1
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The following programme contains
strong language and violent scenes.

2
00:00:10,000 --> 00:00:12,717
This is Charlie's creator - Jensen.

3
00:00:12,800 --> 00:00:14,997
All we need to get the machine
up and running

4
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is to enter an activation sequence

5
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enciphered in this diary.

6
00:00:19,480 --> 00:00:21,917
I need you to wake Charlie up, Iris,
or they're gonna kill me.

7
00:00:22,000 --> 00:00:26,237
Your diary is a puzzle. He calls
the machine the lamentation of God.

8
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The silence of the dead voices.

9
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The abomination of desolation.

10
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The Kali Yuga.

11
00:00:32,080 --> 00:00:33,957
You haven't finished decoding it yet?

12
00:00:34,040 --> 00:00:37,037
I'd like to see you try.
He changed the key every week.

13
00:00:37,120 --> 00:00:38,797
So, that's a no then.

14
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Hello?
Hi. We've never actually spoken.

15
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My name's Iris Nixon.
This is real, right?

16
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Meet me in Rome
and I will tell you everything.

17
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(SPEAKS ITALIAN)

18
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Teo, they found me. I need to get
off this island or I'm dead.

19
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'I told you.
They're here for money.'

20
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I've still got the diary.
You kill me, you don't get it.

21
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You hurt Joy, you don't get it.

22
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Get in!

23
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(OMINOUS MUSIC)

24
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MAN OVER RADIO: Team 1,
all clear. No survivors.

25
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MAN: Team 1, all clear.
No survivors.

26
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GUARD:
All right, all right. On we go.

27
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MAN OVER RADIO: OK, copy that.

28
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(BREATHES SHARPLY)

29
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Huh.

30
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(DOOR CLOSES)

31
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What have you done to me, Jensen?

32
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Please help me understand.

33
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You know what you've done.

34
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Do you even remember?

35
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And can you explain it?

36
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It was my...

37
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...obligation. To what?

38
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These were nice people.

39
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These were brilliant,
kind, clever people.

40
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They didn't mean you any harm.
They didn't mean to hurt anyone.

41
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No.

42
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So...

43
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can you tell me why?

44
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Help me?

45
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There was a man called - Eugene Schieffelin.
-No, no.

46
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Stop. He decided to introduce

47
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to the United States of America...
Stop, stop... all the birds...

48
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I'm trying really hard to understand.

49
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But I am angry and I am scared...

50
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...and I just...

51
00:03:09,840 --> 00:03:13,677
I need you to give me something,
so that I can forgive you.

52
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He decided to introduce
to the United States of America

53
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all the birds mentioned - in the place of Shakespeare.
-I know.

54
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In 1890 he released 80 starlings
into Central Park.

55
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And that's where all the starlings
in America come from...

56
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I know this story
...all 200 million of them.

57
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A man who loved Shakespeare

58
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and only wanted to make the world
more beautiful.

59
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I just need the activation sequence.

60
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No.

61
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Never.

62
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In 1960 a plane crashed
into Boston...(GROANS WEARILY)

63
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Because 10,000 starlings
had flown into it.

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62 people died.(I know.)
Starlings decimate crops.

65
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Starlings drive out native species.

66
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Starlings they...

67
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spread diseases.

68
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I know...

69
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...you believe...

70
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that the truth will be beautiful.

71
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You think it will.

72
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The poetry, the symmetry.

73
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You believe it will set us free.

74
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But the truth...

75
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...is savage...

76
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...and sorrow.

77
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We must not speak.

78
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You know,
I just need you to help me.

79
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I know.

80
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And I'm trying.

81
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(INTENSE MUSIC)

82
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♪ SIOUXSIE SIOUX: Here Comes That Day

83
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♪ Oh, here comes that day

84
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♪ Oh, here comes the rain
on your parade

85
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♪ There's a price to pay

86
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♪ For a life of insincerity

87
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♪ And you pretend

88
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♪ That it doesn't matter

89
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♪ And that you're not scared

90
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♪ Oh, here comes that day

91
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♪ Oh, here comes the rain
on your parade ♪

92
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CAMERON: (MUTTERS)
Fuck, fuck, fuck, fuck.

93
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It's disgusting.

94
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Here.

95
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So, who are you?

96
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No-one, really.

97
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What do you mean?
Everyone's someone.

98
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Yeah, obviously.

99
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I'm just no-one in particular.
No, I don't understand.

100
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Who are you to Iris?
She's my tutor.

101
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In? Maths. Science. Philosophy.

102
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So, what were you doing
at the airstrip?

103
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She asked me.
You had a bomb. You brought a bomb.

104
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No! I mean...

105
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yeah, but it's not like she told me
that. I just thought...

106
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-What? - I don't know. Not that - it was a bomb!
-What? A literal bomb?

107
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(SIGHS)

108
00:07:00,720 --> 00:07:04,117
So, you're not her accomplice
or anything like that?

109
00:07:04,200 --> 00:07:05,837
Her confederate. No.

110
00:07:05,920 --> 00:07:08,317
Daughter? No.

111
00:07:08,400 --> 00:07:10,357
Girlfriend? What? Jesus!

112
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Sorry,
I'm just trying to get this straight.

113
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Are you nothing to her?

114
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But I've just...

115
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Oh, Christ.

116
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What have I done?

117
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Meski, when we're clear,

118
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find a quiet place to set us down.

119
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(INDISTINCT RADIO CHATTER)

120
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(RADIO CHATTER IN ITALIAN)

121
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(INDISTINCT CHATTER IN ITALIAN)

122
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(SPEAKS ITALIAN)

123
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Iris Nixon?

124
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NICO:

125
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Look, I'm sorry about this,

126
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bringing you with me -
I wasn't thinking.

127
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I thought you and she...
I thought you meant something to her.

128
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Which was pretty stupid
because nobody does, not really.

129
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She'll come for me.
Yeah? What makes you think that?

130
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She promised.
-Well, she lies. -Not to me.

131
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I wish I could agree, I really do.

132
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I could run.
And Meski will shoot you.

133
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(HUFFS)

134
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They'll find my body.

135
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Trace it to you.

136
00:10:09,840 --> 00:10:13,200
Not if we load you into a helicopter
and drop you into the sea.

137
00:10:15,640 --> 00:10:19,040
But you don't want to do it.
No. I really don't.

138
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So don't.

139
00:10:22,160 --> 00:10:24,677
Yeah, the thing is I...

140
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I think I probably have to.
Because I might tell people.

141
00:10:27,680 --> 00:10:29,720
Yeah, pretty much.

142
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So, pay me. Yeah, OK.

143
00:10:35,160 --> 00:10:37,437
But... the thing is,
people who can be bought

144
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can generally be bought again
by different parties.

145
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-So, offer me a lot.
-I'm not talking about them paying you with money.

146
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I'm talking about bad stuff.

147
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I'm talking about fear and pain
and all the rest of it.

148
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Yeah?

149
00:10:55,200 --> 00:10:57,117
Well, you've got...

150
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actually, I think you've got
some bone in your hair.

151
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Oh, please. Get it out! Where?

152
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There.

153
00:11:10,280 --> 00:11:11,640
Eugh.

154
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Who was that, do you think,
in my hair?

155
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Dunno.

156
00:11:29,120 --> 00:11:31,120
How do you know Miss Brook?

157
00:11:32,080 --> 00:11:34,040
Well, I was sort of her boss.

158
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Disgusting.

159
00:11:39,000 --> 00:11:40,760
What happened?

160
00:11:41,640 --> 00:11:43,640
Well, she stole something.

161
00:11:44,960 --> 00:11:46,837
And the thing is,
if I don't get it back,

162
00:11:46,920 --> 00:11:50,320
things are gonna get really, really
bad for me. Really bad.

163
00:11:55,320 --> 00:11:57,320
There are people out there...

164
00:11:59,600 --> 00:12:00,877
Joy.

165
00:12:00,960 --> 00:12:03,000
There are people out there, Joy...

166
00:12:04,000 --> 00:12:07,120
...and you wouldn't believe
the things that they will do.

167
00:12:08,080 --> 00:12:11,517
I didn't believe it myself...
until it was too late.

168
00:12:11,600 --> 00:12:16,800
You just take one step,
one fork in the road...

169
00:12:19,640 --> 00:12:22,240
...and things get really dark.

170
00:12:23,440 --> 00:12:24,840
Yeah.

171
00:12:26,200 --> 00:12:28,200
I can see that.

172
00:12:33,200 --> 00:12:36,960
Well, for what it's worth, you seem
like the sort of person she'd like...

173
00:12:37,640 --> 00:12:39,880
in a narcissistic sort of way.

174
00:12:43,720 --> 00:12:45,397
Which means you can't do it.

175
00:12:45,480 --> 00:12:47,160
Can't do what? Body me.

176
00:12:47,840 --> 00:12:50,360
Oh, right. (CHUCKLES) Course.

177
00:12:51,120 --> 00:12:52,597
Er, sorry, why?

178
00:12:52,680 --> 00:12:56,397
Because you need your thingamabob
back from Miss Brook... Iris.

179
00:12:56,480 --> 00:12:59,077
...and the only way
that's going to happen

180
00:12:59,160 --> 00:13:01,717
is if she actually does
care about me a bit.

181
00:13:01,800 --> 00:13:04,397
Which you yourself said
she actually might.

182
00:13:04,480 --> 00:13:08,760
So even if you wanted to kill me,
which you basically don't...

183
00:13:10,120 --> 00:13:11,877
...you couldn't.

184
00:13:11,960 --> 00:13:13,917
Not yet.

185
00:13:14,000 --> 00:13:15,877
You need me alive.

186
00:13:15,960 --> 00:13:19,320
Plus...
you need to be wrong about her...

187
00:13:20,800 --> 00:13:23,757
...which I actually think you are.

188
00:13:23,840 --> 00:13:25,880
(TENSE MUSIC)

189
00:13:29,000 --> 00:13:31,000
(CHUCKLES)

190
00:13:34,480 --> 00:13:36,477
Alright then, clever clogs...

191
00:13:36,560 --> 00:13:39,120
(HELICOPTER ENGINE STARTS)

192
00:13:42,200 --> 00:13:44,200
(HELICOPTER BLADES WHIR)

193
00:13:52,160 --> 00:13:54,160
(OMINOUS MUSIC)

194
00:14:08,160 --> 00:14:09,600
(GASPS SOFTLY)

195
00:14:10,720 --> 00:14:12,757
(SINISTER MUSIC)

196
00:14:12,840 --> 00:14:14,880
(DRONES BUZZING)

197
00:14:20,560 --> 00:14:22,560
(BUZZING INTENSIFIES)

198
00:14:34,800 --> 00:14:36,800
(TENSE MUSIC)

199
00:14:57,440 --> 00:14:59,440
(SPLASHING) (GASPS FOR BREATH)

200
00:15:00,440 --> 00:15:02,440
(COUGHS AND GASPS)

201
00:15:09,040 --> 00:15:10,757
A different kind of mystery,

202
00:15:10,840 --> 00:15:13,757
one that really set
the conspirasphere alive.

203
00:15:13,840 --> 00:15:17,597
Exactly who and where is Iris Nixon.

204
00:15:17,680 --> 00:15:19,720
(BOTH SPEAK ITALIAN)

205
00:15:34,120 --> 00:15:36,120
(BOAT ENGINE REVS)

206
00:15:53,240 --> 00:15:55,240
(THUNDERCLAP)

207
00:16:04,440 --> 00:16:06,440
(THUNDERCLAP)

208
00:16:09,240 --> 00:16:11,757
(EERIE MUSIC)

209
00:16:11,840 --> 00:16:13,880
(INSECTS CHIRRUPING)

210
00:16:15,120 --> 00:16:17,717
IRIS: 'I need to know
why Jensen did what he did.'

211
00:16:17,800 --> 00:16:18,757
(THUNDERCLAP)

212
00:16:18,840 --> 00:16:21,317
(YELLS) Charlie must not wake!

213
00:16:21,400 --> 00:16:22,960
(YELLS) Tell me why!

214
00:16:23,840 --> 00:16:26,037
JENSEN: 'Destroy the book. Burn it.'

215
00:16:26,120 --> 00:16:28,157
Your diary is a puzzle.

216
00:16:28,240 --> 00:16:29,957
'One more code to crack,

217
00:16:30,040 --> 00:16:32,757
five more pages to read... (ECHOES)

218
00:16:32,840 --> 00:16:36,917
...using a DNA sequence
as a source of book code.'

219
00:16:37,000 --> 00:16:41,157
(ALARMS BLARES)
(YELLS) Charlie must not wake!

220
00:16:41,240 --> 00:16:43,517
'One more code to crack... (ECHOES)

221
00:16:43,600 --> 00:16:45,517
...using a DNA sequence.

222
00:16:45,600 --> 00:16:50,040
DNA is the book of life.
Using DNA. Using DNA.'

223
00:16:51,240 --> 00:16:53,240
It's you, Jensen.

224
00:16:54,880 --> 00:16:56,797
You used your own DNA.

225
00:16:56,880 --> 00:17:00,480
You crafty bastard.
(LIGHTNING CRACKLES)

226
00:17:04,360 --> 00:17:05,840
(SNIFFS DEEPLY)

227
00:17:07,400 --> 00:17:08,800
(SNORTS)

228
00:17:10,520 --> 00:17:12,000
Comandante.

229
00:17:43,600 --> 00:17:45,200
(MOUTHS)

230
00:17:53,520 --> 00:17:54,840
NICO:

231
00:18:03,800 --> 00:18:05,040
NICO:

232
00:19:20,520 --> 00:19:22,840
(SIGHS HEAVILY)

233
00:19:29,486 --> 00:19:31,480
(BIRDS SQUAWK)

234
00:19:51,480 --> 00:19:53,480
(INDISTINCT LIVELY CHATTER)

235
00:20:02,200 --> 00:20:04,600
(COUGHS AND SPLUTTERS)

236
00:20:06,160 --> 00:20:07,877
(SPITS AND EXHALES HEAVILY)

237
00:20:07,960 --> 00:20:10,000
(CHATTING AND LAUGHTER)

238
00:20:12,480 --> 00:20:14,480
(COUGHS AND SPLUTTERS)

239
00:20:20,640 --> 00:20:22,640
(CHATTING IN ITALIAN)

240
00:20:38,040 --> 00:20:40,280
(TENSE MUSIC)

241
00:21:11,040 --> 00:21:12,957
Greetings and salutations!

242
00:21:13,040 --> 00:21:14,917
This is Two Seconds To Midnight

243
00:21:15,000 --> 00:21:18,717
and I'm Alfie Bird with an important
update on the Iris Nixon affair.

244
00:21:18,800 --> 00:21:22,237
OK, we have got a missing girl,
an island-wide lockdown,

245
00:21:22,320 --> 00:21:25,877
a mysterious helicopter,
an alleged terrorist bomb

246
00:21:25,960 --> 00:21:29,437
and complete silence
from local police.

247
00:21:29,520 --> 00:21:32,157
Why is Iris Nixon in Sardinia?

248
00:21:32,240 --> 00:21:34,797
And what is being kept hidden?

249
00:21:34,880 --> 00:21:38,640
This is Two Seconds To Midnight
and I'm Alfie Bird.

250
00:22:11,560 --> 00:22:13,040
(PHONE CHIMES)

251
00:22:22,160 --> 00:22:23,677
(INHALES DEEPLY)

252
00:22:23,760 --> 00:22:25,317
(EXHALES HEAVILY)

253
00:22:25,400 --> 00:22:27,797
(SOFTLY) Come on.

254
00:22:27,880 --> 00:22:30,077
Multiple mainstream outlets

255
00:22:30,160 --> 00:22:32,237
are confirming that Iris

256
00:22:32,320 --> 00:22:35,880
has been spotted in Sardinia.
(PHONE RINGS)

257
00:22:36,680 --> 00:22:38,680
(PHONE BUZZES AND RINGS)

258
00:22:42,080 --> 00:22:44,357
Hello? NICO: Hello.

259
00:22:44,440 --> 00:22:46,560
Hello?
Am I speaking with Alfie Bird?

260
00:22:48,600 --> 00:22:51,037
Er... you are, yes.

261
00:22:51,120 --> 00:22:52,757
Sorry, who's... who's that?

262
00:22:52,840 --> 00:22:55,840
This is Inspector Casterman
of the Sardinian police.

263
00:22:58,840 --> 00:23:00,840
OK. Gosh. I see.

264
00:23:01,960 --> 00:23:03,717
How can I help? Am I in trouble?

265
00:23:03,800 --> 00:23:05,717
No, not at all. Um...

266
00:23:05,800 --> 00:23:09,717
I think I'm... I'm correct in saying
you are the closest thing there is

267
00:23:09,800 --> 00:23:12,080
to an expert
on the subject of Iris Nixon.

268
00:23:13,160 --> 00:23:16,717
Well, it's not for me to say really
but... yeah, I think it's fair.

269
00:23:16,800 --> 00:23:20,360
I mean, you might say so,
but I couldn't possibly comment.

270
00:23:21,520 --> 00:23:25,200
So, yeah, what's... what's going on?
How can I help?

271
00:23:26,240 --> 00:23:29,637
We have reason to believe that
Iris Nixon is currently in Sardinia.

272
00:23:29,720 --> 00:23:33,437
So, it's definitely true then,
what they're saying on the news?

273
00:23:33,520 --> 00:23:37,677
I'm afraid that I'm not at - liberty to say.
-No. No, of course.

274
00:23:37,760 --> 00:23:41,357
I'm actually calling to ask
if you might be in possession

275
00:23:41,440 --> 00:23:44,557
of any information that could
be of useful to our investigation.

276
00:23:44,640 --> 00:23:46,277
What sort of information?

277
00:23:46,360 --> 00:23:49,040
Well, I'm thinking of
the kind of material...

278
00:23:50,040 --> 00:23:53,517
...you wouldn't be comfortable - sharing in a public forum.
-Such as?

279
00:23:53,600 --> 00:23:55,957
I don't know, Mr Bird,
I'm asking you.

280
00:23:56,040 --> 00:23:59,240
Ha! Yeah, yeah, of course. Um...

281
00:24:00,240 --> 00:24:03,877
Pa-pa-pa-pa... Well, yeah not that
I can think of.(CHURCH BELL TOLLS)

282
00:24:03,960 --> 00:24:08,757
I mean, not off the top of my head.
Sorry.(CHURCH BELL TOLLS) I see.

283
00:24:08,840 --> 00:24:10,557
You know, if you're ever in London,

284
00:24:10,640 --> 00:24:12,757
maybe I could interview you
for the channel.

285
00:24:12,840 --> 00:24:14,997
Oh, I don't think
that will be necessary.

286
00:24:15,080 --> 00:24:18,560
But thank you, I appreciate it.
Thank you for your help.

287
00:24:22,560 --> 00:24:24,800
(SNORTS AND EXHALES HEAVILY)

288
00:24:26,560 --> 00:24:30,280
ON RECORDING: Not off the top of
my head. Sorry.(CHURCH BELL TOLLS)

289
00:24:33,000 --> 00:24:35,800
Not off the top of my head. Sorry.
(CHURCH BELL TOLLS)

290
00:24:40,920 --> 00:24:42,920
(HELICOPTER WHIRS)

291
00:24:45,200 --> 00:24:47,280
(TENSE MUSIC)

292
00:24:59,160 --> 00:25:00,600
Joy.

293
00:25:10,760 --> 00:25:12,797
You're free to come and go
as you please

294
00:25:12,880 --> 00:25:15,440
within the limits
of your access privileges.

295
00:25:16,400 --> 00:25:18,397
Don't worry, it's pretty easy.

296
00:25:18,480 --> 00:25:20,920
Green for go, red for no,
that kind of thing.

297
00:25:22,960 --> 00:25:24,157
(BEEPING)

298
00:25:24,240 --> 00:25:26,680
(LOCK CLICKS)
Seems pretty basic, yeah.

299
00:25:28,640 --> 00:25:30,800
Is that basic
in the pejorative sense or...?

300
00:25:33,760 --> 00:25:35,880
Home again, home again, jiggidy jig.

301
00:25:39,280 --> 00:25:43,280
You've got access to the grounds, but
trying to leave would be a bad idea.

302
00:25:44,120 --> 00:25:47,237
Yeah?'Fraid so. Even if you
got bitten by a radioactive spider,

303
00:25:47,320 --> 00:25:49,637
but somehow managed to make it
past the perimeter,

304
00:25:49,720 --> 00:25:52,477
we're in the middle of nowhere
and you'll die of exposure.

305
00:25:52,560 --> 00:25:56,517
Miss Brook managed it.
Iris. Er, and she did, yes.

306
00:25:56,600 --> 00:26:00,917
(But A) she's the devil
and B) that's why we upgraded.

307
00:26:01,000 --> 00:26:03,240
So... just don't try and leave, OK?

308
00:26:03,920 --> 00:26:06,917
I'd hate for you to get shot
before you got fried,

309
00:26:07,000 --> 00:26:08,757
before you got exploded by a mine,

310
00:26:08,840 --> 00:26:12,037
before you went hungry
and froze to death

311
00:26:12,120 --> 00:26:15,040
and got eaten by... mammals.

312
00:26:17,760 --> 00:26:19,517
Whatever.

313
00:26:19,600 --> 00:26:21,557
Can I have the internet? No.

314
00:26:21,640 --> 00:26:24,877
Expect we can organise some sort of
monitored "read-only" thing

315
00:26:24,960 --> 00:26:28,317
but obviously no social media.
Obviously. Just Spotify.

316
00:26:28,400 --> 00:26:31,917
Oh, yeah, OK.
What sort of stuff are you into?

317
00:26:32,000 --> 00:26:36,197
I mean, are we talking Billie Eilish
or...? I quite like Abyssal Serenade.

318
00:26:36,280 --> 00:26:39,317
Oh, yeah?
Pale Midnight are alright, I guess.

319
00:26:39,400 --> 00:26:42,597
OK.
And um... Delulu Sisters sometimes.

320
00:26:42,680 --> 00:26:45,160
Right. Are you making these up?

321
00:26:46,280 --> 00:26:47,677
Yeah.

322
00:26:47,760 --> 00:26:49,880
(PHONE RINGS) OK.

323
00:26:53,760 --> 00:26:55,677
Hello. Mr Beck.

324
00:26:55,760 --> 00:26:58,317
I hope this isn't
an inconvenient time to call.

325
00:26:58,400 --> 00:27:02,597
My name's Hugo Pym. I'm the acting
head of the Intragroup Committee.

326
00:27:02,680 --> 00:27:05,397
Er, well, I wasn't actually
expecting a call.

327
00:27:05,480 --> 00:27:08,157
But, er, I normally I deal with...
Yes.

328
00:27:08,240 --> 00:27:10,517
No, you won't be dealing with
them anymore.

329
00:27:10,600 --> 00:27:12,917
This issue has been,
well, kicked upstairs.

330
00:27:13,000 --> 00:27:15,040
How far upstairs are we talking?

331
00:27:15,840 --> 00:27:17,637
Top floor, I'm afraid.

332
00:27:17,720 --> 00:27:19,717
What does that mean, exactly?

333
00:27:19,800 --> 00:27:22,197
Well, I'm sorry to be the bearer
of bad tidings -

334
00:27:22,280 --> 00:27:26,877
and, obviously, this is terribly
embarrassing for both of us -

335
00:27:26,960 --> 00:27:29,317
but I have a duty to inform you
that there is,

336
00:27:29,400 --> 00:27:32,720
well, rather an issue
with the shareholders, as it were.

337
00:27:33,880 --> 00:27:36,237
The money. I mean,
their investment, as you know,

338
00:27:36,320 --> 00:27:38,717
it does amount
to several billions of dollars.

339
00:27:38,800 --> 00:27:41,917
And they will recoup their investment
a thousand times over.

340
00:27:42,000 --> 00:27:45,557
Yes - when you have
regained access to the... device,

341
00:27:45,640 --> 00:27:47,437
the... apparatus.

342
00:27:47,520 --> 00:27:49,477
Obviously, yes.

343
00:27:49,560 --> 00:27:52,477
Well, there's the rub, you see. When
do you think that's likely to be?

344
00:27:52,560 --> 00:27:54,840
Because
without a definitive timeline...

345
00:27:55,560 --> 00:27:58,797
this situation feels less like
a deferred return on investment

346
00:27:58,880 --> 00:28:01,277
and more like... well, fraud.

347
00:28:01,360 --> 00:28:03,437
Mr Pym, it works.

348
00:28:03,520 --> 00:28:05,877
Be that as it may,
I have a duty to inform you that,

349
00:28:05,960 --> 00:28:09,477
given the continued absence of any
compelling evidence as to your good faith,

350
00:28:09,560 --> 00:28:11,557
sanctions will be entered into.

351
00:28:11,640 --> 00:28:14,677
Would you care to articulate
the nature of those sanctions?

352
00:28:14,760 --> 00:28:16,840
I'm afraid I'm not at liberty
to do so.

353
00:28:17,600 --> 00:28:21,277
Well, just to be abundantly clear,
we are talking about killing me here.

354
00:28:21,360 --> 00:28:24,357
Obviously, I can neither
confirm nor deny that.

355
00:28:24,440 --> 00:28:27,437
But between you, ma and the gatepost

356
00:28:27,520 --> 00:28:30,357
I would advise you to ensure
your affairs were in order.

357
00:28:30,440 --> 00:28:33,397
Mr Pym, I'm on top of it.
I have leverage.

358
00:28:33,480 --> 00:28:36,277
Well, that's good news.
What kind of leverage?

359
00:28:36,360 --> 00:28:39,997
Well, I have something
that Iris wants very much

360
00:28:40,080 --> 00:28:41,957
and that she cares about very deeply.

361
00:28:42,040 --> 00:28:43,600
Joy...

362
00:28:44,600 --> 00:28:46,360
...say hello.

363
00:28:49,480 --> 00:28:50,920
Hello.

364
00:28:52,200 --> 00:28:54,840
And how does this leverage work...
in practice?

365
00:28:56,960 --> 00:29:00,997
Well, Iris gives me what I need or...
By which we mean the stolen diary.

366
00:29:01,080 --> 00:29:04,360
Yes. And if she doesn't you...

367
00:29:05,640 --> 00:29:07,877
...you kill this young woman?

368
00:29:07,960 --> 00:29:09,480
Yes.

369
00:29:10,640 --> 00:29:12,640
(DISTANT CHATTER)

370
00:29:13,840 --> 00:29:16,640
Mr Beck,
that won't do at all, will it?

371
00:29:17,520 --> 00:29:20,080
No? Of course not.

372
00:29:20,800 --> 00:29:23,720
One doesn't kill the goose
that laid the golden egg.

373
00:29:24,520 --> 00:29:26,797
One keeps the goose alive
as long as one can

374
00:29:26,880 --> 00:29:30,477
while one sections and cooks it.
Sorry, I don't follow.

375
00:29:30,560 --> 00:29:32,917
I'm saying we start
perhaps with an amputation -

376
00:29:33,000 --> 00:29:36,197
a foot or a hand - that is often
enough to do the trick.

377
00:29:36,280 --> 00:29:37,917
And if not, well, we have a number

378
00:29:38,000 --> 00:29:40,117
of highly-skilled surgeons
on the payroll

379
00:29:40,200 --> 00:29:44,357
who'd be more than willing to keep
this young woman alive and conscious

380
00:29:44,440 --> 00:29:47,920
past the point
where continued existence becomes...

381
00:29:49,680 --> 00:29:52,637
...well, a moral obscenity, frankly.

382
00:29:52,720 --> 00:29:56,237
Once the limbs have been removed,
we move on to the lower mandible.

383
00:29:56,320 --> 00:29:59,357
The tongue. Nose. Eyes.

384
00:29:59,440 --> 00:30:01,397
It's actually all quite fascinating.

385
00:30:01,480 --> 00:30:03,000
Mr Pym...

386
00:30:05,360 --> 00:30:07,597
...I employ professionals,

387
00:30:07,680 --> 00:30:10,237
not psychopaths.

388
00:30:10,320 --> 00:30:12,440
Well, then it's lucky we spoke.

389
00:30:13,960 --> 00:30:15,837
I'll be there in the morning.

390
00:30:15,920 --> 00:30:17,960
(HANGS UP) (CLEARS THROAT)

391
00:30:28,520 --> 00:30:30,077
OK?

392
00:30:30,160 --> 00:30:31,800
Mm-hm.

393
00:30:52,280 --> 00:30:54,280
(DISTANT CHATTER)

394
00:30:56,040 --> 00:30:59,000
(DISTANT SHOUTING AND CHATTER)

395
00:31:01,920 --> 00:31:03,920
(COUGHING)

396
00:31:05,200 --> 00:31:06,800
(FIRE CRACKLES)

397
00:31:07,480 --> 00:31:10,040
(BARKING AND SNARLING)

398
00:31:11,000 --> 00:31:12,877
(DISTANT MAN CACKLES)

399
00:31:12,960 --> 00:31:15,000
(OMINOUS MUSIC)

400
00:31:16,960 --> 00:31:19,237
(DOG BARKS) (HISSING)

401
00:31:19,320 --> 00:31:21,360
(SPRAY CAN HISSES AND RATTLES)

402
00:31:22,200 --> 00:31:24,117
(DISTANT MAN COUGHS)

403
00:31:24,200 --> 00:31:26,240
(HISSING CONTINUES)

404
00:31:27,920 --> 00:31:30,480
(DISTANT WHOOPING AND CHATTERING)

405
00:31:32,560 --> 00:31:34,560
(DARK SUSPENSEFUL MUSIC)

406
00:31:37,920 --> 00:31:39,920
(INDISTINCT CHATTER)

407
00:31:45,160 --> 00:31:47,160
(INDISTINCT CHATTER)

408
00:32:06,360 --> 00:32:08,680
(INDISTINCT CHATTER IN ITALIAN)

409
00:32:37,320 --> 00:32:40,397
Today we're breaking down
the five key parts to target

410
00:32:40,480 --> 00:32:42,077
when size isn't on your side.

411
00:32:42,160 --> 00:32:44,357
First, the head.

412
00:32:44,440 --> 00:32:47,557
And it is not about landing
that knockout punch.

413
00:32:47,640 --> 00:32:51,000
Targeting the head can affect
the balance and orientation.

414
00:32:52,720 --> 00:32:56,717
Second, step into the space of your
opponent and control the shoulder,

415
00:32:56,800 --> 00:32:59,597
use the hip as leverage
and take him down.

416
00:32:59,680 --> 00:33:02,517
Third, attack, attack and attack.

417
00:33:02,600 --> 00:33:05,557
Being relentless
is the key to your success.

418
00:33:05,640 --> 00:33:07,200
(SNIFFS)

419
00:33:08,600 --> 00:33:09,800
(SPEAKS ITALIAN)

420
00:33:15,800 --> 00:33:17,920
(GRUNTS) -Ugh!
-Oh!

421
00:33:19,360 --> 00:33:20,840
Fuck!

422
00:33:23,440 --> 00:33:26,240
(GRUNTS)
Hold the wrist. Pull the shoulder.

423
00:33:27,680 --> 00:33:28,877
(GRUNTING)

424
00:33:28,960 --> 00:33:30,557
(CRIES OUT)

425
00:33:30,640 --> 00:33:31,917
(GROANS)

426
00:33:32,000 --> 00:33:33,960
(BREATHES RAGGEDLY)

427
00:33:35,680 --> 00:33:36,677
(GRUNTS)

428
00:33:36,760 --> 00:33:38,237
Arh!

429
00:33:38,320 --> 00:33:40,360
(COUGHS) (GRUNTS)

430
00:33:47,720 --> 00:33:49,640
Shut up. Shut up. Shut up.

431
00:33:50,960 --> 00:33:53,160
(SHUSHES)

432
00:33:54,040 --> 00:33:57,117
(MOANS) Shut up. I'm not
gonna hurt you anymore.

433
00:33:57,200 --> 00:33:58,997
I'm just gonna rob you.

434
00:33:59,080 --> 00:34:02,397
It's not like you're gonna go to the
police, is it?(MUFFLED GRUNTS)

435
00:34:02,480 --> 00:34:05,397
(SHUSHES)(MUFFLED SPEECH)
Shut up, shut up, shut up.

436
00:34:05,480 --> 00:34:07,400
(SHUSHES)

437
00:34:09,240 --> 00:34:11,517
(BREATHES HEAVILY)

438
00:34:11,600 --> 00:34:13,640
(MUFFLED GRUNT)

439
00:34:18,240 --> 00:34:20,557
(MUFFLED GRUNT)
What else have you got?

440
00:34:20,640 --> 00:34:22,837
Cocaine. MDMA.

441
00:34:22,920 --> 00:34:24,957
Adderall.

442
00:34:25,040 --> 00:34:27,000
Fentanyl.

443
00:34:28,000 --> 00:34:29,917
Naloxone.

444
00:34:30,000 --> 00:34:31,957
Disease and cure, eh?

445
00:34:32,040 --> 00:34:33,277
Nice.

446
00:34:33,360 --> 00:34:35,200
(MUFFLED GRUNTS)

447
00:34:36,800 --> 00:34:39,440
(GRUNTS FURIOUSLY)

448
00:34:42,240 --> 00:34:44,157
(MOPED ENGINE REVS)

449
00:34:44,240 --> 00:34:46,357
(MUFFLED GRUNTS)

450
00:34:46,440 --> 00:34:48,397
(GRUNTS FURIOUSLY)

451
00:34:48,480 --> 00:34:50,920
♪ COWBOY JUNKIES: Sweet Jane

452
00:34:55,160 --> 00:34:58,080
♪ Anyone who's ever had a heart

453
00:35:00,800 --> 00:35:03,040
♪ Wouldn't turn around and break it

454
00:35:06,640 --> 00:35:09,200
♪ And anyone
who's ever played a part

455
00:35:12,360 --> 00:35:14,840
♪ Would turn around and hate it

456
00:35:18,240 --> 00:35:20,400
♪ Sweet Jane

457
00:35:24,640 --> 00:35:26,280
♪ Sweet Jane

458
00:35:29,600 --> 00:35:31,640
♪ Oh, sweet, sweet Jane

459
00:35:34,600 --> 00:35:37,960
♪ You're waiting for Jimmy
down in the alley

460
00:35:40,400 --> 00:35:43,960
♪ You're waiting there
for him to come back home...

461
00:35:46,160 --> 00:35:48,160
(PHONE RINGS)

462
00:35:51,480 --> 00:35:54,880
♪ And thinking of ways
to get back home...

463
00:35:56,560 --> 00:35:58,477
(MUSIC STOPS)

464
00:35:58,560 --> 00:36:00,600
Hey. IRIS: Hey.

465
00:36:01,280 --> 00:36:02,757
How are you?

466
00:36:02,840 --> 00:36:04,797
Exhausted. You?

467
00:36:04,880 --> 00:36:06,480
Exhausted.

468
00:36:07,560 --> 00:36:09,077
Joy?

469
00:36:09,160 --> 00:36:11,200
Not too bad, considering.

470
00:36:11,920 --> 00:36:13,077
Good.

471
00:36:13,160 --> 00:36:16,520
She seems pretty resilient.
But then kids are, aren't they?

472
00:36:17,960 --> 00:36:20,400
They adapt to circumstances.

473
00:36:22,000 --> 00:36:24,000
Yeah, let's hope so.

474
00:36:25,360 --> 00:36:28,040
I should never have taken her, Iris.
I'm sorry.

475
00:36:31,280 --> 00:36:32,800
I know.

476
00:36:33,560 --> 00:36:36,080
I wasn't thinking.
It was all the adrenaline.

477
00:36:38,000 --> 00:36:39,280
I know.

478
00:36:40,720 --> 00:36:42,637
But the situation I'm in now,

479
00:36:42,720 --> 00:36:44,677
even if I didn't want to hurt her,

480
00:36:44,760 --> 00:36:47,040
which I don't,
there are people who do.

481
00:36:48,200 --> 00:36:50,200
So, don't let them do it.

482
00:36:51,040 --> 00:36:53,357
Just bring me the diary.

483
00:36:53,440 --> 00:36:55,397
Don't try and contact her.

484
00:36:55,480 --> 00:36:57,437
Don't try and do anything clever.

485
00:36:57,520 --> 00:36:59,997
Give up trying to win...

486
00:37:00,080 --> 00:37:03,637
because right now the best
that any of us can hope for

487
00:37:03,720 --> 00:37:07,120
is to just to get out of this alive.

488
00:37:09,280 --> 00:37:12,960
So, please, just bring me the diary.

489
00:37:15,600 --> 00:37:17,677
I'm trying. It's nearby.

490
00:37:17,760 --> 00:37:20,360
Well then, just tell me where it is.

491
00:37:21,200 --> 00:37:23,200
Not on your Nelly.

492
00:37:24,240 --> 00:37:26,437
We do swapsies.

493
00:37:26,520 --> 00:37:28,560
I bring you the diary and...

494
00:37:30,280 --> 00:37:32,000
...you give me Joy.

495
00:37:33,040 --> 00:37:36,280
I'll call you tomorrow.
Proof of life.

496
00:37:37,360 --> 00:37:39,360
I need to know she's OK.

497
00:37:40,040 --> 00:37:42,080
OK. Swapsies it is.

498
00:37:52,200 --> 00:37:55,000
Now, I realised something
really weird today.

499
00:37:56,640 --> 00:37:58,517
Yeah? What's that?

500
00:37:58,600 --> 00:38:01,960
According to some metrics,
you're probably my best friend.

501
00:38:03,960 --> 00:38:06,240
Well, according to others,
you're drunk.

502
00:38:16,720 --> 00:38:18,720
(DARK EERIE MUSIC)

503
00:38:27,760 --> 00:38:29,480
(GLASS SHATTERS)

504
00:38:31,523 --> 00:38:35,197
I need to get a message to her
but there's no messages in or out.

505
00:38:35,280 --> 00:38:38,800
Then again, it's not Supermax is it,
Cameron? It's not GitMo.

506
00:38:40,800 --> 00:38:43,637
Because you want her to like you.
You can't help yourself.

507
00:38:43,720 --> 00:38:47,557
So, what do you do...
to make her like you?

508
00:38:47,640 --> 00:38:49,437
You give her something.

509
00:38:49,520 --> 00:38:51,837
Because you think that's the way
to make her like you.

510
00:38:51,920 --> 00:38:54,397
It's not but you think it is.
What does someone like you

511
00:38:54,480 --> 00:38:56,597
give someone like her,
in her position?

512
00:38:56,680 --> 00:39:00,597
What does someone like you give
someone like her, in her position?

513
00:39:00,680 --> 00:39:02,720
(DISTANT FAINT MUSIC)

514
00:39:06,200 --> 00:39:08,200
♪ SISTER SLEDGE: Lost In Music

515
00:39:09,600 --> 00:39:11,600
(FAINT) ♪ No turning back

516
00:39:13,440 --> 00:39:15,440
♪ We're lost in music

517
00:39:17,360 --> 00:39:19,400
(NORMAL VOLUME) ♪ We're lost in music

518
00:39:21,800 --> 00:39:24,077
♪ Feel so alive

519
00:39:24,160 --> 00:39:25,717
♪ I quit

520
00:39:25,800 --> 00:39:27,840
♪ My nine to five

521
00:39:29,760 --> 00:39:31,797
♪ We're lost in music... ♪

522
00:39:31,880 --> 00:39:33,920
♪ ANNA THORVALDSDOTTIR: Archora

523
00:39:36,200 --> 00:39:38,200
(MUSIC PLAYS VIA HEADPHONES)

524
00:39:59,600 --> 00:40:00,797
JOY: What?

525
00:40:00,880 --> 00:40:03,357
♪ THE THREE DEGREES:
When Will I See You Again

526
00:40:03,440 --> 00:40:07,040
An Incomplete List of Songs I Love
That You Probably Hate.

527
00:40:10,120 --> 00:40:12,120
When Will I See You Again.

528
00:40:12,920 --> 00:40:14,557
Don't Speak. Don't Make A Sound.

529
00:40:14,640 --> 00:40:17,037
I'm Coming For You.
I Will Never Let You Down.

530
00:40:17,120 --> 00:40:20,037
However. There Is. Something I Need.

531
00:40:20,120 --> 00:40:22,117
Up On The Roof. Listen Up.

532
00:40:22,200 --> 00:40:24,837
This Is For You. Miss Brook.

533
00:40:24,920 --> 00:40:27,157
♪ Ha-ah

534
00:40:27,240 --> 00:40:29,517
♪ Oo-ooh

535
00:40:29,600 --> 00:40:32,277
♪ Precious moments... ♪
(SONG STOPS)

536
00:40:32,360 --> 00:40:35,440
IRIS: 'Listen,
I know you're scared and alone.

537
00:40:36,320 --> 00:40:40,080
But I know exactly where you are,
and everything's going to be OK.'

538
00:40:41,120 --> 00:40:43,757
I'm gonna get the diary
that Cameron wants

539
00:40:43,840 --> 00:40:45,517
and I'm gonna get you out of there.

540
00:40:45,600 --> 00:40:48,080
'But I'm gonna need you
to do something for me.

541
00:40:49,360 --> 00:40:52,040
I need you to find a man
called Jensen.

542
00:40:52,880 --> 00:40:55,957
I need you to get
some of his DNA for me.

543
00:40:56,040 --> 00:40:58,037
Just one strand of hair
would be enough

544
00:40:58,120 --> 00:41:01,200
for me to find out
why all this is happening.'

545
00:42:12,440 --> 00:42:15,557
Just keep looking straight ahead, please.

546
00:42:15,640 --> 00:42:17,437
Thank you, for coming.

547
00:42:17,520 --> 00:42:20,040
You're welcome. No... no problemo.

548
00:42:21,440 --> 00:42:23,357
OK, I'll tell you everything.

549
00:42:23,440 --> 00:42:25,597
Jensen Lind. Charlie Big Potatoes.

550
00:42:25,680 --> 00:42:27,720
Do with it whatever you want.

551
00:42:28,400 --> 00:42:31,800
Take them all down.
Get rich. Get famous.

552
00:42:33,680 --> 00:42:35,680
So how do we do that?

553
00:42:39,120 --> 00:42:41,957
First,
I need to get my hands on a book.

554
00:42:42,040 --> 00:42:45,160
It's kind of a diary
and I've hidden it here in Rome.

555
00:42:46,680 --> 00:42:48,800
Problem is,
is I can't get it myself.

556
00:42:50,280 --> 00:42:52,480
There's too many people
looking for me.

557
00:42:53,360 --> 00:42:55,360
So where is it?

558
00:42:56,120 --> 00:42:59,720
Come on, Alfie, mate. Where's
the best place to hide a book?

559
00:43:01,600 --> 00:43:03,877
Actually, now we're here,

560
00:43:03,960 --> 00:43:06,040
I don't know
if I can actually do this.

561
00:43:06,840 --> 00:43:09,600
IRIS: 'Course you can. Easy peasy.'

562
00:43:12,160 --> 00:43:14,600
I feel like everyone's
looking at me.

563
00:43:15,600 --> 00:43:18,237
It's like a seventh sense thing.

564
00:43:18,320 --> 00:43:20,557
Nobody is looking at you.

565
00:43:20,640 --> 00:43:23,397
MAN: Head or body?
(HEAVY THUMP)(MAN COUGHS AND GASPS)

566
00:43:23,480 --> 00:43:25,077
(HEAVY THUMP)
(GASPS AND WHIMPERS)

567
00:43:25,160 --> 00:43:26,517
MAN:

568
00:43:26,600 --> 00:43:28,317
(COUGHS)

569
00:43:28,400 --> 00:43:30,440
Eh? MAN:

570
00:43:32,680 --> 00:43:34,680
(WHIMPERS AND SOBS)

571
00:43:35,880 --> 00:43:37,880
(GROANS AND COUGHS)

572
00:43:42,520 --> 00:43:44,280
(GASPS AND COUGHS)

573
00:43:50,840 --> 00:43:53,400
(GROANS AND SOBS)

574
00:44:04,640 --> 00:44:06,040
MAN:

575
00:44:16,440 --> 00:44:17,717
(PHONE BEEPS)

576
00:44:17,800 --> 00:44:19,560
(PHONES CHIME)

577
00:44:22,080 --> 00:44:24,480
(MOTORBIKE ENGINES START)

578
00:44:30,960 --> 00:44:33,237
ALFIE: OK. I'm inside.

579
00:44:33,320 --> 00:44:36,040
Oh, it's actually massive.

580
00:44:37,320 --> 00:44:39,320
(SUSPENSEFUL MUSIC)

581
00:44:45,400 --> 00:44:47,200
(GASPS SOFTLY)

582
00:44:49,880 --> 00:44:52,320
(SOFTLY)
That guard is definitely looking.

583
00:44:53,440 --> 00:44:56,520
No, he's not.
He is definitely not looking at you.

584
00:44:57,800 --> 00:45:01,237
What are his eyes doing then,
when they're pointed at me?

585
00:45:01,320 --> 00:45:03,840
Just keep moving, Alfie.

586
00:45:12,440 --> 00:45:14,800
(BREATHES SHAKILY)

587
00:45:21,000 --> 00:45:22,960
(BREATHES SHAKILY)

588
00:45:24,000 --> 00:45:26,000
(NERVOUSLY) Oh, er...

589
00:45:29,120 --> 00:45:31,120
(ITALIAN TRANSLATION ON PHONE)

590
00:45:34,800 --> 00:45:36,800
TRANSLATOR: Grazie Mille.

591
00:45:40,960 --> 00:45:42,840
Um...

592
00:45:47,560 --> 00:45:48,560
Grazie.

593
00:45:53,480 --> 00:45:55,720
(BREATHES SHAKILY)

594
00:45:57,800 --> 00:46:00,797
That guard's definitely looking,
Iris.

595
00:46:00,880 --> 00:46:04,117
He is not looking at you.
But he's gonna start looking at you

596
00:46:04,200 --> 00:46:06,757
if you talk to yourself like
you're neglecting your medication.

597
00:46:06,840 --> 00:46:08,400
(SOFTLY) Wow. Rude.

598
00:46:10,400 --> 00:46:12,157
Just...

599
00:46:12,240 --> 00:46:14,280
Just be invisible.

600
00:46:16,000 --> 00:46:17,360
(OK.)

601
00:46:19,840 --> 00:46:21,117
(How?)

602
00:46:21,200 --> 00:46:24,077
By remembering
that nobody cares that you exist.

603
00:46:24,160 --> 00:46:26,200
OK. Brilliant. Thanks.

604
00:46:27,680 --> 00:46:30,040
(I swear down they're all looking.)

605
00:46:31,040 --> 00:46:34,317
(It's like that bit
in Invasion of the Body Snatchers.)

606
00:46:34,400 --> 00:46:35,917
What bit?

607
00:46:36,000 --> 00:46:38,040
I don't know. All of it.

608
00:46:40,520 --> 00:46:43,197
So pretend that you're a Pod Person
and stand still.

609
00:46:43,280 --> 00:46:45,237
(SOFTLY)
I've forgotten how to stand.

610
00:46:45,320 --> 00:46:47,360
I mean, where do you put your hands?

611
00:46:49,000 --> 00:46:51,637
Christ, this isn't a minute.
She said she'd only be a minute.

612
00:46:51,720 --> 00:46:53,600
Just relax.

613
00:46:56,320 --> 00:46:58,000
(MUTTERS NERVOUSLY) Right.

614
00:46:58,720 --> 00:46:59,837
Oi!

615
00:46:59,920 --> 00:47:01,240
(BREATHES SHAKILY)

616
00:47:02,120 --> 00:47:04,280
Whoa.
Thank you. Can't wait to dip in.

617
00:47:09,680 --> 00:47:11,680
(EERIE MUSIC)

618
00:47:18,200 --> 00:47:20,520
(BREATHES SHAKILY)

619
00:47:27,080 --> 00:47:29,200
(CHAIR SCRAPES)

620
00:47:32,000 --> 00:47:34,077
(CHAIR SCRAPES AND SQUEAKS)

621
00:47:34,160 --> 00:47:36,480
(EXHALES HEAVILY)

622
00:47:39,320 --> 00:47:41,320
Open the book, Alfie.

623
00:47:43,680 --> 00:47:45,797
There it is. That's it.

624
00:47:45,880 --> 00:47:47,920
(EERIE SUSPENSEFUL MUSIC)

625
00:47:49,920 --> 00:47:51,920
(EXHALES NERVOUSLY)

626
00:47:53,840 --> 00:47:56,037
I'm actually
a bit scared to touch it.

627
00:47:56,120 --> 00:47:58,157
Don't be nervous.

628
00:47:58,240 --> 00:48:01,760
OK, careful now. Slowly.

629
00:48:06,920 --> 00:48:10,160
Now shove the bars of soap
into the cavity.

630
00:48:14,080 --> 00:48:15,477
(HEAVY THUD)

631
00:48:15,560 --> 00:48:16,920
Oh, fuck.

632
00:48:18,720 --> 00:48:22,277
Alfie, Alfie. Alfie, seriously.
(WHIMPERS) Pick up the diary.

633
00:48:22,360 --> 00:48:25,757
Alfie, would you snap out of it
and pick it up!(WHIMPERS)

634
00:48:25,840 --> 00:48:29,037
Alfie, can you hear me.
Alfie, pick it up! Alfie.

635
00:48:29,120 --> 00:48:32,237
(WHISPERS NERVOUSLY)
Relax. I'm chill.

636
00:48:32,320 --> 00:48:34,000
Pick up the fucking diary!

637
00:48:36,840 --> 00:48:38,520
(SUSPENSEFUL MUSIC)

638
00:48:41,200 --> 00:48:42,800
(BREATHES SHAKILY)

639
00:48:53,200 --> 00:48:54,640
Happy now?

640
00:48:57,360 --> 00:48:59,040
That's it.

641
00:49:00,800 --> 00:49:03,477
That's it. Well done.
Good boy. You're doing great.

642
00:49:03,560 --> 00:49:05,600
(BREATHES HEAVILY) Thank you.

643
00:49:10,960 --> 00:49:13,200
(BREATHES HEAVILY)

644
00:49:18,720 --> 00:49:20,720
(SUSPENSEFUL MUSIC)

645
00:49:23,480 --> 00:49:25,480
(CHAIR SCRAPES)

646
00:49:40,520 --> 00:49:42,920
I thought it would be funnier.

647
00:49:48,000 --> 00:49:49,520
OK.

648
00:50:03,840 --> 00:50:05,557
(BREATHES SHAKILY) Oh, no.

649
00:50:05,640 --> 00:50:09,200
That's it.
Just get out of there, Alfie.

650
00:50:15,960 --> 00:50:18,760
(TENSE MUSIC)

651
00:50:33,760 --> 00:50:36,560
You have outdone yourself,
my friend.

652
00:50:37,760 --> 00:50:39,997
That was good work.

653
00:50:40,080 --> 00:50:42,997
I know, right?
You're made for it.

654
00:50:43,080 --> 00:50:46,077
No, I'm made for a glass of tequila.
That's what I'm made for.

655
00:50:46,160 --> 00:50:48,960
I'm buying.
Well, actually, you're buying.

656
00:50:49,760 --> 00:50:51,197
Mr Bird?

657
00:50:51,280 --> 00:50:53,197
Nico Casterman. (TENSE MUSIC)

658
00:50:53,280 --> 00:50:54,960
We spoke yesterday.

659
00:50:57,840 --> 00:51:00,757
I wonder if you have time
to answer some questions for me.

660
00:51:00,840 --> 00:51:02,800
Yeah, of course. Good.

661
00:51:03,520 --> 00:51:04,957
Do you have a place to stay?

662
00:51:05,040 --> 00:51:07,000
Er, yeah.

663
00:51:07,800 --> 00:51:09,800
Can you take me there?

664
00:51:12,560 --> 00:51:14,640
(TENSE MUSIC)

665
00:51:24,680 --> 00:51:26,680
(MUSIC INTENSIFIES)

666
00:51:29,360 --> 00:51:32,600
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