1 00:00:01,780 --> 00:00:05,580 * 2 00:00:05,580 --> 00:00:15,820 * 3 00:00:15,820 --> 00:00:16,280 [CHEERS AND APPLAUSE] 4 00:00:16,280 --> 00:00:17,320 * I'M FLYING, FLYING 5 00:00:17,320 --> 00:00:18,950 FLYING, FLYING * 6 00:00:18,950 --> 00:00:20,480 * LOOK AT ME, WAY UP HIGH 7 00:00:20,480 --> 00:00:30,620 * SUDDENLY, HERE AM I 8 00:00:30,620 --> 00:00:33,150 >> HEY, STOP, STOP, STOP! 9 00:00:33,150 --> 00:00:35,120 [APPLAUSE] 10 00:00:35,120 --> 00:00:36,050 HEY. 11 00:00:36,050 --> 00:00:40,250 IT'S BEEN A MINUTE. 12 00:00:40,250 --> 00:00:40,680 WHAT ARE YOU DOING? 13 00:00:40,680 --> 00:00:41,150 WHAT HAS HAPPENED? 14 00:00:41,150 --> 00:00:42,250 >> I'M THE HOST! 15 00:00:42,250 --> 00:00:43,180 I'M DOING THE BIG TONYS OPENING 16 00:00:43,180 --> 00:00:47,850 NUMBER! 17 00:00:47,850 --> 00:00:48,820 [APPLAUSE] 18 00:00:48,820 --> 00:00:49,580 THANK YOU. 19 00:00:49,580 --> 00:00:50,980 >> BUT HAVEN'T YOU HEARD? 20 00:00:50,980 --> 00:00:51,920 THE FLYING TWINKS ARE ALL 21 00:00:51,920 --> 00:00:52,720 VAMPIRES NOW. 22 00:00:52,720 --> 00:00:53,720 [LAUGHTER] 23 00:00:53,720 --> 00:00:54,620 >> I JUST WANT TO SHOW HOW MUCH 24 00:00:54,620 --> 00:00:55,580 I LOVE THEATER, EVEN THOUGH I'V 25 00:00:55,580 --> 00:00:58,780 NEVER BEEN ON BROADWAY. 26 00:00:58,780 --> 00:00:59,680 >> YEAH, BUT YOU'RE P!NK. 27 00:00:59,680 --> 00:01:05,080 YOU CAN DO ANYTHING! 28 00:01:05,080 --> 00:01:07,320 WHERE DID YOU GO? 29 00:01:07,320 --> 00:01:08,080 >> I'M HERE. 30 00:01:08,080 --> 00:01:09,480 >> I'M CONCERNED THAT SOME 31 00:01:09,480 --> 00:01:12,250 PEOPLE WILL BE LIKE, "WHY IS 32 00:01:12,250 --> 00:01:13,080 P!NK HOSTING THE TONYS?" 33 00:01:13,080 --> 00:01:14,780 AND I WANT TO MAKE SURE THEY 34 00:01:14,780 --> 00:01:16,380 KNOW I'M THRILLED TO BE HERE. 35 00:01:16,380 --> 00:01:18,920 THANK YOU FOR HAVING ME! 36 00:01:18,920 --> 00:01:19,880 AND I WANT MY OPENING TO 37 00:01:19,880 --> 00:01:20,750 BE AS "BROADWAY" AS POSSIBLE. 38 00:01:20,750 --> 00:01:21,620 >> AND SO YOU WENT WITH 39 00:01:21,620 --> 00:01:22,450 "PETER PAN?" 40 00:01:22,450 --> 00:01:26,080 [LAUGHTER] 41 00:01:26,080 --> 00:01:26,750 >> OKAY, WHAT ABOUT -- 42 00:01:26,750 --> 00:01:27,420 * THE PHANTOM OF THE OPERA IS 43 00:01:27,420 --> 00:01:30,480 THERE -- * 44 00:01:30,480 --> 00:01:34,820 >> NO, PLEASE. 45 00:01:34,820 --> 00:01:38,080 >> * ON MY OWN 46 00:01:38,080 --> 00:01:39,950 >> THAT'LL BE LATER BE LATER. 47 00:01:39,950 --> 00:01:41,680 >> THAT YOU'LL LIKE THIS ONE. 48 00:01:41,680 --> 00:01:45,750 [ELPHABA-STYLE VOCALIZING] 49 00:01:45,750 --> 00:01:46,580 >> NO! 50 00:01:46,580 --> 00:01:50,350 PUT ME DOWN! 51 00:01:50,350 --> 00:01:51,450 >> YOU ARE NO FUN. 52 00:01:51,450 --> 00:01:52,620 >> WITCH, PLEASE! 53 00:01:52,620 --> 00:01:53,620 LISTEN -- YOU'RE P!NK. 54 00:01:53,620 --> 00:01:54,580 YOU'RE SINGULAR. 55 00:01:54,580 --> 00:01:55,550 YOU'RE THE BEST! 56 00:01:55,550 --> 00:01:57,720 AND SO IS BROADWAY! 57 00:01:57,720 --> 00:01:58,650 SO JUST DO WHAT YOU DO, AND IT' 58 00:01:58,650 --> 00:02:02,350 GOING TO BE A GREAT NIGHT. 59 00:02:02,350 --> 00:02:03,880 JUST BE YOU, OKAY? 60 00:02:03,880 --> 00:02:09,950 GO CHANGE INTO SOMETHING 61 00:02:09,950 --> 00:02:12,220 MORE P!NK-LIKE, LESS PAN-ISH, 62 00:02:12,220 --> 00:02:17,120 AND IT'S GOING TO BE GREAT. 63 00:02:17,120 --> 00:02:18,080 [LAUGHS] 64 00:02:18,080 --> 00:02:20,080 SHE'S GOING TO NEED SOME HELP. 65 00:02:20,080 --> 00:02:21,220 >> * HEY, SISTER, GO, SISTER 66 00:02:21,220 --> 00:02:24,250 * SOUL SISTER, FLOW SISTER 67 00:02:24,250 --> 00:02:25,950 >> * HEY, SISTER, GO, SISTER 68 00:02:25,950 --> 00:02:30,880 * SOUL SISTER, FLOW SISTER 69 00:02:30,880 --> 00:02:32,750 >> * HEY, SISTER, GO, SISTER 70 00:02:32,750 --> 00:02:38,550 * SOUL SISTER, FLOW SISTER 71 00:02:38,550 --> 00:02:40,120 >> * HEY, SISTER, GO, SISTER 72 00:02:40,120 --> 00:02:42,550 * SOUL SISTER, FLOW SISTER 73 00:02:42,550 --> 00:02:43,650 >> * HEY, SISTER, GO, SISTER 74 00:02:43,650 --> 00:02:46,650 * SOUL SISTER, FLOW SISTER 75 00:02:46,650 --> 00:02:48,320 * HEY, SISTER, GO, SISTER 76 00:02:48,320 --> 00:02:51,550 * SOUL SISTER, FLOW SISTER 77 00:02:51,550 --> 00:02:52,420 * HERE'S YOUR LEADING LADY 78 00:02:52,420 --> 00:02:56,680 MARMALADE * 79 00:02:56,680 --> 00:02:58,650 * 80 00:02:58,650 --> 00:03:00,880 >> * IT'S THE LEADING LADY 81 00:03:00,880 --> 00:03:06,520 MARMALADE * 82 00:03:06,520 --> 00:03:06,980 [CHEERS AND APPLAUSE] 83 00:03:06,980 --> 00:03:14,650 * 84 00:03:14,650 --> 00:03:15,420 RADIO CITY, HOW Y'ALL FEELING? 85 00:03:15,420 --> 00:03:18,720 [CHEERS AND APPLAUSE] 86 00:03:18,720 --> 00:03:20,380 THIS IS HOW P!NK OPENS! 87 00:03:20,380 --> 00:03:21,120 * WE LOVE WHEN A DIVA LIGHTS UP 88 00:03:21,120 --> 00:03:22,150 OLD BROADWAY * 89 00:03:22,150 --> 00:03:23,080 * STRUTTIN' HER STUFF WITH SOME 90 00:03:23,080 --> 00:03:24,820 STYLE * 91 00:03:24,820 --> 00:03:26,220 * SO, HELLO, HEY, SHO' 92 00:03:26,220 --> 00:03:33,080 * YOU WANT TO GIVE IT A GO? 93 00:03:33,080 --> 00:03:33,780 >> * TONYS, WE'RE ABOUT TO GET 94 00:03:33,780 --> 00:03:36,180 WILD! * 95 00:03:36,180 --> 00:03:37,350 >> * DON'T YOU WORRY, THERE'S 96 00:03:37,350 --> 00:03:40,080 MORE LEADING LADIES IN STORE * 97 00:03:40,080 --> 00:03:41,280 >> * CELINE'S GONNA BELT ON A 98 00:03:41,280 --> 00:03:43,650 BOAT, OH, YEAH * 99 00:03:43,650 --> 00:03:44,380 >> * WE'LL HAVE GLAMOUR AND 100 00:03:44,380 --> 00:03:46,380 GLITZ * 101 00:03:46,380 --> 00:03:48,350 >> * AND CHRISTIANI PITTS! 102 00:03:48,350 --> 00:03:49,420 >> * SO DON'TCHA, DON'TCHA 103 00:03:49,420 --> 00:03:51,450 TOUCH THAT REMOTE * 104 00:03:51,450 --> 00:03:52,880 * 105 00:03:52,880 --> 00:03:53,880 >> * GITCHIE, GITCHIE, 106 00:03:53,880 --> 00:03:56,720 LESLEY MANVILLE * 107 00:03:56,720 --> 00:03:57,980 * GITCHIE, GITCHIE, 108 00:03:57,980 --> 00:04:01,450 CARRIE COON * 109 00:04:01,450 --> 00:04:02,420 >> * PHENOMENAL NOMS FILL YOUR 110 00:04:02,420 --> 00:04:04,850 PLAYBILL * 111 00:04:04,850 --> 00:04:06,220 * IT'S GIVING LEADING LADY 112 00:04:06,220 --> 00:04:10,120 MARMALADE * 113 00:04:10,120 --> 00:04:11,580 * 114 00:04:11,580 --> 00:04:13,380 >> SHALL WE GO FOR IT? 115 00:04:13,380 --> 00:04:14,620 * "LIBERATION," "PROOF," 116 00:04:14,620 --> 00:04:16,880 "BECKY SHAW," CE SOIR * 117 00:04:16,880 --> 00:04:20,720 * ROSE BYRNE AND KELLI O'HARA 118 00:04:20,720 --> 00:04:22,080 * HALF THESE NOMS HAVE PLAYED 119 00:04:22,080 --> 00:04:25,550 ELPHABA, CE SOIR * 120 00:04:25,550 --> 00:04:26,350 >> * LET'S DANCE LIKE TIKTOK 121 00:04:26,350 --> 00:04:30,220 MOMS FROM UTAH * 122 00:04:30,220 --> 00:04:31,550 >> * STEPHANIE HSU, RACHEL 123 00:04:31,550 --> 00:04:32,680 DRATCH, WHAT A MATCH, STEALING 124 00:04:32,680 --> 00:04:34,350 SCENES * 125 00:04:34,350 --> 00:04:35,850 * NICHELLE AND CAISSIE BROUGHT 126 00:04:35,850 --> 00:04:38,920 RAG BACK ON THE BOARDS * 127 00:04:38,920 --> 00:04:40,180 >> * SOME LEADING LADIES ARE 128 00:04:40,180 --> 00:04:42,980 REIGNING AS TRUE CHESS QUEENS * 129 00:04:42,980 --> 00:04:44,450 >> * AND WE DON'T DO IT FOR THE 130 00:04:44,450 --> 00:04:47,720 AWARDS * 131 00:04:47,720 --> 00:04:48,750 >> * GITCHIE, GITCHIE. 132 00:04:48,750 --> 00:04:51,780 BETSY AIDEM * 133 00:04:51,780 --> 00:04:52,950 * SQUIBBY, SQUIBBY, SQUIBBY 134 00:04:52,950 --> 00:04:56,450 JUNE * 135 00:04:56,450 --> 00:04:57,780 >> * ALL THE PARTS I PLAYED, I 136 00:04:57,780 --> 00:05:02,350 SLAYED 'EM * 137 00:05:02,350 --> 00:05:03,480 * LEADING LADY MARMALA-LA-LA, 138 00:05:03,480 --> 00:05:05,150 LA-LA * 139 00:05:05,150 --> 00:05:08,720 * 140 00:05:08,720 --> 00:05:12,620 * 141 00:05:12,620 --> 00:05:14,980 >> IN 2026, THE TONY AWARDS WER 142 00:05:14,980 --> 00:05:16,420 HOSTED SOUTH OF NEW ROCHELLE, A 143 00:05:16,420 --> 00:05:17,620 THE CORNER OF 50TH STREET AND 144 00:05:17,620 --> 00:05:21,980 THE AVENUE OF THE AMERICAS. 145 00:05:21,980 --> 00:05:23,080 THE LYRICS TO "LADY MARMALADE" 146 00:05:23,080 --> 00:05:24,380 WERE REWRITTEN FOR THE OCCASION 147 00:05:24,380 --> 00:05:26,080 FOR P!NK WAS HOSTING. 148 00:05:26,080 --> 00:05:27,850 AND IT WAS DETERMINED THE RHYTH 149 00:05:27,850 --> 00:05:30,180 AND POETRY PORTION OF THE SONG 150 00:05:30,180 --> 00:05:31,680 WOULD BE PERFORMED BY MEGAN, A 151 00:05:31,680 --> 00:05:33,150 STALLION FROM THEE. 152 00:05:33,150 --> 00:05:36,120 [APPLAUSE] 153 00:05:36,120 --> 00:05:37,150 >> THE THEATER IS MOTHA'S 154 00:05:37,150 --> 00:05:45,420 DOMAIN! 155 00:05:45,420 --> 00:05:46,950 I DON'T EVEN KNOW THOSE GUYS. 156 00:05:46,950 --> 00:05:47,750 THEY WERE JUST TWO STRANGERS 157 00:05:47,750 --> 00:05:50,780 CARRYING SOME CAKE. 158 00:05:50,780 --> 00:05:51,250 [CHEERS AND APPLAUSE] 159 00:05:51,250 --> 00:05:51,820 * 160 00:05:51,820 --> 00:05:52,780 [RAPPING] 161 00:05:52,780 --> 00:05:53,780 * WE COME THROUGH WITH A BOLD 162 00:05:53,780 --> 00:05:54,720 SET OF NOMINEES * 163 00:05:54,720 --> 00:05:55,750 * FROM THE NEW TO THE OLD 164 00:05:55,750 --> 00:05:56,920 DEUTERONOMIES * 165 00:05:56,920 --> 00:05:57,680 * TONIGHT WE'RE RIGHT WHERE WE 166 00:05:57,680 --> 00:05:58,620 WANT TO BE * 167 00:05:58,620 --> 00:05:59,520 * CELEBRATE COMMUNITY IN THIS 168 00:05:59,520 --> 00:06:01,180 ECONOMY * 169 00:06:01,180 --> 00:06:02,180 * 'CAUSE WHETHER YOU WIN OR 170 00:06:02,180 --> 00:06:03,620 WHETHER YOU LOSE * 171 00:06:03,620 --> 00:06:04,320 * WE'RE ALL BAD-ASS CHICKS FROM 172 00:06:04,320 --> 00:06:07,380 THE MOULIN ROUGE * 173 00:06:07,380 --> 00:06:08,320 >> * WE PROVED REVIVALS AND 174 00:06:08,320 --> 00:06:12,480 RELICS AT ALL * 175 00:06:12,480 --> 00:06:13,280 >> * ROCKY HORROR. 176 00:06:13,280 --> 00:06:13,980 PSYCHEDELICS * 177 00:06:13,980 --> 00:06:14,880 >> * AND THE JELLICLE BALL 178 00:06:14,880 --> 00:06:18,450 * 179 00:06:18,450 --> 00:06:19,150 >> * WE GOT HIGH WIRE 180 00:06:19,150 --> 00:06:19,950 VAMPIRES * 181 00:06:19,950 --> 00:06:20,820 >> * GLAM GOTH EVIL 182 00:06:20,820 --> 00:06:24,750 >> * LOST BOYS IN HARNESSES 183 00:06:24,750 --> 00:06:25,450 >> * BUT NOT AT THE EAGLE 184 00:06:25,450 --> 00:06:26,380 >> * JACK AND ROSE FROZE, BUT 185 00:06:26,380 --> 00:06:27,150 THEIR SINGING THE HITS * 186 00:06:27,150 --> 00:06:27,880 * ON THE TITANIQUE AS THE 187 00:06:27,880 --> 00:06:28,880 ICEBERG SPLITS * 188 00:06:28,880 --> 00:06:32,320 * 189 00:06:32,320 --> 00:06:33,080 >> * SUSANNAH FLOOD IN A MEMORY 190 00:06:33,080 --> 00:06:34,280 PLAY * 191 00:06:34,280 --> 00:06:35,750 * MARYLOUISE AND THE H-O-A! 192 00:06:35,750 --> 00:06:36,720 * SOME SHOWS WE WERE STOIC IN 193 00:06:36,720 --> 00:06:38,380 * SOME WE WERE FLASHY IN 194 00:06:38,380 --> 00:06:39,280 * GOT AYA CASH AND A DASH OF 195 00:06:39,280 --> 00:06:40,620 KARDASHIAN * 196 00:06:40,620 --> 00:06:41,880 * JOE TURNER'S GONE, BUT 197 00:06:41,880 --> 00:06:43,150 TARAJI'S HERE * 198 00:06:43,150 --> 00:06:43,880 * MINDELLE, GRIZABELLA, IT'S A 199 00:06:43,880 --> 00:06:45,180 HELLUVA YEAR * 200 00:06:45,180 --> 00:06:46,820 * 201 00:06:46,820 --> 00:06:52,320 * 202 00:06:52,320 --> 00:06:53,080 >> WOW, AM I IN A MUSICAL? 203 00:06:53,080 --> 00:06:53,950 >> YEAH! 204 00:06:53,950 --> 00:06:55,420 >> WHAT IS P!NK DOING HERE? 205 00:06:55,420 --> 00:06:56,120 >> * DANCING, SINGING, HOPE 206 00:06:56,120 --> 00:06:57,080 PRODUCERS NOTICE * 207 00:06:57,080 --> 00:06:58,080 >> * I HEAR THEY ONLY CAST YOU 208 00:06:58,080 --> 00:06:59,620 IF YOU'RE ON "WHITE LOTUS" * 209 00:06:59,620 --> 00:07:03,250 >> NOT TONIGHT! 210 00:07:03,250 --> 00:07:04,280 TONIGHT YOU'RE LEADING LADY! 211 00:07:04,280 --> 00:07:05,080 >> I AM? 212 00:07:05,080 --> 00:07:05,850 >> YOU'RE SARA CHASE! 213 00:07:05,850 --> 00:07:06,780 YOU AND YOUR COSTAR, 214 00:07:06,780 --> 00:07:07,620 ANA GASTEYER, ARE NOMINATED FOR 215 00:07:07,620 --> 00:07:08,520 TONY AWARDS! 216 00:07:08,520 --> 00:07:09,950 >> WE ARE? 217 00:07:09,950 --> 00:07:12,820 I AM? 218 00:07:12,820 --> 00:07:14,150 I'M IN THE -- 219 00:07:14,150 --> 00:07:17,750 * LEADING LADY MARMALADE 220 00:07:17,750 --> 00:07:18,820 >> * THE LEADING LADY 221 00:07:18,820 --> 00:07:24,550 MARMALADE * 222 00:07:24,550 --> 00:07:25,680 >> * HEY, SISTERS, SOUL 223 00:07:25,680 --> 00:07:26,820 SISTERS * 224 00:07:26,820 --> 00:07:27,820 * DON'T FORGET YOUR BROS, 225 00:07:27,820 --> 00:07:29,220 SISTERS * 226 00:07:29,220 --> 00:07:31,150 >> HEY, SISTERS, ALL SISTERS * 227 00:07:31,150 --> 00:07:32,680 * PROTECT THE DOLLS, SISTERS 228 00:07:32,680 --> 00:07:34,120 [CHEERS AND APPLAUSE] 229 00:07:34,120 --> 00:07:36,780 >> * MORE, MORE, MORE 230 00:07:36,780 --> 00:07:39,980 * ALECIA MOORE, MOORE, MOORE! 231 00:07:39,980 --> 00:07:43,150 * 232 00:07:43,150 --> 00:07:44,080 >> * GITCHIE, GITCHIE, LAURIE 233 00:07:44,080 --> 00:07:47,750 METCALF * 234 00:07:47,750 --> 00:07:49,280 * SCHMIGA, SCHMIGA, SCHMIGADOON 235 00:07:49,280 --> 00:07:52,680 DOON, DOON, YEAH * 236 00:07:52,680 --> 00:07:53,850 * DANNY RADDY-CLIFFE AND. 237 00:07:53,850 --> 00:07:57,480 RIFF RAFF * 238 00:07:57,480 --> 00:07:59,520 * LEADING LADY MARMALADE 239 00:07:59,520 --> 00:08:01,250 >> [IMITATING PADDINGTON BEAR] 240 00:08:01,250 --> 00:08:02,720 * MAR, MAR-MAR-MAR MAR, 241 00:08:02,720 --> 00:08:07,220 MAR-MAR-MAR MARMALADE * 242 00:08:07,220 --> 00:08:12,980 >> MAYBE NEXT SEASON. 243 00:08:12,980 --> 00:08:14,520 >> SPOILERS! 244 00:08:14,520 --> 00:08:15,280 >> * STANDING ON STAGE AT THE 245 00:08:15,280 --> 00:08:16,750 TONY AWARDS * 246 00:08:16,750 --> 00:08:19,650 * 10-YEAR-OLD ME IS LIKE, OH, M 247 00:08:19,650 --> 00:08:20,720 GOD * 248 00:08:20,720 --> 00:08:21,480 * THIS AIN'T ChatGPT, THIS 249 00:08:21,480 --> 00:08:23,420 AIN'T CLAUDE * 250 00:08:23,420 --> 00:08:24,820 * THIS IS LIVE 251 00:08:24,820 --> 00:08:26,950 * SO I HOPE YOU APPLAUD 252 00:08:26,950 --> 00:08:27,980 * FOR THIS CAST, THE WHOLE 253 00:08:27,980 --> 00:08:29,350 TEAM * 254 00:08:29,350 --> 00:08:31,320 * EVERY KID WITH A DREAM 255 00:08:31,320 --> 00:08:32,750 * EVERY LEADING LADY 256 00:08:32,750 --> 00:08:40,250 MARMALADE * 257 00:08:40,250 --> 00:08:41,080 * ON STAGE OR BACKSTAGE OR 258 00:08:41,080 --> 00:08:42,650 USHERS ON CALL * 259 00:08:42,650 --> 00:08:43,650 * YOU'RE PART OF THIS ART WE 260 00:08:43,650 --> 00:08:48,780 ADORE * 261 00:08:48,780 --> 00:08:49,980 * WHETHER YOU'RE RUNNING FOR 262 00:08:49,980 --> 00:08:50,620 YEARS OR YOU CLOSED IN THE 263 00:08:50,620 --> 00:08:53,750 FALL * 264 00:08:53,750 --> 00:08:54,420 * OR YOU'RE BUSTING YOUR BUTT O 265 00:08:54,420 --> 00:08:55,250 TOUR * 266 00:08:55,250 --> 00:08:56,950 * TOUR, TOUR, TOUR 267 00:08:56,950 --> 00:08:57,780 * IT'S BROADWAY'S BIGGEST 268 00:08:57,780 --> 00:08:59,080 NIGHT * 269 00:08:59,080 --> 00:09:01,880 * YAS, MAMA, CE SOIR 270 00:09:01,880 --> 00:09:02,720 * BRING YOUR KIDS AND 271 00:09:02,720 --> 00:09:06,320 MOTHER-IN-LAW * 272 00:09:06,320 --> 00:09:07,180 * MAYBE NEXT YEAR THEY'LL GET 273 00:09:07,180 --> 00:09:10,620 LADY GAGA, CE SOIR * 274 00:09:10,620 --> 00:09:12,520 >> SHE WOULD BE AMAZING! 275 00:09:12,520 --> 00:09:13,950 >> * IT'S THE LEADING LADY 276 00:09:13,950 --> 00:09:16,550 MARMALADE * 277 00:09:16,550 --> 00:09:27,980 * WELCOME TO THE TONY AWARDS! 278 00:09:27,980 --> 00:09:29,080 * YEAH 279 00:09:29,080 --> 00:09:45,380 [CHEERS AND APPLAUSE] 280 00:09:54,980 --> 00:10:00,320 >> THANK YOU! 281 00:10:00,320 --> 00:10:01,550 WELCOME TO THE 79TH ANNUAL 282 00:10:01,550 --> 00:10:08,420 TONY AWARDS! 283 00:10:08,420 --> 00:10:13,380 [CHEERS AND APPLAUSE] 284 00:10:13,380 --> 00:10:13,650 OH, YEAH. 285 00:10:13,650 --> 00:10:15,020 I LOST MY FEATHERS. 286 00:10:15,020 --> 00:10:17,350 FOR SOME REASON, I'M YOUR HOST, 287 00:10:17,350 --> 00:10:18,320 P!NK. 288 00:10:18,320 --> 00:10:19,050 THE TONY AWARDS IS BROADWAY'S 289 00:10:19,050 --> 00:10:19,950 BIGGEST NIGHT. 290 00:10:19,950 --> 00:10:21,020 WELL, SECOND, AFTER THE LATEST 291 00:10:21,020 --> 00:10:22,120 "OH, MARY!" CAST ANNOUNCEMENT. 292 00:10:22,120 --> 00:10:24,680 BUT THEN THIS! 293 00:10:24,680 --> 00:10:25,720 I'M NOT HERE JUST TO STEAL 294 00:10:25,720 --> 00:10:26,880 PEOPLE'S WIGS, ALTHOUGH I WILL 295 00:10:26,880 --> 00:10:33,720 BE DOING THAT. 296 00:10:33,720 --> 00:10:35,620 I'M HERE -- 297 00:10:35,620 --> 00:10:35,780 HI. 298 00:10:35,780 --> 00:10:37,850 TO CELEBRATE THE HARDEST-WORKING 299 00:10:37,850 --> 00:10:39,580 PEOPLE IN SHOW BUSINESS -- THE 300 00:10:39,580 --> 00:10:41,020 ONES WHO MAKE ART ON BROADWAY, 301 00:10:41,020 --> 00:10:42,280 BUT MOSTLY THE PEOPLE WHO 302 00:10:42,280 --> 00:10:43,020 SQUEEZE LUKE EVANS INTO THAT 303 00:10:43,020 --> 00:10:44,420 CORSET. 304 00:10:44,420 --> 00:10:46,950 HOW DO THEY DO IT? 305 00:10:46,950 --> 00:10:52,280 [LAUGTER] 306 00:10:52,280 --> 00:10:53,020 TONIGHT, I'M HERE AS BROADWAY'S 307 00:10:53,020 --> 00:10:53,720 BIGGEST FAN. 308 00:10:53,720 --> 00:10:54,380 WELL, SECOND-BIGGEST, NEXT TO M 309 00:10:54,380 --> 00:10:57,150 DAUGHTER, WILLOW. 310 00:10:57,150 --> 00:10:58,680 I DON'T KNOW WHERE SHE IS. 311 00:10:58,680 --> 00:10:59,620 BUT I DIDN'T TAKE THIS JOB JUST 312 00:10:59,620 --> 00:11:00,680 SO MY KID CAN GET BROADWAY 313 00:11:00,680 --> 00:11:04,820 SELFIES, ALTHOUGH... 314 00:11:04,820 --> 00:11:05,080 [LAUGHTER] 315 00:11:05,080 --> 00:11:07,180 AND A COUPLE FOR MAMA... 316 00:11:07,180 --> 00:11:08,950 AND... 317 00:11:08,950 --> 00:11:09,920 NATHAN LANE SAID "IT WASN'T A 318 00:11:09,920 --> 00:11:11,120 GOOD TIME." 319 00:11:11,120 --> 00:11:13,720 [LAUGHTER] 320 00:11:13,720 --> 00:11:15,680 THEATER IS LIKE GROUP THERAPY. 321 00:11:15,680 --> 00:11:17,180 WE JOURNEY TO MIDTOWN NOT 322 00:11:17,180 --> 00:11:19,080 KNOWING ONE ANOTHER, WE LAUGH 323 00:11:19,080 --> 00:11:19,920 AND CRY TOGETHER, AND BY THE 324 00:11:19,920 --> 00:11:20,950 TIME WE LEAVE WE HAVE A 325 00:11:20,950 --> 00:11:22,350 DIFFERENT PERSPECTIVE ON LIFE. 326 00:11:22,350 --> 00:11:23,250 AND HOW MUCH TWIZZLERS SHOULD 327 00:11:23,250 --> 00:11:26,820 COST. 328 00:11:26,820 --> 00:11:28,920 [LAUGHTER] 329 00:11:28,920 --> 00:11:29,180 THANK YOU. 330 00:11:29,180 --> 00:11:30,280 I APPRECIATE THAT. 331 00:11:30,280 --> 00:11:31,680 PART OF WHY I'M SUCH A BIG FAN 332 00:11:31,680 --> 00:11:33,080 IS HOW PURPOSEFUL EACH SHOW IS. 333 00:11:33,080 --> 00:11:34,080 INSTEAD OF GOING TO A BROADWAY 334 00:11:34,080 --> 00:11:36,250 SHOW TO FORGET THE STATE OF THE 335 00:11:36,250 --> 00:11:37,250 WORLD, WE GO TO A BROADWAY 336 00:11:37,250 --> 00:11:38,150 SHOW TO LOOK AT WHAT THE STATE 337 00:11:38,150 --> 00:11:39,380 OF THE WORLD IS. 338 00:11:39,380 --> 00:11:40,620 THIS YEAR THE WORST PARTS OF 339 00:11:40,620 --> 00:11:41,780 HISTORY BEGAN REPEATING ITSELF, 340 00:11:41,780 --> 00:11:43,180 AND WE WERE GIVEN "RAGTIME." 341 00:11:43,180 --> 00:11:46,680 AND "LIBERATION." 342 00:11:46,680 --> 00:11:50,480 [APPLAUSE] 343 00:11:50,480 --> 00:11:51,780 THIS YEAR OUR COUNTRY GREW MORE 344 00:11:51,780 --> 00:11:53,120 DIVIDED THAN EVER, AND WE WERE 345 00:11:53,120 --> 00:11:54,620 GIVEN "TWO STRANGERS (CARRY A 346 00:11:54,620 --> 00:11:57,850 CAKE ACROSS NEW YORK)." 347 00:11:57,850 --> 00:11:59,550 [APPLAUSE] 348 00:11:59,550 --> 00:12:00,750 THIS YEAR OUR TRANS SIBLINGS 349 00:12:00,750 --> 00:12:05,220 STARTED TO LOSE EVEN MORE 350 00:12:05,220 --> 00:12:05,980 RIGHTS, AND WE WERE GIVEN 351 00:12:05,980 --> 00:12:09,120 "CATS: JELLICLE BALL." 352 00:12:09,120 --> 00:12:10,980 [APPLAUSE] 353 00:12:10,980 --> 00:12:11,850 BROADWAY THEATER IS BRAVE, AND 354 00:12:11,850 --> 00:12:12,820 THAT BRAVERY IS IN ITS VERY 355 00:12:12,820 --> 00:12:14,420 BONES. 356 00:12:14,420 --> 00:12:16,080 THIS BUILDING IS FULL OF PEOPLE 357 00:12:16,080 --> 00:12:20,780 WHO LEFT THEIR HOME TOWNS TO 358 00:12:20,780 --> 00:12:22,720 MAKE THEIR DREAMS COME TRUE, 359 00:12:22,720 --> 00:12:24,080 MYSELF INCLUDED, AND THAT TAKES 360 00:12:24,080 --> 00:12:24,980 GUTS. 361 00:12:24,980 --> 00:12:26,080 EACH OF YOU IS HERE BECAUSE, AT 362 00:12:26,080 --> 00:12:26,980 SOME POINT IN YOUR LIFE, YOU BE 363 00:12:26,980 --> 00:12:28,080 ON YOURSELF. 364 00:12:28,080 --> 00:12:30,980 AND YOU ARE IN THIS BUILDING 365 00:12:30,980 --> 00:12:31,680 RIGHT NOW BECAUSE THAT BET PAID 366 00:12:31,680 --> 00:12:32,520 OFF. 367 00:12:32,520 --> 00:12:33,350 IT'S OUR PROFOUND HONOR TO 368 00:12:33,350 --> 00:12:34,220 CELEBRATE YOU TONIGHT. 369 00:12:34,220 --> 00:12:37,320 SO LET'S DO IT! 370 00:12:37,320 --> 00:12:38,550 [CHEERS AND APPLAUSE] 371 00:12:38,550 --> 00:12:39,620 PLEASE WELCOME EMMY AWARD WINNE 372 00:12:39,620 --> 00:12:41,650 MAYA RUDOLPH AND TONY AWARD 373 00:12:41,650 --> 00:12:45,280 WINNER COLE ESCOLA! 374 00:12:45,280 --> 00:12:45,750 [CHEERS AND APPLAUSE] 375 00:12:45,750 --> 00:12:50,450 * 376 00:12:50,450 --> 00:12:55,450 * 377 00:12:55,450 --> 00:12:57,980 * 378 00:12:57,980 --> 00:12:59,080 >> FAMILY. 379 00:12:59,080 --> 00:13:00,320 REDEMPTION. 380 00:13:00,320 --> 00:13:02,450 JUSTICE. 381 00:13:02,450 --> 00:13:03,850 >> PASSION. 382 00:13:03,850 --> 00:13:06,280 TUBERCULOSIS. 383 00:13:06,280 --> 00:13:08,250 A VERY BIG SHOE. 384 00:13:08,250 --> 00:13:09,480 >> THESE ARE ALL WORDS. 385 00:13:09,480 --> 00:13:11,850 >> THAT'S RIGHT, COLE. 386 00:13:11,850 --> 00:13:14,520 THESE ARE ALL WORDS. 387 00:13:14,520 --> 00:13:15,780 TONIGHT'S NOMINEES KNOW THE 388 00:13:15,780 --> 00:13:17,080 POWER OF WORDS AND THE COURAGE 389 00:13:17,080 --> 00:13:18,620 IT TAKES TO SAY THEM IN EXCHANG 390 00:13:18,620 --> 00:13:23,080 FOR MONEY. 391 00:13:23,080 --> 00:13:23,620 [LAUGHTER] 392 00:13:23,620 --> 00:13:23,880 >> YES. 393 00:13:23,880 --> 00:13:27,880 THAT'S RIGHT, MAYA. 394 00:13:27,880 --> 00:13:28,880 FROM NEW WORKS BY BRITISH 395 00:13:28,880 --> 00:13:29,950 PLAYWRIGHTS, TO AN AMERICAN 396 00:13:29,950 --> 00:13:30,980 CLASSIC, TO THE GREEK TRAGEDY 397 00:13:30,980 --> 00:13:31,820 "OEDIPUS," A PLAY THAT ASKS THE 398 00:13:31,820 --> 00:13:32,920 QUESTION: "CAN WOMEN REALLY HAV 399 00:13:32,920 --> 00:13:35,680 IT ALL?" 400 00:13:35,680 --> 00:13:41,920 [LAUGHTER] 401 00:13:41,920 --> 00:13:43,580 >> THEY CAN, COLE. 402 00:13:43,580 --> 00:13:44,550 I'VE CHECKED, AND IT'S TRUE. 403 00:13:44,550 --> 00:13:45,520 >> REALLY? 404 00:13:45,520 --> 00:13:49,180 >> YES. 405 00:13:49,180 --> 00:13:49,980 YES, IN FACT, I HAVE AN SUV AND 406 00:13:49,980 --> 00:13:50,650 A HORSE. 407 00:13:50,650 --> 00:13:51,880 [LAUGHTER] 408 00:13:51,880 --> 00:13:55,120 BUT ENOUGH ABOUT MY LOVE LIFE. 409 00:13:55,120 --> 00:13:59,750 [LAUGHTER] 410 00:13:59,750 --> 00:14:01,080 I KID! 411 00:14:01,080 --> 00:14:03,950 >> SHE GOES TOO FAR! 412 00:14:03,950 --> 00:14:05,580 >> A CRACKED-UP. 413 00:14:05,580 --> 00:14:06,580 HERE ARE THE NOMINEES FOR LEAD 414 00:14:06,580 --> 00:14:10,520 ACTOR IN A PLAY. 415 00:14:10,520 --> 00:14:11,420 * 416 00:14:11,420 --> 00:14:12,880 >> WILL HARRISON, "PUNCH." 417 00:14:12,880 --> 00:14:13,950 NATHAN LANE, "ARTHUR MILLER'S 418 00:14:13,950 --> 00:14:15,950 DEATH OF A SALESMAN." 419 00:14:15,950 --> 00:14:19,250 JOHN LITHGOW, "GIANT." 420 00:14:19,250 --> 00:14:20,220 DANIEL RADCLIFFE, 421 00:14:20,220 --> 00:14:21,880 "EVERY BRILLIANT THING." 422 00:14:21,880 --> 00:14:29,380 MARK STRONG, "OEDIPUS." 423 00:14:29,380 --> 00:14:29,750 >> ALL RIGHT. 424 00:14:29,750 --> 00:14:30,550 AND THE 425 00:14:30,550 --> 00:14:31,450 AMERICAN THEATRE WING'S TONY 426 00:14:31,450 --> 00:14:33,420 AWARD GOES TO... 427 00:14:33,420 --> 00:14:36,520 JOHN LITHGOW, "GIANT." 428 00:14:36,520 --> 00:14:36,980 [CHEERS AND APPLAUSE] 429 00:14:36,980 --> 00:14:41,580 * 430 00:14:41,580 --> 00:14:44,380 * 431 00:14:44,380 --> 00:14:45,420 >> 7-TIME NOMINEE JOHN LITHGOW 432 00:14:45,420 --> 00:14:47,580 WINS HIS THIRD TONY AWARD FOR 433 00:14:47,580 --> 00:14:48,850 HIS PERFORMANCE AS CONTROVERSIAL 434 00:14:48,850 --> 00:14:53,850 CHILDREN'S AUTHOR ROALD DAHL. 435 00:14:53,850 --> 00:14:54,120 [APPLAUSE] 436 00:14:54,120 --> 00:15:03,080 * 437 00:15:03,080 --> 00:15:05,380 >> OH, MY GOD, THIS IS 438 00:15:05,380 --> 00:15:05,650 WONDERFUL. 439 00:15:05,650 --> 00:15:08,450 THE OTHER GENTLEMEN IN MY 440 00:15:08,450 --> 00:15:11,780 CATEGORY, YOU ARE ALL MARVELOUS 441 00:15:11,780 --> 00:15:12,080 ACTORS. 442 00:15:12,080 --> 00:15:14,420 YOU ALL DESERVE THIS. 443 00:15:14,420 --> 00:15:15,920 [APPLAUSE] 444 00:15:15,920 --> 00:15:18,480 I GOT IT. 445 00:15:18,480 --> 00:15:21,120 [LAUGHTER] 446 00:15:21,120 --> 00:15:25,180 BECAUSE I PLAYED THE LEAD ROLE 447 00:15:25,180 --> 00:15:27,080 IN AN EXTRAORDINARY PLAY, 448 00:15:27,080 --> 00:15:29,550 "GIANT." 449 00:15:29,550 --> 00:15:29,920 [APPLAUSE] 450 00:15:29,920 --> 00:15:32,980 A STUNNING PLAY, MADE BY A BUNCH 451 00:15:32,980 --> 00:15:37,380 OF PEOPLE FULL OF LOVE AND 452 00:15:37,380 --> 00:15:37,650 KINDNESS. 453 00:15:37,650 --> 00:15:39,350 BUT IT IS A PLAY ABOUT CRUELTY 454 00:15:39,350 --> 00:15:44,150 IN A CRUEL AGE, AND IT IS AN 455 00:15:44,150 --> 00:15:46,480 EXTRA ORDINARILY IMPORTANT PLAY 456 00:15:46,480 --> 00:15:47,850 UP THIS MOMENT, A PLAY WRITTEN 457 00:15:47,850 --> 00:15:52,880 BY MARK ROSENBLATT, HIS VERY 458 00:15:52,880 --> 00:15:53,620 FIRST, AMAZINGLY. 459 00:15:53,620 --> 00:15:53,880 [APPLAUSE] 460 00:15:53,880 --> 00:15:56,480 IT'S DIRECTED BY NICHOLAS 461 00:15:56,480 --> 00:16:02,080 HYTNER, DESIGNED BY BOB CROWLEY, 462 00:16:02,080 --> 00:16:03,280 PERFORMED BY A COMPANY OF ACTORS 463 00:16:03,280 --> 00:16:07,650 I ABSOLUTELY LOVE, AND PRODUCED 464 00:16:07,650 --> 00:16:09,450 BY PRODUCERS WHO DID EVERYTHING 465 00:16:09,450 --> 00:16:09,650 RIGHT. 466 00:16:09,650 --> 00:16:12,580 I THANK ALL OF YOU JUST 467 00:16:12,580 --> 00:16:15,550 PROFOUNDLY FOR THIS. 468 00:16:15,550 --> 00:16:20,650 I THANK TONY, VIEWPOINT, ALL MY 469 00:16:20,650 --> 00:16:21,350 REPS. 470 00:16:21,350 --> 00:16:24,450 I THANK MY FAMILY, ESPECIALLY MY 471 00:16:24,450 --> 00:16:28,150 WIFE, MARY, WHO HAS SEEN ME 472 00:16:28,150 --> 00:16:31,380 THROUGH TWO EXHILARATING BUT 473 00:16:31,380 --> 00:16:33,480 EXHAUSTING YEARS BRINGING THIS 474 00:16:33,480 --> 00:16:35,820 INCREDIBLE PLAY TO BROADWAY AND 475 00:16:35,820 --> 00:16:38,680 TO THIS EVENING. 476 00:16:38,680 --> 00:16:43,080 I AM SUCH A LUCKY ACTOR, AND 477 00:16:43,080 --> 00:16:46,180 THIS IS MY THIRD TONY AWARD. 478 00:16:46,180 --> 00:16:50,380 MY FIRST ONE WAS 53 YEARS AGO. 479 00:16:50,380 --> 00:16:54,080 [APPLAUSE] 480 00:16:54,080 --> 00:16:57,550 AT MY BROADWAY DEBUT IN THE 481 00:16:57,550 --> 00:16:59,580 AMERICAN PREMIERE OF AN ENGLISH 482 00:16:59,580 --> 00:17:03,250 PLAY, WHICH, BY AN AMAZING 483 00:17:03,250 --> 00:17:04,450 COINCIDENCE, ORIGINATED AT 484 00:17:04,450 --> 00:17:07,080 LONDON'S ROYAL COURT THEATRE, 485 00:17:07,080 --> 00:17:09,320 JUST LIKE "GIANT!" 486 00:17:09,320 --> 00:17:11,150 [APPLAUSE] 487 00:17:11,150 --> 00:17:16,450 TWO TONY BOOKENDS WITH 53 YEARS 488 00:17:16,450 --> 00:17:16,820 BETWEEN THEM. 489 00:17:16,820 --> 00:17:20,850 IN THOSE YEARS I HAVE WORKED 490 00:17:20,850 --> 00:17:24,450 WITH HUNDREDS OF JUST FANTASTIC 491 00:17:24,450 --> 00:17:26,820 THEATER ARTISTS. 492 00:17:26,820 --> 00:17:32,620 I HAVE HAD DOZENS AND DOZENS OF 493 00:17:32,620 --> 00:17:33,780 ECSTATIC MOMENTS ON STAGE. 494 00:17:33,780 --> 00:17:36,180 BUT I HAVE TO TELL YOU, RIGHT 495 00:17:36,180 --> 00:17:41,680 NOW, THIS MOMENT HAS GOT TO BE 496 00:17:41,680 --> 00:17:43,820 ONE OF THE BEST. 497 00:17:43,820 --> 00:17:44,750 THANK YOU ALL SO MUCH. 498 00:17:44,750 --> 00:17:45,080 [APPLAUSE] 499 00:17:45,080 --> 00:17:47,880 * 500 00:17:47,880 --> 00:17:53,850 * 501 00:17:53,850 --> 00:17:58,280 * 502 00:17:58,280 --> 00:17:59,480 [APPLAUSE] 503 00:17:59,480 --> 00:18:00,950 >> MELISSA! 504 00:18:00,950 --> 00:18:02,080 MELISSA, WAIT UP! 505 00:18:02,080 --> 00:18:03,080 >> LEAVE ME ALONE, JOSH! 506 00:18:03,080 --> 00:18:03,850 >> IT'S NOT MY FAULT THAT WE'RE 507 00:18:03,850 --> 00:18:04,780 LOST! 508 00:18:04,780 --> 00:18:05,680 GOOGLE MAPS SAID THAT THIS WAS 509 00:18:05,680 --> 00:18:06,680 THE WAY TO THE CATSKILLS. 510 00:18:06,680 --> 00:18:07,680 >> IT SAYS "CATS: THE JELLICLE 511 00:18:07,680 --> 00:18:09,080 BALL." 512 00:18:09,080 --> 00:18:10,680 >> THE WHAT-ICLE WHAT? 513 00:18:10,680 --> 00:18:12,080 >> NEVER MIND! 514 00:18:12,080 --> 00:18:13,080 HERE, LET'S JUST TRY THIS RANDO 515 00:18:13,080 --> 00:18:14,150 DOOR. 516 00:18:14,150 --> 00:18:15,120 >> OH, RANDOM DOOR. 517 00:18:15,120 --> 00:18:16,150 GOOD IDEA. 518 00:18:16,150 --> 00:18:17,350 LET'S TRY THE RANDOM DOOR. 519 00:18:17,350 --> 00:18:18,320 UGH... 520 00:18:18,320 --> 00:18:19,080 >> WHY DON'T YOU SAY "RANDOM 521 00:18:19,080 --> 00:18:21,620 DOOR" AGAIN? 522 00:18:21,620 --> 00:18:22,480 >> WHERE THE HELL ARE WE NOW? 523 00:18:22,480 --> 00:18:23,450 >> I DON'T KNOW. 524 00:18:23,450 --> 00:18:25,080 WOULD IT KILL YOU TO ASK 525 00:18:25,080 --> 00:18:29,220 DIRECTIONS? 526 00:18:29,220 --> 00:18:30,080 >> YOU WANT ME TO ASK FOR 527 00:18:30,080 --> 00:18:30,320 DIRECTIONS? 528 00:18:30,320 --> 00:18:32,180 I CAN ASK FOR DIRECTIONS. 529 00:18:32,180 --> 00:18:33,750 EXCUSE ME, MADAM, DO YOU KNOW 530 00:18:33,750 --> 00:18:35,080 THE WAY TO THE CATSKILLS? 531 00:18:35,080 --> 00:18:35,980 >> DON'T ASK HER! 532 00:18:35,980 --> 00:18:38,150 THAT'S BERNADETTE PETERS! 533 00:18:38,150 --> 00:18:39,080 MUSICAL THEATER LEGEND! 534 00:18:39,080 --> 00:18:39,720 >> HOW AM I SUPPOSED TO KNOW 535 00:18:39,720 --> 00:18:43,180 THAT? 536 00:18:43,180 --> 00:18:43,980 I DON'T LIKE MUSICALS. 537 00:18:43,980 --> 00:18:47,450 NO OFFENSE, BERNIE. 538 00:18:47,450 --> 00:18:48,220 >> YOU HEAR THAT? 539 00:18:48,220 --> 00:18:48,950 MAYBE THERE'S A TOWN UP ON THAT 540 00:18:48,950 --> 00:18:52,380 STAGE. 541 00:18:52,380 --> 00:18:53,080 >> I MEAN, THAT SEEMS PRETTY 542 00:18:53,080 --> 00:18:54,150 UNLIKELY. 543 00:18:54,150 --> 00:18:55,820 >> "WELCOME TO SCHMIGADOON." 544 00:18:55,820 --> 00:18:57,820 >> "SCHMIGADOON?" 545 00:18:57,820 --> 00:18:59,820 * 546 00:18:59,820 --> 00:19:01,150 WHAT'S HAPPENING? 547 00:19:01,150 --> 00:19:02,250 WHY IS MUSIC COMING FROM... 548 00:19:02,250 --> 00:19:05,080 EVERYWHERE? 549 00:19:05,080 --> 00:19:07,080 >> * SCHMIIIIG-A-DOON 550 00:19:07,080 --> 00:19:08,650 * WHERE THE SUN SHINES BRIGHT 551 00:19:08,650 --> 00:19:10,580 FROM JULY TO JUNE * 552 00:19:10,580 --> 00:19:12,080 * AND THE AIR'S AS SWEET AS A 553 00:19:12,080 --> 00:19:13,750 MACAROON * 554 00:19:13,750 --> 00:19:21,080 * SCHMIGADOON! 555 00:19:21,080 --> 00:19:22,320 >> EXCUSE ME, WE DIDN'T BUY 556 00:19:22,320 --> 00:19:22,650 TICKETS. 557 00:19:22,650 --> 00:19:23,380 YOU ARE GETTING NO MONEY FROM 558 00:19:23,380 --> 00:19:25,720 US! 559 00:19:25,720 --> 00:19:26,650 >> LET THEM SING! 560 00:19:26,650 --> 00:19:27,720 >> * SCHMIIIIG-A-DOON 561 00:19:27,720 --> 00:19:28,850 * WHERE IT'S WARM AND SAFE AS A 562 00:19:28,850 --> 00:19:30,580 NEW COCOON * 563 00:19:30,580 --> 00:19:31,950 * AND OUR HEARTS ALL GLOW LIKE 564 00:19:31,950 --> 00:19:34,420 HARVEST MOON * 565 00:19:34,420 --> 00:19:35,880 * SCHMIGADOON! 566 00:19:35,880 --> 00:19:37,780 * SCHMIGADOON! 567 00:19:37,780 --> 00:19:38,850 >> * WHERE THE MEN ARE MEN, AND 568 00:19:38,850 --> 00:19:40,720 THE COWS ARE COWS * 569 00:19:40,720 --> 00:19:42,080 >> * AND THE FARMERS SMILE AS 570 00:19:42,080 --> 00:19:43,980 THEY PUSH THEIR PLOWS * 571 00:19:43,980 --> 00:19:45,380 * AND THE TREES ARE TALL AND WE 572 00:19:45,380 --> 00:19:48,220 CALL IT SCHMIGADOON * 573 00:19:48,220 --> 00:19:49,080 >> COME ON! 574 00:19:49,080 --> 00:19:50,150 THIS IS FUN! 575 00:19:50,150 --> 00:19:51,080 >> FUN?! 576 00:19:51,080 --> 00:19:52,680 IT'S "CHILDREN OF THE CORN!" 577 00:19:52,680 --> 00:19:54,720 * 578 00:19:54,720 --> 00:19:55,550 >> * OUR SCHOOLMARM IS. 579 00:19:55,550 --> 00:19:56,720 EMMA TATE * 580 00:19:56,720 --> 00:19:58,450 >> * SO MANY MINDS TO EDUCATE 581 00:19:58,450 --> 00:20:00,450 >> * STILL UNMARRIED AT 28 582 00:20:00,450 --> 00:20:02,580 >> * IN SCHMIGADOON 583 00:20:02,580 --> 00:20:03,550 >> * FARMER McDONOUGH CRAVED 584 00:20:03,550 --> 00:20:04,680 A SON * 585 00:20:04,680 --> 00:20:05,720 >> * BUT HAD ONE DAUGHTER AND 586 00:20:05,720 --> 00:20:07,020 WAS DONE * 587 00:20:07,020 --> 00:20:09,180 >> * TOUCH 'ER AND YOU'LL 588 00:20:09,180 --> 00:20:12,020 >> * IN SCHMIGADOON 589 00:20:12,020 --> 00:20:13,620 >> HEY THERE! 590 00:20:13,620 --> 00:20:14,380 >> * FLORENCE IS THE MAYOR'S 591 00:20:14,380 --> 00:20:15,720 WIFE * 592 00:20:15,720 --> 00:20:16,620 >> * SHE IS NOT THE SHARPEST 593 00:20:16,620 --> 00:20:17,820 KNIFE * 594 00:20:17,820 --> 00:20:18,750 >> * DOC IS HERE WHEN WE GET 595 00:20:18,750 --> 00:20:19,920 SICK * 596 00:20:19,920 --> 00:20:20,680 >> * A COCAINE PILL SHOULD DO 597 00:20:20,680 --> 00:20:21,880 THE TRICK * 598 00:20:21,880 --> 00:20:22,780 >> * A COCAINE PILL SHOULD DO 599 00:20:22,780 --> 00:20:24,150 THE TRICK * 600 00:20:24,150 --> 00:20:25,450 >> ACTUALLY, CAN I GET ONE OF 601 00:20:25,450 --> 00:20:26,650 THOSE? 602 00:20:26,650 --> 00:20:27,520 >> * DANNY BAILEY RUNS OUR 603 00:20:27,520 --> 00:20:28,750 FAIR * 604 00:20:28,750 --> 00:20:32,550 >> * ALL YOUNG LADIES BEST BE 605 00:20:32,550 --> 00:20:33,480 WARE * 606 00:20:33,480 --> 00:20:34,180 >> * MILDRED LAYTON IS HER 607 00:20:34,180 --> 00:20:34,820 NAME * 608 00:20:34,820 --> 00:20:35,550 >> * I MAKE SURE WE ALL FEEL 609 00:20:35,550 --> 00:20:36,250 SHAME * 610 00:20:36,250 --> 00:20:36,980 >> * SHE MAKES SURE WE ALL FEEL 611 00:20:36,980 --> 00:20:38,150 SHAME * 612 00:20:38,150 --> 00:20:38,980 * SHAME, SHAME, SHAME, SHAME! 613 00:20:38,980 --> 00:20:39,780 * EVERYBODY, EVERYBODY FEEL 614 00:20:39,780 --> 00:20:40,850 SHAME! * 615 00:20:40,850 --> 00:20:41,950 * WHOO! 616 00:20:41,950 --> 00:20:44,020 * 617 00:20:44,020 --> 00:20:45,720 * 618 00:20:45,720 --> 00:20:49,350 * 619 00:20:49,350 --> 00:20:51,750 * 620 00:20:51,750 --> 00:20:54,320 * 621 00:20:54,320 --> 00:20:58,050 * 622 00:20:58,050 --> 00:21:01,550 * 623 00:21:01,550 --> 00:21:04,980 * 624 00:21:04,980 --> 00:21:09,550 * 625 00:21:09,550 --> 00:21:16,650 * 626 00:21:16,650 --> 00:21:17,550 [APPLAUSE] 627 00:21:17,550 --> 00:21:21,850 >> IT'TH THE MAYOR! 628 00:21:21,850 --> 00:21:24,650 >> * AS MAYOR OF SCHMIGADOON 629 00:21:24,650 --> 00:21:28,380 * I FEEL THAT I MUST STRESS 630 00:21:28,380 --> 00:21:31,080 * OUR MOTTO IS "WE ALWAYS STRIV 631 00:21:31,080 --> 00:21:34,450 FOR PEACE AND HAPPINESS" * 632 00:21:34,450 --> 00:21:36,420 >> * OUR MOTTO IS "WE ALWAYS 633 00:21:36,420 --> 00:21:38,320 STRIVE FOR PEACE AND 634 00:21:38,320 --> 00:21:42,480 HAPPINESS" * 635 00:21:42,480 --> 00:21:44,480 >> ARE YOU CRYING? 636 00:21:44,480 --> 00:21:46,250 >> IT'S JUST THE HARMONIES. 637 00:21:46,250 --> 00:21:50,080 >> EVERYBODY! 638 00:21:50,080 --> 00:21:51,280 * 639 00:21:51,280 --> 00:21:53,720 >> * SCHMIIIIG-A-DOON 640 00:21:53,720 --> 00:21:55,150 * WHERE THE CHURCH BELLS RING 641 00:21:55,150 --> 00:21:57,220 EVERY DAY AT NOON * 642 00:21:57,220 --> 00:21:58,720 >> * AND THE WELLS FARGO WAGON 643 00:21:58,720 --> 00:22:00,480 BROUGHT OUR NEW SPITTOON! * 644 00:22:00,480 --> 00:22:02,380 >> * SCHMIGADOON!" 645 00:22:02,380 --> 00:22:03,950 >> [SPITS] 646 00:22:03,950 --> 00:22:05,480 [DING] 647 00:22:05,480 --> 00:22:06,550 >> * WHERE A MAN CAN DREAM 648 00:22:06,550 --> 00:22:08,120 DREAMS SO BIG AND WIDE * 649 00:22:08,120 --> 00:22:09,150 >> * AND A GAL CAN BE THERE 650 00:22:09,150 --> 00:22:10,950 RIGHT BY HIS SIDE * 651 00:22:10,950 --> 00:22:13,350 >> * AND THERE'S HOPE FOR ALL, 652 00:22:13,350 --> 00:22:14,850 WHETHER GREAT OR SMALL, THERE I 653 00:22:14,850 --> 00:22:16,080 NO FOLDEROL, BRING YOUR 654 00:22:16,080 --> 00:22:17,720 PARASOL * 655 00:22:17,720 --> 00:22:21,680 * AND WE CALL IT 656 00:22:21,680 --> 00:22:25,320 * SCHMIG-A 657 00:22:25,320 --> 00:22:26,920 * SCHMIGA, SCHMIGA, SCHMIGA, 658 00:22:26,920 --> 00:22:29,920 SCHMIGA * 659 00:22:29,920 --> 00:22:38,080 * S-C-H-M-I-G-A-D-O-O 660 00:22:38,080 --> 00:22:39,120 * OH 661 00:22:39,120 --> 00:22:41,080 * SCHMIGADOON! 662 00:22:41,080 --> 00:22:42,980 * 663 00:22:42,980 --> 00:22:51,580 [CHEERS AND APPLAUSE] 664 00:22:51,580 --> 00:22:54,920 * 665 00:22:54,920 --> 00:22:59,180 * 666 00:22:59,180 --> 00:23:00,280 >> Announcer: UP NEXT, 667 00:23:00,280 --> 00:23:01,950 ADRIEN BRODY PRESENTS THE CAST 668 00:23:01,950 --> 00:23:03,420 OF "RAGTIME," BUT FIRST, THE 669 00:23:03,420 --> 00:23:04,350 AWARD FOR FEATURED ACTRESS IN A 670 00:23:04,350 --> 00:23:05,380 PLAY. 671 00:23:05,380 --> 00:23:06,550 THE TONY AWARDS. 672 00:23:06,550 --> 00:23:10,080 THIS IS CBS. 673 00:23:14,580 --> 00:23:17,720 SPONSORED BY PROGRESSIVE. 674 00:23:17,720 --> 00:23:18,320 PROGRESSIVE MAKES BUNDLING HOME 675 00:23:22,650 --> 00:23:23,850 >> IT'S ABOUT A GROUP OF VERY 676 00:23:23,850 --> 00:23:25,080 DIFFERENT PEOPLE WITH VERY BIG 677 00:23:25,080 --> 00:23:26,620 OPINIONS. 678 00:23:26,620 --> 00:23:27,750 >> I GUESS I'M NOT THE ONLY ONE 679 00:23:27,750 --> 00:23:29,550 WITH COMPLICATED FEELINGS. 680 00:23:29,550 --> 00:23:31,180 >> I LOVE WHEN PEOPLE GET REALL 681 00:23:31,180 --> 00:23:33,080 PASSIONATE ABOUT LITTLE THINGS 682 00:23:33,080 --> 00:23:34,420 THAT EVENTUALLY REVEAL WHAT'S 683 00:23:34,420 --> 00:23:36,180 GOING ON UNDERNEATH. 684 00:23:36,180 --> 00:23:37,520 >> YOU'RE ALL ABOUT ACCEPTANCE 685 00:23:37,520 --> 00:23:38,820 AND EVERYONE'S FLUID, WHICH IS 686 00:23:38,820 --> 00:23:40,480 GREAT, OBVIOUSLY. 687 00:23:40,480 --> 00:23:41,520 >> IT'S ABOUT THE DIVERSITY OF 688 00:23:41,520 --> 00:23:42,420 PEOPLE, THE DIVERSITY OF 689 00:23:42,420 --> 00:23:43,780 THOUGHT. 690 00:23:43,780 --> 00:23:45,080 IT EMBRACES ALL OF HUMANITY. 691 00:23:45,080 --> 00:23:48,450 * 692 00:23:48,450 --> 00:23:52,850 [APPLAUSE] 693 00:23:52,850 --> 00:23:54,120 >> WHAT WOULD THE TONYS BE 694 00:23:54,120 --> 00:23:55,880 WITHOUT SURPRISE GUESTS? 695 00:23:55,880 --> 00:23:57,380 FOLKS, HAVE I GOT A SURPRISE FO 696 00:23:57,380 --> 00:24:03,380 YOU! 697 00:24:03,380 --> 00:24:04,420 I SAID, HAVE I GOT A SURPRISE 698 00:24:04,420 --> 00:24:05,480 GUEST FOR YOU! 699 00:24:05,480 --> 00:24:06,320 HEY, ARE YOU EVEN PAYING 700 00:24:06,320 --> 00:24:09,120 ATTENTION? 701 00:24:09,120 --> 00:24:13,620 [APPLAUSE] 702 00:24:13,620 --> 00:24:14,220 >> OH, SORRY. 703 00:24:14,220 --> 00:24:14,820 NO, I HEARD YOU. 704 00:24:14,820 --> 00:24:16,820 I DON'T KNOW IF I WANT TO DO 705 00:24:16,820 --> 00:24:18,080 THIS STUNT ANYMORE. 706 00:24:18,080 --> 00:24:19,620 I CHANGED MY MIND. 707 00:24:19,620 --> 00:24:20,620 >> YOU CAN'T CHANGE YOUR MIND. 708 00:24:20,620 --> 00:24:23,220 IT'S THE MIDDLE OF THE SHOW! 709 00:24:23,220 --> 00:24:24,080 >> I DON'T THINK THERE'S A WAY 710 00:24:24,080 --> 00:24:25,250 I'M GETTING FROM ALL THE WAY UP 711 00:24:25,250 --> 00:24:28,450 HERE ALL THE WAY DOWN THERE. 712 00:24:28,450 --> 00:24:30,480 >> WHAT'S THE ISSUE? 713 00:24:30,480 --> 00:24:32,180 >> I DON'T KNOW, P!NK! 714 00:24:32,180 --> 00:24:33,080 DID YOU MAKE THIS BALCONY HIGHER 715 00:24:33,080 --> 00:24:36,150 THAN IT WAS AT REHEARSAL? 716 00:24:36,150 --> 00:24:37,650 >> IT'S THE SAME HEIGHT. 717 00:24:37,650 --> 00:24:42,280 COME ON, IT'S JUST, LIKE, FIVE 718 00:24:42,280 --> 00:24:43,080 LITTLE FLIPS, AND THEN YOU 719 00:24:43,080 --> 00:24:43,850 ARE STAGE RIGHT. 720 00:24:43,850 --> 00:24:44,520 >> FIVE FLIPS? 721 00:24:44,520 --> 00:24:47,080 I THOUGHT IT WAS FOUR! 722 00:24:47,080 --> 00:24:51,280 IS MIST INDICATION, WE SHOULD 723 00:24:51,280 --> 00:24:51,750 CALL IT OFF. 724 00:24:51,750 --> 00:24:54,380 'S BECAUSE WE COULD DO FOUR. 725 00:24:54,380 --> 00:24:55,150 >> I DON'T THINK ANYONE'S GOING 726 00:24:55,150 --> 00:24:55,480 TO GET IT. 727 00:24:55,480 --> 00:24:58,880 >> IT'S THE SAME AS FIVE! 728 00:24:58,880 --> 00:24:59,650 >> NO ONE'S GOING TO GET IT. 729 00:24:59,650 --> 00:25:00,750 >> EVERYONE WILL GET IT! 730 00:25:00,750 --> 00:25:01,620 >> YOU'RE SCARING THE PEOPLE! 731 00:25:01,620 --> 00:25:02,780 >> JUST DO THE INTRO, OR I'M 732 00:25:02,780 --> 00:25:03,620 GETTING DANIEL RADCLIFFE TO DO 733 00:25:03,620 --> 00:25:06,480 IT FOR YOU! 734 00:25:06,480 --> 00:25:11,420 [APPLAUSE] 735 00:25:11,420 --> 00:25:13,480 >> LADIES AND GENTLEMEN, I AM 736 00:25:13,480 --> 00:25:15,980 DELIGHTED TO PRESENT OUR 737 00:25:15,980 --> 00:25:18,220 ESTEEMED NEXT GUEST, TONY AWARD 738 00:25:18,220 --> 00:25:19,320 WINNER SARAH PAULSON. 739 00:25:19,320 --> 00:25:21,080 [APPLAUSE] 740 00:25:21,080 --> 00:25:26,150 * 741 00:25:26,150 --> 00:25:29,550 * 742 00:25:29,550 --> 00:25:31,420 >> TONIGHT I HAVE THE GREAT 743 00:25:31,420 --> 00:25:33,620 PLEASURE OF HONORING THE FIVE 744 00:25:33,620 --> 00:25:34,820 EXTRAORDINARY PERFORMANCES BY A 745 00:25:34,820 --> 00:25:35,680 ACTRESS IN A FEATURED ROLE IN A 746 00:25:35,680 --> 00:25:38,080 PLAY. 747 00:25:38,080 --> 00:25:39,450 TO ME, THE IDEA OF CELEBRATING 748 00:25:39,450 --> 00:25:40,380 THE "SUPPORTING ACTOR" IS 749 00:25:40,380 --> 00:25:43,180 FOUNDATIONAL. 750 00:25:43,180 --> 00:25:44,850 SUPPORTING ACTORS ARE LIKE A 751 00:25:44,850 --> 00:25:48,250 FLYING BUTTRESS ON A CATHEDRAL, 752 00:25:48,250 --> 00:25:49,080 WHICH LITERALLY CANNOT STAND 753 00:25:49,080 --> 00:25:50,220 WITHOUT THEM. 754 00:25:50,220 --> 00:25:51,620 THEY BRING THE MAJESTY. 755 00:25:51,620 --> 00:25:52,720 IT'S THEIR SUPPORT THAT HOLDS 756 00:25:52,720 --> 00:25:53,650 THE LIVING, BREATHING THING 757 00:25:53,650 --> 00:25:55,220 TOGETHER. 758 00:25:55,220 --> 00:25:59,450 HERE ARE THE NOMINEES. 759 00:25:59,450 --> 00:26:01,380 * 760 00:26:01,380 --> 00:26:06,150 >> BETSY AIDEM, "LIBERATION." 761 00:26:06,150 --> 00:26:06,950 MARYLOUISE BURKE, 762 00:26:06,950 --> 00:26:08,150 "THE BALUSTERS." 763 00:26:08,150 --> 00:26:09,820 AYA CASH, "GIANT." 764 00:26:09,820 --> 00:26:10,950 LAURIE METCALF, "ARTHUR MILLER' 765 00:26:10,950 --> 00:26:13,380 DEATH OF A SALESMAN." 766 00:26:13,380 --> 00:26:17,880 JUNE SQUIBB, "MARJORIE PRIME." 767 00:26:17,880 --> 00:26:18,580 [APPLAUSE] 768 00:26:18,580 --> 00:26:19,720 >> AND THE 769 00:26:19,720 --> 00:26:20,880 AMERICAN THEATRE WING'S TONY 770 00:26:20,880 --> 00:26:22,320 AWARD FOR BEST FLYING 771 00:26:22,320 --> 00:26:23,680 BUTTRESS -- I MEAN, FEATURED 772 00:26:23,680 --> 00:26:28,080 ACTRESS IN A PLAY, GOES TO... 773 00:26:28,080 --> 00:26:31,080 LAURIE METCALF. 774 00:26:31,080 --> 00:26:31,520 [CHEERS AND APPLAUSE] 775 00:26:31,520 --> 00:26:34,980 * 776 00:26:34,980 --> 00:26:37,850 >> THIS IS THE THIRD TONY WIN 777 00:26:37,850 --> 00:26:38,780 FOR LAURIE METCALF. 778 00:26:38,780 --> 00:26:40,080 SHE LAST WIN THE AWARD IN 2018 779 00:26:40,080 --> 00:26:50,520 FOR HER PERFORMANCE IN "THREE 780 00:26:50,520 --> 00:26:50,820 TALL WOMEN." 781 00:26:50,820 --> 00:26:54,650 * 782 00:26:54,650 --> 00:27:02,550 * 783 00:27:02,550 --> 00:27:06,320 >> WHEN I WAS IN COLLEGE, I MET 784 00:27:06,320 --> 00:27:08,250 SIX FELLOW STUDENTS IN THE 785 00:27:08,250 --> 00:27:09,080 THEATER DEPARTMENT. 786 00:27:09,080 --> 00:27:10,180 WE WORKED REALLY HARD TO AMUSE 787 00:27:10,180 --> 00:27:12,580 EACH OTHER, AND I STILL CONSIDER 788 00:27:12,580 --> 00:27:13,850 THEM FAMILY, AND I STILL DRAW 789 00:27:13,850 --> 00:27:16,080 FROM LESSONS I LEARNED FROM 790 00:27:16,080 --> 00:27:18,920 THEM, AND THEY WERE GARY SINISE, 791 00:27:18,920 --> 00:27:20,580 MYRA HARRIS, L WILDER, JEFF 792 00:27:20,580 --> 00:27:22,080 PERRY, TERRY KINNEY, AND JOHN 793 00:27:22,080 --> 00:27:23,180 MALKOVICH. 794 00:27:23,180 --> 00:27:23,980 [APPLAUSE] 795 00:27:23,980 --> 00:27:26,420 BUT I WOULD LIKE TO THANK ZOE, 796 00:27:26,420 --> 00:27:28,980 BILL, DONOVAN, AND MAY FOR THE 797 00:27:28,980 --> 00:27:29,620 PATIENCE OF HAVING AN ACTOR IN 798 00:27:29,620 --> 00:27:29,920 THE FAMILY. 799 00:27:29,920 --> 00:27:32,720 I WOULD LIKE TO THANK JOE FOR 800 00:27:32,720 --> 00:27:34,220 HIS HUMOR AND HIS HONESTY, 801 00:27:34,220 --> 00:27:38,550 CHRISTIAN SORIANO, DAVID 802 00:27:38,550 --> 00:27:39,180 BENJAMIN, FOR THE GENEROSITY. 803 00:27:39,180 --> 00:27:40,750 I WOULD LIKE TO THANK THE CAST 804 00:27:40,750 --> 00:27:43,080 AND CREW OF DEATH OF A SALESMAN, 805 00:27:43,080 --> 00:27:47,220 ESPECIALLY THE MINI ENSEMBLE, 806 00:27:47,220 --> 00:27:51,580 THE LOHMAN FAMILY. 807 00:27:51,580 --> 00:27:54,250 THEY SHAPED MY PERFORMANCE IN 808 00:27:54,250 --> 00:27:54,820 THIS PLAY SO I DO SHARE THIS 809 00:27:54,820 --> 00:27:57,550 WITH THEM. 810 00:27:57,550 --> 00:27:59,080 AND JOE MANTELLO, I KNOW YOU 811 00:27:59,080 --> 00:28:01,080 KNOW THIS, THE SUM OF THE BEST 812 00:28:01,080 --> 00:28:01,720 MOMENTS OF MY CAREER HAVE BEEN 813 00:28:01,720 --> 00:28:03,280 IN THE REHEARSAL ROOM WITH YOU 814 00:28:03,280 --> 00:28:04,720 AND I HOPE WE GET TO EXPERIENCE 815 00:28:04,720 --> 00:28:09,350 THAT MANY MORE TIMES. 816 00:28:09,350 --> 00:28:09,620 [APPLAUSE] 817 00:28:09,620 --> 00:28:14,280 * 818 00:28:14,280 --> 00:28:24,380 * 819 00:28:24,380 --> 00:28:26,320 >> PLEASE WELCOME THE COMPANY OF 820 00:28:26,320 --> 00:28:28,650 "RAGTIME." 821 00:28:28,650 --> 00:28:29,280 [APPLAUSE] 822 00:28:29,280 --> 00:28:35,650 * 823 00:28:35,650 --> 00:28:37,480 * 824 00:28:37,480 --> 00:28:40,080 >> IN 1902, FATHER BUILT THE 825 00:28:40,080 --> 00:28:41,280 HOUSE AT THE CREST OF THE 826 00:28:41,280 --> 00:28:43,650 BROADVIEW AVENUE HILL IN 827 00:28:43,650 --> 00:28:45,180 NEW ROCHELLE, NEW YORK, AND IT 828 00:28:45,180 --> 00:28:46,520 SEEMED FOR SOME YEARS THEREAFTE 829 00:28:46,520 --> 00:28:47,780 THAT ALL THE FAMILY'S DAYS WOUL 830 00:28:47,780 --> 00:28:53,420 BE WARM AND FAIR. 831 00:28:53,420 --> 00:28:54,350 * 832 00:28:54,350 --> 00:28:55,380 >> * THE SKIES WERE BLUE AND 833 00:28:55,380 --> 00:28:57,080 HAZY * 834 00:28:57,080 --> 00:28:57,950 * RARELY A STORM, BARELY A 835 00:28:57,950 --> 00:29:00,880 CHILL * 836 00:29:00,880 --> 00:29:04,450 * THE AFTERNOONS WERE LAZY 837 00:29:04,450 --> 00:29:05,850 * EVERYONE WARM, EVERYTHING 838 00:29:05,850 --> 00:29:09,980 STILL * 839 00:29:09,980 --> 00:29:12,920 * AND THERE WAS DISTANT MUSIC 840 00:29:12,920 --> 00:29:17,080 * SIMPLE AND SOMEHOW SUBLIME 841 00:29:17,080 --> 00:29:18,620 * GIVING THE NATION A NEW 842 00:29:18,620 --> 00:29:20,750 SYNCOPATION * 843 00:29:20,750 --> 00:29:21,680 * THE PEOPLE CALLED IT 844 00:29:21,680 --> 00:29:23,680 RAGTIME * 845 00:29:23,680 --> 00:29:26,680 * 846 00:29:26,680 --> 00:29:27,620 >> * THE DAYS WERE GENTLY 847 00:29:27,620 --> 00:29:29,620 TINTED * 848 00:29:29,620 --> 00:29:30,750 * LAVENDER, PINK, LEMON AND 849 00:29:30,750 --> 00:29:33,620 LIME * 850 00:29:33,620 --> 00:29:35,250 >> * LADIES WITH PARASOLS 851 00:29:35,250 --> 00:29:36,080 >> * FELLOWS WITH TENNIS 852 00:29:36,080 --> 00:29:37,780 BALLS * 853 00:29:37,780 --> 00:29:39,450 >> * THERE WERE GAZEBOS AND 854 00:29:39,450 --> 00:29:43,250 THERE WERE NO NEGROES * 855 00:29:43,250 --> 00:29:44,420 >> * AND EVERYTHING WAS 856 00:29:44,420 --> 00:29:45,520 RAGTIME * 857 00:29:45,520 --> 00:29:47,450 * 858 00:29:47,450 --> 00:29:50,450 * 859 00:29:50,450 --> 00:29:51,580 >> UP IN HARLEM, PEOPLE DANCED 860 00:29:51,580 --> 00:29:52,820 TO A MUSIC THAT WAS THEIRS AND 861 00:29:52,820 --> 00:29:54,420 NO ONE ELSE'S. 862 00:29:54,420 --> 00:29:55,550 THE SOUND OF CHANGING TIMES. 863 00:29:55,550 --> 00:29:57,520 THE MUSIC OF A BETTER DAY. 864 00:29:57,520 --> 00:30:01,620 >> * LISTEN TO THAT RAGTIME 865 00:30:01,620 --> 00:30:03,320 >> * LADIES WITH PARASOLS, 866 00:30:03,320 --> 00:30:06,220 FELLOWS WITH TENNIS BALLS * 867 00:30:06,220 --> 00:30:07,420 * THERE WERE NO NEGROES AND 868 00:30:07,420 --> 00:30:10,950 THERE WERE NO IMMIGRANTS * 869 00:30:10,950 --> 00:30:13,980 >> * SHTETL IZ AMERIKE 870 00:30:13,980 --> 00:30:16,820 * 871 00:30:16,820 --> 00:30:19,150 * 872 00:30:19,150 --> 00:30:20,120 >> * THROUGH THE GATES OF 873 00:30:20,120 --> 00:30:21,120 ELLIS ISLAND, IMMIGRANTS ARRIVE 874 00:30:21,120 --> 00:30:22,450 FROM EVERYWHERE. 875 00:30:22,450 --> 00:30:27,820 NO DREAM WAS TOO BIG. 876 00:30:27,820 --> 00:30:29,050 THEY WOULD BE THE NEXT 877 00:30:29,050 --> 00:30:29,750 JP MORGAN, EVELYN NESBITT, OR 878 00:30:29,750 --> 00:30:30,580 HENRY FORD. 879 00:30:30,580 --> 00:30:31,820 IT WAS THEIR CENTURY, TOO. 880 00:30:31,820 --> 00:30:34,050 IT WAS ONLY 1906. 881 00:30:34,050 --> 00:30:37,980 * 882 00:30:37,980 --> 00:30:38,720 >> * AND THERE WERE 94 YEARS TO 883 00:30:38,720 --> 00:30:41,380 GO * 884 00:30:41,380 --> 00:30:43,880 * AND THERE WAS MUSIC PLAYING 885 00:30:43,880 --> 00:30:44,750 * CATCHING A NATION IN ITS 886 00:30:44,750 --> 00:30:47,320 PRIME * 887 00:30:47,320 --> 00:30:48,950 * BEGGAR AND MILLIONAIRE 888 00:30:48,950 --> 00:30:51,020 * EVERYONE, EVERYWHERE 889 00:30:51,020 --> 00:30:53,680 * MOVING TO THE RAGTIME 890 00:30:53,680 --> 00:30:56,250 * 891 00:30:56,250 --> 00:30:59,720 * 892 00:30:59,720 --> 00:31:03,520 * 893 00:31:03,520 --> 00:31:09,350 * 894 00:31:09,350 --> 00:31:13,620 * 895 00:31:13,620 --> 00:31:19,080 * 896 00:31:19,080 --> 00:31:25,380 * 897 00:31:28,450 --> 00:31:32,180 * 898 00:31:32,180 --> 00:31:36,080 * 899 00:31:36,080 --> 00:31:45,350 * 900 00:31:45,350 --> 00:31:49,550 * 901 00:31:49,550 --> 00:31:53,080 * 902 00:31:53,080 --> 00:31:57,550 * AND THERE WAS DISTANT MUSIC 903 00:31:57,550 --> 00:31:58,420 * SKIPPING A BEAT, SINGING A 904 00:31:58,420 --> 00:32:02,820 DREAM * 905 00:32:02,820 --> 00:32:05,620 * A STRANGE INSISTENT MUSIC, 906 00:32:05,620 --> 00:32:06,920 PUTTING OUT HEAT, PICKING UP 907 00:32:06,920 --> 00:32:10,950 STEAM * 908 00:32:10,950 --> 00:32:14,420 * THE SOUND OF DISTANT THUNDER 909 00:32:14,420 --> 00:32:19,750 * SUDDENLY STARTING TO CLIMB 910 00:32:19,750 --> 00:32:20,880 * IT WAS THE MUSIC OF SOMETHING 911 00:32:20,880 --> 00:32:22,920 BEGINNING * 912 00:32:22,920 --> 00:32:23,950 * AN ERA EXPLODING 913 00:32:23,950 --> 00:32:26,080 * A CENTURY SPINNING 914 00:32:26,080 --> 00:32:27,680 * IN RICHES AND DRAGS 915 00:32:27,680 --> 00:32:29,120 * AND IN RHYTHM AND RHYME 916 00:32:29,120 --> 00:32:33,280 * THE PEOPLE CALLED IT RAGTIME 917 00:32:33,280 --> 00:32:35,680 * RAGTIME 918 00:32:35,680 --> 00:32:39,080 * RAGTIME 919 00:32:39,080 --> 00:32:41,650 * RAGTIME 920 00:32:41,650 --> 00:32:46,380 * RAGTIME 921 00:32:46,380 --> 00:32:48,620 * 922 00:32:48,620 --> 00:32:56,680 [CHEERS AND APPLAUSE] 923 00:32:56,680 --> 00:33:01,450 * 924 00:33:01,450 --> 00:33:04,920 * 925 00:33:04,920 --> 00:33:07,420 * 926 00:33:07,420 --> 00:33:08,280 >> STAY TUNED, BECAUSE COMING U 927 00:33:08,280 --> 00:33:09,880 WE HAVE -- 928 00:33:09,880 --> 00:33:13,680 >> COMING UP WE HAVE ME! 929 00:33:13,680 --> 00:33:14,650 CELINE DION! 930 00:33:14,650 --> 00:33:15,620 OH, MY GOD. 931 00:33:15,620 --> 00:33:16,520 WOW. 932 00:33:16,520 --> 00:33:17,280 I CANNOT BELIEVE I'M HOSTING TH 933 00:33:17,280 --> 00:33:18,180 TONYS WITH P!NK! 934 00:33:18,180 --> 00:33:19,150 >> CELINE, I'M SO SORRY, YOU'RE 935 00:33:19,150 --> 00:33:20,850 NOT HOSTING WITH ME. 936 00:33:20,850 --> 00:33:23,850 YOU'RE NOMINATED. 937 00:33:23,850 --> 00:33:24,820 YOUR PERFORMING. 938 00:33:24,820 --> 00:33:25,720 WHERE DID YOU GET THAT 939 00:33:25,720 --> 00:33:26,580 MICROPHONE? 940 00:33:26,580 --> 00:33:30,950 >> I COLLECT THEM. 941 00:33:30,950 --> 00:33:31,550 WE'LL BE RIGHT BACK WITH THE 942 00:33:31,550 --> 00:33:32,080 TONY AWARDS! 943 00:33:34,550 --> 00:33:36,450 * 944 00:33:36,450 --> 00:33:38,350 >> IF I APPALL YOU, WHY DO YOU 945 00:33:38,350 --> 00:33:40,920 LOVE ME? 946 00:33:40,920 --> 00:33:44,150 >> THE PLAY IS AN ATTEMPT TO 947 00:33:44,150 --> 00:33:46,080 FIND A BALANCE IN DAHL, WHO WAS 948 00:33:46,080 --> 00:33:47,350 A MAN OF GREAT COMPASSION, BUT 949 00:33:47,350 --> 00:33:49,220 ALSO HAD SOME CONTROLLING 950 00:33:49,220 --> 00:33:50,320 ASPECTS TO HIS PERSONALITY AND 951 00:33:50,320 --> 00:33:52,420 BELIEFS. 952 00:33:54,450 --> 00:33:56,580 >> YOU UNDERSTAND THE POWER OF 953 00:33:56,580 --> 00:33:59,350 LANGUAGE MORE THAN ANYONE! 954 00:33:59,350 --> 00:34:01,250 >> WE MAY LOVE HIS WORK, WE MAY 955 00:34:01,250 --> 00:34:02,850 FIND HIM OBJECTIONABLE, AND IT 956 00:34:02,850 --> 00:34:03,980 CAN BE OUR JOB TO SIT WITH BOTH 957 00:34:03,980 --> 00:34:06,150 THOSE THINGS. 958 00:34:06,150 --> 00:34:12,080 * 959 00:34:12,080 --> 00:34:12,320 [APPLAUSE] 960 00:34:12,320 --> 00:34:13,650 * 961 00:34:13,650 --> 00:34:15,080 >> Announcer: PLEASE WELCOME, 962 00:34:15,080 --> 00:34:16,780 FROM THE UPCOMING REVIVAL OF 963 00:34:16,780 --> 00:34:18,150 "EVITA," RACHEL ZEGLER AND TONY 964 00:34:18,150 --> 00:34:20,080 AWARD WINNER BEN PLATT. 965 00:34:20,080 --> 00:34:28,980 [APPLAUSE] 966 00:34:28,980 --> 00:34:29,850 * 967 00:34:29,850 --> 00:34:30,850 >> THIS SEASON THE BROADWAY 968 00:34:30,850 --> 00:34:31,880 LEAGUE'S INITIATIVE, "BROADWAY 969 00:34:31,880 --> 00:34:32,920 BRIDGES," BROUGHT MORE THAN 970 00:34:32,920 --> 00:34:34,080 12,000 NEW YORK CITY HIGH SCHOO 971 00:34:34,080 --> 00:34:35,420 STUDENTS TO BROADWAY. 972 00:34:35,420 --> 00:34:38,220 >> "BROADWAY BRIDGES ON THE 973 00:34:38,220 --> 00:34:39,750 ROAD" HAS EXPANDED ACROSS THE 974 00:34:39,750 --> 00:34:40,820 COUNTRY TO ENGAGE THE NEXT 975 00:34:40,820 --> 00:34:41,820 GENERATION OF THEATER 976 00:34:41,820 --> 00:34:42,850 PROFESSIONALS, INCLUDING 977 00:34:42,850 --> 00:34:45,180 DIRECTORS. 978 00:34:45,180 --> 00:34:46,750 >> THERE IS NO ONE MORE CRITICA 979 00:34:46,750 --> 00:34:48,980 TO A PRODUCTION'S VISION THAN A 980 00:34:48,980 --> 00:34:50,450 DIRECTOR, SO AS ACTORS, CAN WE 981 00:34:50,450 --> 00:34:57,220 JUST SAY TO ALL THE DIRECTORS 982 00:34:57,220 --> 00:35:00,350 OUT IN THE AUDIENCE: 983 00:35:00,350 --> 00:35:01,150 HOW IS THAT? 984 00:35:01,150 --> 00:35:02,080 DID YOU LIKE THAT? 985 00:35:02,080 --> 00:35:03,650 DID REAL? 986 00:35:03,650 --> 00:35:04,350 >> WE CAN TOTALLY TRY IT ANOTHE 987 00:35:04,350 --> 00:35:05,080 WAY! 988 00:35:05,080 --> 00:35:05,680 WHATEVER YOU WANT. 989 00:35:05,680 --> 00:35:06,450 JUST BE HONEST. 990 00:35:06,450 --> 00:35:10,350 WE CAN HANDLE IT! 991 00:35:10,350 --> 00:35:12,180 >> I CAN'T HANDLE NOTES. 992 00:35:12,180 --> 00:35:13,120 >> NO ONE CAN HANDLE IT. 993 00:35:13,120 --> 00:35:15,150 >> THEY LOVE IT. 994 00:35:15,150 --> 00:35:16,850 LET'S SEE WHO GAVE THE BEST 995 00:35:16,850 --> 00:35:17,350 NOTES. 996 00:35:17,350 --> 00:35:19,380 >> HERE ARE THE NOMINEES FOR 997 00:35:19,380 --> 00:35:19,950 BEST DIRECTION OF A MUSICAL. 998 00:35:19,950 --> 00:35:21,850 * 999 00:35:21,850 --> 00:35:22,680 >> MICHAEL ARDEN, "THE LOST 1000 00:35:22,680 --> 00:35:24,950 BOYS." 1001 00:35:24,950 --> 00:35:27,320 LEAR DEBESSONET, "RAGTIME." 1002 00:35:27,320 --> 00:35:28,350 CHRISTOPHER GATTELLI, 1003 00:35:28,350 --> 00:35:30,850 "SCHMIGADOON." 1004 00:35:30,850 --> 00:35:31,980 TIM JACKSON, "TWO STRANGERS 1005 00:35:31,980 --> 00:35:35,080 (CARRY A CAKE ACROSS NEW YORK). 1006 00:35:35,080 --> 00:35:36,320 ZHAILON LEVINGSTON AND BILL 1007 00:35:36,320 --> 00:35:37,250 RAUCH, "CATS: THE JELLICLE 1008 00:35:37,250 --> 00:35:39,450 BALL." 1009 00:35:39,450 --> 00:35:41,180 [APPLAUSE] 1010 00:35:41,180 --> 00:35:48,850 >> AND THE TONY AWARD GOES TO.. 1011 00:35:48,850 --> 00:35:50,820 ZHAILON LEVINGSTON AND 1012 00:35:50,820 --> 00:35:55,320 BILL RAUCH! 1013 00:35:55,320 --> 00:35:56,080 >> ZHAILON LEVINGSTON AND BILL 1014 00:35:56,080 --> 00:35:58,250 RAUCH WHEN THEIR FIRST TONY SAW 1015 00:35:58,250 --> 00:36:01,180 REIMAGINING ANDREW LL 1016 00:36:01,180 --> 00:36:01,880 ANDREW LLOYD WEBBER'S MUSICAL AA 1017 00:36:01,880 --> 00:36:03,480 BALLROOM COMPETITION. 1018 00:36:03,480 --> 00:36:11,120 * 1019 00:36:11,120 --> 00:36:18,320 * 1020 00:36:18,320 --> 00:36:20,480 >> OKAY! 1021 00:36:20,480 --> 00:36:22,550 BALLROOM IS ABOUT AUDACITY AND 1022 00:36:22,550 --> 00:36:22,850 DISRUPTION. 1023 00:36:22,850 --> 00:36:30,420 IN THE WORDS OF JUNIOR LA BEIJA, 1024 00:36:30,420 --> 00:36:33,350 IT TAKE NERVE. 1025 00:36:33,350 --> 00:36:33,980 TO OUR LEAD PRODUCERS, ANDREW 1026 00:36:33,980 --> 00:36:36,950 AND HIS TEAM AT 1027 00:36:36,950 --> 00:36:37,950 ANDREW LLOYD WEBBER 1028 00:36:37,950 --> 00:36:38,520 ENTERTAINMENT, EVERYBODY WHO 1029 00:36:38,520 --> 00:36:41,750 GAVE A FEARLESS YES. 1030 00:36:41,750 --> 00:36:42,550 >> BALLROOM IS ABOUT 1031 00:36:42,550 --> 00:36:43,120 AUTHENTICITY. 1032 00:36:43,120 --> 00:36:44,350 >> ARE BRILLIANT CREATIVE TEAM, 1033 00:36:44,350 --> 00:36:48,850 STAGE MANAGERS, AND CREW BRING 1034 00:36:48,850 --> 00:36:49,480 AUTHENTIC EXPERTISE IN BALLROOM 1035 00:36:49,480 --> 00:36:52,720 OR BROADLY OR BOTH. 1036 00:36:52,720 --> 00:36:54,220 OH, ME AGAIN. 1037 00:36:54,220 --> 00:36:54,580 PAUL 1038 00:36:55,080 --> 00:37:00,480 BALLROOM IS ABOUT CAMARADERIE 1039 00:37:00,480 --> 00:37:01,280 THROUGH REPETITION. 1040 00:37:01,280 --> 00:37:01,580 >> FIERCE. 1041 00:37:01,580 --> 00:37:04,480 >> ABOUT LEGACY. 1042 00:37:04,480 --> 00:37:07,320 >> WE HONOR THE BLACK AND BROWN 1043 00:37:07,320 --> 00:37:11,280 TRANS WOMEN AND GAY MEN WHO ARE 1044 00:37:11,280 --> 00:37:12,150 BALLROOM PIONEERS AS WELL AS 1045 00:37:12,150 --> 00:37:12,880 ICONS. 1046 00:37:12,880 --> 00:37:14,880 >> AND OUR CAST OF ASTONISHING 1047 00:37:14,880 --> 00:37:15,780 TRIPLE THREATS, INCLUDING PEOPLE 1048 00:37:15,780 --> 00:37:18,620 FROM THEIR 20s TO THEIR 80s 1049 00:37:18,620 --> 00:37:21,450 AND EVERY DECADE IN BETWEEN. 1050 00:37:21,450 --> 00:37:22,680 >> BALLROOM WELCOMES EVERYONE. 1051 00:37:22,680 --> 00:37:23,480 >> TO THE 12-YEAR-OLD KID WHO 1052 00:37:23,480 --> 00:37:27,420 DOESN'T FIT IN WHO MAY BE 1053 00:37:27,420 --> 00:37:28,320 WATCHING THIS ON THE TELEVISION 1054 00:37:28,320 --> 00:37:30,980 IN THEIR BEDROOM WITH THE VOLUME 1055 00:37:30,980 --> 00:37:32,080 TURNED DOWN LOW. 1056 00:37:32,080 --> 00:37:34,280 >> COME FIND YOUR HOME AT THE 1057 00:37:34,280 --> 00:37:36,620 JELLICLE BALL. 1058 00:37:36,620 --> 00:37:40,450 [APPLAUSE] 1059 00:37:40,450 --> 00:37:41,120 >> FINALLY, BALLROOM IS ABOUT 1060 00:37:41,120 --> 00:37:41,950 CHOSEN FAMILY. 1061 00:37:41,950 --> 00:37:42,950 >> I AM NOTHING WITHOUT MY 1062 00:37:42,950 --> 00:37:50,620 FAMILY, MY FRIENDS, MY PARTNER, 1063 00:37:50,620 --> 00:37:52,650 BRANDON, AND MY MOTHER, SHANNON 1064 00:37:52,650 --> 00:37:53,250 LEVINGSTON. 1065 00:37:53,250 --> 00:37:54,920 EVERY CORE VALUE I LEARNED FROM 1066 00:37:54,920 --> 00:37:55,820 YOU. 1067 00:37:55,820 --> 00:37:58,450 >> WE CHOSE EACH OTHER, MY 1068 00:37:58,450 --> 00:37:58,950 HUSBAND, 42 YEARS AGO. 1069 00:37:58,950 --> 00:38:03,120 AND YOU ON OUR KIDS ARE THE 1070 00:38:03,120 --> 00:38:04,520 HEART OF ANYTHING THAT HAS ANY 1071 00:38:04,520 --> 00:38:06,480 VALUE IN THIS WORLD. 1072 00:38:06,480 --> 00:38:09,180 >> AND THAT, MY FRIENDS, IS WHAT 1073 00:38:09,180 --> 00:38:11,680 WE CALL -- 1074 00:38:11,680 --> 00:38:12,180 [IN UNISON] 1075 00:38:12,180 --> 00:38:14,720 TAG TEAM PERFORMANCE! 1076 00:38:14,720 --> 00:38:16,750 [APPLAUSE] 1077 00:38:16,750 --> 00:38:20,980 * 1078 00:38:20,980 --> 00:38:26,820 * 1079 00:38:26,820 --> 00:38:27,680 >> AND NOW, HERE ARE THE 1080 00:38:27,680 --> 00:38:28,720 NOMINEES FOR BEST DIRECTION OF 1081 00:38:28,720 --> 00:38:32,350 PLAY. 1082 00:38:32,350 --> 00:38:34,650 * 1083 00:38:34,650 --> 00:38:37,520 >> NICHOLAS HYTNER, "GIANT." 1084 00:38:37,520 --> 00:38:40,520 ROBERT ICKE, "OEDIPUS." 1085 00:38:40,520 --> 00:38:43,380 KENNY LEON, "THE BALUSTERS." 1086 00:38:43,380 --> 00:38:44,320 JOE MANTELLO, "ARTHUR MILLER'S 1087 00:38:44,320 --> 00:38:46,750 DEATH OF A SALESMAN." 1088 00:38:46,750 --> 00:38:51,720 WHITNEY WHITE, "LIBERATION." 1089 00:38:51,720 --> 00:38:53,480 [APPLAUSE] 1090 00:38:53,480 --> 00:38:54,320 >> AND THE 1091 00:38:54,320 --> 00:38:55,150 AMERICAN THEATRE WING'S TONY 1092 00:38:55,150 --> 00:38:57,320 AWARD GOES TO... 1093 00:38:57,320 --> 00:38:58,120 JOE MANTELLO, "ARTHUR MILLER'S 1094 00:38:58,120 --> 00:39:01,620 DEATH OF A SALESMAN." 1095 00:39:01,620 --> 00:39:01,880 [APPLAUSE] 1096 00:39:01,880 --> 00:39:06,480 * 1097 00:39:06,480 --> 00:39:08,420 >> THIS IS THE NINTH 1098 00:39:08,420 --> 00:39:10,280 DENOMINATION ENTERED WIN FOR 1099 00:39:10,280 --> 00:39:12,880 ACTOR-DIRECTOR JOE MANTELLO, THE 1100 00:39:12,880 --> 00:39:17,380 LAST WIN A TONY FOR "ASSASSINS" 1101 00:39:17,380 --> 00:39:17,620 IN 2004. 1102 00:39:17,620 --> 00:39:24,450 * 1103 00:39:24,450 --> 00:39:26,250 >> THANK YOU SO MUCH. 1104 00:39:26,250 --> 00:39:28,880 THE IDEA FOR THIS PRODUCTION 1105 00:39:28,880 --> 00:39:29,520 BEGAN WITH AN OFFHANDED COMMENT 1106 00:39:29,520 --> 00:39:31,580 TO NATHAN WHEN I SAID TO HIM, 1107 00:39:31,580 --> 00:39:33,080 ONE DAY I'M GOING TO DIRECT YOU 1108 00:39:33,080 --> 00:39:34,680 IN "DEATH OF A SALESMAN." 1109 00:39:34,680 --> 00:39:40,220 AND I DON'T THINK EITHER OF US 1110 00:39:40,220 --> 00:39:44,150 KNEW THAT ONE DAY, OVER 30 YEARS 1111 00:39:44,150 --> 00:39:48,220 LATER -- I HAVE GOOD 1112 00:39:48,220 --> 00:39:48,580 FOLLOW-THROUGH. 1113 00:39:48,580 --> 00:39:48,850 [LAUGHTER] 1114 00:39:48,850 --> 00:39:52,220 NATHAN, YOU ARE -- WE ALL KNOW 1115 00:39:52,220 --> 00:39:56,720 IT, YOU ARE JUST ONE OF OUR 1116 00:39:56,720 --> 00:39:59,220 GREATS. 1117 00:39:59,220 --> 00:40:06,520 [APPLAUSE] 1118 00:40:06,520 --> 00:40:11,220 [SUSTAINED APPLAUSE] 1119 00:40:11,220 --> 00:40:13,550 YOU ARE, AND YOU HAVE ALWAYS 1120 00:40:13,550 --> 00:40:14,420 BEEN THE INSPIRATION BEHIND THIS 1121 00:40:14,420 --> 00:40:14,720 PRODUCTION. 1122 00:40:14,720 --> 00:40:18,220 AND I WANT TO SHARE THIS WITH 1123 00:40:18,220 --> 00:40:20,620 YOU. 1124 00:40:20,620 --> 00:40:22,080 JOE, THANK YOU FOR BEING MY 1125 00:40:22,080 --> 00:40:23,480 CREATIVE PARTNER AND FRIEND AND 1126 00:40:23,480 --> 00:40:25,820 FOR BELIEVING IN ME, ESPECIALLY 1127 00:40:25,820 --> 00:40:27,420 ON NIGHTS THAT DIDN'T LOOK LIKE 1128 00:40:27,420 --> 00:40:29,020 THIS. 1129 00:40:29,020 --> 00:40:31,250 THANK YOU TO OUR PRODUCERS, OUR 1130 00:40:31,250 --> 00:40:33,020 DESIGNERS, OUR BACKSTAGE TEAM, 1131 00:40:33,020 --> 00:40:33,850 OUR FEARLESS ENSEMBLE OF ACTORS 1132 00:40:33,850 --> 00:40:36,580 OUT THERE. 1133 00:40:36,580 --> 00:40:38,780 AND MAKE NO MISTAKE, AS 1134 00:40:38,780 --> 00:40:40,750 THRILLING AS THIS IS, WHAT I 1135 00:40:40,750 --> 00:40:42,350 WILL REMEMBER MOST ABOUT THIS 1136 00:40:42,350 --> 00:40:46,820 EXPERIENCE IS THE DAYS WHERE WE 1137 00:40:46,820 --> 00:40:48,020 ARE COMPLETELY UNCERTAIN, AND WE 1138 00:40:48,020 --> 00:40:49,980 ARE SURE WE LOST OUR WAY, ONLY 1139 00:40:49,980 --> 00:40:51,480 TO REALIZE THAT THOSE WERE 1140 00:40:51,480 --> 00:40:54,420 ACTUALLY THE DAYS WHEN THE MOST 1141 00:40:54,420 --> 00:40:55,150 INTERESTING THINGS HAPPENED. 1142 00:40:55,150 --> 00:40:56,420 WE DISCOVERED A PLAY THAT WE 1143 00:40:56,420 --> 00:40:59,720 THOUGHT WE KNEW SO WELL, AND 1144 00:40:59,720 --> 00:41:01,880 COULD STILL SURPRISE US, AND 1145 00:41:01,880 --> 00:41:03,780 THAT REAL THRILLED COMES FROM 1146 00:41:03,780 --> 00:41:04,420 RISK. 1147 00:41:04,420 --> 00:41:06,550 IF YOU ARE LUCKY, THIS IS YOUR 1148 00:41:06,550 --> 00:41:07,080 JOB. 1149 00:41:07,080 --> 00:41:08,580 IF YOU ARE REALLY LUCKY, YOU GET 1150 00:41:08,580 --> 00:41:10,920 TO DO YOUR JOB WITH 1151 00:41:10,920 --> 00:41:11,380 EXTRAORDINARY PEOPLE. 1152 00:41:11,380 --> 00:41:13,850 I AM REALLY LUCKY. 1153 00:41:13,850 --> 00:41:15,720 BUT NONE OF THIS COULD HAVE 1154 00:41:15,720 --> 00:41:17,650 EXISTED WITHOUT THE GREAT 1155 00:41:17,650 --> 00:41:20,220 ARTHUR MILLER. 1156 00:41:20,220 --> 00:41:23,780 [APPLAUSE] 1157 00:41:23,780 --> 00:41:26,980 WHO, OVER 75 YEARS AGO, GAVE US 1158 00:41:26,980 --> 00:41:27,620 THIS MAGNIFICENT WORK THAT STILL 1159 00:41:27,620 --> 00:41:30,380 TALKS TO US THROUGH TIME, AND 1160 00:41:30,380 --> 00:41:32,880 YET IT JUST FEELS LIKE IT WAS 1161 00:41:32,880 --> 00:41:33,280 WRITTEN YESTERDAY. 1162 00:41:33,280 --> 00:41:35,420 ON BEHALF OF ALL OF US AT THE 1163 00:41:35,420 --> 00:41:36,220 WINTER GARDEN THEATRE, MAY I SAY 1164 00:41:36,220 --> 00:41:38,450 THAT IT HAS BEEN A PLEASURE TO 1165 00:41:38,450 --> 00:41:41,420 SPEND SOME TIME IN THIS COMPANY. 1166 00:41:41,420 --> 00:41:41,820 THANK YOU SO MUCH. 1167 00:41:41,820 --> 00:41:42,080 [APPLAUSE] 1168 00:41:42,080 --> 00:41:48,080 * 1169 00:41:48,080 --> 00:41:51,580 * 1170 00:41:51,580 --> 00:41:54,480 >> Announcer: PLEASE WELCOME, 1171 00:41:54,480 --> 00:41:55,450 A TONY NOMINEE TONIGHT, 1172 00:41:55,450 --> 00:41:56,350 BOWEN YANG. 1173 00:41:56,350 --> 00:41:57,580 [APPLAUSE] 1174 00:41:57,580 --> 00:41:58,850 * 1175 00:41:58,850 --> 00:42:00,720 >> FOR HIS 1997 FILM, "TITANIC, 1176 00:42:00,720 --> 00:42:02,080 JAMES CAMERON SPENT YEARS 1177 00:42:02,080 --> 00:42:04,450 RESEARCHING THE DOOMED SHIP, 1178 00:42:04,450 --> 00:42:05,720 GOING TO PAINSTAKING LENGTHS TO 1179 00:42:05,720 --> 00:42:06,580 ACCURATELY PORTRAY WHAT WENT 1180 00:42:06,580 --> 00:42:09,350 DOWN. 1181 00:42:09,350 --> 00:42:10,280 OOH, POOR CHOICE OF WORDS. 1182 00:42:10,280 --> 00:42:12,880 [LAUGHTER] 1183 00:42:12,880 --> 00:42:13,980 THE CREATORS OF "TITANIQUE," 1184 00:42:13,980 --> 00:42:14,820 HOWEVER, DID NOT DO ANY 1185 00:42:14,820 --> 00:42:15,980 RESEARCH. 1186 00:42:15,980 --> 00:42:18,420 [LAUGHTER] 1187 00:42:18,420 --> 00:42:19,550 INSTEAD THEY ASKED, "WHAT IF 1188 00:42:19,550 --> 00:42:20,620 CELINE DION WAS ACTUALLY ON THE 1189 00:42:20,620 --> 00:42:23,450 TITANIC?" 1190 00:42:23,450 --> 00:42:25,080 AND FROM THERE, USED THE MUSIC 1191 00:42:25,080 --> 00:42:26,150 OF OUR QUEBECOIS QUEEN TO LET 1192 00:42:26,150 --> 00:42:31,080 THAT INCREDIBLE STORY SINK IN. 1193 00:42:31,080 --> 00:42:33,320 WOW, HORRIBLE WORDS AGAIN! 1194 00:42:33,320 --> 00:42:33,980 >> HEY, GIRLFRIEND. 1195 00:42:33,980 --> 00:42:34,750 THANK SO MUCH, BUT, UH -- I 1196 00:42:34,750 --> 00:42:35,450 THINK I GOT THIS. 1197 00:42:35,450 --> 00:42:36,250 >> OH, MY GOD. 1198 00:42:36,250 --> 00:42:36,880 OF COURSE, CELINE! 1199 00:42:36,880 --> 00:42:38,750 YOU ARE SO RIGHT! 1200 00:42:38,750 --> 00:42:39,350 >> OKAY, I LOVE YOU SO MUCH, 1201 00:42:39,350 --> 00:42:43,580 MR. ICEBERG YANG. 1202 00:42:43,580 --> 00:42:45,980 SHOTS LATER, OKAY? 1203 00:42:45,980 --> 00:42:47,220 >> OKAY, I'M ALREADY DRUNK. 1204 00:42:47,220 --> 00:42:47,620 >> OKAY. 1205 00:42:47,620 --> 00:42:49,080 HOW IS EVERYONE DOING IN THE 1206 00:42:49,080 --> 00:42:51,350 HOUSE TONIGHT? 1207 00:42:51,350 --> 00:42:53,950 [APPLAUSE] 1208 00:42:53,950 --> 00:42:54,550 THANK YOU SO MUCH. 1209 00:42:54,550 --> 00:42:59,750 I CAME HERE TO THE TONYS TO SAY 1210 00:42:59,750 --> 00:43:00,620 THIS. 1211 00:43:00,620 --> 00:43:01,620 I WAS ON TITANIC. 1212 00:43:01,620 --> 00:43:03,720 CAN I TELL YOU MY KOOKY CRAZY 1213 00:43:03,720 --> 00:43:05,250 STORY? 1214 00:43:05,250 --> 00:43:05,820 WHAT DO YOU SAY? 1215 00:43:05,820 --> 00:43:06,920 OKAY. 1216 00:43:06,920 --> 00:43:08,580 MAESTRO, SHALL WE GO FOR IT? 1217 00:43:08,580 --> 00:43:11,820 * 1218 00:43:11,820 --> 00:43:13,720 IT'S BEEN 84 YEARS, AND I CAN 1219 00:43:13,720 --> 00:43:16,520 STILL SMELL DA FRESH PAINT. 1220 00:43:16,520 --> 00:43:17,320 THERE WAS AN AGING TWINK 1221 00:43:17,320 --> 00:43:18,650 NAMED JACK. 1222 00:43:18,650 --> 00:43:19,750 >> WOW, I GOTTA GET A TICKET TO 1223 00:43:19,750 --> 00:43:21,420 THAT SHIP! 1224 00:43:21,420 --> 00:43:22,350 >> AND ACADEMY AWARD WINNER 1225 00:43:22,350 --> 00:43:23,980 KATHY BATES. 1226 00:43:23,980 --> 00:43:25,180 >> UNSINKABLE MOLLY BROWN. 1227 00:43:25,180 --> 00:43:28,080 >> UNBREAKABLE KIMMY SCHMIDT. 1228 00:43:28,080 --> 00:43:29,850 THERE WAS VICTOR GARBER AND HIS 1229 00:43:29,850 --> 00:43:31,680 TRUSTED ASSISTANT, THE SEAMAN. 1230 00:43:31,680 --> 00:43:34,650 >> EVERYBODY LOVES SEAMEN! 1231 00:43:34,650 --> 00:43:38,520 >> NOT LESBIANS. 1232 00:43:38,520 --> 00:43:39,380 AM I RIGHT, P!NK? 1233 00:43:39,380 --> 00:43:42,480 SHE KNOWS. 1234 00:43:42,480 --> 00:43:43,280 THERE WAS ROSE, AND HER FIANCE, 1235 00:43:43,280 --> 00:43:48,520 CAL. 1236 00:43:48,520 --> 00:43:49,480 >> IT'S BEAUTIFUL! 1237 00:43:49,480 --> 00:43:51,080 >> I GOT IT AT JARED'S. 1238 00:43:51,080 --> 00:43:51,920 >> AND OF COURSE THERE WAS 1239 00:43:51,920 --> 00:43:52,950 ROSE'S MOTHER, RUTH. 1240 00:43:52,950 --> 00:43:54,180 >> ANOTHER GORGEOUS DAY TO BE A 1241 00:43:54,180 --> 00:43:56,580 RICH, SKINNY MONSTER. 1242 00:43:56,580 --> 00:43:58,150 >> OKAY. 1243 00:43:58,150 --> 00:43:58,980 HEY, THE TONYS, SHALL WE GO FOR 1244 00:43:58,980 --> 00:44:02,720 IT? 1245 00:44:02,720 --> 00:44:06,950 >> ALL ABOARD! 1246 00:44:06,950 --> 00:44:08,380 * 1247 00:44:08,380 --> 00:44:10,250 >> * WHAT DO YOU SAY? 1248 00:44:10,250 --> 00:44:11,850 * WHAT DO YOU SAY? 1249 00:44:11,850 --> 00:44:16,150 * WHAT DO YOU SAY? 1250 00:44:16,150 --> 00:44:23,220 >> I'M THE KING OF THE WORLD! 1251 00:44:23,220 --> 00:44:23,820 >> * MY HEART WAS BEATING 1252 00:44:23,820 --> 00:44:24,580 DOWN * 1253 00:44:24,580 --> 00:44:25,380 * BUT I ALWAYS COME BACK FOR 1254 00:44:25,380 --> 00:44:26,150 MORE, YEAH, THERE'S NOTHING LIK 1255 00:44:26,150 --> 00:44:27,080 LOVE TO PULL YOU UP * 1256 00:44:27,080 --> 00:44:27,950 * WHEN YOU'RE LYING DOWN ON THE 1257 00:44:27,950 --> 00:44:28,880 FLOOR THERE * 1258 00:44:28,880 --> 00:44:29,880 * SO TALK TO ME, TALK TO ME, 1259 00:44:29,880 --> 00:44:31,080 LIKE LOVERS DO * 1260 00:44:31,080 --> 00:44:32,650 * YEAH, WALK WITH ME 1261 00:44:32,650 --> 00:44:34,680 * WALK WITH ME, LIKE LOVERS DO 1262 00:44:34,680 --> 00:44:42,180 * LIKE LOVERS DO 1263 00:44:42,180 --> 00:44:44,320 * 1264 00:44:44,320 --> 00:44:45,180 >> * WHAT DO YOU SAY TO TAKING 1265 00:44:45,180 --> 00:44:48,220 CHANCES * 1266 00:44:48,220 --> 00:44:49,250 * WHAT DO YOU SAY TO JUMPING OF 1267 00:44:49,250 --> 00:44:52,820 THE EDGE * 1268 00:44:52,820 --> 00:44:54,450 * NEVER KNOWING IF THERE IS 1269 00:44:54,450 --> 00:45:00,180 SOLID GROUND BELOW * 1270 00:45:00,180 --> 00:45:00,980 * OR A HAND TO HOLD OR HELL TO 1271 00:45:00,980 --> 00:45:07,220 PAY * 1272 00:45:07,220 --> 00:45:10,320 * WHAT DO YOU SAY? 1273 00:45:10,320 --> 00:45:17,420 * 1274 00:45:17,420 --> 00:45:20,850 >> * WHAT DO YOU SAY? 1275 00:45:20,850 --> 00:45:23,180 >> AND THEN I STARTED TO SING, 1276 00:45:23,180 --> 00:45:24,180 FROM THE BOTTOM OF MY PERFECT 1277 00:45:24,180 --> 00:45:27,550 HEART. 1278 00:45:27,550 --> 00:45:31,550 * YOU'RE HERE 1279 00:45:31,550 --> 00:45:36,420 * THERE'S NOTHING I FEAR 1280 00:45:36,420 --> 00:45:38,720 * AND I KNOW THAT MY HEART WILL 1281 00:45:38,720 --> 00:45:46,080 GO ON * 1282 00:45:46,080 --> 00:45:49,750 * WE'LL STAY 1283 00:45:49,750 --> 00:45:55,220 * FOREVER THIS WAY 1284 00:45:55,220 --> 00:45:58,920 * YOU ARE SAFE IN MY HEART AND 1285 00:45:58,920 --> 00:46:04,850 * MY HEART WILL GO ON AND ON 1286 00:46:04,850 --> 00:46:07,320 * 1287 00:46:07,320 --> 00:46:11,480 * MY HEART WILL GO ON AND ON 1288 00:46:11,480 --> 00:46:18,120 * MY HEART WILL GO ON AND ON 1289 00:46:18,120 --> 00:46:23,450 * MY HEART WILL GO ON 1290 00:46:23,450 --> 00:46:27,220 * 1291 00:46:27,220 --> 00:46:34,980 [CHEERS AND APPLAUSE] 1292 00:46:34,980 --> 00:46:39,350 * 1293 00:46:39,350 --> 00:46:48,350 * 1294 00:46:48,350 --> 00:46:49,650 >> Announcer: STILL TO COME, 1295 00:46:49,650 --> 00:46:50,680 JELLICLES CAN AND JELLICLES DO 1296 00:46:50,680 --> 00:46:52,250 TAKE OVER THE STAGE. 1297 00:46:52,250 --> 00:46:53,450 PLUS, THE AWARD FOR FEATURED 1298 00:46:53,450 --> 00:46:58,620 ACTRESS IN A MUSICAL. 1299 00:46:58,620 --> 00:47:00,380 >> WE'LL BE RIGHT BACK WITH MOR 1300 00:47:00,380 --> 00:47:03,950 OF THE 79TH ANNUAL TONY AWARDS! 1301 00:47:08,080 --> 00:47:10,980 * 1302 00:47:10,980 --> 00:47:13,080 >> THIS IS A PLAY FOR MY MOTHER 1303 00:47:13,080 --> 00:47:15,280 * 1304 00:47:15,280 --> 00:47:16,580 >> I WANTED TO TALK ABOUT ALL 1305 00:47:16,580 --> 00:47:18,680 THE CHANGES THAT ARE HAPPENING 1306 00:47:18,680 --> 00:47:19,880 IN THE WORLD RIGHT NOW, AND I 1307 00:47:19,880 --> 00:47:20,880 WANTED TO PUT TWO TIME PERIODS 1308 00:47:20,880 --> 00:47:22,320 IN CONVERSATION WITH EACH OTHER 1309 00:47:22,320 --> 00:47:23,650 >> THERE IS SO MUCH OF ME THAT 1310 00:47:23,650 --> 00:47:27,450 DIDN'T SHOW YOU. 1311 00:47:27,450 --> 00:47:28,750 >> THIS IS ABOUT PEOPLE WHO HAV 1312 00:47:28,750 --> 00:47:30,280 THE COURAGE TO TELL THE TRUTH, 1313 00:47:30,280 --> 00:47:31,280 AND HAVING DIFFICULT 1314 00:47:31,280 --> 00:47:32,220 CONVERSATIONS WITH THE PEOPLE 1315 00:47:32,220 --> 00:47:33,250 WHO ARE MOST IMPORTANT TO THEM 1316 00:47:33,250 --> 00:47:34,380 BEFORE IT'S TOO LATE. 1317 00:47:34,380 --> 00:47:40,750 * 1318 00:47:40,750 --> 00:47:42,080 [APPLAUSE] 1319 00:47:42,080 --> 00:47:43,420 >> WELCOME BACK TO THE TONYS! 1320 00:47:43,420 --> 00:47:44,980 HOW AM I DOING SO FAR? 1321 00:47:44,980 --> 00:47:48,550 IT'S MY FIRST TIME HOSTING! 1322 00:47:48,550 --> 00:47:50,220 [APPLAUSE] 1323 00:47:50,220 --> 00:47:55,650 >> QUEEN! 1324 00:47:55,650 --> 00:47:58,080 >> OH, MY GOSH, ARIANA DeBOSE, 1325 00:47:58,080 --> 00:47:59,450 THREE-TIME HOST! 1326 00:47:59,450 --> 00:48:01,120 DO YOU HAVE NOTES? 1327 00:48:01,120 --> 00:48:01,920 >> YOU ARE KILLING IT. 1328 00:48:01,920 --> 00:48:03,520 NO ONE SHOULD BE TELLING YOU 1329 00:48:03,520 --> 00:48:04,620 WHAT YOU SHOULD BE DOING, BUT IF 1330 00:48:04,620 --> 00:48:06,420 YOU WANT SOME NOTES, OKAY, 1331 00:48:06,420 --> 00:48:06,950 GREAT. 1332 00:48:06,950 --> 00:48:08,180 HERE'S WHAT YOU DO. 1333 00:48:08,180 --> 00:48:09,980 YOU HAVE TO REMEMBER THAT THE 1334 00:48:09,980 --> 00:48:15,120 PEOPLE, THEY WANT ZAZZ. 1335 00:48:15,120 --> 00:48:15,850 THEY CRAVE IT. 1336 00:48:15,850 --> 00:48:19,250 THEY LONG TO BE WOWED. 1337 00:48:19,250 --> 00:48:21,650 >> I WAS GOING TO FLY -- 1338 00:48:21,650 --> 00:48:23,350 >> PEOPLE LOVE ACROBATICS! 1339 00:48:23,350 --> 00:48:23,680 >> THEY DO. 1340 00:48:23,680 --> 00:48:24,620 >> THEY ALSO LOVES 1341 00:48:24,620 --> 00:48:27,080 TEARAWAY CLOTHES! 1342 00:48:27,080 --> 00:48:28,520 I WAS THINKING YOU COULD GET 1343 00:48:28,520 --> 00:48:30,420 CRAZY WITH IT AND RIP OFF YOUR 1344 00:48:30,420 --> 00:48:31,680 PANTS. 1345 00:48:31,680 --> 00:48:33,080 >> YOU THINK IT? 1346 00:48:33,080 --> 00:48:33,450 >> I KNOW. 1347 00:48:33,450 --> 00:48:35,680 ANYWAY, YOU GOT TO GET YOURSELF 1348 00:48:35,680 --> 00:48:36,080 ONE OF THESE. 1349 00:48:36,080 --> 00:48:37,620 GET YOURSELF CLOSE UP. 1350 00:48:37,620 --> 00:48:41,750 CLOSER STILL... 1351 00:48:41,750 --> 00:48:43,250 TOO CLOSE. 1352 00:48:43,250 --> 00:48:43,520 [LAUGHTER] 1353 00:48:43,520 --> 00:48:45,080 WHAT YOU WANT TO DO IS SAY 1354 00:48:45,080 --> 00:48:48,080 SOMETHING UNDENIABLY TRUE. 1355 00:48:48,080 --> 00:48:48,620 TONIGHT IS FOR EVERY KID OUT 1356 00:48:48,620 --> 00:48:52,880 THERE WHO WANTS TO DO THEATER! 1357 00:48:52,880 --> 00:48:54,450 >> NICE. 1358 00:48:54,450 --> 00:48:54,820 [APPLAUSE] 1359 00:48:54,820 --> 00:48:55,820 WELL PLAYED. 1360 00:48:55,820 --> 00:48:57,250 >> AND THEN YOU HIT 'EM WITH A 1361 00:48:57,250 --> 00:49:00,150 HIGH NOTE OF YOUR CHOOSING. 1362 00:49:00,150 --> 00:49:00,320 GO. 1363 00:49:00,320 --> 00:49:01,580 >> HIGH NOTE? 1364 00:49:01,580 --> 00:49:02,820 [BELTS HIGH NOTE] 1365 00:49:02,820 --> 00:49:05,750 >> SUSTAIN, SUSTAIN... 1366 00:49:05,750 --> 00:49:09,280 VIBRATO! 1367 00:49:09,280 --> 00:49:12,320 I HAVE CHILLS. 1368 00:49:12,320 --> 00:49:13,680 [APPLAUSE] 1369 00:49:13,680 --> 00:49:15,080 YOU'RE PERFECT IN EVERY WAY. 1370 00:49:15,080 --> 00:49:16,550 IT'S LIKE MARY POPPINS. 1371 00:49:16,550 --> 00:49:21,250 ALSO, IF YOU NEED TO VAMP IN AN 1372 00:49:21,250 --> 00:49:21,980 EMERGENCY SITUATION, YOU CAN 1373 00:49:21,980 --> 00:49:23,420 ALWAYS REMIND THEM THAT 1374 00:49:23,420 --> 00:49:24,080 JONATHAN GROFF SPITS A 1375 00:49:24,080 --> 00:49:24,920 LOT, AND NATHAN LANE IS SECRETL 1376 00:49:24,920 --> 00:49:30,650 6'7". 1377 00:49:30,650 --> 00:49:34,250 YOU GOT THIS, BOO! 1378 00:49:34,250 --> 00:49:34,850 >> ARIANA DeBOSE, EVERYBODY! 1379 00:49:34,850 --> 00:49:35,120 [APPLAUSE] 1380 00:49:35,120 --> 00:49:37,580 MOVING ON. 1381 00:49:37,580 --> 00:49:39,620 PLEASE -- 1382 00:49:39,620 --> 00:49:39,880 [LAUGHTER] 1383 00:49:39,880 --> 00:49:43,620 >> UNDENIABLE! 1384 00:49:43,620 --> 00:49:46,780 [LAUGHTER AND APPLAUSE] 1385 00:49:46,780 --> 00:49:48,480 >> I FEEL UNDENIABLE. 1386 00:49:48,480 --> 00:49:49,520 PLEASE WELCOME OUR NEXT 1387 00:49:49,520 --> 00:49:51,220 PRESENTER, MEGAN THEE STALLION! 1388 00:49:51,220 --> 00:49:52,380 [APPLAUSE] 1389 00:49:52,380 --> 00:49:58,520 * 1390 00:49:58,520 --> 00:50:06,820 * 1391 00:50:06,820 --> 00:50:08,850 >> HELLO! 1392 00:50:08,850 --> 00:50:11,480 HEY! 1393 00:50:11,480 --> 00:50:12,980 MM-HMM. 1394 00:50:12,980 --> 00:50:13,920 I LEARNED A LOT DURING MY 1395 00:50:13,920 --> 00:50:18,520 TIME ON BROADWAY. 1396 00:50:18,520 --> 00:50:24,720 HELLO! 1397 00:50:24,720 --> 00:50:25,020 UH-UH, P!NK. 1398 00:50:25,020 --> 00:50:25,320 THERE WE GO. 1399 00:50:25,320 --> 00:50:25,620 THERE WE GO! 1400 00:50:25,620 --> 00:50:27,580 HEY, Y'ALL! 1401 00:50:27,580 --> 00:50:30,780 [APPLAUSE] 1402 00:50:30,780 --> 00:50:32,220 BRING MY THING BACK. 1403 00:50:32,220 --> 00:50:32,580 OKAY. 1404 00:50:32,580 --> 00:50:33,620 FOR REAL, FOR REAL. 1405 00:50:33,620 --> 00:50:35,080 I DID LEARN A LOT DURING MY TIME 1406 00:50:35,080 --> 00:50:36,880 ON BROADWAY. 1407 00:50:36,880 --> 00:50:38,050 I LEARNED THAT "BREAK A LEG" IS 1408 00:50:38,050 --> 00:50:39,320 HOW YOU SAY "YOU GOT THIS," AND 1409 00:50:39,320 --> 00:50:40,250 THAT "THE WEEKEND" IS ACTUALLY 1410 00:50:40,250 --> 00:50:42,920 JUST MONDAY. 1411 00:50:42,920 --> 00:50:45,680 [LAUGHTER] 1412 00:50:45,680 --> 00:50:48,580 THAT WAS TOUGH. 1413 00:50:48,580 --> 00:50:50,750 BUT MOSTLY WHAT I LEARNED IS HOW 1414 00:50:50,750 --> 00:50:51,320 QUICKLY BECOME A FAMILY ON A 1415 00:50:51,320 --> 00:50:52,780 SHOW. 1416 00:50:52,780 --> 00:50:54,820 SO WHEN I SAY THE NAME OF ALL 1417 00:50:54,820 --> 00:50:56,120 THESE INCREDIBLE THEATER X'S IN 1418 00:50:56,120 --> 00:50:57,550 A MUSICAL, I WANT TO HEAR YOUR 1419 00:50:57,550 --> 00:50:59,020 FAMILY GO OFF! 1420 00:50:59,020 --> 00:51:01,950 WE'VE GOT SOME HOTTIES IN THIS 1421 00:51:01,950 --> 00:51:04,620 CROWD TONIGHT, RIGHT? 1422 00:51:04,620 --> 00:51:05,520 [CHEERS AND APPLAUSE] 1423 00:51:05,520 --> 00:51:06,620 ARE YOU READY? 1424 00:51:06,620 --> 00:51:09,520 HERE ARE THE NOMINEES. 1425 00:51:09,520 --> 00:51:10,650 * 1426 00:51:10,650 --> 00:51:11,680 >> SHOSHANA BEAN, "THE LOST 1427 00:51:11,680 --> 00:51:13,720 BOYS." 1428 00:51:13,720 --> 00:51:16,280 HANNAH CRUZ, "CHESS." 1429 00:51:16,280 --> 00:51:17,550 RACHEL DRATCH, "RICHARD 1430 00:51:17,550 --> 00:51:18,380 O'BRIEN'S THE ROCKY HORROR 1431 00:51:18,380 --> 00:51:20,820 SHOW." 1432 00:51:20,820 --> 00:51:23,720 ANA GASTEYER, "SCHMIGADOON!" 1433 00:51:23,720 --> 00:51:26,080 NICHELLE LEWIS, "RAGTIME." 1434 00:51:26,080 --> 00:51:28,880 [APPLAUSE] 1435 00:51:28,880 --> 00:51:34,920 * 1436 00:51:34,920 --> 00:51:36,780 [CLEARS THROAT] 1437 00:51:36,780 --> 00:51:42,750 AND THE TONY AWARD GOES TO... 1438 00:51:42,750 --> 00:51:48,080 SHOSHANA BEAN, "THE LOST BOYS." 1439 00:51:48,080 --> 00:51:48,280 [APPLAUSE] 1440 00:51:48,280 --> 00:51:49,180 * 1441 00:51:49,180 --> 00:51:50,780 >> TONIGHT, SHOSHANA BEAN WINS 1442 00:51:50,780 --> 00:51:51,650 HER FIRST TONY. 1443 00:51:51,650 --> 00:51:53,350 SHE WAS NOMINATED IN THE SAME 1444 00:51:53,350 --> 00:51:56,450 CATEGORY IN 2024, FOR 1445 00:51:56,450 --> 00:52:01,650 "HELL'S KITCHEN," AND IN 2022 1446 00:52:01,650 --> 00:52:03,350 FOR "MR. SATURDAY NIGHT." 1447 00:52:03,350 --> 00:52:06,520 * 1448 00:52:06,520 --> 00:52:20,850 * 1449 00:52:20,850 --> 00:52:29,580 [APPLAUSE] 1450 00:52:29,580 --> 00:52:34,080 >> I CAN'T BELIEVE IT! 1451 00:52:34,080 --> 00:52:35,980 ALL RIGHT. 1452 00:52:35,980 --> 00:52:39,780 MIKEY, PATTY, JIMMY, MARKY, 1453 00:52:39,780 --> 00:52:43,380 ESPECIALLY YOU, OUR ENTIRE "LOST 1454 00:52:43,380 --> 00:52:44,180 BOYS" FAMILY. 1455 00:52:44,180 --> 00:52:45,880 BELONGING TO YOU IS LIKE THE 1456 00:52:45,880 --> 00:52:47,720 MOST SINGULAR GIFT OF MY ENTIRE 1457 00:52:47,720 --> 00:52:48,380 CAREER. 1458 00:52:48,380 --> 00:52:51,420 I LOVE YOU, CAST, CREW, 1459 00:52:51,420 --> 00:52:52,380 CREATIVES, EVERYONE AT THE 1460 00:52:52,380 --> 00:52:53,080 PALACE. 1461 00:52:53,080 --> 00:52:55,420 OH, MY GOD, I WILL NEVER STOP 1462 00:52:55,420 --> 00:52:56,820 SCREENING ABOUT HOW THIS 1463 00:52:56,820 --> 00:52:57,850 COMBINATION OF HUMANS IS. 1464 00:52:57,850 --> 00:52:58,680 I'M SO GRATEFUL I GET TO COME TO 1465 00:52:58,680 --> 00:53:00,080 WORK AND PLAY WITH YOU EVERY 1466 00:53:00,080 --> 00:53:00,480 DAY. 1467 00:53:00,480 --> 00:53:03,350 PAUL NOLAN, YOU ARE THE LEADING 1468 00:53:03,350 --> 00:53:05,950 MAN OF MY DREAMS. 1469 00:53:05,950 --> 00:53:07,320 [APPLAUSE] 1470 00:53:07,320 --> 00:53:10,120 I LOVE YOU SO MUCH! 1471 00:53:10,120 --> 00:53:12,880 THIS DOESN'T EXIST WITHOUT YOU, 1472 00:53:12,880 --> 00:53:14,250 BEING YOUR MAMA ON STAGE AND OFF 1473 00:53:14,250 --> 00:53:16,780 HAS BEEN THE GREATEST GIFT OF 1474 00:53:16,780 --> 00:53:17,850 THIS ENTIRE EXPERIENCE. 1475 00:53:17,850 --> 00:53:20,420 THIS IS FOR THE MAMAS. 1476 00:53:20,420 --> 00:53:22,820 THIS IS FOR THE SINGLE MAMAS. 1477 00:53:22,820 --> 00:53:24,620 THIS IS FOR MY SINGLE MAMA. 1478 00:53:24,620 --> 00:53:27,420 YOU ARE THE WILD HEROES. 1479 00:53:27,420 --> 00:53:28,920 THIS IS FOR THE INCREDIBLE ARMY 1480 00:53:28,920 --> 00:53:30,650 OF WOMEN THAT SURROUND AND 1481 00:53:30,650 --> 00:53:31,220 UPLIFT ME. 1482 00:53:31,220 --> 00:53:32,620 THIS IS FOR EVERY WOMAN WHO EVER 1483 00:53:32,620 --> 00:53:35,620 FELT LIKE SHE WAS TOO MUCH OR 1484 00:53:35,620 --> 00:53:35,980 NOT ENOUGH. 1485 00:53:35,980 --> 00:53:37,620 I BEG YOU NOT TO WAIT FOR 1486 00:53:37,620 --> 00:53:40,380 PERMISSION TO BE ALL OF WHO YOU 1487 00:53:40,380 --> 00:53:40,780 ARE. 1488 00:53:40,780 --> 00:53:43,620 TAKE UP SPACE, MAKE YOUR OWN 1489 00:53:43,620 --> 00:53:45,580 PATH, MAKE MISTAKES, MAKE 1490 00:53:45,580 --> 00:53:46,820 MASSES, MAKE NEW THINGS. 1491 00:53:46,820 --> 00:53:52,820 BE FREE, BE LOUD, BE BRAVE, 1492 00:53:52,820 --> 00:53:53,080 AND -- 1493 00:53:53,080 --> 00:53:59,420 I LOVE YOU! 1494 00:53:59,420 --> 00:54:00,120 [CHEERS AND APPLAUSE] 1495 00:54:00,120 --> 00:54:04,320 * 1496 00:54:04,320 --> 00:54:05,950 * 1497 00:54:05,950 --> 00:54:07,080 >> Announcer: PLEASE WELCOME 1498 00:54:07,080 --> 00:54:08,080 TONY NOMINEES LENA WAITHE. 1499 00:54:08,080 --> 00:54:09,350 LAW ROACH, AND JEREMY POPE. 1500 00:54:09,350 --> 00:54:11,250 [APPLAUSE] 1501 00:54:11,250 --> 00:54:12,780 >> IN THE 1980s, AS 1502 00:54:12,780 --> 00:54:14,550 ANDREW LLOYD WEBBER'S "CATS" WA 1503 00:54:14,550 --> 00:54:16,120 TAKING OVER BROADWAY, THE 1504 00:54:16,120 --> 00:54:18,480 BALLROOM SCENE WAS TAKING OVER 1505 00:54:18,480 --> 00:54:19,880 HARLEM, INTRODUCING A QUEER ART 1506 00:54:19,880 --> 00:54:21,320 FORM WHOSE INFLUENCE IS STILL 1507 00:54:21,320 --> 00:54:24,620 FELT TODAY. 1508 00:54:24,620 --> 00:54:27,080 >> THIS REIMAGINING WEAVES THOS 1509 00:54:27,080 --> 00:54:28,720 TWO WORLDS TOGETHER, REFRAMING 1510 00:54:28,720 --> 00:54:31,080 THE JELLICLE BALL INTO A 1511 00:54:31,080 --> 00:54:33,220 BALLROOM COMPETITION, HONORING 1512 00:54:33,220 --> 00:54:34,250 THE LEGACY OF BALLROOM AND 1513 00:54:34,250 --> 00:54:37,280 BROADWAY LEGENDS ALIKE. 1514 00:54:37,280 --> 00:54:39,350 >> SO TONIGHT I GRANT ALL YOU 1515 00:54:39,350 --> 00:54:50,650 BROADWAY KITTIES FULL PERMISSIO 1516 00:54:50,650 --> 00:54:52,850 TO CLAP, QUEER -- OOPS, I MEAN 1517 00:54:52,850 --> 00:54:53,520 CHEER, EMOTE, AND GET 1518 00:54:53,520 --> 00:54:54,380 YOUR LIFE! 1519 00:54:54,380 --> 00:54:55,480 MAKE SOME NOISE FOR THE COMPANY 1520 00:54:55,480 --> 00:54:56,750 OF "CATS: THE JELLICLE BALL!" 1521 00:54:56,750 --> 00:54:59,080 [CHEERS AND APPLAUSE] 1522 00:54:59,080 --> 00:55:00,580 * 1523 00:55:00,580 --> 00:55:01,420 >> * ARE YOU BLIND WHEN YOU'RE 1524 00:55:01,420 --> 00:55:03,620 BORN? * 1525 00:55:03,620 --> 00:55:04,420 >> * CAN YOU SEE IN THE 1526 00:55:04,420 --> 00:55:08,650 DARK? * 1527 00:55:08,650 --> 00:55:11,180 >> * CAN YOU LOOK AT A KING? 1528 00:55:11,180 --> 00:55:12,080 >> * WOULD YOU SIT ON HIS 1529 00:55:12,080 --> 00:55:13,780 THRONE? * 1530 00:55:13,780 --> 00:55:14,920 >> * CAN YOU SAY OF YOUR BITE 1531 00:55:14,920 --> 00:55:15,820 * THAT IT'S WORSE THAN YOUR 1532 00:55:15,820 --> 00:55:19,220 BARK? * 1533 00:55:19,220 --> 00:55:22,420 >> * ARE YOU COCK OF THE WALK 1534 00:55:22,420 --> 00:55:23,280 >> * WHEN YOU'RE WALKING 1535 00:55:23,280 --> 00:55:24,450 ALONE? * 1536 00:55:24,450 --> 00:55:25,580 * BECAUSE 1537 00:55:25,580 --> 00:55:26,620 >> * JELLICLES CAN AND 1538 00:55:26,620 --> 00:55:29,820 JELLICLES DO * 1539 00:55:29,820 --> 00:55:30,620 * JELLICLES DO AND JELLICLES 1540 00:55:30,620 --> 00:55:31,520 CAN * 1541 00:55:31,520 --> 00:55:32,380 * JELLICLES CAN AND JELLICLES 1542 00:55:32,380 --> 00:55:33,680 DO * 1543 00:55:33,680 --> 00:55:34,780 * JELLICLES DO AND JELLICLES 1544 00:55:34,780 --> 00:55:36,320 CAN * 1545 00:55:36,320 --> 00:55:37,420 * JELLICLES CAN AND JELLICLES 1546 00:55:37,420 --> 00:55:38,520 DO * 1547 00:55:38,520 --> 00:55:47,380 [RECORD SCRATCH] 1548 00:55:47,380 --> 00:55:55,080 >> WHAT'S A JELLICLE CAT? 1549 00:55:55,080 --> 00:55:56,850 * 1550 00:55:56,850 --> 00:56:01,650 >> * FELINE, FEARLESS, FAITHFUL 1551 00:56:01,650 --> 00:56:04,350 AND TRUE TO OTHERS WHO DO * 1552 00:56:04,350 --> 00:56:06,550 >> * WHAT 1553 00:56:06,550 --> 00:56:07,480 >> * JELLICLES DO AND JELLICLES 1554 00:56:07,480 --> 00:56:09,250 CAN * 1555 00:56:09,250 --> 00:56:10,350 * JELLICLES CAN AND JELLICLES 1556 00:56:10,350 --> 00:56:12,150 DO * 1557 00:56:12,150 --> 00:56:13,080 * JELLICLE CATS SING JELLICLE 1558 00:56:13,080 --> 00:56:14,580 CHANTS * 1559 00:56:14,580 --> 00:56:15,450 * JELLICLES OLD AND JELLICLES 1560 00:56:15,450 --> 00:56:16,980 NEW * 1561 00:56:16,980 --> 00:56:18,080 * JELLICLE SONG AND JELLICLE 1562 00:56:18,080 --> 00:56:19,880 DANCE * 1563 00:56:19,880 --> 00:56:20,680 * JELLICLE SONGS FOR JELLICLE 1564 00:56:20,680 --> 00:56:21,950 CATS * 1565 00:56:21,950 --> 00:56:22,980 * JELLICLE SONGS FOR JELLICLE 1566 00:56:22,980 --> 00:56:24,520 CATS * 1567 00:56:24,520 --> 00:56:25,550 * JELLICLE SONGS FOR JELLICLE 1568 00:56:25,550 --> 00:56:26,980 CATS * 1569 00:56:26,980 --> 00:56:28,080 * JELLICLE SONGS FOR JELLICLE 1570 00:56:28,080 --> 00:56:32,080 CATS * 1571 00:56:32,080 --> 00:56:32,950 * PRACTICAL CATS, DRAMATICAL 1572 00:56:32,950 --> 00:56:34,080 CATS * 1573 00:56:34,080 --> 00:56:34,920 * PRAGMATICAL CATS, FANATICAL 1574 00:56:34,920 --> 00:56:36,680 CATS * 1575 00:56:36,680 --> 00:56:37,850 * ORATORICAL CATS, DELPHI ORACL 1576 00:56:37,850 --> 00:56:40,380 CATS * 1577 00:56:40,380 --> 00:56:41,380 * SKEPTICAL CATS, DYSPEPTICAL 1578 00:56:41,380 --> 00:56:42,880 CATS * 1579 00:56:42,880 --> 00:56:44,150 * ROMANTICAL CATS, PEDANTICAL 1580 00:56:44,150 --> 00:56:45,980 CATS * 1581 00:56:45,980 --> 00:56:46,880 * CRITICAL CATS, PARASITICAL 1582 00:56:46,880 --> 00:56:48,620 CATS * 1583 00:56:48,620 --> 00:56:50,150 * ALLEGORICAL CATS, METAPHORICA 1584 00:56:50,150 --> 00:56:52,120 CATS * 1585 00:56:52,120 --> 00:56:52,950 * STATISTICAL CATS AND MYSTICAL 1586 00:56:52,950 --> 00:56:54,180 CATS * 1587 00:56:54,180 --> 00:56:55,820 * POLITICAL CATS 1588 00:56:55,820 --> 00:56:58,320 * 1589 00:56:58,320 --> 00:57:04,720 * 1590 00:57:04,720 --> 00:57:05,180 [CHEERS AND APPLAUSE] 1591 00:57:05,180 --> 00:57:06,220 * 1592 00:57:06,220 --> 00:57:08,680 * 1593 00:57:08,680 --> 00:57:11,350 * 1594 00:57:11,350 --> 00:57:14,550 * 1595 00:57:14,550 --> 00:57:18,480 * 1596 00:57:18,480 --> 00:57:20,980 * 1597 00:57:20,980 --> 00:57:26,380 * 1598 00:57:26,380 --> 00:57:30,220 * 1599 00:57:30,220 --> 00:57:33,980 * 1600 00:57:33,980 --> 00:57:36,680 * 1601 00:57:36,680 --> 00:57:39,250 * 1602 00:57:39,250 --> 00:57:42,350 * 1603 00:57:42,350 --> 00:57:47,750 * 1604 00:57:47,750 --> 00:57:53,450 * 1605 00:57:53,450 --> 00:57:56,720 * 1606 00:57:56,720 --> 00:58:00,320 * 1607 00:58:00,320 --> 00:58:06,280 * 1608 00:58:06,280 --> 00:58:10,080 * 1609 00:58:10,080 --> 00:58:17,580 * 1610 00:58:17,580 --> 00:58:26,820 * 1611 00:58:26,820 --> 00:58:33,780 * 1612 00:58:33,780 --> 00:58:40,720 * 1613 00:58:40,720 --> 00:58:45,450 * 1614 00:58:45,450 --> 00:58:49,980 * 1615 00:58:49,980 --> 00:59:01,580 [CHEERS AND APPLAUSE] 1616 00:59:01,580 --> 00:59:06,280 * 1617 00:59:06,280 --> 00:59:17,820 * 1618 00:59:17,820 --> 00:59:18,820 >> Announcer: COMING UP, 1619 00:59:18,820 --> 00:59:19,650 "TWO STRANGERS" CARRY A CAKE 1620 00:59:19,650 --> 00:59:20,450 ACROSS OUR STAGE, AND 1621 00:59:20,450 --> 00:59:21,320 JULIA LOUIS-DREYFUS AND 1622 00:59:21,320 --> 00:59:22,180 LILY RABE PRESENT THE AWARD FOR 1623 00:59:22,180 --> 00:59:23,320 BEST PLAY. 1624 00:59:23,320 --> 00:59:24,580 THE TONY AWARDS. 1625 00:59:24,580 --> 00:59:26,550 THIS IS CBS. 1626 00:59:31,850 --> 00:59:33,350 * 1627 00:59:33,350 --> 00:59:34,750 >> BOTH OF THEM ARE IN THESE 1628 00:59:34,750 --> 00:59:37,120 PIVOTAL MOMENTS IN THEIR LIVES. 1629 00:59:37,120 --> 00:59:38,780 THEY BECOME CATALYSTS FOR REAL 1630 00:59:38,780 --> 00:59:41,680 CHANGE. 1631 00:59:41,680 --> 00:59:42,820 >> IT EXPLORES THEMES LIKE, IS 1632 00:59:42,820 --> 00:59:45,180 THIS THE END OF SOMETHING? 1633 00:59:45,180 --> 00:59:46,080 IS THIS THE BEGINNING OF 1634 00:59:46,080 --> 00:59:47,550 SOMETHING? 1635 00:59:47,550 --> 00:59:48,950 AND IT FORCES YOU TO REASSESS 1636 00:59:48,950 --> 00:59:49,950 WHAT YOUR LIFE HAS BEEN AND WHA 1637 00:59:49,950 --> 00:59:53,080 YOUR LIFE WILL BE. 1638 00:59:53,080 --> 00:59:54,350 >> IT IS ULTIMATELY ABOUT OUR 1639 00:59:54,350 --> 00:59:55,180 TINY MOMENT IN THE UNIVERSE THA 1640 00:59:55,180 --> 00:59:57,250 WE OCCUPY. 1641 00:59:57,250 --> 01:00:04,420 * 1642 01:00:04,420 --> 01:00:04,680 [APPLAUSE] 1643 01:00:04,680 --> 01:00:05,620 * 1644 01:00:05,620 --> 01:00:06,850 >> Announcer: PLEASE WELCOME, 1645 01:00:06,850 --> 01:00:07,950 FROM "OTHER DESERT CITIES," 1646 01:00:07,950 --> 01:00:09,420 RETURNING TO BROADWAY THIS FALL 1647 01:00:09,420 --> 01:00:10,620 EMMY WINNER JULIA LOUIS-DREYFUS 1648 01:00:10,620 --> 01:00:11,780 AND TONY AWARD NOMINEE 1649 01:00:11,780 --> 01:00:13,280 LILY RABE. 1650 01:00:13,280 --> 01:00:19,880 [APPLAUSE] 1651 01:00:19,880 --> 01:00:22,480 >> THE FOUR PLAYS NOMINATED FOR 1652 01:00:22,480 --> 01:00:24,320 BEST PLAY ALL EXPLORE THE NUANC 1653 01:00:24,320 --> 01:00:25,580 AND NECESSITY OF HUMAN 1654 01:00:25,580 --> 01:00:28,820 RELATIONSHIPS. 1655 01:00:28,820 --> 01:00:30,150 THEY ALL EXAMINE WHAT CAN HAPPE 1656 01:00:30,150 --> 01:00:31,980 TO US WITHOUT THAT CONNECTION, 1657 01:00:31,980 --> 01:00:35,850 AND WHAT IS POSSIBLE WITH IT. 1658 01:00:35,850 --> 01:00:38,380 >> AND, EXTRAORDINARILY, ALL OF 1659 01:00:38,380 --> 01:00:39,950 THESE PLAYS WERE BRILLIANTLY 1660 01:00:39,950 --> 01:00:43,750 WRITTEN BY AI. 1661 01:00:43,750 --> 01:00:45,620 [LAUGHTER] 1662 01:00:45,620 --> 01:00:46,880 >> NO, THEY WEREN'T. 1663 01:00:46,880 --> 01:00:48,220 THEY WERE BRILLIANTLY WRITTEN B 1664 01:00:48,220 --> 01:00:54,220 HUMAN PLAYWRIGHTS. 1665 01:00:54,220 --> 01:00:58,420 [APPLAUSE] 1666 01:00:58,420 --> 01:00:59,720 OKAY, WELL, YOU CAN APPLAUD AND 1667 01:00:59,720 --> 01:01:01,680 HOOT AND HOLLER AS MUCH AS YOU 1668 01:01:01,680 --> 01:01:03,320 WANT, BUT THAT'S NOT WHAT 1669 01:01:03,320 --> 01:01:05,980 ChatGPT TOLD ME, SO... 1670 01:01:05,980 --> 01:01:07,980 ANYWAY, JUST GO AHEAD. 1671 01:01:07,980 --> 01:01:08,250 [LAUGHTER] 1672 01:01:08,250 --> 01:01:12,320 >> WE'VE SEEN MOMENTS FROM THE 1673 01:01:12,320 --> 01:01:13,320 BEST PLAYS THROUGHOUT THE NIGHT 1674 01:01:13,320 --> 01:01:14,580 ONCE AGAIN, THE NOMINEES ARE... 1675 01:01:14,580 --> 01:01:18,480 "THE BALUSTERS." 1676 01:01:18,480 --> 01:01:21,580 "GIANT." 1677 01:01:21,580 --> 01:01:24,780 "LIBERATION." 1678 01:01:24,780 --> 01:01:28,250 AND "LITTLE BEAR RIDGE ROAD." 1679 01:01:28,250 --> 01:01:29,120 [APPLAUSE] 1680 01:01:29,120 --> 01:01:31,480 >> AND THE TONY AWARD GOES TO.. 1681 01:01:31,480 --> 01:01:32,920 "LIBERATION." 1682 01:01:32,920 --> 01:01:34,780 [CHEERS AND APPLAUSE] 1683 01:01:34,780 --> 01:01:44,980 * 1684 01:01:44,980 --> 01:01:54,180 >> ACCEPTING THE AWARD FOR 1685 01:01:54,180 --> 01:02:01,820 "LIBERATION," AUTHOR BESS WOHL. 1686 01:02:01,820 --> 01:02:12,180 * 1687 01:02:12,180 --> 01:02:18,180 * 1688 01:02:18,180 --> 01:02:18,550 >> THANK YOU! 1689 01:02:18,550 --> 01:02:21,980 OH, MY GOSH. 1690 01:02:21,980 --> 01:02:22,780 THANK YOU SO MUCH! 1691 01:02:22,780 --> 01:02:25,150 THANK YOU SO MUCH. 1692 01:02:25,150 --> 01:02:31,680 OH, MY GOD, COME ON! 1693 01:02:31,680 --> 01:02:31,950 [APPLAUSE] 1694 01:02:31,950 --> 01:02:35,380 OH, MY GOD! 1695 01:02:35,380 --> 01:02:38,250 THANK YOU SO MUCH! 1696 01:02:38,250 --> 01:02:38,520 THANK YOU. 1697 01:02:38,520 --> 01:02:39,250 THANK YOU. 1698 01:02:39,250 --> 01:02:43,520 THIS IS THE HONOR OF A LIFETIME. 1699 01:02:43,520 --> 01:02:45,250 THANK YOU, AMERICAN THEATRE 1700 01:02:45,250 --> 01:02:46,250 WING, THANK YOU, BROADWAY 1701 01:02:46,250 --> 01:02:47,880 LEAGUE, FOR THIS INCREDIBLE, 1702 01:02:47,880 --> 01:02:48,750 INCREDIBLE AWARD WHICH I SHARE 1703 01:02:48,750 --> 01:02:51,080 WITH ALL OF THESE PEOPLE UP 1704 01:02:51,080 --> 01:02:51,920 HERE. 1705 01:02:51,920 --> 01:02:54,450 THANK YOU SO MUCH! 1706 01:02:54,450 --> 01:02:56,420 [APPLAUSE] 1707 01:02:56,420 --> 01:02:59,220 I REALLY NEED FIRST TO THANK MY 1708 01:02:59,220 --> 01:03:02,080 MOM, WHO TAUGHT ME TO USE MY 1709 01:03:02,080 --> 01:03:02,720 IMAGINATION. 1710 01:03:02,720 --> 01:03:04,520 I NEED TO THANK MY DAUGHTERS, 1711 01:03:04,520 --> 01:03:06,320 WHO LOVE TO REMIND ME THAT I 1712 01:03:06,320 --> 01:03:07,450 COULDN'T HAVE DONE IT WITHOUT 1713 01:03:07,450 --> 01:03:07,650 THEM. 1714 01:03:07,650 --> 01:03:09,450 AND THEY ARE RIGHT. 1715 01:03:09,450 --> 01:03:12,450 TO OUR LEAD PRODUCERS, DARYL 1716 01:03:12,450 --> 01:03:15,450 ROTH, EVA PRICE, RACHEL SUSSMAN, 1717 01:03:15,450 --> 01:03:15,720 THANK YOU. 1718 01:03:15,720 --> 01:03:19,480 THANK YOU FOR BELIEVING THAT AN 1719 01:03:19,480 --> 01:03:20,080 ENSEMBLE PLAY ABOUT WOMEN'S 1720 01:03:20,080 --> 01:03:24,080 LIVES BELONGED ON BROADWAY. 1721 01:03:24,080 --> 01:03:25,080 [APPLAUSE] 1722 01:03:25,080 --> 01:03:27,080 AND TO OUR VISIONARY DIRECTOR, 1723 01:03:27,080 --> 01:03:29,180 WHITNEY WHITE! 1724 01:03:29,180 --> 01:03:33,480 [CHEERS AND APPLAUSE] 1725 01:03:33,480 --> 01:03:35,250 WHITNEY WHITE, NONE OF US WOULD 1726 01:03:35,250 --> 01:03:36,250 BE HERE WITHOUT YOU. 1727 01:03:36,250 --> 01:03:38,720 THANK YOU TO OUTKAST, OUR 1728 01:03:38,720 --> 01:03:39,380 DESIGNERS, EVERYONE WHO BELIEVED 1729 01:03:39,380 --> 01:03:42,520 IN THIS PLAY. 1730 01:03:42,520 --> 01:03:48,420 JENNY GERSTEN, OUR FAMILY 1731 01:03:48,420 --> 01:03:50,450 TRADITIONS, AND A REAL FAMILY. 1732 01:03:50,450 --> 01:03:52,750 IT'S BEEN ALMOST 40 YEARS SINCE 1733 01:03:52,750 --> 01:03:54,680 AN AMERICAN WOMAN PLAYWRIGHT WON 1734 01:03:54,680 --> 01:03:56,880 THIS AWARD! 1735 01:03:56,880 --> 01:03:58,420 [APPLAUSE] 1736 01:03:58,420 --> 01:03:59,620 THAT WAS WENDY WASSERSTEIN FOR 1737 01:03:59,620 --> 01:04:03,220 HER BRILLIANT PLAY, "HEIDI 1738 01:04:03,220 --> 01:04:03,520 CHRONICLES." 1739 01:04:03,520 --> 01:04:05,150 TONIGHT I WANT TO HONOR HER AND 1740 01:04:05,150 --> 01:04:06,280 WOMEN EVERYWHERE WHO HAVE THE 1741 01:04:06,280 --> 01:04:09,280 COURAGE TO USE THEIR VOICE, AND 1742 01:04:09,280 --> 01:04:10,920 TO ALL THE GIRLS OUT THERE. 1743 01:04:10,920 --> 01:04:12,920 MAY YOU SPEAK YOUR TRUTH AND 1744 01:04:12,920 --> 01:04:15,080 MADE THE WORLD BE WISE ENOUGH TO 1745 01:04:15,080 --> 01:04:17,080 LISTEN. 1746 01:04:17,080 --> 01:04:17,620 THANK YOU! 1747 01:04:17,620 --> 01:04:17,880 [APPLAUSE] 1748 01:04:17,880 --> 01:04:22,080 * 1749 01:04:22,080 --> 01:04:33,920 * 1750 01:04:33,920 --> 01:04:36,820 [APPLAUSE] 1751 01:04:36,820 --> 01:04:38,350 >> AS THE MOTHER OF A THEATER 1752 01:04:38,350 --> 01:04:42,850 KID, I KNOW HOW IMPORTANT IT IS 1753 01:04:42,850 --> 01:04:44,850 TO HAVE DRESSES LYING AROUND 1754 01:04:44,850 --> 01:04:45,450 EVERYWHERE. 1755 01:04:45,450 --> 01:04:46,950 NO, I KNOW HOW IMPORTANT IT IS 1756 01:04:46,950 --> 01:04:48,920 FOR CHILDREN IF YOU ARE TO HAVE 1757 01:04:48,920 --> 01:04:49,720 ACCESS TO AN ARTS EDUCATION. 1758 01:04:49,720 --> 01:04:50,780 THAT'S ONE OF THE REASONS I LOV 1759 01:04:50,780 --> 01:04:51,880 THE AMERICAN THEATRE WING. 1760 01:04:51,880 --> 01:04:52,950 THEY ARE OPENING DOORS FOR THE 1761 01:04:52,950 --> 01:04:54,080 NEXT GENERATION, AND ENSURING 1762 01:04:54,080 --> 01:04:55,650 THE FUTURE OF THIS ART FORM. 1763 01:04:55,650 --> 01:04:57,180 IF YOU LOVE THE THEATER, OR KNO 1764 01:04:57,180 --> 01:04:57,980 SOMEONE WHO DOES, YOU'LL WANT T 1765 01:04:57,980 --> 01:04:58,650 TAKE A LOOK AT THIS BRIEF 1766 01:04:58,650 --> 01:04:59,550 MESSAGE FROM THE 1767 01:04:59,550 --> 01:05:00,380 AMERICAN THEATRE WING. 1768 01:05:00,380 --> 01:05:04,950 * 1769 01:05:04,950 --> 01:05:06,650 >> THEATER IS JOY. 1770 01:05:06,650 --> 01:05:08,120 >> THEATER IS TRADITION. 1771 01:05:08,120 --> 01:05:09,480 >> THEATER IS ALIVE. 1772 01:05:09,480 --> 01:05:10,550 >> THEATER IS BELONGING. 1773 01:05:10,550 --> 01:05:11,950 >> THEATER IS POWER. 1774 01:05:11,950 --> 01:05:13,680 >> THEATER IS POSSIBILITY. 1775 01:05:13,680 --> 01:05:16,220 >> THEATER IS WONDER. 1776 01:05:16,220 --> 01:05:18,720 >> THEATER IS HARD [BLEEP] WORK 1777 01:05:18,720 --> 01:05:20,120 >> THEATER CHANGES LIVES, AND 1778 01:05:20,120 --> 01:05:22,150 NONE OF IT HAPPENS BY ACCIDENT. 1779 01:05:22,150 --> 01:05:23,380 >> IT HAS TO BE NURTURED. 1780 01:05:23,380 --> 01:05:24,250 >> TAUGHT. 1781 01:05:24,250 --> 01:05:25,420 >> FUNDED. 1782 01:05:25,420 --> 01:05:26,880 >> PROTECTED. 1783 01:05:26,880 --> 01:05:28,080 >> THAT IS THE WORK OF THE 1784 01:05:28,080 --> 01:05:30,280 AMERICAN THEATRE WING. 1785 01:05:30,280 --> 01:05:32,450 >> THE WING PROVIDES GRANTS, 1786 01:05:32,450 --> 01:05:33,520 SCHOLARSHIPS, AND DIRECT SUPPOR 1787 01:05:33,520 --> 01:05:34,950 TO ARTISTS, STUDENTS, AND 1788 01:05:34,950 --> 01:05:36,780 THEATER COMPANIES NATIONWIDE. 1789 01:05:36,780 --> 01:05:39,080 >> THE WING AMPLIFIES THE VOICE 1790 01:05:39,080 --> 01:05:40,120 AND NURTURES THE STORIES THAT 1791 01:05:40,120 --> 01:05:42,080 SHAPE AMERICAN THEATER. 1792 01:05:42,080 --> 01:05:43,320 >> BECAUSE THEATER IS THE 1793 01:05:43,320 --> 01:05:44,350 FUTURE, AND THE 1794 01:05:44,350 --> 01:05:45,220 AMERICAN THEATRE WING EXISTS TO 1795 01:05:45,220 --> 01:05:46,320 SUPPORT THAT FUTURE. 1796 01:05:46,320 --> 01:05:47,680 >> FOR ARTISTS. 1797 01:05:47,680 --> 01:05:49,250 >> FOR AUDIENCES. 1798 01:05:49,250 --> 01:05:51,180 >> FOR EVERYONE. 1799 01:05:51,180 --> 01:05:52,520 >> EVERYWHERE. 1800 01:05:52,520 --> 01:05:54,080 >> SO PLEASE VISIT 1801 01:05:54,080 --> 01:05:55,320 AmericanTheatreWing.org TO 1802 01:05:55,320 --> 01:05:57,320 JOIN OUR MISSION. 1803 01:05:57,320 --> 01:05:58,380 >> AND IT'S "THEATRE" WITH AN 1804 01:05:58,380 --> 01:06:00,380 R-E, FOR CRYING OUT LOUD! 1805 01:06:00,380 --> 01:06:01,480 >> ALL RIGHT, LET'S GO! 1806 01:06:01,480 --> 01:06:02,250 HEATHER, JACK, CURTAIN UP, LET' 1807 01:06:02,250 --> 01:06:03,150 GO! 1808 01:06:03,150 --> 01:06:06,820 [LAUGHTER] 1809 01:06:06,820 --> 01:06:08,580 [APPLAUSE] 1810 01:06:08,580 --> 01:06:09,980 >> THERE'S ONE PHRASE THAT 1811 01:06:09,980 --> 01:06:13,180 STRIKES FEAR IN THE HEART OF 1812 01:06:13,180 --> 01:06:14,550 EVERY NEW YORKER: "I'M IN TOWN 1813 01:06:14,550 --> 01:06:18,420 AND I WANT TO SEE TIMES SQUARE. 1814 01:06:18,420 --> 01:06:19,120 [LAUGHTER] 1815 01:06:19,120 --> 01:06:20,520 NO, YOU DON'T. 1816 01:06:20,520 --> 01:06:22,280 NO, YOU DON'T. 1817 01:06:22,280 --> 01:06:23,750 NEXT THING YOU KNOW, I'VE BEEN 1818 01:06:23,750 --> 01:06:28,850 HIT BY SIX CITI BIKES DRIVEN BY 1819 01:06:28,850 --> 01:06:30,650 EVERY MEMBER OF A STYLISH 1820 01:06:30,650 --> 01:06:31,080 EUROPEAN FAMILY. 1821 01:06:31,080 --> 01:06:32,180 [LAUGHTER] 1822 01:06:32,180 --> 01:06:33,450 BUT SOMETIMES SEEING THIS PLACE 1823 01:06:33,450 --> 01:06:36,380 THROUGH SOMEONE ELSE'S EYES 1824 01:06:36,380 --> 01:06:37,320 REMINDS YOU WHY IT'S THE 1825 01:06:37,320 --> 01:06:39,820 GREATEST CITY ON EARTH. 1826 01:06:39,820 --> 01:06:44,320 [CHEERS AND APPLAUSE] 1827 01:06:44,320 --> 01:06:50,080 GO, KNICKS! 1828 01:06:50,080 --> 01:06:52,080 [CHEERS AND APPLAUSE] 1829 01:06:52,080 --> 01:06:54,750 IN 4! 1830 01:06:54,750 --> 01:06:57,080 SORRY, I HAD TO. 1831 01:06:57,080 --> 01:06:59,450 AND THAT'S THE JOURNEY THESE 1832 01:06:59,450 --> 01:07:01,550 NEXT TWO TONY NOMINEES TAKE US 1833 01:07:01,550 --> 01:07:02,680 ON EVERY SHOW. 1834 01:07:02,680 --> 01:07:06,350 FROM "TWO STRANGERS (CARRY A 1835 01:07:06,350 --> 01:07:08,820 CAKE ACROSS NEW YORK)," 1836 01:07:08,820 --> 01:07:10,220 THAT'S THE TITLE, 1837 01:07:10,220 --> 01:07:11,650 PLEASE WELCOME CHRISTIANI PITTS 1838 01:07:11,650 --> 01:07:14,620 AND SAM TUTTY. 1839 01:07:14,620 --> 01:07:15,080 [CHEERS AND APPLAUSE] 1840 01:07:15,080 --> 01:07:20,480 * 1841 01:07:20,480 --> 01:07:21,880 >> THIS IS WHERE REACHING FOR 1842 01:07:21,880 --> 01:07:22,920 THE SUBWAY. 1843 01:07:22,920 --> 01:07:24,520 >> THE SUBWAY, LOVE IT! 1844 01:07:24,520 --> 01:07:25,150 >> YOU LOVE THE SUBWAY? 1845 01:07:25,150 --> 01:07:27,520 >> NEW YORK IS KIND OF MY SECOND 1846 01:07:27,520 --> 01:07:29,120 HOME. 1847 01:07:29,120 --> 01:07:30,280 NEW YORK CITY! 1848 01:07:30,280 --> 01:07:31,880 >> IS THAT RIGHT? 1849 01:07:31,880 --> 01:07:33,320 >> THE EMPIRE STATE, THE 1850 01:07:33,320 --> 01:07:33,880 WHITE HOUSE, THE GOLDEN GATE 1851 01:07:33,880 --> 01:07:34,820 BRIDGE... 1852 01:07:34,820 --> 01:07:36,080 >> THE GOLDEN GATE IS -- 1853 01:07:36,080 --> 01:07:37,080 >> * IT'S THE CAPITAL CITY OF 1854 01:07:37,080 --> 01:07:37,950 THE USA * 1855 01:07:37,950 --> 01:07:38,820 >> IT'S NOT. 1856 01:07:38,820 --> 01:07:39,920 >> * THE CITY I SWORE I WOULD 1857 01:07:39,920 --> 01:07:40,850 SEE FOR MYSELF ONE DAY * 1858 01:07:40,850 --> 01:07:41,750 >> BUT YOU'VE ACTUALLY BEEN TO 1859 01:07:41,750 --> 01:07:42,520 NEW YORK BEFORE? 1860 01:07:42,520 --> 01:07:43,850 >> YES! 1861 01:07:43,850 --> 01:07:44,850 UH, NO. 1862 01:07:44,850 --> 01:07:45,750 BUT I HAVE SEEN 1863 01:07:45,750 --> 01:07:46,720 "HOME ALONE 2" QUITE A FEW 1864 01:07:46,720 --> 01:07:47,920 TIMES, SO... 1865 01:07:47,920 --> 01:07:48,820 >> YOU SERIOUS? 1866 01:07:48,820 --> 01:07:49,650 >> * THERE'S PIZZA FOR 1867 01:07:49,650 --> 01:07:50,920 BREAKFAST * 1868 01:07:50,920 --> 01:07:52,250 * THERE IS STEAM IN THE AIR 1869 01:07:52,250 --> 01:07:53,150 * IT'S "CANDY," NOT "SWEETS" 1870 01:07:53,150 --> 01:07:53,980 * AND THE STREETS ARE CALLED 1871 01:07:53,980 --> 01:07:55,450 SIDEWALKS THERE * 1872 01:07:55,450 --> 01:07:56,680 * MY TOWN 1873 01:07:56,680 --> 01:07:57,620 * WHERE EVERYONE HAS AN 1874 01:07:57,620 --> 01:07:58,720 APARTMENT TO SPARE * 1875 01:07:58,720 --> 01:08:00,480 * WITH A SKYLINE VIEW 1876 01:08:00,480 --> 01:08:01,780 * WHERE EVEN IMPROBABLE DREAMS 1877 01:08:01,780 --> 01:08:04,080 COME TRUE * 1878 01:08:04,080 --> 01:08:04,850 * WHERE EVERYTHING COMES WITH A 1879 01:08:04,850 --> 01:08:05,850 SMILE * 1880 01:08:05,850 --> 01:08:06,580 * A HIGH FIVE AND A SIDE OF 1881 01:08:06,580 --> 01:08:08,650 CHEESE * 1882 01:08:08,650 --> 01:08:09,720 * I'M DOWN ON MY KNEES 1883 01:08:09,720 --> 01:08:10,480 * NEW YORK 1884 01:08:10,480 --> 01:08:13,650 >> THAT'S OUR TRAIN! 1885 01:08:13,650 --> 01:08:14,420 >> * I'M ALREADY TALKIN' THE 1886 01:08:14,420 --> 01:08:16,980 TALK IN NEW YORK * 1887 01:08:16,980 --> 01:08:18,120 * I'M ALREADY POPPING THE CORK 1888 01:08:18,120 --> 01:08:20,120 * 'CAUSE I'M READY 1889 01:08:20,120 --> 01:08:22,180 * I'M READY TO BE IN NEW YORK 1890 01:08:22,180 --> 01:08:23,750 * ARE THEY READY? 1891 01:08:23,750 --> 01:08:24,650 ARE THEY READY FOR ME IN 1892 01:08:24,650 --> 01:08:26,720 NEW YORK? * 1893 01:08:26,720 --> 01:08:29,220 IS THIS TIMES SQUARE? 1894 01:08:29,220 --> 01:08:32,180 >> NO, IT'S RADIO CITY! 1895 01:08:32,180 --> 01:08:32,650 [CHEERS AND APPLAUSE] 1896 01:08:32,650 --> 01:08:33,780 * 1897 01:08:33,780 --> 01:08:34,850 * WE'RE BUYING THIS TUX 1898 01:08:34,850 --> 01:08:36,280 >> * WE'RE BUYING THIS TUX? 1899 01:08:36,280 --> 01:08:37,880 * IT'S THREE THOUSAND BUCKS! 1900 01:08:37,880 --> 01:08:39,280 >> * YOUR ATTITUDE SUCKS 1901 01:08:39,280 --> 01:08:40,980 * WE'RE BUYING THIS TUX 1902 01:08:40,980 --> 01:08:42,720 >> * WE'RE BUYING THIS TIE 1903 01:08:42,720 --> 01:08:44,080 >> * WE'RE BUYING SUCCESS 1904 01:08:44,080 --> 01:08:46,620 >> * HELL YES! 1905 01:08:46,620 --> 01:08:47,750 >> * NOW SWALLOW YOUR PRIDE 1906 01:08:47,750 --> 01:08:49,450 >> * I'LL SWALLOW MY PRIDE 1907 01:08:49,450 --> 01:08:50,180 >> * I'M BONNIE, YOU'RE 1908 01:08:50,180 --> 01:08:51,250 CLYDE * 1909 01:08:51,250 --> 01:08:52,080 >> * YOU'RE BONNIE, I'M 1910 01:08:52,080 --> 01:08:54,320 CLYDE * 1911 01:08:54,320 --> 01:08:54,980 * WE'RE GOING TO BE HITCHING A 1912 01:08:54,980 --> 01:08:56,080 RIDE * 1913 01:08:56,080 --> 01:08:59,320 * ON THE AMERICAN EXPRESS! 1914 01:08:59,320 --> 01:09:00,950 THE NAME'S TODD. 1915 01:09:00,950 --> 01:09:02,380 DOUGAL TODD. 1916 01:09:02,380 --> 01:09:03,450 >> HOW DO I LOOK? 1917 01:09:03,450 --> 01:09:04,950 >> THAT'S TOO SEXY. 1918 01:09:04,950 --> 01:09:06,620 THAT'S TOO FLORAL. 1919 01:09:06,620 --> 01:09:08,420 THAT'S NOT ENOUGH SEQUINS. 1920 01:09:08,420 --> 01:09:09,580 YES! 1921 01:09:09,580 --> 01:09:11,280 THAT'S THE DRESS! 1922 01:09:11,280 --> 01:09:12,820 THAT'S THE ONE. 1923 01:09:12,820 --> 01:09:13,580 >> * CRUISING, BOOZING UP THE 1924 01:09:13,580 --> 01:09:15,720 ROCKEFELLER * 1925 01:09:15,720 --> 01:09:16,820 * FEELING SWEET AND SWELL AS 1926 01:09:16,820 --> 01:09:18,650 CINDERELLER * 1927 01:09:18,650 --> 01:09:19,780 >> * FETCH THE FINEST LIQUOR IN 1928 01:09:19,780 --> 01:09:24,380 THE CELLAR * 1929 01:09:24,380 --> 01:09:25,150 >> * MAY I SEE SOME I.D.? 1930 01:09:25,150 --> 01:09:25,880 >> * ARE YOU FLIRTING WITH 1931 01:09:25,880 --> 01:09:26,720 ME? * 1932 01:09:26,720 --> 01:09:27,620 >> * ONE MORE ROUND OF LOBSTER 1933 01:09:27,620 --> 01:09:28,680 CAPPUCCINO * 1934 01:09:28,680 --> 01:09:29,650 >> * EXCUSE ME WHILE I 1935 01:09:29,650 --> 01:09:31,480 INSTAGRAM THE VINO * 1936 01:09:31,480 --> 01:09:33,220 >> * NEW YORK CITY ISN'T SUCH A 1937 01:09:33,220 --> 01:09:36,520 MEAN OLD TOWN * 1938 01:09:36,520 --> 01:09:37,650 >> * WHERE AM I? 1939 01:09:37,650 --> 01:09:42,080 >> * JUST STICK BY MY SIDE 1940 01:09:42,080 --> 01:09:42,850 >> * I'LL STICK BY YOUR SIDE 1941 01:09:42,850 --> 01:09:43,520 >> * I'M BONNIE, YOU'RE 1942 01:09:43,520 --> 01:09:44,250 CLYDE * 1943 01:09:44,250 --> 01:09:45,080 >> * WAIT A SECOND, WAIT A 1944 01:09:45,080 --> 01:09:45,820 SECOND * 1945 01:09:45,820 --> 01:09:46,620 * WHICH ONES BONNIE AND WHICH 1946 01:09:46,620 --> 01:09:47,550 ONES CLYDE? * 1947 01:09:47,550 --> 01:09:48,450 >> * WE ARE GOING TO BE 1948 01:09:48,450 --> 01:09:49,780 HITCHING A RIDE * 1949 01:09:49,780 --> 01:09:51,250 * ON THE AMERICAN EXPRESS 1950 01:09:51,250 --> 01:09:53,080 * 1951 01:09:53,080 --> 01:09:54,850 * 1952 01:09:54,850 --> 01:09:57,480 * 1953 01:09:57,480 --> 01:09:59,520 * 1954 01:09:59,520 --> 01:10:02,080 * 1955 01:10:02,080 --> 01:10:04,520 >> I PITY THE RICH. 1956 01:10:04,520 --> 01:10:05,520 >> WAIT, YOU PITY THE RICH? 1957 01:10:05,520 --> 01:10:06,380 >> THEY'LL NEVER KNOW WHAT IT'S 1958 01:10:06,380 --> 01:10:07,980 LIKE! 1959 01:10:07,980 --> 01:10:09,980 >> TO GO TO A LAUNDROMAT? 1960 01:10:09,980 --> 01:10:11,880 >> * TO ONLY BE RICH 1961 01:10:11,880 --> 01:10:13,680 >> * TO ONLY BE RICH 1962 01:10:13,680 --> 01:10:17,750 >> * FOR ONE MAGICAL NIGHT 1963 01:10:17,750 --> 01:10:23,880 >> * MAGICAL NIGHT 1964 01:10:23,880 --> 01:10:25,050 * I'M BUYING THOSE STARS 1965 01:10:25,050 --> 01:10:26,480 >> * I'M BUYING THAT MOON 1966 01:10:26,480 --> 01:10:28,750 >> * I'M BUYING THESE CARS 1967 01:10:28,750 --> 01:10:31,650 >> * I'VE STOLEN THIS SPOON 1968 01:10:31,650 --> 01:10:33,120 >> * I'M SELLING MY SOUL AND 1969 01:10:33,120 --> 01:10:34,580 BUYING THIS WHOLE IMPOSSIBLE 1970 01:10:34,580 --> 01:10:35,980 MESS * 1971 01:10:35,980 --> 01:10:37,080 >> * WHERE NOW? 1972 01:10:37,080 --> 01:10:38,650 >> * THE PLAZA HOTEL! 1973 01:10:38,650 --> 01:10:39,650 JUST FOLLOW MY STRIDE. 1974 01:10:39,650 --> 01:10:40,720 >> * I'LL FOLLOW YOUR STRIDE 1975 01:10:40,720 --> 01:10:41,580 >> * I'M BONNIE, YOU'RE CLYDE 1976 01:10:41,580 --> 01:10:43,980 >> * YOU'RE BONNIE, I'M CLYDE 1977 01:10:43,980 --> 01:10:46,050 >> * I'M BONNIE, YOU'RE CLYDE 1978 01:10:46,050 --> 01:10:46,920 * WE ARE GOING TO BE HITCHING A 1979 01:10:46,920 --> 01:10:47,780 RIDE * 1980 01:10:47,780 --> 01:10:49,150 >> * ON THE AMERICAN 1981 01:10:49,150 --> 01:10:50,280 >> * ON THE AMERICAN 1982 01:10:50,280 --> 01:10:51,980 >> * ON THE AMERICAN 1983 01:10:51,980 --> 01:10:58,480 EXPRESS! * 1984 01:10:58,480 --> 01:11:00,620 >> PENTHOUSE SUITE, PLEASE! 1985 01:11:00,620 --> 01:11:01,420 * 1986 01:11:01,420 --> 01:11:07,550 [CHEERS AND APPLAUSE] 1987 01:11:07,550 --> 01:11:11,780 * 1988 01:11:11,780 --> 01:11:17,650 * 1989 01:11:17,650 --> 01:11:18,720 >> Announcer: NEXT, THE AWARD 1990 01:11:18,720 --> 01:11:20,580 FOR FEATURED ACTOR IN A MUSICAL 1991 01:11:20,580 --> 01:11:22,080 AND THEN, "CHICAGO" CELEBRATES 1992 01:11:22,080 --> 01:11:23,950 MILESTONE WITH A MEDLEY OF HITS 1993 01:11:23,950 --> 01:11:24,920 THE TONY AWARDS. 1994 01:11:24,920 --> 01:11:27,950 THIS IS CBS. 1995 01:11:35,880 --> 01:11:36,480 >> IT'S A PLAY THAT KEEPS ON 1996 01:11:36,480 --> 01:11:37,480 GIVING, BECAUSE DUNCAN ALWAYS 1997 01:11:37,480 --> 01:11:38,520 DOES A GREAT JOB OF REWRITING 1998 01:11:38,520 --> 01:11:39,880 AROUND THE PARTICULAR PERFORMER 1999 01:11:39,880 --> 01:11:41,080 DAN HAS BEEN SO OPEN TO ADD HIS 2000 01:11:41,080 --> 01:11:43,420 OWN IDEAS. 2001 01:11:43,420 --> 01:11:44,750 >> IT'S TRYING TO SAY SOMETHING 2002 01:11:44,750 --> 01:11:46,520 THAT FEELS AUTHENTIC TO PEOPLE 2003 01:11:46,520 --> 01:11:49,880 WHO KNOW THAT LIVED EXPERIENCE. 2004 01:11:49,880 --> 01:11:51,720 >> IT IS ABOUT MAKING CONNECTIO 2005 01:11:51,720 --> 01:11:53,150 WITH THE AUDIENCE AS A WHOLE 2006 01:11:53,150 --> 01:11:55,480 ENTITY, BUT ALSO AS INDIVIDUALS 2007 01:11:55,480 --> 01:11:56,720 >> THIS PLAY IS A CELEBRATION O 2008 01:11:56,720 --> 01:11:58,120 WHAT IS WONDERFUL ABOUT 2009 01:11:58,120 --> 01:11:59,080 HUMAN BEINGS, AND HOW WE NEED 2010 01:11:59,080 --> 01:12:00,150 EACH OTHER. 2011 01:12:00,150 --> 01:12:07,750 * 2012 01:12:07,750 --> 01:12:08,920 [APPLAUSE] 2013 01:12:08,920 --> 01:12:09,920 >> Announcer: PLEASE WELCOME 2014 01:12:09,920 --> 01:12:10,980 EMMY AWARD NOMINEE 2015 01:12:10,980 --> 01:12:11,950 TITUSS BURGESS, AND TONY AWARD 2016 01:12:11,950 --> 01:12:13,450 WINNER LAURA BENANTI. 2017 01:12:13,450 --> 01:12:16,180 [APPLAUSE] 2018 01:12:16,180 --> 01:12:20,780 * 2019 01:12:20,780 --> 01:12:22,950 >> THIS SEASON 15 MILLION PEOPL 2020 01:12:22,950 --> 01:12:25,150 CAME TO NEW YORK TO SEE BROADWA 2021 01:12:25,150 --> 01:12:28,750 SHOWS, AND IT'S THANKS TO THE 2022 01:12:28,750 --> 01:12:32,280 BROADWAY LEAGUE AND ITS MEMBERS 2023 01:12:32,280 --> 01:12:34,080 THAT SHE BETTER MOVE THIS FONT, 2024 01:12:34,080 --> 01:12:36,550 BABY, BECAUSE I CAN'T SEE THIS. 2025 01:12:36,550 --> 01:12:38,080 >> JUST SQUEEZE IT OPEN. 2026 01:12:38,080 --> 01:12:41,980 >> THERE WE GO, STARTED OVER. 2027 01:12:41,980 --> 01:12:45,080 THIS SEASON... 2028 01:12:45,080 --> 01:12:45,480 [APPLAUSE] 2029 01:12:45,480 --> 01:12:46,480 15 MILLION PEOPLE CAME TO 2030 01:12:46,480 --> 01:12:48,580 NEW YORK TO SEE BROADWAY SHOWS, 2031 01:12:48,580 --> 01:12:49,320 AND IT'S ALL THANKS TO THE 2032 01:12:49,320 --> 01:12:51,220 BROADWAY LEAGUE AND ITS MEMBERS. 2033 01:12:51,220 --> 01:12:53,950 THAT CURTAIN WENT UP EIGHT TIMES 2034 01:12:53,950 --> 01:12:55,220 A WEEK TO CAPTIVATE THOSE 2035 01:12:55,220 --> 01:12:56,680 THEATERGOERS EVERY SINGLE TIME. 2036 01:12:56,680 --> 01:12:57,520 >> TONIGHT IS A CELEBRATION OF 2037 01:12:57,520 --> 01:12:58,350 THESE PRODUCTIONS, AND WE ARE 2038 01:12:58,350 --> 01:12:59,120 THRILLED TO BE HANDING OUT THE 2039 01:12:59,120 --> 01:13:00,080 AWARD FOR FEATURED ACTOR IN A 2040 01:13:00,080 --> 01:13:01,450 MUSICAL. 2041 01:13:01,450 --> 01:13:02,180 JUST BECAUSE THEY ARE "FEATURED 2042 01:13:02,180 --> 01:13:03,220 DOESN'T MEAN THEIR IMPACT IS 2043 01:13:03,220 --> 01:13:07,750 FELT ANY LESS. 2044 01:13:07,750 --> 01:13:09,520 >> NO, AND THIS IS A CATEGORY I 2045 01:13:09,520 --> 01:13:12,720 HAVE NOT BEEN IN YET. 2046 01:13:12,720 --> 01:13:13,920 [CLEARS THROAT] 2047 01:13:13,920 --> 01:13:14,320 IN FACT... 2048 01:13:14,320 --> 01:13:15,320 [LAUGHTER] 2049 01:13:15,320 --> 01:13:17,750 NO, I TELL YOU WHEN TO LAUGH, 2050 01:13:17,750 --> 01:13:18,720 OKAY? 2051 01:13:18,720 --> 01:13:20,720 IN FACT, SOMETIMES IT'S THESE 2052 01:13:20,720 --> 01:13:23,280 SUPPORTING PLAYERS WHO SHINE THE 2053 01:13:23,280 --> 01:13:23,720 BRIGHTEST. 2054 01:13:23,720 --> 01:13:25,480 >> YES, THERE ARE DEFINITELY 2055 01:13:25,480 --> 01:13:26,920 SOME PEOPLE WEAR YOUR EYES ARE 2056 01:13:26,920 --> 01:13:29,080 SIMPLY NATURALLY DRAWN TO THEM. 2057 01:13:29,080 --> 01:13:31,650 >> THERE IS NO DENYING NATURAL 2058 01:13:31,650 --> 01:13:32,480 STATES PRESENCE. 2059 01:13:32,480 --> 01:13:34,680 >> CERTAINLY YOU CANNOT TEACH 2060 01:13:34,680 --> 01:13:36,320 IT. 2061 01:13:36,320 --> 01:13:38,680 GRACE, COMPOSURE, HUMILITY, ALL 2062 01:13:38,680 --> 01:13:39,250 GREAT QUALITIES IN A SCENE 2063 01:13:39,250 --> 01:13:41,880 PARTNER. 2064 01:13:41,880 --> 01:13:43,280 >> AND ALL DEMONSTRATED BY THESE 2065 01:13:43,280 --> 01:13:43,880 PERFORMERS. 2066 01:13:43,880 --> 01:13:45,150 HERE ARE THE NOMINEES FOR 2067 01:13:45,150 --> 01:13:46,750 FEATURED ACTOR IN A MUSICAL, A 2068 01:13:46,750 --> 01:13:48,920 CATEGORY I HAVE NOT BEEN IN. 2069 01:13:48,920 --> 01:13:49,180 [APPLAUSE] 2070 01:13:49,180 --> 01:13:50,850 * 2071 01:13:50,850 --> 01:13:51,820 >> ALI LOUIS BOURZGUI. 2072 01:13:51,820 --> 01:13:56,720 "THE LOST BOYS." 2073 01:13:56,720 --> 01:13:57,480 ANDRE DE SHIELDS. 2074 01:13:57,480 --> 01:13:58,680 "CATS: THE JELLICLE BALL." 2075 01:13:58,680 --> 01:13:59,720 BRYCE PINKHAM, "CHESS." 2076 01:13:59,720 --> 01:14:01,450 BEN LEVI ROSS, "RAGTIME." 2077 01:14:01,450 --> 01:14:06,850 LAYTON WILLIAMS, "TITANIQUE." 2078 01:14:06,850 --> 01:14:07,420 [APPLAUSE] 2079 01:14:07,420 --> 01:14:13,920 >> AND THE TONY AWARD GOES TO.. 2080 01:14:13,920 --> 01:14:14,580 ALI LOUIS BOURZGUI, 2081 01:14:14,580 --> 01:14:17,420 "THE LOST BOYS." 2082 01:14:17,420 --> 01:14:17,880 [CHEERS AND APPLAUSE] 2083 01:14:17,880 --> 01:14:20,920 * 2084 01:14:20,920 --> 01:14:23,080 >> THIS IS THE FIRST NOMINATION 2085 01:14:23,080 --> 01:14:25,850 AND WIN FOR ALI LOUIS BOURZGUI 2086 01:14:25,850 --> 01:14:29,850 WHO PREVIOUSLY STARRED IN THE 2087 01:14:29,850 --> 01:14:39,080 TITLE ROLE OF "THE WHO'S TOMMY." 2088 01:14:39,080 --> 01:14:41,150 >> WHOA! 2089 01:14:41,150 --> 01:14:57,950 THANK YOU! 2090 01:14:57,950 --> 01:14:58,580 I HAVE SO MANY PEOPLE TO THANK, 2091 01:14:58,580 --> 01:14:59,220 BUT I'M GOING TO THANK EVERYONE 2092 01:14:59,220 --> 01:14:59,480 IN PERSON. 2093 01:14:59,480 --> 01:15:00,080 OR CHECK OUT MY INSTAGRAM 2094 01:15:00,080 --> 01:15:00,720 STORIES WHERE I'VE BEEN DOING A 2095 01:15:00,720 --> 01:15:01,350 FEATURE ABOUT EVERYONE BACKSTAGE 2096 01:15:01,350 --> 01:15:01,950 AND EVERYTHING, BECAUSE I HAVE 2097 01:15:01,950 --> 01:15:02,450 SOME THE THINGS TO SAY. 2098 01:15:02,450 --> 01:15:02,980 SOMETIMES HUMANITY NEEDS A 2099 01:15:02,980 --> 01:15:03,550 FANTASTICAL LENS OUTSIDE OF 2100 01:15:03,550 --> 01:15:04,220 OURSELVES TO LOOK AT AND EXPLORE 2101 01:15:04,220 --> 01:15:04,720 QUESTIONS OF OUR NATURE. 2102 01:15:04,720 --> 01:15:05,280 VAMPIRES REPRESENT THOSE WHO 2103 01:15:05,280 --> 01:15:05,920 HAVE SHUNNED THEIR OWN HUMANITY 2104 01:15:05,920 --> 01:15:06,380 TO ACHIEVE A SENSE OF 2105 01:15:06,380 --> 01:15:06,680 SUPERIORITY. 2106 01:15:06,680 --> 01:15:07,920 THE BILLIONAIRES WILL NEVER FIND 2107 01:15:07,920 --> 01:15:08,450 HAPPINESS FROM THE MONEY. 2108 01:15:08,450 --> 01:15:11,780 THE COLONIZERS WILL NEVER FIND 2109 01:15:11,780 --> 01:15:12,480 HAPPINESS FROM THE LAND IN LIFE 2110 01:15:12,480 --> 01:15:14,920 THEY STEAL. 2111 01:15:14,920 --> 01:15:16,350 NOT IN THIS LIFETIME OR 2112 01:15:16,350 --> 01:15:16,920 ETERNITY. 2113 01:15:16,920 --> 01:15:18,450 PEOPLE LIKE TO SAY THAT THEATER 2114 01:15:18,450 --> 01:15:20,320 IS A FORM OF ESCAPE, BUT I HAVE 2115 01:15:20,320 --> 01:15:21,520 FOUND MORE THAN EVER THAT IN 2116 01:15:21,520 --> 01:15:22,280 THIS SEASON AND TIME THAT 2117 01:15:22,280 --> 01:15:23,720 THEATER IS ONE OF THE LAST 2118 01:15:23,720 --> 01:15:25,120 PLACES PEOPLE CAN COME TO 2119 01:15:25,120 --> 01:15:27,180 WORSHIP THE POWER OF TRUE 2120 01:15:27,180 --> 01:15:29,520 COLLECTIVE HUMAN PRESENCE. 2121 01:15:29,520 --> 01:15:29,780 [APPLAUSE] 2122 01:15:29,780 --> 01:15:32,480 WE TAKE A MOMENT TO RECONDITION 2123 01:15:32,480 --> 01:15:32,880 OUR ADDICTION TO 2124 01:15:32,880 --> 01:15:33,250 DESENSITIZATION. 2125 01:15:33,250 --> 01:15:35,850 WE ASK HOW WE CAN SEE OURSELVES 2126 01:15:35,850 --> 01:15:36,720 IN A STRANGER'S STORY AND CARRY 2127 01:15:36,720 --> 01:15:38,220 THAT SENTIMENT OUT IN THE WORLD 2128 01:15:38,220 --> 01:15:39,080 THAT NEEDS US TO ASK THAT MORE 2129 01:15:39,080 --> 01:15:39,820 THAN EVER. 2130 01:15:39,820 --> 01:15:41,480 THIS IS DEDICATED TO THE 2131 01:15:41,480 --> 01:15:42,680 BEAUTIFUL TAPESTRY OF IMMIGRANT 2132 01:15:42,680 --> 01:15:43,780 FAMILIES WHO MAKE THIS COUNTRY 2133 01:15:43,780 --> 01:15:46,680 REALLY SPECIAL. 2134 01:15:46,680 --> 01:15:47,680 [APPLAUSE] 2135 01:15:47,680 --> 01:15:48,820 ME ONE DAY NOT HAVE TO AUDITION 2136 01:15:48,820 --> 01:15:49,950 FOR THE EMPATHY THAT SHOULD BE 2137 01:15:49,950 --> 01:15:53,080 FREELY GIVEN BY THIS COUNTRY, 2138 01:15:53,080 --> 01:15:53,920 THE BENEFITS FROM YOUR BEAUTY. 2139 01:15:53,920 --> 01:15:58,480 FOR THE QUEER AND TRANS 2140 01:15:58,480 --> 01:15:59,120 COMMUNITIES THAT HAVE AND ALWAYS 2141 01:15:59,120 --> 01:16:00,950 WILL EXIST NO MATTER WHAT PEOPLE 2142 01:16:00,950 --> 01:16:02,480 IN POWER TRY TO TAKE AWAY FROM 2143 01:16:02,480 --> 01:16:03,120 THEM. 2144 01:16:03,120 --> 01:16:04,350 FOR THE PEOPLE IN PALESTINE WHO 2145 01:16:04,350 --> 01:16:06,220 DESERVED TO LIVE A FREE LIFE AND 2146 01:16:06,220 --> 01:16:07,950 A FULL LIFE WITHOUT OCCUPATION. 2147 01:16:07,950 --> 01:16:09,780 FOR ARAB THEATER MAKERS AND 2148 01:16:09,780 --> 01:16:11,150 ARTISTS, MAY WE CONTINUE TO TELL 2149 01:16:11,150 --> 01:16:13,180 OUR STORIES AND SHOW OUR FACES 2150 01:16:13,180 --> 01:16:14,380 TO OUR HUMANITY BECOMES 2151 01:16:14,380 --> 01:16:15,180 UNDENIABLE AND OUR FAMILIES CAN 2152 01:16:15,180 --> 01:16:16,520 NO LONGER BE WRITTEN OFF AS 2153 01:16:16,520 --> 01:16:18,080 MERELY COLLATERAL DAMAGE. 2154 01:16:18,080 --> 01:16:19,820 MADE A NOTE OF THE BEAUTY OF OUR 2155 01:16:19,820 --> 01:16:21,650 KISSES ON EACH CHEEK AND THE 2156 01:16:21,650 --> 01:16:22,250 ROMANCE OF A LANGUAGE WRITTEN 2157 01:16:22,250 --> 01:16:22,820 FOR PASSION IN LIFE ITSELF. 2158 01:16:22,820 --> 01:16:24,650 IF THERE'S ONE THING WE CAN 2159 01:16:24,650 --> 01:16:25,720 LEARN FROM VAMPIRES, IT IS THAT 2160 01:16:25,720 --> 01:16:27,280 LIFE IS SHORT BUT THAT IS ITS 2161 01:16:27,280 --> 01:16:28,080 GIFT. 2162 01:16:28,080 --> 01:16:29,480 FIND BEAUTY IN THE EPHEMERAL AND 2163 01:16:29,480 --> 01:16:30,650 GRATITUDE AND WHAT IS NOT 2164 01:16:30,650 --> 01:16:31,420 PROMISED, AND ALWAYS INVEST IN 2165 01:16:31,420 --> 01:16:33,480 THE PEOPLE WHO WANT TO SEE 2166 01:16:33,480 --> 01:16:34,920 BLOSSOM AS YOUR TRUEST SELF, AND 2167 01:16:34,920 --> 01:16:37,920 HOLD THAT SPACE FOR THEM. 2168 01:16:37,920 --> 01:16:40,880 I DEDICATE THIS WORD TO MY LATE 2169 01:16:40,880 --> 01:16:41,380 MENTOR, RALPH. 2170 01:16:41,380 --> 01:16:41,650 THANK YOU. 2171 01:16:41,650 --> 01:16:41,920 [APPLAUSE] 2172 01:16:41,920 --> 01:16:45,580 * 2173 01:16:45,580 --> 01:16:48,380 * 2174 01:16:48,380 --> 01:16:49,080 >> Announcer: PLEASE WELCOME 2175 01:16:49,080 --> 01:16:50,280 QUEEN LATIFAH. 2176 01:16:50,280 --> 01:16:51,450 [APPLAUSE] 2177 01:16:51,450 --> 01:16:55,180 * 2178 01:16:55,180 --> 01:16:56,520 >> WHAT DOES IT TAKE TO BECOME 2179 01:16:56,520 --> 01:17:00,320 THE LONGEST-RUNNING REVIVAL IN 2180 01:17:00,320 --> 01:17:01,880 BROADWAY HISTORY, PLAYING TO 2181 01:17:01,880 --> 01:17:03,780 RECORD NUMBERS AT THE 2182 01:17:03,780 --> 01:17:04,780 AMBASSADOR THEATER AND AROUND 2183 01:17:04,780 --> 01:17:08,450 THE WORLD? 2184 01:17:08,450 --> 01:17:10,850 A LITTLE RAZZLE-DAZZLE, A WHOLE 2185 01:17:10,850 --> 01:17:12,380 LOT OF MURDER, AND ALL THAT 2186 01:17:12,380 --> 01:17:17,220 JAZZ. 2187 01:17:17,220 --> 01:17:17,950 [APPLAUSE] 2188 01:17:17,950 --> 01:17:19,820 AT 30 YEARS AND COUNTING, 2189 01:17:19,820 --> 01:17:21,220 "CHICAGO" HAS PROVEN TO HAVE 2190 01:17:21,220 --> 01:17:22,850 MORE THAN JUST STAYING POWER, 2191 01:17:22,850 --> 01:17:24,080 AND I COUNT MYSELF LUCKY TO 2192 01:17:24,080 --> 01:17:29,820 SHARE IN THAT LEGACY. 2193 01:17:29,820 --> 01:17:32,280 AND NOW, LADIES AND GENTLEMEN.. 2194 01:17:32,280 --> 01:17:33,180 FROM ONE MOTHER HEN TO 2195 01:17:33,180 --> 01:17:35,180 ANOTHER... 2196 01:17:35,180 --> 01:17:36,950 THE KEEPER OF THE KEYS, THE 2197 01:17:36,950 --> 01:17:38,480 COUNTESS OF THE CLINK, THE 2198 01:17:38,480 --> 01:17:40,850 MISTRESS OF MURDERESS ROW... 2199 01:17:40,850 --> 01:17:43,420 MATRON "MAMA" MORTON! 2200 01:17:43,420 --> 01:17:46,880 [CHEERS AND APPLAUSE] 2201 01:17:46,880 --> 01:17:49,080 * 2202 01:17:49,080 --> 01:17:50,580 * 2203 01:17:50,580 --> 01:17:53,080 >> * GOT A LITTLE MOTTO 2204 01:17:53,080 --> 01:17:55,480 * ALWAYS SEES ME THROUGH 2205 01:17:55,480 --> 01:17:58,250 * WHEN YOU'RE GOOD TO MAMA 2206 01:17:58,250 --> 01:18:03,080 * MAMA'S GOOD TO YOU 2207 01:18:03,080 --> 01:18:04,680 * THE FOLKS ATOP THE LADDER 2208 01:18:04,680 --> 01:18:05,820 * ARE THE ONES THE WORLD 2209 01:18:05,820 --> 01:18:08,120 ADORES * 2210 01:18:08,120 --> 01:18:09,320 * SO BOOST ME UP MY LADDER, 2211 01:18:09,320 --> 01:18:11,080 KID * 2212 01:18:11,080 --> 01:18:14,220 * AND I'LL BOOST YOU UP YOURS 2213 01:18:14,220 --> 01:18:16,520 * LET'S ALL STROKE TOGETHER 2214 01:18:16,520 --> 01:18:19,550 * LIKE THE PRINCETON CREW 2215 01:18:19,550 --> 01:18:22,520 * WHEN YOU'RE STROKIN' MAMA 2216 01:18:22,520 --> 01:18:30,120 * MAMA'S STROKIN' YOU 2217 01:18:30,120 --> 01:18:31,250 * SO WHAT'S THE ONE CONCLUSION 2218 01:18:31,250 --> 01:18:39,080 * I CAN BRING THIS NUMBER TO? 2219 01:18:39,080 --> 01:18:46,550 * WHEN YOU'RE GOOD TO MAMA 2220 01:18:46,550 --> 01:18:51,850 * MAMA'S GOOD TO YOU! 2221 01:18:51,850 --> 01:18:54,520 * TO YOU 2222 01:18:54,520 --> 01:19:01,250 * TO YOU 2223 01:19:01,250 --> 01:19:05,780 [CHEERS AND APPLAUSE] 2224 01:19:05,780 --> 01:19:06,220 >> * POP 2225 01:19:06,220 --> 01:19:07,220 * 2226 01:19:07,220 --> 01:19:08,550 >> * SIX 2227 01:19:08,550 --> 01:19:10,580 >> * SQUISH 2228 01:19:10,580 --> 01:19:12,380 >> * UH-UH 2229 01:19:12,380 --> 01:19:14,250 >> * CICERO 2230 01:19:14,250 --> 01:19:16,720 >> * LIPSHITZ 2231 01:19:16,720 --> 01:19:17,350 >> * POP 2232 01:19:17,350 --> 01:19:18,080 >> * SIX 2233 01:19:18,080 --> 01:19:18,780 >> * SQUISH 2234 01:19:18,780 --> 01:19:19,520 >> * UH-UH 2235 01:19:19,520 --> 01:19:20,220 >> * CICERO 2236 01:19:20,220 --> 01:19:21,850 >> * LIPSHITZ 2237 01:19:21,850 --> 01:19:23,180 >> * HE HAD IT COMING 2238 01:19:23,180 --> 01:19:24,620 * HE HAD IT COMING 2239 01:19:24,620 --> 01:19:27,080 * HE ONLY HAD HIMSELF TO BLAME 2240 01:19:27,080 --> 01:19:28,480 * IF YOU'D HAVE BEEN THERE 2241 01:19:28,480 --> 01:19:30,520 * IF YOU'D HAVE SEEN IT 2242 01:19:30,520 --> 01:19:31,620 * I BETCHA YOU WOULD HAVE DONE 2243 01:19:31,620 --> 01:19:34,680 THE SAME * 2244 01:19:34,680 --> 01:19:35,420 * HE HAD IT COMING, HE HAD IT 2245 01:19:35,420 --> 01:19:37,250 COMING * 2246 01:19:37,250 --> 01:19:40,550 * HE ONLY HAD HIMSELF TO BLAME 2247 01:19:40,550 --> 01:19:42,350 * IF YOU'D HAVE BEEN THERE 2248 01:19:42,350 --> 01:19:44,450 * IF YOU'D HAVE SEEN IT 2249 01:19:44,450 --> 01:19:45,480 * I BETCHA YOU WOULD HAVE DONE 2250 01:19:45,480 --> 01:19:46,850 THE SAME * 2251 01:19:46,850 --> 01:19:47,650 * 2252 01:19:47,650 --> 01:19:48,420 >> YOU POP THAT GUM ONE MORE 2253 01:19:48,420 --> 01:19:49,680 TIME... 2254 01:19:49,680 --> 01:19:50,750 >> SINGLE MY ASS! 2255 01:19:50,750 --> 01:19:51,850 >> TEN TIMES! 2256 01:19:51,850 --> 01:19:52,980 >> NOT GUILTY! 2257 01:19:52,980 --> 01:19:54,320 >> NUMBER 17, THE SPREAD EAGLE! 2258 01:19:54,320 --> 01:19:56,480 >> ARTISTIC DIFFERENCES. 2259 01:19:56,480 --> 01:19:57,980 >> * I BETCHA YOU WOULD HAVE 2260 01:19:57,980 --> 01:20:01,150 DONE THE SAME * 2261 01:20:01,150 --> 01:20:03,820 * 2262 01:20:03,820 --> 01:20:08,920 * 2263 01:20:08,920 --> 01:20:13,420 * 2264 01:20:13,420 --> 01:20:17,250 * 2265 01:20:17,250 --> 01:20:18,380 >> * COME ON, BABE, WHY DON'T 2266 01:20:18,380 --> 01:20:21,180 WE PAINT THE TOWN * 2267 01:20:21,180 --> 01:20:23,920 * AND ALL THAT JAZZ 2268 01:20:23,920 --> 01:20:25,350 * I'M GONNA ROUGE MY KNEES AND 2269 01:20:25,350 --> 01:20:28,420 ROLL MY STOCKINGS DOWN * 2270 01:20:28,420 --> 01:20:33,150 * AND ALL THAT JAZZ 2271 01:20:33,150 --> 01:20:33,950 * START THE CAR, I KNOW A 2272 01:20:33,950 --> 01:20:35,720 WHOOPEE SPOT * 2273 01:20:35,720 --> 01:20:36,920 * WHERE THE GIN IS COLD, BUT TH 2274 01:20:36,920 --> 01:20:39,220 PIANO'S HOT * 2275 01:20:39,220 --> 01:20:40,480 * IT'S JUST A NOISY HALL WHERE 2276 01:20:40,480 --> 01:20:41,880 THERE'S A NIGHTLY BRAWL * 2277 01:20:41,880 --> 01:20:44,080 * AND ALL 2278 01:20:44,080 --> 01:20:46,350 * THAT 2279 01:20:46,350 --> 01:20:49,120 * JAZZ 2280 01:20:49,120 --> 01:20:51,820 * 2281 01:20:51,820 --> 01:20:53,620 * 2282 01:20:53,620 --> 01:20:54,480 >> * COME ON, BABE, WHY DON'T 2283 01:20:54,480 --> 01:20:55,280 WE PAINT THE TOWN * 2284 01:20:55,280 --> 01:20:56,480 >> * OH, WE'RE GONNA SEE YOUR 2285 01:20:56,480 --> 01:20:57,380 SHEBA SHIMMY SHAKE * 2286 01:20:57,380 --> 01:20:58,380 >> * AND ALL THAT JAZZ 2287 01:20:58,380 --> 01:20:59,780 >> * AND ALL THAT JAZZ 2288 01:20:59,780 --> 01:21:00,850 >> * I'M GONNA ROUGE MY KNEES 2289 01:21:00,850 --> 01:21:01,820 AND ROLL MY STOCKINGS DOWN * 2290 01:21:01,820 --> 01:21:02,820 >> * OH, SHE'S GONNA SHIMMY 2291 01:21:02,820 --> 01:21:03,820 TILL HER GARTERS BREAK * 2292 01:21:03,820 --> 01:21:04,920 >> * AND ALL THAT JAZZ 2293 01:21:04,920 --> 01:21:06,220 >> * AND ALL THAT JAZZ 2294 01:21:06,220 --> 01:21:07,380 >> * START THE CAR, I KNOW I A 2295 01:21:07,380 --> 01:21:08,380 WHOOPEE SPOT *. 2296 01:21:08,380 --> 01:21:09,280 >> * SHOW HER WHERE TO PARK HER 2297 01:21:09,280 --> 01:21:10,120 GIRDLE * 2298 01:21:10,120 --> 01:21:10,980 >> * WHERE THE GIN IS COLD, BUT 2299 01:21:10,980 --> 01:21:11,680 THE PIANO'S HOT * 2300 01:21:11,680 --> 01:21:12,480 >> * OH, HER MOTHER'S BLOOD'D 2301 01:21:12,480 --> 01:21:13,220 CURDLE * 2302 01:21:13,220 --> 01:21:13,950 >> * IT'S JUST A NOISY HALL 2303 01:21:13,950 --> 01:21:14,620 WHERE THERE'S A NIGHTLY BRAWL * 2304 01:21:14,620 --> 01:21:15,350 >> * IF SHE'D HEAR HER BABY'S 2305 01:21:15,350 --> 01:21:16,080 QUEER * 2306 01:21:16,080 --> 01:21:17,450 >> * AND ALL 2307 01:21:17,450 --> 01:21:19,350 * THAT 2308 01:21:19,350 --> 01:21:20,920 * 2309 01:21:20,920 --> 01:21:23,180 * 2310 01:21:23,180 --> 01:21:24,820 * NO, I'M NO ONE'S WIFE, BUT 2311 01:21:24,820 --> 01:21:27,350 * OH, I LOVE MY LIFE 2312 01:21:27,350 --> 01:21:29,150 * AND ALL 2313 01:21:29,150 --> 01:21:30,720 * 2314 01:21:30,720 --> 01:21:33,150 * THAT 2315 01:21:33,150 --> 01:21:35,080 * 2316 01:21:35,080 --> 01:21:39,380 * JAZZ 2317 01:21:39,380 --> 01:21:41,080 >> * THAT JAZZ 2318 01:21:41,080 --> 01:21:42,250 * 2319 01:21:42,250 --> 01:21:51,780 [CHEERS AND APPLAUSE] 2320 01:21:51,780 --> 01:21:55,420 * 2321 01:21:55,420 --> 01:22:01,450 * 2322 01:22:01,450 --> 01:22:02,380 >> THE EVENTS OF THE EVENING AR 2323 01:22:02,380 --> 01:22:03,520 AS FOLLOWS... 2324 01:22:03,520 --> 01:22:04,580 A GAGGLE OF VAMPIRES WILL 2325 01:22:04,580 --> 01:22:06,420 DESCEND UPON OUR STAGE, 2326 01:22:06,420 --> 01:22:07,720 ANNETTE BENING SHALL FIND 2327 01:22:07,720 --> 01:22:09,480 HERSELF IN THE CLUTCHES OF OUR 2328 01:22:09,480 --> 01:22:10,580 TALE, AND FINALLY, WE SHALL ALL 2329 01:22:10,580 --> 01:22:12,120 BE SUBJECTED TO A STRANGE, 2330 01:22:12,120 --> 01:22:14,480 HEAVY, PENDULOUS PERFORMANCE BY 2331 01:22:14,480 --> 01:22:15,480 THE COMPANY OF 2332 01:22:15,480 --> 01:22:16,550 "RICHARD O'BRIEN'S ROCKY HORROR 2333 01:22:16,550 --> 01:22:17,850 SHOW." 2334 01:22:17,850 --> 01:22:19,080 THIS IS THE TONYS. 2335 01:22:19,080 --> 01:22:22,080 THIS IS CBS. 2336 01:22:26,820 --> 01:22:28,780 * 2337 01:22:28,780 --> 01:22:29,880 >> THE ONLY WAY TO BE TRUE TO 2338 01:22:29,880 --> 01:22:30,820 THE SPIRIT OF THE ORIGINAL IS T 2339 01:22:30,820 --> 01:22:32,820 BRING IT TO NOW. 2340 01:22:32,820 --> 01:22:34,080 >> THERE ARE LINES LIKE, 2341 01:22:34,080 --> 01:22:35,420 "THEY'VE DRAGGED US BACKWARDS T 2342 01:22:35,420 --> 01:22:36,720 THE DAYS WHEN RUMORS AND LIES 2343 01:22:36,720 --> 01:22:41,650 WERE THE SAME THING AS TRUTH." 2344 01:22:41,650 --> 01:22:42,780 IT COULD BE ARGUED WE ARE NOT 2345 01:22:42,780 --> 01:22:44,250 LIVING IN DISSIMILAR WORLD NOW. 2346 01:22:44,250 --> 01:22:45,520 >> LOTS HAS CHANGED AROUND US. 2347 01:22:45,520 --> 01:22:46,280 THE HUMAN CONDITION DOESN'T. 2348 01:22:46,280 --> 01:22:47,580 >> THE FACT THAT THE STORY IS 2349 01:22:47,580 --> 01:22:49,120 TWO-AND-A-HALF-THOUSAND YEARS 2350 01:22:49,120 --> 01:22:50,520 OLD IS INCREDIBLE, AND MAKES YO 2351 01:22:50,520 --> 01:22:58,320 REALIZE HOW VITAL THEATER IS. 2352 01:22:58,320 --> 01:22:58,580 [APPLAUSE] 2353 01:22:58,580 --> 01:23:01,550 * 2354 01:23:01,550 --> 01:23:04,150 >> Announcer: PLEASE WELCOME 2355 01:23:04,150 --> 01:23:05,150 TWO-TIME TONY NOMINEE 2356 01:23:05,150 --> 01:23:06,320 ANNETTE BENING. 2357 01:23:06,320 --> 01:23:07,480 [APPLAUSE] 2358 01:23:07,480 --> 01:23:14,080 * 2359 01:23:14,080 --> 01:23:15,520 >> I DON'T CARE IF YOU ARE A 2360 01:23:15,520 --> 01:23:17,120 SEASONED VET OR A TOTAL 2361 01:23:17,120 --> 01:23:19,480 ROOKIE -- THAT MOMENT RIGHT 2362 01:23:19,480 --> 01:23:20,350 BEFORE YOU GO ON STAGE, IT'S 2363 01:23:20,350 --> 01:23:26,420 THRILLING. 2364 01:23:26,420 --> 01:23:27,380 YOU STEP OUT THERE, YOU SHUT OU 2365 01:23:27,380 --> 01:23:28,220 THE WORLD, AND CREATE A TOTALLY 2366 01:23:28,220 --> 01:23:30,080 NEW ONE. 2367 01:23:30,080 --> 01:23:31,620 THAT FEELING, IT'S A RUSH. 2368 01:23:31,620 --> 01:23:33,120 IT'S LIFE-GIVING. 2369 01:23:33,120 --> 01:23:38,520 ISN'T IT JUST THE BEST? 2370 01:23:38,520 --> 01:23:41,650 [APPLAUSE] 2371 01:23:41,650 --> 01:23:42,850 SO MANY WOMEN THIS SEASON 2372 01:23:42,850 --> 01:23:43,780 DELIVERED PERFORMANCES THAT ARE 2373 01:23:43,780 --> 01:23:44,720 BRIMMING WITH THAT EXHILARATING 2374 01:23:44,720 --> 01:23:46,280 ENERGY. 2375 01:23:46,280 --> 01:23:47,320 HERE ARE THE NOMINEES FOR LEAD 2376 01:23:47,320 --> 01:23:52,950 ACTRESS IN A PLAY. 2377 01:23:52,950 --> 01:23:53,950 * 2378 01:23:53,950 --> 01:23:56,550 >> ROSE BYRNE, "FALLEN ANGELS." 2379 01:23:56,550 --> 01:23:59,280 CARRIE COON, "BUG." 2380 01:23:59,280 --> 01:24:01,650 SUSANNAH FLOOD, "LIBERATION." 2381 01:24:01,650 --> 01:24:04,180 LESLEY MANVILLE, "OEDIPUS." 2382 01:24:04,180 --> 01:24:09,150 KELLI O'HARA, "FALLEN ANGELS." 2383 01:24:09,150 --> 01:24:10,180 [APPLAUSE] 2384 01:24:10,180 --> 01:24:16,850 >> AND THE TONY AWARD GOES TO.. 2385 01:24:16,850 --> 01:24:19,080 LESLEY MANVILLE. 2386 01:24:19,080 --> 01:24:24,080 [CHEERS AND APPLAUSE] 2387 01:24:24,080 --> 01:24:25,280 >> Announcer: THIS IS THE 2388 01:24:25,280 --> 01:24:26,520 FIRST NOMINATION AND TONY WIN 2389 01:24:26,520 --> 01:24:29,850 FOR TWO-TIME OLIVIER WINNER 2390 01:24:29,850 --> 01:24:33,550 LESLEY MANVILLE. 2391 01:24:33,550 --> 01:24:33,820 [APPLAUSE] 2392 01:24:33,820 --> 01:24:38,520 * 2393 01:24:38,520 --> 01:24:48,820 * 2394 01:24:48,820 --> 01:24:50,620 >> OH, GOD, A TONY AND 2395 01:24:50,620 --> 01:24:51,080 ANNETTE BENING. 2396 01:24:51,080 --> 01:24:52,150 I MEAN, REALLY. 2397 01:24:52,150 --> 01:24:54,650 THE DAY COULDN'T GET ANY BETTER. 2398 01:24:54,650 --> 01:24:57,220 THANK YOU, ANNETTE. 2399 01:24:57,220 --> 01:24:58,620 I'M A BIT OVERWHELMED. 2400 01:24:58,620 --> 01:25:00,080 IT WAS MY FIRST TIME ON 2401 01:25:00,080 --> 01:25:02,080 BROADWAY, SO THIS IS SUCH A BIG 2402 01:25:02,080 --> 01:25:04,080 DEAL. 2403 01:25:04,080 --> 01:25:06,980 [APPLAUSE] 2404 01:25:06,980 --> 01:25:11,820 UM, MY FORMIDABLE COMPETITION, 2405 01:25:11,820 --> 01:25:18,080 CARRIE, I SALUTE YOU FOR A 2406 01:25:20,420 --> 01:25:21,080 TO MYFORMIDABLE ACTIONS. 2407 01:25:21,080 --> 01:25:22,850 I DON'T KNOW YOU, I MET BROSE 2408 01:25:22,850 --> 01:25:23,250 BRIEFLY. 2409 01:25:23,250 --> 01:25:25,780 WOULD YOU LIKE TO WRITE A PLAY 2410 01:25:25,780 --> 01:25:28,320 FOR FIVE WOMEN? 2411 01:25:28,320 --> 01:25:29,220 [APPLAUSE] 2412 01:25:29,220 --> 01:25:33,450 WE ARE QUITE BANKABLE, YOU KNOW. 2413 01:25:33,450 --> 01:25:34,220 ANYWAY, OEDIPUS. 2414 01:25:34,220 --> 01:25:38,680 YES, OUR GENIUS DIRECTOR AND 2415 01:25:38,680 --> 01:25:41,820 WRITER, ROBERT ICKE, TOOK A 2416 01:25:41,820 --> 01:25:42,780 2500-YEAR-OLD PLAY AND BROUGHT 2417 01:25:42,780 --> 01:25:46,250 IT UP TO THE PRESENT DAY WITH 2418 01:25:46,250 --> 01:25:51,180 SHOCKING, STARTLING RESULTS, AND 2419 01:25:51,180 --> 01:25:54,180 IT WAS AN EXTRAORDINARY THING TO 2420 01:25:54,180 --> 01:25:54,650 DO EVERY NIGHT. 2421 01:25:54,650 --> 01:25:57,780 BUT REALLY SHOCKING HOW LITTLE 2422 01:25:57,780 --> 01:25:58,380 HAS CHANGED IN THOSE TWO AND A 2423 01:25:58,380 --> 01:26:04,650 HALF THOUSAND YEARS FOR WOMEN. 2424 01:26:04,650 --> 01:26:06,080 IT'S BEEN VERY SLOW. 2425 01:26:06,080 --> 01:26:08,180 IT WAS THE MOST WONDERFUL 2426 01:26:08,180 --> 01:26:10,650 EXPERIENCE. 2427 01:26:10,650 --> 01:26:11,750 ROB WROTE ME THE MOST GLORIOUS 2428 01:26:11,750 --> 01:26:17,680 SPEECH THAT I DID EVERY NIGHT TO 2429 01:26:17,680 --> 01:26:19,920 MY FANTASTIC COPARTNER ON STAGE, 2430 01:26:19,920 --> 01:26:22,180 MARK STRONG. 2431 01:26:22,180 --> 01:26:24,450 [APPLAUSE] 2432 01:26:24,450 --> 01:26:25,720 YOU SAT AND LISTENED TO, AND 2433 01:26:25,720 --> 01:26:28,650 IT'S AMAZING THAT YOU DID THAT 2434 01:26:28,650 --> 01:26:32,320 WITH SUCH STYLE AND GRACE. 2435 01:26:32,320 --> 01:26:39,320 WE HAD A DIFFICULT ROLE, ROLES, 2436 01:26:39,320 --> 01:26:39,550 TO PLAY. 2437 01:26:39,550 --> 01:26:40,180 I HAD TO BE YOUR WIFE AND YOUR 2438 01:26:40,180 --> 01:26:42,080 MOTHER. 2439 01:26:42,080 --> 01:26:44,120 [LAUGHTER] 2440 01:26:44,120 --> 01:26:48,080 I PREFERRED THE FORMER, FRANKLY. 2441 01:26:48,080 --> 01:26:50,820 AND A WONDERFUL CAST THAT WE HAD 2442 01:26:50,820 --> 01:26:51,080 HERE. 2443 01:26:51,080 --> 01:26:52,550 IT WAS JUST A SPECTACULAR 2444 01:26:52,550 --> 01:26:59,180 PRODUCTION TO DO EVERY NIGHT. 2445 01:26:59,180 --> 01:27:03,250 OUR PRODUCERS, I SAID THIS TO 2446 01:27:03,250 --> 01:27:05,080 YOU A LONG TIME AGO, I FEEL LIKE 2447 01:27:05,080 --> 01:27:07,650 YOU ARE MY FAIRY GODMOTHER, 2448 01:27:07,650 --> 01:27:10,120 BECAUSE YOU'VE GIVEN ME THE TWO 2449 01:27:10,120 --> 01:27:12,650 MOST SIGNIFICANT PLACE OF MY 2450 01:27:12,650 --> 01:27:15,450 CAREER, "GHOSTS" AND "OEDIPUS." 2451 01:27:15,450 --> 01:27:17,650 LIKE ME, THEATER IS IN YOUR 2452 01:27:17,650 --> 01:27:19,250 BLOOD AND YOUR BONES AND YOU 2453 01:27:19,250 --> 01:27:20,250 WANT TO BRING IMPORTANT PLAYS 2454 01:27:20,250 --> 01:27:22,480 LIKE THIS TO A WIDER COMMERCIAL 2455 01:27:22,480 --> 01:27:22,750 AUDIENCE. 2456 01:27:22,750 --> 01:27:25,650 AND YOU ARE TO BE SALUTED FOR 2457 01:27:25,650 --> 01:27:28,080 THAT, ABSOLUTELY. 2458 01:27:28,080 --> 01:27:31,750 [APPLAUSE] 2459 01:27:31,750 --> 01:27:34,750 MY THANKS TO MY AMAZING AGENT, 2460 01:27:34,750 --> 01:27:37,320 SUE LATIMER, MY TEAM AT HOME, 2461 01:27:37,320 --> 01:27:40,450 AND MY LOVELY FAMILY, MY LITTLE 2462 01:27:40,450 --> 01:27:40,950 FAMILY BACK IN LONDON. 2463 01:27:40,950 --> 01:27:43,620 IT ALL MATTERS. 2464 01:27:43,620 --> 01:27:46,080 AND I CLOSED A PLAY LAST NIGHT 2465 01:27:46,080 --> 01:27:48,420 IN LONDON. 2466 01:27:48,420 --> 01:27:50,420 TO ALL OF THAT LOVELY COMPANY, 2467 01:27:50,420 --> 01:27:51,080 TOO. 2468 01:27:51,080 --> 01:27:52,820 YOU LEAVE ONE FAMILY AND YOU 2469 01:27:52,820 --> 01:27:54,420 JOIN ANOTHER ONE, BUT LET'S HOPE 2470 01:27:54,420 --> 01:27:55,820 IT GOES ON FOREVER. 2471 01:27:55,820 --> 01:27:58,780 THANK YOU SO MUCH. 2472 01:27:58,780 --> 01:27:59,150 I'M SO HONORED. 2473 01:27:59,150 --> 01:27:59,420 [APPLAUSE] 2474 01:27:59,420 --> 01:28:02,780 * 2475 01:28:02,780 --> 01:28:05,080 * 2476 01:28:05,080 --> 01:28:05,880 >> Announcer: PLEASE WELCOME 2477 01:28:05,880 --> 01:28:06,880 THE CAST OF "RICHARD O'BRIEN'S 2478 01:28:06,880 --> 01:28:07,950 THE ROCKY HORROR SHOW." 2479 01:28:07,950 --> 01:28:11,680 [APPLAUSE] 2480 01:28:11,680 --> 01:28:13,320 >> I WOULD LIKE, IF I MAY, TO 2481 01:28:13,320 --> 01:28:17,080 TAKE YOU ON A STRANGE JOURNEY. 2482 01:28:17,080 --> 01:28:18,350 * 2483 01:28:18,350 --> 01:28:19,450 IT SEEMED A VERY ORDINARY NIGHT 2484 01:28:19,450 --> 01:28:24,080 WHEN BRAD MAJORS... 2485 01:28:24,080 --> 01:28:25,380 AND HIS FIANCEE. 2486 01:28:25,380 --> 01:28:26,820 JANET WEISS... 2487 01:28:26,820 --> 01:28:28,150 >> SLUT! 2488 01:28:28,150 --> 01:28:29,350 >> TWO YOUNG, ORDINARY, HEALTHY 2489 01:28:29,350 --> 01:28:30,280 KIDS, LEFT DENTON THAT LATE 2490 01:28:30,280 --> 01:28:33,520 NOVEMBER EVENING. 2491 01:28:33,520 --> 01:28:34,920 IT'S TRUE THAT THE SPARE TIRE 2492 01:28:34,920 --> 01:28:36,820 THEY WERE CARRYING WAS BADLY IN 2493 01:28:36,820 --> 01:28:39,350 NEED OF SOME AIR, BUT THEY, 2494 01:28:39,350 --> 01:28:41,080 BEING NORMAL KIDS AND ON A NIGH 2495 01:28:41,080 --> 01:28:42,450 OUT -- WELL, THEY WERE NOT GOIN 2496 01:28:42,450 --> 01:28:43,980 TO LET A STORM SPOIL THE EVENTS 2497 01:28:43,980 --> 01:28:51,350 OF THEIR EVENING. 2498 01:28:51,350 --> 01:28:51,950 ON A NIGHT OUT. 2499 01:28:51,950 --> 01:28:52,620 [THUNDER] 2500 01:28:52,620 --> 01:28:53,380 IT WAS A NIGHT OUT THEY WERE TO 2501 01:28:53,380 --> 01:28:54,080 REMEMBER FOR A VERY -- 2502 01:28:54,080 --> 01:28:54,980 [THUNDER] 2503 01:28:54,980 --> 01:28:55,880 LONG -- 2504 01:28:55,880 --> 01:28:56,820 [THUNDER] 2505 01:28:56,820 --> 01:28:57,920 TIME. 2506 01:28:57,920 --> 01:28:59,150 [THUNDER] 2507 01:28:59,150 --> 01:29:01,580 * 2508 01:29:01,580 --> 01:29:03,880 * 2509 01:29:03,880 --> 01:29:05,680 >> * HOW DO YOU DO, I 2510 01:29:05,680 --> 01:29:08,080 * SEE YOU'VE MET MY 2511 01:29:08,080 --> 01:29:09,580 * FAITHFUL HANDYMAN 2512 01:29:09,580 --> 01:29:11,780 * 2513 01:29:11,780 --> 01:29:12,920 * HE'S A LITTLE BROUGHT DOWN 2514 01:29:12,920 --> 01:29:14,520 BECAUSE * 2515 01:29:14,520 --> 01:29:16,320 * WHEN YOU KNOCKED HE 2516 01:29:16,320 --> 01:29:17,480 * THOUGHT YOU WERE THE 2517 01:29:17,480 --> 01:29:19,280 CANDYMAN * 2518 01:29:19,280 --> 01:29:21,220 DIDN'T YOU, FREAKY! 2519 01:29:21,220 --> 01:29:23,080 * DON'T GET STRUNG OUT 2520 01:29:23,080 --> 01:29:25,650 * BY THE WAY THAT I LOOK 2521 01:29:25,650 --> 01:29:27,080 * DON'T JUDGE A BOOK BY ITS 2522 01:29:27,080 --> 01:29:29,920 COVER * 2523 01:29:29,920 --> 01:29:31,550 * I'M NOT MUCH OF A MAN BY THE 2524 01:29:31,550 --> 01:29:34,620 LIGHT OF DAY * 2525 01:29:34,620 --> 01:29:35,780 * BUT BY NIGHT I'M ONE HELL OF 2526 01:29:35,780 --> 01:29:38,680 LOVER * 2527 01:29:38,680 --> 01:29:40,080 * I'M JUST A SWEET 2528 01:29:40,080 --> 01:29:43,680 TRANSVESTITE * 2529 01:29:43,680 --> 01:29:46,320 * FROM TRANSSEXUAL 2530 01:29:46,320 --> 01:29:56,550 TRANSYLVANIA * 2531 01:29:56,550 --> 01:30:01,150 [CHEERS AND APPLAUSE] 2532 01:30:01,150 --> 01:30:04,580 SO COME UP TO THE LAB. 2533 01:30:04,580 --> 01:30:09,620 AND SEE WHAT'S ON THE SLAB. 2534 01:30:09,620 --> 01:30:14,350 I SEE YOU SHIVER IN ANTICI-- 2535 01:30:14,350 --> 01:30:18,420 >> SAY IT, SAY IT! 2536 01:30:18,420 --> 01:30:20,080 >> --PATION. 2537 01:30:20,080 --> 01:30:22,820 * 2538 01:30:22,820 --> 01:30:25,950 >> * IT'S ASTOUNDING 2539 01:30:25,950 --> 01:30:28,550 * TIME IS FLEETING 2540 01:30:28,550 --> 01:30:32,850 * MADNESS TAKES ITS TOLL 2541 01:30:32,850 --> 01:30:37,520 * BUT LISTEN CLOSELY 2542 01:30:37,520 --> 01:30:40,520 * NOT FOR VERY MUCH LONGER 2543 01:30:40,520 --> 01:30:41,450 * I'VE GOT TO 2544 01:30:41,450 --> 01:30:42,350 * KEEP CONTROL 2545 01:30:42,350 --> 01:30:43,920 >> DO IT, DO IT! 2546 01:30:43,920 --> 01:30:45,650 >> * I REMEMBER 2547 01:30:45,650 --> 01:30:48,950 * DOING THE TIME WARP 2548 01:30:48,950 --> 01:30:50,650 * DRINKING 2549 01:30:50,650 --> 01:30:53,450 * THOSE MOMENTS WHEN 2550 01:30:53,450 --> 01:30:55,880 * THE BLACKNESS WOULD HIT ME 2551 01:30:55,880 --> 01:30:56,950 >> * AND THE VOID WOULD BE 2552 01:30:56,950 --> 01:30:59,350 CALLING * 2553 01:30:59,350 --> 01:31:00,720 >> * LET'S DO THE TIME WARP 2554 01:31:00,720 --> 01:31:04,550 AGAIN * 2555 01:31:04,550 --> 01:31:06,250 * LET'S DO THE TIME WARP 2556 01:31:06,250 --> 01:31:09,220 AGAIN * 2557 01:31:09,220 --> 01:31:09,980 >> * IT'S JUST A JUMP TO THE 2558 01:31:09,980 --> 01:31:11,880 LEFT * 2559 01:31:11,880 --> 01:31:12,850 >> * AND THEN A STEP TO THE 2560 01:31:12,850 --> 01:31:15,080 RI-IGH-IGH-IGH-IGHT * 2561 01:31:15,080 --> 01:31:15,750 >> * WITH YOUR HANDS ON YOUR 2562 01:31:15,750 --> 01:31:17,120 HIPS * 2563 01:31:17,120 --> 01:31:18,280 >> * YOU BRING YOUR KNEES IN 2564 01:31:18,280 --> 01:31:19,950 TIGHT * 2565 01:31:19,950 --> 01:31:22,080 * BUT IT'S THE PELVIC THRUST 2566 01:31:22,080 --> 01:31:23,080 * THAT REALLY DRIVES YOU 2567 01:31:23,080 --> 01:31:26,150 INSA-A-A-A-A-A-ANE * 2568 01:31:26,150 --> 01:31:27,250 * LET'S DO THE TIME WARP 2569 01:31:27,250 --> 01:31:30,920 AGAIN * 2570 01:31:30,920 --> 01:31:32,680 * LET'S DO THE TIME WARP 2571 01:31:32,680 --> 01:31:36,750 AGAIN * 2572 01:31:36,750 --> 01:31:39,650 >> * IT'S SO DREAMY 2573 01:31:39,650 --> 01:31:42,320 * OH, FANTASY, FREE ME 2574 01:31:42,320 --> 01:31:44,550 * SO YOU CAN'T SEE ME 2575 01:31:44,550 --> 01:31:47,520 * NO, NOT AT ALL 2576 01:31:47,520 --> 01:31:48,220 * WHEN YOU'RE SPACED OUT ON 2577 01:31:48,220 --> 01:31:51,280 SENSATION * 2578 01:31:51,280 --> 01:31:52,080 >> * LIKE YOU'RE UNDER 2579 01:31:52,080 --> 01:31:53,280 SEDATION * 2580 01:31:53,280 --> 01:31:54,520 >> * LET'S DO THE TIME WARP 2581 01:31:54,520 --> 01:31:57,650 AGAIN * 2582 01:31:57,650 --> 01:31:59,320 * LET'S DO THE TIME WARP 2583 01:31:59,320 --> 01:32:02,280 AGAIN * 2584 01:32:02,280 --> 01:32:02,980 >> * IT'S JUST A JUMP TO THE 2585 01:32:02,980 --> 01:32:04,980 LEFT * 2586 01:32:04,980 --> 01:32:05,780 >> * AND THEN A STEP TO THE 2587 01:32:05,780 --> 01:32:07,820 RI-IGH-IGH-IGH-IGHT * 2588 01:32:07,820 --> 01:32:08,620 >> * WITH YOUR HANDS ON YOUR 2589 01:32:08,620 --> 01:32:10,320 HIPS * 2590 01:32:10,320 --> 01:32:11,320 >> * YOU BRING YOUR KNEES IN 2591 01:32:11,320 --> 01:32:13,180 TIGHT * 2592 01:32:13,180 --> 01:32:15,220 * BUT IT'S THE PELVIC THRUST 2593 01:32:15,220 --> 01:32:16,220 * THAT REALLY DRIVES YOU 2594 01:32:16,220 --> 01:32:19,380 INSA-A-A-A-A-A-ANE * 2595 01:32:19,380 --> 01:32:20,620 * LET'S DO THE TIME WARP 2596 01:32:20,620 --> 01:32:24,250 AGAIN * 2597 01:32:24,250 --> 01:32:25,780 * LET'S DO THE TIME WARP 2598 01:32:25,780 --> 01:32:29,920 AGAIN * 2599 01:32:29,920 --> 01:32:31,320 * LET'S DO THE TIME WARP 2600 01:32:31,320 --> 01:32:34,420 AGAIN * 2601 01:32:34,420 --> 01:32:37,080 * 2602 01:32:37,080 --> 01:32:40,420 [CHEERS AND APPLAUSE] 2603 01:32:40,420 --> 01:32:49,450 * 2604 01:32:49,450 --> 01:32:57,520 * 2605 01:32:57,520 --> 01:33:01,550 * 2606 01:33:01,550 --> 01:33:02,520 >> WE'LL BE RIGHT BACK WITH MOR 2607 01:33:02,520 --> 01:33:05,420 FUN AT THE TONY AWARDS! 2608 01:33:05,420 --> 01:33:08,480 * 2609 01:33:15,080 --> 01:33:15,650 * 2610 01:33:15,650 --> 01:33:16,750 >> BETWEEN THE TWO OF US, YOU 2611 01:33:16,750 --> 01:33:19,080 KNOW, I'M JUST A LITTLE TIRED. 2612 01:33:19,080 --> 01:33:20,980 >> YOU CAN FIND ALL THESE 2613 01:33:20,980 --> 01:33:22,450 SOCIOECONOMIC THEORIES ABOUT TH 2614 01:33:22,450 --> 01:33:25,580 PLAY, BUT IT IS ULTIMATELY GOIN 2615 01:33:25,580 --> 01:33:26,980 TO BE ABOUT A FAMILY THAT LOVES 2616 01:33:26,980 --> 01:33:28,480 EACH OTHER BUT IS DEALING WITH 2617 01:33:28,480 --> 01:33:31,480 FATHER WHO IS FALLING APART. 2618 01:33:31,480 --> 01:33:32,320 >> HE'S A HUMAN BEING, AND A 2619 01:33:32,320 --> 01:33:33,180 TERRIBLE THING IS HAPPENING TO 2620 01:33:33,180 --> 01:33:34,650 HIM! 2621 01:33:34,650 --> 01:33:36,120 >> IT FEELS REALLY ALIVE. 2622 01:33:36,120 --> 01:33:37,180 IT IS SO THRILLING. 2623 01:33:37,180 --> 01:33:38,120 IT IS A TESTAMENT TO WHAT MILLE 2624 01:33:38,120 --> 01:33:39,680 HAS GIVEN US. 2625 01:33:39,680 --> 01:33:47,120 * 2626 01:33:47,120 --> 01:33:47,380 [APPLAUSE] 2627 01:33:47,380 --> 01:33:47,920 >> THE POWERS THAT BE ARE 2628 01:33:47,920 --> 01:33:49,080 CLOSING IN ON THE 2629 01:33:49,080 --> 01:33:50,420 FIRST AMENDMENT. 2630 01:33:50,420 --> 01:33:51,920 AS THE STRONGHOLDS OF FREE 2631 01:33:51,920 --> 01:33:54,780 SPEECH FALL, I THINK IT'S 2632 01:33:54,780 --> 01:33:56,080 IMPORTANT THAT BROADWAY STANDS 2633 01:33:56,080 --> 01:33:58,520 STRONG AND STICKS TO ITS VALUES 2634 01:33:58,520 --> 01:34:00,080 [APPLAUSE] 2635 01:34:00,080 --> 01:34:02,750 HELL YEAH! 2636 01:34:02,750 --> 01:34:03,720 SOON YOU MAY NOT BE ABLE TO SAY 2637 01:34:03,720 --> 01:34:04,780 WHAT YOU BELIEVE. 2638 01:34:04,780 --> 01:34:05,680 SO TONIGHT I WANT TO MAKE SURE 2639 01:34:05,680 --> 01:34:06,680 ALL OF OUR VOICES ARE HEARD. 2640 01:34:06,680 --> 01:34:07,550 YOU THERE, WHAT DO YOU WANT THE 2641 01:34:07,550 --> 01:34:12,880 WORLD TO KNOW? 2642 01:34:12,880 --> 01:34:14,950 >> I DON'T KNOW, BUT I'M PRETTY 2643 01:34:14,950 --> 01:34:16,450 SURE THAT CATS TRY TO EAT YOUR 2644 01:34:16,450 --> 01:34:17,080 HAIR WHILE YOU'RE SLEEPING. 2645 01:34:17,080 --> 01:34:30,420 >> UM, OKAY... 2646 01:34:30,420 --> 01:34:31,080 I THOUGHT IT WAS GOING TO BE A 2647 01:34:31,080 --> 01:34:31,650 TRUTH WE ALL NEEDED TO HEAR, BUT 2648 01:34:31,650 --> 01:34:31,980 GOOD FOR YOU. 2649 01:34:31,980 --> 01:34:32,250 ALL RIGHT. 2650 01:34:32,250 --> 01:34:32,880 WOULD YOU LIKE TO USE YOUR VOICE 2651 01:34:32,880 --> 01:34:33,250 FOR FREE SPEECH? 2652 01:34:33,250 --> 01:34:33,820 >> I WOULD LOVE TO, P!NK. 2653 01:34:33,820 --> 01:34:34,420 SLOTHS ONLY MOVE THAT SLOW TO 2654 01:34:34,420 --> 01:34:38,580 GET ATTENTION. 2655 01:34:38,580 --> 01:34:39,480 >> TECHNICALLY FREE SPEECH. 2656 01:34:39,480 --> 01:34:40,920 THANK YOU SO MUCH. 2657 01:34:40,920 --> 01:34:42,820 HOW ABOUT YOU? 2658 01:34:42,820 --> 01:34:46,620 >> I THINK YOU SHOULD BE ALLOWE 2659 01:34:46,620 --> 01:34:48,620 TO TEXT DURING THE REALLY SLOW 2660 01:34:48,620 --> 01:34:49,120 BORING PARTS. 2661 01:34:49,120 --> 01:34:50,180 >> NO! 2662 01:34:50,180 --> 01:34:51,180 COME ON, GUYS! 2663 01:34:51,180 --> 01:34:55,380 THIS IS OUR CHANCE! 2664 01:34:55,380 --> 01:34:56,980 WE CAN SAY SOMETHING REALLY 2665 01:34:56,980 --> 01:34:57,980 IMPORTANT! 2666 01:34:57,980 --> 01:34:58,650 DO YOU HAVE ANYTHING IMPORTANT 2667 01:34:58,650 --> 01:34:59,680 TO SAY? 2668 01:34:59,680 --> 01:35:01,080 >> UM, I THINK I'M SCARED OF HO 2669 01:35:01,080 --> 01:35:02,420 FREE SPEECH IS SLOWLY ERODING 2670 01:35:02,420 --> 01:35:04,750 BEFORE OUR EYES, BUT I'M 2671 01:35:04,750 --> 01:35:08,780 ENCOURAGED, BECAUSE I THINK 2672 01:35:08,780 --> 01:35:09,950 BROADWAY IS ACTUALLY SUCCEEDING 2673 01:35:09,950 --> 01:35:10,850 AT THE TASK OF SPEAKING TRUTH TO 2674 01:35:10,850 --> 01:35:11,780 POWER, AND I'M PROUD TO BE PART 2675 01:35:11,780 --> 01:35:14,580 OF THIS COMMUNITY. 2676 01:35:14,580 --> 01:35:15,480 [APPLAUSE] 2677 01:35:15,480 --> 01:35:17,780 >> THANK YOU! 2678 01:35:17,780 --> 01:35:18,680 >> ALSO, I THINK BIGFOOT IS 2679 01:35:18,680 --> 01:35:21,080 REAL. 2680 01:35:21,080 --> 01:35:24,150 [LAUGHTER] 2681 01:35:24,150 --> 01:35:25,680 >> OH, DEAR GOD. 2682 01:35:25,680 --> 01:35:25,880 OKAY. 2683 01:35:25,880 --> 01:35:26,850 NEXT UP, PLEASE WELCOME THE 2684 01:35:26,850 --> 01:35:28,580 CREATOR AND STAR OF "THE LAST 2685 01:35:28,580 --> 01:35:30,250 SHIP" AT THE MET, STING! 2686 01:35:30,250 --> 01:35:32,350 [APPLAUSE] 2687 01:35:32,350 --> 01:35:36,950 * 2688 01:35:36,950 --> 01:35:40,220 * 2689 01:35:40,220 --> 01:35:41,850 >> IT IS NOTHING LESS THAN A 2690 01:35:41,850 --> 01:35:44,080 PRIVILEGE TO RETURN TO AN OLD 2691 01:35:44,080 --> 01:35:46,580 WORK -- A WORK YOU MAY THINK YO 2692 01:35:46,580 --> 01:35:49,480 KNOW BOTH INSIDE AND OUT -- AND 2693 01:35:49,480 --> 01:35:51,180 THEN SUDDENLY DISCOVERING A 2694 01:35:51,180 --> 01:35:52,180 WHOLE NEW MEANING OR 2695 01:35:52,180 --> 01:35:55,350 SIGNIFICANCE THAT WASN'T 2696 01:35:55,350 --> 01:35:58,980 APPARENT BEFORE. 2697 01:35:58,980 --> 01:36:00,280 A GREAT PIECE OF THEATER IS 2698 01:36:00,280 --> 01:36:01,420 CONSTANTLY EVOLVING, REVEALING 2699 01:36:01,420 --> 01:36:02,750 WHO WE ONCE WERE, WHO WE ARE 2700 01:36:02,750 --> 01:36:03,620 NOW, AND PERHAPS WHAT WE MIGHT 2701 01:36:03,620 --> 01:36:05,520 BECOME. 2702 01:36:05,520 --> 01:36:08,580 HERE ARE THE NOMINEES FOR BEST 2703 01:36:08,580 --> 01:36:11,950 REVIVAL OF A MUSICAL. 2704 01:36:11,950 --> 01:36:15,420 * 2705 01:36:15,420 --> 01:36:20,750 >> "CATS: THE JELLICLE BALL." 2706 01:36:20,750 --> 01:36:22,080 * 2707 01:36:22,080 --> 01:36:26,550 "RAGTIME." 2708 01:36:26,550 --> 01:36:27,350 * 2709 01:36:27,350 --> 01:36:28,820 "RICHARD O'BRIEN'S THE ROCKY 2710 01:36:28,820 --> 01:36:31,950 HORROR SHOW." 2711 01:36:31,950 --> 01:36:34,080 * 2712 01:36:34,080 --> 01:36:38,480 >> AND THE TONY AWARD GOES TO.. 2713 01:36:38,480 --> 01:36:41,850 "RAGTIME." 2714 01:36:41,850 --> 01:36:42,320 [CHEERS AND APPLAUSE] 2715 01:36:42,320 --> 01:36:45,880 * 2716 01:36:45,880 --> 01:36:48,380 >> ACCEPTING THE AWARD FOR 2717 01:36:48,380 --> 01:36:57,550 RAGTIME, ARTISTIC DIRECTOR AT 2718 01:36:57,550 --> 01:37:03,080 LINCOLN CENTER, LEAR DEBESSONET. 2719 01:37:03,080 --> 01:37:03,280 [APPLAUSE] 2720 01:37:03,280 --> 01:37:09,650 * 2721 01:37:09,650 --> 01:37:10,850 >> THANK YOU! 2722 01:37:10,850 --> 01:37:13,850 THANK YOU SO MUCH. 2723 01:37:13,850 --> 01:37:14,680 THANK YOU TO THE 2724 01:37:14,680 --> 01:37:15,280 AMERICAN THEATRE WING AND THE 2725 01:37:15,280 --> 01:37:16,250 BROADWAY LEAGUE ON BEHALF OF ALL 2726 01:37:16,250 --> 01:37:18,480 OF US AT LINCOLN CENTER THEATER. 2727 01:37:18,480 --> 01:37:19,120 THANK YOU TO OUR INCREDIBLE 2728 01:37:19,120 --> 01:37:22,320 STAFF AND BOARD. 2729 01:37:22,320 --> 01:37:25,150 [LISTING NAMES] 2730 01:37:25,150 --> 01:37:28,420 TO OUR PRODUCERS. 2731 01:37:28,420 --> 01:37:33,850 [LISTING NAMES] 2732 01:37:33,850 --> 01:37:36,150 WE WANT TO THANK EVERY SINGLE 2733 01:37:36,150 --> 01:37:37,850 HUMAN BEING WHO POURED THEIR 2734 01:37:37,850 --> 01:37:40,450 LOVE AND GIFTS INTO "RAGTIME," 2735 01:37:40,450 --> 01:37:42,080 ON STAGE AND OFF. 2736 01:37:42,080 --> 01:37:44,250 YOU ARE EXTRAORDINARY CAST LED 2737 01:37:44,250 --> 01:37:45,750 BY JOSHUA HENRY, CASEY LEAVY, 2738 01:37:45,750 --> 01:37:50,580 AND BRANDON URANOWITZ. 2739 01:37:50,580 --> 01:37:51,620 TO THE BEAUMONT CREW. 2740 01:37:51,620 --> 01:37:54,180 I SHARE THIS WITH ELEANOR SCOTT 2741 01:37:54,180 --> 01:37:56,450 AND OUR DESIGN TEAM. 2742 01:37:56,450 --> 01:37:56,750 THANK YOU. 2743 01:37:56,750 --> 01:38:04,320 [LISTING NAMES] 2744 01:38:04,320 --> 01:38:04,580 THANK YOU. 2745 01:38:04,580 --> 01:38:04,920 ABOVE ALL -- 2746 01:38:04,920 --> 01:38:05,580 [LISTING NAMES] 2747 01:38:05,580 --> 01:38:10,280 IT IS SO GREAT, WONDERFUL, AND 2748 01:38:10,280 --> 01:38:10,750 GRATIFYING TO SEE HER 2749 01:38:10,750 --> 01:38:13,080 MASTERPIECE CELEBRATED. 2750 01:38:13,080 --> 01:38:17,450 WE BELIEVE THE ARTS ARE AN 2751 01:38:17,450 --> 01:38:18,850 ANEANTIDOTE TO DESPAIR AND WE WE 2752 01:38:18,850 --> 01:38:20,450 PROUD TO PARTNER WITH THE 2753 01:38:20,450 --> 01:38:21,980 THEATER COMMUNITY IN THE PROJECT 2754 01:38:21,980 --> 01:38:24,550 OF BUILDING TOWARD HOPE, 2755 01:38:24,550 --> 01:38:26,850 EMPATHY, AND DEMOCRACY. 2756 01:38:26,850 --> 01:38:28,420 >> SPEAKING FOR MYSELF AND 2757 01:38:28,420 --> 01:38:30,650 TERENCE, WHO IS PRESENT TONIGHT, 2758 01:38:30,650 --> 01:38:31,180 THANK YOU SO MUCH FOR THIS 2759 01:38:31,180 --> 01:38:33,520 HONOR. 2760 01:38:33,520 --> 01:38:34,250 [APPLAUSE] 2761 01:38:34,250 --> 01:38:36,980 >> AND JUST TO SAY THAT TER 2762 01:38:36,980 --> 01:38:37,280 TERRENCE -- 2763 01:38:37,280 --> 01:38:39,120 * 2764 01:38:39,120 --> 01:38:43,150 [APPLAUSE] 2765 01:38:43,150 --> 01:38:48,620 * 2766 01:38:48,620 --> 01:38:49,420 >> Announcer: PLEASE WELCOME 2767 01:38:49,420 --> 01:38:50,380 TONY AWARD NOMINEE 2768 01:38:50,380 --> 01:38:51,580 PATRICK WILSON. 2769 01:38:51,580 --> 01:38:53,480 [APPLAUSE] 2770 01:38:53,480 --> 01:38:54,480 >> I'M THRILLED TO BE HERE 2771 01:38:54,480 --> 01:38:56,520 REPRESENTING MY ALMA MATER, 2772 01:38:56,520 --> 01:38:59,850 CARNEGIE MELLON UNIVERSITY, WHO 2773 01:38:59,850 --> 01:39:04,420 TOGETHER WITH THE TONYS 2774 01:39:04,420 --> 01:39:05,220 CO-PRESENTED THE "EXCELLENCE IN 2775 01:39:05,220 --> 01:39:06,080 THEATRE EDUCATION AWARD," 2776 01:39:06,080 --> 01:39:06,880 RECOGNIZING ARTS EDUCATORS 2777 01:39:06,880 --> 01:39:07,920 NATIONWIDE. 2778 01:39:07,920 --> 01:39:09,280 EARLIER, THIS YEAR'S AWARD WAS 2779 01:39:09,280 --> 01:39:10,950 PRESENTED TO FREDDIE HENDRICKS, 2780 01:39:10,950 --> 01:39:12,080 THEATER TEACHER AT UTOPIAN 2781 01:39:12,080 --> 01:39:12,950 ACADEMY FOR THE ARTS IN 2782 01:39:12,950 --> 01:39:15,980 ELLENWOOD, GEORGIA. 2783 01:39:15,980 --> 01:39:18,380 [APPLAUSE] 2784 01:39:18,380 --> 01:39:20,180 CONGRATULATIONS, FREDDIE, AND 2785 01:39:20,180 --> 01:39:21,250 THANK YOU FOR INSPIRING THE NEX 2786 01:39:21,250 --> 01:39:25,380 GENERATION OF TONY WINNERS. 2787 01:39:25,380 --> 01:39:26,280 CONGRATULATIONS. 2788 01:39:26,280 --> 01:39:27,220 SUBMISSIONS ARE OPEN FOR NEXT 2789 01:39:27,220 --> 01:39:28,650 YEAR'S AWARD. 2790 01:39:28,650 --> 01:39:29,680 SO TELL US ABOUT A THEATER 2791 01:39:29,680 --> 01:39:30,620 EDUCATOR WHO HAS MADE A 2792 01:39:30,620 --> 01:39:31,680 DIFFERENCE IN YOUR LIFE. 2793 01:39:31,680 --> 01:39:36,650 [APPLAUSE] 2794 01:39:36,650 --> 01:39:38,620 >> AND NOW, TO HONOR THOSE WE 2795 01:39:38,620 --> 01:39:40,220 LOST THIS PAST YEAR, PERFORMING 2796 01:39:40,220 --> 01:39:41,480 "WITHOUT YOU," PLEASE WELCOME 2797 01:39:41,480 --> 01:39:42,620 TONY AWARD WINNER 2798 01:39:42,620 --> 01:39:47,780 LESLIE ODOM JR. 2799 01:39:47,780 --> 01:39:48,080 [APPLAUSE] 2800 01:39:48,080 --> 01:39:51,850 * 2801 01:39:51,850 --> 01:39:58,080 * 2802 01:39:58,080 --> 01:40:03,420 >> *WITHOUT YOU* 2803 01:40:03,420 --> 01:40:05,820 * THE GROUND THAWS 2804 01:40:05,820 --> 01:40:09,420 * THE RAIN FALLS 2805 01:40:09,420 --> 01:40:15,880 * THE GRASS GROWS 2806 01:40:15,880 --> 01:40:17,920 * WITHOUT YOU 2807 01:40:17,920 --> 01:40:22,220 * THE SEEDS ROOT 2808 01:40:22,220 --> 01:40:27,550 * THE FLOWERS BLOOM 2809 01:40:27,550 --> 01:40:31,350 * THE CHILDREN PLAY 2810 01:40:31,350 --> 01:40:34,350 * THE STARS GLEAM 2811 01:40:34,350 --> 01:40:38,650 * THE POETS DREAM 2812 01:40:38,650 --> 01:40:41,520 * THE EAGLES FLY 2813 01:40:41,520 --> 01:40:47,680 * WITHOUT YOU 2814 01:40:47,680 --> 01:40:51,180 * THE EARTH TURNS 2815 01:40:51,180 --> 01:40:57,580 * THE SUN BURNS 2816 01:40:57,580 --> 01:41:10,320 * BUT I DIE, WITHOUT YOU 2817 01:41:10,320 --> 01:41:15,720 * WITHOUT YOU 2818 01:41:15,720 --> 01:41:17,220 * THE BREEZE WARMS 2819 01:41:17,220 --> 01:41:20,980 * THE GIRL SMILES 2820 01:41:20,980 --> 01:41:26,080 * THE CLOUD MOVES 2821 01:41:26,080 --> 01:41:28,750 * THE CROWDS ROAR 2822 01:41:28,750 --> 01:41:37,880 * THE DAYS SOAR 2823 01:41:37,880 --> 01:41:44,080 * BUT I DIE, WITHOUT YOU 2824 01:41:44,080 --> 01:41:53,450 * 2825 01:41:53,450 --> 01:42:04,520 * 2826 01:42:04,520 --> 01:42:08,920 * 2827 01:42:08,920 --> 01:42:14,380 * 2828 01:42:14,380 --> 01:42:17,380 * WITHOUT YOU 2829 01:42:17,380 --> 01:42:21,250 * THE HAND GROPES 2830 01:42:21,250 --> 01:42:25,580 * THE EAR HEARS 2831 01:42:25,580 --> 01:42:29,520 * THE PULSE BEATS 2832 01:42:29,520 --> 01:42:35,220 * WITHOUT YOU 2833 01:42:35,220 --> 01:42:38,750 * THE EYES GAZE 2834 01:42:38,750 --> 01:42:45,450 * THE LEGS WALK 2835 01:42:45,450 --> 01:42:51,450 * THE LUNGS BREATHE 2836 01:42:51,450 --> 01:42:54,080 * THE MIND CHURNS 2837 01:42:54,080 --> 01:42:57,780 * THE HEART YEARNS 2838 01:42:57,780 --> 01:43:06,820 * THE TEARS DRY, WITHOUT YOU 2839 01:43:06,820 --> 01:43:12,680 * LIFE GOES ON, BUT I'M GONE 2840 01:43:12,680 --> 01:43:28,120 * 'CAUSE I'D DIE 2841 01:43:28,120 --> 01:43:30,650 [SUSTAINED NOTE] 2842 01:43:30,650 --> 01:43:30,980 [APPLAUSE] 2843 01:43:30,980 --> 01:43:39,320 * WITHOUT YOU 2844 01:43:39,320 --> 01:43:44,080 [APPLAUSE] 2845 01:43:47,680 --> 01:43:49,080 * 2846 01:43:49,080 --> 01:43:50,420 >> EVERYONE, THIS IS BECKY. 2847 01:43:50,420 --> 01:43:51,720 >> BECKY JUST WANTS TO BE LOVED 2848 01:43:51,720 --> 01:43:53,820 SHE WANTS TO BE ACCEPTED. 2849 01:43:53,820 --> 01:43:54,880 IT'S, LIKE, THE MOST PRIMAL 2850 01:43:54,880 --> 01:44:01,520 HUMAN NEEDS. 2851 01:44:01,520 --> 01:44:02,480 >> I GOT A BOYFRIEND AND I 2852 01:44:02,480 --> 01:44:03,320 DUMPED ALL MY FRIENDS. 2853 01:44:03,320 --> 01:44:04,220 >> ALL THESE CHARACTERS HAVE 2854 01:44:04,220 --> 01:44:05,120 SUCH A RICH LIGHT AND SHADOW. 2855 01:44:05,120 --> 01:44:05,980 >> EVERYONE IN THE AUDIENCE IS 2856 01:44:05,980 --> 01:44:06,820 GOING TO HAVE A DIFFERENT 2857 01:44:06,820 --> 01:44:07,580 OPINION ABOUT WHO IS RIGHT, WHO 2858 01:44:07,580 --> 01:44:08,650 IS WRONG. 2859 01:44:08,650 --> 01:44:09,950 >> IT HITS ON: WHAT IS LOVE, 2860 01:44:09,950 --> 01:44:11,320 EXACTLY, AND CAN IT EXIST 2861 01:44:11,320 --> 01:44:13,350 WITHOUT POWER AND TRANSACTION? 2862 01:44:13,350 --> 01:44:20,150 * 2863 01:44:20,150 --> 01:44:21,520 [APPLAUSE] 2864 01:44:21,520 --> 01:44:22,850 * 2865 01:44:22,850 --> 01:44:23,780 >> Announcer: PLEASE WELCOME 2866 01:44:23,780 --> 01:44:25,780 PAUL RUDD. 2867 01:44:25,780 --> 01:44:27,950 [APPLAUSE] 2868 01:44:27,950 --> 01:44:31,450 * 2869 01:44:31,450 --> 01:44:35,450 * 2870 01:44:35,450 --> 01:44:36,920 >> THIS SEASON MORE THAN 2871 01:44:36,920 --> 01:44:38,880 16 MILLION AUDIENCE MEMBERS SAW 2872 01:44:38,880 --> 01:44:41,280 A BROADWAY LEAGUE TOURING 2873 01:44:41,280 --> 01:44:43,220 PRODUCTION IN 115 CITIES ACROSS 2874 01:44:43,220 --> 01:44:44,420 THE COUNTRY, PROVING THERE 2875 01:44:44,420 --> 01:44:45,350 REALLY IS NOTHING LIKE SEEING 2876 01:44:45,350 --> 01:44:48,550 LIVE THEATER. 2877 01:44:48,550 --> 01:44:52,820 [APPLAUSE] 2878 01:44:52,820 --> 01:44:54,750 BUT, WHAT MAKES A STAGE 2879 01:44:54,750 --> 01:44:56,150 PERFORMANCE TRULY GREAT? 2880 01:44:56,150 --> 01:44:57,080 IS IT HOURS SPENT IN REHEARSAL? 2881 01:44:57,080 --> 01:44:57,980 FULL IMMERSION IN YOUR 2882 01:44:57,980 --> 01:44:59,280 CHARACTER? 2883 01:44:59,280 --> 01:45:00,320 A WELL-PLACED MIC IN THE MIDDLE 2884 01:45:00,320 --> 01:45:02,380 OF YOUR FOREHEAD? 2885 01:45:02,380 --> 01:45:03,220 THE POUFY THING THAT PUTS THE 2886 01:45:03,220 --> 01:45:04,220 MAKEUP POWDER ALL OVER YOUR 2887 01:45:04,220 --> 01:45:11,150 FACE? 2888 01:45:11,150 --> 01:45:11,850 OR MAYBE JUST A SAUCY LITTLE 2889 01:45:11,850 --> 01:45:13,080 WIG? 2890 01:45:13,080 --> 01:45:13,950 NO ONE REALLY KNOWS THE ANSWER. 2891 01:45:13,950 --> 01:45:14,880 IT'S A TOTAL MYSTERY, BUT ONE 2892 01:45:14,880 --> 01:45:15,820 THAT WAS SOLVED BY EVERY NOMINE 2893 01:45:15,820 --> 01:45:18,750 FOR FEATURED ACTOR IN A PLAY. 2894 01:45:18,750 --> 01:45:20,850 * 2895 01:45:20,850 --> 01:45:21,980 >> CHRISTOPHER ABBOTT. 2896 01:45:21,980 --> 01:45:22,750 "ARTHUR MILLER'S DEATH OF A 2897 01:45:22,750 --> 01:45:24,520 SALESMAN." 2898 01:45:24,520 --> 01:45:25,550 DANNY BURSTEIN. 2899 01:45:25,550 --> 01:45:27,520 "MARJORIE PRIME." 2900 01:45:27,520 --> 01:45:28,420 BRANDON J. DIRDEN, 2901 01:45:28,420 --> 01:45:30,550 "WAITING FOR GODOT." 2902 01:45:30,550 --> 01:45:32,550 ALDEN EHRENREICH, "BECKY SHAW." 2903 01:45:32,550 --> 01:45:34,550 RUBEN SANTIAGO-HUDSON. 2904 01:45:34,550 --> 01:45:35,550 "AUGUST WILSON'S JOE TURNER'S 2905 01:45:35,550 --> 01:45:37,580 COME AND GONE." 2906 01:45:37,580 --> 01:45:40,380 RICHARD THOMAS, "THE BALUSTERS. 2907 01:45:40,380 --> 01:45:43,450 [APPLAUSE] 2908 01:45:43,450 --> 01:45:44,120 >> AND THE 2909 01:45:44,120 --> 01:45:45,250 AMERICAN THEATRE WING'S TONY 2910 01:45:45,250 --> 01:45:49,250 AWARD GOES TO... 2911 01:45:49,250 --> 01:45:52,780 ALDEN EHRENREICH, "BECKY SHAW." 2912 01:45:52,780 --> 01:45:53,250 [CHEERS AND APPLAUSE] 2913 01:45:53,250 --> 01:46:00,080 * 2914 01:46:00,080 --> 01:46:01,680 >> FROM HIS BROADWAY DEBUT AS 2915 01:46:01,680 --> 01:46:05,680 MAX, ALDEN EHRENREICH EARNS HIS 2916 01:46:05,680 --> 01:46:11,580 FIRST TONY NOMINATION AND WIN. 2917 01:46:11,580 --> 01:46:11,850 [APPLAUSE] 2918 01:46:11,850 --> 01:46:18,180 * 2919 01:46:18,180 --> 01:46:27,520 * 2920 01:46:27,520 --> 01:46:30,420 [APPLAUSE] 2921 01:46:30,420 --> 01:46:31,620 >> THANK YOU SO MUCH. 2922 01:46:31,620 --> 01:46:33,220 I WANT TO THANK THE 2923 01:46:33,220 --> 01:46:35,220 AMERICAN THEATRE WING AND THE 2924 01:46:35,220 --> 01:46:36,080 BROADWAY LEAGUE. 2925 01:46:36,080 --> 01:46:42,650 I WANT TO THANK GIA GIONFRIDDO, 2926 01:46:42,650 --> 01:46:44,320 OUR PLAYWRIGHT, WHO CARES TO 2927 01:46:44,320 --> 01:46:45,750 MATT ABOUT THESE CHARACTERS. 2928 01:46:45,750 --> 01:46:48,750 I WANT TO THANK OUR INCREDIBLE 2929 01:46:48,750 --> 01:46:52,620 CAST. 2930 01:46:52,620 --> 01:46:53,780 [LISTING NAMES] 2931 01:46:53,780 --> 01:46:54,620 YOU ARE WITH ME EVERY NIGHT. 2932 01:46:54,620 --> 01:46:57,620 I SHARE THIS WITH YOU. 2933 01:46:57,620 --> 01:46:59,650 ARE BACK- OF-HOUSE CREW. 2934 01:46:59,650 --> 01:47:00,080 [LISTING NAMES] 2935 01:47:00,080 --> 01:47:03,450 AND THE HANDS THAT HOLD THIS UP. 2936 01:47:03,450 --> 01:47:06,220 I WANT TO THANK MY TEAM, MY 2937 01:47:06,220 --> 01:47:10,820 MANAGER SINCE I WAS 16 YEARS 2938 01:47:10,820 --> 01:47:10,980 OLD. 2939 01:47:10,980 --> 01:47:15,250 [LISTING NAMES] 2940 01:47:15,250 --> 01:47:17,780 I WANT TO THANK A LOT OF PEOPLE. 2941 01:47:17,780 --> 01:47:21,820 EVERYONE AT THE THEATER IN L.A. 2942 01:47:21,820 --> 01:47:23,650 JESSE ATLAS, MY BROTHER IN ARMS 2943 01:47:23,650 --> 01:47:25,880 IN THIS, WHO KEEPS THE FIRE FOR 2944 01:47:25,880 --> 01:47:28,620 THIS ART ALIVE FOR ME. 2945 01:47:28,620 --> 01:47:31,080 ALL MY FRIENDS, MY FAMILY. 2946 01:47:31,080 --> 01:47:32,250 HARRY, WHO RAISED ME. 2947 01:47:32,250 --> 01:47:33,720 MY MOTHER, WHO IS JOYFUL AND 2948 01:47:33,720 --> 01:47:36,450 STRONG IN THE FACE OF TRAGEDY 2949 01:47:36,450 --> 01:47:38,550 AND BELIEVED IN EVERY DREAM I 2950 01:47:38,550 --> 01:47:40,420 EVER HAD. 2951 01:47:40,420 --> 01:47:42,450 MY PARTNER, WHO IS THE MOST 2952 01:47:42,450 --> 01:47:46,450 COMPASSIONATE, STRONG, BAD-ASS, 2953 01:47:46,450 --> 01:47:47,780 WONDERFUL PERSON I COULD WISH 2954 01:47:47,780 --> 01:47:48,080 FOR. 2955 01:47:48,080 --> 01:47:49,380 THIS ART OF ACTING HAS GIVEN ME 2956 01:47:49,380 --> 01:47:50,220 SO MUCH. 2957 01:47:50,220 --> 01:47:52,220 IT'S GIVEN ME A LIFE, AN 2958 01:47:52,220 --> 01:47:53,320 OPPORTUNITY TO BE AROUND ARTISTS 2959 01:47:53,320 --> 01:47:55,620 LIKE THE PEOPLE IN THIS ROOM. 2960 01:47:55,620 --> 01:47:58,180 MOST OF ALL, IT HAS SHOWN ME 2961 01:47:58,180 --> 01:47:59,520 THAT WHEN I AM VERY AFRAID AND 2962 01:47:59,520 --> 01:48:04,080 THINGS ARE VERY HARD, IN THIS 2963 01:48:04,080 --> 01:48:06,280 PRESENT MOMENT RIGHT HERE, RIGHT 2964 01:48:06,280 --> 01:48:07,680 NOW, THERE IS A SUSTAINING 2965 01:48:07,680 --> 01:48:08,920 MYSTERY THAT IS THERE TO CATCH 2966 01:48:08,920 --> 01:48:09,880 YOU. 2967 01:48:09,880 --> 01:48:11,680 AND I AM GRATEFUL FOR THAT, AND 2968 01:48:11,680 --> 01:48:13,120 THE MAGIC THAT IT IS ALLOWED TO 2969 01:48:13,120 --> 01:48:15,250 HAPPEN IN MY LIFE. 2970 01:48:15,250 --> 01:48:16,750 THANK YOU SO MUCH FOR THIS 2971 01:48:16,750 --> 01:48:17,880 HONOR. 2972 01:48:17,880 --> 01:48:18,980 I CAN'T BELIEVE IT. 2973 01:48:18,980 --> 01:48:19,250 THANK YOU. 2974 01:48:19,250 --> 01:48:19,520 [APPLAUSE] 2975 01:48:19,520 --> 01:48:22,750 * 2976 01:48:22,750 --> 01:48:26,450 * 2977 01:48:26,450 --> 01:48:27,750 >> AN EPIC SPECTACLE UNLIKE 2978 01:48:27,750 --> 01:48:29,580 ANYTHING BROADWAY HAS SEEN IN 2979 01:48:29,580 --> 01:48:31,180 DECADES, "THE LOST BOYS" IS A 2980 01:48:31,180 --> 01:48:32,950 HIGH-FLYING THRILL RIDE 2981 01:48:32,950 --> 01:48:34,420 FEATURING EYE-POPPING STAGECRAF 2982 01:48:34,420 --> 01:48:35,220 THAT MUST BE SEEN TO BE 2983 01:48:35,220 --> 01:48:38,220 BELIEVED. 2984 01:48:38,220 --> 01:48:39,820 NOMINATED FOR 12 TONY AWARDS, 2985 01:48:39,820 --> 01:48:41,220 INCLUDING BEST MUSICAL, THIS IS 2986 01:48:41,220 --> 01:48:43,580 "THE LOST BOYS." 2987 01:48:43,580 --> 01:48:48,350 * 2988 01:48:48,350 --> 01:48:49,580 [APPLAUSE] 2989 01:48:49,580 --> 01:48:51,950 * 2990 01:48:51,950 --> 01:48:53,350 >> * I'VE BEEN DREAMING OF THIS 2991 01:48:53,350 --> 01:48:55,880 DAY FOR YEARS * 2992 01:48:55,880 --> 01:48:59,650 * TAKING OFF FOR NEW FRONTIERS 2993 01:48:59,650 --> 01:49:01,480 * I'M STARTING OVER, NO 2994 01:49:01,480 --> 01:49:04,350 SOUVENIRS * 2995 01:49:04,350 --> 01:49:07,250 * NO REGRETS, NO, NO 2996 01:49:07,250 --> 01:49:09,480 * NO MORE TEARS, OH, YEAH 2997 01:49:09,480 --> 01:49:11,220 * IF IT'S THE DEATH OF ME, 2998 01:49:11,220 --> 01:49:14,780 UH-HUH * 2999 01:49:14,780 --> 01:49:16,680 >> * NO MORE NIGHTMARES 3000 01:49:16,680 --> 01:49:17,980 * IT'S CALIFORNIA DREAMIN' FROM 3001 01:49:17,980 --> 01:49:22,720 HERE ON OUT * 3002 01:49:22,720 --> 01:49:23,480 * THINGS ARE LOOKING UP, NO, 3003 01:49:23,480 --> 01:49:24,520 NO * 3004 01:49:24,520 --> 01:49:25,380 * NOTHING'S GOING TO SLOW US 3005 01:49:25,380 --> 01:49:27,120 DOWN, YEAH * 3006 01:49:27,120 --> 01:49:28,880 * WHAT COULD GO WRONG IN THIS 3007 01:49:28,880 --> 01:49:32,680 CHARMING LITTLE TOWN? * 3008 01:49:32,680 --> 01:49:34,120 >> * OH, MAYBE THE JOCKS WILL 3009 01:49:34,120 --> 01:49:37,720 SKIP OVER ME HERE * 3010 01:49:37,720 --> 01:49:38,850 * THE LUNCHROOM WON'T FILL ME 3011 01:49:38,850 --> 01:49:41,150 WITH FEAR * 3012 01:49:41,150 --> 01:49:42,120 * AND I'LL MAKE IT THROUGH 3013 01:49:42,120 --> 01:49:48,080 FRESHMAN YEAR * 3014 01:49:48,080 --> 01:49:49,380 >> * MAYBE A CHANGE'LL DO ME 3015 01:49:49,380 --> 01:49:52,820 SOME GOOD * 3016 01:49:52,820 --> 01:49:53,750 * I'VE GOT NOTHIN' TO LOSE IN A 3017 01:49:53,750 --> 01:49:55,080 NEW NEIGHBORHOOD * 3018 01:49:55,080 --> 01:49:57,780 * FROM NOW ON 3019 01:49:57,780 --> 01:49:59,080 >> * FROM NOW ON 3020 01:49:59,080 --> 01:50:01,680 >> * FEARS BE GONE 3021 01:50:01,680 --> 01:50:06,980 * NO MORE MONSTERS 3022 01:50:06,980 --> 01:50:09,720 >> * OH, WHOA, OH, OH 3023 01:50:09,720 --> 01:50:11,750 * NO MORE MONSTERS 3024 01:50:11,750 --> 01:50:16,050 * 3025 01:50:16,050 --> 01:50:20,080 * 3026 01:50:20,080 --> 01:50:23,250 * 3027 01:50:23,250 --> 01:50:24,620 >> * I NEED A QUICK HIT 3028 01:50:24,620 --> 01:50:26,480 * COME ON AND GIMME IT 3029 01:50:26,480 --> 01:50:31,520 * DON'T GIMME COUNTERFEIT 3030 01:50:31,520 --> 01:50:32,620 * NO, GIMME THE GOOD -- 3031 01:50:32,620 --> 01:50:38,150 * 3032 01:50:38,150 --> 01:50:39,250 >> * I'LL MAKE YOU WORK FOR 3033 01:50:39,250 --> 01:50:40,980 IT * 3034 01:50:40,980 --> 01:50:41,850 * YOU'RE GONNA SWEAT A BIT 3035 01:50:41,850 --> 01:50:42,520 >> * THE CRIMES WE COULD 3036 01:50:42,520 --> 01:50:45,280 COMMIT * 3037 01:50:45,280 --> 01:50:49,380 * WHEN WE COME TOGETHER, BABY 3038 01:50:49,380 --> 01:50:50,180 >> * I HAVE TO HAVE YOU 3039 01:50:50,180 --> 01:50:51,650 >> * I HAVE TO HAVE YOU 3040 01:50:51,650 --> 01:50:52,520 >> * OH, YEAH, I'M KNOCKING ON 3041 01:50:52,520 --> 01:50:53,950 YOUR DOOR * 3042 01:50:53,950 --> 01:50:56,180 * LET ME INSIDE 3043 01:50:56,180 --> 01:50:57,020 * DON'T LET ME BE DENIED 3044 01:50:57,020 --> 01:50:58,650 >> * I HAVE TO HAVE YOU 3045 01:50:58,650 --> 01:50:59,420 >> * ON MY BREATH, ON MY 3046 01:50:59,420 --> 01:51:00,620 TONGUE * 3047 01:51:00,620 --> 01:51:01,920 >> * I HAVE TO HAVE YOU 3048 01:51:01,920 --> 01:51:02,780 >> * IN MY LUNGS, KEEP ME 3049 01:51:02,780 --> 01:51:03,680 YOUNG * 3050 01:51:03,680 --> 01:51:05,120 >> * I HAVE TO HAVE YOU 3051 01:51:05,120 --> 01:51:06,520 >> * GIMME SOME 3052 01:51:06,520 --> 01:51:08,780 * GIMME SOME 3053 01:51:08,780 --> 01:51:10,450 >> * I HAVE TO HAVE YOU 3054 01:51:10,450 --> 01:51:12,320 * I HAVE TO HAVE YOU 3055 01:51:12,320 --> 01:51:15,920 * 3056 01:51:15,920 --> 01:51:16,720 >> * WHO IS THAT BOLT OF 3057 01:51:16,720 --> 01:51:18,520 LIGHTNING? * 3058 01:51:18,520 --> 01:51:21,980 * I HAVE TO KNOW HER NAME 3059 01:51:21,980 --> 01:51:22,820 * SHE'S ALL FIRE AND IT'S 3060 01:51:22,820 --> 01:51:24,180 FRIGHTENING * 3061 01:51:24,180 --> 01:51:25,850 * BUT, MY GOD, SHE BURNS SO 3062 01:51:25,850 --> 01:51:29,620 BRIGHT * 3063 01:51:29,620 --> 01:51:31,080 >> * LOOK AT THIS LITTLE LAMB 3064 01:51:31,080 --> 01:51:33,550 * HE THINKS HE KNOWS WHO I AM 3065 01:51:33,550 --> 01:51:35,150 * HE'S GOT NO CLUE WHAT HE'S 3066 01:51:35,150 --> 01:51:37,150 GETTING INTO * 3067 01:51:37,150 --> 01:51:38,080 * I'M TROUBLE THROUGH AND 3068 01:51:38,080 --> 01:51:39,750 THROUGH * 3069 01:51:39,750 --> 01:51:40,920 * I'M AFRAID 3070 01:51:40,920 --> 01:51:42,080 >> * I KNOW WHAT I WANNA DO 3071 01:51:42,080 --> 01:51:43,920 >> * OF WHAT I WANNA DO 3072 01:51:43,920 --> 01:51:47,650 >> * I HAVE TO HAVE YOU 3073 01:51:47,650 --> 01:51:48,850 >> * YOUR PULSE IS RACING 3074 01:51:48,850 --> 01:51:49,780 >> * WE CAN TAKE IT ALL THE 3075 01:51:49,780 --> 01:51:50,820 WAY * 3076 01:51:50,820 --> 01:51:52,320 >> * IT DRIVES ME CRAZY 3077 01:51:52,320 --> 01:51:53,220 >> * STAY UP ALL NIGHT AND SLEE 3078 01:51:53,220 --> 01:51:54,820 ALL DAY * 3079 01:51:54,820 --> 01:51:56,120 >> * I'M GONNA LOSE MYSELF 3080 01:51:56,120 --> 01:51:56,980 >> * COME ON AND LOSE 3081 01:51:56,980 --> 01:51:59,450 YOURSELF * 3082 01:51:59,450 --> 01:52:00,580 >> * COME ON, SANTA CARLA 3083 01:52:00,580 --> 01:52:02,380 * GIMME WHAT YOU GOT 3084 01:52:02,380 --> 01:52:05,450 * I HAVE TO HAVE YOU 3085 01:52:05,450 --> 01:52:10,320 * I HAVE TO HAVE YOU 3086 01:52:10,320 --> 01:52:12,920 >> * HOW CAN YOU BLAME ME? 3087 01:52:12,920 --> 01:52:13,880 >> * YOU'RE SO BEAUTIFUL, 3088 01:52:13,880 --> 01:52:16,920 BABY * 3089 01:52:16,920 --> 01:52:18,080 >> * IN THIS BIG BLACK HOLE 3090 01:52:18,080 --> 01:52:19,280 WITH NEON LIGHTS * 3091 01:52:19,280 --> 01:52:20,080 * I'M GONNA FIND A WAY TO FEEL 3092 01:52:20,080 --> 01:52:26,180 ALL RIGHT * 3093 01:52:26,180 --> 01:52:28,080 >> * I WANT TO LOSE MYSELF 3094 01:52:28,080 --> 01:52:29,920 >> * I HAVE TO HAVE YOU 3095 01:52:29,920 --> 01:52:30,620 >> * 'CAUSE IF YOU WANT TO FIND 3096 01:52:30,620 --> 01:52:32,480 YOURSELF * 3097 01:52:32,480 --> 01:52:33,480 * YOU GOT TO LOSE YOURSELF 3098 01:52:33,480 --> 01:52:35,450 >> * I HAVE TO HAVE YOU 3099 01:52:35,450 --> 01:52:41,320 >> * OH, TONIGHT 3100 01:52:41,320 --> 01:52:45,480 * 3101 01:52:45,480 --> 01:52:49,180 >> THANK YOU, RADIO CITY! 3102 01:52:49,180 --> 01:52:49,950 LET'S MAKE SOME NOISE! 3103 01:52:49,950 --> 01:52:52,180 LET'S HEAR IT FOR THE BAND! 3104 01:52:52,180 --> 01:52:56,350 COME ON, LET'S GO! 3105 01:52:56,350 --> 01:52:56,650 >> YEAH! 3106 01:52:56,650 --> 01:52:59,920 * 3107 01:52:59,920 --> 01:53:05,180 * 3108 01:53:05,180 --> 01:53:06,620 >> STICK AROUND. 3109 01:53:06,620 --> 01:53:07,620 A PERFORMANCE FROM 3110 01:53:07,620 --> 01:53:08,480 "THE BOOK OF MORMON" IS COMING 3111 01:53:08,480 --> 01:53:09,320 UP ON THE 79TH ANNUAL 3112 01:53:09,320 --> 01:53:11,850 TONY AWARDS! 3113 01:53:22,280 --> 01:53:22,720 * 3114 01:53:22,720 --> 01:53:24,480 >> LIKE A GLASS OF CHAMPAGNE, 3115 01:53:24,480 --> 01:53:25,950 THIS PLAY IS VERY MUCH AN ESCAPE 3116 01:53:25,950 --> 01:53:27,720 FROM REALITY WHICH WE ARE TRYING 3117 01:53:27,720 --> 01:53:29,550 TO CAPTURE FOR THE AUDIENCE. 3118 01:53:29,550 --> 01:53:31,220 >> IT'S ABOUT TWO WOMEN WHO ARE 3119 01:53:31,220 --> 01:53:33,080 DOING SOME VERY FANTASTIC THINGS 3120 01:53:33,080 --> 01:53:34,350 AND HAVING IT THE WAY THEY WANT 3121 01:53:34,350 --> 01:53:36,120 TO HAVE IT. 3122 01:53:36,120 --> 01:53:38,080 NOEL COWARD WAS GIVING THE WOMEN 3123 01:53:38,080 --> 01:53:39,280 A LITTLE NIGHT OF 3124 01:53:39,280 --> 01:53:40,120 RIDICULOUSNESS. 3125 01:53:40,120 --> 01:53:41,580 >> THE MOST DEPRAVED PIECE OF 3126 01:53:41,580 --> 01:53:42,350 WRITING THAT'S EVER EXISTED. 3127 01:53:42,350 --> 01:53:45,120 THAT'S WHAT THEY SAID IN THE 3128 01:53:45,120 --> 01:53:45,520 '20s. 3129 01:53:45,520 --> 01:53:47,120 AND GUESS WHAT? 3130 01:53:47,120 --> 01:53:49,420 IT IS STILL ALL THOSE THINGS. 3131 01:53:49,420 --> 01:53:49,680 [APPLAUSE] 3132 01:53:49,680 --> 01:53:53,080 * 3133 01:53:53,080 --> 01:53:55,320 >> 21 YEARS AGO, "700 SUNDAYS" 3134 01:53:55,320 --> 01:53:57,150 WON A TONY AWARD AND WENT ON TO 3135 01:53:57,150 --> 01:53:59,450 BECOME THE HIGHEST-GROSSING 3136 01:53:59,450 --> 01:54:00,550 NON-MUSICAL IN BROADWAY HISTORY 3137 01:54:00,550 --> 01:54:04,120 AT THE TIME. 3138 01:54:04,120 --> 01:54:05,620 I'M GOING TO LEARN HOW TO READ 3139 01:54:05,620 --> 01:54:07,080 BY NEXT WEEK, I PROMISE. 3140 01:54:07,080 --> 01:54:07,620 [LAUGHTER] 3141 01:54:07,620 --> 01:54:09,080 THE SHOW'S CREATOR AND STAR IS 3142 01:54:09,080 --> 01:54:10,280 COMING BACK TO BROADWAY ON 3143 01:54:10,280 --> 01:54:11,350 OCTOBER 1ST IN HIS NEW PLAY, 3144 01:54:11,350 --> 01:54:13,250 "860." 3145 01:54:13,250 --> 01:54:15,220 PLEASE WELCOME TWO-TIME TONY 3146 01:54:15,220 --> 01:54:17,150 NOMINEE BILLY CRYSTAL! 3147 01:54:17,150 --> 01:54:20,250 [APPLAUSE] 3148 01:54:20,250 --> 01:54:23,850 * 3149 01:54:23,850 --> 01:54:37,520 * 3150 01:54:37,520 --> 01:54:43,280 TICKETS ARE ON SALE SOON. 3151 01:54:43,280 --> 01:54:44,080 >> THANK YOU. 3152 01:54:44,080 --> 01:54:46,280 I WASN'T EXPECTING THAT... 3153 01:54:46,280 --> 01:54:46,880 [LAUGHTER] 3154 01:54:46,880 --> 01:54:48,480 WELL, WE ARE AT THE HALFWAY 3155 01:54:48,480 --> 01:54:50,880 POINT OF THE SHOW. 3156 01:54:50,880 --> 01:54:54,280 [LAUGHTER] 3157 01:54:54,280 --> 01:54:55,380 I'M TRULY HONORED TO COME BACK 3158 01:54:55,380 --> 01:54:56,620 AND BE PART OF THE COMMUNITY 3159 01:54:56,620 --> 01:54:58,480 WHICH I REALLY LOVE, AND I HAVE 3160 01:54:58,480 --> 01:55:00,750 TO TELL YOU, FOR THE ACTOR IT IS 3161 01:55:00,750 --> 01:55:02,550 THE ULTIMATE EXPERIENCE TO DO 3162 01:55:02,550 --> 01:55:03,880 WORK THAT DOESN'T STOP BECAUSE 3163 01:55:03,880 --> 01:55:05,450 OF A FOCUSED PROBLEM, OR BEING 3164 01:55:05,450 --> 01:55:07,120 TOLD IT'S GOING TO BE ANOTHER 3165 01:55:07,120 --> 01:55:08,780 HOUR WHILE WE LIGHT THE SET. 3166 01:55:08,780 --> 01:55:10,520 WHEN THE CURTAIN GOES UP, IT'S 3167 01:55:10,520 --> 01:55:11,120 ALL ON THE LINE. 3168 01:55:11,120 --> 01:55:11,980 YOU AND A THEATER FILLED WITH 3169 01:55:11,980 --> 01:55:12,880 STRANGERS LISTENING TO EVERY 3170 01:55:12,880 --> 01:55:15,080 WORD, AND OCCASIONALLY TEXTING. 3171 01:55:15,080 --> 01:55:18,180 [LAUGHTER] 3172 01:55:18,180 --> 01:55:19,420 THEN WE REST AND WE GET TO DO IT 3173 01:55:19,420 --> 01:55:20,150 ALL OVER AGAIN FOR A NEW 3174 01:55:20,150 --> 01:55:23,120 AUDIENCE. 3175 01:55:23,120 --> 01:55:24,920 FOR ME, AFTER ALL I'VE DONE, 3176 01:55:24,920 --> 01:55:25,980 THERE'S NOTHING LIKE BEING ON 3177 01:55:25,980 --> 01:55:26,750 BROADWAY. 3178 01:55:26,750 --> 01:55:29,720 AS I VENTURE OUT THERE ALONE 7-8 3179 01:55:29,720 --> 01:55:30,950 TIMES A WEEK -- THIS FALL, 3180 01:55:30,950 --> 01:55:33,320 TICKETS ARE ON SALE SOON -- I 3181 01:55:33,320 --> 01:55:34,080 THINK OF SOMETHING THE GREAT 3182 01:55:34,080 --> 01:55:35,580 ELAINE STRETCH TOLD ME SO MANY 3183 01:55:35,580 --> 01:55:36,080 YEARS AGO. 3184 01:55:36,080 --> 01:55:37,420 "DO FIVE AND CHARGE MORE!" 3185 01:55:37,420 --> 01:55:43,080 [LAUGHTER] 3186 01:55:43,080 --> 01:55:43,280 [APPLAUSE] 3187 01:55:43,280 --> 01:55:44,320 WE'VE SEEN SOME MOMENTS FROM TH 3188 01:55:44,320 --> 01:55:47,420 PRODUCTIONS NOMINATED FOR BEST 3189 01:55:47,420 --> 01:55:48,250 REVIVAL OF A PLAY. 3190 01:55:48,250 --> 01:55:49,080 ONCE AGAIN, THEY ARE: 3191 01:55:49,080 --> 01:55:49,920 "ARTHUR MILLER'S DEATH OF A 3192 01:55:49,920 --> 01:55:51,520 SALESMAN." 3193 01:55:51,520 --> 01:55:53,780 "BECKY SHAW." 3194 01:55:53,780 --> 01:55:57,620 "EVERY BRILLIANT THING." 3195 01:55:57,620 --> 01:56:00,920 "FALLEN ANGELS." 3196 01:56:00,920 --> 01:56:02,080 AND "OEDIPUS." 3197 01:56:02,080 --> 01:56:05,350 [APPLAUSE] 3198 01:56:05,350 --> 01:56:06,180 AND THE AMERICAN THEATRE WING'S 3199 01:56:06,180 --> 01:56:12,720 TONY AWARD GOES TO... 3200 01:56:12,720 --> 01:56:14,980 THE WOODS ARE BURNING, BOYS. 3201 01:56:14,980 --> 01:56:16,420 "ARTHUR MILLER'S DEATH OF A 3202 01:56:16,420 --> 01:56:19,920 SALESMAN." 3203 01:56:19,920 --> 01:56:20,380 [CHEERS AND APPLAUSE] 3204 01:56:20,380 --> 01:56:23,550 * 3205 01:56:23,550 --> 01:56:24,680 >> ACCEPTING THE AWARD FOR 3206 01:56:24,680 --> 01:56:27,620 "ARTHUR MILLER'S DEATH OF A 3207 01:56:27,620 --> 01:56:28,120 SALESMAN," NATHAN LANE. 3208 01:56:28,120 --> 01:56:34,880 * 3209 01:56:34,880 --> 01:56:38,420 * 3210 01:56:38,420 --> 01:56:48,150 * 3211 01:56:48,150 --> 01:56:51,680 >> THANK YOU. 3212 01:56:51,680 --> 01:56:52,280 THANK YOU. 3213 01:56:52,280 --> 01:56:54,680 ON BEHALF OF EVERYONE ASSOCIATED 3214 01:56:54,680 --> 01:56:57,880 WITH "DEATH OF A SALESMAN," 3215 01:56:57,880 --> 01:56:59,120 EVERYONE WHO WORKS NIGHTLY AT 3216 01:56:59,120 --> 01:57:00,820 THE WINTER GARDEN THEATRE, OUR 3217 01:57:00,820 --> 01:57:05,120 ENTIRE CAST, CREW, CREATIVE 3218 01:57:05,120 --> 01:57:07,550 TEAM, DESIGN TEAM, AND PRODUCING 3219 01:57:07,550 --> 01:57:09,680 TEAM, OUR HEARTFELT THANKS TO 3220 01:57:09,680 --> 01:57:10,820 THE AMERICAN THEATRE WING FOR 3221 01:57:10,820 --> 01:57:11,750 THIS TREMENDOUS HONOR. 3222 01:57:11,750 --> 01:57:14,180 OF COURSE WE ALL WOULDN'T BE 3223 01:57:14,180 --> 01:57:15,750 STANDING HERE WITHOUT THE GENIUS 3224 01:57:15,750 --> 01:57:19,080 OF JOE MANTELLO, WHO CREATED 3225 01:57:19,080 --> 01:57:21,480 THIS REVELATORY PRODUCTION. 3226 01:57:21,480 --> 01:57:24,520 [APPLAUSE] 3227 01:57:24,520 --> 01:57:27,080 AND MOST IMPORTANTLY, THE GENIUS 3228 01:57:27,080 --> 01:57:28,580 OF ARTHUR MILLER, WHO CREATED 3229 01:57:28,580 --> 01:57:31,880 THIS MONUMENTAL MASTERPIECE, 3230 01:57:31,880 --> 01:57:33,980 WHICH IS STILL, SADLY, AS 3231 01:57:33,980 --> 01:57:37,380 RELEVANT AS IT WAS IN 1949, AND 3232 01:57:37,380 --> 01:57:38,280 STILL CONTINUES TO TEACH US WHO 3233 01:57:38,280 --> 01:57:40,650 WE ARE AS HUMANS AND AMERICANS. 3234 01:57:40,650 --> 01:57:43,420 THANK YOU SO MUCH. 3235 01:57:43,420 --> 01:57:43,680 [APPLAUSE] 3236 01:57:43,680 --> 01:57:47,620 * 3237 01:57:47,620 --> 01:57:49,650 * 3238 01:57:49,650 --> 01:57:50,780 >> Announcer: PLEASE WELCOME 3239 01:57:50,780 --> 01:57:52,080 TONY AWARD WINNERS TREY PARKER, 3240 01:57:52,080 --> 01:57:53,520 MATT STONE, AND ROBERT LOPEZ. 3241 01:57:53,520 --> 01:57:55,480 [APPLAUSE] 3242 01:57:55,480 --> 01:58:00,080 * 3243 01:58:00,080 --> 01:58:17,580 * 3244 01:58:17,580 --> 01:58:18,220 >> MANY, MANY YEARS AGO, THE 3245 01:58:18,220 --> 01:58:18,850 GREAT CHRISTIAN PROPHET, JOSEPH 3246 01:58:18,850 --> 01:58:19,080 SMITH -- 3247 01:58:19,080 --> 01:58:19,350 [LAUGHTER] 3248 01:58:19,350 --> 01:58:19,950 DISCOVERED THE BOOK OF MORMON 3249 01:58:19,950 --> 01:58:20,480 WRITTEN ON GOLDEN PLATES. 3250 01:58:20,480 --> 01:58:25,520 HE HAD NO IDEA THAT IT WOULD ON 3251 01:58:25,520 --> 01:58:27,120 DAY BE A TONY AWARD WINNING 3252 01:58:27,120 --> 01:58:28,820 MUSICAL THAT HAS NOW GONE ON TO 3253 01:58:28,820 --> 01:58:31,950 ENDURE FOR OVER 5500 3254 01:58:31,950 --> 01:58:34,480 PERFORMANCES ON BROADWAY. 3255 01:58:34,480 --> 01:58:37,120 [APPLAUSE] 3256 01:58:37,120 --> 01:58:39,280 >> WE HAVE HAD AN INCREDIBLE 3257 01:58:39,280 --> 01:58:42,450 15-YEAR RUN BY TAKING JOSEPH'S 3258 01:58:42,450 --> 01:58:43,080 WORK, ADDING SOME SONGS, AND 3259 01:58:43,080 --> 01:58:46,720 MAKING IT SLIGHTLY LESS RACIST. 3260 01:58:46,720 --> 01:58:48,350 >> AND NOW, HERE TO PERFORM A 3261 01:58:48,350 --> 01:58:55,780 VERY SPIRITUAL HYMN FROM "THE 3262 01:58:55,780 --> 01:58:56,180 BOOK OF MORMON" IS 3263 01:58:56,180 --> 01:58:56,750 JOSH GAD, ANDREW RANNELLS, 3264 01:58:56,750 --> 01:58:57,650 NIKKI M. JAMES, RORY O'MALLEY, 3265 01:58:57,650 --> 01:59:00,750 AND MEMBERS OF THE ORIGINAL 3266 01:59:00,750 --> 01:59:01,920 A COMPANY OF "THE 3267 01:59:01,920 --> 01:59:04,280 BOOK OF MORMON." 3268 01:59:04,280 --> 01:59:04,550 [APPLAUSE] 3269 01:59:04,550 --> 01:59:06,720 * 3270 01:59:06,720 --> 01:59:08,250 >> * WHAT DID JESUS DO WHEN 3271 01:59:08,250 --> 01:59:10,750 THEY SENTENCED HIM TO DIE? * 3272 01:59:10,750 --> 01:59:13,820 * DID HE TRY TO RUN AWAY? 3273 01:59:13,820 --> 01:59:14,880 * DID HE JUST BREAK DOWN AND 3274 01:59:14,880 --> 01:59:17,280 CRY? * 3275 01:59:17,280 --> 01:59:18,450 * NO 3276 01:59:18,450 --> 01:59:20,780 * JESUS DUG DOWN DEEP 3277 01:59:20,780 --> 01:59:23,380 * KNOWING WHAT HE HAD TO DO 3278 01:59:23,380 --> 01:59:24,650 * WHEN FACED WITH HIS OWN 3279 01:59:24,650 --> 01:59:30,080 DEATH * 3280 01:59:30,080 --> 01:59:33,080 * JESUS KNEW THAT HE HAD TO 3281 01:59:33,080 --> 01:59:34,780 * MAN UP 3282 01:59:34,780 --> 01:59:37,120 * HE HAD TO MAN UP 3283 01:59:37,120 --> 01:59:37,850 * SO HE CRAWLED UP ON THAT 3284 01:59:37,850 --> 01:59:39,250 CROSS * 3285 01:59:39,250 --> 01:59:40,820 * AND HE STUCK IT OUT 3286 01:59:40,820 --> 01:59:42,820 * AND HE MANNED UP 3287 01:59:42,820 --> 01:59:46,080 * CHRIST, HE MANNED UP 3288 01:59:46,080 --> 01:59:49,480 * AND TAUGHT US ALL WHAT REAL 3289 01:59:49,480 --> 01:59:51,880 MANNING UP IS ABOUT * 3290 01:59:51,880 --> 01:59:53,550 * 3291 01:59:53,550 --> 01:59:55,480 * 3292 01:59:55,480 --> 01:59:56,550 * AND NOW IT'S UP TO ME, AND 3293 01:59:56,550 --> 01:59:58,750 IT'S TIME TO MAN UP * 3294 01:59:58,750 --> 02:00:00,080 * JESUS HAD HIS TIME TO 3295 02:00:00,080 --> 02:00:01,120 * NOW IT'S MINE TO MAN UP 3296 02:00:01,120 --> 02:00:03,620 * I'M TAKING THE REINS 3297 02:00:03,620 --> 02:00:05,750 * I'M CROSSING THE BEAR 3298 02:00:05,750 --> 02:00:06,580 * JUST LIKE JESUS, I'M GROWING 3299 02:00:06,580 --> 02:00:08,620 PAIR * 3300 02:00:08,620 --> 02:00:09,850 * I'VE GOT TO STAND UP 3301 02:00:09,850 --> 02:00:11,520 * CAN'T JUST CLAM UP 3302 02:00:11,520 --> 02:00:15,880 * IT'S TIME TO MAN UP 3303 02:00:15,880 --> 02:00:18,380 * 3304 02:00:18,380 --> 02:00:21,880 >> * 'CAUSE THERE'S A TIME IN 3305 02:00:21,880 --> 02:00:22,680 YOUR LIFE WHEN YOU KNOW * 3306 02:00:22,680 --> 02:00:23,550 * YOU'VE GOT TO MAN UP 3307 02:00:23,550 --> 02:00:24,280 * DON'T LET IT PASS YOU BY 3308 02:00:24,280 --> 02:00:25,080 * THERE'S JUST ONE TIME TO MAN 3309 02:00:25,080 --> 02:00:26,350 UP * 3310 02:00:26,350 --> 02:00:27,320 * WATCH ME MAN UP LIKE NOBODY 3311 02:00:27,320 --> 02:00:29,520 ELSE * 3312 02:00:29,520 --> 02:00:32,950 * I'M GONNA MAN UP ALL OVER 3313 02:00:32,950 --> 02:00:34,480 MYSELF * 3314 02:00:34,480 --> 02:00:35,180 * I'VE GOT TO GET READY 3315 02:00:35,180 --> 02:00:36,280 * IT'S TIME TO 3316 02:00:36,280 --> 02:00:37,050 * TIME TO 3317 02:00:37,050 --> 02:00:37,980 * TIME TO 3318 02:00:37,980 --> 02:00:41,420 * TIME TO 3319 02:00:41,420 --> 02:00:42,880 >> * SALT LAKE CITY 3320 02:00:42,880 --> 02:00:47,750 * A PLACE OF HOPE AND JOY 3321 02:00:47,750 --> 02:00:49,020 * AND IF WE WANT TO GO THERE 3322 02:00:49,020 --> 02:00:49,980 * WE JUST HAVE TO FOLLOW THAT 3323 02:00:49,980 --> 02:00:52,180 WHITE BOY * 3324 02:00:52,180 --> 02:00:53,880 >> * HEAVENLY FATHER 3325 02:00:53,880 --> 02:00:55,180 * WHY DO YOU LET BAD THINGS 3326 02:00:55,180 --> 02:00:59,080 HAPPEN? * 3327 02:00:59,080 --> 02:00:59,820 >> * DID YOU SEE MY POST? 3328 02:00:59,820 --> 02:01:00,850 >> * MORE TO THE POINT 3329 02:01:00,850 --> 02:01:01,880 * WHY DO YOU LET BAD THINGS 3330 02:01:01,880 --> 02:01:04,080 HAPPEN TO ME * 3331 02:01:04,080 --> 02:01:04,820 >> * WE SEE YOUR POST 3332 02:01:04,820 --> 02:01:06,120 >> * I'M SURE YOU DON'T THINK 3333 02:01:06,120 --> 02:01:08,920 I'M A FLAKE * 3334 02:01:08,920 --> 02:01:09,720 * BECAUSE YOU CLEARLY MADE A 3335 02:01:09,720 --> 02:01:10,680 MISTAKE * 3336 02:01:10,680 --> 02:01:12,220 >> * TURN IT OFF 3337 02:01:12,220 --> 02:01:13,320 >> * I'M GOING WHERE YOU NEED 3338 02:01:13,320 --> 02:01:15,480 ME MOST * 3339 02:01:15,480 --> 02:01:17,350 * ORLANDO 3340 02:01:17,350 --> 02:01:19,080 >> * ORLANDO 3341 02:01:19,080 --> 02:01:20,320 >> * WE WILL LISTEN TO THE 3342 02:01:20,320 --> 02:01:21,220 WEIRD WHITE GUY * 3343 02:01:21,220 --> 02:01:21,950 >> * MY TIME TO 3344 02:01:21,950 --> 02:01:22,750 * TIME TO 3345 02:01:22,750 --> 02:01:23,480 * NOW IT'S MY TIME TO 3346 02:01:23,480 --> 02:01:28,080 * TIME TO 3347 02:01:28,080 --> 02:01:28,850 * NO! 3348 02:01:28,850 --> 02:01:29,680 * TIME TO, NOT TIME TO, NO 3349 02:01:29,680 --> 02:01:30,520 * NOW IT'S TIME TO 3350 02:01:30,520 --> 02:01:31,620 * TIME TO, TIME TO 3351 02:01:31,620 --> 02:01:32,620 * I'M IN THE LEAD FOR THE VERY 3352 02:01:32,620 --> 02:01:33,720 FIRST TIME * 3353 02:01:33,720 --> 02:01:34,780 >> * I'M GOING WHERE THE SUN 3354 02:01:34,780 --> 02:01:36,480 ALWAYS SHINES * 3355 02:01:36,480 --> 02:01:38,180 >> * I'VE GOT TO STAND UP 3356 02:01:38,180 --> 02:01:39,820 * GET MY FLIPPIN' CAN UP 3357 02:01:39,820 --> 02:01:41,850 * IT'S TIME TO 3358 02:01:41,850 --> 02:01:45,950 * TIME TO MAN UP 3359 02:01:45,950 --> 02:01:46,750 >> * SALT LAKE CITY 3360 02:01:46,750 --> 02:01:47,850 >> * TURN IT OFF 3361 02:01:47,850 --> 02:01:49,550 >> * SALT LAKE CITY 3362 02:01:49,550 --> 02:01:51,820 >> * ORLANDO 3363 02:01:51,820 --> 02:01:53,180 >> * TURN IT OFF 3364 02:01:53,180 --> 02:01:54,380 >> * ORLANDO 3365 02:01:54,380 --> 02:01:55,620 * I'M COMING 3366 02:01:55,620 --> 02:01:56,880 >> * SALT LAKE CITY 3367 02:01:56,880 --> 02:01:58,620 >> * ORLANDO 3368 02:01:58,620 --> 02:02:00,850 >> * SALT LAKE CITY 3369 02:02:00,850 --> 02:02:03,880 >> * IT IS TIME TO 3370 02:02:03,880 --> 02:02:05,850 * I HAVE MAGGOTS IN MY 3371 02:02:05,850 --> 02:02:13,080 SCROTUM * 3372 02:02:13,080 --> 02:02:13,520 [CHEERS AND APPLAUSE] 3373 02:02:13,520 --> 02:02:21,780 * 3374 02:02:21,780 --> 02:02:35,580 * 3375 02:02:35,580 --> 02:02:41,880 * 3376 02:02:41,880 --> 02:02:44,520 >> NICOLE AND I ARE ABOUT TO 3377 02:02:44,520 --> 02:02:46,750 PRESENT LEAD ACTOR AND LEAD 3378 02:02:46,750 --> 02:02:47,580 ACTRESS IN A MUSICAL, AND 3379 02:02:47,580 --> 02:02:49,880 RACHEL ZEGLER'S GOT SOMETHING 3380 02:02:49,880 --> 02:02:50,680 SPECIAL TO CELEBRATE, THE 50TH 3381 02:02:50,680 --> 02:02:51,480 ANNIVERSARY OF "A CHORUS LINE." 3382 02:02:51,480 --> 02:02:52,580 IT'S THE TONY AWARDS. 3383 02:02:52,580 --> 02:02:54,250 THIS IS CBS. 3384 02:02:59,550 --> 02:03:01,850 * 3385 02:03:01,850 --> 02:03:03,080 >> FIVE, SIX, SEVEN, EIGHT! 3386 02:03:03,080 --> 02:03:04,720 * 3387 02:03:04,720 --> 02:03:07,120 * 3388 02:03:07,120 --> 02:03:09,720 * 3389 02:03:09,720 --> 02:03:13,380 * 3390 02:03:13,380 --> 02:03:21,080 * 3391 02:03:21,080 --> 02:03:22,250 [APPLAUSE] 3392 02:03:22,250 --> 02:03:23,620 >> HERE TO CELEBRATE THE 50TH 3393 02:03:23,620 --> 02:03:25,380 ANNIVERSARY OF "A CHORUS LINE," 3394 02:03:25,380 --> 02:03:27,220 AND HONOR THE ORIGINAL CAST WHO 3395 02:03:27,220 --> 02:03:29,080 CONTRIBUTED TO CREATING IT, 3396 02:03:29,080 --> 02:03:31,520 PLEASE WELCOME RACHEL ZEGLER. 3397 02:03:31,520 --> 02:03:33,480 [APPLAUSE] 3398 02:03:33,480 --> 02:03:40,080 * 3399 02:03:40,080 --> 02:03:46,480 >> * KISS TODAY GOODBYE 3400 02:03:46,480 --> 02:03:53,420 * THE SWEETNESS AND THE SORROW 3401 02:03:53,420 --> 02:03:55,920 * WISH ME LUCK, THE SAME TO 3402 02:03:55,920 --> 02:04:02,280 YOU * 3403 02:04:02,280 --> 02:04:03,450 * AND I CAN'T REGRET WHAT I DID 3404 02:04:03,450 --> 02:04:05,680 FOR LOVE * 3405 02:04:05,680 --> 02:04:12,580 * WHAT I DID FOR LOVE 3406 02:04:12,580 --> 02:04:19,280 * LOOK, MY EYES ARE DRY 3407 02:04:19,280 --> 02:04:25,480 * THE GIFT WAS OURS TO BORROW 3408 02:04:25,480 --> 02:04:35,950 * IT'S AS IF WE ALWAYS KNEW 3409 02:04:35,950 --> 02:04:36,980 * AND I WON'T FORGET WHAT I DID 3410 02:04:36,980 --> 02:04:40,920 FOR LOVE * 3411 02:04:40,920 --> 02:04:47,180 * WHAT I DID FOR LOVE 3412 02:04:47,180 --> 02:04:53,680 * GONE 3413 02:04:53,680 --> 02:04:58,950 * LOVE IS NEVER GONE 3414 02:04:58,950 --> 02:05:05,080 * AS WE TRAVEL ON 3415 02:05:05,080 --> 02:05:10,350 * LOVE'S WHAT WE'LL REMEMBER 3416 02:05:10,350 --> 02:05:18,350 * KISS TODAY GOODBYE 3417 02:05:18,350 --> 02:05:25,720 * AND POINT ME TOWARD TOMORROW 3418 02:05:25,720 --> 02:05:34,450 * WE DID WHAT WE HAD TO DO 3419 02:05:34,450 --> 02:05:38,450 * WON'T FORGET, CAN'T REGRET 3420 02:05:38,450 --> 02:05:45,350 * WHAT I DID FOR LOVE 3421 02:05:45,350 --> 02:05:51,980 * WHAT I DID FOR LOVE 3422 02:05:51,980 --> 02:05:54,650 * WHAT I DID FOR 3423 02:05:54,650 --> 02:06:00,350 * LOVE 3424 02:06:00,350 --> 02:06:09,080 [APPLAUSE] 3425 02:06:09,080 --> 02:06:14,550 * 3426 02:06:14,550 --> 02:06:15,680 >> Announcer: PLEASE WELCOME 3427 02:06:15,680 --> 02:06:16,720 TONY AWARD WINNERS DARREN CRISS 3428 02:06:16,720 --> 02:06:18,680 AND NICOLE SCHERZINGER. 3429 02:06:18,680 --> 02:06:20,480 [APPLAUSE] 3430 02:06:20,480 --> 02:06:24,780 * 3431 02:06:24,780 --> 02:06:39,680 * 3432 02:06:39,680 --> 02:06:41,320 >> THE RIGHT ROLE AT JUST THE 3433 02:06:41,320 --> 02:06:41,680 RIGHT TIME. 3434 02:06:41,680 --> 02:06:43,320 IT'S EVERY ACTOR'S DREAM. 3435 02:06:43,320 --> 02:06:44,280 I CERTAINLY KNOW THAT FROM THE 3436 02:06:44,280 --> 02:06:48,680 ROLE I GOT TO PLAY LAST YEAR. 3437 02:06:48,680 --> 02:06:49,520 >> ABSOLUTELY. 3438 02:06:49,520 --> 02:06:52,080 NORMA DESMOND WAS THAT FOR ME. 3439 02:06:52,080 --> 02:06:53,820 [APPLAUSE] 3440 02:06:53,820 --> 02:06:56,280 WE GAVE THE WORLD NEW WAYS TO 3441 02:06:56,280 --> 02:07:00,520 DREAM, BUT WE, DARREN, YOU GAVE 3442 02:07:00,520 --> 02:07:04,520 THE WORLD 3443 02:07:04,520 --> 02:07:06,520 "MAYBE HAPPY ENDING'S." 3444 02:07:06,520 --> 02:07:07,150 >> DID I? 3445 02:07:07,150 --> 02:07:08,720 >> YOU ARE A GIVE. 3446 02:07:08,720 --> 02:07:09,750 >> I AM. 3447 02:07:09,750 --> 02:07:12,520 WHAT CAN I SAY, I'M A MAN OF 3448 02:07:12,520 --> 02:07:14,580 SERVICE. 3449 02:07:14,580 --> 02:07:15,080 HAPPY PRIDE, EVERYONE. 3450 02:07:15,080 --> 02:07:18,920 [LAUGHTER AND APPLAUSE] 3451 02:07:18,920 --> 02:07:21,120 >> EVERY SINGLE LEAD OF THIS 3452 02:07:21,120 --> 02:07:21,950 YEAR'S MUSICALS STEPPED UP TO 3453 02:07:21,950 --> 02:07:26,080 MEET THE MOMENT WITH RELENTLESS 3454 02:07:26,080 --> 02:07:28,120 COMMITMENT. 3455 02:07:28,120 --> 02:07:29,080 >> THE TWO OF US KNOW VERY WELL 3456 02:07:29,080 --> 02:07:30,280 THE TOLL IT TAKES TO GIVE 3457 02:07:30,280 --> 02:07:31,950 EVERYTHING YOU'VE GOT TO PUT ON 3458 02:07:31,950 --> 02:07:33,720 A GREAT SHOW EIGHT TIMES A WEEK. 3459 02:07:33,720 --> 02:07:36,180 >> HERE ARE THE NOMINEES FOR 3460 02:07:36,180 --> 02:07:37,250 LEAD ACTRESS IN A MUSICAL. 3461 02:07:37,250 --> 02:07:39,620 * 3462 02:07:39,620 --> 02:07:40,980 >> SARA CHASE, "SCHMIGADOON!" 3463 02:07:40,980 --> 02:07:42,350 STEPHANIE HSU, 3464 02:07:42,350 --> 02:07:43,350 "RICHARD O'BRIEN'S THE ROCKY 3465 02:07:43,350 --> 02:07:44,920 HORROR SHOW." 3466 02:07:44,920 --> 02:07:47,550 CAISSIE LEVY, "RAGTIME." 3467 02:07:47,550 --> 02:07:50,080 MARLA MINDELLE, "TITANIQUE." 3468 02:07:50,080 --> 02:07:51,150 CHRISTIANI PITTS, 3469 02:07:51,150 --> 02:07:52,380 "TWO STRANGERS (CARRY A CAKE 3470 02:07:52,380 --> 02:07:56,620 ACROSS NEW YORK)." 3471 02:07:56,620 --> 02:07:57,350 [APPLAUSE] 3472 02:07:57,350 --> 02:08:02,850 >> AND THE TONY AWARD GOES TO.. 3473 02:08:02,850 --> 02:08:06,080 I'M NERVOUS. 3474 02:08:06,080 --> 02:08:09,280 CAISSIE LEVY! 3475 02:08:09,280 --> 02:08:09,750 [CHEERS AND APPLAUSE] 3476 02:08:09,750 --> 02:08:15,320 * 3477 02:08:15,320 --> 02:08:16,180 >> BROADWAY VETERAN CASEY LEAVY 3478 02:08:16,180 --> 02:08:18,820 EARNS HER FIRST TONY NOMINATION 3479 02:08:18,820 --> 02:08:21,220 AND WIN FOR HER PERFORMANCE AS 3480 02:08:21,220 --> 02:08:21,450 MOTHER. 3481 02:08:21,450 --> 02:08:27,220 * 3482 02:08:27,220 --> 02:08:33,220 * 3483 02:08:33,220 --> 02:08:40,720 * 3484 02:08:40,720 --> 02:08:49,450 [APPLAUSE] 3485 02:08:49,450 --> 02:08:52,080 >> THANK YOU SO MUCH. 3486 02:08:52,080 --> 02:08:54,680 THANK YOU TO THE BROADWAY LEAGUE 3487 02:08:54,680 --> 02:08:55,280 INTO THE AMERICAN THEATRE WING 3488 02:08:55,280 --> 02:08:58,250 FOR THIS INCREDIBLE HONOR. 3489 02:08:58,250 --> 02:09:02,150 I GREW UP IN CANADA WATCHING THE 3490 02:09:02,150 --> 02:09:04,950 TONYS AND DREAMING OF A LIFE ON 3491 02:09:04,950 --> 02:09:05,320 BROADWAY. 3492 02:09:05,320 --> 02:09:05,720 [APPLAUSE] 3493 02:09:05,720 --> 02:09:07,880 I AM 20 YEARS IN, AND THE MOST 3494 02:09:07,880 --> 02:09:08,980 IMPORTANT THING I'VE LEARNED IS 3495 02:09:08,980 --> 02:09:10,950 THAT NO ONE DOES IT ALONE. 3496 02:09:10,950 --> 02:09:17,280 MY PARENTS, MARK AND LISA LEVY, 3497 02:09:17,280 --> 02:09:18,120 WHO ARE HERE TONIGHT, I LOVE YOU 3498 02:09:18,120 --> 02:09:19,920 SO MUCH. 3499 02:09:19,920 --> 02:09:20,720 THANK YOU FOR TEACHING ME BY 3500 02:09:20,720 --> 02:09:22,080 EXAMPLE HOW TO BE A GOOD PERSON 3501 02:09:22,080 --> 02:09:23,720 AND A TEAM PLAYER. 3502 02:09:23,720 --> 02:09:25,120 MY HUSBAND, DAVID. 3503 02:09:25,120 --> 02:09:26,150 WHERE ARE YOU? 3504 02:09:26,150 --> 02:09:26,920 OH, GOD. 3505 02:09:26,920 --> 02:09:27,750 WAVE AT ME. 3506 02:09:27,750 --> 02:09:27,920 HI. 3507 02:09:27,920 --> 02:09:29,720 I'M SO PROUD OF THE LIFE WE'VE 3508 02:09:29,720 --> 02:09:30,550 BUILT TOGETHER. 3509 02:09:30,550 --> 02:09:30,950 I LOVE YOU. 3510 02:09:30,950 --> 02:09:32,850 YOU ARE THE BEST THING THAT EVER 3511 02:09:32,850 --> 02:09:33,580 HAPPENED TO ME. 3512 02:09:33,580 --> 02:09:35,080 THANK YOU TO EVERYONE THAT 3513 02:09:35,080 --> 02:09:36,620 INNOVATIVE. 3514 02:09:36,620 --> 02:09:39,280 MY BROTHERS, AND EVERY 3515 02:09:39,280 --> 02:09:40,350 BABYSITTER WHO'S MADE IT 3516 02:09:40,350 --> 02:09:42,350 POSSIBLE FOR ME TO BE BOTH A 3517 02:09:42,350 --> 02:09:44,880 BROADWAY ACTOR AND A MOTHER. 3518 02:09:44,880 --> 02:09:46,480 [APPLAUSE] 3519 02:09:46,480 --> 02:09:48,680 THANK YOU TO MY "RAGTIME" 3520 02:09:48,680 --> 02:09:48,920 FAMILY. 3521 02:09:48,920 --> 02:09:51,720 LEERED TO PASS IN IT, OUR 3522 02:09:51,720 --> 02:09:53,280 PRODUCERS, OUR CAST AND 3523 02:09:53,280 --> 02:09:54,520 ORCHESTRA. 3524 02:09:54,520 --> 02:09:56,080 [LISTING NAMES] 3525 02:09:56,080 --> 02:09:57,320 THANK YOU FOR YOUR MASTERPIECE. 3526 02:09:57,320 --> 02:09:58,680 PLAYING MOTHER HAS BEEN ONE OF 3527 02:09:58,680 --> 02:10:00,120 THE GREATEST GIFTS OF MY 3528 02:10:00,120 --> 02:10:01,650 ARTISTIC LIFE, AND BEING MOTHER 3529 02:10:01,650 --> 02:10:03,180 TO MY KIDS HAS BEEN THE GREATEST 3530 02:10:03,180 --> 02:10:05,450 JOY OF MY LIFE. 3531 02:10:05,450 --> 02:10:06,880 ISAIAH AND TALLULAH, I LOVE YOU. 3532 02:10:06,880 --> 02:10:08,320 ALTHOUGH I AM NOT THERE TO 3533 02:10:08,320 --> 02:10:09,880 10 FEET IN EACH NIGHT, YOU HAVE 3534 02:10:09,880 --> 02:10:12,280 TO KNOW THAT A PART OF MY HEART 3535 02:10:12,280 --> 02:10:13,480 STAYS HOME WITH YOU. 3536 02:10:13,480 --> 02:10:16,680 I LOVE ACTING, I LOVE THEATER. 3537 02:10:16,680 --> 02:10:17,280 I LOVE THIS INCREDIBLE 3538 02:10:17,280 --> 02:10:17,880 COMMUNITY. 3539 02:10:17,880 --> 02:10:20,250 I AM SO, SO HONORED. 3540 02:10:20,250 --> 02:10:21,820 THANK YOU SO MUCH. 3541 02:10:21,820 --> 02:10:22,080 [APPLAUSE] 3542 02:10:22,080 --> 02:10:24,750 * 3543 02:10:24,750 --> 02:10:33,350 * 3544 02:10:33,350 --> 02:10:38,350 * 3545 02:10:38,350 --> 02:10:41,880 >> CONGRATULATIONS, CAISSIE! 3546 02:10:41,880 --> 02:10:45,120 DARREN, TAKE IT AWAY. 3547 02:10:45,120 --> 02:10:46,320 >> AND NOW IT'S MY DISTINCT 3548 02:10:46,320 --> 02:10:46,950 HONOR TO PASS THE TORCH, AS 3549 02:10:46,950 --> 02:10:47,880 WELL. 3550 02:10:47,880 --> 02:10:48,650 HERE ARE THE NOMINEES FOR 3551 02:10:48,650 --> 02:10:51,920 LEADING ACTOR IN A MUSICAL. 3552 02:10:51,920 --> 02:10:52,620 * 3553 02:10:52,620 --> 02:10:53,850 >> NICHOLAS CHRISTOPHER, 3554 02:10:53,850 --> 02:10:55,150 "CHESS." 3555 02:10:55,150 --> 02:10:56,150 LUKE EVANS, "RICHARD O'BRIEN'S 3556 02:10:56,150 --> 02:10:59,180 THE ROCKY HORROR SHOW." 3557 02:10:59,180 --> 02:11:01,980 JOSHUA HENRY, "RAGTIME." 3558 02:11:01,980 --> 02:11:03,280 SAM TUTTY, "TWO STRANGERS (CARR 3559 02:11:03,280 --> 02:11:05,620 A CAKE ACROSS NEW YORK)." 3560 02:11:05,620 --> 02:11:12,280 BRANDON URANOWITZ, "RAGTIME." 3561 02:11:12,280 --> 02:11:12,550 [APPLAUSE] 3562 02:11:12,550 --> 02:11:21,250 >> AND THE TONY AWARD GOES TO.. 3563 02:11:21,250 --> 02:11:21,580 JOSHUA HENRY. 3564 02:11:21,580 --> 02:11:22,080 [CHEERS AND APPLAUSE] 3565 02:11:22,080 --> 02:11:28,550 * 3566 02:11:28,550 --> 02:11:30,320 >> FOR HIS PERFORMANCE AS COLE 3567 02:11:30,320 --> 02:11:34,150 HAS WALKER JR., JOSHUA A 3568 02:11:35,080 --> 02:11:37,080 HENRY EARNS HIS FIRST NOMINATION 3569 02:11:37,080 --> 02:11:37,380 ANTONI WIN. 3570 02:11:37,380 --> 02:11:45,320 * 3571 02:11:49,180 --> 02:11:51,220 [CHEERS AND APPLAUSE] 3572 02:11:51,220 --> 02:11:56,980 THANK YOU. 3573 02:11:56,980 --> 02:12:00,820 THANK YOU ALL SO MUCH. 3574 02:12:00,820 --> 02:12:01,450 THANK YOU TO THE BROADWAY LEAGUE 3575 02:12:01,450 --> 02:12:05,080 AND THE AMERICAN THEATRE WING 3576 02:12:05,080 --> 02:12:05,880 FOR THIS INCREDIBLE AWARD AND 3577 02:12:05,880 --> 02:12:09,620 ALL THE INCREDIBLE MEN IN MY 3578 02:12:09,620 --> 02:12:11,080 CATEGORY, TO. 3579 02:12:11,080 --> 02:12:16,820 I HAVE TO THANK GOD, AND ENDLESS 3580 02:12:16,820 --> 02:12:18,850 CREATIVE SOURCE FOR GIFTS, LIKE 3581 02:12:18,850 --> 02:12:19,250 CATHERINE HANNAY. 3582 02:12:19,250 --> 02:12:20,120 THANK YOU FOR DREAMING IS ME 3583 02:12:20,120 --> 02:12:22,080 EVEN WHEN IT'S BEEN HARD. 3584 02:12:22,080 --> 02:12:23,150 THANK YOU FOR PUTTING OUR KIDS 3585 02:12:23,150 --> 02:12:23,950 TO BED. 3586 02:12:23,950 --> 02:12:26,080 THANK YOU FOR YOUR LOVE AND YOUR 3587 02:12:26,080 --> 02:12:26,350 SACRIFICE. 3588 02:12:26,350 --> 02:12:29,450 AND TO MY BOYS, SAMSON THE 3589 02:12:29,450 --> 02:12:32,320 CHAMPION, LEO MY HERO, AND MAX 3590 02:12:32,320 --> 02:12:33,850 THE GREAT, THIS IS INCREDIBLE, 3591 02:12:33,850 --> 02:12:35,380 BUT REMEMBER IT IS THE PRACTICE 3592 02:12:35,380 --> 02:12:37,180 YOU DO WHEN NO ONE IS LOOKING, 3593 02:12:37,180 --> 02:12:38,650 AND HOW YOU FALL DOWN AND HOW 3594 02:12:38,650 --> 02:12:39,880 YOU GET BACK UP AGAIN. 3595 02:12:39,880 --> 02:12:42,220 THAT'S WHAT MAKES YOU GREAT. 3596 02:12:42,220 --> 02:12:44,080 EVERYONE TELLING THE STORY ON 3597 02:12:44,080 --> 02:12:45,980 THE STAGE, BACKSTAGE, ONSTAGE, 3598 02:12:45,980 --> 02:12:46,980 THANKS FOR MAKING IT A JOY TO 3599 02:12:46,980 --> 02:12:49,850 COME TO WORK EVERY SINGLE DAY. 3600 02:12:49,850 --> 02:12:51,720 THE ENSEMBLE IS "RAGTIME," EACH 3601 02:12:51,720 --> 02:12:56,620 AND EVERY ONE OF YOU ARE STARS. 3602 02:12:56,620 --> 02:12:58,280 LEAR DEBESSONET, THANK YOU FOR 3603 02:12:58,280 --> 02:12:59,620 YOUR VISION AND PURSUIT OF 3604 02:12:59,620 --> 02:13:00,680 EXCELLENT. 3605 02:13:00,680 --> 02:13:02,850 AND SPEAKING OF EXCELLENCE, 3606 02:13:02,850 --> 02:13:03,820 AUDRA McDONALD AND BRIAN 3607 02:13:03,820 --> 02:13:05,880 STOKES MITCHELL, THANK YOU FOR 3608 02:13:05,880 --> 02:13:08,520 YOUR "BLACK DON'T CRACK" LEGACY 3609 02:13:08,520 --> 02:13:09,280 OF ARTISTIC BRILLIANCE, 3610 02:13:09,280 --> 02:13:10,380 SHOWING US THAT WE CAN SHINE IN 3611 02:13:10,380 --> 02:13:13,080 THE FULLNESS OF WHO WE ARE! 3612 02:13:13,080 --> 02:13:15,350 IT IS AN HONOR TO PLAY THIS 3613 02:13:15,350 --> 02:13:17,250 ROLE, COALHOUSE WALKER JR., A 3614 02:13:17,250 --> 02:13:20,280 BLACK MUSICIAN WHOSE ART LED HIM 3615 02:13:20,280 --> 02:13:22,450 TO HIS LOVE AND HIS DREAM. 3616 02:13:22,450 --> 02:13:25,450 AND EVEN IN THE FACE OF PAIN AND 3617 02:13:25,450 --> 02:13:27,320 TRAGEDY, HE FOUND A WAY TO BE 3618 02:13:27,320 --> 02:13:27,720 HEARD. 3619 02:13:27,720 --> 02:13:28,950 EVERY ARTIST IN THIS ROOM, EVERY 3620 02:13:28,950 --> 02:13:32,820 ARTIST AT HOME, FIGHT TO BE 3621 02:13:32,820 --> 02:13:33,080 HEARD. 3622 02:13:33,080 --> 02:13:36,150 I WANT TO DEDICATE THIS TO MY 3623 02:13:36,150 --> 02:13:37,820 FIRST VOICE TEACHER. 3624 02:13:37,820 --> 02:13:38,250 SHE IS HERE TODAY. 3625 02:13:38,250 --> 02:13:39,350 SHE GAVE ME FREE VOICE LESSONS 3626 02:13:39,350 --> 02:13:40,650 AND TOLD ME I COULD DO THIS WHEN 3627 02:13:40,650 --> 02:13:43,320 I DIDN'T EVEN KNOW WHAT SHE WAS 3628 02:13:43,320 --> 02:13:43,880 TALKING ABOUT. 3629 02:13:43,880 --> 02:13:44,450 [APPLAUSE] 3630 02:13:44,450 --> 02:13:46,280 I LOVE YOU SO MUCH! 3631 02:13:46,280 --> 02:13:48,520 THANK YOU ALL. 3632 02:13:48,520 --> 02:13:48,780 GOD BLESS. 3633 02:13:48,780 --> 02:13:49,250 [CHEERS AND APPLAUSE] 3634 02:13:49,250 --> 02:13:51,780 * 3635 02:13:51,780 --> 02:13:58,350 * 3636 02:13:58,350 --> 02:14:10,880 * 3637 02:14:13,820 --> 02:14:14,720 >> Announcer: WE'LL BE RIGHT 3638 02:14:14,720 --> 02:14:15,550 BACK WITH OUR FINAL AWARD OF TH 3639 02:14:15,550 --> 02:14:16,580 EVENING. 3640 02:14:16,580 --> 02:14:17,580 THE TONY AWARDS. 3641 02:14:17,580 --> 02:14:21,550 THIS IS CBS. 3642 02:14:25,750 --> 02:14:38,180 * 3643 02:14:38,180 --> 02:14:39,650 >> OH, SORRY! 3644 02:14:39,650 --> 02:14:41,080 PLEASE WELCOME LEGEND OF THE 3645 02:14:41,080 --> 02:14:42,450 STAGE AND SCREEN, MY FAVORITE 3646 02:14:42,450 --> 02:14:43,850 AND YOURS, BROADWAY ICON 3647 02:14:43,850 --> 02:14:47,750 BERNADETTE PETERS! 3648 02:14:47,750 --> 02:14:48,220 [CHEERS AND APPLAUSE] 3649 02:14:48,220 --> 02:14:52,980 * 3650 02:14:52,980 --> 02:15:02,080 * 3651 02:15:02,080 --> 02:15:04,080 >> OH, WELL, HELLO! 3652 02:15:04,080 --> 02:15:05,080 ISN'T THIS EXCITING? 3653 02:15:05,080 --> 02:15:06,280 IT'S THE LAST AWARD OF THE 3654 02:15:06,280 --> 02:15:06,480 NIGHT. 3655 02:15:06,480 --> 02:15:09,420 THERE IS SO MUCH THAT GOES INTO 3656 02:15:09,420 --> 02:15:10,380 THESE INCREDIBLE PRODUCTIONS. 3657 02:15:10,380 --> 02:15:11,920 SO MUCH TIME AND PASSION, SO 3658 02:15:11,920 --> 02:15:12,980 MUCH LOVE, SO MANY PEOPLE 3659 02:15:12,980 --> 02:15:17,580 COLLABORATING AND PUTTING IT 3660 02:15:17,580 --> 02:15:18,550 TOGETHER, BIT BY BIT, PIECE BY 3661 02:15:18,550 --> 02:15:21,080 PIECE. 3662 02:15:21,080 --> 02:15:22,080 [LAUGHTER] 3663 02:15:22,080 --> 02:15:23,380 THROUGHOUT THE EVENING, WE'VE 3664 02:15:23,380 --> 02:15:24,480 ENJOYED PERFORMANCES FROM THE 3665 02:15:24,480 --> 02:15:25,580 SHOWS NOMINATED FOR BEST 3666 02:15:25,580 --> 02:15:27,150 MUSICAL. 3667 02:15:27,150 --> 02:15:28,480 ONCE AGAIN, HERE ARE THE 3668 02:15:28,480 --> 02:15:35,520 NOMINEES. 3669 02:15:35,520 --> 02:15:38,280 * 3670 02:15:38,280 --> 02:15:42,320 >> "THE LOST BOYS." 3671 02:15:42,320 --> 02:15:45,420 * 3672 02:15:45,420 --> 02:15:49,280 "SCHMIGADOON!" 3673 02:15:49,280 --> 02:15:52,120 * 3674 02:15:52,120 --> 02:15:56,120 "TITANIQUE." 3675 02:15:56,120 --> 02:15:58,080 * 3676 02:15:58,080 --> 02:15:59,150 "TWO STRANGERS (CARRY A CAKE 3677 02:15:59,150 --> 02:16:02,780 ACROSS NEW YORK)." 3678 02:16:02,780 --> 02:16:10,620 * 3679 02:16:10,620 --> 02:16:10,880 [APPLAUSE] 3680 02:16:10,880 --> 02:16:17,380 >> AND THE TONY AWARD GOES TO.. 3681 02:16:17,380 --> 02:16:21,780 IT'S A GOOD SEAL. 3682 02:16:21,780 --> 02:16:22,080 [LAUGHTER] 3683 02:16:22,080 --> 02:16:23,850 OKAY. 3684 02:16:23,850 --> 02:16:27,980 "SCHMIGADOON!" 3685 02:16:27,980 --> 02:16:28,450 [CHEERS AND APPLAUSE] 3686 02:16:28,450 --> 02:16:34,080 * 3687 02:16:34,080 --> 02:16:35,320 >> Announcer: ACCEPTING THE 3688 02:16:35,320 --> 02:16:39,850 AWARD FOR "SCHMIGADOON'S," 3689 02:16:39,850 --> 02:16:40,350 PRODUCER LORNE MICHAELS. 3690 02:16:40,350 --> 02:16:44,180 * 3691 02:16:44,180 --> 02:16:54,420 * 3692 02:16:54,420 --> 02:17:04,780 * 3693 02:17:04,780 --> 02:17:16,850 * 3694 02:17:16,850 --> 02:17:17,120 [APPLAUSE] 3695 02:17:17,120 --> 02:17:21,680 >> IT'S BEEN A LONG NIGHT. 3696 02:17:21,680 --> 02:17:22,220 [LAUGHTER] 3697 02:17:22,220 --> 02:17:25,120 SO I JUST WANT TO SAY, ON BEHALF 3698 02:17:25,120 --> 02:17:27,080 OF ALL THE PEOPLE WHO ARE 3699 02:17:27,080 --> 02:17:27,820 STANDING HERE, AND THE OTHERS 3700 02:17:27,820 --> 02:17:32,550 WHO WORK EVERY NIGHT AT 3701 02:17:32,550 --> 02:17:33,120 "SCHMIGADOON," WE ARE REALLY 3702 02:17:33,120 --> 02:17:37,220 GRATEFUL FOR THIS, AND IT MEANS 3703 02:17:37,220 --> 02:17:43,820 EVERYTHING. 3704 02:17:43,820 --> 02:17:45,780 SOMETIMES SINGING, DANCING, A 3705 02:17:45,780 --> 02:17:49,180 LOT OF JOKES, AND A HAPPY ENDING 3706 02:17:49,180 --> 02:17:50,720 IS REALLY ALL YOU NEED. 3707 02:17:50,720 --> 02:17:53,080 THANK YOU. 3708 02:17:53,080 --> 02:17:59,550 [APPLAUSE] 3709 02:17:59,550 --> 02:18:03,080 >> WELL, I THINK I SHOULD START 3710 02:18:03,080 --> 02:18:04,850 BY THANKING APPLETV FOR 3711 02:18:04,850 --> 02:18:06,450 CANCELING THE THIRD SEASON OF 3712 02:18:06,450 --> 02:18:09,420 "OF "SCHMIGADOON" THE TV SHOW. 3713 02:18:09,420 --> 02:18:10,520 WITHOUT THEM DROPPING IT, WE 3714 02:18:10,520 --> 02:18:12,080 COULDN'T HAVE PICKED IT UP AND 3715 02:18:12,080 --> 02:18:13,880 RAN WITH IT. 3716 02:18:13,880 --> 02:18:15,620 SO THANKS, APPLETV. 3717 02:18:15,620 --> 02:18:16,420 [LAUGHTER] 3718 02:18:16,420 --> 02:18:17,720 I ALSO WANT TO EXPRESS MY THANKS 3719 02:18:17,720 --> 02:18:20,980 TO THE THEATER COMMUNITY WHO 3720 02:18:20,980 --> 02:18:22,320 GAVE A WAYWARD LAWYER A CHANCE 3721 02:18:22,320 --> 02:18:24,420 TEN YEARS AGO. 3722 02:18:24,420 --> 02:18:24,980 YOU CHANGED MY LIFE. 3723 02:18:24,980 --> 02:18:28,580 I HAVE BEEN SO GRATEFUL. 3724 02:18:28,580 --> 02:18:30,420 NEXT, THANKS TO MY NO GUARANTEES 3725 02:18:30,420 --> 02:18:32,380 TEAM, YES, THE NAME OF MY 3726 02:18:32,380 --> 02:18:34,720 COMPANY IS "NO GUARANTEES," YOU 3727 02:18:34,720 --> 02:18:36,220 KNOW YOU ARE. 3728 02:18:36,220 --> 02:18:37,650 MACON, TAYLOR, ANN DILLON, YOU 3729 02:18:37,650 --> 02:18:41,080 REALLY BROUGHT THIS ON HOME. 3730 02:18:41,080 --> 02:18:41,680 WITHOUT YOU WE WOULDN'T HAVE 3731 02:18:41,680 --> 02:18:44,620 MADE IT HAPPEN. 3732 02:18:44,620 --> 02:18:45,980 MY COPRODUCERS, BROADWAY VIDEO. 3733 02:18:45,980 --> 02:18:48,080 THAT'S A REALLY GOOD NAME FOR A 3734 02:18:48,080 --> 02:18:49,180 COMPANY TONIGHT. 3735 02:18:49,180 --> 02:18:49,850 LORNE MICHAELS, YOU ARE A LIVING 3736 02:18:49,850 --> 02:18:52,980 LEGEND AND YOU ARE SUPER COOL. 3737 02:18:52,980 --> 02:18:54,580 MICAH AND CAROLINE, YOU'RE JUST 3738 02:18:54,580 --> 02:18:57,780 A DELIGHT TO WORK WITH. 3739 02:18:57,780 --> 02:18:59,780 AND NOW FOR THE CREATIVE TEAM, 3740 02:18:59,780 --> 02:19:00,480 BECAUSE WE ARE NOTHING WITHOUT 3741 02:19:00,480 --> 02:19:04,420 THE CREATIVE TEAM. 3742 02:19:04,420 --> 02:19:06,420 CINCO? 3743 02:19:06,420 --> 02:19:08,220 WHERE IS CINCO? 3744 02:19:08,220 --> 02:19:09,220 OH, MY GOD. 3745 02:19:09,220 --> 02:19:11,120 CINCO, YOUR SINGULAR CREATIVE 3746 02:19:11,120 --> 02:19:11,620 MIND COMBINED WITH YOUR 3747 02:19:11,620 --> 02:19:14,980 AUTHENTIC PERSONAL CHARM HAVE 3748 02:19:14,980 --> 02:19:15,920 BROUGHT FORTH A NEW STAGE 3749 02:19:15,920 --> 02:19:21,080 CLASSIC FILLED WITH THEATER JOY. 3750 02:19:21,080 --> 02:19:22,380 AND CHRISTOPHER GATTELLI, OUR 3751 02:19:22,380 --> 02:19:23,420 DIRECTOR AND CHOREOGRAPHER. 3752 02:19:23,420 --> 02:19:24,750 COME OVER HERE, CHRIS. 3753 02:19:24,750 --> 02:19:26,720 HE TOOK NETWORK FROM THE PAGE, 3754 02:19:26,720 --> 02:19:28,820 AND USING HIS TALENT AND STYLE 3755 02:19:28,820 --> 02:19:29,680 ALONG WITH ARE ABSOLUTELY 3756 02:19:29,680 --> 02:19:32,080 AMAZING CAST, FILLED THE STAGE 3757 02:19:32,080 --> 02:19:33,550 WITH A GLORIOUS SHOW. 3758 02:19:33,550 --> 02:19:36,150 THANKS, EVERYONE. 3759 02:19:36,150 --> 02:19:36,420 [APPLAUSE] 3760 02:19:36,420 --> 02:19:42,380 * 3761 02:19:42,380 --> 02:19:43,780 >> CONGRATULATIONS! 3762 02:19:43,780 --> 02:19:44,980 I HAD A BLAST POSTING. 3763 02:19:44,980 --> 02:19:47,380 I HOPE YOU HAD FUN, TOO. 3764 02:19:47,380 --> 02:19:48,850 IF YOU DIDN'T, I HAD ENOUGH SUN 3765 02:19:48,850 --> 02:19:51,780 FOR ALL OF US. 3766 02:19:51,780 --> 02:19:52,420 CONGRATULATIONS TO ALL OF THE 3767 02:19:52,420 --> 02:19:53,750 WINNERS AND NOMINEES. 3768 02:19:53,750 --> 02:19:57,180 I HATE TO LEAVE, BUT I GOTTA GO 3769 02:19:57,180 --> 02:20:00,180 EVERYONE DESERVES A DRINK. 3770 02:20:00,180 --> 02:20:01,880 GOOD NIGHT, EVERYONE, AND THANKS 3771 02:20:01,880 --> 02:20:04,120 FOR WATCHING THE 79TH ANNUAL 3772 02:20:04,120 --> 02:20:04,420 TONY AWARDS! 3773 02:20:04,420 --> 02:20:04,880 [CHEERS AND APPLAUSE] 3774 02:20:04,880 --> 02:20:07,220 * 3775 02:20:07,220 --> 02:20:13,680 * 3776 02:20:13,680 --> 02:20:19,880 * 3777 02:20:19,880 --> 02:20:25,680 * 3778 02:20:25,680 --> 02:20:32,880 * 3779 02:20:32,880 --> 02:20:39,880 * 3780 02:20:39,880 --> 02:20:48,050 * 3781 02:20:48,050 --> 02:20:59,450 * 3782 02:20:59,450 --> 02:21:27,180 *