1 00:00:00,000 --> 00:00:03,860 I truly lost way too much sleep over this. 2 00:00:04,560 --> 00:00:05,740 She says, choking. 3 00:00:13,480 --> 00:00:16,560 Hey, what's going on everybody? For First We Feast, I'm Sean Evans and 4 00:00:16,560 --> 00:00:19,520 watching Hot Ones. It's the show with hot questions and even hotter wings. 5 00:00:19,760 --> 00:00:21,260 And today we're joined by Emily Blunt. 6 00:00:21,820 --> 00:00:24,680 She's a Golden Globe award -winning actor and true to form on quite the run 7 00:00:24,680 --> 00:00:27,900 year with the recent release of The Devil Wears Prada 2. And now you can 8 00:00:27,900 --> 00:00:31,300 her in Steven Spielberg's latest sci -fi film, Disclosure Day, which is set to 9 00:00:31,300 --> 00:00:34,860 release in theaters on June 12th. Emily Blunt, welcome to the show. Thank you so 10 00:00:34,860 --> 00:00:37,320 much. Very sleepless night. 11 00:00:37,660 --> 00:00:39,260 You're nervous. I'm so scared. 12 00:00:39,600 --> 00:00:40,920 My heart's like pounding. 13 00:00:41,200 --> 00:00:43,620 How would you describe your relationship with spicy food? 14 00:00:44,220 --> 00:00:48,880 Well, I mean, in England, you grow up eating a lot of curries or a cuzza. 15 00:00:49,840 --> 00:00:55,260 as we say on the street. But I don't know. I feel like I don't want to foam 16 00:00:55,260 --> 00:00:58,240 runway that I'm going to be good at this. Like, what if I tank? 17 00:01:20,360 --> 00:01:24,860 Are yours all like mine, or are yours... Exactly the same. If you wanted to 18 00:01:24,860 --> 00:01:26,320 switch paddles, I'd be down. 19 00:01:26,520 --> 00:01:27,520 Okay. 20 00:01:30,620 --> 00:01:31,620 That was too bad. 21 00:01:33,900 --> 00:01:34,900 Okay. 22 00:01:35,040 --> 00:01:36,040 Nice. 23 00:01:39,840 --> 00:01:41,300 That's what Shishido said. 24 00:01:41,500 --> 00:01:42,500 Oh, that's good. 25 00:01:43,210 --> 00:01:46,710 There's a scene in the movie where your character, a meteorologist on live 26 00:01:46,710 --> 00:01:52,430 television, has this almost jarring kind of vocal transformation and speaking in 27 00:01:52,430 --> 00:01:56,510 clicks and tongues. How do you even approach a scene like that as an 28 00:01:56,570 --> 00:01:58,330 That seems like such a singular sequence. 29 00:01:58,730 --> 00:02:03,770 It was. And even kind of leading up to that moment where she starts speaking in 30 00:02:03,770 --> 00:02:05,730 this non -human language. 31 00:02:06,950 --> 00:02:11,370 It's a four minute one that we shot that leads up to that moment. 32 00:02:12,310 --> 00:02:16,210 where she's gradually sort of disintegrating. 33 00:02:16,910 --> 00:02:21,570 Did you hear that? I did. I think the boom will catch that. What the actual F 34 00:02:21,570 --> 00:02:22,570 was that? 35 00:02:22,810 --> 00:02:28,030 Is that like panic or is it that's what Shishido said? That is what Shishido 36 00:02:28,030 --> 00:02:28,789 said, guys. 37 00:02:28,790 --> 00:02:30,190 That's exactly what she said. 38 00:02:32,490 --> 00:02:37,190 I actually could have used this on the set of Disclosure Day. That was a 39 00:02:37,190 --> 00:02:38,190 alien language. 40 00:02:39,850 --> 00:02:43,050 You know, there's various ways you could do it. You could go the AI route, which 41 00:02:43,050 --> 00:02:48,150 I'm a bit terrified of. I thought I could make some real, really strange 42 00:02:48,150 --> 00:02:49,270 that you've all just seen. 43 00:02:50,330 --> 00:02:56,790 So I said, maybe I could come in and we'll just do a range of weird sounds. 44 00:02:56,990 --> 00:03:02,390 And it's what we did. And I did sort of the clicking sounds. I did sort of 45 00:03:02,390 --> 00:03:06,510 humming sounds, consonant sounds, breathing strange sounds. 46 00:03:07,580 --> 00:03:11,240 And what we did was we put one microphone here and one here. 47 00:03:11,780 --> 00:03:15,300 And so it kind of captures it in a really weird way, and then the sound 48 00:03:15,300 --> 00:03:18,500 went away and created that weird sound. 49 00:03:23,480 --> 00:03:24,520 It's like egg slump. 50 00:03:25,120 --> 00:03:26,120 Okay. 51 00:03:26,880 --> 00:03:29,600 What if my throat gurgles get increasingly... 52 00:03:30,190 --> 00:03:34,250 worse and people think i am actually an alien well you talk about the imprints 53 00:03:34,250 --> 00:03:38,230 of a film you know like that you leaving an imprint on the episode you know 54 00:03:38,230 --> 00:03:44,950 it'll last forever you remember you remembered for all time yeah so maybe 55 00:03:44,950 --> 00:03:49,630 have just a swig because i'm i've heard if you do water it kind of spreads it 56 00:03:49,630 --> 00:03:53,130 around right well thanks for bringing the chocolate shakes in today wow that's 57 00:03:53,130 --> 00:03:58,570 thick like a mcdonald's one that's a good shake though 58 00:03:59,730 --> 00:04:00,730 That's amazing. 59 00:04:01,770 --> 00:04:04,830 Maybe like the best chocolate shake I've ever had in my life. Where'd you guys 60 00:04:04,830 --> 00:04:05,830 get that? 61 00:04:06,050 --> 00:04:07,050 That's fantastic. 62 00:04:08,000 --> 00:04:10,540 Okay. I'm good. That helped. It does. Didn't that help? 63 00:04:10,780 --> 00:04:12,120 Just keep it at the ready. Okay. 64 00:04:12,460 --> 00:04:16,360 So we had Cate Blanchett on the show. She talked about feeling regret on the 65 00:04:16,360 --> 00:04:19,980 final day of filming. The corners of my mouth are hitting. Yeah. Let me know. 66 00:04:20,079 --> 00:04:24,020 Let me know. She talked about feeling regret on the final day of a film shoot 67 00:04:24,020 --> 00:04:27,060 because it's then when she feels like she finally understands the character. 68 00:04:27,420 --> 00:04:31,900 Does that at all ring true to you? And if so, is there a role from your career 69 00:04:31,900 --> 00:04:34,260 that you sometimes wish you could revisit with fresh eyes? 70 00:04:34,820 --> 00:04:35,820 I have. 71 00:04:36,240 --> 00:04:41,120 been known to like two months after I wrap a movie, if I'm like driving the 72 00:04:41,120 --> 00:04:44,760 somewhere, I'll suddenly go, that's how you should have played it. Like I'll 73 00:04:44,760 --> 00:04:48,980 just have this memory of a line that I didn't feel was right. 74 00:04:49,260 --> 00:04:53,440 And it's hard because, you know, when you're doing a film, I mean, some people 75 00:04:53,440 --> 00:04:56,880 like to watch playback. I don't really watch anything while I'm filming. So 76 00:04:56,880 --> 00:05:01,000 you're seeing it from the inside out. And then when you first see it back at 77 00:05:01,000 --> 00:05:02,960 yourself, I tend to kind of. 78 00:05:04,000 --> 00:05:08,020 pick myself apart a little bit. So maybe that's when I'm filled with a bit of 79 00:05:08,020 --> 00:05:09,020 regret. 80 00:05:09,560 --> 00:05:12,200 But I think that's okay. 81 00:05:12,500 --> 00:05:15,080 Like, that's sort of how you self -correct and how you learn. 82 00:05:15,380 --> 00:05:18,760 I'm trying to think of parts I've played where I'm like, you really shit the bed 83 00:05:18,760 --> 00:05:19,760 on that one. 84 00:05:19,960 --> 00:05:23,000 Look at me, I'm being like, all my performances have been great. 85 00:05:24,800 --> 00:05:29,480 No, I'm sure there's stuff, I wouldn't say as a whole, but there's moments and 86 00:05:29,480 --> 00:05:31,160 scenes that I'm just like... 87 00:05:32,200 --> 00:05:35,860 Someone should have put a choke chain on me or something, you know. I could have 88 00:05:35,860 --> 00:05:36,860 pulled that in a bit. 89 00:05:41,100 --> 00:05:47,900 Now, I like Sriracha, but this one... Mm -hmm. 90 00:05:48,720 --> 00:05:49,720 Skeptical going in. 91 00:05:51,820 --> 00:05:55,320 Weirdly, that one's better than the hot aubergine. 92 00:05:59,210 --> 00:06:01,770 Okay, and maybe because I'm kind of used to sriracha. 93 00:06:02,110 --> 00:06:05,210 Every pepper is going to affect you differently. In effect, you know, the 94 00:06:05,210 --> 00:06:08,670 person down the line differently, you know? Which one affects you, Sean? 95 00:06:09,830 --> 00:06:13,570 All of them. Like, I've kind of, you know, become familiar with these tastes, 96 00:06:13,590 --> 00:06:16,570 just like you with sriracha. Like, I'm familiar with the uncomfortable. 97 00:06:16,850 --> 00:06:18,850 Okay. And therefore more comfortable in the uncomfortable. 98 00:06:19,310 --> 00:06:23,770 Don't tell Bear Grylls that. He will make you do some terrible things. I feel 99 00:06:23,770 --> 00:06:25,550 all the same, though. Okay. I feel it all the same. 100 00:06:26,300 --> 00:06:29,920 So quotes like, I'm just one stomach flew away from my goal weight have 101 00:06:29,920 --> 00:06:36,260 all -time movie quotes. Do you think it's harder to make a quotable movie 102 00:06:36,260 --> 00:06:37,219 these days? 103 00:06:37,220 --> 00:06:41,320 You know, it's like lines from Zoolander or Anchorman or The Devil Wears Prada 104 00:06:41,320 --> 00:06:43,140 that used to be baked right into the lexicon. 105 00:06:43,800 --> 00:06:44,800 Yeah. 106 00:06:45,260 --> 00:06:50,680 But I also think those quotes sort of amplify with time. I think when The 107 00:06:50,680 --> 00:06:53,960 Wears Prada first came out, I think people thought it was really funny. I 108 00:06:53,960 --> 00:06:55,400 it was over time that it... 109 00:06:55,870 --> 00:06:57,910 built this sort of meteoric following. 110 00:06:58,750 --> 00:07:03,070 I think Aileen Brosh McKenna writes incredibly memeable. 111 00:07:03,430 --> 00:07:06,210 Is it gif -able or gif -able? I never know. 112 00:07:06,410 --> 00:07:09,310 I would say gif -able, but I think it is actually technically gif -able. 113 00:07:09,430 --> 00:07:11,570 Perfect. We've covered all grounds. 114 00:07:12,810 --> 00:07:16,570 Not to encourage this kind of behavior, but do you have an all -time favorite 115 00:07:16,570 --> 00:07:20,110 line of yours to get quoted back at you by fans in the wild? 116 00:07:20,690 --> 00:07:25,160 Definitely. And the one I'm happy people quote to me is because it was it was a 117 00:07:25,160 --> 00:07:28,440 line that I improvised, is where I went, yeah, I'm hearing this, and I want to 118 00:07:28,440 --> 00:07:29,440 hear this. 119 00:07:29,600 --> 00:07:34,760 And that is done to me quite a lot. And I like that. 120 00:07:39,520 --> 00:07:40,780 Black -eyed Susan. 121 00:07:41,480 --> 00:07:44,220 I wonder who she is. 122 00:07:44,460 --> 00:07:45,460 Legend. 123 00:07:50,400 --> 00:07:53,640 I've got kind of a fur on it, which I'm not loving. 124 00:07:56,130 --> 00:08:01,010 Yeah, that's got a little sting on it afterwards, but that's fine. 125 00:08:01,670 --> 00:08:02,850 It tastes nice. 126 00:08:03,530 --> 00:08:07,350 What's the most Tom Cruise thing you saw Tom Cruise do on the set of Edge of 127 00:08:07,350 --> 00:08:08,350 Tomorrow? 128 00:08:09,050 --> 00:08:13,150 We were doing this scene where we were in a drop ship, and we're in those 129 00:08:13,150 --> 00:08:14,190 massive armored suits. 130 00:08:15,430 --> 00:08:19,970 And when you're surrounded by Tom Cruise's enthusiasm, it kind of bleeds 131 00:08:19,970 --> 00:08:23,870 you, and you feel like you can't let him down by complaining about anything. 132 00:08:25,080 --> 00:08:27,180 Very powerful force coming off him. 133 00:08:27,640 --> 00:08:32,480 But we were in this drop ship, and I'd kind of had it. It was very hot in 134 00:08:32,679 --> 00:08:38,620 My suit weighed 80 pounds, and I'm in a harness being lifted up, so the entire 135 00:08:38,620 --> 00:08:45,620 weight of my body and 85 pounds is on my nether regions, and I'm not 136 00:08:45,620 --> 00:08:49,220 feeling great about it, wondering if I'll be able to have children one day. 137 00:08:49,640 --> 00:08:54,120 And we're swinging there, and I could see Tom. 138 00:08:54,760 --> 00:08:57,500 The enthusiasm was starting to unravel a little bit. 139 00:08:57,880 --> 00:08:59,900 So I knew I had an end, you know. 140 00:09:00,160 --> 00:09:05,460 And he was getting a bit frustrated with how long things were taking to shoot 141 00:09:05,460 --> 00:09:07,280 and yelling, please roll. 142 00:09:07,700 --> 00:09:13,500 And I just looked at him and I went, this fucking sucks. 143 00:09:13,980 --> 00:09:18,560 And he looked at me and he went, it's a challenge. 144 00:09:25,640 --> 00:09:27,980 I'm just looking at the ominous da bomb. 145 00:09:32,180 --> 00:09:33,180 Mm -hmm. 146 00:09:34,920 --> 00:09:36,700 You know what's strange about it? 147 00:09:37,320 --> 00:09:41,720 Tell me. It says, like, it's got all these peppers on it, but it doesn't 148 00:09:41,720 --> 00:09:43,800 specify whether it is mild or hot. 149 00:09:44,340 --> 00:09:47,100 Yeah, you're right. It's kind of a mystery box. 150 00:09:47,920 --> 00:09:51,580 Right in the mean of what we have planned for you today. Does it feel like 151 00:09:51,620 --> 00:09:54,920 You know, I feel like you've... Yeah, that one just got me a little hot under 152 00:09:54,920 --> 00:09:55,920 the collar. 153 00:09:56,020 --> 00:09:57,760 And that's what we look for in a number five. 154 00:09:59,780 --> 00:10:01,860 Great. That's exactly what we look for. Perfect. 155 00:10:02,820 --> 00:10:07,180 From having a bus driving at you at full speed for a quiet place to the walls 156 00:10:07,180 --> 00:10:11,240 closing in, caving in on you in Sicario, what's the most genuinely frightened 157 00:10:11,240 --> 00:10:13,080 you've ever been while shooting an action sequence? 158 00:10:14,730 --> 00:10:18,250 I mean, the bus was extraordinary, but I knew that stunt had been rehearsed for 159 00:10:18,250 --> 00:10:23,010 two weeks, and I knew that there were many get -outs. Like, if the bus was 160 00:10:23,010 --> 00:10:26,130 to be too close, it could careen off. I knew the allowance was there. 161 00:10:26,470 --> 00:10:32,090 The most scared I was was doing that arrival in Mary Poppins from Up in the 162 00:10:32,090 --> 00:10:34,570 Clouds. I was terrified. 163 00:10:35,230 --> 00:10:38,370 I did three takes before my tolerance snapped and I was done. 164 00:10:38,810 --> 00:10:41,070 And Rob Marshall, the director, is so... 165 00:10:41,550 --> 00:10:45,350 He kind of lures you into this false sense of security. And he plays music 166 00:10:45,350 --> 00:10:50,430 really, really loud. And it's very sweeping and extraordinary coming out of 167 00:10:50,430 --> 00:10:53,450 speakers. And he goes, okay, so you're going to be way up there. 168 00:10:53,830 --> 00:10:56,530 And then you're going to come down. You're going to walk straight in. You're 169 00:10:56,530 --> 00:10:59,310 close up. And it's just he sells it. He sells you one. You're like, oh, my God, 170 00:10:59,350 --> 00:11:00,350 that sounds amazing. 171 00:11:00,430 --> 00:11:05,530 And then you get up there and you go 25 feet, 30 feet, 40 feet, 60 feet. And I 172 00:11:05,530 --> 00:11:06,730 was like, no. 173 00:11:07,350 --> 00:11:10,470 And the only thing you have, you just hope the wires are. 174 00:11:10,840 --> 00:11:15,880 holding you a lot of trust yeah yeah there's just a lot of trust that you 175 00:11:15,880 --> 00:11:22,620 and and i felt like everything looked tiny and if i looked 176 00:11:22,620 --> 00:11:26,720 out i was higher than the trees if i looked down lin -manuel miranda was that 177 00:11:26,720 --> 00:11:30,960 big and so i just ended up hanging there waiting for them to call action like 178 00:11:30,960 --> 00:11:35,240 that like looking up at the sky where i had no point of reference but that was 179 00:11:35,240 --> 00:11:36,240 the most scared i've been 180 00:11:41,999 --> 00:11:42,999 Tropical Amarillo. 181 00:11:45,180 --> 00:11:47,980 Mm -hmm. Oh, it's got Scott Bonnet in it. I just saw that. 182 00:11:48,940 --> 00:11:49,940 Too late. 183 00:11:50,000 --> 00:11:50,939 Too late. 184 00:11:50,940 --> 00:11:51,940 Mm, sweet. 185 00:11:52,160 --> 00:11:53,300 Mm. Mm -hmm. 186 00:11:54,220 --> 00:11:55,220 Okay. 187 00:11:55,980 --> 00:11:59,560 Directors have cemented their place in the imagination of movie fans, but I 188 00:11:59,560 --> 00:12:02,640 like cinematography is more of like an insider's craft. 189 00:12:03,020 --> 00:12:07,780 What kind of role or how would you quantify the importance of a DP like 190 00:12:07,780 --> 00:12:09,860 Deakins and the way that they transform a film? 191 00:12:10,190 --> 00:12:13,850 Just try not to burp as I talk about the great Roger Deakins. 192 00:12:14,070 --> 00:12:16,150 That wouldn't be great. 193 00:12:16,550 --> 00:12:17,870 I'm just going to do one of these. 194 00:12:19,370 --> 00:12:20,370 Okay. 195 00:12:21,230 --> 00:12:25,930 I think when Deakins was working on Sicario, it was such a pleasure watching 196 00:12:25,930 --> 00:12:29,590 work. I mean, when he lights, it's like you're at church. Like, don't make a 197 00:12:29,590 --> 00:12:34,870 peep. Just shooting something, playing skunk, skunk, skunk, skunk. I just don't 198 00:12:34,870 --> 00:12:38,730 know if it's... terribly interesting for an audience. They won't know why 199 00:12:38,730 --> 00:12:42,190 they're not interested if you don't know enough about how a movie is shot. 200 00:12:42,430 --> 00:12:46,350 But they'll just feel something else watching a Steven Spielberg movie or 201 00:12:46,350 --> 00:12:51,410 watching a Sicario and how Roger used the cameras like this kind of prowling, 202 00:12:51,410 --> 00:12:54,830 claustrophobic sort of observer. 203 00:12:55,550 --> 00:13:00,870 And then you feel my character's panic and you feel her claustrophobia and you 204 00:13:00,870 --> 00:13:04,430 feel her entrapment in this situation she's in. 205 00:13:05,480 --> 00:13:06,780 I think it's hugely important. 206 00:13:11,520 --> 00:13:14,040 I feel like my upper lip is sweating a little bit. 207 00:13:16,620 --> 00:13:17,620 It's not sweet. 208 00:13:18,640 --> 00:13:19,640 At first. 209 00:13:22,960 --> 00:13:23,960 Yep. 210 00:13:26,900 --> 00:13:29,180 Kind of tastes like a duck pancake. 211 00:13:29,540 --> 00:13:31,400 Like a poison duck pancake. 212 00:13:32,760 --> 00:13:34,600 And then it comes for a little kick. 213 00:13:35,320 --> 00:13:36,720 And has a build on it. 214 00:13:37,600 --> 00:13:40,460 I like it. But you're built for it. You like it. I like that one. 215 00:13:41,880 --> 00:13:43,800 Did you imagine Seven Wings then? 216 00:13:44,020 --> 00:13:48,000 I truly lost way too much sleep over there. 217 00:13:48,620 --> 00:13:49,860 She says, choking. 218 00:13:51,880 --> 00:13:55,800 I saw Halle Berry just plowed away through it. Oh my God, yeah. Has she 219 00:13:55,800 --> 00:13:56,719 best? 220 00:13:56,720 --> 00:14:00,060 You know, I think once a season, there's someone who comes in here and is 221 00:14:00,060 --> 00:14:03,780 completely unaffected and kind of walks me like a dog on my own show. I think 222 00:14:03,780 --> 00:14:07,720 that happens about once a season. But you've really, you've been in rhythm. 223 00:14:08,080 --> 00:14:09,080 I'm flowing. 224 00:14:09,160 --> 00:14:10,700 I feel like you're flowing. Okay. 225 00:14:11,480 --> 00:14:15,860 Now, I don't want to get too far out ahead of it because this next wing, you 226 00:14:15,860 --> 00:14:17,760 knew about it before. You know, you called out to Bob. 227 00:14:18,400 --> 00:14:21,060 Which means someone's given you some context. 228 00:14:21,540 --> 00:14:23,640 Too many people have given me context. 229 00:14:24,659 --> 00:14:26,560 Did you reach out for advice? 230 00:14:26,840 --> 00:14:30,300 Yeah, I asked Matt Damon and he said the first seven you'll be fine and then 231 00:14:30,300 --> 00:14:31,300 it's over. 232 00:14:31,940 --> 00:14:36,460 And then he was sick. He puked. So that doesn't help. Should I coat my mouth 233 00:14:36,460 --> 00:14:38,640 with something? Yeah, it's worth a try, I guess. By the way, this does not come 234 00:14:38,640 --> 00:14:41,120 out fast enough. This is so sick. 235 00:14:43,460 --> 00:14:44,460 Mm -hmm. 236 00:14:45,360 --> 00:14:46,360 Mm -hmm. 237 00:14:48,200 --> 00:14:49,920 Okay, I'm very scared. 238 00:14:55,310 --> 00:14:56,310 faint with this. 239 00:15:00,650 --> 00:15:03,850 That was a really wussy bite, but oh, wow. 240 00:15:08,850 --> 00:15:09,930 Oh, man. 241 00:15:11,470 --> 00:15:16,130 Oh, fuck me. Yeah, right. 242 00:15:16,370 --> 00:15:17,370 That's real. 243 00:15:18,730 --> 00:15:19,730 Jacket coming off. 244 00:15:19,910 --> 00:15:21,410 That's too big of a jump. 245 00:15:23,470 --> 00:15:24,490 It doesn't seem right. 246 00:15:24,710 --> 00:15:26,550 Yeah, like wing whiplash. 247 00:15:27,370 --> 00:15:28,890 That's wing whiplash. 248 00:15:29,490 --> 00:15:30,490 Yeah. 249 00:15:30,870 --> 00:15:33,230 But you're just pretending. You're fine. 250 00:15:33,650 --> 00:15:37,530 No, I'm not. I'm not. I know you are. You're trying to be really sympathetic. 251 00:15:38,670 --> 00:15:39,670 I'm really not. 252 00:15:40,130 --> 00:15:42,910 Every time, you know, this one always ends. 253 00:15:44,310 --> 00:15:45,269 Good Lord. 254 00:15:45,270 --> 00:15:46,610 I know. I know. Actually, I will. 255 00:15:47,080 --> 00:15:50,480 Hit this milkshake one time. That feels like it's all shades of wrong, that one. 256 00:15:50,600 --> 00:15:52,860 It doesn't even taste. It just tastes of chemicals. 257 00:15:57,360 --> 00:15:58,360 I know. 258 00:15:59,480 --> 00:16:00,199 You're good. 259 00:16:00,200 --> 00:16:02,920 You're good. We call it a wing eight glow on this show. 260 00:16:03,120 --> 00:16:04,120 Yeah. 261 00:16:04,200 --> 00:16:07,660 You look great. Is that what it is? And you're doing great. You're doing great. 262 00:16:07,720 --> 00:16:08,720 Oh, my Lord. 263 00:16:09,610 --> 00:16:13,310 As a self -described freak for cooking shows, which food show do you think 264 00:16:13,310 --> 00:16:15,850 you've spent the most hours of your life actually watching? 265 00:16:16,110 --> 00:16:20,790 Like, is Great British Bake Off number one or their Food Network classic the 266 00:16:20,790 --> 00:16:23,830 most special place in your heart? Look how you're asking me this question. 267 00:16:24,030 --> 00:16:25,130 You're literally in pain. 268 00:16:25,510 --> 00:16:28,530 I know, but it's the least I can do because then I'm just passing the ball 269 00:16:28,530 --> 00:16:31,730 to you to answer it in the same exact situation. How'd you cool your tongue 270 00:16:31,730 --> 00:16:33,790 down? I tried a little milkshake. 271 00:16:35,990 --> 00:16:38,130 Nominal effect, but slight improvement. 272 00:16:38,550 --> 00:16:39,550 Okay. 273 00:16:42,689 --> 00:16:43,689 Mm -hmm. 274 00:16:45,350 --> 00:16:51,150 The Great British Bake Off is my favorite cooking show, bar none. 275 00:16:52,210 --> 00:16:54,690 It makes me feel very nostalgic about England. 276 00:16:55,690 --> 00:16:57,810 I feel very happy when I watch it. 277 00:17:00,610 --> 00:17:03,190 I like the irreverence. I like the sense of humor. 278 00:17:04,130 --> 00:17:05,130 Love cake. 279 00:17:06,550 --> 00:17:07,550 Wow. 280 00:17:07,920 --> 00:17:11,359 This doesn't quit, also. I know, and actually, if anything, kind of builds. 281 00:17:11,599 --> 00:17:14,880 You know, like, it's probably worse than when you first took the bite at this 282 00:17:14,880 --> 00:17:15,880 point. And the others are going to be worse than that. 283 00:17:16,280 --> 00:17:19,839 So, this is me being honest, because I'm a chicken wing talk show host, but one 284 00:17:19,839 --> 00:17:22,380 of great integrity. I'm all right, Bjorn. I'm good. I'm good. 285 00:17:22,599 --> 00:17:28,020 After this one, nothing is as bad, okay, going forward. You know, like, and I 286 00:17:28,020 --> 00:17:31,100 actually think that it makes the next two a little bit easier, because it sort 287 00:17:31,100 --> 00:17:33,840 of scorches the earth and burns its own path. 288 00:17:34,650 --> 00:17:38,250 And then you have less friction from here. Shaquille O 'Neal's reaction to 289 00:17:38,250 --> 00:17:42,630 is one of my favorite things I've ever watched. He apologized to Kansas. Yeah, 290 00:17:42,630 --> 00:17:43,630 he apologized. 291 00:17:43,910 --> 00:17:49,510 Kansas, I apologize. It was so good. I watched it five times in a row. It was 292 00:17:49,510 --> 00:17:50,790 wonderful. Or that face. 293 00:17:51,150 --> 00:17:54,090 It was great. 294 00:17:54,870 --> 00:17:56,830 So, yes, I do love that show. 295 00:17:57,450 --> 00:18:00,190 I also love Ina Garten Barefoot Contessa. 296 00:18:00,430 --> 00:18:04,870 Yeah, and you've been on that show. You even, like, you crashed her website with 297 00:18:04,870 --> 00:18:09,170 your family's roasted potato recipe. Which is really, I really have to clear 298 00:18:09,170 --> 00:18:14,090 this rumor that I invented these roast potatoes. They have been named Emily's 299 00:18:14,090 --> 00:18:15,090 Roast Potatoes. 300 00:18:16,730 --> 00:18:17,730 As I burp. 301 00:18:19,110 --> 00:18:23,170 They really aren't mine. This is like a classic English thing that everyone 302 00:18:23,170 --> 00:18:24,650 cooks every single Sunday. 303 00:18:25,590 --> 00:18:32,070 But I don't know if America has quite got on board with this tradition. 304 00:18:32,610 --> 00:18:36,090 That was like a novel thing that you invented. All of my British friends are 305 00:18:36,090 --> 00:18:39,670 like, you didn't invent those potatoes. I was like, I know. But if Ina Garten 306 00:18:39,670 --> 00:18:42,570 wants to call them Emily's roast potatoes, I'm absolutely delighted. 307 00:18:48,830 --> 00:18:50,790 Why did you not finish with Da Bomb? 308 00:18:51,770 --> 00:18:53,890 Well, you know, you're in film, right? 309 00:18:54,130 --> 00:18:55,130 Mm -hmm. 310 00:18:55,310 --> 00:18:58,530 We like to have an arc. Yeah. You know what I mean? Like if you're just 311 00:18:58,530 --> 00:19:01,230 ratcheting tension, ratcheting tension, and then rolled credit. 312 00:19:01,430 --> 00:19:03,290 Yeah, it's too much of a crescendo. It's boring. 313 00:19:03,550 --> 00:19:05,850 Exactly. We like to do non -linear storytelling. 314 00:19:06,190 --> 00:19:07,190 Right, exactly. 315 00:19:07,210 --> 00:19:10,130 Same with us on Hollywood. You're like the Chris Nolan of food. 316 00:19:10,590 --> 00:19:13,350 Whoa, that's coming from you. They can't take that away from me. You're like 317 00:19:13,350 --> 00:19:14,370 chicken Chris Nolan. 318 00:19:15,450 --> 00:19:16,450 I'll take that. 319 00:19:16,850 --> 00:19:17,850 I'll take that. 320 00:19:19,130 --> 00:19:20,770 All right, here we go. 321 00:19:21,450 --> 00:19:24,770 I'm almost there. You're almost there. This next one is called Triple X Salsa 322 00:19:24,770 --> 00:19:25,770 Vibes. 323 00:19:31,150 --> 00:19:37,210 That one got right in my teeth. 324 00:19:38,270 --> 00:19:39,270 Mm -hmm. 325 00:19:39,630 --> 00:19:43,490 Mm. Okay. Not fun, but remember the last one. Mm -hmm. 326 00:19:44,350 --> 00:19:45,830 I think a little bit easier. 327 00:19:46,210 --> 00:19:47,930 Oh, I do not like how that tastes. 328 00:19:49,320 --> 00:19:51,440 That does not have a good vibe. 329 00:19:52,400 --> 00:19:56,240 You've named Jaws, Lawrence of Arabia, Gone with the Wind, and Romancing the 330 00:19:56,240 --> 00:19:57,420 Stone amongst your favorites. 331 00:19:57,660 --> 00:20:01,800 Which film do you think you've recommended most in your life, and why 332 00:20:01,800 --> 00:20:03,380 important for you to share the gospel? 333 00:20:03,780 --> 00:20:07,040 I can't believe I let off Dirty Dancing and Pretty Woman. 334 00:20:07,560 --> 00:20:11,940 I think I was trying to sound really cinematically learned when I gave that 335 00:20:11,940 --> 00:20:15,780 list. Jaws is still my favorite movie. I have recommended that a lot. 336 00:20:16,360 --> 00:20:18,860 I think a lot of people watched it. A lot of people I know watched it when 337 00:20:18,860 --> 00:20:22,320 were kids. I think if you watch it as an adult, it takes on a whole different 338 00:20:22,320 --> 00:20:25,900 form of storytelling and the humanity of fear. 339 00:20:26,120 --> 00:20:31,820 And these three men confined in a boat and what their fear really means and how 340 00:20:31,820 --> 00:20:33,080 they relate to each other, I think. 341 00:20:33,560 --> 00:20:36,260 And it's about outsiders. It's about people not belonging. 342 00:20:37,220 --> 00:20:40,900 And there's so many beautiful themes that there are in all of Stephen's 343 00:20:40,900 --> 00:20:43,560 that it's high stakes action and it's... 344 00:20:44,320 --> 00:20:49,060 You know, and it's big scale storytelling, but I think he has this 345 00:20:49,060 --> 00:20:52,460 grounding running through all of it and this humanity. 346 00:20:52,760 --> 00:20:57,480 So Jaws would be it for me. You know how I struggled to get that question out, 347 00:20:57,520 --> 00:20:58,520 you know? 348 00:20:58,980 --> 00:21:02,460 And then I hand the ball over to you. Look how eloquent you are. Really? 349 00:21:02,460 --> 00:21:05,200 about Jaws, nine wings in. 350 00:21:07,160 --> 00:21:09,600 And it's, wait, what do you do with this one? 351 00:21:09,980 --> 00:21:10,980 You add more? 352 00:21:11,100 --> 00:21:12,180 Why are you shaking it? 353 00:21:13,139 --> 00:21:14,139 Oh, Lord. 354 00:21:14,420 --> 00:21:15,420 Okay. 355 00:21:20,560 --> 00:21:22,360 Fuck me. All right. 356 00:21:23,920 --> 00:21:24,920 Here we go. 357 00:21:25,880 --> 00:21:27,240 Like how much? Like that much? 358 00:21:27,440 --> 00:21:28,620 Textbook. Textbook. 359 00:21:32,840 --> 00:21:34,980 Mm -hmm. You took a nice big bite. 360 00:21:36,600 --> 00:21:37,900 That'll come back to haunt me. 361 00:21:38,680 --> 00:21:39,680 Okay. 362 00:21:42,920 --> 00:21:46,660 I don't like how that one tastes either. It's like the hotter they get, the more 363 00:21:46,660 --> 00:21:47,680 chemically they taste. 364 00:21:47,880 --> 00:21:49,880 Yeah. What is that? It tastes like minerals. 365 00:21:51,800 --> 00:21:53,400 But. It tastes like a rock. 366 00:21:54,500 --> 00:21:56,600 A very spicy rock. Yeah, yeah. 367 00:21:56,900 --> 00:21:57,900 A lava rock. 368 00:21:58,520 --> 00:22:01,620 Like Da Bomb was the peppery one. Mm -hmm. Right. 369 00:22:02,960 --> 00:22:07,100 Okay, it's afterwards, isn't it? Right. Remember, they build. They build a 370 00:22:07,100 --> 00:22:07,719 little bit. 371 00:22:07,720 --> 00:22:09,100 But the good news is. 372 00:22:09,580 --> 00:22:13,260 The Wings of Death are behind us. You've conquered the Hot Ones gauntlet. 373 00:22:13,380 --> 00:22:15,120 Impressive in its own right. 374 00:22:15,320 --> 00:22:19,580 Yeah. But even more impressive is that you're consistently, you've consistently 375 00:22:19,580 --> 00:22:23,540 chosen films that become timeless classics across genres. 376 00:22:23,800 --> 00:22:28,980 So I'm curious, on this particular day, with a million Scoville coursing through 377 00:22:28,980 --> 00:22:33,560 you, do you have like an Emily Blunt Mount Rushmore of projects? Like if your 378 00:22:33,560 --> 00:22:36,480 career is held up by four load -bearing pillars. 379 00:22:37,260 --> 00:22:39,160 Oh, I got to pick my favorite kid. 380 00:22:39,740 --> 00:22:41,060 This could change tomorrow. 381 00:22:41,420 --> 00:22:44,620 You have to, you know, you're hypnotized. Yeah, because I already 382 00:22:44,620 --> 00:22:46,360 to Dirty Dancing and Pretty Woman. Exactly. 383 00:22:46,800 --> 00:22:47,739 It's fluid. 384 00:22:47,740 --> 00:22:48,740 It's fluid. 385 00:22:49,680 --> 00:22:50,680 That's fluid. 386 00:22:53,020 --> 00:22:54,040 I'm going to be fluid. 387 00:22:56,200 --> 00:22:57,380 Wow. Okay. 388 00:23:00,240 --> 00:23:01,240 Mm -hmm. 389 00:23:01,260 --> 00:23:02,260 Mm -hmm. Mm -hmm. 390 00:23:03,820 --> 00:23:05,640 Sicario. Oh, God. 391 00:23:07,560 --> 00:23:12,420 Oppenheimer, A Quiet Place, Part 1, 2, and almost 3. 392 00:23:13,920 --> 00:23:15,360 I don't like that. 393 00:23:15,660 --> 00:23:18,120 I know, I know. And, um... 394 00:23:20,250 --> 00:23:24,050 Probably the devil was brought over. I have to. 395 00:23:24,730 --> 00:23:29,630 And look at you, Emily Blunt, taking on the wings of death, living to tell the 396 00:23:29,630 --> 00:23:32,670 tale, and now there's nothing left to do but roll out the red carpet for you. 397 00:23:32,770 --> 00:23:35,710 This camera, this camera, this camera. Let the people know what you have going 398 00:23:35,710 --> 00:23:36,710 on in your life. 399 00:23:36,810 --> 00:23:38,150 Do you want me to do it to the camera? 400 00:23:38,590 --> 00:23:40,170 Whatever you feel good. Oh, okay. 401 00:23:41,230 --> 00:23:46,550 I mean, I've got Steven Spielberg's movie coming out soon. 402 00:23:47,880 --> 00:23:49,840 12? You nailed it. Nailed it. 403 00:23:50,520 --> 00:23:55,380 And then I'm shooting Quiet Place Part 3 with my husband. 404 00:23:58,700 --> 00:24:03,400 Thank you, guys. 405 00:24:04,580 --> 00:24:05,840 Oh, Lord. 406 00:24:08,440 --> 00:24:09,840 I love your questions. 407 00:24:11,000 --> 00:24:13,080 Where are you going? Are you going away for two weeks? 408 00:24:13,639 --> 00:24:15,000 They said you were off somewhere. 409 00:24:15,240 --> 00:24:19,880 I'm going back to my college. I'm doing the graduation speech this weekend. Are 410 00:24:19,880 --> 00:24:20,399 you really? 411 00:24:20,400 --> 00:24:21,400 Are you scared? 412 00:24:21,420 --> 00:24:24,440 A little bit, actually. I've never done anything like that. I've never done a 413 00:24:24,440 --> 00:24:25,440 commencement before. 414 00:24:25,540 --> 00:24:29,340 No. And it's like a big, big tent. It'll be like 60 ,000 people, you know? 415 00:24:29,360 --> 00:24:30,360 Fucking hell. 416 00:24:31,460 --> 00:24:33,580 Gas me up. Gas me up. You're going to be great. 417 00:24:33,800 --> 00:24:35,900 That's what I'm talking about. That's what I'm talking about. I should Tom 418 00:24:35,900 --> 00:24:37,140 Cruise you. It's a challenge. 419 00:24:37,360 --> 00:24:38,299 Yeah, that's right. 420 00:24:38,300 --> 00:24:39,300 You got this. 421 00:24:45,160 --> 00:24:48,820 People think Hot Ones is chaos, but this table runs on precision. 422 00:24:49,180 --> 00:24:50,840 Every bottle has a job. 423 00:24:51,120 --> 00:24:55,620 And right now, Los Calientes Verde is missing. 424 00:24:56,420 --> 00:24:58,380 Bill, we have a situation. 425 00:25:00,100 --> 00:25:04,080 Relax, Sean. Hot Ones hot sauces are available in over 10 ,000 grocery stores 426 00:25:04,080 --> 00:25:07,100 nationwide. I have an extra for you. Thanks so much, Bill. 427 00:25:07,700 --> 00:25:08,700 Crisis averted. 428 00:25:09,160 --> 00:25:10,160 Now let's roll. 429 00:25:11,280 --> 00:25:15,120 Find Hot Ones Hot Sauces at major retailers and grocery stores near you.