1 00:00:02,294 --> 00:00:03,926 POP: Nadia, I'm sorry. 2 00:00:03,926 --> 00:00:05,013 I could never make it right. 3 00:00:05,013 --> 00:00:06,727 There's no forgiving it. 4 00:00:06,727 --> 00:00:09,152 Don't blame Abdi. This is my fault. 5 00:00:09,152 --> 00:00:11,285 He was just trying to protect you. 6 00:00:11,285 --> 00:00:13,752 NADIA: You and Pop? ABDI: What the hell? 7 00:00:13,752 --> 00:00:16,553 ‐ How could you know something like that and not tell me? 8 00:00:18,351 --> 00:00:19,773 ‐ Nadia, come on. 9 00:00:19,773 --> 00:00:21,697 [tense music] 10 00:00:21,697 --> 00:00:25,586 ACE: Did you know that 400 years ago, 11 00:00:25,586 --> 00:00:27,843 Jerusalem's Lot was called New Jerusalem? 12 00:00:27,843 --> 00:00:29,307 New Jerusalem was settled 13 00:00:29,307 --> 00:00:31,857 by a very special group of people. 14 00:00:31,857 --> 00:00:33,948 [tires screeching] 15 00:00:33,948 --> 00:00:35,914 In many ways, this land... 16 00:00:35,914 --> 00:00:37,962 ‐ [groaning] ACE: Is still theirs. 17 00:00:37,962 --> 00:00:41,265 They never surrendered, and they never will surrender. 18 00:00:42,310 --> 00:00:45,238 It's all happening exactly as Amity said it would. 19 00:00:45,238 --> 00:00:48,959 PINTO: We had our own witches right here in Castle Rock, people. 20 00:00:48,959 --> 00:00:50,088 ‐ They were Satanists, 21 00:00:50,088 --> 00:00:51,845 not witches. 22 00:00:51,845 --> 00:00:55,022 Made a bad deal with the wrong hombre, those folks. 23 00:00:55,022 --> 00:00:56,330 They burned for it. ACE: [in French] 24 00:01:01,335 --> 00:01:02,423 Annie. 25 00:01:06,772 --> 00:01:09,783 [dramatic music] 26 00:01:09,783 --> 00:01:13,908 ♪ ♪ 27 00:01:29,979 --> 00:01:32,444 [horse chuffs] 28 00:01:32,444 --> 00:01:35,748 [insects chittering] 29 00:01:35,748 --> 00:01:42,104 ♪ ♪ 30 00:01:47,750 --> 00:01:48,753 [door slams] 31 00:01:48,753 --> 00:01:51,093 AUGUSTIN: [speaking French] 32 00:02:13,882 --> 00:02:15,856 Amen. 33 00:02:56,003 --> 00:02:58,571 [congregation whispering] 34 00:03:05,857 --> 00:03:06,944 [tense music] 35 00:03:10,080 --> 00:03:11,752 ♪ ♪ 36 00:03:19,028 --> 00:03:22,646 ♪ ♪ 37 00:03:24,506 --> 00:03:26,011 ♪ ♪ 38 00:03:26,011 --> 00:03:29,277 [stammering] 39 00:03:30,694 --> 00:03:32,032 [gasping] 40 00:03:32,032 --> 00:03:33,620 [congregation gasping and murmuring] 41 00:03:33,620 --> 00:03:35,875 [groaning] 42 00:03:37,050 --> 00:03:38,722 ♪ ♪ 43 00:03:40,227 --> 00:03:42,819 ♪ ♪ 44 00:03:42,819 --> 00:03:45,830 [soft dramatic music] 45 00:03:45,830 --> 00:03:48,633 ♪ ♪ 46 00:03:48,633 --> 00:03:49,645 AUGUSTIN: [speaking French] 47 00:04:22,258 --> 00:04:23,058 [tense music] 48 00:04:35,923 --> 00:04:39,185 ♪ ♪ 49 00:04:44,513 --> 00:04:46,521 ‐ Non, non, Marius. 50 00:05:03,185 --> 00:05:09,625 ♪ ♪ 51 00:05:18,238 --> 00:05:19,242 Amity. 52 00:05:19,242 --> 00:05:26,266 ♪ ♪ 53 00:06:03,731 --> 00:06:05,530 [breathing sharply] 54 00:06:32,918 --> 00:06:35,928 [distant eerie howling] 55 00:06:39,608 --> 00:06:42,618 [growling] 56 00:06:42,618 --> 00:06:46,004 [howling] 57 00:06:46,004 --> 00:06:49,015 [unsettling music] 58 00:06:49,015 --> 00:06:56,040 ♪ ♪ 59 00:07:12,474 --> 00:07:16,110 [howling] 60 00:07:16,110 --> 00:07:23,135 ♪ ♪ 61 00:07:47,094 --> 00:07:50,105 [howling] 62 00:07:56,670 --> 00:07:59,680 [howling] 63 00:07:59,680 --> 00:08:06,705 ♪ ♪ 64 00:08:27,696 --> 00:08:30,706 [power saw buzzing, hammer banging] 65 00:08:30,706 --> 00:08:33,717 [dramatic music] 66 00:08:33,717 --> 00:08:40,742 ♪ ♪ 67 00:08:49,104 --> 00:08:52,115 [indistinct chatter] 68 00:08:52,115 --> 00:08:59,140 ♪ ♪ 69 00:08:59,140 --> 00:09:02,066 [hammer banging] 70 00:09:02,066 --> 00:09:05,077 [power saw buzzing] 71 00:09:05,077 --> 00:09:12,059 ♪ ♪ 72 00:09:46,473 --> 00:09:49,442 [engine rumbling] 73 00:09:51,908 --> 00:09:54,918 [brakes squeaking] 74 00:09:54,918 --> 00:09:56,214 HASSAN: All right, bring it in, guys. 75 00:09:56,214 --> 00:09:59,017 [indistinct chatter] 76 00:09:59,017 --> 00:10:00,481 Volunteers, team leaders, 77 00:10:00,481 --> 00:10:02,403 gather round, gather round. 78 00:10:02,403 --> 00:10:04,285 I want to thank you all for coming out 79 00:10:04,285 --> 00:10:07,337 to volunteer for our 400th anniversary. 80 00:10:07,337 --> 00:10:09,846 Now, the event is gonna start at 3:00 sharp, 81 00:10:09,846 --> 00:10:11,937 and it should take us about two hours 82 00:10:11,937 --> 00:10:14,278 to get the parade down Route 9. 83 00:10:15,575 --> 00:10:18,920 We will conclude in front of the church in Castle Rock, 84 00:10:18,920 --> 00:10:22,809 where we will kick off four days of festivities 85 00:10:22,809 --> 00:10:25,610 leading up to the 400th anniversary. 86 00:10:25,610 --> 00:10:27,324 [intense music] 87 00:10:27,324 --> 00:10:30,293 [ominous music] 88 00:10:30,293 --> 00:10:37,318 ♪ ♪ 89 00:10:57,974 --> 00:11:00,147 [indistinct police radio chatter] 90 00:11:00,147 --> 00:11:03,619 ‐ We, uh...still aren't taking her in? 91 00:11:03,619 --> 00:11:05,124 CLAY: Sit tight, Rook. 92 00:11:09,263 --> 00:11:13,068 [door slams] ‐ Deputy, here's the thing. 93 00:11:13,068 --> 00:11:14,950 I don't want a lawyer. 94 00:11:14,950 --> 00:11:17,710 I did it. That's the story, soup to nuts. 95 00:11:17,710 --> 00:11:20,218 CLAY: So this is a‐‐ ‐ Confession, yes, sir. 96 00:11:20,218 --> 00:11:23,480 She broke into my room, trying to rob me. 97 00:11:24,944 --> 00:11:26,448 She had a gun. 98 00:11:27,828 --> 00:11:29,794 I did what I had to do. 99 00:11:31,090 --> 00:11:32,094 The end. 100 00:11:34,017 --> 00:11:35,606 [dark music] 101 00:11:35,606 --> 00:11:37,781 I wanna talk to my daughter! 102 00:11:37,781 --> 00:11:44,302 ♪ ♪ 103 00:11:45,767 --> 00:11:47,272 CLAY: These yours? 104 00:11:49,154 --> 00:11:50,784 ANNIE: Yeah, so what? 105 00:11:50,784 --> 00:11:52,415 ‐ Why don't you walk me through it? 106 00:11:53,962 --> 00:11:55,802 ‐ It's not that complicated. 107 00:11:55,802 --> 00:11:57,934 She attacked me. I killed her. 108 00:11:57,934 --> 00:12:00,193 ‐ Uh‐huh, and where does the syringe come into it? 109 00:12:01,321 --> 00:12:02,450 ‐ I'm a nurse. 110 00:12:02,450 --> 00:12:03,454 ‐ You used the syringe 111 00:12:03,454 --> 00:12:04,582 on the victim first? 112 00:12:05,879 --> 00:12:07,761 ‐ There you go. 113 00:12:07,761 --> 00:12:10,478 CLAY: So I dust the syringe, your prints I'll find? 114 00:12:10,478 --> 00:12:11,983 ♪ ♪ 115 00:12:11,983 --> 00:12:14,702 ‐ A lot of people touched that syringe. 116 00:12:15,747 --> 00:12:17,879 That's the nature of hospital work. 117 00:12:17,879 --> 00:12:19,886 I'm a nurse, see? 118 00:12:20,974 --> 00:12:23,985 ‐ Ms. Ingalls, did you know the deceased? 119 00:12:25,281 --> 00:12:27,538 ‐ Not until she broke into my room. 120 00:12:28,500 --> 00:12:29,922 CLAY: 'Cause we got her phone. 121 00:12:31,804 --> 00:12:33,642 There's a call. Maine number. 122 00:12:33,642 --> 00:12:35,191 She got it in New York. 123 00:12:36,863 --> 00:12:38,660 Nearest we figure, she hightailed it here 124 00:12:38,660 --> 00:12:40,584 right after she received the call. 125 00:12:43,804 --> 00:12:45,351 Why? 126 00:12:48,152 --> 00:12:49,825 ‐ I don't know why 127 00:12:49,825 --> 00:12:52,459 a crazy woman does what she does. 128 00:12:53,713 --> 00:12:56,809 I don't know, and I don't care. 129 00:12:56,809 --> 00:12:59,986 I care about my daughter. 130 00:12:59,986 --> 00:13:02,202 What's gonna happen to her? 131 00:13:02,202 --> 00:13:09,226 ♪ ♪ 132 00:13:13,700 --> 00:13:16,669 [breathing heavily] 133 00:13:16,669 --> 00:13:17,883 [door clicks open] 134 00:13:21,311 --> 00:13:22,356 Little love! 135 00:13:24,237 --> 00:13:25,408 Oh! 136 00:13:25,408 --> 00:13:27,039 Oh, I don't know why those yokels 137 00:13:27,039 --> 00:13:28,753 are keeping us here all night, 138 00:13:28,753 --> 00:13:32,140 but whatever they're trying to get you to say, don't. 139 00:13:32,140 --> 00:13:34,357 Don't say a word. 140 00:13:35,694 --> 00:13:42,175 Joy, you saved me out there. 141 00:13:42,175 --> 00:13:45,353 [crying] 142 00:13:45,353 --> 00:13:47,946 You shouldn't have. 143 00:13:47,946 --> 00:13:50,371 I didn't deserve it. 144 00:13:52,839 --> 00:13:55,180 For now why don't you just let me 145 00:13:55,180 --> 00:13:57,438 do the saving for a change, okay? 146 00:13:58,441 --> 00:14:01,034 Okay, it's gonna be all right, little love. 147 00:14:01,034 --> 00:14:02,121 I'll get you clear of this. 148 00:14:02,121 --> 00:14:04,128 [door clicks open] 149 00:14:04,128 --> 00:14:05,926 CLAY: Let's go. ‐ Where? 150 00:14:05,926 --> 00:14:08,142 ‐ Now, both of you. ANNIE: The police station? 151 00:14:08,142 --> 00:14:09,982 She's a minor, 152 00:14:09,982 --> 00:14:12,658 and she's got nothing to do with this! 153 00:14:12,658 --> 00:14:19,682 ♪ ♪ 154 00:14:49,203 --> 00:14:52,214 [engine rattling] 155 00:14:54,011 --> 00:14:56,561 [indistinct shouting] 156 00:14:56,561 --> 00:14:58,485 [brakes squeak] 157 00:14:58,485 --> 00:15:05,510 ♪ ♪ 158 00:15:21,566 --> 00:15:23,448 [gate buzzing] 159 00:15:23,448 --> 00:15:26,208 [door whirring] 160 00:15:27,545 --> 00:15:29,302 [buzzer blares] 161 00:15:31,727 --> 00:15:32,982 [door clicks shut] 162 00:15:32,982 --> 00:15:40,006 ♪ ♪ 163 00:15:47,575 --> 00:15:49,415 [buzzer blares] 164 00:15:49,415 --> 00:15:52,425 [indistinct chatter] 165 00:16:03,672 --> 00:16:05,220 ‐ [groans] 166 00:16:11,868 --> 00:16:13,248 ‐ John. 167 00:16:16,593 --> 00:16:18,642 ‐ How much longer you got? 168 00:16:20,357 --> 00:16:23,117 ‐ Quite a grapevine they got in this shithole. 169 00:16:23,117 --> 00:16:24,705 JOHN: The king is dead. 170 00:16:24,705 --> 00:16:27,966 That's a big headline for a small town. 171 00:16:29,806 --> 00:16:31,896 ‐ Welcome back, by the way. 172 00:16:31,896 --> 00:16:33,444 JOHN: It's good to be back. 173 00:16:33,444 --> 00:16:36,705 Portland, State, I've done the grand tour. 174 00:16:38,420 --> 00:16:40,469 It's nice they brought us home. 175 00:16:42,267 --> 00:16:43,938 ‐ Weeks. 176 00:16:43,938 --> 00:16:45,026 JOHN: What? 177 00:16:45,026 --> 00:16:47,201 ‐ You asked how long I got. 178 00:16:47,201 --> 00:16:48,580 JOHN: Weeks? 179 00:16:48,580 --> 00:16:49,793 Damn. 180 00:16:50,963 --> 00:16:53,891 Well, I got‐‐uh, let's see... 181 00:16:55,230 --> 00:16:56,984 ‐ Life. POP: Huh. 182 00:16:56,984 --> 00:16:59,452 Looks like we're gonna just miss you, John. 183 00:16:59,452 --> 00:17:00,581 What a shame. 184 00:17:03,299 --> 00:17:05,473 ‐ So what the fuck are you doing here, Reggie? 185 00:17:08,568 --> 00:17:11,286 ‐ I was telling a war story the other day. 186 00:17:11,286 --> 00:17:12,915 I thought of you. 187 00:17:12,915 --> 00:17:15,592 ‐ Yeah, real soldiers don't tell war stories. 188 00:17:15,592 --> 00:17:17,850 We both know that. 189 00:17:17,850 --> 00:17:20,443 Real soldiers know that nobody wants to fucking hear them. 190 00:17:20,443 --> 00:17:22,157 ‐ Yeah, and then real soldiers come home from the bar 191 00:17:22,157 --> 00:17:24,079 and pop their wives a good one in the head, right? 192 00:17:24,079 --> 00:17:25,711 ‐ There it is. ‐ Hit them so hard, they don't get up? 193 00:17:25,711 --> 00:17:27,090 ‐ Yeah, what do you want me to say, Reg? 194 00:17:27,090 --> 00:17:28,638 ‐ That what real soldiers do, John? 195 00:17:28,638 --> 00:17:30,101 JOHN: You're spending your last breath 196 00:17:30,101 --> 00:17:32,778 telling me I'm a piece of shit? 197 00:17:32,778 --> 00:17:36,624 I regret to inform you, that news has beat you here. 198 00:17:36,624 --> 00:17:39,091 My life ended 30 years ago. 199 00:17:39,091 --> 00:17:41,433 Both my boys got your name. 200 00:17:43,063 --> 00:17:44,067 Not mine. 201 00:17:45,153 --> 00:17:47,288 You think I don't know what I am? 202 00:17:48,750 --> 00:17:53,475 You think I ain't had time to think about this? 203 00:17:53,475 --> 00:17:55,357 ‐ You know who ain't had the time? 204 00:17:55,357 --> 00:17:56,987 My sister. 205 00:17:56,987 --> 00:17:59,120 Maybe if you'd told one more fucking war story 206 00:17:59,120 --> 00:18:01,169 and had one less fucking case of beer, 207 00:18:01,169 --> 00:18:03,008 Brenda'd still be alive. 208 00:18:03,008 --> 00:18:06,897 ‐ 30 years and here you are with all the answers. 209 00:18:08,109 --> 00:18:09,616 Is that why you came? 210 00:18:10,744 --> 00:18:13,462 ‐ [breathes deeply] 211 00:18:16,223 --> 00:18:18,605 I came here to forgive you. 212 00:18:18,605 --> 00:18:20,570 ‐ [sighs] 213 00:18:20,570 --> 00:18:22,494 What bullshit is this, Reg? 214 00:18:24,376 --> 00:18:25,797 ‐ It's the truth. 215 00:18:25,797 --> 00:18:27,344 ‐ Forgiveness? 216 00:18:28,640 --> 00:18:30,230 That don't wash. 217 00:18:30,230 --> 00:18:32,153 POP: Everyone deserves forgiveness, 218 00:18:32,153 --> 00:18:33,491 even you. 219 00:18:34,494 --> 00:18:36,167 I forgive you. 220 00:18:36,167 --> 00:18:37,881 JOHN: What the fuck is really going on, Reg? 221 00:18:37,881 --> 00:18:41,644 You swing in here acting like the fucking pope 222 00:18:41,644 --> 00:18:45,575 two days after my own son's sitting across from me 223 00:18:45,575 --> 00:18:47,665 for the first time in two decades‐‐ 224 00:18:47,665 --> 00:18:49,924 ‐ Chris was here? ‐ Ace. 225 00:18:49,924 --> 00:18:52,433 I barely recognized him. 226 00:18:52,433 --> 00:18:53,812 [tense music] 227 00:18:53,812 --> 00:18:55,819 Come on, Reg. 228 00:18:55,819 --> 00:18:57,910 What the fuck gives? 229 00:18:58,704 --> 00:19:00,878 [buzzer blares] 230 00:19:00,878 --> 00:19:07,903 ♪ ♪ 231 00:19:08,531 --> 00:19:10,119 ‐ My fuckup nephew come in here? 232 00:19:13,046 --> 00:19:15,931 Hey, Jimmy. 233 00:19:15,931 --> 00:19:18,859 Remember who you're talking to. 234 00:19:18,859 --> 00:19:23,876 ♪ ♪ 235 00:19:23,876 --> 00:19:25,883 ‐ I figured he couldn't hurt anything down there 236 00:19:25,883 --> 00:19:28,266 'cause there's nothing left to hurt. 237 00:19:28,266 --> 00:19:30,148 ‐ Nothing left to hurt down where? 238 00:19:30,148 --> 00:19:32,365 JIMMY: Old Warden Lacy's hole, 239 00:19:32,365 --> 00:19:34,538 where he kept that gimp. 240 00:19:34,538 --> 00:19:36,880 Block F. 241 00:19:36,880 --> 00:19:39,180 POP: What the fuck do they's want down in F? 242 00:19:39,180 --> 00:19:41,689 JIMMY: They gave me a hundred reasons not to ask. 243 00:19:41,689 --> 00:19:45,033 They just kinda... looked around. 244 00:19:46,329 --> 00:19:49,340 Guess they wanted to know where it went down. 245 00:19:49,340 --> 00:19:51,933 That cage is still in the tank. 246 00:19:51,933 --> 00:19:53,605 They never took it down. 247 00:19:53,605 --> 00:19:55,655 But the really weird thing was‐‐ 248 00:19:55,655 --> 00:19:58,204 [indistinct chatter] 249 00:19:58,204 --> 00:20:01,843 ♪ ♪ 250 00:20:01,843 --> 00:20:03,725 ‐ Spit it out, boy. 251 00:20:05,982 --> 00:20:07,278 ‐ The shit's locked. 252 00:20:07,278 --> 00:20:09,788 [eerie music] 253 00:20:09,788 --> 00:20:12,924 There were, like, a pile of clothes inside. 254 00:20:12,924 --> 00:20:14,764 Sweats, you know? 255 00:20:14,764 --> 00:20:16,436 Prison‐issue. 256 00:20:18,736 --> 00:20:19,906 ‐ What? 257 00:20:19,906 --> 00:20:21,160 JIMMY: I hear Ace 258 00:20:21,160 --> 00:20:22,708 is making all the stops. 259 00:20:23,628 --> 00:20:25,760 I mean, Block F? 260 00:20:25,760 --> 00:20:27,181 Marsten place? 261 00:20:28,394 --> 00:20:30,234 ‐ You mean Marsten's house? 262 00:20:30,234 --> 00:20:32,408 JIMMY: That boy must be up to something. 263 00:20:32,408 --> 00:20:35,461 He's always got an angle, you know? 264 00:20:35,461 --> 00:20:38,639 ♪ ♪ 265 00:20:38,639 --> 00:20:41,649 [engine rumbling] 266 00:20:41,649 --> 00:20:43,405 [brakes squeak] 267 00:20:43,405 --> 00:20:50,430 ♪ ♪ 268 00:20:59,964 --> 00:21:02,598 [wind whooshing, water lapping] 269 00:21:02,598 --> 00:21:03,936 [doors clatter open] AMITY: [speaking French] 270 00:21:07,364 --> 00:21:09,765 [people murmuring] 271 00:21:12,424 --> 00:21:13,793 [dramatic music] VILLAGER: [speaking French] 272 00:21:19,575 --> 00:21:21,204 [chickens clucking] 273 00:21:47,255 --> 00:21:50,266 [people murmuring] 274 00:22:01,137 --> 00:22:02,910 [people murmuring] 275 00:22:07,116 --> 00:22:09,207 ‐ Merci, ma prophète. 276 00:22:11,674 --> 00:22:14,685 [villagers chattering] 277 00:22:14,685 --> 00:22:17,654 ♪ ♪ 278 00:22:17,654 --> 00:22:20,287 [distant horse whinnying] 279 00:22:20,287 --> 00:22:27,312 ♪ ♪ 280 00:22:27,312 --> 00:22:30,322 [wooden clattering] 281 00:22:30,322 --> 00:22:37,347 ♪ ♪ 282 00:22:48,345 --> 00:22:51,355 [power saw buzzing faintly] 283 00:22:54,031 --> 00:22:57,042 [hammer banging faintly] 284 00:23:04,861 --> 00:23:07,871 [soft eerie music] 285 00:23:07,871 --> 00:23:14,896 ♪ ♪ 286 00:23:26,060 --> 00:23:27,064 ACE: Pop. 287 00:23:29,071 --> 00:23:32,123 ‐ You wanna tell me what you're doing in this fucking place? 288 00:23:32,123 --> 00:23:34,590 ‐ We're a group of like‐minded individuals 289 00:23:34,590 --> 00:23:37,936 fostering accord between two communities, 290 00:23:37,936 --> 00:23:40,779 Castle Rock and Salem's Lot, 291 00:23:40,779 --> 00:23:43,454 all on the eve of our 400th anniversary. 292 00:23:43,454 --> 00:23:45,086 Are you going to the parade? 293 00:23:47,385 --> 00:23:49,308 ‐ Do you know the history of this shithole? 294 00:23:49,308 --> 00:23:52,026 ‐ History does not define a thing, Pop. 295 00:23:52,026 --> 00:23:53,908 You of all people should know that. 296 00:23:53,908 --> 00:23:56,333 ‐ You better start explaining. 297 00:23:56,333 --> 00:23:58,424 ‐ You have questions. I get it. 298 00:23:58,424 --> 00:23:59,804 POP: You get it? 299 00:23:59,804 --> 00:24:02,479 Maybe you can help me get it, Ace. 300 00:24:02,479 --> 00:24:05,532 Help me get what the fuck you were doing over at the prison. 301 00:24:05,532 --> 00:24:07,331 Help me get what you're doing here. 302 00:24:07,331 --> 00:24:10,132 ‐ I've had some... 303 00:24:10,132 --> 00:24:13,518 revelations about myself, 304 00:24:13,518 --> 00:24:15,651 the kind of life I've led. 305 00:24:15,651 --> 00:24:19,081 Turns out... I wasn't alone. 306 00:24:21,924 --> 00:24:23,721 POP: I'm not buying it, Ace. 307 00:24:26,230 --> 00:24:30,453 You, Hassan, bunch of townies, 308 00:24:30,453 --> 00:24:32,669 fucking Rainbow Coalition. 309 00:24:32,669 --> 00:24:34,886 [tense music] 310 00:24:34,886 --> 00:24:37,352 What the fuck is going on here? 311 00:24:37,352 --> 00:24:39,109 What the fuck were you doing at the prison 312 00:24:39,109 --> 00:24:41,408 paying off guards, trying to get into Block F? 313 00:24:43,708 --> 00:24:45,213 ‐ I don't know what you mean. 314 00:24:49,019 --> 00:24:51,569 You should go, Pop. 315 00:24:51,569 --> 00:24:55,207 My friends don't want you in their house. 316 00:24:55,207 --> 00:25:02,232 ♪ ♪ 317 00:25:04,950 --> 00:25:06,789 [door slams] 318 00:25:06,789 --> 00:25:09,089 [backup alert beeping, indistinct chatter] 319 00:25:09,089 --> 00:25:11,138 ‐ I gotta talk to you. 320 00:25:12,518 --> 00:25:14,985 ‐ You told Nadia? 321 00:25:14,985 --> 00:25:17,368 That feel good? 322 00:25:17,368 --> 00:25:18,706 Getting it all off your chest? 323 00:25:18,706 --> 00:25:20,421 ‐ She figured it out on her own. 324 00:25:20,421 --> 00:25:22,469 ‐ Well, now she won't talk to me either. 325 00:25:22,469 --> 00:25:25,731 Is there anything you can't fuck up? 326 00:25:25,731 --> 00:25:28,156 Now, get out, Pop. I'm done with your shit. 327 00:25:28,156 --> 00:25:29,871 ‐ You gotta watch your back, Abdi. 328 00:25:29,871 --> 00:25:30,958 ‐ You're here to threaten me again? 329 00:25:30,958 --> 00:25:32,504 ‐ I'm warning you about Ace. 330 00:25:32,504 --> 00:25:34,931 ‐ A little late for that. ‐ And your man. 331 00:25:34,931 --> 00:25:36,811 The big one, Hassan? 332 00:25:36,811 --> 00:25:38,651 They're working together. ABDI: Bullshit. 333 00:25:38,651 --> 00:25:40,240 ‐ I seen them together up at Marsten. 334 00:25:40,240 --> 00:25:43,000 ‐ Hassan? POP: Not just them either. 335 00:25:43,000 --> 00:25:45,007 Cops, the goddamn city councilwoman, 336 00:25:45,007 --> 00:25:47,223 all listening to fucking Ace? 337 00:25:47,223 --> 00:25:49,188 Something's wrong. 338 00:25:49,188 --> 00:25:51,195 Something bad is coming. 339 00:25:51,195 --> 00:25:52,533 Listen to me. 340 00:25:52,533 --> 00:25:53,829 I'm old enough to remember things 341 00:25:53,829 --> 00:25:55,252 you can't even fucking imagine. 342 00:25:55,252 --> 00:25:57,049 ‐ And I'm old enough to remember 343 00:25:57,049 --> 00:26:00,227 that a fucking week ago, I was tied to a fucking chair. 344 00:26:00,227 --> 00:26:03,991 [gun cocking] Stay away from me and my family. 345 00:26:03,991 --> 00:26:07,001 [jackhammer pounding] 346 00:26:07,001 --> 00:26:10,012 [indistinct shouting] 347 00:26:10,012 --> 00:26:14,234 ♪ ♪ 348 00:26:14,234 --> 00:26:16,952 ACE: Nearly all 38 of us have our new vessels. 349 00:26:16,952 --> 00:26:19,002 Soon our prophet will return. 350 00:26:19,002 --> 00:26:21,051 ‐ Tomorrow the final steps begin. 351 00:26:21,051 --> 00:26:22,639 ACE: We'll do it here, 352 00:26:22,639 --> 00:26:25,858 where the most people will be gathered, 353 00:26:25,858 --> 00:26:29,246 before their temple to their false God. 354 00:26:29,246 --> 00:26:35,350 ♪ ♪ 355 00:26:35,350 --> 00:26:38,278 ‐ The police have the vessel. 356 00:26:38,278 --> 00:26:39,907 Ms. Wilkes. 357 00:26:40,953 --> 00:26:43,128 ‐ Patrice. ‐ What? 358 00:26:43,128 --> 00:26:45,051 ‐ The prophet's vessel. 359 00:26:45,051 --> 00:26:47,351 She's gotten herself into some trouble. 360 00:26:47,351 --> 00:26:50,028 She just became your responsibility. 361 00:26:50,028 --> 00:26:57,052 ♪ ♪ 362 00:27:00,522 --> 00:27:01,557 AUGUSTIN: [speaking French] 363 00:27:11,394 --> 00:27:14,363 [dramatic music] 364 00:27:18,167 --> 00:27:21,304 ♪ ♪ 365 00:27:21,304 --> 00:27:24,606 VILLAGER: Non, non, non! Amity! 366 00:27:24,606 --> 00:27:27,617 [shouting] 367 00:27:27,617 --> 00:27:29,290 Aidez‐moi! 368 00:27:29,290 --> 00:27:31,882 ‐ [speaking French] 369 00:27:31,882 --> 00:27:33,472 [groaning and shouting] 370 00:27:33,472 --> 00:27:35,771 Mon Dieu! 371 00:27:35,771 --> 00:27:38,782 [villagers screaming] 372 00:27:38,782 --> 00:27:41,792 [fires roaring] 373 00:28:16,121 --> 00:28:22,685 ♪ ♪ 374 00:28:25,655 --> 00:28:28,248 [moaning] 375 00:28:28,248 --> 00:28:35,020 ♪ ♪ 376 00:28:41,167 --> 00:28:44,178 [indistinct chatter] 377 00:28:45,266 --> 00:28:48,652 [both moaning] 378 00:28:48,652 --> 00:28:51,872 [gravel crunching] 379 00:28:51,872 --> 00:28:53,461 [car door clicks open] 380 00:28:53,461 --> 00:28:55,802 ♪ ♪ 381 00:29:07,259 --> 00:29:08,472 ‐ You didn't bring her. 382 00:29:08,472 --> 00:29:09,601 PATRICE: She's at the station 383 00:29:09,601 --> 00:29:10,980 and it's gonna take some time. 384 00:29:10,980 --> 00:29:12,778 But, Augustin, her head's swimming 385 00:29:12,778 --> 00:29:14,410 with the same evil medicines as this one. 386 00:29:14,410 --> 00:29:15,956 Antipsychotics. 387 00:29:15,956 --> 00:29:17,253 We almost lost Helene. 388 00:29:17,253 --> 00:29:18,758 We could lose the prophet too. 389 00:29:19,761 --> 00:29:21,518 ‐ It's not a problem now that we know. 390 00:29:23,189 --> 00:29:24,988 We'll sober her, clear the fog. 391 00:29:24,988 --> 00:29:26,368 ‐ There isn't time for that. 392 00:29:26,368 --> 00:29:27,706 Augustin, please, we didn't know 393 00:29:27,706 --> 00:29:29,210 about these mind‐altering chemicals, 394 00:29:29,210 --> 00:29:30,214 nor did the prophet. 395 00:29:30,214 --> 00:29:31,636 ‐ She brought me back. 396 00:29:33,351 --> 00:29:35,943 The Wilkes woman brought all of us back. 397 00:29:38,620 --> 00:29:40,835 ‐ You're seeing signs where there are none. 398 00:29:40,835 --> 00:29:43,093 ACE: And what signs do you see, Patrice? 399 00:29:45,100 --> 00:29:46,856 What vessel is suitable? 400 00:29:46,856 --> 00:29:49,407 Clearly you have the gift of sight. 401 00:29:49,407 --> 00:29:51,540 The angel has touched you. 402 00:29:51,540 --> 00:29:54,384 Show us the proper vessel. 403 00:29:54,384 --> 00:29:59,569 ♪ ♪ 404 00:30:20,265 --> 00:30:21,980 [door clatters shut] 405 00:30:48,615 --> 00:30:50,748 ♪ ♪ 406 00:30:53,967 --> 00:30:57,020 ♪ ♪ 407 00:31:12,491 --> 00:31:16,379 [choking] 408 00:31:18,010 --> 00:31:21,020 [beetles buzzing] 409 00:32:05,092 --> 00:32:07,224 ‐ [grunting] 410 00:32:07,224 --> 00:32:09,900 [tense music] 411 00:32:09,900 --> 00:32:12,200 ‐ [grunting] 412 00:32:12,200 --> 00:32:19,225 ♪ ♪ 413 00:32:37,707 --> 00:32:40,006 [teeth chomping] 414 00:32:40,006 --> 00:32:41,469 AMITY: [shushes] 415 00:33:20,482 --> 00:33:23,117 YOUNG VILLAGER: [gulping] 416 00:33:23,117 --> 00:33:26,545 [whimpering] 417 00:33:26,545 --> 00:33:29,179 AMITY: [shushes] 418 00:33:29,179 --> 00:33:33,110 [humming] 419 00:33:33,110 --> 00:33:34,448 [suspenseful music] 420 00:33:34,448 --> 00:33:37,499 [all shouting] 421 00:33:37,499 --> 00:33:40,385 [villager crying] 422 00:33:40,385 --> 00:33:47,409 ♪ ♪ 423 00:34:15,718 --> 00:34:22,282 ♪ ♪ 424 00:34:25,754 --> 00:34:28,679 [hammer banging] 425 00:34:28,679 --> 00:34:31,775 AMITY: [breathing heavily] 426 00:34:46,789 --> 00:34:47,814 AUGUSTIN: [speaking French] 427 00:36:03,138 --> 00:36:06,148 [choking] 428 00:36:12,795 --> 00:36:15,221 [gagging] 429 00:36:30,985 --> 00:36:34,205 [lid rumbling] 430 00:36:34,205 --> 00:36:39,055 EMCEE: Castle Rock's 400th anniversary parade has begun! 431 00:36:39,055 --> 00:36:40,309 [upbeat music playing] 432 00:36:40,309 --> 00:36:44,156 [horn honking, engines revving] 433 00:36:44,156 --> 00:36:46,080 [crowd cheering] 434 00:36:46,080 --> 00:36:53,104 ♪ ♪ 435 00:36:54,108 --> 00:36:57,369 [engines rumbling, indistinct chatter] 436 00:36:57,369 --> 00:37:00,087 [power saw buzzing] 437 00:37:12,672 --> 00:37:14,304 [insects chittering] 438 00:37:14,304 --> 00:37:17,314 [birds chirping] 439 00:37:28,813 --> 00:37:30,402 EMCEE: Here she comes, folks! 440 00:37:30,402 --> 00:37:32,869 The Witch of Jerusalem's Lot. 441 00:37:32,869 --> 00:37:34,959 [crowd cheering] 442 00:37:34,959 --> 00:37:38,346 Give yourselves a hand for coming out today, 443 00:37:38,346 --> 00:37:41,316 celebrating 400 years of beauty. 444 00:37:41,316 --> 00:37:44,493 Now let's all give a big, warm Castle Rock welcome 445 00:37:44,493 --> 00:37:49,051 to the brothers and sisters of Jerusalem's Lot! 446 00:37:49,051 --> 00:37:50,556 ‐ I haven't seen a crowd this big 447 00:37:50,556 --> 00:37:53,691 since the 1992 Thanksgiving Day! 448 00:37:53,691 --> 00:37:55,615 Let's hear it for Castle Rock! 449 00:37:55,615 --> 00:37:57,330 ♪ ♪ 450 00:37:57,330 --> 00:37:58,918 EMCEE: Look at that car. 451 00:37:58,918 --> 00:38:01,929 [birds chirping] 452 00:38:01,929 --> 00:38:04,940 [soft dramatic music] 453 00:38:04,940 --> 00:38:08,703 ♪ ♪ 454 00:38:08,703 --> 00:38:10,961 ABDI: What the fuck? 455 00:38:10,961 --> 00:38:17,985 ♪ ♪ 456 00:38:23,756 --> 00:38:27,101 [fire roaring] 457 00:38:27,101 --> 00:38:32,996 ♪ ♪ 458 00:38:32,996 --> 00:38:34,670 [gunshot] 459 00:38:34,670 --> 00:38:37,680 [cheers and applause] 460 00:38:37,680 --> 00:38:40,691 [lively music playing] 461 00:38:40,691 --> 00:38:43,242 [brakes squeak] 462 00:38:43,242 --> 00:38:45,499 ‐ [sighs] Any trouble so far? 463 00:38:45,499 --> 00:38:47,339 ‐ Oh, no. All's well. 464 00:38:47,339 --> 00:38:49,596 I can let you through if you need to get to the emporium. 465 00:38:49,596 --> 00:38:51,311 ‐ No, I'm gonna take a look. 466 00:38:51,311 --> 00:38:52,858 EMCEE: Hey, folks, please welcome 467 00:38:52,858 --> 00:38:54,698 Castle Rock's very own Pastor Drew. 468 00:38:54,698 --> 00:38:57,458 [cheers and applause] ‐ I'm glad you could make it. 469 00:38:58,754 --> 00:39:00,510 DREW: Good afternoon, good afternoon. 470 00:39:00,510 --> 00:39:03,103 I see a lot of my parishioners out there. 471 00:39:03,103 --> 00:39:04,775 [cheers and applause] 472 00:39:04,775 --> 00:39:08,622 We thank you for coming. We are so thankful. 473 00:39:08,622 --> 00:39:12,050 We want to share our gratitude with you with a gift. 474 00:39:12,050 --> 00:39:15,061 [tense music] 475 00:39:15,061 --> 00:39:22,086 ♪ ♪ 476 00:39:29,612 --> 00:39:31,075 POP: Ace. 477 00:39:31,954 --> 00:39:36,804 ‐ A blessing that will unify all of us. 478 00:39:36,804 --> 00:39:38,769 [people murmuring] 479 00:39:38,769 --> 00:39:41,153 ♪ ♪ 480 00:39:41,153 --> 00:39:42,825 POP: What the fuck are you doing, Ace? 481 00:39:42,825 --> 00:39:44,582 OFFICER: Excuse me, sir! ‐ Hey, where you going, Pop? 482 00:39:44,582 --> 00:39:46,128 POP: Something bad is coming! OFFICER: Step back. 483 00:39:46,128 --> 00:39:47,885 POP: What are you up to? OFFICER: Come on. 484 00:39:47,885 --> 00:39:49,390 ‐ [grunts] Get off me! 485 00:39:49,390 --> 00:39:50,478 Get off! 486 00:39:50,478 --> 00:39:57,502 ♪ ♪ 487 00:39:57,502 --> 00:40:01,934 [eerie howling] 488 00:40:17,948 --> 00:40:24,973 ♪ ♪ 489 00:40:29,112 --> 00:40:32,834 [eerie howling] 490 00:40:32,834 --> 00:40:38,354 ♪ ♪ 491 00:40:38,354 --> 00:40:41,365 [eerie howling] 492 00:40:49,602 --> 00:40:56,293 ♪ ♪ 493 00:41:08,418 --> 00:41:11,471 [eerie howling] 494 00:41:11,471 --> 00:41:15,191 ♪ ♪ 495 00:41:17,993 --> 00:41:21,003 [ethereal music] 496 00:41:21,003 --> 00:41:28,028 ♪ ♪ 497 00:41:59,390 --> 00:42:02,148 [dramatic music] 498 00:42:02,148 --> 00:42:09,005 ♪ ♪ 499 00:42:10,511 --> 00:42:15,864 ‐ Let me tell you a story about starting over. 500 00:42:15,864 --> 00:42:17,494 [sparse piano music] 501 00:42:17,494 --> 00:42:19,961 Someone once said 502 00:42:19,961 --> 00:42:24,644 that every good story ends where it begins. 503 00:42:24,644 --> 00:42:28,742 Well, this one begins right here in Castle Rock, 504 00:42:28,742 --> 00:42:31,334 and it will end here too. 505 00:42:31,334 --> 00:42:38,317 ♪ ♪ 506 00:43:56,592 --> 00:43:58,223 CHILDREN: Bad Robot.