1 00:00:01,135 --> 00:00:04,165 (sirens wailing, helicopter whirring) 2 00:00:05,772 --> 00:00:08,712 (police radio chatter) 3 00:00:17,184 --> 00:00:18,594 (man) WE'VE JUST RECEIVED A REPORT 4 00:00:18,585 --> 00:00:20,315 THAT THE VICTIM HAS BEEN IDENTIFIED 5 00:00:20,321 --> 00:00:22,991 BY THE SAN FRANCISCO LOCALS AS NATALIE GIBECKI, 6 00:00:22,989 --> 00:00:25,789 ALTHOUGH POLICE ARE KEEPING THE NATURE OF HER DEATH 7 00:00:25,792 --> 00:00:28,202 UNDER WRAPS FOR THE MOMENT. 8 00:00:28,196 --> 00:00:32,866 HER NAME'S NATALIE GIBECKI. 27 YEARS OLD. 9 00:00:32,865 --> 00:00:34,795 IN A YOUTH PROBATION FACILITY A FEW BLOCKS OVER. 10 00:00:34,801 --> 00:00:36,801 THE MAYOR SERVES ON THE BOARD, SO WE GOT THE CALL. 11 00:00:36,804 --> 00:00:38,074 (sighs) 12 00:00:38,072 --> 00:00:39,742 PETECHIAL HEMORRHAGING IN THE EYES 13 00:00:39,740 --> 00:00:42,480 AND THE MARKS AROUND THE NECK INDICATE THAT SHE WAS STRANGLED. 14 00:00:42,475 --> 00:00:46,805 MM. WHERE'S LISBON? 15 00:00:46,814 --> 00:00:48,954 APPARENTLY, SHE WAS ON HER WAY TO SEE A MOVIE WITH FRIENDS. 16 00:00:48,948 --> 00:00:51,478 NOT LIKELY. 17 00:00:51,484 --> 00:00:53,354 WELL, SHE'S WEARING A BLACK LACE CAMISOLE. 18 00:00:53,353 --> 00:00:56,363 SHE WAS PLANNING ON CHANGING HER FLATS TO HEELS. 19 00:00:56,356 --> 00:00:58,886 HER MAKEUP IS FRESHLY APPLIED. 20 00:00:58,892 --> 00:01:01,762 SHE'S WEARING A VERY... (sniffs) VERY FLOWERY PERFUME-- 21 00:01:01,762 --> 00:01:04,232 J'ADORE, IF I'M NOT MISTAKEN. 22 00:01:04,231 --> 00:01:06,431 SHE WAS GOING TO MEET A LOVER. 23 00:01:06,433 --> 00:01:10,043 MARRIED, I'D GUESS, BASED ON THE DECEPTION. 24 00:01:10,037 --> 00:01:11,497 (cell phone rings) 25 00:01:11,504 --> 00:01:14,174 EXCUSE ME. (clears throat) 26 00:01:14,174 --> 00:01:16,844 (ring) 27 00:01:16,843 --> 00:01:19,053 Hello, Patrick. It's Erica Flynn. 28 00:01:19,045 --> 00:01:22,375 ERICA FLYNN. WOW, THIS IS A SURPRISE. 29 00:01:22,382 --> 00:01:24,852 PLEASANT, I HOPE. 30 00:01:24,852 --> 00:01:27,492 I BET YOU'RE WONDERING WHY I'M CALLING. 31 00:01:27,487 --> 00:01:29,387 YEAH. THOUGHT CROSSED MY MIND. 32 00:01:29,390 --> 00:01:31,460 WHAT IF I SAID I WANTED TO HEAR YOUR VOICE? 33 00:01:31,459 --> 00:01:33,329 I'd say you were lying. 34 00:01:33,326 --> 00:01:35,456 NOT ENTIRELY. 35 00:01:35,462 --> 00:01:39,202 NATALIE GIBECKI-- I KNEW HER PERSONALLY. 36 00:01:39,200 --> 00:01:41,400 SHE WAS A CLIENT OF MY MATCHMAKING COMPANY. 37 00:01:41,402 --> 00:01:44,812 I'M SORRY FOR YOUR LOSS. 38 00:01:44,805 --> 00:01:48,075 WE GREW VERY CLOSE DURING OUR SESSIONS TOGETHER, 39 00:01:48,075 --> 00:01:50,135 BUT THEN YOU KNOW HOW THAT CAN HAPPEN. 40 00:01:50,144 --> 00:01:51,754 WHAT DO YOU WANT, ERICA? 41 00:01:51,745 --> 00:01:54,875 YES, I HAVEN'T SAID, HAVE I? 42 00:01:54,882 --> 00:01:59,022 I'M CALLING BECAUSE I CAN HELP YOU FIND HER KILLER. 43 00:01:59,019 --> 00:02:01,519 If you want the answer, you know where to find me. 44 00:02:01,522 --> 00:02:03,892 IT WAS NICE TO HEAR YOUR VOICE AGAIN, PATRICK. 45 00:02:03,891 --> 00:02:04,831 YOURS, TOO. 46 00:02:10,364 --> 00:02:11,734 THANK YOU, DENNIS. 47 00:02:11,731 --> 00:02:13,701 OF COURSE, MS. FLYNN. 48 00:02:15,502 --> 00:02:16,502 WHO WAS THAT? (cell phone snaps shut) 49 00:02:16,503 --> 00:02:18,843 UH, THAT WAS ERICA FLYNN. 50 00:02:18,838 --> 00:02:21,438 SHE WANTS TO HELP OUT WITH THE INVESTIGATION. 51 00:02:21,442 --> 00:02:24,652 GREAT. WE SHOULD FAX OVER THE CASE FILE AND GET HER A GUN. 52 00:02:24,645 --> 00:02:26,145 WELL, GETTING HER A GUN'S A BIT MUCH, 53 00:02:26,146 --> 00:02:28,846 BUT, UH, I THINK THE CASE FILE MAY HELP. 54 00:02:28,848 --> 00:02:29,848 I WAS KIDDING. 55 00:02:29,849 --> 00:02:30,849 (chuckles) YEAH. 56 00:02:30,850 --> 00:02:33,390 (chuckles) YOU'RE KIDDING, RIGHT? 57 00:02:36,590 --> 00:02:38,860 PLEASE TELL ME YOU'RE KIDDING. 58 00:02:38,859 --> 00:02:41,659 ** 59 00:02:41,662 --> 00:02:45,632 Captioned by Closed Captioning Services, Inc. 60 00:02:56,276 --> 00:02:58,006 HELLO, PATRICK. 61 00:02:58,010 --> 00:03:01,150 ERICA. YOU LOOK GOOD. 62 00:03:01,147 --> 00:03:02,647 ORANGE SUITS YOU. 63 00:03:02,650 --> 00:03:05,190 WELL, I SUPPOSE I HAVE YOU TO THANK FOR MY WARDROBE. 64 00:03:05,185 --> 00:03:06,845 I DIDN'T KILL YOUR HUSBAND. 65 00:03:06,854 --> 00:03:10,064 NEITHER DID I. MANSLAUGHTER. BIG DIFFERENCE. 66 00:03:10,056 --> 00:03:11,456 WHAT IS THIS ABOUT? 67 00:03:11,459 --> 00:03:13,329 I KNOW WHO KILLED NATALIE GIBECKI. 68 00:03:13,326 --> 00:03:14,656 HOW IS THAT POSSIBLE? 69 00:03:14,662 --> 00:03:17,562 WE GREW CLOSE DURING OUR SESSIONS TOGETHER. 70 00:03:17,564 --> 00:03:20,434 NATALIE TOLD ME THINGS THAT SHE DIDN'T TELL ANYONE ELSE, 71 00:03:20,433 --> 00:03:22,603 LIKE THE FACT THAT SHE WAS SEEING SOMEONE IN SECRET. 72 00:03:22,603 --> 00:03:24,343 WHY WOULD SHE NEED A DATING SERVICE 73 00:03:24,337 --> 00:03:26,207 IF SHE WAS ALREADY SEEING SOMEONE? 74 00:03:26,205 --> 00:03:28,205 SHE MET HIM DURING OUR SESSIONS TOGETHER. 75 00:03:28,207 --> 00:03:31,007 THAT MUST HAVE BEEN SOME TIME AGO. 76 00:03:31,010 --> 00:03:34,780 BUT NATALIE WAS STILL SEEING HIM WHEN SHE DIED. 77 00:03:34,781 --> 00:03:35,821 I'M SURE OF IT. 78 00:03:35,816 --> 00:03:36,616 HOW? 79 00:03:36,616 --> 00:03:39,016 I KNOW TRUE LOVE WHEN I SEE IT. 80 00:03:39,019 --> 00:03:40,849 THEN WHY THE SECRECY? 81 00:03:40,853 --> 00:03:43,723 THE MAN NATALIE WAS SEEING WAS MARRIED. 82 00:03:43,723 --> 00:03:45,493 SHE KEPT THE AFFAIR FROM EVERYONE. 83 00:03:45,492 --> 00:03:46,962 EVERYONE EXCEPT YOU. 84 00:03:46,960 --> 00:03:48,960 YES. 85 00:03:51,932 --> 00:03:53,502 WHY ARE YOU DOING THIS? 86 00:03:53,501 --> 00:03:56,871 I CARED DEEPLY ABOUT NATALIE. 87 00:03:56,870 --> 00:03:57,670 HER DEATH IS A TRAGEDY, 88 00:03:57,670 --> 00:03:59,510 AND HER KILLER SHOULD BE PUNISHED. 89 00:03:59,507 --> 00:04:02,807 THAT WAS A NICE TRY. 90 00:04:02,810 --> 00:04:05,410 (lowered voice) ALL RIGHT. I WANT OUT OF HERE. 91 00:04:05,413 --> 00:04:07,653 TEMPORARILY, OF COURSE. 92 00:04:07,647 --> 00:04:11,117 YOU HAVE NO IDEA WHAT THIS IS LIKE, PATRICK, 93 00:04:11,117 --> 00:04:13,287 LIVING IN A CAGE, 94 00:04:13,287 --> 00:04:17,557 KNOWING I'LL BE HERE FOR YEARS. 95 00:04:17,557 --> 00:04:20,687 THE TRUTH IS, THIS MAY BE MY LAST CHANCE AT FREEDOM 96 00:04:20,694 --> 00:04:23,434 WHILE I'M YOUNG ENOUGH TO ENJOY IT. 97 00:04:23,430 --> 00:04:25,430 I JUST WANT TO GO TO THE SPA, 98 00:04:25,432 --> 00:04:28,042 EAT AT MY FAVORITE RESTAURANT, 99 00:04:28,035 --> 00:04:29,295 A FEW HARMLESS INDULGENCES 100 00:04:29,302 --> 00:04:31,872 IN RETURN FOR HELPING YOU CATCH A KILLER. 101 00:04:31,872 --> 00:04:33,772 WHAT IF YOU'RE LYING? 102 00:04:33,774 --> 00:04:37,114 YOU ONCE SAID YOU COULD SEE RIGHT THROUGH ME. 103 00:04:37,110 --> 00:04:40,450 "TRANSPARENT AS GLASS," I BELIEVE, WAS HOW YOU PUT IT, 104 00:04:40,447 --> 00:04:43,677 SO TELL ME, AM I LYING NOW? 105 00:04:45,952 --> 00:04:49,322 NATALIE GIBECKI LEFT THE YOUTH FACILITY AT 8:14 P.M. 106 00:04:49,322 --> 00:04:52,262 A COMMUTER FOUND HER BODY AT 8:33, 107 00:04:52,259 --> 00:04:55,299 FOR THE MURDER TO HAVE BEEN COMMITTED. 108 00:04:55,295 --> 00:04:57,695 WELL, THERE'S NOTHING MISSING FROM NATALIE'S BODY, 109 00:04:57,697 --> 00:05:00,397 NO SIGN OF SEXUAL ASSAULT, EITHER. 110 00:05:00,401 --> 00:05:03,101 FROM A 5-DAY TRIP TO PUERTO VALLARTA. 111 00:05:03,103 --> 00:05:06,473 WHAT ABOUT JANE'S THEORY ABOUT A BOYFRIEND? 112 00:05:06,473 --> 00:05:08,943 FRIENDS ALL SAY NATALIE WASN'T SEEING ANYONE. 113 00:05:08,942 --> 00:05:10,982 ONLY CHILD. PARENTS DIED YEARS AGO. 114 00:05:10,978 --> 00:05:13,378 ALL RIGHT. HEAD TO THE YOUTH FACILITY 115 00:05:13,380 --> 00:05:15,720 THAT WERE WORKING ON NATALIE'S SHIFTS. 116 00:05:15,716 --> 00:05:17,846 UH, BOSS, ANY WAY I CAN SKIP THIS AND WORK THE PHONES? 117 00:05:17,850 --> 00:05:20,050 I HAVE AN APPOINTMENT IN AN HOUR I CAN'T MISS. 118 00:05:20,052 --> 00:05:21,952 ARE YOU ALL RIGHT? 119 00:05:21,954 --> 00:05:23,264 IT'S JUST, UH, SOMETHING I HAVE TO DO. 120 00:05:23,255 --> 00:05:25,055 SURE. VAN PELT? 121 00:05:25,057 --> 00:05:26,727 SURE. ON IT. 122 00:05:26,726 --> 00:05:27,526 (sighs) 123 00:05:27,528 --> 00:05:29,058 (telephone rings in distance) 124 00:05:29,062 --> 00:05:33,302 HI. I'M AGENT VAN PELT. THIS IS AGENT CHO. 125 00:05:33,300 --> 00:05:35,740 WE'RE HERE INVESTIGATING NATALIE GIBECKI'S MURDER. 126 00:05:35,735 --> 00:05:38,535 I DON'T KNOW HOW WE'RE GONNA TELL THE BOYS. (sighs) 127 00:05:38,538 --> 00:05:40,338 DO YOU GUYS HAVE ANY IDEA WHO DID THIS? 128 00:05:40,340 --> 00:05:43,580 WE'RE STILL IN THE EARLY STAGES OF THE INVESTIGATION. 129 00:05:43,576 --> 00:05:45,606 ROMANTICALLY INVOLVED WITH SOMEONE. 130 00:05:45,612 --> 00:05:48,282 EITHER OF YOU KNOW ANYTHING ABOUT THAT? 131 00:05:48,281 --> 00:05:50,021 YEAH, NO. I THOUGHT SHE WAS SINGLE. 132 00:05:50,016 --> 00:05:51,686 HEY, KEVIN! KEEP THAT UP, 133 00:05:51,685 --> 00:05:53,845 YOU'LL BE DOING PUSH-UPS UNTIL YOU PUKE. 134 00:05:53,853 --> 00:05:56,093 THE RELATIONSHIP COULD HAVE BEEN WITH A CO-WORKER. 135 00:05:56,088 --> 00:05:58,228 WELL, DON'T LOOK AT ME. 136 00:05:58,225 --> 00:05:59,355 YOU DIDN'T LIKE HER? 137 00:05:59,358 --> 00:06:00,358 NO, I DIDN'T SAY THAT. SHE-- 138 00:06:00,360 --> 00:06:01,360 SHE JUST WASN'T MY TYPE. 139 00:06:01,360 --> 00:06:03,760 KEVIN! WHAT DID I JUST SAY? 140 00:06:03,764 --> 00:06:07,904 NOW DROP AND GIVE ME 50. NOW! 141 00:06:07,901 --> 00:06:09,901 CAN YOU THINK OF ANYONE WHO MAY HAVE WANTED TO HARM NATALIE? 142 00:06:09,903 --> 00:06:12,973 NO, BUT... WE DID HAVE A KID GO MISSING 143 00:06:12,973 --> 00:06:14,613 FROM THE FACILITY LAST NIGHT. 144 00:06:14,608 --> 00:06:16,638 HEY, TRENT DIDN'T HAVE ANYTHING TO DO WITH THIS. 145 00:06:16,644 --> 00:06:17,644 HIS NAME WAS TRENT? 146 00:06:17,644 --> 00:06:19,184 TRENT MATTHEWS. HE'S 17. 147 00:06:19,178 --> 00:06:21,108 WAS IN HERE FOR DRUG POSSESSION AND ASSAULT. 148 00:06:21,113 --> 00:06:22,783 WHAT TIME DID HE GO MISSING? 149 00:06:22,783 --> 00:06:25,023 I SAW HIM AT DINNER, SO SOMETIME AFTER 7:00. 150 00:06:25,018 --> 00:06:27,788 YEAH, BUT LIKE I SAID, HE DIDN'T HAVE ANYTHING TO DO WITH THIS. 151 00:06:27,788 --> 00:06:29,518 WE'RE GONNA NEED TO SEE HIS FILE. 152 00:06:29,523 --> 00:06:31,323 (boys shouting indistinctly) 153 00:06:31,324 --> 00:06:32,534 KEEP GOING. 154 00:06:34,995 --> 00:06:36,995 YOU WANT TO LET HER OUT OF PRISON? 155 00:06:36,997 --> 00:06:39,197 WELL, NO, I JUST THINK ERICA COULD HELP US. 156 00:06:39,199 --> 00:06:41,739 SHE KNOWS DETAILS OF THE VICTIM'S LIFE. 157 00:06:41,735 --> 00:06:43,095 SHE MAY EVEN KNOW THE KILLER. 158 00:06:43,103 --> 00:06:45,743 SHE SAYS SHE DOES. 159 00:06:45,738 --> 00:06:47,938 EVEN SO, IT DOESN'T MEAN WE NEED HER HELP. 160 00:06:47,941 --> 00:06:49,741 NO, I DIDN'T SAY THAT. I SAID SHE COULD BE USEFUL. 161 00:06:49,742 --> 00:06:51,442 WHAT DO YOU THINK, LUTHER? 162 00:06:52,612 --> 00:06:53,812 I'M INTRIGUED. 163 00:06:53,814 --> 00:06:55,224 SIR. I THINK... 164 00:06:55,215 --> 00:06:56,815 IT'S JUST THE KIND OF INNOVATIVE THINKING 165 00:06:56,817 --> 00:06:58,817 THE CBI NEEDS MORE OF. 166 00:06:58,819 --> 00:07:03,089 USING A CONVICT TO CATCH A KILLER-- 167 00:07:03,089 --> 00:07:05,089 EXACTLY. SIR, THIS ISN'T EVEN OUR JURISDICTION. 168 00:07:05,091 --> 00:07:08,731 WE COULDN'T GET HER RELEASED IF WE TRIED. 169 00:07:08,728 --> 00:07:12,968 BUT THE WARDEN AT GOLDEN VALLEY STATE PRISON 170 00:07:12,966 --> 00:07:16,396 THE REHABILITATION PROGRAM THAT THE GOVERNOR INSTITUTED. 171 00:07:16,403 --> 00:07:17,703 APPARENTLY, SHE'S A MODEL INMATE. 172 00:07:17,704 --> 00:07:19,544 SHE'S A CONVICTED MURDERER. 173 00:07:19,540 --> 00:07:22,440 CONVICTED MANSLAUGHTERER, ACTUALLY. 174 00:07:22,442 --> 00:07:24,212 OH, WELL, IN THAT CASE... SO YOU AGREE? 175 00:07:24,211 --> 00:07:27,211 NO. SHE'S A DANGEROUS KILLER, AND SHE'S A FLIGHT RISK. 176 00:07:27,213 --> 00:07:29,183 WELL, WHICH IS EXACTLY WHY I'LL BE ASSIGNING TWO AGENTS 177 00:07:29,182 --> 00:07:30,852 TO GUARD HER AT ALL TIMES. 178 00:07:30,850 --> 00:07:33,390 SEE, LISBON? WHAT COULD POSSIBLY GO WRONG? 179 00:07:33,386 --> 00:07:36,056 EXCUSE ME. 180 00:07:36,055 --> 00:07:37,055 SYNERGY. 181 00:07:37,057 --> 00:07:38,257 (mouths word) 182 00:07:38,257 --> 00:07:40,187 (blinds rattle) 183 00:07:40,192 --> 00:07:43,202 (indistinct conversations) 184 00:07:43,196 --> 00:07:46,926 (sighs) 185 00:07:46,933 --> 00:07:48,073 (clatter) 186 00:07:48,067 --> 00:07:50,267 (exhales deeply) 187 00:07:50,269 --> 00:07:51,469 (cell phone rings) (clears throat) 188 00:07:51,471 --> 00:07:53,611 (cap clatters) 189 00:07:53,606 --> 00:07:55,606 (lowered voice) HEY, CHO. 190 00:07:55,608 --> 00:07:58,478 WHAT'S UP? YOU CALLED ME. 191 00:07:58,478 --> 00:08:00,578 I GOT SOME BACKGROUND ON TRENT MATTHEWS. 192 00:08:00,581 --> 00:08:02,311 HE WAS ATTENDING SEQUOIA VALLEY HIGH SCHOOL 193 00:08:02,314 --> 00:08:04,854 BEFORE HE WAS BUSTED FOR POSSESSION AND ASSAULT. 194 00:08:04,851 --> 00:08:06,691 IT'S NOT THAT FAR FROM THE YOUTH FACILITY. 195 00:08:06,687 --> 00:08:09,717 YOU THINK HE MIGHT HEAD BACK THERE? WELL, HE'S ALONE. 196 00:08:09,723 --> 00:08:11,223 HE'S PROBABLY JUST LOOKING FOR SOME CASH 197 00:08:11,223 --> 00:08:12,363 AND A PLACE TO STAY. 198 00:08:12,358 --> 00:08:13,958 MIGHT TRY OLD FRIENDS FOR HELP. 199 00:08:13,961 --> 00:08:16,461 ALL RIGHT. VAN PELT AND I WILL GET ON IT. 200 00:08:16,463 --> 00:08:18,463 WAYNE, YOU READY? CLASS IS ABOUT TO START. 201 00:08:18,464 --> 00:08:21,374 OH, YEAH, YEAH. ALL SET. 202 00:08:21,367 --> 00:08:24,607 WELCOME, MOMMIES AND DADDIES. 203 00:08:24,605 --> 00:08:26,165 MY NAME IS ATOOSA, 204 00:08:26,173 --> 00:08:28,843 AND I WILL BE LEADING YOUR CLASS TODAY. 205 00:08:28,841 --> 00:08:33,351 WELCOME TO THE FIRST STEP ON YOUR AMAZING JOURNEY 206 00:08:33,346 --> 00:08:35,046 OF PARENTHOOD. 207 00:08:35,048 --> 00:08:38,748 NOW BEFORE WE BEGIN, I WOULD LIKE EACH OF YOU 208 00:08:38,751 --> 00:08:40,751 TO GO AROUND THE ROOM 209 00:08:40,754 --> 00:08:44,224 AND OFFER SOMETHING ABOUT YOURSELVES. 210 00:08:48,128 --> 00:08:50,598 HI. (chuckles) 211 00:08:50,597 --> 00:08:52,467 (chuckles) OH. 212 00:08:52,465 --> 00:08:53,795 WOULD YOU LIKE TO START? 213 00:08:53,801 --> 00:08:58,001 SURE. UM, HI. MY NAME IS SARAH. 214 00:08:58,004 --> 00:08:59,914 WELCOME, SARAH. 215 00:08:59,907 --> 00:09:00,907 (laughs) 216 00:09:00,908 --> 00:09:03,038 OH, HI. I'M WAYNE. 217 00:09:03,043 --> 00:09:04,543 (chuckles) WELCOME, WAYNE. 218 00:09:04,543 --> 00:09:08,083 UM... OKAY, I'M 28 WEEKS. 219 00:09:08,081 --> 00:09:12,891 UH, THIS IS MY FIRST CHILD. WAIT. OUR FIRST CHILD? 220 00:09:12,885 --> 00:09:16,685 WELL, ALTHOUGH "OUR" MIGHT BE A LITTLE MISLEADING. 221 00:09:16,690 --> 00:09:17,990 NO, NOT THAT THIS ISN'T HIS BABY. 222 00:09:17,990 --> 00:09:20,460 I AM NOT SOME KIND OF FLOOZY OR ANYTHING, 223 00:09:20,460 --> 00:09:22,830 AND, GOSH, NOT THAT ANYONE IN THIS ROOM IS, UH, YOU KNOW-- 224 00:09:22,830 --> 00:09:27,900 NO, I--THAT IS-- I JUST MEANT, UM-- 225 00:09:27,900 --> 00:09:29,440 (chuckles) THAT--THAT WAS IT, THAT WE'RE NOT MARRIED. 226 00:09:29,436 --> 00:09:31,896 NO. I MEAN, YES. (laughs) 227 00:09:36,610 --> 00:09:38,110 ACCORDING TO THE YOUTH FACILITY, 228 00:09:38,110 --> 00:09:40,050 TRENT MATTHEWS WAS BUSTED FOR POSSESSION 229 00:09:40,047 --> 00:09:43,477 AT THIS HIGH SCHOOL THREE MONTHS AGO. 230 00:09:43,482 --> 00:09:45,282 (clatters) 231 00:09:45,284 --> 00:09:47,654 YOU KNOW, KIDS USED TO CALL ME "BRACEY GRACIE" 232 00:09:47,654 --> 00:09:50,324 BECAUSE I WORE BRACES UNTIL I WAS 17. 233 00:09:50,322 --> 00:09:51,592 WHAT DID PEOPLE CALL YOU? 234 00:09:51,591 --> 00:09:52,731 CHO. 235 00:09:57,496 --> 00:09:58,796 (thuds) 236 00:09:58,798 --> 00:10:01,398 THAT'S HIM. 237 00:10:01,400 --> 00:10:03,540 (girls, chanting) FIGHT! FIGHT! FIGHT! FIGHT! FIGHT! (boys shouting indistinctly) 238 00:10:03,535 --> 00:10:05,395 (punches landing) FIGHT! FIGHT! FIGHT! FIGHT! 239 00:10:05,404 --> 00:10:07,414 (students shouting indistinctly) HEY, BREAK IT UP! 240 00:10:07,407 --> 00:10:09,107 COME ON! GET OFF ME, MAN! (grunts) 241 00:10:09,109 --> 00:10:10,309 (girl) OH, YEAH! 242 00:10:10,309 --> 00:10:11,409 HEY, GET OFF, MAN. 243 00:10:11,410 --> 00:10:13,280 TRENT MATTHEWS? WHAT? 244 00:10:13,279 --> 00:10:14,649 CBI. WE NEED A WORD. 245 00:10:14,648 --> 00:10:16,918 SCREW YOUR WORD, MAN. 246 00:10:20,352 --> 00:10:22,362 (sighs) 247 00:10:22,355 --> 00:10:24,285 (sighs) 248 00:10:26,058 --> 00:10:28,158 YOU NEEDN'T LOOK SO GLUM, LISBON. 249 00:10:28,161 --> 00:10:31,031 IF ANYTHING HAPPENS, YOU'RE NOT GONNA BE HELD RESPONSIBLE. 250 00:10:31,030 --> 00:10:33,900 BECAUSE THAT'S WHAT I'M WORRIED ABOUT. 251 00:10:33,900 --> 00:10:36,700 (lowered voice) YOU KNOW WHY SHE'S DOING THIS. 252 00:10:36,703 --> 00:10:38,473 TO TRY AND ESCAPE, MOST LIKELY. 253 00:10:38,471 --> 00:10:41,571 YET YOU'RE GOING THROUGH WITH IT ANYWAY. 254 00:10:41,573 --> 00:10:43,183 ARE YOU DOING THIS 255 00:10:43,176 --> 00:10:46,446 BECAUSE YOU NEED ERICA'S HELP OR BECAUSE YOU WANT IT? 256 00:10:46,446 --> 00:10:48,146 (door opens) 257 00:10:50,216 --> 00:10:52,276 (sighs) 258 00:10:52,284 --> 00:10:54,254 (man) YOU'LL HAVE TO SIGN FOR CUSTODY. 259 00:10:54,254 --> 00:10:55,994 THANK YOU. 260 00:10:59,658 --> 00:11:02,128 HELLO, PATRICK. 261 00:11:02,129 --> 00:11:06,399 INMATE ERICA MARIE FLYNN IS NOW IN YOUR CUSTODY. 262 00:11:06,399 --> 00:11:07,629 TAKE GOOD CARE OF HER. 263 00:11:07,634 --> 00:11:09,204 THANKS. 264 00:11:15,808 --> 00:11:17,108 (Lisbon sighs) 265 00:11:18,812 --> 00:11:21,482 ALL RIGHT. WHO IS HE? 266 00:11:21,480 --> 00:11:24,150 NATALIE'S KILLER. DON'T BE CUTE. 267 00:11:24,150 --> 00:11:26,950 OH, I DON'T KNOW HIS NAME. IT'S ALL IN MY SYMPHONY FILES. 268 00:11:26,953 --> 00:11:28,623 DID I NOT MAKE THAT CLEAR? 269 00:11:28,620 --> 00:11:29,620 NO, YOU DIDN'T. 270 00:11:29,621 --> 00:11:30,791 MUST HAVE SLIPPED HER MIND. 271 00:11:30,791 --> 00:11:32,231 (sighs) WHERE ARE THE FILES? 272 00:11:32,225 --> 00:11:34,825 MY LAWYER IS HAVING THEM SENT TO YOUR OFFICES NOW. 273 00:11:34,827 --> 00:11:36,697 GOOD. LET'S GET THIS OVER WITH. 274 00:11:36,696 --> 00:11:37,696 YOU GOT HER? 275 00:11:37,697 --> 00:11:38,697 WE GOT HER. 276 00:11:38,697 --> 00:11:41,467 MS. FLYNN, I'M AGENT McCLAY. 277 00:11:41,467 --> 00:11:45,837 WE'LL BE SUPERVISING YOU DURING YOUR FURLOUGH. 278 00:11:45,838 --> 00:11:48,308 AND HAS OFFERED ME TRANSPORTATION WHILE I'M OUT. 279 00:11:48,307 --> 00:11:50,037 HOW THOUGHTFUL. 280 00:11:52,379 --> 00:11:55,249 PATRICK, ARE YOU COMING? 281 00:12:05,524 --> 00:12:06,534 (door closes) 282 00:12:06,525 --> 00:12:07,585 (sighs) 283 00:12:07,594 --> 00:12:09,804 (footsteps approach) 284 00:12:09,797 --> 00:12:11,327 (door opens) 285 00:12:13,332 --> 00:12:15,472 (door closes) (whispers) YEAH. 286 00:12:15,467 --> 00:12:17,037 (sighs) 287 00:12:17,037 --> 00:12:18,667 THIS SHOULD BE FUN. 288 00:12:18,671 --> 00:12:19,871 (sighs) 289 00:12:24,778 --> 00:12:26,378 (telephone ringing in distance) 290 00:12:26,379 --> 00:12:27,649 HERE'S YOUR TEA. 291 00:12:27,647 --> 00:12:30,417 THANKS SO MUCH. OH, RON? 292 00:12:30,417 --> 00:12:31,917 YES, MS. FLYNN. 293 00:12:31,918 --> 00:12:33,848 WOULD YOU MIND GETTING ME SOME LEMON FOR THAT? 294 00:12:33,854 --> 00:12:36,124 OF COURSE. 295 00:12:40,659 --> 00:12:43,199 I CHECKED OUT THAT TRIP NATALIE TOOK TO PUERTO VALLARTA. 296 00:12:43,196 --> 00:12:44,596 IT SEEMS SHE TRAVELED ALONE. 297 00:12:44,596 --> 00:12:47,896 SHE MEET ANYBODY THERE? 298 00:12:47,900 --> 00:12:51,040 BUT NATALIE DID UPLOAD TRAVEL PHOTOS ON TO A WEB SITE, 299 00:12:51,038 --> 00:12:53,138 SO I'M HAVING THOSE PRINTED OUT NOW. 300 00:12:53,139 --> 00:12:54,739 OKAY. 301 00:12:54,740 --> 00:12:57,910 (dish clatters) 302 00:12:57,911 --> 00:12:59,981 UH, SHE CAN GET MEN TO DO WHATEVER SHE WANTS, 303 00:12:59,980 --> 00:13:02,950 AND I CAN'T FOR THE LIFE OF ME FIGURE OUT WHY. 304 00:13:02,950 --> 00:13:05,150 REALLY? 305 00:13:05,152 --> 00:13:07,722 I GET IT. I MEAN, IF I WERE A GUY. 306 00:13:07,720 --> 00:13:11,420 (under breath) WOW. 307 00:13:13,360 --> 00:13:15,760 (sighs and chuckles) 308 00:13:15,761 --> 00:13:18,071 MAN, THAT DUDE WAS A SNITCH. 309 00:13:19,566 --> 00:13:21,766 IS THAT WHY YOU WERE SMASHING HIS FACE IN? 310 00:13:21,768 --> 00:13:23,298 HELL, YEAH. HE'S THE REASON WHY 311 00:13:23,302 --> 00:13:25,172 I GOT SENT TO JUVIE IN THE FIRST FRICKIN' PLACE. 312 00:13:25,172 --> 00:13:27,572 SO YOU RAN AWAY FROM THE YOUTH FACILITY 313 00:13:27,573 --> 00:13:30,313 NO, MAN. I LEFT 'CAUSE I HAD TO. 314 00:13:30,309 --> 00:13:32,009 I WASN'T ABOUT TO GET JACKED UP. 315 00:13:32,011 --> 00:13:33,711 YOU HAD A BEEF WITH ONE OF THE OTHER KIDS? 316 00:13:33,712 --> 00:13:38,022 JUST ONE OF MY COUNSELORS-- BIG DUDE NAMED DANNY. 317 00:13:38,018 --> 00:13:39,388 DANNY VARGAS? 318 00:13:39,385 --> 00:13:40,845 YEAH. 319 00:13:40,854 --> 00:13:43,064 WHAT HAPPENED? 320 00:13:43,056 --> 00:13:46,786 I MEAN, WELL, THE NIGHT I TOOK OFF, HE, UH... 321 00:13:46,793 --> 00:13:49,233 HE AND NATALIE WERE FIGHTING. 322 00:13:49,229 --> 00:13:50,899 I MEAN, LIKE, FOR REAL, YOU KNOW? 323 00:13:50,898 --> 00:13:53,398 UM, SHE-- SHE WAS YELLING AT HIM 324 00:13:53,399 --> 00:13:56,769 LIKE CRAZY, MAN, ALL UP IN HIS FACE, 325 00:13:56,769 --> 00:13:58,169 BUT, UH, SEE, DANNY-- 326 00:13:58,171 --> 00:14:01,041 UH, HE'S REAL HARD WITH US KIDS. 327 00:14:01,041 --> 00:14:03,711 HE, UH, I MEAN, HE PUSHES US, 328 00:14:03,710 --> 00:14:06,050 SMACKS US AROUND WHEN NO ONE'S LOOKIN'... 329 00:14:07,214 --> 00:14:10,324 EXCEPT THIS TIME NATALIE SAW IT GO DOWN. 330 00:14:10,317 --> 00:14:11,917 SHE WASN'T TOO HAPPY ABOUT IT, YOU KNOW? 331 00:14:11,918 --> 00:14:13,448 I MEAN, THE GIRL... (chuckles) 332 00:14:13,452 --> 00:14:15,362 THE GIRL JUST STARTED FLIPPIN' OUT ON HIM. 333 00:14:15,355 --> 00:14:17,085 DID THINGS GET PHYSICAL BETWEEN THEM? 334 00:14:17,090 --> 00:14:19,690 OH, WELL, IT WAS ABOUT TO, UNTIL I STEPPED IN. 335 00:14:19,692 --> 00:14:22,392 I MEAN... (sighs) I MEAN, Y-YOU CAN'T LAY 336 00:14:22,394 --> 00:14:24,634 I DON'T GIVE A DAMN WHO YOU ARE. 337 00:14:24,630 --> 00:14:30,600 BUT, ANYWAY, I MEAN, DANNY GOT MAD, REAL MAD, 338 00:14:30,602 --> 00:14:33,112 SO I TOOK OFF BEFORE HE COULD DO SOMETHING ABOUT IT. 339 00:14:33,105 --> 00:14:35,665 YOU THINK DANNY WOULD HAVE HURT YOU IN RETALIATION? 340 00:14:35,674 --> 00:14:37,384 I KNOW HE WOULD HAVE. 341 00:14:37,376 --> 00:14:39,076 THE DUDE HAS FRICKIN' ISSUES, MAN. 342 00:14:39,078 --> 00:14:41,248 HE--HE SHOULD BE THE ONE SITTING HERE, NOT ME. 343 00:14:41,248 --> 00:14:44,078 LISTEN, WITH ALL BULL ASIDE, 344 00:14:44,084 --> 00:14:47,094 LET ME TELL YOU SOMETHING, ALL RIGHT? 345 00:14:47,086 --> 00:14:50,916 I WOULD NEVER HURT NATALIE, EVER. 346 00:14:50,923 --> 00:14:52,993 I-I GOT NO REASON TO. 347 00:14:52,993 --> 00:14:55,633 I MEAN, SHE--SHE WAS ONE OF THE ONLY ADULTS 348 00:14:55,628 --> 00:14:58,098 WHO EVER TREATED ME LIKE A PERSON, YOU KNOW? 349 00:14:58,097 --> 00:15:00,927 YEAH, I DO. 350 00:15:03,235 --> 00:15:06,365 (woman speaking indistinctly over P.A.) 351 00:15:09,176 --> 00:15:11,606 HEY. YOU OKAY? 352 00:15:11,610 --> 00:15:13,910 OH. OH, YEAH. YEAH. 353 00:15:13,913 --> 00:15:16,923 UH, NO. (sighs) THAT VIDEO WAS... 354 00:15:16,916 --> 00:15:18,816 OH, GOD. IT WAS HORRIBLE. 355 00:15:18,817 --> 00:15:20,987 (chuckles) I HAD NO IDEA THAT CHILDBIRTH COULD BE SO... OH. 356 00:15:20,988 --> 00:15:22,888 WELL, SO SCARY. 357 00:15:22,889 --> 00:15:26,359 OH, IT WASN'T THAT BAD. 358 00:15:26,359 --> 00:15:30,159 BUT THAT, UH, NOTHING PREPARED ME FOR THAT. 359 00:15:30,163 --> 00:15:33,333 HOW DO YOU THINK I FEEL? I HAVE TO GO THROUGH IT. 360 00:15:33,332 --> 00:15:35,172 (sighs) 361 00:15:35,168 --> 00:15:37,868 WAYNE, YOU'RE GONNA BE OKAY WITH THIS, RIGHT? 362 00:15:37,870 --> 00:15:39,840 YEAH, I THINK SO. 363 00:15:39,838 --> 00:15:40,838 OHH. I-I MEAN, YES. 364 00:15:40,840 --> 00:15:41,910 Y-YES. (chuckles) 365 00:15:41,908 --> 00:15:43,178 ALL RIGHT. GOOD. BECAUSE I... 366 00:15:43,176 --> 00:15:45,976 (sighs) I CAN'T DO THIS ON MY OWN. 367 00:15:45,979 --> 00:15:47,209 I KNOW. 368 00:15:49,316 --> 00:15:51,046 (Erica) WHAT ARE YOU LOOKING FOR IN A MAN? 369 00:15:51,051 --> 00:15:53,521 (Natalie) WELL, SOMEONE GENEROUS... 370 00:15:53,519 --> 00:15:54,949 AND CARING. 371 00:15:54,953 --> 00:15:58,193 SOMEONE WHO PUTS THE NEEDS OF OTHERS BEFORE THEMSELVES. 372 00:15:58,191 --> 00:16:01,191 I WANT A MAN I CAN GROW OLD WITH, 373 00:16:01,193 --> 00:16:03,303 A BEST FRIEND. 374 00:16:03,296 --> 00:16:04,896 (beeps, static hissing) 375 00:16:04,897 --> 00:16:06,067 PROBLEM? (remote clatters) 376 00:16:06,066 --> 00:16:07,726 THIS IS SO FRUSTRATING. 377 00:16:07,734 --> 00:16:12,974 ONE OF NATALIE'S INTERVIEWS IS MISSING. 378 00:16:12,971 --> 00:16:16,411 I KNOW WHAT YOU'RE THINKING, BUT I HAD NOTHING TO DO WITH IT. 379 00:16:16,408 --> 00:16:19,208 IT'S NOT MY PROBLEM IF YOUR PEOPLE MISPLACE THINGS. 380 00:16:19,211 --> 00:16:20,611 "MY PEOPLE"? 381 00:16:20,613 --> 00:16:22,353 ALL RIGHT. THAT'S ENOUGH. LET'S GO. 382 00:16:22,349 --> 00:16:24,019 WHERE? BACK TO PRISON. 383 00:16:24,017 --> 00:16:25,947 YOU SHOULDN'T BE OUT IF YOU CAN'T ACTUALLY HELP 384 00:16:25,951 --> 00:16:29,821 WITH THE INVESTIGATION. WELL, JUST HANG ON A SECOND. 385 00:16:29,822 --> 00:16:32,962 DOESN'T MEAN SHE CAN'T HELP FIND NATALIE'S LOVER, RIGHT? 386 00:16:32,959 --> 00:16:36,629 ABSOLUTELY. IT'S ALL RIGHT HERE. 387 00:16:36,629 --> 00:16:39,099 SHE DEDICATED HER LIFE TO HELPING OTHERS. 388 00:16:39,099 --> 00:16:40,769 THE FACT THAT SHE FOUND LOVE WITHOUT MY SERVICE 389 00:16:40,767 --> 00:16:42,197 CAN ONLY MEAN ONE THING-- 390 00:16:42,201 --> 00:16:46,311 THE MAN SHE WAS SEEING WAS A CO-WORKER. 391 00:16:46,306 --> 00:16:49,036 THAT'S BECAUSE SHE WASN'T WORKING AT THE YOUTH FACILITY 392 00:16:49,042 --> 00:16:51,042 THIS WAS TEN MONTHS AGO, REMEMBER? 393 00:16:51,043 --> 00:16:52,313 MM. YOU MEAN WHEN SHE WAS WORKING 394 00:16:52,312 --> 00:16:54,782 AT THE NONPROFIT, CASA ENCANTAR? 395 00:16:54,780 --> 00:16:57,050 EXACTLY. 396 00:16:57,049 --> 00:16:58,449 SHALL WE? 397 00:16:58,451 --> 00:16:59,751 WE SHALL. 398 00:17:04,990 --> 00:17:06,930 (indistinct conversations) 399 00:17:06,925 --> 00:17:09,355 (telephone ringing in distance) 400 00:17:09,362 --> 00:17:12,072 WELCOME TO CASA ENCANTAR. CAN I HELP YOU? 401 00:17:12,065 --> 00:17:13,525 YES. MY FIANCÉ AND I ARE LOOKING 402 00:17:13,532 --> 00:17:17,172 FOR A NONPROFIT TO VOLUNTEER FOR. 403 00:17:17,170 --> 00:17:21,340 WE'RE NOT USUALLY THIS BUSY, BUT WE'RE THROWING 404 00:17:21,340 --> 00:17:23,510 A FUND-RAISING EVENT TOMORROW NIGHT. 405 00:17:23,509 --> 00:17:25,279 IT'S ACTUALLY A RELEASE PARTY 406 00:17:25,278 --> 00:17:28,078 FOR A BOOK THAT OUR C.E.O. HAS WRITTEN. 407 00:17:28,080 --> 00:17:29,220 HERE HE IS NOW. 408 00:17:29,215 --> 00:17:33,615 HI. I'M GREG RELIN. WELCOME. 409 00:17:33,619 --> 00:17:36,759 THANK YOU. SINCE WE STARTED, WE'VE BEEN LUCKY ENOUGH 410 00:17:36,756 --> 00:17:40,226 TO BUILD SIX SCHOOLS, FOUR CLINICS, TWO ORPHANAGES 411 00:17:40,227 --> 00:17:43,357 THROUGHOUT MEXICO, ALL IN SMALL RURAL VILLAGES, 412 00:17:43,363 --> 00:17:45,573 SOME WITHOUT ELECTRICITY OR RUNNING WATER. 413 00:17:45,565 --> 00:17:47,365 MM. 414 00:17:47,366 --> 00:17:49,896 WE HOPE TO HAVE FOUR MORE JUST LIKE IT 415 00:17:49,902 --> 00:17:52,142 IF WE RAISE ENOUGH SUPPORT TOMORROW NIGHT. 416 00:17:52,138 --> 00:17:54,268 SO EVAN'S TOLD YOU ABOUT OUR GALA? 417 00:17:54,273 --> 00:17:56,013 THERE WILL BE PLENTY OF FOOD AND DRINK, 418 00:17:56,008 --> 00:17:57,308 EVEN SOME ENTERTAINMENT. 419 00:17:57,309 --> 00:17:59,309 YOU'RE BOTH WELCOME TO COME. 420 00:17:59,311 --> 00:18:02,751 SEE--SEE WHAT A DIFFERENCE YOU CAN MAKE. 421 00:18:02,749 --> 00:18:06,319 TELL ME, WHEN DID YOU LAST SEE NATALIE GIBECKI? 422 00:18:06,318 --> 00:18:08,818 I'M SORRY? 423 00:18:08,820 --> 00:18:12,020 YOU SAID YOU WERE LOOKING TO VOLUNTEER. 424 00:18:12,023 --> 00:18:15,603 AND SHE ALSO SAID I WAS HER FIANCÉ. CHEEKY. 425 00:18:15,595 --> 00:18:17,695 I'M PATRICK JANE. I'M A CONSULTANT WITH THE CBI. 426 00:18:17,696 --> 00:18:19,596 I'M INVESTIGATING NATALIE'S MURDER. 427 00:18:19,598 --> 00:18:22,168 SHE WAS SEEING SOMEONE HERE, YES? 428 00:18:22,169 --> 00:18:25,469 NOT THAT I KNOW OF. EVAN? 429 00:18:25,471 --> 00:18:30,081 OH, OF COURSE. IT'S A SECRET, SO YOU WOULDN'T TELL ME ANYWAY. 430 00:18:30,076 --> 00:18:31,236 DO YOU MIND IF I TAKE A LOOK AROUND, 431 00:18:31,243 --> 00:18:34,583 TALK TO SOME OF YOUR EMPLOYEES? 432 00:18:34,580 --> 00:18:36,850 THANK YOU VERY MUCH. GOOD LUCK WITH THE BOOK. 433 00:18:41,052 --> 00:18:42,892 (Patrick) WHAT ABOUT HIM? 434 00:18:42,888 --> 00:18:47,628 HANDSOME BUT DIM, LIKE A GOLDEN RETRIEVER. 435 00:18:47,626 --> 00:18:49,126 NATALIE WOULD NEVER BE INTERESTED IN SOMEONE LIKE THAT. 436 00:18:49,127 --> 00:18:50,827 WHO WOULD SHE BE INTERESTED IN? 437 00:18:50,829 --> 00:18:56,069 SOMEONE ATTRACTIVE, WITTY, COMPASSIONATE, 25 TO 35, 438 00:18:56,067 --> 00:18:59,207 FIT, GOOD HAIR, AND A ROMANTIC AT HEART. 439 00:18:59,205 --> 00:19:00,665 OH, THAT'S ALL? 440 00:19:00,673 --> 00:19:03,613 NO WONDER SHE ENLISTED THE HELP OF A PROFESSIONAL. 441 00:19:03,609 --> 00:19:05,779 GOOD ONES ARE OUT THERE, IF YOU KNOW WHERE TO LOOK. 442 00:19:05,778 --> 00:19:08,908 NATALIE WAS A COLLEGE GIRL. SHE READ VORACIOUSLY. 443 00:19:08,914 --> 00:19:11,784 SHE WAS INQUISITIVE, INTELLIGENT, AND IDEALISTIC. 444 00:19:11,784 --> 00:19:13,994 SHE WOULD NEED TO BE WITH SOMEBODY WHO WAS THE SAME. 445 00:19:13,986 --> 00:19:16,516 HIM. 446 00:19:18,023 --> 00:19:20,233 YOU BUY ME DINNER AT MY RESTAURANT OF CHOICE 447 00:19:20,227 --> 00:19:21,487 IF I'M RIGHT. 448 00:19:21,493 --> 00:19:24,363 NO BET. YOU'RE RIGHT. 449 00:19:24,364 --> 00:19:27,234 HE'S THE ONLY MAN THAT DIDN'T LOOK AT YOU. 450 00:19:27,233 --> 00:19:29,943 IF YOU CAN GET HIM TO CONFESS RIGHT NOW. 451 00:19:29,935 --> 00:19:32,805 OOH. BET. 452 00:19:32,805 --> 00:19:34,235 DO YOUR THING. 453 00:19:36,843 --> 00:19:37,843 (clears throat) 454 00:19:37,844 --> 00:19:38,814 HI. 455 00:19:39,878 --> 00:19:40,878 HI. 456 00:19:40,880 --> 00:19:42,750 UH, YOU MUST BE... 457 00:19:42,749 --> 00:19:45,679 UH, RICHARD. CAN I HELP YOU? 458 00:19:45,684 --> 00:19:48,624 I'M SORRY. IS THIS A BAD TIME? I CAN SEE YOU'RE UPSET. 459 00:19:48,621 --> 00:19:51,961 WHAT? NO. NO, I... I'M--I'M FINE. 460 00:19:51,958 --> 00:19:54,788 UH, BAD TIME FOR--FOR WHAT? 461 00:19:54,794 --> 00:19:58,234 (lowered voice) IT'S OKAY. NATALIE TOLD ME ALL ABOUT YOU. 462 00:19:58,230 --> 00:20:00,530 I'M... SORRY. NATALIE? 463 00:20:00,532 --> 00:20:01,902 YOU WERE HAVING AN AFFAIR WITH HER. 464 00:20:01,901 --> 00:20:05,241 THAT'S RIDICULOUS. 465 00:20:05,238 --> 00:20:09,738 (whispers) HEY, DON'T WORRY. I WON'T TELL ANYONE. 466 00:20:09,741 --> 00:20:12,741 HER PASSING HAS BEEN DEVASTATING FOR ME. 467 00:20:12,744 --> 00:20:16,324 I CAN'T BEGIN TO IMAGINE HOW YOU MUST FEEL RIGHT NOW. 468 00:20:16,316 --> 00:20:17,876 THERE'S NO GREATER LOSS THAN THE LOSS 469 00:20:17,884 --> 00:20:21,194 OF THE PERSON YOU LOVE. 470 00:20:21,186 --> 00:20:26,086 (voice breaks) I DIDN'T THINK THAT SHE HAD TOLD ANYONE. 471 00:20:26,092 --> 00:20:28,032 SO THERE'S THIS GREAT LITTLE PLACE DOWNTOWN. 472 00:20:28,027 --> 00:20:29,727 SICILIAN CHEF. MMM. 473 00:20:29,729 --> 00:20:33,429 HE DOES WONDERS WITH FISH-- FRESH, SIMPLE. 474 00:20:33,432 --> 00:20:35,032 I'M SUDDENLY HUNGRY. MM. MM! 475 00:20:35,034 --> 00:20:36,344 HI, RICHARD. 476 00:20:36,336 --> 00:20:38,266 (Danny) YES, WE HAD AN ARGUMENT, 477 00:20:38,270 --> 00:20:40,170 YOU LIED ABOUT IT. THAT MAKES IT A BIG DEAL. 478 00:20:40,172 --> 00:20:41,742 I DIDN'T THINK IT WAS RELEVANT. 479 00:20:41,740 --> 00:20:44,440 YOUR SHIFT ENDED AT 8:00, THE SAME TIME AS NATALIE'S. 480 00:20:44,443 --> 00:20:45,883 WHERE'D YOU GO AFTER WORK? 481 00:20:45,877 --> 00:20:47,477 TO DINNER WITH A FRIEND. 482 00:20:47,480 --> 00:20:48,910 RIGHT AFTERWARDS? 483 00:20:48,914 --> 00:20:50,124 YES, ABOUT 8:30. 484 00:20:50,115 --> 00:20:51,775 THIS FRIEND HAVE A NAME? 485 00:20:51,784 --> 00:20:53,794 JIM CLARK. 486 00:20:53,786 --> 00:20:56,146 YOU DON'T THINK I HAD SOMETHING TO DO WITH THIS, DO YOU? 487 00:20:56,154 --> 00:20:58,364 THIS IS INSANE. I DIDN'T KILL NATALIE. 488 00:20:58,357 --> 00:20:59,957 WHAT WERE YOU TWO ARGUING ABOUT? 489 00:20:59,959 --> 00:21:02,459 SHE DIDN'T LIKE THE WAY I HANDLED A SITUATION 490 00:21:02,461 --> 00:21:04,331 SHE THOUGHT YOU WERE ABUSING HIM? 491 00:21:04,330 --> 00:21:05,800 I GOT IN HIS FACE, 492 00:21:05,798 --> 00:21:08,198 MAYBE PUSHED HIM A LITTLE BIT, OKAY? 493 00:21:08,200 --> 00:21:09,840 THAT'S IT. IT WASN'T ABUSE. 494 00:21:09,836 --> 00:21:12,466 NATALIE CAME IN HERE ALL BRIGHT-EYED AND BUSHY-TAILED, 495 00:21:12,471 --> 00:21:14,141 THINKING SHE WAS GONNA CONNECT WITH THESE KIDS, 496 00:21:14,140 --> 00:21:17,510 AND IT'S A GREAT IDEA, BUT IT DOESN'T WORK. 497 00:21:17,509 --> 00:21:19,349 SOMETIMES GETTING PHYSICAL IS THE ONLY THING 498 00:21:19,346 --> 00:21:22,746 THESE ANIMALS RESPOND TO, YOU UNDERSTAND? 499 00:21:22,749 --> 00:21:25,119 (smacks chest) ABUSING KIDS IS AGAINST THE LAW. 500 00:21:25,116 --> 00:21:26,846 DO YOU UNDERSTAND? 501 00:21:26,853 --> 00:21:28,253 YEAH. 502 00:21:28,253 --> 00:21:29,793 GOOD. 503 00:21:38,565 --> 00:21:40,625 (Patrick) OKAY. THANK YOU. BYE. 504 00:21:40,633 --> 00:21:42,073 (cell phone snaps shut) WELL, RICHARD ELDRIDGE 505 00:21:42,067 --> 00:21:43,767 WILL BE SPEAKING WITH ONE OF MY COLLEAGUES 506 00:21:43,769 --> 00:21:45,639 FIRST THING TOMORROW MORNING. 507 00:21:45,637 --> 00:21:48,267 WE MAKE A GOOD TEAM, DON'T WE? 508 00:21:48,273 --> 00:21:49,813 Y-YOU SAID YOU HAD A QUESTION. 509 00:21:49,808 --> 00:21:51,538 OH, YES. THAT. 510 00:21:51,544 --> 00:21:54,354 WOULD YOU HATE ME IF I TOLD YOU I WAS LYING? 511 00:21:54,346 --> 00:21:57,616 IT'S JUST THESE DAYS I DON'T GET TO SPEND MUCH TIME 512 00:21:57,616 --> 00:21:59,286 WELL, THERE'S A REASON FOR THAT-- 513 00:21:59,285 --> 00:22:01,145 SO YOU DON'T KILL THEM. 514 00:22:01,153 --> 00:22:02,723 WE ALL HAVE OUR BAGGAGE. 515 00:22:03,923 --> 00:22:05,563 I'VE BEEN THINKING ABOUT YOU A LOT 516 00:22:05,557 --> 00:22:07,427 OVER THE PAST FEW MONTHS. 517 00:22:07,426 --> 00:22:09,496 I OFTEN WONDER HOW THINGS WOULD BE, 518 00:22:09,496 --> 00:22:11,226 HAD WE MET UNDER DIFFERENT CIRCUMSTANCES. 519 00:22:11,230 --> 00:22:14,900 THINKING ABOUT WHAT MIGHT HAVE BEEN WILL DRIVE YOU CRAZY. 520 00:22:14,901 --> 00:22:17,841 MUCH BETTER TO THINK ABOUT WHAT WILL HAPPEN IN THE FUTURE. 521 00:22:17,836 --> 00:22:19,266 ERICA. 522 00:22:19,270 --> 00:22:21,840 I LIKE YOU, PATRICK. 523 00:22:21,840 --> 00:22:25,180 I HOPE MY DIRECTNESS DOESN'T MAKE YOU UNCOMFORTABLE. 524 00:22:25,176 --> 00:22:26,576 I KNOW WHAT YOU'RE DOING. 525 00:22:26,578 --> 00:22:27,948 WHAT AM I DOING? 526 00:22:27,946 --> 00:22:32,046 SEDUCING ME TO CONCEAL YOUR TRUE PURPOSE, 527 00:22:32,050 --> 00:22:33,320 WHICH IS TO ESCAPE. 528 00:22:33,318 --> 00:22:34,448 AM I? 529 00:22:35,922 --> 00:22:37,892 SEDUCING YOU? 530 00:22:37,890 --> 00:22:40,330 NO. 531 00:22:40,326 --> 00:22:43,726 I'M NOT TRYING TO ESCAPE, PATRICK. 532 00:22:43,730 --> 00:22:46,630 IN FACT, YOU DON'T ACTUALLY BELIEVE I AM. 533 00:22:46,633 --> 00:22:49,073 NO? 534 00:22:49,067 --> 00:22:55,067 THOSE AGENTS OUTSIDE THE DOOR AREN'T TO KEEP ME FROM ESCAPING. 535 00:22:55,074 --> 00:22:58,814 THEY'RE TO KEEP YOU AND I APART. 536 00:22:58,810 --> 00:23:02,150 I KNOW YOU HAVE FEELINGS FOR ME. 537 00:23:02,147 --> 00:23:04,547 THIS WHOLE ESCAPE NONSENSE IS JUST YOUR WAY 538 00:23:04,550 --> 00:23:06,420 OF AVOIDING THOSE FEELINGS. 539 00:23:06,419 --> 00:23:08,149 NO, ACTUALLY, I'M FAIRLY CONCERNED 540 00:23:08,153 --> 00:23:10,063 YOU MIGHT TRY TO ESCAPE. 541 00:23:10,056 --> 00:23:12,826 THEN ASK YOURSELF THIS. 542 00:23:12,825 --> 00:23:14,885 IF THOSE AGENTS WEREN'T OUTSIDE THE DOOR RIGHT NOW, 543 00:23:14,894 --> 00:23:16,464 WHAT WOULD YOU DO? 544 00:23:19,330 --> 00:23:21,870 WHAT WILL YOU DO? 545 00:23:34,513 --> 00:23:37,783 (inhales deeply) 546 00:23:49,127 --> 00:23:50,657 (sighs) 547 00:23:59,371 --> 00:24:01,941 (door closes) 548 00:24:05,877 --> 00:24:07,777 (indistinct conversations) 549 00:24:07,779 --> 00:24:10,179 (telephone rings in distance) 550 00:24:11,851 --> 00:24:14,651 (ring) 551 00:24:20,792 --> 00:24:24,962 PICTURES NATALIE GIBECKI TOOK WHEN SHE WAS ON VACATION 552 00:24:24,963 --> 00:24:27,003 I WAS CHECKING THEM TO SEE IF SHE MET ANYONE... 553 00:24:26,999 --> 00:24:28,929 (clatters) WHEN SHE WAS DOWN THERE. 554 00:24:28,934 --> 00:24:29,744 DID SHE? 555 00:24:29,736 --> 00:24:30,936 DOESN'T LOOK LIKE IT. 556 00:24:36,675 --> 00:24:39,805 I GUESS I WAS DONE WITH THOSE. 557 00:24:45,183 --> 00:24:48,393 (voice breaks) NATALIE AND I STARTED SEEING EACH OTHER 558 00:24:48,386 --> 00:24:49,516 ABOUT A YEAR AGO. 559 00:24:49,521 --> 00:24:52,021 YOU WERE HAVING AN AFFAIR. 560 00:24:52,023 --> 00:24:54,533 YES... 561 00:24:54,527 --> 00:24:56,527 BUT I WASN'T JUST STRINGING HER ALONG. 562 00:24:56,528 --> 00:24:59,198 UH, I PLANNED TO LEAVE MY WIFE. 563 00:24:59,198 --> 00:25:03,398 IT'S JUST... (sighs) YOU KNOW, IT'S COMPLICATED. 564 00:25:03,402 --> 00:25:04,972 COMPLICATED? 565 00:25:04,971 --> 00:25:07,211 BECAUSE YOUR WIFE'S FAMILY HAS MILLIONS OF DOLLARS 566 00:25:07,205 --> 00:25:11,805 AND YOU MAKE MINIMUM WAGE AT A NONPROFIT? 567 00:25:11,810 --> 00:25:14,550 WHAT DID NATALIE THINK ABOUT YOUR BEING MARRIED? 568 00:25:14,547 --> 00:25:16,277 (sighs) 569 00:25:16,281 --> 00:25:18,851 SHE WAS PATIENT AT FIRST. 570 00:25:18,851 --> 00:25:21,591 SHE KNEW THAT I WAS UNHAPPY. 571 00:25:21,587 --> 00:25:23,687 RECENTLY, SHE GOT TIRED OF WAITING, 572 00:25:23,690 --> 00:25:25,420 SO SHE BROKE THINGS OFF. 573 00:25:25,423 --> 00:25:26,733 WHEN WAS THAT? 574 00:25:26,726 --> 00:25:28,826 TWO WEEKS AGO. 575 00:25:28,827 --> 00:25:30,557 WE HARDLY SPOKE DURING THE ENTIRE TIME. 576 00:25:30,563 --> 00:25:32,703 I CALLED HER. I ASKED HER TO SEE ME. 577 00:25:32,699 --> 00:25:33,799 SHE WOULDN'T. 578 00:25:33,799 --> 00:25:36,739 SHE SAID SHE NEEDED TO GET AWAY, 579 00:25:36,736 --> 00:25:38,136 CLEAR HER HEAD. 580 00:25:38,136 --> 00:25:40,336 AND IS THAT WHY SHE WENT TO PUERTO VALLARTA? 581 00:25:40,338 --> 00:25:42,838 YES. 582 00:25:42,842 --> 00:25:47,512 I JUST ASSUMED THAT THAT WAS THE END. 583 00:25:47,512 --> 00:25:51,222 THEN A FEW DAYS AGO, SHE CALLED. 584 00:25:51,217 --> 00:25:55,187 SHE WAS GOING TO MEET YOU THE NIGHT SHE WAS KILLED? 585 00:25:55,186 --> 00:25:56,916 YES. 586 00:25:56,923 --> 00:26:01,363 9:00. THE SAME LITTLE BAR WE ALWAYS GO TO. 587 00:26:01,359 --> 00:26:03,659 I WAITED AN HOUR. 588 00:26:03,663 --> 00:26:05,933 WHEN SHE DIDN'T SHOW, I JUST... 589 00:26:05,932 --> 00:26:08,672 UH, I ASSUMED THAT SHE HAD CHANGED HER MIND. 590 00:26:08,667 --> 00:26:11,667 (sighs and swallows) 591 00:26:11,671 --> 00:26:13,671 I-I KNOW THAT-- THAT YOU'RE JUST-- 592 00:26:13,673 --> 00:26:17,813 YOU'RE DOING YOUR JOB, AGENT LISBON. 593 00:26:18,944 --> 00:26:23,684 I WOULD NEVER DO THIS TO NATALIE. 594 00:26:23,682 --> 00:26:26,022 I COULDN'T. 595 00:26:26,018 --> 00:26:29,488 NATALIE WAS GOING TO MEET YOU THE NIGHT SHE WAS KILLED-- 596 00:26:29,488 --> 00:26:31,618 A MARRIED MAN SHE WAS ROMANTICALLY INVOLVED WITH 597 00:26:31,624 --> 00:26:34,964 WHO DOESN'T HAVE AN ALIBI FOR THE NIGHT OF HER MURDER. 598 00:26:34,961 --> 00:26:38,131 YOU'LL FORGIVE ME IF I'M A LITTLE SKEPTICAL. 599 00:26:40,666 --> 00:26:43,466 (people speaking indistinctly) 600 00:26:43,469 --> 00:26:44,669 HE SAID HE WAS GOING TO MEET NATALIE 601 00:26:44,671 --> 00:26:47,671 THE NIGHT SHE WAS KILLED. 602 00:26:47,673 --> 00:26:50,583 SEE IF ANYBODY REMEMBERS SEEING HIM. 603 00:26:50,576 --> 00:26:52,806 WHERE'S ERICA, GETTING A MANI-PEDI? 604 00:26:52,811 --> 00:26:54,411 HOW'D YOU KNOW? 605 00:26:54,413 --> 00:26:57,823 ALL RIGHT. THIS IS GETTING RIDICULOUS. 606 00:26:57,817 --> 00:26:59,547 IT'S TIME TO BRING HER BACK TO PRISON. 607 00:26:59,550 --> 00:27:01,020 OH, WE CAN'T DO THAT. 608 00:27:01,019 --> 00:27:02,289 WHY NOT? 609 00:27:02,288 --> 00:27:03,258 I NEED HER. 610 00:27:04,691 --> 00:27:06,291 (telephone rings in distance) 611 00:27:08,559 --> 00:27:10,859 (ring) 612 00:27:15,634 --> 00:27:18,944 (indistinct conversations) 613 00:27:21,573 --> 00:27:24,313 MR. JANE, MS. FLYNN, HOW NICE TO SEE YOU. 614 00:27:24,309 --> 00:27:25,579 YOU ARE HERE AS GUESTS? 615 00:27:25,576 --> 00:27:27,446 UH, WELL, NOT-- 616 00:27:27,445 --> 00:27:28,775 NOT EXACTLY. 617 00:27:28,780 --> 00:27:30,120 I HOPE THERE'S NOT SOME PROBLEM. 618 00:27:30,115 --> 00:27:32,645 MR. RELIN DIDN'T TELL YOU? 619 00:27:32,651 --> 00:27:35,251 ERICA AND I ARE PERFORMING TONIGHT. 620 00:27:35,253 --> 00:27:37,593 JUST A LITTLE SOMETHING WE'VE BEEN WORKING ON. 621 00:27:37,588 --> 00:27:38,918 IT'S ALL BEEN ARRANGED. 622 00:27:38,924 --> 00:27:41,734 UM... HOW FANTASTIC. 623 00:27:41,728 --> 00:27:43,328 WELL, LET'S HOPE. 624 00:27:47,532 --> 00:27:49,802 OKAY. 625 00:27:52,070 --> 00:27:54,010 (amplified voice) THANK YOU. 626 00:27:54,006 --> 00:27:55,406 GOOD EVENING, LADIES AND GENTLEMEN. 627 00:27:55,406 --> 00:27:57,006 MY NAME IS PATRICK JANE. 628 00:27:57,009 --> 00:27:59,439 FOR TONIGHT AND FOR A VERY GOOD CAUSE, 629 00:27:59,444 --> 00:28:03,784 LET'S ALL IMAGINE THAT THIS, UH, TAWDRY HOTEL BALLROOM 630 00:28:03,782 --> 00:28:07,822 IS, IN FACT, THE CASA ENCANTAR, 631 00:28:07,819 --> 00:28:10,489 THE ENCHANTED HOUSE. 632 00:28:10,489 --> 00:28:14,189 LADIES AND GENTLEMEN, MY LOVELY ASSISTANT ERICA. 633 00:28:15,294 --> 00:28:17,934 ERICA AND I WILL CONJURE UP SPIRITS 634 00:28:17,930 --> 00:28:20,170 THAT WILL AWE AND AMAZE YOU, 635 00:28:20,165 --> 00:28:24,035 AND THEN WE WILL TURN THAT AWED AMAZEMENT 636 00:28:24,036 --> 00:28:27,236 THAT WILL HELP FEED, CLOTHE, AND EDUCATE 637 00:28:27,239 --> 00:28:30,179 THOUSANDS OF HOMELESS ORPHANS. 638 00:28:32,644 --> 00:28:38,124 AS YOU CAN SEE, ERICA HAS SET THE STAGE WITH FOUR BOXES. 639 00:28:38,116 --> 00:28:40,086 NOW IN ORDER FOR THIS PERFORMANCE TO WORK, 640 00:28:40,086 --> 00:28:43,186 WE NEED FOUR WILLING VOLUNTEERS. 641 00:28:43,189 --> 00:28:46,129 ONCE YOU'RE CHOSEN, PLEASE MAKE YOUR WAY PROMPTLY TO THE STAGE. 642 00:28:46,125 --> 00:28:49,225 DON'T BE SHY. THIS SHOULDN'T HURT ONE LITTLE BIT. 643 00:28:49,228 --> 00:28:51,458 (murmuring) 644 00:28:51,462 --> 00:28:54,532 A QUICK HAND FOR THESE BRAVE SOULS. 645 00:28:54,532 --> 00:28:55,932 (applause) 646 00:28:55,934 --> 00:28:57,144 THANK YOU, ERICA. 647 00:28:57,135 --> 00:28:59,465 LOOKING FETCHING IN GREEN. 648 00:28:59,471 --> 00:29:01,071 NOW, LADIES AND GENTLEMEN, 649 00:29:01,073 --> 00:29:03,813 PLEASE PAY CLOSE ATTENTION. (sighs) 650 00:29:03,809 --> 00:29:05,479 YOU'RE ABOUT TO WITNESS SOMETHING 651 00:29:05,477 --> 00:29:09,247 THAT I CAN PRETTY MUCH GUARANTEE YOU'VE NEVER SEEN BEFORE. 652 00:29:09,248 --> 00:29:10,948 (applause) 653 00:29:12,018 --> 00:29:14,488 SOMETHING CLOUDED IN THE UNKNOWN 654 00:29:14,486 --> 00:29:19,626 IN A WORLD OF CLAIRVOYANTS AND DIVINATION, 655 00:29:19,625 --> 00:29:21,625 NOW I KNOW SOME OF YOU DON'T BELIEVE 656 00:29:21,626 --> 00:29:23,426 THAT SPIRITS EXIST, 657 00:29:23,429 --> 00:29:27,469 BUT TRUST ME WHEN I TELL YOU THEY ARE VERY REAL. 658 00:29:27,465 --> 00:29:30,235 THEY'RE HERE IN THIS ROOM RIGHT NOW SPEAKING TO ME, 659 00:29:30,236 --> 00:29:32,466 JUST AS I AM SPEAKING TO YOU, 660 00:29:32,471 --> 00:29:36,211 AND THEY'RE TELLING ME THAT ONE OF THESE INDIVIDUALS HERE 661 00:29:36,208 --> 00:29:38,978 IS HARBORING A DEEP, DARK SECRET. 662 00:29:38,978 --> 00:29:40,578 (guests murmuring) 663 00:29:40,578 --> 00:29:42,778 HUH? DON'T BELIEVE ME? 664 00:29:42,780 --> 00:29:46,180 FANTASTIC. THAT GIVES ME THE CHANCE TO PROVE IT TO YOU. 665 00:29:46,184 --> 00:29:50,324 YOU, SIR. WHAT'S YOUR NAME? 666 00:29:50,322 --> 00:29:51,862 RICHARD. 667 00:29:51,857 --> 00:29:54,457 RICHARD, ARE YOU HERE ALONE? 668 00:29:54,460 --> 00:29:55,730 YES. 669 00:29:55,727 --> 00:29:57,257 THANK YOU. WOULD YOU STEP FORWARD? 670 00:29:57,262 --> 00:29:59,662 INSIDE ONE OF THESE BOXES 671 00:29:59,664 --> 00:30:02,404 IS AN ITEM THAT HOLDS GREAT SIGNIFICANCE TO YOU. 672 00:30:02,401 --> 00:30:05,471 I DON'T KNOW WHICH BOX IT'S IN, AND NEITHER DO YOU. 673 00:30:05,471 --> 00:30:09,341 AM I CORRECT? 674 00:30:09,340 --> 00:30:11,980 I NEED YOU TO CONCENTRATE AND CLEAR YOUR MIND 675 00:30:11,978 --> 00:30:14,248 OF ANY DISTRACTIONS. 676 00:30:14,246 --> 00:30:17,276 I WOULD LIKE YOU TO CHOOSE TWO BOXES. 677 00:30:17,282 --> 00:30:19,622 TWO BOXES, EITHER ON THE LEFT SIDE 678 00:30:19,617 --> 00:30:23,117 OR THE RIGHT SIDE, PLEASE. 679 00:30:24,222 --> 00:30:26,262 ERICA. 680 00:30:28,094 --> 00:30:29,904 THERE'S TWO BOXES LEFT. 681 00:30:29,895 --> 00:30:32,295 I'D LIKE YOU TO CHOOSE ONE, RICHARD. 682 00:30:39,305 --> 00:30:43,705 NOW YOU MADE YOUR CHOICE ONLY WITH THE SPIRITS AS YOUR GUIDE? 683 00:30:43,709 --> 00:30:45,409 YES. 684 00:30:45,411 --> 00:30:49,181 ERICA, IF YOU WOULD, OPEN THE BOX, PLEASE. 685 00:30:54,452 --> 00:30:57,392 DOES THIS NECKLACE MEAN ANYTHING TO YOU, RICHARD? 686 00:30:59,157 --> 00:31:01,327 (voice breaks) YES. 687 00:31:01,326 --> 00:31:03,926 TELL THE AUDIENCE WHAT IT MEANS, RICHARD. 688 00:31:05,797 --> 00:31:08,967 (crying) 689 00:31:08,968 --> 00:31:11,068 (clears throat, voice breaking) IT'S THE NECKLACE THAT I GAVE 690 00:31:11,069 --> 00:31:12,199 TO NATALIE. 691 00:31:12,203 --> 00:31:15,013 WHY DID YOU GIVE IT TO HER? 692 00:31:15,007 --> 00:31:18,207 (guests murmuring) 693 00:31:18,210 --> 00:31:22,510 IT WAS A SYMBOL OF MY DEEP AND ABIDING... 694 00:31:22,513 --> 00:31:25,183 (cries) LOVE... FOR HER. 695 00:31:25,183 --> 00:31:29,563 IT'S OKAY. IT'S OKAY. 696 00:31:29,555 --> 00:31:31,585 THANK YOU, RICHARD. 697 00:31:31,589 --> 00:31:34,689 IF YOU'LL MAKE YOUR WAY BACK TO YOUR SEAT. THAT'S OKAY. 698 00:31:34,692 --> 00:31:37,762 WAIT! THE SPIRITS ARE SENDING ME ANOTHER MESSAGE. 699 00:31:37,762 --> 00:31:41,472 THEY'RE TELLING ME THAT SOMEONE ELSE ON THIS STAGE 700 00:31:41,467 --> 00:31:42,897 HAS A SECRET. 701 00:31:44,336 --> 00:31:45,596 MR. RELIN. 702 00:31:46,704 --> 00:31:47,874 (Greg) THANK YOU. 703 00:31:47,873 --> 00:31:49,383 A CROWD FAVORITE. 704 00:31:49,375 --> 00:31:52,305 YOU'RE HARBORING A DEEP, DARK SECRET, AREN'T YOU? 705 00:31:52,310 --> 00:31:55,010 I DON'T THINK SO. 706 00:31:55,013 --> 00:31:57,223 OH, REALLY? 707 00:31:57,215 --> 00:32:00,085 WELL, LET'S CHECK, SHALL WE? STEP FORWARD, PLEASE. 708 00:32:00,086 --> 00:32:04,456 CLEAR YOUR MIND AND CHOOSE TWO BOXES. 709 00:32:06,625 --> 00:32:07,955 ERICA. 710 00:32:10,162 --> 00:32:13,372 NOW YOU KNOW THE DRILL. ONE BOX. 711 00:32:15,267 --> 00:32:17,837 (guests murmuring) 712 00:32:17,836 --> 00:32:20,406 THANK YOU. 713 00:32:20,405 --> 00:32:25,705 NOW YOU CHOSE THIS BOX OF YOUR OWN FREE WILL, YES? 714 00:32:25,711 --> 00:32:29,981 ERICA, PLEASE DO THE HONORS. OPEN THE BOX. 715 00:32:32,218 --> 00:32:36,288 IS THIS PHOTOGRAPH OF ANY SIGNIFICANCE TO YOU? 716 00:32:36,288 --> 00:32:38,618 NO. ARE YOU CERTAIN? 717 00:32:38,624 --> 00:32:40,764 WELL, PERHAPS IF YOU SAW IT BIGGER. 718 00:32:40,759 --> 00:32:45,059 ERICA? 719 00:32:45,064 --> 00:32:49,234 IT LOOKS LIKE THE SITE YOU CLAIM TO HAVE BUILT AN ORPHANAGE ON, 720 00:32:49,234 --> 00:32:51,804 ONLY THERE'S NO ORPHANAGE. 721 00:32:51,802 --> 00:32:54,042 I DON'T... I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 722 00:32:54,039 --> 00:32:55,639 WHAT ABOUT NOW? 723 00:32:55,641 --> 00:32:59,111 (murmuring continues) 724 00:32:59,111 --> 00:33:02,351 THERE IS NO ORPHANAGE, GREG, 725 00:33:02,347 --> 00:33:05,117 ONLY A DOCTORED PHOTOGRAPH YOU'VE BEEN PASSING OFF AS REAL. 726 00:33:05,116 --> 00:33:08,316 EVERYTHING YOU'VE SAID YOU'VE DONE IS A LIE, GREG. 727 00:33:08,319 --> 00:33:09,319 YOU DON'T UNDERSTAND. 728 00:33:09,320 --> 00:33:11,290 OH, BUT I THINK THEY DO. 729 00:33:11,289 --> 00:33:15,289 (all shouting at once) 730 00:33:18,963 --> 00:33:23,343 UH, THANK YOU. YOU'VE BEEN A LOVELY AUDIENCE. 731 00:33:23,335 --> 00:33:25,895 THANK YOU AND GOOD NIGHT. 732 00:33:25,903 --> 00:33:29,513 (shouting continues) 733 00:33:31,942 --> 00:33:35,482 YOU EMBEZZLED MILLIONS OF DOLLARS MEANT FOR CHARITY 734 00:33:35,480 --> 00:33:40,590 AND SIPHONED THE MONEY INTO YOUR OWN POCKETS. 735 00:33:40,586 --> 00:33:43,356 UNTIL NATALIE TOOK THAT TRIP TO MEXICO. 736 00:33:46,023 --> 00:33:48,763 NATALIE CALLED ME, SAID SHE NEEDED 737 00:33:48,759 --> 00:33:51,429 TO SPEAK WITH ME ABOUT SOMETHING IMPORTANT, 738 00:33:51,430 --> 00:33:54,930 SO I MET HER AFTER WORK AT THE SUBWAY STATION. 739 00:33:54,932 --> 00:33:57,072 I OFFERED HER A RIDE. 740 00:34:00,439 --> 00:34:03,039 SHE TOLD ME SHE HAD VISITED 741 00:34:03,040 --> 00:34:05,240 ONE OF THE ORPHANAGES THAT WE BUILT. 742 00:34:05,243 --> 00:34:07,413 AND SHE ACCUSED YOU OF LYING. 743 00:34:07,413 --> 00:34:09,113 NO. 744 00:34:09,114 --> 00:34:10,824 NOT AT FIRST. 745 00:34:10,815 --> 00:34:12,175 SHE TRUSTED ME. 746 00:34:12,184 --> 00:34:14,654 (both speak inaudibly) 747 00:34:14,652 --> 00:34:19,722 SHE WANTED AN EXPLANATION, BUT... 748 00:34:19,724 --> 00:34:22,264 I DIDN'T HAVE ONE. WHAT COULD I SAY? 749 00:34:22,260 --> 00:34:23,560 SHE HAD THE PHOTOS. 750 00:34:26,063 --> 00:34:28,473 (swallows) 751 00:34:28,467 --> 00:34:30,697 MY WHOLE WORLD WAS THREATENED. 752 00:34:30,702 --> 00:34:32,842 EVERYTHING I HAD BUILT WOULD BE GONE. 753 00:34:34,539 --> 00:34:36,109 (whispers) I COULDN'T LET THAT HAPPEN. 754 00:34:43,081 --> 00:34:46,491 (inhales deeply) 755 00:34:46,485 --> 00:34:48,215 (sighs) 756 00:34:48,219 --> 00:34:50,559 OKAY. I'M COMING. (panting) 757 00:34:50,556 --> 00:34:52,016 WAYNE. (lowered voice) IN HERE. 758 00:34:52,023 --> 00:34:55,163 OHH. WHAT IS GOING ON WITH YOU? 759 00:34:55,161 --> 00:34:57,161 TAKE A SEAT. 760 00:34:57,163 --> 00:34:59,703 TAKE A... (sighs) 761 00:35:03,768 --> 00:35:05,838 SARAH, I, UH... 762 00:35:05,836 --> 00:35:07,766 THERE'S SOMETHING I HAVE TO SAY TO YOU. 763 00:35:07,773 --> 00:35:09,183 (chuckles) OKAY. 764 00:35:09,175 --> 00:35:10,305 SO I'VE BEEN THINKING A LOT ABOUT US 765 00:35:10,309 --> 00:35:11,439 THESE LAST FEW DAYS... (sighs) 766 00:35:11,443 --> 00:35:13,183 AND, UH... (sighs) 767 00:35:13,179 --> 00:35:14,309 OUR SITUATION. 768 00:35:14,313 --> 00:35:15,653 "OUR SITUATION"? 769 00:35:15,646 --> 00:35:16,646 YEAH... 770 00:35:16,648 --> 00:35:17,778 OHH. AND, UH... 771 00:35:17,782 --> 00:35:19,052 I WANT IT TO CHANGE. 772 00:35:19,050 --> 00:35:20,790 ARE YOU BREAKING UP WITH ME? 773 00:35:20,786 --> 00:35:23,656 THE OPPOSITE. (sighs) 774 00:35:23,655 --> 00:35:26,055 (gasps) 775 00:35:26,056 --> 00:35:27,786 (inhales deeply) 776 00:35:27,793 --> 00:35:30,403 WILL YOU MARRY ME? 777 00:35:30,396 --> 00:35:32,656 OHH. 778 00:35:32,664 --> 00:35:35,074 OH, NO. (sighs) 779 00:35:35,065 --> 00:35:38,265 I DON'T WANT TO GET MARRIED LIKE THIS. 780 00:35:38,269 --> 00:35:39,699 WAYNE, I DON'T WANT YOU TO PROPOSE TO ME 781 00:35:39,704 --> 00:35:40,944 JUST BECAUSE I'M PREGNANT. 782 00:35:40,938 --> 00:35:42,208 IT'S--IT'S-- 783 00:35:42,208 --> 00:35:45,438 IT'S SO NOT FAIR TO YOU OR TO ME. 784 00:35:45,443 --> 00:35:48,583 (sighs) I DON'T WANT TO LIVE THE REST OF MY LIFE 785 00:35:48,579 --> 00:35:51,649 CONSTANTLY WONDERING WHETHER MY HUSBAND LOVES ME. 786 00:35:51,650 --> 00:35:53,620 OH. 787 00:35:53,619 --> 00:35:56,449 WAYNE. (sighs) GOSH, YOU ARE... 788 00:35:56,454 --> 00:35:58,494 YOU ARE A GREAT MAN. 789 00:35:58,489 --> 00:36:01,359 NO, AND YOU ARE GOING TO BE 790 00:36:01,360 --> 00:36:03,200 THE MOST AMAZING FATHER... (chuckles) 791 00:36:03,195 --> 00:36:06,725 (laughs) REALLY, BUT... (sighs) 792 00:36:06,731 --> 00:36:09,931 GOSH, WE ARE JUST NOT READY FOR THIS. 793 00:36:09,934 --> 00:36:11,874 (sighs) 794 00:36:15,340 --> 00:36:17,740 (sighs) 795 00:36:19,577 --> 00:36:21,577 (sighs) 796 00:36:26,952 --> 00:36:27,952 (chuckles) 797 00:36:27,952 --> 00:36:28,952 (box snaps shut) 798 00:36:28,954 --> 00:36:32,664 (sighs) 799 00:36:32,657 --> 00:36:35,157 (indistinct conversations) 800 00:36:35,159 --> 00:36:37,299 THANK YOU, PATRICK. 801 00:36:37,295 --> 00:36:40,795 YOU HAVE NO IDEA HOW MUCH THIS MEANT TO ME. 802 00:36:40,798 --> 00:36:44,798 YOU KNOW, YOU DIDN'T HAVE TO LEAVE THE OTHER NIGHT. 803 00:36:44,802 --> 00:36:47,612 WE CAN'T HAVE EVERYTHING WE WANT. 804 00:36:47,606 --> 00:36:49,236 SINCE WHEN? 805 00:36:53,244 --> 00:36:54,854 I'M GONNA GO FRESHEN UP BEFORE THE CAR RIDE. 806 00:36:54,846 --> 00:36:58,516 DON'T BOTHER. I KNOW ABOUT YOUR LAWYER. 807 00:36:58,516 --> 00:36:59,986 LAWYER? WHAT LAWYER? 808 00:37:02,019 --> 00:37:04,789 WE FOUND HIM A BLOCK AWAY 809 00:37:04,789 --> 00:37:08,229 WITH TWO SUITCASES, CASH, AND A FORGED PASSPORT. 810 00:37:08,226 --> 00:37:10,826 (man) I'M SORRY, ERICA. 811 00:37:10,829 --> 00:37:14,269 I LOVE YOU! I'LL WAIT FOR YOU! 812 00:37:14,266 --> 00:37:15,726 TOUCHING. 813 00:37:17,969 --> 00:37:19,639 SO IT'S OVER. 814 00:37:19,637 --> 00:37:20,937 (sighs) 815 00:37:20,938 --> 00:37:23,538 YOU CAN'T BLAME A GIRL FOR TRYING. 816 00:37:23,541 --> 00:37:25,341 I'D EXPECT NOTHING LESS. 817 00:37:29,179 --> 00:37:32,779 (sighs) IT WAS NICE TO SEE YOU, PATRICK. 818 00:37:32,784 --> 00:37:34,454 I HAD A LOVELY TIME. 819 00:37:36,121 --> 00:37:37,861 ME, TOO. 820 00:37:40,791 --> 00:37:42,661 GOOD-BYE. 821 00:37:42,661 --> 00:37:44,931 IT MAKES IT SOUND LIKE FOREVER. 822 00:37:46,063 --> 00:37:48,473 JUST 15 TO 20. 823 00:37:53,070 --> 00:37:55,210 YES, SIR. BOTTOM OF THE PAGE. 824 00:37:55,206 --> 00:37:58,336 (scribbling) 825 00:38:00,177 --> 00:38:02,177 TIME TO GO, MA'AM. 826 00:38:02,179 --> 00:38:03,479 OF COURSE. 827 00:38:26,237 --> 00:38:27,667 (engine starts) 828 00:38:32,811 --> 00:38:34,081 (door closes) 829 00:38:43,021 --> 00:38:46,061 (Wainright) GLAD THAT ALL WORKED OUT. 830 00:38:46,056 --> 00:38:47,316 YEAH. 831 00:38:50,862 --> 00:38:53,062 (sniffles) 832 00:38:53,063 --> 00:38:54,473 (closes door) UH... 833 00:38:54,465 --> 00:38:55,765 SPECIAL AGENT LUTHER WAINRIGHT? 834 00:38:55,766 --> 00:38:57,596 I'M OFFICER HOPKINS 835 00:38:57,603 --> 00:39:00,543 FROM GOLDEN VALLEY STATE CORRECTIONAL INSTITUTION. 836 00:39:00,539 --> 00:39:02,669 WE'RE HERE TO TAKE CUSTODY OF ERICA FLYNN. 837 00:39:02,673 --> 00:39:04,213 I'M SORRY. I'M CONFUSED. 838 00:39:04,208 --> 00:39:07,808 I JUST SIGNED CUSTODY... 839 00:39:07,813 --> 00:39:09,353 SIR? 840 00:39:18,088 --> 00:39:21,628 (footsteps approach) 841 00:39:21,626 --> 00:39:24,696 THE U.S. MARSHALS ARE HELPING WITH THE SEARCH. 842 00:39:24,695 --> 00:39:26,155 SHE'S BEEN FLAGGED ON FLIGHT LISTS 843 00:39:26,164 --> 00:39:27,804 AND ALL BORDER CROSSINGS. 844 00:39:27,798 --> 00:39:30,168 YOU'RE WASTING YOUR TIME. 845 00:39:30,168 --> 00:39:31,838 THANKS FOR YOUR OPTIMISM. 846 00:39:35,373 --> 00:39:37,783 I HAVE TO ASK, JANE. 847 00:39:37,775 --> 00:39:40,445 DID YOU KNOW ERICA WAS GONNA DO THIS? 848 00:39:40,445 --> 00:39:42,375 TRY TO ESCAPE? 849 00:39:42,380 --> 00:39:45,820 OF COURSE. I MEAN, WHO WOULDN'T? 850 00:39:45,817 --> 00:39:48,447 YOU DIDN'T ANSWER MY QUESTION. 851 00:39:48,454 --> 00:39:51,394 NO, I DIDN'T... 852 00:39:51,389 --> 00:39:53,629 ANSWER YOUR QUESTION. 853 00:40:01,666 --> 00:40:03,796 (cell phone rings) 854 00:40:05,003 --> 00:40:06,543 (ring) 855 00:40:06,538 --> 00:40:08,138 (clears throat) 856 00:40:08,139 --> 00:40:10,309 ** 857 00:40:10,307 --> 00:40:12,737 HELLO? 858 00:40:12,744 --> 00:40:15,114 I wanted to thank you for dinner the other night. 859 00:40:15,112 --> 00:40:18,352 IT WAS THE BEST DATE I'VE HAD IN YEARS. 860 00:40:18,349 --> 00:40:20,219 IT WASN'T A DATE. 861 00:40:20,217 --> 00:40:22,217 IF YOU SAY SO. 862 00:40:22,219 --> 00:40:24,019 Where are you? 863 00:40:24,021 --> 00:40:27,431 (seagulls crying) WHY? DO YOU MISS ME? 864 00:40:27,425 --> 00:40:30,155 (chuckles) SOMETHING LIKE THAT. 865 00:40:30,161 --> 00:40:33,401 YOU KNOW, PATRICK, WE'D HAVE BEEN GOOD TOGETHER. 866 00:40:33,398 --> 00:40:34,868 WOULD BE GOOD TOGETHER. 867 00:40:34,865 --> 00:40:38,965 I WILL FIND YOU. IT'S ONLY A MATTER OF TIME. 868 00:40:38,969 --> 00:40:40,169 OH, PATRICK. 869 00:40:40,170 --> 00:40:43,370 I'M ALMOST LOOKING FORWARD TO IT. 870 00:40:43,373 --> 00:40:45,183 (beeps and snaps shut) 871 00:40:45,175 --> 00:40:48,105 **