1 00:00:03,471 --> 00:00:06,071 (siren whoops) I COULD SEE THE GLOW FROM AROUND THE CORNER. 2 00:00:06,073 --> 00:00:08,213 I THOUGHT THE WHOLE ALLEY WAS ON FIRE. 3 00:00:08,208 --> 00:00:09,538 WHAT WERE YOU DOING OUT HERE? 4 00:00:09,542 --> 00:00:10,612 DELIVERING PIZZAS. 5 00:00:10,611 --> 00:00:12,611 I LIKE TO USE THIS ALLEY AS A SHORTCUT. 6 00:00:12,612 --> 00:00:14,582 AND DID YOU SEE ANYBODY WHEN YOU WERE OUT? 7 00:00:14,582 --> 00:00:18,622 NO, JUST, UH, YOU KNOW, THE GUY IN THE CAR, 8 00:00:18,618 --> 00:00:21,088 AND--AND I DIDN'T EVEN SEE HIM AT FIRST. TOO MUCH SMOKE. 9 00:00:21,088 --> 00:00:22,418 WAS HE STILL ALIVE? 10 00:00:22,422 --> 00:00:23,892 I DON'T THINK SO, NO. 11 00:00:23,890 --> 00:00:27,830 I MEAN, HOW COULD HE BE, HANDCUFFED INSIDE A BURNING CAR? 12 00:00:27,827 --> 00:00:29,057 WHO IS HE, ANYWAY? 13 00:00:29,062 --> 00:00:31,502 (sighs) WE'RE STILL WORKING ON THAT. 14 00:00:31,498 --> 00:00:35,368 POOR BASTARD. BURNED ALIVE? THAT'S NO WAY TO TO GO. 15 00:00:35,368 --> 00:00:38,708 (indistinct conversations, police radio chatter) 16 00:00:41,209 --> 00:00:44,409 (helicopter blades whirring) 17 00:00:56,457 --> 00:00:58,257 (clank) 18 00:00:58,259 --> 00:01:00,489 OH, HEY, CHO. SCARED THE HELL OUT OF ME. 19 00:01:00,493 --> 00:01:03,563 (sighs) I JUST FOUND THESE. 20 00:01:03,564 --> 00:01:06,234 THAT'S VERY CARELESS OF SOMEONE... 21 00:01:06,233 --> 00:01:08,203 OR PERHAPS CAREFUL. 22 00:01:24,984 --> 00:01:26,224 (electricity crackles) 23 00:01:27,521 --> 00:01:30,261 (crackle) 24 00:01:30,257 --> 00:01:31,857 WHAT'D YOU FIND? 25 00:01:31,859 --> 00:01:33,859 NOT SURE YET. 26 00:01:35,728 --> 00:01:37,468 COVER ME. 27 00:01:39,599 --> 00:01:41,339 (sniffles) 28 00:01:49,042 --> 00:01:52,052 (people speaking indistinctly) 29 00:01:52,045 --> 00:01:53,275 *** 30 00:01:53,281 --> 00:01:55,321 (man) WHY DO I HAVE TO GO UP FIRST? 31 00:01:55,316 --> 00:01:56,916 (man) 'CAUSE YOU ARE ALWAYS FIRST. 32 00:01:56,917 --> 00:01:59,947 GIRL! JUST 'CAUSE I'M THE ONLY ONE THAT SHOWS UP... 33 00:01:59,953 --> 00:02:05,133 *** 34 00:02:05,125 --> 00:02:09,295 (gasps, feminine voice) OH! UH... (sighs) WE'LL BE OUT SOON. 35 00:02:09,296 --> 00:02:12,096 OH, WE'RE NOT HERE FOR WHAT YOU'RE HERE FOR. 36 00:02:12,098 --> 00:02:13,898 DOES THIS BELONG TO ANYONE? 37 00:02:13,901 --> 00:02:16,141 (murmuring) 38 00:02:16,135 --> 00:02:17,435 I GUESS IT'S TRUE WHAT THEY SAY-- 39 00:02:17,437 --> 00:02:20,037 "TIME WOUNDS ALL HEELS." THESE ARE MY FAVORITE. 40 00:02:20,039 --> 00:02:22,839 I'M AGENT LISBON WITH THE CBI. WHAT'S YOUR NAME? 41 00:02:22,842 --> 00:02:25,382 GLENNDA SNOW. I'M THE EMCEE OF OUR TROUPE. 42 00:02:25,378 --> 00:02:27,108 WE DO A CABARET. 43 00:02:27,114 --> 00:02:29,124 WE FOUND YOUR HEEL IN THE ALLEYWAY, 44 00:02:29,115 --> 00:02:30,515 ALONG WITH A DEAD MAN. 45 00:02:30,518 --> 00:02:31,918 HE'D BEEN SET ON FIRE. 46 00:02:31,919 --> 00:02:35,359 OH, WE HEARD THE SIRENS OUTSIDE, BUT WE HAD NO IDEA. 47 00:02:35,355 --> 00:02:37,355 WHAT WERE YOU DOING IN THE ALLEY? 48 00:02:37,358 --> 00:02:38,788 ENJOYING AN ULTRA SLIM. 49 00:02:38,792 --> 00:02:41,592 I ALWAYS SMOKE A CIGARETTE BEFORE THE FIRST SHOW. 50 00:02:41,594 --> 00:02:43,934 AND WHAT TIME WERE YOU OUT THERE? 51 00:02:43,930 --> 00:02:46,330 I DON'T KNOW EXACTLY. 8:30? 52 00:02:46,334 --> 00:02:48,134 THE ARSON INVESTIGATOR SAYS THE FIRE WAS SET 53 00:02:48,134 --> 00:02:50,644 SOMETIME BETWEEN 8:45 AND 9:00. 54 00:02:50,638 --> 00:02:52,208 OH, WELL, GLENNDA WAS WITH US BY THEN. 55 00:02:52,206 --> 00:02:53,466 YEAH, THAT'S RIGHT. 56 00:02:53,473 --> 00:02:54,543 SHE HELPED ME INTO MY COMPRESSION GARMENTS. 57 00:02:54,542 --> 00:02:56,642 I WAS. WHO DIED? WHO WAS IT? 58 00:02:56,644 --> 00:02:58,214 WE DON'T KNOW. TWO MINUTES TO CURTAIN, GIRLS. 59 00:02:58,211 --> 00:02:59,551 WHOO! 60 00:02:59,546 --> 00:03:01,906 IF YOU'LL EXCUSE ME, THE STAGE IS CALLING. 61 00:03:01,914 --> 00:03:04,754 HANG ON A MINUTE. DID YOU SEE ANYBODY IN THE ALLEY? 62 00:03:04,752 --> 00:03:06,692 AS A MATTER OF FACT, THERE WAS A MAN 63 00:03:06,687 --> 00:03:09,087 IN A PARKED CAR, WATCHING ME. 64 00:03:09,088 --> 00:03:10,118 WHAT DID HE LOOK LIKE? 65 00:03:10,122 --> 00:03:11,222 I COULDN'T SEE HIS FACE. 66 00:03:11,224 --> 00:03:12,564 IT WAS DARK, BUT I FELT VULNERABLE, 67 00:03:12,560 --> 00:03:14,400 SO I HIGHTAILED IT BACK INTO THE CLUB, 68 00:03:14,395 --> 00:03:16,225 AND THAT'S WHEN I FELT MY HEEL BREAK. 69 00:03:16,229 --> 00:03:17,999 WHY DIDN'T YOU PICK UP YOUR HEEL? 70 00:03:17,997 --> 00:03:21,097 IN THIS DRESS, DARLING? 71 00:03:21,100 --> 00:03:22,540 (man, voice amplified) TIME TO WELCOME 72 00:03:22,536 --> 00:03:24,566 THE SACRAMENTO PRINCESS YOU'RE DYING TO POSSESS-- 73 00:03:24,572 --> 00:03:28,882 THE DELECTABLE GLENNDA SNOW! 74 00:03:28,876 --> 00:03:31,876 (cheering) 75 00:03:31,878 --> 00:03:35,548 *** 76 00:03:35,549 --> 00:03:37,219 I THINK HE'S TELLING THE TRUTH. 77 00:03:37,216 --> 00:03:38,686 I DON'T KNOW. 78 00:03:38,686 --> 00:03:40,546 THE OTHER DRAG QUEENS COULD HAVE BEEN COVERING FOR HIM. 79 00:03:40,554 --> 00:03:42,124 WELL, I FIND IT UNLIKELY 80 00:03:42,122 --> 00:03:45,732 THAT A MAN IN HEELS, SEQUINS, AND, UH, AN ELABORATE HAIRSTYLE 81 00:03:45,725 --> 00:03:48,555 WOULD SUBDUE AND HANDCUFF ANOTHER MAN 82 00:03:48,562 --> 00:03:50,162 AND THEN SET HIM ON FIRE. 83 00:03:50,163 --> 00:03:51,203 OH, NO. 84 00:03:51,198 --> 00:03:53,828 OH, PLEASE DON'T. PLEASE. 85 00:03:53,834 --> 00:03:56,774 THEN AGAIN, HE'S VERY FORCEFUL. 86 00:03:56,770 --> 00:03:58,040 (applause) 87 00:03:58,038 --> 00:04:00,638 OH, AND EXTREMELY LIMBER. 88 00:04:00,640 --> 00:04:10,320 *** 89 00:04:10,318 --> 00:04:13,118 CAR WAS REGISTERED TO ARCHIE BLOOM. 90 00:04:13,120 --> 00:04:14,820 LOCAL BOY, 19 YEARS OLD. 91 00:04:14,822 --> 00:04:16,692 FORENSICS REQUESTED DENTAL RECORDS 92 00:04:16,689 --> 00:04:18,229 TO CONFIRM HE'S THE VICTIM. 93 00:04:18,225 --> 00:04:19,585 HAVE WE CONTACTED THE PARENTS? 94 00:04:19,593 --> 00:04:21,763 SACRAMENTO P.D. SPOKE WITH HIS FATHER LAST NIGHT-- 95 00:04:21,762 --> 00:04:22,832 ARCHIE BLOOM SR. 96 00:04:22,829 --> 00:04:24,729 HE'S A LOCAL SUPERINTENDENT OF SCHOOLS. 97 00:04:24,731 --> 00:04:26,231 UH, WELL, WHAT DO WE KNOW ABOUT THE CAUSE OF DEATH? 98 00:04:26,233 --> 00:04:28,873 NOTHING TILL THE AUTOPSY, BUT THE CORONER FOUND NO CAUSE 99 00:04:28,869 --> 00:04:30,739 TO CONTRADICT THE THEORY THAT HE WAS BURNED ALIVE. 100 00:04:30,737 --> 00:04:32,237 THEN THAT'S HOW WE'LL PROCEED. 101 00:04:32,238 --> 00:04:33,338 WHAT WAS THE VICTIM DOING IN THAT ALLEY? 102 00:04:33,341 --> 00:04:34,681 WE DON'T KNOW. 103 00:04:34,675 --> 00:04:37,235 UH, THE FIRE WAS SET OUTSIDE A DRAG QUEEN VENUE, 104 00:04:37,244 --> 00:04:38,514 BUT THERE'S A DOZEN BUSINESSES 105 00:04:38,512 --> 00:04:39,912 THAT OPEN UP ONTO THAT ALLEY. 106 00:04:39,913 --> 00:04:42,183 ARCHIE COULD HAVE BEEN TIED TO ANY ONE OF 'EM. 107 00:04:42,182 --> 00:04:43,682 SAC P.D. WANTS TO HELP ON THIS ONE. 108 00:04:43,683 --> 00:04:45,723 I'LL ASK THEM TO SHOW THE VICTIM'S PHOTO AROUND. 109 00:04:45,718 --> 00:04:46,848 ONE THING I DO KNOW IS WE'VE GOT 110 00:04:46,853 --> 00:04:48,523 A LOT OF FINGERPRINTS TO WORK WITH-- 111 00:04:48,521 --> 00:04:49,861 ON THE CAR, ON THE GAS CAN. 112 00:04:49,856 --> 00:04:52,126 THEY EVEN FOUND A PARTIAL ON THE HANDCUFFS. 113 00:04:52,125 --> 00:04:53,855 I CHECKED THE BAR CODE ON ONE OF THOSE GAS CANS. 114 00:04:53,860 --> 00:04:55,400 IT CAME FROM A LOCAL DISCOUNT STORE-- 115 00:04:55,396 --> 00:04:56,526 BARGAIN EMPORIUM. 116 00:04:56,529 --> 00:04:58,229 YOU AND RIGSBY GO AND CHECK IT OUT. 117 00:04:58,230 --> 00:05:00,000 ALL RIGHT. OKAY. 118 00:05:00,000 --> 00:05:03,000 I WANT YOU AND JANE TO GO TALK TO ARCHIE SR. 119 00:05:03,002 --> 00:05:05,472 HE'S GONNA WANT TO BELIEVE HIS SON'S ALIVE. 120 00:05:05,473 --> 00:05:07,073 CAREFUL NOT TO BUILD UP HIS HOPE. 121 00:05:07,074 --> 00:05:09,414 ALL RIGHT. 122 00:05:13,613 --> 00:05:15,953 HE'S DEAD, ISN'T HE? 123 00:05:15,949 --> 00:05:18,219 I KNOW HE'S DEAD. 124 00:05:18,218 --> 00:05:20,848 IT WAS HIS CAR, RIGHT? 125 00:05:20,853 --> 00:05:22,893 WE'RE STILL WAITING FOR A POSITIVE I.D. 126 00:05:22,889 --> 00:05:25,959 BUT YOU'RE MOVING FORWARD ON THE PREMISE THAT IT WAS HIM, 127 00:05:25,959 --> 00:05:28,829 AM I RIGHT? 128 00:05:28,829 --> 00:05:30,859 YES. 129 00:05:30,863 --> 00:05:32,573 THANK YOU. 130 00:05:34,668 --> 00:05:36,098 YOU DON'T SEEM SURPRISED. 131 00:05:36,103 --> 00:05:37,643 I'M NOT. 132 00:05:37,637 --> 00:05:40,207 M-MY SON WAS A VICTIM HIS WHOLE LIFE. 133 00:05:40,206 --> 00:05:42,266 NEVER A MURDER VICTIM. 134 00:05:42,274 --> 00:05:44,784 NO, BUT IT WAS MY DEEPEST FEAR... (sighs) 135 00:05:44,778 --> 00:05:47,648 THAT ARCHIE WOULD GET HIMSELF INTO A DANGEROUS SITUATION. 136 00:05:47,648 --> 00:05:49,118 HE WAS A TROUBLEMAKER? 137 00:05:49,115 --> 00:05:52,115 EXACTLY THE OPPOSITE. HE WAS THE TARGET OF TROUBLEMAKERS. 138 00:05:52,119 --> 00:05:55,619 SOFT, I SUPPOSE YOU COULD SAY. 139 00:05:55,622 --> 00:05:58,492 THAT'S WHY IT WAS SO HARD ASKING HIM TO MOVE OUT. 140 00:05:58,492 --> 00:06:00,062 ARCHIE HADN'T BEEN LIVING HERE? 141 00:06:00,060 --> 00:06:01,860 WE HAD A DEAL. I WOULD PROVIDE ROOM AND BOARD 142 00:06:01,862 --> 00:06:03,502 WHILE HE EARNED A COLLEGE DEGREE, 143 00:06:03,497 --> 00:06:06,027 BUT SIX MONTHS AGO... (chuckles) 144 00:06:06,033 --> 00:06:09,273 ARCHIE DECIDED THAT COLLEGE WASN'T HIS THING. 145 00:06:09,269 --> 00:06:11,139 SO YOU INVITED HIM TO LEAVE? 146 00:06:11,137 --> 00:06:13,637 IT WAS A TEACHING MOMENT. 147 00:06:14,541 --> 00:06:17,811 (sniffles) PAINFUL, BUT NECESSARY. 148 00:06:17,810 --> 00:06:19,310 HOW'D YOUR WIFE FEEL ABOUT THAT? 149 00:06:19,312 --> 00:06:21,452 MY WIFE DIED WHEN HE WAS 6 YEARS OLD. 150 00:06:21,449 --> 00:06:24,419 IT'S BEEN THE ARCHIES EVER SINCE. 151 00:06:24,418 --> 00:06:27,388 THE BOY WAS NOTHING LIKE ME. 152 00:06:27,387 --> 00:06:29,417 WHY, BECAUSE HE'S GAY? 153 00:06:30,990 --> 00:06:32,460 I DON'T... 154 00:06:34,261 --> 00:06:35,931 WAS HE? 155 00:06:35,928 --> 00:06:38,128 IS THAT WHAT IT SAYS IN YOUR FILES? 156 00:06:39,399 --> 00:06:42,269 WE DON'T KEEP FILES ON GAY PEOPLE. 157 00:06:42,269 --> 00:06:43,639 I MEAN, IT'S OKAY IF HE WAS. 158 00:06:43,637 --> 00:06:47,007 I WOULD NEVER JUDGE ANYONE BASED ON SUCH CRITERIA. 159 00:06:47,007 --> 00:06:47,937 BUT IF HE WAS, 160 00:06:47,941 --> 00:06:49,941 HE--HE NEVER TALKED TO ME ABOUT IT. 161 00:06:49,942 --> 00:06:52,412 I HAVE TO ASK. PROCEDURE AND ALL. 162 00:06:52,411 --> 00:06:55,221 WHERE WERE YOU LAST NIGHT AT 8:45? 163 00:06:55,215 --> 00:06:57,445 HOME ALONE. WORKING. 164 00:06:57,451 --> 00:07:00,021 I'M WRITING A BOOK ON EDUCATIONAL THEORY. 165 00:07:00,019 --> 00:07:03,089 I'D LIKE TO TAKE A LOOK AT YOUR SON'S BEDROOM, 166 00:07:03,089 --> 00:07:04,629 IF YOU DON'T MIND. 167 00:07:05,459 --> 00:07:07,759 DOWN THE HALL ON YOUR RIGHT. 168 00:07:13,000 --> 00:07:14,700 HOW DID YOU KNOW ARCHIE WAS GAY? 169 00:07:14,701 --> 00:07:18,371 WELL, ARCHIE SR. NAMED HIS SON AFTER HIMSELF, LIKE A KING. 170 00:07:18,370 --> 00:07:20,040 HE WAS HOPING FOR AN HEIR, 171 00:07:20,040 --> 00:07:25,080 YET THERE'S NOT ONE PHOTO OF JUNIOR IN THE HOUSE. 172 00:07:25,077 --> 00:07:26,347 YOU THINK HE'S ASHAMED OF HIM. 173 00:07:26,346 --> 00:07:27,346 I MEAN, WELL, LOOK AT THIS ROOM. 174 00:07:27,346 --> 00:07:29,576 TRADITIONAL MASCULINE DECOR. 175 00:07:29,582 --> 00:07:32,022 BOLD NAUTICAL THEMES. 176 00:07:32,019 --> 00:07:34,489 IT'S LIKE A FURNITURE CATALOG THREW UP IN HERE. 177 00:07:34,487 --> 00:07:36,917 YES. (chuckles) 178 00:07:36,923 --> 00:07:40,793 THESE ARE NOT THE CHOICES OF A TEENAGER. 179 00:07:40,793 --> 00:07:44,673 I THINK ARCHIE SR. PERSONALLY DECORATED THIS ROOM 180 00:07:44,665 --> 00:07:48,065 IN THE ATTEMPT TO BUTCH-UP HIS GAY SON. 181 00:07:48,067 --> 00:07:50,537 SHOULD'VE SEEN MY ROOM BACK HOME. 182 00:07:50,538 --> 00:07:53,138 POSTERS EVERYWHERE. 183 00:07:53,139 --> 00:07:55,339 LET ME GUESS. HANSON? 184 00:07:55,341 --> 00:07:56,741 THEY WROTE THEIR OWN MUSIC. 185 00:07:56,744 --> 00:08:00,054 AH. LOOKS LIKE ARCHIE DID HANG SOMETHING ON THE WALL. 186 00:08:00,047 --> 00:08:03,377 I'M GUESSING THAT WAS A PHOTO OF HIM AND HIS MOTHER. 187 00:08:03,382 --> 00:08:04,792 WHAT'S ON HIS COMPUTER? 188 00:08:04,785 --> 00:08:06,185 IT'S PASSWORD-PROTECTED. 189 00:08:06,185 --> 00:08:07,915 I'LL HAVE TO TAKE THE HARD DRIVE BACK TO CBI 190 00:08:07,920 --> 00:08:09,260 AND RUN SOME RECOVERY SOFTWARE. 191 00:08:09,255 --> 00:08:12,155 OH, OKAY. YOU DO THAT. 192 00:08:18,699 --> 00:08:22,769 (indistinct conversations, telephone ringing in distance) 193 00:08:29,309 --> 00:08:31,179 THANK YOU FOR COMING. 194 00:08:31,177 --> 00:08:32,447 THE WOMAN ON THE PHONE SAID 195 00:08:32,445 --> 00:08:34,945 THAT YOU'D LIKE ME TO HELP WITH YOUR INVESTIGATION. 196 00:08:34,947 --> 00:08:36,817 YES. WE NEED TO SEE IF YOUR FINGERPRINTS MATCH 197 00:08:36,817 --> 00:08:38,947 THE PRINTS WE FOUND AT THE CRIME SCENE. 198 00:08:38,951 --> 00:08:41,291 OH, SO I'M A PERSON OF INTEREST? 199 00:08:41,288 --> 00:08:43,018 YEAH, YOU ARE. 200 00:08:43,023 --> 00:08:44,293 HMM. 201 00:08:44,290 --> 00:08:45,790 CAN I ASK YOU SOMETHING? 202 00:08:45,793 --> 00:08:47,603 DO YOU ALWAYS GO OUT LIKE THIS? 203 00:08:47,595 --> 00:08:49,095 IN DRAG, I MEAN. 204 00:08:49,096 --> 00:08:51,096 WHENEVER I GET DRESSED, I TRY TO CONSIDER 205 00:08:51,097 --> 00:08:53,827 WHERE I'M GOING, WHO I'M GOING TO SEE, 206 00:08:53,834 --> 00:08:57,104 AND HOW I CAN BLOW THEM AWAY. 207 00:08:57,104 --> 00:08:59,744 LET ME ESCORT YOU TO FINGERPRINTING. 208 00:08:59,740 --> 00:09:04,310 A POLICE ESCORT. HOW COULD I REFUSE? 209 00:09:06,746 --> 00:09:10,516 WE KEEP THE GAS CANS BACK HERE ON AISLE 12. 210 00:09:10,517 --> 00:09:12,647 YEAH. HERE WE GO. 211 00:09:12,653 --> 00:09:14,053 THOSE ARE THE ONES. 212 00:09:14,053 --> 00:09:15,463 WHAT KIND OF CRIME WERE THEY USED IN? 213 00:09:15,455 --> 00:09:16,715 WE CAN'T GO INTO THE DETAILS, 214 00:09:16,724 --> 00:09:18,194 BUT MAYBE YOU CAN HELP US OUT. 215 00:09:18,191 --> 00:09:21,791 HAVE YOU EVER SEEN THIS MAN IN THE STORE? 216 00:09:21,794 --> 00:09:26,204 ARCHIE? I HOPE SO. HE WORKS HERE. 217 00:09:26,198 --> 00:09:27,868 WHAT DID HE DO? 218 00:09:27,868 --> 00:09:29,798 HIS CAR WAS FOUND ON FIRE LAST NIGHT. 219 00:09:29,802 --> 00:09:30,802 THERE WAS A BODY INSIDE. 220 00:09:30,803 --> 00:09:33,513 OH, NO. WELL, WAS IT-- 221 00:09:33,505 --> 00:09:35,875 WE DON'T KNOW YET. HOW LONG DID ARCHIE WORK HERE? 222 00:09:35,875 --> 00:09:37,605 UH, A COUPLE MONTHS, MAYBE. 223 00:09:37,610 --> 00:09:39,110 DO YOU KNOW ANYONE WHO WANTED TO HURT HIM? 224 00:09:39,111 --> 00:09:40,751 YEAH. 225 00:09:40,748 --> 00:09:43,348 RICK. TOTAL DOUCHE. 226 00:09:43,350 --> 00:09:45,180 RICK? RICK HUGHES. 227 00:09:45,184 --> 00:09:47,794 HE STOCKS SHELVES AND QUOTES "FIGHT CLUB." 228 00:09:47,788 --> 00:09:50,818 HE PICKS ON ARCHIE ALL THE TIME. 229 00:09:50,823 --> 00:09:53,263 LAST WEEK, ARCHIE HAD BRUISES ALL OVER. 230 00:09:53,259 --> 00:09:54,529 HE WOULDN'T TELL ME WHAT HAPPENED, 231 00:09:54,527 --> 00:09:56,027 BUT I'LL BET IT WAS RICK. 232 00:09:56,028 --> 00:09:58,628 IS RICK HERE NOW? IN THE LOADING BAY. 233 00:09:58,631 --> 00:09:59,771 ALL RIGHT. 234 00:09:59,767 --> 00:10:02,667 YOU TAKE IT. A COUPLE MORE THINGS. 235 00:10:04,504 --> 00:10:05,774 RICK HUGHES? 236 00:10:05,773 --> 00:10:07,013 THAT'S RIGHT. 237 00:10:07,006 --> 00:10:08,266 LET'S TALK ABOUT ARCHIE BLOOM. 238 00:10:08,274 --> 00:10:10,344 (rattles and clanks) 239 00:10:10,342 --> 00:10:11,582 (whirring) 240 00:10:11,577 --> 00:10:13,177 (raised voice) WHO ARE YOU, HIS BODYGUARD? 241 00:10:13,179 --> 00:10:14,649 (raised voice) WHY WOULD ARCHIE NEED A BODYGUARD? 242 00:10:14,648 --> 00:10:17,218 (chuckles) IF YOU DON'T KNOW... 243 00:10:17,216 --> 00:10:18,516 CBI. 244 00:10:18,518 --> 00:10:21,248 WE HAVE REASON TO BELIEVE ARCHIE WAS MURDERED LAST NIGHT. 245 00:10:21,254 --> 00:10:23,124 FOR REAL? HOW? 246 00:10:23,123 --> 00:10:24,423 YOU TELL ME. 247 00:10:24,423 --> 00:10:25,793 THAT'S WHAT THIS IS ABOUT? 248 00:10:25,793 --> 00:10:28,103 COME ON, MAN. I NEVER LAID A FINGER ON ARCHIE. 249 00:10:28,095 --> 00:10:29,695 THAT'S NOT WHAT I HEARD. (whirring stops) 250 00:10:29,697 --> 00:10:33,127 (rattles and clanks) 251 00:10:33,133 --> 00:10:34,433 YOU HEARD WRONG. 252 00:10:34,433 --> 00:10:35,773 (boxes rustle) 253 00:10:35,769 --> 00:10:37,399 ARE YOU TRYING TO SAY YOU NEVER HASSLED ARCHIE? 254 00:10:37,403 --> 00:10:39,473 I ALWAYS HASSLED ARCHIE. 255 00:10:39,471 --> 00:10:40,941 SO WHAT? (box clatters) 256 00:10:40,941 --> 00:10:43,411 WE WORKED TOGETHER, BUT I LIKED HIM, YOU KNOW? 257 00:10:43,409 --> 00:10:46,009 EVERY TIME I'D COME ACROSS DEFECTIVE MERCHANDISE BACK HERE, 258 00:10:46,013 --> 00:10:48,053 I'D GIVE IT TO HIM AS A GIFT. 259 00:10:48,048 --> 00:10:49,948 WHAT'D YOU GIVE HIM? 260 00:10:49,950 --> 00:10:54,650 STUFFED ANIMALS. AN APRON. (laughs) 261 00:10:56,155 --> 00:10:57,985 WHAT? 262 00:11:00,559 --> 00:11:03,299 THIS WAS ARCHIE'S LOCKER. 263 00:11:03,296 --> 00:11:04,556 (clanks) 264 00:11:04,563 --> 00:11:05,973 I TAKE IT HE WASN'T THE ONE 265 00:11:05,966 --> 00:11:07,796 WHO ADDED THE DECORATIONS. (sighs) 266 00:11:07,801 --> 00:11:11,071 NO. THAT WOULD BE RICK. TEXTBOOK HOMOPHOBE. 267 00:11:11,071 --> 00:11:14,641 MY MANAGER TOLD HIM TO STOP, BUT GUYS LIKE THAT... 268 00:11:14,640 --> 00:11:16,880 WELL, IF IT WAS SO BAD, WHY DIDN'T ARCHIE JUST QUIT? 269 00:11:16,876 --> 00:11:20,376 HE SAID IT WASN'T ANY DIFFERENT AT HIS LAST JOB. 270 00:11:20,379 --> 00:11:23,749 HE WANTED TO LEARN HOW TO HANDLE IT BETTER. 271 00:11:23,750 --> 00:11:27,550 (sighs) I GOTTA GO BACK TO THE REGISTER. 272 00:11:27,553 --> 00:11:28,993 (lock clicks) 273 00:11:28,989 --> 00:11:30,189 SHUT THE LOCKER WHEN YOU'RE DONE. 274 00:11:30,190 --> 00:11:31,790 SURE. THANK YOU. 275 00:11:32,725 --> 00:11:36,055 (clanks and rattles) 276 00:11:36,062 --> 00:11:38,132 (sighs) 277 00:11:41,201 --> 00:11:42,601 (bag thuds) 278 00:11:42,601 --> 00:11:43,841 (grunts) 279 00:11:54,346 --> 00:11:55,616 (clicks) 280 00:11:55,615 --> 00:11:57,915 (cell phone rings) 281 00:11:59,385 --> 00:12:01,015 RIGSBY. 282 00:12:01,020 --> 00:12:04,120 HEY, IT'S LISBON. THE DENTAL RECORDS CAME BACK. 283 00:12:04,124 --> 00:12:08,004 THE BODY INSIDE THE CAR HAS BEEN CONFIRMED AS ARCHIE BLOOM. 284 00:12:07,995 --> 00:12:09,395 OH, THAT'S TOO BAD. 285 00:12:09,395 --> 00:12:12,155 HIS FATHER GAVE US AN ADDRESS WHERE HE WAS RENTING. 286 00:12:12,164 --> 00:12:14,404 YEAH, IF YOU DON'T MIND, I'LL GET CHO TO CHECK IT OUT. 287 00:12:14,400 --> 00:12:16,900 ARCHIE WORKED IN THE STORE HERE, AND I THINK I FOUND A LEAD 288 00:12:16,903 --> 00:12:19,213 that I want to run down at the office. 289 00:12:19,206 --> 00:12:21,336 OKAY. 290 00:12:21,341 --> 00:12:22,671 (clears throat) 291 00:12:22,674 --> 00:12:24,014 LOOKS LIKE THE WHOLE ROLL WAS TAKEN. 292 00:12:24,010 --> 00:12:25,750 CALL ME AS SOON AS YOU PROCESS THE FILM. 293 00:12:25,745 --> 00:12:27,275 THANK YOU. 294 00:12:27,279 --> 00:12:30,319 (people speaking indistinctly, telephone ringing in distance) 295 00:12:34,754 --> 00:12:36,364 U-UM... 296 00:12:36,355 --> 00:12:38,085 AFTER YOU. 297 00:12:38,892 --> 00:12:41,362 SUCH A GENTLEMAN. 298 00:12:43,230 --> 00:12:45,370 (sighs) 299 00:12:47,600 --> 00:12:50,340 WELL, GLENNDA'S PRINTS DON'T MATCH ANY OF THE PRINTS 300 00:12:50,336 --> 00:12:51,536 AT THE CRIME SCENE, 301 00:12:51,538 --> 00:12:53,468 AND I DID BACKGROUND CHECKS ON THE DRAG QUEENS. 302 00:12:53,472 --> 00:12:54,512 NONE OF THEM STAND OUT. 303 00:12:54,506 --> 00:12:56,906 OH, DON'T LET THEM HEAR YOU SAY THAT. 304 00:12:56,909 --> 00:12:58,249 HEY, YOU GUYS. 305 00:12:58,245 --> 00:13:00,345 I FOUND SOME VIDEOS ON ARCHIE'S HARD DRIVE. 306 00:13:00,346 --> 00:13:02,046 (Van Pelt) THEY'RE INSIDE A HIDDEN PARTITION. 307 00:13:02,048 --> 00:13:04,448 LOOKS LIKE ARCHIE DIDN'T WANT PRYING EYES TO SEE. 308 00:13:04,451 --> 00:13:05,521 YOU FOUND SOMETHING? 309 00:13:06,854 --> 00:13:08,694 CAN YOU PLAY THE FILES? 310 00:13:08,687 --> 00:13:11,827 I THINK SO. (keyboard keys click) 311 00:13:16,696 --> 00:13:19,196 (strained voice) NICE GUY. 312 00:13:19,198 --> 00:13:21,228 SO IT SEEMS. 313 00:13:21,234 --> 00:13:23,944 OKAY. GOT IT. UH... (sighs) 314 00:13:23,937 --> 00:13:25,397 MOST OF THESE FILES LOOK LIKE THEY WERE CREATED 315 00:13:25,404 --> 00:13:27,884 TWO OR THREE YEARS AGO, WHEN ARCHIE WAS IN HIGH SCHOOL. 316 00:13:27,875 --> 00:13:28,875 (mouse clicks) 317 00:13:28,875 --> 00:13:30,135 NO, I AM DONE ASKING! 318 00:13:30,143 --> 00:13:32,113 INTO YOUR ROOM. AAH. 319 00:13:32,111 --> 00:13:34,911 SIT. SIT IN THAT CHAIR. I SAID, "SIT DOWN!" 320 00:13:34,914 --> 00:13:38,494 LET GO. NOW YOU ARE GONNA DO EXACTLY AS I TELL YOU. 321 00:13:38,485 --> 00:13:41,145 YOU PUT YOUR LEFT ARM ON THE CHAIR. (panting) 322 00:13:41,153 --> 00:13:42,463 (handcuffs clicking) AAH. YOU'RE HURTING ME. 323 00:13:42,455 --> 00:13:43,555 STOP WHINING! 324 00:13:43,556 --> 00:13:45,416 ARE YOU KIDDING? HANDCUFFS? 325 00:13:45,424 --> 00:13:48,034 (grunts) JUST DO IT. NOW YOU ARE GONNA... LATEST EDUCATIONAL TOOL. 326 00:13:48,028 --> 00:13:51,228 STOP! SIT HERE ALL NIGHT LONG UNTIL YOUR HOMEWORK IS DONE. 327 00:13:51,230 --> 00:13:54,270 MAYBE THIS WILL TOUGHEN YOU UP. 328 00:13:54,267 --> 00:13:57,397 WAIT. PAUSE THE VIDEO. THOSE ARE HINGED HANDCUFFS, 329 00:13:57,403 --> 00:13:59,373 JUST LIKE THE ONES USED IN THE VICTIM'S MURDER. 330 00:13:59,371 --> 00:14:02,981 I'M GUESSING THIS WASN'T THE FIRST DADDY DEAREST ROUTINE. 331 00:14:02,975 --> 00:14:04,875 ARCHIE HAD THAT CAMERA SET UP AND RECORDING 332 00:14:04,878 --> 00:14:06,648 BEFORE THEY WALKED INTO THE ROOM. 333 00:14:06,645 --> 00:14:07,875 PLAY IT FURTHER. 334 00:14:08,748 --> 00:14:10,018 (telephone ringing in distance) 335 00:14:10,017 --> 00:14:13,617 (grunts, panting) 336 00:14:13,620 --> 00:14:17,220 SOMEBODY... HELP ME. 337 00:14:22,995 --> 00:14:26,225 THE SAME MAKE YOU USED TO CHAIN YOUR SON TO HIS DESK. 338 00:14:26,232 --> 00:14:28,402 WHAT ARE YOU TALKING ABOUT? 339 00:14:28,400 --> 00:14:33,010 ARCHIE SECRETLY VIDEOTAPED IT. WE FOUND IT ON HIS COMPUTER. 340 00:14:33,005 --> 00:14:35,375 YOU DON'T UNDERSTAND WHAT YOU WERE WATCHING. 341 00:14:35,375 --> 00:14:36,405 ENLIGHTEN US. 342 00:14:36,408 --> 00:14:38,278 THE RELATIONSHIP BETWEEN COMPLETED HOMEWORK 343 00:14:38,278 --> 00:14:41,148 AND ACADEMIC ACHIEVEMENT IS STATISTICALLY COMPELLING. 344 00:14:41,148 --> 00:14:43,278 WITH ARCHIE, AGGRESSIVE TECHNIQUES 345 00:14:43,283 --> 00:14:45,723 WERE NECESSARY TO KEEP HIM MOTIVATED. 346 00:14:45,717 --> 00:14:46,887 OH, YOU MOTIVATED HIM, ALL RIGHT, 347 00:14:46,885 --> 00:14:48,115 RIGHT OUT OF COLLEGE. 348 00:14:48,120 --> 00:14:49,690 THAT WAS HIS FAILURE, NOT MINE. 349 00:14:49,688 --> 00:14:52,158 A DROPOUT FOR A SON DOESN'T LOOK GOOD ON THE WIKIPEDIA PAGE 350 00:14:52,158 --> 00:14:55,098 OF A WANNABE EDUCATIONAL GIANT, DOES IT? 351 00:14:55,095 --> 00:14:57,625 IS THAT WHY YOU KILLED HIM? 352 00:14:57,629 --> 00:15:00,229 MY OWN SON? 353 00:15:00,232 --> 00:15:02,432 BECAUSE THE CUFFS HAPPEN TO LOOK LIKE MINE? 354 00:15:02,434 --> 00:15:04,904 WE FOUND YOUR FINGERPRINTS ON 'EM. 355 00:15:04,903 --> 00:15:06,843 THAT'S IMPOSSIBLE. 356 00:15:06,839 --> 00:15:08,169 UNLESS... 357 00:15:09,509 --> 00:15:12,779 I SUPPOSE THAT SOMEONE COULD HAVE STOLEN THEM FROM MY OFFICE. 358 00:15:12,778 --> 00:15:14,108 YOU'RE GONNA TAKE THAT ROUTE? 359 00:15:14,114 --> 00:15:15,484 I KNOW HOW THAT SOUNDS. 360 00:15:15,481 --> 00:15:17,081 YOU KNOW, YOU SHOULD CONSIDER A LIE DETECTOR TEST. 361 00:15:17,083 --> 00:15:18,923 IT'LL CLEAR ALL THIS UP. 362 00:15:18,918 --> 00:15:19,918 HAPPILY. 363 00:15:19,918 --> 00:15:21,048 GIVE ME YOUR HAND. 364 00:15:21,053 --> 00:15:23,093 EXCUSE ME? 365 00:15:23,090 --> 00:15:24,560 YOU SAID, "HAPPILY." 366 00:15:27,527 --> 00:15:32,597 OKAY, JUST A COUPLE OF IRRELEVANT QUESTIONS 367 00:15:32,599 --> 00:15:33,869 TO ESTABLISH A BASELINE. 368 00:15:33,865 --> 00:15:34,925 WHAT'S YOUR NAME? 369 00:15:34,933 --> 00:15:36,803 ARCHIE BLOOM. YOU LOVE YOUR SON? 370 00:15:36,802 --> 00:15:37,802 YES. 371 00:15:37,803 --> 00:15:39,143 WERE YOU ASHAMED OF HIM? 372 00:15:40,472 --> 00:15:43,882 IT'S AN IRRELEVANT QUESTION. I ALREADY KNOW THE ANSWER. 373 00:15:43,875 --> 00:15:45,875 THE TRUTH, PLEASE. 374 00:15:45,878 --> 00:15:48,178 WERE YOU ASHAMED OF YOUR SON? 375 00:15:51,817 --> 00:15:53,417 YES. 376 00:15:56,822 --> 00:15:58,422 DID YOU KILL HIM? 377 00:15:59,459 --> 00:16:01,229 NO. 378 00:16:01,227 --> 00:16:03,497 NO, I DIDN'T. 379 00:16:06,599 --> 00:16:08,669 SO DO YOU THINK HE KILLED THE VICTIM? 380 00:16:08,668 --> 00:16:11,098 HE DID, WELL, AT LEAST HE FEELS LIKE HE DID. 381 00:16:11,104 --> 00:16:12,714 HARD TO BE CERTAIN. 382 00:16:12,705 --> 00:16:15,335 GUILT COMES IN MANY FORMS. 383 00:16:15,341 --> 00:16:16,741 THAT'S THE BEST YOU CAN DO? 384 00:16:16,743 --> 00:16:17,913 FOR NOW. 385 00:16:17,909 --> 00:16:18,979 MM. (sniffs) 386 00:16:18,977 --> 00:16:20,647 WH-WHAT? ARE YOU WEARING PERFUME? 387 00:16:20,647 --> 00:16:21,907 RIGHT. (chuckles) 388 00:16:21,913 --> 00:16:24,383 WELL, YOU'VE BEEN STANDING CLOSE TO SOMEONE THAT IS. 389 00:16:24,384 --> 00:16:26,824 UH, THAT WOULD BE GLENNDA. SHE'S VERY FRAGRANT. 390 00:16:26,818 --> 00:16:28,418 YOU JUST CALLED GLENNDA "SHE." 391 00:16:28,421 --> 00:16:29,391 SO? 392 00:16:29,389 --> 00:16:31,789 YOU DIDN'T BEFORE. I HAVE TO GO. 393 00:16:31,791 --> 00:16:33,231 WHERE? 394 00:16:33,225 --> 00:16:35,525 I JUST HAD A THOUGHTLESS IMPULSE OR AN INSPIRED HUNCH. 395 00:16:35,528 --> 00:16:38,568 I'M NOT SURE WHICH YET. I'LL LET YOU KNOW. 396 00:16:47,274 --> 00:16:50,584 HOW YA DOIN'? 397 00:16:50,576 --> 00:16:52,276 AGENT CHO. CBI. 398 00:16:52,278 --> 00:16:54,178 WELL, YOU'RE NOT HERE TO BUY A BOOK. WHO DIED? 399 00:16:54,181 --> 00:16:55,551 ARCHIE BLOOM. 400 00:16:58,418 --> 00:17:01,648 "SOMETHING GOOD WILL COME OF ALL THINGS YET." 401 00:17:02,721 --> 00:17:04,391 HOW DID ARCHIE DIE? 402 00:17:04,391 --> 00:17:05,791 HOMICIDE. 403 00:17:05,791 --> 00:17:08,731 HIS FATHER GAVE US THIS ADDRESS AS HIS LAST KNOWN RESIDENCE. 404 00:17:08,728 --> 00:17:11,158 MY APARTMENT'S UPSTAIRS. 405 00:17:11,163 --> 00:17:15,303 I RENT OUT MY SPARE ROOM TO HELP COVER MY LEASE. 406 00:17:15,301 --> 00:17:18,171 HARD TO REMAIN A VIABLE LITERARY WATERING HOLE 407 00:17:18,171 --> 00:17:21,171 WHEN THE COUNTERCULTURE IS FREE ONLINE. 408 00:17:21,173 --> 00:17:23,613 TELL ME ABOUT YOUR RELATIONSHIP WITH THE VICTIM. 409 00:17:23,609 --> 00:17:28,279 SACRAMENTO IS A PLACE OF WIDE LAWNS AND NARROW MINDS. 410 00:17:28,280 --> 00:17:30,180 ARCHIE CAME HERE TO NOURISH HIS SOUL. 411 00:17:30,182 --> 00:17:31,552 WHEN HE MENTIONED HIS FATHER KICKED HIM OUT, 412 00:17:31,550 --> 00:17:34,190 I WAS ONLY TOO HAPPY TO RENT HIM A ROOM. 413 00:17:34,186 --> 00:17:35,416 WHEN WAS THE LAST TIME YOU SAW HIM? 414 00:17:35,422 --> 00:17:36,692 I HAVEN'T SEEN ARCHIE IN A WEEK. 415 00:17:36,689 --> 00:17:38,629 HE CLEARED OUT WITHOUT LEAVING A NOTE 416 00:17:38,625 --> 00:17:40,625 OR HIS LAST MONTH'S RENT. 417 00:17:40,626 --> 00:17:43,026 ANY IDEA WHY? 418 00:17:43,028 --> 00:17:44,558 WAS HE IN TROUBLE? 419 00:17:44,564 --> 00:17:48,234 "I HAVE NOTHING TO OFFER ANYBODY BUT MY OWN CONFUSION." 420 00:17:50,769 --> 00:17:52,039 KEROUAC. 421 00:17:52,038 --> 00:17:54,838 NO. KESEY. INFLUENCED BY KEROUAC. 422 00:17:54,840 --> 00:17:56,040 COMMON MISTAKE. 423 00:17:56,041 --> 00:17:57,311 NO. YOU. 424 00:17:57,309 --> 00:18:00,379 YOU KEEP QUOTING KEROUAC, AN OVERRATED BUM. 425 00:18:00,380 --> 00:18:02,980 I NEED YOU TO ANSWER MY QUESTIONS IN YOUR OWN WORDS. 426 00:18:02,981 --> 00:18:05,251 WHERE WERE YOU LAST NIGHT AT 8:45? 427 00:18:08,788 --> 00:18:10,688 HEY. WE CAUGHT A BREAK. 428 00:18:10,690 --> 00:18:11,520 ON THE FATHER? 429 00:18:11,523 --> 00:18:13,063 ON THE CO-WORKER. RICK HUGHES. 430 00:18:13,058 --> 00:18:15,728 HE'S 22. HE WAS SEEN HARASSING ARCHIE BLOOM AT WORK. 431 00:18:15,728 --> 00:18:17,258 HE'S GOT TWO STRIKES FOR LARCENY, 432 00:18:17,263 --> 00:18:19,273 AND CHECK THIS OUT-- I FOUND A DISPOSABLE CAMERA 433 00:18:19,266 --> 00:18:21,526 IN ARCHIE'S LOCKER AND HAD THE FILM DEVELOPED. 434 00:18:21,534 --> 00:18:23,404 WHAT WAS HE STEALING, BABY FORMULA? 435 00:18:23,403 --> 00:18:25,403 YEAH, IT'S A STAPLE IN RETAIL THEFT GANGS, 436 00:18:25,404 --> 00:18:27,014 ALWAYS IN DEMAND AND WAY OVERPRICED. 437 00:18:27,006 --> 00:18:28,276 TRUST ME. I KNOW. 438 00:18:28,275 --> 00:18:30,335 IF ARCHIE WAS TAKING SURVEILLANCE PHOTOS, 439 00:18:30,343 --> 00:18:32,283 HE MUST'VE BEEN PLANNING ON EXPOSING HUGHES. 440 00:18:32,278 --> 00:18:34,078 A THIRD STRIKE WOULD PUT HUGHES AWAY FOR A LONG TIME. 441 00:18:34,079 --> 00:18:35,549 WELL, THAT'S A MOTIVE FOR MURDER. 442 00:18:35,548 --> 00:18:36,818 OKAY, BRING HIM IN, BUT I'M GONNA HOLD ON 443 00:18:36,816 --> 00:18:39,016 TO THE KID'S DAD FOR AS LONG AS I CAN. 444 00:18:39,018 --> 00:18:40,788 OKAY. 445 00:18:43,256 --> 00:18:45,486 (knock on door) 446 00:18:47,727 --> 00:18:49,027 UH, SORRY TO INTERRUPT. 447 00:18:49,028 --> 00:18:53,368 THE FUNERAL DIRECTOR TOLD ME I'D FIND YOU BACK HERE. 448 00:18:55,268 --> 00:18:57,238 HELLO, GLENNDA. 449 00:19:00,272 --> 00:19:03,282 PEEKING BEHIND THE CURTAIN. 450 00:19:03,276 --> 00:19:05,306 CAREFUL YOU DON'T LOSE YOUR ILLUSIONS. 451 00:19:05,311 --> 00:19:06,751 WELL, IT'S A LITTLE LATE FOR THAT... (chuckles) 452 00:19:06,746 --> 00:19:07,606 LET ME TELL YOU. 453 00:19:07,614 --> 00:19:10,024 THEY PREFER I GO BY "GLENN" HERE 454 00:19:10,016 --> 00:19:12,046 AND ACT LIKE GLENN. 455 00:19:12,050 --> 00:19:15,150 A FUNERAL COSMETOLOGIST. 456 00:19:15,153 --> 00:19:17,063 WELL, THAT MAKES SENSE. 457 00:19:17,056 --> 00:19:19,386 EVEN A DIVA NEEDS A DAY JOB. 458 00:19:20,559 --> 00:19:23,959 I'VE ALWAYS LOVED MAKEUP, BUT, UH, WEARING IT 459 00:19:23,962 --> 00:19:27,072 WASN'T AN OPTION FOR A BOY IN SACRAMENTO, 460 00:19:27,066 --> 00:19:31,296 SO I CHOSE A CAREER IN DEATH CARE. 461 00:19:31,304 --> 00:19:33,574 WHAT BRINGS YOU TO MY LABORATORY? 462 00:19:33,573 --> 00:19:36,283 I WANTED TO KNOW WHY YOU LIED TO ME ABOUT THE CRIME SCENE. 463 00:19:36,276 --> 00:19:39,446 AND WHAT MAKES YOU THINK I LIED? 464 00:19:39,445 --> 00:19:41,945 WELL, I-I DIDN'T AT FIRST. 465 00:19:41,948 --> 00:19:44,418 UH, I COLD-READ YOU AS A MAN. 466 00:19:44,416 --> 00:19:46,746 I THOUGHT YOUR THEATRICAL MANNERISMS 467 00:19:46,752 --> 00:19:48,362 WERE PART OF THE CHARACTER YOU PLAYED. 468 00:19:48,355 --> 00:19:52,325 I UNDERESTIMATED THE EXTENT OF YOUR TRANSFORMATION. 469 00:19:52,325 --> 00:19:54,255 3 HOURS OF MAKEUP AND A $4,000 DRESS 470 00:19:54,260 --> 00:19:56,060 HAS THAT EFFECT. 471 00:19:56,061 --> 00:19:57,801 YOU BECOME SOMEONE ELSE. 472 00:19:57,797 --> 00:20:00,497 YOU BECOME... A WOMAN. 473 00:20:00,500 --> 00:20:04,470 MM, AND WOMEN OFTEN ACT OUT A PART, 474 00:20:04,471 --> 00:20:06,511 UH, IN THE MIDST OF DECEIT. 475 00:20:06,506 --> 00:20:12,306 THEY CAN BE EMOTIONAL OR COY OR... SEDUCTIVE. 476 00:20:12,311 --> 00:20:14,611 AND I THOUGHT I HAD GENDER ISSUES. 477 00:20:14,614 --> 00:20:16,754 THIS IS YOUR LAST CHANCE. 478 00:20:16,749 --> 00:20:19,619 I WANT THE TRUTH, OR I CALL MY POLICE FRIENDS, 479 00:20:19,618 --> 00:20:21,588 AND THEY'LL LOCK YOU UP. 480 00:20:21,587 --> 00:20:25,357 GLENN AND GLENNDA-- BOTH BE OUT OF WORK. 481 00:20:25,357 --> 00:20:27,457 WHAT'D YOU SEE IN THAT ALLEY? 482 00:20:28,694 --> 00:20:30,434 (sighs) 483 00:20:32,365 --> 00:20:39,065 A MAN HOLDING A RED GAS CAN, POURING IT OVER A CAR. 484 00:20:39,070 --> 00:20:40,370 WAS THERE ANYONE INSIDE THE CAR? 485 00:20:40,373 --> 00:20:43,113 I DON'T KNOW. IT WAS DARK. 486 00:20:43,108 --> 00:20:45,408 AND WHAT DID THIS MAN LOOK LIKE? 487 00:20:45,412 --> 00:20:47,512 LIKE I SAID, IT WAS DARK. 488 00:20:47,513 --> 00:20:50,023 YOU'RE PLAYING DUMB AGAIN. 489 00:20:50,016 --> 00:20:53,686 I AM NOT PLAYING. I AM SCARED. 490 00:20:53,685 --> 00:20:55,645 I HAVE BEEN A TARGET MY WHOLE LIFE. 491 00:20:55,654 --> 00:20:58,924 I'M NOT GONNA MAKE MYSELF A TARGET 492 00:20:58,924 --> 00:21:00,794 FOR A KILLER. 493 00:21:03,930 --> 00:21:07,070 DID YOU KNOW THAT ARCHIE WAS ON TO YOU? 494 00:21:07,066 --> 00:21:08,066 YEAH. 495 00:21:08,067 --> 00:21:09,197 WHEN DID HE FIND OUT? 496 00:21:09,201 --> 00:21:11,671 LAST WEEK. WE WERE OFF-LOADING BOXES, 497 00:21:11,671 --> 00:21:13,041 AND I HEARD SOMETHING BY THE DUMPSTER. 498 00:21:13,038 --> 00:21:16,478 I LOOKED INSIDE, AND IT WAS THE LITTLE PRINCESS. 499 00:21:16,476 --> 00:21:17,806 AND WHAT WAS HE DOING? 500 00:21:17,809 --> 00:21:19,109 DUMPSTER DIVING. 501 00:21:19,111 --> 00:21:20,411 OKAY. FOR WHAT? 502 00:21:20,413 --> 00:21:22,013 WE THROW AWAY A LOT OF JUNK-- 503 00:21:22,013 --> 00:21:26,123 YOU KNOW, BUSTED CHAIRS, OLD MAGAZINES, DEAD PLANTS. 504 00:21:26,117 --> 00:21:28,557 ARCHIE SAID SOMETHING ABOUT NEEDING TO FURNISH HIS NEW ROOM. 505 00:21:28,555 --> 00:21:29,955 AND THAT'S WHEN YOU ASSAULTED HIM 506 00:21:29,955 --> 00:21:31,355 SO HE WOULDN'T BE ABLE TO CALL THE COPS ON YOU? 507 00:21:31,357 --> 00:21:32,487 (sighs) I'LL TELL YOU THE SAME THING 508 00:21:32,491 --> 00:21:33,661 I TOLD YOUR COP BUDDY. 509 00:21:33,660 --> 00:21:35,930 I NEVER LAID A FINGER ON ARCHIE! 510 00:21:35,927 --> 00:21:37,457 ALTHOUGH I DID LOCK HIM IN THAT DUMPSTER 511 00:21:37,463 --> 00:21:40,933 FOR A COUPLE OF HOURS. (laughs) 512 00:21:40,932 --> 00:21:42,172 WHAT? 513 00:21:42,167 --> 00:21:44,437 WHERE WERE YOU AT 8:45 LAST NIGHT? 514 00:21:44,436 --> 00:21:46,566 IN BED. I'M IN BED EVERY NIGHT BY THAT TIME. 515 00:21:46,573 --> 00:21:48,583 I WORK THE 4:00 A.M. SHIFT. 516 00:21:48,575 --> 00:21:50,675 SO IN OTHER WORDS, YOU HAVE NO ALIBI. 517 00:21:50,676 --> 00:21:52,606 NO ALIBI, AND YOUR PRINTS WERE FOUND 518 00:21:52,612 --> 00:21:54,282 ON THE GAS CANS AT THE MURDER SCENE... (papers rustle) 519 00:21:54,279 --> 00:21:55,679 HEY, WAIT A MINUTE NOW. 520 00:21:55,682 --> 00:21:56,882 THE GAS CANS THAT POURED ACCELERANT ONTO THE VEHICLE 521 00:21:56,883 --> 00:21:58,383 IN WHICH ARCHIE BLOOM WAS BURNED ALIVE. 522 00:21:58,384 --> 00:21:59,994 OF COURSE MY FINGERPRINTS WERE ON THOSE CANS. 523 00:21:59,986 --> 00:22:01,946 I PERSONALLY STOCKED THEM ON THE SHELF! 524 00:22:01,953 --> 00:22:04,123 OR MAYBE YOU STOLE 'EM, LIKE YOU STOLE THIS MERCHANDISE, 525 00:22:04,123 --> 00:22:05,723 AND YOU KILLED ARCHIE TO AVOID A THIRD STRIKE 526 00:22:05,724 --> 00:22:07,334 AND A MANDATORY 25 YEARS. 527 00:22:07,326 --> 00:22:08,926 THAT'S IT! I WANT A LAWYER! 528 00:22:08,928 --> 00:22:09,728 HEY! SIT DOWN! 529 00:22:09,729 --> 00:22:10,929 YOU HEAR ME?! A LITTLE HELP! 530 00:22:10,930 --> 00:22:12,300 I WANT A LAWYER! 531 00:22:12,298 --> 00:22:13,868 WHAT DO YOU THINK? 532 00:22:13,865 --> 00:22:15,835 WELL, ALL CRUELTY STEMS FROM WEAKNESS, 533 00:22:15,835 --> 00:22:17,495 AND THIS ONE'S A QUIVERING MESS-- 534 00:22:17,503 --> 00:22:21,343 EMOTIONALLY IMMATURE, AGGRESSIVELY MASCULINE. 535 00:22:21,339 --> 00:22:23,609 HE HARBORS CHILDHOOD PAIN 536 00:22:23,609 --> 00:22:25,939 TIED TO BED-WETTING OR SOME SIMILAR HUMILIATION. 537 00:22:25,944 --> 00:22:27,614 YEAH, HE COULD BE OUR KILLER, TOO. 538 00:22:27,614 --> 00:22:30,524 YOU'RE NOT MAKING THIS EASY. 539 00:22:37,624 --> 00:22:40,094 (gearshift clicks) 540 00:22:40,092 --> 00:22:42,692 (cell phone rings) 541 00:22:42,694 --> 00:22:44,364 (ring) 542 00:22:44,363 --> 00:22:46,833 (sighs) 543 00:22:46,833 --> 00:22:48,373 HEY, SUMMER. 544 00:22:48,366 --> 00:22:50,336 KIMBALL, I NEED YOUR HELP. 545 00:22:50,336 --> 00:22:52,366 HOW FAST CAN YOU MAKE IT TO GLENBROOK PARK? 546 00:22:52,371 --> 00:22:53,771 (sighs) IT DEPENDS. IS SOMETHING WRONG? 547 00:22:53,772 --> 00:22:56,042 YES! IT'S A MATTER OF LIFE AND DEATH. 548 00:22:56,041 --> 00:22:58,381 WHAT'S GOING ON? WHO'S IN DANGER? 549 00:22:58,376 --> 00:23:01,006 THE PUPPIES! THERE'S THIS PET AGENCY, 550 00:23:01,012 --> 00:23:03,352 AND--AND--AND, OH, I-IT'S SO SAD, 551 00:23:03,348 --> 00:23:05,348 A TRAGEDY, THESE, UH, POOR ANIMALS. 552 00:23:05,351 --> 00:23:08,221 I MEAN, WE ARE SO LUCKY TO HAVE HOMES. 553 00:23:08,220 --> 00:23:09,520 CAN WE TALK ABOUT THIS LATER? 554 00:23:09,521 --> 00:23:10,961 NO! NO, THEY'RE ABOUT TO PICK UP, 555 00:23:10,957 --> 00:23:12,917 AND I NEED TO PICK OUT A PUPPY FOR YOU. 556 00:23:12,924 --> 00:23:14,534 HERE. CAN I HAVE THIS ONE, PLEASE? 557 00:23:14,527 --> 00:23:16,327 NO, NO. I DON'T-- I DON'T WANT A DOG. 558 00:23:16,327 --> 00:23:18,397 (high-pitched voice) OHH! (normal voice) BUT YOU WILL 559 00:23:18,396 --> 00:23:20,196 when you see this pug. NO, I WON'T. 560 00:23:20,199 --> 00:23:23,499 HE'S JUST LIKE YOU, KIMBALL. HE'S ALL FIERCE ON THE OUTSIDE 561 00:23:23,502 --> 00:23:25,512 AND, LIKE, A SOFTY ON THE INSIDE, 562 00:23:25,505 --> 00:23:28,665 AND HE'S GOT THIS REALLY SQUISHY LITTLE FACE. 563 00:23:28,674 --> 00:23:31,384 NO, I GOTTA GO. I GOTTA GO. 564 00:23:31,376 --> 00:23:34,246 WHOA! WAIT. HEY. HOW ABOUT LUNCH? 565 00:23:34,246 --> 00:23:35,376 I'M WORKING A CASE. 566 00:23:35,381 --> 00:23:36,581 OH, THAT'S PERFECT. 567 00:23:36,583 --> 00:23:37,983 WE'LL HAVE SOMETHING TO TALK ABOUT. 568 00:23:37,983 --> 00:23:39,453 NO, I HAVE TO FIND OUT WHERE OUR VICTIM WAS LIVING. 569 00:23:39,451 --> 00:23:40,721 I DON'T HAVE TIME. 570 00:23:40,720 --> 00:23:42,790 OH, COME ON, KIMBALL. YOU HAVE TO EAT. 571 00:23:42,788 --> 00:23:43,918 I'LL SPRING FOR LUNCH. 572 00:23:43,923 --> 00:23:45,963 YOU GUYS OWE ME A PAYCHECK ANYWAYS. 573 00:23:45,958 --> 00:23:47,528 LOOK, I GOTTA GO. I'LL SEE YOU TONIGHT. 574 00:23:47,527 --> 00:23:49,797 UH, N-NO DOGS. 575 00:23:51,597 --> 00:23:54,067 BUT I WANT ONE. 576 00:23:54,066 --> 00:23:56,996 THE VICTIM'S LAST KNOWN ADDRESS IS 2 MILES AWAY. 577 00:23:57,002 --> 00:23:59,142 AS FAR AS WE KNOW, HE HAS NO FRIENDS, 578 00:23:59,137 --> 00:24:01,867 AND HE WAS ONE STEP AWAY FROM BEING HOMELESS. 579 00:24:01,874 --> 00:24:04,714 NOW I'VE BEEN HITTING HALFWAY HOUSES ALL DAY. 580 00:24:04,711 --> 00:24:07,811 LOOKING FOR A PLACE HE MIGHT HAVE CRASHED. 581 00:24:07,814 --> 00:24:10,184 YOU'RE MY LAST HOPE. 582 00:24:10,182 --> 00:24:12,182 AND YOUR BEST ONE. 583 00:24:12,183 --> 00:24:13,853 YOU KNOW HIM? 584 00:24:13,853 --> 00:24:16,363 (voice breaking) IT'S ARCHIE BLOOM. 585 00:24:16,355 --> 00:24:18,755 YOU, UH... 586 00:24:18,758 --> 00:24:21,458 (sniffles) YOU SAID HE WAS MURDERED? 587 00:24:21,460 --> 00:24:23,630 YEAH. 588 00:24:25,163 --> 00:24:26,333 TAKE A MINUTE. 589 00:24:26,332 --> 00:24:29,232 (inhales deeply and sighs) 590 00:24:29,234 --> 00:24:32,844 IT'S OKAY. UM... (sighs) 591 00:24:34,039 --> 00:24:36,879 LET ME SHOW YOU HIS ROOM. (sighs) 592 00:24:36,875 --> 00:24:40,075 (indistinct conversations) 593 00:24:41,647 --> 00:24:44,777 MY NAME'S KELLY. I'M A COUNSELOR HERE. 594 00:24:44,784 --> 00:24:49,064 I WAS ASSIGNED TO ARCHIE WHEN HE CAME TO US LAST WEEK. 595 00:24:49,055 --> 00:24:50,485 WOULD THAT BE WHEN HE LEFT THE BOOKSTORE 596 00:24:50,489 --> 00:24:52,629 WHERE HE WAS RENTING? 597 00:24:52,625 --> 00:24:54,725 IS THAT WHAT GABRIEL TOLD YOU? 598 00:24:54,727 --> 00:24:55,727 ARCHIE WAS RENTING A ROOM? 599 00:24:55,728 --> 00:24:56,798 THAT'S RIGHT. 600 00:24:56,796 --> 00:24:58,826 (scoffs) GABRIEL TOOK IN THE BOY 601 00:24:58,830 --> 00:25:00,500 BECAUSE HE WAS IN LOVE WITH HIM, 602 00:25:00,499 --> 00:25:02,499 ONLY GABRIEL'S FORM OF LOVE 603 00:25:02,500 --> 00:25:05,500 INVOLVED BOUTS OF METH AND VIOLENCE. 604 00:25:05,503 --> 00:25:07,713 HERE'S HIS BED. 605 00:25:13,779 --> 00:25:15,749 DID ARCHIE TELL YOU WHY HE CAME HERE? 606 00:25:15,748 --> 00:25:18,448 HE DIDN'T WANT TO COME. (chuckles) 607 00:25:18,450 --> 00:25:20,050 HE WANTED TO WORK IT OUT WITH GABRIEL. 608 00:25:20,051 --> 00:25:22,151 ARCHIE FELT REJECTED BY HIS FATHER, 609 00:25:22,153 --> 00:25:24,293 SO THE ACCEPTANCE OF AN OLDER MALE MEANT 610 00:25:24,289 --> 00:25:25,289 A LOT TO HIM. 611 00:25:25,290 --> 00:25:27,060 BUT GABRIEL WAS A PREDATOR. 612 00:25:27,058 --> 00:25:30,028 THAT'S HOW ARCHIE GOT THE BRUISES. 613 00:25:30,028 --> 00:25:32,768 IT WAS AN ABUSIVE RELATIONSHIP. 614 00:25:32,765 --> 00:25:34,725 IT TOOK A LOT OF COURAGE, 615 00:25:34,733 --> 00:25:38,673 BUT ARCHIE LEFT EVERYTHING AT GABRIEL'S TO JOIN US. (men arguing indistinctly) 616 00:25:38,671 --> 00:25:41,071 EXCUSE ME. SURE. 617 00:25:43,275 --> 00:25:45,605 HEY, GUYS, ENOUGH. 618 00:25:48,547 --> 00:25:51,747 (sighs) 619 00:26:01,359 --> 00:26:03,029 (sniffles) 620 00:26:13,239 --> 00:26:15,139 (clicks) 621 00:26:15,141 --> 00:26:17,641 MY CLIENT MR. BLOOM HAS CONNECTIONS, 622 00:26:17,644 --> 00:26:18,944 AND IF YOU DON'T LET HIM GO, 623 00:26:18,944 --> 00:26:20,714 THE NEXT CALL YOU GET WILL BE FROM THE MAYOR. 624 00:26:20,712 --> 00:26:22,912 I'M SORRY, BUT THERE ARE NO SPECIAL PRIVILEGES. (cell phone ringing) 625 00:26:22,914 --> 00:26:24,654 YOUR CLIENT IS A MURDER SUSPECT. (sighs) 626 00:26:24,651 --> 00:26:26,991 WELL-- ATTORNEY FOR RICK HUGHES. 627 00:26:26,986 --> 00:26:29,356 I'D LIKE TO TALK TO MY CLIENT, PLEASE! 628 00:26:29,355 --> 00:26:31,055 HOLD ON. (sighs) 629 00:26:31,057 --> 00:26:32,387 (lowered voice) CHO. CHO, HELP ME OUT. 630 00:26:32,391 --> 00:26:33,731 I AM DESPERATE HERE. 631 00:26:33,726 --> 00:26:35,126 I GOT A LEAD. 632 00:26:35,126 --> 00:26:37,256 WHICH ONE? THE DAD OR THE CO-WORKER? 633 00:26:37,262 --> 00:26:38,772 THE LOVER. WHAT LOVER? 634 00:26:38,765 --> 00:26:40,995 HE'S A NEW SUSPECT. GREAT. JUST WHAT I NEED. 635 00:26:41,000 --> 00:26:43,340 WHO WAS THAT AND WHAT'D THEY SAY? NOW W-WILL YOU T--LET ME-- TAKE ME TO MY CLIENT ALREADY? 636 00:26:43,335 --> 00:26:45,235 IT'S A HUGE MISTAKE TO INCONVENIENCE MY CLIENT... DO YOU REALIZE HOW LONG... 637 00:26:45,237 --> 00:26:47,337 ANY MORE THAN YOU ALREADY HAVE... I'VE BEEN WAITING FOR, HUH? 638 00:26:47,338 --> 00:26:52,108 YOU'RE SITTING THERE LOOKING AT ME LIKE THAT. NOT TO MENTION MY TIME, 639 00:26:52,111 --> 00:26:54,511 KEROUAC'S ROMANCE WAS WITH BENZEDRINE. 640 00:26:54,512 --> 00:26:56,652 "ON THE ROAD" WOULD NEVER HAVE BEEN WRITTEN WITHOUT IT. 641 00:26:56,648 --> 00:27:00,988 OH, IT'S THE LITERARY DETECTIVE. I HAD A FEELING YOU'D BE BACK. 642 00:27:00,987 --> 00:27:04,217 LOOKING FOR NEW ROOMMATES, GABRIEL? 643 00:27:04,222 --> 00:27:06,192 SOMETHING LIKE THAT. 644 00:27:06,192 --> 00:27:07,462 YOU THREE, OUT. 645 00:27:07,459 --> 00:27:10,359 OKAY. 646 00:27:11,529 --> 00:27:12,799 WE HAVE A WARRANT TO SEARCH YOUR SHOP 647 00:27:12,798 --> 00:27:14,428 AND THE APARTMENT UPSTAIRS. 648 00:27:14,432 --> 00:27:15,802 WHAT ARE YOU LOOKING FOR? 649 00:27:15,801 --> 00:27:18,001 EVIDENCE LINKING YOU TO THE MURDER OF ARCHIE BLOOM. 650 00:27:18,003 --> 00:27:19,273 WHY WOULD I KILL ARCHIE? 651 00:27:19,270 --> 00:27:21,140 WE READ HIS JOURNAL. WE KNOW ALL ABOUT IT-- 652 00:27:21,140 --> 00:27:23,610 THE PHYSICAL AND SEXUAL ABUSE DRIVEN BY SUBSTANCE ABUSE. 653 00:27:23,608 --> 00:27:25,008 CRYSTAL METH, TO BE EXACT. 654 00:27:25,010 --> 00:27:27,010 ARCHIE'S JOURNAL WAS A WRITING PROJECT. 655 00:27:27,012 --> 00:27:28,752 IT WAS A PURE WORK OF FICTION. 656 00:27:28,748 --> 00:27:29,748 FUNNY. THAT'S NOT WHAT HE TOLD HIS COUNSELOR 657 00:27:29,749 --> 00:27:30,749 AT THE HALFWAY HOUSE. 658 00:27:30,750 --> 00:27:31,920 TAKE OFF YOUR JACKET. 659 00:27:31,917 --> 00:27:33,947 ALL RIGHT. THERE'S A LIMIT. 660 00:27:33,952 --> 00:27:35,292 FINE. KEEP YOUR JACKET ON. 661 00:27:35,287 --> 00:27:37,217 PUT YOUR HANDS ON YOUR HEAD SO I CAN SEARCH YOU. 662 00:27:37,222 --> 00:27:38,222 NO, YOU'RE NOT. 663 00:27:38,223 --> 00:27:39,663 (grunts) OW! 664 00:27:39,657 --> 00:27:43,097 IN ARCHIE'S FICTIONAL JOURNAL, THE BAD GUY KEPT 665 00:27:43,095 --> 00:27:44,725 SOMETHING INTERESTING INSIDE HIS JACKET. 666 00:27:44,730 --> 00:27:47,300 (pants) OHH. 667 00:27:47,298 --> 00:27:48,168 CRYSTAL METH. 668 00:27:48,166 --> 00:27:49,966 (grunts) UH, O-OKAY. OKAY. OKAY. 669 00:27:49,969 --> 00:27:51,739 YEAH, FOR ALL YOUR HIGH-MINDED TALK, 670 00:27:51,738 --> 00:27:54,368 YOU'RE NOTHING BUT A PREDATOR AND A DRUG ADDICT. (handcuffs jangle) 671 00:27:54,373 --> 00:27:55,673 (click) (grunts) 672 00:27:55,673 --> 00:27:56,913 THAT BOY WAS BARELY AN ADULT. 673 00:27:56,909 --> 00:27:58,879 AND WHEN HE THREATED TO TELL THE POLICE, 674 00:27:58,877 --> 00:28:01,347 YOU KILLED HIM, JUST LIKE THE JOURNAL SAID YOU WOULD. 675 00:28:01,346 --> 00:28:03,916 I DIDN'T. I--OHH. 676 00:28:05,217 --> 00:28:08,017 ARE YOU PLANNING ON JOINING THIS INVESTIGATION? 677 00:28:08,019 --> 00:28:09,619 BECAUSE WE COULD REALLY USE YOUR HELP. 678 00:28:09,621 --> 00:28:11,421 I'M WEIGHING EVIDENCE IN MY HEAD. 679 00:28:11,423 --> 00:28:13,463 (sighs) WHERE DO YOU WANT TO PUT THIS ONE? 680 00:28:13,459 --> 00:28:15,389 INTERROGATION ROOMS ONE AND TWO ARE IN USE. 681 00:28:15,394 --> 00:28:16,804 I'LL PUT HIM IN THREE. 682 00:28:16,796 --> 00:28:18,056 THAT'S IT. OUR STABLES ARE FULL. 683 00:28:18,064 --> 00:28:19,574 WE GET ANY MORE SUSPECTS, 684 00:28:19,565 --> 00:28:21,065 WE'RE GONNA HAVE TO CONVERT THE JANITOR'S CLOSET. 685 00:28:21,067 --> 00:28:22,897 THIS IS GABRIEL LAMB'S DEFENSE ATTORNEY. 686 00:28:22,902 --> 00:28:24,302 WHERE'S MY CLIENT? 687 00:28:24,303 --> 00:28:26,343 LAWYERS IN MY OFFICE. I'LL BE WITH YOU SHORTLY. 688 00:28:26,337 --> 00:28:28,237 DID YOU GET ANYTHING AT THE BOOKSTORE? 689 00:28:28,240 --> 00:28:29,910 CRYSTAL METH. SOME ON THE SUSPECT 690 00:28:29,909 --> 00:28:31,839 AND 40 GRAMS IN HIS APARTMENT. LOOKS LIKE HE WAS DEALING. 691 00:28:31,844 --> 00:28:33,084 I DON'T GET IT. 692 00:28:33,078 --> 00:28:34,608 WE'VE GOT THREE PRIME MURDER SUSPECTS, 693 00:28:34,613 --> 00:28:35,983 ALL OF WHOM ARE GUILTY OF OTHER CRIMES. 694 00:28:35,981 --> 00:28:38,921 WELL, THANKS TO THE EVIDENCE YOU WERE PROVIDED. 695 00:28:38,917 --> 00:28:40,187 UNCOVERED, NOT PROVIDED. 696 00:28:40,185 --> 00:28:41,515 SEMANTICS. 697 00:28:41,519 --> 00:28:43,689 OUR BEST HOPE TO NAIL THE KILLER IS TO LEVERAGE OUR EVIDENCE 698 00:28:43,689 --> 00:28:44,889 WHILE THEY'RE STILL IN HOLDING, 699 00:28:44,891 --> 00:28:46,391 BUT WHICH SUSPECT DO WE GO AFTER FIRST? 700 00:28:46,392 --> 00:28:48,862 WELL, YOU HAVE THREE NEATLY PACKAGED POSSIBILITIES. 701 00:28:48,861 --> 00:28:50,361 UH, THE ONLY WAY TO KNOW FOR CERTAIN 702 00:28:50,362 --> 00:28:53,802 WHO KILLED ARCHIE BLOOM IS TO CONVINCE THE WITNESS TO TALK. 703 00:28:53,799 --> 00:28:55,769 WE'VE GOT A WITNESS? 704 00:28:56,734 --> 00:28:57,744 YEAH. 705 00:28:57,736 --> 00:29:01,866 (dance music playing) 706 00:29:01,874 --> 00:29:05,614 (man) * HOLD ME TONIGHT * 707 00:29:05,611 --> 00:29:07,111 MM. (laughs) 708 00:29:07,113 --> 00:29:08,753 SICKENING, SHANGELA, TRULY. OHH. 709 00:29:08,747 --> 00:29:10,377 OH, WELL, GIRL, IT'S GETTING THERE. 710 00:29:10,382 --> 00:29:12,622 OKAY, AND THEN AFTER SHANGELA, I TAKE THE STAGE, 711 00:29:12,617 --> 00:29:14,887 ME, ME, ME, AND THEN I INTRODUCE 712 00:29:14,886 --> 00:29:17,886 ANITA MANDELAY FOR A LITTLE BURLESQUE NUMBER. 713 00:29:17,890 --> 00:29:20,930 OH, MY. HE STOPS MY HEART EVERY TIME. 714 00:29:20,926 --> 00:29:22,256 (Patrick) HI, GLENNDA. 715 00:29:22,260 --> 00:29:23,600 HELLO, PATRICK. GIRLS. (feminine voice) PATRICK. 716 00:29:23,595 --> 00:29:25,095 PATRICK. (feminine voice) MM. 717 00:29:25,096 --> 00:29:27,196 WELL, IT SEEMS EVERYONE KNOWS ME. 718 00:29:27,199 --> 00:29:28,399 (gasps) OOPS. 719 00:29:28,400 --> 00:29:30,440 WE'RE A CLOSE LITTLE GROUP BACK HERE. (laughs) 720 00:29:30,435 --> 00:29:32,765 I'M THE DRAG MOM FOR MOST OF THESE GIRLS. 721 00:29:32,770 --> 00:29:34,010 WHEN YOU'RE STARTING OUT, 722 00:29:34,006 --> 00:29:36,236 IT HELPS TO HAVE SOMEONE SHOW YOU THE WAY. 723 00:29:36,241 --> 00:29:37,611 AND WHAT DO YOU DO FOR THEM? 724 00:29:37,608 --> 00:29:38,778 OH, WHAT DON'T I DO? 725 00:29:38,777 --> 00:29:40,807 I HELP THEM FIGURE OUT WHERE TO SHOP, 726 00:29:40,813 --> 00:29:44,653 HOW TO DRESS, AND WHO TO BECOME. 727 00:29:44,650 --> 00:29:47,850 NOTHING WOWS LIKE VINTAGE MADONNA. 728 00:29:47,854 --> 00:29:49,064 THIS IS MISS LABELLED. 729 00:29:49,055 --> 00:29:51,715 SHE RUNS A PIZZA JOINT IN RIVER PARK. 730 00:29:51,722 --> 00:29:53,292 AND WHAT DID GLENNDA TEACH YOU? 731 00:29:53,291 --> 00:29:57,161 I LEARNED HOW TO MARKET MYSELF. HALF OFF A LARGE PEPPERONI... 732 00:29:57,163 --> 00:29:58,933 (chuckles) IF YOU BRING IN YOUR TICKET STUB FROM THE SHOW. 733 00:29:58,931 --> 00:30:01,671 I LEARNED HOW TO KEEP IT SIMPLE 734 00:30:01,666 --> 00:30:03,936 AND MAKE IT SPARKLE. 735 00:30:03,935 --> 00:30:05,195 THIS IS FRITA PEOPLE. 736 00:30:05,203 --> 00:30:08,813 DENTIST BY DAY, DEVASTATING BY NIGHT. 737 00:30:08,807 --> 00:30:11,407 UH, EXCUSE ME. WH-WHAT'S YOUR NAME? 738 00:30:11,410 --> 00:30:12,780 FIFI NIX. 739 00:30:12,778 --> 00:30:15,008 FIFI NIX. AND WHAT DID GLENNDA TEACH YOU? 740 00:30:15,013 --> 00:30:17,423 HOW TO ACCEPT WHO I AM. 741 00:30:17,415 --> 00:30:20,815 OH. I WISH SOMEONE WOULD SHOW ME THAT TRICK. BRAVO. 742 00:30:20,818 --> 00:30:23,648 SO, PATRICK, YOU DIDN'T COME ALL THIS WAY JUST TO MEET GIRLS. 743 00:30:23,654 --> 00:30:25,094 YOU'RE RIGHT. 744 00:30:25,090 --> 00:30:27,890 UH, WE HAVE SOME SUSPECTS IN THE MURDER INVESTIGATION. 745 00:30:27,894 --> 00:30:29,134 I WAS HOPING THAT YOU COULD COME IN 746 00:30:29,127 --> 00:30:32,427 AND PICK OUT THE KILLER FROM THE LINEUP. 747 00:30:32,431 --> 00:30:33,501 I CAN'T DO THAT. 748 00:30:33,499 --> 00:30:36,369 UH, I MIGHT MAKE MYSELF HIS NEXT TARGET. 749 00:30:36,367 --> 00:30:38,197 ENOUGH PEOPLE HATE US FOR WHO WE ARE. 750 00:30:38,203 --> 00:30:40,543 I'M NOT GOING TO GIVE THEM ADDED INCENTIVE. 751 00:30:40,538 --> 00:30:42,878 I THOUGHT I MADE MYSELF CLEAR ABOUT THAT. 752 00:30:42,875 --> 00:30:45,935 WELL, WHAT YOU HAVE MADE CLEAR HERE IS THAT 753 00:30:45,944 --> 00:30:48,354 YOU KNOW HOW TO CELEBRATE WHAT'S DIFFERENT... 754 00:30:48,346 --> 00:30:51,776 MM. AND ARCHIE BLOOM WAS DIFFERENT, 755 00:30:51,782 --> 00:30:54,392 AND HE WAS BURNED ALIVE FOR IT. 756 00:30:59,825 --> 00:31:02,185 YOU HAVE TO GO. 757 00:31:08,366 --> 00:31:10,566 HMM. 758 00:31:10,568 --> 00:31:12,368 THERE YOU ARE. 759 00:31:14,973 --> 00:31:18,443 I BROUGHT THIS FOR YOU. 760 00:31:18,443 --> 00:31:20,353 THANKS. 761 00:31:20,346 --> 00:31:21,846 YOU AREN'T GONNA EAT IT? 762 00:31:21,846 --> 00:31:24,146 (sighs) I'M NOT HUNGRY. 763 00:31:24,150 --> 00:31:24,950 OH. 764 00:31:24,951 --> 00:31:26,051 WHAT ARE YOU DOING HERE? 765 00:31:26,051 --> 00:31:28,651 I CAME TO FILL OUT SOME PAPERWORK. 766 00:31:28,653 --> 00:31:29,923 A GIRL'S GOTTA GET PAID. 767 00:31:29,922 --> 00:31:30,992 RIGHT. 768 00:31:30,990 --> 00:31:34,960 YEAH, AND... I CAME TO SEE YOU. 769 00:31:35,861 --> 00:31:37,561 HEY, SUMMER. 770 00:31:37,563 --> 00:31:39,503 HEY, TERESA. 771 00:31:39,498 --> 00:31:41,528 HI, BOSS. 772 00:31:41,532 --> 00:31:43,072 (door closes) 773 00:31:43,068 --> 00:31:44,268 WHAT IS THAT ABOUT? 774 00:31:44,269 --> 00:31:45,469 (lowered voice) COME HERE. 775 00:31:45,471 --> 00:31:48,241 ARE YOU ASHAMED OF ME? 776 00:31:52,478 --> 00:31:55,348 I'M AT WORK. SHE'S MY BOSS. WE NEED TO BE DISCREET. 777 00:31:55,346 --> 00:31:57,276 IT'S NOTHING PERSONAL. 778 00:31:57,282 --> 00:31:58,952 I GET IT. 779 00:31:58,951 --> 00:32:00,921 I JUST WISH WE COULD BE OPEN, 780 00:32:00,919 --> 00:32:02,749 LIKE BOYFRIEND AND GIRLFRIEND. 781 00:32:02,753 --> 00:32:05,023 WE CAN, IF YOU STOP BEING MY C.I. 782 00:32:05,023 --> 00:32:07,363 I DON'T WANT TO STOP. I NEED THIS JOB. 783 00:32:07,358 --> 00:32:10,028 THE MONEY'S RIGHT, AND I LIKE IT. 784 00:32:10,028 --> 00:32:12,198 IT'S THE FIRST GROWN-UP JOB I'VE HAD. 785 00:32:12,198 --> 00:32:13,328 (sighs) ALL RIGHT THEN. 786 00:32:13,332 --> 00:32:15,032 NO MORE FOOLING AROUND AT WORK, OKAY? 787 00:32:15,034 --> 00:32:18,244 YES, SIR, AGENT CHO. ON THE DOUBLE. 788 00:32:18,237 --> 00:32:19,667 WHERE'S MY MONEY? 789 00:32:20,739 --> 00:32:22,139 COME ON. 790 00:32:23,041 --> 00:32:24,211 (switch clicks) 791 00:32:24,210 --> 00:32:26,050 (Lisbon) NUMBER 3, PLEASE STEP FORWARD. 792 00:32:26,045 --> 00:32:27,905 (click) 793 00:32:27,913 --> 00:32:29,123 WHAT ABOUT HIM? (sighs) 794 00:32:29,115 --> 00:32:31,245 TAKE YOUR TIME. 795 00:32:31,250 --> 00:32:33,680 MM... NO, I DON'T THINK IT'S HIM. 796 00:32:33,684 --> 00:32:36,024 (click) THANK YOU. 797 00:32:36,021 --> 00:32:38,061 NUMBER 4, PLEASE STEP FORWARD. 798 00:32:38,057 --> 00:32:39,457 (click) 799 00:32:39,458 --> 00:32:40,728 (click) 800 00:32:40,726 --> 00:32:44,656 MNH-MNH. I'D REMEMBER HIM. HE'S A BRUTE. 801 00:32:44,663 --> 00:32:45,603 (click) 802 00:32:45,596 --> 00:32:47,526 THANK YOU, AND, NUMBER 5, YOUR TURN. 803 00:32:47,532 --> 00:32:49,132 (click) 804 00:32:50,669 --> 00:32:52,539 YOU KNOW HIM? 805 00:32:54,073 --> 00:32:57,343 THAT ONE DEFINITELY LOOKS FAMILIAR. 806 00:32:57,343 --> 00:32:59,643 IS HE THE MAN YOU SAW IN THE ALLEY? 807 00:32:59,644 --> 00:33:02,084 UM... 808 00:33:02,080 --> 00:33:03,750 NO, HE--NO, HE'S TOO BIG. 809 00:33:03,749 --> 00:33:10,119 ALL OF THEM ARE TOO BIG. THE MAN THAT I SAW WAS SLENDER. 810 00:33:10,122 --> 00:33:11,492 WELL, WE TRIED. 811 00:33:11,490 --> 00:33:14,090 WE DID MORE THAN THAT. WE CONFIRMED MY SUSPICIONS. 812 00:33:14,093 --> 00:33:15,463 GLENNDA, COME ALONG. 813 00:33:15,461 --> 00:33:18,531 THERE'S SOME PEOPLE I'D LIKE YOU TO MEET. 814 00:33:21,067 --> 00:33:24,597 (inhales deeply) UH, YOU TWO ARE FREE TO GO. 815 00:33:24,603 --> 00:33:28,373 THESE SAD SPECIMENS ARE THE REAL SUSPECTS. 816 00:33:28,374 --> 00:33:30,514 NOT ANY LONGER. (sighs) THEY'RE TAINTED. 817 00:33:30,509 --> 00:33:32,779 JANE, DO YOU HAVE ANY IDEA WHAT YOU'VE DONE? 818 00:33:32,778 --> 00:33:34,378 I HAVEN'T DONE ANYTHING, BUT IT'S COMING. 819 00:33:34,380 --> 00:33:35,750 GLENNDA, MEET THE REAL SUSPECTS. 820 00:33:35,747 --> 00:33:39,117 BACHELOR NUMBER ONE-- A SERIAL BULLY AND A THIEF. 821 00:33:39,117 --> 00:33:40,417 IS THAT A DUDE? 822 00:33:40,419 --> 00:33:42,419 BACHELOR NUMBER TWO OWNS HIS OWN BOOKSTORE. 823 00:33:42,421 --> 00:33:43,891 HE'S A DRUG-ADDICTED SADIST... 824 00:33:43,888 --> 00:33:46,388 EVEN THE BEST DANCER IN THE WORLD WOULD LOOK CRAZY 825 00:33:46,392 --> 00:33:47,992 TO THOSE WHO CAN'T HEAR THE MUSIC. 826 00:33:47,992 --> 00:33:49,732 WHO ENJOYS BAD POETRY. 827 00:33:49,728 --> 00:33:52,358 WHICH LEAVES US WITH BACHELOR NUMBER THREE 828 00:33:52,364 --> 00:33:54,374 AND THE LOWEST LIFE-FORM OF THEM ALL-- 829 00:33:54,365 --> 00:33:57,565 A FATHER THAT REJECTED HIS OWN SON. 830 00:33:57,568 --> 00:34:01,308 THANK YOU. YOU JUST MADE MY ATTORNEY'S JOB MUCH EASIER. 831 00:34:01,307 --> 00:34:03,907 ALL THREE OF THESE SUSPECTS ARE EQUALLY GUILTY 832 00:34:03,909 --> 00:34:07,109 FOR LIGHTING THE FLAMES THAT TOOK THE LIFE OF ARCHIE BLOOM. 833 00:34:07,113 --> 00:34:08,783 THEY CAN'T ALL BE THE KILLER. 834 00:34:08,780 --> 00:34:10,820 WELL, SURE THEY CAN, BECAUSE I FIGURED OUT WHO GLENNDA SAW 835 00:34:10,815 --> 00:34:13,585 IN THAT ALLEYWAY THE NIGHT THE VICTIM WAS MURDERED. 836 00:34:18,856 --> 00:34:21,556 YES. ARCHIE BLOOM. 837 00:34:22,827 --> 00:34:25,457 OHH. THE YOUNG MAN THAT DOUSED HIS OWN CAR WITH GAS, 838 00:34:25,463 --> 00:34:28,003 HANDCUFFED HIMSELF TO THE STEERING WHEEL, 839 00:34:27,998 --> 00:34:31,598 AND THEN... LIT A MATCH. 840 00:34:46,152 --> 00:34:47,552 IF THE VICTIM TOOK HIS OWN LIFE, 841 00:34:47,552 --> 00:34:49,922 IT EXONERATES MY CLIENT OF GUILT. 842 00:34:49,920 --> 00:34:51,460 UH, ALL OF OUR CLIENTS. 843 00:34:51,456 --> 00:34:53,686 "GUILT" IS A RELATIVE TERM. 844 00:34:53,692 --> 00:34:57,032 (sighs) YOU THREE MEN DROVE A BOY TO TAKE HIS OWN LIFE. 845 00:34:57,027 --> 00:34:58,197 BUT BEFORE HE DID, HE LEFT CLUES 846 00:34:58,197 --> 00:34:59,857 TO MAKE EACH ONE OF YOU A SUSPECT. 847 00:34:59,864 --> 00:35:01,234 WHAT WAS THE POINT? 848 00:35:01,233 --> 00:35:03,343 HE HAD TO KNOW THE EVIDENCE WOULD NEVER STAND UP. 849 00:35:03,335 --> 00:35:05,365 ARCHIE RIGGED IT 850 00:35:05,371 --> 00:35:06,841 SO THAT IF YOUR CLIENTS DIDN'T GO DOWN FOR MURDER, 851 00:35:06,838 --> 00:35:09,308 THEY'D EACH HAVE TO ANSWER FOR THEIR OTHER CRIMES. 852 00:35:09,307 --> 00:35:11,337 WE'RE FORMALLY CHARGING RICK HUGHES WITH THEFT, 853 00:35:11,342 --> 00:35:13,042 GABRIEL LAMB WITH DRUG DEALING, 854 00:35:13,043 --> 00:35:14,053 AND ARCHIE BLOOM-- 855 00:35:14,045 --> 00:35:16,315 WILL WALK. I GUARANTEE IT. 856 00:35:16,315 --> 00:35:17,575 WHERE IS HE GOING? 857 00:35:17,583 --> 00:35:20,093 YOUR CLIENT HANDCUFFED HIS GAY SON TO A DESK. 858 00:35:20,085 --> 00:35:21,485 WAIT TILL THAT VIDEO GETS OUT. 859 00:35:21,487 --> 00:35:23,487 YOU'RE NEVER GONNA WORK AGAIN. 860 00:35:23,489 --> 00:35:25,659 IT'S JUST A SHAME A BOY HAD TO TAKE HIS OWN LIFE 861 00:35:25,657 --> 00:35:28,227 TO BRING EACH OF YOU TO JUSTICE. 862 00:35:28,226 --> 00:35:31,796 CARL, GET 'EM OUT OF HERE. 863 00:35:31,797 --> 00:35:33,567 SUCH A NICE FACE. 864 00:35:33,565 --> 00:35:37,335 WHY DID HE CHOOSE OUR ALLEY TO END HIS LIFE? 865 00:35:37,335 --> 00:35:41,405 SOMETIMES A DARK ALLEY IS JUST A DARK ALLEY. 866 00:35:55,221 --> 00:35:57,621 WELL... (sighs) THEY'VE ALL BEEN PROCESSED. 867 00:35:57,623 --> 00:35:59,723 WELL, THAT'S A BIG HAUL TODAY. 868 00:35:59,724 --> 00:36:01,764 SOLVED A MURDER. YOU BOOKED THREE SCUMBAGS, 869 00:36:01,760 --> 00:36:04,930 AS YOU COPPERS LIKE TO SAY. YOU SHOULD BE VERY PROUD. 870 00:36:04,929 --> 00:36:08,369 I DON'T THINK I'VE EVER BEEN SO DEPRESSED ABOUT A CASE. 871 00:36:08,367 --> 00:36:10,267 I CAN'T GET THAT KID OUT OF MY HEAD. 872 00:36:10,268 --> 00:36:12,098 (swallows) 873 00:36:12,103 --> 00:36:13,873 YOU WANT SOME TEA? 874 00:36:13,871 --> 00:36:16,111 I DON'T THINK TEA'S GONNA DO IT. 875 00:36:16,106 --> 00:36:19,376 HMM. (sniffles) IN THAT CASE, 876 00:36:19,378 --> 00:36:22,208 I THINK I KNOW JUST THE THING TO CHEER YOU UP-- 877 00:36:22,213 --> 00:36:24,183 CABARET. 878 00:36:24,181 --> 00:36:25,421 JANE. 879 00:36:25,416 --> 00:36:26,816 AND IF HURRY, WE CAN CATCH THE LATE SHOW. 880 00:36:26,818 --> 00:36:29,258 COME ON. I NEED TO GET FLOWERS ON THE WAY. 881 00:36:29,255 --> 00:36:30,715 (sips) MMM. 882 00:36:30,722 --> 00:36:31,522 (dishes clatter) 883 00:36:31,523 --> 00:36:33,193 COME ON. (claps hands) 884 00:36:35,226 --> 00:36:38,556 (indistinct conversations) 885 00:36:44,735 --> 00:36:45,865 (laughter) 886 00:36:49,675 --> 00:36:50,735 BOOTY CHECK. 887 00:36:50,742 --> 00:36:52,612 (laughter) 888 00:36:56,213 --> 00:36:58,453 OH. NOW WHO DIED? 889 00:36:58,449 --> 00:37:00,749 DON'T MIND US. WE COME BEARING WELL WISHES 890 00:37:00,751 --> 00:37:02,691 AND FLOWERS, SO... OH, THANK YOU. 891 00:37:02,688 --> 00:37:05,388 AH. FIFI NIX. 892 00:37:05,391 --> 00:37:07,431 THIS IS, UH, TERESA LISBON. 893 00:37:07,425 --> 00:37:08,955 HI. FIFI. THESE ARE FOR YOU. 894 00:37:08,960 --> 00:37:11,330 I JUST WANT TO WISH YOU LUCK WITH YOUR NEW LIFE. 895 00:37:11,329 --> 00:37:13,099 YOU DESERVE THE BEST. 896 00:37:13,097 --> 00:37:15,127 WHAT NEW LIFE? 897 00:37:15,132 --> 00:37:16,432 ARE YOU GONNA TELL HER, OR SHALL I? 898 00:37:16,434 --> 00:37:18,074 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 899 00:37:18,068 --> 00:37:19,668 SUCH MODESTY. 900 00:37:19,670 --> 00:37:21,940 ACTUALLY, I'M QUITE SURPRISED YOU HADN'T PICKED IT UP. 901 00:37:21,940 --> 00:37:23,780 "FIFI NIX." 902 00:37:23,775 --> 00:37:29,245 PHOENIX. RISEN FROM THE ASHES. 903 00:37:29,246 --> 00:37:32,316 FIFI NIX IS ARCHIE BLOOM? 904 00:37:34,052 --> 00:37:35,892 (mouths words) 905 00:37:37,188 --> 00:37:39,058 THAT'S RIGHT. I WAS. 906 00:37:39,056 --> 00:37:40,456 UH, ARCHIE, I MEAN. 907 00:37:40,458 --> 00:37:42,158 THE SUICIDE WAS STAGED? 908 00:37:42,159 --> 00:37:45,459 NOT AT FIRST. IT WAS GONNA BE REAL. 909 00:37:45,463 --> 00:37:47,303 THEY TALKED ME OUT OF IT. 910 00:37:49,335 --> 00:37:51,335 WHERE DID YOU GET THE BODY? 911 00:37:51,336 --> 00:37:53,196 (chuckles) WELL, HERE'S HOPING 912 00:37:53,204 --> 00:37:54,744 I LOOK GOOD IN PRISON ORANGE. 913 00:37:54,739 --> 00:37:58,609 I STOLE AN UNCLAIMED BODY FROM THE CEMETERY WHERE I WORK. 914 00:37:58,610 --> 00:38:01,810 IT WAS DESTINED FOR THE POTTER'S FIELD. 915 00:38:01,813 --> 00:38:02,613 (clicks) 916 00:38:02,614 --> 00:38:04,454 (keys jangle) OHH. 917 00:38:04,449 --> 00:38:06,249 (speaks indistinctly) WATCH THE HEAD. 918 00:38:06,251 --> 00:38:08,191 WHOA, WHOA. DROP IT DOWN. 919 00:38:08,186 --> 00:38:09,356 COME ON. OH. 920 00:38:09,355 --> 00:38:11,085 OHH. OH, MY GOD. 921 00:38:11,088 --> 00:38:12,118 WATCH YOUR STEP. WATCH THE BAG. 922 00:38:12,123 --> 00:38:13,193 COME ON. THIS WAY. 923 00:38:13,190 --> 00:38:14,330 COME ON. SHANGELA, GET THE DOOR. 924 00:38:14,326 --> 00:38:16,386 (grunts) 925 00:38:16,394 --> 00:38:17,434 ALL RIGHT. THERE. THERE. 926 00:38:17,429 --> 00:38:18,759 (speaks indistinctly) OHH. 927 00:38:18,764 --> 00:38:20,874 (high-pitched voice) OHH! (whispers) OKAY. OKAY. 928 00:38:20,865 --> 00:38:22,525 (pants and grunts) 929 00:38:26,972 --> 00:38:27,942 (whooshes) 930 00:38:27,938 --> 00:38:32,238 (panting) LET'S GO. LET'S GO! 931 00:38:32,242 --> 00:38:34,352 (flames roaring) 932 00:38:34,346 --> 00:38:35,406 MY HEEL. 933 00:38:35,414 --> 00:38:37,524 COME ON. KEEP GOING. KEEP GOING. 934 00:38:37,516 --> 00:38:39,216 AND WHAT ABOUT THE DENTAL RECORDS? 935 00:38:39,217 --> 00:38:40,647 WELL, MISS FRITA PEOPLE OVER THERE 936 00:38:40,652 --> 00:38:43,492 HAPPENS TO BE A DENTIST DURING THE DAY. 937 00:38:43,489 --> 00:38:44,889 ARCHIE'S DENTIST. 938 00:38:44,889 --> 00:38:48,359 UH, I X-RAYED THE CORPSE AND SUPPLIED YOUR DEPARTMENT 939 00:38:48,360 --> 00:38:49,360 WITH THE FILM. 940 00:38:49,360 --> 00:38:51,260 THAT'S HOW I MET EVERYONE. 941 00:38:51,262 --> 00:38:53,632 LAST YEAR, I WAS GETTING A CHECKUP. 942 00:38:53,632 --> 00:38:55,772 I NOTICED TRACES OF EYELINER 943 00:38:55,766 --> 00:38:57,536 ON MY DENTIST. (chuckles) 944 00:38:57,536 --> 00:39:00,106 HE INTRODUCED ME AROUND. 945 00:39:00,105 --> 00:39:01,835 SO YOU WERE ALL IN ON IT? 946 00:39:01,840 --> 00:39:03,940 WE'RE SUCKERS FOR HEARTACHE. 947 00:39:03,942 --> 00:39:09,012 AND THAT'S WHY I LIED ABOUT WHAT I SAW IN THE ALLEY. 948 00:39:09,014 --> 00:39:10,624 SHE LIED TO PROTECT US. 949 00:39:10,615 --> 00:39:12,175 HOW DID YOU KNOW IT WAS ME? 950 00:39:12,182 --> 00:39:14,182 WELL, YOU'RE EXACTLY WHAT I EXPECTED TO FIND, 951 00:39:14,184 --> 00:39:18,394 I MEAN, UH, ASIDE FROM A LITTLE PAINT AND BODYWORK. 952 00:39:18,389 --> 00:39:21,089 WHAT DID YOU EXPECT TO FIND? 953 00:39:21,092 --> 00:39:24,932 THE VICTIM WE WERE INVESTIGATING WASN'T SOMEONE PREPARING TO DIE. 954 00:39:24,929 --> 00:39:27,069 IT WAS SOMEONE THAT WANTED TO LIVE. 955 00:39:31,135 --> 00:39:33,535 SO WHAT ARE YOU GOING TO DO? 956 00:39:33,539 --> 00:39:36,939 YES, UH, WHAT ARE WE GOING TO DO? 957 00:39:39,677 --> 00:39:41,977 (Glennda) WE HAVE A TREAT FOR YOU TONIGHT. 958 00:39:41,980 --> 00:39:47,550 THE FIERY CREATION WHO DEFIES THE LAWS OF MAN AND NATURE. 959 00:39:47,552 --> 00:39:49,952 DRAG BABIES, I PRESENT TO YOU 960 00:39:49,954 --> 00:39:55,694 THE TRANSCENDENT, TRANSFORMATIVE FIFI NIX. 961 00:39:55,693 --> 00:39:58,903 ("Somewhere Over The Rainbow" playing) 962 00:39:58,896 --> 00:40:01,896 (applause) 963 00:40:03,434 --> 00:40:07,574 * SOMEWHERE * 964 00:40:07,572 --> 00:40:12,312 * OVER THE RAINBOW * 965 00:40:12,309 --> 00:40:17,779 * WAY UP HIGH * 966 00:40:18,717 --> 00:40:22,047 * THERE'S * 967 00:40:22,052 --> 00:40:24,052 * A LAND * 968 00:40:24,054 --> 00:40:26,194 * THAT I HEARD OF * 969 00:40:26,190 --> 00:40:27,730 * ONCE * 970 00:40:27,726 --> 00:40:33,466 * IN A LULLABY * 971 00:40:33,465 --> 00:40:34,795 IS THAT A TEAR I SEE? 972 00:40:34,800 --> 00:40:37,740 (voice breaks) YEAH, RIGHT. JUST KEEP WATCHING. 973 00:40:37,735 --> 00:40:42,635 * OVER THE RAINBOW * 974 00:40:42,641 --> 00:40:49,281 * SKIES ARE BLUE * 975 00:40:49,280 --> 00:40:54,420 * AND THE DREAMS * 976 00:40:54,418 --> 00:40:57,688 * THAT YOU DARE TO DREAM * 977 00:40:57,688 --> 00:41:00,028 * REALLY DO * 978 00:41:00,025 --> 00:41:06,125 * COME TRUE *