1 00:00:03,003 --> 00:00:04,215 Richard: EACH OF YOU COMES HERE TODAY HOPEFUL... 2 00:00:04,215 --> 00:00:05,796 Miranda: I HAVE FIVE RULES. MEMORIZE THEM. 3 00:00:05,796 --> 00:00:08,389 CAN ANYBODY NAME... 4 00:00:08,389 --> 00:00:09,590 Meredith: SO, YOU MIGHT BE THINKING... 5 00:00:09,590 --> 00:00:11,432 RULE NUMBER FIVE -- WHEN I MOVE, YOU MOVE. 6 00:00:11,432 --> 00:00:14,014 ...I'VE BEEN HERE BEFORE. 7 00:00:14,014 --> 00:00:15,226 TRAUMA PROTOCOL... 8 00:00:15,226 --> 00:00:19,690 THIS IS FAMILIAR. THIS IS OLD HAT. 9 00:00:19,690 --> 00:00:22,853 [ DISTANT VOICES ] MAYBE YOU'RE WONDERING WHY ARE WE HERE? 10 00:00:22,853 --> 00:00:24,815 BUT I PROMISE 11 00:00:24,815 --> 00:00:27,608 YOU'RE ABOUT TO FIND OUT THAT EVERYTHING HAS CHANGED. 12 00:00:27,608 --> 00:00:28,409 [ THUD ] 13 00:00:29,780 --> 00:00:31,322 [ DOG BARKS ] 14 00:00:31,322 --> 00:00:32,363 [ CRASH ] 15 00:00:32,363 --> 00:00:33,364 [ METAL CLANGS ] 16 00:00:33,364 --> 00:00:35,035 [ THUDDING ] 17 00:00:35,035 --> 00:00:36,827 [ ANNI ROSSI'S "RUDE BOY" PLAYS ] 18 00:00:40,831 --> 00:00:43,043 WHAT THE HELL ARE YOU DOING?! 19 00:00:43,043 --> 00:00:44,425 ♪ COME HERE, RUDE BOY, BOY ♪ YOU WANT TO SWING? IT FEELS GOOD. 20 00:00:44,425 --> 00:00:45,926 ♪ CAN YOU GET IT UP? ♪ NO! NO, NO, NO! 21 00:00:45,926 --> 00:00:47,047 WE TALKED ABOUT THIS. ♪ COME HERE, RUDE BOY, BOY ♪ 22 00:00:47,047 --> 00:00:48,839 NO, WE MUSED ABOUT IT. AND THEN WE WENT TO BED. 23 00:00:48,839 --> 00:00:51,051 I THINK IT'S A GREAT IDEA. LET'S OPEN UP THE SPACE. 24 00:00:51,051 --> 00:00:52,883 GET A LITTLE LIGHT IN HERE. 25 00:00:52,883 --> 00:00:55,346 ♪ COME HERE, RUDE BOY, BOY ♪ OR BAD -- IT'S A BAD IDEA. 26 00:00:55,346 --> 00:00:57,558 WHO WANTS OPEN OR SUN? BAD SUN. I HATE SUN. 27 00:00:57,558 --> 00:01:00,771 I'M USED TO LIVING WITH SOMEONE WHO KNOWS ME, 28 00:01:00,771 --> 00:01:03,774 WHO KNOWS NOT TO CHANGE THE CHANNEL DURING THE COMMERCIALS, 29 00:01:03,774 --> 00:01:07,108 SOMEONE WHO KNOWS NOT TO PUNCH A HOLE IN MY LIVING-ROOM WALL. 30 00:01:07,108 --> 00:01:08,899 [ SNIFFS ] YOU KNOW, IT'S NOT THAT BIG OF A HOLE. 31 00:01:08,899 --> 00:01:10,991 WE CAN PROBABLY JUST PATCH IT RIGHT UP. ♪ LET YOU BE A RIDER ♪ 32 00:01:10,991 --> 00:01:12,783 I BET SHE TRIES TO PATCH IT UP, INSTEAD OF TRYING 33 00:01:12,783 --> 00:01:15,196 TO JUST IMAGINE THE POSSIBILITY. 34 00:01:15,196 --> 00:01:16,657 Maggie: BUT, I MEAN, IT IS MEREDITH'S HOUSE. 35 00:01:16,657 --> 00:01:18,499 ♪ TONIGHT I'M GONNA LET YOU TAKE ME HIGHER ♪ 36 00:01:18,499 --> 00:01:21,292 I MEAN, IT'S MY HOUSE. AND I LET HER LIVE THERE. 37 00:01:21,292 --> 00:01:24,044 I SHOULD KNOW BETTER. WHY DON'T I LEARN? 38 00:01:24,044 --> 00:01:26,467 I TAKE IN STRAYS BECAUSE THEY'RE SAD. 39 00:01:26,467 --> 00:01:27,918 THEY'RE LONELY AND HOMELESS. 40 00:01:27,918 --> 00:01:29,920 THE TRUTH IS STRAYS 41 00:01:29,920 --> 00:01:33,844 ARE FLEA-RIDDEN CREATURES WHO PEE ON YOUR STUFF. 42 00:01:33,844 --> 00:01:35,306 AM I A STRAY? 43 00:01:35,306 --> 00:01:36,477 I MEAN, SHE ACTS LIKE I'M SOME KIND OF ANIMAL, 44 00:01:36,477 --> 00:01:38,639 WHEN WHO DOES THE DISHES? ME. 45 00:01:38,639 --> 00:01:41,812 YEP. WHO MAKES SURE THE PILES AND PILES OF DIRTY LAUNDRY 46 00:01:41,812 --> 00:01:43,814 ARE FLUFFED AND FOLDED? ME. 47 00:01:43,814 --> 00:01:45,646 WHEN SHE PUTS MY CLOTHES AWAY, 48 00:01:45,646 --> 00:01:48,399 I CAN'T FIND MY OWN CLOTHES IN MY OWN HOUSE. 49 00:01:48,399 --> 00:01:51,822 I MEAN, THEY'RE PROBABLY JUST IN YOUR DRAWERS. 50 00:01:51,822 --> 00:01:52,993 IT'S A PROBLEM. 51 00:01:52,993 --> 00:01:54,695 WHAT'S HER PROBLEM? 52 00:01:54,695 --> 00:01:56,116 Meredith: IT'S JUST... SHE'S JUST... 53 00:01:56,116 --> 00:01:57,698 SHE'S JUST IMPOSSIBLE. JUST IMPOSSIBLE. 54 00:01:57,698 --> 00:01:59,580 ♪ COME ON, RUDE BOY, BOY, AND YOU'RE BIG ENOUGH ♪ 55 00:01:59,580 --> 00:02:02,293 ♪ TAKE IT, TAKE IT ♪ 56 00:02:02,293 --> 00:02:03,454 HEY! YOU EXCITED? ♪ BABY, BABY ♪ 57 00:02:03,454 --> 00:02:04,665 ♪ LOVE ME, LOVE ME ♪ ABOUT...? 58 00:02:04,665 --> 00:02:07,298 APRIL. SHE'S COMING IN TONIGHT, RIGHT? 59 00:02:07,298 --> 00:02:12,463 ♪ TAKE IT, TAKE IT, LOVE ME, LOVE ME ♪ OH, UM, YEAH. 60 00:02:12,463 --> 00:02:15,516 ♪ TAKE IT, TAKE IT, LOVE ME, LOVE ME ♪ 61 00:02:15,516 --> 00:02:16,807 I STILL THINK YOU SHOULD BOW OUT 62 00:02:16,807 --> 00:02:19,220 OF THIS ANATOMY CLASS YOU SIGNED UP TO TEACH. 63 00:02:19,220 --> 00:02:22,393 I MEAN, PAWN IT OFF ON GREY OR SOMEONE ELSE. 64 00:02:22,393 --> 00:02:24,225 YOU'RE NOT GONNA HAVE TIME TO TEACH A CLASS 65 00:02:24,225 --> 00:02:25,816 ONCE YOU'VE BEEN APPOINTED CHIEF. 66 00:02:25,816 --> 00:02:29,029 [ ELEVATOR BELL DINGS ] HAVEN'T BEEN APPOINTED YET. 67 00:02:29,029 --> 00:02:30,861 [ SIGHS ] 68 00:02:30,861 --> 00:02:32,903 UM, DO YOU KNOW HER? 69 00:02:32,903 --> 00:02:35,946 UH, THAT'S DR. TRACY McCONNELL. 70 00:02:35,946 --> 00:02:39,910 [ INDISTINCT CONVERSATION ] CHIEF CARDIO AT HOPKINS, YALE GRAD, YALE MEDS. 71 00:02:39,910 --> 00:02:42,122 SAGES AWARD RECIPIENT. 72 00:02:42,122 --> 00:02:44,285 SHE'S CATHERINE'S CANDIDATE FOR CHIEF. 73 00:02:44,285 --> 00:02:45,706 [ ELEVATOR BELL DINGS ] 74 00:02:45,706 --> 00:02:47,878 DR. WEBBER. AH. HEY. 75 00:02:47,878 --> 00:02:49,290 IT IS SUCH AN HONOR. 76 00:02:49,290 --> 00:02:51,342 I HAVE BEEN WANTING TO MEET YOU FOR YEARS. 77 00:02:51,342 --> 00:02:54,505 YOUR WORK WITH ISLET CELLS, IT'S JUST ABSOLUTELY INSPIRING. 78 00:02:54,505 --> 00:02:55,506 [ CHUCKLES ] 79 00:02:55,506 --> 00:02:57,298 WELL...THANK YOU. THANK YOU. 80 00:02:57,298 --> 00:02:59,560 [ CLEARING THROAT ] 81 00:02:59,560 --> 00:03:02,012 OH, UH, ALL RIGHT, I'M SORRY. UH, THIS IS DR. MIRAN-- 82 00:03:02,012 --> 00:03:04,184 DR. -- YEAH, MIRANDA BAILEY, OF COURSE. 83 00:03:04,184 --> 00:03:05,806 HELLO. OH! D-- 84 00:03:05,806 --> 00:03:08,229 UH, I'M A-AFRAID YOU MAY HAVE GOTTEN YOUR TIMES 85 00:03:08,229 --> 00:03:09,810 A LITTLE WRONG, DR. McCONNELL. 86 00:03:09,810 --> 00:03:12,192 OUR PRESENTATIONS TO THE BOARD AREN'T UNTIL 4:00 P.M. TODAY. 87 00:03:12,192 --> 00:03:14,775 ACTUALLY, I ASKED DR. WEBBER IF HE WOULDN'T MIND TAKING 88 00:03:14,775 --> 00:03:16,527 SOME TIME THIS MORNING TO SHOW ME AROUND. 89 00:03:16,527 --> 00:03:18,319 YOU KNOW, GIVE ME A LITTLE TOUR. 90 00:03:18,319 --> 00:03:20,951 YEAH. I WASN'T INVITED ON ANY TOUR. 91 00:03:20,951 --> 00:03:24,455 UM, YOU KNOW WHERE EVERYTHING IS. 92 00:03:24,455 --> 00:03:26,877 [ ELEVATOR BELL DINGS ] 93 00:03:26,877 --> 00:03:29,750 UH, DON'T YOU HAVE SOME SURGERIES, DOCTOR? 94 00:03:29,750 --> 00:03:31,712 NOTHING THAT CAN'T BE PUSHED. 95 00:03:31,712 --> 00:03:32,963 GREAT. 96 00:03:32,963 --> 00:03:34,214 MM-HMM. SOUNDS FUN. 97 00:03:34,214 --> 00:03:35,966 [ ELEVATOR BELL DINGS ] [ SCOFFS ] 98 00:03:35,966 --> 00:03:38,429 THAT'S ONE WORD FOR IT. 99 00:03:38,429 --> 00:03:39,600 SO, WHAT TIME'S THE THING TONIGHT? 100 00:03:39,600 --> 00:03:40,931 WHAT THING? 101 00:03:40,931 --> 00:03:42,513 FOR APRIL. SHE COMES BACK TONIGHT, RIGHT? 102 00:03:42,513 --> 00:03:43,934 ISN'T -- AREN'T WE DOING A THING? 103 00:03:43,934 --> 00:03:45,686 BIG NIGHT, AVERY. WHEN'S KEPNER GETTING IN? 104 00:03:45,686 --> 00:03:47,227 NO IDEA. 105 00:03:47,227 --> 00:03:49,400 THEN WHAT TIME'S THE THING? THERE IS NO THING. 106 00:03:49,400 --> 00:03:51,612 OH. SHOULD WE CLEAR TRAUMA ONE 107 00:03:51,612 --> 00:03:53,564 TO REMOVE THE GIANT BUG FROM AVERY'S ASS? 108 00:03:53,564 --> 00:03:54,945 [ CHUCKLES ] SHEESH. 109 00:03:54,945 --> 00:03:56,947 HEY. I NEED ADVICE. 110 00:03:56,947 --> 00:03:58,238 OKAY. 111 00:03:58,238 --> 00:03:59,620 I GOT TICKETS FOR THIS CONCERT THING, 112 00:03:59,620 --> 00:04:01,452 AND I'M THINKING ABOUT ASKING AMELIA, 113 00:04:01,452 --> 00:04:03,284 BUT SHE AND I -- WE DON'T REALLY GO TO THINGS TOGETHER. 114 00:04:03,284 --> 00:04:04,535 NOT THAT WE COULDN'T, 115 00:04:04,535 --> 00:04:07,167 BUT [SIGHS] SHOULD I, YOU KNOW, ASK HER OUT? 116 00:04:07,167 --> 00:04:08,539 [ SIREN WAILING IN DISTANCE ] WHAT DO YOU THINK? 117 00:04:08,539 --> 00:04:09,750 I THINK YOU'RE OVER-THINKING. 118 00:04:09,750 --> 00:04:11,332 [ SIGHS ] YOU'RE LATE. 119 00:04:11,332 --> 00:04:12,753 I KNOW. I'M SORRY. 120 00:04:12,753 --> 00:04:15,676 I GOT STUCK BEHIND A TRAIN THAT JUST STOPPED FOREVER. 121 00:04:15,676 --> 00:04:16,967 I MEAN... I'M SORRY. YOU S-- YOU SAID A CRASH? 122 00:04:16,967 --> 00:04:18,088 ...I FINALLY TURNED AROUND, BUT THEY SHOULDN'T BE ALLOWED 123 00:04:18,088 --> 00:04:19,680 TO DO THAT, RIGHT, JUST STOP ON THE TRACKS? 124 00:04:19,680 --> 00:04:21,762 I REALLY DON'T CARE, OKAY? YOU MISSED ROUNDS. 125 00:04:21,762 --> 00:04:24,935 A PEDESTRIAN? T-TWO PEDESTRIANS? IT'S IRRESPONSIBLE IS WHAT IT IS, OF THE TRAIN. 126 00:04:24,935 --> 00:04:26,437 TWO PEDESTRIANS WERE HIT BY A TRAIN? 127 00:04:26,437 --> 00:04:28,058 WHAT? 128 00:04:28,058 --> 00:04:29,850 OH, MY GOD. 129 00:04:29,850 --> 00:04:31,231 AND THEY'RE ALIVE? 130 00:04:31,231 --> 00:04:33,023 YEAH, UH... 131 00:04:33,023 --> 00:04:35,446 OH, MY GOD. TWO GIRLS WERE HIT BY A TRAIN ON THEIR WAY TO SCHOOL. 132 00:04:35,446 --> 00:04:36,487 [ SCARS ON 45's "WRECKING BALL" PLAYS ] 133 00:04:36,487 --> 00:04:38,859 KIDS. UM... WOW. 134 00:04:38,859 --> 00:04:40,701 THEY'RE JUST KIDS. 135 00:04:40,701 --> 00:04:43,494 [ SIREN WAILING IN DISTANCE ] 136 00:04:43,494 --> 00:04:44,495 ♪ WE CLAWED ♪ 137 00:04:44,495 --> 00:04:46,537 JESSICA TANNER, 15 YEARS OLD. 138 00:04:46,537 --> 00:04:48,909 MOVING TRAIN SWIPED HER, THEN TOSSED HER DOWN THE EMBANKMENT. 139 00:04:48,909 --> 00:04:51,081 GCS IS 15. PRESSURE'S 100 PALP. 140 00:04:51,081 --> 00:04:53,874 RIGHT SIDE TOOK ALL THE BRUNT. ONE BIG BRUISE. 141 00:04:53,874 --> 00:04:56,126 Jessica: THERE'S A SHORTCUT TO -- TO SCHOOL. 142 00:04:56,126 --> 00:04:58,919 I-I TAKE IT EVERY DAY OVER...THE TRACKS. 143 00:04:58,919 --> 00:05:00,471 SHE'S TACHY AT 120. 144 00:05:00,471 --> 00:05:01,882 Callie: ALL RIGHT, I'M GONNA NEED A DOPPLER 145 00:05:01,882 --> 00:05:04,425 TO CHECK THESE EXTREMITIES FOR PULSES. I-I-I TRIPPED. 146 00:05:04,425 --> 00:05:06,687 YOU KNOW, MY FOOT -- IT GOT STUCK IN BETWEEN THE TRACKS. 147 00:05:06,687 --> 00:05:08,138 ♪ I WILL ALWAYS WANT YOU ♪ SHH. SHH, SHH. 148 00:05:08,138 --> 00:05:10,851 TRY TO STAY CALM, JESS. HAVE YOU SEEN THE OTHER GIRL? SHE... 149 00:05:10,851 --> 00:05:11,892 ♪ I CAN'T LIVE A LIE ♪ 150 00:05:11,892 --> 00:05:14,274 SHE JUST SHOWED UP OUT OF NOWHERE. 151 00:05:14,274 --> 00:05:15,606 SHE -- SHE TRIED TO PUSH ME OUT OF THE WAY. 152 00:05:15,606 --> 00:05:19,109 UH, UH, UH, SOMEBODY?! I'M NOT SURE WHAT TO DO HERE! 153 00:05:19,109 --> 00:05:20,531 ♪ I CAME IN LIKE A WRECKING BALL ♪ [ GROANS ] 154 00:05:20,531 --> 00:05:22,573 HELP GET THE OTHER PATIENT INSIDE. 155 00:05:22,573 --> 00:05:24,034 GO. TORRES. 156 00:05:24,034 --> 00:05:25,786 ♪ I NEVER HIT SO HARD IN LOVE ♪ TAKE A LOOK A THIS. 157 00:05:25,786 --> 00:05:28,999 OH. ♪ ALL I WANTED WAS TO BREAK YOUR WALLS ♪ 158 00:05:28,999 --> 00:05:31,001 HEY. IT'S GONNA BE ALL RIGHT, JESS. 159 00:05:31,001 --> 00:05:33,584 WE'RE GONNA TAKE CARE OF YOU -- BOTH OF YOU. OKAY? 160 00:05:33,584 --> 00:05:36,216 ♪ WRE-E-E-CK ME ♪ 161 00:05:36,216 --> 00:05:38,008 ♪ YEAH, YOU, YOU WRE-E-E-CKED ME ♪ 162 00:05:38,008 --> 00:05:39,800 LET'S GO. GO. 163 00:05:39,800 --> 00:05:41,091 [ MONITORS BEEPING ] 164 00:05:41,091 --> 00:05:43,554 HANG TWO UNITS OF "O" NEG, CHECK THE PELVIC BINDER, 165 00:05:43,554 --> 00:05:45,516 AND PREP HER FOR A RAPID-SEQUENCE INTUBATION. 166 00:05:45,516 --> 00:05:47,518 ANY WORD ON HER NAME? HER PARENTS? 167 00:05:47,518 --> 00:05:49,309 UH, I DON'T THINK SHE HAD ANY I.D. 168 00:05:49,309 --> 00:05:51,602 ♪ I PUT YOU HIGH UP IN THE SKY ♪ DID YOU LOOK? DID YOU CHECK HER BAG? 169 00:05:51,602 --> 00:05:53,353 OKAY, WHERE DO YOU NEED ME? SHE NEEDS AN EX LAP. 170 00:05:53,353 --> 00:05:55,606 ONE OF HER LEGS WAS RIPPED COMPLETELY AWAY FROM THE OTHER. 171 00:05:55,606 --> 00:05:56,897 SHE HAS A WISHBONE INJURY. 172 00:05:56,897 --> 00:05:58,108 THE FORCE OF THE TRAIN BROKE HER PELVIS 173 00:05:58,108 --> 00:06:00,030 AND SPLIT HER INSIDES APART. 174 00:06:00,030 --> 00:06:02,112 I'M GONNA NEED TO STABILIZE HER PELVIS AND EXTREMITIES, 175 00:06:02,112 --> 00:06:03,363 BUT NOT BEFORE YOU GUYS ADDRESS HER INTERNAL INJURIES. 176 00:06:03,363 --> 00:06:05,616 PUPILLARY REFLEXES ARE SLUGGISH. 177 00:06:05,616 --> 00:06:08,078 SHE'S GONNA NEED A HEAD C.T. TO RULE OUT A TRAUMATIC BRAIN INJURY. 178 00:06:08,078 --> 00:06:09,450 ALL RIGHT, YOU GOT A NAME FOR ME YET? 179 00:06:09,450 --> 00:06:11,662 UH, NO, BUT I FOUND SOME TEXTBOOKS. 180 00:06:11,662 --> 00:06:13,704 SOPHOMORE, JUNIOR, MAYBE. 181 00:06:13,704 --> 00:06:15,085 I'M GUESSING SHE'S ABOUT 16 YEARS OLD. 182 00:06:15,085 --> 00:06:16,957 OKAY, HANG ON, HANG ON. SHH, QUIET. 183 00:06:16,957 --> 00:06:19,169 ♪ I CAN'T LIVE A LIE, RUNNING FOR MY LIFE ♪ [ BREATHING RAGGEDLY ] 184 00:06:19,169 --> 00:06:21,171 MOM. ♪ I WILL ALWAYS WANT YOU ♪ 185 00:06:21,171 --> 00:06:23,053 I WANT MY MOM. 186 00:06:23,053 --> 00:06:25,676 ♪ I NEVER MEANT TO START A WAR ♪ 187 00:06:25,676 --> 00:06:26,507 Owen: GREY, WE'RE GONNA NEED TO INTUBATE. OKAY. 188 00:06:26,507 --> 00:06:28,308 WE DON'T HAVE MUCH TIME. GO AHEAD. 189 00:06:28,308 --> 00:06:33,103 ♪ I JUST WANTED YOU TO LET ME IN ♪ 190 00:06:33,103 --> 00:06:37,728 ♪ AND INSTEAD OF USING FORCE ♪ 191 00:06:37,728 --> 00:06:41,652 [ SIREN WAILING IN DISTANCE ] ♪ I GUESS I SHOULD HAVE LET YOU IN ♪ 192 00:06:41,652 --> 00:06:43,233 ♪ I NEVER MEANT TO START A WAR ♪ 193 00:06:43,233 --> 00:06:44,324 GOOD. YOU'RE HERE. 194 00:06:44,324 --> 00:06:45,946 SHE'S GOT MULTIPLE COMPLEX INJURIES. 195 00:06:45,946 --> 00:06:48,158 SHE NEEDS TO GO TO THE O.R. FOR A WASHOUT. 196 00:06:48,158 --> 00:06:50,491 HEMOTHORAX ON HER RIGHT SIDE THAT NEEDS TO BE DRAINED. 197 00:06:50,491 --> 00:06:52,332 JESS. 198 00:06:52,332 --> 00:06:54,915 HAVE YOU SEEN HER -- THE OTHER GIRL? 199 00:06:54,915 --> 00:06:56,537 I-IS SHE STILL ALIVE? 200 00:06:56,537 --> 00:06:58,539 JESS, CAN YOU TELL ME HER NAME? 201 00:06:58,539 --> 00:07:01,131 I-I-I DON'T KNOW HER. SO... 202 00:07:01,131 --> 00:07:03,754 ♪ I WILL ALWAYS LOVE YOU ♪ 203 00:07:03,754 --> 00:07:05,385 [ MONITOR BEEPING ] 204 00:07:05,385 --> 00:07:08,679 YOU HAVE THE SAME HEARTS DRAWN ON YOUR ARMS. 205 00:07:08,679 --> 00:07:10,100 ♪ CAME IN LIKE A WRECKING BALL ♪ 206 00:07:10,100 --> 00:07:12,262 I THINK YOU DO KNOW EACH OTHER. 207 00:07:12,262 --> 00:07:15,856 ♪ I NEVER HIT SO HARD IN LOVE ♪ 208 00:07:15,856 --> 00:07:17,478 HER NAME'S ALIYAH. 209 00:07:17,478 --> 00:07:19,059 AND YOU TWO WERE OUT THERE TOGETHER? 210 00:07:19,059 --> 00:07:21,111 YES. 211 00:07:21,111 --> 00:07:24,525 YOUR FOOT DIDN'T GET CAUGHT ON THE TRACKS, DID IT? 212 00:07:24,525 --> 00:07:27,367 ♪ I CAME IN LIKE A WRECKING BALL ♪ 213 00:07:27,367 --> 00:07:30,571 HONEY, TELL ME WHAT HAPPENED OUT THERE. 214 00:07:30,571 --> 00:07:32,332 ♪ YEAH, I JUST CLOSED MY EYES AND SWUNG ♪ 215 00:07:32,332 --> 00:07:34,625 WE JUST WANTED TO BE TOGETHER. 216 00:07:34,625 --> 00:07:35,956 ♪ LEFT ME CRASHING IN A BLAZING FALL ♪ 217 00:07:35,956 --> 00:07:37,958 ♪ ALL YOU EVER DID WAS ♪ 218 00:07:37,958 --> 00:07:38,959 DEAD OR ALIVE. 219 00:07:38,959 --> 00:07:40,541 ♪ WRE-E-E-CK ME ♪ 220 00:07:40,541 --> 00:07:45,385 ♪ YEAH, YOU, YOU WRE-E-E-CKED ME ♪ 221 00:07:45,385 --> 00:07:48,549 ♪ YEAH, YOU, YOU WRE-E-E-CKED ME ♪ 222 00:08:00,190 --> 00:08:02,653 AND THIS IS ONE OF OUR 223 00:08:02,653 --> 00:08:05,025 STATE-OF-THE-ART RADIOLOGY SUITES. 224 00:08:05,025 --> 00:08:06,867 WE HAVE JUST INSTALLED 225 00:08:06,867 --> 00:08:10,070 NEW DATA-PROCESSING SYSTEMS WITH SIMULTANEOUS -- 226 00:08:10,070 --> 00:08:12,242 SIMULTANEOUS MULTI-SLICE HOLOGRAPHIC IMAGING. 227 00:08:12,242 --> 00:08:13,954 YEAH. WOW. 228 00:08:13,954 --> 00:08:15,536 I MEAN, THAT KIND OF IMAGING'S THE WAVE OF THE FUTURE. 229 00:08:15,536 --> 00:08:17,668 WAVE OF THE FUTURE. [ CHUCKLES ] I COULDN'T AGREE MORE. 230 00:08:17,668 --> 00:08:19,459 [ BEEPING ] 231 00:08:22,252 --> 00:08:24,835 DO YOU MIND IF I TAKE A LOOK AROUND? 232 00:08:24,835 --> 00:08:26,046 BE MY GUEST. 233 00:08:26,046 --> 00:08:28,088 THANK YOU. 234 00:08:28,088 --> 00:08:29,720 [ INDISTINCT TALKING OVER P.A. ] 235 00:08:30,971 --> 00:08:33,133 IS THIS THE NEW S.E. 700? 236 00:08:33,133 --> 00:08:34,555 YES, WE JUST HAD IT UPGRADED. 237 00:08:34,555 --> 00:08:37,187 ADMIT IT. YOU LIKE HER. 238 00:08:37,187 --> 00:08:39,770 MM, SHE'S A SOLID CANDIDATE, CERTAINLY. THE INTERFACE IS SO EASY TO USE. 239 00:08:39,770 --> 00:08:41,191 BUT SO IS BAILEY. 240 00:08:41,191 --> 00:08:42,352 BAILEY KNOWS YOU TOO WELL. 241 00:08:42,352 --> 00:08:44,024 YOU ALL HAVE BEEN TOGETHER TOO LONG. 242 00:08:44,024 --> 00:08:45,986 SHE DOESN'T PUSH YOU, RICHARD. 243 00:08:45,986 --> 00:08:49,820 BETTER THAN THAT. BUT IN A CHIEF, YOU NEED A CHIEF WHO KNOWS HOW TO PUSH BACK. 244 00:08:49,820 --> 00:08:51,071 ARE YOU IMPLYING SHE'S SOFT? 245 00:08:51,071 --> 00:08:52,452 BECAUSE MIRANDA BAILEY IS ANYTHING BUT SOFT. 246 00:08:52,452 --> 00:08:54,615 I'M SAYING THAT SHE'S TOO COMFORTABLE HERE. 247 00:08:54,615 --> 00:08:57,457 WE NEED SOMEONE WHO WILL MAKE US UNCOMFORTABLE, 248 00:08:57,457 --> 00:09:00,420 SOMEONE THAT'LL WALK IN HERE AND PUSH US TO BE THE BEST. 249 00:09:00,420 --> 00:09:04,925 WE NEED SOMEONE WHO WILL SURPRISE US. 250 00:09:04,925 --> 00:09:06,216 AND YOU KNOW IT. 251 00:09:06,216 --> 00:09:08,468 INSTANT ACCESS TO CASE IMAGING 252 00:09:08,468 --> 00:09:09,840 WOULD REALLY ASSIST WITH PATIENT CARE. 253 00:09:09,840 --> 00:09:14,434 YOU'RE ONLY 15. YOU WANT TO DIE? 254 00:09:14,434 --> 00:09:16,436 IT'S MORE COMPLICATED THAN THAT. 255 00:09:16,436 --> 00:09:18,228 YOU WERE STANDING IN FRONT OF A TRAIN. 256 00:09:18,228 --> 00:09:21,181 WE WEREN'T SUICIDAL. WE JUST -- 257 00:09:21,181 --> 00:09:22,312 OKAY, JESS, I'M GONNA TELL YOU 258 00:09:22,312 --> 00:09:24,234 SOMETHING PERSONAL ABOUT MYSELF, OKAY? 259 00:09:25,065 --> 00:09:26,486 OKAY. 260 00:09:26,486 --> 00:09:29,900 I LIKE MEN...ROMANTICALLY, SOMETIMES. 261 00:09:29,900 --> 00:09:32,072 AND I LIKE WOMEN, TOO. 262 00:09:32,072 --> 00:09:35,115 IT'S A BIG, BIG PART OF MY LIFE. 263 00:09:35,115 --> 00:09:38,158 CAN I ASK YOU SOMETHING PERSONAL ABOUT YOURSELF? 264 00:09:40,621 --> 00:09:43,624 DO YOU LIKE...GIRLS? 265 00:09:43,624 --> 00:09:45,415 DO YOU... 266 00:09:45,415 --> 00:09:46,757 DO YOU LIKE ALIYAH? 267 00:09:51,211 --> 00:09:53,593 I LOVE HER. 268 00:09:53,593 --> 00:09:56,847 ♪♪ 269 00:09:59,479 --> 00:10:01,682 WHAT WERE YOU TWO DOING OUT THERE? 270 00:10:01,682 --> 00:10:06,857 IT'S NOT THAT WE WANTED TO DIE. 271 00:10:06,857 --> 00:10:08,859 THIS WAS JUST... 272 00:10:08,859 --> 00:10:11,111 THE ONLY WAY THAT WE COULD STAY TOGETHER... 273 00:10:11,111 --> 00:10:12,532 [ GASPS ] ...YOU KNOW, FOREVER. 274 00:10:12,532 --> 00:10:16,286 NO. NO, JESS. THERE ARE SO MANY OTHER WAYS. 275 00:10:16,286 --> 00:10:19,039 I...KILLING YOURSELF SOLVES NOTHING. 276 00:10:19,039 --> 00:10:20,871 IT -- MY PARENTS... 277 00:10:20,871 --> 00:10:23,623 [ SIGHS ] THEY'RE SENDING ME AWAY... 278 00:10:23,623 --> 00:10:25,706 TO A CAMP. 279 00:10:25,706 --> 00:10:27,918 THEY COME AND GET YOU IN THE MIDDLE OF THE NIGHT, 280 00:10:27,918 --> 00:10:31,251 AND THEY TAKE YOU TO THIS PLACE. 281 00:10:31,251 --> 00:10:35,095 THEY CHANGE YOU. 282 00:10:35,095 --> 00:10:37,928 THEY'RE GONNA MAKE ME CHANGE MY MIND ABOUT ALIYAH. 283 00:10:37,928 --> 00:10:39,389 NO, THEY WON'T. THERE'S NO WAY. 284 00:10:39,389 --> 00:10:41,311 THOSE PLACES DON'T WORK. THEY NEVER WORK. 285 00:10:41,311 --> 00:10:43,143 YOUR PARENTS ARE DOING THIS? 286 00:10:43,143 --> 00:10:46,316 PLEASE. PLEASE, YOU CAN'T CALL THEM. 287 00:10:46,316 --> 00:10:49,269 PLEASE DON'T TELL THEM THAT I... 288 00:10:49,269 --> 00:10:51,481 THEY'RE THE WHOLE REASON WHY I'M EVEN HERE. 289 00:10:51,481 --> 00:10:54,274 PLEASE. YOU CAN'T CALL THEM. 290 00:10:54,274 --> 00:10:56,697 Dakhir: ALIYAH'S A GOOD GIRL. SHE WOULDN'T MISS SCHOOL. 291 00:10:56,697 --> 00:10:58,078 WHY WOULD SHE BE OUT ON THE TRAIN TRACKS? 292 00:10:58,078 --> 00:10:59,910 THIS DOESN'T MAKE SENSE. 293 00:10:59,910 --> 00:11:01,992 SHE SUFFERED EXTENSIVE INJURIES. 294 00:11:01,992 --> 00:11:04,584 SHE NEEDS SURGERY. I JUST NEED YOUR CONSENT. 295 00:11:04,584 --> 00:11:07,167 WELL, SHE'S O-- SHE'S OKAY? SHE'S AWAKE? SHE CAN TALK? 296 00:11:07,167 --> 00:11:08,749 NO, SHE'S UNCONSCIOUS. 297 00:11:08,749 --> 00:11:10,711 SHE DID ASK FOR HER MOTHER. 298 00:11:10,711 --> 00:11:12,462 HER MOTHER'S DEAD. 299 00:11:12,462 --> 00:11:16,386 IF I COULD JUST HAVE YOUR CONSENT FOR THE SURGERY... 300 00:11:16,386 --> 00:11:19,059 YES. 301 00:11:19,059 --> 00:11:22,062 EXCUSE ME. EXCUSE ME. WE'RE LOOKING FOR OUR DAUGHTER. 302 00:11:22,062 --> 00:11:24,644 JESSICA TANNER. CAN YOU FIND US A DOCTOR? 303 00:11:24,644 --> 00:11:25,896 I'M A DOCTOR. 304 00:11:25,896 --> 00:11:27,477 I'M ONE OF YOUR DAUGHTER'S DOCTORS, ACTUALLY. 305 00:11:27,477 --> 00:11:28,568 WELL, WHERE IS SHE? 306 00:11:28,568 --> 00:11:30,310 WE WANT TO SEE HER IMMEDIATELY, PLEASE. 307 00:11:30,310 --> 00:11:32,943 THEY SAID SHE WAS HIT... BY A TRAIN? 308 00:11:32,943 --> 00:11:35,235 YES. Dakhir: A TRAIN? 309 00:11:35,235 --> 00:11:37,407 I THINK OUR DAUGHTERS MIGHT HAVE 310 00:11:37,407 --> 00:11:38,949 BEEN OUT ON THE TRACKS TOGETHER. 311 00:11:38,949 --> 00:11:41,531 JESS WAS WITH YOUR DAUGHTER? 312 00:11:41,531 --> 00:11:42,783 YEAH. 313 00:11:42,783 --> 00:11:44,204 WHAT'S HER NAME? 314 00:11:44,204 --> 00:11:47,127 ALIYAH. I'M DAKHIR HAMED. 315 00:11:49,750 --> 00:11:52,712 YOU KEEP YOUR DAMN DAUGHTER AWAY FROM OUR LITTLE GIRL. 316 00:11:52,712 --> 00:11:54,674 ♪♪ 317 00:11:56,927 --> 00:11:59,549 [ TELEPHONE RINGS ] 318 00:11:59,549 --> 00:12:03,513 ♪♪ 319 00:12:03,513 --> 00:12:04,684 HEY. 320 00:12:04,684 --> 00:12:06,056 HMM. NO ONE'S TAKEN A TAB. 321 00:12:06,056 --> 00:12:07,647 WHY HASN'T ANYONE TAKEN A TAB? 322 00:12:07,647 --> 00:12:09,689 I DON'T KNOW. 323 00:12:09,689 --> 00:12:12,853 UH, WHAT I DO KNOW IS THE LABS CAME BACK ON THE WILBANKS BABY. 324 00:12:12,853 --> 00:12:14,274 EVERYTHING LOOKS GOOD THERE. 325 00:12:14,274 --> 00:12:16,446 HMM. MY FLIER'S PERFECTLY PLACED. 326 00:12:16,446 --> 00:12:17,818 IT'S CLEAR, AESTHETICALLY PLEASING. 327 00:12:17,818 --> 00:12:19,659 I MEAN, PEOPLE HAVE TAKEN TABS FROM OTHER FLIERS. 328 00:12:19,659 --> 00:12:21,281 I'M SORRY. WHY DO YOU NEED A ROOMMATE? YOU HAVE A HOUSE. 329 00:12:21,281 --> 00:12:23,663 HAD A HOUSE. CALLIE AND I SOLD IT. 330 00:12:23,663 --> 00:12:26,076 NOW IT TURNS OUT I NEED A LITTLE HELP IN THE RENT DEPARTMENT. 331 00:12:26,076 --> 00:12:28,288 OH. YOU'D BE SURPRISED HOW MANY PATIENTS CAN'T AFFORD MY FEES. 332 00:12:28,288 --> 00:12:30,080 I MEAN, WHAT AM I GONNA DO? 333 00:12:30,080 --> 00:12:31,461 GONNA LOOK PARENTS IN THE EYE AND TELL THEM 334 00:12:31,461 --> 00:12:33,794 I CAN'T TREAT THEIR TEENY, TINY, LITTLE SICKLY BABIES? 335 00:12:33,794 --> 00:12:35,836 HEY! 336 00:12:35,836 --> 00:12:37,427 DO YOU NEED A PLACE TO LIVE? 337 00:12:37,427 --> 00:12:40,470 [ SCOFFS ] ME LIVE WITH YOU? GOD, NO. [ CHUCKLES ] 338 00:12:40,470 --> 00:12:43,013 I-I JUST -- UH, UM, I ALREADY HAVE A PLACE. 339 00:12:46,226 --> 00:12:48,268 TAKE A TAB ANYWAY. 340 00:12:48,268 --> 00:12:49,439 I MEAN, SOMEONE HAS TO TAKE A TAB. 341 00:12:49,439 --> 00:12:51,061 IT'LL MAKE OTHER PEOPLE TAKE TABS. 342 00:12:51,061 --> 00:12:52,232 IT'S LIKE PUTTING MONEY IN YOUR TIP JAR. 343 00:12:52,232 --> 00:12:53,393 IT JUST ENCOURAGES TIPPING. 344 00:12:53,393 --> 00:12:55,605 I JUST -- I'M GONNA GO... 345 00:12:55,605 --> 00:12:58,398 CHECK ON THINGS... AWAY FROM HERE. 346 00:13:04,164 --> 00:13:07,077 [ ELEVATOR BELL DINGS ] 347 00:13:07,077 --> 00:13:10,080 Meredith: CLAMP. 348 00:13:10,080 --> 00:13:11,711 3-0 PROLENE. 349 00:13:11,711 --> 00:13:13,874 I COULD USE A LITTLE BREATHING ROOM HERE. 350 00:13:18,508 --> 00:13:20,090 A LITTLE MORE. 351 00:13:21,922 --> 00:13:23,553 I CAN'T MOVE ANY MORE, 352 00:13:23,553 --> 00:13:25,685 OR I WON'T BE ABLE TO ZERO THE NEURO MONITOR. 353 00:13:25,685 --> 00:13:27,097 EVERYTHING OKAY? 354 00:13:27,097 --> 00:13:28,598 SHE'S JUST MAD ABOUT THE WALL. 355 00:13:28,598 --> 00:13:29,850 WHAT WALL? 356 00:13:29,850 --> 00:13:31,982 JUST STAND AND SUCTION. NOT TALKING TO YOU. 357 00:13:31,982 --> 00:13:33,773 WE DID TALK ABOUT TAKING IT DOWN. 358 00:13:33,773 --> 00:13:35,525 YOU TALKED ABOUT IT. I WAS DRINKING TEQUILA. 359 00:13:35,525 --> 00:13:38,148 OKAY, YOU SAID IT WAS A GOOD IDEA. 360 00:13:38,148 --> 00:13:39,739 I SHOULD REMEMBER. I WAS THE SOBER ONE. 361 00:13:39,739 --> 00:13:41,942 WELL, I SAID I WOULD THINK ABOUT IT. 362 00:13:41,942 --> 00:13:43,113 BUT THE WORDS THAT YOU SAID WERE, 363 00:13:43,113 --> 00:13:46,116 "LET'S TAKE THE BITCH DOWN." 364 00:13:46,116 --> 00:13:47,537 THAT WAS THE TEQUILA TALKING. 365 00:13:47,537 --> 00:13:48,748 SO, WHEN YOU SAID THIS WAS MY HOME, TOO, 366 00:13:48,748 --> 00:13:49,950 THAT I SHOULD THINK OF IT THAT WAY, 367 00:13:49,950 --> 00:13:51,331 THAT WAS THE TEQUILA TALKING, TOO? 368 00:13:51,331 --> 00:13:52,582 YEAH, THAT SOUNDS LIKE SOMETHING TEQUILA WOULD SAY. 369 00:13:52,582 --> 00:13:54,374 CAN YOU SUCTION OVER HERE, PLEASE? 370 00:13:54,374 --> 00:13:56,626 MM-HMM. HEY, IS IT A LOAD-BEARING WALL? 371 00:13:56,626 --> 00:13:58,338 'CAUSE IF IT IS, IT CAN ACTUALLY BRING THE WHOLE HOUSE DOWN. 372 00:13:58,338 --> 00:13:59,459 [ METAL THUDS ] 373 00:14:00,720 --> 00:14:03,763 [ CLEARS THROAT ] 374 00:14:03,763 --> 00:14:07,557 YEAH, ALIYAH AND I, WE LIKE TO PASS NOTES AT SCHOOL -- 375 00:14:07,557 --> 00:14:09,930 THE KIND THAT YOU FOLD A MILLION DIFFERENT WAYS. 376 00:14:09,930 --> 00:14:11,641 [ CHUCKLES ] 377 00:14:11,641 --> 00:14:15,565 AND I KEPT THEM -- EVERY SINGLE ONE IN A BOX UNDER MY BED 378 00:14:15,565 --> 00:14:19,940 YOU KNOW, SO I COULD RE-READ THEM WHEN I HAD BAD DAYS. 379 00:14:19,940 --> 00:14:21,191 BAD DAYS? 380 00:14:23,113 --> 00:14:26,696 SOMETIMES KIDS AT SCHOOL... 381 00:14:26,696 --> 00:14:29,159 PEOPLE SUCK, YOU KNOW, 382 00:14:29,159 --> 00:14:31,371 LIKE TO TEASE US, THROW THINGS. 383 00:14:33,753 --> 00:14:39,960 AND THE OTHER DAY, I CAME HOME, AND MY MOM WAS IN MY ROOM. 384 00:14:39,960 --> 00:14:43,343 SHE HAD FOUND MY BOX OF NOTES. 385 00:14:43,343 --> 00:14:45,095 AND SHE BURNED THEM IN THE FIREPLACE. 386 00:14:48,178 --> 00:14:49,809 [ DOOR OPENS ] 387 00:14:49,809 --> 00:14:53,223 [ INDISTINCT TALKING OVER P.A. ] 388 00:14:53,223 --> 00:14:56,016 UH, JESS' PARENTS WANT TO SEE HER 389 00:14:56,016 --> 00:14:57,567 AND SPEAK TO HER SURGICAL TEAM. 390 00:14:57,567 --> 00:14:58,778 THEY'RE HERE? 391 00:15:03,193 --> 00:15:05,825 TELL THEM SHE'S IN PRE-OP. 392 00:15:05,825 --> 00:15:08,368 THEY WILL HAVE TO WAIT TO SEE JESS UNTIL AFTER SURGERY. 393 00:15:09,659 --> 00:15:11,331 [ DOOR OPENS ] 394 00:15:13,373 --> 00:15:15,535 YOU'RE MAKING ALIYAH OUT TO BE SOME KIND OF TERRIBLE INFLUENCE. 395 00:15:15,535 --> 00:15:17,958 BECAUSE SHE IS. SHE TOOK ADVANTAGE OF OUR DAUGHTER. 396 00:15:17,958 --> 00:15:19,169 JESS DIDN'T KNOW ANY BETTER. 397 00:15:19,169 --> 00:15:20,710 WHAT ARE YOU TALKING ABOUT? 398 00:15:20,710 --> 00:15:22,542 YOU DON'T KNOW? 399 00:15:22,542 --> 00:15:24,544 THEY THINK THEY'RE IN LOVE... 400 00:15:24,544 --> 00:15:25,966 WITH EACH OTHER. 401 00:15:25,966 --> 00:15:27,717 THEY WANT TO GROW UP AND GET MARRIED. 402 00:15:27,717 --> 00:15:28,928 WHAT? 403 00:15:28,928 --> 00:15:31,551 HONEY, THE DOCTORS. 404 00:15:31,551 --> 00:15:33,393 [ CLEARS THROAT ] 405 00:15:33,393 --> 00:15:36,606 UH, JESS HAS SUSTAINED MULTIPLE FRACTURES, 406 00:15:36,606 --> 00:15:39,559 INCLUDING TWO IN HER LEFT LEG THAT NEED SURGICAL INTERVENTION 407 00:15:39,559 --> 00:15:41,361 IMMEDIATELY OR SHE COULD LOSE USE OF HER LEG. 408 00:15:41,361 --> 00:15:44,274 UNFORTUNATELY, SHE ALSO NEEDS HER BELLY EXPLORED 409 00:15:44,274 --> 00:15:46,826 TO EVALUATE THE SOURCE OF HER INTERNAL BLEEDING. 410 00:15:46,826 --> 00:15:49,619 THERE'S ALSO BLOOD IN HER LUNGS, WHICH REQUIRED A CHEST TUBE. 411 00:15:49,619 --> 00:15:51,571 LUCKILY, IT SEEMS TO BE STABLE AT THE MOMENT. 412 00:15:51,571 --> 00:15:53,413 WE'RE TAKING HER UP NOW. 413 00:15:53,413 --> 00:15:56,997 WE'LL UPDATE YOU AFTER THE SURGERY. 414 00:15:56,997 --> 00:15:58,078 BETHANY. PLEASE, LET HIM -- 415 00:15:58,078 --> 00:16:00,460 SHUT UP, STEVEN! SHUT YOUR STUPID MOUTH! 416 00:16:00,460 --> 00:16:01,961 IF YOU HAD KEPT YOUR MOUTH SHUT, 417 00:16:01,961 --> 00:16:03,963 JESS WOULD BE SAFE AT CAMP RIGHT NOW. 418 00:16:03,963 --> 00:16:05,385 BUT YOU HAD TO GIVE HER THE HEADS-UP, DIDN'T YOU? 419 00:16:05,385 --> 00:16:06,546 IT'S OKAY. YOU HAD TO TELL HER ALL ABOUT IT. 420 00:16:06,546 --> 00:16:07,547 TORRES, DON'T. 421 00:16:07,547 --> 00:16:09,759 WHAT ARE YOU DOING, TORRES? 422 00:16:10,590 --> 00:16:12,352 I'M SORRY, BUT I'M NOT SURE YOU UNDERSTAND 423 00:16:12,352 --> 00:16:13,593 WHAT THOSE PLACES ARE LIKE. 424 00:16:13,593 --> 00:16:15,225 I KNOW THAT YOU'RE TRYING TO HELP YOUR DAUGHTER, 425 00:16:15,225 --> 00:16:17,227 BUT THAT KIND OF CAMP IS HORRIBLE. 426 00:16:17,227 --> 00:16:19,649 IT WILL NOT GIVE HER THE KIND OF SUPPORT THAT SHE NEEDS. 427 00:16:19,649 --> 00:16:21,561 I REALIZE THAT YOU CARE ABOUT JESS, BUT TH-- 428 00:16:21,561 --> 00:16:24,314 CARE ABOUT HER? WE LOVE HER. 429 00:16:24,314 --> 00:16:27,527 SHE'S OUR CHILD. OUR CHILD. 430 00:16:27,527 --> 00:16:29,069 PLEASE, THIS DOESN'T CONCERN YOU. 431 00:16:29,069 --> 00:16:30,700 JESS' FEAR OF THAT PLACE 432 00:16:30,700 --> 00:16:31,871 IS WHY SHE STEPPED IN FRONT OF A TRAIN TO BEGIN WITH. 433 00:16:31,871 --> 00:16:33,073 NO, WE ARE NOT DOING THIS. SHE DOESN'T FEEL SAFE. 434 00:16:33,073 --> 00:16:34,244 WE ARE NOT DOING THIS NOW! 435 00:16:34,244 --> 00:16:35,455 YOU WANT TO GIVE PARENTING ADVICE? 436 00:16:35,455 --> 00:16:38,288 TALK TO CLUELESS OVER THERE. 437 00:16:38,288 --> 00:16:39,459 YOU HAVE NO RIGHT TO TALK TO ME 438 00:16:39,459 --> 00:16:42,082 ABOUT ANYTHING OTHER THAN MY CHILD'S MEDICAL CARE. 439 00:16:42,082 --> 00:16:46,086 SHE'S RIGHT TO FEEL AFRAID. THOSE PLACES ARE HARMFUL. 440 00:16:46,086 --> 00:16:49,389 THEY WILL DAMAGE HER MENTALLY, EMOTIONALLY. 441 00:16:49,389 --> 00:16:51,591 THEY ARE TANTAMOUNT TO CHILD ABUSE. 442 00:16:51,591 --> 00:16:53,393 TORRES. YOU ARE OUT OF LINE. 443 00:16:53,393 --> 00:16:55,135 YOU ARE HERE FOR ONE THING 444 00:16:55,135 --> 00:16:57,137 AND ONE THING ONLY, AND THAT IS TO ATTEND 445 00:16:57,137 --> 00:16:59,689 TO MY CHILD'S INJURIES, TO HELP MY DAUGHTER. 446 00:16:59,689 --> 00:17:00,900 THAT'S IT. 447 00:17:00,900 --> 00:17:02,692 SO YOU CAN EITHER SHUT UP 448 00:17:02,692 --> 00:17:06,356 AND DO THE JOB THAT YOU ARE HERE TO DO, OR I WILL GET RID OF YOU. 449 00:17:06,356 --> 00:17:08,408 SWEETIE, PLEASE. 450 00:17:08,408 --> 00:17:10,610 ♪♪ 451 00:17:15,615 --> 00:17:18,248 WHERE DO YOU THINK YOU'RE GOING? 452 00:17:18,248 --> 00:17:20,710 LIKE YOU SAID, TO HELP YOUR DAUGHTER. 453 00:17:29,299 --> 00:17:32,222 THAT WOMAN WAS BULLYING HER OWN CHILD. 454 00:17:32,222 --> 00:17:34,384 AND, YOU KNOW, DON'T EVEN GET ME STARTED ON THE HUSBAND. 455 00:17:34,384 --> 00:17:36,015 HE IS USELESS. USELESS. 456 00:17:36,015 --> 00:17:37,387 POOR KID'S GOT NO ONE IN HER CORNER. 457 00:17:37,387 --> 00:17:38,808 MNH-MNH. 458 00:17:38,808 --> 00:17:40,230 WHAT WOULD MAKE SOMEONE DO THAT? 459 00:17:40,230 --> 00:17:42,182 I MEAN, WHY DO PEOPLE ACT LIKE THAT? 460 00:17:42,182 --> 00:17:45,525 [ SIGHS ] 461 00:17:45,525 --> 00:17:46,816 KAREV? 462 00:17:46,816 --> 00:17:49,649 WHY ARE YOU ASKING ME? 463 00:17:49,649 --> 00:17:51,651 'CAUSE YOU'RE A BULLY. 464 00:17:51,651 --> 00:17:53,863 HIS SCAR LOOKS PRETTY NICE. 465 00:17:53,863 --> 00:17:56,075 I'M JUST GONNA APPLY A LITTLE MORE COLLAGENASE LOTION HERE. 466 00:17:56,075 --> 00:17:59,789 [ COOS ] SO, UM...WHAT IS YOUR PLAN WITH APRIL TONIGHT? 467 00:18:01,701 --> 00:18:04,124 SO, SHE'S GONNA COME HOME FROM ACROSS THE WORLD 468 00:18:04,124 --> 00:18:05,465 TO WHAT, A LOCKED HOUSE? 469 00:18:05,465 --> 00:18:07,046 WHY DO YOU THINK IT IS THAT EVERYBODY THINKS 470 00:18:07,046 --> 00:18:09,469 THEY HAVE A RIGHT TO A FRONT-ROW SEAT TO MY MARRIAGE? 471 00:18:09,469 --> 00:18:11,261 THE SHOW'S CLOSED. I'M NOT SELLING TICKETS. 472 00:18:12,672 --> 00:18:13,633 DR. AVERY? 473 00:18:13,633 --> 00:18:15,014 WHAT? 474 00:18:15,014 --> 00:18:17,977 YOUR GASTRO FLAP HARVEST IS READY WHEN YOU ARE. 475 00:18:17,977 --> 00:18:19,179 THAT'S GREAT! 476 00:18:22,772 --> 00:18:25,145 [ SIGHS ] 477 00:18:25,145 --> 00:18:27,317 UM, CAN YOU COME DRESS THIS? 478 00:18:27,317 --> 00:18:28,228 YEAH. 479 00:18:32,071 --> 00:18:35,034 YOU KNOW IF KEPNER WANTS A ROOMMATE? 480 00:18:35,034 --> 00:18:36,446 NOT IF IT'S YOU. 481 00:18:36,446 --> 00:18:37,907 [ SCOFFS ] 482 00:18:37,907 --> 00:18:39,909 OKAY, WHAT AREN'T YOU TELLING ME? YOU KNOW SOMETHING. 483 00:18:39,909 --> 00:18:41,501 WHY DON'T PEOPLE WANT TO LIVE WITH ME? 484 00:18:41,501 --> 00:18:43,503 [ SIGHS ] I'M BEING PAGED. 485 00:18:43,503 --> 00:18:45,745 NO, YOU'RE NOT. NOBODY'S PAGING YOU. 486 00:18:45,745 --> 00:18:47,547 [ SIGHS ] 487 00:18:47,547 --> 00:18:48,958 Callie: WHAT, ARE YOU TELLING ME I'M WRONG? 488 00:18:48,958 --> 00:18:50,960 I WATCHED YOU PUSH PEOPLE AROUND FOR YEARS. 489 00:18:50,960 --> 00:18:53,132 YOU BULLIED INTERNS. YOU BULLIED NURSES. 490 00:18:53,132 --> 00:18:54,344 HELL, YOU BULLIED GEORGE. 491 00:18:54,344 --> 00:18:55,965 DON'T GO PROJECTING ALL YOUR STUFF ON ME 492 00:18:55,965 --> 00:18:57,387 JUST 'CAUSE YOU GOT PICKED ON AS A KID. 493 00:18:57,387 --> 00:19:00,019 OH, NO. NOBODY PICKED ON CALLIE TORRES. 494 00:19:00,019 --> 00:19:02,522 [ CHUCKLES ] REALLY? YEAH, I WAS AN EASY TARGET. 495 00:19:02,522 --> 00:19:04,724 I DIDN'T LOOK LIKE THE OTHER GIRLS. I DIDN'T ACT LIKE THEM. 496 00:19:04,724 --> 00:19:06,476 I HAD TO LEARN HOW TO STAND UP TO PEOPLE LIKE KAREV. 497 00:19:06,476 --> 00:19:09,269 SO I LEARNED TO FIGHT. TITANIUM SCREW, PLEASE? 498 00:19:09,269 --> 00:19:11,861 AH, TELL YOU WHAT, THOUGH, ONCE YOU PUNCH YOUR FIRST BULLY, 499 00:19:11,861 --> 00:19:13,443 THE REST START TO FALL IN LINE PRETTY QUICKLY. 500 00:19:13,443 --> 00:19:14,574 SO YOU WERE BOTH BULLIES? 501 00:19:14,574 --> 00:19:16,776 WHAT? NO. MINE WAS SELF-DEFENSE. 502 00:19:16,776 --> 00:19:18,738 PEOPLE YOU TWO USED TO CALL ME "LI'L MAGGOT." 503 00:19:19,989 --> 00:19:23,583 'CAUSE I WAS ALWAYS YOUNGER THAN YOU AND SMALLER... 504 00:19:23,583 --> 00:19:24,784 AND SMARTER. 505 00:19:24,784 --> 00:19:27,417 AND MY LISP... [ CLICKS TONGUE ] 506 00:19:27,417 --> 00:19:29,999 YOU GUYS HAD A FIELD DAY WITH MY LISP. 507 00:19:29,999 --> 00:19:31,170 SO I WAS "LI'L MAGGOT PIERTH." 508 00:19:31,170 --> 00:19:33,423 OH. [ BOTH LAUGH ] 509 00:19:33,423 --> 00:19:34,634 THAT'S KIND OF CUTE. [ CHUCKLES ] 510 00:19:34,634 --> 00:19:36,466 NO, IT WASN'T CUTE. 511 00:19:36,466 --> 00:19:38,258 NOT WHEN I WAS BEGGING NOT TO BE PANTSED 512 00:19:38,258 --> 00:19:40,059 IN THE MIDDLE OF THE QUAD. 513 00:19:40,059 --> 00:19:41,471 I MEAN, REALLY THINK ABOUT THAT. 514 00:19:41,471 --> 00:19:44,013 MY PANTS WERE LITERALLY PULLED OFF OF ME 515 00:19:44,013 --> 00:19:47,267 IN FRONT OF OTHER PEOPLE. 516 00:19:47,267 --> 00:19:49,018 OR WHEN I WAS SCREAMING FOR HELP 517 00:19:49,018 --> 00:19:51,020 AFTER BEING LOCKED IN THE JANITOR'S CLOSET 518 00:19:51,020 --> 00:19:54,113 AND LEFT THERE UNTIL THE COPS FOUND ME THE NEXT MORNING. 519 00:19:55,865 --> 00:19:57,026 YOU WANT TO KNOW WHY BULLIES BULLY -- 520 00:19:57,026 --> 00:19:59,158 IT'S 'CAUSE THEY CAN. 521 00:19:59,158 --> 00:20:01,581 MAYBE YOU GOT IT WORSE AT HOME, OR MAYBE YOU'RE JUST BULLYING 522 00:20:01,581 --> 00:20:03,162 TO KEEP FROM GETTING BULLIED, BUT REALLY, 523 00:20:03,162 --> 00:20:04,324 IT'S BECAUSE PEOPLE LIKE ME, 524 00:20:04,324 --> 00:20:08,958 LIKE THIS GIRL ON OUR TABLE, ARE ALONE. 525 00:20:08,958 --> 00:20:12,542 AND...SMALL AND VULNERABLE. 526 00:20:12,542 --> 00:20:16,175 AND PUSHING US AROUND MAKES YOU FEEL BETTER 527 00:20:16,175 --> 00:20:19,969 ABOUT YOUR SAD, PATHETIC, LITTLE LIVES. 528 00:20:24,183 --> 00:20:26,145 UM, BUT NOT YOU GUYS, THOUGH. 529 00:20:26,145 --> 00:20:28,147 YOU'RE COOL...NOW. 530 00:20:28,147 --> 00:20:30,520 [ CHUCKLES ] 531 00:20:30,520 --> 00:20:32,352 [ CHUCKLES ] 532 00:20:32,352 --> 00:20:35,154 SO, AFTER WE HELPED REBUILD THE HOSPITAL IN HAITI, 533 00:20:35,154 --> 00:20:36,946 I TOOK A TEAM DOWN TO HOUSTON 534 00:20:36,946 --> 00:20:39,529 TO HELP THE RELIEF SHELTERS AFTER THE FLOODING. 535 00:20:39,529 --> 00:20:40,950 OUTSTANDING. 536 00:20:40,950 --> 00:20:45,455 UM, SO, WHY ARE YOU INTERESTED IN MOVING TO SEATTLE? 537 00:20:45,455 --> 00:20:48,418 I-I MEAN, IT SOUNDS LIKE YOUR HOSPITAL'S DOING GREAT WORK. 538 00:20:48,418 --> 00:20:50,460 OH, THAT WASN'T THROUGH THE HOSPITAL. 539 00:20:50,460 --> 00:20:52,632 I FUND MOST OF THOSE TRIPS THROUGH MY NONPROFIT. 540 00:20:52,632 --> 00:20:55,214 OH. IT'S A BIT OF A PASSION PROJECT OF MINE. 541 00:20:55,214 --> 00:20:59,639 OH, YOUR NONPROFIT. WELL, NOW. 542 00:20:59,639 --> 00:21:02,141 UM, I STARTED THE HOSPITAL'S FREE CLINIC. 543 00:21:02,141 --> 00:21:05,224 UM, WE'RE OPEN WEDNESDAYS AND FRIDAYS. 544 00:21:05,224 --> 00:21:06,386 [ MONITORS BEEPING ] Owen: SHE WON'T STOP BLEEDING. DAMN IT! 545 00:21:06,386 --> 00:21:07,597 Amelia: SHE'S MAXED OUT ON PRESSORS. 546 00:21:07,597 --> 00:21:09,058 SHE CAN'T TOLERATE THIS LOW A MAP. 547 00:21:09,058 --> 00:21:10,269 Meredith: I'M CLAMPING THE HILUM. 548 00:21:10,269 --> 00:21:12,852 IT'S NOT WORKING. DEBAKEY. 549 00:21:12,852 --> 00:21:14,894 SORRY, DO YOU MIND IF I...? 550 00:21:14,894 --> 00:21:16,736 COME ON, GUYS, SHE'S CRASHING. 551 00:21:16,736 --> 00:21:19,158 YOU DON'T THINK I KNOW THAT? SOMEBODY PAGE CARDIO. 552 00:21:19,158 --> 00:21:21,701 McConnell: YOU'RE GONNA WANT TO OPEN HER UP WITH A STERNOTOMY. 553 00:21:21,701 --> 00:21:23,823 I'M SORRY. WHO IN THE HELL'S THAT? 554 00:21:23,823 --> 00:21:26,746 RIGHT, SORRY. HI. DR. TRACY McCONNELL, CHIEF OF CARDIO AT HOPKINS. 555 00:21:26,746 --> 00:21:29,669 I'M ON A TOUR. NOW, ABOUT THAT STERNOTOMY. 556 00:21:29,669 --> 00:21:30,870 PATIENT'S CHEST IS ALREADY OPEN. 557 00:21:30,870 --> 00:21:32,462 I DON'T WANT TO MAKE ANOTHER MAJOR INCISION 558 00:21:32,462 --> 00:21:34,464 JUST A FEW INCHES AWAY. WHERE IS CARDIO? 559 00:21:34,464 --> 00:21:36,546 THEY'RE SAYING WEXLER AND HALL ARE OUT. 560 00:21:36,546 --> 00:21:37,757 PIERCE IS IN SURGERY. Owen: FIND OUT HOW LONG. 561 00:21:37,757 --> 00:21:39,969 OKAY, I WANT TO TRY TWISTING THE HILUM. TOWELS. 562 00:21:39,969 --> 00:21:42,131 YOU NEED TO GET CONTROL FROM A HIGHER ANGLE. 563 00:21:42,131 --> 00:21:43,513 HER PULMONARY ARTERY IS LACERATED, 564 00:21:43,513 --> 00:21:45,515 WHICH MEANS YOU HAVE ABOUT 90 SECONDS 565 00:21:45,515 --> 00:21:47,977 BEFORE SHE BLEEDS TO DEATH ON THAT TABLE. 566 00:21:47,977 --> 00:21:51,100 I KNOW THAT IT SEEMS REDUNDANT TO MAKE ANOTHER LARGE INCISION 567 00:21:51,100 --> 00:21:54,484 IN AN ALREADY-OPEN CHEST, BUT IF YOU DO, IN UNDER A MINUTE, 568 00:21:54,484 --> 00:21:56,436 YOU CAN HAVE HER STERNUM OPEN AND GET A CLEAR VIEW 569 00:21:56,436 --> 00:21:58,938 OF THE FIELD FROM AN ENTIRELY DIFFERENT ANGLE. 570 00:21:58,938 --> 00:22:01,150 IF THE CHOICE IS BETWEEN GIVING HER TWO CHEST SCARS 571 00:22:01,150 --> 00:22:02,362 OR LETTING HER BLEED TO DEATH, 572 00:22:02,362 --> 00:22:04,323 I BET SHE WOULD CHOOSE THE TWO SCARS. 573 00:22:08,578 --> 00:22:10,370 GREY? 574 00:22:10,370 --> 00:22:12,412 YOU'RE DOWN TO 60 SECONDS. 575 00:22:13,543 --> 00:22:15,755 OKAY, I NEED A SAW AND A STERNAL RETRACTOR. 576 00:22:15,755 --> 00:22:17,166 ON IT. PREP HER FOR A STERNOTOMY. 577 00:22:17,166 --> 00:22:18,548 RIGHT AWAY. 578 00:22:18,548 --> 00:22:21,170 ♪♪ 579 00:22:26,345 --> 00:22:28,598 GOT IT. HERE'S THE BLEEDER. 580 00:22:28,598 --> 00:22:32,061 OKAY, I'LL NEED 4-0 PROLENE AND A PERICARDIAL PATCH, PLEASE. 581 00:22:37,356 --> 00:22:39,028 WHEW! 582 00:22:40,109 --> 00:22:41,901 GOT IT. 583 00:22:43,483 --> 00:22:47,617 THAT WAS A HELL OF A SAVE, McCONNELL. 584 00:22:47,617 --> 00:22:50,620 IT'S NOT MY SAVE, SIR. THEY DID THE HARD WORK. 585 00:22:50,620 --> 00:22:53,042 I JUST HELPED CHANGE THEIR PERSPECTIVE A LITTLE. 586 00:22:53,042 --> 00:22:55,495 WELL, I SHOULD PROBABLY GET GO... 587 00:23:03,262 --> 00:23:05,635 ♪♪ 588 00:23:09,559 --> 00:23:12,311 [ INDISTINCT CONVERSATIONS ] 589 00:23:17,477 --> 00:23:20,319 HEY. WHY DON'T PEOPLE WANT TO LIVE WITH ME? 590 00:23:20,319 --> 00:23:21,691 IS IT 'CAUSE I HAVE A KID OR IS IT 'CAUSE I'M A BOSS? 591 00:23:21,691 --> 00:23:22,862 LIKE PEOPLE DON'T WANT TO LIVE WITH THEIR BOSS? 592 00:23:22,862 --> 00:23:25,074 HEY, DID YOU HEAR, UH, DR. TORRES STABBED 593 00:23:25,074 --> 00:23:26,656 A WHITE SUPREMACIST IN THE FACE? 594 00:23:26,656 --> 00:23:28,237 OR A-A PATIENT BIT KAREV 595 00:23:28,237 --> 00:23:29,449 AND LOST HIS FINGER OR HIS EYE OR SOME-- 596 00:23:29,449 --> 00:23:31,451 SHUT UP AND SPEAK! WHAT AREN'T YOU TELLING ME? 597 00:23:31,451 --> 00:23:33,453 [ TELEPHONE RINGS ] 598 00:23:33,453 --> 00:23:35,294 OKAY, HAVE YOU EVER BEEN ASSIGNED 599 00:23:35,294 --> 00:23:37,296 BACK-TO-BACK OVERNIGHT NICU SHIFTS, EDWARDS? 600 00:23:37,296 --> 00:23:39,298 AND I'M NOT TALKING FOR, LIKE, A WEEKEND. 601 00:23:39,298 --> 00:23:42,882 I'M TALKING FOR MONTHS OF LONG, TERRIBLE, QUIET NIGHTS 602 00:23:42,882 --> 00:23:45,675 ALL ALONE IN THE NICU WATCHING OVER 27 INCUBATORS 603 00:23:45,675 --> 00:23:47,507 FULL OF FRAGILE, DYING, LITTLE LIVES. 604 00:23:47,507 --> 00:23:50,049 YOU KNOW HOW HARD THAT IS? DO YOU HAVE ANY IDEA? 605 00:23:55,054 --> 00:23:59,859 YOU ARE KIND OF A LEGEND WITH THE INTERNS AND RESIDENTS. 606 00:24:02,021 --> 00:24:04,233 [ SCOFFS ] GO ON. 607 00:24:04,233 --> 00:24:05,695 YOU'RE ONE OF THE SEATTLE GRACE FIVE. 608 00:24:05,695 --> 00:24:08,157 I SURVIVED A PLANE CRASH. UH, BIG DEAL. 609 00:24:08,157 --> 00:24:10,329 AND A CAR CRASH. AND A SHOOTING. 610 00:24:10,329 --> 00:24:11,621 YOU MIGHT BE IMMORTAL. [ SCOFFS ] 611 00:24:11,621 --> 00:24:13,833 YOU MASTERED ONE OF THE MOST EXCLUSIVE SPECIALTIES 612 00:24:13,833 --> 00:24:15,785 BASICALLY OVERNIGHT, AND THEN YOU TOOK HERMAN'S JOB 613 00:24:15,785 --> 00:24:17,126 AND HER EYESIGHT. 614 00:24:17,126 --> 00:24:18,287 OKAY, THAT'S -- THAT'S JUST -- 615 00:24:18,287 --> 00:24:20,289 YOU HAVE SCREWED DOZENS OF INTERNS, 616 00:24:20,289 --> 00:24:21,460 AND YOU GOT THEM ALL FIRED. 617 00:24:21,460 --> 00:24:24,463 YOU SPEAK REALLY FAST, LIKE SUPERHUMAN FAST. 618 00:24:24,463 --> 00:24:25,755 YOU HAVE A WEIRD NAME. 619 00:24:25,755 --> 00:24:27,296 YOU KNOW, THAT'S NOT TRUE. THAT'S NOT TRUE. 620 00:24:27,296 --> 00:24:29,889 I ONLY SLEPT WITH ONE INTERN, AND I HAVE AN AWESOME NAME. 621 00:24:29,889 --> 00:24:33,893 I MEAN, WHAT, MAN? LIKE, WHAT? WHAT ELSE? 622 00:24:33,893 --> 00:24:35,054 I MEAN, WHAT -- DO PEOPLE HAVE A PROBLEM 623 00:24:35,054 --> 00:24:36,475 WITH THE FACT THAT I HAVE ONE LEG? 624 00:24:36,475 --> 00:24:38,267 I MEAN, DO PEOPLE ACTUALLY GO THERE AND -- 625 00:24:38,267 --> 00:24:40,059 AND TALK CRAP ABOUT A ONE-LEGGED PERSON? 626 00:24:40,059 --> 00:24:42,311 BECAUSE THAT'S JUST DISCRIMINATION AGAINST AMPUTEES. 627 00:24:42,311 --> 00:24:43,733 THEY SAY YOU HAVE TWO LEGS, 628 00:24:43,733 --> 00:24:46,365 AND YOU ARE ONLY PRETENDING THAT ONE IS AMPUTATED. 629 00:24:46,365 --> 00:24:47,777 [ GASPS ] 630 00:24:47,777 --> 00:24:50,530 FOR THE PARKING SPACE. I... 631 00:24:50,530 --> 00:24:52,572 [ STAMMERS ] 632 00:24:52,572 --> 00:24:55,915 WE GOOD? 633 00:24:55,915 --> 00:24:58,117 HEY. TELL US SOMETHING GOOD. 634 00:24:58,117 --> 00:24:59,709 MER SAYS ALIYAH'S HANGING IN THERE. 635 00:24:59,709 --> 00:25:01,581 WELL, THAT'S SOMETHING. [ SIGHS ] 636 00:25:01,581 --> 00:25:04,584 ALSO, JESS MIGHT NOT BE GOING TO THAT CAMP. 637 00:25:04,584 --> 00:25:08,177 I, UH...I MAY HAVE MADE SOME CALLS. 638 00:25:08,177 --> 00:25:09,969 Bethany: WHICH ONE OF YOU DID IT? 639 00:25:09,969 --> 00:25:11,591 YOU CALLED CHILD PROTECTIVE SERVICES ON ME? 640 00:25:11,591 --> 00:25:14,764 IS THIS A JOKE? IS THIS SOME GAME TO YOU PEOPLE? 641 00:25:14,764 --> 00:25:17,346 IF I WANT TO SEND MY CHILD TO A BEAUTIFUL CAMP 642 00:25:17,346 --> 00:25:19,348 RUN BY A LOVELY PASTOR... [ SIGHS ] 643 00:25:19,348 --> 00:25:21,520 ...THEN I HAVE EVERY LEGAL RIGHT TO DO SO, 644 00:25:21,520 --> 00:25:23,352 AND IT IS NONE OF YOUR BUSINESS. 645 00:25:23,352 --> 00:25:25,605 DO YOU UNDERSTAND? STAY AWAY FROM MY LITTLE GIRL. 646 00:25:25,605 --> 00:25:26,986 AND STOP FILLING HER HEAD 647 00:25:26,986 --> 00:25:29,318 WITH YOUR FAITHLESS, INAPPROPRIATE NONSENSE. 648 00:25:29,318 --> 00:25:30,990 YOU REPULSE ME. YOU'RE DISGUSTING! 649 00:25:30,990 --> 00:25:32,572 OHH! 650 00:25:32,572 --> 00:25:35,615 OH, CRAP. [ COLEMAN HELL'S "TAKE ME UP" PLAYS ] 651 00:25:35,615 --> 00:25:37,577 MY HEART WAS POUNDING, AND THERE WAS A NOISE IN MY HEAD 652 00:25:37,577 --> 00:25:39,579 AND THEN HER FACE WAS JUST COMING AT ME 653 00:25:39,579 --> 00:25:41,000 AND I WAS JUST LIKE, "AAH!" 654 00:25:41,000 --> 00:25:42,161 AND THEN -- OUCH! OW! OW! 655 00:25:42,161 --> 00:25:43,663 MY FIST HAD A MIND OF ITS OWN. 656 00:25:43,663 --> 00:25:45,044 'CAUSE I DIDN'T EVEN KNOW I WAS GONNA PUNCH HER 657 00:25:45,044 --> 00:25:46,666 UNTIL SHE WAS PUNCHED. 658 00:25:46,666 --> 00:25:49,669 OH, MY GOD! I LOST CONTROL. I AM A MONSTER. 659 00:25:49,669 --> 00:25:52,301 I WOULD HAVE PAID MONEY. CASH MONEY. LIKE 1,000 BUCKS. 660 00:25:52,301 --> 00:25:54,383 WORTH EVERY PENNY. IT WAS BEAUTIFUL. 661 00:25:54,383 --> 00:25:55,975 OKAY, WHAT HAPPENED? YEAH, WE WANT DETAILS. 662 00:25:55,975 --> 00:25:57,176 AND WOULD SOMEONE PAGE ME, PLEASE, 663 00:25:57,176 --> 00:25:58,638 NEXT TIME PIERCE HULKS OUT? 664 00:25:58,638 --> 00:26:00,730 THINK IT'S FUNNY? IT WON'T BE WHEN SHE LOSES HER JOB. 665 00:26:00,730 --> 00:26:02,181 I'M GONNA LOSE MY JOB? 666 00:26:02,181 --> 00:26:03,893 YOU'RE NOT GONNA LOSE YOUR JOB. SHE ATTACKED YOU. 667 00:26:03,893 --> 00:26:05,524 KIND OF. RIGHT? 668 00:26:05,524 --> 00:26:07,947 OKAY, YOU WEREN'T THERE. YOU DON'T KNOW. 669 00:26:07,947 --> 00:26:09,528 OH, THE LADY DESERVED IT. SHE GOT BIGOT-SLAPPED. 670 00:26:09,528 --> 00:26:10,820 YOU KNOW SHE DESERVED IT. 671 00:26:10,820 --> 00:26:12,321 IT DOESN'T MATTER. 672 00:26:12,321 --> 00:26:13,903 THERE'S A RIGHT AND A WRONG WAY FOR US TO CONDUCT OURSELVES. 673 00:26:13,903 --> 00:26:15,905 MM, YOU KNOW WHAT? GREY HAS A POINT. 674 00:26:15,905 --> 00:26:17,867 NEXT TIME, LEAVE THE THUMB OUTSIDE THE FIST 675 00:26:17,867 --> 00:26:19,248 WHEN YOU CLENCH. 676 00:26:19,248 --> 00:26:21,250 THAT WAY, YOU AVOID BONE DAMAGE. SEE? 677 00:26:21,250 --> 00:26:24,043 OKAY, BITCH LADY'S FINE MEDICALLY, NO REAL INJURY, 678 00:26:24,043 --> 00:26:26,465 BUT SHE IS SERIOUSLY PISSED AND AFTER YOUR HEAD. 679 00:26:26,465 --> 00:26:27,627 SEE? OH, GOD. 680 00:26:27,627 --> 00:26:29,418 IS IT TRUE? CALLIE PUNCHED A HOMOPHOBE? 681 00:26:29,418 --> 00:26:30,840 PIERCE PUNCHED A HOMOPHOBE. 682 00:26:30,840 --> 00:26:32,802 OOH, UNEXPECTED. HIGH FIVE. NO. 683 00:26:32,802 --> 00:26:35,054 YES! [ CHUCKLES ] 684 00:26:35,054 --> 00:26:37,056 MM! ♪ WHO'S GONNA TAKE ME? WHO'S GONNA TAKE ME? ♪ 685 00:26:37,056 --> 00:26:40,059 ♪ WHEN THE MORNING COMES ♪ 686 00:26:40,059 --> 00:26:41,771 ♪ WHO'S GONNA TAKE ME? WHO'S GONNA TAKE ME? ♪ I HAVE TO GO APOLOGIZE TO THAT HORRIBLE WOMAN, DON'T I? 687 00:26:41,771 --> 00:26:43,562 ♪ WHO'S GONNA TAKE ME? WHO'S GONNA TAKE? WHO? ♪ 688 00:26:43,562 --> 00:26:45,935 WHAT ARE YOU DOING? 689 00:26:45,935 --> 00:26:47,937 SCRUBBING IN ON AN OPEN CHOLECYSTECTOMY. 690 00:26:47,937 --> 00:26:50,730 YES, NO, I CAN SEE THAT, BUT WHAT ARE YOU DOING? 691 00:26:50,730 --> 00:26:52,571 WHY ARE YOU SCRUBBING IN FOR A THREE-HOUR PROCEDURE 692 00:26:52,571 --> 00:26:55,154 WHEN YOU HAVE A PRESENTATION TO THE BOARD IN 45 MINUTES? 693 00:26:55,154 --> 00:26:56,946 THE PATIENT IS IN TERRIBLE PAIN. 694 00:26:56,946 --> 00:26:59,328 I HAVE THE ABILITY TO STOP THAT PAIN, 695 00:26:59,328 --> 00:27:02,451 SO I'M GOING TO DO THAT. 696 00:27:02,451 --> 00:27:05,004 SO, WHAT, YOU'RE JUST GONNA NOT SHOW UP FOR THE PRESENTATION? 697 00:27:05,004 --> 00:27:07,126 IT DOESN'T MATTER IF I DO. 698 00:27:07,126 --> 00:27:11,210 LOOK, I JUST SPENT THE DAY WITH TRACY McCONNELL. 699 00:27:11,210 --> 00:27:14,754 SHE'S CHIRPY AND BLONDE WITH A PERKY, LITTLE PONYTAIL. 700 00:27:14,754 --> 00:27:18,177 AND SHE'S... 701 00:27:18,177 --> 00:27:22,972 FANTASTIC, SMART, TALENTED. 702 00:27:22,972 --> 00:27:28,147 I TRIED REALLY HARD TO HATE HER, BUT I COULDN'T. 703 00:27:28,147 --> 00:27:30,940 SHE'S PERFECT. AND WEBBER'S READY TO MARRY HER. 704 00:27:30,940 --> 00:27:32,772 HELL, I MIGHT MARRY HER, TOO. 705 00:27:32,772 --> 00:27:35,775 NO OFFENSE. SHE'S A CATCH. 706 00:27:35,775 --> 00:27:37,156 AND WE'D BE LUCKY TO HAVE HER. 707 00:27:37,156 --> 00:27:39,158 HEY, SHE MAY BE THE NEW IDRIS. 708 00:27:39,158 --> 00:27:41,781 [ CHUCKLES ] NOW, I-IT'S FINE. 709 00:27:41,781 --> 00:27:46,585 OKAY, BEING CHIEF ISN'T THE ONLY THING THAT I... 710 00:27:46,585 --> 00:27:50,379 I MEAN, I'VE GOT MY SON THAT I HARDLY SEE AS IT IS. AND YOU. 711 00:27:50,379 --> 00:27:52,341 AND I GOT THIS CLASS THAT I GOT TO START TEACHING. 712 00:27:52,341 --> 00:27:54,794 SO...YOU KNOW, I-IT DOESN'T MATTER. 713 00:27:54,794 --> 00:27:56,005 I-IT'S FINE, REALLY. 714 00:27:56,005 --> 00:27:57,256 MIRANDA, THAT'S -- NO! 715 00:27:57,256 --> 00:27:59,428 LEAVE IT ALONE. [ SIGHS ] 716 00:27:59,428 --> 00:28:02,762 OKAY? JUST...LEAVE IT. 717 00:28:02,762 --> 00:28:05,725 ♪♪ 718 00:28:12,191 --> 00:28:14,613 [ INDISTINCT CONVERSATIONS ] 719 00:28:17,656 --> 00:28:18,948 Arizona: HI. 720 00:28:18,948 --> 00:28:21,280 OH, HEY. UH, I-IS THE ROOM STILL AVAILABLE? 721 00:28:22,952 --> 00:28:25,584 DID YOUR FRIENDS PUT YOU UP TO THIS? DID YOU LOSE A BET? 722 00:28:25,584 --> 00:28:27,787 OR...DO YOU HAVE A THING FOR FEET? OR -- OR FOOT? 723 00:28:27,787 --> 00:28:30,169 [ ELEVATOR BELL DINGS ] WHAT? UH, NO. 724 00:28:30,169 --> 00:28:31,170 WELL, OKAY, HOLD ON. 725 00:28:31,170 --> 00:28:32,792 WHY WOULD YOU WANT TO LIVE WITH ME 726 00:28:32,792 --> 00:28:33,923 INSTEAD OF YOUR INTERN BUDDIES? 727 00:28:35,674 --> 00:28:39,468 I DON'T, UH, HAVE ANY INTERN BUDDIES. 728 00:28:39,468 --> 00:28:41,720 THEY THINK I POSED AS AN ATTENDING ON PURPOSE 729 00:28:41,720 --> 00:28:45,724 AND THEY MADE UP ALL THIS STUFF ABOUT ME AND IT ISN'T EVEN TRUE. 730 00:28:45,724 --> 00:28:48,307 NOBODY WANTS TO TALK TO ME, LET ALONE LIVE WITH ME. 731 00:28:50,269 --> 00:28:52,191 IT'S OKAY. THANKS. 732 00:28:54,693 --> 00:28:57,526 UM, WELL, HOLD ON. UM, JUST SO YOU KNOW, 733 00:28:57,526 --> 00:28:59,909 TWO MONTHS UP FRONT. YEAH? OKAY. MM-HMM. 734 00:28:59,909 --> 00:29:02,071 WELL -- WELL, WE CAN MAYBE -- WE CAN MAKE THIS WORK. 735 00:29:02,071 --> 00:29:06,125 [ MONITOR BEEPING ] 736 00:29:06,125 --> 00:29:07,917 SCRUB OUT. I'LL FINISH. 737 00:29:07,917 --> 00:29:09,418 YOU CAN STILL MAKE YOUR PRESENTATION. 738 00:29:09,418 --> 00:29:11,580 DeLUCA, WILL YOU ESCORT WARREN OUT OF MY SURGERY, PLEASE? 739 00:29:11,580 --> 00:29:12,541 BUT... [ SIGHS ] 740 00:29:12,541 --> 00:29:16,005 OKAY. 741 00:29:16,005 --> 00:29:19,008 OH, DON'T EVEN THINK ABOUT IT. YOU DO NOT KNOW ME. 742 00:29:21,180 --> 00:29:24,223 MIRANDA, YOU ARE ROLLING OVER. 743 00:29:24,223 --> 00:29:25,764 YOU ARE QUITTING IN THE MIDDLE OF THE RACE, 744 00:29:25,764 --> 00:29:28,227 AND THAT IS NOT OKAY. 745 00:29:28,227 --> 00:29:30,850 WOULD YOU LET ME QUIT? WOULD YOU LET TUCK QUIT? 746 00:29:30,850 --> 00:29:32,731 WOULD YOU? 747 00:29:32,731 --> 00:29:34,773 WHAT DID YOU TELL TUCK 748 00:29:34,773 --> 00:29:36,155 WHEN HE WANTED TO QUIT THE FRENCH HORN? 749 00:29:36,155 --> 00:29:39,989 HE WAS A TERRIBLE FRENCH-HORN PLAYER, AND STILL, 750 00:29:39,989 --> 00:29:42,031 WHAT DID YOU TELL HIM? "YOU MADE A COMMITMENT." 751 00:29:42,031 --> 00:29:44,283 "YOU MADE A COMMITMENT"! 752 00:29:44,283 --> 00:29:48,117 AND NOW WHO IS FIRST CHAIR? 753 00:29:48,117 --> 00:29:49,118 TUCK IS. 754 00:29:49,118 --> 00:29:50,749 TUCK IS! 755 00:29:50,749 --> 00:29:52,541 YOU DON'T QUIT. YOU DON'T ROLL OVER. 756 00:29:52,541 --> 00:29:55,544 YOU DON'T LET ANYBODY TAKE YOUR CHAIR! 757 00:29:55,544 --> 00:29:59,128 MIRANDA BAILEY, WHAT CHAIR ARE YOU? 758 00:29:59,128 --> 00:30:00,179 FIRST CHAIR. YEAH, I CANNOT HEAR YOU. W-WHAT CHAIR? 759 00:30:00,179 --> 00:30:02,011 FIRST CHAIR. FIRST CHAIR? 760 00:30:02,011 --> 00:30:03,472 FIRST CHAIR! THAT'S RIGHT! 761 00:30:04,763 --> 00:30:07,186 JESS' INJURIES WERE EXTENSIVE, 762 00:30:07,186 --> 00:30:08,557 BUT SURGERY WENT BETTER THAN EXPECTED. 763 00:30:08,557 --> 00:30:10,479 OH, THANK GOD. 764 00:30:10,479 --> 00:30:12,641 UH, BETHANY WANTED ME TO ASK, 765 00:30:12,641 --> 00:30:15,274 DO YOU KNOW WHEN JESS MIGHT BE DISCHARGED? 766 00:30:15,274 --> 00:30:18,067 SHE'S, I GUESS, ARRANGING FOR THE CAMP 767 00:30:18,067 --> 00:30:19,238 TO COME PICK JESS UP FROM HERE, AND -- 768 00:30:19,238 --> 00:30:21,440 Dakhir: WHAT? WHAT ARE YOU SAYING? 769 00:30:21,440 --> 00:30:23,282 THERE -- THERE WERE COMPLICATIONS 770 00:30:23,282 --> 00:30:25,945 DURING THE SURGERY, AND ALIYAH LOST A LOT OF BLOOD, 771 00:30:25,945 --> 00:30:28,497 AND HER BLOOD PRESSURE WAS VERY LOW FOR SOME TIME. 772 00:30:28,497 --> 00:30:29,708 AND WE JUST WON'T KNOW 773 00:30:29,708 --> 00:30:31,951 IF THAT CAUSED DAMAGE UNLESS SHE WAKES UP. 774 00:30:31,951 --> 00:30:35,544 SO, S-SHE MIGHT NOT WAKE UP? THAT'S WHAT YOU'RE SAYING? 775 00:30:35,544 --> 00:30:37,756 I'M SORRY, IS HIS DAUGHTER GOING TO DIE? 776 00:30:37,756 --> 00:30:39,508 I'M SO SORRY. I CAN'T DISCUSS ANOTHER PATIENTS' PERSONAL INFORMATION. 777 00:30:39,508 --> 00:30:41,170 THIS CAN'T BE -- T-THIS SHOULDN'T BE HAPPENING. 778 00:30:41,170 --> 00:30:42,922 WE WANTED TO GIVE HER A FUTURE. 779 00:30:42,922 --> 00:30:44,763 WE CAME TO THIS COUNTRY WHEN SHE WAS 8. 780 00:30:44,763 --> 00:30:46,926 TWO YEARS LATER, MY WIFE DIED. 781 00:30:46,926 --> 00:30:48,517 MY FAMILY, THEY SAID, 782 00:30:48,517 --> 00:30:50,349 "DAKHIR, YOU HAVE NO BUSINESS RAISING YOUR DAUGHTER ALONE." 783 00:30:50,349 --> 00:30:52,141 MAYBE THEY WERE RIGHT. 784 00:30:52,141 --> 00:30:53,732 WHAT DO I KNOW ABOUT RAISING A GIRL, 785 00:30:53,732 --> 00:30:55,644 NOW A TEENAGE GIRL, IN AMERICA? 786 00:30:55,644 --> 00:30:58,067 [ WHIMPERS ] 787 00:30:58,067 --> 00:31:02,571 ALL I KNOW IS IT'S HARD. 788 00:31:02,571 --> 00:31:06,155 ♪♪ 789 00:31:06,155 --> 00:31:09,038 ALIYAH DOESN'T CONFIDE IN ME. 790 00:31:09,038 --> 00:31:11,080 WHY WOULD SHE? 791 00:31:11,080 --> 00:31:14,543 IN MY COMMUNITY, WE DON'T TALK ABOUT THINGS LIKE THIS. 792 00:31:14,543 --> 00:31:17,917 ALIYAH'S MOTHER WOULD HAVE KNOWN WHAT TO SAY. 793 00:31:17,917 --> 00:31:20,169 SHE ALWAYS KNEW. 794 00:31:20,169 --> 00:31:24,133 WE CAME HERE TO GIVE HER A FUTURE. 795 00:31:24,133 --> 00:31:25,764 AND NOW... 796 00:31:28,597 --> 00:31:30,389 DO YOU HAVE A PICTURE? 797 00:31:30,389 --> 00:31:31,971 [ SNIFFLES ] 798 00:31:31,971 --> 00:31:33,772 EXCUSE ME? 799 00:31:33,772 --> 00:31:36,105 OF YOUR DAUGHTER? 800 00:31:36,105 --> 00:31:37,776 HERE'S -- HERE'S JESS. 801 00:31:37,776 --> 00:31:40,149 UH, YOU CAN'T TELL NOW WITH THE TUBE IN HER MOUTH, 802 00:31:40,149 --> 00:31:43,362 BUT SHE HAS THE BEST SMILE. 803 00:31:47,236 --> 00:31:49,448 THIS IS ALIYAH MAYBE A YEAR AGO NOW. 804 00:31:49,448 --> 00:31:51,740 I TOOK IT AT SCHOOL AFTER A GAME. 805 00:31:51,740 --> 00:31:53,412 YOU KNOW, I NEVER REALIZED, 806 00:31:53,412 --> 00:31:56,085 BUT I THINK THAT'S YOUR DAUGHTER WITH HER. 807 00:31:59,418 --> 00:32:03,172 THEY LOOK REALLY HAPPY. 808 00:32:03,172 --> 00:32:06,135 I DON'T BELIEVE WE WERE INTRODUCED PROPERLY BEFORE. 809 00:32:06,135 --> 00:32:07,886 I'M STEVEN. 810 00:32:09,808 --> 00:32:12,011 DAKHIR. 811 00:32:14,853 --> 00:32:18,397 YOUR PATIENT'S BEEN OUT OF SURGERY A WHILE. 812 00:32:18,397 --> 00:32:20,439 DID YOU WAIT TO UPDATE THE FAMILY 813 00:32:20,439 --> 00:32:22,982 UNTIL MY PATIENT WAS OUT OF SURGERY, TOO? 814 00:32:22,982 --> 00:32:26,025 ♪♪ 815 00:32:30,990 --> 00:32:33,952 BECAUSE THIS HOSPITAL IS WORTH MORE THAN THAT. 816 00:32:33,952 --> 00:32:34,953 THANK YOU. 817 00:32:34,953 --> 00:32:38,377 [ APPLAUSE ] THANK YOU. 818 00:32:38,377 --> 00:32:42,381 BAILEY SHOULD BE HERE BY NOW. 819 00:32:42,381 --> 00:32:43,792 UM, HI. HELLO. 820 00:32:43,792 --> 00:32:47,636 SORRY TO INTERRUPT, BUT DR. BAILEY HAS A REQUEST. 821 00:32:47,636 --> 00:32:51,050 ♪♪ 822 00:32:51,050 --> 00:32:54,223 I'M SURE DR. McCONNELL GAVE YOU AN EXCELLENT PRESENTATION. 823 00:32:54,223 --> 00:32:56,435 SCISSOR. WATCH THAT TISSUE. 824 00:32:56,435 --> 00:32:59,188 SHE WOULD BE EXCELLENT FOR THE JOB. 825 00:32:59,188 --> 00:33:01,020 BUT THAT'S NOT THE POINT. 826 00:33:01,020 --> 00:33:05,314 THE POINT IS McCONNELL AND I OFFER DIFFERENT THINGS. 827 00:33:05,314 --> 00:33:10,699 SHE IS NEW AND SHINY. AND SHE LIKES A GOOD CHALLENGE. 828 00:33:10,699 --> 00:33:12,911 I KNOW. I SPENT THE WHOLE DAY WITH HER. 829 00:33:12,911 --> 00:33:16,115 SHE JUMPS INTO NEW CHALLENGES ALL THE TIME. 830 00:33:16,115 --> 00:33:20,119 AND THAT'S WHAT THIS PLACE IS TO HER -- HER NEWEST CHALLENGE... 831 00:33:20,119 --> 00:33:21,880 UNTIL SHE FINDS HER NEXT ONE. 832 00:33:21,880 --> 00:33:23,502 AND HER NEXT. 833 00:33:23,502 --> 00:33:26,755 BUT THAT'S NOT ME. [ SIGHS ] 834 00:33:26,755 --> 00:33:30,299 SEE, I DON'T CARE IF THIS PLACE IS THE SHINIEST OR THE FANCIEST 835 00:33:30,299 --> 00:33:32,551 OR IF IT'S A BEAT-UP HUNK OF JUNK. 836 00:33:32,551 --> 00:33:35,724 AS FAR AS I'M CONCERNED, IT'LL ALWAYS BE THE SHIP 837 00:33:35,724 --> 00:33:38,727 THAT MADE THE KESSEL RUN IN LESS THAN 12 PARSECS. 838 00:33:38,727 --> 00:33:41,310 THIS IS NOT A STEPPING STONE FOR ME. 839 00:33:41,310 --> 00:33:45,314 I BELIEVE IN THIS HOSPITAL AND WHAT IT CAN DO. 840 00:33:45,314 --> 00:33:48,107 AND I WANT TO PUSH THIS BUCKET OF BOLTS 841 00:33:48,107 --> 00:33:51,530 TO DO THE MOST IMPOSSIBLE THINGS YOU HAVE EVER SEEN. 842 00:33:51,530 --> 00:33:54,703 AND THEN I'LL DO MORE BECAUSE THIS IS MY CHALLENGE. 843 00:33:54,703 --> 00:33:56,115 THERE'S A BLEEDER ON THE FOSSA. 844 00:33:56,115 --> 00:34:00,079 YEAH. CLAMP. USE THE ARGON BEAM. 845 00:34:00,079 --> 00:34:02,581 AVOID CBD. 846 00:34:02,581 --> 00:34:03,752 SLOWLY. 847 00:34:03,752 --> 00:34:07,005 LET ME. GOOD. 848 00:34:09,007 --> 00:34:11,049 THERE. 849 00:34:11,049 --> 00:34:14,843 THIS JOB WAS MADE FOR ME. STAPLES. 850 00:34:14,843 --> 00:34:20,018 THIS JOB BELONGS TO ME. SUCTION. 851 00:34:20,018 --> 00:34:23,812 I'VE EARNED FIRST CHAIR. 852 00:34:23,812 --> 00:34:25,644 SUTURE. 853 00:34:25,644 --> 00:34:29,148 AND EVERY SINGLE ONE OF YOU ALREADY KNOWS IT. 854 00:34:29,148 --> 00:34:31,950 READY TO CLOSE. 855 00:34:31,950 --> 00:34:35,784 ♪♪ 856 00:34:35,784 --> 00:34:37,906 WELL, DAMN IT. 857 00:34:44,873 --> 00:34:46,665 [ SIREN WAILING ] 858 00:34:46,665 --> 00:34:51,630 Woman: DR. HUDSON TO THE O.R. 3. DR. HUDSON TO O.R. 3. 859 00:34:53,472 --> 00:34:55,474 IS JESS STILL AT HER POST-OP X-RAYS? 860 00:34:55,474 --> 00:34:57,015 YEAH, DR. TORRES TOOK HER A BIT AGO. 861 00:34:57,015 --> 00:34:58,847 YEAH. 862 00:34:58,847 --> 00:35:00,429 YOU HAVE SOME NERVE COMING HERE. 863 00:35:00,429 --> 00:35:02,100 BETHANY. 864 00:35:02,100 --> 00:35:05,434 MRS. TANNER, I WOULD LIKE TO APOLOGIZE. 865 00:35:05,434 --> 00:35:09,278 I WAS TOTALLY OUT OF LINE BEFORE. 866 00:35:09,278 --> 00:35:11,109 TO THINK I TRUSTED YOU TO TREAT MY DAUGHTER. 867 00:35:11,109 --> 00:35:12,531 BETHANY. 868 00:35:12,531 --> 00:35:14,112 I AM SUING YOU AND EVERYONE ELSE WE HAVE MET 869 00:35:14,112 --> 00:35:15,033 IN THIS GODFORSAKEN HOSPITAL. 870 00:35:15,033 --> 00:35:15,994 BETHANY, SHUT UP! 871 00:35:17,496 --> 00:35:20,499 NO ONE IS SUING! NO ONE IS PRESSING CHARGES! 872 00:35:20,499 --> 00:35:23,702 THE PERSON WHO SHOULD BE APOLOGIZING IS YOU! 873 00:35:23,702 --> 00:35:25,874 WE ALMOST LOST OUR CHILD TODAY! 874 00:35:25,874 --> 00:35:28,297 SHE ALMOST DIED! 875 00:35:28,297 --> 00:35:30,419 WE ARE NOT SENDING JESS AWAY! 876 00:35:30,419 --> 00:35:33,422 THIS STOPS NOW. DO YOU HEAR ME? IT STOPS NOW. 877 00:35:33,422 --> 00:35:36,755 STEVEN, WHAT ARE YOU SAYING? THIS STOPS, OR I AM GONE. 878 00:35:36,755 --> 00:35:38,347 I WILL LEAVE, AND I WILL TAKE JESS WITH ME, 879 00:35:38,347 --> 00:35:41,390 AND YOU WILL NEVER SEE HER AGAIN. 880 00:35:41,390 --> 00:35:46,605 I DON'T CARE... IF SHE'S GAY. 881 00:35:46,605 --> 00:35:50,189 I CARE IF SHE'S LOVED. I CARE IF SHE'S HAPPY. 882 00:35:50,189 --> 00:35:51,570 AND THAT IS WHAT YOU SHOULD CARE ABOUT! 883 00:35:51,570 --> 00:35:54,983 WHAT IS WRONG WITH YOU THAT YOU DON'T?! 884 00:35:54,983 --> 00:35:58,657 ♪ EVER WONDER 'BOUT WHAT SHE'S DOING? ♪ 885 00:35:58,657 --> 00:36:04,413 [ SIGHS ] ♪ HOW IT ALL TURNED TO LIES ♪ 886 00:36:04,413 --> 00:36:08,747 ♪ SOMETIMES I THINK THAT IT'S BETTER ♪ 887 00:36:08,747 --> 00:36:11,169 ♪ TO NEVER ASK WHY ♪ 888 00:36:11,169 --> 00:36:15,384 ♪ WHERE THERE IS DESIRE, THERE IS GONNA BE A FLAME ♪ 889 00:36:15,384 --> 00:36:18,387 SO, WE WERE ABLE TO STOP THE BLEEDING, AND SHE'S STABLE. 890 00:36:18,387 --> 00:36:20,969 SO I THOUGHT YOU'D LIKE TO SEE HER BECAUSE SHE IS AWAKE. 891 00:36:20,969 --> 00:36:25,974 ♪ AND JUST BECAUSE IT BURNS DOESN'T MEAN YOU'RE GONNA DIE ♪ 892 00:36:25,974 --> 00:36:29,398 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ 893 00:36:29,398 --> 00:36:31,810 IT'S OKAY. IT'S OKAY. 894 00:36:31,810 --> 00:36:33,482 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ 895 00:36:33,482 --> 00:36:35,234 I'M HERE, ALIYAH. 896 00:36:35,234 --> 00:36:37,576 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ YOU'RE OKAY. 897 00:36:37,576 --> 00:36:39,578 JESSICA IS OKAY, TOO. 898 00:36:41,450 --> 00:36:44,032 SHH. D-DON'T TRY TO TALK. IT'S OKAY. 899 00:36:44,032 --> 00:36:47,876 I HAVE SOMETHING FOR YOU. 900 00:36:47,876 --> 00:36:51,670 ♪ FUNNY HOW THE HEART CAN BE DECEIVING ♪ 901 00:36:51,670 --> 00:36:54,673 JESSICA ASKED IF I COULD READ THIS TO YOU IF -- 902 00:36:54,673 --> 00:36:55,544 WHEN YOU WAKE UP. 903 00:36:55,544 --> 00:36:57,636 SO... 904 00:36:57,636 --> 00:37:03,682 ♪ WHY DO WE FALL IN LOVE SO EASY EVEN WHEN IT'S NOT RIGHT? ♪ 905 00:37:03,682 --> 00:37:06,054 "DEAR MY BEAUTIFUL ALIYAH..." 906 00:37:08,607 --> 00:37:10,979 WELL, I LIKE HER ALREADY. 907 00:37:14,353 --> 00:37:17,526 ♪ WHERE THERE IS DESIRE, THERE IS GONNA BE A FLAME ♪ 908 00:37:17,526 --> 00:37:19,067 [ SIGHS ] 909 00:37:19,067 --> 00:37:23,702 ♪ WHERE THERE IS A FLAME, SOMEONE'S BOUND TO GET BURNED ♪ 910 00:37:23,702 --> 00:37:28,287 ♪ AND JUST BECAUSE IT BURNS DOESN'T MEAN YOU'RE GONNA DIE ♪ 911 00:37:28,287 --> 00:37:31,290 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ 912 00:37:31,290 --> 00:37:34,793 OH. SORRY. YOU KNOW, I, UH... 913 00:37:34,793 --> 00:37:36,545 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ I THOUGHT... 914 00:37:36,545 --> 00:37:38,717 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ UH, WHY AREN'T YOU AT HOME? 915 00:37:38,717 --> 00:37:41,340 BECAUSE I THOUGHT YOU'D BE AT HOME. 916 00:37:41,340 --> 00:37:44,303 RIGHT, WELL, I JUST ASSUMED THAT... 917 00:37:44,303 --> 00:37:46,144 [ SIGHS ] IT'S FINE. JUST, UM... 918 00:37:46,144 --> 00:37:47,726 ♪ EVER WORRY THAT IT MIGHT BE RUINED ♪ 919 00:37:47,726 --> 00:37:50,479 GO AND SLEEP THERE TONIGHT. A REAL BED AND ALL. 920 00:37:50,479 --> 00:37:52,100 ♪ AND DOES IT MAKE YOU WANT TO CRY? ♪ 921 00:37:52,100 --> 00:37:54,693 RIGHT. REAL BED. YEAH. THANKS. 922 00:37:54,693 --> 00:37:58,276 I'VE BEEN FLYING ALL DAY. I'M EXHAUSTED. DIRTY. 923 00:37:58,276 --> 00:37:59,898 OKAY. 924 00:37:59,898 --> 00:38:03,362 ♪ EVER WORRY THAT IT MIGHT BE RUINED ♪ 925 00:38:03,362 --> 00:38:04,533 BUT WE CAN TALK TOMORROW? 926 00:38:04,533 --> 00:38:07,326 ♪ DOES IT MAKE YOU WANT TO CRY? ♪ 927 00:38:07,326 --> 00:38:09,828 I REALLY WANT US TO TALK, JACKSON. 928 00:38:09,828 --> 00:38:12,791 ♪ WHEN YOU'RE OUT THERE DOING WHAT YOU'RE DOING ♪ 929 00:38:12,791 --> 00:38:14,002 GOOD NIGHT. 930 00:38:14,002 --> 00:38:18,006 ♪ ARE YOU JUST GETTING BY? ♪ 931 00:38:18,006 --> 00:38:21,880 ♪ TELL ME, ARE YOU JUST GETTING BY, BY, BY? ♪ 932 00:38:21,880 --> 00:38:26,885 [ DOOR CLOSES ] ♪ WHERE THERE IS DESIRE, THERE IS GONNA BE A FLAME ♪ 933 00:38:26,885 --> 00:38:31,059 ♪ WHERE THERE IS A FLAME, SOMEONE'S BOUND TO GET BURNED ♪ 934 00:38:31,059 --> 00:38:35,604 ♪ AND JUST BECAUSE IT BURNS DOESN'T MEAN YOU'RE GONNA DIE ♪ 935 00:38:35,604 --> 00:38:40,439 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ 936 00:38:40,439 --> 00:38:41,530 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ BEHOLD. 937 00:38:41,530 --> 00:38:45,364 EVERYTHING THE LIGHT TOUCHES IS YOURS. 938 00:38:45,364 --> 00:38:46,324 ♪ YOU'VE GOT TO GET UP AND TRY, TRY, TRY ♪ 939 00:38:46,324 --> 00:38:48,206 STUPID. [ LAUGHS ] 940 00:38:48,206 --> 00:38:51,750 CONGRATULATIONS... CHIEF. 941 00:38:51,750 --> 00:38:53,952 [ SIGHS ] 942 00:38:53,952 --> 00:38:57,005 ♪♪ 943 00:39:02,300 --> 00:39:04,723 Jo: THIS LOOKS AMAZING. 944 00:39:04,723 --> 00:39:07,135 THIS IS AMAZING. 945 00:39:07,135 --> 00:39:08,557 NOW, I LOVE THAT YOU LOVE FEEDING ME, 946 00:39:08,557 --> 00:39:09,888 BUT I CAN'T KEEP EATING LIKE THIS EVERY NIGHT. 947 00:39:09,888 --> 00:39:11,470 I'M GONNA GET FAT. 948 00:39:11,470 --> 00:39:12,971 WHAT'S WRONG WITH BEING FAT? I USED TO BE FAT. 949 00:39:12,971 --> 00:39:14,643 [ LAUGHS ] 950 00:39:14,643 --> 00:39:16,475 THAT'S FUNNY. NO, REALLY. 951 00:39:16,475 --> 00:39:19,277 I MEAN, NOT JUST ROLY-POLY. I MEAN BIG. 952 00:39:19,277 --> 00:39:21,279 I MEAN, IT DIDN'T MATTER MUCH TILL WHAT -- 953 00:39:21,279 --> 00:39:24,282 I DON'T KNOW -- 5th GRADE, MAYBE? 6th? 954 00:39:24,282 --> 00:39:26,364 AND THEN SUDDENLY, EVERYBODY SEEMED TO CARE. 955 00:39:26,364 --> 00:39:28,577 I GOT PICKED ON A BUNCH. 956 00:39:28,577 --> 00:39:31,289 I MEAN, STUPID STUFF, YOU KNOW? NAMES, PRANKS. 957 00:39:31,289 --> 00:39:34,663 THEY SHOVED ME IN A LOCKER ONCE, AND I GOT STUCK. 958 00:39:34,663 --> 00:39:36,995 I WAS -- WELL, I WAS THE FAT KID IN CLASS 959 00:39:36,995 --> 00:39:39,047 AND THE SCREW-UP AT HOME. 960 00:39:39,047 --> 00:39:41,420 AND IT SUCKED. I MEAN, IT WAS REALLY HELL. 961 00:39:41,420 --> 00:39:43,672 SO THE SUMMER AFTER 8th GRADE, 962 00:39:43,672 --> 00:39:45,884 WHEN I BASICALLY SPENT THREE STRAIGHT MONTHS ON MY BIKE 963 00:39:45,884 --> 00:39:48,467 RIDING EVERYWHERE, ALL DAY, EVERY DAY, 964 00:39:48,467 --> 00:39:50,679 LITERALLY RIDING MY ASS OFF. 965 00:39:50,679 --> 00:39:54,102 SCHOOL STARTED. NOBODY RECOGNIZED ME. 966 00:39:54,102 --> 00:39:57,856 I TOUGHENED UP. I MEAN, I HAD TO, YOU KNOW? 967 00:39:57,856 --> 00:39:59,438 WANT MORE RICE? 968 00:39:59,438 --> 00:40:01,109 [ TRISTAN PRETTYMAN'S "FANCY" PLAYS ] 969 00:40:03,692 --> 00:40:05,694 ♪ FIRST THINGS FIRST, I'M THE REALEST ♪ 970 00:40:05,694 --> 00:40:06,865 Amelia: WHO DOES THAT? 971 00:40:06,865 --> 00:40:09,077 WHO CARPOOLS TO WORK WITH SOMEBODY IN THE MORNING 972 00:40:09,077 --> 00:40:10,869 AND THEN LEAVES WITHOUT THEM THAT NIGHT? 973 00:40:10,869 --> 00:40:12,080 ♪ I CAN HOLD YOU DOWN ♪ 974 00:40:12,080 --> 00:40:14,082 [ LAUGHS ] I CAN'T BELIEVE SHE -- SHE JUST LEFT ME. 975 00:40:14,082 --> 00:40:16,665 I'M HAPPY TO GIVE YOU A RIDE. ACTUALLY, I DID WANT TO -- 976 00:40:16,665 --> 00:40:19,668 I DON'T EVEN WANT TO GO IN THERE. I MAY LOSE IT. 977 00:40:19,668 --> 00:40:21,419 NOT EVEN KIDDING. I MAY... 978 00:40:21,419 --> 00:40:24,212 ♪ HIGH HEELS, SOMETHING WORTH A HALF A TICKET ON MY WRIST ♪ 979 00:40:24,212 --> 00:40:26,805 ♪ TAKING ALL THE LIQUOR STRAIGHT, NEVER CHASED THAT ♪ 980 00:40:26,805 --> 00:40:29,427 ♪ ROOFTOP LIKE WE'RE BRINGING '88 BACK ♪ 981 00:40:29,427 --> 00:40:31,429 ♪ BRING THE HOOKS IN, WHERE THE BASS AT? ♪ WHAT'S HAPPENING? 982 00:40:31,429 --> 00:40:33,602 ♪ CHAMPAGNE SPILLING, YOU SHOULD TASTE THAT ♪ 983 00:40:33,602 --> 00:40:36,815 YOU. COME HERE. ♪ I'M SO FANCY ♪ 984 00:40:36,815 --> 00:40:40,519 SORRY. ♪ YOU ALREADY KNOW, I'M IN THE FAST LANE ♪ 985 00:40:40,519 --> 00:40:41,940 SIT. GOOD. 986 00:40:41,940 --> 00:40:43,732 I WANT YOU TO STOP 987 00:40:43,732 --> 00:40:45,524 AND TAKE A CLOSER LOOK AT THE BODY IN FRONT OF YOU. 988 00:40:45,524 --> 00:40:47,906 I LIVE HERE, TOO, AND THAT MEANS I GET A SAY. 989 00:40:47,906 --> 00:40:51,449 AND I SAY YOU TWO NEED TO FIGURE YOUR CRAP OUT. 990 00:40:51,449 --> 00:40:52,571 ♪ 'BOUT TO BLOW ♪ 991 00:40:52,571 --> 00:40:54,412 THERE'S NOTHING SPECIAL ABOUT IT. 992 00:40:54,412 --> 00:40:55,994 IT'S JUST A BODY. ♪ TRASH THE HOTEL ♪ 993 00:40:55,994 --> 00:40:59,167 SO, WHY ARE YOU HERE? WHAT'S SO DIFFERENT? 994 00:40:59,167 --> 00:41:00,168 WHAT'S CHANGED? 995 00:41:00,168 --> 00:41:01,880 SORRY ABOUT THE WALL. 996 00:41:01,880 --> 00:41:04,673 ♪ FEELS SO GOOD GETTING WHAT I WANT ♪ I... 997 00:41:04,673 --> 00:41:06,084 JUMPED THE GUN. 998 00:41:06,084 --> 00:41:07,465 I'M SORRY I SAID YOU HAD FLEAS. 999 00:41:07,465 --> 00:41:09,678 MEREDITH! WHAT? 1000 00:41:09,678 --> 00:41:11,890 I DON'T... ♪ FILM STAR, YEAH, I'M DELUXE ♪ 1001 00:41:11,890 --> 00:41:16,895 I DON'T KNOW HOW TO TALK TO YOU. YOU ARE A LOT...SOMETIMES. 1002 00:41:17,976 --> 00:41:19,808 I DON'T TOTALLY LIKE YOU. 1003 00:41:19,808 --> 00:41:22,100 WOW. OKAY. 1004 00:41:22,100 --> 00:41:23,982 BUT I DON'T HAVE TO BECAUSE YOU'RE FAMILY. 1005 00:41:23,982 --> 00:41:25,564 I LOVE YOU. 1006 00:41:25,564 --> 00:41:27,986 ♪ HOT GIRL, HANDS OFF, DON'T TOUCH THAT ♪ 1007 00:41:27,986 --> 00:41:31,369 ♪ LOOK AT IT, I BET YOU WISHING THAT YOU COULD CLUTCH THAT ♪ 1008 00:41:31,369 --> 00:41:32,741 ♪ IT'S JUST THE WAY YOU LIKE IT, HUH? ♪ 1009 00:41:32,741 --> 00:41:36,494 ♪ YOU'RE SO GOOD, HE JUST WISHING HE COULD BITE IT, HUH? ♪ 1010 00:41:36,494 --> 00:41:38,667 ♪ NEVER TURNED DOWN NOTHING, SLINGING THESE HOS ♪ 1011 00:41:38,667 --> 00:41:42,791 ♪ GOLD TRIGGER ON THE GUN LIKE I'M SO FANCY ♪ 1012 00:41:42,791 --> 00:41:45,003 ♪ YOU ALREADY KNOW ♪ 1013 00:41:45,003 --> 00:41:47,215 MY ANSWER IS...YOU. ♪ I'M IN THE FAST LANE ♪ 1014 00:41:48,386 --> 00:41:50,388 THE THING THAT HAS CHANGED IS YOU. 1015 00:41:50,388 --> 00:41:53,181 ♪ I'M SO FANCY ♪ 1016 00:41:53,181 --> 00:41:55,554 I WANT YOU TO THROW EVERYTHING YOU THINK YOU KNOW 1017 00:41:55,554 --> 00:41:57,766 ABOUT ANATOMY OUT THE WINDOW... 1018 00:41:57,766 --> 00:42:00,098 ♪ 'BOUT TO BLOW ♪ 1019 00:42:00,098 --> 00:42:01,730 ...AND LOOK AT THIS CADAVER 1020 00:42:01,730 --> 00:42:03,772 LIKE YOU'VE NEVER SEEN A HUMAN BODY BEFORE. 1021 00:42:03,772 --> 00:42:05,443 ♪ THAT DO THAT, DO THAT, I-G-G-Y ♪ 1022 00:42:05,443 --> 00:42:07,355 ♪ WHO THAT, WHO THAT? I-G-G-Y ♪ 1023 00:42:07,355 --> 00:42:09,407 NOW PICK UP YOUR SCALPELS. 1024 00:42:09,407 --> 00:42:11,239 PLACE THEM BELOW THE XIPHOID PROCESS. 1025 00:42:11,239 --> 00:42:12,821 ♪ WHO THAT, WHO THAT? I-G-G-Y ♪ 1026 00:42:12,821 --> 00:42:14,152 PRESS FIRMLY. 1027 00:42:14,152 --> 00:42:16,034 ♪ THAT DO THAT, DO THAT, I-G-G-Y ♪ 1028 00:42:16,034 --> 00:42:19,868 NO REGRETS. AND LET'S BEGIN. 1029 00:42:19,868 --> 00:42:22,500 ♪ OH, OH, OH, OH, OH, OH ♪