from yourself [music] here 164 00:09:21,200 --> 00:09:24,560 Change the direction of your body with a short run. side when returning 165 00:09:24,560 --> 00:09:28,279 step. trotting 166 00:09:28,279 --> 00:09:30,839 Side [music] step. Be conscious of this first 167 00:09:30,839 --> 00:09:34,000 I'll get it. When you go left, you cross your legs too 168 00:09:34,000 --> 00:09:37,240 I can't. If you do this 169 00:09:37,240 --> 00:09:38,800 I said something, but there's a ball ahead. 170 00:09:38,800 --> 00:09:40,480 As I said earlier, it will come out. 171 00:09:40,480 --> 00:09:41,959 People who are under pressure because of this, 172 00:09:41,959 --> 00:09:43,800 There are many people who can close the distance on defense. 173 00:09:43,800 --> 00:09:47,079 . Trotting with the mess [music] 174 00:09:47,079 --> 00:09:50,640 My pivot foot has been on the right since it flew first. 175 00:09:50,640 --> 00:09:55,440 take shape. That way I can stop when it comes 176 00:09:55,440 --> 00:09:56,920 If you do this cross, stop doing this. 177 00:09:56,920 --> 00:09:59,600 No. This is what happens when you go left 178 00:09:59,600 --> 00:10:04,200 It does not take the form of a cross. Always put your left foot first. 179 00:10:04,200 --> 00:10:07,399 This is definitely like this! 180 00:10:07,399 --> 00:10:10,279 Advance. Don't cross here. This is no good 181 00:10:10,279 --> 00:10:12,880 Yo. No this or this cross [music]. 182 00:10:12,880 --> 00:10:14,760 Keeping this in mind once more1 183 00:10:14,760 --> 00:10:17,760 I'll go one time at a time. Oh, okay, okay, come on, turn this way. Yes, yes, yes, yes, yes. It flies by trotting. Yes, that's good. Yes, yes, yes, yes, yes. It's okay to take it slow. 184 00:10:24,480 --> 00:10:26,640 It's right, it's right, it's right. 185 00:10:26,640 --> 00:10:29,640 Toward this direction. yes. Ah, yes, yes, yes, yes, yes. So, when flying, go to the left. Oh, Kurosu. 186 00:10:33,320 --> 00:10:36,320 jump. Ah, yes, yes, yes, yes. So far it's okay. From here onwards. 187 00:10:38,000 --> 00:10:41,000 yes. I'll pull you. I'll pull you from behind. meaning. Ah, yes, yes. 188 00:10:41,480 --> 00:10:44,480 I just realized this after crossing it. An image of flying with both. 189 00:10:47,560 --> 00:10:49,240 yes. difficult. 190 00:10:49,240 --> 00:10:52,240 This is difficult, but if you can remember this, it will be difficult. 191 00:10:53,760 --> 00:10:56,760 This is going to become a cross. My pivot isn't moving right now. It looks like this, so I imagine this one will move first. 192 00:11:01,160 --> 00:11:02,399 There are quite a lot of them. 193 00:11:02,399 --> 00:11:02,867 yes. Already bigger. Just put the ball like this. 194 00:11:02,867 --> 00:11:04,887 [Music] 195 00:11:05,959 --> 00:11:08,959 It might be better to feel something like that. Yes, yes, yes, yes. That's it. 196 00:11:10,800 --> 00:11:13,800 A small butt that makes it a habit. Yes, yes, yes, yes. The side step is on the left when looking at you. That side step. side step. Yes, yes, yes, yes, yes, yes. To be honest, it was a little difficult. 197 00:11:23,600 --> 00:11:26,600 Ah, that's right. yes. Although it looks like a simple touch, it is quite difficult, and this is what is called physical manipulation. The way you hold yourself is actually more important than dribbling like this. But once you get used to this, you'll be able to do it in no time. 198 00:11:35,480 --> 00:11:35,680 1 199 00:11:35,680 --> 00:11:38,680 One point is when a right-handed person goes to the left as seen from you. 200 00:11:40,200 --> 00:11:42,600 When the person on the left goes to the right as seen from you, 201 00:11:42,600 --> 00:11:44,680 It's a side step, but the first 202 00:11:44,680 --> 00:11:49,000 If you end up with a cross like this, start like this. 203 00:11:49,000 --> 00:11:52,360 Ball inside your body from the direction like this 204 00:11:52,360 --> 00:11:55,279 If you start from the state where it is inserted, it will take quite a long time. 205 00:11:55,279 --> 00:11:58,600 This is because my feet tend to stick here. 206 00:11:58,600 --> 00:12:03,240 It's on my right side based on the situation. 207 00:12:03,480 --> 00:12:06,160 . This way [music]. 208 00:12:06,160 --> 00:12:09,160 It's like pulling it from your butt and coming back. It will probably be easier if you get it the first time. I don't think it will be a cross. 209 00:12:14,480 --> 00:12:16,320 2 210 00:12:16,320 --> 00:12:19,320 It stretches and then pulls back. 211 00:12:19,503 --> 00:12:21,399 [Music] 212 00:12:21,399 --> 00:12:24,399 For example, the start is a short run. Start here. If your pivot foot is close to the ball's foot, you'll inevitably end up with a cross like this at the start, so touch it. Stop in the stretched position. 213 00:12:28,018 --> 00:12:30,038 [Music] 214 00:12:35,480 --> 00:12:38,279 I'll pull it from here. a little behind 215 00:12:38,279 --> 00:12:41,118 Bring it back here. Look forward 216 00:12:41,118 --> 00:12:42,680 [Music] Try to cross your pelvis like this 217 00:12:42,680 --> 00:12:47,120 It doesn't go well, so I decided to take this shape. yes. 218 00:12:47,120 --> 00:12:49,440 The image to draw from here. This is everyone 219 00:12:49,440 --> 00:12:51,040 Mr. is getting better. This is it already 220 00:12:51,040 --> 00:12:53,320 I can pass and run away, so I use this. 221 00:12:53,320 --> 00:12:56,680 I will consciously go in the next 4 directions. 222 00:12:56,680 --> 00:12:59,680 The one who did it all. Pull front and back. Before breaking 223 00:13:07,480 --> 00:13:10,480 Pull back. Running small. This also looks easy, but it's quite difficult, but basically I'm only doing side steps when I'm looking at myself, except when I'm going to the left. A trot in front, and a trot in the back. 224 00:13:14,524 --> 00:13:16,544 [Music] 225 00:13:25,600 --> 00:13:28,320 Next, pull this much and jump side 226 00:13:28,320 --> 00:13:33,839 There are four small steps on the outside in four directions. 227 00:13:33,839 --> 00:13:36,320 back left and right 228 00:13:36,320 --> 00:13:40,079 The left qi person is the opposite. front, back, right, left 229 00:13:40,079 --> 00:13:43,600 So now I'm trying not to kick first. 230 00:13:43,600 --> 00:13:47,279 This is how it gets taken away, so it stays like this 231 00:13:47,279 --> 00:13:49,320 I'll follow you. Yeah yeah yeah yeah yeah 232 00:13:49,320 --> 00:13:52,199 That's right. hey hey. Look forward. The previous time 233 00:13:52,199 --> 00:13:54,279 Please look forward. When in the back, open your body. 234 00:13:54,279 --> 00:13:59,399 Don't forget to listen to your feet. first 235 00:13:59,719 --> 00:14:03,199 [Music] Yeah yeah yeah 236 00:14:08,639 --> 00:14:09,399 . Good. Good. Good. Good. 237 00:14:09,399 --> 00:14:10,759 It's really good. So, pull [music] 238 00:14:10,759 --> 00:14:12,920 . Oh, good. It's really good. So, yeah 239 00:14:12,920 --> 00:14:15,360 Perfect. 240 00:14:15,360 --> 00:14:18,880 yes. pull. nice. [Music] Walk outside 241 00:14:18,880 --> 00:14:21,519 . Oh, it's so perfect. I can go forward. Oh 242 00:14:21,519 --> 00:14:23,120 , repeat this. [Music] 243 00:14:23,120 --> 00:14:26,120 Okay. Open your body and return. oh yeah. Pull it while hiding it. good. So, outside. good. 244 00:14:31,000 --> 00:14:34,000 Oh, perfect. 245 00:14:34,720 --> 00:14:36,399 good. 246 00:14:36,399 --> 00:14:38,480 good. 247 00:14:38,480 --> 00:14:40,639 good. 248 00:14:40,639 --> 00:14:43,480 good. It fits. It's good to be there. It's good to be there. 249 00:14:43,480 --> 00:14:46,480 yes. Oh, well, no.