1 00:00:02,125 --> 00:00:03,750 [THUNDER] 2 00:00:03,750 --> 00:00:08,167 [ANIMAL HOWLS] 3 00:00:20,125 --> 00:00:21,833 [THUNDER] 4 00:00:26,208 --> 00:00:28,208 AAH! 5 00:00:39,208 --> 00:00:41,167 Kristin Diable: ♪ LISTEN CLOSER ♪ 6 00:00:41,167 --> 00:00:43,417 ♪ IT'S TIME THAT I IMPART ♪ 7 00:00:43,417 --> 00:00:45,167 ♪ THESE WORDS OF WISDOM ♪ 8 00:00:45,167 --> 00:00:47,708 ♪ ON HOW PLAYING IS AN ART ♪ 9 00:00:47,708 --> 00:00:50,458 ♪ YOU'LL NEVER EVER LOSE ♪ 10 00:00:50,458 --> 00:00:53,250 ♪ JUST FOLLOW MY RULES ♪ 11 00:00:55,750 --> 00:00:58,125 ♪ YOU'LL HAVE ANY MAN YOU CHOOSE ♪ 12 00:00:58,125 --> 00:01:03,208 ♪ WHEN YOU FOLLOW THE RULES ♪ 13 00:01:03,208 --> 00:01:07,333 ♪ JUST FOLLOW THE RULES ♪ 14 00:01:11,083 --> 00:01:14,000 [CREAKING] 15 00:01:14,000 --> 00:01:15,792 OH, YOU'RE SO GOOD. 16 00:01:24,833 --> 00:01:26,500 UH! 17 00:01:26,500 --> 00:01:28,667 OH, I LOVE YOU. 18 00:01:28,667 --> 00:01:31,667 [MOANING] 19 00:01:45,542 --> 00:01:47,417 28, 29, 30, 20 00:01:47,417 --> 00:01:49,375 31, 32, 33, 34... 21 00:01:49,375 --> 00:01:51,292 WHY ARE YOU COUNTING? 22 00:01:51,292 --> 00:01:54,042 NO REASON. ARE YOU CLOSE? 23 00:01:54,042 --> 00:01:56,417 YEAH. YEAH? GOOD. 24 00:01:56,417 --> 00:01:59,125 OH, ME, TOO. 25 00:01:59,125 --> 00:02:01,167 [MOANING] 26 00:02:03,708 --> 00:02:08,292 UH...AHH... 27 00:02:08,292 --> 00:02:11,792 AH, HEH. HEH. 28 00:02:11,792 --> 00:02:14,750 [ALARM RINGS] WAAH! 29 00:02:14,750 --> 00:02:15,625 SORRY. 30 00:02:15,625 --> 00:02:20,708 25, 26... 31 00:02:20,708 --> 00:02:23,458 27... 32 00:02:23,458 --> 00:02:25,583 28... 33 00:02:25,583 --> 00:02:28,333 29... 34 00:02:28,333 --> 00:02:30,500 30... 35 00:02:30,500 --> 00:02:32,625 31... 36 00:02:37,833 --> 00:02:39,750 HEY, BABE. HEY. 37 00:02:40,875 --> 00:02:41,500 WHAT ARE YOU DOING? 38 00:02:41,500 --> 00:02:44,167 NOTHING. 39 00:02:44,167 --> 00:02:47,167 JUST GETTING RID OF ALL MY OLD HAIR TIES. 40 00:02:47,167 --> 00:02:48,167 GETTING A HAIRCUT? 41 00:02:48,167 --> 00:02:49,250 NOPE. 42 00:03:00,625 --> 00:03:03,500 BABE... 43 00:03:03,500 --> 00:03:04,792 BABE... 44 00:03:06,792 --> 00:03:07,667 BABE, WHY ARE YOU THROWING AWAY 45 00:03:07,667 --> 00:03:10,917 ALL THE CEREAL? 46 00:03:10,917 --> 00:03:13,417 I'M ON A DIET. 47 00:03:13,417 --> 00:03:14,917 OK. CAN WE TALK? 48 00:03:14,917 --> 00:03:17,417 MM-HMM. 49 00:03:19,792 --> 00:03:20,833 WHAT'S GOING ON, HONEY? 50 00:03:20,833 --> 00:03:22,583 YOU'RE GETTING RID OF A LOT OF THINGS 51 00:03:22,583 --> 00:03:24,292 THIS MORNING. 52 00:03:24,292 --> 00:03:27,708 YEAH. I'VE BEEN THINKING. 53 00:03:27,708 --> 00:03:30,333 ALL THIS STUFF, IT ISN'T ME. 54 00:03:30,333 --> 00:03:32,542 IT'S TIME TO DO ME. 55 00:03:32,542 --> 00:03:34,417 IS THIS ABOUT LIZZIE LEAVING? 56 00:03:36,792 --> 00:03:39,125 DON'T KNOW. 57 00:03:39,125 --> 00:03:42,583 OH, HEY, OH, WHOA, WHOA. 58 00:03:42,583 --> 00:03:44,250 WELL, AS LONG AS YOUR DIET DOESN'T 59 00:03:44,250 --> 00:03:47,250 EXCLUDE INCREDIBLY GOOD-LOOKING LAWYERS 60 00:03:47,250 --> 00:03:48,125 WHO WANT TO TAKE YOU TO DINNERS 61 00:03:48,125 --> 00:03:51,583 AND MOVIES AND MAKE YOU HAPPY 62 00:03:51,583 --> 00:03:53,042 FOR THE REST OF YOUR LIFE, 63 00:03:53,042 --> 00:03:54,250 THEN I SAY THAT CHANGE 64 00:03:54,250 --> 00:03:56,875 IS PROBABLY A GOOD THING. 65 00:04:29,125 --> 00:04:35,333 Nadia Fay: ♪ SHE'S GOT A TWINKLE IN BOTH EYES ♪ 66 00:04:35,333 --> 00:04:41,792 ♪ SHE'S CALCULATING YOUR DEMISE ♪ 67 00:04:41,792 --> 00:04:45,833 ♪ SHE COVERS UP HER LIES WITH LINES ♪ 68 00:04:45,833 --> 00:04:48,917 ♪ SHE'S A BAD GIRL ♪ 69 00:04:48,917 --> 00:04:52,125 ♪ SHE'S A BAD GIRL ♪ 70 00:04:52,125 --> 00:04:56,583 ♪ THAT'S WHY YOU WANT HER ♪ 71 00:04:56,583 --> 00:04:59,917 ♪ THAT'S WHY YOU WANT HER ♪ 72 00:04:59,917 --> 00:05:02,208 ♪ THAT'S WHY YOU WANT HER ♪ 73 00:05:05,958 --> 00:05:08,333 [WHISTLING] 74 00:06:21,708 --> 00:06:24,708 EXCUSE ME. 75 00:06:24,708 --> 00:06:26,417 COULD I GET YOU TO SIGN FOR THIS? 76 00:06:28,792 --> 00:06:30,833 THIS IS YOUR OFFICE, RIGHT? 77 00:06:30,833 --> 00:06:32,292 YEAH. YEAH. YEAH, YEAH. 78 00:06:32,292 --> 00:06:34,208 THIS IS MY OFFICE. MM-HMM. 79 00:06:52,917 --> 00:06:55,500 [NO AUDIO] 80 00:07:00,250 --> 00:07:02,000 Dean: AND THE ONLY REASON TO TEXT A GIRL AFTER 11 P.M. 81 00:07:02,000 --> 00:07:05,750 IS FOR A BOOTY CALL. 82 00:07:05,750 --> 00:07:09,500 OH, NO. NO, NO, NO. DON'T ASK ABOUT IT. 83 00:07:09,500 --> 00:07:11,167 YOU CAN FIND OUT EVERYTHING YOU NEED 84 00:07:11,167 --> 00:07:12,667 TO KNOW ABOUT A GIRL BY ASKING HER 85 00:07:12,667 --> 00:07:14,333 ONE SIMPLE QUESTION-- 86 00:07:14,333 --> 00:07:15,583 "TELL ME ABOUT YOUR RELATIONSHIP 87 00:07:15,583 --> 00:07:17,042 WITH YOUR FATHER." 88 00:07:17,042 --> 00:07:18,167 MM-HMM. OH, I KNOW. 89 00:07:18,167 --> 00:07:21,375 DUDE, GIRLS WITH DADDY ISSUES-- 90 00:07:21,375 --> 00:07:26,792 ACTUALLY, SPEAKING OF, HOW'S IT WORKING OUT 91 00:07:26,792 --> 00:07:28,958 WITH SAM AS YOUR POINT PERSON ON THE DEAL? 92 00:07:28,958 --> 00:07:31,792 YOU GUYS GETTING ALONG? 93 00:07:31,792 --> 00:07:33,167 HEY, HAS SHE SHOWN UP TO ONE OF YOUR MEETINGS 94 00:07:33,167 --> 00:07:35,208 YET WITH THE OSTRICH OUTFIT? 95 00:07:35,208 --> 00:07:38,083 YES! EXACTLY. HA HA! 96 00:07:38,083 --> 00:07:41,167 YEAH. YEAH. ANYWAY, I GOT TO GO. 97 00:07:41,167 --> 00:07:44,375 I'LL TELL HER YOU CALLED. BYE. 98 00:07:44,375 --> 00:07:47,125 WHO WAS THAT, AND WHY ARE YOU ON MY PHONE? 99 00:07:47,125 --> 00:07:50,583 IT WAS FOWLER, AND I PICKED UP 100 00:07:50,583 --> 00:07:52,250 BECAUSE THE CLIENT NEEDED YOU 101 00:07:52,250 --> 00:07:54,792 AND YOU WEREN'T THERE FOR HIM. 102 00:07:54,792 --> 00:07:58,083 YOU'RE WELCOME, BY THE WAY, PRINCESS. 103 00:07:58,083 --> 00:07:59,625 WHY THE HELL WOULD I THANK YOU 104 00:07:59,625 --> 00:08:00,792 FOR GIVING INAPPROPRIATE DATING ADVICE 105 00:08:00,792 --> 00:08:02,667 TO MY CLIENT? 106 00:08:02,667 --> 00:08:04,542 I THOUGHT HE WAS THE FIRM'S CLIENT, PRINCESS. 107 00:08:04,542 --> 00:08:06,042 DON'T ANSWER MY PHONE, 108 00:08:06,042 --> 00:08:10,083 AND STOP CALLING ME PRINCESS. 109 00:08:11,833 --> 00:08:14,292 SAM, YOU ALL SET FOR THE FOWLER PITCH TOMORROW? 110 00:08:14,292 --> 00:08:16,083 UM, OH. I, UM-- 111 00:08:16,083 --> 00:08:18,417 SHE'S TOTALLY SET, SIR. 112 00:08:18,417 --> 00:08:20,375 WE'VE BEEN PRACTICING ALL MORNING. 113 00:08:20,375 --> 00:08:23,208 IN FACT, WE'VE BEEN WORKING SO WELL TOGETHER, 114 00:08:23,208 --> 00:08:24,708 SHE ASKED ME TO COME TO THE MEETING WITH HER. 115 00:08:24,708 --> 00:08:26,000 GREAT. ACTUALLY-- 116 00:08:26,000 --> 00:08:28,792 I LOVE TEAMWORK. 117 00:08:28,792 --> 00:08:32,208 EXPECT GOOD THINGS FROM YOU TWO TOMORROW. 118 00:08:33,292 --> 00:08:36,792 ONCE AGAIN, YOU'RE WELCOME, PRINCESS. 119 00:08:38,042 --> 00:08:39,542 [WHISPERING] How did it go? 120 00:08:39,542 --> 00:08:40,542 Oh, great. 121 00:08:40,542 --> 00:08:41,875 I KNEW IT. 122 00:08:41,875 --> 00:08:43,458 SHE HAD THE GREATEST ASS 123 00:08:43,458 --> 00:08:45,250 THAT I'VE EVER SEEN. 124 00:08:54,833 --> 00:08:56,125 [CELL PHONE CHIMES] 125 00:08:58,417 --> 00:09:00,625 NO. 126 00:09:03,000 --> 00:09:04,708 [CELL PHONE CHIMES] 127 00:09:20,417 --> 00:09:24,542 [CELL PHONE CHIMES] 128 00:09:24,542 --> 00:09:27,042 [TRUMPET PLAYING] 129 00:09:37,958 --> 00:09:39,208 [CELL PHONE CHIMES] 130 00:09:45,583 --> 00:09:47,458 [CELL PHONE CHIMES] 131 00:10:03,750 --> 00:10:05,875 WHEW, ALL RIGHT. YOU READY TO ORDER NOW? 132 00:10:05,875 --> 00:10:08,250 JUST ONE MORE MINUTE. 133 00:10:08,250 --> 00:10:09,333 ONE MORE AHEAD OF YOU. 134 00:10:09,333 --> 00:10:11,375 THAT'S COOL. OK. 135 00:10:11,375 --> 00:10:12,750 ANY KIND OF TASTE FOR ANYTHING 136 00:10:12,750 --> 00:10:13,917 IN PARTICULAR, OR-- 137 00:10:13,917 --> 00:10:16,375 YEAH. 138 00:10:16,375 --> 00:10:19,042 MAYBE PROTEIN. PROTEIN. OK. 139 00:10:19,042 --> 00:10:21,625 I GOT A LEMON PEPPER TILAPIA 140 00:10:21,625 --> 00:10:23,583 WITH A MACADAMIA NUT HASH. 141 00:10:23,583 --> 00:10:25,292 IT'S ALL ORGANICALLY SOURCED. 142 00:10:25,292 --> 00:10:26,458 YEAH. I DON'T-- 143 00:10:26,458 --> 00:10:27,667 I GOT A PRETTY LADY SALAD 144 00:10:27,667 --> 00:10:29,125 WITH SOME CHOPPED BALSAMIC STRAWBERRIES... 145 00:10:29,125 --> 00:10:31,625 YEAH. NO. I DON'T THINK SO. NO. 146 00:10:31,625 --> 00:10:32,667 OH, OK. 147 00:10:32,667 --> 00:10:34,500 ACTUALLY, IF YOU WANT TO STEP ASIDE-- 148 00:10:34,500 --> 00:10:36,375 NO, NO, NO. I'LL JUST BE JUST ONE MINUTE. 149 00:10:36,375 --> 00:10:40,292 SEE, IT'S A LUNCH HOUR, NOT A LUNCH EPOCH. 150 00:10:40,292 --> 00:10:42,875 YEAH. HEH. 151 00:10:42,875 --> 00:10:45,750 YOU KNOW WHAT? I WILL JUST TAKE THE SPECIAL. 152 00:10:49,167 --> 00:10:50,167 [SIGHS] 153 00:10:59,000 --> 00:11:01,792 HEY. 154 00:11:01,792 --> 00:11:03,708 IS IT WEIRD THAT I MISS YOU ALREADY? 155 00:11:03,708 --> 00:11:05,625 A LITTLE WEIRD BUT NICE. 156 00:11:05,625 --> 00:11:07,000 HOW WAS LUNCH? 157 00:11:07,000 --> 00:11:09,083 PRETTY AWESOME, ACTUALLY. 158 00:11:09,083 --> 00:11:11,000 AT LEAST YOU GOT A LUNCH. 159 00:11:11,000 --> 00:11:13,750 LIZZIE REALLY LEFT US IN THE LURCH ON A FEW CASES. 160 00:11:13,750 --> 00:11:15,458 HAS ANYONE THERE HEARD FROM HER? 161 00:11:15,458 --> 00:11:17,208 NO. HAVEN'T YOU? 162 00:11:17,208 --> 00:11:19,208 NO. 163 00:11:19,208 --> 00:11:19,792 SHE'S PROBABLY TOO BUSY HAVING WHOREGASMS 164 00:11:19,792 --> 00:11:22,375 ALL OVER PARIS. 165 00:11:22,375 --> 00:11:25,042 I CAN'T GET A SIGNAL. IT'S LIKE WE'RE IN CHINA. 166 00:11:25,042 --> 00:11:26,292 ARE WE IN CHINA? NO. WE'RE IN PARIS. 167 00:11:26,292 --> 00:11:29,000 SO WHY CAN'T I GET A FUCKING SIGNAL? 168 00:11:29,000 --> 00:11:31,708 I'M DIALING-- SAM? SAM? SAM? 169 00:11:31,708 --> 00:11:34,750 STOP. SHH. SAM? 170 00:11:34,750 --> 00:11:36,167 [BEEPING] 171 00:11:36,167 --> 00:11:39,792 STUPID, COCKSUCKING, MOTHERFUCKING CUNT DICK! 172 00:11:39,792 --> 00:11:41,208 BONJOUR. 173 00:11:43,917 --> 00:11:45,750 [SIGHS] 174 00:11:54,667 --> 00:11:57,417 Woman: ♪ RED LIGHTS ON IN THE DESERT SCREAM ♪ 175 00:11:57,417 --> 00:12:01,875 ♪ THEY TRY SO HARD, BUT IT CAN'T REDEEM ♪ 176 00:12:01,875 --> 00:12:05,417 ♪ REAL SICK HEARTS GOT A HOLD OF ME ♪ 177 00:12:05,417 --> 00:12:09,667 ♪ I WANT TO HIDE, BUT I WANT TO SEE ♪ 178 00:12:09,667 --> 00:12:14,125 ♪ WHAT IS THIS EVIL PLACE I'M IN? ♪ 179 00:12:16,667 --> 00:12:21,042 ♪ FOOTSTEPS CRY LIKE A SIREN CALL... ♪ 180 00:12:30,000 --> 00:12:33,833 I'M SORRY. I'M SUCH A KLUTZ. 181 00:12:33,833 --> 00:12:35,458 BUKOWSKI, HUH? 182 00:12:35,458 --> 00:12:36,292 EVER READ "POST OFFICE"? 183 00:12:36,292 --> 00:12:39,833 ONLY ABOUT A MILLION TIMES. 184 00:12:39,833 --> 00:12:42,208 SEEN YOU HERE ALMOST EVERY NIGHT THIS WEEK. 185 00:12:42,208 --> 00:12:44,125 I COME HERE EVERY NIGHT SO I WON'T GO THERE. 186 00:12:44,125 --> 00:12:45,875 WHAT'S WRONG WITH THERE? 187 00:12:45,875 --> 00:12:48,583 I GET INTO TROUBLE THERE. 188 00:12:48,583 --> 00:12:49,792 NOTHING WRONG WITH A LITTLE TROUBLE. 189 00:12:49,792 --> 00:12:51,667 YOU'RE BAD. HA! 190 00:12:51,667 --> 00:12:55,042 BUT THEN... 191 00:12:55,042 --> 00:12:57,500 SO AM I. 192 00:12:57,500 --> 00:12:58,833 WHAT'S YOUR NAME? 193 00:12:58,833 --> 00:13:00,417 I'LL HIT YOU UP ON INSTAGRAM. 194 00:13:00,417 --> 00:13:03,042 I DON'T DO INSTAGRAM. 195 00:13:03,042 --> 00:13:06,125 OLD SCHOOL. I LOVE IT. 196 00:13:17,708 --> 00:13:19,208 Jason: HEY, BABY. 197 00:13:19,208 --> 00:13:20,208 Sam: HEY. 198 00:13:20,208 --> 00:13:21,542 HOW WAS YOUR DAY? 199 00:13:21,542 --> 00:13:22,542 IT WAS GREAT. 200 00:13:22,542 --> 00:13:23,792 WELL, I GOT US A BOTTLE OF WINE. 201 00:13:23,792 --> 00:13:24,792 THOUGHT WE COULD MAKE A NIGHT OF IT. 202 00:13:24,792 --> 00:13:26,125 I'LL DO MY BEST LIZZIE IMPRESSION. 203 00:13:26,125 --> 00:13:30,125 I'LL ACT BITCHY AND CURSE A LOT. 204 00:13:33,917 --> 00:13:35,208 MM! MM... 205 00:13:37,792 --> 00:13:41,042 MM MM. MM. MM-HMM. 206 00:13:41,667 --> 00:13:44,250 MM? 207 00:13:47,292 --> 00:13:48,292 MAYBE TOMORROW. 208 00:13:49,958 --> 00:13:52,750 YOU KNOW WHAT I THINK? 209 00:13:52,750 --> 00:13:53,792 WHAT? 210 00:13:53,792 --> 00:13:56,375 FUCK THE RULES. 211 00:14:02,500 --> 00:14:04,542 UH, WHOA, WHOA, WHOA, WHOA. 212 00:14:04,542 --> 00:14:06,250 ARE YOU SURE YOU WANT TO DO THAT? 213 00:14:10,292 --> 00:14:12,667 FUCK THE RULES. 214 00:14:12,667 --> 00:14:16,083 I FUCKED UP. I KNOW I DID... 215 00:14:18,042 --> 00:14:19,333 BUT LOSING YOU WAS THE BIGGEST WAKE-UP CALL 216 00:14:19,333 --> 00:14:20,542 I COULD'VE HAD. 217 00:14:20,542 --> 00:14:21,583 SO YOU'RE SAYING YOU HAD TO FUCK SOMEONE ELSE 218 00:14:21,583 --> 00:14:22,917 TO REALIZE YOU WANTED TO BE WITH ME. 219 00:14:22,917 --> 00:14:25,833 WELL, YEAH, ACTUALLY. 220 00:14:25,833 --> 00:14:30,458 I KNOW "YOU DON'T KNOW WHAT YOU'VE GOT UNTIL IT'S GONE" 221 00:14:30,458 --> 00:14:33,083 IS JUST A STUPID CLICHE. 222 00:14:33,083 --> 00:14:34,375 IF THAT'S WHAT IT TOOK FOR ME TO REALIZE 223 00:14:34,375 --> 00:14:35,625 I WANT TO SPEND THE REST OF MY LIFE WITH YOU, 224 00:14:35,625 --> 00:14:36,792 THEN I'M HAPPY THAT IT HAPPENED NOW, 225 00:14:36,792 --> 00:14:38,042 AND NOT IN 5 YEARS FROM NOW 226 00:14:38,042 --> 00:14:38,583 OR EVEN TWO MONTHS FROM NOW. 227 00:14:38,583 --> 00:14:41,083 WHY? 228 00:14:41,083 --> 00:14:41,875 BECAUSE I WANT THE REST OF MY LIFE 229 00:14:41,875 --> 00:14:43,792 TO START RIGHT NOW. 230 00:14:43,792 --> 00:14:46,000 WELL, YOU CAN'T EVER FUCKING DO THAT AGAIN. 231 00:14:46,000 --> 00:14:48,792 I WON'T. 232 00:14:49,583 --> 00:14:51,583 [DING] 233 00:14:53,375 --> 00:14:55,750 HA HA HA! 234 00:14:55,750 --> 00:14:57,000 COME ON. YOU ABSOLUTELY LOVE ME. 235 00:14:57,000 --> 00:14:57,750 NO. 236 00:14:57,750 --> 00:14:59,917 YEAH. COME ON. 237 00:14:59,917 --> 00:15:03,000 Woman: ♪ YOU WANT TO TAKE MY HEART ♪ 238 00:15:03,000 --> 00:15:06,208 ♪ YOU WANT TO DO IT ALL AGAIN ♪ 239 00:15:06,208 --> 00:15:08,917 ♪ I WILL ♪ 240 00:15:08,917 --> 00:15:10,333 ♪ BABE, YOU KNOW I WILL ♪ 241 00:15:10,333 --> 00:15:12,625 HOW UGLY WAS SHE? 242 00:15:12,625 --> 00:15:14,833 SHE WAS AS UGLY AS YOUR GREAT-AUNT DORIS 243 00:15:14,833 --> 00:15:15,833 AFTER YOU GOT BACK FROM THAT TWO-MONTH 244 00:15:15,833 --> 00:15:17,167 SUN BAKE IN COSTA RICA. 245 00:15:21,750 --> 00:15:25,625 HOW FAT WAS SHE? 246 00:15:25,625 --> 00:15:27,125 SHE WAS AS FAT AS THE MISS PIGGY AIR BALLOON 247 00:15:27,125 --> 00:15:29,542 IN THE MACY'S DAY PARADE. 248 00:15:37,917 --> 00:15:40,708 AND SHE WAS DUMB, RIGHT? 249 00:15:40,708 --> 00:15:42,625 NEXT TO YOU, SHOT BLANKS. 250 00:15:49,667 --> 00:15:51,792 YOU HATED WHEN SHE TOUCHED YOU, RIGHT? 251 00:15:54,167 --> 00:15:56,542 EVERY MOMENT OF IT. 252 00:16:02,833 --> 00:16:04,167 AND... 253 00:16:04,167 --> 00:16:07,125 WHAT DID SHE LOOK LIKE NAKED? 254 00:16:08,125 --> 00:16:10,208 I CAN'T EVEN REMEMBER. 255 00:16:10,208 --> 00:16:12,167 Woman: ♪ SO YOU CAN TAKE MY HEART ♪ 256 00:16:12,167 --> 00:16:15,000 ♪ SO YOU CAN TAKE MY HEART ♪ 257 00:16:15,000 --> 00:16:19,708 ♪ AND YOU CAN DO IT ALL AGAIN ♪ 258 00:16:19,708 --> 00:16:23,167 YOU ASSHOLE-- 259 00:16:23,167 --> 00:16:25,833 FUCKING, CHEATING ASSHOLE. 260 00:16:25,833 --> 00:16:27,667 THAT'S ALL IN THE PAST NOW. 261 00:16:27,667 --> 00:16:28,750 CLEAN SLATE, REMEMBER? 262 00:16:28,750 --> 00:16:30,792 REMEMBER THIS? 263 00:16:30,792 --> 00:16:31,625 OH, YEAH. I REMEMB--AAH! 264 00:16:31,625 --> 00:16:33,583 REMEMBER ME? 265 00:16:33,583 --> 00:16:37,000 YEAH. YEAH. 266 00:16:37,000 --> 00:16:37,958 OH, YEAH. 267 00:16:37,958 --> 00:16:41,000 OH, FUCK, I REMEMBER. 268 00:16:57,625 --> 00:17:00,583 NO ONE WILL EVER KNOW YOU... 269 00:17:03,750 --> 00:17:06,667 LIKE I KNOW YOU. 270 00:17:06,667 --> 00:17:08,417 Woman: ♪ I KEEP COMING BACK ♪ 271 00:17:08,417 --> 00:17:12,375 ♪ I KEEP COMING BACK TO YOU ♪ 272 00:17:12,375 --> 00:17:14,167 ♪ YOU ♪ 273 00:17:14,167 --> 00:17:16,000 ♪ I'M ALL YOURS, I'M ALL YOURS ♪ 274 00:17:16,000 --> 00:17:17,542 ♪ AND I START TO FALL, AND I START TO FALL ♪ 275 00:17:17,542 --> 00:17:19,833 ♪ I CAN'T THINK AT ALL, CAN'T THINK AT ALL ♪ 276 00:17:19,833 --> 00:17:22,125 ♪ 'CAUSE I WANT YOU, WANT YOU ♪ 277 00:17:22,125 --> 00:17:23,792 ♪ WANT IT ALL, I WANT IT ALL ♪ 278 00:17:23,792 --> 00:17:25,833 ♪ AND I'M STANDING TALL, AND I'M STANDING TALL ♪ 279 00:17:25,833 --> 00:17:27,917 ♪ SO DON'T MAKE ME CRAWL, DON'T MAKE ME CRAWL ♪ 280 00:17:27,917 --> 00:17:30,083 DID YOU FORGET? 281 00:17:30,083 --> 00:17:32,292 YEAH. 282 00:17:32,292 --> 00:17:35,750 DON'T FORGET AGAIN. 283 00:17:35,750 --> 00:17:37,583 WHEW... 284 00:17:37,583 --> 00:17:39,542 [EXHALES] 285 00:17:45,292 --> 00:17:48,333 [CELL PHONE CHIMES] 286 00:17:48,333 --> 00:17:49,750 IS THAT LIZZIE? 287 00:17:49,750 --> 00:17:51,875 NO, MY LITTLE BRO. 288 00:17:51,875 --> 00:17:54,167 CHARLIE? WHAT DOES HE WANT? 289 00:17:54,167 --> 00:17:56,250 DON'T KNOW. 290 00:18:04,042 --> 00:18:06,750 YOU KNOW WHAT I THINK? 291 00:18:06,750 --> 00:18:08,667 I THINK YOU SHOULD CALL SOME OLD GIRLFRIENDS, 292 00:18:08,667 --> 00:18:10,417 HAVE A NICE GIRLS' NIGHT OUT TONIGHT. 293 00:18:10,417 --> 00:18:12,375 BUT IT'S OUR DATE NIGHT. 294 00:18:12,375 --> 00:18:15,125 FORGET ABOUT DATE NIGHT. CALL SOME OLD FRIENDS. 295 00:18:15,125 --> 00:18:17,167 THINK IT'D BE GOOD FOR YOU. 296 00:18:17,167 --> 00:18:19,125 OK. I'LL DO IT... FOR YOU. 297 00:18:21,917 --> 00:18:23,750 ACTUALLY, SCRATCH THAT. 298 00:18:23,750 --> 00:18:26,542 I'LL DO IT FOR ME. 299 00:18:26,542 --> 00:18:29,708 THANKS FOR ASKING ABOUT LIZZIE. 300 00:18:29,708 --> 00:18:32,583 JUST DOING MY JOB. HMM. 301 00:18:36,625 --> 00:18:37,917 Sam: SO WHAT DO YOU SAY? 302 00:18:37,917 --> 00:18:40,500 UP FOR A LITTLE GIRLS' NIGHT OUT ACTION TONIGHT? 303 00:18:40,500 --> 00:18:41,375 Tyler: WELL, AS FLATTERED AS I AM 304 00:18:41,375 --> 00:18:43,208 THAT YOU CALLED, YOU DO KNOW 305 00:18:43,208 --> 00:18:44,542 I HAVE A PENIS, RIGHT? 306 00:18:44,542 --> 00:18:47,708 I BELIEVE I HAVE VISUAL CONFIRMATION OF THAT, YES. 307 00:18:47,708 --> 00:18:49,500 LOOK, HON, I'D LOVE TO, BUT I CAN'T LEAVE 308 00:18:49,500 --> 00:18:51,625 THE BAR IN THE HANDS OF THE HELP, 309 00:18:51,625 --> 00:18:53,000 AT LEAST NOT THIS HELP. 310 00:18:53,000 --> 00:18:54,250 WHAT ABOUT LIZZIE? 311 00:18:54,250 --> 00:18:55,583 I THOUGHT YOU TWO WERE JOINED AT THE VAGINA. 312 00:18:55,583 --> 00:18:56,667 SHE DIDN'T TELL YOU? 313 00:18:56,667 --> 00:18:58,083 TELL ME WHAT? 314 00:18:58,083 --> 00:19:00,458 SHE LEFT TO GO FUCK AROUND EUROPE WITH LAURENT. 315 00:19:00,458 --> 00:19:02,375 SHE MAY NOT EVEN COME BACK. 316 00:19:02,375 --> 00:19:03,625 WHAT? NO. 317 00:19:03,625 --> 00:19:05,333 THAT LITTLE SLUNT DID NOT TELL ME. 318 00:19:05,333 --> 00:19:10,458 DAMN, THE MAN MUST HAVE A MAGIQUE DICK. 319 00:19:10,458 --> 00:19:12,875 YEAH. HE TAPPED HER WITH IT, AND, POOF, 320 00:19:12,875 --> 00:19:15,708 SHE FORGOT WHO SHE WAS AND WHO HER FRIENDS ARE. 321 00:19:15,708 --> 00:19:18,792 SERIOUSLY? SERIOUSLY. 322 00:19:18,792 --> 00:19:20,292 BABE, I GOT TO GO. 323 00:19:20,292 --> 00:19:22,250 WE'LL TALK ABOUT THIS LATER. 324 00:19:22,250 --> 00:19:24,958 Man ♪ SO YOU GOT TO SAY WHAT YOU MEAN ♪ 325 00:19:24,958 --> 00:19:28,292 ♪ DO WHAT YOU SAY YOU WILL ♪ 326 00:19:28,292 --> 00:19:30,625 YOU'RE GOING OUT WITH BEN TONIGHT? 327 00:19:30,625 --> 00:19:31,917 I THOUGHT YOU TWO WERE BROKEN UP. 328 00:19:31,917 --> 00:19:33,625 YEAH. WE WERE, BUT HE FOUND A WAY 329 00:19:33,625 --> 00:19:35,042 TO MAKE IT UP TO ME. 330 00:19:35,042 --> 00:19:37,917 MM, COULD YOU ADD A LITTLE MORE SOY IN THAT, BABE? 331 00:19:37,917 --> 00:19:39,167 HOW? 332 00:19:39,167 --> 00:19:42,292 I'LL TELL YOU LATER. 333 00:19:42,292 --> 00:19:44,083 HEY, PATTY, IT'S SAM. 334 00:19:44,083 --> 00:19:45,500 I DON'T KNOW IF YOU REMEMBER-- 335 00:19:45,500 --> 00:19:47,083 PENNY, ACTUALLY, PATTY'S COUSIN. 336 00:19:47,083 --> 00:19:49,958 PATTY IS INDISPOSED AT THE MOMENT, 337 00:19:49,958 --> 00:19:51,417 BUT I HAVE HER FULL INVENTORY, 338 00:19:51,417 --> 00:19:52,583 SO TELL ME WHAT YOU NEED 339 00:19:52,583 --> 00:19:53,958 AND I CAN GET IT TO YOU IN 20 MINUTES. 340 00:19:53,958 --> 00:19:55,917 FOR AN EXTRA 20, I CAN GET IT TO YOU IN 10. 341 00:19:55,917 --> 00:19:58,333 ACTUALLY, I WAS JUST CALLING ABOUT A HANG. 342 00:19:58,333 --> 00:20:01,250 AHANG? WHO MAKES THAT-- DeVANTIS, CENCORP? 343 00:20:01,250 --> 00:20:03,792 IS IT ONE OF THOSE NEW TRIAL DRUGS? 344 00:20:03,792 --> 00:20:04,958 BECAUSE I HAVE A GUY IN DENMARK WHO GETS 345 00:20:04,958 --> 00:20:07,167 ALL THE STUFF BEFORE IT'S RELEASED HERE. 346 00:20:07,167 --> 00:20:11,167 OH, NO. I'M CLEAN NOW. IT'S NOT A PILL. 347 00:20:11,167 --> 00:20:13,000 NEVER MIND. THIS WAS A DUMB IDEA. 348 00:20:13,000 --> 00:20:14,042 SORRY TO BOTHER YOU. 349 00:20:14,042 --> 00:20:15,125 IT'S NO BOTHER. 350 00:20:15,125 --> 00:20:16,500 CALL ME ANYTIME YOU NEED 351 00:20:16,500 --> 00:20:18,333 FOR ALL OF YOUR PHARMACEUTICAL GOODS. 352 00:20:18,333 --> 00:20:21,958 PILL PUSHER PENNY. PUT IT IN YOUR PHONE. 353 00:20:21,958 --> 00:20:23,625 Man: ♪ SAY WHAT YOU MEAN ♪ 354 00:20:23,625 --> 00:20:26,125 ♪ ACT HOW YOU SAY YOU WILL ♪ 355 00:20:26,125 --> 00:20:30,375 ♪ OR IT'LL JUST GET WORSE ♪ 356 00:20:31,500 --> 00:20:32,333 Dean: HOT. 357 00:20:33,625 --> 00:20:35,583 Sam: HEY. 358 00:20:37,250 --> 00:20:39,042 SAM, WHAT ARE YOU DOING HERE? 359 00:20:39,042 --> 00:20:41,875 DO YOU WANT A BJ? WHAT? 360 00:20:41,875 --> 00:20:43,292 COME ON. IT'D BE FUN. 361 00:20:43,292 --> 00:20:46,333 LET'S JUST SNEAK INTO THE LADIES ROOM. 362 00:20:46,333 --> 00:20:49,417 UM, THAT'LL BE ALL FOR NOW, JACK. 363 00:20:49,417 --> 00:20:50,375 THANKS. 364 00:20:52,750 --> 00:20:56,250 Jack: HERE ARE YOUR NOTES, SIR. 365 00:20:56,250 --> 00:20:57,250 HEY. HEY. 366 00:21:00,042 --> 00:21:01,833 ABSOLUTELY NOT AND UNDER NO CIRCUMSTANCES EVER 367 00:21:01,833 --> 00:21:05,667 COULD I DO THAT HERE. 368 00:21:05,667 --> 00:21:08,458 OHH... 369 00:21:08,458 --> 00:21:09,750 I WAS GONNA JOIN THE GYM, 370 00:21:09,750 --> 00:21:10,792 BUT I THOUGHT IT MIGHT BE FUN 371 00:21:10,792 --> 00:21:12,083 TO DO SOMETHING WILD. 372 00:21:12,083 --> 00:21:13,875 AREN'T YOU GOING OUT WITH THE LADIES TONIGHT? 373 00:21:13,875 --> 00:21:16,500 NAH. I THOUGHT MAYBE WE COULD HANG OUT. 374 00:21:16,500 --> 00:21:19,542 LISTEN. 375 00:21:19,542 --> 00:21:20,833 GIVE ME A MINUTE. 376 00:21:20,833 --> 00:21:22,500 LET ME FINISH UP HERE, 377 00:21:22,500 --> 00:21:25,458 AND THEN WE'LL DO SOMETHING... 378 00:21:27,333 --> 00:21:29,625 SOMETHING TOTALLY NICE AND NORMAL, 379 00:21:29,625 --> 00:21:31,458 LIKE DINNER. 380 00:21:36,250 --> 00:21:38,917 GOOD, GOOD, GOOD. 381 00:21:38,917 --> 00:21:40,417 FILE THIS UNDER McDONOUGH. 382 00:21:40,417 --> 00:21:41,750 McDONOUGH. OK. JACKET? 383 00:21:41,750 --> 00:21:43,125 THANK YOU. SURE. 384 00:21:43,125 --> 00:21:44,500 JASON LUTZ, SENIOR COUNSEL? 385 00:21:44,500 --> 00:21:47,708 UH, YES, 386 00:21:47,708 --> 00:21:50,458 INTERIM SENIOR COUNSEL. 387 00:21:50,458 --> 00:21:52,625 INTERIM SENIOR COUNSEL JUST ENDED. 388 00:21:52,625 --> 00:21:55,042 I'M RACHEL WARD, SENIOR COUNSEL. 389 00:21:55,042 --> 00:21:57,958 I'LL NEED MY OFFICE BY TOMORROW. 390 00:22:08,417 --> 00:22:10,958 YOU'RE BAD. I AM BAD. 391 00:22:10,958 --> 00:22:15,083 I'M VERY, VERY BAD, AND I NEED A SPANKING. 392 00:22:15,083 --> 00:22:16,625 OK. 393 00:22:16,625 --> 00:22:20,542 OH! AGAIN. 394 00:22:20,542 --> 00:22:24,500 Man: ♪ 'CAUSE THINGS ONLY CHANGE IF YOU LET THEM ♪ 395 00:22:24,500 --> 00:22:29,042 ♪ I THINK ABOUT THE TIME WE USED TO SPEND ♪ 396 00:22:29,042 --> 00:22:31,917 ♪ EVERY BREATH WAS GOLDEN ♪ 397 00:22:31,917 --> 00:22:34,833 ♪ WE DIDN'T HAVE TO PRETEND ♪ 398 00:22:34,833 --> 00:22:37,125 ♪ IF THERE WAS ANYTHING WE WANTED... ♪ 399 00:22:37,125 --> 00:22:40,417 IS THAT CAT CRYING? 400 00:22:40,417 --> 00:22:42,292 [MEGAN MOANING] 401 00:22:42,292 --> 00:22:43,792 DON'T KNOW. 402 00:22:43,792 --> 00:22:48,958 Man: ♪ GLORY DAYS ♪ 403 00:22:48,958 --> 00:22:51,125 ♪ OH, THE GLORY DAYS ♪ 404 00:22:51,125 --> 00:22:52,875 OH! OW! OH! 405 00:22:52,875 --> 00:22:54,167 WHAT? DOESN'T IT FEEL GOOD? 406 00:22:54,167 --> 00:22:57,667 NO, THAT DIDN'T FEEL GOOD. OHH! 407 00:23:02,417 --> 00:23:03,625 LET'S SEE. 408 00:23:03,625 --> 00:23:06,500 AAH! OHH! 409 00:23:06,500 --> 00:23:08,333 I THINK WE SHOULD CALL THE POLICE. 410 00:23:08,333 --> 00:23:10,250 [MEGAN MOANING] 411 00:23:15,333 --> 00:23:19,083 HUH. IT'S SEX MOANING. 412 00:23:19,083 --> 00:23:22,625 THOUGHT I WAS DONE WITH NYMPHO NEIGHBORS. 413 00:23:22,625 --> 00:23:25,458 JASON, FOCUS. 414 00:23:26,542 --> 00:23:27,708 AH... 415 00:23:27,708 --> 00:23:30,000 AH, YEAH. 416 00:23:30,000 --> 00:23:32,042 AH... 417 00:23:32,042 --> 00:23:34,958 [MOANING] 418 00:23:42,333 --> 00:23:44,583 OOH! HA HA! 419 00:23:44,583 --> 00:23:48,292 YEAH. YES. THAT'S IT. 420 00:23:48,292 --> 00:23:50,458 [MOANING] 421 00:23:57,042 --> 00:23:59,875 HA HA! OH! OH! 422 00:23:59,875 --> 00:24:03,458 YOU'RE SUCH A--OH! 423 00:24:03,458 --> 00:24:10,042 OH, WHAT A BAD BOY. YEAH. OH! YEAH. 424 00:24:10,042 --> 00:24:12,292 SUCK ON MY TOES. COME ON. 425 00:24:12,292 --> 00:24:14,875 SUCK, SUCK. SUCK ON THEM. 426 00:24:14,875 --> 00:24:16,375 SUCK. SUCK. WHAT? 427 00:24:16,375 --> 00:24:17,292 SUCK ON MY TOES. 428 00:24:17,292 --> 00:24:18,375 OK. I CAN'T REACH THEM. 429 00:24:18,375 --> 00:24:20,625 [POUNDING] 430 00:24:20,625 --> 00:24:23,125 Man: OK. OK, OK. 431 00:24:23,125 --> 00:24:25,042 SUCK THEM. OK. OK. 432 00:24:25,042 --> 00:24:26,875 OK. OK. THIS IS GETTING A LITTLE TOO WEIRD FOR ME. 433 00:24:26,875 --> 00:24:31,333 WHAT? SORRY. SORRY. 434 00:24:31,333 --> 00:24:32,333 WHAT-- WHAT-- 435 00:24:34,208 --> 00:24:36,292 I THOUGHT YOU WERE A BAD BOY 436 00:24:36,292 --> 00:24:37,667 WHO LIKED BAD GIRLS LIKE ME. 437 00:24:37,667 --> 00:24:38,875 I'M NOT A BAD BOY. 438 00:24:38,875 --> 00:24:40,500 I'M JUST A DORK WHO DRESSES 439 00:24:40,500 --> 00:24:42,792 IN THIS STUPID PERSONA TO GET GIRLS, ALL RIGHT? 440 00:24:42,792 --> 00:24:45,625 NOW I'M LEAVING. 441 00:24:45,625 --> 00:24:48,708 WAIT. I'M A DORK, TOO. 442 00:24:48,708 --> 00:24:50,708 [MEGAN CRYING] 443 00:24:50,708 --> 00:24:54,208 SHOWER SEX? 444 00:24:54,208 --> 00:24:56,208 HOW DOES THAT WORK WITH ALL THAT WATER? 445 00:24:56,208 --> 00:24:58,167 [WATER RUNNING] 446 00:25:02,583 --> 00:25:05,625 [MEGAN CRYING] 447 00:25:19,750 --> 00:25:23,125 [MEGAN WAILING] 448 00:25:24,625 --> 00:25:26,500 NOW IT SOUNDS LIKE A BEAR. 449 00:25:26,500 --> 00:25:28,750 OHH... 450 00:25:32,125 --> 00:25:35,917 ACTUALLY, I THINK SHE'S CRYING. 451 00:25:35,917 --> 00:25:39,625 OH, NO. NOW I FEEL BAD. 452 00:25:39,625 --> 00:25:41,792 YEAH. ME, TOO. 453 00:25:41,792 --> 00:25:43,542 SHOULD WE DO SOMETHING? 454 00:25:43,542 --> 00:25:47,583 NO. YEAH. I DON'T KNOW. 455 00:25:47,583 --> 00:25:50,458 SOMETIMES YOU JUST HAVE TO BE ALONE. 456 00:25:52,000 --> 00:25:54,500 WELL, YOU DON'T HAVE TO BE ALONE. 457 00:25:54,500 --> 00:25:56,375 [WAILING CONTINUES] 458 00:26:01,917 --> 00:26:04,542 I'M SORRY, BUT HER CRYING SOUNDS LIKE HER SEX MOANING. 459 00:26:04,542 --> 00:26:06,750 OHH... 460 00:26:06,750 --> 00:26:08,958 YOU OK? 461 00:26:08,958 --> 00:26:11,792 I CAN TRY TO BLOCK IT OUT IF YOU WANT. 462 00:26:11,792 --> 00:26:14,833 IT'S OK. I CAN'T CONCENTRATE, EITHER. 463 00:26:14,833 --> 00:26:16,708 WHERE YOU GOING? 464 00:26:16,708 --> 00:26:18,292 I'LL BE BACK. 465 00:26:35,208 --> 00:26:37,625 WE WERE IN THE MIDDLE OF SEX, 466 00:26:37,625 --> 00:26:39,708 AND THEN HE JUST UP AND LEAVES. 467 00:26:39,708 --> 00:26:42,958 WHO DOES THAT, RIGHT? 468 00:26:42,958 --> 00:26:46,292 NOPE. I MEAN, AM I TOO FAT? 469 00:26:46,292 --> 00:26:48,000 IS PUBIC HAIR BACK IN? 470 00:26:48,000 --> 00:26:51,750 GOD, WHAT'S WRONG WITH ME? 471 00:26:51,750 --> 00:26:55,250 YES. YES. NO. I READ THE BOOK. 472 00:26:55,250 --> 00:26:57,625 WHAT? 473 00:26:57,625 --> 00:27:01,125 "REAL HOUSEWIVES OF BEVERLY HILLS" IS ON? 474 00:27:01,125 --> 00:27:05,167 NO, NO. IT'S OK. BYE, MOM. 475 00:27:05,167 --> 00:27:07,667 [SNIFFLES] [BEEP] 476 00:27:10,000 --> 00:27:13,083 UH! FUCK THAT! 477 00:27:13,083 --> 00:27:14,667 OH... 478 00:27:17,500 --> 00:27:19,958 [SNIFFLES] 479 00:27:19,958 --> 00:27:22,417 [SOBS] 480 00:27:24,250 --> 00:27:25,583 ROUGH NIGHT? 481 00:27:25,583 --> 00:27:29,417 YEAH. 482 00:27:29,417 --> 00:27:32,542 YOU PROBABLY HEARD EVERYTHING. 483 00:27:32,542 --> 00:27:35,042 GOD, NOW I'M EVEN MORE MORTIFIED. 484 00:27:35,042 --> 00:27:35,750 OH... 485 00:27:35,750 --> 00:27:39,333 OH, GOD, DON'T BE. 486 00:27:39,333 --> 00:27:41,917 SERIOUSLY, IF YOU LIVED HERE LAST YEAR, 487 00:27:41,917 --> 00:27:43,583 YOU WOULD'VE HEARD ALL THAT A MUCH WORSE 488 00:27:43,583 --> 00:27:45,417 COMING FROM OVER HERE. 489 00:27:45,417 --> 00:27:49,083 OH, MY GOD. 490 00:27:49,083 --> 00:27:52,458 I CAN GO INSIDE IF YOU WANT TO BE ALONE. 491 00:27:52,458 --> 00:27:56,208 NO. IT'S OK. 492 00:27:56,208 --> 00:27:56,917 IT'S KIND OF NICE TO HAVE SOMEONE TO TALK TO 493 00:27:56,917 --> 00:27:59,750 AT TIMES LIKE THESE. 494 00:27:59,750 --> 00:28:03,208 YEAH. IT IS. 495 00:28:12,667 --> 00:28:15,125 [SNIFFLES] 496 00:28:16,708 --> 00:28:18,583 WHAT KIND IS IT? 497 00:28:18,583 --> 00:28:19,083 COOKIES AND CREAM. 498 00:28:19,083 --> 00:28:19,708 OH, MY GOSH. 499 00:28:19,708 --> 00:28:20,708 IT'S MY FAVORITE. 500 00:28:20,708 --> 00:28:22,875 IT'S AMAZING. 501 00:28:22,875 --> 00:28:24,167 OH, MY GOSH, GET A NICE, BIG SPOONFUL, 502 00:28:24,167 --> 00:28:26,167 IT'S SO GOOD. 503 00:28:35,667 --> 00:28:38,583 WOMAN: ♪ OOH ♪ 504 00:28:38,583 --> 00:28:40,542 ♪ THIS IS ALL WE KNOW ♪ 505 00:28:40,542 --> 00:28:42,292 YOU GOT A HOLD ON ME 506 00:28:46,042 --> 00:28:48,708 AND WHEN THE FIRE ABATES 507 00:28:48,708 --> 00:28:51,292 I SEE IT IN YOU 508 00:28:57,375 --> 00:28:58,875 THIS HAPPENED TO LIZZIE ALL THE TIME 509 00:28:58,875 --> 00:29:00,250 BEFORE SHE MASTERED THE RULES. 510 00:29:00,250 --> 00:29:01,750 CAN WE SEE IT? 511 00:29:01,750 --> 00:29:03,792 I'M TELLING YOU, THESE RULES ARE DANGEROUS. 512 00:29:03,792 --> 00:29:04,792 WHEN CAN WE START? 513 00:29:04,792 --> 00:29:06,125 I'M NOT GONNA LEAD YOU DOWN A PATH 514 00:29:06,125 --> 00:29:07,708 OF DEPRAVITY AND DESTRUCTION. 515 00:29:07,708 --> 00:29:10,458 COME ON, SAM. 516 00:29:10,458 --> 00:29:12,125 HOTTIE AT 3 O'CLOCK. 517 00:29:12,125 --> 00:29:13,167 I'M DEAN. HI. 518 00:29:13,167 --> 00:29:16,125 LOOKS LIKE SOMEONE COULD USE A DRINK. 519 00:29:16,125 --> 00:29:17,625 WHY ARE WOMEN SO STUPID? 520 00:29:17,625 --> 00:29:20,417 CHA-CHING. 521 00:29:20,417 --> 00:29:21,500 WHAT HAPPENED? 522 00:29:21,500 --> 00:29:22,875 I LITERALLY JUST FORGAVE HIM, 523 00:29:22,875 --> 00:29:25,583 AND THEN THIS SKANK TEXTS HIM WITH THIS VIDEO. 524 00:29:25,583 --> 00:29:26,583 YOU SENT THE SEX TAPE TO MY MUM.