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WHO MADE THE APPOINTMENT, MS.

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TEDESCO?

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>> YES.

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>> IN THAT CASE, TELL ME WHAT

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YOU DON'T LIKE ABOUT YOURSELF.

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>> THAT'S NOT WHY I'M HERE.

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ILLANA AND I CAME HERE TO SPEAK

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ON BEHALF OF OUR DAUGHTERS

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AND TO ASK FOR YOUR HELP.

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>> OH? IN WHAT WAY?

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I SHOULD SHOW YOU HANNAH FIRST.

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>> HOW DID THIS HAPPEN?

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>> A CARNIVAL RIDE.

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HANNAH'S PONYTAIL CAUGHT AROUND

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ONE OF THE GEARS WHILE IT WAS

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MOVING. SHE COULDN'T GET OUT OF

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HER SEAT, AND THE FORCE JUST...

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RIPPED EVERYTHING AWAY.

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>> AW, THAT'S AWFUL. I'M SO

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SORRY.

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>> HOW MANY GRAFTS HAS SHE HAD

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SO FAR?

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>> 18. NO MATTER HOW MANY WE DO,

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EVERY DOCTOR I'VE TALKED TO SAYS

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SHE'LL NEVER LOOK MUCH BETTER

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THAN SHE DOES NOW.

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>> MS. MANNING, YOUR DAUGHTER

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WAS IN THE ACCIDENT AS WELL?

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>> LISA, NO. NO. SHE HAS TYPE

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ONE DIABETES. SHE WENT INTO A

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COMA 9 MONTHS AGO. SHE'S BEEN ON

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LIFE SUPPORT.

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>> ILLANA AND I MET

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AT THE HOSPITAL WHERE HANNAH WAS

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BEING TREATED.

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>> WE'RE BOTH SINGLE MOMS

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SO THE SUPPORT MEANT A LOT.

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AND I'M THE FIRST ONE

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TO BRING IT UP.

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>> BRING UP WHAT?

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>> MY DAUGHTER IS CLINICALLY

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BRAIN-DEAD. HER DOCTORS THINK

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THEY CAN KEEP HER ALIVE MAYBE

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ANOTHER 6 MONTHS. BUT I'VE

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DECIDED TO LET HER DIE WITH

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DIGNITY, AND I'D LIKE TO DONATE

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HER FACE TO HANNAH.

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>> I'M SORRY. DONATE HER FACE?

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>> YES. RIGHT NOW WE'RE LOOKING

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FOR SURGEONS WHO WOULD BE

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WILLING TO PERFORM A FACIAL

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TRANSPLANT SURGERY.

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>> THAT PROCEDURE IS STILL ONLY

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THEORETICAL. A SURGEON IN ROME

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PERFORMED A PARTIAL SURGERY,

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BUT--

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>> ALL OF THE DOCTORS WE'VE

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INTERVIEWED IN EUROPE AND IN

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THE STATES, ALL OF THE RESEARCH

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WE'VE DONE OVER THE PAST 6

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MONTHS, PROVES THE SAME THEORY.

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THAT BECAUSE OF ADVENTS IN

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AUTOIMMUNE THERAPY, A TRANSPLANT

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THAT IS SUCCESSFUL IS NOW

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POSSIBLE. THE PROBLEM HAS BEEN

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FINDING SUITABLE CANDIDATES

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AND MATCHING THEM WITH QUALIFIED

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SURGEONS. NOW, HANNAH AND LISA

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ARE IDEAL FOR THIS. THEY HAVE

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SIMILAR BONE STRUCTURE, DELICATE

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FEATURES. AND McNAMARA/TROY IS

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ONE OF THE BEST TEAMS OUT THERE.

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YOU WERE THE DOCTORS BRAVE

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ENOUGH TO PERFORM THE CONJOINED

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TWIN SURGERY LAST YEAR.

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>> YES, WE DID, BUT DR. McNAMARA

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IS NO LONGER A PART OF THIS

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PRACTICE.

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>> ALTHOUGH, THANKFULLY,

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DR. TROY AND I HAVE CONTINUED

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TO BUILD ON THAT STELLAR

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REPUTATION.

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ULTIMATE SUCCESS WILL DEPEND

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LARGELY UPON IMMUNOSUPPRESSIVE

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THERAPY FOLLOWING THE SURGERY.

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BARRING THAT, I REALLY DON'T SEE

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ANY REASON TO TURN DOWN THIS

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REQUEST.

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>> THERE ARE SOME ETHICAL

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CONSIDERATIONS.

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>> LIKE WHAT?

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>> ORGAN DONATION IS GENERALLY

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AN ANONYMOUS TRANSACTION.

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REMOVING YOUR DAUGHTER'S FACE,

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HER IDENTITY, AND TRANSFERRING

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IT TO A RELATIVE STRANGER COULD

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BE A DISASTER FOR YOU BOTH,

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LET ALONE HANNAH.

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>> MY DAUGHTER'S IDENTITY,

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DOCTOR, WAS HER SPIRIT, WHICH IS

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NOW GONE. SHE CAN'T GO OUT IN

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PUBLIC. PEOPLE STARE. THEY MAKE

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FUN. [SOBBING] MY DAUGHTER HAD

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SUCH CONFIDENCE, YOU KNOW. THIS

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IS THE ONLY WAY FOR HER TO GET

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BACK WHAT SHE'S LOST.

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>> 50 YEARS AGO, PEOPLE THOUGHT

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THAT KIDNEY TRANSPLANTS WERE

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IMMORAL. MY DAUGHTER WENT INTO

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A COMA WAITING FOR A TRANSPLANT

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BECAUSE TOO MANY PEOPLE STILL

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BELIEVE THAT.

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>> I UNDERSTAND, BUT DONATING

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A KIDNEY IS ABOUT SAVING A LIFE.

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WHAT WE'RE TALKING ABOUT IS VERY

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DIFFERENT. THE RISKS INVOLVED IN

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WHAT IS BASICALLY AN ELECTIVE

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SURGERY--

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>> THIS IS ABOUT SAVING A LIFE,

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DR. TROY. BEFORE THE ACCIDENT

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HANNAH WAS A BEAUTIFUL GIRL WITH

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A BRIGHT FUTURE. THIS IS

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THE ONLY WAY FOR HER TO LOOK AND

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FEEL AND LIVE LIKE A NORMAL

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PERSON AGAIN. PLEASE, GIVE HER

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THAT CHANCE.

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>> THAT WAS MY FIRST GOOD

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NIGHT'S SLEEP IN...

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I DON'T REMEMBER.

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IS THERE MORE COFFEE?

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WHAT DO YOU THINK SMELLS BETTER?

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LATE AFTERNOON THUNDERSTORM

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OR THAT FIRST CUP OF COFFEE

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IN THE MORNING?

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>> DID YOU KILL YOUR HUSBAND?

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>> WHY ARE YOU ASKING ME THAT?

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>> I CAN'T HAVE ANY MORE

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DISHONESTY IN THIS HOUSE, NIKKI.

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I DEALT WITH THAT IN MY MARRIAGE

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AND MY BUSINESS. I NEED TO HEAR

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THE TRUTH FROM YOU. DID YOU KILL

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YOUR HUSBAND?

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>> WHERE IS ALL THIS

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COMING FROM?

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>> I TALKED TO SAGAMORE.

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HE TOLD ME EVERYTHING. HOW YOU

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GOT YOUR HUSBAND DRUNK, THEN

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SHOT HIM IN THE HEAD. THAT'S

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PREMEDITATED MURDER.

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>> OHH! YOU...YOU HAVE BEEN LIED

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TO, SEAN.

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VIC FOUND OUT THAT I WAS TALKING

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TO THE FBI. HE DRAGGED ME OUT OF

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BED AND TRIED TO KILL ME.

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HE USED HIS FISTS, A CHAIR.

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I MANAGED TO BREAK FREE LONG

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ENOUGH TO GRAB ONE OF THE GUNS

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HE HAS IN HIS NIGHTSTAND.

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EVEN THEN I DIDN'T WANT TO SHOOT

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HIM. I JUST ASKED HIM TO LEAVE.

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HE CAME AT ME AND I PULLED

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THE TRIGGER.

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>> IF IT WAS REALLY

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SELF-DEFENSE, WHY DIDN'T YOU

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JUST TELL ME? YOU TRUSTED ME

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ENOUGH TO COME HOME WITH ME.

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TO BRING YOUR SON IN MY HOUSE.

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TO SLEEP IN MY BED. WAS THAT ALL

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JUST A LIE, TOO?

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>> DOES IT REALLY FEEL THAT WAY

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TO YOU?

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I'M SORRY. I WANTED THINGS TO

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WORK SO BAD. THE THREE OF US.

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I LIKED THINKING ABOUT A FUTURE

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TOGETHER.

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>> YOU DO?

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I'VE SORT OF FELT THE SAME

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THING. ABOUT THE THREE OF US.

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>> YOU JUST LIKE MY COOKING.

180
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>> SORRY, HONEY, YOUR COOKING

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AIN'T THAT HOT.

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BUT YOU ARE.

183
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>> SO WHAT YOU'RE SAYING IS

184
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THERE'S HOPE HERE?

185
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>> IF FROM HERE ON OUT

186
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EVERYTHING'S ON THE TABLE.

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THERE CAN'T BE ANY MORE LIES

188
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ABOUT WHO WE REALLY ARE OR WHAT

189
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WE DO OR WHAT WE'VE DONE.

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[DISHES CLATTER]

191
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>> TAKE ME BACK TO BED.

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>> WELL, THAT'S NOT ACCURATE.

193
00:09:02,175 --> 00:09:03,777
YOU DIDN'T COME 6 TIMES, IT WAS

194
00:09:03,777 --> 00:09:07,047
7. BECAUSE I REMEMBER THESE

195
00:09:07,047 --> 00:09:11,051
THINGS. PLEASE. LOOK, OF COURSE

196
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IT'S GONNA BE AN EXCLUSIVE. HAVE

197
00:09:12,653 --> 00:09:16,189
I EVER LIED TO YOU? PATIENT'S

198
00:09:16,189 --> 00:09:17,791
NAME IS HANNAH TEDESCO.

199
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T-E-D-E-S-C-O. AM I HARD RIGHT

200
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NOW? WITH YOU, MY LOVE, IT'S

201
00:09:24,932 --> 00:09:30,070
ALWAYS LIKE A ROCK. TALK TO YOU

202
00:09:30,070 --> 00:09:31,739
LATER, CHRIS.

203
00:09:34,207 --> 00:09:35,943
GUESS WHOSE LITERARY AGENT

204
00:09:35,943 --> 00:09:37,811
CONTACT JUST GOT US THE LEAD

205
00:09:37,811 --> 00:09:38,946
STORY IN NEXT MONTH'S NEW

206
00:09:38,946 --> 00:09:40,213
ENGLAND JOURNAL OF MEDICINE?

207
00:09:40,213 --> 00:09:42,816
>> IS CHRIS A GIRL OR A BOY?

208
00:09:42,816 --> 00:09:46,954
>> HA HA! SHE'S A GIRL,

209
00:09:46,954 --> 00:09:48,355
CHRISTIAN. WITH A BIT OF

210
00:09:48,355 --> 00:09:49,957
A MUSTACHE PROBLEM, SO I JUST

211
00:09:49,957 --> 00:09:51,091
PRETEND THAT SHE'S A BOY WHEN

212
00:09:51,091 --> 00:09:52,693
I'M BANGING HER IN THE ASS.

213
00:09:52,693 --> 00:09:53,827
>> NICE.

214
00:09:53,827 --> 00:09:54,962
>> SO'S THE PUBLICITY THAT THIS

215
00:09:54,962 --> 00:09:56,229
TEDESCO SURGERY IS GONNA BRING

216
00:09:56,229 --> 00:09:59,366
IN. THIS IS A GODDAMN WINDFALL.

217
00:09:59,366 --> 00:10:01,969
THIS IS EXACTLY WHAT YOU AND I

218
00:10:01,969 --> 00:10:03,704
NEED TO INCREASE OUR PROFILE IN

219
00:10:03,704 --> 00:10:04,838
THE INTERNATIONAL MEDICAL

220
00:10:04,838 --> 00:10:07,708
COMMUNITY. THIS IS GONNA TOTALLY

221
00:10:07,708 --> 00:10:09,109
CHANGE THE FACE OF THIS

222
00:10:09,109 --> 00:10:11,244
BUSINESS. PUN INTENDED.

223
00:10:11,244 --> 00:10:12,980
>> THE FACE OF THIS BUSINESS HAS

224
00:10:12,980 --> 00:10:14,715
NEVER BEEN TO EXPLOIT A SURGERY,

225
00:10:14,715 --> 00:10:16,249
ESPECIALLY BEFORE WE KNOW THE

226
00:10:16,249 --> 00:10:17,250
RESULTS.

227
00:10:17,250 --> 00:10:19,386
>> HEY, WIN OR LOSE, WE'RE GONNA

228
00:10:19,386 --> 00:10:20,721
WIND UP ON THE FRONT PAGE OF

229
00:10:20,721 --> 00:10:22,122
THE NEW YORK TIMES IF WE SPIN

230
00:10:22,122 --> 00:10:23,991
THIS PROPERLY. AND GUESS WHAT?

231
00:10:23,991 --> 00:10:25,726
IF THIS DOESN'T WORK, WE ARE NOT

232
00:10:25,726 --> 00:10:26,860
GONNA GET BLAMED FOR IT, THE

233
00:10:26,860 --> 00:10:29,062
PATIENT'S IMMUNE SYSTEM WILL.

234
00:10:32,866 --> 00:10:33,867
>> THANK YOU FOR SQUEEZING ME

235
00:10:33,867 --> 00:10:35,135
IN. YOUR HEAD NURSE SAID YOU

236
00:10:35,135 --> 00:10:36,737
WERE JUST CRAZY PREPARING FOR

237
00:10:36,737 --> 00:10:40,407
SOME BIG SURGERY.

238
00:10:40,407 --> 00:10:41,875
>> TELL ME WHAT YOU DON'T LIKE

239
00:10:41,875 --> 00:10:43,310
ABOUT YOURSELF, MRS. EUBANKS.

240
00:10:43,310 --> 00:10:44,978
>> MY HUSBAND DOESN'T WANT TO

241
00:10:44,978 --> 00:10:47,147
HAVE SEX WITH ME ANYMORE.

242
00:10:47,147 --> 00:10:48,448
>> THAT'S ENTIRELY TOO

243
00:10:48,448 --> 00:10:49,750
UPSETTING, ISN'T IT?

244
00:10:49,750 --> 00:10:50,450
>> HE ONLY LIKES SCREWING YOUR

245
00:10:50,450 --> 00:10:52,152
FIANCEÉ.

246
00:10:52,152 --> 00:10:53,286
>> EXCUSE ME?

247
00:10:53,286 --> 00:10:54,421
>> KIMBER HENRY. SHE'S YOU'RE

248
00:10:54,421 --> 00:10:56,156
FIANCEÉ, RIGHT? I READ ABOUT

249
00:10:56,156 --> 00:10:57,157
YOUR ENGAGEMENT ON

250
00:10:57,157 --> 00:10:58,826
SPANKGOSSIP.COM.

251
00:10:58,826 --> 00:10:59,492
>> GO BACK TO THE PART ABOUT

252
00:10:59,492 --> 00:11:00,493
YOUR HUSBAND SCREWING

253
00:11:00,493 --> 00:11:01,428
MY FIANCEÉ.

254
00:11:01,428 --> 00:11:02,429
>> HER DOLL. THE LIFE-SIZE

255
00:11:02,429 --> 00:11:04,064
MS. KIMBER DOLL SHE HAS ON THE

256
00:11:04,064 --> 00:11:05,432
MARKET. THAT'S WHAT I MEANT.

257
00:11:05,432 --> 00:11:06,433
>> YOUR HUSBAND HAS ONE OF

258
00:11:06,433 --> 00:11:07,167
THOSE?

259
00:11:07,167 --> 00:11:08,168
>> OH, YEAH. I BOUGHT IT

260
00:11:08,168 --> 00:11:09,302
FOR HIM.

261
00:11:09,302 --> 00:11:10,170
>> WHY?

262
00:11:10,170 --> 00:11:12,039
>> YOU'RE NOT MARRIED YET, SO

263
00:11:12,039 --> 00:11:13,006
YOU PROBABLY DON'T HAVE THIS

264
00:11:13,006 --> 00:11:14,808
PROBLEM, BUT MARK AND I HAVE

265
00:11:14,808 --> 00:11:17,778
BEEN TOGETHER ALMOST 10 YEARS,

266
00:11:17,778 --> 00:11:18,912
AND THE SEX GETS A LITTLE

267
00:11:18,912 --> 00:11:20,948
ROUTINE. SO I BOUGHT THE DOLL TO

268
00:11:20,948 --> 00:11:23,183
SPICE THINGS UP. MARK FLIPPED.

269
00:11:23,183 --> 00:11:24,417
HE LOVED TO TWIST HER IN ALL

270
00:11:24,417 --> 00:11:25,886
THESE CRAZY POSITIONS, AND DRESS

271
00:11:25,886 --> 00:11:27,320
HER UP IN LINGERIE, AND DO US

272
00:11:27,320 --> 00:11:28,789
BOTH AT THE SAME TIME.

273
00:11:28,789 --> 00:11:29,456
>> HOW CAN I HELP YOU,

274
00:11:29,456 --> 00:11:30,924
MRS. EUBANKS?

275
00:11:30,924 --> 00:11:34,194
>> OH, WELL, ABOUT 6 MONTHS AGO

276
00:11:34,194 --> 00:11:35,929
MARK STOPPED HAVING SEX WITH ME

277
00:11:35,929 --> 00:11:37,197
AND WOULD ONLY GET OFF WITH THE

278
00:11:37,197 --> 00:11:40,333
DOLL. SOMETIMES 4 TIMES A DAY.

279
00:11:40,333 --> 00:11:42,335
I KNOW THIS SOUNDS CRAZY, BUT IF

280
00:11:42,335 --> 00:11:43,470
I DON'T CHANGE SOMETHING NOW,

281
00:11:43,470 --> 00:11:44,938
I'M GONNA LOSE HIM.

282
00:11:44,938 --> 00:11:46,473
>> WHAT ARE YOU SUGGESTING?

283
00:11:46,473 --> 00:11:48,809
>> NOTHING TOO RADICAL. MAYBE GO

284
00:11:48,809 --> 00:11:50,477
UP A CUP SIZE, LIFT MY ASS

285
00:11:50,477 --> 00:11:52,212
A LITTLE BIT, AND, IF YOU THINK

286
00:11:52,212 --> 00:11:55,215
I NEED IT, RESHAPING MY...

287
00:11:55,215 --> 00:11:59,486
YOU KNOW...PLACE...LIKE HERS.

288
00:11:59,486 --> 00:12:01,221
>> YOU WANT ME TO MAKE YOU LOOK

289
00:12:01,221 --> 00:12:02,823
LIKE A KIMBER DOLL?

290
00:12:02,823 --> 00:12:03,957
>> WHAT BETTER PERSON TO GO TO

291
00:12:03,957 --> 00:12:04,825
THAN THE MAN WHO SLEEPS WITH

292
00:12:04,825 --> 00:12:06,359
THE ORIGINAL, RIGHT?

293
00:12:06,359 --> 00:12:07,360
>> LET ME SAVE YOU A LOT OF

294
00:12:07,360 --> 00:12:09,963
MONEY, OK? THROW THE DOLL AWAY

295
00:12:09,963 --> 00:12:10,964
WHEN YOUR HUSBAND'S NOT HOME.

296
00:12:10,964 --> 00:12:12,232
THAT WAY, HE HAS TO SLEEP

297
00:12:12,232 --> 00:12:13,100
WITH YOU.

298
00:12:13,100 --> 00:12:14,367
>> ARE YOU CRAZY? HE'D KILL ME.

299
00:12:14,367 --> 00:12:16,103
I SWEAR, I THINK MARK IS IN LOVE

300
00:12:16,103 --> 00:12:18,238
WITH HER.

301
00:12:18,238 --> 00:12:19,840
>> MRS. EUBANKS, NOT TO BE

302
00:12:19,840 --> 00:12:21,975
CRUEL, BUT HAVE YOU NO SENSE OF

303
00:12:21,975 --> 00:12:23,844
SELF?

304
00:12:23,844 --> 00:12:25,245
>> MY HUSBAND WOULD RATHER SCREW

305
00:12:25,245 --> 00:12:27,981
A DOLL THAN ME, OK? HEH. I THINK

306
00:12:27,981 --> 00:12:29,382
MY SENSE OF SELF IS PRETTY MUCH

307
00:12:29,382 --> 00:12:31,518
IN THE TOILET.

308
00:12:31,518 --> 00:12:33,520
PLEASE, I WANT TO BE MY

309
00:12:33,520 --> 00:12:36,990
HUSBAND'S FANTASY AGAIN.

310
00:12:36,990 --> 00:12:38,926
MAKE ME LIKE KIMBER.

311
00:12:43,263 --> 00:12:44,531
>> MY MOM TRIED TOSSING

312
00:12:44,531 --> 00:12:46,133
A BASEBALL WITH ME ONCE.

313
00:12:46,133 --> 00:12:48,001
SHE WAS HORRIBLE.

314
00:12:48,001 --> 00:12:49,269
WEREN'T YOU, MOM?

315
00:12:49,269 --> 00:12:50,537
>> HEY, AT LEAST I GET POINTS

316
00:12:50,537 --> 00:12:54,007
FOR TRYING, DON'T I? HA HA.

317
00:12:54,007 --> 00:12:55,408
>> YOU MUST'VE PLAYED A LOT OF

318
00:12:55,408 --> 00:12:57,277
CATCH WITH YOUR DAD.

319
00:12:57,277 --> 00:13:00,881
>> NO. HE NEVER WANTED TO.

320
00:13:00,881 --> 00:13:03,483
HE WASN'T COOL LIKE YOU ARE.

321
00:13:13,293 --> 00:13:14,862
THAT DOESN'T MEAN YOU CAN HOG

322
00:13:14,862 --> 00:13:16,229
THE BALL NOW.

323
00:13:19,299 --> 00:13:20,500
>> POP FLY.

324
00:13:23,570 --> 00:13:25,038
HEY, LOOK AT THAT. FUTURE

325
00:13:25,038 --> 00:13:26,406
HALL-OF-FAMER RIGHT THERE.

326
00:13:33,046 --> 00:13:34,381
>> SEAN!

327
00:13:34,381 --> 00:13:36,449
>> AUSTIN!

328
00:13:36,449 --> 00:13:38,318
>> WHAT? I'M SORRY. HE WAS

329
00:13:38,318 --> 00:13:39,352
SUPPOSED TO CATCH IT.

330
00:13:39,352 --> 00:13:40,120
>> YOU'RE RIGHT,

331
00:13:40,120 --> 00:13:40,921
IT WAS MY FAULT.

332
00:13:40,921 --> 00:13:41,488
>> NO, NO, NO.

333
00:13:41,488 --> 00:13:42,389
>> I'LL TAKE THIS TO THE

334
00:13:42,389 --> 00:13:43,590
BATHROOM, RUN SOME WATER ON IT.

335
00:13:43,590 --> 00:13:45,458
>> THANK YOU. WHAT ARE YOU

336
00:13:45,458 --> 00:13:46,927
DOING, YOU CRAZY KOOK?

337
00:13:46,927 --> 00:13:49,529
HELP ME OUT.

338
00:13:54,467 --> 00:13:55,602
>> [SIGHS]

339
00:14:10,283 --> 00:14:12,285
>> HE'S A CUTE KID.

340
00:14:12,285 --> 00:14:13,286
THAT ONE YOU WERE PLAYING CATCH

341
00:14:13,286 --> 00:14:15,688
WITH. I THOUGHT I'D NEVER GET

342
00:14:15,688 --> 00:14:18,425
YOU ALONE.

343
00:14:18,425 --> 00:14:20,693
>> WHO ARE YOU? WHO SENT YOU?

344
00:14:20,693 --> 00:14:21,694
>> WHAT ARE YOU DOING?

345
00:14:21,694 --> 00:14:23,030
>> HOW'D YOU FIND US?

346
00:14:23,030 --> 00:14:24,064
>> I DON'T KNOW WHAT YOU'RE

347
00:14:24,064 --> 00:14:25,032
TALKING ABOUT. YOU'RE THE ONE

348
00:14:25,032 --> 00:14:25,698
WHO GAVE ME THE SIGN.

349
00:14:25,698 --> 00:14:26,699
>> SIGN? WHAT SIGN?

350
00:14:26,699 --> 00:14:29,402
>> THE GLORY HOLE SIGN.

351
00:14:29,402 --> 00:14:30,303
THAT'S WHAT MEN USE THIS

352
00:14:30,303 --> 00:14:31,704
BATHROOM FOR.

353
00:14:31,704 --> 00:14:33,306
>> YOU THOUGHT I WANTED TO GIVE

354
00:14:33,306 --> 00:14:35,108
YOU A BLOW JOB?

355
00:14:35,108 --> 00:14:36,709
>> WHY ELSE WOULD YOU BE STARING

356
00:14:36,709 --> 00:14:39,579
AT ME LIKE THAT?

357
00:14:39,579 --> 00:14:41,714
IT'S OK. SO WE GOT OUR SIGNALS

358
00:14:41,714 --> 00:14:44,717
CROSSED. YOU GONNA LET ME GO

359
00:14:44,717 --> 00:14:47,454
OR WHAT?

360
00:14:47,454 --> 00:14:49,456
>> ASSHOLE.

361
00:14:49,456 --> 00:14:51,524
YOU'RE LUCKY I DON'T CALL A COP.

362
00:14:55,595 --> 00:14:57,064
>> NEXT TIME DON'T BE SUCH

363
00:14:57,064 --> 00:14:58,198
A FLIRTY BITCH, WE WON'T HAVE

364
00:14:58,198 --> 00:15:01,468
THAT PROBLEM.

365
00:15:01,468 --> 00:15:02,669
UNH!

366
00:15:13,613 --> 00:15:14,747
>> I HOPE YOU'RE HUNGRY BECAUSE

367
00:15:14,747 --> 00:15:16,216
WE GOT WAY TOO MUCH FOOD.

368
00:15:16,216 --> 00:15:18,218
>> WE HAVE TO GO.

369
00:15:18,218 --> 00:15:19,219
>> WHAT?

370
00:15:19,219 --> 00:15:20,253
>> I'M SORRY, THIS IS WONDERFUL,

371
00:15:20,253 --> 00:15:22,222
BUT WE HAVE TO. TAKE AUSTIN AND

372
00:15:22,222 --> 00:15:23,223
GO WAIT IN THE CAR.

373
00:15:23,223 --> 00:15:24,091
>> WHAT IS GOING ON?

374
00:15:24,091 --> 00:15:25,092
DID SOMEBODY FOLLOW US?

375
00:15:25,092 --> 00:15:27,760
>> NO, NO. I--I'M JUST NOT

376
00:15:27,760 --> 00:15:28,761
FEELING WELL ALL OF A SUDDEN.

377
00:15:28,761 --> 00:15:30,497
I GET ALLERGIES AND, YOU KNOW,

378
00:15:30,497 --> 00:15:32,499
THEY GET SERIOUS. WE CAN STILL

379
00:15:32,499 --> 00:15:33,633
HAVE THE PICNIC AT HOME.

380
00:15:33,633 --> 00:15:35,702
IT'LL BE FINE. LET'S JUST GO.

381
00:15:43,643 --> 00:15:45,778
>> [WHISPERING]

382
00:15:45,778 --> 00:15:47,447
When do we start?

383
00:15:57,790 --> 00:16:00,393
>> MS. MANNING?

384
00:16:00,393 --> 00:16:02,262
AS SOON AS YOU'RE READY,

385
00:16:02,262 --> 00:16:04,064
WE CAN BEGIN.

386
00:16:09,636 --> 00:16:12,539
>> 27 HOURS.

387
00:16:12,539 --> 00:16:16,543
THAT'S HOW LONG MY LABOR WAS.

388
00:16:16,543 --> 00:16:19,146
I USED TO THINK THE HARDEST

389
00:16:19,146 --> 00:16:21,414
THING I EVER DID WAS GIVE BIRTH

390
00:16:21,414 --> 00:16:27,554
TO HER. I NEVER IMAGINED HOW

391
00:16:27,554 --> 00:16:30,557
MUCH WORSE IT WOULD BE TO SEND

392
00:16:30,557 --> 00:16:32,359
HER FROM THIS WORLD.

393
00:16:45,305 --> 00:16:46,673
>> TAKE AS MUCH TIME

394
00:16:46,673 --> 00:16:49,842
AS YOU NEED.

395
00:16:49,842 --> 00:16:52,512
>> NO, I'M OK. I'M READY.

396
00:16:58,451 --> 00:17:01,188
OK.

397
00:17:01,188 --> 00:17:03,190
I'LL SEE YOU AGAIN SOON, OK,

398
00:17:03,190 --> 00:17:05,792
SWEETHEART? OK.

399
00:17:13,300 --> 00:17:16,136
IS--IS IT ALL RIGHT IF I DO IT?

400
00:17:49,902 --> 00:17:51,838
>> DOCTOR.

401
00:17:58,911 --> 00:18:00,647
WE'RE NOT GONNA RUSH HER.

402
00:18:00,647 --> 00:18:03,383
STOP LOOKING AT YOUR WATCH.

403
00:18:03,383 --> 00:18:04,384
WHY IN THE HELL ARE YOU

404
00:18:04,384 --> 00:18:05,518
SO JUMPY?

405
00:18:05,518 --> 00:18:07,387
>> OH. I'M NOT JUMPY,

406
00:18:07,387 --> 00:18:10,523
I'M EXCITED. THIS IS WHAT LIFE'S

407
00:18:10,523 --> 00:18:12,259
ABOUT, CHRISTIAN. PUSHING YOUR

408
00:18:12,259 --> 00:18:14,394
TALENTS TO THE LIMITS. SEEING

409
00:18:14,394 --> 00:18:16,929
WHAT YOU'RE MADE OF.

410
00:18:16,929 --> 00:18:18,798
>> WELL, SHE JUST GAVE UP HER

411
00:18:18,798 --> 00:18:20,933
DAUGHTER. YOU NEED TO RESPECT

412
00:18:20,933 --> 00:18:24,704
THAT.

413
00:18:24,704 --> 00:18:26,606
[MONITOR FLAT LINES]

414
00:18:34,514 --> 00:18:37,884
>> ALL RIGHT. LET'S DO IT.

415
00:18:54,634 --> 00:18:56,369
>> ARE YOU HOT? IS IT HOT

416
00:18:56,369 --> 00:19:04,511
IN HERE? HUH. UH, CAN YOU TURN

417
00:19:04,511 --> 00:19:06,179
UP THE AIR, PLEASE?

418
00:19:10,783 --> 00:19:16,256
>> MARKER. [SIGHS]

419
00:19:16,256 --> 00:19:18,191
>> MARKER.

420
00:19:33,940 --> 00:19:36,509
Quentin: YOU READY?

421
00:19:36,509 --> 00:19:39,746
CHRISTIAN, ARE YOU READY?

422
00:20:57,757 --> 00:21:04,030
>> [SIGHS] WELL, IT'S 3:15,

423
00:21:04,030 --> 00:21:05,898
SO WE HAVE UNTIL 6:00 TO GET

424
00:21:05,898 --> 00:21:06,899
THIS BACK TO THE OFFICE FOR

425
00:21:06,899 --> 00:21:08,368
REATTACHMENT.

426
00:21:08,368 --> 00:21:09,636
>> THIS IS GONNA BE AN

427
00:21:09,636 --> 00:21:11,371
ALL-NIGHTER. MAYBE IT'S NOT

428
00:21:11,371 --> 00:21:12,639
A BAD IDEA FOR US TO PULL IN

429
00:21:12,639 --> 00:21:13,640
ANOTHER SURGEON FOR THE SECOND

430
00:21:13,640 --> 00:21:15,642
PHASE.

431
00:21:15,642 --> 00:21:16,909
>> WELL, I THINK BETWEEN THE TWO

432
00:21:16,909 --> 00:21:18,778
OF US, WE'RE MORE THAN CAPABLE

433
00:21:18,778 --> 00:21:21,047
OF DOING THE WORK...AND REAPING

434
00:21:21,047 --> 00:21:22,849
THE REWARDS.

435
00:21:36,996 --> 00:21:37,997
>> I HAD TO PROMISE HIM YOU TWO

436
00:21:37,997 --> 00:21:40,132
WOULD PLAY MORE CATCH TOMORROW.

437
00:21:40,132 --> 00:21:43,870
HE'S REALLY UPSET.

438
00:21:43,870 --> 00:21:45,872
WHAT HAPPENED IN THE PARK, SEAN?

439
00:21:45,872 --> 00:21:46,873
ONE MINUTE WE'RE HAVING A GREAT

440
00:21:46,873 --> 00:21:47,774
TIME. THE NEXT WE'RE BEING

441
00:21:47,774 --> 00:21:50,877
THROWN INTO A CAR. YOU WERE

442
00:21:50,877 --> 00:21:52,479
THE ONE WHO SAID WE HAVE TO

443
00:21:52,479 --> 00:21:53,880
START BEING COMPLETELY HONEST

444
00:21:53,880 --> 00:21:55,014
WITH EACH OTHER. IF YOU CAN'T

445
00:21:55,014 --> 00:21:56,015
DO THAT NOW--

446
00:21:56,015 --> 00:21:57,917
>> SOMETHING DID HAPPEN.

447
00:21:57,917 --> 00:22:01,153
IN THE BATHROOM. THERE WAS SOME

448
00:22:01,153 --> 00:22:04,757
GUY I THOUGHT WAS FOLLOWING US.

449
00:22:04,757 --> 00:22:07,894
AND I KNOCKED HIM OUT.

450
00:22:07,894 --> 00:22:08,895
>> YOU DID WHAT?

451
00:22:08,895 --> 00:22:09,896
>> HE WAS SOME PERVERT.

452
00:22:09,896 --> 00:22:11,163
HE FOLLOWED ME TO THE BATHROOM.

453
00:22:11,163 --> 00:22:12,765
HE SAID THE WRONG THING, AND I

454
00:22:12,765 --> 00:22:14,033
MISTAKENLY THOUGHT HE WANTED TO

455
00:22:14,033 --> 00:22:17,169
HURT YOU...US. AND I KNOCKED HIM

456
00:22:17,169 --> 00:22:18,905
OUT. I DIDN'T SAY ANYTHING

457
00:22:18,905 --> 00:22:19,906
BECAUSE I DIDN'T WANT YOU TO

458
00:22:19,906 --> 00:22:20,907
OVERREACT AND THINK YOU AND

459
00:22:20,907 --> 00:22:22,041
AUSTIN WERE IN ANY KIND OF

460
00:22:22,041 --> 00:22:24,176
DANGER. WHAT HAPPENED WAS

461
00:22:24,176 --> 00:22:25,512
A COMPLETE CASE OF MISTAKEN

462
00:22:25,512 --> 00:22:26,646
IDENTITY. THAT'S ALL.

463
00:22:26,646 --> 00:22:29,649
>> I KNEW IT. I COULD FEEL

464
00:22:29,649 --> 00:22:33,520
SOMEBODY WATCHING US. HE WAITED

465
00:22:33,520 --> 00:22:35,788
UNTIL WE SEPARATED AND THEN HE

466
00:22:35,788 --> 00:22:37,189
WENT FOR YOU FIRST.

467
00:22:37,189 --> 00:22:38,190
>> BUT I TOLD YOU, HE WAS JUST

468
00:22:38,190 --> 00:22:38,825
SOME KIND OF--

469
00:22:38,825 --> 00:22:40,192
>> NO. YOU DON'T UNDERSTAND WHO

470
00:22:40,192 --> 00:22:41,661
THESE PEOPLE ARE, SEAN, HOW THEY

471
00:22:41,661 --> 00:22:44,664
OPERATE. THEY KNOW I CHANGED MY

472
00:22:44,664 --> 00:22:45,798
FACE, AND THEY WILL TRACK YOU

473
00:22:45,798 --> 00:22:47,534
DOWN FIRST TO GET TO ME AND

474
00:22:47,534 --> 00:22:48,535
AUSTIN. YOU DIDN'T OVERREACT

475
00:22:48,535 --> 00:22:49,068
AT ALL.

476
00:22:49,068 --> 00:22:50,202
>> ALL RIGHT, LET'S JUST CALM

477
00:22:50,202 --> 00:22:52,071
DOWN AND BE RATIONAL, OK?

478
00:22:52,071 --> 00:22:55,675
>> WE HAVE TO LEAVE.

479
00:22:55,675 --> 00:22:58,210
I'M SORRY.

480
00:22:58,210 --> 00:23:00,813
IT'S TOO DANGEROUS FOR US NOW.

481
00:23:00,813 --> 00:23:02,682
>> LEAVE? THAT'S IT? YOU'RE JUST

482
00:23:02,682 --> 00:23:03,816
GONNA DISAPPEAR NOW? THIS IS

483
00:23:03,816 --> 00:23:04,951
EXACTLY THE REACTION I DIDN'T

484
00:23:04,951 --> 00:23:05,818
WANT.

485
00:23:05,818 --> 00:23:06,753
>> IF WE STAY TOGETHER, WE COULD

486
00:23:06,753 --> 00:23:09,822
ALL WIND UP DEAD.

487
00:23:09,822 --> 00:23:13,826
>> WHAT IF I JOINED THE PROGRAM?

488
00:23:13,826 --> 00:23:15,562
IF WE BOTH GET NEW IDENTITIES,

489
00:23:15,562 --> 00:23:16,896
THEY'LL NEVER FIND US.

490
00:23:21,834 --> 00:23:24,571
>> YOU WOULD DO THAT?

491
00:23:24,571 --> 00:23:25,605
LEAVE EVERYTHING?

492
00:23:25,605 --> 00:23:27,774
JUST DISAPPEAR?

493
00:23:33,580 --> 00:23:35,948
>> I ALREADY HAVE, REMEMBER?

494
00:23:49,862 --> 00:23:51,731
>> I'M GONNA GO CHANGE. THEN YOU

495
00:23:51,731 --> 00:23:55,868
AND I HAVE TO HAVE A TALK.

496
00:23:55,868 --> 00:24:00,139
>> HI, SWEETIE.

497
00:24:00,139 --> 00:24:01,608
>> WHO'S IN THE LIVING ROOM?

498
00:24:01,608 --> 00:24:03,876
>> YOU DON'T RECOGNIZE HER?

499
00:24:03,876 --> 00:24:06,012
PERFECT. YOU'RE GONNA LOVE THIS.

500
00:24:06,012 --> 00:24:07,614
MS. KIMBER, COULD YOU COME INTO

501
00:24:07,614 --> 00:24:08,815
THE BEDROOM, PLEASE?

502
00:24:12,885 --> 00:24:14,754
HONEY, YOU REMEMBER COLLEEN

503
00:24:14,754 --> 00:24:18,290
EUBANKS, DON'T YOU? YOU GAVE HER

504
00:24:18,290 --> 00:24:19,892
A CONSULT YESTERDAY.

505
00:24:19,892 --> 00:24:21,293
>> AFTER OUR MEETING, I GOT

506
00:24:21,293 --> 00:24:22,294
THE FEELING YOU WEREN'T GONNA DO

507
00:24:22,294 --> 00:24:24,163
THE WORK. THEN I FIGURED, WHY

508
00:24:24,163 --> 00:24:26,165
NOT GO STRAIGHT TO THE SOURCE?

509
00:24:26,165 --> 00:24:27,166
>> WE TALKED ALL ABOUT

510
00:24:27,166 --> 00:24:28,167
THE PROBLEM WITH HER HUSBAND,

511
00:24:28,167 --> 00:24:31,638
AND I FELT SO BAD. BUT THEN I

512
00:24:31,638 --> 00:24:32,905
HAD A GREAT IDEA.

513
00:24:32,905 --> 00:24:33,773
>> AND YOU WERE RIGHT,

514
00:24:33,773 --> 00:24:34,774
BY THE WAY. SURGERY WAS WAY

515
00:24:34,774 --> 00:24:35,642
TOO EXTREME.

516
00:24:35,642 --> 00:24:36,909
>> ALL MEN REALLY WANT IS THE

517
00:24:36,909 --> 00:24:38,177
FANTASY, RIGHT. IT'S WHY THE

518
00:24:38,177 --> 00:24:40,179
DOLL WORKS. SO I THOUGHT I WOULD

519
00:24:40,179 --> 00:24:41,914
GIVE COLLEEN A FEW TIPS ON HOW

520
00:24:41,914 --> 00:24:46,919
TO BE KIMBER. LIKE THE WALK...

521
00:24:46,919 --> 00:24:49,789
THE POUTY FACE...

522
00:24:49,789 --> 00:24:51,658
HOW TO PUSH YOUR TITS UP SO--

523
00:24:51,658 --> 00:24:53,325
>> STOP IT!

524
00:24:53,325 --> 00:24:56,195
THIS IS RIDICULOUS. I'M TIRED,

525
00:24:56,195 --> 00:24:57,329
AND I NEED TO PREPARE FOR

526
00:24:57,329 --> 00:24:58,665
SURGERY. I DON'T NEED TO DEAL

527
00:24:58,665 --> 00:24:59,331
WITH ANY OF THIS FRIVOLOUS

528
00:24:59,331 --> 00:25:01,934
BULLSHIT. AND GET OUT OF MY

529
00:25:01,934 --> 00:25:03,069
APARTMENT. AND WHEN YOU GO HOME

530
00:25:03,069 --> 00:25:04,336
YOU TELL YOUR HUSBAND THAT YOU

531
00:25:04,336 --> 00:25:05,938
BOTH NEED TO GO TO THERAPY. GO.

532
00:25:05,938 --> 00:25:08,207
GO!

533
00:25:08,207 --> 00:25:11,811
[DOOR OPENS, SLAMS SHUT]

534
00:25:11,811 --> 00:25:12,812
I DON'T WANT YOU DOING THIS

535
00:25:12,812 --> 00:25:13,680
ANYMORE.

536
00:25:13,680 --> 00:25:14,814
>> YOU COULD'VE TOLD ME

537
00:25:14,814 --> 00:25:16,215
IN PRIVATE. MAYBE SPARED

538
00:25:16,215 --> 00:25:17,684
THE POOR GIRL HER FEELINGS.

539
00:25:17,684 --> 00:25:18,685
>> NO, NO, NO. I MEAN, I DON'T

540
00:25:18,685 --> 00:25:19,686
WANT YOU IN THE PORN BUSINESS

541
00:25:19,686 --> 00:25:22,088
ANYMORE. PERIOD. AND I WANT YOU

542
00:25:22,088 --> 00:25:23,690
TO STOP SELLING THOSE DOLLS.

543
00:25:23,690 --> 00:25:25,224
DO YOU REALIZE HOW MANY MEN

544
00:25:25,224 --> 00:25:27,694
ARE BONING YOU RIGHT NOW? I WENT

545
00:25:27,694 --> 00:25:28,695
ONLINE. HUNDREDS OF THOSE THINGS

546
00:25:28,695 --> 00:25:29,696
HAVE BEEN SOLD.

547
00:25:29,696 --> 00:25:33,099
>> 1,238. EACH SALE IS $8,000

548
00:25:33,099 --> 00:25:34,834
IN MY POCKET, BY THE WAY.

549
00:25:34,834 --> 00:25:36,102
>> WELL, NOW WE'RE GETTING

550
00:25:36,102 --> 00:25:37,103
MARRIED, YOU DON'T NEED

551
00:25:37,103 --> 00:25:37,970
THE MONEY.

552
00:25:37,970 --> 00:25:38,971
>> BUT IT'S NOT ABOUT THE MONEY,

553
00:25:38,971 --> 00:25:41,708
CHRISTIAN. THIS--THIS IS ABOUT

554
00:25:41,708 --> 00:25:42,709
MY CAREER.

555
00:25:42,709 --> 00:25:45,377
>> [SCOFFS] HOW WOULD YOU FEEL

556
00:25:45,377 --> 00:25:47,113
IF I TOOK A MOLD OF MY COCK,

557
00:25:47,113 --> 00:25:48,715
PASSED IT AROUND SOUTH BEACH

558
00:25:48,715 --> 00:25:51,317
AND CALLED IT A CAREER?

559
00:25:51,317 --> 00:25:53,019
>> IF YOU THOUGHT IT WAS A SOLID

560
00:25:53,019 --> 00:25:54,286
BUSINESS VENTURE, I WOULD LET

561
00:25:54,286 --> 00:25:55,254
YOU.

562
00:25:55,254 --> 00:25:58,124
>> NOW YOU'RE JUST FULL OF SHIT.

563
00:25:58,124 --> 00:25:59,258
>> WELL, AT LEAST I WOULDN'T BE

564
00:25:59,258 --> 00:26:03,295
SO UPTIGHT ABOUT IT. AND I WOULD

565
00:26:03,295 --> 00:26:04,764
STILL LOVE YOU.

566
00:26:04,764 --> 00:26:06,833
>> KNOWING THAT ALL THOSE OTHER

567
00:26:06,833 --> 00:26:08,701
WOMEN ARE GETTING OFF BECAUSE OF

568
00:26:08,701 --> 00:26:10,369
ME WOULDN'T BOTHER YOU?

569
00:26:10,369 --> 00:26:11,337
>> I WOULDN'T HAVE A PROBLEM

570
00:26:11,337 --> 00:26:15,407
WITH WOMEN OBJECTIFYING YOU.

571
00:26:15,407 --> 00:26:16,308
>> PLEASE.

572
00:26:16,308 --> 00:26:17,744
>> WHAT MATTERS TO ME IS THAT

573
00:26:17,744 --> 00:26:19,679
I SEE YOU FOR WHO YOU ARE.

574
00:26:19,679 --> 00:26:21,147
I THINK THE PROBLEM HERE IS THAT

575
00:26:21,147 --> 00:26:23,382
YOU DON'T SEE ME. I'M NOT

576
00:26:23,382 --> 00:26:25,284
A DOLL, CHRISTIAN. I'M NOT GONNA

577
00:26:25,284 --> 00:26:26,285
LET YOU TREAT ME LIKE ONE

578
00:26:26,285 --> 00:26:27,019
EITHER.

579
00:26:27,019 --> 00:26:27,920
>> WELL, I'M NOT SPENDING

580
00:26:27,920 --> 00:26:28,888
THE REST OF MY LIFE MARRIED

581
00:26:28,888 --> 00:26:30,056
TO A PORN STAR!

582
00:26:30,056 --> 00:26:33,159
>> WELL, NO ONE IS FORCING YOU.

583
00:26:33,159 --> 00:26:34,426
>> GIVE UP THE PORN BUSINESS

584
00:26:34,426 --> 00:26:35,962
OR GIVE UP THE WEDDING.

585
00:26:35,962 --> 00:26:37,964
YOUR CHOICE.

586
00:26:40,166 --> 00:26:41,233
>> NICE.

587
00:26:57,149 --> 00:26:59,151
>> I THINK THAT'S IT FOR THE DEN

588
00:26:59,151 --> 00:27:02,421
IF YOU WANT TO SEAL THAT BOX UP.

589
00:27:02,421 --> 00:27:04,023
>> WE TOOK THIS ON ANNIE'S

590
00:27:04,023 --> 00:27:05,424
BIRTHDAY LAST YEAR.

591
00:27:05,424 --> 00:27:06,425
>> YOU HAVE A BEAUTIFUL

592
00:27:06,425 --> 00:27:08,427
DAUGHTER. HOW OLD?

593
00:27:08,427 --> 00:27:11,297
>> 9. JULIA AND I PLANNED THIS

594
00:27:11,297 --> 00:27:13,299
BIG SURPRISE PARTY THAT YEAR.

595
00:27:13,299 --> 00:27:15,034
WE ALWAYS LOVED PLANNING PARTIES

596
00:27:15,034 --> 00:27:18,304
FOR THE KIDS.

597
00:27:18,304 --> 00:27:19,438
>> ARE YOU SURE YOU'RE READY TO

598
00:27:19,438 --> 00:27:21,774
DO THIS, SEAN?

599
00:27:21,774 --> 00:27:24,911
>> ABSOLUTELY.

600
00:27:24,911 --> 00:27:26,312
GO GET THE TAPE AND I'LL SEAL

601
00:27:26,312 --> 00:27:27,714
THIS ONE UP.

602
00:27:44,063 --> 00:27:45,164
>> YOU WEREN'T ANSWERING YOUR

603
00:27:45,164 --> 00:27:46,065
PHONE. I COULDN'T TAKE THE

604
00:27:46,065 --> 00:27:47,066
CHANCE THAT YOU WERE AVOIDING

605
00:27:47,066 --> 00:27:48,735
MY CALLS.

606
00:27:52,338 --> 00:27:53,806
LEAVING AGAIN ALREADY?

607
00:27:53,806 --> 00:27:55,207
WHERE TO THIS TIME?

608
00:27:55,207 --> 00:27:57,744
>> NOT SURE YET.

609
00:28:00,813 --> 00:28:02,481
>> ALONE?

610
00:28:02,481 --> 00:28:03,816
>> I WAS GOING TO CALL YOU.

611
00:28:03,816 --> 00:28:04,951
I'VE JUST BEEN BUSY PACKING

612
00:28:04,951 --> 00:28:05,484
AND I...

613
00:28:05,484 --> 00:28:07,820
>> YOU CAN'T LEAVE JUST YET.

614
00:28:07,820 --> 00:28:09,088
I NEED YOU IN SURGERY.

615
00:28:09,088 --> 00:28:11,357
RIGHT NOW.

616
00:28:11,357 --> 00:28:13,359
>> McNAMARA/TROY ISN'T MY LIFE

617
00:28:13,359 --> 00:28:15,227
ANYMORE. I CAN'T JUST RUN INTO

618
00:28:15,227 --> 00:28:17,096
SURGERY AND ASSIST. I'M IN THE

619
00:28:17,096 --> 00:28:18,230
MIDDLE OF PACKING UP MY HOME.

620
00:28:18,230 --> 00:28:19,231
>> AND QUENTIN AND I ARE IN THE

621
00:28:19,231 --> 00:28:21,167
MIDDLE OF A FACIAL TRANSPLANT.

622
00:28:23,836 --> 00:28:25,371
WE ALREADY REMOVED THE DONOR

623
00:28:25,371 --> 00:28:27,106
TISSUE. WE'RE OPERATING IN LESS

624
00:28:27,106 --> 00:28:28,240
THAN AN HOUR.

625
00:28:28,240 --> 00:28:29,375
>> HOW DID YOU GET INVOLVED IN

626
00:28:29,375 --> 00:28:30,843
AN ALLOTRANSPLANTATION?

627
00:28:30,843 --> 00:28:32,378
>> I'LL EXPLAIN ON THE WAY.

628
00:28:32,378 --> 00:28:34,180
WE DON'T HAVE MUCH TIME.

629
00:28:39,118 --> 00:28:40,252
COME ON, SEAN. I'M NOT ASKING

630
00:28:40,252 --> 00:28:41,854
YOU TO REJOIN THE PRACTICE,

631
00:28:41,854 --> 00:28:42,989
FOR CHRIST'S SAKE.

632
00:28:42,989 --> 00:28:44,523
>> I KNOW THIS IS HARD FOR YOU,

633
00:28:44,523 --> 00:28:46,525
CHRISTIAN. I'VE BEEN EITHER AT

634
00:28:46,525 --> 00:28:47,994
YOUR SIDE OR IN THE NEXT ROOM

635
00:28:47,994 --> 00:28:49,862
FOR EVERY ONE OF YOUR SURGERIES,

636
00:28:49,862 --> 00:28:51,530
BUT YOU NEED TO GET USED TO

637
00:28:51,530 --> 00:28:52,999
HAVING AN IDENTITY AS A DOCTOR

638
00:28:52,999 --> 00:28:55,001
WITHOUT ME. QUENTIN IS

639
00:28:55,001 --> 00:28:56,535
COMPLETELY CAPABLE. MORE CAPABLE

640
00:28:56,535 --> 00:28:57,870
THAN I AM FOR THIS SURGERY,

641
00:28:57,870 --> 00:28:58,871
AS A MATTER OF FACT.

642
00:28:58,871 --> 00:29:02,008
>> QUENTIN IS ON DRUGS.

643
00:29:02,008 --> 00:29:03,009
HE WAS HIGH THE WHOLE WAY

644
00:29:03,009 --> 00:29:04,276
THROUGH THE FIRST SURGERY.

645
00:29:04,276 --> 00:29:06,412
HE WAS JUMPY, SWEATING BULLETS.

646
00:29:06,412 --> 00:29:08,014
>> MAYBE HE WAS JUST NERVOUS.

647
00:29:08,014 --> 00:29:09,548
>> [SIGHS] I'VE DONE A LOT OF

648
00:29:09,548 --> 00:29:11,884
BLOW IN MY DAY, SEAN. I KNOW THE

649
00:29:11,884 --> 00:29:13,285
SYMPTOMS WHEN SOMEBODY'S DOING

650
00:29:13,285 --> 00:29:17,556
TOO MUCH.

651
00:29:17,556 --> 00:29:20,893
OK, LOOK. THIS ISN'T ABOUT ME.

652
00:29:20,893 --> 00:29:23,162
IT'S ABOUT A PATIENT. A YOUNG

653
00:29:23,162 --> 00:29:25,297
GIRL. SHE DESERVES TO BE MORE

654
00:29:25,297 --> 00:29:27,900
THAN JUST A FAILED EGO-DRIVEN

655
00:29:27,900 --> 00:29:29,168
EXPERIMENT WRITTEN UP IN MEDICAL

656
00:29:29,168 --> 00:29:32,171
JOURNALS. YOU HAVE A DAUGHTER.

657
00:29:32,171 --> 00:29:33,572
THINK OF IT FROM HER MOTHER'S

658
00:29:33,572 --> 00:29:35,107
PERSPECTIVE.

659
00:29:44,917 --> 00:29:46,518
YOU COMING OR WHAT?

660
00:30:08,307 --> 00:30:10,242
>> NOW WHAT ARE YOU DOING HERE?

661
00:30:10,242 --> 00:30:12,444
>> I ASKED HIM TO ASSIST.

662
00:30:12,444 --> 00:30:14,046
SEAN HAS THE MOST EXPERIENCE

663
00:30:14,046 --> 00:30:15,447
WHEN IT COMES TO MICRO-VASCULAR

664
00:30:15,447 --> 00:30:17,917
ANASTOMOSIS. WE REALLY SHOULD

665
00:30:17,917 --> 00:30:19,318
NEVER HAVE ATTEMPTED THIS

666
00:30:19,318 --> 00:30:20,186
WITHOUT HIM.

667
00:30:20,186 --> 00:30:23,322
>> THIS IS A JOKE, RIGHT?

668
00:30:23,322 --> 00:30:25,324
WELL, I APPRECIATE THE VOTE OF

669
00:30:25,324 --> 00:30:27,459
CONFIDENCE, CHRISTIAN, BUT I

670
00:30:27,459 --> 00:30:29,061
TOLD YOU, I AM NOT GONNA LET

671
00:30:29,061 --> 00:30:30,196
ANYONE STEP IN AND FINISH

672
00:30:30,196 --> 00:30:31,197
WHAT I STARTED.

673
00:30:31,197 --> 00:30:32,064
>> I DON'T HAVE TO ASK

674
00:30:32,064 --> 00:30:33,199
PERMISSION, QUENTIN. THIS IS

675
00:30:33,199 --> 00:30:34,200
STILL MY PRACTICE.

676
00:30:34,200 --> 00:30:35,334
>> THAT I'VE BEEN RUNNING WHILE

677
00:30:35,334 --> 00:30:37,203
YOU'VE BEEN AWOL. DON'T EVEN TRY

678
00:30:37,203 --> 00:30:38,470
PULLING RANK ON ME, SEAN.

679
00:30:38,470 --> 00:30:39,471
>> WE'RE NOT GONNA ARGUE WITH

680
00:30:39,471 --> 00:30:41,607
YOU, QUENTIN. WE'RE DOING WHAT'S

681
00:30:41,607 --> 00:30:45,611
BEST FOR THE PATIENT.

682
00:30:45,611 --> 00:30:47,213
>> THINGS WENT SO WELL EARLIER,

683
00:30:47,213 --> 00:30:48,214
WHY ARE YOU TRYING TO BLOW THIS

684
00:30:48,214 --> 00:30:48,948
NOW?

685
00:30:48,948 --> 00:30:50,082
>> SPEAKING OF BLOW, WHY WERE

686
00:30:50,082 --> 00:30:52,218
YOU SO JUMPY THIS AFTERNOON?

687
00:30:52,218 --> 00:30:54,954
>> WHAT ARE YOU TALKING ABOUT?

688
00:30:54,954 --> 00:30:56,488
>> I KNOW WHAT COCAINE ABUSE

689
00:30:56,488 --> 00:30:58,624
LOOKS LIKE. YOU'RE NOT FOOLING

690
00:30:58,624 --> 00:30:59,491
ANYONE.

691
00:30:59,491 --> 00:31:00,960
>> AND IF ANYONE FOUND OUT,

692
00:31:00,960 --> 00:31:01,928
YOU'D NOT ONLY LOSE YOUR

693
00:31:01,928 --> 00:31:02,628
LICENSE, WE'D GET SUED FOR

694
00:31:02,628 --> 00:31:03,629
NEGLIGENCE. YOU COULD

695
00:31:03,629 --> 00:31:04,630
SINGLE-HANDEDLY DESTROY WHAT'S

696
00:31:04,630 --> 00:31:07,233
LEFT OF THIS PRACTICE.

697
00:31:07,233 --> 00:31:09,501
>> I SEE. YEAH, I SEE WHAT'S

698
00:31:09,501 --> 00:31:11,971
GOING ON HERE. I BRING IN A

699
00:31:11,971 --> 00:31:13,239
SURGICAL PROCEDURE THAT CAN

700
00:31:13,239 --> 00:31:14,506
RE-INVENT THIS PRACTICE IN AN

701
00:31:14,506 --> 00:31:16,375
UNPRECEDENTED WAY AND YOU GUYS

702
00:31:16,375 --> 00:31:17,643
FIGURE WHY NOT MALIGN MY

703
00:31:17,643 --> 00:31:18,644
REPUTATION AND TAKE ALL THE

704
00:31:18,644 --> 00:31:20,046
CREDIT FOR YOURSELF, IS THAT IT?

705
00:31:20,046 --> 00:31:21,113
THAT'S BULLSHIT, AND IT'S NOT

706
00:31:21,113 --> 00:31:21,647
GONNA WORK.

707
00:31:21,647 --> 00:31:23,182
>> BULLSHIT?

708
00:31:28,654 --> 00:31:30,656
YOUR PUPILS ARE DILATED.

709
00:31:30,656 --> 00:31:32,658
HOLD OUT YOUR HAND.

710
00:31:32,658 --> 00:31:34,260
>> SO YOU CAN SMACK IT.

711
00:31:34,260 --> 00:31:35,661
>> SO I CAN SEE IF IT'S SHAKY.

712
00:31:35,661 --> 00:31:36,996
Liz: SHE'S BEEN UNDER FOR ALMOST

713
00:31:36,996 --> 00:31:38,264
HALF AN HOUR, GUYS. CAN YOU

714
00:31:38,264 --> 00:31:41,400
HURRY IT UP?

715
00:31:41,400 --> 00:31:43,535
>> YOU HAVE 2 CHOICES, QUENTIN.

716
00:31:43,535 --> 00:31:45,004
YOU CAN EITHER LEAVE AND READ

717
00:31:45,004 --> 00:31:46,005
ABOUT THE SURGERY IN THE PAPER

718
00:31:46,005 --> 00:31:47,673
TOMORROW WITH EVERYONE ELSE,

719
00:31:47,673 --> 00:31:49,141
OR YOU CAN COME IN THERE AND

720
00:31:49,141 --> 00:31:50,476
ASSIST.

721
00:31:55,681 --> 00:31:57,016
>> WE'LL EVEN LET YOU PICK OUT

722
00:31:57,016 --> 00:31:58,217
THE MUSIC.

723
00:32:30,316 --> 00:32:31,517
>> SUPERFICIAL TEMPORAL VESSELS

724
00:32:31,517 --> 00:32:34,053
LOOK TRASHED. LET'S START WITH

725
00:32:34,053 --> 00:32:35,454
THE EXTERNAL CAROTID. EXPOSE

726
00:32:35,454 --> 00:32:37,523
THOSE FIRST. MICROSCOPE.

727
00:32:49,335 --> 00:32:51,737
Sean: 15 BLADE.

728
00:32:51,737 --> 00:32:54,073
Christian: SCISSORS.

729
00:32:54,073 --> 00:32:55,074
SEAN, JUST GOT TO ADJUST

730
00:32:55,074 --> 00:32:56,275
THIS THING.

731
00:33:11,090 --> 00:33:14,226
Sean: CLAMP. YOU GOOD?

732
00:33:14,226 --> 00:33:15,227
>> MM-HMM.

733
00:33:15,227 --> 00:33:16,562
>> TAKE THE MICROSCOPE OUT.

734
00:33:24,236 --> 00:33:25,571
>> THANK YOU, NURSE.

735
00:33:43,255 --> 00:33:45,791
>> [SIGHS] LET'S TIE IN

736
00:33:45,791 --> 00:33:47,593
THE MITEK SCREWS.

737
00:34:10,682 --> 00:34:11,817
YOU GOOD?

738
00:34:11,817 --> 00:34:13,619
>> YEP.

739
00:34:54,193 --> 00:34:55,461
Quentin: THE FLAP FITS

740
00:34:55,461 --> 00:34:56,728
PERFECTLY.

741
00:34:56,728 --> 00:34:58,597
>> IT'S STILL NOT A FACE UNTIL

742
00:34:58,597 --> 00:34:59,731
YOU HAVE SOME STRUCTURE BEHIND

743
00:34:59,731 --> 00:35:02,401
IT. BRING THE MICROSCOPE.

744
00:35:31,497 --> 00:35:33,232
Sean: GLUE.

745
00:35:33,232 --> 00:35:34,433
Christian: GLUE.

746
00:36:09,535 --> 00:36:10,669
>> LET'S PUT A LIGHT BANDAGE ON

747
00:36:10,669 --> 00:36:12,404
HER, NO PRESSURE. THE NEXT 24

748
00:36:12,404 --> 00:36:14,473
HOURS ARE THE MOST CRITICAL.

749
00:36:17,943 --> 00:36:19,411
>> WHY DON'T YOU GO HOME, TAKE

750
00:36:19,411 --> 00:36:20,546
A SHOWER? WE'LL CALL YOU IF

751
00:36:20,546 --> 00:36:22,481
THERE'S ANY CHANGE.

752
00:36:37,829 --> 00:36:40,299
UHH!

753
00:36:40,299 --> 00:36:41,833
THAT WAS EXHAUSTING.

754
00:36:41,833 --> 00:36:42,701
>> SCARY.

755
00:36:42,701 --> 00:36:43,835
>> TEDIOUS.

756
00:36:43,835 --> 00:36:44,903
>> THAT'S THE MOST FUN I'VE HAD

757
00:36:44,903 --> 00:36:47,573
IN YEARS.

758
00:36:47,573 --> 00:36:51,577
[BOTH LAUGHING]

759
00:36:51,577 --> 00:36:52,578
>> LIZ.

760
00:36:52,578 --> 00:36:53,579
>> YEAH?

761
00:36:53,579 --> 00:36:55,447
>> IT'S GOOD TO SEE YOU AGAIN.

762
00:36:55,447 --> 00:36:56,915
>> GOOD TO SEE YOU.

763
00:37:01,853 --> 00:37:03,522
>> THANK YOU, LIZ.

764
00:37:10,329 --> 00:37:12,598
AND THANK YOU, BY THE WAY.

765
00:37:12,598 --> 00:37:13,732
I COULDN'T HAVE DONE IT

766
00:37:13,732 --> 00:37:16,602
WITHOUT YOU.

767
00:37:16,602 --> 00:37:17,869
YOU'RE NOT REALLY LEAVING ME

768
00:37:17,869 --> 00:37:19,605
AGAIN, ARE YOU? STICKING ME

769
00:37:19,605 --> 00:37:22,608
WITH QUENTIN?

770
00:37:22,608 --> 00:37:23,742
YOU KNOW I CAN'T RUN THIS

771
00:37:23,742 --> 00:37:25,877
PRACTICE WITH HIM NOW.

772
00:37:25,877 --> 00:37:27,346
>> I GUESS YOU'LL HAVE TO

773
00:37:27,346 --> 00:37:29,281
FIND A WAY.

774
00:37:39,458 --> 00:37:45,631
[KNOCK ON DOOR]

775
00:37:45,631 --> 00:37:50,802
>> I'M COMING.

776
00:37:50,802 --> 00:37:56,542
>> HI. CAN I COME IN?

777
00:37:56,542 --> 00:37:58,444
>> NOPE.

778
00:37:58,444 --> 00:37:59,411
>> OH, I'M SORRY. IS SHE NOT

779
00:37:59,411 --> 00:38:00,812
HERE YET? I THOUGHT

780
00:38:00,812 --> 00:38:01,880
OUR APPOINTMENT WAS AT 9:00,

781
00:38:01,880 --> 00:38:03,949
BUT MAYBE SHE DID SAY 10:00.

782
00:38:03,949 --> 00:38:07,819
I'LL CALL HER RIGHT NOW.

783
00:38:07,819 --> 00:38:13,392
>> YOU KNOW WHAT? DON'T BOTHER.

784
00:38:13,392 --> 00:38:16,027
WHY DON'T YOU JUST COME IN?

785
00:38:16,027 --> 00:38:24,803
SHE SHOULD BE BACK SOON.

786
00:38:24,803 --> 00:38:26,438
>> I'M SORRY ABOUT WHAT

787
00:38:26,438 --> 00:38:28,440
HAPPENED YESTERDAY. KIMBER TOLD

788
00:38:28,440 --> 00:38:29,641
ME HOW STRESSFUL YOUR JOB CAN

789
00:38:29,641 --> 00:38:31,843
BE. AND I COMPLETELY UNDERSTOOD

790
00:38:31,843 --> 00:38:34,646
WHY YOU BLEW UP. IT'S EXCITING,

791
00:38:34,646 --> 00:38:35,747
THOUGH, ISN'T IT?

792
00:38:35,747 --> 00:38:36,715
>> I'M TELLING ALL MY

793
00:38:36,715 --> 00:38:37,716
GIRLFRIENDS ABOUT OUR WORKSHOPS

794
00:38:37,716 --> 00:38:40,452
NOW.

795
00:38:40,452 --> 00:38:41,787
>> WORKSHOPS?

796
00:38:41,787 --> 00:38:43,389
>> YEAH. BRING OUT THE PORN

797
00:38:43,389 --> 00:38:45,591
STAR IN YOU? IT'S SUCH A GREAT

798
00:38:45,591 --> 00:38:47,593
IDEA. VERY EMPOWERING FOR

799
00:38:47,593 --> 00:38:48,994
WOMEN, I THINK.

800
00:38:48,994 --> 00:38:54,800
>> YOU KNOW, I WAS IN SURGERY

801
00:38:54,800 --> 00:38:56,735
ALL NIGHT. I'M A LITTLE OUT OF

802
00:38:56,735 --> 00:38:57,869
THE LOOP.

803
00:38:57,869 --> 00:38:58,904
>> OH, MAYBE SHE MEANT IT AS A

804
00:38:58,904 --> 00:39:00,171
SURPRISE. I SHOULD HAVE--

805
00:39:00,171 --> 00:39:01,139
>> NO, NO, NO, NO. SHE

806
00:39:01,139 --> 00:39:03,509
MENTIONED IT BEFORE. I JUST

807
00:39:03,509 --> 00:39:06,678
WASN'T LISTENING. TELL ME.

808
00:39:06,678 --> 00:39:08,079
>> WELL, KIMBER THOUGHT SHE'D

809
00:39:08,079 --> 00:39:09,415
SELL THE PROGRAM IN TANDEM WITH

810
00:39:09,415 --> 00:39:10,949
THE DOLL. WOMEN COULD SIGN UP

811
00:39:10,949 --> 00:39:12,150
FOR THESE WEEKEND WORKSHOPS AND

812
00:39:12,150 --> 00:39:13,151
LEARN ALL ABOUT HOW TO BE A

813
00:39:13,151 --> 00:39:15,153
PORN STAR IN THE BEDROOM. IT'S

814
00:39:15,153 --> 00:39:16,655
A GREAT WAY TO SPICE UP A

815
00:39:16,655 --> 00:39:18,123
MARRIAGE, DON'T YOU THINK?

816
00:39:18,123 --> 00:39:24,496
>> DEFINITELY. AND I THINK IT'S

817
00:39:24,496 --> 00:39:26,632
A GREAT IDEA IF I'M THERE TO

818
00:39:26,632 --> 00:39:32,671
GIVE SOME TIPS, AS WELL. YOU

819
00:39:32,671 --> 00:39:34,506
SAID IT YOURSELF. NOBODY KNOWS

820
00:39:34,506 --> 00:39:36,074
KIMBER BETTER THAN THE MAN WHO

821
00:39:36,074 --> 00:39:37,976
SLEEPS WITH THE ORIGINAL.

822
00:39:37,976 --> 00:39:42,981
RIGHT? SO, WHY DON'T YOU SHOW

823
00:39:42,981 --> 00:39:47,519
ME WHAT YOU'VE LEARNED SO FAR?

824
00:39:47,519 --> 00:39:50,055
>> COLLEEN, SWEETHEART, IF YOU

825
00:39:50,055 --> 00:39:52,057
WANNA BE LIKE KIMBER, YOU CAN'T

826
00:39:52,057 --> 00:39:54,392
BE SHY.

827
00:40:16,848 --> 00:40:20,218
>> HEY, BABY. SEE ANYTHING YOU

828
00:40:20,218 --> 00:40:23,655
LIKE?

829
00:40:23,655 --> 00:40:27,859
>> WOW. IF I DIDN'T KNOW ANY

830
00:40:27,859 --> 00:40:30,095
BETTER, I'D THINK YOU WERE

831
00:40:30,095 --> 00:40:30,962
KIMBER.

832
00:40:30,962 --> 00:40:32,498
>> REALLY?

833
00:40:38,570 --> 00:40:40,572
>> YOU CERTAINLY FOOLED ME.

834
00:40:40,572 --> 00:40:42,508
>> OH.

835
00:40:51,182 --> 00:40:53,852
>> DO I KISS LIKE HER, TOO?

836
00:40:53,852 --> 00:40:55,654
>> BETTER.

837
00:41:06,264 --> 00:41:07,999
NOW LET'S SEE HOW YOU TASTE.

838
00:41:07,999 --> 00:41:16,808
[MOANS]

839
00:41:29,555 --> 00:41:31,156
>> I FIGURED I'D PUT THE HOUSE

840
00:41:31,156 --> 00:41:32,791
ON THE MARKET ONCE WE SETTLE IN

841
00:41:32,791 --> 00:41:33,859
THE NEW LOCATION.

842
00:41:33,859 --> 00:41:35,827
>> PACKING IS PRETTY MUCH DONE.

843
00:41:35,827 --> 00:41:36,928
WE SHOULD BE READY TO LEAVE IN

844
00:41:36,928 --> 00:41:38,296
A DAY OR SO.

845
00:41:38,296 --> 00:41:40,231
>> GOOD. FOR NOW. I WAS HOPING

846
00:41:40,231 --> 00:41:42,768
YOU COULD HELP ME GET A NEW

847
00:41:42,768 --> 00:41:44,302
DRIVER'S LICENSE.

848
00:41:44,302 --> 00:41:48,640
>> NICOLE. COULD YOU EXCUSE

849
00:41:48,640 --> 00:41:51,176
SEAN AND ME FOR A MOMENT? SOME

850
00:41:51,176 --> 00:41:53,311
SECURITY QUESTION I NEED FOR

851
00:41:53,311 --> 00:41:55,246
HIM TO ANSWER.

852
00:42:10,095 --> 00:42:15,967
>> CAN I SEE YOUR HANDS?

853
00:42:15,967 --> 00:42:20,171
ARE YOU REALLY SERIOUS ABOUT

854
00:42:20,171 --> 00:42:21,940
THIS, SEAN? ABOUT JOINING THE

855
00:42:21,940 --> 00:42:24,309
PROGRAM? BECAUSE ONCE I START

856
00:42:24,309 --> 00:42:25,944
THE BALL ROLLING, THERE WON'T

857
00:42:25,944 --> 00:42:27,212
BE ANY GOING BACK TO YOUR OLD

858
00:42:27,212 --> 00:42:28,079
LIFE.

859
00:42:28,079 --> 00:42:31,783
>> I UNDERSTAND THAT.

860
00:42:31,783 --> 00:42:34,152
>> SO YOU UNDERSTAND THAT IF

861
00:42:34,152 --> 00:42:36,622
YOU GO ON THE RUN WITH NIKKI,

862
00:42:36,622 --> 00:42:38,957
YOU WILL HAVE MADE THE SAME

863
00:42:38,957 --> 00:42:40,926
ENEMY SHE HAS.

864
00:42:40,926 --> 00:42:42,728
>> JUST TELL ME WHAT I HAVE TO

865
00:42:42,728 --> 00:42:44,295
DO.

866
00:42:44,295 --> 00:42:48,099
>> ALL RIGHT. WELL, FIRST THING

867
00:42:48,099 --> 00:42:49,100
WE HAVE TO DO IS GET RID OF

868
00:42:49,100 --> 00:42:51,236
YOUR FINGERPRINTS. THIS IS A

869
00:42:51,236 --> 00:42:54,005
DILUTED FORM OF SULFURIC ACID.

870
00:42:54,005 --> 00:42:56,675
IT MIGHT STING A BIT.

871
00:43:12,257 --> 00:43:14,860
>> WHY IS THIS NECESSARY?

872
00:43:14,860 --> 00:43:16,327
>> A NEW IDENTITY ISN'T JUST

873
00:43:16,327 --> 00:43:18,797
CHANGING A DRIVER'S LICENSE.

874
00:43:18,797 --> 00:43:21,833
IT'S ABOUT DEATH, KILLING

875
00:43:21,833 --> 00:43:24,269
WHAT'S LEFT OF THE OLD YOU.

876
00:43:24,269 --> 00:43:26,137
FINGERPRINTS ARE THE MOST

877
00:43:26,137 --> 00:43:27,739
UNIQUE CHARACTERISTIC EVERYONE

878
00:43:27,739 --> 00:43:29,741
HAS. IN ORDER TO TRULY

879
00:43:29,741 --> 00:43:31,777
DISAPPEAR, YOU'LL HAVE TO LOSE

880
00:43:31,777 --> 00:43:35,681
YOURS, OR RISK LEAVING A TRAIL.

881
00:43:44,690 --> 00:43:47,826
>> WAIT. I CAN'T DO THIS. I'M A

882
00:43:47,826 --> 00:43:48,860
SURGEON. I NEED MY HANDS TO

883
00:43:48,860 --> 00:43:51,296
WORK. IF SOMETHING GOES WRONG-

884
00:43:51,296 --> 00:43:52,297
>> YOU CAN'T BE A SURGEON

885
00:43:52,297 --> 00:43:54,032
ANYMORE, SEAN. YOU'LL HAVE TO

886
00:43:54,032 --> 00:43:55,400
GIVE THAT UP, TOO.

887
00:43:55,400 --> 00:43:56,267
>> WHY CAN'T I PRACTICE

888
00:43:56,267 --> 00:43:57,435
MEDICINE?

889
00:43:57,435 --> 00:43:59,037
>> YOU USE YOUR MEDICAL LICENSE

890
00:43:59,037 --> 00:44:00,972
TO GET A JOB, YOU LEAVE

891
00:44:00,972 --> 00:44:02,173
ANOTHER TRAIL. IT'S TOO

892
00:44:02,173 --> 00:44:03,842
DANGEROUS.

893
00:44:03,842 --> 00:44:05,844
>> WHAT AM I SUPPOSED TO DO?

894
00:44:05,844 --> 00:44:06,778
I'M NOT TRAINED FOR ANYTHING

895
00:44:06,778 --> 00:44:07,846
ELSE.

896
00:44:07,846 --> 00:44:10,015
>> THERE'S ALWAYS A CAR

897
00:44:10,015 --> 00:44:12,317
SALESMAN, U.P.S. DELIVERY MAN,

898
00:44:12,317 --> 00:44:14,019
ENTRY-LEVEL STUFF.

899
00:44:14,019 --> 00:44:14,953
>> WELL, I CAN'T SUPPORT A

900
00:44:14,953 --> 00:44:16,287
FAMILY ON THAT KIND OF PAY CUT.

901
00:44:16,287 --> 00:44:17,923
>> YOUR FAMILY ISN'T THERE FOR

902
00:44:17,923 --> 00:44:21,092
YOU ANYMORE, SEAN. YOU GET BACK

903
00:44:21,092 --> 00:44:22,728
IN TOUCH WITH THEM, EVEN

904
00:44:22,728 --> 00:44:24,395
SENDING THE MONEY ANONYMOUSLY,

905
00:44:24,395 --> 00:44:26,464
YOU LEAVE ANOTHER TRAIL. YOU'LL

906
00:44:26,464 --> 00:44:32,303
BE PUTTING EVERYONE AT RISK.

907
00:44:32,303 --> 00:44:36,274
>> I CAN NEVER SEE ANY OF THEM

908
00:44:36,274 --> 00:44:37,776
AGAIN?

909
00:44:37,776 --> 00:44:41,312
>> IF YOU WANNA DO WHAT'S BEST

910
00:44:41,312 --> 00:44:43,815
FOR YOU AND NIKKI, YOU'RE GONNA

911
00:44:43,815 --> 00:44:45,450
HAVE TO SAY GOOD-BYE TO

912
00:44:45,450 --> 00:44:49,254
SOMEBODY FOREVER.

913
00:46:05,330 --> 00:46:07,999
[CRYING]

914
00:46:07,999 --> 00:46:09,868
>> MY BABY.

915
00:46:25,483 --> 00:46:27,986
>> BLOOD FLOW SEEMS STRONG.

916
00:46:27,986 --> 00:46:35,560
THERE'S NO SIGN OF INFECTION.

917
00:46:35,560 --> 00:46:41,066
WE'RE STABLE.

918
00:46:52,643 --> 00:46:56,014
>> MS. MANNING, I DON'T THINK

919
00:46:56,014 --> 00:46:58,249
NOW IS THE BEST TIME.

920
00:46:58,249 --> 00:47:03,521
>> NO, PLEASE. LET HER COME IN.

921
00:47:03,521 --> 00:47:07,058
THIS IS HER DAUGHTER, TOO.

922
00:47:22,640 --> 00:47:31,449
>> WE DID IT. THANK YOU.

923
00:47:31,449 --> 00:47:33,351
THANK YOU.

924
00:47:55,573 --> 00:47:56,975
>> I TRIED THE FRONT DOOR, BUT

925
00:47:56,975 --> 00:47:58,043
NOBODY ANSWERED.

926
00:47:58,043 --> 00:47:59,010
>> OH, I JUST GOT OUT OF THE

927
00:47:59,010 --> 00:48:00,378
SHOWER. I'M RUNNING LATE FOR

928
00:48:00,378 --> 00:48:02,713
WORK. WHAT ARE YOU DOING HERE?

929
00:48:02,713 --> 00:48:08,486
>> JUST CAME BY TO SEE HOW YOU

930
00:48:08,486 --> 00:48:10,388
WERE DOING.

931
00:48:10,388 --> 00:48:13,291
>> OH, UM, COFFEE?

932
00:48:22,333 --> 00:48:25,003
>> HOW DOES THIS LOOK? MY

933
00:48:25,003 --> 00:48:27,005
OUTFIT. IT'S NEW.

934
00:48:27,005 --> 00:48:29,740
>> IT LOOKS GREAT.

935
00:48:29,740 --> 00:48:31,576
>> I SPENT WAY TOO MUCH MONEY

936
00:48:31,576 --> 00:48:35,146
ON IT.

937
00:48:35,146 --> 00:48:36,747
>> BUSINESS MUST BE GOING GOOD

938
00:48:36,747 --> 00:48:38,049
THEN.

939
00:48:38,049 --> 00:48:39,517
>> OH, IT COULDN'T BE BETTER.

940
00:48:39,517 --> 00:48:42,087
ACTUALLY, I LEARNED A LOT FROM

941
00:48:42,087 --> 00:48:43,989
YOU, ABOUT HOW RUN A TIGHT

942
00:48:43,989 --> 00:48:45,523
SHIP. YOU WERE ALWAYS GOOD AT

943
00:48:45,523 --> 00:48:48,626
THAT.

944
00:48:48,626 --> 00:48:54,665
>> IS ANNIE STILL HERE?

945
00:48:54,665 --> 00:48:56,567
>> NO. MATT TOOK HER TO

946
00:48:56,567 --> 00:49:01,072
REHEARSAL. SHE HAS THAT SOLO

947
00:49:01,072 --> 00:49:05,376
IN THE SCHOOL MUSICAL, REMEMBER?

948
00:49:05,376 --> 00:49:08,246
SHE'S BEEN PRACTICING FOR

949
00:49:08,246 --> 00:49:11,016
THREE MONTHS. YOU ARE COMING TO

950
00:49:11,016 --> 00:49:14,152
THE SHOW NEXT WEEK?

951
00:49:14,152 --> 00:49:17,322
>> ABSOLUTELY. I WOULDN'T MISS

952
00:49:17,322 --> 00:49:19,190
IT FOR THE WORLD.

953
00:49:19,190 --> 00:49:23,494
>> OH, MY WATCH. EXCUSE ME.

954
00:49:29,500 --> 00:49:30,301
[KNOCK ON DOOR]

955
00:49:30,301 --> 00:49:35,073
>> COME IN.

956
00:49:35,073 --> 00:49:42,680
WHAT ARE YOU DOING HERE? I

957
00:49:42,680 --> 00:49:44,282
THOUGHT YOU'D BE OUT SOMEWHERE

958
00:49:44,282 --> 00:49:45,516
TURNING HOUSEWIVES INTO HAPPY

959
00:49:45,516 --> 00:49:47,385
HOOKERS.

960
00:49:47,385 --> 00:49:48,486
>> COLLEEN CANCELLED HER

961
00:49:48,486 --> 00:49:50,288
APPOINTMENT. SAID SHE DIDN'T

962
00:49:50,288 --> 00:49:51,722
NEED ME ANYMORE. ALL HER

963
00:49:51,722 --> 00:49:53,258
PROBLEMS WERE OVER.

964
00:49:53,258 --> 00:49:54,692
>> SHE SEEMED VERY HAPPY WHEN I

965
00:49:54,692 --> 00:49:58,129
LEFT HER. JUST IN CASE YOU'RE

966
00:49:58,129 --> 00:50:00,765
CURIOUS, MARRIED WOMEN DO HAVE

967
00:50:00,765 --> 00:50:03,768
THE BEST SEX. TOO BAD YOU'LL

968
00:50:03,768 --> 00:50:05,170
NEVER GET A CHANCE TO TEST THAT

969
00:50:05,170 --> 00:50:06,171
THEORY.

970
00:50:06,171 --> 00:50:07,172
>> I KNOW YOU SLEPT WITH HER,

971
00:50:07,172 --> 00:50:08,239
CHRISTIAN. I COULD TELL BY THE

972
00:50:08,239 --> 00:50:11,076
TONE OF YOUR VOICE. IT'S THE

973
00:50:11,076 --> 00:50:12,177
SAME ONE I HAVE AFTER HAVING

974
00:50:12,177 --> 00:50:13,644
THREE ORGASMS.

975
00:50:13,644 --> 00:50:16,614
>> 4. SHE REALLY COULDN'T GET

976
00:50:16,614 --> 00:50:17,682
ENOUGH.

977
00:50:17,682 --> 00:50:18,583
>> WELL, IT'S JUST LIKE I

978
00:50:18,583 --> 00:50:22,620
TAUGHT HER. AT FIRST I WAS

979
00:50:22,620 --> 00:50:26,124
PISSED. BUT THEN I FIGURED IF

980
00:50:26,124 --> 00:50:28,393
HUNDREDS OF MEN CAN USE MY DOLL

981
00:50:28,393 --> 00:50:30,161
TO GET OFF FOUR TIMES A DAY,

982
00:50:30,161 --> 00:50:32,530
YOU SCREWING ONE KIMBER WANNABE

983
00:50:32,530 --> 00:50:35,133
ISN'T THE END OF THE WORLD. WAS

984
00:50:35,133 --> 00:50:37,168
KIND OF FLATTERED, ACTUALLY.

985
00:50:37,168 --> 00:50:38,869
I MEAN YOU CHEATED ON ME, BUT

986
00:50:38,869 --> 00:50:41,172
WITH ME.

987
00:50:41,172 --> 00:50:42,240
>> SO I CAN SCREW ALL YOUR

988
00:50:42,240 --> 00:50:44,142
GRADUATES NOW?

989
00:50:44,142 --> 00:50:47,612
>> I'M NOT GONNA DO IT ANYMORE.

990
00:50:47,612 --> 00:50:52,883
I'VE DECIDED TO GIVE UP PORN. I

991
00:50:52,883 --> 00:50:57,655
WANNA BE YOUR WIFE, CHRISTIAN.

992
00:50:57,655 --> 00:50:59,624
THAT MEANS MORE TO ME THAN

993
00:50:59,624 --> 00:51:02,427
BEING SOME VIDEO DIRECTOR.

994
00:51:23,448 --> 00:51:25,750
>> NOT SO FAST.

995
00:51:35,926 --> 00:51:38,163
>> A PRENUP?

996
00:51:38,163 --> 00:51:40,631
>> IT'S A FIDELITY PRENUP. I

997
00:51:40,631 --> 00:51:42,633
HAD MY LAWYERS DRAW IT UP. IT

998
00:51:42,633 --> 00:51:44,835
STATES THAT AFTER THE WEDDING,

999
00:51:44,835 --> 00:51:47,372
WE AGREE ON TWO THINGS, OK? NO

1000
00:51:47,372 --> 00:51:50,308
MORE PORN FOR ME AND NO MORE

1001
00:51:50,308 --> 00:51:53,711
AFFAIRS FOR YOU. I'M STILL A

1002
00:51:53,711 --> 00:51:55,513
BUSINESS WOMAN WITH ASSETS, YOU

1003
00:51:55,513 --> 00:51:57,815
KNOW? I'VE GOT A REPUTATION TO

1004
00:51:57,815 --> 00:52:01,486
PROTECT. OH, DON'T WORRY,

1005
00:52:01,486 --> 00:52:02,453
THERE'S A CLAUSE IN THERE THAT

1006
00:52:02,453 --> 00:52:05,356
STILL ALLOWS FOR THREESOMES.

1007
00:52:05,356 --> 00:52:06,291
WELL, I DON'T WANNA KILL OUR

1008
00:52:06,291 --> 00:52:07,258
SEX LIFE JUST BECAUSE WE'RE

1009
00:52:07,258 --> 00:52:10,628
GETTING MARRIED EITHER.

1010
00:52:32,883 --> 00:52:36,721
>> TELL ME, WAS SHE ANYWHERE

1011
00:52:36,721 --> 00:52:40,391
NEAR AS GOOD AS I AM?

1012
00:52:40,391 --> 00:52:42,527
>> NOTHING IS BETTER THAN THE

1013
00:52:42,527 --> 00:52:44,795
ORIGINAL, BABY.

1014
00:53:04,849 --> 00:53:07,685
>> WOW. HE DID A REALLY NICE

1015
00:53:07,685 --> 00:53:10,721
JOB. THE DOCTOR WHO DID YOUR

1016
00:53:10,721 --> 00:53:12,557
FACE. I LIKE THE NEW LOOK.

1017
00:53:12,557 --> 00:53:13,724
>> HOW DID YOU FIND ME?

1018
00:53:13,724 --> 00:53:15,560
>> JUST BECAUSE YOU CHANGE YOUR

1019
00:53:15,560 --> 00:53:17,328
FACE DON'T MEAN YOU DISAPPEAR.

1020
00:53:17,328 --> 00:53:20,931
YOU REALLY DO LOOK LIKE A WHOLE

1021
00:53:20,931 --> 00:53:26,404
NEW PERSON. EXCEPT YOU'VE GOT

1022
00:53:26,404 --> 00:53:30,741
THE SAME RAT EYES.

1023
00:53:30,741 --> 00:53:32,877
[SCREAMS]

1024
00:53:32,877 --> 00:53:34,745
>> SORRY, SWEETIE. I AIN'T AS

1025
00:53:34,745 --> 00:53:37,047
SLOW AS YOUR DEAD HUSBAND.

1026
00:53:37,047 --> 00:53:38,983
>> AAH.

1027
00:53:49,360 --> 00:53:51,962
YOU DON'T NEED TO DO THIS.

1028
00:53:51,962 --> 00:53:53,498
>> THIS IS THE PART OF MY JOB I

1029
00:53:53,498 --> 00:53:54,632
REALLY ENJOY.

1030
00:53:54,632 --> 00:53:56,301
>> PLEASE.

1031
00:54:00,605 --> 00:54:02,707
>> I LOVE IT WHEN THEY BEG, TOO.

1032
00:54:14,852 --> 00:54:17,054
HERE'S A QUESTION. DO YOU

1033
00:54:17,054 --> 00:54:18,723
THINK THAT IN HEAVEN YOU AND

1034
00:54:18,723 --> 00:54:19,724
AUSTIN WILL BOTH LOOK LIKE YOU

1035
00:54:19,724 --> 00:54:21,659
DO NOW, OR HOW YOU LOOKED

1036
00:54:21,659 --> 00:54:22,493
BEFORE THE SURGERY?

1037
00:54:26,564 --> 00:54:28,933
>> MY SON. PLEASE DON'T HURT

1038
00:54:28,933 --> 00:54:30,034
HIM.

1039
00:54:30,034 --> 00:54:32,470
>> IT'S TOO LATE.

1040
00:54:32,470 --> 00:54:34,405
>> AAH!

1041
00:55:05,770 --> 00:55:11,141
[TELEPHONE RINGS]

1042
00:55:11,141 --> 00:55:12,843
>> NIKKI?

1043
00:55:12,843 --> 00:55:14,379
>> SEAN, IT'S CHRISTIAN. WE

1044
00:55:14,379 --> 00:55:16,581
HAVE A PROBLEM.

1045
00:55:18,649 --> 00:55:20,050
>> WE DID THE BEST WE COULD,

1046
00:55:20,050 --> 00:55:21,852
SEAN. THE VASCULAR

1047
00:55:21,852 --> 00:55:23,788
REATTACHMENTS WERE FLAWLESS.

1048
00:55:23,788 --> 00:55:25,890
HER BODY JUST REJECTED THE

1049
00:55:25,890 --> 00:55:27,057
TISSUE.

1050
00:55:27,057 --> 00:55:28,493
>> I WONDER WHAT IT WOULD'VE

1051
00:55:28,493 --> 00:55:29,460
FELT LIKE GROWING UP WITH

1052
00:55:29,460 --> 00:55:31,729
SOMEONE ELSE'S FACE. SEE A

1053
00:55:31,729 --> 00:55:32,997
COMPLETE STRANGER EVERY TIME

1054
00:55:32,997 --> 00:55:34,164
YOU LOOKED IN THE MIRROR.

1055
00:55:34,164 --> 00:55:36,734
>> WELL, IF WE WANT TO SPIN

1056
00:55:36,734 --> 00:55:38,536
THIS IN OUR FAVOR, AT LEAST WE

1057
00:55:38,536 --> 00:55:43,641
CAN SAY SHE'S STILL ALIVE.

1058
00:55:43,641 --> 00:55:45,943
>> I CAN'T FIND ANY MUSIC THAT

1059
00:55:45,943 --> 00:55:48,713
FEELS APPROPRIATE RIGHT NOW.

1060
00:55:48,713 --> 00:55:50,748
>> THAT'S FINE.

1061
00:55:50,748 --> 00:55:53,484
WE NEED TO CONCENTRATE.

1062
00:55:53,484 --> 00:55:54,552
SCISSORS.

1063
00:56:24,181 --> 00:56:25,182
[CAPTIONED BY THE NATIONAL

1064
00:56:25,182 --> 00:56:26,183
CAPTIONING INSTITUTE

1065
00:56:26,183 --> 00:56:27,718
--www. ncicap.org--]