1 00:00:01,070 --> 00:00:06,454 * It's the honky tonk Honky tonk women 2 00:00:09,078 --> 00:00:13,979 * Gimme, gimme, gimme the honky tonk blues 3 00:00:16,050 --> 00:00:17,051 Whoo! 4 00:00:46,356 --> 00:00:47,771 We're in the process of making a record 5 00:00:47,806 --> 00:00:50,429 that reflects not only what's going on on tour 6 00:00:50,464 --> 00:00:53,777 but kind of a... a stripped-down motif of the Stones, 7 00:00:53,812 --> 00:00:55,883 trying to capture the intimacy of the studio 8 00:00:55,917 --> 00:00:58,506 combined with the energy of the live audience. 9 00:00:58,541 --> 00:01:00,060 Yee-haw! 10 00:01:02,165 --> 00:01:04,719 Yeah, it was fun to do and it's a different kind of album. 11 00:01:04,754 --> 00:01:10,484 As I say, it's not just the usual live album off a tour. 12 00:01:10,518 --> 00:01:12,762 Because we've done so much of that. 13 00:01:12,796 --> 00:01:15,489 So this time we thought we'd do a slightly different approach 14 00:01:15,523 --> 00:01:17,525 and we started off by thinking, 15 00:01:17,560 --> 00:01:21,184 well, if we do some clubs, we could record the clubs 16 00:01:21,219 --> 00:01:23,013 and if we do some acoustic set, 17 00:01:23,048 --> 00:01:25,844 which we've been doing already in America, 18 00:01:25,878 --> 00:01:28,088 and if we do record all the rehearsals. 19 00:01:28,122 --> 00:01:31,470 Like we did in Tokyo and Lisbon. 20 00:01:31,505 --> 00:01:34,335 Each night we took a studio on a day off, 21 00:01:34,370 --> 00:01:35,992 which turned out to be a day on. 22 00:01:48,970 --> 00:01:50,834 When the train comes in the station. 23 00:01:52,353 --> 00:01:55,011 Paddington, or is that Waterloo or Blackfriars? 24 00:01:55,770 --> 00:01:57,634 Charing Cross. 25 00:02:11,683 --> 00:02:14,134 * Well, I followed her 26 00:02:15,963 --> 00:02:19,139 * To the station 27 00:02:23,108 --> 00:02:26,560 * With a suitcase in my hand 28 00:02:28,941 --> 00:02:33,498 * Yeah, and I followed her up to the station 29 00:02:36,397 --> 00:02:42,645 * With a suitcase in my hand 30 00:02:46,959 --> 00:02:48,892 * Yeah, and it's hard to tell 31 00:02:48,927 --> 00:02:51,171 * It's hard to tell It's hard to tell 32 00:02:53,621 --> 00:02:58,178 * All your love's in vain 33 00:03:05,633 --> 00:03:12,882 * When the train come in the station 34 00:03:17,231 --> 00:03:19,889 * And I looked her in the eye 35 00:03:23,203 --> 00:03:28,035 * Well, the train come in the station 36 00:03:30,555 --> 00:03:33,074 * And I looked her in the eye 37 00:03:40,806 --> 00:03:45,052 * Yeah, and I felt so sad and lonesome 38 00:03:45,639 --> 00:03:47,365 * Yeah 39 00:03:47,399 --> 00:03:52,093 * That I hang my head and cry 40 00:03:58,893 --> 00:03:59,929 * Yeah 41 00:04:51,705 --> 00:04:59,782 * When the train left the station 42 00:05:02,474 --> 00:05:05,650 * It had two lights on behind 43 00:05:08,618 --> 00:05:13,278 * Yeah, when the train, it left the station 44 00:05:15,867 --> 00:05:20,009 * It had two lights, two lights on behind 45 00:05:25,877 --> 00:05:30,122 * Yeah, the blue light was my baby 46 00:05:32,435 --> 00:05:36,784 * And the red light was my mind 47 00:05:38,717 --> 00:05:39,753 * Yeah 48 00:05:42,238 --> 00:05:46,207 * All my love was in vain 49 00:06:27,801 --> 00:06:30,182 * All my love 50 00:06:33,669 --> 00:06:35,774 * In vain 51 00:06:40,123 --> 00:06:42,229 It's really fun to bring it right back down 52 00:06:42,263 --> 00:06:45,197 to its basic, original point 53 00:06:45,232 --> 00:06:47,993 and realise why you cut it acoustically in the first place. 54 00:06:48,028 --> 00:06:49,857 There's a certain cutting sound 55 00:06:49,892 --> 00:06:52,929 and a certain ring that you can get off acoustic guitars 56 00:06:52,964 --> 00:06:54,552 that you'll never get off electric. 57 00:06:54,586 --> 00:06:56,864 And the biggest thing you have in your favour 58 00:06:56,899 --> 00:07:00,350 is there's no volume control on an acoustic normally, right? 59 00:07:00,385 --> 00:07:02,732 So it's just down to 60 00:07:02,767 --> 00:07:04,976 the dynamics of how you hit the strings. 61 00:07:05,010 --> 00:07:07,565 This one you go to bed with, yeah, 62 00:07:07,599 --> 00:07:10,326 but be careful with the strings cos they're sharp on the top. 63 00:07:10,360 --> 00:07:13,087 But otherwise you can take it to bed and hold the baby. 64 00:07:13,122 --> 00:07:14,572 She's beautiful. 65 00:07:14,606 --> 00:07:17,678 She's shaped like that and a nice hole in the middle. 66 00:07:17,713 --> 00:07:19,508 I love you. 67 00:07:19,542 --> 00:07:24,513 Mick sent me a list of sort of 390 songs or something 68 00:07:24,547 --> 00:07:25,997 and said, "Pick any of them." 69 00:07:26,031 --> 00:07:27,930 We could even try Let's Spend the Night Together. 70 00:07:27,964 --> 00:07:30,519 - Yeah. That's not difficult. - I mean... 71 00:07:30,553 --> 00:07:33,004 Whether it's gonna be any good or not, I don't know. 72 00:07:33,038 --> 00:07:35,385 Charlie tried to test me on that one yesterday. 73 00:07:35,420 --> 00:07:37,526 And he said, "It doesn't go like that." 74 00:07:37,560 --> 00:07:40,425 I didn't do it, though, did I? I didn't do that. 75 00:07:40,460 --> 00:07:43,911 We're playing songs that we kind of always liked 76 00:07:43,946 --> 00:07:46,051 but never thought we'd ever play again, 77 00:07:46,086 --> 00:07:48,226 and we'd just sit around in the room and say, 78 00:07:48,260 --> 00:07:52,161 "Hey, what about, you know, Spider and the Fly?" 79 00:07:52,195 --> 00:07:55,751 And we're all trying to like delve so deep into the old can 80 00:07:55,785 --> 00:07:58,132 that you think, "Bet you can't remember..." 81 00:07:58,167 --> 00:08:00,100 And you do them once in sort of 1966 82 00:08:00,134 --> 00:08:01,964 and then someone turns round and says, 83 00:08:01,998 --> 00:08:05,450 "OK, it's now almost 30 years later. Can you do that one?" 84 00:08:05,485 --> 00:08:07,348 Well, you'd have to rethink it. 85 00:08:07,383 --> 00:08:09,558 Yeah, we'd have to all relearn it. 86 00:08:09,592 --> 00:08:11,732 Nobody's played that thing for... 87 00:08:11,767 --> 00:08:14,563 ...nigh on 30 year. 88 00:08:14,597 --> 00:08:18,187 It's like being on some terrible Rolling Stones game show 89 00:08:18,221 --> 00:08:22,294 where you have to perform 90 00:08:22,329 --> 00:08:26,747 the ancient songs out of the book without referring back. 91 00:08:26,782 --> 00:08:28,956 So give me the lyric sheet and I'll see if I can do it 92 00:08:28,991 --> 00:08:30,302 without listening to the original. 93 00:08:30,337 --> 00:08:33,513 And everybody somehow remembered 94 00:08:33,547 --> 00:08:35,791 and you got a kind of freshness about it 95 00:08:35,825 --> 00:08:40,520 just because they're not the songs that you play every day. 96 00:08:40,554 --> 00:08:44,731 It was interesting to play Spider, I'm Free 97 00:08:44,765 --> 00:08:48,528 and several others, Sweet Virginia and Let it Bleed, 98 00:08:48,562 --> 00:08:50,806 that you don't play very often, 99 00:08:50,840 --> 00:08:54,257 and it was nice to be able to touch bases with those songs. 100 00:09:03,301 --> 00:09:08,651 * Sittin', thinkin', sinkin', drinkin' 101 00:09:08,686 --> 00:09:13,794 * Wonderin' what I'll do when I'm through tonight 102 00:09:13,829 --> 00:09:19,006 * Smokin', mopin', maybe just hopin' 103 00:09:19,041 --> 00:09:23,597 * Some little girl will pass on by 104 00:09:23,632 --> 00:09:29,569 * I don't wanna be alone and I love my girl at home 105 00:09:29,603 --> 00:09:33,987 * I remember what she said 106 00:09:34,021 --> 00:09:37,369 * She said My, my, my 107 00:09:37,404 --> 00:09:39,889 * Don't tell lies 108 00:09:39,924 --> 00:09:43,444 * Keep fidelity in your head 109 00:09:45,136 --> 00:09:50,348 * My, my, my Don't tell lies 110 00:09:50,382 --> 00:09:53,627 * When you're done you should hit the bed 111 00:09:55,525 --> 00:10:00,634 * And don't say hi Like a spider to a fly 112 00:10:00,669 --> 00:10:05,156 * Jump right ahead and you're dead 113 00:10:05,190 --> 00:10:11,369 * So I sit up, fed up, go down, go around 114 00:10:11,403 --> 00:10:16,339 * Down to the bar in the place I'm at 115 00:10:16,374 --> 00:10:21,344 * Sittin', drinkin', superficially thinkin' 116 00:10:21,379 --> 00:10:26,626 * About the rinsed-out blonde on my left 117 00:10:26,660 --> 00:10:31,769 * And then I said hi Like a spider to a fly 118 00:10:31,803 --> 00:10:35,220 * Remembering what my little girl said 119 00:10:45,817 --> 00:10:48,786 I found some of these songs quite hard to do. 120 00:10:48,820 --> 00:10:52,065 I found The Spider and the Fly a bit of an effort. 121 00:10:52,099 --> 00:10:55,447 It really takes me back to another period. 122 00:10:57,657 --> 00:10:59,003 I find that quite difficult to do, 123 00:10:59,037 --> 00:11:01,039 so some of them I just don't take to very well. 124 00:11:01,074 --> 00:11:04,042 In the end everyone says, "It's wonderful. I really like it." 125 00:11:04,077 --> 00:11:06,942 "OK, well, fine. OK." 126 00:11:06,976 --> 00:11:12,430 * She was nifty, shifty She looked about fifty 127 00:11:12,464 --> 00:11:17,262 * I would have run away but I was on my own 128 00:11:17,297 --> 00:11:22,405 * She told me later she was a machine operator 129 00:11:22,440 --> 00:11:27,514 * She said I like the way I held the microphone 130 00:11:27,548 --> 00:11:32,622 * And then I said hi Like a spider to a fly 131 00:11:32,657 --> 00:11:36,074 * Jump right ahead in my web 132 00:12:13,663 --> 00:12:15,182 That was cool. 133 00:12:15,217 --> 00:12:17,391 But it was amazing 134 00:12:17,426 --> 00:12:21,982 to be able to put the whole band in a small room and play. 135 00:12:22,017 --> 00:12:24,502 - How about over there? - Over there? Yeah. 136 00:12:24,536 --> 00:12:26,400 It was very unlike making a record 137 00:12:26,435 --> 00:12:29,576 when you're in the studio and everything's very meticulous. 138 00:12:29,610 --> 00:12:32,096 I was amazed that you could put that many people, 139 00:12:32,130 --> 00:12:33,373 including the horn section, 140 00:12:33,407 --> 00:12:36,928 voices, drums, bass, piano, guitars 141 00:12:36,963 --> 00:12:41,346 and just do a take and it would, you know, we had it on tape. 142 00:12:41,381 --> 00:12:44,418 The separation, the ambience, was great, the sound. 143 00:12:44,453 --> 00:12:46,800 That is really old-fashioned, the way that was done, 144 00:12:46,835 --> 00:12:50,700 with the horns, and if they're too loud, you move back a bit. 145 00:12:50,735 --> 00:12:52,150 But it's great to play 146 00:12:52,185 --> 00:12:54,704 because you know exactly what's going on where. 147 00:12:54,739 --> 00:12:57,707 It was amazing cos we never normally 148 00:12:57,742 --> 00:13:00,987 would consider ourselves playing that low, 149 00:13:01,021 --> 00:13:02,747 very tastefully, low volume, 150 00:13:02,782 --> 00:13:06,199 and if you'd have asked us if we were gonna do that, 151 00:13:06,233 --> 00:13:08,166 we'd have said no, it's impossible, 152 00:13:08,201 --> 00:13:12,205 but we just sank right into it very naturally. 153 00:13:12,239 --> 00:13:14,034 So can you... Go in as soon as... 154 00:13:14,069 --> 00:13:16,381 - Basher... Old Basher Watts? - Basher's coming in. 155 00:13:16,416 --> 00:13:17,589 Basher's in? 156 00:13:18,452 --> 00:13:20,040 OK. 157 00:13:20,075 --> 00:13:21,835 Have you guys been playing Wild Horses? 158 00:13:21,870 --> 00:13:24,458 We haven't recently, but we did, yeah. 159 00:13:43,684 --> 00:13:47,481 * Childhood living 160 00:13:50,381 --> 00:13:53,729 * Is easy to do 161 00:13:57,043 --> 00:14:00,563 * The things you wanted 162 00:14:03,739 --> 00:14:06,846 * I bought them for you 163 00:14:10,677 --> 00:14:14,163 * Graceless lady 164 00:14:17,132 --> 00:14:20,756 * You know how I am 165 00:14:23,932 --> 00:14:27,383 * You know I can't let you 166 00:14:30,731 --> 00:14:36,151 * Slide through my hands 167 00:14:37,152 --> 00:14:41,950 * Cos wild horses 168 00:14:43,399 --> 00:14:47,369 * Couldn't drag me away 169 00:14:50,786 --> 00:14:55,618 * Wild, wild horses 170 00:14:56,585 --> 00:15:00,451 * Couldn't drag me away 171 00:15:03,972 --> 00:15:07,872 * I watched you suffer 172 00:15:10,461 --> 00:15:13,671 * A dull aching pain 173 00:15:17,123 --> 00:15:20,436 * Now you've decided 174 00:15:23,370 --> 00:15:26,615 * To show me the same 175 00:15:30,067 --> 00:15:34,485 * But no sweeping exits 176 00:15:36,590 --> 00:15:41,733 * Or offstage lines 177 00:15:43,011 --> 00:15:46,497 * Could make me feel bitter 178 00:15:49,396 --> 00:15:54,954 * Or treat you unkind, yes 179 00:15:56,265 --> 00:16:00,304 * Wild horses 180 00:16:01,995 --> 00:16:06,827 * Couldn't drag me away 181 00:16:09,382 --> 00:16:13,455 * Wild, wild horses 182 00:16:15,112 --> 00:16:20,255 * Couldn't drag me away, yeah 183 00:16:41,690 --> 00:16:45,832 * And I know I dreamed you 184 00:16:48,317 --> 00:16:52,183 * A sin and a lie 185 00:16:55,083 --> 00:16:58,534 * I got my freedom 186 00:17:01,296 --> 00:17:04,954 * But I don't have much time 187 00:17:08,096 --> 00:17:11,720 * Faith has been broken 188 00:17:14,240 --> 00:17:18,244 * And tears must be cried 189 00:17:21,109 --> 00:17:25,147 * Let's do some living 190 00:17:27,529 --> 00:17:33,535 * After love dies 191 00:17:33,569 --> 00:17:38,436 * Cos wild horses 192 00:17:39,713 --> 00:17:44,339 * Couldn't drag me away 193 00:17:47,066 --> 00:17:51,208 * Wild, wild horses 194 00:17:52,623 --> 00:17:57,283 * We'll ride them some day 195 00:17:59,940 --> 00:18:04,186 * Wild horses 196 00:18:05,532 --> 00:18:09,985 * Couldn't drag me away 197 00:18:12,884 --> 00:18:17,372 * Wild, wild horses 198 00:18:18,511 --> 00:18:23,343 * We'll ride them some day 199 00:18:30,178 --> 00:18:31,455 Let's pass it through the plane. 200 00:18:31,489 --> 00:18:32,594 OK, are we going? 201 00:18:33,905 --> 00:18:36,253 You wanna count off, Chuck, this one? 202 00:18:36,287 --> 00:18:39,359 - Not you. Chuck. - One, two! 203 00:18:39,394 --> 00:18:41,603 One, two, three, and... 204 00:18:57,653 --> 00:19:04,246 * Well, we all need someone we can lean on 205 00:19:05,868 --> 00:19:07,629 * And if you want to 206 00:19:09,182 --> 00:19:11,391 * You can lean on me 207 00:19:14,222 --> 00:19:21,021 * Well, we all need someone we can lean on 208 00:19:22,575 --> 00:19:25,819 * And if you want to, if you want to 209 00:19:25,854 --> 00:19:28,201 * You can bleed on me 210 00:19:37,831 --> 00:19:38,867 Close. 211 00:19:47,047 --> 00:19:49,015 * Start me up 212 00:19:49,049 --> 00:19:51,224 * If you start me up I'll never stop 213 00:19:51,259 --> 00:19:53,778 * Never stop, Never ever ever stop 214 00:19:55,055 --> 00:19:56,505 Well, we are waiting for tickets 215 00:19:56,540 --> 00:19:58,645 for the Stones this evening in Paradiso. 216 00:19:58,680 --> 00:20:00,406 Why have you all got radios? 217 00:20:00,440 --> 00:20:03,512 Because at ten o'clock they will announce on the radio 218 00:20:03,547 --> 00:20:05,652 where the sales points will be. 219 00:20:05,687 --> 00:20:08,759 * We used to ride, baby 220 00:20:08,793 --> 00:20:11,210 * Ride around in a limousine 221 00:20:13,764 --> 00:20:16,698 * You looked so fine, baby 222 00:20:16,732 --> 00:20:20,391 * You in white and me in green 223 00:20:20,426 --> 00:20:23,083 It was great. It was so good organised and everything. 224 00:20:23,118 --> 00:20:26,121 So now we've got this little bandage. 225 00:20:26,708 --> 00:20:28,503 Look. 226 00:20:28,537 --> 00:20:31,264 Cos they're free tickets for the Rolling Stones tonight. 227 00:20:31,299 --> 00:20:33,749 Best band ever made, Mick. Thank you. 228 00:20:38,409 --> 00:20:40,791 It's gonna be a legendary concert, I think. 229 00:20:40,825 --> 00:20:42,793 Probably broadcast all over the world. 230 00:20:43,483 --> 00:20:44,691 It's amazing. 231 00:20:49,420 --> 00:20:51,250 What a bracing day it is today. 232 00:20:56,703 --> 00:20:58,015 Hello, sailor. 233 00:21:08,336 --> 00:21:11,097 - Hi. How are you? All right? - Very well. 234 00:21:11,131 --> 00:21:12,167 Mind the step. 235 00:21:13,341 --> 00:21:14,376 Afternoon. 236 00:21:18,380 --> 00:21:21,072 * Watching girls passing by 237 00:21:22,350 --> 00:21:24,869 * It ain't the latest thing 238 00:21:26,526 --> 00:21:31,531 * I'm just standing in a doorway 239 00:21:34,879 --> 00:21:39,677 * I'm just trying to make some sense 240 00:21:42,853 --> 00:21:45,994 * Out of these girls passing by 241 00:21:47,029 --> 00:21:49,653 * The tales they tell of men 242 00:21:51,206 --> 00:21:56,556 * I'm not waiting on a lady 243 00:21:59,421 --> 00:22:04,944 * I'm just waiting on a friend 244 00:22:04,978 --> 00:22:08,292 * I'm just waiting on a friend 245 00:22:09,500 --> 00:22:12,986 * Just waiting on a friend 246 00:22:13,021 --> 00:22:16,611 * I'm just waiting on a friend 247 00:22:30,452 --> 00:22:31,591 How you doing, Charlie? 248 00:22:31,626 --> 00:22:33,041 - Hi, John. - How are you? 249 00:23:13,150 --> 00:23:17,326 Can I have a screwdriver in this mike stand, please? 250 00:23:25,369 --> 00:23:28,337 We've got the hang bar in the solo. 251 00:23:29,822 --> 00:23:32,583 But if you're singing, what about the hang bar? 252 00:23:32,618 --> 00:23:35,034 - Yeah, but I won't sing it. - Oh, you won't sing? 253 00:23:35,068 --> 00:23:37,519 - No, we'll just do an intro. - Oh, all right. 254 00:23:40,280 --> 00:23:43,007 And... one, two, three. 255 00:24:07,756 --> 00:24:11,726 There are some songs that seem to translate better 256 00:24:11,760 --> 00:24:13,831 in a smaller venue such as this, 257 00:24:13,866 --> 00:24:15,868 such as some of the blues acoustic things 258 00:24:15,902 --> 00:24:17,283 that we're doing. 259 00:24:17,317 --> 00:24:19,665 They seem to be more... come off better, 260 00:24:19,699 --> 00:24:21,183 feel better in a smaller venue. 261 00:24:21,218 --> 00:24:22,599 I've heard 'em talking about this. 262 00:24:22,633 --> 00:24:24,670 It's the reason I can speak with so much authority. 263 00:24:49,764 --> 00:24:51,110 - Yeah. - That was good. 264 00:24:53,457 --> 00:24:55,217 I was trying to leave a bar. 265 00:24:55,252 --> 00:24:57,668 Yeah. Second verse you forgot the hang bar, but... 266 00:24:57,703 --> 00:24:59,636 - I know. - We can jump in. 267 00:24:59,670 --> 00:25:00,706 Yeah. 268 00:25:02,190 --> 00:25:03,571 Whenever we start these tours, 269 00:25:03,605 --> 00:25:05,434 we always start off with a club gig. 270 00:25:05,469 --> 00:25:07,195 It's a club band. 271 00:25:07,229 --> 00:25:08,610 They just got bigger gigs 272 00:25:08,645 --> 00:25:11,268 and you've gotta get used to working 'em. 273 00:25:16,445 --> 00:25:21,416 * Ooh 274 00:25:21,450 --> 00:25:25,454 * People think I'm crazy Always trying to waste me 275 00:25:25,489 --> 00:25:28,457 * Make me burn the candles right now 276 00:25:29,597 --> 00:25:33,532 * Baby, I can't stay 277 00:25:33,566 --> 00:25:37,536 * I don't need no jewels in my crown 278 00:25:37,570 --> 00:25:41,678 * Cos all you ladies are low-down gamblers 279 00:25:41,712 --> 00:25:44,577 *Cheatin' like I don't know how 280 00:25:45,716 --> 00:25:49,306 * Baby, I can't stay 281 00:25:49,340 --> 00:25:53,759 * Cos there's fever in the funk house now 282 00:25:53,793 --> 00:25:57,763 * This low-down bitchin' got my poor feet a-itchin' 283 00:25:57,797 --> 00:26:00,628 * Don't you know the deuce is still wild 284 00:26:01,905 --> 00:26:05,218 * Baby, I can't stay 285 00:26:05,253 --> 00:26:07,842 * You got to roll, roll, roll me 286 00:26:07,876 --> 00:26:14,642 * And call me the tumbling dice 287 00:26:14,676 --> 00:26:18,611 * Always in a hurry Never stop to worry 288 00:26:18,646 --> 00:26:22,304 *Don't see the time flashin' by 289 00:26:22,339 --> 00:26:25,653 * Honey, I got no money 290 00:26:25,687 --> 00:26:30,416 * Cos I'm all sixes and sevens and nines 291 00:26:30,450 --> 00:26:33,902 * Say, now, baby I'm the lone craps shooter 292 00:26:33,937 --> 00:26:37,319 * Cos I'm playing the field every night 293 00:26:38,493 --> 00:26:41,979 * Baby, I can't stay 294 00:26:42,014 --> 00:26:44,741 * You got to roll, roll, roll me 295 00:26:44,775 --> 00:26:46,846 * Call me the tumbling 296 00:26:46,881 --> 00:26:48,952 * Roll, roll, roll me 297 00:26:48,986 --> 00:26:53,888 * Call me the tumbling dice 298 00:26:53,922 --> 00:26:55,372 * Whoo! 299 00:27:10,939 --> 00:27:14,909 * Say, baby I'm the rank outsider 300 00:27:14,943 --> 00:27:18,188 * You can be my partner in crime 301 00:27:19,051 --> 00:27:22,433 * Baby, I can't stay 302 00:27:22,468 --> 00:27:25,367 * You got to roll, roll, roll me 303 00:27:25,402 --> 00:27:31,304 * Call me the tumbling dice 304 00:27:31,339 --> 00:27:33,203 * You got to roll me 305 00:27:34,825 --> 00:27:37,207 * You got to roll me 306 00:27:37,932 --> 00:27:39,381 * 307 00:27:39,416 --> 00:27:41,521 * You got to roll me 308 00:27:43,662 --> 00:27:46,250 * You got to roll me 309 00:27:46,285 --> 00:27:50,427 * Keep on pushing 310 00:27:50,461 --> 00:27:54,500 * Keep on rolling 311 00:27:54,534 --> 00:27:57,779 * Keep on rolling 312 00:27:59,747 --> 00:28:01,472 * You got to roll me 313 00:28:01,507 --> 00:28:04,993 * Ooh, keep on rolling 314 00:28:05,028 --> 00:28:09,653 * Yeah, keep on rolling 315 00:28:09,688 --> 00:28:13,312 * Keep on pushing 316 00:28:13,346 --> 00:28:17,316 * Keep on rolling 317 00:28:17,350 --> 00:28:20,146 * Keep on rolling 318 00:28:22,701 --> 00:28:25,600 * Yeah, keep on rolling 319 00:28:25,634 --> 00:28:32,055 * You got to roll 320 00:28:32,089 --> 00:28:39,131 * Call me the tumbling dice 321 00:28:39,165 --> 00:28:41,616 * Oh, yeah 322 00:28:42,548 --> 00:28:45,585 * Call 323 00:28:45,620 --> 00:28:47,415 * Call me the tumbling, tumbling, tumbling, tumbling 324 00:28:47,449 --> 00:28:49,175 * Dice 325 00:28:50,729 --> 00:28:52,661 Well... 326 00:28:52,696 --> 00:28:54,180 - All right. - All right, let's go. 327 00:28:54,215 --> 00:28:55,492 - Here we go. - Let's do it. 328 00:28:56,942 --> 00:29:00,600 There's an old saying, don't you ever forget where you come from, 329 00:29:00,635 --> 00:29:02,637 cos there may be a day when you wanna go back. 330 00:29:02,671 --> 00:29:05,536 I think it's a really cool thing that the band wants to do that. 331 00:29:05,571 --> 00:29:07,193 They certainly don't have to, 332 00:29:07,228 --> 00:29:10,818 but I think it does keep them in touch with the beginnings 333 00:29:10,852 --> 00:29:13,579 and what made them want to do this in the first place. 334 00:29:48,925 --> 00:29:51,928 I remember walking out on stage and thinking to myself, 335 00:29:51,962 --> 00:29:53,550 "People!" you know. 336 00:30:00,419 --> 00:30:02,835 I think you just get the feedback, just immediately, 337 00:30:02,870 --> 00:30:05,182 and a kind of... it's a good gauge, 338 00:30:05,217 --> 00:30:07,391 lets you know really where you're at. 339 00:30:07,426 --> 00:30:09,911 * I'm gonna tell you how it's gonna be 340 00:30:12,086 --> 00:30:14,674 * You're gonna give your love to me 341 00:30:17,367 --> 00:30:19,024 It's funny, I always said about Mick 342 00:30:19,058 --> 00:30:21,509 that this guy can actually work 343 00:30:21,543 --> 00:30:23,787 a coffee table or a postage stamp 344 00:30:23,822 --> 00:30:25,375 better than anybody in the world. 345 00:30:26,928 --> 00:30:29,966 * You know my love not fade away 346 00:30:30,000 --> 00:30:32,969 It's different for me cos I can't really run about and... 347 00:30:33,003 --> 00:30:34,453 Everyone gets in the way. 348 00:30:36,869 --> 00:30:39,354 * I try to show it and you drive me back 349 00:30:40,908 --> 00:30:43,289 When we started, Mick's space to work in 350 00:30:43,324 --> 00:30:45,050 was maybe the size of this chair. 351 00:30:45,084 --> 00:30:50,055 And then he was jammed up to me and Brian and Bill. 352 00:30:50,089 --> 00:30:52,574 And he learned to work a small area 353 00:30:52,609 --> 00:30:56,475 probably better than anybody, except maybe James Brown. 354 00:30:56,509 --> 00:30:58,649 And that's a toss-up too, you know, 355 00:30:58,684 --> 00:31:01,031 cos Mick can work the small area really good. 356 00:31:01,066 --> 00:31:02,101 * Hey! 357 00:31:04,000 --> 00:31:06,071 I have to tone down everything. 358 00:31:06,105 --> 00:31:07,935 I mean, I have to sort of... 359 00:31:07,969 --> 00:31:10,903 It's that thing where a twitch of the eyebrow will suffice, 360 00:31:10,938 --> 00:31:15,287 whereas in a stadium it's like the frantic arm waving. 361 00:31:15,321 --> 00:31:18,600 "It's me. Here I am. I'm in purple." 362 00:31:18,635 --> 00:31:20,809 But here it's, you know, 363 00:31:20,844 --> 00:31:23,709 you have to make each movement go rather a long way. 364 00:31:25,331 --> 00:31:25,987 * Hey! 365 00:31:27,678 --> 00:31:28,369 * Hey! 366 00:31:30,233 --> 00:31:30,889 * Hey! 367 00:31:32,614 --> 00:31:33,650 * Hey! 368 00:31:45,110 --> 00:31:47,526 As you know, there's several reasons why we're doing this 369 00:31:47,560 --> 00:31:49,390 and it's not just for fun. 370 00:31:49,424 --> 00:31:51,288 We're recording it. 371 00:31:51,323 --> 00:31:54,809 We're trying to record some Stones songs 372 00:31:54,843 --> 00:31:59,641 in, you know... they wanna call it acoustic. 373 00:31:59,676 --> 00:32:02,058 There's no such thing any more. Everything's plugged in. 374 00:32:02,092 --> 00:32:05,302 I don't care how unplugged you think it is, you know? 375 00:32:05,337 --> 00:32:07,373 But we're gonna play them down a little 376 00:32:07,408 --> 00:32:09,134 and like play them a little looser 377 00:32:09,168 --> 00:32:11,895 and give them more of an acoustic feel, 378 00:32:11,930 --> 00:32:14,691 maybe like take 'em back to where... how you wrote them. 379 00:32:14,725 --> 00:32:16,072 Two, three! 380 00:32:29,326 --> 00:32:32,778 * Well, when you're sitting there 381 00:32:32,812 --> 00:32:36,816 *In your silk upholstered chair 382 00:32:36,851 --> 00:32:41,131 * Talkin' to some rich folks that you know 383 00:32:43,375 --> 00:32:50,658 * Well, I hope you don't see me in my ragged company 384 00:32:50,692 --> 00:32:55,387 * Well, you know I could never be alone 385 00:32:57,078 --> 00:32:59,978 * Take me down, little Susie 386 00:33:00,012 --> 00:33:01,945 * Won't you take me down 387 00:33:04,844 --> 00:33:08,987 * I know you think you're the queen of the underground 388 00:33:10,919 --> 00:33:16,339 * And you can send me dead flowers every morning 389 00:33:19,169 --> 00:33:23,070 * Send me dead flowers by the mail 390 00:33:26,073 --> 00:33:30,077 * Send me dead flowers to my wedding 391 00:33:32,079 --> 00:33:37,015 * And I won't forget to put roses on your grave 392 00:33:39,086 --> 00:33:46,438 *Well, when you're sitting back in your old pink Cadillac 393 00:33:46,472 --> 00:33:50,683 * Making bets on Kentucky Derby Day 394 00:33:52,927 --> 00:33:59,796 * I'll be in my basement room with a needle and a spoon 395 00:33:59,830 --> 00:34:04,973 * And another girl to take my pains away 396 00:34:06,389 --> 00:34:09,288 * Take me down, little Susie 397 00:34:09,323 --> 00:34:11,463 * Won't you take me down 398 00:34:14,086 --> 00:34:18,263 * I know you think you're the queen of the underground 399 00:34:20,127 --> 00:34:25,270 * And you can send me dead flowers every morning 400 00:34:28,411 --> 00:34:32,035 * Send me dead flowers by the mail 401 00:34:35,280 --> 00:34:39,353 * Send me dead flowers to my wedding 402 00:34:41,251 --> 00:34:46,843 * And I won't forget to put roses on your grave 403 00:34:46,877 --> 00:34:48,120 * Well, all right 404 00:35:15,527 --> 00:35:18,495 * Take me down, little Susie 405 00:35:18,530 --> 00:35:20,394 * Won't you take me down 406 00:35:23,328 --> 00:35:27,401 * I know you think you're the queen of the underground 407 00:35:29,437 --> 00:35:34,822 * And you can send me dead flowers every morning 408 00:35:37,204 --> 00:35:41,311 * Send me dead flowers by the US mail 409 00:35:44,176 --> 00:35:48,456 * Say it with dead flowers at my wedding 410 00:35:50,631 --> 00:35:57,085 * And I won't forget to put roses on your grave 411 00:35:57,120 --> 00:36:03,230 * No, I won't forget to put roses on your grave 412 00:36:07,544 --> 00:36:14,172 I can play the songs that I was a fan of before I joined 413 00:36:14,206 --> 00:36:17,830 and I can add my bit of authenticity 414 00:36:17,865 --> 00:36:21,386 to try and repeat but just update a little bit 415 00:36:21,420 --> 00:36:22,870 some of the riffs that I loved 416 00:36:22,904 --> 00:36:26,839 that Mick Taylor played, for instance, and Brian even. 417 00:36:26,874 --> 00:36:29,877 But I like to keep the tradition of the Stones going, 418 00:36:29,911 --> 00:36:31,292 especially in small clubs. 419 00:36:31,327 --> 00:36:35,296 That's where people long to see them. I know I would. 420 00:36:35,331 --> 00:36:36,608 The Marquee Club, I think, 421 00:36:36,642 --> 00:36:38,334 was the first place I played with the Stones, 422 00:36:38,368 --> 00:36:42,234 and this was in, oh, Christ, back in the '70s sometime. 423 00:36:42,269 --> 00:36:45,064 We did, I think, was it the Roundhouse? 424 00:36:45,099 --> 00:36:46,480 Was that a fairly small place? 425 00:36:46,514 --> 00:36:48,171 Yeah, I played there with them too. 426 00:36:48,206 --> 00:36:52,106 But the energy is always there, but it does seem to become 427 00:36:52,140 --> 00:36:53,935 a little bit more concentrated, a little more focused. 428 00:36:53,970 --> 00:36:56,731 Everybody seems to turn the pages back a few years 429 00:36:56,766 --> 00:36:59,941 and you get back into that club thing, 430 00:36:59,976 --> 00:37:01,564 because the people are just right there, 431 00:37:01,598 --> 00:37:02,841 everything's right there. 432 00:37:02,875 --> 00:37:03,911 * Oh, yeah 433 00:37:05,015 --> 00:37:06,051 * Oh, yeah 434 00:37:07,570 --> 00:37:10,193 * From San Jose down to Santa Fe 435 00:37:10,228 --> 00:37:13,334 To me there's a lot more electricity. I mean, I'm up. 436 00:37:22,309 --> 00:37:29,799 * Ooh 437 00:37:31,145 --> 00:37:39,395 * Ooh 438 00:37:40,016 --> 00:37:47,299 * Ooh 439 00:37:48,852 --> 00:37:57,516 * Ooh 440 00:38:15,948 --> 00:38:19,435 * Yeah And a storm is threatening 441 00:38:20,332 --> 00:38:23,611 * My very life today 442 00:38:24,854 --> 00:38:29,237 * If I don't get some shelter 443 00:38:29,272 --> 00:38:32,413 * Oh, I'm gonna fade away 444 00:38:33,518 --> 00:38:37,487 * War, children 445 00:38:37,522 --> 00:38:41,940 * It's just a shot away It's just a shot away 446 00:38:41,974 --> 00:38:46,496 * War, children 447 00:38:46,531 --> 00:38:53,503 * It's just a shot away It's just a shot away 448 00:38:57,714 --> 00:39:00,338 There's something... 449 00:39:00,372 --> 00:39:04,514 We used to do this all the time in much smaller places and... 450 00:39:04,549 --> 00:39:07,759 There's just something about that immediacy that you get. 451 00:39:22,670 --> 00:39:24,431 Thank you! 452 00:39:24,465 --> 00:39:26,985 Charlie! Charlie! Charlie! 453 00:39:27,019 --> 00:39:32,370 Charlie! Charlie! Charlie! Charlie! Charlie! Charlie! 454 00:39:32,404 --> 00:39:35,925 Charlie! Charlie! Charlie! Charlie! 455 00:39:35,959 --> 00:39:41,620 Charlie! Charlie! Charlie! Charlie! Charlie! Charlie! 456 00:39:46,453 --> 00:39:50,008 That's what I do, I play the drums for Keith and Mick. 457 00:39:50,042 --> 00:39:51,078 I don't play 'em for me. 458 00:40:32,602 --> 00:40:34,673 - We are coming from Florence. - Italy. 459 00:40:34,708 --> 00:40:36,537 Italy. Just to see the show. 460 00:40:36,572 --> 00:40:38,263 Because the Stones don't come in Italy, 461 00:40:38,297 --> 00:40:39,920 so we came where the Stones are. 462 00:40:42,301 --> 00:40:44,476 The thing about the Olympia is that we played... 463 00:40:44,511 --> 00:40:46,582 The Olympia was our first trip to France. 464 00:40:46,616 --> 00:40:48,446 It was very early, 1964, 465 00:40:48,480 --> 00:40:52,173 and we played in the afternoon 466 00:40:52,208 --> 00:40:54,935 and Petula Clark played in the evening. 467 00:40:54,969 --> 00:40:58,801 So I thought it would be a laugh to do it again. 468 00:41:19,822 --> 00:41:23,757 Centre, one, two, three, four, five, six. 469 00:41:41,947 --> 00:41:44,847 It's a bit like when you go back to your old house 470 00:41:44,881 --> 00:41:46,124 that you were brought up in. 471 00:41:46,158 --> 00:41:48,367 It's much smaller than I remember it, 472 00:41:48,402 --> 00:41:49,852 and not just the dressing room. 473 00:41:56,962 --> 00:41:58,654 I was sitting in the balcony during the sound check 474 00:41:58,688 --> 00:42:02,934 and it looked like setting up for the high-school dance. 475 00:42:02,968 --> 00:42:05,453 They were about the same distance. It looked like a gym. 476 00:42:05,488 --> 00:42:06,696 It's pretty cool. 477 00:42:30,720 --> 00:42:33,274 How'd you get three motorcyclists to escort you in? 478 00:42:34,724 --> 00:42:36,277 Luck. 479 00:42:36,312 --> 00:42:38,003 My guy just turned in there 480 00:42:38,038 --> 00:42:40,937 cos we didn't wanna stand on the line out front. 481 00:42:40,972 --> 00:42:43,768 It's the way my life is. It's great. 482 00:43:00,681 --> 00:43:02,959 They get a rapport going with the audience 483 00:43:02,994 --> 00:43:07,377 that's different than what's happening in the stadium shows, 484 00:43:07,412 --> 00:43:11,416 and I think that that intimacy comes through on the tape. 485 00:43:11,450 --> 00:43:17,595 * It's the honky tonk women 486 00:43:20,528 --> 00:43:25,741 * Gimme, gimme, gimme the honky tonk blues 487 00:43:28,467 --> 00:43:30,780 And seeing the Rolling Stones in a venue like this, 488 00:43:30,815 --> 00:43:32,540 I don't think you can see the Rolling Stones 489 00:43:32,575 --> 00:43:35,267 in a better place or get close to 'em. 490 00:43:35,302 --> 00:43:36,752 Good evening, Paris. 491 00:43:39,513 --> 00:43:41,688 Welcome to L'Olympia. 492 00:43:47,141 --> 00:43:48,487 What are we going to do? 493 00:43:48,522 --> 00:43:50,248 OK, You Got Me Rocking. You ready, Chuck? 494 00:43:50,282 --> 00:43:53,631 One, two! One, two, three! 495 00:44:10,924 --> 00:44:12,270 Come on! 496 00:44:12,304 --> 00:44:15,860 * I was a butcher cutting up meat 497 00:44:15,894 --> 00:44:19,277 * My hands were bloody I'm dying on my feet 498 00:44:19,311 --> 00:44:23,039 * I was a surgeon till I start to shake 499 00:44:23,074 --> 00:44:26,422 * I was a-falling until you put on the brakes 500 00:44:26,456 --> 00:44:30,081 * Hey, hey You got me rocking now 501 00:44:30,115 --> 00:44:33,705 * Hey, hey You got me rocking now 502 00:44:33,740 --> 00:44:37,709 * Hey, hey You got me rocking now 503 00:44:37,744 --> 00:44:41,368 * I was a pitcher down in a slump 504 00:44:41,402 --> 00:44:45,199 * I was a fighter waiting for a sucker punch 505 00:44:45,234 --> 00:44:48,651 * Feeling bad I guess I lost my springs 506 00:44:48,686 --> 00:44:52,034 * I was the boxer who can't get in the ring 507 00:44:52,068 --> 00:44:55,727 * Hey, hey You got me rocking now 508 00:44:55,762 --> 00:44:59,455 * Hey, hey You got me rocking now 509 00:44:59,489 --> 00:45:03,045 * Hey, hey You got me rocking now 510 00:45:03,079 --> 00:45:06,876 * Hey, hey You got me rocking now 511 00:45:06,911 --> 00:45:10,777 * Hey, hey You got me rocking now 512 00:45:10,811 --> 00:45:14,159 * 513 00:45:47,089 --> 00:45:50,540 * I was a hooker losing her looks 514 00:45:50,575 --> 00:45:54,372 * I was a writer Can't write another book 515 00:45:54,406 --> 00:45:58,100 * I was all dried up Dying to get wet 516 00:45:58,134 --> 00:46:01,448 * I was a tycoon drowning in debt 517 00:46:01,482 --> 00:46:04,900 * Hey, hey You got me rocking now 518 00:46:04,934 --> 00:46:08,835 * You got me rocking now 519 00:46:08,869 --> 00:46:12,562 * You got me rocking now 520 00:46:12,597 --> 00:46:16,049 * You got me rocking now 521 00:46:16,083 --> 00:46:19,949 * You got me rocking now 522 00:46:19,984 --> 00:46:23,642 * You got me rocking now 523 00:46:38,105 --> 00:46:41,626 * Hey, hey You got me rocking 524 00:46:41,660 --> 00:46:45,423 * Hey, hey You got me, you got me 525 00:46:45,457 --> 00:46:48,978 * You got me rocking now 526 00:46:49,013 --> 00:46:52,810 * You got me rocking now 527 00:46:55,640 --> 00:46:56,606 All right! 528 00:47:13,002 --> 00:47:15,833 What I was asked to do by Mick was to produce something 529 00:47:15,867 --> 00:47:17,696 that would work in the very small theatre 530 00:47:17,731 --> 00:47:19,629 that we were gonna be playing 531 00:47:19,664 --> 00:47:24,703 and that was reminiscent of a thing that was done in Amsterdam 532 00:47:24,738 --> 00:47:26,429 when they played the Paradiso, 533 00:47:26,464 --> 00:47:30,192 where they had a whole lot of leopard-skin print shirt fabric 534 00:47:30,226 --> 00:47:32,711 that had been brought in and swagged everywhere. 535 00:47:32,746 --> 00:47:35,059 So what I did was to start with that 536 00:47:35,093 --> 00:47:36,923 and did some sketches which Mick's seen 537 00:47:36,957 --> 00:47:38,994 and essentially they're what's out there now, 538 00:47:39,028 --> 00:47:41,686 and it's all hand-painted. 539 00:47:41,720 --> 00:47:43,826 It's not quite real leopard skin, 540 00:47:43,861 --> 00:47:47,209 it's very loose, it's very rough and it's very strong, 541 00:47:47,243 --> 00:47:52,628 and what it produces is a kind of slightly decadent feeling. 542 00:47:52,662 --> 00:47:56,770 If we're gonna do it, then, you know, we should look special 543 00:47:56,804 --> 00:47:58,668 so that the people will come and see... 544 00:47:58,703 --> 00:48:01,085 as if we were doing a tour of theatres now. 545 00:48:01,119 --> 00:48:03,742 We wouldn't just do it, like, "Oh, well...", 546 00:48:03,777 --> 00:48:06,676 move in and just take whatever's there. 547 00:48:06,711 --> 00:48:08,989 And also we'd done a bit in this club, the Paradiso, 548 00:48:09,024 --> 00:48:13,200 for television, so we could continue that theme a bit. 549 00:48:38,570 --> 00:48:42,885 * You whipped me I'm hurting 550 00:48:42,920 --> 00:48:46,233 * Abused me for certain 551 00:48:47,234 --> 00:48:51,411 * And slavery should not exist 552 00:48:51,445 --> 00:48:55,415 * Is this what I get? A poison kiss 553 00:49:04,148 --> 00:49:08,497 * Without you I'm dead meat 554 00:49:08,531 --> 00:49:12,742 * I'm a raggedy dog Dying in the street 555 00:49:12,777 --> 00:49:16,988 * Of a God-forsaken shanty town 556 00:49:17,023 --> 00:49:21,372 * Where gangs of children are hunted down 557 00:49:21,406 --> 00:49:25,893 * I go wild when you're in my face 558 00:49:25,928 --> 00:49:30,001 * I go wild when I taste your taste 559 00:49:30,036 --> 00:49:34,385 * I go wild I go insane 560 00:49:34,419 --> 00:49:39,010 * I get sick Somebody stop this pain 561 00:49:47,018 --> 00:49:51,367 * You left me I'm braindead 562 00:49:51,402 --> 00:49:55,406 * I'm feeling nothing Strapped to my bed 563 00:49:55,440 --> 00:49:59,997 * On life support Tubes in my nose 564 00:50:00,031 --> 00:50:04,380 * Tubes in my arms Shot full of holes 565 00:50:04,415 --> 00:50:08,695 * I go wild when you're in my face 566 00:50:08,729 --> 00:50:12,975 * I go wild when I taste your taste 567 00:50:13,010 --> 00:50:17,221 * I go wild Act like a goat 568 00:50:17,255 --> 00:50:21,501 * I get sick Lumps in my throat 569 00:50:21,535 --> 00:50:23,813 * I go wild 570 00:50:25,815 --> 00:50:28,232 * I go wild 571 00:50:30,199 --> 00:50:34,790 * I go crazy I go insane 572 00:50:34,824 --> 00:50:39,036 * I get sick Somebody stop this pain 573 00:51:29,569 --> 00:51:34,401 * And the doctors say you'll be OK 574 00:51:34,436 --> 00:51:38,785 * And if you'd only stay away 575 00:51:38,819 --> 00:51:43,100 * From femme fatales and dirty bitches 576 00:51:43,134 --> 00:51:47,380 * And daylight drabs and night-time witches 577 00:51:47,414 --> 00:51:51,556 * And working girls and blue stockings 578 00:51:51,591 --> 00:51:55,802 * And dancehall babes and body poppers 579 00:51:55,836 --> 00:51:58,287 * And waitresses with broken noses 580 00:51:58,322 --> 00:52:00,600 * Checkout girls striking poses 581 00:52:00,634 --> 00:52:05,087 * Politicians' garish wives With alcoholic cunts like... 582 00:52:05,122 --> 00:52:07,952 * I go wild 583 00:52:09,367 --> 00:52:11,542 * I go wild 584 00:52:12,198 --> 00:52:13,613 All right. 585 00:52:13,647 --> 00:52:15,891 * I go wild 586 00:52:15,925 --> 00:52:17,893 * Girls 587 00:52:17,927 --> 00:52:19,929 * And I go wild 588 00:52:19,964 --> 00:52:21,897 * Yeah, that's what I said 589 00:52:21,931 --> 00:52:24,417 * And I go wild 590 00:52:24,451 --> 00:52:25,659 * Oh, yeah 591 00:52:26,350 --> 00:52:28,559 * And I go wild 592 00:52:28,593 --> 00:52:30,733 * All right, all right 593 00:52:30,768 --> 00:52:33,115 * And I go wild 594 00:52:33,150 --> 00:52:35,082 * Yeah, I said 595 00:52:35,117 --> 00:52:37,913 * And I go wild 596 00:52:39,501 --> 00:52:42,193 * 597 00:52:43,884 --> 00:52:46,784 * 598 00:53:45,083 --> 00:53:47,879 * Oh, yeah! Oh, yeah! Oh, yeah! 599 00:53:47,914 --> 00:53:49,778 * I go wild 600 00:53:50,917 --> 00:53:52,229 * Right on! 601 00:53:52,263 --> 00:53:54,196 * I go wild 602 00:53:56,578 --> 00:53:58,580 * I go wild 603 00:54:00,547 --> 00:54:03,101 * I go wild 604 00:54:03,136 --> 00:54:04,171 Come on! 605 00:54:36,031 --> 00:54:38,447 You can keep God out of the band, you know. 606 00:54:38,482 --> 00:54:41,485 I mean, there's no weather to worry about. 607 00:54:41,519 --> 00:54:43,141 I mean, it's like every other... 608 00:54:43,176 --> 00:54:45,696 We do the other gigs, the big ones, it's... 609 00:54:47,180 --> 00:54:49,286 there's that guy joining the band every night 610 00:54:49,320 --> 00:54:50,528 in one form or another. 611 00:54:50,563 --> 00:54:52,634 Sometimes he's benign and he's cool 612 00:54:52,668 --> 00:54:56,534 and other times he turns up in wind or rain or whatever, 613 00:54:56,569 --> 00:54:58,191 lightning and thunder. 614 00:54:58,225 --> 00:55:01,850 So it's nice to have a controlled environment. 615 00:55:01,884 --> 00:55:04,577 Slipped on the stage the other night when we were playing. 616 00:55:04,611 --> 00:55:07,511 Because of the rain, we were in a different position on stage. 617 00:55:07,545 --> 00:55:08,857 I turned around to walk off stage 618 00:55:08,891 --> 00:55:12,447 and walked right through a monitor speaker, 619 00:55:12,481 --> 00:55:14,449 landed flat on my saxophone. 620 00:55:15,864 --> 00:55:17,072 Hurt my knee. 621 00:55:18,487 --> 00:55:19,833 Yeah, it's my golf knee. 622 00:55:19,868 --> 00:55:21,835 Here I am ready to go to St Andrews tomorrow, 623 00:55:21,870 --> 00:55:23,906 the Mecca of golfdom... 624 00:55:25,045 --> 00:55:26,184 ...and I can't walk. 625 00:55:26,909 --> 00:55:30,223 This is not good ironic. 626 00:55:30,257 --> 00:55:33,709 Anyway... It's ironic it ain't good, is what the deal is. 627 00:55:33,744 --> 00:55:35,228 You gonna get out there anyway? 628 00:55:35,262 --> 00:55:36,298 Hell, yes. 629 00:55:38,196 --> 00:55:42,028 If I have to sit in a chair, I'll just putt, I'm gonna putt. 630 00:55:44,479 --> 00:55:49,725 * Saw you stretched out in room 1009 631 00:55:49,760 --> 00:55:55,421 * With a smile on your face and the tears right in your eye 632 00:55:57,215 --> 00:56:03,463 * Could not see to get a line on you 633 00:56:03,498 --> 00:56:06,363 * My sweet honey love 634 00:56:10,436 --> 00:56:16,131 * Berber jewellery jangling down the street 635 00:56:16,165 --> 00:56:20,584 * Make your bloodshot eyes at every woman that you meet 636 00:56:23,172 --> 00:56:28,143 * Could not seem to get a high on you 637 00:56:29,178 --> 00:56:31,560 * My sweet honey love 638 00:56:32,734 --> 00:56:34,977 * Hey! 639 00:56:35,012 --> 00:56:38,912 * May the good Lord shine a light on you 640 00:56:40,776 --> 00:56:46,575 * Make every song you sing your favourite tune 641 00:56:46,610 --> 00:56:50,579 * May the good Lord shine a light on you 642 00:56:52,478 --> 00:56:57,379 * Warm like the evening sun 643 00:56:57,414 --> 00:57:03,627 * And you're drunk in the alley With your clothes all torn 644 00:57:03,661 --> 00:57:06,871 * And your late-night friends who leave you 645 00:57:06,906 --> 00:57:08,701 * In the cold grey dawn 646 00:57:11,048 --> 00:57:16,743 * Just seemed too many flies on you 647 00:57:16,778 --> 00:57:20,575 * I just can't brush 'em off 648 00:57:22,197 --> 00:57:28,479 * And the angels beating all their wings in time 649 00:57:28,514 --> 00:57:31,517 * With a smile right on their face 650 00:57:31,551 --> 00:57:34,002 * And a gleam right in their eye 651 00:57:35,900 --> 00:57:41,768 * Could not seem to get a high on you 652 00:57:41,803 --> 00:57:44,495 * Come on up, now Come on up, now 653 00:57:44,530 --> 00:57:45,945 * Come on, now 654 00:57:47,533 --> 00:57:51,537 * May the good Lord shine a light on you 655 00:57:53,331 --> 00:57:58,889 * Make every song you sing your favourite tune 656 00:57:58,923 --> 00:58:02,996 * May the good Lord shine a light on you 657 00:58:04,964 --> 00:58:08,519 * Warm like the evening sun 658 00:58:08,554 --> 00:58:10,314 * Hey 659 00:58:46,592 --> 00:58:49,491 * Come on up, now Come on up, now 660 00:58:49,526 --> 00:58:52,252 * Come on up, now Come on up 661 00:58:52,287 --> 00:58:56,256 * May the good Lord shine a light on you 662 00:58:57,948 --> 00:59:03,954 * Make every song you sing your favourite tune 663 00:59:03,988 --> 00:59:07,785 * May the good Lord shine a light on you 664 00:59:09,649 --> 00:59:12,721 * Warm like the evening sun 665 00:59:13,446 --> 00:59:15,448 * Hey 666 00:59:15,482 --> 00:59:19,279 * May the good Lord shine a light on you 667 00:59:21,178 --> 00:59:25,354 * Make every song you sing your favourite tune 668 00:59:26,701 --> 00:59:30,946 * May the good Lord shine a light on you 669 00:59:32,638 --> 00:59:36,642 * Warm like the evening sun 670 00:59:36,676 --> 00:59:39,403 * Oh, yeah 671 00:59:43,683 --> 00:59:45,029 * Oh, yeah 672 00:59:52,934 --> 00:59:53,762 Come on. 673 01:00:16,405 --> 01:00:20,030 Are you conscious of individual people out there 674 01:00:20,064 --> 01:00:21,894 or is it just like this kind of giant animal 675 01:00:21,928 --> 01:00:23,378 that you have to...? 676 01:00:23,412 --> 01:00:26,657 It's both things. It's a giant animal. 677 01:00:26,692 --> 01:00:29,833 Tonight it's not really a giant animal. It's quite small, so... 678 01:00:29,867 --> 01:00:34,216 But I do make contact with individual people. 679 01:00:34,251 --> 01:00:38,255 Yeah, I think it's always good because you're focused. 680 01:00:38,289 --> 01:00:40,050 I also do groups. 681 01:00:40,084 --> 01:00:42,949 I do weddings. I do fun... But I also do groups. 682 01:00:42,984 --> 01:00:44,226 Because quite often there's a gang 683 01:00:44,261 --> 01:00:46,470 and you can treat them like a gang. 684 01:00:46,504 --> 01:00:48,610 It's like a little knot of five people. 685 01:00:48,645 --> 01:00:51,095 What if you've got your friends or your family? 686 01:00:51,130 --> 01:00:52,925 Are you conscious of individual...? 687 01:00:52,959 --> 01:00:54,409 That's always a bit of a problem. 688 01:00:54,443 --> 01:00:56,929 I don't like to see friends, family very much. 689 01:00:56,963 --> 01:00:58,206 It's just that you know them so well, 690 01:00:58,240 --> 01:01:00,380 you can't be, you know, so daft. 691 01:01:08,872 --> 01:01:12,323 I've got Jack Nicholson. Surprise. 692 01:01:12,358 --> 01:01:15,499 You know, I told her no matter what kind of shape you're in, 693 01:01:15,533 --> 01:01:17,294 I'm sure you're gonna wanna see me, love. 694 01:01:17,328 --> 01:01:19,814 Definitely the man I want to see, dear. 695 01:01:19,848 --> 01:01:21,298 - How are you? - Gorgeous. 696 01:01:21,332 --> 01:01:22,782 Sorry I missed you last night by a minute. 697 01:01:22,817 --> 01:01:24,681 A minute, yeah. I just got... 698 01:01:28,546 --> 01:01:30,272 In the Olympia, 699 01:01:30,307 --> 01:01:33,586 I could see Jack Nicholson up there. 700 01:01:33,620 --> 01:01:36,347 More or less leading the crowd on, 701 01:01:36,382 --> 01:01:41,283 like, "Everybody, they're playing my song, Jumping Jack." 702 01:01:54,434 --> 01:01:58,473 * I was born in a crossfire hurricane 703 01:02:01,131 --> 01:02:05,722 * And I howled at my ma in the driving rain 704 01:02:07,896 --> 01:02:11,003 * But it's... It's all right 705 01:02:12,659 --> 01:02:14,696 * In fact it's a gas 706 01:02:14,731 --> 01:02:18,596 * But it's... It's all right 707 01:02:18,631 --> 01:02:22,048 * I'm Jumpin' Jack Flash It's a gas, gas, gas 708 01:02:31,817 --> 01:02:36,097 * I was raised by a toothless, bearded hag 709 01:02:38,685 --> 01:02:43,069 * I was schooled with straps right across my back 710 01:02:45,313 --> 01:02:48,695 * But it's... It's all right 711 01:02:50,111 --> 01:02:52,113 * In fact it's a gas 712 01:02:52,147 --> 01:02:55,910 * But it's... It's all right 713 01:02:55,944 --> 01:02:59,016 * I'm Jumpin' Jack Flash It's a gas, gas, gas 714 01:03:04,159 --> 01:03:04,781 * Yeah 715 01:03:27,596 --> 01:03:28,977 * I was drowned 716 01:03:29,012 --> 01:03:32,463 * I was washed up and left for dead 717 01:03:34,327 --> 01:03:38,711 * I fell down to my feet and I saw they bled 718 01:03:41,231 --> 01:03:45,787 * And I frowned at the crumbs of a crust of bread 719 01:03:47,962 --> 01:03:52,552 * I was crowned with spikes right through my head 720 01:03:54,727 --> 01:03:58,041 * But it's... It's all right 721 01:03:59,318 --> 01:04:01,389 * In fact it's a gas 722 01:04:01,423 --> 01:04:05,289 * But it's... It's all right 723 01:04:05,324 --> 01:04:08,534 * I'm Jumpin' Jack Flash It's a gas, gas, gas 724 01:04:11,468 --> 01:04:12,503 Come on. 725 01:04:13,194 --> 01:04:14,367 * Oh, yeah 726 01:04:15,437 --> 01:04:17,060 * Come on, baby 727 01:04:37,874 --> 01:04:40,704 * Oh, yeah Jumpin' Jack Flash 728 01:04:42,430 --> 01:04:43,880 * Jumpin' Jack Flash 729 01:04:45,812 --> 01:04:47,193 * Jumpin' Jack Flash 730 01:04:49,057 --> 01:04:50,472 * Jumpin' Jack Flash 731 01:05:19,191 --> 01:05:20,847 * Jumpin' Jack Flash 732 01:05:20,882 --> 01:05:22,539 * 733 01:05:22,573 --> 01:05:24,265 * Jumpin' Jack Flash 734 01:05:24,299 --> 01:05:25,956 * 735 01:05:25,991 --> 01:05:27,751 * Jumpin' Jack Flash 736 01:05:27,785 --> 01:05:29,408 * 737 01:05:29,442 --> 01:05:31,168 * Jumpin' Jack Flash 738 01:05:31,203 --> 01:05:32,756 * 739 01:05:32,790 --> 01:05:34,482 * 740 01:05:36,242 --> 01:05:38,935 * Come on, Jack 741 01:05:38,969 --> 01:05:41,420 * Oh, yeah 742 01:05:43,042 --> 01:05:44,699 * Jumpin' Jack Flash 743 01:05:44,733 --> 01:05:46,356 * All right! 744 01:06:17,042 --> 01:06:19,872 * Oh, yeah! 745 01:08:23,168 --> 01:08:24,272 It's cold, innit? 746 01:08:30,347 --> 01:08:32,280 There was about six I would have done again. 747 01:08:38,183 --> 01:08:39,805 Jack, how'd you like it? 748 01:08:39,839 --> 01:08:40,875 Great. 749 01:08:42,152 --> 01:08:44,396 It was a great show, it really was, 750 01:08:44,430 --> 01:08:46,501 but we have to load out now and... 751 01:08:46,536 --> 01:08:48,917 We hope you enjoyed it. Ciao. 752 01:08:53,784 --> 01:08:55,131 - How'd it go? - It was fine. 753 01:09:05,762 --> 01:09:07,073 Do you know what's going on tonight? 754 01:09:07,108 --> 01:09:09,006 Yeah, a Rolling Stones concert. 755 01:09:11,630 --> 01:09:15,254 Well, I think Stones, it goes with the flow, you know, 756 01:09:15,289 --> 01:09:18,050 because all from the ground, organic, yeah, 757 01:09:18,084 --> 01:09:20,466 money spending, money earning, and that's it. 758 01:09:20,501 --> 01:09:23,297 Me, Bandit, chilling out in Brixton, South London. 759 01:09:23,331 --> 01:09:27,439 * I've been holding out so long I've been sleeping all alone 760 01:09:27,473 --> 01:09:29,993 * Lord, I miss you 761 01:09:30,027 --> 01:09:31,753 Do you know the Stones are on tonight? 762 01:09:31,788 --> 01:09:33,410 The Stones? Oh, yeah, definitely. 763 01:09:33,445 --> 01:09:34,825 - There's one there going. - Yeah? 764 01:09:35,964 --> 01:09:38,519 * I wanna kiss you 765 01:09:38,553 --> 01:09:40,693 They're gonna be at the Academy tonight? 766 01:09:40,728 --> 01:09:43,075 - That's right, yeah. - Oh, that's madness. 767 01:09:43,109 --> 01:09:49,323 * Oh, baby, why you wait so long? 768 01:09:49,357 --> 01:09:51,497 How long have you been queuing here? 769 01:09:51,532 --> 01:09:52,981 - Well, ten hours. - Ten hours? 770 01:09:53,016 --> 01:09:53,948 Yeah. 771 01:09:53,982 --> 01:09:56,606 * Why you wait so long? 772 01:09:56,640 --> 01:09:59,333 I'm sitting here because I'm waiting for the Stones. 773 01:09:59,367 --> 01:10:01,887 * Come on! 774 01:10:01,921 --> 01:10:05,339 One of my ambitions is to see the Rolling Stones live 775 01:10:05,373 --> 01:10:09,412 and also to meet them and to get their autographs, 776 01:10:09,446 --> 01:10:11,483 cos I collect autographs as a hobby. 777 01:10:14,279 --> 01:10:15,625 What's happening here tonight? 778 01:10:15,659 --> 01:10:17,489 The big Stones concert tonight. 779 01:10:17,523 --> 01:10:19,249 - You're going? - I certainly am, yeah. 780 01:10:19,284 --> 01:10:20,561 Getting me hair cut ready for it. 781 01:10:23,253 --> 01:10:24,841 Brixton's been so alive 782 01:10:24,875 --> 01:10:28,085 since they knew the Stones were coming here, it's unbelievable. 783 01:10:28,120 --> 01:10:30,536 I've had so many people asking me where they can get tickets 784 01:10:30,571 --> 01:10:33,884 and if I can do 'em any favours and anything, "Well, sorry." 785 01:10:38,095 --> 01:10:41,375 Well, this is the... This is the Brixton Academy. 786 01:10:42,099 --> 01:10:43,377 Very nice. 787 01:10:43,411 --> 01:10:45,137 And I wanna tell you, you sold it out, as well. 788 01:10:45,171 --> 01:10:47,553 The Rolling Stones sold it out, so that's a good report, innit? 789 01:10:47,588 --> 01:10:49,555 That's very good, very good, JC. 790 01:10:51,281 --> 01:10:52,731 Good afternoon. 791 01:10:52,765 --> 01:10:57,563 * You go and I come with you, little baby 792 01:10:59,151 --> 01:11:04,225 * You go and I come with you, little baby 793 01:11:06,227 --> 01:11:09,472 * You go and I come with you 794 01:11:09,506 --> 01:11:13,096 * You bet your life that I can't quit you 795 01:11:13,130 --> 01:11:18,239 * You go and I come with you, little baby 796 01:11:18,274 --> 01:11:20,966 Have you ever played here before, the Brixton Academy? 797 01:11:21,000 --> 01:11:23,555 Not unless it was called something else. 798 01:11:23,589 --> 01:11:27,006 And the other place was the Hammersmith Odeon, 799 01:11:27,041 --> 01:11:28,698 which we were gonna do, and I thought that'd be great, 800 01:11:28,732 --> 01:11:33,323 but then it's been so tarted up now since we used to play, 801 01:11:33,358 --> 01:11:35,118 so we decided to do the Brixton Academy, 802 01:11:35,152 --> 01:11:37,948 which is a bit like how the Hammersmith Odeon was. 803 01:11:40,951 --> 01:11:45,922 * You go and I come with you, little baby 804 01:11:47,337 --> 01:11:49,512 The big difference is obviously the size of it, 805 01:11:49,546 --> 01:11:53,516 but the atmosphere that you get in a small venue for the band 806 01:11:53,550 --> 01:11:55,966 is... there's no comparison. 807 01:11:56,001 --> 01:11:57,554 You can't achieve the same atmosphere 808 01:11:57,589 --> 01:11:59,349 when you're playing in a stadium, 809 01:11:59,384 --> 01:12:00,523 and that's what we try and do 810 01:12:00,557 --> 01:12:02,594 with a big show and all the effects. 811 01:12:02,628 --> 01:12:05,010 When we come into a smaller show like this, 812 01:12:05,044 --> 01:12:06,252 the band do all the work. 813 01:12:06,287 --> 01:12:09,048 There's no effects, there's no pyrotechnics, 814 01:12:09,083 --> 01:12:10,809 there's no big black wall, 815 01:12:10,843 --> 01:12:12,397 so it's the band and the audience, 816 01:12:12,431 --> 01:12:14,916 and that's what makes the real difference in a small venue. 817 01:12:22,855 --> 01:12:25,686 One, two, three, four! 818 01:12:27,826 --> 01:12:29,552 One more time, one more time. 819 01:12:29,586 --> 01:12:30,863 All right, here we go. 820 01:12:43,600 --> 01:12:44,636 * I... 821 01:12:48,950 --> 01:12:51,539 * Oh, I... 822 01:12:59,098 --> 01:13:00,479 They started without me. 823 01:13:06,312 --> 01:13:10,247 * Oh, I... 824 01:13:10,282 --> 01:13:12,008 * 825 01:13:12,042 --> 01:13:15,356 * I can fly just like a bird up in the sky 826 01:13:15,391 --> 01:13:16,806 * 827 01:13:16,840 --> 01:13:20,534 * I can buy anything Anything money can buy 828 01:13:21,673 --> 01:13:23,260 * 829 01:13:23,295 --> 01:13:26,609 * I can build a castle from a single grain of sand 830 01:13:26,643 --> 01:13:28,921 * I can make a ship sail 831 01:13:28,956 --> 01:13:31,337 * Right upon Right upon the dry land 832 01:13:31,372 --> 01:13:32,511 * Listen to me now 833 01:13:34,582 --> 01:13:36,964 * Out of all this power that I possess 834 01:13:39,725 --> 01:13:41,106 * You're the key to my happiness 835 01:13:41,140 --> 01:13:44,005 * Cos I can't get next to you, baby 836 01:13:44,972 --> 01:13:47,906 * Can't get next to you 837 01:13:47,940 --> 01:13:50,943 * Can't get next to you, baby, baby 838 01:13:50,978 --> 01:13:53,877 * Can't get next to you 839 01:13:53,912 --> 01:13:56,742 * Can't get next to you, baby 840 01:13:56,777 --> 01:13:59,849 * Can't get next to you 841 01:13:59,883 --> 01:14:02,679 * Can't get next to you, baby 842 01:14:02,714 --> 01:14:05,613 * Can't get next to you Come on. 843 01:14:05,648 --> 01:14:06,821 * 844 01:14:11,067 --> 01:14:12,724 * 845 01:14:17,522 --> 01:14:18,557 * 846 01:14:22,872 --> 01:14:24,494 * 847 01:14:29,430 --> 01:14:32,295 * Can't get next to you, baby 848 01:14:32,329 --> 01:14:35,056 * Can't get next to you 849 01:14:35,091 --> 01:14:37,990 * Can't get next to you, baby 850 01:14:38,025 --> 01:14:40,890 * Can't get next to you 851 01:14:40,924 --> 01:14:43,858 * Can't get next to you, baby 852 01:14:43,893 --> 01:14:46,516 * Can't get next to you 853 01:14:46,551 --> 01:14:49,588 * Can't get next to you, baby 854 01:14:49,623 --> 01:14:53,109 * Can't get next to you 855 01:15:08,780 --> 01:15:11,092 What's your location, Beth? 856 01:15:11,127 --> 01:15:12,922 I'm by the workout. 857 01:15:12,956 --> 01:15:14,268 Thank you very much. 858 01:15:30,664 --> 01:15:32,010 You know where the party is. 859 01:15:33,218 --> 01:15:34,978 All right? All right? How you doing? 860 01:15:49,648 --> 01:15:51,167 Yeah, if I get an idea... 861 01:15:53,445 --> 01:15:54,550 I hope, yeah. 862 01:16:28,031 --> 01:16:33,589 * I met a gin-soaked, bar-room queen in Memphis 863 01:16:36,315 --> 01:16:41,700 * She tried to take me upstairs for a ride 864 01:16:44,703 --> 01:16:50,606 * She had to heave me right across her shoulders 865 01:16:53,056 --> 01:16:58,544 * I just don't seem to drink you off my mind 866 01:17:00,823 --> 01:17:07,036 * It's the honky tonk women 867 01:17:09,728 --> 01:17:14,906 * Gimme, gimme, gimme the honky tonk blues 868 01:17:18,081 --> 01:17:19,980 A lot of times when you work in stadiums, 869 01:17:20,014 --> 01:17:23,984 which the Rolling Stones do, 870 01:17:24,018 --> 01:17:27,090 you can't make these other songs that you've done on records 871 01:17:27,125 --> 01:17:28,678 work for a stadium. 872 01:17:28,713 --> 01:17:32,061 They just either... they're not big enough, well-known enough, 873 01:17:32,095 --> 01:17:35,236 or the approach of them is wrong. 874 01:17:35,271 --> 01:17:36,755 But when you're playing in a small place, 875 01:17:36,790 --> 01:17:39,137 you can do more or less anything. 876 01:18:01,435 --> 01:18:04,576 * As I was driving home early one Sunday morning 877 01:18:06,060 --> 01:18:08,407 * Through Bakersfield, California 878 01:18:08,442 --> 01:18:12,618 * Listening to music on the coloured radio station 879 01:18:12,653 --> 01:18:14,620 * The preacher said You know you always have 880 01:18:14,655 --> 01:18:16,864 * The Lord by your side 881 01:18:20,005 --> 01:18:22,525 * I was real pleased to be informed of this 882 01:18:24,147 --> 01:18:26,909 * I ran 20 red lights in his honour 883 01:18:28,911 --> 01:18:30,360 * Thank you, Jesus 884 01:18:32,052 --> 01:18:33,536 * Thank you, Lord 885 01:18:37,782 --> 01:18:40,301 * I had an arrangement to meet a girl 886 01:18:41,613 --> 01:18:43,408 * And I was kind of late 887 01:18:46,791 --> 01:18:48,516 * And I thought by the time I got there 888 01:18:48,551 --> 01:18:52,555 * She'd be off with the nearest truck driver she could find 889 01:18:56,145 --> 01:18:58,595 * And much to my surprise 890 01:18:58,630 --> 01:19:02,289 * There she was standin' in the corner 891 01:19:03,946 --> 01:19:05,395 * Was a girl 892 01:19:06,776 --> 01:19:10,573 * With far away eyes 893 01:19:10,607 --> 01:19:12,989 * I wanna tell you 894 01:19:13,024 --> 01:19:17,580 * So if you're down on your luck 895 01:19:17,614 --> 01:19:22,136 * I know you all sympathise 896 01:19:22,171 --> 01:19:23,793 * Get a girl 897 01:19:24,829 --> 01:19:28,729 * With far away eyes 898 01:19:31,180 --> 01:19:36,219 * And if you're downright disgusted 899 01:19:36,254 --> 01:19:40,292 * And life ain't worth a dime 900 01:19:40,327 --> 01:19:42,847 * Get a girl 901 01:19:42,881 --> 01:19:46,091 * With far away eyes 902 01:19:46,126 --> 01:19:48,611 * Yeah All right, Ronnie! 903 01:20:25,061 --> 01:20:26,960 * Yeah, the preacher went right on saying 904 01:20:26,994 --> 01:20:29,514 * That all I had to do was send ten dollars 905 01:20:29,548 --> 01:20:31,792 * To the church of the Sacred Bleeding Heart of Jesus 906 01:20:31,827 --> 01:20:34,312 * Located somewhere in Los Angeles, California 907 01:20:34,346 --> 01:20:37,349 * And next week they'd say my prayer on the radio 908 01:20:37,384 --> 01:20:39,558 * And all my dreams would come true 909 01:20:41,491 --> 01:20:42,596 * So I did 910 01:20:44,253 --> 01:20:47,946 * And next week I got a prayer 911 01:20:50,880 --> 01:20:53,089 * For the girl 912 01:20:53,124 --> 01:20:54,988 * Well, you know what kind of eyes she got 913 01:20:57,473 --> 01:20:58,612 * I wanna tell you 914 01:21:00,441 --> 01:21:04,963 * So if you're down on your luck 915 01:21:04,998 --> 01:21:09,450 * I know you all sympathise 916 01:21:09,485 --> 01:21:11,107 * Get a girl 917 01:21:12,005 --> 01:21:15,732 * With far away eyes 918 01:21:18,390 --> 01:21:23,050 * And if you're downright disgusted 919 01:21:23,085 --> 01:21:26,433 * And life ain't worth a dime 920 01:21:27,192 --> 01:21:29,367 * Get a girl 921 01:21:29,401 --> 01:21:33,681 * With far away eyes 922 01:21:33,716 --> 01:21:35,925 All right! 923 01:21:35,960 --> 01:21:40,240 * So if you're down on your luck 924 01:21:40,274 --> 01:21:44,761 * I know you all sympathise 925 01:21:44,796 --> 01:21:46,384 * Get a girl 926 01:21:47,385 --> 01:21:51,285 * With far away eyes 927 01:21:51,320 --> 01:21:53,598 One more time! 928 01:21:53,632 --> 01:21:58,430 * And if you're downright disgusted 929 01:21:58,465 --> 01:22:02,365 * And life ain't worth a dime 930 01:22:02,400 --> 01:22:04,816 * Get a girl 931 01:22:04,850 --> 01:22:11,271 * With far away eyes 932 01:22:22,006 --> 01:22:23,559 There's no bells and whistles. 933 01:22:23,593 --> 01:22:26,113 There's certainly a minimal amount of bells and whistles 934 01:22:26,148 --> 01:22:27,563 when you do these kind of dates. 935 01:22:27,597 --> 01:22:31,981 And you have to do what you did again in the beginning, 936 01:22:32,016 --> 01:22:34,501 you have to be a band and play 937 01:22:34,535 --> 01:22:38,436 and concentrate on the blues or the shuffles, 938 01:22:38,470 --> 01:22:40,472 or whatever it is that you're playing. 939 01:22:40,507 --> 01:22:44,614 And I think there's... it gives, for instance, Mick 940 01:22:44,649 --> 01:22:47,272 more of a chance to play some harmonica. 941 01:23:00,803 --> 01:23:03,495 I think it makes everyone, 942 01:23:03,530 --> 01:23:07,154 including all of us on the periphery, 943 01:23:07,189 --> 01:23:09,881 it feels more like a unit, more like a band, 944 01:23:09,915 --> 01:23:12,988 and it's just a thrill to play a theatre or a club. 945 01:23:13,022 --> 01:23:14,644 It's a completely different thing, 946 01:23:14,679 --> 01:23:16,681 a completely different attitude than the big stage. 947 01:23:16,715 --> 01:23:18,234 I don't think Mick has to worry so much 948 01:23:18,269 --> 01:23:20,788 about what move he's gonna make 949 01:23:20,823 --> 01:23:22,445 or where he has to be on the stage, 950 01:23:22,480 --> 01:23:24,689 if it's 200 yards away down the ramp. 951 01:23:24,723 --> 01:23:27,278 All of that is taken away and all he has to worry about 952 01:23:27,312 --> 01:23:29,176 is singing and playing and having a good time. 953 01:23:37,909 --> 01:23:41,499 And stop! 954 01:23:41,533 --> 01:23:43,742 You'll never stop him entertaining, 955 01:23:43,777 --> 01:23:45,710 cos that's what he is, it's what he does. 956 01:23:57,687 --> 01:24:00,621 * Yeah, once upon a time you dressed so fine 957 01:24:00,656 --> 01:24:03,003 * Threw the bums a dime in your prime 958 01:24:03,900 --> 01:24:05,454 * Didn't you? 959 01:24:07,628 --> 01:24:09,458 * Yeah, people'd call Say beware, doll 960 01:24:09,492 --> 01:24:10,942 * You're bound to fall 961 01:24:10,976 --> 01:24:14,739 * They thought that they were just kiddin' you 962 01:24:17,776 --> 01:24:21,573 * You used to laugh about 963 01:24:22,609 --> 01:24:27,269 *Everybody that was hangin' out 964 01:24:27,303 --> 01:24:30,789 * And now you don't walk so proud 965 01:24:32,067 --> 01:24:36,105 * Now you don't talk so loud 966 01:24:36,140 --> 01:24:38,521 * About having to be scrounging 967 01:24:39,867 --> 01:24:44,631 * Your next meal 968 01:24:44,665 --> 01:24:46,840 * How does it feel? 969 01:24:49,394 --> 01:24:51,638 * How does it feel? 970 01:24:53,640 --> 01:24:56,125 * To be on your own 971 01:24:58,162 --> 01:25:00,957 * With no direction home 972 01:25:03,167 --> 01:25:05,721 * A complete unknown 973 01:25:07,619 --> 01:25:09,897 * Just like a rolling stone 974 01:25:09,932 --> 01:25:12,486 I was trying to push to do this number for a little while 975 01:25:12,521 --> 01:25:14,316 just because I always liked the song, 976 01:25:14,350 --> 01:25:16,007 plus the title, so... 977 01:25:16,041 --> 01:25:19,148 Every time you're driving along and hear it on the radio, 978 01:25:19,183 --> 01:25:21,426 it would be very vibrant, 979 01:25:21,461 --> 01:25:24,636 and I thought, "This could be done. We should do this." 980 01:25:24,671 --> 01:25:26,362 "We can get away with this." 981 01:25:26,397 --> 01:25:27,570 Because of the title of the song 982 01:25:27,605 --> 01:25:29,262 and cos it is a really good song. 983 01:25:29,296 --> 01:25:33,024 * You're gonna have to get used to it 984 01:25:35,751 --> 01:25:40,100 * You say you never compromise 985 01:25:40,135 --> 01:25:42,102 Well, always loved the song 986 01:25:42,137 --> 01:25:45,070 and if it hadn't have been called Like A Rolling Stone, 987 01:25:45,105 --> 01:25:47,314 probably we'd have cut it years ago, 988 01:25:47,349 --> 01:25:49,937 because it's a lovely song to play. 989 01:25:49,972 --> 01:25:53,389 I guess we needed that much space 990 01:25:53,424 --> 01:25:56,185 between when Bob wrote it and now 991 01:25:56,220 --> 01:25:58,256 to sort of have the balls to do it 992 01:25:58,291 --> 01:26:02,122 or feel that it wasn't some gratuitous connection, 993 01:26:02,157 --> 01:26:03,606 that it was just a great song 994 01:26:03,641 --> 01:26:07,300 and now, you know, old enough and ugly enough 995 01:26:07,334 --> 01:26:12,753 to be able to play it without it feeling like you're doing a Bob. 996 01:26:14,893 --> 01:26:17,586 * With no direction home 997 01:26:19,657 --> 01:26:22,384 * A complete unknown 998 01:26:24,282 --> 01:26:26,836 * Just like a rolling stone 999 01:26:28,044 --> 01:26:28,976 Come on! 1000 01:26:32,911 --> 01:26:35,051 * Yeah, the princess on the steeple 1001 01:26:35,086 --> 01:26:38,020 * And all the pretty people Drinkin', thinkin' that they... 1002 01:26:40,747 --> 01:26:42,162 * Got it made 1003 01:26:42,197 --> 01:26:44,406 * Exchanging all kinds of precious gifts 1004 01:26:44,440 --> 01:26:45,890 * We're gonna take that diamond ring 1005 01:26:45,924 --> 01:26:49,618 * You'd better pawn it, babe 1006 01:26:52,068 --> 01:26:56,659 * You used to be so amused 1007 01:26:56,694 --> 01:27:00,698 * At Napoleon in rags It was the language that he used 1008 01:27:00,732 --> 01:27:03,218 * Now go to him now he calls you 1009 01:27:03,252 --> 01:27:05,427 * You can't refuse 1010 01:27:05,461 --> 01:27:09,983 * But when you got nothing You got nothing to lose 1011 01:27:10,017 --> 01:27:12,365 * You're invisible now 1012 01:27:12,399 --> 01:27:18,233 * You got no secrets to conceal 1013 01:27:18,267 --> 01:27:20,407 * How does it feel? 1014 01:27:22,927 --> 01:27:24,894 * How does it feel? 1015 01:27:27,000 --> 01:27:29,658 * To be on your own 1016 01:27:31,522 --> 01:27:34,214 * With no direction home 1017 01:27:36,251 --> 01:27:38,908 * A complete unknown 1018 01:27:40,876 --> 01:27:43,672 * Just like a rolling stone 1019 01:27:44,328 --> 01:27:45,329 Come on! 1020 01:28:06,798 --> 01:28:07,868 Thank you, Bob! 1021 01:28:11,941 --> 01:28:14,185 The incredible thing about them now 1022 01:28:14,219 --> 01:28:17,153 is that I think they're a better band now than they've ever been. 1023 01:28:17,188 --> 01:28:19,673 I mean, having seen 'em in the '60s, '70s and '80s, 1024 01:28:19,708 --> 01:28:21,192 they really play better. 1025 01:28:21,226 --> 01:28:24,368 They're all better at their individual crafts 1026 01:28:24,402 --> 01:28:30,235 and as a unit there's 30 years of intuitive interplay 1027 01:28:30,270 --> 01:28:31,996 that just happens automatically. 1028 01:28:48,771 --> 01:28:50,532 What did you think of the concert? 1029 01:28:50,566 --> 01:28:52,430 Magic. What can you say? 1030 01:28:54,363 --> 01:28:56,434 Rock 'n' roll. 1031 01:28:56,469 --> 01:28:59,437 It was very, very... It was very, very good. 1032 01:28:59,472 --> 01:29:02,751 Here's the aftermath of the Rolling Stones in London. 1033 01:29:02,785 --> 01:29:05,063 The final show. I mean, the best show, 1034 01:29:05,098 --> 01:29:07,963 that any of the audience would have liked to have seen. 1035 01:29:07,997 --> 01:29:11,000 The atmosphere's been electric all night. 1036 01:29:11,035 --> 01:29:13,244 And we're on our way now to the next big show. 1037 01:29:13,278 --> 01:29:17,144 This is the last of the small shows on the tour, it's been... 1038 01:29:17,179 --> 01:29:19,837 - Blah, blah, blah, blah. - Blah, blah, blah, blah, blah. 1039 01:29:19,871 --> 01:29:20,976 Sorry about that. 1040 01:29:21,010 --> 01:29:22,805 - As good as ever. - The best. 1041 01:29:22,840 --> 01:29:24,600 I've been seeing them since I was 16 1042 01:29:24,635 --> 01:29:26,119 and they're better than ever. 1043 01:29:26,153 --> 01:29:28,397 - Have you had a good night out?- Brilliant night. 1044 01:29:28,432 --> 01:29:30,641 Couldn't have been better. Couldn't have been better. 1045 01:29:30,675 --> 01:29:34,817 Absolutely fantastic. Nothing like it. Brilliant. 1046 01:29:34,852 --> 01:29:37,233 Let's rock 'n' roll forever. Brilliant. 1047 01:29:37,268 --> 01:29:39,926 Greatest rock 'n' roll band in history, man. Outrageous. 1048 01:29:39,960 --> 01:29:41,065 It's a gas, gas. 1049 01:29:41,099 --> 01:29:42,549 - Wow. - Brilliant. 1050 01:29:44,482 --> 01:29:46,173 - Bang on. - Number one. 1051 01:29:46,622 --> 01:29:47,658 Amazing. 1052 01:29:48,555 --> 01:29:50,281 Pure magic. Pure magic. 1053 01:29:51,420 --> 01:29:53,111 - Did you enjoy it? - Brilliant! 1054 01:29:53,146 --> 01:29:54,975 - Absolutely brilliant! - Brilliant! 1055 01:29:57,288 --> 01:29:58,945 Every time I've had a conversation, 1056 01:29:58,979 --> 01:30:00,464 I've had these cameras around me. 1057 01:30:00,498 --> 01:30:01,637 I know. 1058 01:30:01,672 --> 01:30:04,399 I'm fed up with these... cameras, 1059 01:30:04,433 --> 01:30:07,540 and so it's lights out from me and you.