1
00:00:04,126 --> 00:00:06,426
( whining )

2
00:00:13,801 --> 00:00:15,968
( whimpering )

3
00:00:40,662 --> 00:00:42,362
( whimpering )

4
00:00:44,099 --> 00:00:48,201
Man:
<i> THE LATE MR. MacDONALD</i>
<i> MADE A NUMBER OF WILLS.</i>

5
00:00:48,203 --> 00:00:52,372
IN THE LATEST HE WROTE OUT
THE BEQUESTS

6
00:00:52,374 --> 00:00:55,475
ON SEPARATE SHEETS
IN HIS OWN HAND,

7
00:00:55,477 --> 00:00:58,978
WHICH HE WAS KEEN FOR YOU
TO READ YOURSELVES.

8
00:00:58,980 --> 00:01:01,847
I'LL--

9
00:01:01,849 --> 00:01:04,050
"TO MY LIEGEMAN, GOLLY,

10
00:01:04,052 --> 00:01:06,553
A TRUE A MAN AS
I HAVE EVER KNOWN,

11
00:01:06,555 --> 00:01:10,356
<i> I'LL LEAVE WHAT REMAINS</i>
<i> OF MY ONCE MIGHTY COLLECTION</i>

12
00:01:10,358 --> 00:01:13,059
OF SINGLE MALT WHISKEYS
IN THE HOPE THAT

13
00:01:13,061 --> 00:01:17,063
HE WILL TOAST OUR ASSOCIATION
EVERY ST. ANDREW'S DAY."

14
00:01:18,567 --> 00:01:20,633
THAT I WILL, HECTOR.

15
00:01:20,635 --> 00:01:23,236
"TO MY ASSISTANT GHILLIE

16
00:01:23,238 --> 00:01:25,037
AND COURT JESTER, DUNCAN,

17
00:01:25,039 --> 00:01:27,540
<i> I LEAVE THE ENTIRE</i>
<i> CONTENTS OF MY WARDROBE,</i>

18
00:01:27,542 --> 00:01:30,076
IN THE HOPE THAT THIS MAY
ENCOURAGE HIM TO WEAR

19
00:01:30,078 --> 00:01:32,512
SOMETHING THAN
THAT FILTHY KI--"

20
00:01:32,514 --> 00:01:36,949
"KILT AND MOTH-EATEN CARDIGAN
HE INSISTS ON DONNING
EVERY DAY."

21
00:01:36,951 --> 00:01:39,652
IT'S NOT A CARDIE,
IT'S A FLEECE.

22
00:01:39,654 --> 00:01:42,054
I PAID EIGHT QUID FOR THAT.

23
00:01:47,295 --> 00:01:49,596
"TO THE ESTIMABLE ALEXANDRA,

24
00:01:49,598 --> 00:01:53,799
I BEQUEATH A SUFFICIENT SUM
FOR A NEW SET OF SAUCEPANS,

25
00:01:53,801 --> 00:01:56,802
THE REMAINDER TO BE SPENT
ON GARMENTS THAT EXPOSE

26
00:01:56,804 --> 00:01:59,572
HER EVEN MORE ESTIMABLE
MIDRIFF."

27
00:02:02,577 --> 00:02:05,111
Molly:
<i> "TO MY DARLING WIFE,</i>

28
00:02:05,113 --> 00:02:07,713
BEST FRIEND
AND GOOD COMPANION, MOLLY,

29
00:02:07,715 --> 00:02:10,216
I BEQUEATH THE REST
OF MY GOODS AND EFFECTS

30
00:02:10,218 --> 00:02:13,586
AS WELL AS MY RIDICULOUSLY
PUNY PERSONAL HOLDINGS

31
00:02:13,588 --> 00:02:17,923
IN THE HOPE THAT THEY
WILL HELP HER TO BECOME
A VERY MERRY WIDOW."

32
00:02:17,925 --> 00:02:21,060
Lawyer:
AND NOW WE COME
TO THE TRICKY PART.

33
00:02:21,062 --> 00:02:25,298
"TO MY ONLY SON, ARCHIE,
I HAVE ALREADY GIFTED

34
00:02:25,300 --> 00:02:29,302
THE ANCESTRAL LANDS, HOUSE,
AND WATERS OF GLENBOGLE,

35
00:02:29,304 --> 00:02:33,373
A SACRED TRUST
TO WHICH I HOPE HE WILL ADHERE
WITH EVERY FIBER OF HIS BEING."

36
00:02:36,010 --> 00:02:38,010
WHY IS THAT THE TRICKY PART?

37
00:02:38,012 --> 00:02:40,880
THE LAW STATES

38
00:02:40,882 --> 00:02:43,516
THAT TO AVOID THE PAYMENT
OF DEATH DUTIES,

39
00:02:43,518 --> 00:02:46,786
<i> A PERIOD OF SEVEN YEARS</i>
<i> MUST ELAPSE</i>

40
00:02:46,788 --> 00:02:49,189
FROM THE DATE
OF THE DEED OF GIFT

41
00:02:49,191 --> 00:02:51,691
TO THE DEMISE OF THE DONOR.

42
00:02:51,693 --> 00:02:55,728
IN THIS CASE,
SEVEN YEARS HAVE NOT ELAPSED.

43
00:02:55,730 --> 00:02:58,431
I THINK I SOMEHOW KNOW
WHAT'S COMING.

44
00:02:58,433 --> 00:03:01,967
Lawyer:
<i> I WOULD SAY THAT YOU OWE</i>
<i> H.M. TREASURY</i>

45
00:03:01,969 --> 00:03:03,969
SOMETHING IN THE REGION OF...

46
00:03:03,971 --> 00:03:06,506
£200,000.

47
00:03:08,543 --> 00:03:09,942
HMPH.

48
00:03:11,813 --> 00:03:14,280
OH, THANK YOU, GOD.

49
00:03:14,282 --> 00:03:17,016
THANK YOU, FATHER.

50
00:03:17,018 --> 00:03:19,452
<i> ( theme music playing )</i>

51
00:04:05,933 --> 00:04:07,567
HI.

52
00:04:09,904 --> 00:04:11,537
YOU OKAY?

53
00:04:13,074 --> 00:04:16,309
WE MUST BE STRONG, LEXIE,
FOR THE MEN IN OUR LIVES.

54
00:04:16,311 --> 00:04:18,378
I MUST BE STRONG FOR HECTOR,

55
00:04:18,380 --> 00:04:20,747
AND YOU<i> MUST</i> BE STRONG
FOR ARCHIE.

56
00:04:20,749 --> 00:04:24,083
- I'LL TRY.
- HE MAY LOOK AS IF
HE'S COPING, BUT--

57
00:04:33,161 --> 00:04:35,295
( running footsteps )

58
00:04:38,600 --> 00:04:40,833
- WHAT DO WE DO NOW, LEXIE?
- DUNCAN, SHH.

59
00:04:40,835 --> 00:04:42,502
IT'S ALL RIGHT.

60
00:04:42,504 --> 00:04:45,438
THANK YOU ALL SO MUCH
FOR BEING HERE TO WELCOME

61
00:04:45,440 --> 00:04:47,640
<i> HECTOR HOME</i>
<i> FOR THE LAST TIME.</i>

62
00:04:47,642 --> 00:04:49,742
- LEAST WE CAN DO, OLD GIRL.
- THANK YOU, JOE.

63
00:04:49,744 --> 00:04:53,846
BUT DUNCAN'S
QUESTION IS A GOOD ONE.
WHAT DO WE DO NOW?

64
00:04:53,848 --> 00:04:56,916
WELL, THERE'S AN EASY
ANSWER TO THAT.

65
00:04:56,918 --> 00:04:59,419
THE KING IS DEAD;

66
00:04:59,421 --> 00:05:01,421
LONG LIVE THE KING.

67
00:05:01,423 --> 00:05:03,790
<i> ARCHIE, DARLING,</i>
<i> WE'LL MOURN YOUR FATHER</i>

68
00:05:03,792 --> 00:05:05,858
AND SHOW HIM EVERY RESPECT

69
00:05:05,860 --> 00:05:08,060
BUT YOU MUST GO AHEAD
WITH YOUR PLANS

70
00:05:08,062 --> 00:05:10,663
TO MAKE GLENBOGLE
A GREAT PLACE ONCE MORE.

71
00:05:10,665 --> 00:05:13,566
<i> THAT'S THE BEST MEMORIAL</i>
<i> YOUR FATHER COULD EVER HAVE.</i>

72
00:05:14,936 --> 00:05:18,404
BUT I ALSO THINK YOU SHOULD
GO AHEAD WITH THE WEDDING.

73
00:05:18,406 --> 00:05:21,106
THERE'S BEEN DEATH, YES,
BUT THERE'S ALSO LOVE.

74
00:05:21,108 --> 00:05:23,943
MOLLY, I DON'T THINK
IT'S RIGHT.

75
00:05:23,945 --> 00:05:26,646
NO.  YOU'RE RIGHT, MOTHER.

76
00:05:26,648 --> 00:05:29,749
WE MUST GO AHEAD
AS PLANNED.

77
00:05:31,319 --> 00:05:35,421
Lexie:
<i> SO... THIS IS</i>
<i> WHERE HE DIED?</i>

78
00:05:35,423 --> 00:05:38,558
HADN'T SEEN IT
UP TILL NOW.

79
00:05:38,560 --> 00:05:40,159
KIND OF WISH
I HADN'T.

80
00:05:42,296 --> 00:05:44,764
IT'S UGLY,
ISN'T IT?

81
00:05:44,766 --> 00:05:47,500
THE MINISTER PHONED.

82
00:05:47,502 --> 00:05:49,402
HE'S GONNA COME
ROUND AND SEE US.

83
00:05:51,740 --> 00:05:53,138
YOU OKAY?

84
00:05:53,140 --> 00:05:55,207
YEAH, I'M FINE.

85
00:05:55,209 --> 00:05:56,876
YOU?

86
00:05:58,546 --> 00:06:01,046
<i> IT JUST DOESN'T</i>
<i> SEEM RIGHT, DOES IT?</i>

87
00:06:01,048 --> 00:06:02,782
GETTING MARRIED?

88
00:06:02,784 --> 00:06:04,950
JUST A COUPLE OF DAYS
AFTER HECTOR--

89
00:06:04,952 --> 00:06:08,120
GETTING MARRIED
IS THE ONE CERTAINTY,

90
00:06:08,122 --> 00:06:09,722
THE ONE GOOD THING
THAT WE HAVE.

91
00:06:09,724 --> 00:06:11,691
YOU TAKE THAT AWAY AND...

92
00:06:11,693 --> 00:06:13,493
OKAY.

93
00:06:13,495 --> 00:06:15,895
<i> I UNDERSTAND.</i>

94
00:06:15,897 --> 00:06:18,464
I BETTER GET GOING.

95
00:06:18,466 --> 00:06:20,633
<i> YOU COMING?</i>

96
00:06:20,635 --> 00:06:22,568
THERE'S SOMETHING
I HAVE TO DO FIRST.

97
00:06:43,758 --> 00:06:46,592
I DON'T REALLY WANT
TO WEAR BLACK TO THE FUNERAL.

98
00:06:46,594 --> 00:06:49,629
I SUPPOSE...

99
00:06:49,631 --> 00:06:51,230
I COULD WEAR THIS.

100
00:06:51,232 --> 00:06:54,467
IS THERE ANYTHING
I CAN DO IN THE INTERIM?

101
00:06:54,469 --> 00:06:57,169
YOU COULD LOOK AFTER PAMMY,
LEXIE'S MOTHER.

102
00:06:57,171 --> 00:07:00,606
SHE'S A BIT FORLORN
AND I'M NOT SURE I CAN
COPE WITH HER JUST NOW.

103
00:07:00,608 --> 00:07:03,476
STILL WHEN YOU'RE
SPECTACULARLY RICH,

104
00:07:03,478 --> 00:07:06,345
YOU CAN BE AS FORLORN
AS YOU LIKE.

105
00:07:06,347 --> 00:07:09,549
LEAVE IT TO ME, MOLLY.
I'LL TAKE CARE OF PAMMY.

106
00:07:11,786 --> 00:07:14,153
WENT TO LONDON,

107
00:07:14,155 --> 00:07:17,857
DID SOME SERIOUS DAMAGE
TO ERIC'S CREDIT CARD.

108
00:07:17,859 --> 00:07:20,025
GOT THIS.
SHANTUNG SILK.

109
00:07:20,027 --> 00:07:21,794
<i> FEEL THAT.</i>
<i> AND THIS.</i>

110
00:07:21,796 --> 00:07:23,529
IS THAT NOT
A GORGEOUS COLOR?

111
00:07:23,531 --> 00:07:27,066
<i> AND I DON'T KNOW.</i>
<i> HAT OR HAIR PIECE?</i>

112
00:07:27,068 --> 00:07:29,635
I CAN'T DECIDE.
WHAT DO YOU THINK?

113
00:07:29,637 --> 00:07:31,938
UH...
SIMPLE IS GOOD, MOM.

114
00:07:31,940 --> 00:07:34,273
AS RESTRAINED
AS YOU CAN MANAGE.

115
00:07:34,275 --> 00:07:36,375
NEVER MIND ME.
WHAT ARE YOU WEARING?

116
00:07:36,377 --> 00:07:39,445
I DON'T KNOW.
HAVEN'T EVEN THOUGHT
ABOUT IT.

117
00:07:39,447 --> 00:07:41,948
I WON'T BE GOING OUT
AND BUYING ANYTHING NEW,

118
00:07:41,950 --> 00:07:44,049
NOW THAT ARCHIE'S BROKE.

119
00:07:44,051 --> 00:07:46,719
LET ME BUY YOUR FROCK.
LET ME TAKE CARE
OF EVERYTHING.

120
00:07:46,721 --> 00:07:50,089
- THAT'S WHAT
MOTHERS ARE FOR.
- OKAY, THANKS, MOM.

121
00:07:51,793 --> 00:07:53,793
WHAT DO YOU THINK--

122
00:07:53,795 --> 00:07:55,828
WHAT DO YOU THINK
ABOUT THAT?

123
00:07:55,830 --> 00:07:57,864
YOU'RE NOT GOING TO WEAR
THAT THOUGH, ARE YOU?

124
00:07:57,866 --> 00:07:59,665
YEAH.
WHAT'S WRONG WITH IT?

125
00:07:59,667 --> 00:08:02,835
YOU DON'T THINK IT'S A WEE BIT
ON THE GLOOMY SIDE?

126
00:08:02,837 --> 00:08:05,237
IT'S FOR THE FUNERAL, MOM,

127
00:08:05,239 --> 00:08:07,907
-<i> NOT THE WEDDING.</i>
- VERY NICE.

128
00:08:09,110 --> 00:08:11,243
<i> ( clock chiming )</i>

129
00:08:11,245 --> 00:08:13,479
Lexie:
I JUST THOUGHT
I WOULD COOK--

130
00:08:13,481 --> 00:08:15,515
IT'S JUST SOME
TOMATO SOUP.

131
00:08:15,517 --> 00:08:17,917
JUST TO KEEP EVERYONE'S
STRENGTH UP.

132
00:08:19,387 --> 00:08:21,821
WHERE'S ARCHIE?

133
00:08:21,823 --> 00:08:25,057
HE JUST HAD
TO GO AND SORT
SOMETHING OUT.

134
00:08:25,059 --> 00:08:26,926
Duncan:
<i> THIS IS GREAT THOUGH.</i>

135
00:08:28,897 --> 00:08:31,898
- MOLLY?
- I'M NOT REALLY
VERY HUNGRY DEAR.

136
00:08:34,636 --> 00:08:37,003
IT SMELLS ABSOLUTELY
DELICIOUS.

137
00:08:37,005 --> 00:08:40,372
<i> BUT SOMEHOW,</i>
<i> I DON'T KNOW,</i>

138
00:08:40,374 --> 00:08:43,475
IT DOESN'T SEEM
QUITE RIGHT TO EAT IT.

139
00:08:43,477 --> 00:08:46,512
PAMELA, IF WE'RE
TO BE PALS,

140
00:08:46,514 --> 00:08:49,181
I THINK YOU SHOULD KNOW
THAT NOEL COWARD

141
00:08:49,183 --> 00:08:51,183
WAS MY ABSOLUTE HERO.

142
00:08:51,185 --> 00:08:53,753
<i> TOWARDS THE END</i>
<i> OF HIS LIFE</i>

143
00:08:53,755 --> 00:08:56,321
HE WAS SITTING
WITH HIS<i> SPECIAL</i> FRIEND,

144
00:08:56,323 --> 00:08:59,425
IT WAS AFTER DINNER,
THEY WERE GAZING OUT
OVER THE MED,

145
00:08:59,427 --> 00:09:01,694
<i> AND THEY WERE</i>
<i> TALKING ABOUT</i>

146
00:09:01,696 --> 00:09:03,930
<i> WHAT WOULD HAPPEN</i>
<i> IF ONE OF THEM DIED,</i>

147
00:09:03,932 --> 00:09:07,033
<i> HOW WOULD THE OTHER COPE.</i>

148
00:09:07,035 --> 00:09:10,269
AND HIS FRIEND SAID,
"WELL, SUPPOSING I SHOULD
DIE TONIGHT?

149
00:09:10,271 --> 00:09:13,472
WHAT WOULD
HAPPEN IN THE MORNING?
WOULD YOU TAKE BREAKFAST?"

150
00:09:13,474 --> 00:09:17,543
<i> AND COWARD RUMINATED</i>
<i> FOR A MOMENT,</i>

151
00:09:17,545 --> 00:09:20,580
AND HE SAID,
"BREAKFAST, PROBABLY NOT.

152
00:09:20,582 --> 00:09:22,782
BUT I THINK I'D BE

153
00:09:22,784 --> 00:09:24,850
PRETTY DAMNED PECKISH

154
00:09:24,852 --> 00:09:27,587
BY LUNCHTIME."

155
00:09:27,589 --> 00:09:29,822
( mild laughter )

156
00:09:31,192 --> 00:09:34,961
DO YOU KNOW, JOE,
THAT'S REALLY RATHER GOOD.

157
00:09:38,733 --> 00:09:40,432
THANK YOU, JOE.

158
00:09:42,336 --> 00:09:44,070
THANK YOU, LEXIE.

159
00:09:45,740 --> 00:09:48,207
Molly:<i> DUNCAN.</i>

160
00:09:48,209 --> 00:09:50,476
EAT.

161
00:10:34,088 --> 00:10:36,155
Molly:<i> GOLLY.</i>

162
00:10:36,157 --> 00:10:38,624
WHAT ARE YOU
DOING HERE?

163
00:10:40,194 --> 00:10:42,862
I JUST THOUGHT
I'D SIT WITH HIM.

164
00:10:42,864 --> 00:10:44,830
A VIGIL.

165
00:10:44,832 --> 00:10:46,365
MIND IF I JOIN YOU?

166
00:10:46,367 --> 00:10:48,634
I'D BE HONORED, MOLLY.

167
00:11:04,185 --> 00:11:05,918
<i> OH, DEAR.</i>

168
00:11:10,892 --> 00:11:13,793
DO YOU KNOW HOW I CAME
TO WORK HERE, MOLLY?

169
00:11:13,795 --> 00:11:16,328
IT WAS A FAMILY THING,
WASN'T IT?

170
00:11:16,330 --> 00:11:19,832
<i> YOUR FATHER WORKED HERE,</i>
<i> AND HIS FATHER BEFORE HIM</i>
<i> AND SO ON.</i>

171
00:11:19,834 --> 00:11:22,301
NO.  HECTOR...

172
00:11:22,303 --> 00:11:24,436
DIDN'T TELL YOU
THE STORY?

173
00:11:24,438 --> 00:11:26,438
NO.

174
00:11:29,476 --> 00:11:30,976
TO BEGIN WITH,

175
00:11:30,978 --> 00:11:33,645
WHEN I WAS A BOY,

176
00:11:33,647 --> 00:11:36,415
I WAS A BIT OF A TEARAWAY.

177
00:11:36,417 --> 00:11:40,319
- REALLY?
- DIDN'T GET ON WITH DAD--

178
00:11:40,321 --> 00:11:43,322
A HARD, UNBENDING MAN.

179
00:11:43,324 --> 00:11:47,326
USED TO KNOCK ME ABOUT,
ESPECIALLY WHEN THE DRINK
WAS ON.

180
00:11:49,831 --> 00:11:53,099
ANYWAY, WHEN I LEFT SCHOOL,

181
00:11:53,101 --> 00:11:54,666
HE GOT ME A PLACE HERE,

182
00:11:54,668 --> 00:11:58,137
BUT I DIDN'T WANT THAT.

183
00:11:58,139 --> 00:12:01,640
UNDER HIS THUMB,
UNDER HIS FIST ALL DAY.

184
00:12:03,177 --> 00:12:05,111
<i> SO, WHAT I DID IS,</i>

185
00:12:05,113 --> 00:12:08,413
I TOOK A SILVER TANKARD
FROM THE DINING ROOM.

186
00:12:10,017 --> 00:12:12,517
I HID IT IN MY BEDROOM
SO THAT--

187
00:12:12,519 --> 00:12:15,855
WELL, I MADE SURE THAT--
MY FATHER WOULD FIND IT.

188
00:12:18,025 --> 00:12:20,893
AND HAUL ME UP IN FRONT
OF HECTOR'S DAD,

189
00:12:20,895 --> 00:12:23,328
WHICH HE DID.

190
00:12:23,330 --> 00:12:25,597
AND I GOT THE PUSH.

191
00:12:27,434 --> 00:12:29,635
THEN MY FATHER KICKED ME OUT.

192
00:12:32,073 --> 00:12:34,706
SO I WAS DISGRACED, BUT...

193
00:12:34,708 --> 00:12:37,843
I WAS FREE OF HIM.

194
00:12:37,845 --> 00:12:40,545
SO, HOW...?

195
00:12:40,547 --> 00:12:42,581
AFTER I CARAVANNED,

196
00:12:42,583 --> 00:12:44,583
WORKED ON THE ROADS,

197
00:12:44,585 --> 00:12:48,120
I TOOK TO THE BOTTLE
BIG TIME.

198
00:12:48,122 --> 00:12:50,222
I WAS A MESS.

199
00:12:51,692 --> 00:12:55,027
MEANWHILE HECTOR'S DAD
PEGGED OUT,

200
00:12:55,029 --> 00:12:58,563
SO HECTOR BECAME
THE LAIRD.

201
00:13:00,968 --> 00:13:03,368
AND THEN MY FATHER WENT.

202
00:13:04,772 --> 00:13:07,706
HE WAS CARRYING
A STAG HE'D SHOT.

203
00:13:09,476 --> 00:13:11,677
HE JUST COLLAPSED.

204
00:13:11,679 --> 00:13:14,146
HEART ATTACK.

205
00:13:14,148 --> 00:13:16,949
DEAD BEFORE HE
HIT THE HEATHER.

206
00:13:20,387 --> 00:13:24,023
ANYWAY, AT THE FUNERAL,

207
00:13:24,025 --> 00:13:29,161
HECTOR OFFERED ME
MY DAD'S JOB.

208
00:13:30,231 --> 00:13:32,431
ME.

209
00:13:33,734 --> 00:13:35,734
A THIEF,

210
00:13:35,736 --> 00:13:38,137
AN OUTCAST.

211
00:13:40,808 --> 00:13:42,875
SEE, HE KNEW, MOLLY,

212
00:13:42,877 --> 00:13:44,676
HE KNEW.

213
00:13:47,181 --> 00:13:50,349
I DON'T THINK I'D BE HERE
NOW IF HE HADN'T DONE THAT.

214
00:13:51,919 --> 00:13:54,186
HE SAVED MY LIFE.

215
00:13:57,658 --> 00:14:01,260
UNDERNEATH ALL
THAT DAFTNESS--

216
00:14:02,864 --> 00:14:04,964
HE WAS A GREAT MAN.

217
00:14:09,470 --> 00:14:12,671
I'M SO SORRY
I WASN'T WITH HIM.

218
00:14:17,144 --> 00:14:20,445
I'LL BE SORRY
TILL THE END OF MY DAYS.

219
00:14:28,923 --> 00:14:31,757
<i> ( door opens )</i>

220
00:14:31,759 --> 00:14:34,226
ARCH?

221
00:14:34,228 --> 00:14:36,362
LOOK AT THE STATE
OF YOU.

222
00:14:36,364 --> 00:14:40,065
SO HAVE YOU FALLEN
DOWN THE CHIMNEY?

223
00:14:40,067 --> 00:14:41,800
I'M SORRY ABOUT
THE MINISTER.

224
00:14:41,802 --> 00:14:43,802
I GOT A BIT
CARRIED AWAY.

225
00:14:43,804 --> 00:14:46,838
IS IT ALL DONE?

226
00:14:46,840 --> 00:14:48,673
ARCHIE, LOOK,

227
00:14:48,675 --> 00:14:51,143
- YOUR HANDS.
- I'M OKAY.

228
00:14:51,145 --> 00:14:52,912
ARE YOU SURE?

229
00:14:55,383 --> 00:14:58,217
WHAT WERE YOU
DOING UP THERE?

230
00:14:58,219 --> 00:15:00,786
WERE YOU FILLING
IN A HOLE OR BURYING
YOUR FEELINGS?

231
00:15:04,058 --> 00:15:07,059
I'LL BE FINE.

232
00:15:07,061 --> 00:15:10,695
AFTER TOMORROW,
THE FUNERAL,

233
00:15:10,697 --> 00:15:14,533
AND THEN WE CAN GET ON
WITH THE REST OF OUR LIVES--

234
00:15:14,535 --> 00:15:16,535
<i> AND THE WEDDING.</i>

235
00:15:16,537 --> 00:15:19,471
- ARCHIE, ARE YOU SURE?
- ABSOLUTELY, UTTERLY.

236
00:15:22,910 --> 00:15:25,744
HOW ARE YOU COPING
WITH YOUR MOTHER?

237
00:15:25,746 --> 00:15:29,014
WELL, SHE'S STILL
SET ON THE PAGE BOYS.

238
00:15:29,016 --> 00:15:31,917
I HAD TO PUT MY FOOT DOWN
AT THE SYMPHONY ORCHESTRA.

239
00:15:31,919 --> 00:15:34,519
SPOILSPORT.

240
00:15:34,521 --> 00:15:37,689
IT KIND OF FEELS AS IF
SHE'S GETTING MARRIED
AND NOT ME.

241
00:15:43,831 --> 00:15:45,897
I LOVE YOU.

242
00:15:57,744 --> 00:16:00,912
I HOPE IT'S BETTER
THAN THAT BLENDED MUCK
IN THE LIBRARY.

243
00:16:00,914 --> 00:16:04,049
I DIDN'T NOTICE
YOU COMPLAIN WHEN YOU
FINISHED THE BOTTLE.

244
00:16:04,051 --> 00:16:05,417
- NOW, LOOK HERE--
- SHH!

245
00:16:07,254 --> 00:16:08,954
SHH.

246
00:16:11,525 --> 00:16:13,592
HECTOR KEPT THIS

247
00:16:13,594 --> 00:16:16,595
FOR VERY SPECIAL
OCCASIONS.

248
00:16:18,966 --> 00:16:24,370
BY THE RIVERS OF BABYLON,
'TIS HIGHLAND PARK!

249
00:16:24,372 --> 00:16:26,938
ORKNEY, '52.

250
00:16:26,940 --> 00:16:29,108
I REMEMBER WE HAD A NIP
WHEN THAT GHASTLY

251
00:16:29,110 --> 00:16:30,942
THATCHER WOMAN
WAS BLACKBALLED.

252
00:16:30,944 --> 00:16:32,478
YOU'RE NOT
SUGGESTING...?

253
00:16:32,480 --> 00:16:34,413
NOBODY ELSE
KNOWS ABOUT IT.

254
00:16:34,415 --> 00:16:37,949
POOR OLD HECTOR
CAN'T EXACTLY...

255
00:16:37,951 --> 00:16:40,919
PERHAPS IF WE DRINK
TO HIS HONOR.

256
00:16:42,356 --> 00:16:44,323
YES, THAT'S IT.

257
00:16:44,325 --> 00:16:46,591
WE'RE DRINKING IT
FOR<i> HIM</i> REALLY.

258
00:16:46,593 --> 00:16:49,361
YES, IT'LL SPARE ME
A TRYST WITH PAMELA,

259
00:16:49,363 --> 00:16:51,530
THE COOK'S WEALTHY MATER.

260
00:16:51,532 --> 00:16:53,665
NOW YOU'VE GOT ME
CONFUSED.

261
00:16:53,667 --> 00:16:57,069
I THOUGHT YOU WERE MOUNTING
AN EXPEDITIONARY FORCE
ON THAT FRONT.

262
00:16:57,071 --> 00:17:00,072
PERHAPS I AM.
BUT IT'S BEEN A GUIDING
PRINCIPLE OF MY LIFE

263
00:17:00,074 --> 00:17:03,142
ALWAYS TO PUT
PLEASURE BEFORE BUSINESS.

264
00:17:04,745 --> 00:17:07,212
THAT SOUNDS LIKE SOMEONE ELSE
I USED TO KNOW.

265
00:17:07,214 --> 00:17:09,881
Both: HECTOR!

266
00:17:52,859 --> 00:17:55,461
<i> ( snoring )</i>

267
00:18:05,439 --> 00:18:08,907
SO MUCH FOR
MY INHERITANCE, HECTOR.

268
00:18:20,454 --> 00:18:23,555
THIS IS MOST KIND
OF YOU.

269
00:18:23,557 --> 00:18:26,791
JUDGING BY
THE NARROWNESS
OF THIS WAISTLINE

270
00:18:26,793 --> 00:18:29,761
I RECKON YOU MUST HAVE
WORN THESE WHEN YOU WERE
ABOUT 12.

271
00:18:29,763 --> 00:18:33,298
IN 1972.

272
00:18:33,300 --> 00:18:35,300
OH!

273
00:18:35,302 --> 00:18:38,937
IT MUST HAVE
BEEN A BIG RABBIT YOU
PULLED OUT OF THAT HAT.

274
00:18:38,939 --> 00:18:42,907
WHAT WAS IT-- THE GIG?
CHILDREN'S PARTY?  PANTO?

275
00:18:45,045 --> 00:18:47,746
I WAS HER
BRITANNIC MAJESTY'S

276
00:18:47,748 --> 00:18:50,749
MILITARY ATTACHÉ
IN KHARTOUM.

277
00:18:51,918 --> 00:18:53,952
PLEASE, DON'T TEASE.

278
00:18:53,954 --> 00:18:57,623
MY HEAD IS GOING ROUND
LIKE A FAIRGROUND ORGAN.

279
00:18:57,625 --> 00:19:00,626
SERVES YOU RIGHT FOR STANDING
ME UP LAST NIGHT.

280
00:19:00,628 --> 00:19:03,262
I TOLD YOU I WAS
BRINGING COMFORT

281
00:19:03,264 --> 00:19:05,631
AND SUCCOR
TO MY GRIEVING SISTER.

282
00:19:05,633 --> 00:19:07,866
RIGHT.  YOU WERE PROBABLY
UNDER A TABLE SOMEWHERE.

283
00:19:09,703 --> 00:19:11,703
THANK YOU.

284
00:19:11,705 --> 00:19:13,639
NICE BOD, JOLYON.

285
00:19:13,641 --> 00:19:15,907
NICE MANLY PAIR
OF PINS.

286
00:19:15,909 --> 00:19:19,178
MY WEE ERIC, HE MAY BE RICH,
BUT SEE HIM WITHOUT HIS CHINOS,

287
00:19:19,180 --> 00:19:21,980
HE LOOKS LIKE
AN UNDERFED CHICKEN.

288
00:19:21,982 --> 00:19:26,218
SO NEXT TIME,
CARY GRANT,

289
00:19:26,220 --> 00:19:30,189
MAKE SURE IT'S ME
THAT GETS THE COMFORT
AND SUCCOR, EH?

290
00:20:05,792 --> 00:20:08,993
ARE YOU READY?
WE'RE GETTING A BIT LATE.

291
00:20:08,995 --> 00:20:11,296
<i> ( chains rattling )</i>

292
00:20:14,968 --> 00:20:16,602
Duncan:
<i> YOU ALL RIGHT?</i>

293
00:20:16,604 --> 00:20:18,837
YOU HADN'T HARNESSED
THESE PROPERLY.

294
00:20:18,839 --> 00:20:20,606
GOLLY, I HAD.

295
00:20:20,608 --> 00:20:21,607
BUDGE UP.

296
00:20:21,609 --> 00:20:24,008
- WHAT--?
- BUDGE UP!

297
00:20:28,482 --> 00:20:30,415
GIVE YOUR FACE
A HOLIDAY.

298
00:20:30,417 --> 00:20:32,917
I WAS DRIVING HORSES
BEFORE YOU WERE BORN.

299
00:20:37,691 --> 00:20:39,858
WALK ON.

300
00:21:02,383 --> 00:21:04,316
EASY.

301
00:21:11,625 --> 00:21:13,392
<i> WHOA.</i>

302
00:21:13,394 --> 00:21:14,726
WHOA.

303
00:21:17,063 --> 00:21:19,464
THAT'S IT.  GOOD BOYS.

304
00:21:21,067 --> 00:21:24,035
- WHAT'S UP?
- JUST CHECKING
THE COFFIN.

305
00:21:24,037 --> 00:21:26,538
- I ALREADY DID THAT.
- EXACTLY.

306
00:21:45,192 --> 00:21:48,794
AND HOW'S THE WORK EXPERIENCE
GOING ANYWAY, LADS?

307
00:21:48,796 --> 00:21:50,629
<i> WHAT HAPPENS NOW?</i>

308
00:21:50,631 --> 00:21:53,432
<i> ( organ music playing )</i>

309
00:22:15,288 --> 00:22:19,458
TRUST HECTOR TO BE LATE
FOR HIS OWN FUNERAL.

310
00:22:19,460 --> 00:22:20,992
AH.

311
00:22:23,764 --> 00:22:25,397
WHAT IN HEAVEN?

312
00:22:58,932 --> 00:23:01,600
Kilwillie:
<i> HECTOR NAISMITH MacDONALD</i>

313
00:23:01,602 --> 00:23:04,335
WAS VERY POSSIBLY
THE MOST STUBBORN,

314
00:23:04,337 --> 00:23:06,805
<i> THE MOST IRRITATING,</i>

315
00:23:06,807 --> 00:23:10,008
<i> THE MOST MADDENING LAIRD</i>

316
00:23:10,010 --> 00:23:12,377
IN THE HISTORY
OF LAIRDOM.

317
00:23:12,379 --> 00:23:14,579
QUITE A DISTINCTION.

318
00:23:16,283 --> 00:23:19,951
HE WAS ALSO MY FRIEND.

319
00:23:19,953 --> 00:23:24,756
<i> ♪ THE LORD'S MY SHEPHERD ♪</i>

320
00:23:24,758 --> 00:23:27,959
♪ I'LL NOT WANT ♪

321
00:23:27,961 --> 00:23:34,065
♪ HE MAKES ME DOWN
TO LIE ♪

322
00:23:34,067 --> 00:23:38,169
<i> ♪ IN PASTURES GREEN ♪</i>

323
00:23:38,171 --> 00:23:42,106
<i> ♪ HE LEADETH ME... ♪</i>

324
00:23:42,108 --> 00:23:44,643
Archie:
<i> I'M GOING TO READ A POEM.</i>

325
00:23:44,645 --> 00:23:47,779
WHICH, JUDGING BY
THE THUMBMARKS IN THIS BOOK,

326
00:23:47,781 --> 00:23:50,582
MUST HAVE BEEN ONE
OF MY FATHER'S FAVORITES.

327
00:23:50,584 --> 00:23:55,186
<i> BUT THEN I'M... ONLY JUST</i>
<i> BEGINNING TO REALIZE</i>

328
00:23:55,188 --> 00:23:58,356
<i> THAT THERE WAS A LOT MORE</i>
<i> TO MY FATHER THAN MET THE EYE.</i>

329
00:24:00,861 --> 00:24:03,294
AND I WONDER WHAT COULD

330
00:24:03,296 --> 00:24:05,864
AND SHOULD HAVE BEEN
SPOKEN OF BETWEEN US,

331
00:24:05,866 --> 00:24:10,034
BUT NOW NEVER WILL.

332
00:24:10,036 --> 00:24:15,239
<i> "OH YE, WHOSE CHEEK</i>
<i> THE TEAR OF PITY STAINS,</i>

333
00:24:15,241 --> 00:24:18,977
DRAW NEAR
WITH PIOUS REVERENCE

334
00:24:18,979 --> 00:24:21,446
AND ATTEND."

335
00:24:21,448 --> 00:24:24,115
Molly:
<i> I'D LIKE YOU TO HEAR</i>
<i> A PIECE OF MUSIC THAT IS--</i>

336
00:24:24,117 --> 00:24:27,886
<i> WAS</i> VERY DEAR
TO HECTOR AND MYSELF.

337
00:24:27,888 --> 00:24:30,856
AND IT'S HOW I'D LIKE
TO REMEMBER MY HUSBAND,

338
00:24:30,858 --> 00:24:33,558
WITH A LIVELY SPRING
IN HIS STEP.

339
00:24:34,862 --> 00:24:36,795
( scratchy recording plays )

340
00:24:38,231 --> 00:24:42,634
<i> ♪ Love is</i>
<i> the sweetest thing ♪</i>

341
00:24:42,636 --> 00:24:47,806
<i> ♪ What else on Earth</i>
<i> could ever bring ♪</i>

342
00:24:47,808 --> 00:24:52,844
<i> ♪ Such happiness</i>
<i> to everything ♪</i>

343
00:24:52,846 --> 00:24:56,848
<i> ♪ As love's old story ♪</i>

344
00:24:56,850 --> 00:25:02,654
<i> ♪ Love is</i>
<i> the strangest thing ♪</i>

345
00:25:02,656 --> 00:25:07,325
<i> ♪ No song of birds</i>
<i> upon the wing ♪</i>

346
00:25:07,327 --> 00:25:11,696
<i> ♪ Such happiness</i>
<i> to everything... ♪</i>

347
00:25:18,605 --> 00:25:21,406
I WON'T BE A MOMENT.
I'M ALL RIGHT.

348
00:25:31,351 --> 00:25:34,485
WHY DID YOU HAVE
TO RUSH OFF LIKE THAT?

349
00:25:34,487 --> 00:25:36,487
( barking )

350
00:25:36,489 --> 00:25:39,591
OH, USELESS, USELESS.

351
00:25:39,593 --> 00:25:43,028
WHERE HAVE YOU BEEN?
YOU SWEET LITTLE THING.

352
00:25:43,030 --> 00:25:46,297
- ( Molly sobbing )
-<i> ( bagpipes playing )</i>

353
00:25:46,299 --> 00:25:47,632
THANK YOU.

354
00:25:52,873 --> 00:25:54,505
GOODBYE, MY FRIEND.

355
00:26:02,683 --> 00:26:04,549
GOOD DOG.

356
00:26:27,340 --> 00:26:29,608
Archie:
<i> THANK YOU ALL</i>
<i> FOR HELPING LEXIE AND I</i>

357
00:26:29,610 --> 00:26:31,309
<i> PREPARE FOR</i>
<i> OUR SPECIAL DAY.</i>

358
00:26:31,311 --> 00:26:34,112
<i> AS YOU KNOW,</i>
<i> WE ONLY HAVE A FEW HOURS</i>
<i> TO GET THE HOUSE READY</i>

359
00:26:34,114 --> 00:26:36,081
SO LET'S GET TO WORK.

360
00:26:36,083 --> 00:26:38,282
ANY QUESTIONS,
JUST COME AND SEE ME.

361
00:26:38,284 --> 00:26:41,620
SHE'LL MAKE SOMEBODY
A LOVELY MOTHER-IN-LAW
ONE DAY.

362
00:26:43,289 --> 00:26:46,091
NO, I TOLD YOU.
LUNCHEON'S TO BE SERVED
IN THE BALLROOM.

363
00:26:46,093 --> 00:26:48,627
- YEAH, BUT--
- NO "BUTS."
BACK YOU GO.

364
00:26:48,629 --> 00:26:50,895
UH, UH, UH.
WHERE'RE YOU GOING?

365
00:26:50,897 --> 00:26:53,965
- SHE SAYS--
- USELESS MEN.  WE DECIDED,
DIDN'T WE, DARLING?

366
00:26:53,967 --> 00:26:56,367
THAT WE SHOULD ALL
HOGDOWN IN THE BALLROOM.

367
00:26:56,369 --> 00:26:58,269
NO,<i> WE</i> DIDN'T.
YOU DECIDED.

368
00:26:58,271 --> 00:27:01,205
I WANT
THE RECEPTION THROUGH THERE.
TAKE IT BACK THROUGH.

369
00:27:01,207 --> 00:27:03,742
BUT THE BALLROOM
IS SUCH A NICE ROOM.

370
00:27:03,744 --> 00:27:05,944
AND YOU KNOW WHAT THEY SAY,
MOTHERS KNOW BEST.

371
00:27:05,946 --> 00:27:09,347
- NO, MY MOTHER DOESN'T.
- DON'T BE UNGRACIOUS, DEARIE.

372
00:27:09,349 --> 00:27:12,216
DON'T FORGET WHO'S PUTTING
HER HAND IN HER POCKET
FOR ALL THIS.

373
00:27:12,218 --> 00:27:14,119
NOW LISTEN TO ME.
DON'T YOU START--

374
00:27:14,121 --> 00:27:17,889
- PREPARATIONS ALL IN HAND?
- YEAH, THEY'RE FINE, MOLLY,
THANKS.

375
00:27:17,891 --> 00:27:21,092
GOOD.  I'M SORRY I HAVEN'T
BEEN ABLE TO HELP,

376
00:27:21,094 --> 00:27:23,161
BUT I'M NOT FEELING...

377
00:27:23,163 --> 00:27:25,897
- DO YOU WANT ME
TO GET YOU ANYTHING?
- NO, NOT REALLY.

378
00:27:25,899 --> 00:27:29,267
IT'LL BE LOVELY TO HEAR
LAUGHTER IN THE HOUSE AGAIN.

379
00:27:29,269 --> 00:27:31,970
NOW... WHERE WERE WE?

380
00:27:31,972 --> 00:27:34,973
LOOK, JUST DO
WHAT YOU WANT.

381
00:27:34,975 --> 00:27:38,209
THAT'S WHAT YOU'RE
GOING TO DO ANYWAY.

382
00:27:41,347 --> 00:27:42,947
OH, DEAR.

383
00:27:42,949 --> 00:27:45,684
( sobbing )
OH, DEAR.

384
00:27:45,686 --> 00:27:47,585
HECTOR.

385
00:27:47,587 --> 00:27:49,520
<i> ( knocking )</i>

386
00:27:49,522 --> 00:27:52,157
- Joe:<i> MOLLY,</i>
<i>  ARE YOU IN THERE?</i>
- NO.

387
00:27:52,159 --> 00:27:54,525
I HOPE YOU'RE DECENT
BECAUSE I'M COMING IN.

388
00:27:54,527 --> 00:27:56,828
GO AWAY,
I HAVEN'T GOT
MY FACE ON.

389
00:27:56,830 --> 00:28:00,464
OH, STUFF AND NONSENSE.
I'M YOUR LITTLE BROTHER,
REMEMBER?

390
00:28:00,466 --> 00:28:03,634
- YOU ALL RIGHT, OLD GIRL?
- YES, THANKS, PERFECTLY FINE.

391
00:28:03,636 --> 00:28:05,804
OH, MOLLY, MOLLY.

392
00:28:05,806 --> 00:28:08,573
YOU LOOKED AFTER
EVERYONE ELSE, DIDN'T YOU?

393
00:28:10,476 --> 00:28:13,111
- WHAT ABOUT TOMORROW?
- I DON'T KNOW.

394
00:28:13,113 --> 00:28:15,847
I DON'T KNOW.
I DON'T KNOW.

395
00:28:15,849 --> 00:28:18,416
ARCHIE NEEDS YOU,
NOT ONLY FOR THE WEDDING,

396
00:28:18,418 --> 00:28:21,652
- BUT THIS MONEY BUSINESS.
- I KNOW, I KNOW.

397
00:28:21,654 --> 00:28:23,588
I JUST CAN'T SEEM TO--

398
00:28:23,590 --> 00:28:25,523
GET MYSELF TOGETHER.

399
00:28:25,525 --> 00:28:28,159
ROUSE MYSELF.

400
00:28:28,161 --> 00:28:30,161
THAT'S GOOD.

401
00:28:30,163 --> 00:28:32,063
THAT'S VERY GOOD.

402
00:28:32,065 --> 00:28:34,766
<i> THANK YOU.</i>

403
00:28:34,768 --> 00:28:36,567
IT'S NOT FINISHED YET.

404
00:28:36,569 --> 00:28:39,771
IT'S GOT SOMETHING
MISSING BUT I DON'T
QUITE KNOW WHAT IT IS.

405
00:28:39,773 --> 00:28:42,741
THAT'S WHAT YOU SHOULD DO.
FINISH THE PORTRAIT.

406
00:28:42,743 --> 00:28:45,210
HOW'S THAT GOING
TO HELP ARCHIE?

407
00:28:45,212 --> 00:28:47,245
YOU LEAVE IT TO ME.

408
00:28:47,247 --> 00:28:50,348
I'VE GOT A BEEZER
OF AN IDEA.

409
00:28:59,926 --> 00:29:01,692
IT'S ALWAYS BEEN
THE SAME.

410
00:29:01,694 --> 00:29:04,495
NO MATTER HOW HARD
I TRY TO PLEASE
MY WEE GIRL,

411
00:29:04,497 --> 00:29:06,831
ALL I GET IS LIP.

412
00:29:06,833 --> 00:29:09,033
I JUST HAPPENED TO MENTION
I THOUGHT THE CAKE

413
00:29:09,035 --> 00:29:11,736
WAS A WEE BIT
ON THE SMALL SIDE,
AND SHE THROWS ME OUT.

414
00:29:13,339 --> 00:29:16,174
SHE WOULDN'T EVEN
TRAVEL IN THE SAME CAR
UP TO THE HOTEL.

415
00:29:16,176 --> 00:29:19,110
SOMETHING ABOUT
THERE NOT BEING ENOUGH
ROOM ON MY BROOMSTICK.

416
00:29:23,349 --> 00:29:25,650
Pammy:
HOW COME YOU'RE
SO GOOD AT THIS, ANYWAY?

417
00:29:25,652 --> 00:29:27,786
I THOUGHT THIS WAS
A GAME FOR WEE FAT LUGS

418
00:29:27,788 --> 00:29:30,054
CALLED "JOCKEY"
OR "AUCKEY" OR SOMETHING.

419
00:29:30,056 --> 00:29:32,857
I USED TO PLAY
AGAINST MY HOUSEBOY
IN KENYA.

420
00:29:32,859 --> 00:29:35,827
OH, AND DID YOU THRASH HIM
LIKE YOU'RE THRASHING ME?

421
00:29:35,829 --> 00:29:37,095
SADLY, NO.

422
00:29:38,799 --> 00:29:41,032
SO, JOLYON,
IT'S TIME FOR A GIRL

423
00:29:41,034 --> 00:29:43,367
TO ASK A CHAP ABOUT
HIS INTENTIONS.

424
00:29:43,369 --> 00:29:45,603
YOU HAVEN'T SAID WHAT
WE'RE PLAYING FOR.

425
00:29:45,605 --> 00:29:48,006
OR INDEED, WHY YOU'VE BEEN
TRYING TO GET ME PISHED

426
00:29:48,008 --> 00:29:49,908
FOR THE LAST TWO HOURS.

427
00:29:49,910 --> 00:29:51,810
WELL, PAMMY,
HOW SHALL I PUT THIS?

428
00:29:53,379 --> 00:29:56,614
I GATHER THAT
YOU'RE RATHER RICH.

429
00:29:56,616 --> 00:29:58,216
( chuckles )

430
00:29:58,218 --> 00:30:00,551
OH, CARY,
YOU DISAPPOINT ME.

431
00:30:00,553 --> 00:30:02,753
THAT'S NOT HOW
IT GOES IN THE MOVIES.

432
00:30:02,755 --> 00:30:05,790
<i> I THOUGHT YOU HAD</i>
<i> A WEE BIT MORE CLASS.</i>

433
00:30:05,792 --> 00:30:09,093
NO, IT'S NOT FOR ME.
I'M RIPPED TO THE WIDE.

434
00:30:09,095 --> 00:30:10,962
HOMELESS AS WELL
AS HOPELESS,

435
00:30:10,964 --> 00:30:14,465
BUT I'M TRYING TO HELP
YOUR ONLY DAUGHTER

436
00:30:14,467 --> 00:30:16,100
AND MY ONLY NEPHEW.

437
00:30:16,102 --> 00:30:18,102
I SEE.

438
00:30:18,104 --> 00:30:21,806
WILLIE, ANOTHER VODKA
IN THERE FOR MOTHER TERESA.

439
00:30:29,449 --> 00:30:33,517
HELLO, LEXIE.
JOINING THE LOCAL GENTRY,
SO I HEAR.

440
00:30:33,519 --> 00:30:36,988
WHAT'S A POOR GIRL TO DO
WHEN YOU'RE THE ONLY
ALTERNATIVE?

441
00:30:36,990 --> 00:30:39,057
<i> NOW AWAY AND POUR ME</i>
<i> A PINT OF GUINNESS.</i>

442
00:30:39,059 --> 00:30:41,226
THERE'S A GOOD BOY.

443
00:30:42,562 --> 00:30:46,497
- THAT'S MY GIRL.
- JUST BLUSTER.

444
00:30:46,499 --> 00:30:49,467
I'M REALLY<i> NOT</i>
LOOKING FORWARD TO THIS.

445
00:30:49,469 --> 00:30:51,035
LISTEN, ARCH--

446
00:30:51,037 --> 00:30:52,670
<i> YOO-HOO!</i>

447
00:30:52,672 --> 00:30:54,339
I'VE GOT THE MIXERS
FOR THE COCKTAILS.

448
00:30:54,341 --> 00:30:56,307
WHAT IS YOUR PLEASURE?

449
00:30:56,309 --> 00:30:58,276
TEQUILA SLAMMER?

450
00:30:59,846 --> 00:31:03,915
COME ON.
SAVE ALL THAT FOR
TOMORROW NIGHT.

451
00:31:03,917 --> 00:31:05,850
HAVE A GOOD HEN NIGHT.

452
00:31:05,852 --> 00:31:07,551
SEE YOU TOMORROW.

453
00:31:24,971 --> 00:31:27,538
PAMELA?

454
00:31:27,540 --> 00:31:30,608
I'M SO EXCITED AND THRILLED.
I'VE BEEN WRACKING MY BRAINS

455
00:31:30,610 --> 00:31:33,577
ABOUT WHAT TO GIVE
YOU TWO SWEETHEARTS
FOR A WEDDING PRESENT.

456
00:31:33,579 --> 00:31:35,947
<i> I'M SURE THE OLD PLACE</i>
<i> HAS GOT PLENTY OF TOWELS.</i>

457
00:31:35,949 --> 00:31:38,082
YEP, THAT IS ONE THING
WE DO HAVE PLENTY OF.

458
00:31:38,084 --> 00:31:40,418
ALL YOUR PROBLEMS
ARE OVER, ARCHIE.

459
00:31:40,420 --> 00:31:42,553
CALL IT LEXIE'S STAKE
IN THE FAMILY BUSINESS.

460
00:31:42,555 --> 00:31:44,422
I'M SORRY,
I DON'T QUITE UNDERSTAND.

461
00:31:44,424 --> 00:31:46,024
THESE DEATH DUTIES.

462
00:31:46,026 --> 00:31:48,592
YOU WILL LET ME TAKE CARE
OF THEM FOR YOU, WON'T YOU?

463
00:31:48,594 --> 00:31:51,095
PAMELA, THAT'S EXTRAORDINARILY
GENEROUS OF YOU--

464
00:31:51,097 --> 00:31:53,764
NO PROBLEM.
WE CAN EASILY AFFORD IT,
ERIC AND ME.

465
00:31:53,766 --> 00:31:56,734
- I APPRECIATE THAT.  IT'S--
-<i> LISTEN TO ME A WEE MINUTE.</i>

466
00:31:56,736 --> 00:31:58,636
YOU KNOW THAT THINGS
HAVEN'T ALWAYS

467
00:31:58,638 --> 00:32:00,604
BEEN SO GOOD BETWEEN
LEXIE AND ME.

468
00:32:00,606 --> 00:32:04,909
<i> JUST LIKE THEY WERE</i>
<i> WITH YOU AND YOUR DADDY.</i>

469
00:32:04,911 --> 00:32:08,046
I'D LIKE TO MAKE AMENDS...
BEFORE IT'S TOO LATE.

470
00:32:08,048 --> 00:32:10,548
<i> YOU GET ME?</i>
<i> BESIDES...</i>

471
00:32:10,550 --> 00:32:12,250
IT WOULD GIVE YOU
A PROPER START.

472
00:32:12,252 --> 00:32:15,719
I JUST WANT MY WEE GIRL
TO BE HAPPY, THAT'S ALL
I CARE ABOUT.

473
00:32:15,721 --> 00:32:19,457
<i> SO, WHAT</i>
<i> DO YOU SAY?</i>

474
00:32:19,459 --> 00:32:22,360
WELL, WHAT CAN I SAY?

475
00:32:22,362 --> 00:32:23,661
I ACCEPT.

476
00:32:31,237 --> 00:32:35,440
THIS IS LOVELY, LEX.
IT REMINDS ME SO MUCH
OF MY OWN WEDDING.

477
00:32:35,442 --> 00:32:37,442
WHICH ONE?

478
00:32:37,444 --> 00:32:40,979
THE FIRST-- THE BEST,
YOUR DADDY.

479
00:32:40,981 --> 00:32:43,881
OH, I KNOW
IT ALL WENT A WEE BIT
PEAR-SHAPED LATER ON,

480
00:32:43,883 --> 00:32:46,417
BUT, SEE WHEN
HE WEDDED ME

481
00:32:46,419 --> 00:32:50,455
AND THEN BEDDED ME,
IT WAS FANTASTIC.

482
00:32:50,457 --> 00:32:52,656
WHAT WE HAD,
YOUR DADDY AND ME,

483
00:32:52,658 --> 00:32:55,826
IT GLEAMED AND SHONE,
LIKE MY NEW PEARLS HERE.

484
00:32:55,828 --> 00:32:59,563
THAT'S FUNNY, I DON'T QUITE
REMEMBER IT LIKE THAT.

485
00:32:59,565 --> 00:33:02,000
NO, WELL, THE SHINE
DID GO.

486
00:33:02,002 --> 00:33:05,269
AND BACK THEN,
THE PEARLS WERE FAKE.

487
00:33:05,271 --> 00:33:07,238
AND I'M SORRY,
PET LAMB.

488
00:33:07,240 --> 00:33:09,740
I KNOW IT WAS
NO PICNIC FOR YOU
GROWING UP.

489
00:33:09,742 --> 00:33:12,877
I'M SORRY
FOR YOU TOO, MOM.

490
00:33:12,879 --> 00:33:14,578
I REALLY AM.

491
00:33:14,580 --> 00:33:18,649
AND I'M SORRY I'VE BEEN
A BIT SNIPPY IN THE PAST
FEW DAYS.

492
00:33:18,651 --> 00:33:20,784
JUST BEEN WORRIED SICK.

493
00:33:20,786 --> 00:33:23,354
- MOSTLY ABOUT ARCHIE.
- WHY, DARLING?

494
00:33:23,356 --> 00:33:28,759
BECAUSE I KNOW BEHIND
THAT BRAVE FACE HE'S
IN A BAD WAY.

495
00:33:28,761 --> 00:33:33,597
ABOUT HECTOR,
AND THERE'S THESE
DEATH DUTIES NOW.

496
00:33:40,507 --> 00:33:43,641
- WHAT?
- NOTHING.

497
00:33:43,643 --> 00:33:46,110
- WHAT?
- IT'S A SURPRISE.

498
00:33:50,283 --> 00:33:52,750
OH, BUTTONHOLES,
GOT TO GET BUTTONHOLES.

499
00:33:54,787 --> 00:33:57,788
- LEXIE...?
- YOUR LITTLE SECRET'S OUT.

500
00:33:59,225 --> 00:34:01,359
SHE JUST COULDN'T HELP
HERSELF, COULD SHE?

501
00:34:01,361 --> 00:34:04,062
- SHE JUST HAD TO SHOW OFF.
- LOOK, I CAN EXPLAIN--

502
00:34:04,064 --> 00:34:06,864
YOU DON'T NEED TO
EXPLAIN ANYTHING TO ME
ABOUT MY MOTHER, ARCH.

503
00:34:06,866 --> 00:34:08,566
I KNOW ALL
THERE IS TO KNOW.

504
00:34:08,568 --> 00:34:11,035
AND I KNOW WHAT THIS
STUNT IS ALL ABOUT.

505
00:34:11,037 --> 00:34:13,571
SHE'S TRYING TO CONTROL
MY LIFE.

506
00:34:13,573 --> 00:34:14,872
THE WAY IT'S ALWAYS BEEN.

507
00:34:14,874 --> 00:34:16,640
I'M SURE SHE'S NOT
TRYING TO DO THAT.

508
00:34:16,642 --> 00:34:20,144
ARCH, YOU'RE THINKING
LIKE A TREE STUMP.

509
00:34:20,146 --> 00:34:22,280
YOU DON'T KNOW HER
LIKE I KNOW HER.

510
00:34:22,282 --> 00:34:27,251
GIVE HER ONE INCH,
AND SHE'S LIKE A PUMA
IN A PARROT HOUSE.

511
00:34:27,253 --> 00:34:30,721
- I THOUGHT IT WOULD
BE GOOD FOR BOTH OF YOU.
- WELL, YOU WERE WRONG.

512
00:34:30,723 --> 00:34:33,524
LOOK... IN ANY CASE,

513
00:34:33,526 --> 00:34:37,861
THIS MARRIAGE ISN'T
ABOUT ME AND MY MOTHER.

514
00:34:37,863 --> 00:34:40,631
AND IT'S NOT ABOUT

515
00:34:40,633 --> 00:34:43,367
TRYING TO EASE MOLLY'S PAIN,
OR YOUR GUILT--

516
00:34:43,369 --> 00:34:45,703
AS MUCH
AS I'D LIKE THAT--

517
00:34:45,705 --> 00:34:49,507
BUT IT'S ABOUT
ME AND YOU,

518
00:34:49,509 --> 00:34:51,642
AND THE FEELINGS
WE HAVE FOR EACH OTHER.

519
00:34:51,644 --> 00:34:54,178
I DON'T FEEL GUILT
ABOUT MY FATHER.

520
00:34:54,180 --> 00:34:56,880
NO?

521
00:34:56,882 --> 00:34:59,717
THEN TELL ME,

522
00:34:59,719 --> 00:35:02,753
TELL ME WHAT
IS GOING ON IN HERE.

523
00:35:02,755 --> 00:35:04,122
'CAUSE IT SEEMS TO ME

524
00:35:04,124 --> 00:35:07,391
THE ARCHIE I KNOW
AND I LOVE,

525
00:35:07,393 --> 00:35:09,026
IS IN REAL PAIN.

526
00:35:16,669 --> 00:35:18,469
<i> THINGS WERE--</i>

527
00:35:18,471 --> 00:35:22,039
THINGS WERE VERY BAD
BETWEEN US WHEN HE WENT.

528
00:35:22,041 --> 00:35:25,443
<i> AS BAD AS THEY</i>
<i> HAD EVER BEEN.</i>

529
00:35:25,445 --> 00:35:28,912
I ALWAYS FELT LIKE I WAS
A DISAPPOINTMENT TO HIM.

530
00:35:28,914 --> 00:35:32,350
JAMIE WAS THE GOLDEN BOY
AND I--

531
00:35:32,352 --> 00:35:35,319
I WASN'T.

532
00:35:35,321 --> 00:35:38,088
WHATEVER I DID,
I COULD NEVER ESCAPE THAT.

533
00:35:41,227 --> 00:35:43,727
WE SAID SOME VERY
BITTER THINGS

534
00:35:43,729 --> 00:35:46,096
TO EACH OTHER
AT THE END.

535
00:35:46,098 --> 00:35:48,799
WELL, I DID TO HIM.

536
00:35:50,436 --> 00:35:52,770
AND I FEEL SO BAD
ABOUT THAT BECAUSE

537
00:35:52,772 --> 00:35:56,641
I'M BEGINNING TO THINK
I MIGHT HAVE MISJUDGED HIM.

538
00:36:00,346 --> 00:36:03,047
THERE'S NOTHING I,
OR ANYONE ELSE, CAN DO
ABOUT THAT,

539
00:36:03,049 --> 00:36:06,184
EXCEPT FATHER, MAYBE...

540
00:36:06,186 --> 00:36:08,219
BUT HE'S NOT HERE, IS HE?

541
00:36:10,490 --> 00:36:12,856
I WISH I COULD DO
SOMETHING TO HELP YOU.

542
00:36:12,858 --> 00:36:15,526
YOU DO, YOU DO.

543
00:36:15,528 --> 00:36:18,796
I'M IN THE MIDDLE
OF SOMETHING HERE.

544
00:36:18,798 --> 00:36:21,098
AND I'M TRYING TO GET THROUGH
TO THE OTHER SIDE.

545
00:36:21,100 --> 00:36:22,933
AND I WILL,

546
00:36:22,935 --> 00:36:25,670
BECAUSE I KNOW YOU'RE GOING
TO BE THERE WAITING FOR ME.

547
00:36:25,672 --> 00:36:27,738
<i> AND ONCE</i>
<i> WE'RE MARRIED--</i>

548
00:36:27,740 --> 00:36:30,241
SEE, THIS IS WHAT
I'M AFRAID OF.

549
00:36:30,243 --> 00:36:33,344
<i> IT'S NOT A MARRIAGE,</i>

550
00:36:33,346 --> 00:36:36,046
IT'S A THERAPY SESSION.

551
00:36:36,048 --> 00:36:39,116
I'M THE ONLY ONE WHO'S
NOT GETTING ANY TREATMENT.

552
00:36:42,088 --> 00:36:45,122
<i> REMEMBER WHAT YOUR FATHER</i>
<i> SAID WHEN WE TOLD HIM?</i>

553
00:36:45,124 --> 00:36:46,624
HIS CURSE?

554
00:36:46,626 --> 00:36:50,828
HE SAID IT WOULD ALL
END IN TEARS, DIDN'T HE?

555
00:36:50,830 --> 00:36:54,632
WELL, HE WAS RIGHT.

556
00:36:54,634 --> 00:36:57,435
<i> ( Lexie sobs )</i>

557
00:37:02,007 --> 00:37:03,907
LEXIE, WAIT!

558
00:37:06,312 --> 00:37:07,578
<i> ( door slams )</i>

559
00:37:10,216 --> 00:37:12,950
I'M RATHER CROSS
WITH YOU.

560
00:37:12,952 --> 00:37:15,753
RUSHING OFF LIKE THAT.

561
00:37:15,755 --> 00:37:18,822
YOU LEFT ARCHIE
IN RATHER A BAD STATE.

562
00:37:18,824 --> 00:37:22,126
THE BOY'S LOST.

563
00:37:22,128 --> 00:37:24,562
WHAT AM I
GOING TO DO WITH HIM?

564
00:37:24,564 --> 00:37:26,497
OR YOU?

565
00:37:33,806 --> 00:37:36,574
I WONDER...

566
00:38:29,261 --> 00:38:31,094
FATHER...?

567
00:38:41,273 --> 00:38:42,973
WHA--?

568
00:39:23,916 --> 00:39:26,917
GOODBYE.

569
00:39:51,611 --> 00:39:53,944
GOODBYE.

570
00:40:28,815 --> 00:40:31,449
MOTHER?

571
00:40:31,451 --> 00:40:34,685
MORNING, ARCHIE.
HOW ARE YOU TODAY?

572
00:40:34,687 --> 00:40:36,854
FINE, FINE.

573
00:40:36,856 --> 00:40:39,256
- IT'S JUST THAT...
- DO YOU LIKE YOUR ROSE?

574
00:40:39,258 --> 00:40:41,759
YES.

575
00:40:46,031 --> 00:40:48,499
- YOU'VE GOT ONE TOO?
- OF COURSE.

576
00:40:48,501 --> 00:40:51,669
YOU BETTER GET READY
BECAUSE THERE'S A JOB

577
00:40:51,671 --> 00:40:53,671
I WANT YOU TO DO BEFORE
WE LEAVE FOR THE CHURCH.

578
00:40:55,274 --> 00:40:57,407
IS SOMETHING WRONG?

579
00:41:05,885 --> 00:41:10,754
NO...
NO, I DON'T THINK SO.

580
00:41:15,427 --> 00:41:17,361
Archie:
IS HE STRAIGHT?

581
00:41:17,363 --> 00:41:21,164
AS MUCH AS HE EVER WAS.
LEANING TO THE RIGHT.

582
00:41:21,166 --> 00:41:23,501
<i> DITTO.</i>

583
00:41:23,503 --> 00:41:25,002
<i> THAT'S IT.</i>

584
00:41:25,004 --> 00:41:27,571
YOU'VE GOT HIM
JUST FINE, MOLLY.

585
00:41:29,141 --> 00:41:31,675
HIS EYES FOLLOW YOU
EVERYWHERE.

586
00:41:31,677 --> 00:41:33,878
HAVE YOU NOTICED?

587
00:41:33,880 --> 00:41:35,980
I'M GLAD YOU DID IT
WITH A SMILE ON HIS FACE.

588
00:41:35,982 --> 00:41:38,682
WOULDN'T WANT HIM GLOWERING
AT ME FOR THE REST OF MY LIFE.

589
00:41:38,684 --> 00:41:40,584
HE'LL ALWAYS BE SMILING
ON YOU, ARCHIE.

590
00:41:40,586 --> 00:41:45,288
TIME WE WERE OFF.
ARE YOU READY?

591
00:41:45,290 --> 00:41:48,191
YES, MOTHER,
I THINK I AM.

592
00:41:54,299 --> 00:41:56,867
YOU LOOK
FAN-DABBY-DOZY.

593
00:41:56,869 --> 00:41:59,236
CHEER UP,
IT MIGHT NEVER HAPPEN.

594
00:41:59,238 --> 00:42:01,371
I FEEL TERRIBLE.

595
00:42:01,373 --> 00:42:04,074
- WHY, DARLING?
- WHAT I SAID TO ARCHIE,

596
00:42:04,076 --> 00:42:07,811
AFTER ALL HE'S BEEN THROUGH,
HE REALLY NEEDED ME THERE.

597
00:42:07,813 --> 00:42:10,280
I JUST LET HIM DOWN.

598
00:42:10,282 --> 00:42:12,983
THAT BOY'S TOUGHER
THAN HE LOOKS,
MARK MY WORDS.

599
00:42:14,420 --> 00:42:17,021
MOM, COULD YOU JUST
LEAVE ME ALONE
FOR A MINUTE?

600
00:42:17,023 --> 00:42:20,057
I JUST WANT TO GET
MY HEAD TOGETHER.

601
00:42:20,059 --> 00:42:22,059
I'LL COME "ZHOOSH" YOU
IN A BIT.

602
00:42:22,061 --> 00:42:24,094
OKAY.

603
00:42:24,096 --> 00:42:25,963
SHOULD I BRING YOUR
BAIT AND BAP?

604
00:42:25,965 --> 00:42:27,598
NO.

605
00:42:34,607 --> 00:42:36,473
( sighs )

606
00:42:42,114 --> 00:42:44,615
( whispers )
COURAGE.

607
00:42:46,852 --> 00:42:50,588
MOLLY, I THINK YOU'LL FIND
I'VE SORTED EVERYTHING OUT
FOR ARCHIE.

608
00:42:50,590 --> 00:42:53,423
HAVE YOU, JOE?
HOW CLEVER OF YOU.

609
00:42:53,425 --> 00:42:56,326
BUT HE'LL JUST HAVE
TO STRUGGLE ALONG
IN MY ABSENCE.

610
00:42:56,328 --> 00:42:58,428
WHY?  WHERE
ARE YOU GOING?

611
00:42:58,430 --> 00:43:01,599
PAMELA HAS ASKED ME
TO STAY WITH HER AND ERIC.

612
00:43:01,601 --> 00:43:04,902
<i> THEY HAVE A LUXURY</i>
<i> BUNGALOW OUTSIDE GLASGOW.</i>

613
00:43:12,144 --> 00:43:14,311
( rings )

614
00:43:14,313 --> 00:43:16,680
WHERE'S THE BRIDE?
I'M THROWING HER AWAY.

615
00:43:16,682 --> 00:43:19,549
DUNCAN, HAVE YOU SEEN LEXIE?
I CAN'T FIND HER ANYWHERE.

616
00:43:19,551 --> 00:43:21,551
THAT'S 'CAUSE
SHE'S NOT HERE.

617
00:43:21,553 --> 00:43:24,688
- ( in unison ) WHAT?
- I JUST SAW HER GET
ON THE BUS.

618
00:43:36,368 --> 00:43:39,236
LET'S FACE IT,
ARCHIE,

619
00:43:39,238 --> 00:43:42,172
SHE ALWAYS HAS HAD
A TENDENCY TO OVERCOOK THINGS.

620
00:43:48,514 --> 00:43:50,480
- ARCHIE!
- IT'S LEXIE.

621
00:43:50,482 --> 00:43:52,049
SHE'S DONE A RUNNER.

622
00:43:52,051 --> 00:43:53,416
RIGHT!

623
00:44:06,532 --> 00:44:09,566
Pamela:
ARCHIE, YOU DRIVE.

624
00:44:09,568 --> 00:44:11,902
Kilwillie:
GET IN HERE.  OOH!

625
00:44:17,376 --> 00:44:19,109
Golly: ON, LADDY!

626
00:44:28,620 --> 00:44:32,422
COME ON, ARCHIBALD,
PUSH THE PEDAL TO THE METAL.

627
00:44:32,424 --> 00:44:35,458
- SHE GOT A GOOD START.
- WHERE IS SHE RUNNING TO?

628
00:44:35,460 --> 00:44:38,328
- PROBABLY
TO MY SISTER'S IN DUNDEE.
- SHE MUST BE DESPERATE.

629
00:44:40,465 --> 00:44:42,199
Kilwillie:
HOLY MOSES!

630
00:44:53,345 --> 00:44:58,215
PLEASE COME ON, WE'RE LATE.
MAKE TRACKS!

631
00:45:16,568 --> 00:45:19,436
OH, ARCHIE.

632
00:45:25,911 --> 00:45:27,677
Kilwillie:
DRIVE, DRIVE!

633
00:45:27,679 --> 00:45:29,246
Molly:
NOT TOO FAST.
NOT TOO FAST!

634
00:45:30,883 --> 00:45:32,916
- Golly: ON, LADDY!
- Duncan: WHOA!

635
00:45:36,688 --> 00:45:38,789
( Golly chuckles )

636
00:45:45,765 --> 00:45:48,531
THERE SHE COMES!

637
00:45:48,533 --> 00:45:50,768
COME ON, ARCH.
YOU'VE GOT TO DO IT!

638
00:45:53,005 --> 00:45:55,139
Kilwillie:
THERE SHE IS.

639
00:45:56,475 --> 00:45:58,842
( all scream )

640
00:45:58,844 --> 00:46:01,611
- WHAT ARE YOU DOING?
- ARCHIE, MIND MY CADILLAC!

641
00:46:01,613 --> 00:46:03,480
I KNOW WHAT
I'M DOING.

642
00:46:05,117 --> 00:46:07,017
Duncan:
<i> OH, NO, THE BUS.</i>

643
00:46:10,756 --> 00:46:12,656
Driver:
WHAT THE--?

644
00:46:21,500 --> 00:46:24,101
HI... HELLO.

645
00:46:24,103 --> 00:46:26,369
<i> HI.</i>

646
00:46:31,177 --> 00:46:33,076
Archie:
<i> TRYING TO DODGE</i>
<i> YOUR FARE, EH?</i>

647
00:46:37,049 --> 00:46:40,483
- ARCHIE--
- I'M NOT GOING TO TAKE
YOUR MOTHER'S MONEY.

648
00:46:40,485 --> 00:46:43,353
I DON'T KNOW WHAT
WE'LL DO, BUT WE'LL
DO IT TOGETHER.

649
00:46:43,355 --> 00:46:47,524
AND AS FOR THE WEDDING,
YOU WERE RIGHT-- WRONG TIME,
WRONG PLACE.

650
00:46:47,526 --> 00:46:49,993
WHEN WE DO GET MARRIED

651
00:46:49,995 --> 00:46:53,197
THERE'LL BE NO
CLOUDS IN THE SKY.

652
00:46:53,199 --> 00:46:56,433
AND THE ONLY
FEELINGS WILL BE
JOY AND SERENITY

653
00:46:56,435 --> 00:46:59,303
AND A CERTAINTY
THAT EVERYTHING
IS GONNA BE OKAY.

654
00:47:01,273 --> 00:47:04,174
I LOVE YOU TO BITS, LEX.

655
00:47:06,445 --> 00:47:09,046
WILL YOU MARRY ME?

656
00:47:10,115 --> 00:47:12,249
I'VE GOT
VERY COLD FEET.

657
00:47:12,251 --> 00:47:15,485
- I'LL WARM THEM UP FOR YOU.
- YOU'RE NOT READY FOR THIS.

658
00:47:15,487 --> 00:47:17,587
I AM.

659
00:47:17,589 --> 00:47:19,456
ARCHIE,

660
00:47:19,458 --> 00:47:23,160
IF I AGREED, I WOULDN'T
JUST BE MARRYING YOU,

661
00:47:23,162 --> 00:47:26,296
I'D BE MARRYING
A DOZEN OTHER PEOPLE.

662
00:47:26,298 --> 00:47:28,832
WHATEVER MAKES YOU
SAY THAT?

663
00:47:34,639 --> 00:47:37,507
LOOK, LEX, YOU DON'T
HAVE TO DECIDE NOW,

664
00:47:37,509 --> 00:47:39,442
<i> BUT JUST</i>
<i> COME WITH ME.</i>

665
00:47:39,444 --> 00:47:41,945
COME HOME.

666
00:47:53,125 --> 00:47:55,558
DO YOU NOT SEE?

667
00:47:56,628 --> 00:47:58,828
I GOT A RETURN TICKET.

668
00:48:00,933 --> 00:48:02,933
( giggles )

669
00:48:02,935 --> 00:48:04,701
All:
OH-HH!

670
00:48:04,703 --> 00:48:07,137
( applause )

671
00:48:16,882 --> 00:48:19,216
HEY!
HEY-YY!

672
00:48:26,025 --> 00:48:28,691
<i> ( theme music playing )</i>


