1 00:00:35,269 --> 00:00:36,237 HI. 2 00:00:36,270 --> 00:00:37,438 TROUBLE, HUH? 3 00:00:37,471 --> 00:00:40,441 AFRAID SO. I WAS TAKING A SHORTCUT 4 00:00:40,474 --> 00:00:42,310 AND ONE OF YOUR LOCAL COWS 5 00:00:42,343 --> 00:00:44,745 SUDDENLY DECIDED TO CROSS THE ROAD. 6 00:00:44,778 --> 00:00:47,315 I SWERVED TO AVOID HITTING HER. 7 00:00:47,348 --> 00:00:50,251 I MISSED THE COW, BUT I DIDN'T MISS THE DITCH. 8 00:00:50,284 --> 00:00:51,452 GEE, THAT'S A SHAME. 9 00:00:51,485 --> 00:00:52,653 BRAND NEW CAR, TOO. 10 00:00:52,686 --> 00:00:54,455 I MUST HAVE HIT SOMETHING UNDERNEATH. 11 00:00:54,488 --> 00:00:55,456 THERE'S OIL LEAKING. 12 00:00:55,489 --> 00:00:56,757 I'M SORRY ABOUT THAT. 13 00:00:56,790 --> 00:00:59,460 WE GOT A SIGN BACK THERE SAYS "CATTLE CROSSING" 14 00:00:59,493 --> 00:01:02,263 BUT EVERY NOW AND THEN, WE'LL GET A JAYWALKER. 15 00:01:02,296 --> 00:01:03,831 IT CAN HAPPEN. 16 00:01:03,864 --> 00:01:05,566 WELL, I'LL GO BACK INTO TOWN 17 00:01:05,599 --> 00:01:07,801 AND GET OUR GARAGE MAN TO GET THE TRUCK 18 00:01:07,835 --> 00:01:08,869 AND TOW YOU IN. 19 00:01:08,902 --> 00:01:10,138 WANT TO RIDE WITH ME? 20 00:01:10,171 --> 00:01:11,539 WELL, THAT WON'T BE NECESSARY. 21 00:01:11,572 --> 00:01:12,673 I'LL JUST MAKE A CALL. 22 00:01:12,706 --> 00:01:15,309 WE DON'T HAVE ANY PHONES AROUND HERE. 23 00:01:15,343 --> 00:01:16,544 IN MY CAR. 24 00:01:17,778 --> 00:01:19,713 OH! 25 00:01:22,783 --> 00:01:24,852 HELP YOURSELF. 26 00:01:24,885 --> 00:01:26,720 OKAY. 27 00:01:29,723 --> 00:01:32,326 TURN THAT LITTLE SWITCH IN THE CENTER. 28 00:01:34,262 --> 00:01:36,230 NOW, FIRST YOU'LL GET THE MOBILE OPERATOR. 29 00:01:36,264 --> 00:01:37,698 PRESS THAT BUTTON ON THE RECEIVER. 30 00:01:37,731 --> 00:01:38,799 OH. 31 00:01:41,369 --> 00:01:42,703 O 32 00:01:42,736 --> 00:01:46,707 THIS IS, UH, KG6-2114. 33 00:01:46,740 --> 00:01:52,713 UH, COULD I SPEAK TO 363 IN MAYBERRY, PLEASE? 34 00:02:00,654 --> 00:02:02,623 HELLO? 35 00:02:02,656 --> 00:02:04,392 OH, HEY, ANDY. 36 00:02:04,425 --> 00:02:06,927 HEY, GOOBER, YOU'LL NEVER GUESS WHERE I'M CALLING FROM. 37 00:02:06,960 --> 00:02:09,230 UH, THE OFFICE? 38 00:02:09,263 --> 00:02:10,364 THE HOUSE? 39 00:02:10,398 --> 00:02:11,532 I GIVE UP. WHERE? 40 00:02:11,565 --> 00:02:14,835 I'M CALLING FROM A PHONE INSIDE A CAR. 41 00:02:16,237 --> 00:02:18,406 YOU KNOW I NEVER DRINK. 42 00:02:18,439 --> 00:02:20,541 WELL, LISTEN, LISTEN. 43 00:02:22,843 --> 00:02:26,814 YOU MEAN YOU'RE ACTUALLY TALKING FROM ONE OF THEM CAR TELEPHONES? 44 00:02:26,847 --> 00:02:28,682 YEAH. HEY, HEY, LISTEN, GOOBER. 45 00:02:28,716 --> 00:02:31,885 THERE'S BEEN AN ACCIDENT OUT HERE ON THE JUNIPER ROAD 46 00:02:31,919 --> 00:02:34,355 ABOUT A MILE AND A HALF FROM THE LAKE. 47 00:02:34,388 --> 00:02:36,824 BETTER GET YOUR TRUCK OUT HERE RIGHT AWAY. 48 00:02:36,857 --> 00:02:38,726 RIGHT. OKAY. BYE. 49 00:02:40,928 --> 00:02:42,663 THERE WE ARE. 50 00:02:49,337 --> 00:02:52,873 WELL, YEAH, I CAN FIX THAT OIL PAN, ALL RIGHT. 51 00:02:52,906 --> 00:02:54,308 BE GOOD AS NEW. 52 00:02:54,342 --> 00:02:55,443 HOW LONG WILL IT TAKE? 53 00:02:55,476 --> 00:02:56,677 BEST PART OF A DAY. 54 00:02:56,710 --> 00:02:57,845 ALL RIGHT, GO AHEAD. 55 00:02:57,878 --> 00:02:59,847 I BETTER GET YOUR NAME AND ADDRESS 56 00:02:59,880 --> 00:03:01,449 FOR MAKING OUT THE BILL. 57 00:03:01,482 --> 00:03:03,384 THE NAME IS FOSTER. 58 00:03:03,417 --> 00:03:05,253 THAT'S WITH A "F." 59 00:03:05,286 --> 00:03:07,321 WILLARD FOSTER. 60 00:03:07,355 --> 00:03:10,524 403 ELM STREET IN RALEIGH. 61 00:03:12,626 --> 00:03:13,961 THE BIG TOWN, HUH? 62 00:03:15,396 --> 00:03:16,997 WHAT DO YOU DO FOR A LIVING, MR. FOSTER? 63 00:03:17,030 --> 00:03:18,932 GOOBER! 64 00:03:18,966 --> 00:03:19,933 WELL, ANDY, ANYBODY'S GOT A PHONE IN THEIR CAR 65 00:03:19,967 --> 00:03:21,535 IS BOUND TO BE SOMEBODY SPECIAL. 66 00:03:21,569 --> 00:03:23,271 STILL, THAT'S NO CALL TO ASK A MAN 67 00:03:23,304 --> 00:03:24,505 WHAT HE DOES FOR A LIVING. 68 00:03:24,538 --> 00:03:26,340 THAT'S ALL RIGHT, SHERIFF. 69 00:03:26,374 --> 00:03:28,376 I MANUFACTURE FURNITURE POLISH. 70 00:03:28,409 --> 00:03:31,479 YOU WOULDN'T BE THE FOSTER OF FOSTER FURNITURE POLISH? 71 00:03:31,512 --> 00:03:33,347 RIGHT. WELL, I'LL BE DOGGED. 72 00:03:33,381 --> 00:03:35,749 WE SEE YOUR ADVERTISEMENTS ON TV ALL THE TIME. 73 00:03:35,783 --> 00:03:37,685 WELL, I'M GLAD TO HEAR THAT. 74 00:03:37,718 --> 00:03:38,986 THAT SURE IS A PRETTY GIRL-- 75 00:03:39,019 --> 00:03:40,888 THE ONE THAT HOLDS UP THE CAN OF POLISH. 76 00:03:40,921 --> 00:03:41,955 YOU LIKE THAT ONE, HUH? 77 00:03:41,989 --> 00:03:43,424 YEAH. 78 00:03:43,457 --> 00:03:45,726 UH, WOULD IT MAKE YOU WANT TO GO OUT AND BUY 79 00:03:45,759 --> 00:03:47,027 FOSTER FURNITURE POLISH? 80 00:03:47,060 --> 00:03:48,496 I DON'T KNOW, BUT I SURE WOULD LIKE 81 00:03:48,529 --> 00:03:49,630 TO GO OUT WITH THAT GIRL. 82 00:03:51,932 --> 00:03:54,635 YES, I'M AFRAID THAT'S WHAT I HEAR ALL THE TIME. 83 00:03:54,668 --> 00:03:56,570 THEY'RE SO BUSY LOOKING AT THE GIRL 84 00:03:56,604 --> 00:03:59,507 THEY DON'T HAVE ANY TIME TO LOOK AT THE PRODUCT. 85 00:03:59,540 --> 00:04:01,442 WELL, I BETTER LET YOU GET TO WORK. 86 00:04:01,475 --> 00:04:03,744 I'LL KILL SOME TIME LOOKING AROUND THE TOWN 87 00:04:03,777 --> 00:04:05,379 AND MAYBE GET A BITE TO EAT. 88 00:04:05,413 --> 00:04:06,547 I WAS JUST ON MY WAY HOME. 89 00:04:06,580 --> 00:04:08,048 WHY DON'T YOU COME AND EAT WITH ME? 90 00:04:08,081 --> 00:04:09,917 OH, THAT'S VERY KIND OF YOU, SHERIFF. 91 00:04:09,950 --> 00:04:11,785 I KNOW MY AUNT WOULD LOVE TO MEET YOU. 92 00:04:11,819 --> 00:04:13,921 SHE USES YOUR FURNITURE POLISH ALL THE TIME. 93 00:04:13,954 --> 00:04:16,690 WELL, IN THAT CASE, I'D BE HAPPY TO MEET HER, TOO. 94 00:04:16,724 --> 00:04:17,858 WELL, GOOD. 95 00:04:17,891 --> 00:04:19,593 LET'S GO. 96 00:04:19,627 --> 00:04:20,861 UH, MR. FOSTER 97 00:04:20,894 --> 00:04:22,930 IF I HAVE TO GET A SPECIAL TOOL OR SOMETHING 98 00:04:22,963 --> 00:04:24,598 CAN I USE THE PHONE IN YOUR CAR? 99 00:04:24,632 --> 00:04:25,866 OF COURSE. 100 00:04:25,899 --> 00:04:28,302 YOU GOT A PHONE RIGHT THERE IN THE STATION. 101 00:04:28,336 --> 00:04:30,037 MR. FOSTER SAID I COULD USE IT. 102 00:04:38,779 --> 00:04:40,414 COME ON IN, MR. FOSTER. 103 00:04:40,448 --> 00:04:41,749 COME RIGHT IN. 104 00:04:41,782 --> 00:04:44,518 UH, AUNT BEE? 105 00:04:44,552 --> 00:04:45,986 YES? 106 00:04:46,019 --> 00:04:47,821 OH! 107 00:04:47,855 --> 00:04:49,623 I BROUGHT A GUEST FOR LUNCH. 108 00:04:49,657 --> 00:04:50,991 OH, FINE! 109 00:04:51,024 --> 00:04:53,093 AUNT BEE, I'D LIKE YOU TO MEET MR. WILLARD FOSTER. 110 00:04:53,126 --> 00:04:55,596 HELLO. HOW DO YOU DO? 111 00:04:55,629 --> 00:05:00,334 THIS IS THE MR. FOSTER OF FOSTER'S FURNITURE POLISH. 112 00:05:00,368 --> 00:05:01,769 NO! 113 00:05:01,802 --> 00:05:03,371 IN PERSON. 114 00:05:03,404 --> 00:05:07,341 OH! WELL, THIS IS AN HONOR, MR. FOSTER! 115 00:05:07,375 --> 00:05:09,042 WON'T YOU SIT DOWN 116 00:05:09,076 --> 00:05:10,344 MR. FOSTER? 117 00:05:10,378 --> 00:05:11,679 THANK YOU, THANK YOU. 118 00:05:11,712 --> 00:05:13,481 MAKE YOURSELF COMFORTABLE. 119 00:05:13,514 --> 00:05:15,115 WELL... 120 00:05:15,148 --> 00:05:17,985 OH, WELL, I'LL GET LUNCH IN A JIFFY! 121 00:05:18,018 --> 00:05:19,353 THANK YOU. 122 00:05:25,526 --> 00:05:27,895 I CAN'T TELL YOU WHAT A THRILL IT IS 123 00:05:27,928 --> 00:05:30,063 TO HAVE YOU WITH US, MR. FOSTER. 124 00:05:30,097 --> 00:05:32,900 YOU KNOW, I USE YOUR POLISH ALL THE TIME. 125 00:05:32,933 --> 00:05:35,135 SO YOUR NEPHEW TELLS ME. HOW DO YOU LIKE IT? 126 00:05:35,168 --> 00:05:37,471 WELL, I'VE BEEN USING IT FOR YEARS 127 00:05:37,505 --> 00:05:40,040 AND ALL I CAN SAY IS, IT DOES THE JOB FOR ME. 128 00:05:40,073 --> 00:05:42,476 GIVES ME A WONDERFULLY HARD, GLOSSY SHINE 129 00:05:42,510 --> 00:05:44,578 AND IT SEEMS TO LAST A LOT LONGER 130 00:05:44,612 --> 00:05:45,946 THAN THE OTHERS I'VE TRIED. 131 00:05:45,979 --> 00:05:48,416 SOUNDS LIKE ONE OF YOUR TELEVISION ADVERTISEMENTS. 132 00:05:48,449 --> 00:05:51,685 TO TELL YOU THE TRUTH, IT SOUNDS A WHOLE LOT BETTER. 133 00:05:51,719 --> 00:05:54,788 INSTEAD OF ALL THOSE ACTRESSES THEY KEEP SENDING ME 134 00:05:54,822 --> 00:05:56,156 MAYBE I'D BE BETTER OFF 135 00:05:56,189 --> 00:05:58,792 TO HAVE A REAL PERSON TALK ABOUT MY PRODUCT. 136 00:05:58,826 --> 00:06:00,428 NOT A BAD IDEA. 137 00:06:00,461 --> 00:06:02,696 SOMEONE THAT'S USED TO KEEPING HOUSE. 138 00:06:02,730 --> 00:06:04,632 Andy: I NEVER THOUGHT ABOUT IT 139 00:06:04,665 --> 00:06:06,867 BUT WHEN A COMMERCIAL SOUNDS REAL 140 00:06:06,900 --> 00:06:09,036 I GUESS I PAY MORE ATTENTION TO IT. 141 00:06:09,069 --> 00:06:11,104 YES. 142 00:06:11,138 --> 00:06:13,707 DELICIOUS! 143 00:06:13,741 --> 00:06:15,709 THIS IS ONE OF AUNT BEE'S SPECIALTIES. 144 00:06:15,743 --> 00:06:16,910 TUNA, ISN'T IT? 145 00:06:16,944 --> 00:06:19,146 MM-HMM. WE HAVE TUNA ABOUT ONCE A WEEK. 146 00:06:19,179 --> 00:06:20,881 I SUPPOSE YOU COME HOME FOR LUNCH 147 00:06:20,914 --> 00:06:22,049 ALMOST EVERY DAY, HMM? 148 00:06:22,082 --> 00:06:23,717 Andy: JUST ABOUT. 149 00:06:23,751 --> 00:06:25,886 HOW LONG HAVE YOU LIVED IN MAYBERRY, SHERIFF? 150 00:06:25,919 --> 00:06:28,622 YOU KNOW, THAT'S AN EXCELLENT IDEA. 151 00:06:28,656 --> 00:06:30,524 WHAT? 152 00:06:30,558 --> 00:06:33,427 HAVING A REAL PERSON TALK ABOUT YOUR PRODUCT. 153 00:06:33,461 --> 00:06:35,429 I KNOW I'D BELIEVE IT A LOT MORE 154 00:06:35,463 --> 00:06:37,064 IF I HEARD A REAL PERSON SAY 155 00:06:37,097 --> 00:06:39,700 "I GET A WONDERFUL, GLOSSY SHINE WITH IT 156 00:06:39,733 --> 00:06:42,803 AND IT LASTS LONGER THAN THE OTHERS I'VE TRIED." 157 00:06:42,836 --> 00:06:44,938 I EXPECT IT WOULD BE BETTER, YEAH. 158 00:06:44,972 --> 00:06:46,073 WELL, IF YOU ASK ME 159 00:06:46,106 --> 00:06:47,908 IT SHOULD JUST BE AN AVERAGE WOMAN 160 00:06:47,941 --> 00:06:49,443 IN A SMALL TOWN. 161 00:06:49,477 --> 00:06:52,546 YOU KNOW, SOMEONE WHO ACTUALLY USES YOUR POLISH 162 00:06:52,580 --> 00:06:56,116 AND KNOWS WHAT A WONDERFULLY HARD, GLOSSY SHINE IT GIVES. 163 00:06:58,519 --> 00:07:00,020 YES, YES, YOU... 164 00:07:00,053 --> 00:07:03,491 YOU KNOW, I'VE JUST HAD A WILD THOUGHT. 165 00:07:03,524 --> 00:07:06,193 OH? 166 00:07:06,226 --> 00:07:07,561 WHAT ABOUT YOU? 167 00:07:07,595 --> 00:07:09,029 ME? GO ON TELEVISION 168 00:07:09,062 --> 00:07:13,200 AND SAY WHAT A WONDERFULLY HARD, GLOSSY SHINE IT GIVES? 169 00:07:13,233 --> 00:07:14,602 YES, YES. 170 00:07:14,635 --> 00:07:16,604 WELL, FOR GOODNESS SAKES! 171 00:07:16,637 --> 00:07:17,605 OH... 172 00:07:17,638 --> 00:07:18,772 WELL... 173 00:07:18,806 --> 00:07:21,108 THIS IS SO SUDDEN, ISN'T IT, ANDY? 174 00:07:21,141 --> 00:07:22,610 YES, YOU MIGHT SAY THAT. 175 00:07:25,913 --> 00:07:27,648 YES, AND WE COULD FILM THE COMMERCIALS 176 00:07:27,681 --> 00:07:28,749 RIGHT HERE IN THE HOUSE. 177 00:07:28,782 --> 00:07:30,083 RIGHT IN THE HOUSE? 178 00:07:30,117 --> 00:07:31,619 YES, IT WOULD MAKE IT SEEM REAL. 179 00:07:31,652 --> 00:07:32,820 GIVE IT THAT NATURAL EFFECT. 180 00:07:32,853 --> 00:07:35,823 OH, YOU'RE SO PERSUASIVE, MR. FOSTER. 181 00:07:35,856 --> 00:07:37,057 THEN IT'S SETTLED. 182 00:07:37,090 --> 00:07:39,493 YOU KNOW, IF THIS ALL WORKS OUT 183 00:07:39,527 --> 00:07:42,195 YOU COULD BECOME OUR OFFICIAL REPRESENTATIVE. 184 00:07:42,229 --> 00:07:44,765 WELL, YOU WOULD BE "THE FOSTER LADY." 185 00:07:46,534 --> 00:07:48,736 "THE FOSTER LADY?" 186 00:07:53,641 --> 00:07:55,743 "THE FOSTER LADY!" 187 00:07:55,776 --> 00:07:57,511 OH, THIS IS BIG, ANDY. 188 00:07:57,545 --> 00:07:58,812 IT'S BIG. 189 00:07:58,846 --> 00:08:00,548 YEAH. GOING TO BE SHOWN ALL OVER THE COUNTRY. 190 00:08:00,581 --> 00:08:02,516 WELL, I DESERVE SOME OF THE CREDIT, YOU KNOW. 191 00:08:02,550 --> 00:08:03,551 YOU? WELL, YEAH. 192 00:08:03,584 --> 00:08:05,285 IF I DIDN'T HAVE TO FIX HIS CAR 193 00:08:05,318 --> 00:08:08,288 HE NEVER WOULD'VE HAD TIME TO HAVE LUNCH AT YOUR HOUSE 194 00:08:08,321 --> 00:08:09,757 AND MEET AUNT BEE. 195 00:08:09,790 --> 00:08:11,525 HEY, LOOK WHO'S COMING-- 196 00:08:11,559 --> 00:08:14,227 MAYBERRY'S LADY OF THE HOUR. 197 00:08:14,261 --> 00:08:16,063 HI! 198 00:08:16,096 --> 00:08:19,166 STILL SAYING HELLO TO YOUR OLD FRIENDS 199 00:08:19,199 --> 00:08:21,902 OR ARE YOU TOO BIG FOR THAT NOW? 200 00:08:21,935 --> 00:08:23,871 OH, FLOYD! 201 00:08:23,904 --> 00:08:26,039 REMEMBER, NO MATTER WHAT HAPPENS 202 00:08:26,073 --> 00:08:27,808 WE KNEW YOU WHEN. 203 00:08:27,841 --> 00:08:31,745 OH, FLOYD, YOU KNOW I'LL NEVER GET TOO BIG TO KNOW MY FRIENDS. 204 00:08:31,779 --> 00:08:33,180 WHEN ARE THE TV PEOPLE COMING? 205 00:08:33,213 --> 00:08:35,849 WELL, MR. FOSTER SAID IT'D BE A COUPLE OF DAYS. 206 00:08:35,883 --> 00:08:36,950 THEY'LL LET ME KNOW. 207 00:08:36,984 --> 00:08:38,552 TELL THE TRUTH, BEE. 208 00:08:38,586 --> 00:08:40,253 HAVE YOU GOT BUTTERFLIES? 209 00:08:40,287 --> 00:08:41,889 HAVE I? 210 00:08:41,922 --> 00:08:43,891 I CAN'T KEEP THEM QUIET. 211 00:08:43,924 --> 00:08:46,827 YOU KNOW... YOU KNOW, I NEVER DREAMED 212 00:08:46,860 --> 00:08:50,097 WHEN I USED TO SIT IN THE SECOND BALCONY 213 00:08:50,130 --> 00:08:52,633 AND WATCH CLARA KIMBALL YOUNG 214 00:08:52,666 --> 00:08:54,835 THAT IT COULD HAPPEN TO ME! 215 00:08:54,868 --> 00:08:55,869 WELL, WHO KNOWS? 216 00:08:55,903 --> 00:08:57,104 ONE OF THESE DAYS 217 00:08:57,137 --> 00:09:00,073 I'LL BE HANGING UP A CALENDAR IN THE SHOP 218 00:09:00,107 --> 00:09:01,842 WITH YOUR PICTURE ON IT. 219 00:09:01,875 --> 00:09:02,976 OH, FLOYD! 220 00:09:14,154 --> 00:09:17,691 I'VE BEEN USING FOSTER'S FURNITURE POLISH FOR YEARS 221 00:09:17,725 --> 00:09:21,862 AND ALL I KNOW IS THAT IT DOES THE JOB FOR ME. 222 00:09:24,231 --> 00:09:27,134 HEY! THAT SOUNDS GOOD. 223 00:09:27,167 --> 00:09:29,336 OH. WELL, I HAVE TO DO A LITTLE REHEARSING 224 00:09:29,369 --> 00:09:31,004 IF I'M GOING TO DO A GOOD JOB. 225 00:09:31,038 --> 00:09:32,806 IT SOUNDED FINE TO ME, HUH, OPE? 226 00:09:32,840 --> 00:09:33,874 YEAH. IF I WAS A LADY 227 00:09:33,907 --> 00:09:35,643 I'D SURE LIKE TO GO OUT AND BUY 228 00:09:35,676 --> 00:09:37,177 SOME FOSTER'S FURNITURE POLISH. 229 00:09:37,210 --> 00:09:38,345 WELL, THANK YOU, OPIE. 230 00:09:38,378 --> 00:09:40,614 COURSE, I HOPE TO GET A LOT BETTER. 231 00:09:40,648 --> 00:09:42,983 WELL, SUPPER'LL BE READY IN ABOUT 15 MINUTES. 232 00:09:43,016 --> 00:09:45,285 OKAY, LET'S WASH UP. 233 00:09:45,318 --> 00:09:48,155 COURSE, I CAN'T PROMISE YOU HOW GOOD IT'LL BE. 234 00:09:48,188 --> 00:09:51,124 I'VE BEEN KIND OF NERVOUS AND EXCITED ALL DAY. 235 00:09:51,158 --> 00:09:52,359 WELL, I DON'T BLAME YOU. 236 00:09:52,392 --> 00:09:54,094 THIS IS A BIG YEAR FOR THE TAYLORS-- 237 00:09:54,127 --> 00:09:56,063 ELIZABETH AND AUNT BEE. 238 00:09:56,096 --> 00:09:57,698 DON'T BE RIDICULOUS-- 239 00:09:57,731 --> 00:10:01,902 COMPARING ME TO SOMEONE LIKE ELIZABETH TAYLOR. 240 00:10:20,287 --> 00:10:21,755 AUNT BEE! AUNT BEE! THEY'RE HERE! 241 00:10:21,789 --> 00:10:23,123 THE TELEVISION PEOPLE! 242 00:10:27,795 --> 00:10:31,665 Bee: OH, MY! I NEVER DREAMED THERE'D BE SO MANY OF THEM. 243 00:10:31,699 --> 00:10:36,336 OH, MY, JUST FOR ME? WELL, COME ON, OPIE. 244 00:10:47,414 --> 00:10:50,217 WELL, WELCOME TO MAYBERRY. 245 00:10:50,250 --> 00:10:51,885 I'M BEE TAYLOR AND THIS IS OPIE. 246 00:10:51,919 --> 00:10:54,755 HI, HOW ARE YOU? I'M JIM MARTIN, THE DIRECTOR. 247 00:10:54,788 --> 00:10:56,857 AND I'D LIKE YOU TO MEET BOB SAUNDERS, MY ASSISTANT. 248 00:10:56,890 --> 00:10:58,458 THIS IS SID HICKOK, OUR CAMERAMAN. 249 00:10:58,491 --> 00:11:00,260 BURT, THE REST OF THE CREW, DOWN THERE. 250 00:11:00,293 --> 00:11:01,995 AND THIS IS EVE KREIGER-- SHE'LL BE DOING YOUR MAKEUP. 251 00:11:02,029 --> 00:11:03,997 MAKEUP? 252 00:11:04,031 --> 00:11:05,866 OH, JUST A TOUCH. YOU WANT TO GET THE SHOW ON THE ROAD? 253 00:11:05,899 --> 00:11:07,300 ON THE ROAD? 254 00:11:07,334 --> 00:11:08,869 OH, I'M SORRY. 255 00:11:08,902 --> 00:11:10,270 THAT'S HOW WE SAY "LET'S GET THINGS ROLLING." 256 00:11:10,303 --> 00:11:13,707 OH! OH, I SEE. WELL, LET'S! 257 00:11:13,741 --> 00:11:15,308 FINE. BRING THE REST OF THAT STUFF IN, 258 00:11:15,342 --> 00:11:18,879 YOU GUYS, COME ON. 259 00:11:28,789 --> 00:11:29,790 BURT? GOT IT. 260 00:11:29,823 --> 00:11:31,391 FINE. THAT'S GOOD, EVE. 261 00:11:31,424 --> 00:11:33,160 AS YOU KNOW, WE WON'T BE USING A SCRIPT. 262 00:11:33,193 --> 00:11:34,928 I WANT YOU TO DO THIS IN YOUR OWN WORDS. 263 00:11:34,962 --> 00:11:36,196 YES, I KNOW THAT, MR. MARTIN. 264 00:11:36,229 --> 00:11:38,065 I KNOW EXACTLY WHAT I'M GOING TO SAY. 265 00:11:38,098 --> 00:11:39,733 FINE. WHAT I WANT TO CAPTURE ON FILM 266 00:11:39,767 --> 00:11:40,901 IS YOUR COMPLETE HONESTY... 267 00:11:40,934 --> 00:11:41,935 READY WHENEVER YOU ARE. 268 00:11:41,969 --> 00:11:43,236 OH, GOOD. WELL, LET'S TRY ONE. 269 00:11:43,270 --> 00:11:44,972 YOU MEAN WE'RE ACTUALLY GOING TO DO IT? 270 00:11:45,005 --> 00:11:46,073 YEAH. RIGHT NOW? 271 00:11:46,106 --> 00:11:47,240 NOW IS AS GOOD A TIME AS ANY. 272 00:11:47,274 --> 00:11:48,275 EVERYBODY SET? 273 00:11:48,308 --> 00:11:49,309 Man: RIGHT. 274 00:11:49,342 --> 00:11:50,744 OKAY. 275 00:11:51,845 --> 00:11:53,446 WELL, THIS IS SOME PRODUCTION, HUH? 276 00:11:53,480 --> 00:11:56,316 YEAH. BOY, THIS IS EXCITING. 277 00:11:56,349 --> 00:11:57,985 HEY, THERE'S OPE. 278 00:12:01,388 --> 00:12:02,489 HI, OPE. 279 00:12:02,522 --> 00:12:03,857 HI, PAW. 280 00:12:03,891 --> 00:12:05,458 HOW'S EVERYTHING GOING? 281 00:12:05,492 --> 00:12:07,460 GREAT, PAW. 282 00:12:07,494 --> 00:12:09,029 WHAT'S BEEN HAPPENING? 283 00:12:09,062 --> 00:12:11,765 NOTHING. 284 00:12:11,799 --> 00:12:13,200 NOW, JUST RELAX. RELAX. 285 00:12:13,233 --> 00:12:15,803 REMEMBER, THE IMPORTANT THING IS TO JUST BE YOURSELF. 286 00:12:15,836 --> 00:12:16,970 OKAY? MM-HMM. 287 00:12:17,004 --> 00:12:18,038 ALL RIGHT, FINE. 288 00:12:18,071 --> 00:12:19,106 ALL RIGHT, EVERYBODY SET? 289 00:12:19,139 --> 00:12:20,240 Man: RIGHT. 290 00:12:20,273 --> 00:12:21,274 OKAY. BOB? 291 00:12:21,308 --> 00:12:22,342 ROLL 'EM. 292 00:12:25,212 --> 00:12:26,379 OH, ANDY! 293 00:12:26,413 --> 00:12:27,547 SPEED? 294 00:12:27,580 --> 00:12:29,316 I'D LIKE YOU TO MEET MY NEPHEW. 295 00:12:29,349 --> 00:12:30,317 HOLD IT. CUT. HI. 296 00:12:30,350 --> 00:12:31,318 HI. 297 00:12:31,351 --> 00:12:32,786 NICE TO KNOW YOU. 298 00:12:32,820 --> 00:12:34,521 AND THIS IS GOOBER FROM THE FILLING STATION. 299 00:12:34,554 --> 00:12:36,389 HEY. I SURE AM HAPPY TO BE MEET YOU. 300 00:12:36,423 --> 00:12:37,791 SAME HERE. 301 00:12:37,825 --> 00:12:39,259 I'M THE FELLA WHO FIXED MR. FOSTER'S CAR 302 00:12:39,292 --> 00:12:40,560 AND THAT STARTED THE WHOLE THING. 303 00:12:40,593 --> 00:12:41,829 OH, WONDERFUL. 304 00:12:41,862 --> 00:12:42,996 MISS TAYLOR? 305 00:12:43,030 --> 00:12:44,197 OH, EXCUSE US. GOOBER? 306 00:12:44,231 --> 00:12:45,565 ALL RIGHT, I'M READY. 307 00:12:45,598 --> 00:12:46,834 OKAY. 308 00:12:46,867 --> 00:12:49,136 ALL RIGHT, EVERYBODY SET? 309 00:12:49,169 --> 00:12:50,537 OKAY, BOB. 310 00:12:50,570 --> 00:12:52,105 ROLL 'EM. 311 00:12:52,139 --> 00:12:53,406 SPEED. 312 00:12:53,440 --> 00:12:56,043 FOSTER FURNITURE POLISH COMMERCIAL, TAKE ONE. 313 00:12:58,578 --> 00:13:00,480 ACTION! 314 00:13:03,416 --> 00:13:05,886 ANDY, WHY AIN'T SHE SAYIN' NOTHING? 315 00:13:05,919 --> 00:13:09,256 I DON'T KNOW. SHH. 316 00:13:09,289 --> 00:13:12,359 UH, CUT. 317 00:13:12,392 --> 00:13:13,861 UH, AREN'T YOU READY? 318 00:13:13,894 --> 00:13:14,895 I'M AWFULLY SORRY. 319 00:13:14,928 --> 00:13:16,296 I GUESS I'M A LITTLE NERVOUS 320 00:13:16,329 --> 00:13:18,866 WITH ALL THE PEOPLE AND THE LIGHTS AND CAMERA. 321 00:13:18,899 --> 00:13:19,900 OF COURSE, OF COURSE. 322 00:13:19,933 --> 00:13:21,534 WELL, YOU JUST FORGET 323 00:13:21,568 --> 00:13:24,171 THERE'S LIGHTS AND CAMERA AND PEOPLE. 324 00:13:24,204 --> 00:13:26,173 YOU'RE IN YOUR OWN HOME, SPEAKING LIKE YOU WOULD 325 00:13:26,206 --> 00:13:27,607 TO A NEIGHBOR WHO JUST DROPPED IN. 326 00:13:27,640 --> 00:13:29,910 SIMPLE AS THAT. MM-HMM. 327 00:13:29,943 --> 00:13:31,011 OKAY? MM-HMM. 328 00:13:31,044 --> 00:13:32,179 YOU WANT TO TRY IT AGAIN? 329 00:13:32,212 --> 00:13:33,313 MM-HMM. 330 00:13:33,346 --> 00:13:35,115 OVER HERE. WHOOPS. 331 00:13:35,148 --> 00:13:38,919 UH-HUH... OKAY... ALL RIGHT... HERE WE GO. 332 00:13:38,952 --> 00:13:40,020 BOB? 333 00:13:40,053 --> 00:13:42,089 ROLL 'EM. 334 00:13:42,122 --> 00:13:43,390 SPEED. 335 00:13:43,423 --> 00:13:46,093 FOSTER FURNITURE POLISH COMMERCIAL, TAKE TWO. 336 00:13:49,429 --> 00:13:50,964 ACTION! 337 00:13:54,534 --> 00:13:56,303 GO ON, GO ON. 338 00:14:00,140 --> 00:14:02,475 CUT IT. 339 00:14:02,509 --> 00:14:04,577 I'M SORRY, BUT... 340 00:14:04,611 --> 00:14:06,914 IS IT IMPORTANT FOR YOU TO HIT THE STICKS 341 00:14:06,947 --> 00:14:08,581 JUST AS I'M ABOUT TO SPEAK? 342 00:14:08,615 --> 00:14:11,018 NO. NO, NOT IF THAT'S WHAT'S BOTHERING YOU. 343 00:14:11,051 --> 00:14:12,252 WELL, IT IS, JUST A LITTLE. 344 00:14:12,285 --> 00:14:14,421 I DON'T MEAN THIS AS ANY CRITICISM 345 00:14:14,454 --> 00:14:16,957 BUT YOU HAVE A VERY STRONG VOICE. 346 00:14:16,990 --> 00:14:19,492 OH, WELL, I'M SORRY. 347 00:14:19,526 --> 00:14:21,228 OKAY, UH... 348 00:14:21,261 --> 00:14:23,263 : BOB, WE'LL END-SLATE IT AT THE LAB. 349 00:14:30,270 --> 00:14:32,305 OKAY, MISS TAYLOR. WHENEVER YOU'RE READY. 350 00:14:32,339 --> 00:14:33,941 MM-HMM. 351 00:14:36,443 --> 00:14:38,078 : HELLO THERE. 352 00:14:38,111 --> 00:14:40,113 THIS IS BEE TAYLOR FROM MAYBERRY 353 00:14:40,147 --> 00:14:44,617 HERE TO TELL YOU ABOUT WONDERFUL FOSTER'S FURNITURE POLISH. 354 00:14:44,651 --> 00:14:47,454 I'VE BEEN USING IT FOR YEARS 355 00:14:47,487 --> 00:14:50,991 AND ALL I KNOW IS THAT IT DOES THE JOB FOR ME 356 00:14:51,024 --> 00:14:54,694 SO WHY DON'T YOU BUY A CAN OF THIS WONDERFUL POLISH 357 00:14:54,727 --> 00:15:00,567 AND SOON YOU'LL BE SAYING IT DOES THE WORK FOR ME, TOO. 358 00:15:00,600 --> 00:15:02,602 UH, CUT. 359 00:15:02,635 --> 00:15:04,137 SHE'S REAL GOOD, PAW. 360 00:15:04,171 --> 00:15:06,039 YEAH, SHE'S GOT REAL TALENT. 361 00:15:06,073 --> 00:15:08,441 WELL, AT LEAST SHE'S GETTING THE WORDS OUT. 362 00:15:08,475 --> 00:15:09,943 UH, THAT WAS, UH... 363 00:15:09,977 --> 00:15:11,178 THAT WAS VERY GOOD, MISS TAYLOR 364 00:15:11,211 --> 00:15:12,445 FOR A FIRST TRY. 365 00:15:12,479 --> 00:15:13,513 I FEEL A LOT BETTER 366 00:15:13,546 --> 00:15:15,148 WITHOUT THOSE CLACKING STICKS. 367 00:15:15,182 --> 00:15:16,283 YEAH. 368 00:15:16,316 --> 00:15:17,384 AND THANK YOU VERY MUCH. 369 00:15:17,417 --> 00:15:18,518 OH, QUITE ALL RIGHT. 370 00:15:18,551 --> 00:15:20,653 UM, I THINK YOU'RE BEGINNING TO RELAX 371 00:15:20,687 --> 00:15:22,122 SO WE'LL TRY IT AGAIN. 372 00:15:22,155 --> 00:15:23,423 MM-HMM, I FEEL A LOT BETTER. 373 00:15:23,456 --> 00:15:24,624 FINE, FINE. 374 00:15:24,657 --> 00:15:26,994 I THINK WE'VE GOT THE SHOW ON THE ROAD. 375 00:15:27,027 --> 00:15:28,161 YES. 376 00:15:40,207 --> 00:15:42,542 ...SO GO TO YOUR NEAREST STORE TODAY 377 00:15:42,575 --> 00:15:45,578 AND BUY SOME, BUT BE SURE TO TELL THEM 378 00:15:45,612 --> 00:15:50,683 THAT YOUR GOOD FRIEND AND NEIGHBOR, BEE TAYLOR OF MAYBERRY, SENT YOU. 379 00:15:50,717 --> 00:15:52,485 GOOD-BYE, OUT THERE! 380 00:15:55,055 --> 00:15:59,292 UH, CUT. 381 00:15:59,326 --> 00:16:01,528 WELL, HOW WAS THAT ONE? 382 00:16:01,561 --> 00:16:03,430 UH... NOT BAD 383 00:16:03,463 --> 00:16:07,300 BUT I WOULDN'T THROW THE KISSES. 384 00:16:07,334 --> 00:16:09,102 HI, MR. FOSTER. 385 00:16:09,136 --> 00:16:10,337 HI, ANDY. 386 00:16:10,370 --> 00:16:12,205 I THOUGHT I'D DROP BY 387 00:16:12,239 --> 00:16:14,741 AND SEE HOW OUR STAR IS DOING. 388 00:16:14,774 --> 00:16:17,177 OH, HOW NICE TO SEE YOU, MR. FOSTER. 389 00:16:17,210 --> 00:16:19,046 NICE TO SEE YOU AGAIN. 390 00:16:19,079 --> 00:16:20,613 WELL, JIM, WAS I EXAGGERATING? 391 00:16:20,647 --> 00:16:22,549 ISN'T SHE WONDERFUL? 392 00:16:22,582 --> 00:16:23,750 OH, SHE'S WONDERFUL. 393 00:16:23,783 --> 00:16:26,586 IT'S, UH, IT'S BEEN GOING A LITTLE SLOW. 394 00:16:26,619 --> 00:16:29,056 OH, WE'RE NOT OUT TO BREAK ANY SPEED RECORDS. 395 00:16:29,089 --> 00:16:31,024 JUST AS LONG AS WE GET RESULTS. 396 00:16:31,058 --> 00:16:34,427 WELL, I DIDN'T MEAN TO INTERRUPT YOUR WORK. 397 00:16:34,461 --> 00:16:36,063 EXCUSE ME. 398 00:16:36,096 --> 00:16:38,065 COME ON IN, MR. FOSTER. 399 00:16:38,098 --> 00:16:39,632 ANDY-- 400 00:16:39,666 --> 00:16:41,601 OH, EXCUSE ME, MR. FOSTER. 401 00:16:41,634 --> 00:16:44,504 YOU REMEMBER GOOBER. AND THIS IS FLOYD LAWSON. 402 00:16:44,537 --> 00:16:45,805 HELLO. 403 00:16:45,838 --> 00:16:48,075 I'VE BEEN USING YOUR FURNITURE POLISH 404 00:16:48,108 --> 00:16:50,143 FOR YEARS, TOO. 405 00:16:50,177 --> 00:16:51,611 WELL, I'M HAPPY TO HEAR THAT. 406 00:16:51,644 --> 00:16:55,782 MR. FOSTER, I WAS THINKING, 407 00:16:55,815 --> 00:16:59,686 IF YOU WERE LOOKING FOR A "FOSTER MAN"... 408 00:16:59,719 --> 00:17:02,322 WELL, NOT JUST RIGHT NOW. 409 00:17:02,355 --> 00:17:06,059 NAME'S LAWSON. FLOYD LAWSON. 410 00:17:06,093 --> 00:17:09,362 FLOYD, THEY'RE TRYING TO MAKE A PICTURE. 411 00:17:09,396 --> 00:17:11,331 OH. ON WITH THE SHOW. 412 00:17:11,364 --> 00:17:13,533 WHY DON'T WE TRY ANOTHER ONE, OKAY? 413 00:17:13,566 --> 00:17:15,235 ALL RIGHT, FINE. 414 00:17:15,268 --> 00:17:17,204 ALL RIGHT, NOW, ANYTIME YOU'RE READY, MISS TAYLOR. 415 00:17:17,237 --> 00:17:18,705 AND THIS TIME, LEAVE OUT THE KISSES 416 00:17:18,738 --> 00:17:21,341 AND ALSO THE "GOODBYE OUT THERE." 417 00:17:21,374 --> 00:17:25,245 ALL RIGHT, BUT I HAVE SOME OTHER IDEAS. 418 00:17:25,278 --> 00:17:29,582 HI, OUT THERE, AND SPEAKING OF HIGH 419 00:17:29,616 --> 00:17:32,585 I WANT TO SHOW YOU THE HIGH GLOSS YOU GET 420 00:17:32,619 --> 00:17:35,855 WHEN YOU ALWAYS USE FOSTER'S FURNITURE POLISH. 421 00:17:35,888 --> 00:17:39,092 IT'S THE SHINE YOU'LL TAKE A SHINE TO. 422 00:17:42,729 --> 00:17:44,531 SEE THAT GLISTEN? 423 00:17:44,564 --> 00:17:45,665 YOU TAKE THE WORD 424 00:17:45,698 --> 00:17:48,601 OF YOUR GOOD FRIEND AND NEIGHBOR 425 00:17:48,635 --> 00:17:50,737 BEE TAYLOR OF MAYBERRY. 426 00:17:50,770 --> 00:17:53,273 CUT. 427 00:17:53,306 --> 00:17:56,676 OH, IT'S JUST LIKE POETRY. 428 00:17:56,709 --> 00:17:58,811 THAT WAS THE BEST ONE YET, DON'T YOU THINK? 429 00:17:58,845 --> 00:18:00,247 WELL... 430 00:18:00,280 --> 00:18:03,316 OH, DID YOU HAVE A PROBLEM WITH THE CAMERA? 431 00:18:03,350 --> 00:18:04,484 NO, NO. 432 00:18:04,517 --> 00:18:06,619 OH. WELL, I'VE GOT A SURPRISE FOR YOU. 433 00:18:06,653 --> 00:18:09,356 I'VE GOT A JINGLE TO GO ALONG WITH THE COMMERCIAL. 434 00:18:09,389 --> 00:18:10,490 "JINGLE"? 435 00:18:10,523 --> 00:18:11,724 LISTEN TO THIS, MR. FOSTER. 436 00:18:11,758 --> 00:18:15,662 * SHINE ON, FOSTER'S POLISH 437 00:18:15,695 --> 00:18:18,365 * THAT'S THE ONE TO TRY 438 00:18:18,398 --> 00:18:21,368 * YOU AIN'T HAD SUCH SHINING 439 00:18:21,401 --> 00:18:27,474 * SINCE JANUARY, FEBRUARY, JUNE OR JULY. * 440 00:18:27,507 --> 00:18:29,709 OH, I LIKE THAT! 441 00:18:29,742 --> 00:18:30,910 I LIKE THAT. 442 00:18:30,943 --> 00:18:32,412 YEAH, THAT'S REAL CATCHY. 443 00:18:32,445 --> 00:18:34,681 WELL 444 00:18:34,714 --> 00:18:36,483 THAT'S FINE. 445 00:18:36,516 --> 00:18:38,251 UH, I THINK WE BETTER BREAK FOR LUNCH. 446 00:18:38,285 --> 00:18:39,286 THAT'S LUNCH, BOB. 447 00:18:39,319 --> 00:18:40,453 THAT'S LUNCH! 448 00:18:40,487 --> 00:18:41,488 WHY DON'T YOU JUST RELAX 449 00:18:41,521 --> 00:18:42,755 AND WE'LL TALK ABOUT IT LATER. 450 00:18:42,789 --> 00:18:43,890 ALL RIGHT. 451 00:18:43,923 --> 00:18:45,525 CAN I GET YOU SOME COFFEE? FINE. 452 00:18:45,558 --> 00:18:46,526 MR. FOSTER? 453 00:18:46,559 --> 00:18:47,760 OH, YES, THANK YOU. 454 00:18:56,569 --> 00:18:58,671 SHE AIN'T MAKING IT, IS SHE? 455 00:18:58,705 --> 00:19:00,807 WELL, SOMETHING HAPPENED TO HER. 456 00:19:00,840 --> 00:19:02,342 SHE'S PRESSING. 457 00:19:02,375 --> 00:19:04,644 I HAVEN'T GOTTEN ONE TAKE WE CAN USE. 458 00:19:04,677 --> 00:19:06,313 THEY'D JUST LAUGH AT HER. 459 00:19:06,346 --> 00:19:07,314 YEAH. 460 00:19:07,347 --> 00:19:08,381 IT'S TOO BAD. 461 00:19:08,415 --> 00:19:10,217 THAT'S A SHAME. 462 00:19:10,250 --> 00:19:12,352 I DON'T KNOW WHAT I CAN DO AT THIS POINT. 463 00:19:12,385 --> 00:19:13,686 JIM. 464 00:19:13,720 --> 00:19:15,488 HMM? 465 00:19:15,522 --> 00:19:18,525 WHAT'S WRONG WITH PEOPLE LAUGHING AT A COMMERCIAL? 466 00:19:18,558 --> 00:19:20,427 SOME OF THE MOST EFFECTIVE COMMERCIALS 467 00:19:20,460 --> 00:19:21,628 I'VE EVER SEEN ARE FUNNY. 468 00:19:21,661 --> 00:19:23,363 YEAH. 469 00:19:23,396 --> 00:19:25,565 YEAH, AND THESE ARE CERTAINLY FUNNY ENOUGH. 470 00:19:25,598 --> 00:19:26,966 WELL, WAIT A MINUTE... 471 00:19:26,999 --> 00:19:28,668 YOU KNOW, THE MORE I THINK ABOUT IT 472 00:19:28,701 --> 00:19:30,437 THE MORE I LIKE THE IDEA. 473 00:19:30,470 --> 00:19:31,704 I THINK YOU'VE GOT SOMETHING. 474 00:19:31,738 --> 00:19:33,906 IT'LL ADD A NEW TONE TO OUR ADVERTISING. 475 00:19:33,940 --> 00:19:35,242 YEAH. 476 00:19:35,275 --> 00:19:36,809 WELL, I DON'T THINK THAT AUNT BEE... 477 00:19:36,843 --> 00:19:38,778 OH, THEY'LL BE GREAT, ANDY. 478 00:19:38,811 --> 00:19:41,581 JIM, IF SHE KEEPS ON DOING IT THE SAME WAY, 479 00:19:41,614 --> 00:19:43,983 IT'LL BE HILARIOUS, PEOPLE WILL LOVE HER! 480 00:19:44,016 --> 00:19:46,986 WELL, I JUST WONDER HOW AUNT BEE IS GONNA FEEL ABOUT IT. 481 00:19:47,019 --> 00:19:49,722 I BELIEVE SHE'S GONNA GET A BIG KICK OUT OF IT. 482 00:19:49,756 --> 00:19:50,857 WELL, I JUST... 483 00:19:50,890 --> 00:19:52,459 NOW, YOU BELIEVE ME, ANDY. 484 00:19:52,492 --> 00:19:54,427 THEY'RE GOING TO BE SENSATIONAL. 485 00:19:54,461 --> 00:19:57,364 WHY DON'T I JUST KEEP THE CAMERA ROLLING AND THEN 486 00:19:57,397 --> 00:19:59,299 WE'LL GET AS MANY TAKES AS WE CAN. 487 00:20:04,371 --> 00:20:06,439 ARE THEY GOING TO MAKE FUN OF AUNT BEE, PAW? 488 00:20:07,974 --> 00:20:10,643 WELL, THEY DON'T MEAN TO, OPE. 489 00:20:10,677 --> 00:20:14,347 BUT SHE THINKS SHE'S BEING GOOD. 490 00:20:14,381 --> 00:20:15,815 I KNOW. 491 00:20:15,848 --> 00:20:18,851 IF SHE FINDS OUT PEOPLE ARE LAUGHING AT HER... 492 00:20:31,063 --> 00:20:32,499 BOY, HUH? 493 00:20:32,532 --> 00:20:34,501 IT'S GOING VERY WELL, DON'T YOU THINK, ANDY? 494 00:20:34,534 --> 00:20:35,635 OH, IS IT EVER. 495 00:20:35,668 --> 00:20:37,370 I WAS A LITTLE NERVOUS AT FIRST 496 00:20:37,404 --> 00:20:38,471 BUT I GOT THE HANG OF IT. 497 00:20:38,505 --> 00:20:39,772 YOU SURE DID. 498 00:20:39,806 --> 00:20:41,908 WHEN THEY STOPPED ALL THAT CLACKING AND NOISE 499 00:20:41,941 --> 00:20:43,276 I REALLY GOT INTO IT. 500 00:20:43,310 --> 00:20:44,377 YEAH. YEAH. 501 00:20:44,411 --> 00:20:47,514 IT, UH, IT SURE IS EXCITING. 502 00:20:47,547 --> 00:20:48,681 YES. 503 00:20:48,715 --> 00:20:50,016 YEAH... 504 00:20:50,049 --> 00:20:52,652 OF COURSE, I IMAGINE LATER ON 505 00:20:52,685 --> 00:20:55,422 THERE'LL BE A FEW CHANGES AROUND HERE. 506 00:20:55,455 --> 00:20:56,656 "CHANGES"? 507 00:20:56,689 --> 00:20:58,491 WELL, YEAH, YEAH. 508 00:20:58,525 --> 00:21:00,493 WE'LL PROBABLY HAVE TO HAVE 509 00:21:00,527 --> 00:21:02,929 SOMEBODY COME IN AND LOOK AFTER THE HOUSE 510 00:21:02,962 --> 00:21:06,433 AND THE COOKING AND ALL OF THAT. 511 00:21:06,466 --> 00:21:07,934 OH 512 00:21:07,967 --> 00:21:10,470 BECAUSE YOU'RE GOING TO BE BUSY 513 00:21:10,503 --> 00:21:12,004 ANSWERING FAN MAIL 514 00:21:12,038 --> 00:21:14,641 LOOKING OVER CONTRACTS AND SIGNING THEM 515 00:21:14,674 --> 00:21:16,743 HAVING INTERVIEWS. 516 00:21:16,776 --> 00:21:20,680 YEAH, BEING A CELEBRITY IS A FULL-TIME JOB. 517 00:21:20,713 --> 00:21:22,482 YES, I SUPPOSE SO. 518 00:21:22,515 --> 00:21:24,717 YEAH, YOU'LL HAVE YOUR HANDS FULL 519 00:21:24,751 --> 00:21:27,654 BUT WE'LL GET SOMEBODY TO COME IN. 520 00:21:27,687 --> 00:21:30,423 YOU MEAN I WON'T HAVE TIME TO DO THE COOKING? 521 00:21:30,457 --> 00:21:32,425 I DON'T SEE HOW 522 00:21:32,459 --> 00:21:33,826 BUT DON'T WORRY ABOUT IT. 523 00:21:33,860 --> 00:21:36,596 WE'LL GET SOMEBODY WHO CAN COOK JUST FINE. 524 00:21:36,629 --> 00:21:39,766 WELL, I DON'T WANT ANYBODY ELSE IN MY KITCHEN. 525 00:21:39,799 --> 00:21:41,701 WELL, CELEBRITIES DON'T HAVE TIME 526 00:21:41,734 --> 00:21:43,736 TO FOOL AROUND IN THE KITCHEN 527 00:21:43,770 --> 00:21:45,338 AND BESIDES 528 00:21:45,372 --> 00:21:47,407 THE COMPANY WILL WANT YOU TO DO A LITTLE TRAVELING. 529 00:21:47,440 --> 00:21:49,041 AFTER ALL, YOU ARE THE FOSTER LADY. 530 00:21:49,075 --> 00:21:50,610 "TRAVELING"? 531 00:21:50,643 --> 00:21:52,745 I HADN'T CONSIDERED THAT. 532 00:21:52,779 --> 00:21:55,014 WELL, I DON'T IMAGINE IT'D BE FOR THE WHOLE YEAR. 533 00:21:55,047 --> 00:21:57,950 IT'D PROBABLY BE JUST FOR FOUR OR FIVE MONTHS OUT OF THE YEAR. 534 00:21:57,984 --> 00:21:59,719 "FOUR OR FIVE MONTHS"? 535 00:21:59,752 --> 00:22:03,122 WELL, WHAT WOULD I DO ABOUT MY SOCIAL ACTIVITIES 536 00:22:03,155 --> 00:22:06,593 AND MY CLUBS... AND MY FRIENDS? 537 00:22:06,626 --> 00:22:08,961 OH, WELL, I REALLY WOULDN'T WORRY ABOUT THAT. 538 00:22:08,995 --> 00:22:10,730 YOU'LL BE MAKING NEW FRIENDS-- 539 00:22:10,763 --> 00:22:12,665 YOU KNOW, IN THE BUSINESS. 540 00:22:12,699 --> 00:22:15,134 ANYTHING WRONG? 541 00:22:15,167 --> 00:22:18,137 I DON'T THINK I'M GOING TO LIKE IT. 542 00:22:18,170 --> 00:22:19,972 BEING A CELEBRITY? 543 00:22:20,006 --> 00:22:22,609 WHO WANTS TO BE A CELEBRITY? 544 00:22:22,642 --> 00:22:24,844 WELL, IF YOU DO COMMERCIALS ON TV... 545 00:22:24,877 --> 00:22:27,880 WELL, WHO SAYS I HAVE TO? 546 00:22:27,914 --> 00:22:29,816 LET'S GET AS MUCH FILM AS WE CAN ON HER... 547 00:22:29,849 --> 00:22:32,519 MR. FOSTER, I HAVE SOMETHING TO TELL YOU. 548 00:22:32,552 --> 00:22:34,987 I'M VERY SORRY, BUT I'VE MADE UP MY MIND. 549 00:22:35,021 --> 00:22:36,155 WHAT? 550 00:22:36,188 --> 00:22:37,957 I'VE DECIDED NOT TO BE THE FOSTER LADY. 551 00:22:37,990 --> 00:22:39,058 WHAT?! 552 00:22:39,091 --> 00:22:40,727 I JUST CAN'T DO YOUR COMMERCIALS. 553 00:22:40,760 --> 00:22:43,062 BUT, WHY 554 00:22:43,095 --> 00:22:45,465 WELL, IT'S FOR PERSONAL REASONS. 555 00:22:45,498 --> 00:22:47,667 THIS MAY BE FINE FOR... 556 00:22:47,700 --> 00:22:49,536 WELL, ELIZABETH TAYLOR 557 00:22:49,569 --> 00:22:51,504 BUT IT'S NOT FOR ME. 558 00:22:51,538 --> 00:22:52,772 BUT I DON'T UNDERSTAND. 559 00:22:52,805 --> 00:22:54,907 WELL, I'M SORRY, BUT THE... 560 00:22:54,941 --> 00:22:58,745 THE SHOW IS OFF THE ROAD. 561 00:23:10,089 --> 00:23:12,058 7:00, ANDY. 562 00:23:12,091 --> 00:23:14,427 OH, YES, YES. 563 00:23:14,461 --> 00:23:15,995 HMM. 564 00:23:19,231 --> 00:23:21,834 WHAT YOU GONNA WATCH? 565 00:23:21,868 --> 00:23:24,070 THE FOSTER FURNITURE POLISH SHOW, 566 00:23:24,103 --> 00:23:25,705 WITH THE NEW COMMERCIALS. 567 00:23:25,738 --> 00:23:27,607 I'M ANXIOUS TO SEE WHAT THEY DID WITH IT. 568 00:23:27,640 --> 00:23:29,742 Announcer: "The Rex Benson Show," 569 00:23:29,776 --> 00:23:32,445 featuring Rex Benson and the Singsongers, 570 00:23:32,479 --> 00:23:35,114 presented to you by Foster's furniture polish. 571 00:23:35,147 --> 00:23:38,184 And now, let's hear what a typical housewife thinks 572 00:23:38,217 --> 00:23:40,487 about Foster's furniture polish. 573 00:23:40,520 --> 00:23:42,855 Woman: Hi, out there. 574 00:23:42,889 --> 00:23:45,658 And speaking of high, I'd like to show you 575 00:23:45,692 --> 00:23:47,727 the high gloss you always get 576 00:23:47,760 --> 00:23:49,762 with Foster's furniture polish. 577 00:23:49,796 --> 00:23:51,831 See how it glistens?! 578 00:23:51,864 --> 00:23:56,769 I want all you ladies to remember the Foster jingle-- 579 00:23:56,803 --> 00:24:00,573 * Shine on, Foster's polish 580 00:24:00,607 --> 00:24:04,210 * that's the one to try 581 00:24:04,243 --> 00:24:07,079 * You ain't had such shinin' * 582 00:24:07,113 --> 00:24:08,981 OH, IT'S FUNNY, THE WAY SHE DOES IT. 583 00:24:09,015 --> 00:24:11,584 * Since January, February, June, or July * 584 00:24:11,618 --> 00:24:13,886 THIS IS GOOD. 585 00:24:13,920 --> 00:24:15,822 So go to your nearest store and buy some today 586 00:24:15,855 --> 00:24:19,258 and don't forget to tell them your good friend and neighbor 587 00:24:19,291 --> 00:24:22,094 Martha Carruthers of Pleasantville sent you. 588 00:24:22,128 --> 00:24:24,697 Goodbye, out there. 589 00:24:24,731 --> 00:24:26,032 GOOD! VERY GOOD. 590 00:24:26,065 --> 00:24:28,200 YEAH. 591 00:24:28,234 --> 00:24:29,969 OF COURSE, I COULD'VE PLAYED IT FOR COMEDY, 592 00:24:30,002 --> 00:24:31,838 IF THEY WANTED ME TO.