1 00:00:28,861 --> 00:00:31,062 I WILL TALK TO YOU OF ART, 2 00:00:31,130 --> 00:00:33,899 �� [ Saxophone ] FOR THERE IS NOTHING ELSE TO TALK ABOUT, 3 00:00:33,966 --> 00:00:36,735 FOR THERE IS NOTHING ELSE. 4 00:00:36,802 --> 00:00:38,904 LIFE IS AN OBSCURE HOBO, 5 00:00:38,971 --> 00:00:42,440 BUMMING A RIDE ON THE OMNIBUS OF ART. 6 00:00:42,508 --> 00:00:44,442 BURN GAS BUGGIES... 7 00:00:44,510 --> 00:00:49,313 AND WHIP YOUR SOUR CREAM OF CIRCUMSTANCE AND HOPE, 8 00:00:49,381 --> 00:00:52,851 AND GO AHEAD AND SLEEP YOUR BLOODY HEADS OFF. 9 00:00:52,919 --> 00:00:55,053 CREATION IS. 10 00:00:55,120 --> 00:00:57,856 ALL ELSE IS NOT. 11 00:00:57,924 --> 00:01:02,160 WHAT IS NOT CREATION IS GRAHAM CRACKERS. 12 00:01:02,227 --> 00:01:06,765 LET IT ALL CRUMBLE TO FEED THE CREATOR. 13 00:01:06,832 --> 00:01:09,034 THE ARTIST IS. 14 00:01:09,101 --> 00:01:11,736 ALL OTHERS ARE NOT. 15 00:01:11,804 --> 00:01:16,708 A CANVAS IS A CANVAS OR A PAINTING. 16 00:01:16,776 --> 00:01:21,646 A ROCK IS A ROCK OR A STATUE. 17 00:01:21,714 --> 00:01:26,618 A SOUND IS A SOUND OR IS MUSIC. 18 00:01:26,686 --> 00:01:29,588 �� [ Saxophone ] 19 00:01:29,655 --> 00:01:33,592 A CREATURE IS A CREATURE OR AN ARTIST. 20 00:01:33,659 --> 00:01:39,263 �� [ Jazz ] 21 00:01:39,331 --> 00:01:44,069 WHERE ARE JOHN, JOE, JAKE, JIM, JERK ? 22 00:01:44,136 --> 00:01:47,405 DEAD. DEAD. DEAD. 23 00:01:47,473 --> 00:01:49,407 THEY WERE NOT BORN. 24 00:01:49,475 --> 00:01:53,311 BEFORE THEY WERE BORN, THEY WERE NOT BORN. 25 00:01:53,378 --> 00:01:57,849 WHERE ARE LEONARDO, REMBRANDT, LUDWIG ? 26 00:01:57,917 --> 00:02:02,621 ALIVE. ALIVE. ALIVE. 27 00:02:02,688 --> 00:02:04,789 THEY WERE BORN. 28 00:02:05,124 --> 00:02:09,610 BRING ON THE MULTITUDE WITH A MULTITUDE OF FISHES. 29 00:02:09,678 --> 00:02:12,580 FEED THEM TO THE FISHES FOR LIVER OIL... 30 00:02:12,647 --> 00:02:15,216 TO NOURISH THE ARTIST. 31 00:02:15,284 --> 00:02:17,919 STRETCH THEIR SKINS UPON AN EASEL... 32 00:02:17,987 --> 00:02:20,588 TO GIVE HIM CANVAS. 33 00:02:20,655 --> 00:02:23,557 CRUSH THEIR BONES INTO A PASTE... 34 00:02:23,625 --> 00:02:25,826 THAT HE MIGHT MOLD THEM. 35 00:02:26,929 --> 00:02:28,930 LET THEM DIE. 36 00:02:30,266 --> 00:02:32,200 AND BY THEIR MISERABLE DEATHS... 37 00:02:32,268 --> 00:02:35,503 BECOME THE CLAY WITHIN HIS HANDS... 38 00:02:35,570 --> 00:02:40,875 THAT HE MIGHT FORM AN ASHTRAY OR AN ARK. 39 00:02:40,943 --> 00:02:45,380 FOR ALL THAT IS COMES THROUGH THE EYE OF THE ARTIST. 40 00:02:45,447 --> 00:02:50,885 THE REST ARE BLIND FISH SWIMMING IN THE CAVE OF ALONENESS. 41 00:02:50,953 --> 00:02:55,689 SWIM ON, YOU MAUDLIN, MUDDLING, MADDENED FOOLS. 42 00:02:55,757 --> 00:03:00,494 AND DREAM THAT ONE BRIGHT AND SUNNY NIGHT, 43 00:03:00,562 --> 00:03:05,533 SOME ARTIST WILL BAIT A HOOK AND LET YOU BITE UPON IT. 44 00:03:06,869 --> 00:03:10,204 BITE HARD AND DIE. 45 00:03:10,272 --> 00:03:14,809 IN HIS STOMACH, YOU ARE VERY CLOSE TO IMMORTALITY. 46 00:03:22,017 --> 00:03:24,585 WALTER ? WALTER, WHAT ARE YOU DOING HERE ? 47 00:03:24,653 --> 00:03:26,587 I WAS LOOKING AT CARLA'S PICTURE. 48 00:03:26,655 --> 00:03:28,722 DO I PAY YOU TO LOOK AT PICTURES ? 49 00:03:28,790 --> 00:03:30,591 NOW GET TO WORK. I WAS JUST LOOKIN'. 50 00:03:30,659 --> 00:03:34,595 THERE ARE EMPTY CUPS ALL OVER THE PLACE. CLEAR THEM OUT. 51 00:03:34,663 --> 00:03:37,966 YOU SHOULDN'T BE SO ROUGH ON HIM, LEONARD. 52 00:03:42,972 --> 00:03:45,406 WHAT DO YOU SAY, WALTER ? HI. 53 00:03:45,474 --> 00:03:47,475 �� [ Jazz ] 54 00:03:55,934 --> 00:03:57,935 I THINK I'LL CUT. 55 00:04:08,763 --> 00:04:10,698 THERE'S THE MAN. HOW YOU MAKIN' IT ? 56 00:04:10,765 --> 00:04:12,833 FINE, MAN. HOW ABOUT YOU ? GOOD ENOUGH. 57 00:04:18,640 --> 00:04:20,641 [ Phone Dings ] 58 00:04:22,077 --> 00:04:25,079 [ Phone Rings ] VALDEZ. VICE. 59 00:04:25,147 --> 00:04:27,849 LACROIX CHECKIN' IN. LOU TOOK OVER A COUPLE OF MINUTES AGO. 60 00:04:27,916 --> 00:04:29,851 ANYTHING NEW AT THE DOOR ? 61 00:04:29,918 --> 00:04:32,520 NOTHING YOU CAN POUND NAILS IN. A COUPLE OF HUSTLERS. 62 00:04:32,587 --> 00:04:35,489 ONE OF THEM IS SHORT, FAT, BRUNETTE. NAME'S SKINNY. 63 00:04:35,557 --> 00:04:37,491 THE OTHER ONE WAS SHORT ALSO. 64 00:04:37,693 --> 00:04:39,960 SHE WAS BLEACHED AND SKINNY. 65 00:04:40,029 --> 00:04:42,296 NAME OF FAT. PROBABLY. I DIDN'T GET IT. 66 00:04:42,364 --> 00:04:44,298 THEY DIDN'T GIVE ANY PITCHES, THOUGH. 67 00:04:44,366 --> 00:04:47,668 GUESS YOU CAN KEEP AN EYE ON 'EM. OKAY. ANY HEADS ? 68 00:04:47,736 --> 00:04:50,138 WELL, JERRY SACHS LOOKED LIKE HE WAS STRAIGHT. 69 00:04:50,205 --> 00:04:53,307 I'M SURE HE'S ON IT, ANYWAY. I DIDN'T SEE ANY PUSHERS AROUND THE PLACE. 70 00:04:53,375 --> 00:04:56,810 LOU SAID HE'D CHECK OUT JERRY AND SOUND HIM OUT IF HE GETS ANY HIGHER. 71 00:04:56,878 --> 00:05:00,665 I GUESS THAT'S ABOUT IT. OKAY, ART. 72 00:05:00,733 --> 00:05:03,234 GO ON HOME AND GET A GOOD NIGHT'S SLEEP, YOU FINK. 73 00:05:03,302 --> 00:05:05,303 OKAY. SO LONG, PAUL. 74 00:05:07,773 --> 00:05:09,724 EVERYONE LISTENED TO MY NEW POEM, 75 00:05:09,791 --> 00:05:11,726 BUT DO YOU THINK THEY REALLY HEARD IT ? 76 00:05:11,793 --> 00:05:15,196 I HEARD IT, MR. BROCK. THANK YOU, WALTER. I'M SURE YOU DID. 77 00:05:15,264 --> 00:05:17,832 "BRING ON THE MULTITUDE WITH A MULTITUDE OF FISHES. 78 00:05:17,900 --> 00:05:20,668 FEED THEM TO THE FISHES FOR LIVER OIL TO NOURISH THE ARTIST." 79 00:05:20,736 --> 00:05:23,071 THAT WAS WORD FOR WORD. 80 00:05:23,138 --> 00:05:25,073 IS IT ? I'D FORGOTTEN. 81 00:05:25,140 --> 00:05:27,108 YOU DON'T REMEMBER YOUR OWN POEM ? 82 00:05:27,176 --> 00:05:30,144 I REFUSE TO SAY ANYTHING TWICE. REPETITION IS DEATH. 83 00:05:30,212 --> 00:05:32,146 I DON'T GET IT. 84 00:05:32,214 --> 00:05:34,282 WHEN YOU REPEAT SOMETHING, YOU ARE RELIVING A MOMENT, 85 00:05:34,350 --> 00:05:37,518 WASTING IT, SEVERING IT FROM THE OTHER END OF YOUR LIFE. 86 00:05:37,586 --> 00:05:41,089 I BELIEVE ONLY IN NEW IMPRESSIONS, NEW STIMULI, NEW LIFE. 87 00:05:41,156 --> 00:05:44,025 I THOUGHT YOU BELIEVED THAT LIFE IS AN OBSCURE HOBO, BUMMING A RIDE ON THE-- 88 00:05:44,093 --> 00:05:47,362 I DO BELIEVE THAT, WALTER, BUT I ALSO BELIEVE CREATIVE LIVING. 89 00:05:47,429 --> 00:05:49,764 TO BE UNCREATIVE, YOU MIGHT AS WELL BE IN YOUR GRAVE, 90 00:05:49,831 --> 00:05:51,933 OR IN THE ARMY. 91 00:05:52,001 --> 00:05:54,769 THEY TRIED TO DRAFT ME ONCE. 92 00:05:54,836 --> 00:05:56,771 I COULDN'T PASS THE TEST. 93 00:05:56,838 --> 00:05:59,407 [ Coughs ] WALTER, 94 00:05:59,474 --> 00:06:01,675 LEONARD'S LOOKING AT YOU. 95 00:06:04,413 --> 00:06:06,347 HE'S JUST ABOUT GONE. 96 00:06:06,415 --> 00:06:08,349 WALTER HAS A CLEAR MIND. 97 00:06:08,417 --> 00:06:10,818 ONE DAY, SOMETHING WILL ENTER IT, FEEL LONELY AND LEAVE AGAIN. 98 00:06:10,886 --> 00:06:12,820 TOO MUCH. 99 00:06:12,888 --> 00:06:14,855 YES, CATS, YES. 100 00:06:14,924 --> 00:06:16,857 IF YOU WANT TO KNOW HOW BEATNIKS LIVE, 101 00:06:16,926 --> 00:06:18,859 WILLIAM AND ME WILL SHOW YOU. 102 00:06:18,928 --> 00:06:21,229 WE'LL INTRODUCE YOU TO SOME WILD ONES. 103 00:06:21,297 --> 00:06:23,898 YOU MAY EVEN DISCOVER AN ARTIST OF YOUR OWN. 104 00:06:23,966 --> 00:06:26,267 AND HOW MUCH IS THAT GOING TO COST US ? 105 00:06:26,335 --> 00:06:28,269 WHAT COST ? A COUPLE OF BUCKS. 106 00:06:28,337 --> 00:06:30,271 YOU WANNA MEET SOME BEATNIKS, DON'T YOU ? 107 00:06:30,339 --> 00:06:32,273 I'M JUST CRAZY ABOUT THE ARTISTS. 108 00:06:32,341 --> 00:06:34,475 ALL THAT IS COMES THROUGH THE EYE OF THE ARTIST. 109 00:06:34,543 --> 00:06:37,245 THE REST ARE JUST BLIND FISH SWIMMING IN THE CAVE OF ALONENESS. 110 00:06:37,313 --> 00:06:41,082 OH, YOU MUST BE AN ARTIST. AND WORKING AS A BUSBOY TOO. 111 00:06:41,150 --> 00:06:43,217 FEED HIM THAT HE WILL BE SATISFIED. 112 00:06:43,285 --> 00:06:45,553 THE ARTIST IS. ALL OTHERS ARE NOT. 113 00:06:45,620 --> 00:06:48,722 THAT'S MOST INTRIGUING. ARE YOU A PAINTER ? 114 00:06:48,790 --> 00:06:52,427 WELL, NO. I WORK-- I'M WORKING ON SOMETHING. IT'S NOT READY YET. 115 00:06:52,494 --> 00:06:54,728 WHAT IS IT, MAN ? FINGER PAINTING ? 116 00:06:54,796 --> 00:06:56,797 DRAW ME A PICTURE OF A HOUSE, WALTER. 117 00:06:56,865 --> 00:06:58,799 MAKE SOME SMOKE COMING OUT OF THE CHIMNEY. 118 00:06:58,867 --> 00:07:00,734 I AM WORKING ON SOMETHING. I'LL SHOW YOU SOON. 119 00:07:00,802 --> 00:07:02,803 WALTER. 120 00:07:06,041 --> 00:07:08,042 IS HE, UH-- 121 00:07:12,414 --> 00:07:14,415 [ Blows ] 122 00:07:28,947 --> 00:07:30,948 DID YOU GET A GOOD LOOK, KID ? 123 00:07:33,084 --> 00:07:35,085 GO ON HOME. 124 00:08:02,281 --> 00:08:03,831 HELLO, MRS. SWICKARD. 125 00:08:03,899 --> 00:08:05,833 OH, WALTER. YOU LOOK AWFUL PALE. 126 00:08:05,901 --> 00:08:07,835 WHAT DID YOU HAVE TO EAT TONIGHT ? 127 00:08:07,903 --> 00:08:09,904 I HAD A SALAMI SANDWICH, MRS. SWICKARD. 128 00:08:09,971 --> 00:08:13,474 IF YOU WERE MY SON-- LET ME FIX YOU A BOWL OF SOUP. 129 00:08:13,542 --> 00:08:16,844 WON'T TAKE BUT A MINUTE. IT'S OKAY. I CAN FIX MYSELF SOMETHING. 130 00:08:16,912 --> 00:08:19,714 BESIDES, I GOT SOMETHING IMPORTANT TO DO. OH, SAY, WALTER. 131 00:08:19,782 --> 00:08:22,249 DID YOU SEE FRANKIE TONIGHT WHEN YOU WENT OUT ? 132 00:08:22,317 --> 00:08:24,251 I DIDN'T SEE HIM AT ALL. 133 00:08:24,319 --> 00:08:27,488 IF YOU DO, TELL HIM I'VE GOT A NICE PIECE OF HALIBUT FOR HIM. 134 00:08:27,556 --> 00:08:30,357 TELL HIM THAT ? I MEAN, DO YOU THINK HE'LL UNDERSTAND ? 135 00:08:30,426 --> 00:08:33,594 HE'S ONLY A CAT. GOOD NIGHT, WALTER. 136 00:10:09,908 --> 00:10:11,942 [ Cat Meowing ] 137 00:10:16,515 --> 00:10:19,383 [ Cat Meowing ] 138 00:10:21,620 --> 00:10:23,621 FRANKIE ? 139 00:10:30,128 --> 00:10:34,364 A CANVAS IS A CANVAS OR A PAINTING. 140 00:10:34,433 --> 00:10:37,468 A ROCK IS A ROCK OR A STATUE. 141 00:10:37,536 --> 00:10:41,539 A SOUND IS A SOUND, OR IT'S MUSIC. 142 00:10:56,154 --> 00:10:59,657 COME ON. BE A NOSE. 143 00:11:01,743 --> 00:11:03,744 BE A NOSE. 144 00:11:05,113 --> 00:11:09,983 [ Cat Meowing ] 145 00:11:18,860 --> 00:11:21,696 [ Cat Meowing ] 146 00:11:23,332 --> 00:11:26,400 [ Cat Meowing ] 147 00:11:30,305 --> 00:11:33,006 FRANKIE, SHUT UP ! 148 00:11:33,074 --> 00:11:35,142 [ Cat Meows ] OH, WHAT'S THE MATTER, FRANKIE ? 149 00:11:35,210 --> 00:11:37,311 HOW'D YOU GET YOURSELF STUCK IN A WALL ? 150 00:11:37,379 --> 00:11:39,313 [ Cat Meows ] 151 00:11:39,381 --> 00:11:41,382 WAIT A MINUTE. I'LL GET YOU OUT. 152 00:11:42,451 --> 00:11:44,452 [ Meow ] 153 00:11:49,758 --> 00:11:51,759 [ Cat Squeals ] 154 00:11:54,363 --> 00:11:56,297 FRANKIE ? 155 00:11:56,365 --> 00:11:58,366 FRANKIE ? 156 00:12:01,202 --> 00:12:03,203 YOU ALL RIGHT, FRANKIE ? 157 00:12:12,748 --> 00:12:14,749 OH, FRANKIE. 158 00:12:15,884 --> 00:12:17,868 OH, FRANKIE. 159 00:12:24,475 --> 00:12:27,111 OH, FRANKIE. 160 00:12:27,178 --> 00:12:29,179 I'M SORRY. 161 00:12:36,721 --> 00:12:38,722 POOR MRS. SWICKARD. 162 00:12:42,527 --> 00:12:46,230 SHE HAD A NICE FRESH PIECE OF HALIBUT FOR YOU. 163 00:12:50,201 --> 00:12:52,436 I'LL GIVE YOU TO HER IN THE MORNING. 164 00:13:00,545 --> 00:13:03,580 REPETITION IS DEATH, FRANKIE. 165 00:13:44,889 --> 00:13:47,358 [ Sobbing ] 166 00:13:58,837 --> 00:14:00,704 [ Maxwell's Voice ] LET THEM DIE. 167 00:14:00,772 --> 00:14:02,807 AND BY THEIR MISERABLE DEATHS... 168 00:14:02,874 --> 00:14:05,609 BECOME THE CLAY WITHIN HIS HANDS... 169 00:14:05,677 --> 00:14:10,815 THAT HE MIGHT FORM AN ASHTRAY OR AN ARK. 170 00:14:10,882 --> 00:14:16,787 PRAY THAT YOU MIGHT BE HIS DIADEM, GOLD, GLORY, PAINT, CLAY, 171 00:14:16,855 --> 00:14:19,556 THAT HE MIGHT TAKE YOU IN HIS MAGIC HANDS... 172 00:14:19,624 --> 00:14:22,927 AND WRING FROM YOUR MARROW WONDERS. 173 00:14:25,730 --> 00:14:28,933 WHERE ARE JOHN, JOE, JIM, JERK ? 174 00:14:38,844 --> 00:14:42,880 DEAD. DEAD. DEAD. 175 00:14:55,526 --> 00:14:57,827 HI, CARLA. 176 00:14:57,895 --> 00:14:59,930 WELL, WALTER, WHAT ARE YOU DOING HERE SO EARLY ? 177 00:14:59,997 --> 00:15:01,898 I'VE BROUGHT SOMETHING. I THINK YOU'LL LIKE IT. 178 00:15:01,966 --> 00:15:04,000 TAKE THAT STUFF TO THE LAUNDROMAT, WALTER. 179 00:15:04,069 --> 00:15:06,937 HUH ? DON'T MIND HIM. WHAT HAVE YOU GOT ? 180 00:15:07,004 --> 00:15:09,005 IT'S A THING I MADE. 181 00:15:15,646 --> 00:15:17,581 WALTER. 182 00:15:17,648 --> 00:15:19,583 YOU LIKE IT ? WHAT'S HE GOT ? 183 00:15:19,650 --> 00:15:21,585 COME LOOK AT THIS, LEONARD. 184 00:15:21,652 --> 00:15:24,288 WHERE'D YOU GET THAT, AN AUCTION ? 185 00:15:24,355 --> 00:15:26,290 I MADE IT. YOU MADE THAT ? 186 00:15:26,357 --> 00:15:28,292 I SAID I DID, DIDN'T I ? 187 00:15:28,359 --> 00:15:30,294 WALTER, IT'S VERY GOOD. 188 00:15:30,361 --> 00:15:32,629 - HONEST ? - HONEST. - WHAT'S IT CALLED ? 189 00:15:32,697 --> 00:15:36,633 - DEAD CAT. - "DEAD CAT" ? THAT'S ITS NAME ? 190 00:15:36,701 --> 00:15:40,170 - SURE. - WELL, IT SURE LOOKS DEAD ENOUGH. 191 00:15:40,238 --> 00:15:43,307 YOU-- YOU WANNA BUY IT ? BUY IT ? 192 00:15:43,641 --> 00:15:46,126 THAT THING ? IT'D SCARE PEOPLE OUT OF THE PLACE. 193 00:15:46,194 --> 00:15:50,380 DON'T BE SILLY. IT'S TREMENDOUS. LOOK AT THE DETAIL. 194 00:15:50,448 --> 00:15:53,083 THE ANATOMY'S PERFECT. 195 00:15:53,151 --> 00:15:55,819 LOOK AT THE EXPRESSION ON ITS FACE. 196 00:15:55,887 --> 00:15:57,955 HOW COME YOU PUT A KNIFE INTO IT ? 197 00:15:58,022 --> 00:16:03,160 I DIDN'T MEAN TO. JUST GOT CARRIED AWAY, HUH ? 198 00:16:03,228 --> 00:16:06,830 WELL, ALL RIGHT. I'LL TELL YOU WHAT I'LL DO. 199 00:16:06,898 --> 00:16:08,832 I'LL PUT IT IN THE CORNER OF THE ALCOVE. 200 00:16:08,900 --> 00:16:10,834 IF IT SELLS, WE'LL SPLIT 50-50, OKAY ? 201 00:16:10,902 --> 00:16:13,971 SURE. DOES THIS MEAN I'M AN ARTIST ? 202 00:16:14,038 --> 00:16:16,673 MAYBE SO, IF YOU CAN DO OTHER THINGS AS WELL. 203 00:16:16,741 --> 00:16:19,042 ALL THAT IS COMES THROUGH THE EYE OF THE ARTIST. 204 00:16:19,110 --> 00:16:22,045 YEAH, YOU'RE A REAL ARTIST NOW. 205 00:16:22,113 --> 00:16:24,447 NOW GO IN BACK AND SCRUB DOWN THOSE GARBAGE CANS. 206 00:16:24,515 --> 00:16:26,516 MARCH NOW. 207 00:16:28,119 --> 00:16:30,053 YOU REALLY LIKE IT ? 208 00:16:30,121 --> 00:16:33,223 WE LIKE IT. NOW GO ON. 209 00:16:40,064 --> 00:16:42,082 �� [ Saxophone ] 210 00:16:44,886 --> 00:16:46,820 DID YOU SEE MY CAT ? 211 00:16:46,888 --> 00:16:48,889 WHAT'S THE MATTER, YOU LOSE HIM ? 212 00:16:55,630 --> 00:16:57,565 HOW DO YOU LIKE MY CAT ? 213 00:16:57,632 --> 00:17:00,434 YOU MADE THIS THING, MAN ? UH-HUH. 214 00:17:00,501 --> 00:17:03,904 IT'S CRAZY. CRAZY. 215 00:17:03,972 --> 00:17:05,940 YOU WANNA BUY IT ? 216 00:17:06,007 --> 00:17:09,009 WHO ME, MAN ? I'M TAPPED. 217 00:17:15,483 --> 00:17:17,818 HE LIKES MY CAT. GET TO WORK. 218 00:17:27,729 --> 00:17:30,864 HEY, HEY, WALTER. COME HERE A MINUTE. 219 00:17:34,302 --> 00:17:36,236 HEY, CONGRATULATIONS, MAN. 220 00:17:36,304 --> 00:17:38,238 WALTER, YOU'RE FAMOUS. 221 00:17:38,306 --> 00:17:40,975 I SAW YOUR CAT. DID YOU LIKE IT, MR. BROCK ? 222 00:17:41,042 --> 00:17:44,344 YOU MAY CALL ME MAXWELL. HOW'D YOU DO IT, WALTER ? 223 00:17:44,412 --> 00:17:47,047 OH, I JUST TOOK SOME CLAY AND FIXED IT UP. 224 00:17:47,115 --> 00:17:49,717 [ Laughs ] 225 00:17:49,784 --> 00:17:52,686 ATTENTION. ATTENTION, EVERYONE. 226 00:17:52,754 --> 00:17:54,788 AS YOU PASSED THROUGH THESE YELLOW PORTALS, 227 00:17:54,856 --> 00:17:58,225 I'M SURE YOU NOTICED ON YOUR RIGHT A SMALL CLAY FIGURE... 228 00:17:58,292 --> 00:18:00,360 AND ASSUMED THIS TRANSFIXED EFFIGY... 229 00:18:00,428 --> 00:18:02,930 TO BE THE WORK OF A MASTER SCULPTOR. 230 00:18:02,998 --> 00:18:05,365 AND INDEED, SO IT IS. 231 00:18:05,433 --> 00:18:08,301 THAT MASTER SCULPTOR IS IN OUR MIDST. 232 00:18:08,369 --> 00:18:10,838 HE IS NONE OTHER THAN WALTER PAISLEY, 233 00:18:10,905 --> 00:18:13,273 OUR VERY OWN BUSBOY, 234 00:18:13,341 --> 00:18:15,442 WHOSE HANDS OF GENIUS HAVE BEEN CARRYING AWAY... 235 00:18:15,510 --> 00:18:18,578 THE EMPTY CUPS OF YOUR FRUSTRATIONS. 236 00:18:18,647 --> 00:18:20,981 MARK WELL THIS LAD. 237 00:18:21,049 --> 00:18:24,484 HIS IS THE SILENT VOICE OF CREATION. 238 00:18:24,552 --> 00:18:27,655 WITHIN THE DARK, RICH SOIL OF HUMILITY, 239 00:18:27,722 --> 00:18:31,591 HE BLOSSOMS AS THE HOPE OF OUR NEARLY STERILE CENTURY. 240 00:18:32,794 --> 00:18:34,728 BEAUTIFUL, MAXWELL. 241 00:18:34,796 --> 00:18:36,730 BRING ME AN ESPRESSO, WALTER. 242 00:18:36,798 --> 00:18:38,966 MAXWELL, REALLY BEAUTIFUL. THANK YOU. 243 00:18:39,034 --> 00:18:40,968 MAN, YOU ARE IN. 244 00:18:41,036 --> 00:18:43,603 OH, WALTER, YOU'RE WONDERFUL. WONDERFUL ! 245 00:18:43,672 --> 00:18:46,606 [ All Talking At Once ] 246 00:18:48,442 --> 00:18:50,510 LISTEN, MAN. YOU GOT A PEN ? 247 00:18:53,581 --> 00:18:55,649 HEY, POPS, WHAT'S HAPPENIN' ? 248 00:18:55,717 --> 00:18:57,918 MAKIN' A BIG SCENE FOR WALTER. 249 00:18:57,986 --> 00:19:01,555 WHO'D HE SHOOT ? HE MADE A CAT. 250 00:19:01,622 --> 00:19:03,891 OUT OF CLAY. 251 00:19:03,958 --> 00:19:06,560 SEE YOU AROUND. YEAH. LATER. 252 00:19:16,470 --> 00:19:19,973 [ Man ] WILL SOMEBODY CLEAR THIS TABLE, PLEASE ? 253 00:19:20,041 --> 00:19:22,409 WILL SOMEBODY CLEAR THIS TABLE ? 254 00:19:27,081 --> 00:19:29,749 DID YOU HEAR THEM, MR. De SANTIS ? THEY ALL LIKE MY CAT. 255 00:19:29,817 --> 00:19:34,121 YEAH, VERY GOOD. NOW LOOK, WALTER. YOU MUST BE TIRED. 256 00:19:34,188 --> 00:19:36,223 TAKE THE REST OF THE NIGHT OFF. 257 00:19:36,291 --> 00:19:38,225 I DON'T WANT TO. NO, NO. YOU GOT IT COMING. 258 00:19:38,293 --> 00:19:40,227 BESIDES, YOU'RE CREATING AN INCIDENT. 259 00:19:40,295 --> 00:19:42,229 WHEN PEOPLE ARE APPLAUDING, THEY DON'T ORDER COFFEE. 260 00:19:42,297 --> 00:19:45,032 SO, GO ON HOME AND WORK ON SOMETHING. 261 00:19:45,099 --> 00:19:48,735 MAKE ANOTHER CAT. WELL, I HAVEN'T GOT ANOTHER CAT. 262 00:19:48,803 --> 00:19:50,737 LOOK. JUST GO TO THE MOVIES. 263 00:19:50,805 --> 00:19:52,739 PLEASE, WALTER. GO. 264 00:19:52,807 --> 00:19:54,741 ALL RIGHT, MR. De SANTIS. GOOD NIGHT. 265 00:19:54,809 --> 00:19:57,044 GOOD NIGHT, WALTER. 266 00:19:57,111 --> 00:19:59,096 WALTER. WALTER, WAIT A MINUTE. 267 00:19:59,164 --> 00:20:01,098 OH, HELLO, NAOLIA. 268 00:20:01,166 --> 00:20:03,100 WALTER, I DUG IT. 269 00:20:03,168 --> 00:20:05,102 MY CAT ? 270 00:20:05,170 --> 00:20:07,805 IT WAS THE MOST WONDERFUL, WILDEST, 271 00:20:07,872 --> 00:20:10,874 LIKE, WIGGIEST THING I'VE EVER SEEN. 272 00:20:10,942 --> 00:20:13,410 WALTER, YOU'VE DONE SOMETHING TO ME. 273 00:20:13,477 --> 00:20:16,446 SOMETHING DEEP DOWN INSIDE OF MY PURANA. 274 00:20:16,514 --> 00:20:18,448 I HAVE ? 275 00:20:18,516 --> 00:20:21,218 OH, WALTER, I WANNA BE WITH YOU. 276 00:20:21,285 --> 00:20:23,821 YOU'RE CREATIVE. 277 00:20:23,888 --> 00:20:27,024 YOU'VE GOT A HOT LIGHTBULB GLOWING INSIDE OF YOU, 278 00:20:27,092 --> 00:20:30,060 AND I WANNA BE WARMED BY IT. 279 00:20:30,128 --> 00:20:32,596 GEE, THAT'S NICE OF YOU, NAOLIA. 280 00:20:32,663 --> 00:20:34,932 WALTER, TAKE ME AWAY FROM HERE. 281 00:20:34,999 --> 00:20:39,569 TAKE ME AWAY TO SOME COOL BLUE PLACE AND GAS ME. 282 00:20:39,637 --> 00:20:41,571 I CAN'T. I GOTTA GO HOME. 283 00:20:41,639 --> 00:20:43,573 OH, THEN I'LL GO HOME WITH YOU. 284 00:20:43,641 --> 00:20:46,409 OH, NO. MRS. SWICKARD WOULDN'T LIKE THAT. SHE'S MY LANDLADY. 285 00:20:46,477 --> 00:20:49,079 [ Naolia ] ISN'T THERE ANYTHING I CAN DO FOR YOU ? 286 00:20:49,280 --> 00:20:52,099 I DON'T THINK SO, NAOLIA. 287 00:20:52,166 --> 00:20:55,802 OH, WALTER. I CAN'T LET YOU JUST SPLIT LIKE THIS. 288 00:20:55,870 --> 00:20:57,804 I'VE GOTTA DO SOMETHING. 289 00:20:57,872 --> 00:21:00,306 I'VE GOTTA CONTRIBUTE. 290 00:21:00,374 --> 00:21:02,776 YOU DON'T HAVE TO DO ANYTHING. 291 00:21:02,844 --> 00:21:07,280 WAIT. WAIT, THERE IS ONE THING I CAN DO. 292 00:21:07,348 --> 00:21:09,349 ONE LITTLE THING. 293 00:21:09,416 --> 00:21:11,351 DON'T LEAVE, WALTER. 294 00:21:11,418 --> 00:21:13,353 I WANNA GIVE YOU SOMETHING. 295 00:21:13,420 --> 00:21:16,356 SOMETHING THAT WILL MAKE YOU REMEMBER ME. 296 00:21:21,295 --> 00:21:24,364 PUT IT IN YOUR POCKET. 297 00:21:24,431 --> 00:21:27,968 NOW GO, WALTER. DON'T LOOK BACK. 298 00:21:28,036 --> 00:21:30,037 JUST GO ! 299 00:22:27,295 --> 00:22:29,963 CAN I HAVE YOUR AUTOGRAPH, MR. PAISLEY ? 300 00:22:30,030 --> 00:22:33,734 WHY, CERTAINLY, MY GOOD WOMAN. 301 00:22:33,801 --> 00:22:35,802 EVERYBODY LIKES MY CAT. 302 00:22:37,405 --> 00:22:39,606 YOU WANNA BUY MY STATUE, MISTER ? 303 00:22:39,674 --> 00:22:43,076 TEN THOUSAND DOLLARS ? OKAY. 304 00:22:45,980 --> 00:22:47,981 GEE, I'LL BE FAMOUS. 305 00:22:49,417 --> 00:22:51,918 AND THEN I CAN ASK CARLA, AND SHE'LL SAY YES. 306 00:22:51,986 --> 00:22:53,987 I KNOW SHE WILL. 307 00:23:02,129 --> 00:23:04,130 [ Knock On Door ] 308 00:23:11,639 --> 00:23:13,573 HELLO, WALTER. OH, HI. 309 00:23:13,641 --> 00:23:15,943 YOU'RE LOU, AIN'T YOU ? I SEEN YOU AT THE YELLOW DOOR. 310 00:23:16,010 --> 00:23:18,545 COME ON IN. I WAS JUST MAKING SOME PANCAKES. 311 00:23:18,612 --> 00:23:20,547 YOU CAN HAVE SOME IF YOU LIKE. 312 00:23:20,614 --> 00:23:22,549 DID YOU SEE MY CAT ? YEAH, I SAW YOUR CAT. 313 00:23:22,616 --> 00:23:24,551 I ALSO SAW THAT CHICK LAY THESE ON YOU. 314 00:23:24,618 --> 00:23:26,987 OH, THAT WAS NAOLIA. SHE'S A NICE GIRL. 315 00:23:27,055 --> 00:23:29,656 SHE'S KIND OF STRANGE, THOUGH. 316 00:23:29,723 --> 00:23:31,691 I GUESS SHE FIGURES I GET HEADACHES OR SOMETHING. 317 00:23:31,759 --> 00:23:33,693 OKAY, WALTER. WHO'S YOUR CONNECTION ? 318 00:23:33,761 --> 00:23:35,695 "CONNECTION" ? YEAH, CONNECTION. 319 00:23:35,763 --> 00:23:38,131 WHO DO YOU SCORE FROM ? WHERE DO YOU BUY YOUR HORSE ? 320 00:23:38,199 --> 00:23:42,002 "HORSE" ? HORSE. JUNK. WHITE STUFF. HEROIN. 321 00:23:42,070 --> 00:23:44,871 IS THAT WHAT THAT IS ? I NEVER SEEN ANY OF THAT BEFORE. 322 00:23:44,939 --> 00:23:46,873 I ALWAYS THOUGHT THAT WAS EXPENSIVE. 323 00:23:46,941 --> 00:23:49,076 YEAH, WALTER, THAT CAN BE REAL EXPENSIVE. 324 00:23:49,143 --> 00:23:52,679 GEE, WASN'T THAT NICE OF NAOLIA TO GIVE ME THAT EXPENSIVE HORSE ? 325 00:23:52,746 --> 00:23:54,681 WALTER. HUH ? 326 00:23:54,748 --> 00:23:56,683 POLICE OFFICER. 327 00:23:56,750 --> 00:23:59,686 OH, YOU'RE LIKE AN UNDERCOVER MAN. 328 00:23:59,753 --> 00:24:02,322 YOU'RE UNDER ARREST, WALTER. UNDER ARREST FOR WHAT ? 329 00:24:02,390 --> 00:24:06,059 POSSESSION OF NARCOTICS. WHO ME ? WHAT ARE YOU TALKING ABOUT ? 330 00:24:06,127 --> 00:24:09,062 WALTER, I GOT YOU COLD. NOW YOU JUST COME ALONG QUIETLY. 331 00:24:09,497 --> 00:24:12,882 I DIDN'T DO NOTHIN'. NAOLIA GIMME THOSE. I DIDN'T ASK HER FOR IT. 332 00:24:12,950 --> 00:24:16,003 YOU CAN TELL THEM THAT DOWNTOWN. NOW LET'S GO. 333 00:24:16,070 --> 00:24:19,206 I AIN'T GOIN' WITH YOU. WALTER, DO I HAVE TO POINT THIS AT YOU ? 334 00:24:19,273 --> 00:24:22,042 YOU'RE GONNA SHOOT ME ! NO, DON'T SHOOT ME ! 335 00:24:22,110 --> 00:24:24,044 WALTER, JUST RELAX. NO. YOU'RE GONNA SHOOT ME. 336 00:24:24,112 --> 00:24:25,979 SHUT UP, WALTER ! DON'T SHOOT ME ! 337 00:24:26,047 --> 00:24:28,715 NO. YOU'RE GONNA SHOOT ME ! DON'T SHOOT ! 338 00:24:33,787 --> 00:24:35,722 [ Knock On Door ] 339 00:24:35,789 --> 00:24:39,126 [ Mrs. Swickard ] WALTER ? 340 00:24:39,193 --> 00:24:41,328 [ Knock On Door ] WALTER ! 341 00:24:44,532 --> 00:24:46,633 WALTER ! 342 00:24:46,701 --> 00:24:50,236 ARE YOU ALL RIGHT ? I THOUGHT I HEARD YOU SHOUTING A MINUTE AGO. 343 00:24:50,304 --> 00:24:53,907 [ Pots Clinking ] 344 00:24:53,974 --> 00:24:55,975 WALTER ! 345 00:25:03,918 --> 00:25:05,852 WHAT'S ALL THE NOISE IN HERE ? 346 00:25:05,920 --> 00:25:07,854 NOISE, MRS. SWICKARD ? WHAT NOISE ? 347 00:25:07,922 --> 00:25:10,089 DON'T TELL ME I DIDN'T HEAR A RACKET. 348 00:25:10,157 --> 00:25:12,158 ARE YOU SURE YOU'RE ALL ALONE ? 349 00:25:12,226 --> 00:25:14,694 I'M ALWAYS ALONE, MRS. SWICKARD. 350 00:25:14,762 --> 00:25:16,863 WALTER, HAVE YOU BEEN TALKIN' TO YOURSELF AGAIN ? 351 00:25:16,931 --> 00:25:20,500 WELL, I GUESS MAYBE I HAVE, MRS. SWICKARD. SOMEBODY'S GOT TO. 352 00:25:20,568 --> 00:25:23,036 WALTER, YOU KNOW, WHAT YOU NEED IS A GIRL. 353 00:25:23,103 --> 00:25:25,038 SHE DOESN'T HAVE TO BE PRETTY, 354 00:25:25,105 --> 00:25:27,441 SO LONG AS SHE TAKES GOOD CARE OF YOU. 355 00:25:27,508 --> 00:25:29,876 I CAN TAKE REAL GOOD CARE OF MYSELF, MRS. SWICKARD. 356 00:25:29,944 --> 00:25:32,712 YEAH, I CAN SEE THAT. LOOK AT THIS PAD. IT'S TERRIBLE. 357 00:25:32,780 --> 00:25:34,714 WHY DON'T YOU EVER CLEAN IT UP ? 358 00:25:34,782 --> 00:25:37,451 AND WHEN DID YOU CHANGE THESE SHEETS LAST ? 359 00:25:37,518 --> 00:25:39,453 THEY LOOK LIKE THEY'RE ALIVE. 360 00:25:39,520 --> 00:25:41,488 MRS. SWICKARD, I GOTTA MEET SOME FRIENDS, 361 00:25:41,556 --> 00:25:43,790 AND I GOTTA TAKE A SHOWER. CLEAN UP THIS DUMP ! 362 00:25:43,857 --> 00:25:45,858 IF YOU DON'T MIND. WHAT'S THE MATTER WITH YOU ? 363 00:26:09,350 --> 00:26:12,152 I DIDN'T MEAN TO HURT YOU, LOU. 364 00:26:12,220 --> 00:26:17,324 BUT IF YOU'D HAVE SHOT ME, YOU'D BE MOPPIN' UP MY BLOOD NOW. 365 00:26:17,391 --> 00:26:20,460 I CAN'T HELP IT IF I GOT SCARED AND HIT YOU. 366 00:26:20,528 --> 00:26:22,529 I DIDN'T MEAN IT. 367 00:26:28,302 --> 00:26:30,637 IT'S CRAZY. 368 00:26:30,704 --> 00:26:32,705 IT'S CRAZY. 369 00:26:34,942 --> 00:26:39,379 I DIDN'T KNOW YOU HAD IT IN YOU, WALTER. 370 00:26:39,447 --> 00:26:42,782 HOW'D YOU DO IT ? 371 00:26:42,850 --> 00:26:46,153 WELL, I JUST TOOK SOME CLAY AND FIXED IT UP. 372 00:26:49,323 --> 00:26:52,225 GO HOME AND MAKE SOMETHING, WALTER. 373 00:26:52,293 --> 00:26:54,294 MAKE ANOTHER CAT. 374 00:27:03,871 --> 00:27:07,774 BUT I HAVEN'T GOT ANOTHER CAT. 375 00:27:07,841 --> 00:27:09,776 WELL, I REPORTED IN HERE AROUND MIDNIGHT. 376 00:27:09,843 --> 00:27:12,045 LOU HAD ALREADY BEEN GONE OVER AN HOUR. 377 00:27:12,112 --> 00:27:14,381 NO. NOBODY SEEMS TO KNOW WHERE HE WENT. 378 00:27:14,448 --> 00:27:16,383 WHY DON'T YOU PUT AN ALERT OUT ON HIM, 379 00:27:16,450 --> 00:27:18,385 AND I'LL CHECK ON HIM FROM HERE ? 380 00:27:18,452 --> 00:27:20,453 OKAY. RIGHT. 381 00:28:10,054 --> 00:28:12,055 THE LITTLE FRAUD. 382 00:28:27,872 --> 00:28:32,225 [ Police Radio ] LOUIS RABY. AGE 29. FIVE FOOT, ELEVEN INCHES TALL. 383 00:28:32,292 --> 00:28:34,928 DARK COMPLEXION. HAIR: BLACK AND CURLY. 384 00:28:34,996 --> 00:28:37,697 LAST SEEN WEARING BLUE JEANS AND GRAY SWEATER. 385 00:28:41,969 --> 00:28:44,971 � TIM EVANS WAS A MURDERER � 386 00:28:45,039 --> 00:28:48,374 � ALL IN HIS PRISON CELL � 387 00:28:48,442 --> 00:28:51,377 � AND THOSE WHO READ ABOUT HIS CRIMES � 388 00:28:51,445 --> 00:28:54,014 � THEY DAMNED US ALL TO HELL � 389 00:28:54,081 --> 00:29:00,654 � SAYING, GO DOWN, YOU MURDERER, GO DOWN. 390 00:29:00,721 --> 00:29:03,723 � FOR THE MURDER OF HIS OWN TRUE WIFE � 391 00:29:03,791 --> 00:29:06,993 � AND THE KILLIN' OF HIS OWN CHILD � 392 00:29:07,061 --> 00:29:09,495 � THE JURY FOUND HIM GUILTY � 393 00:29:09,563 --> 00:29:12,598 � AND THE HANGIN' JUDGE HE SMILED �� 394 00:29:12,667 --> 00:29:15,902 �� [ Singer Continues ] DIG THE FUZZ. 395 00:29:15,970 --> 00:29:17,971 WHAT DO YOU SUPPOSE THEY WANT HERE ? 396 00:29:18,039 --> 00:29:20,406 YOU, MAN, YOU. 397 00:29:20,474 --> 00:29:22,408 HEY, MAYBE THEY'RE LOOKING FOR OLD WALTER. 398 00:29:22,476 --> 00:29:24,477 HE'S THE CRIMINAL TYPE. 399 00:29:25,646 --> 00:29:27,580 AIN'T YOU, WALTER ? 400 00:29:27,648 --> 00:29:29,582 SORRY, MR. De SANTIS. 401 00:29:29,650 --> 00:29:31,651 THAT'S ALL RIGHT, WALTER. SIT DOWN. 402 00:29:34,955 --> 00:29:36,890 GREETINGS, MAN. 403 00:29:36,957 --> 00:29:39,392 I'M NOT SUPPOSED TO SIT WITH THE CUSTOMERS. 404 00:29:39,459 --> 00:29:42,461 SWING ! WHY SHOULDN'T YOU SIT AT THE TABLE ? 405 00:29:42,529 --> 00:29:44,998 AFTER ALL, YOU'RE A BIG ARTIST NOW. 406 00:29:45,066 --> 00:29:48,034 A TRUE CREATOR ABOVE MERE MORTALS. 407 00:29:48,102 --> 00:29:50,036 WHAT'S THE BIG IDEA ? 408 00:29:50,104 --> 00:29:52,038 IDEA ? 409 00:29:52,106 --> 00:29:54,708 I WAS JUST TELLING WALTER THE TRUTH. 410 00:29:54,775 --> 00:29:57,543 A MAN WANTED TO PAY ME ONE HUNDRED DOLLARS FOR THE CAT. 411 00:29:57,611 --> 00:30:01,047 IN FACT, HE'S TAKING IT HOME TO SHOW TO HIS WIFE. 412 00:30:01,115 --> 00:30:03,917 PROVES THAT I UNDERESTIMATED WALTER'S ABILITY. 413 00:30:03,984 --> 00:30:06,920 HIS WORK HAS ENORMOUS REALISM. 414 00:30:06,987 --> 00:30:08,922 YOU CAN HARDLY TELL IT FROM THE REAL THING. 415 00:30:08,989 --> 00:30:11,191 BOY, THAT SOUNDS LIKE A REAL PUT-DOWN. 416 00:30:11,258 --> 00:30:13,727 GET OFF WALTER'S BACK, LEONARD. 417 00:30:13,794 --> 00:30:16,996 AM I ON HIS BACK ? YOU'RE NOT VERY FUNNY. 418 00:30:17,064 --> 00:30:19,665 I'M NOT TRYING TO BE. 419 00:30:19,734 --> 00:30:23,169 WALTER, WHAT ARE YOU GONNA MAKE NEXT ? 420 00:30:23,237 --> 00:30:25,171 A DOG, MAYBE. 421 00:30:25,239 --> 00:30:27,607 OR A BIRD ? 422 00:30:27,674 --> 00:30:31,044 HOW ABOUT A FEW DOZEN COCKROACHES FROM YOUR ROOM ? 423 00:30:31,112 --> 00:30:33,529 HEY, MAN. WHY DON'T YOU MAKE AN ELEPHANT ? 424 00:30:33,597 --> 00:30:37,250 - I-I GOT A NEW ONE. - GREAT. WHAT IS IT ? 425 00:30:37,317 --> 00:30:40,920 IT'S A FULL-LENGTH, LIFE-SIZE FIGURE. 426 00:30:40,988 --> 00:30:42,905 CRAZY. WHAT IS IT CALLED ? 427 00:30:42,973 --> 00:30:46,142 UH, "MURDERED MAN." 428 00:30:46,210 --> 00:30:49,278 [ Carla ] WHEN DO WE GET TO SEE IT ? ANYTIME. 429 00:30:49,346 --> 00:30:51,931 HEY, THAT'S A PRETTY FAR-OUT NAME FOR A STATUE. 430 00:30:51,999 --> 00:30:53,933 I SAW A STATUE ONCE. 431 00:30:54,001 --> 00:30:56,536 IT WAS CALLED "THE THIRD TIME PHYLLIS SAW ME, SHE EXPLODED." 432 00:30:56,604 --> 00:30:58,872 MAN, WHAT KIND OF A STATUE WAS THAT ? 433 00:30:58,939 --> 00:31:01,775 IT WAS MADE OUT OF DRIFTWOOD AND DIPPED IN FLOURIC ACID. 434 00:31:01,842 --> 00:31:03,777 IT WAS VERY WILD. 435 00:31:03,844 --> 00:31:05,779 [ Coughing ] 436 00:31:05,846 --> 00:31:08,481 WHAT'S WRONG, LEONARD ? 437 00:31:08,549 --> 00:31:10,483 NOTHING. 438 00:31:10,551 --> 00:31:12,485 IT'S THE FOOD IN THIS DUMP. 439 00:31:12,553 --> 00:31:14,487 OH, MAN. YOU SHOULD TRY THE SORREL SEWER. 440 00:31:14,555 --> 00:31:18,124 THEY GOT WHEAT GERM BAGELS. TOO MUCH. 441 00:31:18,191 --> 00:31:20,927 EXCUSE ME, PLEASE. 442 00:31:20,994 --> 00:31:23,596 I THINK HE REALLY IS SICK. 443 00:31:23,664 --> 00:31:25,665 SO WHO ISN'T ? 444 00:31:28,069 --> 00:31:31,838 De SANTIS. I'VE BEEN TRYING TO GET YOU ALL EVENING. 445 00:31:31,906 --> 00:31:33,974 GOTTA MAKE A CALL. GOTTA CALL LIEUTENANT VALDEZ. 446 00:31:34,041 --> 00:31:35,976 LISTEN. I WAS WRONG ABOUT MY WIFE. 447 00:31:36,043 --> 00:31:37,978 SHE WANTS THAT CAT AFTER ALL. 448 00:31:38,045 --> 00:31:40,413 DO YOU HEAR ME ? I'LL GIVE YOU THAT $100 FOR THE CAT. 449 00:31:40,481 --> 00:31:42,415 I CAN'T TALK TO YOU JUST NOW. 450 00:31:42,483 --> 00:31:45,619 ALL RIGHT, THEN. TWO HUNDRED. NO ! 451 00:31:45,686 --> 00:31:49,055 NO ! THREE HUNDRED DOLLARS, AND THAT'S TOPS. 452 00:31:51,191 --> 00:31:54,160 THREE HUNDRED DOLLARS FOR THE CAT ? 453 00:31:54,228 --> 00:31:56,462 [ Laughs ] I KNOW I'M GOING OUT OF MY MIND, 454 00:31:56,530 --> 00:32:00,233 BUT I'VE BEEN COLLECTING ART PIECES ALL OVER EUROPE FOR YEARS, 455 00:32:00,300 --> 00:32:02,168 AND THIS BOY, WALTER PAISLEY, HAS GOT IT. 456 00:32:02,236 --> 00:32:04,170 I WANT TO BUY HIS FIRST WORK. 457 00:32:04,238 --> 00:32:08,157 AND TO MAKE VERY SURE THAT I GET IT, I'LL PAY YOU $500. 458 00:32:08,225 --> 00:32:10,159 FIVE HUNDRED DOLLARS FOR THE CAT... 459 00:32:10,227 --> 00:32:12,228 AND THE FIRST LOOK AT HIS NEXT STUFF. 460 00:32:18,502 --> 00:32:23,306 SOMEONE HAS THE CAT JUST NOW, BUT I'LL HAVE HIM BACK IN A FEW DAYS. 461 00:32:23,374 --> 00:32:25,341 THEN YOU CAN HAVE IT FOR THE $500. 462 00:32:25,409 --> 00:32:28,878 OH, THANK YOU, SIR. I THINK I'VE MADE A BARGAIN. 463 00:32:28,946 --> 00:32:30,880 CALL ME WHEN YOU'RE READY. GOOD NIGHT. 464 00:32:30,948 --> 00:32:32,949 �� [ Singer Continues ] 465 00:32:34,584 --> 00:32:37,186 LEONARD. 466 00:32:37,254 --> 00:32:39,188 FEEL BETTER ? 467 00:32:39,256 --> 00:32:41,690 LISTEN. I'M GOING OVER TO WALTER'S LATER, 468 00:32:41,758 --> 00:32:44,227 AFTER THE PLACE CLOSES, TO SEE "MURDERED MAN." 469 00:32:44,295 --> 00:32:46,296 YOU FEEL UP TO COMING ALONG ? 470 00:32:48,399 --> 00:32:51,534 � AND A WASHER BEHIND HIS EAR � 471 00:32:51,601 --> 00:32:53,970 � AND THE PRISON BELL WAS TOLLING � 472 00:32:54,038 --> 00:32:57,140 � BUT TIM EVANS DIDN'T HEAR � 473 00:32:57,207 --> 00:33:02,478 � SAYING, GO DOWN, YOU MURDERER, GO DOWN �� 474 00:33:08,969 --> 00:33:10,904 LOOK AT THE SIZE OF IT. 475 00:33:10,971 --> 00:33:12,906 WELL, IT'S-- IT'S NOT REALLY THAT BIG. 476 00:33:12,973 --> 00:33:14,908 I GOT IT ON KIND OF A STAND. 477 00:33:14,975 --> 00:33:16,910 LET'S SEE IT. 478 00:33:16,977 --> 00:33:19,946 I'M A LITTLE NERVOUS. I AIN'T NEVER DID A PERSON BEFORE. 479 00:33:20,014 --> 00:33:22,114 YOU CAN DO ANYTHING IF YOU SET YOUR MIND TO IT. 480 00:33:22,182 --> 00:33:24,984 IT'S HOT IN HERE. YOU WANT ME TO OPEN A WINDOW ? 481 00:33:25,052 --> 00:33:27,420 COME ON, WALTER. TAKE OFF THE SHEET. 482 00:33:36,980 --> 00:33:38,981 DON'T YOU LIKE IT ? 483 00:33:42,485 --> 00:33:45,822 WALTER, IT'S A MASTERPIECE. 484 00:33:45,889 --> 00:33:48,291 I'VE NEVER SEEN ANYTHING LIKE IT BEFORE. 485 00:33:50,627 --> 00:33:53,395 AND I HOPE I NEVER SEE ANYTHING LIKE IT AGAIN. 486 00:33:53,463 --> 00:33:56,665 NEITHER DO I. 487 00:33:57,734 --> 00:34:00,503 IT'S HIDEOUS, AND IT'S ELOQUENT. 488 00:34:01,638 --> 00:34:05,808 IT EXPRESSES MODERN MAN IN ALL HIS SELF-PITY. 489 00:34:06,976 --> 00:34:09,245 HOW DID YOU EVER FIND THAT IN YOURSELF, WALTER ? 490 00:34:09,313 --> 00:34:11,514 WELL, IT WASN'T EASY. 491 00:34:13,116 --> 00:34:15,818 WHAT'S THE MATTER WITH YOU ? 492 00:34:15,885 --> 00:34:18,053 NOTHING. NOTHING AT ALL. 493 00:34:18,121 --> 00:34:20,923 I'VE NEVER SEEN ANYONE SO SQUEAMISH. 494 00:34:20,990 --> 00:34:22,925 WHAT'S YOUR OPINION, LEONARD ? 495 00:34:22,992 --> 00:34:25,394 DON'T ASK ME. OH, COME ON. 496 00:34:25,462 --> 00:34:27,396 EVEN YOU MUST SEE ITS VALUE. 497 00:34:27,464 --> 00:34:30,266 DO YOU THINK THAT YOU OR I COULD HAVE CONCEIVED OF SUCH A THING, 498 00:34:30,334 --> 00:34:33,168 MUCH LESS EXECUTED IT ? 499 00:34:33,237 --> 00:34:35,571 WELL, THEN ADMIT IT. IT'S A WORK OF GENIUS. 500 00:34:35,639 --> 00:34:37,573 I ADMIT IT. 501 00:34:37,774 --> 00:34:41,594 THEN LET'S TAKE IT DOWN TO THE YELLOW DOOR. 502 00:34:41,662 --> 00:34:43,596 NO. WHY NOT ? 503 00:34:43,664 --> 00:34:47,767 I'LL TELL YOU, BUT YOU COVER IT UP AGAIN, PLEASE, HUH ? 504 00:34:47,835 --> 00:34:49,836 PLEASE ! 505 00:34:52,873 --> 00:34:54,807 THANK YOU. 506 00:34:54,875 --> 00:34:58,111 WHAT IS ALL THIS NONSENSE ? WHY DO YOU WANT TO HIDE IT ? 507 00:34:58,178 --> 00:35:02,115 WELL, I'VE BEEN THINKING. 508 00:35:02,182 --> 00:35:06,986 I DIDN'T REALIZE HOW MUCH TALENT WALTER ACTUALLY HAD. 509 00:35:07,054 --> 00:35:09,588 IT WOULD BE WRONG TO SHOW HIS PIECES ONE AT A TIME. 510 00:35:09,657 --> 00:35:12,725 DEAD WRONG. YOU'RE RIGHT. 511 00:35:12,793 --> 00:35:15,128 HE SHOULD BUILD A COLLECTION FIRST. 512 00:35:16,596 --> 00:35:18,531 YES. THAT'S THE IDEA. 513 00:35:18,598 --> 00:35:20,533 MAYBE WHEN IT'S BIG ENOUGH, WE CAN HAVE A SHOW. 514 00:35:20,600 --> 00:35:22,535 A SHOW ? JUST FOR ME ? 515 00:35:22,602 --> 00:35:26,472 NO ! NOT EXACTLY. I MEAN, IT WOULD TAKE YEARS AND YEARS-- 516 00:35:27,641 --> 00:35:30,442 IT'S GETTING HOT AGAIN. 517 00:35:30,510 --> 00:35:33,412 IT WOULD TAKE YOU YEARS TO MAKE THAT MANY STATUES, 518 00:35:33,480 --> 00:35:35,414 BUT YOUR WORK WOULD BE FEATURED. 519 00:35:35,482 --> 00:35:37,416 IT'S A WONDERFUL IDEA, WALTER. 520 00:35:37,484 --> 00:35:39,451 IT'S THE ONLY WAY TO GAIN RECOGNITION. 521 00:35:39,519 --> 00:35:42,188 THE BIG ART CRITICS AND DEALERS WILL BE THERE. IT'LL BE AN EVENT. 522 00:35:42,255 --> 00:35:45,558 YES, THEN WE COULD UNLOAD AND SELL THIS STUFF FOR A LOT MORE. 523 00:35:45,625 --> 00:35:48,360 BUT THE SHOW, HOW SOON COULD WE GO ? 524 00:35:48,428 --> 00:35:50,462 DON'T RUSH THINGS. IT TAKES TIME. 525 00:35:50,530 --> 00:35:54,934 BUT FIRST OF ALL, YOU'VE GOT TO STOP MAKING THESE HORRIBLE STATUES. 526 00:35:55,002 --> 00:35:56,936 CARLA AND I WILL GUIDE YOU. 527 00:35:57,004 --> 00:35:59,505 MAYBE YOU CAN TURN TO FREE-FORM. FREE-FORM ? 528 00:35:59,573 --> 00:36:02,441 THAT'S THE MOVEMENT TODAY. WITH HIS TALENT FOR REALISM ? 529 00:36:02,509 --> 00:36:04,944 YOU CAN SEE THE DIRECTION HIS REALISM TAKES. IT'S UNHEALTHY. 530 00:36:05,012 --> 00:36:06,946 B-BUT YOU SAID I WAS A GENIUS. 531 00:36:07,014 --> 00:36:09,082 I DON'T WANNA BE A BUSBOY ANYMORE. 532 00:36:09,149 --> 00:36:11,084 MAYBE YOU GOT A POINT THERE. 533 00:36:11,151 --> 00:36:13,086 YOU SHOULDN'T KEEP WORKING AT THE YELLOW DOOR. 534 00:36:13,153 --> 00:36:16,756 LOOK. I'M SURE THAT MAN'S GONNA BUY YOUR DEAD CAT, SO HERE. 535 00:36:16,824 --> 00:36:19,425 HERE'S YOUR FEE IN ADVANCE-- $50. 536 00:36:19,492 --> 00:36:22,361 AND IF YOU NEED MORE, I'VE GOT IT, SO DON'T WORRY. 537 00:36:22,429 --> 00:36:25,431 I'VE GOT GREAT FAITH IN YOU, WALTER. 538 00:36:25,498 --> 00:36:27,900 GEE, $50 FOR SOMETHING I MADE. 539 00:36:27,968 --> 00:36:29,902 NOW YOU'RE A PROFESSIONAL. 540 00:36:29,970 --> 00:36:31,904 LET'S GO. 541 00:36:31,972 --> 00:36:35,074 OKAY. GOOD NIGHT, WALTER. 542 00:36:35,142 --> 00:36:37,076 KEEP UP THE GOOD WORK. 543 00:36:37,144 --> 00:36:39,245 YEAH, BUT DON'T RUSH THINGS. 544 00:36:39,312 --> 00:36:41,247 YOU GOT ALL THE TIME IN THE WORLD. 545 00:36:41,314 --> 00:36:43,983 COME ON, CARLA ! GOOD NIGHT, WALTER. 546 00:36:44,051 --> 00:36:46,052 GOOD NIGHT. 547 00:36:51,925 --> 00:36:54,593 YIPPEE ! 548 00:36:54,661 --> 00:36:56,595 DID YOU HOLLER, WALTER ? 549 00:36:56,663 --> 00:36:58,597 I'M AN ARTIST, MRS. SWICKARD. 550 00:36:58,665 --> 00:37:00,532 YEAH ? OH, SURE YOU ARE, WALTER. 551 00:37:00,600 --> 00:37:03,869 I AM. LOOK ! 552 00:37:07,040 --> 00:37:09,041 GOOD HEAVENS ! 553 00:37:12,379 --> 00:37:16,382 �� [ Russian ] 554 00:37:25,959 --> 00:37:29,962 ONE OF THE GREATEST ADVANCES IN MODERN POETRY IS THE ELIMINATION OF CLARITY. 555 00:37:30,030 --> 00:37:32,131 I'M PROUD TO SAY MY POETRY IS ONLY UNDERSTOOD... 556 00:37:32,199 --> 00:37:34,133 BY THAT MINORITY WHICH IS AWARE. 557 00:37:34,201 --> 00:37:36,135 AWARE OF WHAT ? 558 00:37:36,203 --> 00:37:38,204 NOT OF ANYTHING, STUPID. JUST AWARE. 559 00:37:40,173 --> 00:37:43,376 MAN, THIS PLACE IS BEGINNING TO FEEL LIKE A LINEUP. 560 00:37:43,443 --> 00:37:45,378 YEAH, BABY. 561 00:37:45,445 --> 00:37:48,814 IF IT DON'T COOL OFF PRETTY SOON, I'M GONNA HAUNT SOMEBODY ELSE'S JOINT. 562 00:37:48,882 --> 00:37:52,018 WE MAY HAVE TO START DRINKING. 563 00:37:52,085 --> 00:37:56,088 �� [ Continues In Russian ] 564 00:37:57,891 --> 00:38:00,810 [ Man ] YES, MAN, YES. [ Applause ] 565 00:38:00,878 --> 00:38:02,879 YES, THAT'S MY MAN. 566 00:38:06,450 --> 00:38:08,451 YES, MAN, YES. 567 00:38:10,253 --> 00:38:12,187 GOOD EVENING, WALTER. 568 00:38:12,255 --> 00:38:14,256 GOOD EVENING, CARLA. 569 00:38:16,393 --> 00:38:20,195 SYLVIA, DIDN'T YOU SEE ME WAVE MY ZEN STICK ? 570 00:38:20,263 --> 00:38:22,197 WHY, IT'S WALTER PAISLEY. 571 00:38:22,265 --> 00:38:24,901 BRING ME A CAPPUCCINO AND A PIECE OF PAPAYA CHEESECAKE... 572 00:38:24,968 --> 00:38:27,236 AND A BOTTLE OF YUGOSLAVIAN WHITE WINE. 573 00:38:27,304 --> 00:38:29,238 YES, SIR, MR. PAISLEY. 574 00:38:29,306 --> 00:38:32,107 GOOD EVENING, WALTER. MAXWELL, HOW HAVE YOU BEEN ? 575 00:38:32,175 --> 00:38:34,544 I SEE THE REWARDS OF ACHIEVEMENT HAVE COME YOUR WAY. 576 00:38:34,611 --> 00:38:37,847 WELL, AFTER ALL, I'M A SUCCESSFUL SCULPTOR NOW. 577 00:38:37,915 --> 00:38:39,849 INDEED. 578 00:38:39,917 --> 00:38:42,318 HEY, MAN, DIG WALTER THE WIGGER. 579 00:38:42,385 --> 00:38:44,554 HE'S COMIN' ON LIKE HE JUST CURED CANCER. 580 00:38:44,621 --> 00:38:46,556 LET US MAKE THE SCENE. 581 00:38:46,623 --> 00:38:48,558 CRAZY. 582 00:38:48,625 --> 00:38:52,328 I WAS JUST SUGGESTING TO WALTER THAT HE TRY HIS HAND AT FREE-FORM. 583 00:38:52,395 --> 00:38:54,430 WHY DO YOU SUGGEST ANYTHING TO WALTER ? 584 00:38:54,498 --> 00:38:56,432 ARE YOU THE SPOKESMAN FOR SOCIETY, 585 00:38:56,500 --> 00:38:58,668 COME TO PUT YOUR STIFLING FINGER IN HIS EYE ? 586 00:38:58,735 --> 00:39:02,772 GOOD EVENING, GENTLEMEN. WHO INVITED THESE TWO DOWN FROM THE CLOUDS ? 587 00:39:02,840 --> 00:39:04,774 [ Woman ] MAXWELL. YOO-HOO ! 588 00:39:04,842 --> 00:39:06,843 CLEAR THE TABLE. BRING A BOWL. I MAY BE SICK. 589 00:39:06,910 --> 00:39:11,313 IT'S ALICE THE AWFUL, COME TO SPREAD CHEER AND CHOLERA. 590 00:39:11,381 --> 00:39:13,850 LOOK AT MY SUNTAN, EVERYBODY ? DO WE HAVE TO ? 591 00:39:13,917 --> 00:39:15,852 WHERE HAVE YOU BEEN, ALICE ? 592 00:39:15,919 --> 00:39:17,887 I WENT TO BIG SUR AND LOOKED FOR HENRY MILLER. 593 00:39:17,955 --> 00:39:21,390 YOU DIDN'T FIND HIM, I HOPE. NO, HE'S IN EUROPE. 594 00:39:21,458 --> 00:39:23,392 WHY IS THE BUSBOY SITTING HERE ? 595 00:39:23,460 --> 00:39:25,394 I'M NOT THE BUSBOY ANYMORE. 596 00:39:25,462 --> 00:39:28,531 THAT'S RIGHT. WALTER HAS BECOME A SCULPTOR. 597 00:39:28,599 --> 00:39:31,968 OH, REALLY ? I'M A MODEL, YOU KNOW. 598 00:39:32,035 --> 00:39:34,570 I ONLY CHARGE TWENTY-FIVE DOLLARS AN HOUR. 599 00:39:34,638 --> 00:39:36,572 WOULD YOU LIKE TO DO ME ? 600 00:39:36,640 --> 00:39:38,574 I JUST MIGHT. 601 00:39:38,642 --> 00:39:41,577 NEVER MIND THAT. WALTER'S GONNA TRY FREE-FORM. 602 00:39:41,645 --> 00:39:45,080 THERE YOU GO AGAIN. I MAY TAKE MY BUSINESS TO THE SORREL SEWER. 603 00:39:45,148 --> 00:39:47,950 AS A MATTER OF FACT, I WAS GOING TO SUGGEST TO WALTER... 604 00:39:48,018 --> 00:39:50,219 THAT HE TRY A FEMALE FIGURE, 605 00:39:50,286 --> 00:39:52,788 AS A CHANGE FROM THE VIOLENT DEATH THEME. 606 00:39:52,856 --> 00:39:56,058 YOU REALLY SHOULD, WALTER. YOU KNOW WHAT ? 607 00:39:56,126 --> 00:39:58,494 IF YOU LIKE, I'LL BE YOUR MODEL FOR FREE. 608 00:39:58,562 --> 00:40:00,730 I COULDN'T. NOT YOU. 609 00:40:00,797 --> 00:40:05,401 MAN, IF YOU'RE GONNA BE AN ARTIST, YOU'VE GOTTA DO NUDES. NUDES. 610 00:40:05,468 --> 00:40:07,403 RIGHT. RIGHT. RIGHT. 611 00:40:07,470 --> 00:40:11,607 AIN'T NOBODY AN ARTIST UNLESS HE DOES NUDES. 612 00:40:11,675 --> 00:40:14,644 WILL YOU GET THEM OUT OF HERE BEFORE WE END UP IN NIGHT COURT ? 613 00:40:14,711 --> 00:40:17,930 LET'S CHANGE THE SUBJECT. I'M SICK OF HEARING ABOUT SCULPTURE. 614 00:40:17,998 --> 00:40:19,932 NOBODY KNOWS HOW TO DO THAT ANYMORE, 615 00:40:20,000 --> 00:40:22,168 MUCH LESS THE BUSBOY FROM THE YELLOW DOOR. 616 00:40:22,235 --> 00:40:24,303 WHO DO YOU THINK YOU'RE TALKIN' ABOUT ? 617 00:40:24,370 --> 00:40:27,072 DON'T SHOUT AT ME ! 618 00:40:27,140 --> 00:40:29,141 I DON'T LIKE YOU. 619 00:40:29,209 --> 00:40:31,643 NOBODY ASKED FOR YOUR OPINION, WALTER. 620 00:40:31,711 --> 00:40:33,645 YOU'RE JUST A SIMPLE LITTLE FARMBOY, 621 00:40:33,713 --> 00:40:36,248 AND THE REST OF US ARE ALL SOPHISTICATED BEATNIKS. 622 00:40:36,316 --> 00:40:39,819 THAT'S ALL, MAN. LET'S SPLIT. 623 00:40:39,886 --> 00:40:41,821 YEAH, MAN. 624 00:40:41,888 --> 00:40:44,957 I GOTTA MAKE ME SOME AIR. 625 00:40:45,025 --> 00:40:47,009 SEE ? YOU MADE THEM LEAVE. 626 00:40:47,077 --> 00:40:49,011 WHAT DID I DO ? 627 00:40:49,079 --> 00:40:52,214 THE FIRST BENEFICIAL SERVICE OF YOUR BENIGHTED LIFE. 628 00:40:52,282 --> 00:40:54,617 IT PROVES WE'RE ALL GOOD FOR SOMETHING. 629 00:40:55,085 --> 00:40:58,504 ARE YOU SAYING THAT THIS BUSBOY IS BETTER THAN I ? YES. 630 00:40:58,572 --> 00:41:02,741 I THINK THIS WHOLE BIT ABOUT HIM BEING A SCULPTOR IS JUST A BIG PUT-ON FOR MY BENEFIT. 631 00:41:02,809 --> 00:41:04,743 THAT'S NOT TRUE. I AM A SCULPTOR. 632 00:41:04,811 --> 00:41:08,547 OH, YEAH ? PROVE IT. MAKE SOMETHING OUT OF THIS. 633 00:41:08,615 --> 00:41:10,549 THERE. HAND. 634 00:41:10,617 --> 00:41:12,551 THAT ISN'T A REAL HAND. 635 00:41:12,619 --> 00:41:15,821 IF YOU WERE A SCULPTOR, YOU'D CREATE SOMETHING FOR ME. 636 00:41:15,888 --> 00:41:18,056 A HARPOON WOULD BE VERY NICE. 637 00:41:18,124 --> 00:41:20,125 I'M GOIN' HOME. 638 00:41:22,562 --> 00:41:25,831 ALICE, YOU'RE OBNOXIOUS. 639 00:41:25,898 --> 00:41:28,634 [ Alice ] BUT HE'S SUCH AN IDIOT. 640 00:42:12,328 --> 00:42:15,064 YES ? WHAT ARE YOU DOING HERE ? 641 00:42:15,132 --> 00:42:18,600 I WANTED TO APOLOGIZE FOR BEING NASTY TO YOU THIS EVENING. 642 00:42:18,669 --> 00:42:21,203 SO YOU APOLOGIZED. GOOD NIGHT. 643 00:42:30,129 --> 00:42:33,231 LISTEN, TWERP. GET OUT OF HERE AND LET ME GO TO BED. 644 00:42:33,300 --> 00:42:35,233 I DIDN'T FINISH TALKIN' TO YA. 645 00:42:35,302 --> 00:42:37,303 I DECIDED TO MAKE THAT FEMALE FIGURE AFTER ALL. 646 00:42:37,370 --> 00:42:40,005 OH. I'D LIKE YOU TO POSE FOR IT. 647 00:42:40,072 --> 00:42:42,140 REMEMBER WHAT I SAID ABOUT MY PRICE ? 648 00:42:42,208 --> 00:42:44,142 TWENTY-FIVE DOLLARS AN HOUR. 649 00:42:44,210 --> 00:42:46,144 IF YOU WANNA PAY IT, I DON'T MIND POSING. 650 00:42:46,212 --> 00:42:48,146 WHEN DO YOU WANNA START WORK ? 651 00:42:48,214 --> 00:42:50,115 TONIGHT ? 652 00:42:50,183 --> 00:42:52,351 YOU MEAN RIGHT NOW ? UH-HUH. 653 00:42:52,419 --> 00:42:54,420 WAIT TILL I GET MY SWEATER. 654 00:43:30,140 --> 00:43:32,708 YOU COULD USE A LITTLE MORE HEAT AROUND THIS PLACE. 655 00:43:32,775 --> 00:43:34,977 IT'S BAD FOR THE CLAY. 656 00:43:35,044 --> 00:43:37,113 YOU'LL GET USED TO IT. 657 00:43:40,917 --> 00:43:42,918 WELL, I'M ALMOST READY. 658 00:43:46,423 --> 00:43:48,957 HERE. 659 00:43:49,025 --> 00:43:51,127 SIT IN THIS CHAIR, AND I'LL POSE YOU. 660 00:44:02,072 --> 00:44:05,808 KIND OF RICKETY. HOW'S THIS POSE ? 661 00:44:05,876 --> 00:44:09,178 OH, THAT'S FINE. IT'S VERY GOOD. 662 00:44:09,246 --> 00:44:11,247 JUST STAY LIKE THAT. 663 00:44:12,249 --> 00:44:14,917 IT DOESN'T LOOK LIKE VERY MUCH CLAY. 664 00:44:14,985 --> 00:44:16,986 OH, IT'S ENOUGH. 665 00:44:18,121 --> 00:44:20,122 PUT THIS AROUND YOUR NECK. 666 00:44:44,363 --> 00:44:46,765 AHH, BREAKFAST. 667 00:44:46,832 --> 00:44:48,767 WATCH IT. THE PLATE'S HOT. 668 00:44:48,834 --> 00:44:50,769 ARE THESE FERTILE EGGS ? 669 00:44:50,836 --> 00:44:52,837 ARE THESE EGGS FERTILE ? NATURALLY. 670 00:44:52,905 --> 00:44:54,940 WHAT DID YOU FRY THEM IN ? 671 00:44:55,007 --> 00:44:56,942 WE RAN OUT OF THE SAFFLOWER SEED OIL, 672 00:44:57,009 --> 00:44:59,478 BUT I FOUND A BOTTLE OF PEANUT OIL ON THE SHELF. 673 00:44:59,546 --> 00:45:01,413 DON'T WORRY. IT'S NOT HYDROGENATED. 674 00:45:01,481 --> 00:45:03,415 [ Doorbell Rings ] IS THAT THE COLD-PRESSED STUFF, 675 00:45:03,483 --> 00:45:05,868 OR THE JUNK HILDA BOUGHT BY MISTAKE ? 676 00:45:05,936 --> 00:45:09,171 YES, MAN, YES. HI. 677 00:45:09,239 --> 00:45:11,807 GOOD MORNING, WALTER. HI, WALTER. WHAT BRINGS YOU HERE ? 678 00:45:11,875 --> 00:45:13,976 HAVE SOME BREAKFAST. WHAT ARE YOU HAVING ? 679 00:45:14,044 --> 00:45:17,813 SOY AND WHEAT GERM PANCAKES, ORGANIC GUAVA NECTAR, 680 00:45:17,881 --> 00:45:19,849 CALCIUM LACTATE AND TOMATO JUICE, 681 00:45:19,916 --> 00:45:22,051 AND GARBANZO OMELETTES, SPRINKLED WITH SMOKED YEAST. 682 00:45:22,118 --> 00:45:25,754 JOIN US ? NO, THANKS. SOUNDS GREAT, THOUGH. 683 00:45:25,822 --> 00:45:27,756 I BROUGHT SOMETHING TO SHOW YOU. 684 00:45:27,824 --> 00:45:29,758 COULD I HAVE SOME OF THE GUYS HELP ME ? 685 00:45:29,826 --> 00:45:31,760 IS IT "MURDERED MAN" ? IT'S BETTER. 686 00:45:31,828 --> 00:45:33,863 COME ON. PORTERS. 687 00:45:38,634 --> 00:45:40,635 PUT IT IN THE MIDDLE OF THE ROOM. 688 00:45:40,703 --> 00:45:42,637 WHEN DID YOU DO THIS, WALTER ? 689 00:45:42,705 --> 00:45:44,639 LAST NIGHT. IT DOESN'T TAKE ME VERY LONG. 690 00:45:44,707 --> 00:45:47,142 I SHOULD SAY NOT. WELL, LET'S SEE IT, MAN. 691 00:46:02,825 --> 00:46:04,860 WALTER, I CAN'T BELIEVE IT. 692 00:46:04,927 --> 00:46:06,862 I'M HONORED TO KNOW THIS MAN. 693 00:46:06,929 --> 00:46:08,930 DO YOU THINK IT'S NICE ? 694 00:46:08,998 --> 00:46:10,932 [ Man ] YEAH, SHE'S BEAUTIFUL. 695 00:46:11,000 --> 00:46:12,934 DO YOU THINK IT'S NICER THAN "MURDERED MAN" ? 696 00:46:13,002 --> 00:46:17,172 I DON'T KNOW, WALTER. IT'S IMPOSSIBLE TO CHOOSE. THEY'RE BOTH GREAT. 697 00:46:17,240 --> 00:46:19,174 WALTER, I AM DEEPLY MOVED. 698 00:46:19,242 --> 00:46:21,343 TO SHOW MY APPRECIATION, I'M GOING TO GIVE A PARTY TONIGHT... 699 00:46:21,411 --> 00:46:23,379 AT THE YELLOW DOOR, IN YOUR HONOR. 700 00:46:23,446 --> 00:46:25,481 AND I SHALL COMPOSE A POEM. 701 00:46:28,551 --> 00:46:32,488 �� [ Flamenco ] 702 00:46:42,232 --> 00:46:44,166 SOME MORE CHAMPAGNE, YOUR MAJESTY ? 703 00:46:44,234 --> 00:46:46,168 HEAR. HEAR. WHERE ? WHERE ? 704 00:46:46,236 --> 00:46:48,237 THERE. THERE. 705 00:46:49,405 --> 00:46:52,874 THAT'S FINE. CAN I HAVE ANOTHER LITTLE KISS ? 706 00:46:52,942 --> 00:46:55,110 WALTER, YOU'RE A LECH. 707 00:46:55,178 --> 00:46:57,179 I AM ? 708 00:46:59,282 --> 00:47:02,784 HERE WE GO ! HERE WE GO ! 709 00:47:06,389 --> 00:47:09,358 [ Tapping On Glasses ] 710 00:47:09,425 --> 00:47:11,860 ALL RIGHT. ALL RIGHT. 711 00:47:11,927 --> 00:47:15,364 WALTER, THE BIRD THAT FLIES NOW, 712 00:47:15,431 --> 00:47:18,900 PAYS LATER THROUGH THE NOSE OF AMBIDEXTROUS APATHY. 713 00:47:18,968 --> 00:47:23,272 NECROPHILES MAY DANCE UPON THE PLACE MATS IN AN ORGY OF TOGETHERNESS. 714 00:47:23,339 --> 00:47:25,391 THE HIGHWAY OF LIFE CUTS SHARPLY... 715 00:47:25,458 --> 00:47:28,627 THROUGH ALL THE SHADY GHETTOS AND THE IVY-COVERED TOMBS. 716 00:47:28,694 --> 00:47:33,465 AND LAUGHTER RINGS FROM EVERY TIME CAPSULE IN THE STAR-SPANGLED FIRMAMENT. 717 00:47:33,533 --> 00:47:36,969 AND IN THE DEEP FREEZE, IT IS THE CHILDREN'S HOUR. 718 00:47:37,037 --> 00:47:40,138 AND NO ONE KNOWS THAT DUNCAN IS MURDERED. 719 00:47:40,206 --> 00:47:45,477 AND NO ONE KNOWS THAT WALTER PAISLEY IS BORN. 720 00:47:45,545 --> 00:47:49,114 DUNCAN KNOWS. TUESDAY'S SUNRISE KNOWS. 721 00:47:49,182 --> 00:47:52,734 ALLEY CATS AND GARBAGE CANS AND STEAMING PAVEMENTS... 722 00:47:52,802 --> 00:47:56,471 AND YOU AND I AND THE NUDE DESCENDING THE STAIRCASE... 723 00:47:56,539 --> 00:47:58,540 AND ALL SUCH THINGS WITH SOULS, 724 00:47:58,608 --> 00:48:01,943 WE KNOW THAT WALTER PAISLEY IS BORN. 725 00:48:02,011 --> 00:48:06,799 RING RUBBER BELLS. BEAT COTTON GONGS. STRIKE SILKEN CYMBALS. 726 00:48:06,866 --> 00:48:11,604 PLAY LEATHERN FLUTES. THE CATS AND CANS AND YOU AND I... 727 00:48:11,671 --> 00:48:13,839 AND ALL SUCH THINGS WITH SOULS, 728 00:48:13,907 --> 00:48:18,811 WE SHALL HEAR WALTER PAISLEY IS BORN. 729 00:48:18,878 --> 00:48:20,813 AND THE SOULS BECOME FLESH. 730 00:48:20,880 --> 00:48:22,815 WALTER PAISLEY IS BORN ! 731 00:48:22,882 --> 00:48:25,884 [ Applause ] 732 00:48:31,491 --> 00:48:33,892 MARVELOUS, DARLING. MARVELOUS. 733 00:48:36,062 --> 00:48:38,731 MAN, LIKE, THAT WAS THE GREATEST GAS I EVER HEARD. 734 00:48:38,798 --> 00:48:40,733 CRAZY. WHAT DID HE SAY ? 735 00:48:40,800 --> 00:48:44,369 DIDN'T YOU HEAR HIM ? NO, MAN. I'M TOO FAR OUT. 736 00:48:49,208 --> 00:48:51,977 MAXWELL, THAT WAS MAGNIFICENT. 737 00:48:52,045 --> 00:48:54,046 I FEEL SO ELEGANT. 738 00:48:54,114 --> 00:48:56,048 WALTER DESERVED EVERY WORD OF IT. 739 00:48:56,116 --> 00:48:58,117 IT MAKES ME SO GLAD I'M AWARE. 740 00:49:00,153 --> 00:49:02,021 DID YOU HEAR WHAT HE SAID ? 741 00:49:02,088 --> 00:49:04,023 YES, WALTER. 742 00:49:04,090 --> 00:49:06,591 ALL ABOUT ME. 743 00:49:06,660 --> 00:49:08,894 IT'S TRUE, ISN'T IT ? 744 00:49:08,962 --> 00:49:10,963 EVERY WORD. 745 00:49:13,782 --> 00:49:15,633 YOU BETTER HOLD OFF ON THE BUBBLY, ARTIST. 746 00:49:15,702 --> 00:49:17,635 YEAH ? WHY ? 747 00:49:17,704 --> 00:49:19,637 YOU MIGHT TALK TOO MUCH. 748 00:49:19,706 --> 00:49:21,639 WHAT WOULD I SAY ? 749 00:49:21,708 --> 00:49:23,641 MOST ANYTHING, I EXPECT. 750 00:49:23,710 --> 00:49:25,944 [ Maxwell ] ARE YOU TWO TRYING TO IGNORE THE REST OF US ? 751 00:49:26,012 --> 00:49:28,313 OH, NOT ME, MAXWELL. 752 00:49:28,380 --> 00:49:30,315 I WOULDN'T IGNORE YOU. 753 00:49:30,382 --> 00:49:32,818 I KNOW WHAT IT IS TO BE IGNORED. 754 00:49:32,885 --> 00:49:35,020 TELL US WHAT YOU'RE GOING TO DO NEXT, WALTER. 755 00:49:35,088 --> 00:49:38,289 I'M GOING TO MAKE THE MOST WONDERFUL, WILDEST, WIGGIEST THINGS... 756 00:49:38,357 --> 00:49:40,291 YOU'VE EVER SEEN. 757 00:49:40,359 --> 00:49:43,328 I'M GONNA MAKE BIG STATUES AND LITTLE STATUES, 758 00:49:43,395 --> 00:49:46,732 TALL STATUES AND SHORT STATUES. 759 00:49:46,799 --> 00:49:51,703 I'M GONNA MAKE STATUES OF NOBODIES AND STATUES OF FAMOUS PEOPLE. 760 00:49:51,771 --> 00:49:56,674 STATUES OF ACTORS AND POETS. 761 00:49:56,743 --> 00:49:59,044 AND PEOPLE WHO SELL THINGS ON TELEVISION. 762 00:49:59,112 --> 00:50:01,679 AND A STATUE OF THE MAYOR. 763 00:50:01,748 --> 00:50:05,217 AND SOME OPERA SINGERS AND THEIR INTIMATE FRIENDS. 764 00:50:05,284 --> 00:50:09,121 AND EVERYBODY WILL SAY, "WALTER, LET ME SHAKE YOUR HAND. 765 00:50:09,188 --> 00:50:11,723 IT'S BEEN A REAL PLEASURE TO HAVE KNOWN YOU." 766 00:50:11,791 --> 00:50:13,792 HEAR. HEAR. 767 00:50:17,797 --> 00:50:20,232 [ Walter's Voice ] ALLEY CATS AND GARBAGE CANS, 768 00:50:20,299 --> 00:50:23,601 THEY KNOW THAT WALTER PAISLEY IS BORN. 769 00:50:23,669 --> 00:50:27,005 RING RUBBER BELLS. BEAT COTTON GONGS. 770 00:50:27,073 --> 00:50:31,276 STRIKE SILKEN CYMBALS. PLAY LEATHERN FLUTES. 771 00:50:33,179 --> 00:50:37,182 TELL US WHAT YOU'RE GONNA DO NEXT, WALTER. 772 00:50:37,250 --> 00:50:41,486 I'M GONNA MAKE BIG STATUES, LITTLE STATUES. 773 00:50:41,553 --> 00:50:46,925 MOVIE STARS AND POETS AND GUYS WHO SELL THINGS ON TELEVISION. 774 00:50:46,993 --> 00:50:50,095 AND THE MAYOR AND SOME OPERA SINGERS. 775 00:50:52,498 --> 00:50:55,000 WHAT YOU GONNA DO NEXT, WALTER ? 776 00:50:58,070 --> 00:51:00,071 WHAT AM I GONNA DO NEXT ? 777 00:51:01,908 --> 00:51:03,942 WHAT AM I GONNA DO NEXT ? 778 00:51:06,212 --> 00:51:09,014 I GOTTA DO SOMETHING BEFORE THEY FORGET. 779 00:51:11,383 --> 00:51:14,085 I KNOW WHAT IT'S LIKE TO BE IGNORED. 780 00:51:26,833 --> 00:51:28,767 WHO ARE YOU ? WHAT DO YOU WANT ? 781 00:51:28,835 --> 00:51:32,304 LIFE IS AN OBSCURE HOBO, BUMMING A RIDE ON THE OMNIBUS OF ART. 782 00:51:32,371 --> 00:51:34,306 HUH ? WHAT DID YOU SAY ? 783 00:51:34,373 --> 00:51:36,308 WHAT IS NOT CREATION IS GRAHAM CRACKERS. 784 00:51:36,375 --> 00:51:38,310 LET THEM ALL CRUMBLE TO FEED THE CREATOR. 785 00:51:38,377 --> 00:51:40,378 OH, BEAT IT. YOU MUST BE NUTS. 786 00:51:52,025 --> 00:51:56,361 NO ! NO ! 787 00:51:57,864 --> 00:51:59,531 NO ! 788 00:52:12,512 --> 00:52:15,080 HELLO, LEONARD. BEAUTIFUL MORNING, ISN'T IT ? 789 00:52:15,148 --> 00:52:18,283 WAS. WHAT'S THAT YOU GOT IN THE BOX ? 790 00:52:18,351 --> 00:52:20,818 JUST WAIT TILL YOU SEE THIS. 791 00:52:20,886 --> 00:52:22,804 [ Man ] EXTRA ! EXTRA ! 792 00:52:22,871 --> 00:52:25,673 HORRIBLE MURDER IN FURNITURE FACTORY. 793 00:52:25,741 --> 00:52:28,242 READ ABOUT THE MAN WHO GOT CUT IN HALF. 794 00:52:28,311 --> 00:52:30,244 EXTRA ! EXTRA ! 795 00:52:30,313 --> 00:52:32,647 POLICE CAN ONLY FIND PART OF HIM. 796 00:52:32,715 --> 00:52:34,716 LEONARD. 797 00:52:37,553 --> 00:52:39,554 WHAT'S THE MATTER, LEONARD ? 798 00:52:41,957 --> 00:52:43,891 YOU MADE A BUST. 799 00:52:43,959 --> 00:52:46,594 YEAH. ISN'T IT WONDERFUL ? 800 00:52:46,662 --> 00:52:48,596 WHAT'S THE MATTER, LEONARD ? 801 00:52:48,664 --> 00:52:50,665 PUT IT DOWN, WALTER. PLEASE. 802 00:52:56,505 --> 00:53:00,274 WALTER. WALTER, LISTEN TO ME CAREFULLY. 803 00:53:00,343 --> 00:53:02,877 I DON'T WANT YOU TO MAKE ANY MORE STATUES. 804 00:53:02,945 --> 00:53:04,879 DO YOU UNDERSTAND ? NO MORE STATUES. 805 00:53:04,947 --> 00:53:08,350 WELL, WHY NOT ? I GOTTA MAKE STATUES, LEONARD. 806 00:53:08,417 --> 00:53:10,518 YOU HEARD BROCK. THEY WANT ME TO MAKE THEM. 807 00:53:10,586 --> 00:53:13,388 IF I STOP MAKIN' THEM, I'LL JUST BE A BUSBOY AGAIN. 808 00:53:13,456 --> 00:53:17,024 BROCK. HE'S BEHIND ALL OF THIS WITH HIS STUPID, BITTER POETRY. 809 00:53:17,092 --> 00:53:20,395 LISTEN. YOU'VE GOT TO STOP AND RIGHT AWAY. 810 00:53:20,463 --> 00:53:22,464 I'M BEGINNING TO FEEL RESPONSIBLE. 811 00:53:22,531 --> 00:53:25,166 WHY ? WHAT DID YOU DO ? 812 00:53:25,234 --> 00:53:27,435 NEVER MIND. 813 00:53:27,503 --> 00:53:32,240 WALTER, I'VE DECIDED TO HAVE THAT SHOW FOR YOU RIGHT AWAY. 814 00:53:32,307 --> 00:53:36,411 YES. WHEN CARLA COMES, WE'LL HAVE HER WORK UP SOME NICE INVITATIONS. 815 00:53:36,479 --> 00:53:38,413 WE'LL HAVE THEM PRINTED UP. 816 00:53:38,481 --> 00:53:42,450 WE'LL INVITE THE CRITICS AND THE ART COLLECTORS. WE'LL TELL THEM. 817 00:53:47,056 --> 00:53:49,123 WELL, I DON'T SEE WHY WE CAN'T GO. 818 00:53:49,191 --> 00:53:52,060 MR. LEONARD De SANTIS IS AFRAID TO HAVE YOU COME. 819 00:53:52,127 --> 00:53:54,663 YOU, WHO BUY HIS COFFEE AND LURE HIS TOURISTS. 820 00:53:54,731 --> 00:53:57,833 YOU, WHO ARE THE HEART AND SOUL AND MEAT OF THE YELLOW DOOR. 821 00:53:57,900 --> 00:53:59,835 HE'S SLIGHTED YOU. 822 00:53:59,902 --> 00:54:01,770 DID YOU GET AN INVITATION ? I DID NOT. 823 00:54:01,838 --> 00:54:03,772 BUT I'M GOING ANYWAY. 824 00:54:03,840 --> 00:54:07,041 NOT TO DRINK HIS CHAMPAGNE, BUT TO SEE WALTER'S TRIUMPH. 825 00:54:07,109 --> 00:54:09,210 AFTER THAT, WE GO NO MORE. 826 00:54:09,278 --> 00:54:11,980 HI, MAXWELL. I WON'T SAY, "GOOD LUCK," WALTER. 827 00:54:12,047 --> 00:54:13,982 WHY NOT ? 828 00:54:14,049 --> 00:54:17,051 IT WOULD IMPLY THAT YOU COULD NOT SUCCEED ON YOUR ABILITY ALONE. 829 00:54:20,256 --> 00:54:22,190 YOU LOOK SO HANDSOME. 830 00:54:22,258 --> 00:54:24,760 I DO ? SO DO YOU. 831 00:54:24,827 --> 00:54:27,829 I MEAN, YOU LOOK SO PRETTY. THANK YOU. 832 00:54:27,897 --> 00:54:30,766 ARE YOU READY ? WE'VE GOT PLENTY OF TIME. 833 00:54:30,833 --> 00:54:32,868 I KNOW, BUT I WANTED TO TALK TO YOU. 834 00:54:32,935 --> 00:54:35,570 OKAY. WE CAN GO NOW IF YOU LIKE. 835 00:54:35,638 --> 00:54:37,639 BYE. 836 00:54:38,641 --> 00:54:41,710 LATER, MAN, LATER. SWING. 837 00:54:41,778 --> 00:54:45,714 MAN, WHY DO YOU SUPPOSE WALTER WANTS TO GET HER ALONE ? 838 00:54:45,782 --> 00:54:47,949 DO YOU SUPPOSE HE COULD BE PHYSICALLY ATTRACTED TO HER ? 839 00:54:48,017 --> 00:54:49,951 NO, MAN. HE AIN'T THE TYPE. 840 00:54:50,019 --> 00:54:51,953 HE DON'T GET ENOUGH VITAMIN "E." 841 00:54:52,021 --> 00:54:55,356 MAXWELL GAVE HIM A BOTTLE OF WHEAT GERM OIL ONCE. 842 00:54:55,425 --> 00:54:57,526 MAYBE HE JUST STARTED TAKING IT. 843 00:55:05,284 --> 00:55:07,619 WHAT DID YOU WANT TO TALK TO ME ABOUT, WALTER ? 844 00:55:07,686 --> 00:55:12,057 WELL, WHAT KIND OF PEOPLE DO YOU LIKE, CARLA ? 845 00:55:12,125 --> 00:55:15,994 OH, THINKING PEOPLE. 846 00:55:16,062 --> 00:55:17,996 ARTISTIC PEOPLE, I GUESS. 847 00:55:18,064 --> 00:55:19,998 YOU THINK I'M ARTISTIC ? OF COURSE I DO. 848 00:55:20,066 --> 00:55:22,000 THAT MEANS YOU LIKE ME. 849 00:55:22,068 --> 00:55:24,002 I LIKE YOU VERY MUCH, WALTER. 850 00:55:24,070 --> 00:55:28,440 I THOUGHT YOU DID, ON ACCOUNT HOW YOU KISSED ME THE OTHER NIGHT. 851 00:55:28,508 --> 00:55:32,810 OH, THAT WAS FOR YOUR SCULPTURE OF THE GIRL. YOUR "NUDE IN THE CHAIR." 852 00:55:32,878 --> 00:55:35,980 CARLA, I'VE BEEN ALONE FOR A LONG TIME, 853 00:55:36,049 --> 00:55:39,317 AND I KNOW YOU BEEN ALONE 'CAUSE YOU NEVER SEEM TO GO OUT WITH ANYBODY, 854 00:55:39,385 --> 00:55:42,020 EVEN THOUGH LEONARD'S ALWAYS ASKING YOU TO GO OUT WITH HIM. 855 00:55:42,088 --> 00:55:44,523 AND I JUST-- 856 00:55:44,590 --> 00:55:46,591 WHAT ARE YOU TRYING TO SAY ? 857 00:55:53,266 --> 00:55:55,267 CARLA, 858 00:55:56,669 --> 00:55:58,770 I DON'T WANT TO MAKE STATUES ANYMORE. 859 00:55:58,837 --> 00:56:01,673 I WANNA GET MARRIED... TO YOU. 860 00:56:05,545 --> 00:56:08,146 HOW LONG HAVE YOU BEEN THINKING ABOUT THIS, WALTER ? 861 00:56:08,214 --> 00:56:10,248 OH, FOR-- FOR A LONG TIME. 862 00:56:10,316 --> 00:56:13,585 EVER SINCE YOU FIRST CAME TO WORK AT THE CLUB. 863 00:56:13,652 --> 00:56:16,154 YOU WERE THE ONLY ONE WHO WAS EVER NICE TO ME. 864 00:56:16,222 --> 00:56:19,224 I DIDN'T KNOW YOU LOVED ME UNTIL YOU KISSED ME. 865 00:56:21,294 --> 00:56:24,896 WALTER, I DO LIKE YOU, 866 00:56:24,964 --> 00:56:27,865 AND I DID KISS YOU, 867 00:56:27,933 --> 00:56:30,802 BUT THAT WAS BECAUSE OF YOUR WORK. 868 00:56:32,705 --> 00:56:36,608 THERE'S MORE TO BEING IN LOVE WITH SOMEONE THAN JUST THAT. 869 00:56:38,377 --> 00:56:40,512 YOU MEAN YOU DON'T LOVE ME ? 870 00:56:42,448 --> 00:56:44,583 I'M AFRAID THAT'S WHAT I MEAN. 871 00:56:44,650 --> 00:56:47,419 BUT-- 872 00:56:47,487 --> 00:56:52,023 BUT YOU GOTTA LOVE ME. WHY DO YOU THINK I MADE THAT STATUE OF ALICE ? 873 00:56:52,091 --> 00:56:54,025 WALTER, I'M SORRY, BUT-- 874 00:56:54,093 --> 00:56:56,661 YOU JUST CAN'T BE SORRY. I WANNA MARRY YOU. 875 00:56:56,729 --> 00:57:00,665 NOW, CALM DOWN, WALTER, AND LET'S GO IN THERE, 876 00:57:00,733 --> 00:57:03,668 AND THEN MAYBE WHEN THE SHOW'S OVER, WE CAN TALK ABOUT IT SOME MORE. 877 00:57:03,736 --> 00:57:06,505 WELL, I DON'T WANNA TALK ABOUT IT. 878 00:57:07,840 --> 00:57:09,907 I GET IT. 879 00:57:09,975 --> 00:57:12,877 I SEE THE WHOLE THING NOW. 880 00:57:13,946 --> 00:57:16,781 NOBODY KNOWS THAT WALTER PAISLEY IS BORN. 881 00:57:19,051 --> 00:57:22,420 CARLA, 882 00:57:22,488 --> 00:57:24,489 WILL YOU DO ONE FAVOR FOR ME ? 883 00:57:25,658 --> 00:57:27,759 JUST ABOUT ANYTHING, WALTER. 884 00:57:29,262 --> 00:57:31,263 WOULD YOU LET ME MAKE A STATUE OF YOU ? 885 00:57:33,599 --> 00:57:36,501 WOULD YOU REALLY LIKE TO ? 886 00:57:36,569 --> 00:57:38,703 THAT WOULD MAKE ME VERY HAPPY. 887 00:57:38,771 --> 00:57:41,239 OKAY. 888 00:57:41,307 --> 00:57:43,741 TONIGHT. 889 00:57:43,809 --> 00:57:46,211 I'LL MAKE A STATUE OF YOU TONIGHT, OKAY ? 890 00:57:50,483 --> 00:57:52,484 COME ON. 891 00:58:21,881 --> 00:58:23,815 WALTER ? 892 00:58:23,883 --> 00:58:26,183 NO, THANKS. 893 00:58:26,251 --> 00:58:28,887 THIS COULD BRING ABOUT A RETURN TO REALISM. 894 00:58:28,954 --> 00:58:31,489 YES, A ONE-MAN RETURN. 895 00:58:31,557 --> 00:58:34,893 WE HAVE MANY ARTISTS ABOUT BUT NO CRAFTSMEN. 896 00:58:34,960 --> 00:58:37,361 THIS MAN KNOWS HIS ANATOMY. 897 00:58:37,430 --> 00:58:39,397 I'D GIVE 1,500 FOR THIS. 898 00:58:39,465 --> 00:58:43,000 AFTER YOU READ MY REVIEW, IT'LL PROBABLY COST YOU FIVE THOUSAND. 899 00:58:46,271 --> 00:58:48,272 SO, WHAT'S THE TROUBLE ? 900 00:58:49,642 --> 00:58:51,659 WHY SHOULD YOU BE SO DEPRESSED ? 901 00:58:51,727 --> 00:58:53,661 HAVE YOU HEARD THE THINGS THEY'RE SAYING ? 902 00:58:53,729 --> 00:58:55,697 YOU CAN MAKE 25,000 ON THESE PIECES ALONE. 903 00:58:55,764 --> 00:58:57,699 I THOUGHT YOU PUT MONEY DOWN. 904 00:58:57,766 --> 00:58:59,934 I DO, BUT 25 THOU ? 905 00:59:00,002 --> 00:59:01,936 LEAVE ME ALONE. 906 00:59:13,832 --> 00:59:16,501 OUT ! MAN, WE HAVE COME TO MAKE THE SCENE. 907 00:59:16,569 --> 00:59:18,503 HOW ABOUT SOME CAPPUCCINO, MAN ? WE GOT THE BREAD. 908 00:59:18,571 --> 00:59:20,771 WE'RE NOT OPEN FOR BUSINESS. THIS IS AN ART EXHIBIT. 909 00:59:20,839 --> 00:59:22,773 NO BUMS. GET OUT ! 910 00:59:22,841 --> 00:59:25,243 THAT ART IS A BUM, MAN. YEAH, AND HE'S SOBER. 911 00:59:25,311 --> 00:59:28,113 THAT'S HIS PROBLEM. ALL RIGHT, MAN. WE'LL WAIT OUTSIDE. 912 00:59:28,180 --> 00:59:30,681 YEAH, YOU WAIT OUTSIDE. 913 01:00:02,831 --> 01:00:06,100 WHERE YOU GOIN', CARLA ? WHAT'S THE MATTER ? 914 01:00:06,168 --> 01:00:10,671 WALTER, THERE'S A BODY INSIDE THAT STATUE. 915 01:00:10,739 --> 01:00:13,474 OH. OH, THAT'S ALICE. 916 01:00:13,542 --> 01:00:15,476 IT'S ALL RIGHT, CARLA. 917 01:00:15,544 --> 01:00:18,446 MAXWELL SAYS IT'S ALL RIGHT. 918 01:00:18,513 --> 01:00:21,649 "LET THEM BECOME CLAY IN HIS HANDS THAT HE MIGHT MOLD THEM." 919 01:00:21,716 --> 01:00:24,852 WALTER, YOU STAY AWAY FROM ME. 920 01:00:24,920 --> 01:00:28,889 DON'T YOU SEE, CARLA ? I MADE THEM IMMORTAL. 921 01:00:28,958 --> 01:00:31,960 DON'T YOU SEE ? I CAN DO THE SAME FOR YOU. 922 01:00:49,044 --> 01:00:51,045 [ Screams ] 923 01:01:01,306 --> 01:01:03,608 CALL VALDEZ. HAVE HIM SEND ME SOME CARS. I'M GOING AFTER PAISLEY. 924 01:01:03,676 --> 01:01:05,610 I'M GOING WITH YOU. 925 01:01:05,678 --> 01:01:07,679 HEY, MAN, WHAT IS THE SCORE ? 926 01:01:07,747 --> 01:01:09,681 WALTER PAISLEY'S A MURDERER. 927 01:01:09,749 --> 01:01:12,684 MAN, I SAW HIM CHASING CARLA DOWN THE STREET. 928 01:01:59,932 --> 01:02:02,867 [ Lou's Voice ] WALTER. 929 01:02:02,935 --> 01:02:06,838 WHAT WAS THAT ? NOBODY KNOWS I'M HERE. 930 01:02:06,906 --> 01:02:09,908 WALTER. 931 01:02:09,975 --> 01:02:13,044 NO. HE COULDN'T KNOW. 932 01:02:13,111 --> 01:02:17,014 THEY'RE DEAD. 933 01:02:17,082 --> 01:02:19,016 HOW COULD THEY KNOW ? 934 01:02:19,084 --> 01:02:21,018 DID YOU SEE HIM ? 935 01:02:21,086 --> 01:02:23,187 [ Alice's Voice ] HE'S HIDING AROUND HERE SOMEPLACE. 936 01:02:23,255 --> 01:02:26,724 [ Lou's Voice ] HE CAN'T HIDE JUST BECAUSE WE'RE IN CLAY AND HE ISN'T. 937 01:02:36,535 --> 01:02:39,070 [ Alice's Voice ] WALTER, GO HOME. 938 01:02:39,137 --> 01:02:41,439 [ Lou's Voice ] HE WON'T KNOW WHERE ELSE TO GO. 939 01:02:41,507 --> 01:02:43,508 [ Alice's Voice ] WALTER, GO HOME. 940 01:02:47,513 --> 01:02:49,514 WHERE IS HE ? 941 01:03:46,554 --> 01:03:48,555 [ Cat Screeches ] 942 01:04:14,533 --> 01:04:16,801 WHAT'S THE MATTER WITH YOU ? 943 01:04:19,054 --> 01:04:23,191 [ Lou's Voice ] WALTER. 944 01:04:23,258 --> 01:04:26,493 WALTER. 945 01:04:28,030 --> 01:04:30,031 WE'LL FIND HIM. 946 01:04:31,633 --> 01:04:34,235 [ Alice's Voice ] WE'LL HAVE HIM SOON, LOU. 947 01:04:34,303 --> 01:04:36,270 [ Lou's Voice ] WE'LL TEACH HIM HE CAN'T MURDER US... 948 01:04:36,338 --> 01:04:38,339 AND GET AWAY WITH IT, WON'T WE ? 949 01:04:41,376 --> 01:04:43,377 [ Lou's Voice ] WALTER. 950 01:04:47,749 --> 01:04:49,750 [ Lou's Voice ] WALTER. 951 01:04:51,119 --> 01:04:53,955 WHAT YOU GONNA DO NOW, WALTER ? 952 01:05:00,528 --> 01:05:02,964 I'LL HIDE WHERE THEY'LL NEVER FIND ME. 953 01:05:13,475 --> 01:05:15,409 THERE'S HIS ROOM. HE'S GONE CRAZY. 954 01:05:15,477 --> 01:05:17,478 PAISLEY ! PAISLEY, OPEN UP ! 955 01:05:17,545 --> 01:05:19,546 PAISLEY ! 956 01:05:29,992 --> 01:05:35,029 [ Matthew ] I SUPPOSE HE WOULD HAVE CALLED IT "HANGING MAN." 957 01:05:35,097 --> 01:05:37,298 HIS GREATEST WORK.