1 00:00:52,080 --> 00:00:54,040 {\an8}Soft guitar music 2 00:00:54,280 --> 00:01:21,960 {\an8}--- 3 00:01:22,200 --> 00:01:23,880 {\an8}Catchy guitar music 4 00:01:24,120 --> 00:02:17,760 {\an8}--- 5 00:02:18,000 --> 00:02:19,160 {\an8}*Throat clearing 6 00:02:19,400 --> 00:02:20,640 {\an8}--- 7 00:02:20,880 --> 00:02:22,920 {\an8}*-OK. So, let me introduce myself. 8 00:02:23,160 --> 00:02:24,760 {\an8}My name is Judith, 33 years old. 9 00:02:25,000 --> 00:02:26,320 {\an8}I am single. 10 00:02:26,560 --> 00:02:27,680 {\an8}I live alone. 11 00:02:28,760 --> 00:02:31,640 {\an8}I'm 1 m 64, I'm brunette. 12 00:02:32,280 --> 00:02:35,520 {\an8}Nothing exciting on that side, as you see. 13 00:02:35,760 --> 00:02:38,680 {\an8}I'm quite... quite classic, in the background. 14 00:02:38,920 --> 00:02:42,240 {\an8}A little... boring, even, we can say. 15 00:02:42,480 --> 00:02:44,920 {\an8}People often remark to me, besides. 16 00:02:45,160 --> 00:02:46,360 {\an8}There you go. 17 00:02:46,600 --> 00:02:50,520 {\an8}Otherwise, I was a pharmacist, for about four years. 18 00:02:50,760 --> 00:02:53,680 {\an8}In the Paris region. It was my first job. 19 00:02:54,520 --> 00:02:57,840 {\an8}I didn't like it. I found it painful. 20 00:02:58,080 --> 00:02:59,360 {\an8}Very painful, even. 21 00:02:59,600 --> 00:03:02,840 {\an8}I resigned, I left launched into journalism. 22 00:03:03,080 --> 00:03:06,680 {\an8}On a whim. Without thinking, I threw myself into the water. 23 00:03:06,920 --> 00:03:07,720 {\an8}Laugh 24 00:03:07,960 --> 00:03:11,840 {\an8}Obviously, I rowed quite a bit time, it wasn't easy. 25 00:03:12,080 --> 00:03:13,800 {\an8}Then the profession came to me, 26 00:03:14,040 --> 00:03:16,280 {\an8}I started writing right, left. 27 00:03:16,520 --> 00:03:18,000 {\an8}To make contacts for me. 28 00:03:18,240 --> 00:03:19,040 {\an8}There you go. 29 00:03:19,280 --> 00:03:20,400 {\an8}Today... We knock. 30 00:03:20,640 --> 00:03:21,320 {\an8}Yes? 31 00:03:21,560 --> 00:03:24,680 {\an8}We open then close the door. 32 00:03:24,920 --> 00:03:27,080 {\an8}- I spoke to his driver on the phone. 33 00:03:27,320 --> 00:03:29,840 {\an8}He'll be here in 30 minutes. - Oh, great. 34 00:03:30,080 --> 00:03:31,040 {\an8}Okay. 35 00:03:31,600 --> 00:03:33,520 {\an8}- Shall I order you something to eat? 36 00:03:33,760 --> 00:03:35,840 {\an8}- Thanks, no, it’s nice. - Okay. 37 00:03:36,680 --> 00:03:37,720 {\an8}Are you ready? 38 00:03:37,960 --> 00:03:38,840 {\an8}- It works. 39 00:03:39,080 --> 00:03:40,200 {\an8}- See you soon. 40 00:03:58,280 --> 00:04:00,280 {\an8}She sighs. 41 00:04:02,840 --> 00:04:04,640 {\an8}*Sizzling sound 42 00:04:15,840 --> 00:04:18,000 {\an8}*-Foul! *-0-30. 43 00:04:18,240 --> 00:04:19,800 {\an8}*Applause 44 00:04:20,040 --> 00:04:25,040 {\an8}*--- 45 00:04:25,280 --> 00:04:27,040 {\an8}The goat chews. 46 00:04:27,280 --> 00:04:39,680 {\an8}--- 47 00:04:39,920 --> 00:04:40,920 {\an8}We knock. 48 00:04:41,720 --> 00:04:43,040 {\an8}--- 49 00:04:43,280 --> 00:04:45,240 {\an8}*Tennis match on television 50 00:04:46,320 --> 00:04:48,040 {\an8}- He's in the elevator now. 51 00:04:48,280 --> 00:04:49,000 {\an8}- Ah. 52 00:04:49,240 --> 00:04:51,920 {\an8}- Come on, it's okay, there he arrives. Come! 53 00:04:52,480 --> 00:04:54,480 {\an8}Wait for him in the hallway. Like that. 54 00:04:54,720 --> 00:04:55,560 {\an8}- Why? 55 00:04:55,800 --> 00:04:56,800 {\an8}- Well, to welcome him. 56 00:04:57,040 --> 00:04:59,160 {\an8}- Okay. - Can you try to smile? 57 00:04:59,400 --> 00:05:01,600 {\an8}You're all tense. - Not at all, it's okay. 58 00:05:01,840 --> 00:05:03,520 {\an8}- You're tense. Take a deep breath. 59 00:05:03,760 --> 00:05:05,800 {\an8}Embarrassed laughter - Not tense, excited. 60 00:05:06,040 --> 00:05:07,880 {\an8}- Rest assured, we don't see the difference. 61 00:05:08,120 --> 00:05:08,960 {\an8}Mouse. 62 00:05:10,560 --> 00:05:11,840 {\an8}There you go, it's a little better. 63 00:05:12,080 --> 00:05:13,000 {\an8}Ding 64 00:05:13,240 --> 00:05:15,400 {\an8}The elevator opens. 65 00:05:15,640 --> 00:05:16,600 {\an8}- Is that him? 66 00:05:16,840 --> 00:05:19,040 {\an8}- They put water in the fridge? 67 00:05:19,280 --> 00:05:20,080 {\an8}- Who? 68 00:05:20,320 --> 00:05:22,640 {\an8}- He drinks a lot. Didn't the guys stop by? 69 00:05:22,880 --> 00:05:25,560 {\an8}- I don't know, I don't think so, no. - Here I am! 70 00:05:25,800 --> 00:05:27,360 {\an8}Here I am! Here I am! 71 00:05:27,760 --> 00:05:29,440 {\an8}- OK, here we go. - We're here! 72 00:05:34,560 --> 00:05:36,240 {\an8}- I'll check. Are you not moving? 73 00:05:45,840 --> 00:05:48,520 {\an8}- I have absolutely never seen of all my life 74 00:05:48,760 --> 00:05:55,120 {\an8}such a poorly designed hotel from an architectural point of view! 75 00:05:55,640 --> 00:05:57,440 {\an8}- It's a bit big, it's true. 76 00:05:57,680 --> 00:05:59,440 {\an8}- I'm sure the rooms 77 00:05:59,680 --> 00:06:02,440 {\an8}are completely uninhabited, absolutely empty. 78 00:06:02,680 --> 00:06:06,560 {\an8}What fool would want to live in this sinister place? 79 00:06:07,720 --> 00:06:08,520 {\an8}- I don't know. 80 00:06:08,760 --> 00:06:10,560 {\an8}- Nobody, absolutely nobody. 81 00:06:11,960 --> 00:06:12,920 {\an8}- It's okay, 82 00:06:13,160 --> 00:06:14,440 {\an8}the bottles are on the table. 83 00:06:14,680 --> 00:06:16,640 {\an8}- Great, thank you. - I am literally 84 00:06:16,880 --> 00:06:17,600 {\an8}thirsty. 85 00:06:17,840 --> 00:06:21,520 {\an8}You have sparkling water in abundance and available? 86 00:06:21,760 --> 00:06:24,120 {\an8}Because I hate flat waters 87 00:06:24,360 --> 00:06:26,280 {\an8}which are common and without bubbles. 88 00:06:26,520 --> 00:06:27,400 {\an8}- Oh, shit! 89 00:06:27,640 --> 00:06:28,560 {\an8}- What? 90 00:06:30,600 --> 00:06:34,120 {\an8}- I think we have what we need. - Well, I'm very thirsty. 91 00:06:34,360 --> 00:06:36,760 {\an8}And the more I walk, the thirstier I get. 92 00:06:37,400 --> 00:06:38,440 {\an8}- I understand. 93 00:06:39,440 --> 00:06:41,240 {\an8}- Cool, please. 94 00:06:42,760 --> 00:06:44,040 {\an8}As quickly as possible. 95 00:06:44,280 --> 00:06:45,280 {\an8}Thank you! 96 00:06:45,520 --> 00:06:47,360 {\an8}Thank you very much. She hangs up. 97 00:07:00,480 --> 00:07:01,440 {\an8}Little laugh 98 00:07:01,680 --> 00:07:02,360 {\an8}*Cheers 99 00:07:02,600 --> 00:07:03,480 {\an8}And there you have it. contemptuous laughter 100 00:07:03,720 --> 00:07:06,120 {\an8}What a humiliation! It's sublime. 101 00:07:07,080 --> 00:07:07,880 {\an8}Sublime!--- 102 00:07:08,600 --> 00:07:09,400 {\an8}*-15-0! 103 00:07:09,640 --> 00:07:11,240 {\an8}*Cheers 104 00:07:13,560 --> 00:07:15,400 {\an8}- They come up from Perrier, it happens. 105 00:07:16,080 --> 00:07:17,280 {\an8}- Great, thank you. 106 00:07:17,720 --> 00:07:19,760 {\an8}Sigh Do I have time to go to the toilet? 107 00:07:20,000 --> 00:07:20,800 {\an8}I can't take it anymore. 108 00:07:21,040 --> 00:07:22,960 {\an8}- Couldn't you have thought about it before? 109 00:07:23,680 --> 00:07:24,920 {\an8}Go ahead, go ahead. 110 00:07:28,440 --> 00:07:29,280 {\an8}Door 111 00:07:32,440 --> 00:07:34,000 {\an8}Flush 112 00:07:34,240 --> 00:07:37,800 {\an8}--- 113 00:07:41,520 --> 00:07:42,760 {\an8}Sigh - So tell me. 114 00:07:43,000 --> 00:07:45,480 {\an8}Do you have a rough idea 115 00:07:45,720 --> 00:07:48,240 {\an8}duration of our interview-interview? 116 00:07:48,640 --> 00:07:49,840 {\an8}- Well... - 15 minutes! 117 00:07:50,080 --> 00:07:51,280 {\an8}- 15 minutes, perfect. 118 00:07:51,520 --> 00:07:53,000 {\an8}I have a train to catch 119 00:07:53,240 --> 00:07:56,440 {\an8}and I hate being pushed around by time. 120 00:07:56,680 --> 00:07:58,760 {\an8}- No problem. (-I have to do three pages.) 121 00:07:59,480 --> 00:08:02,080 {\an8}- If he speaks for 15 minutes, It will be three pages. 122 00:08:02,320 --> 00:08:03,600 {\an8}What's the problem? - No ! 123 00:08:03,840 --> 00:08:06,560 {\an8}Philippe told me 1 hour, at least. - An hour? 124 00:08:06,800 --> 00:08:08,600 {\an8}For his little magazine? 125 00:08:08,840 --> 00:08:10,320 {\an8}He's completely dreaming. 126 00:08:10,560 --> 00:08:13,840 {\an8}It's already unexpected, 15 minutes. You don't realize! 127 00:08:14,920 --> 00:08:16,280 {\an8}- Okay. - There you go. 128 00:08:16,520 --> 00:08:17,280 {\an8}- Great. 129 00:08:17,520 --> 00:08:19,040 {\an8}It's perfect! 130 00:08:22,600 --> 00:08:23,320 {\an8}- Here. 131 00:08:23,560 --> 00:08:26,000 {\an8}- It's not me who pays, but my boss. 132 00:08:26,240 --> 00:08:27,520 {\an8}Do I still have to sign? 133 00:08:27,760 --> 00:08:29,240 {\an8}- Right here, ma'am. 134 00:08:31,760 --> 00:08:33,080 {\an8}- There you go. - Good day. 135 00:08:34,480 --> 00:08:35,800 {\an8}- OK, that's it. 136 00:08:36,040 --> 00:08:37,000 {\an8}- There we go. 137 00:08:37,240 --> 00:08:39,720 {\an8}Not a minute to lose, I'm ready! 138 00:08:39,960 --> 00:08:41,240 {\an8}Engine! 139 00:08:41,640 --> 00:08:42,960 {\an8}- I'll leave you. It'll be fine. - Yeah. 140 00:08:43,200 --> 00:08:44,520 {\an8}Sigh 141 00:08:45,680 --> 00:08:46,880 {\an8}Can I sit here? 142 00:08:47,120 --> 00:08:48,440 - {\an8}Does that suit you? - Why 143 00:08:48,680 --> 00:08:50,880 {\an8}you look at me with the air completely 144 00:08:51,120 --> 00:08:52,120 {\an8}stunned? 145 00:08:52,360 --> 00:08:52,960 {\an8}It looks like 146 00:08:53,200 --> 00:08:57,800 {\an8}a kind of small animal caught in the headlights of an automobile. 147 00:08:58,040 --> 00:09:00,000 {\an8}Do you suffer from constipation? 148 00:09:00,720 --> 00:09:01,440 {\an8}- No. 149 00:09:01,680 --> 00:09:03,720 {\an8}- Ah, that’s very good. Alright ! 150 00:09:04,320 --> 00:09:06,800 {\an8}- I'm waiting for this moment for a long time. 151 00:09:07,040 --> 00:09:09,760 {\an8}I am an admirer. I take this seriously. 152 00:09:10,000 --> 00:09:12,880 {\an8}- So, there you go. - It is an honor for me to... 153 00:09:13,120 --> 00:09:15,360 {\an8}- But are you alone? 154 00:09:17,040 --> 00:09:17,880 {\an8}- Yes, alone. 155 00:09:18,120 --> 00:09:22,680 {\an8}- But there is no cinematographic equipment? 156 00:09:22,920 --> 00:09:26,880 {\an8}How do you plan to interview Dali if there is no camera? 157 00:09:27,120 --> 00:09:29,840 {\an8}- Ah, no! Me, I work for a magazine. 158 00:09:30,080 --> 00:09:32,920 {\an8}That's my equipment. A notebook, a pen. 159 00:09:33,160 --> 00:09:34,160 {\an8}- So listen, 160 00:09:34,400 --> 00:09:37,360 {\an8}in this case, I'm not interested absolutely not at all. 161 00:09:37,600 --> 00:09:39,160 {\an8}Have a nice day. 162 00:09:39,640 --> 00:09:40,280 {\an8}Door 163 00:09:41,040 --> 00:09:43,000 {\an8}Soft guitar music 164 00:09:43,240 --> 00:09:46,200 {\an8}--- 165 00:09:46,440 --> 00:09:50,120 {\an8}*All modern painters are all included 166 00:09:50,360 --> 00:09:53,760 {\an8}*in this great decadence which characterizes our time. 167 00:09:54,000 --> 00:09:56,520 {\an8}*It may seem paradoxical when I say on one side 168 00:09:56,760 --> 00:10:00,160 {\an8}*that I am the greatest genius and that on the other, 169 00:10:00,880 --> 00:10:04,400 {\an8}*I consider that my painting is very bad. 170 00:10:04,640 --> 00:10:06,880 {\an8}*-It was said, Mr. Dali, that you are 171 00:10:07,600 --> 00:10:09,680 {\an8}*your masterpiece. What do you think? 172 00:10:09,920 --> 00:10:12,640 {\an8}*-Yes, it's true, I actually believe 173 00:10:13,320 --> 00:10:14,400 {\an8}*that things 174 00:10:14,640 --> 00:10:18,160 {\an8}the most interesting of everything Dali does, 175 00:10:18,400 --> 00:10:21,040 {\an8}this is Dali's personality. 176 00:10:21,280 --> 00:10:23,840 {\an8}That's why Dali character is very superior 177 00:10:24,080 --> 00:10:27,400 {\an8}to Dali the philosopher, Dali metaphysician, Dali painter. 178 00:10:27,640 --> 00:10:29,160 {\an8}It's fair to say that. 179 00:10:29,400 --> 00:10:30,720 {\an8}- Exactly, help us 180 00:10:30,960 --> 00:10:34,520 {\an8}to take stock between the appearance of the character Dali, 181 00:10:34,760 --> 00:10:35,640 {\an8}who is eccentric, 182 00:10:35,880 --> 00:10:38,440 {\an8}and what is there really behind him. 183 00:10:38,680 --> 00:10:42,640 {\an8}- Oh, no. I believe that it is more accurate to say 184 00:10:42,880 --> 00:10:46,440 {\an8}that I am a great eccentric. 185 00:10:46,680 --> 00:10:50,800 {\an8}At the same time, I am concentric, that's why I'm an anarchist 186 00:10:51,040 --> 00:10:53,120 {\an8}and monarchist at the same time. - All right. 187 00:10:53,360 --> 00:10:55,040 {\an8}--- 188 00:10:55,280 --> 00:10:58,600 {\an8}Salvador, you can talk to us of the painting behind you? 189 00:10:58,840 --> 00:11:01,200 {\an8}You just finished it. 190 00:11:01,440 --> 00:11:02,400 {\an8}Tell us a little. 191 00:11:02,640 --> 00:11:04,120 {\an8}- So, uh... 192 00:11:04,600 --> 00:11:07,520 {\an8}The painting represents... 193 00:11:08,120 --> 00:11:12,880 {\an8}an infinitesimally small part of Dali's personality. 194 00:11:13,120 --> 00:11:14,280 {\an8}Um... 195 00:11:14,520 --> 00:11:18,160 {\an8}Among other things, I consider that I make paintings, 196 00:11:18,400 --> 00:11:20,200 {\an8}as I said, quite mediocre, 197 00:11:20,440 --> 00:11:22,800 {\an8}which still allow me 198 00:11:23,760 --> 00:11:26,560 {\an8}to express a little piece 199 00:11:27,440 --> 00:11:28,520 {\an8}by Dali. 200 00:11:28,760 --> 00:11:31,040 {\an8}Catchy guitar music 201 00:11:31,280 --> 00:11:43,200 {\an8}--- 202 00:11:43,440 --> 00:11:44,800 {\an8}- Can we take a break? 203 00:11:45,040 --> 00:11:46,400 {\an8}- Oh, forget it. - Master ! 204 00:11:46,640 --> 00:11:47,560 {\an8}--- 205 00:11:47,800 --> 00:11:50,080 {\an8}Sorry, but it’s hellish 206 00:11:50,320 --> 00:11:53,920 {\an8}to keep that thing in your mouth. I'm starting to get tired, actually. 207 00:11:54,160 --> 00:11:55,640 - {\an8}I want a break. - Replace 208 00:11:55,880 --> 00:11:57,160 {\an8}the rag! 209 00:11:57,400 --> 00:11:58,480 {\an8}--- 210 00:11:58,720 --> 00:11:59,920 {\an8}In the mouth! 211 00:12:00,320 --> 00:12:10,120 {\an8}--- 212 00:12:10,360 --> 00:12:12,080 {\an8}- A call for you, Salvador. 213 00:12:12,320 --> 00:12:13,160 {\an8}--- 214 00:12:13,400 --> 00:12:14,440 {\an8}- Yes. 215 00:12:15,560 --> 00:12:18,320 {\an8}- Sorry, phone cord was not long enough 216 00:12:18,560 --> 00:12:20,360 {\an8}so I can bring it plugged in. 217 00:12:20,960 --> 00:12:22,640 {\an8}You must follow me until the catch. 218 00:12:22,880 --> 00:12:23,480 {\an8}- Yes. 219 00:12:23,720 --> 00:12:26,120 {\an8}- So I can plug it back in. - Come on. 220 00:12:26,600 --> 00:12:27,280 {\an8}Pause 221 00:12:27,760 --> 00:12:29,040 {\an8}for everyone. 222 00:12:31,200 --> 00:12:32,880 {\an8}- Oh, damn, what hell! 223 00:12:33,120 --> 00:12:34,240 {\an8}- Are you feeling bad? 224 00:12:34,480 --> 00:12:36,840 {\an8}You're crazy to disturb him! Do you know who it is? 225 00:12:37,400 --> 00:12:38,640 {\an8}- Thanks for the support. - Oh ! 226 00:12:38,880 --> 00:12:40,720 {\an8}- Great solidarity, very nice! 227 00:12:40,960 --> 00:12:44,440 {\an8}I will remember it. And yes, I know who it is, let me go! 228 00:12:44,680 --> 00:12:48,120 {\an8}- Hey! It's not over, this mess? 229 00:13:51,080 --> 00:13:52,120 {\an8}Ding 230 00:13:53,520 --> 00:13:54,720 {\an8}- Hello, yes? 231 00:13:54,960 --> 00:13:58,440 {\an8}*-Hello, Salvador, It's Judith Rochant on the phone. 232 00:13:58,680 --> 00:14:00,960 {\an8}-"I say"? What is this? 233 00:14:01,200 --> 00:14:02,120 {\an8}*-No, Judith. 234 00:14:02,360 --> 00:14:03,680 {\an8}That's my first name. 235 00:14:04,040 --> 00:14:06,360 {\an8}We met in a hotel, I am a journalist. 236 00:14:06,600 --> 00:14:07,240 {\an8}*-Ah, yes! 237 00:14:07,480 --> 00:14:11,520 {\an8}The room in this vile and sinister hotel, I remember. 238 00:14:11,760 --> 00:14:13,280 {\an8}What the hell do you want from me? 239 00:14:13,800 --> 00:14:16,320 {\an8}- Do you have a minute? I don't bother you? 240 00:14:16,560 --> 00:14:17,320 {\an8}*-You know, 241 00:14:17,560 --> 00:14:22,120 {\an8}artists of my stature are still absolutely disturbed 242 00:14:22,360 --> 00:14:24,240 {\an8}by completely normal people. 243 00:14:24,480 --> 00:14:25,440 {\an8}But tell me. 244 00:14:25,680 --> 00:14:27,600 {\an8}- OK, I'll be quick, then. 245 00:14:27,840 --> 00:14:31,360 {\an8}I want to share with you a good news for you. 246 00:14:31,600 --> 00:14:34,360 {\an8}There I found it a production company 247 00:14:35,080 --> 00:14:37,880 {\an8}very serious and very famous in France, 248 00:14:38,120 --> 00:14:39,120 {\an8}who likes your work 249 00:14:39,360 --> 00:14:42,000 {\an8}as much as me and who accepts to finance my portrait. 250 00:14:42,240 --> 00:14:43,240 {\an8}*-Hmm. 251 00:14:43,480 --> 00:14:44,720 {\an8}*Your portrait? 252 00:14:44,960 --> 00:14:47,400 {\an8}- Yours. The one I want to do. 253 00:14:47,640 --> 00:14:50,640 {\an8}I say my portrait, but it's yours, of course. 254 00:14:50,880 --> 00:14:54,080 {\an8}- The portrait of me, then. *-That’s it, yes. A filmed portrait. 255 00:14:54,320 --> 00:14:56,480 {\an8}- From me, Dali! *-Exactly. 256 00:14:56,720 --> 00:14:58,640 {\an8}And then, the fabulous news, 257 00:14:58,880 --> 00:15:02,440 {\an8}is that they would like more just a stupid interview. 258 00:15:03,000 --> 00:15:05,160 {\an8}Um, actually, now, 259 00:15:05,400 --> 00:15:07,360 {\an8}if I understand the producer correctly, 260 00:15:07,800 --> 00:15:10,280 {\an8}*uh, we're talking straight to make one... 261 00:15:10,520 --> 00:15:12,800 {\an8}a real longer film. 262 00:15:13,040 --> 00:15:15,800 {\an8}Maybe even for a trip to the cinema. 263 00:15:16,040 --> 00:15:17,360 {\an8}It seems to me. (-Yes.) 264 00:15:17,600 --> 00:15:19,360 {\an8}- Yes, the producer confirms. 265 00:15:19,920 --> 00:15:21,640 {\an8}*What do you say? 266 00:15:22,080 --> 00:15:23,000 {\an8}- I... 267 00:15:23,760 --> 00:15:26,320 {\an8}Soft guitar music Sweet Jesus! 268 00:15:26,560 --> 00:15:27,960 {\an8}--- 269 00:15:28,200 --> 00:15:29,040 {\an8}Don't quit 270 00:15:29,280 --> 00:15:31,240 {\an8}*for a short while, don't leave! 271 00:15:31,480 --> 00:15:32,080 {\an8}- Ah. 272 00:15:32,320 --> 00:15:37,120 {\an8}--- 273 00:15:37,360 --> 00:15:40,160 {\an8}- Is it me, that old gentleman outside? 274 00:15:41,040 --> 00:15:42,520 {\an8}- Sorry? - There ! 275 00:15:43,280 --> 00:15:44,960 {\an8}It's me, but older. 276 00:15:45,200 --> 00:15:49,240 {\an8}--- 277 00:15:49,480 --> 00:15:50,560 {\an8}How old am I? 278 00:15:50,800 --> 00:15:52,440 {\an8}- I don't know, Salvador. 279 00:15:52,960 --> 00:15:55,120 {\an8}(-You don't know.) - No. 280 00:15:55,360 --> 00:15:57,200 {\an8}--- 281 00:15:57,440 --> 00:15:58,160 {\an8}- Here then. 282 00:15:58,400 --> 00:15:59,480 {\an8}--- 283 00:15:59,720 --> 00:16:00,480 {\an8}Okay. 284 00:16:00,720 --> 00:16:05,360 {\an8}Excuse me, I just had a divinely mystical absence 285 00:16:05,600 --> 00:16:08,000 {\an8}*quite disturbing, but I am again 286 00:16:08,240 --> 00:16:11,920 {\an8}with you. You were talking about doing a film about Dali. Continue. 287 00:16:12,440 --> 00:16:13,480 {\an8}- Well, that's it. 288 00:16:13,720 --> 00:16:16,480 {\an8}I officially request a second chance. 289 00:16:16,720 --> 00:16:18,960 {\an8}I would like make this portrait of yourself. 290 00:16:19,200 --> 00:16:22,000 {\an8}With a team and a camera, of course, 291 00:16:22,240 --> 00:16:25,360 {\an8}in better conditions and for a longer format. 292 00:16:25,920 --> 00:16:26,840 {\an8}- Mmh. 293 00:16:27,080 --> 00:16:30,320 {\an8}Are you talking a common video camera 294 00:16:30,560 --> 00:16:33,200 {\an8}totally banal and boring? 295 00:16:33,440 --> 00:16:37,960 {\an8}Or, a gigantic and very bulky camera 296 00:16:38,200 --> 00:16:41,240 {\an8}as used by cinema professionals? 297 00:16:41,840 --> 00:16:42,800 {\an8}*-Tell me. - Movie theater. 298 00:16:43,400 --> 00:16:44,120 {\an8}Of course. 299 00:16:44,360 --> 00:16:46,880 {\an8}- Yes, a cinema camera. *-All right. 300 00:16:47,400 --> 00:16:48,760 {\an8}Huge? 301 00:16:49,160 --> 00:16:50,840 {\an8}Or gigantic? 302 00:16:51,080 --> 00:16:52,080 {\an8}*The camera. 303 00:16:52,320 --> 00:16:53,920 {\an8}- Very big, the biggest. 304 00:16:54,160 --> 00:16:55,160 {\an8}- Very big. 305 00:16:55,400 --> 00:16:58,320 {\an8}The biggest that exists on the market, Mr. Dali. 306 00:16:58,560 --> 00:17:00,640 {\an8}The biggest camera in the world. 307 00:17:00,880 --> 00:17:01,480 {\an8}*-I like it. 308 00:17:01,720 --> 00:17:03,760 {\an8}I like it, I like it. I like it. 309 00:17:04,000 --> 00:17:05,920 {\an8}In this case, I accept. 310 00:17:06,160 --> 00:17:08,720 {\an8}Your date will be mine. See you soon. 311 00:17:08,960 --> 00:17:10,680 {\an8}--- 312 00:17:10,920 --> 00:17:13,040 {\an8}- The cow! - Well, there you go. 313 00:17:13,880 --> 00:17:27,840 {\an8}--- 314 00:17:28,080 --> 00:17:30,000 {\an8}Shots 315 00:17:30,240 --> 00:17:32,960 {\an8}------ 316 00:17:33,200 --> 00:17:33,880 {\an8}- Ah, Georges! 317 00:17:35,280 --> 00:17:36,000 {\an8}- Hello! 318 00:17:36,240 --> 00:17:39,320 {\an8}- Yes, yes. George, you haven't seen an old Dali 319 00:17:39,560 --> 00:17:42,240 {\an8}in a wheelchair walk around the property? 320 00:17:42,480 --> 00:17:43,440 {\an8}--- 321 00:17:43,680 --> 00:17:44,720 {\an8}- An old you? 322 00:17:44,960 --> 00:17:47,480 {\an8}- Very old, very ugly. In a wheelchair. 323 00:17:47,720 --> 00:17:48,320 {\an8}- No, no. 324 00:17:48,920 --> 00:17:49,600 {\an8}- Are you 325 00:17:49,840 --> 00:17:51,320 {\an8}sure? - I saw no one, 326 00:17:51,560 --> 00:17:52,600 {\an8}I promise you. 327 00:17:53,520 --> 00:17:54,400 {\an8}- Okay. 328 00:17:55,440 --> 00:17:57,240 {\an8}A hallucination. It's likely. 329 00:17:58,520 --> 00:17:59,160 {\an8}See you later. 330 00:17:59,400 --> 00:18:01,720 {\an8}- Ah, while I think about it, you don't have 331 00:18:01,960 --> 00:18:02,960 {\an8}forgot our dinner? 332 00:18:03,520 --> 00:18:04,520 {\an8}- Of course it is. 333 00:18:04,760 --> 00:18:07,320 {\an8}Laugh - Let me remind you. 334 00:18:07,560 --> 00:18:09,680 {\an8}In 16 days, at my house, at 8:30 p.m. 335 00:18:09,920 --> 00:18:13,240 {\an8}- Remind me later, I'm already forgetting it again. 336 00:18:13,480 --> 00:18:14,520 {\an8}- Count on me! 337 00:18:14,760 --> 00:18:24,720 {\an8}--- 338 00:18:25,520 --> 00:18:26,640 {\an8}- It's yours. 339 00:18:26,880 --> 00:18:31,360 {\an8}--- 340 00:18:31,600 --> 00:18:32,520 {\an8}Laugh 341 00:18:33,000 --> 00:18:35,320 {\an8}Actually, you don't know how to play. - That's it! 342 00:18:35,560 --> 00:18:37,760 {\an8}You want to destabilize me. - No, you don't know how to play. 343 00:18:38,000 --> 00:18:38,920 {\an8}- Yes, I know. - No. 344 00:18:39,400 --> 00:18:40,400 {\an8}- End of break, 345 00:18:40,640 --> 00:18:41,400 {\an8}let's get back in place! 346 00:18:41,640 --> 00:19:08,440 {\an8}--- 347 00:19:08,680 --> 00:19:09,840 {\an8}- Salvador! 348 00:19:10,080 --> 00:19:15,000 {\an8}--- 349 00:19:15,240 --> 00:19:16,880 {\an8}Mr Salvador! 350 00:19:17,120 --> 00:19:20,000 {\an8}--- 351 00:19:20,240 --> 00:19:21,240 {\an8}It's time. 352 00:19:22,080 --> 00:19:23,840 {\an8}- I'm ready. You see it clearly. 353 00:19:25,600 --> 00:19:29,240 {\an8}It's me who's waiting for you, stupid. Set up the ladder! 354 00:19:31,680 --> 00:19:32,720 {\an8}Galouchka, see you later. 355 00:20:20,040 --> 00:20:21,960 {\an8}A car is approaching. 356 00:20:27,760 --> 00:20:33,080 {\an8}--- 357 00:20:34,240 --> 00:20:36,320 {\an8}- We're going to have trouble in the sand. 358 00:20:36,560 --> 00:20:39,560 {\an8}- Anything. It's the same car as John Lennon. 359 00:20:39,800 --> 00:20:42,400 {\an8}She is absolutely perfect. Advance ! 360 00:20:45,960 --> 00:20:47,880 {\an8}- It's slipping, it's too heavy. 361 00:20:48,600 --> 00:20:49,720 {\an8}- You don't know how to drive. 362 00:20:49,960 --> 00:20:51,520 {\an8}Forget it. Come on, get out! 363 00:20:56,880 --> 00:20:58,040 {\an8}There you go. 364 00:20:58,280 --> 00:20:58,920 {\an8}- Hello! 365 00:20:59,160 --> 00:21:00,320 {\an8}- Ah, the Frenchwoman! 366 00:21:00,560 --> 00:21:04,680 {\an8}You come at just the right time, you will make yourself quite useful. 367 00:21:04,920 --> 00:21:07,040 {\an8}By pushing the car with this incompetent. 368 00:21:07,280 --> 00:21:09,640 {\an8}From the rear, of course. 369 00:21:09,880 --> 00:21:11,600 {\an8}There you go. - We're sitting right there. 370 00:21:11,840 --> 00:21:14,840 {\an8}You could leave it here. - No, Dali decided 371 00:21:15,080 --> 00:21:19,320 {\an8}to go to the end while rolling in this aristocratic car. 372 00:21:19,560 --> 00:21:20,160 {\an8}Push. 373 00:21:21,640 --> 00:21:22,760 {\an8}Push! 374 00:21:23,200 --> 00:21:24,120 {\an8}There you go. 375 00:21:24,360 --> 00:21:25,760 {\an8}Again. Push. PUSH ! 376 00:21:26,000 --> 00:21:27,600 {\an8}Acceleration 377 00:21:27,840 --> 00:21:30,440 {\an8}--- 378 00:21:30,680 --> 00:21:31,520 {\an8}There you go! 379 00:21:31,760 --> 00:21:32,800 {\an8}There you go. 380 00:21:33,040 --> 00:21:34,920 {\an8}You see it works, stupid! 381 00:21:35,320 --> 00:21:36,040 {\an8}- Stop! - Stop! 382 00:21:36,280 --> 00:21:37,520 {\an8}Stop! 383 00:21:37,760 --> 00:21:38,800 {\an8}Oh, there, there! 384 00:21:41,480 --> 00:21:43,000 {\an8}Soft guitar music 385 00:21:43,240 --> 00:21:44,400 {\an8}*-Very often, in the street, 386 00:21:44,640 --> 00:21:47,800 {\an8}*the children are coming ask me for autographs. 387 00:21:48,040 --> 00:21:51,320 {\an8}*They think I am a singer or an actor. 388 00:21:51,560 --> 00:21:54,640 {\an8}*Children, especially the little ones, 389 00:21:54,880 --> 00:21:57,640 {\an8}*I truly hate them. 390 00:21:57,880 --> 00:22:00,880 {\an8}There is one thing which I hate even more, 391 00:22:01,120 --> 00:22:03,680 {\an8}these are the children's drawings. I can't stand it! 392 00:22:03,920 --> 00:22:05,240 {\an8}I hate children 393 00:22:05,480 --> 00:22:07,000 {\an8}and their damned drawings. 394 00:22:07,240 --> 00:22:09,280 {\an8}--- 395 00:22:09,520 --> 00:22:10,520 {\an8}What are you doing, 396 00:22:10,760 --> 00:22:12,680 {\an8}with the little pen? - Pardon ? 397 00:22:12,920 --> 00:22:15,840 {\an8}- You say you do a big portrait of me 398 00:22:16,080 --> 00:22:19,400 {\an8}with a camera cinematically colossal 399 00:22:19,640 --> 00:22:22,240 {\an8}and you write on a tiny little notebook. 400 00:22:22,480 --> 00:22:23,480 {\an8}- That is to say... 401 00:22:23,720 --> 00:22:25,080 {\an8}- You didn't film anything? 402 00:22:25,320 --> 00:22:26,880 {\an8}- No, boys repair the camera 403 00:22:27,120 --> 00:22:28,800 {\an8}that you dropped by accident. 404 00:22:29,560 --> 00:22:31,640 {\an8}It's not a problem, because my notes 405 00:22:31,880 --> 00:22:34,040 {\an8}in this notebook will be used for the film. 406 00:22:34,280 --> 00:22:35,480 {\an8}It won't be lost. 407 00:22:35,720 --> 00:22:38,200 {\an8}- I refuse to continue if I'm not filmed. 408 00:22:38,440 --> 00:22:40,440 {\an8}- What? - This is unacceptable! 409 00:22:40,680 --> 00:22:43,840 {\an8}This is the 2nd time that you are wasting my time. 410 00:22:44,080 --> 00:22:44,960 {\an8}- It's a shame. 411 00:22:45,800 --> 00:22:46,760 {\an8}It's your fault! 412 00:22:47,000 --> 00:22:48,160 {\an8}-Pablo! 413 00:22:49,320 --> 00:22:50,680 {\an8}Pablo! 414 00:22:51,400 --> 00:22:52,160 {\an8}- There you go! 415 00:22:53,120 --> 00:22:54,240 {\an8}- Let's go! 416 00:22:54,480 --> 00:23:00,880 {\an8}--- 417 00:23:01,120 --> 00:23:01,920 {\an8}Pablo! 418 00:23:02,160 --> 00:23:02,960 {\an8}- There you go. 419 00:23:03,200 --> 00:23:19,560 {\an8}--- 420 00:23:19,800 --> 00:23:21,880 {\an8}Soft music on muffled guitar 421 00:23:22,120 --> 00:23:23,200 {\an8}- Mmh. 422 00:23:23,880 --> 00:23:25,040 {\an8}Okay. 423 00:23:25,280 --> 00:23:31,280 {\an8}--- 424 00:23:31,520 --> 00:23:32,560 {\an8}Is that all? 425 00:23:33,200 --> 00:23:34,560 {\an8}- I barely had 10 minutes. 426 00:23:34,800 --> 00:23:37,320 {\an8}- Oh, look, it's not so bad, hey! 427 00:23:37,560 --> 00:23:39,840 {\an8}There are already some things very interesting. 428 00:23:40,080 --> 00:23:41,200 {\an8}- It's frustrating. 429 00:23:41,440 --> 00:23:45,240 {\an8}- It is certain that without an image, It’s not yet a film, necessarily. 430 00:23:45,480 --> 00:23:47,360 {\an8}It was the first day, it's okay. 431 00:23:47,600 --> 00:23:51,080 {\an8}And the camera is just junk. It happens all the time. 432 00:23:51,320 --> 00:23:54,240 {\an8}I have good insurance, there's no problem. 433 00:23:54,480 --> 00:23:55,880 {\an8}- Okay. - There you go. 434 00:23:56,120 --> 00:23:57,200 {\an8}- Thank you. 435 00:23:57,960 --> 00:23:59,200 {\an8}- Enjoy your meal. - THANKS. 436 00:23:59,440 --> 00:24:03,240 {\an8}- I'm afraid he'll screw us over. He left super angry. 437 00:24:03,480 --> 00:24:05,480 {\an8}- Exactly, I thought about all that. 438 00:24:05,720 --> 00:24:08,720 {\an8}And I think you need a bigger team. 439 00:24:09,160 --> 00:24:11,560 {\an8}To better manage stupid unexpected events. 440 00:24:11,800 --> 00:24:15,000 {\an8}And to show the guy that it is a solid project. 441 00:24:15,240 --> 00:24:17,360 {\an8}Don't let him take us for losers. 442 00:24:17,800 --> 00:24:19,840 {\an8}- But who would there be more? 443 00:24:20,080 --> 00:24:23,120 {\an8}- A makeup artist, already. To take care of him. 444 00:24:23,360 --> 00:24:25,200 {\an8}Let him feel pampered, supported. 445 00:24:25,440 --> 00:24:28,600 {\an8}I should have said it, stars love getting their ass wiped. 446 00:24:28,840 --> 00:24:29,520 {\an8}There you go. 447 00:24:29,760 --> 00:24:30,600 {\an8}- Ah, okay. 448 00:24:30,840 --> 00:24:32,680 {\an8}- I know a great makeup artist. 449 00:24:33,440 --> 00:24:35,520 {\an8}And available. In short, It's easy, it's nothing. 450 00:24:35,760 --> 00:24:37,760 {\an8}Afterwards, we will install a 2nd camera. 451 00:24:38,560 --> 00:24:40,560 {\an8}You see, that, This will impress him. 452 00:24:41,160 --> 00:24:44,760 {\an8}And if he breaks one, you can continue filming it. 453 00:24:45,000 --> 00:24:46,440 {\an8}You see, I thought about all that. 454 00:24:46,680 --> 00:24:50,240 {\an8}You need lots of assistants, who run, who move. 455 00:24:50,480 --> 00:24:53,640 {\an8}Like on big films. They blow the wind, it looks professional. 456 00:24:53,880 --> 00:24:56,080 {\an8}You see? Well, yes. - But it's not okay 457 00:24:56,320 --> 00:24:58,760 {\an8}increase the budget too much? - It doesn't matter, I manage. 458 00:24:59,000 --> 00:25:00,440 {\an8}Forget it. Take care. 459 00:25:00,680 --> 00:25:03,120 {\an8}It's nothing at all, money in this business. 460 00:25:03,560 --> 00:25:06,280 {\an8}- I don't realize. - I do, forget it. 461 00:25:06,520 --> 00:25:09,040 {\an8}And then, the last point very important, 462 00:25:09,440 --> 00:25:10,480 {\an8}it's you. 463 00:25:12,320 --> 00:25:14,280 {\an8}- Me? - I don't know how to tell you that 464 00:25:14,520 --> 00:25:17,960 {\an8}without getting offended or anything, but hey, in my opinion, 465 00:25:18,440 --> 00:25:20,760 {\an8}take it quite well, but in my opinion, 466 00:25:21,360 --> 00:25:22,440 {\an8}if you just do 467 00:25:22,680 --> 00:25:25,280 {\an8}a little effort, I think that will oblige him 468 00:25:25,520 --> 00:25:26,720 {\an8}to respect you a little. 469 00:25:26,960 --> 00:25:29,760 {\an8}To take you more seriously, in a certain way. 470 00:25:30,000 --> 00:25:31,440 {\an8}- An effort of ? 471 00:25:31,680 --> 00:25:32,760 {\an8}- You're super cute. 472 00:25:33,000 --> 00:25:36,160 {\an8}It's a shame, we have the impression that you make on purpose 473 00:25:36,400 --> 00:25:37,920 {\an8}not to show off. 474 00:25:38,160 --> 00:25:40,320 {\an8}- Ah, I have to get dressed differently? 475 00:25:40,560 --> 00:25:42,800 {\an8}- Yeah, but not only that. 476 00:25:43,040 --> 00:25:46,040 {\an8}You should make arrangements to be attractive. 477 00:25:46,280 --> 00:25:50,200 {\an8}If he likes you, the guy will give more stuff on camera. 478 00:25:50,440 --> 00:25:51,520 {\an8}Communicating vessels. 479 00:25:52,280 --> 00:25:53,120 {\an8}- Oh good? 480 00:25:53,360 --> 00:25:54,000 {\an8}- But yes! 481 00:25:54,240 --> 00:25:56,680 {\an8}You have to please, It’s important in this business. 482 00:25:56,920 --> 00:25:59,880 {\an8}Even me, this evening, if you were a little sexier, 483 00:26:00,120 --> 00:26:02,120 {\an8}I would put more money in your film. 484 00:26:02,360 --> 00:26:03,760 {\an8}Do you understand what I'm saying? 485 00:26:04,760 --> 00:26:07,000 {\an8}- I don't know if I'm capable. 486 00:26:07,640 --> 00:26:09,960 {\an8}- If you don't have anything pretty in your closet, 487 00:26:10,200 --> 00:26:12,760 {\an8}we can buy things and pass everything on 488 00:26:13,000 --> 00:26:14,240 {\an8}in expense reports. 489 00:26:14,480 --> 00:26:16,760 {\an8}It's not a problem, we do it all the time. 490 00:26:17,000 --> 00:26:20,120 {\an8}Same for the hairdresser. - Do I have to do my hair, too? 491 00:26:20,360 --> 00:26:22,840 {\an8}- Take it well. - No, but I don't know. 492 00:26:23,080 --> 00:26:26,200 {\an8}I... I don't look at myself, it's not my thing. 493 00:26:27,080 --> 00:26:29,960 {\an8}- Same, I reassure you. That gives us something in common. 494 00:26:30,200 --> 00:26:33,000 {\an8}I really want to puke when I see myself. 495 00:26:33,240 --> 00:26:37,000 {\an8}--- 496 00:26:37,240 --> 00:26:38,280 {\an8}Go ahead, eat. 497 00:26:56,200 --> 00:26:57,400 {\an8}- Obviously. 498 00:26:57,840 --> 00:26:58,760 {\an8}Obviously. 499 00:26:59,000 --> 00:27:00,400 {\an8}- What is could you do? 500 00:27:00,640 --> 00:27:01,960 {\an8}- Obviously. 501 00:27:02,480 --> 00:27:03,960 {\an8}But obviously. 502 00:27:15,360 --> 00:27:16,120 {\an8}Serve me, 503 00:27:16,360 --> 00:27:17,400 {\an8}my little one. 504 00:27:21,640 --> 00:27:22,920 {\an8}- Please. 505 00:27:23,840 --> 00:27:24,880 {\an8}Madam? 506 00:27:37,560 --> 00:27:39,520 {\an8}- But what is it? 507 00:27:39,760 --> 00:27:41,320 {\an8}- I mixed ingredients 508 00:27:41,560 --> 00:27:42,320 {\an8}randomly. 509 00:27:42,560 --> 00:27:43,640 {\an8}- Magnificent! 510 00:27:44,040 --> 00:27:45,440 {\an8}Magnificent! 511 00:27:45,920 --> 00:27:49,680 {\an8}- You could hire me to work for you, Mr. Dali. 512 00:27:49,920 --> 00:27:52,080 {\an8}Here I am mistreated and underpaid. 513 00:27:52,320 --> 00:27:54,760 {\an8}- Leave us alone, Anita. - Sorry, boss. 514 00:27:57,640 --> 00:27:59,160 {\an8}- Ah, Salvador. 515 00:27:59,680 --> 00:28:01,440 {\an8}We're delighted to have you this evening. 516 00:28:01,960 --> 00:28:05,320 {\an8}Thank you for accepting the invitation. - The pleasure is mine. 517 00:28:05,560 --> 00:28:08,640 {\an8}I love eating for free. Can we start? 518 00:28:08,880 --> 00:28:10,080 {\an8}- Not quite. 519 00:28:10,320 --> 00:28:13,520 {\an8}I would like Father Jacques tells you an astonishing dream. 520 00:28:13,760 --> 00:28:15,720 {\an8}You will love it. Who knows? 521 00:28:15,960 --> 00:28:17,640 {\an8}It could inspire you with a masterpiece. 522 00:28:18,680 --> 00:28:19,960 {\an8}- Or maybe not. 523 00:28:20,200 --> 00:28:21,280 {\an8}- Or maybe. 524 00:28:21,520 --> 00:28:22,760 {\an8}- Or maybe not. 525 00:28:24,000 --> 00:28:25,040 {\an8}- Or maybe. 526 00:28:25,280 --> 00:28:26,920 {\an8}- Or maybe not. 527 00:28:28,360 --> 00:28:30,760 {\an8}Do you believe sincerely that Dali 528 00:28:31,000 --> 00:28:33,360 {\an8}needs that someone other than him 529 00:28:33,600 --> 00:28:35,080 {\an8}imagine in his place? 530 00:28:35,320 --> 00:28:35,920 {\an8}- I insist. 531 00:28:36,160 --> 00:28:39,360 {\an8}You will not be disappointed. Father, we are listening to you. 532 00:28:39,720 --> 00:28:43,680 {\an8}- I believe that Mr. Dali is not really interested in my dream. 533 00:28:43,920 --> 00:28:45,280 {\an8}- Yes, he is. Go for it. 534 00:28:45,520 --> 00:28:46,120 {\an8}- Go ahead, 535 00:28:46,360 --> 00:28:48,680 {\an8}I'm listening to you. Quick, I'm starving. 536 00:28:48,920 --> 00:28:50,160 {\an8}- So, I'll be quick. 537 00:28:50,400 --> 00:28:54,280 {\an8}This dream is a dream very special, you will see. 538 00:28:54,520 --> 00:28:57,720 {\an8}Otherwise, I would not allow myself to bother you with this. 539 00:28:57,960 --> 00:28:58,960 {\an8}- Very special. 540 00:28:59,200 --> 00:28:59,960 {\an8}And exciting. 541 00:29:00,200 --> 00:29:00,960 {\an8}Go ahead. 542 00:29:01,200 --> 00:29:01,800 {\an8}- There you go. 543 00:29:02,200 --> 00:29:03,800 {\an8}It starts in hell. 544 00:29:05,800 --> 00:29:07,240 {\an8}- In hell? 545 00:29:07,680 --> 00:29:09,960 {\an8}- Yes, absolutely, in hell. 546 00:29:10,400 --> 00:29:13,960 {\an8}I was on my bike, after some market commissions, 547 00:29:14,200 --> 00:29:16,320 {\an8}like I do every Tuesday. 548 00:29:16,560 --> 00:29:20,680 {\an8}And without realizing it, I am lost and found myself 549 00:29:21,080 --> 00:29:22,440 {\an8}to hell. 550 00:29:23,320 --> 00:29:25,360 {\an8}In the middle of the flames. 551 00:29:27,960 --> 00:29:30,960 {\an8}And then very quickly, I don't know why, 552 00:29:31,400 --> 00:29:32,600 {\an8}I found myself 553 00:29:32,840 --> 00:29:35,480 {\an8}on the back of a donkey, in the desert. 554 00:29:36,480 --> 00:29:38,200 {\an8}So, I was upset, 555 00:29:38,440 --> 00:29:40,800 {\an8}because I had lost my vegetables. 556 00:29:41,040 --> 00:29:44,320 {\an8}But I was still relieved to no longer be in hell. 557 00:29:45,240 --> 00:29:48,240 {\an8}The air was sweet, I felt good. 558 00:29:49,400 --> 00:29:50,920 {\an8}It was a moment 559 00:29:51,160 --> 00:29:52,640 {\an8}very pleasant. 560 00:29:54,960 --> 00:29:57,840 {\an8}There my donkey stopped to drink. 561 00:30:02,120 --> 00:30:06,560 {\an8}And a cowboy in ambush took advantage of it 562 00:30:06,800 --> 00:30:10,080 {\an8}to shoot me down coldly. Gunshot 563 00:30:22,840 --> 00:30:24,280 {\an8}And then, I don't know how, 564 00:30:24,520 --> 00:30:27,320 {\an8}I finally succeeded not to die. 565 00:30:27,640 --> 00:30:30,920 {\an8}And I ran away on a small motorboat. 566 00:30:32,600 --> 00:30:34,920 {\an8}There, as if by magic, 567 00:30:35,560 --> 00:30:37,240 {\an8}I saw my basket of commissions 568 00:30:37,480 --> 00:30:39,960 {\an8}which floated on the surface of the water. 569 00:30:41,000 --> 00:30:44,440 {\an8}So I leaned and I got it back. 570 00:30:48,840 --> 00:30:50,600 {\an8}I then found myself 571 00:30:50,840 --> 00:30:53,320 {\an8}at the wheel of a very luxurious car. 572 00:30:55,480 --> 00:30:58,040 {\an8}On a road that I didn't know. 573 00:30:58,560 --> 00:30:59,200 {\an8}There you go. 574 00:31:00,720 --> 00:31:03,120 {\an8}It's over. At that moment, I woke up. 575 00:31:03,360 --> 00:31:06,040 {\an8}- Oh, it's even better the second time. 576 00:31:06,280 --> 00:31:08,000 {\an8}- It's still incredible. 577 00:31:08,240 --> 00:31:10,280 {\an8}I had to tell you, Salvador. 578 00:31:10,520 --> 00:31:11,960 {\an8}- Excellent, isn't it? 579 00:31:18,720 --> 00:31:19,360 {\an8}- Mmh. 580 00:31:19,840 --> 00:31:23,200 {\an8}Yes! Oh yes ! It was sumptuous! Delicious ! 581 00:31:23,440 --> 00:31:25,440 {\an8}You will warmly congratulate 582 00:31:25,680 --> 00:31:27,880 {\an8}your cook for me. 583 00:31:28,120 --> 00:31:29,400 {\an8}I enjoyed myself. 584 00:31:29,640 --> 00:31:31,000 {\an8}Now, 585 00:31:31,720 --> 00:31:33,720 {\an8}please excuse me, I have to leave. 586 00:31:34,560 --> 00:31:36,120 {\an8}Soft guitar music 587 00:31:36,360 --> 00:31:41,880 {\an8}--- 588 00:31:42,120 --> 00:31:44,160 {\an8}(Distorted voice) See you soon! 589 00:31:44,400 --> 00:31:46,440 {\an8}The music distorts slightly. 590 00:31:46,680 --> 00:32:27,880 {\an8}--- 591 00:32:28,120 --> 00:32:29,240 {\an8}- Mr. Dali! 592 00:32:29,480 --> 00:32:30,600 {\an8}Please! 593 00:32:31,280 --> 00:32:33,840 {\an8}Mr. Dali. Give me a 3rd chance. 594 00:32:34,080 --> 00:32:35,760 {\an8}I promise, I'll make it up to you. 595 00:32:36,000 --> 00:32:38,600 {\an8}Your work fascinates me, I dream of making this film. 596 00:32:38,840 --> 00:32:40,920 {\an8}I believe in you, not like the others. 597 00:32:41,160 --> 00:32:43,080 {\an8}Trust me, please! 598 00:32:43,320 --> 00:32:46,600 {\an8}The producer agrees. He gives me a big team 599 00:32:46,840 --> 00:32:48,360 {\an8}and two cameras! 600 00:32:48,760 --> 00:32:50,400 {\an8}Two big cameras. 601 00:32:51,360 --> 00:32:52,480 {\an8}Please! 602 00:32:52,720 --> 00:32:54,960 {\an8}Tongue clicking - Speed up. 603 00:32:55,200 --> 00:32:56,360 {\an8}- Mr. Dali! 604 00:32:57,160 --> 00:32:59,640 {\an8}--- The car drives away. 605 00:32:59,880 --> 00:33:01,880 {\an8}--- 606 00:33:08,960 --> 00:33:10,040 {\an8}- There you go. 607 00:33:11,280 --> 00:33:13,560 {\an8}At that moment, I woke up. 608 00:33:14,680 --> 00:33:17,920 {\an8}A little upset by the violence of this accident. 609 00:33:19,480 --> 00:33:22,280 {\an8}I had to tell you, Salvador. 610 00:33:22,520 --> 00:33:23,440 {\an8}- Amazing, right? 611 00:33:25,120 --> 00:33:27,080 {\an8}- This French girl is truly astonishing, 612 00:33:27,320 --> 00:33:31,480 {\an8}she even manages to annoy me in someone else's dream. 613 00:33:31,720 --> 00:33:33,240 {\an8}It's absolutely incredible. 614 00:33:34,400 --> 00:33:36,080 {\an8}- Sorry, if you allow me. 615 00:33:36,320 --> 00:33:37,240 {\an8}- No. 616 00:33:37,800 --> 00:33:38,880 {\an8}- This is the passage 617 00:33:39,120 --> 00:33:41,960 {\an8}from the beginning with the cowboy which caught my attention. 618 00:33:42,200 --> 00:33:44,400 {\an8}I found this image very powerful, 619 00:33:44,640 --> 00:33:46,880 {\an8}graphically. When Father Jacques 620 00:33:47,120 --> 00:33:51,000 {\an8}told me, I immediately thought of a masterful painting. 621 00:33:51,720 --> 00:33:53,640 {\an8}- Ah, really, you think? 622 00:33:53,880 --> 00:33:56,720 {\an8}- I'm sure. It's completely your world. 623 00:33:57,240 --> 00:33:58,120 {\an8}You should do it. 624 00:33:58,760 --> 00:34:00,320 {\an8}- There you go. - This painted picture, 625 00:34:01,440 --> 00:34:02,520 {\an8}give it to Father Jacques. 626 00:34:02,760 --> 00:34:03,560 {\an8}- Ah, yes. 627 00:34:03,800 --> 00:34:05,840 {\an8}- It is unintentionally the author. 628 00:34:07,360 --> 00:34:10,720 {\an8}- No, if it's me who paints, I am the author. 629 00:34:10,960 --> 00:34:12,960 {\an8}- Certainly. - Sorry, I found this idea 630 00:34:13,200 --> 00:34:14,280 {\an8}very interesting. 631 00:34:14,520 --> 00:34:18,520 {\an8}I even thought we could organize an auction 632 00:34:18,760 --> 00:34:21,440 {\an8}and pay back benefits to the Church. 633 00:34:21,680 --> 00:34:24,200 {\an8}That would be great for everyone. 634 00:34:24,840 --> 00:34:26,920 {\an8}What do you think, dear Salvador? 635 00:34:28,080 --> 00:34:31,800 {\an8}- I have the impression that we are still in your dream, my father. 636 00:34:32,560 --> 00:34:35,480 {\an8}- Um... Oh well? No, I don't think so. 637 00:34:35,720 --> 00:34:38,080 {\an8}- Ah, I think so. Yes, I really believe 638 00:34:38,320 --> 00:34:39,760 {\an8}that we are in the middle of delirium. 639 00:34:42,400 --> 00:34:43,160 {\an8}- Mmh. 640 00:34:49,080 --> 00:34:51,280 {\an8}(Monotone voice) - Thanks again, Georges, 641 00:34:51,520 --> 00:34:54,360 {\an8}it was a delicious evening. 642 00:34:58,120 --> 00:34:58,920 {\an8}- Really, 643 00:34:59,160 --> 00:35:00,920 {\an8}what a trap! To get me 644 00:35:01,160 --> 00:35:02,480 {\an8}a free painting! 645 00:35:02,720 --> 00:35:06,320 {\an8}What an absurd idea to go to dinner with a gardener. 646 00:35:06,560 --> 00:35:09,680 {\an8}Besides, really, I have never eaten so badly! 647 00:35:09,920 --> 00:35:12,760 {\an8}I'm going to have to shit for days 648 00:35:13,000 --> 00:35:16,800 {\an8}to be able to free my body of this infamous stew. 649 00:35:17,040 --> 00:35:20,560 {\an8}Shit! Shit again! Shit! 650 00:35:20,800 --> 00:35:21,880 {\an8}- Me, I find 651 00:35:22,120 --> 00:35:23,360 {\an8}that you should do it. 652 00:35:23,600 --> 00:35:25,040 {\an8}- Why do I have to do it? 653 00:35:25,840 --> 00:35:29,160 {\an8}- It would be good for your image, Salvador. Do it. 654 00:35:29,720 --> 00:35:31,760 {\an8}- She is exceptional, my image. 655 00:35:32,000 --> 00:35:34,080 {\an8}People, they love Dali. 656 00:35:34,320 --> 00:35:37,080 {\an8}- Do it so that they love you even more. 657 00:35:38,360 --> 00:35:40,280 {\an8}- Can they love me even more? 658 00:35:40,520 --> 00:35:42,680 {\an8}- Yes. - It has to be done, then, yes. 659 00:35:42,920 --> 00:35:43,560 {\an8}Yes. 660 00:35:43,800 --> 00:35:45,800 {\an8}That's very good, you're right, yes. 661 00:35:46,040 --> 00:35:46,640 {\an8}Let's go. 662 00:35:47,080 --> 00:35:48,520 {\an8}- That's a good idea. 663 00:35:49,480 --> 00:35:50,240 {\an8}-Pablo. 664 00:35:51,000 --> 00:35:51,960 {\an8}You call 665 00:35:52,200 --> 00:35:54,280 {\an8}the Frenchwoman, I want to make his film. 666 00:35:54,520 --> 00:35:56,280 {\an8}I give it a 2nd chance 667 00:35:56,520 --> 00:35:57,640 {\an8}and his day will be mine. 668 00:35:57,880 --> 00:35:59,760 {\an8}- It's 2 a.m., Mr. Dali. 669 00:36:00,000 --> 00:36:01,920 {\an8}- I don't care, but royally! 670 00:36:02,160 --> 00:36:02,760 {\an8}Call. 671 00:36:04,240 --> 00:36:05,520 {\an8}- Very good. - I was talking 672 00:36:05,760 --> 00:36:07,960 {\an8}to paint the picture for the father. 673 00:36:08,480 --> 00:36:10,760 {\an8}- I know, I was talking about the Frenchwoman. 674 00:36:41,560 --> 00:36:43,640 {\an8}So tell me, can I enjoy 675 00:36:43,880 --> 00:36:45,480 {\an8}of this interminable wait 676 00:36:45,720 --> 00:36:49,320 {\an8}to manipulate this generous chest that you shake 677 00:36:49,560 --> 00:36:51,520 {\an8}expressly in front of my eyes? Yellow laugh 678 00:36:51,760 --> 00:36:55,000 {\an8}- No, I don't shake them, They're there, I can't do anything about it. 679 00:36:55,880 --> 00:36:56,760 {\an8}- Can you please? 680 00:36:57,000 --> 00:36:58,800 {\an8}- Yeah, I don't care, go ahead. 681 00:37:04,280 --> 00:37:06,880 {\an8}- Really, what exceptional density. 682 00:37:07,120 --> 00:37:07,760 {\an8}She laughs. 683 00:37:08,520 --> 00:37:10,120 {\an8}- If you want. - But finally! 684 00:37:10,360 --> 00:37:11,120 {\an8}He’s crazy! 685 00:37:11,920 --> 00:37:14,160 {\an8}- It's not that serious, he's an artist. 686 00:37:14,400 --> 00:37:15,680 {\an8}- That’s great. 687 00:37:15,920 --> 00:37:19,240 {\an8}If you sell these breasts, you will receive a fortune. 688 00:37:19,480 --> 00:37:21,880 {\an8}They have been manipulated by the master. 689 00:37:22,120 --> 00:37:23,160 {\an8}--- - No. 690 00:37:23,400 --> 00:37:25,040 {\an8}I'll keep them for myself. 691 00:37:25,280 --> 00:37:26,240 {\an8}- Selling breasts. 692 00:37:26,480 --> 00:37:29,160 {\an8}Did you hear? It's a sublime idea. 693 00:37:29,400 --> 00:37:30,680 {\an8}Has anyone noted it? 694 00:37:30,920 --> 00:37:31,840 {\an8}- There you go. 695 00:37:32,320 --> 00:37:33,680 {\an8}I found it. 696 00:37:34,280 --> 00:37:35,600 {\an8}- Is it for me? - Mmh. 697 00:37:35,840 --> 00:37:37,440 {\an8}The gift I was telling you about. 698 00:37:37,960 --> 00:37:41,640 {\an8}- You look lovely today. An attempt to try 699 00:37:41,880 --> 00:37:42,560 {\an8}to coax me? 700 00:37:42,800 --> 00:37:43,640 {\an8}- No. Embarrassed laughter 701 00:37:43,880 --> 00:37:45,920 {\an8}Not at all. I give you a gift 702 00:37:46,160 --> 00:37:47,280 {\an8}to thank you. 703 00:37:47,520 --> 00:37:48,680 {\an8}Open it. 704 00:38:01,560 --> 00:38:04,160 {\an8}- Oh, my God! - It made me think of you. 705 00:38:04,400 --> 00:38:06,720 {\an8}I found it in a flea market, I bought it. 706 00:38:07,200 --> 00:38:08,400 {\an8}Do you like it? 707 00:38:09,920 --> 00:38:11,480 {\an8}- A small detail is missing. 708 00:38:11,720 --> 00:38:15,280 {\an8}Can someone find me a permanent marker? 709 00:38:15,840 --> 00:38:18,680 {\an8}- Yes, wait, I have. Hold. It's called "come back." 710 00:38:20,080 --> 00:38:22,480 {\an8}- So, you uncap it. 711 00:38:22,880 --> 00:38:25,120 {\an8}So, I entrust it to you. 712 00:38:27,360 --> 00:38:28,720 {\an8}Inspiration 713 00:38:32,960 --> 00:38:34,720 {\an8}There, it’s sublime! 714 00:38:36,240 --> 00:38:36,840 {\an8}Embarrassed laughter 715 00:38:37,080 --> 00:38:38,120 {\an8}- That’s Dali. 716 00:38:39,560 --> 00:38:40,160 {\an8}- Okay. 717 00:38:41,080 --> 00:38:42,080 {\an8}--- 718 00:38:47,560 --> 00:38:48,840 {\an8}- There you go. 719 00:38:50,840 --> 00:38:52,880 {\an8}Well, yes, there you go. I think so, right? 720 00:38:53,120 --> 00:38:54,120 {\an8}Huh? SO ? 721 00:38:54,360 --> 00:38:55,320 {\an8}There you go. 722 00:38:56,840 --> 00:38:59,280 {\an8}- 1,500,000. 723 00:38:59,520 --> 00:39:00,600 {\an8}Let's go! 724 00:39:01,440 --> 00:39:02,280 {\an8}- 1,800,000. 725 00:39:02,520 --> 00:39:04,520 {\an8}- 1,800,000. 726 00:39:04,840 --> 00:39:07,640 {\an8}1,800,000, here we go. Who says better? 727 00:39:08,920 --> 00:39:09,720 {\an8}- Two million. 728 00:39:09,960 --> 00:39:14,240 {\an8}- Two million, ladies and gentlemen, for this Salvador Dali. 729 00:39:14,480 --> 00:39:15,320 {\an8}Two million. 730 00:39:15,960 --> 00:39:17,160 {\an8}- 3,500,000. 731 00:39:17,400 --> 00:39:18,200 {\an8}- Three million 732 00:39:18,440 --> 00:39:20,000 {\an8}five hundred thousand in 1st row. 733 00:39:20,720 --> 00:39:22,600 {\an8}- 4,100,000! - 4,100,000 734 00:39:22,840 --> 00:39:24,440 {\an8}basically, very good. 735 00:39:25,040 --> 00:39:25,920 {\an8}- Ten million. 736 00:39:26,160 --> 00:39:27,280 {\an8}- Ten million. 737 00:39:27,520 --> 00:39:30,200 {\an8}Ladies and gentlemen. It's a nice sum. 738 00:39:30,840 --> 00:39:32,000 {\an8}Let's go. 739 00:39:32,520 --> 00:39:34,880 {\an8}Be careful... ten million. 740 00:39:35,120 --> 00:39:36,840 {\an8}Ten million once. 741 00:39:37,200 --> 00:39:40,360 {\an8}Ten million twice. Ten million three times. 742 00:39:40,600 --> 00:39:42,840 {\an8}Adjudicated. Ms. Abravanel wins 743 00:39:43,080 --> 00:39:44,240 {\an8}this piece by Dali. 744 00:39:44,480 --> 00:39:46,080 {\an8}Applause - Ten million, 745 00:39:46,320 --> 00:39:47,480 {\an8}it's incredible. - Yes. 746 00:39:47,720 --> 00:39:49,760 {\an8}-Thank you! THANKS ! 747 00:39:50,000 --> 00:39:51,240 {\an8}Thank you! 748 00:39:53,280 --> 00:39:54,120 {\an8}Gunshot 749 00:39:54,360 --> 00:39:55,160 {\an8}Horrified screams 750 00:39:57,760 --> 00:39:58,360 {\an8}There you go. 751 00:40:00,040 --> 00:40:02,960 {\an8}It's at this moment that I woke up with a start. 752 00:40:03,960 --> 00:40:06,080 {\an8}Relieved not to be dead. 753 00:40:06,880 --> 00:40:09,720 {\an8}I had to tell you, Salvador. 754 00:40:09,960 --> 00:40:11,240 {\an8}- Amazing. 755 00:40:12,040 --> 00:40:12,760 {\an8}- This is... 756 00:40:13,320 --> 00:40:14,600 {\an8}finished this time, right? 757 00:40:14,840 --> 00:40:16,800 {\an8}- Yes, yes, that's all. 758 00:40:17,040 --> 00:40:19,800 {\an8}I'm curious to know what you think about it. 759 00:40:20,040 --> 00:40:22,000 {\an8}- Well, to be 760 00:40:22,240 --> 00:40:27,360 {\an8}completely honest and precise with you, 761 00:40:28,440 --> 00:40:29,880 {\an8}I... 762 00:40:30,360 --> 00:40:32,440 {\an8}Dali has... 763 00:40:32,680 --> 00:40:34,360 {\an8}enjoyed your story, 764 00:40:35,040 --> 00:40:35,840 {\an8}that's for sure. 765 00:40:36,080 --> 00:40:37,240 {\an8}- Wonderful, thank you. 766 00:40:37,480 --> 00:40:40,240 {\an8}I am extremely flattered to have succeeded in capturing 767 00:40:40,480 --> 00:40:42,680 {\an8}the attention of a genius artist 768 00:40:42,920 --> 00:40:43,680 {\an8}like you. 769 00:40:43,920 --> 00:40:46,240 {\an8}- I knew it. I organized this meal for that. 770 00:40:46,800 --> 00:40:48,560 {\an8}- I really liked it, yes. 771 00:40:48,960 --> 00:40:52,960 {\an8}Mmh... But there is something I would like... 772 00:40:53,200 --> 00:40:56,200 {\an8}Sucking Clarify with you. 773 00:40:57,680 --> 00:40:58,840 {\an8}- Tell me. 774 00:40:59,640 --> 00:41:03,720 {\an8}- Did Dali was able to do his interview or not? 775 00:41:07,480 --> 00:41:09,320 {\an8}- Forgive me, Salvador. 776 00:41:09,560 --> 00:41:11,120 {\an8}- The Frenchwoman, 777 00:41:11,360 --> 00:41:15,800 {\an8}could she have make his portrait of Dali 778 00:41:16,040 --> 00:41:17,720 {\an8}with his big camera? 779 00:41:18,120 --> 00:41:18,800 {\an8}Or not? 780 00:41:19,040 --> 00:41:22,760 {\an8}You skipped this passage in your story, I would like to know. 781 00:41:23,000 --> 00:41:24,200 {\an8}- The Frenchwoman? 782 00:41:24,440 --> 00:41:25,400 {\an8}- Yes. 783 00:41:25,640 --> 00:41:27,680 {\an8}Uh, which French girl? 784 00:41:29,200 --> 00:41:32,320 {\an8}Soft guitar music - And then, at this very precise moment, 785 00:41:32,560 --> 00:41:35,440 {\an8}seeing their empty looks animals, 786 00:41:35,680 --> 00:41:39,760 {\an8}stuffed, headed straight towards me, 787 00:41:40,640 --> 00:41:44,880 {\an8}I realized... Dali realized 788 00:41:46,120 --> 00:41:52,560 {\an8}that these two imbeciles had absolutely no idea 789 00:41:52,800 --> 00:41:57,240 {\an8}of who could possibly be this French girl 790 00:41:57,480 --> 00:42:00,680 {\an8}which I was in the process of to talk to them. 791 00:42:00,920 --> 00:42:02,280 {\an8}Fun, isn't it? 792 00:42:02,520 --> 00:42:04,280 {\an8}- Yeah, okay. 793 00:42:04,520 --> 00:42:05,280 {\an8}Um, but... 794 00:42:05,520 --> 00:42:06,800 {\an8}Who? I didn't follow. 795 00:42:07,040 --> 00:42:08,120 {\an8}- What, not followed? 796 00:42:08,360 --> 00:42:09,320 {\an8}- I was half listening, 797 00:42:09,560 --> 00:42:10,160 {\an8}sorry. 798 00:42:10,400 --> 00:42:12,520 {\an8}- You have the nerve to half listen 799 00:42:12,760 --> 00:42:17,280 {\an8}when Dali personally tells a personal story? 800 00:42:17,520 --> 00:42:20,200 {\an8}- No, I was focused on my makeup. 801 00:42:20,440 --> 00:42:21,800 {\an8}I didn't think so that it was important. 802 00:42:22,040 --> 00:42:23,000 {\an8}- Enough! 803 00:42:23,240 --> 00:42:25,560 {\an8}Stop! Stop with the powder! 804 00:42:26,880 --> 00:42:30,720 {\an8}Dali no longer wants to make the film! 805 00:42:31,400 --> 00:42:32,880 {\an8}End point, 806 00:42:33,120 --> 00:42:34,080 {\an8}to the line. 807 00:42:36,000 --> 00:42:36,600 {\an8}- Wait! 808 00:42:38,240 --> 00:42:41,120 {\an8}You can't leave. Too bad, it was going well. 809 00:42:41,800 --> 00:42:44,760 {\an8}I even had a present. - You already gave me 810 00:42:45,000 --> 00:42:47,480 {\an8}this vile little painting. 811 00:42:47,720 --> 00:42:51,120 {\an8}You can keep it and hang it in your double toilet. 812 00:42:51,360 --> 00:42:52,960 {\an8}Mmh? Bye ! 813 00:42:53,200 --> 00:42:55,880 {\an8}--- 814 00:42:56,120 --> 00:42:57,560 {\an8}Door - At that moment, 815 00:42:57,800 --> 00:43:00,240 {\an8}okay, I literally collapsed. 816 00:43:01,000 --> 00:43:04,480 {\an8}I didn't dare say anything to the team, I was too ashamed. 817 00:43:05,200 --> 00:43:08,440 {\an8}I left through the door of service and I was directly 818 00:43:08,680 --> 00:43:11,560 {\an8}see the producer, to say that I was stopping. 819 00:43:11,800 --> 00:43:14,080 {\an8}- Are you crazy or what? We continue! 820 00:43:14,320 --> 00:43:15,320 {\an8}- Okay. 821 00:43:16,480 --> 00:43:17,920 {\an8}He didn't want to know anything. 822 00:43:18,760 --> 00:43:20,920 {\an8}- So, Judith, 823 00:43:21,160 --> 00:43:25,680 {\an8}are you aware of the terrible banality 824 00:43:25,920 --> 00:43:28,160 {\an8}of what you are telling? 825 00:43:28,400 --> 00:43:29,520 {\an8}(-Well...) 826 00:43:29,760 --> 00:43:33,000 {\an8}This is a very important moment of my life, in fact. No ? 827 00:43:33,400 --> 00:43:34,200 {\an8}It's not trivial. 828 00:43:34,440 --> 00:43:38,800 {\an8}- Oh yes, It's absolutely boring. 829 00:43:39,040 --> 00:43:42,160 {\an8}It's absolutely terrible. My eyes are falling out. 830 00:43:42,400 --> 00:43:43,760 {\an8}This is unsustainable. 831 00:43:44,000 --> 00:43:47,080 {\an8}Dali sighs. So, second question. 832 00:43:47,320 --> 00:43:51,000 {\an8}What did you do even more boring afterwards? 833 00:43:51,440 --> 00:43:52,080 {\an8}- Then, 834 00:43:52,320 --> 00:43:54,400 {\an8}I took my courage in both hands 835 00:43:54,640 --> 00:43:57,120 {\an8}and I wanted to recover Dali's confidence. 836 00:43:57,360 --> 00:43:59,600 - {\an8}Finally, your trust, Salvador. - So 837 00:43:59,840 --> 00:44:00,840 {\an8}that's interesting. 838 00:44:01,080 --> 00:44:04,480 {\an8}So what did you do to regain confidence 839 00:44:04,720 --> 00:44:08,000 {\an8}of a man so particularly out of the ordinary? 840 00:44:09,760 --> 00:44:13,360 {\an8}- I behaved like if it was a breakup. 841 00:44:13,600 --> 00:44:16,360 {\an8}I called him until he sees me again. 842 00:44:16,600 --> 00:44:18,280 {\an8}--- Telephone 843 00:44:18,520 --> 00:44:24,080 {\an8}------ 844 00:44:25,240 --> 00:44:27,560 {\an8}- Hello, yes? *-Hello, this is Judith Rochant. 845 00:44:27,800 --> 00:44:29,640 {\an8}--- - Judith... 846 00:44:29,880 --> 00:44:32,680 {\an8}Judith, listen to me, it's too late. 847 00:44:32,920 --> 00:44:36,640 {\an8}I won't come back on my decisive decision! 848 00:44:36,880 --> 00:44:40,160 {\an8}We will not work together, it's over. 849 00:44:40,400 --> 00:44:42,960 {\an8}Forget me! 850 00:44:43,920 --> 00:44:46,280 {\an8}Say it. - Okay, Muhammad Ali. 851 00:44:46,520 --> 00:44:48,320 {\an8}- Again. - Muhammad Ali. 852 00:44:48,560 --> 00:44:49,520 {\an8}- Again. 853 00:44:50,040 --> 00:44:52,080 {\an8}- Mohamed Ali. Muhammad Ali. 854 00:44:52,320 --> 00:44:53,280 {\an8}- Don’t you hear? - What ? 855 00:44:53,520 --> 00:44:54,800 {\an8}- Say it again. 856 00:44:55,040 --> 00:44:56,200 {\an8}- Mohamed Ali. - Again ! 857 00:44:56,440 --> 00:44:59,240 {\an8}They repeat. 858 00:44:59,920 --> 00:45:00,960 {\an8}- Mohamed Ali. - Again ! 859 00:45:01,200 --> 00:45:04,000 {\an8}- Mohamed Ali. - Mohamed Dali! 860 00:45:04,240 --> 00:45:05,760 {\an8}Dali! Telephone 861 00:45:06,000 --> 00:45:09,000 {\an8}It has my name in its name. - All right. Mohamed Dali. 862 00:45:09,240 --> 00:45:10,560 {\an8}Yeah, it's funny.--- 863 00:45:10,800 --> 00:45:13,560 {\an8}- This American must changes name. 864 00:45:13,800 --> 00:45:15,400 {\an8}I was there long before him. 865 00:45:15,640 --> 00:45:18,160 {\an8}--- It's identity theft. 866 00:45:18,400 --> 00:45:21,000 {\an8}- I don't think so... - Mr. Salvador, a call for you. 867 00:45:21,480 --> 00:45:22,880 {\an8}------ 868 00:45:23,120 --> 00:45:24,680 {\an8}- Yes? *-Hello, Salvador. 869 00:45:24,920 --> 00:45:26,080 {\an8}- Shit! 870 00:45:27,280 --> 00:45:28,520 {\an8}- Hello? Sigh 871 00:45:28,760 --> 00:45:30,200 {\an8}- Oh, it doesn't smell good there. 872 00:45:30,440 --> 00:45:39,280 {\an8}--- 873 00:45:39,520 --> 00:45:41,040 {\an8}- This painting... 874 00:45:41,280 --> 00:45:44,800 {\an8}--- 875 00:45:45,040 --> 00:45:46,040 {\an8}- Well? 876 00:45:46,280 --> 00:45:47,760 {\an8}--- 877 00:45:48,000 --> 00:45:50,000 {\an8}- It's anachronistic 878 00:45:50,600 --> 00:45:53,640 {\an8}that you are in the process to paint it now. 879 00:45:54,200 --> 00:45:57,600 {\an8}It dates from 1972. 880 00:45:57,840 --> 00:45:58,520 {\an8}--- 881 00:45:58,760 --> 00:45:59,360 {\an8}Telephone 882 00:45:59,600 --> 00:46:02,000 {\an8}------ 883 00:46:02,240 --> 00:46:03,440 {\an8}Sigh 884 00:46:03,680 --> 00:46:05,840 {\an8}- Hello? *-Hello, this is Judith Rochant. 885 00:46:06,080 --> 00:46:07,760 {\an8}- You again? No ! 886 00:46:08,280 --> 00:46:11,000 {\an8}No! No ! No ! No ! No ! 887 00:46:11,240 --> 00:46:11,920 {\an8}Impossible! 888 00:46:12,840 --> 00:46:14,160 {\an8}Shocks outside 889 00:46:14,400 --> 00:46:19,000 {\an8}------ 890 00:46:19,240 --> 00:46:20,920 {\an8}Telephone 891 00:46:21,160 --> 00:46:22,360 {\an8}Shocks outside 892 00:46:22,600 --> 00:46:23,960 {\an8}------ 893 00:46:24,200 --> 00:46:25,600 {\an8}- Yes, hello? *-Good morning. 894 00:46:25,840 --> 00:46:29,600 {\an8}- I can't hear you at the moment, there is a shower of dead dogs. 895 00:46:29,840 --> 00:46:31,240 {\an8}It makes a devilish noise 896 00:46:31,720 --> 00:46:34,480 {\an8}on the roof of my house. Call later. 897 00:46:34,720 --> 00:46:36,360 {\an8}Thank you. Good morning ! 898 00:46:36,600 --> 00:46:42,280 {\an8}------ 899 00:46:43,000 --> 00:46:45,360 {\an8}Telephone 900 00:46:45,600 --> 00:46:47,320 {\an8}--- 901 00:46:47,560 --> 00:46:48,320 {\an8}- Hello? 902 00:46:48,560 --> 00:46:50,720 {\an8}*-Hello, Salvador. This is Judith Rochant. 903 00:46:50,960 --> 00:46:53,840 {\an8}- No, that’s enough! Leave me alone! 904 00:46:54,400 --> 00:46:55,480 {\an8}He hangs up. 905 00:46:55,720 --> 00:47:09,880 {\an8}--- 906 00:47:10,120 --> 00:47:11,000 {\an8}Telephone 907 00:47:11,240 --> 00:47:13,680 {\an8}--- 908 00:47:13,920 --> 00:47:14,840 {\an8}- Yes, Judith? 909 00:47:15,080 --> 00:47:16,240 {\an8}*-Hello, Salvador. 910 00:47:16,480 --> 00:47:20,480 {\an8}- So listen to me carefully, I'm going be perfectly clear and clear, 911 00:47:20,720 --> 00:47:22,600 {\an8}like water from rock. 912 00:47:22,840 --> 00:47:25,640 {\an8}You are not going to succeed to make me change my mind, 913 00:47:25,880 --> 00:47:30,480 {\an8}you unfortunately don't have absolutely not this power. 914 00:47:30,720 --> 00:47:31,440 {\an8}Dali 915 00:47:31,680 --> 00:47:34,880 {\an8}will change your mind when he himself has the will 916 00:47:35,120 --> 00:47:39,240 {\an8}and only when he has deep inner conviction 917 00:47:39,480 --> 00:47:41,040 {\an8}that we need to change our minds. 918 00:47:41,280 --> 00:47:44,560 {\an8}That is to say exactly tomorrow Sunday, 919 00:47:44,800 --> 00:47:47,680 {\an8}around 4:15 p.m. sharp. 920 00:47:48,360 --> 00:47:49,520 {\an8}Goodbye. 921 00:47:49,760 --> 00:47:51,200 {\an8}He hangs up. 922 00:47:59,000 --> 00:48:01,600 {\an8}- I called him the next day at 4:15 p.m. sharp. 923 00:48:01,840 --> 00:48:04,760 {\an8}He gave me another chance, like magic. 924 00:48:05,000 --> 00:48:07,440 {\an8}Finally, you agreed to give me one. 925 00:48:07,680 --> 00:48:09,680 {\an8}I would like to know why. 926 00:48:10,320 --> 00:48:11,640 {\an8}Why change your mind? 927 00:48:11,880 --> 00:48:13,960 {\an8}- Stay focused, I ask the questions. 928 00:48:14,200 --> 00:48:16,920 {\an8}Try to repeat what you said, 929 00:48:17,160 --> 00:48:18,720 {\an8}but with panache. 930 00:48:18,960 --> 00:48:23,400 {\an8}Otherwise, the viewer will continue to be bored, in a way... 931 00:48:23,640 --> 00:48:24,640 {\an8}infinite, huh? 932 00:48:24,880 --> 00:48:25,640 {\an8}Come on! 933 00:48:25,880 --> 00:48:28,000 {\an8}Here we go, panache! 934 00:48:28,480 --> 00:48:29,880 {\an8}- I'm not an actress. 935 00:48:30,280 --> 00:48:32,880 {\an8}- Nobody is. This profession does not exist. 936 00:48:33,120 --> 00:48:35,520 {\an8}Comedian, it's a total invention. 937 00:48:36,080 --> 00:48:37,200 {\an8}So, let's start again. 938 00:48:37,440 --> 00:48:39,880 {\an8}Engine! The engine is still running. 939 00:48:40,760 --> 00:48:42,640 {\an8}Let's go, some panache. 940 00:48:42,880 --> 00:48:43,760 {\an8}- Okay. 941 00:48:44,880 --> 00:48:46,560 {\an8}I called him the next day, at 4:15 p.m., 942 00:48:46,800 --> 00:48:49,160 {\an8}he gave me another chance. 943 00:48:52,040 --> 00:48:54,240 {\an8}I called him the next day, at 4:15 p.m., 944 00:48:54,480 --> 00:48:56,440 {\an8}he gave me another chance. 945 00:48:56,880 --> 00:48:58,640 {\an8}- It's better. It's always 946 00:48:58,880 --> 00:49:00,800 {\an8}very annoying, but better. 947 00:49:01,040 --> 00:49:02,160 {\an8}- Okay. 948 00:49:02,400 --> 00:49:04,760 {\an8}I called him the next day, at 4:15 p.m., 949 00:49:05,000 --> 00:49:07,200 {\an8}*he gave me another chance. 950 00:49:10,000 --> 00:49:12,200 {\an8}*Here, I... Does that suit you? 951 00:49:13,600 --> 00:49:15,320 {\an8}*It's a bit artificial, isn't it? 952 00:49:15,560 --> 00:49:17,480 {\an8}*Indistinct voice of Dali 953 00:49:17,720 --> 00:49:18,960 {\an8}*She laughs. *-Sorry. 954 00:49:19,200 --> 00:49:20,640 {\an8}- You can stop, it's okay. 955 00:49:33,680 --> 00:49:35,640 {\an8}Oh, the cow! 956 00:49:38,440 --> 00:49:41,480 {\an8}So it's in there that I'm wasting my money? 957 00:49:42,000 --> 00:49:43,600 {\an8}You're a complete idiot, 958 00:49:43,840 --> 00:49:45,040 {\an8}it's not possible. 959 00:49:45,280 --> 00:49:47,200 {\an8}How I did it not to see it? 960 00:49:48,120 --> 00:49:50,520 {\an8}But I'm completely hallucinating here. 961 00:49:51,520 --> 00:49:53,520 {\an8}You don't know how to do an interview? 962 00:49:56,240 --> 00:49:57,400 {\an8}Answer, at least. 963 00:49:57,640 --> 00:50:00,240 {\an8}Do you know do an interview? 964 00:50:00,480 --> 00:50:01,640 {\an8}- Yes, I know, it’s okay. 965 00:50:01,880 --> 00:50:02,880 {\an8}- No, you don’t know. 966 00:50:03,280 --> 00:50:06,160 {\an8}You don't know anything about it, my poor thing. I'll explain. 967 00:50:06,400 --> 00:50:10,320 {\an8}It's the guest we need to film. Not your baker's face. 968 00:50:11,360 --> 00:50:13,400 {\an8}I paid to see this on the big screen? 969 00:50:13,880 --> 00:50:14,600 {\an8}Mmh? 970 00:50:14,840 --> 00:50:16,920 {\an8}People are interested, your story? 971 00:50:18,600 --> 00:50:19,880 {\an8}- I was a pharmacist. 972 00:50:20,120 --> 00:50:22,200 {\an8}- We don't care, it's the same. 973 00:50:22,440 --> 00:50:24,960 {\an8}We don't want to see you in the picture. 974 00:50:25,200 --> 00:50:27,360 {\an8}Especially in these shitty clothes. 975 00:50:28,600 --> 00:50:30,320 {\an8}Damn, what a bitch! 976 00:50:31,360 --> 00:50:32,560 {\an8}Sigh 977 00:50:32,800 --> 00:50:35,240 {\an8}Have you already seen Raymond Depardon in his films? 978 00:50:37,040 --> 00:50:37,960 {\an8}- I don't know. 979 00:50:38,400 --> 00:50:40,360 {\an8}-"I don't know." Obviously. 980 00:50:40,600 --> 00:50:42,920 {\an8}What do you know about it? What a shame! 981 00:50:43,160 --> 00:50:44,760 {\an8}And I trust you. 982 00:50:46,400 --> 00:50:47,760 {\an8}You know how much they cost 983 00:50:48,000 --> 00:50:50,920 {\an8}the equipment and the team? Do you want to see the invoices? 984 00:50:53,680 --> 00:50:54,560 {\an8}- I'm sorry. 985 00:50:56,640 --> 00:51:00,240 {\an8}- If we heard his voice, there would be something fun to do. 986 00:51:00,480 --> 00:51:01,880 {\an8}We hear nothing, damn it! 987 00:51:02,120 --> 00:51:04,960 {\an8}You realize of your worthlessness, Judith? 988 00:51:05,200 --> 00:51:06,320 {\an8}It's catastrophic, 989 00:51:06,560 --> 00:51:07,520 {\an8}your thing. 990 00:51:08,840 --> 00:51:12,360 {\an8}- Well, he wanted to make the sequence itself, that's it. 991 00:51:12,600 --> 00:51:14,280 {\an8}It was like a game. 992 00:51:14,880 --> 00:51:17,160 {\an8}Actually, he loves cinema and... 993 00:51:17,680 --> 00:51:18,560 {\an8}He's an artist, 994 00:51:18,800 --> 00:51:22,280 {\an8}I thought it would be certainly more talented than me. 995 00:51:23,000 --> 00:51:23,920 {\an8}Snap of fingers - Okay, 996 00:51:24,160 --> 00:51:26,560 {\an8}how can you get your voice back? 997 00:51:26,800 --> 00:51:30,000 {\an8}Isn’t there a technical manipulation? There must be something! 998 00:51:30,240 --> 00:51:31,320 {\an8}(-No, it's too weak.) 999 00:51:31,560 --> 00:51:33,480 {\an8}- Speak louder, I can't hear anything! 1000 00:51:33,720 --> 00:51:37,360 {\an8}- The audio signal is too weak, we can't do anything. 1001 00:51:37,600 --> 00:51:38,920 {\an8}The microphone wasn't towards him. 1002 00:51:39,400 --> 00:51:41,720 {\an8}- She put it on her, haven't you noticed? 1003 00:51:41,960 --> 00:51:43,760 {\an8}She did everything backwards! 1004 00:51:44,120 --> 00:51:45,320 {\an8}I've never seen that! 1005 00:51:46,040 --> 00:51:48,000 {\an8}You know what? We let it go. 1006 00:51:48,440 --> 00:51:50,840 {\an8}It pisses me off. It's over, we're stopping the costs. 1007 00:51:51,080 --> 00:51:52,320 {\an8}It's going nowhere! 1008 00:51:52,800 --> 00:51:55,000 {\an8}Return to sell chocolate breads. 1009 00:51:55,240 --> 00:51:57,400 {\an8}You missed your chance, it's over. 1010 00:51:57,640 --> 00:51:58,760 {\an8}Done! 1011 00:51:59,960 --> 00:52:01,000 {\an8}Hi. 1012 00:52:04,480 --> 00:52:05,360 {\an8}The door slams. 1013 00:52:07,920 --> 00:52:09,920 {\an8}- Why he says Are you a baker? 1014 00:52:11,640 --> 00:52:12,600 {\an8}- Huh? 1015 00:52:13,000 --> 00:52:15,240 {\an8}- Why he says Are you a baker? 1016 00:52:17,200 --> 00:52:18,400 {\an8}- I don't know. 1017 00:52:19,000 --> 00:52:20,880 {\an8}Soft guitar music 1018 00:52:21,120 --> 00:52:37,520 {\an8}--- 1019 00:52:37,760 --> 00:52:38,720 {\an8}- There you go. 1020 00:52:39,160 --> 00:52:41,080 {\an8}It's okay, we'll be able to go. 1021 00:52:41,320 --> 00:52:43,240 {\an8}--- 1022 00:52:43,480 --> 00:52:44,240 {\an8}- Ready? 1023 00:52:44,480 --> 00:52:45,600 {\an8}- Sweater! 1024 00:52:45,840 --> 00:52:48,200 {\an8}--- 1025 00:52:48,440 --> 00:52:49,600 {\an8}Gunshot 1026 00:52:49,840 --> 00:52:52,440 {\an8}--- 1027 00:52:52,680 --> 00:52:53,800 {\an8}Again! 1028 00:52:54,040 --> 00:53:00,240 {\an8}--- 1029 00:53:00,480 --> 00:53:01,200 {\an8}Sweater! 1030 00:53:01,440 --> 00:53:03,160 {\an8}--- 1031 00:53:03,400 --> 00:53:04,400 {\an8}Gunshot 1032 00:53:04,640 --> 00:53:05,480 {\an8}Again! 1033 00:53:05,720 --> 00:53:06,480 {\an8}Sweater! 1034 00:53:06,720 --> 00:53:08,800 {\an8}--- 1035 00:53:09,040 --> 00:53:10,680 {\an8}--- 1036 00:53:10,920 --> 00:53:12,040 {\an8}Again. - Mr. Dali. 1037 00:53:12,560 --> 00:53:13,880 {\an8}Hello. 1038 00:53:14,120 --> 00:53:15,920 {\an8}Forgive my intrusion here, 1039 00:53:16,160 --> 00:53:17,640 {\an8}but it's an emergency. 1040 00:53:17,880 --> 00:53:21,360 {\an8}A friend of mine, art expert and informed collector, 1041 00:53:21,600 --> 00:53:22,760 {\an8}suspects a fake. 1042 00:53:23,680 --> 00:53:24,800 {\an8}- Show me. 1043 00:53:30,720 --> 00:53:32,600 {\an8}Madam, your friend is right, 1044 00:53:33,240 --> 00:53:34,200 {\an8}it's a fake. 1045 00:53:35,800 --> 00:53:36,480 {\an8}- A fake? 1046 00:53:36,720 --> 00:53:37,640 {\an8}- Yes! 1047 00:53:38,360 --> 00:53:41,160 {\an8}I have never painted this monstrosity. 1048 00:53:41,400 --> 00:53:43,720 {\an8}You see clearly that it’s some dark shit. 1049 00:53:44,840 --> 00:53:45,560 {\an8}Sweater! 1050 00:53:48,240 --> 00:53:49,840 {\an8}Gunshot Sigh 1051 00:53:50,520 --> 00:53:51,400 {\an8}There you go! 1052 00:53:52,160 --> 00:53:53,200 {\an8}You distracted me. 1053 00:53:53,440 --> 00:53:55,360 {\an8}- I'm really sorry, Mr. Dali. 1054 00:53:55,600 --> 00:53:59,480 {\an8}But I bought this crust ten million, believing it was a bargain. 1055 00:53:59,720 --> 00:54:02,240 {\an8}- So what? Give ten million mine 1056 00:54:02,480 --> 00:54:03,880 {\an8}and I'll make you a real one. 1057 00:54:04,120 --> 00:54:05,320 {\an8}Sweater! 1058 00:54:06,280 --> 00:54:07,560 {\an8}The machine sends a bird. 1059 00:54:08,920 --> 00:54:10,400 {\an8}Gunshot 1060 00:54:13,320 --> 00:54:14,440 {\an8}- There you go. 1061 00:54:15,000 --> 00:54:17,160 {\an8}I woke up at that moment. 1062 00:54:17,680 --> 00:54:19,320 {\an8}A bit upset. 1063 00:54:19,560 --> 00:54:21,080 {\an8}Slightly confused. 1064 00:54:22,440 --> 00:54:25,240 {\an8}I had to tell you, Salvador. 1065 00:54:25,640 --> 00:54:27,720 {\an8}- Simply mind-blowing. 1066 00:54:27,960 --> 00:54:28,680 {\an8}- Gods of heaven! 1067 00:54:28,920 --> 00:54:31,040 {\an8}I thought it would never end. 1068 00:54:31,480 --> 00:54:35,320 {\an8}It's the longest dream of world history! 1069 00:54:35,560 --> 00:54:36,920 {\an8}- It's not over yet. 1070 00:54:37,160 --> 00:54:38,680 {\an8}I have a surprise for you. 1071 00:54:38,920 --> 00:54:40,560 {\an8}Imagine that the next day, 1072 00:54:40,800 --> 00:54:43,320 {\an8}I had a vision so clear, so precise 1073 00:54:43,560 --> 00:54:45,040 {\an8}of this little painting 1074 00:54:45,440 --> 00:54:48,720 {\an8}that I managed to paint it from memory. Look. 1075 00:54:52,120 --> 00:54:53,240 {\an8}So, obviously, 1076 00:54:53,480 --> 00:54:57,040 {\an8}I don't have your talent nor your technique, my dear Salvador, 1077 00:54:57,280 --> 00:54:59,880 {\an8}but you will admit that's damn funny. 1078 00:55:01,600 --> 00:55:02,600 {\an8}No? 1079 00:55:07,600 --> 00:55:10,280 {\an8}- Thanks again, Georges. 1080 00:55:10,520 --> 00:55:11,800 {\an8}A delicious evening. 1081 00:55:12,040 --> 00:55:14,040 {\an8}- I was delighted to welcome you. 1082 00:55:14,280 --> 00:55:16,840 {\an8}Thank you for listening Jacques carefully. 1083 00:55:17,080 --> 00:55:18,680 {\an8}You made someone happy. - THANKS. 1084 00:55:18,920 --> 00:55:20,480 {\an8}- What is happening to me? 1085 00:55:20,720 --> 00:55:24,080 {\an8}Why am I so old, suddenly? 1086 00:55:24,320 --> 00:55:25,240 {\an8}- Sorry? 1087 00:55:25,480 --> 00:55:26,920 {\an8}- Look at me, finally! 1088 00:55:27,160 --> 00:55:28,760 {\an8}Here I am, senile! 1089 00:55:29,240 --> 00:55:32,400 {\an8}It's your fault, with this endless story! 1090 00:55:32,640 --> 00:55:35,440 {\an8}How long did we stay at the table? 1091 00:55:35,680 --> 00:55:38,200 {\an8}- I don't know. - 3 a.m., something like that. 1092 00:55:38,440 --> 00:55:39,560 {\an8}- Pretty much. - 3 a.m.? 1093 00:55:39,800 --> 00:55:42,280 {\an8}You mean three centuries! 1094 00:55:42,520 --> 00:55:44,720 {\an8}Look in what state I find myself! 1095 00:55:44,960 --> 00:55:47,080 {\an8}I'm good for the cemetery! 1096 00:55:47,320 --> 00:55:50,480 {\an8}- It's late, he needs some rest, I think. 1097 00:55:50,720 --> 00:55:52,160 {\an8}We are leaving. 1098 00:56:37,240 --> 00:56:39,120 {\an8}Someone is walking. 1099 00:57:07,200 --> 00:57:08,680 {\an8}- Sweet Jesus! 1100 00:57:11,320 --> 00:57:14,760 {\an8}Don't quit for a short moment, don't quit! 1101 00:57:16,960 --> 00:57:19,480 {\an8}Is it me, that old gentleman outside? 1102 00:57:20,080 --> 00:57:21,360 {\an8}- Sorry? - There ! 1103 00:57:21,600 --> 00:57:23,640 {\an8}It's me, but older. 1104 00:57:26,120 --> 00:57:26,960 {\an8}How old am I? 1105 00:57:27,560 --> 00:57:29,240 {\an8}- I don't know, Salvador. 1106 00:57:30,680 --> 00:57:32,720 {\an8}(-You don't know.) - No. 1107 00:57:34,240 --> 00:57:34,960 {\an8}- Ah, hey! 1108 00:57:36,480 --> 00:57:38,000 {\an8}Okay. Excuse me, 1109 00:57:38,680 --> 00:57:41,760 {\an8}*I just had an absence divinely mystical 1110 00:57:42,000 --> 00:57:43,480 {\an8}*quite disturbing. 1111 00:57:43,720 --> 00:57:44,800 {\an8}*But I am again 1112 00:57:45,040 --> 00:57:48,720 {\an8}with you. You were talking about doing a film about Dali. Continue. 1113 00:57:49,240 --> 00:57:50,280 {\an8}- Well, that's it. 1114 00:57:50,520 --> 00:57:52,880 {\an8}I officially request a second chance. 1115 00:57:53,440 --> 00:57:56,080 {\an8}- Well listen, that doesn't interest me at all. 1116 00:57:56,320 --> 00:58:00,440 {\an8}In my opinion, there has been enough cinematographic documents 1117 00:58:00,680 --> 00:58:05,240 {\an8}highlighting my exceptional talent. 1118 00:58:05,480 --> 00:58:07,320 {\an8}I think it would be useless 1119 00:58:07,560 --> 00:58:09,440 {\an8}*to do one more. 1120 00:58:09,680 --> 00:58:11,440 {\an8}*I decline your offer. 1121 00:58:11,680 --> 00:58:13,600 {\an8}*Goodbye. *He hangs up. 1122 00:58:14,120 --> 00:58:15,160 {\an8}Tongue clicking 1123 00:58:15,400 --> 00:58:17,600 {\an8}- Damn! - Well, okay. 1124 00:58:19,240 --> 00:58:19,880 {\an8}- Sorry. 1125 00:58:20,120 --> 00:58:21,520 {\an8}- I suspected that a little. 1126 00:58:21,760 --> 00:58:25,200 {\an8}I didn't want to discourage you, but between us... 1127 00:58:25,440 --> 00:58:28,480 {\an8}a baker who makes a documentary about a painter... 1128 00:58:28,720 --> 00:58:29,800 {\an8}I don't know. 1129 00:58:30,480 --> 00:58:32,480 {\an8}Soft guitar music 1130 00:58:32,720 --> 00:58:47,240 {\an8}--- 1131 00:58:47,480 --> 00:58:48,920 {\an8}- Ah, Georges! 1132 00:58:49,480 --> 00:58:51,080 {\an8}- Hello, Salvador. - Yes yes. 1133 00:58:51,320 --> 00:58:54,480 {\an8}Georges, you haven't seen an old Dali in a wheelchair 1134 00:58:54,720 --> 00:58:56,920 {\an8}walk around the property? 1135 00:58:57,800 --> 00:58:58,680 {\an8}- An old you? 1136 00:58:58,920 --> 00:59:02,080 {\an8}- Yes, very old, very ugly. In a wheelchair. 1137 00:59:02,320 --> 00:59:03,000 {\an8}- No, no. 1138 00:59:03,720 --> 00:59:05,280 {\an8}- Certain? - I saw no one, 1139 00:59:05,520 --> 00:59:06,560 {\an8}I promise you. 1140 00:59:06,800 --> 00:59:07,800 {\an8}- A hallucination, 1141 00:59:08,040 --> 00:59:09,520 {\an8}it's likely. 1142 00:59:10,280 --> 00:59:11,280 {\an8}See you later. 1143 00:59:11,520 --> 00:59:17,040 {\an8}--- 1144 00:59:17,280 --> 00:59:18,840 {\an8}- How old am I? 1145 00:59:19,520 --> 00:59:20,720 {\an8}How old am I? 1146 00:59:21,320 --> 00:59:23,080 {\an8}How old am I, in God's name? 1147 00:59:23,720 --> 00:59:26,440 {\an8}Am I an infant or an old man? 1148 00:59:26,800 --> 00:59:28,200 {\an8}Or a mixture of the two? 1149 00:59:29,040 --> 00:59:30,440 {\an8}I don't know anymore. 1150 00:59:30,680 --> 00:59:34,200 {\an8}Maybe by cutting myself in two, we would see my real age. 1151 00:59:34,440 --> 00:59:37,840 {\an8}Like we do for trees. It's surely possible. 1152 00:59:38,440 --> 00:59:39,280 {\an8}Ah, no! 1153 00:59:39,520 --> 00:59:41,680 {\an8}I know, it's coming back to me now. 1154 00:59:41,920 --> 00:59:43,040 {\an8}I'm old. 1155 00:59:43,280 --> 00:59:45,640 {\an8}I even have old hands. 1156 00:59:46,200 --> 00:59:49,360 {\an8}Yes, that's it, that's for sure. I'm old. 1157 00:59:49,600 --> 00:59:51,560 {\an8}--- 1158 00:59:51,800 --> 00:59:53,080 {\an8}Idiot! 1159 00:59:53,760 --> 00:59:54,840 {\an8}Idiot! 1160 00:59:55,640 --> 00:59:57,800 {\an8}- Why I wanted to make a film? 1161 00:59:58,040 --> 01:00:00,360 {\an8}How could I imagine that I would get there? 1162 01:00:01,080 --> 01:00:03,200 {\an8}I don't even know how a camera works. 1163 01:00:03,440 --> 01:00:06,880 {\an8}--- 1164 01:00:07,120 --> 01:00:10,520 {\an8}I've never filmed anything in my life, It's not my thing at all. 1165 01:00:10,760 --> 01:00:12,760 {\an8}--- 1166 01:00:13,000 --> 01:00:14,240 {\an8}I'm rubbish. 1167 01:00:14,480 --> 01:00:16,640 {\an8}--- 1168 01:00:16,880 --> 01:00:18,480 {\an8}Sigh I'm so bad. 1169 01:00:19,440 --> 01:00:20,680 {\an8}- You're rubbish! 1170 01:00:20,920 --> 01:00:22,520 {\an8}--- 1171 01:00:22,760 --> 01:00:24,800 {\an8}You're rubbish, you're a pharmacist. 1172 01:00:25,040 --> 01:00:26,000 {\an8}- I suck. 1173 01:00:26,240 --> 01:00:27,760 {\an8}- You can't do it. 1174 01:00:28,240 --> 01:00:29,680 {\an8}You're not a journalist. 1175 01:00:30,080 --> 01:00:31,240 {\an8}You're rubbish. 1176 01:00:31,480 --> 01:00:33,920 {\an8}- I suck. I'm so bad. 1177 01:00:34,160 --> 01:00:35,440 {\an8}--- 1178 01:00:35,680 --> 01:00:38,400 {\an8}How could I imagine that I would be able to do it? 1179 01:00:39,440 --> 01:00:40,920 {\an8}(Distorted voice) Salvador! 1180 01:00:41,160 --> 01:00:47,120 {\an8}--- 1181 01:00:47,360 --> 01:00:48,800 {\an8}Salvador! 1182 01:00:49,040 --> 01:00:58,200 {\an8}--- 1183 01:00:58,440 --> 01:01:01,920 {\an8}- Fuck, but you're completely stupid, it's not possible! 1184 01:01:02,160 --> 01:01:08,800 {\an8}--- 1185 01:01:09,040 --> 01:01:10,440 {\an8}- Anything! 1186 01:01:22,600 --> 01:01:24,400 {\an8}Is that the mustache for Dali? 1187 01:02:11,360 --> 01:02:12,880 {\an8}*I'm sorry, I'm tired. 1188 01:02:13,120 --> 01:02:16,920 {\an8}*I mix everything up, I have the impression to say anything. 1189 01:02:17,160 --> 01:02:18,520 {\an8}It's getting confusing, right? 1190 01:02:19,280 --> 01:02:20,760 {\an8}- Yes, we don't care. 1191 01:02:21,160 --> 01:02:22,880 {\an8}Let's change the subject. 1192 01:02:23,120 --> 01:02:25,840 {\an8}We will come back a little back, 1193 01:02:26,080 --> 01:02:27,480 {\an8}if you want. 1194 01:02:27,720 --> 01:02:28,440 {\an8}Talk to me 1195 01:02:28,680 --> 01:02:31,600 {\an8}of your short career of a journalist. 1196 01:02:31,840 --> 01:02:33,880 {\an8}That interests me a lot. 1197 01:02:34,120 --> 01:02:35,000 {\an8}Go ahead. 1198 01:02:35,240 --> 01:02:36,560 {\an8}- What do you want to know? 1199 01:02:36,800 --> 01:02:37,800 {\an8}- I don't know. 1200 01:02:38,040 --> 01:02:41,240 {\an8}You can tell me... How did it start? 1201 01:02:41,480 --> 01:02:43,720 {\an8}- Well, I don't know anymore. 1202 01:02:44,240 --> 01:02:46,080 {\an8}It's far away, I forgot. 1203 01:02:46,320 --> 01:02:48,120 {\an8}- It doesn't matter, just make it up. 1204 01:02:48,360 --> 01:02:51,120 {\an8}Hey, yes, let's make this like a game. 1205 01:02:52,040 --> 01:02:54,080 {\an8}Go ahead, I'll listen to you. 1206 01:02:54,880 --> 01:02:58,000 {\an8}Invent your start to your career, to see. 1207 01:02:58,640 --> 01:03:00,320 {\an8}- OK, well... 1208 01:03:01,200 --> 01:03:03,760 {\an8}So, I don't know, one day... 1209 01:03:04,600 --> 01:03:06,080 {\an8}- Yes? 1210 01:03:07,000 --> 01:03:08,520 {\an8}- One day... We knock. 1211 01:03:08,960 --> 01:03:09,600 {\an8}Yes? 1212 01:03:09,840 --> 01:03:10,920 {\an8}Door 1213 01:03:13,080 --> 01:03:15,080 {\an8}- Your appointment is here, there you go. 1214 01:03:22,160 --> 01:03:23,680 {\an8}- Hello. 1215 01:03:24,280 --> 01:03:25,360 {\an8}- Hello. 1216 01:03:27,320 --> 01:03:28,120 {\an8}- Thank you. 1217 01:03:28,360 --> 01:03:29,840 {\an8}- Sixty minutes, OK? 1218 01:03:30,080 --> 01:03:31,560 {\an8}- It works, thank you. 1219 01:03:33,240 --> 01:03:34,120 {\an8}Door 1220 01:03:34,360 --> 01:03:35,320 {\an8}- Mmh. 1221 01:03:41,720 --> 01:03:43,200 {\an8}Do you remember me? 1222 01:03:43,920 --> 01:03:44,960 {\an8}- No. 1223 01:03:45,920 --> 01:03:46,920 {\an8}You know, 1224 01:03:47,760 --> 01:03:51,600 {\an8}it's roughly the 150,000th interview 1225 01:03:51,840 --> 01:03:53,920 {\an8}that I do with my whole life. 1226 01:03:54,160 --> 01:03:56,840 {\an8}And it is absolutely impossible for me 1227 01:03:57,080 --> 01:04:00,880 {\an8}to memorize the head of all these journalists. 1228 01:04:01,120 --> 01:04:01,840 {\an8}- 150,000, 1229 01:04:02,080 --> 01:04:05,240 {\an8}that's a lot for one man. Are you fed up? 1230 01:04:05,960 --> 01:04:08,640 {\an8}- Okay, let's go. Let's go, let's go. 1231 01:04:08,880 --> 01:04:10,320 {\an8}- I have lots of questions. 1232 01:04:11,360 --> 01:04:13,920 {\an8}- Yeah. Where is the camera? Where is she? 1233 01:04:14,160 --> 01:04:15,880 {\an8}Where should I look? 1234 01:04:16,120 --> 01:04:17,320 {\an8}- There is none, 1235 01:04:17,800 --> 01:04:19,920 {\an8}it's an interview for a magazine. 1236 01:04:20,160 --> 01:04:23,240 {\an8}*There is none, It’s an interview for a magazine. 1237 01:04:23,480 --> 01:04:25,120 {\an8}*-It's perfect, I love it. 1238 01:04:25,360 --> 01:04:26,240 {\an8}*-Look at me. 1239 01:04:26,960 --> 01:04:29,920 {\an8}*-I love it as much, I don't care not about my appearance. 1240 01:04:30,520 --> 01:04:32,840 {\an8}*What asks me a lot of effort. 1241 01:04:33,080 --> 01:04:36,040 {\an8}*That suits me a lot. I hate being filmed. 1242 01:04:36,520 --> 01:04:38,080 {\an8}*Come on, I'm yours. 1243 01:04:38,320 --> 01:04:39,320 {\an8}*-Very good. 1244 01:04:39,560 --> 01:04:42,400 {\an8}*To start, I have a very simple question. 1245 01:04:42,640 --> 01:04:46,040 {\an8}*No one asks it, I imagine, but it interests me. 1246 01:04:46,800 --> 01:04:47,920 {\an8}*Are you okay? 1247 01:04:49,280 --> 01:04:52,960 {\an8}- You know that I have a habit, since my earliest childhood, 1248 01:04:53,200 --> 01:04:56,440 {\an8}never respond to the questions asked of me. 1249 01:04:56,680 --> 01:04:59,320 {\an8}On the other hand, I would like to take advantage 1250 01:04:59,560 --> 01:05:03,640 {\an8}of this sublime intimacy between us 1251 01:05:03,880 --> 01:05:09,240 {\an8}to say all the good things that I think of a cinematography film 1252 01:05:09,480 --> 01:05:14,520 {\an8}absolutely masterful and delicious! 1253 01:05:14,760 --> 01:05:16,160 {\an8}Which is dedicated to Dali. 1254 01:05:16,400 --> 01:05:20,400 {\an8}Who is for me an absolutely essential documentary 1255 01:05:20,640 --> 01:05:26,800 {\an8}to the extent that it reveals a Dali which had never been shown 1256 01:05:27,040 --> 01:05:29,320 {\an8}to the public, until then. 1257 01:05:29,560 --> 01:05:31,680 {\an8}And he proves, 1258 01:05:31,920 --> 01:05:36,600 {\an8}if it is necessary to be proven, this which seems completely useless to me, 1259 01:05:36,840 --> 01:05:39,680 {\an8}that Dali is probably... 1260 01:05:39,920 --> 01:05:44,520 {\an8}That I'm probably... That, I will say it in all sincerity. 1261 01:05:44,760 --> 01:05:47,120 {\an8}In all humility. 1262 01:05:47,360 --> 01:05:51,440 {\an8}The only artist still alive on this miserable 1263 01:05:51,680 --> 01:05:54,000 {\an8}*small planet. 1264 01:06:10,960 --> 01:06:13,320 {\an8}*Soft guitar music 1265 01:06:13,560 --> 01:06:16,920 {\an8}*--- 1266 01:06:17,160 --> 01:06:18,080 {\an8}Little laugh 1267 01:06:18,320 --> 01:06:22,960 {\an8}*--- 1268 01:06:23,200 --> 01:06:25,920 {\an8}Applause 1269 01:06:26,160 --> 01:06:27,800 {\an8}--- Cheers 1270 01:06:28,040 --> 01:06:29,400 {\an8}------ 1271 01:06:29,640 --> 01:06:30,920 {\an8}- And she did it! 1272 01:06:31,160 --> 01:06:33,800 {\an8}------ 1273 01:06:34,040 --> 01:06:35,680 {\an8}- A speech! - Yes, a speech! 1274 01:06:35,920 --> 01:06:37,280 {\an8}- No, no. - Go ahead, come on! 1275 01:06:37,520 --> 01:06:39,160 {\an8}- Come on, shit! 1276 01:06:39,400 --> 01:06:40,040 {\an8}Still! 1277 01:06:40,280 --> 01:06:42,160 {\an8}- No, I suck for these things. 1278 01:06:42,400 --> 01:06:43,680 {\an8}But... 1279 01:06:43,920 --> 01:06:47,160 {\an8}if I had to say one thing tonight, only one thing, 1280 01:06:47,400 --> 01:06:50,200 {\an8}I think it would simply be: “Long live Dali!” 1281 01:06:50,440 --> 01:06:52,080 {\an8}- Ah yes, very good! 1282 01:07:01,120 --> 01:07:02,200 {\an8}Gunshot 1283 01:07:09,360 --> 01:07:11,720 {\an8}*Soft guitar music 1284 01:07:11,960 --> 01:07:20,000 {\an8}*--- 1285 01:07:20,240 --> 01:07:22,600 {\an8}- So what is what do you think? 1286 01:07:23,000 --> 01:07:24,160 {\an8}He sighs. 1287 01:07:24,400 --> 01:07:26,160 {\an8}*--- 1288 01:07:26,400 --> 01:07:27,760 {\an8}- Well, no. 1289 01:07:28,000 --> 01:07:31,640 {\an8}I find it abnormal 1290 01:07:31,880 --> 01:07:34,280 {\an8}than a film about Dali 1291 01:07:34,640 --> 01:07:38,160 {\an8}ends on an image of a woman who is not Dali. 1292 01:07:38,400 --> 01:07:39,080 {\an8}There you go. 1293 01:07:39,320 --> 01:07:41,120 {\an8}- Ah. - I don't like it. 1294 01:07:42,360 --> 01:07:47,560 {\an8}A film about Dali must end on an image 1295 01:07:47,800 --> 01:07:48,960 {\an8}*by Dali, it seems to me. 1296 01:07:49,200 --> 01:07:51,040 {\an8}*-Mmh, yes, maybe. 1297 01:07:51,400 --> 01:07:52,600 {\an8}*-I think, it's better. 1298 01:07:52,840 --> 01:08:01,440 {\an8}*--- 1299 01:08:01,680 --> 01:08:02,360 {\an8}- So? 1300 01:08:02,600 --> 01:08:04,760 {\an8}- It's better, much better! 1301 01:08:05,000 --> 01:08:06,680 {\an8}- Great. - I like it, I like it. 1302 01:08:06,920 --> 01:08:10,280 {\an8}But it seems to me 1303 01:08:10,800 --> 01:08:14,520 {\an8}which I don't like at all the shirt that Dali wears 1304 01:08:14,760 --> 01:08:16,120 {\an8}in the image. 1305 01:08:16,360 --> 01:08:17,120 {\an8}- Ah. 1306 01:08:17,360 --> 01:08:18,800 {\an8}- Yes, I don't like it. 1307 01:08:19,240 --> 01:08:22,920 {\an8}Dali must wear a totally different shirt 1308 01:08:23,160 --> 01:08:25,520 {\an8}*to end the film well. 1309 01:08:26,600 --> 01:08:27,600 {\an8}*-Okay. 1310 01:08:28,280 --> 01:08:29,640 {\an8}*-I think it's better. 1311 01:08:31,200 --> 01:08:39,000 {\an8}*--- 1312 01:08:39,240 --> 01:08:40,360 {\an8}- Now? 1313 01:08:40,600 --> 01:08:41,600 {\an8}- That's very good. 1314 01:08:41,840 --> 01:08:44,600 {\an8}Very good. I prefer indeed this shirt. 1315 01:08:44,840 --> 01:08:47,760 {\an8}- Ah. - But nevertheless, 1316 01:08:48,000 --> 01:08:53,360 {\an8}it seems to me that for good finish Dali's film... 1317 01:08:53,600 --> 01:08:55,000 {\an8}- Yes, tell me. 1318 01:08:56,400 --> 01:08:58,840 {\an8}- It would be more judicious 1319 01:09:00,040 --> 01:09:03,040 {\an8}that Dali is alone in the image. 1320 01:09:04,800 --> 01:09:05,760 {\an8}- Alone? 1321 01:09:06,000 --> 01:09:07,320 {\an8}*-Without anyone. 1322 01:09:11,400 --> 01:09:12,520 {\an8}*-Ah, okay. 1323 01:09:12,760 --> 01:09:14,160 {\an8}*-I think it's better. 1324 01:09:16,160 --> 01:09:18,080 {\an8}*--- 1325 01:09:18,320 --> 01:09:21,240 {\an8}There, it's better, there, it's perfect! 1326 01:09:21,480 --> 01:09:22,600 {\an8}There! 1327 01:09:22,840 --> 01:09:24,000 {\an8}*--- 1328 01:09:24,240 --> 01:09:25,560 {\an8}It’s Dali! 1329 01:09:25,800 --> 01:09:28,640 {\an8}*--- 1330 01:09:31,320 --> 01:09:34,400 {\an8}- That’s even more Dali! 1331 01:09:36,120 --> 01:11:06,640 {\an8}--- 1332 01:11:06,880 --> 01:12:52,080 {\an8}--- 1333 01:12:52,320 --> 01:14:47,360 {\an8}--- 1334 01:14:47,600 --> 01:14:50,160 {\an8}Subtitles: Sandrine Niggeler 1335 01:14:50,400 --> 01:14:52,840 {\an8}Subtitling: TRANSPERFECT MEDIA