00:00:00,000 --> 00:00:04,162
Translated By The Community Of WWW.MY-SUBS.COM

1
00:00:02,267 --> 00:00:03,767
Radio: TRAFFIC'S LOOKING
PRETTY GOOD THIS AFTERNOON

2
00:00:03,834 --> 00:00:05,267
FOR YOUR EVENING COMMUTE.
THIS IS JOHN BROWN

3
00:00:05,334 --> 00:00:06,934
WITH YOUR KMPA TRAFFIC REPORT.
STAY TUNED FOR SOUTHLAND SPORTS,

4
00:00:07,000 --> 00:00:08,601
COMING UP AFTER THIS.

5
00:00:16,434 --> 00:00:18,133
CAN'T BE LATE FOR
MY OWN PARTY, NORMAN.

6
00:00:18,200 --> 00:00:19,234
I GOTTA GO.

7
00:00:19,300 --> 00:00:20,734
YOU'RE GONNA
HAVE TO MEET ME THERE.

8
00:00:20,801 --> 00:00:21,801
OK.

9
00:00:21,868 --> 00:00:23,300
YOU'RE NOT GONNA
WEAR THAT TIE, ARE YOU?

10
00:00:23,367 --> 00:00:24,801
NOT ONE OF MY FAVORITES.

11
00:00:24,868 --> 00:00:26,434
DON'T FORGET
TO PUT THE SEAT DOWN.

12
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[HORN HONKING]

13
00:01:43,133 --> 00:01:44,067
[HONKING]

14
00:01:44,133 --> 00:01:47,100
[TIRES SQUEALING]

15
00:01:47,167 --> 00:01:48,801
JEEZ, LADY!

16
00:01:58,434 --> 00:01:59,667
[SPEAKING INDISTINCTLY]

17
00:01:59,734 --> 00:02:01,367
IN THE MIDDLE OF
THE FINAL...

18
00:02:01,434 --> 00:02:02,434
EXCUSE ME, MISS?

19
00:02:02,501 --> 00:02:03,434
YES?

20
00:02:03,501 --> 00:02:04,434
EXCUSE ME.

21
00:02:04,501 --> 00:02:06,267
OH, WAIT.
HOLD ON ONE SECOND.

22
00:02:07,567 --> 00:02:10,234
[NO AUDIO]

23
00:02:11,901 --> 00:02:14,000
ALL RIGHT, I'M BACK.

24
00:02:16,067 --> 00:02:17,968
NO, GO ON.
AND AS I WAS SAYING...

25
00:02:31,334 --> 00:02:33,133
THE PRINCIPAL'S OFFICE CALLED.

26
00:02:33,200 --> 00:02:34,834
YEAH--PLAGIARISM.

27
00:02:34,901 --> 00:02:36,200
[LAUGHS]

28
00:02:38,701 --> 00:02:41,501
YEAH, WELL, I WAS
IN THE MIDDLE OF CLOSING

29
00:02:41,567 --> 00:02:43,467
ON THE OCEAN PARK
5-BEDROOM...

30
00:02:48,033 --> 00:02:50,167
AND I'M TELLING YOU,
IF I LOSE THAT COMMISSION,

31
00:02:50,234 --> 00:02:52,234
IT IS COMING OUT
OF HIS COLLEGE FUND.

32
00:02:52,300 --> 00:02:53,400
AAH!

33
00:02:53,467 --> 00:02:54,501
[TIRES SCREECHING]

34
00:02:54,567 --> 00:02:56,367
[HORN HONKING]

35
00:03:19,567 --> 00:03:23,767
[TIRES SCREECHING]

36
00:03:23,834 --> 00:03:25,234
[HORNS HONKING]

37
00:03:25,300 --> 00:03:27,634
[THE KINKS'
 A WELL RESPECTED MAN PLAYS]

38
00:03:27,701 --> 00:03:30,434
♪ AND HE COMES BACK HOME
AT 5:30 ♪

39
00:03:30,501 --> 00:03:34,200
♪ GETS THE SAME TRAIN
EVERY TIME ♪

40
00:03:34,267 --> 00:03:36,300
♪ AND HE'S, OH, SO GOOD ♪

41
00:03:36,367 --> 00:03:39,200
♪ AND HE'S, OH, SO FINE ♪

42
00:03:39,267 --> 00:03:42,200
♪ AND HE'S, OH, SO HEALTHY ♪

43
00:03:42,267 --> 00:03:45,467
♪ IN HIS BODY AND HIS MIND ♪

44
00:03:45,534 --> 00:03:48,868
♪ HE'S A WELL-RESPECTED
MAN ABOUT TOWN ♪

45
00:03:48,934 --> 00:03:54,234
♪ DOING THE BEST THINGS
SO CONSERVATIVELY ♪

46
00:03:54,300 --> 00:03:57,000
♪ AND HIS MOTHER
GOES TO MEETINGS ♪

47
00:03:57,067 --> 00:03:59,934
♪ WHILE HIS FATHER
PULLS THE MAID ♪

48
00:04:00,000 --> 00:04:03,033
♪ AND SHE STIRS THE TEA
WITH COUNCILORS ♪

49
00:04:03,100 --> 00:04:06,167
♪ WHILE DISCUSSING
FOREIGN TRADE ♪

50
00:04:06,234 --> 00:04:09,467
♪ AND SHE PASSES LOOKS
AS WELL AS... ♪

51
00:04:12,868 --> 00:04:16,634
WHAT'S GOTTEN INTO YOU
TONIGHT? HMM?

52
00:05:01,868 --> 00:05:03,400
[SAWING]

53
00:05:57,534 --> 00:05:59,968
Hotch: "EVERY NORMAL MAN
MUST BE TEMPTED AT TIMES

54
00:06:00,033 --> 00:06:03,067
"TO SPIT ON HIS HANDS,
HOIST THE BLACK FLAG,

55
00:06:03,133 --> 00:06:05,567
AND BEGIN TO SLIT THROATS."

56
00:06:05,634 --> 00:06:07,667
H.L. MENCKEN.

57
00:06:07,734 --> 00:06:10,534
THIS IS ORANGE COUNTY,
CALIFORNIA.

58
00:06:10,601 --> 00:06:12,934
10 DAYS AGO, JUDY HANNITY,

59
00:06:13,000 --> 00:06:15,133
A REAL ESTATE WORKER
AND A MOTHER,

60
00:06:15,200 --> 00:06:17,133
WAS SHOTGUNNED
ON THE 91 FREEWAY.

61
00:06:17,200 --> 00:06:18,534
SHE SURVIVED THIS?

62
00:06:18,601 --> 00:06:20,701
BARELY. SHE'S PARALYZED
FROM THE WAIST DOWN.

63
00:06:20,767 --> 00:06:22,868
THE SECOND AND THIRD VICTIMS
WERE BOTH D.O.A.

64
00:06:22,934 --> 00:06:25,634
THERE WERE DIFFERENT VEHICLES
FOR EACH SHOOTING.

65
00:06:25,701 --> 00:06:29,067
A SMALL BLACK SUV,
A BLACK SEDAN, A WHITE SEDAN,

66
00:06:29,133 --> 00:06:31,234
NO MAKES, NO PLATES.

67
00:06:31,300 --> 00:06:32,400
NO SOLID WITNESSES?

68
00:06:32,467 --> 00:06:33,901
THE FIRST VICTIM
DESCRIBED THE SHOOTER

69
00:06:33,968 --> 00:06:36,868
AS A NORMAL, MIDDLE-AGED
WHITE GUY IN AN SUV.

70
00:06:36,934 --> 00:06:39,567
SHE GAVE THAT DESCRIPTION
BUT SHE COULDN'T REMEMBER
ANYTHING ELSE?

71
00:06:39,634 --> 00:06:41,067
ISN'T THAT CONSISTENT
WITH TRAUMA?

72
00:06:41,133 --> 00:06:42,467
UH, ACTUALLY, NO.

73
00:06:42,534 --> 00:06:44,868
TRAUMA VICTIMS EITHER
REMEMBER EVERYTHING
OR NOTHING.

74
00:06:44,934 --> 00:06:46,534
SO WAIT--THE THIRD VICTIM
WAS SHOT LAST WEEK,

75
00:06:46,601 --> 00:06:48,234
WE JUST GOT
THE PHONE CALL TODAY?

76
00:06:48,300 --> 00:06:50,534
UNTIL THE THIRD SHOOTING,
THE LOCALS WEREN'T CONVINCED

77
00:06:50,601 --> 00:06:51,734
IT WAS A SERIAL SHOOTER.

78
00:06:51,801 --> 00:06:53,801
THERE WERE DIFFERENT CARS,
AND THE FIRST SHOOTING

79
00:06:53,868 --> 00:06:55,400
THERE WAS A DIFFERENT
WEAPON.

80
00:06:55,467 --> 00:06:56,767
IT'S THE SAME WEAPON.

81
00:06:56,834 --> 00:06:59,000
THE SHOT PATTERN
ON THE SECOND AND THIRD ONE

82
00:06:59,067 --> 00:07:00,534
ARE MUCH WIDER, THOUGH.

83
00:07:00,601 --> 00:07:01,968
HE SAWED OFF THE SHOTGUN.

84
00:07:02,033 --> 00:07:03,567
IT'S THE SAME SHOOTER.

85
00:07:03,634 --> 00:07:05,567
HE'S EVOLVING, AND QUICKLY.

86
00:07:05,634 --> 00:07:07,801
THE MEDIA HAS ALREADY
DUBBED HIM THE ROAD WARRIOR.

87
00:07:07,868 --> 00:07:09,667
THAT EXPLAINS WHY
THEY WANTED US THERE
SO QUICKLY.

88
00:07:09,734 --> 00:07:10,701
WHAT DO YOU MEAN?

89
00:07:10,767 --> 00:07:12,501
THIS TYPE OF UNSUB
IS THE HARDEST TO CATCH.

90
00:07:12,567 --> 00:07:14,033
TOTALLY IMPERSONAL VICTIMS.

91
00:07:14,100 --> 00:07:15,734
A THIRD OF THE CRIME SCENE
FLEES WITH HIM
AND HIS VEHICLE.

92
00:07:15,801 --> 00:07:18,534
THE VICTIM'S CAR'S A WRECK.
AND THE LAST THIRD,
THE ROAD,

93
00:07:18,601 --> 00:07:21,133
IT'S CONTAMINATED BY
ALL THE OTHER CARS
THAT DRIVE OVER IT.

94
00:07:21,200 --> 00:07:22,367
SO HOW DO WE GET HIM?

95
00:07:22,434 --> 00:07:24,667
WE BUILD A SOLID PROFILE.
WE RELEASE IT TO THE PUBLIC

96
00:07:24,734 --> 00:07:27,868
WITH AN APPEAL FOR HELP.
SOMEBODY KNOWS THIS GUY.

97
00:07:27,934 --> 00:07:29,734
AND IT'S MY JOB
TO MAKE THEM REALIZE.

98
00:07:33,467 --> 00:07:34,968
[OVERLAPPING CHATTER]

99
00:07:37,067 --> 00:07:40,734
[SIGHS] THEA SALINAS,
SHERIFF'S COUNTY HOMICIDE.

100
00:07:40,801 --> 00:07:41,934
I'M RUNNING THE TASKFORCE.

101
00:07:42,000 --> 00:07:43,300
I'M SPECIAL AGENT
JORDAN TODD,

102
00:07:43,367 --> 00:07:45,601
SPECIAL AGENTS ROSSI,
HOTCHNER,

103
00:07:45,667 --> 00:07:46,801
PRENTISS...

104
00:07:46,868 --> 00:07:48,501
MORGAN...
HEY.

105
00:07:48,567 --> 00:07:50,067
AND THAT'S
DR. SPENCER REID.

106
00:07:50,133 --> 00:07:51,601
ARE THESE THE VEHICLES
FROM THE SHOOTINGS?

107
00:07:51,667 --> 00:07:52,601
YES.

108
00:07:52,667 --> 00:07:54,100
DID YOU SET UP
THE HOTLINE?

109
00:07:54,167 --> 00:07:55,567
LIKE YOU ASKED.
WE HAVE THE LOCAL STATIONS

110
00:07:55,634 --> 00:07:56,734
PUTTING THE NUMBER OUT THERE.

111
00:07:56,801 --> 00:07:59,200
WE'RE GETTING ABOUT
A DOZEN CALLS AN HOUR.

112
00:07:59,267 --> 00:08:00,334
I'LL ALERT THE MEDIA
TO STAND BY

113
00:08:00,400 --> 00:08:02,234
FOR OUR PRESS
CONFERENCE. EXCUSE ME.

114
00:08:02,300 --> 00:08:04,634
THE SHERIFF'S DEPARTMENT
AND THE CHP ARE ON TAC ALERT.

115
00:08:04,701 --> 00:08:08,200
WE'VE GOT CHOPPERS
ON ROUND-THE-CLOCK
FREEWAY PATROL.

116
00:08:08,267 --> 00:08:11,667
THE VICTIMS' VEHICLES, WITH
MAPS, CSPs, AND BULLET POINTS.

117
00:08:11,734 --> 00:08:13,601
EVERYTHING WE GOT ON THE CASE
IS IN THIS ROOM.

118
00:08:13,667 --> 00:08:14,801
ANYTHING SOLID
ON THE TIP LINE?

119
00:08:14,868 --> 00:08:16,033
USUAL NUTJOBS,

120
00:08:16,100 --> 00:08:18,200
CRIME BUFFS,
BORED SENIOR CITIZENS.

121
00:08:18,267 --> 00:08:20,534
YOU MIGHT HAVE GOT
EVERYTHING SQUARED AWAY.

122
00:08:20,601 --> 00:08:22,534
IT'S NOT ME.
IT'S THE SHOOTER.

123
00:08:22,601 --> 00:08:25,033
THE O.C. HAS AN ENDLESS
SUPPLY OF 3 THINGS--

124
00:08:25,100 --> 00:08:26,701
FREEWAYS, NEWS COVERAGE,

125
00:08:26,767 --> 00:08:29,400
AND BLOND FEMALE
LUXURY CAR OWNERS.

126
00:08:29,467 --> 00:08:30,801
PEOPLE ARE PRETTY SCARED?

127
00:08:30,868 --> 00:08:32,901
I COULD ASK FOR A SUBMARINE
AND GET IT.

128
00:08:37,100 --> 00:08:39,734
THE FIRST M.O.
IN THE FIRST SHOOTING DIFFERS
DRAMATICALLY FROM THE OTHER TWO.

129
00:08:39,801 --> 00:08:41,567
DAYLIGHT ON A CROWDED FREEWAY.

130
00:08:41,634 --> 00:08:43,901
THAT'S DOZENS
OF POTENTIAL WITNESSES.

131
00:08:43,968 --> 00:08:45,267
IT'S HIGH-RISK.
HE GOT LUCKY.

132
00:08:45,334 --> 00:08:46,734
WELL, THEN,
HE'S A FAST STUDY.

133
00:08:46,801 --> 00:08:49,067
SAWED OFF HIS SHOTGUN
AND LOWERED HIS RISK

134
00:08:49,133 --> 00:08:50,734
BY SWITCHING TO NIGHTS
AND CHANGING VEHICLES.

135
00:08:50,801 --> 00:08:53,667
WHAT IF HE WASN'T
PLANNING ON MURDER
THE FIRST TIME?

136
00:08:53,734 --> 00:08:55,567
YOU THINK THE FIRST SHOOTING
WAS SPONTANEOUS?

137
00:08:55,634 --> 00:08:57,801
WELL, WE KNOW WHAT
HE'S CAPABLE OF
WHEN HE PLANS AHEAD.

138
00:08:57,868 --> 00:08:59,634
IF I'M NOT PLANNING
TO COMMIT A CRIME,

139
00:08:59,701 --> 00:09:00,968
WHY NOT DRIVE
MY OWN VEHICLE?

140
00:09:01,033 --> 00:09:03,634
SO THE SUV
IS HIS ACTUAL CAR.

141
00:09:03,701 --> 00:09:06,000
BUT THEN, WHY DID HE
HAVE A GUN IN THE SUV

142
00:09:06,067 --> 00:09:08,167
IF HE WASN'T PLANNING
TO COMMIT MURDER?

143
00:09:08,234 --> 00:09:10,367
AND WHAT HAPPENED TO MAKE HIM
PULL THAT FIRST TRIGGER?

144
00:09:10,434 --> 00:09:12,667
WE NEED TO RE-INTERVIEW
THE FIRST VICTIM.

145
00:09:17,100 --> 00:09:18,200
[DOOR OPENS]

146
00:09:22,133 --> 00:09:23,767
MS. HANNITY,
I'M AGENT AARON HOTCHNER.

147
00:09:23,834 --> 00:09:25,567
THIS IS AGENT EMILY PRENTISS.
WE'RE FROM THE FBI.

148
00:09:25,634 --> 00:09:28,033
SHE ALREADY TOLD
THE POLICE EVERYTHING
SHE CAN REMEMBER.

149
00:09:28,100 --> 00:09:29,734
RICK...

150
00:09:29,801 --> 00:09:31,567
IT'S OK.

151
00:09:33,300 --> 00:09:34,734
PLEASE.

152
00:09:38,100 --> 00:09:40,367
IT'S JUST THE TWO OF US.

153
00:09:40,434 --> 00:09:43,701
HE FEELS LIKE IT'S
HIS JOB TO PROTECT ME.

154
00:09:43,767 --> 00:09:45,567
I UNDERSTAND YOU'VE SPOKEN
TO THE POLICE.

155
00:09:45,634 --> 00:09:47,667
I JUST NEED TO GO BACK
THROUGH THE SHOOTING WITH YOU.

156
00:09:47,734 --> 00:09:50,434
IT ONLY COMES BACK
IN PIECES.

157
00:09:50,501 --> 00:09:51,934
WE CAN TAKE IT SLOWLY.

158
00:09:52,000 --> 00:09:55,033
JUST TRY TO PIECE TOGETHER
YOUR DAY, IF YOU CAN.

159
00:09:58,234 --> 00:10:01,100
HAVE YOU SEEN ACCIDENTS
LIKE THIS BEFORE?

160
00:10:01,167 --> 00:10:02,934
A FEW.

161
00:10:03,000 --> 00:10:04,834
DO PEOPLE RECOVER?

162
00:10:04,901 --> 00:10:06,901
THE DOCTOR SAID
SHE HAS A GOOD CHANCE.

163
00:10:11,501 --> 00:10:13,067
IT'S MY FAULT.

164
00:10:13,133 --> 00:10:14,734
NO.

165
00:10:14,801 --> 00:10:18,067
THIS IS NO ONE'S FAULT
BUT THE MAN WHO SHOT
YOUR MOTHER.

166
00:10:18,133 --> 00:10:19,968
I GOT IN TROUBLE
AT SCHOOL. SHE WAS
ON HER WAY THERE.

167
00:10:20,033 --> 00:10:22,434
SHE SHOULDN'T HAVE
EVEN BEEN IN HER CAR.

168
00:10:24,701 --> 00:10:26,634
SO YOU WERE ANGRY?

169
00:10:28,033 --> 00:10:30,467
I DON'T KNOW.

170
00:10:30,534 --> 00:10:32,734
I SUPPOSE.

171
00:10:32,801 --> 00:10:34,968
I KNOW THIS IS DIFFICULT,

172
00:10:35,033 --> 00:10:37,901
BUT EVERY DETAIL HELPS US
UNDERSTAND WHO THIS MAN IS.

173
00:10:39,634 --> 00:10:40,634
COME ON.

174
00:10:40,701 --> 00:10:42,000
[HONKING HORN]
COME ON, MOVE!

175
00:10:45,934 --> 00:10:48,767
I WAS IMPATIENT.

176
00:10:48,834 --> 00:10:50,734
AND YOU CUT HIM OFF?

177
00:10:52,400 --> 00:10:55,100
WAS THERE ANYTHING ELSE?
DID HE SWEAR? DID HE HONK?

178
00:10:55,167 --> 00:10:57,667
DID HE THREATEN YOU
IN ANY WAY?

179
00:11:01,067 --> 00:11:02,434
EXCUSE ME.

180
00:11:02,501 --> 00:11:04,667
OH, WAIT.
HOLD ON ONE SECOND.

181
00:11:07,000 --> 00:11:09,267
HE TRIED TO SPEAK TO ME.

182
00:11:09,334 --> 00:11:10,767
WHAT DID HE SAY?

183
00:11:16,334 --> 00:11:18,968
HE COULDN'T
SAY ANYTHING.

184
00:11:22,901 --> 00:11:26,400
I WOULDN'T GIVE HIM
A CHANCE.

185
00:11:26,467 --> 00:11:29,767
WHAT? NOW YOU WANT TO
TALK ABOUT YOUR FEELINGS
LIKE YOU'RE SOME CHICK?

186
00:11:29,834 --> 00:11:31,801
YOU DRIVE LIKE AN OLD LADY.

187
00:11:31,868 --> 00:11:34,734
ALL RIGHT, I'M BACK.

188
00:11:34,801 --> 00:11:36,467
NO, GO ON.
AND AS I WAS SAYING...

189
00:11:43,868 --> 00:11:47,634
IF HE HADN'T SEEMED
SO NORMAL...

190
00:11:47,701 --> 00:11:49,334
I WOULDN'T HAVE SAID
ANYTHING.

191
00:11:55,534 --> 00:11:56,968
I...

192
00:11:57,033 --> 00:12:00,934
I USUALLY DON'T EVEN
USE MY HORN,

193
00:12:01,000 --> 00:12:04,601
BECAUSE ON THE ROAD...

194
00:12:04,667 --> 00:12:06,667
YOU NEVER KNOW.

195
00:12:10,334 --> 00:12:12,868
I'LL ASK YOUR SON
TO COME BACK IN.

196
00:12:16,501 --> 00:12:18,601
IS SHE OK?

197
00:12:18,667 --> 00:12:21,000
SHE SAYS YOU'VE BEEN TAKING
VERY GOOD CARE OF HER.

198
00:12:21,067 --> 00:12:22,501
I GUESS SO.

199
00:12:22,567 --> 00:12:24,133
SHE'S LUCKY TO HAVE YOU.

200
00:12:29,634 --> 00:12:32,767
SO...WHAT HAPPENED?

201
00:12:32,834 --> 00:12:35,434
SHE MADE IT PERSONAL.

202
00:12:41,667 --> 00:12:43,400
WHEN THE VICTIMOLOGY'S
THIS SPECIFIC,

203
00:12:43,467 --> 00:12:46,467
WE KNOW THE VICTIMS
REPRESENT A SPECIFIC
PERSON TO HIM.

204
00:12:46,534 --> 00:12:47,834
WHO?

205
00:12:47,901 --> 00:12:49,601
GIVEN THE FACT THAT
HE'S THE SAME AGE AND RACE

206
00:12:49,667 --> 00:12:51,200
AS THE VICTIMS,

207
00:12:51,267 --> 00:12:53,434
LIKELY A CURRENT
OR FORMER WIFE OR GIRLFRIEND.

208
00:12:53,501 --> 00:12:55,901
SO WHY NOT JUST KILL
THE ACTUAL PERSON?

209
00:12:55,968 --> 00:12:57,701
SHE'S JUST A SCAPEGOAT
FOR HIS OWN PERSONAL FAILINGS.

210
00:12:57,767 --> 00:13:00,501
HE KNOWS IF HE KILLS HER,
HE LOSES THAT SCAPEGOAT.

211
00:13:00,567 --> 00:13:03,267
SO HE JUST GOES AROUND
BLOWING AWAY ANY WOMEN?

212
00:13:03,334 --> 00:13:05,701
NO, JUST WOMEN
THAT REMIND HIM
OF HIS WIFE.

213
00:13:05,767 --> 00:13:07,067
WHEN THIS TYPE OF KILLER
IS TRIGGERED,

214
00:13:07,133 --> 00:13:08,901
THEY NEED TO RELEASE
THE RESENTMENT QUICKLY.

215
00:13:08,968 --> 00:13:12,734
SUBSEQUENTLY, THEY TEND
TO STRIKE CLOSE TO THE FOCUS
OF THAT RESENTMENT.

216
00:13:12,801 --> 00:13:14,734
SO IF THE FOCUS
IS HIS WIFE,

217
00:13:14,801 --> 00:13:17,901
THEN THAT FOCUS
IS HIS HOME.

218
00:13:17,968 --> 00:13:20,934
YEAH. HE ALMOST CERTAINLY
LIVES IN THIS AREA.

219
00:13:21,000 --> 00:13:22,734
THIS IS HIS KILL ZONE.

220
00:13:22,801 --> 00:13:25,601
UH, WHAT ARE THESE
VARIOUS MARKERS EVERYWHERE?

221
00:13:25,667 --> 00:13:27,133
UH, ROADWORK.

222
00:13:32,167 --> 00:13:34,200
JUDITH HANNITY SAID
THAT HE SHOT HER

223
00:13:34,267 --> 00:13:36,234
AFTER SHE CHALLENGED HIM
PERSONALLY.

224
00:13:36,300 --> 00:13:38,267
BEFORE THAT,
HE WAS ALMOST APOLOGETIC.

225
00:13:38,334 --> 00:13:39,467
WHAT'S GOING ON?

226
00:13:39,534 --> 00:13:41,934
OUT OF THE 30 ROADWORK
SITES IN THE KILL ZONE,

227
00:13:42,000 --> 00:13:43,601
ONLY 2 WERE
ALTERNATE MERGES,

228
00:13:43,667 --> 00:13:45,501
BOTH LESS THAN 3 MILES
FROM THE CRIME SCENES.

229
00:13:45,567 --> 00:13:46,634
ALTERNATE MERGES?

230
00:13:46,701 --> 00:13:48,100
MULTIPLE LANES
FUNNELED DOWN TO ONE.

231
00:13:48,167 --> 00:13:50,901
ONE CAR PER LANE,
ALTERNATING AT
THE DRIVERS' DISCRETION.

232
00:13:50,968 --> 00:13:52,767
THESE SITES ALLOW HIM
TO SET UP THE CONFRONTATION.

233
00:13:52,834 --> 00:13:54,934
A GUY WHO FOLLOWS THE RULES
MAY LASH OUT ONCE,

234
00:13:55,000 --> 00:13:57,434
BUT TO DO IT AGAIN,
HE'D NEED
SIMILAR PROVOCATION.

235
00:13:57,501 --> 00:13:59,100
SO HE SEEKS OUT
ALTERNATE MERGE SITES,

236
00:13:59,167 --> 00:14:01,033
THEN HE GOES THROUGH THEM
OVER AND OVER AGAIN

237
00:14:01,100 --> 00:14:03,968
UNTIL HE FINDS A WOMAN
THAT FITS HIS VICTIM TYPE
AND WHO CUTS HIM OFF.

238
00:14:04,033 --> 00:14:07,200
SO, WE HAVE TO SHUT DOWN
EVERY ALTERNATE MERGE
IN THE COUNTY IMMEDIATELY.

239
00:14:07,267 --> 00:14:09,567
AND WE NEED TO TALK
TO THE CREWS
THAT WORK THESE SITES.

240
00:14:09,634 --> 00:14:11,067
SO WHAT DOES
ALL THIS TELL YOU?

241
00:14:11,133 --> 00:14:12,567
IMPERSONAL KILLERS
ARE LIKE DRUG ADDICTS.

242
00:14:12,634 --> 00:14:14,567
THE FIRST TIME GIVES THEM
THE ULTIMATE HIGH,

243
00:14:14,634 --> 00:14:16,100
AND AFTER THAT,
NO HIGH IS AS GOOD.

244
00:14:16,167 --> 00:14:19,634
UNFORTUNATELY, THE ADDICT
DOESN'T KNOW THAT.

245
00:14:19,701 --> 00:14:23,334
HE WILL CHASE THAT HIGH
TO THE GATES OF INSANITY
AND DEATH.

246
00:14:24,634 --> 00:14:28,434
BY NOW, KILLING IS ALL
OUR UNSUB THINKS ABOUT.

247
00:14:30,100 --> 00:14:33,400
HE'S SET UP THE EXACT SAME
SITUATION AGAIN AND AGAIN,

248
00:14:33,467 --> 00:14:35,601
HOPING TO GET
THE SAME RESULT.

249
00:14:39,534 --> 00:14:42,300
HE BEGINS TO THINK
HE'S DOING IT WRONG.

250
00:14:43,801 --> 00:14:48,534
HE BECOMES OBSESSED
WITH IMPROVING HIS SKILLS,
HONING HIS M.O.

251
00:14:50,434 --> 00:14:54,634
AND TAILORING HIS WEAPON
TO HIS DEADLY PURPOSE.

252
00:14:57,100 --> 00:15:00,334
HE FIGURES IF HE GETS
THEM ALL JUST RIGHT,

253
00:15:00,400 --> 00:15:03,534
IF HE CAN GET HIS TECHNIQUE
AND HIS TOOLS PERFECTED,

254
00:15:03,601 --> 00:15:06,834
HE'LL FEEL THAT
FIRST HIGH AGAIN.

255
00:15:08,701 --> 00:15:11,467
HE'S BECOMING
A MORE LETHAL ADDICT.

256
00:15:11,534 --> 00:15:13,801
[COCKING WEAPON]

257
00:15:13,868 --> 00:15:18,234
AND HE'LL NEVER ACCEPT
THAT THE HIGH IS GONE
AND IT WON'T COME BACK.

258
00:15:18,300 --> 00:15:20,901
HE'LL NEVER STOP.

259
00:15:20,968 --> 00:15:22,667
NEVER.

260
00:15:28,667 --> 00:15:30,934
YOU KNOW HOW MANY CARS
I SEE DRIVE THROUGH
MY WORK SITE HERE?

261
00:15:31,000 --> 00:15:33,434
YOUR BOSS SAID YOU WERE
THE SAFETY OFFICER
THAT NIGHT?

262
00:15:33,501 --> 00:15:34,667
SO?

263
00:15:34,734 --> 00:15:36,267
SO THAT MEANS
YOU WOULD HAVE BEEN
HOLDING THE SIGN

264
00:15:36,334 --> 00:15:39,434
TO SLOW CARS DOWN.
WE'RE LOOKING FOR A MAN
IN A WHITE SEDAN,

265
00:15:39,501 --> 00:15:41,934
AND HE WOULD HAVE COME
THROUGH OVER AND OVER AGAIN.

266
00:15:42,000 --> 00:15:44,100
THE DRIVER WOULD HAVE BEEN
GOING EXTRA SLOW,

267
00:15:44,167 --> 00:15:46,767
LIKE HE WAS DARING ANYONE
TO CUT HIM OFF.

268
00:15:46,834 --> 00:15:49,067
SON OF A BITCH.

269
00:15:49,133 --> 00:15:50,234
YOU REMEMBER SOMEONE?

270
00:15:50,300 --> 00:15:52,067
YEAH. I THOUGHT
THE GUY WAS LOST.
I MEAN,

271
00:15:52,133 --> 00:15:54,033
I EVEN TALKED TO TONY
ABOUT THIS GUY DRESSING

272
00:15:54,100 --> 00:15:56,033
LIKE A HARD-ASS, BUT
HE DROVE LIKE A CHICK.

273
00:15:56,100 --> 00:15:57,567
NO OFFENSE.

274
00:15:57,634 --> 00:15:58,701
NONE TAKEN.

275
00:15:58,767 --> 00:16:00,367
WHAT DO YOU MEAN,
DRESSED LIKE A HARD-ASS?

276
00:16:00,434 --> 00:16:03,033
THIS JACKASS WAS WEARING
A LEATHER JACKET,
HE'S GOT SUNGLASSES ON,

277
00:16:03,100 --> 00:16:04,667
THEY'RE MIRRORED,
YOU KNOW,
LIKE THE COPS USE.

278
00:16:04,734 --> 00:16:06,400
BUT IT WAS DARK OUT.

279
00:16:06,467 --> 00:16:08,901
HE'S STARTING TO ROLE-PLAY.
HE'S BREAKING FROM REALITY.

280
00:16:08,968 --> 00:16:10,901
Salinas: DO YOU
REMEMBER ANYTHING ELSE
ABOUT THIS MAN?

281
00:16:10,968 --> 00:16:12,033
A CAR CUT HIM OFF,

282
00:16:12,100 --> 00:16:14,601
AND HE STUCK HIS ARM OUT
ACROSS THE FRONT SEAT.

283
00:16:14,667 --> 00:16:16,367
BUT AFTER THAT I DIDN'T
SEE HIM COME THROUGH AGAIN.

284
00:16:16,434 --> 00:16:17,934
SHOW ME WHAT HE DID
WITH HIS ARM.

285
00:16:18,000 --> 00:16:19,367
LIKE THIS.

286
00:16:19,434 --> 00:16:21,901
LIKE HE WAS KEEPING
A PASSENGER FROM
HITTING THE DASHBOARD?

287
00:16:21,968 --> 00:16:23,400
YEAH, BUT THE DUDE
WAS ALONE.

288
00:16:24,767 --> 00:16:26,234
THANKS FOR YOUR TIME.

289
00:16:26,300 --> 00:16:28,067
SURE.

290
00:16:28,133 --> 00:16:29,234
WHAT'S WRONG?

291
00:16:29,300 --> 00:16:31,400
A SMALL SUV
IS A FAMILY VEHICLE.

292
00:16:31,467 --> 00:16:32,901
BETWEEN THAT
AND THE HAND GESTURE,

293
00:16:32,968 --> 00:16:35,567
I'M AFRAID THAT OUR UNSUB'S
MARRIED WITH CHILDREN.

294
00:16:35,634 --> 00:16:36,901
WHY DOES THAT MATTER?

295
00:16:36,968 --> 00:16:38,534
WELL, IF HE'S BREAKING
FROM REALITY

296
00:16:38,601 --> 00:16:41,067
AND HE'S LASHING OUT
AT SURROGATES FOR HIS LIFE,

297
00:16:41,133 --> 00:16:42,367
THEN IT'S ONLY
A MATTER OF TIME

298
00:16:42,434 --> 00:16:44,367
BEFORE HE TRIES
TO WIPE OUT
THE REAL THING.

299
00:16:44,434 --> 00:16:46,934
ARE YOU SAYING
THIS GUY'S GONNA KILL
HIS WIFE AND KIDS?

300
00:16:47,000 --> 00:16:51,467
CALL YOUR PEOPLE.
WE NEED TO GET A PROFILE OUT
AS SOON AS POSSIBLE.

301
00:16:54,534 --> 00:16:57,667
THE HYPER-MASCULINE DISGUISE,
VICTIM PREFERENCE,

302
00:16:57,734 --> 00:16:59,968
AND THE EMASCULATING TRIGGER
OF THE FIRST ATTACK

303
00:17:00,033 --> 00:17:01,901
ALL TELL US
THIS IS AN UNSUB SUFFERING

304
00:17:01,968 --> 00:17:03,534
A MASCULINE IDENTITY CRISIS.

305
00:17:03,601 --> 00:17:05,534
A MASCULINE IDENTITY CRISIS?

306
00:17:05,601 --> 00:17:07,667
THAT'S WHY HE'S DRIVING AROUND
BLOWING WOMEN AWAY?

307
00:17:07,734 --> 00:17:10,033
NO. JUDY HANNITY
WAS JUST THE TRIGGER.

308
00:17:10,100 --> 00:17:12,467
WE NEED TO IDENTIFY
THE PRECIPITATING TRAUMA.

309
00:17:12,534 --> 00:17:14,334
SOMETHING HAPPENED
IN THE UNSUB'S LIFE,

310
00:17:14,400 --> 00:17:17,100
SOMETHING SO TRAUMATIC,
IT TURNED A NORMAL MAN
INTO A SERIAL KILLER.

311
00:17:17,167 --> 00:17:19,400
SO HE'S SUFFERING FROM SOME
KIND OF PSYCHOTIC BREAK.

312
00:17:19,467 --> 00:17:21,501
WHICH MEANS THE WORLD
HE SEES AROUND HIM

313
00:17:21,567 --> 00:17:23,968
HAS CHANGED, AND SO HAS
HIS ROLE IN IT.

314
00:17:24,033 --> 00:17:25,467
AND THAT OF HIS FAMILY.

315
00:17:25,534 --> 00:17:27,434
HIS PERCEPTION OF HIS HOME LIFE

316
00:17:27,501 --> 00:17:28,868
IS THE KEY TO HIS PATHOLOGY.

317
00:17:31,267 --> 00:17:34,067
AT HOME THIS UNSUB
FEELS LESS THAN A MAN,

318
00:17:34,133 --> 00:17:36,501
A FAILURE AS A FATHER
AND AS A HUSBAND.

319
00:17:36,567 --> 00:17:39,834
[VIDEO GAME BEEPING]

320
00:17:41,634 --> 00:17:44,634
HE FEELS HIS CHILDREN
DON'T NEED OR RESPECT HIM.

321
00:17:46,901 --> 00:17:51,400
[INDISTINCT TALKING]

322
00:17:56,067 --> 00:17:59,334
AND THAT HE'S UNWANTED
AND OBSOLETE IN THEIR LIVES.

323
00:18:02,267 --> 00:18:05,834
AS A HUSBAND HE FEELS
EMASCULATED AND HUMILIATED
BY HIS WIFE.

324
00:18:05,901 --> 00:18:08,901
HA HA HA! YEAH, RIGHT,
THAT'D BE GOOD.

325
00:18:08,968 --> 00:18:10,534
NOW, THESE BELIEFS
AND PERCEPTIONS,
REAL OR IMAGINED,

326
00:18:10,601 --> 00:18:13,968
HAVE DESTROYED THIS INDIVIDUAL'S
MASCULINE SELF-IMAGE.

327
00:18:14,033 --> 00:18:16,834
Prentiss: THIS UNSUB
IS DELUSIONAL.

328
00:18:16,901 --> 00:18:19,300
HE'S NOW DRESSING
IN THIS ROAD WARRIOR PERSONA.

329
00:18:19,367 --> 00:18:22,701
IT GIVES HIM FEELINGS
OF POWER AND PURPOSE
THAT HE CRAVES.

330
00:18:22,767 --> 00:18:25,200
IT IS NOW THE SINGLE
MOST IMPORTANT THING
IN HIS LIFE.

331
00:18:25,267 --> 00:18:27,567
AND HE WILL DIE
BEFORE GIVING IT UP.

332
00:18:27,634 --> 00:18:30,667
HIS NEW FANTASY PERSONA
CAN'T CO-EXIST

333
00:18:30,734 --> 00:18:32,801
WITH THE EVERYDAY REALITY
OF HIS HOME LIFE.

334
00:18:32,868 --> 00:18:35,701
WHICH MEANS SOONER OR LATER
HE'S GOING TO KILL
HIS ENTIRE FAMILY.

335
00:18:35,767 --> 00:18:37,367
SO WHAT DO WE DO?

336
00:18:37,434 --> 00:18:38,701
OUR STRATEGY'S THREE-FOLD.

337
00:18:38,767 --> 00:18:41,367
FIRST WE FIND EVERY
SMALL-MODEL BLUE SUV OWNER

338
00:18:41,434 --> 00:18:43,067
IN THE ESTIMATED KILL ZONE.

339
00:18:43,133 --> 00:18:45,434
2--WE SET UP A SINGLE
ALTERNATE MERGE SCENARIO
IN THAT ZONE,

340
00:18:45,501 --> 00:18:46,868
AND WE MAN IT
WITH OUR PEOPLE.

341
00:18:46,934 --> 00:18:49,367
AND 3--WE RELEASE
OUR PROFILE TO THE PUBLIC.

342
00:18:49,434 --> 00:18:52,400
SOMEBODY OUT THERE KNOWS THIS
MAN. THEY JUST DON'T REALIZE IT.

343
00:19:08,834 --> 00:19:11,267
[TIRES SCREECHING, CRASH]

344
00:19:12,534 --> 00:19:14,467
HEY, NORMAN.

345
00:19:14,534 --> 00:19:17,133
CAN YOU PUT THIS
ON MY ACCOUNT?

346
00:19:18,267 --> 00:19:20,400
I'LL NEED MR. MANNING'S
APPROVAL.

347
00:19:20,467 --> 00:19:22,234
WHENEVER YOU GET AROUND
TO IT.

348
00:19:24,968 --> 00:19:27,901
I'M STILL WAITING
FOR LAST MONTH'S
EXPENSE SUMMARY, NORMAN.

349
00:19:27,968 --> 00:19:29,200
I'M SORRY.

350
00:19:29,267 --> 00:19:30,968
THE GUYS ON THE SIXTH FLOOR
ARE ASKING FOR MY QUARTERLY.

351
00:19:31,033 --> 00:19:32,634
I NEED THAT SUMMARY.

352
00:19:32,701 --> 00:19:34,934
I GOT--I KNOW I GOT--
I GOT IT HERE SOMEWHERE.

353
00:19:35,000 --> 00:19:40,467
YOU'RE AN OLD, BALD LOSER
AND EVERYONE LAUGHS AT YOU.

354
00:19:40,534 --> 00:19:42,534
WHAT DID YOU SAY?

355
00:19:42,601 --> 00:19:44,200
I DIDN'T SAY ANYTHING.

356
00:19:46,634 --> 00:19:49,334
LOOK, NORMAN,

357
00:19:49,400 --> 00:19:51,501
THE SIXTH FLOOR DOESN'T CARE
WHAT'S GOING ON IN YOUR LIFE

358
00:19:51,567 --> 00:19:53,100
OR HOW LONG
YOU'VE BEEN WITH THE FIRM.

359
00:19:53,167 --> 00:19:55,334
THEY'RE ALL ABOUT
THE NUMBERS,
AND THE NUMBERS TELL THEM

360
00:19:55,400 --> 00:19:59,567
THAT YOUNGER WORKERS
COST LESS AND PRODUCE MORE.

361
00:19:59,634 --> 00:20:02,667
I LIKE YOU, NORMAN.
I KNOW HOW HARD THINGS
HAVE BEEN FOR YOU

362
00:20:02,734 --> 00:20:03,934
THESE PAST FEW MONTHS.

363
00:20:04,000 --> 00:20:06,601
DON'T GIVE THOSE BASTARDS
ON THE SIXTH FLOOR

364
00:20:06,667 --> 00:20:08,601
AN EXCUSE,
YOU KNOW WHAT I MEAN?

365
00:20:10,133 --> 00:20:12,133
YEAH.

366
00:20:12,200 --> 00:20:13,133
YEAH.

367
00:20:13,200 --> 00:20:15,634
HERE IT IS.

368
00:20:18,567 --> 00:20:19,767
THANKS.

369
00:20:21,434 --> 00:20:24,033
WE ASK THE PUBLIC
TO LISTEN VERY CAREFULLY

370
00:20:24,100 --> 00:20:25,667
TO THE FOLLOWING DESCRIPTION.

371
00:20:25,734 --> 00:20:28,434
ANYONE WHO BELIEVES
THEY RECOGNIZE THIS INDIVIDUAL

372
00:20:28,501 --> 00:20:30,834
SHOULD CALL OUR TIP LINE
IMMEDIATELY.

373
00:20:30,901 --> 00:20:35,000
WE ARE LOOKING FOR A WHITE,
MIDDLE-AGED, MARRIED FATHER.

374
00:20:35,067 --> 00:20:38,767
WE BELIEVE HIS WIFE IS BLOND,
APPROXIMATELY 40 YEARS OLD,

375
00:20:38,834 --> 00:20:42,367
RESEMBLES THE VICTIMS,
AND DRIVES A LUXURY SEDAN.

376
00:20:42,434 --> 00:20:46,601
THIS INDIVIDUAL DRIVES
A BLUE SMALL-MODEL SUV

377
00:20:46,667 --> 00:20:49,801
AND MOST LIKELY LIVES
IN THIS AREA.

378
00:20:49,868 --> 00:20:53,868
IT IS ALSO VERY POSSIBLE
THIS INDIVIDUAL
RECENTLY SUFFERED

379
00:20:53,934 --> 00:20:55,734
A PERSONAL TRAUMA
IN HIS LIFE.

380
00:20:55,801 --> 00:20:56,901
ALL POINTS BULLETIN:

381
00:20:56,968 --> 00:20:59,868
BE ON THE LOOKOUT
FOR A WORTHLESS LOSER

382
00:20:59,934 --> 00:21:02,601
NAMED NORMAN, WHO RESENTS
ANYONE WITH A LIFE

383
00:21:02,667 --> 00:21:06,334
AND KILLS JUST TO PROVE
HE'S NOT AN EMASCULATED LOSER.

384
00:21:09,968 --> 00:21:12,033
[SHOTGUN BLASTS]

385
00:21:16,601 --> 00:21:18,567
IT'S VERY POSSIBLE
THIS INDIVIDUAL

386
00:21:18,634 --> 00:21:22,200
RECENTLY SUFFERED A PERSONAL
TRAUMA IN HIS LIFE.

387
00:21:22,267 --> 00:21:26,334
AGAIN, A WHITE, MIDDLE-AGED,
MARRIED FATHER.

388
00:21:26,400 --> 00:21:31,033
WE BELIEVE HIS WIFE
IS BLOND, APPROXIMATELY
40 YEARS OLD,

389
00:21:31,100 --> 00:21:34,834
RESEMBLES THE VICTIMS,
AND DRIVES A LUXURY
SEDAN. THIS...

390
00:21:34,901 --> 00:21:37,100
THEY DO IT TO ME,
THEY DO IT TO ME,
THEY DO IT TO ME,

391
00:21:37,167 --> 00:21:39,033
THEY DO IT TO ME!

392
00:21:39,100 --> 00:21:41,601
WHY DO THEY ALWAYS
DO THAT TO ME?!

393
00:21:41,667 --> 00:21:43,200
MAKES YOU...

394
00:21:43,267 --> 00:21:44,434
DAMN...

395
00:21:44,501 --> 00:21:46,434
UHH! UHH! UHH!

396
00:21:46,501 --> 00:21:49,601
UHH! UHH! UHH! UHH!

397
00:21:49,667 --> 00:21:50,601
HEY, BUDDY.

398
00:21:50,667 --> 00:21:51,934
ARE YOU ALL RIGHT?

399
00:21:54,767 --> 00:21:57,834
[LAUGHING, DISTORTED]

400
00:22:12,300 --> 00:22:15,234
[HORN STUCK]

401
00:22:18,434 --> 00:22:20,567
[HORN CONTINUES]

402
00:22:25,334 --> 00:22:27,467
[SIRENS]

403
00:22:27,534 --> 00:22:30,767
JOE KAREM
AND TIMOTHY CALVERT. D.O.A.

404
00:22:30,834 --> 00:22:31,934
NO WANTS, NO WARRANTS.

405
00:22:32,033 --> 00:22:33,467
THEY WORK IN THE AREA,

406
00:22:33,534 --> 00:22:35,300
AND DETECTIVES ARE
NOTIFYING THEIR FAMILIES.

407
00:22:35,367 --> 00:22:37,000
SAWED-OFF 12-GAUGE,
CLOSE RANGE,

408
00:22:37,067 --> 00:22:38,200
SHOT OUT OF THE
DRIVER'S SIDE WINDOW,

409
00:22:38,267 --> 00:22:39,634
DRIVING A SMALL BLUE SUV.

410
00:22:39,701 --> 00:22:41,434
THAT'S OUR GUY,
BUT HE WENT WAY OFF SCRIPT.

411
00:22:41,501 --> 00:22:43,701
MULTIPLE MALE VICTIMS,
SURFACE STREET,

412
00:22:43,767 --> 00:22:45,501
DAYTIME ATTACK,
AND HE DROVE HIS OWN VEHICLE.

413
00:22:45,567 --> 00:22:47,534
SOMETHING TRIGGERED HIM
AND PISSED HIM OFF.

414
00:22:47,601 --> 00:22:48,667
WHAT TIME DID THIS HAPPEN?

415
00:22:48,734 --> 00:22:49,968
APPROXIMATELY 2:20.

416
00:22:50,033 --> 00:22:52,634
SINGLE WITNESS SAYS
THE SHOOTER WAS DRIVING

417
00:22:52,701 --> 00:22:54,534
A SMALL BLUE SUV.
DIDN'T GET A PLATE.

418
00:22:54,601 --> 00:22:56,267
MIDDLE-AGED WHITE GUY,
WEARING A TIE.

419
00:22:56,334 --> 00:22:57,968
SUIT JACKET HANGING
IN THE BACK.

420
00:22:58,033 --> 00:22:59,167
PRESS CONFERENCE?

421
00:22:59,234 --> 00:23:01,067
2:20. JORDAN WENT
ON THE AIR AT 2:00.

422
00:23:01,133 --> 00:23:02,400
HE WAS WATCHING THE NEWS.

423
00:23:02,467 --> 00:23:04,601
YOU SAID THE UNSUB
WAS GOING TO BE WATCHING
THE COVERAGE.

424
00:23:04,667 --> 00:23:07,968
Rossi: 20 MINUTES FROM
WHEREVER HE WAS WATCHING
THE PRESS CONFERENCE

425
00:23:08,033 --> 00:23:09,367
TO THIS INTERSECTION.

426
00:23:09,434 --> 00:23:11,267
HE DRIVES THE SPEED LIMIT,
TAKING INTO ACCOUNT

427
00:23:11,334 --> 00:23:12,934
RED LIGHTS AND MID-DAY
TRAFFIC...

428
00:23:13,000 --> 00:23:14,434
NO MORE THAN 10 MILES.

429
00:23:14,501 --> 00:23:16,234
SO HE LIVES WITHIN
10 MILES OF HERE?

430
00:23:16,300 --> 00:23:18,100
I DON'T THINK SO.
I DON'T UNDERSTAND.

431
00:23:18,167 --> 00:23:19,734
WE WERE WRONG.
HE WAS WEARING A TIE,

432
00:23:19,801 --> 00:23:21,434
SUIT JACKET HANGING
IN THE BACK.

433
00:23:21,501 --> 00:23:22,868
AND CONSIDERING
THE TIME OF DAY...

434
00:23:22,934 --> 00:23:24,267
HE WORKS IN THE AREA.

435
00:23:24,334 --> 00:23:26,400
I'M GONNA CALL GARCIA.

436
00:23:26,467 --> 00:23:29,234
[AUTOMATIC DIAL,
RINGING]

437
00:23:29,300 --> 00:23:30,968
GIVE IT TO ME.

438
00:23:31,033 --> 00:23:33,667
HEY, BABY. CAN YOU PULL UP
A MAP OF THE CRIME SCENE
AREA FOR ME?

439
00:23:33,734 --> 00:23:37,300
SUGAR, I COULD SHUT DOWN
THE POWER GRID TO THE WHOLE
CITY IF YOU TOLD ME TO.

440
00:23:37,367 --> 00:23:38,968
YEAH, I'M SURE YOU CAN.
RIGHT NOW I JUST NEED YOU

441
00:23:39,067 --> 00:23:40,968
TO HIGHLIGHT A 10-MILE
RADIUS AROUND THIS POINT.

442
00:23:41,033 --> 00:23:43,501
TRACK ANY CALLS COMING IN
FROM THIS AREA TO THE TIP LINE.

443
00:23:43,567 --> 00:23:45,300
COORDINATE WITH PRENTISS
AND REID, WOULD YOU?

444
00:23:45,367 --> 00:23:47,234
I'M ALL OVER IT. MWAH.

445
00:23:47,300 --> 00:23:49,000
THANKS, BABY GIRL.

446
00:23:49,067 --> 00:23:50,934
YOU THINK HE'S GONNA
KILL AGAIN SOON, DON'T YOU?

447
00:23:51,000 --> 00:23:52,734
AND HE'S DONE KILLING
SURROGATES.

448
00:23:52,801 --> 00:23:54,434
DID YOU KNOW?

449
00:23:54,501 --> 00:23:55,701
EXCUSE ME.

450
00:23:55,767 --> 00:23:57,100
THIS IS NOT THE TIME
OR THE PLACE.

451
00:23:57,167 --> 00:23:58,434
YOU GONNA DO THIS
IN FRONT OF THE PRESS?

452
00:23:58,501 --> 00:24:01,267
HE KILLED THOSE PEOPLE
BECAUSE OF SOMETHING I SAID.

453
00:24:01,334 --> 00:24:03,100
NO. WHEN WE TALK
TO THE PUBLIC,

454
00:24:03,167 --> 00:24:04,434
IT'S ALWAYS
A POSSIBILITY.

455
00:24:04,501 --> 00:24:05,601
THAT IS PART OF
THE JOB.

456
00:24:05,667 --> 00:24:07,267
TELL ME NOW IF YOU
CAN DO IT OR NOT.

457
00:24:07,334 --> 00:24:10,167
DAMN RIGHT.
I CAN DO THIS JOB.

458
00:24:10,234 --> 00:24:13,501
GOOD. YOU'RE ABOUT TO GIVE
ANOTHER PRESS CONFERENCE.

459
00:24:13,567 --> 00:24:17,267
WE'RE ON THE AIR
IN 3, 2, 1...

460
00:24:17,334 --> 00:24:19,200
WE ARE PREPARED
TO RELEASE TO THE PUBLIC

461
00:24:19,267 --> 00:24:21,801
ADDITIONAL INFORMATION
ABOUT THE INDIVIDUAL

462
00:24:21,868 --> 00:24:24,801
RESPONSIBLE FOR
THE FREEWAY SHOOTING.

463
00:24:24,868 --> 00:24:27,000
THE INDIVIDUAL
IS A WHITE,

464
00:24:27,067 --> 00:24:29,133
45- TO 55-YEAR-OLD MALE

465
00:24:29,200 --> 00:24:31,133
OF AVERAGE BUILD.

466
00:24:31,200 --> 00:24:34,133
HE WORKS IN THIS AREA.

467
00:24:34,200 --> 00:24:36,400
HE WEARS A SUIT
AND TIE TO WORK

468
00:24:36,467 --> 00:24:39,300
AND LEFT WORK VERY ABRUPTLY
SHORTLY AFTER 2:00,

469
00:24:39,367 --> 00:24:43,801
IMMEDIATELY AFTER WATCHING
OUR EARLIER STATEMENT ABOUT HIM.

470
00:24:43,868 --> 00:24:46,033
IF ANYONE HAS ANY
ADDITIONAL INFORMATION,

471
00:24:46,100 --> 00:24:48,834
PLEASE CALL OUR ANONYMOUS
TIP LINE IMMEDIATELY.

472
00:24:48,901 --> 00:24:50,467
THANK YOU.

473
00:24:51,534 --> 00:24:53,601
ONE LAST THING.

474
00:24:53,667 --> 00:24:56,300
THIS INDIVIDUAL HAS
COMMITTED HORRIBLE CRIMES

475
00:24:56,367 --> 00:24:57,868
AND MUST BE
HELD TO ACCOUNT,

476
00:24:57,934 --> 00:25:00,767
BUT HE IS A HUSBAND
AND A FATHER.

477
00:25:00,834 --> 00:25:04,000
HE'S VIOLENT
AND HE'S TROUBLED,

478
00:25:04,067 --> 00:25:07,434
BUT HE MUST BE CAPABLE
OF SOME DEGREE OF MERCY
AND COMPASSION.

479
00:25:07,501 --> 00:25:09,200
AND SO...

480
00:25:09,267 --> 00:25:12,100
WE APPEAL TO HIM...

481
00:25:12,167 --> 00:25:15,200
DO NOT HURT ANY MORE PEOPLE.

482
00:25:15,267 --> 00:25:18,100
PLEASE TURN YOURSELF IN.

483
00:25:34,534 --> 00:25:37,067
NORMAN? IS SOMETHING WRONG?

484
00:25:38,567 --> 00:25:40,367
I'M THE ROAD WARRIOR.

485
00:25:40,434 --> 00:25:42,234
WHAT?

486
00:25:42,300 --> 00:25:44,467
I'M THE ROAD WARRIOR,
THE FREEWAY SHOOTER.

487
00:25:44,534 --> 00:25:46,000
I THOUGHT I SHOULD TELL YOU.

488
00:25:48,000 --> 00:25:50,300
OF COURSE YOU ARE, DEAR.

489
00:25:50,367 --> 00:25:52,467
AND I'M THE ZODIAC KILLER.

490
00:25:53,601 --> 00:25:57,200
WE SHOULD COMPARE
NOTES AT DINNER.

491
00:25:57,267 --> 00:25:59,100
AAH!

492
00:25:59,167 --> 00:26:01,367
[LAUGHING]

493
00:26:01,434 --> 00:26:03,367
Sasha: WHAT'S SO FUNNY?

494
00:26:04,434 --> 00:26:07,767
[SAWING]

495
00:26:07,834 --> 00:26:10,567
DAD CONFESSED.
HE'S THE ROAD WARRIOR.

496
00:26:10,634 --> 00:26:11,934
[LAUGHING]

497
00:26:12,000 --> 00:26:14,200
YOU'RE SUCH A DORK.

498
00:26:14,267 --> 00:26:16,367
YEAH.

499
00:26:20,501 --> 00:26:23,367
WHAT IS
THE EXACT ADDRESS?

500
00:26:23,434 --> 00:26:25,133
WHAT DO WE GOT?

501
00:26:25,200 --> 00:26:27,033
YOU HAVE NO IDEA

502
00:26:27,100 --> 00:26:29,033
HOW MANY MIDDLE-AGED WHITE MEN
THERE ARE OUT THERE

503
00:26:29,100 --> 00:26:31,267
WHO HAVE SOMEONE CLOSE
TO THEM THAT THINK
THEY'RE A SERIAL KILLER.

504
00:26:31,334 --> 00:26:33,868
Reid: AND YOU SAID
THAT HE SAW THE PRESS
CONFERENCE, RIGHT?

505
00:26:33,934 --> 00:26:34,934
OK, THANK YOU.

506
00:26:36,100 --> 00:26:37,734
GUYS, I THINK WE MIGHT
HAVE SOMETHING.

507
00:26:37,801 --> 00:26:40,267
THAT'S FUNNY, WHEN I
HEARD THE DESCRIPTION

508
00:26:40,334 --> 00:26:42,767
IN THE FIRST
PRESS CONFERENCE,
I THOUGHT OF NORMAN.

509
00:26:42,834 --> 00:26:45,467
THEN I JUST THOUGHT,
IT COULDN'T BE, YOU KNOW?

510
00:26:45,534 --> 00:26:46,801
HE'S SO QUIET.

511
00:26:46,868 --> 00:26:48,734
WHAT IS IT THAT MR. HILL
DOES FOR YOU?

512
00:26:48,801 --> 00:26:50,601
HE'S IN CHARGE
OF THE COMPANY'S
TRAVEL EXPENSES.

513
00:26:50,667 --> 00:26:51,934
THIS IS HIS DESK.

514
00:26:52,000 --> 00:26:53,801
DOES HE HAVE ACCESS
TO THE COMPANY CARS?

515
00:26:53,868 --> 00:26:55,234
YEAH, THE WHOLE FLEET.

516
00:26:55,300 --> 00:26:57,634
WHAT ABOUT THE FIRST
PRESS CONFERENCE MADE YOU
THINK OF NORMAN?

517
00:26:57,701 --> 00:26:59,334
THE WOMAN MENTIONED
SOMETHING ABOUT

518
00:26:59,400 --> 00:27:00,968
HIM SUFFERING
A TRAGEDY.

519
00:27:02,567 --> 00:27:04,901
DADDY,
WHAT'S TAKING SO LONG?

520
00:27:04,968 --> 00:27:07,133
DADDY WILL BE DONE IN A MINUTE.
JUST STAY IN THE CAR, BABY.

521
00:27:07,200 --> 00:27:10,167
I WANT TO HELP.

522
00:27:10,234 --> 00:27:13,767
JENNY, GET BACK IN THE CAR!
GET BACK IN THE CAR! NO!

523
00:27:18,801 --> 00:27:21,334
HOW LONG AGO
DID HIS DAUGHTER DIE?

524
00:27:21,400 --> 00:27:23,267
6 MONTHS.

525
00:27:23,334 --> 00:27:25,367
I REALLY SHOULD HAVE
DONE MORE TO HELP HIM.

526
00:27:26,834 --> 00:27:28,767
THANK YOU. UH...

527
00:27:28,834 --> 00:27:31,567
NORMAN'S PERSONNEL FILE.

528
00:27:31,634 --> 00:27:33,033
THIS ADDRESS CURRENT?

529
00:27:33,100 --> 00:27:34,601
IT SHOULD BE.

530
00:27:34,667 --> 00:27:36,067
WHY DOES HE HAVE 2 FILES?

531
00:27:36,133 --> 00:27:38,300
UH, WE CROSS-REFERENCE
MARRIED COUPLES.

532
00:27:38,367 --> 00:27:40,200
I DON'T UNDERSTAND.

533
00:27:40,267 --> 00:27:41,767
NORMAN'S WIFE VANESSA
WORKS HERE, TOO.

534
00:27:44,033 --> 00:27:45,968
WE NEED TO SPEAK TO HER.

535
00:27:46,033 --> 00:27:48,400
UH, SHE'S NOT HERE.
SHE JUST GOT
A PROMOTION,

536
00:27:48,467 --> 00:27:50,334
SO SHE TOOK
A COUPLE OF WEEKS OFF.

537
00:27:52,467 --> 00:27:54,033
GET IN THE CAR.

538
00:27:54,100 --> 00:27:55,367
I JUST GOT HOME FROM SCHOOL.

539
00:27:55,434 --> 00:27:56,434
DON'T TALK BACK TO ME!

540
00:27:56,501 --> 00:27:57,834
NORMAN, WHAT'S GOING ON?

541
00:27:57,901 --> 00:27:58,834
YOU'LL SEE.

542
00:27:58,901 --> 00:28:00,567
EVERYBODY, NOW.

543
00:28:00,634 --> 00:28:02,300
I'M DRIVING.

544
00:28:10,100 --> 00:28:12,400
NORMAN, WHAT ARE YOU DOING?

545
00:28:14,400 --> 00:28:16,133
NORMAN, SLOW DOWN!

546
00:28:16,200 --> 00:28:17,667
NO!
WHAT DO YOU MEAN, NO?

547
00:28:17,734 --> 00:28:19,734
WE HAVE TO GET OUT
OF HERE.

548
00:28:24,767 --> 00:28:27,367
[HORN HONKING]

549
00:28:35,033 --> 00:28:36,400
DAD, LET US OUT OF THE CAR!

550
00:28:38,033 --> 00:28:40,901
[TIRES SCREECHING]

551
00:28:40,968 --> 00:28:42,767
[SIREN]

552
00:28:42,834 --> 00:28:44,033
DAMN IT.

553
00:28:45,634 --> 00:28:47,067
PLEASE.
[CRYING]

554
00:28:47,133 --> 00:28:48,868
OK, NORMAN,
THE POLICE ARE BEHIND US.

555
00:28:48,934 --> 00:28:50,400
SHUT UP!
SHUT UP?

556
00:28:50,467 --> 00:28:52,400
[SIREN]

557
00:28:52,467 --> 00:28:53,901
THE POLICE SHOULD
STAY OUT OF THIS.

558
00:28:53,968 --> 00:28:55,200
STAY OUT OF IT?
YOU RAN A STOP SIGN

559
00:28:55,267 --> 00:28:57,033
AND YOU'RE GOING LIKE
100 MILES AN HOUR.

560
00:28:57,100 --> 00:28:58,667
THIS IS FAMILY BUSINESS!

561
00:28:58,734 --> 00:29:00,067
FAMILY?
YOU HAVE TO STOP THIS.

562
00:29:00,133 --> 00:29:02,801
NO. WHAT WE HAVE TO DO
IS WE HAVE TO GET OUT
OF HERE.

563
00:29:02,868 --> 00:29:04,601
PLEASE, DAD, THIS IS CRAZY!

564
00:29:04,667 --> 00:29:07,067
NORMAN, STOP THIS CAR
RIGHT NOW!

565
00:29:07,133 --> 00:29:08,968
SHUT UP!
ALL OF YOU SHUT UP!

566
00:29:16,801 --> 00:29:18,567
[CELL PHONE RINGS]
SALINAS.

567
00:29:18,634 --> 00:29:20,434
WHERE?

568
00:29:20,501 --> 00:29:23,000
WE HAVE A CHASE.
SMALL MODEL SUV, BLUE.

569
00:29:23,067 --> 00:29:25,667
DRIVING RECKLESSLY.
117th AND PACIFIC.

570
00:29:25,734 --> 00:29:27,367
MORGAN, WE HAVE
A HIGH-SPEED CHASE,

571
00:29:27,434 --> 00:29:29,834
117 AND PACIFIC.
IT SOUNDS LIKE OUR GUY.

572
00:29:29,901 --> 00:29:33,267
ALL RIGHT, LISTEN,
WE'RE CLOSER TO 117,
SO WE'RE ON OUR WAY NOW.

573
00:29:33,334 --> 00:29:34,868
WE'LL HEAD OVER
TO THE HILL HOUSE.

574
00:29:34,934 --> 00:29:37,200
IF HE'S HAVING A BREAK,
HE COULD BE ON HIS WAY
THERE TO FINISH IT.

575
00:29:37,267 --> 00:29:38,767
WE'RE ON OUR WAY.
BE CAREFUL.

576
00:29:38,834 --> 00:29:40,667
OK.

577
00:29:40,734 --> 00:29:42,400
[SIRENS]

578
00:29:42,467 --> 00:29:45,634
NORMAN, PLEASE STOP.

579
00:29:45,701 --> 00:29:47,901
WE SHOULD HAVE DONE THIS
A LONG TIME AGO.

580
00:29:47,968 --> 00:29:49,067
DONE WHAT?

581
00:29:49,133 --> 00:29:50,834
WE CAN'T MOVE ON
LIVING IN THAT HOUSE.

582
00:29:50,901 --> 00:29:52,067
I CAN'T DO IT.

583
00:29:52,133 --> 00:29:53,067
MOVE ON?

584
00:29:53,133 --> 00:29:54,434
I DON'T KNOW
HOW YOU COULD.

585
00:29:54,501 --> 00:29:57,400
HOW YOU COULD--
YOU KEEP LOOKING
AT THOSE SAME WALLS,

586
00:29:57,467 --> 00:29:58,567
THE SAME...

587
00:29:58,634 --> 00:29:59,934
THE SAME PICTURES.

588
00:30:00,000 --> 00:30:01,334
NORMAN, WHAT ARE YOU
TALKING ABOUT?

589
00:30:01,400 --> 00:30:03,267
IT'S MY JOB

590
00:30:03,334 --> 00:30:05,133
TO MAKE EVERYTHING
RIGHT AGAIN.

591
00:30:05,200 --> 00:30:08,033
[SIRENS]

592
00:30:10,100 --> 00:30:12,200
TURN RIGHT HERE.
WHERE, HERE?

593
00:30:12,267 --> 00:30:14,801
RIGHT--RIGHT--
TURN RIGHT HERE!
TURN RIGHT HERE!

594
00:30:14,868 --> 00:30:16,934
[TIRES SCREECHING]

595
00:30:17,000 --> 00:30:18,801
I'M GONNA NEED A LITTLE
MORE NOTICE THAN THAT, KID.

596
00:30:18,868 --> 00:30:21,567
SORRY. SORRY.

597
00:30:25,334 --> 00:30:28,934
NORMAN, PLEASE JUST TELL ME
WHAT'S HAPPENING.

598
00:30:29,000 --> 00:30:30,501
WHY ARE YOU DOING THIS?

599
00:30:30,567 --> 00:30:32,534
BECAUSE I KNOW
THAT YOU BLAME ME.

600
00:30:32,601 --> 00:30:33,734
BLAME YOU?

601
00:30:33,801 --> 00:30:35,634
I SEE THE WAY
YOU ALL LOOK AT ME.
I SEE IT.

602
00:30:40,567 --> 00:30:42,167
ALL RIGHT, LEFT.

603
00:30:42,234 --> 00:30:44,334
WHERE?
UH, NEXT LIGHT.

604
00:30:44,400 --> 00:30:46,300
[TIRES SCREECHING]

605
00:30:46,367 --> 00:30:48,267
WHOO. OOH.

606
00:30:50,400 --> 00:30:53,033
[SIRENS]

607
00:31:11,434 --> 00:31:13,667
NORMAN, PLEASE, JUST STOP.

608
00:31:17,934 --> 00:31:19,367
OH, MY GOD.

609
00:31:19,434 --> 00:31:20,434
WHERE DID YOU GET THAT?

610
00:31:25,667 --> 00:31:27,434
[SCREAMING,
TIRES SCREECHING]

611
00:31:39,534 --> 00:31:41,000
I TRIED TO TELL YOU,

612
00:31:41,067 --> 00:31:42,667
BUT YOU WOULDN'T LISTEN.
YOU JUST WOULDN'T LISTEN!

613
00:31:43,734 --> 00:31:45,200
REPEAT, SHOTS FIRED!

614
00:31:45,267 --> 00:31:47,367
ON THE CHASE NOW.

615
00:31:47,434 --> 00:31:49,767
HE'S LOSIN' IT.
REID, DOES IT LOOK LIKE

616
00:31:49,834 --> 00:31:51,334
THE CHASE COULD BE HEADED
TO HIS HOUSE?

617
00:31:51,400 --> 00:31:52,934
UH, YEAH, I THINK SO.
IT ALMOST LOOKS LIKE
HE'S STARTING TO GO

618
00:31:53,000 --> 00:31:54,467
IN A WIDE CIRCLE
TOWARD THAT DIRECTION.

619
00:32:02,767 --> 00:32:05,868
OK, EMILY,
WE'RE RIGHT OUTSIDE IT NOW.

620
00:32:11,267 --> 00:32:12,734
[SIRENS]

621
00:32:16,467 --> 00:32:19,000
Radio: ALL UNITS,
PURSUIT NOW HEADED
OVER MEMORIAL BRIDGE.

622
00:32:19,067 --> 00:32:22,167
WE'RE ALMOST THERE.
TURN RIGHT
AT THE NEXT LIGHT.

623
00:32:22,234 --> 00:32:23,868
[TIRES SCREECHING]

624
00:32:26,167 --> 00:32:28,701
NORMAN, WHERE DID YOU
GET THAT GUN?

625
00:32:28,767 --> 00:32:30,667
HOW COULD YOU
FORGET HER SO FAST?

626
00:32:30,734 --> 00:32:33,234
WHAT?! YOU THINK I FORGOT?

627
00:32:33,300 --> 00:32:34,701
YOU MOVED ON!

628
00:32:34,767 --> 00:32:36,033
I CRY EVERY DAY!

629
00:32:36,100 --> 00:32:38,734
DON'T LIE TO ME!
DON'T LIE TO ME!

630
00:32:43,701 --> 00:32:45,601
MEMORIAL BRIDGE
IS AROUND THE NEXT CORNER.

631
00:32:47,968 --> 00:32:49,100
HOLD ON! HOLD ON!

632
00:33:00,000 --> 00:33:02,400
YOU GOOD?
WE'RE GOOD, GO, GO!

633
00:33:10,300 --> 00:33:11,901
VANESSA HILL!

634
00:33:11,968 --> 00:33:13,801
FBI!

635
00:33:13,868 --> 00:33:15,567
ARE YOU INSIDE?

636
00:33:15,634 --> 00:33:17,400
MAYBE THEY WENT
SOMEWHERE SAFE.

637
00:33:18,801 --> 00:33:20,367
LET'S CHECK AROUND BACK.

638
00:33:26,334 --> 00:33:30,033
WE CAN NEVER BE A FAMILY
AGAIN IN THAT HOUSE.

639
00:33:30,100 --> 00:33:31,567
WE CAN NEVER BE
A FAMILY ANYWHERE!

640
00:33:31,634 --> 00:33:33,901
NO. NO, DON'T SAY THAT.

641
00:33:33,968 --> 00:33:35,400
YOU LET HER DIE, DADDY!

642
00:33:35,467 --> 00:33:37,467
NO, NO, NO,
IT WASN'T MY FAULT.

643
00:33:37,534 --> 00:33:38,601
OF COURSE IT WAS YOUR FAULT!

644
00:33:38,667 --> 00:33:40,133
PLEASE DON'T SAY IT!
JUST STOP SAYING THAT!

645
00:33:40,200 --> 00:33:41,801
I WASN'T THERE.

646
00:33:41,868 --> 00:33:43,100
SASHA WASN'T THERE.

647
00:33:43,167 --> 00:33:45,000
YOU HAD HER
AND YOU LET HER DIE!

648
00:33:45,067 --> 00:33:47,567
JUST SHUT UP!
JUST SHUT UP!

649
00:33:59,934 --> 00:34:02,934
A '63 ASTIN MARTIN DB-5.

650
00:34:03,000 --> 00:34:04,367
JAMES BOND.

651
00:34:04,434 --> 00:34:06,100
 GOLDFINGER.

652
00:34:06,167 --> 00:34:07,601
GUYS.

653
00:34:14,734 --> 00:34:17,968
REID, GET ON THE RADIO
AND TELL THEM
WE'RE IN THE CHASE.

654
00:34:18,033 --> 00:34:19,868
THIS IS THE FBI
BEHAVIORAL ANALYSIS UNIT.

655
00:34:19,934 --> 00:34:21,234
WE CAUGHT UP TO THE CHASE
AND ARE NOW MONITORING.

656
00:34:21,300 --> 00:34:22,667
WE ASK IF YOU'RE ABLE
TO STOP THE VEHICLE,

657
00:34:22,734 --> 00:34:24,767
YOU ALLOW US
TO TAKE THE LEAD IN
CONTACTING THE DRIVER.

658
00:34:24,834 --> 00:34:27,734
WE BELIEVE HIM TO BE
A SEVERELY DERANGED SUSPECT.

659
00:34:27,801 --> 00:34:28,968
Radio: COPY.

660
00:34:43,100 --> 00:34:44,367
LET'S SPLIT UP.

661
00:35:06,300 --> 00:35:08,300
IT WAS YOUR FAULT.

662
00:35:08,367 --> 00:35:10,667
I'M SORRY.

663
00:35:10,734 --> 00:35:12,968
YOU LET MY BABY GIRL DIE.

664
00:35:17,934 --> 00:35:21,267
AND YOU THINK I FORGOT?!

665
00:35:21,334 --> 00:35:23,000
AAH!
[TIRES SCREECHING]

666
00:35:47,300 --> 00:35:49,400
[BEEP]

667
00:35:49,467 --> 00:35:52,400
[SIRENS]

668
00:35:58,834 --> 00:36:02,100
IT WAS YOUR FAULT.

669
00:36:02,167 --> 00:36:05,033
NO. NO, NO, NO,

670
00:36:05,100 --> 00:36:07,567
NO, NO! [SOBBING]

671
00:36:07,634 --> 00:36:10,901
[NO AUDIO]

672
00:36:15,133 --> 00:36:17,868
[NO AUDIO]

673
00:36:20,667 --> 00:36:22,968
[NO AUDIO]

674
00:36:24,934 --> 00:36:29,834
[AUDIO MUFFLED]

675
00:36:31,968 --> 00:36:32,968
NORMAN!

676
00:36:33,033 --> 00:36:35,567
WHAT ARE YOU DOING?!
WHAT ARE YOU DOING?!

677
00:36:35,634 --> 00:36:36,567
DON'T MOVE!

678
00:36:36,634 --> 00:36:37,567
MY FAMILY'S INSIDE!

679
00:36:37,634 --> 00:36:38,734
STOP AND LISTEN TO ME!

680
00:36:38,801 --> 00:36:40,434
NO, MY FAMILY'S--
LISTEN TO ME!

681
00:36:40,501 --> 00:36:42,634
NOBODY IS IN THAT CAR.

682
00:36:42,701 --> 00:36:43,934
NOBODY...

683
00:36:44,000 --> 00:36:45,567
YOUR FAMILY'S GONE, NORMAN.

684
00:36:45,634 --> 00:36:46,567
NO, THEY'RE IN THERE.

685
00:36:46,634 --> 00:36:47,667
THEY'RE GONE, NORMAN!

686
00:36:47,734 --> 00:36:49,000
LOOK INSIDE.

687
00:36:49,067 --> 00:36:50,567
LOOK IN THE CAR.

688
00:36:50,634 --> 00:36:53,000
LOOK IN THE CAR.
THEY WERE NEVER THERE.

689
00:36:55,467 --> 00:36:57,234
IT'S OVER.

690
00:36:59,334 --> 00:37:02,601
THEY WERE NEVER WITH YOU.

691
00:37:04,901 --> 00:37:07,667
NO, BUT THEY WERE.
THEY WERE...

692
00:37:11,667 --> 00:37:13,667
[SHOTGUN BLAST]

693
00:37:45,367 --> 00:37:47,634
YOUR FAMILY'S GONE, NORMAN.

694
00:37:49,567 --> 00:37:52,067
OH, GOD, WHAT DID I DO?!

695
00:37:52,133 --> 00:37:56,133
OH, WHAT DID I DO
TO MY FAMILY?!

696
00:37:56,200 --> 00:37:57,567
MY FAMILY!

697
00:37:57,634 --> 00:37:59,834
I'M SORRY.

698
00:37:59,901 --> 00:38:01,968
I'M SORRY!

699
00:38:02,033 --> 00:38:04,234
MY FAMILY...[SOBBING]

700
00:38:04,300 --> 00:38:05,334
IT'S OVER, NORMAN.

701
00:38:05,400 --> 00:38:07,200
WE'RE GONNA GET YOU
SOME HELP.

702
00:38:07,267 --> 00:38:08,200
IT'S OVER.

703
00:38:08,267 --> 00:38:10,234
LET'S GO. GET UP.

704
00:38:26,000 --> 00:38:27,367
JORDAN?

705
00:38:30,601 --> 00:38:32,734
DID I DO THAT?

706
00:38:32,801 --> 00:38:35,100
IS THIS MY FAULT?

707
00:38:35,167 --> 00:38:36,868
NO, KIDDO.

708
00:38:36,934 --> 00:38:38,534
NO WAY.

709
00:38:38,601 --> 00:38:41,667
THEY WERE GONE BEFORE
WE EVEN GOT THE CASE.

710
00:38:41,734 --> 00:38:43,901
WE KNEW HE WOULD HURT
HIS FAMILY.

711
00:38:43,968 --> 00:38:46,868
WE JUST DIDN'T KNOW
THAT HE ALREADY HAD.

712
00:38:49,701 --> 00:38:50,968
I DON'T...

713
00:38:54,033 --> 00:38:56,801
I'M NOT SURE
I CAN DO THIS JOB.

714
00:38:58,734 --> 00:39:01,601
THAT'S OK.

715
00:39:01,667 --> 00:39:04,234
THERE'S NOTHING WRONG
WITH THAT.

716
00:39:15,100 --> 00:39:17,367
Rossi: "THERE'S
NO TRAGEDY IN LIFE

717
00:39:17,434 --> 00:39:19,033
"LIKE THE DEATH OF A CHILD.

718
00:39:19,100 --> 00:39:22,200
THINGS NEVER GET BACK
TO THE WAY THEY WERE."

719
00:39:22,267 --> 00:39:24,834
PRESIDENT DWIGHT EISENHOWER.

720
00:39:24,901 --> 00:39:26,367
[ELEVATOR BELL DINGS]

721
00:39:28,234 --> 00:39:30,534
YOU ALL RIGHT?

722
00:39:30,601 --> 00:39:32,300
I WILL BE.

723
00:39:33,868 --> 00:39:36,200
HEY, YOU GUYS EVER NOTICE
HOW THE TRIP HOME

724
00:39:36,267 --> 00:39:37,868
ALWAYS SEEMS TO GO
SO MUCH FASTER?

725
00:39:37,934 --> 00:39:39,534
THAT'S BECAUSE THE TAILWINDS
ARE IN OUR FAVOR.

726
00:39:39,601 --> 00:39:42,434
NO, I MEANT 'CAUSE--
ANYBODY WANT TO GET
SOMETHING TO EAT?

727
00:39:42,501 --> 00:39:43,501
Morgan: NOT REALLY.

728
00:39:43,567 --> 00:39:44,601
Rossi: YOU?
NO, NOT REALLY.

729
00:39:44,667 --> 00:39:47,267
THERE'S SOMEONE
IN THE B.A.U. ROOM, GUYS.

730
00:39:47,334 --> 00:39:49,434
[BABY COOING]

731
00:39:51,334 --> 00:39:53,400
WHAT ARE YOU DOING HERE?

732
00:39:53,467 --> 00:39:54,734
OHH! JJ!

733
00:39:54,801 --> 00:39:57,400
GARCIA SAID YOU GUYS WERE
ON YOUR WAY BACK TONIGHT.

734
00:39:57,467 --> 00:39:59,767
I THOUGHT YOU COULD USE
A SURPRISE.

735
00:39:59,834 --> 00:40:00,901
HI.

736
00:40:00,968 --> 00:40:01,901
OHH...

737
00:40:01,968 --> 00:40:03,734
I THOUGHT I GAVE YOU
STRICT ORDERS

738
00:40:03,801 --> 00:40:05,868
TO GET THIS PLACE
OUT OF YOUR HEAD FOR A WHILE.

739
00:40:05,934 --> 00:40:08,734
MY BAD. I COULDN'T
HELP MYSELF. HERE.

740
00:40:08,801 --> 00:40:11,000
I HEATED IT UP.
ROOM TEMP. RIGHT?

741
00:40:12,334 --> 00:40:15,200
I JUST REALIZED,
WITH ALL THAT WE DO AND SEE

742
00:40:15,267 --> 00:40:16,567
IN THIS ROOM,

743
00:40:16,634 --> 00:40:18,801
IT NEVER SMILES.

744
00:40:18,868 --> 00:40:21,834
I WANTED AT LEAST ONE
GOOD MEMORY TO HOLD ON TO.

745
00:40:21,901 --> 00:40:24,267
EXCUSE ME, KID.

746
00:40:24,334 --> 00:40:27,467
UM, JJ, UH...

747
00:40:27,534 --> 00:40:29,000
CAN I?

748
00:40:29,067 --> 00:40:31,067
OF COURSE.

749
00:40:31,133 --> 00:40:32,267
[CHUCKLES]

750
00:40:32,334 --> 00:40:34,000
OK, YOU GOTTA
HOLD HIS HEAD UP.

751
00:40:34,067 --> 00:40:35,000
CAREFUL, CAREFUL.

752
00:40:35,067 --> 00:40:36,434
I GOT IT, I GOT IT.

753
00:40:36,501 --> 00:40:38,534
NO, YOU DON'T GOT IT.
YOU'RE SMOTHERING HIM.
I GOT IT.

754
00:40:38,601 --> 00:40:39,701
LOOK, WHAT'S HE DOING?
WHAT'S HE DOING?

755
00:40:39,767 --> 00:40:42,667
HE IS SMILING
AT DEREK MORGAN.

756
00:40:42,734 --> 00:40:44,534
GAS.
GAS.

757
00:40:46,000 --> 00:40:47,667
GIVE ME THAT.

758
00:40:47,734 --> 00:40:50,334
[BABY COOS]

759
00:40:50,400 --> 00:40:52,100
HEY, LITTLE MAN.

760
00:40:52,167 --> 00:40:54,934
MM.

761
00:40:56,000 --> 00:40:58,133
YOU'RE SMILING.

762
00:40:58,200 --> 00:40:59,801
GAS.

763
00:40:59,868 --> 00:41:01,133
[CHUCKLES]

764
00:41:03,667 --> 00:41:05,334
WE MISS YOU.