1 00:00:01,959 --> 00:00:04,629 (ethereal music) 2 00:00:36,118 --> 00:00:39,247 (rock and roll music) 3 00:00:49,674 --> 00:00:52,301 I Wrapped up in this world of anger ♪ 4 00:00:52,593 --> 00:00:55,346 I There's no second chance out here I 5 00:00:56,305 --> 00:00:58,951 ♪ Na“ fight your eyes now honey 3 6 00:00:58,975 --> 00:01:01,769 I 'Cause I know just what you fear I 7 00:01:02,812 --> 00:01:05,273 ♪ Well I've seen it all before I 8 00:01:05,439 --> 00:01:08,276 ♪ And it all comes back to me I 9 00:01:09,402 --> 00:01:12,130 I Well I see your face now honey I 10 00:01:12,154 --> 00:01:14,758 ♪ And I know just where you've been a“ 11 00:01:14,782 --> 00:01:16,284 ♪ With someone someone I 12 00:01:18,578 --> 00:01:21,163 I Well there's someone just like you I 13 00:01:21,872 --> 00:01:23,767 — Wait for me here, I'll be right back. — [Driver] Okay. 14 00:01:23,791 --> 00:01:28,004 I Oh I need someone to take away the blue I 15 00:01:29,880 --> 00:01:34,510 I Someone well there's someone just like you I 16 00:01:35,761 --> 00:01:40,516 I Oh I need someone to take away the blue I 17 00:01:42,852 --> 00:01:44,812 (dramatic music) 18 00:01:59,285 --> 00:02:00,453 George. 19 00:02:01,912 --> 00:02:04,165 George, where are you? 20 00:02:05,041 --> 00:02:07,752 (dramatic music) 21 00:02:09,754 --> 00:02:10,963 Come out. 22 00:02:13,924 --> 00:02:15,718 You can't hide in there any longer. 23 00:02:16,302 --> 00:02:18,429 I know you are the murderer. 24 00:02:23,601 --> 00:02:25,353 I know you did it. 25 00:02:35,112 --> 00:02:36,112 George. 26 00:02:39,992 --> 00:02:40,992 George? 27 00:02:59,887 --> 00:03:02,306 (dramatic music) 28 00:03:03,099 --> 00:03:04,850 — [George] I'll kill you. 29 00:03:05,935 --> 00:03:06,936 Cut. 30 00:03:07,144 --> 00:03:08,437 Okay print this one. 31 00:03:08,938 --> 00:03:09,938 Next set up. 32 00:03:12,149 --> 00:03:14,044 — You okay, honey? — Just fine. 33 00:03:14,068 --> 00:03:15,629 I'm through for the day, right? 34 00:03:15,653 --> 00:03:16,987 — Yeah, you can go. — Okay. 35 00:03:17,196 --> 00:03:18,989 I saw Marc in the corner over there. 36 00:03:19,448 --> 00:03:21,867 So don't keep him waiting, the way you do to me all the time. 37 00:03:22,284 --> 00:03:23,703 [Anne] Thanks Carl, I won't. 38 00:03:24,370 --> 00:03:25,370 — [Carl] Bye. 39 00:03:25,663 --> 00:03:27,265 — [Anne] So long you guys, see you tomorrow. 40 00:03:27,289 --> 00:03:28,541 — [Carl] Is Nora around, Nora? 41 00:03:28,708 --> 00:03:29,917 — Here I am. 42 00:03:30,418 --> 00:03:31,770 — [Carl] Let's walk this next shot through 43 00:03:31,794 --> 00:03:33,271 once or twice, just technically right. 44 00:03:33,295 --> 00:03:34,695 — [Nora] Yeah Carl, I could use it. 45 00:03:35,131 --> 00:03:36,358 This is the staircase shot, huh? 46 00:03:36,382 --> 00:03:37,425 — No that's coming up. 47 00:03:37,967 --> 00:03:39,047 This is just your entrance. 48 00:03:39,135 --> 00:03:40,779 A slow walk past the camera, okay? 49 00:03:40,803 --> 00:03:41,595 — Got it. 50 00:03:41,762 --> 00:03:43,180 — Okay camera. — Quiet on the set. 51 00:03:43,556 --> 00:03:44,556 — [Carl] Speed. 52 00:03:45,808 --> 00:03:47,328 — [Loader] The Black Cat 1A, take one. 53 00:03:47,768 --> 00:03:48,768 — [Carl] Action. 54 00:03:50,646 --> 00:03:52,457 — [Anne] The very first shot this morning, 55 00:03:52,481 --> 00:03:55,526 I was really getting into it, and he jumps up screams for makeup. 56 00:03:55,776 --> 00:03:57,671 There wasn't enough ketchup on my face. 57 00:03:57,695 --> 00:03:58,863 Can you believe that jerk? 58 00:03:59,029 --> 00:04:00,882 — [Marc] Having a spot of trouble with your director, huh? 59 00:04:00,906 --> 00:04:02,826 — [Anne] That man is no director, he's a butcher. 60 00:04:03,367 --> 00:04:06,287 All he wants is blood, blood, and more blood, 61 00:04:06,704 --> 00:04:07,955 And now and then a gut. 62 00:04:08,330 --> 00:04:11,476 — [Marc] He happens to be one of the top grossing directors in the business. 63 00:04:11,500 --> 00:04:12,585 — [Anne] Gross is right. 64 00:04:13,335 --> 00:04:15,897 — [Marc] You actors always complain about your directors, it's like breathing. 65 00:04:15,921 --> 00:04:18,121 — [Anne] Not true, I love working with you, for example. 66 00:04:18,924 --> 00:04:21,737 — [Marc] I think the fact that we're married has something to do with what you're saying. 67 00:04:21,761 --> 00:04:24,472 — [Anne] Not only married but to each other, identify. 68 00:04:25,222 --> 00:04:26,682 — [Marc] George Burns, 1943. 69 00:04:26,849 --> 00:04:29,935 — [Anne] You're infuriating. You know damn well it was Gracie Allen. 70 00:04:30,478 --> 00:04:31,812 — Feminist. — Pig. 71 00:04:34,273 --> 00:04:36,126 — Did you see who got in that car down there? 72 00:04:36,150 --> 00:04:37,401 That's Marc Ravenna. 73 00:04:37,568 --> 00:04:39,129 I did a film with him last year. 74 00:04:39,153 --> 00:04:40,696 He's a fantastic director. 75 00:04:40,905 --> 00:04:43,324 — You say that about every director dumb enough to cast you. 76 00:04:47,453 --> 00:04:49,053 — [Anne] How's the work coming, darling? 77 00:04:49,163 --> 00:04:51,874 — Fine, Dan and I have almost finished the storyline. 78 00:04:52,208 --> 00:04:53,977 — Great, I'm dying to read it. 79 00:04:54,001 --> 00:04:56,462 — Nobody reads it till I have a producer. 80 00:04:57,213 --> 00:04:59,006 — Oh you're so superstitious. 81 00:04:59,173 --> 00:05:00,591 — It's still no. 82 00:05:00,883 --> 00:05:02,235 — [Anne] Who are you going to show it to? 83 00:05:02,259 --> 00:05:03,379 — My agent is working on it. 84 00:05:03,469 --> 00:05:04,669 He's got some nibbles already. 85 00:05:04,929 --> 00:05:06,764 The big problem with producers is 86 00:05:07,097 --> 00:05:09,016 getting them excited with each new picture. 87 00:05:09,767 --> 00:05:11,811 — Well, that's not your end of the business anyway. 88 00:05:11,977 --> 00:05:13,413 Just concentrate on saying things 89 00:05:13,437 --> 00:05:15,523 in a way no one's ever thought of before. 90 00:05:15,815 --> 00:05:18,150 — Jesus honey it's... it's a jungle out there. 91 00:05:18,651 --> 00:05:20,712 If you don't blow your own horn every time, 92 00:05:20,736 --> 00:05:23,322 you end up directing, I don't know, game shows. 93 00:05:23,989 --> 00:05:25,741 Look darling, you know as well as I do. 94 00:05:26,408 --> 00:05:29,662 If I make one single flop I'm out on my can. 95 00:05:29,912 --> 00:05:32,057 — [Anne] I don't think there's much likelihood of that. 96 00:05:32,081 --> 00:05:34,375 More than one critic has called you a genius. 97 00:05:34,667 --> 00:05:36,728 — [Marc] Yeah, and more than one producer 98 00:05:36,752 --> 00:05:39,755 has called me king of the spaghetti thrillers, wonderful. 99 00:05:41,924 --> 00:05:44,802 Well, maybe that's enough business chit—chat for one day. 100 00:05:45,219 --> 00:05:47,388 I'm bushed, I think we can both use some shut eye. 101 00:05:47,680 --> 00:05:50,099 — [Anne] I know I could, today was really rough. 102 00:05:50,307 --> 00:05:52,142 — [Marc] Well, say good night Gracie. 103 00:05:54,270 --> 00:05:55,312 — [Anne] Sara? 104 00:05:56,689 --> 00:05:57,690 Sara, we're home. 105 00:05:59,859 --> 00:06:01,485 — Strange, maybe she's out. 106 00:06:01,902 --> 00:06:03,779 — Come on, with the baby to take care of? 107 00:06:03,946 --> 00:06:05,906 She must be in the kitchen, the light's on. 108 00:06:06,282 --> 00:06:07,282 I'll go see. 109 00:06:21,338 --> 00:06:23,883 (upbeat music) 110 00:06:25,759 --> 00:06:27,428 — Sorry Ma'am, I didn't hear you. 111 00:06:27,928 --> 00:06:29,889 — I'm sorry, I didn't mean to scare you. 112 00:06:30,806 --> 00:06:31,806 How's my baby? 113 00:06:31,932 --> 00:06:33,767 — He's fine, he's through eating. 114 00:06:34,852 --> 00:06:35,936 — I'll take him, Sara. 115 00:06:37,104 --> 00:06:40,190 (baby fussing) 116 00:06:45,905 --> 00:06:46,906 There. 117 00:06:48,574 --> 00:06:49,676 Did he sleep well? 118 00:06:49,700 --> 00:06:50,784 — Like an angel. 119 00:06:51,535 --> 00:06:52,953 How was work today, Ma'am? 120 00:06:53,203 --> 00:06:55,998 — More of the same, this director's a fool. 121 00:06:56,832 --> 00:06:58,667 — There aren't many as good as your husband. 122 00:07:03,589 --> 00:07:04,590 Oh by the way. 123 00:07:05,549 --> 00:07:06,592 — Yes? 124 00:07:06,759 --> 00:07:09,428 — Well, I have a cousin who's a big fan, 125 00:07:09,637 --> 00:07:11,823 a super fan actually of your husband. 126 00:07:11,847 --> 00:07:14,016 And well, he'd really like to meet him. 127 00:07:14,183 --> 00:07:15,517 — Sure Sara, no problem. 128 00:07:16,018 --> 00:07:18,354 You can tell him to come over, what's his name? 129 00:07:18,812 --> 00:07:23,192 — William, he's seen every picture of Mr. Ravenna's at least 10 times. 130 00:07:23,859 --> 00:07:24,859 - All right. 131 00:07:24,985 --> 00:07:26,945 I think my husband would be delighted to meet him. 132 00:07:30,324 --> 00:07:34,995 I She's looking better than the dirty city I 133 00:07:37,998 --> 00:07:42,836 I She's looking at everybody in the eye I 134 00:07:45,673 --> 00:07:49,551 I Everybody looks away from you in New York City I 135 00:07:49,802 --> 00:07:51,512 — Hi. — How'd it go? 136 00:07:52,388 --> 00:07:53,681 — It went okay. 137 00:07:54,723 --> 00:07:56,058 There were no problems. 138 00:07:57,518 --> 00:07:59,895 Baby, why don't you come to bed now, it's getting late. 139 00:08:00,270 --> 00:08:03,732 — I'm just putting the finishing touches on the storyline I worked out. 140 00:08:04,692 --> 00:08:06,443 It goes to Marc's agent day after tomorrow. 141 00:08:06,735 --> 00:08:08,988 — [Nora] There better be a nice juicy part in it for me. 142 00:08:09,196 --> 00:08:12,050 — There's only one female role, very tough, very strong. 143 00:08:12,074 --> 00:08:14,535 But I guess Marc's set on having Anne do it. 144 00:08:15,828 --> 00:08:19,248 — As usual, you just don't push hard enough for me. 145 00:08:19,665 --> 00:08:22,710 — Marc is the director, he does the casting. 146 00:08:22,918 --> 00:08:24,628 I'm just a writer, I have no say in it. 147 00:08:25,379 --> 00:08:28,340 — Oh, so I have your permission to... 148 00:08:29,633 --> 00:08:31,510 put it to him? 149 00:08:36,181 --> 00:08:38,225 (crickets chirping) 150 00:08:42,271 --> 00:08:44,064 (Anne humming) 151 00:09:11,425 --> 00:09:14,053 (music box lullaby) 152 00:09:27,816 --> 00:09:29,836 — [Levana] Sleep little darling. 153 00:09:29,860 --> 00:09:33,614 Sleep and dream while you can. 154 00:09:33,947 --> 00:09:38,494 There's little time left now until the end of all things. 155 00:09:38,660 --> 00:09:41,789 Death is drawing near, very near. 156 00:09:42,206 --> 00:09:44,917 (dramatic music) 157 00:10:19,034 --> 00:10:20,202 — To our next movie. 158 00:10:20,702 --> 00:10:22,180 — To you and the movie. 159 00:10:22,204 --> 00:10:23,247 — To us and the movie. 160 00:10:24,456 --> 00:10:26,542 — Now tell us, no more secrets. 161 00:10:26,792 --> 00:10:28,335 — Of course we can talk about it now. 162 00:10:28,794 --> 00:10:30,963 Dan, would you do the honors? 163 00:10:31,171 --> 00:10:32,941 — Well just for openers, 164 00:10:32,965 --> 00:10:35,425 today the agent found us a producer. 165 00:10:35,592 --> 00:10:36,969 — Really, who is it? 166 00:10:38,011 --> 00:10:42,349 — None other than the great Leonard Levin. 167 00:10:42,558 --> 00:10:45,269 — I thought Leonard Levin was dead. — Dead? 168 00:10:45,477 --> 00:10:47,563 He made so much money in his days of glory. 169 00:10:47,813 --> 00:10:49,565 — In the '605 Nora, before you were born. 170 00:10:50,107 --> 00:10:51,233 — Thank you, darling. 171 00:10:54,069 --> 00:10:55,922 Max, the agent, heard he was shopping 172 00:10:55,946 --> 00:10:57,882 for a project that would put him back on top. 173 00:10:57,906 --> 00:10:58,991 — And so—... 174 00:11:00,242 --> 00:11:03,579 — It's not 100% sure yet, we still have to meet him. 175 00:11:03,996 --> 00:11:06,874 — But, he loved our story. — True. 176 00:11:07,374 --> 00:11:10,502 — They used to call him the producer with the golden touch. 177 00:11:10,919 --> 00:11:12,188 — Well, if he produces it, 178 00:11:12,212 --> 00:11:14,214 that puts you right up there with the big boys. 179 00:11:14,464 --> 00:11:16,091 — Isn't that right? — You bet. 180 00:11:16,383 --> 00:11:18,135 And all thanks to... 181 00:11:19,261 --> 00:11:20,429 Levana. 182 00:11:20,929 --> 00:11:22,222 (dramatic music) 183 00:11:22,681 --> 00:11:23,974 — Who's Levana? 184 00:11:24,433 --> 00:11:26,518 — She's the main character in our story, 185 00:11:26,768 --> 00:11:27,978 and the key to our future. 186 00:11:28,562 --> 00:11:31,273 — Oh I get it, the big secret. 187 00:11:32,065 --> 00:11:35,712 — Now tell us, we won't breathe a word. 188 00:11:35,736 --> 00:11:36,862 - All right. 189 00:11:37,821 --> 00:11:40,324 — Dan, you mind? — Okay. 190 00:11:40,908 --> 00:11:43,327 We got the idea for the movie from a book by Baudelaire. 191 00:11:43,660 --> 00:11:44,953 — The poet of the damned? 192 00:11:45,579 --> 00:11:47,473 — The book's called "Suspiria de Profundis," 193 00:11:47,497 --> 00:11:48,874 and it's about Levana. 194 00:11:49,750 --> 00:11:51,084 The third mother. 195 00:11:51,501 --> 00:11:53,003 La Mater Lacrimarum. 196 00:11:54,171 --> 00:11:55,714 — Sounds like a flower. 197 00:11:55,923 --> 00:11:57,925 — It's Latin, mother of tears. 198 00:11:58,425 --> 00:11:59,885 — The title rings a bell. 199 00:12:00,510 --> 00:12:02,262 Didn't someone already make this movie? 200 00:12:02,596 --> 00:12:04,014 — As a matter of fact, yes. 201 00:12:04,181 --> 00:12:05,658 It was a big hit when it came out, 202 00:12:05,682 --> 00:12:07,559 reviews, box office, everything. 203 00:12:07,809 --> 00:12:09,144 — Dario Argento directed it. 204 00:12:09,978 --> 00:12:11,021 "Suspiria." 205 00:12:11,396 --> 00:12:13,690 And I must admit it was very very good. 206 00:12:13,899 --> 00:12:15,067 — So why make it again? 207 00:12:15,317 --> 00:12:16,818 — We're not, we're not. 208 00:12:17,361 --> 00:12:19,172 There's enough material in "Suspiria de Profundis" 209 00:12:19,196 --> 00:12:21,966 for 10 movies, 20, and our story is called—... 210 00:12:21,990 --> 00:12:23,200 — De Profundis. 211 00:12:23,533 --> 00:12:25,619 — Don't tell me, it's Latin again? 212 00:12:25,786 --> 00:12:28,080 — Right, out of the depths. 213 00:12:28,705 --> 00:12:31,041 The goddesses of pain are three. 214 00:12:31,667 --> 00:12:34,127 The first two we don't care about, they've been done. 215 00:12:34,628 --> 00:12:39,091 But the third goddess is Levana, 216 00:12:39,549 --> 00:12:41,134 the terrible mother. 217 00:12:41,468 --> 00:12:44,429 She is the evil character in our film. 218 00:12:45,472 --> 00:12:48,976 The drama is repeated inexorably every 24 hours. 219 00:12:49,851 --> 00:12:52,705 As she takes her rest, the elemental forces of evil 220 00:12:52,729 --> 00:12:56,525 gather within her, to bring her to the point of wakefulness. 221 00:12:57,234 --> 00:13:00,445 She moves, she stirs, she seems to feel 222 00:13:00,612 --> 00:13:03,031 the rush of life along her keel. 223 00:13:03,198 --> 00:13:05,927 She senses, she gropes, first with her mind 224 00:13:05,951 --> 00:13:08,620 and her instinct, then with her eyes. 225 00:13:09,037 --> 00:13:11,039 Then she reaches out her hand. 226 00:13:11,665 --> 00:13:15,335 — Then at last she arises from the ice of her bed 227 00:13:15,711 --> 00:13:18,297 to walk the world of men as a living shadow. 228 00:13:18,922 --> 00:13:21,192 — She rules a vast kingdom 229 00:13:21,216 --> 00:13:25,721 from under the triple veil of crépe that covers her face. 230 00:13:27,097 --> 00:13:31,393 She's the mother of madness, the councillor of suicide, 231 00:13:31,852 --> 00:13:35,772 the slash of the dagger, the breath of the dragon. 232 00:13:37,357 --> 00:13:38,817 — The tomb is sacred to her. 233 00:13:39,151 --> 00:13:41,737 She deems holy all that rots and stinks. 234 00:13:42,029 --> 00:13:45,032 She is the life of darkness, with fire in her eye, 235 00:13:45,240 --> 00:13:48,285 fire that makes visible things that shouldn't be seen. 236 00:13:48,493 --> 00:13:50,579 — And she's not content to rend your body asunder. 237 00:13:51,121 --> 00:13:53,832 No, she won't rest 238 00:13:54,166 --> 00:13:58,253 until she's tortured your heart beyond the brink of madness. 239 00:13:58,920 --> 00:14:01,607 — And made us all filthy rich. 240 00:14:01,631 --> 00:14:03,800 — Yeah, you got it, that's Levana. 241 00:14:04,092 --> 00:14:06,946 Soon to be the hairiest, scariest horror film 242 00:14:06,970 --> 00:14:08,764 in the whole history of cinema. 243 00:14:09,264 --> 00:14:11,266 — And I'm supposed to play Levana? 244 00:14:12,100 --> 00:14:13,352 — Yeah, of course. 245 00:14:13,685 --> 00:14:15,771 — Why do you ask? — I don't know. 246 00:14:16,396 --> 00:14:19,149 My fans might not like me playing such a bitch. 247 00:14:19,566 --> 00:14:23,153 — You've played lunatics, murderers before, and they loved you. 248 00:14:23,487 --> 00:14:25,048 How could they help but love you? 249 00:14:25,072 --> 00:14:26,573 — I just have a strange feeling. 250 00:14:26,865 --> 00:14:28,033 All right here's the thing. 251 00:14:28,533 --> 00:14:31,095 You didn't say a word about casting me for the part 252 00:14:31,119 --> 00:14:33,038 until we talked about it with Dan and Nora. 253 00:14:33,205 --> 00:14:34,289 — Are you kidding me? 254 00:14:34,706 --> 00:14:35,916 I wrote it for you. 255 00:14:36,249 --> 00:14:37,876 I tailor made it for you. 256 00:14:39,753 --> 00:14:42,255 — You're not just saying that because we're married? 257 00:14:42,964 --> 00:14:44,049 — Gracie, 258 00:14:45,092 --> 00:14:46,468 you're my Levana. 259 00:14:47,094 --> 00:14:50,097 You are my queen of the witches and evil. 260 00:14:50,347 --> 00:14:52,682 Might I add that 261 00:14:53,683 --> 00:14:55,560 you're also the queen of my heart. 262 00:14:57,104 --> 00:14:58,146 Are you happy now? 263 00:15:00,357 --> 00:15:01,357 — When can I read it? 264 00:15:01,525 --> 00:15:02,776 — First thing tomorrow morning. 265 00:15:02,984 --> 00:15:04,361 — Oh no, now. 266 00:15:04,903 --> 00:15:07,489 — Oh come on, it's downstairs in my study, I'm tired. 267 00:15:07,781 --> 00:15:09,449 — I'll go, where is it? 268 00:15:09,741 --> 00:15:13,286 — It's in my desk in the red folder, 269 00:15:13,995 --> 00:15:15,872 third drawer, left hand side. 270 00:15:16,623 --> 00:15:18,750 God, why did I marry an actress? 271 00:15:20,127 --> 00:15:22,838 (dramatic music) 272 00:15:51,825 --> 00:15:52,825 (grunts) 273 00:15:53,118 --> 00:15:54,202 — That hurts. 274 00:15:55,537 --> 00:15:59,082 — That's nothing compared to what you'll get if I don't do that lead for Marc. 275 00:15:59,291 --> 00:16:00,584 — I don't doubt it. 276 00:16:01,334 --> 00:16:03,062 I bet you'd kill for a part like that, 277 00:16:03,086 --> 00:16:04,212 wouldn't you? 278 00:16:05,672 --> 00:16:06,673 — Maybe. 279 00:16:13,096 --> 00:16:16,057 (crickets chirping) 280 00:16:20,020 --> 00:16:22,981 (suspenseful music) 281 00:16:27,986 --> 00:16:29,988 — In my dreams I often see Levana, 282 00:16:30,322 --> 00:16:32,908 the eldest of the three mistresses of darkness. 283 00:16:33,241 --> 00:16:35,911 Levana is the one who confounds day with night, 284 00:16:36,244 --> 00:16:39,706 and her face is always hidden by a veil of crépe, 285 00:16:40,165 --> 00:16:42,667 wound three times around her head. 286 00:16:43,752 --> 00:16:46,796 (suspenseful music) 287 00:16:47,756 --> 00:16:49,049 A veil of crépe. 288 00:16:50,967 --> 00:16:53,929 (suspenseful music) 289 00:17:03,939 --> 00:17:06,483 Let's see how this works. 290 00:17:09,611 --> 00:17:12,822 Now, I will become Levana. 291 00:17:13,490 --> 00:17:17,035 (dramatic rock music) 292 00:17:17,452 --> 00:17:18,912 — You can never be me. 293 00:17:19,788 --> 00:17:23,667 You'll never be Levana the witch, never never. 294 00:17:23,833 --> 00:17:26,395 You will never show my face on the screen. 295 00:17:26,419 --> 00:17:28,588 You'll die in agony first. 296 00:17:29,005 --> 00:17:32,133 (dramatic rock music) 297 00:17:48,400 --> 00:17:51,820 (suspenseful music) 298 00:18:41,536 --> 00:18:44,289 — [Marc] Go on, take a little sip. 299 00:18:45,957 --> 00:18:47,167 It's good for you. 300 00:18:47,792 --> 00:18:51,755 That's my girl, now a little more, come on. 301 00:18:54,799 --> 00:18:56,343 Feeling a little better now? 302 00:18:58,261 --> 00:18:59,304 What happened? 303 00:19:00,138 --> 00:19:01,514 Why did you start screaming? 304 00:19:01,806 --> 00:19:02,806 — I don't know. 305 00:19:05,018 --> 00:19:06,645 Where was I when you found me? 306 00:19:07,228 --> 00:19:09,397 — Right there, on the floor by the mirror. 307 00:19:10,774 --> 00:19:11,983 — What about Levana? 308 00:19:12,359 --> 00:19:13,360 — Levana? 309 00:19:14,110 --> 00:19:15,445 You mean my story? 310 00:19:16,154 --> 00:19:17,781 Oh, it's on my desk. 311 00:19:18,907 --> 00:19:20,116 What happened anyway? 312 00:19:21,159 --> 00:19:24,287 — The green slime, the blood, it's gone. 313 00:19:24,663 --> 00:19:25,830 — The what? 314 00:19:26,539 --> 00:19:28,500 — Help me. — Oh no, you need to rest. 315 00:19:28,667 --> 00:19:30,227 — No, I need to find out what happened. 316 00:19:30,251 --> 00:19:31,836 — Listen. — Please. 317 00:19:33,213 --> 00:19:34,923 — Where are you going? — To the mirror. 318 00:19:36,633 --> 00:19:37,993 — [Marc] What are you looking for? 319 00:19:38,051 --> 00:19:39,211 What's wrong with the mirror? 320 00:19:39,386 --> 00:19:41,680 — I don't know, I must have dreamed it. 321 00:19:41,846 --> 00:19:42,907 — Dreamed what? 322 00:19:42,931 --> 00:19:45,826 — This mirror, this mirror broke into a million pieces. 323 00:19:45,850 --> 00:19:48,228 — Oh the mirror broke. — It broke in my dream. 324 00:19:48,895 --> 00:19:50,355 God, what a nightmare. 325 00:19:50,689 --> 00:19:52,273 I must really be overtired, 326 00:19:52,649 --> 00:19:55,068 because in my dream, Levana broke it. 327 00:19:55,485 --> 00:19:56,629 It was so real Marc. 328 00:19:56,653 --> 00:19:58,422 She broke the mirror and dragged me to the ground. 329 00:19:58,446 --> 00:20:00,508 I screamed, I guess I fainted. 330 00:20:00,532 --> 00:20:01,717 It seemed so real, I—... 331 00:20:01,741 --> 00:20:05,370 — It was real darling, it was a real nightmare. 332 00:20:06,705 --> 00:20:09,541 But now everything is fine, you can see for yourself. 333 00:20:11,167 --> 00:20:14,087 Look, you're just stressed out. 334 00:20:17,507 --> 00:20:18,550 — Yeah. 335 00:20:21,761 --> 00:20:22,971 — Let's get some sleep now. 336 00:20:23,221 --> 00:20:24,661 We've both got early calls tomorrow. 337 00:20:34,399 --> 00:20:37,110 (dramatic music) 338 00:20:53,668 --> 00:20:56,212 (wind blowing) 339 00:20:57,297 --> 00:21:01,009 (electricity crackles) 340 00:21:10,268 --> 00:21:13,313 — [Levana] Anne, Anne. 341 00:21:14,522 --> 00:21:15,565 Wake up. 342 00:21:22,530 --> 00:21:25,325 This is Levana calling you. 343 00:21:29,871 --> 00:21:31,998 — Marc, wake up, someone's in the house. 344 00:21:32,207 --> 00:21:33,207 Marc. 345 00:21:34,584 --> 00:21:36,669 — [Levana] Can't wake up. 346 00:21:37,796 --> 00:21:39,881 Come downstairs, Anne. 347 00:21:41,216 --> 00:21:45,178 We have things to talk about, you and I. 348 00:21:45,345 --> 00:21:46,846 (evil laughter) 349 00:21:49,641 --> 00:21:52,602 (suspenseful music) 350 00:22:00,276 --> 00:22:02,987 (dramatic music) 351 00:22:26,845 --> 00:22:28,471 I'm not there, Anne. 352 00:22:35,895 --> 00:22:39,566 I'm not in the mirror anymore, I'm close by. 353 00:22:40,567 --> 00:22:43,278 (dramatic music) 354 00:23:28,364 --> 00:23:29,490 — [Sybil] Anne. 355 00:23:31,451 --> 00:23:34,245 (music box plays) 356 00:24:11,199 --> 00:24:13,952 — Where are you, where did you go? 357 00:24:15,244 --> 00:24:17,455 — [Sybil] I'm here, in the mirror. 358 00:24:17,747 --> 00:24:20,541 (music box plays) 359 00:24:22,377 --> 00:24:23,461 Come. 360 00:24:28,716 --> 00:24:29,759 Touch me. 361 00:24:32,387 --> 00:24:33,471 Please? 362 00:24:37,058 --> 00:24:38,101 That's it. 363 00:24:40,478 --> 00:24:43,106 (evil laughing) 364 00:24:45,733 --> 00:24:48,945 (dramatic rock music) 365 00:25:01,249 --> 00:25:03,793 (wind howling) 366 00:26:06,689 --> 00:26:09,650 (crickets chirping) 367 00:26:33,925 --> 00:26:37,303 (electricity crackling) 368 00:26:42,016 --> 00:26:43,160 (dramatic music) 369 00:26:43,184 --> 00:26:44,310 — Hey there, it's only me. 370 00:26:45,603 --> 00:26:46,747 What's wrong with the fridge, huh? 371 00:26:46,771 --> 00:26:48,356 — I don't know, I pulled the plug out. 372 00:26:48,689 --> 00:26:50,650 Must be a short in the wiring somewhere. 373 00:26:50,900 --> 00:26:51,960 It's a good thing you woke up. 374 00:26:51,984 --> 00:26:53,704 This could have burned down the whole house. 375 00:26:54,153 --> 00:26:57,113 — All we can do is have Sara call the repairman first thing in the morning. 376 00:26:57,365 --> 00:26:59,200 — Yeah, we sure can't live without a fridge. 377 00:27:00,326 --> 00:27:02,870 Well, I think we should have another stab at sleeping. 378 00:27:08,709 --> 00:27:13,673 (crickets chirping) (dog barking) 379 00:27:14,298 --> 00:27:17,260 (suspenseful music) 380 00:27:48,291 --> 00:27:50,418 Look, Anne had two nightmares in a row, 381 00:27:50,918 --> 00:27:53,004 and they were both brought on by our Levana story. 382 00:27:53,254 --> 00:27:54,380 — That's great. 383 00:27:54,630 --> 00:27:56,358 It proves our story's a winner. 384 00:27:56,382 --> 00:27:58,694 It knocked our leading lady right out of her mind, man. 385 00:27:58,718 --> 00:27:59,719 What more do you want? 386 00:27:59,886 --> 00:28:01,137 — It's not funny, Dan. 387 00:28:01,387 --> 00:28:02,388 She had a terrible night. 388 00:28:02,722 --> 00:28:03,922 — I understand, and I'm sorry. 389 00:28:04,223 --> 00:28:07,828 But I still say it's a case of her identifying herself so strongly with the character. 390 00:28:07,852 --> 00:28:09,353 Stanislavski and all that crap. 391 00:28:09,896 --> 00:28:12,875 — Our story idea is only four pages long. 392 00:28:12,899 --> 00:28:15,252 It's not like she read a script or anything. 393 00:28:15,276 --> 00:28:17,278 — Come on, our story and 394 00:28:17,445 --> 00:28:19,173 the picture she's shooting now just 395 00:28:19,197 --> 00:28:20,615 got mixed up in her subconscious. 396 00:28:21,365 --> 00:28:23,993 — What does The Black Cat have to do with Levana the Witch? 397 00:28:26,329 --> 00:28:27,622 — As a matter of fact, 398 00:28:27,830 --> 00:28:30,875 in the story The Black Cat by Edgar Allan Poe, 399 00:28:31,083 --> 00:28:32,227 he wrote the following: 400 00:28:32,251 --> 00:28:36,464 "My wife, who at heart was not a little tinctured with superstition, 401 00:28:36,672 --> 00:28:40,384 made frequent allusions to the ancient popular belief 402 00:28:40,676 --> 00:28:43,679 which regarded a“ black cats as witches in disguise." 403 00:28:44,430 --> 00:28:45,431 See what I mean? 404 00:28:45,723 --> 00:28:47,934 — Black cats as witches in disguise? 405 00:28:48,100 --> 00:28:49,477 — Yeah. — I can see the connection. 406 00:28:49,644 --> 00:28:52,664 And with those two stories coming right on top of each other like that in her mind... 407 00:28:52,688 --> 00:28:53,689 — [Dan] You got it. 408 00:28:53,898 --> 00:28:54,899 — Look! 409 00:28:55,358 --> 00:28:56,484 That's Levin's house. 410 00:28:57,944 --> 00:28:59,695 — [Dan] The future producer of Levana. 411 00:29:00,363 --> 00:29:01,632 — [Marc] Cross your fingers. 412 00:29:01,656 --> 00:29:03,157 — [Dan] Toes, eyes, everything. 413 00:29:04,617 --> 00:29:06,202 — [Marc] Okay, here we go. 414 00:29:06,702 --> 00:29:07,870 — [Dan] Straighten your tie. 415 00:29:08,371 --> 00:29:09,705 — I'm not wearing one. 416 00:29:11,040 --> 00:29:14,001 (suspenseful music) 417 00:29:22,677 --> 00:29:24,446 — Good morning. — Good morning. 418 00:29:24,470 --> 00:29:26,722 — Good morning gentlemen, come in. 419 00:29:28,349 --> 00:29:30,101 Mr. Levin is expecting you. 420 00:29:33,521 --> 00:29:35,773 If you'll just follow me this way, please. 421 00:29:36,148 --> 00:29:39,110 (suspenseful music) 422 00:29:55,042 --> 00:29:56,122 — [Marc] Good morning, sir. 423 00:29:56,585 --> 00:29:58,337 — No need to be so formal. 424 00:29:58,879 --> 00:30:00,715 My friends call me Leonard. 425 00:30:01,090 --> 00:30:03,509 — This is Dan Grudzinski, we wrote the story together. 426 00:30:04,885 --> 00:30:07,155 — You did a damn fine job. 427 00:30:07,179 --> 00:30:08,179 Know what I like? 428 00:30:08,431 --> 00:30:11,392 I like it that you told your whole story in four pages. 429 00:30:13,519 --> 00:30:15,896 You see this pile of crap here? 430 00:30:17,940 --> 00:30:21,068 Hundreds of pages of nothing but bull and hot air. 431 00:30:22,528 --> 00:30:24,822 Now you boys cut right through to the meat. 432 00:30:26,282 --> 00:30:27,825 You didn't waste my time. 433 00:30:28,117 --> 00:30:30,870 And in this business, time is money. 434 00:30:33,414 --> 00:30:36,542 (camera motor buzzes) 435 00:30:38,627 --> 00:30:40,504 (switch clicking) 436 00:30:41,464 --> 00:30:42,506 Sit down! 437 00:30:42,715 --> 00:30:44,216 I can handle it myself. 438 00:30:45,301 --> 00:30:47,636 Nadine, why are you standing there, come push this thing! 439 00:30:49,180 --> 00:30:50,181 Push! 440 00:30:54,393 --> 00:30:55,519 Gentlemen, follow me. 441 00:30:56,395 --> 00:30:57,480 Push, damn it! 442 00:30:58,731 --> 00:31:00,191 Let's go talk this over. 443 00:31:00,524 --> 00:31:04,296 I need two or three days of meetings with you and various other people, 444 00:31:04,320 --> 00:31:07,448 before I decide whether or not I'll produce Levana. 445 00:31:07,823 --> 00:31:11,077 (crickets chirping) 446 00:31:38,437 --> 00:31:39,563 — Same time tomorrow, Ma'am? 447 00:31:39,730 --> 00:31:41,899 — That's right Oscar, thank you. — Pleasure. 448 00:31:42,191 --> 00:31:43,511 — Good night. — Good night, Ma'am. 449 00:31:52,118 --> 00:31:53,160 — Sara? 450 00:31:59,208 --> 00:32:01,502 Bills, bills, bills. 451 00:32:02,169 --> 00:32:04,296 How come no one ever sends money? 452 00:32:05,214 --> 00:32:08,175 (crickets chirping) 453 00:32:23,023 --> 00:32:24,400 — [Repairman] Afternoon Ma'am. 454 00:32:26,068 --> 00:32:27,653 — I'm glad you're here. 455 00:32:30,072 --> 00:32:31,073 What's the problem? 456 00:32:32,116 --> 00:32:35,035 — The freezing element shorted, and some acid leaked out. 457 00:32:36,078 --> 00:32:37,455 That's what made all the smoke. 458 00:32:37,705 --> 00:32:38,705 — Oh I see. 459 00:32:39,206 --> 00:32:40,708 Where's the girl who let you in? 460 00:32:41,167 --> 00:32:42,835 — She took the baby upstairs. 461 00:32:43,127 --> 00:32:44,879 Would you mind signing here, please? 462 00:32:52,595 --> 00:32:53,804 Here's your copy. 463 00:32:54,138 --> 00:32:56,474 — Okay, are you sure it's working now? 464 00:32:56,724 --> 00:32:58,910 — Oh yes, of course, the work is guaranteed. 465 00:32:58,934 --> 00:32:59,974 — [Anne] Oh, that's great. 466 00:33:00,060 --> 00:33:01,371 Do you need me down here anymore then? 467 00:33:01,395 --> 00:33:02,995 — No, I'm through, I can find my way out. 468 00:33:03,731 --> 00:33:05,065 — Thanks a lot. — Anytime. 469 00:33:19,663 --> 00:33:22,708 (suspenseful music) 470 00:33:28,506 --> 00:33:30,216 — Who are you? — I'm William. 471 00:33:30,549 --> 00:33:32,301 You are just like in the movies. 472 00:33:32,468 --> 00:33:33,594 I'm Sara's cousin. 473 00:33:34,261 --> 00:33:37,556 — Oh yes, Sara told me you were coming. 474 00:33:38,557 --> 00:33:40,935 I see that you've already made friends with my little boy. 475 00:33:41,310 --> 00:33:43,062 — Yeah, he's really cute. 476 00:33:43,312 --> 00:33:44,355 Can I hold him? 477 00:33:44,522 --> 00:33:47,082 — Well, he should be going to sleep, we don't want to excite him. 478 00:33:47,608 --> 00:33:49,360 Why don't you rock him a little instead? 479 00:33:49,777 --> 00:33:51,320 See, he likes that. 480 00:33:52,530 --> 00:33:53,548 Where's Sara? 481 00:33:53,572 --> 00:33:54,990 — In the other room, I think. 482 00:33:55,241 --> 00:33:56,367 Is your husband home? 483 00:33:56,575 --> 00:33:57,785 — No, he's still out. 484 00:33:59,119 --> 00:34:00,663 You want my autograph, don't you? 485 00:34:00,871 --> 00:34:02,414 — Yeah, and a picture too. 486 00:34:04,124 --> 00:34:06,418 — I don't know if Marc will be home for dinner tonight. 487 00:34:06,961 --> 00:34:08,254 You might have to come back. 488 00:34:08,504 --> 00:34:10,631 — That's okay, I live close by. 489 00:34:11,549 --> 00:34:12,883 — Oh, then there's no problem. 490 00:34:13,175 --> 00:34:14,819 Be a good boy, Marc Junior, 491 00:34:14,843 --> 00:34:16,387 and William will rock you to sleep. 492 00:34:16,679 --> 00:34:17,930 I'm going to talk to Sara. 493 00:34:23,811 --> 00:34:25,080 Sara? 494 00:34:25,104 --> 00:34:26,164 (knocking on door) 495 00:34:26,188 --> 00:34:27,231 Sara? 496 00:34:28,440 --> 00:34:29,668 (rock and roll music) 497 00:34:29,692 --> 00:34:30,693 Sara? 498 00:34:32,403 --> 00:34:33,612 — Mrs. Ravenna. 499 00:34:34,029 --> 00:34:35,281 — Getting ready for tonight? 500 00:34:35,656 --> 00:34:38,242 — Yes, Jimmy and Lida and I are going dancing. 501 00:34:38,409 --> 00:34:39,427 You don't mind do you? 502 00:34:39,451 --> 00:34:40,891 — Of course not, tomorrow night too. 503 00:34:40,995 --> 00:34:42,305 I told you it was all right. 504 00:34:42,329 --> 00:34:43,622 I can handle the baby. 505 00:34:44,081 --> 00:34:46,208 Just get his things arranged before you go. 506 00:34:46,458 --> 00:34:47,751 Is your cousin going with you? 507 00:34:48,210 --> 00:34:49,211 — My cousin? 508 00:34:49,587 --> 00:34:50,796 — He is a little young. 509 00:34:51,046 --> 00:34:53,882 — You mean William, he couldn't come today. 510 00:34:54,341 --> 00:34:56,176 — What, but? 511 00:34:58,387 --> 00:35:00,556 You mean the boy in the baby's room isn't your cousin? 512 00:35:01,223 --> 00:35:02,224 — What? 513 00:35:03,058 --> 00:35:05,227 (dramatic music) 514 00:35:05,728 --> 00:35:08,939 (dramatic rock music) 515 00:35:14,820 --> 00:35:15,863 — [Anne] Sara? 516 00:35:16,447 --> 00:35:17,716 — What's wrong, Mrs. Ravenna? 517 00:35:17,740 --> 00:35:19,450 — I can't open this thing, it's stuck. 518 00:35:21,118 --> 00:35:23,370 — Jiggle the handle, don't you remember? 519 00:35:23,871 --> 00:35:25,581 It's just sticks a little. 520 00:35:26,248 --> 00:35:28,917 (dramatic rock music) 521 00:35:31,003 --> 00:35:33,172 You're all right, thank God. 522 00:35:34,173 --> 00:35:36,383 — What... what's wrong, Ma'am? 523 00:35:36,884 --> 00:35:39,345 — There was... there was a little boy here. 524 00:35:40,095 --> 00:35:41,805 He seemed to know about everything. 525 00:35:42,598 --> 00:35:45,768 He said his name was William, and he touched the baby. 526 00:35:46,226 --> 00:35:47,645 — There's no one here now. 527 00:35:48,771 --> 00:35:50,105 And the window's locked. 528 00:35:52,149 --> 00:35:53,317 — But he was here. 529 00:35:54,026 --> 00:35:55,629 I don't care how crazy it sounds, 530 00:35:55,653 --> 00:35:57,446 he was here, and I spoke to him. 531 00:36:00,157 --> 00:36:01,784 — The repairman. — What? 532 00:36:02,951 --> 00:36:05,037 — He must have brought the little boy with him. 533 00:36:05,621 --> 00:36:06,830 — [Sara] What repairman? 534 00:36:07,373 --> 00:36:11,144 I called, but they said they couldn't send anyone till the day after tomorrow. 535 00:36:11,168 --> 00:36:12,169 — But. 536 00:36:12,628 --> 00:36:14,755 (suspenseful music) 537 00:36:15,005 --> 00:36:16,048 Wait a minute. 538 00:36:16,507 --> 00:36:17,966 That's impossible. 539 00:36:19,510 --> 00:36:22,638 (dramatic rock music) 540 00:36:32,815 --> 00:36:35,526 It was working just a few minutes ago, he fixed it. 541 00:36:42,241 --> 00:36:43,617 The receipt's gone. 542 00:36:46,829 --> 00:36:48,247 Could I have dreamt it? 543 00:36:50,624 --> 00:36:53,836 (contemplative music) 544 00:37:04,346 --> 00:37:06,640 (baby coos) 545 00:37:17,526 --> 00:37:20,154 (birds singing) 546 00:37:24,450 --> 00:37:26,827 — So you think you're ready for the big time? 547 00:37:27,745 --> 00:37:29,997 — [Marc] Yes sir... Leonard. 548 00:37:32,207 --> 00:37:35,294 — Well, I hope you don't think it's easy because it's not. 549 00:37:37,755 --> 00:37:38,756 It's tough. 550 00:37:40,591 --> 00:37:41,800 It takes guts. 551 00:37:43,093 --> 00:37:46,138 It takes guts, brains, 552 00:37:46,847 --> 00:37:48,557 luck and dedication. 553 00:37:48,724 --> 00:37:49,975 (cat growls softly) 554 00:37:50,684 --> 00:37:53,103 Anyone who's ever worked in a Leonard Levin production 555 00:37:53,270 --> 00:37:56,356 knows that I demand a total commitment. 556 00:37:57,900 --> 00:38:01,320 Do you understand what a total commitment is? 557 00:38:05,949 --> 00:38:07,284 It's your heart. 558 00:38:09,119 --> 00:38:10,162 Your soul. 559 00:38:12,080 --> 00:38:13,540 And your brains. 560 00:38:15,876 --> 00:38:17,628 Are you ready for that, Marc? 561 00:38:18,629 --> 00:38:19,922 — I'm used to hard work. 562 00:38:20,422 --> 00:38:23,425 Nobody gave me a free ride to where I am now, sir. 563 00:38:25,761 --> 00:38:26,845 — Good... 564 00:38:29,014 --> 00:38:31,183 because I've decided to produce Levana. 565 00:38:32,351 --> 00:38:36,146 I'll give you everything you need to make a production worthy of my name. 566 00:38:38,398 --> 00:38:42,462 I'll create such excitement over this project that the major distributors 567 00:38:42,486 --> 00:38:45,280 will be cutting each other's throats just to get a piece of it. 568 00:38:46,824 --> 00:38:48,450 — I'll do my best, sir. 569 00:38:48,700 --> 00:38:49,701 — Me too. 570 00:38:50,452 --> 00:38:51,662 How can we thank you? 571 00:38:52,204 --> 00:38:53,247 — Don't thank me. 572 00:38:55,707 --> 00:38:56,792 Thank Levana. 573 00:38:57,292 --> 00:39:00,003 (dramatic music) 574 00:39:01,797 --> 00:39:04,258 — [Levana] You can never be me. 575 00:39:04,925 --> 00:39:10,806 You'll never be Levana the witch, never never. 576 00:39:11,515 --> 00:39:14,810 You will never show my face on the screen. 577 00:39:15,519 --> 00:39:17,938 You will die in agony first. 578 00:39:18,522 --> 00:39:21,316 (dramatic music) 579 00:39:53,181 --> 00:39:55,976 — [Marc] Let's take a fresh look at supernatural things. 580 00:39:56,643 --> 00:39:59,187 Examine it in the light of day, you know what I mean? 581 00:39:59,479 --> 00:40:01,356 — [Esther] The light of day can be very harsh, 582 00:40:01,565 --> 00:40:02,941 not always illuminating though. 583 00:40:03,609 --> 00:40:06,236 — [Marc] We're serious, and we're ready to do our homework. 584 00:40:08,071 --> 00:40:10,991 — [Dan] The point is, we'd like to hire you as consultant on this movie. 585 00:40:11,325 --> 00:40:12,510 — [Marc] We discussed it with our producer, 586 00:40:12,534 --> 00:40:14,995 Leonard Levin, who by the way is a great admirer of yours. 587 00:40:15,412 --> 00:40:16,747 He thinks it's a terrific idea. 588 00:40:16,955 --> 00:40:19,041 — Oh Leonard Levin, yes. 589 00:40:19,458 --> 00:40:20,834 I do know him. 590 00:40:21,209 --> 00:40:22,961 What's the film going to be about? 591 00:40:23,128 --> 00:40:25,189 — We don't want to offend anyone's religion, 592 00:40:25,213 --> 00:40:27,716 or be blasphemous, or sacrilegious, nothing like that. 593 00:40:28,091 --> 00:40:29,551 We know where that can lead. 594 00:40:29,760 --> 00:40:31,053 — I couldn't agree more. 595 00:40:31,219 --> 00:40:33,430 But what exactly do you have in mind? 596 00:40:33,722 --> 00:40:36,034 — Well, we've already got the storyline blocked out. 597 00:40:36,058 --> 00:40:38,119 Before we get down to writing the screenplay, 598 00:40:38,143 --> 00:40:40,604 we'd like some pointers about reincarnation. 599 00:40:45,233 --> 00:40:46,318 — Reincarnation? 600 00:40:47,611 --> 00:40:48,713 For instance? 601 00:40:48,737 --> 00:40:52,115 — Well, the story is about a witch who lived in Prague in the 13th century. 602 00:40:52,616 --> 00:40:54,826 She gets reincarnated as a 20th century woman. 603 00:40:55,535 --> 00:40:57,347 Her name is Levana, and she's a kind of—... 604 00:40:57,371 --> 00:40:58,389 — What? 605 00:40:58,413 --> 00:41:00,248 — Levana, that's the witch's name. 606 00:41:00,624 --> 00:41:01,824 — Where did you get that name? 607 00:41:04,169 --> 00:41:05,921 — I found it in a Baudelaire anthology. 608 00:41:06,088 --> 00:41:07,768 — What do you mean, a Baudelaire anthology? 609 00:41:08,048 --> 00:41:11,468 You want to make a film about Levana, and you don't know what the source is? 610 00:41:13,220 --> 00:41:17,265 — It was an Englishman, Thomas De Quince y, who wrote about Levana in 1845. 611 00:41:18,350 --> 00:41:20,894 — I didn't know that. — Obviously. 612 00:41:21,311 --> 00:41:23,605 It was merely his translation of an earlier text. 613 00:41:24,064 --> 00:41:27,818 And as it happens, I think I have the original text in my bookshelf. 614 00:41:38,161 --> 00:41:40,080 This is not a work of the imagination. 615 00:41:40,539 --> 00:41:43,208 It's a chronicle, a history. 616 00:41:43,709 --> 00:41:46,461 The story of the most terrible witch that ever lived. 617 00:41:47,629 --> 00:41:48,839 Levana. 618 00:41:49,756 --> 00:41:52,926 Her soul is eternal, and cannot be destroyed. 619 00:41:54,094 --> 00:41:56,555 And she can take over the body of anyone 620 00:41:57,305 --> 00:41:59,016 who concentrates on her hard enough. 621 00:41:59,516 --> 00:42:00,517 — That's great. 622 00:42:01,518 --> 00:42:03,438 Do you mind if we borrow the book for a few days? 623 00:42:03,812 --> 00:42:05,063 — Oh, I most certainly do. 624 00:42:05,439 --> 00:42:07,083 I'm sure it would help you write your script, 625 00:42:07,107 --> 00:42:08,707 but that's not what it was intended for. 626 00:42:09,067 --> 00:42:10,360 — But professor, we—... 627 00:42:10,527 --> 00:42:12,029 — I'm sorry I can't help you. 628 00:42:12,404 --> 00:42:16,843 And let me warn you, don't use that name, change it at once. 629 00:42:16,867 --> 00:42:18,011 — What name, Levana? 630 00:42:18,035 --> 00:42:20,328 — Yes, don't use it. 631 00:42:20,537 --> 00:42:22,497 Don't take the risk of summoning her. 632 00:42:24,082 --> 00:42:25,476 — Yes, I get it. 633 00:42:25,500 --> 00:42:27,502 Thank you very much for your time, Professor. 634 00:42:28,086 --> 00:42:29,087 Let's go, Dan. 635 00:42:31,214 --> 00:42:33,633 — I'd love to see the book, but I understand. 636 00:42:34,009 --> 00:42:36,553 — No you don't understand, I'm serious. 637 00:42:36,720 --> 00:42:39,240 — Yeah so am I, and I've got a movie to make, bye. 638 00:42:39,264 --> 00:42:40,324 — Easy Marc. 639 00:42:40,348 --> 00:42:41,348 Marc? 640 00:42:44,603 --> 00:42:45,896 (door slams shut) 641 00:42:46,438 --> 00:42:49,691 (suspenseful music) 642 00:42:50,275 --> 00:42:52,986 (dramatic music) 643 00:43:18,053 --> 00:43:21,515 — [Esther] But one day the third mother will return to the world of men, 644 00:43:21,681 --> 00:43:26,686 to wreak her vengeance on the sons of the sons of those who had burned her at the stake. 645 00:43:26,895 --> 00:43:29,022 If she takes the body of a young woman, 646 00:43:29,648 --> 00:43:31,566 born under the sign of the sixth moon, 647 00:43:31,858 --> 00:43:34,027 there will be no way on Earth to stop her. 648 00:43:36,071 --> 00:43:39,199 But if she is first reincarnated in male form, 649 00:43:39,616 --> 00:43:42,369 she will have to sacrifice a newborn child 650 00:43:42,619 --> 00:43:48,208 in order to regain the powers that will make it possible for her to carry out her complete revenge. 651 00:43:49,334 --> 00:43:52,379 Oh my God, I wonder. 652 00:44:00,929 --> 00:44:03,473 (crickets chirping) 653 00:44:09,229 --> 00:44:10,522 (phone ringing) 654 00:44:28,165 --> 00:44:29,207 — Hello. — [Nora] Anne? 655 00:44:29,666 --> 00:44:31,918 — Hi Nora, how are you? — I'm fine. 656 00:44:32,419 --> 00:44:34,564 Marc was just here, he asked me to call you 657 00:44:34,588 --> 00:44:35,898 to say he was gonna be a little late. 658 00:44:35,922 --> 00:44:38,300 He and Dan just left together, excited as hell. 659 00:44:38,508 --> 00:44:39,569 — What happened? 660 00:44:39,593 --> 00:44:42,488 — Well, it looks like the deal with Levin's all set. 661 00:44:42,512 --> 00:44:44,598 All they've got to do now is sign the contract. 662 00:44:45,307 --> 00:44:47,827 They went out to dinner with agents and lawyers and all that. 663 00:44:47,851 --> 00:44:50,395 — You happy? — Yeah, am I. 664 00:44:50,562 --> 00:44:53,231 — Well I'm not, at least not entirely. 665 00:44:53,440 --> 00:44:55,942 Dan goes into total isolation when he's writing. 666 00:44:56,193 --> 00:44:57,235 He's like a monk. 667 00:44:57,402 --> 00:44:59,338 There's no reasoning with him till he's finished. 668 00:44:59,362 --> 00:45:00,362 — Poor Nora. 669 00:45:00,488 --> 00:45:02,608 — He's already told me he's not gonna be home tonight. 670 00:45:02,824 --> 00:45:04,409 He wants to get started right away. 671 00:45:04,701 --> 00:45:06,328 — You mean start writing right away? 672 00:45:06,620 --> 00:45:08,747 — Yeah, he's going down to our house in the country. 673 00:45:09,080 --> 00:45:11,875 He says it's the only place he can write without any interruptions. 674 00:45:12,125 --> 00:45:17,005 — Artistes, when Marc's getting ready to shoot, he disappears for days on end. 675 00:45:17,672 --> 00:45:21,676 Then when he finally shows up, he's too exhausted to say hello to me. 676 00:45:21,968 --> 00:45:23,553 — Yes, I know. 677 00:45:24,012 --> 00:45:25,722 And I just climb the walls. 678 00:45:25,931 --> 00:45:26,949 I gotta get going. 679 00:45:26,973 --> 00:45:28,266 — Happy climbing, darling. 680 00:45:28,433 --> 00:45:29,476 — [Nora] Thanks a lot. 681 00:45:34,397 --> 00:45:37,192 (suspenseful music) 682 00:45:49,663 --> 00:45:52,290 (phone ringing) 683 00:45:54,501 --> 00:45:55,710 — Hello? — Hello... 684 00:45:55,877 --> 00:45:57,879 Is this Dan Grudzinski, hello? 685 00:45:58,088 --> 00:45:59,673 — Yes speaking, who is this? 686 00:46:00,090 --> 00:46:02,250 — Esther Semerani, you came to my office to discuss—... 687 00:46:02,342 --> 00:46:03,677 — I remember, what's the problem? 688 00:46:03,843 --> 00:46:05,403 — I must speak to Marc Ravenna at once. 689 00:46:05,595 --> 00:46:07,323 I called your house, and your wife gave me this number. 690 00:46:07,347 --> 00:46:08,449 Is he there with you? 691 00:46:08,473 --> 00:46:09,700 — No, I don't know where he is. 692 00:46:09,724 --> 00:46:10,725 What's the matter? 693 00:46:11,017 --> 00:46:12,912 — I'm not sure, I have to check something first. 694 00:46:12,936 --> 00:46:14,616 But it could be a matter of life and death. 695 00:46:14,980 --> 00:46:16,060 I mean that Mr. Grudzinski. 696 00:46:16,439 --> 00:46:18,149 And be careful, you could be in danger too. 697 00:46:18,358 --> 00:46:19,758 I'll get back to you when I'm sure. 698 00:46:22,487 --> 00:46:23,530 — Hello, hello? 699 00:46:24,698 --> 00:46:25,740 Hello? 700 00:46:39,838 --> 00:46:42,215 (cat meow growls) 701 00:46:42,424 --> 00:46:44,426 (cat screeches) 702 00:46:45,218 --> 00:46:47,721 (gasping for air) 703 00:46:51,891 --> 00:46:54,644 — [Levana] I am the life of darkness. 704 00:46:55,061 --> 00:46:59,232 And I'm not content to rend your body asunder. 705 00:46:59,941 --> 00:47:06,990 I won't rest until I've tortured your heart, beyond the brink of madness. 706 00:47:07,615 --> 00:47:09,868 (evil laughter) 707 00:47:10,285 --> 00:47:14,831 (heart beating) (bones cracking) 708 00:47:39,689 --> 00:47:42,275 (loud explosion) 709 00:47:44,027 --> 00:47:46,988 (groaning in pain) 710 00:48:04,547 --> 00:48:07,258 (train rumbling) 711 00:48:10,345 --> 00:48:15,308 (cat growling) (typewriter keys clacking) 712 00:48:24,859 --> 00:48:27,821 (suspenseful music) 713 00:48:40,291 --> 00:48:43,128 (screaming in pain) 714 00:48:48,716 --> 00:48:51,678 (suspenseful music) 715 00:48:58,935 --> 00:48:59,978 Anne. 716 00:49:02,063 --> 00:49:03,064 Anne. 717 00:49:03,731 --> 00:49:05,608 I've come back for you. 718 00:49:10,697 --> 00:49:12,782 I'm downstairs. 719 00:49:19,539 --> 00:49:22,000 I'm waiting for you. 720 00:49:23,168 --> 00:49:26,129 (suspenseful music) 721 00:49:40,393 --> 00:49:42,687 (grunting) 722 00:50:20,350 --> 00:50:23,144 (thunder rolling) 723 00:50:27,774 --> 00:50:29,150 That's right. 724 00:50:30,068 --> 00:50:31,194 Come. 725 00:50:32,987 --> 00:50:34,489 Come to me. 726 00:50:35,281 --> 00:50:37,992 (dramatic music) 727 00:51:29,502 --> 00:51:34,007 (music box plays) 728 00:51:46,811 --> 00:51:52,233 — Hi Anne, I'm Sybil, I've been waiting for you. 729 00:51:52,483 --> 00:51:56,529 — Sybil, but that's impossible. 730 00:51:57,530 --> 00:52:00,533 You are... you're only a hallucination. 731 00:52:00,700 --> 00:52:02,386 — No Anne, I exist. 732 00:52:02,410 --> 00:52:05,246 And I've been inside you since you were born, 733 00:52:05,413 --> 00:52:10,335 just as she has always been inside you, Levana. 734 00:52:11,461 --> 00:52:12,629 — Levana? 735 00:52:12,920 --> 00:52:17,133 — Yes, there's very little difference between a fairy and a witch. 736 00:52:17,759 --> 00:52:19,010 Come closer. 737 00:52:19,260 --> 00:52:21,721 I want to help you step into another world. 738 00:52:23,348 --> 00:52:25,516 Come, touch me. 739 00:52:26,976 --> 00:52:29,854 (music box plays) 740 00:52:31,314 --> 00:52:33,733 That's right Anne, touch me. 741 00:52:35,318 --> 00:52:36,402 Please. 742 00:52:39,155 --> 00:52:40,281 Please touch me. 743 00:52:40,990 --> 00:52:42,367 (glass breaking) 744 00:52:42,533 --> 00:52:44,786 (gasping) 745 00:52:47,705 --> 00:52:50,333 (loud exploding) 746 00:53:05,807 --> 00:53:08,601 (dramatic music) 747 00:53:08,810 --> 00:53:10,019 That's it. 748 00:53:10,269 --> 00:53:11,646 Do you see it, Anne? 749 00:53:12,814 --> 00:53:13,898 It's her knife. 750 00:53:14,899 --> 00:53:16,109 Levana's knife. 751 00:53:17,527 --> 00:53:20,071 The time has come when you must choose. 752 00:53:21,406 --> 00:53:24,551 Pick up the knife, and become Levana, 753 00:53:24,575 --> 00:53:27,120 or leave it, and stay who you are. 754 00:53:28,538 --> 00:53:30,581 — [Levana] Good, Anne. 755 00:53:31,916 --> 00:53:34,669 You made the right choice, 756 00:53:34,919 --> 00:53:38,506 and you know what you must do with it. 757 00:53:41,134 --> 00:53:45,471 The baby's in the other room. 758 00:53:48,599 --> 00:53:50,727 Go, do it. 759 00:53:51,102 --> 00:53:54,063 (suspenseful music) 760 00:54:50,036 --> 00:54:52,288 — Anne, what are you doing, have you gone crazy? 761 00:54:52,872 --> 00:54:54,749 — What are you talking about, Marc? 762 00:54:56,876 --> 00:55:00,254 See, just movie tricks. 763 00:55:00,713 --> 00:55:02,215 I'm acting, Marc. 764 00:55:02,673 --> 00:55:04,425 I'm rehearsing for Levana. 765 00:55:05,468 --> 00:55:09,055 I don't want to kill the baby, I wouldn't dream of it. 766 00:55:09,388 --> 00:55:10,807 — Okay, I know that. 767 00:55:11,057 --> 00:55:14,268 Just give me the knife, the rehearsal is over. 768 00:55:14,727 --> 00:55:16,079 Yeah, give it to me. 769 00:55:16,103 --> 00:55:17,247 (grunting) 770 00:55:17,271 --> 00:55:21,400 Hey, I don't want to change your act here or anything, come on. 771 00:55:22,276 --> 00:55:24,529 Ease up, I'm your director. 772 00:55:26,405 --> 00:55:29,992 — Yes, you're absolutely right. 773 00:55:32,245 --> 00:55:35,331 (groaning in pain) 774 00:55:37,375 --> 00:55:39,836 I don't need your direction, anymore. 775 00:55:40,169 --> 00:55:41,546 I can direct myself. 776 00:55:41,879 --> 00:55:44,882 (dramatic rock music) 777 00:55:54,725 --> 00:55:57,311 (groaning in pain) 778 00:56:05,444 --> 00:56:08,406 (suspenseful music) 779 00:56:21,043 --> 00:56:23,004 — [Marc] And what happened after I killed you? 780 00:56:23,170 --> 00:56:25,050 — [Anne] Well it turns out I wasn't really dead. 781 00:56:25,214 --> 00:56:28,175 I woke up and realized, it had just been another nightmare. 782 00:56:28,342 --> 00:56:30,696 I think it was the sound of your car that woke me up. 783 00:56:30,720 --> 00:56:32,080 — [Marc] Okay, then what happened? 784 00:56:32,305 --> 00:56:34,599 — I got up, I was still shaking like a leaf. 785 00:56:35,683 --> 00:56:36,683 I... 786 00:56:37,226 --> 00:56:39,788 In the dream I tried to kill, to kill the baby, 787 00:56:39,812 --> 00:56:41,731 to kill you, you killed me, you killed me. 788 00:56:42,106 --> 00:56:43,524 — I was so confused. — All right. 789 00:56:44,191 --> 00:56:45,752 — All right. — I got up as you were coming in. 790 00:56:45,776 --> 00:56:47,170 And I don't know what came over me. 791 00:56:47,194 --> 00:56:49,113 I just ran into the baby's room. 792 00:56:49,530 --> 00:56:52,175 I had to make sure it was just a dream, but. 793 00:56:52,199 --> 00:56:53,199 — But? 794 00:56:53,576 --> 00:56:54,576 — Oh my God. 795 00:57:03,294 --> 00:57:04,837 This is the way I found it. 796 00:57:05,254 --> 00:57:07,006 I screamed, and you came running. 797 00:57:07,924 --> 00:57:09,550 Marc, where's my baby? 798 00:57:11,302 --> 00:57:12,470 — Jesus, Anne. 799 00:57:12,762 --> 00:57:13,762 All right. 800 00:57:14,597 --> 00:57:15,640 Now. 801 00:57:16,057 --> 00:57:17,391 You were asleep, dreaming. 802 00:57:17,600 --> 00:57:18,760 And you didn't hear anything? 803 00:57:19,936 --> 00:57:22,021 Whoever did this must have made a hell of a racket. 804 00:57:24,315 --> 00:57:25,375 Where's Sara? 805 00:57:25,399 --> 00:57:27,485 — She's out, this is her night off, she went dancing. 806 00:57:28,444 --> 00:57:29,737 Shouldn't we call the police? 807 00:57:32,448 --> 00:57:33,908 — No no, I'd rather go myself. 808 00:57:34,450 --> 00:57:37,286 You stay here, and don't move, whatever happens. 809 00:57:37,495 --> 00:57:38,495 Do you understand me? 810 00:57:39,789 --> 00:57:41,499 — Yes Marc, please hurry back. 811 00:57:41,874 --> 00:57:43,292 — I'll be home soon, I promise. 812 00:57:43,584 --> 00:57:45,670 — Marc, why did they do it, we're not rich? 813 00:57:47,338 --> 00:57:49,215 — Maybe it's not money they're after. 814 00:57:49,674 --> 00:57:52,134 (dramatic music) 815 00:57:59,642 --> 00:58:02,019 (calm music) 816 00:58:22,790 --> 00:58:25,751 (doorbell ringing) 817 00:58:33,467 --> 00:58:35,737 — What's wrong, did you forget something? 818 00:58:35,761 --> 00:58:36,846 — Let me in. 819 00:58:42,560 --> 00:58:45,521 (suspenseful music) 820 00:59:00,119 --> 00:59:01,722 (horn honking) 821 00:59:01,746 --> 00:59:02,997 — Marc. 822 00:59:03,330 --> 00:59:05,875 (horn honking) 823 00:59:06,834 --> 00:59:09,795 (suspenseful music) 824 00:59:13,716 --> 00:59:16,093 (car crashing) 825 00:59:35,279 --> 00:59:36,489 (coughing) 826 00:59:36,697 --> 00:59:38,574 Dan, what happened? 827 00:59:42,161 --> 00:59:43,245 — I'm too late. 828 00:59:43,746 --> 00:59:44,890 The witch... 829 00:59:44,914 --> 00:59:45,914 Your baby... 830 00:59:46,207 --> 00:59:49,001 Sacrificed, because they know. 831 00:59:50,002 --> 00:59:51,796 (stammering) 832 00:59:55,800 --> 00:59:57,760 — Don't try to talk, I know it's Levana. 833 00:59:59,095 --> 01:00:00,095 — It's not Lev... 834 01:00:02,306 --> 01:00:05,017 not Levana. 835 01:00:09,814 --> 01:00:12,942 (contemplative music) 836 01:00:16,362 --> 01:00:17,571 — It's not Lev... 837 01:00:18,697 --> 01:00:19,990 Not Levana. 838 01:00:21,826 --> 01:00:23,119 That's what he said. 839 01:00:26,622 --> 01:00:28,874 Levin, Levin! 840 01:00:30,126 --> 01:00:31,210 Levin! 841 01:00:32,211 --> 01:00:33,671 Levin! 842 01:00:37,758 --> 01:00:39,438 — [Marc] It's hard to find the right words. 843 01:00:40,052 --> 01:00:41,679 I honestly don't know what to do anymore. 844 01:00:42,221 --> 01:00:43,741 The whole thing's gone out of control. 845 01:00:43,973 --> 01:00:45,933 — You don't really think that Anne could've? 846 01:00:47,184 --> 01:00:48,185 — Who else, Nora? 847 01:00:48,602 --> 01:00:52,106 There was no break—in, she was alone in the house, 848 01:00:52,314 --> 01:00:54,775 and that writing on the wall. 849 01:00:55,151 --> 01:00:56,652 It's so obvious. 850 01:00:56,944 --> 01:01:00,072 — You mean to tell me she's doing things she's not aware of? 851 01:01:00,990 --> 01:01:03,993 — I didn't think there was any real danger, now this. 852 01:01:04,660 --> 01:01:06,805 — I think you should go to the police. 853 01:01:06,829 --> 01:01:08,747 — No, I can't do that to her. 854 01:01:09,415 --> 01:01:10,875 It would destroy her career. 855 01:01:11,542 --> 01:01:13,812 — Well, it's not going to do her career much good 856 01:01:13,836 --> 01:01:16,106 when you announce to the press that you've chosen me 857 01:01:16,130 --> 01:01:18,966 to play the part of Levana, and not your wife. 858 01:01:19,216 --> 01:01:21,862 — That's different, it happens all the time. 859 01:01:21,886 --> 01:01:24,013 People split up, they get divorced, they remarry. 860 01:01:25,890 --> 01:01:27,808 I just don't want it to get around 861 01:01:27,975 --> 01:01:30,769 that she's losing her mind because her marriage is falling apart. 862 01:01:31,687 --> 01:01:33,522 That makes me the bad guy. 863 01:01:34,231 --> 01:01:35,649 And you know what that makes you. 864 01:01:36,442 --> 01:01:38,068 The press would kill me. 865 01:01:39,570 --> 01:01:41,697 I have to straighten her out. 866 01:01:42,448 --> 01:01:43,657 — What about the baby? 867 01:01:45,117 --> 01:01:46,952 — The baby I'm sure is fine. 868 01:01:47,369 --> 01:01:48,746 She probably hid him some place. 869 01:01:50,039 --> 01:01:52,166 She may be losing her grip to a certain extent. 870 01:01:53,250 --> 01:01:55,294 She wouldn't do anything to hurt the baby. 871 01:01:56,420 --> 01:01:58,130 — Well that's something anyway. 872 01:01:58,881 --> 01:02:00,090 — You're something. 873 01:02:16,357 --> 01:02:18,734 (calm music) 874 01:02:35,000 --> 01:02:37,962 (suspenseful music) 875 01:02:59,358 --> 01:03:00,442 — Levin? 876 01:03:03,737 --> 01:03:04,863 Levin? 877 01:03:06,365 --> 01:03:09,326 (suspenseful music) 878 01:03:22,006 --> 01:03:25,009 (cat meow growls) 879 01:03:25,759 --> 01:03:28,721 (suspenseful music) 880 01:03:42,401 --> 01:03:45,297 (cat meow growls) 881 01:03:45,321 --> 01:03:48,365 (suspenseful music) 882 01:04:15,184 --> 01:04:16,685 — [Leonard] Anne. 883 01:04:18,979 --> 01:04:19,980 Anne. 884 01:04:20,272 --> 01:04:23,275 — I'm here Mr. Levin, and I want my baby back. 885 01:04:23,609 --> 01:04:26,236 Either you give him to me right now, or I'll shoot. 886 01:04:27,196 --> 01:04:28,405 — [Leonard] Don't bother. 887 01:04:29,948 --> 01:04:32,368 You'd only be wasting your time. 888 01:04:32,868 --> 01:04:34,787 — Give me my baby, or I'll kill you. 889 01:04:35,579 --> 01:04:37,581 — [Leonard] Come closer, Anne. 890 01:04:38,999 --> 01:04:41,001 (wheelchair whirs) 891 01:04:44,380 --> 01:04:46,507 Take a good look at me. 892 01:04:47,132 --> 01:04:48,717 What do you see? 893 01:04:51,303 --> 01:04:54,640 — My God, oh my God. 894 01:04:57,267 --> 01:04:58,727 You're dead. 895 01:04:59,937 --> 01:05:00,938 — Yes. 896 01:05:02,815 --> 01:05:06,777 I still have a voice, thanks to Levana. 897 01:05:07,694 --> 01:05:09,863 She does all the talking. 898 01:05:10,364 --> 01:05:11,883 — Where's my baby? 899 01:05:11,907 --> 01:05:13,367 I want my baby back. 900 01:05:13,534 --> 01:05:14,785 Why did you take him? 901 01:05:15,119 --> 01:05:17,621 — We took your baby because... 902 01:05:18,372 --> 01:05:19,790 we had to. 903 01:05:21,250 --> 01:05:23,419 To protect him from you. 904 01:05:24,962 --> 01:05:27,297 You're dangerous, Annie. 905 01:05:28,257 --> 01:05:30,509 So Marc will get your baby, 906 01:05:32,052 --> 01:05:34,888 and he'll marry Nora. 907 01:05:40,602 --> 01:05:41,687 Nora? 908 01:05:42,229 --> 01:05:46,024 Surely you know about Nora and Marc? 909 01:05:46,400 --> 01:05:48,402 — What are you talking about? 910 01:05:49,695 --> 01:05:54,032 — Nora is going to play Levana in Marc's movie, 911 01:05:54,825 --> 01:05:58,495 and she'll take good care of your little boy. 912 01:05:59,288 --> 01:06:01,641 You can depend on that. 913 01:06:01,665 --> 01:06:05,002 — Depend on? No I wouldn't, she couldn't. 914 01:06:05,419 --> 01:06:08,881 Marc? Oh no, this is all wrong. 915 01:06:11,049 --> 01:06:12,468 What am I doing here? 916 01:06:13,969 --> 01:06:19,266 What is this place, just another dream, another nightmare? 917 01:06:19,725 --> 01:06:20,893 — [Leonard] That's right. 918 01:06:22,978 --> 01:06:24,646 — Am I really crazy? 919 01:06:25,772 --> 01:06:29,485 — Yes, kill yourself. 920 01:06:30,027 --> 01:06:32,529 It's the only way, do it. 921 01:06:34,740 --> 01:06:37,242 Do it Annie, yes. 922 01:06:37,951 --> 01:06:40,454 It's the only way you can wake up. 923 01:06:41,830 --> 01:06:43,499 Pull the trigger, Annie. 924 01:06:45,542 --> 01:06:46,585 Do it. 925 01:06:47,711 --> 01:06:48,754 Just think, 926 01:06:49,338 --> 01:06:51,941 all you have to do is pull the trigger 927 01:06:51,965 --> 01:06:54,510 and you solve all your problems. 928 01:06:55,719 --> 01:06:56,762 Do it. 929 01:06:57,513 --> 01:06:58,805 Do it. 930 01:06:59,223 --> 01:07:00,724 Pull the trigger. 931 01:07:01,517 --> 01:07:03,101 Yes, do it. 932 01:07:03,519 --> 01:07:04,561 — [Anne] No. 933 01:07:05,312 --> 01:07:07,105 (gun fires) 934 01:07:08,148 --> 01:07:10,943 (gun firing) 935 01:07:13,070 --> 01:07:15,197 (gasping) 936 01:07:23,539 --> 01:07:26,333 — Why didn't you listen to me? 937 01:07:28,877 --> 01:07:31,171 (gun fires) 938 01:07:46,603 --> 01:07:49,731 (dramatic rock music) 939 01:07:53,777 --> 01:07:55,737 — You, you killed Levin. 940 01:07:56,071 --> 01:07:59,634 — First Dan, then Levin, now it's your turn. 941 01:07:59,658 --> 01:08:01,577 — Why, what did I ever do to you? 942 01:08:01,827 --> 01:08:04,955 — Nothing, we hardly even knew each other. 943 01:08:05,163 --> 01:08:08,584 This is nothing personal, I'm just following orders. 944 01:08:09,042 --> 01:08:10,043 — What orders? 945 01:08:10,252 --> 01:08:13,005 (gun firing) 946 01:08:22,097 --> 01:08:24,975 (groaning in pain) 947 01:08:26,101 --> 01:08:27,269 Where's my baby? 948 01:08:29,396 --> 01:08:30,397 Where is he? 949 01:08:33,650 --> 01:08:35,944 — Nora. — Nora? 950 01:08:36,695 --> 01:08:37,946 Nora? 951 01:08:51,710 --> 01:08:54,921 (dramatic rock music) 952 01:09:15,776 --> 01:09:21,114 ♪ She's looking better than the dirty city ♪ 953 01:09:23,408 --> 01:09:28,622 ♪ She's looking at everybody in the eye ♪ 954 01:09:31,083 --> 01:09:36,046 ♪ Everybody looks away from you in New York City ♪ 955 01:09:38,882 --> 01:09:43,720 ♪ Ain't nobody looks directly at a passerby ♪ 956 01:09:44,930 --> 01:09:48,493 ♪ Whoa whoa whoa good looking ♪ 957 01:09:48,517 --> 01:09:52,896 ♪ Do you need the admiration? ♪ 958 01:09:53,772 --> 01:09:55,732 ♪ Good looking ♪ 959 01:09:56,233 --> 01:10:00,070 ♪ You have won by acclimation ♪ 960 01:10:00,320 --> 01:10:04,074 ♪ How long do you think you'll stay ♪ 961 01:10:04,366 --> 01:10:08,161 ♪ Whoa whoa whoa good looking ♪ 962 01:10:14,793 --> 01:10:16,253 ♪ You're looking ♪ 963 01:10:16,670 --> 01:10:18,755 — Open the door, I know you're in there. 964 01:10:22,342 --> 01:10:24,028 ♪ No one's looking ♪ 965 01:10:24,052 --> 01:10:28,557 ♪ You could hide the rest for me yeah ♪ 966 01:10:30,100 --> 01:10:35,063 ♪ Anywhere you go the very air you breath can kill you ♪ 967 01:10:35,689 --> 01:10:36,773 — Nora? 968 01:10:37,983 --> 01:10:42,004 I But she ought to know there's more at stake than you can see I 969 01:10:42,028 --> 01:10:43,071 — Nora? 970 01:10:44,156 --> 01:10:47,117 ♪ Whoa whoa whoa good looking ♪ 971 01:10:47,451 --> 01:10:52,414 ♪ Do you need the admiration? ♪ 972 01:10:53,165 --> 01:10:54,916 ♪ Good looking ♪ 973 01:10:55,417 --> 01:10:59,045 ♪ What will be your last temptation? ♪ 974 01:10:59,755 --> 01:11:02,257 — Hello Anne, you've come for your baby, hmm? 975 01:11:03,175 --> 01:11:05,385 I Whoa whoa whoa good looking I 976 01:11:05,719 --> 01:11:06,762 — You can have him. 977 01:11:07,929 --> 01:11:09,306 Go ahead, take him. 978 01:11:09,890 --> 01:11:11,099 No one's stopping you. 979 01:11:17,981 --> 01:11:19,483 — Why did you do it, Nora? 980 01:11:19,691 --> 01:11:21,359 Why in God's name did you do it? 981 01:11:22,861 --> 01:11:25,363 — The same reason I took Marc away from you, Anne. 982 01:11:25,655 --> 01:11:26,655 For Levana. 983 01:11:27,491 --> 01:11:28,700 She made me do it. 984 01:11:28,950 --> 01:11:30,994 We're all just pawns in your game. 985 01:11:31,328 --> 01:11:32,329 — My game? 986 01:11:32,496 --> 01:11:36,208 — Oh come on, don't be so naive. 987 01:11:36,458 --> 01:11:38,019 You must know what's going on, 988 01:11:38,043 --> 01:11:40,170 or you'd never have left Levin's house alive. 989 01:11:41,379 --> 01:11:43,465 — [Anne] Nora, what are you talking about? 990 01:11:44,007 --> 01:11:46,802 — We thought we'd calculated your every move. 991 01:11:47,761 --> 01:11:49,262 But you beat us. 992 01:11:49,596 --> 01:11:52,098 You were far stronger than we imagined. 993 01:11:52,265 --> 01:11:53,266 — Where's Marc? 994 01:11:53,725 --> 01:11:55,268 — Oh, he's on his way home. 995 01:11:55,644 --> 01:11:57,270 He's going to be a little delayed. 996 01:11:57,604 --> 01:12:01,417 He's not supposed to interrupt you and Levana. 997 01:12:01,441 --> 01:12:03,068 — Me and—— — Go home, Anne. 998 01:12:03,568 --> 01:12:05,862 Levana is about to visit you in person. 999 01:12:06,446 --> 01:12:09,407 It had to come to this, it was inevitable. 1000 01:12:09,658 --> 01:12:14,037 A meeting, face to face. 1001 01:12:14,663 --> 01:12:16,832 — What are you talking about, are you crazy? 1002 01:12:18,208 --> 01:12:20,669 — Why don't you just go see for yourself? 1003 01:12:24,130 --> 01:12:25,191 — Nora. 1004 01:12:25,215 --> 01:12:27,175 — Get out of here, Anne, go home. 1005 01:12:28,051 --> 01:12:29,094 Go home! 1006 01:12:54,619 --> 01:12:57,414 (engine cranking) 1007 01:13:17,475 --> 01:13:20,604 (dramatic rock music) 1008 01:13:31,323 --> 01:13:34,176 ♪ Wrapped up in this world of anger ♪ 1009 01:13:34,200 --> 01:13:36,828 ♪ There's no second chance out here ♪ 1010 01:13:37,954 --> 01:13:40,474 ♪ Nail tight your eyes now honey ♪ 1011 01:13:40,498 --> 01:13:43,335 ♪ 'Cause I know just what you fear ♪ 1012 01:13:44,419 --> 01:13:46,838 ♪ Well I've seen it all before ♪ 1013 01:13:47,005 --> 01:13:50,175 ♪ And it all comes back to me ♪ 1014 01:13:50,967 --> 01:13:53,553 I Well I see your face now honey I 1015 01:13:53,720 --> 01:13:56,097 ♪ And I know just where you've been ♪ 1016 01:13:56,306 --> 01:13:59,643 ♪ With someone someone ♪ 1017 01:14:00,143 --> 01:14:03,480 ♪ Well there's someone just like you ♪ 1018 01:14:04,189 --> 01:14:09,152 ♪ Oh I need someone to take away the blue ♪ 1019 01:14:11,029 --> 01:14:15,992 ♪ Someone well there's someone just like you ♪ 1020 01:14:17,243 --> 01:14:22,040 ♪ Oh I need someone to take away the blue ♪ 1021 01:14:32,175 --> 01:14:34,636 ♪ Clench your fist oh so tight ♪ 1022 01:14:34,844 --> 01:14:37,722 ♪ And kick down anything in your way ♪ 1023 01:14:38,723 --> 01:14:41,309 ♪ Spit your words right out now ♪ 1024 01:14:41,476 --> 01:14:44,312 ♪ But you ain't got nothing to say ♪ 1025 01:14:45,355 --> 01:14:47,941 ♪ Well I've seen you walk away ♪ 1026 01:14:48,108 --> 01:14:50,944 ♪ But I don't know Where you go ♪ 1027 01:15:08,336 --> 01:15:10,880 (dramatic music) 1028 01:15:11,548 --> 01:15:15,093 — You summoned us, what is your command? 1029 01:15:15,260 --> 01:15:18,722 — I ordered you to stop Anne, and you failed. 1030 01:15:19,222 --> 01:15:21,307 Your efforts were pitiful. 1031 01:15:22,726 --> 01:15:24,644 — My powers are weak. 1032 01:15:25,854 --> 01:15:27,731 You always knew that. 1033 01:15:28,898 --> 01:15:30,710 If I'd had your help—... 1034 01:15:30,734 --> 01:15:32,169 — You shouldn't have needed it. 1035 01:15:32,193 --> 01:15:33,653 And now time is running out. 1036 01:15:33,862 --> 01:15:35,822 It's too late for more failures. 1037 01:15:36,031 --> 01:15:37,657 I'll have to act myself. 1038 01:15:37,991 --> 01:15:39,492 You're worthless to me now. 1039 01:15:40,035 --> 01:15:42,746 (loud exploding) 1040 01:15:58,928 --> 01:16:00,930 Now it's your turn. 1041 01:16:03,641 --> 01:16:04,642 Do it. 1042 01:16:11,316 --> 01:16:12,317 Do it. 1043 01:16:19,449 --> 01:16:22,077 (eerie buzzing) 1044 01:16:31,920 --> 01:16:37,675 And now, clear little Anne, our worlds will collide. 1045 01:16:38,218 --> 01:16:40,845 (evil laughing) 1046 01:16:45,767 --> 01:16:48,144 (calm music) 1047 01:16:56,569 --> 01:16:57,946 — There, darling. 1048 01:17:07,163 --> 01:17:09,165 Sleep now, sleep. 1049 01:17:13,545 --> 01:17:15,922 (calm music) 1050 01:17:24,597 --> 01:17:27,142 (wolf howling) 1051 01:17:29,394 --> 01:17:31,396 (eerie buzzing) 1052 01:17:31,771 --> 01:17:36,276 (wind howling) (thunder crashing) 1053 01:18:03,052 --> 01:18:05,972 (electricity crackling) 1054 01:18:27,911 --> 01:18:30,705 (suspenseful music) 1055 01:18:59,025 --> 01:19:01,319 (eerie ringing) 1056 01:19:18,878 --> 01:19:21,839 - Hi. - Hi, William. 1057 01:19:22,423 --> 01:19:26,594 Did you have a good time tonight? — Yeah, a great time. 1058 01:19:26,970 --> 01:19:29,806 — I'll bet you did. The more blood the merrier. 1059 01:19:30,223 --> 01:19:34,435 As you can see, I now know everything, and I'm still alive. 1060 01:19:35,144 --> 01:19:38,982 So you can stop bothering to create telepathic illusions for me. 1061 01:19:39,774 --> 01:19:42,652 — Yeah I know, the game is over. 1062 01:19:50,034 --> 01:19:52,662 (eerie buzzing) 1063 01:20:02,922 --> 01:20:04,132 — That's a good girl. 1064 01:20:04,716 --> 01:20:08,761 You know you can't fool me anymore with your hallucinations and mind tricks. 1065 01:20:09,470 --> 01:20:13,141 — When did you catch on? — Just now actually, driving home. 1066 01:20:13,558 --> 01:20:14,976 It suddenly dawned on me. 1067 01:20:15,435 --> 01:20:19,188 You've been spinning visions around me like a spider spins a web. 1068 01:20:19,397 --> 01:20:21,774 You're just a, what's the word? 1069 01:20:22,734 --> 01:20:24,235 — There is no word. 1070 01:20:24,485 --> 01:20:26,738 I'm the next step in evolution. 1071 01:20:27,030 --> 01:20:28,072 I'm superhuman. 1072 01:20:28,990 --> 01:20:30,033 — You're a mutant. 1073 01:20:31,367 --> 01:20:35,038 — With the power of my mind, I have taken the place of your God. 1074 01:20:35,538 --> 01:20:38,124 Whatever I think, happens. 1075 01:20:38,624 --> 01:20:42,313 All creatures obey my command, without even knowing it. 1076 01:20:42,337 --> 01:20:43,338 — I don't. 1077 01:20:43,546 --> 01:20:45,590 I'm the only one you can't command. 1078 01:20:45,798 --> 01:20:47,592 So I'm the only one you fear. 1079 01:20:48,092 --> 01:20:49,903 I'm the only one who stands in your way. 1080 01:20:49,927 --> 01:20:50,928 — Really? 1081 01:20:51,346 --> 01:20:53,097 Let's see you stop me. 1082 01:20:54,057 --> 01:20:55,141 Die. 1083 01:20:55,433 --> 01:20:56,476 Die! 1084 01:20:58,519 --> 01:21:01,397 (groaning in pain) 1085 01:21:03,107 --> 01:21:06,235 (electricity buzzing) 1086 01:21:16,996 --> 01:21:19,707 (loud exploding) 1087 01:21:24,587 --> 01:21:26,798 (laughing) 1088 01:21:27,340 --> 01:21:28,841 I told you so. 1089 01:21:29,008 --> 01:21:30,968 Nothing can stop me now. 1090 01:21:31,260 --> 01:21:34,180 (evil laughing) 1091 01:21:46,734 --> 01:21:47,944 — Sorry Sara. 1092 01:21:48,236 --> 01:21:49,946 But I can control time now. 1093 01:21:50,113 --> 01:21:52,490 I can send it reeling backwards. 1094 01:21:54,492 --> 01:21:58,287 You see Sara, you're not really that strong after all. 1095 01:21:58,830 --> 01:22:01,707 — All right, I can't destroy you. 1096 01:22:01,999 --> 01:22:03,960 But you can't destroy me either. 1097 01:22:04,168 --> 01:22:06,337 We'll just have to share this world. 1098 01:22:06,754 --> 01:22:09,257 Half good, half bad. 1099 01:22:10,508 --> 01:22:12,260 — You're wrong again, Sara. 1100 01:22:12,427 --> 01:22:14,512 I might not be able to destroy you, 1101 01:22:14,720 --> 01:22:16,806 but there are others who can. 1102 01:22:17,473 --> 01:22:19,308 (grunting) 1103 01:22:19,725 --> 01:22:24,313 (dramatic rock music) (groaning in pain) 1104 01:22:39,537 --> 01:22:40,621 Christ. 1105 01:22:54,427 --> 01:22:57,138 (dramatic music) 1106 01:23:03,352 --> 01:23:08,316 (electricity crackling) (loud exploding) 1107 01:23:12,403 --> 01:23:15,114 (dramatic music) 1108 01:23:21,621 --> 01:23:24,582 (crickets chirping) 1109 01:24:33,276 --> 01:24:36,070 (music box plays) 1110 01:24:37,363 --> 01:24:38,906 Hello, Sybil. 1111 01:24:39,365 --> 01:24:43,160 — Hi Anne, I knew you'd come to say goodbye. 1112 01:24:44,078 --> 01:24:46,497 — My world is back in order now. 1113 01:24:47,164 --> 01:24:49,500 — Oh yes it is, I know that. 1114 01:24:49,667 --> 01:24:53,129 — No more dreams, no more nightmares. 1115 01:24:54,171 --> 01:24:57,216 — That's good, all evil has ended. 1116 01:24:57,633 --> 01:25:00,845 This is really the best of all possible worlds now. 1117 01:25:01,053 --> 01:25:04,908 Marc loves only you, Nora's your very best friend, 1118 01:25:04,932 --> 01:25:06,976 and Sara isn't a monster. 1119 01:25:07,226 --> 01:25:10,563 She's just a good kid with a lively imagination. 1120 01:25:10,730 --> 01:25:13,065 — And Leonard Levin is confined to a wheelchair. 1121 01:25:13,274 --> 01:25:14,900 But he's very much alive. 1122 01:25:15,234 --> 01:25:17,194 — He's going to produce Marc's movie, 1123 01:25:17,361 --> 01:25:21,490 and it'll be one of the biggest, greatest smash hits ever. 1124 01:25:21,824 --> 01:25:24,285 — And will everyone live happily ever after? 1125 01:25:24,785 --> 01:25:28,080 — For sure, 'cause even with your special power, 1126 01:25:28,247 --> 01:25:30,708 you're content with things as they are. 1127 01:25:31,000 --> 01:25:33,794 — I have Marc, I have my baby. 1128 01:25:34,420 --> 01:25:35,880 I know what love is. 1129 01:25:36,797 --> 01:25:38,049 Who needs more? 1130 01:25:40,468 --> 01:25:43,179 — Goodbye Anne, goodbye Levana. 1131 01:25:44,639 --> 01:25:45,765 — Goodbye. 1132 01:25:46,223 --> 01:25:47,683 — [Sybil] Goodbye. 1133 01:25:51,354 --> 01:25:54,065 (ethereal music) 1134 01:26:55,960 --> 01:26:57,461 — [Levana] I'm not dead. 1135 01:26:58,295 --> 01:26:59,630 I'll be back, 1136 01:27:00,756 --> 01:27:03,175 in the body of your child. 1137 01:27:04,009 --> 01:27:06,637 (evil laughing) 1138 01:27:07,638 --> 01:27:10,766 (dramatic rock music) 1139 01:27:29,577 --> 01:27:32,079 ♪ Wrapped up in this world of anger ♪ 1140 01:27:32,329 --> 01:27:34,915 ♪ There's no second chance out here ♪ 1141 01:27:36,292 --> 01:27:38,729 ♪ Nail tight your eyes now honey ♪ 1142 01:27:38,753 --> 01:27:41,714 ♪ 'Cause I know just what you fear ♪ 1143 01:27:42,757 --> 01:27:45,318 ♪ Well I've seen it all before ♪ 1144 01:27:45,342 --> 01:27:48,554 ♪ And it all comes back to me ♪ 1145 01:27:49,180 --> 01:27:51,474 I Well I see your face now honey ♪ 1146 01:27:51,932 --> 01:27:54,268 ♪ And I know just where you've been ♪ 1147 01:27:54,477 --> 01:27:57,855 ♪ With someone someone ♪ 1148 01:27:58,355 --> 01:28:01,776 ♪ Well there's someone just like you ♪ 1149 01:28:02,526 --> 01:28:07,490 ♪ Oh I need someone to take away the blue ♪ 1150 01:28:09,450 --> 01:28:14,163 ♪ Someone well there's someone just like you ♪ 1151 01:28:15,539 --> 01:28:20,920 ♪ Oh I need someone to take away the blue ♪ 1152 01:28:30,554 --> 01:28:33,015 ♪ Clench your fist oh so tight ♪ 1153 01:28:33,182 --> 01:28:36,435 ♪ And kick down anything in your way ♪ 1154 01:28:37,144 --> 01:28:39,563 ♪ Spit your words right out now ♪ 1155 01:28:39,730 --> 01:28:42,817 ♪ Cause you ain't got a thing to say ♪ 1156 01:28:43,776 --> 01:28:45,945 ♪ Well I've seen you walk away I 1157 01:28:46,195 --> 01:28:49,740 ♪ But I don't know Where you go ♪ 1158 01:28:50,241 --> 01:28:52,535 ♪ And I see your lying eyes ♪ 1159 01:28:52,952 --> 01:28:56,914 ♪ But you ain't gotta thing to show for someone... ♪