1 00:00:02,836 --> 00:00:05,005 Man: JUST FOCUSING THE CAMERA HERE 2 00:00:05,139 --> 00:00:08,342 IN DOWNTOWN L.A., THE LOVELY DOWNTOWN L.A., 3 00:00:08,476 --> 00:00:12,846 WHERE WE HAVE BEEN LED TO A PARKING LOT. 4 00:00:12,980 --> 00:00:15,683 - YOU SURE THIS IS IT? - IT'S GOTTA BE. 5 00:00:15,816 --> 00:00:17,785 COME ON. 6 00:00:21,289 --> 00:00:23,757 I CAN'T BELIEVE YOU GOT US THIS MEETING. 7 00:00:23,891 --> 00:00:26,760 - DOCUMENTARY, HERE WE COME. - GUYS, DON'T EMBARRASS ME. 8 00:00:26,894 --> 00:00:28,862 DIRK BAILEY IS A MAJOR PRODUCER. 9 00:00:28,996 --> 00:00:30,798 COME ON, LET'S GO. 10 00:00:30,931 --> 00:00:32,533 OH, LOOK. 11 00:00:32,666 --> 00:00:35,069 LADIES AND GENTLEMEN, OUR FUTURE BENEFACTOR. 12 00:00:35,203 --> 00:00:37,438 POSE BY IT A SECOND. 13 00:00:39,073 --> 00:00:40,974 YOU'RE SO WEIRD. 14 00:00:41,109 --> 00:00:43,544 - AM I? - YES. 15 00:00:43,677 --> 00:00:46,214 SO DO YOU KNOW WHAT YOU'RE GONN SAY TO HIM? 16 00:00:46,347 --> 00:00:49,950 - THIS THING IS REALLY YOUR BABY. - DON'T WORRY ABOUT IT. 17 00:00:50,084 --> 00:00:52,486 - YOU'RE THE BOSS; I'M JUST THE CAMERAMAN. - , SHUT UP. 18 00:00:52,620 --> 00:00:54,822 - WE'RE IN THIS TOGETHER. - OH, THAT'S RIGHT. 19 00:00:57,091 --> 00:00:59,059 CAN YOU DO SOMETHING ABOUT THAT? 20 00:00:59,193 --> 00:01:01,562 - PSST! - WHAT, WHAT? 21 00:01:01,695 --> 00:01:04,632 - NO, YOU CAN'T. - I'M JUST TALKING TO HER. 22 00:01:04,765 --> 00:01:06,967 GET YOUR ASS OFF THE DESK. THIS ISN'T A MEAT MARKET. 23 00:01:07,101 --> 00:01:09,737 HI. I'M KENNEDY. 24 00:01:09,870 --> 00:01:12,840 NICE. DIRK BAILEY. BUT YOU KNOW THAT; THAT'S WHY YOU'RE HERE. 25 00:01:12,973 --> 00:01:15,176 - YES. THIS IS MY-- - YOU'RE FILMING? 26 00:01:18,112 --> 00:01:20,848 Dirk: OKAY, GUYS, TIME'S MONEY. 27 00:01:20,981 --> 00:01:23,083 THIS IS MY FIRST A.D., PETER. 28 00:01:23,217 --> 00:01:25,519 THAT'S KENNEDY AND WHOEVER. 29 00:01:25,653 --> 00:01:27,455 THIS IS JAMES. 30 00:01:27,588 --> 00:01:29,457 - WHAT'S THIS ALL ABOUT? - WHO KNOWS? 31 00:01:29,590 --> 00:01:31,859 WE WANTED TO DOCUMENT EVERYTHING FROM INCEPTION. 32 00:01:31,992 --> 00:01:34,928 OKAY, BUT THIS ISN'T ABOUT YOU. YOU GUYS KNOW THAT, RIGHT? 33 00:01:35,062 --> 00:01:37,030 ANYWAY, IT'S A DRAMA, OF COURSE. 34 00:01:37,165 --> 00:01:39,099 GENRES DON'T WIN AWARDS. 35 00:01:39,233 --> 00:01:41,169 THE FIRST FEW DAYS, WE'LL BE FILMING AT 36 00:01:41,302 --> 00:01:43,271 LONGFELLOW INSANE ASYLUM, 37 00:01:43,404 --> 00:01:45,139 WHICH IS A CHARACTER IN AND OF ITSELF. 38 00:01:45,273 --> 00:01:47,975 I KNOW THAT PLACE. IT CLOSED DOWN A FEW YEARS BACK? 39 00:01:48,108 --> 00:01:50,178 YEAH. NUTS WON'T EVEN GO THERE. 40 00:01:50,311 --> 00:01:52,546 PLACE'LL GIVE YOU THE CREEPS, BUT IT'S PRODUCTION VALUE. 41 00:01:52,680 --> 00:01:55,549 IT'S AN INNER MANIFESTATION OF TRICIA'S STRUGGLE 42 00:01:55,683 --> 00:01:58,018 OF INNER EMOTIONS, AND IT'S CHEAP. 43 00:02:01,989 --> 00:02:04,225 WHAT THE FUCK, KENNEDY? 44 00:02:04,358 --> 00:02:07,628 - I'M SORRY. - I FEEL TOTALLY AMBUSHED RIGHT NOW. 45 00:02:07,761 --> 00:02:09,797 YOU KNOW HOW I FEEL. 46 00:02:09,930 --> 00:02:12,866 MAKING-OF DOCS ARE LIKE THE WEDDING PHOTOGRAPHERS OF FILMMAKING. 47 00:02:13,000 --> 00:02:15,969 NOBODY WATCHES THIS SHIT BECAUSE NOBODY GIVES A SHIT. 48 00:02:16,103 --> 00:02:18,071 TIME WASTED ON THIS CRAP IS TIME WE COULD BE SPENDING 49 00:02:18,206 --> 00:02:20,140 ON OUR OWN DOCUMENTARY, 50 00:02:20,274 --> 00:02:22,843 WHICH, BY THE WAY, I THOUGHT THIS MEETING WAS ALL ABOUT. 51 00:02:22,976 --> 00:02:24,878 RAISING MONEY FOR OUR OWN PROJECT. 52 00:02:25,012 --> 00:02:27,515 I HEAR WHAT YOU'RE SAYING, JAMES, BUT THIS IS MONEY. 53 00:02:27,648 --> 00:02:29,983 WE CAN HAVE ALL THE TALENT IN THE WORLD, 54 00:02:30,117 --> 00:02:32,152 BUT WITHOUT THE RIGHT CONNECTIONS AND THE RIGHT FUNDING, 55 00:02:32,286 --> 00:02:34,322 WE DON'T HAVE A PROJECT. 56 00:02:34,455 --> 00:02:36,990 THIS'LL KEEP US GOING FOR A COUPLE OF MONTHS, AT LEAST. 57 00:02:37,124 --> 00:02:39,159 HE'S GOT A POINT. 58 00:02:39,293 --> 00:02:41,662 NOBODY WATCHES BEHIND-THE-SCENES FOOTAGE ANYMORE. 59 00:02:41,795 --> 00:02:45,065 IT USED TO BE COOL. IT USED TO BE FILM SCHOOL IN AN HOUR OR SO, 60 00:02:45,199 --> 00:02:47,067 BUT NOW IT'S JUST PEOPLE GLAD-HANDING 61 00:02:47,201 --> 00:02:49,603 AND SAYING SHIT LIKE andquot;GRAVITAS AND andquot;CAMARADERIE. 62 00:02:49,737 --> 00:02:51,672 THIS ONE WILL WIN AWARDS. 63 00:02:51,805 --> 00:02:53,874 - ARE YOU SERIOUS? - YES. 64 00:02:54,007 --> 00:02:56,009 WITH JERK BAILEY PRODUCING IT? 65 00:02:56,143 --> 00:02:59,247 IT'LL BE MORE LIKE A BOGUS FEATURE THAN A BONUS FEATURE. 66 00:03:01,114 --> 00:03:03,016 I MEAN... 67 00:03:03,150 --> 00:03:05,419 I'M IN 'CAUSE THERE'S A CHECK INVOLVED. 68 00:03:17,498 --> 00:03:20,934 - ARE YOU FILMING THIS?- NO. 69 00:03:21,068 --> 00:03:24,037 NO, I WAS JUST MAKING SURE IT WAS OFF. 70 00:03:24,171 --> 00:03:27,040 THAT'S A SHAME, BECAUSE I'VE NEVER FILMED MYSELF 71 00:03:27,174 --> 00:03:29,877 DOING IT BEFORE. 72 00:03:30,010 --> 00:03:32,780 OH... 73 00:03:32,913 --> 00:03:37,050 OH, JIMINY CHRISTMAS. I JUST WENT FROM 6:00 TO MIDNIGHT. 74 00:03:37,184 --> 00:03:39,119 I'M JUST GONNA... I WASN'T FILMING. 75 00:03:48,929 --> 00:03:51,732 WHAT ABOUT THE AUDIO EQUIPMENT? 76 00:03:51,865 --> 00:03:55,002 THAT'S CORY'S JOB, AND I'M NOT DOING CORY'S JOB. 77 00:03:55,135 --> 00:03:58,906 IS HE STILL IN THE BATHROOM? 78 00:03:59,039 --> 00:04:01,074 HE'S, UH, HE'S JUST FINE. 79 00:04:01,208 --> 00:04:03,110 LET'S JUST FOCUS ON THIS. 80 00:04:03,243 --> 00:04:05,178 YOU'RE ACTING WEIRD. 81 00:04:05,313 --> 00:04:07,648 X-CAM ONE, CHECK. 82 00:04:13,854 --> 00:04:16,424 - WHAT? - WHERE THE HELL IS X-CAM TWO? 83 00:04:17,391 --> 00:04:19,327 CORY. 84 00:04:19,460 --> 00:04:21,595 BECAUSE WE'RE GONNA WANNA RECORD THIS 85 00:04:21,729 --> 00:04:24,798 FOR YOUR ACTING PURPOSES. TRUST ME. 86 00:04:24,932 --> 00:04:27,835 THIS IS GONNA BE REALLY GOOD. 87 00:04:27,968 --> 00:04:30,203 OKAY, THOSE FEEL REAL. 88 00:04:32,706 --> 00:04:34,775 I CAN'T BELIEVE WE'RE DOING THIS. 89 00:04:44,652 --> 00:04:47,721 YOU'RE GONNA BE A GREAT ACTRESS. 90 00:04:47,855 --> 00:04:50,123 LOOK AT THE CAMERA. LOOK AT THE CAMERA. 91 00:04:50,257 --> 00:04:52,460 IS THAT GRUNTING? 92 00:04:52,593 --> 00:04:54,695 WHY DON'T YOU SEE FOR YOURSELF? 93 00:04:57,865 --> 00:05:00,233 OH, MY GOD! 94 00:05:00,368 --> 00:05:01,702 DUDES! 95 00:05:01,835 --> 00:05:03,837 IS THAT THE SECRETARY? 96 00:05:03,971 --> 00:05:06,840 - GET OUT OF MY ROOM! - YOU GET OUT OF YOUR ROOM. 97 00:05:10,411 --> 00:05:12,513 SO JUST KEEP GOIN' STRAIGHT. 98 00:05:18,118 --> 00:05:23,657 YES, I HAVE READ A THOMAS GUIDE BEFORE. 99 00:05:23,791 --> 00:05:26,226 - THOMAS GUIDE? - THIS IS OLD SCHOOL. 100 00:05:26,360 --> 00:05:28,328 NOT LIKE APPLICATIONS-- 101 00:05:28,462 --> 00:05:31,399 WAIT. THIS IS CHICAGO, RIGHT? TURN RIGHT ON CHICAGO. 102 00:05:33,300 --> 00:05:35,903 - AM I WHAT? - WHAT YEAR WERE YOU BORN? 103 00:05:36,036 --> 00:05:38,839 - WHAT YEAR WAS I BORN? - I HAVE NO IDEA WHERE WE'RE GOING RIGHT NOW. 104 00:05:38,972 --> 00:05:43,076 SHOULD BE UP HERE ON THE LEFT, AND THERE IT IS. 105 00:05:43,210 --> 00:05:45,345 OH, YOU'RE WELCOME. 106 00:05:45,479 --> 00:05:48,449 - GOOD JOB. - SLOW DOWN, SLOW DOWN. 107 00:05:53,186 --> 00:05:56,089 - THERE'S A PRODUCTION TRUCK. - YEAH, I SEE. 108 00:06:00,961 --> 00:06:04,064 * HE'S SICK * 109 00:06:14,408 --> 00:06:17,044 THIS PLACE ISN'T SO CREEPY. 110 00:06:17,177 --> 00:06:19,480 WHAT DID YOU EXPECT IT WOULD LOOK LIKE? A HORROR MOVIE? 111 00:06:19,613 --> 00:06:22,049 YEAH, ACTUALLY. 112 00:06:22,182 --> 00:06:24,384 ACTUALLY, THE HORROR'S INSIDE, 113 00:06:24,518 --> 00:06:26,420 AND HER NAME IS TRICIA BLAKE. 114 00:06:26,554 --> 00:06:29,957 AND DORK BAILEY. DUM-DUM-DUM. 115 00:06:31,525 --> 00:06:34,127 DID YOU GUYS NOTICE THAT IT'S TWO BUILDINGS? 116 00:06:34,261 --> 00:06:36,296 - SHUT UP, CORY. - THANKS, MR. OBVIOUS. 117 00:06:36,430 --> 00:06:39,399 IT IS HUGE, THOUGH. 118 00:06:39,533 --> 00:06:42,402 I WONDER HOW MANY PEOPLE IT HOUSED WHEN IT WAS OPERATING? 119 00:06:42,402 --> 00:06:45,238 A BUNCH OF CRAZY PEOPLE. 120 00:06:45,372 --> 00:06:48,075 WHEN IT CLOSED DOWN, WHAT DO YOU THINK THEY DID WITH ALL THE NUTS? 121 00:06:48,208 --> 00:06:50,243 THEY JUST SHOO 'EM OUT IN THE STREET? 122 00:06:50,377 --> 00:06:52,446 YEAH, I MEAN, THAT'S PRETTY MUCH WHAT HAPPENED. 123 00:06:52,580 --> 00:06:55,015 THEIR FAMILIES WERE THE ONES THAT DROPPED 'EM OFF HERE TO BEGIN WITH. 124 00:06:55,148 --> 00:06:57,851 THEY HAD NO HOMES TO GO , SO A LOT OF 'EM ENDED UP HOMELESS. 125 00:06:59,086 --> 00:07:01,354 HOW ARE WE SUPPOSED TO GET IN HERE? 126 00:07:01,489 --> 00:07:03,524 - TRY THIS DOOR. - THERE WAS A MAP ON THE CALL SHEET. 127 00:07:03,657 --> 00:07:05,459 OF COURSE, I DIDN'T GET THE CALL SHEET. 128 00:07:05,593 --> 00:07:07,761 - DID ANYONE GET A CALL SHEET? - I DON'T THINK SO. 129 00:07:07,895 --> 00:07:09,597 WE'RE NOT GETTIN' IN THROUGH HERE. 130 00:07:09,730 --> 00:07:12,199 - IT'S BEEN LOCKED FOR 30 YEARS. - JUST KEEP MOVING. 131 00:07:12,332 --> 00:07:16,103 - CORY, YOU SHOULD GO TOUCH THAT WASP NEST. 132 00:07:16,236 --> 00:07:18,305 STAY FOCUSED, COME ON. 133 00:07:18,438 --> 00:07:21,441 I THINK DIRK SAID THEY WERE SHOOTING SOME SECOND UNIT HERE EARLIER, 134 00:07:21,575 --> 00:07:23,443 SO THEY SHOULD BE HERE. 135 00:07:23,577 --> 00:07:25,445 THEY'RE NOT HERE ANYMORE, 136 00:07:25,579 --> 00:07:27,548 'CAUSE THERE'S NOTHING IN HERE. 137 00:07:27,681 --> 00:07:29,883 - BARS ON THE WINDOWS. - HELLO. 138 00:07:30,017 --> 00:07:31,985 - HELLO! - LET'S KEEP WALKING. 139 00:07:33,887 --> 00:07:36,557 ALL RIGHT, THIS HAS GOTTA BE IT, GUYS. 140 00:07:36,690 --> 00:07:41,161 COME ON. MOVE YOUR BUTTS. 141 00:07:49,336 --> 00:07:52,072 HELLO? 142 00:07:52,205 --> 00:07:54,141 - THERE'S NOBODY HERE. - GUYS. 143 00:07:54,274 --> 00:07:58,245 - MAYBE IT'S AT THE OTHER BUILDING. - UH, YA THINK? 144 00:08:00,080 --> 00:08:04,084 Kennedy: THIS PLACE IS HUGE. IT'S LIKE A FORTRESS. 145 00:08:04,217 --> 00:08:07,087 THAT IS, BY FAR, THE SCARIEST PART OF THIS BUILDING. 146 00:08:07,220 --> 00:08:09,557 OKAY, WE'RE LATE. WE REALLY NEED TO GET INSIDE. 147 00:08:09,690 --> 00:08:11,759 - I'M GETTING GOOD FOOTA HERE. - COME ON, GUYS, LET'S GO. 148 00:08:19,466 --> 00:08:22,502 JESUS, THIS PLACE GOES ON FOREVER. 149 00:08:22,636 --> 00:08:24,672 YEAH, IT'S PRETTY STUPID. 150 00:08:24,805 --> 00:08:28,208 OH, THIS MUST BE THE ENTRANCE. 151 00:08:28,341 --> 00:08:30,177 - SHIT! 152 00:08:30,310 --> 00:08:32,512 - YOU ALL RIGHT? - YEAH. 153 00:08:32,646 --> 00:08:34,514 YOU ALL RIGHT? WHAT THE FUCK? 154 00:08:34,648 --> 00:08:36,349 GOD, LOOK AT THAT GUY'S FACE. 155 00:08:36,483 --> 00:08:39,920 - WHAT IS HE DOING? - WHAT? 156 00:08:41,454 --> 00:08:44,024 JUST WALK AWAY, BUDDY. 157 00:08:45,192 --> 00:08:47,695 - WHAT THE HELL WAS THAT? - UH... 158 00:08:50,197 --> 00:08:52,365 THERE WE GO. 159 00:08:52,499 --> 00:08:54,134 FINALLY. 160 00:08:56,069 --> 00:08:59,773 LET'S GET INSIDE. WE NEED TO SET UP. WE'RE LATE. 161 00:08:59,907 --> 00:09:02,409 YEAH, WE DON'T WANT DIRK TO TAKE AWAY OUR MONEY. 162 00:09:04,144 --> 00:09:05,713 HOW'S IT GOIN'? 163 00:09:15,055 --> 00:09:17,991 PLACE IS CREEPIER INSIDE. 164 00:09:18,125 --> 00:09:20,493 HAVE YOU SEEN DIRK? 165 00:09:20,628 --> 00:09:23,163 - YOU FOUND HIM. - YEAH, COPY THAT. 166 00:09:23,296 --> 00:09:25,498 - HI, DIRK. WHAT WOULD YOU HAVE US-- - YOU'RE LATE. 167 00:09:25,633 --> 00:09:27,434 YEAH, WE HAD TROUBLE FINDING THE PLACE. 168 00:09:27,567 --> 00:09:29,670 GUESS THE PLACE ISN'T BIG ENOUGH FOR YOU. 169 00:09:29,803 --> 00:09:31,672 FUCK, IT TAKES UP AN ENTIRE BLOCK. 170 00:09:31,805 --> 00:09:34,074 NO, WE WERE HERE. WE JUST COULDN'T FIND THE ENTRANCE. 171 00:09:34,207 --> 00:09:36,309 ARE YOU GUYS STUPID OR HIGH? 172 00:09:36,443 --> 00:09:38,445 DON'T TELL ME YOU'RE STUPID, AND YOU BETTER NOT BE HIGH. 173 00:09:38,578 --> 00:09:41,414 DIRK, YOU'RE NEED IN MAKEUP. TRICIA'S HAVING AN ISSUE. 174 00:09:41,548 --> 00:09:43,416 OKAY, I GOTTA PUT OUT THIS FIRE. 175 00:09:43,550 --> 00:09:45,653 YOU GUYS DO WHATEVER YOU WANNA DO. 176 00:09:45,786 --> 00:09:48,188 PETER WILL SHOW YOU AROUND. 177 00:09:48,321 --> 00:09:51,258 ONLY ONE CAMERA? REALLY? WHAT KIND OF ORGANIZATION IS THIS? 178 00:09:51,391 --> 00:09:53,260 SEEING AS I ONLY HAVE ONE HEAD... 179 00:09:53,393 --> 00:09:55,428 WHAT? 180 00:09:55,562 --> 00:09:57,464 GENERALLY, THESE ARE SINGLE-CAMERA SHOOTS. 181 00:09:57,597 --> 00:10:01,534 - YEAH, I WANT BIG. - WE HAVE MORE CAMERAS IN THE CAR; NO WORRIES. 182 00:10:01,669 --> 00:10:03,436 YEAH, GOOD. GOTTA GO. 183 00:10:04,638 --> 00:10:06,707 SO WANNA GIVE US THE BIG TOUR? 184 00:10:17,751 --> 00:10:19,987 THIS IS WHERE WE'LL BE SHOOTING TODAY'S SCENE. 185 00:10:20,120 --> 00:10:23,056 TRICIA WILL BE IDENTIFYING A BODY, 186 00:10:23,190 --> 00:10:26,159 WHO WE LATER REALIZE IS ACTUALLY HERSELF. 187 00:10:26,293 --> 00:10:29,129 WE WERE SHOOTING SECOND UNIT PHOTOGRAPHY HERE EARLIER, 188 00:10:29,262 --> 00:10:31,665 AND NOW WE'RE GETTING READY FOR PRINCIPAL PHOTOGRAPHY. 189 00:10:31,799 --> 00:10:34,134 OH, THIS IS FROM THE ORIGINAL LOCATION? 190 00:10:34,267 --> 00:10:36,536 NO, WE HAD ALL THIS BROUGHT IN. 191 00:10:36,670 --> 00:10:38,739 NONE OF THIS STUFF HERE WAS UP TO THE DIRECTOR'S STANDARDS. 192 00:10:38,872 --> 00:10:40,808 WE HAD IT ALL BUILT JUST FOR THE PRODUCTION. 193 00:10:40,941 --> 00:10:43,143 SO MAY I A WHY YOU CHOSE THIS LOCATION 194 00:10:43,276 --> 00:10:45,345 INSTEAD OF JUST SHOOTING ON A SOUNDSTAGE? 195 00:10:45,478 --> 00:10:47,480 TALK TO HIM. 196 00:10:47,614 --> 00:10:50,183 WHAT ARE THESE PEOPLE DOING ON MY SET? 197 00:10:50,317 --> 00:10:53,086 ALEC, THIS IS THE MAKING-OF CREW THAT DIRK HIRED. 198 00:10:53,220 --> 00:10:55,322 - HI, I'M KENNEDY. THIS IS-- - UNAPPROVED. 199 00:10:55,455 --> 00:10:56,890 EXCUSE ME. 200 00:10:57,024 --> 00:10:58,759 I DIDN'T APPROVE ANY OF THESE PEOPLE. 201 00:10:58,892 --> 00:11:00,660 WHY WASN'T I TOLD ABOUT THIS? 202 00:11:00,794 --> 00:11:03,330 OR THIS CAMERA! NOBODY RUNS ANYTHING BY ME FIRST! 203 00:11:03,463 --> 00:11:07,167 THEY'LL BE FINE. THEY KNOW ALL THE RULE STAY OUT OF THE WAY. 204 00:11:07,300 --> 00:11:09,536 WHY IS HE LOOKING ME IN THE EYE THEN? 205 00:11:09,669 --> 00:11:11,739 I SPECIFICALLY STATED IN MY MANIFEST THAT NOBODY WAS TO LOOK ME IN THE EYE 206 00:11:11,872 --> 00:11:13,841 OR ADDRESS ME IN ANY WAY. 207 00:11:13,974 --> 00:11:16,209 HE HASN'T READ THE MANIFEST YET. I'LL MAKE SURE THAT HAPPENS. 208 00:11:16,343 --> 00:11:19,512 AH, THE MANIFEST THING, YEAH. IT'S REALLY SMART, ALEC. 209 00:11:19,646 --> 00:11:22,682 - I'M SORRY, ALEC. I'M SORRY. 210 00:11:22,816 --> 00:11:25,018 HE'S STILL LOOKING ME IN THE EYE. 211 00:11:25,152 --> 00:11:27,187 EVERYBODY, ALL MORNING LONG, 212 00:11:27,320 --> 00:11:30,357 HAS BEEN LOOKING ME STRAIGHT IN THE GODDAMN EYE. 213 00:11:30,490 --> 00:11:32,692 WE'LL LEAVE YOU TO YOUR CREATIVE DEVICES. BIG DAY AHEAD. 214 00:11:32,826 --> 00:11:34,594 COME ON. 215 00:11:34,728 --> 00:11:37,130 LET THE GENIUS RUMINATE. 216 00:11:41,034 --> 00:11:44,204 HERE'S YOUR MANIFEST, DOUCHE BAG. 217 00:11:58,752 --> 00:12:00,754 HEY, GUYS. ARE WE INTERRUPTING ANYTHING? 218 00:12:00,888 --> 00:12:03,290 - NO, JUST TALKIN'. - JUST TALKIN'. GREAT. 219 00:12:03,423 --> 00:12:05,759 YOU GUYS SEEN DIRK? 220 00:12:05,893 --> 00:12:08,228 YEAH, HE JUST LEFT A MINUTE AGO. 221 00:12:08,361 --> 00:12:10,497 HOW ABOUT TRICIA? 222 00:12:10,630 --> 00:12:13,733 UM, I DON'T KNOW. SHE PROBABLY WENT TO SMOKE OR SOMETHING. 223 00:12:13,867 --> 00:12:16,236 WHO CARES? 224 00:12:16,369 --> 00:12:18,338 HI. 225 00:12:18,471 --> 00:12:20,507 HEY. 226 00:12:20,640 --> 00:12:22,910 YEAH, THIS IS THE MAKING-OF CREW. 227 00:12:23,043 --> 00:12:25,612 JUST WANNA SHOW 'EM AROUND A LITTLE BIT BEFORE WE GET STARTED. 228 00:12:25,745 --> 00:12:27,948 OH, COOL. 229 00:12:28,081 --> 00:12:30,083 WE'D LIKE TO SIT DOWN WITH YOU AT SOME POINT. 230 00:12:30,217 --> 00:12:32,585 THE MAKEUP SEGMENTS ARE ALWAYS POPULAR. 231 00:12:32,719 --> 00:12:35,322 - YEAH, THAT'D BE AWESOME. JUST LET ME KNOW WHEN. - THANKS. YEAH. 232 00:12:36,723 --> 00:12:39,526 PETER, CAN I TALK TO YOU FOR A SECOND? 233 00:12:39,659 --> 00:12:41,461 OH, SURE. YEAH. 234 00:12:41,594 --> 00:12:44,531 - CAN YOU GUYS GIVE US A MINUTE? - OH, YEAH. 235 00:12:50,703 --> 00:12:53,540 GET THIS. 236 00:12:53,673 --> 00:12:56,443 I THINK YOU JUST FORGOT TO BRING THEM. 237 00:12:56,576 --> 00:12:59,679 NO, I'M TELLING YOU, THEY WERE HERE. 238 00:12:59,813 --> 00:13:01,849 I THOUGHT MAYBE SHE FORGOT THEM, TOO. 239 00:13:01,982 --> 00:13:04,617 LOOK, HERE'S THE CHECKLIST. 240 00:13:04,751 --> 00:13:08,856 OKAY? AND I REMEMBER THAT THOSE WERE THE FIRST ITEMS WE BROUGHT IN. 241 00:13:08,989 --> 00:13:11,391 CORY, YOU GOT THIS? 242 00:13:11,524 --> 00:13:13,793 THOSE BRUSHES WERE EXPENSIVE, PETER. 243 00:13:13,927 --> 00:13:15,896 THEY HAVE TO BE SPECIAL-ORDERED. 244 00:13:16,029 --> 00:13:17,965 SO WHAT DO YOU WANT ME TO DO? 245 00:13:18,098 --> 00:13:20,500 I DON'T KNOW. TALK TO HER MAYBE? 246 00:13:22,302 --> 00:13:24,637 CAN YOU DO THAT? 247 00:13:24,771 --> 00:13:27,240 DID YOU SEE HER TAKE THEM, HUH? 248 00:13:27,374 --> 00:13:29,642 Kennedy: SHIT! HE SAW US. 249 00:13:29,776 --> 00:13:32,212 NO, I DIDN'T SEE HER TAKE THEM. 250 00:13:32,345 --> 00:13:34,147 BUT WHO ELSE COULD IT HAVE BEEN? 251 00:13:34,281 --> 00:13:36,683 SHE WAS THE ONLY ONE HERE BESIDES US. 252 00:13:36,816 --> 00:13:38,986 WE DON'T USE THAT SHIT. 253 00:13:39,119 --> 00:13:41,421 OKAY, LOOK, I CAN'T ACCUSE OUR LEAD ACTRESS 254 00:13:41,554 --> 00:13:44,224 OF STEALING MAKEUP SUPPLIES WITHOUT ANY PROOF. 255 00:13:44,357 --> 00:13:46,927 WHY WOULD TRICIA STEAL MAKEUP SUPPLIES? 256 00:13:47,060 --> 00:13:49,329 SHE CAN AFFORD HER OWN. 257 00:13:49,462 --> 00:13:51,731 I DON'T KNOW. MAYBE BECAUSE SHE'S A BITCH AND A HALF. 258 00:13:51,865 --> 00:13:53,766 THIS IS GOOD STUFF. 259 00:13:53,901 --> 00:13:56,836 LOOK, I DON'T KNOW WHAT TO TELL YOU, OKAY? 260 00:13:56,970 --> 00:13:59,372 - James: SHIT! - OH, GODDAMN IT. 261 00:13:59,506 --> 00:14:02,876 JUST DOUBLE-CHECK EVERYTHING FROM NOW ON, OKAY? 262 00:14:03,010 --> 00:14:04,945 WE ALWAYS DO, PETER. 263 00:14:05,078 --> 00:14:06,880 HI. WERE YOU GUYS FILMING THAT? 264 00:14:07,014 --> 00:14:09,049 - FILMING WHAT? - THIS TOUR'S DONE. 265 00:14:09,182 --> 00:14:11,384 OKAY? THERE'S NOTHING GOING ON HERE ANYWAY. 266 00:14:11,518 --> 00:14:13,520 GO FILM SOME B-ROLL OR SOMETHING. I DON'T CARE. 267 00:14:13,653 --> 00:14:15,722 - JUST STAY OUT OF MY WAY. - PETER, NO, WE WEREN'T. 268 00:14:15,855 --> 00:14:19,026 UH-HUH. WHAT A BUNCH OF AMATEURS THESE FUCKIN' LOW-BUDGET MOVIES GET. 269 00:14:19,159 --> 00:14:20,961 IS EVERYONE A DICK ON THIS MOVIE? 270 00:14:21,094 --> 00:14:22,429 EVERYONE'S A DICK IN HOLLYWOOD. 271 00:14:22,562 --> 00:14:24,431 WHY DO YOU THINK I'M NOT SUCCESSFUL? 272 00:14:24,564 --> 00:14:27,267 - YOU SHOULD BE. - THAT'S WHAT I'M SAYIN'. 273 00:14:28,801 --> 00:14:32,105 OH, I GET IT. SHUT UP. 274 00:14:32,239 --> 00:14:35,375 ALL RIGHT, WE NEED TO GET SOME INTERVIEWS. 275 00:14:35,508 --> 00:14:38,278 - LOOK, THERE'S TRICIA. - OH, GREAT. WE'LL GET HER. 276 00:14:39,980 --> 00:14:43,050 TRICIA, HEY, DO YOU WANNA DO AN INTERVIEW WITH US 277 00:14:43,183 --> 00:14:45,085 - FOR THE MAKING-OF? - AM I GETTING PAID FOR IT? 278 00:14:45,218 --> 00:14:48,088 OH, I DON'T THINK SO, BUT I DON'T KNOW. 279 00:14:48,221 --> 00:14:49,990 DIRK SAID WE HAD FULL ACCESS, SO... 280 00:14:50,123 --> 00:14:52,425 WELL, DIRK SAID THAT, I DIDN'T. 281 00:14:52,559 --> 00:14:54,227 YOU NEED TO TALK TO MY AGENT. 282 00:14:54,361 --> 00:14:56,663 - WHAT? - YOU KNOW WHAT, TRICIA? 283 00:14:56,796 --> 00:14:58,898 IT'S ACTUALLY NOT REALLY A BIG DEAL. 284 00:14:59,032 --> 00:15:01,901 WE'RE JUST GONNA ASK A FEW SIMPLE QUESTIONS. 285 00:15:03,503 --> 00:15:05,572 DIVA! 286 00:15:12,379 --> 00:15:16,616 THIS IS MY FAVORITE PART ABOUT MOVIE SETS. 287 00:15:18,051 --> 00:15:20,320 DAMN, THAT SPREAD LOOKS SO GOOD. 288 00:15:21,888 --> 00:15:24,324 OH, HEY. HI. 289 00:15:24,457 --> 00:15:26,859 DO YOU WANNA TELL US WHAT IT IS YOU DO? 290 00:15:26,994 --> 00:15:29,762 UH, WELL, I'M A GRIP. 291 00:15:29,896 --> 00:15:33,666 OKAY. DO YOU WANNA TELL US WHAT A GRIP DOES, JUST FOR THOSE OUT THERE 292 00:15:33,800 --> 00:15:36,036 WHO DON'T KNOW? 293 00:15:36,169 --> 00:15:38,471 WELL, I GRIP THINGS. 294 00:15:40,040 --> 00:15:42,109 FASCINATING. 295 00:15:45,578 --> 00:15:48,148 YOU DON'T HAVE TO TAKE EVERYTHING. 296 00:15:48,281 --> 00:15:50,783 - IT'S GONNA BE HERE ALL NIGHT. - I'M JUST STOCKING UP. 297 00:15:50,917 --> 00:15:53,053 WHY DON'T YOU JUST SAVE SOMETHING FOR SOMEBODY ELSE? 298 00:15:53,186 --> 00:15:55,022 YOU'RE FAT ENOUGH AS IT IS. 299 00:15:55,155 --> 00:15:57,524 YOU REALLY LIKE ALL MY FOOD? 300 00:15:57,657 --> 00:16:00,293 LOOKS LIKE CORY FOUND TRUE LOVE. 301 00:16:00,427 --> 00:16:02,129 I DO LOVE YOUR FOOD, AND I LOVE YOU, TOO. 302 00:16:02,262 --> 00:16:04,731 STOP. GO ON, Y'ALL, GET OUTTA HERE. 303 00:16:04,864 --> 00:16:06,699 JUST TAKE A LITTLE MORE. 304 00:16:06,833 --> 00:16:09,502 COME BACK LATER WHEN THERE'S GOOD FOOD. THIS IS JUNK. GO ON. 305 00:16:09,636 --> 00:16:12,139 YOU'RE GONNA MISS ME WHEN I'M GONE. 306 00:16:12,272 --> 00:16:15,408 - I'LL START MISSIN' YOU RIGHT THIS SECOND. 307 00:16:18,178 --> 00:16:21,214 WHAT IS THE MATTER WITH YOU? WHAT DID YOU DO? 308 00:16:21,348 --> 00:16:24,384 YOU DESTROYED EVERY-- JUST GET OUT OF HERE. 309 00:16:24,517 --> 00:16:27,820 I'M GONNA TELL DIRK, AND YOU ARE GONNA HAVE TO PAY FOR ALL OF THIS. 310 00:16:27,954 --> 00:16:30,057 GO ON, GET! 311 00:16:30,190 --> 00:16:32,892 OH, MY LORD, I WORKED FOREVER ON THIS. 312 00:16:34,661 --> 00:16:36,663 JAMES, WHAT WAS THAT? 313 00:16:36,796 --> 00:16:39,066 - I DON'T KNOW. - DUDE, WHAT DID YOU DO? 314 00:16:39,199 --> 00:16:40,833 I DIDN'T DO ANYTHING, I SWEAR. 315 00:16:40,967 --> 00:16:43,103 YOU WERE THE LAST PERSON IN THERE. 316 00:16:43,236 --> 00:16:44,837 HOW AM I SUPPOSED TO DO ALL THAT DAMAGE 317 00:16:44,971 --> 00:16:47,040 WITH THIS THING ON MY SHOULDER, IDIOT? 318 00:16:47,174 --> 00:16:48,841 I WAS RIGHT BEHIND YOU GUYS. 319 00:16:48,975 --> 00:16:50,377 WAS ANYONE ELSE IN THE ROOM? 320 00:16:50,510 --> 00:16:52,679 I GUESS. I DON'T KNOW. I ONLY SEE WHAT THIS SEES. 321 00:16:52,812 --> 00:16:54,847 I SUPPOSE SOMEBODY COULD'VE COME IN THROUGH THE OTHER DOOR. 322 00:16:54,981 --> 00:16:57,016 I DON'T KNOW. 323 00:16:57,150 --> 00:16:59,919 DUDE, I'LL TOTALLY REWIND THE TAPE FOR YOU RIGHT NOW. 324 00:17:00,053 --> 00:17:01,854 NO, NO, WE BELIEVE YOU. 325 00:17:01,988 --> 00:17:04,557 JUST YOU SAYING THAT MAKES ME POSITIVE YOU DON'T. 326 00:17:04,691 --> 00:17:07,694 IT'S FINE. FORGET IT. IT'S FINE. 327 00:17:07,827 --> 00:17:10,697 FACT: EVERYONE HERE HATES US. 328 00:17:10,830 --> 00:17:13,100 DUDE, DON'T TOUCH MY FUCKING LENS. 329 00:17:13,233 --> 00:17:15,102 LET'S GET BACK TO WORK. 330 00:17:16,803 --> 00:17:19,239 OH, DUMB ASS! 331 00:17:35,888 --> 00:17:37,790 DAMN IT. 332 00:17:47,066 --> 00:17:50,570 COME ON, GUYS. LOOKS LIKE THEY'RE GONNA START SHOOTING. 333 00:17:50,703 --> 00:17:54,341 AND THEN, YOU COME OVER HERE. 334 00:17:56,576 --> 00:17:59,246 WAIT, NO. 335 00:17:59,379 --> 00:18:01,948 YOU SHOULD PROBABLY COME OVER HERE. 336 00:18:03,283 --> 00:18:05,752 HOLD IT A SECOND. WHO PUT THIS LIGHT HERE? 337 00:18:05,885 --> 00:18:08,155 ALEC, WE HAVE TO GET OFF OUR FIRST SHOT. 338 00:18:08,288 --> 00:18:10,190 DON'T RUSH ME. THE LIGHTING'S ALL WRONG. 339 00:18:10,323 --> 00:18:12,259 WHO SCREWED THIS UP? 340 00:18:12,392 --> 00:18:16,196 THIS IS THE EXACT LIGHTING THAT YOU WANTED THIS MORNING, OKAY? 341 00:18:16,329 --> 00:18:18,931 WE GOTTA POP THIS OFF, ALL RIGHT? 342 00:18:19,065 --> 00:18:22,302 WHO'S THE DIRECTOR HERE? 343 00:18:22,435 --> 00:18:24,837 YOU DIDN'T READ THE MANIFEST, EITHER, DID YOU? 344 00:18:24,971 --> 00:18:27,207 SERIOUSLY... 345 00:18:27,340 --> 00:18:30,009 JUST LET ME KNOW WHEN YOU FIGURE IT OUT. 346 00:18:35,081 --> 00:18:37,784 LISTEN, ASSHOLE, DO YOU HAVE ANY IDEA 347 00:18:37,917 --> 00:18:40,887 HOW MUCH THIS IS COSTING ME PER MINUTE? 348 00:18:41,020 --> 00:18:42,955 - HUH? - A LOT. 349 00:18:43,089 --> 00:18:46,359 YEAH. SPEED IT UP. 350 00:18:49,729 --> 00:18:52,732 Kennedy: OH, WOW, THIS GUY IS CLUELESS. 351 00:18:56,068 --> 00:18:59,239 - CAN YOU BELIEVE HER? - FORGET IT. SHE'S A BITCH. 352 00:18:59,372 --> 00:19:02,642 ARE WE ACTUALLY EVEN SHOOTING ANYTHING HERE OR WHAT? 353 00:19:02,775 --> 00:19:04,977 IT DOESN'T SEEM LIKE IT. WE CAN'T GO BACK TO CATERING, 354 00:19:05,111 --> 00:19:07,580 SO WHAT DO WE DO NOW? 355 00:19:07,714 --> 00:19:09,982 - WHOA, WHAT IS THAT? - WHAT? 356 00:19:10,116 --> 00:19:12,319 - WHAT? - WHAT? 357 00:19:12,452 --> 00:19:15,755 NOTHING. I THOUGHT I SAW SOMETHING. 358 00:19:15,888 --> 00:19:18,758 WHY DON'T WE EXPLORE A LITTLE BIT? 359 00:19:18,891 --> 00:19:21,328 DOESN'T LOOK LIKE THEY'RE GONNA SHOOT ANY TIME SOON. 360 00:19:21,461 --> 00:19:23,996 SOUNDS GOOD TO ME. 361 00:19:31,771 --> 00:19:33,840 Kennedy: YOU SCARED? 362 00:19:33,973 --> 00:19:36,276 GUYS, THIS LOOKS SO FRICKIN' GOOD. 363 00:19:36,409 --> 00:19:38,711 - YEAH? - YEAH. 364 00:19:38,845 --> 00:19:41,013 - THIS PLACE IS AWESOME. - THIS IS WHAT WE NEED TO BE SHOOTING. 365 00:19:41,147 --> 00:19:44,217 - I KNOW. - SCREW THAT OTHER STUFF. 366 00:19:44,351 --> 00:19:47,854 - THEY'RE SO UNCOOPERATIVE. - I HATE THE DARK. 367 00:19:49,989 --> 00:19:52,292 - OH, THIS IS COZY. - IT'S DISGUSTING. 368 00:19:52,425 --> 00:19:54,294 THIS IS SO AWESOME! 369 00:19:54,427 --> 00:19:57,630 - LOOK ON THE WALL OVER HERE. - LOOK AT ALL THAT WRITING. 370 00:19:57,764 --> 00:20:00,800 OH, MAN, THIS IS GONNA BE GREAT B-ROLL. 371 00:20:00,933 --> 00:20:03,703 - WHO WROTE THIS? - IT'S GOTTA BE PEOPLE SNEAKIN' IN HERE. 372 00:20:03,836 --> 00:20:07,106 - IS THAT BLOOD? - NO. 373 00:20:07,240 --> 00:20:09,376 THAT IS SOME BLOOD ON THE WALL. 374 00:20:09,509 --> 00:20:11,711 - IT'S NOT BLOOD. - IT'S DEFINITELY BLOOD. 375 00:20:11,844 --> 00:20:14,614 - THERE'S ANOTHER HALLWAY DOWN HERE. COME LOOK. - OKAY. 376 00:20:16,916 --> 00:20:19,919 OH, YEAH, WE GOTTA GO CHECK THIS OUT. 377 00:20:21,988 --> 00:20:24,223 THIS IS SO COOL. 378 00:20:32,164 --> 00:20:35,067 SO WHERE'S THIS GO? 379 00:20:35,201 --> 00:20:38,104 IT MUST BE THE TUNNEL CONNECTING TO OTHER BUILDING. 380 00:20:38,237 --> 00:20:40,440 OKAY. 381 00:20:42,842 --> 00:20:46,746 - OH, DID YOU FEEL THE TEMPERATURE CHANGE? - YEAH, DUDE. 382 00:20:46,879 --> 00:20:48,748 YOU FEEL THAT? 383 00:20:48,881 --> 00:20:51,951 IT'S, LIKE, SIGNIFICANTLY COOLER DOWN HERE. 384 00:20:52,084 --> 00:20:54,821 HOLY CRAP, I JUST FELT SOMETHING CRAWL ON MY NECK. 385 00:20:54,954 --> 00:20:57,657 - I SWEAR TO GOD. - IT'S NOT EVEN FUNNY, DUDE. 386 00:20:57,790 --> 00:21:01,260 - OKAY, THERE YOU GO. - STUDIO CHAIR. 387 00:21:01,394 --> 00:21:03,195 ARE YOU GETTING THIS? 388 00:21:05,465 --> 00:21:08,000 TAKING A STROLL DOWN A CREEPY HALLWAY. 389 00:21:08,134 --> 00:21:10,337 WHY IS THERE A WHEELCHAIR? 390 00:21:10,470 --> 00:21:12,439 'CAUSE IT USED TO BE A HOSPITAL. 391 00:21:12,572 --> 00:21:14,841 - OH, YOU'RE SO SMART. - USED TO BE A HOSPITAL. 392 00:21:14,974 --> 00:21:17,844 NOW IT'S JUST SCARY. TUNNELS. 393 00:21:20,880 --> 00:21:24,617 WHY IS THERE A MATTRESS IN THERE? I'M SO CONFUSED. 394 00:21:24,751 --> 00:21:27,787 - LOOKS LIKE OLD FILES. - OH, MY GOD. 395 00:21:27,920 --> 00:21:29,689 UGH. 396 00:21:30,957 --> 00:21:33,326 OKAY, UM... 397 00:21:33,460 --> 00:21:35,395 WHAT ARE YOU GUYS WAITING FOR? LET'S CHECK IT OUT. 398 00:21:35,528 --> 00:21:37,864 - NO. - YOU CHICKEN? 399 00:21:37,997 --> 00:21:39,366 UH, SORT OF. YEAH. 400 00:21:39,499 --> 00:21:41,801 DEFINITELY YES. YES. 401 00:21:41,934 --> 00:21:44,404 WHATEVER. YOU CAN WAIT IN THE CAR IF YOU WANT. 402 00:21:44,537 --> 00:21:46,373 DON'T, DON'T... 403 00:21:46,506 --> 00:21:49,709 KENNEDY! WELL, GO GET HER. 404 00:21:49,842 --> 00:21:52,979 WHAT? HELL, NO! YOU GO GET HER. 405 00:21:53,112 --> 00:21:55,314 DUDE, SHE'S GONNA BREAK HER NECK IN THERE, 406 00:21:55,448 --> 00:21:57,384 AND IT'S GONNA BE ON YOU. 407 00:21:57,517 --> 00:21:59,819 I HAVE DONE SO MANY BAD THINGS IN MY LIFE, MAN. 408 00:21:59,952 --> 00:22:01,821 I'LL SLEEP EASY TONIGHT. 409 00:22:01,954 --> 00:22:04,991 I'M GONNA GO WAIT IN THE CAR. 410 00:22:05,124 --> 00:22:07,326 KENNEDY! 411 00:22:07,460 --> 00:22:09,496 KENNEDY? 412 00:22:09,629 --> 00:22:12,064 SHIT. COME ON. 413 00:22:12,198 --> 00:22:14,066 NO. NO. DON'T. 414 00:22:15,935 --> 00:22:18,237 KENNEDY? 415 00:22:18,371 --> 00:22:20,272 WHERE ARE YOU? 416 00:22:20,407 --> 00:22:24,076 WHY ARE YOU WHISPERING? 417 00:22:24,210 --> 00:22:25,244 I DON'T KNOW. 418 00:22:27,380 --> 00:22:32,385 KENNEDY, THIS ISN'T FUNNY. AT ALL. 419 00:22:32,519 --> 00:22:35,455 DUDE, JUST WAIT HERE FOR HER; I'M NOT CREEPIN' AROUND IN THE DARK. 420 00:22:35,588 --> 00:22:37,390 - WHAT IF SHE'S HURT? - SHE'S NOT HURT. 421 00:22:37,524 --> 00:22:39,859 SHE'S SCREWIN' WITH YOU 'CAUSE YOU'RE SCARED. 422 00:22:39,992 --> 00:22:43,095 - YOU'RE JUST AS SCARED AS I AM, MAN. - MY ASS. 423 00:22:43,229 --> 00:22:45,865 IT'S NOT EVEN THAT DARK. DIRK SAID THEY WERE FILMING HERE EARLIER. 424 00:22:45,998 --> 00:22:47,934 THAT'S PROBABLY WHY THEY LEFT ALL THESE LIGHTS. 425 00:22:48,067 --> 00:22:50,437 - Kennedy: HIYA, BOYS! - OH, SHIT. 426 00:22:50,570 --> 00:22:52,405 I KNEW YOU WERE GONNA DO THAT. 427 00:22:52,539 --> 00:22:55,207 REALLY? REALLY UNCOOL. 428 00:22:55,341 --> 00:22:57,477 - OH... - I ALMOST DROPPED THIS THING. 429 00:22:57,610 --> 00:23:00,813 I'M SORRY, I COULDN'T HELP IT. YOU GUYS WERE SUCH CHICKENS. 430 00:23:02,815 --> 00:23:05,552 - YOU SUCK. - COME ON, THIS PLACE IS GREAT. 431 00:23:05,685 --> 00:23:07,454 NO, IT ISN'T. 432 00:23:07,587 --> 00:23:09,889 WOULD YOU RATHER GO HANG OUT WITH DIRK THE JERK? 433 00:23:10,022 --> 00:23:13,960 - SHE'S GOT A POINT THERE. 434 00:23:14,093 --> 00:23:17,163 LOOK AT THIS PLACE. IT'S LIKE PEOPLE JUST JUMPED UP AND TOOK OFF. 435 00:23:17,296 --> 00:23:18,998 WOULDN'T YOU? 436 00:23:21,000 --> 00:23:23,436 IT HAD TO HAVE BEEN A STATE-OF-THE-ART PLACE WHEN IT WAS RUNNING. 437 00:23:23,570 --> 00:23:25,337 TONS OF PEOPLE WORKED HERE. 438 00:23:25,472 --> 00:23:27,507 YEAH, CHOCK FULL O' NUTS. 439 00:23:27,640 --> 00:23:30,910 OH, GOD, THEY ALL LEFT IN A HURRY. 440 00:23:31,043 --> 00:23:33,079 OH, MAN, THAT IS SO GNARLY. 441 00:23:33,212 --> 00:23:35,147 LET'S KEEP MOVING. 442 00:23:47,259 --> 00:23:49,829 ALL RIGHT, MAGGOTS, BLINKING LIGHTS. 443 00:23:49,962 --> 00:23:52,865 James: REMIND ME WHY WE'RE DOING THIS AGAIN. 444 00:23:52,999 --> 00:23:55,101 Kennedy: IT STINKS. 445 00:23:55,234 --> 00:23:57,336 IT'S REALLY MUSKY-SMELLING. 446 00:23:57,470 --> 00:23:59,371 James: WHAT IS THAT? 447 00:23:59,506 --> 00:24:01,440 MOLD. 448 00:24:03,275 --> 00:24:05,645 HEY, WHAT'S OVER HERE? 449 00:24:05,778 --> 00:24:07,947 WE SHOULD PROBABLY HEAD BACK, HUH? 450 00:24:08,080 --> 00:24:09,682 NO, LET'S GET THIS. IT'S GOOD. 451 00:24:09,816 --> 00:24:11,718 THERE'S NOTHING HERE. WE SHOULD GO BACK TO SET. 452 00:24:11,851 --> 00:24:13,986 THEY'RE PROBABLY WONDERING WHERE WE ARE. 453 00:24:14,120 --> 00:24:16,188 IT IS GOOD FOOTAGE. 454 00:24:19,291 --> 00:24:23,329 ALL JOKES ASIDE, THIS PLACE IS REALLY STARTING TO CREEP ME OUT. 455 00:24:23,462 --> 00:24:25,898 AFRAID SOMEONE'S GONNA JUMP OUT AT YOU? 456 00:24:26,032 --> 00:24:28,701 AS LONG AS I CAN SEE YOU, I DOUBT THAT'LL HAPPEN. 457 00:24:39,078 --> 00:24:41,213 WHAT IS IT? 458 00:24:41,347 --> 00:24:45,518 GUYS, SOMETHING'S JACKING WITH MY AUDIO DOWN HERE. 459 00:24:46,485 --> 00:24:49,221 WHAT DO YOU MEAN? 460 00:24:49,355 --> 00:24:51,490 EVERYTHING'S COMING THROUGH, LIKE, 461 00:24:51,624 --> 00:24:54,260 MUFFLED, LIKE IT'S... THERE'S A PRESSURE DOWN HERE. 462 00:24:54,393 --> 00:24:56,328 DO YOU FEEL IT? 463 00:24:56,462 --> 00:24:58,665 - IT IS KINDA STUFFY. - I DON'T KNOW WHAT IT IS. 464 00:24:58,798 --> 00:25:02,168 IT'S PROBABLY JUST ALLERGIES. MINE ARE ACTING UP, TOO. 465 00:25:03,870 --> 00:25:07,239 DUDE, MY EQUIPMENT DOESN'T HAVE ALLERGIES. 466 00:25:07,373 --> 00:25:09,408 GOD, YOU GUYS ARE PANSIES. 467 00:25:09,542 --> 00:25:11,443 WHAT? 468 00:25:11,578 --> 00:25:14,046 I JUST HEARD SOMETHING. 469 00:25:14,180 --> 00:25:18,084 - WHAT KIND OF SOMETHING? - JUST SH! GIVE ME A SECOND. 470 00:25:21,888 --> 00:25:24,190 - DID YOU HEAR THAT? 471 00:25:24,323 --> 00:25:26,626 HEAR WHAT? I DIDN'T HEAR ANYTHING. 472 00:25:26,759 --> 00:25:29,128 - DID YOU HEAR IT? - NO, I DIDN'T HEAR ANYTHING. 473 00:25:30,196 --> 00:25:32,431 OH, FUCK! 474 00:25:35,635 --> 00:25:38,270 SH, QUIET. GIVE ME A SECOND. 475 00:25:49,048 --> 00:25:51,217 - DID YOU HEAR THAT? 476 00:25:51,350 --> 00:25:52,985 - HEAR WHAT? - DID YOU HEAR THAT? 477 00:25:53,119 --> 00:25:55,054 NO, I DIDN'T HEAR IT. 478 00:26:03,529 --> 00:26:05,598 IT'S COMING FROM THAT ROOM. 479 00:26:05,732 --> 00:26:08,234 WHOA, WHAT ARE YOU DOING? 480 00:26:08,367 --> 00:26:10,603 LET'S GO BACK TO SET, OKAY? 481 00:26:10,737 --> 00:26:12,772 THAT'S EXACTLY WHAT I WAS THINKING. 482 00:26:12,905 --> 00:26:14,674 IT'S PROBABLY AUDIO FROM THE SET. 483 00:26:14,807 --> 00:26:17,476 NO, NO, LISTEN. I HAVE RADIO FREQUENCY INTERFERENCE. 484 00:26:17,610 --> 00:26:19,746 YOU KNOW WHAT THAT IS? 485 00:26:19,879 --> 00:26:23,082 THAT MEANS ANYTHING FROM UP THERE, I'M NOT GETTING DOWN HERE. 486 00:26:23,215 --> 00:26:26,318 THEN IT'S PROBABLY A RAT OR SOMETHING. 487 00:26:26,452 --> 00:26:29,255 OKAY, WELL, THEN WHO CARES? LET'S GO BACK TO SET. 488 00:26:29,388 --> 00:26:31,758 GUYS... 489 00:26:35,227 --> 00:26:39,131 JUST AMUSE HER, OR WE'LL BE HERE FOREVER. 490 00:27:15,735 --> 00:27:18,370 Kennedy: THIS PLACE IS SO SAD. 491 00:27:18,504 --> 00:27:22,308 ALL THESE FILES ARE JUST SHATTERED HUMAN LIVES 492 00:27:22,441 --> 00:27:25,077 THAT LOST THEIR WAY SOMEHOW. 493 00:27:30,850 --> 00:27:33,319 WONDER WHAT HAPPENED TO ALL THESE PEOPLE? 494 00:27:33,452 --> 00:27:35,421 WHERE DID THEY GO? 495 00:27:35,554 --> 00:27:38,390 I'M SURE SOME OF THEM GOT TRANSFERRED TO OTHER FACILITIES. 496 00:27:38,524 --> 00:27:41,260 LIKE I SAID BEFORE, I THINK A LOT OF THEM ENDED UP ON THE STREETS. 497 00:27:41,393 --> 00:27:43,930 James: I THINK WE SAW ONE OF THEM EARLIER. 498 00:27:45,297 --> 00:27:48,868 OH, WOW. PAULA GAINES. 499 00:27:51,704 --> 00:27:54,941 MURDERED HER FOUR CHILDREN BY DROWNING THEM IN THE SINK. 500 00:27:57,176 --> 00:27:59,746 andquot;THEN MURDERED HER HUSBAND WHEN HE CAME HOME FROM WORK 501 00:27:59,879 --> 00:28:02,081 andquot;BY FEEDING HIM RAT POISON. 502 00:28:02,214 --> 00:28:04,116 andquot;BAKED AN APPLE PIE, 503 00:28:04,250 --> 00:28:06,385 andquot;AND WAITED FOR THE POLICE TO COME AND ARREST HER. 504 00:28:06,518 --> 00:28:08,788 andquot;MULTIPLE ATTEMPTS ON ORDERLIES AND NURSES. 505 00:28:10,790 --> 00:28:14,460 andquot;ANALYSIS: CRIMINALLY INSANE WITH SEVERE VIOLENT TENDENCIES. 506 00:28:14,593 --> 00:28:18,765 NO SIGN OF IMPROVEMENT, BUT CURIOUS CASE STUDY.andquot; 507 00:28:18,898 --> 00:28:21,067 SIGNED, DR. KLEIN. 508 00:28:21,200 --> 00:28:25,071 WOW, I WONDER... I WONDER WHERE SHE WOUND UP. 509 00:28:25,204 --> 00:28:27,639 James: WHAT DID YOU SAY THAT NAME WAS? 510 00:28:27,774 --> 00:28:30,109 DR. KLEIN. 511 00:28:30,242 --> 00:28:33,379 THIS MUST'VE BEEN HIS OFFICE. 512 00:28:33,512 --> 00:28:35,481 MAYBE HE WAS THE HEAD DOCTOR. 513 00:28:37,183 --> 00:28:40,219 HERE'S ANOTHER ONE. HE'S A REAL LOOKER. 514 00:28:40,352 --> 00:28:43,722 MARCUS PAUL WILDER. 515 00:28:43,856 --> 00:28:46,658 THREE NAMES. THAT'S NEVER A GOOD SIGN WITH THAT. 516 00:28:46,793 --> 00:28:49,228 I THINK THIS IS . KLEIN. 517 00:28:53,699 --> 00:28:55,968 - UGH. - WHAT? 518 00:28:56,102 --> 00:28:57,904 - YOU DON'T WANNA KNOW. - OH, MY GOD. 519 00:28:58,037 --> 00:28:59,839 LET ME SEE. 520 00:29:06,412 --> 00:29:08,580 GOT SOME MURDER HERE. 521 00:29:08,714 --> 00:29:11,583 LOTS OF RAPE. 522 00:29:11,717 --> 00:29:13,752 RAPE AND MURDER. 523 00:29:13,886 --> 00:29:16,255 CANNIBALISTIC TENDENCIES? 524 00:29:16,388 --> 00:29:18,791 THAT'S GOING THE DISTANCE. 525 00:29:18,925 --> 00:29:21,260 SOCIOPATH. GETTING WORSE WITH TREATMENT. 526 00:29:21,393 --> 00:29:24,263 MUST USE MORE SEVERE METHODS. 527 00:29:24,396 --> 00:29:28,667 DR. KLEIN HERE WASN'T VERY GOOD AT HIS JOB, WAS HE? 528 00:29:28,801 --> 00:29:31,270 I WONDER WHAT HAPPENED TO HIM. 529 00:29:31,403 --> 00:29:33,605 MAYBE YOUR GUY ATE HIM. 530 00:29:33,739 --> 00:29:37,844 OKAY, THERE'S NOTHING IN HERE BUT MUSTY FILES. CAN WE BOOGIE BACK? 531 00:29:37,977 --> 00:29:39,678 I THINK THAT SOUNDS LIKE A GOOD IDEA. 532 00:29:39,812 --> 00:29:41,713 BEST IDEA I'VE HEARD ALL DAY. 533 00:29:41,848 --> 00:29:44,183 - YOU'RE REALLY SHAKEN UP, AREN'T YOU? - NOW I AM. 534 00:29:44,316 --> 00:29:46,452 DON'T WORRY. YOU GOT TWO STRAPPIN' STUDS HERE. 535 00:29:46,585 --> 00:29:49,188 WE'LL TAKE CARE OF YA. LET'S GET THE HELL OUTTA HERE. 536 00:30:00,132 --> 00:30:02,468 YOU GUYS, LET'S GO THIS WAY. 537 00:30:16,648 --> 00:30:18,650 YOU HEARD THAT, RIGHT? 538 00:30:18,784 --> 00:30:20,987 YEAH. 539 00:30:21,120 --> 00:30:23,155 SOUNDED LIKE IT WAS COMING FROM THERE. 540 00:30:23,289 --> 00:30:25,324 GOOD THING WE'RE GOING THE OTHER WAY. 541 00:30:25,457 --> 00:30:27,426 WHOA, WHOA, WHOA. WHERE THE HELL ARE YOU GOING? 542 00:30:27,559 --> 00:30:29,228 MAYBE SOMEBODY'S HURT. 543 00:30:29,361 --> 00:30:31,497 IT DIDN'T SOUND LIKE SOMEONE BEING HURT. 544 00:30:31,630 --> 00:30:33,365 THAT SOUND LIKE SOMEONE TRYING TO HURT. 545 00:30:33,499 --> 00:30:35,935 I WAS CREEPED OUT A LITTLE BEFORE, BUT I'M OVER IT NOW. 546 00:30:36,068 --> 00:30:38,504 WHATEVER IS HAPPENING HERE IS WAY MORE INTERESTING 547 00:30:38,637 --> 00:30:40,439 THAN WHAT'S HAPPENING OVER THERE. 548 00:30:40,572 --> 00:30:43,409 THIS IS A MISTAKE; WE'RE GONNA GET FIRED. 549 00:30:43,542 --> 00:30:47,046 GOOD. YOU GUYS WANTED TO MAKE A DOCUMENTARY, RIGHT? 550 00:30:47,179 --> 00:30:49,916 THIS PLACE IS A DOCUMENTARY WAITING TO HAPPEN. 551 00:30:50,049 --> 00:30:52,919 MENTAL HEALTH IN AMERICA. 552 00:30:58,724 --> 00:31:01,293 YOU KNOW SHE'S NOT COMING BACK, RIGHT? 553 00:31:01,427 --> 00:31:02,694 SCREW THIS. LET HER GO. 554 00:31:06,899 --> 00:31:09,268 - MAYBE WE SHOULD GO. - YEAH. 555 00:31:28,988 --> 00:31:31,390 Kennedy: IT'S GOTTA BE DOWN HERE. 556 00:31:31,523 --> 00:31:32,959 COME ON, GUYS. 557 00:31:41,433 --> 00:31:43,802 KENNEDY, ARE YOU DOWN HERE? 558 00:31:43,936 --> 00:31:48,607 KENNEDY? OH, MAN. 559 00:31:48,740 --> 00:31:50,842 THAT LOOKS SO SKETCH. 560 00:31:53,512 --> 00:31:56,082 - LET'S GO. - NO. 561 00:31:59,218 --> 00:32:03,155 - OH, COME ON, DUDE. - KENNEDY? 562 00:32:04,590 --> 00:32:06,925 KENNEDY! 563 00:32:11,363 --> 00:32:14,933 KENNEDY? ARE YOU SURE THIS IS THE WAY SHE WENT? 564 00:32:15,067 --> 00:32:17,503 THINK SO. 565 00:32:17,636 --> 00:32:19,771 WHAT'S SHE DOING? SHE'S, LIKE 90 POUNDS, 566 00:32:19,905 --> 00:32:22,541 RUNNING AROUND BOILER ROOMS. 567 00:32:26,778 --> 00:32:29,648 JESUS! YOU CAN'T KEEP RUNNING OFF LIKE THAT. 568 00:32:29,781 --> 00:32:32,351 SERIOUSLY. THIS PLACE HAS BEEN ABANDONED FOR YEARS. 569 00:32:32,484 --> 00:32:34,620 YOU DON'T KNOW WHAT'S AROUND THE CORNER. 570 00:32:34,753 --> 00:32:36,688 I CAN TAKE CARE OF MYSELF. 571 00:32:36,822 --> 00:32:39,358 - DID YOU HEAR THAT? 572 00:32:42,128 --> 00:32:44,963 THAT'S IT. I'M NOT CONTINUING WITH THIS CRAP. 573 00:32:45,097 --> 00:32:47,633 NO, I HEARD THAT. 574 00:32:47,766 --> 00:32:49,968 I'M NOT GOING ANY FURTHER. 575 00:32:50,102 --> 00:32:53,172 Cory: IT SOUNDS LIKE IT'S COMING FROM OVER THERE. 576 00:32:57,443 --> 00:33:01,147 OH, YOU GUYS. MAN. THE HAIR ON MY ARM IS STANDING UP. 577 00:33:01,280 --> 00:33:03,849 I'M NOT COOL WITH THIS SHIT, OKAY? 578 00:33:03,982 --> 00:33:06,418 SUIT YOURSELF. GO HOME. 579 00:33:06,552 --> 00:33:10,156 DUDE, DO YOU REALIZE THAT THIS IS AN INSANE ASYLUM? 580 00:33:10,289 --> 00:33:12,658 IT'S NOT JUST ANY OTHER HOSPITAL. 581 00:33:12,791 --> 00:33:14,926 WHO KNOWS WHO'S DOWN THERE? 582 00:33:15,061 --> 00:33:18,697 Kennedy: PEOPLE VACATED YEARS AGO. NO ONE'S STILL HERE. 583 00:33:18,830 --> 00:33:21,867 BUT THIS IS WHERE THEY'RE FROM. 584 00:33:22,000 --> 00:33:23,935 THIS IS THEIR HOME. 585 00:33:24,070 --> 00:33:26,772 WHAT WILL THEY LIVE ON ALL THESE YEARS? 586 00:33:26,905 --> 00:33:29,608 THERE'S PEOPLE WHO COME IN AND OUT OF HERE. THERE'S CARETAKERS, RIGHT? 587 00:33:29,741 --> 00:33:32,010 YES, PEOPLE COME IN AND OUT OF HERE. 588 00:33:32,144 --> 00:33:34,213 WHAT KIND OF PEOPLE WOULD COME IN AND OUT OF HERE? 589 00:33:34,346 --> 00:33:36,415 RAPISTS, SERIAL KILLERS, MURDERERS. 590 00:33:36,548 --> 00:33:38,417 ALL KINDS OF LOW LIFERS. 591 00:33:39,618 --> 00:33:42,921 OKAY, GUYS, THINK ABOUT IT. 592 00:33:43,055 --> 00:33:46,292 THERE'S A HOLLYWOOD MOVIE BEING MADE IN THIS BUILDING. 593 00:33:46,425 --> 00:33:49,395 I MEAN, THERE'S CREATIVE PEOPLE INVOLVED. 594 00:33:49,528 --> 00:33:51,530 THIS IS THE BEST PRANK EVER. 595 00:33:51,663 --> 00:33:54,032 ACTUALLY, YEAH, THEY'RE PROBABLY LISTENING RIGHT NOW, 596 00:33:54,166 --> 00:33:56,135 AND LAUGHING AT YOU GUYS; LAUGHING AT WHAT PUSSIES YOU'RE BEING. 597 00:33:58,070 --> 00:34:01,873 - THAT ACTUALLY DOES KINDA MAKE SENSE. - OF COURSE IT DOES. 598 00:34:02,007 --> 00:34:05,111 WELL, THE JOKE'S ON ME. HA HA HA HA HA. 599 00:34:05,244 --> 00:34:07,546 CAN WE PLEASE GO BACK NOW? 600 00:34:07,679 --> 00:34:09,781 DIDN'T SCARE ME. 601 00:34:09,915 --> 00:34:12,551 MAYBE THAT'S WHY THEY'RE BEING SUCH DICKS TO US. 602 00:34:12,684 --> 00:34:14,986 COME ON, LET'S GO. 603 00:34:15,121 --> 00:34:16,888 DUDE, COME ON. 604 00:34:17,022 --> 00:34:20,459 COME ON! LET'S GET OUTTA HERE. 605 00:34:26,832 --> 00:34:29,568 THIS PLACE IS DISGUSTING. 606 00:34:29,701 --> 00:34:31,737 YOU GUYS WANNA TAKE A NAP? 607 00:34:31,870 --> 00:34:34,673 AT LEAST THERE'S LIGHT IN HERE. THAT'S ALL I CARE ABOUT. 608 00:34:37,776 --> 00:34:39,845 DID YOU HEAR THAT? 609 00:34:39,978 --> 00:34:42,748 - YEAH. - I THINK IT'S COMING FROM DOWN HERE. 610 00:34:42,881 --> 00:34:44,916 I SWEAR TO GOD, IF YOU GUYS ARE RIGHT 611 00:34:45,050 --> 00:34:48,086 AND THERE'S SOMEBODY PRANKING US, I'M GONNA KILL 'EM. 612 00:34:48,220 --> 00:34:50,456 IT WOULD BE KINDA FUNNY, THOUGH. 613 00:34:50,589 --> 00:34:53,759 I MEAN, AFTER THE INITIAL BEING UPSET. 614 00:35:14,946 --> 00:35:18,049 CAN YOU MAKE OUT WHERE IT'S COMING FROM? 615 00:35:29,995 --> 00:35:32,631 IT STOPS HERE. 616 00:35:39,805 --> 00:35:42,708 HOLY SHIT. 617 00:35:43,942 --> 00:35:46,645 IT STINKS IN HERE. 618 00:35:46,778 --> 00:35:49,147 THIS IS DEFINITELY NOT PRODUCTION DESIGN. 619 00:35:49,281 --> 00:35:51,683 - NO WAY. - LOOK AT ALL THIS. 620 00:35:53,151 --> 00:35:55,687 LUNATIC DECOR. 621 00:35:59,758 --> 00:36:01,860 Kennedy: WEIRD. 622 00:36:01,993 --> 00:36:04,029 HEY, GUYS, LOOK AT THIS. 623 00:36:06,332 --> 00:36:09,435 - ARE THOSE FINGERNAILS? - James: OH, MY GOD. 624 00:36:12,304 --> 00:36:15,441 I THINK IT'S TIME TO GET OUT OF THIS ROOM. 625 00:36:22,648 --> 00:36:24,383 JESUS. 626 00:36:27,118 --> 00:36:29,255 YOU GUYS, THIS PLACE IS NUTS. 627 00:36:29,388 --> 00:36:31,690 I DON'T LIKE IT. LET'S GO BACK. 628 00:36:31,823 --> 00:36:35,861 - OKAY. - THIS IS GETTING HEAVY. 629 00:36:44,770 --> 00:36:46,772 DAMN IT, THEY WANT US TO FIND SOMETHING. 630 00:36:46,905 --> 00:36:49,875 - LET'S GO. - REALLY? 631 00:36:50,008 --> 00:36:52,778 I DON'T THINK THIS IS SOMEONE SCREWING WITH US AT THIS POINT. 632 00:36:52,911 --> 00:36:54,713 THAT ROOM WAS-- 633 00:36:54,846 --> 00:36:57,649 IT'S ALL PART OF A VERY ELABORATE PRANK. 634 00:37:02,754 --> 00:37:04,923 James: WHY ARE WE LISTENING TO HER? 635 00:37:05,056 --> 00:37:07,459 - BECAUSE SHE'S THE BOSS. - Kennedy: THAT'S RIGHT. 636 00:37:13,265 --> 00:37:15,901 I'VE GOT FOOTAGE OF, LIKE, 50 HALLWAYS. 637 00:37:16,034 --> 00:37:17,836 - CAN WE JUST GO BACK? - Kennedy: SH! 638 00:37:17,969 --> 00:37:20,339 WHAT ARE WE BEING QUIET FOR? THERE'S NOBODY AROUND. 639 00:37:20,472 --> 00:37:23,241 Kennedy: DO YOU HEAR ANYTHING? 640 00:37:23,375 --> 00:37:26,912 NO. JUST JAMES TALKING. 641 00:37:27,045 --> 00:37:29,147 FUCK YOU. 642 00:37:29,281 --> 00:37:31,650 YOU GUYS, SETTLE DOWN. 643 00:37:31,783 --> 00:37:33,752 IT'S COLD IN HERE. 644 00:37:37,589 --> 00:37:40,692 OKAY, THIS SEEMS LIKE A GOOD SPOT. 645 00:37:43,194 --> 00:37:45,931 THIS USED TO BE, I THINK, LIKE, 646 00:37:46,064 --> 00:37:49,768 ONE OF THESE E.M.T. HALLWAYS. LIKE EMERGENCY STUFF. 647 00:37:49,901 --> 00:37:52,671 James: THAT'S NOT CORRECT. E.M.T. IS NOT EMERGENCY ROOM, DUMB ASS. 648 00:37:52,804 --> 00:37:54,940 ARE YOU GETTING THIS? 649 00:37:55,073 --> 00:37:56,207 COME ON. 650 00:37:58,076 --> 00:38:00,712 Cory: OH, GOD, YOU GOTTA BE KIDDING ME. 651 00:38:00,846 --> 00:38:03,682 - James: VERY FUNNY. - Kennedy: OKAY, THAT'S A LITTLE GROSS. 652 00:38:05,116 --> 00:38:07,853 - DID YOU HEAR SOMETHING? 653 00:38:09,054 --> 00:38:10,889 NO, NOTHING. 654 00:38:11,022 --> 00:38:14,159 THERE HAS TO BE A SPEAKER IN HERE OR SOMETHING. 655 00:38:14,292 --> 00:38:15,961 HEY, CHECK OVER THERE. 656 00:38:16,094 --> 00:38:17,829 NO. ABSOLUTELY NOT. 657 00:38:17,963 --> 00:38:20,131 I DON'T CARE IF YOU THINK THIS IS A PRANK OR WHATEVER, 658 00:38:20,265 --> 00:38:23,001 BUT THOSE THINGS ARE REAL, AND THEY HAVE REAL DEAD BODIES IN 'EM, 659 00:38:23,134 --> 00:38:25,136 SO UH-UH, I'M NOT DOING THAT. ABSOLUTELY NOT. 660 00:38:25,270 --> 00:38:27,806 CHECK THIS OUT. 661 00:38:27,939 --> 00:38:31,377 YOU GUYS THINK DR. KLEIN USED TO DO SOME WEIRD EXPERIMENTS DOWN HERE? 662 00:38:32,944 --> 00:38:35,814 - THANKS FOR THAT. REALLY. - SORRY. 663 00:38:35,947 --> 00:38:37,816 I HAVE AN IDEA. 664 00:38:37,949 --> 00:38:40,486 - FAMOUS LAST WORDS. - SERIOUSLY. 665 00:38:40,619 --> 00:38:42,988 IF THERE'S SOMETHING GOING ON, LET'S CATCH IT. 666 00:38:43,121 --> 00:38:44,856 HOW DO YOU EXPECT US TO DO THAT? 667 00:38:44,990 --> 00:38:47,258 BESIDES, WE'VE BEEN GONE, LIKE, A LONG TIME FROM SET. 668 00:38:47,393 --> 00:38:49,361 WE SHOULD PROBABLY GET BACK. 669 00:38:49,495 --> 00:38:52,664 AS MUCH AS I HATE TO ADMIT THIS, HE'S RIGHT. 670 00:38:52,798 --> 00:38:55,233 WE'RE BROKE, AND WE REALLY NEED THE MONEY. 671 00:38:55,367 --> 00:38:57,703 THE X-CAMS ARE IN THE TRUNK, RIGHT? 672 00:38:57,836 --> 00:38:59,905 - YES. - LET'S SET THEM UP, 673 00:39:00,038 --> 00:39:02,273 AND THEN WE CAN FIGURE OUT WHAT'S GOING ON. 674 00:39:02,408 --> 00:39:04,943 I SUPPOSE. THERE'S ONLY ONE PROBLEM WITH THAT. 675 00:39:05,076 --> 00:39:06,945 WHAT? 676 00:39:07,078 --> 00:39:09,915 IF I LEAVE HERE, I'M NOT COMING BACK, KENNEDY. 677 00:39:10,048 --> 00:39:13,018 OKAY, NO ONE'S JUMPED OUT AND SAID andquot;GOTCHA 678 00:39:13,151 --> 00:39:15,086 MEANING? 679 00:39:15,220 --> 00:39:17,288 GUYS, I'M STARTING TO THINK THIS ISN'T A PRANK. 680 00:39:17,423 --> 00:39:20,191 OKAY, ALL THE MORE REASON NOT TO COME BACK DOWN HERE. 681 00:39:20,325 --> 00:39:21,927 - EXACTLY. - OKAY, OKAY. 682 00:39:22,060 --> 00:39:24,029 IF THERE IS SOMETHING GOING ON, AND WE CATCH IT ON FILM, 683 00:39:24,162 --> 00:39:27,098 DO YOU KNOW HOW MUCH MONEY WE COULD MAKE FOR THAT? 684 00:39:27,232 --> 00:39:30,268 COME ON, GUYS, THINK ABOUT IT. REALLY. 685 00:39:32,838 --> 00:39:34,272 A LOT. 686 00:39:34,406 --> 00:39:36,475 A LOT LOT. 687 00:39:46,485 --> 00:39:49,154 ALL RIGHT, WE'RE ALL SET. 688 00:39:49,287 --> 00:39:51,923 - IT HAS A MOTION SENSOR? - YEAH, THE WORKS. 689 00:39:52,057 --> 00:39:53,058 WE'LL CALL IT X-CAM TWO FOR CLARITY. 690 00:39:53,191 --> 00:39:55,894 WHY TWO? 691 00:39:56,027 --> 00:39:58,129 BECAUSE IT'S FURTHER FROM WHERE WE'LL BE. 692 00:39:58,263 --> 00:40:00,799 - WE'LL PUT X-CAM ONE CLOSE TO THE EXIT. - COOL. 693 00:40:00,932 --> 00:40:02,934 - THAT'S IT? - THAT'S IT. 694 00:40:03,068 --> 00:40:07,639 LET'S HOOK THE OTHER ONE UP AND GET OUTTA HERE. SMILE. 695 00:41:01,392 --> 00:41:04,229 X-CAM ONE IS GOOD. NIGHT VISION'S ON. WE'RE SET. 696 00:41:04,362 --> 00:41:07,032 - AND IT'S HIDDEN ENOUGH? - NOBODY'LL SEE IT UP THERE. 697 00:41:07,165 --> 00:41:09,635 BUT WE'LL SEE ANYBODY COMING IN OR OUT, RIGHT? 698 00:41:09,768 --> 00:41:12,738 - THAT'S THE IDEA. - GOTCHA, SUCKERS. 699 00:41:16,908 --> 00:41:19,578 WHAT THE HELL ARE YOU GUYS DOING? 700 00:41:19,711 --> 00:41:21,580 WE WERE JUST EXPLORING A LITTLE BIT. 701 00:41:21,713 --> 00:41:23,982 ON MY TIME AND MY DIME. 702 00:41:24,115 --> 00:41:26,251 DIRK, IT SEEMS LIKE EVERYBODY'S WASTING YOUR DIMES. 703 00:41:26,384 --> 00:41:28,854 - I STILL DON'T EVEN KNOW WHO THE HELL YOU ARE. - STILL CORY. 704 00:41:28,987 --> 00:41:30,488 STILL DON'T GIVE A SHIT. 705 00:41:30,622 --> 00:41:32,357 NOW GET YOUR ASSES BACK IN THERE. 706 00:41:32,490 --> 00:41:34,225 I'M NOT PAYING YOU TO FILM DUST AND SPIDERS. 707 00:41:34,359 --> 00:41:36,494 YEAH, WE'RE READY FOR THE FIRST SHOT. 708 00:41:36,628 --> 00:41:39,364 - YOU GUYS NEED TO BE ON SET YESTERDAY. - WE'RE ON IT. 709 00:41:39,497 --> 00:41:41,399 I SHOULD'VE GIVEN YOU THIS EARLIER. 710 00:41:41,533 --> 00:41:43,535 TAKE IT IN CASE YOU WANDER OFF AGAIN. 711 00:41:45,436 --> 00:41:47,238 ALL RIGHT, LET'S GO. 712 00:41:50,842 --> 00:41:53,378 James: ANOTHER DAY, ANOTHER DOLLAR. 713 00:42:03,822 --> 00:42:06,291 ALL RIGHT, QUIET, EVERYBODY. 714 00:42:06,424 --> 00:42:09,360 - THIS IS THE FIRST SHOT. - Man: QUIET ON THE SET, PLEASE. QUIET. 715 00:42:10,461 --> 00:42:12,598 - SOUND. - SPEED. 716 00:42:12,731 --> 00:42:14,800 - CAMERA. - SPEED. 717 00:42:14,933 --> 00:42:16,568 - HOLD FOR SLATE. - JUST TAIL SLATE IT. 718 00:42:16,702 --> 00:42:18,536 GO AHEAD AND CALL IT, ALEC. 719 00:42:18,670 --> 00:42:20,706 ACTION! 720 00:42:20,839 --> 00:42:23,541 OH, NO. 721 00:42:23,675 --> 00:42:26,211 NOT YOU. 722 00:42:26,344 --> 00:42:29,648 I KNEW IT WAS YOU BEFORE I EVEN SAW YOU. 723 00:42:29,781 --> 00:42:34,052 UH... UH... 724 00:42:34,185 --> 00:42:36,221 - CUT! - DON'T CUT. KEEP ROLLING. 725 00:42:36,354 --> 00:42:39,057 - WHY DID YOU CUT? - YOU FUMBLED THE LINE. 726 00:42:39,190 --> 00:42:41,392 IT WAS A DRAMATIC PAUSE. 727 00:42:41,526 --> 00:42:44,562 andquot;UH... A DRAMATIC PAUSE. 728 00:42:44,696 --> 00:42:46,965 DON'T DO IT AGAIN! 729 00:42:47,098 --> 00:42:49,567 IT'S OKAY. WE'LL JUST GO BACK TO ONE. 730 00:42:49,701 --> 00:42:51,569 - WE STILL ROLLING? - STILL ROLLING. 731 00:42:51,703 --> 00:42:53,639 - YOU READY, TRISH? - I TOLD YOU NOT TO CALL ME THAT. 732 00:42:53,772 --> 00:42:56,074 ONLY MY FRIENDS CALL ME THAT. 733 00:42:56,207 --> 00:42:58,276 - YOU READY, TRICIA? - YES. 734 00:42:58,409 --> 00:43:01,112 - ALL RIGHT, EVERYBODY, BACK TO ONE. - AND ACTION. 735 00:43:04,182 --> 00:43:06,117 OH. 736 00:43:06,251 --> 00:43:09,120 OH, I, UH... 737 00:43:09,254 --> 00:43:12,157 NOT YOU. 738 00:43:12,290 --> 00:43:14,325 I KNEW IT WAS YOU. 739 00:43:15,593 --> 00:43:18,529 OH, I... OH, GODDAMN IT! 740 00:43:18,664 --> 00:43:20,699 - CUT! - THAT'S A CUT. 741 00:43:20,832 --> 00:43:22,968 - WHAT'S THE MATTER NOW? - THEY'RE IN MY GODDAMN EYE LIN 742 00:43:23,101 --> 00:43:25,303 NO, WE'RE NOT. YOU WERE LOOKING DOWN. 743 00:43:25,436 --> 00:43:27,272 - I MEAN... - NO, I WASN'T. 744 00:43:27,405 --> 00:43:29,507 YOU'RE MAKING FACES AT ME. ALL OF THEM WERE. 745 00:43:29,641 --> 00:43:32,143 - TRYING TO GET ME TO MESS UP. - NICE GOIN', GUYS. 746 00:43:32,277 --> 00:43:33,645 NO, WE'RE NOT. 747 00:43:33,779 --> 00:43:35,446 ACTUALLY, WE'RE IN THE CORNER, 748 00:43:35,580 --> 00:43:37,282 SO I DON'T SEE HOW WE'RE IN YOUR EYE LINE. 749 00:43:37,415 --> 00:43:41,319 THIS IS A SERIOUS CRAFT THAT TAKES YEARS OF TRAINING 750 00:43:41,452 --> 00:43:43,121 AND DEEP CONCENTRATION. 751 00:43:43,254 --> 00:43:45,390 I HAVE SPENT HOURS STUDYING THE LINES 752 00:43:45,523 --> 00:43:47,458 AND MAKING THEM MY OWN. 753 00:43:47,592 --> 00:43:50,195 I WILL NOT HAVE MY ART MOCKED BY SOMEONE 754 00:43:50,328 --> 00:43:53,164 AS UGLY AND TALENTLESS AS YOU. 755 00:43:53,298 --> 00:43:55,200 YOU NASTY LITTLE BITCH! 756 00:43:55,333 --> 00:43:57,302 LET'S TAKE FIVE, EVERYBODY. 757 00:43:57,435 --> 00:44:00,571 James: WHAT THE HELL JUST HAPPENED? 758 00:44:02,674 --> 00:44:05,844 - COME ON, KENNEDY, CHILL. - THIS IS NOT WHAT I SIGNED UP FOR. 759 00:44:09,681 --> 00:44:11,649 Dirk: ALEC, STAY FOCUSED HERE. 760 00:44:11,783 --> 00:44:14,219 -WE NEED TO KEEP MOVING. - YOU'RE ALL RIGHT. CHILL. 761 00:44:16,587 --> 00:44:19,424 I CAN'T BELIEVE YOU ALMOST HIT HER. 762 00:44:19,557 --> 00:44:21,827 I HAD TO, LIKE, HOLD YOU BACK. 763 00:44:21,960 --> 00:44:24,029 I FEEL LIKE I'M SHAKING RIGHT NOW. 764 00:44:24,162 --> 00:44:26,397 - Dirk: HOLD ON A SECOND. - Kennedy: OH, NO. 765 00:44:26,531 --> 00:44:28,767 - TURN THAT CAMERA OFF. - OKAY, I'M TURNING IT OFF. RELAX. 766 00:44:28,900 --> 00:44:31,569 THIS IS NOT A PART OF THE DOC, OKAY? 767 00:44:31,703 --> 00:44:33,671 - IT'S NOT GONNA GO IN. - ABSOLUTELY. 768 00:44:33,805 --> 00:44:35,506 I WANT YOU TO ERASE THE FOOTAGE. 769 00:44:35,640 --> 00:44:37,943 IF ANY OF THIS ENDS UP ONLINE, I WILL HUNT YOU DOWN. 770 00:44:38,076 --> 00:44:40,779 AUDIO, VIDEO ERASED, OR BALLS, TITS CHOPPED. 771 00:44:40,912 --> 00:44:43,581 I DIDN'T DO A DAMN THING TO HER. THAT BITCH NEEDS HELP. 772 00:44:43,715 --> 00:44:46,351 YEAH, WELL, AS LONG AS I CAN GET HER TO FOCUS HER SHIT FOR BRAINS 773 00:44:46,484 --> 00:44:48,519 LONG ENOUGH TO FINISH THIS FILM... 774 00:44:48,653 --> 00:44:50,789 TODAY WOULD BE NICE. 775 00:44:50,922 --> 00:44:54,192 BUT UNTIL THEN, AUDIO, VIDEO ERASED. GOT ME? 776 00:44:54,325 --> 00:44:57,729 - GOT IT. - DON'T SCREW WITH ME. 777 00:44:57,863 --> 00:45:00,531 I'LL SCREW BACK, HARD, AND NOT IN A GOOD WAY. 778 00:45:00,665 --> 00:45:03,534 RIGHT NOW, I HAVE TO COOL THAT BITCH DOWN. 779 00:45:03,668 --> 00:45:05,636 TELL HER I SAID HI. 780 00:45:09,307 --> 00:45:11,542 THAT'S TOTALLY GOIN' ONLINE. 781 00:45:11,676 --> 00:45:13,444 I AM SO PISSED. 782 00:45:13,578 --> 00:45:15,480 LET'S JUST GET SOME FRESH AIR. 783 00:45:20,485 --> 00:45:22,553 WHAT IS IT, THEN? 784 00:45:22,687 --> 00:45:25,256 SHE'S A BITCH. IT DOESN'T NEED AN EXPLANATION. 785 00:45:25,390 --> 00:45:27,092 THERE'S PLENTY OF OTHER WOMEN ON SET, 786 00:45:27,225 --> 00:45:29,460 AND SHE'S NOT TREATING ANY OF THEM LIKE THAT. 787 00:45:29,594 --> 00:45:31,596 YOU'RE THE HOT ONE. 788 00:45:31,729 --> 00:45:34,565 SHE'S THE TALENTLESS WHORE. BITCH CAN'T ACT. 789 00:45:34,699 --> 00:45:36,968 WHOSE DICK DID SHE SUCK TO GET THIS PART? 790 00:45:37,102 --> 00:45:39,304 - DIRK'S. - WHO'D THE DIRECTOR BLOW? 791 00:45:39,437 --> 00:45:41,172 DIRK. 792 00:45:41,306 --> 00:45:43,741 I AM SO SICK OF THESE ASSHOLES. 793 00:45:43,875 --> 00:45:47,745 - I'M JUST READY TO GIVE THE CHECK BACK. - WHOA, WAIT. WHAT? 794 00:45:47,879 --> 00:45:49,747 WHY ARE YOU LETTING HER GET TO YOU? 795 00:45:49,881 --> 00:45:51,749 - YEAH. - IT'S NOT HER. 796 00:45:51,883 --> 00:45:54,485 WE HAVE BEEN HERE ALL DAY, 797 00:45:54,619 --> 00:45:56,855 AND THEY STILL HAVEN'T GOTTEN THE FIRST SHOT OFF. 798 00:45:56,988 --> 00:45:59,457 HOW MANY WEEKS DO YOU GUYS WANNA PUT UP WITH THIS SHIT? 799 00:45:59,590 --> 00:46:01,459 MAYBE WE SHOULD TALK ABOUT IT BEFORE-- 800 00:46:01,592 --> 00:46:03,494 NO. SORRY, GUYS. I'M GONNA GO GET THE CAMERAS, 801 00:46:03,628 --> 00:46:05,797 AND GET THE HELL OUTTA HERE. 802 00:46:07,532 --> 00:46:10,268 ARE YOU SERIOUS? 803 00:46:10,401 --> 00:46:13,171 YOU WANNA GO BACK DOWN THERE? 804 00:46:14,772 --> 00:46:17,175 ALL RIGHT. 805 00:47:23,774 --> 00:47:26,344 - KENNEDY, COME ON. - KENNEDY. 806 00:47:26,477 --> 00:47:29,847 WAIT UP FOR US BEFORE YOU GO THROUGH THE DOOR. 807 00:47:29,981 --> 00:47:32,017 - KENNEDY! - KENNEDY. 808 00:47:32,150 --> 00:47:34,852 KENNEDY. 809 00:47:34,986 --> 00:47:37,889 YO, I LOVE THE GIRL, BUT SHE'S SO SENSITIVE. 810 00:47:38,023 --> 00:47:40,025 Both: KENNEDY! 811 00:47:41,492 --> 00:47:43,761 I GUESS WE'RE GOIN' TO GET HER. 812 00:47:43,895 --> 00:47:45,931 JESUS CHRIST. 813 00:48:03,681 --> 00:48:05,816 - KENNEDY? 814 00:48:10,821 --> 00:48:13,491 HEY. 815 00:48:13,624 --> 00:48:15,560 HEY. 816 00:48:16,661 --> 00:48:19,397 WHAT'S WRONG? 817 00:48:19,530 --> 00:48:21,899 SORRY. STUPID QUESTION. 818 00:48:22,033 --> 00:48:23,801 YOU REALLY WANNA GET BACK AT THAT BITCH, 819 00:48:23,935 --> 00:48:26,404 YOU GO BACK IN AND ACT LIKE NOTHING HAPPENED. 820 00:48:26,537 --> 00:48:28,739 IT'S NOT JUST HER. I KEEP TELLING YOU GUYS THAT. 821 00:48:28,873 --> 00:48:30,608 IT'S EVERYBODY. 822 00:48:30,741 --> 00:48:32,677 WELL, IT'S MAINLY HER. 823 00:48:32,810 --> 00:48:34,479 - SHUT UP. - SORRY. 824 00:48:34,612 --> 00:48:37,182 SERIOUSLY, WE NEED THE MONEY. 825 00:48:37,315 --> 00:48:40,085 BUT YOU KNOW HOW I FEEL ABOUT THIS JOB. 826 00:48:40,218 --> 00:48:43,088 JUST SAY THE WORD, AND WE UNPLUG RIGHT NOW. 827 00:48:47,558 --> 00:48:50,928 DOCUMENTARY CREW. 828 00:48:51,062 --> 00:48:53,298 THIS IS KENNEDY. OVER. 829 00:48:55,900 --> 00:48:57,935 GO FOR KENNEDY. OVER. 830 00:49:00,105 --> 00:49:01,839 PROBABLY JUST WANT US BACK ON SET. 831 00:49:01,973 --> 00:49:03,841 SO YOU'RE IN? 832 00:49:03,975 --> 00:49:06,611 I GUESS. 833 00:49:06,744 --> 00:49:09,514 I CAN TAKE THE ABUSE, BUT YOU HAVE TO PROMISE ME SOMETHING. 834 00:49:09,647 --> 00:49:11,482 UH-OH. 835 00:49:11,616 --> 00:49:14,452 PROMISE ME WE'RE GONNA MAKE OUR DOCUMENTARY. 836 00:49:14,585 --> 00:49:16,287 I PROMISE. 837 00:49:16,421 --> 00:49:18,389 YOU'RE NOT GONNA BE A JERK WHEN IT HAPPENS? 838 00:49:18,523 --> 00:49:20,225 MMM... MAYBE. 839 00:49:23,594 --> 00:49:25,530 COME ON. 840 00:49:49,420 --> 00:49:51,922 OKAY, WE'VE BEEN WALKING AROUND FOREVER. 841 00:49:52,057 --> 00:49:54,759 IT'S BECAUSE WE'RE LOST. 842 00:49:54,892 --> 00:49:57,995 CORY'S RIGHT. WE MUST'VE TAKEN A WRONG TURN SOMEWHERE. 843 00:49:58,129 --> 00:50:00,231 BUT THIS DOESN MAKE ANY SENSE. 844 00:50:00,365 --> 00:50:02,400 REALLY. THAT... THAT'S THE NURSES' STATION. 845 00:50:02,533 --> 00:50:04,535 HOW MANY TIMES HAVE WE WALKED PAST THAT TODAY? 846 00:50:04,669 --> 00:50:06,604 THERE'S GOTTA BE, LIKE, TEN OF THOSE IN THIS BUILDING, 847 00:50:06,737 --> 00:50:07,905 ALL THE SAME. 848 00:50:08,039 --> 00:50:10,075 ARE YOU GUYS CRAZY? 849 00:50:11,676 --> 00:50:13,778 OH, OKAY, YOU THINK I'M CRAZY. 850 00:50:13,911 --> 00:50:16,181 JUST BECAUSE I'M A GIRL, AND I GET A COUPLE KNOCKS TO MY EGO, 851 00:50:16,314 --> 00:50:18,049 NOW I'M THIS DELICATE LITTLE THING? 852 00:50:18,183 --> 00:50:20,385 - WE NEVER SAID THAT. - YOU DIDN'T HAVE TO SAY ANYTHING. 853 00:50:20,518 --> 00:50:22,620 YOU CAN BOTH GO SCREW YOURSELVES. 854 00:50:22,753 --> 00:50:24,855 WHOA, WHOA, RELAX. 855 00:50:24,989 --> 00:50:27,525 WE'RE OBVIOUSLY A LITTLE DISORIENTED HERE, ALL RIGHT. 856 00:50:27,658 --> 00:50:29,860 JUST CALM DOWN. 857 00:50:29,994 --> 00:50:32,029 DO YOU WANNA LEAD THE WAY? 858 00:50:32,163 --> 00:50:34,432 - YOU CALM DOWN, OKAY? - I'M CALM. 859 00:50:35,633 --> 00:50:37,768 JESUS. 860 00:50:52,650 --> 00:50:54,452 WAIT. LOOK. 861 00:50:56,154 --> 00:50:59,557 Cory: THERE THEY ARE. BUNCH OF IDIOTS. 862 00:50:59,690 --> 00:51:02,560 James: WE'RE THE ONES WHO CAN'T FIND THE WAY OUT. 863 00:51:02,693 --> 00:51:04,462 DAMN IT. 864 00:51:07,432 --> 00:51:09,734 THIS IS THE DOCUMENTARY CREW. OVER. 865 00:51:12,103 --> 00:51:14,605 IS ANYBODY THERE? OVER. 866 00:51:14,739 --> 00:51:18,509 - IS IT NOT WORKING? - WHAT DO WE DO NOW? 867 00:51:20,878 --> 00:51:22,613 HEY!! 868 00:51:22,747 --> 00:51:25,650 - COME ON. - ASSHOLES. 869 00:51:25,783 --> 00:51:27,818 UP HERE. HELLO! 870 00:51:29,120 --> 00:51:31,256 Tricia: YOU SEE ANYTHING GOOD? 871 00:51:31,389 --> 00:51:34,024 Grip: MM, NOTHING WORTH LOOKING AT. 872 00:51:34,159 --> 00:51:36,627 ARE YOU SURE? 873 00:51:36,761 --> 00:51:39,764 LITTLE TEASE. 874 00:51:41,532 --> 00:51:44,769 THAT'S... YEAH. THAT'S WORTH FILMING. 875 00:51:44,902 --> 00:51:47,605 HEY!! 876 00:51:47,738 --> 00:51:49,840 - HEY, YOU GUYS. - COME ON! 877 00:51:49,974 --> 00:51:51,709 ASSHOLES! HEY! 878 00:51:51,842 --> 00:51:53,611 HEY! 879 00:51:53,744 --> 00:51:56,514 PLAYING GRAB-ASS OUT THERE. 880 00:51:56,647 --> 00:51:59,950 - ASSHOLES! HELLO!! 881 00:52:00,084 --> 00:52:03,821 GOD, YOU ARE GONNA GET ME FIRED. YOU KNOW THAT? 882 00:52:03,954 --> 00:52:05,890 YOU'RE HOT. 883 00:52:06,023 --> 00:52:08,859 LET'S GO FIND A... I'M SURE THERE'S A ROOM IN HERE SOMEWHERE. 884 00:52:08,993 --> 00:52:10,795 - A ROOM? - SOMETHING. WHO KNOWS? 885 00:52:10,928 --> 00:52:12,830 HEY!! 886 00:52:12,963 --> 00:52:15,166 HEY, HEY!! 887 00:52:15,300 --> 00:52:17,635 PULL THAT DICK OUT OF YOUR EAR, DUDE. 888 00:52:17,768 --> 00:52:20,805 COME ON. HELLO! 889 00:52:20,938 --> 00:52:22,173 JESUS CHRIST. 890 00:52:22,307 --> 00:52:24,309 ARE YOU SURE YOU LIKE THAT? 891 00:52:24,442 --> 00:52:27,378 THIS IS BY FAR THE FUNNEST SET I'VE EVER WORKED ON. 892 00:52:27,512 --> 00:52:31,015 WHAT IS HE DOING? IS HE BLIND OR SOMETHING? 893 00:52:31,148 --> 00:52:33,218 DEAF, TOO, MAN. 894 00:52:33,351 --> 00:52:35,986 - THEY'RE IGNORING US. - WHERE ARE THEY GOING? 895 00:52:36,120 --> 00:52:38,155 - HEY! - HEY, YOU GUYS! 896 00:52:38,289 --> 00:52:41,158 - LOOK UP HERE! - HOW COME THEY'RE IGNORING US? 897 00:52:41,292 --> 00:52:43,828 SO CHILDISH. 898 00:52:43,961 --> 00:52:45,930 NOW WHAT? 899 00:52:46,063 --> 00:52:48,266 NOW... 900 00:52:48,399 --> 00:52:50,568 WE'RE GONNA HAVE TO FIND OUR WAY OUT. 901 00:52:50,701 --> 00:52:53,538 - WE'RE SMART PEOPLE, RIGHT - WELL, HE ISN'T. 902 00:52:53,671 --> 00:52:56,774 - REALLY? - COME ON. 903 00:53:16,026 --> 00:53:18,195 COME ON! 904 00:53:18,329 --> 00:53:20,731 - WE'VE BEEN HERE? - CORY, CHILL. CORY, CHILL OUT. 905 00:53:20,865 --> 00:53:24,635 AW, DUDE. I WANNA BE BACK ON SET. 906 00:53:24,769 --> 00:53:27,605 DUDE, WE ALL WANNA BE BACK ON SET. 907 00:53:31,175 --> 00:53:34,612 HE'S GONNA FIRE US. YOU UNDERSTAND THAT, RIGHT? 908 00:53:34,745 --> 00:53:37,248 HE'S NOT GONNA FIRE US. 909 00:53:43,153 --> 00:53:45,155 Kennedy: THE EXIT HAS TO BE THIS WAY. 910 00:53:45,290 --> 00:53:47,157 Cory: YEAH. 911 00:54:09,914 --> 00:54:12,750 ALL RIGHT, LET'S GO THIS WAY. I DON'T KNOW. 912 00:54:12,883 --> 00:54:14,752 - Kennedy: I DON'T KNOW EITHER. - COME ON, GO. 913 00:54:19,690 --> 00:54:22,693 I'M GETTING CREEPY-ASS VIBES HERE. 914 00:54:22,827 --> 00:54:25,363 ARE YOU SURE WE HAVEN'T GONE THIS WAY ALREADY? 915 00:54:25,496 --> 00:54:28,299 - DUDE, I DON'T KNOW. - IT'S UP HERE, YOU GUYS. 916 00:54:28,433 --> 00:54:30,801 WE HAVEN'T BEEN THIS WAY. 917 00:54:32,102 --> 00:54:33,671 SEE, REMEMBER THIS? 918 00:54:47,217 --> 00:54:50,388 - James: WHAT THE HELL? - WE'RE GOING IN CIRCLES! 919 00:54:50,521 --> 00:54:53,057 I KNOW THIS PLACE IS BIG, AND IT'S EASY TO GET TURNED AROUND, 920 00:54:53,190 --> 00:54:56,827 BUT THERE'S NO WAY POSSIBLE WE COULD END UP HERE AGAIN. 921 00:54:56,961 --> 00:54:58,496 WELL, WE DID, SO... 922 00:54:59,730 --> 00:55:02,199 THIS DOESN'T MAKE ANY SENSE. 923 00:55:02,333 --> 00:55:04,969 I HATE THIS. 924 00:55:05,102 --> 00:55:07,137 ALL RIGHT, LOOK, WE'RE OBVIOUSLY PISSED OFF 925 00:55:07,271 --> 00:55:09,407 AND IRRITATED RIGHT NOW, 926 00:55:09,540 --> 00:55:11,709 AND WE'RE MAKING STUPID MISTAKES. 927 00:55:11,842 --> 00:55:14,178 LET'S JUST TAKE A BREATH AND THINK ABOUT THIS. 928 00:55:14,311 --> 00:55:16,381 THERE'S NO WAY THAT THERE'S JUST ONE EXIT IN THIS BUILDING. 929 00:55:16,514 --> 00:55:18,416 DON'T WORRY, WEL FIND IT. 930 00:55:18,549 --> 00:55:20,851 I'M NOT WORRIED, I'M JUST ANGRY AT THIS POINT. 931 00:55:20,985 --> 00:55:22,720 STOP FILMING ME. 932 00:55:28,158 --> 00:55:30,260 Kennedy: IS THIS IT? 933 00:55:30,395 --> 00:55:32,830 - I DON'T KNOW... - WHERE ARE WE GOING? 934 00:55:32,963 --> 00:55:35,866 - CHILL OUT, GUYS. - WHY ARE YOU SO CALM, DUDE? 935 00:55:36,000 --> 00:55:38,168 - I WANNA GET OUT OF HERE. - I DON'T WANNA CHILL OUT. 936 00:55:38,302 --> 00:55:41,171 - I WANNA GET THE FUCK OUTTA HERE. - THERE'S NO FRICKIN' POINT. 937 00:55:41,305 --> 00:55:43,340 GO IN THERE. 938 00:55:43,474 --> 00:55:45,743 ACTING LIKE LITTLE BABIES. 939 00:55:48,178 --> 00:55:50,381 I TOLD YOU, IT'S THE OTHER WAY. 940 00:55:50,515 --> 00:55:54,919 BECAUSE YOU'VE BEEN STEERING US THE WRONG WAY. 941 00:55:55,052 --> 00:55:58,088 James: NO, IT'S NOT DOWN THIS WAY. WE'VE BEEN DOWN HERE. 942 00:55:58,222 --> 00:56:00,090 Cory: HOW DO YOU KNOW? 943 00:56:09,500 --> 00:56:12,069 Cory: WE'RE NOT GOING DOWN THAT WAY. 944 00:56:12,202 --> 00:56:14,872 James: STOP BEING A FUCKING PUSSY. 945 00:56:15,005 --> 00:56:17,408 WE'RE NOT GOING THAT WAY. 946 00:56:20,010 --> 00:56:22,613 THESE ARE ALL PROP LIGHTS. THERE'S ONLY PROP LIGHTS DOWN THERE. 947 00:56:22,747 --> 00:56:24,982 WE FOLLOW THIS WAY. IT MAKES SENSE. 948 00:56:26,984 --> 00:56:29,086 RIGHT? 949 00:56:29,219 --> 00:56:31,221 I SWEAR TO GOD, WE'VE BEEN DOWN HERE. 950 00:56:31,355 --> 00:56:33,157 THEN PICK A ROOM. I DON'T CARE. 951 00:56:33,290 --> 00:56:36,060 PICK ANY OF THESE ROOMS, ALL RIGHT? THEY'LL LEAD SOMEWHERE. 952 00:56:36,193 --> 00:56:39,296 THAT'S WHAT WE'VE BEEN DOING THE ENTIRE FUCKING TIME, DUDE. 953 00:56:41,966 --> 00:56:44,234 Cory: YOU WANNA GO THIS WAY OR THAT WAY? 954 00:56:44,368 --> 00:56:47,938 I DON'T KNOW. IS IT DOWN OVER HERE? 955 00:56:48,072 --> 00:56:51,809 IT'S ALL RIGHT. IT'S OKAY. 956 00:57:03,788 --> 00:57:05,923 WE'VE BEEN DOWN THERE. 957 00:57:06,056 --> 00:57:08,926 - WHAT? - I DON'T THINK WE'VE BEEN THIS WAY. 958 00:57:09,059 --> 00:57:10,928 YOU WANNA TRY IT? 959 00:57:11,061 --> 00:57:13,698 IT ALL LOOKS THE SAME TO ME. 960 00:57:18,769 --> 00:57:22,206 YOU GUYS, THIS MAY NOT BE A GOOD TIME, 961 00:57:22,339 --> 00:57:23,808 BUT I HAVE TO PEE. 962 00:57:23,941 --> 00:57:26,677 - OH, JESUS. - ACTUALLY, ME, TOO. 963 00:57:35,953 --> 00:57:39,456 Dirk: KENNEDY? KENNEDY! 964 00:57:39,590 --> 00:57:41,959 WHERE'S MY FRICKIN' DOC CREW? 965 00:57:42,092 --> 00:57:46,363 WHERE ARE YOU GUYS? I AM BEYOND NUCLEAR PISSED. 966 00:57:46,497 --> 00:57:48,465 KENNEDY! 967 00:58:01,145 --> 00:58:03,914 THERE'S AN EXIT DOWN HERE, BUT IT'S ALL CHAINED UP. 968 00:58:04,048 --> 00:58:06,216 COME ON, GUYS. 969 00:58:06,350 --> 00:58:09,253 - WHAT ARE YOU DOING? PLAYING WITH YOURSELF? 970 00:58:09,386 --> 00:58:11,355 NOPE. YOU ARE. 971 00:58:15,860 --> 00:58:18,495 I THINK I HEAR DIRK. 972 00:58:18,629 --> 00:58:20,898 - YEAH? - YEAH. COME ON. 973 00:58:28,639 --> 00:58:30,507 WHOA, WHOA, WHOA. WAIT, WAIT. 974 00:58:32,042 --> 00:58:34,545 - WHAT IS THAT? - SH, SH. 975 00:58:45,856 --> 00:58:48,125 WHERE'S IT COMING FROM? 976 00:58:50,060 --> 00:58:51,962 THAT DOOR? 977 00:58:54,131 --> 00:58:56,533 - OPEN IT. - WHAT? 978 00:58:56,667 --> 00:58:58,268 - OPEN IT. - I'M NOT... 979 00:58:58,402 --> 00:59:00,370 I GOT THE LIGHT. JUST OPEN IT. 980 00:59:03,908 --> 00:59:06,611 OKAY, WHEN I OPEN IT, SHINE THE LIGHT IN. 981 00:59:06,744 --> 00:59:08,779 OKAY. JUST OPEN IT. 982 00:59:12,883 --> 00:59:15,252 - THERE'S NOTHING. - JUST A CREEPY OLD ROOM. 983 00:59:15,385 --> 00:59:17,554 Kennedy: THERE'S NOTHING IN THERE? - Both: NO. 984 00:59:19,256 --> 00:59:21,258 IT'S SO WEIRD. 985 00:59:22,693 --> 00:59:25,663 - YOU STILL HEAR IT? - I DON'T HEAR ANYTHING. 986 00:59:33,671 --> 00:59:35,439 GET THE MIC. 987 00:59:50,254 --> 00:59:52,156 Dirk: KENNEDY! 988 00:59:52,289 --> 00:59:55,192 KENNEDY, WHERE THE HELL ARE YOU GUYS? 989 00:59:55,325 --> 00:59:56,994 JESUS! 990 00:59:59,363 --> 01:00:03,267 YOU'RE BECOMING A LOT MORE TROUBLE THAN YOU'RE WORTH, GUYS. 991 01:00:03,400 --> 01:00:06,036 COME ON, WHERE ARE YOU? 992 01:00:09,907 --> 01:00:13,644 KENNEDY! COME OUT HERE RIGHT NOW! 993 01:00:15,212 --> 01:00:18,282 DO YOU HAVE ANY IDEA WHAT I'M PAYING 994 01:00:18,415 --> 01:00:20,617 FOR THIS FRICKIN' SHOOT? 995 01:00:20,751 --> 01:00:24,889 HUH? I'M GONNA MAKE YOU PAY ALL OF IT. 996 01:00:26,556 --> 01:00:28,659 I WAS JUST HERE. 997 01:00:31,128 --> 01:00:33,798 PETER? PETER, KENNEDY? 998 01:00:33,931 --> 01:00:36,166 I WAS JUST... 999 01:00:36,300 --> 01:00:38,368 I WAS JUST OVER... 1000 01:00:38,502 --> 01:00:41,171 WHAT THE HELL'S GOIN' ON, GUYS? COME ON. 1001 01:00:41,305 --> 01:00:43,674 OKAY, THIS IS RIDICULOUS. 1002 01:00:47,077 --> 01:00:48,913 JESUS! 1003 01:01:24,281 --> 01:01:27,785 - I HEARD SOMEBODY. 1004 01:01:27,918 --> 01:01:29,854 - ARE YOU SERIOUS? - LISTEN. 1005 01:01:29,987 --> 01:01:32,289 DID YOU HEAR THAT? 1006 01:01:32,422 --> 01:01:34,191 I JUST HEARD IT. 1007 01:01:34,324 --> 01:01:36,794 IT'S COMING FROM OVER THERE. 1008 01:01:36,927 --> 01:01:39,196 GUYS, IT'S THEM MESSING WITH US, OKAY? 1009 01:01:39,329 --> 01:01:41,766 - IT SOUNDS LIKE TRICIA. - NO, IT'S NOT TRICIA. 1010 01:01:41,899 --> 01:01:44,268 I DON'T CARE, IF SHE CAN GET US THE HELL OUT OF HERE 1011 01:01:44,401 --> 01:01:46,703 - TRICIA! - IT'S NOT TRICIA. 1012 01:01:46,837 --> 01:01:49,139 - TRICIA! - SHUT UP! 1013 01:01:51,475 --> 01:01:53,143 Cory: TRICIA! 1014 01:01:59,750 --> 01:02:02,219 YOUR CAMERA'S GETTING MORE PLAY THAN I AM. 1015 01:02:02,352 --> 01:02:06,123 YOU'RE GETTING SOMETHING, TOO. 1016 01:02:20,704 --> 01:02:23,507 WHOA, TRISH, HEY, I... 1017 01:02:23,640 --> 01:02:26,243 JUST SHUT UP. 1018 01:02:26,376 --> 01:02:29,313 I GUESS THIS IS PRETTY SECLUDED. 1019 01:02:30,848 --> 01:02:33,784 TAKE YOUR SHIRT OFF RIGHT NOW. 1020 01:02:33,918 --> 01:02:37,421 TRISH, UM, I DON'T KNOW ABOUT THIS. 1021 01:02:37,554 --> 01:02:39,824 OKAY. 1022 01:02:39,957 --> 01:02:42,192 - TAKE THIS OFF. - I'M TRYING. 1023 01:02:42,326 --> 01:02:44,494 GEEZ, CALM DOWN. 1024 01:02:44,628 --> 01:02:47,431 TRISH, UM... 1025 01:02:47,564 --> 01:02:50,267 I DON'T KNOW ABOUT THIS 1026 01:02:50,400 --> 01:02:52,469 IN HERE, YOU KNOW. IT'S, UH... 1027 01:02:52,602 --> 01:02:54,504 YOU DON'T KNOW ABOUT THIS? 1028 01:02:54,638 --> 01:02:56,106 ARE YOU SURE? 1029 01:02:56,240 --> 01:02:59,543 YEAH, I AM, BUT IN HERE, IT'S... A MORGUE. 1030 01:03:05,749 --> 01:03:08,953 WELL, I'VE NEVER MADE A HORROR MOVIE BEFORE. 1031 01:03:18,462 --> 01:03:21,298 A BETTER MOVIE THAN WHAT THEY'RE MAKING. 1032 01:03:21,431 --> 01:03:23,467 LOOK AT THE CAMERA. 1033 01:03:23,600 --> 01:03:24,869 I... I... OKAY. 1034 01:03:29,339 --> 01:03:30,841 I LOVE HORROR MOVIES. 1035 01:03:30,975 --> 01:03:32,709 - OKAY? - YEAH, IT'S FINE. 1036 01:03:32,843 --> 01:03:34,511 THAT'S FINE. EXACTLY. 1037 01:03:35,980 --> 01:03:38,315 TRICIA! IT'S COMING FROM OVER THERE. 1038 01:03:38,448 --> 01:03:40,484 - TRICIA. - TRICIA! 1039 01:03:40,617 --> 01:03:42,586 TRICIA! 1040 01:03:42,719 --> 01:03:45,555 YOU ARE AMAZING. 1041 01:03:49,159 --> 01:03:52,429 WHOA, WHAT'S THAT? WHAT'S UP WITH THE LIGHTS? 1042 01:03:52,562 --> 01:03:54,932 - WHO CARES? - YOU'RE RIGHT. 1043 01:03:55,065 --> 01:03:57,734 OH, MY GOD! 1044 01:04:01,771 --> 01:04:05,409 OH, MY GOD! 1045 01:04:22,726 --> 01:04:24,895 - HOLY SHIT! 1046 01:04:25,029 --> 01:04:27,364 - OH, MY GOD! - THAT'S NOT REAL. IT'S NOT REAL. 1047 01:04:27,497 --> 01:04:30,901 IS THAT REAL? FUCK, FUCK, SHIT! 1048 01:04:33,170 --> 01:04:35,205 CORY, JUST CHILL OUT, ALL RIGHT? 1049 01:04:35,339 --> 01:04:37,374 DON'T FUCKIN' TELL ME TO CHILL OUT! 1050 01:04:37,507 --> 01:04:39,043 SHUT UP! 1051 01:04:39,176 --> 01:04:42,712 I DIDN'T WANNA BE HERE IN THE FIRST PLACE! 1052 01:04:42,846 --> 01:04:45,815 WE JUST HAVE TO THINK. JUST THINK. 1053 01:04:47,517 --> 01:04:50,487 ALL RIGHT, SOMEBODY'S TRYING TO RIP OUR FACES OFF. 1054 01:04:50,620 --> 01:04:52,957 CORY, SHUT UP, ALL RIGHT? 1055 01:04:53,090 --> 01:04:54,591 TRY THE WALKIE, TRY THE WALKIE. 1056 01:04:54,724 --> 01:04:56,726 THERE'S GOTTA BE SOMEBODY. 1057 01:05:03,600 --> 01:05:06,736 IT'S AN E.V.P. 1058 01:05:06,870 --> 01:05:09,506 WHAT ARE YOU TALKING ABOUT? WHAT IS THAT? SPEAK ENGLISH. 1059 01:05:09,639 --> 01:05:14,778 ELECTRIC VOICE PHENOMENON. 1060 01:05:14,911 --> 01:05:17,081 WHAT IS IT? I DON'T KNOW WHAT THAT IS, ALL RIGHT? 1061 01:05:20,784 --> 01:05:24,021 IT'S GHOST VOICES, MAN. 1062 01:05:24,154 --> 01:05:26,790 IT'S FUCKIN' DEAD PEOPLE TALKIN', MAN, 1063 01:05:26,923 --> 01:05:29,093 THAT'S WHAT THIS IS. 1064 01:05:29,226 --> 01:05:31,461 THAT'S WHAT'S GOING ON. IT'S NOT A FUCKING PRANK. 1065 01:05:31,595 --> 01:05:34,631 THERE ARE DEAD PEOPLE IN HERE, AND THEY'RE GONNA KILL US! 1066 01:05:34,764 --> 01:05:37,601 CORY, WE'RE GONNA BE FINE, ALL RIGHT? WE'RE GONNA BE ALL RIGHT. 1067 01:05:37,734 --> 01:05:40,704 PETER. PETER! 1068 01:05:40,837 --> 01:05:42,306 ANYBODY, PLEASE. 1069 01:06:07,998 --> 01:06:10,700 YOU GUYS, I CAN'T BE HERE. I CAN'T BE HERE. 1070 01:06:10,834 --> 01:06:12,636 Both: CORY!! 1071 01:06:12,769 --> 01:06:14,071 - CORY! - WAIT! 1072 01:06:18,475 --> 01:06:20,744 - OH, MY GOD. - CORY. 1073 01:06:20,877 --> 01:06:22,679 nnedy: CORY! 1074 01:06:22,812 --> 01:06:25,015 - James: CORY. - CORY! 1075 01:06:25,149 --> 01:06:27,517 JESUS CHRIST. 1076 01:06:31,988 --> 01:06:34,891 - CORY! - CORY, THANK GOD. 1077 01:06:36,593 --> 01:06:39,496 - ARE YOU OKAY? - WE'RE GONNA DIE. 1078 01:06:39,629 --> 01:06:41,598 - WE'RE GONNA DIE. - YOU CAN'T RUN AWAY FROM US LIKE THAT. 1079 01:06:41,731 --> 01:06:43,567 - WE'RE GONNA DIE. - WE'RE GONNA BE FINE. 1080 01:06:43,700 --> 01:06:45,735 - SHUT UP, CORY. - WE JUST HAVE TO STICK TOGETHER. 1081 01:06:49,473 --> 01:06:51,841 DON'T GO IN THERE, PLEASE. 1082 01:06:51,975 --> 01:06:55,445 DON'T SHINE A LIGHT. I DON'T WANNA SEE ANYTHING. 1083 01:06:55,579 --> 01:06:57,547 I WANNA GO. I WANNA GO. 1084 01:07:02,852 --> 01:07:05,355 James: GUYS, IT'S THE SAME AS IT WAS BEFORE. 1085 01:07:05,489 --> 01:07:08,092 WE'RE FINE, WE'RE FINE, I SWEAR. 1086 01:07:13,530 --> 01:07:15,732 - THAT'S ALEC. - IT'S ALEC. 1087 01:07:31,681 --> 01:07:33,783 Kennedy: CORY! WHERE DID HE GO? 1088 01:07:33,917 --> 01:07:35,319 WHERE DID CORY GO? 1089 01:07:36,920 --> 01:07:38,755 HE'S STILL BEHIND US. 1090 01:07:47,864 --> 01:07:50,800 - James: CORY. - CORY? 1091 01:08:08,852 --> 01:08:12,922 James: OH, MY GOD. JESUS. 1092 01:08:14,958 --> 01:08:16,860 CORY. 1093 01:08:18,862 --> 01:08:21,531 - COR? - CORY? 1094 01:08:24,234 --> 01:08:26,035 CORY? 1095 01:08:28,538 --> 01:08:29,839 CORY? 1096 01:08:30,874 --> 01:08:33,177 Both: CORY! 1097 01:08:35,879 --> 01:08:37,814 COME ON, CORY. 1098 01:08:40,550 --> 01:08:42,152 CORY? 1099 01:08:42,286 --> 01:08:44,388 WHERE'D HE GO? 1100 01:08:48,158 --> 01:08:50,627 OH, MY GOD. 1101 01:08:50,760 --> 01:08:52,296 CORY? 1102 01:08:55,232 --> 01:08:57,401 COR? 1103 01:08:59,068 --> 01:09:01,805 BUDDY? 1104 01:09:01,938 --> 01:09:03,973 CORY? 1105 01:09:04,107 --> 01:09:05,642 HEY, SLOW DOWN. 1106 01:09:07,577 --> 01:09:09,679 WHERE ARE YOU, BUDDY? 1107 01:09:14,751 --> 01:09:16,186 CORY! 1108 01:09:16,320 --> 01:09:18,722 CORY, WHERE ARE YOU? 1109 01:09:18,855 --> 01:09:20,757 TAPE'S STILL RUNNING. 1110 01:09:20,890 --> 01:09:22,692 WE DON'T HAVE TIME FOR THIS. 1111 01:09:22,826 --> 01:09:24,994 Cory: PLEASE LEAVE ME ALONE. 1112 01:09:25,128 --> 01:09:26,095 PLEASE GET BACK. 1113 01:09:26,230 --> 01:09:27,931 CAN YOU HEAR ANYTHING? 1114 01:09:28,064 --> 01:09:29,233 - PLEASE, NO, NO. 1115 01:09:29,366 --> 01:09:31,601 DUDE, CAN YOU HEAR ANYTHING? 1116 01:09:43,813 --> 01:09:45,282 James: OH, FUCK! 1117 01:09:45,415 --> 01:09:47,083 OH, MY GOD! 1118 01:09:47,217 --> 01:09:51,087 KENNEDY, WE GOTTA GET OUTTA HERE. WE GOTTA GO. 1119 01:09:51,221 --> 01:09:53,357 WE GOTTA GO. COME ON. 1120 01:09:53,490 --> 01:09:56,226 KENNEDY, WE GOTTA GO. WE GOTTA GO! 1121 01:09:56,360 --> 01:09:59,028 COME ON, RUN. WE GOTTA RUN. 1122 01:09:59,162 --> 01:10:01,197 RUN, KENNEDY! RUN! 1123 01:10:03,967 --> 01:10:06,035 - GO, KENNEDY, GO! - JAMES! 1124 01:10:06,169 --> 01:10:08,405 GO!! RUN!! 1125 01:11:10,967 --> 01:11:13,837 Peter: HELLO? ANYBODY HERE? 1126 01:11:33,723 --> 01:11:36,125 HELLO! 1127 01:11:38,094 --> 01:11:41,331 HELLO! ANYBODY HERE? 1128 01:11:41,465 --> 01:11:44,634 I BROUGHT THE POLICE. 1129 01:11:44,768 --> 01:11:48,304 DIRK? WHERE THE HELL IS EVERYBODY? 1130 01:11:49,172 --> 01:11:51,708 OH, MY GOD. 1131 01:11:51,841 --> 01:11:54,243 OH, MY GOD. WHAT HAPPENED HERE?