1 00:00:05,239 --> 00:00:07,808 Man: LET'S GET READY TO ROCK AND ROLL. 2 00:00:07,841 --> 00:00:09,643 TALLY ATWATER, AFFILIATE PROMO, 3 00:00:09,677 --> 00:00:11,212 STAND BY, TAKE 1. 4 00:00:11,245 --> 00:00:13,214 Man 2: OK, PEOPLE, LET'S GET IT TOGETHER. 5 00:00:13,247 --> 00:00:14,648 GIMME TALLY ON 1. 6 00:00:14,682 --> 00:00:16,517 I WANT TO HEAR THE ANNOUNCE. 7 00:00:16,550 --> 00:00:19,220 WE'LL TAKE THE ANNOUNCE AND TALLY. 8 00:00:20,354 --> 00:00:21,722 LET ME HEAR THE ANNOUNCE... 9 00:00:21,755 --> 00:00:24,024 Man 3: TESTING 1, 2, 3. 10 00:00:24,058 --> 00:00:25,826 THIS IS TOM ORR. 11 00:00:25,859 --> 00:00:28,696 TESTING 1, 2, 3. 12 00:00:28,729 --> 00:00:31,099 WE GOT TALLY ON 1. 13 00:00:31,132 --> 00:00:32,766 [MULTIPLE VOICES] 14 00:00:36,204 --> 00:00:39,573 Orr: YOU KNOW THOSE FACES. YOU REMEMBER THOSE STORIES. 15 00:00:39,607 --> 00:00:43,244 THEY WERE THE MEN AND WOMEN WHO MADE IBS NEWS... 16 00:00:43,277 --> 00:00:45,246 Man: OK, OK, THAT'S ENOUGH ON TOM ORR. 17 00:00:45,279 --> 00:00:47,014 LET'S GO TO TALLY. 18 00:00:48,816 --> 00:00:52,353 TALLY, COULD YOU GIVE US A LEVEL ON YOUR MIKE, PLEASE? 19 00:00:52,386 --> 00:00:55,256 Tally: WHAT WE IN THE NEWS BUSINESS CAN NEVER FORGET... 20 00:00:55,289 --> 00:00:56,524 ONE SECOND. RAISE HER GAIN A LITTLE BIT. 21 00:00:56,557 --> 00:00:59,393 AGAIN, TALLY. TESTING 1, 2, 3. 22 00:00:59,427 --> 00:01:02,130 WHAT WE IN THE NEWS BUSINESS CAN NEVER FORGET... 23 00:01:02,163 --> 00:01:04,265 Man: YOU'RE PICKING UP SHADOW ON HER FACE. 24 00:01:04,298 --> 00:01:06,234 TALLY, I NEED TO SEE YOU RIGHT AT CAMERA HERE, PLEASE. 25 00:01:06,267 --> 00:01:08,269 Woman: I'LL MAKE SURE WE GET FOOD IN HERE. 26 00:01:08,302 --> 00:01:11,572 ADD SOME SIDE LIGHT, PLEASE? 27 00:01:11,605 --> 00:01:14,142 WHAT WE IN THE NEWS BUSINESS CAN NEVER FORGET 28 00:01:14,175 --> 00:01:17,411 IS WE'RE ONLY AS GOOD AS THE STORIES WE TELL. 29 00:01:17,445 --> 00:01:19,280 GUYS, GUYS, YOU STILL GOT THE SHADOW. 30 00:01:19,313 --> 00:01:22,049 A LITTLE MORE FILL, PLEASE. 31 00:01:22,082 --> 00:01:24,985 IF YOU COULD JUST TALK A LITTLE BIT ABOUT HOW YOU GOT STARTED, TALLY. 32 00:01:25,018 --> 00:01:27,621 A FEW BIO BITES THAT, YOU KNOW, WE CAN PLAY WITH. 33 00:01:27,655 --> 00:01:30,724 LET'S... LET'S SHOOT THIS. 34 00:01:30,758 --> 00:01:32,993 LET'S SEE. 35 00:01:33,026 --> 00:01:36,430 I GUESS I ALWAYS PRETTY MUCH KNEW WHAT I WANTED TO DO. 36 00:01:36,464 --> 00:01:38,132 Woman: SALLY ANN KNEW EXACTLY WHAT SHE WANTED. 37 00:01:38,166 --> 00:01:41,001 AND WHAT SHE WANTED WAS TO BE NUMBER ONE... 38 00:01:41,034 --> 00:01:43,504 IN NEON LIGHTS. 39 00:01:43,537 --> 00:01:46,140 Man: THE SISTER COMES DOWN TO 2 BITES, MAX. 40 00:01:46,174 --> 00:01:48,676 SOMETHING CUTE ABOUT HOW YOU GOT STARTED... 41 00:01:48,709 --> 00:01:51,111 WHAT, YOU WENT TO COLLEGE? 42 00:01:51,145 --> 00:01:53,414 I TEMPED, WAITED TABLES... 43 00:01:53,447 --> 00:01:55,749 THE MINUTE I WAS OLD ENOUGH, I DEALT CRAPS. 44 00:01:55,783 --> 00:01:57,618 CRAPS. 45 00:01:57,651 --> 00:02:01,021 I WANTED TO DEAL BACCARAT, BECAUSE YOU COULD MAKE MORE MONEY ON TIPS, 46 00:02:01,054 --> 00:02:02,590 BUT WHERE WE WERE LIVING... 47 00:02:02,623 --> 00:02:05,159 IN A LITTLE MINING TOWN IN THE WEST... 48 00:02:05,193 --> 00:02:07,795 YOU HAVE TO BE CONNECTED TO DEAL BACCARAT, 49 00:02:07,828 --> 00:02:09,630 AND THE ONLY PERSON I WAS CONNECTED TO 50 00:02:09,663 --> 00:02:12,132 WAS MY LITTLE SISTER LUANNE. 51 00:02:12,166 --> 00:02:16,170 I WAS GOING TO COMMUNITY COLLEGE AT NIGHT, 52 00:02:16,204 --> 00:02:18,706 DOUBLING UP ON COMMUNICATIONS COURSES, 53 00:02:18,739 --> 00:02:20,474 MAKING UP FOR LOST TIME... 54 00:02:20,508 --> 00:02:26,180 EVERYONE SAID, "YOU WANT TO GET A JOB IN TELEVISION, 55 00:02:26,214 --> 00:02:27,481 YOU HAVE TO MAKE A DEMO TAPE." 56 00:02:27,515 --> 00:02:30,318 SO I MADE A DEMO TAPE. 57 00:02:30,351 --> 00:02:32,686 YOU MIGHT ASK, OUT OF THE THOUSANDS OF YOUNG WOMEN 58 00:02:32,720 --> 00:02:35,155 THAT SEND YOU TAPES, WHY HIRE SALLY? 59 00:02:35,189 --> 00:02:37,458 I SENT IT TO 37 STATIONS. 60 00:02:37,491 --> 00:02:42,062 WMIA MIAMI, UM, WAS THE ONLY ANSWER I GOT. 61 00:02:42,095 --> 00:02:45,199 SO I SAID GOOD-BYE TO LUANNE 62 00:02:45,233 --> 00:02:49,737 AND GOT ON A CONNECTION TO DALLAS WITH A 4-HOUR LAYOVER TO MIAMI. 63 00:02:49,770 --> 00:02:53,307 I WANTED IT TO BE 4 DAYS... I WAS SO SCARED OF GETTING THERE. 64 00:03:32,546 --> 00:03:35,583 SO... YOU'RE SALLY. 65 00:03:35,616 --> 00:03:37,385 SALLY ATWATER. 66 00:03:37,418 --> 00:03:39,620 THAT'S SALLY WITH AN "S," RIGHT? 67 00:03:39,653 --> 00:03:41,622 DO YOU THINK I'M OVERDRESSED? 68 00:03:41,655 --> 00:03:43,624 NO. NOT IN THE LEAST. 69 00:03:43,657 --> 00:03:47,795 I DIDN'T KNOW IF THEY'D BE DRESSY OR COOL... 70 00:03:49,563 --> 00:03:51,732 WARREN, MISS ATWATER IS HERE. 71 00:03:51,765 --> 00:03:52,633 [RIP] 72 00:03:52,666 --> 00:03:55,536 OK. GO UP THOSE STAIRS, 73 00:03:55,569 --> 00:03:57,471 AND WARREN'S IN THE CONTROL BOOTH. 74 00:03:57,505 --> 00:04:01,108 [TELEPHONE RINGS] HEY... I'M NED. 75 00:04:01,141 --> 00:04:02,109 I'M SALLY. 76 00:04:02,142 --> 00:04:04,645 YOU MAJORED IN COMMUNICATIONS. 77 00:04:04,678 --> 00:04:06,414 YEAH, VIC, LISTEN... 78 00:04:37,445 --> 00:04:39,012 [MULTIPLE VOICES] 79 00:04:41,148 --> 00:04:43,651 WRAP PATTY, GO TO ROB. 80 00:04:43,684 --> 00:04:46,019 ROB, BACK TO YOU IN THE STUDIO. 81 00:04:46,053 --> 00:04:47,588 THANK YOU, PATTY, FOR THAT REPORT. 82 00:04:47,621 --> 00:04:49,256 YOU, OVER HERE. 83 00:04:49,289 --> 00:04:50,624 ROB, YOU'RE RUNNING LONG. 84 00:04:50,658 --> 00:04:52,192 FURTHER DEVELOPMENTS AS THEY OCCUR 85 00:04:52,225 --> 00:04:54,528 ON THE SITUATION AT TAMIAMI MIDDLE SCHOOL... 86 00:04:54,562 --> 00:04:56,597 FURTHER DEVELOPMENTS AS THEY OCCUR 87 00:04:56,630 --> 00:04:59,333 IN THE SITUATION AT TAMIAMI MIDDLE SCHOOL... 88 00:04:59,367 --> 00:05:02,336 13-YEAR-OLD STILL HOLDS HIS MATH CLASS HOSTAGE WITH AN A-K... 89 00:05:02,370 --> 00:05:04,505 STILL HOLDS HIS MATH CLASS HOSTAGE... 90 00:05:04,538 --> 00:05:06,707 FULL COVERAGE AT 6:00 FROM THE AWARD-WINNING CHANNEL 9 NEWS TEAM... 91 00:05:06,740 --> 00:05:08,709 FULL COVERAGE AT 6:00 FROM THE AWARD WINNING... 92 00:05:08,742 --> 00:05:11,512 THIS IS ROB SULLIVAN... WITH HIS TOUCHY-FEELY TAG... 93 00:05:11,545 --> 00:05:13,213 GOOD-BYE. BE OF GOOD CHEER. 94 00:05:13,246 --> 00:05:16,116 GOOD-BYE. BE OF GOOD CHEER. 95 00:05:16,149 --> 00:05:18,118 I MIGHT GET SICK. 96 00:05:18,151 --> 00:05:20,287 GET ME THE 6:00 REPORT. 97 00:05:23,056 --> 00:05:24,057 COME ON. 98 00:05:24,091 --> 00:05:25,793 WARREN, ABOUT THE ANDERS THING... 99 00:05:25,826 --> 00:05:26,794 COMING, SWEETHEART? 100 00:05:26,827 --> 00:05:27,728 I THINK THE WAY WE PLAY IT 101 00:05:27,761 --> 00:05:30,798 IS BY CALLING ATTENTION TO A PUBLIC SERVANT 102 00:05:30,831 --> 00:05:32,366 VIOLATING THE VOTERS' TRUST. 103 00:05:32,400 --> 00:05:34,234 NO, HARVEY, WE PLAY IT STRAIGHT... 104 00:05:34,267 --> 00:05:36,804 HARVEY HARRIS REPORTING FROM THE DADE COUNTY COURTHOUSE 105 00:05:36,837 --> 00:05:39,640 WHERE TODAY SEMINOLE SCHOOL PRINCIPAL LEE ANDERS 106 00:05:39,673 --> 00:05:42,075 WAS FOUND GUILTY OF BANGING THE 10th GRADE CLASS PRESIDENT. 107 00:05:42,109 --> 00:05:43,644 NO MORE, NO LESS. GOT IT? 108 00:05:43,677 --> 00:05:45,245 MORE ON THAT ACCIDENT IN HOMESTEAD... 109 00:05:45,278 --> 00:05:47,047 SWEETHEART, WILL YOU KEEP UP? 110 00:05:47,080 --> 00:05:49,082 SALLY. 111 00:05:49,116 --> 00:05:50,317 EXCUSE? 112 00:05:50,350 --> 00:05:53,153 I SAID SALLY, NOT SWEETHEART. 113 00:05:53,186 --> 00:05:54,154 GOT IT. 114 00:05:54,187 --> 00:05:55,389 VIC, SALLY. 115 00:05:55,423 --> 00:05:57,257 SALLY'S OUR NEW DESK ASSISTANT. 116 00:05:57,290 --> 00:05:59,192 DO NOT CALL HER SWEETHEART. 117 00:06:00,461 --> 00:06:02,262 THERE'S GOT TO BE A KID TRAPPED IN THE WRECKAGE 118 00:06:02,295 --> 00:06:03,096 BEFORE WE DO A BREAK-IN. 119 00:06:03,130 --> 00:06:06,233 NO KID. DAD, MOM, GRANDMA IN ONE CAR. 120 00:06:06,266 --> 00:06:08,602 THE DRIVER, HIS WIFE OR GIRLFRIEND IN THE PICKUP. 121 00:06:08,636 --> 00:06:10,270 THERE'S SOME DISCREPANCY THERE. 122 00:06:10,303 --> 00:06:11,539 RUN THAT DISCREPANCY BY ME. 123 00:06:11,572 --> 00:06:13,273 LADY CALLS, SAYS THE WOMAN IN THE PICKUP 124 00:06:13,306 --> 00:06:14,775 WAS HER HUSBAND'S WHORE, QUOTE, UNQUOTE. 125 00:06:14,808 --> 00:06:17,110 WARREN, TRISH AGAIN ON 2. 126 00:06:17,144 --> 00:06:18,245 [PICKING UP PHONE] 127 00:06:18,278 --> 00:06:19,547 TRISH? 128 00:06:19,580 --> 00:06:21,281 YEAH. WE'LL SEND YOU REFERENCES. 129 00:06:21,314 --> 00:06:23,116 YES. 130 00:06:23,150 --> 00:06:24,618 WEREN'T YOU AND TRISH... 131 00:06:24,652 --> 00:06:27,020 YOU KNOW, IF YOU DON'T MIND MY ASKING... 132 00:06:27,054 --> 00:06:28,121 I DO MIND. WHO YOU GOT ON HOMESTEAD? 133 00:06:28,155 --> 00:06:29,122 NOBODY... 134 00:06:29,156 --> 00:06:31,425 UNLESS YOU WANT TO FIRE TRISH. 135 00:06:35,796 --> 00:06:39,132 WE... WE DON'T, UH, WE DON'T USUALLY WEAR 136 00:06:39,166 --> 00:06:40,768 OUR CREDENTIALS IN THE NEWSROOM. 137 00:06:40,801 --> 00:06:42,770 OH, SORRY. 138 00:06:44,404 --> 00:06:46,239 OH! 139 00:06:46,273 --> 00:06:48,241 I'M SO SORRY. 140 00:06:48,275 --> 00:06:50,444 OH, THAT'S GOOD. 141 00:06:50,478 --> 00:06:51,979 I'M SORRY. 142 00:06:52,012 --> 00:06:53,146 AHEM. 143 00:07:00,521 --> 00:07:02,222 I'M FROM NEVADA. 144 00:07:04,324 --> 00:07:06,426 OK. HERE'S THE RUNDOWN. 145 00:07:06,460 --> 00:07:07,260 AHEM. 146 00:07:07,294 --> 00:07:09,563 WE'LL HAVE THE KID HOSTAGE STORY LIVE... 147 00:07:09,597 --> 00:07:11,732 NO, NOT LIVE. BY 6:00 IT'LL BE "WHAT DOES IT ALL MEAN?" 148 00:07:11,765 --> 00:07:13,066 HAVE LOU DO IT. 149 00:07:13,100 --> 00:07:17,337 OK. CONSUELA'S DOING THE PBA ENDORSING THE MAYOR FOR A SECOND TERM. 150 00:07:17,370 --> 00:07:19,507 BURY THAT BEFORE THE FIRST COMMERCIAL. 151 00:07:19,540 --> 00:07:21,441 HARVEY'S DOING ANDERS, 152 00:07:21,475 --> 00:07:23,644 AND THERE'S THE COCOA PLUM HOUSEKEEPER KILLING. 153 00:07:23,677 --> 00:07:26,179 LEAD WITH THAT. BECAUSE... 154 00:07:27,380 --> 00:07:29,783 COME ON, LET'S HAVE IT. 155 00:07:29,817 --> 00:07:33,487 THE GOLDEN RULE OF LOCAL NEWS... IF IT... 156 00:07:33,521 --> 00:07:35,288 I DON'T... 157 00:07:35,322 --> 00:07:37,424 BLEEDS, IT LEADS. 158 00:07:37,457 --> 00:07:39,493 YOUR PREDECESSOR... 159 00:07:39,527 --> 00:07:40,661 TRISH. 160 00:07:40,694 --> 00:07:42,262 TRISH DIDN'T THINK THE DESK HAD A WHOLE LOT TO TEACH HER. 161 00:07:42,295 --> 00:07:43,797 HOW 'BOUT YOU? 162 00:07:43,831 --> 00:07:45,265 OH, I THINK THE DESK CAN TEACH ME. 163 00:07:45,298 --> 00:07:46,534 WHAT? 164 00:07:46,567 --> 00:07:48,468 EVERYTHING. 165 00:07:48,502 --> 00:07:50,470 EVERYTHING? 166 00:07:50,504 --> 00:07:54,207 SO THAT LATER WHEN I'M... 167 00:07:54,241 --> 00:07:57,277 SO WHEN I'M READY, I'LL BE ABLE TO DO A STORY. 168 00:07:57,310 --> 00:08:00,313 EXCUSE ME A SECOND. 169 00:08:00,347 --> 00:08:01,481 OH. 170 00:08:02,816 --> 00:08:04,785 THANK YOU, LADIES AND GENTLEMEN. 171 00:08:04,818 --> 00:08:07,454 THIS IS A GREAT HONOR, AND... 172 00:08:07,487 --> 00:08:09,623 [FAST FORWARDING] 173 00:08:09,657 --> 00:08:12,125 ALREADY A SEASONED NEWSWOMAN. 174 00:08:12,159 --> 00:08:14,461 SHE COVERED THE CRUCIAL CALIFORNIA YOUTH FORUM... 175 00:08:14,494 --> 00:08:16,564 CRUCIAL CALIFORNIA YOUTH FORUM ELECTION, HUH? 176 00:08:16,597 --> 00:08:17,965 [WHISTLES] 177 00:08:17,998 --> 00:08:21,669 YOU MIGHT ASK, OUT OF THE THOUSANDS OF YOUNG WOMEN THAT SEND YOU TAPES, 178 00:08:21,702 --> 00:08:23,303 WHY HIRE SALLY? 179 00:08:23,336 --> 00:08:24,738 BECAUSE I'M SALLY, 180 00:08:24,772 --> 00:08:26,540 AND I'M GOING TO BE A STAR. 181 00:08:26,574 --> 00:08:29,209 IF THIS IS TO TELL ME I HAVE A LOT TO LEARN, 182 00:08:29,242 --> 00:08:31,044 I ALREADY KNOW THAT. 183 00:08:32,780 --> 00:08:34,347 I'M GOING TO LEARN IT. 184 00:08:34,381 --> 00:08:35,415 NOTED. 185 00:08:35,448 --> 00:08:39,152 MEANWHILE, YOU ANSWER THE PHONES, WORK THE DATABASE, 186 00:08:39,186 --> 00:08:40,554 GET THE REPORTERS WHAT THEY NEED... 187 00:08:40,588 --> 00:08:42,756 ADDRESSES, NUMBERS, 188 00:08:42,790 --> 00:08:44,758 WHO, WHAT, WHEN, WHERE... 189 00:08:44,792 --> 00:08:47,327 OH, AND YOU SEE THAT MR. COFFEE MACHINE OVER THERE? 190 00:08:47,360 --> 00:08:49,597 I LIKE IT STRONG. 191 00:08:49,630 --> 00:08:50,598 ILEANA, CANCEL MY DINNER. 192 00:08:50,631 --> 00:08:52,432 WE'RE GONNA HAVE TO GO LATE. 193 00:08:52,465 --> 00:08:55,402 YOU USED TO COVER THE WHITE HOUSE. 194 00:08:55,435 --> 00:08:57,337 ARE YOU GONNA TELL ME YOU WATCHED ME IN HIGH SCHOOL? 195 00:08:57,370 --> 00:09:01,108 NO. YOU WERE THE ONE WHO ASKED GEORGE BUSH HOW, AS FORMER CIA DIRECTOR, 196 00:09:01,141 --> 00:09:04,678 HE DIDN'T KNOW NORIEGA WAS ON THE CIA PAYROLL. 197 00:09:04,712 --> 00:09:06,614 AND BUSH SAID, "NO QUESTIONS AT PHOTO OP," 198 00:09:06,647 --> 00:09:08,248 AND MARLIN FITZWATER SAID, "PULL THE LIGHTS," 199 00:09:08,281 --> 00:09:11,284 AND YOU PUT THE WHOLE THING ON THE AIR. 200 00:09:11,318 --> 00:09:13,020 IT WAS IN A COURSE I TOOK. 201 00:09:13,053 --> 00:09:15,555 Y... RIGHT. YOU STILL GET THE COFFEE. 202 00:09:15,589 --> 00:09:17,257 I COULD PROBABLY GET THE COFFEE. 203 00:09:17,290 --> 00:09:18,191 GOOD. 204 00:09:18,225 --> 00:09:20,027 OTHERWISE, YOU JUST HAD THE SHORTEST CAREER 205 00:09:20,060 --> 00:09:21,629 IN WMIA CHANNEL 9 HISTORY, 206 00:09:21,662 --> 00:09:24,264 NEWS HEARTBEAT OF THE AMERICAN RIVIERA. 207 00:09:24,297 --> 00:09:25,699 SUGAR, NO CREAM. 208 00:09:27,300 --> 00:09:30,403 DO YOU ALWAYS WEAR THAT MUCH MAKEUP? 209 00:09:35,308 --> 00:09:37,244 TURNING TO THE WEATHER FRONT... 210 00:09:37,277 --> 00:09:41,281 [TELEPHONES RINGING] 211 00:09:41,314 --> 00:09:43,383 NEWSROOM. 212 00:09:43,416 --> 00:09:45,653 CAN I HAVE YOUR NAME, PLEASE? 213 00:09:45,686 --> 00:09:49,122 WHAT IS THE NAME OF THE HOSPITAL? 214 00:09:49,156 --> 00:09:52,125 DOES THIS PERSON HAVE A NAME? 215 00:09:52,159 --> 00:09:54,995 NO... I AM TRYING TO HELP YOU. 216 00:09:55,028 --> 00:09:58,666 UH, NO, MA'AM, I DO NOT REMEMBER MIAMI 217 00:09:58,699 --> 00:10:00,500 BEFORE THERE WERE HAITIANS. 218 00:10:00,533 --> 00:10:01,568 THANK YOU, MA'AM. 219 00:10:01,601 --> 00:10:02,569 [HANGS UP] 220 00:10:02,602 --> 00:10:03,671 HAPPY HALLOWEEN TO YOU, TOO. 221 00:10:03,704 --> 00:10:05,305 LOOKS LIKE YOU'RE GETTING THE HANG OF IT. 222 00:10:05,338 --> 00:10:07,307 UH, I AM. YES. 223 00:10:07,340 --> 00:10:11,111 ACTUALLY, I'VE BEEN GETTING THE HANG OF IT SINCE AT LEAST JULY. 224 00:10:11,144 --> 00:10:12,245 HERE YOU GO, WARREN. 225 00:10:12,279 --> 00:10:13,480 THANKS. GOOD, NED. 226 00:10:13,513 --> 00:10:15,615 THIS IS NOT A CRITICISM. 227 00:10:15,649 --> 00:10:18,418 IT'S... MORE OF AN OBSERVATION. 228 00:10:18,451 --> 00:10:20,087 YOU DON'T HAVE A WEATHER PERSON. 229 00:10:20,120 --> 00:10:21,088 I FIRED HER. 230 00:10:21,121 --> 00:10:23,023 I DON'T LIKE WEATHER PERSONS. 231 00:10:23,056 --> 00:10:24,357 BUT HAVING THE ANCHOR DO THE WEATHER 232 00:10:24,391 --> 00:10:25,693 REDUCES HIS CREDIBILITY AS ANCHOR. 233 00:10:25,726 --> 00:10:27,427 CREDIBILITY? ROB? 234 00:10:27,460 --> 00:10:29,529 IF YOU WANTED SOMEONE TO DO IT... 235 00:10:29,562 --> 00:10:30,764 YOU THINK YOU MIGHT BE READY TO... 236 00:10:30,798 --> 00:10:32,299 TAKE ON A LITTLE MORE... 237 00:10:32,332 --> 00:10:33,300 RESPONSIBILITY? 238 00:10:33,333 --> 00:10:34,301 EXACTLY. 239 00:10:34,334 --> 00:10:35,302 HEH... 240 00:10:35,335 --> 00:10:36,670 I'M READY. 241 00:10:36,704 --> 00:10:39,539 OH, YOU KNOW WHAT YOU ARE READY FOR? 242 00:10:39,572 --> 00:10:41,374 STOP TOMORROW MORNING ON YOUR WAY IN... 243 00:10:41,408 --> 00:10:43,376 MY CLEANING... SHUN LI. 244 00:10:45,145 --> 00:10:46,714 YOU WANT A RIDE HOME? 245 00:10:46,747 --> 00:10:48,716 OTHERWISE I HAVE JUST HAD THE SHORTEST CAREER 246 00:10:48,749 --> 00:10:51,651 IN THE HISTORY OF WMIA CHANNEL 9, 247 00:10:51,685 --> 00:10:55,022 NEWS HEARTBEAT OF THE AMERICAN RIVIERA. 248 00:10:55,055 --> 00:10:57,290 THE RIDE HOME IS OPTIONAL. 249 00:10:57,324 --> 00:11:00,227 I OPT NO, THANK YOU. 250 00:11:17,110 --> 00:11:20,180 YOU WANT ROB TO WEAR THAT? 251 00:11:20,213 --> 00:11:21,749 YOU KNOW, WEATHER IS A SPONSORED SPOT. 252 00:11:21,782 --> 00:11:23,751 WELL, WHAT IF IT'S NOT RAINING, DAN? 253 00:11:23,784 --> 00:11:25,252 ANY OTHER COSTUME IDEAS ON TAP? 254 00:11:25,285 --> 00:11:28,355 I WAS THINKING MAYBE BIG SUNGLASSES. 255 00:11:28,388 --> 00:11:30,490 SHIT. WARREN, 3 HAS HAPPY WEATHER. 256 00:11:30,523 --> 00:11:33,093 DO YOU KNOW WHAT KIND OF AN OPERATION 3 IS? 257 00:11:33,126 --> 00:11:34,762 THE NIGHT THE GULF WAR STARTED, 258 00:11:34,795 --> 00:11:36,363 THEY LED WITH THE BAL-HARBOR 259 00:11:36,396 --> 00:11:38,565 WINTER WONDERLAND SHOP-A-THON. 260 00:11:38,598 --> 00:11:41,601 AND 3 WAS THEN AND STILL IS THE TOP-RATED STATION IN THIS MARKET. 261 00:11:41,634 --> 00:11:43,436 WHAT COULD IT COST TO TRY THIS? COME ON... 262 00:11:43,470 --> 00:11:44,604 IT WOULD COST YOU NOTHING. 263 00:11:44,637 --> 00:11:46,173 GIMME A SECOND. 264 00:11:53,146 --> 00:11:54,782 I SAID I WANTED THEM BOXED. 265 00:11:54,815 --> 00:11:57,050 THEY STILL DON'T COME BOXED. 266 00:12:00,153 --> 00:12:03,356 LISTEN, I WAS WATCHING THE NEWS LAST NIGHT... 267 00:12:03,390 --> 00:12:04,624 IS THAT UNUSUAL? 268 00:12:04,657 --> 00:12:07,527 AND I HAVE AN IDEA ABOUT SOMETHING. 269 00:12:07,560 --> 00:12:09,362 I WAS RETHINKING THE WEATHER SPOT. 270 00:12:09,396 --> 00:12:11,398 YEAH. EVERYBODY IS. 271 00:12:11,431 --> 00:12:12,766 I COULD DO IT. I COULD DO THE WEATHER. 272 00:12:12,800 --> 00:12:15,635 I COULD DO THE DESK AND THE WEATHER, SAME SALARY. 273 00:12:15,668 --> 00:12:16,636 IF I COULD RESTATE MY POINT... 274 00:12:16,669 --> 00:12:17,771 I GOT YOUR POINT. 275 00:12:17,805 --> 00:12:19,439 SALARY TO ONE SIDE, SALLY. 276 00:12:19,472 --> 00:12:21,041 I DID SOME WEATHER IN RENO. 277 00:12:21,074 --> 00:12:22,609 I WANTED TO HIRE A REGULAR WEATHER, 278 00:12:22,642 --> 00:12:23,710 AN ARNIE POOLE TYPE. 279 00:12:23,743 --> 00:12:24,711 SAN FRANCISCO'S GOT ARNIE POOLE. 280 00:12:24,744 --> 00:12:25,745 WE'VE GOT ROB. 281 00:12:25,779 --> 00:12:27,447 ALL I ASK IS TO LET ROB TRY THIS. 282 00:12:27,480 --> 00:12:28,515 THE WEATHER IN RENO... 283 00:12:28,548 --> 00:12:32,319 LET'S SEE THEY... THEY MUST GET SOME GENUINE WEATHER? 284 00:12:32,352 --> 00:12:33,653 OH, BIG-TIME. 285 00:12:33,686 --> 00:12:36,656 WARREN, YOU PROVE ME WRONG, I'M EASY. 286 00:12:36,689 --> 00:12:39,292 DAN... 287 00:12:39,326 --> 00:12:41,628 MEET OUR NEW WEATHER PERSON. 288 00:12:41,661 --> 00:12:43,630 REALLY? HA HA! 289 00:12:43,663 --> 00:12:44,998 REALLY? 290 00:12:45,032 --> 00:12:46,466 THIS IS DAN DUARTE, OUR STATION MANAGER 291 00:12:46,499 --> 00:12:48,568 AND MY BOSS. 292 00:12:48,601 --> 00:12:50,337 I GO THROUGH LIFE WITH A SMILE, 293 00:12:50,370 --> 00:12:52,305 TRY TO SPREAD A LITTLE GOODNESS. 294 00:12:52,339 --> 00:12:54,607 SOME PEOPLE IN THIS BUSINESS GET JADED, 295 00:12:54,641 --> 00:12:58,011 BECAUSE IT'S ALWAYS THE SAME AWFUL STORIES. 296 00:12:58,045 --> 00:13:00,447 AND IT IS THE SAME STORIES, 297 00:13:00,480 --> 00:13:04,284 BUT THEY'RE HAPPENING TO DIFFERENT PEOPLE. 298 00:13:04,317 --> 00:13:08,121 OUR NEW WEATHER GAL SEEMS TO BE UNDER THE WEATHER. 299 00:13:08,155 --> 00:13:09,189 30 SECONDS, ROB. 300 00:13:09,222 --> 00:13:10,123 OK, NOW WE'RE CLEARING... 301 00:13:10,157 --> 00:13:13,426 FOCUS ON SPREADING THAT GOODNESS, HUH, ROB? 302 00:13:13,460 --> 00:13:15,295 [MOANING] 303 00:13:16,529 --> 00:13:18,198 UHHHH... 304 00:13:21,501 --> 00:13:23,603 WHAT IS THIS? 305 00:13:23,636 --> 00:13:26,506 OK, COME ON, GET UP. 306 00:13:26,539 --> 00:13:27,507 COME ON... 307 00:13:27,540 --> 00:13:28,508 NOW... NOW, WHAT IS IT? 308 00:13:28,541 --> 00:13:29,542 OH, I CAN'T DO IT. 309 00:13:29,576 --> 00:13:32,212 COME ON, YOU'VE DONE THIS BEFORE. WHAT'S WRONG? 310 00:13:32,245 --> 00:13:35,282 IF YOU'RE SALLY, I WANT YOU IN MAKEUP NOW, PLEASE. 311 00:13:35,315 --> 00:13:36,283 NOT NOW. 312 00:13:36,316 --> 00:13:39,119 STAY OUTSIDE. 313 00:13:39,152 --> 00:13:40,453 HEY... 314 00:13:40,487 --> 00:13:42,289 SAY "SALLY ATWATER." 315 00:13:42,322 --> 00:13:44,224 SALLY... 316 00:13:44,257 --> 00:13:47,627 SALLY... 317 00:13:47,660 --> 00:13:48,628 SAY IT. 318 00:13:48,661 --> 00:13:49,629 SALLY AT... AGAIN. 319 00:13:49,662 --> 00:13:50,797 NO, I CAN'T DO IT! 320 00:13:50,830 --> 00:13:53,400 THEN DON'T DO IT. 321 00:13:53,433 --> 00:13:55,702 YOU DON'T HAVE TO DO IT. 322 00:13:55,735 --> 00:13:57,070 YES, I DO. 323 00:13:57,104 --> 00:13:58,238 WHAT? 324 00:13:58,271 --> 00:13:59,472 YES, I DO. 325 00:13:59,506 --> 00:14:02,209 OK. I'LL GET YOU THROUGH IT. 326 00:14:02,242 --> 00:14:04,211 Man: HELLO, MISS. MY NAME IS OCTAVIO. I'M YOUR FLOOR MANAGER. 327 00:14:04,244 --> 00:14:05,378 YOU'RE GOING TO BE IN CAMERA THE ENTIRE TIME. 328 00:14:05,412 --> 00:14:11,751 WELCOME TO MIA. OK, EVERYBODY, HAPPY WEATHER IN 15, 14... 329 00:14:13,220 --> 00:14:16,389 Man: OK, EVERYBODY, KEEP ON YOUR TOES. 330 00:14:16,423 --> 00:14:18,425 LET'S DO THIS ONE FOR UNCLE DAN. 331 00:14:18,458 --> 00:14:21,594 CAN WE HAVE IT QUIET IN HERE, PLEASE? 332 00:14:21,628 --> 00:14:23,496 ROB, CHECK THE PROMPTER. 333 00:14:26,199 --> 00:14:31,171 AND NOW WITH THE WEATHER, HERE'S SA... TALLY ATWATER. 334 00:14:31,204 --> 00:14:32,572 TALLY? 335 00:14:32,605 --> 00:14:35,342 Warren: COME ON, THAT'S YOUR NEW NAME... TALLY. 336 00:14:35,375 --> 00:14:37,210 IT'S EASY TO SAY. DON'T LOOK AT ME, LOOK AT THE CAMERA. 337 00:14:37,244 --> 00:14:38,278 YOU GOT 29 SECONDS TO COMMERCIAL. 338 00:14:38,311 --> 00:14:39,412 LOOK STRAIGHT INTO THE CAMERA, 339 00:14:39,446 --> 00:14:41,414 TALK STRAIGHT INTO THE RED LIGHT. 340 00:14:41,448 --> 00:14:44,584 YOU'LL FIND YOU'VE GOT A NEW BEST FRIEND. 341 00:14:45,552 --> 00:14:47,120 TALLY? 342 00:14:52,325 --> 00:14:53,626 COME ON, BABY. 343 00:14:53,660 --> 00:14:55,428 TALLY... 344 00:14:55,462 --> 00:14:57,630 THANKS, ROB. 345 00:14:57,664 --> 00:15:00,700 HOW LONG WAS THAT? WE NEED TO TAKE... 346 00:15:00,733 --> 00:15:02,469 YOU WON'T NEED THIS. 347 00:15:02,502 --> 00:15:03,703 WHAT AN IDEA. 348 00:15:03,736 --> 00:15:06,106 YOU WILL WANT THESE... 349 00:15:06,139 --> 00:15:10,210 OH, ANOTHER GOOD IDEA, DAN. 350 00:15:10,243 --> 00:15:13,246 WE'RE LOOKING AT AN EXPECTED HIGH OF 98... 351 00:15:13,280 --> 00:15:15,315 THOSE GLASSES DON'T SEEM SILLY ON 7. 352 00:15:15,348 --> 00:15:16,984 DOES SHE COME OUT NEXT WITH A BANANA? 353 00:15:17,017 --> 00:15:21,088 LOOK FOR A BALMY LOW OF 86. 354 00:15:21,121 --> 00:15:22,089 PICK IT UP. 355 00:15:22,122 --> 00:15:23,656 MORE HIGH PRESSURE MOVING IN 356 00:15:23,690 --> 00:15:26,126 MEANS THAT THIS SYSTEM IS DEFINITELY STAYING WITH US. 357 00:15:26,159 --> 00:15:27,727 PACE YOURSELF. 358 00:15:27,760 --> 00:15:30,998 DON'T LOOK AT ME. LOOK AT THE CAMERA. 359 00:15:32,765 --> 00:15:37,470 AND SO THE 5-DAY FORECAST IS MORE, MORE, MORE, HOT, HOT, HOT. 360 00:15:37,504 --> 00:15:39,239 THTAY... 361 00:15:42,375 --> 00:15:44,411 STAY INSIDE, 362 00:15:44,444 --> 00:15:45,378 CUDDLE UP. 363 00:15:45,412 --> 00:15:48,348 CUDDLE UP AND ENJOY THE AIR CONDITIONING, ROB. 364 00:15:48,381 --> 00:15:50,750 THANKS, TALLY... 365 00:15:50,783 --> 00:15:51,784 YOU MADE YOUR POINT, WARREN. 366 00:15:51,818 --> 00:15:54,187 THIS IS A NONSTARTER. 367 00:15:54,221 --> 00:15:56,289 SHE EATS THE LENS. 368 00:16:00,493 --> 00:16:03,030 THAT DOES IT FOR NOW. THIS IS ROB SULLIVAN SAYING, 369 00:16:03,063 --> 00:16:07,100 FOR ADELA SIMMS AND MYSELF AND ALL OF US HERE AT CHANNEL 9 NEWS, 370 00:16:07,134 --> 00:16:09,702 GOOD NIGHT. BE OF GOOD CHEER. 371 00:16:09,736 --> 00:16:12,472 WON'T WANT THIS. 372 00:16:12,505 --> 00:16:15,608 WILL NEED THESE. 373 00:16:15,642 --> 00:16:17,710 NOT TO WORRY, DAN. 374 00:16:17,744 --> 00:16:21,148 UNCLE ROB WAS THERE TO STEP IN IF IT GOT ANY WORSE. 375 00:16:23,183 --> 00:16:25,152 Man: GOOD JOB, SALLY. 376 00:16:25,185 --> 00:16:27,620 I WAS BETTING SHE'D PEE ON THE AIR. 377 00:16:27,654 --> 00:16:31,991 Man: OK, GUYS, WE'LL DO IT AGAIN TOMORROW, OK? THANKS. 378 00:16:49,176 --> 00:16:52,745 YOU DON'T HAVE TO PUT UP WITH HIM, LU. 379 00:16:52,779 --> 00:16:55,148 [KNOCK ON DOOR] 380 00:16:55,182 --> 00:16:59,586 LUANNE... I... I... I HEAR IT, I HEAR IT. 381 00:17:02,189 --> 00:17:04,657 NO, IT IS NOT THE GUY FROM THE SWEEPSTAKES. 382 00:17:04,691 --> 00:17:07,494 NOBODY BUT YOU BELIEVES IN THE GUY FROM THE SWEEPSTAKES. 383 00:17:07,527 --> 00:17:09,562 IT'S LIKE THE TOOTH FAIRY. 384 00:17:11,631 --> 00:17:14,767 DON'T HANG UP. I WANT TO TALK TO YOU. 385 00:17:14,801 --> 00:17:16,736 STILL FEELING SORRY FOR YOURSELF? 386 00:17:16,769 --> 00:17:19,739 WHAT ARE YOU DOING HERE? 387 00:17:19,772 --> 00:17:24,611 OH... NBC's MILLION DOLLAR BABY AND HOW SHE GOT THERE. 388 00:17:24,644 --> 00:17:26,446 NO MIAMI HERALD, NO WASHINGTON POST, 389 00:17:26,479 --> 00:17:27,614 NO WALL STREET JOURNAL? 390 00:17:27,647 --> 00:17:30,583 YOU GETTING A CHEAP RUSH FROM THIS? 391 00:17:30,617 --> 00:17:33,120 YOU KNOW THE DEMO TAPE I SENT YOU? 392 00:17:33,153 --> 00:17:34,121 YEAH. 393 00:17:34,154 --> 00:17:35,522 I FAKED IT. 394 00:17:35,555 --> 00:17:36,523 MM-HMM. 395 00:17:36,556 --> 00:17:39,392 I DIDN'T DO ANY OF THOSE THINGS I SAID I DID. 396 00:17:39,426 --> 00:17:42,262 I WENT TO EAST RENO COMMUNITY COLLEGE AT NIGHT. 397 00:17:42,295 --> 00:17:43,563 I WASN'T VALEDICTORIAN. 398 00:17:43,596 --> 00:17:44,564 I DIDN'T EVEN GRADUATE. 399 00:17:44,597 --> 00:17:46,399 I FAKED THE WHOLE GRADUATION. 400 00:17:46,433 --> 00:17:48,801 I RENTED A CAP AND GOWN, I DID THE CAMERA MYSELF, 401 00:17:48,835 --> 00:17:50,370 I EVEN THREW THE CONFETTI MYSELF. 402 00:17:50,403 --> 00:17:52,605 NO CRUCIAL CALIFORNIA YOUTH FORUM ELECTIONS? 403 00:17:52,639 --> 00:17:54,641 BIG-TIME WEATHER? FREELANCE? 404 00:17:54,674 --> 00:17:59,612 ONCE WHEN I WAS WORKING AT, UM, UM, CAL-NEVA, 405 00:17:59,646 --> 00:18:05,785 IT GOT SNOWED IN, AND A RENO STATION ASKED FOR SOME... 406 00:18:05,818 --> 00:18:08,288 REPORTS... PHONE REPORTS, AND I DID ONE. 407 00:18:08,321 --> 00:18:09,456 IT WAS 40 SECONDS LONG. 408 00:18:09,489 --> 00:18:10,790 I KNOW ALL THAT. 409 00:18:10,823 --> 00:18:12,459 YOU THINK I DIDN'T CHECK IT OUT? 410 00:18:12,492 --> 00:18:13,426 SO FIRE ME. 411 00:18:13,460 --> 00:18:15,662 I FIGURE IF YOU'RE HUNGRY ENOUGH TO FAKE IT, 412 00:18:15,695 --> 00:18:17,497 YOU MIGHT BE HUNGRY ENOUGH TO DO IT. 413 00:18:17,530 --> 00:18:19,399 THE WEATHER IS NOT GONNA WORK. 414 00:18:19,432 --> 00:18:21,134 HA. YOU DON'T THINK I KNOW THAT? 415 00:18:21,168 --> 00:18:22,435 YOU COME ACROSS ON CAMERA. 416 00:18:22,469 --> 00:18:24,003 YOU MADE A SAVE. 417 00:18:24,036 --> 00:18:26,573 I'M GIVING YOU A SHOT AS A REPORTER. 418 00:18:27,807 --> 00:18:31,144 THAT'S WHAT I CAME BY TO TELL YOU. 419 00:18:32,512 --> 00:18:36,283 THOUGHT I CAME BY TO FUCK YOU, DIDN'T YA? 420 00:18:41,721 --> 00:18:43,122 LU. 421 00:18:44,157 --> 00:18:45,992 I THINK I JUST GOT PROMOTED. 422 00:18:54,467 --> 00:18:57,637 ACTUALLY, THIS IS A SET-ASIDE. 423 00:18:57,670 --> 00:19:00,640 HARVEY'S BELLE-GLADE PIECE TELLS ME A STORY. 424 00:19:00,673 --> 00:19:02,008 YOURS DOESN'T. 425 00:19:04,511 --> 00:19:07,214 MIAMI'S BEAUTIFUL PEOPLE GOT AN EYEFUL TODAY... 426 00:19:07,247 --> 00:19:08,515 WHAT'S THE STORY? 427 00:19:08,548 --> 00:19:09,449 THE STORY IS... 428 00:19:09,482 --> 00:19:11,651 THE FASHION INDUSTRY COMES TO SOUTH BEACH. 429 00:19:11,684 --> 00:19:13,386 IT CAME... 430 00:19:13,420 --> 00:19:14,454 IT WENT. 431 00:19:14,487 --> 00:19:15,788 WE DID THAT STORY. IT'S GONE. 432 00:19:15,822 --> 00:19:18,691 OK, NOW, LET'S LAY IN B-ROLL. 433 00:19:18,725 --> 00:19:21,194 SEE IF WE CAN'T SALVAGE THIS THING. 434 00:19:23,730 --> 00:19:27,300 SOME OF THE FINEST CIGARMAKERS EXILED FROM CUBA 435 00:19:27,334 --> 00:19:30,337 ARE MAKING PROFITABLE BUSINESSES HERE IN LITTLE HAVANA. 436 00:19:30,370 --> 00:19:34,474 AS I QUICKLY LEARNED, IT'S NOT AS EASY AS IT LOOKS... 437 00:19:34,507 --> 00:19:35,642 WHAT'S THE STORY HERE? 438 00:19:35,675 --> 00:19:36,743 IS IT THE CUBAN, OR ARE YOU GETTING CUTE WITH THE CIGAR? 439 00:19:36,776 --> 00:19:39,746 THIS IS TALLY ATWATER, CHANNEL 9 NEWS, LITTLE HAVANA. 440 00:19:39,779 --> 00:19:41,481 THE CUBAN, OF COURSE. 441 00:19:41,514 --> 00:19:42,649 THEN YOU SHOULD HAVE FOUND OUT 442 00:19:42,682 --> 00:19:44,717 THAT THIS PARTICULAR EXILED CIGARMAKER 443 00:19:44,751 --> 00:19:46,719 IS NOT A CIGARMAKER FROM HAVANA, 444 00:19:46,753 --> 00:19:49,188 BUT A BATISTA OFFICER. 445 00:19:49,222 --> 00:19:50,690 JUST DO IT BETTER. 446 00:19:50,723 --> 00:19:52,525 RIGHT. 447 00:19:54,294 --> 00:19:56,195 HARVEY'S TRUCK IS DOWN. 448 00:19:56,229 --> 00:19:57,196 WHAT? 449 00:19:57,230 --> 00:19:59,198 ON HIS WAY TO... 450 00:20:00,467 --> 00:20:02,669 HOW LONG WOULD IT TAKE US TO GET TO MIAMI BEACH? 451 00:20:02,702 --> 00:20:05,004 I THOUGHT WE'D BE DOING THIS BULLSHIT BOAT SHOW 452 00:20:05,037 --> 00:20:06,739 UNTIL YOU DETOURED ONTO CONNIE'S JEWELRY. 453 00:20:06,773 --> 00:20:09,276 NO, NO, NO. THIS IS A MUCH BETTER STORY. HOW LONG? 454 00:20:09,309 --> 00:20:10,710 HALF AN HOUR. 455 00:20:10,743 --> 00:20:13,780 VIC, UH, YEAH, TALLY. 456 00:20:13,813 --> 00:20:17,083 LISTEN, NED AND I ARE MOMENTS FROM THIS HARVEY STORY. 457 00:20:17,116 --> 00:20:18,385 YEAH... 458 00:20:47,814 --> 00:20:49,449 HARVEY'S TRUCK IS DOWN. 459 00:20:49,482 --> 00:20:50,483 I KNOW IT'S DOWN. 460 00:20:50,517 --> 00:20:52,385 I'M COVERING TILL HE GETS HERE. NED? 461 00:20:52,419 --> 00:20:55,221 BUT IF HE DOESN'T GET HERE, YOU'LL NEED AN ON-CAMERA REPORTER. 462 00:20:55,254 --> 00:20:57,490 WHAT? YOU'VE NEVER DONE A LIVE FEED. 463 00:20:57,524 --> 00:21:00,627 YOU DON'T EVEN KNOW WHAT THE STORY IS. 464 00:21:00,660 --> 00:21:02,629 GET THE BOAT, GET THE CABLES, GET THE BALCONIES, 465 00:21:02,662 --> 00:21:05,998 UM... GET THE SPOKESMAN... 466 00:21:06,032 --> 00:21:09,469 THEN TELL ME WHAT THE STORY IS. 467 00:21:09,502 --> 00:21:11,338 OK. 468 00:21:11,371 --> 00:21:13,306 SHOW ME WHAT YOU GOT. 469 00:21:20,513 --> 00:21:21,614 GET IN THERE. 470 00:21:21,648 --> 00:21:24,016 JAM THE DAMN MIKE IN HIS FACE. 471 00:21:25,485 --> 00:21:27,286 WAIT A MINUTE... 472 00:21:27,320 --> 00:21:28,521 ...POSITIVE I.D. FIRST. 473 00:21:28,555 --> 00:21:30,657 AND... AND HOW DO YOU DO THAT, SHERIFF? 474 00:21:30,690 --> 00:21:31,491 METRO DADE, MISSY. 475 00:21:31,524 --> 00:21:34,494 I SAID HOW DO YOU MAKE A POSITIVE I.D.? 476 00:21:34,527 --> 00:21:36,463 I KNOW SHE'S NEVER DONE A LIVE FEED, VIC, 477 00:21:36,496 --> 00:21:37,364 BUT I'VE DONE LIVE FEEDS, 478 00:21:37,397 --> 00:21:39,332 SO IF SHE CAN'T CUT IT, I'LL DO IT, OK? 479 00:21:39,366 --> 00:21:41,300 WE CAN CALL THIS ONE JUAN DOE. 480 00:21:41,334 --> 00:21:43,636 HIS NAME IS JUAN DOE? 481 00:21:43,670 --> 00:21:44,671 HA HA HA... HA HA HA... 482 00:21:44,704 --> 00:21:47,039 OR IS THAT YOUR WAY OF SUGGESTING 483 00:21:47,073 --> 00:21:48,675 THAT THIS PARTICULAR JOHN DOE, 484 00:21:48,708 --> 00:21:52,545 OR UNIDENTIFIED PERSON, IS OR WAS SPANISH SPEAKING? 485 00:21:52,579 --> 00:21:54,046 CUTE, MISSY. 486 00:21:54,080 --> 00:21:55,348 ALL RIGHT, NOW, LISTEN, 487 00:21:55,382 --> 00:21:57,650 I'M GONNA ASK YOU ALL JUST TO BEAR WITH US AND BE PATIENT HERE... 488 00:21:57,684 --> 00:21:59,719 FIRST THING... STAY UPWIND. 489 00:21:59,752 --> 00:22:01,153 WHICH WAY IS UPWIND? 490 00:22:01,187 --> 00:22:02,622 AWAY FORM THE STINK. 491 00:22:02,655 --> 00:22:05,792 FLOATERS STINK BECAUSE THEIR STOMACHS FILL WITH GAS. 492 00:22:05,825 --> 00:22:06,793 THAT'S WHAT BRINGS THEM UP. 493 00:22:06,826 --> 00:22:08,027 SOMETIMES THEY POP. 494 00:22:08,060 --> 00:22:09,295 WE CAN SHOOT RIGHT HERE. 495 00:22:09,328 --> 00:22:11,498 BUT... BUT THEY'RE OVER THERE. 496 00:22:11,531 --> 00:22:14,367 OK. RAUL SOTA, DOMINGO KATZ. 497 00:22:14,401 --> 00:22:16,669 COLOMBIANS. DECKHANDS ON THE S.S. BOLIVAR 498 00:22:16,703 --> 00:22:17,670 OUT OF BERENCHIA. 499 00:22:17,704 --> 00:22:19,305 THEY JUMPED SHIP. 500 00:22:19,338 --> 00:22:20,540 I CALLED THE HARBORMASTER. 501 00:22:20,573 --> 00:22:22,575 CALLING THE HARBORMASTER IS WHAT REPORTERS DO. 502 00:22:22,609 --> 00:22:24,043 THEY JUST DON'T SHOW UP ON THE SCENE. 503 00:22:24,076 --> 00:22:26,513 RAUL SOTA AND DOMINGO KATZ. 504 00:22:26,546 --> 00:22:28,047 WE'RE STILL TOO CLOSE. 505 00:22:28,080 --> 00:22:30,650 THE STORM THAT SLAMMED INTO MIAMI YESTERDAY... 506 00:22:30,683 --> 00:22:32,084 NOT YESTERDAY. YESTERDAY'S HISTORY. 507 00:22:32,118 --> 00:22:33,152 NEWS HAPPENS TODAY. 508 00:22:33,185 --> 00:22:35,187 TODAY. FORGET YESTERDAY. 509 00:22:35,221 --> 00:22:36,222 TODAY. OK. 510 00:22:36,255 --> 00:22:37,557 SHOW HER FACE IN CAMERA... 511 00:22:37,590 --> 00:22:39,392 I THINK I'M GONNA FAINT. WHERE'S UPWIND? 512 00:22:39,426 --> 00:22:40,493 NOT WHERE YOU'RE AT. 513 00:22:40,527 --> 00:22:42,595 VIC, ARE YOU WITH ME? 514 00:22:42,629 --> 00:22:44,697 HOW MUCH TIME HAVE WE GOT? 515 00:22:44,731 --> 00:22:45,732 OK. 516 00:22:45,765 --> 00:22:48,267 A MINUTE AND 12 SECONDS TO COME UP WITH A LEAD-IN. 517 00:22:48,300 --> 00:22:50,002 OK. NOW, WH-WHAT ARE YOU DOING? 518 00:22:50,036 --> 00:22:51,037 THIS ISN'T ABOUT LIPSTICK. 519 00:22:51,070 --> 00:22:52,104 THIS IS ABOUT THEM... 520 00:22:52,138 --> 00:22:53,272 RAUL SOTA, DOMINGO KATZ. 521 00:22:53,305 --> 00:22:55,107 2 GUYS JUMP SHIP FOR THE LAND OF PLENTY, 522 00:22:55,141 --> 00:22:57,076 AND THEY DROWN 25 FEET FROM GETTING IT. 523 00:22:57,109 --> 00:22:59,111 PEOPLE LIKE RAUL SOTA AND DOMINGO KATZ 524 00:22:59,145 --> 00:23:00,613 DON'T GET TAUGHT HOW TO SWIM. 525 00:23:00,647 --> 00:23:02,582 THAT'S WHAT THIS STORY'S ABOUT, NOT MAKEUP. 526 00:23:02,615 --> 00:23:04,451 VIC? ONE MINUTE. 527 00:23:04,484 --> 00:23:07,754 OK. IN THE BLUE WATER OFF MIAMI TODAY... 528 00:23:07,787 --> 00:23:09,355 MIAMI BEACH TODAY. 529 00:23:09,388 --> 00:23:10,757 RAUL SOTA, DOMINGO KATZ... 530 00:23:10,790 --> 00:23:12,425 WHAT DID THEY DIE FOR, WHAT DID THEY WANT? 531 00:23:12,459 --> 00:23:14,727 IN THE BLUE WATER OFF MIAMI BEACH TODAY, 532 00:23:14,761 --> 00:23:15,762 DIVERS... 533 00:23:15,795 --> 00:23:17,564 HOLD THE DIVERS. HOLD THE DIVERS. 534 00:23:17,597 --> 00:23:19,298 LEAD WITH RAUL SOTA AND DOMINGO KATZ. 535 00:23:19,331 --> 00:23:20,299 I'LL TELL YOU WHAT TO SAY. 536 00:23:20,332 --> 00:23:21,300 I KNOW WHAT TO SAY. 537 00:23:21,333 --> 00:23:22,535 WELL, THEN SAY IT! 538 00:23:22,569 --> 00:23:24,303 RAUL SOTA AND DOMINGO K... 539 00:23:24,336 --> 00:23:25,538 RAUL SOTA AND DOMINGO... 540 00:23:25,572 --> 00:23:27,273 25 FEET FROM THE BIG ENCHILADA. 541 00:23:27,306 --> 00:23:29,776 25 FEET FROM THE PROMISED LAND. 542 00:23:29,809 --> 00:23:32,111 25 FEET FROM WALKING DOWN COLLINS AVENUE 543 00:23:32,144 --> 00:23:34,447 AND A JOB BUSSING DISHES AT THE BLUE. 544 00:23:34,481 --> 00:23:37,249 DO YOU HAVE ANY IDEA WHAT IT'S LIKE TO WANT SOMETHING THAT BAD? 545 00:23:37,283 --> 00:23:38,250 Ned: 10 SECONDS, WARREN. 546 00:23:38,284 --> 00:23:39,251 ANSWER ME. DO YOU? 547 00:23:39,285 --> 00:23:40,252 YES. 548 00:23:40,286 --> 00:23:41,253 THEN SHOW ME. 549 00:23:41,287 --> 00:23:42,455 ROB CAN'T STRETCH. 550 00:23:42,489 --> 00:23:44,423 SHE'S ON IN 7 SECONDS... 6... 5... 551 00:23:44,457 --> 00:23:45,758 TELL ME A STORY. 552 00:23:45,792 --> 00:23:50,463 4... 3... 2... 553 00:23:50,497 --> 00:23:53,332 2 MEN DROWNED TODAY OFF MIAMI BEACH. 554 00:23:53,365 --> 00:23:55,301 RAUL SOTA AND DOMINGO KATZ 555 00:23:55,334 --> 00:23:57,136 DID NOT BELONG IN THE LUXURIOUS CABANAS 556 00:23:57,169 --> 00:23:58,671 THAT LINE THIS STRETCH OF THE BEACH. 557 00:23:58,705 --> 00:24:00,139 THEY JUMPED SHIP. 558 00:24:00,172 --> 00:24:02,809 THEY WANTED TO COME TO AMERICA, AND THEY DIED... 559 00:24:02,842 --> 00:24:06,579 25 FEET FROM WHAT THEY MUST HAVE SEEN AS THE PROMISED LAND. 560 00:24:06,613 --> 00:24:09,281 WERE THESE MEN SEEKING ASYLUM, TALLY? 561 00:24:09,315 --> 00:24:14,420 UH, ALL WE KNOW, ROB, IS THAT A PILGRIMAGE TO EL NORTE 562 00:24:14,453 --> 00:24:16,989 THAT BEGAN IN BERENCHIA, COLOMBIA, 563 00:24:17,023 --> 00:24:20,426 SPELLED DEATH TODAY FOR RAUL SOTA AND DOMINGO KATZ. 564 00:24:20,459 --> 00:24:24,263 THIS IS TALLY ATWATER ON MIAMI BEACH. 565 00:24:24,296 --> 00:24:25,264 YES! 566 00:24:25,297 --> 00:24:26,666 GIRL'S GOT CHOPS. 567 00:24:31,403 --> 00:24:32,805 THANK YOU. 568 00:24:32,839 --> 00:24:35,207 I WAS WONDERING IF YOU COULD SAY THAT. 569 00:24:49,021 --> 00:24:51,691 THAT WAS NICE WORK ON THE ALIENS. 570 00:24:51,724 --> 00:24:53,192 THANKS. 571 00:24:53,225 --> 00:24:55,461 IT MADE ME REFLECT ON 572 00:24:55,494 --> 00:24:58,464 HOW MANY OF THEM EVERY DAY 573 00:24:58,497 --> 00:25:01,033 ACTUALLY GET IN. 574 00:25:01,067 --> 00:25:02,635 FOOD FOR THOUGHT. 575 00:25:04,503 --> 00:25:07,006 I'VE NEVER THOUGHT OF IT THAT WAY, ROB. 576 00:25:07,039 --> 00:25:09,576 A LITTLE ADVICE FROM UNCLE ROB. 577 00:25:10,677 --> 00:25:12,579 WATCH WARREN. 578 00:25:12,612 --> 00:25:15,414 DON'T LET HIM BRING YOU ALONG TOO FAST. 579 00:25:17,083 --> 00:25:19,051 YOU FEEL YOU NEED A MENTOR... 580 00:25:20,352 --> 00:25:23,222 ROB-ERINO. 581 00:25:23,255 --> 00:25:25,357 THANKS. 582 00:25:25,391 --> 00:25:26,693 OK. 583 00:25:42,609 --> 00:25:45,612 ON TONIGHT'S ASSIGNMENT EARTH... 584 00:25:45,645 --> 00:25:47,614 SELLING DIRTY AIR. 585 00:25:47,647 --> 00:25:50,216 ENTIENDE USTED... 586 00:25:51,150 --> 00:25:53,452 ENTIENDE... 587 00:25:56,322 --> 00:25:59,358 ME FALTA PRACTICA. 588 00:25:59,391 --> 00:26:01,460 WHEN ORIANA FALACCI INTERVIEWED FIDEL CASTRO, 589 00:26:01,493 --> 00:26:03,462 SHE DID IT IN SPANISH. 590 00:26:03,495 --> 00:26:07,233 WELL, BEFORE YOU SET UP YOUR ONE-ON-ONE WITH FIDEL, 591 00:26:07,266 --> 00:26:10,136 YOU MIGHT WANT TO GET A NEW JACKET OR TWO. 592 00:26:10,169 --> 00:26:13,272 WE HAVE A CONSULTANT THAT WE USE... INEZ CIFUENTES. 593 00:26:14,607 --> 00:26:15,642 OK. 594 00:26:15,675 --> 00:26:17,610 WE HAVE A BUDGET FOR IT. 595 00:26:17,644 --> 00:26:19,712 WE DON'T WANT THE LOOK TO GET IN THE WAY. 596 00:26:27,486 --> 00:26:31,457 NOW, WARREN SAID TO KEEP A LITTLE EDGE. 597 00:26:31,490 --> 00:26:33,292 THANK YOU. 598 00:26:34,493 --> 00:26:38,130 IT'S A "WHEN DID YOU STOP BEATING YOUR WIFE" KINDA DEAL. 599 00:26:38,164 --> 00:26:40,633 DIAZ ISN'T GOING TO ADMIT HE'S TAKING MONEY, 600 00:26:40,667 --> 00:26:44,136 SO IF YOU CAN GET HIM NOT ANSWERING THE QUESTION ON CAMERA, 601 00:26:44,170 --> 00:26:45,471 WELL, THEN YOU'VE TOLD THE STORY. 602 00:26:45,504 --> 00:26:46,639 AND ANOTHER THING... 603 00:26:46,673 --> 00:26:48,474 WELL, THAT'S NICE. 604 00:26:49,608 --> 00:26:51,510 EDGY ENOUGH FOR YOU? 605 00:26:54,446 --> 00:26:57,316 INEZ, YOU CAN DO SOMETHING ABOUT THE HAIR? 606 00:27:00,687 --> 00:27:03,089 I'M NOT CUTTING MY HAIR. 607 00:27:03,122 --> 00:27:04,991 NED, COME ON. GET AHEAD OF ME. 608 00:27:06,158 --> 00:27:07,526 SORRY. EXCUSE ME. 609 00:27:07,559 --> 00:27:10,162 [MAN GIVING SPEECH IN SPANISH] 610 00:27:11,664 --> 00:27:13,465 WE'LL WIN, WE'LL WIN. 611 00:27:13,499 --> 00:27:16,803 UH, CONGRESSMAN, HOW DO YOU ANSWER ALLEGATIONS 612 00:27:16,836 --> 00:27:18,370 THAT YOU PROFITED FROM DRUG MONEY? 613 00:27:18,404 --> 00:27:20,139 THAT IS NO LONGER AN ISSUE. 614 00:27:20,172 --> 00:27:21,473 ISN'T IT TRUE THAT YOUR CAMPAIGN 615 00:27:21,507 --> 00:27:23,676 RECEIVED SIZABLE CONTRIBUTIONS 616 00:27:23,710 --> 00:27:27,046 FROM AT LEAST ONE FOREIGN-BASED INDIVIDUAL? 617 00:27:27,079 --> 00:27:29,315 CONGRESSMAN. 618 00:27:29,348 --> 00:27:31,283 CONGRESSMAN. 619 00:27:31,317 --> 00:27:33,319 WOULD YOU LIKE TO TAKE THIS OPPORTUNITY 620 00:27:33,352 --> 00:27:35,287 TO CLEAR UP THESE ALLEGATIONS? 621 00:27:35,321 --> 00:27:39,291 JUST TELL HIM I GOT THE MOTHER OF THE SEX CHANGE BOY. 622 00:27:39,325 --> 00:27:41,694 PROBABLY BECAUSE DONAHUE WAS A SEX CHANGE BOY. 623 00:27:43,329 --> 00:27:45,164 YEAH, I KNOW SHE'S A SECOND-TIER. 624 00:27:45,197 --> 00:27:46,298 I ALSO KNOW SHE'S AVAILABLE. 625 00:27:46,332 --> 00:27:48,000 200 YEARS OF A FREE PRESS, 626 00:27:48,034 --> 00:27:51,237 AND WE'RE DOWN TO THE MOTHER OF A SEX CHANGE BOY. 627 00:27:51,270 --> 00:27:53,572 NO, THERE'S NO POINT IN TRYING TO GET LOCAL COLOR HERE. 628 00:27:53,605 --> 00:27:56,342 TELL HIM THAT. JUST GET ME INTO HAVANA ON THURSDAY. 629 00:27:56,375 --> 00:27:59,145 3, 2, 1. 630 00:27:59,178 --> 00:28:03,315 BEHIND THOSE SMOKE-GLASS WINDOWS IN DOWNTOWN MIAMI TODAY... 631 00:28:04,383 --> 00:28:07,186 BET THAT ONE'S YOURS. 632 00:28:07,219 --> 00:28:08,387 YOU WIN. 633 00:28:08,420 --> 00:28:10,322 GOT IT? 634 00:28:11,590 --> 00:28:13,659 ASSHOLE DIAZ. 635 00:28:14,693 --> 00:28:16,763 TALLY ATWATER, JOANNA KENNELLY. 636 00:28:18,765 --> 00:28:20,566 JOANNA'S MY EX-WIFE. 637 00:28:22,268 --> 00:28:23,770 WELL, ONE OF THEM. 638 00:28:23,803 --> 00:28:25,371 THE ONE THAT LEFT ME IN WASHINGTON 639 00:28:25,404 --> 00:28:27,439 AS OPPOSED TO THE ONE THAT LEFT ME IN NEW ORLEANS. 640 00:28:27,473 --> 00:28:29,341 JOANNA'S ON HER WAY TO HAVANA. 641 00:28:29,375 --> 00:28:31,610 WHY DON'T YOU COME WITH ME? 642 00:28:31,643 --> 00:28:34,213 WELL, YOU COULD THINK ABOUT IT. 643 00:28:36,115 --> 00:28:38,084 DO YOU REALLY EXPECT TO GET A STATEMENT FROM DIAZ? 644 00:28:38,117 --> 00:28:40,186 TALLY, LET ME SHOW YOU THE BEAUTY OF TELEVISION NEWS. 645 00:28:40,219 --> 00:28:42,621 I EXPECTED TO GET HIM ON CAMERA, 646 00:28:42,654 --> 00:28:43,689 AND I DID. 647 00:28:43,722 --> 00:28:45,191 OF COURSE YOU DID. 648 00:28:45,224 --> 00:28:47,459 GET PLENTY OF AMBIENT NOISE, OK? 649 00:28:47,493 --> 00:28:48,694 AND BALLOONS. 650 00:28:48,727 --> 00:28:50,229 HOW WOULD YOU DO IT? 651 00:28:50,262 --> 00:28:52,131 OH, PERFECTLY. 652 00:28:52,164 --> 00:28:54,033 I LOVE BALLOONS. 653 00:29:00,639 --> 00:29:02,474 HERE, LOOK AT THIS. 654 00:29:02,508 --> 00:29:04,276 CONGRESSMAN, CONGRESSMAN. 655 00:29:07,146 --> 00:29:08,447 WATCH THIS. 656 00:29:11,483 --> 00:29:14,453 AND YOU DISSOLVE FROM THE WINDOW... 657 00:29:14,486 --> 00:29:17,323 TO YOU, LIKE THIS. 658 00:29:17,356 --> 00:29:20,292 THEN...[PUNCHING KEYS] 659 00:29:20,326 --> 00:29:22,161 LAY IN THE SOUND. 660 00:29:24,096 --> 00:29:27,499 Tape: BEHIND THOSE SMOKE-GLASS WINDOWS IN DOWNTOWN MIAMI TODAY 661 00:29:27,533 --> 00:29:31,437 IS CONGRESSMAN JORGE DIAZ, WHO WAS... 662 00:29:31,470 --> 00:29:33,272 [REWINDING TAPE] 663 00:29:33,305 --> 00:29:37,276 SO, YOU AND JOANNA... 664 00:29:37,309 --> 00:29:39,145 JOANNA... 665 00:29:39,178 --> 00:29:41,113 THOUGHT I WAS A CAPITOL HILL INSIDER, 666 00:29:41,147 --> 00:29:43,149 WHICH AT THE TIME I WAS. 667 00:29:43,182 --> 00:29:47,253 WE WERE A CUTE COUPLE ON THE SUNDAY SHOWS FOR A WHILE. 668 00:29:47,286 --> 00:29:49,688 BUT BEING AROUND IN THE MORNING... 669 00:29:49,721 --> 00:29:52,691 ISN'T MY LONG SUIT. 670 00:29:52,724 --> 00:29:55,627 SEE, YOU GOT YOUR QUESTIONS, 671 00:29:55,661 --> 00:29:57,997 GOT YOUR AMBIENT NOISE AT THE RALLY. 672 00:29:59,465 --> 00:30:02,334 CAN'T IMAGINE IT'S YOUR LONG SUIT, EITHER. 673 00:30:03,469 --> 00:30:05,304 MAYBE NOT. 674 00:30:09,175 --> 00:30:11,210 SO WE KEEP IT LOOSE, 675 00:30:11,243 --> 00:30:12,644 WE KEEP IT OPEN, 676 00:30:12,678 --> 00:30:15,681 AND IF WE GET LUCKY... 677 00:30:19,685 --> 00:30:21,287 GOLD. 678 00:30:32,231 --> 00:30:34,133 WE HEAR YOU. 679 00:30:37,503 --> 00:30:40,172 YOU AND JOANNA HAVE ANY CHILDREN? 680 00:30:42,841 --> 00:30:44,476 NO. 681 00:30:45,577 --> 00:30:46,545 IRIS AND I HAD... 682 00:30:46,578 --> 00:30:47,546 IRIS? 683 00:30:47,579 --> 00:30:48,714 YEAH, MY FIRST WIFE. 684 00:30:48,747 --> 00:30:51,517 WE HAD A LITTLE GIRL. 685 00:30:51,550 --> 00:30:54,720 SHE LIVED A WEEK, 8 DAYS. 686 00:30:59,525 --> 00:31:02,061 YOU HAVE FAMILY? 687 00:31:02,094 --> 00:31:03,729 MM-HMM. A SISTER. 688 00:31:03,762 --> 00:31:05,431 YOU CLOSE? 689 00:31:05,464 --> 00:31:08,367 MM-HMM. I RAISED HER AFTER MY MOTHER DIED. 690 00:31:09,635 --> 00:31:14,106 OUR MOM TOTALED THE CAR ON MOUNT ROSE HIGHWAY. 691 00:31:14,140 --> 00:31:16,075 SHE ALWAYS WANTED TO SING IN A LOUNGE, 692 00:31:16,108 --> 00:31:17,409 BUT SHE NEVER DID. 693 00:31:17,443 --> 00:31:20,212 SHE HAD THIS WHOLE PATTI PAGE SET. 694 00:31:20,246 --> 00:31:23,115 SHE WAS OK. 695 00:31:27,553 --> 00:31:30,222 LOOK... 696 00:31:30,256 --> 00:31:32,624 I'VE BEEN HERE BEFORE. 697 00:31:32,658 --> 00:31:35,761 SO HAVE I. 698 00:31:40,332 --> 00:31:41,700 [TELEPHONE RINGS] 699 00:31:43,469 --> 00:31:45,104 [RING] 700 00:31:47,406 --> 00:31:49,275 [RING] 701 00:31:50,809 --> 00:31:52,611 NEWSROOM. JUSTICE. 702 00:31:54,446 --> 00:31:56,983 JUST A MINUTE. 703 00:31:57,016 --> 00:31:58,050 FOR YOU. 704 00:31:58,084 --> 00:31:59,385 FOR ME? 705 00:32:04,690 --> 00:32:06,658 THIS IS TALLY. 706 00:32:07,659 --> 00:32:09,495 HI. 707 00:32:17,369 --> 00:32:19,138 I'LL CALL YOU WHEN I GET HOME. 708 00:32:30,016 --> 00:32:31,350 I NEED TO TAKE A FEW DAYS OFF. 709 00:32:31,383 --> 00:32:32,351 SOMETHING WRONG? 710 00:32:32,384 --> 00:32:33,352 NO. NOTHING'S WRONG. 711 00:32:33,385 --> 00:32:35,021 BUT YOU HAVE TO TAKE SOME DAYS OFF. 712 00:32:35,054 --> 00:32:37,423 IT'S PERSONAL, OK? 713 00:32:52,071 --> 00:32:53,305 [CRYING] 714 00:32:53,339 --> 00:32:54,673 IT'S OK. IT'S OK. 715 00:32:59,578 --> 00:33:01,313 IT'S GONNA BE ALL RIGHT, LUANNE. 716 00:33:01,347 --> 00:33:03,349 I'LL GET THE MONEY. I'M HERE. 717 00:33:11,023 --> 00:33:13,059 IT'S NOT ABOUT ECONOMIC CHAOS 718 00:33:13,092 --> 00:33:14,493 OR POLITICAL UNCERTAINTY. 719 00:33:14,526 --> 00:33:16,395 TONIGHT AT 6:00, THE CHANNEL 9 NEWS TEAM... 720 00:33:16,428 --> 00:33:18,330 ABOUT THAT OMEGA-7 STORY... 721 00:33:18,364 --> 00:33:19,698 YEAH. DID IT MAKE A SEVENTH PAROLE HEARING? 722 00:33:19,731 --> 00:33:21,467 LET STEVE DO IT. 723 00:33:21,500 --> 00:33:22,701 AND IF TALLY'S BACK TOMORROW AFTERNOON, 724 00:33:22,734 --> 00:33:24,170 SHE CAN DO AN ACTION WRAP-UP. 725 00:33:24,203 --> 00:33:26,138 I WOULDN'T COUNT ON THAT. 726 00:33:28,507 --> 00:33:32,311 YOU WANT ME TO GET ACCOUNTING TO WIRE HER THE CASH ADVANCE? 727 00:33:35,047 --> 00:33:36,182 NO. 728 00:33:36,215 --> 00:33:37,416 I'LL TAKE CARE OF IT. 729 00:33:37,449 --> 00:33:41,053 TELL DAN I HEAR ARNIE POOLE'S CONTRACT'S UP IN SAN FRANCISCO, 730 00:33:41,087 --> 00:33:44,356 AND I JUST MIGHT GET HIM A NEW WEATHERMAN. 731 00:33:54,766 --> 00:33:57,669 1, 20, 40, 60, 80, 2... 732 00:33:57,703 --> 00:34:00,372 75. 733 00:34:00,406 --> 00:34:02,441 IT'S NOT MY PROBLEM IF HER BOYFRIEND SKIPS OUT ON HER 734 00:34:02,474 --> 00:34:03,675 AND STEALS HER MONEY. 735 00:34:03,709 --> 00:34:06,011 I WANT THE RENT N-O-W, NOW. 736 00:34:06,044 --> 00:34:07,346 I'LL GET IT TO YOU TOMORROW. 737 00:34:07,379 --> 00:34:08,447 I MEAN IN FULL. 738 00:34:08,480 --> 00:34:10,782 I TOLD HER THAT OR ELSE I GOTTA GET THE MARSHAL IN. 739 00:34:10,816 --> 00:34:12,251 I'LL GET THE REST OF IT TOMORROW. 740 00:34:12,284 --> 00:34:14,220 TOMORROW'S TODAY. PAY UP OR OUT LUANNE GOES. 741 00:34:14,253 --> 00:34:15,221 HOW MUCH? 742 00:34:15,254 --> 00:34:18,056 HUH? 743 00:34:18,090 --> 00:34:19,525 WHAT ARE YOU DOING HERE? 744 00:34:19,558 --> 00:34:21,026 I'M ON MY WAY TO SAN FRANCISCO 745 00:34:21,059 --> 00:34:23,229 TO BUY DAN SOME HAPPY WEATHER. HOW MUCH? 746 00:34:23,262 --> 00:34:25,297 SHE'S 550 SHORT. 747 00:34:28,134 --> 00:34:29,768 EXTRA GOES ON ACCOUNT. 748 00:34:29,801 --> 00:34:31,703 LET'S GO. 749 00:34:32,571 --> 00:34:35,641 DID YOU INTERVIEW YOU ANY CELEBRITIES? 750 00:34:35,674 --> 00:34:37,609 COME ON. 751 00:34:43,515 --> 00:34:46,084 YOU STILL GET A RUSH OUT OF HUMILIATING ME. 752 00:34:46,118 --> 00:34:47,153 I DIDN'T COME HERE FOR A RUSH. 753 00:34:47,186 --> 00:34:48,654 OH, THEN WHAT DID YOU COME HERE FOR? 754 00:34:48,687 --> 00:34:50,289 I HAD A HUNCH. YOU HAD A HUNCH? 755 00:34:50,322 --> 00:34:51,790 YOU HAD A HUNCH YOU COULD WALK IN HERE 756 00:34:51,823 --> 00:34:54,393 AND GET THE STORY ON ME AND MY SISTER. 757 00:34:54,426 --> 00:34:56,462 I HAVE NO INTEREST IN YOUR SISTER. I DON'T EVEN KNOW YOUR SISTER. 758 00:34:56,495 --> 00:34:57,796 I JUST MET HER A FEW MINUTES AGO. 759 00:34:57,829 --> 00:34:59,265 WHY DON'T YOU GET HER IN DEPTH 760 00:34:59,298 --> 00:35:01,633 WASHING HER UNDERWEAR IN THE BATHROOM SINK 761 00:35:01,667 --> 00:35:03,169 NEXT TO THE CHEMICAL TOILET? 762 00:35:03,202 --> 00:35:04,770 LOOK, YOU ASKED FOR CASH. I PROVIDED IT. 763 00:35:04,803 --> 00:35:06,138 OVER AND OUT. 764 00:35:06,172 --> 00:35:07,606 YOU PROVIDED IT? 765 00:35:07,639 --> 00:35:11,143 WHAT EXACTLY DO YOU TAKE ME FOR? 766 00:35:11,177 --> 00:35:12,511 NO, WAIT A MINUTE. YOU COME HERE 767 00:35:12,544 --> 00:35:13,579 AND YOU SPREAD BILLS AROUND 768 00:35:13,612 --> 00:35:16,448 LIKE YOU PICKED ME UP IN SOME BAR OFF FREMONT STREET 769 00:35:16,482 --> 00:35:18,184 IN FRONT OF THAT ASSHOLE! 770 00:35:18,217 --> 00:35:20,018 YOU HAVE NO BUSINESS HERE. 771 00:35:20,051 --> 00:35:21,587 HOLD A MINUTE. HOLD ON. 772 00:35:21,620 --> 00:35:22,688 YOU WORK FOR ME. 773 00:35:22,721 --> 00:35:25,123 YOU ANNOUNCE YOU'RE TAKING OFF. 774 00:35:25,157 --> 00:35:27,125 YOU FORGET ABOUT THE PART IF IT'S OK WITH ME. 775 00:35:27,159 --> 00:35:28,627 YOU SHOOT OFF A FAX DEMANDING CASH. 776 00:35:28,660 --> 00:35:30,196 I'M NOT ALLOWED TO WONDER WHY? 777 00:35:30,229 --> 00:35:31,497 AND YOU FIGURED YOU'D DO ME THIS BIG FAVOR 778 00:35:31,530 --> 00:35:32,531 AND I'D OWE YOU. 779 00:35:32,564 --> 00:35:33,532 WELL, THAT WAS MY MISTAKE. 780 00:35:33,565 --> 00:35:35,434 EVERY GIRL I GREW UP WITH 781 00:35:35,467 --> 00:35:38,604 ENDED UP THINKING SHE OWED SOME GUY. 782 00:35:38,637 --> 00:35:40,206 THIS DOESN'T INTEREST ME. 783 00:35:44,176 --> 00:35:47,145 I WAS GONNA GET US OUT OF HERE. 784 00:35:47,179 --> 00:35:49,215 I REMEMBER TELLING LUANNE 785 00:35:49,248 --> 00:35:51,483 WE'LL GET AN APARTMENT ON THE UPPER WEST SIDE 786 00:35:51,517 --> 00:35:53,018 BECAUSE I READ IN SOME MAGAZINE 787 00:35:53,051 --> 00:35:54,686 THAT SAID DIANE SAWYER LIVED THERE. 788 00:35:54,720 --> 00:35:57,456 I DIDN'T KNOW THE UPPER WEST SIDE OF WHAT. 789 00:35:57,489 --> 00:36:01,527 I JUST KNEW I HAD TO GET US THERE. 790 00:36:01,560 --> 00:36:02,561 THAT'S WHAT HAPPENS. 791 00:36:02,594 --> 00:36:04,296 SOME GUY COMES ALONG AND... 792 00:36:04,330 --> 00:36:06,698 NO MORE UPPER WEST SIDE. 793 00:36:06,732 --> 00:36:09,568 DOES THAT INTEREST YOU? 794 00:36:09,601 --> 00:36:11,637 THAT INTERESTS ME. 795 00:36:22,348 --> 00:36:26,184 I NEED ANOTHER COUPLE OF DAYS 796 00:36:26,218 --> 00:36:28,520 TO MAKE SURE SHE'S ALL RIGHT. 797 00:36:31,223 --> 00:36:34,159 IF THAT'S OK WITH YOU. 798 00:36:34,192 --> 00:36:36,595 IT'S PERFECTLY OK WITH ME. 799 00:36:43,802 --> 00:36:45,437 P.A.: ATTENTION, PASSENGERS, 800 00:36:45,471 --> 00:36:47,239 THIS IS THE FINAL BOARDING CALL 801 00:36:47,273 --> 00:36:49,775 FOR FLIGHT 804 TO SAN FRANCISCO. 802 00:36:49,808 --> 00:36:52,744 ALL REMAINING PASSENGERS SHOULD BOARD NOW. 803 00:36:58,250 --> 00:37:00,118 SO TAKE AS LONG AS YOU NEED. 804 00:37:00,151 --> 00:37:04,256 I DIDN'T WANT YOU TO SEE ANY OF THIS. 805 00:37:04,290 --> 00:37:06,124 SO WHAT? 806 00:37:28,179 --> 00:37:30,248 Warren, on video: WE'VE COMPLETELY IGNORED THE FACT 807 00:37:30,282 --> 00:37:33,719 THAT THIS IS A SOCIETY DIVIDED BY FEAR, HATRED, 808 00:37:33,752 --> 00:37:35,487 AND VIOLENCE. 809 00:37:35,521 --> 00:37:37,055 NOT TRUE. 810 00:37:37,088 --> 00:37:38,624 WE HAVEN'T DISCUSSED... 811 00:37:38,657 --> 00:37:41,427 "PROMISES AND PIE CRUSTS ARE MADE TO BE BROKEN," 812 00:37:41,460 --> 00:37:43,128 JONATHAN SWIFT ONCE SAID. 813 00:37:43,161 --> 00:37:45,397 AND THE PRESIDENT'S ENVIRONMENTAL PACKAGE TODAY 814 00:37:45,431 --> 00:37:48,734 RESEMBLED SO MUCH CHERRY PIE CRUST. 815 00:37:48,767 --> 00:37:52,404 A SOUTH VIETNAMESE PLANE STRUCK THE WRONG TARGET HERE TODAY... 816 00:37:52,438 --> 00:37:53,805 THEIR OWN VILLAGE. 817 00:37:53,839 --> 00:37:56,141 NAPALM BURNED A GROUP OF CIVILIANS 818 00:37:56,174 --> 00:37:57,476 RUNNING FOR THEIR LIVES. 819 00:37:57,509 --> 00:38:00,746 HERE IS WHAT WE DO NOT KNOW 820 00:38:00,779 --> 00:38:03,281 ON THIS DAY WHERE OVER 200 U.S. MARINES WERE KILLED 821 00:38:03,315 --> 00:38:05,451 WITH THE DEATH TOLL STILL RISING. 822 00:38:05,484 --> 00:38:08,186 WE DO NOT KNOW WHY THERE WAS NO PERIMETER DEFENSE SET UP 823 00:38:08,219 --> 00:38:10,288 THAT MIGHT HAVE STOPPED THE SUICIDE BOMBER. 824 00:38:10,322 --> 00:38:12,190 WE DO NOT KNOW WHAT ROLE 825 00:38:12,223 --> 00:38:13,659 THESE MARINES WERE SUPPOSED TO PLAY 826 00:38:13,692 --> 00:38:15,026 IN THIS WAR-RAVAGED CITY. 827 00:38:15,060 --> 00:38:18,296 WE DO NOT KNOW WHY THEY WERE EVEN HERE. 828 00:38:18,330 --> 00:38:20,699 AND SO AT THE END OF THIS TERRIBLE DAY, 829 00:38:20,732 --> 00:38:24,135 WHAT WE DO KNOW IS THAT OVER 200 MARINES DIED 830 00:38:24,169 --> 00:38:25,604 WITHOUT KNOWING WHY. 831 00:38:25,637 --> 00:38:29,541 THIS IS WARREN JUSTICE, IBS NEWS, BEIRUT, LEBANON. 832 00:38:29,575 --> 00:38:31,810 Reporter: WARREN JUSTICE STEPPED DOWN TODAY 833 00:38:31,843 --> 00:38:35,381 AS CHIEF WHITE HOUSE CORRESPONDENT FOR IBS. 834 00:38:35,414 --> 00:38:37,349 AN AWARD-WINNING JOURNALIST, 835 00:38:37,383 --> 00:38:41,152 JUSTICE HAS BEEN A PROMINENT FIGURE AT IBS... 836 00:38:41,186 --> 00:38:44,189 Tally: SO, WHAT IS IT LIKE WORKING AT THE NETWORK? 837 00:38:45,424 --> 00:38:47,058 Warren: YOU THINK YOU GET TO THE NETWORK 838 00:38:47,092 --> 00:38:49,728 AND LOOK BACK AT EVERYBODY THAT MADE YOU EAT IT 839 00:38:49,761 --> 00:38:51,129 AND SAY, "UP YOURS," 840 00:38:51,162 --> 00:38:52,631 BUT IT'S NOT LIKE THAT. 841 00:38:52,664 --> 00:38:54,366 WHAT IS IT LIKE? 842 00:38:54,400 --> 00:38:55,501 IT'S HARD. 843 00:38:55,534 --> 00:38:58,637 FUN. 844 00:38:58,670 --> 00:39:00,706 WHY DID YOU LEAVE? 845 00:39:00,739 --> 00:39:03,709 IT STOPPED BEING FUN. 846 00:39:03,742 --> 00:39:05,577 TELL ME ABOUT THESE DUMB CONTESTS 847 00:39:05,611 --> 00:39:08,046 YOU USED TO ENTER WITH, UH, TAWNY. 848 00:39:08,079 --> 00:39:09,047 TAWNY BUTTON. 849 00:39:09,080 --> 00:39:10,582 WHY DON'T YOU TELL ME WHY IT STOPPED BEING FUN. 850 00:39:10,616 --> 00:39:12,484 YOU LIKE A CONTEST? 851 00:39:14,753 --> 00:39:15,721 THE CONTEST. 852 00:39:15,754 --> 00:39:17,155 CONTEST. 853 00:39:19,425 --> 00:39:21,560 MISS STATE LINE, MISS TRUCKEE, 854 00:39:21,593 --> 00:39:25,030 MISS TAHOE, MISS SIERRA LOGGER. 855 00:39:25,063 --> 00:39:26,064 OOH. 856 00:39:26,097 --> 00:39:27,433 I'LL TELL YOU A SECRET. 857 00:39:27,466 --> 00:39:28,767 I'D KEEP SIERRA LOGGER A SECRET. 858 00:39:28,800 --> 00:39:31,670 NO. THE SECRET IS IN NOT ONE OF THEM 859 00:39:31,703 --> 00:39:33,672 DID I FINISH IN THE TOP 5. 860 00:39:33,705 --> 00:39:35,073 SO WHAT'D YOU DO FOR TALENT? 861 00:39:35,106 --> 00:39:37,776 DID YOU BY ANY CHANCE SING FEELINGS? 862 00:39:37,809 --> 00:39:39,545 NO. FOR YOUR INFORMATION, 863 00:39:39,578 --> 00:39:42,347 I DID NOT BY ANY CHANCE SING FEELINGS. 864 00:39:47,318 --> 00:39:52,758 ♪ TO DREAM THE IMPOSSIBLE DREAM ♪ 865 00:39:52,791 --> 00:39:58,396 ♪ TO FIGHT THE UNBEATABLE FOE ♪ 866 00:39:58,430 --> 00:40:04,536 ♪ TO BEAR WITH UNBEARABLE SORROW ♪ 867 00:40:04,570 --> 00:40:11,076 ♪ TO RUN WHERE THE BRAVE DARE NOT GO ♪ 868 00:40:11,109 --> 00:40:16,314 ♪ TO RIGHT THE UNRIGHTABLE WRONG ♪ 869 00:40:16,347 --> 00:40:22,488 ♪ TO LOVE PURE AND CHASTE FROM AFAR ♪ 870 00:40:22,521 --> 00:40:28,760 ♪ TO TRY WHEN YOUR ARMS ARE TOO WEARY ♪ 871 00:40:28,794 --> 00:40:36,802 ♪ TO REACH THE UNREACHABLE STAR ♪ 872 00:40:36,835 --> 00:40:42,608 ♪ THIS IS MY QUEST TO FOLLOW THAT STAR ♪ 873 00:40:42,641 --> 00:40:43,642 PHONE SEX IS ON THE RISE. 874 00:40:43,675 --> 00:40:44,643 YEAH, LET HARD COPY DO IT. 875 00:40:44,676 --> 00:40:45,644 WARREN WON'T TOUCH THAT. 876 00:40:45,677 --> 00:40:47,312 ALASKAN WOLVES. 877 00:40:47,345 --> 00:40:48,514 AS IN THE SLAUGHTER OF? 878 00:40:48,547 --> 00:40:53,752 WE HAVE TAPE OF A WOLF CAUGHT IN A TRAP. 879 00:40:53,785 --> 00:40:55,253 YOU GOT TAPE ON THAT? YES. 880 00:40:55,286 --> 00:40:56,254 RUN IT AT 6:00. 881 00:40:56,287 --> 00:40:57,489 WELL, METRO-DADE REPORTS 882 00:40:57,523 --> 00:40:59,457 TOURISTS ROBBERY COMPLAINTS ARE UP 8%. 883 00:40:59,491 --> 00:41:01,259 IT'S NOT A STORY THIS TOWN'S TALKING ABOUT. 884 00:41:01,292 --> 00:41:02,427 DAN AND I WERE... 885 00:41:02,460 --> 00:41:03,428 CORRECTION. 886 00:41:03,461 --> 00:41:04,730 IT'S NOT A STORY THIS TOWN WANTS TO TALK ABOUT. 887 00:41:04,763 --> 00:41:08,534 I DON'T THINK TALLY HAS HER PULSE ON THE FINGER OF THE COMMUNITY 888 00:41:08,567 --> 00:41:09,635 THE WAY I DO, WARREN. 889 00:41:09,668 --> 00:41:11,202 I THINK YOU MEAN FINGER ON THE PULSE 890 00:41:11,236 --> 00:41:12,538 OF THE COMMUNITY, ROB. 891 00:41:12,571 --> 00:41:15,340 ANYWAY... UH, LET'S GET PEOPLE TALKING ABOUT IT. 892 00:41:15,373 --> 00:41:16,808 HARVEY, WHY DON'T YOU GET INTO THAT? 893 00:41:16,842 --> 00:41:19,277 LOOK AT IT AS YOUR FIRST STEP TOWARDS THE PEABODY AWARD. 894 00:41:19,310 --> 00:41:20,812 SOMEBODY GONNA MAKE ME HAPPY? 895 00:41:20,846 --> 00:41:21,647 OH, WAIT, WAIT. 896 00:41:21,680 --> 00:41:24,349 HERE'S A CROSS-DRESSER FROM TALLAHASSEE 897 00:41:24,382 --> 00:41:26,151 WHO GETS ALL THE WAY TO THE FINALS 898 00:41:26,184 --> 00:41:27,819 IN THE MISS FLORIDA CONTEST. 899 00:41:27,853 --> 00:41:29,154 Rob: BORING. 900 00:41:29,187 --> 00:41:30,989 TALLY, MAYBE YOU WANT TO HANDLE THAT. 901 00:41:31,022 --> 00:41:33,224 OH, NO. 902 00:41:33,258 --> 00:41:34,125 NO, I HAVE A HUNCH YOU... 903 00:41:34,159 --> 00:41:36,027 YOU COULD DO A REAL IN-DEPTH PIECE ON IT. 904 00:41:36,061 --> 00:41:38,163 I THINK I'LL PASS. 905 00:41:38,196 --> 00:41:39,665 BUT THINK OF IT, A CROSS-DRESSER FROM TALLAHASSEE 906 00:41:39,698 --> 00:41:43,068 WHO ♪ DREAMS THE IMPOSSIBLE DREAM ♪ 907 00:41:43,101 --> 00:41:45,704 YOU CANNOT BE TRUSTED. 908 00:41:45,737 --> 00:41:47,673 OK... 909 00:41:47,706 --> 00:41:49,140 ANYTHING ELSE? 910 00:41:55,781 --> 00:41:57,749 SO, THIS IS WHERE I LIVE. 911 00:41:57,783 --> 00:41:59,484 IT'S... WHAT? 912 00:41:59,517 --> 00:42:01,386 Police dispatch radio: POSSIBLE 502. 913 00:42:01,419 --> 00:42:04,089 VEHICLE REGISTERED TO SKYLIGHT LIMO. 914 00:42:06,391 --> 00:42:08,059 DO YOU KEEP THIS ON ALL THE TIME? 915 00:42:08,093 --> 00:42:10,495 I FIND IT SOOTHING. 916 00:42:10,528 --> 00:42:13,031 THE SOUND OF HUMAN INIQUITY. 917 00:42:13,064 --> 00:42:16,501 KNOW WHAT A 502 IS? 918 00:42:16,534 --> 00:42:20,271 D.W.I. DRIVING WHILE INTOXICATED. 919 00:42:20,305 --> 00:42:22,107 SKYLIGHT LIMO'S THE ONE THE ROCKERS USE. 920 00:42:22,140 --> 00:42:24,375 PROBABLY A DRUG BUST. 921 00:42:24,409 --> 00:42:27,278 CONTROLLED SUBSTANCES. 922 00:42:28,647 --> 00:42:31,282 TALLY ATWATER REPORTING LIVE. 923 00:42:34,485 --> 00:42:37,589 YOU BETTER GET GOING. 924 00:42:40,659 --> 00:42:42,628 THE NIGHT WE DID THE DIAZ STORY 925 00:42:42,661 --> 00:42:44,262 IN THE EDITING ROOM... 926 00:42:44,295 --> 00:42:45,764 I DIDN'T KNOW YOU THEN. 927 00:42:48,099 --> 00:42:50,602 I'M NOT GONNA BE THE GUY THAT GOES... 928 00:42:50,636 --> 00:42:52,237 NO MORE UPPER WEST SIDE. 929 00:42:52,270 --> 00:42:53,739 SO HOW 'BOUT IT? 930 00:42:55,340 --> 00:42:56,307 FIRST ON THE SCENE, 931 00:42:56,341 --> 00:42:58,076 ONE-ON-ONE WITH THE LEAD GUITAR? 932 00:42:58,109 --> 00:43:01,079 IT'S WHAT YOU WANT, ISN'T IT? 933 00:43:01,112 --> 00:43:03,214 WHAT DO YOU WANT? 934 00:43:11,657 --> 00:43:12,991 EH. 935 00:43:21,266 --> 00:43:22,600 I KNEW YOU'D GO. 936 00:43:25,136 --> 00:43:27,172 TALLY ATWATER SAYING HAPPY NEW YEAR 937 00:43:27,205 --> 00:43:28,674 FROM WMIA CHANNEL 9, 938 00:43:28,707 --> 00:43:31,276 NEWS HEARTBEAT OF THE AMERICAN RIVIERA. 939 00:43:31,309 --> 00:43:33,611 YOU GIVE US 30 MINUTES, AND WE GIVE YOU MIAMI, 940 00:43:33,645 --> 00:43:35,146 Y EL MUNDO. 941 00:43:35,180 --> 00:43:37,282 TV reporter: WE'RE BACK IN TIMES SQUARE... 942 00:43:37,315 --> 00:43:39,584 HAVE YOU EVER MET BUCKY TERRANOVA? 943 00:43:39,617 --> 00:43:41,119 UH-UH. 944 00:43:41,152 --> 00:43:44,322 AGENTS ARE FOR BABES, TAL, NOT FOR GRUNTS. 945 00:43:44,355 --> 00:43:48,026 HE'S COMING TO MIAMI NEXT WEEK FOR A PANEL. 946 00:43:49,695 --> 00:43:51,797 SO IS JOANNA KENNELLY. 947 00:43:54,032 --> 00:43:56,301 YOU KNOW, YOU AND WARREN... 948 00:43:56,334 --> 00:43:58,303 YOU GUYS AREN'T HAVING A... 949 00:43:58,336 --> 00:44:01,439 YOU KNOW... THING, ARE YOU? 950 00:44:01,472 --> 00:44:03,374 NO. 951 00:44:03,408 --> 00:44:04,509 THAT'S WHAT I THOUGHT. 952 00:44:04,542 --> 00:44:07,478 UH, THE USUAL DEAL IS 953 00:44:07,512 --> 00:44:09,380 SOMEBODY ENDS UP CRYING. 954 00:44:10,481 --> 00:44:13,451 NOBODY'S GOING TO END UP CRYING. 955 00:44:13,484 --> 00:44:16,988 AND IT'S USUALLY NOT WARREN. 956 00:44:17,022 --> 00:44:20,191 TV: HAPPY NEW YEAR TO ALL OF YOU. 957 00:44:26,164 --> 00:44:27,733 [CUBAN ACCENT] OK, DID YOU GOT THE BABY? 958 00:44:27,766 --> 00:44:29,567 OK, NOW... NOW, YOU GET ME, OK? 959 00:44:29,600 --> 00:44:31,169 OK. 960 00:44:31,202 --> 00:44:34,005 FERNANDO, YOU WERE CONVICTED IN JULY 961 00:44:34,039 --> 00:44:35,240 OF ARMED ROBBERY, 962 00:44:35,273 --> 00:44:37,475 YOUR THIRD FELONY CONVICTION. 963 00:44:37,508 --> 00:44:39,711 NO. UH, 4. 964 00:44:39,745 --> 00:44:41,146 MM-HMM. 965 00:44:41,179 --> 00:44:43,648 SO, YOU GET FREE BABY CLOTHES, 966 00:44:43,681 --> 00:44:45,751 TOYS, DIAPER SERVICE FOR A YEAR, 967 00:44:45,784 --> 00:44:48,319 ALL FOR... WHAT ARE YOU CALLING THE BABY? 968 00:44:48,353 --> 00:44:49,354 FERNANDITO. 969 00:44:49,387 --> 00:44:50,822 I ALWAYS REALLY WANTED TO NAME HIM 970 00:44:50,856 --> 00:44:52,257 FERNANDO AFTER ME. 971 00:44:52,290 --> 00:44:55,093 LO FELICITO POR SU HERMOSO BEBE. 972 00:44:55,126 --> 00:44:56,327 GRACIAS. 973 00:44:56,361 --> 00:44:58,730 AND SO FERNANDO BUTTANDA 974 00:44:58,764 --> 00:45:00,431 HEADS NORTH TO HOLMSBERG PRISON, 975 00:45:00,465 --> 00:45:04,702 LEAVING BEHIND HIS WIFE AUGUSTINA AND THEIR 5 CHILDREN... 976 00:45:04,736 --> 00:45:06,071 HERE'S SOMETHING FROM THE BOOTH. 977 00:45:06,104 --> 00:45:09,440 AND ROSALIO BOTA, WHO AT 12:02 THIS MORNING 978 00:45:09,474 --> 00:45:13,111 GAVE BIRTH TO HIS SON FERNANDO JR., 979 00:45:13,144 --> 00:45:15,613 MIAMI'S FIRST BABY OF THE NEW YEAR. 980 00:45:15,646 --> 00:45:17,248 SAD STORY, TALLY. 981 00:45:17,282 --> 00:45:18,249 IT IS, ROB. 982 00:45:18,283 --> 00:45:19,417 ONE WITH A NEW YEAR'S TWIST. 983 00:45:19,450 --> 00:45:20,618 I WAS JUST INFORMED 984 00:45:20,651 --> 00:45:22,453 THAT THE LOCAL MERCHANT'S ASSOCIATION 985 00:45:22,487 --> 00:45:25,623 DECIDED THAT BECAUSE OF THE UNUSUAL CIRCUMSTANCES, 986 00:45:25,656 --> 00:45:26,758 THE FIRSTBORN LAYETTE 987 00:45:26,792 --> 00:45:31,462 SHOULD BE AWARDED INSTEAD TO LITTLE TIFFANY POLACHEK. 988 00:45:32,597 --> 00:45:35,700 BORN 12:59 A.M. AT KAISER HOSPITAL... 989 00:45:35,733 --> 00:45:37,435 YOU MIGHT HAVE CLEARED THIS WITH ME. 990 00:45:37,468 --> 00:45:39,304 Director: BACK TO THE 2-SHOT. TAKE. 991 00:45:40,338 --> 00:45:42,273 TIFFANY WAS THE SECOND BORN, ROB. 992 00:45:42,307 --> 00:45:44,642 THE LAYETTE WAS SUPPOSED TO GO TO THE FIRST. 993 00:45:44,675 --> 00:45:46,311 I THINK I SEE THE MERCHANTS' POINT. 994 00:45:46,344 --> 00:45:47,779 Warren: UH-OH. ARGUING ON THE AIR. 995 00:45:47,813 --> 00:45:49,547 I'M NOT SURPRISED YOU DO, ROB. 996 00:45:49,580 --> 00:45:51,449 HAPPY NEW YEAR. GO TO COMMERCIAL. 997 00:45:51,482 --> 00:45:53,751 UH, NO GO. 30 SECONDS TILL THE CREDITS. 998 00:45:53,785 --> 00:45:56,621 AFTER ALL, MR. BUTTANDA IS AN HABITUAL OFFENDER, 999 00:45:56,654 --> 00:45:59,290 AND THE WOMAN HAS HAD 2 OTHER CHILDREN OUT OF WEDLOCK. 1000 00:45:59,324 --> 00:46:01,459 AFTER ALL WHAT, ROB? 1001 00:46:01,492 --> 00:46:03,261 GUYS, CUT IT OUT. 1002 00:46:03,294 --> 00:46:05,063 I DON'T THINK WE NEED TO GO INTO THAT, TALLY. 1003 00:46:05,096 --> 00:46:07,598 YOU GOT 2 CAMERAS ON THEM. GET ONE ON SOMETHING ELSE. 1004 00:46:07,632 --> 00:46:08,633 WHAT ELSE IS THERE. 1005 00:46:08,666 --> 00:46:10,401 IT'S A RUNAWAY TRAIN. 1006 00:46:10,435 --> 00:46:14,105 ROB, IN THE SPIRIT OF THE NEW YEAR 1007 00:46:14,139 --> 00:46:16,808 AND THE WHOLE IDEA OF FIRSTBORN, 1008 00:46:16,842 --> 00:46:19,510 I'M SURE WMIA WOULD BE DELIGHTED 1009 00:46:19,544 --> 00:46:21,646 TO HONOR MIAMI'S TRUE FIRSTBORN, 1010 00:46:21,679 --> 00:46:23,481 FERNANDITO BUTTANDA. 1011 00:46:23,514 --> 00:46:24,482 SHE CAN'T DO THAT. 1012 00:46:24,515 --> 00:46:25,483 SHE JUST DID IT. 1013 00:46:25,516 --> 00:46:27,318 15 SECONDS TO CREDITS. 1014 00:46:27,352 --> 00:46:28,619 THAT'S ALL FOR TONIGHT. 1015 00:46:28,653 --> 00:46:29,787 I'M ROB SULLIVAN. 1016 00:46:29,821 --> 00:46:32,623 TALLY WILL SURELY JOIN ME IN SAYING 1017 00:46:32,657 --> 00:46:36,127 BE OF GOOD CHEER AND HAPPY NEW YEAR, 1018 00:46:36,161 --> 00:46:38,096 FROM ALL OF US AT THE CHANNEL 9 NEWS TEAM. 1019 00:46:38,129 --> 00:46:40,131 GO. ADD IT. 1020 00:46:41,332 --> 00:46:42,333 WELL, THAT TEARS IT. 1021 00:46:42,367 --> 00:46:43,801 ALL RIGHT, WE GOTTA HOLD THIS FOR 15. 1022 00:46:43,835 --> 00:46:44,602 KILL THEIR MIKES. 1023 00:46:44,635 --> 00:46:46,637 THIS IS THE LAST TIME YOU SIT HERE. 1024 00:46:46,671 --> 00:46:50,141 I DIDN'T KNOW YOU'D BEEN APPOINTED COMMISSAR OF PUBLIC MORALITY. 1025 00:46:50,175 --> 00:46:52,310 HE'S A CRIMINAL, AND SHE'S A WHORE. 1026 00:46:52,343 --> 00:46:54,045 IF YOU CAN'T UNDERSTAND THAT. 1027 00:46:54,079 --> 00:46:56,014 ONLY WHORES HAVE BABIES OUT OF WEDLOCK? 1028 00:46:56,047 --> 00:46:59,117 WARREN, YOUR PROTÉGEE IS OUT OF LINE. 1029 00:46:59,150 --> 00:47:01,386 PROTéGéE. DOES THAT MEAN WHORE, TOO? 1030 00:47:01,419 --> 00:47:03,288 TALLY, SHUT UP AND SMILE. 1031 00:47:03,321 --> 00:47:04,655 ROB, WE'RE STILL ON AIR. 1032 00:47:04,689 --> 00:47:05,991 KEEP SMILING. 1033 00:47:06,024 --> 00:47:07,158 WARREN, WE'VE GOT TO TALK. 1034 00:47:07,192 --> 00:47:08,526 YOU SAW TONIGHT. 1035 00:47:08,559 --> 00:47:09,627 SHE DOESN'T HAVE THE MATURITY. 1036 00:47:09,660 --> 00:47:11,129 YOU'RE PUSHING HER TOO FAST. 1037 00:47:11,162 --> 00:47:13,298 YOUR PROTéGéE DOESN'T HAVE THE MATURITY. 1038 00:47:13,331 --> 00:47:14,499 IS THAT WHAT YOU MEAN? 1039 00:47:14,532 --> 00:47:16,801 IF YOU THINK THAT POMPADOUR GIVES YOU MATURITY, 1040 00:47:16,834 --> 00:47:19,137 YOU NEED PROFESSIONAL HELP, ROB. 1041 00:47:19,170 --> 00:47:20,138 THAT'S ENOUGH, TALLY. 1042 00:47:20,171 --> 00:47:21,706 ROB, HANDLING THE UNEXPECTED 1043 00:47:21,739 --> 00:47:24,075 IS WHAT WE CALL TELEVISION. 1044 00:47:24,109 --> 00:47:25,643 SHE HAS NO RIGHT... 1045 00:47:25,676 --> 00:47:27,178 TO WHAT, TELL THE TRUTH 1046 00:47:27,212 --> 00:47:28,646 OR CHANGE COPY TO SOMETHING SAFE? 1047 00:47:28,679 --> 00:47:30,181 WARREN, YOU KNOW AS WELL AS I DO 1048 00:47:30,215 --> 00:47:32,483 SHE'S OFF THE RESERVATION. AND IT'S UP TO YOU TO... 1049 00:47:32,517 --> 00:47:34,652 TO WHAT, ROPE HER IN? CUT HER DOWN TO SIZE, DAN? 1050 00:47:34,685 --> 00:47:37,688 WHAT SIZE DO YOU WANT HER? YOUR SIZE? 1051 00:47:37,722 --> 00:47:40,158 WARREN, I'M WARNING YOU. 1052 00:47:40,191 --> 00:47:42,160 Director: THAT'S A WRAP. THANK YOU. 1053 00:47:42,193 --> 00:47:44,229 THAT'S UNBELIEVABLE. UNBELIEVABLE! 1054 00:47:45,430 --> 00:47:47,665 Rob: I'VE NEVER SEEN SUCH CHILDLIKE, AMATEURISH BEHAVIOR. 1055 00:47:47,698 --> 00:47:50,068 THEY WOULD HAVE FIRED HER WHEN I WAS IN ST. LOUIS. 1056 00:47:50,101 --> 00:47:51,269 RIGHT, ROB. TOUGH SHOP, ST. LOUIS. 1057 00:47:51,302 --> 00:47:52,570 I'M TAKING THIS TO DAN. 1058 00:47:52,603 --> 00:47:54,172 IF YOU DON'T, I WILL. 1059 00:47:54,205 --> 00:47:55,106 LISTEN... 1060 00:47:55,140 --> 00:47:57,275 NEXT TIME YOU WANT TO EMBARRASS THE STATION, 1061 00:47:57,308 --> 00:47:58,276 QUIT FIRST. 1062 00:47:58,309 --> 00:47:59,444 YOU WANT ME TO QUIT? 1063 00:47:59,477 --> 00:48:00,611 YEAH, THAT'S WHAT I WANT. 1064 00:48:00,645 --> 00:48:01,679 YOU'D BETTER GET IT THROUGH YOUR HEAD, 1065 00:48:01,712 --> 00:48:03,714 YOU DON'T GO AROUND CHANGING STATION POLICY ON AIR! 1066 00:48:03,748 --> 00:48:05,583 I'M THE ONE THAT HAS TO GET IT THROUGH MY HEAD?! 1067 00:48:05,616 --> 00:48:07,052 THIS IS A TEAM! 1068 00:48:07,085 --> 00:48:09,120 BUT I'M NOT PART OF THE TEAM, AM I? 1069 00:48:09,154 --> 00:48:11,422 BECAUSE NO MATTER WHAT I DO, I WILL ALWAYS BE WRITTEN OFF 1070 00:48:11,456 --> 00:48:13,358 AS THE NEWS DIRECTOR'S PROTÉGEE! 1071 00:48:13,391 --> 00:48:14,725 SO, FINE! 1072 00:48:14,759 --> 00:48:16,727 I AM PERFECTLY CAPABLE OF FINDING A JOB 1073 00:48:16,761 --> 00:48:19,397 WHERE I AM NOBODY'S PROTéGéE. 1074 00:48:21,766 --> 00:48:24,602 FELIZ AÑO NUEVO. 1075 00:48:39,084 --> 00:48:40,451 YOU'RE RIGHT. 1076 00:48:40,485 --> 00:48:42,620 MY SISTER HAS A BABY. HER LIVE-IN HAS A RECORD. 1077 00:48:42,653 --> 00:48:43,621 THAT MAKE HER A WHORE? 1078 00:48:43,654 --> 00:48:44,622 RIGHT AGAIN. 1079 00:48:44,655 --> 00:48:47,758 HE'S JUST STUPID. 1080 00:48:47,792 --> 00:48:50,228 HE'S AN ANCHOR. 1081 00:49:05,143 --> 00:49:06,611 Reporter: MR. TERRANOVA, MR. TERRANOVA. 1082 00:49:06,644 --> 00:49:08,779 Photographer: MR. TERRANOVA, ONE PHOTO, PLEASE. 1083 00:49:08,813 --> 00:49:11,316 Reporter: UH, JOANNA KENNELLY. 1084 00:49:11,349 --> 00:49:12,617 MR. TERRANOVA. 1085 00:49:12,650 --> 00:49:14,319 TALLY. 1086 00:49:14,352 --> 00:49:15,320 BUCKY, ONE LAST SHOT. 1087 00:49:15,353 --> 00:49:16,321 JOANNA KENNELLY. WE'VE MET BEFORE. 1088 00:49:16,354 --> 00:49:17,322 YES. HELLO. 1089 00:49:17,355 --> 00:49:18,323 EXCUSE ME, MISS KENNELLY 1090 00:49:18,356 --> 00:49:19,324 SURE. 1091 00:49:19,357 --> 00:49:20,325 THIS WAY, MR. TERRANOVA. 1092 00:49:20,358 --> 00:49:21,492 HAVE YOU KNOWN BUCKY FOR LONG? 1093 00:49:21,526 --> 00:49:24,095 OH, NO, I DON'T ACTUALLY KNOW HIM. 1094 00:49:24,129 --> 00:49:25,696 BUT YOU WANT TO. 1095 00:49:25,730 --> 00:49:27,632 BUCKY, COME HERE. 1096 00:49:27,665 --> 00:49:29,134 EXCUSE ME. 1097 00:49:29,167 --> 00:49:30,268 VERY GOOD. 1098 00:49:30,301 --> 00:49:33,771 TALLY ATWATER, MR. BUCKY TERRANOVA. 1099 00:49:33,804 --> 00:49:36,374 NEWS HEARTBEAT OF THE AMERICAN RIVIERA, 1100 00:49:36,407 --> 00:49:40,445 YOU GIVE US 30 MINUTES, WE'LL GIVE YOU EL MUNDO? 1101 00:49:40,478 --> 00:49:43,148 I WAS WONDERING WHEN YOU'D WALK INTO MY LIFE. 1102 00:49:43,748 --> 00:49:46,317 PLEASE. 1103 00:49:46,351 --> 00:49:48,053 Joanna: I'M GONNA NEED A SUITE AT THE WILSHIRE 1104 00:49:48,086 --> 00:49:50,321 AND A FLOOR PASS AT THE FORUM. 1105 00:49:50,355 --> 00:49:52,557 IT HASN'T GOT TO DO WITH THAT. 1106 00:49:52,590 --> 00:49:55,293 JUST TELL HIM IT'S FOR THE DAY 1107 00:49:55,326 --> 00:49:56,627 THAT THE LAKERS PLAY THE PHOENIX, UM... 1108 00:49:56,661 --> 00:49:57,628 WHAT... WHAT ARE THEY... 1109 00:49:57,662 --> 00:49:58,629 SUNS. 1110 00:49:58,663 --> 00:50:02,533 SUNS. NO, I'LL CALL YOU BACK. 1111 00:50:02,567 --> 00:50:06,471 SEX AND DRUGS, THE DOWNSIDE OF BASKETBALL'S INSTANT MILLIONAIRES. 1112 00:50:06,504 --> 00:50:08,639 A JOANNA KENNELLY IN-DEPTH REPORT. 1113 00:50:08,673 --> 00:50:11,176 WELL, THOSE TALL MILLIONAIRES IN SHORTS WILL LOVE YOU. 1114 00:50:11,209 --> 00:50:12,543 YOU STILL GOT A NICE ASS. 1115 00:50:12,577 --> 00:50:14,512 BUT IT'S NOT THIS YEAR'S ASS, IS IT? 1116 00:50:14,545 --> 00:50:16,747 NOT EVEN LAST YEAR'S. 1117 00:50:16,781 --> 00:50:21,319 I AM 7 YEARS AND 3 DOZEN ASSES BACK. 1118 00:50:21,352 --> 00:50:24,722 THE NEXT TIME I SEE YOU... 1119 00:50:25,590 --> 00:50:27,658 IT'LL BE 4 DOZEN. 1120 00:50:27,692 --> 00:50:31,229 UNLESS YOU'RE GONNA TELL ME THIS ONE'S DIFFERENT. 1121 00:50:33,564 --> 00:50:35,566 WAIT A MINUTE... 1122 00:50:35,600 --> 00:50:38,002 HAS SOMEBODY FINALLY GOT TO YOU? 1123 00:50:38,703 --> 00:50:40,271 THIS IS NOT WHAT YOU THINK. 1124 00:50:40,305 --> 00:50:44,175 JUST GOOD FRIENDS. THAT IS NOVEL. 1125 00:50:45,042 --> 00:50:47,078 WHAT'S IT FEEL LIKE? 1126 00:50:53,551 --> 00:50:57,288 IT FEELS... GOOD. 1127 00:51:03,328 --> 00:51:05,796 YOU GONNA GO WITH HER WHEN SHE MAKES HER MOVE? 1128 00:51:13,171 --> 00:51:14,439 [CAR HORN HONKS] 1129 00:51:14,472 --> 00:51:16,741 YOU NEED A YEAR OR TWO IN A MAJOR MARKET. 1130 00:51:16,774 --> 00:51:20,645 PREFERABLY AT AN O-AND-O. HEAVY FACE TIME. 1131 00:51:20,678 --> 00:51:23,314 WHAT'S YOUR FEELING ABOUT PHILADELPHIA? 1132 00:51:24,182 --> 00:51:25,750 WHAT? 1133 00:51:25,783 --> 00:51:28,286 A LARGE CITY IN PENNSYLVANIA. I CAN PUT YOU THERE. 1134 00:51:28,319 --> 00:51:30,221 IT'S THE NUMBER 4 MARKET. 1135 00:51:30,255 --> 00:51:31,222 IT'S DOABLE. 1136 00:51:31,256 --> 00:51:32,723 THEY'RE LOOKING FOR A FRESH FACE. 1137 00:51:32,757 --> 00:51:34,625 LUCKY TIMING. 1138 00:51:35,326 --> 00:51:39,264 YOUR VOICE IS FULL OF MONEY. 1139 00:51:39,297 --> 00:51:42,267 ANYBODY EVER TELL YOU THAT? 1140 00:52:01,786 --> 00:52:03,621 AH. 1141 00:52:05,055 --> 00:52:06,023 I WAS HAVING... 1142 00:52:06,056 --> 00:52:07,158 I KNOW WHERE YOU WERE, 1143 00:52:07,192 --> 00:52:09,260 AND I KNOW WHERE YOU'RE GOING. 1144 00:52:09,294 --> 00:52:12,430 I'LL BET HE SAID YOUR VOICE WAS FULL OF MONEY. 1145 00:52:14,465 --> 00:52:16,667 IT'S WHAT HE ALWAYS SAYS. 1146 00:52:16,701 --> 00:52:20,271 HE'S FAMOUS FOR IT. HE EVEN SAID IT TO JOANNA. 1147 00:52:20,305 --> 00:52:22,307 YOU KNOW, IT'S ACTUALLY NOT EVEN HIS LINE. 1148 00:52:22,340 --> 00:52:24,709 IT'S FROM A NOVEL. 1149 00:52:24,742 --> 00:52:26,711 "HER VOICE WAS FULL OF MONEY. 1150 00:52:26,744 --> 00:52:29,013 "THAT WAS THE INEXHAUSTIBLE CHARM 1151 00:52:29,046 --> 00:52:31,682 THAT ROSE AND FELL ON IT." 1152 00:52:33,751 --> 00:52:35,453 HEMINGWAY, RIGHT? 1153 00:52:37,755 --> 00:52:40,691 F. SCOTT FITZGERALD. 1154 00:52:45,696 --> 00:52:48,399 CHEAP SHOT. 1155 00:52:49,234 --> 00:52:52,537 IT'S THE RIGHT MOVE. 1156 00:52:52,570 --> 00:52:54,572 NOBODY EVER CALLED BUCKY DUMB. 1157 00:52:56,707 --> 00:52:59,310 I GUESS IT'S EVEN THE RIGHT TIME. 1158 00:53:04,449 --> 00:53:06,150 WE HAD SOME FUN, YOU AND I. 1159 00:53:06,183 --> 00:53:08,319 DIDN'T WE? 1160 00:53:16,527 --> 00:53:18,596 WHAT IS IT YOU WANT? 1161 00:53:23,301 --> 00:53:25,270 HMM? 1162 00:53:25,303 --> 00:53:28,439 YOU KNOW WHAT I WANT. 1163 00:53:28,473 --> 00:53:31,442 YOU WANT TO GO TO PHILADELPHIA. 1164 00:53:31,476 --> 00:53:33,344 NO. 1165 00:54:42,279 --> 00:54:45,015 SO, HE SAYS TO ME, 1166 00:54:45,049 --> 00:54:46,651 "IF YOU NEED A MENTOR... 1167 00:54:46,684 --> 00:54:48,686 ROBER-ITO. 1168 00:54:48,719 --> 00:54:50,020 ROBER-ITO? 1169 00:54:50,054 --> 00:54:52,256 ROBER-ITO. 1170 00:54:52,923 --> 00:54:54,759 OH! WILL YOU DO ME A FAVOR? 1171 00:54:54,792 --> 00:54:55,993 ROBER-ITO, BUT HE WAS SERIOUS. 1172 00:54:56,026 --> 00:54:58,529 DON'T EVER SAY THAT AGAIN. 1173 00:55:16,080 --> 00:55:18,616 YOU COULD COME WITH ME. 1174 00:55:20,084 --> 00:55:22,019 FIRST PRIZE, A WEEK IN PHILADELPHIA. 1175 00:55:22,052 --> 00:55:23,020 SECOND PRIZE... 1176 00:55:23,053 --> 00:55:25,390 2 WEEKS IN PHILADELPHIA. 1177 00:55:26,491 --> 00:55:29,293 IT'S AN OLD JOKE. 1178 00:55:29,326 --> 00:55:31,462 I'VE ALREADY BEEN WHERE YOU'RE GOING. 1179 00:55:31,496 --> 00:55:33,998 YOU COULD GO BACK. 1180 00:55:34,699 --> 00:55:36,000 NO. 1181 00:55:36,033 --> 00:55:37,001 WHY NOT? 1182 00:55:37,034 --> 00:55:38,135 I ALREADY TOLD YOU. 1183 00:55:38,168 --> 00:55:41,406 YEAH, ALL YOU TOLD ME IS THAT IT STOPPED BEING FUN. 1184 00:55:41,439 --> 00:55:44,642 IT WAS A GOOD RUN WHILE IT LASTED. 1185 00:55:45,443 --> 00:55:47,745 THEN I MADE A MISTAKE. 1186 00:55:48,579 --> 00:55:52,016 WHAT KIND OF MISTAKE? 1187 00:55:52,049 --> 00:55:54,018 I HAD A SOURCE, AND I TRUSTED THE SOURCE, 1188 00:55:54,051 --> 00:55:57,021 AND I WENT WITH THE STORY, AND I GOT BURNED. 1189 00:55:57,054 --> 00:55:59,490 THE SOURCE DID WHAT SOURCES DO. 1190 00:55:59,524 --> 00:56:02,326 I SHOULD HAVE PICKED UP THE SIGNALS, AND I MISSED THEM. 1191 00:56:02,359 --> 00:56:06,263 YOU'RE ALLOWED TO MAKE A MISTAKE ONCE IN A WHILE. 1192 00:56:07,097 --> 00:56:09,066 NOT REALLY. 1193 00:56:09,934 --> 00:56:12,336 IF YOU CHOOSE NOT TO PLAY ON THE TEAM, 1194 00:56:12,369 --> 00:56:16,006 YOU CAN'T AFFORD MISTAKES. 1195 00:56:18,476 --> 00:56:21,446 WHY DIDN'T WE DO THIS BEFORE? 1196 00:56:24,081 --> 00:56:28,052 BECAUSE IT WAS ALWAYS GOING TO BE THIS HARD TO STOP. 1197 00:56:28,986 --> 00:56:32,222 YOU KNOW, WE HAVE SOME TIME BEFORE YOU GO. 1198 00:56:34,625 --> 00:56:37,728 I DON'T WANT TO GO. 1199 00:56:37,762 --> 00:56:40,130 SURE, YOU DO. 1200 00:56:54,645 --> 00:56:58,549 ♪ FOR ALL THOSE TIMES YOU STOOD BY ME ♪ 1201 00:56:58,583 --> 00:57:02,553 ♪ FOR ALL THE TRUTH THAT YOU MADE ME SEE ♪ 1202 00:57:02,587 --> 00:57:06,290 ♪ FOR ALL THE JOY YOU BROUGHT TO MY LIFE ♪ 1203 00:57:06,323 --> 00:57:10,394 ♪ FOR ALL THE WRONGS THAT YOU MADE RIGHT ♪ 1204 00:57:10,427 --> 00:57:14,565 ♪ FOR EVERY DREAM YOU MADE COME TRUE ♪ 1205 00:57:14,599 --> 00:57:19,303 ♪ FOR ALL THE LOVE I FOUND IN YOU ♪ 1206 00:57:19,336 --> 00:57:23,774 ♪ I'LL BE FOREVER THANKFUL, BABY ♪ 1207 00:57:23,808 --> 00:57:27,578 ♪ YOU'RE THE ONE WHO HELD ME UP ♪ 1208 00:57:27,612 --> 00:57:32,016 ♪ NEVER LET ME FALL ♪ 1209 00:57:32,049 --> 00:57:35,653 ♪ YOU'RE THE ONE WHO WHO SAW ME THROUGH ♪ 1210 00:57:35,686 --> 00:57:38,789 ♪ THROUGH IT ALL ♪ 1211 00:57:38,823 --> 00:57:42,259 ♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪ 1212 00:57:42,292 --> 00:57:46,363 ♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪ 1213 00:57:46,396 --> 00:57:50,300 ♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪ 1214 00:57:50,334 --> 00:57:54,505 ♪ YOU SAW THE BEST THERE WAS IN ME ♪ 1215 00:57:54,539 --> 00:57:58,509 ♪ LIFTED ME UP WHEN I COULDN'T REACH ♪ 1216 00:57:58,543 --> 00:58:03,614 ♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪ 1217 00:58:03,648 --> 00:58:10,287 ♪ I'M EVERYTHING I AM BECAUSE YOU LOVE ME ♪ 1218 00:58:10,320 --> 00:58:13,123 ♪ OOH, BABY ♪ 1219 00:58:14,491 --> 00:58:18,295 ♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪ 1220 00:58:18,328 --> 00:58:19,797 ♪ YOU WERE MY STRENGTH ♪ 1221 00:58:19,830 --> 00:58:21,666 ♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK... ♪ 1222 00:58:21,699 --> 00:58:24,401 YOU KNOW SOMETHING, I NEVER GOT A CHANCE... 1223 00:58:24,434 --> 00:58:26,170 WHAT DO YOU GOT HERE? FOR ME? 1224 00:58:26,203 --> 00:58:27,071 MM-HMM. 1225 00:58:27,104 --> 00:58:30,140 ♪ YOU SAW THE BEST THERE WAS IN ME... ♪ 1226 00:58:30,174 --> 00:58:32,643 OH, MISS SIERRA LOGGER. 1227 00:58:32,677 --> 00:58:33,510 MY GOD. 1228 00:58:33,544 --> 00:58:35,045 ♪ LIFTED ME UP WHEN I COULDN'T REACH ♪ 1229 00:58:35,079 --> 00:58:39,483 ♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVED ♪ 1230 00:58:39,516 --> 00:58:41,418 ♪ I'M EVERYTHING I AM... ♪ 1231 00:58:41,451 --> 00:58:42,086 YOU BETTER GO. 1232 00:58:42,119 --> 00:58:46,423 ♪ BECAUSE YOU LOVED ME... ♪ 1233 00:58:46,456 --> 00:58:47,324 GO. 1234 00:58:47,357 --> 00:58:50,661 ♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪ 1235 00:58:50,695 --> 00:58:54,732 ♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪ 1236 00:58:54,765 --> 00:58:58,603 ♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪ 1237 00:58:58,636 --> 00:59:03,073 ♪ YOU SAW THE BEST THERE WAS IN ME ♪ 1238 00:59:03,107 --> 00:59:07,044 ♪ LIFTED ME UP WHEN I COULDN'T REACH ♪ 1239 00:59:07,077 --> 00:59:11,582 ♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVED ♪ 1240 00:59:11,616 --> 00:59:18,555 ♪ I'M EVERYTHING I AM BECAUSE YOU LOVED ME ♪ 1241 00:59:18,589 --> 00:59:19,690 ♪ OH-OHH ♪ 1242 00:59:19,724 --> 00:59:26,296 ♪ I'M EVERYTHING I AM ♪ 1243 00:59:26,330 --> 00:59:30,701 ♪ BECAUSE YOU LOVED ME ♪ 1244 00:59:30,735 --> 00:59:33,070 Female anchor: UP NEXT, SHOCKING NEW INFORMATION 1245 00:59:33,103 --> 00:59:34,739 ABOUT A NURSING HOME SEX SCANDAL. 1246 00:59:34,772 --> 00:59:37,274 STAY WITH US. WE'LL BE BACK IN A MOMENT. 1247 00:59:37,307 --> 00:59:39,076 JOHN... 1248 00:59:39,109 --> 00:59:42,446 WHOEVER WROTE THAT COPY ABOUT THE NURSING HOME SHOULD BE FIRED. 1249 00:59:42,479 --> 00:59:44,749 IT'S SILLY, IT'S WRONG, AND I WON'T SAY IT. 1250 00:59:44,782 --> 00:59:47,117 WELL, THEN WING IT, MARCIA, 1251 00:59:47,151 --> 00:59:48,452 YOU'RE UP TO SPEED ON THE STORY. 1252 00:59:48,485 --> 00:59:50,054 REAL WAR HORSE, MARCIA. 1253 00:59:50,087 --> 00:59:52,422 I THOUGHT WE'D GET TOGETHER FOR A DRINK AFTER THE SHOW 1254 00:59:52,456 --> 00:59:56,093 SO YOU TWO KIDS COULD GET TO KNOW EACH OTHER. 1255 00:59:57,662 --> 00:59:58,996 JOHN. 1256 01:00:00,197 --> 01:00:01,732 WOULD YOU MIND HAVING YOUR GUEST MOVE? 1257 01:00:01,766 --> 01:00:03,567 SHE'S IN MY EYE LINE. 1258 01:00:03,600 --> 01:00:05,269 I'M SORRY. 1259 01:00:05,302 --> 01:00:07,471 OH, HERE WE GO AGAIN. 1260 01:00:07,504 --> 01:00:10,474 JOHN, HAVE YOU ANY IDEA 1261 01:00:10,507 --> 01:00:12,476 HOW LITTLE COVERAGE 1262 01:00:12,509 --> 01:00:14,144 WE ACTUALLY DEVOTE TO SUBSTANTIVE DISCUSSION 1263 01:00:14,178 --> 01:00:15,813 OF PUBLIC POLICY? 1264 01:00:15,846 --> 01:00:18,348 YOU, UH, YOU AN ISSUES WONK, TOO, TALLY? 1265 01:00:20,284 --> 01:00:22,753 UH, I AGREE, IT'S AN IMPORTANT POINT. 1266 01:00:22,787 --> 01:00:24,121 WHAT IS? 1267 01:00:24,154 --> 01:00:25,790 THE NEED FOR SUBSTENANT, UH... 1268 01:00:25,823 --> 01:00:28,258 UM... UH... BUCKY TOLD ME... 1269 01:00:28,292 --> 01:00:29,259 BUCKY? BUCKY WHO? 1270 01:00:29,293 --> 01:00:32,496 BUCKY TERRANOVA, MY AGENT, UH... 1271 01:00:32,529 --> 01:00:34,131 SAID THAT TOM ORR TOLD HIM THAT... 1272 01:00:34,164 --> 01:00:35,132 TOM? 1273 01:00:35,165 --> 01:00:36,033 YOU KNOW TOM? 1274 01:00:36,066 --> 01:00:38,002 WELL, NOT EXACTLY, BUT ACCORDING TO BUCKY... 1275 01:00:38,035 --> 01:00:40,137 OH, WELL, TOM IS JUST ABOUT THE WORST OFFENDER. 1276 01:00:40,170 --> 01:00:44,775 WELL, I HAVE 2 CHARITY AUCTIONS TO ATTEND TONIGHT. 1277 01:00:45,542 --> 01:00:47,611 THAT ACTUALLY A BANANA DAIQUIRI? 1278 01:00:47,644 --> 01:00:48,679 YEAH. 1279 01:00:48,713 --> 01:00:50,114 SPRING BREAK, LAUDERDALE. 1280 01:00:50,147 --> 01:00:51,148 GOOD NIGHT, TALLY. 1281 01:00:51,181 --> 01:00:53,150 GOOD NIGHT. 1282 01:00:55,352 --> 01:00:56,320 READY, V.T. ONE... 1283 01:00:56,353 --> 01:00:58,522 TIME AGAIN FOR 90 YEARS YOUNG. 1284 01:00:58,555 --> 01:01:00,124 TODAY WE'RE BLESSED WITH TWINS. 1285 01:01:00,157 --> 01:01:02,292 GO, V.T. ONE. 1286 01:01:05,329 --> 01:01:06,630 IT'S A CUTE SEGMENT. 1287 01:01:06,663 --> 01:01:08,632 WHAT'S CUTE ABOUT IT, DAN? 1288 01:01:08,665 --> 01:01:11,668 Reporter: TO THE ACTIVE THINGS THEY DID IN THEIR YOUNGER DAYS. 1289 01:01:11,702 --> 01:01:12,703 THESE LOVELY LADIES GREW UP IN THE MOUNTAINS... 1290 01:01:12,737 --> 01:01:15,472 YOU THINK IT'S CUTE TO BE CONDESCENDING TO PEOPLE 1291 01:01:15,505 --> 01:01:17,574 JUST BECAUSE THEY HAPPEN TO BE OLDER THAN YOU? 1292 01:01:17,607 --> 01:01:19,043 YOU GONNA THINK IT'S CUTE WHEN YOU'RE 98, 1293 01:01:19,076 --> 01:01:20,677 FIGHTING TO HANG ONTO YOUR DIGNITY, 1294 01:01:20,711 --> 01:01:22,546 AND THERE'S ROB SULLIVAN OUT OF THE BLUE 1295 01:01:22,579 --> 01:01:24,648 WITH SOME CHEAP BIRTHDAY CAKE 1296 01:01:24,681 --> 01:01:26,717 CALLING YOU A BEAUTIFUL YOUNGSTER? 1297 01:01:26,751 --> 01:01:29,053 I DON'T WANT TO ARGUE ABOUT THIS, WARREN. 1298 01:01:29,086 --> 01:01:32,056 THERE ARE PEOPLE FIGHTING OUT THERE FOR THIS SPOT. 1299 01:01:32,089 --> 01:01:34,024 AND ANY TIME I HAVE A SPOT 1300 01:01:34,058 --> 01:01:35,425 THAT ADVERTISERS ARE WILLING TO FIGHT FOR, 1301 01:01:35,459 --> 01:01:36,426 THEN, NO PROBLEMA. 1302 01:01:36,460 --> 01:01:37,694 THIS IS A GOOD SPOT. 1303 01:01:37,728 --> 01:01:39,730 OH, IS THAT WHAT WE'RE DOING? 1304 01:01:39,764 --> 01:01:41,031 IS THAT HOW WE'RE PROGRAMMING EVENING NEWS NOW, DAN? 1305 01:01:41,065 --> 01:01:42,266 ASKING THE ADVERTISERS WHAT THEY WANT? 1306 01:01:42,299 --> 01:01:45,602 SAY AN ADVERTISER WANTS A LAUGH TRACK ON THE EVENING LOCAL, 1307 01:01:45,635 --> 01:01:48,105 WHAT ABOUT THAT, DAN? NO PROBLEMA? 1308 01:01:48,138 --> 01:01:50,007 LIKE IT OR NOT, WARREN, THIS IS A BUSINESS. 1309 01:01:50,040 --> 01:01:51,108 YEAH, IT'S A BUSINESS. 1310 01:01:51,141 --> 01:01:52,576 THE ENTERTAINMENT BUSINESS. 1311 01:01:52,609 --> 01:01:55,279 THE HELL WITH THE NEWS. THE HELL WITH THE TRUTH. 1312 01:01:56,613 --> 01:01:57,714 AHH. 1313 01:01:57,748 --> 01:02:00,717 WHERE HAVE ALL THE GOOD TIMES GONE? 1314 01:02:00,751 --> 01:02:03,253 PHILADELPHIA. 1315 01:02:04,054 --> 01:02:05,756 OFF THIS AMBULANCE DRIVER'S STRIKE, 1316 01:02:05,790 --> 01:02:08,392 WE COULD GET INTO THE WHOLE CRISIS IN EMERGENCY CARE. 1317 01:02:08,425 --> 01:02:10,094 EMERGENCY ROOMS ARE SO CROWDED, 1318 01:02:10,127 --> 01:02:13,197 HOSPITALS ARE TURNING AMBULANCES AWAY. 1319 01:02:13,230 --> 01:02:15,065 THEY DON'T HAVE THE BEDS. 1320 01:02:15,099 --> 01:02:17,067 WHAT HOSPITALS, TALLY? 1321 01:02:17,101 --> 01:02:19,603 COUNTY GENERAL, FOR ONE. 1322 01:02:19,636 --> 01:02:21,705 QUEEN OF ANGELS? ST. MATTHEW'S? 1323 01:02:21,738 --> 01:02:23,607 HOW MANY HOSPITALS? 1324 01:02:23,640 --> 01:02:26,110 TAL, YOU SAID "HOSPITALS," PLURAL. 1325 01:02:26,143 --> 01:02:28,145 WHICH HOSPITALS? WHEN? 1326 01:02:28,178 --> 01:02:30,747 HOW MANY PEOPLE TURNED AWAY? WHY? 1327 01:02:30,781 --> 01:02:34,718 I, UH, I HAVE A CALL IN TO THE, UH, THE, UH... 1328 01:02:34,751 --> 01:02:36,386 PARAMEDICS ASSOCIATION. 1329 01:02:36,420 --> 01:02:38,388 WELL, WHEN YOU HAVE THE STATISTICS, 1330 01:02:38,422 --> 01:02:39,623 I THINK YOU SHOULD DEFINITELY REINTRODUCE IT. 1331 01:02:39,656 --> 01:02:40,624 OK. 1332 01:02:40,657 --> 01:02:42,059 SHALL WE MOVE ON? 1333 01:02:42,092 --> 01:02:43,627 IF YOU COULD FIND HIM, ILEANA, 1334 01:02:43,660 --> 01:02:45,462 I ONLY HAVE A MINUTE. THANKS. 1335 01:02:45,495 --> 01:02:46,596 WARREN! 1336 01:02:46,630 --> 01:02:52,402 SO, I SAW ON THE WEATHER CHANNEL IT'S 95 DOWN THERE. 1337 01:02:52,436 --> 01:02:55,739 ACTUALLY, I... I JUST DIDN'T WANT TO FORGET 1338 01:02:55,772 --> 01:02:57,507 WHAT YOUR VOICE SOUNDED LIKE. 1339 01:02:57,541 --> 01:03:01,078 NO, I HAVEN'T FORGOTTEN WHAT YOU LOOK LIKE. 1340 01:03:01,111 --> 01:03:03,580 STOP RIGHT THERE. WE HAVE TO FEED. 1341 01:03:03,613 --> 01:03:06,984 I MISS YOU, TOO. 1342 01:03:07,017 --> 01:03:10,988 RAPE HAS BECOME AN UGLY FACT OF LIFE IN PHILADELPHIA, 1343 01:03:11,021 --> 01:03:12,422 AND IN JUST A MOMENT, 1344 01:03:12,456 --> 01:03:16,093 WE'LL BE HEARING FROM TALLY ATWATER ON THAT SUBJECT. 1345 01:03:16,126 --> 01:03:19,263 SOME STATISTICS MAY CONVEY THE IDEA, MARCIA. 1346 01:03:19,296 --> 01:03:21,098 ACCORDING TO RECENT STUDIES, 1347 01:03:21,131 --> 01:03:26,036 THE MEDIAN AGE OF MEN WHO COMMIT RAPE IN PHILADELPHIA IS 23. 1348 01:03:26,070 --> 01:03:28,672 HALF HAVE A PRIOR ARREST RECORD. 1349 01:03:28,705 --> 01:03:33,377 9% OF THESE HAVE BEEN PREVIOUSLY ARRESTED FOR RAPE. 1350 01:03:33,410 --> 01:03:35,379 SOBERING, BUT DON'T YOU THINK, TALLY, 1351 01:03:35,412 --> 01:03:37,447 THAT STATISTICS CAN SEEM, 1352 01:03:37,481 --> 01:03:39,149 IN THE FACE OF REAL HUMAN OUTRAGE, 1353 01:03:39,183 --> 01:03:40,817 WORSE THAN IRRELEVANT? 1354 01:03:42,853 --> 01:03:44,721 RIGHT, MARCIA. 1355 01:03:45,522 --> 01:03:46,490 COMING UP NEXT, 1356 01:03:46,523 --> 01:03:49,293 BERNIE PLATT WITH THE WEATHER. 1357 01:03:51,161 --> 01:03:52,129 AHEM. 1358 01:03:52,162 --> 01:03:53,230 YOU WANT SOME COFFEE OR SOMETHING? 1359 01:03:53,263 --> 01:03:56,533 WELL, UH, I THOUGHT I OWED YOU A TALK. 1360 01:03:56,566 --> 01:03:58,535 WE'VE GOT THESE MARKETING CONSULTANTS UPSTAIRS. 1361 01:03:58,568 --> 01:04:00,404 THEY RUN FOCUS GROUPS, UH... 1362 01:04:00,437 --> 01:04:03,407 YOU KNOW, SAY THEY INVITE 20 CITIZENS IN FOR COLD CUTS, 1363 01:04:03,440 --> 01:04:04,674 SEE WHAT THEY LIKE AND DON'T LIKE. 1364 01:04:04,708 --> 01:04:07,244 AND I THOUGHT IT MIGHT BE CONSTRUCTIVE 1365 01:04:07,277 --> 01:04:08,478 IF WE HAD A LOOK-SEE 1366 01:04:08,512 --> 01:04:11,148 AT WHAT THEY HAD TO SAY ABOUT TALLY ATWATER. 1367 01:04:11,181 --> 01:04:13,650 OH, VERY HELPFUL, JOHN. 1368 01:04:13,683 --> 01:04:15,152 I DON'T LIKE HER. 1369 01:04:15,185 --> 01:04:17,154 I HIT THE REFRIGERATOR WHEN SHE COMES ON. 1370 01:04:17,187 --> 01:04:19,423 YOU KNOW, SHE LOOKS LIKE, UH... 1371 01:04:19,456 --> 01:04:21,158 A BUSH-LEAGUE MARCIA. 1372 01:04:21,191 --> 01:04:23,827 IF YOU ASK ME, IT'S HER HAIR. 1373 01:04:23,860 --> 01:04:27,097 WHY IS IT WOMEN ALWAYS GO WITH THE HAIR? 1374 01:04:27,131 --> 01:04:29,099 HAIR IS CHARACTER. 1375 01:04:29,133 --> 01:04:31,568 OH, NOBODY FROM NOWHERE. 1376 01:04:31,601 --> 01:04:34,604 WELL, THAT'S ENOUGH OF THAT. 1377 01:04:34,638 --> 01:04:36,740 TALLY, I HIRED YOU. 1378 01:04:36,773 --> 01:04:38,442 I STILL THINK YOU HAVE REAL POTENTIAL, 1379 01:04:38,475 --> 01:04:41,045 BUT THERE'S A FEELING THAT YOU'RE NOT... 1380 01:04:41,078 --> 01:04:42,046 MAKING... 1381 01:04:42,079 --> 01:04:44,048 CONTACT. 1382 01:04:44,081 --> 01:04:45,015 RIGHT. 1383 01:04:45,049 --> 01:04:46,383 YEAH. 1384 01:04:46,416 --> 01:04:47,617 WELL SAID. 1385 01:04:47,651 --> 01:04:50,120 BUT I WANT TO LEAVE THIS ON A POSITIVE NOTE. 1386 01:04:50,154 --> 01:04:51,121 I THINK WHAT YOU OUGHT TO DO 1387 01:04:51,155 --> 01:04:53,757 IS TALK TO THE CONSULTANTS WHO RUN THESE DEALS 1388 01:04:53,790 --> 01:04:56,360 AND JUST SEE WHAT THEY HAVE TO SAY, OK? 1389 01:04:56,393 --> 01:04:57,361 OK. 1390 01:04:57,394 --> 01:04:59,429 GREAT. 1391 01:04:59,463 --> 01:05:01,531 Warren: SOMETHING UP? ANYTHING WRONG? 1392 01:05:01,565 --> 01:05:03,467 NO, NO REASON AT ALL. 1393 01:05:03,500 --> 01:05:05,035 I JUST, UH, I MEAN, UH... 1394 01:05:05,069 --> 01:05:06,403 I MEAN, WHY SHOULD ANYTHING BE WRONG? 1395 01:05:06,436 --> 01:05:10,274 I JUST HAPPEN TO BE SO BUSY, AND I JUST HIT A BREAK. 1396 01:05:10,307 --> 01:05:15,045 SO, BEEN BUSY? YOU NEED A BREAK? 1397 01:05:15,079 --> 01:05:16,713 WELL, I SAW THESE CONSULTANTS... 1398 01:05:16,746 --> 01:05:18,282 CONSULTANTS ON WHAT? 1399 01:05:18,315 --> 01:05:20,550 UM, I... I HAD A MAKEOVER. 1400 01:05:20,584 --> 01:05:23,487 A MAKEOVER? WHAT DO YOU MEAN, A MAKEOVER? 1401 01:05:23,520 --> 01:05:28,625 UM, IT SEEMS THAT I WAS A LITTLE TOO EDGY FOR PHILLY, 1402 01:05:28,658 --> 01:05:32,296 BUT, UH, MARCIA COULDN'T BE NICER. 1403 01:05:32,329 --> 01:05:34,164 SHE'S A... SUPER GIRL. 1404 01:05:34,198 --> 01:05:35,632 SUPER? 1405 01:05:35,665 --> 01:05:38,102 MARCIA McGRATH? 1406 01:05:38,835 --> 01:05:44,174 TAL, YOU OK? ANYTHING I CAN DO? 1407 01:05:44,208 --> 01:05:45,642 NO, EVERYTHING'S GREAT. 1408 01:05:45,675 --> 01:05:49,779 UM, IT'S JUST THAT I... 1409 01:05:49,813 --> 01:05:51,748 IT'S JUST THAT I... 1410 01:05:53,550 --> 01:05:54,751 I, UH... 1411 01:05:56,820 --> 01:05:59,456 WANTED TO SAY HI. 1412 01:05:59,489 --> 01:06:01,458 HI. 1413 01:06:01,491 --> 01:06:03,593 HI. 1414 01:06:03,627 --> 01:06:06,763 YOU WANT TO SAY HI AGAIN, I'M HERE. 1415 01:06:08,332 --> 01:06:10,200 BYE. 1416 01:06:19,209 --> 01:06:21,378 [LATIN MUSIC PLAYS] 1417 01:06:36,160 --> 01:06:39,129 HABLO INGLéS? 1418 01:06:41,265 --> 01:06:43,233 BUCKY TERRANOVA. 1419 01:06:43,267 --> 01:06:45,635 SO, WARREN, HOW LONG'S IT BEEN? 1420 01:06:45,669 --> 01:06:48,405 R.F.K. STADIUM. OWNERS' BOX. 1421 01:06:48,438 --> 01:06:51,341 REDSKINS, GIANTS. 1422 01:06:51,375 --> 01:06:52,642 I WANTED TO LEAVE WASHINGTON. 1423 01:06:52,676 --> 01:06:54,578 YOU SAID YOU DIDN'T HANDLE PEOPLE ON THE WAY DOWN. 1424 01:06:54,611 --> 01:06:56,580 REDSKINS WON. 1425 01:06:56,613 --> 01:06:59,216 SO WHAT BRINGS YOU TO MIAMI? 1426 01:06:59,249 --> 01:07:00,217 STONE CRAB? 1427 01:07:00,250 --> 01:07:01,351 TRY AGAIN. 1428 01:07:01,385 --> 01:07:04,054 WELL, THE FACT IS, WARREN, 1429 01:07:04,088 --> 01:07:07,224 I HAVE A CLIENT IN A CERTAIN AMOUNT OF DISTRESS. 1430 01:07:07,257 --> 01:07:12,396 A CLIENT WITH WHOM YOU HAVE A SPECIAL RELATIONSHIP. 1431 01:07:12,429 --> 01:07:14,664 IT OCCURRED TO ME, YOU MIGHT WANT TO BE UP THERE 1432 01:07:14,698 --> 01:07:15,999 FOR A PERIOD OF TIME. 1433 01:07:16,032 --> 01:07:18,102 LAST I HEARD, I STILL HAD A JOB HERE. 1434 01:07:18,135 --> 01:07:22,439 OH, YES, AND I SEE THAT IT KEEPS YOU VERY BUSY. 1435 01:07:22,472 --> 01:07:24,441 WHAT IF I CAN ARRANGE A LEAVE? 1436 01:07:24,474 --> 01:07:26,042 WAIT A MINUTE. 1437 01:07:26,076 --> 01:07:27,577 I'M SEEING DAYLIGHT OUT OF THIS. 1438 01:07:27,611 --> 01:07:29,613 I BRING MEL CASEY DOWN FROM ATLANTA TO SUB FOR YOU. 1439 01:07:29,646 --> 01:07:30,614 HE'S GOT A YOUNG WIFE, 1440 01:07:30,647 --> 01:07:32,282 AND HE WANTS THE SPOT JOBS. 1441 01:07:32,316 --> 01:07:33,550 MESHUGENA. BUT IT'S HIS LIFE. 1442 01:07:33,583 --> 01:07:36,019 YOU ALREADY LAID THIS ON DAN, HAVEN'T YOU? 1443 01:07:36,052 --> 01:07:38,688 YOU, TOO, COULD USE THE TIME OFF. 1444 01:07:38,722 --> 01:07:40,290 HMM. 1445 01:07:40,324 --> 01:07:41,791 THIS ISN'T ABOUT YOU AND ME. 1446 01:07:41,825 --> 01:07:44,060 SHE'S IN TROUBLE. 1447 01:07:44,094 --> 01:07:45,295 THINK IT OVER. 1448 01:08:01,010 --> 01:08:02,712 WHAT'S UP? 1449 01:08:10,487 --> 01:08:13,623 I WAS JUST WISHING I WAS DRIVING DOWN THE KEYS WITH YOU, 1450 01:08:13,657 --> 01:08:16,593 AND WE WERE ALREADY PICKING UP HAVANA ON THE RADIO. 1451 01:08:22,266 --> 01:08:24,268 HOW LONG CAN YOU STAY? 1452 01:08:24,301 --> 01:08:25,769 LONG ENOUGH. 1453 01:08:40,650 --> 01:08:43,086 OH, HEY, WHAT THE... 1454 01:08:43,119 --> 01:08:44,254 OH. 1455 01:08:46,823 --> 01:08:48,792 JOHN. LONG TIME NO SEE. 1456 01:08:49,659 --> 01:08:51,127 WARREN. 1457 01:08:51,161 --> 01:08:52,996 JOHN AND I COVERED THE D.E.A. TOGETHER 1458 01:08:53,029 --> 01:08:54,464 IN NEW ORLEANS. 1459 01:08:55,332 --> 01:08:58,802 JUST... LEFT MY APPOINTMENT BOOK HERE, 1460 01:08:58,835 --> 01:09:01,638 AND I'M ON MY WAY. 1461 01:09:01,671 --> 01:09:04,208 I DIDN'T THINK YOU WERE COMING BACK. 1462 01:09:04,241 --> 01:09:06,476 I THINK HE FIGURED THAT OUT, TAL. 1463 01:09:06,510 --> 01:09:08,778 TALLY. WARREN. 1464 01:09:16,553 --> 01:09:19,323 FABIAN, HERE YOU ARE, BACK HOME IN THE TOWN 1465 01:09:19,356 --> 01:09:21,625 WHERE YOU WERE DISCOVERED ON YOUR OWN FRONT STEPS 1466 01:09:21,658 --> 01:09:22,992 WHEN YOU WERE ONLY 14... 1467 01:09:23,026 --> 01:09:24,060 [FAST FORWARDING] 1468 01:09:24,093 --> 01:09:25,729 EVERYBODY LOVED THAT PIECE. WE GOT A HUGE RESPONSE. 1469 01:09:25,762 --> 01:09:27,130 HOW DO YOU JUSTIFY... 1470 01:09:27,163 --> 01:09:28,498 I MEAN... CONSIDERING. 1471 01:09:28,532 --> 01:09:29,666 [FAST FORWARDING] 1472 01:09:29,699 --> 01:09:31,501 WHAT ABOUT THAT GUY WHO CHOSE TO MURDER 1473 01:09:31,535 --> 01:09:32,702 THAT... THAT... THAT WOMAN? 1474 01:09:32,736 --> 01:09:34,238 [FAST FORWARDING] 1475 01:09:34,271 --> 01:09:35,639 THAT WAS A TERRIFIC IDEA. 1476 01:09:35,672 --> 01:09:37,207 IT JUST WASN'T... 1477 01:09:37,241 --> 01:09:39,042 ...CONTEMPORARY MUSIC TODAY... 1478 01:09:39,075 --> 01:09:41,010 IT WASN'T... QUITE... EXECUTED. 1479 01:09:41,044 --> 01:09:42,646 YOU AND YOUR CHILDREN HAVE BEEN HERE 1480 01:09:42,679 --> 01:09:44,314 FOR 7 WEEKS NOW. 1481 01:09:44,348 --> 01:09:45,482 WELL... WHEN... 1482 01:09:45,515 --> 01:09:46,816 YEAH. I WAS, UH... 1483 01:09:46,850 --> 01:09:47,951 [COUGHING] 1484 01:09:47,984 --> 01:09:51,154 I WAS REALLY OFF THAT DAY, BUT THERE IS SOME GOOD STUFF 1485 01:09:51,187 --> 01:09:52,589 WITH HER CHILDREN... 1486 01:09:52,622 --> 01:09:55,559 I... I... 1487 01:09:55,592 --> 01:09:58,762 THE, UH... S.R.O. HOUSING CORPORATION 1488 01:09:58,795 --> 01:10:02,065 OF COURSE, BEING THE CITY AGENCY RESPONSIBLE... 1489 01:10:02,098 --> 01:10:04,401 NO, NO. YOU DIDN'T GET TO THE STUFF WITH THE CHILDREN. 1490 01:10:04,434 --> 01:10:06,069 I DON'T NEED TO. 1491 01:10:06,102 --> 01:10:07,070 NO, BUT IT'S GOOD. 1492 01:10:07,103 --> 01:10:08,272 IT'S SHIT. 1493 01:10:10,574 --> 01:10:11,575 IT WAS WHAT? 1494 01:10:11,608 --> 01:10:13,277 IT WAS ALL SHIT. 1495 01:10:14,311 --> 01:10:15,712 WHY WAS SHE IN THE HOSPITAL? 1496 01:10:15,745 --> 01:10:17,281 THE SOCIAL WORKER TOLD HER 1497 01:10:17,314 --> 01:10:20,083 SHE COULDN'T GET HER KIDS BACK UNLESS WHAT? 1498 01:10:20,116 --> 01:10:22,386 DID YOU LISTEN TO ONE WORD THAT WOMAN WAS SAYING, 1499 01:10:22,419 --> 01:10:24,521 OR WERE YOU TOO BUSY WORRYING ABOUT IMPRESSING THE VIEWERS 1500 01:10:24,554 --> 01:10:26,055 WITH HOW MUCH POLICY JARGON YOU COULD SPOUT? 1501 01:10:26,089 --> 01:10:27,223 COME HERE. 1502 01:10:28,458 --> 01:10:29,626 WHO IS THAT? 1503 01:10:29,659 --> 01:10:31,127 WHO THE HELL IS THIS? 1504 01:10:31,160 --> 01:10:33,430 WHAT THE HELL HAPPENED TO YOU? 1505 01:10:33,463 --> 01:10:35,198 WHERE'S TALLY ATWATER? 1506 01:10:35,231 --> 01:10:36,600 YOU TELL ME. YOU SHOULD KNOW. 1507 01:10:36,633 --> 01:10:37,601 YOU INVENTED HER! 1508 01:10:37,634 --> 01:10:39,536 WELL, I DID ONE LOUSY JOB. 1509 01:10:39,569 --> 01:10:41,405 YOU COME UP HERE, YOU TAKE ONE LOOK 1510 01:10:41,438 --> 01:10:43,206 AT MARCIA McGRATH'S UPTOWN EASTERN ACT, 1511 01:10:43,239 --> 01:10:44,173 AND YOU FOLD. 1512 01:10:44,207 --> 01:10:46,109 IF I WAS INTO INVENTING PEOPLE, BELIEVE ME, 1513 01:10:46,142 --> 01:10:47,176 I WOULD HAVE INVENTED SOMEBODY 1514 01:10:47,210 --> 01:10:49,279 A HELL OF A LOT TOUGHER THAN YOU TURNED OUT TO BE. 1515 01:10:49,313 --> 01:10:51,615 I AM EXACTLY THE WAY YOU MADE ME. 1516 01:10:51,648 --> 01:10:53,783 DO IT THIS WAY! DO IT THAT WAY, DO IT MY WAY, 1517 01:10:53,817 --> 01:10:56,119 UNTIL I DON'T EVEN KNOW HOW TO DO IT WITHOUT YOU! 1518 01:10:56,152 --> 01:10:57,621 BULLSHIT! I DRESSED YOU, I POINTED YOU TOWARD THE CAMERA, 1519 01:10:57,654 --> 01:10:59,088 BUT YOU DID IT. 1520 01:10:59,122 --> 01:11:00,990 YOU TOLD THE STORY, AND YOU KNOW HOW TO DO IT, 1521 01:11:01,024 --> 01:11:02,292 AND YOU'RE GOING TO START DOING IT ON YOUR OWN. 1522 01:11:02,326 --> 01:11:03,360 I CAN'T. 1523 01:11:03,393 --> 01:11:05,329 LOOK AT THIS, BECAUSE WHEN YOU GET TO THE NETWORK... 1524 01:11:05,362 --> 01:11:06,463 DON'T EVEN TALK TO ME ABOUT... 1525 01:11:06,496 --> 01:11:07,564 I SAID WHEN YOU GET TO THE NETWORK, 1526 01:11:07,597 --> 01:11:09,132 20 MILLION PEOPLE ARE GOING TO BE DEPENDING ON YOU... 1527 01:11:09,165 --> 01:11:10,133 I DON'T CARE. 1528 01:11:10,166 --> 01:11:11,134 YOU GODDAMN WELL WILL CARE 1529 01:11:11,167 --> 01:11:12,469 BECAUSE BEFORE THEY TRUST YOU, 1530 01:11:12,502 --> 01:11:14,404 THEY HAVE TO KNOW YOU'RE LISTENING TO THEM. 1531 01:11:14,438 --> 01:11:16,640 AND YOU CAN'T LISTEN TO THEM UNLESS YOU DAMN WELL KNOW 1532 01:11:16,673 --> 01:11:18,141 WHO YOU ARE. 1533 01:11:18,174 --> 01:11:19,309 YOU SEE? 1534 01:11:19,343 --> 01:11:21,778 IT'S NOT ALL MARCIA McGRATH COUNTRY UP HERE, 1535 01:11:21,811 --> 01:11:24,147 SO GIVE THEM TALLY ATWATER. 1536 01:11:27,551 --> 01:11:31,321 WHEN I ASKED YOU HOW LONG YOU COULD STAY 1537 01:11:31,355 --> 01:11:33,523 AND YOU SAID LONG ENOUGH... 1538 01:11:35,291 --> 01:11:38,795 HOW LONG IS THAT? 1539 01:11:38,828 --> 01:11:40,430 WHEN WE'RE NOT TOGETHER... 1540 01:11:40,464 --> 01:11:42,198 EVERYTHING SHUTS DOWN. 1541 01:11:46,370 --> 01:11:48,037 AS COUNCILMAN FOR THIS DISTRICT, 1542 01:11:48,071 --> 01:11:51,708 YOU WERE INFLUENTIAL IN SECURING THE PERMITS AND WAIVERS 1543 01:11:51,741 --> 01:11:53,276 THAT ALLOWED PATRIOT HILL 1544 01:11:53,309 --> 01:11:54,578 TO BEGIN CONSTRUCTION. 1545 01:11:54,611 --> 01:11:57,280 YES, YES. I CUT THROUGH SOME OF THE RED TAPE FOR THE DEVELOPERS. 1546 01:11:57,313 --> 01:11:58,382 UH-HUH. THAT WAS ME. 1547 01:11:58,415 --> 01:12:00,350 WHEN PATRIOT HILL 1548 01:12:00,384 --> 01:12:02,218 WAS STILL CALLED DOG BOTTOM, 1549 01:12:02,251 --> 01:12:04,287 THESE SAME DEVELOPERS BOUGHT UP THE NEIGHBORHOOD 1550 01:12:04,320 --> 01:12:05,655 FOR DOG BOTTOM PRICES. 1551 01:12:05,689 --> 01:12:08,458 WELL, THEY ALSO ARE IN BUSINESS. 1552 01:12:08,492 --> 01:12:11,160 BIG BUSINESS, FROM WHAT I UNDERSTAND. 1553 01:12:11,194 --> 01:12:14,130 Anchorman: EVACUATIONS CONTINUE AT THE HOLLY BALL, 1554 01:12:14,163 --> 01:12:15,665 THE SCENE OF THE SUSPICIOUS FIRE. 1555 01:12:15,699 --> 01:12:17,300 TALLY, WHAT'S THE LATEST? 1556 01:12:17,333 --> 01:12:19,302 WHETHER THE CHANDELIER WENT DOWN 1557 01:12:19,335 --> 01:12:21,671 BEFORE OR AFTER 911 GOT CALLED, 1558 01:12:21,705 --> 01:12:23,306 NOBODY IS SAYING. 1559 01:12:23,339 --> 01:12:26,643 BUT THIS HAS TO BE ONE OF THE MOST INCENDIARY AFFAIRS 1560 01:12:26,676 --> 01:12:28,144 OF WHAT SOCIAL REGISTER TYPES 1561 01:12:28,177 --> 01:12:29,713 HERE CALL "THE SEASON." 1562 01:12:29,746 --> 01:12:31,815 WELL, TALLY, THE HOLLY BALL 1563 01:12:31,848 --> 01:12:34,751 IS ONE OF OUR PRETTIEST AND MOST TRADITIONAL EVENTS. 1564 01:12:34,784 --> 01:12:36,820 HOW DO YOU SUPPOSE SUCH A THING HAPPENED? 1565 01:12:36,853 --> 01:12:38,488 UH... JUST KIDS WITH TOO MUCH TIME 1566 01:12:38,522 --> 01:12:40,356 AND NOTHING TO DO WITH IT, MARCIA. 1567 01:12:40,390 --> 01:12:41,725 BORED SILLY 1568 01:12:41,758 --> 01:12:43,660 AND DRESSED TO KILL. 1569 01:12:43,693 --> 01:12:45,695 IS THAT YOUR OPINION, TALLY? 1570 01:12:45,729 --> 01:12:48,331 NO, MARCIA. THAT IS OBSERVABLE FACT. 1571 01:12:48,364 --> 01:12:50,600 THANK YOU, TALLY. 1572 01:12:50,634 --> 01:12:51,668 BUCKY... 1573 01:12:51,701 --> 01:12:54,270 Marcia: JOHN, CAN I TALK TO YOU A MINUTE, PLEASE? 1574 01:12:54,303 --> 01:12:56,039 RIGHT. SHE IS LOOKING GOOD. 1575 01:12:56,072 --> 01:12:57,607 UH, I'D LIKE TO SIT DOWN WITH YOU 1576 01:12:57,641 --> 01:12:59,409 SOMETIME THIS WEEK. 1577 01:13:01,478 --> 01:13:04,047 SO, THE RATINGS ARE UP, 1578 01:13:04,080 --> 01:13:05,782 THE RESEARCH SAYS IT'S TALLY. I OWE YOU ONE. 1579 01:13:05,815 --> 01:13:07,183 I HADN'T THOUGHT 1580 01:13:07,216 --> 01:13:09,018 THAT SHE WAS GOING TO NEED HER HAND HELD. 1581 01:13:09,052 --> 01:13:10,554 BUCKY, YOU MAKE YOUR LIVING OFF OF PEOPLE 1582 01:13:10,587 --> 01:13:13,289 THAT NEED THEIR HANDS HELD. 1583 01:13:13,322 --> 01:13:15,124 SHE CAN GO ALL THE WAY, CAN'T SHE? 1584 01:13:15,158 --> 01:13:16,460 ASSUMING SHE DOESN'T GO WIGGY AGAIN. 1585 01:13:16,493 --> 01:13:17,461 MMM. 1586 01:13:17,494 --> 01:13:18,728 DOES A FIRST-RATE JOB, 1587 01:13:18,762 --> 01:13:20,296 MAKES A FEW BREAKS FOR HERSELF... 1588 01:13:20,329 --> 01:13:22,632 IBS IS THE SHOT. VERY FLUID LINEUP. 1589 01:13:22,666 --> 01:13:25,068 PLUS WENDY CHAN SHOWS MORE THAN SHE'S BEEN SHOWING. 1590 01:13:25,101 --> 01:13:26,470 HOW LONG? 1591 01:13:26,503 --> 01:13:29,305 A YEAR, 2 YEARS, 18 MONTHS. 1592 01:13:29,338 --> 01:13:31,441 OH, WHOA, WHOA. TIME OUT TO DECODE. 1593 01:13:31,475 --> 01:13:33,276 YOU UP FOR THE DURATION? 1594 01:13:34,644 --> 01:13:38,147 NO COMMENT, READ YES. MIAMI KNOW THIS? 1595 01:13:38,181 --> 01:13:40,550 DAN AND I DON'T PUT EACH OTHER ON SPEED DIAL. 1596 01:13:40,584 --> 01:13:42,285 YEAH, IF DAN HEARS YOU'RE EVEN THINKING ABOUT IT, 1597 01:13:42,318 --> 01:13:45,254 YOU'VE SEEN YOUR LAST MOON OVER MIAMI. 1598 01:13:45,288 --> 01:13:47,423 FROM THE POINT OF VIEW OF THE GUYS WHO DO THE HIRING, WARREN, 1599 01:13:47,457 --> 01:13:49,626 YOU DON'T EXACTLY READ USER-FRIENDLY. 1600 01:13:49,659 --> 01:13:52,395 YOU LEFT TOO MUCH SCORCHED EARTH ON THE LAST PASS. 1601 01:13:52,428 --> 01:13:55,465 WHAT IS THIS, BUCKY? TOUGH LOVE? 1602 01:13:55,499 --> 01:13:57,266 TRY PETE RAYMOND. 1603 01:13:59,703 --> 01:14:01,471 LAST TIME I SAW PETE RAYMOND, 1604 01:14:01,505 --> 01:14:02,639 I TOLD HIM THE ONLY STORY 1605 01:14:02,672 --> 01:14:04,340 I'D BE INTERESTED IN WATCHING HIM COVER 1606 01:14:04,373 --> 01:14:05,642 WAS HIS OWN RETIREMENT. 1607 01:14:05,675 --> 01:14:07,310 FUNNY. THAT'S FUNNY. 1608 01:14:07,343 --> 01:14:09,145 BUT YOU SEE THE PROBLEM. 1609 01:14:09,178 --> 01:14:10,346 I GOT IT. 1610 01:14:10,379 --> 01:14:12,081 INCIDENTALLY, I DIDN'T MENTION TO TALLY 1611 01:14:12,115 --> 01:14:13,316 I WAS SEEING YOU TONIGHT. 1612 01:14:13,349 --> 01:14:16,019 STILL DOING IT YOUR WAY, I SEE. 1613 01:14:16,820 --> 01:14:18,321 YOU GOT LEVERAGE NOW. TELL MERINO 1614 01:14:18,354 --> 01:14:19,789 IF HE WANTS TO KEEP HER HAPPY, 1615 01:14:19,823 --> 01:14:21,324 THERE'S A CAMERAMAN IN MIAMI. 1616 01:14:21,357 --> 01:14:23,159 HE'S A GOOD MAN. 1617 01:14:26,563 --> 01:14:28,798 Man: HEY, TALLY. 1618 01:14:31,034 --> 01:14:32,602 NED! 1619 01:14:33,469 --> 01:14:34,370 HEY. 1620 01:14:34,403 --> 01:14:35,505 [LAUGHING] 1621 01:14:35,539 --> 01:14:37,473 WHAT ARE YOU DOING HERE? 1622 01:14:37,507 --> 01:14:39,809 OH, WARREN PULLED A FEW STRINGS. 1623 01:14:41,845 --> 01:14:42,812 REALLY? 1624 01:14:42,846 --> 01:14:44,147 IT'S ME. 1625 01:14:45,414 --> 01:14:49,052 HELL OF A TEMPTATION, WARREN, HAVING YOU BACK ON THE MARKET. 1626 01:14:49,085 --> 01:14:50,520 NEVER THOUGHT YOU'D LEAVE MIAMI. 1627 01:14:50,554 --> 01:14:52,155 BUT, END OF THE DAY, 1628 01:14:52,188 --> 01:14:53,623 YOU'RE A HARD-NEWS GUY. 1629 01:14:53,657 --> 01:14:57,293 WE RECENTLY DID A 5-PARTER ON NANNIES. 1630 01:14:57,326 --> 01:14:59,128 5-PARTER ON NANNIES. 1631 01:14:59,162 --> 01:15:01,230 RIGHT OFF THE CHARTS, RESPONSE-WISE. 1632 01:15:01,264 --> 01:15:02,331 IS THAT RIGHT? 1633 01:15:02,365 --> 01:15:04,300 OK. 1634 01:15:04,333 --> 01:15:06,135 YOU DON'T DO NANNIES. 1635 01:15:06,169 --> 01:15:08,071 YOU DON'T TAKE PRISONERS. 1636 01:15:08,104 --> 01:15:09,673 YOU OUGHT TO PITCH SOMEBODY 1637 01:15:09,706 --> 01:15:11,340 YOU DON'T HAVE A HISTORY WITH. 1638 01:15:11,374 --> 01:15:15,078 THERE'S A HOT YOUNG KID AT 4 IN BALTIMORE. 1639 01:15:15,111 --> 01:15:16,713 CORD OTAVIO. 1640 01:15:18,181 --> 01:15:19,716 HOLD ALL MY CALLS. 1641 01:15:21,084 --> 01:15:22,151 SO... 1642 01:15:22,185 --> 01:15:24,387 TELL ME SOMETHING ABOUT YOURSELF, UH... 1643 01:15:24,420 --> 01:15:26,222 "WARREN." 1644 01:15:29,458 --> 01:15:30,594 YOU FIRST... 1645 01:15:30,627 --> 01:15:32,361 "CORD." 1646 01:15:37,801 --> 01:15:39,603 TALKED TO BUCKY TODAY, 1647 01:15:39,636 --> 01:15:41,204 MENTIONED YOUR BEING HERE. 1648 01:15:41,237 --> 01:15:42,606 HE ALREADY KNEW IT. 1649 01:15:42,639 --> 01:15:44,674 ASKED HOW YOU WERE. 1650 01:15:46,442 --> 01:15:47,711 SO, HOW ARE YOU? 1651 01:15:47,744 --> 01:15:49,278 I NEVER THOUGHT A PARTIAL ECLIPSE 1652 01:15:49,312 --> 01:15:52,115 WOULD GET TO BE MY IDEA OF A GOOD TIME. 1653 01:15:55,384 --> 01:15:57,186 YOU KNOW WHAT I WISH? 1654 01:15:57,220 --> 01:15:59,623 THAT THIS ECLIPSE WOULD MOVE FASTER. 1655 01:16:01,424 --> 01:16:04,193 I WISH YOU DIDN'T HAVE TO GO BACK TO MIAMI. 1656 01:16:09,498 --> 01:16:11,067 IT'S WARREN JUSTICE 1657 01:16:11,100 --> 01:16:13,136 CALLING FOR PETE RAYMOND AGAIN. 1658 01:16:13,169 --> 01:16:16,539 NO, NO, NOT MR. WARREN. MR. JUSTICE. 1659 01:16:16,572 --> 01:16:19,408 LOOK AT IT THIS WAY. IF, UH, MR. RAYMOND DOESN'T KNOW WHO I AM, 1660 01:16:19,442 --> 01:16:22,145 HE DOESN'T HAVE TO CALL ME BACK. 1661 01:16:25,014 --> 01:16:26,149 [RAPPING] ♪ ALL RIGHT ♪ 1662 01:16:26,182 --> 01:16:27,617 ♪ UNDER THE BLUE HEAVEN MORNIN' HERE ♪ 1663 01:16:27,651 --> 01:16:29,452 ♪ AT RADIO ROCKIN' SOCKIN' PHILADELPHIA ♪ 1664 01:16:29,485 --> 01:16:31,788 ♪ CHANNEL 7, HAVE YOU CHECKED IT OUT? ♪ 1665 01:16:31,821 --> 01:16:34,057 ♪ THEY GOT THE BABE THAT MAKES ME SHOUT ♪ 1666 01:16:34,090 --> 01:16:35,491 ♪ TALKIN' 'BOUT MARCIA I AM NOT ♪ 1667 01:16:35,524 --> 01:16:37,460 ♪ OOH, TALLY, WHAT YOU GOT... ♪ 1668 01:16:37,493 --> 01:16:39,062 ♪ YOU BETTER BELIEVE IT... ♪ 1669 01:16:39,095 --> 01:16:40,263 [CLICK] 1670 01:16:40,296 --> 01:16:42,799 MARCIA, YOU MAY BE OVERREACTING. 1671 01:16:42,832 --> 01:16:45,468 SHE TAKES MY BROADCAST, 1672 01:16:45,501 --> 01:16:48,437 A BROADCAST WITH WHICH I AM IDENTIFIED 1673 01:16:48,471 --> 01:16:50,640 AND FOR WHICH I AM RESPONSIBLE, 1674 01:16:50,674 --> 01:16:54,310 AND SHE MAKES MY BROADCAST, AND BY EXTENSION, ME, 1675 01:16:54,343 --> 01:16:56,612 THE OBJECT OF VULGAR INNUENDO. 1676 01:16:56,646 --> 01:16:59,115 THE OBJECT IS NOT YOU. 1677 01:16:59,148 --> 01:17:00,650 IT'S ME. 1678 01:17:10,326 --> 01:17:12,461 [BEEPING] 1679 01:17:15,665 --> 01:17:17,801 IF YOU WANT TO TALK ABOUT THE D.J., NOBODY... 1680 01:17:17,834 --> 01:17:19,302 JUST FORGET ABOUT THE D.J. 1681 01:17:19,335 --> 01:17:20,670 WE'VE GOT AN ELECTION COMING UP HERE. 1682 01:17:20,704 --> 01:17:21,805 I'D HATE TO WASTE MARCIA. 1683 01:17:21,838 --> 01:17:24,340 SHE KNOWS MORE ABOUT STATE POLITICS THAN THE POLS DO, 1684 01:17:24,373 --> 01:17:26,175 SO I OFFER HER SENIOR POLITICAL CORRESPONDENT 1685 01:17:26,209 --> 01:17:28,044 AND DIRECTOR OF CAMPAIGN COVERAGE, I DON'T KNOW, 1686 01:17:28,077 --> 01:17:29,445 WHATEVER THE HELL TITLE SHE WANTED, 1687 01:17:29,478 --> 01:17:31,647 AND SHE, UM... 1688 01:17:31,681 --> 01:17:34,283 WELL, PASSED. 1689 01:17:34,317 --> 01:17:37,020 I WANT YOU TO TAKE OVER SOME OF HER DUTIES. 1690 01:17:40,556 --> 01:17:43,226 IS THAT WHAT THIS IS ALL ABOUT? 1691 01:17:43,259 --> 01:17:44,794 YEAH. 1692 01:17:49,198 --> 01:17:51,634 IS SHE STAYING? 1693 01:17:51,667 --> 01:17:53,536 SHE HAS AN OFFER IN CINCINNATI. 1694 01:17:53,569 --> 01:17:55,304 ANCHOR. 1695 01:17:55,338 --> 01:17:57,340 IT'S A NICE MARKET FOR HER. 1696 01:18:09,685 --> 01:18:12,722 YOU DON'T USE 20? 1697 01:18:12,756 --> 01:18:16,559 MY RED 28. YOU SHOULD USE 29. 1698 01:18:18,061 --> 01:18:20,496 THIS AND A QUICK COMB-OUT 1699 01:18:20,529 --> 01:18:22,565 AND I'M READY TO GO ON AIR 1700 01:18:22,598 --> 01:18:24,533 TOMORROW NIGHT IN CINCINNATI. 1701 01:18:28,537 --> 01:18:30,273 QUELLE IRONY. 1702 01:18:30,306 --> 01:18:33,777 I WAS OFFERED A JOB AT WMIA THIS WEEK. 1703 01:18:33,810 --> 01:18:35,678 HMM? YEAH. CHRIS RICE WANTED ME 1704 01:18:35,711 --> 01:18:37,346 TO COME IN AND COANCHOR WITH ROB SULLIVAN. 1705 01:18:37,380 --> 01:18:38,347 CHRIS RICE? 1706 01:18:38,381 --> 01:18:40,249 YEAH, CHRIS RICE OF CHICAGO. DYNAMITE NEWS GUY. 1707 01:18:40,283 --> 01:18:41,517 WHAT'S HE DOING AT MIA? 1708 01:18:41,550 --> 01:18:43,753 HA! GETTING ALONG WITH DAN, 1709 01:18:43,787 --> 01:18:46,422 WHICH IS MORE THAN WARREN EVER BOTHERED TO DO. 1710 01:18:46,455 --> 01:18:48,057 WELL, I'M REASONABLE. 1711 01:18:48,091 --> 01:18:50,059 A CHIQUITA BANANA FOR ME, BUT... 1712 01:18:50,093 --> 01:18:51,027 CHRIS IS REALLY SHAKING THINGS UP DOWN THERE. 1713 01:18:51,060 --> 01:18:54,397 I ACTUALLY CONSIDERED BLOWING OFF CINCINNATI, 1714 01:18:54,430 --> 01:18:56,465 STREAKING MY HAIR, AND... 1715 01:18:56,499 --> 01:18:58,267 GOING DOWN TO WORK WITH CHRIS, 1716 01:18:58,301 --> 01:19:00,536 BUT YOU GET TO BE 42, YOU KNOW WHAT IT COSTS 1717 01:19:00,569 --> 01:19:03,139 TO JUMP OFF THE HIGH BOARD. 1718 01:19:03,172 --> 01:19:06,042 YOU DIDN'T KNOW IT WAS CHRIS WHO REPLACED WARREN? 1719 01:19:08,077 --> 01:19:10,613 WHAT DOES IT TAKE TO JUMP OFF THE HIGH BOARD? 1720 01:19:10,646 --> 01:19:13,449 YOU GET TO BE 42, YOU DON'T HAVE TO ASK. 1721 01:19:15,751 --> 01:19:18,421 IT'S NOT YOUR FAULT. YOU KNOW THAT. 1722 01:19:19,622 --> 01:19:21,157 IT'S NOT ANYBODY'S FAULT. 1723 01:19:21,190 --> 01:19:23,292 THIS IS THE WAY IT WORKS. 1724 01:19:24,660 --> 01:19:26,295 ACTUALLY... 1725 01:19:26,329 --> 01:19:27,763 I'M 44. 1726 01:19:27,797 --> 01:19:30,099 NOT EVEN BUCKY KNOWS THAT. 1727 01:19:34,804 --> 01:19:36,739 Warren: IT'S BEEN A WHILE, BUFORD. 1728 01:19:36,772 --> 01:19:38,307 GOOD TIMES. 1729 01:19:39,175 --> 01:19:40,409 GOOD TIMES. 1730 01:19:45,714 --> 01:19:48,117 YOU'RE LOOKING FOR A JOB, AREN'T YOU? 1731 01:19:50,286 --> 01:19:51,620 SHIT, WARREN, YOU GOT A HABIT 1732 01:19:51,654 --> 01:19:53,756 OF CALLING A HORSE'S ASS A HORSE'S ASS. 1733 01:19:53,789 --> 01:19:55,624 WE GOT SOME FOLKS AROUND THAT SHOP 1734 01:19:55,658 --> 01:19:57,994 JUST DON'T APPRECIATE THAT. 1735 01:19:58,027 --> 01:19:59,162 YOU MEAN LIKE GABE LAWRENCE, 1736 01:19:59,195 --> 01:20:00,629 VICE PRESIDENT OF INFOTAINMENT? 1737 01:20:00,663 --> 01:20:02,198 YEAH. WHAT WAS IT YOU SAID 1738 01:20:02,231 --> 01:20:03,799 ABOUT GABE'S GRENADA COVERAGE? 1739 01:20:03,833 --> 01:20:05,634 BLOOD, SWEAT, AND PERRIER. 1740 01:20:05,668 --> 01:20:06,635 HA HA! 1741 01:20:06,669 --> 01:20:08,471 HE NEVER EVEN MADE THE INVASION. 1742 01:20:08,504 --> 01:20:11,207 IT COINCIDED WITH AN UNBREAKABLE PERIODONTAL APPOINTMENT. 1743 01:20:11,240 --> 01:20:13,776 THE FLOSSERS ARE IN CHARGE NOW, WARREN. 1744 01:20:13,809 --> 01:20:16,812 I'M JUST A NOBLE FUCKING SAVAGE 1745 01:20:16,846 --> 01:20:19,448 THEY TROT OUT TO THE AFFILIATE MEETINGS. 1746 01:20:19,482 --> 01:20:21,017 [SIGHS] 1747 01:20:21,050 --> 01:20:25,154 ARE YOUR SOURCES AT THE PENTAGON STILL GOOD? 1748 01:20:25,188 --> 01:20:26,555 I THINK SO. WHY? 1749 01:20:26,589 --> 01:20:28,624 YOU MIGHT WANT TO ASK THEM ABOUT SOUTH OF HERE. 1750 01:20:28,657 --> 01:20:29,625 YEAH? 1751 01:20:29,658 --> 01:20:32,461 1999, WE GOT TO GIVE BACK THE PANAMA CANAL, 1752 01:20:32,495 --> 01:20:34,197 AND I JUST CAN'T SEE THAT HAPPENING 1753 01:20:34,230 --> 01:20:37,066 WITHOUT A WHOLE BUNCH OF PEOPLE RUNNING A WHOLE LOT OF BLADES. 1754 01:20:37,100 --> 01:20:38,734 THIS INTUITION, OR YOU HEAR SOMETHING? 1755 01:20:38,767 --> 01:20:42,305 I HEARD THE USUAL PEOPLE WERE INTERESTED. 1756 01:20:42,338 --> 01:20:44,473 YOU GOT ANYBODY ON IT? 1757 01:20:44,507 --> 01:20:46,675 OL' GABE DON'T THINK THERE'S A STORY. 1758 01:20:46,709 --> 01:20:48,811 YOU GO DOWN THERE, YOU'D OWN IT. 1759 01:20:54,350 --> 01:20:57,086 KIND OF WANTED TO STAY AROUND HERE FOR A WHILE. 1760 01:20:57,120 --> 01:20:59,422 IS SHE WORTH IT? 1761 01:21:01,257 --> 01:21:03,692 DEEP DOWN, SHE WANTS TO SHOOT UP THE TOWN. 1762 01:21:03,726 --> 01:21:05,561 OH, HELL, I'M ALWAYS GOOD FOR LUNCH. 1763 01:21:05,594 --> 01:21:07,363 AW, YOU'VE HEARD ALL MY STORIES, BUFORD. 1764 01:21:07,396 --> 01:21:09,432 TAKE CARE OF YOURSELF. 1765 01:21:09,465 --> 01:21:11,400 YOU, TOO. 1766 01:21:19,808 --> 01:21:20,576 HEY. 1767 01:21:20,609 --> 01:21:23,012 I'VE BEEN TRYING TO CALL YOU ALL DAY. 1768 01:21:23,046 --> 01:21:25,781 I SHOULD'VE LET YOU KNOW. I WENT UP TO NEW YORK. 1769 01:21:25,814 --> 01:21:27,350 TO DO WHAT? 1770 01:21:27,383 --> 01:21:29,585 NOTHING MUCH. YOU SHOULD'VE BEEN UP THERE. 1771 01:21:29,618 --> 01:21:31,287 THERE'S A STREET FAIR 1772 01:21:31,320 --> 01:21:33,522 ON ONE OF THESE INCREDIBLE NEW YORK DAYS. 1773 01:21:33,556 --> 01:21:34,723 SEE ANYBODY YOU KNOW? 1774 01:21:34,757 --> 01:21:36,459 ALL THESE LITTLE KIDS RUNNING AROUND 1775 01:21:36,492 --> 01:21:38,261 WITH COTTON CANDY ON THEIR FACE. 1776 01:21:40,796 --> 01:21:42,631 WHAT? 1777 01:21:42,665 --> 01:21:44,800 ANYTHING HAPPEN UP THERE? 1778 01:21:44,833 --> 01:21:47,136 YEAH. YEAH. HERE'S A NEWS BREAK. 1779 01:21:47,170 --> 01:21:48,704 I GOT A CABDRIVER THAT COULD FIND PENN STATION... 1780 01:21:48,737 --> 01:21:50,406 OH, WHOA, WHOA, WAIT A SECOND NOW. 1781 01:21:50,439 --> 01:21:51,574 WHAT? 1782 01:21:53,509 --> 01:21:55,144 IS THERE SOMETHING YOU DON'T WANT TO TELL ME? 1783 01:21:55,178 --> 01:21:56,212 YOU ASK A LOT OF QUESTIONS. 1784 01:21:56,245 --> 01:22:00,649 I DON'T GET A LOT OF ANSWERS. 1785 01:22:00,683 --> 01:22:02,718 A LOT OF REPORTERS THINK THEIR JOB IN WASHINGTON 1786 01:22:02,751 --> 01:22:04,753 IS TO COVER THEIR BETS. WARREN DIDN'T. 1787 01:22:04,787 --> 01:22:07,123 HE THOUGHT HE WAS THERE TO TELL THE STORY, 1788 01:22:07,156 --> 01:22:11,327 WHICH DIDN'T MAKE HIM WIDELY POPULAR. 1789 01:22:11,360 --> 01:22:14,263 HE EVER TELL YOU WHY HE LEFT THE NETWORK? 1790 01:22:15,198 --> 01:22:18,401 HE SAID HE... MADE A MISTAKE ON A STORY. 1791 01:22:19,835 --> 01:22:22,138 HE TRUSTED THE SOURCE, AND HE SHOULDN'T HAVE. 1792 01:22:22,171 --> 01:22:23,639 THAT'S WHAT HE TOLD ME. 1793 01:22:23,672 --> 01:22:26,242 HE TRUSTED THE SOURCE 1794 01:22:26,275 --> 01:22:28,244 BECAUSE I WAS THE SOURCE. 1795 01:22:30,213 --> 01:22:32,181 I TOOK A YEAR OFF FROM THE WASHINGTON BUREAU 1796 01:22:32,215 --> 01:22:33,449 TO RUN BRIEFINGS FOR STATE. 1797 01:22:33,482 --> 01:22:35,651 WARREN AND I HAD A DEAL. 1798 01:22:35,684 --> 01:22:38,787 I DID WHAT I HAD TO DO, HE DID WHAT HE HAD TO DO. 1799 01:22:38,821 --> 01:22:42,625 NEVER DREAMED FOR A MINUTE HE'D BUY THAT STORY. 1800 01:22:42,658 --> 01:22:43,792 BUT HE DID. 1801 01:22:43,826 --> 01:22:45,528 YEAH, HE DID. 1802 01:22:47,830 --> 01:22:49,265 IN THE OVERALL SCHEME OF THINGS, 1803 01:22:49,298 --> 01:22:51,034 IT SHOULDN'T HAVE MATTERED, BUT IT DID MATTER, 1804 01:22:51,067 --> 01:22:52,635 BECAUSE THE NETWORK WAS LOOKING FOR AN EXCUSE, 1805 01:22:52,668 --> 01:22:54,137 AND NOW THEY HAD AN EXCUSE. 1806 01:22:54,170 --> 01:22:56,272 THEY SAW HIM AS A WILD CARD TO BEGIN WITH. 1807 01:22:56,305 --> 01:22:59,808 THEY GOT HIM TO SIT DOWN AT LUNCH AT 21 WITH BUFORD SELLS. 1808 01:22:59,842 --> 01:23:01,377 BUFORD SELLS PUT IT TO HIM, 1809 01:23:01,410 --> 01:23:03,479 PLAY IT THE NETWORK'S WAY OR TAKE THE HIGHWAY, 1810 01:23:03,512 --> 01:23:06,149 AND OUR WARREN TOOK THE HIGHWAY. 1811 01:23:07,750 --> 01:23:09,718 BUFORD USED TO BE HIS BEST FRIEND. 1812 01:23:09,752 --> 01:23:11,720 SO, YOU SEE, IT TOOK A LOT FOR HIM 1813 01:23:11,754 --> 01:23:14,123 TO ASK BU FOR A JOB. 1814 01:23:19,428 --> 01:23:21,997 YOU DO A LOT OF THINGS FOR A LOT OF PEOPLE. 1815 01:23:22,031 --> 01:23:24,200 THERE CAN'T BE MANY PEOPLE IN THIS BUSINESS 1816 01:23:24,233 --> 01:23:26,335 WHO DON'T OWE YOU A FAVOR. 1817 01:23:27,736 --> 01:23:30,005 NOW YOU'RE GOING TO COLLECT ONE. 1818 01:23:31,507 --> 01:23:33,642 YOU'RE GOING TO COLLECT IT FOR ME. 1819 01:23:37,046 --> 01:23:39,348 OH, WHAT AM I DOING? 1820 01:23:39,382 --> 01:23:40,816 YOU DID THIS TO ME, TERRANOVA! 1821 01:23:40,849 --> 01:23:42,318 PUT MY BACK AGAINST THE WALL, 1822 01:23:42,351 --> 01:23:43,686 TELL ME I GOT TO HIRE THESE GUYS. 1823 01:23:43,719 --> 01:23:45,321 I DON'T HAVE TO HIRE THESE GUYS! 1824 01:23:45,354 --> 01:23:46,322 I ALREADY WORKED WITH WARREN JUSTICE. 1825 01:23:46,355 --> 01:23:48,491 HE WORKED DOWN IN NEW ORLEANS WITH THE D.E.A. 1826 01:23:48,524 --> 01:23:50,826 ALMOST GOT ME KILLED... NOT NOW! 1827 01:23:50,859 --> 01:23:52,595 UH, WHATEVER'S GOOD FOR THE GOVERNOR, 1828 01:23:52,628 --> 01:23:54,563 I'LL, UH, MAKE MYSELF AVAILABLE. 1829 01:24:01,036 --> 01:24:02,738 WE DO A SERIES OF BACKGROUNDERS 1830 01:24:02,771 --> 01:24:05,741 ON THE NEWS BEFORE IT BECOMES NEWS. 1831 01:24:05,774 --> 01:24:08,111 WE START WITH THE GOVERNOR 1832 01:24:08,144 --> 01:24:10,546 HANGING HIS RE-ELECTION CAMPAIGN ON PRISON REFORM. 1833 01:24:10,579 --> 01:24:14,083 McBRIDE'S UP 24 POINTS IN THE POLLS 1834 01:24:14,117 --> 01:24:15,451 BECAUSE THE PUBLIC THINKS 1835 01:24:15,484 --> 01:24:18,521 CUTTING INMATE PRIVILEGES IS THE TOUGH WAY TO GO. 1836 01:24:18,554 --> 01:24:19,788 WE ASK THE QUESTIONS. 1837 01:24:19,822 --> 01:24:20,789 "WE"? 1838 01:24:20,823 --> 01:24:22,458 YOU AND ME. 1839 01:24:22,491 --> 01:24:25,128 HMM. 1840 01:24:25,161 --> 01:24:27,630 LOOK, IT'S "WE," WHY DON'T YOU ASK ME HOW I SAW IT? 1841 01:24:27,663 --> 01:24:29,265 HOW DO YOU SEE IT? 1842 01:24:29,298 --> 01:24:30,633 SEE WHAT THE PRISON PROFESSIONALS THINK, 1843 01:24:30,666 --> 01:24:32,635 YOU TALK TO THE WARDEN, YOU TALK TO THE GUARDS. 1844 01:24:32,668 --> 01:24:34,137 McBRIDE THINKS HE'S BEING TOUGH, 1845 01:24:34,170 --> 01:24:37,306 MY BET IS HE'S JUST BEING BUTCH. 1846 01:24:37,340 --> 01:24:39,308 THEN YOU'LL DO IT? 1847 01:24:39,342 --> 01:24:41,377 WE COULD SEE EACH OTHER ALL DAY LONG... 1848 01:24:41,410 --> 01:24:43,746 GOD, YOU WANT SOMETHING, YOU DON'T GIVE UP. 1849 01:24:44,813 --> 01:24:45,881 THERE'S SOMETHING ELSE I WANT. 1850 01:24:45,914 --> 01:24:49,485 YOU'VE ALREADY GOT ME DOING ONE THING I DON'T WANT. 1851 01:24:49,518 --> 01:24:52,155 WHAT OTHER THINGS YOU GOT IN MIND? 1852 01:24:56,292 --> 01:24:58,461 MARRY ME. 1853 01:25:00,028 --> 01:25:01,230 WHAT? 1854 01:25:02,665 --> 01:25:05,067 MARRY ME. 1855 01:25:06,769 --> 01:25:09,004 I'VE BEEN MARRIED. 1856 01:25:09,037 --> 01:25:11,407 TWICE. BAD IDEA. 1857 01:25:11,440 --> 01:25:13,108 TWICE. 1858 01:25:13,142 --> 01:25:15,511 I WANT YOU AROUND IN THE MORNING. 1859 01:25:19,114 --> 01:25:21,484 YOU ALREADY HAVE ME AROUND IN THE MORNING. 1860 01:25:21,517 --> 01:25:23,486 HOW, I DON'T KNOW, BUT YOU DO. 1861 01:25:25,154 --> 01:25:28,324 I WANT TO KNOW YOU'RE LEGALLY REQUIRED TO BE THERE. 1862 01:25:32,228 --> 01:25:34,363 [WEDDING MARCH PLAYS] 1863 01:25:36,165 --> 01:25:37,366 BY THE POWER VESTED IN ME, 1864 01:25:37,400 --> 01:25:38,601 I NOW PRONOUNCE YOU MAN AND WIFE. 1865 01:25:38,634 --> 01:25:40,002 [JAZZES UP WEDDING MARCH] 1866 01:25:40,035 --> 01:25:41,504 YOU MAY KISS YOUR BRIDE. 1867 01:25:43,239 --> 01:25:45,541 THANKS. 1868 01:25:51,847 --> 01:25:53,382 GOING INTO SOME OFFICE 1869 01:25:53,416 --> 01:25:55,484 AND GETTING THE ROTARY LUNCH SPEECH FROM THE WARDEN 1870 01:25:55,518 --> 01:25:56,785 WON'T DO IT. 1871 01:25:56,819 --> 01:25:58,654 BUT IF WE COULD SHOW HOW McBRIDE'S REFORMS 1872 01:25:58,687 --> 01:26:00,823 ARE AFFECTING JUST ONE INMATE IN ONE PRISON, 1873 01:26:00,856 --> 01:26:02,391 A DAY IN THE LIFE... 1874 01:26:02,425 --> 01:26:04,193 THAT WOULD TELL THE STORY. 1875 01:26:04,893 --> 01:26:06,462 YOU LISTENING TO ME OR NOT? 1876 01:26:06,495 --> 01:26:10,199 I THOUGHT THIS WAS SUPPOSED TO BE OUR NIGHT OFF. 1877 01:26:17,406 --> 01:26:19,342 MY WIFE THE CANDY ASS. 1878 01:26:33,556 --> 01:26:35,658 DOES OUR NIGHT OFF END AT MIDNIGHT? 1879 01:26:35,691 --> 01:26:37,226 REMEMBER FERNANDO BUTTANDA? 1880 01:26:37,260 --> 01:26:38,261 WHAT? 1881 01:26:38,294 --> 01:26:39,762 THE FATHER OF THE NEW YEAR'S BABY. 1882 01:26:39,795 --> 01:26:41,830 MIAMI. LAYETTE. 1883 01:26:41,864 --> 01:26:43,232 ROB AND I FIGHTING ON THE AIR? 1884 01:26:43,266 --> 01:26:45,200 HEY... THEY SENT HIM UP HERE. 1885 01:26:45,234 --> 01:26:46,201 MM-HMM. 1886 01:26:46,235 --> 01:26:48,504 FROM HOLMSBERG. 1887 01:26:48,537 --> 01:26:51,106 HE'S THE DAY IN THE LIFE. 1888 01:26:53,476 --> 01:26:56,345 FULL-SCREEN HEADLINE... "GOVERNOR SIGNS PRISON REFORM ACT." 1889 01:26:56,379 --> 01:26:59,548 CUT TO McBRIDE. SMASH INTO HIS CAMPAIGN BITES. 1890 01:26:59,582 --> 01:27:01,784 "HOLMSBERG IS A PRISON. IT'S NOT A RESORT. 1891 01:27:01,817 --> 01:27:03,419 HOLMSBERG WORKS," ETCETERA, ETCETERA, ETCETERA. 1892 01:27:03,452 --> 01:27:04,620 MEANTIME, OVER EACH BITE, 1893 01:27:04,653 --> 01:27:06,389 WE SHOW THE JUMP THAT HE GETS IN THE POLLS. 1894 01:27:06,422 --> 01:27:07,756 AND THEN WE HAVE THIS ONE PRISONER... 1895 01:27:07,790 --> 01:27:08,791 AND THE EFFECT ON HIM 1896 01:27:08,824 --> 01:27:10,793 WHEN McBRIDE ORDERS ALL THE TV SETS AND LAPTOPS 1897 01:27:10,826 --> 01:27:11,860 TAKEN OUT OF EACH CELL. 1898 01:27:11,894 --> 01:27:15,631 AND ALSO DEFUNDED ALL REHAB AND VOCATIONAL TRAINING. 1899 01:27:15,664 --> 01:27:17,132 WHAT ELSE? 1900 01:27:17,165 --> 01:27:18,601 WHAT DO YOU MEAN, "WHAT ELSE"? 1901 01:27:18,634 --> 01:27:19,468 WELL, I JUST GET THE SENSE 1902 01:27:19,502 --> 01:27:22,137 YOU MAY BE COMING DOWN HEAVY ON McBRIDE. 1903 01:27:22,170 --> 01:27:23,539 IF YOU THINK IT'S HEAVY TO SAY 1904 01:27:23,572 --> 01:27:24,973 THAT McBRIDE HAS BEEN PEDDLING NITRO 1905 01:27:25,007 --> 01:27:26,241 TO GET HIMSELF RE-ELECTED, 1906 01:27:26,275 --> 01:27:27,443 THEN WE'RE COMING DOWN HEAVY. 1907 01:27:27,476 --> 01:27:29,712 LOOK... DO I THINK THE CRIME ISSUE 1908 01:27:29,745 --> 01:27:31,380 IS MANIPULATED FOR POLITICAL ENDS? 1909 01:27:31,414 --> 01:27:32,381 ABSOLUTELY. 1910 01:27:32,415 --> 01:27:33,782 THEN WHAT ARE WE TALKING ABOUT? 1911 01:27:33,816 --> 01:27:35,618 DO I THINK THAT LARGE NUMBERS OF PEOPLE 1912 01:27:35,651 --> 01:27:37,586 WANT TO HEAR THIS? NOT NECESSARILY. 1913 01:27:37,620 --> 01:27:40,122 UM... JOHN'S CONCERN IS... 1914 01:27:40,155 --> 01:27:42,291 I KNOW WHAT JOHN'S CONCERN IS. 1915 01:27:42,325 --> 01:27:44,460 UM... JOHN'S FEELING IS THAT... 1916 01:27:44,493 --> 01:27:45,761 HE WANTS US TO TELL THE VIEWERS 1917 01:27:45,794 --> 01:27:47,996 WHAT HE THINKS THEY WANT TO HEAR. 1918 01:27:51,367 --> 01:27:52,735 DID YOU EVER ENTERTAIN ANY IDEA 1919 01:27:52,768 --> 01:27:54,637 YOU DIDN'T GET FROM A FOCUS GROUP, JOHN? 1920 01:27:54,670 --> 01:27:56,639 OH, SHIT. YOU KNOW, WARREN, 1921 01:27:56,672 --> 01:27:57,473 YOU STAKE OUT THE MORAL HIGH GROUND, 1922 01:27:57,506 --> 01:27:59,274 EVERYBODY ELSE GETS ALTITUDE SICKNESS. 1923 01:27:59,308 --> 01:28:00,309 JOHN... 1924 01:28:00,343 --> 01:28:02,311 YOU THINK I WANT THIS KIND OF SHIT, 1925 01:28:02,345 --> 01:28:03,579 THINK I EVEN WANTED THIS PROJECT? 1926 01:28:03,612 --> 01:28:04,647 JOHN! 1927 01:28:04,680 --> 01:28:05,748 SHE WANTED IT. 1928 01:28:05,781 --> 01:28:07,149 YOU KNOW, YOU TALK ABOUT WHAT YOU WANT, 1929 01:28:07,182 --> 01:28:08,484 SHE'S THE ONE WHO'S OUT THERE ON THE LINE, 1930 01:28:08,517 --> 01:28:10,118 AND THE ONLY REASON SHE'S OUT THERE 1931 01:28:10,152 --> 01:28:12,254 IS TO GIVE YOU SOMETHING TO DO! 1932 01:28:15,290 --> 01:28:17,326 ACTUALLY, I'VE GOT SOMETHING TO DO. 1933 01:28:30,839 --> 01:28:33,442 Ned: LOOK, TALLY, HE'LL SHOW UP... 1934 01:28:33,476 --> 01:28:36,445 YOU MOVE DOWN... IT'S A GREAT STORY... 1935 01:28:37,680 --> 01:28:41,650 HE'S A PROFESSIONAL. FINE STUFF LIKE THAT. 1936 01:28:43,419 --> 01:28:45,821 LET'S GO IN AND SET UP. 1937 01:28:45,854 --> 01:28:48,357 WARREN JUSTICE FOR COLONEL PETERS. 1938 01:28:57,165 --> 01:28:58,133 BARRY? 1939 01:28:58,166 --> 01:29:00,002 ARE YOU... 1940 01:29:00,035 --> 01:29:01,470 LONG TIME, RIGHT. 1941 01:29:01,504 --> 01:29:04,306 BARRY, YOU STILL COVERING PANAMA FOR THE PENTAGON? 1942 01:29:07,576 --> 01:29:09,244 OYEME... 1943 01:29:09,277 --> 01:29:12,080 I WAS WORKING IN THE INFIRMARY ALL DAY 1944 01:29:12,114 --> 01:29:14,750 WITH, UH... I DON'T KNOW, HOW DO YOU SAY... 1945 01:29:14,783 --> 01:29:16,218 LOS LOCOS? 1946 01:29:16,251 --> 01:29:18,253 THE DISTURBED. 1947 01:29:18,286 --> 01:29:20,155 AND... I LIKE IT, 1948 01:29:20,188 --> 01:29:23,158 AND THEY GO AND CHUCK OUT THE PROGRAM... 1949 01:29:23,191 --> 01:29:24,359 [SHOUTING] 1950 01:29:25,861 --> 01:29:27,763 AND WHEN THEY SHUT DOWN THIS GYM, 1951 01:29:27,796 --> 01:29:29,498 LIKE THEY SAY THEY WILL DO... 1952 01:29:29,532 --> 01:29:30,433 PUT YOUR HANDS DOWN! 1953 01:29:30,466 --> 01:29:31,500 EVERYBODY IN HERE, MAN, 1954 01:29:31,534 --> 01:29:33,402 IS GOING TO BE A... 1955 01:29:33,436 --> 01:29:35,404 A LOCO... 1956 01:29:35,438 --> 01:29:37,039 DISTURBED. 1957 01:29:37,072 --> 01:29:39,107 ACTUALLY, I'LL BE IN WASHINGTON LATER TODAY. 1958 01:29:39,141 --> 01:29:40,443 MAYBE WE COULD JUST... 1959 01:29:40,476 --> 01:29:41,777 HUH? 1960 01:29:41,810 --> 01:29:44,513 NO, NO, MAYBE WE COULD JUST SIT DOWN, CHEW THE FAT. 1961 01:29:46,048 --> 01:29:47,750 ABOUT THIS AND THAT. 1962 01:29:47,783 --> 01:29:49,084 SPECIFICALLY? 1963 01:29:49,117 --> 01:29:51,086 I'LL CALL YOU WHEN I GET THERE. 1964 01:29:52,154 --> 01:29:53,789 IF YOU NEED ANYTHING MORE, 1965 01:29:53,822 --> 01:29:56,091 THIS TV IS LIGHT DUTY, SO CALL ME. 1966 01:29:56,124 --> 01:29:57,125 THANK YOU SO MUCH. 1967 01:29:57,159 --> 01:29:58,126 OK, THANK YOU. 1968 01:29:58,160 --> 01:29:59,695 [SIREN] 1969 01:29:59,728 --> 01:30:02,097 YOU GET OVER THERE! DON'T GO OUT! 1970 01:30:02,130 --> 01:30:03,699 [SHOUTING] 1971 01:30:16,812 --> 01:30:19,047 Radio: ALL UNITS, ESPECIALLY THOSE IN THE VICINITY 1972 01:30:19,081 --> 01:30:20,382 OF HOLMSBERG PRISON, 1973 01:30:20,415 --> 01:30:23,318 THE PRISONERS HAVE TAKEN CONTROL OF THE GYMNASIUM AND 2 CELL BLOCKS. 1974 01:30:23,351 --> 01:30:24,553 UNCONFIRMED, 1975 01:30:24,587 --> 01:30:27,322 THEY'RE HOLDING 10 TO 12 HOSTAGES. 1976 01:30:27,355 --> 01:30:28,624 A CREW FROM CHANNEL 7 1977 01:30:28,657 --> 01:30:32,094 APPARENTLY HAD BEEN FILMING WHEN THE RIOT BROKE OUT. 1978 01:30:33,028 --> 01:30:34,630 [HORNS HONKING] 1979 01:30:39,668 --> 01:30:41,470 [SIRENS] 1980 01:30:56,785 --> 01:30:58,420 HEY! 1981 01:30:59,287 --> 01:31:00,489 I GOT GUARDS IN THERE. 1982 01:31:00,523 --> 01:31:02,124 YOU TELL THE PUBLIC, THEY'RE DEAD. 1983 01:31:02,157 --> 01:31:04,627 I'M TELLING YOU, STOP CHICKENSHITTING AROUND AND GO IN. 1984 01:31:04,660 --> 01:31:06,128 THE WARDEN'S GOT... GOVERNOR'S GOT... 1985 01:31:06,161 --> 01:31:07,329 WHAT'S THE GOVERNOR GOT TO DO WITH IT? 1986 01:31:07,362 --> 01:31:08,330 THE MAYOR AND THE COMMISSIONER... 1987 01:31:08,363 --> 01:31:09,698 GET THE COMMISSIONER ON THE PHONE! 1988 01:31:09,732 --> 01:31:11,299 ANYTHING ON THE CHANNEL 7 NEWS CREW? 1989 01:31:11,333 --> 01:31:12,535 GARY LOGAN, IBS. 1990 01:31:12,568 --> 01:31:14,469 THE WARDEN'S GOING TO BE BRIEFING ME. 1991 01:31:14,503 --> 01:31:15,470 WARDEN KEELE? 1992 01:31:15,504 --> 01:31:16,471 YES. 1993 01:31:16,505 --> 01:31:17,840 WARDEN... 1994 01:31:17,873 --> 01:31:21,109 WARDEN, I HAVE INFORMATION THERE'S A CHANNEL 7 REPORTER STILL INSIDE. 1995 01:31:21,143 --> 01:31:22,477 CAN YOU CONFIRM WHETHER OR NOT SHE'S ALIVE? 1996 01:31:22,511 --> 01:31:24,547 WE WON'T KNOW UNTIL WE GO IN. 1997 01:31:24,580 --> 01:31:26,348 [ALL ASKING QUESTIONS] 1998 01:31:29,585 --> 01:31:31,787 [SIREN] 1999 01:31:38,527 --> 01:31:41,697 [SEVERAL SIRENS] 2000 01:31:50,172 --> 01:31:51,807 I'M GETTING SOMETHING ON THE LINE. 2001 01:31:51,840 --> 01:31:54,142 IT MAY BE TALLY TRYING TO FEED. 2002 01:31:59,715 --> 01:32:01,149 Tech: IS NED SHOOTING THIS? 2003 01:32:01,183 --> 01:32:03,518 SOMEBODY IS. ROLL A PRODUCTION TAPE. 2004 01:32:07,522 --> 01:32:08,824 TAL? 2005 01:32:10,759 --> 01:32:12,160 ARE YOU THERE? 2006 01:32:15,097 --> 01:32:16,264 TAL? 2007 01:32:18,200 --> 01:32:22,070 TAL, IT'S ME. ARE YOU THERE? ARE YOU HEARING ME? 2008 01:32:23,572 --> 01:32:25,674 TAL, CAN YOU HEAR ME? 2009 01:32:25,708 --> 01:32:27,242 I HEAR YOU! 2010 01:32:27,275 --> 01:32:29,111 STAY AGAINST THE WALL. WATCH YOUR BACK. 2011 01:32:29,144 --> 01:32:31,279 [COUGHING] 2012 01:32:31,313 --> 01:32:33,782 OK, YOU'VE GOT ONE THING GOING FOR YOU. 2013 01:32:33,816 --> 01:32:34,783 YOU'VE GOT THE CAMERA. 2014 01:32:34,817 --> 01:32:36,785 WHATEVER YOU DO, DO IT ON-AIR. 2015 01:32:36,819 --> 01:32:38,621 IT'S THE ONLY WEAPON YOU'VE GOT. 2016 01:32:38,654 --> 01:32:40,522 YOU'RE THEIR CHANCE TO TELL THE WORLD 2017 01:32:40,555 --> 01:32:41,624 WHAT'S GOING ON IN THERE. 2018 01:32:41,657 --> 01:32:42,791 USE THE CAMERA. 2019 01:32:42,825 --> 01:32:44,627 I'M NOT ON-AIR! 2020 01:32:44,660 --> 01:32:48,263 THEY DON'T KNOW THAT, AND BEFORE THEY DO, YOU WILL BE. 2021 01:32:48,296 --> 01:32:49,164 [COUGHING] 2022 01:32:49,197 --> 01:32:52,367 KEEP IT OUT THERE. IT'S GONNA PROTECT YOU. 2023 01:32:52,400 --> 01:32:54,469 KEEP IT IN HIS FACE. 2024 01:32:54,502 --> 01:32:56,639 OR YOU GOT SOMETHING TO SAY? 2025 01:32:56,672 --> 01:33:01,610 HUH? HUH? 4, 3, 2, 1... HOLMSBERG PRISON! 2026 01:33:01,644 --> 01:33:04,212 [INDISTINCT SHOUTING] 2027 01:33:04,246 --> 01:33:06,281 THIS IS TALLY ATWATER, LIVE FROM THE GYMNASIUM AT HOLMSBERG... 2028 01:33:06,314 --> 01:33:08,617 MAN, JUST TAPE IT. IT'S NOT GONNA BE PERFECT. 2029 01:33:08,651 --> 01:33:10,318 YEAH, YEAH! FIRST OF ALL, 2030 01:33:10,352 --> 01:33:12,254 WE DEMAND ALL OUR TV BACK! 2031 01:33:12,287 --> 01:33:14,122 WE'RE FEEDING. THEY CAN SEE US. 2032 01:33:14,156 --> 01:33:15,624 WE'RE NOW FEEDING LIVE. 2033 01:33:15,658 --> 01:33:18,293 WE'LL TRY NOW TO GO TO TALLY ATWATER 2034 01:33:18,326 --> 01:33:20,796 FOR A CHANNEL 7 EXCLUSIVE REPORT. TALLY? 2035 01:33:20,829 --> 01:33:26,301 THIS IS TALLY ATWATER REPORTING LIVE... IN HOLMSBERG PRISON. 2036 01:33:26,334 --> 01:33:29,271 AT APPROXIMATELY 4:15 THIS AFTERNOON, 2037 01:33:29,304 --> 01:33:31,273 THE WHISTLE SOUNDED... 2038 01:33:31,306 --> 01:33:33,275 THAT, ALL ACROSS THIS COUNTRY, 2039 01:33:33,308 --> 01:33:34,409 MEANS "GUARD IN TROUBLE." 2040 01:33:34,442 --> 01:33:38,146 TALLY, CAN YOU TELL US WHAT PRECIPITATED THIS INCIDENT? 2041 01:34:00,402 --> 01:34:04,139 Tech: OK, WARREN, COMING BACK IN 30. 2042 01:34:12,848 --> 01:34:15,818 TAL, IN 30 SECONDS, YOU'RE BACK ON-AIR. 2043 01:34:15,851 --> 01:34:18,153 THERE'S SOMETHING HAPPENING IN "C" BLOCK. 2044 01:34:18,186 --> 01:34:21,690 WE'RE GONNA TRY AND GET CLOSER AFTER THIS NEXT FEED. 2045 01:34:21,724 --> 01:34:23,225 HOW YOU DOING? 2046 01:34:23,258 --> 01:34:26,028 [SIGHS] I'M SO TIRED. 2047 01:34:27,429 --> 01:34:30,665 YOU KNOW WHAT I KEEP THINKING ABOUT? 2048 01:34:30,699 --> 01:34:33,135 THAT TIME YOU TRIED TO TEACH ME 2049 01:34:33,168 --> 01:34:35,237 TO BONE FISH IN THE KEYS. 2050 01:34:35,270 --> 01:34:37,405 I WAS REALLY TERRIBLE, WASN'T I? 2051 01:34:37,439 --> 01:34:40,142 EH, YOU WERE OK. 2052 01:34:40,175 --> 01:34:42,177 10 SECONDS. 2053 01:34:46,181 --> 01:34:48,383 TAL, THE TAC TEAMS ARE HERE. 2054 01:34:48,416 --> 01:34:50,485 THEY'RE TAKING UP POSITIONS. 2055 01:34:50,518 --> 01:34:52,187 Rhonda:...BACK TO THE STUDIO. DOUG? 2056 01:34:52,220 --> 01:34:55,157 Doug: THANK YOU, RHONDA. AS YOU KNOW, CHANNEL 7's TALLY ATWATER 2057 01:34:55,190 --> 01:34:59,027 AND CAMERAMAN NED JACKSON REMAIN INSIDE HOLMSBERG, 2058 01:34:59,061 --> 01:35:00,695 WHERE THEY HAVE BEEN REPORTING... 2059 01:35:00,729 --> 01:35:03,231 [TELEPHONE RINGING] 2060 01:35:05,033 --> 01:35:06,201 MERINO. 2061 01:35:06,234 --> 01:35:09,204 THE CHANNEL 7 NEWS TEAM WAS INSIDE THE PRISON, 2062 01:35:09,237 --> 01:35:12,741 INTERVIEWING INMATES FOR A SPECIAL REPORT, WHEN THE RIOT BROKE OUT. 2063 01:35:12,775 --> 01:35:15,377 THE NETWORK WANTS TO GO LIVE, NATIONAL. 2064 01:35:16,812 --> 01:35:17,846 IT'S YOUR SHOW. 2065 01:35:17,880 --> 01:35:21,549 LET'S TRY TO GO LIVE ONCE AGAIN TO TALLY ATWATER. 2066 01:35:21,583 --> 01:35:23,285 TALLY, WHAT CAN YOU TELL US? 2067 01:35:23,318 --> 01:35:26,021 WE HAVE BEEN TOLD THAT TACTICAL ASSAULT TEAMS 2068 01:35:26,054 --> 01:35:29,291 ARE TAKING UP POSITIONS OUTSIDE EVEN AS I SPEAK. 2069 01:35:29,324 --> 01:35:32,027 SHOULD THERE BE AN ONSLAUGHT, PRISONERS... 2070 01:35:32,060 --> 01:35:34,462 [RUNNING FOOTSTEPS] 2071 01:35:34,496 --> 01:35:38,200 TAL? TAL, CAN YOU HEAR ME? 2072 01:35:38,233 --> 01:35:39,301 GODDAMN IT! 2073 01:35:39,334 --> 01:35:42,237 WHAT'S GOING ON? 2074 01:35:42,270 --> 01:35:43,705 SIGNAL'S GONE. 2075 01:35:43,738 --> 01:35:45,140 OH, COME ON. 2076 01:35:45,173 --> 01:35:47,309 Doug: WARREN? WARREN, WHAT'S HAPPENING? 2077 01:35:47,342 --> 01:35:49,444 TAL, ARE YOU THERE? DO YOU HEAR ME? TAL? 2078 01:35:49,477 --> 01:35:51,613 Tech: THEY'RE GONE. CAN'T RAISE THEM AT ALL. 2079 01:35:57,485 --> 01:35:59,654 WE'RE RIGHT HERE IN FRONT OF HOLMSBERG PRISON 2080 01:35:59,687 --> 01:36:01,323 WHERE THE S.W.A.T. TEAM HAS COME IN... 2081 01:36:01,356 --> 01:36:03,625 PHILADELPHIA, HANG ON. NEW YORK, YEAH, WHAT? 2082 01:36:03,658 --> 01:36:06,328 NO, NOT YET. NO. I DON'T HAVE AUDIO, EITHER. 2083 01:36:06,361 --> 01:36:09,164 STAND BY. WHEN WE DO, WE'LL LET YOU KNOW. STAND BY. 2084 01:36:09,197 --> 01:36:12,167 TOM... LOOK, IF WE GET IT, WHEN WE GET IT, 2085 01:36:12,200 --> 01:36:14,402 WE'RE GONNA GO NATIONAL. THAT'S RIGHT. 2086 01:36:24,546 --> 01:36:26,514 Tom Orr: ...CIVIL RIGHTS ATTORNEY 2087 01:36:26,548 --> 01:36:29,417 AND PRISONER ADVOCATE, GARY MANDANAK. 2088 01:36:29,451 --> 01:36:33,321 GENTLEMEN, THANK YOU FOR JOINING US AT THIS VERY LATE HOUR. 2089 01:36:35,390 --> 01:36:38,260 DID THE WARDEN GIVE THE GREEN LIGHT... 2090 01:36:38,293 --> 01:36:40,262 WAIT A MINUTE. WE'RE GET... 2091 01:36:40,295 --> 01:36:42,130 I GOT SOMETHING. 2092 01:36:42,164 --> 01:36:43,131 TAL? 2093 01:36:43,165 --> 01:36:43,999 Tally: FERNANDO? 2094 01:36:44,032 --> 01:36:46,001 Bucky: THAT'S HER. TAL, CAN YOU HEAR ME? 2095 01:36:53,375 --> 01:36:55,510 [WOMAN SCREAMING] 2096 01:37:00,215 --> 01:37:02,717 [COUGHING] 2097 01:37:02,750 --> 01:37:05,153 [MEN SHOUTING] 2098 01:37:08,356 --> 01:37:10,192 Bucky: WHERE IS SHE? 2099 01:37:12,027 --> 01:37:15,297 Prisoner: OPEN THIS DOOR! OPEN IT! OPEN IT! 2100 01:37:15,330 --> 01:37:17,199 TAL, CAN YOU HEAR ME? 2101 01:37:19,567 --> 01:37:21,469 ARE YOU OK? 2102 01:37:21,503 --> 01:37:23,638 I'M OK. 2103 01:37:25,040 --> 01:37:29,144 Tally: FERNANDO, CAN I TALK TO YOU? 2104 01:37:34,349 --> 01:37:36,151 DO YOU HAVE THIS SITUATION UNDER CONTROL? 2105 01:37:36,184 --> 01:37:38,186 UNDER CONTROL. HOW IS THAT POSSIBLE? 2106 01:37:38,220 --> 01:37:42,657 TOM, THEY'RE CLAIMING CONTROL. ASK HER ABOUT THAT. 2107 01:37:42,690 --> 01:37:43,591 TALLY, WE'RE GETTING WORD 2108 01:37:43,625 --> 01:37:45,727 THAT THE SITUATION THERE IS UNDER CONTROL. 2109 01:37:45,760 --> 01:37:48,496 YOU'RE FEEDING LIVE, TAL... NATIONAL. 2110 01:37:48,530 --> 01:37:51,599 UH... WELL, IT'S UNDER CONTROL, TOM, 2111 01:37:51,633 --> 01:37:53,601 BUT THE INMATES HAVE CONTROL... WHICH INMATES? 2112 01:37:53,635 --> 01:37:57,772 OR, MORE ACCURATELY, ONE GROUP OF INMATES HAS CONTROL. 2113 01:37:57,805 --> 01:38:00,608 THIS HAS NOT BEEN GOOD NEWS FOR OTHER INMATES. 2114 01:38:00,642 --> 01:38:03,778 OF THE 8 MEN I CAN CONFIRM HAVE BEEN KILLED TODAY, 2115 01:38:03,811 --> 01:38:05,780 NONE... REPEAT... NONE HAVE BEEN GUARDS. 2116 01:38:05,813 --> 01:38:09,084 ONE, UH... OF THE 8 DEAD INMATES, 2117 01:38:09,117 --> 01:38:11,619 ONE WAS, APPARENTLY, SHOT BY TOWER GUARDS. 2118 01:38:11,653 --> 01:38:17,359 THE OTHER 7, IT APPEARS, WERE VICTIMS OF CONTINUING RACIAL VENDETTAS HERE... 2119 01:38:17,392 --> 01:38:20,262 Fernando: NO! NO MORE GANG SHIT, TALLY. 2120 01:38:20,295 --> 01:38:24,566 FERNANDO, HOW MUCH MORE TIME DO YOU HAVE LEFT ON YOUR SENTENCE? 2121 01:38:25,667 --> 01:38:27,469 AH, MADRE... 2122 01:38:27,502 --> 01:38:31,239 I GOT 15 MONTHS, AND THEN I COME UP FOR PAROLE. 2123 01:38:31,273 --> 01:38:33,775 YOU KNOW WHAT'S GOING TO HAPPEN WHEN THE GUARDS COME IN. 2124 01:38:33,808 --> 01:38:35,377 YOU COULD END UP DEAD. 2125 01:38:35,410 --> 01:38:38,580 I COULD END UP DEAD ON BISCAYNE BOULEVARD. 2126 01:38:41,149 --> 01:38:44,252 Tom: IT IS NOW 2 A.M. 2127 01:38:44,286 --> 01:38:46,254 THE RIOT HAS BEEN UNDERWAY 2128 01:38:46,288 --> 01:38:48,390 FOR CLOSE TO 10 HOURS. 2129 01:38:48,423 --> 01:38:52,494 WE'RE BACK LIVE WITH WFIL PHILADELPHIA'S TALLY ATWATER, 2130 01:38:52,527 --> 01:38:55,630 WHO IS INSIDE HOLMSBERG PRISON. 2131 01:38:55,663 --> 01:38:57,499 TALLY'S BEEN KEEPING US INFORMED 2132 01:38:57,532 --> 01:39:00,135 FROM HER BIRD'S-EYE VIEW OF THE RIOT. 2133 01:39:00,168 --> 01:39:01,269 WHAT'S THE MOOD? 2134 01:39:01,303 --> 01:39:04,006 DESCRIBE THE SCENE, CAN YOU, TALLY? 2135 01:39:04,039 --> 01:39:06,574 THE MOOD HERE, TOM, IS OMINOUS. 2136 01:39:06,608 --> 01:39:10,612 INMATES ARE PREPARED FOR WHAT THEY BELIEVE WILL BE THE FINAL ASSAULT, 2137 01:39:10,645 --> 01:39:12,147 PROBABLY BEFORE DAWN. 2138 01:39:12,180 --> 01:39:14,416 ARE THEY ARMED? THESE INMATES HAVE WEAPONS. 2139 01:39:14,449 --> 01:39:16,684 THEY GIVE EVERY INDICATION THEY WILL FIGHT 2140 01:39:16,718 --> 01:39:20,022 BECAUSE TO FIGHT IS A WAY OF LIFE. 2141 01:39:20,055 --> 01:39:23,025 IT'S A WAY OF LIFE LEARNED ON THE STREETS. 2142 01:39:23,058 --> 01:39:26,261 TO SEE THE FACES INSIDE THIS PRISON IS TO REMEMBER 2143 01:39:26,294 --> 01:39:28,363 THAT ON SUCH STREETS, 2144 01:39:28,396 --> 01:39:31,633 CRIME IS JUST A WAY OF TAKING CARE OF BUSINESS. 2145 01:39:31,666 --> 01:39:34,536 THIS IS TALLY ATWATER INSIDE HOLMSBERG PRISON. 2146 01:39:36,671 --> 01:39:38,540 Tally: SHUT IT DOWN. 2147 01:39:46,414 --> 01:39:48,383 [TAC TEAM CHANTING] 2148 01:39:48,416 --> 01:39:51,553 GO! GO! GO! GO! GO...! 2149 01:40:07,402 --> 01:40:09,237 Doug: YOU'RE WATCHING LIVE FOOTAGE 2150 01:40:09,271 --> 01:40:12,240 OF THE RIOT THAT BROKE OUT EARLIER AT HOLMSBERG PRISON. 2151 01:40:12,274 --> 01:40:14,709 WFIL's TALLY ATWATER AND CAMERAMAN NED JACKSON 2152 01:40:14,742 --> 01:40:17,379 ARE INSIDE THE PRISON. 2153 01:40:17,412 --> 01:40:20,748 AS YOU CAN SEE BY THESE DRAMATIC PICTURES THAT WE'RE GETTING, 2154 01:40:20,782 --> 01:40:23,651 THE TAC TEAM HAS ENTERED THE PRISON. 2155 01:40:23,685 --> 01:40:27,222 IN THE NEXT MINUTES AND HOURS, THE MATTER WILL BE RESOLVED. 2156 01:40:27,255 --> 01:40:31,526 THE ONLY QUESTION IS... HOW HIGH THE PRICE? 2157 01:40:35,097 --> 01:40:36,264 TAL? 2158 01:40:39,067 --> 01:40:40,435 CAN YOU HEAR ME, TAL? 2159 01:40:40,468 --> 01:40:43,371 YOU CAN SEE THEY'RE CHAINING THEM IN THE AREA. 2160 01:40:48,810 --> 01:40:50,778 HOLD ONTO THAT SHOT, GUYS. 2161 01:40:55,083 --> 01:40:56,284 AAH! 2162 01:40:57,652 --> 01:40:58,920 STAND BY. WE'VE LOST TAL. 2163 01:40:58,953 --> 01:41:02,124 WE'RE STILL FEEDING. WHEN WE GET HER BACK, WE'LL LET YOU KNOW. 2164 01:41:06,561 --> 01:41:09,697 [TELEPHONES RINGING] 2165 01:41:46,701 --> 01:41:50,805 Tally: 24 HOURS AGO, I CAME TO HOLMSBERG PRISON 2166 01:41:50,838 --> 01:41:55,410 TO REPORT ON HOW GOVERNOR GEORGE McBRIDE'S NEW "GET TOUGH" PRISON POLICIES 2167 01:41:55,443 --> 01:41:57,812 WERE AFFECTING ONE CONVICT. 2168 01:41:57,845 --> 01:42:02,284 IT WAS MEANT TO BE A DAY IN THE LIFE OF FERNANDO BUTTANDA. 2169 01:42:03,785 --> 01:42:05,253 FERNANDO BUTTANDA 2170 01:42:05,287 --> 01:42:07,755 WAS NOT A GOOD MAN BY SOCIETY'S STANDARDS. 2171 01:42:07,789 --> 01:42:10,625 HE WAS NOT EVEN A GOOD MAN BY HIS OWN STANDARDS. 2172 01:42:10,658 --> 01:42:16,631 RECENTLY, HOWEVER, IN A JOB TRAINING PROGRAM HERE AT HOLMSBERG, 2173 01:42:16,664 --> 01:42:19,634 FERNANDO BEGAN TO LEARN NURSING SKILLS. 2174 01:42:19,667 --> 01:42:22,637 HE VOLUNTEERED TO WORK IN THE PRISON HOSPITAL, 2175 01:42:22,670 --> 01:42:27,108 AT SOME RISK TO HIMSELF, WITH VIOLENT PATIENTS. 2176 01:42:27,141 --> 01:42:30,111 HE WAS GOOD AT IT. HE LIKED DOING IT. 2177 01:42:30,144 --> 01:42:34,349 A MONTH AGO, GOVERNOR GEORGE McBRIDE... 2178 01:42:34,382 --> 01:42:36,351 WHO IS CAMPAIGNING FOR REELECTION 2179 01:42:36,384 --> 01:42:40,288 ON THE PLEDGE TO REFORM OTHER PENNSYLVANIA PRISONS, 2180 01:42:40,322 --> 01:42:45,227 AS HE HAS REFORMED HOLMSBERG... CANCELED THIS PROGRAM. 2181 01:42:45,260 --> 01:42:48,230 "A PRISON IS ABOUT PUNISHMENT." 2182 01:42:48,263 --> 01:42:51,633 HE ADDED, "IT IS NOT ABOUT ANOTHER CHANCE." 2183 01:42:51,666 --> 01:42:55,136 DURING THE NEXT HOURS AND WEEKS, WE'LL HEAR A LOT 2184 01:42:55,169 --> 01:42:57,639 ABOUT WHAT PRISONS SHOULD AND SHOULD NOT BE: 2185 01:42:57,672 --> 01:43:01,142 A LOT OF OPINIONS AS TO WHY THIS RIOT OCCURRED 2186 01:43:01,175 --> 01:43:03,144 IN THIS PLACE AT THIS TIME. 2187 01:43:03,177 --> 01:43:07,249 MANY FIXES WILL BE PROPOSED, MANY ANSWERS FORMULATED. 2188 01:43:07,282 --> 01:43:09,551 INSIDE HOLMSBERG PRISON LAST NIGHT, 2189 01:43:09,584 --> 01:43:11,653 ANSWERS WERE HARD TO COME BY. 2190 01:43:11,686 --> 01:43:15,156 WHAT WE DO KNOW IS THAT 15 PRISONERS DIED, 2191 01:43:15,189 --> 01:43:17,659 INCLUDING FERNANDO BUTTANDA. 2192 01:43:17,692 --> 01:43:19,427 THIS IS TALLY ATWATER, 2193 01:43:19,461 --> 01:43:22,697 WFIL NEWS, HOLMSBERG PRISON. 2194 01:43:22,730 --> 01:43:25,700 Anchor: THANK YOU, TALLY. AND WE'LL BE RECAPPING... 2195 01:43:28,436 --> 01:43:30,071 YOU WERE GOOD. 2196 01:43:31,606 --> 01:43:35,076 NO. YOU WERE GREAT. 2197 01:44:13,348 --> 01:44:15,483 [WEEPING] 2198 01:44:59,193 --> 01:45:01,629 TALLY ATWATER FOR MARK LINDNER. 2199 01:45:03,631 --> 01:45:06,701 THIS IS AS FAR AS I GO. 2200 01:45:06,734 --> 01:45:10,638 ONE FLOOR UP, FIRST DOOR ON YOUR LEFT. 2201 01:45:17,244 --> 01:45:19,313 MS. ATWATER, I'M MARK LINDNER. 2202 01:45:19,347 --> 01:45:21,483 IT'S GOOD OF YOU TO COME AND SEE US. 2203 01:45:21,516 --> 01:45:23,651 WOULD YOU LIKE SOME COFFEE, A SOFT DRINK, MINERAL WATER? 2204 01:45:23,685 --> 01:45:24,552 NO, THANK YOU. I'M FINE. 2205 01:45:24,586 --> 01:45:26,654 KAREN, YOU KNOW WHAT CALLS TO PUT THROUGH. 2206 01:45:26,688 --> 01:45:28,656 THIS IS BUFORD SELLS. 2207 01:45:28,690 --> 01:45:31,125 HOW DO YOU DO? IT'S A REAL PLEASURE. 2208 01:45:31,158 --> 01:45:32,627 HELLO. AND GABE LAWRENCE. 2209 01:45:32,660 --> 01:45:33,795 HOW ARE YOU? 2210 01:45:33,828 --> 01:45:34,796 HAVE A SEAT. 2211 01:45:34,829 --> 01:45:35,830 FOR BETTER OR WORSE, 2212 01:45:35,863 --> 01:45:38,800 WE'RE THE 3 MUSKETEERS WHO RUN THE NEWS DIVISION. 2213 01:45:38,833 --> 01:45:42,169 THAT WAS QUITE A JOB YOU DID FOR US AT HOLMSBERG. 2214 01:45:42,203 --> 01:45:43,371 THANK YOU. 2215 01:45:47,575 --> 01:45:49,076 DON'T GET UP. 2216 01:45:53,214 --> 01:45:54,315 SO. 2217 01:45:54,348 --> 01:45:56,150 SO. 2218 01:45:56,183 --> 01:45:57,652 TELL ME WHAT THEY SAID. 2219 01:45:57,685 --> 01:46:01,188 WASHINGTON BUREAU... 2220 01:46:01,222 --> 01:46:03,658 WEEKEND ANCHOR, EVENING NEWS. 2221 01:46:04,358 --> 01:46:07,161 I SAID I'D THINK ABOUT IT. 2222 01:46:07,194 --> 01:46:08,696 Waiter: CAN I HELP YOU? 2223 01:46:08,730 --> 01:46:10,432 UM... WE'LL WAIT. 2224 01:46:10,465 --> 01:46:11,399 SURE. 2225 01:46:11,433 --> 01:46:13,034 WEEKEND ANCHOR? 2226 01:46:13,067 --> 01:46:14,268 WHAT'S TO THINK ABOUT? 2227 01:46:14,301 --> 01:46:21,275 WELL, ACTUALLY, WHAT I THINK IS WE MAKE A PRETTY GOOD TEAM. 2228 01:46:21,308 --> 01:46:23,044 IT'S NO GOOD THAT WAY. 2229 01:46:23,077 --> 01:46:24,679 WE TRIED IT. IT DOESN'T WORK. 2230 01:46:24,712 --> 01:46:26,548 WE DID HOLMSBERG. IT WORKED. 2231 01:46:26,581 --> 01:46:28,616 NO. YOU DID HOLMSBERG. 2232 01:46:28,650 --> 01:46:32,420 AND YOU DID IT YOURSELF, AND YOU WERE TERRIFIC. 2233 01:46:32,454 --> 01:46:33,588 I'VE BEEN MAKING SOME CALLS, 2234 01:46:33,621 --> 01:46:36,424 AND I THINK THERE'S A STORY IN PANAMA NOBODY'S TELLING. 2235 01:46:36,458 --> 01:46:38,125 I HAVE A HUNCH THAT SOME PEOPLE 2236 01:46:38,159 --> 01:46:40,394 WOULD LIKE TO SEE US GET INTO A WAR DOWN THERE 2237 01:46:40,428 --> 01:46:42,396 BECAUSE THEY'RE NOT THAT ENTHUSIASTIC 2238 01:46:42,430 --> 01:46:44,398 ABOUT TURNING OVER THE CANAL IN '99. 2239 01:46:44,432 --> 01:46:46,634 WE CAN DO PANAMA. 2240 01:46:46,668 --> 01:46:48,269 NETWORKS AREN'T INTERESTED. 2241 01:46:48,302 --> 01:46:50,104 WE CAN MAKE THEM INTERESTED. 2242 01:46:50,137 --> 01:46:51,773 I CAN GO INTO PANAMA CITY, 2243 01:46:51,806 --> 01:46:54,275 SPEND A FEW DAYS, PICK UP A LOCAL CREW... 2244 01:46:54,308 --> 01:46:55,777 AND HEAD OUT. 2245 01:46:57,078 --> 01:46:58,580 YOU ALREADY SET THIS UP. 2246 01:46:58,613 --> 01:46:59,981 TALLY... 2247 01:47:06,320 --> 01:47:08,289 I'VE GOTTA DO THIS BY MYSELF. 2248 01:47:08,322 --> 01:47:10,291 DO YOU SEE THAT? 2249 01:47:10,324 --> 01:47:13,294 WASN'T THE WHOLE IDEA FOR US TO BE TOGETHER? 2250 01:47:13,327 --> 01:47:14,328 IT WAS, 2251 01:47:14,361 --> 01:47:16,631 BUT IT CAN'T BE ME PUTTING WINE ON ICE 2252 01:47:16,664 --> 01:47:18,466 WHILE YOU WRAP UP THE EVENING NEWS. 2253 01:47:18,500 --> 01:47:20,802 AND IT CAN'T BE YOU TURNING DOWN A STORY 2254 01:47:20,835 --> 01:47:24,138 BECAUSE YOU DON'T WANNA LEAVE ME AT LOOSE ENDS. 2255 01:47:26,340 --> 01:47:28,510 DO YOU WANNA BE WITH ME? 2256 01:47:32,647 --> 01:47:34,649 SO MUCH IT HURTS. 2257 01:47:37,485 --> 01:47:39,153 I DON'T WANNA BE ANYWHERE 2258 01:47:39,186 --> 01:47:41,623 WHERE I CAN'T SEE YOU OR TOUCH YOU. 2259 01:47:41,656 --> 01:47:43,190 I DON'T WANNA BE ANYWHERE 2260 01:47:43,224 --> 01:47:44,626 WHERE I CAN'T HEAR YOUR VOICE 2261 01:47:44,659 --> 01:47:46,327 OR TELL YOU A STORY 2262 01:47:46,360 --> 01:47:49,130 AND SEE THIS GREAT SMILE. 2263 01:47:52,199 --> 01:47:57,605 BUT I'VE GOT A NARROW-BUT-VERY-DEFINITE WINDOW OF OPPORTUNITY... 2264 01:47:57,639 --> 01:48:01,175 AND... IF I CAN GET THIS... 2265 01:48:02,476 --> 01:48:03,444 AND IF... 2266 01:48:03,477 --> 01:48:05,012 IF YOU GET LUCKY... 2267 01:48:05,046 --> 01:48:06,480 GOLD. GOLD. 2268 01:48:08,349 --> 01:48:11,185 DO YOU REALLY WANT THIS? 2269 01:48:11,218 --> 01:48:13,655 YOU MADE ME WANT IT. 2270 01:48:19,093 --> 01:48:23,230 FLIGHT 811 TO MIAMI, BELIZE, AND PANAMA 2271 01:48:23,264 --> 01:48:25,199 IS IN ITS FINAL BOARDING PROCESS. 2272 01:48:25,232 --> 01:48:28,202 ALL PASSENGERS SHOULD BE ABOARD. 2273 01:48:28,235 --> 01:48:30,672 WE HAVEN'T HAD ENOUGH TIME. 2274 01:48:30,705 --> 01:48:32,239 HEY... 2275 01:48:32,273 --> 01:48:36,510 EVERY DAY WE HAVE IS ONE DAY MORE THAN WE DESERVE. 2276 01:48:36,544 --> 01:48:40,314 I'M GONNA TELL YOU THE BEST STORY YOU'VE EVER HEARD. 2277 01:49:01,135 --> 01:49:02,269 UH, DARLING? 2278 01:49:03,738 --> 01:49:05,106 OH! 2279 01:49:07,108 --> 01:49:09,343 BEEN A WHILE SINCE I'VE DONE THIS. 2280 01:49:09,376 --> 01:49:10,612 HAVE FUN. 2281 01:49:14,649 --> 01:49:17,118 HEY! 2282 01:49:17,151 --> 01:49:19,120 STAY UPWIND. 2283 01:49:34,669 --> 01:49:38,539 Tom:...TO EXPLORE POSSIBLE REPERCUSSIONS TO OUR ECONOMY. 2284 01:49:38,572 --> 01:49:41,242 MEANWHILE, THE DOLLAR CONTINUED ITS FREE FALL 2285 01:49:41,275 --> 01:49:43,244 AGAINST THE YEN AND THE DEUTSCHE MARK. 2286 01:49:43,277 --> 01:49:45,747 WE'LL BE DISCUSSING THIS LATEST RUN ON THE DOLLAR 2287 01:49:45,780 --> 01:49:47,481 TOMORROW NIGHT ON AMERICAN NOTEBOOK 2288 01:49:47,514 --> 01:49:50,051 WITH TREASURY SECRETARY WILLIS BARRY. 2289 01:49:50,084 --> 01:49:53,120 THIS IS TOM ORR. I'LL SEE YOU THEN. 2290 01:49:55,589 --> 01:49:57,291 TALLY, HOW ARE YOU? 2291 01:49:57,324 --> 01:49:59,761 GO ON, SIT DOWN. IT WON'T BITE. 2292 01:50:04,598 --> 01:50:06,300 OH, AND, TALLY... 2293 01:50:06,333 --> 01:50:08,602 DON'T GET TOO ATTACHED TO THAT CHAIR. 2294 01:50:08,636 --> 01:50:10,738 YOU KNOW, I CALL IT "HOME." 2295 01:50:10,772 --> 01:50:13,140 HAVE YOU GOT THE UPLINK? 2296 01:50:14,809 --> 01:50:16,778 WE'RE GONNA TRY OUT A NEW STRINGER. 2297 01:50:16,811 --> 01:50:19,413 JUST CHAT HIM ALONG. WE GOT A COUPLE OF MINUTES. 2298 01:50:19,446 --> 01:50:21,515 THAT ONE? 2299 01:50:21,548 --> 01:50:24,151 Buford: SATELLITE TIME COSTS MONEY, BOYS! 2300 01:50:24,185 --> 01:50:26,520 RUN HIM OUT HERE. 2301 01:50:29,824 --> 01:50:31,458 HERE HE IS. 2302 01:50:33,127 --> 01:50:35,329 [CHUCKLES] 2303 01:50:35,362 --> 01:50:37,198 THAT HAS TO BE THE DIRTIEST, 2304 01:50:37,231 --> 01:50:39,266 SCRUFFIEST-LOOKING EXCUSE FOR A REPORTER 2305 01:50:39,300 --> 01:50:41,335 I HAVE EVER SEEN. 2306 01:50:41,368 --> 01:50:44,471 MY GOD... IT'S THE ANCHOR PERSON. 2307 01:50:44,505 --> 01:50:47,474 NEW HAIRDO, I'LL BET. SHOES SHINED... 2308 01:50:47,508 --> 01:50:50,311 HEY, BUFORD, GET THE HELL OUTTA THERE. 2309 01:50:50,344 --> 01:50:53,681 I WANNA TALK TO MY WIFE WITHOUT YOU LISTENING IN. 2310 01:50:56,650 --> 01:50:58,285 MISS ME? 2311 01:50:58,319 --> 01:51:00,021 OCCASIONALLY. 2312 01:51:00,054 --> 01:51:02,156 WHEN ARE YOU COMING HOME? 2313 01:51:02,189 --> 01:51:04,625 I GOT A FEW MORE DAYS IN THE BOONIES... 2314 01:51:04,658 --> 01:51:06,627 THEN I CAN WRAP THIS UP. 2315 01:51:06,660 --> 01:51:08,129 DID YOU GET IT? 2316 01:51:08,162 --> 01:51:09,396 YEAH, I GOT IT. 2317 01:51:09,430 --> 01:51:11,799 I NAILED IT. 2318 01:51:11,833 --> 01:51:14,501 YOU LOOK SO GOOD. 2319 01:51:14,535 --> 01:51:16,637 SORTA GLAD I CAN'T SEE YOU. 2320 01:51:16,670 --> 01:51:18,639 THE MIND... 2321 01:51:18,672 --> 01:51:21,408 IT'S A WONDERFUL, DIRTY THING. 2322 01:51:21,442 --> 01:51:23,344 [CHUCKLES] 2323 01:51:23,377 --> 01:51:25,412 WAIT. 2324 01:51:25,446 --> 01:51:28,249 JUST ONE MORE THING I WANTED TO TELL YOU. 2325 01:51:30,084 --> 01:51:33,154 GOD, I'M HAVING FUN. 2326 01:51:47,368 --> 01:51:51,205 SPEECH! SPEECH! SPEECH! COME ON. 2327 01:51:52,073 --> 01:51:54,275 OK. FIRST OF ALL... 2328 01:51:54,308 --> 01:51:56,277 OK. I'M GONNA TRY NOT TO CRY. 2329 01:51:56,310 --> 01:51:59,046 UM... THIS IS FOR WARREN, 2330 01:51:59,080 --> 01:52:01,048 WHO COULDN'T QUITE MAKE THE PARTY, 2331 01:52:01,082 --> 01:52:03,584 BUT IS DEFINITELY ON HIS WAY BACK HOME 2332 01:52:03,617 --> 01:52:06,087 FROM WHAT HE CALLS "HOG HEAVEN." 2333 01:52:06,120 --> 01:52:08,089 TO WARREN. TO WARREN. TO WARREN! 2334 01:52:08,122 --> 01:52:11,358 AND NED, WHO IS ONE OF TWO PEOPLE 2335 01:52:11,392 --> 01:52:14,628 WHO KNOWS WHAT I REALLY LOOK LIKE IN THE MORNING. 2336 01:52:14,661 --> 01:52:15,763 WHERE IS HE? 2337 01:52:15,797 --> 01:52:17,464 NED? 2338 01:52:18,565 --> 01:52:21,268 WHAT ARE YOU DOING? 2339 01:52:22,336 --> 01:52:24,538 HA HA HA! 2340 01:52:27,341 --> 01:52:30,477 [SEVERAL CONVERSATIONS MINGLE] 2341 01:52:36,517 --> 01:52:37,751 Tom:...REPORTS ARE SKETCHY, 2342 01:52:37,785 --> 01:52:41,622 BUT WE ARE RECEIVING WORD THAT IN A REMOTE SECTION OF PANAMA 2343 01:52:41,655 --> 01:52:43,024 NEAR THE COLOMBIA BORDER, 2344 01:52:43,057 --> 01:52:49,296 A FREELANCE NEWS CREW CAME UNDER HEAVY FIRE WITHIN THE PAST 24 HOURS. 2345 01:52:49,330 --> 01:52:52,766 THE GROUP INCLUDED AT LEAST ONE AMERICAN. 2346 01:52:52,800 --> 01:52:55,636 [GUNFIRE] 2347 01:52:59,606 --> 01:53:02,309 Tom: WE STILL DON'T KNOW IF THE SURVIVORS... 2348 01:53:02,343 --> 01:53:04,345 Woman: I'VE LIBERATED THE HARD LIQUOR! 2349 01:53:04,378 --> 01:53:05,479 SHH, SHH! 2350 01:53:05,512 --> 01:53:08,816 WE CAN NOW CONFIRM BY THIS STARTLING UNEDITED FOOTAGE 2351 01:53:08,850 --> 01:53:11,252 THAT THE AMERICAN TRAVELING WITH THIS CREW 2352 01:53:11,285 --> 01:53:14,321 IS FORMER IBS NEWSMAN WARREN JUSTICE. 2353 01:53:16,790 --> 01:53:18,659 OH, HE'S NOT... IT'S OK. Warren: COME ON. I'M NOT... 2354 01:53:18,692 --> 01:53:21,428 [GUNFIRE ERUPTS] 2355 01:53:21,462 --> 01:53:22,897 GET DOWN! 2356 01:53:22,930 --> 01:53:27,001 IT'S NOW DEFINITELY BEEN CONFIRMED THAT AT LEAST 2 CREW MEMBERS SURVIVED... 2357 01:53:27,034 --> 01:53:28,369 HE'S OK. HE MADE IT. 2358 01:53:28,402 --> 01:53:32,273 Tom: WE ARE TRYING TO TECHNICALLY ENHANCE THESE PICTURES 2359 01:53:32,306 --> 01:53:35,276 SO WE CAN CONFIRM EXACTLY WHAT WE ARE SEEING. 2360 01:53:35,309 --> 01:53:38,279 WE STILL DON'T KNOW WHAT MOTIVATED THIS ATTACK. 2361 01:53:38,312 --> 01:53:40,481 INFORMATION IS CONTRADICTORY, 2362 01:53:40,514 --> 01:53:43,650 BUT IT APPEARS TO INDICATE THAT AN AMBUSH TOOK PLACE 2363 01:53:43,684 --> 01:53:49,156 AT THIS REMOTE AIRSTRIP NEAR THE COLOMBIAN BORDER IN SOUTHERN PANAMA. 2364 01:53:49,190 --> 01:53:54,361 WE ARE HEARING VIA TELEPHONE HOOKUP WITH SOURCES IN PANAMA 2365 01:53:54,395 --> 01:53:58,232 THAT JUSTICE WAS INVESTIGATING REPORTS ABOUT THE ARMING OF GROUPS 2366 01:53:58,265 --> 01:54:03,237 VIOLENTLY OPPOSED TO TURNING OVER THE PANAMA CANAL. 2367 01:54:03,270 --> 01:54:04,638 HIS SHOES... 2368 01:54:04,671 --> 01:54:07,141 EXCUSE ME. 2369 01:54:07,174 --> 01:54:12,313 WE'VE NOW CONFIRMED THAT THE AMERICAN TRAVELING WITH THIS GROUP, 2370 01:54:12,346 --> 01:54:15,316 FORMER IBS NEWSMAN WARREN JUSTICE, 2371 01:54:15,349 --> 01:54:17,484 WAS KILLED TODAY IN PANAMA. 2372 01:54:17,518 --> 01:54:19,653 [SHOCKED REACTIONS] 2373 01:54:20,888 --> 01:54:25,326 WARREN JUSTICE WAS A SEASONED JOURNALIST AND A GOOD FRIEND. 2374 01:54:25,359 --> 01:54:27,261 No, he can't be dead... 2375 01:54:27,294 --> 01:54:28,429 SHH! 2376 01:54:28,462 --> 01:54:31,332 AS WE CONTINUE... TO SORT THIS OUT, 2377 01:54:31,365 --> 01:54:32,733 WE'LL TAKE A SHORT BREAK 2378 01:54:32,766 --> 01:54:36,270 TO ALLOW OUR STATIONS TO IDENTIFY THEMSELVES. 2379 01:54:36,303 --> 01:54:40,274 WE'LL HAVE MORE ON THIS BREAKING STORY IN PANAMA WHEN WE RETURN. 2380 01:54:40,307 --> 01:54:42,276 NO... 2381 01:54:42,309 --> 01:54:45,446 [SOBBING] 2382 01:55:05,066 --> 01:55:09,203 TV: THIS IS THE IBS EVENING NEWS. I'M TOM ORR. 2383 01:55:09,236 --> 01:55:11,738 QUESTIONS EMERGING FROM INFORMATION 2384 01:55:11,772 --> 01:55:17,444 UNCOVERED BY FORMER IBS NEWSMAN WARREN JUSTICE BEFORE HIS DEATH IN PANAMA 2385 01:55:17,478 --> 01:55:21,448 ARE BEGINNING TO SEEM UNCOMFORTABLY CLOSE TO HOME 2386 01:55:21,482 --> 01:55:24,718 TO SOME PEOPLE IN WASHINGTON. 2387 01:55:24,751 --> 01:55:27,721 THIS NETWORK IS JUST NOW EDITING TAPE 2388 01:55:27,754 --> 01:55:30,724 OBTAINED BY JUSTICE IN THE DAYS BEFORE HIS DEATH. 2389 01:55:30,757 --> 01:55:35,296 INFORMATION IN THIS TAPE SEEMS TO CHANGE THE FACE... 2390 01:55:35,329 --> 01:55:38,465 [SERIOUS, NEWSY THEME MUSIC PLAYS] 2391 01:55:44,605 --> 01:55:47,008 Tom V.O.: YOU KNOW THOSE FACES. 2392 01:55:47,041 --> 01:55:49,310 YOU REMEMBER THOSE STORIES. 2393 01:55:49,343 --> 01:55:53,314 THEY WERE THE MEN AND WOMEN WHO MADE IBS NEWS, THIS YEAR, 2394 01:55:53,347 --> 01:55:57,651 NUMBER ONE IN 5 OF YOUR 12 TOP MARKETS. 2395 01:55:57,684 --> 01:56:00,587 NEXT YEAR, YOU CAN COUNT ON THIS: 2396 01:56:00,621 --> 01:56:02,456 WE'RE GOING TO BE EVEN BETTER 2397 01:56:02,489 --> 01:56:09,130 BECAUSE THE IBS NEWS TEAM JUST ACQUIRED A STEALTH WEAPON. 2398 01:56:09,163 --> 01:56:13,267 YOU MAY NOT HAVE CAUGHT HER AT WMIA, 2399 01:56:13,300 --> 01:56:16,637 YOU MAY HAVE MISSED HER AT WFIL, 2400 01:56:16,670 --> 01:56:20,374 BUT NONE OF US WILL SOON FORGET HER AWARD-WINNING COVERAGE 2401 01:56:20,407 --> 01:56:25,512 OF THE RIOTS AT HOLMSBERG PRISON. 2402 01:56:25,546 --> 01:56:29,283 Tally: WHAT WE IN THE NEWS BUSINESS MUST NEVER FORGET IS 2403 01:56:29,316 --> 01:56:33,287 WE ARE ONLY AS GOOD AS THE STORIES WE TELL. 2404 01:56:33,320 --> 01:56:37,291 Tom: SHE ARRIVED IN OUR BUSINESS FROM SMALLTOWN, U.S.A. 2405 01:56:37,324 --> 01:56:41,128 Woman: YOU COULD SAY THAT SALLY ANN KNEW EXACTLY WHAT SHE WANTED, 2406 01:56:41,162 --> 01:56:43,797 AND WHAT SHE WANTED WAS TO BE NUMBER ONE. 2407 01:56:43,830 --> 01:56:48,302 Tom: AND "SALLY ANN"... AS HER FAMILY LIKED TO CALL TALLY... 2408 01:56:48,335 --> 01:56:50,237 WOULDN'T TAKE NO FOR AN ANSWER. 2409 01:56:50,271 --> 01:56:53,807 Tally: EVERYONE SAID, "YOU WANT A JOB IN TELEVISION, 2410 01:56:53,840 --> 01:56:55,809 YOU HAVE TO MAKE A DEMO TAPE." 2411 01:56:55,842 --> 01:56:58,645 SO... I MADE A DEMO. 2412 01:56:58,679 --> 01:57:00,147 WHY HIRE SALLY? 2413 01:57:00,181 --> 01:57:04,151 BECAUSE I'M SALLY, AND I'M GOING TO BE A STAR. 2414 01:57:04,185 --> 01:57:07,654 Warren: SO SHE WALKS INTO MY OFFICE THAT FIRST DAY IN MIAMI... 2415 01:57:07,688 --> 01:57:12,493 SKINNY, GOD-AWFUL CLOTHES, NOT MUCH GOING FOR HER, 2416 01:57:12,526 --> 01:57:15,329 WANTING TO BE ANYBODY BUT HERSELF... 2417 01:57:15,362 --> 01:57:19,533 AND I MAKE HER GET MY SHIRTS, I MAKE HER GET THE COFFEE... 2418 01:57:19,566 --> 01:57:22,269 I SHOOT DOWN ALL OF HER STORIES... 2419 01:57:22,303 --> 01:57:25,106 BUT SHE WAS TOUGHER THAN ME. 2420 01:57:25,139 --> 01:57:29,210 SHE WAS ALREADY SOMETHING. 2421 01:57:29,243 --> 01:57:32,246 SHE WAS ALREADY THE SUN AND THE MOON... 2422 01:57:32,279 --> 01:57:34,548 ALL BY HERSELF. 2423 01:57:36,150 --> 01:57:39,520 Lindner: WE AT IBS HOLD A SPECIAL PLACE IN OUR HEARTS 2424 01:57:39,553 --> 01:57:42,556 FOR THAT HONORED HANDFUL OF NEWSMEN AND WOMEN 2425 01:57:42,589 --> 01:57:48,795 WHOSE LIVES AND CAREERS, IN THE COURSE OF BRINGING HOME THE NEWS, 2426 01:57:48,829 --> 01:57:53,033 HAVE BEEN CUT TRAGICALLY SHORT. 2427 01:57:53,066 --> 01:57:55,102 WE SALUTE THEM. 2428 01:57:55,836 --> 01:57:58,305 LADIES AND GENTLEMEN, 2429 01:57:58,339 --> 01:58:02,209 IT'S TIME TO BEGIN A NEW GENERATION AT IBS... 2430 01:58:02,243 --> 01:58:04,311 TALLY ATWATER. 2431 01:58:04,345 --> 01:58:07,481 [APPLAUSE] 2432 01:58:37,311 --> 01:58:41,815 PANAMA TURNED OUT TO BE A BIG STORY FOR IBS. 2433 01:58:41,848 --> 01:58:44,318 IT DIDN'T START THAT WAY. 2434 01:58:44,351 --> 01:58:50,491 IT... STARTED WITH ONE REPORTER WHO... HAD A HUNCH. 2435 01:58:50,524 --> 01:58:53,627 HE HAD A HUNCH, AND HE WENT OUT ALONE, 2436 01:58:53,660 --> 01:58:55,629 AND HE DID ALL THE LEGWORK, 2437 01:58:55,662 --> 01:58:59,500 AND AT THE END OF THE DAY, HE GOT IT. 2438 01:59:02,369 --> 01:59:05,472 WHICH IS WHAT DOING THIS IS ALL ABOUT. 2439 01:59:07,474 --> 01:59:10,043 I... I DIDN'T ALWAYS THINK 2440 01:59:10,076 --> 01:59:13,680 THAT I THOUGHT IF I EVER STOOD UP AT SOMETHING LIKE THIS, 2441 01:59:13,714 --> 01:59:19,453 IT WOULD BE ABOUT GLORY OR, UM... SHOWING PEOPLE. 2442 01:59:19,486 --> 01:59:22,223 IT'S DIFFERENT. 2443 01:59:22,256 --> 01:59:24,191 I KNOW THAT NOW. 2444 01:59:26,560 --> 01:59:30,231 I'M ONLY HERE FOR ONE REASON: 2445 01:59:30,264 --> 01:59:32,499 TO TELL THE STORY. 2446 01:59:32,533 --> 01:59:37,170 MY HUSBAND TOLD ME THAT NOT SO LONG AGO. 2447 02:00:43,103 --> 02:00:48,409 [CELINE DION SINGS BECAUSE YOU LOVED ME] 2448 02:00:48,442 --> 02:00:51,144 ♪ OOOOH, BABE ♪ 2449 02:00:56,583 --> 02:01:00,721 ♪ FOR ALL THOSE TIMES YOU STOOD FOR ME ♪ 2450 02:01:00,754 --> 02:01:04,991 ♪ FOR ALL THE TRUTH THAT YOU MADE ME SEE ♪ 2451 02:01:05,025 --> 02:01:09,129 ♪ FOR ALL THE JOY YOU BROUGHT TO MY LIFE ♪ 2452 02:01:09,162 --> 02:01:13,066 ♪ FOR ALL THE WRONG THAT YOU MADE RIGHT ♪ 2453 02:01:13,099 --> 02:01:17,137 ♪ FOR EVERY DREAM YOU MADE COME TRUE ♪ 2454 02:01:17,170 --> 02:01:21,675 ♪ FOR ALL THE LOVE I FOUND IN YOU ♪ 2455 02:01:21,708 --> 02:01:26,580 ♪ I'LL BE FOREVER THANKFUL, BABY ♪ 2456 02:01:26,613 --> 02:01:30,417 ♪ YOU'RE THE ONE WHO HELD ME UP ♪ 2457 02:01:30,451 --> 02:01:34,421 ♪ NEVER LET ME FALL ♪ 2458 02:01:34,455 --> 02:01:37,991 ♪ YOU'RE THE ONE WHO SAW ME THROUGH ♪ 2459 02:01:38,024 --> 02:01:40,794 ♪ THROUGH IT ALL... ♪ 2460 02:01:40,827 --> 02:01:44,631 ♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪ 2461 02:01:44,665 --> 02:01:48,802 ♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪ 2462 02:01:48,835 --> 02:01:52,673 ♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪ 2463 02:01:52,706 --> 02:01:57,143 ♪ YOU SAW THE BEST THERE WAS IN ME ♪ 2464 02:01:57,177 --> 02:02:01,147 ♪ LIFTED ME UP WHEN I COULDN'T REACH ♪ 2465 02:02:01,181 --> 02:02:06,186 ♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪ 2466 02:02:06,219 --> 02:02:12,626 ♪ I'M EVERYTHING I AM BECAUSE YOU LOVE ME ♪ 2467 02:02:12,659 --> 02:02:14,461 ♪ OHH ♪ 2468 02:02:14,495 --> 02:02:17,564 ♪ YOU WERE ALWAYS THERE FOR ME ♪ 2469 02:02:17,598 --> 02:02:22,135 ♪ THE TENDER WIND THAT CARRIED ME ♪ 2470 02:02:22,168 --> 02:02:24,371 ♪ LIGHT IN THE DARK ♪ 2471 02:02:24,405 --> 02:02:29,543 ♪ SHINING YOUR LOVE INTO MY LIFE ♪ 2472 02:02:29,576 --> 02:02:33,346 ♪ YOU'VE BEEN MY INSPIRATION ♪ 2473 02:02:33,380 --> 02:02:37,651 ♪ THROUGH THE LIES YOU WERE THE TRUTH ♪ 2474 02:02:37,684 --> 02:02:41,154 ♪ MY WORLD IS A BETTER PLACE ♪ 2475 02:02:41,187 --> 02:02:45,158 ♪ BECAUSE OF YOU ♪ 2476 02:02:45,191 --> 02:02:48,395 ♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪ 2477 02:02:48,429 --> 02:02:52,533 ♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪ 2478 02:02:52,566 --> 02:02:56,403 ♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪ 2479 02:02:56,437 --> 02:03:00,607 ♪ YOU SAW THE BEST THERE WAS IN ME ♪ 2480 02:03:00,641 --> 02:03:04,611 ♪ LIFTED ME UP WHEN I COULDN'T REACH ♪ 2481 02:03:04,645 --> 02:03:09,716 ♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪ 2482 02:03:09,750 --> 02:03:16,089 ♪ I'M EVERYTHING I AM BECAUSE YOU LOVE ME ♪ 2483 02:03:16,122 --> 02:03:17,390 ♪ HEY ♪ 2484 02:03:17,424 --> 02:03:20,627 ♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪ 2485 02:03:20,661 --> 02:03:24,798 ♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪ 2486 02:03:24,831 --> 02:03:28,702 ♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪ 2487 02:03:28,735 --> 02:03:33,139 ♪ YOU SAW THE BEST THERE WAS IN ME ♪ 2488 02:03:33,173 --> 02:03:37,110 ♪ LIFTED ME UP WHEN I COULDN'T REACH ♪ 2489 02:03:37,143 --> 02:03:42,148 ♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪ 2490 02:03:42,182 --> 02:03:48,321 ♪ I'M EVERYTHING I AM BECAUSE YOU LOVED ME ♪ 2491 02:03:48,354 --> 02:03:50,256 ♪ OHH ♪ 2492 02:03:50,290 --> 02:03:56,129 ♪ I'M EVERYTHING I AM ♪ 2493 02:03:56,162 --> 02:03:56,229 ♪ BECAUSE YOU LOVED ME ♪