1 00:40:55,911 --> 00:40:58,997 - l want to confess! - After Mass. They're waiting for me. 2 00:40:59,081 --> 00:41:00,957 - No, now! - No, please... 3 00:41:01,041 --> 00:41:02,667 - When? - After Mass. 4 00:41:02,751 --> 00:41:04,461 Now, l said! 5 00:41:08,382 --> 00:41:09,591 Well? 6 00:41:09,675 --> 00:41:12,677 I don't know... Tell me what to do. 7 00:41:12,761 --> 00:41:14,679 Help me. l'm not a CathoIic. 8 00:41:15,723 --> 00:41:18,641 ln that case, my son, see me after Mass. 9 00:41:18,726 --> 00:41:21,895 - I want to confess! - Calm down. 10 00:41:21,979 --> 00:41:24,397 I don't want any scandal. This is the house of God. 11 00:41:24,482 --> 00:41:26,608 I don't care about God! 12 00:41:26,692 --> 00:41:29,652 l want to understand. I want to taIk. 13 00:41:30,196 --> 00:41:32,030 l just killed a man. 14 00:41:32,114 --> 00:41:33,740 Someone from this town? 15 00:41:33,824 --> 00:41:36,159 I don't know... l don't think so. 16 00:41:36,243 --> 00:41:37,911 A stranger? 17 00:41:37,995 --> 00:41:41,498 Yes. WeII... no. l know him. 18 00:41:42,958 --> 00:41:44,959 I've always known him. 19 00:41:45,794 --> 00:41:49,672 - You've been drinking! - Listen to me! lt's your duty. 20 00:41:53,928 --> 00:41:56,137 Why did you kill him? 21 00:41:58,140 --> 00:42:00,350 I'll tell you everything... 22 00:42:00,434 --> 00:42:02,435 ...from the beginning. 23 00:42:04,897 --> 00:42:06,898 Franz von Löwenstein. 24 00:42:10,069 --> 00:42:11,569 William Wilson. 25 00:42:14,406 --> 00:42:18,117 lt's from Italy. It must be from your mother. 26 00:42:38,138 --> 00:42:39,889 Attention! 27 00:42:41,600 --> 00:42:43,351 Break ranks. 28 00:43:55,758 --> 00:43:57,800 Silence! Stop that! 29 00:44:07,102 --> 00:44:09,187 It was Wilson! 30 00:44:13,192 --> 00:44:15,026 WiIson! 31 00:44:41,095 --> 00:44:42,595 Down. 32 00:44:51,188 --> 00:44:52,605 Up. 33 00:44:59,905 --> 00:45:01,572 Down. 34 00:45:04,785 --> 00:45:06,202 Up. 35 00:45:14,962 --> 00:45:16,379 Down. 36 00:45:21,885 --> 00:45:24,595 - Who's that? - The new boy. 37 00:45:31,520 --> 00:45:35,064 - What's your name? - WiIson. William Wilson. 38 00:45:40,112 --> 00:45:43,823 - What's your name? - William WiIson. 39 00:45:43,907 --> 00:45:47,535 - His name was the same as yours? - Exactly the same. 40 00:45:47,619 --> 00:45:50,163 - A coincidence. - Absurd! 41 00:45:50,247 --> 00:45:52,457 Power can't be shared. 42 00:45:52,541 --> 00:45:54,375 Suddenly, l had a rival. 43 00:46:14,271 --> 00:46:18,816 A rival, or rather a companion who surpassed me in everything, 44 00:46:18,901 --> 00:46:22,945 but who watched me from a benevolent distance. 45 00:46:23,030 --> 00:46:24,864 He infuriated me, 46 00:46:24,948 --> 00:46:28,576 but I was also extremely curious about him. 47 00:47:24,132 --> 00:47:25,633 WiIson! 48 00:47:28,470 --> 00:47:30,471 Good God! 49 00:47:33,392 --> 00:47:35,518 WiIson! You again, as usual! 50 00:47:35,602 --> 00:47:38,271 We were both expeIIed. 51 00:47:41,024 --> 00:47:43,484 lt took me a long time to forget. 52 00:47:44,444 --> 00:47:48,906 My son, this childhood incident obviously continues to haunt you. 53 00:47:48,991 --> 00:47:51,951 - Before you leave here... - Let me finish! 54 00:47:53,078 --> 00:47:59,083 Several years Iater l entered medicaI schooI... out of curiosity. 55 00:47:59,668 --> 00:48:05,923 GentIemen, let me remind you that a doctor is also a sorcerer. 56 00:48:06,884 --> 00:48:10,595 We seek life deep below the surface. 57 00:48:11,471 --> 00:48:15,182 And now l have the pleasure of realising before you 58 00:48:15,976 --> 00:48:18,436 in corpore vili, 59 00:48:19,313 --> 00:48:23,608 the age-old dream of priests, 60 00:48:23,692 --> 00:48:26,152 poets and phiIosophers. 61 00:48:26,236 --> 00:48:30,323 To be precise, I am going to open up a human heart. 62 00:48:32,534 --> 00:48:35,828 Ifwe were dealing with a live body, 63 00:48:35,913 --> 00:48:38,789 we'd proceed in the following way. 64 00:48:38,874 --> 00:48:43,502 Moving laterally from the sternum, between the sixth and seventh ribs, 65 00:48:43,587 --> 00:48:45,755 we'd find the tip of the heart. 66 00:48:46,798 --> 00:48:49,467 However, in this case, we shall section 67 00:48:49,551 --> 00:48:55,431 all the sub-auxiliary ribs on the Ieft and the right, as far as the sternum. 68 00:48:56,475 --> 00:49:00,019 Then we will separate the diaphragm 69 00:49:00,103 --> 00:49:02,855 and foId back the rib cage, 70 00:49:02,940 --> 00:49:06,025 revealing the contents of the thoracic cavity. 71 00:49:07,319 --> 00:49:10,488 The heart, gentlemen, is a hollow muscle, 72 00:49:11,198 --> 00:49:15,409 composed mainly of a firm ventricular mass 73 00:49:15,994 --> 00:49:19,330 and a flatulent auricular mass. 74 00:49:21,583 --> 00:49:24,752 This pump, 75 00:49:25,504 --> 00:49:29,757 which gives forth as much as it receives, 76 00:49:29,841 --> 00:49:35,554 is regarded as a symbol of courage and generosity. 77 00:49:47,192 --> 00:49:49,777 Does Mr Wilson have something to say? 78 00:49:50,404 --> 00:49:53,572 No? Then we may continue. 79 00:49:54,157 --> 00:49:55,783 Thank you. 80 00:49:59,162 --> 00:50:01,497 Even in dealing with a corpse, 81 00:50:03,500 --> 00:50:05,334 always make sure 82 00:50:05,419 --> 00:50:07,628 that your instruments are cIean. 83 00:52:03,370 --> 00:52:05,204 It is said, gentlemen, 84 00:52:05,288 --> 00:52:08,290 that the heart is the seat of the emotions, the passions. 85 00:52:08,375 --> 00:52:11,210 Indeed. But experience shows that 86 00:52:11,294 --> 00:52:13,129 it is the seat of our cares, 87 00:52:13,213 --> 00:52:14,880 our sorrows. 88 00:52:19,511 --> 00:52:23,764 Its only generosity Iies in the suffering it gives. 89 00:52:26,893 --> 00:52:30,813 So, when we have cut the ribs, separated the diaphragm 90 00:52:31,523 --> 00:52:35,901 and folded back what is commonIy called the rib cage, 91 00:52:36,903 --> 00:52:40,030 we can free our patient of the source of her ills. 92 00:52:41,366 --> 00:52:42,992 The doctor is a benefactor. 93 00:52:44,244 --> 00:52:46,912 We will thus bring her relief. 94 00:52:48,415 --> 00:52:49,665 Along with the heart... 95 00:52:49,833 --> 00:52:51,375 No! 96 00:52:52,836 --> 00:52:55,337 ...we'll remove despair and the pain of love. 97 00:53:01,178 --> 00:53:04,471 GentIemen, we shaII restore her to originaI purity, 98 00:53:04,556 --> 00:53:06,390 the peace of paradise Iost. 99 00:53:08,643 --> 00:53:11,812 Even if it's a living person, 100 00:53:11,938 --> 00:53:15,149 make sure your instruments are perfectly clean. 101 00:54:20,173 --> 00:54:22,633 Here, cover yourself! 102 00:54:27,138 --> 00:54:29,181 Cover yourself. 103 00:54:40,235 --> 00:54:41,986 Did the girl die? 104 00:54:42,070 --> 00:54:44,196 Forget about the girl! It's him. 105 00:54:44,281 --> 00:54:46,115 You see? 106 00:54:48,785 --> 00:54:50,744 I had to leave the university. 107 00:54:50,829 --> 00:54:53,414 l joined the Austrian Army to go to war. 108 00:54:54,249 --> 00:54:56,250 But no one makes war any more. 109 00:54:56,334 --> 00:54:58,585 The garrison here is infamous. 110 00:54:58,670 --> 00:55:00,587 Because of me! 111 00:55:01,548 --> 00:55:04,133 l know all about the debauchery. 112 00:55:04,217 --> 00:55:06,051 Those poor women. 113 00:55:06,136 --> 00:55:07,970 All was well... 114 00:55:08,930 --> 00:55:10,764 ...untiI Iast night. 115 00:56:26,549 --> 00:56:28,550 Stop. lt's Wilson! 116 00:56:28,635 --> 00:56:31,303 So you recognise me? 117 00:56:33,765 --> 00:56:35,599 I'm flattered. 118 00:56:38,228 --> 00:56:40,521 But we were many that night. 119 00:56:41,815 --> 00:56:44,817 lt was dark, and you were very busy. 120 00:57:12,554 --> 00:57:14,888 Good evening, Mr Wilson. 121 00:57:45,170 --> 00:57:47,421 - ls that WiIson? - Be carefuI. 122 00:57:48,673 --> 00:57:51,675 This Wilson is certainIy not the lover you dream of. 123 00:57:52,594 --> 00:57:54,928 He's made his reputation from men... 124 00:57:55,680 --> 00:57:57,556 ...not from us. 125 00:57:57,640 --> 00:58:01,351 He Iikes parades, the theatre, stage props. 126 00:58:02,353 --> 00:58:04,354 He needs an audience. 127 00:58:05,690 --> 00:58:09,234 But in a tête-à-tête, he puts on a poor show. 128 00:58:09,319 --> 00:58:12,613 - Have you met him before? - No... and l have no wish to. 129 00:58:13,615 --> 00:58:15,616 l don't Iike wasting my time. 130 00:58:17,994 --> 00:58:20,913 - Are you referring to me? - You... you. 131 00:58:20,997 --> 00:58:24,208 You must think you're the onIy man on Earth, Wilson. 132 00:58:24,959 --> 00:58:26,793 Are you sneering at me? 133 00:58:27,587 --> 00:58:29,421 Are you threatening me? 134 00:58:29,506 --> 00:58:31,507 l'm challenging you. 135 00:58:44,521 --> 00:58:45,938 Ace. 136 00:58:46,022 --> 00:58:49,733 She loved cards. But I'd always been good with cards. 137 00:58:49,817 --> 00:58:52,486 l decided to teach her a lesson. 138 00:58:52,570 --> 00:58:54,404 Figure. 139 00:59:08,461 --> 00:59:10,128 200. 140 00:59:12,340 --> 00:59:14,174 Double. 141 00:59:15,301 --> 00:59:16,927 I'll see you. 142 00:59:19,514 --> 00:59:21,723 Ace, jack. 143 00:59:23,851 --> 00:59:26,186 WiIson has Iost. 144 00:59:27,730 --> 00:59:29,648 Are you sure? 145 00:59:32,068 --> 00:59:33,860 Ace, king. 146 00:59:35,196 --> 00:59:37,656 l thought you were bIuffing. 147 00:59:37,740 --> 00:59:41,034 The bluffer with smoke and mirrors... 148 00:59:41,119 --> 00:59:43,287 ...is you, Wilson. 149 01:01:30,770 --> 01:01:33,021 The card player resembles the Iover. 150 01:01:33,106 --> 01:01:36,983 He gets tired. No staying power, my dear. 151 01:01:49,080 --> 01:01:50,706 Figure. 152 01:01:55,795 --> 01:01:57,546 Ace. 153 01:02:11,227 --> 01:02:15,522 WiII you accept my watch? It has three jewels. 154 01:02:19,444 --> 01:02:21,445 To see you, my dear. 155 01:02:23,823 --> 01:02:25,699 Ace, king. 156 01:02:33,958 --> 01:02:35,667 Draw. 157 01:02:38,755 --> 01:02:40,630 The game continues. 158 01:02:55,229 --> 01:03:02,152 Figure. 159 01:03:09,702 --> 01:03:11,077 Ace. 160 01:03:27,887 --> 01:03:30,764 Pour me a drink while l collect. 161 01:03:49,075 --> 01:03:52,452 From then on, she Iost inexorably until morning. 162 01:03:57,041 --> 01:03:58,708 Ace. 163 01:04:10,513 --> 01:04:12,681 All of it. 164 01:04:15,017 --> 01:04:16,852 I'll see you. 165 01:04:16,936 --> 01:04:18,770 Top card? 166 01:04:20,189 --> 01:04:21,982 Top card. 167 01:04:35,997 --> 01:04:38,039 Count it up, please. 168 01:04:45,590 --> 01:04:47,215 Thank you. 169 01:04:56,017 --> 01:04:57,851 Add 1 ,000 to that. 170 01:04:58,936 --> 01:05:01,438 4,000 thaIers, pIus 1 ,000... 171 01:05:01,522 --> 01:05:04,983 - l can't pay you, WiIson. - ln that case, it's simpIe. 172 01:05:07,153 --> 01:05:09,279 l propose doubIe or nothing. 173 01:05:10,615 --> 01:05:14,159 lt's your last chance. lfyou win, you'll owe me nothing. 174 01:05:14,243 --> 01:05:16,077 And if l lose? 175 01:05:16,954 --> 01:05:18,955 You'II stiII owe me nothing. 176 01:05:20,708 --> 01:05:22,542 But you'll be mine. 177 01:05:23,377 --> 01:05:26,129 How? Under what conditions? 178 01:05:27,048 --> 01:05:29,049 Whatever conditions l choose. 179 01:05:32,553 --> 01:05:35,555 Decide quickly. lt's 6:00am. 180 01:05:40,436 --> 01:05:42,062 l accept. 181 01:05:58,204 --> 01:05:59,871 Ace. 182 01:06:02,708 --> 01:06:04,376 King. 183 01:06:04,460 --> 01:06:07,253 Cards on the table now, that's the rule. 184 01:06:12,468 --> 01:06:14,260 Jack. 185 01:06:14,345 --> 01:06:16,638 Your Iuck is returning. 186 01:06:22,853 --> 01:06:25,146 No. l was wrong! 187 01:06:27,316 --> 01:06:29,442 You've lost, Giuseppina! 188 01:06:42,206 --> 01:06:44,374 Where? When? 189 01:06:48,170 --> 01:06:50,672 Here. Now. 190 01:06:51,549 --> 01:06:53,883 We shaII Ieave you both. 191 01:06:53,968 --> 01:06:58,179 On the contrary, gentlemen. Please stay. 192 01:08:29,230 --> 01:08:31,106 Your turn. 193 01:08:34,235 --> 01:08:35,944 WeII? 194 01:08:37,863 --> 01:08:39,864 You want something eIse. 195 01:08:43,202 --> 01:08:45,495 He wants something else, Giuseppina. 196 01:08:45,579 --> 01:08:47,413 May he? 197 01:08:52,503 --> 01:08:55,964 Madam, you owe this man nothing. 198 01:08:56,632 --> 01:08:58,842 He cheated. 199 01:08:58,926 --> 01:09:00,927 Here is the proof. 200 01:09:05,975 --> 01:09:11,020 All the cheat needs to do is distract the other's attention. 201 01:09:11,105 --> 01:09:13,273 Simply empty a glass... 202 01:09:14,567 --> 01:09:16,317 ...Iight a cigar... 203 01:09:18,404 --> 01:09:20,321 ...or take out his watch. 204 01:09:27,621 --> 01:09:30,290 Who are you, sir? 205 01:09:31,417 --> 01:09:33,585 Wilson knows who l am. 206 01:09:51,812 --> 01:09:55,857 Take yourjacket and your watch and get out of here. 207 01:09:55,941 --> 01:09:58,359 WiIson, l demand your resignation. 208 01:09:59,361 --> 01:10:01,487 You will leave town today. 209 01:10:01,572 --> 01:10:05,617 We all like a bit of fun, but a cheat is a disgrace to our uniform. 210 01:10:06,452 --> 01:10:08,494 You no longer exist for us. 211 01:10:27,306 --> 01:10:30,808 WiIson! 212 01:10:51,872 --> 01:10:55,291 This is the end of your traiIing me around. 213 01:10:55,376 --> 01:10:57,961 This is the end of your hounding me. 214 01:10:58,045 --> 01:11:01,130 This is the end of your torturing me. It's over! 215 01:11:01,924 --> 01:11:03,758 Over! 216 01:11:58,272 --> 01:12:00,064 WiIson! 217 01:12:47,446 --> 01:12:49,155 WiIson... 218 01:12:50,616 --> 01:12:53,034 You shouIdn't have killed me. 219 01:12:53,869 --> 01:12:56,746 Without me, you no longer exist. 220 01:12:58,457 --> 01:13:00,625 It's the end of the world. 221 01:13:00,709 --> 01:13:02,710 The end of hope. 222 01:13:04,588 --> 01:13:07,965 If I die, you die too. 223 01:13:34,076 --> 01:13:37,870 My son, you've reIieved your souI 224 01:13:37,955 --> 01:13:40,373 by telling me of your nightmares. 225 01:13:42,751 --> 01:13:45,545 Promise the Lord never to drink again. 226 01:13:45,629 --> 01:13:48,631 Drunkenness makes a beast of a man. 227 01:13:48,715 --> 01:13:51,175 One knows not what one says or does. 228 01:13:51,260 --> 01:13:53,094 You don't beIieve me? 229 01:13:53,178 --> 01:13:56,055 Yes, l do, but be reasonabIe. 230 01:13:56,807 --> 01:13:59,809 Get some sleep. Tomorrow you'll forget it. 231 01:13:59,935 --> 01:14:03,521 You'll be ashamed and you'll ask God's forgiveness. 232 01:14:03,605 --> 01:14:05,690 Give up your debauchery. 233 01:14:05,774 --> 01:14:08,484 Seek the chaste love of a good wife. 234 01:14:08,569 --> 01:14:10,862 You'll suffer hallucinations no more, 235 01:14:10,946 --> 01:14:12,989 for that's what they are. 236 01:14:13,073 --> 01:14:14,907 They are born of pride 237 01:14:14,992 --> 01:14:17,702 and only turn you in upon yourself. 238 01:14:18,412 --> 01:14:22,331 You fooI! You don't beIieve me. 239 01:14:22,416 --> 01:14:24,125 To heII with you! 240 01:16:38,760 --> 01:16:41,220 The plane kept hovering above the airport, 241 01:16:41,305 --> 01:16:43,931 seemingly unable to decide to land. 242 01:16:44,933 --> 01:16:47,560 lt was my first trip to Rome, 243 01:16:47,644 --> 01:16:50,646 and l didn't speak ltalian. 244 01:16:50,731 --> 01:16:53,482 My job as an actor often had me travelling, 245 01:16:53,567 --> 01:16:56,861 but this time was different. l was worried, on edge. 246 01:16:56,945 --> 01:16:59,572 For a moment, l even had the absurd hope 247 01:16:59,656 --> 01:17:03,284 that the pIane wouIdn't Iand but would take me... home. 248 01:17:04,411 --> 01:17:06,662 lt was not to be. 249 01:17:06,747 --> 01:17:09,999 The airport's invisible nets had caught the plane 250 01:17:10,083 --> 01:17:12,835 and were dragging it heIpIessIy towards the ground. 251 01:17:18,634 --> 01:17:20,718 Attention, please. 252 01:17:20,802 --> 01:17:26,807 TWA announces the departure of flight 203 to New York. 253 01:18:17,359 --> 01:18:20,069 There he is! Toby Dammit! 254 01:18:21,405 --> 01:18:23,280 A smile, please, Toby. 255 01:18:26,952 --> 01:18:28,452 Stop it! 256 01:18:38,588 --> 01:18:42,717 DisgracefuI. What an idiot! I'll kick him back aII the way to England! 257 01:18:43,135 --> 01:18:45,553 Are you hurt? 258 01:18:45,637 --> 01:18:47,638 No, I am aII right. 259 01:18:47,723 --> 01:18:49,598 They send them aII here... 260 01:19:54,080 --> 01:19:55,915 I am Father Spagna. 261 01:20:21,650 --> 01:20:24,193 Do l need to tell him anything else? 262 01:20:30,700 --> 01:20:33,410 FoIlow me, please. 263 01:20:37,457 --> 01:20:41,252 There's aIways so much waIking to do in airports. 264 01:20:44,005 --> 01:20:47,216 It's the first Catholic Western. 265 01:20:47,300 --> 01:20:51,178 Christ's return to the desolate prairie. 266 01:20:51,263 --> 01:20:54,765 lt responds to a secret wish in every man's heart. 267 01:20:54,850 --> 01:20:58,143 A new manifestation of Christ. 268 01:20:58,228 --> 01:21:03,023 Our Saviour appearing in a tangible presence. 269 01:21:03,108 --> 01:21:05,609 Christ is alive in aII of us, of course. 270 01:21:05,694 --> 01:21:09,530 Yet, this presentation of Him, so clear, so obvious... 271 01:21:11,533 --> 01:21:14,535 ...may seem a desperate gambIe. 272 01:21:14,619 --> 01:21:16,996 Blasphemy, almost, l agree. 273 01:21:17,080 --> 01:21:19,290 But an artist like yourseIf, 274 01:21:19,374 --> 01:21:22,251 whether a believer or not, 275 01:21:22,335 --> 01:21:26,255 will understand that structuralist cinema 276 01:21:26,339 --> 01:21:30,551 can recapture subIime poetry through primal images, 277 01:21:30,635 --> 01:21:34,221 eIoquent in their very poverty - 278 01:21:34,306 --> 01:21:37,808 syntagmatic, as my friend RoIand Barthes wouId say. 279 01:21:37,893 --> 01:21:41,103 Something between Dreyer and PasoIini 280 01:21:41,187 --> 01:21:43,898 with just a hint of John Ford, of course. 281 01:21:45,150 --> 01:21:48,485 As long as it reflects the torments of our culture 282 01:21:48,570 --> 01:21:51,447 and the decadence of capitaIism, 283 01:21:51,531 --> 01:21:55,159 Italian Westerns are a committed art form! 284 01:21:55,243 --> 01:21:56,952 In Lukacs' terms, 285 01:21:57,037 --> 01:22:02,166 we want to create characters rooted in history, socioIogicaIIy speaking. 286 01:22:02,250 --> 01:22:04,960 For example, our two outlaws represent anarchy. 287 01:22:05,045 --> 01:22:10,591 The busty girl is the illusory refuge from rationaIity. 288 01:22:10,675 --> 01:22:13,344 The prairie is beyond history 289 01:22:13,428 --> 01:22:17,348 and buffalo meat, man's struggle for subsistence. 290 01:22:17,432 --> 01:22:19,266 It will be in colour. 291 01:22:19,351 --> 01:22:21,602 Harsh colours and crude costumes, 292 01:22:21,686 --> 01:22:25,689 to harmonise the prairie with the biblical landscape. 293 01:22:25,774 --> 01:22:28,901 Piero della Francesca and Fred Zinnemann, so to speak! 294 01:22:30,028 --> 01:22:34,782 lt's an interesting idea. You'll fit in nicely. 295 01:22:34,866 --> 01:22:37,117 Just let your heart speak. 296 01:22:45,794 --> 01:22:48,128 Yes, the Ferrari... 297 01:22:48,213 --> 01:22:52,091 You'll get the Ferrari after the show. 298 01:23:00,392 --> 01:23:02,935 I can't hear you. 299 01:23:11,736 --> 01:23:13,779 Are you going to a funeraI? 300 01:23:38,346 --> 01:23:40,389 Keep moving! 301 01:23:50,859 --> 01:23:55,696 Stop the car! I have to speak to him. 302 01:23:58,241 --> 01:24:01,577 1 ,000 Iira. Your hand. l see wealth and joy. 303 01:24:04,539 --> 01:24:12,796 Curiosity is only human but you can't change destiny. 304 01:24:14,049 --> 01:24:16,467 I won't do it. 305 01:26:35,398 --> 01:26:39,151 Our guest star tonight is an English actor 306 01:26:39,235 --> 01:26:40,944 who needs no introduction. 307 01:26:41,029 --> 01:26:43,780 You will all remember his last film. 308 01:26:43,865 --> 01:26:48,368 He's now here in Rome to make a fiIm - 309 01:26:48,453 --> 01:26:52,497 a Western version of the Redemption! 310 01:26:52,582 --> 01:26:56,460 Ladies and gentlemen, please weIcome Toby Dammit. 311 01:27:13,478 --> 01:27:15,604 You've never been to ltaly before? 312 01:27:16,522 --> 01:27:18,607 What brought you here? 313 01:27:26,616 --> 01:27:28,533 Do you use LSD or other drugs? 314 01:27:29,953 --> 01:27:31,370 Why? 315 01:27:33,039 --> 01:27:35,415 What do you like most in Iife? 316 01:27:38,127 --> 01:27:39,711 What do you despise most? 317 01:27:41,631 --> 01:27:44,925 Some say you've lost your pubIic. ls that true? 318 01:27:50,431 --> 01:27:53,475 How did critics like your Hamlet? 319 01:27:57,355 --> 01:27:59,690 Was your childhood unhappy? 320 01:28:09,617 --> 01:28:12,077 I've heard you can't stand criticism 321 01:28:12,161 --> 01:28:14,830 and that you have a violent temper. 322 01:28:29,053 --> 01:28:31,763 Are you neurotic? 323 01:28:35,184 --> 01:28:38,437 What is amiss in your Iife, Mr Dammit? 324 01:28:42,734 --> 01:28:45,444 ls it true you've done unsavouryjobs? 325 01:28:59,167 --> 01:29:00,917 Do you know Italian cinema? 326 01:29:02,712 --> 01:29:06,048 Why do you think you're popular with men and women? 327 01:29:10,136 --> 01:29:12,304 Why hadn't you visited Italy sooner? 328 01:29:14,015 --> 01:29:15,849 Do you think you're witty? 329 01:29:17,101 --> 01:29:19,227 Do you beIieve in God? 330 01:29:23,900 --> 01:29:25,609 What about the DeviI? 331 01:29:29,197 --> 01:29:32,282 How interesting! Have you seen him? 332 01:29:34,160 --> 01:29:39,081 Does he look like a goat, a bat or a black cat? 333 01:30:55,241 --> 01:30:59,035 He's doing rather weII. Very strong! 334 01:30:59,120 --> 01:31:02,581 With a face like mine, I can do anything l wish. 335 01:31:02,665 --> 01:31:04,624 Did you see that? 336 01:31:05,585 --> 01:31:07,210 He never stops. 337 01:31:19,140 --> 01:31:22,058 Good evening, Iadies and gentlemen. 338 01:31:22,602 --> 01:31:26,271 WeIcome to the Italian Oscars presentation ceremony. 339 01:31:26,355 --> 01:31:30,192 First, l wish to thank the celebrities from show business, 340 01:31:30,276 --> 01:31:32,777 politics and the arts who are here tonight. 341 01:31:32,862 --> 01:31:38,283 l also wish to thank the Minister of Culture for this telegram. 342 01:31:38,367 --> 01:31:40,619 Here's to my producer. 343 01:31:40,703 --> 01:31:46,291 Allow me to shake your hand. Bravo. And God bless Italy! 344 01:31:47,043 --> 01:31:50,420 Mr Dammit, my name is SpineIIi but I'm known as D'Artagnan. 345 01:31:50,505 --> 01:31:56,593 l do voice imitations. I'm a poet, a phiIosopher, a writer... 346 01:31:56,677 --> 01:31:59,095 Can't l even say hello to a friend? 347 01:32:00,765 --> 01:32:02,933 Excuse me, Mr Dammit. 348 01:32:03,017 --> 01:32:07,479 This is my daughter Elisabeth. She sings, dances, acts. 349 01:32:07,563 --> 01:32:10,357 - Smile, Elisabeth. - How are you? 350 01:32:10,441 --> 01:32:12,609 Is she a virgin? 351 01:32:13,986 --> 01:32:17,864 She's a child, Mr Dammit, believe me. 352 01:32:23,663 --> 01:32:25,664 Lombardi. Production. 353 01:32:25,748 --> 01:32:29,584 They're about to present the Golden Wolves. 354 01:32:29,669 --> 01:32:34,047 We've got a little time after the fashion show. 355 01:32:34,131 --> 01:32:37,592 UsuaIIy everyone does a little something before the awards, 356 01:32:37,677 --> 01:32:39,511 a little poetry maybe. 357 01:32:39,595 --> 01:32:41,680 Not the actresses of course. 358 01:32:41,764 --> 01:32:45,267 A bit of Shakespeare, perhaps. But keep it short. 359 01:32:45,351 --> 01:32:48,311 Make it snappy. 360 01:32:49,021 --> 01:32:50,981 The boss is right. 361 01:32:51,065 --> 01:32:54,985 Shakespeare's a winner, in smaII doses. 362 01:33:02,702 --> 01:33:06,871 l'm now proud to present the highlight of the collection: 363 01:33:06,956 --> 01:33:08,623 "Queen of Sheba". 364 01:33:10,293 --> 01:33:12,127 The big premiere! 365 01:33:15,881 --> 01:33:18,758 "The Cathedral of Fashion". 366 01:33:22,597 --> 01:33:26,224 "Roman Fashion" and "Humiliation". 367 01:33:32,648 --> 01:33:34,399 "Lady Hamilton". 368 01:33:35,026 --> 01:33:37,360 You're on, Mr Dammit. 369 01:33:37,445 --> 01:33:42,115 Follow me, you'll wait together with the other presenters. 370 01:33:44,952 --> 01:33:47,412 Give us a hand, pIease. 371 01:33:50,249 --> 01:33:54,210 I'm your stand-in. CouId l have a photo with you? 372 01:33:54,295 --> 01:33:56,296 Take a picture of us. 373 01:33:56,380 --> 01:33:59,007 Yes, the three of us! 374 01:33:59,091 --> 01:34:01,926 l know London very weII. l've been there twice. 375 01:34:02,011 --> 01:34:05,597 l'm delighted to be your stand-in. l did Tomas MiIian too. 376 01:34:07,016 --> 01:34:10,060 l'm a stuntman too. 377 01:34:10,144 --> 01:34:11,686 Thank you! 378 01:34:11,771 --> 01:34:13,605 l'II take 20 prints. 379 01:34:13,689 --> 01:34:15,106 When did you go to London? 380 01:34:15,191 --> 01:34:20,153 Oh, l wish l could live there. The underground is great. 381 01:34:20,237 --> 01:34:23,448 And the English are the politest people in the worId! 382 01:34:23,532 --> 01:34:28,495 Plus, their cinema is so much better than ours. 383 01:34:30,623 --> 01:34:32,916 You'II be more comfortabIe over here... 384 01:34:33,584 --> 01:34:34,918 What do you need? 385 01:34:35,836 --> 01:34:37,921 No, you've had enough. 386 01:34:38,005 --> 01:34:40,674 Later on, if all goes well. 387 01:34:44,345 --> 01:34:46,596 You shouldn't drink so much. 388 01:34:52,269 --> 01:34:54,729 l am the painter Stagni. 389 01:34:54,814 --> 01:34:57,190 l won the prize for best screenplay 390 01:34:57,274 --> 01:35:01,861 for "Drag Your Old Bones Home". Have you seen it? 391 01:35:01,946 --> 01:35:05,657 I'm deIighted to meet you. l'm an admirer of yours. 392 01:35:16,877 --> 01:35:21,214 - Sit down, darIing. - Poor thing, he's aImost blind. 393 01:35:24,385 --> 01:35:27,887 HeIIo, do you remember me? 394 01:35:30,474 --> 01:35:34,894 My magazine is doing a special edition. 395 01:35:35,980 --> 01:35:39,149 lt will be about the ancient pagan gods. 396 01:35:39,233 --> 01:35:45,655 You've been chosen to represent the young Greek god, Mars. 397 01:35:46,449 --> 01:35:48,825 Eight full page photos. 398 01:35:48,909 --> 01:35:51,494 Almost completely naked. 399 01:35:51,579 --> 01:35:53,955 Can I look forward to it? 400 01:36:04,925 --> 01:36:06,718 Bravo! 401 01:36:07,887 --> 01:36:10,555 And now for the moment of truth. 402 01:36:10,639 --> 01:36:14,142 But first Iet me thank our distinguished jury 403 01:36:14,226 --> 01:36:20,106 who have selected the winners of the highest award. 404 01:36:20,191 --> 01:36:22,942 A GoIden WoIf to Marilù Traversi, 405 01:36:23,027 --> 01:36:28,323 whose generous nature was revealed in her very first film. 406 01:36:29,867 --> 01:36:35,497 A GoIden WoIf to the waltzing twins, 407 01:36:35,581 --> 01:36:37,957 Lion and Tiger. 408 01:36:42,421 --> 01:36:44,839 Come up to the microphone. 409 01:36:44,924 --> 01:36:51,805 TeII the audience how you feel about this unforgettable moment in your Iife. 410 01:36:52,807 --> 01:36:55,099 I'm overcome with emotion. 411 01:36:55,184 --> 01:36:58,186 AII l can say is... thank you. 412 01:36:58,270 --> 01:37:01,648 - And you? - l'm overcome with emotion. 413 01:37:01,732 --> 01:37:04,108 AII l can say is... thank you. 414 01:37:05,444 --> 01:37:06,861 I'm overcome with emotion. 415 01:37:06,946 --> 01:37:10,657 AII l can say is... thank you. 416 01:37:10,741 --> 01:37:13,409 Bravo! Bravo! 417 01:37:14,203 --> 01:37:18,331 Now, Iet's hear it for the woman who has won everyone's heart. 418 01:37:18,415 --> 01:37:21,292 Your favourite actress and mine. 419 01:37:21,377 --> 01:37:24,212 A Golden Wolf to Annie Ravel. 420 01:37:29,718 --> 01:37:31,344 Hello... 421 01:37:33,097 --> 01:37:36,391 And now, pIease forgive me 422 01:37:36,475 --> 01:37:39,185 if my voice trembles a bit more than usuaI, 423 01:37:39,270 --> 01:37:41,688 but how can one not be thrilled 424 01:37:41,772 --> 01:37:45,316 to introduce our guest of honour... 425 01:37:46,610 --> 01:37:48,486 Yes, you've guessed it. 426 01:37:49,196 --> 01:37:54,325 An artist who for so many years has devoted his life 427 01:37:54,410 --> 01:37:57,829 to bringing us Iaughter and joy, 428 01:37:57,913 --> 01:38:00,999 who has made us Iaugh till we cried, 429 01:38:01,083 --> 01:38:04,043 with the enthusiasm of a truly great artist. 430 01:38:28,027 --> 01:38:30,403 How do you stay so young? 431 01:38:36,493 --> 01:38:41,331 WouId you like to say a few words or wouId you rather mime for us? 432 01:38:41,415 --> 01:38:46,044 Don't ask too much of me. BeIieve it or not, I've got a cat's eye! 433 01:39:37,054 --> 01:39:39,389 l will take care ofyou. 434 01:39:39,473 --> 01:39:44,394 I understand you. I've known you aII your life. 435 01:39:45,145 --> 01:39:47,605 You won't be alone any more 436 01:39:47,690 --> 01:39:50,775 because l'II be with you aIways. 437 01:39:50,859 --> 01:39:54,278 Whenever you put out your hand, you will find my hand. 438 01:39:57,116 --> 01:40:01,202 You are no Ionger an outcast, no Ionger a fugitive. 439 01:40:01,286 --> 01:40:05,039 No more loneliness. No more selfishness. 440 01:40:06,458 --> 01:40:08,543 We will share a life 441 01:40:08,627 --> 01:40:11,587 of serenity and devotion. 442 01:40:12,715 --> 01:40:15,591 The Iife we've both been Ionging for. 443 01:40:15,676 --> 01:40:18,928 You lacked faith, but you kept your trust and found me. 444 01:40:20,597 --> 01:40:23,307 l am the one you were waiting for, 445 01:40:23,392 --> 01:40:25,935 and l am here with you. 446 01:40:27,229 --> 01:40:29,605 Forever. 447 01:41:04,016 --> 01:41:07,894 And now we have another surprise in store for you tonight. 448 01:41:07,978 --> 01:41:09,979 One of cinema's great gods. 449 01:41:10,064 --> 01:41:12,815 Ladies and gentlemen, Toby Dammit! 450 01:41:50,771 --> 01:41:52,980 Come on up, Mr Dammit. 451 01:41:54,024 --> 01:41:56,192 Make way, please! 452 01:42:08,914 --> 01:42:12,166 Let's give a hand to weIcome, Toby Dammit, 453 01:42:12,251 --> 01:42:18,422 the great English actor who has contributed so much to British film 454 01:42:18,507 --> 01:42:21,050 and who has come to honour our Italian cinema. 455 01:42:21,135 --> 01:42:24,929 lt gives me great pIeasure to present 456 01:42:25,013 --> 01:42:30,017 this token of our esteem to Toby Dammit, 457 01:42:30,102 --> 01:42:34,647 whose Shakespearean performances are as immortal 458 01:42:34,731 --> 01:42:37,817 as the great bard himself, one of the world's greatest poets, 459 01:42:37,901 --> 01:42:40,820 second onIy to our great Dante. 460 01:42:42,865 --> 01:42:44,949 Congratulations. 461 01:46:06,651 --> 01:46:09,153 Here are the keys. lt's ready to go. 462 01:46:34,763 --> 01:46:38,432 Come back, Mr Dammit! 463 01:46:41,561 --> 01:46:43,979 Where is he going? Toby! 464 01:47:57,262 --> 01:47:59,805 What's got into him? FooI! 465 01:54:17,559 --> 01:54:20,644 He's crazy. Where does he think he's going? 466 01:54:27,610 --> 01:54:31,780 The bridge is down. You have to make a detour. 467 01:54:36,870 --> 01:54:41,790 Come back! You have to turn off at the mill.