1
00:00:24,700 --> 00:00:27,800
*Instruments agree.
public hubbub
2
00:00:28,000 --> 00:00:58,000
*...
...
3
00:00:58,200 --> 00:01:19,700
*...
...
4
00:01:19,900 --> 00:01:34,900
...
5
00:01:35,000 --> 00:01:36,200
Amused sigh
6
00:01:36,800 --> 00:01:39,700
public hubbub
7
00:01:39,800 --> 00:01:40,700
-Elise!
8
00:01:41,500 --> 00:01:42,300
Elise!
9
00:01:42,500 --> 00:01:43,500
Applause
10
00:01:43,700 --> 00:01:47,900
...
11
00:01:48,000 --> 00:01:52,000
...
12
00:01:52,100 --> 00:01:54,800
*Majestic ballet music
(La Bayadère - Act 1)
13
00:01:55,000 --> 00:02:01,400
*...
14
00:02:01,500 --> 00:02:03,300
(You're beautiful.)
(-Thank you.)
15
00:02:03,500 --> 00:02:12,000
*...
16
00:02:12,200 --> 00:02:14,000
Whispers
17
00:02:14,100 --> 00:02:57,000
*...
18
00:02:57,200 --> 00:03:01,200
*...
Buzz of conversations
19
00:03:01,400 --> 00:03:12,600
*...
20
00:03:14,000 --> 00:03:17,600
*Dark ballet music
(La Bayadère - Act 1)
21
00:03:17,700 --> 00:03:29,500
*...
22
00:03:29,700 --> 00:03:33,000
*...
Not approaching
23
00:03:33,200 --> 00:03:39,000
*...
...
24
00:03:39,200 --> 00:03:44,200
*...
Discreet hubbub
25
00:03:44,300 --> 00:03:53,800
*...
26
00:03:54,000 --> 00:03:57,600
*Cheerful ballet music
(La Bayadère - Act 1)
27
00:03:57,700 --> 00:04:18,800
*...
28
00:04:19,000 --> 00:04:20,600
(-It's in two minutes!)
29
00:04:20,700 --> 00:04:22,200
*...
30
00:04:22,400 --> 00:04:25,600
*Rhythmic ballet music
(La Bayadère - Act 1)
31
00:04:25,700 --> 00:04:33,000
*...
32
00:04:33,100 --> 00:04:34,500
Elise whispers.
33
00:04:34,600 --> 00:04:36,200
*...
34
00:04:36,300 --> 00:04:37,400
Sigh
35
00:04:37,900 --> 00:04:38,900
-Come on!
36
00:04:39,900 --> 00:04:41,000
Come!
37
00:04:41,200 --> 00:04:43,900
Whispers
38
00:04:44,100 --> 00:05:07,000
*...
39
00:05:07,100 --> 00:05:08,200
Feverish breathing
40
00:05:08,400 --> 00:05:10,700
*...
41
00:05:10,900 --> 00:05:12,100
*...
...
42
00:05:12,200 --> 00:05:29,800
*...
43
00:05:30,000 --> 00:05:32,200
...
44
00:05:32,400 --> 00:05:34,400
Applause
45
00:05:34,500 --> 00:05:37,600
...
46
00:05:37,700 --> 00:05:41,200
*Majestic ballet music
(La Bayadère - Act 1)
47
00:05:41,300 --> 00:06:04,400
*...
48
00:06:04,600 --> 00:06:06,000
Feverish breathing
49
00:06:06,200 --> 00:06:12,800
*...
50
00:06:13,000 --> 00:06:32,200
...
*...
51
00:06:32,400 --> 00:06:59,400
*...
52
00:07:00,500 --> 00:07:03,500
*Soft ballet music
(La Bayadère - Act 1)
53
00:07:03,700 --> 00:07:33,300
*...
54
00:07:33,500 --> 00:08:03,500
*...
55
00:08:03,700 --> 00:08:23,900
*...
56
00:08:24,000 --> 00:08:26,600
*Rhythmic ballet music
(La Bayadère - Act 1)
57
00:08:26,800 --> 00:08:56,000
*...
58
00:08:56,200 --> 00:08:59,700
Feverish breathing
Saturation effects
59
00:08:59,900 --> 00:09:05,000
...
60
00:09:05,100 --> 00:09:08,400
Highly saturated industrial music
61
00:09:08,500 --> 00:09:38,500
...
62
00:09:38,700 --> 00:10:08,700
...
63
00:10:08,900 --> 00:10:38,900
...
64
00:10:39,000 --> 00:11:07,400
...
65
00:11:07,600 --> 00:11:19,100
...
66
00:11:19,300 --> 00:11:20,600
Feverish breathing
67
00:11:20,700 --> 00:11:23,900
*Dark ballet music
(La Bayadère - Act 1)
68
00:11:24,100 --> 00:11:25,300
...
*...
69
00:11:25,500 --> 00:11:32,100
*...
70
00:11:32,500 --> 00:11:34,700
(-Hey! It was great.)
(-Leave me!)
71
00:11:34,800 --> 00:11:36,700
...
72
00:11:36,800 --> 00:11:41,200
*Soft ballet music
(La Bayadère - Act 1)
73
00:11:41,400 --> 00:11:42,400
(-Julien!)
74
00:11:42,800 --> 00:11:44,800
(Hey! Go ahead, go ahead.)
75
00:11:45,000 --> 00:11:46,300
*...
76
00:11:46,500 --> 00:11:49,500
*Sad ballet music
(La Bayadère - Act 1)
77
00:11:49,700 --> 00:11:51,500
*...
78
00:11:51,700 --> 00:11:53,300
*...
Discreet laughter
79
00:11:53,500 --> 00:12:09,500
*...
80
00:12:11,100 --> 00:12:13,400
*Soft ballet music
(La Bayadère - Act 3)
81
00:12:13,600 --> 00:12:30,000
*...
82
00:12:30,200 --> 00:12:32,200
*...
Mulled hubbub
83
00:12:32,400 --> 00:12:35,000
...
84
00:12:35,200 --> 00:12:43,600
*...
...
85
00:12:43,800 --> 00:12:44,900
-Wait for me.
86
00:12:45,100 --> 00:12:52,300
*...
...
87
00:12:52,500 --> 00:12:55,200
*Rhythmic ballet music
(La Bayadère - Act 3)
88
00:12:55,400 --> 00:13:22,400
*...
89
00:13:22,500 --> 00:13:31,500
*...
90
00:13:31,700 --> 00:13:34,300
*Majestic ballet music
(La Bayadère - Act 3)
91
00:13:34,500 --> 00:13:56,000
*...
92
00:13:56,100 --> 00:13:57,200
Scream
93
00:13:57,300 --> 00:13:59,100
...
-OH!
94
00:13:59,300 --> 00:14:05,700
*...
95
00:14:05,800 --> 00:14:07,000
Élise groaned.
96
00:14:07,200 --> 00:14:11,500
...
*...
97
00:14:11,700 --> 00:14:12,800
public hubbub
98
00:14:13,000 --> 00:14:20,000
...
99
00:14:22,800 --> 00:14:26,800
Élise groaned.
100
00:14:32,100 --> 00:14:33,300
...
101
00:14:38,500 --> 00:14:40,900
...
102
00:14:49,400 --> 00:14:50,500
-Tearing.
103
00:14:50,700 --> 00:14:52,700
At first glance, it's a tearjerker.
104
00:14:55,200 --> 00:14:57,600
-Do you want help?
-No, it's okay, thank you.
105
00:15:19,100 --> 00:15:20,800
Squeaking door
106
00:15:21,400 --> 00:15:22,600
Hi, Yann.
-Ah, hello.
107
00:15:22,800 --> 00:15:23,700
-How are you ?
108
00:15:23,900 --> 00:15:25,700
-Shit ! Did they put a cast on you?
109
00:15:25,900 --> 00:15:28,500
-Yeah ! It's in the emergency room.
They put it straight to me.
110
00:15:28,700 --> 00:15:29,700
-Ah, okay...
111
00:15:29,800 --> 00:15:31,300
You're going to have to take this off quickly.
112
00:15:31,500 --> 00:15:32,800
I'll take this from you.
-Yes.
113
00:15:33,500 --> 00:15:34,500
-Okay...
114
00:15:34,700 --> 00:15:37,100
You should go see
Grandjean or Tran,
115
00:15:37,300 --> 00:15:40,000
let them tell you what's wrong with you
and that we handle this properly.
116
00:15:40,200 --> 00:15:43,800
They will tell you that when you are a dancer,
a cast is not possible.
117
00:15:44,100 --> 00:15:45,000
-Okay.
118
00:15:45,100 --> 00:15:47,800
-So, I think
that I'm only going to observe you today.
119
00:15:48,000 --> 00:15:50,000
It's a little early to be manipulating you.
-Okay.
120
00:15:50,100 --> 00:15:51,200
-I'll let you settle in.
121
00:15:51,300 --> 00:15:53,000
-I imagine you already know everything.
122
00:15:53,300 --> 00:15:56,400
-Yes yes.
You know, there's a lot of chatter.
123
00:15:57,000 --> 00:15:58,900
-But what do the others say?
124
00:15:59,400 --> 00:16:01,200
-About you and Julien?
-Well yes.
125
00:16:01,300 --> 00:16:02,200
-Yes...
126
00:16:02,400 --> 00:16:04,200
Uh, well no... There you go!
127
00:16:04,800 --> 00:16:05,800
Here, lie down.
128
00:16:08,000 --> 00:16:11,100
Tell me if there's something
that hurts you.
129
00:16:11,700 --> 00:16:13,000
-No, it's okay.
130
00:16:15,500 --> 00:16:16,600
And you, how are you?
131
00:16:17,300 --> 00:16:18,300
-Hmm?
132
00:16:18,500 --> 00:16:20,900
-How are you ?
I don't know. You look weird.
133
00:16:21,100 --> 00:16:22,200
-No, I...
134
00:16:27,000 --> 00:16:28,000
Actually, uh...
135
00:16:29,000 --> 00:16:30,700
I was with Blanche.
136
00:16:30,800 --> 00:16:32,100
-What ?
-Yes.
137
00:16:32,800 --> 00:16:34,900
For two years.
-What ? I didn't know.
138
00:16:35,000 --> 00:16:36,800
-Ah, you didn't know?
Sigh
139
00:16:37,100 --> 00:16:39,900
In addition, it appeared
with Julien, while we...
140
00:16:40,100 --> 00:16:42,200
She wanted us to be super discreet.
141
00:16:42,500 --> 00:16:45,700
She kept telling me that dancing,
it's a den of chatterboxes.
142
00:16:45,800 --> 00:16:47,800
-I confirm to you.
-Yeah.
143
00:16:48,200 --> 00:16:51,300
So we kept it a secret.
144
00:16:51,500 --> 00:16:53,200
so people don't talk about us.
145
00:16:53,700 --> 00:16:54,800
Sigh
146
00:16:55,500 --> 00:16:56,900
I'm disgusted.
147
00:16:59,300 --> 00:17:02,700
In addition, she told me that she
hated dancing guys. Good !
148
00:17:03,700 --> 00:17:05,900
-So,
we are the two cuckolds of the house.
149
00:17:06,000 --> 00:17:07,000
-Yes.
150
00:17:07,200 --> 00:17:09,000
Nervous breathing
151
00:17:09,100 --> 00:17:10,800
(Sorry.)
-Oh no, Yann...
152
00:17:11,600 --> 00:17:12,700
-Excuse me.
153
00:17:12,900 --> 00:17:13,800
He cries.
154
00:17:14,000 --> 00:17:16,800
-Don't complain, because otherwise,
I too am going...
155
00:17:17,000 --> 00:17:18,900
-Oh my, damn...
156
00:17:19,000 --> 00:17:21,200
...
157
00:17:21,500 --> 00:17:22,400
Breath
158
00:17:22,600 --> 00:17:26,300
I think I need to start
to work on myself.
159
00:17:26,500 --> 00:17:27,400
Breath
160
00:17:27,600 --> 00:17:29,600
I only have crappy vibes.
161
00:17:29,800 --> 00:17:32,300
I don't know how you took it,
but for me, it...
162
00:17:33,200 --> 00:17:34,800
Breath
163
00:17:35,700 --> 00:17:36,600
You see...
164
00:17:37,500 --> 00:17:40,200
How am I going to do
to treat people, while I...
165
00:17:40,300 --> 00:17:42,000
-Wait, wait...
-Sorry.
166
00:17:42,200 --> 00:17:43,200
-Sit down.
167
00:17:43,400 --> 00:17:45,000
He cries.
168
00:17:45,200 --> 00:17:46,100
Breathe.
169
00:17:46,300 --> 00:17:48,000
...
Breathe.
170
00:17:48,200 --> 00:17:56,000
...
171
00:17:56,200 --> 00:17:57,600
Lie down.
172
00:17:58,300 --> 00:17:59,900
Try to breathe.
173
00:18:00,700 --> 00:18:02,400
It'll be OK.
174
00:18:02,500 --> 00:18:04,600
-Anything...
-But no.
175
00:18:04,700 --> 00:18:07,100
...
176
00:18:07,200 --> 00:18:08,700
Come on, they're idiots.
177
00:18:10,500 --> 00:18:11,600
We are stronger than them.
178
00:18:11,800 --> 00:18:13,200
...
179
00:18:13,400 --> 00:18:14,800
-You're right.
180
00:18:15,600 --> 00:18:17,300
-Come on, breathe.
181
00:18:18,500 --> 00:18:20,500
-It feels good what you're doing to me there.
182
00:18:21,300 --> 00:18:22,800
It makes me feel really good.
183
00:18:24,700 --> 00:18:26,200
Expiry
184
00:18:29,300 --> 00:18:32,600
Heavy breathing
185
00:18:32,800 --> 00:18:34,900
Urban traffic
186
00:18:35,100 --> 00:18:39,100
...
187
00:18:42,300 --> 00:18:46,500
Hustle and bustle of work
188
00:18:55,900 --> 00:19:04,400
...
189
00:19:04,500 --> 00:19:05,900
*Soft music
190
00:19:06,100 --> 00:19:07,000
-One!
191
00:19:07,100 --> 00:19:12,800
*...
192
00:19:13,200 --> 00:19:15,500
Half-folded. Large folded.
193
00:19:15,700 --> 00:19:16,700
Half!
194
00:19:17,600 --> 00:19:18,700
Tense.
195
00:19:19,400 --> 00:19:20,400
Ahead.
196
00:19:20,600 --> 00:19:23,700
*...
197
00:19:23,800 --> 00:19:27,200
We push the ground with our heels
to raise.
198
00:19:27,300 --> 00:19:37,400
*...
199
00:19:37,600 --> 00:19:38,500
Good.
200
00:19:38,700 --> 00:19:39,800
Five !
201
00:19:40,100 --> 00:19:41,600
Not too high, arms.
202
00:19:41,800 --> 00:19:45,200
*...
203
00:19:45,400 --> 00:19:48,300
Buzz of conversations
204
00:19:48,500 --> 00:19:52,000
...
205
00:19:52,200 --> 00:19:55,200
-Elise! Margaret wanted to talk to you.
-Ah good ? NOW ?
206
00:19:55,300 --> 00:19:57,200
-Yes, she's downstairs
with Hofesh Shechter.
207
00:19:57,400 --> 00:19:58,600
-Hofesh is there?
208
00:19:58,700 --> 00:20:01,900
-Yes, he is going to put on a show in Paris.
See you later?
209
00:20:02,000 --> 00:20:04,300
-Uh...
No, I think I'll go there later.
210
00:20:04,500 --> 00:20:06,000
-Okay, it works.
211
00:20:06,100 --> 00:20:09,000
...
212
00:20:09,100 --> 00:20:11,000
Feverish breathing
213
00:20:11,200 --> 00:20:12,600
(In English)
-For me, that's it...
214
00:20:13,000 --> 00:20:15,500
This is the heart of my work...
215
00:20:16,100 --> 00:20:18,500
-Oh dear, my poor Élise...
216
00:20:18,700 --> 00:20:20,000
You didn't fail.
217
00:20:20,400 --> 00:20:21,900
Elise Gautier.
218
00:20:22,300 --> 00:20:24,500
-I saw you in Berlin.
219
00:20:24,800 --> 00:20:25,700
-Really ?
220
00:20:25,900 --> 00:20:27,300
-Great show.
221
00:20:27,800 --> 00:20:28,900
-THANKS.
222
00:20:29,100 --> 00:20:30,400
-What happened?
223
00:20:30,700 --> 00:20:33,100
-It's... a long story.
224
00:20:33,200 --> 00:20:35,000
-Will it take long? Did they tell you?
225
00:20:35,600 --> 00:20:37,400
-I don't know yet.
226
00:20:40,300 --> 00:20:42,100
-Come on ! Don't worry, you'll be fine.
227
00:20:42,600 --> 00:20:44,400
-Miss Gautier?
(-Yes.)
228
00:20:52,400 --> 00:20:55,500
-There have already been traumatic recurrences
on this ankle?
229
00:20:55,900 --> 00:20:57,000
-Uh...
230
00:20:57,200 --> 00:20:59,700
Yes, this is clearly my weak point.
231
00:21:00,600 --> 00:21:04,800
Actually, it's the third time
that I have a sprain on it and...
232
00:21:05,300 --> 00:21:06,700
Last time,
233
00:21:07,100 --> 00:21:09,700
I admit that I didn't
all the rehabilitation.
234
00:21:09,900 --> 00:21:11,200
-It's not very smart.
235
00:21:11,700 --> 00:21:13,400
Good ! What I see surprises me less.
236
00:21:13,600 --> 00:21:17,500
You actually had a fracture
of the malleolus with bone tearing.
237
00:21:17,700 --> 00:21:19,500
This is what we see there on the MRI.
238
00:21:20,000 --> 00:21:21,900
This is a serious form of sprain
239
00:21:22,200 --> 00:21:24,700
which can be quite nasty
if it is not taken care of properly.
240
00:21:24,900 --> 00:21:25,700
-That's to say ?
241
00:21:25,900 --> 00:21:29,400
-Following treatment
and attendance of rehabilitation,
242
00:21:29,600 --> 00:21:30,600
the ankle is at risk
243
00:21:30,800 --> 00:21:32,500
not to recover all of its flexibility.
244
00:21:32,700 --> 00:21:35,000
And it will prohibit certain movements,
245
00:21:35,200 --> 00:21:36,700
like getting back on pointe.
246
00:21:36,800 --> 00:21:38,400
It can be complicated.
-Ah good ?
247
00:21:38,600 --> 00:21:40,500
-You have to wait 3 to 4 months
before being sure,
248
00:21:40,700 --> 00:21:44,700
but if that's what I think,
surgery will be required.
249
00:21:44,900 --> 00:21:45,800
And there...
250
00:21:46,400 --> 00:21:48,700
-And there?
-It's going to be more complicated.
251
00:21:48,900 --> 00:21:50,000
If there is an operation,
252
00:21:50,200 --> 00:21:52,900
will really need a total stop
sporting activities.
253
00:21:53,100 --> 00:21:55,200
For a year. More like two years.
254
00:21:55,300 --> 00:21:57,500
-Two years?
-Sometimes more.
255
00:21:57,700 --> 00:22:00,600
But as a general rule,
two years is enough to be sure
256
00:22:00,800 --> 00:22:03,000
that the joint
recovers completely.
257
00:22:04,000 --> 00:22:08,100
We will do things in order
and you come back to see me in 3-4 months.
258
00:22:09,300 --> 00:22:11,000
-It's not possible, two years!
259
00:22:11,500 --> 00:22:12,600
I'm 26 years old...
260
00:22:13,900 --> 00:22:15,900
It's now
that I have to dance.
261
00:22:16,600 --> 00:22:19,400
-It's that or never dance again.
262
00:22:19,500 --> 00:22:21,600
Laughter
263
00:22:21,800 --> 00:22:23,500
-But it's good.
-Yes...
264
00:22:24,700 --> 00:22:25,500
So?
265
00:22:25,700 --> 00:22:26,600
She got you...
266
00:22:27,400 --> 00:22:28,300
-Are you okay?
267
00:22:32,600 --> 00:22:33,700
What did she tell you?
268
00:22:44,000 --> 00:22:45,400
Do you want me to help you?
-No.
269
00:22:45,500 --> 00:22:47,500
Feverish breathing
270
00:22:48,600 --> 00:22:49,800
Thank you, Julien...
271
00:22:51,400 --> 00:22:52,700
-I'll be honest.
272
00:22:52,800 --> 00:22:55,000
I never felt in love with you,
Julian.
273
00:22:55,200 --> 00:22:56,500
-Ah good ?
-I don't know why.
274
00:22:56,700 --> 00:22:57,900
I didn't trust him.
275
00:22:58,100 --> 00:23:00,000
-You could have told me before.
276
00:23:00,100 --> 00:23:02,300
-It was more of a hunch
than anything else.
277
00:23:02,700 --> 00:23:05,200
And then,
It's hard to say that to a friend.
278
00:23:05,400 --> 00:23:06,600
-No, not necessarily.
279
00:23:07,600 --> 00:23:11,000
-Me, if I learned that Jean-Baptiste
dumped me for another,
280
00:23:11,300 --> 00:23:14,500
I think I would be destroyed.
281
00:23:15,800 --> 00:23:17,300
-At the same time...
282
00:23:17,500 --> 00:23:21,700
I think if he dumped you,
it wouldn't necessarily be for anyone else.
283
00:23:22,700 --> 00:23:24,000
-What do you mean?
284
00:23:24,200 --> 00:23:27,000
-Well, it would rather be
to leave with another.
285
00:23:28,900 --> 00:23:31,000
-What do you mean? I don't understand.
286
00:23:32,100 --> 00:23:33,600
-It's just...
287
00:23:33,900 --> 00:23:37,000
Finally, if someone told me
that Jean-Bat' was gay,
288
00:23:37,100 --> 00:23:38,700
I wouldn't be completely surprised.
289
00:23:38,800 --> 00:23:39,900
-Jean-Bat'?
290
00:23:40,600 --> 00:23:41,600
-Yeah...
291
00:23:42,500 --> 00:23:44,800
-Elise,
We've been together for three years.
292
00:23:45,500 --> 00:23:46,500
-Hello!
293
00:23:46,600 --> 00:23:49,900
Lively hubbub
*Hip-hop music
294
00:23:50,000 --> 00:23:51,000
-Hi.
295
00:23:51,900 --> 00:23:53,100
-Hi.
-Hi.
296
00:23:54,400 --> 00:23:55,600
-Hi.
-Hi, how are you?
297
00:23:55,700 --> 00:23:57,200
-And you ?
-Good, great.
298
00:23:59,600 --> 00:24:01,000
-How are you ?
-Yes...
299
00:24:01,100 --> 00:24:03,700
Lively hubbub
*Musical atmosphere
300
00:24:03,800 --> 00:24:06,800
...
*...
301
00:24:07,000 --> 00:24:21,900
...
*...
302
00:24:22,100 --> 00:24:26,200
...
*Electro pop music
303
00:24:26,400 --> 00:24:28,500
...
*Argentinian tango
304
00:24:28,700 --> 00:24:33,500
...
*...
305
00:24:33,600 --> 00:24:36,000
Applause
Joyful cries
306
00:24:36,200 --> 00:24:38,000
*Vintage electro rock
307
00:24:38,200 --> 00:24:40,700
*...
Joyful cries
308
00:24:40,800 --> 00:24:45,400
*...
...
309
00:24:45,600 --> 00:24:48,600
*...
Amused hubbub
310
00:24:48,800 --> 00:25:06,900
*...
...
311
00:25:07,100 --> 00:25:09,000
Applause
312
00:25:09,100 --> 00:25:12,000
*...
313
00:25:12,100 --> 00:25:13,800
*...
Amused hubbub
314
00:25:14,000 --> 00:25:18,200
*...
Shouts of encouragement
315
00:25:18,400 --> 00:25:20,200
*...
Lively hubbub
316
00:25:20,400 --> 00:25:22,200
*...
317
00:25:22,400 --> 00:25:25,600
*...
Joyful cries
318
00:25:25,800 --> 00:25:29,900
*...
Lively hubbub
319
00:25:30,100 --> 00:25:36,200
*...
...
320
00:25:36,400 --> 00:25:48,200
*...
...
321
00:25:48,300 --> 00:25:51,100
*...
Joyful cries
322
00:25:51,300 --> 00:25:54,700
*...
323
00:25:54,900 --> 00:25:57,700
*...
...
324
00:25:57,900 --> 00:26:00,500
Applause
Joyful cries
325
00:26:00,700 --> 00:26:08,400
...
...
326
00:26:08,600 --> 00:26:10,900
-It was great, wasn't it?
-OH, YEAH!
327
00:26:11,100 --> 00:26:14,100
-Yeah, it wasn't bad.
But hip-hop isn't my thing.
328
00:26:14,300 --> 00:26:16,800
-No, but stop!
It was great dancing.
329
00:26:17,000 --> 00:26:19,500
Who cares if it's hip-hop.
-It's clear.
330
00:26:20,100 --> 00:26:22,500
-Hey !
-Hey, well done! Well done, man.
331
00:26:22,700 --> 00:26:23,600
-Were you there?
332
00:26:23,700 --> 00:26:25,100
-It was great.
-THANKS.
333
00:26:26,800 --> 00:26:28,600
-Oh yes ! I really liked it.
334
00:26:29,000 --> 00:26:30,300
-It's cool. THANKS.
335
00:26:31,500 --> 00:26:33,900
See you soon. Shall we have a drink?
-My pleasure.
336
00:26:34,100 --> 00:26:35,500
-Bye.
-Bye.
337
00:26:36,100 --> 00:26:38,300
-He's strong, isn't he?
-Yes, he is very strong.
338
00:26:41,800 --> 00:26:43,200
-How do you know him?
339
00:26:44,100 --> 00:26:45,800
-Whoa...
340
00:26:46,000 --> 00:26:47,100
It's been a long time.
341
00:26:47,300 --> 00:26:50,100
-No, but can you imagine if I can anymore?
never dance again?
342
00:26:50,200 --> 00:26:51,200
-But...
343
00:26:51,600 --> 00:26:53,200
you're going to dance again, Élise.
344
00:26:53,700 --> 00:26:54,900
I believe in it.
345
00:26:55,200 --> 00:26:56,700
Here, you turn around.
346
00:26:57,700 --> 00:26:59,900
What annoys me
with traditional medicine,
347
00:27:00,100 --> 00:27:03,000
it's because they're telling you truths
348
00:27:03,100 --> 00:27:05,900
in front of whom they ask you
to prostrate yourself,
349
00:27:06,000 --> 00:27:08,300
while there are plenty of things
which escape them.
350
00:27:08,500 --> 00:27:10,700
-Wait, that hurts.
-Does it hurt?
351
00:27:12,200 --> 00:27:13,900
I compare with the other.
352
00:27:14,000 --> 00:27:16,700
Attention ! I believe in science.
353
00:27:16,900 --> 00:27:18,500
I believe in medical progress.
354
00:27:18,700 --> 00:27:22,200
But I think it exists,
how to say...
355
00:27:22,800 --> 00:27:24,700
a mystery of the body. So !
356
00:27:24,900 --> 00:27:27,800
-If she tells me I can't dance
for a year or two...
357
00:27:28,000 --> 00:27:29,500
Tran, she told me by text message:
358
00:27:29,700 --> 00:27:31,600
"If there is an operation,
there will need to be a total shutdown.”
359
00:27:31,700 --> 00:27:32,600
-And ?
360
00:27:32,800 --> 00:27:35,800
-She didn't tell me:
“There should be a total shutdown.”
361
00:27:36,000 --> 00:27:38,100
It shows, she has made up her mind.
362
00:27:38,300 --> 00:27:41,300
-Actually... Who is she?
to be so sure of that?
363
00:27:42,200 --> 00:27:43,700
Eh ?
Sigh
364
00:27:44,000 --> 00:27:45,100
Okay, Élise...
365
00:27:47,200 --> 00:27:48,300
Sigh
366
00:27:50,200 --> 00:27:52,500
You have just suffered trauma.
367
00:27:52,700 --> 00:27:56,000
And I can even tell you that we have
both suffered trauma.
368
00:27:56,300 --> 00:27:58,200
We need to rebuild ourselves.
369
00:27:58,400 --> 00:28:02,200
Your tearing away is directly linked
to what you felt.
370
00:28:02,600 --> 00:28:05,100
Your body spoke to you and told you:
371
00:28:05,300 --> 00:28:09,300
“My little one, the pain of your separation,
you will live it even in your flesh."
372
00:28:10,500 --> 00:28:12,600
You clearly lost support there.
373
00:28:12,900 --> 00:28:15,500
And my work,
with you, obviously,
374
00:28:15,700 --> 00:28:18,500
it’s about finding your symmetry again.
375
00:28:18,600 --> 00:28:20,400
We're going to find your center.
376
00:28:24,600 --> 00:28:26,500
-I'm over there.
-Okay.
377
00:28:28,900 --> 00:28:30,000
-Ah yes, still...
378
00:28:32,700 --> 00:28:35,700
Does it hurt you?
-Well yes, a little more.
379
00:28:37,800 --> 00:28:38,800
-Rah...
380
00:28:40,100 --> 00:28:43,100
This is exactly what I wanted
that you study law.
381
00:28:45,500 --> 00:28:49,300
If you had studied law,
you would never have had this kind of problem.
382
00:28:52,500 --> 00:28:53,600
Oh yeah!
383
00:29:06,100 --> 00:29:08,000
It's the whole problem of the body.
384
00:29:08,200 --> 00:29:10,100
You were lucky enough to be beautiful.
385
00:29:10,300 --> 00:29:12,500
You are always beautiful,
but it won't last.
386
00:29:12,600 --> 00:29:15,700
When you're 40 or 50, you'll see.
387
00:29:15,800 --> 00:29:19,200
A body ages.
Then you can't capitalize on it.
388
00:29:19,400 --> 00:29:20,300
Look at Carol.
389
00:29:20,500 --> 00:29:22,500
She was a flight attendant,
and now...
390
00:29:22,700 --> 00:29:24,800
-Dad, what you’re saying is really rotten
on aunt Caro.
391
00:29:25,000 --> 00:29:27,100
Besides, you're older than her, Dad.
392
00:29:27,200 --> 00:29:30,300
-What I'm saying is that
if you build your life on your body,
393
00:29:30,500 --> 00:29:32,800
it's like footballers,
At 35, you are retired.
394
00:29:33,000 --> 00:29:33,900
You're finished.
395
00:29:34,000 --> 00:29:36,700
So with this kind of career,
you have to change your life.
396
00:29:36,900 --> 00:29:38,500
There's no other way out, that's how it is.
397
00:29:38,700 --> 00:29:41,500
So,
if you base your job on your body,
398
00:29:41,700 --> 00:29:44,000
well,
you have to have at least two lives.
399
00:29:44,700 --> 00:29:47,700
-I want to have two lives. For what
Couldn't I have two lives?
400
00:29:47,900 --> 00:29:49,600
-While the mind...
401
00:29:49,700 --> 00:29:51,600
As we get older,
you can have Alzheimer's
402
00:29:51,700 --> 00:29:53,500
or you can have a stroke.
403
00:29:53,700 --> 00:29:55,800
But otherwise, excluding serious accidents,
404
00:29:56,000 --> 00:30:00,100
the mind remains alert until the end.
405
00:30:00,500 --> 00:30:01,500
See?
406
00:30:02,100 --> 00:30:03,600
Look at Jean d’Ormesson.
407
00:30:03,700 --> 00:30:06,800
That's an example.
I can find you plenty like that.
408
00:30:07,500 --> 00:30:10,700
-What you don't understand, dad,
it is that if there are two lives,
409
00:30:10,800 --> 00:30:13,600
the problem is that me,
I haven't finished my first life.
410
00:30:13,800 --> 00:30:15,400
I like to dance.
I always want to dance.
411
00:30:15,600 --> 00:30:17,400
-Well yes, but...
-But what?
412
00:30:17,600 --> 00:30:20,200
Everything you can tell me,
it’s: “You should have gone to law.”
413
00:30:20,400 --> 00:30:22,700
-But what's wrong with you?
-I don't know...
414
00:30:22,900 --> 00:30:24,500
You were there at the premiere.
415
00:30:24,700 --> 00:30:28,300
You saw me hurt myself on stage
and you don't even call me behind.
416
00:30:28,500 --> 00:30:30,800
-Of course it is,
but your phone was cut off.
417
00:30:31,000 --> 00:30:34,700
I went backstage and was told
that you just twisted your ankle.
418
00:30:34,800 --> 00:30:37,500
-I didn't just twist my ankle.
I have something serious.
419
00:30:37,600 --> 00:30:39,400
I may never dance again.
-Ah good ?
420
00:30:39,500 --> 00:30:40,400
-Yes.
421
00:30:40,600 --> 00:30:42,300
-But it's not my fault.
422
00:30:42,500 --> 00:30:45,900
Besides, it was the same evening
where your two sisters got into trouble.
423
00:30:46,100 --> 00:30:49,200
Mélodie and her water damage,
Aria and her wifi problems.
424
00:30:49,300 --> 00:30:50,800
-Are you already there?
-Yes.
425
00:30:51,400 --> 00:30:53,300
-I just had Mélodie. She's coming.
426
00:30:53,500 --> 00:30:54,400
-Next time,
427
00:30:54,500 --> 00:30:57,100
try not to have them all
your problems at the same time.
428
00:30:57,300 --> 00:30:59,500
-What are you talking about ?
Sigh
429
00:31:00,200 --> 00:31:01,400
What's wrong with him?
430
00:31:01,600 --> 00:31:04,500
-Well, there is only...
I should have studied law.
431
00:31:05,200 --> 00:31:06,200
-Don't imagine
432
00:31:06,300 --> 00:31:08,600
that you can change it,
it's not possible.
433
00:31:08,800 --> 00:31:11,200
-Well yes... Maybe I'm stupid,
434
00:31:11,300 --> 00:31:15,200
but I still hope
that he will open up, that he will understand.
435
00:31:15,300 --> 00:31:17,100
-No, no. He's not like that.
That's all.
436
00:31:18,500 --> 00:31:20,000
-That doesn't bother you?
437
00:31:20,100 --> 00:31:23,200
-Well yes,
but let's just say I got used to it.
438
00:31:23,600 --> 00:31:26,200
-It's true that it's embarrassing,
but you get used to it.
439
00:31:26,400 --> 00:31:28,900
-Well... I always have trouble.
440
00:31:29,000 --> 00:31:30,900
-Yes, but it's up to you to change.
441
00:31:31,100 --> 00:31:35,000
-Don't worry, with what's happening to me,
I will have to change.
442
00:31:35,500 --> 00:31:36,800
-What does that mean?
443
00:31:37,800 --> 00:31:40,500
-I am no longer with Julien.
-What ?
444
00:31:41,100 --> 00:31:42,100
-No...
445
00:31:42,400 --> 00:31:44,500
And I'm officially over
in the company.
446
00:31:45,200 --> 00:31:47,200
I'm giving myself a month to think,
but...
447
00:31:47,700 --> 00:31:49,900
It will be necessary
that I do something else.
448
00:31:50,100 --> 00:31:51,100
-Oh no!
449
00:31:51,500 --> 00:31:53,500
No, Elise!
You don't have the right to stop dancing.
450
00:31:53,700 --> 00:31:55,400
-What ?
I'm not allowed to stop dancing?
451
00:31:55,600 --> 00:31:56,700
-No, you don't have the right.
452
00:31:56,900 --> 00:31:59,800
-But what's the matter with you, Aria?
Why are you attacking me?
453
00:32:00,000 --> 00:32:01,200
-You can't with mom.
454
00:32:01,400 --> 00:32:02,800
-Towards mom?
455
00:32:03,000 --> 00:32:06,700
You think that makes me happy
to make such a decision?
456
00:32:08,500 --> 00:32:10,700
You think there's only you
who thinks of mom?
457
00:32:11,000 --> 00:32:12,700
You can't tell me stuff like that.
458
00:32:13,700 --> 00:32:16,000
And you don't have the monopoly
from the lack of mom.
459
00:32:17,600 --> 00:32:19,500
Balsamic vinegar
in beef bourguignon?
460
00:32:19,700 --> 00:32:22,700
-It works so well with wine,
it adds a little caramel side.
461
00:32:22,900 --> 00:32:24,000
It's too, too good.
462
00:32:24,200 --> 00:32:26,400
And we put it back on the fire. Bam!
463
00:32:27,200 --> 00:32:29,900
We're going to add the mushrooms.
464
00:32:32,100 --> 00:32:34,100
So, dad, do you think it's good?
465
00:32:34,200 --> 00:32:35,200
-Hmm?
466
00:32:35,400 --> 00:32:36,900
I didn't say it was bad.
467
00:32:37,100 --> 00:32:39,400
-But do you think it's good or not?
-Ah, well yes.
468
00:32:39,600 --> 00:32:41,300
It's not bad at all.
469
00:32:41,500 --> 00:32:43,300
It's true.
-So, you like it.
470
00:32:43,500 --> 00:32:46,000
-Yes, since I told you
that it's not bad.
471
00:32:48,300 --> 00:32:50,800
-And otherwise, your restaurant is fine,
is it going well?
472
00:32:51,400 --> 00:32:52,500
-Yes, great.
473
00:32:52,700 --> 00:32:55,200
Finally, people love it.
They find it very good.
474
00:32:55,300 --> 00:32:56,700
-Hmm? Tremendous.
475
00:32:57,000 --> 00:33:00,300
-The only problem is that I find
not up to par staff.
476
00:33:00,500 --> 00:33:01,600
But otherwise...
477
00:33:02,500 --> 00:33:04,500
-Have you read the book I gave you?
478
00:33:05,300 --> 00:33:06,600
-No, I haven't read it.
-Oh !
479
00:33:06,900 --> 00:33:09,600
This is the best description
of life in the countryside
480
00:33:09,700 --> 00:33:11,000
in the classical age.
481
00:33:11,300 --> 00:33:13,600
-You said that
compared to Mélodie's restaurant?
482
00:33:14,000 --> 00:33:14,900
-To what?
483
00:33:15,000 --> 00:33:16,100
Discreet laughter
484
00:33:17,100 --> 00:33:18,100
-Nothing.
485
00:33:20,700 --> 00:33:22,900
-Did I miss something there?
Discreet laughter
486
00:33:23,000 --> 00:33:26,500
...
487
00:33:26,600 --> 00:33:28,200
I'm having a little trouble...
488
00:33:28,300 --> 00:33:30,500
with you and the culture, I find.
489
00:33:30,700 --> 00:33:31,800
Laughter
490
00:33:32,000 --> 00:33:32,800
No?
491
00:33:33,000 --> 00:33:35,600
-Dad, I work in culture.
-Yes, finally...
492
00:33:35,700 --> 00:33:36,800
...
-No?
493
00:33:37,000 --> 00:33:39,000
...
494
00:33:39,100 --> 00:33:40,000
Okay...
495
00:33:40,200 --> 00:33:42,700
-Of course, it's the culture, but...
496
00:33:43,400 --> 00:33:44,300
It's not either...
497
00:33:44,800 --> 00:33:45,700
Élise laughs.
498
00:33:45,900 --> 00:33:48,100
I mean,
there is an intellectual life
499
00:33:48,300 --> 00:33:52,000
that only literature
can bring you.
500
00:33:52,400 --> 00:33:56,100
Henri's voice resonates.
Clink of dishes
501
00:33:58,100 --> 00:34:04,000
...
502
00:34:09,600 --> 00:34:10,800
-Mom,
503
00:34:11,600 --> 00:34:13,000
since you died,
504
00:34:13,200 --> 00:34:15,800
dad always tried
to compensate for your absence.
505
00:34:16,000 --> 00:34:17,000
But...
506
00:34:18,100 --> 00:34:21,300
Like most fathers,
dad was never very good
507
00:34:21,500 --> 00:34:22,900
to be a mother.
508
00:34:23,300 --> 00:34:26,200
I remembered the first time
where you took me to dance class.
509
00:34:26,400 --> 00:34:29,700
You told me I was going to do it
you, and like grandma before you.
510
00:34:30,600 --> 00:34:32,200
It was in Blois. I was six years old.
511
00:34:33,100 --> 00:34:35,800
-Six... The hand of the bar.
*Classical piano
512
00:34:36,000 --> 00:34:38,300
*...
And we open our arm to the side.
513
00:34:38,500 --> 00:34:41,100
*...
Half-folded. Tense.
514
00:34:41,300 --> 00:34:42,600
*...
Port de bras.
515
00:34:43,400 --> 00:34:44,600
*...
And four!
516
00:34:44,800 --> 00:34:48,000
-When I think back to all these hours
class with Ms. Levant.
517
00:34:48,200 --> 00:34:49,600
You always came with me.
518
00:34:49,800 --> 00:34:53,200
You were waiting for me after school
and we went straight to the dance class.
519
00:34:53,300 --> 00:34:56,300
Very quickly, it filled my days.
I barely had time
520
00:34:56,500 --> 00:34:59,200
to see my friends.
I had rehearsals all the time
521
00:34:59,400 --> 00:35:02,500
or shows. At the beginning,
it wasn't too far, it was okay.
522
00:35:02,700 --> 00:35:04,200
Is there much longer left?
523
00:35:04,300 --> 00:35:06,400
But from 9 to 12 years old,
we had to go to Tours, and there,
524
00:35:06,500 --> 00:35:09,300
it was significantly further.
But it was a great course
525
00:35:09,500 --> 00:35:12,700
with Mlle Pinson, a former dancer
from the Paris Opera.
526
00:35:13,000 --> 00:35:16,400
And that’s when
that you're gone, mom.
527
00:35:18,500 --> 00:35:20,800
But despite everything, I continued.
528
00:35:21,700 --> 00:35:23,200
It reminded me of you.
529
00:35:23,400 --> 00:35:24,700
-One, two and three. And !
530
00:35:25,100 --> 00:35:26,700
One, two, three, four...
531
00:35:26,900 --> 00:35:28,000
A good time bound.
532
00:35:28,200 --> 00:35:30,900
We extend our arm well
above the wrist.
533
00:35:31,400 --> 00:35:32,600
A good fold. Wetwist
534
00:35:32,800 --> 00:35:35,700
the upper body, that's it.
One, two, three, four!
535
00:35:36,000 --> 00:35:37,300
A good time together, quiet.
536
00:35:38,200 --> 00:35:41,500
And four, clear.
We turn our shoulders well.
537
00:35:41,600 --> 00:35:42,500
So !
538
00:35:42,700 --> 00:35:43,700
It was better, Élise.
539
00:35:43,900 --> 00:35:45,500
When you bend and you're fine
540
00:35:45,700 --> 00:35:47,500
with the gaze to the tip of the finger,
541
00:35:47,700 --> 00:35:49,900
it’s clearer, it gains momentum.
542
00:35:50,000 --> 00:35:52,000
She must continue
next year.
543
00:35:52,100 --> 00:35:53,900
-No, but I understand very well.
544
00:35:54,500 --> 00:35:56,500
And simply...
545
00:35:56,900 --> 00:35:57,700
we'll see.
546
00:35:58,200 --> 00:36:01,100
-But really...
Especially with what she's been through.
547
00:36:01,300 --> 00:36:03,700
-Yes yes. It's very clear to me.
548
00:36:03,900 --> 00:36:06,200
It's far... It's still far.
549
00:36:06,700 --> 00:36:07,600
Yes...
550
00:36:07,700 --> 00:36:09,700
-Élise, are you coming back next year?
-Yes.
551
00:36:09,900 --> 00:36:12,100
-You promise me?
-Yes, I promise.
552
00:36:13,200 --> 00:36:14,200
-Well yes...
553
00:36:14,800 --> 00:36:18,600
-Miss Pinson pushed me to come home
at the Paris Opera dance school.
554
00:36:18,700 --> 00:36:21,700
The first day at boarding school,
many girls were crying.
555
00:36:21,900 --> 00:36:25,000
I was so happy
to spend my days doing just that,
556
00:36:25,200 --> 00:36:26,100
to dance.
557
00:36:26,200 --> 00:36:27,800
But Laurène, are you crying?
558
00:36:28,000 --> 00:36:30,100
I think that's it
hardest today.
559
00:36:30,300 --> 00:36:31,200
Don't worry.
560
00:36:31,900 --> 00:36:33,800
Thinking back on all this time spent
561
00:36:34,000 --> 00:36:35,700
and to tell me that it was useless.
562
00:36:36,000 --> 00:36:38,100
-Are you aware?
-What ?
563
00:36:38,300 --> 00:36:39,900
-Adèle was taken
on the Hofesh show.
564
00:36:40,100 --> 00:36:41,400
-Oh yeah? It's great.
565
00:36:41,600 --> 00:36:44,800
-There, she will join her company.
-She's lucky.
566
00:36:45,000 --> 00:36:45,800
Sigh
567
00:36:46,200 --> 00:36:47,700
-Do you see who it is, Sabrina?
568
00:36:48,400 --> 00:36:51,200
-Sabrina? Yes, we were
at dance school together.
569
00:36:51,400 --> 00:36:53,700
But I haven't seen her again
since his accident.
570
00:36:53,800 --> 00:36:56,900
-Exactly. Sabrina, she dances more,
but she gets by.
571
00:36:57,000 --> 00:36:59,200
-I wanted to dance “Le Lac”, “Giselle”,
572
00:36:59,300 --> 00:37:00,700
become a prima ballerina.
573
00:37:01,100 --> 00:37:02,400
And at 18, well...
574
00:37:02,800 --> 00:37:04,100
everything collapsed.
575
00:37:04,700 --> 00:37:07,700
I had to forget my dreams
and I decide to change direction.
576
00:37:07,900 --> 00:37:08,700
It was...
577
00:37:09,500 --> 00:37:11,200
It was like starting
a second life.
578
00:37:11,400 --> 00:37:13,800
-But how are you experiencing it now?
579
00:37:14,000 --> 00:37:15,900
-When you change your route,
you change your dreams.
580
00:37:16,600 --> 00:37:17,500
-Yes.
581
00:37:17,900 --> 00:37:19,600
-I have the right to have other dreams.
582
00:37:19,700 --> 00:37:21,000
-And what are you dreaming of?
583
00:37:21,200 --> 00:37:22,700
-I would like to be an actress.
-Oh yes ?
584
00:37:22,900 --> 00:37:25,200
-Yeah !
That's what makes me love it now.
585
00:37:25,400 --> 00:37:28,100
I already am.
It's just that it's not easy.
586
00:37:28,600 --> 00:37:31,000
I still feel like a beginner.
587
00:37:31,200 --> 00:37:33,200
A bit like when we were
at the dance school.
588
00:37:33,400 --> 00:37:34,700
-It's cool.
589
00:37:35,000 --> 00:37:37,700
But can you make a living from it?
Laugh
590
00:37:37,900 --> 00:37:40,700
-So that's another story.
591
00:37:40,800 --> 00:37:41,900
-That's to say ?
592
00:37:42,500 --> 00:37:44,700
-Well, I do lots of things on the side.
So, yes...
593
00:37:45,400 --> 00:37:47,000
Yes, I can get through it.
594
00:37:48,000 --> 00:37:49,300
-Yes, by the way,
595
00:37:49,500 --> 00:37:51,700
if you ever have plans,
I'm a taker.
596
00:37:51,900 --> 00:37:53,300
Clicks
-Yeah!
597
00:37:54,000 --> 00:37:55,000
...
598
00:37:55,200 --> 00:37:56,600
Yeah, great!
599
00:37:56,700 --> 00:38:02,000
...
600
00:38:03,000 --> 00:38:05,500
That's great, Elise.
I have everything I need.
601
00:38:05,700 --> 00:38:06,700
Come on !
602
00:38:06,900 --> 00:38:08,300
Here, you change the card.
603
00:38:08,700 --> 00:38:11,400
Sabrina, you get ready.
You will come later.
604
00:38:13,000 --> 00:38:15,000
And Heidi, is it good?
605
00:38:15,200 --> 00:38:17,500
We are good. That's beautiful.
It's good. Yeah !
606
00:38:17,700 --> 00:38:18,700
Great !
607
00:38:19,300 --> 00:38:20,400
Come on !
608
00:38:22,800 --> 00:38:23,700
Uh...
609
00:38:23,800 --> 00:38:24,800
Okay.
610
00:38:25,600 --> 00:38:27,100
So stand there.
611
00:38:27,300 --> 00:38:28,400
Yeah !
612
00:38:30,200 --> 00:38:32,000
-Here ?
-Get closer to your husband.
613
00:38:32,200 --> 00:38:34,000
-Don't look at her, Dan.
Go look for the horizon.
614
00:38:34,200 --> 00:38:36,300
This way. There you go, further!
615
00:38:36,500 --> 00:38:37,500
You stare at the horizon.
616
00:38:37,700 --> 00:38:39,700
And Heidi, on the other hand,
you look at him
617
00:38:39,900 --> 00:38:41,900
in love.
Go ahead, go ahead!
618
00:38:42,200 --> 00:38:42,800
So !
619
00:38:43,000 --> 00:38:44,500
...
It's good, it's not bad.
620
00:38:44,600 --> 00:38:46,200
You know what... Kneel down.
621
00:38:46,700 --> 00:38:49,500
-On the ground?
-Well yes, on the ground. Come on !
622
00:38:49,700 --> 00:38:51,500
That's it, that's good. Look at him.
623
00:38:51,600 --> 00:38:53,100
Look at him. It's beautiful.
624
00:38:53,200 --> 00:38:56,000
Get the horizon, Dan. That's good.
Yeah !
625
00:38:56,400 --> 00:38:58,300
...
That's good! There, we love it.
626
00:38:59,100 --> 00:39:01,400
We love that! It's much prettier
627
00:39:01,600 --> 00:39:03,500
when you are very below.
628
00:39:04,300 --> 00:39:06,100
-What is this story?
629
00:39:06,300 --> 00:39:07,300
-What ?
630
00:39:07,500 --> 00:39:08,600
-No, but it's...
631
00:39:09,800 --> 00:39:11,500
Can you explain the principle to me?
632
00:39:12,800 --> 00:39:15,000
-What's the problem, actually?
633
00:39:15,200 --> 00:39:17,700
-What you're asking is embarrassing.
-What, me?
634
00:39:17,900 --> 00:39:20,600
-Yes. How old are you, Heidi?
-16 years old.
635
00:39:20,700 --> 00:39:22,700
-She is 16 years old.
-I don't see what the problem is.
636
00:39:22,900 --> 00:39:25,500
It's been years
that I make catalogs, that’s fine!
637
00:39:25,600 --> 00:39:26,900
This is a super classic pose.
638
00:39:27,100 --> 00:39:29,000
-Yes, but that's not a reason.
639
00:39:29,100 --> 00:39:31,300
-We can't do that anymore today.
640
00:39:31,500 --> 00:39:33,500
Why are you broadcasting?
this kind of images?
641
00:39:33,700 --> 00:39:36,000
-This kind of images?
-You ask
642
00:39:36,200 --> 00:39:39,400
for a teenager to kneel
in front of a man to make it look pretty.
643
00:39:39,500 --> 00:39:42,500
I'm hallucinating! You surrender
don't even take into account that it's creepy.
644
00:39:42,700 --> 00:39:44,400
-Screepy? It's not okay, right?
645
00:39:44,500 --> 00:39:45,900
-Sabrina, don't worry.
646
00:39:46,000 --> 00:39:47,300
It doesn't matter.
647
00:39:47,500 --> 00:39:50,000
-Yes, it's serious.
Heidi, I'm not letting you do this.
648
00:39:50,200 --> 00:39:52,700
-Where does this crazy woman come from?
-This what?
649
00:39:52,800 --> 00:39:54,300
Sorry, did you say “this what?”
650
00:39:54,500 --> 00:39:55,500
I didn't hear.
-What ?
651
00:39:55,700 --> 00:39:57,400
-Did you say I was crazy?
-Hey !
652
00:39:57,500 --> 00:39:58,800
-Hey, hey!
-Calm down.
653
00:39:59,000 --> 00:40:00,500
-Say it again and I'll beat the shit out of you.
654
00:40:00,700 --> 00:40:03,400
-The photographer hallucinated
of Sabrina's fury.
655
00:40:03,600 --> 00:40:05,200
I thought she was going
slap him.
656
00:40:05,400 --> 00:40:06,700
We left running.
657
00:40:06,800 --> 00:40:08,300
Élise laughs.
But Sabrina...
658
00:40:08,500 --> 00:40:11,300
-What an asshole!
I should have kicked him.
659
00:40:11,500 --> 00:40:13,300
-You're completely crazy.
-Come on, come on.
660
00:40:13,500 --> 00:40:16,100
Do you want him to break your other leg?
Advance !
661
00:40:16,200 --> 00:40:17,600
-Ouch, ouch!
Laughter
662
00:40:18,700 --> 00:40:20,300
-OK, you can turn around.
663
00:40:22,600 --> 00:40:24,500
-I like him, Sabrina.
664
00:40:24,600 --> 00:40:28,100
We get along well.
And I find that it does me good.
665
00:40:28,200 --> 00:40:30,900
Besides,
she offered me a job with her boyfriend.
666
00:40:31,100 --> 00:40:32,600
It has to do with cooking.
667
00:40:33,200 --> 00:40:35,700
I tell myself it's good
to do something around food.
668
00:40:35,900 --> 00:40:37,700
I have always loved cooking.
-Oh yeah?
669
00:40:37,900 --> 00:40:38,800
-Yeah.
670
00:40:39,200 --> 00:40:44,000
And Loïc, her boyfriend,
Apparently he's a great cook.
671
00:40:44,200 --> 00:40:45,900
-Are you going to give up dancing?
672
00:40:46,400 --> 00:40:48,100
-I have to, there.
673
00:40:48,500 --> 00:40:51,600
But yes,
It sure makes me weird.
674
00:40:52,000 --> 00:40:54,500
-Well yes.
It's normal that it feels weird.
675
00:40:55,000 --> 00:40:57,400
You've come a long way
to do what you do...
676
00:40:57,600 --> 00:40:58,900
Well, what you were doing.
677
00:40:59,000 --> 00:41:01,000
-I tell myself that all the time
right now.
678
00:41:01,200 --> 00:41:02,500
All for that.
679
00:41:03,100 --> 00:41:07,400
-You say that like it's over.
But no, you have to believe it.
680
00:41:08,300 --> 00:41:09,300
You have to hang on.
681
00:41:10,800 --> 00:41:12,400
You stand up.
-Yes.
682
00:41:15,700 --> 00:41:18,600
-Also, what makes me mad,
it is that practically
683
00:41:18,800 --> 00:41:22,300
all the classical ballets tell
women's lives going wrong.
684
00:41:22,500 --> 00:41:25,300
It's always tragic destinies
for women.
685
00:41:25,500 --> 00:41:27,200
Look... "Giselle",
686
00:41:27,400 --> 00:41:29,700
"Swan Lake", "La Bayadère"...
687
00:41:30,200 --> 00:41:32,200
-Yes.
-It's like dancing,
688
00:41:32,300 --> 00:41:35,500
it was made to tell
that when you are a woman,
689
00:41:35,700 --> 00:41:38,700
you always have to
to have a nasty tragic fate.
690
00:41:39,400 --> 00:41:43,400
You still realize
that all the heroines in white tutu,
691
00:41:43,500 --> 00:41:46,300
it's dead women,
692
00:41:46,800 --> 00:41:49,700
ghosts of scorned women,
693
00:41:50,400 --> 00:41:53,300
betrayed and... shattered.
694
00:41:54,200 --> 00:41:55,500
Well, it's me.
695
00:41:55,800 --> 00:41:57,900
-No !
-Yes, it's true. I became
696
00:41:58,000 --> 00:41:59,400
a classical ballet heroine.
697
00:41:59,700 --> 00:42:00,700
-No, that's not true.
698
00:42:00,900 --> 00:42:02,500
You're exaggerating. Not to that extent.
699
00:42:02,600 --> 00:42:03,500
You stretch out.
700
00:42:03,700 --> 00:42:05,600
-Yes, I swear.
-Will you allow it?
701
00:42:05,800 --> 00:42:07,700
-You don't have classical ballet
702
00:42:07,900 --> 00:42:10,200
which tells of a positive destiny
for a woman.
703
00:42:10,500 --> 00:42:14,700
Unless you're a girl who's like,
she disobeys.
704
00:42:16,800 --> 00:42:17,900
-Yes...
705
00:42:19,300 --> 00:42:20,300
(Come.)
706
00:42:24,000 --> 00:42:26,100
In contemporary dance,
you don’t have that.
707
00:42:26,800 --> 00:42:28,300
-Yes.
-Hm...
708
00:42:28,500 --> 00:42:29,500
-Yes, that's true.
709
00:42:32,200 --> 00:42:34,600
But hey,
There, I moved on to something else.
710
00:42:35,500 --> 00:42:39,500
-Maybe you're right. It is necessary
May you go wherever life takes you.
711
00:42:39,700 --> 00:42:40,900
Whisper of approval
Come on.
712
00:42:44,700 --> 00:42:46,600
But me, frankly, I feel that...
713
00:42:47,200 --> 00:42:49,800
you are on the right track,
you are on the right path.
714
00:42:50,000 --> 00:42:52,100
The path that will refocus you.
715
00:42:52,200 --> 00:42:54,000
The path that will lead you to you.
716
00:42:54,400 --> 00:42:55,900
-Do you think so?
-Hm!
717
00:42:58,800 --> 00:42:59,700
(We stand up.)
718
00:43:01,700 --> 00:43:03,000
Sigh
719
00:43:05,200 --> 00:43:06,800
-Is it over?
-Yes.
720
00:43:07,000 --> 00:43:08,000
So.
721
00:43:08,100 --> 00:43:09,700
Come on, I'll take you home.
722
00:43:09,900 --> 00:43:11,000
Do you have everything?
-Yes.
723
00:43:11,200 --> 00:43:12,200
Sigh
724
00:43:12,400 --> 00:43:14,800
-It's crazy how far you've come.
-Do you think so?
725
00:43:15,000 --> 00:43:16,200
-Oh, well yes!
726
00:43:16,400 --> 00:43:19,500
And I find
that we're both really in sync.
727
00:43:19,700 --> 00:43:21,600
-I feel it too. Yes.
728
00:43:21,700 --> 00:43:23,200
-Okay...
Sigh
729
00:43:23,700 --> 00:43:24,700
Come on.
730
00:43:25,200 --> 00:43:27,200
-THANKS.
-Well no.
731
00:43:27,300 --> 00:43:28,500
Thank you.
732
00:43:28,800 --> 00:43:32,500
To rebuild, it takes two.
You help me a lot too.
733
00:43:33,700 --> 00:43:37,100
I told you...
I'm going to Goa, to an ashram.
734
00:43:37,500 --> 00:43:39,500
So we're not going to see each other
before a long time.
735
00:43:39,700 --> 00:43:42,100
-It's so good that you do that.
-Yeah, it's great.
736
00:43:42,300 --> 00:43:44,000
It's an internship
which I have been waiting for for a long time.
737
00:43:44,200 --> 00:43:46,200
So, I'm very excited, but...
738
00:43:46,700 --> 00:43:48,800
Ah, it’s still so stupid!
739
00:43:49,000 --> 00:43:50,700
I'm not going to be there with you.
740
00:43:50,900 --> 00:43:53,500
-No, but don't worry...
It doesn't matter.
741
00:43:53,700 --> 00:43:55,200
I will wait for you.
Laugh
742
00:43:55,400 --> 00:43:57,500
And then, I'm not going
leave you for another physiotherapist.
743
00:43:58,400 --> 00:44:00,000
-OK!
Laugh
744
00:44:00,700 --> 00:44:01,700
-Sorry.
745
00:44:02,500 --> 00:44:04,000
Well...
-Sorry, yes.
746
00:44:04,500 --> 00:44:05,700
-Have a good trip.
-You too.
747
00:44:05,900 --> 00:44:08,000
Well no... See you soon.
Thank you so much.
748
00:44:08,100 --> 00:44:09,200
-Thank you.
749
00:44:18,900 --> 00:44:21,200
-I don't understand all these girls
who become vegan.
750
00:44:21,400 --> 00:44:22,700
-It's not just girls.
751
00:44:23,300 --> 00:44:25,600
-Yeah... It's not just girls,
752
00:44:25,800 --> 00:44:28,800
but in the vast majority,
It’s the girls who rock.
753
00:44:29,000 --> 00:44:31,900
-Maybe women
pay more attention to their body.
754
00:44:32,100 --> 00:44:33,000
-Anything !
755
00:44:33,200 --> 00:44:36,500
-In addition, it is known that fruits
and vegetables are better assimilated.
756
00:44:36,600 --> 00:44:39,200
It's full of fiber.
-What are you doing there?
757
00:44:39,300 --> 00:44:40,800
-What, what do I do?
758
00:44:41,300 --> 00:44:42,200
-Oh no...
759
00:44:42,300 --> 00:44:44,200
Oh no, Loïc, not you!
-What ?
760
00:44:44,300 --> 00:44:45,900
-Aren't you going to go vegan?
761
00:44:46,000 --> 00:44:48,500
-But no...
I'm wondering.
762
00:44:48,600 --> 00:44:50,500
-Oh damn! But Loïc...
763
00:44:51,100 --> 00:44:52,600
The steaks?
-Yes.
764
00:44:52,800 --> 00:44:54,200
-Do you love it?
-Yes.
765
00:44:54,400 --> 00:44:56,700
-Beef bourguignon,
lamb chops...
766
00:44:56,800 --> 00:44:58,500
The sausage!
-It's not the same.
767
00:44:58,700 --> 00:45:00,800
-And the bar en papillote?
And the grilled sea bream?
768
00:45:01,000 --> 00:45:04,000
The prawns? Ceviches!
Can you imagine a life without ceviches?
769
00:45:04,100 --> 00:45:07,100
-I'm just saying what the vegans tell you
that you can get away with it.
770
00:45:07,200 --> 00:45:09,300
-And you can also live
reading only two books.
771
00:45:09,500 --> 00:45:12,900
-But what is the connection between reading
books and eating ceviche?
772
00:45:13,100 --> 00:45:14,700
-They piss me off, vegans!
773
00:45:14,900 --> 00:45:16,700
-You have to accept people
as they are.
774
00:45:16,900 --> 00:45:18,500
Be a little more inclusive.
775
00:45:18,700 --> 00:45:20,700
-Pardon ? Inclusive?
-Yes, inclusive.
776
00:45:20,800 --> 00:45:23,500
-You talk like
a slutty TV journalist.
777
00:45:23,600 --> 00:45:25,500
-Am I a slut?
778
00:45:25,700 --> 00:45:27,000
-Yeah.
-Me, a slut?
779
00:45:27,200 --> 00:45:28,200
-Yeah, you're just a bitch.
780
00:45:28,400 --> 00:45:31,300
-A poof? Wait...
-Yes, you're my little whore.
781
00:45:31,500 --> 00:45:32,600
Laugh
782
00:45:32,800 --> 00:45:34,600
-Little whore?
Come on, I'm going to eat you.
783
00:45:37,100 --> 00:45:38,200
Squealing tires
784
00:45:39,000 --> 00:45:40,200
-Stop, please.
785
00:45:40,400 --> 00:45:42,400
Laughter
786
00:45:42,600 --> 00:45:43,400
...
Loïc, please.
787
00:45:45,100 --> 00:45:46,700
Stop!
-Elise, it’s okay!
788
00:45:46,900 --> 00:45:48,900
-Relax.
-Élise, there’s no one.
789
00:45:49,700 --> 00:45:51,100
I control the thing.
790
00:45:51,200 --> 00:45:53,000
-It doesn't matter. Everything is fine.
791
00:45:53,200 --> 00:45:54,200
Sigh
792
00:45:56,000 --> 00:45:59,800
Upbeat classical music
793
00:46:00,000 --> 00:46:23,200
...
794
00:46:23,400 --> 00:46:24,400
Horn blasts
795
00:46:24,500 --> 00:46:36,800
...
796
00:46:38,700 --> 00:46:41,200
-Hi, Josiane!
-Ah! My Loïc.
797
00:46:42,100 --> 00:46:43,900
Welcome to the crippled club.
798
00:46:44,200 --> 00:46:45,100
Laugh
799
00:46:45,200 --> 00:46:46,100
Whoa!
800
00:46:46,300 --> 00:46:47,700
I see I have a girlfriend.
801
00:46:47,800 --> 00:46:49,400
-We had the worst canteen.
802
00:46:49,600 --> 00:46:50,600
Does that make you happy?
803
00:46:50,700 --> 00:46:53,000
-Oh yes! You were born like this
where are you coming back from skiing?
804
00:46:53,200 --> 00:46:55,100
-It's an injury, but not from skiing.
805
00:46:55,200 --> 00:46:56,100
It's been three months.
806
00:46:56,300 --> 00:46:58,100
-It's good. For me, it's been thirty years.
807
00:46:58,200 --> 00:46:59,700
Who is the lucky one?
808
00:46:59,800 --> 00:47:00,700
Snap of fingers
809
00:47:00,900 --> 00:47:02,300
-Here!
Amused sigh
810
00:47:02,500 --> 00:47:03,600
-So, you,
811
00:47:03,800 --> 00:47:06,300
you will sleep here.
And you, do you sleep in the truck?
812
00:47:06,500 --> 00:47:07,700
-Yes.
-No.
813
00:47:08,000 --> 00:47:09,100
-Ah yes, she’s coming.
814
00:47:09,700 --> 00:47:13,300
When you agree, you will tell me
if I give you a room.
815
00:47:13,500 --> 00:47:15,700
Classical music
816
00:47:15,900 --> 00:47:16,800
Discreet laughter
817
00:47:17,000 --> 00:47:19,700
I saw him with other girls.
But with you, it's not the same.
818
00:47:20,000 --> 00:47:22,400
I've never seen you in love.
819
00:47:22,600 --> 00:47:24,800
-Are you silent, perhaps, Josiane?
820
00:47:25,000 --> 00:47:26,600
Laughter
821
00:47:28,000 --> 00:47:34,100
...
822
00:47:34,200 --> 00:47:35,200
-There you go!
823
00:47:35,300 --> 00:47:38,400
Hey, they're leaving this evening.
Are you doing something good for them?
824
00:47:38,500 --> 00:47:39,500
-Yes of course.
825
00:47:40,500 --> 00:47:42,100
-We feel good at your place.
826
00:47:42,200 --> 00:47:44,200
-For me, that's the purpose of this place.
827
00:47:44,400 --> 00:47:46,600
I like talented people
and I like to make them feel comfortable.
828
00:47:47,200 --> 00:47:49,200
So that the artists
can express themselves,
829
00:47:49,300 --> 00:47:51,000
we have to leave them alone!
830
00:47:51,200 --> 00:47:52,400
I don't know how to do anything.
831
00:47:52,500 --> 00:47:55,500
I don't paint, I don't play music,
I don't know how to dance.
832
00:47:55,700 --> 00:47:57,600
But I love people
who do things.
833
00:47:57,700 --> 00:48:00,600
And there, for example,
I would like you to make us something to eat.
834
00:48:01,800 --> 00:48:04,200
-There, now?
-NOW. Right away.
835
00:48:04,400 --> 00:48:06,400
-Sabrina, please.
-Yes, it's gone.
836
00:48:07,800 --> 00:48:10,500
-It's bullshit. This is shit!
837
00:48:13,900 --> 00:48:15,700
-Will you stop complaining? It's really good.
838
00:48:15,900 --> 00:48:17,400
It's even excellent.
-I'm not complaining.
839
00:48:17,500 --> 00:48:20,500
A chicken from Nagoya, excuse me,
It’s yuzu-ginger.
840
00:48:20,700 --> 00:48:22,500
And I don't have any yuzu.
I don't want to serve that.
841
00:48:23,000 --> 00:48:25,700
-What's going on there?
-Taste this stuff.
842
00:48:29,700 --> 00:48:31,600
-Oh my! Is that a failure?
843
00:48:31,900 --> 00:48:34,300
Are you not well? It's huge.
-You see?
844
00:48:34,500 --> 00:48:35,500
-Come on, let's send.
845
00:48:35,700 --> 00:48:36,700
-How are you ? Go ahead.
846
00:48:36,900 --> 00:48:37,800
Come on, come on!
847
00:48:38,400 --> 00:48:40,700
-Was the little soup good?
-Delicious.
848
00:48:40,900 --> 00:48:43,500
-That's good food too.
-Come on !
849
00:48:43,700 --> 00:48:45,000
-Look at.
-It's a box.
850
00:48:45,200 --> 00:48:47,700
They love it, my love.
Stop pissing off.
851
00:48:47,800 --> 00:48:51,600
Squeaks
852
00:49:03,800 --> 00:49:05,000
Moaning
853
00:49:06,200 --> 00:49:07,300
Sigh
854
00:49:09,500 --> 00:49:10,400
Moaning
855
00:49:12,100 --> 00:49:13,300
Sigh
856
00:49:28,300 --> 00:49:29,700
-Hello.
-Good morning.
857
00:49:30,800 --> 00:49:31,900
-Good morning.
858
00:49:32,300 --> 00:49:33,900
Joyful hubbub
859
00:49:34,100 --> 00:49:36,000
Well... We know each other, right?
860
00:49:37,400 --> 00:49:40,100
-Yes. We just crossed paths
with Jean-Baptiste
861
00:49:40,200 --> 00:49:41,500
after your battle at 104.
862
00:49:41,700 --> 00:49:43,100
-Ah, but yes! So.
863
00:49:43,500 --> 00:49:46,200
But what are you doing here?
-Uh, well...
864
00:49:46,400 --> 00:49:48,700
I work.
I'm giving a friend a hand.
865
00:49:48,900 --> 00:49:50,800
-Okay.
-But you...
866
00:49:51,000 --> 00:49:52,000
Hello.
-Hey!
867
00:49:52,100 --> 00:49:53,200
-Hello.
868
00:49:53,400 --> 00:49:54,600
-But you...
869
00:49:55,000 --> 00:49:56,800
Finally, do you all do hip-hop?
870
00:49:57,000 --> 00:49:59,000
-No. We do contemporary dance.
871
00:49:59,100 --> 00:50:00,500
-Good morning ! Welcome !
-Okay.
872
00:50:00,700 --> 00:50:01,600
-Come with me.
873
00:50:01,700 --> 00:50:02,600
-But no!
874
00:50:02,800 --> 00:50:04,200
Laugh
Adele!
875
00:50:04,300 --> 00:50:06,800
-Elise! It's so good to see you here.
876
00:50:07,000 --> 00:50:09,500
It's incredible.
-Are you there with Hofesh's company?
877
00:50:09,700 --> 00:50:11,900
-Yes, that's it. With everyone.
878
00:50:12,100 --> 00:50:13,200
Do you work here?
879
00:50:13,500 --> 00:50:14,600
-Uh...
880
00:50:15,200 --> 00:50:16,900
Yeah... I have to go.
881
00:50:17,100 --> 00:50:19,000
-Is your leg okay?
-Yeah, finally...
882
00:50:19,600 --> 00:50:22,000
See you later.
-That works ! Kisses.
883
00:50:23,100 --> 00:50:24,600
-Good morning.
-Good morning.
884
00:50:24,700 --> 00:50:26,600
Greetings in English
885
00:50:26,700 --> 00:50:27,800
-Hello.
-Hi
886
00:50:28,000 --> 00:50:32,500
Lively hubbub
887
00:50:37,400 --> 00:50:38,200
(-Ah!)
888
00:50:38,400 --> 00:50:41,500
Hofesh matters.
889
00:50:41,700 --> 00:50:46,400
...
890
00:50:46,500 --> 00:50:47,700
So they left you
891
00:50:47,900 --> 00:50:49,300
alone to peel?
892
00:50:49,500 --> 00:50:51,500
-Yes, they are preparing the rest
in the food truck.
893
00:50:51,600 --> 00:50:53,400
-What are you doing for tonight?
894
00:50:53,600 --> 00:51:04,300
...
895
00:51:04,500 --> 00:51:05,500
-From...
896
00:51:05,600 --> 00:51:06,500
I don't know.
897
00:51:08,200 --> 00:51:09,500
It's just Loïc
898
00:51:09,600 --> 00:51:11,700
who asked me to prepare this.
899
00:51:13,900 --> 00:51:18,000
Yawn
900
00:51:19,800 --> 00:51:21,000
Sigh
901
00:51:23,700 --> 00:51:26,700
The hubbub of the dancers
902
00:51:26,900 --> 00:51:29,000
...
903
00:51:29,200 --> 00:51:30,200
Greetings in English
904
00:51:30,400 --> 00:51:32,400
-How are you?
-GOOD...
905
00:51:32,600 --> 00:51:34,500
-Adèle told me you were there.
906
00:51:35,900 --> 00:51:37,900
If you want to join us,
907
00:51:38,000 --> 00:51:39,600
you are welcome.
908
00:51:39,900 --> 00:51:41,100
-Thank you...
909
00:51:41,700 --> 00:51:44,200
but I still can't dance.
910
00:51:46,200 --> 00:51:48,500
And maybe never again.
911
00:51:48,700 --> 00:51:50,000
Exclamation of surprise
912
00:51:52,500 --> 00:51:53,600
-Sorry.
913
00:51:55,100 --> 00:51:57,600
But if that tells you
to attend rehearsals,
914
00:51:57,700 --> 00:51:59,800
come, you're welcome.
915
00:52:00,900 --> 00:52:02,000
Take care of yourself.
916
00:52:02,200 --> 00:52:04,700
The hubbub of the dancers
917
00:52:04,800 --> 00:52:16,000
...
918
00:52:16,100 --> 00:52:17,700
-Aren't you exaggerating a little?
919
00:52:17,800 --> 00:52:20,100
I spoke with Sabrina.
She told me about your injury.
920
00:52:20,200 --> 00:52:22,400
You don't know anything
whether you can dance again or not.
921
00:52:23,400 --> 00:52:24,600
-Well...
922
00:52:25,400 --> 00:52:26,500
Yes, but...
923
00:52:27,200 --> 00:52:28,200
I don't know...
924
00:52:29,300 --> 00:52:30,300
-Okay.
925
00:52:30,900 --> 00:52:32,200
-When I see them...
926
00:52:32,300 --> 00:52:33,900
Sigh
927
00:52:34,100 --> 00:52:35,300
I tell myself that...
928
00:52:35,700 --> 00:52:38,200
Hofesh Instructions in English
929
00:52:38,400 --> 00:52:41,100
...
930
00:52:41,300 --> 00:52:42,700
-You don't care, huh?
931
00:52:43,000 --> 00:52:43,900
-Yes.
932
00:52:44,500 --> 00:52:46,400
-I shouldn't tell you this, but...
933
00:52:48,500 --> 00:52:50,200
maybe it's good
piss off a little.
934
00:52:50,300 --> 00:52:52,600
It shows
that you have always been lucky.
935
00:52:52,900 --> 00:52:54,000
You have always been talented,
936
00:52:54,200 --> 00:52:56,700
you always had
your little easy access to beauty.
937
00:52:56,900 --> 00:52:59,200
Not many people get that, you know.
938
00:52:59,700 --> 00:53:00,700
Me...
939
00:53:02,000 --> 00:53:03,900
I didn't have the right to all that.
940
00:53:05,800 --> 00:53:09,100
So far,
being fine, for you, it was normal.
941
00:53:09,700 --> 00:53:11,700
No. Be fine, it's not normal.
942
00:53:11,900 --> 00:53:14,000
Going well is fortunate.
943
00:53:14,200 --> 00:53:15,300
In fact, going well,
944
00:53:15,500 --> 00:53:17,300
it's a privilege.
945
00:53:18,100 --> 00:53:21,700
So take a look around
of those who are not so lucky,
946
00:53:22,700 --> 00:53:24,000
It can only do you good.
947
00:53:24,200 --> 00:53:27,200
The hubbub of the dancers
948
00:53:27,400 --> 00:53:29,200
...
949
00:53:29,400 --> 00:53:31,900
You see, the artist who is there?
950
00:53:32,500 --> 00:53:35,800
He's typically the type of guy
who was off to a bad start in life.
951
00:53:36,000 --> 00:53:37,200
I knew his parents.
952
00:53:37,700 --> 00:53:40,200
The poor one, we can say
that he had fallen well.
953
00:53:40,300 --> 00:53:42,800
Abusive and alcoholic father.
And submissive mother.
954
00:53:43,700 --> 00:53:45,700
He was entitled to the classic package
955
00:53:45,900 --> 00:53:48,700
who gave him life
a shitty adolescence.
956
00:53:50,500 --> 00:53:51,500
The kitchen,
957
00:53:52,400 --> 00:53:53,400
it saved him.
958
00:53:56,600 --> 00:53:58,500
You know what he said
the first female mountaineer
959
00:53:58,800 --> 00:54:00,700
who climbed the Himalayas?
960
00:54:01,000 --> 00:54:01,800
-No.
961
00:54:02,000 --> 00:54:04,200
-"It's because
I had fallen very low
962
00:54:04,700 --> 00:54:06,600
“that I could climb this high.”
963
00:54:07,500 --> 00:54:08,600
Emotional sigh
964
00:54:09,000 --> 00:54:09,900
...
965
00:54:10,100 --> 00:54:11,300
OK?
(-Yes.)
966
00:54:12,300 --> 00:54:14,500
Deep breathing
967
00:54:14,600 --> 00:54:15,500
Kiss
968
00:54:17,000 --> 00:54:18,000
Sigh
969
00:54:18,200 --> 00:54:20,000
-Okay, are you setting this table?
970
00:54:20,100 --> 00:54:22,500
*Repetitive and percussive music
with voice
971
00:54:22,700 --> 00:54:56,800
*...
972
00:54:57,000 --> 00:55:24,700
*...
973
00:55:24,800 --> 00:55:27,800
*Dark repetitive music
with cello
974
00:55:28,000 --> 00:55:54,100
*...
975
00:55:54,200 --> 00:55:57,500
*...
976
00:55:58,000 --> 00:56:00,400
-What are you doing?
all alone with my chair?
977
00:56:00,500 --> 00:56:02,900
Do you want to fuck her?
-Sorry, everyone left.
978
00:56:03,100 --> 00:56:04,200
-Yes... well no!
979
00:56:04,400 --> 00:56:06,300
Instead, get help from Élise.
980
00:56:06,500 --> 00:56:07,800
Eh ! Élise, go help him
981
00:56:08,000 --> 00:56:09,500
before he breaks my chair.
982
00:56:11,100 --> 00:56:12,900
Come on, go ahead. Anyway,
983
00:56:13,000 --> 00:56:15,700
even hurt, you can't
dance worse than the chair.
984
00:56:15,900 --> 00:56:17,100
Amused sigh
985
00:56:18,800 --> 00:56:19,800
Come on!
986
00:56:22,000 --> 00:56:24,800
You need to dance again.
It'll do you good. Come on !
987
00:56:25,200 --> 00:56:26,300
Ouch!
988
00:56:26,700 --> 00:56:27,800
-It doesn't bother you
989
00:56:28,000 --> 00:56:29,600
to help me? I need to repeat.
990
00:56:29,700 --> 00:56:32,000
-No, don't worry. She's right.
991
00:56:32,200 --> 00:56:34,200
I can't be worse
than the chair.
992
00:56:34,500 --> 00:56:37,700
-So, it's super simple.
The idea is that you're a dead woman.
993
00:56:37,900 --> 00:56:40,000
It's cool,
if you can find a blank stare.
994
00:56:40,200 --> 00:56:42,800
-Okay.
-You know, really dead.
995
00:56:43,000 --> 00:56:46,100
Uh... You relax, you relax.
I make you dance.
996
00:56:46,300 --> 00:56:47,300
And you try to follow.
997
00:56:47,500 --> 00:56:49,800
-OK, I saw you rehearsing a bit.
998
00:56:50,000 --> 00:56:52,700
-Okay. It'll be simpler, then.
We start seated.
999
00:56:53,200 --> 00:56:55,700
You can sit between my legs.
-Yes.
1000
00:56:56,100 --> 00:56:58,100
-Yes. There you go, get closer.
1001
00:56:58,600 --> 00:57:00,600
-Like that ?
-Yes. There, that's enough.
1002
00:57:00,700 --> 00:57:03,000
And so, really... Direct.
1003
00:57:03,500 --> 00:57:06,300
You can look, low diagonal.
1004
00:57:06,500 --> 00:57:08,000
With your eyes, yeah.
1005
00:57:08,200 --> 00:57:10,200
We're just starting slowly.
1006
00:57:22,500 --> 00:57:24,400
I straighten you up slightly.
1007
00:57:24,500 --> 00:57:26,400
Relax your wrists and elbows.
1008
00:57:26,500 --> 00:57:29,000
Let them go.
That's it.
1009
00:57:39,100 --> 00:57:40,900
And close your leg. Bring her back.
1010
00:57:41,100 --> 00:57:42,400
-Like that ?
-Perfect.
1011
00:57:42,500 --> 00:57:43,800
And a large throw.
1012
00:57:44,000 --> 00:57:45,100
Robinson huffs.
1013
00:57:45,600 --> 00:57:47,200
You danced, it shows.
1014
00:57:47,400 --> 00:57:48,500
-Elise!
1015
00:57:48,700 --> 00:57:49,600
I believed
1016
00:57:49,700 --> 00:57:52,400
that you would never be able to dance again.
1017
00:57:52,600 --> 00:57:53,800
Robinson,
1018
00:57:54,000 --> 00:57:55,200
don't break it.
1019
00:57:55,800 --> 00:57:57,000
-How are you.
-Are you sure?
1020
00:57:57,200 --> 00:57:58,600
-If it hurts you, we'll stop.
1021
00:57:58,700 --> 00:57:59,700
Laugh
1022
00:57:59,800 --> 00:58:01,000
-No, it's okay.
1023
00:58:01,200 --> 00:58:02,900
On the contrary, it makes me feel good.
1024
00:58:03,000 --> 00:58:06,000
-What's your first name?
-Elise. Elise Gautier.
1025
00:58:06,500 --> 00:58:08,900
-Adèle told me about you.
Were you in the same company?
1026
00:58:09,000 --> 00:58:10,700
-Yes.
-Okay.
1027
00:58:11,400 --> 00:58:13,300
Shall we do it again?
-Yes.
1028
00:58:13,500 --> 00:58:15,300
Lively hubbub
1029
00:58:15,500 --> 00:58:28,000
...
1030
00:58:28,400 --> 00:58:30,100
-Sometimes I feel too masculine.
1031
00:58:30,400 --> 00:58:32,600
-Stop! There is no more woman than you.
1032
00:58:32,700 --> 00:58:34,200
-I agree. Wait...
1033
00:58:34,400 --> 00:58:36,800
-No, I don't feel feminine.
I don't feel...
1034
00:58:37,000 --> 00:58:38,600
-Anything! Stop.
-If.
1035
00:58:38,800 --> 00:58:40,900
-And I know better than you
what is feminine.
1036
00:58:41,100 --> 00:58:42,600
-How do you know what is feminine?
1037
00:58:42,800 --> 00:58:47,400
-Because guys are more sensitive
to detect what is feminine.
1038
00:58:47,600 --> 00:58:49,100
...
1039
00:58:49,200 --> 00:58:50,200
-Hi.
1040
00:58:50,400 --> 00:58:51,300
-Hi.
1041
00:58:51,500 --> 00:58:52,700
...
1042
00:58:52,900 --> 00:58:54,800
...
-Thank you very much.
1043
00:58:55,000 --> 00:58:56,600
-Are you okay?
-Yes, it's okay. And you ?
1044
00:58:56,800 --> 00:58:58,600
-I wanted to thank you
for this afternoon.
1045
00:58:59,200 --> 00:59:00,700
-Thank you. Did it help you?
1046
00:59:00,900 --> 00:59:02,100
-Yes, I think you're pretty.
1047
00:59:03,000 --> 00:59:04,900
-Excuse me ? I didn't understand.
1048
00:59:05,000 --> 00:59:05,900
-I think you're pretty.
1049
00:59:06,100 --> 00:59:07,500
-Am I pretty?
-Yes.
1050
00:59:07,700 --> 00:59:08,600
-Pretty ?
1051
00:59:09,000 --> 00:59:10,500
Laugh
-But what...
1052
00:59:10,600 --> 00:59:11,700
-Am I pretty?
1053
00:59:11,900 --> 00:59:13,600
-Does it piss you off that I say that to you?
1054
00:59:13,800 --> 00:59:16,700
-No not at all.
I love being told I'm pretty.
1055
00:59:16,800 --> 00:59:19,200
Lively hubbub
-OK...
1056
00:59:19,400 --> 00:59:20,700
See you later.
-See you later.
1057
00:59:20,900 --> 00:59:25,800
...
1058
00:59:26,000 --> 00:59:27,100
Can I take this?
1059
00:59:27,300 --> 00:59:31,400
...
1060
00:59:31,600 --> 00:59:32,900
-It's an insult.
-You're pretty.
1061
00:59:33,100 --> 00:59:34,800
-But stop!
-I'm not insulting you.
1062
00:59:35,000 --> 00:59:36,700
-But yes!
-We don't agree.
1063
00:59:36,900 --> 00:59:37,900
-We will never agree.
1064
00:59:38,100 --> 00:59:40,000
-For me, it's not an insult.
1065
00:59:40,200 --> 00:59:42,100
-“Prettyness” is super demeaning.
1066
00:59:42,300 --> 00:59:44,500
You don't tell someone they're pretty.
Asshole!
1067
00:59:44,700 --> 00:59:48,300
...
1068
00:59:48,500 --> 00:59:50,300
-Give this to the vegans.
You say it's tofu.
1069
00:59:50,500 --> 00:59:51,800
Come on, go ahead.
-Okay.
1070
00:59:52,000 --> 00:59:56,700
...
1071
00:59:56,800 --> 00:59:59,100
Um... it's tofu.
1072
01:00:00,600 --> 01:00:01,900
-It's good ?
-Shut up !
1073
01:00:02,100 --> 01:00:03,400
-Is the show going well?
1074
01:00:03,900 --> 01:00:07,700
Squeaks
1075
01:00:20,100 --> 01:00:21,000
Amused sigh
1076
01:00:21,100 --> 01:00:24,000
Squeaks
1077
01:00:25,000 --> 01:00:26,500
Sighs
1078
01:00:27,000 --> 01:00:29,100
Hofesh Instructions in English
1079
01:00:29,300 --> 01:00:36,200
...
1080
01:00:36,400 --> 01:00:38,600
-And you, then?
What do your parents do?
1081
01:00:39,200 --> 01:00:41,000
-Uh, my father is a lawyer.
1082
01:00:41,200 --> 01:00:42,200
-And your mother?
1083
01:00:42,700 --> 01:00:43,500
-She is dead.
1084
01:00:43,700 --> 01:00:44,700
-Ah...
1085
01:00:44,900 --> 01:00:46,400
-It was a long time ago.
1086
01:00:47,000 --> 01:00:48,900
-And you see your father often?
1087
01:00:49,400 --> 01:00:50,600
-Yeah...
1088
01:00:50,700 --> 01:00:51,900
No, finally...
1089
01:00:52,200 --> 01:00:53,300
-Well, you have to.
1090
01:00:53,500 --> 01:00:56,000
It's important
to force yourself to talk to your parents.
1091
01:00:57,100 --> 01:00:58,000
-That's to say ?
1092
01:00:58,200 --> 01:00:59,200
-I didn't do that
1093
01:00:59,300 --> 01:01:02,400
and I regret not having spoken
face to face with my father.
1094
01:01:03,400 --> 01:01:04,700
-To tell him what?
1095
01:01:04,900 --> 01:01:06,500
-Just to talk to him.
1096
01:01:07,300 --> 01:01:08,500
Like an adult.
1097
01:01:09,000 --> 01:01:11,100
See? Not like a child.
1098
01:01:11,300 --> 01:01:13,100
I think if he had told me,
1099
01:01:13,300 --> 01:01:15,900
even if it's just a little "I love you",
1100
01:01:16,500 --> 01:01:18,200
It could have done me really good.
1101
01:01:19,700 --> 01:01:21,900
Sometimes it's not much,
what we need.
1102
01:01:22,700 --> 01:01:24,300
But my father wasn't the type.
1103
01:01:24,500 --> 01:01:27,200
-It's the same for me.
He's not the type to say "I love you."
1104
01:01:27,400 --> 01:01:29,900
-Yes!
Often, dads are like that.
1105
01:01:30,000 --> 01:01:33,000
They hide their feelings.
I don't know why.
1106
01:01:33,400 --> 01:01:34,500
-Hm...
1107
01:01:34,600 --> 01:01:37,200
-They don't know how to show
what is important to their children.
1108
01:01:37,400 --> 01:01:39,400
-Would that have changed things for you?
1109
01:01:40,000 --> 01:01:41,100
-Enormously.
1110
01:01:41,900 --> 01:01:43,400
Yes, a lot.
1111
01:01:44,900 --> 01:01:46,300
-We're going to go for a walk.
1112
01:01:47,200 --> 01:01:49,100
To see the sea.
Anyone interested?
1113
01:01:49,300 --> 01:01:51,700
-You think I have a face
to go for walks?
1114
01:01:53,300 --> 01:01:55,400
Joyful hubbub
1115
01:01:55,600 --> 01:02:14,600
...
1116
01:02:14,700 --> 01:02:17,500
-Glad to have left your canteen?
-Yes.
1117
01:02:17,700 --> 01:02:20,500
I'm so happy to see the sea.
Plus, we're right next door.
1118
01:02:20,600 --> 01:02:21,700
It's cool.
1119
01:02:21,800 --> 01:02:24,700
...
Electro acoustic music
1120
01:02:24,900 --> 01:02:34,700
...
...
1121
01:02:34,900 --> 01:02:43,700
...
1122
01:02:44,200 --> 01:02:45,200
Scream
1123
01:02:45,400 --> 01:02:49,400
...
1124
01:02:49,500 --> 01:02:52,500
...
Joyful cries
1125
01:02:52,700 --> 01:02:53,900
...
1126
01:02:54,000 --> 01:02:55,500
...
1127
01:02:55,900 --> 01:02:56,900
...
1128
01:02:57,100 --> 01:02:59,300
...
1129
01:02:59,500 --> 01:03:01,200
Laughter
1130
01:03:01,400 --> 01:03:02,800
...
1131
01:03:03,000 --> 01:03:04,600
Joyful cries
1132
01:03:04,800 --> 01:03:15,200
...
...
1133
01:03:15,300 --> 01:03:43,800
...
...
1134
01:03:44,000 --> 01:03:46,400
...
Laughter
1135
01:03:46,500 --> 01:03:53,400
...
...
1136
01:03:53,900 --> 01:03:56,600
-In my opinion, Élise, you can dance again.
1137
01:03:56,700 --> 01:03:57,700
-I don't know.
1138
01:03:58,100 --> 01:03:59,600
I feel fragile.
1139
01:04:00,300 --> 01:04:01,800
-It’s cool, fragility.
1140
01:04:02,000 --> 01:04:05,100
It's the new superpower.
1141
01:04:05,200 --> 01:04:06,300
Laugh
1142
01:04:06,600 --> 01:04:10,000
-But no longer possible
to achieve perfection.
1143
01:04:10,600 --> 01:04:12,800
-Because before you were perfect?
1144
01:04:13,800 --> 01:04:18,400
I think classical dance
obeys rules,
1145
01:04:18,500 --> 01:04:21,400
and we can try to reach
1146
01:04:21,500 --> 01:04:22,900
a “perfection”.
1147
01:04:23,700 --> 01:04:26,400
For me, dance is something else.
1148
01:04:26,600 --> 01:04:28,600
Your weaknesses,
1149
01:04:29,200 --> 01:04:31,200
your doubts and your fears,
1150
01:04:31,600 --> 01:04:34,700
it's really interesting, very human.
1151
01:04:34,900 --> 01:04:38,700
You have to start
to work with these energies.
1152
01:04:39,300 --> 01:04:42,800
You have to try dancing differently.
It won't be perfect.
1153
01:04:43,500 --> 01:04:47,100
Some people
have a nice old car,
1154
01:04:47,200 --> 01:04:49,000
which they keep in the garage.
1155
01:04:49,200 --> 01:04:52,100
They leave her safe,
never roll it.
1156
01:04:52,300 --> 01:04:55,900
And then it rusts and seizes.
1157
01:04:56,700 --> 01:04:58,200
Same for the body.
1158
01:04:59,000 --> 01:05:00,800
You have to get your body rolling.
1159
01:05:01,000 --> 01:05:04,400
Cars like to drive,
the body likes to move.
1160
01:05:04,600 --> 01:05:06,000
Your body is made
1161
01:05:06,200 --> 01:05:07,400
to live.
1162
01:05:08,200 --> 01:05:09,700
-I love the image!
1163
01:05:11,600 --> 01:05:14,100
Lively hubbub
1164
01:05:14,200 --> 01:05:27,100
...
1165
01:05:28,500 --> 01:05:30,000
-Élise, have a drink!
1166
01:05:30,200 --> 01:05:32,500
I have a bottle of red.
Do you want a drink?
1167
01:05:32,700 --> 01:05:33,900
-Uh... Yes, OK.
1168
01:05:34,800 --> 01:05:36,900
-Okay, that's cool. I'm happy.
1169
01:05:37,300 --> 01:05:40,200
You manage to move again.
-Yes yes.
1170
01:05:40,700 --> 01:05:43,400
It's not like before,
but it comes back a little.
1171
01:05:43,500 --> 01:05:46,700
This afternoon, after doing that,
I almost limped no more. It's crazy.
1172
01:05:46,900 --> 01:05:48,700
-Hm... It's a classic.
1173
01:05:49,000 --> 01:05:52,200
When you limp for a long time,
it almost becomes an automatism.
1174
01:05:52,500 --> 01:05:55,500
You limp no more because you're in pain,
but for fear of being in pain.
1175
01:05:55,600 --> 01:05:57,100
-How do you know that?
1176
01:05:57,300 --> 01:06:00,500
-I had an accident two years ago.
I couldn't dance for six months.
1177
01:06:00,700 --> 01:06:02,700
So,
all this business of apprehension,
1178
01:06:02,900 --> 01:06:04,000
I know.
1179
01:06:04,300 --> 01:06:05,600
But you don't have to be afraid anymore.
1180
01:06:06,000 --> 01:06:08,200
-I prefer to be afraid a little longer.
1181
01:06:08,400 --> 01:06:09,700
-No, you shouldn't.
1182
01:06:10,600 --> 01:06:12,500
I can help you with that, if you want.
1183
01:06:13,500 --> 01:06:16,500
You know,
I'm a bit like a superhero.
1184
01:06:17,500 --> 01:06:19,200
I have superpowers.
1185
01:06:19,500 --> 01:06:21,900
I can turn ice into fire.
1186
01:06:22,100 --> 01:06:23,100
Laugh
1187
01:06:23,200 --> 01:06:25,100
Pain into pleasure.
1188
01:06:25,200 --> 01:06:26,700
I can take care of your limp.
1189
01:06:26,900 --> 01:06:28,000
-Wait.
1190
01:06:28,500 --> 01:06:30,200
Robinson, I'm sorry.
1191
01:06:30,700 --> 01:06:33,400
In fact, I don't want that at all.
1192
01:06:34,000 --> 01:06:37,100
Excuse me.
It's not you at all, but...
1193
01:06:37,500 --> 01:06:38,600
...
1194
01:06:39,500 --> 01:06:42,800
-Can we still have a drink?
-Yes yes.
1195
01:06:45,200 --> 01:06:46,600
Sigh
1196
01:07:10,100 --> 01:07:11,700
Moaning
1197
01:07:12,200 --> 01:07:13,400
Oh, damn...
1198
01:07:14,100 --> 01:07:15,300
Breath
1199
01:07:16,500 --> 01:07:17,500
Sigh
1200
01:07:18,100 --> 01:07:19,200
Breath
1201
01:07:20,400 --> 01:07:21,600
Sigh
1202
01:07:26,200 --> 01:07:28,700
Soft electro music
1203
01:07:28,900 --> 01:07:32,800
...
1204
01:07:33,000 --> 01:07:36,000
Lively electro music
1205
01:07:36,100 --> 01:07:50,900
...
1206
01:07:53,200 --> 01:07:54,300
Breath
1207
01:07:54,500 --> 01:07:56,900
Hofesh counts in English.
1208
01:07:57,100 --> 01:08:00,200
...
1209
01:08:00,400 --> 01:08:10,300
...
1210
01:08:10,500 --> 01:08:12,200
-For this movement,
1211
01:08:12,800 --> 01:08:14,300
the idea is not
1212
01:08:14,600 --> 01:08:15,500
to touch,
1213
01:08:15,700 --> 01:08:19,500
but to try to search
a comfortable position
1214
01:08:19,700 --> 01:08:21,800
without ever finding it.
1215
01:08:23,600 --> 01:08:25,000
Okay, listen...
1216
01:08:25,700 --> 01:08:28,000
I invited a new dancer.
1217
01:08:28,800 --> 01:08:30,800
Be nice to her,
It’s Elise.
1218
01:08:31,000 --> 01:08:32,900
Elise! Good morning.
1219
01:08:33,000 --> 01:08:34,200
-Hello, Elise.
1220
01:08:34,500 --> 01:08:35,500
-Good morning.
-Hey!
1221
01:08:35,800 --> 01:08:37,800
-Make her feel comfortable.
Approach...
1222
01:08:39,000 --> 01:08:41,600
Everyone joins their partner.
1223
01:08:42,800 --> 01:08:44,500
Mehdi, come here.
1224
01:08:44,800 --> 01:08:47,700
You will be with Élise.
You stand there.
1225
01:08:47,900 --> 01:08:50,100
So sit here.
1226
01:08:50,200 --> 01:08:52,900
All in position,
we start repeating it.
1227
01:08:53,000 --> 01:08:56,000
You must be somewhere...
1228
01:08:56,900 --> 01:08:59,700
between abandonment and control.
1229
01:08:59,900 --> 01:09:04,100
It is a dead body
which would be frozen eternally.
1230
01:09:04,200 --> 01:09:05,900
You fix the diagonal
1231
01:09:06,100 --> 01:09:09,200
without ever blinking.
1232
01:09:09,400 --> 01:09:12,400
Let's start the music,
you will understand quickly. Come on.
1233
01:09:14,200 --> 01:09:18,500
Hofesh counts in a low voice.
1234
01:09:18,600 --> 01:09:20,700
...
1235
01:09:20,900 --> 01:09:23,100
*Dark repetitive music
with cello
1236
01:09:23,300 --> 01:09:24,200
Good, Mehdi.
1237
01:09:25,700 --> 01:09:28,500
-You blink, Élise.
-I know.
1238
01:09:28,700 --> 01:09:30,900
*...
1239
01:09:31,000 --> 01:09:33,800
*...
...
1240
01:09:34,000 --> 01:09:35,000
Good.
1241
01:09:35,600 --> 01:09:37,600
*...
...
1242
01:09:38,300 --> 01:09:39,700
Great, it's perfect.
1243
01:09:39,900 --> 01:09:42,200
*...
...
1244
01:09:42,900 --> 01:09:45,300
Let it go, Élise, let it happen.
1245
01:09:45,500 --> 01:09:48,400
*...
1246
01:09:48,600 --> 01:09:49,800
Hofesh shouts.
1247
01:09:50,700 --> 01:09:52,500
It's better.
1248
01:09:53,000 --> 01:10:02,800
*...
1249
01:10:03,100 --> 01:10:04,200
Let yourself do it.
1250
01:10:04,400 --> 01:10:15,300
*...
1251
01:10:15,800 --> 01:10:17,100
Little impulses,
1252
01:10:17,200 --> 01:10:18,400
very light...
1253
01:10:18,500 --> 01:10:21,700
*...
1254
01:10:21,800 --> 01:10:23,200
Yes, they are dead.
1255
01:10:23,400 --> 01:10:26,700
*...
1256
01:10:26,900 --> 01:10:29,500
Let go of your partners and move on.
1257
01:10:29,700 --> 01:10:33,200
*...
1258
01:10:34,000 --> 01:10:35,300
The rain dance.
1259
01:10:36,200 --> 01:10:37,500
Lift them up.
1260
01:10:37,600 --> 01:11:01,500
*...
1261
01:11:01,700 --> 01:11:02,900
Yes, good.
1262
01:11:03,000 --> 01:11:05,200
*...
1263
01:11:05,400 --> 01:11:07,700
How's your foot?
Don't you think about it too much?
1264
01:11:07,800 --> 01:11:09,800
Above all, don't force it.
1265
01:11:19,800 --> 01:11:23,400
Hofesh counts in English.
1266
01:11:25,600 --> 01:11:27,600
Be careful here...
1267
01:11:27,900 --> 01:11:31,100
We must not be satisfied
to make your hands float,
1268
01:11:31,300 --> 01:11:34,100
it has to move,
that it squirms.
1269
01:11:34,300 --> 01:11:37,000
...
1270
01:11:39,400 --> 01:11:41,200
That's it, that's very good.
1271
01:11:41,700 --> 01:11:42,800
It's really...
1272
01:11:43,400 --> 01:11:44,800
It's a bit...
1273
01:11:45,100 --> 01:11:47,500
as if the ground
was slipping away from under your feet.
1274
01:11:47,600 --> 01:11:49,000
There is a push,
1275
01:11:49,200 --> 01:11:52,000
but also a certain fragility.
1276
01:11:52,200 --> 01:11:54,800
...
1277
01:11:55,000 --> 01:12:00,400
...
1278
01:12:00,500 --> 01:12:02,200
You are great.
1279
01:12:02,400 --> 01:12:04,100
*Repetitive and percussive music
1280
01:12:04,300 --> 01:12:11,000
*...
1281
01:12:13,100 --> 01:12:15,800
Ringtone
1282
01:12:16,000 --> 01:12:19,300
...
1283
01:12:20,500 --> 01:12:22,700
-Hello, Yann?
*-Hi, how are you?
1284
01:12:22,900 --> 01:12:24,100
-Yes, it's okay. And you ?
1285
01:12:24,300 --> 01:12:26,700
-Yes, very good. I'm in Goa now.
1286
01:12:26,900 --> 01:12:28,500
No, I'm kidding...
1287
01:12:28,700 --> 01:12:31,400
I just got back.
I got home two hours ago.
1288
01:12:31,500 --> 01:12:32,800
But how are you?
1289
01:12:33,500 --> 01:12:35,500
*-Yes, it's okay. I am in Brittany.
1290
01:12:35,600 --> 01:12:36,500
-Oh yeah?
1291
01:12:37,000 --> 01:12:39,200
-I started dancing again.
It's better.
1292
01:12:39,400 --> 01:12:40,800
*Interferences
Wait.
1293
01:12:41,000 --> 01:12:42,200
Hello ? Wait.
1294
01:12:42,400 --> 01:12:43,700
*...
1295
01:12:43,900 --> 01:12:45,200
-Can you hear me?
1296
01:12:45,400 --> 01:12:46,200
Hello ?
1297
01:12:46,400 --> 01:12:47,600
-Yes.
*-Yes, I hear you.
1298
01:12:47,800 --> 01:12:49,600
*Are you still a little sore?
1299
01:12:49,700 --> 01:12:51,000
-Ah, well...
1300
01:12:51,700 --> 01:12:53,800
Yes, it still hurts a little.
1301
01:12:54,000 --> 01:12:55,600
*But honestly, it’s okay.
1302
01:12:55,700 --> 01:12:58,600
-Okay.
If you're in pain, we should see each other.
1303
01:12:58,700 --> 01:13:00,600
You can't really dance again
1304
01:13:00,800 --> 01:13:04,500
if we don't do it at the same time,
the exercises to resume.
1305
01:13:04,600 --> 01:13:06,000
*Where are you, exactly?
1306
01:13:06,200 --> 01:13:09,700
-I am in Brittany
between Ploërmel and Quiberon.
1307
01:13:09,900 --> 01:13:10,900
-Ah, I love it!
1308
01:13:11,000 --> 01:13:13,000
So cool! Can I come?
1309
01:13:13,100 --> 01:13:14,900
*-Uh...
-Finally, I can come.
1310
01:13:15,100 --> 01:13:18,200
-Honestly, it's okay. Don't worry.
*-I tell you...
1311
01:13:18,400 --> 01:13:19,400
It makes me happy.
1312
01:13:19,500 --> 01:13:23,400
And then, honestly, if you're in pain, he
We shouldn't leave it like that.
1313
01:13:23,700 --> 01:13:25,000
*It's not possible.
1314
01:13:25,200 --> 01:13:26,300
-Uh...
1315
01:13:26,700 --> 01:13:28,100
Okay, if you want.
1316
01:13:28,500 --> 01:13:29,800
-Okay, cool!
1317
01:13:30,000 --> 01:13:31,800
Great. Namaste, then!
1318
01:13:32,000 --> 01:13:33,000
Laugh
1319
01:13:33,700 --> 01:13:34,800
-Well...
1320
01:13:35,300 --> 01:13:36,400
see you soon, then.
1321
01:13:36,600 --> 01:13:38,000
-I kiss you.
1322
01:13:38,700 --> 01:13:39,700
See you soon.
1323
01:13:42,000 --> 01:13:42,800
Hi.
1324
01:13:43,200 --> 01:13:44,900
-Yes. Kisses, yes.
1325
01:13:50,100 --> 01:13:51,000
-Ouch...
1326
01:13:53,300 --> 01:13:54,500
Soft music
1327
01:13:54,600 --> 01:14:23,300
...
1328
01:14:23,500 --> 01:14:26,200
...
Laughter
1329
01:14:27,400 --> 01:14:31,800
...
Buzz of conversations
1330
01:14:32,000 --> 01:14:45,200
...
...
1331
01:14:45,400 --> 01:15:04,900
...
...
1332
01:15:06,000 --> 01:15:07,700
-Okay, it's late.
1333
01:15:07,900 --> 01:15:09,100
Shall we go back?
1334
01:15:09,200 --> 01:15:39,000
...
...
1335
01:15:39,100 --> 01:15:48,200
...
1336
01:16:07,300 --> 01:16:08,500
Happy sigh
1337
01:16:16,500 --> 01:16:20,400
Joyful hubbub
1338
01:16:20,600 --> 01:16:21,600
Squeaking door
1339
01:16:21,700 --> 01:16:23,100
-Hey, Yann!
1340
01:16:23,300 --> 01:16:24,300
How are you ?
1341
01:16:24,500 --> 01:16:26,200
-Are you doing well ?
-Yes and you ?
1342
01:16:26,400 --> 01:16:27,300
-I'm happy
1343
01:16:27,500 --> 01:16:28,700
to see you.
-Me too.
1344
01:16:28,900 --> 01:16:30,900
-You look good.
-Yes, it's better.
1345
01:16:31,100 --> 01:16:33,100
-Oh, the drachas!
-Yes, I imagine.
1346
01:16:33,200 --> 01:16:35,700
-Brittany is not Goa.
-It's clear.
1347
01:16:35,800 --> 01:16:36,700
But come on!
1348
01:16:36,900 --> 01:16:38,200
-I can ?
-Yes of course.
1349
01:16:38,300 --> 01:16:41,000
-I don't want to disturb.
-No, on the contrary.
1350
01:16:41,500 --> 01:16:43,600
Hey ! Let me introduce you to Yann.
1351
01:16:43,800 --> 01:16:44,900
-Hi.
-HI.
1352
01:16:45,100 --> 01:16:46,700
-He's my physiotherapist.
-Yes...
1353
01:16:46,800 --> 01:16:47,700
Hi.
1354
01:16:47,900 --> 01:16:48,900
-Hi, Yann.
1355
01:16:49,100 --> 01:16:51,500
-Delighted. Should I stand there?
-Yes of course.
1356
01:16:51,700 --> 01:16:54,000
Do you want something to drink?
-No. It's okay, thank you.
1357
01:16:54,200 --> 01:16:55,400
-Tension, rigidity...
1358
01:16:55,600 --> 01:16:56,800
It hurts, that's for sure.
1359
01:16:57,000 --> 01:16:58,900
-Precisely,
it is a technique which gives
1360
01:16:59,100 --> 01:17:00,700
so much freedom
1361
01:17:00,800 --> 01:17:02,500
because based on how everything works.
1362
01:17:02,700 --> 01:17:05,400
When you understand that,
It’s an extraordinary amount of freedom.
1363
01:17:05,600 --> 01:17:07,700
But to get there,
it's much longer.
1364
01:17:07,900 --> 01:17:10,200
I still love classical dance.
This is my training.
1365
01:17:10,400 --> 01:17:13,000
I really come from there, like Élise.
1366
01:17:13,200 --> 01:17:15,200
And then, I find it really beautiful.
1367
01:17:15,400 --> 01:17:18,500
But I admit that it is more and more
hard for me to wear a tutu.
1368
01:17:18,700 --> 01:17:21,000
-Tutus are corny, right?
1369
01:17:21,200 --> 01:17:24,100
-What do you know about it?
It's nothing corny.
1370
01:17:24,200 --> 01:17:26,500
-That's my opinion.
To me, a tutu is corny.
1371
01:17:26,600 --> 01:17:27,600
-What are you talking about?
1372
01:17:27,700 --> 01:17:30,900
You know nothing about classical dance.
You can't say it's corny.
1373
01:17:31,000 --> 01:17:33,500
-I'm talking to you about the form.
-I quite agree
1374
01:17:33,700 --> 01:17:35,700
with her. There's nothing ridiculous about it.
1375
01:17:36,400 --> 01:17:39,000
-I would like to interrupt you.
I thought like you before.
1376
01:17:39,200 --> 01:17:41,600
But as soon as you see someone dancing
like Élise,
1377
01:17:41,700 --> 01:17:44,000
or Adèle,
It will totally change your outlook.
1378
01:17:44,100 --> 01:17:45,100
Suddenly,
1379
01:17:45,200 --> 01:17:47,500
It’s more cheesy.
It becomes super beautiful.
1380
01:17:47,600 --> 01:17:48,500
-You don't know anything about it.
1381
01:17:48,700 --> 01:17:50,800
-There are scenes from the repertoire
which are sublime.
1382
01:17:51,000 --> 01:17:52,700
And suddenly, it's not corny.
1383
01:17:52,900 --> 01:17:55,100
-I know.
Nerdy, that's not what I said.
1384
01:17:55,300 --> 01:17:56,800
-There are some incredible scenes.
1385
01:17:57,000 --> 01:17:58,100
-Exactly.
-No ?
1386
01:17:58,200 --> 01:18:00,000
-If. We'll show them.
Laugh
1387
01:18:00,400 --> 01:18:03,700
Amused cries
1388
01:18:03,800 --> 01:18:05,900
-Take some seeds.
-I'm looking.
1389
01:18:06,700 --> 01:18:08,900
*Music by Bach, allegro
1390
01:18:09,100 --> 01:18:10,400
*...
1391
01:18:10,600 --> 01:18:12,500
-Do you remember it or not?
1392
01:18:12,700 --> 01:18:21,000
*...
1393
01:18:21,200 --> 01:18:22,300
-Wow!
1394
01:18:22,500 --> 01:18:30,900
*...
1395
01:18:31,000 --> 01:18:33,300
-Wait, come on!
-Oh no!
1396
01:18:33,500 --> 01:18:34,300
-Sabrina, come on!
1397
01:18:34,500 --> 01:18:36,000
-Come on !
-Okay, okay.
1398
01:18:36,300 --> 01:18:57,900
*...
1399
01:18:58,100 --> 01:18:59,300
Laugh
1400
01:18:59,500 --> 01:19:09,200
*...
1401
01:19:09,400 --> 01:19:10,000
(-Come, come.)
1402
01:19:10,200 --> 01:19:15,400
*...
1403
01:19:15,900 --> 01:19:17,000
-Wow!
1404
01:19:17,100 --> 01:19:18,500
Applause
1405
01:19:18,700 --> 01:19:20,800
-So, I was corny, me?
1406
01:19:21,000 --> 01:19:22,200
-No, no.
1407
01:19:22,600 --> 01:19:23,700
-Flex.
1408
01:19:25,700 --> 01:19:26,800
And point.
1409
01:19:28,700 --> 01:19:30,100
Honestly, it's not bad.
1410
01:19:30,700 --> 01:19:32,200
It's good. Stretching.
1411
01:19:35,200 --> 01:19:36,600
You lost a little.
1412
01:19:37,000 --> 01:19:38,500
-Flexibly?
-Yes.
1413
01:19:38,900 --> 01:19:40,600
-Yes, maybe.
-It's a shame.
1414
01:19:40,900 --> 01:19:43,100
You get up. You walk a little.
-Yes.
1415
01:19:46,600 --> 01:19:48,500
Sighs
1416
01:19:48,900 --> 01:19:52,000
-How do you feel about it?
-It hurts a little, though.
1417
01:19:52,800 --> 01:19:55,400
-Maybe,
but you don't limp at all anymore.
1418
01:19:55,500 --> 01:19:58,500
And I watched you dance.
It's crazy, you're not embarrassed at all.
1419
01:19:58,600 --> 01:19:59,500
-Well yes.
1420
01:19:59,700 --> 01:20:02,600
And it's the first time
that I was trying to push so much on it.
1421
01:20:02,700 --> 01:20:03,900
-It's true ?
-Yes yes.
1422
01:20:04,500 --> 01:20:07,300
-Compared to last month,
it's quite spectacular.
1423
01:20:07,500 --> 01:20:08,500
-Yes.
1424
01:20:08,800 --> 01:20:10,700
And then, even when I hurt a little,
1425
01:20:10,800 --> 01:20:12,900
it still hurts less
than not dancing.
1426
01:20:13,100 --> 01:20:14,100
-That's for sure.
1427
01:20:15,700 --> 01:20:17,300
Inspiration
1428
01:20:18,000 --> 01:20:19,000
Sigh
1429
01:20:19,500 --> 01:20:20,500
You know,
1430
01:20:21,800 --> 01:20:23,900
Élise, the only thing that really matters,
1431
01:20:24,100 --> 01:20:27,200
it seems stupid,
but it's now.
1432
01:20:28,400 --> 01:20:29,800
I think you have to accept
1433
01:20:30,300 --> 01:20:31,900
that's it, to live again,
1434
01:20:32,100 --> 01:20:34,700
to truly accept the present time.
1435
01:20:35,100 --> 01:20:37,400
Without being turned towards the past,
towards trauma.
1436
01:20:37,500 --> 01:20:39,200
It's not possible.
-Yes.
1437
01:20:39,400 --> 01:20:42,100
-Maybe we should
that you also allow yourself to...
1438
01:20:43,000 --> 01:20:44,600
to meet someone.
1439
01:20:48,200 --> 01:20:49,500
-Well...
1440
01:20:50,100 --> 01:20:52,200
I think I met someone.
1441
01:20:52,900 --> 01:20:54,800
Feverish breathing
1442
01:20:55,000 --> 01:20:56,300
-Oh yes?
-Yes.
1443
01:20:59,000 --> 01:21:01,600
-And who is this lucky guy?
-It’s Mehdi.
1444
01:21:01,700 --> 01:21:02,700
(-No.)
1445
01:21:02,900 --> 01:21:03,800
What?
1446
01:21:04,000 --> 01:21:05,000
-Mehdi.
1447
01:21:06,700 --> 01:21:08,400
-Is it Mehdi?
-Yes.
1448
01:21:09,200 --> 01:21:10,700
-Who is Mehdi?
1449
01:21:10,900 --> 01:21:12,500
-You met him earlier.
1450
01:21:12,700 --> 01:21:13,700
-Yes.
1451
01:21:14,700 --> 01:21:16,300
But it's...
1452
01:21:17,200 --> 01:21:19,300
Mehdi, uh... Great!
1453
01:21:19,500 --> 01:21:20,500
-Yes.
1454
01:21:21,100 --> 01:21:22,200
-Great.
-Yes.
1455
01:21:22,400 --> 01:21:23,600
-That's...wow!
Laugh
1456
01:21:25,100 --> 01:21:26,800
We'll stop there.
1457
01:21:27,500 --> 01:21:28,800
For today.
1458
01:21:29,500 --> 01:21:30,500
-Ah good ?
1459
01:21:30,700 --> 01:21:32,500
-It's great, anyway.
-Yes.
1460
01:21:32,600 --> 01:21:33,700
-Too good.
1461
01:21:34,100 --> 01:21:36,500
I'll be back in a minute?
-Okay.
1462
01:21:36,700 --> 01:21:38,600
-Doesn't that bother you?
-No not at all.
1463
01:21:41,700 --> 01:21:44,200
Feverish breathing
1464
01:21:45,900 --> 01:21:47,500
Stifled scream of rage
1465
01:21:49,300 --> 01:21:52,300
...
1466
01:21:53,300 --> 01:21:56,700
Violent blows
1467
01:21:56,900 --> 01:21:59,500
...
1468
01:21:59,700 --> 01:22:01,700
Muffled cries
1469
01:22:03,200 --> 01:22:05,900
Repeated clicking noises
1470
01:22:14,500 --> 01:22:16,000
Expiry
1471
01:22:18,600 --> 01:22:20,600
Squeaking door
1472
01:22:21,300 --> 01:22:22,500
-Are you okay?
-Yeah.
1473
01:22:23,500 --> 01:22:25,200
And you ?
-Yes.
1474
01:22:25,900 --> 01:22:27,200
(-Great.)
Sigh
1475
01:22:28,800 --> 01:22:29,700
-And...
1476
01:22:30,100 --> 01:22:31,800
But the ankle is...
1477
01:22:32,300 --> 01:22:34,600
-No, that... The ankle is fine.
1478
01:22:34,800 --> 01:22:37,000
*Repetitive music,
oriental inspiration
1479
01:22:37,200 --> 01:22:45,600
*...
1480
01:22:45,700 --> 01:22:47,400
-Treat yourself.
1481
01:22:47,600 --> 01:22:50,600
*...
1482
01:22:50,700 --> 01:22:53,300
It's for you,
there is nothing to prove.
1483
01:22:53,500 --> 01:22:54,900
*...
1484
01:22:55,100 --> 01:22:56,500
Nothing to prove.
1485
01:22:57,000 --> 01:22:58,900
Hold the energy.
1486
01:22:59,000 --> 01:23:03,800
*...
1487
01:23:04,500 --> 01:23:08,000
There you go, you build
smoky dreams...
1488
01:23:08,200 --> 01:23:10,900
just for you,
especially at that time.
1489
01:23:11,500 --> 01:23:20,500
*...
1490
01:23:20,600 --> 01:23:21,500
Good.
1491
01:23:21,700 --> 01:23:29,700
*...
1492
01:23:29,800 --> 01:23:31,000
We release...
1493
01:23:31,900 --> 01:23:33,100
Release.
1494
01:23:33,600 --> 01:23:34,700
And ample!
1495
01:23:37,500 --> 01:23:38,300
GOOD.
1496
01:23:38,500 --> 01:23:41,500
Lively hubbub
1497
01:23:41,700 --> 01:23:49,000
...
1498
01:23:49,200 --> 01:23:50,300
Far away
-Elise!
1499
01:23:51,400 --> 01:23:53,700
-Hold.
-Do you still have two jobs?
1500
01:23:53,800 --> 01:23:54,700
Élise laughs.
1501
01:23:54,900 --> 01:23:56,200
-Elise!
1502
01:23:56,400 --> 01:23:57,800
-I have to go.
-Elise!
1503
01:23:58,000 --> 01:23:59,000
-Yes, I'm coming!
1504
01:24:00,800 --> 01:24:02,500
-Was it good?
-Yeah !
1505
01:24:03,300 --> 01:24:06,000
Lively hubbub
*Electro music
1506
01:24:06,200 --> 01:24:09,200
...
*...
1507
01:24:09,400 --> 01:24:10,600
-It's so good.
1508
01:24:10,700 --> 01:24:13,700
...
*...
1509
01:24:13,800 --> 01:24:14,700
Yann!
1510
01:24:15,200 --> 01:24:17,900
It's so good, isn't it?
-Yeah...
1511
01:24:18,000 --> 01:24:23,700
...
*...
1512
01:24:23,900 --> 01:24:26,200
Excuse me, I'm cutting you off, but...
1513
01:24:26,300 --> 01:24:28,500
It's so good what you did. Well done !
-Yes ?
1514
01:24:28,700 --> 01:24:30,300
-Yes. Can I transplant some?
1515
01:24:30,500 --> 01:24:33,200
-Taste with a small pear.
This comes from Burgundy.
1516
01:24:33,700 --> 01:24:35,400
It's good.
Give me some more of your stuff.
1517
01:24:35,500 --> 01:24:36,800
Chouk! Chouk!
1518
01:24:38,200 --> 01:24:39,100
-Hop!
1519
01:24:40,200 --> 01:24:41,100
-Thank you, thank you!
1520
01:24:41,200 --> 01:24:42,600
-Wow, the cow!
1521
01:24:42,800 --> 01:24:43,700
-There's a flame!
1522
01:24:44,500 --> 01:24:46,100
-So, I'll tell you, this...
1523
01:24:46,200 --> 01:24:49,700
That's going very, very well
with this music.
1524
01:24:49,800 --> 01:24:51,000
Your bullshit, all that...
1525
01:24:51,100 --> 01:24:52,900
-I added vanilla from Madagascar.
1526
01:24:53,100 --> 01:24:54,100
-Hm!
1527
01:24:54,300 --> 01:24:55,800
-It made me think of music.
1528
01:24:56,000 --> 01:24:57,700
Do you hear? Tick, tick...
1529
01:24:58,400 --> 01:25:00,800
Josiane and Loïc are humming.
1530
01:25:01,000 --> 01:25:02,400
-Your thing is crazy.
1531
01:25:02,600 --> 01:25:06,300
Attention ! Pear, chocolate, vanilla.
Pear !
1532
01:25:06,500 --> 01:25:07,800
-Pear ! Twice pear.
1533
01:25:08,900 --> 01:25:10,500
-Pear, yes. Pear.
1534
01:25:10,600 --> 01:25:12,000
It's pear-pear which...
1535
01:25:12,100 --> 01:25:15,100
But Hofesh, he really does that,
associations, oppositions...
1536
01:25:15,200 --> 01:25:17,900
-Hey, ho! When we see what we see,
1537
01:25:18,100 --> 01:25:20,800
that we hear what we hear...
1538
01:25:21,000 --> 01:25:23,800
Okay? Let us eat what we eat...
-We are right
1539
01:25:24,000 --> 01:25:25,500
to think what we think.
1540
01:25:25,900 --> 01:25:27,900
-Me, in moments like this,
1541
01:25:28,800 --> 01:25:31,400
I could almost cum.
1542
01:25:31,500 --> 01:25:33,600
-Oh !
-What, “oh”? Well...
1543
01:25:33,700 --> 01:25:35,000
-Well yes!
-Yes.
1544
01:25:35,200 --> 01:25:37,900
-He doesn't understand anything.
No, but you know what I mean?
1545
01:25:38,300 --> 01:25:40,700
(It's... all that. All that, there!)
1546
01:25:40,900 --> 01:25:42,200
It's all dance.
1547
01:25:42,800 --> 01:25:45,900
My favorite residents,
It’s the dancers.
1548
01:25:46,000 --> 01:25:49,200
Because you see, they do the...
1549
01:25:49,500 --> 01:25:50,700
See?
1550
01:25:51,200 --> 01:25:53,800
I love it because they...
I don't know.
1551
01:25:54,000 --> 01:25:56,000
-When they move?
-With the...
1552
01:25:56,100 --> 01:25:57,000
-Hands?
1553
01:25:57,200 --> 01:26:00,000
The body? The arms?
-When they raise their arms?
1554
01:26:00,300 --> 01:26:01,800
-The movement?
-Yes, yes...
1555
01:26:02,000 --> 01:26:03,000
-When they dance.
1556
01:26:03,200 --> 01:26:04,100
-I want that.
1557
01:26:04,200 --> 01:26:06,700
I want this. I want this...
1558
01:26:06,900 --> 01:26:08,000
on my plate.
1559
01:26:08,100 --> 01:26:12,200
Lively hubbub
*Hip-hop music
1560
01:26:12,400 --> 01:26:15,300
...
*...
1561
01:26:15,500 --> 01:26:17,500
Laughter
1562
01:26:17,700 --> 01:26:18,700
-Yann, the wrists!
1563
01:26:18,900 --> 01:26:20,200
-It's okay, it's okay!
1564
01:26:20,700 --> 01:26:21,900
Leave me. Leave me.
1565
01:26:22,100 --> 01:26:28,700
...
*...
1566
01:26:28,900 --> 01:26:30,300
-I can't do it
1567
01:26:30,500 --> 01:26:32,300
...
with my guibole!
1568
01:26:32,500 --> 01:26:40,300
...
*...
1569
01:26:41,100 --> 01:26:43,300
Applause
-It's cool! THANKS.
1570
01:26:43,500 --> 01:26:48,200
Squeaks
1571
01:26:48,400 --> 01:26:50,500
Heavy breathing
1572
01:26:50,700 --> 01:27:11,100
...
1573
01:27:12,100 --> 01:27:13,400
They greet each other in English.
1574
01:27:14,400 --> 01:27:15,400
-Your leg?
1575
01:27:15,900 --> 01:27:18,400
-It's better.
Who knows why!
1576
01:27:18,600 --> 01:27:19,500
-Great.
1577
01:27:20,100 --> 01:27:21,600
I had an idea.
1578
01:27:22,900 --> 01:27:25,700
You could follow us to Paris.
1579
01:27:27,700 --> 01:27:29,100
-You mean...
1580
01:27:29,400 --> 01:27:32,000
to dance with your company?
1581
01:27:32,100 --> 01:27:34,800
-To dance on stage with us.
1582
01:27:35,200 --> 01:27:37,700
What do you say?
-That would be great!
1583
01:27:37,900 --> 01:27:39,200
-So, let's go.
1584
01:27:39,900 --> 01:27:41,000
-It's just...
1585
01:27:41,500 --> 01:27:45,200
I'm not sure I can hold on
quite a spectacle.
1586
01:27:45,400 --> 01:27:47,300
-Listen, do you have a doctor?
1587
01:27:47,800 --> 01:27:50,900
You talk to him about it and you'll tell me.
1588
01:27:51,700 --> 01:27:52,700
After you.
1589
01:27:53,100 --> 01:27:54,400
-THANKS.
-Please.
1590
01:27:56,200 --> 01:27:58,300
-Chao!
-See you soon ! Hi !
1591
01:27:58,500 --> 01:28:00,100
-Chao! THANKS !
-Goodbye, Sabrina!
1592
01:28:00,500 --> 01:28:01,800
-Chao!
1593
01:28:02,000 --> 01:28:03,700
-Do you know him?
-Well yes, I know him.
1594
01:28:03,900 --> 01:28:05,100
-Who is this guy?
1595
01:28:08,700 --> 01:28:11,100
-When are you coming back?
-In 15 days.
1596
01:28:11,500 --> 01:28:12,500
-And ?
1597
01:28:13,900 --> 01:28:15,100
-And what?
1598
01:28:15,500 --> 01:28:16,500
-Well...
1599
01:28:17,500 --> 01:28:18,800
I don't know.
1600
01:28:21,500 --> 01:28:22,400
-Mehdi!
1601
01:28:24,500 --> 01:28:26,500
Mehdi, let's go.
1602
01:28:32,700 --> 01:28:33,700
-Go ahead.
1603
01:28:47,000 --> 01:28:48,000
Sigh
1604
01:28:50,400 --> 01:28:54,600
Choral singing
1605
01:28:57,500 --> 01:29:26,900
...
1606
01:29:27,100 --> 01:29:30,200
...
1607
01:29:30,400 --> 01:29:32,000
-It's so beautiful.
1608
01:29:33,000 --> 01:29:33,900
-Yes.
1609
01:29:34,100 --> 01:29:53,500
...
1610
01:29:53,600 --> 01:29:54,800
(-You're stupid!)
1611
01:29:55,400 --> 01:29:56,100
(Fuck...)
1612
01:29:56,200 --> 01:29:59,800
...
1613
01:30:00,000 --> 01:30:01,300
Laughter
1614
01:30:02,500 --> 01:30:03,400
Scream
1615
01:30:03,500 --> 01:30:05,700
...
...
1616
01:30:05,900 --> 01:30:15,100
...
...
1617
01:30:15,200 --> 01:30:16,200
Big cry
1618
01:30:16,400 --> 01:30:18,800
Laughter
1619
01:30:19,000 --> 01:30:21,800
...
Scream
1620
01:30:22,000 --> 01:30:23,800
...
Laughter
1621
01:30:24,000 --> 01:30:27,100
...
...
1622
01:30:27,200 --> 01:30:28,400
(It tires me.)
1623
01:30:28,500 --> 01:30:29,500
...
1624
01:30:29,700 --> 01:30:33,200
...
1625
01:30:33,400 --> 01:30:34,400
-Chao!
1626
01:30:34,800 --> 01:30:36,000
-Thank you, Josiane.
1627
01:30:40,700 --> 01:30:41,700
-THANKS.
1628
01:30:42,900 --> 01:30:43,800
Bye.
1629
01:30:44,200 --> 01:30:45,200
-Hey, hey!
1630
01:30:46,000 --> 01:30:47,200
You're not kidding, are you?
1631
01:30:47,700 --> 01:30:49,000
You get back to it.
1632
01:30:50,000 --> 01:30:52,300
You have to dance again.
If you dance again,
1633
01:30:52,500 --> 01:30:55,700
you will help us all
to have our little access to beauty.
1634
01:30:56,900 --> 01:30:58,200
Do you promise me?
1635
01:30:59,300 --> 01:31:00,300
-Yes.
1636
01:31:01,500 --> 01:31:02,900
I promise you.
1637
01:31:04,300 --> 01:31:05,300
Engine
1638
01:31:05,500 --> 01:31:06,500
Thank you.
1639
01:31:08,300 --> 01:31:09,400
-Come on, hop!
1640
01:31:24,900 --> 01:31:26,000
Sigh
1641
01:31:31,500 --> 01:31:34,500
-Honestly, that’s enough
impressive. Your malleolus
1642
01:31:34,700 --> 01:31:36,100
no longer shows any trace
1643
01:31:36,300 --> 01:31:39,000
and bone tearing
is almost no longer visible. Look.
1644
01:31:39,700 --> 01:31:42,100
Even if it is still necessary
let the joint rest,
1645
01:31:42,300 --> 01:31:44,800
we can already rule out the operation.
-Oh yes ?
1646
01:31:53,300 --> 01:31:56,200
I felt it was getting better.
-Yes, but be patient
1647
01:31:56,400 --> 01:31:57,500
and don't make an effort.
1648
01:31:57,700 --> 01:31:59,700
-Yes, but I feel like it's getting better.
1649
01:31:59,900 --> 01:32:01,600
-The body is like a car.
1650
01:32:01,700 --> 01:32:04,800
If you try to ride
with an already damaged axle,
1651
01:32:05,000 --> 01:32:09,400
your chances of an accident are higher
that if you don't take the car out.
1652
01:32:10,200 --> 01:32:12,000
Heavy breathing
1653
01:32:12,200 --> 01:32:21,500
...
1654
01:32:21,600 --> 01:32:23,300
-I'm so happy
that you danced again.
1655
01:32:23,500 --> 01:32:26,100
But frankly,
contemporary, I really can't do it.
1656
01:32:26,600 --> 01:32:28,300
It's true, you're too often
1657
01:32:28,500 --> 01:32:31,000
anchored in the ground.
There is no lightness, while...
1658
01:32:31,400 --> 01:32:34,300
I don't know...
Classically, you face the sky.
1659
01:32:34,500 --> 01:32:37,500
There's something more airy that suits me better.
-Yes.
1660
01:32:37,700 --> 01:32:40,900
It's true that we are no longer sure
the supports, more in contact with the ground.
1661
01:32:41,100 --> 01:32:43,300
In contemporary, or in hip-hop,
1662
01:32:43,500 --> 01:32:45,900
it's as if there was
a relationship with the earth.
1663
01:32:46,000 --> 01:32:47,100
In reality.
1664
01:32:47,600 --> 01:32:50,400
The ground is scary in classic.
-Yes.
1665
01:32:50,500 --> 01:32:51,800
-There, it's as if my feet
1666
01:32:52,000 --> 01:32:55,100
were looking for the ground instead of fleeing it,
and that's what I liked.
1667
01:32:55,200 --> 01:32:57,900
It makes me see classical dance
otherwise now.
1668
01:32:58,000 --> 01:33:00,400
-The classic,
it's more like a dream.
1669
01:33:00,600 --> 01:33:02,400
That's what I like, frankly.
1670
01:33:02,500 --> 01:33:04,000
-Reality is good sometimes.
1671
01:33:04,500 --> 01:33:08,300
That said, at Hofesh,
there is a real form of spirituality.
1672
01:33:08,500 --> 01:33:10,400
It's like a quest for the beyond,
1673
01:33:10,600 --> 01:33:13,500
to seek the light,
something bigger than human.
1674
01:33:13,600 --> 01:33:17,000
But in a more tribal way,
more animal.
1675
01:33:17,200 --> 01:33:18,300
And I love it.
1676
01:33:26,900 --> 01:33:28,100
Sigh
1677
01:33:52,100 --> 01:33:54,500
Ringtone
1678
01:33:54,700 --> 01:33:56,400
...
1679
01:33:58,000 --> 01:33:59,100
Hello?
1680
01:33:59,200 --> 01:34:00,300
-SO ?
1681
01:34:02,300 --> 01:34:03,200
-So, what?
1682
01:34:04,700 --> 01:34:06,000
-See you?
*-See you?
1683
01:34:06,200 --> 01:34:07,600
Laugh
1684
01:34:09,100 --> 01:34:10,100
Where are you?
1685
01:34:10,200 --> 01:34:11,700
-I'm towards Botzaris.
1686
01:34:11,900 --> 01:34:13,200
-Okay, wait.
1687
01:34:16,700 --> 01:34:18,900
Urban traffic atmosphere
1688
01:34:19,100 --> 01:34:22,200
...
1689
01:34:22,400 --> 01:34:25,500
*OK. If you come to my house,
it's 19 minutes.
1690
01:34:25,600 --> 01:34:27,400
-Yes, okay. Wait, because...
1691
01:34:27,600 --> 01:34:30,400
If you move too, we can see each other
in less than ten minutes.
1692
01:34:30,600 --> 01:34:32,100
-Are you running there?
*-I’m coming.
1693
01:34:32,200 --> 01:34:33,100
-Okay.
1694
01:34:36,000 --> 01:34:39,200
Tribal music
1695
01:34:39,300 --> 01:34:54,300
...
1696
01:34:54,500 --> 01:34:57,700
...
Heavy breathing
1697
01:34:57,900 --> 01:35:21,600
...
...
1698
01:35:21,800 --> 01:35:39,100
...
1699
01:35:39,300 --> 01:35:41,100
...
Heavy breathing
1700
01:35:41,200 --> 01:36:00,700
...
...
1701
01:36:14,300 --> 01:36:16,800
Ringtone
1702
01:36:17,000 --> 01:36:18,200
He's my father.
1703
01:36:18,300 --> 01:36:20,300
I don't answer.
-Yes, yes. Go ahead.
1704
01:36:20,500 --> 01:36:23,100
...
1705
01:36:24,400 --> 01:36:25,700
*-Hello?
-Hello, dad?
1706
01:36:25,900 --> 01:36:27,000
-I'm not bothering you?
1707
01:36:27,200 --> 01:36:28,100
-No.
1708
01:36:28,900 --> 01:36:31,500
-Tell me, Élise,
I'm going to Paris tomorrow.
1709
01:36:31,700 --> 01:36:34,500
And it would be nice if we ate together.
1710
01:36:34,700 --> 01:36:35,500
No ?
1711
01:36:35,700 --> 01:36:37,500
-Uh, OK, yes.
1712
01:36:37,700 --> 01:36:39,600
Both?
*-Yes.
1713
01:36:40,600 --> 01:36:44,400
You join me at Amaury's office,
do you want it?
1714
01:36:44,600 --> 01:36:46,600
-Uh... yes, I see where it is. Okay.
1715
01:36:47,100 --> 01:36:48,100
*-There you go.
1716
01:36:48,200 --> 01:36:50,700
*At half past twelve?
-Okay. 12:30 is fine by me.
1717
01:36:51,100 --> 01:36:52,100
*-Is that okay with you?
1718
01:36:52,800 --> 01:36:54,500
*Okay?
-Uh... see you tomorrow?
1719
01:36:54,700 --> 01:36:55,900
*-Okay, very good.
1720
01:36:56,100 --> 01:36:58,700
Did you receive the book I sent you?
*-Ah yes...
1721
01:36:58,800 --> 01:37:00,000
but I haven't read it.
1722
01:37:00,100 --> 01:37:02,500
I don't have time.
I have a lot of work at the moment.
1723
01:37:02,700 --> 01:37:04,300
*-Ah! Read it.
1724
01:37:04,700 --> 01:37:06,900
You know, you read a page a day.
1725
01:37:07,200 --> 01:37:09,700
120 pages, 120 days.
It's nothing, 120 days.
1726
01:37:09,800 --> 01:37:11,900
-See you tomorrow ?
*-Um, see you tomorrow.
1727
01:37:12,300 --> 01:37:14,000
*Okay, I kiss you.
-Okay.
1728
01:37:14,100 --> 01:37:15,400
Yes, me too.
1729
01:37:15,700 --> 01:37:19,100
Hofesh counts in English.
1730
01:37:21,200 --> 01:37:22,500
Rhythmic calls
1731
01:37:22,700 --> 01:37:24,800
...
1732
01:37:25,000 --> 01:37:26,200
-Good, great.
1733
01:37:26,500 --> 01:37:29,600
We have ten strings.
Each finger is a string...
1734
01:37:30,500 --> 01:37:32,200
which carries you away chaotically.
1735
01:37:32,800 --> 01:37:36,500
Hofesh counts in English.
1736
01:37:41,800 --> 01:37:43,000
-It came out of nowhere.
1737
01:37:43,200 --> 01:37:44,700
-Good morning.
-Oh, my daughter!
1738
01:37:44,900 --> 01:37:46,800
-Oh my, Élise!
1739
01:37:47,000 --> 01:37:49,000
-Yes! Do you recognize Amaury?
Laugh
1740
01:37:49,200 --> 01:37:51,300
-Yes. Of course !
-Oh ! Not sure, huh?
1741
01:37:51,700 --> 01:37:53,700
I'm going to look
of an old cacochyme,
1742
01:37:53,900 --> 01:37:56,400
but I remember you when I was little,
with your two sisters.
1743
01:37:56,600 --> 01:37:58,200
-Yes yes. It's been a long time.
1744
01:37:58,300 --> 01:38:00,700
-But you don't know
Alban de Vouvray.
1745
01:38:00,900 --> 01:38:03,100
-And it's wrong
because I benefit from being known.
1746
01:38:03,200 --> 01:38:04,500
-It's one from Vouvray...
1747
01:38:04,700 --> 01:38:05,800
-DE VOUVRAY!
1748
01:38:06,000 --> 01:38:08,300
-I am from Vouvray.
So it makes them laugh.
1749
01:38:08,500 --> 01:38:09,900
Laughter
1750
01:38:10,000 --> 01:38:11,300
You may not know it,
1751
01:38:11,500 --> 01:38:13,500
but your father, in the profession,
he's a star.
1752
01:38:13,700 --> 01:38:16,900
He is called the "Plainboy" because
of his unforgettable pleadings.
1753
01:38:17,000 --> 01:38:19,000
-We also call him Henri the chatterbox,
1754
01:38:19,200 --> 01:38:21,500
called "the bib",
called "the machine gun"...
1755
01:38:21,700 --> 01:38:23,200
-Stop.
-... said “Henri Punchline”.
1756
01:38:23,400 --> 01:38:24,700
-It's going to be my party.
1757
01:38:24,900 --> 01:38:26,000
-But no !
1758
01:38:26,200 --> 01:38:27,200
Laughter
1759
01:38:27,300 --> 01:38:28,500
Are you having lunch with us?
1760
01:38:29,500 --> 01:38:30,700
-Well...
-Oh, well yes!
1761
01:38:31,100 --> 01:38:33,200
-No, no.
We planned to have lunch together.
1762
01:38:33,400 --> 01:38:35,000
-Family!
-We'll leave you.
1763
01:38:35,200 --> 01:38:36,900
-See you soon !
-See you soon ! Hi.
1764
01:38:37,000 --> 01:38:40,100
-Did you want to have lunch with them?
-Oh no, no!
1765
01:38:47,400 --> 01:38:49,400
-Are you okay, talkative Henry?
Embarrassed laughter
1766
01:38:50,000 --> 01:38:53,000
That's the two rascals
who call me that.
1767
01:38:53,700 --> 01:38:54,900
Sigh
1768
01:38:58,000 --> 01:39:00,000
Ah, but you don't limp at all anymore!
1769
01:39:00,200 --> 01:39:02,000
-Yes, it's definitely better.
-Wow!
1770
01:39:02,100 --> 01:39:03,500
-I'm starting to dance again.
1771
01:39:03,700 --> 01:39:06,100
-Oh yes ?
-Yes, I have to put on a show.
1772
01:39:06,300 --> 01:39:09,000
I hope I can hold it
the entire duration.
1773
01:39:09,100 --> 01:39:12,100
-OK, but it's not
a little dangerous to...
1774
01:39:12,300 --> 01:39:13,200
-No.
1775
01:39:13,400 --> 01:39:15,100
-Great, then! If you...
1776
01:39:19,100 --> 01:39:21,300
We're going to eat. Are you hungry?
1777
01:39:21,500 --> 01:39:22,500
-Yes.
1778
01:39:24,700 --> 01:39:25,800
-Me too.
1779
01:39:26,900 --> 01:39:28,900
-I'm happy
that you came to Paris.
1780
01:39:29,400 --> 01:39:31,100
-Well... yes.
1781
01:39:32,000 --> 01:39:34,500
I had a complicated case to resolve.
1782
01:39:34,600 --> 01:39:37,000
We were on the verge of dismissal.
1783
01:39:40,100 --> 01:39:41,200
Finally...
1784
01:39:42,200 --> 01:39:44,500
-Why didn't you want to
come eat at my place?
1785
01:39:44,700 --> 01:39:46,100
-It's good here.
1786
01:39:46,800 --> 01:39:49,000
-Yes, but I don't know...
1787
01:39:49,700 --> 01:39:52,000
-We always came here with your mother.
1788
01:39:56,300 --> 01:40:00,700
-Dad, I miss it
that you're not really interested in me.
1789
01:40:01,100 --> 01:40:02,500
To my life.
-What ?
1790
01:40:03,800 --> 01:40:06,500
-You don't realize,
but you were always cold to me.
1791
01:40:06,900 --> 01:40:07,900
-Cold, me?
1792
01:40:09,600 --> 01:40:10,900
-Well, for example,
1793
01:40:11,600 --> 01:40:13,000
you never said to me: “I love you”.
1794
01:40:13,200 --> 01:40:15,400
There are lots of people who say it
without problem.
1795
01:40:15,600 --> 01:40:17,000
-Have I ever told you?
1796
01:40:17,700 --> 01:40:18,600
-No.
1797
01:40:19,700 --> 01:40:21,400
-What is this bullshit?
1798
01:40:23,300 --> 01:40:24,500
-Well, go ahead.
1799
01:40:26,900 --> 01:40:28,600
-What ?
-Well, say it!
1800
01:40:29,700 --> 01:40:31,500
-I'm telling you... Don't doubt it.
1801
01:40:31,700 --> 01:40:33,300
-No, but really say it.
1802
01:40:33,500 --> 01:40:35,000
Say: “I love you, Elise.”
1803
01:40:37,300 --> 01:40:40,200
-It's not something we say
like that, under threat.
1804
01:40:40,400 --> 01:40:43,600
Honestly, you have the impression
that I was always cold to you?
1805
01:40:44,300 --> 01:40:45,300
-Yes.
1806
01:40:52,700 --> 01:40:55,600
-It hasn't always been easy for me
after mom died.
1807
01:40:57,200 --> 01:40:59,200
-For us neither,
It wasn't easy.
1808
01:41:03,100 --> 01:41:05,000
Don't you want to come see what I'm doing?
1809
01:41:05,100 --> 01:41:06,700
-I don't know. What are you doing ?
1810
01:41:06,900 --> 01:41:08,900
-I told you.
I do contemporary dance.
1811
01:41:09,100 --> 01:41:10,500
-Contemporary dance?
-Yes.
1812
01:41:10,600 --> 01:41:12,300
-Oh, great!
1813
01:41:13,300 --> 01:41:15,200
But now?
-Yes, now.
1814
01:41:15,300 --> 01:41:17,400
-NOW. Well then, yes.
1815
01:41:18,500 --> 01:41:20,200
Let's go.
-Cool.
1816
01:41:20,700 --> 01:41:21,900
-My pleasure.
1817
01:41:24,600 --> 01:41:25,700
Go ahead.
1818
01:41:29,300 --> 01:41:31,000
-I wanted to introduce you to Mehdi.
1819
01:41:31,200 --> 01:41:33,000
-Hello Sir.
-Delighted.
1820
01:41:33,200 --> 01:41:34,200
Henry.
1821
01:41:34,800 --> 01:41:36,700
-So. Mehdi, it's...
1822
01:41:37,300 --> 01:41:38,500
Mehdi.
-All right.
1823
01:41:39,000 --> 01:41:40,600
-Yes.
Embarrassed laughter
1824
01:41:40,700 --> 01:41:41,800
-Great.
1825
01:41:42,000 --> 01:41:44,700
-I have to go change,
but settle down.
1826
01:41:44,900 --> 01:41:46,500
You can put yourself there if you want.
1827
01:41:47,500 --> 01:41:49,200
I'll introduce you to Hofesh later.
-Yes.
1828
01:41:49,400 --> 01:41:50,400
-I'm coming.
1829
01:41:52,200 --> 01:41:54,100
Hofesh matters.
Finger snaps
1830
01:41:54,200 --> 01:42:09,400
...
1831
01:42:09,500 --> 01:42:11,800
...
Rhythmic cries of Hofesh
1832
01:42:12,000 --> 01:42:15,400
...
...
1833
01:42:15,600 --> 01:42:19,000
Hofesh's guttural cries
1834
01:42:19,200 --> 01:42:21,000
The dancers grunt.
1835
01:42:21,200 --> 01:42:25,600
...
1836
01:42:26,900 --> 01:42:28,000
-Great, huh!
1837
01:42:28,500 --> 01:42:30,600
It's very impressive. Oh yes...
1838
01:42:32,100 --> 01:42:34,000
Can you tell me where the wawa are?
1839
01:42:34,200 --> 01:42:35,300
-Oh? Uh...
1840
01:42:35,600 --> 01:42:39,200
Hofesh speaks in English.
1841
01:42:39,400 --> 01:42:40,000
Hofesh!
1842
01:42:41,300 --> 01:42:42,700
Pipi groove?
1843
01:42:44,100 --> 01:42:46,200
-Come on, everyone in pee mode.
1844
01:42:46,300 --> 01:42:47,800
Rhythmic clapping
1845
01:42:48,000 --> 01:42:50,600
...
1846
01:42:50,800 --> 01:42:53,600
...
Tribal cries
1847
01:42:53,700 --> 01:43:13,700
...
...
1848
01:43:14,300 --> 01:43:15,700
-I'm late.
1849
01:43:16,000 --> 01:43:17,800
-Can you come to the premiere?
1850
01:43:18,000 --> 01:43:19,300
-Uh, I don't know.
1851
01:43:19,500 --> 01:43:21,700
I'm going to have a lot of work.
1852
01:43:22,100 --> 01:43:24,000
-Dad, try.
It's important to me.
1853
01:43:24,200 --> 01:43:25,800
-But I try, but...
1854
01:43:26,200 --> 01:43:27,500
But yes, I try.
1855
01:43:28,200 --> 01:43:30,000
Goodbye, Adèle.
-Goodbye, Henri.
1856
01:43:35,200 --> 01:43:37,900
Urban traffic
1857
01:43:38,100 --> 01:43:49,100
...
1858
01:43:49,300 --> 01:43:51,200
public hubbub
1859
01:43:51,400 --> 01:43:56,500
...
1860
01:43:56,700 --> 01:43:59,900
hubbub of whispers
1861
01:44:00,000 --> 01:44:04,000
...
1862
01:44:04,200 --> 01:44:06,300
public hubbub
1863
01:44:06,500 --> 01:44:36,200
...
1864
01:44:36,400 --> 01:44:38,700
-Look! There’s Élise there.
-Oh yeah!
1865
01:44:38,900 --> 01:44:40,500
Have you seen Élise, dad?
-Where?
1866
01:44:40,700 --> 01:44:42,800
Well...
-Oh no! She left again.
1867
01:44:43,000 --> 01:44:45,500
...
1868
01:44:45,700 --> 01:44:47,900
-It’s super modular.
Every time, they do...
1869
01:44:48,100 --> 01:44:49,900
Whispers
1870
01:44:50,400 --> 01:44:53,100
Feverish breathing
1871
01:44:53,300 --> 01:44:56,800
*Oriental repetitive music
and percussive
1872
01:44:57,000 --> 01:45:27,000
*...
1873
01:45:27,100 --> 01:45:57,100
*...
1874
01:45:57,300 --> 01:46:27,300
*...
1875
01:46:27,500 --> 01:46:43,400
*...
1876
01:46:43,600 --> 01:46:58,400
*...
1877
01:46:58,500 --> 01:46:59,400
Cris
1878
01:46:59,600 --> 01:47:26,700
*...
1879
01:47:26,900 --> 01:47:41,300
*...
1880
01:47:41,700 --> 01:47:42,600
Cris
1881
01:47:42,800 --> 01:47:48,300
*...
1882
01:47:48,500 --> 01:47:51,000
Angry screams
1883
01:47:51,100 --> 01:47:53,000
...
*...
1884
01:47:53,200 --> 01:48:13,300
*...
1885
01:48:13,500 --> 01:48:15,700
*Soft repetitive music
1886
01:48:15,900 --> 01:48:44,600
*...
1887
01:48:44,800 --> 01:48:47,000
*...
Applause
1888
01:48:47,200 --> 01:48:49,100
...
Joyful cries
1889
01:48:49,200 --> 01:48:52,300
...
...
1890
01:48:52,700 --> 01:48:54,500
-Well done!
1891
01:48:55,100 --> 01:49:11,600
...
...
1892
01:49:11,800 --> 01:49:14,000
-I was sitting next to your father.
-Oh yeah?
1893
01:49:14,500 --> 01:49:16,300
-Where is he, anyway?
1894
01:49:16,500 --> 01:49:18,000
So, we lost him?
1895
01:49:18,200 --> 01:49:20,500
Soft repetitive music
1896
01:49:20,700 --> 01:49:32,500
...
1897
01:49:32,700 --> 01:49:47,200
...
1898
01:49:47,400 --> 01:49:50,500
-The moment we jumped like that,
I left at 7.
1899
01:49:50,600 --> 01:49:51,800
-Instead of 8?
1900
01:49:52,000 --> 01:49:55,800
-Wasn't there anything weird at the beginning?
-If ! We were super close, right?
1901
01:49:56,000 --> 01:49:57,800
I had the impression...
-I touched you.
1902
01:49:58,000 --> 01:49:59,600
-That's it! In the dark, actually...
1903
01:49:59,800 --> 01:50:01,200
I just felt in the dark.
1904
01:50:01,300 --> 01:50:04,400
When the lights came back, I said to myself:
“What are we going to do next?”
1905
01:50:04,500 --> 01:50:05,700
-Elise!
1906
01:50:06,000 --> 01:50:08,200
-Hey ! Hi.
-Hi, how are you?
1907
01:50:08,400 --> 01:50:11,200
Wow! I wanted to say well done.
It was incredible.
1908
01:50:11,300 --> 01:50:12,500
Laugh
-Well, thank you.
1909
01:50:13,200 --> 01:50:14,100
-Yes, sorry...
1910
01:50:14,300 --> 01:50:15,600
Well, Elise. Elise!
1911
01:50:15,700 --> 01:50:17,200
-Enchanted.
-Oh yeah? Enchanted.
1912
01:50:17,400 --> 01:50:18,400
-It was great.
-THANKS.
1913
01:50:18,500 --> 01:50:20,200
-What... What are you doing?
1914
01:50:20,400 --> 01:50:21,500
-We're going to have a drink.
1915
01:50:21,700 --> 01:50:23,400
-Ah, cool! So, shall we follow them?
1916
01:50:23,600 --> 01:50:25,000
-Yeah, I don't know...
-No?
1917
01:50:25,200 --> 01:50:26,600
Joyful cries
1918
01:50:26,800 --> 01:50:28,200
-Élise, great!
1919
01:50:29,100 --> 01:50:30,100
-Élise, the best.
1920
01:50:30,300 --> 01:50:31,600
-So good, yeah!
1921
01:50:31,800 --> 01:50:33,700
Oh ! I loved it.
It gave me chills.
1922
01:50:33,900 --> 01:50:35,700
-Awesome !
-It's true, did you like it?
1923
01:50:35,900 --> 01:50:37,600
-Are you crazy? It was so beautiful.
1924
01:50:37,700 --> 01:50:38,900
-You convinced me.
1925
01:50:39,000 --> 01:50:41,200
-But yes, I tell you!
That's what's beautiful.
1926
01:50:41,400 --> 01:50:43,700
Well, we don't agree.
1927
01:50:43,800 --> 01:50:47,000
-Then you start this one.
I'm on the bend.
1928
01:50:47,100 --> 01:50:49,500
Laughter
1929
01:50:49,600 --> 01:50:51,000
-That's it!
1930
01:50:51,100 --> 01:50:52,100
Lively hubbub
1931
01:50:52,300 --> 01:50:55,100
Soft ballet music
(La Bayadère - Act 3)
1932
01:50:55,300 --> 01:51:02,000
...
...
1933
01:51:02,100 --> 01:51:03,700
Joyful cries
1934
01:51:03,900 --> 01:51:06,200
...
...
1935
01:51:06,400 --> 01:51:12,900
...
1936
01:51:15,200 --> 01:51:17,900
Majestic ballet music
(La Bayadère - Act 3)
1937
01:51:18,000 --> 01:51:47,100
...
1938
01:51:47,300 --> 01:51:48,400
-Dear mom,
1939
01:51:48,600 --> 01:51:51,600
a few days before
that you are leaving us, you told me:
1940
01:51:51,900 --> 01:51:54,900
"Enjoy all lives
that life can give you."
1941
01:51:55,800 --> 01:51:56,800
Mom,
1942
01:51:57,200 --> 01:51:58,300
today,
1943
01:51:58,700 --> 01:52:00,500
I'm starting a new life.
1944
01:52:00,700 --> 01:52:02,000
Laugh
1945
01:52:02,100 --> 01:52:03,900
Joyful cries
1946
01:52:04,000 --> 01:52:13,800
...
...
1947
01:52:14,000 --> 01:52:16,300
...
Laughter
1948
01:52:16,500 --> 01:52:19,200
...
Joyful cries
1949
01:52:19,300 --> 01:52:36,200
...
...
1950
01:52:36,400 --> 01:53:06,400
...
1951
01:53:06,500 --> 01:53:36,500
...
1952
01:53:36,700 --> 01:54:06,700
...
1953
01:54:06,900 --> 01:54:36,900
...
1954
01:54:37,000 --> 01:55:07,000
...
1955
01:55:07,200 --> 01:55:22,500
...
1956
01:55:22,700 --> 01:55:25,000
Saturation effects
1957
01:55:25,200 --> 01:55:28,800
...
1958
01:55:29,000 --> 01:55:32,000
Rock metal
1959
01:55:32,200 --> 01:55:58,900
...
1960
01:55:59,100 --> 01:56:29,100
...
1961
01:56:29,200 --> 01:56:59,200
...
1962
01:56:59,400 --> 01:57:11,000
...
1963
01:57:11,100 --> 01:57:13,200
Subtitle: HIVENTY