1 00:00:22,500 --> 00:00:23,399 Marker. 2 00:00:23,739 --> 00:00:25,789 What's the number? 3 00:00:26,269 --> 00:00:28,489 8-C-1. first. marker. end. 4 00:00:29,010 --> 00:00:31,969 Attention. Sound's on. Rolling. 5 00:00:32,579 --> 00:00:35,859 -Camera? -8-E-1. first. Camera. 6 00:00:36,520 --> 00:00:37,509 Marker. 7 00:00:37,850 --> 00:00:38,719 Okay, whenever you want, Julio. 8 00:00:39,049 --> 00:00:39,920 Sound. 9 00:00:40,250 --> 00:00:42,799 Scene 56. plane 3. take 1. 10 00:00:43,990 --> 00:00:45,070 Action! 11 00:03:43,270 --> 00:03:46,550 Next bus leaving at 11:32 am. 12 00:03:47,210 --> 00:03:51,340 Saracuruna via Gramacho platform 12, line M. 13 00:03:52,110 --> 00:03:54,129 Leaving to BeIford Roxo. 14 00:03:54,610 --> 00:03:58,210 ''LOVE MOVIE'' Leaving to BeIford Roxo. platform 12, line L... 15 00:03:58,919 --> 00:04:01,960 leaving at 11:10 am. 16 00:04:02,590 --> 00:04:05,629 Boarding only on the first five cars. 17 00:05:21,329 --> 00:05:23,579 WOMAN 18 00:09:40,659 --> 00:09:41,860 -Aren't you gonna have it cut? -Sit down. 19 00:09:42,230 --> 00:09:46,539 -What kind of haircut is this? -l know, It's awful. 20 00:09:47,330 --> 00:09:50,350 l was tired of it. l got the scissors and cut it out. 21 00:09:50,970 --> 00:09:52,370 -There was nobody there. -At the shop? 22 00:09:52,769 --> 00:09:54,320 Yeah. 23 00:09:54,740 --> 00:09:56,580 And you saw that crazy woman who showed up. 24 00:09:57,039 --> 00:09:59,090 -My God! -Did you see her? 25 00:09:59,580 --> 00:10:01,129 l told you. 26 00:10:01,549 --> 00:10:03,220 -What was her name again? -Sueli. 27 00:10:03,649 --> 00:10:05,899 -Sueli! -What a weird woman! 28 00:10:06,419 --> 00:10:10,429 ...found out that he is the son of Sueli and Orlando Ribeiro. 29 00:10:11,190 --> 00:10:14,379 -Sueli! -But l knew her, l knew her. 30 00:10:15,029 --> 00:10:16,700 But l liked her. l really did. 31 00:10:17,129 --> 00:10:19,120 -And then? -Nothing. Nothing happened. 32 00:10:19,600 --> 00:10:23,960 -Right! Nothing happened? -l have enough troubles there. 33 00:10:24,769 --> 00:10:28,049 l don't want... What? What? 34 00:10:28,710 --> 00:10:30,850 -Tell us what happened. -No. l won't tell anything. 35 00:10:31,340 --> 00:10:34,000 -l won't tell anything. -Tell your story. 36 00:10:34,580 --> 00:10:37,509 -Gaspar, tell your story. -You guys won't believe the story. 37 00:10:38,120 --> 00:10:41,309 -You just won't believe it. -We're listening. Okay, and then? 38 00:10:42,350 --> 00:10:44,809 You're full of crap! 39 00:10:45,960 --> 00:10:49,909 But it's true! l'm telling you. 40 00:10:50,659 --> 00:10:52,620 Orlando doesn't know. 41 00:10:53,100 --> 00:10:55,320 Orlando doesn't know. Orlando doesn't know. 42 00:10:55,830 --> 00:10:58,669 -He doesn't know! -Only he knows... 43 00:10:59,269 --> 00:11:01,820 But l'm gonna tell him. 44 00:11:02,370 --> 00:11:05,940 -And l'll say it was you. -Get out of here! 45 00:11:06,649 --> 00:11:08,110 You know. 46 00:11:08,509 --> 00:11:10,470 l don't know anything. And you don't know. either. 47 00:11:10,950 --> 00:11:12,440 You do know. 48 00:11:12,850 --> 00:11:14,809 Poor Orlando... 49 00:11:15,289 --> 00:11:18,070 -He is my friend. -And he doesn't know? 50 00:11:18,659 --> 00:11:20,620 No. he doesn't. 51 00:11:21,090 --> 00:11:22,169 -He doesn't? -No. 52 00:14:58,009 --> 00:15:00,179 Today l have for us... 53 00:15:00,679 --> 00:15:03,899 a story that's very risqu�. 54 00:15:04,750 --> 00:15:06,889 A double... 55 00:15:07,389 --> 00:15:09,639 a trouble. 56 00:15:10,159 --> 00:15:12,440 l don't know how to put it. 57 00:15:12,960 --> 00:15:17,350 l'll tell you. so we'll have a better picture. 58 00:15:18,399 --> 00:15:23,000 The languages... we've already talked about that. 59 00:15:23,840 --> 00:15:28,820 Languages, as we know, are not synonyms. 60 00:15:30,139 --> 00:15:34,590 A language is a way to sense the world... 61 00:15:35,409 --> 00:15:39,750 a unique way to sense the world. 62 00:15:40,549 --> 00:15:44,529 By the audible and visible things... 63 00:15:45,289 --> 00:15:51,149 we get to the inaudible and invisible ones. 64 00:15:53,570 --> 00:15:59,370 l have... prepared, cut down a text... 65 00:16:00,370 --> 00:16:06,000 translated it with ancient elegance. 66 00:16:10,679 --> 00:16:13,169 Tasty! 67 00:16:13,889 --> 00:16:17,929 But then, Iater on, l would like to hear something... 68 00:16:18,889 --> 00:16:24,340 rude, childish, perverse. 69 00:16:47,320 --> 00:16:50,389 l am being strangled... 70 00:16:53,019 --> 00:16:54,889 by a... 71 00:16:56,960 --> 00:16:59,590 rhinoceros. 72 00:17:02,429 --> 00:17:06,650 By the skin of a rhinoceros! 73 00:17:07,769 --> 00:17:10,519 And he talks to me. 74 00:17:11,109 --> 00:17:15,420 He says he wants me... 75 00:17:16,210 --> 00:17:17,579 he loves me. 76 00:17:19,119 --> 00:17:22,630 He promises me the world! 77 00:17:25,420 --> 00:17:28,349 He wants to paint my sky... 78 00:17:29,759 --> 00:17:32,420 yellow! 79 00:17:38,140 --> 00:17:40,920 The ace of diamonds... 80 00:17:42,109 --> 00:17:45,299 is a sailor arriving from the East. 81 00:17:45,940 --> 00:17:48,980 Loaded of East... 82 00:17:49,609 --> 00:17:53,119 with many stories, many fantasies. 83 00:17:54,349 --> 00:17:56,869 A feast! 84 00:17:58,519 --> 00:18:03,210 But a suburban feast... 85 00:18:04,059 --> 00:18:06,809 and its images... 86 00:18:07,400 --> 00:18:10,859 we want to be a cascading repetition! 87 00:18:11,539 --> 00:18:15,849 There's a prayer. a beautiful prayer... 88 00:18:16,640 --> 00:18:22,119 by Raphael Cassinos-Assen. which says: 89 00:18:23,380 --> 00:18:27,690 ''O Lord. Iet there not be so much Beauty!'' 90 00:18:28,549 --> 00:18:33,299 He felt he was surrounded by Beauty. 91 00:18:34,230 --> 00:18:37,980 Crushed by ''Belleza''. 92 00:18:40,000 --> 00:18:45,390 For him. Beauty was easy. It was everywhere. 93 00:18:46,339 --> 00:18:49,710 For him. every moment was a poetic one... 94 00:18:50,380 --> 00:18:54,630 and not only certain moments. 95 00:18:56,809 --> 00:19:01,029 He thought the so called ''rare beauty'' was fake. 96 00:19:02,950 --> 00:19:07,750 l listen, l see. 97 00:19:10,759 --> 00:19:13,190 And what is it l see? 98 00:19:15,769 --> 00:19:20,160 l see Recife, Buarque de Macedo bridge. 99 00:19:22,109 --> 00:19:25,890 l was walking to Agra's house... 100 00:19:26,609 --> 00:19:30,859 haunted by my thin shadow. 101 00:19:31,650 --> 00:19:35,519 l thought about destiny and l feared. 102 00:19:36,250 --> 00:19:39,589 l remember it well... 103 00:19:40,259 --> 00:19:42,839 the bridge was long... 104 00:19:44,299 --> 00:19:47,519 my huge shadow covered the bridge... 105 00:19:50,470 --> 00:19:53,750 like the skin of a rhinoceros... 106 00:19:54,410 --> 00:19:57,690 stretched throughout my life. 107 00:20:14,259 --> 00:20:16,660 ''He turns to me and kisses me. 108 00:20:17,529 --> 00:20:23,160 He fingers my cunt to feel, inside it, what he had operated... 109 00:20:24,140 --> 00:20:29,329 and, not knowing what else to do, starts to walk about the room. 110 00:20:30,240 --> 00:20:33,609 Then, he pitifully grabs... 111 00:20:34,279 --> 00:20:38,670 his thing and shakes it before me. 112 00:20:39,819 --> 00:20:43,829 And. finding some of the cream which was on the chimney... 113 00:20:44,589 --> 00:20:46,259 grabs it and says: 114 00:20:46,690 --> 00:20:50,700 'O, Olga, we have something that'll help us a lot'. 115 00:20:51,460 --> 00:20:55,150 At the same time squeezes some in his hand... 116 00:20:55,869 --> 00:21:00,529 and rubs it on his instrument up and down... 117 00:21:01,369 --> 00:21:05,470 to make it more slippery.'' 118 00:21:06,440 --> 00:21:08,900 All he had to do was spit on it! 119 00:21:09,450 --> 00:21:12,289 And rub it with his hand. 120 00:21:13,990 --> 00:21:18,269 ''Then. he put me in position. on a chair... 121 00:21:19,059 --> 00:21:21,079 and kneeled in front of me... 122 00:21:21,559 --> 00:21:25,339 and the cream helped him get a little deeper inside. 123 00:21:26,059 --> 00:21:30,920 He put me up, and forced me on all fours on the bed... 124 00:21:31,799 --> 00:21:36,079 and. having rubbed it again with the cream... 125 00:21:36,940 --> 00:21:39,660 he attacked me behind. 126 00:21:40,240 --> 00:21:44,309 My dress was, then, rolled over my back... 127 00:21:45,079 --> 00:21:47,690 and making me bend over... 128 00:21:48,250 --> 00:21:52,529 l presented him a nice ass. 129 00:21:53,319 --> 00:21:59,180 This 'new face moved him so much he stopped listening to me. 130 00:22:00,500 --> 00:22:05,720 He forced and pushed me more easily than in the front. 131 00:22:06,640 --> 00:22:11,150 And then, he shook so much the ass and the head... 132 00:22:11,980 --> 00:22:14,410 that he forced his way in. 133 00:22:14,950 --> 00:22:19,490 As he shook back and forth my pleasure intensified... 134 00:22:20,319 --> 00:22:23,480 languid, and not being able to hold onto my hands... 135 00:22:24,119 --> 00:22:27,160 due to the great pleasure l felt... 136 00:22:27,789 --> 00:22:31,329 my arms fainted. 137 00:22:32,160 --> 00:22:35,349 Then l fell on my face, on the bed. 138 00:22:36,000 --> 00:22:41,009 There is no sugar or candy that is sweeter to the mouth. 139 00:22:41,910 --> 00:22:44,430 The stings of delight became... 140 00:22:44,980 --> 00:22:47,940 universal through all my members... 141 00:22:48,549 --> 00:22:53,819 and l fell almost life, less in a syncope. 142 00:22:54,750 --> 00:22:56,769 A body. 143 00:22:57,420 --> 00:23:01,170 Naturalized in ancient times. 144 00:23:01,890 --> 00:23:04,470 Able to enjoy it. 145 00:23:05,299 --> 00:23:08,230 lt's a divine body. 146 00:23:12,700 --> 00:23:18,180 Harpocrates, god of Mystic Silence. 147 00:23:19,410 --> 00:23:24,069 His typical gesture was to close his mouth with his fingers. 148 00:23:24,920 --> 00:23:29,579 He strangled his voice, and with his fingers. 149 00:23:30,420 --> 00:23:33,000 A typical gesture. 150 00:23:33,559 --> 00:23:36,809 lnviting to silence. 151 00:23:40,930 --> 00:23:43,950 The crocodile was idolized by the ancient Egyptians... 152 00:23:44,569 --> 00:23:49,259 for its ''divine silence''. 153 00:23:56,480 --> 00:24:00,789 l remember the first man who seduced me. 154 00:24:01,950 --> 00:24:05,670 l still get excited, to this day, when l think about that hour... 155 00:24:06,490 --> 00:24:11,240 that minute, that second. 156 00:24:13,700 --> 00:24:19,180 Conquered the fiction of scruples, he stood there... 157 00:24:20,140 --> 00:24:24,480 before me, staring at me... 158 00:24:25,279 --> 00:24:29,970 for hours, in silence. 159 00:24:32,480 --> 00:24:35,670 Like a crocodile. 160 00:24:37,190 --> 00:24:40,619 While l lay naked. 161 00:24:41,289 --> 00:24:44,509 Spread wide open! 162 00:24:45,630 --> 00:24:50,460 The water flowing, wet. 163 00:24:52,769 --> 00:24:56,809 l was a yellow-bellied alligator. 164 00:25:00,380 --> 00:25:04,859 And he stared at me until he couldn't see. And he told me: 165 00:25:05,680 --> 00:25:11,069 ''The sacred blindness produces the immediate presence of divinity''. 166 00:25:12,390 --> 00:25:16,519 l used to come at that! 167 00:25:18,460 --> 00:25:22,559 This man was my great-uncle. 168 00:25:23,329 --> 00:25:28,079 Hilda's grandfather, her father's father. 169 00:25:31,279 --> 00:25:33,529 With no money... 170 00:25:34,049 --> 00:25:36,069 with no fame... 171 00:25:36,549 --> 00:25:41,650 he lived in his suburban room. poor... 172 00:25:42,950 --> 00:25:46,960 rounded by books and old papers. 173 00:25:47,730 --> 00:25:51,509 He read and wrote all day long. 174 00:25:52,230 --> 00:25:55,269 He read incessantly. 175 00:25:57,299 --> 00:26:02,869 He didn't write to publish, but to help himself think. 176 00:26:06,009 --> 00:26:09,759 Dressed in his threadbare pajamas... 177 00:26:11,319 --> 00:26:14,359 and always with a cigarette in his mouth. 178 00:26:15,849 --> 00:26:19,390 lt was coffee and cigarettes, night and day. 179 00:26:20,089 --> 00:26:23,079 He would tell me repeatedly, with his hoarse, catarrhal voice: 180 00:26:23,690 --> 00:26:26,500 ''The reading of certain Renaissance texts... 181 00:26:27,099 --> 00:26:29,589 by Boccaccio and 'll Lasca'... 182 00:26:30,130 --> 00:26:35,049 gives us appetite to leave ourselves open to the epiphanies of sex... 183 00:26:35,940 --> 00:26:38,750 and sexual stimulation.'' 184 00:26:40,309 --> 00:26:43,849 He was a true gentle man! 185 00:26:47,049 --> 00:26:50,009 He was over 70 years old. 186 00:26:51,619 --> 00:26:55,279 And l was... twelve. 187 00:27:04,140 --> 00:27:07,359 Matilda, have you ever. in your sleep... 188 00:27:08,009 --> 00:27:11,319 dreamed of killing your husband? 189 00:27:12,309 --> 00:27:14,269 Thousands of times! 190 00:27:15,450 --> 00:27:18,140 Not only sleeping, l have thought about that while l was awake. 191 00:27:22,089 --> 00:27:27,450 But with anger, a cold anger... 192 00:27:28,730 --> 00:27:33,119 in the same situation and acting the opposite... 193 00:27:33,930 --> 00:27:36,390 going the other way... 194 00:27:36,930 --> 00:27:42,529 obtaining. enjoying the same pleasure... 195 00:27:48,450 --> 00:27:52,730 l have wished to do what he so frequently asked me: 196 00:27:53,519 --> 00:27:59,200 to grab a man on the street and take him to my bed... 197 00:28:00,190 --> 00:28:04,230 to give myself to a complete stranger. 198 00:28:05,000 --> 00:28:06,670 For him to see! 199 00:28:07,099 --> 00:28:10,940 The idea, the scene is rather attractive. 200 00:28:11,670 --> 00:28:16,910 A stranger seen by someone who knows you so well. 201 00:28:17,839 --> 00:28:22,319 The white come overflowing the mouth, hatred, anger... 202 00:28:23,150 --> 00:28:25,640 the white drool of the main anger... 203 00:28:26,180 --> 00:28:31,220 Well. the Florence humanists Bruni Palmieri and Policiano Laudino... 204 00:28:32,119 --> 00:28:34,839 dissociate the noble wrath from the ordinary vice... 205 00:28:35,430 --> 00:28:37,950 and celebrate it as a virtue. 206 00:28:38,500 --> 00:28:41,569 By a transmutation of refined spirits... 207 00:28:42,200 --> 00:28:45,069 they turn the horrid acedia... 208 00:28:45,670 --> 00:28:50,559 into noble melancholy. 209 00:28:57,819 --> 00:29:00,890 Love is a war... 210 00:29:01,519 --> 00:29:04,890 the sweetest of all combats! 211 00:29:47,970 --> 00:29:50,630 Between the Moon... 212 00:29:51,200 --> 00:29:54,420 and each one of us... 213 00:29:55,069 --> 00:29:58,549 there is a flow... 214 00:29:59,240 --> 00:30:03,630 a motion of force, of life. 215 00:30:06,250 --> 00:30:10,380 The life of each and every one of us... 216 00:30:11,160 --> 00:30:13,789 depends on the Moon. 217 00:30:15,759 --> 00:30:21,000 And the Moon depends on each one of us. 218 00:30:23,269 --> 00:30:28,490 But in what way each one of us depends on the Moon? 219 00:30:31,309 --> 00:30:35,500 The Moon is the mother of darkness. 220 00:30:36,809 --> 00:30:42,670 lt is a clue an evidence of active darkness. 221 00:30:45,160 --> 00:30:51,019 And we. below the waist we have our being in the darkness. 222 00:30:53,130 --> 00:30:55,910 Below the waist we have no vision. 223 00:30:58,299 --> 00:31:00,000 lt's easy to see. 224 00:31:00,440 --> 00:31:03,750 For every man kills the thing he loves. 225 00:31:04,539 --> 00:31:08,930 To know something alive is to kill it. 226 00:31:10,309 --> 00:31:15,700 You have to kill the thing to know it completely. 227 00:31:16,920 --> 00:31:21,670 For this reason. the desiring conscience. the spirit... 228 00:31:22,529 --> 00:31:24,460 it is a vampire! 229 00:32:32,559 --> 00:32:36,099 Due to the scantiness of the theme... 230 00:32:36,799 --> 00:32:42,660 and the persistent attraction it exerts on so many great artists... 231 00:32:44,910 --> 00:32:47,519 it seems to demand an explanation. 232 00:32:48,250 --> 00:32:53,789 But it's not rare that an apparently insignificant theme... 233 00:32:54,750 --> 00:32:59,289 incites a great master to dwell on it... 234 00:33:00,119 --> 00:33:05,980 for such challenge puts to the test... 235 00:33:07,799 --> 00:33:11,960 his gift of transfiguration. 236 00:36:29,369 --> 00:36:32,940 The while whale Moby Dick... 237 00:36:33,800 --> 00:36:39,659 strangely fantastic, phantasmagoric. 238 00:36:41,710 --> 00:36:43,820 A journey of the soul... 239 00:36:44,510 --> 00:36:50,079 a crew of renegades, pariahs and cannibals. 240 00:36:52,219 --> 00:36:56,380 Three giant harpooners to harpoon the white whale. 241 00:36:57,590 --> 00:36:59,489 Oueequeg... 242 00:36:59,960 --> 00:37:02,449 islander from the South Seas... 243 00:37:03,000 --> 00:37:07,690 tall. strong. covered in tattoos. 244 00:37:08,610 --> 00:37:12,039 He has a small idol called Gogo. 245 00:37:13,039 --> 00:37:16,699 Tashtego, redskin Indian... 246 00:37:17,409 --> 00:37:21,750 who had traded buffalo hunts for whale hunts. 247 00:37:22,619 --> 00:37:27,750 Daggoo, a huge black African... 248 00:37:28,659 --> 00:37:34,519 who had killed a lion using nothing but his own hands. 249 00:37:36,800 --> 00:37:42,659 ''Mody Dick'' is the doom of North America. 250 00:37:43,940 --> 00:37:47,159 The doom of what? 251 00:37:48,880 --> 00:37:53,269 ''Doom of our white day. 252 00:37:54,519 --> 00:37:58,179 And the doom is in America. 253 00:37:59,219 --> 00:38:03,670 The doom of our white day. 254 00:38:05,230 --> 00:38:10,619 He knew his white soul doomed. 255 00:38:11,570 --> 00:38:15,820 His great white epoch doomed. 256 00:38:16,610 --> 00:38:19,889 Himself doomed. 257 00:38:20,539 --> 00:38:23,440 The idealist doomed. 258 00:38:24,050 --> 00:38:27,969 The spirit doomed. 259 00:38:28,719 --> 00:38:33,230 What, then, is Moby Dick? 260 00:38:34,090 --> 00:38:39,949 He is the deepest blood-being of the white race.'' 261 00:38:41,230 --> 00:38:42,840 Look ye, Starbuck... 262 00:38:43,269 --> 00:38:47,610 all visible obiects are but as pasteboard masks. 263 00:38:48,409 --> 00:38:50,280 Some inscrutable yet reasoning thing... 264 00:38:50,739 --> 00:38:53,670 puts forth the molding of their features. 265 00:38:54,280 --> 00:38:57,320 The white whale tasks me... 266 00:38:58,050 --> 00:39:00,769 he heaps me. 267 00:39:01,349 --> 00:39:03,780 Yet he is but a mask. 268 00:39:04,320 --> 00:39:08,010 'Tis the thing behind the mask l chiefly hate... 269 00:39:08,730 --> 00:39:12,420 the malignant thing that has plagued and frightened Man... 270 00:39:13,130 --> 00:39:15,559 since time began. 271 00:39:16,099 --> 00:39:19,579 The thing that mauls and mutilates our race... 272 00:39:20,269 --> 00:39:23,550 not killing us outright. but letting us live on... 273 00:39:24,210 --> 00:39:28,340 with haIf a heart and haIf a lung. 274 00:39:29,110 --> 00:39:31,280 God keep us skippers on. 275 00:39:36,690 --> 00:39:41,579 The ugliest animal on Earth is the white man! 276 00:43:58,579 --> 00:44:03,000 for me. what is right is actually wrong. 277 00:44:04,289 --> 00:44:06,949 And what is wrong is actually right. 278 00:44:07,519 --> 00:44:11,119 What? What are you looking at? 279 00:44:12,199 --> 00:44:14,630 You are... so beautiful. 280 00:44:15,199 --> 00:44:17,980 l want you to take me to the roo... 281 00:44:18,570 --> 00:44:23,079 to the monkeys cage. and throw bananas to me. 282 00:44:23,909 --> 00:44:27,389 Banana-prata, banana-ouro. 283 00:44:28,079 --> 00:44:30,360 You like dogs, don't you? 284 00:44:30,880 --> 00:44:31,750 l do. 285 00:44:32,079 --> 00:44:34,250 But do you like all kinds of dogs? 286 00:44:34,750 --> 00:44:36,360 l do, l like animals. 287 00:44:36,789 --> 00:44:39,889 l had a dog once. He hated me. 288 00:44:40,519 --> 00:44:44,329 One day, he bit me. And l shot it dead! 289 00:44:45,599 --> 00:44:50,699 Well, l am who l am because my dogs know me. 290 00:46:41,909 --> 00:46:45,309 The worst punishment l'll give you is not spanking you 291 00:46:45,980 --> 00:46:48,559 Because l know you enjoy it 292 00:46:49,119 --> 00:46:51,429 There's no one calmer than l am 293 00:46:51,960 --> 00:46:56,380 Nor there's bigger pleasure than seeing you tease me 294 00:46:57,190 --> 00:47:00,730 The worst punishment l'll give you is not spanking you 295 00:47:01,429 --> 00:47:04,059 Because l know you enjoy it 296 00:47:04,630 --> 00:47:07,000 There's no one calmer than l am 297 00:47:07,539 --> 00:47:11,639 Nor there's bigger pleasure than seeing you tease me 298 00:47:12,409 --> 00:47:16,599 Not paying attention to your ill will 299 00:47:17,380 --> 00:47:19,989 Hasn't cost me much 300 00:47:20,550 --> 00:47:23,739 l will sing in verses your perverse instincts 301 00:47:24,389 --> 00:47:28,079 This is yet another punishment l give you 302 00:50:57,369 --> 00:50:58,980 Do you hear me, Shadow? 303 00:50:59,400 --> 00:51:01,739 You're not going to kill the man l love! 304 00:51:02,269 --> 00:51:06,170 l've changed the wiring on my disk to match the wavelength on Dupont! 305 00:51:06,909 --> 00:51:09,369 And it's hanging over your daughter's heart! 306 00:51:09,909 --> 00:51:13,309 The death ray that kills him kills her! 307 00:51:14,679 --> 00:51:16,820 You think you can outwit the Shadow? 308 00:51:17,320 --> 00:51:20,860 Release Jack! Or your daughter will die with him! 309 00:51:22,530 --> 00:51:25,659 You caused the rise of my anger... 310 00:51:26,300 --> 00:51:31,019 you, cowards, through your failure. 311 00:51:31,869 --> 00:51:35,440 Kruger is in the hands of the police. 312 00:51:50,150 --> 00:51:52,760 l live alone, without you 313 00:51:53,320 --> 00:51:58,239 Whom l can't forget for one single moment 314 00:51:59,130 --> 00:52:03,170 l live without love waiting for someone 315 00:52:03,929 --> 00:52:07,000 And this someone doesn't want me 316 00:52:07,639 --> 00:52:11,949 l see time pass me by the winter arrive 317 00:52:12,739 --> 00:52:15,460 just don't see you 318 00:52:16,050 --> 00:52:19,769 If another love should knock at my door 319 00:52:20,480 --> 00:52:23,989 l won't answer 320 00:52:24,690 --> 00:52:26,969 Another night l waited 321 00:52:27,489 --> 00:52:32,590 Another endless night made my suffering worse 322 00:52:33,500 --> 00:52:35,750 from cigarette to cigarette 323 00:52:36,269 --> 00:52:41,280 Staring at the smoke going up in the air 324 00:52:57,150 --> 00:53:00,139 Kruger is weakening. 325 00:53:00,789 --> 00:53:05,210 Watch his light and be warned: 326 00:53:07,300 --> 00:53:10,369 Kruger talked too much. 327 00:53:11,000 --> 00:53:14,809 His light has gone out. 328 00:53:16,210 --> 00:53:18,519 Another night l waited 329 00:53:19,039 --> 00:53:24,139 Another endless night made my suffering worse 330 00:53:25,050 --> 00:53:27,329 from cigarette to cigarette 331 00:53:27,849 --> 00:53:32,599 Staring at the smoke going up in the air 332 00:53:33,460 --> 00:53:35,889 l live alone, without you 333 00:53:36,429 --> 00:53:41,409 Whom l can't forget for one single moment 334 00:53:42,300 --> 00:53:44,289 l live without love 335 00:53:44,769 --> 00:53:49,599 Waiting for someone and this someone doesn't want me 336 00:53:50,469 --> 00:53:54,659 l see time pass me by the winter arrive 337 00:53:55,440 --> 00:53:58,280 Just don't see you 338 00:53:58,880 --> 00:54:02,599 lf another love should knock at my door 339 00:54:03,320 --> 00:54:06,659 l won't answer 340 00:54:07,360 --> 00:54:10,840 l live alone, without you 341 00:54:17,570 --> 00:54:23,429 Bringing together situations that can be brought together. 342 00:54:26,809 --> 00:54:31,119 Dedicated, bright... 343 00:54:32,619 --> 00:54:34,579 sensitive... 344 00:54:35,719 --> 00:54:38,090 rare Hilda! 345 00:54:40,920 --> 00:54:44,789 But haven't you forgotten about Harmony? 346 00:54:45,530 --> 00:54:50,889 Do you remember the problem of Harmony? 347 00:54:53,340 --> 00:54:59,199 From the illicit union of Mars and Venus a child was born... 348 00:55:00,739 --> 00:55:04,019 and she was called Harmony. 349 00:55:04,679 --> 00:55:08,489 Born from the god of Conflict and the goddess of Love... 350 00:55:09,219 --> 00:55:14,760 she inherited from her parents contrary traits. 351 00:55:16,090 --> 00:55:19,900 Harmony is a... 352 00:55:20,699 --> 00:55:24,239 concord discord. 353 00:55:26,900 --> 00:55:31,820 For mixture is the origin of the world... 354 00:55:33,380 --> 00:55:39,239 and her members are made of contrary forces. 355 00:55:45,820 --> 00:55:47,989 l watched a film... 356 00:55:49,190 --> 00:55:52,880 called ''Pleasure''... 357 00:55:55,329 --> 00:56:00,159 where this man this charming man... 358 00:56:01,170 --> 00:56:06,559 asks a beautiful woman in a church: 359 00:56:10,449 --> 00:56:14,550 ''Do you find our mayor's face attractive?'' 360 00:56:15,920 --> 00:56:21,079 And she answers ''lt depends, l like yours 'better.'' 361 00:56:26,300 --> 00:56:31,869 This sounds easy to say. Easy to hear. 362 00:56:34,139 --> 00:56:36,280 But it's not. 363 00:56:38,409 --> 00:56:39,869 Why? 364 00:56:43,650 --> 00:56:45,760 Because pleasure goes away... 365 00:56:48,079 --> 00:56:50,829 but desire always comes back... 366 00:56:52,219 --> 00:56:54,880 and love feeds from it. 367 00:56:58,829 --> 00:57:02,230 The human heart is delirious... 368 00:57:02,900 --> 00:57:06,940 from so much wanting to dehumanize itself! 369 00:58:08,230 --> 00:58:11,829 ''The earthly, beautiful and chaste Venus... 370 00:58:12,530 --> 00:58:17,159 a translation from the astral Venus with her golden hair... 371 00:58:18,010 --> 00:58:21,489 the celestial walk emerging from the foam... 372 00:58:22,179 --> 00:58:27,309 real foam. real sea, real shell... 373 00:58:28,219 --> 00:58:30,909 real wind blow. 374 00:58:31,489 --> 00:58:33,710 With her right hand on her hair... 375 00:58:34,219 --> 00:58:37,849 and the left hand covering the sweet apple... 376 00:58:38,559 --> 00:58:43,340 impelled by the wind blow, Ioving Zephyr... 377 00:58:44,199 --> 00:58:48,210 Venus slides over the sea in a huge shell. 378 00:58:49,739 --> 00:58:54,050 The three nymphs. the three Graces greet her.. 379 00:58:54,840 --> 00:58:59,760 covering her in a cape, a vestment of stars. 380 00:59:00,650 --> 00:59:06,070 But this episode is just the initial phase of love's metamorphosis... 381 00:59:07,219 --> 00:59:10,820 which unfold in the garden of Venus. 382 00:59:12,489 --> 00:59:18,349 The unity of Venus is unfolded into the trinity of the Graces. 383 00:59:22,449 --> 00:59:25,579 The position of the Graces is defined... 384 00:59:26,219 --> 00:59:29,590 more by the position of their heads... 385 00:59:30,260 --> 00:59:32,750 than of their bodies. 386 00:59:33,530 --> 00:59:39,389 The three Graces are: Beauty, Love and Pleasure. 387 00:59:41,099 --> 00:59:46,960 They are called Abigail, Thalia and Euphrosyne. 388 00:59:48,139 --> 00:59:51,920 They have always been described... 389 00:59:52,650 --> 00:59:55,840 as 'the followers of Venus'. 390 00:59:56,489 --> 01:00:01,849 The golden apple that each of them has in her hand... 391 01:00:02,789 --> 01:00:06,130 is to remind us that they are servants to Venus. 392 01:00:07,159 --> 01:00:13,019 The three Graces are always portrayed nude... 393 01:00:14,340 --> 01:00:18,590 for generosity must be without pomp. 394 01:00:19,480 --> 01:00:25,050 lf the three Graces are entwined it's because they are inseparable... 395 01:00:26,019 --> 01:00:30,530 and more. if they are painted or described one with her back turned... 396 01:00:31,349 --> 01:00:33,429 while the other two face us... 397 01:00:33,920 --> 01:00:39,750 it's because, for every benefit that comes out of us... 398 01:00:40,760 --> 01:00:44,239 we receive two more back. 399 01:00:44,940 --> 01:00:48,130 lt's the triple rhythm of benefit... 400 01:00:48,769 --> 01:00:54,340 which consists of giving, receiving and repaying. 401 01:00:55,409 --> 01:01:00,570 Three diverse actions of liberality.'' 402 01:01:09,090 --> 01:01:13,780 Sex must go into some direction. 403 01:01:16,400 --> 01:01:18,570 And the direction is to get out of the darkness... 404 01:01:20,369 --> 01:01:23,000 and into the open air... 405 01:01:24,469 --> 01:01:28,690 into the light, the open sky. 406 01:03:50,420 --> 01:03:51,559 Are you tired? 407 01:03:51,920 --> 01:03:56,900 Tired? Why? No, it's not tiredness. 408 01:03:58,699 --> 01:04:01,920 lt's such an amount of disappointment... 409 01:04:03,230 --> 01:04:05,070 it's a Sunday upside down... 410 01:04:05,539 --> 01:04:09,550 it is, in short a holiday spent in an abyss. 411 01:04:11,269 --> 01:04:14,809 for suffering like what? Yes, like what? 412 01:04:15,510 --> 01:04:17,179 Like what? 413 01:04:17,610 --> 01:04:19,780 lf l only knew! 414 01:04:20,280 --> 01:04:24,670 But l confess: it is tiredness. 415 01:04:26,019 --> 01:04:27,949 What happened? Did you tremble? 416 01:04:28,690 --> 01:04:31,619 lt's my ideas l tremble about. 417 01:04:32,559 --> 01:04:37,420 The ability to think what l feel is what differs me From the ordinary woman. 418 01:04:38,369 --> 01:04:41,739 l am different. You can believe that. 419 01:04:43,070 --> 01:04:44,269 Come on! 420 01:04:44,639 --> 01:04:48,980 lt's too hot. l'm hungry. l want to eat! 421 01:04:49,780 --> 01:04:54,849 What do you want? Chest or haunch? 422 01:04:55,750 --> 01:04:57,590 Married... 423 01:04:59,559 --> 01:05:02,050 good father... 424 01:05:02,960 --> 01:05:05,920 a good friend to his friends... 425 01:05:06,760 --> 01:05:11,949 but do you know what a diabolic man is like? 426 01:05:14,269 --> 01:05:18,139 He is diabolic! 427 01:05:18,880 --> 01:05:21,980 -The devil? -Do you know what he does to me? 428 01:05:22,610 --> 01:05:25,570 He... hypnotizes me. 429 01:05:26,179 --> 01:05:29,750 -My God! -Hypnotizes me! 430 01:05:31,789 --> 01:05:37,030 Hypnotized, he takes me to a circus... 431 01:05:39,230 --> 01:05:43,769 turns me into an acrobat... 432 01:05:44,670 --> 01:05:49,150 makes me climb on a rope... 433 01:05:50,409 --> 01:05:53,599 swings me on a trapeze... 434 01:05:54,679 --> 01:05:58,519 orders me to turn somersaults... 435 01:05:59,250 --> 01:06:04,730 and make contortions. 436 01:06:06,590 --> 01:06:08,869 Legs spread open. 437 01:06:10,329 --> 01:06:14,670 Now, he very much wants me... 438 01:06:15,469 --> 01:06:18,019 to swallow a sword! 439 01:06:18,570 --> 01:06:21,610 -Hypnotized? -Hypnotized! 440 01:06:22,309 --> 01:06:26,059 Very! Very hypnotized. 441 01:06:26,780 --> 01:06:31,170 And... completely naked. 442 01:06:32,019 --> 01:06:35,360 What a danger! the audacity! 443 01:06:36,449 --> 01:06:38,349 Diabolic. 444 01:06:39,760 --> 01:06:42,130 Completely. 445 01:09:41,699 --> 01:09:45,239 Delirium is superior to good judgment... 446 01:09:45,939 --> 01:09:50,890 because, if good judgment is absolutely human... 447 01:09:51,779 --> 01:09:54,619 the origin of delirium is divine. 448 01:09:55,220 --> 01:09:58,239 Astral mysticism. 449 01:09:59,319 --> 01:10:03,220 The noise of the train car almost empty... 450 01:10:03,960 --> 01:10:07,619 and, in front of me right on my face... 451 01:10:08,329 --> 01:10:11,460 a couple without composure. 452 01:10:12,100 --> 01:10:15,060 She was giving him. eagerly... 453 01:10:15,670 --> 01:10:20,829 what the ancient Romans called a ''fellatio''. 454 01:10:33,920 --> 01:10:37,869 Today. just now. after l arrived... 455 01:10:38,630 --> 01:10:40,850 still at the building hall... 456 01:10:41,359 --> 01:10:45,899 after what l had seen on the train l saw another crazy scene. 457 01:10:46,800 --> 01:10:51,250 A woman, on all fours being fucked by two men'... 458 01:10:52,069 --> 01:10:54,090 on the hallway, openly! 459 01:10:54,579 --> 01:10:59,560 Almost on the street for everyone to see! 460 01:11:00,449 --> 01:11:05,310 The three of them were not disturbed by my indiscreet presence. 461 01:11:06,189 --> 01:11:09,649 Afflicted, in a frenzy. l ran upstairs! 462 01:11:23,770 --> 01:11:27,399 l was on fire, in flames. 463 01:11:28,109 --> 01:11:33,029 When l walked into the room l saw a tall, full-blooded boy... 464 01:11:33,920 --> 01:11:37,729 masturbating, in delight, before me. 465 01:11:38,449 --> 01:11:41,850 He crushed, with his hand his vigorous member. 466 01:11:42,529 --> 01:11:46,449 lt was a bonfire l almost died from the heat. 467 01:12:00,310 --> 01:12:02,420 FEMININE 468 01:12:03,109 --> 01:12:07,420 The mouth and the vulva never say ''enough''. 469 01:12:08,720 --> 01:12:12,560 Seneca describes the three Graces in ''De Beneficiis'': 470 01:12:13,289 --> 01:12:14,960 ''Why are the Graces three? 471 01:12:15,390 --> 01:12:20,689 Why are they sisters and why are their hands always entwined? 472 01:12:21,630 --> 01:12:26,819 Because every divinity performs their potency though a triadic rhythm. 473 01:12:27,739 --> 01:12:32,899 Says Virgil: 'God is pleased at odd numbers'. 474 01:12:33,880 --> 01:12:39,180 This is explained by the rhythm of the Graces being one of generosity... 475 01:12:40,119 --> 01:12:45,449 which consists of giving, receiving, repaying. 476 01:12:46,520 --> 01:12:51,409 The three phases must be linked like a dance, a chorus... 477 01:12:52,289 --> 01:12:56,569 like people in a circle. with their hands entwined. 478 01:12:57,369 --> 01:13:02,090 For the order of charity says it must go from hand to hand... 479 01:13:02,939 --> 01:13:05,340 and go back to its author. 480 01:13:05,880 --> 01:13:09,479 The triad of the classic symmetry of the three Graces... 481 01:13:10,180 --> 01:13:13,720 says one should be facing us. one. with her back turned... 482 01:13:14,420 --> 01:13:17,819 and one in a lateral movement. 483 01:13:18,489 --> 01:13:23,529 Charitas, Voluptas et Pulchritudo.'' 484 01:18:15,579 --> 01:18:19,890 l cast my sight with much clarity over my life... 485 01:18:20,689 --> 01:18:24,640 since my earlier boyhood. 486 01:18:26,159 --> 01:18:31,350 And l know well since how tall my soul has suffered from... 487 01:18:32,270 --> 01:18:37,630 this disposition, this disposition to be somebody else... 488 01:18:38,569 --> 01:18:41,090 to get out of myself. 489 01:18:56,189 --> 01:19:00,439 What is right is wrong. 490 01:19:02,199 --> 01:19:06,510 And what is wrong is right. 491 01:19:08,539 --> 01:19:10,710 Why? 492 01:19:14,039 --> 01:19:17,550 Because right and wrong are the same thing. 493 01:21:09,319 --> 01:21:12,689 ...it was, sailor the little fishes in the sea 494 01:21:13,359 --> 01:21:17,869 lt was, it was, sailor it was the little fishes in the sea 495 01:21:18,699 --> 01:21:23,479 Hey, we who have come From another land, another sea 496 01:21:24,340 --> 01:21:29,000 Hey, we who have come From another land, another sea 497 01:21:29,850 --> 01:21:34,479 We have gunpowder, Iead and bullets we want to make war 498 01:21:35,319 --> 01:21:40,210 We have gunpowder, Iead and bullets we want to make war 499 01:21:41,090 --> 01:21:45,659 Who taught me how to swim who taught me how to swim 500 01:21:46,500 --> 01:21:51,220 lt was, sailor it was the little fishes in the sea 501 01:21:52,069 --> 01:21:56,640 lt was, sailor it was the little fishes in the sea 502 01:21:57,470 --> 01:21:59,989 Hey, we who have come From another land 503 01:22:54,300 --> 01:22:57,840 lIf the blue sky 504 01:22:58,529 --> 01:23:02,039 Should get dark 505 01:23:03,140 --> 01:23:09,000 An the joy on Earth wither 506 01:23:11,250 --> 01:23:17,109 l don't care, honey 507 01:23:19,489 --> 01:23:25,350 l will live From our love 508 01:23:29,000 --> 01:23:34,859 lf you are the dream of my days 509 01:23:36,340 --> 01:23:42,199 lf my kisses are all yours 510 01:23:44,210 --> 01:23:50,069 l don't care, honey 511 01:23:51,420 --> 01:23:55,899 The bitter pains 512 01:23:56,729 --> 01:24:02,060 ln this life 513 01:24:05,100 --> 01:24:10,960 A handful of stars l shall pick in Infinity 514 01:24:12,109 --> 01:24:17,090 To lay down at your feet 515 01:24:18,810 --> 01:24:24,670 l don't care about friends Iaughter, beliefs and punishments 516 01:24:26,590 --> 01:24:28,840 Just want 517 01:24:29,560 --> 01:24:33,130 To adore you 518 01:24:35,460 --> 01:24:41,260 lf destiny should make us apart 519 01:24:42,270 --> 01:24:48,130 lf, distant, death should find you 520 01:24:49,479 --> 01:24:55,340 l don't care, honey 521 01:24:57,250 --> 01:25:03,109 for l will die too 522 01:25:08,100 --> 01:25:13,960 When, at last, life is gone 523 01:25:15,539 --> 01:25:21,399 And nothing is left from my dreams 524 01:25:22,710 --> 01:25:28,569 ln a supreme miracle 525 01:25:30,689 --> 01:25:35,489 God will allow me, in Heaven, 526 01:25:36,359 --> 01:25:42,220 To meet you again 527 01:26:24,170 --> 01:26:25,630 You can come. 528 01:31:02,319 --> 01:31:04,949 CAPTlONS BY VlDEOLAR