1 00:02:34,021 --> 00:02:36,690 Oliver, darling, they're laughing. 2 00:02:44,198 --> 00:02:45,533 It's your death scene. 3 00:02:45,699 --> 00:02:48,436 They're laughing at your death scene. 4 00:02:48,536 --> 00:02:49,437 I don't believe it. 5 00:02:49,537 --> 00:02:51,205 I even cried when I did it. 6 00:02:51,305 --> 00:02:52,440 Yes, I'm crying now. 7 00:02:54,041 --> 00:02:57,010 That must be where you take another drink of the poison. 8 00:02:57,144 --> 00:02:59,046 Mr. Manager, what's wrong with that audience? 9 00:02:59,179 --> 00:03:00,481 It's not the audience, Mr. Merlin. 10 00:03:00,548 --> 00:03:01,982 How do you do, Miss Samara. 11 00:03:02,115 --> 00:03:03,116 It's not the audience? 12 00:03:03,217 --> 00:03:04,385 I am afraid it's the picture, Mr. Merlin. 13 00:03:04,485 --> 00:03:05,886 They don't believe it. - What? 14 00:03:06,019 --> 00:03:07,187 It's the same trouble you had with the last picture you 15 00:03:07,321 --> 00:03:08,722 produced, Mr. Merlin. 16 00:03:08,856 --> 00:03:11,292 There's something missing, the human touch or something-- 17 00:03:11,392 --> 00:03:12,626 I don't know what. 18 00:03:12,726 --> 00:03:14,161 Ah, but wait till you see our next picture. 19 00:03:14,228 --> 00:03:16,029 It is wonderful! 20 00:03:16,163 --> 00:03:16,997 I hope so. 21 00:03:21,001 --> 00:03:23,871 He hopes so. 22 00:03:43,724 --> 00:03:46,594 Hazel, the movies! 23 00:03:46,727 --> 00:03:48,562 All the way from Hollywood! 24 00:03:48,696 --> 00:03:50,063 They're taking pictures down by the lake. 25 00:03:50,197 --> 00:03:51,599 Come on. Let's go. 26 00:03:51,732 --> 00:03:53,367 Oh, I saw the one they made down there last year. 27 00:03:53,434 --> 00:03:54,167 It wasn't very good. 28 00:03:54,268 --> 00:03:56,203 Ooh, look-- actors! 29 00:03:56,337 --> 00:03:57,671 Oh come on, Hazel. 30 00:04:04,778 --> 00:04:06,714 We're all ready for you, Miss Samara. 31 00:04:06,780 --> 00:04:07,615 OLGA SAMARA: Coming. 32 00:04:15,689 --> 00:04:16,857 My coat. 33 00:04:16,957 --> 00:04:17,691 Coat. 34 00:04:35,275 --> 00:04:39,112 Oh, you look beautiful. 35 00:04:39,212 --> 00:04:39,713 Who's that? 36 00:04:39,813 --> 00:04:40,614 The leading man. 37 00:04:40,748 --> 00:04:41,582 Mr. Roland, Miss Samara. 38 00:04:41,649 --> 00:04:43,484 How do you do? 39 00:04:43,651 --> 00:04:45,486 CREW 1: Hurry up with that crane. 40 00:04:45,619 --> 00:04:47,455 Well, I don't want him up there. 41 00:04:47,555 --> 00:04:48,889 I want him here. - Yes, of course. 42 00:04:48,989 --> 00:04:50,324 Will you please step right down here? 43 00:04:50,458 --> 00:04:51,625 - A pillow. - Yes, a pillow. 44 00:04:51,725 --> 00:04:52,292 Yes, sir. That's fine. 45 00:04:52,426 --> 00:04:53,160 Pillow. 46 00:04:57,498 --> 00:04:59,433 Hello, Oliver darling. 47 00:04:59,567 --> 00:05:00,634 Hello. 48 00:05:00,768 --> 00:05:02,636 Now, Miss Samara, about this scene-- 49 00:05:02,770 --> 00:05:04,137 Mr. Lawrence, please. 50 00:05:04,271 --> 00:05:05,673 I want to know this. 51 00:05:05,806 --> 00:05:07,341 Do I love him here? 52 00:05:07,475 --> 00:05:08,976 Yes and no. 53 00:05:09,076 --> 00:05:12,179 You love him, but he's promised you a career as a great dancer. 54 00:05:12,312 --> 00:05:14,415 You're loving him and dreaming of this career 55 00:05:14,515 --> 00:05:16,249 while you're saying goodbye to your little home 56 00:05:16,350 --> 00:05:17,284 in Switzerland. 57 00:05:17,351 --> 00:05:18,652 I see. 58 00:05:18,786 --> 00:05:21,922 I love him, and I love myself. 59 00:05:22,022 --> 00:05:23,491 All right. We'll make it. 60 00:05:23,591 --> 00:05:24,992 Stand by. CREW 2: Clear out. 61 00:05:26,860 --> 00:05:28,696 CREW 3: Speed. 62 00:05:28,796 --> 00:05:30,030 Start your action! 63 00:05:30,163 --> 00:05:33,367 Oh, darling, I've dreamed of love so great 64 00:05:33,501 --> 00:05:35,503 that I would be swept away. 65 00:05:35,603 --> 00:05:37,638 You love me like that? 66 00:05:37,771 --> 00:05:38,939 Yes. 67 00:05:39,039 --> 00:05:43,210 My home, my little Alps mean nothing to me. 68 00:05:43,343 --> 00:05:45,145 Oh, darling. 69 00:05:45,212 --> 00:05:46,814 OLGA SAMARA: You have brought me love. 70 00:05:46,947 --> 00:05:49,783 And tomorrow, you will bring me fame. 71 00:05:49,883 --> 00:05:51,051 Then you'll come with me? 72 00:05:51,218 --> 00:05:52,052 Yes. 73 00:05:52,152 --> 00:05:53,286 Yes. 74 00:05:53,387 --> 00:05:56,557 Oh, Igor, don't leave me here or my heart will break, 75 00:05:56,690 --> 00:05:58,959 break, (EMOTIONALLY) break. 76 00:05:59,059 --> 00:05:59,560 Cut. 77 00:05:59,693 --> 00:06:00,694 Print that. 78 00:06:00,828 --> 00:06:01,662 Now we move in for the close-ups. 79 00:06:01,795 --> 00:06:02,630 Let me have my finder. 80 00:06:02,730 --> 00:06:04,832 Where are the stand-ins? 81 00:06:04,965 --> 00:06:07,535 HAZEL DAWES: Wasn't that awful? 82 00:06:07,668 --> 00:06:08,869 She's very pretty. 83 00:06:09,002 --> 00:06:10,504 Yes, if she were an international 84 00:06:10,638 --> 00:06:12,540 spy who steals the papers. 85 00:06:12,673 --> 00:06:14,041 What papers? 86 00:06:14,174 --> 00:06:16,243 Oh, any papers-- plans for the new navy or something. 87 00:06:16,376 --> 00:06:19,212 But she's supposed to be a country girl. 88 00:06:19,312 --> 00:06:20,147 You know what? 89 00:06:20,247 --> 00:06:21,181 ADA: What? 90 00:06:21,314 --> 00:06:22,983 I don't think any of those people, 91 00:06:23,083 --> 00:06:25,919 the actors, or the director, or anybody, ever were in love. 92 00:06:26,053 --> 00:06:28,556 They certainly would know better than to carry on like that. 93 00:06:28,656 --> 00:06:30,023 ADA: Some author wrote the words. 94 00:06:30,157 --> 00:06:32,192 HAZEL DAWES: Oh, I bet he wasn't ever in love either. 95 00:06:32,325 --> 00:06:33,494 Come on. 96 00:06:33,594 --> 00:06:35,429 Let's go get a soda before we begin acting like them. 97 00:06:41,835 --> 00:06:44,605 I think he's awfully handsome. 98 00:06:44,738 --> 00:06:46,707 Yes, but what kind of talk is that? 99 00:06:46,774 --> 00:06:50,277 "Oh, Igor, my heart will break, break, break." 100 00:06:50,444 --> 00:06:52,112 Sounded all right to me. 101 00:06:52,212 --> 00:06:54,615 Strawberry sundae, and sprinkle some aspirin on it. 102 00:06:54,748 --> 00:06:55,583 Aspirin? 103 00:06:55,683 --> 00:06:56,383 Aspirin. 104 00:06:59,252 --> 00:07:01,689 You don't think much of the movie they're making, do you? 105 00:07:01,789 --> 00:07:03,390 It's probably the author. 106 00:07:03,457 --> 00:07:04,892 No, I'm not the author. 107 00:07:05,025 --> 00:07:06,694 That manuscript was found in a bottle. 108 00:07:06,794 --> 00:07:07,761 Well, you can return the bottle 109 00:07:07,895 --> 00:07:09,262 and get your two cents back. 110 00:07:09,396 --> 00:07:10,063 Ada. 111 00:07:10,197 --> 00:07:11,031 Why do you think it's bad? 112 00:07:11,131 --> 00:07:12,566 Well, it wasn't bad. 113 00:07:12,633 --> 00:07:13,601 It was just kind of crazy. 114 00:07:13,734 --> 00:07:15,068 It wasn't like life. 115 00:07:15,202 --> 00:07:17,137 Are you connected with the picture in any way? 116 00:07:17,270 --> 00:07:17,805 Sort of. 117 00:07:17,938 --> 00:07:19,573 I'm the producer. 118 00:07:19,640 --> 00:07:20,474 Uh-oh. 119 00:07:20,641 --> 00:07:21,742 Uh-oh. 120 00:07:21,809 --> 00:07:24,444 My name is Merlin, Oliver Merlin. 121 00:07:24,578 --> 00:07:25,278 What's your name? 122 00:07:25,412 --> 00:07:26,580 Hazel Dawes. 123 00:07:26,647 --> 00:07:28,716 Oh, I'm sorry if I sounded fresh. 124 00:07:28,816 --> 00:07:30,818 I guess I ought to mind my own business, but-- 125 00:07:30,984 --> 00:07:32,886 well, I thought everything sounded so unreal. 126 00:07:32,986 --> 00:07:33,921 Unreal, eh? 127 00:07:33,987 --> 00:07:35,489 I hope I haven't made you mad. 128 00:07:35,656 --> 00:07:38,592 Maybe it'll be a wonderful movie when it's done, if-- if only-- 129 00:07:38,659 --> 00:07:39,827 If only what? 130 00:07:39,993 --> 00:07:43,564 Well, if only it could be simple and human. 131 00:07:43,664 --> 00:07:44,898 That's amazing. 132 00:07:44,998 --> 00:07:46,466 Do you know what I mean? 133 00:07:46,567 --> 00:07:47,635 Yes, and you're hired. 134 00:07:47,768 --> 00:07:48,969 Hired? 135 00:07:49,102 --> 00:07:50,738 Now listen, I hope that you won't misunderstand 136 00:07:50,838 --> 00:07:51,972 me if I talk to you man to man. 137 00:07:52,072 --> 00:07:52,773 You won't, will you? 138 00:07:52,906 --> 00:07:53,941 No, I won't. 139 00:07:54,074 --> 00:07:55,242 I'm a producer of movies. 140 00:07:55,342 --> 00:07:57,778 I can buy wagonloads of poets and dramatists, 141 00:07:57,911 --> 00:07:59,346 but I can't buy common sense. 142 00:07:59,479 --> 00:08:00,614 I cannot buy humanity. 143 00:08:00,681 --> 00:08:02,015 Well, I don't know why, Mr. Merlin. 144 00:08:02,182 --> 00:08:03,183 There's an awful lot of it. 145 00:08:03,316 --> 00:08:04,084 Yes, I know. 146 00:08:04,184 --> 00:08:05,252 But the moment I buy it, it turns 147 00:08:05,352 --> 00:08:07,154 into something else, usually genius, 148 00:08:07,254 --> 00:08:08,922 and it isn't worth a dime. 149 00:08:09,022 --> 00:08:10,958 Now, if you could stay just as simple as you are, 150 00:08:11,024 --> 00:08:12,693 you would be invaluable to me. 151 00:08:12,826 --> 00:08:14,094 Invaluable? 152 00:08:14,194 --> 00:08:14,795 Me? 153 00:08:14,862 --> 00:08:15,596 Well, what do you say? 154 00:08:15,696 --> 00:08:16,864 About what? 155 00:08:16,997 --> 00:08:18,165 About coming back to Hollywood with me. 156 00:08:18,265 --> 00:08:20,601 Hollywood? 157 00:08:20,701 --> 00:08:23,270 Oh, why, I couldn't do that. 158 00:08:23,370 --> 00:08:24,204 Why not? 159 00:08:24,337 --> 00:08:26,774 Well, because I can't act or write. 160 00:08:26,874 --> 00:08:28,776 Well, I don't know anything. 161 00:08:28,876 --> 00:08:30,277 Really-- nothing at all. 162 00:08:30,377 --> 00:08:32,713 That statement alone makes you unique and invaluable. 163 00:08:32,846 --> 00:08:33,947 Please, Mr. Merlin. 164 00:08:34,047 --> 00:08:35,883 Why, I'm not even a stenographer. 165 00:08:35,983 --> 00:08:38,118 My dear Ms. Dawes, I have all the stenographers 166 00:08:38,218 --> 00:08:39,720 a great executive can crave. 167 00:08:39,820 --> 00:08:42,289 There's only one thing I like, and that's a sense of humanity. 168 00:08:42,389 --> 00:08:44,625 You've made me realize what my pictures need. 169 00:08:44,725 --> 00:08:45,826 Now, come along with me. 170 00:08:45,893 --> 00:08:46,727 I'll put you on my staff. 171 00:08:46,860 --> 00:08:47,861 I'll give you a title-- 172 00:08:47,995 --> 00:08:49,162 "Miss Humanity." 173 00:08:49,296 --> 00:08:50,130 Don't rush. 174 00:08:50,230 --> 00:08:51,899 You can finish your ice cream soda. 175 00:09:06,847 --> 00:09:08,215 WOMAN: Got a light? - Yes. 176 00:09:08,348 --> 00:09:09,683 SECRETARY: Hello. 177 00:09:09,817 --> 00:09:10,684 Call back, please. 178 00:09:10,818 --> 00:09:11,719 Mr. Crane is busy. 179 00:09:13,153 --> 00:09:14,254 I'm sorry you'll have to wait. 180 00:09:14,387 --> 00:09:14,888 Hello. 181 00:09:15,022 --> 00:09:15,856 Call back, please. 182 00:09:15,923 --> 00:09:16,824 Mr. Crane is busy. 183 00:09:18,926 --> 00:09:19,860 Hello. 184 00:09:19,993 --> 00:09:20,994 No, Mr. Crane's in conference. 185 00:09:21,094 --> 00:09:22,262 You'll have to call later. 186 00:09:22,395 --> 00:09:23,697 Mr. Crane said he wanted to see me. 187 00:09:23,764 --> 00:09:25,098 I'm sorry. You'll have to wait. 188 00:09:25,232 --> 00:09:26,734 Mr. Crane can't be disturbed. 189 00:09:26,834 --> 00:09:27,668 He's very busy. 190 00:09:29,069 --> 00:09:31,605 Oh, B, did you love me at first sight too? 191 00:09:31,739 --> 00:09:32,606 Yes, dear. 192 00:09:32,740 --> 00:09:34,574 And will you always love me? 193 00:09:34,675 --> 00:09:35,843 Yes, dear. 194 00:09:35,943 --> 00:09:38,278 And will you get me in pictures? 195 00:09:38,411 --> 00:09:39,913 Yes, dear. 196 00:09:40,013 --> 00:09:40,748 Basil. 197 00:09:40,881 --> 00:09:41,915 Yes, dear. 198 00:09:42,049 --> 00:09:43,216 OLIVER MERLIN (OVER INTERCOM): What? 199 00:09:43,350 --> 00:09:45,552 I mean, oh, yes, uh, uh, yes, Mr. Merlin. 200 00:09:45,686 --> 00:09:46,787 What are you doing? 201 00:09:46,920 --> 00:09:48,756 Just wrestling with a casting problem. 202 00:09:48,856 --> 00:09:51,358 Well, drop it for a moment. 203 00:09:51,458 --> 00:09:52,592 Yes, sir? 204 00:09:52,726 --> 00:09:54,461 I want you to dig me up a nice innocent young woman 205 00:09:54,594 --> 00:09:56,429 and rent me a simple innocent little house 206 00:09:56,563 --> 00:09:57,698 away from the studio. 207 00:09:57,798 --> 00:09:59,466 That's a heap of innocence on such short notice. 208 00:09:59,566 --> 00:10:01,802 What sort of innocence did you prefer, Mr. Merlin-- blond, 209 00:10:01,935 --> 00:10:03,603 brunette, or a little of each? 210 00:10:03,704 --> 00:10:05,305 Ah, don't be fresh. 211 00:10:05,438 --> 00:10:07,207 I want a young woman to act as chaperone to someone 212 00:10:07,307 --> 00:10:08,441 I just brought to Hollywood. 213 00:10:08,541 --> 00:10:09,209 I get it. 214 00:10:09,309 --> 00:10:10,811 Well, then, get busy. 215 00:10:10,911 --> 00:10:12,579 Glory, from now on, you're a chaperone. 216 00:10:12,646 --> 00:10:13,380 A what? 217 00:10:13,480 --> 00:10:13,981 A chaperone. 218 00:10:14,147 --> 00:10:15,315 Come with me. 219 00:10:15,415 --> 00:10:16,416 I'll get you an advance from the cashier. 220 00:10:16,483 --> 00:10:17,785 Yoo-hoo! 221 00:10:17,918 --> 00:10:20,120 That's the first advance you've made that's really touched me. 222 00:10:20,253 --> 00:10:21,321 No, you'll have to wait. 223 00:10:22,222 --> 00:10:23,724 No, no, too busy, too busy. 224 00:10:23,824 --> 00:10:24,725 Everybody out. 225 00:10:24,825 --> 00:10:25,926 No more casting today. 226 00:10:25,993 --> 00:10:27,294 I want this room cleared when I get back. 227 00:10:40,908 --> 00:10:42,309 Well, that's that. Come on. 228 00:10:42,442 --> 00:10:43,276 Let's get going. 229 00:10:43,343 --> 00:10:44,845 Oh well, now, come, come, come. 230 00:10:44,978 --> 00:10:46,246 Don't be silly. - What do you mean? 231 00:10:46,346 --> 00:10:47,915 Well, you've got to show a little fight here. 232 00:10:48,015 --> 00:10:49,616 But you heard what the man said. 233 00:10:49,683 --> 00:10:52,519 Are you going to listen to him or what I say? 234 00:10:52,686 --> 00:10:53,687 Now, stick around. 235 00:10:53,821 --> 00:10:55,288 Well now, perhaps you're right. 236 00:10:55,355 --> 00:10:55,956 Yeah. 237 00:10:56,089 --> 00:10:57,090 After all, I-- 238 00:10:57,190 --> 00:10:58,625 I feel that I have something. 239 00:10:58,692 --> 00:11:00,193 Of course you have. 240 00:11:00,327 --> 00:11:01,962 I know they'd hire me if they could see that English picture 241 00:11:02,029 --> 00:11:03,931 I made at Twickenham on Rye. 242 00:11:04,031 --> 00:11:06,466 Yeah, very good ham-- 243 00:11:06,599 --> 00:11:07,367 uh, picture. 244 00:11:07,500 --> 00:11:08,501 Yes. 245 00:11:08,635 --> 00:11:10,603 Remember that romantic episode with Dolores? 246 00:11:10,704 --> 00:11:11,538 Remember it? 247 00:11:11,671 --> 00:11:12,605 The papers are full of it. 248 00:11:12,706 --> 00:11:13,506 No, no, no. 249 00:11:13,606 --> 00:11:14,374 I mean in the picture. 250 00:11:14,507 --> 00:11:15,943 Oh, yes, yes. 251 00:11:16,043 --> 00:11:17,878 Yeah, and that didn't help you any either. 252 00:11:18,011 --> 00:11:19,046 Yeah. 253 00:11:19,179 --> 00:11:20,313 Well, at least I have one big scene-- 254 00:11:20,380 --> 00:11:22,215 that moment when I said to Dolores, "Just 255 00:11:22,349 --> 00:11:23,550 one good night kiss, my dear." 256 00:11:23,683 --> 00:11:24,351 What? 257 00:11:24,451 --> 00:11:25,819 Just one good night kiss? 258 00:11:25,953 --> 00:11:27,054 Are you kidding? 259 00:11:27,187 --> 00:11:28,188 I was never more serious in my life. 260 00:11:28,321 --> 00:11:29,389 Well, you must be mad. 261 00:11:29,522 --> 00:11:31,024 It's out of the question. - Listen-- 262 00:11:31,158 --> 00:11:32,059 No, no, no, no. 263 00:11:32,192 --> 00:11:33,393 Listen, please, just one kiss. 264 00:11:33,526 --> 00:11:34,127 No. 265 00:11:34,227 --> 00:11:35,395 A thousand times nay. 266 00:11:35,495 --> 00:11:36,163 But why? 267 00:11:36,229 --> 00:11:37,530 Oh, you won't respect me. 268 00:11:37,664 --> 00:11:38,498 Yes, I will. 269 00:11:38,631 --> 00:11:39,366 No, you won't. 270 00:11:39,499 --> 00:11:40,000 Yes, I will. 271 00:11:40,133 --> 00:11:40,901 I promise. 272 00:11:41,034 --> 00:11:41,869 Oh, you're hurting me. 273 00:11:41,969 --> 00:11:42,736 Please? 274 00:11:42,870 --> 00:11:43,670 Can't we just be chums? 275 00:11:43,737 --> 00:11:44,805 No. 276 00:11:44,905 --> 00:11:45,806 Must we go through all this again? 277 00:11:45,906 --> 00:11:46,639 I'm afraid so. 278 00:11:46,740 --> 00:11:47,574 Oh! 279 00:11:47,707 --> 00:11:48,641 No, no, no. 280 00:11:48,742 --> 00:11:49,476 Why? 281 00:11:49,576 --> 00:11:50,878 Oh, I don't know. 282 00:11:50,978 --> 00:11:52,345 I'll hate myself in the morning. 283 00:11:52,479 --> 00:11:52,980 Oh. 284 00:11:54,581 --> 00:11:55,148 All right, come on. 285 00:11:55,248 --> 00:11:56,416 Let's get going. 286 00:11:56,549 --> 00:11:57,684 Why waste our talent here on four walls? 287 00:11:57,751 --> 00:11:58,685 Yeah. 288 00:11:58,819 --> 00:11:59,853 Well, you can go if you wanna. 289 00:11:59,987 --> 00:12:00,687 I'm gonna stick. 290 00:12:00,821 --> 00:12:02,389 You are? 291 00:12:02,522 --> 00:12:03,156 All right then. 292 00:12:03,256 --> 00:12:04,191 I'll stick with you. 293 00:12:04,257 --> 00:12:05,725 After all, I can't desert a pal. 294 00:12:05,859 --> 00:12:06,693 (LAUGHING) No. 295 00:12:06,827 --> 00:12:08,195 Well, that's pretty good. 296 00:12:08,328 --> 00:12:09,662 I thought you'd see it that way. 297 00:12:09,763 --> 00:12:11,098 You're no fool. 298 00:12:11,231 --> 00:12:14,101 Now-- now, when this Mr. Basily, when he comes in, see, 299 00:12:14,234 --> 00:12:15,502 uh, we'll use tact. 300 00:12:15,602 --> 00:12:16,103 I see. 301 00:12:18,705 --> 00:12:20,107 Watch me. 302 00:12:20,240 --> 00:12:22,776 Hello, nosebleed. 303 00:12:22,910 --> 00:12:23,911 Who said that? 304 00:12:24,044 --> 00:12:25,946 Uh, come out of there, you coward. 305 00:12:26,079 --> 00:12:28,248 There must be a ventriloquist around here. 306 00:12:28,381 --> 00:12:30,017 I told you no more casting today. 307 00:12:30,117 --> 00:12:31,351 Isn't he a silly-looking fellow? 308 00:12:31,451 --> 00:12:32,619 - What's that? 309 00:12:32,719 --> 00:12:34,387 Say, would you mind not breathing on me? 310 00:12:34,521 --> 00:12:36,256 I'm getting covered with soot here. 311 00:12:36,389 --> 00:12:37,724 Why, you hickory-headed heckler. 312 00:12:37,858 --> 00:12:38,859 Go on. Get out of here. 313 00:12:38,959 --> 00:12:40,227 Say, wait a minute. 314 00:12:40,360 --> 00:12:41,628 The producer said he wanted me in this picture. 315 00:12:41,761 --> 00:12:42,462 He said that? 316 00:12:42,595 --> 00:12:43,696 Yes, he did. 317 00:12:43,797 --> 00:12:45,132 - When did you see him? - Well, I was in his off-- 318 00:12:45,232 --> 00:12:46,199 - Are you sure he said that? 319 00:12:46,299 --> 00:12:47,134 - Well, did he? 320 00:12:47,234 --> 00:12:48,902 Uh-- no. 321 00:12:49,036 --> 00:12:49,736 Yeah. 322 00:12:49,870 --> 00:12:51,038 But he might have. 323 00:12:51,138 --> 00:12:52,272 Listen, you fugitive from a picket fence, 324 00:12:52,405 --> 00:12:53,440 now I will throw you out. 325 00:12:53,573 --> 00:12:54,908 - Say, you can't call me that. - OK. 326 00:12:54,975 --> 00:12:55,976 I'll flip you, so help me. 327 00:12:56,109 --> 00:12:56,910 I'll mow you down. 328 00:12:56,977 --> 00:12:57,744 Now, hold me back now. 329 00:12:57,878 --> 00:12:58,778 You hold me back. 330 00:12:58,912 --> 00:13:00,080 You-- you-- you mouse-head, you. 331 00:13:00,213 --> 00:13:01,915 Look me in the face and say that. 332 00:13:02,049 --> 00:13:02,883 He's got me there. 333 00:13:02,983 --> 00:13:03,984 I can't bear to face him. 334 00:13:04,117 --> 00:13:05,152 What's that last crack? 335 00:13:05,285 --> 00:13:06,719 Say, this looks like a three-alarm, 336 00:13:06,820 --> 00:13:08,055 if I'm any judge of fire. 337 00:13:08,155 --> 00:13:10,423 Oh, I'm too big a man to bandy words with you. 338 00:13:10,490 --> 00:13:11,724 Take that echo out of here. 339 00:13:11,825 --> 00:13:12,993 I know who's doing the talking. 340 00:13:13,160 --> 00:13:14,261 Well, what are you looking at me for, then? 341 00:13:14,327 --> 00:13:17,164 Oh, fiddle-faddle. 342 00:13:17,330 --> 00:13:21,001 He fiddle-faddled all over me, didn't he? 343 00:13:27,507 --> 00:13:29,342 Well, my dear, I've been in Hollywood a long time, 344 00:13:29,509 --> 00:13:31,144 and nothing ever startles me. 345 00:13:31,244 --> 00:13:33,146 I just say, that's Hollywood. 346 00:13:33,280 --> 00:13:35,849 But when Mr. Crane tells me to chaperone 347 00:13:35,983 --> 00:13:39,286 the boss's stenographer, I'm startled like a fawn. 348 00:13:39,352 --> 00:13:41,688 Well, I'm not a stenographer, really. 349 00:13:41,821 --> 00:13:44,024 Oh, then that clears up the mystery. 350 00:13:44,157 --> 00:13:45,325 I'm not startled anymore. 351 00:13:45,425 --> 00:13:47,260 Well, I think you misunderstand. 352 00:13:47,360 --> 00:13:50,030 It-- it's sort of, um, a mental arrangement. 353 00:13:50,163 --> 00:13:51,164 Oh, I see-- 354 00:13:51,264 --> 00:13:52,599 brain buddies. 355 00:13:52,699 --> 00:13:55,368 Well, I'm supposed to criticize Mr. Merlin. 356 00:13:55,468 --> 00:13:58,205 Well, I wouldn't take that side of the job too seriously. 357 00:13:58,338 --> 00:14:01,541 Always remember it's the smile that wins. 358 00:14:01,674 --> 00:14:04,044 Well, I don't blame you for being baffled, Miss Wood. 359 00:14:04,177 --> 00:14:07,280 It is sort of strange, my being in Hollywood and everything. 360 00:14:07,380 --> 00:14:09,182 Oh, there's nothing baffling about it. 361 00:14:09,282 --> 00:14:12,285 You're Little Bo Peep and I'm Mother Goose. 362 00:14:12,385 --> 00:14:16,123 And free rent is free rent. 363 00:14:16,223 --> 00:14:17,991 Are you ready, Miss Humanity? 364 00:14:21,194 --> 00:14:23,496 I'll be right down. 365 00:14:23,563 --> 00:14:25,332 Hey, was he calling you? 366 00:14:25,465 --> 00:14:27,134 Yes, that's his name for me. 367 00:14:27,234 --> 00:14:28,568 Oh, you better be careful. 368 00:14:28,701 --> 00:14:32,639 That name will look kind of funny in the newspapers. 369 00:14:32,739 --> 00:14:34,507 Oh, I've been dying to see the studio 370 00:14:34,574 --> 00:14:36,309 and meet some of the actors and people. 371 00:14:36,409 --> 00:14:37,510 Oh, you have, eh? 372 00:14:37,644 --> 00:14:39,079 Well, you're not going to meet anybody. 373 00:14:39,212 --> 00:14:41,681 Actors are beautiful, charming people but dangerous to talk 374 00:14:41,748 --> 00:14:42,349 to off the stage. 375 00:14:42,482 --> 00:14:43,483 But Glory's an actress. 376 00:14:43,583 --> 00:14:44,751 I know. 377 00:14:44,851 --> 00:14:46,153 But my casting director assures me that she's different. 378 00:14:46,253 --> 00:14:47,220 Well, here we are. Come on. 379 00:14:47,320 --> 00:14:48,321 Get under a blanket. 380 00:14:48,421 --> 00:14:49,522 Come on, quick! 381 00:15:08,375 --> 00:15:09,509 - Get him off me. - Take it easy. 382 00:15:09,609 --> 00:15:11,211 Take it easy. - Get him off. 383 00:15:11,278 --> 00:15:12,279 Lie down. 384 00:15:12,445 --> 00:15:13,880 Stand up! RITZ BROTHER 1: Retreat! 385 00:15:13,947 --> 00:15:15,282 RITZ BROTHER 2: Do something. RITZ BROTHER 3: Lie down. 386 00:15:15,448 --> 00:15:16,449 - Stand up. - Stand still. 387 00:15:16,583 --> 00:15:17,517 - Advance. - Retreat! 388 00:15:17,617 --> 00:15:19,119 Roll over. Roll over. 389 00:15:19,252 --> 00:15:20,187 Do you hear me? 390 00:15:20,287 --> 00:15:21,754 Get that truck out of there. 391 00:15:24,024 --> 00:15:25,125 Wait a minute. Wait a minute. 392 00:15:25,258 --> 00:15:26,026 Who owns this outfit? 393 00:15:26,126 --> 00:15:26,893 RITZ BROTHERS: 394 00:15:26,960 --> 00:15:27,860 Well, get out. 395 00:15:27,961 --> 00:15:29,262 Get out of here! 396 00:15:29,396 --> 00:15:30,563 What do you mean by bringing this infernal racket 397 00:15:30,697 --> 00:15:32,099 into my studio? RITZ BROTHERS: Your studio? 398 00:15:32,232 --> 00:15:32,966 Go away. 399 00:15:33,100 --> 00:15:33,800 You're bothering us. 400 00:15:33,933 --> 00:15:34,701 Wait a minute. 401 00:15:34,801 --> 00:15:35,435 It's Merlin. 402 00:15:35,535 --> 00:15:36,236 - Merlin? - Merlin? 403 00:15:36,369 --> 00:15:37,070 Wait a minute. 404 00:15:37,204 --> 00:15:38,205 Wait a minute. 405 00:15:38,305 --> 00:15:39,639 Why, Mr. Merlin, how do you do? 406 00:15:39,772 --> 00:15:40,307 Glad to see you. 407 00:15:40,440 --> 00:15:41,808 Glad to see you. 408 00:15:41,941 --> 00:15:43,476 Mr. Merlin, we'd like to address you in our animals. 409 00:15:43,610 --> 00:15:45,612 You're producing "The Forgotten Dance," aren't you? 410 00:15:45,712 --> 00:15:46,213 Yes. 411 00:15:46,313 --> 00:15:47,314 Well, forget it. 412 00:15:47,480 --> 00:15:48,715 The thing to remember is animals. 413 00:15:48,815 --> 00:15:50,083 And when you think of animals, think of us. 414 00:15:50,150 --> 00:15:51,318 Now get this thing out of my way. 415 00:15:51,451 --> 00:15:53,620 I'm producing a love story, not a circus. 416 00:15:53,753 --> 00:15:55,088 My pictures have class and beauty. 417 00:15:55,155 --> 00:15:56,156 Beauty! - Wait a minute. 418 00:15:56,289 --> 00:15:57,590 Just a moment-- 419 00:15:57,657 --> 00:15:59,726 Mr. Merlin, use our beasts to make your pictures 420 00:15:59,826 --> 00:16:00,660 a howling success. 421 00:16:00,793 --> 00:16:02,495 Who do you think sold MGM the lion? 422 00:16:03,330 --> 00:16:04,331 RITZ BROTHERS: We did. 423 00:16:04,464 --> 00:16:06,299 And who sold 20th Century the Fox? 424 00:16:06,433 --> 00:16:07,467 RITZ BROTHERS: We did. 425 00:16:07,600 --> 00:16:09,302 And who sold Path the rooster? 426 00:16:09,436 --> 00:16:10,603 RITZ BROTHERS: We did. 427 00:16:10,737 --> 00:16:11,904 And who do you think went into the jungle 428 00:16:12,005 --> 00:16:12,805 to bring him back alive? 429 00:16:12,939 --> 00:16:13,940 - Who? - Who? 430 00:16:14,074 --> 00:16:15,075 - Who? - Did we? 431 00:16:15,175 --> 00:16:16,076 Listen, I'm getting-- 432 00:16:16,176 --> 00:16:17,277 Now, you butt out of this. 433 00:16:17,344 --> 00:16:18,345 Now, I-- - Wait a minute. 434 00:16:18,478 --> 00:16:19,779 Oh, just a moment. 435 00:16:19,846 --> 00:16:21,948 Now, listen-- take this portable zoo out of here. 436 00:16:22,082 --> 00:16:23,150 I don't use animals. 437 00:16:23,283 --> 00:16:24,084 I use actors. RITZ BROTHERS: Actors! 438 00:16:24,184 --> 00:16:25,418 Yes, sir! 439 00:16:25,518 --> 00:16:27,020 Oh, Mr. Merlin, what do men and women spend 440 00:16:27,120 --> 00:16:28,788 millions of dollars betting on? RITZ BROTHERS: Horses. 441 00:16:28,921 --> 00:16:30,457 And what does every woman keep in her kitchen? 442 00:16:30,590 --> 00:16:31,491 RITZ BROTHERS: A pussycat. 443 00:16:31,624 --> 00:16:32,592 And what is man's best friend? 444 00:16:32,692 --> 00:16:33,626 RITZ BROTHERS: A dog. 445 00:16:33,693 --> 00:16:34,994 And what do children cry for? 446 00:16:35,128 --> 00:16:36,129 RITZ BROTHERS: 447 00:16:36,263 --> 00:16:37,264 No, animal crackers. 448 00:16:37,364 --> 00:16:38,098 Wait a minute. 449 00:16:38,198 --> 00:16:39,032 Wait a minute. 450 00:16:39,166 --> 00:16:40,267 I don't want any animals. 451 00:16:40,367 --> 00:16:41,634 I don't need any animals. And you-- 452 00:16:41,701 --> 00:16:43,203 ALL: --fellas can't sell me any animals. 453 00:16:43,336 --> 00:16:44,504 Wait a minute. 454 00:16:44,637 --> 00:16:46,106 Just take Homer and his squad. 455 00:16:46,206 --> 00:16:47,874 He played in "Home on the Range." 456 00:16:48,007 --> 00:16:48,841 "Home Sweet Home." 457 00:16:48,941 --> 00:16:50,009 Give him the bird. 458 00:16:50,143 --> 00:16:51,144 No, this bird. 459 00:16:51,211 --> 00:16:51,978 And-- 460 00:16:54,314 --> 00:16:55,515 --the Pecking Penguin. 461 00:16:55,648 --> 00:16:57,384 She pecks, and pecks, and pecks, and pecks. 462 00:16:57,517 --> 00:16:58,685 But I don't want any penguins. 463 00:16:58,785 --> 00:17:00,019 - And take Dino the Duck. - I told you. 464 00:17:00,153 --> 00:17:01,354 I don't want any animals. - Be quiet, friend. 465 00:17:01,488 --> 00:17:02,622 - Police! - monkey. 466 00:17:02,722 --> 00:17:03,790 - Police! - There they are. 467 00:17:03,890 --> 00:17:04,891 Police! 468 00:17:04,991 --> 00:17:06,559 Get this animal off of me here, somebody. 469 00:17:06,693 --> 00:17:07,894 Get him off, boys. Come on. 470 00:17:08,027 --> 00:17:08,695 --over here. 471 00:17:11,231 --> 00:17:12,132 RITZ BROTHERS: Whoa! 472 00:17:12,232 --> 00:17:13,500 Whoa! 473 00:17:16,236 --> 00:17:18,071 Get 'em out of here! 474 00:17:18,205 --> 00:17:19,706 Hey, stop that man! 475 00:17:22,575 --> 00:17:23,910 Steer around and go in the back gate. 476 00:17:24,043 --> 00:17:24,744 Yes, sir. 477 00:17:35,422 --> 00:17:37,690 Is Hollywood always as crazy as this? 478 00:17:37,757 --> 00:17:38,591 Yesterday it was midgets. 479 00:17:38,758 --> 00:17:40,527 Did you get those fellows? 480 00:17:40,593 --> 00:17:41,761 ALL: Yes, sir. 481 00:17:41,894 --> 00:17:42,395 Ho, ho! 482 00:17:42,529 --> 00:17:45,165 Hoo, hoo! 483 00:17:45,265 --> 00:17:46,599 All ready, Mr. Lawrence. 484 00:17:46,733 --> 00:17:48,435 I want another rehearsal before we start to shoot. 485 00:17:48,568 --> 00:17:49,736 - All right. - All right. 486 00:17:49,869 --> 00:17:51,070 Now, this is just a rehearsal, no cameras. 487 00:17:55,508 --> 00:17:56,676 Oh, I'm terribly excited. 488 00:17:56,776 --> 00:17:58,077 What am I going to see? 489 00:17:58,178 --> 00:17:59,879 Do you know the story of "Romeo and Juliet?" 490 00:18:00,012 --> 00:18:01,013 Sort of. 491 00:18:01,114 --> 00:18:03,450 This is a dance number based on that idea. 492 00:18:03,550 --> 00:18:04,884 Romeo loves Juliet. 493 00:18:05,017 --> 00:18:06,553 But his family likes jazz dancing, 494 00:18:06,686 --> 00:18:08,221 and her family likes ballet dancing. 495 00:18:08,355 --> 00:18:09,789 It develops into a competition. 496 00:18:09,922 --> 00:18:10,890 Well, who wins? 497 00:18:10,957 --> 00:18:12,592 Well, that's what I want you to decide. 498 00:18:12,725 --> 00:18:14,261 Well, I can't decide that. 499 00:18:14,394 --> 00:18:15,562 All I know is what I like. 500 00:18:15,628 --> 00:18:17,096 Well, so much the better. 501 00:18:17,230 --> 00:18:19,566 There are 200 million people who only know what they like. 502 00:18:19,699 --> 00:18:21,134 And they're all sitting up here on 503 00:18:21,268 --> 00:18:23,370 this balcony with their mouths open and their eyes shining. 504 00:18:23,470 --> 00:18:25,538 Now, if you like it, you nod your head. 505 00:18:25,638 --> 00:18:27,740 And that will be 200 million people nodding. 506 00:18:27,807 --> 00:18:30,977 That's an awfully big nod. 507 00:24:03,810 --> 00:24:05,645 Well, did you forget to nod? 508 00:24:05,778 --> 00:24:08,280 Oh, it's wonderful, but-- 509 00:24:08,414 --> 00:24:09,916 do they die like that? 510 00:24:10,049 --> 00:24:12,218 Well, it has always ended that way. 511 00:24:12,318 --> 00:24:16,422 Oh, I didn't know Romeo and Juliet died. 512 00:24:16,489 --> 00:24:17,990 I'm awfully sorry. 513 00:24:18,157 --> 00:24:19,792 Well, what would you want them to do? 514 00:24:19,892 --> 00:24:22,562 Why, I'd want them to get up, and their parents 515 00:24:22,662 --> 00:24:25,632 to come in and forgive them, and be married afterwards, 516 00:24:25,732 --> 00:24:28,267 and be happy. 517 00:24:28,400 --> 00:24:30,069 It's amazing. 518 00:24:30,169 --> 00:24:34,473 No one ever thought of that finish for "Romeo and Juliet." 519 00:24:34,574 --> 00:24:35,975 Well, why not? 520 00:24:36,108 --> 00:24:39,278 If 200 million people want Romeo and Juliet to live, 521 00:24:39,345 --> 00:24:40,179 I won't be stubborn. 522 00:24:40,346 --> 00:24:40,847 Now, come on. 523 00:24:40,980 --> 00:24:41,914 Get out of sight. 524 00:24:44,350 --> 00:24:45,518 Uh, Mr. Murphy. 525 00:24:45,652 --> 00:24:47,019 Uh, yes, Mr. Merlin. 526 00:24:47,153 --> 00:24:48,621 I want to change the ending. 527 00:24:48,688 --> 00:24:50,122 Change the ending? 528 00:24:50,256 --> 00:24:52,491 I want the lovers to stand up and dance. 529 00:24:52,625 --> 00:24:53,960 I want the parents to come out. 530 00:24:54,093 --> 00:24:55,595 I want everybody dancing. 531 00:24:55,695 --> 00:24:58,264 I want the hearts of the world beating with love and triumph. 532 00:24:58,364 --> 00:24:59,198 Now, come on. 533 00:24:59,298 --> 00:24:59,799 Hurry up. 534 00:24:59,932 --> 00:25:02,301 Let's see it. 535 00:25:46,478 --> 00:25:48,180 Yes? 536 00:25:48,314 --> 00:25:50,382 You were lovely, Olga, marvelous. 537 00:25:50,516 --> 00:25:53,319 And I'm keeping the ballet in the picture with a new ending. 538 00:25:53,419 --> 00:25:54,086 See you later. 539 00:25:54,186 --> 00:25:55,688 Oliver, wait a minute. 540 00:25:55,755 --> 00:25:56,555 Uh, terribly sorry. 541 00:25:56,689 --> 00:25:57,757 Can't do this tonight. 542 00:25:57,890 --> 00:25:58,591 Thank you for dancing so beautifully. 543 00:25:58,725 --> 00:25:59,892 Darling, please. 544 00:26:00,026 --> 00:26:01,728 You don't take me out anymore. 545 00:26:01,861 --> 00:26:03,362 And I'm so hungry. 546 00:26:03,429 --> 00:26:05,898 Tomorrow, Olga, lunch-- vodka, caviar, champagne, anything. 547 00:26:06,032 --> 00:26:06,899 You are wonderful. 548 00:26:07,033 --> 00:26:10,837 Oliver, let me look at you. 549 00:26:10,937 --> 00:26:13,105 You have changed. 550 00:26:13,239 --> 00:26:14,206 What has happened to you? 551 00:26:14,273 --> 00:26:16,108 Oh, an amazing thing, Olga. 552 00:26:16,242 --> 00:26:18,410 For the first time in my life, I'm beginning to appreciate 553 00:26:18,510 --> 00:26:19,846 the simple human things. 554 00:26:19,946 --> 00:26:21,247 Do you understand what I mean? 555 00:26:21,380 --> 00:26:23,249 Understand? 556 00:26:23,382 --> 00:26:29,455 Of course, because I am simple and human myself. 557 00:26:31,123 --> 00:26:32,224 All right. 558 00:26:34,861 --> 00:26:35,728 Annette! 559 00:26:35,862 --> 00:26:37,930 ANNETTE: Oui, mademoiselle. 560 00:26:38,064 --> 00:26:38,931 I am tired. 561 00:26:39,065 --> 00:26:39,899 Tired-- you understand? 562 00:26:40,032 --> 00:26:40,800 Oui, mademoiselle. 563 00:26:44,203 --> 00:26:47,106 Fill my bath with whipped cream. 564 00:26:47,239 --> 00:26:48,641 ANNETTE: Oui, mademoiselle. 565 00:26:52,945 --> 00:26:54,914 Now, let's go over the plot again. 566 00:26:54,981 --> 00:26:56,883 You're a talented and ambitious country girl. 567 00:26:56,983 --> 00:26:59,085 A man comes along, takes you to Venice, 568 00:26:59,218 --> 00:27:01,053 fills you full of promises and hopes, 569 00:27:01,153 --> 00:27:02,789 and then leaves you for an opera singer. 570 00:27:02,922 --> 00:27:04,556 So you take up with a gigolo. 571 00:27:04,657 --> 00:27:07,159 But I wouldn't do that. 572 00:27:07,293 --> 00:27:08,460 But he's a nice gigolo. 573 00:27:08,560 --> 00:27:09,829 He plays the accordion. 574 00:27:09,962 --> 00:27:11,430 Why does he play the accordion? 575 00:27:11,497 --> 00:27:13,399 Well, because the actor that I've engaged for the part's 576 00:27:13,499 --> 00:27:14,667 an accordion player. 577 00:27:14,834 --> 00:27:16,969 And I thought it would be a good idea if he played it. 578 00:27:17,069 --> 00:27:18,270 Well, I wouldn't go with a gigolo 579 00:27:18,404 --> 00:27:19,839 no matter how well he played the accordion. 580 00:27:19,972 --> 00:27:21,340 You wouldn't, eh? 581 00:27:21,473 --> 00:27:22,474 No. 582 00:27:22,608 --> 00:27:24,310 I'd rather meet somebody nice that I could really 583 00:27:24,443 --> 00:27:27,113 fall in love with, because, well, to me, 584 00:27:27,179 --> 00:27:29,682 love is more important than fame. 585 00:27:29,849 --> 00:27:30,616 It's amazing. 586 00:27:36,088 --> 00:27:38,090 Uh, Granite 1121. 587 00:27:38,190 --> 00:27:40,126 Maybe you'd flirt with a gigolo just to avenge yourself. 588 00:27:40,192 --> 00:27:41,160 How about that? - Why, no. 589 00:27:41,293 --> 00:27:42,461 That would be silly. 590 00:27:42,528 --> 00:27:43,863 It would hurt me more than it would him. 591 00:27:43,996 --> 00:27:44,864 The villain, I mean. 592 00:27:44,997 --> 00:27:45,865 Mm-hmm. 593 00:27:45,998 --> 00:27:47,333 Uh, casting department. 594 00:27:47,433 --> 00:27:48,835 Somebody simple and honest-- 595 00:27:48,968 --> 00:27:50,870 that's the sort of a person you'd turn to, wouldn't you? 596 00:27:51,003 --> 00:27:51,704 Mm-hmm. 597 00:27:51,838 --> 00:27:52,604 Hmm. 598 00:27:52,705 --> 00:27:54,006 Hello, Basil? 599 00:27:54,106 --> 00:27:54,874 What are you doing? 600 00:27:55,007 --> 00:27:55,842 I'm holding a meeting. 601 00:27:55,942 --> 00:27:56,642 Well, drop it. 602 00:27:59,345 --> 00:28:01,981 Now, listen, Basil-- the gigolo is out. 603 00:28:02,048 --> 00:28:03,115 I know she's heartbroken. 604 00:28:03,215 --> 00:28:04,650 But she's sweet and real. 605 00:28:04,784 --> 00:28:07,119 And she wouldn't throw herself away on some goofy gigolo. 606 00:28:07,219 --> 00:28:09,555 Now, get me a hero, somebody worthy of her. 607 00:28:09,655 --> 00:28:11,891 I want a simple, honest youth, a sort of gondolier 608 00:28:12,024 --> 00:28:13,492 who supports his family. 609 00:28:13,559 --> 00:28:16,628 Now, get me a human being who can sing. 610 00:28:16,729 --> 00:28:20,532 Round me up every human tenor in Hollywood. 611 00:28:20,666 --> 00:28:21,801 Well, now we can relax. 612 00:28:21,901 --> 00:28:24,503 The conference is over, and I'm as hungry as a wolf. 613 00:28:24,570 --> 00:28:25,738 This is marvelous. 614 00:28:25,872 --> 00:28:27,306 What is? 615 00:28:27,406 --> 00:28:28,474 Do you know that this is the first time that I've ever 616 00:28:28,574 --> 00:28:30,076 seen coffee actually cooked? - No. 617 00:28:30,209 --> 00:28:31,811 Well, excepting once in a picture called 618 00:28:31,911 --> 00:28:33,245 "Hearts to Trumps." 619 00:28:33,345 --> 00:28:34,180 And that time, there wasn't any water in the pot. 620 00:28:34,246 --> 00:28:35,247 We tricked it. 621 00:28:35,381 --> 00:28:36,082 Is it very exciting? 622 00:28:36,215 --> 00:28:37,383 Terrific. 623 00:28:37,516 --> 00:28:39,685 You're a great help to me, Miss Humanity. 624 00:28:39,752 --> 00:28:40,486 I don't know how. 625 00:28:40,586 --> 00:28:41,520 Well, you are. 626 00:28:42,421 --> 00:28:44,757 I'll get the sandwiches. 627 00:28:45,992 --> 00:28:46,725 It's amazing. 628 00:28:50,596 --> 00:28:51,597 OK, Hank. 629 00:28:51,697 --> 00:28:53,732 CREW 4: Over here .. 630 00:28:53,866 --> 00:28:54,733 CREW 5: Stanley, lower your-- 631 00:28:56,268 --> 00:28:56,936 CREW 5: --lower your microphone about four inches. 632 00:28:57,103 --> 00:28:57,904 Face it this way. 633 00:28:58,004 --> 00:28:58,704 Hold still, will ya? 634 00:28:58,838 --> 00:28:59,671 All right, boys. 635 00:28:59,772 --> 00:29:00,506 I want to kill the shine. 636 00:29:00,606 --> 00:29:01,107 now. 637 00:29:01,273 --> 00:29:02,208 Hello, Mr. Day. 638 00:29:02,274 --> 00:29:03,075 Do you know your lines? 639 00:29:03,209 --> 00:29:04,076 Do I know my lines? 640 00:29:04,210 --> 00:29:05,444 You mean do I know my line? 641 00:29:05,577 --> 00:29:06,578 Yes, sir. 642 00:29:06,712 --> 00:29:07,880 Why, I've been sitting around here for eight 643 00:29:07,947 --> 00:29:09,281 weeks waiting to say it. - Oh. 644 00:29:09,415 --> 00:29:10,549 Well, run it over once for me. 645 00:29:10,616 --> 00:29:11,717 Yes, sir. 646 00:29:11,851 --> 00:29:14,186 Why do you grieve for that impresario, the rat? 647 00:29:14,286 --> 00:29:15,621 That's fine. 648 00:29:15,754 --> 00:29:16,755 I know it backwards too-- 649 00:29:16,856 --> 00:29:19,591 rat the impresario that for grieve you do why. 650 00:29:19,725 --> 00:29:21,894 I like the first way better, all right? 651 00:29:21,961 --> 00:29:23,129 Just a suggestion. 652 00:29:23,295 --> 00:29:24,730 I had to do something while I was waiting. 653 00:29:24,797 --> 00:29:26,365 Oh, this is your first time before the camera, Mr. Day, 654 00:29:26,465 --> 00:29:27,766 isn't it? - I don't know yet. 655 00:29:27,900 --> 00:29:29,401 Do you mean you're actually gonna photograph me? 656 00:29:29,468 --> 00:29:31,137 Just as soon as Miss Samara gets here. 657 00:29:31,270 --> 00:29:32,271 Oh, call Miss Samara again. 658 00:29:32,404 --> 00:29:33,605 She's on her way. 659 00:29:33,739 --> 00:29:34,706 You're not kidding? 660 00:29:34,807 --> 00:29:36,108 We're gonna start lights, action, camera? 661 00:29:36,208 --> 00:29:37,276 - Yes, sir. - Gee. 662 00:29:37,409 --> 00:29:38,110 Oh, here she comes. 663 00:29:42,448 --> 00:29:43,715 That's a gorgeous costume. 664 00:29:54,994 --> 00:29:56,162 Who is this? 665 00:29:56,262 --> 00:29:56,996 Oh, this is Michael Day. He plays the-- 666 00:29:57,129 --> 00:29:57,997 How do you do? 667 00:29:58,130 --> 00:29:59,231 Hmm. 668 00:29:59,331 --> 00:30:00,900 Now, this is the scene, Miss Samara. 669 00:30:01,000 --> 00:30:02,268 You are lonely, sad. 670 00:30:02,334 --> 00:30:03,936 And I say, why do you grieve for that-- 671 00:30:04,070 --> 00:30:05,104 Please. 672 00:30:05,237 --> 00:30:07,573 Mr. Lawrence, I want to know this. 673 00:30:07,673 --> 00:30:08,941 Do I love him here? 674 00:30:09,075 --> 00:30:09,909 Well, you see, I come in-- 675 00:30:10,009 --> 00:30:11,777 Please. 676 00:30:11,911 --> 00:30:13,812 You are lonely in Cuba. 677 00:30:13,946 --> 00:30:14,680 No one loves you. 678 00:30:14,813 --> 00:30:15,514 What? 679 00:30:15,647 --> 00:30:16,148 No one loves me? 680 00:30:16,282 --> 00:30:17,016 I won't do it. 681 00:30:17,149 --> 00:30:18,284 Where's Mr. Merlin? 682 00:30:18,350 --> 00:30:23,189 Now, Miss Samara, everybody loves you. 683 00:30:23,355 --> 00:30:25,357 Oh, I see. 684 00:30:25,491 --> 00:30:27,793 Everybody loves me. 685 00:30:27,860 --> 00:30:29,361 But I am sad. 686 00:30:29,495 --> 00:30:30,196 Mm-hmm. 687 00:30:33,699 --> 00:30:34,533 How do you do? 688 00:30:34,666 --> 00:30:35,167 How do you do? 689 00:30:35,301 --> 00:30:36,302 That's the spirit. 690 00:30:36,435 --> 00:30:37,169 Now, Mr. Day comes around the t-- 691 00:30:37,303 --> 00:30:38,637 Hurry up. 692 00:30:38,704 --> 00:30:39,705 I'm feeling sad. 693 00:30:39,872 --> 00:30:41,273 Yes, of course, Miss Samara. We'll make it. 694 00:30:41,373 --> 00:30:42,708 All right, places, everybody. Stand by. 695 00:30:42,841 --> 00:30:43,342 This will be a take. 696 00:30:43,475 --> 00:30:44,810 CREW 6: . 697 00:30:44,944 --> 00:30:46,512 CREW 2: Quiet! 698 00:30:46,645 --> 00:30:48,380 Turn 'em over. 699 00:30:48,514 --> 00:30:49,949 For you, Mr. Lawrence. 700 00:30:50,049 --> 00:30:51,050 CREW 7: Rolling. 701 00:30:51,150 --> 00:30:54,620 At last, I'm in pictures. 702 00:30:54,720 --> 00:30:55,454 CREW 3: Speed. 703 00:30:59,191 --> 00:30:59,892 Now? 704 00:31:00,026 --> 00:31:00,726 Now. 705 00:31:03,395 --> 00:31:04,796 Why do you grieve-- 706 00:31:04,897 --> 00:31:06,832 MR. LAWRENCE: Cut! 707 00:31:06,899 --> 00:31:07,900 I'm doing wrong? 708 00:31:08,034 --> 00:31:09,001 Heh. 709 00:31:09,068 --> 00:31:10,502 Looks like we're all doing wrong. 710 00:31:10,636 --> 00:31:12,538 Mr. Merlin is calling off the production for a few days 711 00:31:12,671 --> 00:31:13,705 for rewriting and recasting. 712 00:31:13,839 --> 00:31:14,506 Fine. 713 00:31:14,640 --> 00:31:16,308 Then I shall go to Honolulu. 714 00:31:16,408 --> 00:31:17,576 But Mr. Lawrence-- 715 00:31:17,676 --> 00:31:18,677 Sorry, old boy. 716 00:31:18,810 --> 00:31:19,645 Wrap 'em up. 717 00:31:19,745 --> 00:31:21,247 But look, eight weeks I've been on-- 718 00:31:21,413 --> 00:31:22,314 - Just give me that accordion. - That's all, folks. 719 00:31:22,414 --> 00:31:23,749 - One li-- 720 00:31:23,849 --> 00:31:26,685 Mr. Lawrence-- eight weeks I've studied this line. 721 00:31:26,752 --> 00:31:30,923 Look-- why do you grieve for that impresario, you rat? 722 00:31:31,057 --> 00:31:32,758 Eight weeks and it's been changed! 723 00:31:32,891 --> 00:31:33,725 CREW 8: Save the light. 724 00:31:35,161 --> 00:31:36,162 I-- I had the one line. 725 00:31:36,262 --> 00:31:37,363 Heads-up, please. 726 00:31:37,496 --> 00:31:38,697 Rehearsing one line for eight weeks. 727 00:31:38,830 --> 00:31:39,865 Gangway! Gangway! 728 00:31:39,999 --> 00:31:41,400 Gangway! 729 00:31:41,533 --> 00:31:43,669 What's happened with this part I've had for eight weeks? 730 00:31:50,109 --> 00:31:50,842 Shh! 731 00:31:50,943 --> 00:31:52,078 Shh! 732 00:31:52,211 --> 00:31:53,545 I've got to see Mr. Merlin right away. 733 00:31:53,612 --> 00:31:54,746 You can't see him. He's looking for a human being. 734 00:31:54,880 --> 00:31:55,781 What is all this? 735 00:31:55,914 --> 00:31:57,083 They're supposed to be human beings. 736 00:31:57,216 --> 00:31:58,050 Shh! Shh! 737 00:31:58,184 --> 00:31:59,051 Well, I'll wait. 738 00:32:00,752 --> 00:32:05,257 (SINGING MECHANICALLY) And when to the battle they rode, 739 00:32:05,391 --> 00:32:09,728 their dangers they were sh-- 740 00:32:09,861 --> 00:32:13,132 Now, you're making love to a very beautiful girl. 741 00:32:13,265 --> 00:32:18,437 Now, say passionately, "I love you." 742 00:32:18,537 --> 00:32:20,706 (UNCERTAINLY) I love you. 743 00:32:20,806 --> 00:32:21,807 Yes, of course. 744 00:32:21,940 --> 00:32:22,774 Of course. 745 00:32:22,908 --> 00:32:23,575 Thank you. 746 00:32:23,709 --> 00:32:26,645 Uh, Mr. Crane will see you. 747 00:32:26,778 --> 00:32:28,114 Basil. 748 00:32:28,247 --> 00:32:29,148 BASIL CRANE: Next! 749 00:32:31,317 --> 00:32:32,484 - Do you have your music? - Uh, yes, sir. 750 00:32:32,584 --> 00:32:33,619 - Please. 751 00:32:42,728 --> 00:32:51,570 (SINGING DRAMATICALLY) Oh, star of eve, thy tender beam-- 752 00:32:51,670 --> 00:32:53,939 Let me hear you act, very briefly. 753 00:32:54,073 --> 00:32:58,077 Say, "Darling, I am the happiest man in the world." 754 00:32:58,177 --> 00:33:01,980 (OVER-EARNESTLY) Darling, I'm the happiest man in the world. 755 00:33:02,081 --> 00:33:02,914 That's fine. 756 00:33:03,015 --> 00:33:04,016 That's fine. 757 00:33:04,116 --> 00:33:04,983 Thank you. 758 00:33:05,117 --> 00:33:07,953 Uh, Mr. Crane will see you. 759 00:33:08,087 --> 00:33:08,820 Thank you, sir. 760 00:33:08,954 --> 00:33:10,356 Basil. 761 00:33:10,489 --> 00:33:11,290 No, no, no, no. I'm sorry. 762 00:33:11,357 --> 00:33:12,091 It's our Basil. 763 00:33:12,191 --> 00:33:13,025 Oh, right, sir. 764 00:33:13,192 --> 00:33:13,992 Mr. Westinghouse, please. 765 00:33:19,131 --> 00:33:19,865 Please. 766 00:33:19,998 --> 00:33:22,268 Thank you. 767 00:33:25,704 --> 00:33:31,543 (SINGING IN TENOR) Gone are the days when 768 00:33:31,677 --> 00:33:36,715 my heart was young and gay. 769 00:33:38,850 --> 00:33:39,551 Gone-- 770 00:33:39,685 --> 00:33:42,221 MR. LAWRENCE: Mr. Westinghouse-- 771 00:33:42,354 --> 00:33:43,489 that will be all I need. 772 00:33:46,225 --> 00:33:49,695 Mr. Westinghouse, the part calls for acting as well as singing. 773 00:33:49,828 --> 00:33:50,662 Yes. 774 00:33:50,796 --> 00:33:52,398 The scene has romance and feeling. 775 00:33:52,531 --> 00:33:55,167 Let me hear you say, "My darling, I'll 776 00:33:55,234 --> 00:33:57,035 love you until I die." 777 00:33:57,169 --> 00:34:01,240 (IN DEEP BASS) My darling, I'll love you until I die. 778 00:34:01,373 --> 00:34:03,008 Mm-hmm. 779 00:34:03,075 --> 00:34:04,410 Uh, Basil. 780 00:34:04,543 --> 00:34:05,377 Thank you, Mr. Westinghouse. 781 00:34:05,477 --> 00:34:06,378 Thank you, sir. 782 00:34:08,147 --> 00:34:09,081 Come here. Come here. 783 00:34:09,215 --> 00:34:10,015 Yes, sir. 784 00:34:10,082 --> 00:34:11,383 I want a human being. 785 00:34:11,517 --> 00:34:12,918 Or is that asking too much to find in Hollywood? 786 00:34:13,051 --> 00:34:13,719 All right. 787 00:34:13,819 --> 00:34:14,386 Bring them in in bunches. 788 00:34:14,520 --> 00:34:16,088 Yes, sir. 789 00:34:16,222 --> 00:34:17,055 Come on in bunches. 790 00:34:17,189 --> 00:34:18,023 Come on! 791 00:34:18,090 --> 00:34:18,857 Ooh. 792 00:34:22,561 --> 00:34:23,395 Get outta here. 793 00:34:23,529 --> 00:34:24,830 RITZ BROTHERS: 794 00:34:26,998 --> 00:34:27,699 Oh. 795 00:34:30,369 --> 00:34:31,537 How did you get in here? 796 00:34:31,670 --> 00:34:32,838 I don't want animals! 797 00:34:32,938 --> 00:34:33,939 I want tenors! 798 00:34:34,072 --> 00:34:34,740 RITZ BROTHERS: Tenors? 799 00:34:34,840 --> 00:34:37,943 We are tenors, Mr. Merlin. 800 00:34:38,076 --> 00:34:38,910 Get out of here. 801 00:34:39,044 --> 00:34:39,878 Just a moment, sir. 802 00:34:39,945 --> 00:34:40,746 Just a moment. 803 00:34:40,879 --> 00:34:41,447 Get out! 804 00:34:41,580 --> 00:34:42,748 Here you are. 805 00:34:42,881 --> 00:34:44,082 Play that. 806 00:35:02,067 --> 00:35:04,436 ALL: (SINGING) Old man Jenkins had a cat. 807 00:35:04,570 --> 00:35:06,738 He lost his cat one day. 808 00:35:06,805 --> 00:35:07,639 Ooh, hoo. 809 00:35:07,806 --> 00:35:10,409 And when he couldn't find his cat, 810 00:35:10,476 --> 00:35:14,946 you'd hear old Jenkins say, oh, here, 811 00:35:15,080 --> 00:35:17,549 pussy, pussy, pussy, pussy, pussy, pussy, pussy. 812 00:35:17,649 --> 00:35:20,219 Here, pussy, pussy, pussy, pussy, pussy, pussy, puss. 813 00:35:20,319 --> 00:35:23,121 Here, pussy, pussy, pussy, pussy, pussy, pussy, pussy. 814 00:35:23,222 --> 00:35:25,891 Here, pussy, pussy, pussy, pussy, pussy, pussy, puss. 815 00:35:25,991 --> 00:35:28,827 Here, pussy, pussy, pussy, pussy, pussy, pussy, pussy. 816 00:35:28,960 --> 00:35:31,230 Where is the gosh-darned cat? 817 00:35:31,330 --> 00:35:34,333 Oh, old man Jenkins found his cat. 818 00:35:34,433 --> 00:35:36,268 With great relief, he sighed. 819 00:35:36,402 --> 00:35:37,269 Ooh, hoo. 820 00:35:37,403 --> 00:35:39,771 But then again she ran away. 821 00:35:39,905 --> 00:35:42,641 So poor old Jenkins cried. 822 00:35:42,774 --> 00:35:46,011 Oh, here, pussy, pussy, pussy, pussy, pussy, pussy. 823 00:35:46,144 --> 00:35:48,747 Here, pussy, pussy, pussy, pussy, pussy. 824 00:35:48,847 --> 00:35:49,615 (SPEAKING) Here, pussy. 825 00:35:49,681 --> 00:35:50,582 Here, pussy. 826 00:35:50,682 --> 00:35:52,184 Here, pussy. 827 00:35:52,318 --> 00:35:53,151 Where's pussy? 828 00:35:53,285 --> 00:35:54,152 Here, pussy, pussy. 829 00:35:54,286 --> 00:35:55,287 Hello, pussy, pussy, pussy. 830 00:35:55,421 --> 00:35:56,121 Hello. 831 00:35:56,255 --> 00:35:57,122 Here, pussy. 832 00:35:57,256 --> 00:35:58,290 Here, pussy, pussy. 833 00:35:58,424 --> 00:35:59,491 Here, pussy, pussy, pussy, pussy. 834 00:36:01,026 --> 00:36:02,861 RITZ BROTHER 1: Here, pussy, pussy, pussy, pussy. 835 00:36:02,994 --> 00:36:05,464 ALL: (SINGING) Where's the gosh-darned cat? 836 00:36:05,531 --> 00:36:06,465 That's enough of this! 837 00:36:06,598 --> 00:36:08,600 Now get out of here! 838 00:36:08,700 --> 00:36:10,269 ALL: (SINGING) Just a moment. 839 00:36:10,369 --> 00:36:11,770 Just a moment. 840 00:36:11,870 --> 00:36:14,373 Old man Jenkins missed his cat. 841 00:36:14,473 --> 00:36:16,208 Life didn't mean a thing. 842 00:36:16,342 --> 00:36:17,443 Ooh, hoo. 843 00:36:17,543 --> 00:36:20,111 So old man Jenkins changed his style. 844 00:36:20,212 --> 00:36:22,648 He called to her in swing. 845 00:36:22,714 --> 00:36:26,184 Oh, oh, pussy, why'd you leave? 846 00:36:26,318 --> 00:36:28,787 Oh, pussy, hear me grieve. 847 00:36:28,887 --> 00:36:34,192 Oh, pussy, listen now with a whoo and a cat's meow. 848 00:36:35,894 --> 00:36:39,798 Oh, pussy, out in the aisle, oh, pussy, in the reign of style, 849 00:36:39,898 --> 00:36:41,733 oh, pussy, hear us scat. 850 00:36:41,867 --> 00:36:44,970 Take a rhythm break for the sake of a cat. 851 00:36:45,070 --> 00:36:47,339 Meow. 852 00:36:47,406 --> 00:36:50,309 Meow. 853 00:36:50,409 --> 00:36:53,044 Meow. 854 00:36:53,178 --> 00:36:53,879 Take it. 855 00:36:56,515 --> 00:36:58,684 Oh, pussy, swing on down. 856 00:36:58,750 --> 00:37:01,587 Oh, pussy, don't look now. 857 00:37:01,753 --> 00:37:04,055 Oh, pussy, why'd you roam? 858 00:37:04,155 --> 00:37:06,825 Oh, pussy, pussy, please come home. 859 00:37:13,432 --> 00:37:14,333 All right, come on. 860 00:37:14,433 --> 00:37:15,501 Get these cats out of here. 861 00:37:16,902 --> 00:37:18,103 That one on the floor, there, pick him up. 862 00:37:18,236 --> 00:37:19,104 Come on. Hurry up. 863 00:37:19,237 --> 00:37:20,071 Hurry up. 864 00:37:21,407 --> 00:37:23,208 One more experience of this kind and you're through. 865 00:37:23,342 --> 00:37:24,343 You're fired. 866 00:37:24,443 --> 00:37:25,744 But Mr. Merlin, I didn't know who they were. 867 00:37:25,877 --> 00:37:26,778 I don't want any argument about it. 868 00:37:26,912 --> 00:37:28,079 Who's next? 869 00:37:28,179 --> 00:37:28,914 MICHAEL DAY: Mr. Merlin! - This gentleman. 870 00:37:29,047 --> 00:37:29,781 Oh, hello, Mr. Day. 871 00:37:29,915 --> 00:37:31,082 What's the trouble? 872 00:37:31,216 --> 00:37:32,584 Mr. Merlin, what is there to this ugly rumor 873 00:37:32,718 --> 00:37:33,885 that my part's been cut out of the picture? 874 00:37:34,019 --> 00:37:35,020 Well, I have other plans for you, Mr. Day. 875 00:37:35,120 --> 00:37:36,288 See me later. I'm very busy now. 876 00:37:36,422 --> 00:37:37,923 All right, send him in. - But Mr. Merlin-- 877 00:37:38,023 --> 00:37:40,626 Mr. Merlin-- Mr. Merlin, do you realize the time I 878 00:37:40,759 --> 00:37:42,193 spent learning to be a gigolo? 879 00:37:42,260 --> 00:37:43,862 Why, it took me eight weeks to grow these. 880 00:37:43,962 --> 00:37:44,963 I know, Michael. I'm sorry. 881 00:37:45,096 --> 00:37:46,264 But we're changing the story. 882 00:37:46,398 --> 00:37:48,367 What I want you to play now is a doorman. 883 00:37:48,434 --> 00:37:49,568 A doorman? 884 00:37:49,701 --> 00:37:52,571 From gigolo to doorman, what a part. 885 00:37:52,704 --> 00:37:54,373 All day long I do nothing but open doors. 886 00:37:54,440 --> 00:37:56,308 Oh, no, you do more than that, Michael. 887 00:37:56,442 --> 00:37:58,444 Yes, I close them too. 888 00:37:58,577 --> 00:38:00,045 Oh, you don't understand. 889 00:38:00,111 --> 00:38:01,913 This is not an ordinary doorman. 890 00:38:02,047 --> 00:38:03,915 This is a doorman with a heart. 891 00:38:04,049 --> 00:38:05,283 How old is this doorman? 892 00:38:05,417 --> 00:38:07,919 Well, I want him to be about 75 years old. 893 00:38:08,053 --> 00:38:09,054 Ha. 894 00:38:09,120 --> 00:38:11,590 I, in my prime, in the flower of my youth, 895 00:38:11,723 --> 00:38:13,325 I'm going to make my debut in the movies 896 00:38:13,459 --> 00:38:15,093 as a 75-year-old doorman. 897 00:38:15,160 --> 00:38:17,563 Mr. Merlin, I ask you, is that ?? 898 00:38:17,663 --> 00:38:21,667 But look, Michael, it's a very sympathetic character. 899 00:38:21,800 --> 00:38:23,502 You're an old, old man. 900 00:38:23,635 --> 00:38:24,670 Your youth is wasted. 901 00:38:24,803 --> 00:38:25,637 Hmm. 902 00:38:25,804 --> 00:38:26,672 You're telling me. 903 00:38:26,805 --> 00:38:28,006 You befriend a heroine. 904 00:38:28,139 --> 00:38:29,675 You give her refuge in your little hut. 905 00:38:29,808 --> 00:38:31,477 But Mr. Merlin, I look too young. 906 00:38:31,577 --> 00:38:32,811 They'll suspect something. 907 00:38:32,944 --> 00:38:34,079 Well, dig up a simple white beard. 908 00:38:34,145 --> 00:38:35,447 And when you're flashed on the screen, 909 00:38:35,581 --> 00:38:36,782 you'll break a million hearts. 910 00:38:36,915 --> 00:38:38,417 I'll break a million and one hearts. 911 00:38:38,484 --> 00:38:39,284 What do you mean? 912 00:38:39,418 --> 00:38:40,686 You're forgetting mine. 913 00:38:43,088 --> 00:38:44,089 You'll never regret playing that doorman. 914 00:38:44,189 --> 00:38:45,857 Why, it's a Lionel Barrymore part. 915 00:38:45,991 --> 00:38:46,858 And I'm entrusting it to you. 916 00:38:46,992 --> 00:38:47,926 Now, come on. 917 00:38:47,993 --> 00:38:49,294 Go to the wardrobe department. 918 00:38:49,428 --> 00:38:52,030 Get yourself a costume and a hump for your back. 919 00:38:52,163 --> 00:38:54,633 I can't play the accordion with a hump on my back. 920 00:38:54,700 --> 00:38:55,701 Get a small hump. 921 00:38:55,834 --> 00:38:57,603 Mr. Merlin, my future! 922 00:38:57,703 --> 00:38:59,304 Now, Michael, Michael, there'll 923 00:38:59,438 --> 00:39:01,473 be no doubt about your future after the preview 924 00:39:01,607 --> 00:39:02,808 of the picture. 925 00:39:02,941 --> 00:39:04,376 I can see the newspapers the following morning. 926 00:39:04,510 --> 00:39:05,343 Yep. 927 00:39:05,477 --> 00:39:07,178 And I'll be selling them. 928 00:39:08,847 --> 00:39:10,315 Please. 929 00:39:10,382 --> 00:39:12,117 Oh, Basil. 930 00:39:12,217 --> 00:39:13,652 Call up that Santa Monica number and tell 931 00:39:13,785 --> 00:39:15,687 that party that I'll be a little late for that conference. 932 00:39:15,821 --> 00:39:16,855 Ah, I get it. 933 00:39:16,988 --> 00:39:18,557 No, no, you're wrong. 934 00:39:18,690 --> 00:39:20,025 It's mental-- the brain. 935 00:39:20,125 --> 00:39:21,393 Oh, I wouldn't know about that. 936 00:39:24,162 --> 00:39:26,498 Listen, Miss Humanity, are you going to sit here 937 00:39:26,565 --> 00:39:27,799 all night waiting for him? 938 00:39:27,899 --> 00:39:29,735 Or can we break jail and make for a hamburger? 939 00:39:29,868 --> 00:39:31,136 But he said he wanted to have a conference 940 00:39:31,236 --> 00:39:33,004 and was coming right out. 941 00:39:33,138 --> 00:39:35,707 Is there anything in your contract against eating? 942 00:39:35,841 --> 00:39:38,677 No, I can eat, but only in the places 943 00:39:38,744 --> 00:39:41,179 where there aren't any actors. 944 00:39:41,312 --> 00:39:42,180 Come on, then. 945 00:39:45,551 --> 00:39:51,256 (SINGING) Nothing seemed to matter any more. 946 00:39:51,389 --> 00:39:57,829 Didn't know where I was heading for. 947 00:39:57,896 --> 00:40:01,166 Time was standing still. 948 00:40:01,266 --> 00:40:06,104 No one counted till there came a knock, 949 00:40:06,237 --> 00:40:11,076 knock, knocking at my door. 950 00:40:15,914 --> 00:40:24,590 Love walked right in and drove the shadows away. 951 00:40:24,690 --> 00:40:33,699 Love walked right in and brought my sunniest day. 952 00:40:33,799 --> 00:40:39,805 One magic moment and my heart seemed 953 00:40:39,938 --> 00:40:53,952 to know that love said hello, though not a word was spoken. 954 00:40:54,085 --> 00:41:03,294 One look and I forgot the gloom of the past. 955 00:41:03,428 --> 00:41:12,638 One look and I had found my future at last. 956 00:41:12,771 --> 00:41:25,817 Oh, then and there I found a world completely new, 957 00:41:25,951 --> 00:41:32,758 when love walked in with you. 958 00:41:38,163 --> 00:41:40,431 I'll have some on toast. 959 00:41:40,498 --> 00:41:41,166 Oh, sorry. 960 00:41:41,299 --> 00:41:42,100 I didn't hear you come in. 961 00:41:42,167 --> 00:41:43,334 You sing awfully well. 962 00:41:43,501 --> 00:41:44,670 Thanks. 963 00:41:44,803 --> 00:41:46,805 I'm the last of the lunch wagon tenors, Danny Beecher. 964 00:41:46,938 --> 00:41:48,273 At your service. 965 00:41:48,339 --> 00:41:50,041 Available for clam bakes and front porch harmonizing. 966 00:41:50,175 --> 00:41:50,942 What'll you have? 967 00:41:51,042 --> 00:41:52,644 Oh, anything. 968 00:41:52,778 --> 00:41:54,045 No squabs. 969 00:41:54,179 --> 00:41:56,648 I suppose we'll have to wind up with a hamburger. 970 00:41:56,715 --> 00:41:57,549 The same. 971 00:41:57,683 --> 00:41:59,651 Two hamburgers coming up. 972 00:41:59,785 --> 00:42:00,518 With or without? 973 00:42:00,652 --> 00:42:01,386 Without. 974 00:42:01,519 --> 00:42:02,554 With. 975 00:42:02,688 --> 00:42:04,990 Do you sing anywhere else except here? 976 00:42:05,056 --> 00:42:06,391 No, miss. 977 00:42:06,524 --> 00:42:07,859 I'm just one of Hollywood's army of hidden geniuses, 978 00:42:07,959 --> 00:42:09,294 content to practice my art at my work. 979 00:42:09,360 --> 00:42:11,830 Well, it's a good thing you're not a contortionist. 980 00:42:11,963 --> 00:42:13,198 You said it. 981 00:42:13,331 --> 00:42:14,866 May we have another song while we're waiting? 982 00:42:15,000 --> 00:42:15,867 What? 983 00:42:16,001 --> 00:42:17,502 Do I hear cries of "encore"? 984 00:42:17,569 --> 00:42:18,670 Please. 985 00:42:18,804 --> 00:42:21,406 Well, uh, keep your eyes on the hamburger in case 986 00:42:21,539 --> 00:42:22,040 I get swept away. 987 00:42:32,550 --> 00:42:42,393 (SINGING) One look and I forgot the gloom of the past. 988 00:42:42,527 --> 00:42:51,369 One look and I had found my future at last. 989 00:42:51,502 --> 00:43:04,349 Oh, then and there I found a world completely new, 990 00:43:04,415 --> 00:43:11,089 when love walked in with you. 991 00:43:39,317 --> 00:43:41,552 Oh, I've had the most wonderful time, really 992 00:43:41,653 --> 00:43:43,655 the first fun since I came to Hollywood. 993 00:43:43,789 --> 00:43:45,924 Well, aren't you being a bit obvious about it? 994 00:43:45,991 --> 00:43:48,760 For all you know, he might have a wife and a couple of kids. 995 00:43:48,894 --> 00:43:50,762 I heard that remark, miss. 996 00:43:50,896 --> 00:43:54,232 And in denying every rumor, I wish to say that I am childless 997 00:43:54,332 --> 00:43:57,468 and, according to the last census report, unmarried. 998 00:43:57,602 --> 00:43:59,805 Now may I take you ladies home? 999 00:43:59,938 --> 00:44:00,972 Oh, not me. 1000 00:44:01,106 --> 00:44:02,741 I've got a date with a certain party. 1001 00:44:02,808 --> 00:44:05,343 Good night, Hazel, and watch out for your sense of humanity 1002 00:44:05,476 --> 00:44:06,912 when you're crossing the street. 1003 00:44:07,012 --> 00:44:07,846 Good night. 1004 00:44:07,979 --> 00:44:08,780 Good night. 1005 00:44:08,914 --> 00:44:09,815 Do you live near here? 1006 00:44:09,948 --> 00:44:10,648 Just down the street. 1007 00:44:10,782 --> 00:44:11,850 Oh, that's too bad. 1008 00:44:11,983 --> 00:44:14,853 I was hoping it'd be a long walk. 1009 00:44:14,986 --> 00:44:16,154 But maybe you'd like to go exploring. 1010 00:44:16,287 --> 00:44:17,488 I heard there's an ocean near here. 1011 00:44:17,622 --> 00:44:19,624 And we could sit on the beach and get sunburned. 1012 00:44:19,691 --> 00:44:20,926 Tonight? 1013 00:44:21,026 --> 00:44:22,193 I'm sorry. 1014 00:44:22,327 --> 00:44:24,462 With you, it seems like the sun is shining. 1015 00:44:24,595 --> 00:44:26,431 But you won't care if I make other suggestions, will you? 1016 00:44:26,531 --> 00:44:29,267 You see, uh, you're the first girl I've spoken 1017 00:44:29,367 --> 00:44:31,002 to informally for some time. 1018 00:44:31,136 --> 00:44:32,971 And well, I'm a little out of practice. 1019 00:44:33,104 --> 00:44:35,473 Well, I'm sure I won't notice your shortcomings, Mr. Beecher. 1020 00:44:35,606 --> 00:44:39,677 You see, I'm a little out of practice too. 1021 00:44:39,811 --> 00:44:41,546 This is where I live. 1022 00:44:41,679 --> 00:44:43,281 So soon? 1023 00:44:43,348 --> 00:44:45,016 I haven't had time to make half the suggestions 1024 00:44:45,150 --> 00:44:46,651 I wanted to make. 1025 00:44:46,718 --> 00:44:48,787 Well, I think for a man who's supposed to be out of practice 1026 00:44:48,887 --> 00:44:49,721 that you do pretty well. 1027 00:44:51,289 --> 00:44:52,958 I guess your father's waiting up for you. 1028 00:44:53,024 --> 00:44:54,192 Who? 1029 00:44:54,325 --> 00:44:55,326 Well, there's someone sitting in there. 1030 00:44:58,563 --> 00:45:01,900 Oh, yes, well, I'll say good night, Mr. Beecher. 1031 00:45:02,033 --> 00:45:03,034 I guess that's final, then. 1032 00:45:03,134 --> 00:45:03,835 What is? 1033 00:45:03,969 --> 00:45:05,470 Good night. 1034 00:45:05,536 --> 00:45:07,205 Or would you say that we were going to see each other again? 1035 00:45:07,338 --> 00:45:09,674 Just as soon as I get hungry again, I'll look you up. 1036 00:45:09,741 --> 00:45:11,242 Me and the hamburgers will be waiting for you 1037 00:45:11,376 --> 00:45:12,744 with a song on our lips. 1038 00:45:12,878 --> 00:45:17,015 Maybe the next time, we can walk in another direction. 1039 00:45:17,148 --> 00:45:17,883 Good night. 1040 00:45:18,016 --> 00:45:18,750 Good night. 1041 00:45:28,894 --> 00:45:30,896 Well, a pretty time to come dragging in. 1042 00:45:31,062 --> 00:45:32,230 Where have you been? - Oh, I just-- 1043 00:45:32,330 --> 00:45:33,498 You haven't been to a movie, have you? 1044 00:45:33,564 --> 00:45:34,900 Oh no, I haven't disobeyed your orders. 1045 00:45:35,066 --> 00:45:36,201 I went out to get a hamburger. 1046 00:45:36,267 --> 00:45:37,335 A hamburger at this hour of the night? 1047 00:45:37,435 --> 00:45:38,603 Well, 200 million people must eat. 1048 00:45:38,736 --> 00:45:40,271 That's true enough, true enough. 1049 00:45:40,405 --> 00:45:41,873 Do you want your coffee now or later? 1050 00:45:41,940 --> 00:45:42,740 No, later on. 1051 00:45:42,874 --> 00:45:43,708 I want to talk to you. 1052 00:45:43,775 --> 00:45:45,443 Listen, my authors have just handed 1053 00:45:45,576 --> 00:45:47,245 me a marvelous rewrite job. 1054 00:45:47,378 --> 00:45:48,713 They've figured out a wonderful twist. 1055 00:45:48,780 --> 00:45:49,614 Twist? 1056 00:45:49,747 --> 00:45:51,716 OLIVER MERLIN: A twist, a switcheroo. 1057 00:45:51,850 --> 00:45:52,350 Switcheroo? 1058 00:45:52,450 --> 00:45:53,785 The old twist-ola. 1059 00:45:53,919 --> 00:45:55,553 Now, listen-- the girl picks up with a human being, 1060 00:45:55,620 --> 00:45:57,122 but he finds out about her past. 1061 00:45:57,255 --> 00:45:58,689 It drives him crazy. 1062 00:45:58,756 --> 00:46:00,591 And in one of the finest scenes I've ever read, 1063 00:46:00,758 --> 00:46:01,860 he denounces her. 1064 00:46:01,927 --> 00:46:02,627 What? 1065 00:46:02,760 --> 00:46:03,962 Yes, you know. 1066 00:46:04,095 --> 00:46:05,696 But he's got an honest and human heart, so he leaves her. 1067 00:46:05,797 --> 00:46:07,698 Now then, she meets an old man with a long white beard 1068 00:46:07,799 --> 00:46:09,801 and a hump on his back who plays the accordion. 1069 00:46:09,935 --> 00:46:10,869 The boy leaves her? 1070 00:46:10,969 --> 00:46:11,736 Like a shot. 1071 00:46:11,870 --> 00:46:12,737 He can't stand sin. 1072 00:46:12,871 --> 00:46:15,373 Well, it may be a switcheroo, but it 1073 00:46:15,440 --> 00:46:16,975 sounds awfully unreal to me. 1074 00:46:17,108 --> 00:46:18,376 Unreal? 1075 00:46:18,476 --> 00:46:19,911 For an honest man to leave a woman with a past? 1076 00:46:20,045 --> 00:46:21,212 But if he loved her, he wouldn't 1077 00:46:21,279 --> 00:46:24,615 leave her, not if he were real. 1078 00:46:24,782 --> 00:46:25,483 That's amazing. 1079 00:46:30,788 --> 00:46:32,623 Granite 1121. 1080 00:46:32,757 --> 00:46:34,592 Yes. 1081 00:46:34,725 --> 00:46:36,427 Then she wouldn't meet the old man with the accordion. 1082 00:46:36,561 --> 00:46:37,929 Does he play the accordion too? 1083 00:46:38,063 --> 00:46:40,065 Why, uh-- uh, Mr. Crane. 1084 00:46:40,165 --> 00:46:41,332 You look tired. 1085 00:46:41,466 --> 00:46:42,633 I think I've been working you too hard. 1086 00:46:42,733 --> 00:46:43,902 Well, I was thinking of something else. 1087 00:46:44,002 --> 00:46:45,336 Well, now, you just forget about everything 1088 00:46:45,470 --> 00:46:48,073 and take a look in those boxes over there. 1089 00:46:48,173 --> 00:46:49,240 Hello, Basil? 1090 00:46:49,340 --> 00:46:50,942 What are you doing? 1091 00:46:51,076 --> 00:46:52,577 Well, drop it. 1092 00:46:57,282 --> 00:46:58,783 , Basil. 1093 00:46:58,850 --> 00:47:00,952 The hero doesn't walk out on the girl. 1094 00:47:01,086 --> 00:47:02,287 I want him to forgive her. 1095 00:47:02,420 --> 00:47:04,255 Well, he forgives her anyway. 1096 00:47:04,322 --> 00:47:05,957 And Basil, kill the old man with the beard. 1097 00:47:06,091 --> 00:47:07,125 He's out. 1098 00:47:07,258 --> 00:47:08,259 We'll find something else for him. 1099 00:47:08,359 --> 00:47:09,861 Any luck with a gondolier? 1100 00:47:09,995 --> 00:47:11,997 Well, keep listening. 1101 00:47:12,163 --> 00:47:13,498 Never mind your ear drums. 1102 00:47:13,631 --> 00:47:15,133 I'll see you in an hour. 1103 00:47:15,266 --> 00:47:15,967 Oh! 1104 00:47:24,943 --> 00:47:27,178 Oh! 1105 00:47:27,312 --> 00:47:28,980 OLIVER MERLIN: Do you like it? 1106 00:47:29,047 --> 00:47:30,481 Oh, it's beautiful! 1107 00:47:30,615 --> 00:47:31,782 You'll look beautiful in it. 1108 00:47:31,883 --> 00:47:33,451 I had our wardrobe make it for you. 1109 00:47:33,551 --> 00:47:34,819 I have tickets for the opera tomorrow night. 1110 00:47:34,953 --> 00:47:36,654 Leona Jerome is singing "Traviata." 1111 00:47:36,787 --> 00:47:38,856 And if you like her, I'm going to put her in the picture. 1112 00:47:38,990 --> 00:47:40,391 You're going to take me to the opera? 1113 00:47:40,525 --> 00:47:42,027 It's part of your job. 1114 00:47:42,127 --> 00:47:44,295 Oh! 1115 00:47:44,362 --> 00:47:45,997 Well, I've got to run along. 1116 00:47:46,131 --> 00:47:47,032 I'll see you tomorrow night. 1117 00:47:47,165 --> 00:47:48,166 I'm tied up for dinner. 1118 00:47:48,299 --> 00:47:49,867 But I'll call for you afterwards. 1119 00:47:50,001 --> 00:47:52,904 Oh, uh, one more question, Miss Humanity. 1120 00:47:53,038 --> 00:47:54,539 You're not too tired to think, are you? 1121 00:47:54,672 --> 00:47:55,840 Oh, no. 1122 00:47:55,907 --> 00:47:58,176 If there were a man, Hazel, with a dreadful past-- 1123 00:47:58,309 --> 00:48:00,145 oh, a hideous past-- 1124 00:48:00,245 --> 00:48:03,381 and some nice, honest girl who loved him found out about it, 1125 00:48:03,514 --> 00:48:04,382 what would she do? 1126 00:48:04,515 --> 00:48:05,383 Would she leave him? 1127 00:48:05,516 --> 00:48:08,353 Why, no, not if she loved him. 1128 00:48:08,419 --> 00:48:09,820 Thanks. 1129 00:48:09,921 --> 00:48:10,922 Good night! 1130 00:48:11,056 --> 00:48:11,756 Thank you! 1131 00:48:25,736 --> 00:48:27,705 I'm afraid Mr. Crane won't like this getup, Charlie. 1132 00:48:27,838 --> 00:48:28,839 Oh, nonsense. 1133 00:48:28,940 --> 00:48:31,442 Imitation is the sincerest form of flattery. 1134 00:48:31,576 --> 00:48:33,378 Well, you certainly have flattered him, 1135 00:48:33,511 --> 00:48:34,445 right to the beret. 1136 00:48:34,579 --> 00:48:38,049 Yeah, isn't it ducky? 1137 00:48:39,017 --> 00:48:41,686 Oh. 1138 00:48:41,752 --> 00:48:47,258 Oh, you gorgeous little .. 1139 00:48:47,425 --> 00:48:48,559 Oh. 1140 00:48:48,626 --> 00:48:49,927 You heard what she said. 1141 00:48:50,061 --> 00:48:50,728 Yeah. 1142 00:48:50,861 --> 00:48:52,430 If you're a pal, you'll go. 1143 00:48:52,563 --> 00:48:53,931 But quickly. 1144 00:48:54,932 --> 00:48:55,866 Oh, I want you. 1145 00:48:55,933 --> 00:48:56,701 Huh? 1146 00:48:56,801 --> 00:48:58,103 I must have you for my picture. 1147 00:48:58,236 --> 00:48:59,570 You-- you-- 1148 00:48:59,637 --> 00:49:00,805 Oh, we'd be delighted. 1149 00:49:00,938 --> 00:49:02,107 Will you go? 1150 00:49:02,240 --> 00:49:03,108 As you were saying. 1151 00:49:03,241 --> 00:49:04,375 Tell me-- can you romance? 1152 00:49:04,442 --> 00:49:05,143 Can I what? 1153 00:49:05,276 --> 00:49:06,277 Can you woo? 1154 00:49:06,444 --> 00:49:07,145 Can I woo? 1155 00:49:07,278 --> 00:49:08,446 Woo, woo, woo! 1156 00:49:08,546 --> 00:49:12,083 No, I mean, can you make love? 1157 00:49:12,217 --> 00:49:13,551 Oh. 1158 00:49:13,618 --> 00:49:16,954 Sister, I'm a loving fool and a fool to love. 1159 00:49:17,088 --> 00:49:21,626 I want a man who can take me in his arms and hold me tight. 1160 00:49:21,759 --> 00:49:22,427 Tighter. 1161 00:49:22,493 --> 00:49:23,328 Tighter. 1162 00:49:23,461 --> 00:49:24,162 Yeah. 1163 00:49:24,295 --> 00:49:25,096 Can you do that? 1164 00:49:25,163 --> 00:49:27,265 Uh, no. 1165 00:49:27,398 --> 00:49:29,434 But I can do this. 1166 00:49:29,567 --> 00:49:35,240 Ah, but can you do this? 1167 00:49:35,306 --> 00:49:36,307 You got me there. 1168 00:49:36,441 --> 00:49:37,842 Oh, you darling. 1169 00:49:37,975 --> 00:49:39,244 OLIVER MERLIN: Olga. OLGA SAMARA: Oliver. 1170 00:49:39,310 --> 00:49:40,278 Why aren't you rehearsing? 1171 00:49:40,411 --> 00:49:41,146 Oh, come here. 1172 00:49:41,279 --> 00:49:41,979 What is it? 1173 00:49:42,113 --> 00:49:43,114 Look. 1174 00:49:43,181 --> 00:49:44,482 Isn't he a doll? 1175 00:49:44,615 --> 00:49:45,783 Yes, he's cute. 1176 00:49:45,916 --> 00:49:46,651 You're holding up the whole company, Olga. 1177 00:49:46,784 --> 00:49:47,918 Oh, they can wait. 1178 00:49:47,985 --> 00:49:49,654 I must have him near me in the picture. 1179 00:49:49,820 --> 00:49:51,489 But Olga, you can't have everybody in the picture. 1180 00:49:51,622 --> 00:49:52,790 They're-- 1181 00:49:52,857 --> 00:49:55,526 Either he's in or I am out, positively. 1182 00:49:55,660 --> 00:49:57,328 How do you do, young man? 1183 00:49:57,462 --> 00:49:58,829 Would you like to go into pictures? 1184 00:49:58,963 --> 00:49:59,530 Yes. 1185 00:49:59,664 --> 00:50:00,598 Wouldn't you, Charlie? 1186 00:50:00,665 --> 00:50:02,333 Well, I don't know. 1187 00:50:02,467 --> 00:50:03,534 Ah, but you must. 1188 00:50:03,668 --> 00:50:04,369 Of course he would. 1189 00:50:04,502 --> 00:50:05,436 He's very talented. 1190 00:50:05,503 --> 00:50:06,871 Oh, come, come, come. 1191 00:50:07,004 --> 00:50:08,806 You see, I've had so many offers-- 1192 00:50:08,939 --> 00:50:09,440 ouch. 1193 00:50:09,540 --> 00:50:10,508 Don't be a fool. 1194 00:50:10,641 --> 00:50:11,476 - I know what I'm doing. - But-- 1195 00:50:12,610 --> 00:50:14,312 Uh, tell me about the picture. 1196 00:50:14,445 --> 00:50:15,180 Is it good? 1197 00:50:15,313 --> 00:50:16,381 Is it good? 1198 00:50:16,514 --> 00:50:17,982 It's terrific. 1199 00:50:18,049 --> 00:50:20,651 Now, listen-- we fade into a very beautiful pastoral scene. 1200 00:50:20,785 --> 00:50:21,986 I wouldn't like that. 1201 00:50:22,120 --> 00:50:22,953 Then we'll change it. 1202 00:50:23,020 --> 00:50:23,688 We can't change it. 1203 00:50:23,854 --> 00:50:25,056 - We will. - Come, come. 1204 00:50:25,190 --> 00:50:26,391 Don't quibble. 1205 00:50:26,524 --> 00:50:28,193 Uh, can you pay us more than our other offers? 1206 00:50:28,293 --> 00:50:29,360 Yeah-- what offer? 1207 00:50:29,494 --> 00:50:31,229 Oh, yeah, the big offer, yeah. 1208 00:50:31,362 --> 00:50:32,797 How much have you been getting? 1209 00:50:32,863 --> 00:50:35,233 Well, uh, s-- some weeks we make as high as, uh-- well, 1210 00:50:35,366 --> 00:50:36,201 we can make as high as, uh-- 1211 00:50:36,367 --> 00:50:37,668 Yeah. 1212 00:50:37,735 --> 00:50:38,736 Of course, then again, it will fall off a little. 1213 00:50:38,869 --> 00:50:40,671 It's bound to fluctuate, you know. 1214 00:50:40,805 --> 00:50:42,039 OLIVER MERLIN: How much do you want? 1215 00:50:42,173 --> 00:50:43,574 Uh, what can you afford? That's . 1216 00:50:43,708 --> 00:50:45,210 You could pay him 3,000 a week, couldn't you? 1217 00:50:45,343 --> 00:50:46,977 - What? - That isn't enough. 1218 00:50:47,044 --> 00:50:49,214 I must have 3,025. 1219 00:50:49,380 --> 00:50:50,648 OLIVER MERLIN: 3,025? 1220 00:50:50,715 --> 00:50:53,551 My dear fellow, money isn't everything. 1221 00:50:53,684 --> 00:50:55,753 I don't know if I'd be happy here. 1222 00:50:55,886 --> 00:50:57,322 Oh. 1223 00:50:57,388 --> 00:50:59,190 Oh, oh, oh. 1224 00:50:59,324 --> 00:51:01,826 Well, there is that to consider. 1225 00:51:01,926 --> 00:51:04,429 Now look here, I'm going to give you a pass to the studio. 1226 00:51:04,562 --> 00:51:05,930 I want you to look around. 1227 00:51:06,063 --> 00:51:09,033 And if you think that you'll be happy, come and see me. 1228 00:51:09,167 --> 00:51:10,000 Grab it. 1229 00:51:10,101 --> 00:51:11,436 Shall we go slumming. 1230 00:51:11,569 --> 00:51:12,403 Thank you. 1231 00:51:12,503 --> 00:51:13,538 Come along, Olga. 1232 00:51:13,671 --> 00:51:15,706 You will think it over, won't you? 1233 00:51:15,840 --> 00:51:17,875 I shall meditate, my lambie-pie. 1234 00:51:18,008 --> 00:51:18,876 Mm-hmm. 1235 00:51:19,009 --> 00:51:22,012 Then . 1236 00:51:22,113 --> 00:51:23,448 Cucaracha. 1237 00:51:23,581 --> 00:51:24,882 Oh, oh, oh. 1238 00:51:25,015 --> 00:51:26,351 Charlie, what's the matter with you? 1239 00:51:26,417 --> 00:51:27,585 What have I done now? 1240 00:51:27,752 --> 00:51:28,919 I can't understand you. 1241 00:51:29,053 --> 00:51:30,521 Here we have a contract practically 1242 00:51:30,588 --> 00:51:32,523 under our nose for $3,000 a week, 1243 00:51:32,623 --> 00:51:35,193 and you almost queer it by asking for an extra 25. 1244 00:51:35,293 --> 00:51:37,027 What is the $25 for? 1245 00:51:37,128 --> 00:51:38,796 After all, you've got to live too. 1246 00:51:38,929 --> 00:51:39,430 Oh. 1247 00:51:39,564 --> 00:51:40,298 (IN IMITATION) Oh. 1248 00:51:58,883 --> 00:52:03,654 Well, gee, I didn't know you was a duchess, lady. 1249 00:52:03,788 --> 00:52:06,123 To think I've been entertaining royalty unawares. 1250 00:52:06,224 --> 00:52:07,325 Relax, . 1251 00:52:07,458 --> 00:52:09,660 Her Highness has always been very favorably disposed 1252 00:52:09,794 --> 00:52:11,462 towards the House of Hamburger. 1253 00:52:11,562 --> 00:52:13,063 Thank you, ma'am. 1254 00:52:13,130 --> 00:52:16,467 I am going to the opera, but I feel a need of a slight snack. 1255 00:52:16,634 --> 00:52:19,270 Do you, uh, have any squabs this evening? 1256 00:52:19,337 --> 00:52:21,606 You mean-- you mean you want something to eat? 1257 00:52:21,739 --> 00:52:23,441 If it's not too much trouble. 1258 00:52:23,574 --> 00:52:25,142 Oh, not at all, me lady. 1259 00:52:25,276 --> 00:52:27,412 Danny's Roost is famous for its opera parties. 1260 00:52:27,478 --> 00:52:29,980 What will you have with your filet mignon, champagne 1261 00:52:30,147 --> 00:52:31,316 or, uh, burgundy? 1262 00:52:31,416 --> 00:52:33,584 Burgundy will do. 1263 00:52:33,684 --> 00:52:36,187 Burgundy it is. 1264 00:52:36,321 --> 00:52:42,493 1923-- the finest vintage. 1265 00:52:42,627 --> 00:52:44,529 Water. 1266 00:52:44,662 --> 00:52:45,796 Oh, you look beautiful. 1267 00:52:45,863 --> 00:52:47,031 And you're going to the opera. 1268 00:52:47,164 --> 00:52:48,466 - Mm-hmm. - What are they singing tonight? 1269 00:52:48,533 --> 00:52:49,267 "Traviata." 1270 00:52:49,367 --> 00:52:50,835 Oh, that's a honey. 1271 00:52:50,968 --> 00:52:52,970 I used to go to all the operas, sit right in the front row-- 1272 00:52:53,103 --> 00:52:53,838 in the gallery. 1273 00:52:53,971 --> 00:52:54,672 Oh. 1274 00:52:57,342 --> 00:52:58,643 Gee, I wish I could-- 1275 00:52:58,709 --> 00:53:01,612 What? 1276 00:53:01,712 --> 00:53:04,515 Ah, nothing. 1277 00:53:04,649 --> 00:53:06,116 "Traviata," huh? 1278 00:53:06,183 --> 00:53:10,521 The lady what died of a broken heart, slight .. 1279 00:54:25,430 --> 00:54:28,899 ALL: 1280 00:55:21,018 --> 00:55:24,522 ALL: 1281 00:55:56,020 --> 00:55:59,023 ALL: 1282 00:56:34,391 --> 00:56:35,259 Do you like her? 1283 00:56:35,392 --> 00:56:36,226 Oh, yes. 1284 00:56:36,326 --> 00:56:37,728 Then I'll put her in the picture. 1285 00:56:37,862 --> 00:56:40,765 AND CHARLES KULLMAN, 1286 00:57:35,119 --> 00:57:38,589 ALFREDO: 1287 00:59:43,247 --> 00:59:46,717 ALFREDO: 1288 00:59:55,793 --> 00:59:59,296 ALFREDO: 1289 01:00:53,650 --> 01:00:56,687 Have you ever heard "La traviata" before? 1290 01:00:56,821 --> 01:00:57,521 Once. 1291 01:01:03,527 --> 01:01:04,528 I'll be in projection room number 1. 1292 01:01:04,661 --> 01:01:07,832 Mr. Merlin, are these costumes OK? 1293 01:01:07,965 --> 01:01:08,933 Fine, thank you. 1294 01:01:08,999 --> 01:01:09,700 Mr. Merlin-- 1295 01:01:09,834 --> 01:01:10,868 Yes? 1296 01:01:11,001 --> 01:01:12,169 Mr. Merlin, you don't know who I am? 1297 01:01:12,302 --> 01:01:13,337 I'm sorry, old-timer. I'm very busy. 1298 01:01:13,470 --> 01:01:15,172 - Why-- - Now see the casting director. 1299 01:01:15,305 --> 01:01:16,540 But Mr. Merlin! 1300 01:01:19,343 --> 01:01:20,177 Mr. Merlin. 1301 01:01:20,310 --> 01:01:21,145 Mr. Merlin. 1302 01:01:21,211 --> 01:01:22,046 Now, please, old-timer. 1303 01:01:22,179 --> 01:01:22,980 Old-timer? 1304 01:01:23,113 --> 01:01:24,548 I even fooled you, eh? 1305 01:01:24,681 --> 01:01:25,549 Look. 1306 01:01:25,682 --> 01:01:26,383 Hello. 1307 01:01:26,516 --> 01:01:27,117 What? 1308 01:01:27,184 --> 01:01:28,685 Pretty good, eh? 1309 01:01:28,819 --> 01:01:31,188 Listen to this-- little girl, I will take care of you, ehhhh. 1310 01:01:31,321 --> 01:01:32,389 No, I'm sorry. 1311 01:01:32,522 --> 01:01:33,490 - What's wrong? - I'm sorry, Michael. 1312 01:01:33,557 --> 01:01:34,825 We had to change your part again. 1313 01:01:34,959 --> 01:01:36,226 Changed again? 1314 01:01:36,360 --> 01:01:38,128 Why, Mr. Merlin, this is the Lionel Barrymore part, 1315 01:01:38,195 --> 01:01:39,296 remember? 1316 01:01:39,396 --> 01:01:40,831 I give her refuge in my little hut. 1317 01:01:40,965 --> 01:01:41,966 I have it. 1318 01:01:42,066 --> 01:01:43,300 You'll be a French customs officer. 1319 01:01:43,400 --> 01:01:44,902 - I won't do it. - She escapes across the border. 1320 01:01:45,035 --> 01:01:46,070 You give her refuge. 1321 01:01:46,203 --> 01:01:47,471 Yeah, in my little customs house. 1322 01:01:47,571 --> 01:01:48,572 Exactly. 1323 01:01:48,705 --> 01:01:50,040 Now pick yourself out a simple black beard. 1324 01:01:50,174 --> 01:01:51,375 Why not a Bluebeard with eight wives? 1325 01:01:51,508 --> 01:01:52,476 Oh, no. 1326 01:01:52,542 --> 01:01:53,243 I want you to have a continental flavor. 1327 01:01:53,377 --> 01:01:54,678 Yeah, raspberry. 1328 01:01:54,812 --> 01:01:56,146 Now, believe me-- if you play this part, Michael, 1329 01:01:56,246 --> 01:01:57,147 the public will go for you. 1330 01:01:57,247 --> 01:01:58,415 And how they'll go for me. 1331 01:01:58,548 --> 01:02:00,217 Why did I want to be in pictures? 1332 01:02:00,350 --> 01:02:02,652 Why did I want to be in pictures? 1333 01:02:22,572 --> 01:02:31,248 (SINGING) Love walked right in and drove the shadows away. 1334 01:02:31,381 --> 01:02:39,623 Love walked right in and brought my sunniest day. 1335 01:02:39,756 --> 01:02:49,766 One magic moment and my heart seemed to know-- 1336 01:02:49,900 --> 01:02:54,571 --that love said hello-- 1337 01:02:54,638 --> 01:02:59,543 --though not a word was spoken. 1338 01:02:59,643 --> 01:03:08,485 One look and I forgot the gloom of the past. 1339 01:03:08,618 --> 01:03:17,094 One look and I had found my future at last. 1340 01:03:17,161 --> 01:03:20,831 Oh then and there-- 1341 01:03:20,965 --> 01:03:28,438 BOTH: --we found a world completely new, 1342 01:03:28,505 --> 01:03:34,979 when love walked in with you. 1343 01:03:41,485 --> 01:03:43,487 You have a very human voice, Mr. Beecher. 1344 01:03:43,587 --> 01:03:44,788 Why are you selling hamburgers? 1345 01:03:44,922 --> 01:03:46,924 Well, I really came to Hollywood to 1346 01:03:47,024 --> 01:03:49,359 some movies, but no soap. 1347 01:03:49,493 --> 01:03:50,995 All I got was a lot of promises. 1348 01:03:51,095 --> 01:03:53,030 Well, I'd go sing for some casting director. 1349 01:03:53,163 --> 01:03:56,833 And he'd say, swell, great, crazy about you, Mr. Beecher. 1350 01:03:56,934 --> 01:03:59,603 But you're not quite the type for the part-- 1351 01:03:59,669 --> 01:04:00,604 too young. 1352 01:04:00,704 --> 01:04:02,172 And on Wednesday, you're underweight. 1353 01:04:02,306 --> 01:04:03,874 And on Friday, you're just the baby they were looking for, 1354 01:04:04,008 --> 01:04:06,343 but they'd already signed somebody else for the part. 1355 01:04:06,476 --> 01:04:09,479 So on Saturday, you open up a hamburger wagon. 1356 01:04:09,546 --> 01:04:11,481 Would you still like to go in the movies? 1357 01:04:11,615 --> 01:04:14,051 Yeah, I like, but they don't like. 1358 01:04:14,184 --> 01:04:14,985 Oh, but don't worry, Hazel. 1359 01:04:15,052 --> 01:04:16,653 I'll wear 'em down. 1360 01:04:16,786 --> 01:04:18,788 By the way, I forgot to ask you. 1361 01:04:18,889 --> 01:04:20,124 Do you like actors? 1362 01:04:20,224 --> 01:04:22,026 Oh, certain kinds. 1363 01:04:22,159 --> 01:04:23,493 Why? 1364 01:04:23,560 --> 01:04:24,995 Well, I'd hate to turn into a star only to find out 1365 01:04:25,129 --> 01:04:27,297 you were the type of a girl that couldn't stand actors. 1366 01:04:27,364 --> 01:04:28,065 Don't worry. 1367 01:04:28,198 --> 01:04:29,499 I'll write you. 1368 01:04:29,633 --> 01:04:31,368 Please, Mr. Beecher, will you send me your picture 1369 01:04:31,501 --> 01:04:32,802 and say something nice on it? 1370 01:04:32,869 --> 01:04:35,039 I'll send it back to you framed in hamburgers. 1371 01:04:35,205 --> 01:04:38,542 "To Hazel Dawes, my first and sweetest admirer. 1372 01:04:38,642 --> 01:04:42,812 Yours with onions, Daniel, a lunch wagon tenor." 1373 01:04:42,913 --> 01:04:44,648 Drop it. 1374 01:04:44,748 --> 01:04:46,683 Aunt Glory has some news for you, Danny boy. 1375 01:04:46,816 --> 01:04:47,317 Good? 1376 01:04:47,417 --> 01:04:48,919 Good? 1377 01:04:49,053 --> 01:04:50,354 You're on the air tonight with Mr. Crane's Hollywood Rebels. 1378 01:04:50,420 --> 01:04:51,521 I'm on the air? 1379 01:04:51,655 --> 01:04:52,990 GLORY WOOD: It was an uphill struggle, 1380 01:04:53,090 --> 01:04:54,424 but you're on the air. 1381 01:04:54,558 --> 01:04:55,859 Isn't that wonderful? 1382 01:04:55,993 --> 01:04:56,893 Oh, I'm so glad. 1383 01:04:57,027 --> 01:04:58,428 Oh, thanks, Glory. 1384 01:04:58,562 --> 01:05:00,030 It's her idea. 1385 01:05:00,097 --> 01:05:01,098 Hazel-- 1386 01:05:01,231 --> 01:05:02,566 Hey, break it up. 1387 01:05:02,666 --> 01:05:03,533 You've only got three hours to clear up your throat 1388 01:05:03,667 --> 01:05:05,335 before you go on the air. 1389 01:05:05,435 --> 01:05:06,570 Are you scared, Danny? 1390 01:05:06,703 --> 01:05:07,871 Scared? 1391 01:05:07,938 --> 01:05:09,173 I'll be singing to you. 1392 01:05:09,273 --> 01:05:11,375 And if other people listen in, that's their .. 1393 01:05:11,508 --> 01:05:12,742 If only Mr.-- 1394 01:05:12,876 --> 01:05:15,445 some, uh, big movie producer would listen in. 1395 01:05:15,579 --> 01:05:17,414 Uh, that's possible, Hazel. 1396 01:05:17,514 --> 01:05:18,548 Hey, come on! 1397 01:05:22,252 --> 01:05:25,089 Miss Samara-- how about going over tomorrow's love scenes? 1398 01:05:25,222 --> 01:05:25,956 With you? 1399 01:05:26,090 --> 01:05:26,790 Huh. 1400 01:05:26,923 --> 01:05:27,757 Impossible. 1401 01:05:27,891 --> 01:05:29,226 You're supposed to be director. 1402 01:05:29,293 --> 01:05:30,694 But what do you know about love? 1403 01:05:30,794 --> 01:05:34,131 In Russia, when a man holds you, he crushes you, 1404 01:05:34,264 --> 01:05:35,732 and you are in heaven. 1405 01:05:35,799 --> 01:05:36,300 Ugh. 1406 01:05:36,433 --> 01:05:37,434 Leave me alone. 1407 01:05:37,601 --> 01:05:38,969 Well, what did you want me to do? 1408 01:05:39,103 --> 01:05:39,803 Kiss you? 1409 01:05:39,936 --> 01:05:40,770 I want you to go. 1410 01:05:40,870 --> 01:05:41,371 Go! 1411 01:05:44,108 --> 01:05:45,475 OK. 1412 01:05:45,609 --> 01:05:49,946 Oh, I miss those beautiful moonlight nights 1413 01:05:50,047 --> 01:05:54,451 on the banks of the Volga, where the big, strong, wonderful 1414 01:05:54,584 --> 01:05:56,453 men used to sing to me. 1415 01:06:10,300 --> 01:06:11,468 Well, I'll see you later, fellas. 1416 01:06:11,568 --> 01:06:12,069 - Yeah, see you tomorrow. - Yeah, yeah. 1417 01:06:12,169 --> 01:06:12,836 Goodbye. 1418 01:06:12,969 --> 01:06:13,770 Goodbye. 1419 01:06:28,085 --> 01:06:28,918 Who is it? 1420 01:06:32,989 --> 01:06:33,990 Countess! 1421 01:06:34,091 --> 01:06:34,958 Who are you? 1422 01:06:35,092 --> 01:06:36,326 Who am I? 1423 01:06:36,460 --> 01:06:40,630 I am Boris Vladistovstankovich, fugitive from the Moscow Art 1424 01:06:40,697 --> 01:06:44,368 Theater, matinees Mondays and Fridays. 1425 01:06:44,501 --> 01:06:47,537 And I don't like mountain music. 1426 01:06:47,671 --> 01:06:49,373 But I love you. 1427 01:06:49,506 --> 01:06:50,340 Oh. 1428 01:06:50,474 --> 01:06:52,642 I have always loved you. 1429 01:06:52,776 --> 01:06:56,813 Ever since I was a little boy, I have loved you. 1430 01:06:56,946 --> 01:07:01,118 You have loved me ever since you were a little boy? 1431 01:07:01,185 --> 01:07:06,856 Yes, but today, I am a man. 1432 01:07:06,990 --> 01:07:11,828 Ah, for five years, I have planned this meeting. 1433 01:07:11,895 --> 01:07:12,729 Yes? 1434 01:07:12,862 --> 01:07:13,830 Yes. 1435 01:07:13,963 --> 01:07:18,135 And today, I complete my five-year plan. 1436 01:07:18,235 --> 01:07:21,405 Ah, when I think of those beautiful nights on the banks 1437 01:07:21,538 --> 01:07:24,341 of the Volga, I could take you in my arms 1438 01:07:24,474 --> 01:07:27,411 and crush you and crush you. 1439 01:07:27,544 --> 01:07:30,714 Ah, those nights on the banks of the Volga. 1440 01:07:30,814 --> 01:07:33,016 Ah, those bank nights. 1441 01:07:33,150 --> 01:07:34,318 Ah. 1442 01:07:34,418 --> 01:07:35,752 BOTH: 1443 01:07:36,653 --> 01:07:38,588 When I sang to you-- 1444 01:07:44,060 --> 01:07:48,064 OTHER RITZ BROTHERS: Na na na na na na na na na. 1445 01:07:48,198 --> 01:07:52,436 Ya na na na na na na. 1446 01:07:52,569 --> 01:07:58,375 Na na na na na na na na na na. 1447 01:07:58,442 --> 01:07:59,609 Princess! 1448 01:07:59,743 --> 01:08:01,945 But Boris, before, you called me Countess. 1449 01:08:02,078 --> 01:08:03,880 I'm promoting you. 1450 01:08:04,013 --> 01:08:06,183 Tell me, what were we doing? 1451 01:08:06,250 --> 01:08:09,453 You were about to take me in your arms and crush me. 1452 01:08:09,586 --> 01:08:10,754 Mm-hmm. 1453 01:08:10,887 --> 01:08:14,057 Then I shall continue where I left off. 1454 01:08:14,124 --> 01:08:15,425 Ah. 1455 01:08:15,559 --> 01:08:20,297 This crush reminds me of that night at the Cafe ,, 1456 01:08:20,430 --> 01:08:22,232 when I sang to you-- 1457 01:08:27,304 --> 01:08:31,441 OTHER RITZ BROTHERS: Na na na na na na na na na na. 1458 01:08:31,575 --> 01:08:35,312 Ya na na na na na na na na. 1459 01:08:38,748 --> 01:08:39,616 Duchess! 1460 01:08:39,749 --> 01:08:41,218 First you call me Countess. 1461 01:08:41,285 --> 01:08:42,252 Then you call me Princess. 1462 01:08:42,386 --> 01:08:44,654 And now you call me Duchess. 1463 01:08:44,788 --> 01:08:46,456 You are everything to me. 1464 01:08:46,590 --> 01:08:48,925 Make love to me again. 1465 01:08:48,992 --> 01:08:50,260 Ah. 1466 01:08:50,394 --> 01:08:51,628 Ah. 1467 01:08:51,761 --> 01:08:53,563 You are the most beautiful creature I have 1468 01:08:53,630 --> 01:08:55,098 loved since I came from Minsk. 1469 01:08:55,232 --> 01:08:58,067 But Boris, you told me came from Moscow. 1470 01:08:58,134 --> 01:08:59,169 I moved. 1471 01:08:59,303 --> 01:09:00,504 Oh, kiss me. 1472 01:09:00,637 --> 01:09:03,840 You're big and strong like the Volga boatmen. 1473 01:09:03,973 --> 01:09:07,344 OTHER RITZ BROTHERS: 1474 01:09:08,512 --> 01:09:12,249 La la la la la la la la la la. 1475 01:09:12,349 --> 01:09:16,186 La la la la la la la la la. 1476 01:09:16,320 --> 01:09:19,489 La la la la la la la. 1477 01:09:19,656 --> 01:09:20,490 Countess! 1478 01:09:20,624 --> 01:09:22,459 It was nobody. 1479 01:09:22,526 --> 01:09:24,027 Oh, . 1480 01:09:34,371 --> 01:09:35,839 Boris, where are you going? 1481 01:09:35,972 --> 01:09:37,841 I don't know, but I'll be right back. 1482 01:09:43,680 --> 01:09:44,448 Take it. 1483 01:09:47,817 --> 01:09:49,152 Princess! 1484 01:09:49,219 --> 01:09:49,853 Boris! 1485 01:09:49,986 --> 01:09:51,621 You are yourself again. 1486 01:09:51,688 --> 01:09:52,522 Who else should I be? 1487 01:09:52,656 --> 01:09:53,390 Oh. 1488 01:10:04,634 --> 01:10:06,903 Woof. 1489 01:10:07,036 --> 01:10:09,205 Boris, are you leaving me? 1490 01:10:09,306 --> 01:10:11,140 Yes, but not for long. 1491 01:10:15,245 --> 01:10:15,979 Take it. 1492 01:10:20,384 --> 01:10:21,217 Duchess! 1493 01:10:21,318 --> 01:10:22,252 Wahoo! 1494 01:10:22,386 --> 01:10:23,553 Boris! 1495 01:10:23,687 --> 01:10:25,689 You go out so weak and come back so strong. 1496 01:10:25,822 --> 01:10:26,856 That's what you think. 1497 01:10:26,990 --> 01:10:27,691 Oh. 1498 01:10:35,031 --> 01:10:37,334 Boris, don't you like my loving? 1499 01:10:37,401 --> 01:10:39,269 Wahoo. 1500 01:10:39,403 --> 01:10:41,271 Wahoo. 1501 01:10:41,405 --> 01:10:43,072 Wahoo. 1502 01:10:43,206 --> 01:10:43,907 Wah-- 1503 01:10:44,040 --> 01:10:45,509 Wahoo? 1504 01:10:45,575 --> 01:10:46,276 Wahoo? 1505 01:10:46,410 --> 01:10:47,277 Who? 1506 01:10:47,411 --> 01:10:48,278 Ooh. 1507 01:10:48,412 --> 01:10:49,112 Woo. 1508 01:10:56,853 --> 01:10:58,355 No, thank you. 1509 01:10:58,422 --> 01:11:00,724 ELLA LOGAN (ON RADIO): (SINGING) Life was as sweet as apple pie. 1510 01:11:00,857 --> 01:11:07,096 Never noticed the rain till you came by. 1511 01:11:07,230 --> 01:11:10,300 But now, whenever you're away-- 1512 01:11:10,434 --> 01:11:12,369 You seem nervous. 1513 01:11:12,436 --> 01:11:13,870 I'm not, really. 1514 01:11:13,970 --> 01:11:16,139 Is it because the villain has gotten you in his clutches 1515 01:11:16,272 --> 01:11:16,940 at last? 1516 01:11:17,106 --> 01:11:18,308 No, you can't frighten me. 1517 01:11:18,442 --> 01:11:19,709 I know you're not a villain. 1518 01:11:19,776 --> 01:11:21,110 Oh, I've had a lovely dinner. 1519 01:11:21,244 --> 01:11:22,579 And you have a beautiful house. 1520 01:11:22,712 --> 01:11:24,648 You make it seem so, for a few minutes. 1521 01:11:24,781 --> 01:11:25,949 Thank you. 1522 01:11:26,082 --> 01:11:27,384 I like Mr. Crane's program. 1523 01:11:27,451 --> 01:11:28,918 Well, let's have our coffee in the other room, 1524 01:11:29,052 --> 01:11:30,219 where we can hear it better. 1525 01:11:30,320 --> 01:11:31,421 ELLA LOGAN (ON RADIO): (SINGING) --tinging 1526 01:11:31,555 --> 01:11:32,989 all through I feel somehow. 1527 01:11:33,122 --> 01:11:40,564 I was doin' all right, but I'm doing better than ever now. 1528 01:11:41,465 --> 01:11:42,265 Loud enough? 1529 01:11:42,399 --> 01:11:43,299 Oh, it's fine. 1530 01:11:43,433 --> 01:11:44,267 Thank you. 1531 01:11:45,469 --> 01:11:47,136 BASIL CRANE (ON RADIO): Ladies and gentlemen, 1532 01:11:47,303 --> 01:11:50,574 I have a big surprise for you, a dark horse tenor, a young man 1533 01:11:50,640 --> 01:11:52,008 who came from nowhere who will erupt 1534 01:11:52,141 --> 01:11:54,177 in dulcet melodies for your approval, Mr. Danny Beecher! 1535 01:11:58,515 --> 01:12:00,850 I don't think I can stand listening to another crooner. 1536 01:12:00,984 --> 01:12:02,352 Do you mind if I turn it off? 1537 01:12:02,486 --> 01:12:03,487 Oh, no. 1538 01:12:03,620 --> 01:12:04,788 Let's listen to him. 1539 01:12:04,921 --> 01:12:06,322 He may be some poor boy who has been waiting 1540 01:12:06,456 --> 01:12:08,825 for this chance for years. 1541 01:12:08,958 --> 01:12:10,293 All right. 1542 01:12:10,427 --> 01:12:16,833 (SINGING) It's very clear our love is here to stay. 1543 01:12:16,966 --> 01:12:23,807 Not for a year, but ever and a day. 1544 01:12:23,940 --> 01:12:29,178 The radio, and the telephone, and the movies 1545 01:12:29,312 --> 01:12:37,721 that we know may just be passing fancies and in time may go. 1546 01:12:37,854 --> 01:12:40,790 But oh my dear-- 1547 01:12:40,857 --> 01:12:43,192 I didn't invite you here to make love to you. 1548 01:12:43,326 --> 01:12:45,395 Just to get a little better acquainted so sometime when-- 1549 01:12:45,529 --> 01:12:47,296 DANNY BEECHER (ON RADIO): (SINGING) Together, we're-- 1550 01:12:47,363 --> 01:12:49,032 OLIVER MERLIN: My dear, you're not listening to me. 1551 01:12:49,165 --> 01:12:50,834 Oh. Oh, I'm sorry. 1552 01:12:50,900 --> 01:12:52,636 I was listening to the song. 1553 01:12:52,736 --> 01:12:53,970 You like his voice? 1554 01:12:54,070 --> 01:12:55,071 He sings wonderfully. 1555 01:12:55,204 --> 01:12:56,640 (SINGING) --Gibraltar may tumble. 1556 01:12:56,740 --> 01:12:59,576 They're only made of clay. 1557 01:12:59,709 --> 01:13:04,548 But our love is here to stay. 1558 01:13:08,051 --> 01:13:12,388 The more I read the papers, the less 1559 01:13:12,522 --> 01:13:18,595 I comprehend the world and all its capers 1560 01:13:18,728 --> 01:13:22,899 and how it all will end. 1561 01:13:23,032 --> 01:13:25,902 Nothing seems to be lasting. 1562 01:13:26,035 --> 01:13:29,706 But that isn't our affair. 1563 01:13:29,773 --> 01:13:33,577 We've got something permanent. 1564 01:13:33,710 --> 01:13:40,950 I mean in the way we care. 1565 01:13:41,084 --> 01:13:42,385 Rather nice. 1566 01:13:42,452 --> 01:13:44,721 Probably some fat youth with buck teeth. 1567 01:13:44,854 --> 01:13:45,855 Oh, no he-- 1568 01:13:45,955 --> 01:13:47,223 doesn't sound like it. 1569 01:13:47,356 --> 01:13:51,227 (SINGING) --our love is here to stay. 1570 01:13:51,360 --> 01:13:58,101 Not for a year, but ever and a day. 1571 01:13:58,234 --> 01:13:59,302 By George, he is good. 1572 01:13:59,435 --> 01:14:00,570 DANNY BEECHER (ON RADIO): (SINGING) 1573 01:14:00,637 --> 01:14:01,805 The radio and the telephone-- 1574 01:14:01,938 --> 01:14:03,039 He has a first-rate voice. 1575 01:14:03,139 --> 01:14:04,073 DANNY BEECHER (ON RADIO): (SINGING) 1576 01:14:04,207 --> 01:14:05,074 --and the movies that we know-- 1577 01:14:05,208 --> 01:14:06,442 If only he's a human being. 1578 01:14:06,576 --> 01:14:07,977 I'm sure he is. 1579 01:14:08,111 --> 01:14:12,949 If he can only say "I love you" nicely. 1580 01:14:13,082 --> 01:14:14,984 I think he could, very well. 1581 01:14:15,118 --> 01:14:18,087 DANNY BEECHER (ON RADIO): (SINGING) --oh my dear-- 1582 01:14:18,154 --> 01:14:19,322 I'll have him in tomorrow. 1583 01:14:19,455 --> 01:14:21,891 And if your hunch works, he's our gondolier. 1584 01:14:21,991 --> 01:14:24,494 DANNY BEECHER (ON RADIO): (SINGING) --to stay. 1585 01:14:24,628 --> 01:14:25,929 Together, we're-- 1586 01:14:25,995 --> 01:14:27,831 You look so beautiful tonight. 1587 01:14:27,964 --> 01:14:29,799 Forgive me if I hold your hand and admire 1588 01:14:29,966 --> 01:14:31,968 you more than I've ever admired any young lady 1589 01:14:32,068 --> 01:14:33,136 in my whole life. 1590 01:14:33,269 --> 01:14:34,604 DANNY BEECHER (ON RADIO): (SINGING) 1591 01:14:34,738 --> 01:14:37,473 In time, the Rockies may crumble, Gibraltar may tumble. 1592 01:14:37,607 --> 01:14:40,476 They're only made of clay. 1593 01:14:40,610 --> 01:14:44,848 But our love is here-- 1594 01:14:44,981 --> 01:14:51,988 our love is here to stay! 1595 01:14:58,327 --> 01:14:59,829 Bonjour, mademoiselle. 1596 01:14:59,963 --> 01:15:01,531 Bonjour. 1597 01:15:01,665 --> 01:15:03,533 Ah, . 1598 01:15:03,667 --> 01:15:06,435 Ma cherie, come into my little custom house. 1599 01:15:07,336 --> 01:15:08,037 Bonjour. 1600 01:15:10,339 --> 01:15:11,440 Hello? 1601 01:15:11,507 --> 01:15:13,476 Oh, yes, Mr. Merlin. 1602 01:15:13,610 --> 01:15:14,477 Uh-huh. 1603 01:15:14,611 --> 01:15:18,948 A Russian impresario. 1604 01:15:19,048 --> 01:15:20,950 Yes, Mr. Merlin. 1605 01:15:21,050 --> 01:15:22,218 What's wrong now? 1606 01:15:22,351 --> 01:15:25,388 You have been changed again. 1607 01:15:25,521 --> 01:15:27,223 Changed again. 1608 01:15:27,356 --> 01:15:30,026 I feel like a nine-pound baby! 1609 01:15:30,126 --> 01:15:31,227 What do you think I feel like? 1610 01:15:31,360 --> 01:15:34,130 Oh, why did I want to be in pictures? 1611 01:15:45,174 --> 01:15:46,676 OLIVER MERLIN: Uh, Beecher. 1612 01:15:46,743 --> 01:15:48,477 Well, hello, Mr. Merlin. 1613 01:15:48,578 --> 01:15:51,080 My boy, if you're as good in the picture 1614 01:15:51,214 --> 01:15:53,016 as you were in your tests, you'll be a sensation. 1615 01:15:53,149 --> 01:15:54,317 I'll try hard. 1616 01:15:54,383 --> 01:15:55,652 Well, you better get on the set in case 1617 01:15:55,752 --> 01:15:57,153 they're waiting for you. 1618 01:15:57,253 --> 01:15:58,387 If I still have some time, I want to phone somebody. 1619 01:15:58,521 --> 01:15:59,522 Romance? 1620 01:15:59,589 --> 01:16:01,257 Well, so far, just on my side, I'm afraid. 1621 01:16:01,390 --> 01:16:03,226 Well, I think she'll listen a little more tenderly now 1622 01:16:03,359 --> 01:16:04,894 that you're on your way to stardom. 1623 01:16:05,028 --> 01:16:06,195 I'm glad you're in love. 1624 01:16:06,329 --> 01:16:08,164 It'll make you work harder and act better. 1625 01:16:08,264 --> 01:16:09,833 Go to it, Danny Beecher. 1626 01:16:09,933 --> 01:16:13,169 There's the road to fame, and fortune, and the girl you love. 1627 01:16:13,269 --> 01:16:14,403 Thanks for opening the door. 1628 01:16:20,877 --> 01:16:22,011 CREW 2: Quiet. 1629 01:16:22,078 --> 01:16:24,580 MR. LAWRENCE: Start your action! 1630 01:16:28,284 --> 01:16:31,755 LEONA JEROME: 1631 01:18:26,970 --> 01:18:27,804 OK, print it. 1632 01:18:27,904 --> 01:18:29,072 That's fine, Miss Jerome. 1633 01:18:29,205 --> 01:18:30,339 Now, let's get set up for that boat scene. 1634 01:18:30,473 --> 01:18:31,975 Oh, do you know your lines, Mr. Day? 1635 01:18:32,075 --> 01:18:33,076 Do I know my lines? 1636 01:18:33,209 --> 01:18:33,977 I know them in Pig Latin. 1637 01:18:34,077 --> 01:18:35,244 That voice! 1638 01:18:35,378 --> 01:18:36,312 La countess-- I thought she was in America. 1639 01:18:36,412 --> 01:18:37,881 At-thay oice-vay! 1640 01:18:38,014 --> 01:18:39,983 La ountess-cay-- I ought-thay e-shay as-way in America-ay. 1641 01:18:40,049 --> 01:18:42,185 That's all right, but you better brush up on your accent. 1642 01:18:42,318 --> 01:18:43,319 You're not kidding me. 1643 01:18:43,419 --> 01:18:44,754 That phone's gonna ring any moment, 1644 01:18:44,888 --> 01:18:46,355 and the part will be changed to a Swiss bell ringer. 1645 01:18:46,422 --> 01:18:48,157 That's the picture business, Mr. Day. 1646 01:18:48,257 --> 01:18:49,425 Yeah, picture business. 1647 01:18:49,558 --> 01:18:50,259 All right, let's hurry up that scene, boys. 1648 01:18:50,393 --> 01:18:51,828 At-thay oice-vay! 1649 01:18:51,928 --> 01:18:53,096 La ountess-cay-- I ought-thay e-shay as-way in America. 1650 01:18:53,229 --> 01:18:54,163 Hello, darling. 1651 01:18:54,263 --> 01:18:55,364 Haven't you left the house yet? 1652 01:18:55,498 --> 01:18:56,332 No. 1653 01:18:56,399 --> 01:18:57,566 Uh, listen, Danny. 1654 01:18:57,700 --> 01:18:59,368 I don't think I can be there. 1655 01:18:59,502 --> 01:19:01,104 I've got a headache, sort of. 1656 01:19:01,237 --> 01:19:02,538 Oh, that's not fair. 1657 01:19:02,605 --> 01:19:04,207 We start shooting a scene in a half an hour. 1658 01:19:04,340 --> 01:19:06,509 And well, you've got to be present to inspire me. 1659 01:19:06,575 --> 01:19:08,912 Well, I'll inspire you from here. 1660 01:19:09,045 --> 01:19:10,947 Really, I don't feel like coming. 1661 01:19:11,080 --> 01:19:12,081 Oh, you're scared. 1662 01:19:12,215 --> 01:19:13,416 You're scared I'm gonna be a flop. 1663 01:19:13,549 --> 01:19:14,951 You're afraid I'm gonna make a monkey of myself. 1664 01:19:15,084 --> 01:19:15,919 Is that it? - Oh, ho. 1665 01:19:16,052 --> 01:19:16,886 Let me talk to her. 1666 01:19:17,020 --> 01:19:17,921 Wait a minute, darling. 1667 01:19:18,054 --> 01:19:18,888 Mr. Merlin wants to talk to you. 1668 01:19:19,022 --> 01:19:19,722 He's a producer. 1669 01:19:19,856 --> 01:19:20,689 And his word is law. 1670 01:19:25,628 --> 01:19:26,395 Hello. 1671 01:19:29,465 --> 01:19:31,467 I guess she hung up. 1672 01:19:31,600 --> 01:19:35,371 Well, I'll just have to get my inspiration from afar. 1673 01:19:35,471 --> 01:19:36,405 I know how you feel. 1674 01:19:40,543 --> 01:19:41,978 Oh, that's better. 1675 01:19:42,111 --> 01:19:44,447 That's the-- oh, much better. 1676 01:19:44,547 --> 01:19:46,582 Oh, much, much better. 1677 01:19:46,715 --> 01:19:47,550 Oh. 1678 01:19:47,616 --> 01:19:49,118 Oh, Charlie this has got to stop. 1679 01:19:49,252 --> 01:19:50,653 What's the matter now? 1680 01:19:50,786 --> 01:19:52,922 We've been here for a week, and all we've got is a pass. 1681 01:19:52,989 --> 01:19:53,890 When do we start acting? 1682 01:19:53,990 --> 01:19:55,491 Oh, foo, actors. 1683 01:19:55,624 --> 01:19:56,659 They're much too common here. 1684 01:19:56,792 --> 01:19:59,295 I think I shall become a director. 1685 01:19:59,428 --> 01:20:00,496 Yeah. - Director? 1686 01:20:00,629 --> 01:20:01,797 What do you know about directing? 1687 01:20:01,898 --> 01:20:04,067 Well, all you need is the experience 1688 01:20:04,167 --> 01:20:06,335 and the ability to say "cut!" 1689 01:20:06,469 --> 01:20:09,572 And, uh, that's, and, uh, and, uh-- 1690 01:20:09,638 --> 01:20:10,239 And what? 1691 01:20:10,339 --> 01:20:11,074 Uh, what was I saying? 1692 01:20:11,174 --> 01:20:11,841 About experience. 1693 01:20:11,975 --> 01:20:12,675 Oh, yeah. 1694 01:20:12,808 --> 01:20:13,742 I'll get that later. 1695 01:20:14,978 --> 01:20:16,145 Ah, there you are. 1696 01:20:16,245 --> 01:20:17,746 Ah, there you are, la countess. 1697 01:20:17,847 --> 01:20:19,815 That voice-- I thought she was in America. 1698 01:20:19,949 --> 01:20:20,649 But on your whiskers. 1699 01:20:20,783 --> 01:20:21,617 I know you. 1700 01:20:21,750 --> 01:20:22,751 Put on your whiskers. I know you. 1701 01:20:22,852 --> 01:20:23,819 - Cut! - Quiet! 1702 01:20:23,953 --> 01:20:25,588 Can't you see I'm rehearsing my lines? 1703 01:20:25,654 --> 01:20:26,923 Oh-- 1704 01:20:27,023 --> 01:20:28,257 Charlie, you mustn't interfere with the gentleman's acting. 1705 01:20:28,357 --> 01:20:29,358 Mr. Merlin doesn't like it. 1706 01:20:29,492 --> 01:20:31,160 Neither do I. Cut! 1707 01:20:31,327 --> 01:20:32,528 Quiet! 1708 01:20:32,661 --> 01:20:34,163 If you don't keep quiet, I'll call the doorman. 1709 01:20:34,263 --> 01:20:35,331 Ooh, doorman. 1710 01:20:35,464 --> 01:20:37,000 Why did I have to say doorman? 1711 01:20:37,133 --> 01:20:37,833 I'll call him. 1712 01:20:37,967 --> 01:20:39,035 Doorman, woo-hoo! 1713 01:20:39,168 --> 01:20:41,104 Quiet! 1714 01:20:41,170 --> 01:20:42,505 Ah, there you are, la countess. 1715 01:20:42,671 --> 01:20:44,673 That voice-- I thought she was in America. 1716 01:20:44,773 --> 01:20:45,308 Cut! 1717 01:20:45,441 --> 01:20:46,342 That's silly. 1718 01:20:46,475 --> 01:20:47,643 What do you mean it's silly? 1719 01:20:47,710 --> 01:20:49,045 Is she America or isn't she in America? 1720 01:20:49,178 --> 01:20:50,346 No. 1721 01:20:50,446 --> 01:20:51,380 Well, then who cares what you thought? 1722 01:20:51,514 --> 01:20:52,315 Cut that line out. 1723 01:20:52,381 --> 01:20:53,382 Now listen here, you. 1724 01:20:53,516 --> 01:20:54,450 Be careful 1725 01:20:54,550 --> 01:20:55,684 how you speak to me, young man. 1726 01:20:55,818 --> 01:20:57,320 I'm the director of your next picture. 1727 01:20:57,386 --> 01:20:58,721 Charlie, how can you say such a thing? 1728 01:20:58,854 --> 01:21:00,356 Now remember your position too. 1729 01:21:00,489 --> 01:21:01,690 You're only my assistant. 1730 01:21:01,824 --> 01:21:02,391 I apologize. 1731 01:21:02,525 --> 01:21:03,459 You wanna watch that. 1732 01:21:03,526 --> 01:21:04,727 Oh, I'm sorry, gentlemen. 1733 01:21:04,860 --> 01:21:06,795 If you don't like that line, I'll cross it out. 1734 01:21:06,896 --> 01:21:07,663 I figured you would. 1735 01:21:07,796 --> 01:21:09,298 Now continue with your part. 1736 01:21:09,365 --> 01:21:10,366 Yes, sir. 1737 01:21:10,499 --> 01:21:11,534 Ah, there you are. 1738 01:21:11,667 --> 01:21:12,735 La countess-- that voice! 1739 01:21:12,868 --> 01:21:13,869 Cut! 1740 01:21:14,003 --> 01:21:16,005 If she speaks, everybody knows it's her voice. 1741 01:21:16,072 --> 01:21:17,306 Cut that line out too. 1742 01:21:17,406 --> 01:21:18,207 Don't you agree? 1743 01:21:18,341 --> 01:21:19,042 Well, I-- 1744 01:21:19,175 --> 01:21:20,209 I knew you would. 1745 01:21:20,343 --> 01:21:21,410 Yes. 1746 01:21:21,544 --> 01:21:24,080 Uh-- that voice! 1747 01:21:24,213 --> 01:21:26,082 Shall I take the "countess" out? 1748 01:21:26,215 --> 01:21:27,350 No, I'll do that myself. 1749 01:21:27,416 --> 01:21:28,517 But continue. 1750 01:21:28,651 --> 01:21:29,585 Ah, there you are. 1751 01:21:29,718 --> 01:21:31,020 Come with me to the race track. 1752 01:21:31,087 --> 01:21:33,322 And there we will see the horses run neck to neck. 1753 01:21:33,422 --> 01:21:34,590 Cut! 1754 01:21:34,723 --> 01:21:37,093 Everybody knows horses run on a race track. 1755 01:21:37,226 --> 01:21:37,927 Mine don't. 1756 01:21:38,061 --> 01:21:39,428 What's that? 1757 01:21:39,562 --> 01:21:41,364 I'll cross out "the race track" and leave "the horses 1758 01:21:41,497 --> 01:21:42,498 neck to neck." - Yeah. 1759 01:21:42,565 --> 01:21:43,866 No, that's too much necking. 1760 01:21:44,000 --> 01:21:45,001 Cut one neck. 1761 01:21:45,068 --> 01:21:45,901 One neck cut. 1762 01:21:46,035 --> 01:21:46,869 Yeah. 1763 01:21:46,936 --> 01:21:47,937 Uh, shall I leave "the horses?" 1764 01:21:48,071 --> 01:21:49,338 Oh, definitely. 1765 01:21:49,438 --> 01:21:51,774 Now let's hear what you've got, with feeling. 1766 01:21:51,907 --> 01:21:54,610 Ah, there you are, you horses neck. 1767 01:21:54,743 --> 01:21:55,911 What? 1768 01:21:56,012 --> 01:21:57,213 Cut! 1769 01:21:57,346 --> 01:22:01,684 Toot, toot! 1770 01:22:01,750 --> 01:22:03,352 One side. 1771 01:22:03,452 --> 01:22:05,254 Places, everybody, places. 1772 01:22:05,388 --> 01:22:06,389 Where's Mr. Day? 1773 01:22:06,522 --> 01:22:07,957 He was here a minute ago. 1774 01:22:08,091 --> 01:22:08,891 Mr. Day! 1775 01:22:08,958 --> 01:22:09,792 Mr. Day! 1776 01:22:09,925 --> 01:22:10,926 Mr. Day! 1777 01:22:11,027 --> 01:22:12,195 Here I am. CREW 2: Can you get in there? 1778 01:22:12,295 --> 01:22:13,529 You're holding us up. 1779 01:22:13,629 --> 01:22:14,630 MR. LAWRENCE: Will you please stay on the set? 1780 01:22:14,763 --> 01:22:16,299 Do we always have to hunt for you? 1781 01:22:16,432 --> 01:22:17,533 I was just rehearsing my line. 1782 01:22:17,633 --> 01:22:18,801 MR. LAWRENCE: All right, all right. 1783 01:22:18,934 --> 01:22:20,103 Get in the boat. - I know, but you don't-- 1784 01:22:20,236 --> 01:22:20,936 Oh, please! 1785 01:22:21,070 --> 01:22:21,904 My dress. 1786 01:22:22,038 --> 01:22:22,871 CREW 7: Rolling. 1787 01:22:22,972 --> 01:22:23,606 CREW 3: Speed. 1788 01:22:24,807 --> 01:22:25,908 Stand by. 1789 01:22:26,042 --> 01:22:27,310 Start your action! 1790 01:23:00,809 --> 01:23:03,079 OLGA SAMARA: Darling, you have changed 1791 01:23:03,146 --> 01:23:04,480 since we came to Venice. 1792 01:23:06,982 --> 01:23:08,617 MICHAEL DAY (OVER SOUND BOOTH SYSTEM): That voice! 1793 01:23:08,684 --> 01:23:11,354 La countess-- I thought she was in America. 1794 01:23:11,487 --> 01:23:12,188 To the dock! 1795 01:23:12,321 --> 01:23:13,156 No. 1796 01:23:13,322 --> 01:23:14,190 Hurry. 1797 01:23:14,323 --> 01:23:15,258 No. 1798 01:23:15,324 --> 01:23:17,426 Oh, please. 1799 01:23:17,526 --> 01:23:19,828 I see you later. 1800 01:23:19,962 --> 01:23:21,630 I must pay my respects to the countess. 1801 01:23:21,697 --> 01:23:23,999 OLGA SAMARA (OVER SOUND BOOTH SYSTEM): Don't leave me. 1802 01:23:24,133 --> 01:23:25,000 Igor. 1803 01:23:25,134 --> 01:23:27,002 Igor! 1804 01:23:29,505 --> 01:23:30,606 Don't cry. 1805 01:23:34,477 --> 01:23:35,678 Who are you? 1806 01:23:35,811 --> 01:23:36,979 Just what you see-- 1807 01:23:37,046 --> 01:23:38,781 a simple gondolier. 1808 01:23:38,881 --> 01:23:40,616 But you seem so different-- 1809 01:23:40,716 --> 01:23:42,985 so real, so human. 1810 01:23:43,119 --> 01:23:47,356 Then perhaps if I sang for you, you'd forget to cry? 1811 01:23:47,490 --> 01:23:50,159 You may try. 1812 01:23:50,226 --> 01:23:55,231 (SINGING) Venice in June, the music has started. 1813 01:23:58,367 --> 01:24:03,206 Lanterns aglow, the mandolins play. 1814 01:24:06,709 --> 01:24:13,516 Happiness soon, so why be down-hearted? 1815 01:24:13,582 --> 01:24:16,419 Love will enthrall you. 1816 01:24:16,552 --> 01:24:19,655 It's a call you must obey. 1817 01:24:22,891 --> 01:24:30,566 Spring again, it's time for your heart to sing again. 1818 01:24:30,699 --> 01:24:35,171 It's time for laughter to ring again. 1819 01:24:35,238 --> 01:24:38,073 It's time to fall in love. 1820 01:24:41,577 --> 01:24:48,851 June again, look at that yellow balloon again. 1821 01:24:48,951 --> 01:24:53,722 Look at that silvery lagoon again. 1822 01:24:53,856 --> 01:24:56,859 It's time to fall in love. 1823 01:25:00,095 --> 01:25:07,603 Tonight, magic is filling the air, 1824 01:25:07,736 --> 01:25:12,575 making it thrilling to dare. 1825 01:25:12,708 --> 01:25:18,747 Finding out whether two hearts can dream together. 1826 01:25:24,453 --> 01:25:32,228 Spring again, it's time for couples to cling again, 1827 01:25:32,328 --> 01:25:40,002 to leave this world and to wing again up to the gates above. 1828 01:25:43,572 --> 01:25:48,010 It's time to fall in love! 1829 01:25:53,949 --> 01:25:57,620 "Darling, I don't care what your past has been. 1830 01:25:57,753 --> 01:25:59,522 Love is more important. 1831 01:25:59,655 --> 01:26:01,824 And it's spring again." 1832 01:26:01,957 --> 01:26:03,359 Oh, that's much better. 1833 01:26:03,492 --> 01:26:06,929 "Spring Again"-- you should have heard him sing that song. 1834 01:26:06,995 --> 01:26:08,497 I want you to meet him sometime. 1835 01:26:08,631 --> 01:26:09,965 Meet him? 1836 01:26:10,032 --> 01:26:11,534 Well, after all, didn't you discover Danny Beecher? 1837 01:26:11,667 --> 01:26:12,968 if it hadn't been for your lucky hunch, 1838 01:26:13,101 --> 01:26:14,670 I never would heard him over the radio. 1839 01:26:14,803 --> 01:26:16,505 It's amazing, isn't it? 1840 01:26:16,639 --> 01:26:19,475 Yes, it's quite a coincidence, sort of. 1841 01:26:19,608 --> 01:26:20,543 Sheer fate. 1842 01:26:20,676 --> 01:26:22,144 He's a nice fellow, too. 1843 01:26:22,211 --> 01:26:23,346 He's got that, uh-- 1844 01:26:23,479 --> 01:26:25,281 that something. 1845 01:26:25,348 --> 01:26:27,550 On second thought, I don't think I want you to meet him. 1846 01:26:27,683 --> 01:26:28,951 I don't want any actors talking to you, 1847 01:26:29,051 --> 01:26:30,653 or you'll lose that human touch. 1848 01:26:30,786 --> 01:26:32,521 The reason that everything has gone so wonderfully 1849 01:26:32,655 --> 01:26:34,290 is that no actor has been able to change you. 1850 01:26:34,357 --> 01:26:35,358 Well, now, I-- 1851 01:26:35,524 --> 01:26:38,627 Now, now, I know what I'm doing. 1852 01:26:38,694 --> 01:26:40,363 You've done a great job on "The Forgotten 1853 01:26:40,496 --> 01:26:41,830 Dance," Miss Humanity. 1854 01:26:44,367 --> 01:26:47,303 And even a greater job with this producer. 1855 01:26:47,370 --> 01:26:51,574 After this picture is finished, I'm going to confess something. 1856 01:26:51,707 --> 01:26:55,378 Well, after the picture's finished, 1857 01:26:55,511 --> 01:26:58,347 I think I'm going to have to confess something too. 1858 01:26:58,481 --> 01:27:01,317 Well, well. 1859 01:27:01,417 --> 01:27:03,352 I think I'll try to boil a couple of eggs. 1860 01:27:03,486 --> 01:27:04,753 You're going to boil eggs? 1861 01:27:04,887 --> 01:27:06,355 I feel so good that I might even scramble them. 1862 01:27:06,422 --> 01:27:09,558 (SINGING) Spring again, dee, dee, dee. (SPEAKING) 1863 01:27:09,692 --> 01:27:13,696 Go ahead to the next scene. 1864 01:27:13,829 --> 01:27:15,664 "The Water Nymph Ballet"-- 1865 01:27:15,764 --> 01:27:17,700 oh, Oliver, you are going to do it. 1866 01:27:17,833 --> 01:27:20,002 Oh, yes, I'm going to do it, because you like it. 1867 01:27:20,068 --> 01:27:21,437 You haven't been wrong yet. 1868 01:27:21,570 --> 01:27:23,406 The only thing that worries me is that I like it too. 1869 01:27:27,242 --> 01:27:30,546 "Fade in on a romantic semicircular colonnade. 1870 01:27:30,613 --> 01:27:34,116 In the center, a boy sits gazing into a pool of water. 1871 01:27:34,249 --> 01:27:36,685 The dance begins with girls and boys appearing 1872 01:27:36,785 --> 01:27:37,720 behind the colonnade." 1873 01:35:17,145 --> 01:35:18,881 All right, let's get started. 1874 01:35:19,014 --> 01:35:19,848 Light 'em all. 1875 01:35:19,915 --> 01:35:21,083 Hello, Mr. Merlin. 1876 01:35:21,216 --> 01:35:22,384 What are you doing next here, Lawrence? 1877 01:35:22,517 --> 01:35:24,186 Three Romans and Danny Beecher's close-ups. 1878 01:35:24,252 --> 01:35:25,487 Three Romans? 1879 01:35:25,587 --> 01:35:27,022 I don't remember three Romans in the script. 1880 01:35:27,155 --> 01:35:28,590 But you hired them, Mr. Merlin. 1881 01:35:28,723 --> 01:35:29,925 Did I? 1882 01:35:30,058 --> 01:35:31,159 Those wonderful singers, all the way from New Orleans-- 1883 01:35:31,226 --> 01:35:32,227 do you remember? 1884 01:35:32,394 --> 01:35:33,261 I think you're going to like what 1885 01:35:33,395 --> 01:35:34,329 I have worked out for them. 1886 01:35:34,396 --> 01:35:36,564 Uh, this will be a take. 1887 01:35:36,698 --> 01:35:37,399 Stand by. 1888 01:35:37,532 --> 01:35:38,200 Quiet. 1889 01:35:38,266 --> 01:35:39,601 Turn 'em over. 1890 01:35:40,702 --> 01:35:41,169 CREW 7: Rolling. 1891 01:35:41,236 --> 01:35:42,604 CREW 3: Speed. 1892 01:35:42,737 --> 01:35:43,571 Start your action. 1893 01:35:48,743 --> 01:35:49,444 Fish. 1894 01:35:49,577 --> 01:35:50,445 Stroke. 1895 01:35:50,578 --> 01:35:51,246 Fish. 1896 01:35:51,379 --> 01:35:52,915 - Stroke. - Fish. 1897 01:35:53,048 --> 01:35:53,849 Stroke. 1898 01:35:53,916 --> 01:35:55,450 - Fish. - Stroke. 1899 01:35:55,583 --> 01:35:56,118 Fish. 1900 01:35:56,251 --> 01:35:57,419 - Stroke. - Fish. 1901 01:35:57,585 --> 01:35:58,120 Stroke. 1902 01:35:58,253 --> 01:35:59,254 - Fish. - Stroke. 1903 01:35:59,354 --> 01:36:00,188 - Fish. - Stroke. 1904 01:36:00,288 --> 01:36:01,123 - Fish. - Stroke. 1905 01:36:01,256 --> 01:36:02,024 Fish. 1906 01:36:02,124 --> 01:36:04,092 Stroke. 1907 01:36:04,226 --> 01:36:04,927 ALL: (SINGING) We push. 1908 01:36:05,060 --> 01:36:05,928 We push. 1909 01:36:06,061 --> 01:36:06,895 We stroke. 1910 01:36:07,029 --> 01:36:08,596 We stroke. We fish. 1911 01:36:08,730 --> 01:36:09,264 We fish. 1912 01:36:09,397 --> 01:36:11,233 We push and poke. 1913 01:36:11,366 --> 01:36:12,801 We row and row. 1914 01:36:12,935 --> 01:36:14,236 That's all we know. 1915 01:36:14,302 --> 01:36:17,405 And as we push and poke, and as we fish and stroke, 1916 01:36:17,539 --> 01:36:22,811 we sing this song all day. 1917 01:36:22,945 --> 01:36:25,881 Serenade to a fish. 1918 01:36:25,948 --> 01:36:27,916 Yoo-hoo, yoo-hoo. 1919 01:36:28,050 --> 01:36:34,556 Little fish in the water, if you come into sight, 1920 01:36:34,622 --> 01:36:37,759 then it's love at first bite. 1921 01:36:37,893 --> 01:36:39,761 Serenade to-- 1922 01:36:39,895 --> 01:36:40,762 What! 1923 01:36:40,896 --> 01:36:42,564 Why, you-- 1924 01:37:28,877 --> 01:37:30,946 ALL: (SINGING) We were married yesterday. 1925 01:37:31,046 --> 01:37:33,315 That why we say, oh-- 1926 01:37:37,385 --> 01:37:41,556 Ding, ding, daddy. 1927 01:37:41,689 --> 01:37:43,191 ALL: Da da da da da da da-- 1928 01:37:46,861 --> 01:37:47,729 Hello? 1929 01:37:47,862 --> 01:37:48,696 Who? 1930 01:37:48,830 --> 01:37:50,132 Barnacle Bill? 1931 01:37:51,566 --> 01:37:53,468 We'll be right down! 1932 01:38:07,382 --> 01:38:08,083 Cut. 1933 01:38:09,051 --> 01:38:09,817 Romans, eh? 1934 01:38:09,884 --> 01:38:10,518 From New Orleans. 1935 01:38:10,652 --> 01:38:11,419 Sorry, Mr. Merlin. 1936 01:38:11,553 --> 01:38:12,720 What are you sorry for? 1937 01:38:12,820 --> 01:38:14,256 They're marvelous without their animals. 1938 01:38:14,389 --> 01:38:16,391 I'm going to sign them on a long-term contract right away. 1939 01:39:17,719 --> 01:39:20,822 Listen, won't you come and watch me act, just once? 1940 01:39:20,955 --> 01:39:21,789 But I told you. 1941 01:39:21,889 --> 01:39:22,924 I'd rather see you on the screen. 1942 01:39:23,058 --> 01:39:24,059 But I want you to meet Mr. Merlin. 1943 01:39:24,126 --> 01:39:24,826 I've told him about you. 1944 01:39:24,959 --> 01:39:26,128 About me? 1945 01:39:26,294 --> 01:39:29,097 Well, I-- I said I had an inspiration, and she's been 1946 01:39:29,164 --> 01:39:30,065 so darned nice to me. 1947 01:39:30,165 --> 01:39:30,898 I want you to meet him. 1948 01:39:30,999 --> 01:39:32,067 He's a swell guy. 1949 01:39:32,167 --> 01:39:33,101 Some other time. 1950 01:39:33,235 --> 01:39:34,236 But we're almost finished. 1951 01:39:34,336 --> 01:39:36,238 We're making our last scenes today. 1952 01:39:36,338 --> 01:39:37,972 Please, won't you come? 1953 01:39:38,106 --> 01:39:38,840 I'll try. 1954 01:39:38,973 --> 01:39:39,807 Swell. 1955 01:39:39,907 --> 01:39:40,842 You love me? 1956 01:39:40,975 --> 01:39:42,810 Oh, yes. 1957 01:39:42,910 --> 01:39:45,747 Well, you'll love me even more when you see me on that screen 1958 01:39:45,813 --> 01:39:48,650 and realize what a sweet, kind, honest, noble fellow I really 1959 01:39:48,816 --> 01:39:49,351 am. 1960 01:39:49,484 --> 01:39:50,652 You goof. 1961 01:39:50,785 --> 01:39:52,287 If you don't hurry, you're going to be late. 1962 01:39:52,354 --> 01:39:53,521 And another thing, my dear-- 1963 01:39:53,655 --> 01:39:55,157 Mr. Merlin is of the opinion the picture's 1964 01:39:55,290 --> 01:39:56,458 going to make me a star. 1965 01:39:56,591 --> 01:39:57,459 You won't mind? 1966 01:39:57,592 --> 01:39:59,461 Not if you're still Danny. 1967 01:39:59,594 --> 01:40:01,029 Now, on your way. 1968 01:40:04,332 --> 01:40:05,300 Oh, Mr. Merlin. 1969 01:40:05,433 --> 01:40:06,768 Oh, yes, Danny. 1970 01:40:06,868 --> 01:40:07,702 Have you seen any of the picture put together yet? 1971 01:40:07,835 --> 01:40:09,337 Yes, and it looks great. 1972 01:40:09,471 --> 01:40:10,672 Am I really all right in it? 1973 01:40:10,805 --> 01:40:12,474 You'll be a star before you know it. 1974 01:40:12,540 --> 01:40:15,043 Well, I could, uh, use a raise. 1975 01:40:15,177 --> 01:40:16,344 Now, wait a minute, my boy. 1976 01:40:16,444 --> 01:40:17,279 You're not a star yet. 1977 01:40:17,345 --> 01:40:18,346 Oh, but you said if I-- 1978 01:40:18,513 --> 01:40:19,714 Now don't get that slant, Danny. 1979 01:40:19,847 --> 01:40:21,883 Don't go Hollywood, or you'll ruin yourself. 1980 01:40:22,016 --> 01:40:22,617 Now, take it easy. 1981 01:40:22,684 --> 01:40:23,785 You've got lots of time. 1982 01:40:23,885 --> 01:40:27,389 Go in there and finish your scenes. 1983 01:40:30,958 --> 01:40:32,394 MR. LAWRENCE: That's fine. That's the idea. 1984 01:40:32,527 --> 01:40:33,328 Now we'll make it. 1985 01:40:33,395 --> 01:40:34,396 CREW 6: Light 'em all. 1986 01:40:34,529 --> 01:40:35,330 CREW 2: Places, everybody, places. 1987 01:40:35,463 --> 01:40:36,164 CREW 9: Places. 1988 01:40:36,298 --> 01:40:37,132 CREW 2: Stand by. 1989 01:40:37,199 --> 01:40:38,066 CREW 7: Rolling! 1990 01:40:38,200 --> 01:40:39,000 CREW 3: Speed! 1991 01:40:39,834 --> 01:40:40,668 MR. LAWRENCE: Stand by. 1992 01:40:40,802 --> 01:40:41,869 Start your action! 1993 01:40:43,205 --> 01:40:45,073 , wait! 1994 01:40:45,207 --> 01:40:46,508 Darling, don't leave me. 1995 01:40:46,574 --> 01:40:48,343 I don't care what your past has been. 1996 01:40:48,476 --> 01:40:50,044 Love is more important. 1997 01:40:50,178 --> 01:40:51,413 And it's spring again. 1998 01:40:51,546 --> 01:40:56,384 (SINGING) Spring again, it's time for couples 1999 01:40:56,484 --> 01:41:01,055 to cling again, to leave this world 2000 01:41:01,189 --> 01:41:07,195 and to wing again up to the gates above. 2001 01:41:10,332 --> 01:41:15,170 It's time to fall in love! 2002 01:41:18,740 --> 01:41:20,208 MR. LAWRENCE (OVER SOUND BOOTH SYSTEM): Cut. 2003 01:41:20,275 --> 01:41:21,209 Print that. 2004 01:41:21,343 --> 01:41:24,446 Now we move in for the close-up. 2005 01:41:24,579 --> 01:41:26,214 Excuse me, Mr. Merlin. 2006 01:41:30,552 --> 01:41:33,888 Oliver, are you hiding from me? 2007 01:41:33,955 --> 01:41:35,257 What are you doing tonight, Olga? 2008 01:41:35,390 --> 01:41:36,558 Me? 2009 01:41:36,691 --> 01:41:39,026 You're asking me what I am doing tonight? 2010 01:41:39,093 --> 01:41:42,297 Oh, Oliver, I knew you'd finally think of me. 2011 01:41:42,430 --> 01:41:44,266 I want you to come to a party that I'm giving at my home 2012 01:41:44,399 --> 01:41:47,569 later tonight to announce my approaching marriage. 2013 01:41:47,702 --> 01:41:50,405 Your marriage? 2014 01:41:50,538 --> 01:41:52,740 You are getting married. 2015 01:41:55,710 --> 01:41:57,379 Oh, I am so glad. 2016 01:41:57,479 --> 01:41:59,414 I am so happy for you. 2017 01:41:59,547 --> 01:42:00,748 (RELIEVED) Oh. 2018 01:42:00,882 --> 01:42:01,883 I thought you'd be angry. 2019 01:42:01,983 --> 01:42:02,817 Angry? 2020 01:42:02,950 --> 01:42:03,885 No. 2021 01:42:03,985 --> 01:42:05,287 It is the best thing that could happen. 2022 01:42:05,420 --> 01:42:06,321 Get married. 2023 01:42:06,454 --> 01:42:07,489 Everybody should get married. 2024 01:42:13,428 --> 01:42:14,662 It's amazing. 2025 01:42:18,333 --> 01:42:19,634 Danny! Here. 2026 01:42:19,767 --> 01:42:20,635 DANNY BEECHER (OVER SOUND BOOTH SYSTEM): Hazel! 2027 01:42:20,768 --> 01:42:23,070 You did come to see me! 2028 01:42:23,137 --> 01:42:24,672 I'll wait for you outside, Hazel. 2029 01:42:24,806 --> 01:42:26,974 Oh, Danny, you were wonderful, just like the first time 2030 01:42:27,141 --> 01:42:28,610 you sang to me in the hamburger wagon. 2031 01:42:30,011 --> 01:42:30,812 HAZEL DAWES (OVER SOUND BOOTH SYSTEM): Look out. 2032 01:42:30,945 --> 01:42:32,347 Somebody will see us. 2033 01:42:32,480 --> 01:42:33,848 DANNY BEECHER (OVER SOUND BOOTH SYSTEM): Aw, who cares? 2034 01:42:33,981 --> 01:42:35,450 Gee, I love you more every time I see you. 2035 01:42:35,517 --> 01:42:36,851 HAZEL DAWES (OVER SOUND BOOTH SYSTEM): Oh, and I love you. 2036 01:42:36,984 --> 01:42:37,752 Isn't it wonderful the way everything's 2037 01:42:37,819 --> 01:42:38,320 turned out for you? 2038 01:42:38,486 --> 01:42:39,587 Yes. 2039 01:42:39,654 --> 01:42:41,323 Fame, fortune, and the girl I love-- 2040 01:42:41,489 --> 01:42:44,158 all because you got hungry for a hamburger one night. 2041 01:42:44,292 --> 01:42:46,261 I love hamburgers. 2042 01:42:46,328 --> 01:42:47,995 CREW 2: Mr. Beecher. 2043 01:42:48,162 --> 01:42:48,863 Yes? 2044 01:42:48,996 --> 01:42:49,931 I'd better get out of sight. 2045 01:42:49,997 --> 01:42:51,599 You're gonna stay right here. 2046 01:42:51,699 --> 01:42:53,034 Are you Hazel Dawes? 2047 01:42:53,167 --> 01:42:54,336 Why, yes. 2048 01:42:54,436 --> 01:42:56,137 Mr. Merlin would like to see you up in his office. 2049 01:42:56,271 --> 01:42:59,774 We'll be ready for you in a second, Mr. Beecher. 2050 01:42:59,841 --> 01:43:00,875 You know Mr. Merlin? 2051 01:43:01,008 --> 01:43:01,676 Yes. 2052 01:43:01,809 --> 01:43:03,110 I've been working for him. 2053 01:43:03,177 --> 01:43:04,111 Working? 2054 01:43:04,212 --> 01:43:05,213 Here? 2055 01:43:05,347 --> 01:43:07,649 No, but in my home, and his home, and oh, 2056 01:43:07,715 --> 01:43:08,950 restaurants, and places. 2057 01:43:09,050 --> 01:43:09,551 You see, I-- 2058 01:43:09,684 --> 01:43:10,785 I see. 2059 01:43:10,885 --> 01:43:12,220 Sort of an undercover job. 2060 01:43:12,354 --> 01:43:15,523 Oh, Danny, Mr. Merlin has been very nice to me, 2061 01:43:15,657 --> 01:43:16,958 nice in every way. 2062 01:43:17,024 --> 01:43:18,460 How nice? 2063 01:43:18,560 --> 01:43:20,127 What's come over you? 2064 01:43:20,228 --> 01:43:22,230 Why, it's nothing. 2065 01:43:22,364 --> 01:43:23,698 He's like a father to me. 2066 01:43:23,798 --> 01:43:25,166 Like a father. 2067 01:43:25,300 --> 01:43:27,068 So he was the man waiting at your house the first night 2068 01:43:27,201 --> 01:43:27,702 I met you-- 2069 01:43:27,835 --> 01:43:28,703 and other nights. 2070 01:43:28,836 --> 01:43:29,837 HAZEL DAWES: Yes, but-- 2071 01:43:29,904 --> 01:43:31,138 Well, why didn't you tell me? 2072 01:43:31,239 --> 01:43:33,140 Because he didn't want me to talk to anyone. 2073 01:43:33,241 --> 01:43:34,642 That's why he rented the house for me, 2074 01:43:34,742 --> 01:43:36,811 so I wouldn't have to come to the studio. 2075 01:43:36,911 --> 01:43:39,514 He wanted me to stay as dumb as I was when he found me. 2076 01:43:39,647 --> 01:43:41,549 And I guess I have. 2077 01:43:41,683 --> 01:43:43,084 No, you haven't. 2078 01:43:43,217 --> 01:43:44,319 Danny, please. 2079 01:43:44,386 --> 01:43:45,587 Don't be silly. 2080 01:43:45,720 --> 01:43:47,088 I'm going up and tell Oliver about you now. 2081 01:43:47,221 --> 01:43:49,090 Well, you can tell Mr. Merlin from me 2082 01:43:49,223 --> 01:43:51,359 that I won't need that raise I asked him for. 2083 01:43:51,493 --> 01:43:52,660 My plans have been changed. 2084 01:43:52,760 --> 01:43:53,861 What do you mean? 2085 01:43:53,995 --> 01:43:54,929 I mean that I've been the dumb one. 2086 01:43:55,062 --> 01:43:57,064 CREW 10: Ready, Mr. Beecher. 2087 01:43:57,198 --> 01:43:59,401 All right. 2088 01:43:59,534 --> 01:44:00,535 Is that all you have to say? 2089 01:44:00,602 --> 01:44:01,669 I have to go to work now. 2090 01:44:01,769 --> 01:44:03,571 This last close-up is very important. 2091 01:44:03,705 --> 01:44:05,072 MR. LAWRENCE: We're waiting, Mr. Beecher. 2092 01:44:05,206 --> 01:44:05,907 Coming. 2093 01:44:12,246 --> 01:44:13,715 MR. LAWRENCE: All right, stand by. 2094 01:44:16,351 --> 01:44:18,185 Start your action. 2095 01:44:18,252 --> 01:44:20,254 DANNY BEECHER: Darling, don't leave me. 2096 01:44:20,388 --> 01:44:22,256 I don't care what your past has been. 2097 01:44:22,390 --> 01:44:24,258 Love is more important. 2098 01:44:24,392 --> 01:44:26,894 And it's spring again. 2099 01:44:26,961 --> 01:44:28,630 You wanted to see me? 2100 01:44:28,763 --> 01:44:30,231 Sit down. 2101 01:44:30,365 --> 01:44:32,534 I'm sorry I disobeyed your orders and came to the studio. 2102 01:44:32,634 --> 01:44:33,635 It doesn't matter. 2103 01:44:33,768 --> 01:44:35,102 You're not with this firm anymore. 2104 01:44:35,269 --> 01:44:36,471 Oh. 2105 01:44:36,604 --> 01:44:38,440 I'm announcing your retirement from the picture business. 2106 01:44:38,540 --> 01:44:39,741 Well, is that necessary? 2107 01:44:39,874 --> 01:44:42,143 I mean, who cares? 2108 01:44:42,276 --> 01:44:43,778 Hazel, I'm giving a party at my home 2109 01:44:43,911 --> 01:44:46,748 tonight to announce our marriage. 2110 01:44:46,814 --> 01:44:48,650 I can't marry you. 2111 01:44:48,783 --> 01:44:49,717 Why not? 2112 01:44:49,784 --> 01:44:53,220 Because I love someone else. 2113 01:44:53,321 --> 01:44:54,088 You love him very much? 2114 01:44:54,221 --> 01:44:55,457 Oh, yes. 2115 01:44:55,590 --> 01:44:56,958 He means everything to you-- his happiness, his success? 2116 01:44:57,091 --> 01:44:58,059 Yes. 2117 01:44:58,125 --> 01:45:00,462 Then I'm quite sure you'll marry me. 2118 01:45:00,595 --> 01:45:01,763 What do you mean? 2119 01:45:01,829 --> 01:45:03,264 If I seem unpleasant for a few moments, 2120 01:45:03,398 --> 01:45:05,800 please remember that I've been shocked and disillusioned. 2121 01:45:05,933 --> 01:45:08,570 Something I thought was perfect turned out to be silly. 2122 01:45:08,636 --> 01:45:09,937 But I haven't done anything wrong. 2123 01:45:10,071 --> 01:45:11,806 You're not throwing yourself away on a crooner. 2124 01:45:11,939 --> 01:45:13,975 I'm the one that's human now, not you. 2125 01:45:14,108 --> 01:45:15,443 Why, you don't love him. 2126 01:45:15,577 --> 01:45:16,978 You love the thought of running around with somebody who 2127 01:45:17,111 --> 01:45:18,846 is going to be famous, talked about, and wanted 2128 01:45:18,980 --> 01:45:19,914 by a million autograph hunters. 2129 01:45:19,981 --> 01:45:21,483 No, Oliver-- 2130 01:45:21,616 --> 01:45:23,017 Well, if you think he's going to be famous, you're mistaken. 2131 01:45:23,150 --> 01:45:24,486 Because if you insist upon going through 2132 01:45:24,586 --> 01:45:26,788 with this idiotic thing, I'm cutting Mr. Beecher out 2133 01:45:26,921 --> 01:45:29,256 of the picture and reshooting. 2134 01:45:29,357 --> 01:45:30,592 You'd do that? 2135 01:45:30,692 --> 01:45:31,993 Yes. 2136 01:45:32,126 --> 01:45:33,695 Now tell him that, and then see if he loves you. 2137 01:45:33,828 --> 01:45:35,129 I'm calling the casting department 2138 01:45:35,196 --> 01:45:37,098 and replacing Danny Beecher tomorrow. 2139 01:45:37,198 --> 01:45:38,165 No. 2140 01:45:38,299 --> 01:45:39,867 Don't do that. 2141 01:45:40,001 --> 01:45:42,537 It won't be necessary. 2142 01:45:42,670 --> 01:45:43,938 You won't be sorry, Hazel. 2143 01:45:44,005 --> 01:45:46,040 You'll be grateful to me some day. 2144 01:46:00,788 --> 01:46:01,623 Gather 'round. 2145 01:46:01,723 --> 01:46:02,824 Gather 'round. 2146 01:46:02,957 --> 01:46:04,291 I take great pleasure in presenting 2147 01:46:04,392 --> 01:46:06,894 one of the stars of "The Forgotten Dance," a man who has 2148 01:46:07,028 --> 01:46:09,864 more talent in this little finger, uh, 2149 01:46:09,964 --> 01:46:11,466 than he has in this little finger. 2150 01:46:13,000 --> 01:46:15,336 And here he is, none other than that famous artist, 2151 01:46:15,470 --> 01:46:16,303 Michael Day. 2152 01:46:22,844 --> 01:46:25,680 (SINGING) I love to rhyme. 2153 01:46:29,817 --> 01:46:31,318 (SPEAKING) I love to rhyme. 2154 01:46:31,385 --> 01:46:34,388 A poem-- a poem dedicated to the completion of our new picture. 2155 01:46:34,556 --> 01:46:36,190 I wrote this poem in the wardrobe department, 2156 01:46:36,257 --> 01:46:38,059 where I spent the best years of my life. 2157 01:46:40,495 --> 01:46:42,830 "The Forgotten Dance" is like a tree. 2158 01:46:42,930 --> 01:46:44,732 Mr. Merlin is the roots, you see. 2159 01:46:44,866 --> 01:46:47,001 Olga and Danny are branches, old chap. 2160 01:46:47,068 --> 01:46:49,403 And you, my friend, are just the sap. 2161 01:46:49,537 --> 01:46:50,872 Ye-- who said that? 2162 01:46:51,005 --> 01:46:52,440 - S-- stop that. - Cut it out, will ya? 2163 01:46:52,574 --> 01:46:53,407 (WHISPERING) Here he comes. 2164 01:46:53,541 --> 01:46:55,242 Oh, so it's you again. 2165 01:46:55,376 --> 01:46:57,011 Tell me, my uninvited pest, how did you happen 2166 01:46:57,078 --> 01:46:58,079 to get into this party anyway? 2167 01:46:58,212 --> 01:46:59,914 Oh, I just snuck in. 2168 01:47:00,047 --> 01:47:01,248 Snuck in. 2169 01:47:01,382 --> 01:47:02,550 Pardon the correction, but it isn't "snuck" in. 2170 01:47:02,684 --> 01:47:03,618 It's "sneaked" in. 2171 01:47:03,751 --> 01:47:04,952 I sneaked in. You sneaked in. 2172 01:47:05,086 --> 01:47:05,887 They sneaked in. 2173 01:47:05,953 --> 01:47:06,888 You get the idea? 2174 01:47:07,021 --> 01:47:08,022 Yeah, uh-huh. 2175 01:47:08,122 --> 01:47:09,423 We all got in the same way. 2176 01:47:09,557 --> 01:47:10,124 Yeah. 2177 01:47:10,257 --> 01:47:11,759 Annoying chap, isn't he? 2178 01:47:11,859 --> 01:47:13,094 - I wish you'd keep quiet. - Yes, Charlie. 2179 01:47:13,227 --> 01:47:14,696 This is very embarrassing. 2180 01:47:14,762 --> 01:47:15,530 It is embarrassing. 2181 01:47:15,630 --> 01:47:16,564 I'm a great artist. 2182 01:47:16,698 --> 01:47:17,632 Does my music carry you away? 2183 01:47:17,765 --> 01:47:18,800 Yes, it does. 2184 01:47:18,933 --> 01:47:20,434 But not far enough. 2185 01:47:20,535 --> 01:47:22,236 Now, listen here, my talking totem pole, 2186 01:47:22,369 --> 01:47:24,305 what did your father say to the stork when you were born? 2187 01:47:24,438 --> 01:47:25,907 That's an insult. Take it back. 2188 01:47:25,973 --> 01:47:27,408 That's what I thought. 2189 01:47:27,542 --> 01:47:28,275 Yeah. 2190 01:47:28,409 --> 01:47:30,044 Uh, what? 2191 01:47:30,111 --> 01:47:31,145 That's one on you. 2192 01:47:31,278 --> 01:47:31,979 Oh, yeah? 2193 01:47:32,113 --> 01:47:33,314 Well, I'll fix him . 2194 01:47:33,447 --> 01:47:34,649 Uh, hey, Day. 2195 01:47:34,782 --> 01:47:36,050 Mr. Day to you, dope. 2196 01:47:36,150 --> 01:47:37,819 Mr. Dope to you, Day. 2197 01:47:37,952 --> 01:47:39,253 Oh, a wise guy, eh? 2198 01:47:39,386 --> 01:47:41,055 Say, tell me-- do you believe in reincarnation? 2199 01:47:41,122 --> 01:47:42,289 CHARLIE MCCARTHY: Uh, yeah. Why? 2200 01:47:42,423 --> 01:47:43,725 Well, the next time you return to Earth, 2201 01:47:43,791 --> 01:47:45,459 come COD so I can refuse you. 2202 01:47:45,627 --> 01:47:47,629 What a quip. 2203 01:47:47,762 --> 01:47:48,896 I'll have to use that on the air. 2204 01:47:48,963 --> 01:47:50,297 You have to use which on the what? 2205 01:47:50,431 --> 01:47:51,933 I'll have to use it on the air. 2206 01:47:51,999 --> 01:47:53,601 Didn't you hear me on Mr. Crane's radio program 2207 01:47:53,735 --> 01:47:54,902 last week? 2208 01:47:55,002 --> 01:47:56,003 Well, I tried to, but I couldn't enjoy it. 2209 01:47:56,137 --> 01:47:56,971 MICHAEL DAY: Why? 2210 01:47:57,138 --> 01:47:58,172 Was the radio on the bum? 2211 01:47:58,305 --> 01:48:00,241 No, the bum was on the radio. 2212 01:48:02,744 --> 01:48:03,745 What am I laughing at? 2213 01:48:03,845 --> 01:48:04,846 Mark up one for me, huh? 2214 01:48:04,979 --> 01:48:05,680 Yeah. 2215 01:48:09,350 --> 01:48:10,652 Hey, Day. 2216 01:48:10,785 --> 01:48:11,953 MICHAEL DAY: What do you want now? 2217 01:48:12,086 --> 01:48:13,788 Doesn't that thing ever pinch your stomach? 2218 01:48:13,921 --> 01:48:14,756 Will you be quiet? 2219 01:48:14,856 --> 01:48:15,957 I can't hear myself play. 2220 01:48:16,090 --> 01:48:17,592 You lucky devil. 2221 01:48:17,692 --> 01:48:18,826 Now, look here, dead end. 2222 01:48:18,960 --> 01:48:20,261 I'll have you know I'm very well-liked. 2223 01:48:20,327 --> 01:48:21,796 In fact, I grow on people. 2224 01:48:21,929 --> 01:48:24,198 Oh, a wart. 2225 01:48:24,331 --> 01:48:26,200 I don't know why I waste words on you, knave. 2226 01:48:26,333 --> 01:48:28,435 Me, a great Shakespearean actor-- 2227 01:48:28,502 --> 01:48:29,671 "To be or not to be? 2228 01:48:29,804 --> 01:48:30,805 That is the question." 2229 01:48:30,872 --> 01:48:31,873 What's the answer? 2230 01:48:32,006 --> 01:48:33,140 There is no answer. 2231 01:48:33,274 --> 01:48:34,642 Well, why doesn't he hang up? 2232 01:48:34,776 --> 01:48:35,843 That's Shakespeare. 2233 01:48:35,977 --> 01:48:36,811 Haven't you ever heard of Shakespeare? 2234 01:48:36,878 --> 01:48:38,045 Uh, no. 2235 01:48:38,179 --> 01:48:39,113 Awfully sorry. 2236 01:48:39,180 --> 01:48:40,815 Hate myself for not knowing. 2237 01:48:40,948 --> 01:48:41,949 I'm a cad. 2238 01:48:42,049 --> 01:48:43,985 Tell me, learned friend, who is he? 2239 01:48:44,118 --> 01:48:45,452 Shakespeare's works are immortal. 2240 01:48:45,553 --> 01:48:47,622 "Friends, Romans, and countrymen"-- 2241 01:48:47,722 --> 01:48:48,890 Cut! 2242 01:48:49,023 --> 01:48:50,524 "I came to bury Caesar, not to praise him." 2243 01:48:50,692 --> 01:48:52,526 Hey, Hamlet, did you ever strike oil? 2244 01:48:52,627 --> 01:48:53,194 No. 2245 01:48:53,327 --> 01:48:54,328 No, I never struck oil. 2246 01:48:54,461 --> 01:48:56,631 Then why don't you stop boring? 2247 01:48:58,132 --> 01:48:59,333 Ladies and gentlemen, if the animated clothespin 2248 01:48:59,466 --> 01:49:00,902 will be quiet, I will delve into the classics 2249 01:49:01,035 --> 01:49:03,971 and play the fourth movement from "The Fifth Symphony," opus 2250 01:49:04,038 --> 01:49:06,540 seven, theme six, track five. 2251 01:49:06,674 --> 01:49:08,375 All aboard! 2252 01:49:08,509 --> 01:49:09,376 Toot, toot. 2253 01:49:10,745 --> 01:49:12,546 (SINGING) I love to rhyme-- 2254 01:49:12,680 --> 01:49:13,347 Hey. 2255 01:49:13,480 --> 01:49:14,582 Hey, why don't you get hot? 2256 01:49:14,716 --> 01:49:15,717 - Get what? - Get hot. 2257 01:49:15,817 --> 01:49:16,517 You know. 2258 01:49:16,651 --> 01:49:17,652 Oh, get hot. 2259 01:49:17,719 --> 01:49:18,886 - That's it. 2260 01:49:19,020 --> 01:49:19,854 That's it. 2261 01:49:19,987 --> 01:49:21,488 Yeah, man. 2262 01:49:21,555 --> 01:49:22,590 Yeah, yeah. 2263 01:49:22,724 --> 01:49:25,259 Chooka, chooka, chooka, chook, chook, chook. 2264 01:49:29,997 --> 01:49:31,198 La-di-da da la. 2265 01:49:31,332 --> 01:49:33,500 La-di-da la loomp boomp. 2266 01:49:36,037 --> 01:49:38,873 (SINGING) I love to rhyme. 2267 01:49:39,006 --> 01:49:42,777 The citrus fruit loves to lime. 2268 01:49:42,910 --> 01:49:45,947 Heifetz may love to fiddle. 2269 01:49:46,080 --> 01:49:48,449 (SINGING) And I love to riddle. 2270 01:49:48,582 --> 01:49:49,283 You love to what? 2271 01:49:49,416 --> 01:49:50,517 Riddle. 2272 01:49:50,584 --> 01:49:52,586 What-- what is it that's two inches long, has, uh, 2273 01:49:52,754 --> 01:49:56,090 28 legs, and green eyes, and a sharp stinger? 2274 01:49:56,190 --> 01:49:57,692 I give up. What is it? 2275 01:49:57,792 --> 01:49:58,793 I don't know. 2276 01:49:58,926 --> 01:50:01,462 But it's crawling on your collar. 2277 01:50:01,595 --> 01:50:02,596 Oh, he dances too. 2278 01:50:02,730 --> 01:50:03,564 Doesn't-- oh. 2279 01:50:06,100 --> 01:50:07,201 (SINGING) If that's your riddling, 2280 01:50:07,268 --> 01:50:10,104 it's only fair to middling. 2281 01:50:10,271 --> 01:50:13,207 In fact, I think you're kindling. 2282 01:50:13,274 --> 01:50:15,943 That for your riddling. 2283 01:50:16,077 --> 01:50:17,578 What kind of voice have you got? 2284 01:50:17,645 --> 01:50:19,146 Is it basso or alto? 2285 01:50:19,280 --> 01:50:20,214 Oh, I don't know. 2286 01:50:20,314 --> 01:50:21,482 I just sing through my teeth. 2287 01:50:21,615 --> 01:50:22,950 Oh, falsetto. 2288 01:50:24,618 --> 01:50:26,220 Listen here, wise guy, if you're referring to my voice, 2289 01:50:26,287 --> 01:50:27,554 I'll have you know the last time I sang in a theater, 2290 01:50:27,655 --> 01:50:28,990 you could hear the applause across the street. 2291 01:50:29,123 --> 01:50:30,124 - Yeah? 2292 01:50:30,291 --> 01:50:31,292 Who was singing across the street? 2293 01:50:31,425 --> 01:50:33,260 Oh-- 2294 01:50:36,497 --> 01:50:38,132 MICHAEL AND CHARLIE: (SINGING) We can't agree. 2295 01:50:38,265 --> 01:50:44,171 It isn't so hard to see the day will never be-- 2296 01:50:44,305 --> 01:50:45,639 Oh, boy. 2297 01:50:45,740 --> 01:50:46,941 Mow me down. 2298 01:50:47,074 --> 01:50:52,013 MICHAEL AND CHARLIE: (SINGING) --when you rhyme with me. 2299 01:51:07,028 --> 01:51:08,662 That's better. 2300 01:51:08,796 --> 01:51:09,496 Shall we go out now? 2301 01:51:11,933 --> 01:51:14,601 Is, uh, this where the party is, Mr. Merlin? 2302 01:51:14,702 --> 01:51:16,704 Well, I'm rather surprised to see you here, Mr. Beecher. 2303 01:51:16,838 --> 01:51:18,806 Well, I've arrived, sort of like the Marines. 2304 01:51:18,873 --> 01:51:20,041 Please go away, Danny. 2305 01:51:20,174 --> 01:51:21,475 You'll only make everything more difficult. 2306 01:51:21,542 --> 01:51:22,944 It's kind of unfair of you, Mr. Merlin, 2307 01:51:23,044 --> 01:51:25,112 not to include me in on that conference this afternoon. 2308 01:51:25,212 --> 01:51:26,013 - What do you mean? - Please, Danny. 2309 01:51:26,147 --> 01:51:27,348 I know what I'm doing. 2310 01:51:27,481 --> 01:51:28,783 As I understand it, if Hazel went on loving me, 2311 01:51:28,850 --> 01:51:30,017 you'd cut me out of the picture. 2312 01:51:30,151 --> 01:51:30,651 MR. LAWRENCE: Now, see here, Mr. Beecher. 2313 01:51:30,785 --> 01:51:31,685 You-- 2314 01:51:31,819 --> 01:51:32,486 Well, I've brought you the scissors. 2315 01:51:35,222 --> 01:51:36,690 So I won't be the nation's new love interest, 2316 01:51:36,824 --> 01:51:38,392 with all the fans kissing my photographs 2317 01:51:38,525 --> 01:51:40,361 and chasing me down the street screaming 2318 01:51:40,494 --> 01:51:41,662 for a lock of my hair. 2319 01:51:41,729 --> 01:51:42,463 Come on, darling. 2320 01:51:42,563 --> 01:51:44,065 I can still cook a hamburger. 2321 01:51:44,198 --> 01:51:45,132 I'm sorry, Oliver. 2322 01:51:45,199 --> 01:51:48,169 It's amazing. 2323 01:51:48,302 --> 01:51:49,403 No, wait a minute. 2324 01:51:49,536 --> 01:51:51,405 I don't think I'm going to need these. 2325 01:52:01,082 --> 01:52:02,884 Uh, ladies and gentlemen, I told you 2326 01:52:03,017 --> 01:52:04,752 that I would have an announcement to make tonight. 2327 01:52:04,886 --> 01:52:06,553 First, I want to thank you all for the very 2328 01:52:06,653 --> 01:52:09,924 fine work you've done in making our picture a great success. 2329 01:52:10,057 --> 01:52:12,393 I wish that I could reward you all as you deserve, 2330 01:52:12,526 --> 01:52:14,095 but being troopers, I know that you 2331 01:52:14,228 --> 01:52:15,429 won't begrudge the one reward I have 2332 01:52:15,562 --> 01:52:17,364 to give to Mr. Danny Beecher. 2333 01:52:17,431 --> 01:52:19,100 I have the great honor, Mr. Beecher, 2334 01:52:19,233 --> 01:52:20,667 of offering you a five-year contract 2335 01:52:20,734 --> 01:52:24,005 under the banner of Merlin Productions as a singing star. 2336 01:52:26,073 --> 01:52:26,908 Sing, Danny. 2337 01:52:27,041 --> 01:52:28,242 Sing! - Sing, Danny! 2338 01:52:28,375 --> 01:52:29,410 Sing, Danny. 2339 01:52:29,543 --> 01:52:31,112 Sing! 2340 01:52:31,245 --> 01:52:32,446 Say, what's it all about? 2341 01:52:32,579 --> 01:52:34,681 Well, Danny just got five years for singing. 2342 01:52:34,748 --> 01:52:35,449 Ye-- he did? 2343 01:52:35,582 --> 01:52:36,117 Yes. 2344 01:52:36,250 --> 01:52:37,584 That's too bad. 2345 01:52:37,718 --> 01:52:39,053 Say, that accordion squeezer ought to get life, huh? 2346 01:52:46,093 --> 01:52:54,235 (SINGING) Love walked right in and drove the shadows away. 2347 01:52:54,368 --> 01:53:03,210 Love walked right in and brought my sunniest day. 2348 01:53:03,310 --> 01:53:08,983 One magic moment and my heart seemed 2349 01:53:09,116 --> 01:53:20,561 to know that love said hello, though not a word was spoken. 2350 01:53:20,661 --> 01:53:29,503 One look and I forgot the gloom of the past. 2351 01:53:29,636 --> 01:53:38,112 One look and I have found my future at last. 2352 01:53:38,245 --> 01:53:41,515 Oh, then and there-- 2353 01:53:41,648 --> 01:53:45,586 DANNY AND LEONA: --I found a world completely-- 2354 01:53:45,652 --> 01:53:48,322 I've been looking forward to this moment all evening. 2355 01:53:48,489 --> 01:53:49,991 Oh, you dance divinely. 2356 01:53:50,091 --> 01:53:51,758 Oh, you're so sweet. 2357 01:53:52,793 --> 01:53:53,928 Oh, yes. 2358 01:53:53,995 --> 01:53:55,329 Uh, uh, can't you get a girl for Bergen, lambie-pie? 2359 01:53:55,496 --> 01:53:56,497 Oh. 2360 01:53:56,630 --> 01:53:57,865 Oh, I'm so glad you and Hollywood 2361 01:53:57,999 --> 01:53:59,166 turned out to be so nice. 2362 01:53:59,300 --> 01:54:01,268 Well, we finished a good second. 2363 01:54:01,335 --> 01:54:03,104 I'd like to ask you one question, Miss Humanity. 2364 01:54:03,204 --> 01:54:04,538 What is it, Oliver? 2365 01:54:04,671 --> 01:54:06,340 If you were a movie producer and had lost the girl 2366 01:54:06,440 --> 01:54:07,774 you loved, what would you do? 2367 01:54:07,875 --> 01:54:09,543 Just the same as you did, because it 2368 01:54:09,676 --> 01:54:11,012 was the real thing to do. 2369 01:54:18,352 --> 01:54:21,956 (SINGING) Oh, then and there-- 2370 01:54:22,023 --> 01:54:30,197 DANNY AND HAZEL: --I found a world completely new, 2371 01:54:30,331 --> 01:54:36,403 when love walked in with you.