1
00:00:27,592 --> 00:00:31,911
Heult um Sade,
a film by Guy-Ernest Debord.
2
00:00:32,082 --> 00:00:38,642
Heult für Sade ist
dedicated to Gil J Wolman.
3
00:00:38,968 --> 00:00:41,209
Artikel 115.
4
00:00:41,583 --> 00:00:47,835
If a person has ceased to appear
at his place of residence...
5
00:00:47,973 --> 00:00:51,708
and nothing has been heard
concerning him for four years,
6
00:00:51,838 --> 00:00:54,355
Interessenten...
7
00:00:54,638 --> 00:00:59,129
may petition the civil court
to officially recognize...
8
00:00:59,308 --> 00:01:02,972
the absence of said person.
9
00:01:03,460 --> 00:01:08,084
Liebe gilt nur in a
pre-revolutionary period.
10
00:01:08,230 --> 00:01:10,682
Those girls don�t all
Ich liebe dich, du Lügner!
11
00:01:10,909 --> 00:01:15,066
Arts begin, grow, and disappear...
12
00:01:15,301 --> 00:01:17,867
because dissatisfied people...
13
00:01:17,972 --> 00:01:21,545
Durchbrechen Sie die Welt
of official expressions...
14
00:01:21,634 --> 00:01:24,248
und darüber hinausgehen
Feste der Armut.
15
00:01:24,394 --> 00:01:26,814
Sag mir, hast du geschlafen?
mit Françoise?
16
00:01:27,025 --> 00:01:28,649
Was für ein Frühling!
17
00:01:29,761 --> 00:01:32,749
Crib sheet for the history of film:
18
00:01:32,919 --> 00:01:35,826
1902: A Trip to the Moon.
19
00:01:36,004 --> 00:01:39,544
1920: Das Kabinett
von Doktor Caligari.
20
00:01:39,731 --> 00:01:42,605
1924: Entr�acte.
21
00:01:42,816 --> 00:01:46,080
1926: Potemkin.
22
00:01:46,242 --> 00:01:49,100
1928: An Andalusian Dog.
23
00:01:49,254 --> 00:01:54,011
1931: City Lights.
Birth of Guy-Ernest Debord.
24
00:01:54,254 --> 00:01:58,427
1951: Treatise on Slime and Eternity.
25
00:01:58,605 --> 00:02:01,983
1952: The Anticoncept.
26
00:02:02,121 --> 00:02:04,459
Heult um Sade.
27
00:02:05,182 --> 00:02:08,218
Genauso wie die Projektion
wollte gerade beginnen,
28
00:02:08,429 --> 00:02:11,174
Guy-Ernest Debord was supposed
to step onto the stage...
29
00:02:11,384 --> 00:02:13,836
und mache ein paar
einleitende Bemerkungen.
30
00:02:14,095 --> 00:02:17,506
Had he done so, he'd simply
have said: "There is no film.
31
00:02:17,619 --> 00:02:18,886
Das Kino ist tot.
32
00:02:19,081 --> 00:02:20,575
No more films are possible.
33
00:02:20,729 --> 00:02:22,873
Wenn Sie möchten, können wir das tun
weiter mit einer Diskussion.
34
00:02:27,414 --> 00:02:29,834
Artikel 516.
35
00:02:30,467 --> 00:02:34,007
Eigentum ist entweder
real oder persönlich.
36
00:02:34,348 --> 00:02:36,832
Um es nie zu tun
wieder allein sein.
37
00:02:37,206 --> 00:02:42,548
She is ugliness and beauty �
like everything we love today.
38
00:02:42,808 --> 00:02:48,272
The arts of the future can be nothing
less than disruptions of situations.
39
00:02:48,406 --> 00:02:50,972
In den Cafés von
Saint-Germain-des-Pr�s!
40
00:02:51,337 --> 00:02:53,700
You know, I like you a lot.
41
00:02:53,992 --> 00:02:59,676
Ein beträchtliches Kommando von
etwa dreißig Lettristen,
42
00:03:00,057 --> 00:03:03,036
all wearing the filthy uniform...
43
00:03:03,199 --> 00:03:06,154
that is their only really
Originalmarke,
44
00:03:06,336 --> 00:03:08,333
erschien in Cannes
45
00:03:08,477 --> 00:03:12,114
determined to provoke a scandal...
46
00:03:12,260 --> 00:03:15,378
that would draw attention to themselves.
47
00:03:15,589 --> 00:03:17,895
Happiness is a new idea in Europe.
48
00:03:18,065 --> 00:03:20,323
I know people only by their actions.
49
00:03:20,517 --> 00:03:24,308
In other respects they are
indistinguishable from each other.
50
00:03:24,614 --> 00:03:29,274
In the final analysis, we are
differentiated only by our works.
51
00:03:29,510 --> 00:03:32,466
Und ihre Revolten
wurden zu Konformismen.
52
00:03:32,587 --> 00:03:34,877
Artikel 488.
53
00:03:35,689 --> 00:03:39,797
The age of adulthood is 21 years;
54
00:03:40,366 --> 00:03:46,293
a person of that age is capable
of all acts of civil life.
55
00:05:39,328 --> 00:05:42,247
She constantly reappeared
in seiner Erinnerung,
56
00:05:42,392 --> 00:05:48,830
in a flash like sodium fireworks
bei Kontakt mit Wasser.
57
00:05:49,473 --> 00:05:52,863
He was well aware that nothing
of his exploits would remain...
58
00:05:53,090 --> 00:05:57,711
in a town that revolves with the Earth,
as the Earth revolves within a galaxy
59
00:05:57,847 --> 00:06:01,026
that is only an insignificant
Teil einer winzigen Insel...
60
00:06:01,204 --> 00:06:03,880
endlessly receding from us.
61
00:06:04,407 --> 00:06:08,315
Totally dark, eyes closed to
the enormity of the disaster.
62
00:07:03,578 --> 00:07:07,729
A science of situations needs to be
created, which will incorporate...
63
00:07:07,827 --> 00:07:11,719
elements from psychology,
statistics, urbanism, and ethics.
64
00:07:11,776 --> 00:07:14,970
Diese Elemente müssen sein
focused on a totally new goal:
65
00:07:15,278 --> 00:07:17,922
the conscious creation of situations.
66
00:07:46,871 --> 00:07:49,920
Lines from a 1950 newspaper:
67
00:07:50,812 --> 00:07:55,531
Popular Young Radio Actress
Throws Herself Into the Is�re. Grenoble.
68
00:07:55,636 --> 00:07:57,874
Twelve-and-a-half-year-old
Madeleine Reineri,
69
00:07:58,036 --> 00:08:03,525
who under the stage name �Pirouette� starred
in the Alpes-Grenoble radio program...
70
00:08:03,703 --> 00:08:09,298
Happy Thursdays, threw herself into
the Is�re River Friday afternoon...
71
00:08:09,419 --> 00:08:14,338
nachdem ich sie platziert habe
Schultasche am Ufer.
72
00:08:15,557 --> 00:08:18,850
Kleine Schwester, das sind wir
kein schöner Anblick.
73
00:08:18,995 --> 00:08:21,233
The river and the misery continue.
74
00:08:21,363 --> 00:08:23,358
Wir sind machtlos.
75
00:09:48,238 --> 00:09:51,278
Aber niemand redet darüber
Sade in diesem Film.
76
00:09:52,056 --> 00:09:54,878
The cold of interstellar space,
77
00:09:55,024 --> 00:09:58,316
Tausende von Grad
unter dem Gefrierpunkt oder...
78
00:09:58,454 --> 00:10:02,799
the absolute zero of Fahrenheit,
Celsius oder Réaumur:
79
00:10:02,945 --> 00:10:05,750
the incipient intimations
der bevorstehenden Morgendämmerung.
80
00:10:06,261 --> 00:10:10,549
The rapid passage of Jacques
Vach� through the wartime sky,
81
00:10:10,711 --> 00:10:15,033
his overwhelming sense of urgency,
82
00:10:15,309 --> 00:10:19,638
the catastrophic haste that
led him to destroy himself;
83
00:10:19,784 --> 00:10:22,629
the whipcracking spirit of Arthur Cravan
84
00:10:22,824 --> 00:10:26,489
who vanished in the Gulf of
Mexico around that same time...
85
00:10:28,030 --> 00:10:31,484
Artikel 1793.
86
00:10:32,197 --> 00:10:36,705
When an architect or contractor
contracts with a landowner...
87
00:10:36,811 --> 00:10:39,235
to construct a building...
88
00:10:39,478 --> 00:10:44,464
in accordance with an agreed
plan and for a specified payment,
89
00:10:44,587 --> 00:10:48,430
he cannot demand any increase
in that payment on any grounds,
90
00:10:48,567 --> 00:10:53,635
whether because of an increase
in the work force or materials...
91
00:10:53,777 --> 00:10:56,031
or because of any changes...
92
00:10:56,136 --> 00:10:58,788
or additions made to the plan,
93
00:10:59,079 --> 00:11:02,209
unless such changes, additions
or increases have been...
94
00:11:02,347 --> 00:11:08,039
authorized in writing and the new payment
has been agreed to by the landowner.
95
00:11:08,169 --> 00:11:11,047
The perfection of suicide
liegt in seiner Mehrdeutigkeit.
96
00:15:46,703 --> 00:15:48,535
What is a one and only love?
97
00:15:50,238 --> 00:15:53,190
I will answer only in the
Anwesenheit meines Anwalts.
98
00:16:51,878 --> 00:16:55,526
Order reigns but does not govern.
99
00:18:47,949 --> 00:18:52,911
The first marvel is to come before her
without knowing how to talk to her.
100
00:18:53,073 --> 00:18:58,545
The imprisoned hands move no faster
than race horses filmed in slow motion
101
00:18:58,825 --> 00:19:00,804
as they touch her mouth and breasts;
102
00:19:00,966 --> 00:19:04,241
in aller Unschuld die
Seile werden zu Wasser
103
00:19:04,371 --> 00:19:06,706
and we roll together toward dawn.
104
00:19:07,142 --> 00:19:09,623
I don�t think we�ll ever
wir sehen uns wieder.
105
00:19:10,239 --> 00:19:13,661
Die Lichter des Winters
streets will end near a kiss.
106
00:19:14,245 --> 00:19:17,520
Paris was real fun because
of the transportation strike.
107
00:19:17,698 --> 00:19:20,309
Jack the Ripper was never caught.
108
00:19:20,479 --> 00:19:22,684
Telephones, they�re funny.
109
00:19:22,878 --> 00:19:26,073
Was für eine Liebesherausforderung,
as Madame de S�gur said.
110
00:19:26,356 --> 00:19:29,478
I�ll tell you some real scary stories
111
00:19:29,575 --> 00:19:31,407
from my part of the country,
112
00:19:31,594 --> 00:19:35,210
but they have to be told at night.
113
00:19:35,542 --> 00:19:36,791
Mein lieber Ivich,
114
00:19:36,912 --> 00:19:40,739
unfortunately there are fewer
Chinatowns than you think.
115
00:19:40,820 --> 00:19:42,198
You are fifteen years old.
116
00:19:42,304 --> 00:19:46,471
One of these days people will
stop wearing such gaudy colors.
117
00:19:46,917 --> 00:19:48,571
Ich kannte dich bereits.
118
00:19:48,863 --> 00:19:51,814
Continental drift carries you
jeden Tag weiter weg.
119
00:19:52,008 --> 00:19:54,084
Der Urwald ist
less virgin than you.
120
00:19:54,295 --> 00:19:57,505
Mann, noch eine Minute
und es wird morgen sein.
121
00:19:57,878 --> 00:20:01,122
Gun Crazy. You remember.
So war es.
122
00:20:01,219 --> 00:20:03,197
No one was good enough for us.
123
00:20:03,522 --> 00:20:04,559
Dennoch...
124
00:20:04,672 --> 00:20:09,132
The hailstones on the banners of glass.
We won�t forget this cursed planet.
125
00:24:59,805 --> 00:25:02,610
They�ll be famous someday,
Du wirst sehen!
126
00:25:02,942 --> 00:25:06,121
I will never accept the scandalous
and scarcely credible fact...
127
00:25:06,250 --> 00:25:08,569
that there is such a thing
als Polizei.
128
00:25:08,901 --> 00:25:13,117
Several cathedrals have been
erected in memory of Serge Berna.
129
00:25:13,490 --> 00:25:17,008
Liebe gilt nur in a
pre-revolutionary period.
130
00:25:17,252 --> 00:25:20,617
I made this film while there
was still time to talk about it.
131
00:25:20,909 --> 00:25:24,573
Jean-Isidore, in order to get
out of that ephemeral crowd.
132
00:25:24,719 --> 00:25:27,930
On Place Gabriel-Pomerand
wenn wir alt werden.
133
00:25:28,505 --> 00:25:30,403
In the future all these little jokers
134
00:25:30,532 --> 00:25:33,970
will be studied in the high
Schulen und Hochschulen.
135
00:28:18,048 --> 00:28:21,015
There are still many people
who aren�t moved to laugh
136
00:28:21,242 --> 00:28:22,961
or to scream by the word "morality."
137
00:28:23,108 --> 00:28:25,637
Artikel 489
138
00:28:26,796 --> 00:28:28,199
Ein Erwachsener...
139
00:28:28,361 --> 00:28:31,231
who is usually in a state of imbecility,
140
00:28:31,361 --> 00:28:34,988
oder Demenz oder wer hat
häufige Wutausbrüche...
141
00:28:35,442 --> 00:28:41,361
must be kept in protective custody
even if he has intervals of lucidity.
142
00:28:41,596 --> 00:28:43,558
So nah, so sanft,
143
00:28:43,793 --> 00:28:47,701
I lose myself in the hollow
archipelagos of language.
144
00:28:47,920 --> 00:28:50,531
Ich drücke dich nieder,
you�re as open as a cry,
145
00:28:50,766 --> 00:28:52,274
es ist so einfach.
146
00:28:52,639 --> 00:28:55,006
Ein heißer Stream.
147
00:28:55,331 --> 00:28:57,196
Ein Meer aus Öl.
148
00:28:57,593 --> 00:29:00,966
- Ein Waldbrand.
- That sounds like the movies.
149
00:29:01,141 --> 00:29:05,941
The Paris police are equipped
mit 30.000 Schlagstöcken.
150
00:32:45,605 --> 00:32:50,081
"Poetic worlds close in on
themselves and are forgotten."
151
00:32:50,275 --> 00:32:52,967
In einer Ecke der Nacht
Matrosen führen Krieg;
152
00:32:53,162 --> 00:32:56,875
ships in bottles are
für dich, der du sie geliebt hast.
153
00:32:57,061 --> 00:33:00,564
You lie back in the sand as
in the more loving hands...
154
00:33:00,742 --> 00:33:04,666
that the rain and wind and thunder
slip under your dress every evening.
155
00:33:04,828 --> 00:33:06,887
Life is wonderful in Cannes
im Sommer.
156
00:33:07,033 --> 00:33:10,617
Rape, which is forbidden,
becomes banal in our memories.
157
00:33:10,836 --> 00:33:14,566
"When we were on the Shenandoah."
Ja. Natürlich.
158
00:33:15,474 --> 00:33:17,533
And the silting up of those faces,
159
00:33:17,703 --> 00:33:21,838
which once bore flashes of desire
like ink splattered on a wall,
160
00:33:22,000 --> 00:33:24,043
which were like shooting stars.
161
00:33:24,336 --> 00:33:27,174
Gin, Rum, Brandy �
162
00:33:27,336 --> 00:33:29,395
unten die Luke wie
die Große Armada.
163
00:33:29,808 --> 00:33:31,770
So much for the funeral oration.
164
00:33:32,038 --> 00:33:35,021
Aber all diese Leute
waren so alltäglich.
165
00:38:02,762 --> 00:38:04,546
Wir konnten knapp entkommen.
166
00:38:04,789 --> 00:38:06,848
The most beautiful is still to come.
167
00:38:07,027 --> 00:38:09,410
Death would be a steak tartar;
168
00:38:09,548 --> 00:38:12,840
nasses Haar auf der Verbrühung
Strand unserer Stille.
169
00:38:12,937 --> 00:38:14,104
Aber er ist ein Jude!
170
00:38:14,504 --> 00:38:17,261
Wir waren bereit zu explodieren
alle Brücken hoch,
171
00:38:17,407 --> 00:38:19,418
but the bridges let us down.
172
00:41:51,126 --> 00:41:53,882
Twelve-and-a-half-year-old
Madeleine Reineri,
173
00:41:54,012 --> 00:41:58,423
who under the stage name "Pirouette"
starred in the Alpes-Grenoble...
174
00:41:58,520 --> 00:42:00,749
radio program, Happy Thursdays,
175
00:42:00,960 --> 00:42:04,852
threw herself into the Is�re River.
176
00:42:05,751 --> 00:42:08,734
Mademoiselle Reineri
des Europaviertels,
177
00:42:08,945 --> 00:42:12,415
you still have your wonderstruck
Gesicht und dieser Körper,
178
00:42:12,512 --> 00:42:14,572
the best of promised lands.
179
00:42:14,985 --> 00:42:19,168
Like neon lights, the dialogues
repeat their definitive truths.
180
00:42:19,395 --> 00:42:20,579
Ich liebe dich.
181
00:42:20,911 --> 00:42:23,409
It must be terrible to die.
182
00:42:23,911 --> 00:42:25,128
Bis später.
183
00:42:25,274 --> 00:42:26,619
Du trinkst viel zu viel.
184
00:42:27,097 --> 00:42:29,465
What are childhood loves?
185
00:42:29,595 --> 00:42:31,119
I don�t understand you.
186
00:42:31,525 --> 00:42:32,757
Ich wusste es.
187
00:42:33,130 --> 00:42:36,438
And there was a time when
I regretted it very much.
188
00:42:36,779 --> 00:42:38,287
Would you like an orange?
189
00:42:38,425 --> 00:42:41,587
Die schönen Trennungen
von Vulkaninseln.
190
00:42:41,838 --> 00:42:43,103
In der Vergangenheit.
191
00:42:43,589 --> 00:42:45,762
I have nothing more to say to you.
192
00:42:46,155 --> 00:42:48,733
Immerhin noch einmal
die unzeitgemäßen Antworten
193
00:42:49,013 --> 00:42:50,813
und das Altern der Jugend,
194
00:42:51,056 --> 00:42:53,099
night falls from on high.
195
00:45:37,383 --> 00:45:42,004
Like lost children we live
our unfinished adventures.