1 00:00:13,000 --> 00:00:15,800 * 2 00:00:25,800 --> 00:00:28,800 * 3 00:00:38,800 --> 00:00:40,000 * 4 00:00:40,000 --> 00:00:41,800 * 5 00:00:49,733 --> 00:00:51,600 (CHIPPING) 6 00:00:52,533 --> 00:00:54,700 (INDISTINCT VOICES) 7 00:00:59,233 --> 00:01:01,100 (OVERLAPPING ITEMS) 8 00:01:02,366 --> 00:01:04,000 Honey, alone? 9 00:01:04,000 --> 00:01:04,066 Honey, alone? 10 00:01:04,100 --> 00:01:06,100 - That's a piece of limestone there. - Yes, really? 11 00:01:06,133 --> 00:01:09,733 - Very. - Be careful, I'm here buy it yourself. 12 00:01:09,766 --> 00:01:12,000 (OVERLAPPING ITEMS) 13 00:01:12,000 --> 00:01:12,133 (OVERLAPPING ITEMS) 14 00:01:12,166 --> 00:01:13,333 - You're welcome. - Thank you. 15 00:01:13,366 --> 00:01:15,300 - Do you want something else? - Some chips. 16 00:01:15,333 --> 00:01:18,033 Boys! Boys! Someone give us a hand 17 00:01:18,066 --> 00:01:19,466 that we bring things over there. 18 00:01:19,500 --> 00:01:20,000 Something to drink? 19 00:01:20,000 --> 00:01:20,633 Something to drink? 20 00:01:20,666 --> 00:01:23,633 - Attention. The lasagna is hot, girls. - Does it burn? 21 00:01:23,666 --> 00:01:25,500 - You'll get burned. - Okay. - Go, go. 22 00:01:25,533 --> 00:01:27,400 Attention, attention. 23 00:01:27,433 --> 00:01:28,000 You did something light! 24 00:01:28,000 --> 00:01:30,433 You did something light! 25 00:01:31,000 --> 00:01:33,200 - I was on a diet. - With Ferzan you eat. 26 00:01:33,233 --> 00:01:35,166 - The dishes! The dishes! - You have to take the plates. 27 00:01:35,200 --> 00:01:36,000 They arrived at the right time! 28 00:01:36,000 --> 00:01:36,600 They arrived at the right time! 29 00:01:36,633 --> 00:01:39,100 OZPETEK: Guys? The dishes! Stand up for a moment! 30 00:01:39,133 --> 00:01:40,666 I don't touch anything anymore. 31 00:01:42,066 --> 00:01:44,000 - I'm leaving. - No, don't go. No. 32 00:01:44,000 --> 00:01:44,066 - I'm leaving. - No, don't go. No. 33 00:01:44,100 --> 00:01:47,133 - Come on, you're with all of them. - No, don't go. No. 34 00:01:47,166 --> 00:01:49,700 - Who wants some vinaigrette? Pinzimonio. - This yes. 35 00:01:49,733 --> 00:01:51,433 You have to tell us something Ferzan! 36 00:01:51,466 --> 00:01:52,000 No, you're not on a diet, but I am. 37 00:01:52,000 --> 00:01:53,200 No, you're not on a diet, but I am. 38 00:01:53,233 --> 00:01:54,533 VINICIO: Napkins guys! 39 00:01:54,566 --> 00:01:56,666 VANESSA: Stefano! One day thing, dude, come on! 40 00:01:56,700 --> 00:01:58,666 So, let's start eating, 41 00:01:58,700 --> 00:02:00,000 so I'll tell you why of all this. 42 00:02:00,000 --> 00:02:01,266 so I'll tell you why of all this. 43 00:02:01,800 --> 00:02:04,233 Mara's been here since 7:00, huh? 44 00:02:04,266 --> 00:02:06,200 Thanks Mara! (APPLAUSE) 45 00:02:06,233 --> 00:02:07,600 OZPETEK: He's been here since 07:00. 46 00:02:07,633 --> 00:02:08,000 MARA: Please, for you this and more, this and more. 47 00:02:08,000 --> 00:02:10,133 MARA: Please, for you this and more, this and more. 48 00:02:10,166 --> 00:02:12,300 GEPPI: However you are a "MasterChef Celebrity" 49 00:02:12,333 --> 00:02:14,333 But the napkins don't you have them here? 50 00:02:14,366 --> 00:02:16,000 - What is it, just a little thing... OZPETEK: So... 51 00:02:16,000 --> 00:02:16,600 - What is it, just a little thing... OZPETEK: So... 52 00:02:16,633 --> 00:02:20,300 ..yesterday, I called Mara, I said: "Come, please help me," 53 00:02:20,333 --> 00:02:22,133 "Why did I call all my actresses." 54 00:02:22,166 --> 00:02:23,600 She says, "For what?" 55 00:02:23,633 --> 00:02:24,000 "Because I have to make a film with them." 56 00:02:24,000 --> 00:02:25,500 "Because I have to make a film with them." 57 00:02:25,533 --> 00:02:29,066 With my actresses and not type Geppi, like Vanessa, 58 00:02:29,100 --> 00:02:31,166 in short, there isn't anyone. 59 00:02:31,200 --> 00:02:32,000 You wanted to fix this gap in your career, 60 00:02:32,000 --> 00:02:34,000 You wanted to fix this gap in your career, 61 00:02:34,033 --> 00:02:35,733 I understand it. (LAUGHTER) 62 00:02:37,700 --> 00:02:39,500 Obviously there are two men 63 00:02:39,533 --> 00:02:40,000 and there will be four in total... GEPPI: There is a scene... 64 00:02:40,000 --> 00:02:42,100 and there will be four in total... GEPPI: There is a scene... 65 00:02:42,133 --> 00:02:44,600 - There's... - But there's a scene between Stephen and Vinicius who... 66 00:02:44,633 --> 00:02:45,600 No. 67 00:02:45,633 --> 00:02:46,733 - No, no. - ..they come together 68 00:02:46,766 --> 00:02:48,000 in the supreme ecstasy that is its own of the idyll of love? - There isn't. 69 00:02:48,000 --> 00:02:49,733 in the supreme ecstasy that is its own of the idyll of love? - There isn't. 70 00:02:49,766 --> 00:02:51,433 There's none of that what do you expect. 71 00:02:54,033 --> 00:02:56,000 - Good job everyone! OZPETEK: No! Sit down for a moment. 72 00:02:56,000 --> 00:02:57,266 - Good job everyone! OZPETEK: No! Sit down for a moment. 73 00:02:57,300 --> 00:03:00,200 Sit down for a moment, I have to explain things. One moment. 74 00:03:00,233 --> 00:03:03,266 Wait a minute! ELENA: Oh, no! Don't make me become another aunt! 75 00:03:03,300 --> 00:03:04,000 Not even a grandmother, please. - I'll do it. 76 00:03:04,000 --> 00:03:05,233 Not even a grandmother, please. - I'll do it. 77 00:03:05,266 --> 00:03:07,033 - I'll make you be a mother... - Mom? 78 00:03:07,066 --> 00:03:09,333 - I'll make you be a mother, do you know whose? Huh? 79 00:03:09,366 --> 00:03:12,000 Luisa and Jasmine. 80 00:03:12,000 --> 00:03:12,133 Luisa and Jasmine. 81 00:03:12,166 --> 00:03:13,433 You have to make me old. 82 00:03:13,466 --> 00:03:15,566 I have to make you old, I know, I know. 83 00:03:15,600 --> 00:03:17,400 No, because I don't know if you saw it how are they... 84 00:03:17,433 --> 00:03:18,766 Maybe I'll make them younger. 85 00:03:18,800 --> 00:03:20,000 LUISA: It takes a miracle! (LAUGHTER) 86 00:03:20,000 --> 00:03:21,133 LUISA: It takes a miracle! (LAUGHTER) 87 00:03:21,166 --> 00:03:22,633 OZPETEK: It takes a miracle. 88 00:03:22,666 --> 00:03:25,066 You have a clear idea of what to do of this "vaginodrome", 89 00:03:25,100 --> 00:03:27,366 do you have it, yes or no? - "Vaginodrome"? - Of what? 90 00:03:27,400 --> 00:03:28,000 About this...? - Seeing all these women, 91 00:03:28,000 --> 00:03:29,666 About this...? - Seeing all these women, 92 00:03:29,700 --> 00:03:32,200 I asked myself: what do you do with it of this vaginodrome? 93 00:03:32,233 --> 00:03:34,100 - Do you have clear ideas about... Vaginodrome? 94 00:03:34,133 --> 00:03:36,000 But vaginodromo can't... no can call a movie "Vaginodrome". 95 00:03:36,000 --> 00:03:37,466 But vaginodromo can't... no can call a movie "Vaginodrome". 96 00:03:37,500 --> 00:03:39,533 - No. OZPETEK: I want to tell you this, 97 00:03:39,566 --> 00:03:44,000 I would like to make a film where it is there the power of women, 98 00:03:44,000 --> 00:03:44,766 I would like to make a film where it is there the power of women, 99 00:03:44,800 --> 00:03:46,266 women's work... 100 00:03:46,300 --> 00:03:48,500 Practically a science fiction film. What movie is it? 101 00:03:48,533 --> 00:03:51,400 OZPETEK: You are my diamonds. (OVATIONS) 102 00:03:52,633 --> 00:03:54,533 (STEFANO) And to the Diamonds! 103 00:03:54,566 --> 00:03:56,133 Eh! 104 00:04:00,066 --> 00:04:01,566 PAOLA: To the vaginodromes! 105 00:04:01,600 --> 00:04:04,133 - What a great idea, Jasmine! MARA: A little "clunky"! 106 00:04:04,166 --> 00:04:06,033 - So... VINICIO: Will you tell us more? 107 00:04:06,066 --> 00:04:08,000 So, let's eat, then I'll tell you everything. 108 00:04:08,000 --> 00:04:09,133 So, let's eat, then I'll tell you everything. 109 00:04:09,166 --> 00:04:11,733 I also have some little scripts that you will read 110 00:04:11,766 --> 00:04:13,733 and let's talk about it... - Then I'll go and leave you. 111 00:04:13,766 --> 00:04:16,000 - No! Still? What a drag, no! - No, really, 112 00:04:16,000 --> 00:04:17,366 - No! Still? What a drag, no! - No, really, 113 00:04:17,400 --> 00:04:19,200 I feel too much. 114 00:04:19,233 --> 00:04:22,300 Come on, toast for a moment. Toast for a moment. 115 00:04:23,366 --> 00:04:24,000 - To women! To the women! - To women and those who love them! 116 00:04:24,000 --> 00:04:27,166 - To women! To the women! - To women and those who love them! 117 00:04:28,300 --> 00:04:32,000 ("DIAMONDS THEME - READING" GIULIANO TAVIANI AND CARMELO TRAVIA) 118 00:04:32,000 --> 00:04:32,700 ("DIAMONDS THEME - READING" GIULIANO TAVIANI AND CARMELO TRAVIA) 119 00:04:38,600 --> 00:04:39,666 (LORENZO: Listen Bianca,) 120 00:04:39,700 --> 00:04:40,000 (You can't change things like this without asking. Understand?) 121 00:04:40,000 --> 00:04:42,400 (You can't change things like this without asking. Understand?) 122 00:04:43,400 --> 00:04:45,333 (AUNT OLGA: ..don't do it the little saints,) 123 00:04:45,366 --> 00:04:47,733 (that with all those actors famous...) 124 00:04:47,766 --> 00:04:48,000 (BRUNO: But you shouldn't have come back at five to prepare dinner for me?) 125 00:04:48,000 --> 00:04:50,566 (BRUNO: But you shouldn't have come back at five to prepare dinner for me?) 126 00:04:50,600 --> 00:04:52,366 (FAUSTA: The body is mine and I'll handle it.) 127 00:04:52,400 --> 00:04:54,633 (ELEONORA: Ennio, what do you say?) (FAUSTA: Devolve it!) 128 00:04:54,666 --> 00:04:56,000 (Freedom is this, do what you like. 129 00:04:56,000 --> 00:04:57,166 (Freedom is this, do what you like. 130 00:04:57,200 --> 00:04:58,666 (CARLOTTA: ..the Pink... Diamond. 131 00:04:58,700 --> 00:05:00,333 (BEATRICE: I had no idea anyway) 132 00:05:00,366 --> 00:05:02,600 (how crazy it could be this world,) 133 00:05:02,633 --> 00:05:04,000 (of how much thought, talent, determination, were behind it.) 134 00:05:04,000 --> 00:05:07,300 (of how much thought, talent, determination, were behind it.) 135 00:05:07,733 --> 00:05:10,733 (I still haven't figured out what I want act like an aunt, but one thing is certain,) 136 00:05:10,766 --> 00:05:12,000 (I want to stay in here all your life.) 137 00:05:12,000 --> 00:05:12,800 (I want to stay in here all your life.) 138 00:05:14,500 --> 00:05:18,066 GIUSEPPINA: I'm the cousin of Carlotta, the dyer. 139 00:05:18,100 --> 00:05:20,000 She's the one who told me to start from here, 140 00:05:20,000 --> 00:05:20,166 She's the one who told me to start from here, 141 00:05:20,200 --> 00:05:21,800 if I want to be a costume designer. 142 00:05:26,266 --> 00:05:27,666 The sleeve must be re-sealed. 143 00:05:27,700 --> 00:05:28,000 I told the seamstresses which had to be re-sealed. 144 00:05:28,000 --> 00:05:30,166 I told the seamstresses which had to be re-sealed. 145 00:05:30,200 --> 00:05:31,633 - Do it again. - All right, ma'am. 146 00:05:31,666 --> 00:05:33,533 I would like to point out to you that when we show up, 147 00:05:33,566 --> 00:05:35,400 the name is said first and then who you are related to. 148 00:05:35,433 --> 00:05:36,000 - Ah, um, yes. My name is Giuseppina. - We understood this. 149 00:05:36,000 --> 00:05:38,200 - Ah, um, yes. My name is Giuseppina. - We understood this. 150 00:05:38,233 --> 00:05:41,466 And I studied at the Fashion Academy and Costume by Rosanna Pistolese. 151 00:05:42,366 --> 00:05:43,666 I'm fixing it. 152 00:05:43,700 --> 00:05:44,000 Costume and Fashion. It's called the Academy of Costume and Fashion, 153 00:05:44,000 --> 00:05:46,300 Costume and Fashion. It's called the Academy of Costume and Fashion, 154 00:05:46,333 --> 00:05:48,766 not Fashion and Costume. Field experiences? 155 00:05:48,800 --> 00:05:51,700 Oh, no, none. I just left from the Academy and... 156 00:05:51,733 --> 00:05:52,000 This skirt is short on the sides, have you seen her? 157 00:05:52,000 --> 00:05:53,600 This skirt is short on the sides, have you seen her? 158 00:05:53,633 --> 00:05:57,066 Yes, of course, Mrs. Alberta, we must fix the hem... - Do it! 159 00:05:57,566 --> 00:05:59,600 So, if you went to the Academy, can you tell me 160 00:05:59,633 --> 00:06:00,000 who made the Satyricon heads? 161 00:06:00,000 --> 00:06:01,533 who made the Satyricon heads? 162 00:06:01,566 --> 00:06:03,366 Yes. He made the costumes... 163 00:06:03,400 --> 00:06:04,800 - Nice Paolina. ..Danilo Donati? 164 00:06:05,000 --> 00:06:06,033 - Good work. - Thank you. 165 00:06:06,066 --> 00:06:07,666 I didn't ask you for costumes, but the heads. 166 00:06:10,000 --> 00:06:11,400 Do you know Piero Tosi? 167 00:06:12,033 --> 00:06:13,333 Yes, I've heard of him. 168 00:06:13,366 --> 00:06:15,800 You want to be a costume designer and have you heard of Piero Tosi? 169 00:06:16,566 --> 00:06:19,466 Oh well, for now, collect scraps and then if needed... 170 00:06:19,500 --> 00:06:21,466 ..if necessary, mend. 171 00:06:21,500 --> 00:06:24,000 No, but I don't want to be a seamstress, I want to be a costume designer. 172 00:06:24,000 --> 00:06:24,600 No, but I don't want to be a seamstress, I want to be a costume designer. 173 00:06:24,633 --> 00:06:27,433 "I"? "I" does not exist. 174 00:06:27,800 --> 00:06:29,266 Here "we" exist 175 00:06:29,300 --> 00:06:32,000 and we need someone to learn to sew well. Clear? 176 00:06:32,000 --> 00:06:32,700 and we need someone to learn to sew well. Clear? 177 00:06:32,733 --> 00:06:35,566 A good costume designer is, first of all, a good seamstress. 178 00:06:36,366 --> 00:06:38,466 If you don't know how to do it, you can't lead. 179 00:06:39,566 --> 00:06:40,000 Go to Ennio, get a coat. 180 00:06:40,000 --> 00:06:41,500 Go to Ennio, get a coat. 181 00:06:42,366 --> 00:06:43,533 - Fausta? FAUSTA: Yes. 182 00:06:43,566 --> 00:06:45,300 This neck doesn't turn well. 183 00:06:45,333 --> 00:06:47,200 Eh, we've already done it twice. 184 00:06:47,233 --> 00:06:48,000 Eh, but isn't it running well? It must be redone. 185 00:06:48,000 --> 00:06:49,266 Eh, but isn't it running well? It must be redone. 186 00:06:49,300 --> 00:06:51,500 No, with this hair it's impossible, look, he's not coming, 187 00:06:51,533 --> 00:06:53,800 it will never come out the way she wants it. - Do it the third time, 188 00:06:54,000 --> 00:06:55,000 see what's coming! 189 00:06:55,033 --> 00:06:56,000 Our work is done... 190 00:06:56,000 --> 00:06:57,066 Our work is done... 191 00:06:57,100 --> 00:06:58,566 - ..of details! - Exact! 192 00:06:58,600 --> 00:07:01,133 This one, Mina wants it ready by Saturday, huh? 193 00:07:02,133 --> 00:07:03,433 Well, better Friday, right? 194 00:07:03,466 --> 00:07:04,000 If there's something wrong, At least we'll fix it. 195 00:07:04,000 --> 00:07:05,633 If there's something wrong, At least we'll fix it. 196 00:07:05,666 --> 00:07:08,266 But why, okay, Mina never has anything to say. 197 00:07:08,300 --> 00:07:09,600 Mina doesn't, but I do. 198 00:07:10,666 --> 00:07:12,000 I know well that you have something to say. 199 00:07:12,000 --> 00:07:12,500 I know well that you have something to say. 200 00:07:12,533 --> 00:07:14,700 How did you treat this poor thing, huh? 201 00:07:14,733 --> 00:07:16,000 ALBERTA: As it deserved. 202 00:07:16,033 --> 00:07:18,300 GIUSEPPINA: I can't find it this Ennio. 203 00:07:18,333 --> 00:07:19,500 Here, exactly. 204 00:07:21,633 --> 00:07:24,666 - Are you still like this with the kitchen? - Have you come to give me a hand? 205 00:07:24,700 --> 00:07:27,000 Well, if it helped, we wouldn't look like a canteen, yes. 206 00:07:27,033 --> 00:07:28,000 But who must come, the Queen of England? Come on! Eh! 207 00:07:28,000 --> 00:07:30,000 But who must come, the Queen of England? Come on! Eh! 208 00:07:30,033 --> 00:07:31,033 Almost. 209 00:07:31,700 --> 00:07:33,133 (sighing) Have you eaten? 210 00:07:33,166 --> 00:07:34,466 I don't remember. 211 00:07:35,100 --> 00:07:36,000 Look, at a certain age, you have to eat, 212 00:07:36,000 --> 00:07:38,266 Look, at a certain age, you have to eat, 213 00:07:38,300 --> 00:07:41,133 otherwise you will lose weight and you get wrinkles. 214 00:07:41,166 --> 00:07:43,533 Mhm. You can see it that you are not in any danger. 215 00:07:43,566 --> 00:07:44,000 At my age, no. To yours, yes. 216 00:07:44,000 --> 00:07:46,666 At my age, no. To yours, yes. 217 00:07:52,466 --> 00:07:55,166 Let's try to stay focused, eh? Especially today. 218 00:07:55,566 --> 00:07:56,566 Backs straight. 219 00:07:57,400 --> 00:07:59,733 - And what are you doing? - I collect the remnants. 220 00:07:59,766 --> 00:08:00,000 Put it on the ground, we have to show that we work. 221 00:08:00,000 --> 00:08:02,100 Put it on the ground, we have to show that we work. 222 00:08:02,133 --> 00:08:03,700 But look, we're working. 223 00:08:06,633 --> 00:08:08,000 (SILENCE) 224 00:08:08,000 --> 00:08:08,500 (SILENCE) 225 00:08:10,133 --> 00:08:12,400 Gabriella? What are you doing? 226 00:08:12,433 --> 00:08:14,733 - I finish Turandot. - Come on, come with me for a moment. 227 00:08:15,500 --> 00:08:16,000 Oh, sir, no, don't look at the dress because it's not perfect yet. 228 00:08:16,000 --> 00:08:19,366 Oh, sir, no, don't look at the dress because it's not perfect yet. 229 00:08:19,400 --> 00:08:21,133 I told you, but can't you hear me? 230 00:08:21,166 --> 00:08:22,500 This is not the issue. 231 00:08:23,400 --> 00:08:24,000 - Ennio? - Yes, ma'am. 232 00:08:24,000 --> 00:08:25,033 - Ennio? - Yes, ma'am. 233 00:08:25,066 --> 00:08:28,733 When she is with us in the office from there, you enter twice 234 00:08:28,766 --> 00:08:30,600 and you ask us if you can disturb us. 235 00:08:30,633 --> 00:08:32,000 Shall I disturb you, ma'am? 236 00:08:32,000 --> 00:08:32,266 Shall I disturb you, ma'am? 237 00:08:32,300 --> 00:08:35,233 No, you have to ask if you can disturb. We will tell you no. 238 00:08:35,266 --> 00:08:38,066 Yes, but even less enthusiasm, eh? It appears this is a hyena. 239 00:08:38,433 --> 00:08:40,000 Eh, she may be a hyena, but she's good. 240 00:08:40,000 --> 00:08:40,300 Eh, she may be a hyena, but she's good. 241 00:08:41,033 --> 00:08:42,400 ALBERTA: He's an Oscar winner. 242 00:08:42,433 --> 00:08:45,633 ("BIANCA VEGA" GIULIANO TAVIANI AND CARMELO TRAVIA) 243 00:08:55,400 --> 00:08:56,000 BIANCA: Hello! Good afternoon, hello. 244 00:08:56,000 --> 00:08:57,666 BIANCA: Hello! Good afternoon, hello. 245 00:08:57,700 --> 00:08:59,533 - Good afternoon. - Good afternoon. 246 00:09:04,633 --> 00:09:08,033 No, no, no, no! Comfortable, no continue, thanks. 247 00:09:10,400 --> 00:09:11,566 ENNIO: Mrs. Vega? 248 00:09:14,566 --> 00:09:15,800 Mrs. Bianca Vega? 249 00:09:17,133 --> 00:09:19,466 Welcome, please follow me, we were waiting for her. 250 00:09:19,766 --> 00:09:20,000 BIANCA: This is a huge film. 251 00:09:20,000 --> 00:09:21,366 BIANCA: This is a huge film. 252 00:09:21,400 --> 00:09:23,333 It's gorgeous, but it's huge. 253 00:09:23,366 --> 00:09:24,600 Then, after the second Oscar, 254 00:09:24,633 --> 00:09:27,033 Lorenzo had carte blanche from production, 255 00:09:27,066 --> 00:09:28,000 so I find myself preparing a film in three weeks, but... 256 00:09:28,000 --> 00:09:30,700 so I find myself preparing a film in three weeks, but... 257 00:09:30,733 --> 00:09:33,700 - In three weeks? - Yes, three weeks, maximum four. 258 00:09:33,733 --> 00:09:35,133 ALBERTA: We can do it. 259 00:09:35,166 --> 00:09:36,000 Oh, can you do it? - Yes, yes. 260 00:09:36,000 --> 00:09:36,466 Oh, can you do it? - Yes, yes. 261 00:09:36,500 --> 00:09:38,666 - You've read the script, right? - Yes, yes, of course. 262 00:09:38,700 --> 00:09:41,566 Ca va sans dire, that I will have to contact also to other tailors. 263 00:09:41,600 --> 00:09:44,000 So I thought I'd just do it here the costumes of the protagonists and that's it. 264 00:09:44,000 --> 00:09:44,466 So I thought I'd just do it here the costumes of the protagonists and that's it. 265 00:09:44,500 --> 00:09:46,266 No, but you can do everything here. The whole movie. 266 00:09:47,033 --> 00:09:49,366 Well, maybe we'll see together the sketches first. 267 00:09:49,400 --> 00:09:51,433 And sure, it's obvious. (KNOCKING ON THE DOOR) 268 00:09:51,766 --> 00:09:52,000 ENNIO: Can I disturb you? - No! 269 00:09:52,000 --> 00:09:53,333 ENNIO: Can I disturb you? - No! 270 00:09:53,366 --> 00:09:55,200 In fact, bring another bottle. 271 00:09:55,233 --> 00:09:56,366 Right away. 272 00:09:57,266 --> 00:10:00,000 Bianca look, we are honored to make this film 273 00:10:00,000 --> 00:10:00,066 Bianca look, we are honored to make this film 274 00:10:00,100 --> 00:10:01,800 and to work with you. - Thank you. 275 00:10:02,000 --> 00:10:07,633 It's an almost reinvented eighteenth century, no? Which... which points to the essence. 276 00:10:07,666 --> 00:10:08,000 I want it primordial, I don't want it... 277 00:10:08,000 --> 00:10:10,366 I want it primordial, I don't want it... 278 00:10:10,400 --> 00:10:13,033 ..I don't want it pictorial, I want it geometric. 279 00:10:13,066 --> 00:10:16,000 But above all I want it... I want it physical. 280 00:10:16,000 --> 00:10:16,333 But above all I want it... I want it physical. 281 00:10:16,366 --> 00:10:19,000 I want the fabrics, 282 00:10:19,033 --> 00:10:23,500 the-the shapes, remember the actual consistency of the meat, 283 00:10:23,533 --> 00:10:24,000 the-the little folds that we have here. 284 00:10:24,000 --> 00:10:25,533 the-the little folds that we have here. 285 00:10:25,566 --> 00:10:29,133 In the scene of... of the staircase, the costume falls! 286 00:10:29,166 --> 00:10:32,000 It falls together with the protagonist. Give me the beads some? 287 00:10:32,000 --> 00:10:32,433 It falls together with the protagonist. Give me the beads some? 288 00:10:37,000 --> 00:10:39,166 (IMITATES THE NOISE OF BEADS) 289 00:10:41,133 --> 00:10:44,166 Of course it must be sensual, yes, 290 00:10:45,366 --> 00:10:46,800 but determined. 291 00:10:49,600 --> 00:10:51,600 But do I explain myself when I speak? 292 00:10:51,633 --> 00:10:53,166 PAOLINA: Yes, yes. 293 00:10:53,200 --> 00:10:54,200 Yes? 294 00:10:54,233 --> 00:10:55,433 Yes, yes. 295 00:10:55,466 --> 00:10:56,000 Oh, good. And come closer, right? Look. Eh! 296 00:10:56,000 --> 00:10:58,266 Oh, good. And come closer, right? Look. Eh! 297 00:10:59,800 --> 00:11:02,100 Well, of course here we understand, no? 298 00:11:02,133 --> 00:11:04,000 It must be understood that we are in the middle of the eighteenth century! 299 00:11:04,000 --> 00:11:04,100 It must be understood that we are in the middle of the eighteenth century! 300 00:11:04,133 --> 00:11:06,666 But I don't want him old, I don't want it stale. 301 00:11:06,700 --> 00:11:08,700 Well, dust, as much powder as you want, 302 00:11:08,733 --> 00:11:10,766 but the important thing is that it is dust... 303 00:11:11,366 --> 00:11:12,000 ...luminescent, light. 304 00:11:12,000 --> 00:11:13,433 ...luminescent, light. 305 00:11:13,466 --> 00:11:17,000 This for me is the ego of the-of... of his wounded soul. 306 00:11:17,666 --> 00:11:20,000 How do you want to mount these beads, White? With fringes? 307 00:11:20,000 --> 00:11:20,600 How do you want to mount these beads, White? With fringes? 308 00:11:21,433 --> 00:11:24,433 BIANCA: And I don't... I don't know. What do we do? 309 00:11:24,466 --> 00:11:27,133 Do we come up with ideas? 310 00:11:27,166 --> 00:11:28,000 Then, who is that... 311 00:11:28,000 --> 00:11:28,533 Then, who is that... 312 00:11:29,333 --> 00:11:31,366 - ..who is the milliner here? - I! Pauline. 313 00:11:31,400 --> 00:11:33,133 Pauline. Pauline, good. 314 00:11:33,600 --> 00:11:35,666 Let's lengthen the fontange. Hmm? - Ahh! 315 00:11:35,700 --> 00:11:36,000 Yes, because the fountain becomes a symbol for me. 316 00:11:36,000 --> 00:11:39,066 Yes, because the fountain becomes a symbol for me. 317 00:11:40,600 --> 00:11:43,466 Project all that that we have inside and launches it. 318 00:11:43,500 --> 00:11:44,000 Ahh! 319 00:11:44,000 --> 00:11:44,500 Ahh! 320 00:11:45,533 --> 00:11:47,633 Because everywhere, wherever the gaze is, 321 00:11:47,666 --> 00:11:50,166 the woman always points towards the sky, upwards, 322 00:11:51,266 --> 00:11:52,000 towards what is not... 323 00:11:52,000 --> 00:11:53,166 towards what is not... 324 00:11:53,200 --> 00:11:56,000 ...you can't see it, but we feel it. 325 00:11:56,533 --> 00:11:58,533 And we are connected to the stars. 326 00:12:00,100 --> 00:12:01,533 That's why we hear everything. 327 00:12:04,166 --> 00:12:08,000 What an incredible woman, isn't she? Beautiful, charming, enlightened. 328 00:12:08,000 --> 00:12:09,166 What an incredible woman, isn't she? Beautiful, charming, enlightened. 329 00:12:09,566 --> 00:12:12,100 -He says it goes from one man to another. -And it's good. 330 00:12:12,133 --> 00:12:14,666 And he can't find an assistant, because no one is up to him. 331 00:12:14,700 --> 00:12:16,000 He seems to have lived, like, London, Paris, New York, huh? 332 00:12:16,000 --> 00:12:17,766 He seems to have lived, like, London, Paris, New York, huh? 333 00:12:17,800 --> 00:12:20,466 Ah, well! At most, I have been in Morlupo. 334 00:12:20,500 --> 00:12:22,766 If you want to leave too, go after her. 335 00:12:22,800 --> 00:12:24,000 But where are you going, then here with everyone These baskets and fountains "we die"! 336 00:12:24,000 --> 00:12:26,766 But where are you going, then here with everyone These baskets and fountains "we die"! 337 00:12:26,800 --> 00:12:27,800 Let's go up! 338 00:12:28,000 --> 00:12:30,333 Wait, I'm getting lost now 95 again! 339 00:12:30,366 --> 00:12:32,000 Pauline! For Simone. 340 00:12:32,000 --> 00:12:32,766 Pauline! For Simone. 341 00:12:32,800 --> 00:12:34,466 (INDISTINCT VOICES) 342 00:12:34,500 --> 00:12:36,433 - Give him a kiss, huh? - Thanks Silva. 343 00:12:36,466 --> 00:12:38,466 - I'm running away because I'm leaving school, huh? - Go, go! 344 00:12:38,500 --> 00:12:39,666 Hi girls, see you tomorrow! 345 00:12:39,700 --> 00:12:40,000 - Hi Fausta! - Where are you going? 346 00:12:40,000 --> 00:12:41,366 - Hi Fausta! - Where are you going? 347 00:12:41,400 --> 00:12:43,433 In Piazza Navona for a drink. HI! 348 00:12:43,466 --> 00:12:45,333 That's how they say it! "Have a drink"? 349 00:12:45,366 --> 00:12:48,000 Beata Fausta who lives with her friends and he doesn't have to answer to anyone. 350 00:12:48,000 --> 00:12:48,633 Beata Fausta who lives with her friends and he doesn't have to answer to anyone. 351 00:12:48,666 --> 00:12:50,733 But why, sorry, Who are you accountable to? 352 00:12:50,766 --> 00:12:52,400 I have my own things, believe me. 353 00:12:52,433 --> 00:12:54,633 It's not that if someone is a widow, he has nothing to think about. 354 00:12:54,666 --> 00:12:56,000 Eleono', come on, the bus is passing, come on! Hello girls! 355 00:12:56,000 --> 00:12:56,800 Eleono', come on, the bus is passing, come on! Hello girls! 356 00:12:57,000 --> 00:12:58,000 HI. 357 00:12:58,433 --> 00:13:00,500 But how is Vittorio? 358 00:13:02,033 --> 00:13:03,100 - He's fine. - Oh. 359 00:13:03,133 --> 00:13:04,000 - And how should it be? - Safe? 360 00:13:04,000 --> 00:13:04,500 - And how should it be? - Safe? 361 00:13:04,533 --> 00:13:07,133 Oh, yes, of course, that's fine. Do you know what? 362 00:13:07,600 --> 00:13:09,700 He has a beautiful relationship with his father, no? 363 00:13:09,733 --> 00:13:11,400 - Eh. - They're really close. 364 00:13:15,800 --> 00:13:17,566 What's wrong Nicole? 365 00:13:18,166 --> 00:13:19,566 Is it for overtime? 366 00:13:20,400 --> 00:13:22,266 - No. - Are you afraid to tell your husband? 367 00:13:22,300 --> 00:13:23,333 Ninth! 368 00:13:23,366 --> 00:13:26,100 It's just that I was thinking how to organize myself with schedules... 369 00:13:26,533 --> 00:13:27,633 ..like this. 370 00:13:34,233 --> 00:13:36,000 Then, what don't you know? You have your own things too, don't you? 371 00:13:36,000 --> 00:13:36,466 Then, what don't you know? You have your own things too, don't you? 372 00:13:36,500 --> 00:13:39,000 I keep my things to myself! 373 00:13:39,033 --> 00:13:41,033 You are right! Bye, Eleonora, see you tomorrow! 374 00:13:41,066 --> 00:13:42,066 HI. 375 00:13:51,366 --> 00:13:52,000 Victor? 376 00:13:52,000 --> 00:13:52,566 Victor? 377 00:13:54,133 --> 00:13:55,266 Love? 378 00:13:55,300 --> 00:13:57,033 (THE DOOR OPENS) 379 00:13:57,433 --> 00:13:59,233 (THE DOOR CLOSES) Victor? 380 00:14:04,466 --> 00:14:06,333 He didn't have lunch today either. 381 00:14:09,700 --> 00:14:11,066 You don't say anything, huh? 382 00:14:12,000 --> 00:14:14,733 But what should I tell you? Me too, At his age, I wanted to do as I please. 383 00:14:15,266 --> 00:14:16,000 - Did you want to do as you please? - Eh. 384 00:14:16,000 --> 00:14:16,600 - Did you want to do as you please? - Eh. 385 00:14:16,633 --> 00:14:20,100 Eh, but you did it as you like with your friends, at least with me. 386 00:14:20,133 --> 00:14:21,133 Huh? 387 00:14:21,166 --> 00:14:24,000 Vittorio, he doesn't leave the house, he doesn't leave that room, 388 00:14:24,000 --> 00:14:24,466 Vittorio, he doesn't leave the house, he doesn't leave that room, 389 00:14:24,500 --> 00:14:25,800 he doesn't even go to school anymore. 390 00:14:26,366 --> 00:14:27,633 It's not normal! 391 00:14:27,666 --> 00:14:31,266 My goodness, how exaggerated you are. Vittorio is very normal. 392 00:14:31,300 --> 00:14:32,000 "There's a period, there's a period." 393 00:14:32,000 --> 00:14:33,300 "There's a period, there's a period." 394 00:14:33,333 --> 00:14:35,500 (TICKING) 395 00:14:37,133 --> 00:14:38,400 Do you know what happens now? 396 00:14:38,433 --> 00:14:40,000 That I'll prepare dinner for you, you eat and your child doesn't. 397 00:14:40,000 --> 00:14:41,400 That I'll prepare dinner for you, you eat and your child doesn't. 398 00:14:41,766 --> 00:14:42,800 Not your son! 399 00:14:43,333 --> 00:14:45,033 - Huh? - Is this normal? 400 00:14:48,166 --> 00:14:49,366 (WHURLING) 401 00:14:51,200 --> 00:14:52,200 Where are you going? 402 00:14:52,666 --> 00:14:53,666 At home. 403 00:14:54,200 --> 00:14:55,466 The others have left. 404 00:14:55,500 --> 00:14:56,000 Sorry, won't you stay to give me a hand? 405 00:14:56,000 --> 00:14:57,366 Sorry, won't you stay to give me a hand? 406 00:15:02,133 --> 00:15:03,400 Lucio is there waiting for me. 407 00:15:03,433 --> 00:15:04,000 Well, for one evening he can also dine alone. 408 00:15:04,000 --> 00:15:05,433 Well, for one evening he can also dine alone. 409 00:15:06,266 --> 00:15:07,300 I thought. 410 00:15:08,233 --> 00:15:10,700 (SUSPENSE MUSIC) 411 00:15:34,633 --> 00:15:36,000 (MELANCHOLIC MUSIC) 412 00:15:36,000 --> 00:15:37,000 (MELANCHOLIC MUSIC) 413 00:16:28,700 --> 00:16:31,033 LUCIUS: I hope I haven't burned them, because... 414 00:16:31,066 --> 00:16:32,000 ..they were very fresh. 415 00:16:32,000 --> 00:16:32,333 ..they were very fresh. 416 00:16:33,300 --> 00:16:37,133 Mmm! He makes her his wife of one of my patients, these. 417 00:16:37,400 --> 00:16:40,000 He brought it to me this afternoon, but like he had done it an hour before. 418 00:16:40,000 --> 00:16:42,166 He brought it to me this afternoon, but like he had done it an hour before. 419 00:16:46,066 --> 00:16:47,066 Good. 420 00:17:01,766 --> 00:17:03,100 What did you do today? 421 00:17:04,333 --> 00:17:06,566 Problems at work? Alberta? Did you argue? 422 00:17:06,600 --> 00:17:08,066 - Problems with the seamstresses? No. 423 00:17:08,100 --> 00:17:09,766 I don't know, you have a face like... 424 00:17:13,133 --> 00:17:14,133 No. 425 00:17:19,400 --> 00:17:20,000 Tell me you didn't go back to them, 426 00:17:20,000 --> 00:17:20,766 Tell me you didn't go back to them, 427 00:17:20,800 --> 00:17:21,800 please. 428 00:17:22,766 --> 00:17:25,600 Tell me you didn't go to torment the witnesses again. 429 00:17:41,000 --> 00:17:42,100 Let's eat, go! 430 00:17:50,233 --> 00:17:52,000 (TICKING) 431 00:17:52,000 --> 00:17:52,533 (TICKING) 432 00:17:57,200 --> 00:17:59,333 (MELANCHOLIC MUSIC) 433 00:18:12,633 --> 00:18:16,000 (SAD MUSIC) 434 00:18:16,000 --> 00:18:16,100 (SAD MUSIC) 435 00:18:30,566 --> 00:18:32,000 Check that they are there all packages and leads in stock. 436 00:18:32,000 --> 00:18:33,300 Check that they are there all packages and leads in stock. 437 00:18:33,333 --> 00:18:36,033 - Certain. We bring everything to the warehouse. - Yes. 438 00:18:36,066 --> 00:18:38,666 We bring everything to the warehouse. - It's too dark! - No. 439 00:18:38,700 --> 00:18:40,000 No, it's dark. 440 00:18:40,000 --> 00:18:40,066 No, it's dark. 441 00:18:40,100 --> 00:18:42,666 No, in the sense that then this, when it cools, it lightens. 442 00:18:42,700 --> 00:18:45,233 - No, it doesn't lighten. - But I promise you, Mrs. Alberta! 443 00:18:45,266 --> 00:18:47,700 - Don't swear, it doesn't suit you. - Can I talk to you for a moment? 444 00:18:47,733 --> 00:18:48,000 - Yes. - When you ordered all this stuff? 445 00:18:48,000 --> 00:18:49,600 - Yes. - When you ordered all this stuff? 446 00:18:49,633 --> 00:18:52,266 I moved forward, I knew that he would have done everything by us. 447 00:18:52,300 --> 00:18:53,700 - But you're crazy! - No, I'm not crazy. 448 00:18:53,733 --> 00:18:54,766 Have you seen the sketches? 449 00:18:54,800 --> 00:18:56,000 We could never send them to another tailoring? 450 00:18:56,000 --> 00:18:56,666 We could never send them to another tailoring? 451 00:18:56,700 --> 00:18:59,633 At least let's call the accountant, there Let's help out with the accounts, right? 452 00:18:59,666 --> 00:19:01,233 We can do the math ourselves! 453 00:19:01,266 --> 00:19:03,566 But if we don't even delegate, I don't know how we can get out of this. 454 00:19:03,600 --> 00:19:04,000 Ennio, make an appointment with production. - Sign. 455 00:19:04,000 --> 00:19:06,266 Ennio, make an appointment with production. - Sign. 456 00:19:06,300 --> 00:19:08,200 I didn't say mark, I told you fixed. 457 00:19:09,333 --> 00:19:10,333 Fixed. 458 00:19:10,666 --> 00:19:12,000 - Alberta! - You can see how many rolls of taffeta do we have? 459 00:19:12,000 --> 00:19:13,766 - Alberta! - You can see how many rolls of taffeta do we have? 460 00:19:13,800 --> 00:19:15,333 I check the brocade. 461 00:19:19,600 --> 00:19:20,000 And the beads? 462 00:19:20,000 --> 00:19:20,600 And the beads? 463 00:19:21,400 --> 00:19:23,033 And then we choose the beads. 464 00:19:23,066 --> 00:19:24,200 "The beads..." 465 00:19:25,766 --> 00:19:27,800 "...they attack them all my little girls." 466 00:19:29,800 --> 00:19:33,200 - Gabrie', still with dad? - We have been attaching beads a lifetime. 467 00:19:33,233 --> 00:19:34,500 You couldn't take it anymore. 468 00:19:35,333 --> 00:19:36,000 Then now comes Bianca Vega, he asks you for the beads, and what do you do? 469 00:19:36,000 --> 00:19:38,400 Then now comes Bianca Vega, he asks you for the beads, and what do you do? 470 00:19:38,433 --> 00:19:39,533 You attach the beads to her. 471 00:19:39,566 --> 00:19:42,433 Why do I have to attack them? No, the seamstresses attack them. 472 00:19:42,466 --> 00:19:44,000 With what time? With what force? 473 00:19:44,000 --> 00:19:44,400 With what time? With what force? 474 00:19:44,433 --> 00:19:47,066 They are preparing three films, you added one. 475 00:19:47,100 --> 00:19:49,533 They had to be the protagonist, all roles now. 476 00:19:49,566 --> 00:19:51,200 Can you tell me what you are looking for? 477 00:19:51,233 --> 00:19:52,000 Are you counting taffeta? And it's counting! 478 00:19:52,000 --> 00:19:53,433 Are you counting taffeta? And it's counting! 479 00:20:03,466 --> 00:20:05,566 And where do you want to make them these costumes? 480 00:20:06,066 --> 00:20:07,633 ALBERTA: Here we empty everything 481 00:20:07,666 --> 00:20:08,000 and we dedicate this space to costumes by Bianca Vega. 482 00:20:08,000 --> 00:20:10,200 and we dedicate this space to costumes by Bianca Vega. 483 00:20:10,233 --> 00:20:11,233 And who empties it? 484 00:20:11,266 --> 00:20:13,600 - Those over there. - Who are those? - Those over there, come on! 485 00:20:13,633 --> 00:20:15,166 It can be dismantled, covered and carried down. 486 00:20:15,200 --> 00:20:16,000 It can be dismantled, covered and carried down. 487 00:20:16,000 --> 00:20:16,533 It can be dismantled, covered and carried down. 488 00:20:16,566 --> 00:20:18,766 Alright, let's turn it around then this tailoring, right? 489 00:20:19,633 --> 00:20:23,066 ("BRILLIANT WALZER" NINO ROTA) 490 00:20:30,166 --> 00:20:32,000 Hurry up that within an hour must be at the Teatro Valle. 491 00:20:32,000 --> 00:20:32,500 Hurry up that within an hour must be at the Teatro Valle. 492 00:20:32,533 --> 00:20:33,666 Of course, Mrs. Gabriella. 493 00:20:33,700 --> 00:20:34,800 Come on Rosa, come on! 494 00:20:40,600 --> 00:20:44,600 Hate! Oh my God, what a pleasure! They will be I haven't done it for ten years. 495 00:20:44,633 --> 00:20:47,200 "And I believe you", what do Americans know! 496 00:20:48,433 --> 00:20:50,700 ELEONORA: Gianni, shoulder in place, 71. 497 00:20:50,733 --> 00:20:55,466 So? Josephine? What do you think of this eighteenth century? 498 00:20:56,133 --> 00:20:59,166 Ah! You need to wake up if no, when will you find your boyfriend? 499 00:20:59,200 --> 00:21:02,066 Paolina, do you like him, or else Can I pass it to Giuseppina? 500 00:21:02,100 --> 00:21:04,000 No. A little boy already has it at home, her. 501 00:21:04,000 --> 00:21:04,500 No. A little boy already has it at home, her. 502 00:21:04,533 --> 00:21:06,333 So, now he has the big boy too! 503 00:21:06,366 --> 00:21:09,500 - Come on, Nina, be serious. - But I'm very serious! Huh? 504 00:21:09,800 --> 00:21:11,100 Excuse me, young man? 505 00:21:11,133 --> 00:21:12,000 Young man, what will you be dressed as? As a courtier or as a peasant? 506 00:21:12,000 --> 00:21:15,233 Young man, what will you be dressed as? As a courtier or as a peasant? 507 00:21:16,266 --> 00:21:19,366 Don't you know? Well, the face is that of a courtier. 508 00:21:20,666 --> 00:21:22,600 But the ass is a peasant's. Huh? 509 00:21:22,633 --> 00:21:23,633 - Well yes. - Well yes. 510 00:21:23,666 --> 00:21:25,466 It's 100! Well, my idea of paradise. 511 00:21:25,500 --> 00:21:28,000 You there? Come, come. Put yourself here a moment. Let me get a look at you? Rotate... 512 00:21:28,000 --> 00:21:30,200 Hey, you? Come, come. Put yourself here a moment. Let me get a look at you? Rotate... 513 00:21:30,233 --> 00:21:33,133 ..about yourself. Calmly, like a music box, 514 00:21:33,166 --> 00:21:34,533 also on the other side. 515 00:21:34,566 --> 00:21:36,000 And y-you're a courtier or the farmer? 516 00:21:36,000 --> 00:21:36,666 And y-you're a courtier or the farmer? 517 00:21:36,700 --> 00:21:38,533 - Okay, forget it, look. - Oh, Nina! 518 00:21:38,566 --> 00:21:40,466 A little composure, you are the head seamstress. 519 00:21:40,500 --> 00:21:42,500 So what? It's been a while since I've been a tailor... 520 00:21:42,533 --> 00:21:44,000 - ..from one farmer to another. - If Bianca Vega hears you. 521 00:21:44,000 --> 00:21:45,033 - ..from one farmer to another. - If Bianca Vega hears you. 522 00:21:45,066 --> 00:21:48,100 - Don't fall in love, eh? - Nicoletta? How are you, is everything okay? 523 00:21:48,133 --> 00:21:49,733 Yes, good. "What do you care" anyway? 524 00:21:49,766 --> 00:21:52,000 You already have a handsome guy at home, huh? 525 00:21:52,000 --> 00:21:52,133 You already have a handsome guy at home, huh? 526 00:21:54,100 --> 00:21:56,133 They massacred me at work today. 527 00:21:56,766 --> 00:21:58,733 You'll be hungry then. - And indeed. 528 00:22:03,066 --> 00:22:04,333 You've soiled your plate. 529 00:22:21,533 --> 00:22:23,733 (BREATHING) 530 00:22:30,666 --> 00:22:32,000 'This risotto sucks. 531 00:22:32,000 --> 00:22:32,400 'This risotto sucks. 532 00:22:35,500 --> 00:22:38,600 (GASP) What are you afraid of? Huh? 533 00:22:38,633 --> 00:22:39,733 Can you feel if it's hot? 534 00:22:40,533 --> 00:22:43,466 Can you feel if it's hot? Can you feel if it's hot? 535 00:22:44,000 --> 00:22:46,500 It's hot and disgusting. 536 00:22:46,533 --> 00:22:48,000 What do I have to do with being a wife, will you tell me? 537 00:22:48,000 --> 00:22:48,466 What do I have to do with being a wife, will you tell me? 538 00:22:48,500 --> 00:22:50,200 What do I have to do? Huh? 539 00:22:50,633 --> 00:22:53,166 Sorry, Bruno, it's just... it's just that in the tailor's shop we had a... 540 00:22:53,200 --> 00:22:54,233 (SCREAM) 541 00:22:54,266 --> 00:22:56,000 What the fuck does tailoring have to do with it with my risotto? 542 00:22:56,000 --> 00:22:57,100 What the fuck does tailoring have to do with it with my risotto? 543 00:22:58,500 --> 00:22:59,800 What the fuck does that have to do with it? 544 00:23:00,800 --> 00:23:01,800 Excuse me. 545 00:23:03,033 --> 00:23:04,000 (HIT) 546 00:23:04,000 --> 00:23:04,033 (HIT) 547 00:23:06,400 --> 00:23:07,766 - No, Bruno! - Come here! 548 00:23:07,800 --> 00:23:09,066 Please, Bruno! 549 00:23:10,100 --> 00:23:12,000 You, tomorrow, come back at five and cook me something decent, 550 00:23:12,000 --> 00:23:13,033 You, tomorrow, come back at five and cook me something decent, 551 00:23:13,066 --> 00:23:14,366 did you understand? Huh? 552 00:23:15,500 --> 00:23:17,666 If you're a minute late, I'll kill you! 553 00:23:17,700 --> 00:23:19,733 Do you know where this well ends up, huh? 554 00:23:19,766 --> 00:23:20,000 Do you know where it ends up? To the Tiber! 555 00:23:20,000 --> 00:23:21,800 Do you know where it ends up? To the Tiber! 556 00:23:22,000 --> 00:23:25,033 Nobody finds you, did you understand? Nobody finds you! 557 00:23:25,066 --> 00:23:27,533 Did you understand? NICOLETTA: Yes, I understand. 558 00:23:39,266 --> 00:23:42,300 Eh! Coldbreak! Directly from the butcher's shop. 559 00:23:42,333 --> 00:23:44,000 Ah yes, it helps maintain the frozen rooms, 560 00:23:44,000 --> 00:23:45,233 Ah yes, it helps maintain the frozen rooms, 561 00:23:45,266 --> 00:23:47,433 while the butchers come in, go out... 562 00:23:47,466 --> 00:23:49,600 But you want to mount this instead of beads? 563 00:23:49,633 --> 00:23:52,000 Yes, we make slats plastic with these, here you go. 564 00:23:52,000 --> 00:23:52,633 Yes, we make slats plastic with these, here you go. 565 00:23:52,666 --> 00:23:54,133 (VERSE OF AMAZING) 566 00:23:54,166 --> 00:23:56,533 Like... armor over the heart? 567 00:23:57,333 --> 00:23:58,666 A rain? 568 00:24:00,000 --> 00:24:03,600 - A river? - A waterfall of fiery lava. 569 00:24:07,333 --> 00:24:08,000 On! To work! Let's go make it happen. 570 00:24:08,000 --> 00:24:09,433 On! To work! Let's go make it happen. 571 00:24:09,466 --> 00:24:13,000 I recommend you, eh? Tagliatelle, very narrow! 572 00:24:13,033 --> 00:24:15,500 WHITE: 20-15 centimetres. 573 00:24:16,166 --> 00:24:19,533 Look, so tight. The different length, 574 00:24:19,566 --> 00:24:22,800 but it must be organic. Longer... 575 00:24:24,566 --> 00:24:25,666 What is it? 576 00:24:26,433 --> 00:24:27,466 I like. 577 00:24:27,500 --> 00:24:29,633 FRANCA: You saw the effect what does the petticoat do? 578 00:24:29,666 --> 00:24:32,000 I was thinking of a cage when I drew it. 579 00:24:32,033 --> 00:24:34,000 It's perfect. Perfect. 580 00:24:34,433 --> 00:24:37,566 Yes, because the protagonist can feel it so, she feels forced, 581 00:24:37,600 --> 00:24:40,000 caged, both physically than in the soul. 582 00:24:40,000 --> 00:24:40,500 caged, both physically than in the soul. 583 00:24:41,166 --> 00:24:42,600 Nothing but "Happy Days"! 584 00:24:45,300 --> 00:24:47,300 (MELANCHOLIC MUSIC) 585 00:24:49,733 --> 00:24:50,733 She's beautiful. 586 00:24:52,766 --> 00:24:55,700 Alright, Simo, now you sit there and be good, huh? 587 00:24:55,733 --> 00:24:56,000 Please don't touch anything. 588 00:24:56,000 --> 00:24:57,300 Please don't touch anything. 589 00:25:00,466 --> 00:25:02,500 Ah! Bianca Vega is a genius, isn't she? 590 00:25:02,533 --> 00:25:04,000 Eh, but here we would need a laborer, 591 00:25:04,000 --> 00:25:04,333 Eh, but here we would need a laborer, 592 00:25:04,366 --> 00:25:07,066 other than "Eleonora, 'the best embroiderer in Rome', right? 593 00:25:07,100 --> 00:25:08,200 Eh, teasing, teasing, 594 00:25:08,233 --> 00:25:10,200 meanwhile the Canottiglia in Rome I'm the only one who does it. 595 00:25:10,233 --> 00:25:12,000 Nicoletta, Paolina, in five minutes, go up to Gabriella. 596 00:25:12,000 --> 00:25:13,500 Nicoletta, Paolina, in five minutes, go up to Gabriella. 597 00:25:13,533 --> 00:25:15,000 - Yes, ma'am. - Yes. - Is that okay? 598 00:25:16,800 --> 00:25:18,533 - What's that? - It's... 599 00:25:18,566 --> 00:25:20,000 ..Paolina's son. He helps us out in the afternoon. 600 00:25:20,000 --> 00:25:22,333 ..Paolina's son. He helps us out in the afternoon. 601 00:25:23,800 --> 00:25:26,633 This is not a nursery. Find a solution. 602 00:25:27,233 --> 00:25:28,000 - Clear? - Yes. 603 00:25:28,000 --> 00:25:28,700 - Clear? - Yes. 604 00:25:33,300 --> 00:25:35,033 SILVANA: I recommend Simone, eh? 605 00:25:35,066 --> 00:25:36,000 Stay calm here. So much mom, As soon as he can, he comes to visit you, huh? 606 00:25:36,000 --> 00:25:37,800 Stay calm here. So much mom, As soon as he can, he comes to visit you, huh? 607 00:25:38,000 --> 00:25:40,533 Well yes. You get on now sitting here, Simone, come. 608 00:25:40,566 --> 00:25:43,000 You have the notebook and the colors taken. 609 00:25:43,033 --> 00:25:44,000 And play with the buttons, Look how beautiful and colourful. 610 00:25:44,000 --> 00:25:45,566 And play with the buttons, Look how beautiful and colourful. 611 00:25:45,600 --> 00:25:47,600 Look! One important thing Simone, 612 00:25:47,633 --> 00:25:52,000 I recommend that if anyone comes in that you don't know, 613 00:25:52,000 --> 00:25:52,233 I recommend that if anyone comes in that you don't know, 614 00:25:52,266 --> 00:25:54,533 you have to hide now, 615 00:25:54,566 --> 00:25:58,400 immediately. You have to hide here. 616 00:25:58,433 --> 00:26:00,000 Inside here, please. 617 00:26:00,000 --> 00:26:00,133 Inside here, please. 618 00:26:00,166 --> 00:26:02,366 I'm coming anyway, I'll bring you a snack, 619 00:26:02,400 --> 00:26:05,400 and then... mom comes who comes to see you as soon as he can. 620 00:26:05,800 --> 00:26:08,000 Silva', this Simone thing to me, it agitates me. 621 00:26:08,000 --> 00:26:08,033 Silva', this Simone thing to me, it agitates me. 622 00:26:08,066 --> 00:26:09,033 Oh, I understand, 623 00:26:09,066 --> 00:26:11,533 - Paolina, but you have to react. But how do I react, 624 00:26:11,566 --> 00:26:14,400 I don't even have eyes to cry? - And sell you something. 625 00:26:14,433 --> 00:26:16,000 But if he just told you he doesn't have not even eyes to cry, 626 00:26:16,000 --> 00:26:17,433 But if he just told you he doesn't have not even eyes to cry, 627 00:26:17,466 --> 00:26:19,300 sorry, what are you selling? Simon? - Yes. 628 00:26:19,333 --> 00:26:22,166 Shut up! Come on, don't listen to the beautiful laundry girl, go! 629 00:26:22,200 --> 00:26:24,000 No, I don't wash, I dye, 630 00:26:24,000 --> 00:26:24,233 No, I don't wash, I dye, 631 00:26:24,266 --> 00:26:26,666 and I like it. - When I was young and beautiful... 632 00:26:26,700 --> 00:26:29,033 "I was a dancer in variety shows." 633 00:26:29,066 --> 00:26:30,666 - Were you a dancer in the variety show? - Yes. 634 00:26:30,700 --> 00:26:32,000 I was a dancer in variety shows, yes. 635 00:26:32,000 --> 00:26:32,766 I was a dancer in variety shows, yes. 636 00:26:32,800 --> 00:26:35,133 And I liked it too and I had fun too. 637 00:26:35,633 --> 00:26:39,033 And I wasn't here to make sauce for these four crazy things, eh? 638 00:26:39,066 --> 00:26:40,000 Oh, but in the meantime, always "understanding" you're done with the green beans. 639 00:26:40,000 --> 00:26:42,100 Oh, but in the meantime, always "understanding" you're done with the green beans. 640 00:26:42,133 --> 00:26:44,166 Oh, I know. This is also true. 641 00:26:44,200 --> 00:26:47,300 Because unfortunately... eh! Time passes, 642 00:26:47,633 --> 00:26:48,000 you get older... 643 00:26:48,000 --> 00:26:48,800 you get older... 644 00:26:50,633 --> 00:26:52,400 ...no one wants you anymore, 645 00:26:54,100 --> 00:26:56,000 and I was left by this my... boyfriend, 646 00:26:56,000 --> 00:26:58,300 and I was left by this my... boyfriend, 647 00:26:58,333 --> 00:27:00,300 defaulter... industrialist. 648 00:27:00,333 --> 00:27:02,200 He dumped me, suddenly. 649 00:27:03,300 --> 00:27:04,000 That's how it went, Paolina. 650 00:27:04,000 --> 00:27:04,633 That's how it went, Paolina. 651 00:27:05,666 --> 00:27:08,333 Other than removing the earth under your feet. 652 00:27:09,266 --> 00:27:11,466 I have feet just cut. 653 00:27:12,766 --> 00:27:16,066 And instead the language, however, no one ever cuts it for you. 654 00:27:16,100 --> 00:27:19,000 Well, yes, she's always being funny, do you see it? 655 00:27:19,033 --> 00:27:20,000 The truth is that we need to react. 656 00:27:20,000 --> 00:27:20,600 The truth is that we need to react. 657 00:27:20,633 --> 00:27:22,333 You don't have to sketch. 658 00:27:22,366 --> 00:27:25,333 When you are a single woman, when you have no money, 659 00:27:25,366 --> 00:27:27,333 when you have no more hope, 660 00:27:27,733 --> 00:27:28,000 we need to react. 661 00:27:28,000 --> 00:27:29,033 we need to react. 662 00:27:29,466 --> 00:27:32,133 And you have to do this, Paolina. Listen to me! 663 00:27:35,333 --> 00:27:36,000 EDOARDO: Can we? Gentleman? 664 00:27:36,000 --> 00:27:36,800 EDOARDO: Can we? Gentleman? 665 00:27:37,000 --> 00:27:38,300 Huh, "Sir"? 666 00:27:38,333 --> 00:27:41,100 "Gentleman"! But what is it all this formality? 667 00:27:41,133 --> 00:27:42,766 Oh! Eh? - Giuseppina! 668 00:27:42,800 --> 00:27:44,000 - Help the kids. - Yes. You're welcome. 669 00:27:44,000 --> 00:27:44,500 - Help the kids. - Yes. You're welcome. 670 00:27:51,533 --> 00:27:52,000 - (whispering) What do we do...? - Mhm? 671 00:27:52,000 --> 00:27:53,433 - (whispering) What do we do...? - Mhm? 672 00:27:53,466 --> 00:27:54,466 Yes. 673 00:27:55,533 --> 00:27:56,766 Goodbye, sir. 674 00:27:56,800 --> 00:27:59,166 Eh, well, then you're a repeat offender, cub. 675 00:28:00,333 --> 00:28:02,433 But, they told me which one of them sings? 676 00:28:02,466 --> 00:28:03,500 Not me. 677 00:28:04,633 --> 00:28:06,466 Tu? - Well yes. 678 00:28:07,266 --> 00:28:08,000 Sing! 679 00:28:08,000 --> 00:28:08,266 Sing! 680 00:28:10,533 --> 00:28:11,800 I feel like a song! 681 00:28:13,366 --> 00:28:15,233 - Sing! - Um... 682 00:28:17,400 --> 00:28:18,800 - FAUSTA: Oh! 683 00:28:19,600 --> 00:28:21,500 Yes! - 684 00:28:21,533 --> 00:28:22,533 Yes. 685 00:28:23,533 --> 00:28:24,000 (Together) with friends... 686 00:28:24,000 --> 00:28:26,400 (Together) with friends... 687 00:28:26,433 --> 00:28:28,333 Yes, come on! 688 00:28:28,366 --> 00:28:31,533 (Together) between us... 689 00:28:33,533 --> 00:28:39,033 (THEY SING "YOU FUCKED ME INSIDE THE HEART" OF MINA) 690 00:28:59,400 --> 00:29:03,333 (THEY SING "YOU FUCKED ME INSIDE THE HEART" OF MINA) 691 00:29:22,533 --> 00:29:24,566 Thanks, you can go. 692 00:29:25,100 --> 00:29:27,733 Enough! Let's get back to work! Immediately, silence. 693 00:29:27,766 --> 00:29:28,000 That maybe Mrs. Alberta he even heard us. 694 00:29:28,000 --> 00:29:29,800 That maybe Mrs. Alberta he even heard us. 695 00:29:31,200 --> 00:29:32,566 So, goodbye. 696 00:29:33,433 --> 00:29:35,233 We'll let you know, thanks. 697 00:29:35,266 --> 00:29:36,000 (LAUGHTER) 698 00:29:36,000 --> 00:29:36,600 (LAUGHTER) 699 00:29:38,766 --> 00:29:40,800 Like a dam, I want it to break! 700 00:29:41,000 --> 00:29:43,233 What blocks, you block all thoughts. 701 00:29:44,366 --> 00:29:46,033 What is this, sorry? 702 00:29:46,600 --> 00:29:49,333 But does this seem like a dam to you? this is a gate, 703 00:29:49,366 --> 00:29:51,166 half busted, come on! - It's just a canvas, 704 00:29:51,200 --> 00:29:52,000 to see the drawing. 705 00:29:52,000 --> 00:29:52,400 to see the drawing. 706 00:29:52,433 --> 00:29:53,700 Then we will use another fabric. 707 00:29:53,733 --> 00:29:56,666 Yes, but what fabric do we use? This one it's a complex structure, girls... 708 00:29:56,700 --> 00:29:58,666 - The gazar. NINA: Oh, sure, Cristobal. 709 00:29:58,700 --> 00:30:00,000 (whispering) But who is Cristobal? 710 00:30:00,000 --> 00:30:00,500 (whispering) But who is Cristobal? 711 00:30:00,533 --> 00:30:01,800 Balenciaga! 712 00:30:02,000 --> 00:30:04,266 He would have given us a hand, but unfortunately he died. 713 00:30:04,300 --> 00:30:07,666 It's limp. It must not be weakened, it's soft. 714 00:30:18,600 --> 00:30:19,633 Light. 715 00:30:25,400 --> 00:30:27,800 (MYSTERY MUSIC) 716 00:30:29,400 --> 00:30:30,433 Light. 717 00:30:30,466 --> 00:30:32,000 Light. Thank you. 718 00:30:32,000 --> 00:30:33,000 Light. Thank you. 719 00:30:33,600 --> 00:30:35,766 Light. Discarded, discard all the candy! 720 00:30:35,800 --> 00:30:38,666 - Discard all the candy. - Alberta, come here. Look. 721 00:30:38,700 --> 00:30:40,000 Let's make some lights, like this. 722 00:30:40,000 --> 00:30:41,200 Let's make some lights, like this. 723 00:30:41,500 --> 00:30:43,333 BIANCA: Keep going. Make some lights. 724 00:30:44,000 --> 00:30:45,133 As! 725 00:30:45,166 --> 00:30:47,166 (WHURLING) 726 00:30:59,800 --> 00:31:02,100 (MELANCHOLIC MUSIC) 727 00:31:07,100 --> 00:31:10,100 Easy, be easy, I am delicate, thank you. - April! 728 00:31:10,600 --> 00:31:11,600 Here you are. 729 00:31:14,533 --> 00:31:15,533 As? 730 00:31:16,366 --> 00:31:18,233 - Hmm? - I don't know, I don't know if it works. 731 00:31:18,266 --> 00:31:19,800 As? - But I don't know, it's a bit... 732 00:31:20,000 --> 00:31:21,766 No, stop. A little what? 733 00:31:22,366 --> 00:31:24,766 I mean, I'm terrified, doesn't it make me bigger? Real? 734 00:31:24,800 --> 00:31:27,600 No, Alida, of course! You can see your soul. 735 00:31:27,633 --> 00:31:28,000 Exact. The soul. But... 736 00:31:28,000 --> 00:31:29,600 Exactly. The soul. But... 737 00:31:30,233 --> 00:31:31,233 ..thin. 738 00:31:31,266 --> 00:31:32,266 Look at you. 739 00:31:32,300 --> 00:31:35,300 I turn around, huh? Are we there girls? 740 00:31:35,700 --> 00:31:36,000 - Do I turn around? - Yes. 741 00:31:36,000 --> 00:31:37,266 - Do I turn around? - Yes. 742 00:31:38,000 --> 00:31:39,466 No, well... 743 00:31:40,566 --> 00:31:44,000 ...gives me the idea of... of the dried grass. 744 00:31:44,000 --> 00:31:44,433 ...gives me the idea of... of the dried grass. 745 00:31:44,800 --> 00:31:46,400 No, Franca is perfect. 746 00:31:46,433 --> 00:31:49,333 Let's hope the director sees them too and also Samuel Beckett. 747 00:31:49,366 --> 00:31:50,633 He's the one who wrote it. 748 00:31:51,200 --> 00:31:52,000 But the captions are done to be betrayed, right? 749 00:31:52,000 --> 00:31:53,633 But the captions are done to be betrayed, right? 750 00:31:53,666 --> 00:31:56,700 (laughing) Art is everything a betrayal, dear. 751 00:31:57,366 --> 00:31:59,800 And I'm an expert, but I don't want to have exaggerated. 752 00:32:00,000 --> 00:32:01,733 Yes, yes, it's perfect, it's perfect girls! 753 00:32:01,766 --> 00:32:04,600 FRANCA: The tyre. GABRIELLA: You have to add this... 754 00:32:04,633 --> 00:32:06,733 - What's this? - You have to wear it. 755 00:32:06,766 --> 00:32:08,000 This? - Of course. 756 00:32:08,000 --> 00:32:08,400 This? - Of course. 757 00:32:08,433 --> 00:32:10,433 - Handsome. Hate! Are you crazy? 758 00:32:10,466 --> 00:32:11,500 But you think 759 00:32:11,533 --> 00:32:16,000 that an actress succeeds to act with this thing on your head? 760 00:32:16,000 --> 00:32:16,566 that an actress succeeds to act with this thing on your head? 761 00:32:17,500 --> 00:32:21,033 Hi Alida, good morning. I can you steal a moment Gabriella? 762 00:32:21,066 --> 00:32:22,666 - Please. GABRIELLA: Sorry. - Yes. 763 00:32:24,500 --> 00:32:25,800 You are awesome! 764 00:32:26,400 --> 00:32:28,400 You move, that Sofia Volpi is coming? 765 00:32:28,433 --> 00:32:29,700 Huh? Shut up. 766 00:32:29,733 --> 00:32:31,633 Has it been a while? 767 00:32:31,666 --> 00:32:32,000 And if Sofia Volpi arrives, what's the problem? 768 00:32:32,000 --> 00:32:33,633 And if Sofia Volpi arrives, what's the problem? 769 00:32:33,666 --> 00:32:35,466 The problem is that they don't have to meet, 770 00:32:35,500 --> 00:32:38,100 You know how these are made, right? - Yes, but I have to finish the test. 771 00:32:38,566 --> 00:32:40,000 ALBERTA: Dearest, you are... 772 00:32:40,000 --> 00:32:40,366 ALBERTA: Dearest, you are... 773 00:32:41,066 --> 00:32:42,066 ...a vision! 774 00:32:42,633 --> 00:32:43,700 Thank you dear! 775 00:32:44,300 --> 00:32:45,300 Move. 776 00:32:45,333 --> 00:32:47,700 ALIDA: Thank you! Thanks, Alberta. 777 00:32:49,233 --> 00:32:51,000 Beautiful, beautiful, beautiful. 778 00:32:51,666 --> 00:32:53,133 I'm keeping it, right? 779 00:32:53,633 --> 00:32:54,633 Handsome? 780 00:32:59,433 --> 00:33:00,466 Thank you. 781 00:33:05,100 --> 00:33:06,233 Here it is. 782 00:33:06,733 --> 00:33:09,700 - Welcome back. Is he okay? - Fine thanks. Please. 783 00:33:14,200 --> 00:33:16,733 (INAUDIBLE WORDS) 784 00:33:19,433 --> 00:33:20,000 ELEONORA: 70. 785 00:33:20,000 --> 00:33:20,666 ELEONORA: 70. 786 00:33:20,700 --> 00:33:23,033 - No, put 65. - 65. 787 00:33:23,066 --> 00:33:25,000 Crazy! Crazy! 788 00:33:25,033 --> 00:33:28,000 I'm so lucky to wear these crazy dresses. 789 00:33:28,000 --> 00:33:28,233 I'm so lucky to wear these crazy dresses. 790 00:33:29,000 --> 00:33:30,000 62. 791 00:33:30,300 --> 00:33:31,366 Think that... 792 00:33:31,400 --> 00:33:34,133 ...I could have done this job even just for this reason. 793 00:33:34,166 --> 00:33:35,433 - Because of this! Understood? 65. 794 00:33:35,466 --> 00:33:36,000 When I saw, like... Katharine Hepburn, Bette Davis, right? 795 00:33:36,000 --> 00:33:39,800 When I saw, like... Katharine Hepburn, Bette Davis, right? 796 00:33:40,000 --> 00:33:41,700 Which, I envied them to death... 797 00:33:41,733 --> 00:33:44,000 Why should you? You have nothing to envy. 798 00:33:44,000 --> 00:33:45,266 Why should you? You have nothing to envy. 799 00:33:45,300 --> 00:33:47,766 - Well... no, come on! NINA: She doesn't lack anything, eh... 800 00:33:49,433 --> 00:33:51,733 Excuse me, but this ring it's gorgeous! 801 00:33:51,766 --> 00:33:52,000 ELEONORA: No! - What is it? 802 00:33:52,000 --> 00:33:53,766 ELEONORA: No! - What is it? 803 00:33:53,800 --> 00:33:56,033 Excuse me, there are three seamstresses around a dress is bad luck. 804 00:33:56,066 --> 00:33:57,800 ALBERTA: What's your name? - Giuseppina. 805 00:33:58,000 --> 00:34:00,000 And what are you doing here? Go, go. 806 00:34:00,000 --> 00:34:00,266 And what are you doing here? Go, go. 807 00:34:02,266 --> 00:34:04,233 It's always this ring's fault. 808 00:34:04,266 --> 00:34:06,200 I told Burt that which is too big. 809 00:34:06,233 --> 00:34:08,000 Excuse me, ma'am, but it's not... it's not too much, with its measures... 810 00:34:08,000 --> 00:34:09,500 Excuse me, ma'am, but it's not... it's not too much, with its measures... 811 00:34:09,533 --> 00:34:11,333 ..but blessed is he who marries her! Eh! 812 00:34:11,366 --> 00:34:13,000 But his measures, however... 813 00:34:14,333 --> 00:34:16,000 Oh, sir! Measurements are everything in life! 814 00:34:16,000 --> 00:34:17,100 Oh, sir! Measurements are everything in life! 815 00:34:19,333 --> 00:34:21,033 Sorry for the interruption. 816 00:34:21,066 --> 00:34:24,000 Excuse me, Ms. Alberta, I need Eleonora urgently. 817 00:34:24,000 --> 00:34:24,166 Excuse me, Ms. Alberta, I need Eleonora urgently. 818 00:34:24,800 --> 00:34:26,066 With permission. 819 00:34:29,366 --> 00:34:31,333 And you? What are you doing here? 820 00:34:31,366 --> 00:34:32,000 We are waiting! 821 00:34:32,000 --> 00:34:32,466 We are waiting! 822 00:34:33,066 --> 00:34:34,233 Waiting for what? 823 00:34:34,500 --> 00:34:35,500 Josephine. 824 00:34:36,033 --> 00:34:37,033 Both? 825 00:34:37,466 --> 00:34:38,466 Yes. 826 00:34:39,333 --> 00:34:40,000 Ah. 827 00:34:40,000 --> 00:34:40,333 Ah. 828 00:34:44,733 --> 00:34:46,633 You understood Giuseppina! 829 00:34:49,800 --> 00:34:51,333 - Why is everything closed here? - Shh! 830 00:34:51,366 --> 00:34:52,800 Ah! But what happens? 831 00:34:53,000 --> 00:34:55,266 She is Eleonora's niece, they beat her. 832 00:34:55,300 --> 00:34:56,000 Who? 833 00:34:56,000 --> 00:34:56,333 Who? 834 00:34:56,366 --> 00:34:58,400 - The police. - Oh, Lord. Why? What did you do? 835 00:34:58,433 --> 00:35:00,600 - A demonstration. - 'This idiot! 836 00:35:00,633 --> 00:35:03,066 But leave her alone! Come on, we have we did '68 too! 837 00:35:03,100 --> 00:35:04,000 But no, speak for yourself, huh? I'm too young. 838 00:35:04,000 --> 00:35:05,333 But no, speak for yourself, huh? I'm too young. 839 00:35:05,366 --> 00:35:08,233 But why did you come here? - How many times do I have to tell you? 840 00:35:08,266 --> 00:35:11,066 - They were chasing me. I came here, you are my aunt, help me! - Shh! 841 00:35:11,100 --> 00:35:12,000 - Oh! Oh, guys? - Ouch! 842 00:35:12,000 --> 00:35:12,800 - Oh! Oh, guys? - Ouch! 843 00:35:13,000 --> 00:35:15,466 Eh, I'll give it back to you now, eh? Shut up! Nicoletta, close the door. 844 00:35:15,500 --> 00:35:17,666 You, be careful there, you're stuck! 845 00:35:17,700 --> 00:35:19,433 Now I'll call your mother and you go home. 846 00:35:19,466 --> 00:35:20,000 I told you, not at home, it's the first place where they would look for me. 847 00:35:20,000 --> 00:35:22,100 I told you, not at home, it's the first place where they would look for me. 848 00:35:22,133 --> 00:35:24,266 - I'm coming to your house. - No! At my house, no. 849 00:35:24,666 --> 00:35:27,000 If the police are looking for her, my house is second place 850 00:35:27,033 --> 00:35:28,000 where they would look for it. - Of course! 851 00:35:28,000 --> 00:35:28,700 where they would look for it. - Of course! 852 00:35:29,333 --> 00:35:31,500 So I'm here. Just a couple of days. 853 00:35:31,533 --> 00:35:33,066 Aunt, please, please help me! 854 00:35:33,100 --> 00:35:35,266 - Come on, Eleonora, we have to help her. - Yes! 855 00:35:35,300 --> 00:35:36,000 - But sorry, he can sleep in the locker room. - What are you saying? 856 00:35:36,000 --> 00:35:37,566 - But sorry, he can sleep in the locker room. - What are you saying? 857 00:35:37,600 --> 00:35:40,166 Yes, Mrs. Alberta does not never looks in there. 858 00:35:40,633 --> 00:35:42,733 Please help me. I'm quiet and good. 859 00:35:42,766 --> 00:35:44,000 Nobody sees me and nobody hears me. 860 00:35:44,000 --> 00:35:44,333 Nobody sees me and nobody hears me. 861 00:35:44,366 --> 00:35:47,000 Eh, darling, but here's the baby in the control room 862 00:35:47,033 --> 00:35:49,600 and you in the locker room, and this is no longer a tailor's shop, 863 00:35:49,633 --> 00:35:51,733 this is a refugium pectinarum 864 00:35:51,766 --> 00:35:52,000 Ennio, what do you say? Can you help us too? 865 00:35:52,000 --> 00:35:54,266 Ennio, what do you say? Can you help us too? 866 00:35:54,300 --> 00:35:57,533 No, I didn't see anything, I didn't I heard nothing and said nothing. 867 00:35:57,566 --> 00:35:58,733 Let me out, go! 868 00:35:58,766 --> 00:36:00,000 He doesn't see, he doesn't hear, he doesn't understand. It looks like a man gave birth to it. 869 00:36:00,000 --> 00:36:02,766 He doesn't see, he doesn't hear, he doesn't understand. It looks like a man gave birth to it. 870 00:36:07,433 --> 00:36:08,000 You were late. 871 00:36:08,000 --> 00:36:08,433 You were late. 872 00:36:08,466 --> 00:36:11,633 I had to fix my granddaughter. Well, eh, eh... 873 00:36:11,666 --> 00:36:12,666 Mhm. 874 00:36:13,566 --> 00:36:16,000 It was kind of you to come and offer to fix my shutter. 875 00:36:16,000 --> 00:36:17,400 It was kind of you to come and offer to fix my shutter. 876 00:36:17,433 --> 00:36:19,366 It's a pleasure, Mrs. Eleonora! 877 00:36:19,666 --> 00:36:21,466 Now you see I'll fix you even better. 878 00:36:21,500 --> 00:36:22,566 Has anyone seen you? 879 00:36:58,033 --> 00:37:00,200 (CRACKLING) 880 00:37:29,633 --> 00:37:33,366 ("GAME OF LOOKS" GIULIANO TAVIANI AND CARMELO TRAVIA) 881 00:39:07,033 --> 00:39:10,566 ("GAME OF LOOKS" GIULIANO TAVIANI AND CARMELO TRAVIA) 882 00:39:17,333 --> 00:39:18,533 But who made them? 883 00:39:19,366 --> 00:39:20,000 I do not know. 884 00:39:20,000 --> 00:39:20,366 I do not know. 885 00:39:24,033 --> 00:39:25,033 Girls? 886 00:39:26,133 --> 00:39:27,466 Girls, come this way. 887 00:39:28,700 --> 00:39:29,700 On! 888 00:39:34,733 --> 00:39:36,000 Which one of you did this? 889 00:39:36,000 --> 00:39:36,300 Which one of you did this? 890 00:39:38,100 --> 00:39:40,633 Don't-don't be afraid, it's brilliant! 891 00:39:42,300 --> 00:39:43,700 A stomacher w-what... 892 00:39:44,266 --> 00:39:45,300 ...which transforms, 893 00:39:45,333 --> 00:39:48,533 they become... almost vaginas, who was it? 894 00:39:50,533 --> 00:39:51,766 Come on, look at me! 895 00:39:58,066 --> 00:39:59,300 It wasn't them. 896 00:40:02,600 --> 00:40:04,366 Sorry, I have an appointment. 897 00:40:04,400 --> 00:40:08,000 Come, come, come here! Here, come... 898 00:40:08,000 --> 00:40:08,133 Come, come, come here! Here, come... 899 00:40:08,166 --> 00:40:09,766 Ennio? Didn't we have an appointment? 900 00:40:09,800 --> 00:40:12,066 Yes, ma'am, excuse me, It's Dr. Cavani. 901 00:40:15,400 --> 00:40:16,000 (SUSPENSE MUSIC) 902 00:40:16,000 --> 00:40:17,100 (SUSPENSE MUSIC) 903 00:40:18,400 --> 00:40:19,733 Give me five minutes. 904 00:40:21,033 --> 00:40:23,500 - Will you take him to my office? ENNIO: Yes, ma'am. 905 00:40:25,133 --> 00:40:27,633 (SUSPENSE MUSIC) 906 00:40:41,433 --> 00:40:42,533 What's happening? 907 00:40:45,033 --> 00:40:46,333 (KNOCKING ON THE DOOR) 908 00:40:48,166 --> 00:40:49,166 Go ahead. 909 00:40:51,266 --> 00:40:52,366 Dr. Cavani. 910 00:40:54,066 --> 00:40:56,000 - Good morning. GABRIELLA: Good morning. 911 00:40:56,000 --> 00:40:56,033 - Good morning. GABRIELLA: Good morning. 912 00:40:56,366 --> 00:40:57,666 Gabriella Canova. 913 00:40:57,700 --> 00:40:59,400 - Leonardo Cavani. - Welcome. 914 00:40:59,433 --> 00:41:01,333 Investment company Cavani-Sartor. 915 00:41:01,800 --> 00:41:03,133 My sister Alberta. 916 00:41:04,066 --> 00:41:05,233 I'm here to tell you 917 00:41:05,266 --> 00:41:08,033 that our society would like invest in your tailoring. 918 00:41:08,700 --> 00:41:10,366 Just a first date, 919 00:41:10,400 --> 00:41:12,000 to see if you are interested to a collaboration. 920 00:41:12,000 --> 00:41:13,333 to see if you are interested to a collaboration. 921 00:41:13,366 --> 00:41:15,166 In short, what we propose, 922 00:41:15,200 --> 00:41:16,433 it is an economic boost, 923 00:41:16,466 --> 00:41:19,000 to give you the opportunity to grow and expand. 924 00:41:19,433 --> 00:41:20,000 And, if you agree, we could make an official offer. 925 00:41:20,000 --> 00:41:22,066 And, if you agree, we could make an official offer. 926 00:41:22,533 --> 00:41:24,533 Well, we're flattered, 927 00:41:25,166 --> 00:41:27,433 but we have to deal with it first. 928 00:41:27,466 --> 00:41:28,000 GABRIELLA: Yes. - Then, maybe, we'll let you know. 929 00:41:28,000 --> 00:41:30,166 GABRIELLA: Yes. - Then, maybe, we'll let you know. 930 00:41:30,500 --> 00:41:33,233 Gabriella, can you please accompany Mr. Cavani? 931 00:41:33,266 --> 00:41:34,533 I have things to do. 932 00:41:41,333 --> 00:41:42,400 Mr. Cavani? 933 00:41:42,800 --> 00:41:44,000 This way. 934 00:41:44,000 --> 00:41:44,133 This way. 935 00:41:47,333 --> 00:41:48,566 CAVANI: Thank you. 936 00:42:12,300 --> 00:42:13,400 Excuse me. 937 00:42:19,033 --> 00:42:23,233 Alberta! I wanted to see you again. That's why I came. 938 00:42:25,233 --> 00:42:26,566 Maybe I got it wrong, 939 00:42:27,666 --> 00:42:30,466 but when I saw your name in the investment list, 940 00:42:31,466 --> 00:42:32,000 I lost my mind. 941 00:42:32,000 --> 00:42:32,600 I lost my mind. 942 00:42:35,800 --> 00:42:37,266 I never stopped thinking about you. 943 00:42:41,066 --> 00:42:42,600 -And if I could... - What? 944 00:42:45,766 --> 00:42:48,000 You wouldn't have made me wait all of them those hours at the Paris station? 945 00:42:48,000 --> 00:42:49,100 You wouldn't have made me wait all of them those hours at the Paris station? 946 00:42:56,600 --> 00:42:58,433 ALBERTA: How many years has it been? 947 00:42:59,566 --> 00:43:00,566 15? 948 00:43:01,633 --> 00:43:02,633 18? 949 00:43:04,100 --> 00:43:05,533 I don't know, I don't remember. 950 00:43:17,100 --> 00:43:18,800 I only remember that watch... 951 00:43:23,466 --> 00:43:25,133 ..which I watched for hours... 952 00:43:26,300 --> 00:43:28,000 ..waiting for you to arrive. 953 00:43:28,000 --> 00:43:28,066 ..waiting for you to arrive. 954 00:43:32,766 --> 00:43:35,033 And then I remember walking 955 00:43:38,200 --> 00:43:40,366 and the further I moved away from the clock... 956 00:43:45,633 --> 00:43:47,800 ..the more I understood what you had done your choice. 957 00:43:55,533 --> 00:43:56,566 It wasn't easy. 958 00:43:59,133 --> 00:44:00,000 I, that day, I couldn't come. 959 00:44:00,000 --> 00:44:01,033 I, that day, I couldn't come. 960 00:44:02,700 --> 00:44:04,100 But I wanted to explain. 961 00:44:05,333 --> 00:44:07,500 But I never succeeded again to find you. 962 00:44:11,366 --> 00:44:13,366 My heart stopped waiting. 963 00:44:13,400 --> 00:44:15,633 (TICKING) 964 00:44:16,366 --> 00:44:17,433 I don't know about you, 965 00:44:17,466 --> 00:44:19,533 but I am exactly where I would like to be. 966 00:44:21,433 --> 00:44:23,733 Now, if you don't mind, I should work. 967 00:44:36,566 --> 00:44:40,000 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 968 00:44:40,000 --> 00:44:40,266 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 969 00:44:50,333 --> 00:44:54,166 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 970 00:45:03,366 --> 00:45:04,000 Eleanor? 971 00:45:04,000 --> 00:45:04,633 Eleanor? 972 00:45:06,233 --> 00:45:07,300 Nina? 973 00:45:10,700 --> 00:45:12,000 Sorry, I really have to work. 974 00:45:12,000 --> 00:45:12,733 Sorry, I really have to work. 975 00:45:21,766 --> 00:45:23,100 (THE DOOR CLOSES) 976 00:45:50,133 --> 00:45:51,200 SILVANA: Gabriella? 977 00:45:51,600 --> 00:45:52,000 Mhm. 978 00:45:52,000 --> 00:45:52,600 Mhm. 979 00:45:54,166 --> 00:45:55,700 Gabriella? - Huh? 980 00:45:59,200 --> 00:46:00,000 Can I bring you something to eat? 981 00:46:00,000 --> 00:46:01,066 Can I bring you something to eat? 982 00:46:02,033 --> 00:46:03,233 It's time for lunch. 983 00:46:05,700 --> 00:46:06,800 No thank you. 984 00:46:10,466 --> 00:46:11,466 Silvana? 985 00:46:13,400 --> 00:46:15,000 I never ask you how you are. 986 00:46:15,700 --> 00:46:16,000 How is it going? 987 00:46:16,000 --> 00:46:16,700 How is it going? 988 00:46:19,200 --> 00:46:22,200 Everything is fine. I am fine. 989 00:46:23,633 --> 00:46:24,000 Don't worry about me. 990 00:46:24,000 --> 00:46:25,166 Don't worry about me. 991 00:46:27,400 --> 00:46:28,433 First... 992 00:46:30,433 --> 00:46:32,000 ..I always came to visit you 993 00:46:32,000 --> 00:46:32,233 ..I always came to visit you 994 00:46:34,366 --> 00:46:35,366 And... 995 00:46:44,066 --> 00:46:46,000 It is not necessary to see each other, 996 00:46:47,200 --> 00:46:48,000 when we love each other. 997 00:46:48,000 --> 00:46:48,600 when we love each other. 998 00:47:01,366 --> 00:47:03,366 ANDREA: She was right, Mrs. Olga. 999 00:47:03,400 --> 00:47:04,000 Eventually, I left her. - But! 1000 00:47:04,000 --> 00:47:05,300 Eventually, I left her. - But! 1001 00:47:05,333 --> 00:47:08,233 You didn't even give yourself time to breathe, 1002 00:47:08,266 --> 00:47:10,366 since you're already with someone else. 1003 00:47:10,400 --> 00:47:12,000 And what can I do? I'm in love with love. 1004 00:47:12,000 --> 00:47:13,400 And what can I do? I'm in love with love. 1005 00:47:13,733 --> 00:47:17,600 Look, but this is true Is he bigger than you? 1006 00:47:17,633 --> 00:47:19,433 Yes, four years old. 1007 00:47:19,766 --> 00:47:20,000 Well, great! 1008 00:47:20,000 --> 00:47:21,566 Well, great! 1009 00:47:22,400 --> 00:47:26,800 We start with four and then maybe we end up with 40. 1010 00:47:27,000 --> 00:47:28,000 ANDREA: Which seems like 10, though. 1011 00:47:28,000 --> 00:47:28,666 ANDREA: Which seems like 10, though. 1012 00:47:28,700 --> 00:47:29,800 (LAUGHTER) 1013 00:47:30,000 --> 00:47:32,633 (laughing) You're so adorable, Andrew. 1014 00:47:33,500 --> 00:47:35,200 ANDREA: She is a lovely woman. 1015 00:47:35,233 --> 00:47:36,000 Yes! 1016 00:47:36,000 --> 00:47:36,300 Yes! 1017 00:47:36,633 --> 00:47:39,200 Okay, I'll let you decide calmly. 1018 00:47:41,500 --> 00:47:44,000 Aunt, w-what did you have today? I see you different. 1019 00:47:44,000 --> 00:47:44,466 Aunt, w-what did you have today? I see you different. 1020 00:47:44,500 --> 00:47:46,133 Pills, a new cure? 1021 00:47:46,166 --> 00:47:47,366 But why? 1022 00:47:48,166 --> 00:47:49,366 I'm fine! 1023 00:47:51,166 --> 00:47:52,000 Well, also, almost engaged now. 1024 00:47:52,000 --> 00:47:54,133 Well, also, almost engaged now. 1025 00:47:54,166 --> 00:47:57,000 Rather, you don't do it the little saints, 1026 00:47:57,033 --> 00:48:00,000 than with all those famous actors who walk around the tailor shop naked... 1027 00:48:00,000 --> 00:48:02,200 than with all those famous actors who walk around the tailor shop naked... 1028 00:48:02,566 --> 00:48:04,400 ..who knows how many you'll do. 1029 00:48:04,433 --> 00:48:06,800 What do you want us to tell you? - We work a lot. 1030 00:48:07,400 --> 00:48:08,000 Let's work. Then lately what happened? 1031 00:48:08,000 --> 00:48:10,433 Let's work. Then lately what happened? 1032 00:48:10,466 --> 00:48:14,133 A little turbulence, especially for our Alberta. 1033 00:48:15,233 --> 00:48:16,000 A handsome gentleman came, a distinguished gentleman, 1034 00:48:16,000 --> 00:48:17,400 A handsome gentleman came, a distinguished gentleman, 1035 00:48:17,433 --> 00:48:19,333 he made us an economic proposal. 1036 00:48:19,366 --> 00:48:22,133 - Come on, he was just an old friend. - And who is he? 1037 00:48:23,000 --> 00:48:24,000 Leonardo Cavani. 1038 00:48:24,000 --> 00:48:24,300 Leonardo Cavani. 1039 00:48:25,200 --> 00:48:29,333 Leonardo Cavani? But is it the one in Paris? 1040 00:48:31,800 --> 00:48:32,000 Ah, is he the one from Paris? 1041 00:48:32,000 --> 00:48:33,566 Ah, is he the one from Paris? 1042 00:48:33,600 --> 00:48:36,700 Yes, that's what I knew when I worked at Balenciaga. 1043 00:48:36,733 --> 00:48:39,500 - And why didn't you tell me? - What changed you? 1044 00:48:40,600 --> 00:48:42,700 - But it didn't change anything for me! - Exactly. 1045 00:48:42,733 --> 00:48:45,433 GABRIELLA: Well, I could choose if you stay a little closer. 1046 00:48:45,733 --> 00:48:47,233 You were standing next to me. 1047 00:48:47,266 --> 00:48:48,000 He made the joke! Did you hear? He made the joke now. 1048 00:48:48,000 --> 00:48:50,333 He made the joke! Did you hear? He made the joke now. 1049 00:48:50,366 --> 00:48:52,533 - Girls, don't start... - She plays this part... 1050 00:48:52,566 --> 00:48:54,400 ..to argue, please! - No, but listen! 1051 00:48:54,433 --> 00:48:56,000 - She's right, got it, the poor thing. - No! 1052 00:48:56,000 --> 00:48:56,300 - She's right, got it, the poor thing. - No! 1053 00:48:56,333 --> 00:48:59,800 - The one who is alone and abandoned. - Your mother, before she died, 1054 00:49:00,000 --> 00:49:03,266 only one thing he asked me: not to make you argue, 1055 00:49:03,300 --> 00:49:04,000 never! 1056 00:49:04,000 --> 00:49:04,333 never! 1057 00:49:06,333 --> 00:49:11,266 You can argue with fathers, with lovers, with brothers, 1058 00:49:11,300 --> 00:49:12,000 but between sisters, no. 1059 00:49:12,000 --> 00:49:12,800 but between sisters, no. 1060 00:49:13,000 --> 00:49:14,700 And not even with the aunts. 1061 00:49:15,800 --> 00:49:18,233 Come on girls, come on! Hmm? 1062 00:49:19,100 --> 00:49:20,000 Cheers! 1063 00:49:20,000 --> 00:49:20,100 Cheers! 1064 00:49:24,733 --> 00:49:27,033 What did I tell you? Not to touch anything. 1065 00:49:27,066 --> 00:49:28,000 And you started playing to the costume designer. 1066 00:49:28,000 --> 00:49:29,033 And you started playing to the costume designer. 1067 00:49:29,066 --> 00:49:32,633 Hey, girls? But this is Burt, Sofia's boyfriend! 1068 00:49:32,666 --> 00:49:33,800 Yes, it's him. 1069 00:49:34,000 --> 00:49:36,000 Eh, but he's with someone else! They were supposed to get married. 1070 00:49:36,000 --> 00:49:36,266 Eh, but he's with someone else! They were supposed to get married. 1071 00:49:36,300 --> 00:49:38,200 But poor thing, she was so happy! 1072 00:49:38,233 --> 00:49:39,766 She is one of us too. 1073 00:49:39,800 --> 00:49:42,466 SILVANA: She's cuckolded too, girls. - Can you show me? 1074 00:49:42,500 --> 00:49:44,000 Yes, here. They just write anyway stupid, come on. 1075 00:49:44,000 --> 00:49:45,633 Yes, here. They just write anyway stupid, come on. 1076 00:49:45,666 --> 00:49:48,100 No, but every now and then gossip we like them. 1077 00:49:48,133 --> 00:49:49,633 SILVANA: It's true, we like them a lot. 1078 00:49:49,666 --> 00:49:52,000 But above all, Silvana, I like your pasta. 1079 00:49:52,000 --> 00:49:52,033 But above all, Silvana, I like your pasta. 1080 00:49:52,066 --> 00:49:54,633 SILVANA: Ah, thanks! There's more. - Great Silvana! 1081 00:49:54,666 --> 00:49:56,266 There's more, tomato... ohh! 1082 00:49:56,300 --> 00:49:59,200 - I also put aside for Simone, huh? - Yes please. 1083 00:49:59,233 --> 00:50:00,000 Nicoletta? 1084 00:50:00,000 --> 00:50:00,500 Nicoletta? 1085 00:50:01,400 --> 00:50:02,633 Is everything okay at home? 1086 00:50:02,666 --> 00:50:04,233 Yes! Yes, yes. 1087 00:50:05,066 --> 00:50:06,433 What did you do to your lip? 1088 00:50:06,466 --> 00:50:08,000 Um, I don't know, maybe he stung me an insect last night, 1089 00:50:08,000 --> 00:50:09,333 Um, I don't know, maybe he stung me an insect last night, 1090 00:50:09,366 --> 00:50:11,166 then, well, tonight I scratched it 1091 00:50:11,200 --> 00:50:13,033 and maybe it swelled a little. Do you see much? 1092 00:50:13,066 --> 00:50:14,666 An insect, like, with whiskers? 1093 00:50:16,433 --> 00:50:18,733 I don't know, maybe it was a spider, what do I know... 1094 00:50:23,566 --> 00:50:24,000 NINA: Here, darling. 1095 00:50:24,000 --> 00:50:24,700 NINA: Here, darling. 1096 00:50:25,400 --> 00:50:29,200 Cover it with a little... basically, you can't see it that way. 1097 00:50:29,233 --> 00:50:30,466 Thank you, Nina. 1098 00:50:30,500 --> 00:50:32,000 It's that they should be killed by These little spiders with moustaches, right? 1099 00:50:32,000 --> 00:50:35,000 It's that they should be killed by These little spiders with moustaches, right? 1100 00:50:35,033 --> 00:50:37,166 NINA: But they didn't invent the spray? 1101 00:50:37,200 --> 00:50:39,133 SILVANA: No, not yet, unfortunately. 1102 00:50:39,566 --> 00:50:40,000 Yes. Come on, girls, come on! Come on, eat! 1103 00:50:40,000 --> 00:50:42,266 Yes. Come on, girls, come on! Come on, eat! 1104 00:50:42,300 --> 00:50:44,800 ALBERTA: Here it is. That's not Rosa Mountbatten. 1105 00:50:47,333 --> 00:50:48,000 And not even that. 1106 00:50:48,000 --> 00:50:48,733 And not even that. 1107 00:50:49,300 --> 00:50:51,633 - In the light, maybe... No, it's not. 1108 00:50:53,466 --> 00:50:55,166 I know it. I know. 1109 00:50:55,200 --> 00:50:56,000 Um, I tried every way, Mrs. Alberta, but he's not coming. 1110 00:50:56,000 --> 00:50:58,733 Um, I tried every way, Mrs. Alberta, but he's not coming. 1111 00:50:59,466 --> 00:51:02,233 But, I say, maybe at this moment with all these messes, right? 1112 00:51:02,266 --> 00:51:04,000 We could reuse last year's tablecloths? 1113 00:51:04,000 --> 00:51:04,433 We could reuse last year's tablecloths? 1114 00:51:04,466 --> 00:51:06,366 No, the tablecloth is changed every year. 1115 00:51:06,400 --> 00:51:08,500 And this won't be the birthday of tailoring 1116 00:51:08,533 --> 00:51:10,266 in which we will not comply tradition. 1117 00:51:10,300 --> 00:51:11,733 Even if it were just for good luck. 1118 00:51:11,766 --> 00:51:12,000 So what do I do? 1119 00:51:12,000 --> 00:51:13,366 So what do I do? 1120 00:51:13,400 --> 00:51:14,400 You do it again. 1121 00:51:15,600 --> 00:51:17,533 Listen, where are the invitations at? 1122 00:51:17,566 --> 00:51:19,500 Um, where am I at? We're in bad shape. 1123 00:51:19,533 --> 00:51:20,000 At this moment, then, we missed the tailor's lunch. 1124 00:51:20,000 --> 00:51:22,466 At this moment, then, we missed the tailor's lunch. 1125 00:51:23,100 --> 00:51:24,233 - Go, go! - Yes. 1126 00:51:24,266 --> 00:51:26,033 I just got distracted, sorry. 1127 00:51:27,700 --> 00:51:28,000 Look, lunch is important. Important for us, for tailoring 1128 00:51:28,000 --> 00:51:31,000 Look, lunch is important. Important for us, for tailoring 1129 00:51:31,033 --> 00:51:32,766 and for all those who collaborate with us. 1130 00:51:32,800 --> 00:51:35,533 - More Oscar winners circulate here what buttons. - Here I am. 1131 00:51:36,466 --> 00:51:38,200 - White! - Good evening. 1132 00:51:38,233 --> 00:51:40,233 Come, come. I'll show you the fabric. 1133 00:51:40,266 --> 00:51:41,333 No! 1134 00:51:41,366 --> 00:51:42,700 The mikado? 1135 00:51:43,566 --> 00:51:44,000 BIANCA: Oh God! 1136 00:51:44,000 --> 00:51:45,233 BIANCA: Oh God! 1137 00:51:46,033 --> 00:51:49,233 It's perfect. Great! Great girls. 1138 00:51:49,633 --> 00:51:52,000 Beautiful. You are exceptional, well done. 1139 00:51:52,000 --> 00:51:52,100 Beautiful. You are exceptional, well done. 1140 00:51:53,166 --> 00:51:54,166 No! 1141 00:51:55,300 --> 00:51:57,766 No, what the fuck have you done? 1142 00:51:57,800 --> 00:52:00,000 But what is this stuff? What the fuck is this stuff? 1143 00:52:00,000 --> 00:52:01,366 But what is this stuff? What the fuck is this stuff? 1144 00:52:01,400 --> 00:52:04,666 But this is there... this is cinema. It's called cinema, right? 1145 00:52:04,700 --> 00:52:06,166 It's not a documentary! 1146 00:52:06,500 --> 00:52:08,000 They took it for granted that the basket was classic. 1147 00:52:08,000 --> 00:52:09,400 They took it for granted that the basket was classic. 1148 00:52:11,266 --> 00:52:13,666 Have you... have you seen the sketch, no? 1149 00:52:13,700 --> 00:52:16,000 Everyone get over here. Get over here. 1150 00:52:16,000 --> 00:52:16,233 Everyone get over here. Get over here. 1151 00:52:16,600 --> 00:52:20,033 I designed it with an arched opening in the center, 1152 00:52:20,333 --> 00:52:22,800 like the facades of buildings by Borromini, 1153 00:52:23,000 --> 00:52:24,000 who welcome you, protect you. 1154 00:52:24,000 --> 00:52:24,666 who welcome you, protect you. 1155 00:52:24,700 --> 00:52:27,233 And what the fuck are you doing? What the fuck are you doing? 1156 00:52:27,266 --> 00:52:30,733 Make me a monobloc, covered with the guinea and with this fucking tulle. 1157 00:52:30,766 --> 00:52:32,000 - It's my fault, it's my fault. Shut up! 1158 00:52:32,000 --> 00:52:32,400 - It's my fault, it's my fault. Shut up! 1159 00:52:32,433 --> 00:52:34,366 - It's my fault. You have to keep quiet though. You must be silent. 1160 00:52:34,400 --> 00:52:35,400 Shut up! 1161 00:52:37,266 --> 00:52:40,000 The costume doesn't just have to dress up the character. 1162 00:52:40,000 --> 00:52:40,566 The costume doesn't just have to dress up the character. 1163 00:52:40,600 --> 00:52:42,633 The costume must allow to the actress 1164 00:52:42,666 --> 00:52:45,133 to get into character. So tell me what... 1165 00:52:45,166 --> 00:52:47,800 ..how the fuck do I get her in, the actress, in character, 1166 00:52:48,000 --> 00:52:50,233 if you can't even afford it to sit down 1167 00:52:50,266 --> 00:52:52,300 or to... or to piss freely? 1168 00:52:53,233 --> 00:52:56,000 This is a woman who in the 18th century, my ladies, in the 18th century, 1169 00:52:56,000 --> 00:52:56,733 This is a woman who in the 18th century, my ladies, in the 18th century, 1170 00:52:56,766 --> 00:53:00,233 rather than marry a man who... who doesn't love, 1171 00:53:00,600 --> 00:53:01,800 ..give up everything. 1172 00:53:02,000 --> 00:53:03,233 So, in your opinion, 1173 00:53:03,266 --> 00:53:04,000 this character here would give up to one's freedom? 1174 00:53:04,000 --> 00:53:06,433 this character here would give up to one's freedom? 1175 00:53:06,466 --> 00:53:07,466 No, tell me? 1176 00:53:10,333 --> 00:53:11,433 I want that... 1177 00:53:13,266 --> 00:53:15,566 ..let the actress feel it here. Hmm? 1178 00:53:17,500 --> 00:53:19,166 Between the legs. 1179 00:53:21,100 --> 00:53:24,066 - And I want it red, I want it! - Like... like the dress? 1180 00:53:24,100 --> 00:53:26,333 No! No, not like the dress! Like blood! 1181 00:53:28,700 --> 00:53:32,633 On! Take it apart. Do it exactly like Bianca said. 1182 00:53:32,666 --> 00:53:35,100 ALBERTA: Why do you take your initiatives? 1183 00:53:35,133 --> 00:53:36,000 Why don't you look at the sketches? 1184 00:53:36,000 --> 00:53:36,633 Why don't you look at the sketches? 1185 00:53:36,666 --> 00:53:39,300 Huh? I always have to check everything me here? 1186 00:53:39,333 --> 00:53:42,533 I don't care what time it is! Stay here and work! 1187 00:53:43,566 --> 00:53:44,000 I'm going up to get things. 1188 00:53:44,000 --> 00:53:44,766 I'm going up to get things. 1189 00:53:50,766 --> 00:53:52,000 Congratulations, huh? 1190 00:53:52,000 --> 00:53:52,133 Congratulations, huh? 1191 00:53:53,300 --> 00:53:54,300 Thank you. 1192 00:53:54,633 --> 00:53:57,300 But what are you going to answer me seriously? Huh? 1193 00:53:58,433 --> 00:53:59,733 How should I answer you? 1194 00:53:59,766 --> 00:54:00,000 Well, sorry. And apologizing to them. 1195 00:54:00,000 --> 00:54:02,133 Well, sorry. And apologizing to them. 1196 00:54:02,166 --> 00:54:04,200 I don't know if you realised what happened? 1197 00:54:04,233 --> 00:54:06,300 They don't have to take stupid initiatives. 1198 00:54:06,333 --> 00:54:07,333 - Stupid? - Yes. 1199 00:54:07,366 --> 00:54:08,000 Are they stupid? But they are working from morning to evening. 1200 00:54:08,000 --> 00:54:10,000 Are they stupid? But they are working from morning to evening. 1201 00:54:10,033 --> 00:54:12,800 - You trample on people! - I don't step on anyone. 1202 00:54:13,333 --> 00:54:14,533 - Oh, no? - No. 1203 00:54:14,566 --> 00:54:16,000 But how? If the whole world is the carpet you clean your shoes on? 1204 00:54:16,000 --> 00:54:18,500 But how? If the whole world is the carpet you clean your shoes on? 1205 00:54:19,100 --> 00:54:21,166 We have these shoes you earn hard. 1206 00:54:21,200 --> 00:54:23,300 You do what you want, I clean them wherever I want. 1207 00:54:24,300 --> 00:54:25,533 But what a horrible thought. 1208 00:54:25,566 --> 00:54:29,333 Why didn't you defend them? Why were you silent? Huh? Why? 1209 00:54:31,733 --> 00:54:32,000 Weakness is a trait of our family 1210 00:54:32,000 --> 00:54:34,333 Weakness is a trait of our family 1211 00:54:34,366 --> 00:54:36,400 which fortunately I did not inherit. 1212 00:54:39,066 --> 00:54:40,000 Indeed. 1213 00:54:40,000 --> 00:54:40,066 Indeed. 1214 00:54:41,100 --> 00:54:42,233 You took something else. 1215 00:54:44,400 --> 00:54:46,266 You have become cold, freezing, 1216 00:54:47,166 --> 00:54:48,000 merciless. 1217 00:54:48,000 --> 00:54:48,166 merciless. 1218 00:54:49,066 --> 00:54:52,200 This cold and merciless, but he took you away 1219 00:54:52,233 --> 00:54:53,400 from that hole of a country. 1220 00:54:53,433 --> 00:54:56,000 If it wasn't for me, you were still acting as a servant to our father. 1221 00:54:56,000 --> 00:54:56,533 If it wasn't for me, you were still acting as a servant to our father. 1222 00:54:56,566 --> 00:54:58,700 It seems to me that I am gone came away on my legs. 1223 00:54:58,733 --> 00:55:01,000 On your legs? -Yes. But if you haven't even used them 1224 00:55:01,033 --> 00:55:03,133 when Aunt Olga wanted to take you to study in Rome. 1225 00:55:03,166 --> 00:55:04,000 - But mother was dead for less than a year. - So what? 1226 00:55:04,000 --> 00:55:05,400 - But mother was dead for less than a year. - So what? 1227 00:55:05,433 --> 00:55:07,233 It wasn't enough for you what did he do to her? 1228 00:55:07,266 --> 00:55:09,000 You wanted it to ruin your life too? 1229 00:55:09,533 --> 00:55:11,166 But I didn't stay for him. 1230 00:55:11,200 --> 00:55:12,000 Oh, no. So why did you stay? 1231 00:55:12,000 --> 00:55:13,600 Oh, no. So why did you stay? 1232 00:55:13,633 --> 00:55:15,100 (SUSPENSE MUSIC) 1233 00:55:15,133 --> 00:55:16,133 Huh? 1234 00:55:18,233 --> 00:55:19,266 Tell me. 1235 00:55:19,700 --> 00:55:20,000 Why did you stay? 1236 00:55:20,000 --> 00:55:21,100 Why did you stay? 1237 00:55:23,233 --> 00:55:25,066 Tell me? Why did you stay? 1238 00:55:25,533 --> 00:55:26,533 For you. 1239 00:55:27,566 --> 00:55:28,000 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 1240 00:55:28,000 --> 00:55:31,266 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 1241 00:55:39,433 --> 00:55:41,300 Take these things to the seamstresses. 1242 00:56:00,633 --> 00:56:02,766 (SOUND OF FALLING BEADS) 1243 00:56:04,100 --> 00:56:07,766 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 1244 00:56:38,700 --> 00:56:40,000 (THE DOOR CLOSES) 1245 00:56:40,000 --> 00:56:40,133 (THE DOOR CLOSES) 1246 00:56:40,166 --> 00:56:44,400 OZPETEK: So, me this time I didn't want them all, all together, 1247 00:56:44,433 --> 00:56:45,566 as in other times, 1248 00:56:45,600 --> 00:56:48,000 so, I wanted to understand a little of mechanisms, a few things. 1249 00:56:48,000 --> 00:56:49,100 so, I wanted to understand a little of mechanisms, a few things. 1250 00:56:49,133 --> 00:56:50,600 Your role, 1251 00:56:51,366 --> 00:56:54,033 your sister's. 1252 00:56:54,066 --> 00:56:56,000 About this relationship you have with mum, with dad, 1253 00:56:56,000 --> 00:56:57,500 About this relationship you have with mum, with dad, 1254 00:56:57,533 --> 00:57:00,533 the beads... and you came in Rome, 1255 00:57:00,566 --> 00:57:04,000 to create this... to create this thing of... 1256 00:57:04,000 --> 00:57:05,066 to create this... to create this thing of... 1257 00:57:05,733 --> 00:57:09,566 of... of the tailor's shop, which he left this building from aunt Olga, 1258 00:57:09,600 --> 00:57:12,000 which would be his sister. I think you're a bit strange, though. 1259 00:57:12,000 --> 00:57:13,600 which would be his sister. I think you're a bit strange, though. 1260 00:57:15,600 --> 00:57:17,666 Why? What do you have? 1261 00:57:17,700 --> 00:57:19,133 - No. Say! 1262 00:57:19,533 --> 00:57:20,000 I mean, because it bothers you be their mother... No. 1263 00:57:20,000 --> 00:57:22,800 I mean, because it bothers you be their mother... No. 1264 00:57:23,000 --> 00:57:25,133 Do you... would you like to play the role of Alberta, 1265 00:57:25,166 --> 00:57:28,000 I'll let you play the role of Alberta, what you want. No. 1266 00:57:28,000 --> 00:57:28,633 I'll let you play the role of Alberta, what you want. No. 1267 00:57:28,666 --> 00:57:32,800 I, um, I... I can't do it the film, Ferzan. 1268 00:57:33,800 --> 00:57:36,000 Because I have a... a very dear friend which is very bad 1269 00:57:36,000 --> 00:57:39,566 Because I have a... a very dear friend which is very bad 1270 00:57:40,266 --> 00:57:44,000 and she's... she's alone, she has no one who can help you, 1271 00:57:44,033 --> 00:57:45,166 cure her... 1272 00:57:47,633 --> 00:57:51,000 - ..and here. I am very sorry. OZPETEK: I'm sorry. 1273 00:57:52,766 --> 00:57:56,500 It happens like this, that... 1274 00:57:57,600 --> 00:57:59,666 ..you have to be close to people. 1275 00:57:59,700 --> 00:58:00,000 It's not even easy when these people then feel bad 1276 00:58:00,000 --> 00:58:02,266 It's not even easy when these people then feel bad 1277 00:58:02,300 --> 00:58:04,800 and you have to pretend nothing happened, right? 1278 00:58:05,000 --> 00:58:08,000 Also... which is always recited, in life too, right? 1279 00:58:08,000 --> 00:58:08,466 Also... which is always recited, in life too, right? 1280 00:58:08,500 --> 00:58:11,766 Even... I did it too with my mother, when she was ill, 1281 00:58:11,800 --> 00:58:14,066 I didn't tell her what she had, because if not... 1282 00:58:14,100 --> 00:58:16,000 And so I could play, joke with her, 1283 00:58:16,000 --> 00:58:17,666 And so I could play, joke with her, 1284 00:58:17,700 --> 00:58:20,133 make fun of as if nothing had happened, 1285 00:58:20,166 --> 00:58:24,000 because she didn't know what she had left little and I think this is very beautiful. 1286 00:58:24,000 --> 00:58:25,533 because she didn't know what she had left little and I think this is very beautiful. 1287 00:58:25,566 --> 00:58:28,600 That is, it doesn't always have to be said to people what they have. 1288 00:58:28,633 --> 00:58:31,033 - Not even mine knew. - You see? 1289 00:58:33,366 --> 00:58:35,366 But are all costume designers like this? 1290 00:58:35,400 --> 00:58:39,000 No! Each is crazy, but in their own way. 1291 00:58:39,033 --> 00:58:40,000 I think I don't want it anymore be a costume designer. 1292 00:58:40,000 --> 00:58:41,133 I think I don't want it anymore be a costume designer. 1293 00:58:41,166 --> 00:58:42,533 Oh, sir! 1294 00:58:43,400 --> 00:58:45,166 (NICOLETTA CRYING) 1295 00:58:47,433 --> 00:58:48,000 Nicole'? What do you have? 1296 00:58:48,000 --> 00:58:50,066 Nicole'? What do you have? 1297 00:59:01,700 --> 00:59:04,000 Nicole'! Enough now. - What did he do to you this time? 1298 00:59:04,000 --> 00:59:05,566 Nicole'! Enough now. - What did he do to you this time? 1299 00:59:06,266 --> 00:59:08,800 FAUSTA: Last time the insect, you fell down the stairs. 1300 00:59:09,000 --> 00:59:11,800 All excuses, all excuses! The same ones I used too, 1301 00:59:12,000 --> 00:59:14,200 every time he took me with belts, Nicole'. 1302 00:59:14,233 --> 00:59:16,800 Then I ended up in hospital and I understood that if I went home, 1303 00:59:17,000 --> 00:59:19,166 I was no longer safe. Nicoletta, what do you want to do? 1304 00:59:19,200 --> 00:59:20,000 Do you want to save yourself, yes or no? 1305 00:59:20,000 --> 00:59:20,233 Do you want to save yourself, yes or no? 1306 00:59:20,266 --> 00:59:22,666 Now tell us well what happened, 1307 00:59:22,700 --> 00:59:25,166 because we can help you, understood? 1308 00:59:25,600 --> 00:59:28,000 It's just... it's just what he says that I am not a wife. 1309 00:59:28,000 --> 00:59:29,166 It's just... it's just what he says that I am not a wife. 1310 00:59:29,200 --> 00:59:31,466 (crying) I'm not good... 1311 00:59:31,500 --> 00:59:35,333 And he says if I don't stop to work, he... he to me... 1312 00:59:35,366 --> 00:59:36,000 Him what? What? 1313 00:59:36,000 --> 00:59:37,433 Him what? What? 1314 00:59:38,400 --> 00:59:41,533 There is a well in the garden which is very deep, 1315 00:59:41,566 --> 00:59:44,000 he says he'll throw me into it and I'm going to end up at the Tiber 1316 00:59:44,000 --> 00:59:45,433 he says he'll throw me into it and I'm going to end up at the Tiber 1317 00:59:45,466 --> 00:59:47,300 and so no one can find me anymore. 1318 00:59:47,333 --> 00:59:51,200 Nicoletta! Nicoletta, you tonight You're not going home, do you understand? 1319 00:59:51,233 --> 00:59:52,000 You come and stay with us. 1320 00:59:52,000 --> 00:59:52,400 You come and stay with us. 1321 00:59:52,433 --> 00:59:54,033 But I have to go home! 1322 00:59:54,066 --> 00:59:57,466 Because if I don't come home, you You know what happens, don't you? 1323 00:59:57,500 --> 00:59:59,100 I have to go home, 1324 01:00:00,233 --> 01:00:02,233 I can't go away... 1325 01:00:03,133 --> 01:00:04,300 ..I can't. 1326 01:00:04,333 --> 01:00:06,000 Then you have to kill him. 1327 01:00:07,466 --> 01:00:08,000 We've seen too many dead ones kill you, Nicole.' 1328 01:00:08,000 --> 01:00:10,033 We've seen too many dead ones kill you, Nicole.' 1329 01:00:12,200 --> 01:00:15,366 We all come to your house and let's throw him into the well. 1330 01:00:15,400 --> 01:00:16,000 Understood? 1331 01:00:16,000 --> 01:00:16,466 Understood? 1332 01:00:16,500 --> 01:00:18,800 FAUSTA: That's how he ends up there in the Tiber, not you. 1333 01:00:19,000 --> 01:00:21,200 NINA: Nicoletta? Look at us! 1334 01:00:21,700 --> 01:00:24,000 We are like ants. It seems like we count for nothing, but... 1335 01:00:24,000 --> 01:00:26,000 We are like ants. It seems like we count for nothing, but... 1336 01:00:26,466 --> 01:00:30,633 ..but all together, all together we can do it outside. Did you understand? 1337 01:00:33,133 --> 01:00:35,633 But how do I do it? What do I tell people then? 1338 01:00:36,300 --> 01:00:38,000 What do I tell my neighbor? 1339 01:00:38,033 --> 01:00:39,766 Where did my husband go, huh? 1340 01:00:41,233 --> 01:00:46,300 You tell him he went shopping cigarettes and never returned. 1341 01:00:49,800 --> 01:00:50,800 Right! 1342 01:00:53,466 --> 01:00:55,233 No, but you are crazy, no... 1343 01:00:55,266 --> 01:00:56,000 Meanwhile, I'll start checking on you. 1344 01:00:56,000 --> 01:00:57,800 Meanwhile, I'll start checking on you. 1345 01:00:58,000 --> 01:01:01,533 I call you every evening, if you say "pink buttons", 1346 01:01:01,566 --> 01:01:03,300 it means everything is fine, 1347 01:01:03,600 --> 01:01:04,000 if you say "blue buttons", 1348 01:01:04,000 --> 01:01:05,300 if you say "blue buttons", 1349 01:01:06,233 --> 01:01:09,100 we arrive, all together, like a flash. 1350 01:01:10,433 --> 01:01:11,533 ELEONORA: Understood? 1351 01:01:11,800 --> 01:01:12,000 Yes. 1352 01:01:12,000 --> 01:01:12,800 Yes. 1353 01:01:18,400 --> 01:01:19,400 Hey! 1354 01:01:20,366 --> 01:01:22,500 Some flowers have arrived for you. 1355 01:01:23,266 --> 01:01:27,733 Leonardo Cavani sent them to you. I'll put the ticket here. 1356 01:01:28,533 --> 01:01:32,333 Dinner is ready, try to eat if not, everything gets cold, eh? 1357 01:01:33,033 --> 01:01:34,033 Listen... 1358 01:01:34,066 --> 01:01:36,000 What is there to hear, I don't hear anymore nothing at this time, Alberta. 1359 01:01:36,000 --> 01:01:37,300 What is there to hear, I don't hear anymore nothing at this time, Alberta. 1360 01:01:37,333 --> 01:01:40,666 I just wanted to tell you about lunch. The guests have become 40. 1361 01:01:40,700 --> 01:01:42,766 Well? - Can you do it? 1362 01:01:43,700 --> 01:01:44,000 I can tolerate you for how many years? 1363 01:01:44,000 --> 01:01:46,433 I can tolerate you for how many years? 1364 01:01:46,466 --> 01:01:47,466 Oh God, 12? 1365 01:01:47,500 --> 01:01:51,666 I know even more. Of course I can do it, come on! On! 1366 01:01:52,566 --> 01:01:56,200 Eat while it gets cold. Good night. 1367 01:01:56,233 --> 01:01:57,766 - 'Night. - Mhm. 1368 01:02:02,466 --> 01:02:05,700 (ON TV "LE MATTCHICHE" MINA) 1369 01:02:38,700 --> 01:02:40,000 (MELANCHOLIC MUSIC) 1370 01:02:40,000 --> 01:02:41,700 (MELANCHOLIC MUSIC) 1371 01:04:19,266 --> 01:04:21,400 (THE DOOR CLOSES) LUCIUS: Love, where are you? 1372 01:04:21,433 --> 01:04:22,600 I'm in the kitchen. 1373 01:04:22,633 --> 01:04:24,000 Ah, that's what it was this little smell you can smell. 1374 01:04:24,000 --> 01:04:26,233 Ah, that's what it was this little smell you can smell. 1375 01:04:26,266 --> 01:04:28,333 Look what I did? The meatloaf 1376 01:04:29,166 --> 01:04:30,666 and the sour cherry tart. 1377 01:04:30,700 --> 01:04:31,733 How good! 1378 01:04:32,266 --> 01:04:34,133 I try, I'm not as good as you. 1379 01:04:34,166 --> 01:04:36,100 But why aren't you...? You're very good. 1380 01:04:39,033 --> 01:04:40,000 And this? 1381 01:04:40,000 --> 01:04:40,066 And this? 1382 01:04:42,700 --> 01:04:45,100 - Do you like it? - No, it's beautiful, but what is it? 1383 01:04:46,066 --> 01:04:48,000 It's a model we're on working in a tailor's shop. 1384 01:04:48,000 --> 01:04:48,700 It's a model we're on working in a tailor's shop. 1385 01:04:49,566 --> 01:04:53,366 So, there was Bianca Vega, and I was there eating, 1386 01:04:53,400 --> 01:04:55,533 do you know Amelia's candy? 1387 01:04:57,000 --> 01:04:58,266 Which are everywhere, aren't they? 1388 01:04:58,300 --> 01:05:01,166 With Alberta we put them everywhere and she saw me and said: 1389 01:05:01,200 --> 01:05:02,300 "Give me the card!" 1390 01:05:02,333 --> 01:05:04,000 We took all the cards and put them like this on the skirt. 1391 01:05:04,000 --> 01:05:05,233 We took all the cards and put them like this on the skirt. 1392 01:05:07,633 --> 01:05:09,133 She would have liked it, right? 1393 01:05:10,600 --> 01:05:11,700 Well, it's beautiful. 1394 01:05:13,633 --> 01:05:15,166 - Can I give you a hand? - Yes, come on. 1395 01:05:41,733 --> 01:05:43,000 No, I thought, 1396 01:05:44,266 --> 01:05:46,266 maybe you want to take a shower. 1397 01:05:46,300 --> 01:05:47,333 Huh? 1398 01:05:48,400 --> 01:05:50,166 Freshen up, love. 1399 01:05:50,633 --> 01:05:52,000 I prepared your bath, 1400 01:05:52,000 --> 01:05:52,433 I prepared your bath, 1401 01:05:53,500 --> 01:05:56,166 the towel and... and also the bubble bath, 1402 01:05:56,200 --> 01:05:58,000 yours, what you like so much. 1403 01:05:59,000 --> 01:06:00,000 No, I don't like it now. I don't like it. 1404 01:06:00,000 --> 01:06:01,466 No, I don't like it now. I don't like it. 1405 01:06:19,533 --> 01:06:22,166 Do you want to come and see a little of television with me and dad? 1406 01:06:22,566 --> 01:06:23,566 Huh? 1407 01:06:25,000 --> 01:06:26,433 Stay there on the sofa, with us. 1408 01:06:37,033 --> 01:06:40,000 (PHONE RINGS) 1409 01:06:40,000 --> 01:06:41,233 (PHONE RINGS) 1410 01:06:41,266 --> 01:06:43,633 Ready? Yes, Fausta. 1411 01:06:44,300 --> 01:06:46,400 Yes, yes, the buttons are already asleep. 1412 01:06:47,233 --> 01:06:48,000 Thank you. HI. 1413 01:06:48,000 --> 01:06:53,233 Thank you. HI. 1414 01:07:08,700 --> 01:07:09,766 Who the hell are you? 1415 01:07:09,800 --> 01:07:11,300 I'm Beatrice Dalconte. 1416 01:07:11,700 --> 01:07:12,000 I am Eleonora's niece. 1417 01:07:12,000 --> 01:07:13,366 I am Eleonora's niece. 1418 01:07:14,166 --> 01:07:15,200 What are you doing here? 1419 01:07:15,233 --> 01:07:17,500 The police were chasing me after a demonstration. 1420 01:07:17,533 --> 01:07:19,333 I didn't know where to go, sorry. 1421 01:07:22,200 --> 01:07:23,566 Please don't fire her. 1422 01:07:24,366 --> 01:07:27,033 It's my fault, I insisted to stay and sleep here, 1423 01:07:27,066 --> 01:07:28,000 my aunt didn't want it. 1424 01:07:28,000 --> 01:07:28,100 my aunt didn't want it. 1425 01:07:28,133 --> 01:07:31,000 You know that if the police find you, does it make me shut down? Hmm? 1426 01:07:31,600 --> 01:07:34,366 - Have you done something serious? - No! They loaded us. 1427 01:07:38,300 --> 01:07:40,000 I should report you, I should. 1428 01:07:43,333 --> 01:07:44,000 Don't move from there! 1429 01:07:44,000 --> 01:07:44,533 Don't move from there! 1430 01:07:47,333 --> 01:07:49,633 (PHONE RINGS) Hello, who's speaking? 1431 01:07:50,133 --> 01:07:52,000 ALBERTA: Eleonora, I'm in the tailor's shop. 1432 01:07:52,000 --> 01:07:52,033 ALBERTA: Eleonora, I'm in the tailor's shop. 1433 01:07:52,066 --> 01:07:56,500 There's a girl here who says to be your granddaughter. Do you confirm? 1434 01:07:56,533 --> 01:07:59,733 I confirm. You have to excuse me, Mrs. Alberta. 1435 01:07:59,766 --> 01:08:00,000 She's my sister's daughter, it's a strike. 1436 01:08:00,000 --> 01:08:02,366 She's my sister's daughter, it's a strike. 1437 01:08:04,266 --> 01:08:05,500 Are you a costume designer? 1438 01:08:06,133 --> 01:08:07,633 No, absolutely not. 1439 01:08:07,666 --> 01:08:08,000 I have nothing to do with this world, now I'm leaving... 1440 01:08:08,000 --> 01:08:10,466 I have nothing to do with this world, now I'm leaving... 1441 01:08:10,500 --> 01:08:11,600 Don't touch anything. 1442 01:08:14,466 --> 01:08:16,000 Why do you do it? Why did you change the clothes? 1443 01:08:16,000 --> 01:08:17,200 Why do you do it? Why did you change the clothes? 1444 01:08:17,233 --> 01:08:18,666 What are you doing with this? 1445 01:08:20,200 --> 01:08:24,000 I heard that the protagonist with this dress he faces his father, 1446 01:08:24,000 --> 01:08:24,033 I heard that the protagonist with this dress he faces his father, 1447 01:08:25,766 --> 01:08:28,600 and I thought about increasing it the space between them, 1448 01:08:28,633 --> 01:08:30,566 adding layers, volume, 1449 01:08:31,800 --> 01:08:32,000 a bit like women when they get fat, 1450 01:08:32,000 --> 01:08:33,766 a bit like women when they get fat, 1451 01:08:33,800 --> 01:08:36,333 who try to put a distance between them and the world. 1452 01:08:39,100 --> 01:08:40,000 A form of protection, I think. 1453 01:08:40,000 --> 01:08:40,766 A form of protection, I think. 1454 01:08:45,333 --> 01:08:47,566 ELEONORA: What can I do to fix things? 1455 01:08:47,600 --> 01:08:48,000 ALBERTA: You nothing. 1456 01:08:48,000 --> 01:08:48,633 ALBERTA: You nothing. 1457 01:08:49,700 --> 01:08:53,266 Instead, show up tomorrow morning at 08:30, with all the others. 1458 01:08:53,300 --> 01:08:54,566 You will start with sewing. 1459 01:08:54,600 --> 01:08:56,000 But that's not suitable, he can't do anything. 1460 01:08:56,000 --> 01:08:56,400 But that's not suitable, he can't do anything. 1461 01:08:56,433 --> 01:08:58,266 I decide whether it is suitable or not. 1462 01:09:10,066 --> 01:09:11,233 How did you dress? 1463 01:09:12,533 --> 01:09:13,766 I found something there. 1464 01:09:16,500 --> 01:09:19,766 From tomorrow look for a place to go. This is not a hotel. 1465 01:09:20,733 --> 01:09:21,733 Hmm? 1466 01:09:23,000 --> 01:09:25,166 08:30, tomorrow morning, with all the others. 1467 01:09:37,066 --> 01:09:39,500 Very nice dress, huh? Very, very beautiful. 1468 01:09:40,300 --> 01:09:42,100 This is also a brilliant idea. 1469 01:09:44,000 --> 01:09:45,366 But I would like... 1470 01:09:46,300 --> 01:09:48,133 ..that she had the feeling d-say... 1471 01:09:48,166 --> 01:09:50,233 ..to carry a weight on the staircase, 1472 01:09:50,266 --> 01:09:51,533 did you understand? - The feeling... 1473 01:09:51,566 --> 01:09:52,000 ...the bodice gives you some weight. 1474 01:09:52,000 --> 01:09:53,100 ...the bodice gives you some weight. 1475 01:09:53,133 --> 01:09:55,666 Now you can't even do it imagine why you have nothing here. 1476 01:09:55,700 --> 01:09:58,400 You don't have the actress, you don't have the staircase, you'll see it later! 1477 01:09:59,300 --> 01:10:00,000 I'll see him later. Of course, always afterwards. 1478 01:10:00,000 --> 01:10:01,800 I'll see him later. Of course, always afterwards. 1479 01:10:02,000 --> 01:10:03,033 Everything after! 1480 01:10:03,066 --> 01:10:05,166 But I want to imagine it before. 1481 01:10:05,200 --> 01:10:08,000 I don't have to know the weight what is there. I want to see it! 1482 01:10:08,000 --> 01:10:08,400 I don't have to know the weight what is there. I want to see it! 1483 01:10:08,433 --> 01:10:10,233 Why don't you put me here a train? 1484 01:10:10,266 --> 01:10:12,133 BIANCA: No, Lorenzo. - A long train. 1485 01:10:12,166 --> 01:10:13,500 The train is old, banal. 1486 01:10:13,533 --> 01:10:15,400 We've seen it a thousand times, in a thousand films. 1487 01:10:15,433 --> 01:10:16,000 I give you the feeling of weight equally. 1488 01:10:16,000 --> 01:10:17,400 I give you the feeling of weight equally. 1489 01:10:17,433 --> 01:10:20,166 But I don't want to change this which is the structure of the skirt. 1490 01:10:20,200 --> 01:10:22,333 - Okay, okay. - No, but trust me, damn it, every now and then! 1491 01:10:22,366 --> 01:10:24,000 Bianca, do as you please. you always do as you please. 1492 01:10:24,000 --> 01:10:24,566 Bianca, do as you please. you always do as you please. 1493 01:10:26,200 --> 01:10:28,533 But I want to see it first to go to the set, okay? 1494 01:10:29,633 --> 01:10:32,000 And he will see it. Don't worry, the actress has already tried it. 1495 01:10:32,000 --> 01:10:33,333 And he will see it. Don't worry, the actress has already tried it. 1496 01:10:33,633 --> 01:10:35,233 I know the actress has already tried it. 1497 01:10:35,266 --> 01:10:37,166 But I would like to see it again on the actress, 1498 01:10:37,800 --> 01:10:39,100 with the train. 1499 01:10:39,133 --> 01:10:40,000 - No. Again? Without train. - But give me... 1500 01:10:40,000 --> 01:10:40,800 - No. Again? Without train. - But give me... 1501 01:10:41,000 --> 01:10:43,333 Give me time! And I'll find a solution for you. 1502 01:10:47,266 --> 01:10:48,000 How long? 1503 01:10:48,000 --> 01:10:48,400 How long? 1504 01:10:48,433 --> 01:10:49,533 GABRIELLA: Not much. 1505 01:10:56,533 --> 01:10:57,533 Certain. 1506 01:10:58,633 --> 01:11:00,233 Congratulations anyway, huh? 1507 01:11:16,066 --> 01:11:17,066 Brown? 1508 01:11:20,033 --> 01:11:21,033 Brown? 1509 01:11:21,633 --> 01:11:22,633 (GASP) 1510 01:11:25,500 --> 01:11:27,233 Oh God, Bruno, you scared me. 1511 01:11:27,266 --> 01:11:28,000 But you shouldn't have come back at five to "make" dinner for me? 1512 01:11:28,000 --> 01:11:29,800 But you shouldn't have come back at five to "make" dinner for me? 1513 01:11:30,000 --> 01:11:31,000 Excuse me. 1514 01:11:32,500 --> 01:11:35,533 Your arm hurts, and yet did you go to work anyway? 1515 01:11:37,266 --> 01:11:39,433 Not much, but I succeeded, yes. 1516 01:11:39,466 --> 01:11:40,600 And what should I do? 1517 01:11:40,633 --> 01:11:43,566 I have to break it for you, at least like this You don't go to work anymore. 1518 01:11:46,166 --> 01:11:47,633 Bruno, please stop. 1519 01:11:49,133 --> 01:11:50,333 Because, what do you do otherwise? 1520 01:11:56,800 --> 01:11:58,600 If not, I'll leave you and go. 1521 01:12:00,133 --> 01:12:02,166 What are you doing? Come here and say it again. 1522 01:12:06,333 --> 01:12:08,000 I told you come here and say it again. 1523 01:12:08,000 --> 01:12:08,266 I told you come here and say it again. 1524 01:12:10,633 --> 01:12:12,300 (HE GET UP FROM THE CHAIR) 1525 01:12:14,033 --> 01:12:15,433 Do you know, mo, where you're going? 1526 01:12:15,466 --> 01:12:16,000 Do you know where you're going, mo? 1527 01:12:16,000 --> 01:12:17,066 Do you know where you're going, mo? 1528 01:12:18,566 --> 01:12:20,000 Do you know where you're going? 1529 01:12:20,500 --> 01:12:23,033 Do you know where you're going now? Huh? 1530 01:12:23,066 --> 01:12:24,000 Do you know where you're going now, mo? Huh? 1531 01:12:24,000 --> 01:12:25,433 Do you know where you're going now, mo? Huh? 1532 01:12:25,800 --> 01:12:27,600 (PHONE RINGS) 1533 01:12:33,600 --> 01:12:35,300 (FREE LINE) 1534 01:12:38,066 --> 01:12:39,800 - Huh? - Bruno! 1535 01:12:40,000 --> 01:12:41,800 (DESPERATE SCREAMING) 1536 01:12:42,700 --> 01:12:44,333 (FREE LINE) 1537 01:12:49,333 --> 01:12:50,600 (SCREAMING) 1538 01:12:52,000 --> 01:12:53,800 (PHONE RINGS) 1539 01:13:01,133 --> 01:13:02,433 (FREE LINE) 1540 01:13:05,033 --> 01:13:07,533 NICOLETTA: Hello? -Oh God, Nicole, I was shocked. 1541 01:13:07,566 --> 01:13:10,700 What buttons do you need? - The blue buttons. 1542 01:13:10,733 --> 01:13:12,000 - Like the blue buttons? - Um, pink! 1543 01:13:12,000 --> 01:13:13,233 - Like the blue buttons? - Um, pink! 1544 01:13:13,766 --> 01:13:15,566 Rosa, Fausta, rosa. 1545 01:13:15,600 --> 01:13:18,266 - Are you sure everything is fine? Yes, everything is fine. 1546 01:13:18,766 --> 01:13:20,000 Everything is fine, Fausta. 1547 01:13:20,000 --> 01:13:20,066 Everything is fine, Fausta. 1548 01:13:20,633 --> 01:13:23,000 HI. Bye, Fausta, see you tomorrow. 1549 01:13:23,033 --> 01:13:24,033 HI. 1550 01:13:31,733 --> 01:13:33,066 (KNOCKING ON THE DOOR) 1551 01:13:33,100 --> 01:13:36,000 DELIVERY MAN: Sorry, I would have a delivery for Miss Canova. 1552 01:13:36,000 --> 01:13:36,166 DELIVERY MAN: Sorry, I would have a delivery for Miss Canova. 1553 01:13:36,200 --> 01:13:37,266 Give them to me. 1554 01:13:37,700 --> 01:13:39,433 Are you Miss Canova? 1555 01:13:39,466 --> 01:13:41,233 Yes, it's me. Give them to me. 1556 01:13:41,266 --> 01:13:43,766 Yes, she is indeed Miss Canova. Same hairstyle. 1557 01:13:43,800 --> 01:13:44,000 Oh, at work, huh? 1558 01:13:44,000 --> 01:13:45,166 Oh, at work, huh? 1559 01:13:45,200 --> 01:13:49,500 Ennio! But where is it that always disappears this blessed boy? 1560 01:13:49,533 --> 01:13:52,000 - And what do I know. - Okay, thanks, have a good day. 1561 01:13:52,000 --> 01:13:52,333 - And what do I know. - Okay, thanks, have a good day. 1562 01:13:52,366 --> 01:13:55,233 - Ennio! - Excuse me, but do you work in a pastry shop? 1563 01:13:55,266 --> 01:13:58,366 Yes, I do deliveries and maintenance. 1564 01:13:58,400 --> 01:14:00,000 NINA: Ah, maintenance is needed us too, huh? 1565 01:14:00,000 --> 01:14:01,266 NINA: Ah, maintenance is needed us too, huh? 1566 01:14:01,533 --> 01:14:04,666 Here are a lot of biscuit makers that have been dormant for years 1567 01:14:04,700 --> 01:14:07,133 that they would need of a nice dusting. 1568 01:14:08,300 --> 01:14:09,366 ENNIO: Here I am. 1569 01:14:09,400 --> 01:14:13,500 Ennio, here, take them to the "Miss Canova". Go, go, go! 1570 01:14:16,766 --> 01:14:20,066 - Okay, thanks and goodbye. - Excuse me? 1571 01:14:20,500 --> 01:14:21,500 Your name? 1572 01:14:21,533 --> 01:14:22,533 Diego. 1573 01:14:24,233 --> 01:14:25,333 Fausta. 1574 01:14:25,366 --> 01:14:26,366 Pleasure. 1575 01:14:28,633 --> 01:14:29,633 Diego... 1576 01:14:31,000 --> 01:14:32,000 ..do you smoke? 1577 01:14:33,266 --> 01:14:34,266 Yes. 1578 01:14:34,733 --> 01:14:36,166 Interesting. 1579 01:14:36,600 --> 01:14:39,433 ALBERTA: Paolina, bring these sweets in the kitchen by Silvana, 1580 01:14:39,466 --> 01:14:40,000 who offers them to you when you have coffee. 1581 01:14:40,000 --> 01:14:41,300 who offers them to you when you have coffee. 1582 01:14:41,333 --> 01:14:42,333 Yes. 1583 01:14:44,533 --> 01:14:46,500 Mrs Alberta, Can I ask you something? 1584 01:14:47,033 --> 01:14:48,000 Yes, tell me. 1585 01:14:48,000 --> 01:14:48,033 Yes, tell me. 1586 01:14:53,500 --> 01:14:55,033 PAOLINA: It's a brooch. 1587 01:14:56,600 --> 01:14:57,700 I see it. 1588 01:14:57,733 --> 01:14:59,066 It's very precious. 1589 01:14:59,600 --> 01:15:02,200 It's the only thing I have left of Simone's father. 1590 01:15:02,733 --> 01:15:04,000 He left it to me, before leaving. 1591 01:15:04,000 --> 01:15:04,766 He left it to me, before leaving. 1592 01:15:04,800 --> 01:15:06,266 He was a Turkish engineer. 1593 01:15:06,300 --> 01:15:09,400 He worked here, he was a good person. 1594 01:15:10,333 --> 01:15:12,000 It's a very important memory for me, but I need to sell it. 1595 01:15:12,000 --> 01:15:13,600 It's a very important memory for me, but I need to sell it. 1596 01:15:15,666 --> 01:15:19,033 It's just that I'm afraid that if I go away of the Pettinari family, they give me two lire. 1597 01:15:19,366 --> 01:15:20,000 So we have to go there? 1598 01:15:20,000 --> 01:15:21,133 So we have to go there? 1599 01:15:22,366 --> 01:15:23,466 PAOLINA: It's just that I... 1600 01:15:25,266 --> 01:15:28,000 ..I would care a lot. I would like to sell it well and... 1601 01:15:28,000 --> 01:15:29,566 ..I would care a lot. I would like to sell it well and... 1602 01:15:30,333 --> 01:15:31,666 ..if it were possible. 1603 01:15:33,233 --> 01:15:35,366 All right, I'll show it to one of our suppliers, 1604 01:15:35,400 --> 01:15:36,000 Let's see if he's interested, hmm? And how much money do you need? 1605 01:15:36,000 --> 01:15:38,533 Let's see if he's interested, hmm? And how much money do you need? 1606 01:15:39,166 --> 01:15:43,300 I have to pay the school lunch, school things, the apron. 1607 01:15:43,333 --> 01:15:44,000 The apron once a year, 1608 01:15:44,000 --> 01:15:44,700 The apron once a year, 1609 01:15:44,733 --> 01:15:48,000 but the canteen, the notebooks, the pencils once a month... 1610 01:15:48,033 --> 01:15:49,600 Okay, I understand! I understand. 1611 01:15:51,333 --> 01:15:52,000 I'll get it evaluated, huh? Then I'll let you know. 1612 01:15:52,000 --> 01:15:53,466 I'll get it evaluated, huh? Then I'll let you know. 1613 01:15:54,400 --> 01:15:55,400 Thank you. 1614 01:16:04,766 --> 01:16:06,300 (THE DOOR CLOSES) 1615 01:16:06,333 --> 01:16:08,000 GABRIELLA: What are you saying? - What? 1616 01:16:08,000 --> 01:16:08,466 GABRIELLA: What are you saying? - What? 1617 01:16:09,666 --> 01:16:10,766 What did he write to you? 1618 01:16:14,000 --> 01:16:15,000 Nothing. 1619 01:16:25,433 --> 01:16:26,433 At that time? 1620 01:16:27,400 --> 01:16:30,333 - Can you offer me this cigarette? - Only if we have dinner together. 1621 01:16:30,366 --> 01:16:31,533 From you. 1622 01:16:32,566 --> 01:16:35,233 Depends. How many cigarettes do you have? 1623 01:16:35,266 --> 01:16:37,533 - Why? - Because we are many. 1624 01:16:39,100 --> 01:16:40,000 - How many? - A lot. 1625 01:16:40,000 --> 01:16:40,666 - How many? - A lot. 1626 01:16:41,366 --> 01:16:43,400 Beautiful things cannot be counted. 1627 01:17:02,400 --> 01:17:03,666 Get a life! 1628 01:17:08,500 --> 01:17:10,433 - Can I say something? - Now's not the time. 1629 01:17:19,466 --> 01:17:20,000 What's your name? 1630 01:17:20,000 --> 01:17:20,633 What's your name? 1631 01:17:21,433 --> 01:17:22,500 Beatrice. 1632 01:17:24,200 --> 01:17:26,133 She's the girl who made you the bodices, 1633 01:17:26,166 --> 01:17:28,000 the ones you liked, that looked like vaginas. 1634 01:17:28,000 --> 01:17:28,366 the ones you liked, that looked like vaginas. 1635 01:17:31,700 --> 01:17:33,333 Come here, come. 1636 01:17:33,700 --> 01:17:34,700 You come! 1637 01:17:36,200 --> 01:17:37,300 Speaks. 1638 01:17:38,333 --> 01:17:42,233 I thought it could be done a sort of cloak, 1639 01:17:44,500 --> 01:17:47,533 sticking it here, along the neckline of the back, 1640 01:17:47,566 --> 01:17:49,300 going down the stairs. 1641 01:17:49,333 --> 01:17:51,266 Her name is Andrienne. No? 1642 01:17:52,266 --> 01:17:55,433 In such a way as not to upset the design of the skirt, 1643 01:17:55,466 --> 01:17:58,300 but make the dress heavier as the director wants. 1644 01:18:00,200 --> 01:18:01,433 ALBERTA: What do you think? 1645 01:18:01,466 --> 01:18:03,000 I don't know, I don't... 1646 01:18:03,766 --> 01:18:08,000 ..maybe I could accept the Andrienne, rather than the train, however... 1647 01:18:08,000 --> 01:18:08,133 ..maybe I could accept the Andrienne, rather than the train, however... 1648 01:18:13,333 --> 01:18:15,000 What do you think, Gabriella? 1649 01:18:16,733 --> 01:18:18,533 - Gabriella, you? - Huh? 1650 01:18:24,733 --> 01:18:25,733 That? 1651 01:18:26,500 --> 01:18:28,000 What do you think about...? 1652 01:18:30,200 --> 01:18:32,000 I wasn't following. 1653 01:18:32,000 --> 01:18:32,066 I wasn't following. 1654 01:18:35,500 --> 01:18:37,733 LORENZO: I don't understand anything anymore with these costumes. 1655 01:18:37,766 --> 01:18:40,000 If they were like that, I wouldn't have you never said they were good. 1656 01:18:40,000 --> 01:18:40,466 If they were like that, I wouldn't have you never said they were good. 1657 01:18:40,500 --> 01:18:43,366 You can't afford it! These costumes shoot tomorrow. What do I do? 1658 01:18:43,400 --> 01:18:45,533 I go to the set, I find them changed and I don't even know? 1659 01:18:45,566 --> 01:18:48,000 Huh? Now you remake them as they are to these sketches. Is it clear? 1660 01:18:48,000 --> 01:18:49,433 Huh? Now you remake them as they are to these sketches. Is it clear? 1661 01:19:10,733 --> 01:19:12,000 But what is this? 1662 01:19:12,000 --> 01:19:12,100 But what is this? 1663 01:19:14,066 --> 01:19:15,100 What is it? 1664 01:19:15,800 --> 01:19:17,133 Is it a cloak? 1665 01:19:17,666 --> 01:19:20,000 Is it a cloak? I asked you for a train, 1666 01:19:20,000 --> 01:19:20,133 Is it a cloak? I asked you for a train, 1667 01:19:20,166 --> 01:19:22,800 this... but what is a cloak? For the last scene? 1668 01:19:23,000 --> 01:19:24,300 But she's not a witch! 1669 01:19:24,333 --> 01:19:27,400 -It's all wrong! All wrong! GABRIELLA: Stop screaming! 1670 01:19:28,633 --> 01:19:30,200 (whispering) Gabriella? 1671 01:19:33,033 --> 01:19:35,233 But how do you... how dare you? 1672 01:19:36,066 --> 01:19:37,066 Excuse us. 1673 01:19:37,633 --> 01:19:39,700 Excuse us. - Do you know what it is, Lorenzo? 1674 01:19:41,366 --> 01:19:44,000 That's what I think that you are afraid of this movie. 1675 01:19:44,000 --> 01:19:44,066 That's what I think that you are afraid of this movie. 1676 01:19:53,400 --> 01:19:54,500 But where is he going? 1677 01:20:04,566 --> 01:20:05,633 You come with me. 1678 01:20:11,333 --> 01:20:13,233 Go a little further, please. 1679 01:20:22,633 --> 01:20:23,633 Everything OK? 1680 01:20:24,533 --> 01:20:26,333 I was wrong. I did it all wrong. 1681 01:20:26,700 --> 01:20:29,433 - He's right, everything sucks. ALBERTA: No, he's not right. 1682 01:20:29,466 --> 01:20:30,566 No. 1683 01:20:31,566 --> 01:20:32,000 It's all my fault, 1684 01:20:32,000 --> 01:20:32,733 It's all my fault, 1685 01:20:33,633 --> 01:20:35,533 I suggested to put on the cloak. 1686 01:20:35,566 --> 01:20:37,200 I should have just kept quiet. 1687 01:20:39,566 --> 01:20:40,000 You can always be wrong, eh? 1688 01:20:40,000 --> 01:20:41,233 You can always be wrong, eh? 1689 01:20:45,466 --> 01:20:48,000 Hmm, no. No, the problem is not... 1690 01:20:48,000 --> 01:20:48,333 Hmm, no. No, the problem is not... 1691 01:20:49,000 --> 01:20:51,133 ...it's not the errors that are the problem... 1692 01:20:51,166 --> 01:20:52,266 ..the problem is me, 1693 01:20:52,300 --> 01:20:55,800 that every time I make a mistake, I question everything. 1694 01:20:58,766 --> 01:21:02,300 Even when I went to collect the Oscar, 1695 01:21:03,800 --> 01:21:04,000 I felt that way. 1696 01:21:04,000 --> 01:21:05,133 I felt that way. 1697 01:21:07,700 --> 01:21:10,000 I always feel inadequate, I don't... 1698 01:21:12,433 --> 01:21:14,200 I walked towards the stage, 1699 01:21:15,200 --> 01:21:18,266 I looked at all these eyes about me 1700 01:21:20,033 --> 01:21:24,000 and I thought: "When the fuck will you understand that I'm worthless? Don't..." 1701 01:21:31,333 --> 01:21:33,000 I'm not worth shit. 1702 01:21:36,766 --> 01:21:38,033 Are you joking? 1703 01:21:38,800 --> 01:21:40,600 This is Bianca Vega, 1704 01:21:41,366 --> 01:21:44,000 one of the best costume designers of the world! 1705 01:21:44,000 --> 01:21:44,433 one of the best costume designers of the world! 1706 01:21:49,166 --> 01:21:50,466 I am nothing. 1707 01:21:54,300 --> 01:21:57,533 We are nothing, but we are everything. 1708 01:22:02,133 --> 01:22:04,000 We are nothing, but we are everything. 1709 01:22:04,800 --> 01:22:06,300 CARLOTTA: Mrs. Alberta? 1710 01:22:06,333 --> 01:22:08,000 Excuse me. Sorry, but, here it is, I found it, I found it! 1711 01:22:08,000 --> 01:22:10,166 Excuse me. Sorry, but, here it is, I found it, I found it! 1712 01:22:10,200 --> 01:22:11,333 What did you find? 1713 01:22:11,366 --> 01:22:14,600 Oh, no, because I made a thousand attempts and it didn't come... 1714 01:22:14,633 --> 01:22:16,000 ..because this is not the year of the Rose... 1715 01:22:16,000 --> 01:22:16,733 ..because this is not the year of the Rose... 1716 01:22:16,766 --> 01:22:18,666 - From Mountbutten, yes. - Del Rosa Mountbutten. 1717 01:22:18,700 --> 01:22:21,600 - Yes. - No, it's not the year of Pink Mountbutten. Here you go... 1718 01:22:25,533 --> 01:22:28,233 ..the Pink Diamond. 1719 01:22:28,800 --> 01:22:29,800 Huh? 1720 01:22:32,800 --> 01:22:34,133 Here, well done! 1721 01:22:35,600 --> 01:22:37,166 This is us. 1722 01:22:38,533 --> 01:22:39,700 Diamonds. 1723 01:22:43,366 --> 01:22:48,000 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 1724 01:22:48,000 --> 01:22:48,066 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 1725 01:23:02,033 --> 01:23:03,466 What are you doing, have you come back to sleep here? 1726 01:23:04,466 --> 01:23:08,766 No, sorry. I just wanted to finish to think about something, 1727 01:23:08,800 --> 01:23:10,133 if you don't mind. 1728 01:23:10,433 --> 01:23:11,466 You ate? 1729 01:23:12,433 --> 01:23:13,433 Silvana. 1730 01:23:14,066 --> 01:23:15,066 Certain. 1731 01:23:16,600 --> 01:23:19,200 Go home, it's late. See you tomorrow morning. 1732 01:23:21,166 --> 01:23:22,366 Mrs. Alberta? 1733 01:23:33,500 --> 01:23:34,500 Thank you. 1734 01:24:01,133 --> 01:24:04,233 - Have you tried calling Vittorio back? - I tried, it doesn't come. 1735 01:24:05,233 --> 01:24:06,333 Is that enough? 1736 01:24:07,533 --> 01:24:08,000 - But that's enough? - Just... 1737 01:24:08,000 --> 01:24:09,000 - But that's enough? - Just... 1738 01:24:09,033 --> 01:24:11,066 - ..I say, won't you try calling him again? - Shall I try again? 1739 01:24:11,100 --> 01:24:12,566 - You have to call him back! - What do I do now? 1740 01:24:12,600 --> 01:24:14,033 - You have to call him back! - You do it! 1741 01:24:14,066 --> 01:24:15,733 - He's your son! - You do it, you're the mother. Yes! 1742 01:24:15,766 --> 01:24:16,000 I am the mother, you understand! This is an excuse, 1743 01:24:16,000 --> 01:24:18,000 I am the mother, you understand! This is an excuse, 1744 01:24:18,033 --> 01:24:20,300 that you... - I cooked, set, I'll do everything. 1745 01:24:20,333 --> 01:24:21,566 Don't argue, no. 1746 01:24:23,033 --> 01:24:24,000 I love you, but we weren't arguing! But go figure, love. 1747 01:24:24,000 --> 01:24:26,033 I love you, but we weren't arguing! But go figure, love. 1748 01:24:26,566 --> 01:24:31,433 Handsome. Come, sit down, do you want to sit for a moment? Huh? 1749 01:24:32,333 --> 01:24:33,466 (SIGHS) 1750 01:24:33,500 --> 01:24:34,800 Do you want a drop of water? 1751 01:24:35,633 --> 01:24:37,700 - Yes. - Eh, love? Huh? 1752 01:24:38,500 --> 01:24:39,533 Drink, come on! 1753 01:24:47,733 --> 01:24:48,000 I don't even know what I have, but it's not your fault. 1754 01:24:48,000 --> 01:24:52,633 I don't even know what I have, but it's not your fault. 1755 01:24:52,666 --> 01:24:54,300 You have nothing to do with it. 1756 01:24:56,466 --> 01:24:59,100 Don't worry, huh? Love! 1757 01:25:10,666 --> 01:25:12,000 Huh? Two, two, love, two, two! 1758 01:25:12,000 --> 01:25:13,000 Huh? Two, two, love, two, two! 1759 01:25:13,033 --> 01:25:14,033 I made them. 1760 01:25:14,066 --> 01:25:16,033 These are your favorites then! 1761 01:25:16,066 --> 01:25:18,600 Here you are. Huh? 1762 01:25:19,300 --> 01:25:20,000 Give me satisfaction, will you? 1763 01:25:20,000 --> 01:25:20,700 Give me satisfaction, will you? 1764 01:25:20,733 --> 01:25:22,166 All right. 1765 01:25:27,266 --> 01:25:28,000 - It's good. - Mhm. 1766 01:25:28,000 --> 01:25:28,433 - It's good. - Mhm. 1767 01:25:34,366 --> 01:25:36,000 You know that mother, perhaps, do you have a solution? 1768 01:25:36,000 --> 01:25:36,533 You know that mother, perhaps, do you have a solution? 1769 01:25:37,533 --> 01:25:38,766 - Mhm. - Yes. Do you know? 1770 01:25:38,800 --> 01:25:41,400 So, Eleonora, do you remember Eleonora? 1771 01:25:42,100 --> 01:25:44,000 She told me there is a lady which is very sensitive, 1772 01:25:44,000 --> 01:25:47,000 She told me there is a lady which is very sensitive, 1773 01:25:48,100 --> 01:25:52,000 and solves problems, even if you're not well, right? 1774 01:25:52,000 --> 01:25:52,033 and solves problems, even if you're not well, right? 1775 01:25:52,066 --> 01:25:55,300 She-she hears you, listens to you, she's like a magician! 1776 01:25:55,333 --> 01:25:58,100 Understood? As long as it touches you 1777 01:25:59,000 --> 01:26:00,000 and heals you. 1778 01:26:00,000 --> 01:26:00,333 and heals you. 1779 01:26:00,633 --> 01:26:01,633 Really? 1780 01:26:02,800 --> 01:26:04,466 Do we want to go together? 1781 01:26:05,500 --> 01:26:08,000 Yes, that's fine. 1782 01:26:08,000 --> 01:26:08,133 Yes, that's fine. 1783 01:26:08,533 --> 01:26:10,500 You work, I'll take it to us. 1784 01:26:18,433 --> 01:26:20,200 Shall the three of us go together? 1785 01:26:24,533 --> 01:26:27,233 GEMMOLOGIST: Zircons and chromed brass. 1786 01:26:28,466 --> 01:26:31,066 It's worth nothing. I am sorry. 1787 01:26:31,700 --> 01:26:32,000 Mhm. 1788 01:26:32,000 --> 01:26:32,733 Mhm. 1789 01:26:32,766 --> 01:26:34,600 Did you understand "er Turco"? 1790 01:26:35,533 --> 01:26:36,533 Thanks, huh? 1791 01:26:36,566 --> 01:26:39,733 Yes, they are beautiful, as always. But how can I tell Alida 1792 01:26:39,766 --> 01:26:40,000 that you didn't make her a costume for the finale? 1793 01:26:40,000 --> 01:26:41,766 that you didn't make her a costume for the finale? 1794 01:26:41,800 --> 01:26:43,233 What does he do? The naked monologue? 1795 01:26:43,266 --> 01:26:46,666 Ah, but you know, right now seamstresses have a lot to do. 1796 01:26:46,700 --> 01:26:48,000 And I apologize, in fact I have to having underestimated the times a bit. 1797 01:26:48,000 --> 01:26:49,566 And I apologize, in fact I have to having underestimated the times a bit. 1798 01:26:49,600 --> 01:26:51,500 But Gabriella, we have the debut soon. 1799 01:26:51,533 --> 01:26:56,000 Eh, let's reschedule a test with Alida, next week, if you want. 1800 01:26:56,000 --> 01:26:56,300 Eh, let's reschedule a test with Alida, next week, if you want. 1801 01:26:56,333 --> 01:26:58,633 I can only Monday at five. Is this good for you? 1802 01:26:58,666 --> 01:26:59,666 Yes, that's fine. 1803 01:27:01,433 --> 01:27:03,166 But don't worry, we'll make them. 1804 01:27:12,166 --> 01:27:13,300 Has something happened? 1805 01:27:13,333 --> 01:27:14,700 A costume is missing. 1806 01:27:15,466 --> 01:27:16,500 Well, which one? 1807 01:27:16,533 --> 01:27:19,366 It's the one from the final scene of the protagonist. 1808 01:27:19,400 --> 01:27:20,000 Oh well, it doesn't seem like a tragedy to me, you know? 1809 01:27:20,000 --> 01:27:21,566 Oh well, it doesn't seem like a tragedy to me, you know? 1810 01:27:33,366 --> 01:27:34,433 FAUSTA: Nicoletta? 1811 01:27:34,466 --> 01:27:36,000 - Mhm! - Everything OK? 1812 01:27:36,000 --> 01:27:36,466 - Mhm! - Everything OK? 1813 01:27:37,200 --> 01:27:38,200 Yes, why? 1814 01:27:39,000 --> 01:27:41,700 I don't know, I find you different. 1815 01:27:42,300 --> 01:27:44,000 Um, I let my hair down a little. 1816 01:27:44,000 --> 01:27:44,366 Um, I let my hair down a little. 1817 01:27:44,400 --> 01:27:47,000 Yes, the hair, the nail polish, the neckline, 1818 01:27:48,400 --> 01:27:49,400 you're smoking! 1819 01:27:49,433 --> 01:27:51,466 No, actually I've always smoked, Fausta. 1820 01:27:52,300 --> 01:27:55,700 - And with your husband? How is it going? - Eh, what does the asshole say? 1821 01:27:58,666 --> 01:28:00,000 Honestly, it's a little that I don't see it. 1822 01:28:00,000 --> 01:28:00,633 Honestly, it's a little that I don't see it. 1823 01:28:01,233 --> 01:28:02,233 How come? 1824 01:28:04,233 --> 01:28:05,300 What happened? 1825 01:28:10,600 --> 01:28:12,133 A few days ago, 1826 01:28:13,266 --> 01:28:16,000 he went out to buy cigarettes 1827 01:28:16,000 --> 01:28:16,166 he went out to buy cigarettes 1828 01:28:19,433 --> 01:28:21,066 and he never came back. 1829 01:28:32,100 --> 01:28:34,233 How I like them men who smoke. 1830 01:28:37,100 --> 01:28:40,000 EDOARDO: Come on, I have the train for Caserta. Mrs Carlotta? 1831 01:28:40,000 --> 01:28:40,400 EDOARDO: Come on, I have the train for Caserta. Mrs Carlotta? 1832 01:28:40,433 --> 01:28:42,700 All sorted. FRANCESCO: We ordered everything. 1833 01:28:42,733 --> 01:28:44,466 - Thank you. SILVANA: Guys? 1834 01:28:44,500 --> 01:28:45,800 Shall we offer you some coffee? 1835 01:28:46,000 --> 01:28:47,266 - Let's hope. - Gladly, yes. 1836 01:28:47,300 --> 01:28:48,000 - And what good things do you offer us? - Eh. 1837 01:28:48,000 --> 01:28:49,166 - And what good things do you offer us? - Eh. 1838 01:28:49,200 --> 01:28:53,066 I had an idea, but... look, he sings! He already sang. 1839 01:28:53,100 --> 01:28:55,466 NINA: Ah, that's right! FAUSTA: Sing and you dance... 1840 01:28:55,500 --> 01:28:56,000 - Dance? - A couple? Go, go. 1841 01:28:56,000 --> 01:28:57,166 - Dance? - A couple? Go, go. 1842 01:28:57,200 --> 01:28:58,233 Yes, yes. Come on! 1843 01:28:58,600 --> 01:29:01,166 1844 01:29:01,200 --> 01:29:02,233 Voice! 1845 01:29:02,266 --> 01:29:03,333 Big Patty. 1846 01:29:03,366 --> 01:29:04,000 - - Come on! Convinced coconut! 1847 01:29:04,000 --> 01:29:05,466 - - Come on! Convinced coconut! 1848 01:29:05,500 --> 01:29:07,566 when you love... 1849 01:29:07,600 --> 01:29:09,633 You! You! 1850 01:29:09,666 --> 01:29:12,000 (SING "THE EYES OF LOVE" PATTY BRAVO) 1851 01:29:12,000 --> 01:29:12,366 (SING "THE EYES OF LOVE" PATTY BRAVO) 1852 01:30:20,000 --> 01:30:21,100 Simone? 1853 01:30:23,533 --> 01:30:24,000 Simone! 1854 01:30:24,000 --> 01:30:24,533 Simone! 1855 01:30:25,666 --> 01:30:31,600 Look what I brought you? Mmm, the snack! 1856 01:30:32,466 --> 01:30:34,000 Don't you answer me? 1857 01:30:34,766 --> 01:30:36,133 Do I support it here? 1858 01:30:37,466 --> 01:30:40,000 Well, then I'll do it the mummy game. 1859 01:30:40,000 --> 01:30:41,133 Well, then I'll do it the mummy game. 1860 01:30:42,500 --> 01:30:45,000 I'm the mummy... 1861 01:30:47,566 --> 01:30:48,000 Ah! You're out! 1862 01:30:48,000 --> 01:30:50,366 Ah! You're out! 1863 01:30:52,333 --> 01:30:55,600 Look what I brought you? Mmm! Good, huh? 1864 01:30:56,066 --> 01:30:57,233 But first, first... 1865 01:30:57,266 --> 01:30:59,700 ..first, I have a gift for you. 1866 01:31:01,066 --> 01:31:02,566 Look what...? Look. 1867 01:31:03,500 --> 01:31:04,000 Do you see this? It's a magical little fish. 1868 01:31:04,000 --> 01:31:07,233 Do you see this? It's a magical little fish. 1869 01:31:07,733 --> 01:31:10,566 And it's a little fish which brings so much luck. 1870 01:31:12,100 --> 01:31:16,366 It's mine, I've had it for a long time, in short, luck... but, yes, 1871 01:31:16,400 --> 01:31:19,666 it brings good luck, and I give it to you, love. 1872 01:31:20,233 --> 01:31:24,400 Come on, it will bring you lots of luck. A lot! 1873 01:31:28,633 --> 01:31:30,733 So you will always remember me. 1874 01:31:32,133 --> 01:31:33,633 Get it, get it! 1875 01:31:38,200 --> 01:31:40,533 ALBERTA: You were right. The brooch is worth a lot. 1876 01:31:40,566 --> 01:31:42,466 I knew he was a good person. 1877 01:31:42,500 --> 01:31:43,500 Who? 1878 01:31:45,200 --> 01:31:46,466 Simone's father. 1879 01:31:46,500 --> 01:31:47,500 Ahh! 1880 01:31:50,433 --> 01:31:52,000 Mrs. Alberta, sorry, but how much did they give her? 1881 01:31:52,000 --> 01:31:52,566 Mrs. Alberta, sorry, but how much did they give her? 1882 01:31:55,500 --> 01:31:56,500 Nothing. 1883 01:31:57,133 --> 01:32:00,000 I decided not to sell it, I'll keep it as a pledge 1884 01:32:00,000 --> 01:32:01,000 I decided not to sell it, I'll keep it as a pledge 1885 01:32:01,033 --> 01:32:03,300 and the tailoring will support Simone's studies. 1886 01:32:03,733 --> 01:32:06,533 We'll give you a pay raise, so you are autonomous. 1887 01:32:09,666 --> 01:32:11,200 I don't know how to thank her. 1888 01:32:12,733 --> 01:32:13,733 Go. 1889 01:32:14,600 --> 01:32:15,600 Paoli'? 1890 01:32:15,633 --> 01:32:16,000 Yes. 1891 01:32:16,000 --> 01:32:16,633 Yes. 1892 01:32:18,433 --> 01:32:19,533 Tell me. 1893 01:32:20,733 --> 01:32:24,000 Find a place for Simone, he can't stay in that little room. 1894 01:32:24,000 --> 01:32:24,433 Find a place for Simone, he can't stay in that little room. 1895 01:32:27,800 --> 01:32:29,000 Certain. 1896 01:32:29,033 --> 01:32:30,233 Excuse me. 1897 01:32:31,100 --> 01:32:32,000 Go. 1898 01:32:32,000 --> 01:32:32,100 Go. 1899 01:32:35,400 --> 01:32:37,200 Are you with us, Gabriella? 1900 01:32:37,233 --> 01:32:38,633 Of course I'm with you. 1901 01:32:40,233 --> 01:32:43,300 You smoked a pack of cigarettes in less than an hour. 1902 01:32:43,333 --> 01:32:45,766 But have you seen who is there? - No, who's there? 1903 01:32:47,133 --> 01:32:48,000 Leonardo. 1904 01:32:48,000 --> 01:32:48,200 Leonardo. 1905 01:32:48,733 --> 01:32:50,133 AUNT OLGA: Leonardo who? 1906 01:32:50,533 --> 01:32:53,033 - Leonardo Cavani. - Ahh! 1907 01:32:53,666 --> 01:32:54,700 But where is he? 1908 01:32:54,733 --> 01:32:55,766 GABRIELLA: There. 1909 01:32:55,800 --> 01:32:56,000 Ah, but is it "Baguette"? 1910 01:32:56,000 --> 01:32:58,000 Ah, but is it "Baguette"? 1911 01:32:58,033 --> 01:32:59,233 ALBERTA: Aunt, please? 1912 01:32:59,266 --> 01:33:01,366 ANDREA: Mrs. Olga, did you choose the latter? 1913 01:33:01,400 --> 01:33:04,000 No. - Then maybe I can help you? 1914 01:33:04,000 --> 01:33:04,033 No. - Then maybe I can help you? 1915 01:33:04,066 --> 01:33:05,733 In the meantime, give me your first name, Andrea. 1916 01:33:05,766 --> 01:33:07,533 Of course! Of course not. 1917 01:33:07,566 --> 01:33:09,000 Will you come here for a while? 1918 01:33:09,366 --> 01:33:12,000 I need information on that table over there. 1919 01:33:12,000 --> 01:33:13,433 I need information on that table over there. 1920 01:33:13,466 --> 01:33:14,766 - That? Huh? - Mhm. 1921 01:33:15,233 --> 01:33:17,533 What did they order? 1922 01:33:17,566 --> 01:33:20,000 GABRIELLA: What do you care? what did they order? - Indeed. 1923 01:33:20,000 --> 01:33:20,333 GABRIELLA: What do you care? what did they order? - Indeed. 1924 01:33:20,366 --> 01:33:22,200 No, rather, can I ask you something, 1925 01:33:22,600 --> 01:33:26,333 the blonde lady who is with him, is it the wife? 1926 01:33:26,366 --> 01:33:27,466 Will you stop? 1927 01:33:27,500 --> 01:33:28,000 - But... - Will you stop? 1928 01:33:28,000 --> 01:33:28,600 - But... - Will you stop? 1929 01:33:28,633 --> 01:33:31,366 I think so, they split a grilled lamb. 1930 01:33:31,400 --> 01:33:32,700 Then there is no doubt. 1931 01:33:32,733 --> 01:33:35,566 - We want to share one us too? - Do we want to leave? 1932 01:33:37,433 --> 01:33:38,433 Lady. 1933 01:33:41,433 --> 01:33:43,466 Stop looking, that if they see us... 1934 01:33:43,500 --> 01:33:44,000 Do you know what I do? I'm going to say hello. 1935 01:33:44,000 --> 01:33:45,666 Do you know what I do? I'm going to say hello. 1936 01:33:46,366 --> 01:33:47,400 Wait? 1937 01:33:48,200 --> 01:33:49,266 Good morning. 1938 01:33:53,266 --> 01:33:55,566 Have a nice lunch. RITA: Good morning. 1939 01:33:56,400 --> 01:33:57,533 Good morning. 1940 01:34:01,433 --> 01:34:02,466 Lady. 1941 01:34:02,500 --> 01:34:05,066 Rita, these are the Canova sisters, 1942 01:34:05,566 --> 01:34:08,000 owners of a tailor's shop on which the company would like to invest. 1943 01:34:08,000 --> 01:34:08,533 owners of a tailor's shop on which the company would like to invest. 1944 01:34:09,033 --> 01:34:10,066 Gabriella. 1945 01:34:10,800 --> 01:34:12,200 Nice to meet you, Alberta. 1946 01:34:17,366 --> 01:34:19,166 But is that the Alberta of Paris? 1947 01:34:19,200 --> 01:34:21,100 (SILENCE) 1948 01:34:29,233 --> 01:34:30,700 When we were engaged, 1949 01:34:30,733 --> 01:34:32,000 Leonardo and I lived for a while in Paris. 1950 01:34:32,000 --> 01:34:33,500 Leonardo and I lived for a while in Paris. 1951 01:34:40,000 --> 01:34:44,333 On the day of the accident he said that he had to tell me about this Alberta, 1952 01:34:44,366 --> 01:34:47,500 a friend who lived in Paris her too for a while. 1953 01:34:51,366 --> 01:34:55,666 But, then there was the accident, the hospital, everything has changed. 1954 01:34:59,033 --> 01:35:02,233 But this name stuck with me always imprinted over the years. 1955 01:35:07,300 --> 01:35:09,133 I have never been to Paris. 1956 01:35:18,133 --> 01:35:19,133 But how strange. 1957 01:35:19,733 --> 01:35:20,000 He has a tailor shop and you've never been to Paris? 1958 01:35:20,000 --> 01:35:21,800 He has a tailor shop and you've never been to Paris? 1959 01:35:23,033 --> 01:35:25,633 ("TRUE LOVE" MINA) 1960 01:35:26,300 --> 01:35:27,800 These are the things of life. 1961 01:35:30,566 --> 01:35:32,000 Let's go. 1962 01:35:32,033 --> 01:35:34,433 We just wanted to say hello. 1963 01:35:34,466 --> 01:35:36,000 Good continuation. 1964 01:35:36,000 --> 01:35:36,100 Good continuation. 1965 01:35:36,400 --> 01:35:38,233 It was a pleasure meeting her. 1966 01:35:38,266 --> 01:35:39,466 Me too. 1967 01:35:51,766 --> 01:35:52,000 ("TRUE LOVE" MINA) 1968 01:35:52,000 --> 01:35:55,233 ("TRUE LOVE" MINA) 1969 01:37:05,166 --> 01:37:07,333 Make parmigiana for 30 and meatballs for 20. 1970 01:37:07,366 --> 01:37:11,166 No, I make parmigiana for 40, meatballs for 40. 1971 01:37:11,200 --> 01:37:12,000 And I even make 16 lasagna! 1972 01:37:12,000 --> 01:37:14,033 And I even make 16 lasagna! 1973 01:37:14,066 --> 01:37:16,200 - 16 trays? - Yes. 16 trays. Yes. 1974 01:37:16,233 --> 01:37:18,533 - Exaggerated! - It's my virtue. 1975 01:37:19,000 --> 01:37:20,000 Always do as you please. 1976 01:37:20,000 --> 01:37:20,133 Always do as you please. 1977 01:37:20,166 --> 01:37:22,466 Ennio, bring the pastries to Mrs. Sofia Volpi. 1978 01:37:22,500 --> 01:37:24,366 - Isn't Mrs. Volpi above? - And who is there? 1979 01:37:24,400 --> 01:37:25,466 Alida Borghese. 1980 01:37:30,200 --> 01:37:31,500 - Is Gabriella up? - Yes. 1981 01:37:33,633 --> 01:37:36,000 ALIDA: "My garden..." 1982 01:37:36,000 --> 01:37:36,600 ALIDA: "My garden..." 1983 01:37:36,633 --> 01:37:38,000 Alida, dearest! 1984 01:37:38,533 --> 01:37:41,766 - Dear Alberta, I'm gorgeous, right? - Yes. 1985 01:37:42,300 --> 01:37:44,000 But Gabriella, you didn't look at the diary. 1986 01:37:44,000 --> 01:37:44,466 But Gabriella, you didn't look at the diary. 1987 01:37:44,500 --> 01:37:47,300 We couldn't receive today in the rehearsal room. 1988 01:37:47,333 --> 01:37:49,100 Eh, the builders are coming, right? 1989 01:37:49,133 --> 01:37:51,133 They must make dust, they have to dismantle... 1990 01:37:51,166 --> 01:37:52,000 - Dust? - Yes. 1991 01:37:52,000 --> 01:37:52,366 - Dust? - Yes. 1992 01:37:52,400 --> 01:37:54,666 No, huh? No, no please, I... 1993 01:37:54,700 --> 01:37:58,200 ..I really can't stand dust. Only the one on the stage! 1994 01:37:58,233 --> 01:37:59,433 (LAUGHTER) 1995 01:38:00,633 --> 01:38:02,033 Oh God! 1996 01:38:02,066 --> 01:38:05,366 - How cute, oh my! - Shall we try on hats? 1997 01:38:05,400 --> 01:38:07,600 - But why, five more minutes. - So we complete. 1998 01:38:07,633 --> 01:38:08,000 - But I'm not finished. You say? - You come. 1999 01:38:08,000 --> 01:38:09,600 - But I'm not finished. You say? - You come. 2000 01:38:09,633 --> 01:38:12,300 Come, the director and the costume designer have not arrived yet. 2001 01:38:12,333 --> 01:38:13,800 Let's have a drink in my office. 2002 01:38:14,000 --> 01:38:15,033 (ALIDA LAUGHS) 2003 01:38:15,066 --> 01:38:16,000 ..is that then the dust of the theater, no! 2004 01:38:16,000 --> 01:38:17,066 ..is that then the dust of the theater, no! 2005 01:38:17,100 --> 01:38:18,800 It's the dust... stardust. 2006 01:38:20,400 --> 01:38:21,500 Ahh! 2007 01:38:21,533 --> 01:38:24,000 She was the worker who has to do the work up there? 2008 01:38:24,000 --> 01:38:24,300 She was the worker who has to do the work up there? 2009 01:38:24,333 --> 01:38:27,500 Worker? Since when who doesn't go into a cinema? 2010 01:38:27,533 --> 01:38:29,533 Since she doesn't come in in a theater, dear. 2011 01:38:29,566 --> 01:38:31,166 - I hate the theater. - Too bad, 2012 01:38:31,200 --> 01:38:32,000 theater teaches you to act better. 2013 01:38:32,000 --> 01:38:33,266 theater teaches you to act better. 2014 01:38:34,066 --> 01:38:36,466 So why all the actresses of theater that I know 2015 01:38:36,500 --> 01:38:39,266 would they like to make films? - Because it's easier. 2016 01:38:40,200 --> 01:38:43,233 In cinema, feeling passes everything for a close-up look. 2017 01:38:43,266 --> 01:38:44,666 You just need to know how to blink. 2018 01:38:44,700 --> 01:38:48,000 In the theater no. In the theater it passes for the body, for the hands, 2019 01:38:48,000 --> 01:38:48,400 In the theater no. In the theater it passes for the body, for the hands, 2020 01:38:48,433 --> 01:38:50,266 for the voice that runs, runs, runs. 2021 01:38:50,300 --> 01:38:52,433 So why don't they make them do it the cinema? 2022 01:38:52,466 --> 01:38:54,433 It's me who doesn't want to do it, dear. 2023 01:38:54,466 --> 01:38:56,000 I need it of the warmth of my audience. 2024 01:38:56,000 --> 01:38:57,000 I need it of the warmth of my audience. 2025 01:38:58,200 --> 01:39:00,100 But the public doesn't need her. 2026 01:39:00,633 --> 01:39:03,633 Yet some films have done it and no one saw it? 2027 01:39:04,466 --> 01:39:08,333 Because maybe they were movies too busy, but the time, 2028 01:39:08,366 --> 01:39:09,500 time will prove it right. 2029 01:39:10,066 --> 01:39:12,000 Time, eh, time. Maybe that's his problem. 2030 01:39:12,000 --> 01:39:13,766 Time, eh, time. Maybe that's his problem. 2031 01:39:13,800 --> 01:39:17,000 Meanwhile you think you'll get there, at my time. 2032 01:39:17,033 --> 01:39:19,100 Sir, please, huh? Stay calm. 2033 01:39:19,133 --> 01:39:20,000 - Now, Alida, let's find it an accommodation... - No! 2034 01:39:20,000 --> 01:39:21,433 - Now, Alida, let's find it an accommodation... - No! 2035 01:39:21,466 --> 01:39:22,633 I'm not moving from here. 2036 01:39:22,666 --> 01:39:24,466 My costumes are up there. 2037 01:39:24,500 --> 01:39:27,366 You know, I have to do Ljuba in "The Cherry Orchard". 2038 01:39:27,400 --> 01:39:28,000 You know Chekhov, right? 2039 01:39:28,000 --> 01:39:29,266 You know Chekhov, right? 2040 01:39:31,566 --> 01:39:34,366 Watch out for the cherries, huh? They're sugars! 2041 01:39:35,533 --> 01:39:36,000 I don't feel it, do you know I don't feel it? Not even close to that. 2042 01:39:36,000 --> 01:39:39,033 I don't feel it, do you know I don't feel it? Not even close to that. 2043 01:39:39,066 --> 01:39:41,500 Do you know what it reminds me of? It reminds me of that movie... 2044 01:39:41,533 --> 01:39:44,000 ..a while ago... mhm, "Sunset Boulevard"? 2045 01:39:44,000 --> 01:39:45,066 ..a while ago... mhm, "Sunset Boulevard"? 2046 01:39:45,100 --> 01:39:48,466 (LAUGHTER) 2047 01:39:49,533 --> 01:39:52,000 How cute. Well, I think that my ordeal ended here. 2048 01:39:52,000 --> 01:39:53,666 How cute. Well, I think that my ordeal ended here. 2049 01:39:53,700 --> 01:39:55,733 - Alida... - You won't see me anytime soon. 2050 01:39:55,766 --> 01:39:58,200 Not me, not these laces. 2051 01:40:01,733 --> 01:40:04,066 Theater will never die! 2052 01:40:07,233 --> 01:40:08,000 Where the fuck do we go out here? 2053 01:40:08,000 --> 01:40:09,133 Where the fuck do we go out here? 2054 01:40:09,700 --> 01:40:11,266 ALBERTA: Alida, sorry. 2055 01:40:11,300 --> 01:40:14,166 Correct them behind, run after her, help her. 2056 01:40:17,466 --> 01:40:18,633 Sofia? 2057 01:40:30,500 --> 01:40:31,766 You need to take a break. 2058 01:40:34,766 --> 01:40:36,266 I'm serious, Gabrie'! 2059 01:40:37,566 --> 01:40:39,200 You need to take a break. 2060 01:40:39,233 --> 01:40:40,000 You are no longer capable. 2061 01:40:40,000 --> 01:40:40,533 You are no longer capable. 2062 01:40:41,333 --> 01:40:44,500 I'm tired of making up for it to your mistakes. Did you understand? 2063 01:40:46,066 --> 01:40:47,133 Do you decide? 2064 01:40:48,333 --> 01:40:49,800 Have you become my boss? 2065 01:40:50,566 --> 01:40:52,633 But we founded it this place together. 2066 01:40:52,666 --> 01:40:55,200 Yes, but I founded it with my sister and you're no longer there. 2067 01:40:57,700 --> 01:40:58,766 You are absent. 2068 01:40:59,433 --> 01:41:01,100 And we both know why. 2069 01:41:05,633 --> 01:41:07,033 Don't you dare. 2070 01:41:07,066 --> 01:41:08,100 No, I'm taking a chance! 2071 01:41:08,633 --> 01:41:11,500 Because Amelia was also my niece, she was also my niece. 2072 01:41:11,533 --> 01:41:12,000 - No... - No, I'm not silent. I won't shut up! 2073 01:41:12,000 --> 01:41:13,733 - No... - No, I'm not silent. I won't shut up! 2074 01:41:14,333 --> 01:41:15,566 You can't... 2075 01:41:16,200 --> 01:41:17,266 And yet I can. 2076 01:41:18,700 --> 01:41:20,000 Because I have always been by your side, always! 2077 01:41:20,000 --> 01:41:21,400 Because I have always been by your side, always! 2078 01:41:21,766 --> 01:41:24,733 From the first day we knew that Amelia had been hit. 2079 01:41:24,766 --> 01:41:27,533 I was with you on those fucking pedestrian crossings, 2080 01:41:27,566 --> 01:41:28,000 for days and days! 2081 01:41:28,000 --> 01:41:29,133 for days and days! 2082 01:41:30,766 --> 01:41:32,166 Looking for witnesses. 2083 01:41:34,433 --> 01:41:36,000 But do you think I didn't suffer? 2084 01:41:36,000 --> 01:41:36,300 But do you think I didn't suffer? 2085 01:41:36,333 --> 01:41:37,333 Huh? 2086 01:41:38,100 --> 01:41:40,566 But you think this thing about me hasn't changed me? 2087 01:41:40,600 --> 01:41:41,600 Huh? 2088 01:41:42,533 --> 01:41:44,000 But I kept my back straight! Because we need to move forward. 2089 01:41:44,000 --> 01:41:45,633 But I kept my back straight! Because we need to move forward. 2090 01:41:45,666 --> 01:41:47,466 We need to move forward, Gabrie'! 2091 01:41:52,066 --> 01:41:53,066 You? 2092 01:41:54,566 --> 01:41:56,000 Are you suffering? 2093 01:41:56,266 --> 01:41:57,266 Yes. 2094 01:41:58,766 --> 01:42:00,000 But what are you talking about? 2095 01:42:00,000 --> 01:42:00,233 But what are you talking about? 2096 01:42:01,800 --> 01:42:03,166 That you don't even know. 2097 01:42:04,233 --> 01:42:06,600 You don't know what it's like to go home in the evening 2098 01:42:07,433 --> 01:42:08,000 and see Lucio's eyes. 2099 01:42:08,000 --> 01:42:09,133 and see Lucio's eyes. 2100 01:42:11,633 --> 01:42:15,233 You don't know what it means to return in his room 2101 01:42:19,733 --> 01:42:21,200 and look for the smell, 2102 01:42:23,633 --> 01:42:24,000 the smell of my daughter. 2103 01:42:24,000 --> 01:42:25,233 the smell of my daughter. 2104 01:42:26,300 --> 01:42:27,333 What are you talking about? 2105 01:42:29,533 --> 01:42:31,333 Gabrielle, shh! 2106 01:42:31,366 --> 01:42:32,000 Gabrie, listen to me. 2107 01:42:32,000 --> 01:42:32,800 Gabrie, listen to me. 2108 01:42:33,500 --> 01:42:37,100 Everyone has their dramas, but five years have passed. 2109 01:42:37,133 --> 01:42:38,266 Five! 2110 01:42:39,200 --> 01:42:40,000 And time soothes. 2111 01:42:40,000 --> 01:42:40,566 And time soothes. 2112 01:42:41,366 --> 01:42:43,666 Only you want it to be the way you are. 2113 01:42:44,366 --> 01:42:45,600 You want to stay there! 2114 01:42:45,633 --> 01:42:47,500 Attached to this thing. 2115 01:42:47,533 --> 01:42:48,000 You have to stop it! We have to start living again! 2116 01:42:48,000 --> 01:42:50,400 You have to stop it! We have to start living again! 2117 01:42:50,800 --> 01:42:52,300 Do you understand me Gabrie? 2118 01:42:53,500 --> 01:42:54,666 I'm tired! 2119 01:42:54,700 --> 01:42:56,000 Tired of carrying this on tailoring alone. I'm alone here! 2120 01:42:56,000 --> 01:42:58,600 Tired of carrying this on tailoring alone. I'm alone here! 2121 01:43:00,200 --> 01:43:03,400 We have a lot of people to pay! Everything on my shoulders. 2122 01:43:05,700 --> 01:43:07,800 Enough! Did you understand? 2123 01:43:08,600 --> 01:43:11,500 Amelia didn't leave. Amelia is dead. 2124 01:43:11,533 --> 01:43:12,000 Dead! She's dead! 2125 01:43:12,000 --> 01:43:13,500 Dead! She's dead! 2126 01:43:13,533 --> 01:43:17,100 She's dead! She's dead! Did you understand? 2127 01:43:17,133 --> 01:43:18,266 She's dead. 2128 01:43:22,500 --> 01:43:24,433 Shh! Shh! 2129 01:43:28,233 --> 01:43:29,666 (THE DOOR CLOSES) 2130 01:43:32,033 --> 01:43:33,466 Shh! 2131 01:43:33,500 --> 01:43:35,466 (COUGHING) 2132 01:43:40,666 --> 01:43:43,466 But at least the other costumes fit good or not even those? 2133 01:43:43,500 --> 01:43:44,000 The other costumes are fine, 2134 01:43:44,000 --> 01:43:45,200 The other costumes are fine, 2135 01:43:45,233 --> 01:43:47,100 we have the problem with this costume. 2136 01:43:47,133 --> 01:43:48,566 And we have to solve it! 2137 01:43:52,100 --> 01:43:53,100 Listen, Bianca, 2138 01:43:53,133 --> 01:43:55,766 I know that sometimes I can be a little tiring, okay? 2139 01:43:56,500 --> 01:43:59,066 But this film is different from all the others I've done. 2140 01:44:00,566 --> 01:44:02,166 I'm asking you to help me. 2141 01:44:08,333 --> 01:44:09,666 (SIGHS) 2142 01:44:13,766 --> 01:44:14,766 Alberta? 2143 01:44:17,533 --> 01:44:19,633 - What is it? - (whispering) Gabriella... 2144 01:44:23,033 --> 01:44:24,000 LORENZO: How do you feel? 2145 01:44:24,000 --> 01:44:24,466 LORENZO: How do you feel? 2146 01:45:04,633 --> 01:45:08,666 ("DIAMONDS THEME - INTIMATE" GIULIANO TAVIANI AND CARMELO TRAVIA) 2147 01:45:20,466 --> 01:45:21,533 Sorry. 2148 01:46:40,100 --> 01:46:42,766 Now go home, that we are tired. 2149 01:46:42,800 --> 01:46:44,600 And tomorrow we have lunch. 2150 01:46:45,300 --> 01:46:47,166 And we deserve to celebrate ourselves. 2151 01:46:51,000 --> 01:46:54,200 Sorry, huh? But I got up a fuss, sorry. 2152 01:46:57,300 --> 01:46:59,200 It's the first time it's happened to me. 2153 01:47:00,133 --> 01:47:01,500 First time in my life. 2154 01:47:02,600 --> 01:47:04,000 I was wrong, I didn't... I didn't follow... 2155 01:47:04,000 --> 01:47:06,200 I was wrong, I didn't... I didn't follow... 2156 01:47:06,233 --> 01:47:08,066 ..my instinct is that... 2157 01:47:10,266 --> 01:47:12,000 ..it's just that I don't know, I... It makes me confused. 2158 01:47:12,000 --> 01:47:14,100 ..it's just that I don't know, I... It makes me confused. 2159 01:47:15,433 --> 01:47:16,433 Here you are. 2160 01:47:20,700 --> 01:47:22,433 This is the sketch.... 2161 01:47:25,133 --> 01:47:28,000 ..this is the initial sketch. I'll give it to you. 2162 01:47:28,000 --> 01:47:28,166 ..this is the initial sketch. I'll give it to you. 2163 01:47:32,766 --> 01:47:34,433 Always follow your instincts. 2164 01:47:37,466 --> 01:47:38,566 Good evening. 2165 01:47:46,000 --> 01:47:47,466 And thanks for... 2166 01:47:48,366 --> 01:47:51,266 ..thanks for all that that you have done for me. Thank you. 2167 01:47:53,033 --> 01:47:55,133 It was a great honor for us. 2168 01:48:04,500 --> 01:48:05,633 It's wonderful. 2169 01:48:21,366 --> 01:48:22,500 See you tomorrow. 2170 01:48:38,666 --> 01:48:39,766 Nice, huh? 2171 01:48:51,333 --> 01:48:54,000 (SUSPENSE MUSIC) 2172 01:49:15,233 --> 01:49:19,366 Marco, I recommend the temperature some wine, huh? Which is important. 2173 01:49:19,700 --> 01:49:20,000 Mrs. Silvana don't worry, I already thought about it. 2174 01:49:20,000 --> 01:49:22,466 Mrs. Silvana don't worry, I already thought about it. 2175 01:49:22,500 --> 01:49:25,300 Bravo. Good, let me calm down. 2176 01:49:29,500 --> 01:49:31,666 SILVANA: We do have meatballs many, right? 2177 01:49:31,700 --> 01:49:34,000 MARCO: They will be a 150 I'm finishing up with these. 2178 01:49:34,033 --> 01:49:35,533 Let's do another 20, 30. 2179 01:49:35,566 --> 01:49:36,000 MARCO: Yes, I would say. SILVANA: Come on. 2180 01:49:36,000 --> 01:49:37,100 MARCO: Yes, I would say. SILVANA: Come on. 2181 01:49:37,133 --> 01:49:40,066 Move it, move it there and put another chair on the other side. 2182 01:49:40,100 --> 01:49:42,766 Eh, Maria, please bring the lasagna, be careful it's hot. 2183 01:49:42,800 --> 01:49:44,000 Giovanna brings the other pan you too, put it on the table. 2184 01:49:44,000 --> 01:49:47,066 Giovanna brings the other pan you too, put it on the table. 2185 01:49:47,100 --> 01:49:49,566 Put it on the table and then we'll take the others, eh? 2186 01:49:49,600 --> 01:49:51,266 I'll bring the appetizer. 2187 01:49:51,733 --> 01:49:52,000 ALBERTA: Please do a round of applause for Silvana, 2188 01:49:52,000 --> 01:49:53,800 ALBERTA: Please do a round of applause for Silvana, 2189 01:49:54,000 --> 01:49:55,466 who cooked for us. 2190 01:49:55,500 --> 01:49:57,400 Thank you! 2191 01:49:57,433 --> 01:50:00,000 Thank you! Thank you. 2192 01:50:00,000 --> 01:50:00,233 Thank you! Thank you. 2193 01:50:00,266 --> 01:50:02,300 I woke up at five, huh? 2194 01:50:02,333 --> 01:50:06,500 For cooking. But I hope that everything is to your liking. 2195 01:50:06,533 --> 01:50:07,566 Delightful. 2196 01:50:07,600 --> 01:50:08,000 (OVERLAPPING ITEMS) 2197 01:50:08,000 --> 01:50:10,366 (OVERLAPPING ITEMS) 2198 01:50:14,766 --> 01:50:16,000 Giuseppina, the boys are challenging, huh? 2199 01:50:16,000 --> 01:50:18,000 Giuseppina, the boys are challenging, huh? 2200 01:50:18,033 --> 01:50:19,033 Well, no. 2201 01:50:19,066 --> 01:50:20,766 - Missing too much. Just peas 2202 01:50:23,000 --> 01:50:24,000 Shall we have a toast? ALIDA: Shall we have a toast? 2203 01:50:24,000 --> 01:50:26,266 Shall we have a toast? ALIDA: Shall we have a toast? 2204 01:50:27,333 --> 01:50:30,266 To us. To all of us! To all of us! - Cheers. 2205 01:50:30,300 --> 01:50:32,000 - Cheers. - Health! 2206 01:50:32,000 --> 01:50:32,066 - Cheers. - Health! 2207 01:50:32,100 --> 01:50:34,400 GABRIELLA: To the diamonds! - To diamonds! - Health! 2208 01:50:36,533 --> 01:50:39,266 (INDISTINCT VOICES) 2209 01:50:45,266 --> 01:50:48,000 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2210 01:50:48,000 --> 01:50:49,000 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2211 01:50:59,333 --> 01:51:01,033 Here, put it here girls. 2212 01:51:02,800 --> 01:51:04,000 Here. - Here. 2213 01:51:04,000 --> 01:51:04,300 Here. - Here. 2214 01:51:06,000 --> 01:51:09,033 NICOLETTA: Check the car be threaded in red, please. 2215 01:51:10,566 --> 01:51:12,000 - Health. - Cheers! Cheers! 2216 01:51:12,000 --> 01:51:13,133 - Health. - Cheers! Cheers! 2217 01:51:13,166 --> 01:51:14,200 Cheers! 2218 01:51:14,233 --> 01:51:17,233 (THEY TOAST TOGETHER) 2219 01:51:17,266 --> 01:51:20,000 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2220 01:51:20,000 --> 01:51:21,800 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2221 01:51:33,100 --> 01:51:34,633 (WISPERING) 2222 01:51:36,600 --> 01:51:39,133 (INDISTINCT VOICES) 2223 01:52:07,666 --> 01:52:08,000 Of course putting us close is It was quite a risk, huh? 2224 01:52:08,000 --> 01:52:10,666 Of course putting us close is It was quite a risk, huh? 2225 01:52:10,700 --> 01:52:12,733 - I asked for it. - I asked for it. 2226 01:52:12,766 --> 01:52:14,466 (LAUGHTER) 2227 01:52:14,500 --> 01:52:16,000 Yes, I went yesterday to see your film. 2228 01:52:16,000 --> 01:52:17,000 Yes, I went yesterday to see your film. 2229 01:52:17,033 --> 01:52:18,633 I came to the theater last night, me too. 2230 01:52:18,666 --> 01:52:19,666 I don't believe it. 2231 01:52:20,333 --> 01:52:22,600 - It was extraordinary. - Well, I was moved. 2232 01:52:26,133 --> 01:52:27,466 Please, we had to... 2233 01:52:27,500 --> 01:52:30,200 ..maybe we can do that too a toast now. 2234 01:52:30,233 --> 01:52:31,266 Come on. 2235 01:52:31,300 --> 01:52:32,000 - For what? - So, to us... 2236 01:52:32,000 --> 01:52:33,500 - For what? - So, to us... 2237 01:52:33,533 --> 01:52:35,333 - Yes. - At the cinema and the theatre. 2238 01:52:35,366 --> 01:52:36,366 Always. 2239 01:52:36,400 --> 01:52:40,000 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2240 01:52:40,000 --> 01:52:40,433 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2241 01:52:45,266 --> 01:52:47,000 He's a very good child. 2242 01:52:47,033 --> 01:52:48,000 Coat. What was it? 2243 01:52:48,000 --> 01:52:49,600 Coat. What was it? 2244 01:52:49,633 --> 01:52:51,633 (OVERLAPPING ITEMS) 2245 01:52:53,100 --> 01:52:55,533 Yes, here it is. Yes, yes, yes, yes. 2246 01:52:56,500 --> 01:52:59,033 Don't wait for me, I still have a bit to do here. 2247 01:53:04,566 --> 01:53:08,566 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2248 01:53:08,600 --> 01:53:10,466 (INDISTINCT VOICES) 2249 01:53:36,700 --> 01:53:40,166 Sorry. I have to ask you a favor. 2250 01:53:40,200 --> 01:53:41,200 Yes. 2251 01:53:41,233 --> 01:53:43,133 (WISPERING) 2252 01:54:10,200 --> 01:54:13,733 It's beautiful! It's wonderful, it's beautiful. 2253 01:54:14,233 --> 01:54:16,000 Hmm, what budget do we have for the custom, it is still important, 2254 01:54:16,000 --> 01:54:17,800 Hmm, what budget do we have for the custom, it is still important, 2255 01:54:18,000 --> 01:54:19,233 compared to... 2256 01:54:19,266 --> 01:54:21,100 It's important. 2257 01:54:21,133 --> 01:54:23,366 (INDISTINCT VOICES) 2258 01:54:24,600 --> 01:54:25,600 - White? - Hmm? 2259 01:54:25,633 --> 01:54:27,633 - Can you come over there with me for a moment? - Yes, certainly. 2260 01:54:27,666 --> 01:54:28,666 Excuse me. 2261 01:54:32,433 --> 01:54:34,433 NICOLETTA: Can you tell us what it's like live? 2262 01:54:34,466 --> 01:54:36,333 SOFIA: But, then, it's short. 2263 01:54:36,366 --> 01:54:37,766 - (together) No! - Anyway, he's short. 2264 01:54:37,800 --> 01:54:39,166 But is it beautiful? 2265 01:54:39,200 --> 01:54:40,000 FAUSTA: What a disappointment. 2266 01:54:40,000 --> 01:54:40,333 FAUSTA: What a disappointment. 2267 01:54:40,366 --> 01:54:42,100 SOFIA: I don't know, he's a guy. 2268 01:54:42,133 --> 01:54:43,733 FAUSTA: Oh well, it's bad. 2269 01:54:43,766 --> 01:54:48,000 No, no, oh my God, but I'm not there I can believe! Oh my God! 2270 01:54:48,000 --> 01:54:48,466 No, no, oh my God, but I'm not there I can believe! Oh my God! 2271 01:54:49,000 --> 01:54:51,366 But you are completely crazy, you are! 2272 01:54:51,400 --> 01:54:54,100 Also in descending order. But did you know? 2273 01:54:54,133 --> 01:54:56,000 Ninth. It's all thanks to them... 2274 01:54:56,000 --> 01:54:57,033 Ninth. It's all thanks to them... 2275 01:54:57,066 --> 01:54:59,266 (LAUGHTER) We followed the sketch. 2276 01:54:59,300 --> 01:55:02,500 No! I love you, I love you. This too. Here you are! 2277 01:55:02,533 --> 01:55:03,766 That's how I wanted it. 2278 01:55:03,800 --> 01:55:04,000 But, you know that this goes around tomorrow morning, right? 2279 01:55:04,000 --> 01:55:06,433 But, you know that this goes around tomorrow morning, right? 2280 01:55:06,466 --> 01:55:07,466 It will be ready. 2281 01:55:08,066 --> 01:55:09,500 We'll work all night! 2282 01:55:09,533 --> 01:55:12,000 No, no, girls. I can't help you ask this, no... 2283 01:55:12,000 --> 01:55:12,400 No, no, girls. I can't help you ask this, no... 2284 01:55:12,433 --> 01:55:15,433 - Indeed. he's not asking us. - We are the ones who want to do it. 2285 01:55:17,266 --> 01:55:20,000 - But are you staying here tonight too? Huh, Sofia? GABRIELLA: Give me, give me. 2286 01:55:20,000 --> 01:55:21,166 - But are you staying here tonight too? Huh, Sofia? GABRIELLA: Give me, give me. 2287 01:55:21,733 --> 01:55:23,100 Get to work, come on! 2288 01:55:24,300 --> 01:55:26,366 BIANCA: Sofia is staying here too, even. 2289 01:55:26,400 --> 01:55:28,000 Pass me the pin. 2290 01:55:28,000 --> 01:55:28,100 Pass me the pin. 2291 01:55:28,133 --> 01:55:30,600 Here you are. Let's start from here. 2292 01:55:33,600 --> 01:55:36,000 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2293 01:55:36,000 --> 01:55:37,500 ("DIAMONDS THEME - NIGHT" GIULIANO TAVIANI AND CARMELO TRAVIA) 2294 01:55:37,533 --> 01:55:42,233 Coffee girls, coffee for everyone! Who wants it? 2295 01:55:42,266 --> 01:55:44,000 And tonight I also have an assistant luxury, huh? 2296 01:55:44,000 --> 01:55:46,700 And tonight I also have an assistant luxury, huh? 2297 01:55:46,733 --> 01:55:49,600 - You don't get used to it, huh? - Come and have some coffee! 2298 01:55:52,400 --> 01:55:55,100 - Thank you. BIANCA: Would you take me some coffee, please? 2299 01:55:55,133 --> 01:55:56,600 Yes, I'll carry it, here I am. 2300 01:55:57,500 --> 01:55:59,000 But how good is it? 2301 01:56:01,633 --> 01:56:03,066 - Thank you. - To you. 2302 01:56:03,100 --> 01:56:04,100 Thank you. 2303 01:56:04,133 --> 01:56:06,100 (INDISTINCT VOICES) 2304 01:56:19,800 --> 01:56:21,000 How's it going? 2305 01:56:24,400 --> 01:56:27,400 - We'll start working again in a little while. huh? It's hot tonight. 2306 01:56:29,600 --> 01:56:30,733 BIANCA: Go! 2307 01:56:31,733 --> 01:56:32,000 - It's tight. - Well, it's tight, yes. 2308 01:56:32,000 --> 01:56:33,700 - It's tight. - Well, it's tight, yes. 2309 01:56:34,466 --> 01:56:37,566 - Will the director like it? - But who cares about the director. 2310 01:56:39,200 --> 01:56:40,000 - We like it, and that's enough, right? - We like it, and that's enough. 2311 01:56:40,000 --> 01:56:43,600 - We like it, and that's enough, right? - We like it, and that's enough. 2312 01:57:21,333 --> 01:57:25,100 ("DIAMONDS THEME" GIULIANO TAVIANI AND CARMELO TRAVIA) 2313 01:57:35,566 --> 01:57:36,000 I missed you... 2314 01:57:36,000 --> 01:57:36,600 I missed you... 2315 01:57:47,566 --> 01:57:49,466 Turn around, Sofia! turn around! 2316 01:57:54,600 --> 01:57:58,400 The miracle you have created. You are amazing girls. 2317 01:57:58,433 --> 01:58:00,000 Very good. Try walking? 2318 01:58:00,000 --> 01:58:00,666 Very good. Try walking? 2319 01:58:00,700 --> 01:58:01,800 Nice walk. 2320 01:58:02,000 --> 01:58:03,300 Look. Look. 2321 01:58:03,733 --> 01:58:05,733 Feel light, light. 2322 01:58:05,766 --> 01:58:08,000 No, no, no, I don't want to hear the costume, the heaviness of the costume. 2323 01:58:08,000 --> 01:58:09,033 No, no, no, I don't want to hear the costume, the heaviness of the costume. 2324 01:58:09,066 --> 01:58:12,133 Go! Look, look what you have combined, look how it moves. 2325 01:58:12,166 --> 01:58:14,233 Well done! Well done! 2326 01:58:42,666 --> 01:58:45,500 (MELANCHOLIC MUSIC) 2327 01:58:47,466 --> 01:58:48,000 (GIUSEPPINA: I don't want to do that seamstress, I want to be a costume designer.) 2328 01:58:48,000 --> 01:58:50,533 (GIUSEPPINA: I don't want to do that seamstress, I want to be a costume designer.) 2329 01:58:50,566 --> 01:58:52,366 (ALBERTA: Here "we" exist) 2330 01:58:52,400 --> 01:58:55,533 (and we need someone to learn to sew well. Clear?) 2331 01:58:55,566 --> 01:58:56,000 (WIND HISSES) 2332 01:58:56,000 --> 01:58:57,566 (WIND HISSES) 2333 01:58:58,533 --> 01:58:59,733 (ALBERTA: They will have known) 2334 01:58:59,766 --> 01:59:02,300 (that we're making movies most important of the year.) 2335 01:59:02,333 --> 01:59:04,000 (NINA: We are like ants. It seems that we count for nothing,) 2336 01:59:04,000 --> 01:59:06,000 (NINA: We are like ants. It seems that we count for nothing,) 2337 01:59:06,033 --> 01:59:10,433 (but all together, all together we can do it outside, understand?) 2338 01:59:11,566 --> 01:59:12,000 (GABRIELLA: But I didn't stay for him.) 2339 01:59:12,000 --> 01:59:13,600 (GABRIELLA: But I didn't stay for him.) 2340 01:59:13,633 --> 01:59:15,433 (ALBERTA: So why are you left?) 2341 01:59:15,466 --> 01:59:17,433 (GABRIELLA: For you. For you. For you.) 2342 01:59:21,033 --> 01:59:22,433 (ALBERTA: Here we empty everything) 2343 01:59:22,466 --> 01:59:25,033 (and we dedicate this space to Bianca Vega's costumes.) 2344 01:59:25,066 --> 01:59:27,133 (GABRIELLA: Even the Leopard...) 2345 01:59:27,166 --> 01:59:28,000 (ALBERTA: We dismantle ourselves, we cover ourselves and takes it down.) 2346 01:59:28,000 --> 01:59:29,133 (ALBERTA: We dismantle ourselves, we cover ourselves and takes it down.) 2347 01:59:29,166 --> 01:59:30,500 (NINA: It is dismantled, covered and...) 2348 01:59:30,533 --> 01:59:33,666 (GABRIELLA: We're nothing, but we are everything.) 2349 01:59:34,500 --> 01:59:36,000 (SILVANA: It is not necessary to see each other) 2350 01:59:36,000 --> 01:59:36,466 (SILVANA: It is not necessary to see each other) 2351 01:59:37,533 --> 01:59:39,366 (when we love each other.) 2352 01:59:42,200 --> 01:59:44,000 ("GAME OF LOOKS" GIULIANO TAVIANI AND CARMELO TRAVIA) 2353 01:59:44,000 --> 01:59:47,266 ("GAME OF LOOKS" GIULIANO TAVIANI AND CARMELO TRAVIA) 2354 02:00:10,566 --> 02:00:12,100 You taught me that, didn't you? 2355 02:00:13,533 --> 02:00:15,766 That only matters what remains inside us. 2356 02:00:55,233 --> 02:00:56,000 (SILVANA: You like it, huh? My little fish?) 2357 02:00:56,000 --> 02:00:57,366 (SILVANA: You like it, huh? My little fish?) 2358 02:00:57,400 --> 02:01:01,733 (And now bread and jam.) 2359 02:01:08,366 --> 02:01:12,000 (SILVANA: Which will take you a lot of luck, a lot.) 2360 02:01:12,000 --> 02:01:12,333 (SILVANA: Which will take you a lot of luck, a lot.) 2361 02:01:12,366 --> 02:01:15,233 (He didn't bring me any a lot.) 2362 02:01:17,600 --> 02:01:20,000 ELENA: "The heart stirs continuously what happened 2363 02:01:20,000 --> 02:01:20,733 ELENA: "The heart stirs continuously what happened 2364 02:01:20,766 --> 02:01:23,066 with what we only have imagined: 2365 02:01:24,766 --> 02:01:26,333 the living with the dead, 2366 02:01:26,766 --> 02:01:28,000 the visible with the invisible, love with pain. 2367 02:01:28,000 --> 02:01:31,033 the visible with the invisible, love with pain. 2368 02:01:35,400 --> 02:01:36,000 What we are it goes beyond memory and life. 2369 02:01:36,000 --> 02:01:38,200 What we are it goes beyond memory and life. 2370 02:01:38,800 --> 02:01:41,733 It's what remains, when everything else disappears. 2371 02:01:43,333 --> 02:01:44,000 This is eternity. 2372 02:01:44,000 --> 02:01:44,766 This is eternity. 2373 02:01:46,133 --> 02:01:47,633 This is cinema." 2374 02:02:12,166 --> 02:02:14,700 Subtitles by SKY ITALY