1
00:00:01,914 --> 00:00:05,918
[woman] PREVIOUSLY ON
BATTLESTAR GALACTICA...

2
00:00:05,962 --> 00:00:08,051
[Adama] HAIRLINE FRACTURES
IN ALL THE BEAMS.

3
00:00:08,095 --> 00:00:10,053
IT'S IN HER BONES,
ADMIRAL.

4
00:00:10,097 --> 00:00:11,359
[Tyrol] THERE'S SOMETHING ON
THE BASE SHIP THAT CAN HELP.

5
00:00:11,402 --> 00:00:13,491
IT'S THIS ORGANIC RESIN.

6
00:00:13,535 --> 00:00:15,102
IT'LL GROW INTO THE METAL.

7
00:00:15,145 --> 00:00:17,104
STRENGTHENS IT AS IT MATURES.

8
00:00:17,147 --> 00:00:19,193
[Roslin]
OH, MY GODS.

9
00:00:19,236 --> 00:00:20,759
IT'S ELLEN TIGH.

10
00:00:20,803 --> 00:00:22,065
NICE TO SEE YOU AGAIN.

11
00:00:22,109 --> 00:00:23,806
THIS IS BOOMER.

12
00:00:23,849 --> 00:00:25,286
MARINES.

13
00:00:25,329 --> 00:00:27,027
TAKE THIS NUMBER EIGHT
TO THE BRIG.

14
00:00:31,727 --> 00:00:33,685
[grunts]

15
00:00:35,252 --> 00:00:37,080
IF THAT'S ME LYING THERE,
THEN WHAT AM I?

16
00:00:37,124 --> 00:00:40,083
WHAT AM I?

17
00:00:56,273 --> 00:00:57,840
[Hoshi over intercom]
REVEILLE, REVEILLE.

18
00:00:57,883 --> 00:00:59,624
UP ALL BUNKS AND TURN TO.

19
00:00:59,668 --> 00:01:01,583
SWEEP DOWN ALL COMPARTMENTS.

20
00:01:01,626 --> 00:01:03,846
EMPTY ALL TRASH CANS.

21
00:01:03,889 --> 00:01:05,935
MAKE A CLEAN SWEEP
FORE AND AFT.

22
00:01:05,978 --> 00:01:08,111
LAY BELOW TO THE MASTER-AT-ARMS OFFICE FOR MUSTER,

23
00:01:08,155 --> 00:01:10,418
ALL RESTRICTED PERSONNEL.

24
00:01:46,715 --> 00:01:48,804
[man]
ATTENTION ON DECK.

25
00:01:50,980 --> 00:01:53,069
HAVE A SEAT.

26
00:01:53,113 --> 00:01:55,767
IT'S 0621.

27
00:01:55,811 --> 00:02:00,032
SYNC WITH ME
IN THREE, TWO, ONE.

28
00:02:00,076 --> 00:02:01,947
HACK 0621.

29
00:02:01,991 --> 00:02:06,213
OUR MISSION IS
THE SAME THIS WEEK...

30
00:02:06,256 --> 00:02:11,131
AS IT WAS THE WEEK BEFORE THAT,
AND THE WEEK BEFORE THAT.

31
00:02:11,174 --> 00:02:13,002
WE'LL BE FLYING VIPER CAPS
IN CONJUNCTION

32
00:02:13,045 --> 00:02:15,352
WITH HEAVY RAIDER PICKETS
FROM THE BASE SHIP.

33
00:02:15,396 --> 00:02:17,137
[both Starbucks overlapping]
THOSE OF YOU WHO JUST CAME BACK

34
00:02:17,180 --> 00:02:18,921
FROM SIX-DAY PLANET HUNTS

35
00:02:18,964 --> 00:02:21,184
WILL GET TWO DAYS LOCAL DUTY

36
00:02:21,228 --> 00:02:23,882
BEFORE GOING OUT AGAIN.

37
00:02:23,926 --> 00:02:25,928
REMEMBER,
THE FIRST ONE WHO SIGHTS

38
00:02:25,971 --> 00:02:28,148
A HABITABLE ROCK WILL GET THIS

39
00:02:28,191 --> 00:02:30,889
FINE ORAL HYGIENE PRODUCT.

40
00:02:30,933 --> 00:02:32,282
IT IS THE LAST TUBE
OF TAURAN TOOTHPASTE

41
00:02:32,326 --> 00:02:34,763
IN THE UNIVERSE.

42
00:02:34,806 --> 00:02:36,156
GODS KNOW MOST OF YOU NEED IT.

43
00:02:38,549 --> 00:02:41,073
[whispering] OUR MISSION
IS THE SAME THIS WEEK

44
00:02:41,117 --> 00:02:43,075
AS IT WAS THE WEEK BEFORE THAT,

45
00:02:43,119 --> 00:02:45,295
AND THE WEEK BEFORE THAT.

46
00:02:45,339 --> 00:02:47,471
PLANET HUNTERS, MAKE SURE TO
DRAW LONG DURATION PROVISIONS.

47
00:02:47,515 --> 00:02:50,909
IF THOSE CLAPPED-OUT FTLs
GO DOWN WHEN YOU'RE OUT THERE,

48
00:02:50,953 --> 00:02:52,172
YOU'RE GONNA GET
MIGHTY HUNGRY WAITING

49
00:02:52,215 --> 00:02:54,130
FOR THE SAR BIRDS
TO FIND YOU.

50
00:02:54,174 --> 00:02:55,740
AS YOU KNOW,

51
00:02:55,784 --> 00:02:57,612
THE MUTINY HAS THINNED
OUR RANKS.

52
00:02:57,655 --> 00:02:58,917
WE CANNOT GIVE

53
00:02:58,961 --> 00:03:01,833
ALL YOU RAPTOR JOCKS
BACK-SEATERS.

54
00:03:01,877 --> 00:03:05,924
SAVOR THIS ALONE TIME,
BUT DO NOT WHACK TOO MUCH.

55
00:03:05,968 --> 00:03:07,883
WE NEED YOU TO CONSERVE
YOUR O2.

56
00:03:07,926 --> 00:03:10,015
[whispering]
LEARN TO SAVOR YOUR ALONE TIME.

57
00:03:10,059 --> 00:03:12,279
WANK AS LITTLE AS POSSIBLE.
CONSERVE YOUR O2.

58
00:03:12,322 --> 00:03:13,323
OUR MISSION IS THE SAME
THIS WEEK

59
00:03:13,367 --> 00:03:14,672
AS IT WAS
THE WEEK BEFORE THAT...

60
00:03:14,716 --> 00:03:16,718
PLANET SEARCH ASSIGNMENTS
ARE ON THE DUTY BOARD.

61
00:03:16,761 --> 00:03:19,373
BE ADVISED THE REPAIRS
TO GALACTICA WILL CONTINUE

62
00:03:19,416 --> 00:03:21,244
TO CAUSE
SPORADIC POWER OUTAGES.

63
00:03:21,288 --> 00:03:23,507
SIX HAS THE COLOR ASSIGNMENTS

64
00:03:23,551 --> 00:03:25,509
AND YOUR RECOGNITION SIGNALS.

65
00:03:25,553 --> 00:03:27,250
ENGINES START AT 0710.

66
00:03:27,294 --> 00:03:29,818
GOOD HUNTING.

67
00:03:31,907 --> 00:03:34,997
SO THE STOP-DRILLING
AND THE SHORING COMPOUND

68
00:03:35,040 --> 00:03:37,826
WILL BUY THE GALACTICA
A FEW MORE JUMPS.

69
00:03:37,869 --> 00:03:40,611
BUT NOT MANY.

70
00:03:40,655 --> 00:03:42,091
HOW MANY?

71
00:03:42,134 --> 00:03:46,051
IMPOSSIBLE TO SAY... UNTIL THE HULL CAVES IN.

72
00:03:46,095 --> 00:03:49,881
BUT WE'RE NOT READY TO GIVE UP
ON THE OLD GIRL JUST YET.

73
00:03:49,925 --> 00:03:54,103
[Lee] WELL,
IF THERE'S NOTHING ELSE, SONJA...

74
00:03:54,146 --> 00:03:56,888
I WANNA CONGRATULATE YOU
ON YOUR ELECTION.

75
00:03:56,932 --> 00:03:58,847
I LOOK FORWARD TO SEEING YOU
TAKING YOUR SEAT

76
00:03:58,890 --> 00:04:00,631
IN THE QUORUM
OF SHIP'S CAPTAINS NEXT WEEK.

77
00:04:00,675 --> 00:04:02,851
[Sonja] THANK YOU,
BUT YOU SHOULD KNOW SOMETHING.

78
00:04:02,894 --> 00:04:05,462
WHEN WE CONVENE,
I INTEND TO FORMALLY REQUEST

79
00:04:05,506 --> 00:04:07,377
THAT THE EIGHT
YOU'RE HOLDING

80
00:04:07,421 --> 00:04:08,987
IN GALACTICA'S BRIG...

81
00:04:09,031 --> 00:04:10,380
BE RETURNED TO US.

82
00:04:10,424 --> 00:04:12,426
BOOMER?

83
00:04:12,469 --> 00:04:14,036
YES,
SHARON VALERII.

84
00:04:14,079 --> 00:04:16,256
SHE PUT TWO HOLES IN ME.

85
00:04:16,299 --> 00:04:18,301
I'M AFRAID
I DIDN'T WORD THAT RIGHT.

86
00:04:18,345 --> 00:04:21,086
WE DON'T WANT
BOOMER SET FREE.

87
00:04:21,130 --> 00:04:22,566
WE WANNA TRY BOOMER
FOR TREASON.

88
00:04:25,177 --> 00:04:30,052
SHARON VALERII SIDED WITH CAVIL
IN THE CYLON CIVIL WAR,

89
00:04:30,095 --> 00:04:32,707
WHICH KILLED THOUSANDS
OF OUR COMRADES.

90
00:04:32,750 --> 00:04:35,623
AND IF SHE'S CONVICTED?

91
00:04:35,666 --> 00:04:37,277
BEFORE THE CIVIL WAR,

92
00:04:37,320 --> 00:04:40,062
RESURRECTION MADE
CAPITAL PUNISHMENT POINTLESS.

93
00:04:40,105 --> 00:04:42,107
BUT NOW THAT
WE'RE ALL MORTAL...

94
00:04:42,151 --> 00:04:45,850
YOU WANT TO KILL HER.

95
00:04:50,246 --> 00:04:53,205
[ethereal music]

96
00:04:53,249 --> 00:05:01,257
♪

97
00:05:54,615 --> 00:05:56,617
[Ellen] THERE'S A LOT
STILL GOING ON IN THERE.

98
00:05:56,660 --> 00:05:58,401
[Cottle]
DR. GERARD SAID THESE READINGS

99
00:05:58,445 --> 00:06:00,969
ARE UNPRECEDENTED
AND, FRANKLY, BIZARRE.

100
00:06:01,012 --> 00:06:03,014
THEY HAVEN'T CHANGED
IN WEEKS.

101
00:06:03,058 --> 00:06:04,973
AND THERE IS NOTHING
TO INDICATE THAT HE'S HAVING

102
00:06:05,016 --> 00:06:07,932
ANY KIND
OF CONSCIOUS THOUGHT.

103
00:06:07,976 --> 00:06:09,499
[Sharon] WELL,
MAYBE HIS BRAIN IS REBOOTING.

104
00:06:09,543 --> 00:06:11,501
REORGANIZING AS IT HEALS.

105
00:06:11,545 --> 00:06:13,373
[Cottle] THE LAST THING WE
NEED IS YOU JERKING OUR CHAINS

106
00:06:13,416 --> 00:06:15,070
WITH A LOTTA QUACK IDEAS.

107
00:06:15,113 --> 00:06:17,464
SO WHY DON'T YOU
TAKE THEM SOMEPLACE ELSE?

108
00:06:20,118 --> 00:06:22,686
[Sharon] WHAT IF WE COULD LINK HIM
TO A DATASTREAM LIKE OUR HYBRIDS?

109
00:06:22,730 --> 00:06:25,385
HIS EYES WERE CLOSED
LAST TIME.

110
00:06:25,428 --> 00:06:27,822
WELL, THAT'S NOT UNUSUAL
IN A COMA.

111
00:06:27,865 --> 00:06:29,693
DOESN'T MEAN ANYTHING.

112
00:06:29,737 --> 00:06:33,436
YOU'RE GONNA HAVE TO COME
TO GRIPS WITH THAT.

113
00:06:33,480 --> 00:06:36,178
AND HOW AM I SUPPOSED
TO DO THAT?

114
00:06:36,221 --> 00:06:39,616
[Cottle] YOU NEED TO
GET ON WITH YOUR LIFE.

115
00:06:39,660 --> 00:06:42,793
IF THERE'S ANY CHANGE,
YOU'LL BE THE FIRST ONE TO KNOW.

116
00:07:11,300 --> 00:07:12,301
GODS DAMN IT.

117
00:07:12,344 --> 00:07:13,433
DO YOU HAVE
TO CONTINUE TO PLAY

118
00:07:13,476 --> 00:07:14,782
THE SAME LAME-ASS SONG?

119
00:07:14,825 --> 00:07:17,132
GIVE IT A REST.

120
00:07:17,175 --> 00:07:18,916
I'M NOT PLAYING THE SAME
LAME-ASS SONG.

121
00:07:18,960 --> 00:07:20,962
I'M COMPOSING IT.

122
00:07:21,005 --> 00:07:22,050
BEEN AT IT
FOR FOUR DAYS NOW.

123
00:07:22,093 --> 00:07:24,835
IT'S... IT'S HELL.

124
00:07:24,879 --> 00:07:26,358
SO THEN QUIT.

125
00:07:26,402 --> 00:07:27,534
WHAT'S THE POINT?

126
00:07:27,577 --> 00:07:30,841
THE POINT?

127
00:07:30,885 --> 00:07:33,061
THE POINT
IS TO BRING A LITTLE GRACE

128
00:07:33,104 --> 00:07:36,194
AND BEAUTY TO AN OTHERWISE UGLY
AND BRUTAL EXISTENCE.

129
00:07:36,238 --> 00:07:38,849
OH, GIMME A FRAKKING BREAK.

130
00:07:38,893 --> 00:07:40,242
IS THAT WHAT YOU WERE DOING
WHEN THE CYLONS

131
00:07:40,285 --> 00:07:43,158
ATTACKED THE 12 COLONIES?

132
00:07:43,201 --> 00:07:46,074
DID YOUR MUSIC
STOP ONE MISSILE?

133
00:07:46,117 --> 00:07:49,338
PRETTY CYNICAL
POINT OF VIEW.

134
00:07:53,081 --> 00:07:56,345
SOMETHING HAPPENED
TO YOU.

135
00:07:56,388 --> 00:07:58,956
YEAH.

136
00:07:59,000 --> 00:08:00,523
I WONDER WHAT IT COULD BE.

137
00:08:00,567 --> 00:08:02,612
[Rafferty]
OKAY, CLOSING TIME.

138
00:08:02,656 --> 00:08:04,135
DRINK UP
AND LET'S GO, FOLKS.

139
00:08:04,179 --> 00:08:06,268
[clears throat]

140
00:08:06,311 --> 00:08:09,401
I HAVE AN OBSERVATION
FOR YOU.

141
00:08:09,445 --> 00:08:10,707
YOU WANNA BE
AN IMMORTAL COMPOSER,

142
00:08:10,751 --> 00:08:14,755
YOU BETTER LEARN HOW TO PLAY
THAT THING FIRST.

143
00:08:59,408 --> 00:09:03,194
[Tyrol]
YOU KNOW, SOMETIMES AT WORK,

144
00:09:03,238 --> 00:09:07,285
I TRY TO CONJURE UP
WHAT YOUR FACE LOOKS LIKE.

145
00:09:07,329 --> 00:09:09,331
CURVE OF YOUR LIPS.

146
00:09:09,374 --> 00:09:10,985
WAY YOUR HAIR FALLS.

147
00:09:11,028 --> 00:09:13,248
HOW YOU SMELL.

148
00:09:13,291 --> 00:09:16,338
YOU SEE MY FACE
EVERY DAY.

149
00:09:16,381 --> 00:09:18,253
YEAH, BUT NOT LIKE THIS.

150
00:09:18,296 --> 00:09:19,950
[chuckling]

151
00:09:21,648 --> 00:09:23,388
[Boomer]
YOU KNOW, WHAT WE HAD...

152
00:09:23,432 --> 00:09:24,215
[Tyrol]
IT WAS NOTHING.

153
00:09:24,259 --> 00:09:25,869
NOTHING.

154
00:09:25,913 --> 00:09:27,392
YOU'RE A MACHINE.

155
00:09:27,436 --> 00:09:29,046
I'M NOT.

156
00:09:29,090 --> 00:09:31,440
WELL, WHATEVER I AM,
I KNOW HOW I FELT.

157
00:09:31,483 --> 00:09:33,181
SOFTWARE
DOESN'T HAVE FEELINGS.

158
00:09:35,662 --> 00:09:37,098
[Tyrol] HOW MANY OF US
ENDED UP WITH THE PEOPLE

159
00:09:37,141 --> 00:09:39,317
WE REALLY WANTED TO BE WITH?

160
00:09:39,361 --> 00:09:41,798
GOT STUCK WITH THE BEST
OF LIMITED OPTIONS?

161
00:09:41,842 --> 00:09:43,408
AND WHY?

162
00:09:43,452 --> 00:09:47,108
BECAUSE THE ONES
WE REALLY WANTED...

163
00:09:47,151 --> 00:09:50,851
THAT WE REALLY LOVED
WERE DEAD, DYING...

164
00:09:50,894 --> 00:09:53,723
NO, NO, NO,
NO, NO, NO, NO.

165
00:09:53,767 --> 00:09:56,291
NO, HEY, HEY.

166
00:09:56,334 --> 00:09:58,336
HEY, HEY, SHH, HEY, HEY.

167
00:09:58,380 --> 00:10:00,904
I LOVE YOU, CHIEF.

168
00:10:14,657 --> 00:10:16,833
GODS DAMN IT.

169
00:10:16,877 --> 00:10:21,098
COME ON, PEOPLE, YOU CAN'T DRAW
YOUR POWER FROM THE SAME BUS!

170
00:10:28,279 --> 00:10:29,977
[Starbuck] YOU SAID YOU
HAD SOMETHING FOR ME.

171
00:10:30,020 --> 00:10:31,065
[Helo]
COME IN.

172
00:10:36,461 --> 00:10:39,464
I GOT SOMETHING
THAT'LL CHEER YOU UP.

173
00:10:42,554 --> 00:10:45,645
HEY, HERA.

174
00:10:45,688 --> 00:10:49,997
WHATCHA DRAWING, STARS?

175
00:10:50,040 --> 00:10:54,566
THOSE ARE
VERY GOOD STARS.

176
00:10:54,610 --> 00:10:56,612
THANK YOU.[chuckling]

177
00:10:59,441 --> 00:11:01,486
[Helo]
RECOGNIZE ANY OF THIS?

178
00:11:01,530 --> 00:11:03,401
THAT'S MY STUFF.

179
00:11:03,445 --> 00:11:07,318
WHEN WE ALL THOUGHT
YOU WERE DEAD...

180
00:11:07,362 --> 00:11:08,711
YEAH, THE PILOTS AUCTIONED
IT OFF, I KNOW.

181
00:11:11,322 --> 00:11:12,759
TOOK ME A WHILE
BUT I MANAGED

182
00:11:12,802 --> 00:11:15,370
TO BUY, BEG,
AND STEAL THEM BACK.

183
00:11:25,467 --> 00:11:26,642
THAT FOR ME?

184
00:11:28,513 --> 00:11:29,689
THANK YOU.

185
00:11:32,909 --> 00:11:35,346
THANK YOU.

186
00:11:35,390 --> 00:11:37,305
HEY.

187
00:11:37,348 --> 00:11:38,436
WHAT ABOUT THE REST?

188
00:11:38,480 --> 00:11:41,570
KEEP IT.

189
00:12:28,051 --> 00:12:30,053
THANK GOD.

190
00:12:33,013 --> 00:12:34,449
I DON'T KNOW
WHY I'M HERE.

191
00:12:40,498 --> 00:12:43,458
YOU KNOW,
WHEN I SHOT THE OLD MAN,

192
00:12:43,501 --> 00:12:46,896
THE THINGS
THAT YOU SAID TO ME...

193
00:12:46,940 --> 00:12:50,682
THE WAY THAT YOU
LOOKED AT ME...

194
00:12:50,726 --> 00:12:56,384
I THOUGHT NEW CAPRICA WAS
A WAY TO SET THINGS RIGHT.

195
00:12:56,427 --> 00:12:59,953
YOU CAN'T FORCE PEOPLE TO LOVE
YOU AT THE POINT OF A GUN.

196
00:12:59,996 --> 00:13:03,913
I KNOW THAT NOW.

197
00:13:03,957 --> 00:13:07,395
BUT AT THE TIME
I FELT BETRAYED.

198
00:13:07,438 --> 00:13:10,877
SO I WANTED
TO FORGET YOU...

199
00:13:10,920 --> 00:13:12,574
AND HATE YOU.

200
00:13:15,577 --> 00:13:19,189
DIDN'T WORK.

201
00:13:19,233 --> 00:13:20,843
I'VE THOUGHT
ABOUT YOU EVERY DAY

202
00:13:20,887 --> 00:13:24,281
SINCE THAT MOMENT
I DIED IN YOUR ARMS.

203
00:13:32,855 --> 00:13:35,162
ME TOO.

204
00:13:39,688 --> 00:13:43,561
IF I HAD KNOWN BACK THEN
WHAT I AM...

205
00:13:48,697 --> 00:13:51,265
I KNOW.

206
00:13:51,308 --> 00:13:54,442
GALEN, IT'S OKAY, REALLY.

207
00:13:54,485 --> 00:13:56,574
I MEAN, THE MOST IMPORTANT THING
IS THAT WE BOTH

208
00:13:56,618 --> 00:13:59,055
KNOW WHO WE ARE NOW.

209
00:14:05,061 --> 00:14:07,150
LET'S MAKE THE MOST
WITH THE TIME THAT WE HAVE LEFT.

210
00:14:10,066 --> 00:14:13,069
PLEASE?

211
00:14:35,048 --> 00:14:38,051
[Boomer humming]

212
00:14:45,188 --> 00:14:47,930
WHAT THE HELL IS THIS?

213
00:14:47,974 --> 00:14:50,585
OUR HOUSE.

214
00:14:50,628 --> 00:14:52,761
ON PICON.

215
00:14:52,804 --> 00:14:54,850
IT'S THE ONE
THAT WE PLANNED TO BUILD

216
00:14:54,894 --> 00:14:56,678
WHEN WE MUSTERED OUT.

217
00:15:06,209 --> 00:15:08,603
STOP IT.
STOP IT.

218
00:15:08,646 --> 00:15:12,694
STOP THIS.

219
00:15:12,737 --> 00:15:14,087
I'M SORRY, GALEN.

220
00:15:14,130 --> 00:15:15,958
I THOUGHT YOU'D BE OKAY
WITH CYLON PROJECTION.

221
00:15:39,764 --> 00:15:42,767
[applauds]

222
00:15:44,334 --> 00:15:46,032
THE CRITIC RETURNS.

223
00:15:46,075 --> 00:15:48,512
I THOUGHT I'D SEE IF YOU
WERE MAKING ANY PROGRESS.

224
00:15:48,556 --> 00:15:50,166
YOU TELL ME.

225
00:15:50,210 --> 00:15:52,560
IT'S LONGER.

226
00:15:52,603 --> 00:15:54,040
LOTTA NOTES.

227
00:15:54,083 --> 00:15:55,084
YOU HATE IT?

228
00:15:55,128 --> 00:15:56,999
I DIDN'T SAY THAT.

229
00:15:57,043 --> 00:16:01,003
YOU WERE SAVAGELY HONEST
WITH ME THE OTHER NIGHT.

230
00:16:01,047 --> 00:16:02,613
WHY BE DIPLOMATIC NOW?

231
00:16:02,657 --> 00:16:04,876
I'M NOT BEING DIPLOMATIC,
YOU OVERSENSITIVE JACKASS.

232
00:16:04,920 --> 00:16:06,661
I SAID I LIKED IT.

233
00:16:06,704 --> 00:16:09,794
REALLY?

234
00:16:09,838 --> 00:16:11,840
WHY?

235
00:16:11,883 --> 00:16:13,842
[clears throat]

236
00:16:13,885 --> 00:16:19,195
UM... IT'S HARD
TO PUT INTO WORDS.

237
00:16:19,239 --> 00:16:24,896
UM, MADE ME THINK OF...
SOMEONE CHASING AFTER A CAR.

238
00:16:24,940 --> 00:16:28,378
NOT EXACTLY
WHAT I WAS GOING FOR.

239
00:16:28,422 --> 00:16:32,817
I WAS TRYING TO CONVEY
A SENSE OF LOSS.

240
00:16:32,861 --> 00:16:34,080
[stammering]

241
00:16:34,123 --> 00:16:37,039
THAT'S... THAT'S WHAT I MEANT.

242
00:16:37,083 --> 00:16:39,607
IT'S LIKE LOSING SOMEONE
THAT YOU CARE ABOUT.

243
00:16:39,650 --> 00:16:41,870
THEIR CAR PULLS AWAY.

244
00:16:41,913 --> 00:16:45,178
YOU... YOU CHASE 'EM.

245
00:16:45,221 --> 00:16:48,181
BUT THEY'RE GOING TOO FAST.

246
00:16:53,360 --> 00:16:55,231
[Tyrol]
SO THAT'S IT?

247
00:16:55,275 --> 00:16:57,364
WE'RE JUST GONNA SIT
ON OUR HANDS?

248
00:16:57,407 --> 00:16:58,800
LET OUR PEOPLE KILL HER
FOR VENGEANCE?

249
00:16:58,843 --> 00:17:00,323
WHAT DO YOU
EXPECT US TO DO?

250
00:17:00,367 --> 00:17:02,586
ISSUE A FORMAL DECREE
OF CLEMENCY?

251
00:17:02,630 --> 00:17:04,284
WE CAN'T INTERFERE.

252
00:17:04,327 --> 00:17:06,503
[Ellen] WE CAN'T SET
OURSELVES UP AS GODS.

253
00:17:06,547 --> 00:17:08,984
THE REBELS ARE
THE AGGRIEVED PARTIES.CAN'T.

254
00:17:09,028 --> 00:17:10,855
CAN'T, CAN'T... THEY HAVE EVERY
RIGHT TO DETERMINE

255
00:17:10,899 --> 00:17:12,074
VALERII'S PUNISHMENT.

256
00:17:12,118 --> 00:17:13,162
CAN'T!

257
00:17:13,206 --> 00:17:15,121
BOOMER SAVED YOUR LIFE.

258
00:17:15,164 --> 00:17:17,601
YOU WOULDN'T EVEN BE HERE
IF IT WASN'T FOR HER.

259
00:17:17,645 --> 00:17:19,908
AND I WILL TESTIFY TO THAT
AT HER TRIAL,

260
00:17:19,951 --> 00:17:21,083
BUT I WON'T TRY
TO STOP IT.

261
00:17:21,127 --> 00:17:24,347
WE HAVE TO LET JUSTICE
RUN ITS COURSE.

262
00:17:24,391 --> 00:17:29,961
THEN THEY WILL KILL HER.

263
00:17:30,005 --> 00:17:32,181
SURE AS HELL.

264
00:17:32,225 --> 00:17:34,618
WE'RE ALL IN HELL.

265
00:17:37,534 --> 00:17:39,101
THANKS FOR YOUR INPUT,
COLONEL.

266
00:17:39,145 --> 00:17:40,711
HE JUST LOST HIS CHILD,
FOR GOD'S SAKE.

267
00:17:40,755 --> 00:17:42,365
YOU LEAVE HIM BE.

268
00:17:51,896 --> 00:17:55,770
HOW LONG YOU BEEN...
GOING THERE?

269
00:17:55,813 --> 00:17:59,687
A WHILE.

270
00:17:59,730 --> 00:18:02,994
BECAME MY SECRET RETREAT.

271
00:18:03,038 --> 00:18:05,432
A WAY OF FEELING
CLOSE TO YOU.

272
00:18:08,478 --> 00:18:10,263
HEY, DO YOU REMEMBER

273
00:18:10,306 --> 00:18:14,397
HOW WE OBSESSED
OVER EVERY LITTLE DETAIL?

274
00:18:17,183 --> 00:18:21,056
UM, THAT WAS...
YOU... OBSESSING.

275
00:18:21,100 --> 00:18:25,104
I WAS JUST...
LISTENING.

276
00:18:25,147 --> 00:18:26,148
REALLY?

277
00:18:26,192 --> 00:18:28,019
HOW MANY FLOOR PLANS
DID YOU DRAW?

278
00:18:28,063 --> 00:18:32,241
UM...
THAT'S BEING THOROUGH.

279
00:18:32,285 --> 00:18:33,982
OH.

280
00:18:34,025 --> 00:18:36,550
[chuckling]

281
00:18:36,593 --> 00:18:38,987
WE NEVER HAD A CHANCE
TO BUILD OUR HOUSE,

282
00:18:39,030 --> 00:18:41,424
SO I BUILT IT
IN MY HEAD.

283
00:18:41,468 --> 00:18:43,948
AND I WANTED SO MUCH
TO SHARE IT WITH YOU.

284
00:19:00,443 --> 00:19:01,618
ARE YOU SURE?

285
00:19:01,662 --> 00:19:04,012
I DON'T WANT TO PUT YOU
THROUGH ANY...

286
00:20:28,227 --> 00:20:30,533
[chuckling and crying]

287
00:20:39,760 --> 00:20:42,545
[laughing]

288
00:20:50,292 --> 00:20:54,427
OKAY, WE'VE NAILED
THE FIRST MOVEMENT.

289
00:20:54,470 --> 00:20:59,127
NOW HOW ABOUT
THE SECOND?

290
00:20:59,170 --> 00:21:02,173
[chuckling]

291
00:21:02,217 --> 00:21:04,306
[stammering]
UH.

292
00:21:04,350 --> 00:21:06,308
IT'S OKAY,
IT'S JUST THE NEXT HURDLE.

293
00:21:06,352 --> 00:21:09,093
THE KEY IS TO, YOU KNOW,
NOT PANIC.

294
00:21:09,137 --> 00:21:10,965
[plays piano]

295
00:21:11,008 --> 00:21:12,662
JUST TRUST YOURSELF
SOMETHING'S GONNA COME.

296
00:21:12,706 --> 00:21:16,753
IT'S... JUST PART
OF THE PROCESS.

297
00:21:16,797 --> 00:21:21,367
♪

298
00:21:21,410 --> 00:21:23,760
IS PART OF THE PROCESS ALSO
STEALING FROM OTHER COMPOSERS?

299
00:21:23,804 --> 00:21:26,981
THAT PIECE THAT
YOU'RE RIFFING OFF OF,

300
00:21:27,024 --> 00:21:31,812
IT'S NOMION'S THIRD SONATA,
SECOND MOVEMENT.

301
00:21:31,855 --> 00:21:34,249
I MEAN, IT'S WHAT
IT SOUNDED LIKE ANYWAY.

302
00:21:34,293 --> 00:21:35,511
NO, YOU'RE...

303
00:21:35,555 --> 00:21:36,599
YOU'RE DEAD
ON THE MONEY.

304
00:21:36,643 --> 00:21:38,862
IT'S PRONOUNCED "NO-MAYAN".

305
00:21:38,906 --> 00:21:41,996
ANYWAY,
HE'S MY TOUCHSTONE.

306
00:21:42,039 --> 00:21:45,478
WHENEVER I COME UP DRY,
I LOOK TO HIM FOR INSPIRATION.

307
00:21:45,521 --> 00:21:46,740
AND FOR SOMEBODY
WHO HATES MUSIC SO MUCH,

308
00:21:46,783 --> 00:21:48,872
YOU KNOW
AN AWFUL LOT ABOUT IT.

309
00:21:48,916 --> 00:21:53,747
MY DAD USED TO PLAY.

310
00:21:53,790 --> 00:21:55,879
OH.

311
00:21:55,923 --> 00:21:57,925
SO WHAT'S THE STORY?

312
00:21:57,968 --> 00:22:01,145
HE FORCED YOU TO LEARN,
AND HE'S SUCH A PERFECTIONIST

313
00:22:01,189 --> 00:22:02,930
YOU GREW TO HATE IT?

314
00:22:02,973 --> 00:22:05,367
NO.

315
00:22:05,411 --> 00:22:06,586
NO, I LOVED IT...

316
00:22:06,629 --> 00:22:11,068
ACTUALLY.

317
00:22:11,112 --> 00:22:14,637
HE USED TO SIT ME NEXT TO HIM
ON THE BENCH WHEN HE PLAYED.

318
00:22:14,681 --> 00:22:18,815
SMELL OF TOBACCO
ON HIS BREATH.

319
00:22:18,859 --> 00:22:23,211
HE TAUGHT ME A FEW SONGS.

320
00:22:23,254 --> 00:22:25,866
I USED TO TRY SO HARD
TO GET 'EM RIGHT.

321
00:22:25,909 --> 00:22:27,389
NOT BECAUSE I WAS AFRAID
HE'D GET ANGRY,

322
00:22:27,433 --> 00:22:31,219
BUT BECAUSE I KNEW
HE'D BE SO PROUD.

323
00:22:31,262 --> 00:22:35,484
THERE WAS THIS ONE SONG
THAT HE TAUGHT ME.

324
00:22:35,528 --> 00:22:40,054
IT MADE ME FEEL HAPPY
AND SAD ALL AT THE SAME TIME.

325
00:22:40,097 --> 00:22:43,753
THE BEST ONES DO.

326
00:23:29,408 --> 00:23:32,411
[gasps]

327
00:23:38,721 --> 00:23:43,291
[Starbuck] HOW IS IT POSSIBLE THAT I FOUND MY BODY AND I'M STILL HERE?

328
00:23:43,334 --> 00:23:45,206
I MEAN, WHAT AM I?

329
00:23:45,249 --> 00:23:46,294
A GHOST?

330
00:23:46,337 --> 00:23:47,426
A DEMON?

331
00:23:50,385 --> 00:23:52,474
YOU'RE ASKING
THE WRONG GUY.

332
00:23:52,518 --> 00:23:54,824
I'M JUST A PIANO PLAYER.

333
00:24:02,310 --> 00:24:04,486
WHEN I WAS LEADING
THE FLEET TO EARTH,

334
00:24:04,530 --> 00:24:09,622
EVERYTHING SEEMED SO CLEAR.

335
00:24:09,665 --> 00:24:14,148
FOR THE FIRST TIME IN MY LIFE,
I KNEW WHAT I WAS DOING

336
00:24:14,191 --> 00:24:17,499
AND WHY I WAS HERE.

337
00:24:17,543 --> 00:24:22,809
NOW I'M JUST ADRIFT AGAIN.

338
00:24:22,852 --> 00:24:25,681
LISTEN,

339
00:24:25,725 --> 00:24:28,162
YOU MAY FEEL LIKE HELL.

340
00:24:28,205 --> 00:24:31,470
BUT SOMETIMES LOST
IS WHERE YOU NEED TO BE.

341
00:24:31,513 --> 00:24:33,472
JUST BECAUSE YOU DON'T KNOW YOUR DIRECTION

342
00:24:33,515 --> 00:24:35,474
DOESN'T MEAN YOU DON'T HAVE ONE.

343
00:24:41,480 --> 00:24:43,525
[Tyrol]
MADAME PRESIDENT.

344
00:24:43,569 --> 00:24:44,831
HMM?

345
00:24:44,874 --> 00:24:48,617
I'M ASKING YOU AS A PERSONAL
FAVOR TO ME,

346
00:24:48,661 --> 00:24:51,011
DON'T SIGN THAT.

347
00:24:51,054 --> 00:24:52,578
HMM.

348
00:24:52,621 --> 00:24:55,015
DON'T DO THAT, CHIEF.

349
00:24:55,058 --> 00:24:57,931
PERSONAL FEELINGS
ARE WHAT SHARON VALERII

350
00:24:57,974 --> 00:24:59,062
PREYS UPON.

351
00:24:59,106 --> 00:25:00,411
YOU KNOW THAT

352
00:25:00,455 --> 00:25:02,675
BETTER THAN ANY OF US.

353
00:25:02,718 --> 00:25:04,720
YOU NEED TO CLEAR YOUR HEAD.

354
00:25:09,899 --> 00:25:12,249
YOU DON'T HAVE
TO KILL HER.

355
00:25:12,293 --> 00:25:13,903
LEAVE HER IN THE BRIG.

356
00:25:13,947 --> 00:25:15,514
NO, MM-MMM.

357
00:25:15,557 --> 00:25:17,559
SHE IS A DANGER
IN THE BRIG, OUT OF THE BRIG.

358
00:25:17,603 --> 00:25:19,430
A DANGER TO US,
A DANGER TO OUR CYLON ALLIES.

359
00:25:19,474 --> 00:25:22,695
THIS CAN'T BE THE LAST OPTION,
MADAME, PLEASE.

360
00:25:22,738 --> 00:25:25,654
MADAME PRESIDENT,
PLEASE.

361
00:25:30,311 --> 00:25:32,400
[exhales heavily]

362
00:25:32,443 --> 00:25:36,665
WE'RE DONE HERE... CHIEF.

363
00:25:49,765 --> 00:25:51,419
YOU'RE DISMISSED.

364
00:26:29,675 --> 00:26:31,894
[man]
SOMEBODY CHECK THE FUSE.

365
00:26:42,296 --> 00:26:43,384
HEY!

366
00:26:49,172 --> 00:26:51,000
[strikes keys abruptly]WHAT?

367
00:26:51,044 --> 00:26:52,523
WHAT, THAT WAS GOOD.

368
00:26:52,567 --> 00:26:53,699
IT'S CRAP.

369
00:26:53,742 --> 00:26:56,745
WELL, MAYBE YOU NEED
TO TAKE A BREAK.

370
00:26:56,789 --> 00:26:58,660
GET YOURSELF LAID
OR SOMETHING.

371
00:26:58,704 --> 00:27:01,663
THAT MIGHT DISSIPATE
THE TENSION.

372
00:27:01,707 --> 00:27:04,797
THAT WHY SHE LEFT YOU?

373
00:27:04,840 --> 00:27:06,842
THAT'S A PRETTY DEEP GROOVE
ON YOUR FINGER.

374
00:27:06,886 --> 00:27:10,803
HAD TO HAVE BEEN THERE
FOR AWHILE.

375
00:27:10,846 --> 00:27:12,718
TOO LONG.

376
00:27:12,761 --> 00:27:14,023
SHE DIDN'T LEAVE ME,
I LEFT HER.

377
00:27:14,067 --> 00:27:18,506
WHY?

378
00:27:18,549 --> 00:27:22,075
SHE WANTED ME TO QUIT PLAYING
THE PIANO.

379
00:27:22,118 --> 00:27:24,686
YOU LEFT HER FOR THAT?

380
00:27:24,730 --> 00:27:26,688
I WAS PLAYING STEADY GIGS.

381
00:27:26,732 --> 00:27:28,908
MAKING DECENT MONEY.

382
00:27:28,951 --> 00:27:33,347
NOW THAT WE HAD A KID,
SHE SAID IT WASN'T ENOUGH.

383
00:27:33,390 --> 00:27:36,698
SAID I HAD TO GET
A REAL JOB.

384
00:27:36,742 --> 00:27:38,657
I TOLD HER I MIGHT AS WELL
CUT MY HEART OUT.

385
00:27:38,700 --> 00:27:40,702
MY GODS,
YOU'RE JUST LIKE MY FATHER.

386
00:27:40,746 --> 00:27:42,748
YOU START A FAMILY,
THE GOING GETS TOUGH,

387
00:27:42,791 --> 00:27:44,140
YOU DITCH 'EM.

388
00:27:44,184 --> 00:27:46,142
DID YOU EVER STOP THINKING
ABOUT YOURSELF LONG ENOUGH

389
00:27:46,186 --> 00:27:48,667
TO CONSIDER WHAT YOU DID
TO YOUR KID?

390
00:27:58,154 --> 00:28:00,026
YOU GOT IT.
THANKS, CHIEF.

391
00:28:00,069 --> 00:28:01,723
EVERY TIME
THE GODSDAMN POWER GOES OUT

392
00:28:01,767 --> 00:28:02,768
WE GOTTA GO DOWN
AND CHECK THE LOCKS.

393
00:28:02,811 --> 00:28:04,204
[knocks on window]

394
00:28:04,247 --> 00:28:05,858
PRISONER'S STILL SECURE.

395
00:28:05,901 --> 00:28:10,036
SHE SLEPT
RIGHT THROUGH IT.

396
00:28:10,079 --> 00:28:11,559
YOU GONNA STAY AWHILE?

397
00:28:11,602 --> 00:28:13,735
WORD IS THEY'RE SHIPPING
HER OUT TOMORROW.

398
00:28:13,779 --> 00:28:16,216
NO.

399
00:28:16,259 --> 00:28:17,826
SAID ALL I NEEDED TO SAY.

400
00:28:24,920 --> 00:28:27,880
SO MAYBE WHAT YOUR OLD MAN
DID WAS WRONG.

401
00:28:27,923 --> 00:28:31,579
BUT HE STILL
LEFT YOU WITH SOMETHING.

402
00:28:31,622 --> 00:28:35,191
HE TAUGHT YOU
HOW TO PLAY THE PIANO.

403
00:28:35,235 --> 00:28:40,631
I NEVER PLAYED
AFTER HE LEFT.

404
00:28:40,675 --> 00:28:41,850
WHAT ABOUT THAT SONG?

405
00:28:41,894 --> 00:28:43,373
THAT SONG HE TAUGHT YOU.

406
00:28:43,417 --> 00:28:45,332
THE ONE THAT MAKES YOU
HAPPY AND SAD AT THE SAME TIME.

407
00:28:45,375 --> 00:28:46,463
PLAY THAT FOR ME.

408
00:28:46,507 --> 00:28:47,682
I DON'T FRAKKING
REMEMBER IT.

409
00:28:47,726 --> 00:28:49,902
AND EVEN IF I DID,
I WOULDN'T.

410
00:28:49,945 --> 00:28:52,687
THAT SON-OF-A-BITCH
NEVER CAME BACK.

411
00:28:52,731 --> 00:28:53,732
HE NEVER CALLED.

412
00:28:53,775 --> 00:28:55,385
HE NEVER WROTE.

413
00:28:55,429 --> 00:28:59,172
SO YOU QUIT PLAYING
TO PUNISH HIM?

414
00:29:01,827 --> 00:29:03,785
COME ON,
PLAY ME A SONG.

415
00:29:03,829 --> 00:29:05,178
IT WON'T HURT.
COME ON.

416
00:29:05,221 --> 00:29:08,964
COME ON,
I'LL SHOW YOU.

417
00:29:09,008 --> 00:29:10,270
IT'S EASY.

418
00:29:10,313 --> 00:29:11,662
COME ON.

419
00:29:11,706 --> 00:29:13,360
DON'T MAKE ME HURT YOU.

420
00:29:13,403 --> 00:29:14,796
HERE WE GO.

421
00:29:16,406 --> 00:29:18,017
THAT GOES THERE.

422
00:29:26,199 --> 00:29:27,417
AND THAT GOES THERE.

423
00:29:29,506 --> 00:29:32,509
GO AHEAD.

424
00:29:36,339 --> 00:29:39,342
[slowly plays piano]

425
00:29:48,874 --> 00:29:51,877
IT'S OKAY.

426
00:29:55,924 --> 00:29:56,882
IT'S OKAY.

427
00:29:56,925 --> 00:29:59,058
YOU PLAY, PLEASE.

428
00:29:59,101 --> 00:30:01,234
I'LL PLAY.

429
00:30:01,277 --> 00:30:04,280
I'LL PLAY IF YOU PLAY.

430
00:30:11,897 --> 00:30:13,855
GREAT.

431
00:30:13,899 --> 00:30:17,163
I HOPE YOU'RE HERE
TO FIX THE FRAKKING SHOWER.

432
00:30:17,206 --> 00:30:19,774
BOOMER.

433
00:30:19,818 --> 00:30:20,819
[grunts]

434
00:30:36,269 --> 00:30:38,793
ATHENA.

435
00:30:38,837 --> 00:30:41,013
HELO.

436
00:30:41,056 --> 00:30:42,101
HEY.

437
00:30:42,144 --> 00:30:43,493
I DIDN'T THINK YOU'D...

438
00:30:43,537 --> 00:30:45,321
YOU DIDN'T THINK I'D LET YOU GO
ON A SIX-DAY MISSION

439
00:30:45,365 --> 00:30:47,367
IN DEEP SPACE WITHOUT
A PROPER GOODBYE, DID YOU?

440
00:30:47,410 --> 00:30:48,455
[chuckling]

441
00:30:48,498 --> 00:30:49,804
NEXT FLIGHT TEAM'S
NOT SUITING UP

442
00:30:49,848 --> 00:30:51,284
FOR ANOTHER 20.

443
00:30:51,327 --> 00:30:53,112
[chuckling]

444
00:30:53,155 --> 00:30:54,983
MM, YOU SMELL GOOD.

445
00:30:55,027 --> 00:30:58,247
YEAH, I MADE A TRADE
FOR SOME REAL SOAP.

446
00:30:58,291 --> 00:30:59,422
WHOA, WHOA, WHOA, WHOA.

447
00:31:01,424 --> 00:31:03,209
TASTE AS GOOD
AS IT SMELLS?

448
00:31:07,604 --> 00:31:09,389
HEY, SOMETHING WRONG?

449
00:31:20,356 --> 00:31:21,836
COTTLE WAS RIGHT.

450
00:31:21,880 --> 00:31:24,317
I NEVER SHOULD HAVE INSISTED
ON SEEING HIM.

451
00:31:24,360 --> 00:31:25,884
HIS EYES WERE OPEN.

452
00:31:25,927 --> 00:31:28,234
I WASN'T READY FOR THAT.

453
00:31:28,277 --> 00:31:31,280
LITTLE GUY WAS LOOKING
RIGHT AT ME.

454
00:31:33,587 --> 00:31:35,937
MM.

455
00:31:35,981 --> 00:31:38,984
[heavy breathing]

456
00:32:24,681 --> 00:32:27,684
[heavy breathing and moaning]

457
00:32:50,925 --> 00:32:53,928
[moaning intensifies]

458
00:33:03,807 --> 00:33:05,200
IT'S ALL RIGHT,
I THINK YOU...

459
00:33:05,244 --> 00:33:06,506
I THINK YOU ALMOST
HAD IT.

460
00:33:06,549 --> 00:33:08,029
[clears throat]
SOMETHING'S MISSING.

461
00:33:08,073 --> 00:33:10,031
[plays notes on piano]

462
00:33:10,075 --> 00:33:12,599
OH, IT'S THE LEFT HAND.

463
00:33:12,642 --> 00:33:14,601
LISTEN,
I'LL PLAY DOWN HERE.

464
00:33:14,644 --> 00:33:15,689
I THINK I KNOW
WHAT YOU'RE DOING.

465
00:33:15,732 --> 00:33:17,560
NOW HANG ON.

466
00:33:17,604 --> 00:33:19,693
[humming melody][plays notes on piano]

467
00:33:23,566 --> 00:33:25,438
[stops playing piano]

468
00:33:25,481 --> 00:33:26,656
[continues humming]

469
00:33:30,399 --> 00:33:32,401
HOLY CRAP.

470
00:33:47,155 --> 00:33:49,157
HEY.

471
00:33:52,247 --> 00:33:57,252
HMM, THAT'S RIGHT.

472
00:33:57,296 --> 00:33:59,298
[humming melody]

473
00:34:05,086 --> 00:34:06,305
PLAY THE BOTTOM, OKAY?

474
00:34:06,348 --> 00:34:07,697
JUST COME IN
WHEN YOU THINK YOU'RE READY.

475
00:34:07,741 --> 00:34:09,047
OKAY? MM-HMM.

476
00:34:22,625 --> 00:34:26,890
HEY, BABY.

477
00:34:26,934 --> 00:34:28,240
HI.

478
00:34:28,283 --> 00:34:30,503
OH.

479
00:34:30,546 --> 00:34:32,113
GUESS WHAT MOMMY
BROUGHT YOU?

480
00:34:32,157 --> 00:34:33,854
MM, DRINK IT ALL, YEAH.

481
00:34:33,897 --> 00:34:35,638
MM, GOOD, RIGHT?

482
00:34:35,682 --> 00:34:37,510
[whispers]
YEAH.

483
00:34:37,553 --> 00:34:40,208
OH, WE FORGOT ALL
ABOUT HER PHYSICAL TODAY.

484
00:34:55,397 --> 00:34:57,138
[Tyrol]
HEY, HEY, HEY, WHOA, WHOA.

485
00:34:57,182 --> 00:34:59,619
LEMME GIVE YOU
A HAND WITH THAT.

486
00:34:59,662 --> 00:35:01,664
[grunts]

487
00:35:04,493 --> 00:35:06,582
OH, EASY, EASY, CHIEF.

488
00:35:10,717 --> 00:35:12,719
THANKS.

489
00:35:43,706 --> 00:35:46,100
WHAT THE FRAK?

490
00:35:46,144 --> 00:35:48,668
THAT'S THE SONG.

491
00:35:55,109 --> 00:35:56,763
[blows]

492
00:35:56,806 --> 00:35:58,808
[chuckling]

493
00:36:20,482 --> 00:36:21,788
WHERE'D YOU LEARN
TO PLAY THAT SONG?

494
00:36:21,831 --> 00:36:22,919
I PLAYED IT AS A KID.

495
00:36:22,963 --> 00:36:24,269
MY FATHER...

496
00:36:24,312 --> 00:36:26,184
WHAT ARE YOU TALKING ABOUT?

497
00:36:26,227 --> 00:36:27,533
WHO DID THIS?

498
00:36:32,190 --> 00:36:34,583
[Boomer]
COME WITH ME.

499
00:36:34,627 --> 00:36:37,847
I CAN'T DO IT
WITHOUT YOU.

500
00:36:45,942 --> 00:36:47,770
YEAH, YOU CAN.

501
00:36:47,814 --> 00:36:50,730
WE'LL MEET AGAIN.

502
00:36:53,515 --> 00:36:56,736
THERE'S SOMETHING
I WANT YOU TO REMEMBER.

503
00:36:58,651 --> 00:37:01,567
ALL THE THINGS
THAT I SAID...

504
00:37:01,610 --> 00:37:04,265
ABOUT US.

505
00:37:04,309 --> 00:37:06,093
I MEANT THEM
WITH ALL MY HEART.

506
00:37:06,136 --> 00:37:10,445
[whispers]
SO NO MATTER WHAT HAPPENS...

507
00:37:31,336 --> 00:37:33,338
[clears throat]

508
00:37:36,776 --> 00:37:37,907
[Helo] HE FIRED BEFORE
HE ACQUIRED THE TARGET,

509
00:37:37,951 --> 00:37:38,908
GAVE AWAY HIS POSITION,

510
00:37:38,952 --> 00:37:39,996
AND THAT WAS THE END OF HIM.

511
00:37:40,040 --> 00:37:41,476
SO DON'T LET THIS
HAPPEN TO YOU.

512
00:37:41,520 --> 00:37:44,000
DURING THIS EXERCISE, WE
COULD HAVE SIX OR EIGHT SHIPS

513
00:37:44,044 --> 00:37:45,872
HITTING THE MERGE
WHERE THE FIGHT STARTS.

514
00:37:45,915 --> 00:37:48,962
SO KEEP YOUR HEAD ON A SWIVEL,
ESPECIALLY IN THE VERTICAL.

515
00:37:49,005 --> 00:37:50,529
[moans]

516
00:37:50,572 --> 00:37:52,879
OH, MY GODS, ATHENA.

517
00:37:52,922 --> 00:37:54,750
[both grunt]

518
00:37:54,794 --> 00:37:56,709
OKAY, OKAY.

519
00:37:56,752 --> 00:37:58,885
IN THE LOCKER ROOM.

520
00:37:58,928 --> 00:38:00,321
IT WAS BOOMER.

521
00:38:00,365 --> 00:38:02,584
DID SHE GET HERA?

522
00:38:02,628 --> 00:38:05,326
SIX, GET A MED TEAM
IN HERE RIGHT FRAKKING NOW.

523
00:38:05,370 --> 00:38:08,851
K-RO, GET ON THE HORN TO CIC
AND LET 'EM KNOW BOOMER'S LOOSE.

524
00:38:08,895 --> 00:38:12,377
SHE'S GOT
MY FRAKKING KID!

525
00:38:12,420 --> 00:38:17,991
[screams and angrily cries]

526
00:38:26,652 --> 00:38:29,350
[Boomer] LSO, ATHENA, WHAT'S THE
DELAY WITH MY FLIGHT CLEARANCE?

527
00:38:29,394 --> 00:38:31,004
[Hoshi]
UH, PLEASE HOLD, RAPTOR 719.

528
00:38:31,047 --> 00:38:32,397
LOOKS LIKE WE'RE STILL
WAITING FOR TRAFFIC

529
00:38:32,440 --> 00:38:33,746
TO CLEAR YOUR FLIGHT PATH.

530
00:38:33,789 --> 00:38:34,921
STAND BY FOR INSTRUCTIONS.

531
00:38:38,011 --> 00:38:41,014
[whispers]
COME ON.

532
00:38:44,409 --> 00:38:45,801
SHE'S NOT BUYING IT, SIR.

533
00:38:45,845 --> 00:38:46,846
SHE INITIATED PRESTART.

534
00:38:46,889 --> 00:38:50,458
BOOMER,
THIS IS GALACTICA ACTUAL.

535
00:38:50,502 --> 00:38:51,894
RETURN TO CHECKERS RED
AND SHUT DOWN.

536
00:38:51,938 --> 00:38:53,940
COPY.

537
00:39:03,297 --> 00:39:04,646
[Adama]
HOSHI.

538
00:39:04,690 --> 00:39:05,908
VECTOR THE CAP TO INTERCEPT.

539
00:39:05,952 --> 00:39:07,693
BLUE LEADER, GALACTICA.

540
00:39:07,736 --> 00:39:08,650
IMMEDIATE.

541
00:39:08,694 --> 00:39:10,086
PROCEED DIRECTLY
TO GALACTICA.

542
00:39:10,130 --> 00:39:11,174
ENGAGE RAPTOR
TWO-ONE-NINER.

543
00:39:11,218 --> 00:39:14,090
WEAPONS FREE.

544
00:39:14,134 --> 00:39:17,137
[Hotdog over intercom]
BLUE FLIGHT, ROLLING IN HOT.

545
00:39:17,180 --> 00:39:19,357
IF YOU LAUNCH, BOOMER,

546
00:39:19,400 --> 00:39:21,315
I WILL SHOOT YOU DOWN.

547
00:39:21,359 --> 00:39:24,362
I DON'T THINK YOU WANNA DO THAT
WHILE I HAVE HERA ON BOARD.

548
00:39:28,453 --> 00:39:30,368
WE CAN'T LET HER
GET OFF THIS SHIP.

549
00:39:30,411 --> 00:39:31,978
RETRACT THE FLIGHT PODS.

550
00:39:35,851 --> 00:39:37,331
SIR, SHE'S SPOOLING TO JUMP.

551
00:39:37,375 --> 00:39:39,768
IF SHE JUMPS INSIDE THE SHIP,

552
00:39:39,812 --> 00:39:43,511
THE SPATIAL DISRUPTION
COULD TEAR GALACTICA'S GUTS OUT.

553
00:39:43,555 --> 00:39:46,427
RETRACT THE FLIGHT PODS.

554
00:39:46,471 --> 00:39:47,559
RETRACT FLIGHT PODS.

555
00:39:47,602 --> 00:39:49,604
I SAY AGAIN,
RETRACT FLIGHT PODS.

556
00:40:23,464 --> 00:40:24,552
[Hotdog]
DON'T DO IT.

557
00:40:24,596 --> 00:40:25,988
DON'T DO IT!

558
00:40:26,032 --> 00:40:28,687
DON'T DO IT, DON'T DO IT,
DON'T DO IT!

559
00:40:28,730 --> 00:40:30,689
FRAK!

560
00:40:30,732 --> 00:40:33,735
[explosions]

561
00:40:50,099 --> 00:40:52,101
HERA.

562
00:41:27,267 --> 00:41:30,139
I NEED A TEAM, SCAFFOLDING,
SHORING COMPOUND

563
00:41:30,183 --> 00:41:32,011
TO THE FORWARD MAGAZINE
RIGHT AWAY!

564
00:41:32,054 --> 00:41:33,665
[Dealino] BUT ONE EIGHT
LOOKS LIKE ANOTHER.

565
00:41:33,708 --> 00:41:35,754
[Athena] HOW DID A THREE-YEAR
OLD GIRL GET BY YOU, THOUGH?

566
00:41:35,797 --> 00:41:37,059
THE HELL'S
GOING ON UP THERE?

567
00:41:37,103 --> 00:41:38,278
BOOMER TOOK HER KID.

568
00:41:38,321 --> 00:41:39,322
[Helo] WHAT KIND OF ANSWER IS THAT?

569
00:41:39,366 --> 00:41:41,150
WHAT?

570
00:41:41,194 --> 00:41:43,283
SHE TOOK HERA AND JUST WALKED
RIGHT OUT OF THE DAYCARE.

571
00:41:43,326 --> 00:41:45,415
[Athena] HOW THE HELL DO YOU LET A THREE-YEAR OLD GIRL

572
00:41:45,459 --> 00:41:47,461
CLIMB INTO A RAPTOR?
HOW DID SHE GET BY YOU?

573
00:41:47,505 --> 00:41:49,898
[Dealino] I'M SORRY, SIR,
BUT NOBODY SAW YOUR DAUGHTER.

574
00:41:49,942 --> 00:41:50,986
[Helo]
THAT'S IMPOSSIBLE!

575
00:41:51,030 --> 00:41:52,074
SOMEBODY SAW HER!

576
00:41:52,118 --> 00:41:53,511
SHE'S A THREE-YEAR OLD CHILD.

577
00:41:53,554 --> 00:41:55,251
EXPLAIN TO ME
HOW SHE GETS BY...

578
00:41:55,295 --> 00:41:57,602
[Ellen] HAD TO BE ORCHESTRATED
FROM THE BEGINNING.

579
00:41:57,645 --> 00:41:59,168
MY ESCAPE, ALL OF IT.

580
00:41:59,212 --> 00:42:02,563
I WAS JUST A MEANS
TO GET BOOMER HERE.

581
00:42:02,607 --> 00:42:04,391
CAVIL WANTED HERA.

582
00:42:04,434 --> 00:42:07,307
BOOMER GOT HER FOR HIM.

583
00:42:07,350 --> 00:42:09,570
HOW CAN
A THREE-YEAR OLD GIRL

584
00:42:09,614 --> 00:42:12,573
SPONTANEOUSLY WRITE DOWN
THAT SONG?

585
00:42:12,617 --> 00:42:17,883
SHE'S PLUGGED INTO SOMETHING
THAT'S MANIPULATING ALL OF US.

586
00:42:17,926 --> 00:42:22,409
MAYBE ANDERS COULD HELP US.

587
00:42:22,452 --> 00:42:27,283
IF HE EVER WAKES UP.

588
00:42:27,327 --> 00:42:30,286
[classical piano music]

589
00:42:30,330 --> 00:42:38,338
♪

590
00:43:41,923 --> 00:43:42,968
[bell dings]MONARCHY.

591
00:43:43,011 --> 00:43:45,013
[bell dings]BLAH, BLAH, BLAH, BLAH.

592
00:43:45,057 --> 00:43:46,449
BLAH, BLAH.EW.