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Hello. My name is Evan Hayes.
I'm one of the producers of Cot'garan
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And my name is Balthasar Kormakur.
I am the director of the film.
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"Soptgabans!" - this is a remake
film "KeuSchachEK-Kottegaat"
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where I was a producer and actor.
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So we'll probably talk
about the original and changes.
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Us on “I/og!‹/p9 T/g/e”
sent the original film
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and we decided that we wanted to do a remake
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especially considering Balthazar's participation.
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We have known him as a director for many years.
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And we never worked
with Mark Wopberg
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Mark participated in the project,
and we were very slaves to this.
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And here I am, Pisa Chacin and Eric Fepiner
met with Baptistar and Mark
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Everything worked out.
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We are with Baptistar and our team
created the script with Aaron Guzikoeski
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and a year later they arrived
to New Orleans
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Flight 104 for 500 yards,
waiting for your command.
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- This is Mark Wapberg's brother.
- Yes.
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Minor role.
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Interesting episode. Bureau of Customs
and border control
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gave us the props for free.
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And it turned out that you couldn’t imagine anything better.
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This shot was fun to shoot.
Time was limited.
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Alpha.
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We had to shoot in the twilight,
because it was already dark.
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And we didn’t have the opportunity
illuminate the whole river
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so we used what we had.
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There are nine cameras working here
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both digital and zb-mippimeters.
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It is clear that the film grain
a little different
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because we couldn't
shoot everything on film.
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The episode is too pancake-y
The budget didn't allow us.
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We filmed on the Mississippi River,
in the center of New Orleans.
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We had to make it
do everything in three passes of the ship.
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There was other transport on the river
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so organize everything
it was very difficult.
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But sometimes movie magic happens.
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For example, the frame you will see -
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where the helicopter illuminates
Caleb Landry Jones. Very beautiful.
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Real magic.
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Yes, a fascinating episode.
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I haven’t had a shoot of this scale,
with so many cameras and props.
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And here is our star and one
of producers, Mark Wahlberg
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Lukas Haas and Kate Beckinsale.
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Neither the first scene nor this
It wasn’t in the original.
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We wanted to introduce the audience
with characters and a pleasant atmosphere
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where they are happy.
In the original everything was more sad
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there was no such interesting beginning.
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There was a more prosaic beginning.
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- Yes.
- Family problems of a hard worker.
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My character Christopher
In the original he was paroled.
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This would not have happened in America -
he would not have been allowed on the ship later.
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- Yes.
- So we changed that too.
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Remember we talked
about "Tpe Oeeg Nipteg"...
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- Yes.
- It’s a gorgeous wedding there
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at the beginning.
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- I think we're half done.
-Yes, first of all
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in “T/7e Veeg Nipgeg” the episode lasts an hour,
and we had five minutes for this.
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But this is a good example of
how friends are having fun.
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We wanted it to come out naturally.
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We filmed with Barry Acrobe. He
amazing director of photography
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- He filmed "Nigt Boskeg" and "Tspbtes! 93".
- Incredible.
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We allowed the actors
behave naturally
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And the cameras just caught the moment.
We didn't tell them what to do.
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Barry films so interestingly -
even when the camera is stationary
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she moves a little differently
and keeps your eyes from getting bored.
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Some people think it was taken by hand,
but this is a long lens.
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- Yes.
- It's out of your hands.
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Here is David O'Hara. He has been here for a long time
one of my favorite actors.
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I saw him in "Vgah/epeagt".
He just tore everyone apart.
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- He played a crazy Irishman...
- Exactly.
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"who saved Mel Gibson,
although we thought he would kill him.
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And he starred in Jueragtea”,
and also in “I/ap2'ea.”
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I'm delighted
from his Scottish accent.
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He starred in the film “I/og!‹/p9 T/g/e”
called “Tpe Magsptakeg.”
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- I didn't see him.
- Janine Garofapo
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He looks amazing.
Crazy guy
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...the captain of the ship to your father.
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He said no.
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We show that Mark has a criminal
past, he was a smuggler.
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He stopped. He's trying to become
a good father.
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But he still belongs to the world
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smugglers and others...
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We really wanted...
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We are with Eean and Aaron Guzikoeski,
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even before we started writing the script,
went on reconnaissance to New Orleans.
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And we agreed
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we'll show you the places of New Orleans,
which have rarely been seen before.
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River, industrial zones,
legendary America
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Not the French Quarter, jazz
artists and attractions
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Speaking of New Orleans
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everyone represents Marbi Gras,
jazz festival or Mississippi
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We wanted to show the other side.
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Exactly.
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Joeanni Ribisi
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plays Tim Briggs, who...
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Customs officers sat down with us,
I had to drop the load.
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“deals drugs and...
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What is it called? Big shot?
He's not that important.
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- No, he's a bouncer.
- Yes.
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But Balthazar is very...
We must give him credit.
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He looked at Joannie and said:
"He's going to be a bad guy."
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Jozanni weighs about 65 kilograms,
meter sixty tall.
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I say: “Are you kidding me?”
But he managed it. He's great.
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I think it's interesting.
Joeanni auditioned for another role.
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- He auditioned for the role of Danny.
- Yes.
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There is something unpredictable about Joannie.
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This character could have been played by
bad guy
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Typical bouncer with rough muscles.
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But I wanted it to be more like
on a rat.
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So slippery, unpredictable
and frightening.
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So slippery, unpredictable
and frightening.
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And he did a great job.
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And here is Ben Foster, who plays
Mark Wahlberg's best friend
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I'm a long time fan of Ben,
still from the film "Z:1O'yu Whita."
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I think he's interesting
looks on the screen.
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This is Capeb Panbry Jones,
newbie of his robe.
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He was still filming his last film
about the X-Men - "X-Men: Rygzt S|azz".
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I think he's very interesting
young actor
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I think we will be there more often
see it on screens.
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If you look carefully
"Mo Soiptgu Tog OSH Mep"
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-he's there at the end on a bicycle.
- Not for long.
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It looks very interesting.
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We tried a lot of young
actors - probably 70-100 people
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and he stood out from the crowd.
There's something about it
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He plays Kate's loser brother.
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There's something about him
he looks believable
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- in the role of a loser from that world.
- We forgive him.
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This is exactly what we were looking for,
when they were casting for this role.
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In many ways this is a very unpleasant role.
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And here is the famous New Orleans bridge.
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- Do you remember this shooting?
- Yes.
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We have 45 minutes left
after a very long day
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to travel across the bridge.
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Fortunately, the police helped us
New Orleans
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Yes, it was not easy.
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And filming on this bridge is not so easy
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- because of transport.
- Yes.
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And we improvised in this scene.
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Most of the dialogue is improvised.
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I like this shot.
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Yes, from unplanned ones.
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There are no scripts,
but they make the film brighter.
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Here they come home.
We show family
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and her friend who works with her
in the salon - we will see her later.
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Great guy who worked with us
Location Manager Sam Tedesco
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and production designer Tony Fanning.
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They found a wonderful bomb
under the Crescent City Bridge
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It gives an amazing sense of place.
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We filmed the inside
in another house.
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- There used to be a brothel here.
- Yes, there was a brothel in this house.
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It has a rich history.
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Here we show who Mark works
after he left that world.
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Yes, he became an excellent guard,
because he knows...
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Exactly.
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...how to get inside,
and how they do this dirty work.
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It installs
alarm systems
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We also wanted to show
the luxurious side of New Orleans
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Use this moment,
where he works as a security guard to...
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- See the contrast.
- Yes, the contrast of the Garden State.
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These shots... The three of us just went out -
me, Barry and Oliver -
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and took them off on a day off.
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-Do you remember what inspired us?
-Yes, yes.
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I saw an ad with Eminem.
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Yes, amazing advertising
“8ireg is yours!” for 'Stuz/eg'.
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Yes. I think it was in Detroit.
Filmed in Detroit
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And I thought:
"I like this style."
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I showed it to you and Barry
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and this became an example for us
style we wanted to achieve.
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This is one of my favorite scenes
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because here we see for the first time
how Mark returns to his old life.
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The contrast is enormous.
His clothes and Giovanni's clothes.
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Even this bar,
amazing bar in Algeria
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on the outskirts of New Orleans.
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Yes, New Orleans is the only place
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Where you can drink on the street
and smoking indoors.
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I think this is the only place
in America, where this is allowed.
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It's true.
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We changed almost nothing.
The place remains as it is.
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We made a little change over there in the corner.
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This is what we wanted -
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find suitable places
and not change the design too much.
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This line: “Yes, I hate my brother.”
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I am grateful to Steve Levinson for it
one of the producers.
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He came up with it that morning
and this is one of my favorite lines.
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You know when people shit themselves,
It's their fucking problem.
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Do you think this is funny?
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Giovanni is doing great here
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be such a pain in the ass.
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I like Mark's expression.
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He wants to rip his head off.
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Learn to let go and let God...
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We messed around a lot in this scene.
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We had to give enough
amount of informationbut...
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Yes, a difficult scene.
I don't want to show too much.
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We need to maintain balance -
give information
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and not give away the characters
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so they don't have to say what
no matter what they say to each other.
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Since most people
who listen to the comment
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already the death of the film, we also wanted
to Ben Foster's character
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Sebastian didn't reveal himself too early
like a bad guy
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He must very cleverly
lure Mark into this world.
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And for me it is important
that when we go back
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And for me it is important
that when we go back
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already knowing that he is a bad guy,
everything he says makes sense.
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00:14:55,811 --> 00:15:01,734
- Yes.
- But at the same time we must not say anything.
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I am for less understatement
and surprise less
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to make it more natural
for the character.
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00:15:09,575 --> 00:15:12,578
Yes, in many films this is not the case.
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00:15:12,661 --> 00:15:14,789
First of all, they want to shock.
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And in many ways it is much more effective
on first viewing.
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But when you rewatch the film -
and I often do this -
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some SCENES lose their MEANING.
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- Yes, the connection is lost.
- Yes.
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00:15:29,845 --> 00:15:31,764
And you pulled your sister and guys in
into this shit?
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00:15:31,847 --> 00:15:33,682
What are you thinking, motherfucker?
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This episode is a little different
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from what is written 6 scenarios.
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- There is a small mistake here.
- Yes.
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00:15:47,029 --> 00:15:51,742
- Mark is wearing an armband.
- Yes.
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FARRADAY - Security System
New Orleans, Louisiana
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This abandoned building remains
since Hurricane Katrina
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Baptazar liked it
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because of the bricks you will see
tear from Mark
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Yes, such things are important
they add texture.
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When you come to this place again,
then you will recognize him immediately.
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As it may look
very typical and confusing to viewers.
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00:16:23,941 --> 00:16:26,318
Don't you dare come here, motherfucker.
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I came to say that I will return
your money in a month.
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00:16:28,946 --> 00:16:29,947
Just don't touch Andy.
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I won't wait that long.
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Joeanni character
spent a long time in prison
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00:16:38,914 --> 00:16:44,837
and we wanted to show his life,
where he lives.
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This is not a luxury drug lord,
who lives in the villa
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00:16:50,384 --> 00:16:53,721
This is a dirty slum, it couldn't be worse.
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00:16:54,638 --> 00:16:57,391
Balthazar did this trick
236
00:16:57,766 --> 00:17:03,522
to show Mark and Joannie,
how he wanted to film it.
237
00:17:03,606 --> 00:17:07,985
He fell down the stairs, but immediately jumped up.
238
00:17:08,068 --> 00:17:12,198
The next day he still didn’t confess,
how it hurt him.
239
00:17:12,281 --> 00:17:13,240
Why on earth?
240
00:17:13,324 --> 00:17:17,203
It was important for me
when the girl comes out
241
00:17:17,286 --> 00:17:19,663
Giovanni. ..
242
00:17:20,623 --> 00:17:25,252
He has his own life,
there are things that are dear to him.
243
00:17:25,336 --> 00:17:28,339
And this makes him even more crazy -
244
00:17:28,422 --> 00:17:30,591
because in the house
his little girl.
245
00:17:30,674 --> 00:17:36,096
This also draws a parallel
with Mark's character and his family.
246
00:17:36,388 --> 00:17:41,143
According to the script, there was an old man in the corridor
247
00:17:41,227 --> 00:17:45,397
which we have already seen a thousand times.
I have to pay tribute to Baptazar.
248
00:17:45,481 --> 00:17:50,694
Many people agreed,
how great it is to see this girl.
249
00:17:50,778 --> 00:17:54,615
It showed all the depth
character Joannie
250
00:17:54,698 --> 00:17:58,244
This is also used
when Joannie then comes,
251
00:17:58,327 --> 00:18:04,083
to take revenge,
when he comes to Kate
252
00:18:04,166 --> 00:18:07,544
I think it’s more effective this way.
253
00:18:08,837 --> 00:18:12,174
Here we see the salon. It's funny.
We found this place by chance.
254
00:18:12,258 --> 00:18:17,388
Leo and I were just walking
and looked into the windows.
255
00:18:17,471 --> 00:18:20,015
Remembering that we have a problem with this.
256
00:18:20,099 --> 00:18:23,602
And this place was right there.
257
00:18:23,686 --> 00:18:27,147
We just installed dryers
for hair - and you're done.
258
00:18:27,231 --> 00:18:30,359
- This is someone's home and yoga studio.
- Yes.
259
00:18:31,110 --> 00:18:33,696
A unique place.
There used to be a machine shop here.
260
00:18:33,779 --> 00:18:35,656
They saw us looking out the window,
and asked:
261
00:18:35,739 --> 00:18:40,786
"Would you like to see it?"
And we said that we were making a movie.
262
00:18:40,869 --> 00:18:44,373
It was very important for me
263
00:18:44,456 --> 00:18:47,209
so they can talk here.
264
00:18:47,293 --> 00:18:53,132
And we feel Caleb's presence,
who plays Andy
265
00:18:53,215 --> 00:18:55,801
As if there were three people participating in the dialogue
266
00:18:55,884 --> 00:18:59,763
but one of them is outside.
267
00:18:59,847 --> 00:19:03,475
I remember I was a little nervous,
after watching the footage
268
00:19:03,559 --> 00:19:06,145
because it's there in the background
Justin Bieber's song was playing.
269
00:19:06,228 --> 00:19:07,646
Yes?
270
00:19:07,730 --> 00:19:12,693
- We couldn't allow it.
- And we didn’t particularly want it.
271
00:19:15,070 --> 00:19:18,866
What is the name of this prison?
Don't remember?
272
00:19:18,949 --> 00:19:23,245
Jefferson Parish, I think.
273
00:19:24,371 --> 00:19:27,499
- correctional institution.
- Yes.
274
00:19:27,583 --> 00:19:30,669
Right on the river. And we filmed there.
275
00:19:30,753 --> 00:19:35,007
Yes, we filmed in the prison itself.
276
00:19:35,090 --> 00:19:38,886
In many ways this is an interesting place.
277
00:19:38,969 --> 00:19:42,222
Yes, it was very difficult.
We had to try.
278
00:19:42,306 --> 00:19:46,727
In this scene it is not visible
but we filmed with Kate and the children
279
00:19:46,810 --> 00:19:52,107
and then decided to cut them out.
They were out of place.
280
00:19:53,233 --> 00:19:55,194
Kate played great here.
281
00:19:55,277 --> 00:19:59,365
It's a pity that I had to cut it out:
It was a good scene for her.
282
00:19:59,448 --> 00:20:02,326
But father became...
283
00:20:06,622 --> 00:20:08,332
We did not empathize with him.
284
00:20:08,415 --> 00:20:10,292
- Yes.
- And the relationship between them
285
00:20:10,376 --> 00:20:11,877
didn't look right.
286
00:20:11,960 --> 00:20:14,588
And this is important...
287
00:20:14,671 --> 00:20:19,218
I couldn't do this scene anymore.
288
00:20:19,301 --> 00:20:23,555
We rewrote it the night before
with Aaron Guzikowski
289
00:20:23,639 --> 00:20:26,266
And they found the main thing.
290
00:20:26,350 --> 00:20:27,976
We wanted to show his past.
Show father
291
00:20:28,060 --> 00:20:33,857
And also send it to the pubis.
Show that the father is still in this world.
292
00:20:33,941 --> 00:20:39,738
So we edited a lot.
293
00:20:39,822 --> 00:20:42,449
A wonderful actor.
I like his face.
294
00:20:42,533 --> 00:20:45,577
This is Bab.
295
00:20:45,661 --> 00:20:47,663
Yes, and this is the scene that...
296
00:20:47,746 --> 00:20:50,249
-William Packing.
- Yes, William Packing
297
00:20:50,332 --> 00:20:53,669
He starred in “Zopz from Apagspu.”
298
00:20:53,752 --> 00:20:56,088
This scene several times
tried to cut it out.
299
00:20:56,171 --> 00:20:59,174
- Yes, I fought for her.
- You won.
300
00:21:00,551 --> 00:21:03,262
Now we are in Sebastian's apartment.
301
00:21:04,513 --> 00:21:09,601
His apartment is not...
He rose in society.
302
00:21:09,685 --> 00:21:12,229
- Yes, he rises quickly.
- Yes.
303
00:21:13,522 --> 00:21:15,441
And lives a little beyond his means,
304
00:21:15,524 --> 00:21:19,445
WE are trying to show this to the audience.
305
00:21:20,779 --> 00:21:23,949
I like how Ben uses it here
remark about "Mypy Sooreg."
306
00:21:24,032 --> 00:21:26,827
-Yes, from “/2'a//ap mod”.
- I don’t think you understood that.
307
00:21:28,454 --> 00:21:32,040
- This was not planned. It burst out.
- Here.
308
00:21:32,124 --> 00:21:33,792
“On four piles like this.
309
00:21:33,876 --> 00:21:35,252
The size of “MM Cooreg”.
310
00:21:35,335 --> 00:21:36,295
Where will you hide it?
311
00:21:36,378 --> 00:21:37,379
These are my problems.
312
00:21:37,463 --> 00:21:40,215
Nobody laughs at the joke here
Brand from 'V/gasaue.
313
00:21:40,299 --> 00:21:42,509
- It's a pity.
314
00:21:44,219 --> 00:21:45,471
God.
315
00:21:45,554 --> 00:21:49,391
We must give Balthasar his due.
There are a lot of short scenes like this.
316
00:21:49,475 --> 00:21:55,355
For shooting each
we had about 15 minutes.
317
00:21:55,439 --> 00:21:57,983
Everything was very compressed.
318
00:21:58,066 --> 00:22:01,195
How long did we shoot?
Thirty-nine days in New Orleans
319
00:22:01,278 --> 00:22:04,990
- And two and a half in Panama.
- Yes, it was quite...
320
00:22:05,073 --> 00:22:08,118
It's very similar to
how I usually make Icelandic films.
321
00:22:08,202 --> 00:22:10,496
In about the same time.
322
00:22:10,579 --> 00:22:14,666
It was great.
All our actors, the entire ensemble
323
00:22:14,750 --> 00:22:19,004
accepted our way of shooting
324
00:22:19,087 --> 00:22:22,090
and our fast pace.
325
00:22:22,466 --> 00:22:24,343
- Interesting combination of shots.
- Yes.
326
00:22:24,426 --> 00:22:27,179
Aerial photography of Panama
327
00:22:27,262 --> 00:22:31,517
and then the location in New Orleans,
which we used as...
328
00:22:31,600 --> 00:22:32,684
- Like Panama.
- Panama
329
00:22:32,768 --> 00:22:35,354
I think it goes well together.
330
00:22:35,437 --> 00:22:38,440
Nobody saw the difference
331
00:22:38,524 --> 00:22:41,318
Meanwhile,
which was filmed in Panama and New Orleans.
332
00:22:41,401 --> 00:22:42,861
Mikey, come here!
333
00:22:42,945 --> 00:22:44,154
What does funny money mean?
334
00:22:44,238 --> 00:22:45,280
Nothing.
335
00:22:45,364 --> 00:22:48,575
Here is an example of what Balthazar
strived from the very beginning
336
00:22:48,784 --> 00:22:52,746
which I also accepted,
like everyone else at the studio “I/og!‹/p9 T/g/e
337
00:22:52,829 --> 00:22:56,708
Wahlberg and Levinson -
balanced tone.
338
00:22:56,792 --> 00:23:00,587
As in “T/7e Veragtea”,
where there are very serious scenes
339
00:23:00,671 --> 00:23:05,008
alternate with jokes that
pronounced in a casual tone.
340
00:23:06,927 --> 00:23:09,721
It’s much more natural.
341
00:23:09,805 --> 00:23:12,391
„320 feet, dry standard.
342
00:23:12,474 --> 00:23:13,517
Would you like us to load?
343
00:23:13,600 --> 00:23:14,726
No, I have...
344
00:23:14,810 --> 00:23:18,188
I also like that he does this
345
00:23:18,272 --> 00:23:21,567
and at the same time teaches
sons of mathematics.
346
00:23:21,650 --> 00:23:24,319
I think it's modern.
347
00:23:26,697 --> 00:23:30,325
Everything is mixed in this world.
348
00:23:33,579 --> 00:23:35,581
This is a shot of the Mississippi.
349
00:23:35,664 --> 00:23:40,711
We always waited until we passed
a ship will pass to remove more.
350
00:23:40,794 --> 00:23:45,966
It was the only hour
when not a single ship passed.
351
00:23:46,049 --> 00:23:48,385
- We waited.
- Finally.
352
00:23:51,179 --> 00:23:53,599
At this moment a feeling arises
353
00:23:53,682 --> 00:23:57,561
that the team is back together.
They do what they can.
354
00:23:58,770 --> 00:24:01,481
- Now we are at the port.
- We are very lucky.
355
00:24:01,565 --> 00:24:04,776
Yes, it was very difficult
obtain permission to film.
356
00:24:04,860 --> 00:24:06,862
Lots of rules.
357
00:24:06,945 --> 00:24:12,701
And they helped us a lot,
permission to shoot.
358
00:24:12,784 --> 00:24:16,079
Yes, Ministry of Internal Affairs
security. We are incredibly grateful.
359
00:24:17,039 --> 00:24:18,874
I love you guys.
360
00:24:19,541 --> 00:24:22,419
Here we learned that Kate Beckinsape
can't drive.
361
00:24:22,502 --> 00:24:24,713
Yes, she doesn't drive.
362
00:24:25,672 --> 00:24:27,007
- Nobody told us.
- Yes.
363
00:24:27,090 --> 00:24:29,468
I think you said:
"And now you're leaving."
364
00:24:29,551 --> 00:24:34,348
And she: “Sorry. I don’t drive a car.
I don't have a driver's license."
365
00:24:35,891 --> 00:24:38,602
Passport, please. Finger on the scanner.
366
00:24:39,353 --> 00:24:41,647
But we found a way out.
367
00:24:41,730 --> 00:24:43,565
I like this music.
368
00:24:43,649 --> 00:24:49,988
Clinton Shorter, who worked
over 'Yu/zgg/sg 9”, wrote music for us.
369
00:24:52,449 --> 00:24:56,411
Here we are on the ship
370
00:24:56,495 --> 00:24:58,789
this is the same ship
which was at the beginning of the film.
371
00:24:58,872 --> 00:25:01,625
-Yes, which...
- Balthazar called it “Lollipop.”
372
00:25:01,708 --> 00:25:05,337
Yes, a little lollipop ship.
In fact, we stole this ship.
373
00:25:05,420 --> 00:25:09,716
- Yes.
- And then they adjusted it to the scenery.
374
00:25:09,800 --> 00:25:16,181
- This is a completely different place.
- Yes, the scenery is on a small “Lollipop.”
375
00:25:16,264 --> 00:25:20,060
We had to expand the space.
That black wall isn't real.
376
00:25:20,143 --> 00:25:25,607
It is made of plywood,
to make the ship seem larger.
377
00:25:26,775 --> 00:25:29,027
This is J.K. Simmons.
378
00:25:29,111 --> 00:25:34,074
We were very happy
when he agreed to act.
379
00:25:34,157 --> 00:25:36,159
This is a very funny role
380
00:25:36,243 --> 00:25:38,745
especially towards the end of the film.
381
00:25:38,829 --> 00:25:40,914
Yes, and she...
382
00:25:40,997 --> 00:25:46,253
We needed someone impressive
and a little funny.
383
00:25:46,336 --> 00:25:50,924
Correct ratio.
Because he poses a threat to Mark
384
00:25:51,007 --> 00:25:55,679
at the same time
for him everything ends funny.
385
00:25:59,725 --> 00:26:04,354
This is the only part of the ship
which we filmed on the pavilion.
386
00:26:06,481 --> 00:26:09,943
Mainly due to planning.
387
00:26:10,026 --> 00:26:15,157
This is an exact copy of the ship's cabin.
388
00:26:15,240 --> 00:26:19,202
The interior was filmed on an army ship
called "Vepatgykh".
389
00:26:19,286 --> 00:26:23,248
Yes. Here we are.
The same night they filmed the beginning
390
00:26:23,331 --> 00:26:25,250
- we filmed the ship passing
- Yes.
391
00:26:25,333 --> 00:26:29,254
I think I should have bought him
case of 'Johnny Walker Blue Label' whiskey.
392
00:26:29,337 --> 00:26:33,258
Yes, to illuminate the ship.
393
00:26:34,217 --> 00:26:36,052
It was a crazy night.
394
00:26:36,136 --> 00:26:41,767
This entire interior was filmed on a ship,
about which I spoke, "Vepatgykh".
395
00:26:41,850 --> 00:26:43,477
I really like the interior.
396
00:26:43,560 --> 00:26:49,107
Excellent texture, plywood
or as it is called, on the walls.
397
00:26:49,191 --> 00:26:51,109
- Yes.
- Hard to get.
398
00:26:51,193 --> 00:26:54,446
Most ships are very similar
399
00:26:54,529 --> 00:26:57,199
but it has character.
400
00:26:58,784 --> 00:27:02,496
Here Mark meets with the team.
401
00:27:02,579 --> 00:27:05,207
WithLucas, whom we saw
earlier at the wedding
402
00:27:05,749 --> 00:27:10,045
This is the only Icelandic actor
whom I brought, Opafur Darri.
403
00:27:10,128 --> 00:27:11,379
A brilliant actor.
404
00:27:11,463 --> 00:27:15,300
I shot him in a couple of films in Iceland.
405
00:27:15,383 --> 00:27:17,928
- This is Lucky Johnson.
- Yes, Lucky Johnson.
406
00:27:18,011 --> 00:27:21,932
- In the role of Tariq.
- In the role of Tariq. He's from New Orleans.
407
00:27:22,015 --> 00:27:23,642
This is his first film.
408
00:27:23,725 --> 00:27:25,936
Have you checked at all?
cargo declaration?
409
00:27:26,019 --> 00:27:28,772
- No?
- No, from Atlanta.
410
00:27:28,855 --> 00:27:29,981
- Lucky from Atlanta?
- Yes.
411
00:27:30,065 --> 00:27:33,151
I thought I was from New Orleans. Okay.
412
00:27:33,235 --> 00:27:35,904
- Oh well. He played well.
- Yes.
413
00:27:36,196 --> 00:27:37,656
Otherwise an accident might happen
414
00:27:37,739 --> 00:27:38,865
And YOU will find yourself in the sea.
415
00:27:38,949 --> 00:27:43,286
J. K. Simmons's role as Captain Camp
416
00:27:43,370 --> 00:27:47,582
shows us what is in the past
has been linked to Chris Farrabay
417
00:27:49,251 --> 00:27:50,752
Let's go, Doctor.
418
00:27:51,920 --> 00:27:55,966
And this is Mark's improvisation.
He has great improvisations.
419
00:27:56,049 --> 00:28:00,679
During the fight with Briggs, when he
says: “You’re not the only one who has a gun.”
420
00:28:00,762 --> 00:28:04,975
This line ensures success
each trailer.
421
00:28:07,602 --> 00:28:09,354
Mark was demoted from his position
422
00:28:09,437 --> 00:28:13,149
and now he must wake up
neither sows nor dawn and clean the ship.
423
00:28:16,403 --> 00:28:19,948
It's funny to watch
how Mark Wapberg uses...
424
00:28:20,031 --> 00:28:21,783
Vacuum cleaner.
425
00:28:28,373 --> 00:28:33,044
Now he has a plan in his head,
and he is looking for drawings.
426
00:28:34,129 --> 00:28:38,466
In my opinion, "I/ogK/pu T/g/e"
and all producers
427
00:28:38,550 --> 00:28:42,429
and creative team
wanted to create a movie
428
00:28:42,512 --> 00:28:46,892
where events unfold
slowly, and the audience should
429
00:28:46,975 --> 00:28:50,729
put together the puzzle yourself.
430
00:28:50,812 --> 00:28:53,857
It was interesting to watch
for what happened.
431
00:28:53,940 --> 00:28:57,068
We think that ultimately
everything looks very good.
432
00:28:57,152 --> 00:29:01,907
Yes, the process itself: “How do they do it?
How do they transport contraband?"
433
00:29:01,990 --> 00:29:07,746
I like this in films.
I like to know all the ins and outs.
434
00:29:07,829 --> 00:29:09,706
- Do you remember where it was filmed?
- Yes.
435
00:29:09,789 --> 00:29:12,626
This is not Mark. This is an Icelander.
436
00:29:12,709 --> 00:29:17,756
I added this because
decided to show how he makes a hole.
437
00:29:20,884 --> 00:29:25,347
This was filmed on a ship. Cabin
reminiscent of the one we saw before.
438
00:29:25,430 --> 00:29:26,848
You want to drag the captain into this?
439
00:29:26,932 --> 00:29:28,266
Hell no.
440
00:29:28,350 --> 00:29:31,603
I remember I talked about your father
in this very room.
441
00:29:31,686 --> 00:29:34,230
He was saying the same crap.
We know how it ended.
442
00:29:34,314 --> 00:29:36,358
Great guy. Lucky Johnson.
I really like him.
443
00:29:36,441 --> 00:29:39,569
- Yes. And he's amazing...
- Does he have 11 or 12 children?
444
00:29:39,653 --> 00:29:43,907
Yes. And he played amazingly
445
00:29:43,990 --> 00:29:46,910
a role that could easily be forgotten.
446
00:29:46,993 --> 00:29:48,787
He brought a lot to it.
447
00:29:48,870 --> 00:29:51,414
- Like all these guys.
- Yes. Exactly.
448
00:29:51,498 --> 00:29:52,999
Should I start over?
449
00:29:53,083 --> 00:29:55,251
- Exactly, this crap is empty.
- No problem.
450
00:29:55,543 --> 00:29:57,712
Come on, I'll show you.
451
00:30:00,423 --> 00:30:02,968
This is the engine compartment.
452
00:30:03,551 --> 00:30:05,887
This ship has a huge engine.
453
00:30:07,138 --> 00:30:09,641
We cheated a little.
454
00:30:10,767 --> 00:30:14,771
This is a steam engine.
455
00:30:14,854 --> 00:30:18,274
Yes, but we don't show it in full.
456
00:30:18,358 --> 00:30:23,113
As producers we worry
for things like this
457
00:30:23,196 --> 00:30:24,781
when does the film come out...
458
00:30:24,864 --> 00:30:26,366
- People don't care.
- ...no matter.
459
00:30:26,449 --> 00:30:29,744
But I still didn’t take pictures
that part of the engine.
460
00:30:31,413 --> 00:30:32,539
come on, come on!
461
00:30:33,665 --> 00:30:35,000
What the hell are you doing here?
462
00:30:35,083 --> 00:30:37,293
I need a brace.
We found mold in the lower unit.
463
00:30:37,377 --> 00:30:38,753
The bleach didn't help, so...
464
00:30:41,089 --> 00:30:43,758
You can't hang around here. Go away.
465
00:30:44,050 --> 00:30:46,761
I just wanted to clean up the mess, boss.
466
00:30:52,767 --> 00:30:56,479
It always made people laugh
at preliminary screenings.
467
00:30:56,563 --> 00:30:58,189
Yes, it's locked there.
468
00:30:58,273 --> 00:31:00,817
- Andy was trapped.
- Yes.
469
00:31:04,404 --> 00:31:09,617
Funny. I read from one critic-
I think it was Ebert -
470
00:31:09,701 --> 00:31:11,578
he didn’t understand how he got out of the hole.
471
00:31:11,661 --> 00:31:13,705
'Р°°Ger Hebertet
*Yes.'
472
00:31:13,788 --> 00:31:18,376
In my opinion, this is quite obvious.
It is not necessary to show it.
473
00:31:18,460 --> 00:31:20,670
We are back in Panama.
474
00:31:20,754 --> 00:31:26,551
We couldn't use the helicopter much,
but we squeezed everything we could out of it.
475
00:31:26,634 --> 00:31:29,262
There is a lot of improvisation in this scene
476
00:31:29,345 --> 00:31:32,724
about Lucas' wife in the burning house.
477
00:31:32,807 --> 00:31:36,227
I won’t go into details.
We had to cut it out.
478
00:31:36,311 --> 00:31:37,896
I could have suffocated in that box.
479
00:31:37,979 --> 00:31:38,938
"I really could..."
480
00:31:39,022 --> 00:31:41,649
About what I was talking about -
That's exactly what they're talking about.
481
00:31:41,733 --> 00:31:43,026
- How did he get out of there?
- Exactly.
482
00:31:43,109 --> 00:31:45,487
Sometimes it's hard to please everyone.
483
00:31:46,946 --> 00:31:48,364
We will not stay in the port for that long.
484
00:31:48,448 --> 00:31:51,701
We'll go to Chorrillo,
I'll see Edwin, we'll load the money,
485
00:31:51,785 --> 00:31:53,578
and then we'll go back to the boat
during rush hour.
486
00:31:53,661 --> 00:31:54,913
It will be difficult, but we will manage.
487
00:31:54,996 --> 00:31:56,581
It will be too difficult.
There is little time.
488
00:31:56,915 --> 00:31:58,374
We may not make it in time.
489
00:31:59,584 --> 00:32:01,586
We'll buy ourselves time.
490
00:32:01,669 --> 00:32:02,754
Adjustable pitch screw.
491
00:32:02,837 --> 00:32:04,464
Oh yes. Screw.
492
00:32:04,547 --> 00:32:08,510
I like how Opaf and Tariq
493
00:32:08,927 --> 00:32:13,098
arrange a fight.
494
00:32:13,181 --> 00:32:16,851
I think this is Olaf's first scene.
495
00:32:16,935 --> 00:32:19,854
We had fun from bushi,
because he was making strange sounds.
496
00:32:19,938 --> 00:32:23,650
Mark was delighted.
It didn't make it into the film.
497
00:32:23,733 --> 00:32:27,654
But this is a difficult scene,
there is a lot of information here
498
00:32:27,737 --> 00:32:31,574
about how they will stop the boats
how they need to slow it down
499
00:32:31,658 --> 00:32:36,204
and spend more time in Panama.
500
00:32:37,705 --> 00:32:39,624
Okay, come out.
501
00:32:41,209 --> 00:32:43,128
- Would you like to help me?
- Is it necessary?
502
00:32:43,211 --> 00:32:44,170
Yes, mom.
503
00:32:44,254 --> 00:32:45,338
Yes? Fine.
504
00:32:45,922 --> 00:32:48,591
We are in New Orleans again, under the bridge.
505
00:32:48,675 --> 00:32:53,138
It's great because the bridge is
memorial place
506
00:32:53,221 --> 00:32:56,182
It helps you understand where you are.
507
00:33:01,396 --> 00:33:04,649
Exterior and interior of this building
do not match.
508
00:33:04,732 --> 00:33:06,985
These are two different houses.
509
00:33:15,660 --> 00:33:20,999
In my opinion, the scene turned out well
even scarier
510
00:33:21,082 --> 00:33:26,462
than WE imagined, which is very good.
511
00:33:28,590 --> 00:33:29,757
Yes?
512
00:33:31,301 --> 00:33:33,094
How can I help?
513
00:33:35,847 --> 00:33:37,015
You're pretty.
514
00:33:37,098 --> 00:33:41,728
Kate really got it here
by Joannie
515
00:33:42,520 --> 00:33:45,398
- She behaved well.
- She behaved well.
516
00:33:45,481 --> 00:33:49,944
Yes, they didn't hold back,
she had some bruises, but nothing serious.
517
00:33:51,112 --> 00:33:52,864
I like the way she plays here.
518
00:33:52,947 --> 00:33:56,284
And later, when he calls.
519
00:33:56,367 --> 00:33:58,244
I think she's great.
520
00:33:58,328 --> 00:34:00,997
We added to this scene
521
00:34:01,080 --> 00:34:05,376
like Joannie later
remembers Mark's remark
522
00:34:05,460 --> 00:34:08,046
Yes, this was not in the script.
523
00:34:08,129 --> 00:34:11,382
- "Tell your husband..."
- Yes.
524
00:34:11,466 --> 00:34:14,969
So take revenge -
525
00:34:15,053 --> 00:34:17,931
is like reminding
what is best to deliver to him.
526
00:34:21,851 --> 00:34:24,354
I like it
How Joannie interprets the character:
527
00:34:24,437 --> 00:34:28,858
he lacks logic.
He's crazy.
528
00:34:29,609 --> 00:34:33,488
Interesting guy. Anthony Coleman.
He's from the locals.
529
00:34:35,198 --> 00:34:39,619
We found him...
He danced in a troupe in the city center.
530
00:34:39,702 --> 00:34:39,744
I liked the way he performed
we invited him to audition
531
00:34:39,744 --> 00:34:44,832
I liked the way he performed
we invited him to audition
532
00:34:44,916 --> 00:34:47,085
and he got the job.
533
00:34:54,801 --> 00:34:55,927
Okay, be careful. Don't overdo it.
534
00:34:56,010 --> 00:34:58,012
- So that it doesn't jam.
- Eat.
535
00:34:58,096 --> 00:35:00,390
Rats Farrabay, on the bridge.
536
00:35:00,473 --> 00:35:01,432
Here.
537
00:35:01,516 --> 00:35:02,850
He's already coming.
538
00:35:04,227 --> 00:35:09,274
Who doesn't know: Lucas - the guy from “I//2'pezz.”
539
00:35:09,357 --> 00:35:12,944
- Yes, Harrison Ford and Kelly McGillis.
- Yes.
540
00:35:13,027 --> 00:35:16,781
He played so well.
I remember him forever.
541
00:35:18,199 --> 00:35:21,911
Amazing guy.
He smokes a lot of cigars, but...
542
00:35:21,995 --> 00:35:24,122
Wonderful guy.
543
00:35:24,205 --> 00:35:26,124
And a good actor.
544
00:35:26,207 --> 00:35:31,963
We invited him also because
that he and Mark look good.
545
00:35:32,046 --> 00:35:36,301
There is a spark between them. I wanted to
he was more than just a funny friend
546
00:35:36,384 --> 00:35:40,096
a true friend,
you can trust.
547
00:35:40,179 --> 00:35:41,889
This is what I really wanted.
548
00:35:41,973 --> 00:35:43,975
- I didn't need a team
- That's right.
549
00:35:44,058 --> 00:35:48,187
I needed ordinary guys
who do their job
550
00:35:48,271 --> 00:35:51,441
FILL UP? good, BUT not great.
551
00:35:51,524 --> 00:35:56,195
We worked on this scene for a long time
552
00:35:57,071 --> 00:36:00,908
when Kate and the betas
come to Sebastian.
553
00:36:02,076 --> 00:36:03,077
do you think?
554
00:36:04,829 --> 00:36:06,080
Is it true? OK.
555
00:36:07,206 --> 00:36:11,169
The episode in which our big ship
enters the side
556
00:36:11,252 --> 00:36:15,173
was very difficult in terms of logistics.
557
00:36:15,256 --> 00:36:21,387
Very trumpety. In a short episode
a huge number of elements.
558
00:36:23,014 --> 00:36:28,102
We didn't have pubes,
and we made it from what we had.
559
00:36:29,020 --> 00:36:33,191
A team worked withus
from the Icelandic company Prgatez2'oge
560
00:36:33,274 --> 00:36:38,154
Dubs and Aron, who did
incredible work.
561
00:36:40,365 --> 00:36:42,867
Everything is arranged.
562
00:36:42,950 --> 00:36:46,287
There are so many elements here.
563
00:36:50,458 --> 00:36:53,211
Filmed in about a thousand different locations.
564
00:36:53,294 --> 00:36:56,005
Yes, captured, filmed.
565
00:36:57,382 --> 00:36:58,758
Release the harbor anchor!
566
00:37:01,302 --> 00:37:05,223
Even this reflection -
work "Prgateztoge".
567
00:37:05,306 --> 00:37:07,850
Mark and Lucas are running...
568
00:37:08,309 --> 00:37:12,730
This was filmed in two parts,
one in Iceland
569
00:37:12,814 --> 00:37:15,942
Здорово, когда летят искры.
570
00:37:16,025 --> 00:37:19,612
Обломки летели во все стороны,
571
00:37:19,695 --> 00:37:22,323
видно, что Марк прикрывает глаза,
572
00:37:22,407 --> 00:37:26,494
and this is not a game. He protects himself.
573
00:37:26,577 --> 00:37:29,038
Мне придется сломать мотор!
574
00:37:37,130 --> 00:37:38,131
Damn...
575
00:37:38,214 --> 00:37:42,427
Эти штуки мчались очень быстро.
Так происходит на самом деле.
576
00:37:42,510 --> 00:37:46,013
Мы тщательно изучили этот вопрос.
577
00:37:48,850 --> 00:37:52,437
These underwater shots
также сделаны в Исландии.
578
00:38:05,575 --> 00:38:11,789
Не верится, что вышло так хорошо.
Simply amazing.
579
00:38:11,873 --> 00:38:18,546
Yes, with our resources.
The effect is amazing.
580
00:38:22,091 --> 00:38:27,054
Чтобы зрителям было понятно:
now they need to repair the ship
581
00:38:27,138 --> 00:38:30,725
поэтому они проведут в Панаме
more time than planned
582
00:38:32,435 --> 00:38:36,314
to get to the money
583
00:38:36,397 --> 00:38:38,191
to counterfeit banknotes.
584
00:38:38,274 --> 00:38:40,234
Is this his first day?
Or was he drunk?
585
00:38:40,318 --> 00:38:41,402
And you? Were you asleep?
586
00:38:41,486 --> 00:38:42,487
Sorry.
587
00:38:42,570 --> 00:38:44,322
Let this not happen again!
588
00:38:44,405 --> 00:38:45,406
Yes.
589
00:38:45,490 --> 00:38:46,491
Fine. Fine.
590
00:38:50,036 --> 00:38:51,787
Это тоже комбинированный кадр.
591
00:38:51,871 --> 00:38:56,542
This was filmed in New Orleans
and in one place in Panama.
592
00:38:56,626 --> 00:39:01,214
There was a small side along the Mississippi
593
00:39:01,297 --> 00:39:05,593
and we squeezed everything we could out of it.
This is Panama. This is New Orleans.
594
00:39:05,676 --> 00:39:09,055
This was all filmed in Panama,
turned out great.
595
00:39:09,138 --> 00:39:10,348
We didn’t believe it for a long time
596
00:39:10,431 --> 00:39:14,769
that we will send the main team to Panama,
but it turned out great.
597
00:39:14,852 --> 00:39:17,688
We didn't even believe
when we already went there
598
00:39:17,772 --> 00:39:21,859
- because the flight was cancelled.
- Yes, I was already there.
599
00:39:22,944 --> 00:39:26,030
- I did not fly on a private flight.
- But I was with Mark.
600
00:39:27,156 --> 00:39:31,786
We arrived in Tuba at about 3.00 in the morning,
we had to get up at 6.30.
601
00:39:31,869 --> 00:39:38,668
It's not easy to maintain balance
between New Orleans and Panama.
602
00:39:38,751 --> 00:39:42,713
Difficult to maintain balance.
603
00:39:42,797 --> 00:39:45,383
I want to be with the guys,
when everything happens
604
00:39:45,466 --> 00:39:49,595
and at the same time I don’t want to lose
from the sight of Kate and the children.
605
00:39:49,679 --> 00:39:52,932
I'll call on the way back.
606
00:39:53,015 --> 00:39:56,561
Instructor Mark is driving a taxi.
607
00:39:56,644 --> 00:39:57,770
Driving, ba.
608
00:39:57,853 --> 00:40:03,734
Brian. I think he's Filipino
but he's in Panama.
609
00:40:03,818 --> 00:40:06,279
- Yes.
- That guy...
610
00:40:06,362 --> 00:40:08,531
Panama is a crazy place.
611
00:40:08,614 --> 00:40:11,742
It was very interesting. This combination...
612
00:40:11,826 --> 00:40:15,913
Now we are in New Orleans,
and before that we were in Panama.
613
00:40:16,497 --> 00:40:21,752
This is the first stage of filming,
and everyone froze their ass off.
614
00:40:21,836 --> 00:40:25,881
It was terribly cold,
although it should have been warm in Panama.
615
00:40:25,965 --> 00:40:28,551
Probably even visible somewhere
616
00:40:28,634 --> 00:40:32,179
that steam is coming out of their mouth.
617
00:40:32,263 --> 00:40:36,267
Yes, in New Orleans
it was about two degrees.
618
00:40:36,350 --> 00:40:39,604
I'm used to filming in Iceland,
but I'm cold too.
619
00:40:39,687 --> 00:40:43,691
On that ben Balthazar
set my jacket on fire.
620
00:40:45,693 --> 00:40:49,989
But the cats,
whom Balthasar so wanted to see.
621
00:40:50,072 --> 00:40:53,117
- I still don’t know where they come from but...
- Well, well...
622
00:40:53,200 --> 00:40:56,120
- He loves animals.
- Yes, I just...
623
00:40:56,203 --> 00:40:59,290
- Zest.
- I want to add some zest
624
00:40:59,373 --> 00:41:01,751
so as not to be bored.
625
00:41:01,834 --> 00:41:05,254
And the more, the better.
626
00:41:05,338 --> 00:41:09,050
Aaron Guzikoeski did a great job.
He learned a lot
627
00:41:09,133 --> 00:41:13,304
and figured out how to explain it technically
628
00:41:13,387 --> 00:41:17,975
why does Mark say: “Mo biepo.”
629
00:41:18,059 --> 00:41:22,438
Yes, this is interesting...
Fake banknotes are real
630
00:41:22,521 --> 00:41:28,027
they are printed on American printers
631
00:41:28,110 --> 00:41:31,614
which were transferred to other countries
e quality of humanitarian aid.
632
00:41:31,697 --> 00:41:34,116
- Exactly.
- And then they used it against America.
633
00:41:34,200 --> 00:41:36,494
They started printing dollars on them.
634
00:41:36,577 --> 00:41:38,996
It seems like North Korea and Iran.
635
00:41:39,080 --> 00:41:44,085
Yes, that's right. And why
we wanted to shoot in Panama-
636
00:41:44,168 --> 00:41:49,507
it is located at the intersection
black market trade routes
637
00:41:49,590 --> 00:41:53,177
You can get anything in this place
anywhere.
638
00:41:53,260 --> 00:41:55,388
In fact, most of
counterfeit banknotes for sale
639
00:41:55,471 --> 00:41:59,892
and transported through the Panama Canal.
640
00:41:59,975 --> 00:42:04,522
Regarding
counterfeit banknotes, they are not allowed...
641
00:42:04,605 --> 00:42:09,694
This is an exact copy of the US dollar.
It is impossible to distinguish. You can't.
642
00:42:09,777 --> 00:42:11,696
Can only be known by numbers
or for something else.
643
00:42:11,779 --> 00:42:15,157
- That's right.
- But they are printed on the same machine
644
00:42:15,241 --> 00:42:18,619
but there is a problem with the paper.
645
00:42:18,703 --> 00:42:20,788
They don't have the paper they need.
646
00:42:20,871 --> 00:42:23,249
I needed the same
same as last time.
647
00:42:23,332 --> 00:42:26,252
Gonzalo's. Gonzalo has it in his warehouse.
648
00:42:26,335 --> 00:42:28,713
Gonzalo's? That asshole
who works for Jesus?
649
00:42:28,796 --> 00:42:32,133
No. Jesus is no more.
650
00:42:32,216 --> 00:42:34,844
Mark knows. He was already there.
651
00:42:34,927 --> 00:42:40,182
He knows the guys
but since last time everything has changed.
652
00:42:40,266 --> 00:42:43,185
It was important to convey that
653
00:42:43,269 --> 00:42:46,480
that he was part of this world.
654
00:42:46,564 --> 00:42:49,024
He is not a newbie.
655
00:42:49,108 --> 00:42:52,236
Here a guess flashes for the first time
656
00:42:52,319 --> 00:42:58,159
that Sebastian may not be the one
who he claims to be.
657
00:42:59,076 --> 00:43:03,080
- Or someone else.
- But it was very important
658
00:43:03,164 --> 00:43:06,500
and Ben and I talked a lot about this -
659
00:43:07,501 --> 00:43:14,049
that Sebastian is not doing all this out of malice.
660
00:43:14,133 --> 00:43:17,094
And out of despair
661
00:43:17,178 --> 00:43:23,100
and from fear of meeting face to face
with your problems.
662
00:43:23,184 --> 00:43:26,437
Instead of sitting with a friend
and say: 'Let's figure it out.
663
00:43:26,520 --> 00:43:29,148
I made a mistake.
I took part in this."
664
00:43:29,231 --> 00:43:33,944
He tries to solve the problem this way:
so that everyone is happy
665
00:43:34,028 --> 00:43:35,905
BUT He can’t do it.
666
00:43:35,988 --> 00:43:38,449
And this is very typical of people.
667
00:43:38,532 --> 00:43:41,952
When they want to avoid
conflict, everything gets worse.
668
00:43:42,036 --> 00:43:46,248
Mark's character, Chris Farraday...
I remember Balthasar saying:
669
00:43:46,332 --> 00:43:49,960
"When Mark has problems,
he's doing the right thing.
670
00:43:50,044 --> 00:43:53,881
When Sebastian has problems,
he's doing the wrong thing."
671
00:43:53,964 --> 00:43:57,343
Yes, this is what distinguishes the characters.
672
00:43:57,426 --> 00:43:59,762
And so they go
e different places.
673
00:43:59,845 --> 00:44:02,807
Mark travels in a van to Panama.
674
00:44:02,890 --> 00:44:04,642
To Panama.
675
00:44:04,725 --> 00:44:09,647
If you know Mark Wahlberg,
he is an unpredictable driver.
676
00:44:09,730 --> 00:44:14,735
We filmed this when we should have
be at the base
677
00:44:15,194 --> 00:44:16,487
having finished filming,
678
00:44:16,570 --> 00:44:20,991
and we threw away... What is it called?
679
00:44:21,075 --> 00:44:23,702
They threw away the radio and said:
"Keep filming."
680
00:44:23,786 --> 00:44:27,331
Then Balthasar broke his word.
681
00:44:27,414 --> 00:44:33,212
I really wanted to film this. I need
was to convey the feeling of Panama.
682
00:44:36,257 --> 00:44:40,261
But we stayed within the budget,
so everyone was happy.
683
00:44:42,805 --> 00:44:46,058
We struggled with this stage for a long time.
684
00:44:46,141 --> 00:44:50,020
- Yes.
- This is Sebastian's revelation.
685
00:44:50,604 --> 00:44:53,983
The door opens - and there he is.
686
00:44:55,776 --> 00:45:00,197
In this scene I wanted to achieve
the same thing I already said-
687
00:45:00,281 --> 00:45:06,120
Don't expect surprise.
Play as naturally as possible.
688
00:45:06,203 --> 00:45:09,498
Because they spoke.
They meet
689
00:45:09,582 --> 00:45:15,129
and for the characters it is not surprising
that they are there.
690
00:45:16,130 --> 00:45:19,925
But with her help, with her help
little girl, we wanted to show
691
00:45:20,009 --> 00:45:24,889
how well they know each other.
I think this is a good way...
692
00:45:25,306 --> 00:45:27,600
You know, I'm really sorry.
693
00:45:28,934 --> 00:45:33,647
Scenes like this are always difficult to film
694
00:45:34,899 --> 00:45:36,942
because they should talk about
what is important to them
695
00:45:36,942 --> 00:45:39,069
because they should talk about
what is important to them
696
00:45:39,153 --> 00:45:41,155
about the situation they found themselves in.
697
00:45:41,238 --> 00:45:45,784
At the same time, we tell
viewers about what is happening.
698
00:45:57,630 --> 00:46:00,424
The situation is heating up.
699
00:46:00,507 --> 00:46:03,010
Sebastian thinks Mark isn't...
700
00:46:03,260 --> 00:46:05,012
- It won’t bring it.
- “will bring it.”
701
00:46:05,095 --> 00:46:10,601
And he asks Briggs to ask Andy
get drugs
702
00:46:10,684 --> 00:46:13,938
knowing that Rat Farrabay, Mark's character,
703
00:46:14,021 --> 00:46:20,361
will be able to hide them on the ship
and take it through customs.
704
00:46:21,862 --> 00:46:24,281
This is the level of our actors.
705
00:46:24,365 --> 00:46:27,493
We're in a hurry. We don't have much time.
706
00:46:27,576 --> 00:46:29,119
They are traveling through Panama
707
00:46:29,203 --> 00:46:31,622
and pronounce their lines perfectly
708
00:46:32,247 --> 00:46:35,626
Ts play at their best.
709
00:46:39,380 --> 00:46:42,466
- Here we are again in New Orleans.
- That's right.
710
00:46:42,549 --> 00:46:45,386
This film is such a mystery.
711
00:46:45,469 --> 00:46:50,432
When you look and start
remember all the small details.
712
00:46:56,397 --> 00:47:00,609
Our first assistant director -
a woman named Shelley Ziegler
713
00:47:00,693 --> 00:47:07,366
who worked on “T/7e ILge”
and “T/7e R/uteg” - helped us a lot.
714
00:47:08,826 --> 00:47:11,912
Yes, it was not easy to connect everything.
715
00:47:11,996 --> 00:47:14,039
She's great.
716
00:47:14,123 --> 00:47:18,293
- I made a lot out of little.
-Yes. Exactly.
717
00:47:18,377 --> 00:47:20,379
This scene was filmed
in two different places.
718
00:47:20,462 --> 00:47:23,424
External part,
and now we are on the side of the building -
719
00:47:23,507 --> 00:47:25,718
this is a different place.
720
00:47:31,140 --> 00:47:36,020
Since we didn't build anything,
but we worked with what we had
721
00:47:36,103 --> 00:47:40,774
and then put it together,
we have a more real world.
722
00:47:42,526 --> 00:47:44,737
Gonzalo. Chris Farraday is looking for you.
723
00:47:44,820 --> 00:47:47,072
- And here comes the mad dog.
- Yes.
724
00:47:47,156 --> 00:47:50,951
And the trainer who was with him.
725
00:47:51,326 --> 00:47:53,579
Remember how he provoked the dog?
726
00:47:53,662 --> 00:47:55,748
- She bit his hand.
- Bitten his hand.
727
00:47:55,831 --> 00:47:59,918
He put a cast on his arm,
and the dog attacked him.
728
00:48:02,254 --> 00:48:08,719
This is Gonsapo's warehouse,
new crazy Panamanian boss.
729
00:48:08,802 --> 00:48:10,471
Talk about Mr. Ruben.
730
00:48:10,554 --> 00:48:12,431
If you want again
see your nephew
731
00:48:12,514 --> 00:48:15,976
bring me the package, okay?
732
00:48:39,500 --> 00:48:40,751
HEY, is that a wolf?
733
00:48:41,168 --> 00:48:43,295
He is played by Diego Luna.
734
00:48:43,378 --> 00:48:47,049
We wanted it to look
very believable.
735
00:48:47,132 --> 00:48:50,135
Yes, I was very happy
when you told me
736
00:48:50,219 --> 00:48:54,932
that HE can take part.
737
00:48:55,015 --> 00:48:58,185
Sometimes it's hard to force such guys
to star in similar roles.
738
00:48:58,268 --> 00:49:01,188
Yes. We are very lucky with Diego.
739
00:49:01,271 --> 00:49:04,149
He's an amazing actor.
I'm his longtime fan.
740
00:49:04,233 --> 00:49:07,444
"U Ti Mata Tatyyop",
I love his Mexican films.
741
00:49:07,528 --> 00:49:09,988
Here is a real wolf.
742
00:49:11,365 --> 00:49:17,079
G onsalo was conceived as a person
who builds an empire
743
00:49:17,162 --> 00:49:21,625
by all possible means -
be it stolen cars
744
00:49:21,708 --> 00:49:25,754
drugs, weapons, animals.
745
00:49:25,838 --> 00:49:30,008
Everything that passes through Panama -
he wants to have a hand in it.
746
00:49:32,386 --> 00:49:36,306
Amazing things.
When you enter the harbor
747
00:49:36,390 --> 00:49:39,476
and you see these containers.
748
00:49:39,560 --> 00:49:41,478
So many things pass through Panama
749
00:49:41,562 --> 00:49:44,731
how easy it is to smuggle
750
00:49:44,815 --> 00:49:48,318
And this is not only in Panama.
Wherever there are ships with containers.
751
00:49:48,402 --> 00:49:52,781
There is an excellent documentary -
"Tne Cb/c/e mn Spapuea te I/og/a."
752
00:49:52,865 --> 00:49:59,621
It's about containers, how they have changed
transportation and transportation
753
00:50:03,542 --> 00:50:09,506
Even in Europe, from the Netherlands
They're bringing all sorts of rubbish to Africa.
754
00:50:09,590 --> 00:50:15,470
It's amazing what's happening here.
755
00:50:15,554 --> 00:50:22,102
I read that every year falls into the sea
from five to ten thousand containers.
756
00:50:22,186 --> 00:50:24,021
- They are falling...
- During storms...
757
00:50:24,104 --> 00:50:26,773
During storms.
A container surfaced on one island
758
00:50:26,857 --> 00:50:29,318
full of 'Yuog/goz' chips.
759
00:50:29,401 --> 00:50:35,115
Here we see that Sebastian
starts to get nervous.
760
00:50:35,199 --> 00:50:36,825
Yes.
761
00:50:36,909 --> 00:50:40,287
And I really like it
how Ben does it. It is very thin
762
00:50:40,370 --> 00:50:46,710
He really wanted to do it subtly.
763
00:50:46,793 --> 00:50:51,548
These are the difficulties we worked on
764
00:50:51,632 --> 00:50:53,884
Eric Fellner, Balthazar, me and the screenwriter.
765
00:50:55,219 --> 00:50:59,973
Gonsalo says:
"Let's rob a truck together."
766
00:51:00,057 --> 00:51:04,811
We wanted it to sound
natural for Gonzalo's character -
767
00:51:04,895 --> 00:51:09,316
upset person,
who thinks so.
768
00:51:10,734 --> 00:51:12,945
I think we are getting closer to this.
769
00:51:13,028 --> 00:51:16,114
Of course it's a coincidence.
770
00:51:16,198 --> 00:51:18,742
This can be criticized
771
00:51:18,825 --> 00:51:20,911
but when you find yourself
in the dirty underworld
772
00:51:20,994 --> 00:51:23,372
a lot of accidents happen.
773
00:51:23,455 --> 00:51:27,501
And I can refer to this,
but you can say:
774
00:51:27,584 --> 00:51:29,836
"This is too confusing."
775
00:51:29,920 --> 00:51:32,506
But it's still a film,
and we have fun.
776
00:51:32,589 --> 00:51:38,136
Diego Luna is here
777
00:51:38,220 --> 00:51:40,180
exceeds all expectations.
778
00:51:41,848 --> 00:51:43,267
He is simply incredible here.
779
00:51:43,350 --> 00:51:45,018
“I’ll blow your fucking brains out.”
780
00:51:46,311 --> 00:51:48,855
- In my opinion, Mark is also great.
- Definitely.
781
00:51:48,939 --> 00:51:51,066
He tries to stay calm
782
00:51:51,149 --> 00:51:56,530
BUT HE got into 6 a very BAD situation.
783
00:51:57,447 --> 00:51:59,616
I'll get it
fake banknotes for free?
784
00:51:59,700 --> 00:52:02,869
I love the Boston accent here.
"Fake banknotes."
785
00:52:07,374 --> 00:52:12,671
At this time, along Lucas' right leg
urine flows out.
786
00:52:12,754 --> 00:52:16,383
Danny is very scared.
787
00:52:18,218 --> 00:52:22,639
I think at this stage
the film turns into a tripper.
788
00:52:22,848 --> 00:52:28,103
It becomes more of a thriller
and less of a heist movie.
789
00:52:28,186 --> 00:52:32,482
This is a movie from a movie
about a robbery turns into a tripper.
790
00:52:32,566 --> 00:52:35,527
Huge ticking clock.
791
00:52:35,610 --> 00:52:38,447
Chris is getting out of control
792
00:52:38,530 --> 00:52:43,160
and he should try to sort everything out.
793
00:52:43,410 --> 00:52:44,411
This is Olaf.
794
00:52:45,037 --> 00:52:46,121
Chris, you have 10 minutes.
795
00:52:46,913 --> 00:52:48,081
This is not enough.
796
00:52:48,415 --> 00:52:50,625
Let Tariq postpone loading.
797
00:52:50,709 --> 00:52:54,338
Mark sits under an overpass
in downtown New Orleans
798
00:52:54,421 --> 00:52:56,840
- near "Ziregoote".
- Yes.
799
00:52:56,923 --> 00:53:01,053
If you're listening to this,
it means you've already seen the film.
800
00:53:01,136 --> 00:53:04,681
Lovers were returning from work
along these overpasses
801
00:53:04,765 --> 00:53:09,061
on exits from the highway, and we
shot from an automatic weapon
802
00:53:09,144 --> 00:53:12,522
and blew up
behind an armored truck.
803
00:53:13,648 --> 00:53:17,402
- How did we manage without misfortunes?
- Yes, it was a madhouse
804
00:53:17,486 --> 00:53:21,031
Lovers were returning home from work
right in the middle of shooting.
805
00:53:21,114 --> 00:53:26,912
Women and men looked at us,
not understanding what is happening.
806
00:53:27,913 --> 00:53:30,165
This is the layout. This is Panama.
807
00:53:30,248 --> 00:53:37,047
Here we have connected two places again.
808
00:53:37,464 --> 00:53:41,301
This is Panama. It's still Panama.
809
00:53:42,386 --> 00:53:44,221
- And all this was...
- Yes, we are on the roof.
810
00:53:44,304 --> 00:53:47,641
And now we are in New Orleans.
Here we are in New Orleans.
811
00:53:47,724 --> 00:53:52,729
It wasn't easy to put this together.
812
00:53:52,813 --> 00:53:55,190
- This is our bus.
- Yes.
813
00:53:55,273 --> 00:53:58,402
Panamanian bus,
which we had in New Orleans.
814
00:54:00,862 --> 00:54:04,116
I have to say this. Darrin Prescott
director of the second group
815
00:54:04,199 --> 00:54:08,328
and stunt coordinator,
did an incredible job.
816
00:54:08,829 --> 00:54:10,497
- Will he slow down?
- Yes, he will slow down.
817
00:54:10,580 --> 00:54:12,249
- You said he would slow down!
- He will slow down.
818
00:54:12,332 --> 00:54:14,084
He doesn't slow down!
819
00:54:14,918 --> 00:54:18,171
They think
that the armored truck will stop, but...
820
00:54:18,255 --> 00:54:20,632
They think that he will block the road,
but this is not so.
821
00:54:20,715 --> 00:54:23,552
This is Panama. They don't stop.
822
00:54:23,635 --> 00:54:25,429
Are you okay?
823
00:54:27,013 --> 00:54:30,934
It was a mixed martial arts fighter
martial arts, our stuntman
824
00:54:32,686 --> 00:54:36,815
Balthasar, you created
excellent combined shot.
825
00:54:36,898 --> 00:54:41,736
This is for real. arranged
with a shot of him actually flying.
826
00:54:44,364 --> 00:54:46,950
We thought about scotch tape for a long time.
827
00:54:47,033 --> 00:54:51,288
This is based on the white itself
on a real bank robbery in Panama.
828
00:54:52,289 --> 00:54:56,042
We saw a photo of a guy
who wrapped his face in tape
829
00:54:56,126 --> 00:54:59,963
and thought that Gonzalo
the bull is just crazy enough
830
00:55:00,046 --> 00:55:02,716
to do something like this.
831
00:55:02,841 --> 00:55:05,427
Why buy a mask,
if you can use tape?
832
00:55:05,510 --> 00:55:09,431
Yes, I like this idea.
833
00:55:09,514 --> 00:55:12,225
I saw comments on the Internet
about the trailer.
834
00:55:12,309 --> 00:55:14,978
"What a stupid idea
wrap your face with tape?"
835
00:55:15,061 --> 00:55:19,399
But I did it myself,
to show them that it's normal
836
00:55:19,483 --> 00:55:23,028
that it doesn’t hurt at all to rob her.
837
00:55:23,111 --> 00:55:26,114
I like this image
it's much rougher this way.
838
00:55:26,198 --> 00:55:30,785
We often see hockey masks
and the like.
839
00:55:30,869 --> 00:55:34,915
So I liked the idea, especially
considering that it is taken from reality.
840
00:55:36,583 --> 00:55:41,505
We see Tariq again,
which organizes everything in the dock.
841
00:55:41,588 --> 00:55:45,842
This is one of my favorite moments
taken from the original
842
00:55:45,926 --> 00:55:49,012
We catch a glimpse of the picture
Jackson Pollock
843
00:55:49,095 --> 00:55:52,057
We don't know what it is
we don't notice it
844
00:55:52,140 --> 00:55:55,644
BUT 806 will become CLEAR AT THE END 8.
845
00:55:59,481 --> 00:56:00,941
Most of these holes are from bullets
846
00:56:01,024 --> 00:56:05,237
all bullet holes
made in post-production.
847
00:56:05,320 --> 00:56:09,574
Not all, but the majority, bah.
Exactly, the majority.
848
00:56:13,620 --> 00:56:18,124
- Imagine, you are driving home from work...
- Yes, in the middle of all this.
849
00:56:19,960 --> 00:56:22,337
Interesting.
850
00:56:22,420 --> 00:56:26,091
You can say it's slow
filming violates the style of the film
851
00:56:26,174 --> 00:56:28,051
BUT WE wanted it.
852
00:56:28,134 --> 00:56:30,554
And Barry Acrobe,
who filmed "Tne Nigt Bosker"
853
00:56:30,637 --> 00:56:34,849
used a similar technique.
I think it's great.
854
00:56:34,933 --> 00:56:39,646
We are immersed in this situation,
but we also show that it is a mixture.
855
00:56:40,647 --> 00:56:42,232
This is a movie.
856
00:56:42,315 --> 00:56:46,069
And I like to remind
to the audience that we are playing.
857
00:56:53,827 --> 00:56:56,454
Traces from impacts,
that you see on cars -
858
00:56:56,538 --> 00:57:01,585
this is a paintball gun
with a bullet made of dust.
859
00:57:01,668 --> 00:57:06,673
It gives a good effect -
a small spark and dust.
860
00:57:14,681 --> 00:57:16,558
Damn! Danny, hurry up, we're going!
861
00:57:17,392 --> 00:57:18,727
Come on Danny, let's go! Crap!
862
00:57:20,312 --> 00:57:24,649
Everything happens in turmoil, and this
I like it, it's unplanned.
863
00:57:24,733 --> 00:57:27,694
This is an emergency.
864
00:57:27,777 --> 00:57:34,075
We filmed this
from a small SUV
865
00:57:34,159 --> 00:57:37,621
with the camera in your hand, and it looks great.
866
00:57:37,704 --> 00:57:40,290
Amazing.
867
00:57:40,373 --> 00:57:45,503
Mark and Pukas - we see
how they all ride in the car
868
00:57:45,587 --> 00:57:49,466
we can get closer to them
and see more.
869
00:57:49,549 --> 00:57:53,470
And they were not afraid
ride on the back of a truck, like here.
870
00:57:53,553 --> 00:57:56,973
I think Lucas remembered this day.
He was delighted.
871
00:57:57,057 --> 00:58:01,102
Yes, he didn’t do a lot of action films,
and he really liked it.
872
00:58:02,437 --> 00:58:03,688
Call the manager.
873
00:58:03,772 --> 00:58:05,649
Tell me I need to hurry up
another ship is coming.
874
00:58:05,732 --> 00:58:10,862
We are with Balthazar and the team
visited a real office in Panama
875
00:58:10,987 --> 00:58:15,116
from where the entire port is controlled,
and he is very similar.
876
00:58:17,327 --> 00:58:19,496
-Back in New Orleans.
-Yes, yes.
877
00:58:19,579 --> 00:58:22,165
- Now we are in New Orleans again.
- Yes.
878
00:58:31,132 --> 00:58:33,093
Hurry, we must hurry!
879
00:58:38,014 --> 00:58:39,265
It was one of those moments
880
00:58:39,349 --> 00:58:43,561
When did we have any left?
half an hour for filming
881
00:58:43,645 --> 00:58:46,606
We couldn’t fit into this framework 6 these frameworks.
882
00:58:48,608 --> 00:58:52,862
The weather didn't cooperate either.
It started pouring rain
883
00:58:53,780 --> 00:58:55,740
Take me to the hospital, motherfucker.
884
00:58:55,824 --> 00:58:58,243
Crap. Danny, help.
885
00:58:58,326 --> 00:58:59,619
Come on, lie down.
886
00:59:02,455 --> 00:59:03,623
Hold him!
887
00:59:06,418 --> 00:59:13,049
In the original script
Mark had to get Gonsapo through...
888
00:59:13,133 --> 00:59:14,884
- All the way to the ship.
- „all the way to the ship
889
00:59:14,968 --> 00:59:17,637
and throw it overboard.
890
00:59:17,721 --> 00:59:21,266
We took into account many factors
including the one
891
00:59:21,349 --> 00:59:26,563
that his character would not do this -
892
00:59:26,646 --> 00:59:31,359
He wouldn't want to die
driving too fast
893
00:59:32,318 --> 00:59:34,237
If he's dead, throw him out of the car.
894
00:59:34,320 --> 00:59:35,989
Stop! Take our passports!
895
00:59:36,823 --> 00:59:37,824
- Do you have them?
- Yes.
896
00:59:37,907 --> 00:59:38,950
throw it away!
897
00:59:39,117 --> 00:59:43,997
I like this incompleteness
and rudeness.
898
00:59:44,080 --> 00:59:46,207
Who needs this guy?
899
00:59:46,291 --> 00:59:48,334
Yes. Tomorrow another will take his place.
900
00:59:48,418 --> 00:59:51,045
Yes. It can't get any worse.
901
00:59:52,881 --> 00:59:54,424
Here we see the engine compartment.
902
00:59:54,507 --> 00:59:56,092
I really like the power of the engine.
903
00:59:56,092 --> 00:59:59,846
I really like the power of the engine.
904
01:00:01,347 --> 01:00:03,266
- Beautiful frame.
-Yes, amazing.
905
01:00:03,349 --> 01:00:06,728
This is a real van
leaves Panama.
906
01:00:06,811 --> 01:00:09,606
- Yes, with Mark and Lucas.
- Yes.
907
01:00:11,024 --> 01:00:12,984
- An extraordinary shot.
- And here.
908
01:00:13,067 --> 01:00:15,945
It's amazing that Panama
909
01:00:16,029 --> 01:00:22,118
expensive neighborhoods
and apartment buildings
910
01:00:22,202 --> 01:00:25,622
adjacent to slums.
Amazing city
911
01:00:25,705 --> 01:00:28,249
Striking contrast.
912
01:00:28,333 --> 01:00:31,711
This is a real port.
They allowed us to move in.
913
01:00:34,214 --> 01:00:37,884
This shot with a woman
filmed in New Orleans
914
01:00:37,967 --> 01:00:39,594
That's right.
915
01:00:40,637 --> 01:00:43,139
I love these container shots.
916
01:00:43,223 --> 01:00:45,308
All this was filmed in the port of Panama.
917
01:00:45,391 --> 01:00:48,686
Mark was driving very fast,
there were so many cars
918
01:00:48,770 --> 01:00:51,147
huge trucks were driving nearby.
919
01:00:51,231 --> 01:00:53,608
- My heart almost jumped out.
- We couldn't control it.
920
01:00:53,691 --> 01:00:57,278
He drove around these huge trucks himself.
921
01:00:57,362 --> 01:00:59,864
It couldn’t have been done any other way.
922
01:00:59,948 --> 01:01:04,661
Here's a great moment from the original,
when the container moved slightly.
923
01:01:06,246 --> 01:01:09,249
I liked it.
I drove my car into it myself.
924
01:01:09,332 --> 01:01:12,544
- In the original?
- Yes, and Mark did it here.
925
01:01:13,086 --> 01:01:14,587
The doors are open, motherfucker!
926
01:01:15,046 --> 01:01:16,339
Crap!
927
01:01:17,173 --> 01:01:24,097
This is quite a difficult episode,
it was necessary to shoot in a studio on...
928
01:01:24,180 --> 01:01:25,682
What is it called?
929
01:01:25,765 --> 01:01:28,893
- On a carbonose suspension.
- Yes, on a carbon suspension.
930
01:01:28,977 --> 01:01:34,607
And then combine these frames,
to create a feeling of height.
931
01:01:34,691 --> 01:01:39,737
This is our stuntman wearing a terrible wig
932
01:01:39,821 --> 01:01:44,868
but it is impossible to make out who it is.
That's him there in Panama.
933
01:01:44,951 --> 01:01:46,452
- Why the rush?
- Let's.
934
01:01:46,536 --> 01:01:48,663
I have food left. Come on, Jack.
935
01:01:48,746 --> 01:01:50,999
The captain said to search everyone
who got off.
936
01:01:55,128 --> 01:01:58,506
It's back in the pavilion, it's green
screen, and these are real shootings.
937
01:01:58,590 --> 01:01:59,883
- This is Panama.
- In Panama.
938
01:01:59,966 --> 01:02:05,638
We filmed in three places in total -
in New Orleans, at the pavilion and in Panama.
939
01:02:07,181 --> 01:02:13,980
Here we needed much
bigger... What's it called? Holder...
940
01:02:14,647 --> 01:02:16,733
We only had
small pubis, "Lollipop."
941
01:02:16,816 --> 01:02:21,112
And there is only one passage.
We had to create more complex
942
01:02:21,195 --> 01:02:24,741
-conditions using the same...
- Square many times.
943
01:02:27,493 --> 01:02:28,578
Your mother!
944
01:02:28,661 --> 01:02:29,787
Let's go, baby.
945
01:02:33,499 --> 01:02:40,256
For me this is where the film is
turns into a real tripper.
946
01:02:43,009 --> 01:02:44,469
Different difficulties
947
01:02:44,552 --> 01:02:50,266
The captain was about to go down
onto the deck, but they missed each other.
948
01:02:50,350 --> 01:02:53,353
- New mysteries appear.
- Yes.
949
01:02:57,065 --> 01:02:58,358
I really enjoyed filming this.
950
01:02:58,441 --> 01:03:01,903
We just climbed up and down
for containers with cameras.
951
01:03:01,986 --> 01:03:06,407
See? Here he comes.
Now we look at another-
952
01:03:06,491 --> 01:03:10,703
this is the same place
but looks like someone else...
953
01:03:10,787 --> 01:03:12,622
- Path.
- ...path.
954
01:03:12,705 --> 01:03:15,541
I love the colors of these containers.
955
01:03:15,625 --> 01:03:19,170
- Yes, beautiful.
- Casually beautiful.
956
01:03:21,756 --> 01:03:23,841
812504.
957
01:03:23,925 --> 01:03:25,635
812...
958
01:03:26,260 --> 01:03:27,679
Sorry, captain.
959
01:03:29,013 --> 01:03:30,223
FRESH SEAFOOD
960
01:03:30,682 --> 01:03:33,267
This is a good episode
in which you can see what is located
961
01:03:33,351 --> 01:03:36,479
these containers.
962
01:03:36,562 --> 01:03:40,525
Lovers don't think about it,
when they see a ship with containers.
963
01:03:40,608 --> 01:03:42,735
They don't think they're there
their goods
964
01:03:42,819 --> 01:03:47,323
fish or clothes,
which they buy.
965
01:03:48,074 --> 01:03:50,118
812729.
966
01:03:50,868 --> 01:03:54,372
Yes, incredible. Here's a mango.
967
01:03:54,455 --> 01:03:58,334
Best mangoes I've ever eaten.
968
01:03:58,418 --> 01:04:01,546
- The whole film crew ate them.
- It's funny.
969
01:04:01,629 --> 01:04:02,839
HEY!
970
01:04:02,922 --> 01:04:05,425
Our sewer system burst.
Call Brody.
971
01:04:08,761 --> 01:04:10,471
Okay, let's go.
972
01:04:18,771 --> 01:04:24,694
They took Mark's clothes,
and then Mark did everything himself
973
01:04:24,777 --> 01:04:28,197
jumped from the container
per container. Great.
974
01:04:28,281 --> 01:04:30,408
He jumps by himself.
975
01:04:32,118 --> 01:04:36,205
Of course, this is not very popular
because of insurance, but we go for it
976
01:04:36,289 --> 01:04:41,753
because the audience is already immediately
understand when we change people.
977
01:04:41,836 --> 01:04:43,004
Yes.
978
01:04:43,087 --> 01:04:48,509
James Bonbu e 6O-x
they forgave much more.
979
01:04:48,593 --> 01:04:50,720
And this little trick
980
01:04:50,803 --> 01:04:55,600
it is revealed later -
we understand where he got the salt from.
981
01:05:02,523 --> 01:05:08,905
We wanted to achieve maximum
authenticity so that viewers can
982
01:05:08,988 --> 01:05:14,035
as Balthasar said, go back,
rewatch the movie and say:
983
01:05:14,118 --> 01:05:17,246
"Yes, all these little things
were really there."
984
01:05:17,330 --> 01:05:23,044
Yes, we wanted to use
details such as seals
985
01:05:23,127 --> 01:05:25,963
which HE puts.
986
01:05:26,047 --> 01:05:28,382
It’s hard to collect all this,
because it slows down the process
987
01:05:28,466 --> 01:05:31,344
but I want to do everything right.
988
01:05:31,344 --> 01:05:32,428
but I want to do everything right.
989
01:05:32,512 --> 01:05:34,555
Achieve this level of reliability.
990
01:05:34,639 --> 01:05:37,642
- I love this shot. This shoot...
- Beautiful.
991
01:05:37,725 --> 01:05:40,895
- . . , channel.
- Yes, gateways.
992
01:05:44,690 --> 01:05:45,691
I have to say...
993
01:05:45,775 --> 01:05:47,693
Are you fucking crazy?
994
01:05:47,777 --> 01:05:50,113
Mark has gone wild here.
995
01:05:50,196 --> 01:05:53,533
Stunning scene. Amazing game.
996
01:05:54,367 --> 01:05:57,662
He beat up this guy, didn't he?
997
01:05:58,579 --> 01:05:59,956
He didn't do it on purpose.
998
01:06:00,039 --> 01:06:01,499
I needed it.
999
01:06:02,667 --> 01:06:03,918
It's on the ceiling.
1000
01:06:05,211 --> 01:06:08,965
I think Capeb was a little shocked.
1001
01:06:09,048 --> 01:06:12,885
Yes, no one wants
get hit in the neck by Mark. That's for sure.
1002
01:06:13,177 --> 01:06:14,887
What an idiot you are!
1003
01:06:14,971 --> 01:06:17,932
I came to help you
risking your freedom,
1004
01:06:18,015 --> 01:06:20,643
wife and children.
1005
01:06:20,726 --> 01:06:21,894
Asshole.
1006
01:06:23,062 --> 01:06:24,689
What the fuck am I supposed to do...
1007
01:06:24,772 --> 01:06:30,194
It is very important for Mark and his character...
1008
01:06:30,278 --> 01:06:34,532
He is a father.
He doesn't want to sell drugs.
1009
01:06:34,615 --> 01:06:37,034
But the point here is not only
in his moral principles.
1010
01:06:37,118 --> 01:06:42,331
If he gets caught,
the sentence will be much harsher.
1011
01:06:42,415 --> 01:06:47,003
The children will be lost to him
1012
01:06:47,086 --> 01:06:51,549
their youth will be lost to him,
10 years of life
1013
01:06:51,632 --> 01:06:58,556
In this scene we really wanted
so Andy doesn't look like such a moron.
1014
01:06:58,639 --> 01:07:02,602
We wanted him to understand
Briggs' message
1015
01:07:02,685 --> 01:07:04,854
that his nephews 6 dangers
1016
01:07:04,937 --> 01:07:09,317
and this is his explanation to Mark,
which Mark can't argue with.
1017
01:07:09,400 --> 01:07:15,865
Yes, he is retreating not because...
He's scared.
1018
01:07:15,948 --> 01:07:21,370
He knows Briggs will get there
to the children, and he panics.
1019
01:07:21,454 --> 01:07:24,916
But he is waiting for Mark to come -
and this is different from the original -
1020
01:07:24,999 --> 01:07:27,752
to say that he was forced
do it.
1021
01:07:28,544 --> 01:07:30,296
Yes, he's here. Should I call him?
1022
01:07:30,421 --> 01:07:34,008
Now Mark calls his wife to
make sure the children are okay
1023
01:07:34,091 --> 01:07:37,553
that Briggs did not carry out his threat.
1024
01:07:44,143 --> 01:07:47,897
I like this scene
when Mark sits in front of the drugs
1025
01:07:47,980 --> 01:07:51,025
counterfeit banknotes and thinks:
1026
01:07:51,108 --> 01:07:54,320
"What the hell
What am I going to do with all this?”
1027
01:07:55,821 --> 01:07:58,449
We see how he thinks everything over
1028
01:07:58,532 --> 01:08:02,245
decides what to do.
1029
01:08:02,328 --> 01:08:03,621
Andy took something.
1030
01:08:03,704 --> 01:08:05,581
Is it true? I thought we were out of business.
1031
01:08:05,665 --> 01:08:06,666
I had no choice.
1032
01:08:07,166 --> 01:08:09,168
Here is another interesting scene
1033
01:08:09,252 --> 01:08:13,589
Where is Mark's character?
trying to understand what's going on.
1034
01:08:13,673 --> 01:08:17,301
- Yes.
- He knows it's wrong.
1035
01:08:19,011 --> 01:08:22,265
Why is Briggs threatening his children?
1036
01:08:22,348 --> 01:08:25,268
What is Sebastian doing?
1037
01:08:25,768 --> 01:08:28,271
What's really going on here?
1038
01:08:28,354 --> 01:08:32,024
He seems to know
that something is wrong here
1039
01:08:32,108 --> 01:08:35,987
but cannot formulate it.
It doesn't come to him suddenly
1040
01:08:36,070 --> 01:08:40,199
BUT HE KNEW that something is wrong.
1041
01:08:40,283 --> 01:08:45,413
Interestingly, the main character
is a little behind the audience.
1042
01:08:45,496 --> 01:08:46,914
Yes.
1043
01:08:46,998 --> 01:08:49,125
I'll give you a few days
1044
01:08:50,376 --> 01:08:51,627
and then I'll cut you off...
1045
01:08:51,711 --> 01:08:54,297
This scene is very important.
Here we understand
1046
01:08:54,380 --> 01:08:58,259
that Sebastian himself turned out to be
This is a very difficult situation.
1047
01:08:58,342 --> 01:09:00,052
I have something.
1048
01:09:04,473 --> 01:09:05,975
You're not very sure.
1049
01:09:06,058 --> 01:09:09,020
David O'Hara was amazing here.
1050
01:09:09,103 --> 01:09:11,272
...for comrades, Abney.
1051
01:09:12,398 --> 01:09:14,567
I warned you-
1052
01:09:15,776 --> 01:09:19,697
When did you first come
for help to make your business...
1053
01:09:19,780 --> 01:09:24,827
I think we've all seen
a thousand similar scenes
1054
01:09:24,910 --> 01:09:29,623
and it seems to us that David
brought something special here.
1055
01:09:31,625 --> 01:09:33,878
He's so scary.
1056
01:09:35,212 --> 01:09:37,673
Tell you what will happen
if you don't pay.
1057
01:09:37,757 --> 01:09:41,177
What's the point? You know the rules.
1058
01:09:41,260 --> 01:09:42,845
Yes.
1059
01:09:44,722 --> 01:09:48,517
I also like Ben's reaction.
He's very afraid of this guy.
1060
01:09:48,601 --> 01:09:52,772
He knows there is nowhere to go.
1061
01:10:03,115 --> 01:10:03,991
- Here is our Joe P. Hooker.
- Yes.
1062
01:10:03,991 --> 01:10:05,701
- Here is our Joe P. Hooker.
- Yes.
1063
01:10:25,179 --> 01:10:29,266
Their dialogue was cut from the scene.
1064
01:10:29,350 --> 01:10:33,896
But he was in a different place,
so we changed it a little.
1065
01:10:35,523 --> 01:10:40,528
Here I wanted to slow down a little
pace of the film, take a break.
1066
01:10:41,278 --> 01:10:44,573
Jozanni ate here,
probably 60 oysters
1067
01:10:44,657 --> 01:10:47,993
I ate about 20.
1068
01:10:48,994 --> 01:10:52,415
Amazing oysters,
but it's better not to eat too much.
1069
01:10:52,498 --> 01:10:53,749
But they are incredible.
1070
01:10:53,833 --> 01:10:57,044
Here we see that Sebastian has lost his temper
1071
01:10:57,128 --> 01:10:59,004
C loses control.
1072
01:10:59,088 --> 01:11:03,134
He's afraid of Jim Church
David O'Hara's character
1073
01:11:04,176 --> 01:11:05,344
C wants to KNOW what's what.
1074
01:11:05,428 --> 01:11:07,596
...she was your family.
1075
01:11:07,680 --> 01:11:10,433
If you want to fuck his wife,
fuck his wife.
1076
01:11:10,516 --> 01:11:12,768
But don't waste my time
playing the hero.
1077
01:11:12,852 --> 01:11:16,439
Chris is going crazy there. He will throw the package.
1078
01:11:16,522 --> 01:11:18,732
Don't touch her. Just get attention.
1079
01:11:18,816 --> 01:11:23,654
Balthasar spoke of this remark,
which Ben just said:
1080
01:11:23,737 --> 01:11:28,451
"The rats are going crazy there."
Sebastian doesn't count
1081
01:11:28,534 --> 01:11:32,788
that HE is doing wrong.
1082
01:11:32,872 --> 01:11:36,834
It helps him
make the right decision -
1083
01:11:36,917 --> 01:11:40,379
bring drugs,
so that everything is fine for everyone.
1084
01:11:40,463 --> 01:11:44,175
He doesn’t think it’s his hand that’s white.
1085
01:11:44,258 --> 01:11:48,471
Sebastian doesn't think
that he planned and did all this.
1086
01:11:48,554 --> 01:11:50,556
This is how this world lives
1087
01:11:50,764 --> 01:11:56,270
and the Rat betrays him,
without doing what he was asked to do.
1088
01:11:56,353 --> 01:12:00,024
It's very difficult to do
when you're working on a script
1089
01:12:00,107 --> 01:12:04,570
or write a script like Aaron. But we
took this from the original film-
1090
01:12:04,653 --> 01:12:10,284
the idea of throwing bags of salt,
which will dissolve
1091
01:12:10,367 --> 01:12:13,162
and the money will float to the surface.
1092
01:12:13,245 --> 01:12:16,040
Then we suddenly realized that it was from
”Opse Tsrop a T/te [p Ateg/sa.
1093
01:12:16,123 --> 01:12:20,169
- I didn’t know that.
- None of us knew.
1094
01:12:20,252 --> 01:12:23,005
That’s why it turned out good. ..
1095
01:12:23,088 --> 01:12:25,257
- Good movie.
- That's right.
1096
01:12:25,341 --> 01:12:26,717
- Good night.
- Good night, baby.
1097
01:12:26,800 --> 01:12:27,801
I'll close the door.
1098
01:12:27,885 --> 01:12:30,596
This is a complex shot.
1099
01:12:32,097 --> 01:12:34,266
Riddle with special effects.
1100
01:12:37,019 --> 01:12:39,396
- We only had one door.
- Yes.
1101
01:12:39,480 --> 01:12:41,690
One frame.
1102
01:12:43,400 --> 01:12:48,697
I wanted Kate to be inside
to make it look even more dangerous.
1103
01:12:48,781 --> 01:12:51,033
She closes the door and he waits.
1104
01:12:51,116 --> 01:12:55,621
He knows he can get inside
only by ramming the door.
1105
01:12:57,206 --> 01:13:02,127
We attached the car
to the big wire
1106
01:13:03,045 --> 01:13:06,966
so that the car doesn't hurt Kate.
1107
01:13:07,049 --> 01:13:08,717
Get away from me!
1108
01:13:08,801 --> 01:13:09,885
My friend will come, he will kick you...
1109
01:13:12,012 --> 01:13:13,514
It was difficult to do.
1110
01:13:13,597 --> 01:13:17,601
Combined frame,
I think it’s very impressive.
1111
01:13:17,685 --> 01:13:21,647
Call your husband and tell him
don't throw it into the water!
1112
01:13:21,730 --> 01:13:26,318
Say what you do, Michael and Eddie
you hope for him.
1113
01:13:26,402 --> 01:13:28,404
Do you understand me?
1114
01:13:30,990 --> 01:13:35,828
I think Joeanni is on top here.
Goosebumps
1115
01:13:37,871 --> 01:13:39,290
Don't touch my children!
1116
01:13:42,001 --> 01:13:43,127
He's got a gun!
1117
01:13:43,210 --> 01:13:45,421
HEY! What are you doing?
1118
01:13:45,504 --> 01:13:49,842
I also like this moment.
Of course they know each other.
1119
01:13:52,970 --> 01:13:55,681
Joeanni is tired of this nonsense.
1120
01:13:57,808 --> 01:14:00,936
Sebastian continues to play.
1121
01:14:02,313 --> 01:14:03,397
Hello.
1122
01:14:08,569 --> 01:14:13,490
Now there will be a second situation
with Kate, who can't drive.
1123
01:14:13,574 --> 01:14:17,202
She must grab the children
and speed off in a car.
1124
01:14:18,037 --> 01:14:21,498
The stunt double did it perfectly for her.
1125
01:14:21,582 --> 01:14:24,043
Are you driving my kids around drunk?
Are you kidding me?
1126
01:14:24,126 --> 01:14:26,378
Calm down. What did he tell you?
1127
01:14:28,047 --> 01:14:30,758
By the way, Ben Foster's black truck.
We haven't told this story.
1128
01:14:30,841 --> 01:14:34,178
- It was stolen in the middle of filming.
- Yes.
1129
01:14:34,261 --> 01:14:39,892
In the end he was found in someone's barn
in the vicinity of New Orleans.
1130
01:14:39,975 --> 01:14:43,270
And that man had no idea
how did he end up there?
1131
01:14:43,354 --> 01:14:45,648
We returned the truck.
1132
01:14:45,731 --> 01:14:48,942
- Someone had nothing to go home with.
- Probably.
1133
01:14:49,777 --> 01:14:53,364
Cell phone reception here is poor.
Wait, I'll go outside.
1134
01:14:54,365 --> 01:14:55,407
Hello.
1135
01:14:56,033 --> 01:14:59,328
I want to tell those who don’t know:
1136
01:14:59,411 --> 01:15:06,293
when you get to New Orleans
from South America along the Mississippi
1137
01:15:06,377 --> 01:15:09,963
It takes from nine to cross
until eleven o'clock.
1138
01:15:13,217 --> 01:15:17,179
Of course, there is a telephone service
1139
01:15:17,262 --> 01:15:20,349
because you are passing by
through villages.
1140
01:15:20,432 --> 01:15:22,059
What is important is what is happening now.
1141
01:15:22,142 --> 01:15:25,729
This is a difficult moment in the scenario
1142
01:15:25,813 --> 01:15:30,859
When should Kate hand over
information to my husband
1143
01:15:30,943 --> 01:15:34,530
which I would not recognize
1144
01:15:34,613 --> 01:15:38,575
- if Sebastian had not been involved.
- Exactly.
1145
01:15:39,410 --> 01:15:43,706
These are small moments that
very important for such a film.
1146
01:15:43,789 --> 01:15:45,040
...to look after the boys?
1147
01:15:45,124 --> 01:15:46,250
Look at your forehead.
1148
01:15:46,333 --> 01:15:48,210
You definitely don't want to
so I can take you to the hospital?
1149
01:15:48,293 --> 01:15:51,964
No... It just looks worse.
1150
01:15:52,381 --> 01:15:55,008
He said, "Don't throw it away."
1151
01:15:55,092 --> 01:15:58,053
- Yes. "Don't throw it in the water."
- “Don’t throw it into the water.”
1152
01:15:58,137 --> 01:16:02,224
It's the same...
1153
01:16:02,307 --> 01:16:05,310
Macr said to Sebastian,
that he can throw it into the water
1154
01:16:05,394 --> 01:16:09,314
Briggs said to Kate:
"Don't throw it in the water."
1155
01:16:09,398 --> 01:16:12,609
He understands
that his message was conveyed
1156
01:16:12,693 --> 01:16:15,070
and this could happen
only through Sebastian.
1157
01:16:25,164 --> 01:16:26,165
Sebastian?
1158
01:16:33,172 --> 01:16:36,967
Mark thought about what she said,
and now he's going...
1159
01:16:37,050 --> 01:16:38,844
Figure it out.
1160
01:16:38,927 --> 01:16:41,388
No. I didn't tell anyone.
1161
01:16:41,472 --> 01:16:42,431
Don't lie to me.
1162
01:16:42,514 --> 01:16:44,892
Chris, I'm not lying to you. I didn't say shit.
1163
01:16:46,643 --> 01:16:48,312
Where did you get the drugs?
1164
01:16:48,645 --> 01:16:50,606
A guy named Ruben.
1165
01:16:52,775 --> 01:16:54,902
Ruben's name has been mentioned before
1166
01:16:54,985 --> 01:17:01,617
When Sebastian asked Mark
bring drugs.
1167
01:17:01,700 --> 01:17:06,997
Ruben's name gave him away
1168
01:17:07,080 --> 01:17:10,918
we understand what's behind this
only Sebastian could stand.
1169
01:17:12,920 --> 01:17:17,216
What is happening in this scene
partially different from the original
1170
01:17:17,299 --> 01:17:22,638
where Sebastian
sympathized with Kate.
1171
01:17:22,721 --> 01:17:27,226
This part was much larger there.
1172
01:17:27,893 --> 01:17:32,105
We pushed it into the background,
but here it becomes clear
1173
01:17:32,189 --> 01:17:36,401
that Sebastian expects more
from their relationship.
1174
01:17:37,861 --> 01:17:42,324
He misunderstands
all signs and friendliness.
1175
01:17:42,407 --> 01:17:46,036
- Like "Aboit Zsptbbt."
- Yes, grain.
1176
01:17:47,746 --> 01:17:52,960
I like it. He's losing control.
He takes up the old stuff.
1177
01:17:54,586 --> 01:17:58,590
He is deceived about
his relationship with her
1178
01:17:58,674 --> 01:18:04,012
and confuses friendship with love.
1179
01:18:05,097 --> 01:18:06,265
Such a day.
1180
01:18:06,348 --> 01:18:07,474
What are you doing?
1181
01:18:08,267 --> 01:18:09,518
Nothing. I don't do anything.
1182
01:18:09,601 --> 01:18:12,354
I want to kiss my friend. What about you'?
1183
01:18:12,646 --> 01:18:16,024
She's seen Sebastian like this before.
1184
01:18:16,108 --> 01:18:18,235
She saw him losing control.
1185
01:18:18,318 --> 01:18:21,405
I saw him drunk and high,
1186
01:18:21,488 --> 01:18:25,868
so she goes to another
part of the house to let it cool down.
1187
01:18:25,951 --> 01:18:27,494
But he was never dangerous.
1188
01:18:27,578 --> 01:18:29,997
She has no reason to think
that he will do something to her.
1189
01:18:30,080 --> 01:18:33,917
It's just not that friend
to which you are accustomed.
1190
01:18:34,001 --> 01:18:36,003
God. Kate!
1191
01:18:36,587 --> 01:18:39,756
I want to talk about you
and you're acting like a child.
1192
01:18:39,840 --> 01:18:42,885
OK. Move away from the door
and let me out of here.
1193
01:18:42,968 --> 01:18:43,969
Ungrateful child.
1194
01:18:44,052 --> 01:18:48,557
If you look closely,
when he slammed the door, it hit.
1195
01:18:48,640 --> 01:18:51,518
Yes, she had a big bruise.
She hit her teeth.
1196
01:18:51,602 --> 01:18:53,353
Teeth too?
1197
01:18:54,313 --> 01:18:57,649
It was a difficult scene for her.
1198
01:19:01,069 --> 01:19:06,158
Here is the sound effect,
which we have been working on for a long time.
1199
01:19:06,241 --> 01:19:11,955
We wanted it to work out
not so scary, sharp.
1200
01:19:12,039 --> 01:19:14,333
Yes, we had to stay within limits
1201
01:19:14,416 --> 01:19:18,670
don’t overdo it, don’t break her skull.
1202
01:19:20,339 --> 01:19:24,217
She called Mark, the Rat.
She called Rat, her husband
1203
01:19:24,301 --> 01:19:26,553
Now he calls her back.
1204
01:19:26,637 --> 01:19:27,930
Kate!Kate!
1205
01:19:31,016 --> 01:19:33,518
And she can’t answer.
1206
01:19:41,860 --> 01:19:44,738
Ben played great here.
1207
01:19:44,821 --> 01:19:50,535
He slowly realizes what he has done.
1208
01:19:52,955 --> 01:19:55,123
No turning back.
1209
01:19:55,707 --> 01:19:56,708
HEY.
1210
01:19:56,792 --> 01:19:58,377
I know what you did.
1211
01:19:58,961 --> 01:20:00,337
I know Brit: works for you.
1212
01:20:00,420 --> 01:20:02,673
Get closer to my family -
I'll kill you.
1213
01:20:02,756 --> 01:20:04,132
Do you understand me?
1214
01:20:05,258 --> 01:20:06,885
Bring the package. Everything will be fine.
1215
01:20:09,554 --> 01:20:10,722
I won't bring anything.
1216
01:20:11,431 --> 01:20:13,475
You will never see the fucking package.
1217
01:20:13,558 --> 01:20:17,729
Now Mark knows everything, the countdown has begun.
1218
01:20:18,897 --> 01:20:21,483
I'm going. I'm coming for you.
1219
01:20:23,068 --> 01:20:24,194
OK.
1220
01:20:31,410 --> 01:20:32,452
Captain Camp.
1221
01:20:32,577 --> 01:20:33,620
Sebastian.
1222
01:20:33,704 --> 01:20:35,956
What do you want, Abney?
1223
01:20:36,456 --> 01:20:39,167
Everything is different in the original.
1224
01:20:39,251 --> 01:20:42,421
In the original the captain is clean.
1225
01:20:45,465 --> 01:20:49,261
In my opinion, it’s more effective
that he is involved in this
1226
01:20:49,344 --> 01:20:52,723
Sebastian doesn't care
trying to get the drugs back.
1227
01:20:54,266 --> 01:20:58,729
The captain has a great line here.
1228
01:20:58,812 --> 01:21:01,523
"Pay your fare like everyone else."
1229
01:21:01,606 --> 01:21:04,776
It characterizes this world.
1230
01:21:09,364 --> 01:21:12,117
This world is full of contraband.
1231
01:21:12,200 --> 01:21:16,830
From my own experience in Iceland, I know
that it's full of contraband.
1232
01:21:16,913 --> 01:21:17,372
My father got alcohol from the captain.
1233
01:21:17,372 --> 01:21:20,375
My father got alcohol from the captain.
1234
01:21:20,459 --> 01:21:24,838
Beer. It was not sold in Iceland
smuggled
1235
01:21:24,921 --> 01:21:26,923
You're carrying something.
I know you're carrying something.
1236
01:21:27,007 --> 01:21:28,175
I'm not carrying anything, captain.
1237
01:21:28,258 --> 01:21:31,428
Here Mark improvises again.
1238
01:21:31,511 --> 01:21:33,555
You say it yourself
or call customs?
1239
01:21:33,638 --> 01:21:34,639
I'm not carrying anything.
1240
01:21:34,723 --> 01:21:36,850
Your wife asked me to bring
some bullshit from Panama,
1241
01:21:36,933 --> 01:21:37,934
to rub it into your sliver...
1242
01:21:38,018 --> 01:21:39,644
- Shut up, bastard.
- But I didn't have time.
1243
01:21:39,728 --> 01:21:40,771
Fucking bastard!
1244
01:21:42,314 --> 01:21:45,108
JK is completely calm here
1245
01:21:45,192 --> 01:21:47,027
fits the character perfectly.
1246
01:21:47,110 --> 01:21:48,320
You're done, bastard.
1247
01:21:48,403 --> 01:21:49,446
Clear?
1248
01:21:50,155 --> 01:21:53,116
Customs will sort it out.
1249
01:21:55,118 --> 01:21:56,995
Everything fell into place.
1250
01:21:57,079 --> 01:22:01,625
Mark is in control of the situation.
1251
01:22:02,626 --> 01:22:07,422
Everything became clear to him,
he came up with a plan.
1252
01:22:10,717 --> 01:22:14,763
Now he is out of his element,
he knows exactly what to do.
1253
01:22:14,846 --> 01:22:16,807
Everything came out.
1254
01:22:16,890 --> 01:22:21,728
He just has to decide how to deliver
goods and set your conditions.
1255
01:22:23,355 --> 01:22:27,609
This is one of those cases
when there was a location on the ship
1256
01:22:27,692 --> 01:22:31,655
which suited us perfectly
1257
01:22:31,738 --> 01:22:34,908
- because there were two doors.
- You'll see later.
1258
01:22:34,991 --> 01:22:40,247
And Mark was able to escape, just
when the captain came in.
1259
01:22:40,330 --> 01:22:41,957
We did this.
1260
01:22:42,040 --> 01:22:43,917
There is a scene and scripts, and then there is a location.
1261
01:22:44,000 --> 01:22:49,381
We have to change the scene
based on location.
1262
01:22:50,882 --> 01:22:54,010
And here it was all like that,
and it suited us perfectly
1263
01:22:54,094 --> 01:22:58,557
There's a cabin inside a cabin,
in which there is another door.
1264
01:23:02,227 --> 01:23:04,855
- Here is Mark's brother again.
- Yes.
1265
01:23:06,857 --> 01:23:07,816
This is Redmond, second line.
1266
01:23:07,899 --> 01:23:10,527
- Not him.
- Well, full...
1267
01:23:11,278 --> 01:23:12,279
Redmond-
1268
01:23:12,654 --> 01:23:14,906
Yes, John, I have information.
1269
01:23:15,282 --> 01:23:17,576
- They're carrying contraband on my ship.
- Is it true?
1270
01:23:17,868 --> 01:23:19,077
Listen here, boys and girls.
1271
01:23:19,411 --> 01:23:22,289
Team for landing
should be ready in 20 minutes.
1272
01:23:22,956 --> 01:23:23,999
Let's go.
1273
01:23:24,082 --> 01:23:27,502
Bureau of Customs Control
did not let us down again.
1274
01:23:27,586 --> 01:23:31,590
This is their helicopter "Yask Nashi",
which they brought for us from Miami.
1275
01:23:31,673 --> 01:23:36,178
These are real guys
real form.
1276
01:23:36,845 --> 01:23:42,309
We had three helicopters that day:
1277
01:23:42,392 --> 01:23:46,438
"В!ас!‹ Ours", another helicopter of theirs
and our air brigade.
1278
01:23:46,521 --> 01:23:48,106
Camera, ba.
1279
01:23:52,027 --> 01:23:55,572
He stole the captain's keys
and makes a duplicate.
1280
01:23:55,906 --> 01:23:58,742
Later we will find out why.
1281
01:23:59,201 --> 01:24:02,370
He already has a plan.
1282
01:24:02,454 --> 01:24:07,792
These are the pubes of the Bureau of Customs
control with a real crew.
1283
01:24:10,921 --> 01:24:15,342
They really imitated
large capture.
1284
01:24:15,425 --> 01:24:18,720
They know from the captain
1285
01:24:18,803 --> 01:24:24,893
that there is something on that ship.
So they took the cavalry.
1286
01:24:24,976 --> 01:24:29,272
Yes, they need to get there quickly,
until the goods were thrown from the ship.
1287
01:24:34,903 --> 01:24:40,575
This is another very difficult scene,
composed of many elements.
1288
01:24:40,659 --> 01:24:47,165
This shot was taken at the airport.
1289
01:24:48,792 --> 01:24:53,755
This grip is connected
four or five locations.
1290
01:24:53,838 --> 01:24:56,466
It's on the river.
1291
01:24:56,549 --> 01:24:59,261
- Here we didn’t have “V|as|‹ Nashk”.
- Yes.
1292
01:24:59,344 --> 01:25:01,763
This is a completely different place.
1293
01:25:01,846 --> 01:25:04,766
It seems somewhere in the background
my rental car costs.
1294
01:25:04,849 --> 01:25:08,019
- We used everything.
- You installed sows there.
1295
01:25:16,194 --> 01:25:19,948
Sebastian digs a hole for himself.
1296
01:25:20,031 --> 01:25:22,367
He has nowhere to go.
1297
01:25:34,087 --> 01:25:36,965
We thought for a long time
1298
01:25:37,048 --> 01:25:40,802
how to let the audience know
that Kate is still alive.
1299
01:25:40,885 --> 01:25:43,096
- Yes, this is important.
- She won't suffocate.
1300
01:25:43,179 --> 01:25:46,182
Yes, she just passed out.
She didn't die.
1301
01:25:46,266 --> 01:25:50,103
It is important that viewers know
that there is still hope.
1302
01:25:50,186 --> 01:25:51,354
Remember this?
1303
01:25:51,438 --> 01:25:54,899
Yes, this is one of the scenes I need,
which were not in the script.
1304
01:25:55,233 --> 01:25:59,738
The script says
that everyone has left the kitchen.
1305
01:25:59,821 --> 01:26:00,822
Or... What's the name...
1306
01:26:00,905 --> 01:26:02,782
- Dining room.
- Dining room
1307
01:26:02,866 --> 01:26:06,077
I had to show
e this scene that they are all there
1308
01:26:06,161 --> 01:26:09,789
otherwise there will only be Mark left there.
1309
01:26:09,873 --> 01:26:13,710
I told Balthasar: “You have...”
1310
01:26:13,793 --> 01:26:15,670
- 20 minutes.
- Yes, 19 minutes.
1311
01:26:15,754 --> 01:26:20,508
Yes, we filmed on the bow of the ship
1312
01:26:20,592 --> 01:26:24,846
and we had to run away with the equipment
here and shoot in 20 minutes.
1313
01:26:24,929 --> 01:26:29,142
I remember I shouted to you:
"I did it, idiot!"
1314
01:26:29,225 --> 01:26:32,645
You were so happy.
I like the tarp
1315
01:26:34,105 --> 01:26:36,316
They can’t imagine love
1316
01:26:36,399 --> 01:26:39,361
what's in the back seat of the car
there is a painting for $140 million.
1317
01:26:39,444 --> 01:26:40,528
How would they know?
1318
01:26:40,612 --> 01:26:43,365
By the way, this is not so
feignedly, as people think.
1319
01:26:43,448 --> 01:26:45,033
There is a documentary about a woman
1320
01:26:45,116 --> 01:26:49,788
- which was found in Pollock's basement.
- Yes.
1321
01:26:49,871 --> 01:26:53,833
And she proved to the world of art
1322
01:26:53,917 --> 01:26:56,378
that this is Jackson Poppok.
1323
01:26:56,461 --> 01:26:58,880
Some people don’t believe it. Others believe.
1324
01:26:58,963 --> 01:27:03,134
Люби не знают, брезент это
or Jackson Pollock
1325
01:27:05,345 --> 01:27:07,931
Puts a vacuum cleaner in the trunk -
1326
01:27:08,014 --> 01:27:12,519
one of the moments
which will be revealed in the finale.
1327
01:27:24,781 --> 01:27:26,658
As you can see, Mark has already understood
1328
01:27:26,741 --> 01:27:29,577
that these guys are chasing him.
1329
01:27:29,661 --> 01:27:34,874
They will be waiting for him at the port,
to pick up the drugs.
1330
01:27:35,917 --> 01:27:39,504
- He knows that they will take Andy.
- Yes.
1331
01:27:39,587 --> 01:27:43,716
So he needs to free Andy
1332
01:27:43,800 --> 01:27:48,763
and then everything will fall into place.
1333
01:27:48,847 --> 01:27:52,642
For Mark, that is, for Rat
This is not the first time.
1334
01:27:52,725 --> 01:27:55,854
He knows how it happens.
1335
01:27:58,022 --> 01:28:01,443
Mark is great here. Great game
1336
01:28:01,526 --> 01:28:02,861
Van at 0-7.
1337
01:28:02,944 --> 01:28:04,028
What about him?
1338
01:28:04,237 --> 01:28:06,281
We'll sort it out.
1339
01:28:06,364 --> 01:28:10,243
But you can help us
and say what's there.
1340
01:28:10,326 --> 01:28:13,037
I would love to
but I have no idea what you're talking about.
1341
01:28:14,038 --> 01:28:15,039
Do you think we are idiots?
1342
01:28:18,877 --> 01:28:22,213
This is a good way to hint...
1343
01:28:22,797 --> 01:28:24,340
It says here that he is transporting...
1344
01:28:24,424 --> 01:28:29,471
Mark is great here.
His wife in a plastic bag
1345
01:28:29,554 --> 01:28:32,724
- He has no time for jokes.
- Yes.
1346
01:28:38,229 --> 01:28:42,108
- Here is a hint.
-Yes, this is part...
1347
01:28:42,192 --> 01:28:43,818
He doesn't know exactly what happened to her
1348
01:28:43,902 --> 01:28:47,739
but he is very familiar
with the game in this world.
1349
01:28:47,822 --> 01:28:51,576
- We are very lucky here.
- Yes, foggy and very cool.
1350
01:28:51,659 --> 01:28:53,244
Beauty.
1351
01:28:55,872 --> 01:28:58,541
- People ask me: “How did you film this?”
- Yes.
1352
01:28:58,625 --> 01:29:02,837
-Mother Nature.
- Sometimes we get lucky.
1353
01:29:04,422 --> 01:29:08,510
We were often lucky during filming.
A lot of things happened naturally.
1354
01:29:08,593 --> 01:29:09,928
Yes.
1355
01:29:11,596 --> 01:29:15,808
Here they are.
Of course he knew they would come.
1356
01:29:17,352 --> 01:29:18,895
How are you, Houdini?
1357
01:29:18,978 --> 01:29:21,356
Is there something for me?
1358
01:29:21,439 --> 01:29:22,440
What are you talking about?
1359
01:29:22,941 --> 01:29:24,567
Let's. Give it to him.
1360
01:29:24,651 --> 01:29:27,278
- It was hard for Joannie.
- Yes.
1361
01:29:27,362 --> 01:29:28,488
come on!
1362
01:29:28,571 --> 01:29:31,074
Yes, I didn't think so.
Say goodbye to Andy.
1363
01:29:31,157 --> 01:29:32,158
Shout Shout!
1364
01:29:32,283 --> 01:29:35,453
Mark doesn’t feel sorry for him here.
1365
01:29:35,537 --> 01:29:37,539
It's Mark who pulls him out of the car.
1366
01:29:37,622 --> 01:29:42,544
- These are not stuntmen. Nobody helped.
- There are only the two of them.
1367
01:29:42,627 --> 01:29:44,003
He hits him with his head rather brutally.
1368
01:29:44,087 --> 01:29:45,547
Run Andy!
1369
01:29:46,673 --> 01:29:50,301
He lets Andy leave on purpose.
1370
01:29:50,385 --> 01:29:51,928
Yes, so that he himself would be caught.
1371
01:29:52,011 --> 01:29:54,347
He knows that they will take him.
He has a plan.
1372
01:29:54,430 --> 01:29:56,057
Pull the trigger, motherfucker!
1373
01:29:56,140 --> 01:29:58,268
If you kill me, you won't get the drugs.
1374
01:30:07,318 --> 01:30:10,071
We filmed in the house
1375
01:30:10,321 --> 01:30:12,907
where - this happens,
when you make a movie -
1376
01:30:12,991 --> 01:30:15,994
- the truck barely fit into the garage.
- Yes.
1377
01:30:16,077 --> 01:30:19,497
Oneach side
there were two centimeters each
1378
01:30:21,416 --> 01:30:24,502
it seems the stuntman took him out.
1379
01:30:25,587 --> 01:30:27,255
With great difficulty.
1380
01:30:27,839 --> 01:30:29,007
Here?
1381
01:30:29,090 --> 01:30:30,216
Yes.
1382
01:30:30,300 --> 01:30:31,426
One of my favorite lines.
1383
01:30:31,509 --> 01:30:33,219
...grandmother sells cocaine?
1384
01:30:34,679 --> 01:30:39,475
This is not the area
where cocaine is sold.
1385
01:30:45,148 --> 01:30:47,317
Better not play...
1386
01:30:47,400 --> 01:30:49,736
He takes out the keys.
1387
01:30:49,819 --> 01:30:56,159
Giovanni must believe
that he has a key to this house.
1388
01:30:56,242 --> 01:30:59,245
This is where he hides drugs.
The alarm goes off.
1389
01:30:59,329 --> 01:31:04,042
He sets an alarm,
so he knows what’s going on.
1390
01:31:05,335 --> 01:31:09,464
We were lucky with this shot -
a policeman drove by.
1391
01:31:09,547 --> 01:31:10,632
Yes.
1392
01:31:10,715 --> 01:31:13,384
Hey, you have rich friends.
1393
01:31:15,303 --> 01:31:16,304
Let's.
1394
01:31:19,182 --> 01:31:21,643
Interesting house. There were so many windows.
1395
01:31:21,726 --> 01:31:26,898
We could film the scene outside
and see them walk through the house.
1396
01:31:27,732 --> 01:31:30,360
Here he is in the garage -
1397
01:31:31,611 --> 01:31:35,907
He hid the drugs here.
1398
01:31:43,581 --> 01:31:47,669
It was great doing the remake of the film
1399
01:31:47,752 --> 01:31:51,839
e which already had interesting
details of the robbery
1400
01:31:51,923 --> 01:31:56,052
As I already said,
they are the hardest to come up with.
1401
01:31:56,135 --> 01:31:59,138
In my opinion, this is a very cunning way
get drugs
1402
01:31:59,222 --> 01:32:04,060
because the last person
whom they suspect is the captain
1403
01:32:04,143 --> 01:32:06,854
and he himself doesn’t know about it.
1404
01:32:06,938 --> 01:32:08,106
Check it out.
1405
01:32:08,189 --> 01:32:09,190
Yes.
1406
01:32:09,774 --> 01:32:13,486
As for Briggs,
Mark did his job.
1407
01:32:13,569 --> 01:32:17,532
He doesn't care. He made his own white.
He brought drugs.
1408
01:32:17,615 --> 01:32:20,535
They are not calculated. He is free.
1409
01:32:20,618 --> 01:32:23,955
They think that in this house
They are not safe.
1410
01:32:24,038 --> 01:32:28,126
What's wrong with the guy who lives there.
1411
01:32:29,585 --> 01:32:32,714
So he slips out,
while they decide their decisions.
1412
01:32:32,797 --> 01:32:35,925
- Here we see that Mark...
- Does he drive well?
1413
01:32:36,008 --> 01:32:37,677
...loves speed.
1414
01:32:40,096 --> 01:32:41,514
This stubborn...
1415
01:32:43,141 --> 01:32:45,184
Great moment.
1416
01:32:46,519 --> 01:32:47,895
Go back to bed, old man.
1417
01:32:50,189 --> 01:32:51,190
Damn the cops!
1418
01:32:51,274 --> 01:32:53,317
Let's get out! pack it up.
1419
01:32:57,947 --> 01:32:59,282
Crap.
1420
01:33:00,575 --> 01:33:04,495
The captain lives in a good area,
so some cops show up.
1421
01:33:05,288 --> 01:33:07,623
And Mark is driving at speed
135 kilometers per hour...
1422
01:33:07,707 --> 01:33:10,668
- Yes, this is real speed.
- „a busy street
1423
01:33:10,752 --> 01:33:14,213
between police cars.
1424
01:33:14,756 --> 01:33:18,342
Speaking on the phone.
There are cameras installed in the car.
1425
01:33:19,510 --> 01:33:22,138
One asshole is bleeding
on my couch.
1426
01:33:22,221 --> 01:33:23,681
They left the drugs.
1427
01:33:26,434 --> 01:33:28,603
Great ending.
1428
01:33:28,686 --> 01:33:35,193
Two bad guys at once.
1429
01:33:40,281 --> 01:33:41,449
It's behind his house.
1430
01:33:41,532 --> 01:33:42,617
Kate!
1431
01:33:42,700 --> 01:33:44,535
He returned home.
1432
01:33:45,787 --> 01:33:46,829
Kate!
1433
01:33:48,206 --> 01:33:50,792
The important thing is that he doesn’t know where she is.
1434
01:33:50,875 --> 01:33:51,959
He knows something is wrong
1435
01:33:52,043 --> 01:33:54,921
but you won't
look for her all over the city
1436
01:33:55,004 --> 01:33:58,466
if she may be sleeping in her boma.
1437
01:33:58,549 --> 01:34:03,012
And he checks the bomb, takes his car.
1438
01:34:13,147 --> 01:34:15,817
Another interesting detail.
1439
01:34:15,900 --> 01:34:19,028
Transition from his face to the small camera.
1440
01:34:19,570 --> 01:34:21,572
- Yes.
- Rear view camera
1441
01:34:28,204 --> 01:34:32,458
All these shots remind me
'Booa/denaz'.
1442
01:34:32,542 --> 01:34:35,962
Red light on 'Rau Cepa
1443
01:34:36,921 --> 01:34:39,382
they are digging a hole for...
1444
01:34:39,465 --> 01:34:41,968
- Tail lights, yes.
- ...bodies.
1445
01:34:45,096 --> 01:34:46,764
The song “|_ау|а” sounds.
1446
01:34:47,974 --> 01:34:49,016
Sebastian!
1447
01:34:54,564 --> 01:34:56,858
It seems Mark should have left earlier
e the night we filmed.
1448
01:34:56,941 --> 01:34:59,694
- To the Golden Globe ceremony.
- Yes.
1449
01:35:00,987 --> 01:35:01,988
For participation e "Tpe Ryupteg".
1450
01:35:02,071 --> 01:35:06,993
He had a lot of work because
"Tpe Rüteg" was a success then.
1451
01:35:07,076 --> 01:35:08,786
Well, the Oscars and the Golden Globes.
1452
01:35:08,870 --> 01:35:11,789
- I flew to Pos Angeles for the weekend.
- Yes.
1453
01:35:12,832 --> 01:35:15,293
But he always managed to do everything.
1454
01:35:23,968 --> 01:35:26,888
Here's a great shot.
1455
01:35:26,888 --> 01:35:27,638
Here's a great shot.
1456
01:35:27,722 --> 01:35:30,182
His brain works with triple strength.
1457
01:35:30,266 --> 01:35:33,728
Now he knows
that something bad happened
1458
01:35:33,811 --> 01:35:38,149
and now Sebastian
he needs him even more.
1459
01:35:42,403 --> 01:35:44,739
- Another foggy...
- Morning
1460
01:35:44,822 --> 01:35:46,407
...morning, very interesting.
1461
01:35:46,490 --> 01:35:49,410
Now one will appear
one of Mark's old friends.
1462
01:35:49,493 --> 01:35:53,205
- Ace.
- It seems from "Tpe Ripku Whips."
1463
01:35:54,832 --> 01:35:55,791
Yes, good guy.
1464
01:35:55,875 --> 01:36:02,673
The woman on the radio is our assistant
Written by Amy Sunberson
1465
01:36:02,757 --> 01:36:03,883
“torn work of Dota!”
1466
01:36:09,972 --> 01:36:11,098
Stop!
1467
01:36:11,182 --> 01:36:14,602
We're pouring on the south corner. Let's go there.
1468
01:36:16,103 --> 01:36:19,815
Now we see that it is she.
The package is open, her hair is visible.
1469
01:36:19,899 --> 01:36:23,694
We need people to understand
that she is breathing.
1470
01:36:23,778 --> 01:36:25,279
She seems to be moving.
1471
01:36:25,363 --> 01:36:27,698
What's going on here?
I thought we were on the other side.
1472
01:36:27,782 --> 01:36:30,451
This is Eric Weinstein, known as
1473
01:36:30,534 --> 01:36:34,038
He is Mark's longtime assistant.
1474
01:36:34,664 --> 01:36:36,457
Why are you moving the truck?
1475
01:36:36,540 --> 01:36:39,460
- He's great.
- Yes, a good actor.
1476
01:36:39,543 --> 01:36:43,631
And Mark and Ben are simply excellent here.
1477
01:36:47,051 --> 01:36:48,386
Did you send the guys to my house?
1478
01:36:48,469 --> 01:36:52,139
I wouldn't want to
for Wahlberg to beat me up.
1479
01:36:53,808 --> 01:36:55,184
He's a big dude.
1480
01:36:55,267 --> 01:36:56,894
Where's Kate?
1481
01:36:58,896 --> 01:37:02,191
Where the fuck is Kate?
1482
01:37:02,274 --> 01:37:05,861
I like roughness.
I wanted it to feel like marriage.
1483
01:37:06,570 --> 01:37:07,571
She's gone.
1484
01:37:08,322 --> 01:37:10,491
A real beating.
1485
01:37:10,741 --> 01:37:12,410
Seb, are you okay?
1486
01:37:19,625 --> 01:37:23,087
- I don't think he's okay.
- No, I don’t think so.
1487
01:37:26,340 --> 01:37:28,968
Interesting shot.
We've been working on it for a long time, Balthazar.
1488
01:37:29,051 --> 01:37:33,222
Mark's instincts are at work here.
1489
01:37:33,305 --> 01:37:37,309
He didn't hear the phone so much
1490
01:37:37,393 --> 01:37:40,521
looked at Sebastian for a long time
1491
01:37:40,604 --> 01:37:44,734
saw what was happening
put it all together.
1492
01:37:45,901 --> 01:37:47,278
Yes, outside they shouted:
1493
01:37:47,361 --> 01:37:48,988
"Why are we moving trucks?"
And the like.
1494
01:37:49,071 --> 01:37:53,075
Something is wrong. He doesn't know what.
1495
01:37:53,159 --> 01:37:56,620
And that guy hears the phone. Not Mark
1496
01:37:56,704 --> 01:37:58,706
There is little editing here
1497
01:37:58,789 --> 01:38:03,252
BUT, in my opinion, ZSE is combined.
1498
01:38:03,335 --> 01:38:06,797
He understands that something is wrong,
and tries to understand.
1499
01:38:08,299 --> 01:38:12,887
This was the first week of filming.
It was about 4 degrees.
1500
01:38:12,970 --> 01:38:17,808
- Yes, it’s very cold.
- You can see how cold it is on Mark’s face.
1501
01:38:18,809 --> 01:38:23,564
This was Kate's first shoot,
and we were already throwing cement on it.
1502
01:38:23,647 --> 01:38:26,233
- And they buried her silently.
- It's terribly cold.
1503
01:38:37,912 --> 01:38:39,038
Call an ambulance!
1504
01:38:39,789 --> 01:38:41,165
Crap.
1505
01:38:41,999 --> 01:38:43,501
Call an ambulance!
1506
01:38:43,584 --> 01:38:45,961
Call an ambulance now, motherfucker!
1507
01:38:46,045 --> 01:38:48,089
Yes, I need an ambulance...
1508
01:38:48,172 --> 01:38:52,218
- Ben is finished. Sebastian is finished.
- He knows it.
1509
01:38:52,301 --> 01:38:55,930
He doesn't even try to run.
He's finished. He knows it.
1510
01:38:59,892 --> 01:39:01,143
Great music by Clinton Shorter.
1511
01:39:01,143 --> 01:39:05,397
Great music by Clinton Shorter.
1512
01:39:16,992 --> 01:39:21,038
This is a controversial moment in the film.
We change our intonation.
1513
01:39:21,122 --> 01:39:24,416
When everything is settled, we'll have some fun
1514
01:39:24,500 --> 01:39:29,797
but before that you need to make sure
that Kate is okay.
1515
01:39:29,880 --> 01:39:32,049
Here are the coordinates Chris gave me.
1516
01:39:32,133 --> 01:39:34,677
We're in the right place.
1517
01:39:36,053 --> 01:39:39,640
The whole film is ambiguous.
1518
01:39:39,723 --> 01:39:43,144
There is seriousness in him, there is rudeness,
1519
01:39:43,227 --> 01:39:45,855
but there is also humor.
1520
01:39:45,938 --> 01:39:48,190
It is important to maintain balance.
1521
01:39:48,941 --> 01:39:53,404
I think we looked up to Alec Balbuin
e "Tpe Veragtesg".
1522
01:39:53,487 --> 01:39:55,865
"Have a cigarette?
Do you have a fucking cigarette?
1523
01:39:55,948 --> 01:39:58,033
Give me a cigarette."
1524
01:40:01,745 --> 01:40:07,168
- This is a link to "Opse Tsrop Ep Ategbsa"...
- About which
1525
01:40:07,251 --> 01:40:09,378
WE ARE NOT ZNEPC.
1526
01:40:10,045 --> 01:40:14,258
This is contraband.
You can do this in different ways.
1527
01:40:14,341 --> 01:40:17,094
It's a great idea though.
1528
01:40:23,267 --> 01:40:24,226
I caught it. And you caught it.
1529
01:40:24,310 --> 01:40:25,436
You cheated. This is mine.
1530
01:40:25,519 --> 01:40:26,520
Yes!
1531
01:40:35,112 --> 01:40:38,991
We discussed this issue
at the stage of working on the script -
1532
01:40:39,074 --> 01:40:43,621
show how he will throw away
all with pubes at night, or not.
1533
01:40:43,704 --> 01:40:46,207
I liked the idea
hide it from the audience.
1534
01:40:46,290 --> 01:40:49,418
- More like an expose.
- Expose.
1535
01:40:51,670 --> 01:40:54,131
BUT this remains a question.
1536
01:40:55,507 --> 01:40:59,720
But here is a wonderful “aha!” moment.
I think it's great. Interesting to watch.
1537
01:40:59,803 --> 01:41:04,308
When we first watched the film
with the audience, everyone said...
1538
01:41:04,391 --> 01:41:09,355
I love this shot.
You're in prison, but right next to the river.
1539
01:41:09,438 --> 01:41:12,942
You are so close that it is unbearable.
1540
01:41:13,025 --> 01:41:16,612
We see Chris Farraday's father again
1541
01:41:16,695 --> 01:41:22,076
which will suit Sebastian
unsweetened life in prison.
1542
01:41:22,159 --> 01:41:23,160
Yes.
1543
01:41:24,662 --> 01:41:29,458
And this also characterizes this world
and its laws.
1544
01:41:29,541 --> 01:41:32,211
Even in prison there is no safety.
1545
01:41:32,294 --> 01:41:34,880
- It was 35 degrees this Ben.
- Yes.
1546
01:41:34,964 --> 01:41:35,923
...300, I need 400.
1547
01:41:36,006 --> 01:41:37,049
There are 400, there is an application for $500.
1548
01:41:37,132 --> 01:41:39,593
This is really the guy who...
1549
01:41:39,677 --> 01:41:42,096
- A real auctioneer.
- Auctioneer, conducts auctions.
1550
01:41:42,179 --> 01:41:43,639
I'll raise it to seven
to seven and a half.
1551
01:41:43,722 --> 01:41:45,099
Someone will give $800? 800?
1552
01:41:45,182 --> 01:41:47,226
And I can...
1553
01:41:47,309 --> 01:41:51,021
He uses his trailer.
1554
01:41:52,022 --> 01:41:54,525
I remember this day because
1555
01:41:54,608 --> 01:41:57,486
what were you, Eric Feppner and I thinking
1556
01:41:57,569 --> 01:42:00,281
how do we remove the port?
the next day, right?
1557
01:42:00,364 --> 01:42:02,116
- Yes, because we didn’t have pubes.
- Yes.
1558
01:42:03,075 --> 01:42:06,912
Yes, our friendship
underwent a severe test.
1559
01:42:09,039 --> 01:42:10,958
Beautiful wooden pubis.
1560
01:42:11,041 --> 01:42:14,128
- It's a pity that you don't see everything.
- Yes.
1561
01:42:14,211 --> 01:42:15,629
Wonderful place.
1562
01:42:15,713 --> 01:42:17,464
I'll take at least three.
1563
01:42:19,842 --> 01:42:21,760
This is the outskirts of New Orleans.
1564
01:42:22,886 --> 01:42:26,598
- Amazing...
- Plantation House
1565
01:42:30,436 --> 01:42:34,315
You've been to Panama, right?
1566
01:42:35,733 --> 01:42:36,734
Yes.
1567
01:42:36,817 --> 01:42:38,152
- John P. Hooker again.
- Yes.
1568
01:42:38,235 --> 01:42:41,989
„about a famous painting
Jackson's Watering'?
1569
01:42:43,824 --> 01:42:45,326
It was stolen in Panama.
1570
01:42:45,409 --> 01:42:50,039
Mark plays so well.
He has so much fun.
1571
01:42:51,665 --> 01:42:53,292
No. I have no idea.
1572
01:42:55,002 --> 01:42:56,754
How much does it cost?
1573
01:42:56,837 --> 01:43:00,007
I like that they speak with their eyes.
1574
01:43:00,090 --> 01:43:02,593
HE knows that HE knows that HE knows.
1575
01:43:03,344 --> 01:43:04,636
No less.
1576
01:43:06,221 --> 01:43:08,515
I'm in the wrong business, right?
1577
01:43:13,395 --> 01:43:15,147
Probably they later
make a deal with him.
1578
01:43:15,230 --> 01:43:18,776
Yes. Probably
They will sell him the painting back.
1579
01:43:22,154 --> 01:43:25,532
- And here she is.
- Jackson Pollock
1580
01:43:25,616 --> 01:43:28,744
It seems 160...
1581
01:43:28,827 --> 01:43:32,081
The most expensive painting -
1582
01:43:32,164 --> 01:43:36,210
Jackson Pollock painting similar
to this one. Sold for $160 million.
1583
01:43:38,420 --> 01:43:41,924
Remember how Mark left in the first take?
1584
01:43:42,007 --> 01:43:45,719
He covered everyone with road gravel.
1585
01:43:45,803 --> 01:43:47,805
It hit us all in the face.
1586
01:43:47,888 --> 01:43:50,516
Here he moved more easily.
1587
01:43:52,351 --> 01:43:54,228
That's all.
1588
01:43:54,311 --> 01:43:57,731
Farrabeee has a new one
beautiful house on the goiter.
1589
01:43:57,815 --> 01:43:59,066
Yes.
1590
01:44:00,567 --> 01:44:03,404
Beautiful wife. Children are safe
1591
01:44:03,487 --> 01:44:06,573
Wishful thinking.
1592
01:44:09,660 --> 01:44:12,996
We argued a little about
we need this scene.
1593
01:44:13,080 --> 01:44:17,126
I doubted
1594
01:44:17,209 --> 01:44:21,296
but it's warm...
1595
01:44:21,380 --> 01:44:23,257
- Very happy.
- Joyful ending.
1596
01:44:23,340 --> 01:44:25,509
It could have ended with a scene
when they leave
1597
01:44:25,592 --> 01:44:29,972
but I decided to give it to the audience.
1598
01:44:33,892 --> 01:44:36,311
- That's all.
- That's all.
1599
01:44:36,395 --> 01:44:39,273
- Bill Johnson.
- Bill Johnson
1600
01:44:39,356 --> 01:44:42,109
Shelley, Zan.
1601
01:44:42,192 --> 01:44:45,863
That's all.
Robert Wapberg is at the top of the list.
1602
01:44:47,739 --> 01:44:52,494
Yes, we had amazing actors,
wonderful film crew
1603
01:44:52,578 --> 01:44:55,873
wonderful team at "TsprshegzaR."
1604
01:44:57,791 --> 01:45:01,628
Eric Fepinner, Pisa,
Tim Bean, Balthazar
1605
01:45:01,712 --> 01:45:05,466
Aaron, Steve Levinson and everyone else.
1606
01:45:05,549 --> 01:45:07,092
- Yes.
- Great team.
1607
01:45:07,176 --> 01:45:10,304
It was a good shoot,
which does not always happen.
1608
01:45:10,387 --> 01:45:13,140
Good experience.
1609
01:45:20,647 --> 01:45:22,483
Thank you for listening.
1610
01:45:22,566 --> 01:45:25,569
Thank you very much.
We hope you liked the film.
1611
01:49:36,361 --> 01:49:37,362
Nizzyap