1
00:00:07,083 --> 00:00:10,003
♪ (DREAMY MUSIC PLAYING) ♪

2
00:00:11,763 --> 00:00:12,723
So...

3
00:00:13,563 --> 00:00:15,202
I'm sure
you've all been programmed

4
00:00:15,203 --> 00:00:16,723
to expect something radical.

5
00:00:18,003 --> 00:00:19,923
But what I have here
for you today...

6
00:00:20,723 --> 00:00:22,203
it really isn't new at all.

7
00:00:24,403 --> 00:00:26,763
♪ (DREAMY MUSIC CONTINUES) ♪

8
00:00:34,483 --> 00:00:36,322
♪ (DREAMY MUSIC FADES) ♪

9
00:00:36,323 --> 00:00:39,322
We know you have
a decades-long plan

10
00:00:39,323 --> 00:00:41,642
to become entrenched
in Western markets,

11
00:00:41,643 --> 00:00:44,763
sports franchises,
entertainment venues.

12
00:00:45,483 --> 00:00:46,803
But a bank...

13
00:00:47,923 --> 00:00:50,402
is a more unique proposition

14
00:00:50,403 --> 00:00:53,922
in terms of its reach
and influence

15
00:00:53,923 --> 00:00:56,522
over foreign institutions.

16
00:00:56,523 --> 00:00:59,762
Finance isn't a space
you can just break into.

17
00:00:59,763 --> 00:01:01,562
You'll be buying both our U.S.

18
00:01:01,563 --> 00:01:03,962
and our European
banking licenses.

19
00:01:03,963 --> 00:01:05,602
Plug and play.

20
00:01:05,603 --> 00:01:06,922
MIKEY LEIBOWITZ: (OVER SPEAKER)
<i>Uh, excuse me,</i>

21
00:01:06,923 --> 00:01:08,562
<i>it's Mikey Leibowitz
from Vanguard.</i>

22
00:01:08,563 --> 00:01:10,402
<i>As one
of your biggest investors,</i>

23
00:01:10,403 --> 00:01:11,403
<i>we'd like to know</i>

24
00:01:11,404 --> 00:01:13,082
<i>why Pierpoint is showing
so much leg here.</i>

25
00:01:13,083 --> 00:01:15,242
Uh, sorry, Mikey.
(CHUCKLES NERVOUSLY)

26
00:01:15,243 --> 00:01:17,482
Care to explain
what you actually mean there?

27
00:01:17,483 --> 00:01:20,282
I think he means
that Al-Mi'raj Holdings

28
00:01:20,283 --> 00:01:22,002
is just private equity makeup

29
00:01:22,003 --> 00:01:24,883
masking the true face
of a sovereign wealth fund.

30
00:01:25,803 --> 00:01:27,643
As long as we're all aware...

31
00:01:28,723 --> 00:01:31,763
this is state-backed financing.

32
00:01:32,803 --> 00:01:38,522
(SPEAKS ARABIC)

33
00:01:38,523 --> 00:01:40,762
♪ (TENSE MUSIC PLAYING) ♪

34
00:01:40,763 --> 00:01:43,642
LILY HAVERS: (IN ENGLISH) "We would
like to know why you think your imperialism

35
00:01:43,643 --> 00:01:45,163
is better than ours."

36
00:01:46,043 --> 00:01:48,163
(INHALES, CHUCKLES)

37
00:01:50,043 --> 00:01:52,003
♪ (TENSE MUSIC CONTINUES) ♪

38
00:02:04,443 --> 00:02:05,682
(CAR DOOR CLOSES)

39
00:02:05,683 --> 00:02:07,682
(BIRDS CALLING IN DISTANCE)

40
00:02:07,683 --> 00:02:10,483
(FISHING REEL CLICKS)

41
00:02:12,763 --> 00:02:14,763
Et tu, Brute?

42
00:02:16,003 --> 00:02:17,762
(WATER SPLASHING)

43
00:02:17,763 --> 00:02:18,843
OTTO MOSTYN: Harper...

44
00:02:19,803 --> 00:02:23,203
people who fuck around
with my investments...

45
00:02:24,763 --> 00:02:26,883
find themselves cut off
from society.

46
00:02:27,963 --> 00:02:31,603
Invasions of privacy.
Bureaucratic entanglements.

47
00:02:32,163 --> 00:02:33,722
Do sit down.

48
00:02:33,723 --> 00:02:37,842
I have ways and means
of making people's lives hell.

49
00:02:37,843 --> 00:02:39,043
So what? You're...

50
00:02:39,883 --> 00:02:41,443
threatening me out loud now?
(SCOFFS)

51
00:02:42,883 --> 00:02:44,522
- If I told you...
- (ZIPPER CLOSING)

52
00:02:44,523 --> 00:02:48,282
...sovereign wealth money
had come into Pierpoint,

53
00:02:48,283 --> 00:02:52,803
would you use that information
to take profit on your short?

54
00:02:55,163 --> 00:02:56,603
The whole game is information.

55
00:02:59,043 --> 00:03:00,123
I was born

56
00:03:00,843 --> 00:03:02,602
as a node in an average network.

57
00:03:02,603 --> 00:03:04,842
I worked hard
to become a key node

58
00:03:04,843 --> 00:03:05,882
in an excellent one.

59
00:03:05,883 --> 00:03:07,803
Betting on sure things
is the aim.

60
00:03:09,723 --> 00:03:11,243
Petra doesn't see it that way.

61
00:03:11,563 --> 00:03:12,563
(SNICKERS)

62
00:03:13,563 --> 00:03:15,922
- I'm very aware of that.
- (ZIPPER OPENING)

63
00:03:15,923 --> 00:03:18,282
OTTO: And it's probably more
shameful to trust our friends,

64
00:03:18,283 --> 00:03:19,843
than to be deceived by them.

65
00:03:21,283 --> 00:03:22,483
She's a tattletale.

66
00:03:24,003 --> 00:03:25,483
And she's why I called you here.

67
00:03:28,723 --> 00:03:29,643
(OTTO SIGHS)

68
00:03:29,644 --> 00:03:32,123
I want a spiritual successor
to my operations.

69
00:03:33,643 --> 00:03:34,763
Peter's too old.

70
00:03:35,683 --> 00:03:37,082
And even he's lost
the cloacal breath

71
00:03:37,083 --> 00:03:39,242
and bought a grouse moor.

72
00:03:39,243 --> 00:03:42,682
I want someone who believes
in trading like I trade.

73
00:03:42,683 --> 00:03:45,643
Who understands that nothing
comes from nothing.

74
00:03:47,563 --> 00:03:49,243
I'd be
an interesting figurehead.

75
00:03:50,043 --> 00:03:51,722
The optics are good.

76
00:03:51,723 --> 00:03:54,043
You'd make my fund
look terribly modern.

77
00:03:56,683 --> 00:03:58,722
But I also want someone
who understands

78
00:03:58,723 --> 00:04:00,962
and wears
the attendant downside risks

79
00:04:00,963 --> 00:04:02,723
that I've worn for years now.

80
00:04:04,563 --> 00:04:06,723
Look, when you're as good as us,
you don't get caught.

81
00:04:08,043 --> 00:04:10,522
But one day, there may well be
a rather loud knock on the door

82
00:04:10,523 --> 00:04:12,763
that requires
a fucking expensive lawyer.

83
00:04:14,763 --> 00:04:16,162
Fuck me.

84
00:04:16,163 --> 00:04:18,403
This all sounds
rather Faustian, doesn't it?

85
00:04:19,363 --> 00:04:22,283
Forgive me. I'm not Beelzebub.

86
00:04:23,083 --> 00:04:26,682
I'm something...
far more dangerous.

87
00:04:26,683 --> 00:04:27,763
(KNIFE SLASHING)

88
00:04:31,323 --> 00:04:32,403
A primate...

89
00:04:33,963 --> 00:04:35,723
aware of his own mortality.

90
00:04:42,043 --> 00:04:44,242
♪ (TENSE MUSIC FADES) ♪

91
00:04:44,243 --> 00:04:46,723
(CHILDREN CLAMOR)

92
00:04:47,523 --> 00:04:48,883
(INDISTINCT CHATTER)

93
00:04:51,283 --> 00:04:53,803
- (CAR DOOR SLAMS SHUT)
- (CHILDREN SCREAMING)

94
00:04:55,083 --> 00:05:00,443
(CELL PHONE BUZZES)

95
00:05:03,203 --> 00:05:04,282
Hello.

96
00:05:04,283 --> 00:05:06,362
ROSE WINTER: (OVER PHONE)
<i>What the hell is this email?</i>

97
00:05:06,363 --> 00:05:08,162
I think you know what it is.

98
00:05:08,163 --> 00:05:10,002
How dare you
try to intimidate me?

99
00:05:10,003 --> 00:05:11,162
YASMIN KARA-HANANI:
<i>And what the fuck</i>

100
00:05:11,163 --> 00:05:13,082
<i>were you trying to do to me
the last time that we met?</i>

101
00:05:13,083 --> 00:05:15,522
This is what's gonna happen,
okay, you stupid fucking bitch?

102
00:05:15,523 --> 00:05:17,842
You're gonna pay the restitution
to the embezzlement claimants,

103
00:05:17,843 --> 00:05:20,402
and you're going
to leave me the fuck alone.

104
00:05:20,403 --> 00:05:22,082
(CHUCKLING)
Do you have any idea...

105
00:05:22,083 --> 00:05:23,562
I know you like
to think of yourself

106
00:05:23,563 --> 00:05:25,522
as some bootleg Anna Wintour,

107
00:05:25,523 --> 00:05:27,402
but the board
are not gonna think twice

108
00:05:27,403 --> 00:05:28,682
about kicking you to the curb.

109
00:05:28,683 --> 00:05:30,922
I mean, thi...
this is the systemic cover-up

110
00:05:30,923 --> 00:05:32,722
by a female-led institution

111
00:05:32,723 --> 00:05:34,802
of a man's consistent pattern
of abuse.

112
00:05:34,803 --> 00:05:36,322
I mean, I don't know about you,

113
00:05:36,323 --> 00:05:37,762
but I think
that's a sensational story,

114
00:05:37,763 --> 00:05:39,362
and I know exactly
where to take it.

115
00:05:39,363 --> 00:05:40,682
ROSE: <i>All right, uh, where?</i>

116
00:05:40,683 --> 00:05:42,522
Wh... Who...
Who will listen to you?

117
00:05:42,523 --> 00:05:44,802
What network do you have?

118
00:05:44,803 --> 00:05:47,323
Rose, I think you forget
who my family are.

119
00:05:48,483 --> 00:05:49,643
ROSE: <i>What family?</i>

120
00:05:54,683 --> 00:05:56,483
This is the courtesy
of a final warning.

121
00:05:57,763 --> 00:05:59,322
ROSE: <i>You know what?</i>

122
00:05:59,323 --> 00:06:01,523
You sound exactly
like your father.

123
00:06:04,243 --> 00:06:05,563
I sound nothing like him.

124
00:06:06,363 --> 00:06:07,363
He was weak.

125
00:06:09,843 --> 00:06:10,963
(CELL PHONE CLATTERS)

126
00:06:12,083 --> 00:06:14,363
(CHILD WAILS)

127
00:06:14,843 --> 00:06:16,042
(REPEATING THUDS)

128
00:06:16,043 --> 00:06:17,522
CHILD: Come on!

129
00:06:17,523 --> 00:06:19,922
♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

130
00:06:19,923 --> 00:06:22,123
- (INDISTINCT CHATTER)
- (SCANNER BEEPING)

131
00:06:33,843 --> 00:06:34,803
(YASMIN SNIFFLES)

132
00:06:41,803 --> 00:06:42,763
Henry.

133
00:06:43,403 --> 00:06:45,443
Hi, um, been a while.

134
00:06:54,443 --> 00:06:56,402
TOM WOLSEY:
<i>We're still over a barrel.</i>

135
00:06:56,403 --> 00:06:59,162
If we look like we're trading
to zero at U.S. open,

136
00:06:59,163 --> 00:07:01,002
they'll buy us
for a single U.S. dollar

137
00:07:01,003 --> 00:07:02,642
and we'll be grateful.

138
00:07:02,643 --> 00:07:05,762
- We need share price stability.
- How do we ensure that?

139
00:07:05,763 --> 00:07:07,762
I'm flying to New York
so that when they wake up,

140
00:07:07,763 --> 00:07:09,562
I can speak
to our big investors.

141
00:07:09,563 --> 00:07:11,522
Vanguard sounded edgy.

142
00:07:11,523 --> 00:07:13,802
I'll speak to BlackRock
and Berkshire Hathaway

143
00:07:13,803 --> 00:07:16,842
to make sure the Al-Mi'raj offer
flies through uncontested.

144
00:07:16,843 --> 00:07:19,842
And crucially,
also to our employees.

145
00:07:19,843 --> 00:07:23,362
We need to present today
as just another trading day.

146
00:07:23,363 --> 00:07:25,642
Can one of you address London
while I'm in the air?

147
00:07:25,643 --> 00:07:26,842
I'll dial in.

148
00:07:26,843 --> 00:07:29,802
Wilhelmina, it may help
coming from someone senior.

149
00:07:29,803 --> 00:07:32,882
If we're looking
to maintain the status quo...

150
00:07:32,883 --> 00:07:34,883
Eric is the voice
of the status quo.

151
00:07:37,843 --> 00:07:41,562
I can... I can do it.
I'll... I'll speak to London.

152
00:07:41,563 --> 00:07:44,402
Can't imagine how many billions
of words you've said in sales.

153
00:07:44,403 --> 00:07:45,522
(WILHELMINA FASSBINDER CHUCKLES)

154
00:07:45,523 --> 00:07:46,843
Time for some choice ones.

155
00:07:51,043 --> 00:07:52,243
(DOOR CHIME DINGS)

156
00:07:56,483 --> 00:07:57,602
Uh...

157
00:07:57,603 --> 00:07:59,562
- Rob, it's like 9:00 a.m.
- (CAR DOOR CLOSES)

158
00:07:59,563 --> 00:08:00,602
(PANTING) So?

159
00:08:00,603 --> 00:08:02,642
It's never too early
for these. (CHUCKLES)

160
00:08:02,643 --> 00:08:04,723
- (CHUCKLES DRYLY)
- (GROANS)

161
00:08:05,843 --> 00:08:07,802
Who were you on the phone to?

162
00:08:07,803 --> 00:08:10,242
Uh, I was talking
to Henry. (SNIFFS)

163
00:08:10,243 --> 00:08:11,723
- ROBERT SPEARING: Oh, yeah?
- Hmm.

164
00:08:12,203 --> 00:08:13,482
What did he want?

165
00:08:13,483 --> 00:08:14,962
I called him.

166
00:08:14,963 --> 00:08:16,682
Um, I kind of thought

167
00:08:16,683 --> 00:08:19,202
that his dumb "smart" money
might be a good place for you

168
00:08:19,203 --> 00:08:21,122
to start
seed funding conversations.

169
00:08:21,123 --> 00:08:22,682
(ROBERT LAUGHS)

170
00:08:22,683 --> 00:08:24,842
- ♪ (DREAMY MUSIC PLAYING) ♪
- It's funny 'cause, um...

171
00:08:24,843 --> 00:08:27,242
I'd actually been thinking
the exact same thing.

172
00:08:27,243 --> 00:08:29,962
But I... I thought
you might be uncomfortable.

173
00:08:29,963 --> 00:08:31,442
Oh, God, fuck that.

174
00:08:31,443 --> 00:08:34,042
- Take the money and run, babe.
- (BOTH LAUGH)

175
00:08:34,043 --> 00:08:37,402
Yeah, no, he wants us
to swing by for a face-to-face.

176
00:08:37,403 --> 00:08:39,763
Uh, he's at his uncle's.
It's kind of on the way home.

177
00:08:40,523 --> 00:08:42,963
What, now? You're not tired?

178
00:08:44,083 --> 00:08:47,282
You know, I got this
sort of jolt of vicarious energy

179
00:08:47,283 --> 00:08:49,082
at the thought of you
just rinsing

180
00:08:49,083 --> 00:08:51,083
- the bitch's coffers.
- (BOTH LAUGH)

181
00:08:52,243 --> 00:08:53,442
YASMIN: So, um...

182
00:08:53,443 --> 00:08:55,562
- (SEAT BELT CLICKS)
- ...would Little Labs

183
00:08:55,563 --> 00:08:57,362
mean a move to New York?

184
00:08:57,363 --> 00:08:59,163
ROBERT: (INHALES) California.

185
00:09:01,163 --> 00:09:02,362
Shame.

186
00:09:02,363 --> 00:09:05,242
I'd murder for a little res
at the Polo Bar.

187
00:09:05,243 --> 00:09:08,402
Glass of Ruinart,
dozen oysters. God, heaven!

188
00:09:08,403 --> 00:09:09,843
(BOTH CHUCKLE)

189
00:09:10,163 --> 00:09:11,163
So...

190
00:09:12,163 --> 00:09:13,443
where are we headed then, boss?

191
00:09:15,163 --> 00:09:17,562
Deepest, darkest Somerset.

192
00:09:17,563 --> 00:09:19,763
(IN SOMERSET ACCENT)
Oh, marvelous. (LAUGHS)

193
00:09:21,163 --> 00:09:23,442
- So did you win?
- What?

194
00:09:23,443 --> 00:09:25,803
Your little lottery thing,
did you win?

195
00:09:26,523 --> 00:09:28,283
Of course not. (CHUCKLES)

196
00:09:35,563 --> 00:09:38,483
- (AGITATED CHATTER)
- ♪ (DREAMY MUSIC CONTINUES) ♪

197
00:09:39,123 --> 00:09:40,202
Hi.

198
00:09:40,203 --> 00:09:41,722
♪ (DREAMY MUSIC FADES) ♪

199
00:09:41,723 --> 00:09:45,003
So, I know some of you
haven't been home.

200
00:09:46,603 --> 00:09:47,563
Guys?

201
00:09:48,483 --> 00:09:50,202
Yeah, lot of uncertainty.

202
00:09:50,203 --> 00:09:51,642
(INDISTINCT CHATTER)

203
00:09:51,643 --> 00:09:53,163
ERIC TAO: (OVER SPEAKERS)
<i>Guys, can I...</i>

204
00:09:55,043 --> 00:09:56,122
(CHATTER FADES)

205
00:09:56,123 --> 00:09:58,923
ERIC: Can...
Can I have your attention?

206
00:10:00,443 --> 00:10:02,323
Okay. (SMACKS LIPS)

207
00:10:03,643 --> 00:10:06,923
How we carry ourselves
through turbulence

208
00:10:07,883 --> 00:10:09,642
is how we define ourselves.

209
00:10:09,643 --> 00:10:13,082
Let me take you back to 2008.

210
00:10:13,083 --> 00:10:14,562
- (EMPLOYEES MURMURING)
- ERIC: I know.

211
00:10:14,563 --> 00:10:16,802
The eye of the Lehman storm.

212
00:10:16,803 --> 00:10:20,963
Hours from insolvency.
Do you know what we did?

213
00:10:24,443 --> 00:10:26,122
We came to work.

214
00:10:26,123 --> 00:10:28,522
- (EMPLOYEE SCOFFS)
- We answered the phones.

215
00:10:28,523 --> 00:10:31,963
We printed tickets.
We carried the day!

216
00:10:32,883 --> 00:10:35,642
<i>It is imperative
you go to your desk</i>

217
00:10:35,643 --> 00:10:37,722
<i>and let clients know,</i>

218
00:10:37,723 --> 00:10:41,562
this morning,
the sun still rose on Pierpoint.

219
00:10:41,563 --> 00:10:44,042
'08 was totally different.
We had capital reserves

220
00:10:44,043 --> 00:10:45,162
and good management.

221
00:10:45,163 --> 00:10:47,002
(EMPLOYEES APPLAUD)

222
00:10:47,003 --> 00:10:48,762
Apparently, you're sending us
down the river

223
00:10:48,763 --> 00:10:50,842
to the fucking Gulf
of all places.

224
00:10:50,843 --> 00:10:52,882
EMPLOYEE 1: The Gulf?
They'll fire us all!

225
00:10:52,883 --> 00:10:54,082
EMPLOYEE 2: Are you serious?

226
00:10:54,083 --> 00:10:57,962
It would be unwise to confirm
or deny speculation...

227
00:10:57,963 --> 00:10:59,482
- (EMPLOYEES JEERING)
- EMPLOYEE 3: Fucking hell!

228
00:10:59,483 --> 00:11:00,682
ERIC: ...given... given the...

229
00:11:00,683 --> 00:11:03,082
the sensitivity
of our share price.

230
00:11:03,083 --> 00:11:06,123
(OVERLAPPING ANGRY CHATTER)

231
00:11:09,763 --> 00:11:10,763
You know...

232
00:11:12,483 --> 00:11:14,962
I've stood
in this room many times.

233
00:11:14,963 --> 00:11:15,923
(CHATTER FADES)

234
00:11:15,924 --> 00:11:18,123
I've... I've watched
a lot of you grow up.

235
00:11:20,203 --> 00:11:26,363
I think, if I could see myself
as a grad now...

236
00:11:27,963 --> 00:11:31,722
- ♪ (TENSE MUSIC PLAYING) ♪
- Me, immigrant son,

237
00:11:31,723 --> 00:11:36,962
<i>bespectacled, so scared,
scared of my own shadow,</i>

238
00:11:36,963 --> 00:11:41,522
swallowing down the promises
of capitalism and meritocracy.

239
00:11:41,523 --> 00:11:43,562
Do I look like a man
who was lied to?

240
00:11:43,563 --> 00:11:44,802
- (EMPLOYEES LAUGH)
- EMPLOYEE 4: Today?

241
00:11:44,803 --> 00:11:46,402
EMPLOYEE 5:
Your nose is growing Pinocchio.

242
00:11:46,403 --> 00:11:48,843
(AGITATED CHATTER)

243
00:11:50,563 --> 00:11:52,363
Our prospective partners

244
00:11:52,963 --> 00:11:54,602
believe in the principles

245
00:11:54,603 --> 00:11:56,642
that I heard
on my very first day here.

246
00:11:56,643 --> 00:11:59,443
I cleaved them to my heart...

247
00:12:00,243 --> 00:12:01,643
<i>like you have.</i>

248
00:12:02,603 --> 00:12:03,763
Pierpoint people.

249
00:12:04,723 --> 00:12:07,082
This is what we're selling.

250
00:12:07,083 --> 00:12:10,802
How well you've come to embody
what you've been taught.

251
00:12:10,803 --> 00:12:12,402
You are all safe.

252
00:12:12,403 --> 00:12:14,042
- That's something.
- (EMPLOYEES SCOFFING)

253
00:12:14,043 --> 00:12:17,562
You are all safe
because you are the asset.

254
00:12:17,563 --> 00:12:18,762
EMPLOYEE 6: Are we safe though?

255
00:12:18,763 --> 00:12:21,002
ERIC:
<i>Growth and change are inevitable</i>

256
00:12:21,003 --> 00:12:24,802
<i>but this process must be
anchored in shared values.</i>

257
00:12:24,803 --> 00:12:28,282
Pierpoint's history
is a history of change.

258
00:12:28,283 --> 00:12:32,842
- First movers, quick winners.
- ♪ (MUSIC TURNS UPLIFTING) ♪

259
00:12:32,843 --> 00:12:35,522
<i>Whatever alleged deal
you've heard about,</i>

260
00:12:35,523 --> 00:12:39,002
<i>represents two axes
using economic trust</i>

261
00:12:39,003 --> 00:12:41,123
<i>to put themselves
in the box seat</i>

262
00:12:41,683 --> 00:12:43,603
of a new world order.

263
00:12:44,603 --> 00:12:49,002
They want us
and respect us for our history.

264
00:12:49,003 --> 00:12:52,242
We choose to respect them

265
00:12:52,243 --> 00:12:54,443
for their vision
of a shared future.

266
00:12:55,803 --> 00:12:57,882
This is how we survive.

267
00:12:57,883 --> 00:13:02,922
Remember, everything good
comes from two partners

268
00:13:02,923 --> 00:13:05,163
willingly coming to the table.

269
00:13:06,763 --> 00:13:11,203
Orderly financial exchange
is the basis of harmony.

270
00:13:14,723 --> 00:13:16,483
Money tames the beast.

271
00:13:18,763 --> 00:13:20,203
Money is peace.

272
00:13:21,123 --> 00:13:24,162
Money... Money is civilization.

273
00:13:24,163 --> 00:13:25,763
The end of the story...

274
00:13:26,643 --> 00:13:27,643
is money.

275
00:13:29,003 --> 00:13:31,363
Our partners believe this.

276
00:13:32,083 --> 00:13:33,642
They believe in us.

277
00:13:33,643 --> 00:13:36,842
We take their hand

278
00:13:36,843 --> 00:13:41,003
<i>and build a bridge
with our belief.</i>

279
00:13:44,643 --> 00:13:45,803
Your desk...

280
00:13:47,403 --> 00:13:48,723
is your house!

281
00:13:50,243 --> 00:13:51,283
That's right.

282
00:13:53,883 --> 00:13:57,723
So, go home! Go to work!

283
00:14:01,083 --> 00:14:02,043
(LONE APPLAUSE)

284
00:14:07,163 --> 00:14:08,402
Thank you.

285
00:14:08,403 --> 00:14:11,042
(EMPLOYEES APPLAUDING)

286
00:14:11,043 --> 00:14:12,802
- WILHELMINA: <i>Wow.</i>
- ♪ (UPLIFTING MUSIC FADES) ♪

287
00:14:12,803 --> 00:14:15,322
What was all that shit
about money is peace?

288
00:14:15,323 --> 00:14:17,122
- (INDISTINCT CHATTER)
- (ERIC CHUCKLES)

289
00:14:17,123 --> 00:14:22,882
I cribbed it from a short story
about an advertising executive

290
00:14:22,883 --> 00:14:25,123
called <i>The Largesse
of the Sea Maiden.</i>

291
00:14:26,323 --> 00:14:28,042
- Hmm.
- Thought I'd hit all the targets.

292
00:14:28,043 --> 00:14:31,762
Immigrant mentality,
American promise,

293
00:14:31,763 --> 00:14:33,883
"this place made me,"
blah, blah, blah.

294
00:14:34,603 --> 00:14:35,963
ESG bullshit.

295
00:14:37,123 --> 00:14:38,202
(CHUCKLES)

296
00:14:38,203 --> 00:14:39,802
- (ERIC CHUCKLES)
- (CELL PHONE DINGS, BUZZES)

297
00:14:39,803 --> 00:14:42,523
- Well, good work.
- Thanks.

298
00:15:00,483 --> 00:15:02,522
(INDISTINCT CHATTER)

299
00:15:02,523 --> 00:15:04,002
SWEETPEA GOLIGHTLY:
Very good speech,

300
00:15:04,003 --> 00:15:06,482
in the sense that they've
falsely convinced people

301
00:15:06,483 --> 00:15:08,442
that they've
fully considered something.

302
00:15:08,443 --> 00:15:09,802
Can never really buy a word

303
00:15:09,803 --> 00:15:11,682
that comes
out of that cunt's mouth.

304
00:15:11,683 --> 00:15:15,282
Sweetpea, a couple of messages
on Pierpoint internal messenger

305
00:15:15,283 --> 00:15:19,522
saying we're getting bought
by something called Al-Mi'raj?

306
00:15:19,523 --> 00:15:20,842
RISHI RAMDANI:
Those rumors are getting louder

307
00:15:20,843 --> 00:15:22,722
than skeletons fucking
on a tin roof.

308
00:15:22,723 --> 00:15:24,882
(INDISTINCT CHATTER OVER PA)

309
00:15:24,883 --> 00:15:25,883
(CELL PHONE DINGS)

310
00:15:28,443 --> 00:15:30,803
♪ (SUSPENSEFUL MUSIC PLAYING) ♪

311
00:15:32,563 --> 00:15:33,763
(CELL PHONE CLATTERS)

312
00:15:41,923 --> 00:15:44,642
- (PA SYSTEM BELL CHIMES)
- (RISHI CLEARS THROAT)

313
00:15:44,643 --> 00:15:46,603
Paging that old Italian geezer.

314
00:15:48,083 --> 00:15:49,642
Just to let you know,

315
00:15:49,643 --> 00:15:53,322
we've reached the ninth circle
of your cunting inferno,

316
00:15:53,323 --> 00:15:55,683
having Arabs
bid for your services.

317
00:15:57,523 --> 00:16:00,122
Now I finally know
what IG baddies feel like.

318
00:16:00,123 --> 00:16:01,563
(MIC FEEDBACK SQUEALS)

319
00:16:09,283 --> 00:16:10,802
Oh! (CHUCKLES)

320
00:16:10,803 --> 00:16:14,562
I hope you all enjoy
feeling your flesh sear

321
00:16:14,563 --> 00:16:16,683
in the hell
you've created for yourselves.

322
00:16:18,603 --> 00:16:19,963
Good fucking morning.

323
00:16:21,163 --> 00:16:23,002
EMPLOYEE: Your jokes are lead,
mate. Fuck off!

324
00:16:23,003 --> 00:16:24,843
(EMPLOYEES MURMURING)

325
00:16:26,803 --> 00:16:27,883
(SCOFFS)

326
00:16:29,883 --> 00:16:33,083
♪ (MUSIC TURNS UPLIFTING) ♪

327
00:16:36,443 --> 00:16:38,723
(EXHALES, WHISPERS)
What the fuck am I doing?

328
00:16:40,363 --> 00:16:43,043
- ♪ (UPLIFTING MUSIC FADES) ♪
- (DOOR OPENS)

329
00:16:46,523 --> 00:16:49,043
- Am I here to mediate something?
- (DOOR CLOSES)

330
00:16:49,803 --> 00:16:51,643
OTTO: I feel like Howard Smith.

331
00:16:52,443 --> 00:16:54,482
You're Buckley and you're Vidal.

332
00:16:54,483 --> 00:16:57,083
- (PETRA KOENIG SIGHS)
- No. Both Buckleys.

333
00:16:58,003 --> 00:16:59,562
Probably. Hopefully.

334
00:16:59,563 --> 00:17:00,643
(PETRA CHUCKLES DRYLY)

335
00:17:01,843 --> 00:17:03,683
We want this to be amicable.

336
00:17:07,443 --> 00:17:11,322
You've made a handsome ROI
on your initial seed investment.

337
00:17:11,323 --> 00:17:14,322
We've outperformed the market
by eight percent.

338
00:17:14,323 --> 00:17:17,562
You will have that capital back,
plus your eight percent.

339
00:17:17,563 --> 00:17:19,882
In return, we will be
fully untethered

340
00:17:19,883 --> 00:17:21,963
from your fund and oversight.

341
00:17:22,923 --> 00:17:25,683
This all sounds
rather final, doesn't it?

342
00:17:26,563 --> 00:17:29,163
Where are we
on the Pierpoint short?

343
00:17:30,763 --> 00:17:31,883
We took profit.

344
00:17:34,283 --> 00:17:36,722
♪ (SUSPENSEFUL MUSIC PLAYING) ♪

345
00:17:36,723 --> 00:17:39,642
Why? When did you take profit?

346
00:17:39,643 --> 00:17:41,482
PETRA: Less fees to Goldman.

347
00:17:41,483 --> 00:17:45,083
It wasn't our most...
lucrative trade.

348
00:17:48,603 --> 00:17:50,962
At one point
in the middle of the night,

349
00:17:50,963 --> 00:17:54,762
you were making
300 million dollars

350
00:17:54,763 --> 00:17:55,882
on that trade.

351
00:17:55,883 --> 00:17:59,283
Hundreds of millions of dollars.
Poof! Gone.

352
00:18:00,163 --> 00:18:03,802
Like snowflakes on a carburetor.

353
00:18:03,803 --> 00:18:06,723
Harper,
is this acceptable to you?

354
00:18:09,123 --> 00:18:10,843
We had a sure thing here,
didn't we?

355
00:18:13,443 --> 00:18:15,363
It is, amicably.

356
00:18:17,403 --> 00:18:19,842
OTTO: You do know what
you could have paid yourselves,

357
00:18:19,843 --> 00:18:22,563
had you landed
the plane on this trade?

358
00:18:23,123 --> 00:18:24,083
We do.

359
00:18:25,923 --> 00:18:29,162
We'd like to amicably remind you

360
00:18:29,163 --> 00:18:32,162
that you have made money
being in business with us

361
00:18:32,163 --> 00:18:34,162
in the final reckoning,

362
00:18:34,163 --> 00:18:37,083
and we appreciate
your initial seed investment.

363
00:18:38,083 --> 00:18:41,043
"Hide not thy poison
with such sugar'd words."

364
00:18:41,883 --> 00:18:44,082
Well, in this case,

365
00:18:44,083 --> 00:18:46,282
in good conscience...
(CLICKS TONGUE)

366
00:18:46,283 --> 00:18:51,162
...I can't be in business
with people who seem comforted

367
00:18:51,163 --> 00:18:54,642
by the casual slide
toward mediocrity

368
00:18:54,643 --> 00:18:57,363
that is the hallmark
of modern life.

369
00:19:00,403 --> 00:19:02,083
Really thought
I'd found a spark.

370
00:19:03,883 --> 00:19:05,723
As ever, I wish you the best.

371
00:19:09,483 --> 00:19:10,843
(DOOR OPENS)

372
00:19:13,603 --> 00:19:14,882
- (GROANS)
- ♪ (SUSPENSEFUL MUSIC FADES) ♪

373
00:19:14,883 --> 00:19:17,362
PETRA: All these
classically-educated guys

374
00:19:17,363 --> 00:19:18,562
hide their thuggishness

375
00:19:18,563 --> 00:19:20,682
behind their verbosity
and tailoring.

376
00:19:20,683 --> 00:19:24,043
(INHALES DEEPLY) Look, I'm sorry
I went behind your back.

377
00:19:25,043 --> 00:19:28,082
I had a full-blown
fucking wobble.

378
00:19:28,083 --> 00:19:30,402
I felt the floor go beneath me,
with the legality

379
00:19:30,403 --> 00:19:32,722
of how you got us
into the Pierpoint short.

380
00:19:32,723 --> 00:19:34,563
Okay? I panicked.

381
00:19:35,323 --> 00:19:37,002
HARPER STERN: I forgive you.

382
00:19:37,003 --> 00:19:40,242
I'm not gonna punish you
for reacting that way.

383
00:19:40,243 --> 00:19:42,602
- Thanks for owning it.
- ♪ (INTRIGUING MUSIC PLAYING) ♪

384
00:19:42,603 --> 00:19:46,843
Thank you for...
being honest with me.

385
00:19:48,563 --> 00:19:49,882
Didn't use
any inside information

386
00:19:49,883 --> 00:19:52,802
on our take-profit level,
so I hope you'll forgive me too.

387
00:19:52,803 --> 00:19:54,482
- (CHUCKLES)
- (PETRA LAUGHS)

388
00:19:54,483 --> 00:19:56,602
Fucking hell.
(CLEARS THROAT, SNIFFS)

389
00:19:56,603 --> 00:19:58,283
HARPER: No unilateral decisions.

390
00:19:58,923 --> 00:20:00,602
I meant that.

391
00:20:00,603 --> 00:20:02,202
Um, I've been making
decisions on my own

392
00:20:02,203 --> 00:20:03,402
for, like, a long time,

393
00:20:03,403 --> 00:20:06,003
so I think I'm ready
for something new.

394
00:20:07,603 --> 00:20:09,403
No unilateral decisions.

395
00:20:13,003 --> 00:20:15,122
(SMACKS LIPS)
Who knows? (CHUCKLES)

396
00:20:15,123 --> 00:20:18,162
Maybe reciprocity really is
the key to a happier life.

397
00:20:18,163 --> 00:20:19,962
- (HARPER LAUGHS)
- (INHALES SHARPLY)

398
00:20:19,963 --> 00:20:21,003
Yeah.

399
00:20:23,603 --> 00:20:25,082
♪ (INTRIGUING MUSIC CONTINUES) ♪

400
00:20:25,083 --> 00:20:26,323
Fucking hell.

401
00:20:27,083 --> 00:20:28,363
(BOTH CHUCKLE)

402
00:20:30,483 --> 00:20:31,483
Bit much.

403
00:20:45,683 --> 00:20:46,843
(YASMIN EXHALES)

404
00:20:48,763 --> 00:20:51,202
(CAR DOORS CLOSE)

405
00:20:51,203 --> 00:20:54,083
- HENRY MUCK: You found us.
- ROBERT: Hey, you all right?

406
00:20:54,883 --> 00:20:57,282
- (HENRY GRUNTS)
- It's a nice gaff.

407
00:20:57,283 --> 00:20:58,323
HENRY: Mm.

408
00:21:00,163 --> 00:21:01,723
- Hello.
- HENRY: Hi.

409
00:21:03,963 --> 00:21:05,043
(CHUCKLES)

410
00:21:06,643 --> 00:21:07,683
HENRY: Come in.

411
00:21:08,203 --> 00:21:10,563
(BIRDS CHIRPING)

412
00:21:22,003 --> 00:21:23,522
HENRY:
Al-Mi'raj Holding Companies

413
00:21:23,523 --> 00:21:25,762
- just bought Pierpoint.
- (TEA POURING)

414
00:21:25,763 --> 00:21:28,562
- HENRY: It's all over the wires.
- ♪ (INTRIGUING MUSIC FADES) ♪

415
00:21:28,563 --> 00:21:31,722
HENRY: I was given
a bit of Pierpoint stock

416
00:21:31,723 --> 00:21:34,162
as a sweetener
when they landed the Lumi IPO.

417
00:21:34,163 --> 00:21:35,322
(TEA POURING)

418
00:21:35,323 --> 00:21:36,882
HENRY: Might make a bit
of prosciutto money

419
00:21:36,883 --> 00:21:38,202
if it continues to rally.

420
00:21:38,203 --> 00:21:39,642
(TEA POURING)

421
00:21:39,643 --> 00:21:42,003
ROBERT: I haven't told them yet,
but I won't be going back.

422
00:21:42,563 --> 00:21:44,122
Prosciutto money?

423
00:21:44,123 --> 00:21:47,362
Yeah, you know, uh,
money for cold cuts.

424
00:21:47,363 --> 00:21:49,402
Odds and ends.

425
00:21:49,403 --> 00:21:52,203
A couple of million dollars.
Uh, prosciutto money.

426
00:21:53,523 --> 00:21:55,122
You, uh... you already know

427
00:21:55,123 --> 00:21:58,042
how big a fan I am
of Pierre and Little Labs.

428
00:21:58,043 --> 00:21:59,602
I guess I just...

429
00:21:59,603 --> 00:22:01,522
never really saw
a scalable thing there

430
00:22:01,523 --> 00:22:02,562
due to legality.

431
00:22:02,563 --> 00:22:04,163
ROBERT: People are thinking
too short term.

432
00:22:04,843 --> 00:22:05,883
Well...

433
00:22:08,083 --> 00:22:09,202
word of advice,

434
00:22:09,203 --> 00:22:12,322
if they make you CFO...
(EXHALES)

435
00:22:12,323 --> 00:22:14,003
...don't IPO too early.

436
00:22:20,363 --> 00:22:24,242
Currently, I'm actually
financing a speaker circuit

437
00:22:24,243 --> 00:22:26,443
for public business failures.

438
00:22:27,923 --> 00:22:30,842
An arena where business leaders
can be vulnerable

439
00:22:30,843 --> 00:22:33,082
and learn
from each other's mistakes.

440
00:22:33,083 --> 00:22:35,242
What, for a thousand bucks
a head?

441
00:22:35,243 --> 00:22:36,882
No.

442
00:22:36,883 --> 00:22:41,962
No, clearly, Henry's transcended
all material possessions, right?

443
00:22:41,963 --> 00:22:44,922
Oh, sorry.
(CLEARS THROAT) Sorry.

444
00:22:44,923 --> 00:22:47,363
- Can you not hear me over there?
- (CHUCKLES)

445
00:22:49,283 --> 00:22:50,922
Speak to Rob.

446
00:22:50,923 --> 00:22:53,283
He knows how powerful
a re-centering can be.

447
00:22:54,963 --> 00:22:56,562
And I've been speaking
to the prime minister

448
00:22:56,563 --> 00:23:00,202
about contesting a marginal seat
at the next election.

449
00:23:00,203 --> 00:23:02,523
I want to dedicate my life
to public service.

450
00:23:06,283 --> 00:23:08,362
You keep bending my ear
for a few more hours,

451
00:23:08,363 --> 00:23:10,323
I may have no choice
but to back your venture.

452
00:23:12,483 --> 00:23:14,642
Something about you, Robert...

453
00:23:14,643 --> 00:23:16,883
makes me either
want to kill you or love you.

454
00:23:17,803 --> 00:23:19,163
Not quite sure which yet.

455
00:23:22,523 --> 00:23:25,003
(SLURPS, GULPS)
You guys staying?

456
00:23:27,283 --> 00:23:28,723
ROBERT: Uh, it's... (HESITATES)

457
00:23:29,603 --> 00:23:31,362
We don't want to impose.

458
00:23:31,363 --> 00:23:34,362
You came all this way.
Stay the night for God's sake.

459
00:23:34,363 --> 00:23:37,803
I mean, do you have the space?
I don't...

460
00:23:38,723 --> 00:23:40,522
I've already had rooms
made ready.

461
00:23:40,523 --> 00:23:41,762
Haven't we, Stevens?

462
00:23:41,763 --> 00:23:42,843
Yes, sir.

463
00:23:47,083 --> 00:23:48,522
We can stay.

464
00:23:48,523 --> 00:23:50,682
I'm actually glad
you said that, to be fair.

465
00:23:50,683 --> 00:23:52,802
I'm knackered. I can't be arsed
driving anymore.

466
00:23:52,803 --> 00:23:54,283
(BOTH CHUCKLE)

467
00:23:55,443 --> 00:23:57,322
Yeah, we'll stay.

468
00:23:57,323 --> 00:23:58,683
Separate rooms, right?

469
00:24:00,243 --> 00:24:01,203
Joking.

470
00:24:02,083 --> 00:24:03,362
It's my uncle's 60th tomorrow.

471
00:24:03,363 --> 00:24:05,162
Um, supper...

472
00:24:05,163 --> 00:24:07,522
(INHALES DEEPLY)
...then shooting on Sunday.

473
00:24:07,523 --> 00:24:09,483
He'd be delighted
to have you as guests.

474
00:24:10,363 --> 00:24:12,002
I wouldn't have
anything to wear.

475
00:24:12,003 --> 00:24:13,722
HENRY:
Nonsense, I know your size.

476
00:24:13,723 --> 00:24:16,042
A friend of mine at Net-a-Porter
owes me a few favors,

477
00:24:16,043 --> 00:24:18,402
so, uh, we can, um,
send someone to London

478
00:24:18,403 --> 00:24:20,363
- to pick something up.
- PETER STEVENS: Absolutely, sir.

479
00:24:24,443 --> 00:24:26,603
Mm, I think we'll head back
in the morning.

480
00:24:27,483 --> 00:24:28,803
But thank you.

481
00:24:32,043 --> 00:24:35,123
- (CLOCK TICKING)
- (YASMIN INHALES)

482
00:24:41,123 --> 00:24:42,683
(EXHALES)

483
00:24:45,043 --> 00:24:46,203
(KNOCKING ON DOOR)

484
00:24:49,923 --> 00:24:51,083
HENRY: Yas, hi.

485
00:24:51,843 --> 00:24:52,803
Uh...

486
00:24:53,763 --> 00:24:55,043
I'm so glad you came.

487
00:24:58,243 --> 00:25:01,122
I wanted to call you,
so when you called me,

488
00:25:01,123 --> 00:25:02,363
it felt, um...

489
00:25:03,923 --> 00:25:05,523
I don't know. (SIGHS)

490
00:25:07,203 --> 00:25:08,603
I wanted to say sorry...

491
00:25:09,763 --> 00:25:10,803
for, um...

492
00:25:13,403 --> 00:25:16,442
I've treated
a lot of people as chattel,

493
00:25:16,443 --> 00:25:19,522
whose, uh, value and utility

494
00:25:19,523 --> 00:25:21,242
I've seen only
in relation to myself.

495
00:25:21,243 --> 00:25:24,482
Honestly, I'm slightly jaded
by people apologizing

496
00:25:24,483 --> 00:25:26,283
for their behavior. (HESITATES)

497
00:25:27,363 --> 00:25:29,163
Nobody's perfect, right?

498
00:25:31,403 --> 00:25:32,642
But honestly, Henry,

499
00:25:32,643 --> 00:25:35,402
I'm just not sure
I buy this whole re-brand.

500
00:25:35,403 --> 00:25:38,123
(ICE BUCKET CLINKING)

501
00:25:39,043 --> 00:25:40,043
Thank you, sir.

502
00:25:43,243 --> 00:25:44,683
HENRY: Ruinart and Twiglets.

503
00:25:47,523 --> 00:25:49,003
No, it's good to see you, Yas.

504
00:25:57,163 --> 00:26:00,123
(BIRDS CHIRPING, CALLING)

505
00:26:01,043 --> 00:26:03,203
(TRAFFIC RUMBLING)

506
00:26:05,963 --> 00:26:07,482
I'm glad you had the sense
to hire me.

507
00:26:07,483 --> 00:26:08,523
HARPER: Hmm.

508
00:26:09,363 --> 00:26:10,803
I always felt like
we had a bond.

509
00:26:11,403 --> 00:26:12,443
You know?

510
00:26:13,763 --> 00:26:15,562
The type of people
who aren't for everyone.

511
00:26:15,563 --> 00:26:17,443
But are definitely
for someone, right?

512
00:26:19,403 --> 00:26:22,603
Tell me, for my own... sanity...

513
00:26:23,643 --> 00:26:27,043
when exactly did you
and Eric decide to fuck me?

514
00:26:28,603 --> 00:26:30,442
(CHUCKLES NERVOUSLY)

515
00:26:30,443 --> 00:26:32,562
That's, uh...
That's water under the bridge.

516
00:26:32,563 --> 00:26:34,282
Exactly!

517
00:26:34,283 --> 00:26:37,123
Water under the bridge.
So, indulge me.

518
00:26:37,923 --> 00:26:39,003
(CLICKS TONGUE)

519
00:26:41,843 --> 00:26:43,083
Uh, reception...

520
00:26:44,243 --> 00:26:47,563
- At my wedding.
- Hmm. Your wedding.

521
00:26:48,763 --> 00:26:50,842
Thanks for that, by the way.
Sorry I didn't send a card.

522
00:26:50,843 --> 00:26:52,162
(RISHI CHUCKLES)

523
00:26:52,163 --> 00:26:54,603
Eric sidles over,
and he just says...

524
00:26:55,603 --> 00:26:57,442
"She's gotta go."

525
00:26:57,443 --> 00:27:00,322
Actually, I think he said,
"That psychopath's gotta go."

526
00:27:00,323 --> 00:27:02,762
(CHUCKLES)
He was pretty loaded, so...

527
00:27:02,763 --> 00:27:04,682
Hmm. Do you think
I'm a psychopath?

528
00:27:04,683 --> 00:27:06,243
(LAUGHS)

529
00:27:08,083 --> 00:27:09,003
I...

530
00:27:09,883 --> 00:27:10,843
I don't know.

531
00:27:12,923 --> 00:27:15,802
Does it matter?
They walk among us.

532
00:27:15,803 --> 00:27:19,123
I guess emotional detachment
probably makes a good trader.

533
00:27:20,043 --> 00:27:21,483
- RISHI: I agree.
- Yeah.

534
00:27:22,123 --> 00:27:23,323
Opportunism.

535
00:27:24,803 --> 00:27:26,083
Predatory instinct.

536
00:27:27,563 --> 00:27:30,203
- Do you consider yourself a predator, Rish?
- (DOOR OPENS)

537
00:27:32,683 --> 00:27:34,842
Sweetpea is gonna be
working with us.

538
00:27:34,843 --> 00:27:37,323
- ♪ (TENSE MUSIC PLAYING) ♪
- (SWEETPEA CLEARS THROAT)

539
00:27:39,323 --> 00:27:40,843
What is this,
fucking <i>Blind Date?</i>

540
00:27:42,283 --> 00:27:44,002
What are you... (CHUCKLES)

541
00:27:44,003 --> 00:27:45,722
What are you doing?
Are you... Are you, like,

542
00:27:45,723 --> 00:27:47,562
trying to humiliate me
or something?

543
00:27:47,563 --> 00:27:49,402
I wanted to give Sweetpea
the pleasure

544
00:27:49,403 --> 00:27:51,762
of watching someone
treat you with as little respect

545
00:27:51,763 --> 00:27:53,202
as you treat them.

546
00:27:53,203 --> 00:27:55,562
She's fucking brass!

547
00:27:55,563 --> 00:27:58,362
She hawks her beef curtains
on the net!

548
00:27:58,363 --> 00:28:00,682
I'm well aware
of Sweetpea's extracurriculars.

549
00:28:00,683 --> 00:28:02,442
What, and you think
that's acceptable for a hire,

550
00:28:02,443 --> 00:28:03,522
do you?

551
00:28:03,523 --> 00:28:06,442
I love a woman who doesn't leave
money on the table.

552
00:28:06,443 --> 00:28:09,322
(INHALES DEEPLY)
Rish, let's be straight.

553
00:28:09,323 --> 00:28:12,043
You are not without charm,
but you are a punter.

554
00:28:12,963 --> 00:28:14,763
A... chancer.

555
00:28:16,083 --> 00:28:17,602
A dinosaur.

556
00:28:17,603 --> 00:28:20,403
There's no room for you
in the modern market.

557
00:28:21,323 --> 00:28:22,842
A machine could do your job.

558
00:28:22,843 --> 00:28:24,403
SWEETPEA: And they already do.

559
00:28:26,843 --> 00:28:27,843
Time's up.

560
00:28:28,523 --> 00:28:30,163
(CHUCKLES) Uh...

561
00:28:32,763 --> 00:28:33,723
All right.

562
00:28:34,843 --> 00:28:37,722
All right, uh, you know,
I've... I've... I've...

563
00:28:37,723 --> 00:28:41,082
I've made mistakes, okay?
I... I can admit that.

564
00:28:41,083 --> 00:28:43,362
Look, I... I... I don't wanna...
I don't wanna swan in here

565
00:28:43,363 --> 00:28:46,722
and tell you how to do your job.
That... That's not my job, okay?

566
00:28:46,723 --> 00:28:49,522
I'm... I'm...
I'm an execution guy.

567
00:28:49,523 --> 00:28:51,722
You'll always need
an execution guy.

568
00:28:51,723 --> 00:28:53,203
We have an execution guy.

569
00:28:53,923 --> 00:28:55,322
Who?

570
00:28:55,323 --> 00:28:58,362
- ♪ (TENSE MUSIC BUILDS) ♪
- (BREATHES HEAVILY)

571
00:28:58,363 --> 00:29:01,082
Please, you have no... no idea
what you're doing to me here.

572
00:29:01,083 --> 00:29:03,683
Look, respectfully, um...

573
00:29:04,603 --> 00:29:09,442
you make it very hard
to give a fuck.

574
00:29:09,443 --> 00:29:11,522
- Okay, please listen.
- SWEETPEA: Yeah.

575
00:29:11,523 --> 00:29:13,522
Listen, you... No, you...
You don't understand, okay?

576
00:29:13,523 --> 00:29:16,723
I... I... I need liquidity.

577
00:29:17,323 --> 00:29:19,803
(BREATHES HEAVILY) Plea...

578
00:29:24,003 --> 00:29:25,523
(BREATHES DEEPLY)

579
00:29:33,603 --> 00:29:35,563
(DOOR RATTLES)

580
00:29:36,243 --> 00:29:37,203
Can...

581
00:29:37,643 --> 00:29:38,643
(BUTTON CLICKS)

582
00:29:44,923 --> 00:29:46,363
(WHISPERS) For fuck's sake.

583
00:29:52,723 --> 00:29:54,843
(BIRDS CHIRPING)

584
00:29:56,163 --> 00:29:58,322
♪ (TENSE MUSIC FADES) ♪

585
00:29:58,323 --> 00:30:00,803
(CLOCK TICKING)

586
00:30:02,163 --> 00:30:03,283
(DOOR OPENS)

587
00:30:04,203 --> 00:30:05,323
You're up early.

588
00:30:06,003 --> 00:30:06,923
Henry told me

589
00:30:06,924 --> 00:30:09,122
we'd have the pleasure
of your company.

590
00:30:09,123 --> 00:30:11,202
It's quite a difficult house
to sleep in.

591
00:30:11,203 --> 00:30:14,442
I agree. I still don't feel
wholly comfortable in it.

592
00:30:14,443 --> 00:30:16,563
It was here before me,
it'll be here after me.

593
00:30:17,123 --> 00:30:18,083
Please.

594
00:30:22,963 --> 00:30:24,963
- (SLURPS)
- (TEACUP CLINKS)

595
00:30:25,683 --> 00:30:28,563
(GROANS, EXHALES)

596
00:30:30,123 --> 00:30:32,243
Your paper
keeps buying my pictures.

597
00:30:32,923 --> 00:30:34,083
My news editor.

598
00:30:36,923 --> 00:30:38,762
Stop hiding behind your editors.

599
00:30:38,763 --> 00:30:40,562
What, you think
it's a distancing device

600
00:30:40,563 --> 00:30:43,963
I use to... to comfort myself
when terrorizing people?

601
00:30:45,963 --> 00:30:48,043
When are you going
to print the Alondra stuff?

602
00:30:49,403 --> 00:30:50,882
Um...

603
00:30:50,883 --> 00:30:53,802
you can't sit on it much longer.

604
00:30:53,803 --> 00:30:55,642
ALEXANDER NORTON:
She won't be easily appeased.

605
00:30:55,643 --> 00:30:59,403
We paid for the exclusive,
but... that'll lapse.

606
00:31:01,003 --> 00:31:03,443
The woman has nothing
and a child.

607
00:31:04,723 --> 00:31:05,963
What would you have me do?

608
00:31:09,883 --> 00:31:11,283
I wanna take care of her.

609
00:31:12,803 --> 00:31:14,483
(INHALES DEEPLY)

610
00:31:17,963 --> 00:31:19,283
I used to hate this house...

611
00:31:21,323 --> 00:31:22,843
in my bones.

612
00:31:25,523 --> 00:31:28,323
I had three older sisters
my father never cared for.

613
00:31:29,323 --> 00:31:31,162
He was obsessed
with the execution of the estate

614
00:31:31,163 --> 00:31:32,923
and what he bequeathed,
and to whom.

615
00:31:34,123 --> 00:31:36,763
Then I was finally born.
A boy. Hurrah.

616
00:31:37,803 --> 00:31:40,923
Doted on by women. Rather fey.

617
00:31:42,723 --> 00:31:43,963
He hated me too.

618
00:31:46,043 --> 00:31:48,442
He bred a particular strain
of misandry in me,

619
00:31:48,443 --> 00:31:50,162
which has led me to...
(INHALES DEEPLY)

620
00:31:50,163 --> 00:31:51,883
...maybe a rather
regressive view.

621
00:31:52,883 --> 00:31:55,163
A feminine touch
built into a family...

622
00:31:56,083 --> 00:31:57,963
saves it from itself.

623
00:31:59,123 --> 00:32:01,482
Perhaps it's even misogynistic
to say it,

624
00:32:01,483 --> 00:32:03,802
but I've found the capacity
for self-destruction

625
00:32:03,803 --> 00:32:05,923
to be a more male trait.

626
00:32:07,083 --> 00:32:08,922
I think people
tend towards it anyway.

627
00:32:08,923 --> 00:32:10,522
(CHUCKLES)

628
00:32:10,523 --> 00:32:14,123
It's, um...
It's not gendered. (LAUGHS)

629
00:32:14,843 --> 00:32:16,842
And I... (SIGHS)

630
00:32:16,843 --> 00:32:19,362
I don't think that the key
to Henry's salvation

631
00:32:19,363 --> 00:32:23,563
is in... some random girl.
(SCOFFS)

632
00:32:25,243 --> 00:32:29,442
Your unwarranted public shunning
for your privilege

633
00:32:29,443 --> 00:32:33,083
shouldn't blinker you
from your own exceptionality.

634
00:32:35,283 --> 00:32:36,643
You're not a random girl.

635
00:32:40,123 --> 00:32:42,563
May I speak candidly
for a moment?

636
00:32:44,243 --> 00:32:46,443
Yeah. Of course.

637
00:32:49,123 --> 00:32:51,683
I always knew
your father was a predator.

638
00:32:52,763 --> 00:32:54,602
There were a number
of disciplinary hearings

639
00:32:54,603 --> 00:32:56,282
at Oxford,
which he only wriggled out of

640
00:32:56,283 --> 00:32:58,203
because of the quality
of the lawyers he could hire.

641
00:33:02,083 --> 00:33:04,123
You know that has nothing
to do with you.

642
00:33:06,123 --> 00:33:07,843
Yasmin, look at me.

643
00:33:09,923 --> 00:33:11,883
That has nothing to do with you.

644
00:33:13,923 --> 00:33:15,083
Do you understand?

645
00:33:16,083 --> 00:33:19,003
It really has nothing
to do with you at all.

646
00:33:26,803 --> 00:33:31,283
(CLOCK CHIMING)

647
00:33:34,923 --> 00:33:35,883
(NORTON KISSES)

648
00:33:39,643 --> 00:33:40,643
(YASMIN EXHALES)

649
00:33:44,363 --> 00:33:46,243
I'm sorry. I, um...

650
00:33:47,603 --> 00:33:49,643
I haven't wished you
a happy birthday.

651
00:33:50,563 --> 00:33:52,563
- NORTON: You just did.
- (YASMIN CHUCKLES)

652
00:33:53,923 --> 00:33:58,042
I am fiercely protective
of my family.

653
00:33:58,043 --> 00:33:59,602
♪ ("BLURRED" BY DARKSTAR
PLAYING) ♪

654
00:33:59,603 --> 00:34:01,203
And I always use my...

655
00:34:02,123 --> 00:34:05,363
not-insubstantial power
to protect them.

656
00:34:08,403 --> 00:34:09,563
But then again...

657
00:34:10,603 --> 00:34:12,723
life's about
the family you choose.

658
00:34:15,483 --> 00:34:16,683
(CHUCKLES SOFTLY)

659
00:34:22,283 --> 00:34:25,163
♪ (SONG CONTINUES) ♪

660
00:34:54,403 --> 00:34:56,323
- (KNOCKING ON DOOR)
- (DOOR OPENS)

661
00:34:59,723 --> 00:35:00,723
Hi.

662
00:35:02,603 --> 00:35:03,563
Hi.

663
00:35:05,323 --> 00:35:07,242
YASMIN: Should we, um...

664
00:35:07,243 --> 00:35:09,563
go somewhere for a while?
(CHUCKLES)

665
00:35:14,843 --> 00:35:15,803
Yeah.

666
00:35:16,563 --> 00:35:18,163
Okay. (CHUCKLES)

667
00:35:22,243 --> 00:35:23,243
(DOOR CLOSES)

668
00:35:24,763 --> 00:35:28,443
♪ ("WHEN WE WERE THAT WHAT WEPT
FOR THE SEA" BY COLIN STETSON PLAYING) ♪

669
00:35:37,963 --> 00:35:39,963
♪ (SONG CONTINUES) ♪

670
00:36:00,843 --> 00:36:02,043
(LAUGHS)

671
00:36:03,603 --> 00:36:05,243
- (SQUEALS) Stop it!
- (LAUGHS)

672
00:36:06,363 --> 00:36:09,203
(BOTH LAUGH)

673
00:36:14,923 --> 00:36:16,083
- (ROBERT LAUGHS)
- (GASPS)

674
00:36:18,123 --> 00:36:19,203
(YASMIN GIGGLES)

675
00:36:21,723 --> 00:36:24,963
(BOTH BREATHE HEAVILY)

676
00:36:30,123 --> 00:36:32,163
- (YASMIN MOANS, PANTS)
- (ROBERT PANTS)

677
00:36:35,283 --> 00:36:36,603
(MOANS)

678
00:36:37,563 --> 00:36:38,722
Where do you want me to come?

679
00:36:38,723 --> 00:36:40,722
(WHISPERS) Come inside me.

680
00:36:40,723 --> 00:36:42,563
- ROBERT: Are you sure?
- Yeah, come inside me.

681
00:36:43,283 --> 00:36:46,563
(MOANS) I love you. I love you.

682
00:36:47,763 --> 00:36:49,963
(BOTH MOAN CLIMACTICALLY)

683
00:36:50,483 --> 00:36:52,403
(BOTH BREATHE HEAVILY)

684
00:37:03,043 --> 00:37:04,203
(WHISPERS) I love you.

685
00:37:12,603 --> 00:37:13,763
I love you.

686
00:37:15,563 --> 00:37:16,763
I love you too.

687
00:37:29,803 --> 00:37:31,923
(YASMIN PANTS)

688
00:37:33,003 --> 00:37:37,922
(BOTH CHUCKLE SOFTLY)

689
00:37:37,923 --> 00:37:41,242
- ♪ (SONG CONCLUDES) ♪
- (BIRDS CHIRPING)

690
00:37:41,243 --> 00:37:42,523
(YASMIN GIGGLES)

691
00:37:43,643 --> 00:37:44,723
(ZIPPER CLOSES)

692
00:37:46,723 --> 00:37:50,243
(SNIFFS, BREATHES HEAVILY)

693
00:37:56,363 --> 00:37:57,643
YASMIN: <i>Do you love me?</i>

694
00:38:00,843 --> 00:38:01,963
HENRY: Where have you been?

695
00:38:04,123 --> 00:38:05,083
Exploring.

696
00:38:08,483 --> 00:38:09,962
I got lost in the grounds.

697
00:38:09,963 --> 00:38:12,083
- (ROBERT PANTS)
- (YASMIN MOANS, ECHOES)

698
00:38:12,683 --> 00:38:13,923
And I fucked Robert.

699
00:38:16,683 --> 00:38:17,843
How have you been?

700
00:38:20,083 --> 00:38:22,723
HENRY: Yeah, yeah, uh...
(CLEARS THROAT)

701
00:38:24,403 --> 00:38:26,243
- Feeling centered.
- Don't lie to me.

702
00:38:31,163 --> 00:38:32,443
I've really been struggling.

703
00:38:35,723 --> 00:38:37,003
Can't seem to...

704
00:38:37,803 --> 00:38:40,443
feel joy at the moment.

705
00:38:42,803 --> 00:38:43,923
I hope it passes.

706
00:38:45,163 --> 00:38:47,443
YASMIN:
I see past this costume, Henry.

707
00:38:48,643 --> 00:38:50,043
All of this...

708
00:38:51,163 --> 00:38:54,683
- self-searcher shit...
- After the journey, the, uh...

709
00:38:55,763 --> 00:38:57,043
the ayahuasca trip.

710
00:38:59,603 --> 00:39:01,962
I was driving home and the sun
was about to come up,

711
00:39:01,963 --> 00:39:03,803
and I just started...

712
00:39:05,803 --> 00:39:07,003
screaming...

713
00:39:08,043 --> 00:39:10,643
at the driver to stop,
just stop...

714
00:39:12,003 --> 00:39:13,602
in the middle of the road.

715
00:39:13,603 --> 00:39:16,882
And I found my way
down to the riverbank,

716
00:39:16,883 --> 00:39:19,523
and I watched the sunrise
with some tramps

717
00:39:20,283 --> 00:39:21,563
under Vauxhall Bridge.

718
00:39:22,963 --> 00:39:24,163
Did some smack.

719
00:39:25,443 --> 00:39:26,522
Sent you a message

720
00:39:26,523 --> 00:39:28,602
saying you were
deeply connected to my purpose.

721
00:39:28,603 --> 00:39:29,683
(SOBS)

722
00:39:31,923 --> 00:39:33,362
I fucking shared their needles.

723
00:39:33,363 --> 00:39:36,163
- (GASPS)
- (HENRY SOBS)

724
00:39:37,603 --> 00:39:39,243
(SIGHING HEAVILY)

725
00:39:44,203 --> 00:39:45,562
(INHALES DEEPLY)

726
00:39:45,563 --> 00:39:50,003
I thought if I made this
higher-consciousness shit a...

727
00:39:51,363 --> 00:39:53,722
cornerstone of my personality
for a bit,

728
00:39:53,723 --> 00:39:55,963
it might help me
through whatever this is, so...

729
00:39:57,523 --> 00:39:58,923
YASMIN: Well, um...

730
00:40:00,123 --> 00:40:02,963
it's escapist nonsense, Henry.

731
00:40:04,003 --> 00:40:04,963
(HENRY SNIFFLES)

732
00:40:07,523 --> 00:40:10,282
And we should be practical.
(EXHALES SHARPLY)

733
00:40:10,283 --> 00:40:13,403
♪ ("LIEBESTRAUM NO. 3"
BY FRANZ LISZT PLAYING) ♪

734
00:40:16,723 --> 00:40:17,843
(SNIFFLES)

735
00:40:19,243 --> 00:40:21,442
- (LIVELY CHATTER)
- ♪ (SONG CONTINUES) ♪

736
00:40:21,443 --> 00:40:24,083
Charlie van de Ven.
Remember Charlie?

737
00:40:28,603 --> 00:40:31,282
I knew
we had similar dimensions.

738
00:40:31,283 --> 00:40:34,363
You look even more handsome
than me, which isn't easy.

739
00:40:34,923 --> 00:40:36,243
Thank you. (CHUCKLES)

740
00:40:46,003 --> 00:40:47,483
Christ, better say something.

741
00:40:48,323 --> 00:40:50,042
The guy's a fucking charlatan!

742
00:40:50,043 --> 00:40:51,443
- (GLASS CLINKS)
- I did!

743
00:40:54,243 --> 00:40:57,643
- (GUESTS SHUSHING)
- (CHATTER FADES)

744
00:41:00,283 --> 00:41:02,322
Anyone who knows me
knows I loathe speeches.

745
00:41:02,323 --> 00:41:04,922
- (GUESTS LAUGH)
- Any pronouncements, really.

746
00:41:04,923 --> 00:41:09,042
- Unless they're in print.
- (GUESTS CHUCKLE)

747
00:41:09,043 --> 00:41:13,443
Suffice to say, that being
with you all in this room, now,

748
00:41:14,603 --> 00:41:18,643
and what it will mean
for my memories of the house...

749
00:41:20,563 --> 00:41:21,563
is a gift.

750
00:41:23,363 --> 00:41:25,003
You are my life's work.

751
00:41:27,443 --> 00:41:31,002
Every life is full
of unintended consequences,

752
00:41:31,003 --> 00:41:32,602
but I've really tried to live

753
00:41:32,603 --> 00:41:35,362
so you all feel my life
has been an act

754
00:41:35,363 --> 00:41:37,763
of familial... care.

755
00:41:41,003 --> 00:41:44,882
I hope my life's
been an act of love.

756
00:41:44,883 --> 00:41:47,843
♪ (SONG CONTINUES) ♪

757
00:41:49,163 --> 00:41:51,162
Thank you for sharing it.

758
00:41:51,163 --> 00:41:52,963
- GUEST 1: Hear, hear.
- GUEST 2: Hear, hear.

759
00:41:54,803 --> 00:41:55,883
OTTO: Hear, hear.

760
00:41:57,643 --> 00:41:58,722
A loyal toast.

761
00:41:58,723 --> 00:42:00,203
GUESTS: Yes!

762
00:42:02,363 --> 00:42:04,122
OTTO: The king.

763
00:42:04,123 --> 00:42:05,762
- NORTON: The king!
- GUESTS: The king!

764
00:42:05,763 --> 00:42:09,043
- (SCOFFS SOFTLY)
- (INDISTINCT CHATTER)

765
00:42:09,763 --> 00:42:11,722
- Fuck the king.
- (CHUCKLES)

766
00:42:11,723 --> 00:42:15,722
- (GLASS CLINKS)
- Uh... Now, uh, sorry, sorry.

767
00:42:15,723 --> 00:42:18,402
Um, I'm going
to have to be, uh...

768
00:42:18,403 --> 00:42:20,362
well, characteristically
selfish here

769
00:42:20,363 --> 00:42:23,122
and co-opt
my uncle's celebration.

770
00:42:23,123 --> 00:42:25,722
Um, yeah, I think the...
the biggest surprise

771
00:42:25,723 --> 00:42:27,482
of the night
is this still fits me

772
00:42:27,483 --> 00:42:28,802
- from university, just about.
- (GUESTS LAUGH)

773
00:42:28,803 --> 00:42:30,042
GUEST 3: Buller, buller, buller!

774
00:42:30,043 --> 00:42:31,722
- Buller, buller, buller!
- (GUESTS LAUGH)

775
00:42:31,723 --> 00:42:32,842
Quite.

776
00:42:32,843 --> 00:42:36,442
But, uh, no, that aside,
and seriously, um...

777
00:42:36,443 --> 00:42:39,682
We, uh...
Well, we have some news.

778
00:42:39,683 --> 00:42:40,723
YASMIN: Hmm.

779
00:42:41,563 --> 00:42:42,603
We're engaged.

780
00:42:44,163 --> 00:42:45,522
(CHUCKLES SOFTLY)

781
00:42:45,523 --> 00:42:47,562
♪ (JARRING PIANO CADENZA
PLAYS) ♪

782
00:42:47,563 --> 00:42:50,562
- Bravo!
- (HENRY LAUGHS)

783
00:42:50,563 --> 00:42:52,962
(GUESTS CHEER, APPLAUD)

784
00:42:52,963 --> 00:42:56,803
I knew it! (LAUGHS) I knew it.

785
00:43:03,323 --> 00:43:07,242
- ♪ (DREAMY PIANO THEME PLAYS) ♪
- (APPLAUSE FADES)

786
00:43:07,243 --> 00:43:10,042
♪ (SONG FADES) ♪

787
00:43:10,043 --> 00:43:11,683
YASMIN: <i>We should be practical.</i>

788
00:43:19,283 --> 00:43:20,683
So do you love me?

789
00:43:21,763 --> 00:43:22,843
(SNIFFLES)

790
00:43:26,843 --> 00:43:27,803
Yes.

791
00:43:30,963 --> 00:43:32,083
Honestly, I don't know.

792
00:43:33,883 --> 00:43:36,283
- Maybe I'm just too selfish.
- (EXHALES)

793
00:43:40,323 --> 00:43:41,323
Do you love me?

794
00:43:43,803 --> 00:43:45,123
Yeah. (SNIFFLES)

795
00:43:46,723 --> 00:43:48,123
(CHUCKLES SOFTLY)

796
00:43:48,643 --> 00:43:49,723
I don't believe you.

797
00:43:50,363 --> 00:43:52,803
(LAUGHS, INHALES)

798
00:43:56,363 --> 00:43:57,802
I want commitment.

799
00:43:57,803 --> 00:44:00,523
♪ ("SYMPHONY NO. 2, 5TH MOVEMENT" BY
GUSTAV MAHLER PLAYING IN BACKGROUND) ♪

800
00:44:01,643 --> 00:44:02,923
I want a partner.

801
00:44:06,363 --> 00:44:07,722
Yas, you're not serious.

802
00:44:07,723 --> 00:44:11,243
- (CHUCKLES, SNIFFLES)
- HENRY: Look at the state of me.

803
00:44:12,883 --> 00:44:16,203
You... You want me to what?
You want me to... propose?

804
00:44:20,083 --> 00:44:22,843
Get down on one knee like this?

805
00:44:24,643 --> 00:44:26,522
To tell you I'm yours forever

806
00:44:26,523 --> 00:44:28,722
and I'm incapable
of letting you down?

807
00:44:28,723 --> 00:44:30,683
♪ (CHORUS SINGING
IN BACKGROUND) ♪

808
00:44:31,643 --> 00:44:32,803
You're not serious.

809
00:44:35,683 --> 00:44:37,482
If I asked you to marry me,
you'd say no.

810
00:44:37,483 --> 00:44:38,723
Is this some kind of game?

811
00:44:42,483 --> 00:44:44,163
Do you really
want to spend a life...

812
00:44:46,243 --> 00:44:47,203
with me?

813
00:44:54,443 --> 00:44:55,922
Henry, you had me
at Net-a-Porter.

814
00:44:55,923 --> 00:44:58,362
- I mean...
- (BOTH LAUGH)

815
00:44:58,363 --> 00:45:00,363
- ♪ (MUSIC BUILDS) ♪
- (YASMIN SNIFFLING)

816
00:45:01,963 --> 00:45:03,523
I can't believe this.

817
00:45:06,803 --> 00:45:08,923
I don't even have a ring.
You deserve a ring.

818
00:45:10,723 --> 00:45:11,963
(SNIFFLES)

819
00:45:17,643 --> 00:45:20,402
(CLEARS THROAT, SNIFFLES)

820
00:45:20,403 --> 00:45:23,083
- (HENRY LAUGHS)
- (CHUCKLES) Thanks, Daddy.

821
00:45:25,243 --> 00:45:27,562
- (SNIFFLES) Henry.
- ♪ (SONG CONCLUDES) ♪

822
00:45:27,563 --> 00:45:28,802
I deserve everything.

823
00:45:28,803 --> 00:45:31,242
♪ ("THE LAST GOODBYE"
BY THE KILLS PLAYING) ♪

824
00:45:31,243 --> 00:45:33,122
(GUESTS APPLAUD)

825
00:45:33,123 --> 00:45:35,883
To my wonderful fiancée!

826
00:45:36,843 --> 00:45:40,362
GUESTS:
To your wonderful fiancée!

827
00:45:40,363 --> 00:45:45,882
<i>♪ It's the last goodbye
I swear ♪</i>

828
00:45:45,883 --> 00:45:48,042
(INDISTINCT CHATTER)

829
00:45:48,043 --> 00:45:51,322
<i>♪ I can't rely ♪</i>

830
00:45:51,323 --> 00:45:55,042
<i>♪ On a dime-a-day love ♪</i>

831
00:45:55,043 --> 00:45:58,163
<i>♪ That don't go anywhere ♪</i>

832
00:46:02,763 --> 00:46:06,122
<i>♪ I'll learn to cry ♪</i>

833
00:46:06,123 --> 00:46:08,603
<i>♪ For someone else ♪</i>

834
00:46:10,123 --> 00:46:13,402
<i>♪ I can't get by ♪</i>

835
00:46:13,403 --> 00:46:17,002
<i>♪ On an odds and ends love ♪</i>

836
00:46:17,003 --> 00:46:19,442
<i>♪ That don't ever match up ♪</i>

837
00:46:19,443 --> 00:46:21,002
I'm sorry.

838
00:46:21,003 --> 00:46:25,442
<i>♪ I heard all you said
And I took it to heart ♪</i>

839
00:46:25,443 --> 00:46:26,523
I understand.

840
00:46:32,163 --> 00:46:36,522
<i>♪ I won't forget, I swear ♪</i>

841
00:46:36,523 --> 00:46:39,482
♪ (CROWD SINGING "FOR HE'S A JOLLY
GOOD FELLOW" IN BACKGROUND) ♪

842
00:46:39,483 --> 00:46:42,722
<i>♪ I have no regrets ♪</i>

843
00:46:42,723 --> 00:46:46,642
<i>♪ For the past is behind me ♪</i>

844
00:46:46,643 --> 00:46:51,922
<i>♪ Tomorrow reminds me
Just well ♪</i>

845
00:46:51,923 --> 00:46:55,402
CROWD: (IN BACKGROUND)
<i>♪ For he's a jolly good fellow ♪</i>

846
00:46:55,403 --> 00:46:57,842
<i>♪ And so say all of us! ♪</i>

847
00:46:57,843 --> 00:47:00,842
- (CROWD CHEERING)
- ♪ ("THE LAST GOODBYE" CONTINUES) ♪

848
00:47:00,843 --> 00:47:03,882
OTTO: Okay, outside,
Land Rovers on the left.

849
00:47:03,883 --> 00:47:05,922
Marco, if it flies, it dies.

850
00:47:05,923 --> 00:47:07,562
(INDISTINCT CHATTER)

851
00:47:07,563 --> 00:47:09,043
(BIRDS CHIRPING)

852
00:47:20,243 --> 00:47:25,323
<i>♪ Can't quite see the end ♪</i>

853
00:47:26,763 --> 00:47:30,322
<i>♪ How can I rely ♪</i>

854
00:47:30,323 --> 00:47:33,923
<i>♪ On my heart, if I break it ♪</i>

855
00:47:34,603 --> 00:47:38,122
<i>♪ With my own two hands ♪</i>

856
00:47:38,123 --> 00:47:41,402
<i>♪ I heard all you said ♪</i>

857
00:47:41,403 --> 00:47:44,803
<i>♪ And I love you to death ♪</i>

858
00:47:45,443 --> 00:47:47,682
<i>♪ I heard all you said ♪</i>

859
00:47:47,683 --> 00:47:48,683
- You okay?
- Yeah.

860
00:47:48,684 --> 00:47:51,762
<i>♪ Don't say anything ♪</i>

861
00:47:51,763 --> 00:47:52,842
HENRY: You guys ready?

862
00:47:52,843 --> 00:47:55,043
(INDISTINCT CHATTER)

863
00:47:56,203 --> 00:47:58,722
<i>♪ It's the last goodbye ♪</i>

864
00:47:58,723 --> 00:47:59,723
OTTO: Get in! Come on!

865
00:47:59,724 --> 00:48:02,002
<i>♪ I swear ♪</i>

866
00:48:02,003 --> 00:48:03,802
(CAR DOOR CLOSES)

867
00:48:03,803 --> 00:48:07,242
<i>- ♪ I can't survive ♪</i>
- (INDISTINCT CHATTER)

868
00:48:07,243 --> 00:48:10,243
<i>♪ On a half-hearted love ♪</i>

869
00:48:10,923 --> 00:48:15,243
<i>♪ That will never be whole ♪</i>

870
00:48:17,643 --> 00:48:20,403
I'm good at making people feel
like I love them.

871
00:48:22,683 --> 00:48:23,963
But, um...

872
00:48:25,803 --> 00:48:27,443
I don't know that I ever have.

873
00:48:30,163 --> 00:48:31,403
Loved anyone.

874
00:48:33,283 --> 00:48:35,082
♪ (SONG FADES) ♪

875
00:48:35,083 --> 00:48:37,882
♪ ("NATURAL HABITAT" BY 070 SHAKE,
KEN CARSON PLAYING) ♪

876
00:48:37,883 --> 00:48:42,722
<i>♪ You don't know
Where I've been in my mind ♪</i>

877
00:48:42,723 --> 00:48:49,282
<i>♪ In my mind, mind, mind
Mind, mind ♪</i>

878
00:48:49,283 --> 00:48:52,922
<i>♪ Ooh-oh, yeah ♪</i>

879
00:48:52,923 --> 00:48:57,083
<i>♪ Whoa, whoa ♪</i>

880
00:48:59,363 --> 00:49:03,403
<i>♪ Whoa, whoa ♪</i>

881
00:49:04,003 --> 00:49:05,802
(INDISTINCT CHATTER)

882
00:49:05,803 --> 00:49:07,962
<i>♪ It's a mean world
Cold world ♪</i>

883
00:49:07,963 --> 00:49:11,042
<i>- ♪ Baby, who's to blame? ♪</i>
- ♪ (SONG FADES) ♪

884
00:49:11,043 --> 00:49:12,643
ERIC: When the fuck
did that happen?

885
00:49:30,523 --> 00:49:31,603
Okay.

886
00:49:33,603 --> 00:49:34,643
Okay.

887
00:49:36,523 --> 00:49:40,202
I should have known
when I stopped getting emails.

888
00:49:40,203 --> 00:49:42,562
- Eric.
- Do me one courtesy.

889
00:49:42,563 --> 00:49:46,483
Spare me the soft-touch spiel.
Just do it.

890
00:49:48,843 --> 00:49:51,043
I get that I was a useful idiot.

891
00:49:52,203 --> 00:49:53,723
We don't see it that way.

892
00:49:54,843 --> 00:49:56,243
How do Al-Mi'raj see it?

893
00:49:59,123 --> 00:50:01,923
Cuts have been more aggressive
than we anticipated.

894
00:50:03,163 --> 00:50:05,362
Our new partners
fear the thinning margins

895
00:50:05,363 --> 00:50:07,122
in sales and trading
can only be allayed

896
00:50:07,123 --> 00:50:08,483
by more automation.

897
00:50:09,443 --> 00:50:11,042
New York is the focus there.

898
00:50:11,043 --> 00:50:14,682
Sales and trading in London
and Zürich is being wound up.

899
00:50:14,683 --> 00:50:17,202
Our offices will be focused
on private wealth

900
00:50:17,203 --> 00:50:19,522
manage the assets
of Al-Mi'raj's partners

901
00:50:19,523 --> 00:50:21,442
in their part of the world.

902
00:50:21,443 --> 00:50:24,363
There's no business need
for you at Pierpoint now.

903
00:50:25,643 --> 00:50:29,362
I presume Tom knew about this.

904
00:50:29,363 --> 00:50:30,803
WILHELMINA: Uh, he didn't.

905
00:50:32,123 --> 00:50:33,202
He'll be moved on.

906
00:50:33,203 --> 00:50:34,882
♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

907
00:50:34,883 --> 00:50:37,643
Al-Mi'raj don't agree
with his lifestyle.

908
00:50:46,923 --> 00:50:50,683
From Madam ESG
to the mouthpiece for a state.

909
00:50:51,603 --> 00:50:54,523
- In how few moves.
- Come on, Eric.

910
00:50:55,723 --> 00:50:57,683
We both know it's all the same.

911
00:50:59,723 --> 00:51:02,882
I'm head
of institutional securities.

912
00:51:02,883 --> 00:51:05,322
- I know what my contract is.
- And you'll be very happy

913
00:51:05,323 --> 00:51:07,402
with what we're paying you
to break it.

914
00:51:07,403 --> 00:51:09,163
This is not a confrontation.

915
00:51:09,523 --> 00:51:10,523
Hmm.

916
00:51:11,363 --> 00:51:12,843
It's a happy goodbye.

917
00:51:14,363 --> 00:51:17,203
Twenty million dollars
over 48 months.

918
00:51:18,363 --> 00:51:19,602
Stock?

919
00:51:19,603 --> 00:51:21,523
WILHELMINA:
No, these guys do cash.

920
00:51:25,403 --> 00:51:28,803
Do the other
London desk heads know?

921
00:51:30,163 --> 00:51:32,282
No, but...

922
00:51:32,283 --> 00:51:33,802
VPs and associates
are being told

923
00:51:33,803 --> 00:51:35,043
across the other floors
this morning.

924
00:51:38,003 --> 00:51:39,322
I'll call the desk heads.

925
00:51:39,323 --> 00:51:40,722
WILHELMINA:
Uh, you don't have to do that.

926
00:51:40,723 --> 00:51:41,803
ERIC: Listen.

927
00:51:43,123 --> 00:51:45,963
It's better... coming from me.

928
00:51:49,203 --> 00:51:50,203
WILHELMINA: Sure.

929
00:51:52,963 --> 00:51:55,403
Um, I'll see you Thursday?

930
00:51:57,043 --> 00:51:58,083
ERIC: Thursday?

931
00:51:59,723 --> 00:52:00,723
Bill's memorial.

932
00:52:02,363 --> 00:52:03,323
Oh.

933
00:52:04,763 --> 00:52:05,683
Of course.

934
00:52:15,163 --> 00:52:16,682
♪ (CONTEMPLATIVE MUSIC FADES) ♪

935
00:52:16,683 --> 00:52:18,962
- Happy Friday!
- (INDISTINCT CHATTER)

936
00:52:18,963 --> 00:52:21,362
- Do you want a donut?
- (WHISPERS) Thank you.

937
00:52:21,363 --> 00:52:23,002
SWEETPEA: I guess
where I think I can add alpha

938
00:52:23,003 --> 00:52:25,082
- is by looking for dislocations.
- ASSISTANT: Donut?

939
00:52:25,083 --> 00:52:26,402
- Oh, no.
- No.

940
00:52:26,403 --> 00:52:28,402
PETRA: You've got a light
in your eyes which tells me...

941
00:52:28,403 --> 00:52:30,242
ASSISTANT:
Do you want a jammy donut?

942
00:52:30,243 --> 00:52:31,922
- PETRA: Keep up the good work.
- (WHISPERS) Thank you.

943
00:52:31,923 --> 00:52:33,243
- Okay?
- SWEETPEA: Okay, thanks.

944
00:52:35,443 --> 00:52:37,602
ASSISTANT:
Oh, I hope you don't mind.

945
00:52:37,603 --> 00:52:39,922
Petra's asked me to block book
the first Wednesday

946
00:52:39,923 --> 00:52:41,562
of every month
for a team dinner.

947
00:52:41,563 --> 00:52:43,443
I put it in
for the next 12 months.

948
00:52:43,963 --> 00:52:45,003
Great.

949
00:52:48,563 --> 00:52:50,202
ANRAJ CHABRA: No,
I got those hot girl frames...

950
00:52:50,203 --> 00:52:51,722
PETRA: You good?

951
00:52:51,723 --> 00:52:53,842
- Mm-hmm.
- PETRA: Good.

952
00:52:53,843 --> 00:52:55,562
You should be,
you're doing great.

953
00:52:55,563 --> 00:52:57,202
ANRAJ: I look sexy as all fuck.

954
00:52:57,203 --> 00:52:59,202
- (TELEPHONE RINGING)
- (RECEIVER CLACKS)

955
00:52:59,203 --> 00:53:01,402
SWEETPEA: Uh, LeviathanAlpha.
Sweetpea here.

956
00:53:01,403 --> 00:53:04,043
♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

957
00:53:05,243 --> 00:53:06,882
SWEETPEA: Yeah, I can...
I can get that over to you

958
00:53:06,883 --> 00:53:08,403
in, like, 30 seconds.

959
00:53:11,803 --> 00:53:12,923
Thank you so much.

960
00:53:14,603 --> 00:53:16,643
♪ (CONTEMPLATIVE MUSIC
CONTINUES) ♪

961
00:53:24,803 --> 00:53:25,883
(GROANS)

962
00:53:28,763 --> 00:53:29,802
(SIGHS)

963
00:53:29,803 --> 00:53:32,203
I don't usually let people
walk away from me twice.

964
00:53:35,683 --> 00:53:39,803
If I work for you,
the risk to me is huge.

965
00:53:41,043 --> 00:53:45,443
So, the proposition
is mine and mine entirely.

966
00:53:47,963 --> 00:53:50,003
I'm going to run
a short-only fund.

967
00:53:51,603 --> 00:53:53,002
You'll be popular.

968
00:53:53,003 --> 00:53:55,162
Hating on short-selling
is a political pawn.

969
00:53:55,163 --> 00:53:57,242
The market needs short-sellers.

970
00:53:57,243 --> 00:54:00,002
Short-selling generates
bad ethics PR.

971
00:54:00,003 --> 00:54:01,203
You're wrong.

972
00:54:02,643 --> 00:54:04,802
The fund will look
like a white knight.

973
00:54:04,803 --> 00:54:06,602
We'll knuckle down on companies

974
00:54:06,603 --> 00:54:08,802
who might be
misleading the market,

975
00:54:08,803 --> 00:54:12,522
committing fraud, or engaging
in unethical business practices.

976
00:54:12,523 --> 00:54:16,482
We will find the liars,
We will find vulnerabilities,

977
00:54:16,483 --> 00:54:18,883
and therefore,
what is misprized.

978
00:54:19,963 --> 00:54:22,282
Using a combination
of forensic accounting

979
00:54:22,283 --> 00:54:23,842
and corporate espionage.

980
00:54:23,843 --> 00:54:25,403
OTTO: Corporate espionage?

981
00:54:26,883 --> 00:54:28,363
Would you like me
to say it again?

982
00:54:30,603 --> 00:54:31,923
What gave you this idea?

983
00:54:34,283 --> 00:54:37,202
If someone had been inside Lumi,

984
00:54:37,203 --> 00:54:39,042
close to your godson
from the jump,

985
00:54:39,043 --> 00:54:41,962
we would've always known
it was a short.

986
00:54:41,963 --> 00:54:45,203
You want information.
We will be drowning in it.

987
00:54:46,763 --> 00:54:48,763
A lot of it above board, some...

988
00:54:50,443 --> 00:54:52,802
Let's say we'll have
kompromat and leverage

989
00:54:52,803 --> 00:54:55,963
so that we are always right
and always on time.

990
00:54:58,043 --> 00:54:59,483
Well, it's subversive.

991
00:55:00,683 --> 00:55:02,522
Eh, it's very smart.

992
00:55:02,523 --> 00:55:05,403
"Anti-fraud fraudsters."
It's quite a disguise.

993
00:55:06,563 --> 00:55:08,043
It's only criminal
if we're caught.

994
00:55:10,683 --> 00:55:12,203
And I wanna run it
from New York.

995
00:55:13,363 --> 00:55:14,963
I think I'm ready to go home.

996
00:55:18,243 --> 00:55:19,563
Have you heard from Jesse?

997
00:55:20,163 --> 00:55:21,203
Oh, yes.

998
00:55:22,803 --> 00:55:25,163
I'm sure he'll throw in
a few bucks.

999
00:55:26,203 --> 00:55:28,043
I told him
we were meeting today.

1000
00:55:28,723 --> 00:55:30,323
He asked if you were happy.

1001
00:55:31,163 --> 00:55:32,123
I said...

1002
00:55:33,203 --> 00:55:35,282
"She seemed it
the last time I saw her."

1003
00:55:35,283 --> 00:55:36,763
And he said...

1004
00:55:38,803 --> 00:55:40,123
"That's no way to live."

1005
00:55:45,483 --> 00:55:46,563
Harper.

1006
00:55:48,043 --> 00:55:49,842
Don't make the mistake
of thinking you'll grow up

1007
00:55:49,843 --> 00:55:51,482
and live in a world
without fear.

1008
00:55:51,483 --> 00:55:53,002
♪ ("LOVE IS BLUE"
BY PAUL MAURIAT PLAYING) ♪

1009
00:55:53,003 --> 00:55:54,483
(BIG BEN TOLLING)

1010
00:56:00,523 --> 00:56:02,923
- (BIG BEN CONTINUES TOLLING)
- (ELEVATOR DINGING)

1011
00:56:04,403 --> 00:56:07,243
♪ (SONG CONTINUES) ♪

1012
00:56:36,963 --> 00:56:37,923
Goodbye, Peter.

1013
00:56:40,203 --> 00:56:41,603
Goodbye, sir.

1014
00:57:10,563 --> 00:57:13,443
♪ (SONG FADES) ♪

1015
00:57:14,403 --> 00:57:15,963
(SNIFFLES, SIGHS)

1016
00:57:16,963 --> 00:57:19,403
(SOBS HEAVILY)

1017
00:57:24,763 --> 00:57:28,242
This is the list of people who
have yet to RSVP, by the way.

1018
00:57:28,243 --> 00:57:30,562
Malala is a no.

1019
00:57:30,563 --> 00:57:32,522
And I saw Carrie Johnson
was on the list,

1020
00:57:32,523 --> 00:57:34,042
but I assume
that was an oversight.

1021
00:57:34,043 --> 00:57:35,442
YASMIN: Great.

1022
00:57:35,443 --> 00:57:37,762
Could you, um...
Could you send my secretary in?

1023
00:57:37,763 --> 00:57:38,843
Thanks.

1024
00:57:44,443 --> 00:57:45,522
- (DOOR OPENS)
- (DOOR CHIME DINGS)

1025
00:57:45,523 --> 00:57:46,523
HARPER: Thanks.

1026
00:57:49,523 --> 00:57:51,762
- Hi, pack of lights, please.
- (CELL PHONE BUZZING)

1027
00:57:51,763 --> 00:57:53,603
(CELL PHONE CONTINUES BUZZING)

1028
00:57:57,203 --> 00:57:58,603
Um, excuse me.

1029
00:57:59,843 --> 00:58:01,362
Hello?

1030
00:58:01,363 --> 00:58:04,282
Why haven't you responded
to my wedding invitation?

1031
00:58:04,283 --> 00:58:06,282
HARPER: (OVER PHONE)
<i>Thought it was a courtesy invite.</i>

1032
00:58:06,283 --> 00:58:07,722
YASMIN: <i>I want you there.</i>

1033
00:58:07,723 --> 00:58:10,122
Why, Yas?
When was the last time we spoke?

1034
00:58:10,123 --> 00:58:14,123
Well, I saw you
on Forbes 30 Under 30.

1035
00:58:14,843 --> 00:58:16,282
Congratulations.

1036
00:58:16,283 --> 00:58:18,203
<i>I'm surprised
Eric gave you a quote.</i>

1037
00:58:18,643 --> 00:58:19,603
So was I.

1038
00:58:20,603 --> 00:58:23,042
My mom texted me
for the first time in 18 months

1039
00:58:23,043 --> 00:58:24,643
with some crucial info.

1040
00:58:25,603 --> 00:58:27,203
<i>My hair looked like shit.</i>

1041
00:58:28,123 --> 00:58:29,483
(SCOFFS) Fuck her.

1042
00:58:31,083 --> 00:58:34,402
Did you see me...
in <i>Real Country?</i>

1043
00:58:34,403 --> 00:58:36,123
Can't say I'm a subscriber.

1044
00:58:37,283 --> 00:58:39,362
- Which issue?
- YASMIN: <i>This month's.</i>

1045
00:58:39,363 --> 00:58:42,403
♪ (DREAMY MUSIC PLAYING) ♪

1046
00:58:44,883 --> 00:58:45,843
HARPER: Oh!

1047
00:58:46,723 --> 00:58:48,362
Did you control the copy?

1048
00:58:48,363 --> 00:58:49,882
YASMIN: <i>Of course we did.</i>

1049
00:58:49,883 --> 00:58:51,443
(PAGES RUSTLING)

1050
00:58:54,323 --> 00:58:56,282
HARPER: Okay, so where
is this wedding? Puglia?

1051
00:58:56,283 --> 00:58:58,002
YASMIN: <i>God, no.</i> (CHUCKLES)

1052
00:58:58,003 --> 00:59:01,962
<i>No. No, no. It's, uh...
It's here. It's in the country.</i>

1053
00:59:01,963 --> 00:59:03,722
HARPER: Tell me
about the seating chart.

1054
00:59:03,723 --> 00:59:05,202
Any corporate bigwigs?

1055
00:59:05,203 --> 00:59:07,402
You know I like to get them
drunk and talking.

1056
00:59:07,403 --> 00:59:09,842
Are you honestly saying that
you'll only come to my wedding

1057
00:59:09,843 --> 00:59:11,923
if I sit you
next to someone important?

1058
00:59:13,003 --> 00:59:14,203
Why else would I come?

1059
00:59:17,243 --> 00:59:19,483
♪ (DREAMY MUSIC FADES) ♪

1060
00:59:20,683 --> 00:59:22,082
(SNIFFLES)

1061
00:59:22,083 --> 00:59:24,443
♪ ("QUI AIME T'IL VRAIMENT" BY FRANÇOISE HARDY
PLAYING IN BACKGROUND) ♪

1062
00:59:27,763 --> 00:59:29,322
(VINAY SARKAR SCOFFS)

1063
00:59:29,323 --> 00:59:30,882
RISHI: Uh... (CHUCKLES) Big man.

1064
00:59:30,883 --> 00:59:32,002
Yes, bro. How you doing?

1065
00:59:32,003 --> 00:59:33,642
- RISHI: Good.
- Looks like I'm intruding.

1066
00:59:33,643 --> 00:59:34,883
(RISHI CHUCKLES)

1067
00:59:37,843 --> 00:59:39,602
DIANA RAMDANI:
I wanted to surprise you

1068
00:59:39,603 --> 00:59:41,723
before he turned up unannounced.

1069
00:59:42,323 --> 00:59:43,523
VINAY: How's the bambino?

1070
00:59:45,283 --> 00:59:47,483
Di, light 'em up, please.

1071
00:59:53,443 --> 00:59:56,122
(CUTLERY CLINKING)

1072
00:59:56,123 --> 00:59:57,362
Go on.

1073
00:59:57,363 --> 01:00:00,123
Make a wish, Rish. (CHUCKLES)

1074
01:00:07,803 --> 01:00:08,763
(RISHI BLOWS)

1075
01:00:09,723 --> 01:00:11,602
(VINAY APPLAUDS)

1076
01:00:11,603 --> 01:00:13,003
Happy birthday, bro.

1077
01:00:14,443 --> 01:00:16,203
RISHI: (SNIFFLES) Thanks.

1078
01:00:17,003 --> 01:00:20,003
Thank you.
Just, um... (SNIFFLES)

1079
01:00:21,523 --> 01:00:22,923
I'm... I'm not hungry right now.

1080
01:00:26,763 --> 01:00:29,883
VINAY: Oh...
What is this little bolt-hole?

1081
01:00:31,403 --> 01:00:33,202
Rish, you're not living here
on your own, are you?

1082
01:00:33,203 --> 01:00:34,163
- Yeah.
- Mm.

1083
01:00:34,164 --> 01:00:37,122
(SNIFFS)
Smells like a wank palace.

1084
01:00:37,123 --> 01:00:39,362
(CHUCKLES)

1085
01:00:39,363 --> 01:00:42,723
Look at that. (EXHALES SHARPLY)
Fucking generic, innit?

1086
01:00:44,123 --> 01:00:46,283
- It's just temporary.
- Temporary, hmm.

1087
01:00:48,523 --> 01:00:50,403
You lot on the skids
or something?

1088
01:00:51,963 --> 01:00:54,122
I mean, separation
suits you though, Di.

1089
01:00:54,123 --> 01:00:55,642
You look good.

1090
01:00:55,643 --> 01:00:58,442
Your hair is different. Blondie.

1091
01:00:58,443 --> 01:01:00,482
I thought you were done
with each other.

1092
01:01:00,483 --> 01:01:01,483
VINAY: Nah.

1093
01:01:01,484 --> 01:01:03,402
You're never done
with friends, innit?

1094
01:01:03,403 --> 01:01:05,762
You're not his friend.
You prey on him.

1095
01:01:05,763 --> 01:01:07,002
VINAY: No, no,
he preys on me, darling.

1096
01:01:07,003 --> 01:01:08,402
You exploit him.

1097
01:01:08,403 --> 01:01:10,843
- He exploits my generosity.
- Tell him to leave.

1098
01:01:16,883 --> 01:01:18,603
He owes me
half a million pounds.

1099
01:01:21,083 --> 01:01:22,883
Closer to six big figure.

1100
01:01:27,483 --> 01:01:28,443
(SOFTLY) I'm...

1101
01:01:28,843 --> 01:01:30,123
I'm sick.

1102
01:01:30,803 --> 01:01:34,122
(SOBS HEAVILY)

1103
01:01:34,123 --> 01:01:35,403
You broke us.

1104
01:01:36,643 --> 01:01:38,562
You broke us.

1105
01:01:38,563 --> 01:01:40,842
You are the worst
kind of person,

1106
01:01:40,843 --> 01:01:43,162
because he might be
sick and selfish,

1107
01:01:43,163 --> 01:01:46,162
but you enable him
and feed off his sickness.

1108
01:01:46,163 --> 01:01:48,002
- ♪ (SONG GROWS LOUDER) ♪
- And I bet you have no idea

1109
01:01:48,003 --> 01:01:49,603
what it's like
to feel love because...

1110
01:01:52,763 --> 01:01:55,043
(BREATHES HEAVILY)

1111
01:01:58,443 --> 01:02:00,723
(RISHI WHIMPERS)

1112
01:02:01,483 --> 01:02:02,483
(WHIMPERS)

1113
01:02:04,363 --> 01:02:05,483
(DOOR CLOSES)

1114
01:02:07,443 --> 01:02:09,522
(WHISPERS) Oh, fuck!

1115
01:02:09,523 --> 01:02:12,483
(BREATHES HEAVILY, WHIMPERS)

1116
01:02:13,763 --> 01:02:17,162
♪ (SONG FADES) ♪

1117
01:02:17,163 --> 01:02:20,402
Um, the chancellor is confirmed
to stay next weekend.

1118
01:02:20,403 --> 01:02:22,203
Put Aurore in the king's room.

1119
01:02:22,763 --> 01:02:23,962
She's eyeing Number 10.

1120
01:02:23,963 --> 01:02:26,802
ALONDRA GALPERIN-DIAZ:
Will Sir Henry be back this evening?

1121
01:02:26,803 --> 01:02:28,642
(GROANS) I doubt it.

1122
01:02:28,643 --> 01:02:32,162
He's, um...
He's in some Welsh town

1123
01:02:32,163 --> 01:02:34,322
trying to get on the shortlist
for the by-election.

1124
01:02:34,323 --> 01:02:35,882
He's been trying to pronounce...

1125
01:02:35,883 --> 01:02:37,802
(CHUCKLING) ...the name
of the town all week.

1126
01:02:37,803 --> 01:02:38,922
(CHUCKLES)

1127
01:02:38,923 --> 01:02:40,682
♪ (GROOVY POP SONG
PLAYING IN BACKGROUND) ♪

1128
01:02:40,683 --> 01:02:43,363
Do you want a drink? Or, um...

1129
01:02:45,043 --> 01:02:46,363
we could do a bit of blow.

1130
01:02:47,123 --> 01:02:48,722
I mean, I have some left over

1131
01:02:48,723 --> 01:02:52,083
from that ghastly
Historic Houses event last week.

1132
01:02:52,523 --> 01:02:53,562
Sure.

1133
01:02:53,563 --> 01:02:55,322
(GIGGLES)

1134
01:02:55,323 --> 01:02:59,843
<i>♪ Ooh, give me love
Give me love, give me love ♪</i>

1135
01:03:00,523 --> 01:03:02,282
(BAG CRINKLING)

1136
01:03:02,283 --> 01:03:06,002
I wanted to thank you
for giving me employment.

1137
01:03:06,003 --> 01:03:07,802
It was very generous.

1138
01:03:07,803 --> 01:03:10,682
And I'm sorry
I went to the papers at all.

1139
01:03:10,683 --> 01:03:13,523
YASMIN: Well, as long
as you understand, um,

1140
01:03:14,203 --> 01:03:16,403
the people that work with me...

1141
01:03:17,643 --> 01:03:19,042
are loyal to me.

1142
01:03:19,043 --> 01:03:21,562
<i>♪ Ooh, give me love
Give me love, give me love ♪</i>

1143
01:03:21,563 --> 01:03:23,723
We're a family. (CHUCKLES)

1144
01:03:24,323 --> 01:03:25,283
(SNIFFS)

1145
01:03:29,683 --> 01:03:31,482
<i>♪ It's enough, it's enough
It's enough... ♪</i>

1146
01:03:31,483 --> 01:03:34,243
(SNORTS, EXHALES)

1147
01:03:36,443 --> 01:03:37,403
(CHUCKLES SOFTLY)

1148
01:03:38,803 --> 01:03:43,003
- (CLEARS THROAT, SNIFFS)
- ♪ (SONG CONCLUDES) ♪

1149
01:03:43,443 --> 01:03:44,482
(CLEARS THROAT)

1150
01:03:44,483 --> 01:03:48,362
(SNORTS, CLEARS THROAT)

1151
01:03:48,363 --> 01:03:50,762
- YASMIN: So, your baby...
- (SNIFFS)

1152
01:03:50,763 --> 01:03:52,122
(DRINK POURING)

1153
01:03:52,123 --> 01:03:54,322
- ...is she my sister?
- (BOTTLE CLATTERS)

1154
01:03:54,323 --> 01:03:57,483
(SPEAKS SPANISH) Uh...
No, no, no. Not Charles's.

1155
01:04:00,443 --> 01:04:02,003
- (GLASS CLINKS)
- Are you sure?

1156
01:04:03,003 --> 01:04:04,483
ALONDRA:
I'm with the father now.

1157
01:04:06,923 --> 01:04:09,682
I can't imagine what life
must have been like for you.

1158
01:04:09,683 --> 01:04:10,882
(SNIFFS)

1159
01:04:10,883 --> 01:04:13,642
On that boat, I mean,
you know, week after week,

1160
01:04:13,643 --> 01:04:16,842
the people, the requests.
(SIGHS)

1161
01:04:16,843 --> 01:04:19,163
ALONDRA:
The tips were excessive.

1162
01:04:21,163 --> 01:04:23,363
They were buying
your silence. (CHUCKLES)

1163
01:04:24,723 --> 01:04:25,683
(YASMIN SIGHS)

1164
01:04:29,323 --> 01:04:32,522
I... I never wanted to tell you,

1165
01:04:32,523 --> 01:04:33,802
but, um...

1166
01:04:33,803 --> 01:04:36,562
there were days on the boat
when Charles and his friends,

1167
01:04:36,563 --> 01:04:39,602
- their, um, company... - ♪ ("HOME AGAIN"
BY CAROLE KING PLAYING IN BACKGROUND) ♪

1168
01:04:39,603 --> 01:04:42,443
(VOICE QUIVERING) ...some
of the girls, they were young.

1169
01:04:44,323 --> 01:04:45,243
Very young.

1170
01:04:45,244 --> 01:04:47,482
<i>♪ It's so far and out of sight ♪</i>

1171
01:04:47,483 --> 01:04:48,723
How young?

1172
01:04:49,683 --> 01:04:52,482
Twelve. Thirteen, fourteen.

1173
01:04:52,483 --> 01:04:54,762
<i>♪ I really need someone
To talk to ♪</i>

1174
01:04:54,763 --> 01:04:57,882
You know,
if he ever did that to you

1175
01:04:57,883 --> 01:05:01,482
when you were young,
if he hurt you like those girls,

1176
01:05:01,483 --> 01:05:03,402
I... I want you to know
you are seen

1177
01:05:03,403 --> 01:05:06,202
- and protected.
- (YASMIN CHUCKLES)

1178
01:05:06,203 --> 01:05:09,642
He never... (SNIFFS)
He never did that to me.

1179
01:05:09,643 --> 01:05:10,682
ALONDRA: You are seen.

1180
01:05:10,683 --> 01:05:12,402
What the fuck
are you doing? Stop!

1181
01:05:12,403 --> 01:05:16,362
<i>♪ Chills my soul
Right to the marrow ♪</i>

1182
01:05:16,363 --> 01:05:19,042
(GASPS, BREATHES HEAVILY)

1183
01:05:19,043 --> 01:05:20,722
<i>♪ I won't be happy ♪</i>

1184
01:05:20,723 --> 01:05:25,522
<i>- ♪ 'Til I see you alone again ♪</i>
- (SOBS HEAVILY, GASPS)

1185
01:05:25,523 --> 01:05:30,322
<i>♪ 'Til I'm home again
And feelin' right ♪</i>

1186
01:05:30,323 --> 01:05:32,923
(YASMIN BREATHES HEAVILY)

1187
01:05:42,083 --> 01:05:43,643
(CONTINUES BREATHING HEAVILY)

1188
01:05:48,843 --> 01:05:50,042
(EXHALES HEAVILY)

1189
01:05:50,043 --> 01:05:55,242
<i>♪ Snow is cold, rain is wet ♪</i>

1190
01:05:55,243 --> 01:05:56,602
(SNIFFLES)

1191
01:05:56,603 --> 01:05:58,922
<i>♪ Chills my soul ♪</i>

1192
01:05:58,923 --> 01:06:03,483
<i>♪ Right to the marrow... ♪</i>

1193
01:06:04,683 --> 01:06:05,723
(SNIFFLES)

1194
01:06:06,843 --> 01:06:08,163
Get rid of her.

1195
01:06:10,363 --> 01:06:14,483
<i>♪ 'Til I'm home again
And feeling right ♪</i>

1196
01:06:17,083 --> 01:06:19,402
<i>♪ 'Til I'm home again ♪</i>

1197
01:06:19,403 --> 01:06:21,882
<i>♪ And feeling right ♪</i>

1198
01:06:21,883 --> 01:06:23,882
(INDISTINCT CHATTER)

1199
01:06:23,883 --> 01:06:26,362
These conversations
are never easy.

1200
01:06:26,363 --> 01:06:27,922
- ♪ (SONG CONCLUDES) ♪
- EMPLOYEE: (OVER HEADSET) <i>Okay.</i>

1201
01:06:27,923 --> 01:06:30,402
- (CELL PHONE BUZZING)
- (LIGHTER CLICKS)

1202
01:06:30,403 --> 01:06:32,162
- EMPLOYEE: <i>Sorry?</i>
- Can I put you on hold?

1203
01:06:32,163 --> 01:06:33,203
EMPLOYEE: <i>Yeah.</i>

1204
01:06:35,763 --> 01:06:38,923
(CELL PHONE CONTINUES BUZZING)

1205
01:06:41,643 --> 01:06:42,882
Hello?

1206
01:06:42,883 --> 01:06:44,763
HARPER: (OVER PHONE)
<i>Thanks for your comment in</i> Forbes.

1207
01:06:45,803 --> 01:06:48,323
"A brilliant dropout
whose ambition is boundless."

1208
01:06:49,283 --> 01:06:50,882
Very magnanimous.

1209
01:06:50,883 --> 01:06:53,082
ERIC: (OVER PHONE) <i>I'm glad
you read it that way.</i>

1210
01:06:53,083 --> 01:06:55,443
HARPER: <i>I heard they really
swung the scythe over there.</i>

1211
01:06:56,123 --> 01:06:57,083
Yep.

1212
01:07:00,763 --> 01:07:03,003
Did how the cards fell
make you rich?

1213
01:07:04,163 --> 01:07:05,523
Not nearly enough.

1214
01:07:06,963 --> 01:07:09,483
ERIC: <i>So you're hiring?</i> (LAUGHS)

1215
01:07:10,283 --> 01:07:11,563
I hope they paid you.

1216
01:07:12,163 --> 01:07:13,203
ERIC: <i>A lot.</i>

1217
01:07:13,963 --> 01:07:15,282
Not enough.

1218
01:07:15,283 --> 01:07:17,563
(CLICKS TONGUE) I guess
you know what they say,

1219
01:07:18,603 --> 01:07:21,763
being wealthy
isn't the same as being loved.

1220
01:07:23,163 --> 01:07:25,562
But most of the time
it's close enough?

1221
01:07:25,563 --> 01:07:28,923
♪ (DREAMY MUSIC PLAYING) ♪

1222
01:07:36,963 --> 01:07:37,923
Harp?

1223
01:07:38,483 --> 01:07:39,443
(LIGHTER CLICKS)

1224
01:07:40,683 --> 01:07:41,603
Yeah?

1225
01:07:53,203 --> 01:07:54,323
Take care.

1226
01:07:57,803 --> 01:07:58,803
You too.

1227
01:08:07,843 --> 01:08:09,642
ROBERT: <i>So...</i>

1228
01:08:09,643 --> 01:08:11,202
<i>I'm sure you've all
been programmed</i>

1229
01:08:11,203 --> 01:08:12,843
<i>to expect something radical.</i>

1230
01:08:14,083 --> 01:08:15,683
<i>But what I have here
for you today,</i>

1231
01:08:16,723 --> 01:08:18,123
<i>it really isn't new at all.</i>

1232
01:08:19,283 --> 01:08:20,322
- Jimmy.
- JIMMY: (OVER HEADSET) <i>Eric.</i>

1233
01:08:20,323 --> 01:08:22,402
How goes it up there
on the tenth floor?

1234
01:08:22,403 --> 01:08:25,602
- JIMMY: <i>Yeah, we're good.</i>
- (CLICKS TONGUE) Listen...

1235
01:08:25,603 --> 01:08:28,563
I hate to be
the bearer of bad news...

1236
01:08:29,923 --> 01:08:34,762
♪ (DREAMY MUSIC INTENSIFIES) ♪

1237
01:08:34,763 --> 01:08:37,243
Every prospective Little Labs
customer is trapped...

1238
01:08:38,283 --> 01:08:41,083
somewhere,
on a... sliding scale.

1239
01:08:42,003 --> 01:08:45,522
The listless ennui
of the hyper-privileged,

1240
01:08:45,523 --> 01:08:47,002
the insatiable affluenza

1241
01:08:47,003 --> 01:08:48,563
of the strivers
born with nothing.

1242
01:08:49,683 --> 01:08:52,442
Our product is a shortcut
to something higher.

1243
01:08:52,443 --> 01:08:55,402
Transcendence in a pill.

1244
01:08:55,403 --> 01:08:57,682
And we'll control
the supply-demand curve

1245
01:08:57,683 --> 01:08:59,803
by aggressively
limiting availability.

1246
01:09:00,803 --> 01:09:02,962
Something that the elite see

1247
01:09:02,963 --> 01:09:05,802
as the new answer to problems
which can never be solved

1248
01:09:05,803 --> 01:09:09,042
and the aspirational classes
long to have because they can't.

1249
01:09:09,043 --> 01:09:11,842
You got
a million dollars pre-seed

1250
01:09:11,843 --> 01:09:14,442
from Henry Muck
six months ago, right?

1251
01:09:14,443 --> 01:09:17,562
And half a million
from Ashford Asset Management.

1252
01:09:17,563 --> 01:09:19,282
PIERRE MARTIN: And we're seeing
you gentlemen

1253
01:09:19,283 --> 01:09:20,762
and three other VCs today.

1254
01:09:20,763 --> 01:09:23,723
♪ (CONTEMPLATIVE MUSIC
PLAYING) ♪

1255
01:09:24,163 --> 01:09:25,323
Listen, I...

1256
01:09:26,843 --> 01:09:27,883
I'm just here...

1257
01:09:29,363 --> 01:09:30,683
to give you an opportunity.

1258
01:09:32,563 --> 01:09:35,042
Join us on the ground floor

1259
01:09:35,043 --> 01:09:37,203
of what is going to be
a spectacular journey.

1260
01:09:39,683 --> 01:09:40,763
Mark my words.

1261
01:09:42,923 --> 01:09:45,843
♪ (CONTEMPLATIVE MUSIC
CONTINUES) ♪

1262
01:10:40,683 --> 01:10:44,763
♪ (CONTEMPLATIVE MUSIC
CONCLUDES) ♪