1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:01:06,775 --> 00:01:08,777 [instrumental samba music] 4 00:01:42,310 --> 00:01:44,312 [instrumental samba music continues] 5 00:01:46,481 --> 00:01:47,816 [urban noises] 6 00:01:49,234 --> 00:01:51,236 [horns] 7 00:01:55,198 --> 00:01:57,367 [instrumental samba music continues] 8 00:02:08,670 --> 00:02:10,171 [laughs] 9 00:02:13,758 --> 00:02:14,759 Hi! 10 00:02:16,094 --> 00:02:17,929 [instrumental samba music continues] 11 00:02:18,012 --> 00:02:19,055 [woman] Come] 12 00:02:24,727 --> 00:02:26,688 - [woman] Good evening! - [woman 1] Hello! 13 00:02:26,771 --> 00:02:27,772 [woman] Honey! 14 00:02:28,273 --> 00:02:29,315 [woman] How are you? 15 00:02:29,399 --> 00:02:31,401 - [woman 1] Okay. - [woman] Are you okay? 16 00:02:31,484 --> 00:02:33,236 [woman] Nice to meet you. I'm glad you came. 17 00:02:33,319 --> 00:02:34,404 [woman laughs] 18 00:02:34,487 --> 00:02:36,114 [they shout happily] 19 00:02:36,197 --> 00:02:37,198 [woman] My love! 20 00:02:37,282 --> 00:02:39,450 [buzz] 21 00:02:39,534 --> 00:02:41,536 [everyone laughs] 22 00:02:41,619 --> 00:02:44,831 Come, Patricia. Monica. Let's take a photo. Surprise! 23 00:02:45,373 --> 00:02:46,875 [woman] Yeah… [laughs] 24 00:02:46,958 --> 00:02:49,460 - I'm glad you're here. - [man] Come here. How I miss you! 25 00:02:49,544 --> 00:02:52,172 - [woman] Oh, love. Thanks. - You look beautiful. A queen today. 26 00:02:52,255 --> 00:02:54,799 - It's a special day. I'm really excited. - [man] Everything will be fine. 27 00:02:54,883 --> 00:02:57,093 Let's go in, let's go. Let's go. 28 00:02:57,177 --> 00:02:59,804 - [man] Good night, Laura! - [Laura] Hi, honey. All good? 29 00:02:59,888 --> 00:03:03,433 - Laurinha! - Hey! What a good surprise! 30 00:03:03,516 --> 00:03:05,393 I'm waiting for you downstairs. Don't delay. 31 00:03:05,894 --> 00:03:08,188 [woman] Hi! All good? 32 00:03:08,271 --> 00:03:10,273 [buzz] 33 00:03:17,572 --> 00:03:18,448 [laughs lightly] 34 00:03:25,246 --> 00:03:27,248 [buzz, laughter] 35 00:03:28,458 --> 00:03:30,251 [jazz music plays] 36 00:03:30,335 --> 00:03:32,086 - Good night. - [Laura] Good evening. How are you? 37 00:03:32,170 --> 00:03:35,089 - Laura Figueiredo! - [Laura emotional] Honey! 38 00:03:36,633 --> 00:03:39,052 What is this suspense, Laura? 39 00:03:39,135 --> 00:03:41,262 To bring together the entire artistic class here, 40 00:03:41,346 --> 00:03:43,431 at the very least, it must be a Sinatra. 41 00:03:43,514 --> 00:03:47,101 I'm not the one who's going to ruin this surprise. But, look, your guess is hot, huh. 42 00:03:47,185 --> 00:03:49,062 - Sinatra? - Yeah, it's warm. Warm. 43 00:03:49,145 --> 00:03:51,064 - Oh, Laura! - [Laura] It's much better than that. 44 00:03:51,147 --> 00:03:53,024 - [woman] You're awesome! - [Laura laughs] 45 00:03:53,775 --> 00:03:55,818 [Laura] Hi, good evening. All good? 46 00:03:59,072 --> 00:04:01,074 [jazz music plays] 47 00:04:06,037 --> 00:04:06,871 Thanks. 48 00:04:17,131 --> 00:04:19,467 [buzz, laughter] 49 00:04:32,313 --> 00:04:33,439 [Laura] Hi, how are you? 50 00:04:34,774 --> 00:04:36,359 Goodnight. 51 00:04:36,442 --> 00:04:39,320 Everything is fine? Pleasure. I'm glad you came. 52 00:04:40,363 --> 00:04:43,074 - Hello! Good night, dear ones. - [man] How are you? 53 00:04:44,409 --> 00:04:45,618 - All good? - All good? 54 00:04:45,702 --> 00:04:48,162 [Laura] So long. I'm glad you came. 55 00:04:48,246 --> 00:04:49,080 Hello. 56 00:04:49,747 --> 00:04:52,000 - [Laura] Hi, honey. All good? - [man laughs] 57 00:04:52,083 --> 00:04:54,085 - [Laura] Oh, Lucinha. - [Lúcia] Hi, love. 58 00:04:54,168 --> 00:04:55,920 - It's good to have you here. - The pleasure is mine. 59 00:04:56,004 --> 00:04:57,672 It's going to be a very special night, you know? 60 00:04:57,755 --> 00:04:59,382 - You'll like it. - [both laugh] 61 00:05:03,636 --> 00:05:05,638 [jazz music continues] 62 00:05:08,558 --> 00:05:09,559 [woman] It's full. 63 00:05:11,269 --> 00:05:12,437 [indistinct speech] 64 00:05:13,313 --> 00:05:15,356 - You look so beautiful. - [Laura] You are beautiful. 65 00:05:16,065 --> 00:05:18,151 I'm so nervous. The entire artistic class is there. 66 00:05:19,652 --> 00:05:20,611 I'll go inside. 67 00:05:21,738 --> 00:05:23,281 - Abelard! - [Abelardo] Hello! 68 00:05:23,364 --> 00:05:24,866 [man] Good to see you. How long! 69 00:05:24,949 --> 00:05:26,784 - Thank you for being there - Thank you for everything. 70 00:05:28,328 --> 00:05:29,412 - Thanks. - [man] Big! 71 00:05:29,495 --> 00:05:30,413 [Abelard sighs] 72 00:05:31,664 --> 00:05:32,665 Thank you. 73 00:05:33,750 --> 00:05:34,584 [surprised] Rafa! 74 00:05:35,293 --> 00:05:36,627 [Abelard clicks his tongue] 75 00:05:36,711 --> 00:05:38,713 Augusto, collect it for me, please. 76 00:05:39,213 --> 00:05:41,799 You will continue to set an example to stay drinking here. Drink inside. 77 00:05:42,425 --> 00:05:44,427 - Is everything okay there? - Yes. 78 00:05:45,094 --> 00:05:47,221 - Are you nervous? - [man] No, I'm calm. 79 00:05:47,305 --> 00:05:48,514 Everything will be fine. 80 00:05:48,598 --> 00:05:50,933 - The house is beautiful, it's full. - [man] That's good. 81 00:05:52,060 --> 00:05:53,770 Happy for you to be here with us. 82 00:05:53,853 --> 00:05:55,813 - You're welcome. It's a pleasure. - [Abelardo] Musicians… 83 00:06:02,403 --> 00:06:04,405 [drum beat] 84 00:06:06,407 --> 00:06:09,535 - [Abelardo] Gentlemen musicians, good evening. - [woman] Good evening. 85 00:06:09,619 --> 00:06:12,580 Well, firstly, I can't help but be grateful 86 00:06:12,663 --> 00:06:14,165 your presence here. 87 00:06:14,248 --> 00:06:17,794 Thank you for accepting be with us here tonight. 88 00:06:17,877 --> 00:06:19,712 Everything will be fine. The house is beautiful. 89 00:06:22,548 --> 00:06:23,383 Let's go. 90 00:06:27,762 --> 00:06:29,764 [audience cheers] 91 00:06:43,820 --> 00:06:47,240 Goodnight. Thank you all very much by presence. 92 00:06:47,323 --> 00:06:49,909 But I ask you to keep your applause, 93 00:06:49,992 --> 00:06:52,453 for those who will enter on this stage soon. 94 00:06:52,537 --> 00:06:55,581 This… is a historic night. 95 00:06:56,207 --> 00:06:58,251 Not just because we're going to celebrate the music, 96 00:06:58,334 --> 00:06:59,710 like we always do, 97 00:07:00,670 --> 00:07:03,840 but also because this is a night of reunion. 98 00:07:04,632 --> 00:07:07,218 Our. Our reunion with the artist 99 00:07:07,802 --> 00:07:10,304 who taught us to sing along with him. 100 00:07:10,388 --> 00:07:13,850 [Abelard] Ladies and gentlemen, with you 101 00:07:14,725 --> 00:07:17,103 one of the greatest singers in Brazil. 102 00:07:17,895 --> 00:07:19,480 Wilson Simonal! 103 00:07:20,022 --> 00:07:22,024 [applause] 104 00:07:23,109 --> 00:07:24,735 [sings "What a Wonder"] 105 00:07:24,819 --> 00:07:28,072 ♪ It's raining outside ♪ 106 00:07:28,156 --> 00:07:30,825 ♪ But I'm still running anyway ♪ 107 00:07:30,908 --> 00:07:31,742 [audience boos] 108 00:07:31,826 --> 00:07:35,079 ♪ Just to see mine ♪ 109 00:07:35,163 --> 00:07:37,957 ♪ Love ♪ 110 00:07:38,541 --> 00:07:39,584 ♪ It all comes from… ♪ 111 00:07:39,667 --> 00:07:41,669 [boos, screams] 112 00:07:41,752 --> 00:07:44,464 ♪ All wet and disheveled ♪ 113 00:07:44,547 --> 00:07:47,216 - ♪ How wonderful, what a beautiful thing ♪ - [chatter, boos] 114 00:07:47,300 --> 00:07:49,135 ♪ What is my love ♪ 115 00:07:49,760 --> 00:07:52,013 [screams, boos] 116 00:07:52,096 --> 00:07:54,640 ♪ It's raining outside ♪ 117 00:07:55,975 --> 00:07:57,977 [audience boos] 118 00:07:59,812 --> 00:08:00,855 [man] Out! 119 00:08:05,359 --> 00:08:06,277 [music for] 120 00:08:12,575 --> 00:08:13,493 [water splashes] 121 00:08:13,576 --> 00:08:15,161 [calypso music plays] 122 00:08:19,290 --> 00:08:20,541 [buzz, laughter] 123 00:08:21,042 --> 00:08:22,793 [calypso music continues] 124 00:08:41,896 --> 00:08:43,898 [sing in English] 125 00:08:51,656 --> 00:08:54,200 [sing in English] 126 00:08:58,538 --> 00:09:00,122 Showzão was good, huh, Simona? 127 00:09:00,206 --> 00:09:02,208 - [agrees] It was hot. - [both laugh] 128 00:09:03,751 --> 00:09:05,586 I think we're going to take off, man. 129 00:09:06,170 --> 00:09:07,004 Serious. 130 00:09:07,713 --> 00:09:08,673 Have you thought? 131 00:09:09,298 --> 00:09:10,550 Show every week. 132 00:09:11,425 --> 00:09:12,385 Trips. 133 00:09:12,468 --> 00:09:14,679 International travel! 134 00:09:14,762 --> 00:09:17,807 [both laugh] 135 00:09:19,976 --> 00:09:22,019 [man] Your Dry Boys, please. 136 00:09:22,812 --> 00:09:24,814 [buzz] 137 00:09:26,899 --> 00:09:28,359 How wonderful! 138 00:09:29,026 --> 00:09:31,654 [man] The little black guy to like of a blonde. I've never seen it. 139 00:09:32,321 --> 00:09:34,323 [mockery] I like exuberance. 140 00:09:34,407 --> 00:09:36,659 - But this guy is cocky, huh? - [Simonal laughs] 141 00:09:37,159 --> 00:09:38,411 Money in hand. 142 00:09:38,494 --> 00:09:40,913 - Time to move on. - Come on, let's go. 143 00:09:40,997 --> 00:09:43,249 We only got cocada and mariola. 144 00:09:44,250 --> 00:09:46,460 - Let's take a dip in the pool. - [surprised man] 145 00:09:46,544 --> 00:09:47,920 Take a bath with these mermaids. 146 00:09:48,004 --> 00:09:50,172 - [man] Are you kidding? - [Simonal] Let's go. 147 00:09:50,256 --> 00:09:52,508 Musicians are prohibited in the pool, Simona. 148 00:09:53,968 --> 00:09:55,595 Even more Creole than you. 149 00:09:56,137 --> 00:09:57,722 [everyone laughs] 150 00:09:58,889 --> 00:09:59,807 Who said? 151 00:10:00,349 --> 00:10:02,351 [upbeat instrumental music] 152 00:10:10,151 --> 00:10:11,152 [Simonal] Come on! 153 00:10:21,203 --> 00:10:23,205 [urban noises] 154 00:10:27,835 --> 00:10:28,878 [man] Dry Boys? 155 00:10:28,961 --> 00:10:30,796 Is that the name of the set? 156 00:10:30,880 --> 00:10:32,423 Yeah, The Dry Broys, sir. 157 00:10:34,050 --> 00:10:35,718 [tumbles] It's... it's English. 158 00:10:35,801 --> 00:10:37,428 - "Lean Boys." - [nod] 159 00:10:38,012 --> 00:10:39,889 - [laugh] - It's us. 160 00:10:39,972 --> 00:10:41,766 So show me what you got to show. 161 00:10:41,849 --> 00:10:42,933 [clears throat] 162 00:10:48,481 --> 00:10:51,067 [sing "Walk Right In"] 163 00:10:56,197 --> 00:10:58,199 [sing in English] 164 00:11:03,788 --> 00:11:06,874 [sing in English] 165 00:11:18,719 --> 00:11:19,679 [man] What's up? 166 00:11:21,514 --> 00:11:22,640 Delete here. 167 00:11:23,307 --> 00:11:25,476 [sing in English] 168 00:11:28,145 --> 00:11:29,855 [sing in English] 169 00:11:44,912 --> 00:11:46,914 [sing in English] 170 00:11:53,379 --> 00:11:55,381 ["Walk Right In" ends] 171 00:11:57,258 --> 00:11:58,551 [celebrate, laugh] 172 00:12:01,178 --> 00:12:03,055 [scream, vibrate] 173 00:12:04,598 --> 00:12:06,934 [Simonal] Yeah! Good, good, boy! 174 00:12:07,601 --> 00:12:09,019 [man] Dry Boys! 175 00:12:09,103 --> 00:12:11,230 Dry Boys, very good. [applause] 176 00:12:11,313 --> 00:12:12,732 The name is brilliant. 177 00:12:12,815 --> 00:12:14,608 - Nice to meet you, Erasmus. - Pleasure. 178 00:12:14,692 --> 00:12:16,026 - [Simonal] Wilson. -Moran. 179 00:12:16,110 --> 00:12:17,737 Hi Moran. All good? 180 00:12:17,820 --> 00:12:20,573 - [Erasmus] I liked your work. - [Moran] Thank you. 181 00:12:20,656 --> 00:12:23,784 I hope something cool happens for you. And the band is great. Did you like it? 182 00:12:23,868 --> 00:12:25,536 [indistinct conversation] 183 00:12:26,328 --> 00:12:28,622 You can stay a little longer with us here today? 184 00:12:28,706 --> 00:12:30,666 - The Imperial wants to take a beating. - Oh, cool. 185 00:12:30,750 --> 00:12:32,877 I need to talk to the boys, some work today. 186 00:12:32,960 --> 00:12:35,671 No, no, relax. He wants to talk just to you. 187 00:12:35,755 --> 00:12:39,425 In fact, he liked it this morning of yours. Got it? 188 00:12:39,508 --> 00:12:42,803 - [hesitates] Cool. I am satisfied. - [background talk] 189 00:12:43,304 --> 00:12:47,308 [doubts] Yes, but this Imperial is… Is it Carlos Imperial? 190 00:12:47,391 --> 00:12:50,352 Carlos Imperial, the largest skull of Brazilian rock, my little brother. 191 00:12:50,436 --> 00:12:52,354 - [Simonal hesitates] Yeah… - Go there, go there. 192 00:12:52,438 --> 00:12:53,522 Guys, 193 00:12:54,148 --> 00:12:55,441 - as I was saying… - Oops. 194 00:12:55,524 --> 00:12:57,902 - Very good. I liked the vocal arrangement. - [Moran] Thank you. 195 00:12:59,153 --> 00:13:01,155 [background noise] 196 00:13:02,740 --> 00:13:04,617 - License. - [man] Get in there. 197 00:13:09,955 --> 00:13:10,873 Boy! 198 00:13:11,540 --> 00:13:14,210 - There is? - [man] I'll speak quite frankly. 199 00:13:15,461 --> 00:13:17,713 - That little band of yours is shit. - [discharge] 200 00:13:19,256 --> 00:13:20,883 [man] Beautiful poop, see? 201 00:13:22,009 --> 00:13:23,260 But you… 202 00:13:25,095 --> 00:13:26,138 You are badass. 203 00:13:26,972 --> 00:13:28,516 Fuck with "PH". 204 00:13:29,475 --> 00:13:30,893 Let me tell you something. 205 00:13:31,393 --> 00:13:32,853 See that boy over there? 206 00:13:33,479 --> 00:13:35,940 Erasmus. Erasmo Carlos. 207 00:13:36,941 --> 00:13:38,025 My assistant. 208 00:13:38,818 --> 00:13:41,070 It was mine and it's ready to drown out the music. 209 00:13:41,654 --> 00:13:44,573 In fact, what do I need now? It's from an assistant. 210 00:13:45,658 --> 00:13:49,119 But with the potential to be much more than that. 211 00:13:54,625 --> 00:13:55,751 Imperial, 212 00:13:55,835 --> 00:13:58,587 the Dry Boys, they… 213 00:13:59,922 --> 00:14:02,883 - It's my group. - Look, boy, I'm going to tell you something. 214 00:14:03,425 --> 00:14:05,052 I've launched a lot of people. 215 00:14:06,345 --> 00:14:08,013 I launched Roberto Carlos. 216 00:14:08,097 --> 00:14:09,765 The Brazilian Elvis Presley. 217 00:14:10,349 --> 00:14:15,604 And now, I see the opportunity here to launch the Brazilian Harry Belafonte. 218 00:14:15,688 --> 00:14:16,897 [clicks tongue] 219 00:14:17,731 --> 00:14:19,733 But I don't think you're... 220 00:14:20,568 --> 00:14:22,653 Realizing this opportunity, right? 221 00:14:22,736 --> 00:14:23,779 But, okay. 222 00:14:23,863 --> 00:14:25,573 Amaury? 223 00:14:25,656 --> 00:14:29,577 Would you be kind to me? Dismiss the musicians who… ended up here. 224 00:14:29,660 --> 00:14:32,329 You can dismiss everyone there, okay? Thanks. 225 00:14:32,413 --> 00:14:34,206 - Thank you, see. Thank you really. - Master, it’s… 226 00:14:35,165 --> 00:14:36,625 It's just that my friends... 227 00:14:36,709 --> 00:14:38,168 - [Simonal hesitates] - Friends. 228 00:14:38,252 --> 00:14:41,046 He spoke well, he spoke well. Your friends. 229 00:14:42,256 --> 00:14:44,258 Your friends, you do the following: 230 00:14:45,134 --> 00:14:47,469 You invite them to have a barbecue. 231 00:14:48,220 --> 00:14:49,346 Eating woman. 232 00:14:49,889 --> 00:14:51,015 [Imperial laughs] 233 00:14:51,557 --> 00:14:53,267 Because they don't get it for things, no. 234 00:14:58,272 --> 00:14:59,690 [Moran strikes a match] 235 00:15:03,736 --> 00:15:06,697 And then you'll change the band to be secretary of the Imperial. 236 00:15:12,161 --> 00:15:14,371 The guy is a genius of Brazilian music, bro. 237 00:15:15,706 --> 00:15:17,374 We have to stick with this guy. 238 00:15:19,001 --> 00:15:21,170 - Who knows, he might help us. - Help you. 239 00:15:22,046 --> 00:15:22,922 Right? 240 00:15:23,422 --> 00:15:25,299 Imperial can help you! 241 00:15:26,383 --> 00:15:27,384 Right, Simona? 242 00:15:28,761 --> 00:15:29,637 What is it, man? 243 00:15:31,639 --> 00:15:32,890 Are you with the band or not? 244 00:15:34,767 --> 00:15:36,018 I need to work, Moran. 245 00:15:39,730 --> 00:15:40,940 That's my priority. 246 00:15:42,483 --> 00:15:45,194 Simona, we're working like hell to make our music. 247 00:15:45,277 --> 00:15:47,780 [screams] I need to work! I have a mother. Pay my bills! 248 00:15:47,863 --> 00:15:49,406 To work? So we don't work? 249 00:15:49,490 --> 00:15:50,866 We don't make money! 250 00:15:53,369 --> 00:15:54,203 So that's it. 251 00:16:03,462 --> 00:16:05,464 - [door opens] - [Simonal sighs] 252 00:16:06,465 --> 00:16:08,092 - [inhales] - [door closes] 253 00:16:09,301 --> 00:16:11,303 [voice] 254 00:16:13,764 --> 00:16:15,641 - [man] Good evening. - [Simonal] Good evening. 255 00:16:16,225 --> 00:16:17,810 - All is well? - Good night, friend. 256 00:16:17,893 --> 00:16:19,937 The night is beautiful, huh. Goodnight. 257 00:16:20,604 --> 00:16:22,231 [Simonal] You here again, right? 258 00:16:25,818 --> 00:16:27,152 Tickets? Tickets… 259 00:16:27,861 --> 00:16:29,822 And you? Tickets, tickets. 260 00:16:29,905 --> 00:16:30,864 [man] That's it. 261 00:16:40,249 --> 00:16:41,166 Hi. 262 00:16:42,710 --> 00:16:44,670 [instrumental MPB music] 263 00:16:52,553 --> 00:16:54,680 [instrumental MPB music continues] 264 00:16:58,392 --> 00:16:59,727 - [woman] She saw… - Good night. 265 00:17:00,394 --> 00:17:01,437 [woman] Good evening. 266 00:17:02,813 --> 00:17:04,857 - [Simonal] Do you have a ticket? - [woman] Of course. 267 00:17:06,275 --> 00:17:08,694 - Oh! Way back there. - [woman] Guys… 268 00:17:09,528 --> 00:17:11,905 - [women laugh] - I have a special invitation for you. 269 00:17:12,740 --> 00:17:13,907 A seat at the front. 270 00:17:14,658 --> 00:17:15,993 Come with me. 271 00:17:16,994 --> 00:17:18,328 [low voice] Come. Come, come. 272 00:17:18,412 --> 00:17:21,832 [TV man] Tupi presents, Clube do Rock! 273 00:17:23,625 --> 00:17:26,211 Ladies and Gentlemen, the time has come! 274 00:17:26,295 --> 00:17:28,881 Drag out the chairs, roll up the rugs 275 00:17:28,964 --> 00:17:30,299 because it will start... 276 00:17:30,382 --> 00:17:31,967 The Rock Club! 277 00:17:32,051 --> 00:17:33,427 [screams, applause] 278 00:17:33,510 --> 00:17:37,806 Straight from Tijuca, Erasmo Carlos! 279 00:17:38,849 --> 00:17:41,518 [rock music] 280 00:17:42,978 --> 00:17:44,521 Thank you, thank you. 281 00:17:45,397 --> 00:17:46,774 [screams, applause] 282 00:17:46,857 --> 00:17:48,650 [sings "Calypso Rock"] 283 00:17:48,734 --> 00:17:49,777 ♪ Calypso ♪ 284 00:17:50,569 --> 00:17:53,113 ♪ Calypso rock and roll ♪ 285 00:17:54,073 --> 00:17:54,907 ♪ Calypso ♪ 286 00:17:55,824 --> 00:17:58,786 ♪ Calypso rock and roll ♪ 287 00:17:58,869 --> 00:18:03,749 ♪ Calypso is in fashion Calypso rock and roll ♪ 288 00:18:04,249 --> 00:18:06,376 ♪ I know you like mambo ♪ 289 00:18:06,460 --> 00:18:09,421 ♪ And the cha-cha-cha danced ♪ 290 00:18:09,505 --> 00:18:12,216 ♪ You'll catch Calypso ♪ 291 00:18:12,299 --> 00:18:14,301 ♪ And the rock that arrived ♪ 292 00:18:14,802 --> 00:18:17,221 ♪ Calypso is in fashion ♪ 293 00:18:17,304 --> 00:18:19,598 ♪ Calypso rock and roll ♪ 294 00:18:26,897 --> 00:18:28,232 [audience cheers] 295 00:18:35,072 --> 00:18:37,282 ["Calypso Rock" ends] 296 00:18:37,366 --> 00:18:39,576 [audience cheers] 297 00:18:46,166 --> 00:18:47,084 [woman sighs] 298 00:18:52,840 --> 00:18:53,674 [breathing] 299 00:18:59,513 --> 00:19:01,014 Waiting for someone? 300 00:19:04,184 --> 00:19:05,352 You dance well. 301 00:19:09,481 --> 00:19:11,275 You should be dancing on stage. 302 00:19:11,358 --> 00:19:13,026 [woman snorts, laughs] 303 00:19:13,819 --> 00:19:16,655 My parents were going to have a piripaque, if I were an artist. [laughs] 304 00:19:17,281 --> 00:19:20,242 [imitating his father] Tereza, you are a woman of family. 305 00:19:21,201 --> 00:19:23,370 [surprised] So your name is Tereza. 306 00:19:24,288 --> 00:19:25,122 [Tereza nods] 307 00:19:26,540 --> 00:19:28,876 And I don't see your parents around here. 308 00:19:29,877 --> 00:19:30,878 You should try. 309 00:19:47,728 --> 00:19:48,687 And you? 310 00:19:49,438 --> 00:19:50,314 Dance? 311 00:19:51,648 --> 00:19:54,860 - I sing and charm. - [Tereza mocks] 312 00:19:54,943 --> 00:19:56,612 So sing something for me. 313 00:19:57,571 --> 00:19:58,697 [Simonal exhales loudly] 314 00:19:59,364 --> 00:20:00,949 [Simonal] More than that. 315 00:20:01,033 --> 00:20:03,410 I'll show you what swing is. 316 00:20:04,244 --> 00:20:06,872 [whispers] Now, imagine that there is a light on you. 317 00:20:07,456 --> 00:20:09,499 - [bang] - [jazz music] 318 00:20:23,722 --> 00:20:26,016 [jazz music continues] 319 00:20:34,066 --> 00:20:35,817 [jazz music continues] 320 00:20:42,741 --> 00:20:44,743 [jazz music ends] 321 00:20:46,662 --> 00:20:47,913 [applause] 322 00:20:54,836 --> 00:20:56,505 My blonde devil. 323 00:21:01,510 --> 00:21:03,804 - [Imperial] Isn't she beautiful, Simona? - [sighs] 324 00:21:04,388 --> 00:21:06,306 - [awkwardly] See you two. - [Imperial laughs] 325 00:21:06,390 --> 00:21:07,766 - [both laugh] - Xio. 326 00:21:08,767 --> 00:21:10,978 Close everything there, okay? I'm going. 327 00:21:11,645 --> 00:21:12,729 [Simonal] Of course. 328 00:21:12,813 --> 00:21:14,064 [Imperial] ♪ Terezinha ♪ 329 00:21:14,856 --> 00:21:15,691 ♪ Every day ♪ 330 00:21:16,692 --> 00:21:19,069 - ♪ Dance the cha-cha-cha ♪ - [Tereza laughs] 331 00:21:19,152 --> 00:21:21,989 [sings] ♪ Dance, girl, dance ♪ 332 00:21:22,072 --> 00:21:24,283 ♪ Shake your body ♪ 333 00:21:24,366 --> 00:21:25,492 ♪ At tea-cha-cha ♪ 334 00:21:26,994 --> 00:21:29,246 And it kicks into gear: ♪ Chá-chá-chá ♪ 335 00:21:29,329 --> 00:21:30,998 ♪ Cha-cha-cha ♪ 336 00:21:31,623 --> 00:21:32,791 ♪ Girl ♪ 337 00:21:33,292 --> 00:21:35,335 ♪ Dance I want to see ♪ 338 00:21:36,586 --> 00:21:38,213 ♪ Chá-cha-cha ♪ And there you go. 339 00:21:38,297 --> 00:21:39,756 And there you go. And so it goes, right? 340 00:21:39,840 --> 00:21:40,799 And there it goes. 341 00:21:43,593 --> 00:21:44,428 Then? 342 00:21:45,429 --> 00:21:48,140 I don't know very well How can I tell you this… [hesitates] 343 00:21:49,141 --> 00:21:50,726 but that's what I found 344 00:21:51,768 --> 00:21:53,603 who is talking swing. 345 00:21:54,187 --> 00:21:55,188 He knows? Swing? 346 00:21:57,524 --> 00:21:59,568 Why do you think I'm giving the music for you? 347 00:21:59,651 --> 00:22:03,822 For you to put these parrots there, that you like to sell. 348 00:22:04,573 --> 00:22:06,992 Now let's go. I have to kill a ride, my brother. 349 00:22:09,828 --> 00:22:13,332 - Damn… - Did you forget you're working? 350 00:22:13,415 --> 00:22:14,958 - [sings "Terezinha"] - ♪ Terezinha ♪ 351 00:22:15,042 --> 00:22:15,876 [choir] ♪ Terezinha ♪ 352 00:22:15,959 --> 00:22:17,544 - ♪ All day ♪ - [choir] ♪ All day long ♪ 353 00:22:17,627 --> 00:22:20,881 ♪ Dance the cha-cha-cha ♪ 354 00:22:20,964 --> 00:22:22,507 - ♪ Terezinha ♪ - [choir] ♪ Terezinha ♪ 355 00:22:22,591 --> 00:22:24,551 - ♪ All day ♪ - [choir] ♪ All day long ♪ 356 00:22:24,634 --> 00:22:27,346 ♪ Dance the cha-cha-cha ♪ 357 00:22:28,221 --> 00:22:30,515 ♪ Dance girl, dance ♪ 358 00:22:30,599 --> 00:22:33,560 ♪ Shake your body in the cha-chá-cha ♪ 359 00:22:35,145 --> 00:22:37,314 ♪ Dance girl, dance ♪ 360 00:22:37,397 --> 00:22:40,525 ♪ Shake your body in the cha-chá-cha ♪ 361 00:22:40,609 --> 00:22:43,403 - ♪ Chá-cha-cha ♪ - [indistinct speech] 362 00:22:44,363 --> 00:22:47,449 ♪ Girl dance I want to see ♪ 363 00:22:47,991 --> 00:22:50,702 ♪ Cha-cha-cha ♪ 364 00:22:51,328 --> 00:22:54,206 ♪ Dance and I'll dance with you ♪ 365 00:22:54,748 --> 00:22:57,626 ♪ Cha-cha-cha ♪ 366 00:22:58,126 --> 00:23:01,046 ♪ Girl dance that I want to see ♪ 367 00:23:04,424 --> 00:23:05,801 [steps approach] 368 00:23:11,306 --> 00:23:14,726 If you're waiting for Imperial, he already stung the mule. 369 00:23:15,435 --> 00:23:16,395 I saw. 370 00:23:17,687 --> 00:23:19,106 He went out with a girl. 371 00:23:23,443 --> 00:23:25,445 [crickets chirping] 372 00:23:30,867 --> 00:23:31,952 Do you want a ride? 373 00:23:33,703 --> 00:23:34,538 [sniffles] 374 00:23:36,498 --> 00:23:37,666 Do you have a car? 375 00:23:38,750 --> 00:23:39,584 [laughs lightly] 376 00:23:40,794 --> 00:23:44,339 If you don't mind shaking with me on a bus. 377 00:23:45,090 --> 00:23:47,092 [objects falling] 378 00:23:48,885 --> 00:23:50,345 [groans] 379 00:23:54,724 --> 00:23:55,725 [groans] 380 00:23:55,809 --> 00:23:56,810 [gasp] 381 00:24:08,655 --> 00:24:10,323 [gasp] 382 00:24:10,407 --> 00:24:11,283 [Tereza moans] 383 00:24:25,297 --> 00:24:26,214 [groans] 384 00:24:26,298 --> 00:24:27,257 [gasp] 385 00:24:37,184 --> 00:24:38,101 Where do you live? 386 00:24:40,103 --> 00:24:42,105 - Tijuca. - Oh. 387 00:24:46,526 --> 00:24:47,611 And where are you from? 388 00:24:48,445 --> 00:24:49,321 I'm from Leblon. 389 00:24:53,617 --> 00:24:55,076 From the Pinto favela. 390 00:24:55,160 --> 00:24:56,745 - There in the Garden of Allah. - [Tereza sighs] 391 00:24:56,828 --> 00:24:58,580 - [Tereza laughs] - You liked it, right? You liked it, right? 392 00:24:58,663 --> 00:25:00,832 From Leblon. Are you going to run away now? 393 00:25:00,916 --> 00:25:02,667 [laughs] Why? 394 00:25:07,380 --> 00:25:09,633 [sensual voice] The other girls run away? 395 00:25:12,844 --> 00:25:14,846 Not after spending a night with me. 396 00:25:15,347 --> 00:25:16,556 [Tereza sighs] 397 00:25:18,391 --> 00:25:19,768 [Tereza whispers] I imagined it. 398 00:25:21,269 --> 00:25:22,646 [sings "Balanço Zona Sul"] 399 00:25:22,729 --> 00:25:26,024 ♪ All the swings to walk ♪ 400 00:25:26,107 --> 00:25:29,194 ♪ Swings even to speak ♪ 401 00:25:29,277 --> 00:25:35,700 ♪ It sways so much that it already swayed My heart ♪ 402 00:25:35,784 --> 00:25:39,037 ♪ Rock it really feels good ♪ 403 00:25:39,913 --> 00:25:42,916 ♪ From Leme to Leblon ♪ 404 00:25:42,999 --> 00:25:46,711 ♪ And he gathers a handful of people ♪ 405 00:25:46,795 --> 00:25:49,756 ♪ Who suffers from his walk ♪ 406 00:25:49,839 --> 00:25:53,385 ♪ But walk very slowly ♪ 407 00:25:53,468 --> 00:25:56,513 ♪ Which is so you don't get tired ♪ 408 00:25:57,138 --> 00:26:02,644 ♪ Go walking Balan… swaying non-stop ♪ 409 00:26:03,770 --> 00:26:07,190 ♪ Rock your hair ♪ 410 00:26:07,274 --> 00:26:10,527 ♪ Balance falls, but doesn't fall ♪ 411 00:26:10,610 --> 00:26:13,780 ♪ And if you fall, you'll fall, fall ♪ 412 00:26:13,863 --> 00:26:17,242 ♪ In my arms ♪ 413 00:26:23,164 --> 00:26:28,295 ♪ Rock it really feels good ♪ 414 00:26:28,378 --> 00:26:31,256 ♪ From Leme to Leblon ♪ 415 00:26:31,339 --> 00:26:34,759 ♪ And he gathers a handful of people ♪ 416 00:26:34,843 --> 00:26:38,096 ♪ Who suffers from his walk ♪ 417 00:26:38,179 --> 00:26:39,806 ♪ But walk ♪ 418 00:26:39,889 --> 00:26:43,018 ♪ Walk very, very slowly ♪ 419 00:26:43,518 --> 00:26:47,188 ♪ Which is so you don't get tired ♪ 420 00:26:47,272 --> 00:26:53,361 ♪ Go walking Swaying, swaying non-stop ♪ 421 00:26:53,445 --> 00:26:57,532 ♪ Rock your hair ♪ 422 00:26:57,616 --> 00:27:01,161 ♪ Balance falls, but doesn't fall ♪ 423 00:27:01,244 --> 00:27:02,621 ♪ And if you fall, you’ll… ♪ 424 00:27:02,704 --> 00:27:05,415 If he does this here, imagine what he can do in the Alley. 425 00:27:05,957 --> 00:27:09,753 ♪ In my arms ♪ 426 00:27:12,422 --> 00:27:14,549 Boy, that Cossack costume. 427 00:27:14,633 --> 00:27:15,842 [everyone laughs] 428 00:27:17,260 --> 00:27:19,638 What the board asks, we do. 429 00:27:20,180 --> 00:27:23,016 The Baron focused on this thing themed night. 430 00:27:23,099 --> 00:27:25,810 I told him: "Who has ever seen Cossack Creole?" 431 00:27:25,894 --> 00:27:28,396 - [man] What did he say? - "Paint yourself white." 432 00:27:30,732 --> 00:27:34,819 Wow, this just proves the fact for you to sing here is a waste. 433 00:27:34,903 --> 00:27:36,613 It took me a long time to get this job. 434 00:27:37,572 --> 00:27:38,657 That's what I have. 435 00:27:39,991 --> 00:27:41,534 I'll find you a much better job. 436 00:27:42,535 --> 00:27:44,746 This is where it all happens! 437 00:27:44,829 --> 00:27:46,623 - Do you know Broadway? - No. 438 00:27:46,706 --> 00:27:50,126 Not yet, not yet. But this place here it will give you a taste. 439 00:27:50,210 --> 00:27:52,837 Here you will attract the right people, only naughty people. 440 00:27:52,921 --> 00:27:54,506 [man] I said it's too much, Simonal. 441 00:27:54,589 --> 00:27:56,383 But you are more than a voice on the radio. 442 00:27:56,466 --> 00:27:58,093 People have to see you. 443 00:27:58,176 --> 00:28:01,304 Look, there's no such thing here as a waiter serving at show time, no. 444 00:28:01,388 --> 00:28:03,598 The focus here… is you. 445 00:28:03,682 --> 00:28:06,434 It will make him even more involved. I won't take it. 446 00:28:06,518 --> 00:28:08,687 Who chose the life of an artist, huh? Who? 447 00:28:08,770 --> 00:28:10,522 [man] Come on, we can still do it to get the encore. 448 00:28:10,605 --> 00:28:11,439 [man 1] Let's go. 449 00:28:11,523 --> 00:28:13,358 - I'm not stuck up. - [Tereza laughs] 450 00:28:14,609 --> 00:28:16,569 [jazz music plays] 451 00:28:22,283 --> 00:28:24,411 [buzz] 452 00:28:40,677 --> 00:28:42,679 [audience cheers] 453 00:28:49,519 --> 00:28:50,812 Bossa 3! 454 00:28:51,563 --> 00:28:54,733 Another production by Miele and Bôscoli. 455 00:28:54,816 --> 00:28:55,817 [everyone laughs] 456 00:28:55,900 --> 00:28:57,861 Well, ma'am and gentlemen. 457 00:28:57,944 --> 00:28:59,404 [sexy voice] Boys and girls. 458 00:29:00,196 --> 00:29:03,992 Today we have in our presence a new voice. [sexy voice] Rare. 459 00:29:04,784 --> 00:29:07,829 A phenomenon that arises when the planets align. [imitates chorus] 460 00:29:08,705 --> 00:29:11,916 A voice that takes the naughty reception and hot, 461 00:29:12,000 --> 00:29:14,878 that only this audience from Bottons Bar can give. 462 00:29:15,879 --> 00:29:18,715 With you, here at Beco das Garrafas, 463 00:29:20,049 --> 00:29:21,801 Wilson Simonal! 464 00:29:21,885 --> 00:29:24,095 [audience cheers] 465 00:29:24,179 --> 00:29:25,013 [Miele laughs] 466 00:29:25,096 --> 00:29:27,348 Consider it a rite of entry. [laughs] 467 00:29:27,891 --> 00:29:28,892 [Miele] His face. 468 00:29:28,975 --> 00:29:30,226 - [Miele laughs] - [applause] 469 00:29:31,603 --> 00:29:32,771 [Miele laughs] 470 00:29:32,854 --> 00:29:33,688 It rocks. 471 00:29:35,440 --> 00:29:36,775 [buzz] 472 00:29:39,360 --> 00:29:41,362 [snaps fingers] One, two… 473 00:29:43,782 --> 00:29:45,784 [sings "Lobo Bobo"] 474 00:29:56,419 --> 00:29:59,881 ♪ Once upon a time there was a big bad wolf ♪ 475 00:29:59,964 --> 00:30:03,551 ♪ Who decided to have dinner with someone ♪ 476 00:30:03,635 --> 00:30:07,388 ♪ I was penniless But he took a risk ♪ 477 00:30:07,472 --> 00:30:10,099 ♪ And then it crashed ♪ 478 00:30:10,183 --> 00:30:13,645 ♪ Little hat in a swimsuit ♪ 479 00:30:13,728 --> 00:30:16,356 ♪ Heard a horn and didn't stop ♪ 480 00:30:16,439 --> 00:30:19,901 ♪ But the big bad wolf insists ♪ 481 00:30:19,984 --> 00:30:23,571 ♪ Makes a sad face ♪ 482 00:30:23,655 --> 00:30:26,241 ♪ But little hat heard ♪ 483 00:30:26,324 --> 00:30:29,869 ♪ Grandma's advice ♪ 484 00:30:29,953 --> 00:30:32,247 - [Miele scratches throat] - [Simonal] Hey, Miele. 485 00:30:33,206 --> 00:30:35,208 ♪ Because you don't go alone with a wolf ♪ 486 00:30:35,291 --> 00:30:36,751 This is a sure bet. 487 00:30:37,293 --> 00:30:40,755 Here you will have with your talent, plentiful box office 488 00:30:40,839 --> 00:30:42,257 and only good people in the audience. 489 00:30:42,340 --> 00:30:43,258 Your part. 490 00:30:43,758 --> 00:30:45,385 The boys insisted. 491 00:30:48,054 --> 00:30:50,974 And then, it will continue to be the Baron's Cossack, 492 00:30:51,474 --> 00:30:53,226 or Frank Sinatra from Beco? 493 00:30:53,309 --> 00:30:54,561 What do you think? 494 00:30:54,644 --> 00:30:56,813 Welcome to the best years of your life. 495 00:30:57,313 --> 00:30:58,690 [Miele] To Wilson Simonal! 496 00:30:59,524 --> 00:31:04,571 ♪ Wolf sings ♪ 497 00:31:04,654 --> 00:31:05,905 [screams] Wilson Simonal! 498 00:31:05,989 --> 00:31:11,703 ♪ Ask and promise everything, even love ♪ 499 00:31:11,786 --> 00:31:15,540 ♪ And he says he's weak ♪ 500 00:31:15,623 --> 00:31:18,918 ♪ Wolfish ♪ 501 00:31:19,002 --> 00:31:22,088 ♪ It's like seeing a Little Riding Hood ♪ 502 00:31:22,171 --> 00:31:26,217 ♪ In a swimsuit ♪ 503 00:31:26,301 --> 00:31:31,264 ♪ Little Red noticed May the big bad wolf ♪ 504 00:31:31,347 --> 00:31:32,891 ♪ Melted away ♪ 505 00:31:32,974 --> 00:31:35,268 ♪ To see what a wolf ♪ 506 00:31:35,351 --> 00:31:39,147 ♪ He also makes a fool of himself ♪ 507 00:31:40,607 --> 00:31:41,524 Look at the photo! 508 00:31:42,025 --> 00:31:43,484 Where's the smile? 509 00:31:43,568 --> 00:31:44,694 There! 510 00:31:44,777 --> 00:31:46,446 - [everyone laughs] - Was it? 511 00:31:46,946 --> 00:31:49,824 Well, yeah... I don't want to cut corners, but, Simona, 512 00:31:49,908 --> 00:31:51,576 the show will start soon. 513 00:31:51,659 --> 00:31:53,995 - We need to go. - Okay, come on, Marcelão. 514 00:31:54,078 --> 00:31:56,789 Tell Miele and Bôscoli I'm going to stay here. 515 00:31:56,873 --> 00:31:58,875 - Are you sure, man? - [Simonal] I have. 516 00:31:58,958 --> 00:32:00,585 Let the guys know. Everything will be fine. 517 00:32:00,668 --> 00:32:01,628 Today I won't leave here. 518 00:32:01,711 --> 00:32:04,380 - [Marcelão] Is this serious? - Seriously, please. 519 00:32:05,089 --> 00:32:06,507 [baby whining] 520 00:32:07,842 --> 00:32:08,927 Marcelo. 521 00:32:09,636 --> 00:32:11,763 Take good care of him at the show for us, okay? 522 00:32:12,889 --> 00:32:14,140 Tereza, I'm not going. 523 00:32:14,223 --> 00:32:17,101 - [Tereza] You're going to the show, yes. - Simoninha is here. 524 00:32:17,185 --> 00:32:19,771 This is our deal. 525 00:32:21,230 --> 00:32:23,524 You go to the show. 526 00:32:24,108 --> 00:32:26,361 You will sing very beautifully, 527 00:32:26,444 --> 00:32:29,072 I'll stay here doing my part. 528 00:32:29,155 --> 00:32:31,032 And you will do yours… 529 00:32:31,115 --> 00:32:32,325 [sings "It's Morning"] 530 00:32:32,408 --> 00:32:34,077 ♪ Oh! It's morning ♪ 531 00:32:34,160 --> 00:32:35,286 …which is getting on stage. 532 00:32:35,370 --> 00:32:36,579 ♪ It's dawn, it's morning ♪ 533 00:32:37,205 --> 00:32:40,249 ♪ I don't know anything anymore, it's morning ♪ 534 00:32:40,333 --> 00:32:42,502 ♪ I'm going to see my love ♪ 535 00:32:42,585 --> 00:32:43,419 I love you. 536 00:32:44,921 --> 00:32:47,882 ♪ It's morning, dawn flower ♪ 537 00:32:47,966 --> 00:32:49,342 ♪ It's morning ♪ 538 00:32:49,425 --> 00:32:50,885 ♪ I don't know anything anymore ♪ 539 00:32:50,969 --> 00:32:52,428 ♪ It's morning ♪ 540 00:32:52,512 --> 00:32:55,098 ♪ I'm going to see my love ♪ 541 00:32:55,181 --> 00:32:57,058 [buzz] 542 00:32:57,141 --> 00:33:01,104 ♪ I'm going down the road ♪ 543 00:33:01,187 --> 00:33:02,438 Genius. 544 00:33:02,522 --> 00:33:07,235 ♪ And every star is a flower ♪ 545 00:33:07,318 --> 00:33:09,529 I can't take my eyes off the stage. 546 00:33:09,612 --> 00:33:13,324 ♪ But the beloved flower ♪ 547 00:33:13,408 --> 00:33:16,744 ♪ It's more than the dawn ♪ 548 00:33:16,828 --> 00:33:18,663 I want to introduce you to my husband Abelardo. 549 00:33:18,746 --> 00:33:22,458 ♪ And it was because of her that the rooster crowed ♪ 550 00:33:22,542 --> 00:33:23,876 ♪ That the rooster cocorocó ♪ 551 00:33:23,960 --> 00:33:27,880 Abelardo is the producer, and Laurinha is the wife with more contacts than I've ever seen in my life. 552 00:33:27,964 --> 00:33:31,968 ♪ But the beloved flower ♪ 553 00:33:32,051 --> 00:33:35,430 ♪ It's more than the dawn ♪ 554 00:33:35,513 --> 00:33:37,890 ♪ And it was for her ♪ 555 00:33:37,974 --> 00:33:40,893 ♪ That the rooster cocorocó ♪ 556 00:33:40,977 --> 00:33:43,771 ♪ That the rooster cocorocó ♪ 557 00:33:43,855 --> 00:33:46,774 ♪ That the rooster cocorocó ♪ 558 00:33:46,858 --> 00:33:50,069 [vocalizes] 559 00:33:50,153 --> 00:33:52,905 That's what I'm saying, TV is the next step. 560 00:33:52,989 --> 00:33:55,241 This is a time of transition. Elis knows what I'm talking about. 561 00:33:55,825 --> 00:33:57,535 It seems to be there where the wind has been blowing. 562 00:33:57,618 --> 00:33:59,537 At least, there in the bands from São Paulo, right? 563 00:33:59,620 --> 00:34:02,248 And where the wind blows, comrade, I'm together. 564 00:34:02,331 --> 00:34:07,336 I know that with all this swing, this elegance, you wouldn't do badly. 565 00:34:08,129 --> 00:34:09,672 Don't miss this tram, Simonal. 566 00:34:09,756 --> 00:34:14,135 I'm not going to lie, no. I think it would a great TV star. 567 00:34:14,218 --> 00:34:15,428 [everyone laughs] 568 00:34:15,511 --> 00:34:17,930 He's just a black guy, with all his trickery. 569 00:34:18,890 --> 00:34:19,932 [urban noises] 570 00:34:24,062 --> 00:34:26,230 [Imperial] So the scoundrel will have a TV program. 571 00:34:27,148 --> 00:34:30,526 He recorded an album and it's already there, looking like a peacock, all open. 572 00:34:31,778 --> 00:34:33,780 Now that you are no longer my assistant, 573 00:34:33,863 --> 00:34:36,240 you have to listen to me for cunning, and not out of obligation. 574 00:34:37,492 --> 00:34:39,619 Have you ever seen anyone smarter than me? 575 00:34:41,621 --> 00:34:43,706 Someone with hearing, 576 00:34:43,790 --> 00:34:45,792 with discerning instinct. 577 00:34:47,710 --> 00:34:49,712 I learned everything from you, 578 00:34:50,421 --> 00:34:52,423 my Imperial comrade. 579 00:34:52,965 --> 00:34:54,592 Now you have to be careful, 580 00:34:55,384 --> 00:34:57,470 because the disciple will pass the master. 581 00:34:58,262 --> 00:34:59,097 [Imperial] Yeah. 582 00:35:01,057 --> 00:35:02,016 It's not easy, right? 583 00:35:02,892 --> 00:35:05,895 [sigh] Being a handsome guy, 584 00:35:06,395 --> 00:35:08,397 talented and intelligent, 585 00:35:09,023 --> 00:35:10,024 like me. 586 00:35:10,566 --> 00:35:11,400 [breathing] 587 00:35:11,484 --> 00:35:13,277 And still be good people. 588 00:35:13,361 --> 00:35:16,155 Now seriously, Empire. I want to become famous. 589 00:35:16,239 --> 00:35:18,116 Look at this nigga's chip. 590 00:35:18,199 --> 00:35:20,743 I want to be more consumed than Gomets. 591 00:35:20,827 --> 00:35:23,079 We are speaking the same language, right? 592 00:35:23,162 --> 00:35:24,455 - [Simonal] I knew it. - Yeah. 593 00:35:24,539 --> 00:35:26,582 - [Simonal laughs] - But for this to happen… 594 00:35:26,666 --> 00:35:28,668 - [Simonal asks] - …"Gomets." 595 00:35:30,002 --> 00:35:32,130 You have to sing more naughty music. 596 00:35:32,213 --> 00:35:34,841 More danceable, simpler. 597 00:35:34,924 --> 00:35:37,426 More embroidered shirt. By the way, speaking of which… 598 00:35:38,177 --> 00:35:39,053 [Simonal asks] 599 00:35:39,679 --> 00:35:42,557 I have a song for you there which is a chouchou. 600 00:35:42,640 --> 00:35:44,892 [Simonal] snaps his fingers] One, two, three, four… 601 00:35:44,976 --> 00:35:49,730 - [sings "Mamãe Passou Açúcar Em Mim"] - ♪ La, la, la, la, la la, la ♪ 602 00:35:49,814 --> 00:35:52,692 ♪ There, there, there, there, there there, there ♪ 603 00:35:52,775 --> 00:35:53,818 Oops. Goodnight. 604 00:35:53,901 --> 00:35:55,236 - It's that way. - [Simonal] Thank you. 605 00:35:55,987 --> 00:35:57,947 - Aren't you Simonal? - Yes, it's me. 606 00:35:58,030 --> 00:36:00,116 - I really wanted to meet you. - Beautiful, 607 00:36:00,199 --> 00:36:02,201 he's Sammy Davis Jr., 608 00:36:02,285 --> 00:36:04,495 but he is married. [screams] Get out of here. 609 00:36:04,579 --> 00:36:06,372 - [Simonal whispers] Tereza. - [Tereza nods] 610 00:36:06,455 --> 00:36:09,333 - Stop it. To! - [Tereza] I'm smiling. 611 00:36:09,417 --> 00:36:14,046 ♪ I know I have Lots of girls ♪ 612 00:36:14,130 --> 00:36:16,632 ♪ All fun for me ♪ 613 00:36:16,716 --> 00:36:19,427 ♪ And every day ♪ 614 00:36:20,344 --> 00:36:24,390 - Hello, Mr. President. - Introduce you to a friend of mine. Moretti. 615 00:36:24,473 --> 00:36:28,019 - [Simonal] Moretti. - One of the biggest businessmen in this country. 616 00:36:30,229 --> 00:36:32,231 [buzz] 617 00:36:34,442 --> 00:36:36,235 - Go there. - [whispers] Are you going to be upset? 618 00:36:36,319 --> 00:36:38,112 - No, you can go. - [Tereza] Do you swear? 619 00:36:38,196 --> 00:36:40,573 I swear, you can go. I'll stay a little longer. 620 00:36:40,656 --> 00:36:43,492 Give some love to the people at the record company. But now, I'm home. 621 00:36:44,160 --> 00:36:45,286 [whispers] It's so beautiful. 622 00:36:45,369 --> 00:36:48,998 It's a program that will bring music, will bring theater. 623 00:36:49,081 --> 00:36:51,167 You two will understand each other. I'm feeling it. 624 00:36:51,250 --> 00:36:55,546 ♪ I know I have Lots of girls ♪ 625 00:36:55,630 --> 00:36:58,591 ♪ All fun for me ♪ 626 00:36:58,674 --> 00:37:03,137 ♪ And every day It's agony ♪ 627 00:37:03,221 --> 00:37:06,807 ♪ I can't walk down the street anymore It's the end… ♪ 628 00:37:06,891 --> 00:37:09,310 ♪ I was a baby ♪ 629 00:37:09,393 --> 00:37:11,395 ♪ There was no talcum powder ♪ 630 00:37:11,479 --> 00:37:14,440 ♪ Mom put sugar on me ♪ 631 00:37:16,692 --> 00:37:19,570 ["Mommy Sprinkled Sugar On Me" continues] 632 00:37:22,782 --> 00:37:23,950 What did I do? 633 00:37:25,159 --> 00:37:27,245 [indistinct speech] 634 00:37:27,328 --> 00:37:29,997 - [Tereza cries, sniffles] - [Simonal murmurs] 635 00:37:30,081 --> 00:37:32,083 [Simonal murmurs] 636 00:37:33,042 --> 00:37:34,460 [mumbles] 637 00:37:34,543 --> 00:37:35,795 [music ends] 638 00:37:35,878 --> 00:37:39,465 [TV applause] 639 00:37:40,925 --> 00:37:42,927 [sings "Vesti Azul" on TV] 640 00:37:45,721 --> 00:37:49,684 ♪ So I made a charm And I added ♪ 641 00:37:49,767 --> 00:37:53,938 ♪ I just came here to find out How I was ♪ 642 00:37:54,021 --> 00:37:57,441 ♪ And that bud look Confirmed me ♪ 643 00:37:57,525 --> 00:38:01,153 - ♪ Wear Blue! ♪ - [choir] ♪ Popopopopó! ♪ 644 00:38:01,237 --> 00:38:03,239 ♪ My luck then changed ♪ 645 00:38:03,322 --> 00:38:05,324 [choir] ♪ Popopopó! ♪ 646 00:38:05,408 --> 00:38:08,411 - ♪ Wear Blue! ♪ - [choir] ♪ Popopopó! ♪ 647 00:38:09,120 --> 00:38:11,831 ♪ My luck then changed ♪ 648 00:38:11,914 --> 00:38:15,835 - Everyone now, with me! AND! - [claps] 649 00:38:16,419 --> 00:38:18,713 [audience] ♪ Wear Blue! ♪ 650 00:38:20,214 --> 00:38:22,591 ♪ My luck then changed ♪ 651 00:38:22,675 --> 00:38:23,843 [audience cheers] 652 00:38:23,926 --> 00:38:25,928 [audience] ♪ Wear Blue! ♪ 653 00:38:27,555 --> 00:38:30,224 ♪ My luck then changed ♪ 654 00:38:30,308 --> 00:38:32,143 [cheers] 655 00:38:32,977 --> 00:38:35,396 [Simonal] Oh! 656 00:38:36,772 --> 00:38:37,940 [Simonal laughs lightly] 657 00:38:38,024 --> 00:38:40,776 - [continue cheering] - [Simonal laughing] 658 00:38:48,659 --> 00:38:51,412 Wonder, wonder, wonder. 659 00:38:51,912 --> 00:38:57,960 I'm here thinking about which master waterfall I'm going to sing for this audience. 660 00:38:58,711 --> 00:38:59,962 [man shouts] My Lemon! 661 00:39:00,546 --> 00:39:01,964 [everyone laughs] 662 00:39:02,048 --> 00:39:04,008 [Simonal] You asked well, but first, 663 00:39:04,091 --> 00:39:06,260 let's sing softly. 664 00:39:06,761 --> 00:39:08,971 With garlic and oil. Soft, smooth. 665 00:39:09,055 --> 00:39:10,514 No mushrooms. 666 00:39:10,598 --> 00:39:12,183 "No Champion." 667 00:39:12,266 --> 00:39:13,601 [audience laughs] 668 00:39:15,519 --> 00:39:17,355 ["My Lemon, My Lemon Tree" playing] 669 00:39:17,438 --> 00:39:23,152 [audience] ♪ My lemon, my lemon tree ♪ 670 00:39:23,235 --> 00:39:27,740 ♪ My rosewood tree ♪ 671 00:39:27,823 --> 00:39:32,578 ♪ Once esndo lerlê ♪ 672 00:39:33,245 --> 00:39:38,459 ♪ Once again, I'm going there ♪ 673 00:39:38,959 --> 00:39:41,087 Now that you are docile, 674 00:39:41,170 --> 00:39:45,633 let's sacrament what should be sacramented. 675 00:39:45,716 --> 00:39:48,219 [cheers] 676 00:39:49,011 --> 00:39:50,763 One, two, three… 677 00:39:52,390 --> 00:39:54,433 [sings "My Lemon, My Lemon Tree"] 678 00:39:59,772 --> 00:40:02,983 ♪ My lemon, my lemon tree ♪ 679 00:40:03,067 --> 00:40:06,737 ♪ My foot, my rosewood foot ♪ 680 00:40:06,821 --> 00:40:11,450 ♪ Once esndo reads ler-iê-iê ♪ 681 00:40:11,534 --> 00:40:14,203 ♪ Once again, I'm going there ♪ 682 00:40:14,286 --> 00:40:18,124 ♪ My lemon, my lemon tree ♪ 683 00:40:18,207 --> 00:40:22,336 ♪ My foot, my rosewood foot ♪ 684 00:40:22,420 --> 00:40:26,590 ♪ Once esndo reads ler-iê-iê ♪ 685 00:40:26,674 --> 00:40:29,718 ♪ Once again, I'm going there ♪ 686 00:40:29,802 --> 00:40:33,431 [all] ♪ La, la, la, la, la la, la ♪ 687 00:40:33,514 --> 00:40:35,224 ♪ There, there, there, there, there there, there ♪ 688 00:40:35,307 --> 00:40:36,475 Where are you going, crazy? 689 00:40:38,644 --> 00:40:41,564 [audience] ♪ La, la, la, la, la la, la ♪ 690 00:40:47,153 --> 00:40:50,573 ♪ My lemon, my lemon tree ♪ 691 00:40:50,656 --> 00:40:54,076 ♪ My foot, my rosewood foot ♪ 692 00:40:54,869 --> 00:40:59,039 ♪ Once a squirrel, ler-iê-iê ♪ 693 00:40:59,123 --> 00:41:00,583 [Simonal] Couple! 694 00:41:01,792 --> 00:41:04,462 Get in there, you'll get out of rhythm. 695 00:41:04,545 --> 00:41:06,964 Be careful not to cross. 696 00:41:07,923 --> 00:41:10,050 [Simonal singing] ♪ Rosewood ♪ 697 00:41:10,843 --> 00:41:12,511 [distant audience] ♪ Once esndo lerlê ♪ 698 00:41:12,595 --> 00:41:13,512 [horns] 699 00:41:13,596 --> 00:41:16,974 - [woman's voice low] Look who it is. - [Simonal] Hello, hello. 700 00:41:17,057 --> 00:41:18,184 [urban noises] 701 00:41:20,603 --> 00:41:23,272 Make yourself comfortable. It's the Simonal Show there. 702 00:41:23,939 --> 00:41:25,024 [Simonal laughs] 703 00:41:25,107 --> 00:41:27,651 - [excited woman] Look at Simonal! - [Simonal] Oops! 704 00:41:27,735 --> 00:41:28,569 [man] It's Simonal! 705 00:41:28,652 --> 00:41:32,281 Oh, Tião. Give me some sea chicken and a Paraguayan scotch there. 706 00:41:32,364 --> 00:41:33,324 It's for now. 707 00:41:33,866 --> 00:41:35,284 [audience singing on TV] 708 00:41:35,367 --> 00:41:37,578 Look how well they sing. 709 00:41:37,661 --> 00:41:38,829 [man laughs] 710 00:41:38,913 --> 00:41:40,122 - It's beautiful. - [Simonal] Thanks. 711 00:41:40,206 --> 00:41:41,790 [audience singing on TV] ♪ …Jacarandá ♪ 712 00:41:41,874 --> 00:41:43,667 ♪ Once esndo lerlê ♪ 713 00:41:43,751 --> 00:41:45,961 - A hug. - And the sardines? 714 00:41:46,045 --> 00:41:48,380 - Give it to another saint. [laughs] - [man] Hey, Simona. 715 00:41:48,464 --> 00:41:49,673 [women] Simonal! 716 00:41:49,757 --> 00:41:51,634 - [Simonal hums] - [horns] 717 00:41:52,760 --> 00:41:54,970 - Oops, princess. - [woman laughs] 718 00:41:55,054 --> 00:41:56,347 How wonderful! 719 00:41:57,097 --> 00:41:58,098 [Simonal laughs] 720 00:41:58,724 --> 00:42:00,559 [Simonal hums] ♪ There, there, there ♪ 721 00:42:00,643 --> 00:42:02,102 - Simonal! - Hey, hey! 722 00:42:02,186 --> 00:42:03,854 - [laughs] - [woman's voice low] Bye. 723 00:42:03,938 --> 00:42:04,855 [Simonal sighs] 724 00:42:05,773 --> 00:42:07,066 - [man sighs] - Oops! 725 00:42:07,149 --> 00:42:08,526 - [man] Hi. - Is everything okay? 726 00:42:09,777 --> 00:42:11,487 - Goodnight. - [man] Hi, Simonal. 727 00:42:11,570 --> 00:42:12,655 [woman] It's Simonal! 728 00:42:13,572 --> 00:42:14,949 [audience singing in the background] 729 00:42:15,032 --> 00:42:16,283 [Simonal laughs] 730 00:42:17,159 --> 00:42:21,247 [mockery] The good son returns home! 731 00:42:21,330 --> 00:42:23,666 They were missing me. 732 00:42:23,749 --> 00:42:24,833 [laugh] 733 00:42:25,543 --> 00:42:27,127 - [Miele] You scoundrel! - [laugh] 734 00:42:27,211 --> 00:42:29,088 - [Simonal] Wonderful. - You crazy man, go sing. 735 00:42:29,171 --> 00:42:32,466 - [Simonal] I went to wet my gogó. - There's no way, huh. It doesn't wait. 736 00:42:33,342 --> 00:42:35,344 [audience singing] 737 00:42:43,811 --> 00:42:47,481 ♪ My lemon, my lemon tree ♪ 738 00:42:47,565 --> 00:42:51,402 ♪ My foot, my rosewood foot ♪ 739 00:42:51,485 --> 00:42:55,614 ♪ Once esndo reads ler-iê-iê ♪ 740 00:42:55,698 --> 00:42:58,534 ♪ Once again, I'm going there ♪ 741 00:42:59,285 --> 00:43:02,162 [audience] ♪ La, la, la, la, la la, la ♪ 742 00:43:02,246 --> 00:43:06,709 ♪ There, there, there, there, there there, there ♪ 743 00:43:06,792 --> 00:43:10,838 ♪ There, there, there, there, there there, there ♪ 744 00:43:10,921 --> 00:43:13,257 ♪ There, there, there, there, there there, there ♪ 745 00:43:18,220 --> 00:43:19,763 [sings "Carango"] 746 00:43:22,766 --> 00:43:25,519 ♪ Copacabana, car is about to leave ♪ 747 00:43:25,603 --> 00:43:29,273 ♪ All lubricated so it doesn't break ♪ 748 00:43:31,025 --> 00:43:33,110 ♪ Ingenious splint wheel ♪ 749 00:43:33,193 --> 00:43:36,864 ♪ Building my bankroll Very natural ♪ 750 00:43:36,947 --> 00:43:39,199 ♪ Let's go! ♪ 751 00:43:39,283 --> 00:43:40,951 ♪ 1, 2, 3 ♪ 752 00:43:41,035 --> 00:43:44,246 ♪ Light green shirt Sainte-tropez pants ♪ 753 00:43:44,330 --> 00:43:49,376 ♪ And matching the snapper Everyone sees ♪ 754 00:43:49,460 --> 00:43:53,589 ♪ No one knows how hard I worked To have fon fon ♪ 755 00:43:53,672 --> 00:43:55,633 ♪ I worked, I worked ♪ 756 00:43:55,716 --> 00:43:59,303 ♪ To have fon fon I worked, I worked ♪ 757 00:43:59,386 --> 00:44:00,763 ♪ Look there! ♪ 758 00:44:00,846 --> 00:44:03,474 ♪ You can come Erasmo, Roberto ♪ 759 00:44:03,557 --> 00:44:07,269 ♪ Jerry, Pavolina, Aguinaldo and Vanderlei ♪ 760 00:44:07,353 --> 00:44:09,104 ♪ No problem ♪ 761 00:44:09,188 --> 00:44:14,068 You will only see the tremendous snapper that I bought! 762 00:44:14,151 --> 00:44:17,738 ♪ To have fon fon I worked, I worked ♪ 763 00:44:17,821 --> 00:44:21,659 ♪ To have fon fon ♪ 764 00:44:21,742 --> 00:44:25,621 ♪ I worked, I worked ♪ 765 00:44:28,749 --> 00:44:31,794 [choir] ♪ Fon fon fon fon ♪ 766 00:44:31,877 --> 00:44:33,295 [piano melody] 767 00:44:34,421 --> 00:44:36,173 - No, that's not it. - That's what crying is. 768 00:44:36,256 --> 00:44:38,217 Don't make mistakes, Caesar. Gives a swing. 769 00:44:38,300 --> 00:44:40,844 - Let's put a waterfall there. - [Miele] I would like to see more. 770 00:44:40,928 --> 00:44:43,305 - Reduce this by four times. Let's go? - Four time? 771 00:44:43,389 --> 00:44:45,557 - [snare drum melody] - [man] Cool. Who knows… 772 00:44:48,310 --> 00:44:50,312 - Let's go with an introduction. - [Simonal] Good! And that. 773 00:44:50,813 --> 00:44:52,231 This has swing. 774 00:44:55,275 --> 00:44:58,737 - [Tereza] Wilson, what role is this? - [Simonal] I'm in the middle of rehearsal, later. 775 00:44:58,821 --> 00:45:00,989 - I know, I need to talk to you. - My dear... 776 00:45:01,073 --> 00:45:03,575 - we are at rehearsal. - Can't I talk to my husband? 777 00:45:03,659 --> 00:45:04,993 Doesn't he have time for me? 778 00:45:05,828 --> 00:45:07,788 Interval. We already meet 779 00:45:07,871 --> 00:45:09,581 - [man] Let's go. - Thanks. Sorry there. 780 00:45:09,665 --> 00:45:10,916 [Tereza] What role is this? 781 00:45:10,999 --> 00:45:13,293 - [Simonal] Come here and talk. - What role is this? 782 00:45:13,377 --> 00:45:15,379 - Miele, take the whiskey! - What role is this? 783 00:45:15,462 --> 00:45:17,715 - I'll meet you at the pool. - [Tereza] That number? 784 00:45:18,215 --> 00:45:20,509 [screams] Answer what I'm saying asking, Wilson. 785 00:45:20,592 --> 00:45:22,970 - Let me see. I don't know which one it is, my dear. - Here. 786 00:45:23,053 --> 00:45:24,847 Here the paper. It was in his pants pocket. 787 00:45:24,930 --> 00:45:26,223 It's an agent's phone number. 788 00:45:26,306 --> 00:45:28,016 - From an agent? - It's from an agent. 789 00:45:28,100 --> 00:45:30,269 - I called, and the slut answered. - It's work. 790 00:45:30,352 --> 00:45:32,479 - What story is this? - You slut! 791 00:45:32,563 --> 00:45:34,857 - You're making it up. - In fact, you sluts! 792 00:45:34,940 --> 00:45:36,525 - I told you not to get involved. - There are several. 793 00:45:36,608 --> 00:45:38,444 - I already asked for that. - [Tereza] Don't interfere? 794 00:45:38,527 --> 00:45:39,570 It's part of my job. 795 00:45:39,653 --> 00:45:41,363 - Don't intrude? - It's my job! 796 00:45:41,447 --> 00:45:43,615 - We already talked about this! - I don't interfere in your life! 797 00:45:43,699 --> 00:45:45,701 - And I can't come to my room? - It's my job! 798 00:45:45,784 --> 00:45:47,703 [screams] Damn! To! 799 00:45:47,786 --> 00:45:49,037 I'm talking to you! 800 00:45:49,121 --> 00:45:52,166 You interrupt me in my fucking rehearsal and keeps complaining! 801 00:45:52,750 --> 00:45:54,042 Damn! Excuse me. 802 00:45:54,877 --> 00:45:56,170 - [Simonal] Damn! - Look at me. 803 00:45:56,253 --> 00:45:59,047 - Who looks at me. Leave me alone. - Look at me when I talk to you! 804 00:46:00,758 --> 00:46:03,051 [desperate] My guitar! Don't do that! 805 00:46:03,135 --> 00:46:04,178 Leave it, Teresa! 806 00:46:04,803 --> 00:46:06,096 - Damn. - Son of a bitch! 807 00:46:06,180 --> 00:46:08,599 You promised me that we would follow together. 808 00:46:08,682 --> 00:46:10,434 - Did I promise? - And you left me behind! 809 00:46:10,517 --> 00:46:13,979 - We have a deal! - Yes, you left me in this house, alone. 810 00:46:14,062 --> 00:46:15,564 - You're crazy! - Am I crazy? 811 00:46:15,647 --> 00:46:17,524 - Look at the fucking house. - You drove me crazy! 812 00:46:17,608 --> 00:46:19,234 - It was our agreement! - Fuck the house! 813 00:46:19,318 --> 00:46:21,862 - Okay then... My son here. - Fuck the house! 814 00:46:24,114 --> 00:46:26,867 [Tereza whimpers] 815 00:46:28,285 --> 00:46:30,329 [whimpers] 816 00:46:33,749 --> 00:46:35,959 [Marcelo] Hello? I could talk with Tereza? 817 00:46:36,710 --> 00:46:38,462 This is Marcelão who works with Simonal. 818 00:46:39,421 --> 00:46:40,255 She's not. 819 00:46:40,756 --> 00:46:44,676 If by chance she shows up or calls, Could you let me know, please. 820 00:46:44,760 --> 00:46:47,471 Thank you very much. Goodnight. 821 00:46:48,722 --> 00:46:49,681 [Marcelo] It's not. 822 00:46:59,775 --> 00:47:03,362 [piano melody] 823 00:47:11,620 --> 00:47:13,038 [door closes] 824 00:47:16,416 --> 00:47:18,919 - May I know where you were? - [Tereza] That way. 825 00:47:19,503 --> 00:47:22,631 Since you will play the role of star, 826 00:47:22,714 --> 00:47:25,926 I will play the role of the happy wife. 827 00:47:29,638 --> 00:47:32,224 [Simonal] Tereza, I'm not playing with you! 828 00:47:32,307 --> 00:47:35,060 - Tereza, where the fuck were you? - Cheating on you, huh. 829 00:47:35,143 --> 00:47:36,603 And you talk like that with that face? 830 00:47:36,687 --> 00:47:39,398 Cheating on you with your credit card. 831 00:47:41,024 --> 00:47:42,317 [samba music] 832 00:47:42,401 --> 00:47:46,864 And you better play your part very well. 833 00:47:46,947 --> 00:47:49,366 Or else I'll bankrupt you! 834 00:47:50,868 --> 00:47:52,536 [whispers] Let me see my son. To. 835 00:47:54,913 --> 00:47:56,957 - Did you bring anything for me? - [Tereza] No. 836 00:47:59,334 --> 00:48:00,419 [Simonal sighs] 837 00:48:06,633 --> 00:48:08,635 [samba music] 838 00:48:15,267 --> 00:48:17,269 [distant applause] 839 00:48:18,812 --> 00:48:19,897 - Simonal. - [nods] 840 00:48:19,980 --> 00:48:21,231 The Mutants are already running out. 841 00:48:21,315 --> 00:48:23,191 You're next. Is everything ready there? 842 00:48:24,735 --> 00:48:27,529 - [host] The show can't stop. - [cheers] 843 00:48:27,613 --> 00:48:33,076 I know you are anxious for the presentation by Sérgio Mendes. 844 00:48:33,160 --> 00:48:36,121 But before that, to warm up the stage, 845 00:48:36,204 --> 00:48:39,708 with you, the king of swing. 846 00:48:40,208 --> 00:48:43,378 The master of fraud. 847 00:48:43,462 --> 00:48:46,924 The only and incomparable, 848 00:48:47,007 --> 00:48:50,427 Wilson Simonal! 849 00:48:50,510 --> 00:48:52,512 [audience cheers] 850 00:48:55,140 --> 00:48:58,310 - [sings "Zazueira"] - ♪ But she's coming ♪ 851 00:48:58,393 --> 00:49:01,188 [audience] ♪ She's coming ♪ 852 00:49:01,271 --> 00:49:04,066 ♪ And I'm happy to wait ♪ 853 00:49:04,149 --> 00:49:06,777 [audience] ♪ And I'm happy to wait ♪ 854 00:49:06,860 --> 00:49:09,529 ♪ The wait is hard ♪ 855 00:49:09,613 --> 00:49:11,657 [audience] ♪ The wait is hard ♪ 856 00:49:11,740 --> 00:49:14,868 ♪ But I hope to samba ♪ 857 00:49:14,952 --> 00:49:17,454 [audience] ♪ But I hope to samba ♪ 858 00:49:17,537 --> 00:49:19,456 ♪ Oh, oh, oh, oh ♪ 859 00:49:19,539 --> 00:49:21,541 [audience] ♪ Whoa, whoa, whoa, whoa ♪ 860 00:49:22,042 --> 00:49:24,544 ♪ Da, da, da, da, da, da, da, da ♪ 861 00:49:24,628 --> 00:49:26,797 [audience] ♪ Da, da, da, da, da, da, da ♪ 862 00:49:26,880 --> 00:49:29,549 ♪ From, from, from ♪ 863 00:49:29,633 --> 00:49:31,593 - [sings "Meu Limão, Meu Limoeiro"] - ♪ My lemon ♪ 864 00:49:31,677 --> 00:49:32,970 [audience] ♪ My lemon tree ♪ 865 00:49:33,053 --> 00:49:36,306 ♪ My foot, my rosewood foot ♪ 866 00:49:37,265 --> 00:49:40,227 ♪ Once esndo lerlê ♪ 867 00:49:40,310 --> 00:49:43,313 - [audience] ♪ Once again, there's a lot of fun ♪ - [Simonal] Monday! 868 00:49:44,147 --> 00:49:47,567 ♪ There, there, there, there, there, there, there ♪ 869 00:49:47,651 --> 00:49:49,861 ♪ There, there, there, there, there, there, there ♪ 870 00:49:49,945 --> 00:49:51,613 [Simonal] Look at the "champignon". 871 00:49:51,697 --> 00:49:53,699 [audience cheers] 872 00:49:55,659 --> 00:49:57,661 [audience cheers] 873 00:49:58,996 --> 00:50:01,581 - [audience] ♪ Hello, hello ♪ - [man] Simona! 874 00:50:01,665 --> 00:50:03,792 - Are they shouting my name? - Your name, man. 875 00:50:03,875 --> 00:50:06,336 Your name. They are asking us to return to the stage. 876 00:50:06,420 --> 00:50:08,005 [audience] ♪ Hello, hello ♪ 877 00:50:09,172 --> 00:50:10,841 - [Simonal] Sexy. - Shall we go? 878 00:50:12,551 --> 00:50:15,387 - [sings "Nem Vem Que Não Tem"] - ♪ It doesn't even matter if there isn't one ♪ 879 00:50:15,470 --> 00:50:18,557 ♪ It doesn't even come with a fork That today is soup day ♪ 880 00:50:19,141 --> 00:50:22,728 ♪ Heat the iron Iron my clothes ♪ 881 00:50:23,228 --> 00:50:26,398 ♪ Me in this swing I'm going to break it down ♪ 882 00:50:26,481 --> 00:50:30,318 ♪ Shake, shake Shake, gundim, gundá! ♪ 883 00:50:30,402 --> 00:50:32,320 ♪ It doesn't even matter if there isn't one ♪ 884 00:50:32,988 --> 00:50:35,449 ♪ It doesn't even come from stairs That the fire is… ♪ 885 00:50:35,532 --> 00:50:37,868 The artist who will now manage your own career. 886 00:50:37,951 --> 00:50:39,244 This is very unusual. 887 00:50:39,327 --> 00:50:43,540 This is an advance of the Brazilian phonographic market. 888 00:50:43,623 --> 00:50:45,250 Let's go! Forward! 889 00:50:45,333 --> 00:50:46,376 [all] Forward! 890 00:50:46,460 --> 00:50:48,462 [Simonal screams] Simonal Produções! 891 00:50:48,545 --> 00:50:49,504 [toast] Hooray! 892 00:50:49,588 --> 00:50:52,340 - ["Nem Vem Que Não Tem" continues] - ♪ Don't even come! ♪ 893 00:50:52,424 --> 00:50:56,595 ♪ In a caboclo house ♪ 894 00:50:56,678 --> 00:51:00,474 ♪ They said one is not enough ♪ 895 00:51:00,557 --> 00:51:05,562 ♪ Two is good, three is too many ♪ 896 00:51:06,646 --> 00:51:08,690 ♪ Don't even come! ♪ 897 00:51:09,232 --> 00:51:12,069 ♪ Save your place in line ♪ 898 00:51:12,736 --> 00:51:16,531 ♪ Every man who falters ♪ 899 00:51:16,615 --> 00:51:21,119 ♪ The woman steps back ♪ 900 00:51:21,828 --> 00:51:23,538 ♪ It doesn't even matter if there isn't one ♪ 901 00:51:24,456 --> 00:51:25,707 ♪ To turn gray My ember… ♪ 902 00:51:25,791 --> 00:51:28,668 I took a bunch of artists for the Shell campaign. 903 00:51:28,752 --> 00:51:30,504 For advertising action. 904 00:51:30,587 --> 00:51:32,672 Everything paid off, Simona. 905 00:51:33,340 --> 00:51:34,716 Everything we need, 906 00:51:34,800 --> 00:51:37,803 is to take the president of the company for dinner and that's it. 907 00:51:37,886 --> 00:51:41,098 You will sign the biggest contract of your life. 908 00:51:41,181 --> 00:51:43,391 - [toast] To our success! - ♪ No Come! ♪ 909 00:51:44,810 --> 00:51:47,729 ♪ Save your place in line ♪ 910 00:51:48,230 --> 00:51:51,525 ♪ Every man who falters ♪ 911 00:51:52,025 --> 00:51:57,364 ♪ The woman steps back ♪ 912 00:51:57,447 --> 00:51:59,449 ♪ Don't even think it's there! ♪ 913 00:51:59,533 --> 00:52:01,368 - ["It doesn't even come if it doesn't have" ends] - [applause] 914 00:52:01,451 --> 00:52:05,122 When they want to sell magazines, Don't you come up with a cool headline? 915 00:52:05,205 --> 00:52:07,499 Well then, the fraud It's nothing more than that. 916 00:52:07,582 --> 00:52:12,003 A cool headline to take simple, danceable music for the public. 917 00:52:12,587 --> 00:52:14,131 But then is it a false concept? 918 00:52:15,090 --> 00:52:17,050 Is your headline false? 919 00:52:18,135 --> 00:52:21,805 The Brazilian people need of joy. Joy, joy. 920 00:52:21,888 --> 00:52:23,890 And that's what fraud does. 921 00:52:23,974 --> 00:52:25,559 Bring fun to people. 922 00:52:25,642 --> 00:52:28,228 And I tell you more, every time as I go up on stage, 923 00:52:28,311 --> 00:52:30,814 I am representing the simple man. 924 00:52:30,897 --> 00:52:34,234 The Brazilian man, I just put it a little bit of mushroom. 925 00:52:34,317 --> 00:52:36,194 But do you have two Mercedes? 926 00:52:36,278 --> 00:52:38,446 I have three Mercedes in my garage. 927 00:52:38,530 --> 00:52:40,323 - Three Mercedes? - Three Mercedes. 928 00:52:40,407 --> 00:52:43,160 I just bought a little one now, white. Beautiful. 929 00:52:43,660 --> 00:52:47,289 [reporter] A man of color, of his origin. It's not exaggerated exhibitionism, is it? 930 00:52:48,707 --> 00:52:51,209 Who are you wanting to compete with? Roberto Carlos? 931 00:52:52,377 --> 00:52:53,712 Where are you trying to get to? 932 00:52:54,212 --> 00:52:56,047 [Simonal] Negão can't have a big car? 933 00:52:57,090 --> 00:52:58,967 [reporter] I didn't mean that. I just wanted to know... 934 00:52:59,050 --> 00:53:01,052 But he said, go swing dancing. 935 00:53:01,720 --> 00:53:03,471 [Simonal mutters] Fucking racist. 936 00:53:05,140 --> 00:53:06,391 [bird chirping] 937 00:53:06,474 --> 00:53:07,392 Yeah. 938 00:53:08,476 --> 00:53:09,978 I think the interview is over. 939 00:53:10,770 --> 00:53:14,983 [Simonal] Eu tô cansado desse papo furado de que nego não pode fazer isso ou aquilo. 940 00:53:15,609 --> 00:53:17,068 - [Miele sighs] - Understand? 941 00:53:18,612 --> 00:53:20,488 Yeah, but look at this, damn it. 942 00:53:21,239 --> 00:53:22,532 Life has changed, rascal. 943 00:53:23,241 --> 00:53:25,702 It changed for me. And the others? 944 00:53:27,370 --> 00:53:29,581 What other nigga do you know with my status? 945 00:53:31,583 --> 00:53:33,585 [crickets chirping] 946 00:53:45,513 --> 00:53:47,974 [presenter] I present to you with more than pleasure, 947 00:53:48,058 --> 00:53:49,351 ladies and gentlemen… 948 00:53:49,434 --> 00:53:50,352 Teresa! 949 00:53:50,435 --> 00:53:51,770 - [host] Simonal! - He comes! 950 00:53:51,853 --> 00:53:52,896 - [Laura] Oh my God! - He comes! 951 00:53:52,979 --> 00:53:55,273 [all together] Come, Tereza. Run! 952 00:53:55,357 --> 00:53:56,566 [Miele] Come quickly! 953 00:53:56,650 --> 00:53:57,734 [Tereza] I'm coming! 954 00:53:58,401 --> 00:53:59,444 [Tereza laughs] 955 00:53:59,527 --> 00:54:03,531 I wrote this song in partnership with my friend Ronaldo Bôscoli, 956 00:54:04,199 --> 00:54:07,035 in honor of the American leader Martin Luther King. 957 00:54:07,827 --> 00:54:10,747 [Simonal] Martin Luther King is a black American. 958 00:54:11,831 --> 00:54:12,874 And your greatest merit 959 00:54:13,625 --> 00:54:17,921 is to fight more and more for equality of racial rights. 960 00:54:18,004 --> 00:54:20,257 - I'm married to him. - I ask for your permission 961 00:54:20,966 --> 00:54:22,842 to dedicate this song to my son. 962 00:54:23,635 --> 00:54:26,721 Hoping that in the future, he doesn't encounter the same problems 963 00:54:26,805 --> 00:54:29,557 that I found and continue to find. 964 00:54:30,058 --> 00:54:32,894 Even though you call me Wilson Simonal de Castro. 965 00:54:33,728 --> 00:54:37,274 - [sings "Tribute to Martin Luther King"] - ♪ Every black person ♪ 966 00:54:37,857 --> 00:54:40,527 ♪ Another black man will come ♪ 967 00:54:40,610 --> 00:54:44,364 ♪ To fight With blood or not ♪ 968 00:54:44,447 --> 00:54:48,159 ♪ With a song You can also fight, brother ♪ 969 00:54:48,243 --> 00:54:51,746 ♪ Hear my voice Oh, yeah! ♪ 970 00:54:51,830 --> 00:54:55,542 ♪ Fight for us… ♪ 971 00:54:56,501 --> 00:54:58,878 - [phone rings] - ♪ Too black fight ♪ 972 00:54:58,962 --> 00:55:02,215 - Hello? - ♪ It’s fighting for peace ♪ 973 00:55:02,299 --> 00:55:03,758 - It's for you. - [man 1] Hello? 974 00:55:04,968 --> 00:55:05,885 Yes. 975 00:55:07,470 --> 00:55:09,806 ♪ To be equal ♪ 976 00:55:09,889 --> 00:55:16,563 - [choir] ♪ Lá Lá Lá Lá Lá ♪ - ♪ To be equal ♪ 977 00:55:16,646 --> 00:55:17,480 [door opens] 978 00:55:19,774 --> 00:55:20,692 [door closes] 979 00:55:20,775 --> 00:55:22,819 ["Tribute to Martin Luther King" ends] 980 00:55:25,030 --> 00:55:26,698 [clicks tongue] Bunch of sons of bitches. 981 00:55:32,620 --> 00:55:33,705 [sighs] 982 00:55:34,789 --> 00:55:35,707 [exhales gently] 983 00:55:37,250 --> 00:55:39,627 What is this about leafleting, Your Wilson? 984 00:55:41,129 --> 00:55:43,048 Pamphleteering, I don't know. 985 00:55:43,548 --> 00:55:45,258 I have no involvement with politics. 986 00:55:46,468 --> 00:55:47,677 My thing is music. 987 00:55:48,428 --> 00:55:51,306 Sing. Swing, you know? 988 00:55:53,683 --> 00:55:54,559 [man nods] 989 00:55:57,771 --> 00:55:58,855 [clicks tongue] 990 00:55:58,938 --> 00:56:00,190 [takes a deep breath] 991 00:56:00,273 --> 00:56:02,275 Why did you say then... 992 00:56:02,859 --> 00:56:04,027 Luther King? 993 00:56:07,614 --> 00:56:09,199 I have an admiration for him. 994 00:56:11,284 --> 00:56:15,789 There's a difference between you admiring one person and you're... [inhales sharply] 995 00:56:15,872 --> 00:56:17,874 raising a flag there, 996 00:56:17,957 --> 00:56:21,044 for a situation that does not the slightest sense, right? 997 00:56:23,338 --> 00:56:26,925 Something racial, that's an American thing. 998 00:56:27,634 --> 00:56:29,386 Why in Brazil is it only affection for black people? 999 00:56:30,053 --> 00:56:30,970 [sneers] Right? 1000 00:56:34,432 --> 00:56:35,517 [low voice] I don't know. 1001 00:56:36,601 --> 00:56:37,811 [ironic] I'm not black. 1002 00:56:38,812 --> 00:56:41,689 Do you think affection would be different, if you were white? 1003 00:56:42,941 --> 00:56:43,817 I don't know. 1004 00:56:44,859 --> 00:56:45,944 [ironic] I'm not white. 1005 00:56:47,487 --> 00:56:48,405 Are you wanting to be? 1006 00:56:50,073 --> 00:56:50,907 [man sighs] 1007 00:56:52,242 --> 00:56:54,244 That song you sang, 1008 00:56:54,869 --> 00:56:57,163 Whose idea was it? It was your idea, or anyone else's? 1009 00:56:57,247 --> 00:56:58,289 It's just mine. 1010 00:56:58,790 --> 00:56:59,916 The idea of ​​the song. 1011 00:57:01,000 --> 00:57:01,835 [sighs] 1012 00:57:02,669 --> 00:57:05,713 Look, I already did a show for people left, 1013 00:57:06,381 --> 00:57:07,715 and I don't consider myself a communist. 1014 00:57:08,383 --> 00:57:09,592 I even served 1015 00:57:09,676 --> 00:57:13,179 - in an artillery barracks in Leblon. - Yes, we have your file. 1016 00:57:15,890 --> 00:57:17,016 And that. 1017 00:57:17,100 --> 00:57:18,560 My thing is… 1018 00:57:19,269 --> 00:57:20,895 sing music for the people. 1019 00:57:20,979 --> 00:57:22,730 White, poor, rich. 1020 00:57:23,273 --> 00:57:24,315 Black. 1021 00:57:26,317 --> 00:57:28,319 All over Brazil, end to end. 1022 00:57:29,737 --> 00:57:30,697 [low voice] That's it. 1023 00:57:33,741 --> 00:57:35,160 [phones ring] 1024 00:57:35,869 --> 00:57:36,744 [man] Simonal! 1025 00:57:39,789 --> 00:57:41,791 [indistinct background conversation] 1026 00:57:45,462 --> 00:57:47,797 - I loved your shoes. - [Simonal laughs mockingly] 1027 00:57:49,591 --> 00:57:52,093 - Thank you. - I'm your fan, okay? 1028 00:57:53,470 --> 00:57:54,304 Serious. 1029 00:57:56,347 --> 00:57:57,515 Great. [laughs lightly] 1030 00:57:58,641 --> 00:58:00,727 You can rest assured that here 1031 00:58:01,478 --> 00:58:03,188 There won't be any dirt for you, no. 1032 00:58:04,731 --> 00:58:06,316 [Simonal sighs briefly] 1033 00:58:06,399 --> 00:58:07,442 I'm relieved. 1034 00:58:07,984 --> 00:58:09,861 Same. [laughs lightly, sighs] 1035 00:58:10,445 --> 00:58:13,114 Look, I'm going to do a show now in Rio de Janeiro. 1036 00:58:13,990 --> 00:58:15,283 Nice, hot show. 1037 00:58:15,950 --> 00:58:16,993 I'm inviting you. 1038 00:58:17,785 --> 00:58:19,370 You can go there. Everything is in order. 1039 00:58:19,454 --> 00:58:22,081 Drink, food, women. 1040 00:58:22,165 --> 00:58:24,167 [mocks] If you're interested. 1041 00:58:26,878 --> 00:58:29,422 You just made a great friend. 1042 00:58:31,216 --> 00:58:32,634 [Simonal] Look. [laughs lightly] 1043 00:58:34,302 --> 00:58:35,637 I'll give you a card here, 1044 00:58:36,137 --> 00:58:37,722 anything. Oops. 1045 00:58:46,606 --> 00:58:47,565 See you soon. 1046 00:58:53,279 --> 00:58:55,281 [upbeat orchestral music] 1047 00:58:59,827 --> 00:59:01,329 [buzz] 1048 00:59:03,790 --> 00:59:05,083 [man] Extraordinary. 1049 00:59:07,460 --> 00:59:08,836 [buzz] 1050 00:59:10,380 --> 00:59:12,590 [upbeat orchestral music continues] 1051 00:59:14,092 --> 00:59:16,427 [Simonal vibrates] The owner of the feijoada! 1052 00:59:17,387 --> 00:59:18,388 [man] Listen, Simona. 1053 00:59:18,471 --> 00:59:21,432 This means that our tribute Did Martin Luther King bother you? 1054 00:59:21,516 --> 00:59:25,478 Yeah, I won't even tell you. They're saying there isn't racism here in Brazil, which is a milonga. 1055 00:59:25,562 --> 00:59:28,314 That nowadays, everything has a meaning for someone, right? 1056 00:59:28,398 --> 00:59:30,191 I don't care about this FLA x FLU, 1057 00:59:30,275 --> 00:59:31,484 I want to get on with my life. 1058 00:59:31,568 --> 00:59:32,527 You have to be smart. 1059 00:59:32,610 --> 00:59:33,570 [sneers] Look. 1060 00:59:34,112 --> 00:59:36,114 Know someone smarter than me, Miele? 1061 00:59:36,197 --> 00:59:38,199 [upbeat orchestral music continues] 1062 00:59:40,618 --> 00:59:42,036 [buzz] 1063 00:59:43,329 --> 00:59:44,247 [horns] 1064 00:59:45,665 --> 00:59:47,667 - [sings "País Tropical"] - ♪ "Sambaby", "Sambaby" ♪ 1065 00:59:47,750 --> 00:59:50,253 ♪ I may not be a Band Leader ♪ 1066 00:59:51,504 --> 00:59:52,880 ♪ But anyway, at home ♪ 1067 00:59:52,964 --> 00:59:55,883 ♪ All my friends, My comrades respect me ♪ 1068 00:59:55,967 --> 00:59:58,511 This here is Octavian, the accountant that Moretti appointed. 1069 00:59:58,595 --> 01:00:01,681 Oh yeah, wonderful. I'm already talking to you, just a little minute. You can feel free. 1070 01:00:02,181 --> 01:00:03,975 ["Tropical Country" continues] 1071 01:00:04,058 --> 01:00:05,852 ♪ In February ♪ 1072 01:00:06,769 --> 01:00:09,105 ♪ There's carnival ♪ 1073 01:00:09,188 --> 01:00:11,608 ♪ I have a Beetle and a guitar ♪ 1074 01:00:11,691 --> 01:00:14,611 ♪ I'm Flamengo And I have a black girl called Tereza ♪ 1075 01:00:15,486 --> 01:00:17,780 [excited] How wonderful, Jorge. 1076 01:00:17,864 --> 01:00:19,032 What did you think of the song? 1077 01:00:19,866 --> 01:00:21,784 - I? - You. What did you think of this song? 1078 01:00:23,578 --> 01:00:25,413 - Very fun. - [Simonal] Oops! 1079 01:00:25,496 --> 01:00:27,165 The question is the following: 1080 01:00:28,374 --> 01:00:31,085 Jorge's scoundrel wants to give this song for Gal Costa. 1081 01:00:31,169 --> 01:00:32,670 What do you think of Gal Costa? 1082 01:00:35,465 --> 01:00:37,300 [tumbles] He has a very beautiful voice. 1083 01:00:37,383 --> 01:00:39,552 I think so too. He has a beautiful, wonderful voice. 1084 01:00:39,636 --> 01:00:41,179 Some hair, right, Jorge? 1085 01:00:41,846 --> 01:00:45,391 Well then, he wants to give it to Gal Costa, and I want to record. 1086 01:00:45,475 --> 01:00:46,809 [Simonal] I just had an idea. 1087 01:00:47,644 --> 01:00:50,938 If we omit the last syllables of words? Type: "Mor…" 1088 01:00:51,022 --> 01:00:54,525 ♪ "Mo… In a pa tropi ♪ 1089 01:00:55,860 --> 01:00:58,404 ♪ Bless for Give ♪ 1090 01:00:59,405 --> 01:01:02,116 ♪ And beautiful by nature ♪ 1091 01:01:02,200 --> 01:01:03,910 ♪ What a Belê! ♪ 1092 01:01:03,993 --> 01:01:05,578 ♪ In fever ♪ 1093 01:01:06,162 --> 01:01:08,748 - Much better. - Is there no more swing? Much better! 1094 01:01:08,831 --> 01:01:09,874 [Simonal laughs] 1095 01:01:09,957 --> 01:01:11,918 I liked it! I liked! 1096 01:01:12,001 --> 01:01:13,878 [Simonal] Hired accountant. 1097 01:01:13,961 --> 01:01:17,465 ♪ I'm Flamê There’s one called Terê ♪ 1098 01:01:17,548 --> 01:01:21,386 ♪ I'm Flamê There's one called Terê ♪ 1099 01:01:21,469 --> 01:01:24,430 ♪ I'm Flamengo And I have a black girl called Tereza ♪ 1100 01:01:25,306 --> 01:01:27,517 ♪ I'm Flamengo And I have a black girl called Tereza ♪ 1101 01:01:27,600 --> 01:01:31,396 ♪ I am Flamengo And I don't get rid of anyone ♪ 1102 01:01:31,479 --> 01:01:35,191 ♪ But anyway… Brazilian if you are a fan of Flamengo you have ♪ 1103 01:01:35,274 --> 01:01:37,652 [Moran] Wilson Simonal de Castro. 1104 01:01:37,735 --> 01:01:38,736 Moran! 1105 01:01:38,820 --> 01:01:40,697 [excited] Moran! 1106 01:01:41,197 --> 01:01:43,074 [both laugh] 1107 01:01:44,367 --> 01:01:46,994 Let me see you, young man! 1108 01:01:47,870 --> 01:01:50,373 Did you like the feijoada with Simonal seasoning? 1109 01:01:50,456 --> 01:01:51,582 You liked it, right? 1110 01:01:51,666 --> 01:01:53,626 Tell me, tell me you liked it. 1111 01:01:53,710 --> 01:01:56,504 - [Simonal laughs] - I always knew you would work out. 1112 01:01:56,587 --> 01:01:59,090 - [scoffs] Me too. - [both laugh] 1113 01:01:59,173 --> 01:02:01,759 Be careful with that coat there, please, Marcelão. 1114 01:02:01,843 --> 01:02:03,136 - Do you want whiskey? - [Moran] Whiskey? 1115 01:02:03,219 --> 01:02:06,180 - Bring us the whiskey. Cowboy. - [Moran] No need. 1116 01:02:06,806 --> 01:02:08,307 Imagine, Moran. 1117 01:02:08,391 --> 01:02:10,393 - It's great to have you here! - [Moran laughs] 1118 01:02:10,476 --> 01:02:12,103 - And the Dry Boys? - [Moran hesitates] 1119 01:02:12,186 --> 01:02:14,021 It wasn't a dead end street, 1120 01:02:14,105 --> 01:02:15,732 the champignon was missing. 1121 01:02:17,358 --> 01:02:19,360 [Simonal] When they buy tickets, 1122 01:02:19,444 --> 01:02:21,612 they know exactly who they want to see. 1123 01:02:22,947 --> 01:02:24,866 [Moran] I've also been singing at night. 1124 01:02:26,117 --> 01:02:28,369 Yeah, my life is crazy, man. 1125 01:02:28,453 --> 01:02:31,372 Working hard, like a stupid cockroach. 1126 01:02:31,456 --> 01:02:33,541 No time to see friends. 1127 01:02:34,417 --> 01:02:36,127 No time to see you, Moran. 1128 01:02:36,711 --> 01:02:37,920 - How are you? - I am fine. 1129 01:02:38,004 --> 01:02:39,297 - And the music? - [Moran] Okay. 1130 01:02:39,380 --> 01:02:41,382 managed to get something from my repertoire… 1131 01:02:41,466 --> 01:02:43,468 [hesitates] In fact, I came… 1132 01:02:44,051 --> 01:02:46,220 I came here to hit a ball with you, Simona. 1133 01:02:46,304 --> 01:02:47,430 Great! 1134 01:02:48,097 --> 01:02:49,307 You trust me, right, Simona? 1135 01:02:49,807 --> 01:02:50,933 Moran. 1136 01:02:51,017 --> 01:02:52,685 - Simonal. - [Simonal laughs] 1137 01:02:52,769 --> 01:02:54,937 [both laugh, sigh] 1138 01:02:55,563 --> 01:02:58,191 [hesitates] Yeah… I'm very happy. 1139 01:02:59,984 --> 01:03:01,819 Very happy for the success what you are doing. 1140 01:03:01,903 --> 01:03:03,696 - Same. - [Simonal] Thank you. 1141 01:03:04,489 --> 01:03:07,283 But cool, Simona. From friend to friend. 1142 01:03:07,867 --> 01:03:11,120 [sighs] I think this song what are you doing... 1143 01:03:11,204 --> 01:03:12,789 It's music to sell records. 1144 01:03:12,872 --> 01:03:15,958 - To make money, to become famous. - [Moran] And the lyrics? 1145 01:03:16,042 --> 01:03:18,461 - It's rhythm and chorus. - [Moran] Okay, but what about the lyrics? 1146 01:03:18,544 --> 01:03:20,213 - The letter that slips away. - Are you escaping? 1147 01:03:20,296 --> 01:03:22,256 - Let it go. - [Moran] Skip the lyrics? 1148 01:03:22,340 --> 01:03:23,591 No, wait a minute. Simona… 1149 01:03:24,967 --> 01:03:26,219 The people listen to you, man. 1150 01:03:26,719 --> 01:03:29,931 We are living in a dictatorship, and you singing "País Tropical"? 1151 01:03:30,598 --> 01:03:34,101 Moran, follow your style, that I follow mine. 1152 01:03:36,229 --> 01:03:38,147 Marcelão, please take my car away. 1153 01:03:39,649 --> 01:03:41,359 [Marcelo] I went! Good to see you, Moran. 1154 01:03:42,235 --> 01:03:43,236 Thanks, Marcelão. 1155 01:03:43,736 --> 01:03:44,654 [door opens] 1156 01:03:46,447 --> 01:03:47,281 [door closes] 1157 01:03:47,365 --> 01:03:48,616 Look at you, Simona. 1158 01:03:50,076 --> 01:03:53,663 Okay, I think you are on the wrong path, man. 1159 01:03:55,164 --> 01:03:55,998 [laughs lightly] 1160 01:03:56,082 --> 01:03:57,416 [tense music] 1161 01:03:57,500 --> 01:03:58,793 Look at you, Moran. 1162 01:03:59,669 --> 01:04:01,295 Look around you. 1163 01:04:01,838 --> 01:04:02,755 Look around you. 1164 01:04:05,091 --> 01:04:06,467 [tense music continues] 1165 01:04:11,138 --> 01:04:12,223 [sighs heavily] 1166 01:04:14,058 --> 01:04:15,017 [sip] 1167 01:04:15,977 --> 01:04:18,688 - [Simonal] Moran! Moran, Moran! - [Moran] Wait a minute. 1168 01:04:18,771 --> 01:04:21,524 - [Moran] Stop, Simona. - What do you have? Easy there, man? 1169 01:04:21,607 --> 01:04:23,109 What do you want? 1170 01:04:23,192 --> 01:04:24,610 What do you want, man? 1171 01:04:24,694 --> 01:04:27,655 - [Moran asks] - What do you want? What do you need? 1172 01:04:28,823 --> 01:04:31,075 Is it money? Is it work? 1173 01:04:32,034 --> 01:04:34,912 Work with us at Simonal Produções. With me and Marcelão. 1174 01:04:36,163 --> 01:04:37,290 Come along, man. 1175 01:04:42,461 --> 01:04:44,589 Take it up your ass, Wilson Simonal. 1176 01:04:53,097 --> 01:04:55,099 [piano melody] 1177 01:04:55,975 --> 01:04:57,518 [kids talking in the background] 1178 01:04:58,686 --> 01:04:59,979 [boy screams] Kick! 1179 01:05:01,397 --> 01:05:02,315 [Simonal] Touch it. 1180 01:05:03,357 --> 01:05:05,651 Tap on top. Kill it head on, my brother. 1181 01:05:05,735 --> 01:05:07,153 Mata de Cabe… Oops! 1182 01:05:07,236 --> 01:05:08,362 Wow, in hand. 1183 01:05:10,573 --> 01:05:12,575 [children laughing in the background] 1184 01:05:13,117 --> 01:05:14,702 Take it. Marcelão, come play with us. 1185 01:05:14,785 --> 01:05:17,079 [Marcelo] I'm here watching the march. 1186 01:05:17,705 --> 01:05:20,249 What march? Marching is for rich kids. 1187 01:05:20,333 --> 01:05:21,417 See if there are any Creoles there. 1188 01:05:21,500 --> 01:05:22,960 [phone rings] 1189 01:05:24,337 --> 01:05:26,339 [indistinct speech on background TV] 1190 01:05:26,881 --> 01:05:28,549 [phone ringing] 1191 01:05:29,216 --> 01:05:30,384 [Tereza moans] 1192 01:05:31,469 --> 01:05:33,137 [Tereza sighs] Hello? 1193 01:05:35,723 --> 01:05:36,641 It's OK. 1194 01:05:37,975 --> 01:05:38,809 I'll call. 1195 01:05:39,310 --> 01:05:41,312 [indistinct speech on background TV] 1196 01:05:41,395 --> 01:05:42,355 [Tereza] Wilson! 1197 01:05:42,939 --> 01:05:43,814 [Simonal] Hi. 1198 01:05:44,607 --> 01:05:45,691 [Tereza] Phone. 1199 01:05:45,775 --> 01:05:48,361 - [Simonal] Wait a minute, guys. - [Tereza] It's from the bank. 1200 01:05:49,195 --> 01:05:50,029 Okay. 1201 01:05:50,821 --> 01:05:52,239 [kids talking in the background] 1202 01:05:53,032 --> 01:05:53,866 [Simonal] Hello? 1203 01:05:55,534 --> 01:05:57,536 [suspenseful music] 1204 01:05:59,580 --> 01:06:00,998 [Simonal] What the fuck is this? 1205 01:06:01,624 --> 01:06:02,458 [questions] 1206 01:06:02,541 --> 01:06:04,669 Answer me. What the fuck is this? 1207 01:06:04,752 --> 01:06:06,420 Why didn't anyone pay my income tax? 1208 01:06:07,630 --> 01:06:09,382 Where did this bunch of beads come from? 1209 01:06:09,465 --> 01:06:10,925 I work like a mule, 1210 01:06:11,425 --> 01:06:14,053 there are more than 300 shows per year. Selling millions of records, 1211 01:06:14,136 --> 01:06:15,805 How do I not have money in my account? 1212 01:06:15,888 --> 01:06:18,140 Simona, this is the people's fault from Accounting, man. 1213 01:06:18,224 --> 01:06:20,851 And who do I pay to take care of of the Accounting staff? 1214 01:06:22,603 --> 01:06:25,398 There are a lot of people making money at my expense. 1215 01:06:25,481 --> 01:06:27,024 Where's Taviani? I'll ask him! 1216 01:06:28,567 --> 01:06:30,069 [screams] Someone will answer that for me. 1217 01:06:30,152 --> 01:06:31,904 - [heavy footsteps] - [phone rings] 1218 01:06:34,240 --> 01:06:35,241 [buzz] 1219 01:06:39,245 --> 01:06:42,748 Mr. Taviani, you were placed here upon recommendation from Seu Moretti, 1220 01:06:43,249 --> 01:06:45,960 to catch up on my accounting. It's not that? 1221 01:06:46,043 --> 01:06:47,003 [nods] 1222 01:06:47,086 --> 01:06:50,423 So why did my manager tell me Can I lose my apartment in São Paulo? 1223 01:06:50,506 --> 01:06:53,300 Your Simonal, the expenses of the company are… [hesitates] 1224 01:06:53,801 --> 01:06:57,096 …extravagant, if you allow me to say. 1225 01:06:57,179 --> 01:06:59,015 The money coming in does not cover what goes out. 1226 01:06:59,098 --> 01:07:01,976 And what are these extravagant expenses? of my company? 1227 01:07:02,560 --> 01:07:03,769 Your personal expenses. 1228 01:07:03,853 --> 01:07:05,438 Your wife too. 1229 01:07:05,521 --> 01:07:07,982 From your mother, from your entire family. 1230 01:07:08,065 --> 01:07:09,275 It's one check after another. 1231 01:07:09,358 --> 01:07:12,695 Are you trying to place the blame? of your incompetence in my family? 1232 01:07:12,778 --> 01:07:13,696 And that? 1233 01:07:14,447 --> 01:07:15,698 Why didn't you warn me? 1234 01:07:15,781 --> 01:07:19,952 As my accountant, you should let me know If there's a hole in my account, right? 1235 01:07:20,036 --> 01:07:21,704 [screams] Get out of my company! 1236 01:07:22,204 --> 01:07:24,373 You are fired. Get out of my company! 1237 01:07:24,457 --> 01:07:26,125 Simonal, I didn't do anything. I swear. 1238 01:07:26,208 --> 01:07:28,544 - I already told you... - Get out or I'll have someone take you out! 1239 01:07:28,627 --> 01:07:29,628 Go away! 1240 01:07:32,923 --> 01:07:36,886 [screams] I was robbed inside from my own company! 1241 01:07:36,969 --> 01:07:38,679 That's what's happening! 1242 01:07:42,975 --> 01:07:45,144 - [orchestra playing on TV] - [door opens] 1243 01:07:47,938 --> 01:07:49,982 - [door closes] - [presenter] Orquestra TV Tupi, 1244 01:07:50,066 --> 01:07:51,150 from São Paulo. 1245 01:07:51,817 --> 01:07:53,652 Conductor Erlon Chaves. 1246 01:07:54,528 --> 01:07:57,698 Sound Three and Simonal and Sarah Vaughan. 1247 01:07:59,492 --> 01:08:00,409 [Tereza] What's up? 1248 01:08:02,119 --> 01:08:03,287 Did you manage to solve it? 1249 01:08:11,212 --> 01:08:13,005 Who did you speak to? Did you speak to the bank? 1250 01:08:13,089 --> 01:08:15,216 Teresa, please Don't interfere in this story. 1251 01:08:16,342 --> 01:08:17,259 Please. 1252 01:08:18,636 --> 01:08:20,346 I stopped paying allowance 1253 01:08:21,138 --> 01:08:22,431 from your mother? 1254 01:08:22,515 --> 01:08:24,725 From your aunt, your sister? 1255 01:08:26,393 --> 01:08:28,729 So don't get involved in that. 1256 01:08:30,106 --> 01:08:33,442 Or do you want more money to spend? to the tubes with their rubbish? 1257 01:08:35,694 --> 01:08:38,072 Sorry. Please leave me alone. 1258 01:08:38,572 --> 01:08:39,406 Please. 1259 01:08:49,416 --> 01:08:51,085 [low voice] Your program will begin. 1260 01:08:51,168 --> 01:08:52,878 Teresa, please. 1261 01:08:52,962 --> 01:08:53,963 Leave me alone. 1262 01:08:54,046 --> 01:08:55,923 [Simonal] Please. [sighs] 1263 01:08:57,716 --> 01:09:00,803 - But it's your meeting with Sarah Vaughan... - I don't care about her. 1264 01:09:00,886 --> 01:09:03,597 I don't care about Sarah Vaughan! 1265 01:09:07,226 --> 01:09:10,729 ["The Shadow of Your Smile", by Simonal and Sarah Vaughan, playing on TV] 1266 01:09:13,023 --> 01:09:15,025 [singing in English] 1267 01:09:18,696 --> 01:09:20,072 [audience cheers] 1268 01:09:20,906 --> 01:09:22,032 [audience laughs] 1269 01:09:24,076 --> 01:09:27,079 [singing in English] 1270 01:09:34,378 --> 01:09:36,380 [singing in English] 1271 01:09:39,466 --> 01:09:41,594 [Sarah Vaughan speaks in English] 1272 01:09:42,136 --> 01:09:43,846 [singing in English] 1273 01:09:46,098 --> 01:09:47,266 [cries, sniffles] 1274 01:09:58,777 --> 01:10:00,779 [sighs] 1275 01:10:03,324 --> 01:10:05,618 ["The Shadow of Your Smile" continues on TV] 1276 01:10:10,497 --> 01:10:12,833 [singing in English] 1277 01:10:15,461 --> 01:10:17,713 [singing in English] 1278 01:10:21,008 --> 01:10:22,635 [audience applauds] 1279 01:10:23,802 --> 01:10:26,055 [singing in English] 1280 01:10:29,642 --> 01:10:30,976 [bottle blows] 1281 01:10:35,105 --> 01:10:36,273 [Tereza gasps] 1282 01:10:40,194 --> 01:10:41,320 [bang] 1283 01:10:46,033 --> 01:10:47,117 Teresa? 1284 01:10:49,161 --> 01:10:49,995 Teresa? 1285 01:10:56,252 --> 01:10:57,920 [distressed] My God! Teresa! 1286 01:10:59,421 --> 01:11:01,215 Teresa! Teresa! 1287 01:11:01,757 --> 01:11:02,675 Teresa! 1288 01:11:03,259 --> 01:11:04,343 [muffled voice] Tereza! 1289 01:11:04,843 --> 01:11:05,678 Teresa! 1290 01:11:09,640 --> 01:11:12,268 ["The Shadow of Your Smile" continues on TV] 1291 01:11:25,489 --> 01:11:26,407 [whispers] Hey. 1292 01:11:27,700 --> 01:11:28,534 Is it better? 1293 01:11:31,870 --> 01:11:34,957 - [Tereza weak voice] Forgive me. - [whispers] No. It's okay. 1294 01:11:35,040 --> 01:11:37,960 [weak voice] I had no right to do this with you. 1295 01:11:38,043 --> 01:11:39,628 - It is good too. - [Tereza gasps] 1296 01:11:40,838 --> 01:11:43,465 [weak voice] I don't know what's wrong happening to me. 1297 01:11:49,888 --> 01:11:50,973 I will solve everything. 1298 01:11:51,056 --> 01:11:52,641 [sentimental music] 1299 01:11:52,725 --> 01:11:53,809 - Okay? - [Tereza sniffles] 1300 01:11:55,519 --> 01:11:56,395 [questions] 1301 01:11:57,396 --> 01:11:58,605 [Tereza sniffles] 1302 01:12:02,151 --> 01:12:04,028 - [Tereza sniffles] - [Simonal asks] 1303 01:12:05,321 --> 01:12:07,197 - [Tereza whimpers] - [Simonal laughs] 1304 01:12:07,281 --> 01:12:08,657 [Tereza sighs] 1305 01:12:11,201 --> 01:12:12,286 [Simonal inhales] 1306 01:12:14,121 --> 01:12:15,247 [Tereza sighs deeply] 1307 01:12:20,085 --> 01:12:21,795 [Moretti] Your contract is still valid. 1308 01:12:21,879 --> 01:12:23,213 You signed this here. 1309 01:12:23,297 --> 01:12:27,217 - That's very naive of you. - [Simonal] Everyone won, except me. 1310 01:12:27,301 --> 01:12:30,429 Look, it's not my fault, and Shell is not to blame either, 1311 01:12:30,512 --> 01:12:32,806 if you don't know how to manage your money. 1312 01:12:32,890 --> 01:12:36,226 [mockery] The issue is not not knowing manage my money, 1313 01:12:36,310 --> 01:12:39,563 I hired that accountant that you indicated to me, 1314 01:12:39,646 --> 01:12:41,273 and it gave a blow to my company! 1315 01:12:42,399 --> 01:12:44,318 Where did it end up all that money, Moretti? 1316 01:12:44,401 --> 01:12:45,903 What are you insinuating, huh, Simonal? 1317 01:12:46,904 --> 01:12:48,322 What are you insinuating? 1318 01:12:49,281 --> 01:12:51,784 Look, like this, you'll end up Fucking yourself, okay? 1319 01:12:51,867 --> 01:12:53,744 [screams] But go fuck yourself! 1320 01:12:58,707 --> 01:13:00,167 [phones ring] 1321 01:13:02,961 --> 01:13:04,004 [sighs] 1322 01:13:06,799 --> 01:13:09,259 - [Marcelo] Simonal. - What is it, Marcelão? 1323 01:13:09,843 --> 01:13:12,221 - Son of a bitch Taviani, man. - What's wrong with him? 1324 01:13:12,304 --> 01:13:14,056 He went to the Labor Court against you. 1325 01:13:14,139 --> 01:13:15,599 - How is it? - That's right. 1326 01:13:15,682 --> 01:13:18,685 You're claiming that you broke the contract, You want compensation. 1327 01:13:18,769 --> 01:13:20,020 [screams] What a son of a bitch! 1328 01:13:20,104 --> 01:13:21,855 - Scoundrel, liar! - [Marcelo] That's it. 1329 01:13:21,939 --> 01:13:24,942 [screams] He stole my money! Robbed me and still wants to sue me? 1330 01:13:25,025 --> 01:13:26,985 - Son of a bitch! - Okay, but what now? 1331 01:13:27,069 --> 01:13:29,947 - What are you going to do? - I don't know! Please leave my room. 1332 01:13:30,030 --> 01:13:32,324 Get out of my room and I'll solve it this shit! 1333 01:13:33,409 --> 01:13:34,785 [mumbles] Son of a bitch. 1334 01:13:37,996 --> 01:13:39,289 Bandit. 1335 01:13:40,249 --> 01:13:42,251 [tense music] 1336 01:13:45,254 --> 01:13:46,964 [dialed from phone] 1337 01:13:53,470 --> 01:13:55,472 [call tone] 1338 01:13:56,390 --> 01:13:58,392 [tense music continues] 1339 01:14:04,106 --> 01:14:05,732 [call tone] 1340 01:14:07,901 --> 01:14:09,987 [doorbell rings insistently] 1341 01:14:10,070 --> 01:14:11,864 [knocks on the door] 1342 01:14:14,032 --> 01:14:16,535 [knocks on the door, rings the doorbell insistently] 1343 01:14:17,661 --> 01:14:21,582 [bell rings insistently, knocks on the door] 1344 01:14:22,708 --> 01:14:26,879 [knocks on the door, rings the doorbell insistently] 1345 01:14:29,506 --> 01:14:30,424 Your Taviani? 1346 01:14:31,300 --> 01:14:33,552 - It is me. - Please follow us. 1347 01:14:34,720 --> 01:14:36,013 [hesitates] Why? 1348 01:14:36,096 --> 01:14:37,639 Please, Mr. Taviani. 1349 01:14:37,723 --> 01:14:39,766 - What are you going to do with him? - [man] Now! 1350 01:14:39,850 --> 01:14:42,436 - [Taviani] That's it! - [woman screams] Paulo, what is this? 1351 01:14:42,519 --> 01:14:44,688 - Don't get involved. Stay there. - [woman] What are you going to do? 1352 01:14:45,230 --> 01:14:47,524 [tumbles] Where are they taking me? 1353 01:14:47,608 --> 01:14:49,943 - [man] Are you going to talk or not? - [Taviani] I didn't do anything. 1354 01:14:50,027 --> 01:14:51,612 Are you going to talk or not, damn it? 1355 01:14:52,488 --> 01:14:54,490 [swallows water] 1356 01:14:54,990 --> 01:14:56,992 [man gasps] 1357 01:15:01,580 --> 01:15:02,664 [man gasps] 1358 01:15:07,211 --> 01:15:09,046 [Taviani breathes hard] 1359 01:15:09,129 --> 01:15:10,172 So, did you remember? 1360 01:15:10,714 --> 01:15:12,049 [gasps] I didn't do anything. 1361 01:15:12,132 --> 01:15:13,425 [sighs] Please. 1362 01:15:14,551 --> 01:15:16,553 [tense music] 1363 01:15:25,479 --> 01:15:27,064 [listens to music on headphones] 1364 01:15:35,239 --> 01:15:38,200 [man] Performed entry control and money outflow 1365 01:15:38,283 --> 01:15:41,495 from the office, until February 1971. 1366 01:15:41,578 --> 01:15:43,914 He acted honestly. 1367 01:15:43,997 --> 01:15:45,832 From then on, due to the increase… 1368 01:15:46,792 --> 01:15:50,462 [tumbles] with movement, the firm became disorganized 1369 01:15:51,129 --> 01:15:55,050 and found it easier in committing embezzlement, 1370 01:15:55,133 --> 01:15:59,805 which were weekly. On average 400 to 500 cruises. 1371 01:16:00,722 --> 01:16:04,059 [man] This money I took, I spent it on nights out with drinks… 1372 01:16:04,142 --> 01:16:05,769 [listens to music on headphones] 1373 01:16:05,852 --> 01:16:07,145 [phone rings] 1374 01:16:09,731 --> 01:16:10,607 Simonal. 1375 01:16:13,235 --> 01:16:14,278 Did he confess? 1376 01:16:15,362 --> 01:16:17,030 I knew he was lying. 1377 01:16:19,324 --> 01:16:20,784 [Simonal] So, okay, we talk. 1378 01:16:22,286 --> 01:16:23,161 [Simonal sighs] 1379 01:16:23,996 --> 01:16:25,497 [Tereza] Who was that at that time? 1380 01:16:26,623 --> 01:16:27,874 [Simonal] Don't worry. 1381 01:16:28,709 --> 01:16:29,835 Business. 1382 01:16:30,961 --> 01:16:33,714 It's all blue with white dots. 1383 01:16:36,633 --> 01:16:37,801 [soft voice] Go to sleep. 1384 01:16:40,554 --> 01:16:42,556 - I'll wait for you. - [Simonal] I'm going. 1385 01:16:50,480 --> 01:16:51,732 [bell rings] 1386 01:16:56,486 --> 01:16:58,488 My God! [gasps] 1387 01:16:59,948 --> 01:17:01,908 - My God! - [Taviani cries] 1388 01:17:02,409 --> 01:17:05,370 [whining] Paulo… Paulo, what did they do to you? 1389 01:17:05,454 --> 01:17:06,413 My God! 1390 01:17:06,496 --> 01:17:09,207 [crying] My God, my love. You're all hurt. 1391 01:17:09,291 --> 01:17:10,167 [woman sighs] 1392 01:17:12,210 --> 01:17:13,420 I called the police. 1393 01:17:16,298 --> 01:17:17,841 You have to call the press. 1394 01:17:18,508 --> 01:17:20,677 [Tereza screams] Wilson, wake up! 1395 01:17:21,637 --> 01:17:22,846 Wake up! 1396 01:17:22,929 --> 01:17:24,765 - What happened, Tereza? Calm! - [Tereza] Wake up! 1397 01:17:24,848 --> 01:17:27,351 - [distressed] What is this? You promised me! - Calm down. 1398 01:17:27,434 --> 01:17:29,353 What is it? What happened? 1399 01:17:35,108 --> 01:17:37,110 [suspenseful music] 1400 01:18:01,009 --> 01:18:02,761 [engine turns off] 1401 01:18:13,105 --> 01:18:14,022 [door closes] 1402 01:18:26,743 --> 01:18:28,078 What the fuck, Santana? 1403 01:18:28,995 --> 01:18:31,164 You said that the guy It wouldn't bother me anymore. 1404 01:18:32,499 --> 01:18:33,750 You exaggerated! 1405 01:18:34,668 --> 01:18:37,295 It was supposed to scare the guy. You tortured the guy! 1406 01:18:39,756 --> 01:18:42,509 Stop putting on a show, right, Mr. Wilson Simonal? 1407 01:18:42,592 --> 01:18:43,927 There's no audience here. 1408 01:18:45,512 --> 01:18:46,722 The bar weighed on our side. 1409 01:18:49,391 --> 01:18:53,103 This kidnapping of your accountant, It's not our responsibility. 1410 01:18:53,603 --> 01:18:54,604 [Simonal] Holy shit… 1411 01:18:56,398 --> 01:18:57,357 [Santana sighs] 1412 01:19:01,486 --> 01:19:02,571 Calm down, animal. 1413 01:19:05,157 --> 01:19:07,451 I already found a way to free your bar. 1414 01:19:08,285 --> 01:19:09,411 Our bar. 1415 01:19:10,495 --> 01:19:12,873 The question is simple: I have to find a way 1416 01:19:13,957 --> 01:19:17,586 to justify participation of my Department in this story. 1417 01:19:19,087 --> 01:19:21,339 [Santana] So you will sign a document, 1418 01:19:21,423 --> 01:19:23,633 dated a week ago. 1419 01:19:23,717 --> 01:19:26,344 A kind of testimony from you. 1420 01:19:27,053 --> 01:19:29,055 Saying you were being threatened. 1421 01:19:29,639 --> 01:19:31,266 [phones ringing] 1422 01:19:38,690 --> 01:19:40,192 [buzz] 1423 01:19:42,360 --> 01:19:43,737 [sighs deeply] 1424 01:19:43,820 --> 01:19:45,822 - [door opens] - [tense music] 1425 01:19:55,165 --> 01:19:57,167 [tense music continues] 1426 01:20:04,466 --> 01:20:08,011 [Simonal] Actually, there's no point, this complaint from Mr. Taviani. 1427 01:20:08,094 --> 01:20:10,013 I have nothing to do with his kidnapping. 1428 01:20:10,096 --> 01:20:11,139 On the contrary, 1429 01:20:11,223 --> 01:20:15,185 I've been receiving anonymous phone calls, kidnapping my family, 1430 01:20:15,769 --> 01:20:19,397 if I don't help financially a subversive terrorist group. 1431 01:20:19,481 --> 01:20:20,482 Go back a little. 1432 01:20:20,565 --> 01:20:23,860 Why didn't you report it these threats before? 1433 01:20:23,944 --> 01:20:25,612 Because I thought it was a joke. 1434 01:20:26,530 --> 01:20:28,365 But in the last calls, 1435 01:20:28,865 --> 01:20:31,368 I thought Seu Taviani's voice was similar. 1436 01:20:32,661 --> 01:20:34,830 Are you saying that Your Taviani 1437 01:20:34,913 --> 01:20:37,499 Do you participate in these subversive organizations? 1438 01:20:37,582 --> 01:20:40,585 - [typing in background] - I don't know if that makes a lot of sense. 1439 01:20:40,669 --> 01:20:42,546 I even made some friends at DOPS. 1440 01:20:43,046 --> 01:20:44,631 [Simonal] Then, I decided to ask for help. 1441 01:20:45,507 --> 01:20:47,300 Look, if I made a mistake... 1442 01:20:48,426 --> 01:20:50,470 If I made a mistake, 1443 01:20:51,721 --> 01:20:54,683 was to have trusted the testimony by Seu Wilson Simonal. 1444 01:20:55,517 --> 01:20:56,810 Who accused 1445 01:20:57,853 --> 01:21:00,021 the Taviani of terrorism. 1446 01:21:00,856 --> 01:21:02,065 It is not? It's written there. 1447 01:21:03,650 --> 01:21:06,570 How would I know which was his invention. 1448 01:21:08,363 --> 01:21:09,197 [sighs] 1449 01:21:11,074 --> 01:21:12,826 That's what you can trust... [hesitates] 1450 01:21:15,161 --> 01:21:16,413 artist. 1451 01:21:19,457 --> 01:21:20,584 [Simonal sighs] 1452 01:21:23,587 --> 01:21:25,338 Let this stay between us. 1453 01:21:25,422 --> 01:21:27,465 - [instrumental samba music] - I trust a lot… 1454 01:21:27,549 --> 01:21:30,719 But I play openly, collaborate. If necessary. 1455 01:21:30,802 --> 01:21:33,513 So, of course… 1456 01:21:33,597 --> 01:21:35,223 In fact, you… 1457 01:21:35,307 --> 01:21:38,393 [indistinct conversations] 1458 01:21:38,935 --> 01:21:41,271 [instrumental samba music continues] 1459 01:21:41,354 --> 01:21:42,981 [Simonal] This is absurd. 1460 01:21:43,481 --> 01:21:44,691 We'll find out. 1461 01:21:44,774 --> 01:21:46,401 [Simonal] Okay, thanks. 1462 01:21:47,360 --> 01:21:48,361 See you later. 1463 01:21:50,238 --> 01:21:51,156 And you. 1464 01:21:51,865 --> 01:21:52,741 See you later. 1465 01:21:53,241 --> 01:21:54,075 [door opens] 1466 01:21:54,618 --> 01:21:55,452 [door closes] 1467 01:21:57,495 --> 01:21:59,372 Statement to be kept confidential? 1468 01:22:01,875 --> 01:22:02,876 No. 1469 01:22:03,710 --> 01:22:04,836 It doesn't ask for secrecy, no. 1470 01:22:05,629 --> 01:22:07,631 [tense music] 1471 01:22:19,726 --> 01:22:21,394 [guitar chord] 1472 01:22:21,978 --> 01:22:23,980 [Simonal] I'm not, snitch. 1473 01:22:24,481 --> 01:22:25,899 [Tereza] Where did they get that? 1474 01:22:26,566 --> 01:22:28,652 [Simonal] I said I was with some guys… 1475 01:22:29,486 --> 01:22:31,613 I wanted to fit in, I acted like a brat. 1476 01:22:32,572 --> 01:22:34,699 Idiot! [sighs] 1477 01:22:35,659 --> 01:22:36,660 [Simonal] I got fucked. 1478 01:22:37,535 --> 01:22:38,536 I fucked up. 1479 01:22:40,705 --> 01:22:42,832 [Tereza] The problem is that it wasn't just you. 1480 01:22:44,084 --> 01:22:44,918 And me? 1481 01:22:45,877 --> 01:22:46,962 And your children? 1482 01:22:50,715 --> 01:22:52,384 You were irresponsible, Wilson. 1483 01:22:55,095 --> 01:22:56,346 Irresponsible 1484 01:22:57,013 --> 01:22:58,139 and arrogant. 1485 01:22:58,932 --> 01:23:00,308 [phone rings] 1486 01:23:03,436 --> 01:23:04,729 [phone rings] 1487 01:23:06,106 --> 01:23:07,399 [whispers] This is all shit. 1488 01:23:07,941 --> 01:23:09,317 [phone rings] 1489 01:23:12,737 --> 01:23:13,571 Okay. 1490 01:23:15,740 --> 01:23:17,784 BH show, cancelled. 1491 01:23:17,867 --> 01:23:18,952 [Simonal exhales deeply] 1492 01:23:19,703 --> 01:23:21,538 But that's okay, right? It's part of the game. 1493 01:23:22,205 --> 01:23:24,165 I won't cover the sun with the sieve, Marcelão. 1494 01:23:24,249 --> 01:23:25,250 I'm not stupid. 1495 01:23:25,750 --> 01:23:27,293 [screams] It's the fifth show cancelled! 1496 01:23:28,420 --> 01:23:30,588 - Call the studio. - I already called. 1497 01:23:30,672 --> 01:23:32,674 - So what? - Nobody answers. 1498 01:23:35,593 --> 01:23:37,303 [smooth instrumental jazz music] 1499 01:23:44,144 --> 01:23:46,229 [smooth instrumental jazz music continues] 1500 01:23:47,689 --> 01:23:48,857 [elevator bell] 1501 01:23:50,191 --> 01:23:51,276 Come on, Teresa. 1502 01:23:59,951 --> 01:24:01,953 [buzz] 1503 01:24:03,413 --> 01:24:06,041 Excuse me, good evening. Table for two people, please. 1504 01:24:06,124 --> 01:24:07,417 [maître d'] Yes, good evening. 1505 01:24:07,500 --> 01:24:09,878 We are full for dinner. 1506 01:24:10,712 --> 01:24:13,298 [inhales] We don't mind to wait a little. 1507 01:24:13,381 --> 01:24:15,508 [maître d'] Madam, we are complete. 1508 01:24:15,592 --> 01:24:18,470 But as you are full for dinner, if a couple just left 1509 01:24:18,553 --> 01:24:20,138 and have several empty tables? 1510 01:24:20,889 --> 01:24:22,766 We are complete. 1511 01:24:22,849 --> 01:24:25,101 [Simonal] You only know how to say: "Are we complete"? 1512 01:24:25,185 --> 01:24:27,228 - Go get me a table. - Go away! 1513 01:24:27,312 --> 01:24:29,522 - [Simonal] Please! I want dinner. - Go away! 1514 01:24:29,606 --> 01:24:31,524 You reported Gil and Caetano. 1515 01:24:31,608 --> 01:24:33,109 You are a snitch! 1516 01:24:33,193 --> 01:24:35,028 Did I rat out Gil and Caetano? 1517 01:24:35,111 --> 01:24:37,113 What are you talking about, you ignoramus? 1518 01:24:37,197 --> 01:24:39,199 - I'm friends with Gil and Caetano! - He arrives. 1519 01:24:39,282 --> 01:24:40,658 - I'm their friend. -Wilson! 1520 01:24:40,742 --> 01:24:44,037 [screams] I want to know who will prove it that I ratted out some artist friend! 1521 01:24:44,120 --> 01:24:46,122 [tense music] 1522 01:24:52,712 --> 01:24:53,963 [Tereza] You don't think about me. 1523 01:24:54,631 --> 01:24:56,257 I don't think about you, Tereza? 1524 01:24:56,341 --> 01:24:58,468 [Tereza sniffles] What a shame you got me through. 1525 01:24:58,551 --> 01:25:02,555 [Simonal] I don't know what you wanted that I would do differently. 1526 01:25:02,639 --> 01:25:04,099 [tumbles] I don't know. 1527 01:25:08,561 --> 01:25:10,188 I've never been accused like that. 1528 01:25:11,272 --> 01:25:13,900 - I wish you would do everything differently. - [Simonal murmurs] 1529 01:25:14,400 --> 01:25:15,235 [emphatic] Everything! 1530 01:25:15,860 --> 01:25:18,404 That you don't... [tumbles] go around doing nonsense! 1531 01:25:18,488 --> 01:25:20,698 Surrounding yourself with incompetent people, stupid people! 1532 01:25:21,783 --> 01:25:24,828 How did you not notice who were deceiving you? How did you not see it? 1533 01:25:25,328 --> 01:25:28,498 Could it be that after all these years, He's still a beast of a favela resident! 1534 01:25:28,581 --> 01:25:30,583 - [Tereza moans] - [bang] 1535 01:25:35,547 --> 01:25:36,965 [Simonal sighs briefly] 1536 01:25:41,594 --> 01:25:42,470 [Tereza sniffles] 1537 01:25:44,764 --> 01:25:45,682 [Tereza sniffles] 1538 01:25:48,893 --> 01:25:50,145 [Tereza sniffles] 1539 01:25:50,895 --> 01:25:52,981 [footsteps move away] 1540 01:25:57,527 --> 01:25:58,736 [police sirens] 1541 01:25:59,779 --> 01:26:01,531 [tense music] 1542 01:26:02,532 --> 01:26:04,367 [distressed mother] Son, calm down! 1543 01:26:04,450 --> 01:26:05,493 Son… Teresa! 1544 01:26:05,577 --> 01:26:07,078 - [Simonal] Mom… - Teresa! Son... 1545 01:26:07,162 --> 01:26:09,247 - [Simonal whispers] - Son... No, okay. 1546 01:26:09,330 --> 01:26:11,124 Calm. Teresa! 1547 01:26:13,501 --> 01:26:14,961 [door closes] 1548 01:26:15,044 --> 01:26:16,337 [engine starts] 1549 01:26:16,421 --> 01:26:18,548 [sirens] 1550 01:26:21,718 --> 01:26:23,052 [buzz] 1551 01:26:23,136 --> 01:26:27,015 [TV reporter] Mr. Wilson Simonal de Castro was sentenced to 5 years in prison, 1552 01:26:27,098 --> 01:26:30,143 for kidnapping and extorting his accountant, Paulo Taviani. 1553 01:26:30,226 --> 01:26:32,729 Assuming he had struck 1554 01:26:32,812 --> 01:26:35,440 in your company, Simonal Artistic Productions. 1555 01:26:35,523 --> 01:26:37,525 [tense music continues] 1556 01:26:49,454 --> 01:26:50,997 [buzz] 1557 01:26:57,837 --> 01:26:59,839 Mr. Wilson Simonal! 1558 01:26:59,923 --> 01:27:01,883 Welcome. Make yourself at home, my brother. 1559 01:27:01,966 --> 01:27:03,551 [man] You can believe it, my brother. 1560 01:27:03,635 --> 01:27:07,513 Then, I didn't even recognize you without those all your gowns, huh, Simonal. [laughs] 1561 01:27:07,597 --> 01:27:10,600 [man 1] Sing us a little something. Sing there. 1562 01:27:11,226 --> 01:27:12,977 "Mommy Sprinkled Sugar on Me." 1563 01:27:13,061 --> 01:27:15,396 [laughs mockingly] 1564 01:27:16,064 --> 01:27:17,607 Where did she get the sugar, Simonal? 1565 01:27:17,690 --> 01:27:19,943 - [suspenseful music] - [crickets chirping] 1566 01:27:25,907 --> 01:27:27,909 [suspenseful music continues] 1567 01:27:31,454 --> 01:27:33,706 [Imperial echoing] Welcome to the best years of your life. 1568 01:27:36,834 --> 01:27:39,629 He recorded an album and it's already there, looking like a peacock. 1569 01:27:41,506 --> 01:27:43,258 [woman echoing] You reported Gil and Caetano! 1570 01:27:43,341 --> 01:27:45,343 You are a snitch! 1571 01:27:47,095 --> 01:27:49,222 [Tereza echoing] Irresponsible and arrogant. 1572 01:27:51,140 --> 01:27:53,059 [Moran echoing] Musician not welcome in the pool. 1573 01:27:53,142 --> 01:27:54,769 Even more Creole than you. 1574 01:27:54,852 --> 01:27:57,188 [Moretti echoing] Look, like this, You're going to end up getting fucked, okay? 1575 01:27:57,272 --> 01:27:59,274 But go fuck yourself! 1576 01:28:07,782 --> 01:28:10,201 [indistinct conversation of prisoners] 1577 01:28:16,165 --> 01:28:17,041 What's up, Simona? 1578 01:28:18,960 --> 01:28:20,044 Tranquility. 1579 01:28:20,545 --> 01:28:22,088 [police officer] Good news for you. 1580 01:28:26,134 --> 01:28:29,137 Your habeas corpus has arrived, scoundrel! 1581 01:28:30,054 --> 01:28:31,973 Joy, joy! 1582 01:28:39,647 --> 01:28:41,649 [intriguing music] 1583 01:28:51,617 --> 01:28:52,952 [gate creaks] 1584 01:28:54,829 --> 01:28:55,788 [gate closes] 1585 01:29:08,926 --> 01:29:10,261 [Simonal] Let's get out of here. 1586 01:29:13,389 --> 01:29:14,432 [Simonal sighs] 1587 01:29:14,515 --> 01:29:16,225 [intriguing music continues] 1588 01:29:22,940 --> 01:29:24,067 [Simonal sighs] 1589 01:29:48,007 --> 01:29:50,426 You can't stay like this anymore. 1590 01:29:52,053 --> 01:29:54,931 Get up from that bed, for the love of God! 1591 01:29:57,100 --> 01:29:58,142 [Simonal whimpers] 1592 01:30:01,604 --> 01:30:03,272 [hoarse voice] You're wasting away. 1593 01:30:04,065 --> 01:30:05,691 - [Simonal cries] - [Tereza] Xio. 1594 01:30:06,943 --> 01:30:09,362 - [Simonal cries] - [Tereza] Think… 1595 01:30:09,445 --> 01:30:11,155 [whispers] at your children. 1596 01:30:12,240 --> 01:30:14,033 Are you going to abandon your children? 1597 01:30:14,117 --> 01:30:16,119 [sentimental music] 1598 01:30:17,787 --> 01:30:18,913 [tearful voice] Get up! 1599 01:30:22,583 --> 01:30:23,626 [sighs] 1600 01:30:27,171 --> 01:30:28,381 [whimpers] 1601 01:30:30,925 --> 01:30:32,677 - [Simonal sighs] - [Tereza sniffles] 1602 01:30:32,760 --> 01:30:34,512 [Simonal] It's a lot for them, Tereza. 1603 01:30:35,721 --> 01:30:38,433 One black person from the favelas among them was a lot. 1604 01:30:39,725 --> 01:30:41,561 They set me up 1605 01:30:43,187 --> 01:30:44,021 [sighs] 1606 01:30:44,647 --> 01:30:46,232 [tearful voice] I don't want to stop singing! 1607 01:30:46,315 --> 01:30:48,317 - No. - [Simonal cries] What? 1608 01:30:48,401 --> 01:30:51,279 No, you won't stop singing. 1609 01:30:51,946 --> 01:30:54,365 They were waiting for me to make a mistake, that's all. 1610 01:30:55,199 --> 01:30:56,284 [Tereza] Please. 1611 01:30:57,285 --> 01:30:58,995 [tearful voice] Get up from that bed. 1612 01:31:00,496 --> 01:31:01,414 [Simonal sniffles] 1613 01:31:04,041 --> 01:31:05,334 [sighs, sniffles] 1614 01:31:11,883 --> 01:31:13,468 [Laura] Absurd. 1615 01:31:13,551 --> 01:31:14,802 Absurd. 1616 01:31:14,886 --> 01:31:18,473 The problem is that these motherfuckers They follow what the press says like cattle. 1617 01:31:19,015 --> 01:31:22,226 In these times of war, my friend, being accused of being a snitch, 1618 01:31:22,727 --> 01:31:25,480 even without any proof, destroy anyone. 1619 01:31:26,230 --> 01:31:28,316 Well, then let's change public opinion. 1620 01:31:28,399 --> 01:31:30,234 [laughs] And how are we going to do that? 1621 01:31:31,903 --> 01:31:34,238 With the help from the damn press, Tereza. 1622 01:31:35,031 --> 01:31:36,908 I will use my Pasquim contacts. 1623 01:31:36,991 --> 01:31:38,618 They destroyed me, Laurinha. 1624 01:31:39,160 --> 01:31:40,077 [Laura] Yes, Simona. 1625 01:31:40,161 --> 01:31:41,704 They destroyed you, yes. 1626 01:31:42,413 --> 01:31:44,874 But now they're the only ones capable to help you. 1627 01:31:45,374 --> 01:31:47,126 [Laura] We have dinner. 1628 01:31:47,210 --> 01:31:50,213 Call the Pasquim journalist. It says it's a Simonal exclusive. 1629 01:31:50,296 --> 01:31:52,340 And explain this story once and for all. 1630 01:31:52,423 --> 01:31:54,133 - Health. - [Laura] Long live the music… 1631 01:31:54,217 --> 01:31:55,718 - Long live the music. - …Brazilian popular. 1632 01:31:55,801 --> 01:31:57,720 - [all] Long live the music. - [laughs] 1633 01:31:57,803 --> 01:31:59,472 [Laura] Excuse me, just a minute. 1634 01:32:00,097 --> 01:32:02,099 [MPB music playing on the record player] 1635 01:32:03,601 --> 01:32:05,603 [indistinct background conversation] 1636 01:32:06,562 --> 01:32:07,647 [whispers] He's gone. 1637 01:32:08,314 --> 01:32:09,649 What do you mean, it disappeared? 1638 01:32:09,732 --> 01:32:13,069 I searched the entire house. I can't find him. It disappeared. 1639 01:32:13,152 --> 01:32:16,322 - [sighs] I think we better cancel. - We're not canceling anything. 1640 01:32:16,405 --> 01:32:18,866 For God's sake. He must be taking courage. 1641 01:32:18,950 --> 01:32:20,243 Just that. He will come back. 1642 01:32:20,326 --> 01:32:22,787 [Laura sighs] Let's serve dinner, come on. 1643 01:32:22,870 --> 01:32:24,330 [indistinct conversation] 1644 01:32:28,209 --> 01:32:29,460 [sighs] 1645 01:32:30,545 --> 01:32:32,255 [indistinct conversation] 1646 01:32:34,340 --> 01:32:36,676 - One more dose? - [reporter] No, I think I'm cool now. 1647 01:32:38,261 --> 01:32:39,720 In fact, it's about time for me. 1648 01:32:39,804 --> 01:32:41,305 - [Laura] That's it! - No… Peixoto. 1649 01:32:41,389 --> 01:32:43,307 Hold on a little longer. Fifteen minutes. 1650 01:32:43,391 --> 01:32:46,769 - He must be bursting out there. - He's not coming, Abelardo. 1651 01:32:46,852 --> 01:32:49,230 [listening to MPB on the radio] 1652 01:32:56,153 --> 01:32:58,656 - [engine noise] - Oh, it's him. It arrived. 1653 01:32:58,739 --> 01:33:00,032 [Laura] It's him. 1654 01:33:00,116 --> 01:33:02,535 - [Laura] Hey! Simona! - [Simonal laughs] 1655 01:33:02,618 --> 01:33:04,412 - [mumbles] - [Laura] My love. 1656 01:33:04,996 --> 01:33:06,831 [Simonal sighs] 1657 01:33:06,914 --> 01:33:09,083 - I miss you so much. - [Laura] Me too. 1658 01:33:09,166 --> 01:33:11,377 [Simonal with muffled voice] I'm glad you're here. 1659 01:33:11,460 --> 01:33:13,296 [Simonal murmurs] Thank you. 1660 01:33:13,379 --> 01:33:15,464 - That's friendship... Thank you - Simonal… He arrived. 1661 01:33:17,008 --> 01:33:19,677 - [Laura] I love you, baby. He comes. - [Simonal] Sorry. What are you talking about? 1662 01:33:19,760 --> 01:33:21,596 [Laura laughs awkwardly] Let's go get some coffee. 1663 01:33:21,679 --> 01:33:22,847 [Simonal sighs] 1664 01:33:29,729 --> 01:33:31,731 [Simonal] You came here to apologize to me. 1665 01:33:31,814 --> 01:33:33,065 - [laughs] - [Simonal] Wasn't it? 1666 01:33:34,108 --> 01:33:36,235 You came to apologize to me, didn’t you? 1667 01:33:37,153 --> 01:33:39,030 I decided to answer the request of friends… 1668 01:33:39,614 --> 01:33:42,116 - Oh! - …to give you a chance to explain yourself. 1669 01:33:42,199 --> 01:33:43,409 [screams] Explain to me? 1670 01:33:43,492 --> 01:33:45,620 You ruined my life! 1671 01:33:45,703 --> 01:33:48,080 - Was it me? - [Simonal] Ordinary! Scrotum! 1672 01:33:48,164 --> 01:33:49,540 - Is it? - [Simonal] Liar! 1673 01:33:49,624 --> 01:33:51,167 It ended my... You know... 1674 01:33:51,250 --> 01:33:53,336 Do you know what it's like not being able to sing? 1675 01:33:53,419 --> 01:33:56,339 - Stop! Do you know what it's like to not be able to sing? - [Tereza] Stop it, Simona! 1676 01:33:56,422 --> 01:33:59,508 Do you know what a singer is Can't sing? 1677 01:34:03,679 --> 01:34:04,889 [Abelard takes a deep breath] 1678 01:34:05,640 --> 01:34:06,641 [Abelard sighs] 1679 01:34:07,141 --> 01:34:07,975 My God. 1680 01:34:09,352 --> 01:34:10,978 [Simonal] Sorry, guys. 1681 01:34:11,062 --> 01:34:11,979 Sorry. 1682 01:34:12,063 --> 01:34:13,773 Stop it, animal. 1683 01:34:14,649 --> 01:34:16,275 - Listen here. - [Simonal breathes] 1684 01:34:16,359 --> 01:34:19,320 - You will get over this, do you understand? - [sighs] 1685 01:34:20,321 --> 01:34:23,532 They also turned their faces towards me when I sang the anthem on TV. 1686 01:34:25,910 --> 01:34:26,869 Elis… 1687 01:34:27,662 --> 01:34:28,621 Elis… 1688 01:34:29,997 --> 01:34:30,831 [inhales] 1689 01:34:31,916 --> 01:34:34,251 [sighs] They put me on the blacklist. 1690 01:34:36,462 --> 01:34:37,338 It is clear. 1691 01:34:40,883 --> 01:34:43,260 Why did they forgive you, and they didn't forgive me? 1692 01:34:47,890 --> 01:34:49,100 I'm black, Elis. 1693 01:34:50,267 --> 01:34:51,352 [Tereza inhales deeply] 1694 01:34:51,435 --> 01:34:53,145 [Tereza] He doesn't need to explain himself. 1695 01:34:53,229 --> 01:34:56,816 Talking, he doesn't need that. He needs the stage. 1696 01:34:57,483 --> 01:34:58,526 You need to sing. 1697 01:34:59,151 --> 01:35:00,069 And that. 1698 01:35:00,569 --> 01:35:02,279 That's it, we're going to do a show. 1699 01:35:02,363 --> 01:35:05,157 A secret show for the entire artistic class. 1700 01:35:05,241 --> 01:35:07,243 [instrumental samba music] 1701 01:35:09,662 --> 01:35:11,789 [Laura] Little do they know what awaits them. 1702 01:35:12,331 --> 01:35:13,916 [everyone laughs] 1703 01:35:15,334 --> 01:35:16,961 Oh, thank you very much. 1704 01:35:17,878 --> 01:35:19,839 Hello! How are you? 1705 01:35:26,721 --> 01:35:28,723 [instrumental samba music ends] 1706 01:35:46,240 --> 01:35:47,324 I'll go inside. 1707 01:35:48,617 --> 01:35:50,077 [man] Abelard! 1708 01:35:50,161 --> 01:35:51,787 Good to see you. How long! 1709 01:35:52,580 --> 01:35:54,457 Thank you for everything. [laughs] 1710 01:35:58,753 --> 01:36:00,755 [soft sentimental music] 1711 01:36:02,173 --> 01:36:03,090 I love you. 1712 01:36:17,605 --> 01:36:19,231 Grab that microphone... 1713 01:36:22,735 --> 01:36:25,571 and release all the joy that only you have. 1714 01:36:28,282 --> 01:36:29,742 And no one can resist. 1715 01:36:33,162 --> 01:36:34,497 [whispers] I couldn't resist. 1716 01:36:36,415 --> 01:36:37,333 [Simonal sniffles] 1717 01:36:41,462 --> 01:36:42,379 [Tereza sighs] 1718 01:36:44,340 --> 01:36:45,299 [Tereza] Good luck. 1719 01:36:47,384 --> 01:36:48,344 Thanks. 1720 01:36:49,011 --> 01:36:49,845 [door opens] 1721 01:36:51,347 --> 01:36:52,181 [door closes] 1722 01:36:52,681 --> 01:36:54,099 [exhales gently] 1723 01:37:07,238 --> 01:37:09,240 [applause] 1724 01:37:19,917 --> 01:37:23,629 [Abelardo] Good evening. Thank you very much to all of you for your presence. 1725 01:37:23,712 --> 01:37:25,923 But I ask you to keep your applause, 1726 01:37:26,006 --> 01:37:28,092 for those who will enter this stage in a little while. 1727 01:37:29,593 --> 01:37:32,388 This is a historic night. 1728 01:37:33,097 --> 01:37:35,266 Not just because we're going to celebrate the music, 1729 01:37:35,349 --> 01:37:36,976 like we always do, 1730 01:37:37,601 --> 01:37:40,688 but also because this is a night of reunion. 1731 01:37:41,522 --> 01:37:44,066 Ours, our reunion, with the artist 1732 01:37:44,733 --> 01:37:47,111 who taught us to sing along with him. 1733 01:37:47,862 --> 01:37:49,196 Ladies and gentlemen, 1734 01:37:49,697 --> 01:37:50,948 with you… 1735 01:37:51,532 --> 01:37:53,951 one of the greatest singers in Brazil. 1736 01:37:54,910 --> 01:37:56,287 Wilson Simonal! 1737 01:37:56,370 --> 01:37:57,246 [singing "Sá Marina"] 1738 01:37:57,329 --> 01:37:59,832 ♪ Going down the hillside street ♪ 1739 01:37:59,915 --> 01:38:04,169 ♪ Only those who saw it can tell ♪ 1740 01:38:05,254 --> 01:38:07,965 ♪ Smelling like orange blossom ♪ 1741 01:38:08,048 --> 01:38:12,970 ♪ Sá Marina comes to dance ♪ 1742 01:38:13,596 --> 01:38:17,892 ♪ In the usual white skirt Spin in the Sun ♪ 1743 01:38:17,975 --> 01:38:20,769 ♪ Who stopped to look ♪ 1744 01:38:21,854 --> 01:38:24,189 ♪ With your so cute way ♪ 1745 01:38:24,273 --> 01:38:30,362 ♪ Made the whole people sing ♪ 1746 01:38:31,572 --> 01:38:34,241 ♪ Wheel through life ♪ 1747 01:38:34,325 --> 01:38:38,996 ♪ And let this joy out ♪ 1748 01:38:39,580 --> 01:38:41,790 ♪ Dance that dawns the day ♪ 1749 01:38:41,874 --> 01:38:44,960 ♪ To sing ♪ 1750 01:38:47,379 --> 01:38:50,174 ♪ It's amazing that these people are distressed ♪ 1751 01:38:50,257 --> 01:38:55,012 ♪ Get excited and keep going ♪ 1752 01:38:55,596 --> 01:38:59,808 ♪ Show all this poetry of the look ♪ 1753 01:39:03,520 --> 01:39:06,231 ♪ Leaving verses in the match ♪ 1754 01:39:06,315 --> 01:39:09,985 ♪ And only songs to sing ♪ 1755 01:39:11,862 --> 01:39:18,327 ♪ That Sunday afternoon Made the whole people cry ♪ 1756 01:39:18,410 --> 01:39:22,164 - ♪ And it made the whole people cry ♪ - [choir] ♪ And it made the whole people cry ♪ 1757 01:39:22,247 --> 01:39:27,044 - ♪ And it made the whole people cry ♪ - [choir] ♪ And it made the whole people cry ♪ 1758 01:39:29,838 --> 01:39:33,425 ♪ There, there, there, there, there, there, there, there, there, there ♪ 1759 01:39:33,509 --> 01:39:35,719 ♪ There, there, there, there, there ♪ 1760 01:39:37,763 --> 01:39:42,267 ♪ There, there, there, there, there, there, there, there, there, there ♪ 1761 01:39:45,646 --> 01:39:49,441 ♪ There, there, there, there, there, there, there, there, there, there ♪ 1762 01:39:49,525 --> 01:39:52,861 ♪ There, there, there, there, there ♪ 1763 01:39:53,737 --> 01:39:57,324 ♪ There, there, there, there, there, there, there, there, there, there ♪ 1764 01:40:01,620 --> 01:40:04,373 ♪ Leaving verses in the match ♪ 1765 01:40:04,456 --> 01:40:08,168 ♪ And only songs to sing ♪ 1766 01:40:09,920 --> 01:40:12,423 ♪ That Sunday afternoon ♪ 1767 01:40:12,506 --> 01:40:16,510 ♪ Made the whole people cry ♪ 1768 01:40:16,593 --> 01:40:20,514 - ♪ And it made the whole people cry ♪ - [choir] ♪ And it made the whole people cry ♪ 1769 01:40:20,597 --> 01:40:24,518 - ♪ And it made the whole people cry ♪ - [choir] ♪ And it made the whole people cry ♪ 1770 01:40:24,601 --> 01:40:28,689 ♪ And he made the whole people ♪ 1771 01:40:30,649 --> 01:40:35,571 - ♪ Cry ♪ - [choir] ♪ There, there, there, there, there, there, there ♪ 1772 01:40:35,654 --> 01:40:38,407 ♪ There, there, there, there, there, there, there, there, there, there ♪ 1773 01:40:39,992 --> 01:40:42,411 ♪ There, there, there, there, there, there, there, there, there, there ♪ 1774 01:40:42,494 --> 01:40:46,331 ♪ And made the whole people cry ♪ 1775 01:40:46,415 --> 01:40:50,252 - ♪ And it made the whole people cry ♪ - [choir] ♪ And it made the whole people cry ♪ 1776 01:40:50,335 --> 01:40:54,339 - ♪ And it made the whole people cry ♪ - [choir] ♪ And it made the whole people cry ♪ 1777 01:40:54,423 --> 01:40:57,301 [choir] ♪ And it made the whole people cry ♪