1 00:00:00,440 --> 00:00:04,660 Your accessory to a $300 million a year music bootlegging racket, Mr. Brooks. 2 00:00:04,880 --> 00:00:05,758 Oh, sure. 3 00:00:05,760 --> 00:00:10,040 Record a song. Give the pirates one last crack at it. Give us a crack at Joey's 4 00:00:10,040 --> 00:00:13,400 killer. Those pirate tapes hit the charts, too, you know. Maybe we should, 5 00:00:13,440 --> 00:00:15,920 throw pirates in a few of those tapes ourselves. 6 00:00:16,440 --> 00:00:19,220 Well, I don't know why anybody would want to kill Joey. Could be anyone. 7 00:00:20,080 --> 00:00:23,940 I could just never, ever marry another blind person. 8 00:00:24,180 --> 00:00:25,180 You know what I'm sorry about? 9 00:00:25,280 --> 00:00:27,840 Is when that tape went up, it didn't blow my head clear off. 10 00:01:17,640 --> 00:01:18,640 Mr. Brooks? 11 00:01:18,800 --> 00:01:21,540 Yeah, what can I do for you? I understand you have the latest out -of 12 00:01:21,540 --> 00:01:22,540 release on special. 13 00:01:22,820 --> 00:01:24,980 Sure do. If there's any left, they go pretty fast. 14 00:01:25,280 --> 00:01:27,340 And only $250 a cassette alphabet. 15 00:01:31,400 --> 00:01:32,700 Uh, here you go. 16 00:01:32,920 --> 00:01:36,820 Out -of -sight trio, Sam and the Sandpiper. Well, luck is not long here. 17 00:01:38,880 --> 00:01:39,880 Yeah. 18 00:01:40,440 --> 00:01:41,440 Pirate tape, all right. 19 00:01:41,940 --> 00:01:45,000 This counterfeit artwork wouldn't fill anybody. I wonder if the tape's any 20 00:01:45,000 --> 00:01:46,140 better. Mr. Brooks? 21 00:01:46,540 --> 00:01:49,760 It would be interesting to know how you can sell these for $4 .50 under the 22 00:01:49,760 --> 00:01:50,518 going price. 23 00:01:50,520 --> 00:01:53,020 Are you suggesting I'm selling stolen merchandise? 24 00:01:53,400 --> 00:01:54,580 Now that you mention it, yes. 25 00:01:55,280 --> 00:01:56,280 Mr. Brooks. 26 00:01:56,490 --> 00:02:00,810 Do you know that you're actually stealing from musicians, singers, 27 00:02:00,810 --> 00:02:01,970 producers? Who'd you buy it from? 28 00:02:02,210 --> 00:02:04,190 Oh, I don't know. I buy a lot of stuff. 29 00:02:04,410 --> 00:02:06,910 See, look, this was presented to me as legitimate merchandise. 30 00:02:07,230 --> 00:02:11,810 It was part of a bankrupt stock liquidation, I believe. Get off of it. 31 00:02:11,810 --> 00:02:16,310 that's a copied label. Your accessory to a $300 million a year music bootlegging 32 00:02:16,310 --> 00:02:17,310 racket, Mr. Brooks. 33 00:02:17,490 --> 00:02:20,650 The only way we can stop it is at the end of the funnel, the distributor. 34 00:02:21,370 --> 00:02:22,249 And so? 35 00:02:22,250 --> 00:02:23,250 So you get an invoice. 36 00:02:23,660 --> 00:02:26,440 Oh, I didn't ask for one. What did the feller look like? What kind of car was 37 00:02:26,440 --> 00:02:27,379 driving? 38 00:02:27,380 --> 00:02:29,000 I never saw him before in my life. 39 00:02:30,140 --> 00:02:31,140 Sorry, evidence. 40 00:02:32,560 --> 00:02:36,520 Now, if you think of anything, you get in touch with us. 41 00:02:37,540 --> 00:02:40,420 In the meantime, we've already got you on one count. 42 00:02:41,760 --> 00:02:42,900 Don't buy any more rip -offs. 43 00:02:53,930 --> 00:02:55,390 What's so special about that one? 44 00:02:56,630 --> 00:02:57,630 You'll see. 45 00:02:57,770 --> 00:03:00,330 Your ears aren't too bent from listening to all this junk. 46 00:03:05,890 --> 00:03:08,330 Fidelity. No wow, no fuzz. 47 00:03:10,750 --> 00:03:12,850 That had to come right off the master. 48 00:03:13,670 --> 00:03:15,350 Now, that would be perfection record. 49 00:03:16,610 --> 00:03:19,350 Out of sight is the only real name on the label now. 50 00:03:19,630 --> 00:03:20,630 That's how. 51 00:03:20,730 --> 00:03:23,250 Now, that's Barefoot Joey and the Tar. 52 00:03:23,840 --> 00:03:26,480 They say Nancy Caldwell won't sing without me. 53 00:03:27,160 --> 00:03:28,160 Barefoot Joe? 54 00:03:32,320 --> 00:03:33,320 Barefoot Joe. 55 00:04:01,040 --> 00:04:04,620 I've decided that after the session, I'm going to fix us some cornbread and 56 00:04:04,620 --> 00:04:05,620 sorghum. 57 00:04:06,220 --> 00:04:07,280 And hash puppy. 58 00:04:07,920 --> 00:04:08,920 And sour belly. 59 00:04:09,120 --> 00:04:10,120 And okra. 60 00:04:10,440 --> 00:04:13,540 And how many ingredients? Can we have dandelion, too? 61 00:04:15,500 --> 00:04:16,500 Hey, 62 00:04:17,500 --> 00:04:19,240 inform me. 63 00:04:19,740 --> 00:04:23,120 Joey, come on, we're late. Hey, we're not that late. 64 00:04:23,820 --> 00:04:24,820 Come on, tell me. 65 00:04:28,660 --> 00:04:31,930 I tell you. I'm going to hear that at least twice a day or I start stranging 66 00:04:31,930 --> 00:04:32,930 out. 67 00:04:33,950 --> 00:04:35,970 Joey, let me do it. 68 00:04:37,030 --> 00:04:40,470 Let me start you off? No way. But I know this place by now. 69 00:05:21,120 --> 00:05:22,120 You're beautiful. 70 00:05:27,900 --> 00:05:28,900 Joey, 71 00:05:30,320 --> 00:05:31,320 come on. 72 00:05:31,460 --> 00:05:33,820 We can't keep them waiting. You know, Mo gets mad. 73 00:05:34,200 --> 00:05:35,200 Yes, ma 'am. 74 00:05:35,960 --> 00:05:37,920 It's on every station, climbing the charts. 75 00:05:38,640 --> 00:05:39,640 Pirates are taking the bread. 76 00:05:40,240 --> 00:05:42,460 Just soothe down now, Mo. We're in relief. 77 00:05:42,700 --> 00:05:43,700 Oh, sure. 78 00:05:44,240 --> 00:05:46,380 Well, we're making zero bread, putting it together. 79 00:05:47,290 --> 00:05:50,890 Doing promos, some clown jumps the gun on us. I bet the market's gobbled up. 80 00:05:51,090 --> 00:05:52,470 Now, give me that thing. Oh, no. 81 00:05:53,730 --> 00:05:56,850 You know, 82 00:06:01,150 --> 00:06:02,670 you're going to be the death of you yet, Mo. 83 00:06:04,710 --> 00:06:05,850 Hey, man. How are you? 84 00:06:06,110 --> 00:06:07,110 Hey, Nancy. 85 00:06:07,910 --> 00:06:08,829 Hi, baby. 86 00:06:08,830 --> 00:06:10,490 Listen, do I have time to throw something on? 87 00:06:11,070 --> 00:06:12,090 No, Miss Everlovin. 88 00:06:12,570 --> 00:06:15,470 Go ahead, babe. I'll wait for you. It's all right, Joey. We'll drive her down. 89 00:06:15,880 --> 00:06:17,200 Well, now, listen to Big Daddy. 90 00:06:17,620 --> 00:06:20,280 It's okay, Joey. Why don't you just go on down to the studio now and get 91 00:06:20,280 --> 00:06:22,900 yourself in a couple of practice licks on that old guitar of yours? We got 92 00:06:22,900 --> 00:06:23,960 things to talk over over here. 93 00:06:25,060 --> 00:06:28,020 I think I'll wait, Nancy. Oh, it's all right, Joey. It's no sweat. We'll meet 94 00:06:28,020 --> 00:06:28,759 you there, okay? 95 00:06:28,760 --> 00:06:29,760 Yeah. 96 00:06:30,160 --> 00:06:31,160 All right. 97 00:06:35,600 --> 00:06:36,600 Who left this here? 98 00:06:38,100 --> 00:06:40,120 Oh, I'm sorry, Joey. We thought you could see. 99 00:06:40,360 --> 00:06:43,820 We changed things around to break the monotony. Yeah, well, you'd like to 100 00:06:43,820 --> 00:06:44,809 my neck. 101 00:06:44,810 --> 00:06:45,810 I'm sorry. 102 00:06:46,690 --> 00:06:48,610 Maybe we'll have better luck next time. 103 00:06:48,870 --> 00:06:49,870 Yeah, right. 104 00:06:51,490 --> 00:06:53,530 Some sweet morning he's gonna clobber you. 105 00:06:53,810 --> 00:06:57,510 Oh, that hillbilly. Well, you keep poking yourself between him and Nancy 106 00:06:57,510 --> 00:06:58,650 you got some kind of ownership. 107 00:06:58,890 --> 00:07:00,490 Or like you stand a chance. 108 00:07:01,090 --> 00:07:03,930 Don't you know Nancy's got too much class for a dude like you? 109 00:07:04,210 --> 00:07:05,430 Didn't he make dropout? 110 00:07:09,910 --> 00:07:10,910 Uh -oh. 111 00:07:12,630 --> 00:07:13,630 Oh, no. 112 00:07:15,880 --> 00:07:16,980 Those seem like tears, huh? 113 00:07:17,320 --> 00:07:18,780 Oh, yeah. I got you, boy. 114 00:07:19,060 --> 00:07:20,060 I got you. 115 00:07:25,180 --> 00:07:26,340 Willie Moe! 116 00:07:27,000 --> 00:07:28,860 Will you please knock it off? 117 00:07:29,120 --> 00:07:30,119 Sorry, Ethel. 118 00:07:30,120 --> 00:07:31,120 Hey, Mama Connie House. 119 00:07:31,800 --> 00:07:33,060 What are royalties that up to? 120 00:07:33,280 --> 00:07:34,920 Not enough for you to be breaking up the furniture. 121 00:07:35,240 --> 00:07:38,780 With a hit in January and two albums on the charts, we ought to be buying 122 00:07:38,780 --> 00:07:41,040 Nashville. Listen, be happy you can pay your rent. 123 00:07:41,500 --> 00:07:44,660 Those pirate tapes hit the charts, too, you know. You know, maybe we should, 124 00:07:44,760 --> 00:07:47,520 uh... So it pirates in a few of those tapes ourselves. 125 00:07:49,880 --> 00:07:50,880 Maybe we ought to. 126 00:07:54,740 --> 00:07:58,400 Hey, come on. Let's get going before we push Uncle Maxim to overtime. 127 00:07:59,020 --> 00:08:00,060 Yeah, come on, team. 128 00:08:00,520 --> 00:08:01,820 Light up. Let's go. Ready. 129 00:08:02,040 --> 00:08:05,480 You know, really, I could get myself one of those new laser canes. They not only 130 00:08:05,480 --> 00:08:10,420 tell you what's in your path, but they get a phone number and... You 131 00:08:10,420 --> 00:08:15,120 know, I... 132 00:08:17,000 --> 00:08:20,460 This is first generation or mighty close to it. This has got to be stopped. 133 00:08:27,840 --> 00:08:29,500 My people don't know how bad it is here. 134 00:08:29,940 --> 00:08:31,060 I'm about to go under. 135 00:08:32,539 --> 00:08:35,740 Do you realize that out -of -sight group was the lifeblood of this company? It's 136 00:08:35,740 --> 00:08:36,740 bread and butter. 137 00:08:37,520 --> 00:08:40,500 It supports everything else. Or at least it didn't until these thieves took 138 00:08:40,500 --> 00:08:43,440 over. Mr. Leonard, this pirating can be done by... 139 00:08:43,740 --> 00:08:46,720 Almost anybody who buys a tape at the local music store makes copies of it, 140 00:08:46,740 --> 00:08:47,740 right? Sure. 141 00:08:48,240 --> 00:08:51,680 The more recorders you line up, the more slave tapes you can run off. Well, 142 00:08:51,680 --> 00:08:54,540 there's something different about this bootlegger. He had access to a high 143 00:08:54,540 --> 00:08:56,200 -quality tape before you went into release. 144 00:08:56,880 --> 00:09:00,740 Exactly what do you do when you complete a master tape? I run off two protection 145 00:09:00,740 --> 00:09:04,340 tapes. Then the master tape I put into the duplication room in the vault. 146 00:09:05,040 --> 00:09:07,880 One tape I put in my safe over there, and the other one I give to the artist 147 00:09:07,880 --> 00:09:11,620 safekeeping. Look, we're about to record a number that Joey wrote for Nancy. 148 00:09:11,740 --> 00:09:12,820 Would you care to see our operation? 149 00:09:14,109 --> 00:09:15,109 Yeah, we would. 150 00:09:22,230 --> 00:09:25,230 Dave? It's my magnetic charm, you see. 151 00:09:26,170 --> 00:09:27,590 I can smell the lemon. 152 00:09:29,330 --> 00:09:30,330 Here. 153 00:09:30,710 --> 00:09:31,750 Oh, thanks. 154 00:09:32,350 --> 00:09:34,810 I love his words. 155 00:09:35,090 --> 00:09:35,829 What, Joy's words? 156 00:09:35,830 --> 00:09:38,090 Yeah. Yeah, well, you're always words and his music. 157 00:09:38,950 --> 00:09:40,470 You should be to any man who knew you. 158 00:09:40,690 --> 00:09:41,690 Oh, thanks. 159 00:09:42,090 --> 00:09:44,800 Hiya. I've got a little surprise for you. What? 160 00:09:46,040 --> 00:09:50,060 Well, now, you are talking to the main man now. 161 00:09:50,560 --> 00:09:54,300 I got the job of the chief engineer of the biggest sound studio in Paris. Oh, 162 00:09:54,300 --> 00:09:56,400 gee! Oh, Dee, wow! 163 00:09:57,160 --> 00:09:59,500 I'm so happy for you. That's great. 164 00:09:59,740 --> 00:10:01,140 For me is for us. 165 00:10:01,380 --> 00:10:02,540 Oh, come on, Dee. 166 00:10:03,160 --> 00:10:04,560 I have my commitment. 167 00:10:04,780 --> 00:10:07,500 Come on. Oh, wait a minute. You only have commitments to yourself and this 168 00:10:07,500 --> 00:10:11,090 world. I promised Joey I'd go to the Ozarks with him. It's not a question of 169 00:10:11,090 --> 00:10:14,310 hurting Joey. It's a question of how much you like corn, pone, and ketchup. 170 00:10:14,990 --> 00:10:16,810 Anytime you're ready, Miss Everlovin. 171 00:10:17,250 --> 00:10:18,250 Go. 172 00:10:49,319 --> 00:10:50,820 Yeah, it's fine. All right? 173 00:10:51,900 --> 00:10:52,900 Yep. 174 00:10:53,160 --> 00:10:54,260 Hey, Mo? 175 00:10:54,640 --> 00:10:57,460 Yeah, man? Second bar, can we get a little bit heavier on the drums, okay? 176 00:10:58,080 --> 00:10:59,600 Well, let me get a balance, pal. 177 00:11:00,100 --> 00:11:04,900 Six little Indians, five little Indians, four little Indians, three little 178 00:11:04,900 --> 00:11:08,960 Indians, two little Indians, one little Indian. 179 00:11:09,460 --> 00:11:10,460 Good, thank you. 180 00:11:12,640 --> 00:11:13,640 Wow, 181 00:11:15,440 --> 00:11:16,800 it's your turn to tell me. 182 00:11:17,520 --> 00:11:18,520 Pleasure. 183 00:11:20,220 --> 00:11:21,220 Mom, 184 00:11:22,080 --> 00:11:24,960 I just hope I don't mess up your beautiful words, honey. Hey, you won't 185 00:11:24,960 --> 00:11:26,060 anything up except my sleeve. 186 00:11:26,580 --> 00:11:28,680 I'm going to be right outside there. You take care, okay? 187 00:11:29,300 --> 00:11:32,800 Okay, Joey, let's get on with it, man. Let's try and go for a take, okay, 188 00:11:32,880 --> 00:11:34,360 everybody? Nancy, you okay, honey? 189 00:11:35,800 --> 00:11:37,940 All right, everybody settle down now. Very mellow. 190 00:11:38,180 --> 00:11:39,180 Willie, Joe. 191 00:11:39,660 --> 00:11:40,660 All right, let's try that. 192 00:11:41,340 --> 00:11:42,880 Joey's song, take one. 193 00:11:47,850 --> 00:11:52,730 I've been to New York City, and I've been to... 194 00:12:19,530 --> 00:12:20,530 and from. 195 00:12:54,090 --> 00:12:55,090 day in - 196 00:14:13,840 --> 00:14:15,120 Had to talk to me. About what? 197 00:14:15,360 --> 00:14:16,360 He wouldn't say on the phone. 198 00:14:16,800 --> 00:14:19,480 I told him to come around to my office right after the session. 199 00:14:20,540 --> 00:14:22,420 I don't want anything moved. 200 00:14:23,080 --> 00:14:25,020 Hubie, Cutter, no wrap -up. 201 00:14:26,500 --> 00:14:27,500 Why, Joey? 202 00:14:27,980 --> 00:14:31,880 Why? Oh, if accidents are explainable, everyone wouldn't have any. 203 00:14:32,080 --> 00:14:33,080 Here you go, babe. 204 00:14:34,000 --> 00:14:36,660 Oh, speaking of pills, what was Joey dropping today? 205 00:14:37,120 --> 00:14:38,600 Cutter tranquilizers. 206 00:14:38,860 --> 00:14:40,780 Look, Joey always gets uptight before... 207 00:14:46,140 --> 00:14:47,860 You know, does he always wash it down with whiskey? 208 00:14:48,260 --> 00:14:49,260 Oh, gee. 209 00:14:49,500 --> 00:14:53,120 Look, I'm sorry, babe. I saw him take it. I saw him take it from Carter's 210 00:14:53,120 --> 00:14:54,120 private stock. 211 00:14:54,520 --> 00:14:56,080 Maybe there was something buggy him today. 212 00:14:56,600 --> 00:14:59,540 Was Joey on any other kind of medication, Miss Caldwell? 213 00:15:00,100 --> 00:15:01,740 If you mean drugs, no. 214 00:15:23,560 --> 00:15:24,840 Let's see how it shorted out. 215 00:15:32,100 --> 00:15:33,100 Mr. Hubert. 216 00:15:33,740 --> 00:15:35,700 We asked that nothing be touched, please. 217 00:15:36,280 --> 00:15:37,280 Oh? 218 00:15:37,780 --> 00:15:40,340 Sorry. I didn't know you meant the cables. 219 00:15:40,600 --> 00:15:42,900 We meant that nothing be touched. 220 00:15:47,020 --> 00:15:49,660 I understand Joey was barefoot most of the time. 221 00:15:49,940 --> 00:15:50,940 He used to be. 222 00:15:51,040 --> 00:15:52,800 But Nancy got him into sandals. 223 00:15:53,210 --> 00:15:54,330 except when he was playing guitar. 224 00:15:55,690 --> 00:15:58,670 Well, this is where the problem is. It's a loose wire, you see. 225 00:15:58,970 --> 00:16:04,070 It shorts against the housing when you press the pedal. 226 00:16:05,430 --> 00:16:07,710 Maybe that wire came loose unnaturally. 227 00:16:10,030 --> 00:16:12,130 Well, I don't know why anybody would want to kill Joey. 228 00:16:12,370 --> 00:16:13,370 Could be anyone. 229 00:16:14,750 --> 00:16:15,750 Anyone. 230 00:16:18,090 --> 00:16:20,150 Everyone knew he played his guitar barefoot. 231 00:16:32,520 --> 00:16:34,160 My last words to Joey hadn't been so heavy. 232 00:16:34,600 --> 00:16:35,700 I really liked him. 233 00:16:36,420 --> 00:16:38,500 Were you trying to convince you or me? 234 00:16:41,380 --> 00:16:43,100 Use the belt, boys. I could. 235 00:16:53,960 --> 00:16:56,200 There ain't nothing I can't see. 236 00:17:02,410 --> 00:17:03,249 That's nice. 237 00:17:03,250 --> 00:17:06,550 But there's no way that anybody could have stolen that from our stage with a 238 00:17:06,550 --> 00:17:10,349 recorder. It would be measurable echo effects. 239 00:17:10,650 --> 00:17:12,730 All sorts of kickback from the ceiling. 240 00:17:13,390 --> 00:17:15,390 A lot of phantom fuzz. 241 00:17:16,109 --> 00:17:17,690 No phantom fuzz. 242 00:17:17,990 --> 00:17:19,950 That we filter out in here. 243 00:17:20,609 --> 00:17:22,790 Basically, we just give them balance. 244 00:17:27,829 --> 00:17:33,120 Good. Somebody splice into your input at the time you record your master and run 245 00:17:33,120 --> 00:17:34,620 off a simultaneous dupe. 246 00:17:35,360 --> 00:17:38,300 You know a lot of that technical stuff, don't you? 247 00:17:38,740 --> 00:17:40,020 That's a fair question. 248 00:17:40,340 --> 00:17:46,380 Well, this is the patch bay right here. You see, it's in two parts. Here. 249 00:17:46,860 --> 00:17:50,440 This could be, you could have a duplicate output. 250 00:17:51,960 --> 00:17:53,560 Like so. 251 00:17:55,300 --> 00:17:56,960 It would be rather obvious. 252 00:17:57,680 --> 00:17:58,680 Yeah, to everybody. 253 00:17:58,800 --> 00:18:00,740 You see, you get a reduced impedance. 254 00:18:01,020 --> 00:18:06,000 In other words, the level just drops down. Now, this is the terminal block 255 00:18:06,060 --> 00:18:08,340 Everything filters through this. 256 00:18:08,780 --> 00:18:14,080 This is sort of a sealed bucket of worms, so to speak. 257 00:18:14,740 --> 00:18:20,080 And it channels through here to this line, which leads to the wall, and then 258 00:18:20,080 --> 00:18:23,900 through to the master recording unit. Mr. Dietrich, considering the quality of 259 00:18:23,900 --> 00:18:24,900 this, 260 00:18:25,070 --> 00:18:29,010 Would you challenge the speculation that someone may have slaved it off the 261 00:18:29,010 --> 00:18:31,590 master or one of the two safety tapes? 262 00:18:32,690 --> 00:18:38,150 Well, as a sound engineer, that would be my first assumption. 263 00:18:40,230 --> 00:18:42,930 Mr. Prudy, I understand you have quarters here. 264 00:18:43,150 --> 00:18:44,270 Behind the duplicating room. 265 00:18:44,790 --> 00:18:48,890 I like to think of it as my final station, my retirement base, so to 266 00:18:50,090 --> 00:18:52,670 Two of the tapes are secured in this building. 267 00:18:53,450 --> 00:18:55,830 Could anyone have gotten to them? Not with me around. 268 00:18:56,370 --> 00:18:58,850 And I'm pretty much here all the time. Like in the Marines. 269 00:18:59,170 --> 00:19:01,150 When I'm not awake, I'm half awake. 270 00:19:01,890 --> 00:19:05,090 And when I'm not half awake, I've got one eye open. 271 00:19:06,850 --> 00:19:09,450 In that condition, a man's vision can get blurred. 272 00:19:15,310 --> 00:19:16,970 Coroner's office confirms electrocution. 273 00:19:17,330 --> 00:19:18,390 No other cause of death. 274 00:19:19,330 --> 00:19:21,230 Lab team visit. Scouring the plant. 275 00:19:22,250 --> 00:19:23,250 Safety taping. 276 00:19:23,450 --> 00:19:26,950 Max's private safe hasn't been touched, nor the master tape in the company 277 00:19:26,950 --> 00:19:27,950 vault. 278 00:19:28,650 --> 00:19:30,570 Well, take a look at the one the group's holding. 279 00:19:30,950 --> 00:19:31,950 Here. 280 00:19:33,510 --> 00:19:34,670 While it's down there. 281 00:19:40,450 --> 00:19:41,450 Max Leonard. 282 00:19:41,910 --> 00:19:43,990 Steep in arrears. Bad financial standing. 283 00:19:44,270 --> 00:19:45,310 No police record. 284 00:19:45,610 --> 00:19:46,610 About to fold. 285 00:19:48,890 --> 00:19:49,890 Logan Dietrich. 286 00:19:50,190 --> 00:19:51,490 He's a sound engineer. 287 00:19:51,770 --> 00:19:53,030 Wrote a hit song once. 288 00:19:53,410 --> 00:19:55,210 Even produced a couple of sessions. 289 00:19:55,990 --> 00:19:57,710 Has applied for work elsewhere. 290 00:19:58,170 --> 00:20:01,370 Situation in Paris seems to be secured. No record. 291 00:20:03,230 --> 00:20:05,490 Walter Prudy, security officer. 292 00:20:05,850 --> 00:20:06,850 20 -year Marine. 293 00:20:07,190 --> 00:20:08,670 Retired. Radiant. 294 00:20:08,930 --> 00:20:10,130 Electrician, first class. 295 00:20:10,710 --> 00:20:12,030 Radar. Communications. 296 00:20:12,330 --> 00:20:13,930 Expert rifleman. Evaluation. 297 00:20:14,170 --> 00:20:15,170 Loyalty, 100. 298 00:20:15,330 --> 00:20:16,330 Dependability, 100. 299 00:20:16,570 --> 00:20:17,590 Judgment, 75. 300 00:20:19,210 --> 00:20:26,210 Carl Hubie Hubert, electrician with too many kids and too many bills. He 301 00:20:26,210 --> 00:20:27,210 has no record. 302 00:20:28,050 --> 00:20:32,050 Elroy Cutter, former C .B. DeMille boom man. 303 00:20:32,750 --> 00:20:33,750 Spectaculars. 304 00:20:34,690 --> 00:20:39,550 Ethel Manning, artist representative, independent agent, small court 305 00:20:39,550 --> 00:20:40,550 altercations. 306 00:20:41,330 --> 00:20:45,310 One charge from an IRS agent, assault with lethal weapon. 307 00:20:45,690 --> 00:20:46,970 Her briefcase. 308 00:20:48,750 --> 00:20:52,430 Willie Bonner. Born blind in Scranton, Pennsylvania. 309 00:20:52,810 --> 00:20:54,370 He's an unschooled musician. 310 00:20:54,770 --> 00:20:57,170 No priors, no education. 311 00:20:59,090 --> 00:21:03,950 Nancy Caldwell. She was also born blind. Graduate of Laird School of Music. 312 00:21:04,670 --> 00:21:05,690 No problems. 313 00:21:07,870 --> 00:21:09,230 And Mo Tucker. 314 00:21:09,490 --> 00:21:13,830 Mo wasn't born blind. He grew up in one of Detroit's better ghettos where he 315 00:21:13,830 --> 00:21:15,530 collected a string of juvenile credits. 316 00:21:16,650 --> 00:21:21,590 Lost his sight at the age of 20, trying to blow open a warehouse safe. Before 317 00:21:21,590 --> 00:21:25,310 that, he worked in radio, TV, electronics, and he's an expert. 318 00:21:25,830 --> 00:21:32,790 Oh, I've been to New York City, and I've been to L 319 00:21:32,790 --> 00:21:33,850 .A. too. 320 00:21:34,910 --> 00:21:41,470 But there's no place that I'd rather be than right 321 00:21:41,470 --> 00:21:43,930 here next to you. 322 00:21:44,770 --> 00:21:51,750 Oh, I... I've heard a lot of sad songs And I've heard a 323 00:21:51,750 --> 00:21:58,670 lot of bad news But nothing brings me down as 324 00:21:58,670 --> 00:22:05,190 much As when I'm not hearing from you Won't you light 325 00:22:05,190 --> 00:22:10,530 the way Won't you light the way 326 00:22:37,100 --> 00:22:39,100 Joe had the soul of a little boy. 327 00:22:40,520 --> 00:22:43,080 Everything was always brand new to him. 328 00:22:43,660 --> 00:22:45,320 Exciting. Like tomorrow. 329 00:22:46,700 --> 00:22:48,260 I could see things with him. 330 00:22:49,120 --> 00:22:53,960 I know every tree here, where the rocks are, where the creek goes. 331 00:22:55,940 --> 00:22:57,020 Sit down, please. 332 00:22:57,800 --> 00:22:59,200 You were kind the other day. 333 00:22:59,560 --> 00:23:01,300 I feel intrusive, Nancy. 334 00:23:02,300 --> 00:23:03,300 Don't. 335 00:23:04,780 --> 00:23:06,080 I know why you're here. 336 00:23:08,270 --> 00:23:09,830 Joey wasn't the second part. 337 00:23:10,630 --> 00:23:11,630 You're certain? 338 00:23:11,850 --> 00:23:14,230 Yeah, they told me. Joey told me everything. 339 00:23:15,170 --> 00:23:19,250 There's a possibility that Joey's death wasn't accidental. 340 00:23:22,670 --> 00:23:24,230 It's hard to figure, you know. 341 00:23:26,050 --> 00:23:27,290 Where was Joey from? 342 00:23:29,170 --> 00:23:30,310 Somewhere in Missouri. 343 00:23:31,150 --> 00:23:35,610 Came out of the Ozarks with just a cigar box banjo. No shoes. 344 00:23:37,160 --> 00:23:39,960 He didn't even have a social security card till we started recording. 345 00:23:41,800 --> 00:23:44,380 You wouldn't even believe the way I met him. 346 00:23:44,640 --> 00:23:48,200 He was going around door to door selling products made by the blind. 347 00:23:49,220 --> 00:23:52,640 He was stealing one of these canned pictures, you know, the kind you can't 348 00:23:52,640 --> 00:23:56,540 into. And when I finally got through to him that he was talking to a blind 349 00:23:56,540 --> 00:24:01,640 woman, he got so flustered, spilled everything through the front door. 350 00:24:02,460 --> 00:24:05,620 And I invited him in to help clean up the mess. 351 00:24:09,560 --> 00:24:11,400 Anyway, I'm through with singing. 352 00:24:11,760 --> 00:24:12,760 Oh, Nancy. 353 00:24:13,060 --> 00:24:15,320 All my life music was something beautiful to me. 354 00:24:16,340 --> 00:24:20,940 Now suddenly it's polluted and pirate and beachy. 355 00:24:21,900 --> 00:24:23,120 And if you're right, 356 00:24:24,040 --> 00:24:25,640 you've been killing. 357 00:24:27,260 --> 00:24:28,280 I'm going away. 358 00:24:29,020 --> 00:24:30,020 Where? 359 00:24:31,200 --> 00:24:32,200 Somewhere. 360 00:24:32,500 --> 00:24:33,500 Anywhere. 361 00:24:34,140 --> 00:24:36,380 Maybe to Paris. Dee asked me. 362 00:24:36,810 --> 00:24:37,950 He's got himself a fine job. 363 00:24:38,150 --> 00:24:39,150 Well, that's good. 364 00:24:39,930 --> 00:24:41,030 If you love him. 365 00:24:42,130 --> 00:24:44,790 Well, you can learn to love. 366 00:24:46,350 --> 00:24:47,350 He loves me. 367 00:24:47,770 --> 00:24:48,770 I know that. 368 00:24:49,530 --> 00:24:50,770 He'd do anything for me. 369 00:24:50,970 --> 00:24:53,130 Are you sure you're not simply running away? 370 00:24:53,870 --> 00:24:54,870 Well, it may be. 371 00:24:56,390 --> 00:24:57,990 But I've done my last recording. 372 00:24:58,270 --> 00:24:59,870 That's a powerful, selfish statement, baby. 373 00:25:00,090 --> 00:25:01,550 When you go, the sound goes. 374 00:25:01,970 --> 00:25:03,150 Willie and me, we're nothing. 375 00:25:03,930 --> 00:25:05,430 And you're not just cutting out on us. 376 00:25:05,880 --> 00:25:08,300 You split with Dee, Uncle Max goes down. 377 00:25:08,580 --> 00:25:10,260 Look, I don't want to talk about it. 378 00:25:19,180 --> 00:25:20,180 Mo? 379 00:25:20,780 --> 00:25:22,020 Can I give you a ride back? 380 00:25:23,260 --> 00:25:24,680 I got a thing about cops. 381 00:25:25,400 --> 00:25:26,400 Maybe I'm different. 382 00:25:28,340 --> 00:25:30,220 You smell better in most of them anyway. 383 00:25:42,700 --> 00:25:43,700 We have a wreck. 384 00:25:44,300 --> 00:25:45,400 I'll tell them why. 385 00:25:47,060 --> 00:25:51,380 Now, if your eyes are blue, I'd say your ancestors came from the Emerald Isle. 386 00:25:52,060 --> 00:25:53,820 With a little German thrown in. 387 00:25:54,840 --> 00:25:55,840 You're remarkable. 388 00:25:56,080 --> 00:26:00,080 Honey, when you can't see who you're making a pass at, your fingers get 389 00:26:00,080 --> 00:26:01,080 educated. 390 00:26:04,020 --> 00:26:07,220 Now I'll describe my measurements for you, if you don't mind. 391 00:26:08,910 --> 00:26:12,490 I find it a little hard to believe you haven't learned Braille. Oh, it's more 392 00:26:12,490 --> 00:26:16,390 fun to lie back and let pretty girls read to me. All right, flip the switch, 393 00:26:16,890 --> 00:26:17,970 It's serious time. 394 00:26:18,370 --> 00:26:20,470 Someone is pirating perfection records. 395 00:26:20,730 --> 00:26:23,770 And you've got to check all the possibles. Without exception. 396 00:26:24,950 --> 00:26:27,570 So, we might as well start with Nancy. 397 00:26:27,890 --> 00:26:28,609 No way. 398 00:26:28,610 --> 00:26:29,610 Will it? 399 00:26:30,450 --> 00:26:31,630 Hopelessly saddled with virtue. 400 00:26:31,870 --> 00:26:34,790 Miss Manning? If she were going to rip us off, she could have done it with the 401 00:26:34,790 --> 00:26:35,970 books a long time ago. 402 00:26:37,520 --> 00:26:38,520 How about you? 403 00:26:39,080 --> 00:26:40,820 That's really where you were headed all the time. 404 00:26:41,200 --> 00:26:43,320 We have to check into everybody's background, Mo. 405 00:26:44,460 --> 00:26:47,520 We know why you were blinded. Oh, so the needle home's on me. 406 00:26:47,860 --> 00:26:51,760 Pull this thing over. Mo, we have to eliminate suspects, too. I said pull! 407 00:26:55,200 --> 00:26:57,200 Mo, wait! Please, wait! 408 00:26:59,480 --> 00:27:04,240 Mo! The thing that owned that warehouse probably consisted of shoplift. She got 409 00:27:04,240 --> 00:27:05,240 busted. 410 00:27:05,290 --> 00:27:07,450 Then she learned an older profession at the correction farm. 411 00:27:08,090 --> 00:27:09,210 You know what I'm sorry about? 412 00:27:09,590 --> 00:27:12,230 Is when that safe went up, it didn't blow my head clear off. 413 00:27:17,730 --> 00:27:18,730 Nancy? 414 00:27:28,350 --> 00:27:30,710 Um, I'll wait outside. 415 00:27:31,980 --> 00:27:35,140 It's no use, Willie. I'm going to Perfections to clean up my things. 416 00:27:36,400 --> 00:27:37,400 We need you, Nancy. 417 00:27:37,740 --> 00:27:39,120 Willie, you don't. 418 00:27:39,940 --> 00:27:42,700 You don't have to depend on anybody to make your music. 419 00:27:44,580 --> 00:27:46,340 Nancy, you don't love Dee. 420 00:27:46,600 --> 00:27:47,980 I never said that I did. 421 00:27:48,720 --> 00:27:50,560 Now, I don't want you to go away with him. 422 00:27:51,800 --> 00:27:54,140 I don't want you to go away from me. 423 00:28:06,860 --> 00:28:10,180 it before because you were so hung up on joy. 424 00:28:10,720 --> 00:28:11,760 Oh, Willie. 425 00:28:12,020 --> 00:28:17,240 I do love you, but it's not like that. 426 00:28:19,400 --> 00:28:25,440 Look, just give me a chance. I can take you to all those places. 427 00:28:25,700 --> 00:28:27,320 All of them. Willie! 428 00:28:28,600 --> 00:28:30,200 How could I see them? 429 00:28:30,520 --> 00:28:31,880 How could you? 430 00:28:33,020 --> 00:28:36,110 Oh, Willie, please. Just... Try to understand. 431 00:28:37,090 --> 00:28:41,310 I could just never, ever marry another blind person. 432 00:28:44,470 --> 00:28:45,470 Please. 433 00:28:52,010 --> 00:28:53,610 Who's there? 434 00:29:19,150 --> 00:29:21,690 Maybe you put that safe before, Mo. Maybe I should have. 435 00:29:22,030 --> 00:29:23,030 Maybe we should. 436 00:29:27,470 --> 00:29:28,470 Cool it, Willie. 437 00:29:29,550 --> 00:29:31,390 I've been ripped off as long as I'm going to be. 438 00:29:33,110 --> 00:29:36,310 I'm going to run off 100 ,000 slave tapes and grab what's left of the 439 00:29:36,430 --> 00:29:39,010 Sure you are, Mo. Be smart once and help me. 440 00:29:39,690 --> 00:29:40,810 Otherwise, get out of here. 441 00:29:59,290 --> 00:30:01,070 Tape don't belong to just you, Moe. 442 00:30:01,290 --> 00:30:07,150 A piece of it belongs to Nancy and Uncle Max and Ethel and to me. 443 00:30:07,850 --> 00:30:10,290 I never said I was cutting any of you out of that. 444 00:30:43,880 --> 00:30:47,460 I wonder if we might infect your safety tape on sand and sandpipers. 445 00:30:47,720 --> 00:30:49,340 I'm afraid you'll have to wait for Ethel. 446 00:30:49,820 --> 00:30:51,540 She has the combination to the safe. 447 00:30:52,400 --> 00:30:53,440 We don't have to wait. 448 00:30:54,740 --> 00:30:56,280 I was just about to crack. 449 00:30:57,580 --> 00:30:59,940 Yeah, Moe's real handy with his fingers. 450 00:31:00,260 --> 00:31:01,260 So we understand. 451 00:31:43,210 --> 00:31:44,210 Be my guest. 452 00:31:57,850 --> 00:31:59,330 Doesn't look like it's ever been opened. 453 00:32:00,690 --> 00:32:03,010 What it looks like on the outside doesn't mean a thing. 454 00:32:03,290 --> 00:32:04,290 You're absolutely right. 455 00:32:05,490 --> 00:32:08,350 So, if you don't mind, I'd like the lab to examine it. 456 00:32:08,830 --> 00:32:10,330 They can tell if it's ever been played. 457 00:32:10,700 --> 00:32:12,800 Just make sure those cops don't slave off a dupe. 458 00:32:13,940 --> 00:32:17,440 Ed, would you please excuse Mo and me for a few minutes? 459 00:32:17,740 --> 00:32:18,760 Other room, Willie? Sure. 460 00:32:25,220 --> 00:32:29,400 This will come as a shock to you, but I wouldn't steal from friends. 461 00:32:30,600 --> 00:32:31,600 I believe that. 462 00:32:33,160 --> 00:32:34,960 A cop believes Mo Tucker? 463 00:32:35,240 --> 00:32:36,240 Mo. 464 00:32:36,860 --> 00:32:38,760 Nobody got to the other two tapes. 465 00:32:39,420 --> 00:32:43,220 And somebody's splicing into the input and pirating a duplicate master when 466 00:32:43,220 --> 00:32:45,860 we're recording. I question Dietrich about that. 467 00:32:46,860 --> 00:32:48,700 I know more about that equipment than he does. 468 00:32:50,300 --> 00:32:51,300 All right. 469 00:32:52,220 --> 00:32:53,500 Can you help me check it out? 470 00:32:53,800 --> 00:32:54,800 The mixer can do it. 471 00:32:55,320 --> 00:32:56,640 Hubie Prudy. 472 00:32:57,160 --> 00:32:58,160 He's a ham operator. 473 00:32:58,400 --> 00:33:00,400 A lot of those guys know what... I want you to do it. 474 00:33:01,920 --> 00:33:05,240 And if I find out how it's being done, you'll say I knew all along. 475 00:33:07,150 --> 00:33:09,290 Oh, you're going to have to start trusting people. 476 00:33:09,790 --> 00:33:14,110 I could go down there with a battery of police technicians and find out, but I'd 477 00:33:14,110 --> 00:33:15,870 scare off our pirate for good. 478 00:33:16,550 --> 00:33:18,210 This has to be done in the dark. 479 00:33:20,010 --> 00:33:21,330 I'd like you to do it. 480 00:33:25,950 --> 00:33:28,310 At least record Joe's song. 481 00:33:28,650 --> 00:33:29,850 Leave us with something. 482 00:33:30,210 --> 00:33:33,350 Everybody wants to cash in on Joey's song, right? It's a short hit. 483 00:33:33,660 --> 00:33:36,680 Well, he wrote it for me. It's mine, and I'm going to keep it for what it stands 484 00:33:36,680 --> 00:33:39,680 for. You could turn that around, Nancy, and sing it for what it stands for. 485 00:33:39,680 --> 00:33:43,320 There's no way, Ethel. No pirate is going to get his hands on it. Look, 486 00:33:43,400 --> 00:33:46,920 why don't you just cool down? Give yourself a day. What she needs is not a 487 00:33:47,860 --> 00:33:48,860 Not a day. 488 00:33:49,200 --> 00:33:51,720 Ginny thinks she needs a break from you. Now get out of here. Get out of here. 489 00:33:51,780 --> 00:33:52,880 Please, please, please. 490 00:33:53,680 --> 00:33:55,160 Everybody is so emotional. 491 00:33:56,640 --> 00:33:58,100 There's nothing more to beat that. 492 00:34:03,790 --> 00:34:05,470 Nancy will be working on it. 493 00:34:06,310 --> 00:34:07,530 You feel free to call. 494 00:34:09,570 --> 00:34:13,230 Just only believe me, I understand the insincerity of this business. You know, 495 00:34:13,230 --> 00:34:14,429 was a one -hit artist. 496 00:34:15,150 --> 00:34:19,989 You know, if I salvaged anything from that experience, it was a line from my 497 00:34:19,989 --> 00:34:26,389 song, somewhere between your hurt and my pleasure is where the sun's gonna have 498 00:34:26,389 --> 00:34:27,389 to shine. 499 00:34:46,540 --> 00:34:47,540 Matchbay's out. 500 00:34:48,139 --> 00:34:49,139 Dietrich said that. 501 00:34:49,699 --> 00:34:50,699 Okay. 502 00:34:51,020 --> 00:34:54,179 Now, it all comes together here in the terminal block. 503 00:34:54,780 --> 00:34:56,400 And goes into the wall. 504 00:34:56,739 --> 00:34:57,740 Yeah. 505 00:34:58,720 --> 00:35:00,920 Dietrich said it's a hopeless bucket of worms. 506 00:35:01,320 --> 00:35:02,760 Well, he's not the brightest. 507 00:35:03,120 --> 00:35:05,600 You'd have to tear the wall down to tap into it, wouldn't you? 508 00:35:06,540 --> 00:35:07,720 Not if you know how. 509 00:35:22,380 --> 00:35:26,380 Cutter and I tore this down a couple of times. It's touchy. 510 00:35:27,860 --> 00:35:28,860 Down, Mom. 511 00:35:35,560 --> 00:35:36,080 All 512 00:35:36,080 --> 00:35:44,660 right, 513 00:35:44,660 --> 00:35:45,660 Mom. 514 00:36:09,340 --> 00:36:11,080 Here we are. I can't see. 515 00:36:12,640 --> 00:36:13,800 An alligator clip. 516 00:36:16,000 --> 00:36:21,120 Yeah. They jump from the input line to another line. A sturdy rod. Slow down, 517 00:36:21,200 --> 00:36:22,200 Mo. 518 00:36:22,360 --> 00:36:23,560 We want the distributor. 519 00:36:24,640 --> 00:36:26,500 So, put it back. 520 00:36:26,720 --> 00:36:27,920 Just like it was. 521 00:36:38,380 --> 00:36:41,800 A tap -in line probably runs out the bottom of this unit. 522 00:36:46,280 --> 00:36:50,780 One of the lines inside this cable. Now, it's full of different colored 523 00:36:50,780 --> 00:36:51,780 spaghetti. 524 00:36:52,260 --> 00:36:58,940 We can establish which line is being fed into and follow it to an outlet. 525 00:36:59,180 --> 00:37:00,180 You're getting the picture, Chief. 526 00:37:01,660 --> 00:37:05,560 Oh, if we could persuade Nancy to record Joey's last song. 527 00:37:06,570 --> 00:37:10,370 It would be a collector's item, right? Something no pirate could turn down. 528 00:37:11,790 --> 00:37:13,450 We've all talked ourselves out, Chief. 529 00:37:13,850 --> 00:37:15,310 Let somebody else try it. 530 00:37:16,610 --> 00:37:21,010 Right. I just don't feel like singing. Can't anybody understand that? 531 00:37:21,250 --> 00:37:22,250 But you love Joey. 532 00:37:22,490 --> 00:37:24,890 Yes. And he loved me. 533 00:37:25,750 --> 00:37:27,930 And he wrote a beautiful song for me. 534 00:37:28,370 --> 00:37:30,170 It's all I have left of him. 535 00:37:31,070 --> 00:37:33,690 And I am not going to have it dirtied up in the marketplace. 536 00:37:34,760 --> 00:37:37,740 I don't think any song was ever meant to be hoarded, Nancy. 537 00:37:38,700 --> 00:37:40,480 Look, everybody says I'm being selfish. 538 00:37:40,900 --> 00:37:41,960 Do you agree with that? 539 00:37:42,420 --> 00:37:45,600 The important thing is, are you being fair to Joey? 540 00:37:45,840 --> 00:37:46,678 Oh, sure. 541 00:37:46,680 --> 00:37:49,760 Record his song. Give the pirates one last crack at him. 542 00:37:50,020 --> 00:37:51,800 Give us a crack at Joey's killer. 543 00:37:52,760 --> 00:37:54,220 I want you to listen to me. 544 00:37:55,560 --> 00:37:59,160 We think he knew something about the pirating and became a threat. 545 00:37:59,480 --> 00:38:01,040 We think that's why he was murdered. 546 00:38:05,610 --> 00:38:10,950 you think he'd want you to do something about that but i'm leaving tomorrow 547 00:38:10,950 --> 00:38:17,690 oh please i'm so confused all 548 00:38:17,690 --> 00:38:23,970 right let me put it this way don't you think joey would want the world to know 549 00:38:23,970 --> 00:38:25,050 how much he loved you 550 00:38:31,720 --> 00:38:36,200 Got a girl in jersey, got a girl in snow, got a girl upstairs and my wife 551 00:38:36,200 --> 00:38:36,879 know it. 552 00:38:36,880 --> 00:38:40,220 Okay, terrific. All right, let me have a balance from Mo. 553 00:38:40,600 --> 00:38:42,580 Line their tab and it goes into the corridor wall. 554 00:38:43,000 --> 00:38:44,180 I can't rip the wall out. 555 00:38:44,860 --> 00:38:46,200 Places, please. We're ready to go. 556 00:38:46,520 --> 00:38:47,520 I'll go somewhere. 557 00:38:47,580 --> 00:38:49,180 We can't delay the session. Trace it. 558 00:38:51,440 --> 00:38:51,860 Oh, 559 00:38:51,860 --> 00:38:58,920 I've 560 00:38:58,920 --> 00:39:00,580 been to New York. 561 00:39:00,970 --> 00:39:07,830 And I've been to L .A. too But there's no 562 00:39:07,830 --> 00:39:14,710 place that I'd rather be Than right here next to you 563 00:39:14,710 --> 00:39:21,250 Oh, I've heard a lot of sad songs And I've heard 564 00:39:21,250 --> 00:39:27,510 a lot of bad news But nothing brings me down 565 00:39:27,510 --> 00:39:34,150 As much as when I'm not hearing from you won't you love 566 00:39:59,750 --> 00:40:00,750 That's enough! 567 00:41:23,630 --> 00:41:25,330 and comes out over there, I think. 568 00:41:25,850 --> 00:41:30,430 You think? Joey's song's been pirated, everybody's going home, and you think? 569 00:41:32,430 --> 00:41:34,310 Right. The first thing. 570 00:41:34,730 --> 00:41:36,450 Hey, you shouldn't leave your console running. 571 00:41:36,810 --> 00:41:39,430 You have all people always complaining about the bills. 572 00:41:39,770 --> 00:41:43,110 Eh, aggravations, distractions, creditors. 573 00:41:43,650 --> 00:41:45,410 I burn out three units every quarter. 574 00:41:58,410 --> 00:41:59,410 You're never better. 575 00:42:00,410 --> 00:42:05,450 Dee, look, I have to tell you that... I know, I know. 576 00:42:05,910 --> 00:42:06,910 Here it comes. 577 00:42:07,370 --> 00:42:12,610 I mean, singing Joey's song, what it means, the words, 578 00:42:12,830 --> 00:42:14,510 everything. 579 00:42:16,390 --> 00:42:19,970 Dee, I haven't been honest with you or with myself either. 580 00:42:21,070 --> 00:42:24,310 There's no trying to analyze it. You have plenty of time for that in Paris. 581 00:42:24,570 --> 00:42:26,690 I'm packed, I'm packed. All we have to do is go. 582 00:42:27,320 --> 00:42:28,840 I'd just be using you. 583 00:42:29,500 --> 00:42:30,500 I'm sorry. 584 00:42:31,360 --> 00:42:34,300 I shouldn't have let you hang in there counting on it. 585 00:42:35,740 --> 00:42:37,140 It's always being selfish. 586 00:42:39,020 --> 00:42:40,220 About a lot of things. 587 00:42:58,860 --> 00:42:59,860 See you, Philip. 588 00:43:05,860 --> 00:43:06,860 We're over here, baby. 589 00:43:07,520 --> 00:43:08,520 Both of us. 590 00:43:10,060 --> 00:43:12,700 I'll keep talking if you want to hold me to the sound. 591 00:43:37,390 --> 00:43:38,390 What was in the box? 592 00:43:38,530 --> 00:43:42,530 Well, it could go up to the art department or Max's office, couldn't it? 593 00:43:42,550 --> 00:43:43,910 or down to the duplicating room. 594 00:43:44,170 --> 00:43:45,390 Or through the wall to the outside. 595 00:44:00,070 --> 00:44:01,950 Duffy, green sedan, Taylor. 596 00:44:18,510 --> 00:44:20,210 On the wall by Dietrich Parking Place. 597 00:44:20,570 --> 00:44:22,750 Did he have a tape recorder in the back of his car? 598 00:44:23,150 --> 00:44:24,450 Just unplug it and drive off. 599 00:44:25,570 --> 00:44:26,570 I'll get the van. 600 00:44:51,290 --> 00:44:57,390 Yeah, I got it. All right, guys, make room for a barefoot Joey's last tape. 601 00:44:57,390 --> 00:45:00,110 on it right away. Get on the artwork right now. I want a Duke for Atlanta and 602 00:45:00,110 --> 00:45:01,110 one for Chicago. 603 00:45:25,560 --> 00:45:28,520 I'm not surprised you knew it was Dietrich. Oh, no. 604 00:45:29,180 --> 00:45:31,140 I'm referring to Olympic Warehousing. 605 00:45:31,420 --> 00:45:34,140 It's owned by your music store proprietor, Mr. Brooks. 606 00:45:35,260 --> 00:45:36,840 He just makes a show of poverty. 607 00:45:38,140 --> 00:45:39,780 Hey, great job, Dietrich. 608 00:45:40,640 --> 00:45:44,360 It's too bad about the accident. You know, I was counting on Joey for several 609 00:45:44,360 --> 00:45:46,560 years here. We'll take the money, Mr. Dietrich. 610 00:45:47,000 --> 00:45:48,220 Brian, you pick up the tape. 611 00:45:48,860 --> 00:45:50,820 Well, glad to see you again, Mr. Brooks. 612 00:45:51,920 --> 00:45:55,760 You weren't offered a big job in Paris, Mr. Dietrich. You were buying a studio. 613 00:45:56,120 --> 00:45:58,100 At least that's not a crime, is it? Murder is. 614 00:45:58,300 --> 00:46:00,140 No, I had nothing to do with that. That was his idea. 615 00:46:00,400 --> 00:46:03,780 Joey caught you in the act. You offered him a partnership. He refused, 616 00:46:04,140 --> 00:46:05,200 threatened to blow the whistle. 617 00:46:05,880 --> 00:46:06,880 Am I close? 618 00:46:07,260 --> 00:46:08,260 Close enough. 619 00:46:08,980 --> 00:46:11,360 Or was it because he stood in your way with Nancy? 620 00:46:13,280 --> 00:46:15,200 Well, a little of both, maybe. 621 00:46:16,200 --> 00:46:17,440 Didn't have time to think. 622 00:46:18,120 --> 00:46:19,120 But you have now. 623 00:46:28,520 --> 00:46:30,660 Well, you're too late to help us with the work, but don't apologize. 624 00:46:31,100 --> 00:46:32,100 It's not very heavy. 625 00:46:32,660 --> 00:46:33,740 How was your trip, Mark? 626 00:46:33,940 --> 00:46:34,940 Oh, it was nice. 627 00:46:35,240 --> 00:46:37,940 Good to see my cousin, but next time I think I'll fly. Hey, wait a minute, 628 00:46:38,060 --> 00:46:40,900 Chief. I picked this up on my way out of town. I haven't had a chance to hear it 629 00:46:40,900 --> 00:46:42,940 yet. You couldn't wait till tomorrow, could you? 630 00:46:43,500 --> 00:46:44,500 Why, machine broke? 631 00:46:45,880 --> 00:46:46,880 It's a long story. 632 00:46:54,320 --> 00:46:55,320 $2 .95. 633 00:46:55,850 --> 00:46:58,730 Yeah, it was a premium offer with 15 gallons of gas. 634 00:46:59,130 --> 00:47:00,370 Station at 12th and Adams? 635 00:47:00,690 --> 00:47:04,430 Right on the corner. Yeah, you trade there too? Nobody does anymore. The 636 00:47:04,430 --> 00:47:07,890 was arrested not two hours ago for pirating tapes in his back room. 637 00:47:08,290 --> 00:47:09,350 We'll need this for evidence. 638 00:47:09,770 --> 00:47:14,510 Hey, Ed, now hold it. I didn't know he was counterfeit. What about my 295? 639 00:47:15,050 --> 00:47:18,470 Last I heard, that was the going rate for ignorance of the law.