1
00:01:40,268 --> 00:01:41,769
BEAUTIFUL DAY.

2
00:01:48,276 --> 00:01:50,811
YES, I CAN SEE THAT.

3
00:01:54,582 --> 00:01:58,152
I DON'T KNOW
HOW YOU CAN READ
IN A STAGECOACH.

4
00:01:58,186 --> 00:02:00,488
IT DOESN'T
UPSET YOUR STOMACH?

5
00:02:00,521 --> 00:02:04,458
ONLY WHEN STRANGERS
INTERRUPT ME.

6
00:02:28,416 --> 00:02:29,683
I MADE YOU SOME COFFEE.

7
00:02:29,717 --> 00:02:31,785
THANKS, HONEY.

8
00:02:31,819 --> 00:02:34,222
WHY ARE YOU
SO DRESSED UP?

9
00:02:34,255 --> 00:02:35,823
MOTHER INSISTED.

10
00:02:35,856 --> 00:02:36,690
HELP ME WITH THIS TIE,
WOULD YOU?

11
00:02:36,724 --> 00:02:38,626
SURE.

12
00:02:40,928 --> 00:02:43,597
YOU LOOK VERY
HANDSOME, HUSBAND.

13
00:02:43,631 --> 00:02:45,766
OH, COME ON.

14
00:02:45,799 --> 00:02:47,801
WELL, IT'S TRUE.

15
00:02:51,605 --> 00:02:53,674
WHAT TIME IS
THE STAGE DUE IN?

16
00:02:55,576 --> 00:02:56,310
IN ABOUT AN HOUR.

17
00:03:03,284 --> 00:03:05,486
IT'S ALWAYS LATE,
ISN'T IT?

18
00:03:05,519 --> 00:03:08,589
WELL, USUALLY.

19
00:03:08,622 --> 00:03:12,393
WELL, I GUESS
YOU DON'T HAVE TO
LEAVE JUST YET THEN.

20
00:03:12,426 --> 00:03:14,728
NO, I GUESS I DON'T.

21
00:03:24,472 --> 00:03:26,607
NELS, NELS,
HOW DO I LOOK?

22
00:03:26,640 --> 00:03:28,576
FINE, DEAR.

23
00:03:28,609 --> 00:03:30,578
NELS! YOU DON'T HAVE EYES
IN THE TOP OF YOUR HEAD!

24
00:03:30,611 --> 00:03:31,745
HOW DO I LOOK?!

25
00:03:31,779 --> 00:03:33,013
FINE, REALLY.

26
00:03:33,046 --> 00:03:34,415
MA?
YES?

27
00:03:34,448 --> 00:03:35,449
THE STAGE IS DUE
IN 5 MINUTES.

28
00:03:35,483 --> 00:03:36,450
OH! I'M COMING!

29
00:03:36,484 --> 00:03:37,585
OH, I'M SO NERVOUS!

30
00:03:37,618 --> 00:03:39,653
ARE YOU SURE
I LOOK ALL RIGHT?

31
00:03:39,687 --> 00:03:41,589
HARRIET, DON'T YOU THINK
YOU'RE OVERDOING
THIS A BIT?

32
00:03:41,622 --> 00:03:43,724
NELS, THIS IS
SHERWOOD MONTAGUE.

33
00:03:43,757 --> 00:03:45,726
HE'S A VERY
FAMOUS WRITER.

34
00:03:45,759 --> 00:03:47,461
BUT NOT
VISITING ROYALTY.

35
00:03:47,495 --> 00:03:49,263
AND NEED I REMIND YOU

36
00:03:49,297 --> 00:03:50,898
THAT HE IS GOING TO RENT
OUR VERY BEST ROOM

37
00:03:50,931 --> 00:03:53,767
FOR AN INDEFINITE STAY.

38
00:03:53,801 --> 00:03:57,438
INDEFINITE.
THAT'S WHAT THE WIRE SAYS.

39
00:03:57,471 --> 00:03:58,572
MA, WE'D BETTER GO.

40
00:03:58,606 --> 00:03:59,973
YES, I'M COMING.

41
00:04:01,442 --> 00:04:03,444
OH, WILLIE, WAIT!

42
00:04:03,477 --> 00:04:05,613
OH, BOY.

43
00:04:17,858 --> 00:04:21,028
OH, MR. MONTAGUE?

44
00:04:21,061 --> 00:04:22,596
NO, MA'AM.

45
00:04:22,630 --> 00:04:24,498
MISTER?

46
00:04:24,532 --> 00:04:25,933
I'LL HAVE YOUR BAGS
SENT OVER TO
THE HOTEL.

47
00:04:30,404 --> 00:04:31,339
OH!

48
00:04:31,372 --> 00:04:32,840
OF COURSE.

49
00:04:32,873 --> 00:04:35,008
WHY, YOU'RE
MR. MONTAGUE.

50
00:04:35,042 --> 00:04:36,777
THAT IS CORRECT.

51
00:04:36,810 --> 00:04:38,346
OH! I'M HARRIET OLESON,

52
00:04:38,379 --> 00:04:41,849
OWNER OF THE HOTEL
AND RESTAURANT.

53
00:04:41,882 --> 00:04:43,083
YOUR BAGS, MISTER.

54
00:04:43,116 --> 00:04:44,818
OH, UH--WILLIE,
WILLIE, WILLIE.

55
00:04:44,852 --> 00:04:47,655
ARE MY ACCOMMODATIONS
IN ORDER?

56
00:04:47,688 --> 00:04:49,323
OH, YES, OF COURSE.

57
00:04:49,357 --> 00:04:51,692
WHY, WE HAVE NOTHING
BUT THE VERY BEST FOR YOU.

58
00:04:51,725 --> 00:04:54,094
THIS IS MY SON, WILLIE.

59
00:04:54,127 --> 00:04:55,796
MR. OLESON.

60
00:04:55,829 --> 00:04:57,798
PLEASURE TO
MEET YOU, SIR.

61
00:04:57,831 --> 00:05:00,934
UH, HE AND--AND HIS WIFE

62
00:05:00,968 --> 00:05:02,870
HELP OUT
IN THE RESTAURANT.

63
00:05:02,903 --> 00:05:04,672
HMM. HOW INCREDIBLY
INTERESTING.

64
00:05:04,705 --> 00:05:06,874
OH, YES.
[GIGGLING]

65
00:05:08,576 --> 00:05:10,944
EXCUSE ME.
YES?

66
00:05:10,978 --> 00:05:13,681
I'M TRYING TO LOCATE
A MATTHEW ROGERS.

67
00:05:13,714 --> 00:05:15,015
HE'S AROUND 13...

68
00:05:15,048 --> 00:05:16,350
OH, MATTHEW. YES.

69
00:05:16,384 --> 00:05:17,751
YOU KNOW HIM?

70
00:05:17,785 --> 00:05:19,720
YES. CHECK WITH
MR. EDWARDS.

71
00:05:19,753 --> 00:05:22,022
MATTHEW STAYS
AT HIS PLACE.

72
00:05:22,055 --> 00:05:23,724
WHERE CAN I FIND
THIS MR. EDWARDS?

73
00:05:23,757 --> 00:05:25,559
WELL, IT'S LUNCHTIME.

74
00:05:25,593 --> 00:05:26,860
YOU'LL FIND HIM
UP THE STREET
AT THE RESTAURANT.

75
00:05:26,894 --> 00:05:29,730
THANK YOU.
THANK YOU VERY MUCH.

76
00:05:29,763 --> 00:05:30,798
YOU'RE WELCOME.

77
00:05:32,566 --> 00:05:34,535
AND WE'LL DO
EVERYTHING IN OUR POWER

78
00:05:34,568 --> 00:05:38,071
TO MAKE CERTAIN
THAT YOUR STAY IS
ABSOLUTELY COMFORTABLE.

79
00:05:38,105 --> 00:05:39,640
MY STEAMER TRUNK
ARRIVED?

80
00:05:39,673 --> 00:05:41,675
AH, YES, YESTERDAY.
IT'S AT THE HOTEL.

81
00:05:41,709 --> 00:05:43,444
I GOT THE BAGS.

82
00:05:43,477 --> 00:05:44,812
THEN LET'S
TAKE A LOOK

83
00:05:44,845 --> 00:05:45,846
AT MY QUARTERS,
SHALL WE?

84
00:05:45,879 --> 00:05:47,915
AH, YES, YES,
OF COURSE.

85
00:05:47,948 --> 00:05:50,951
RIGHT THIS WAY,
MR. MONTAGUE.

86
00:05:53,153 --> 00:05:55,155
O.K., THAT'S
VEGETABLE SOUP,

87
00:05:55,188 --> 00:05:56,156
SALAD, AND NOODLES.

88
00:05:56,189 --> 00:05:57,491
WOULD YOU LIKE
SOME COFFEE?

89
00:05:57,525 --> 00:05:59,527
YES, PLEASE.

90
00:05:59,560 --> 00:06:00,528
EXCUSE ME, MISS?

91
00:06:00,561 --> 00:06:01,929
YES?

92
00:06:01,962 --> 00:06:02,963
I'M LOOKING FOR
A MR. EDWARDS.

93
00:06:02,996 --> 00:06:04,498
OH, HE'S RIGHT
OVER THERE.

94
00:06:04,532 --> 00:06:05,466
THANK YOU.

95
00:06:16,644 --> 00:06:17,611
EXCUSE ME.

96
00:06:17,645 --> 00:06:19,012
HMM?

97
00:06:19,046 --> 00:06:21,615
EXCUSE ME, SIR.
ARE YOU MR. EDWARDS?

98
00:06:21,649 --> 00:06:23,451
YEAH.

99
00:06:23,484 --> 00:06:25,453
I'M LOOKING
FOR MATTHEW ROGERS.

100
00:06:25,486 --> 00:06:26,954
WHAT FOR?

101
00:06:26,987 --> 00:06:29,690
WELL, YOU SEE, UH...

102
00:06:29,723 --> 00:06:31,391
I'M HIS FATHER.

103
00:06:33,661 --> 00:06:35,763
WOULD YOU SAY
THAT AGAIN?

104
00:06:37,465 --> 00:06:39,166
I'M MATTHEW'S FATHER.

105
00:06:44,505 --> 00:06:45,606
AH!

106
00:06:45,639 --> 00:06:47,007
HERE WE ARE.

107
00:06:47,040 --> 00:06:51,445
THIS IS OUR
VERY BEST ROOM.

108
00:06:51,479 --> 00:06:53,413
REALLY?

109
00:06:54,882 --> 00:06:56,784
IS SOMETHING WRONG?

110
00:06:56,817 --> 00:06:58,819
MRS.--
MRS. OLESON,

111
00:06:58,852 --> 00:07:00,621
WHEN I REQUEST
A HOTEL'S BEST
ACCOMMODATIONS--

112
00:07:00,654 --> 00:07:02,756
AND I USUALLY DO--

113
00:07:02,790 --> 00:07:05,025
IT IS GENERALLY
ASSUMED THAT I'M
TALKING ABOUT A SUITE.

114
00:07:05,058 --> 00:07:07,461
OH!

115
00:07:07,495 --> 00:07:10,731
PREFERABLY ONE
WITH A MODEST
KITCHEN FACILITY.

116
00:07:10,764 --> 00:07:12,533
A KITCHEN?

117
00:07:12,566 --> 00:07:14,034
FOR ME,
THE CULINARY ARTS
ARE A NECESSITY,

118
00:07:14,067 --> 00:07:15,803
TRAVELING AS I DO

119
00:07:15,836 --> 00:07:17,037
THROUGH
MANY BACKWATERS
OF THE WORLD

120
00:07:17,070 --> 00:07:18,572
WHERE PEOPLE
ARE CONTENT TO EAT

121
00:07:18,606 --> 00:07:21,241
WHATEVER THEY CAN
MANAGE TO SWALLOW.
OH...

122
00:07:21,274 --> 00:07:24,244
AT ANY RATE,
THIS SIMPLY
WILL NOT DO.

123
00:07:24,277 --> 00:07:27,881
PERHAPS THERE'S
A HOUSE FOR RENT
IN THE AREA?

124
00:07:27,915 --> 00:07:29,182
NO...

125
00:07:29,216 --> 00:07:31,084
THERE'S WILDER'S
BOARDINGHOUSE.

126
00:07:31,118 --> 00:07:32,953
YEAH.
IT'S WHERE WE LIVE.

127
00:07:32,986 --> 00:07:34,922
WILLIE!
FOR HEAVEN'S SAKES!

128
00:07:34,955 --> 00:07:36,724
HA HA HA!

129
00:07:36,757 --> 00:07:39,827
NOW, HOW COULD A MAN
OF MR. MONTAGUE'S STATURE

130
00:07:39,860 --> 00:07:41,762
STAY IN A MUSTY...

131
00:07:41,795 --> 00:07:44,498
WELL, LAURA'S
FIXED IT UP REAL NICE, MA.

132
00:07:44,532 --> 00:07:46,867
YOU'D KNOW THAT
IF YOU EVER CAME BY
TO VISIT.

133
00:07:46,900 --> 00:07:48,536
THERE'S 2 CONNECTING
ROOMS UPSTAIRS.

134
00:07:48,569 --> 00:07:50,538
ONE OF 'EM
NEEDS SOME FIXING,
BUT NOT MUCH.

135
00:07:50,571 --> 00:07:51,905
WELL, THEY DON'T
HAVE A KITCHEN,

136
00:07:51,939 --> 00:07:53,106
BUT THERE'S A NICE
BIG ONE DOWNSTAIRS.

137
00:07:53,140 --> 00:07:54,708
I KNOW LAURA'D
LET YOU USE IT.

138
00:07:54,742 --> 00:07:56,276
WILLIE!

139
00:07:56,309 --> 00:07:59,179
WHAT'S WRONG
WITH MR. MONTAGUE
TAKING A LOOK?

140
00:07:59,212 --> 00:08:01,649
NOTHING AT ALL,
YOUNG MAN.

141
00:08:01,682 --> 00:08:03,250
LEAD THE WAY.

142
00:08:03,283 --> 00:08:05,052
YES, SIR, MR. MONTAGUE.

143
00:08:05,085 --> 00:08:07,921
OH, AND, UH,
MRS. OLESON.

144
00:08:07,955 --> 00:08:10,157
IF THE BOARDINGHOUSE
IS ACCEPTABLE,

145
00:08:10,190 --> 00:08:12,926
YOU MAY RETAIN MY DEPOSIT
FOR YOUR INCONVENIENCE.

146
00:08:19,099 --> 00:08:22,235
MR. EDWARDS,
I CAN'T TELL YOU

147
00:08:22,269 --> 00:08:25,773
HOW LONG I'VE BEEN
SEARCHING FOR THE BOY.

148
00:08:25,806 --> 00:08:27,775
MAYBE NOT LONG ENOUGH.

149
00:08:27,808 --> 00:08:29,610
WHAT?

150
00:08:29,643 --> 00:08:31,779
YOU ABANDONED THAT BOY
11 YEARS AGO

151
00:08:31,812 --> 00:08:33,914
WHEN HE WAS 2 YEARS OLD.

152
00:08:35,816 --> 00:08:37,618
I KNOW.

153
00:08:37,651 --> 00:08:39,787
I KNOW, BUT...

154
00:08:39,820 --> 00:08:41,622
IT HAD TO BE.

155
00:08:41,655 --> 00:08:44,825
I'LL JUST HAVE TO
MAKE HIM UNDERSTAND.

156
00:08:44,858 --> 00:08:46,794
I RECKON YOU'RE
GONNA HAVE TO MAKE

157
00:08:46,827 --> 00:08:48,996
BOTH OF US DO THAT.

158
00:08:49,029 --> 00:08:50,998
LOOK, I DON'T WANT
YOU SAYING ANYTHING

159
00:08:51,031 --> 00:08:52,866
UNTIL WE MAKE SURE
IT'S THE SAME BOY.

160
00:08:54,868 --> 00:08:57,638
THERE WAS A BIRTHMARK
ON HIS NECK

161
00:08:57,671 --> 00:08:58,806
BEHIND HIS LEFT EAR.

162
00:08:58,839 --> 00:09:01,241
WHAT KIND OF BIRTHMARK?

163
00:09:03,276 --> 00:09:05,278
A ROUND BLOTCH,
OBLONG SHAPED.

164
00:09:06,880 --> 00:09:08,115
AM I RIGHT?

165
00:09:10,884 --> 00:09:12,686
YEAH, I SEEN IT.

166
00:09:14,287 --> 00:09:16,256
WHEN CAN I SEE HIM?

167
00:09:19,192 --> 00:09:21,261
I'LL DRIVE YOU OUT.

168
00:09:42,049 --> 00:09:45,352
MATTHEW.
SOMEBODY HERE
TO SEE YOU.

169
00:09:45,385 --> 00:09:48,255
HELLO, MATTHEW.

170
00:09:48,288 --> 00:09:50,658
THIS IS MR. ROGERS.

171
00:09:53,093 --> 00:09:55,896
I DON'T UNDERSTAND.
WHY IS HE...

172
00:09:55,929 --> 00:09:57,698
THAT'S CALLED
SIGN LANGUAGE.

173
00:09:57,731 --> 00:09:59,266
CAN'T TALK
NO OTHER WAY.

174
00:10:01,301 --> 00:10:04,905
BUT THERE WAS NOTHING
WRONG WHEN HE WAS A CHILD.

175
00:10:04,938 --> 00:10:07,207
HE WAS JUST
STARTING TO TALK.

176
00:10:07,240 --> 00:10:09,209
SEEMS LIKE SOMEBODY
AT THE WORKHOUSE

177
00:10:09,242 --> 00:10:11,211
WANTED TO TEACH
MATTHEW A LESSON,

178
00:10:11,244 --> 00:10:13,013
SO THEY FORCED LYE
DOWN HIS THROAT.

179
00:10:15,082 --> 00:10:16,249
OH, LORD.

180
00:10:20,721 --> 00:10:22,856
MATTHEW, I'M...

181
00:10:22,890 --> 00:10:25,659
I AM SO, SO SORRY.

182
00:10:29,062 --> 00:10:31,264
SAYS HE'S YOUR PA.

183
00:10:31,298 --> 00:10:33,033
I THINK HE MIGHT BE.

184
00:10:35,736 --> 00:10:38,038
I KNOW IT'S
A SHOCK TO YOU, SON.

185
00:10:40,741 --> 00:10:42,710
I DON'T KNOW
WHERE TO BEGIN.

186
00:10:44,144 --> 00:10:47,080
THERE'S SO VERY MUCH
TO EXPLAIN.

187
00:10:48,281 --> 00:10:49,783
YEAH, I RECKON
THERE IS.

188
00:10:53,086 --> 00:10:55,255
WHY DON'T WE
ALL SIT DOWN?

189
00:11:05,899 --> 00:11:07,768
THIS ROOM WAS USED
AS A GUEST BEDROOM,

190
00:11:07,801 --> 00:11:10,470
ALTHOUGH MRS. FLANNERY
DIDN'T HAVE MANY GUESTS
OVER THE YEARS.

191
00:11:10,503 --> 00:11:13,006
HMM...
WE'RE STILL WORKING
ON IT, I'M AFRAID.

192
00:11:13,040 --> 00:11:16,243
I KNOW,
THE FURNITURE'S KINDA
OLD AND SCRATCHED UP.

193
00:11:16,276 --> 00:11:18,145
YEAH, I WAS FIGURING
TO PAINT THAT.

194
00:11:18,178 --> 00:11:20,413
PAINT? THIS?

195
00:11:20,447 --> 00:11:22,950
WELL, YES, SIR.

196
00:11:22,983 --> 00:11:25,485
THE FURNISHINGS ARE,
AS YOU SAY, OLD.

197
00:11:25,518 --> 00:11:27,955
BUT DO YOU KNOW
HOW OLD?

198
00:11:27,988 --> 00:11:29,422
I DON'T THINK SO.

199
00:11:29,456 --> 00:11:31,324
PRICELESSLY OLD.

200
00:11:31,358 --> 00:11:33,293
THIS PIECE
IS AUTHENTIC GEORGIAN,

201
00:11:33,326 --> 00:11:35,395
LATE 17th CENTURY.

202
00:11:35,428 --> 00:11:38,131
THE ONLY OTHER ONE
I'VE SEEN WAS IN
A LONDON MUSEUM.

203
00:11:38,165 --> 00:11:39,466
MY GOODNESS.

204
00:11:39,499 --> 00:11:41,434
AND THIS OVER HERE.

205
00:11:41,468 --> 00:11:43,737
MY, MY, MY.

206
00:11:45,338 --> 00:11:47,274
MRS. WILDER.

207
00:11:47,307 --> 00:11:49,342
IF I SHOULD MOVE IN,

208
00:11:49,376 --> 00:11:53,446
I WILL UNDERTAKE
THE RESTORATION
OF THESE ANTIQUES MYSELF.

209
00:11:53,480 --> 00:11:56,149
LET'S HAVE A LOOK
AT THE CONNECTING ROOM.

210
00:11:56,183 --> 00:11:58,118
CERTAINLY.

211
00:12:01,021 --> 00:12:02,923
I'M SORRY
IT'S SUCH A MESS.

212
00:12:02,956 --> 00:12:04,992
IT'S BEEN USED
AS A STORAGE ROOM
FOR YEARS.

213
00:12:11,531 --> 00:12:15,836
THE DIMENSIONS
ARE RIGHT.

214
00:12:15,869 --> 00:12:17,938
WHEN CAN YOU
HAVE IT READY?

215
00:12:17,971 --> 00:12:19,406
WE'LL GET
RIGHT TO WORK.

216
00:12:19,439 --> 00:12:21,008
IN A COUPLE OF DAYS,
YOU WON'T EVEN KNOW IT.

217
00:12:21,041 --> 00:12:22,542
I SHALL NEED A DESK.

218
00:12:22,575 --> 00:12:24,344
WE DON'T HAVE ONE.

219
00:12:24,377 --> 00:12:25,879
NO MATTER.
I NEED TO PURCHASE

220
00:12:25,913 --> 00:12:27,314
A NUMBER OF
ODDS AND ENDS
ANYWAY.

221
00:12:27,347 --> 00:12:29,783
A DESK CAN BE
ONE OF THEM.

222
00:12:29,817 --> 00:12:31,184
WELL, A NEIGHBOR OF OURS,
JOHN CARTER,

223
00:12:31,218 --> 00:12:32,853
IS MAKING A DELIVERY
IN SLEEPY EYE TOMORROW.

224
00:12:32,886 --> 00:12:34,221
I'M SURE
HE'D ENJOY THE COMPANY.

225
00:12:34,254 --> 00:12:37,057
FINE. WOULD YOU MIND
ARRANGING THAT
FOR ME?

226
00:12:37,090 --> 00:12:38,191
MY PLEASURE.

227
00:12:38,225 --> 00:12:39,559
AND IF YOUNG
MR. OLESON THERE

228
00:12:39,592 --> 00:12:41,528
WILL KINDLY DELIVER
MY STEAMER TRUNK,

229
00:12:41,561 --> 00:12:42,863
I CAN GET TO
UNPACKING.

230
00:12:42,896 --> 00:12:44,064
YES, SIR,
RIGHT AWAY.

231
00:12:44,097 --> 00:12:46,366
I'LL GIVE YOU A HAND.

232
00:12:46,399 --> 00:12:48,836
MR. MONTAGUE,

233
00:12:48,869 --> 00:12:52,139
I JUST WANT TO TELL YOU
HOW HONORED WE ARE
TO HAVE YOU STAY HERE.

234
00:12:52,172 --> 00:12:54,107
THANK YOU,
MRS. WILDER.

235
00:13:06,319 --> 00:13:07,487
SO...

236
00:13:10,323 --> 00:13:12,860
JUST AS SOON AS
YOUR MOTHER AND I
COULD SCRAPE OUT A LIVING,

237
00:13:12,893 --> 00:13:17,530
WE SENT OUT INQUIRIES
TO TRY AND FIND YOU.

238
00:13:17,564 --> 00:13:19,099
IT SEEMED LIKE...

239
00:13:19,132 --> 00:13:21,935
EVERY TIME WE GOT CLOSE,

240
00:13:21,969 --> 00:13:24,271
YOU'D BEEN SENT
SOMEWHERE ELSE.

241
00:13:25,973 --> 00:13:28,108
I KNOW SOME FOLKS
ADOPTED YOU ONCE.

242
00:13:28,141 --> 00:13:30,243
YOU MEAN
THAT FELLOW
McQUEEN?

243
00:13:30,277 --> 00:13:31,845
NO.

244
00:13:31,879 --> 00:13:34,447
WE HEARD ABOUT HIM LATER.

245
00:13:34,481 --> 00:13:37,384
THIS WAS A FARMER
AND HIS WIFE
SOMEWHERE IN DULUTH.

246
00:13:37,417 --> 00:13:40,220
NEVER HEARD
ABOUT THEM.

247
00:13:40,253 --> 00:13:42,589
THIS BOY
DOESN'T TALK MUCH
ABOUT HIS PAST.

248
00:13:42,622 --> 00:13:45,125
THAT TRUE, MATTHEW?

249
00:13:45,158 --> 00:13:47,127
YOU WERE ADOPTED
ONCE BY THOSE FOLKS?

250
00:13:51,498 --> 00:13:54,902
THEY'RE THE ONES
THAT FORCED THAT
LYE DOWN YOU?

251
00:13:57,170 --> 00:13:59,272
ALL THEY WANTED
HIM FOR WAS WORK.

252
00:13:59,306 --> 00:14:03,576
FED HIM NO BETTER
THAN PIG SLOP
UNTIL HE GOT SICK,

253
00:14:03,610 --> 00:14:05,245
COULDN'T STAND
ON HIS FEET.

254
00:14:05,278 --> 00:14:08,548
THEN THEY SENT
HIM BACK TO
THE WORKHOUSE.

255
00:14:08,581 --> 00:14:10,317
HE COULDN'T
TELL ANYBODY
WHAT HAPPENED

256
00:14:10,350 --> 00:14:12,085
BECAUSE HE DIDN'T
HAVE NO VOICE.

257
00:14:12,119 --> 00:14:14,287
THEN McQUEEN
COME ALONG

258
00:14:14,321 --> 00:14:18,358
AND PUT HIM IN A CAGE
FOR HIS MEDICINE SHOW.

259
00:14:18,391 --> 00:14:20,127
MATTHEW...

260
00:14:22,595 --> 00:14:26,066
I KNOW NOBODY
CAN MAKE UP FOR WHAT
YOU'VE BEEN THROUGH.

261
00:14:26,099 --> 00:14:28,501
BUT LET ME TRY.

262
00:14:28,535 --> 00:14:30,537
IT'D JUST BE
THE 2 OF US.

263
00:14:30,570 --> 00:14:34,541
YOUR MA,
SHE PASSED ON
A FEW MONTHS BACK.

264
00:14:34,574 --> 00:14:36,409
IT MADE ME
ALL THE MORE
DETERMINED

265
00:14:36,443 --> 00:14:39,046
TO FINALLY FIND YOU.

266
00:14:39,079 --> 00:14:41,915
WILL YOU GIVE ME
A CHANCE, SON?

267
00:14:41,949 --> 00:14:43,984
WILL YOU?

268
00:14:48,421 --> 00:14:51,491
HE WANTS TO KNOW
WHY YOU DESERTED HIM
IN THE FIRST PLACE.

269
00:14:51,524 --> 00:14:53,593
BECAUSE WE WERE
STARVING!

270
00:14:55,062 --> 00:14:57,364
IT WAS THE YEAR
OF THE DRAUGHT.

271
00:14:57,397 --> 00:14:58,999
THERE WAS NO FOOD.

272
00:14:59,032 --> 00:15:00,300
NOT ANYTHING, ANYWHERE.

273
00:15:00,333 --> 00:15:04,537
MATTHEW, YOU WERE
DYING BEFORE OUR EYES.

274
00:15:04,571 --> 00:15:06,473
DON'T YOU SEE, SON?

275
00:15:08,308 --> 00:15:11,244
THE ONLY WAY WE COULD
SAVE YOUR LIFE WAS...

276
00:15:11,278 --> 00:15:13,413
WAS TO GIVE YOU UP.

277
00:15:19,619 --> 00:15:22,055
SAYS YOU SHOULD
HAVE LET HIM DIE.

278
00:15:22,089 --> 00:15:23,623
NO.

279
00:15:23,656 --> 00:15:26,426
DON'T SAY THAT, BOY.

280
00:15:26,459 --> 00:15:29,229
MATTHEW, I LOVE YOU.

281
00:15:31,031 --> 00:15:33,233
MATTHEW, WAIT!

282
00:15:33,266 --> 00:15:34,601
UGH!

283
00:15:39,272 --> 00:15:42,042
WHAT WAS IT HE SAID TO ME
BEFORE HE RAN OUT?

284
00:15:45,612 --> 00:15:47,714
THAT HE HATES YOU.

285
00:15:57,124 --> 00:15:59,226
I THINK
YOU'D BETTER GO NOW.

286
00:15:59,259 --> 00:16:01,128
WANT ME TO DRIVE
YOU BACK TO TOWN?

287
00:16:03,563 --> 00:16:05,165
NO.

288
00:16:06,566 --> 00:16:08,501
I CAN WALK.

289
00:16:35,595 --> 00:16:37,297
HE'S GONE.

290
00:16:40,200 --> 00:16:42,102
I DON'T KNOW
IF HE'S COMING BACK.

291
00:16:46,273 --> 00:16:49,242
NOW, COME ON,
HOLD ON.

292
00:16:49,276 --> 00:16:52,045
I CAN UNDERSTAND
YOU NOT WANTING
TO SEE HIM AGAIN,

293
00:16:52,079 --> 00:16:53,580
BUT HATING...

294
00:16:53,613 --> 00:16:55,515
HATING'S BAD
FOR THE SOUL.

295
00:16:55,548 --> 00:16:57,117
HE IS YOUR FATHER.

296
00:17:00,220 --> 00:17:02,222
NO, I DON'T WANT YOU
TO GO WITH HIM.

297
00:17:02,255 --> 00:17:05,258
I WANT YOU TO DO
WHAT YOU WANT TO DO.

298
00:17:14,867 --> 00:17:17,204
THEN I WANT YOU
TO STAY WITH ME.

299
00:17:34,421 --> 00:17:35,555
[DOOR OPENING]

300
00:17:39,892 --> 00:17:41,628
AH, MR. MONTAGUE.

301
00:17:41,661 --> 00:17:43,263
THAT IS CORRECT.

302
00:17:43,296 --> 00:17:45,298
I'M DOC BAKER.
WON'T YOU HAVE
A SEAT?

303
00:17:45,332 --> 00:17:47,267
THANK YOU.

304
00:17:47,300 --> 00:17:50,637
NOW, I'D LIKE YOU
TO FILL THIS CARD OUT.

305
00:17:50,670 --> 00:17:53,240
JUST THE CUSTOMARY
MEDICAL HISTORY
QUESTIONS.

306
00:17:53,273 --> 00:17:55,342
THAT WON'T BE NECESSARY.

307
00:17:55,375 --> 00:17:57,777
WELL, IT WILL
HELP ME IN TREATING
YOU EFFECTIVELY.

308
00:17:57,810 --> 00:18:00,480
I DID NOT COME HERE
FOR TREATMENT, DOCTOR.

309
00:18:00,513 --> 00:18:02,715
I'M QUITE CAPABLE
OF DIAGNOSING
AND TREATING

310
00:18:02,749 --> 00:18:04,817
ANY PROBLEM
I MIGHT HAVE.

311
00:18:04,851 --> 00:18:07,354
WELL, MR. MONTAGUE,
I'VE DISCOVERED
OVER THE YEARS,

312
00:18:07,387 --> 00:18:09,456
IT'S A VERY
DANGEROUS PRACTICE

313
00:18:09,489 --> 00:18:11,824
FOR PATIENTS TO
DIAGNOSE THEMSELVES.

314
00:18:11,858 --> 00:18:13,793
IT'S MUCH WISER
TO LEAVE THAT TO
THEIR PHYSICIANS.

315
00:18:13,826 --> 00:18:15,562
EXACTLY.

316
00:18:15,595 --> 00:18:17,564
I RECEIVED
MY MEDICAL DEGREE IN LONDON

317
00:18:17,597 --> 00:18:20,667
AND DID MY INTERNSHIP
AT SEVERAL MAJOR HOSPITALS,

318
00:18:20,700 --> 00:18:24,103
INCLUDING, FOR A WHILE,
AT YOUR OWN MAYO CLINIC.

319
00:18:28,508 --> 00:18:30,310
I HAD NO IDEA.

320
00:18:30,343 --> 00:18:31,611
OBVIOUSLY.

321
00:18:33,513 --> 00:18:36,683
WELL, UH...
IF YOU DIDN'T COME
HERE FOR TREATMENT,

322
00:18:36,716 --> 00:18:39,386
MAY I ASK
WHY YOU MADE
THIS APPOINTMENT?

323
00:18:39,419 --> 00:18:41,721
IT'S FOR A BOOK.

324
00:18:41,754 --> 00:18:45,325
I'M PLANNING TO
INCLUDE A CHAPTER
ON FRONTIER MEDICINE.

325
00:18:45,358 --> 00:18:46,626
OH.

326
00:18:46,659 --> 00:18:48,695
OH, I SEE.

327
00:18:48,728 --> 00:18:52,465
WELL, I'D BE VERY
HAPPY TO ANSWER ANY
OF YOUR QUESTIONS.

328
00:18:52,499 --> 00:18:53,866
YOU'RE VERY KIND.

329
00:18:58,438 --> 00:19:01,241
DO YOU HAVE A COLD,
DOCTOR?

330
00:19:01,274 --> 00:19:03,576
OH, NO.
IT'S SINUS TROUBLE.

331
00:19:03,610 --> 00:19:04,911
I'VE HAD IT
MY WHOLE LIFE.

332
00:19:04,944 --> 00:19:06,546
REALLY?

333
00:19:08,415 --> 00:19:10,383
WILL YOU STICK OUT
YOUR TONGUE?

334
00:19:12,452 --> 00:19:13,720
I BEG YOUR PARDON?

335
00:19:13,753 --> 00:19:15,288
YOUR TONGUE, DOCTOR.

336
00:19:15,322 --> 00:19:17,156
WILL YOU STICK IT OUT?

337
00:19:21,861 --> 00:19:23,596
YES.

338
00:19:23,630 --> 00:19:25,265
AH.

339
00:19:25,298 --> 00:19:26,333
HANDS, PLEASE.

340
00:19:30,703 --> 00:19:33,373
AH, THERE IT IS.

341
00:19:33,406 --> 00:19:34,974
THERE WHAT IS?

342
00:19:35,007 --> 00:19:37,544
DO YOU SEE THE SLIGHT
DISCOLORATION THERE?

343
00:19:37,577 --> 00:19:40,179
YES.

344
00:19:41,581 --> 00:19:43,750
POWDERED BEET ROOT.

345
00:19:43,783 --> 00:19:45,685
POWDERED BEET ROOT?

346
00:19:45,718 --> 00:19:47,787
ONE TEASPOON TWICE A DAY.

347
00:19:47,820 --> 00:19:50,857
YOU WILL SEE AN IMMEDIATE
IMPROVEMENT IN YOUR SINUSES.

348
00:19:52,759 --> 00:19:54,561
BEET ROOT WILL DO THAT?

349
00:19:54,594 --> 00:19:57,797
YES. HERBAL REMEDY.

350
00:19:57,830 --> 00:19:59,232
I STUDIED IT FOR A WHILE,

351
00:19:59,266 --> 00:20:00,833
WHEN I WAS IN CHINA.

352
00:20:03,035 --> 00:20:05,438
CHINA.

353
00:20:05,472 --> 00:20:06,606
AMAZING.

354
00:20:06,639 --> 00:20:08,541
YES.

355
00:20:08,575 --> 00:20:11,378
NOW, SOME QUESTIONS.

356
00:20:11,411 --> 00:20:12,979
DOCTOR,
IF YOU DON'T MIND...

357
00:20:14,314 --> 00:20:16,616
YES?

358
00:20:16,649 --> 00:20:18,285
I'VE HAD THIS
RECURRING PAIN

359
00:20:18,318 --> 00:20:20,019
RIGHT HERE
IN THE SHOULDER.

360
00:20:20,052 --> 00:20:22,422
WOULD YOU MIND
LOOKING AT IT?

361
00:20:22,455 --> 00:20:25,492
OF COURSE NOT.

362
00:20:25,525 --> 00:20:28,261
COULD WE STEP INTO
YOUR EXAMINING ROOM?

363
00:20:28,295 --> 00:20:29,962
WONDERFUL.

364
00:20:29,996 --> 00:20:31,998
YOU DON'T KNOW HOW MUCH
I APPRECIATE THIS.

365
00:20:32,031 --> 00:20:33,666
YES, I DO.

366
00:20:44,744 --> 00:20:47,880
Montague: TELL ME,
IS THERE A CHINESE LAUNDRY

367
00:20:47,914 --> 00:20:50,683
IN SLEEPY EYE?

368
00:20:50,717 --> 00:20:52,319
I BELIEVE SO.

369
00:20:52,352 --> 00:20:54,787
GOOD, GOOD.

370
00:20:54,821 --> 00:20:57,424
BUT I THOUGHT
LAURA INCLUDED
DOING THE LAUNDRY.

371
00:20:57,457 --> 00:21:00,026
SHE DOES,
BUT WHEN IT COMES
TO MY BEST SHIRTS,

372
00:21:00,059 --> 00:21:01,961
ONLY A PROPER
CHINESE LAUNDRY

373
00:21:01,994 --> 00:21:04,664
UNDERSTANDS
THE CORRECT WAY
TO DO THEM.

374
00:21:04,697 --> 00:21:09,636
I'M SURE MRS. WILDER
WON'T BE OFFENDED.

375
00:21:09,669 --> 00:21:11,338
[SPEAKING CHINESE]

376
00:21:21,681 --> 00:21:24,617
AH! GOOD MORNING,
GENTLEMEN.

377
00:21:24,651 --> 00:21:25,852
MAY I HELP YOU?

378
00:21:25,885 --> 00:21:27,820
[SPEAKING CHINESE]

379
00:21:29,789 --> 00:21:31,624
[SPEAKING CHINESE]

380
00:21:53,079 --> 00:21:56,649
NOW, LET'S GO AND LOOK
AT SOME DESKS, SHALL WE?

381
00:22:07,960 --> 00:22:09,962
HERE YOU GO,
MR. EDWARDS.

382
00:22:09,996 --> 00:22:13,466
THANK YOU, WILLIE.
HOW'S MARRIED LIFE
TREATING YOU?

383
00:22:13,500 --> 00:22:15,402
FINE. JUST FINE.

384
00:22:15,435 --> 00:22:17,069
IT MUST BE.
YOU STILL GOT THAT
GRIN ON YOUR FACE.

385
00:22:17,103 --> 00:22:19,038
YEAH. OH, CAN I
GET YOU SOME MORE COFFEE?

386
00:22:19,071 --> 00:22:20,573
MAYBE
RIGHT AFTERWARDS.

387
00:22:20,607 --> 00:22:21,708
ALL RIGHT.

388
00:22:25,778 --> 00:22:27,480
[BELL ON DOOR RINGS]

389
00:22:32,419 --> 00:22:34,821
AFTERNOON.

390
00:22:34,854 --> 00:22:36,756
THOUGHT YOU'D BE
GONE BY NOW.

391
00:22:36,789 --> 00:22:39,859
THE STAGE TO MINNEAPOLIS
DOESN'T LEAVE TILL FRIDAY.

392
00:22:40,960 --> 00:22:42,795
SHAME YOU HAVE
TO HANG AROUND.

393
00:22:44,897 --> 00:22:47,066
YOU'RE VERY FOND
OF THE BOY, AREN'T YOU?

394
00:22:47,099 --> 00:22:49,068
MORE THAN THAT.

395
00:22:49,101 --> 00:22:51,037
MATTHEW'S LIKE
A SON TO ME.

396
00:22:53,105 --> 00:22:55,775
LIKE A SON IS NOT THE SAME
AS BEING A SON.

397
00:22:55,808 --> 00:22:58,077
IT IS TO ME.

398
00:22:58,110 --> 00:22:59,946
AND IT IS TO MATTHEW.

399
00:22:59,979 --> 00:23:02,449
HE DOESN'T WANT
TO GO WITH YOU,
MR. ROGERS.

400
00:23:02,482 --> 00:23:04,016
WANTS TO STAY WITH ME.

401
00:23:04,050 --> 00:23:05,652
BE BETTER OFF
IF YOU HADN'T

402
00:23:05,685 --> 00:23:07,987
COME AROUND
HERE AT ALL.

403
00:23:08,020 --> 00:23:09,656
I HAD TO TRY.

404
00:23:09,689 --> 00:23:11,658
WELL, YOU DID.

405
00:23:11,691 --> 00:23:14,894
COULD I COME BY
YOUR PLACE TOMORROW?

406
00:23:17,163 --> 00:23:18,631
MR. ROGERS...

407
00:23:18,665 --> 00:23:21,468
PLEASE. IT'LL JUST BE
FOR A FEW MINUTES.

408
00:23:21,501 --> 00:23:23,002
THERE'S SOMETHING
I WANT TO GIVE MATTHEW.

409
00:23:26,473 --> 00:23:27,940
ALL RIGHT.

410
00:23:27,974 --> 00:23:29,942
THANK YOU.

411
00:23:36,182 --> 00:23:37,984
[DOOR OPENS
AND CLOSES]

412
00:23:56,869 --> 00:23:59,639
I CAN'T BELIEVE
HOW NICE THIS LOOKS.

413
00:23:59,672 --> 00:24:00,940
YEAH,
I'M ALMOST FINISHED.

414
00:24:00,973 --> 00:24:03,576
AND A FINE JOB IT IS,
MR. WILDER.

415
00:24:03,610 --> 00:24:05,211
WOULDN'T YOU SAY SO,
MRS. WILDER?

416
00:24:05,244 --> 00:24:06,979
YES.

417
00:24:07,013 --> 00:24:08,881
YOU KNOW,
MR. MONTAGUE.

418
00:24:08,915 --> 00:24:11,183
YES?

419
00:24:11,217 --> 00:24:15,087
WE WOULDN'T MIND AT ALL
IF YOU CALLED US
LAURA AND ALMANZO.

420
00:24:15,121 --> 00:24:17,156
VERY WELL.

421
00:24:17,189 --> 00:24:19,926
HOWEVER, THERE'LL BE
NO RECIPROCITY.

422
00:24:19,959 --> 00:24:21,594
I'M SIMPLY
NOT COMFORTABLE

423
00:24:21,628 --> 00:24:24,564
WITH ANYTHING OTHER
THAN MR. MONTAGUE.

424
00:24:24,597 --> 00:24:29,536
THERE...
THAT COMPLETES IT.

425
00:24:29,569 --> 00:24:31,070
IS THAT YOUR WIFE
AND SON?

426
00:24:31,103 --> 00:24:33,806
OOH, HEAVENS NO.

427
00:24:33,840 --> 00:24:37,243
ACTUALLY, I CAN'T RECALL
THE NAMES OF THE WOMAN
OR HER SON.

428
00:24:37,276 --> 00:24:41,113
THE PICTURE WAS TAKEN
ON THE FRENCH RIVIERA.

429
00:24:41,147 --> 00:24:42,515
IF YOU DON'T KNOW
WHO THEY ARE,

430
00:24:42,549 --> 00:24:44,050
WHY'D YOU
FRAME THE PICTURE?

431
00:24:44,083 --> 00:24:46,519
BECAUSE IT WAS THE ONLY
PICTURE TAKEN OF ME

432
00:24:46,553 --> 00:24:48,755
THAT DID ME JUSTICE.

433
00:24:48,788 --> 00:24:50,723
OH, I SEE.

434
00:24:52,191 --> 00:24:54,093
WELL, IT IS A WONDERFUL
PICTURE OF YOU.

435
00:24:54,126 --> 00:24:55,895
I KNOW.

436
00:24:55,928 --> 00:24:58,598
ISN'T IT TIME
YOU WERE SERVING
BREAKFAST?

437
00:24:58,631 --> 00:24:59,899
YES. UM, IT'LL
JUST TAKE A MINUTE.

438
00:24:59,932 --> 00:25:01,534
I'LL CALL YOU.

439
00:25:01,568 --> 00:25:02,735
THANK YOU.

440
00:25:06,005 --> 00:25:07,807
UH, MR. MONTAGUE,

441
00:25:07,840 --> 00:25:09,609
CAN I ASK YOU
A QUESTION?

442
00:25:09,642 --> 00:25:10,943
CERTAINLY.

443
00:25:12,645 --> 00:25:15,715
WELL, I WAS JUST
WONDERING WHY...

444
00:25:15,748 --> 00:25:19,652
[HUMMING]
OMMMMMMM.

445
00:25:19,686 --> 00:25:21,754
ASK ME WHAT?

446
00:25:21,788 --> 00:25:24,857
OMMMMMM.

447
00:25:24,891 --> 00:25:26,626
WHY YOU WERE
NEVER MARRIED.

448
00:25:26,659 --> 00:25:29,562
I NEVER HAD THE DESIRE.

449
00:25:29,596 --> 00:25:31,964
OMMMMMM.

450
00:25:31,998 --> 00:25:33,232
NO FOOLING.
YOU NEVER WANTED
ANY CHILDREN?

451
00:25:33,265 --> 00:25:35,301
MMMMM.

452
00:25:35,334 --> 00:25:37,637
I DON'T LIKE
OTHER PEOPLE'S CHILDREN.

453
00:25:37,670 --> 00:25:40,006
I SEE NO REASON WHY
I WOULD LIKE MY OWN
ANY BETTER.

454
00:25:40,039 --> 00:25:41,808
OMMMMMM.

455
00:25:41,841 --> 00:25:43,275
OH.

456
00:25:43,309 --> 00:25:45,111
WELL, I'M ALL
THROUGH HERE.

457
00:25:45,144 --> 00:25:46,779
MMMMMM.

458
00:25:46,813 --> 00:25:50,116
EXCELLENT! I COULDN'T DO
MUCH BETTER MYSELF!

459
00:25:50,149 --> 00:25:52,151
OMMMMMM.

460
00:25:52,184 --> 00:25:54,587
THANKS.

461
00:25:57,123 --> 00:25:58,958
[CONTINUES HUMMING]

462
00:26:07,700 --> 00:26:09,368
YOU KNOW,
I'M NOT SO SURE
IT WAS A GOOD IDEA

463
00:26:09,401 --> 00:26:11,337
TO TAKE MR. MONTAGUE
IN AS A BOARDER.

464
00:26:11,370 --> 00:26:13,239
WHY?

465
00:26:13,272 --> 00:26:14,674
I DON'T KNOW.
HE'S SORT OF
STRANGE.

466
00:26:14,707 --> 00:26:16,242
HE'S A WRITER.

467
00:26:16,275 --> 00:26:17,977
SO? YOU'RE A WRITER,
AND YOU'RE NOT STRANGE.

468
00:26:18,010 --> 00:26:20,379
ALMANZO, HE SEEMS
NICE ENOUGH.

469
00:26:20,412 --> 00:26:22,682
BESIDES,
I THINK HE'S FUNNY.

470
00:26:22,715 --> 00:26:25,184
FUNNY? I NEVER MET
SUCH A KNOW-IT-ALL
IN ALL MY LIFE.

471
00:26:25,217 --> 00:26:27,219
NO MATTER WHAT IT IS,
HE DOES IT BETTER.

472
00:26:27,253 --> 00:26:29,221
I TELL YOU, HE ACTS
LIKE HE'S PERFECT.

473
00:26:29,255 --> 00:26:32,224
IT IS NOT AN ACT,
ALMANZO.
I AM PERFECT.

474
00:26:32,258 --> 00:26:35,227
IT IS A CROSS
I MUST BEAR.

475
00:26:35,261 --> 00:26:38,931
BACON CRISP,
EGGS EXACTLY
2 1/2 MINUTES.

476
00:26:38,965 --> 00:26:40,900
CERTAINLY.

477
00:26:40,933 --> 00:26:42,368
[BABY CRIES]

478
00:26:45,271 --> 00:26:47,874
[TALKING BABY TALK]

479
00:26:57,349 --> 00:26:59,919
A RUDIMENTARY FORM
OF BABY TALK

480
00:26:59,952 --> 00:27:02,822
I PICKED UP
ON THE ISLAND
OF CYPRUS.

481
00:27:02,855 --> 00:27:04,791
I'LL BE
AT THE TABLE.

482
00:27:10,329 --> 00:27:12,965
MAYBE HE IS PERFECT.

483
00:27:12,999 --> 00:27:15,668
[HUMMING]

484
00:27:15,702 --> 00:27:17,737
YOU WANT THE REST?

485
00:27:21,974 --> 00:27:23,910
THERE YOU GO.

486
00:27:26,378 --> 00:27:28,748
[KNOCK ON DOOR]

487
00:27:30,349 --> 00:27:31,718
IT'S OPEN.

488
00:27:38,858 --> 00:27:41,360
I DIDN'T MEAN
TO INTERRUPT BREAKFAST.

489
00:27:43,295 --> 00:27:45,097
I GOT SOME HOT COFFEE.

490
00:27:45,131 --> 00:27:48,968
NO, THANK YOU.
I ATE AT THE RESTAURANT.

491
00:27:59,378 --> 00:28:03,182
I KNOW YOU WANT
TO STAY HERE
WITH MR. EDWARDS.

492
00:28:03,215 --> 00:28:06,418
AND I RESPECT
YOUR DECISION.

493
00:28:08,888 --> 00:28:11,423
I'LL BE LEAVING
AT THE END OF THE WEEK.

494
00:28:14,060 --> 00:28:19,065
IF YOUR MOTHER AND I
MADE A MISTAKE
IN GIVING YOU UP...

495
00:28:19,098 --> 00:28:22,401
AND I WON'T SAY
THAT MAYBE WE DIDN'T...

496
00:28:22,434 --> 00:28:26,005
WE SPENT A LOT OF YEARS
TRYING TO FIND YOU,

497
00:28:26,038 --> 00:28:28,374
GET YOU BACK.

498
00:28:28,407 --> 00:28:31,310
WE NEVER STOPPED
LOVING YOU, MATTHEW.

499
00:28:31,343 --> 00:28:33,479
NEVER ONCE.

500
00:28:33,512 --> 00:28:36,515
AND I LOVE YOU NOW.

501
00:28:36,548 --> 00:28:41,487
I--I DON'T EXPECT YOU
TO FEEL THE SAME WAY,
BUT...

502
00:28:41,520 --> 00:28:46,058
IF I COULD ONLY
LEAVE HERE KNOWING
YOU DIDN'T HATE ME,

503
00:28:46,092 --> 00:28:48,127
IT'D MEAN
A GREAT DEAL TO ME.

504
00:28:54,901 --> 00:28:57,236
HE DOESN'T HATE YOU.

505
00:28:57,269 --> 00:28:59,338
TIMES WERE HARD.
YOU DID WHAT
YOU HAD TO DO.

506
00:28:59,371 --> 00:29:01,007
HE CAN
UNDERSTAND THAT.

507
00:29:02,308 --> 00:29:04,043
THANK YOU.

508
00:29:06,512 --> 00:29:09,448
I WANT TO LEAVE YOU
SOMETHING.

509
00:29:09,481 --> 00:29:12,018
IT'S YOUR MOTHER'S BIBLE.

510
00:29:12,051 --> 00:29:14,120
SHE'D HAD IT SINCE
SHE WAS A LITTLE GIRL.

511
00:29:14,153 --> 00:29:16,755
WILL YOU ACCEPT IT?

512
00:29:26,332 --> 00:29:29,068
THEN I'LL BE GOING.

513
00:29:34,506 --> 00:29:39,278
I WON'T TRY TO SEE YOU
BEFORE I GO.

514
00:29:39,311 --> 00:29:42,048
IF YOU'RE HEADING
INTO TOWN, I'LL GIVE
YOU A RIDE.

515
00:29:48,354 --> 00:29:50,056
GOOD-BYE, MATTHEW.

516
00:30:47,679 --> 00:30:50,316
HA HA HA.

517
00:30:50,349 --> 00:30:52,651
WAIT'LL YOU SEE
WHAT I GOT.

518
00:30:52,684 --> 00:30:54,120
WE'RE GONNA HAVE US
SOME STEAK,

519
00:30:54,153 --> 00:30:55,554
WE'RE GONNA HAVE US
SOME TURNIPS HERE,

520
00:30:55,587 --> 00:30:58,490
AND FRIED TATERS.

521
00:30:58,524 --> 00:30:59,926
WHAT'S WRONG?

522
00:31:01,327 --> 00:31:02,995
WHAT DO YOU MEAN
YOU AIN'T HUNGRY?

523
00:31:03,029 --> 00:31:03,963
WHAT, ARE YOU
SICK OR SOMETHING?

524
00:31:11,203 --> 00:31:14,040
WELL, GUESS WE CAN
EAT 'EM LATER ON.

525
00:31:14,073 --> 00:31:16,142
AIN'T NO RUSH.
STILL EARLY.

526
00:31:59,218 --> 00:32:01,153
IT'S YOUR PA,
ISN'T IT?

527
00:32:08,094 --> 00:32:10,662
YOU SURE YOU JUST
FEEL SORRY FOR HIM?

528
00:32:15,001 --> 00:32:17,970
WELL, THAT'S NATURAL.

529
00:32:18,004 --> 00:32:19,438
I MEAN, AFTER ALL,
HE IS YOUR PA.

530
00:32:25,144 --> 00:32:27,046
YEAH, I KNOW.
HE DID LOOK SAD.

531
00:32:29,481 --> 00:32:31,417
LOOK, YOU WANT TO
SEE HIM AGAIN?

532
00:32:35,421 --> 00:32:37,056
YOU SURE?

533
00:32:41,560 --> 00:32:43,229
ALL RIGHT.

534
00:32:49,068 --> 00:32:50,769
SURE YOU DON'T WANT
A STEAK?

535
00:32:50,802 --> 00:32:52,171
MIGHTY GOOD.

536
00:33:42,721 --> 00:33:45,724
GOOD DAY, MADAME.

537
00:33:45,757 --> 00:33:47,826
I HAVE A LIST
OF SPICES HERE.

538
00:33:47,859 --> 00:33:50,296
I HOPE YOU CARRY
WHAT I NEED.

539
00:33:50,329 --> 00:33:51,797
[CHOKING]

540
00:33:51,830 --> 00:33:54,533
MADAME?
IS SOMETHING WRONG?

541
00:33:54,566 --> 00:33:56,768
YOU CAN'T SPEAK?

542
00:33:56,802 --> 00:33:58,504
LARYNGITIS?

543
00:34:00,806 --> 00:34:02,508
FIRST...

544
00:34:02,541 --> 00:34:04,310
WORD.

545
00:34:04,343 --> 00:34:06,578
AH, CHARADES!

546
00:34:06,612 --> 00:34:09,215
I USED TO PLAY
FOR HOURS IN BURMA.

547
00:34:09,248 --> 00:34:12,218
I...

548
00:34:12,251 --> 00:34:13,585
I FLEW.

549
00:34:13,619 --> 00:34:16,788
I--BIRD?

550
00:34:16,822 --> 00:34:19,158
A BIRD?
SOME KIND OF BIRD.

551
00:34:19,191 --> 00:34:21,860
BIRD.
IT MUST BE A VERB
FOLLOWING THE "I."

552
00:34:21,893 --> 00:34:23,429
AH! SWALLOW.

553
00:34:23,462 --> 00:34:26,365
I SWALLOW...

554
00:34:26,398 --> 00:34:29,101
I SWALLOWED A...

555
00:34:29,135 --> 00:34:31,637
SOUR BALL.

556
00:34:31,670 --> 00:34:33,472
CERTAINLY.
TURN A BIT.

557
00:34:39,311 --> 00:34:41,680
AH! ARGH!

558
00:34:41,713 --> 00:34:44,250
THANK YOU VERY MUCH.

559
00:34:44,283 --> 00:34:46,318
HOW FORTUNATE THAT
YOU HAPPENED BY JUST NOW.

560
00:34:46,352 --> 00:34:48,420
I COULD'VE
CHOKED TO DEATH!

561
00:34:48,454 --> 00:34:49,755
VERY UNLIKELY.

562
00:34:49,788 --> 00:34:51,423
IF IT SHOULD
HAPPEN AGAIN,

563
00:34:51,457 --> 00:34:53,292
A FEW SIPS OF HOT WATER
WILL DO THE TRICK.

564
00:34:53,325 --> 00:34:56,462
OH. YES, CERTAINLY.
I'LL REMEMBER THAT.

565
00:34:56,495 --> 00:34:58,730
NOW, IF YOU WILL
GET MY ORDER, PLEASE?

566
00:34:58,764 --> 00:35:01,500
OH! OH, YES.

567
00:35:01,533 --> 00:35:04,603
YES, CERTAINLY,
MR. MONTAGUE.

568
00:35:04,636 --> 00:35:05,671
MOTHER.

569
00:35:05,704 --> 00:35:07,673
OH, YES, PRECIOUS?

570
00:35:07,706 --> 00:35:10,376
THAT MISS PLUMB.
SHE GAVE ME A "C"
ON MY ESSAY.

571
00:35:10,409 --> 00:35:11,277
A "C"!

572
00:35:11,310 --> 00:35:12,511
YES.

573
00:35:12,544 --> 00:35:14,480
SHE HATES ME.

574
00:35:14,513 --> 00:35:15,281
MADAME!

575
00:35:15,314 --> 00:35:16,782
YES?

576
00:35:16,815 --> 00:35:18,317
WOULD YOU MIND
FILLING MY ORDER

577
00:35:18,350 --> 00:35:20,152
BEFORE YOU MOVE ON
TO THIS DOMESTIC MATTER?

578
00:35:20,186 --> 00:35:23,822
OH! OH, YES, OF COURSE,
MR. MONTAGUE.

579
00:35:23,855 --> 00:35:26,458
I'LL LOOK AT IT LATER,
PRECIOUS.

580
00:35:30,529 --> 00:35:33,299
YOU'RE MR. MONTAGUE,
THE FAMOUS WRITER.

581
00:35:33,332 --> 00:35:34,933
CORRECT.

582
00:35:34,966 --> 00:35:38,337
THEN YOU MUST KNOW
HOW I FEEL.

583
00:35:38,370 --> 00:35:40,339
YOU PUT YOUR HEART AND SOUL
INTO YOUR WRITING,

584
00:35:40,372 --> 00:35:42,374
AND THEN SOMEONE
TELLS YOU IT'S NO GOOD.

585
00:35:42,408 --> 00:35:44,510
I HAVE NEVER HAD
THAT EXPERIENCE.

586
00:35:44,543 --> 00:35:46,278
OH.

587
00:35:47,913 --> 00:35:49,615
WOULD YOU LOOK AT IT,
PLEASE?

588
00:35:51,350 --> 00:35:53,952
MY DEAR GIRL!

589
00:35:53,985 --> 00:35:56,722
PLEASE. IT WOULD MAKE ME
FEEL SO MUCH BETTER

590
00:35:56,755 --> 00:35:58,390
IF YOU TOLD ME
WHAT YOU THOUGHT.

591
00:36:08,467 --> 00:36:10,202
WELL?

592
00:36:10,236 --> 00:36:11,537
DRIVEL.

593
00:36:11,570 --> 00:36:12,738
WHAT?

594
00:36:12,771 --> 00:36:13,839
IT'S DRIVEL.

595
00:36:13,872 --> 00:36:15,807
YOUR MISS PLUMB
WAS VERY KIND

596
00:36:15,841 --> 00:36:17,543
IN GIVING YOU
A PASSING GRADE.

597
00:36:17,576 --> 00:36:19,445
YOU HATE ME, TOO!

598
00:36:19,478 --> 00:36:21,347
NOT YET.

599
00:36:21,380 --> 00:36:22,848
BUT I'M SURE
IF I SPEND SOME
TIME WITH YOU,

600
00:36:22,881 --> 00:36:24,550
IT COULD DEVELOP
INTO THAT.

601
00:36:25,884 --> 00:36:28,186
I'M GONNA KILL MYSELF!

602
00:36:32,524 --> 00:36:34,926
AH, HERE WE ARE.

603
00:36:34,960 --> 00:36:36,928
[DOOR SLAMS]

604
00:36:36,962 --> 00:36:39,365
WE HAD EVERYTHING
THAT WAS ON YOUR LIST.

605
00:36:39,398 --> 00:36:40,932
THANK YOU.
PUT IT ON MY BILL.

606
00:36:40,966 --> 00:36:42,901
YES, CERTAINLY.
WHERE'S NANCY?

607
00:36:42,934 --> 00:36:45,437
I BELIEVE SHE SAID
SHE WAS GOING UPSTAIRS
TO COMMIT SUICIDE.

608
00:36:45,471 --> 00:36:46,838
OH.

609
00:36:46,872 --> 00:36:48,307
GOOD DAY.

610
00:36:48,340 --> 00:36:49,608
GOOD DAY.

611
00:36:49,641 --> 00:36:51,510
SUICIDE?

612
00:36:51,543 --> 00:36:53,345
NANCY!

613
00:37:21,673 --> 00:37:23,442
[KNOCK ON DOOR]

614
00:37:23,475 --> 00:37:25,243
COME IN.

615
00:37:31,317 --> 00:37:33,285
I THOUGHT YOU WERE
THE COACH DRIVER.

616
00:37:33,319 --> 00:37:35,421
HE SAID HE'D GET ME
WHEN IT WAS TIME.

617
00:37:37,656 --> 00:37:40,492
THINK
WE SHOULD TALK.

618
00:37:40,526 --> 00:37:42,260
OF COURSE.

619
00:37:51,703 --> 00:37:54,072
I, UH...

620
00:37:54,105 --> 00:37:57,509
DIDN'T GIVE YOU
MUCH OF A CHANCE
WHEN YOU CAME HERE.

621
00:37:57,543 --> 00:37:59,811
I WAS ANGRY.

622
00:38:02,914 --> 00:38:05,851
NOT BECAUSE
OF WHAT HAPPENED.

623
00:38:05,884 --> 00:38:08,687
DEEP DOWN,
I COULD UNDERSTAND THAT.

624
00:38:12,624 --> 00:38:16,595
I WAS ANGRY...

625
00:38:16,628 --> 00:38:19,431
'CAUSE I DIDN'T WANT
TO LOSE THE BOY.
YOU KNOW?

626
00:38:19,465 --> 00:38:22,568
I LOVE HIM.

627
00:38:22,601 --> 00:38:24,503
I KNOW THAT.

628
00:38:28,807 --> 00:38:31,743
SOMETHING'S HAPPENED TO HIM
EVER SINCE YOU GAVE
HIM THAT BIBLE

629
00:38:31,777 --> 00:38:34,380
AND SAID GOOD-BYE
TO HIM.

630
00:38:34,413 --> 00:38:37,349
HE'S HURTING INSIDE.

631
00:38:39,985 --> 00:38:42,488
I THOUGHT MAYBE
HE'D GET OVER IT.
YOU KNOW?

632
00:38:45,924 --> 00:38:49,094
I GUESS...

633
00:38:49,127 --> 00:38:50,929
WHAT I'M TRYING
TO SAY IS

634
00:38:50,962 --> 00:38:53,932
THAT YOU'RE HIS PA,
YOU KNOW.

635
00:38:53,965 --> 00:38:55,901
AND HE FEELS THAT.

636
00:38:58,604 --> 00:39:01,773
AND HE'S SCARED.
HE'S CONFUSED.

637
00:39:04,676 --> 00:39:06,578
I MEAN, HE DOESN'T
WANT TO HURT ME.

638
00:39:08,847 --> 00:39:12,984
BUT I KNOW THAT
WAY DOWN DEEP
INSIDE OF HIM,

639
00:39:13,018 --> 00:39:15,987
HE LOVES YOU.

640
00:39:17,489 --> 00:39:19,791
HE LOVES YOU.

641
00:39:19,825 --> 00:39:21,993
AND HE WANTS TO
GET TO KNOW YOU.

642
00:39:24,630 --> 00:39:26,398
SO...

643
00:39:28,467 --> 00:39:31,670
WHY DON'T YOU, UH...

644
00:39:31,703 --> 00:39:34,906
COME ON OUT TO MY PLACE
AND, UH...

645
00:39:34,940 --> 00:39:37,409
TALK TO HIM?

646
00:39:43,582 --> 00:39:45,584
I'LL DRIVE YOU.

647
00:40:10,842 --> 00:40:13,011
THE BOY NEEDS
A LOT OF LOVE.

648
00:40:14,480 --> 00:40:16,582
HE'LL GET IT.

649
00:40:56,021 --> 00:40:58,624
I'LL WAIT OUT HERE.

650
00:41:54,145 --> 00:41:56,047
Laura, voice-over:
 A WEEK LATER,

651
00:41:56,081 --> 00:41:58,717
MATTHEW LEFT WALNUT GROVE 
 WITH HIS FATHER.

652
00:41:58,750 --> 00:42:02,120
MR. EDWARDS SMILED A LOT 
 SAYING GOOD-BYE,

653
00:42:02,153 --> 00:42:05,591
BUT I KNOW INSIDE 
 HIS HEART WAS BREAKING.

654
00:42:34,219 --> 00:42:37,155
WHY DON'T YOU JOIN US
FOR SUPPER TONIGHT?

655
00:42:37,188 --> 00:42:38,990
MR. MONTAGUE'S
COOKING AGAIN.

656
00:42:39,024 --> 00:42:42,127
HE'S A WONDERFUL COOK.

657
00:42:42,160 --> 00:42:44,129
I WOULDN'T WANT
TO BE INTRUDING.

658
00:42:44,162 --> 00:42:46,965
SINCE WHEN WOULD
YOU BE INTRUDING?

659
00:42:49,000 --> 00:42:51,269
NOT TONIGHT, HALF-PINT.

660
00:42:51,302 --> 00:42:53,772
I JUST WOULDN'T
BE GOOD COMPANY.
NOT TONIGHT.

661
00:42:56,007 --> 00:42:57,743
ALL RIGHT.

662
00:43:00,011 --> 00:43:01,813
BUT IF YOU
WANT TO COME BY,

663
00:43:01,847 --> 00:43:02,981
THE OFFER STILL STANDS.

664
00:43:04,315 --> 00:43:06,251
THANK YOU.

665
00:44:13,351 --> 00:44:15,887
HE FORGOT HIS SHOE.

666
00:44:19,057 --> 00:44:21,727
WHAT AM I GONNA DO
WITH THAT BOY?

667
00:44:59,164 --> 00:45:01,132
THIS SURE IS
DELICIOUS, MR. MONTAGUE.

668
00:45:01,166 --> 00:45:03,168
YES, I KNOW.

669
00:45:03,201 --> 00:45:05,904
I CONCOCTED THIS DISH
AT BUCKINGHAM PALACE

670
00:45:05,937 --> 00:45:08,473
AS A SURPRISE
FOR THE QUEEN.

671
00:45:08,506 --> 00:45:09,808
YOU'VE MET THE QUEEN?

672
00:45:09,841 --> 00:45:11,743
MM. WE'RE
QUITE CLOSE.

673
00:45:11,777 --> 00:45:14,445
SHE NAMED IT
CHICKEN MONTAGUE.

674
00:45:14,479 --> 00:45:16,214
IT IS NOW SERVED

675
00:45:16,247 --> 00:45:17,983
IN ALL THE FINEST
RESTAURANTS
IN LONDON.

676
00:45:20,218 --> 00:45:23,054
YOU DON'T CARE
FOR IT, LAURA?

677
00:45:23,088 --> 00:45:26,191
OH, YES!
IT'S WONDERFUL.

678
00:45:26,224 --> 00:45:29,527
I JUST CAN'T STOP
THINKING ABOUT MR. EDWARDS.

679
00:45:29,560 --> 00:45:32,397
HE TRIED SO HARD
NOT TO CRY TODAY.

680
00:45:32,430 --> 00:45:34,165
I WISH HE WOULD'VE
COME BY TONIGHT.

681
00:45:36,001 --> 00:45:38,203
SO DO I.

682
00:45:38,236 --> 00:45:40,839
I FEEL SO BAD EVERY TIME
I THINK ABOUT HIM

683
00:45:40,872 --> 00:45:42,473
ALL ALONE IN THAT HOUSE.

684
00:45:42,507 --> 00:45:44,976
[DOOR CLOSING]

685
00:45:51,249 --> 00:45:53,318
MR. EDWARDS.

686
00:45:53,351 --> 00:45:56,187
I'M SORRY ABOUT
BARGING IN LIKE THIS.

687
00:45:56,221 --> 00:45:58,056
WE WERE HOPING
YOU'D COME FOR SUPPER.

688
00:45:58,089 --> 00:46:00,091
WELL,
TO TELL YOU THE TRUTH,

689
00:46:00,125 --> 00:46:02,093
I COME FOR
MORE THAN SUPPER.

690
00:46:02,127 --> 00:46:03,261
WHAT?

691
00:46:03,294 --> 00:46:04,996
LISTEN, HALF-PINT,

692
00:46:05,030 --> 00:46:06,998
I'VE BEEN DOING
SOME THINKING,

693
00:46:07,032 --> 00:46:09,300
SITTING ALONE
OVER AT MY PLACE.

694
00:46:09,334 --> 00:46:13,071
WHAT WITH MATTHEW GONE,
AND...

695
00:46:13,104 --> 00:46:15,406
WELL, THE FACT IS,

696
00:46:15,440 --> 00:46:17,542
I DON'T WANT TO
BE ALONE AGAIN.

697
00:46:17,575 --> 00:46:19,878
SO IF YOU GOT
A SPACE HERE...

698
00:46:19,911 --> 00:46:22,280
YOU WANT TO LIVE HERE?

699
00:46:22,313 --> 00:46:23,781
IF IT'S ALL RIGHT.

700
00:46:26,617 --> 00:46:29,254
THAT'S WONDERFUL.

701
00:46:31,289 --> 00:46:33,925
COME. SIT DOWN
AND HAVE SOME SUPPER.

702
00:46:33,959 --> 00:46:35,994
OH, GREAT.
I TELL YOU WHAT.

703
00:46:36,027 --> 00:46:38,296
I CAN EAT A HORSE.

704
00:46:38,329 --> 00:46:39,898
JENNY, WOULD YOU
PLEASE GET A PLATE
FOR MR. EDWARDS?

705
00:46:39,931 --> 00:46:41,499
NEVER MIND, NEVER MIND.

706
00:46:41,532 --> 00:46:43,168
THIS RIGHT HERE
WILL DO JUST FINE.

707
00:46:43,201 --> 00:46:46,004
AH, A MAN AFTER
MY OWN HEART.

708
00:46:46,037 --> 00:46:47,105
Jenny:
MR. MONTAGUE
MADE THIS DISH

709
00:46:47,138 --> 00:46:48,306
FOR THE QUEEN.

710
00:46:48,339 --> 00:46:50,575
IS THAT A FACT?

711
00:46:50,608 --> 00:46:54,579
WHAT DO YOU THINK,
MR. EDWARDS?

712
00:46:54,612 --> 00:46:56,481
YOU GOT ANY KETCHUP?

713
00:46:56,514 --> 00:46:57,448
I'LL GET IT!

714
00:46:57,482 --> 00:46:59,284
KETCHUP?

715
00:46:59,317 --> 00:47:00,551
OH, AND SOME OF THEM
LITTLE SOUR PICKLES.

716
00:47:00,585 --> 00:47:02,387
YOU KNOW HOW I LOVE THEM!

717
00:47:02,420 --> 00:47:06,024
KETCHUP AND PICKLES.

718
00:47:06,057 --> 00:47:08,159
OH, YOU LIKE 'EM, TOO?

719
00:47:08,193 --> 00:47:10,962
I'LL TELL YOU SOMETHING,
MR. MON-TAY-GOO...

720
00:47:10,996 --> 00:47:12,563
MONTAGUE.

721
00:47:14,265 --> 00:47:16,034
OH, YEAH.
WELL, WHATEVER.

722
00:47:16,067 --> 00:47:18,336
YOU KNOW, I THINK YOU AND ME
GOT A LOT IN COMMON!

723
00:47:18,369 --> 00:47:21,973
I HOPE NOT.

